WEBVTT - Episode 54 w/ Naughty By Nature

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. Everybody who loves honey glaze

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<v Speaker 1>carrots a great side dish for your springtime celebration and

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<v Speaker 1>a delicious compliment to a sweet, bright muscatto. Wine is

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<v Speaker 1>made in virtually every country in the world, and I'm

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<v Speaker 1>ready to give you a tour to find the right

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<v Speaker 1>one serving lamb this season. Try it with a bold

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<v Speaker 1>cabernet from the trendy Postle Robles region. Whether you're hosting

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<v Speaker 1>or just bring the wine we love to share are

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<v Speaker 1>always low prices and ridiculous selection this spring at Total

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<v Speaker 1>Wine and More. Cheers. Uh yeah, uh yeah, uh yeah

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<v Speaker 1>yeah yeah. You see they hate the sea is when

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<v Speaker 1>it's so Unknow they got issues issue. You see, they

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<v Speaker 1>hate the sees. So I heard they got mashoes issue.

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<v Speaker 1>You see. They hate to see us winners. So I

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<v Speaker 1>know they got sma is shoes issue. You see, they

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<v Speaker 1>hate to see us winning. So I heard he got

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<v Speaker 1>some isshoes. Hey, Yo, what's filling back? Lidio? I feel

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<v Speaker 1>like ninety eight again, really gonna love it and the

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<v Speaker 1>faith gonna hate again. Other niggas fright and I can't

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<v Speaker 1>like they make it more than me. Me and dollar

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<v Speaker 1>meds and jeans. I dressed accordingly foger male upgrade from

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<v Speaker 1>Wogan original sliming hip hop. They all own me up

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<v Speaker 1>A city needed me. I read a hold of the videos,

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<v Speaker 1>killed it on the music and started killing the media

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<v Speaker 1>with the rental. Phil in the cup to the TV

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<v Speaker 1>that the nigga is sick like they rum a little

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<v Speaker 1>him me up. He they hate to see us winning,

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<v Speaker 1>so I know they got some shoes issue, you see,

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<v Speaker 1>they hate to see us winners. So I heard they

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<v Speaker 1>got some shoes. You see. They hate to see us winners.

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<v Speaker 1>So I know they got SMAs shoes, you see, they

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<v Speaker 1>hate to see winners. Who I heard he got something

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<v Speaker 1>really really who you know? Ell? Th't really riddle me that?

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<v Speaker 1>Oh my real niggas know where I'm mentally at money.

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<v Speaker 1>Ain't got the tricky pain. What's the issue with the

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<v Speaker 1>whole aliboom? When the hills well physically his name with

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<v Speaker 1>the hug conversations say the blown think I'm so good.

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<v Speaker 1>I'm just staying the fact world. Oh the cool I'm

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<v Speaker 1>debating with him that which rhy ain't then it out

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<v Speaker 1>of town. We hainting on that did they tell me

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<v Speaker 1>y'all a star. I'm just trying to get these cards.

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<v Speaker 1>They just telling me to rap. I'm just trying to

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<v Speaker 1>move the hardest wet pants and the rolling y'all do.

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<v Speaker 1>But they see y'all start out the mountain like I'm

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<v Speaker 1>blowing on the contry to see. So I know they've

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<v Speaker 1>got some issues. Issue you see, they need to see

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<v Speaker 1>his winnings. So I heard he got some issues. Issues.

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<v Speaker 1>You see, they hate to see us winner. So I

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<v Speaker 1>know they got some issues. Issues you see, the heat

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<v Speaker 1>to see us winning. So I heard he got some issues.

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<v Speaker 1>Issue let's and yo, they hate to see us winning.

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<v Speaker 1>So I heard we got some missies. No prob they tripped.

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<v Speaker 1>I'm a bloom like some tissue rhyming with the old

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<v Speaker 1>g sixteen by the hip like a hop nigga vley.

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<v Speaker 1>I'm an old d shooting for father like your nobili.

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<v Speaker 1>I don't believe nothing. Motherfucker's gotta show me trying to

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<v Speaker 1>level up, but the streets want the old men. Keep

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<v Speaker 1>it to myself. I did three for my code. The

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<v Speaker 1>nigga told nigga things with the giving goal grease on

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<v Speaker 1>Chris Hi guys on sick go and I let my

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<v Speaker 1>ship go. They know what it's hitting for. Heard what

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<v Speaker 1>I get it for. Imagine what I'm sitting it off.

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<v Speaker 1>You need to hate to see us winning, so I

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<v Speaker 1>know they got some issues. Issue. You see, they hate

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<v Speaker 1>to see us winning. So I heard they got some issues. Issues,

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<v Speaker 1>issue issue, you see, they hate to see US winners.

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<v Speaker 1>So I know they got some issues. Issue. You see,

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<v Speaker 1>they hate to see US winners. And I heard they

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<v Speaker 1>got some issues. Yeah, what's something y'all? What's going on? Right?

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<v Speaker 1>He's a legendary Queen's rapper, He Hanks is your boy,

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<v Speaker 1>and he's a Miami hip hop pioneer. What Up is

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<v Speaker 1>d J e f N? Together they drink it up

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<v Speaker 1>with some of the biggest players in music and sports,

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<v Speaker 1>I mean, the most professional, unprofessional podcast and your number

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<v Speaker 1>one source for drunk fact this is Drinks Chap right away.

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<v Speaker 1>Every day is New Year's e That's right, Hey, Hank said,

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<v Speaker 1>we hope to stop me and this is your boy?

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<v Speaker 1>What Up is d J e f N? And this

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<v Speaker 1>drink test motherfucker podcast? Right and right back? I have

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<v Speaker 1>to enter Deuce, one of the most phenomenon groups in history,

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<v Speaker 1>not in just hip hop hip hop, but in history.

