1 00:00:05,680 --> 00:00:08,639 Speaker 1: Ladies and gentlemen, are you ready? 2 00:00:09,360 --> 00:00:11,120 Speaker 2: Shuts about to hit the fan? 3 00:00:11,880 --> 00:00:20,680 Speaker 3: Welcome to on Sanctioned Thursdays, horestling with ready. 4 00:00:19,920 --> 00:00:20,680 Speaker 1: What's up? Everyone? 5 00:00:20,720 --> 00:00:23,640 Speaker 2: Welcome to Unsanctioned Thursdays, the show that you asked for 6 00:00:23,840 --> 00:00:26,880 Speaker 2: because our episodes are too damned short, so here we go. 7 00:00:27,120 --> 00:00:30,080 Speaker 2: It's a short episode, as Thursdays always are. Don't worry, 8 00:00:30,080 --> 00:00:32,920 Speaker 2: we'll only have seventeen commercial breaks. Let's start the show, 9 00:00:35,400 --> 00:00:37,560 Speaker 2: all right. We're not gonna waste any time. Jeff're getting 10 00:00:37,640 --> 00:00:41,120 Speaker 2: right into it. This one is from Robbie Nielsen five. 11 00:00:42,400 --> 00:00:44,960 Speaker 2: I know you'll get this question a lot, but any 12 00:00:45,040 --> 00:00:46,120 Speaker 2: updates on the Federation? 13 00:00:46,280 --> 00:00:47,040 Speaker 1: Yeah, let me be. 14 00:00:47,479 --> 00:00:50,519 Speaker 2: Completely straight up and get this out of the way, 15 00:00:50,520 --> 00:00:53,199 Speaker 2: because I think I've hinted at it in an earlier episode, 16 00:00:53,200 --> 00:00:55,800 Speaker 2: but I didn't really like give the details. So this 17 00:00:55,960 --> 00:00:58,880 Speaker 2: was and still is. But right now it's a dream 18 00:00:58,880 --> 00:01:01,440 Speaker 2: that's on hold. This was a huge dream of mine 19 00:01:01,800 --> 00:01:04,440 Speaker 2: and I got really friggin close. At the end of 20 00:01:04,480 --> 00:01:06,640 Speaker 2: the day. What I wanted to buy wanted to be 21 00:01:06,720 --> 00:01:10,040 Speaker 2: sold for more than what I could bring to the table. 22 00:01:10,520 --> 00:01:14,520 Speaker 2: And other companies have like WWE and AEW have you know, 23 00:01:14,600 --> 00:01:18,080 Speaker 2: infinite amounts of cash, and I have a what's the 24 00:01:18,080 --> 00:01:22,040 Speaker 2: absite of infinite? A finite A finite a finite amount 25 00:01:22,040 --> 00:01:25,560 Speaker 2: of cash. So after the LA Fires, we decided to 26 00:01:25,600 --> 00:01:27,200 Speaker 2: move because we were really close to where all that 27 00:01:27,240 --> 00:01:30,480 Speaker 2: went down. It literally hit our street. But when we 28 00:01:30,480 --> 00:01:33,240 Speaker 2: were evacuated and so we moved. So my wrestling money 29 00:01:33,280 --> 00:01:36,560 Speaker 2: went into buying a beautiful home for my family that 30 00:01:36,600 --> 00:01:39,600 Speaker 2: we're all he feels very safe and comfortable in. And 31 00:01:39,680 --> 00:01:42,160 Speaker 2: the dream will have to come about a different a 32 00:01:42,200 --> 00:01:44,160 Speaker 2: different way. I haven't given up on it, but I 33 00:01:44,200 --> 00:01:47,200 Speaker 2: did have to shelve it based on life and circumstances 34 00:01:47,240 --> 00:01:50,040 Speaker 2: and tough business negotiations that I just wasn't able to 35 00:01:50,400 --> 00:01:52,920 Speaker 2: get a favorable position in. So I appreciate the question, 36 00:01:53,000 --> 00:01:55,440 Speaker 2: Robbie Nielsen, and that's the answer for all of you. 37 00:01:55,800 --> 00:01:57,320 Speaker 2: I'm not giving up on it. It just has to 38 00:01:57,320 --> 00:02:00,600 Speaker 2: be on hold while I make a couple movies. All right, 39 00:02:01,200 --> 00:02:04,400 Speaker 2: Coming up next, this one's coming from A Z six 40 00:02:04,560 --> 00:02:07,680 Speaker 2: six six, the number of the Devil. What are your 41 00:02:07,720 --> 00:02:10,800 Speaker 2: favorite restaurants around Los Angeles? Oh, you think I'm gonna 42 00:02:10,800 --> 00:02:12,880 Speaker 2: tell you my favorite spot? So you could be there 43 00:02:12,919 --> 00:02:17,000 Speaker 2: and then like ask me some questions about the Federation. Listen, man, 44 00:02:17,080 --> 00:02:18,960 Speaker 2: I'll give you some restaurants, but I can't give you 45 00:02:19,000 --> 00:02:23,119 Speaker 2: my top dog because then everyone knows about it. I'll 46 00:02:23,160 --> 00:02:25,960 Speaker 2: tell you this, and I screwed up. Man. Back in 47 00:02:25,960 --> 00:02:28,120 Speaker 2: the late nineties early two thousands, there was this and 48 00:02:28,160 --> 00:02:30,359 Speaker 2: it's still there. It's an amazing restaurant. I still go there. 