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<v Speaker 1>These guys made countless hits repeatedly, back to back. And

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<v Speaker 1>when I heard Dj Khalid the other days say that

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<v Speaker 1>he was the anthem King, I had to test her. Sorry,

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<v Speaker 1>but every record these brothers had that was a hit

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<v Speaker 1>was an anthem, and I had to I had to say, like,

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<v Speaker 1>you know, it wasn't no hate because if you know

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<v Speaker 1>what I'm just saying, like, okay, you might be the

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<v Speaker 1>second anthem King, but I had to I had to

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<v Speaker 1>keep it real. I had to say, I think Naughty

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<v Speaker 1>was the first had them king. These brothers, just like

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<v Speaker 1>me and Capone, went through problems, trials and triple relations,

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<v Speaker 1>came back together and stuck together through brothers. They out

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<v Speaker 1>here right now on the New Year's Even special. I'm

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<v Speaker 1>sure they're doing something phenomena. By the time we dropped

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<v Speaker 1>this episode, they'll be already outside here. That's well, I

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<v Speaker 1>think it's them. What's what's the Nick Davis just took

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<v Speaker 1>Bolls room in Problem one twelve. It was a little

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<v Speaker 1>wild over there. But these brothers, these brothers have you know,

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<v Speaker 1>stuck it out through time and they're still here. They're

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<v Speaker 1>still relevant, They're still a part of what's going on,

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<v Speaker 1>what's now. One of them with a phenomenal producer produced

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<v Speaker 1>R and B. The other two is phenomenal mc larricists

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<v Speaker 1>with a tribe coming back and doing their thing and

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<v Speaker 1>daylyso coming back and doing anything. I can't wait for

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<v Speaker 1>a new naughty, naughty, naughty album. And right now, with

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<v Speaker 1>no further I would like to introduce some people that

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<v Speaker 1>I look up to personally naughty, but motherfucker nature. Hold

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<v Speaker 1>on before you make a car. It's not KG and Trash.

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<v Speaker 1>It's not Trash and KG. It's not KG and Vinny.

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<v Speaker 1>It's not Venny in Trash. It is all motherfucking three members,

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<v Speaker 1>not even name. Listen. I'm so much a fan of

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<v Speaker 1>you guys. I had to go research like a couple

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<v Speaker 1>of interviews. I haven't seen interviews with all three of

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<v Speaker 1>y'all in a minute, am I bugging? No, you're not.

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<v Speaker 1>It's been a minute. Okay, this is a moment. But

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<v Speaker 1>a lot of radio stations don't have it. That's why

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<v Speaker 1>we've been We ain't radio. We ain't radio. Yeah to

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<v Speaker 1>the station, so we wait outside stuff. Okay, So so

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<v Speaker 1>so look, let me ask y'all because all of y'all

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<v Speaker 1>from East Orange, correct, all three of y'all so, but

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<v Speaker 1>y'all all y'all from different parts of East Orange, but

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<v Speaker 1>pretty much the same hood. The same hood is by

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<v Speaker 1>the five block radios from each other. I'm from fifteen

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<v Speaker 1>streets from eighteen street trenches right across some of the bridge.

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<v Speaker 1>I'm a Grove Street right there. But you can move

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<v Speaker 1>walk to each of my homes. When we were three

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<v Speaker 1>three square mount radios of the whole hood, different middle schools,

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<v Speaker 1>anything else, but everybody was there. Funny story. I'm born

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<v Speaker 1>in Nork, so a lot of my families from Nork

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<v Speaker 1>right there. Me and red Man, there's little little homies

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<v Speaker 1>that we hated each other just because I was from

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<v Speaker 1>East and he was from a block over in North.

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<v Speaker 1>Like I said, little we got cool. Me and red

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<v Speaker 1>Man got cool because it is a little bit hoods,

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<v Speaker 1>the hoods, the hood. It's so close. Nor is the

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<v Speaker 1>biggest city in Jersey. But after the riots and anything else,

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<v Speaker 1>in the sixties and anything else, a lot of people

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<v Speaker 1>moved out of Nork, so they either went to East Stars,

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<v Speaker 1>West s Thorns Boom, everything else. But our old family

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<v Speaker 1>is Jersey. That's one of the smallest cities in there,

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<v Speaker 1>but it was the most like ghetto city out of

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<v Speaker 1>the smaller cities there at three block radius. So how

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<v Speaker 1>did how so you guys knew each other growing up?

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<v Speaker 1>High school? And yeah, like junior high school, all that ainything, football,

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<v Speaker 1>playing rams and then we used high school we met

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<v Speaker 1>up venues to beat box, so I knew then first

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<v Speaker 1>be in high school he would be the one then

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<v Speaker 1>and Kay grew up fifteen three and eighteen streets. We

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<v Speaker 1>went to the same high school as one, but then

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<v Speaker 1>I met him and then we used to justest he

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<v Speaker 1>We used to rock out in health class all the time,

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<v Speaker 1>so I used to break dance and the beat box

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<v Speaker 1>so I would beat box. Actually our brother bro Peppers

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<v Speaker 1>Michigan wolver Greens, they play in the night. But his

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<v Speaker 1>father I used to break dance with his father's how

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<v Speaker 1>to back breakdance, so I have to break dance and

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<v Speaker 1>our beat box for KG lived right across the street

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<v Speaker 1>from I used to go beat box for K and

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<v Speaker 1>then in health class trapped he always had he was

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<v Speaker 1>a family Freddy Krueger back in the just kidding, I

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<v Speaker 1>guess I'm hand a long nails and every day just

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<v Speaker 1>mad long. He every day this kid would come with

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<v Speaker 1>new lyrics and health around with health. He was spitting

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<v Speaker 1>new bars to me every day. So I told K

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<v Speaker 1>one day, like this kid in my health class is

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<v Speaker 1>the truth. We all, you know, linked up did this

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<v Speaker 1>talent show and that was it. It was the new stack.

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<v Speaker 1>So when you did this talent show, that was as

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<v Speaker 1>a group or y'all? Yeah, well we did really a

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<v Speaker 1>group at that point. Yeah, we wasn't. He just came

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<v Speaker 1>together because I'm We're just coming together because I'm a

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<v Speaker 1>year older than them. So it was my senior year

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<v Speaker 1>in high school and they will having a talent show

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<v Speaker 1>and like then said I was DJ and and I

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<v Speaker 1>wanted to get in and do something. So I was

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<v Speaker 1>just like, well that if you beat box not scratch,

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<v Speaker 1>we're gonna need an m C. And then I'd like

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<v Speaker 1>he said, he bought tresh into it. So we just

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<v Speaker 1>went in and we weren't even a group. I just

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<v Speaker 1>scratched in. We just we put together name. We didn't

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<v Speaker 1>have a name or nothing. I needed nothing our routine.

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<v Speaker 1>We were just practicing that we need to be up

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<v Speaker 1>in like in my sun ports up there, like Vincent,

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<v Speaker 1>I used to be across street, so he would hear

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<v Speaker 1>me practicing in the sun Ports. So up there we

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<v Speaker 1>were practiced for this talent show and I part of

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<v Speaker 1>our routine scratched in the Beastie Boys. It's the News Style.

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<v Speaker 1>So we started name and he's like we needed it,

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<v Speaker 1>like at that day, what's her name? New Style, New Style,

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<v Speaker 1>And that was after the talent show. Wow, we killed

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<v Speaker 1>the Talent show and were like, yo, that whole ship

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<v Speaker 1>kind of work. And we started off with the New Style.

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<v Speaker 1>Let's call ourselves the New Style. Yeah, let me tell

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<v Speaker 1>you something else, do hip hop history. His families from Queens,

0:11:49.679 --> 0:12:01.640
<v Speaker 1>you know family. So he sean, we said, we gotta

0:12:01.679 --> 0:12:04.000
<v Speaker 1>go to town show. We gotta we gotta have coordinating

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<v Speaker 1>ship with the New Style now. So he took us

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<v Speaker 1>over shirt and we got the New Style jackets class

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<v Speaker 1>for the shirt kings and boom. So all of the

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<v Speaker 1>doubts going on from them showing you to connect with

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<v Speaker 1>with anything, and so who shut down New Style? Who said,

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<v Speaker 1>let's we can't be New Style? Well we did not

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<v Speaker 1>shot that was that was actually shot him and Chris

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<v Speaker 1>LIKEDYI flavoring and Chris, let's get in this story. We

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<v Speaker 1>ended up being on Sugarhill Gang Records, which was bone

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<v Speaker 1>on Me, yea with new style. So y'all see that

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<v Speaker 1>picture of us with the new style, K had the

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<v Speaker 1>hot top fade that was signed sugar Hell Records, Bone

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<v Speaker 1>on Me. So we actually sign on me after all

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<v Speaker 1>the sugar help just sued him and got off. They

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<v Speaker 1>had another label. So anyway, we signed a contract without

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<v Speaker 1>calling Lloyd's. We suited the sugar Hill game and signing

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<v Speaker 1>and on the age and got robbed. Hey there, So

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<v Speaker 1>the good thing to having had my homie move Brown,

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<v Speaker 1>Big Move Brown. He had to quantum in anything we

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<v Speaker 1>had to get off the contract. So we're just riding

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<v Speaker 1>down Route four to te Neck Technologs and anything up

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<v Speaker 1>in there. We're gonna make these niggas signed us off

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<v Speaker 1>on the napkin sugar Hill, your motherfucking right. We called

0:13:34.280 --> 0:13:39.240
<v Speaker 1>an accident, had all the guns anything up, and he said,

0:13:39.440 --> 0:13:44.040
<v Speaker 1>you know, Taddy, I ain't got no license. The police

0:13:44.080 --> 0:13:47.120
<v Speaker 1>about to come. We got these bags of guns. I said,

0:13:48.240 --> 0:13:51.199
<v Speaker 1>well you go that way, I'll take these ships and

0:13:51.320 --> 0:13:53.760
<v Speaker 1>I ran then away and left. We're just gonna get

0:13:53.800 --> 0:13:57.080
<v Speaker 1>our ship release like that, And it's a god blessing

0:13:57.160 --> 0:13:58.960
<v Speaker 1>that we did because we're just gonna do some bills,

0:13:59.480 --> 0:14:03.200
<v Speaker 1>nasty it to get our release. But when we came,

0:14:03.360 --> 0:14:05.400
<v Speaker 1>we was like, yo, how we got a Flavy Unit.

0:14:05.520 --> 0:14:13.520
<v Speaker 1>Try that boom boom patchy rest in peace that you

0:14:13.640 --> 0:14:17.400
<v Speaker 1>guys changed the name because no, no, no, no no.

0:14:17.600 --> 0:14:19.920
<v Speaker 1>See what happened is like when we were New Style,

0:14:20.560 --> 0:14:23.680
<v Speaker 1>we got we got with Flavor Unit and they and

0:14:24.280 --> 0:14:26.560
<v Speaker 1>we were actually we were doing talent shows and all that.

0:14:26.720 --> 0:14:29.840
<v Speaker 1>So everybody around the hood, all through Jersey and all that,

0:14:30.040 --> 0:14:32.520
<v Speaker 1>we had already started building a name. Everybody knew they

0:14:32.560 --> 0:14:35.640
<v Speaker 1>were doing talent shows and we were coming in and

0:14:35.680 --> 0:14:38.120
<v Speaker 1>they would have the crowl they weren't like the crowds

0:14:38.240 --> 0:14:40.720
<v Speaker 1>judge it, and we would win every time. So then

0:14:40.760 --> 0:14:42.680
<v Speaker 1>they started feeling like we were coming with our own

0:14:42.720 --> 0:14:45.239
<v Speaker 1>built in crowd. So they changed and start bringing celebrities

0:14:45.280 --> 0:14:47.840
<v Speaker 1>and like bids and some different people, and we still

0:14:47.960 --> 0:14:50.160
<v Speaker 1>kept winning. So we were just like, man, we gotta

0:14:50.160 --> 0:14:52.200
<v Speaker 1>start spreading this out and start getting real with it

0:14:52.800 --> 0:14:55.480
<v Speaker 1>through that whole thing. Flavory Unit forty five. King Treach

0:14:55.600 --> 0:14:58.360
<v Speaker 1>was already dabbing over there with them. They were like, yo,

0:14:58.840 --> 0:15:01.920
<v Speaker 1>what's up with this group? News staff And at the time,

0:15:02.400 --> 0:15:04.440
<v Speaker 1>they had Flavoring Unit MCS, but they didn't have the

0:15:04.480 --> 0:15:06.960
<v Speaker 1>management company at the time, so they were just starting

0:15:07.040 --> 0:15:10.520
<v Speaker 1>man the management of Flavory Unit Management shot him and

0:15:10.600 --> 0:15:14.160
<v Speaker 1>Latifa were starting that and they wanted to get some

0:15:14.440 --> 0:15:16.680
<v Speaker 1>some new groups to sign. And then we were one

0:15:16.680 --> 0:15:20.040
<v Speaker 1>of the first Jersey, especially from Jersey, and they bought

0:15:20.040 --> 0:15:22.320
<v Speaker 1>a patche over to us and Patrie Co signed us.