49 00:02:30,360 --> 00:02:33,360 Speaker 2: It's called Asanebo. It's a sushi restaurant in the valley 50 00:02:33,639 --> 00:02:37,160 Speaker 2: on Ventura Boulevard and Radford, right in that area, right there, 51 00:02:38,040 --> 00:02:40,080 Speaker 2: and everybody should go there. But it used to be 52 00:02:40,160 --> 00:02:42,560 Speaker 2: this secret spot. It opened up in nineteen ninety seven, 53 00:02:42,840 --> 00:02:44,639 Speaker 2: end of ninety six, beginning of ninety seven. And I 54 00:02:44,720 --> 00:02:47,160 Speaker 2: used to go there because Japanese restaurants would always let 55 00:02:47,160 --> 00:02:49,080 Speaker 2: you drink, even if you weren't twenty one. They didn't care. 56 00:02:49,160 --> 00:02:51,320 Speaker 2: They just want your money. So that's a good tip 57 00:02:51,360 --> 00:02:53,000 Speaker 2: for all you eighteen year olds that like to drink. 58 00:02:53,000 --> 00:02:54,320 Speaker 2: Go to Japanese restaurants. 59 00:02:54,560 --> 00:02:56,239 Speaker 3: I used to have a shirt that I bought in 60 00:02:56,520 --> 00:03:02,160 Speaker 3: Japan that said, uh, Japan serves alcohol two children, and 61 00:03:02,200 --> 00:03:02,560 Speaker 3: that's all. 62 00:03:04,320 --> 00:03:04,600 Speaker 1: I thought. 63 00:03:04,600 --> 00:03:06,760 Speaker 3: It was a funny shirt I bought, ut it's the truth. 64 00:03:07,520 --> 00:03:11,480 Speaker 3: It's the truth. So anyway, I told these actors that 65 00:03:11,520 --> 00:03:13,799 Speaker 3: were on a TV show back then. I was friends 66 00:03:13,800 --> 00:03:16,720 Speaker 3: with one of them, and I told him, and I 67 00:03:16,720 --> 00:03:19,240 Speaker 3: brought him to this restaurant. I said, I said specifically, 68 00:03:19,280 --> 00:03:21,880 Speaker 3: but don't tell your friends, because his friends were like 69 00:03:22,000 --> 00:03:24,840 Speaker 3: the people who call the paparazzi and tell them where 70 00:03:24,840 --> 00:03:26,960 Speaker 3: they're gonna be so that they get photographed when they 71 00:03:26,960 --> 00:03:28,600 Speaker 3: come out, and then they act all annoyed that they're 72 00:03:28,639 --> 00:03:31,280 Speaker 3: being photographed, even though they're the ones that called. I 73 00:03:31,320 --> 00:03:34,760 Speaker 3: was like, don't tell your friends because they're all gonna, 74 00:03:34,840 --> 00:03:37,400 Speaker 3: you know, make this place super trendy and popular, and 75 00:03:37,400 --> 00:03:37,880 Speaker 3: I don't want to. 76 00:03:37,840 --> 00:03:39,560 Speaker 2: Get photographed coming in and out of here. It's like 77 00:03:39,600 --> 00:03:41,880 Speaker 2: the secret hole in the wall spot. He's like, yeah, 78 00:03:41,920 --> 00:03:46,040 Speaker 2: no problem, bro, no problem that weekend happens that Monday, 79 00:03:46,240 --> 00:03:49,240 Speaker 2: I see photos of all his whole cast coming out 80 00:03:49,280 --> 00:03:51,200 Speaker 2: of that restaurant, and I was like, I called him. 81 00:03:51,200 --> 00:03:54,360 Speaker 2: I said, damn it, bro, I told you. He was like, oh, sorry, man, 82 00:03:54,360 --> 00:03:55,720 Speaker 2: it was no big deal. I was like, no, it 83 00:03:55,800 --> 00:03:57,480 Speaker 2: is a big deal. And then the next time I went, 84 00:03:57,520 --> 00:03:59,360 Speaker 2: I got fun. So I stopped going for like two 85 00:03:59,440 --> 00:04:01,720 Speaker 2: years because I hated that crap so much. But it's 86 00:04:01,760 --> 00:04:04,640 Speaker 2: called asinabol it's in the valley. I go there again 87 00:04:04,720 --> 00:04:07,400 Speaker 2: now because now none of those a holes go there anymore. 88 00:04:07,760 --> 00:04:09,800 Speaker 2: And yeah, I called them a holes. They were a holes. 89 00:04:09,800 --> 00:04:12,640 Speaker 2: So dealers were a holes. I'll tell Jeff who they 90 00:04:12,640 --> 00:04:15,320 Speaker 2: were off the air. But yeah, so Asinebo, it's in 91 00:04:15,360 --> 00:04:18,520 Speaker 2: the valley. It's an awesome spot if you like Italian food. 92 00:04:18,560 --> 00:04:21,360 Speaker 2: There's a great place called Scratch, which is like this 93 00:04:21,560 --> 00:04:24,960 Speaker 2: sneaky speakeasy spot. You make a reservation and then you 94 00:04:25,000 --> 00:04:26,760 Speaker 2: got to kind of find it. It's in this like 95 00:04:27,800 --> 00:04:30,320 Speaker 2: not an unmarked shopping center, but just like a very 96 00:04:30,360 --> 00:04:32,760 Speaker 2: nondescript shopping center, and they don't have a sign on 97 00:04:32,800 --> 00:04:34,159 Speaker 2: the door, so you kind of just got to like 98 00:04:34,480 --> 00:04:36,680 Speaker 2: walk around until you find it, and it's annoying, but 99 00:04:36,720 --> 00:04:38,279 Speaker 2: once you get in, you're like, oh wow, this is 100 00:04:38,320 --> 00:04:40,880 Speaker 2: really worth it. So those are your two recommendations, Jeff, 101 00:04:40,920 --> 00:04:43,839 Speaker 2: what do you recommend? I'm a simple man. I'm not 102 00:04:43,920 --> 00:04:44,600 Speaker 2: a foodie. 103 00:04:45,080 --> 00:04:45,279 Speaker 1: You know. 104 00:04:45,480 --> 00:04:48,640 Speaker 3: I could tell you twelve great bars from when I 105 00:04:48,680 --> 00:04:51,520 Speaker 3: was drinking, and I could tell you five great cigar 106 00:04:51,680 --> 00:04:54,520 Speaker 3: loungers that are near where I live that I frequent. 107 00:04:54,839 --> 00:04:56,800 Speaker 3: But I'm not like a big food guy. I'm always 108 00:04:56,920 --> 00:04:59,680 Speaker 3: ordering in Like just last night I had hostmates. I 109 00:04:59,800 --> 00:05:02,760 Speaker 3: ordered sugarfish really sushi plays. 110 00:05:02,800 --> 00:05:03,600 Speaker 1: You know, it's whatever. 111 00:05:03,640 --> 00:05:06,400 Speaker 3: It's hardly a secret, but I will say, if you're 112 00:05:06,440 --> 00:05:09,159 Speaker 3: ever in the Valley of Los Angeles, there's a place 113 00:05:09,200 --> 00:05:13,880 Speaker 3: called Hugos. Yeah, it's just like a healthy diner. But 114 00:05:13,920 --> 00:05:16,600 Speaker 3: it isn't so healthy that it doesn't taste good, and 115 00:05:16,640 --> 00:05:20,000 Speaker 3: it isn't so dinery that you feel guilty about eating it. 116 00:05:20,000 --> 00:05:23,280 Speaker 3: It's just a really good diner called Hugos. 117 00:05:23,680 --> 00:05:26,360 Speaker 2: I have eaten a Hugos on many a brunch, and 118 00:05:26,400 --> 00:05:29,760 Speaker 2: I completely agree with Jeff's endorsement. Next week we'll tell 119 00:05:29,760 --> 00:05:33,120 Speaker 2: you guys where the best cigar bars in the valley are. Yeah, 120 00:05:33,480 --> 00:05:37,000 Speaker 2: next up, and we're really nice to you as considering 121 00:05:37,040 --> 00:05:38,360 Speaker 2: you have the number of the Beast. 122 00:05:38,600 --> 00:05:41,080 Speaker 3: Yeah, I thought about going. I'm not answering this for 123 00:05:41,160 --> 00:05:45,280 Speaker 3: anyone that has six six six. I tell everyone, do 124 00:05:45,400 --> 00:05:47,919 Speaker 3: what you'd like, but don't do what you'd like with 125 00:05:48,000 --> 00:05:48,520 Speaker 3: the devil. 126 00:05:48,680 --> 00:05:49,960 Speaker 1: You know that's a bad thing. 127 00:05:50,240 --> 00:05:53,080 Speaker 2: Yeah, man, the Devil's bad, all right. This one comes 128 00:05:53,080 --> 00:05:57,280 Speaker 2: from Sky's the Limit twenty twenty one. Do your respective 129 00:05:57,320 --> 00:06:01,000 Speaker 2: partners have problems when you're hooking up? In a movie? 130 00:06:01,480 --> 00:06:02,360 Speaker 2: Great question. 131 00:06:03,360 --> 00:06:05,159 Speaker 1: No, my ex. 132 00:06:05,040 --> 00:06:07,080 Speaker 2: Girlfriend did, which is one of the reasons why she's 133 00:06:07,160 --> 00:06:10,400 Speaker 2: my ex. She thought that it was like cheating, and 134 00:06:10,480 --> 00:06:12,960 Speaker 2: so we woke up and then she was the one 135 00:06:13,000 --> 00:06:15,520 Speaker 2: who actually cheated in real life, and I was like, uh, 136 00:06:15,680 --> 00:06:17,440 Speaker 2: what the hell Like, at least I got. 137 00:06:17,360 --> 00:06:17,919 Speaker 1: Hit for it. 138 00:06:18,320 --> 00:06:20,880 Speaker 3: Twenty twenty one. This is the best question ever. And 139 00:06:20,920 --> 00:06:23,800 Speaker 3: I'll tell you why. I've had a theory about this 140 00:06:23,960 --> 00:06:29,200 Speaker 3: forever because these actor guys and these actor guys and gals, yeah, 141 00:06:29,240 --> 00:06:33,600 Speaker 3: tell me about me, Yeah, I will. They always go, oh, gosh, 142 00:06:33,720 --> 00:06:37,480 Speaker 3: it's just a character. It's just a character. Oh my gosh, 143 00:06:37,520 --> 00:06:40,880 Speaker 3: it's not real. It's like, dude, when I get I 144 00:06:40,920 --> 00:06:43,480 Speaker 3: get turned on, when I get a massage, I don't 145 00:06:43,520 --> 00:06:47,279 Speaker 3: know how to turn it off, just because it's an acting. Also, 146 00:06:47,320 --> 00:06:50,200 Speaker 3: with acting, you get so into it that I don't 147 00:06:50,240 --> 00:06:54,000 Speaker 3: know how. I wouldn't have feelings or emotions if I 148 00:06:54,040 --> 00:06:56,960 Speaker 3: start kissing