0:15:22.320 --> 0:15:23.960
<v Speaker 1>And then we do a We threw a party for

0:15:24.040 --> 0:15:27.320
<v Speaker 1>ourselves at Upsala College out there in Jersey and we

0:15:27.400 --> 0:15:29.560
<v Speaker 1>invited them over and they came and source before him

0:15:29.720 --> 0:15:31.920
<v Speaker 1>and they loved what they saw. So then they took

0:15:32.000 --> 0:15:33.880
<v Speaker 1>us on from there and then we started, you know,

0:15:34.000 --> 0:15:36.640
<v Speaker 1>working on stuff and doing stuff. They started shopping out demo.

0:15:36.760 --> 0:15:38.960
<v Speaker 1>We had most of our records even recorded. We had

0:15:39.000 --> 0:15:43.280
<v Speaker 1>O P P already on there prior to shopping your

0:15:43.760 --> 0:15:47.440
<v Speaker 1>you already recorded. Yeah, yeah, we we went went to

0:15:47.560 --> 0:15:53.280
<v Speaker 1>study even before you got signed. It was out in

0:15:53.280 --> 0:15:59.200
<v Speaker 1>the bow man he was out years old. Ain't even

0:15:59.280 --> 0:16:02.720
<v Speaker 1>come out because straight after this So but how did

0:16:02.800 --> 0:16:05.600
<v Speaker 1>that name naughty by nature? That's what I'm getting true

0:16:05.600 --> 0:16:09.080
<v Speaker 1>that I was saying, so so everywhere, all that all

0:16:09.120 --> 0:16:11.800
<v Speaker 1>that we know, all that we was diving out. We

0:16:11.880 --> 0:16:14.680
<v Speaker 1>were doing whatever we have to do. So we're in

0:16:14.720 --> 0:16:18.360
<v Speaker 1>the studio. We recorded our demo. We had everything we was.

0:16:18.560 --> 0:16:20.440
<v Speaker 1>We had like you said, go to Shert King's. We

0:16:20.520 --> 0:16:22.800
<v Speaker 1>did all that stuff, were building it up, building it up,

0:16:22.840 --> 0:16:26.280
<v Speaker 1>doing the ground, doing the ground. And we had actually

0:16:26.360 --> 0:16:29.040
<v Speaker 1>we even had shopped out demo with Tommy Boy before

0:16:29.120 --> 0:16:32.040
<v Speaker 1>Flavor Unit and they turned us down the same exact

0:16:32.120 --> 0:16:35.840
<v Speaker 1>demo now opp all that on it went through Flavor Unit.

0:16:36.320 --> 0:16:39.280
<v Speaker 1>But once we got the politics behind us. Actually Tommy

0:16:39.320 --> 0:16:42.760
<v Speaker 1>Boy now even signed us. Warner brother signed. That's Benny

0:16:42.800 --> 0:16:45.600
<v Speaker 1>Bedina signed us to Warner Brothers. He never used giving

0:16:45.680 --> 0:16:49.160
<v Speaker 1>stories now how it went to from Naughty by Nature

0:16:49.240 --> 0:16:52.840
<v Speaker 1>and because we didn't get to the no you went

0:16:53.000 --> 0:16:55.440
<v Speaker 1>gas when we warned the Brothers sign and ship and

0:16:55.520 --> 0:16:58.320
<v Speaker 1>I tell how we went from new Style, hot top

0:16:58.440 --> 0:17:04.680
<v Speaker 1>fades and all of Google. In the go ahead, we

0:17:04.800 --> 0:17:14.000
<v Speaker 1>had the biggest drug blocking church. He's always talked the

0:17:14.040 --> 0:17:16.000
<v Speaker 1>old man, Dave rest in peace up there. It's like,

0:17:16.000 --> 0:17:17.920
<v Speaker 1>why do you always talk to the old man over there? Man?

0:17:18.440 --> 0:17:20.240
<v Speaker 1>Like you always talk for the old heads, and I like,

0:17:20.320 --> 0:17:23.640
<v Speaker 1>you don't know the jewels that they have. I'm over

0:17:23.720 --> 0:17:26.040
<v Speaker 1>here looking old man. They told me one time he

0:17:26.119 --> 0:17:28.600
<v Speaker 1>got legs out. He was in the war all that.

0:17:29.480 --> 0:17:31.639
<v Speaker 1>He said, let me tell you something, A little sun sings.

0:17:33.160 --> 0:17:35.359
<v Speaker 1>I don't know who exactly, but i's somebody on this

0:17:35.560 --> 0:17:38.880
<v Speaker 1>motherfucking block is probably when the old bitches over there

0:17:39.400 --> 0:17:41.640
<v Speaker 1>just saying what color y'all got on and ain't time?