on someone or hooking up with someone. So 149 00:06:57,080 --> 00:07:00,880 Speaker 3: I respect actors that they're able to not make this 150 00:07:01,000 --> 00:07:03,440 Speaker 3: a thing, but I know I wouldn't be able to. 151 00:07:03,520 --> 00:07:05,200 Speaker 1: I don't know how. I don't know how the heck 152 00:07:05,240 --> 00:07:05,680 Speaker 1: they do it. 153 00:07:06,080 --> 00:07:08,080 Speaker 2: So I know a lot of actors who do have 154 00:07:08,200 --> 00:07:11,280 Speaker 2: issues with it, like what you're saying and can't deal 155 00:07:11,320 --> 00:07:13,720 Speaker 2: with it, and they don't hate. They don't date other 156 00:07:13,840 --> 00:07:17,000 Speaker 2: actors simply because of that, like they can't handle it. 157 00:07:17,280 --> 00:07:19,880 Speaker 2: I also know some actors whose spouses that are not 158 00:07:20,000 --> 00:07:22,640 Speaker 2: in the business who hate the fact that their spouse 159 00:07:22,680 --> 00:07:25,720 Speaker 2: has to kiss somebody else. So there are insecurities that 160 00:07:25,760 --> 00:07:28,840 Speaker 2: can drive those types of feelings, right, My insecurities are 161 00:07:29,040 --> 00:07:29,560 Speaker 2: other stuff. 162 00:07:29,600 --> 00:07:30,640 Speaker 1: I'm more self hate. 163 00:07:30,880 --> 00:07:34,160 Speaker 2: That stuff was like, oh, I'm probably horrible at this too. Fuck, 164 00:07:34,360 --> 00:07:37,120 Speaker 2: Like that's more where my insecurities lie. But they've never 165 00:07:37,200 --> 00:07:39,920 Speaker 2: lied in there, Like I've never worried about Sarah liking 166 00:07:39,960 --> 00:07:42,400 Speaker 2: somebody that she worked with, and she's never had to 167 00:07:42,440 --> 00:07:44,600 Speaker 2: worry about that either. I'm friends with most of the 168 00:07:44,840 --> 00:07:47,240 Speaker 2: women that I've had to have an intimate scene with 169 00:07:47,280 --> 00:07:49,120 Speaker 2: on camera, like Rachel ye Cook and I are still 170 00:07:49,160 --> 00:07:52,440 Speaker 2: super friggin tight, and she was like the first girl 171 00:07:52,480 --> 00:07:55,000 Speaker 2: I think I smooched on camera, but there was no like, 172 00:07:56,200 --> 00:07:58,400 Speaker 2: oh my gosh, we just smooched because she's more like 173 00:07:58,480 --> 00:08:00,880 Speaker 2: a sister, like I looked out for and she looked 174 00:08:00,880 --> 00:08:03,800 Speaker 2: out for me. That's sort of always been our relationship 175 00:08:04,040 --> 00:08:06,400 Speaker 2: and I think maybe because it was established like that 176 00:08:06,520 --> 00:08:09,560 Speaker 2: for me, I've just always taken that approach with every 177 00:08:09,600 --> 00:08:11,480 Speaker 2: single woman that I've had to have a smooch with 178 00:08:11,600 --> 00:08:13,320 Speaker 2: on camera, where it's just like, nah, I'm here to 179 00:08:13,320 --> 00:08:16,239 Speaker 2: look out for you. You're safe with me. Nobody's asking 180 00:08:16,240 --> 00:08:19,120 Speaker 2: you for coffee later, like this is a job. And 181 00:08:19,160 --> 00:08:22,080 Speaker 2: I think because of that, I've always maintained friendships with 182 00:08:22,200 --> 00:08:25,160 Speaker 2: just about every female that I worked with. Some may 183 00:08:25,160 --> 00:08:27,000 Speaker 2: not be friends, but we're not enemies. We just don't 184 00:08:27,080 --> 00:08:29,400 Speaker 2: know each other because we had nothing in common. But yeah, 185 00:08:29,400 --> 00:08:31,840 Speaker 2: that's an excellent question. Sky's the limit and I hope 186 00:08:31,840 --> 00:08:50,480 Speaker 2: we answered it at equipment. Next on the list, this 187 00:08:50,520 --> 00:08:54,120 Speaker 2: one comes from a friend of the show, Emma Frad 188 00:08:54,480 --> 00:08:57,080 Speaker 2: with two d's. I'm not gonna say fraud. That would 189 00:08:57,120 --> 00:08:59,000 Speaker 2: be messed up, but I almost said fraud, but it's 190 00:08:59,040 --> 00:09:02,400 Speaker 2: Frad for sure. Hey, Freddy, Alex and Jeff Alex getting 191 00:09:02,400 --> 00:09:04,679 Speaker 2: some love. I wonder why this question made the list. 192 00:09:05,120 --> 00:09:09,199 Speaker 2: What are each of your favorite wrestling matches of all time? 193 00:09:09,600 --> 00:09:12,640 Speaker 2: In all of the times, As Santino Morello would say, 194 00:09:13,160 --> 00:09:16,360 Speaker 2: Our producer Alex says he has three favorite match three 195 00:09:16,440 --> 00:09:19,880 Speaker 2: she has for one bro three favorite matches. One was 196 00:09:19,920 --> 00:09:23,840 Speaker 2: a w CW Stark nineteen ninety seven where Sting defeated 197 00:09:23,880 --> 00:09:28,280 Speaker 2: Hal Cogan to win the WCW World Heavyweight Championship. The 198 00:09:28,320 --> 00:09:31,040 Speaker 2: next this is what I was gonna say, Oh wait, 199 00:09:31,080 --> 00:09:35,040 Speaker 2: maybe not Stone Cold versus Bret Hart WrestleMania thirteen when 200 00:09:35,040 --> 00:09:39,640 Speaker 2: they did the double turn Dun Dunt dun. And finally, 201 00:09:39,679 --> 00:09:44,240 Speaker 2: and much more recently, Swerve Strickland versus Brian Danielson career 202 00:09:44,800 --> 00:09:48,680 Speaker 2: versus title match at aw All in twenty twenty four. 203 00:09:48,880 --> 00:09:54,120 Speaker 2: Nothing beats that final countdown entrance. Ever, those were excellent matches. 204 00:09:54,200 --> 00:09:58,240 Speaker 2: Producer Alex I would say one of my favorites of 205 00:09:58,320 --> 00:10:01,560 Speaker 2: all time is raymy st daddy O versus Eddie Guerrero 206 00:10:01,760 --> 00:10:04,960 Speaker 2: when Ray wore the purple. That one was pretty awesome. 207 00:10:05,000 --> 00:10:07,920 Speaker 2: I also love raymus Terio versus Dean Malinko. You can 208 00:10:08,040 --> 00:10:11,040 Speaker 2: pick a match. This was my WCW days back in 209 00:10:11,040 --> 00:10:13,320 Speaker 2: the day, watching matches with my grandma in Puerto Rico 210 00:10:13,360 --> 00:10:15,400 Speaker 2: on Christmas break and summer break, when I would hang 211 00:10:15,400 --> 00:10:17,080 Speaker 2: out and book at her own and she would tape 212 00:10:17,120 --> 00:10:18,760 Speaker 2: all the matches and we would get to watch them 213 00:10:18,760 --> 00:10:21,280 Speaker 2: over and over again. So those are something that I've 214 00:10:21,280 --> 00:10:24,480 Speaker 2: watched like probably a million freaking times, and definitely some 215 00:10:24,559 --> 00:10:25,240 Speaker 2: of my favorites. 216 00:10:25,280 --> 00:10:28,400 Speaker 1: Go ahead, Jeff. Well. 217 00:10:29,440 --> 00:10:33,480 Speaker 3: The thing about asking favorites guys, you know, is sometimes 218 00:10:33,520 --> 00:10:37,160 Speaker 3: you're gonna get really obvious answers. You know, people say, Jeff, 219 00:10:37,160 --> 00:10:39,240 Speaker 3: who's the greatest comedians, and you're like, it's not really 220 00:10:39,280 --> 00:10:42,320 Speaker 3: gonna be that exciting, because they'll be exactly you think 221 00:10:42,320 --> 00:10:45,120 Speaker 3: it's gonna be. It's gonna be the Carlins, the Priors, 222 00:10:45,160 --> 00:10:48,240 Speaker 3: it's gonna be the Chappelle's, the Louis. The answer is not. 223 00:10:48,800 --> 00:10:51,320 Speaker 3: The answer is something you probably just could have like 224 00:10:51,520 --> 00:10:56,720 Speaker 3: looked up, you know, because because it's so obvious to everyone. 225 00:10:57,040 --> 00:11:00,440 Speaker 3: So in the same way, my favorite matches and obvious one. 226 00:11:00,960 --> 00:11:08,120 Speaker 3: It's the two thousand and six Punjabi prison match, Bautista 227 00:11:08,440 --> 00:11:10,840 Speaker 3: versus the Great Khalid. 228 00:11:11,400 --> 00:11:13,400 Speaker 2: You know, it was I love that you threw a 229 00:11:13,440 --> 00:11:15,600 Speaker 2: D on the end, like it's DJ College. It was 230 00:11:15,720 --> 00:11:20,920 Speaker 2: just Khalid. There's isn't it wasn't it the great There's 231 00:11:20,920 --> 00:11:24,280 Speaker 2: no D in Khalid, the Great, Well in Khalid, there's 232 00:11:24,280 --> 00:11:26,960 Speaker 2: a D for sure, but his name was the Great Kalead, 233 00:11:28,400 --> 00:11:29,440 Speaker 2: So you were right, and. 234 00:11:31,200 --> 00:11:34,840 Speaker 3: Yeah, it was my think, my favorite match, if I'm honest, 235 00:11:35,120 --> 00:11:39,840 Speaker 3: all joking aside was Undertaker versus Mankind and the hell 236 00:11:39,840 --> 00:11:44,959 Speaker 3: in hisself. Oh yeah, it was just so cool and unpredictable. 237 00:11:45,000 --> 00:11:48,480 Speaker 3: I didn't think any of that would happen. I spent 238 00:11:49,120 --> 00:11:52,000 Speaker 3: years after that trying to convince everyone at my school 239 00:11:52,000 --> 00:11:54,440 Speaker 3: that I had some sort of inside information and that 240 00:11:54,880 --> 00:11:58,520 Speaker 3: wasn't supposed to happen. That's not how they wrote it up, 241 00:11:58,640 --> 00:12:01,120 Speaker 3: you know, like I made it, which I was basically 242 00:12:01,240 --> 00:12:03,680 Speaker 3: lying to everyone, making it sound like this match was 243 00:12:04,120 --> 00:12:07,360 Speaker 3: completely went off the rails and they really tried to 244 00:12:07,400 --> 00:12:10,400 Speaker 3: fight each other. It was just so exciting and uh, 245 00:12:10,720 --> 00:12:12,920 Speaker 3: not only do I have a tremendous amount of nostalgia 246 00:12:13,000 --> 00:12:14,520 Speaker 3: for the match, but it also was awesome. 