0:17:41.720 --> 0:17:43.800
<v Speaker 1>And she when the fit when the cops come to

0:17:43.880 --> 0:17:45.880
<v Speaker 1>dts come, you know, they go to y'all and row

0:17:46.000 --> 0:17:47.600
<v Speaker 1>right up in the alley. It's one of them old

0:17:47.680 --> 0:17:51.760
<v Speaker 1>bitches and shutting up there. From New Style to North,

0:17:51.880 --> 0:17:56.240
<v Speaker 1>I have shut up how all the motherfucking the phase

0:17:56.280 --> 0:17:58.639
<v Speaker 1>and trying to say how he was clean looking and

0:17:58.760 --> 0:18:00.600
<v Speaker 1>we was fresh to lay they these you know you

0:18:00.680 --> 0:18:03.040
<v Speaker 1>had to be fresh. We had the balleys, the Swede suits,

0:18:03.400 --> 0:18:07.399
<v Speaker 1>gold nugget, nigga, Gucci links, the motherfucking real gold not

0:18:07.520 --> 0:18:12.399
<v Speaker 1>from Canal Street Street. Old man said, I said you

0:18:12.600 --> 0:18:15.040
<v Speaker 1>ain't by having meet and I'm calling and said, yo,

0:18:15.359 --> 0:18:18.080
<v Speaker 1>some money ain't here, saying when we gotten norm we

0:18:18.200 --> 0:18:22.440
<v Speaker 1>are from this fucking dating one. You know you didn't

0:18:22.480 --> 0:18:25.040
<v Speaker 1>it just chained off for you. We're taking a little yo.

0:18:26.200 --> 0:18:32.679
<v Speaker 1>Know anybody all black a by dirtiest fuck fifteen Street

0:18:32.800 --> 0:18:35.000
<v Speaker 1>down there, all of them they had banses. They're looking

0:18:35.080 --> 0:18:38.160
<v Speaker 1>like gating for all the heat on them anything as

0:18:38.280 --> 0:18:41.200
<v Speaker 1>we was dirty. That's when the phase turned. The braid

0:18:43.440 --> 0:18:46.920
<v Speaker 1>aybody came in black grandmama's kids, the dts roll around

0:18:46.960 --> 0:18:50.960
<v Speaker 1>when they got on all black motherfucker's and you putting

0:18:51.000 --> 0:18:54.560
<v Speaker 1>strollers and the baby all black, like everybody all black.

0:18:54.720 --> 0:18:58.520
<v Speaker 1>I go through the Corge, I hit dollar Dollar. They're like, oh,

0:18:58.600 --> 0:19:03.320
<v Speaker 1>that's a famie block from New Style. They read abody

0:19:03.400 --> 0:19:05.400
<v Speaker 1>else or all the funk around it. So that's when

0:19:05.480 --> 0:19:07.879
<v Speaker 1>the Blake and we had a song from New Style,

0:19:08.000 --> 0:19:10.679
<v Speaker 1>and it was like I was just looking to titles.

0:19:10.720 --> 0:19:12.720
<v Speaker 1>I'm like, yo, we need a name New Style. That's

0:19:12.720 --> 0:19:15.480
<v Speaker 1>the eighties when we're in the name. One of songs

0:19:15.520 --> 0:19:18.240
<v Speaker 1>was Norty by Nature. Said, Norty by Nature was the

0:19:18.359 --> 0:19:32.240
<v Speaker 1>name of a New Style. Yeah, yeah, commercial break, here

0:19:32.280 --> 0:19:33.840
<v Speaker 1>you go. That I didn't even know I was gonna

0:19:33.880 --> 0:19:41.439
<v Speaker 1>be here handed. That's what's upright all right now. When

0:19:41.480 --> 0:19:43.240
<v Speaker 1>we were New Style, we had a song called Noughty

0:19:43.280 --> 0:19:46.200
<v Speaker 1>by Nature. So when we got the Flavor Unit, Flavor

0:19:46.320 --> 0:19:48.240
<v Speaker 1>Unit was like, all right, y'all a New Style and

0:19:48.320 --> 0:19:50.480
<v Speaker 1>y'all signed into this whole sugar Hill label. We got

0:19:50.600 --> 0:19:52.840
<v Speaker 1>a dad all of that. So yeah, yeah, I mean,

0:19:53.440 --> 0:19:55.879
<v Speaker 1>what's that name? Tommy Boy had to go because we

0:19:56.160 --> 0:19:59.959
<v Speaker 1>ain't tell Tommy Boy that we was on contract over there.

0:20:00.080 --> 0:20:03.280
<v Speaker 1>News and the crazy thing about bore them all crazy

0:20:03.400 --> 0:20:06.240
<v Speaker 1>thing about this back then, right, And this is what's

0:20:06.280 --> 0:20:09.120
<v Speaker 1>crazy about the evolution of you know, the hip hop

0:20:09.200 --> 0:20:12.560
<v Speaker 1>executive ship. We used to be on the blocks when

0:20:12.600 --> 0:20:14.640
<v Speaker 1>it was time to change from new style of Norughty

0:20:14.680 --> 0:20:17.240
<v Speaker 1>by Nature, when we was first pitching the name Norty

0:20:17.280 --> 0:20:22.800
<v Speaker 1>by Nature to shot him and they like, you know

0:20:23.119 --> 0:20:26.399
<v Speaker 1>who was there with him and Chris we had shot

0:20:26.520 --> 0:20:31.520
<v Speaker 1>him from Flavor, Chris Lidy and Jimmy Henchman. All three

0:20:31.600 --> 0:20:35.440
<v Speaker 1>of those guys were on them that that and that

0:20:35.960 --> 0:20:42.200
<v Speaker 1>and all of those nobody on the block. He's like,

0:20:42.280 --> 0:20:48.960
<v Speaker 1>many black just come out on the mother. They're like,

0:20:49.440 --> 0:20:55.359
<v Speaker 1>the fuck up, where's the group? They said, this is

0:20:55.480 --> 0:20:58.360
<v Speaker 1>very nigga. Seventy deep rolling clubs. Nigga. If we said

0:20:58.400 --> 0:21:00.359
<v Speaker 1>we had some jersey and motherfucker's by as we get

0:21:00.480 --> 0:21:05.359
<v Speaker 1>motherfucking bulled, we said, we got booed one time, Nigga,

0:21:06.520 --> 0:21:11.440
<v Speaker 1>We're going in new York seventy eighty fucking deep eye

0:21:12.000 --> 0:21:17.120
<v Speaker 1>back then. You know you're there was so deep. There's

0:21:17.160 --> 0:21:23.960
<v Speaker 1>robbing the nigga nigga we go. So you're saying that

0:21:24.119 --> 0:21:28.200
<v Speaker 1>you did the actual opp record Pride to the Damper.

0:21:28.320 --> 0:21:34.159
<v Speaker 1>That was like, um, like everything's gonna be all right

0:21:34.240 --> 0:21:39.280
<v Speaker 1>coming off the first album, like ronalds shine on the songs,

0:21:39.840 --> 0:21:42.600
<v Speaker 1>throw on it. This was like all right, was done

0:21:42.640 --> 0:21:45.760
<v Speaker 1>when we were working. That was done when we were seen.

0:21:47.200 --> 0:21:49.800
<v Speaker 1>I was working this broad my first pussy I had

0:21:50.320 --> 0:21:52.680
<v Speaker 1>in the park, and there was this other nigga bits

0:21:53.040 --> 0:21:57.560
<v Speaker 1>that I ain't like me, and I was like vers

0:21:57.640 --> 0:22:04.360
<v Speaker 1>it didn't come like all of them. And I got

0:22:04.400 --> 0:22:11.119
<v Speaker 1>my first base rally Park and rally Park l y.

0:22:11.160 --> 0:22:13.680
<v Speaker 1>I was homeless. I was sleeping there, hustling on that

0:22:13.760 --> 0:22:16.479
<v Speaker 1>ain thing. He started up there here and I got

0:22:16.520 --> 0:22:18.440
<v Speaker 1>my first busy and pussy up in there. It was

0:22:18.520 --> 0:22:21.359
<v Speaker 1>this motherfucker. I was never funning. It was like sisters.

0:22:21.760 --> 0:22:23.840
<v Speaker 1>And then he was all that little dirty ass nigger

0:22:23.840 --> 0:22:25.200
<v Speaker 1>bomb boo bo you know what there is fresh. I

0:22:25.280 --> 0:22:27.720
<v Speaker 1>had the braise on that he's sleeping the park nigga.

0:22:27.760 --> 0:22:31.440
<v Speaker 1>This motherfucker boh bla. He just can't come by y'all.

0:22:31.800 --> 0:22:34.560
<v Speaker 1>This bit in the bark. It was like O P

0:22:34.720 --> 0:22:37.440
<v Speaker 1>P and Move Brown that we're talking about. Before he

0:22:37.560 --> 0:22:40.760
<v Speaker 1>was always there, Yeah, I'm done with OPM. And then

0:22:41.040 --> 0:22:45.480
<v Speaker 1>he made up other people money's money because he was

0:22:45.520 --> 0:22:47.400
<v Speaker 1>like the big homie. Yeah, I'm done with over here

0:22:47.440 --> 0:22:49.760
<v Speaker 1>until we always lacked and then bids like back and

0:22:49.880 --> 0:22:52.199
<v Speaker 1>we always back. We come back here and thens like, well,

0:22:52.240 --> 0:22:55.200
<v Speaker 1>I'm down with opp said, what's that? Other people pussy

0:22:55.760 --> 0:22:59.119
<v Speaker 1>our reality? And I had I was right too, and

0:22:59.200 --> 0:23:02.200
<v Speaker 1>I heard a said, what you real? You had to

0:23:02.280 --> 0:23:08.359
<v Speaker 1>huk no he said that. He said, but I had

0:23:08.440 --> 0:23:11.879
<v Speaker 1>a virtue already about this nigga bitch that was tissing

0:23:11.960 --> 0:23:16.679
<v Speaker 1>me and anything out my pussy that was people. I said, Oh,

0:23:16.800 --> 0:23:19.280
<v Speaker 1>let me for the good yo. That song with like

0:23:19.400 --> 0:23:21.760
<v Speaker 1>ten years, motherfucker. But they even know what have made

0:23:21.760 --> 0:23:31.159
<v Speaker 1>because they would have never played it. It was a

0:23:31.280 --> 0:23:35.280
<v Speaker 1>lot of babies making that record. Like we were sitting

0:23:35.280 --> 0:23:38.000
<v Speaker 1>in on eighteen Street in my bedroom and I had

0:23:38.119 --> 0:23:40.400
<v Speaker 1>there was bunk beds in there, and I remember Track

0:23:40.440 --> 0:23:41.960
<v Speaker 1>sitting there with his arm on the top of the

0:23:42.000 --> 0:23:44.160
<v Speaker 1>bunk bed with it and just with the note book

0:23:44.240 --> 0:23:46.080
<v Speaker 1>up there and saying it to me, and I just

0:23:46.160 --> 0:23:48.640
<v Speaker 1>remember that day. I just like that, this is crazy.

0:23:48.880 --> 0:23:51.399
<v Speaker 1>You knew it's gonna be a hit. I didn't. I

0:23:51.480 --> 0:23:53.280
<v Speaker 1>just I just thought it because at that time you

0:23:53.320 --> 0:23:55.680
<v Speaker 1>had never like you probably made hit records, but I

0:23:56.200 --> 0:24:02.480
<v Speaker 1>didn't make it. But it wasn't. I we came out

0:24:03.560 --> 0:24:08.280
<v Speaker 1>Yeah we can Yeah, and the class just like that

0:24:08.359 --> 0:24:10.000
<v Speaker 1>because it was not the first hip hop record. The

0:24:10.119 --> 0:24:13.440
<v Speaker 1>MTV broke, like really really broke. They really got behind

0:24:13.560 --> 0:24:18.320
<v Speaker 1>it because that's the MTV. I never I never tell

0:24:19.000 --> 0:24:22.879
<v Speaker 1>the MTV bro I'm gonna give you my mom fucking

0:24:22.960 --> 0:24:27.400
<v Speaker 1>for or far because right alert run the shot, run

0:24:27.520 --> 0:24:33.400
<v Speaker 1>damn c rock box that's walked this way and opened

0:24:33.440 --> 0:24:38.080
<v Speaker 1>that fucking ship for hip hop. Yea, then break the

0:24:38.160 --> 0:24:42.280
<v Speaker 1>record even man that what do you say we opened

0:24:42.280 --> 0:24:45.760
<v Speaker 1>the door? No? No, no, maybe you say that song

0:24:46.400 --> 0:24:49.520
<v Speaker 1>that's all we got that man, I know what you say,

0:24:49.600 --> 0:24:52.200
<v Speaker 1>open to the mas. You're talking about a record that

0:24:52.600 --> 0:24:58.600
<v Speaker 1>MTV did a real repatively. Let's just tell a real

0:24:58.680 --> 0:25:04.679
<v Speaker 1>fucking story. You don't you made that ship the ground

0:25:04.760 --> 0:25:11.439
<v Speaker 1>out close. I tell these motherfucker got damnady got charges

0:25:11.480 --> 0:25:16.080
<v Speaker 1>and I'm gonna go ahead. Listen, man, what turned this

0:25:16.080 --> 0:25:20.320
<v Speaker 1>ship around. Was video jukebox. We changed the whole ship.