247 00:12:14,559 --> 00:12:16,560 Speaker 1: It was just so cool, and we still talk about 248 00:12:16,559 --> 00:12:18,840 Speaker 1: that match, you know, thirty years later. 249 00:12:20,160 --> 00:12:22,880 Speaker 2: This next one is just for me Jeff so ha haha, 250 00:12:23,600 --> 00:12:28,040 Speaker 2: unreal And Jess Diaz one two one seven says, how 251 00:12:28,040 --> 00:12:31,760 Speaker 2: does it feel being back on the big screen? That's 252 00:12:31,840 --> 00:12:34,559 Speaker 2: an A never weren't on the big screen. No, I've 253 00:12:34,559 --> 00:12:37,200 Speaker 2: done some small screen stuff and some big screen stuff, 254 00:12:37,200 --> 00:12:39,160 Speaker 2: but this is the first movie I've done in quite 255 00:12:39,200 --> 00:12:44,240 Speaker 2: some time that'll be on three thousand screens plus nationwide, 256 00:12:44,840 --> 00:12:47,160 Speaker 2: uh and then worldwide I don't know how many. So 257 00:12:47,240 --> 00:12:49,920 Speaker 2: it's really exciting because a lot of movies don't get 258 00:12:49,960 --> 00:12:53,679 Speaker 2: theatrical release these days because of streaming services constantly looking 259 00:12:53,679 --> 00:12:57,199 Speaker 2: to buy product. And you know, these these film investors 260 00:12:57,200 --> 00:12:58,840 Speaker 2: are going to sell to whoever gives them the most 261 00:12:58,880 --> 00:13:01,760 Speaker 2: money upfront. They want to make that money back as 262 00:13:01,840 --> 00:13:04,000 Speaker 2: quickly as possible. You make a two million dollar movie, 263 00:13:04,360 --> 00:13:06,560 Speaker 2: you know, on the average they're only making like two 264 00:13:06,679 --> 00:13:09,040 Speaker 2: hundred three hundred thousand back on streaming, So you want 265 00:13:09,040 --> 00:13:11,760 Speaker 2: to have a sale somewhere, like a pre sale, so 266 00:13:11,800 --> 00:13:13,839 Speaker 2: you can make that money back right away as quickly 267 00:13:13,880 --> 00:13:16,640 Speaker 2: as possible, with a distributor or with investors early on, 268 00:13:17,040 --> 00:13:19,520 Speaker 2: if it's the distributor path, Like my last one sold 269 00:13:19,559 --> 00:13:21,480 Speaker 2: for more than we made it for, so that guy 270 00:13:21,559 --> 00:13:23,440 Speaker 2: was happy and now wants to make another one with me. 271 00:13:23,920 --> 00:13:27,959 Speaker 2: When you make a studio movie, it's completely friggin' different, 272 00:13:28,320 --> 00:13:33,480 Speaker 2: completely friggin different. And this experience was lengthy. You know, 273 00:13:33,480 --> 00:13:35,080 Speaker 2: when you make an indie film, you're shooting in three 274 00:13:35,160 --> 00:13:37,520 Speaker 2: four weeks. This was a matter of months that we 275 00:13:37,559 --> 00:13:41,640 Speaker 2: shot this over. There's reshoots, there's test screenings. There's test 276 00:13:41,720 --> 00:13:44,160 Speaker 2: audiences that come in and I like this person, I 277 00:13:44,200 --> 00:13:47,040 Speaker 2: don't like that person, and the studio sometimes listens to 278 00:13:47,120 --> 00:13:50,400 Speaker 2: these random opinions, which is not always a good thing. 279 00:13:51,360 --> 00:13:53,120 Speaker 2: Sometimes you have to trust in the vision of the 280 00:13:53,200 --> 00:13:56,480 Speaker 2: director and just believe in that. When I was doing 281 00:13:56,520 --> 00:13:58,720 Speaker 2: all the Mirrimax movies back in the day, like a 282 00:13:58,760 --> 00:14:01,920 Speaker 2: test screening audience with literally rewrite the movie basically, and 283 00:14:01,960 --> 00:14:03,760 Speaker 2: the director is like, what about the idea that you 284 00:14:03,800 --> 00:14:05,440 Speaker 2: bought for me? Like why don't you believe in that? 285 00:14:05,559 --> 00:14:08,120 Speaker 2: Let's let's die on the sword if we're gonna If 286 00:14:08,120 --> 00:14:10,599 Speaker 2: we're gonna die, let's not change the art, like you 287 00:14:10,640 --> 00:14:15,720 Speaker 2: wouldn't have Picasso paint a painting. And then the gallery 288 00:14:15,760 --> 00:14:18,199 Speaker 2: owner takes it and shows it to people before it's 289 00:14:18,200 --> 