0:25:21.280 --> 0:25:24.800
<v Speaker 1>Anytime you call in the video play pop p played

0:25:25.119 --> 0:25:27.680
<v Speaker 1>twenty four hours all day. They said we got changed

0:25:27.680 --> 0:25:34.640
<v Speaker 1>it for and that was based out here video when

0:25:34.680 --> 0:25:40.440
<v Speaker 1>you call damn every time you man. Ralph is the

0:25:40.520 --> 0:25:43.199
<v Speaker 1>o G. He played our ship before we played New

0:25:43.280 --> 0:25:47.800
<v Speaker 1>South Shot. We but the video juke box when you

0:25:47.960 --> 0:25:51.360
<v Speaker 1>paid ninety nonsense or whatever. They see the video all day.

0:25:51.640 --> 0:25:55.439
<v Speaker 1>It was twenty four hours a fucking day, right, Yo.

0:25:55.640 --> 0:25:57.760
<v Speaker 1>They had to change in format, like wait a bitut man,

0:25:57.880 --> 0:26:01.639
<v Speaker 1>these motherfucker's just getting heavy play got MTV jumped in. Yo.

0:26:01.960 --> 0:26:09.000
<v Speaker 1>MTV had to end fat five Freddie dr Dre on

0:26:09.119 --> 0:26:15.080
<v Speaker 1>TV down mtvas when you're on TV. Raps came out.

0:26:15.480 --> 0:26:19.000
<v Speaker 1>Then we got heybody, we're just doing the spring breaks

0:26:19.040 --> 0:26:25.720
<v Speaker 1>with the US. One try called quest Boston John you feel,

0:26:25.760 --> 0:26:28.520
<v Speaker 1>I'm saying so with them opening the doors for us,

0:26:28.840 --> 0:26:31.639
<v Speaker 1>it was like when we came in he was a

0:26:31.800 --> 0:26:34.800
<v Speaker 1>genius where he just had the substitution tracking and put

0:26:34.880 --> 0:26:37.879
<v Speaker 1>au ABC just like how are you gonna clear this?

0:26:38.119 --> 0:26:40.720
<v Speaker 1>And it's wonder butter of Bennie. But then he was like, um, well, um,

0:26:40.960 --> 0:26:44.080
<v Speaker 1>you probably just won't have no production. You have writers,

0:26:44.119 --> 0:26:46.960
<v Speaker 1>but Hunters Publishing there gonna go to the Jackson viv

0:26:47.720 --> 0:27:00.280
<v Speaker 1>And we say, yes, yes, the Jackson five. That's still

0:27:00.400 --> 0:27:18.159
<v Speaker 1>it was business man, you know, helping me. Yeah, we

0:27:18.400 --> 0:27:26.840
<v Speaker 1>still be selling dope for We wasn't getting no for

0:27:27.000 --> 0:27:33.200
<v Speaker 1>Hip Hop Parade because Kate show off. Well everybody, hi baba,

0:27:42.040 --> 0:27:53.320
<v Speaker 1>and you can let your brothers. You know, there's a

0:27:53.359 --> 0:27:56.280
<v Speaker 1>lot of platforms out there with the people interview new artists.

0:27:56.440 --> 0:27:58.800
<v Speaker 1>There's a lot of platforms where artists can get broken

0:27:59.200 --> 0:28:01.439
<v Speaker 1>or for these platform warms. You know, I looked at

0:28:01.760 --> 0:28:04.159
<v Speaker 1>me and my partner, I looked at inside the NBA,

0:28:04.200 --> 0:28:06.640
<v Speaker 1>and we see, you know, that's that's Elliott Wilson trained

0:28:06.680 --> 0:28:09.000
<v Speaker 1>to worry about that because I hate a guy train.

0:28:15.000 --> 0:28:21.840
<v Speaker 1>We looked at Jersey, We looked at listen where about

0:28:22.760 --> 0:28:29.159
<v Speaker 1>three yall, And we looked at We looked instantly inside

0:28:29.240 --> 0:28:32.280
<v Speaker 1>the NBA and we said, Charles Barkley and we've seen

0:28:32.320 --> 0:28:35.159
<v Speaker 1>Shaquille O'Neill, and we've seen my my brother from Left

0:28:35.280 --> 0:28:38.080
<v Speaker 1>Rack City, Kenney Smith, and we said, damn, they ain't

0:28:38.080 --> 0:28:41.040
<v Speaker 1>a platform for hip hop to do that, right, But

0:28:41.200 --> 0:28:44.680
<v Speaker 1>not only that, even with them, they will interview new artists.

0:28:44.760 --> 0:28:48.880
<v Speaker 1>This platform is too is to continue to salute our legends,

0:28:49.800 --> 0:28:53.120
<v Speaker 1>give them fly. This wasn't true. We want to get

0:28:53.160 --> 0:28:56.400
<v Speaker 1>the trees when they can't hell them exactly what I'm saying,

0:28:56.760 --> 0:29:00.440
<v Speaker 1>because because you know why, so many of us, when

0:29:00.480 --> 0:29:02.800
<v Speaker 1>it comes to a certain time in our life, so

0:29:02.960 --> 0:29:05.320
<v Speaker 1>many people want to write you all. We got five

0:29:05.440 --> 0:29:07.280
<v Speaker 1>years in the game, got ten years in the game.