00:14:20,440 Speaker 2: for sale, and it says, well, we have some notes, Pablo, 290 00:14:20,920 --> 00:14:22,840 Speaker 2: and we'd like to do some changes before I put it. 291 00:14:22,880 --> 00:14:25,240 Speaker 2: Like that would never fucking happen, But in the corporate 292 00:14:25,320 --> 00:14:28,360 Speaker 2: modern world of movies, it happens on every single film. 293 00:14:28,560 --> 00:14:31,000 Speaker 2: Some people argue that it should, some people argue that 294 00:14:31,040 --> 00:14:33,400 Speaker 2: it doesn't. The truth somewhere in the middle, but yeah, 295 00:14:33,440 --> 00:14:36,680 Speaker 2: so I'm super excited because it's a rarity unless you're 296 00:14:36,720 --> 00:14:40,040 Speaker 2: Tom Cruise obviously to get to do this, so super excited. 297 00:14:40,120 --> 00:14:42,520 Speaker 2: It comes out July eighteenth. I know what you did 298 00:14:42,560 --> 00:14:44,640 Speaker 2: last summer is the name of the movie, just like 299 00:14:44,680 --> 00:14:47,440 Speaker 2: the first one. Hope you guys dig it. I think 300 00:14:47,480 --> 00:14:49,680 Speaker 2: it's really, really solid. I'm really proud of the work 301 00:14:49,720 --> 00:14:51,240 Speaker 2: that I did in it, and I hope you guys 302 00:14:51,400 --> 00:14:54,600 Speaker 2: like it too. Next up, we're running out of time, 303 00:14:54,640 --> 00:14:57,880 Speaker 2: so i'll be fast. This one comes from Jake GOUDI underscore, 304 00:14:58,680 --> 00:15:02,240 Speaker 2: how do you think wa we will change after Seena retires. 305 00:15:03,440 --> 00:15:05,360 Speaker 2: I think you've kind of already seen that Jake when 306 00:15:05,400 --> 00:15:07,160 Speaker 2: he was when he was gone the first time, So 307 00:15:07,800 --> 00:15:10,200 Speaker 2: I think it'll be this is just a quick story 308 00:15:10,200 --> 00:15:12,760 Speaker 2: for John and then it'll go back to getting this 309 00:15:12,880 --> 00:15:16,120 Speaker 2: next generation over. Hopefully there'll be some time for Carry 310 00:15:16,120 --> 00:15:18,800 Speaker 2: and Cross to finally get a freakin push once this 311 00:15:18,880 --> 00:15:21,120 Speaker 2: storyline's over it and he can get more up on 312 00:15:21,200 --> 00:15:23,120 Speaker 2: the top guys, because that dude's money on the mic 313 00:15:23,240 --> 00:15:25,960 Speaker 2: and in the ring. So you look for opportunities like 314 00:15:26,000 --> 00:15:28,520 Speaker 2: that for people when Seena retires. But yeah, I think 315 00:15:28,560 --> 00:15:31,480 Speaker 2: it'll look similar. You'll see Cody get the Cody get 316 00:15:31,480 --> 00:15:34,640 Speaker 2: the strap and lead the crusade until they find that 317 00:15:34,680 --> 00:15:36,960 Speaker 2: next guy, or they think they find that next guy. 318 00:15:36,960 --> 00:15:38,960 Speaker 1: What about you, Jeff, Yeah, I don't really know. 319 00:15:39,080 --> 00:15:42,400 Speaker 3: I don't feel like much will change reality, Like this 320 00:15:42,440 --> 00:15:45,560 Speaker 3: is how things go, you know. You you couldn't picture 321 00:15:45,600 --> 00:15:49,040 Speaker 3: a time that they don't just push Roman reigns in 322 00:15:49,120 --> 00:15:52,360 Speaker 3: every pay per view and he wins every you know, 323 00:15:52,520 --> 00:15:56,120 Speaker 3: main event, and then he goes away, and you know, 324 00:15:56,240 --> 00:15:59,960 Speaker 3: and it's it's not like anything's better because Roman isn't around, 325 00:16:00,120 --> 00:16:04,280 Speaker 3: but now there's a new person that's on everything, you know, 326 00:16:04,320 --> 00:16:07,000 Speaker 3: So like when Sena's gone, Will it's just the way 327 00:16:07,160 --> 00:16:10,600 Speaker 3: the world works, It's the way wrestling works. It'll be 328 00:16:10,960 --> 00:16:13,680 Speaker 3: you know, like I said, or like you said, Cody 329 00:16:13,720 --> 00:16:15,960 Speaker 3: will just kind of be the guy, I think, and 330 00:16:16,000 --> 00:16:18,760 Speaker 3: then hopefully we'll have I mean, we've got so many 331 00:16:18,800 --> 00:16:21,640 Speaker 3: of these young guys that are becoming big stars. So 332 00:16:21,720 --> 00:16:23,840 Speaker 3: maybe one of them will be the next Sena. I 333 00:16:23,840 --> 00:16:26,080 Speaker 3: don't know, But for right now, Cody is the guy, 334 00:16:26,120 --> 00:16:27,760 Speaker 3: and I don't think it'll change that much. 335 00:16:28,960 --> 00:16:31,320 Speaker 2: All Right, we got time for one more, Freddie, Would 336 00:16:31,360 --> 00:16:35,239 Speaker 2: you consider creative writing for WWE again? If there's an opportunity, 337 00:16:35,960 --> 00:16:38,400 Speaker 2: I'd never say no. Like, I don't have any burnt 338 00:16:38,400 --> 00:16:40,600 Speaker 2: bridges there, at least none that I burnt. I don't 339 00:16:40,640 --> 00:16:43,600 Speaker 2: think anyone burned one with me, nobody wronged me when 340 00:16:43,640 --> 00:16:46,560 Speaker 2: I was there or anything like that. So yeah, i'd 341 00:16:46,600 --> 00:16:49,400 Speaker 2: consider it, but I'm definitely on a different path right now, 342 00:16:49,680 --> 00:16:53,000 Speaker 2: so I don't see a scenario where that happens anytime 343 00:16:53,280 --> 00:16:56,280 Speaker 2: in the near future. I have a question, Jeff, if 344 00:16:56,360 --> 00:16:59,680 Speaker 2: you got an opportunity to write promos, to do dialogue, 345 00:16:59,720 --> 00:17:02,160 Speaker 2: to do that kind of stuff in WWE. 346 00:17:02,000 --> 00:17:03,360 Speaker 1: Would you take that job. 347 00:17:03,640 --> 00:17:05,560 Speaker 2: Would you take a couple months or a few months 348 00:17:05,600 --> 00:17:08,280 Speaker 2: off from comedy and actually like sit in a writer's 349 00:17:08,359 --> 00:17:11,920 Speaker 2: room and do that or would it just be too 350 00:17:11,960 --> 00:17:13,400 Speaker 2: much of a lifestyle change. 351 00:17:13,520 --> 00:17:16,439 Speaker 3: I think I would try it, but I would be 352 00:17:16,720 --> 00:17:21,000 Speaker 3: so like skeptical or like not skeptical. 353 00:17:21,040 --> 00:17:22,760 Speaker 1: I don't know if that's the right term. I would 354 00:17:22,840 --> 00:17:25,920 Speaker 1: be so like I would know right away like. 355 00:17:25,880 --> 00:17:27,560 Speaker 3: If I could do this or if I couldn't do this, 356 00:17:27,680 --> 00:17:30,240 Speaker 3: and right now, like I'm open to thinking maybe I 357 00:17:30,280 --> 00:17:32,119 Speaker 3: wouldn't be good at it, Like I don't really know, 358 00:17:32,600 --> 00:17:34,520 Speaker 3: but I would try it, just because I love wrestling 359 00:17:34,560 --> 00:17:34,879 Speaker 3: so much. 360 00:17:34,960 --> 00:17:36,760 Speaker 1: I've heard it's a pretty thankless job. 361 00:17:38,520 --> 00:17:40,960 Speaker 2: I think it's supposed to be a thankless job. That's 362 00:17:41,040 --> 00:17:43,600 Speaker 2: that was kind of the approach I took. Like, if 363 00:17:43,640 --> 00:17:47,240 Speaker 2: the your job is strictly to help get the talent over, 364 00:17:48,280 --> 00:17:51,479 Speaker 2: if somebody's saying, hey, you did great on that, like 365 00:17:51,640 --> 00:17:54,200 Speaker 2: you're supposed to defer that and go, no, they did great. 366 00:17:54,320 --> 00:17:57,400 Speaker 2: I just wrote it, they executed, Yeah, they did great. 367 00:17:57,560 --> 00:17:59,480 Speaker 2: So it is you're right in that regard. But I 368 00:17:59,480 --> 00:18:00,480 Speaker 2: think it's used to be. 369 00:18:00,720 --> 00:18:05,560 Speaker 3: And I love credit, you know, I love getting my flowers. 370 00:18:05,640 --> 00:18:06,960 Speaker 1: I love getting the attention. 371 00:18:07,480 --> 00:18:10,400 Speaker 3: I don't want to if if my guy goes out 372 00:18:10,440 --> 00:18:12,359 Speaker 3: there he does the thing real good, I go. You know, 373 00:18:12,440 --> 00:18:14,159 Speaker 3: I wrote that, you know, I came up with that, 374 00:18:14,520 --> 00:18:16,440 Speaker 3: so I don't know. Maybe I wouldn't be good at 375 00:18:16,440 --> 00:18:16,840 Speaker 3: the job. 376 00:18:17,400 --> 00:18:19,639 Speaker 2: There were guys there that'd be like, hey, Freddy, you 377 00:18:19,760 --> 00:18:22,119 Speaker 2: like that that promo, that Cane promo. I wrote that, 378 00:18:22,240 --> 00:18:24,040 Speaker 2: So there are still guys today. I'd be like, yeah, man, 379 00:18:24,080 --> 00:18:25,040 Speaker 2: it was good way to go. 380 00:18:25,200 --> 00:18:27,080 Speaker 3: Well, my love for wrestling would me and I couldn't 381 00:18:27,119 --> 00:18:29,040 Speaker 3: turn it down. I would be I'd be just so 382 00:18:29,200 --> 00:18:29,720 Speaker 3: into it. 383 00:18:30,000 --> 00:18:33,120 Speaker 2: Take a swing anyway. Yeah, all right, you guys, thanks 384 00:18:33,160 --> 00:18:35,439 Speaker 2: for tuning in, Thanks for your questions. Sorry, we couldn't 385 00:18:35,480 --> 00:18:38,600 Speaker 2: get to all of them. I'm Freddy Prince. That's Jeff Dye. 386 00:18:39,000 --> 00:18:40,400 Speaker 2: See you guys next Wednesday. 387 00:18:40,520 --> 00:18:41,959 Speaker 1: Peace, we're out.