0:29:07.320 --> 0:29:09.800
<v Speaker 1>You can't do it again. You got fifteen, twenty years,

0:29:10.080 --> 0:29:11.880
<v Speaker 1>and they just always want to write us all. I

0:29:12.000 --> 0:29:14.720
<v Speaker 1>want this to be a platform that are artists, are legends,

0:29:14.760 --> 0:29:17.280
<v Speaker 1>can always come on and we can salute them and

0:29:17.400 --> 0:29:20.400
<v Speaker 1>praise them exactly, and we don't ridicule people. And we

0:29:20.520 --> 0:29:23.120
<v Speaker 1>don't talk about if you got caught with this chick,

0:29:24.680 --> 0:29:28.280
<v Speaker 1>we don't do that. What we're doing saluting, we want

0:29:28.360 --> 0:29:32.320
<v Speaker 1>you to know that tonight we are sue saluting Naughty

0:29:32.360 --> 0:29:34.880
<v Speaker 1>by Nation and home. Go with the glasses. Please chell ours.

0:29:35.280 --> 0:29:48.480
<v Speaker 1>We hear you a lot. Make something so sorry. I

0:29:48.520 --> 0:29:54.680
<v Speaker 1>can't take you nowhere. That's everywhere so hip, that's right.

0:29:55.400 --> 0:29:58.000
<v Speaker 1>I think the thing is what you guys are doing here,

0:29:58.200 --> 0:30:00.520
<v Speaker 1>and you know you create a platfor for him where

0:30:00.840 --> 0:30:03.360
<v Speaker 1>cats like us could come through. Man. People need to

0:30:03.480 --> 0:30:10.200
<v Speaker 1>understand about longevity. You know, even DJs MC's longevity creativity,

0:30:10.520 --> 0:30:13.960
<v Speaker 1>brand management. But because a lot of people don't, maevity

0:30:14.280 --> 0:30:17.280
<v Speaker 1>is disposable nowadays. And I want to be the exact

0:30:17.360 --> 0:30:19.200
<v Speaker 1>opposite of that. To continue what you're saying, Well, the

0:30:19.320 --> 0:30:22.000
<v Speaker 1>thing is is like, look, we're just coming from rehearsals

0:30:22.080 --> 0:30:24.840
<v Speaker 1>where a cat like Rob Base it takes to shout

0:30:28.000 --> 0:30:30.720
<v Speaker 1>that record came out in the eighties. Man and cats

0:30:30.800 --> 0:30:33.280
<v Speaker 1>look at Rob Bass and they think, yo, he don't work,

0:30:33.360 --> 0:30:39.000
<v Speaker 1>he's not eating. He's grossing millions of dollars of years

0:30:39.040 --> 0:30:41.960
<v Speaker 1>and just touring alone, you know what I mean, So

0:30:42.400 --> 0:30:45.479
<v Speaker 1>that they yeah, yeah, but look, this is the thing

0:30:45.520 --> 0:30:49.040
<v Speaker 1>about zat bernardists. We out here, man, it turns up

0:30:49.080 --> 0:30:52.120
<v Speaker 1>them out here. We're eating. We're on this package right now.

0:30:52.200 --> 0:30:55.360
<v Speaker 1>It's called I Love the Nineties Tour, right so salting

0:30:55.400 --> 0:30:58.920
<v Speaker 1>Pepper and Vanilla Ice, Like cats said, people, Vanilla Ice,

0:30:59.000 --> 0:31:03.160
<v Speaker 1>you're not thinking about this cat? Reality is is that something?

0:31:03.240 --> 0:31:06.959
<v Speaker 1>Step In and Phenomena Ice just headline a tour by

0:31:07.040 --> 0:31:11.560
<v Speaker 1>themselves all arenas and amphitheaters, a hundred and ten dates

0:31:14.160 --> 0:31:22.880
<v Speaker 1>and legends they sold They sold six hundred thousand tickets,

0:31:23.560 --> 0:31:26.760
<v Speaker 1>six hundred thousand tickets, all the six hundred thousand tickets

0:31:26.800 --> 0:31:29.920
<v Speaker 1>sold in twenty seventeen. So this is what we're about

0:31:29.960 --> 0:31:32.920
<v Speaker 1>to re up on in twenty seventeen, is two legs

0:31:33.000 --> 0:31:37.120
<v Speaker 1>of this joint. And let's also just big up other

0:31:37.280 --> 0:31:40.440
<v Speaker 1>legends that drop music nowadays, because it seems like the

0:31:40.600 --> 0:31:43.080
<v Speaker 1>music is coming back to the realness and we have

0:31:43.160 --> 0:31:47.840
<v Speaker 1>to salute people like Daylas Soul hitting number one. That's

0:31:47.920 --> 0:31:50.760
<v Speaker 1>right independent. Then we got to also turn around and

0:31:50.880 --> 0:31:55.440
<v Speaker 1>also salute requests for doing only a phenomenal album that

0:31:55.600 --> 0:31:58.960
<v Speaker 1>sounds like nineteen ninety now exactly like its sounds like

0:31:59.120 --> 0:32:01.840
<v Speaker 1>what's happening out, but it sounds like ninety it's sound

0:32:01.840 --> 0:32:06.120
<v Speaker 1>like our ship. Because every time we we described real

0:32:06.240 --> 0:32:08.680
<v Speaker 1>hip hop, people will say, that's that nineties ship, but

0:32:08.760 --> 0:32:14.080
<v Speaker 1>I think that's agesm You know the problem translations. We

0:32:14.120 --> 0:32:18.160
<v Speaker 1>got these radio stations and program directors man that let

0:32:18.240 --> 0:32:20.880
<v Speaker 1>you after thirty in hip hop like you would, you

0:32:20.920 --> 0:32:24.440
<v Speaker 1>gotta retill it like you like you ain't got it

0:32:24.520 --> 0:32:27.440
<v Speaker 1>no more, and it's the whole thing instead of a

0:32:27.560 --> 0:32:29.640
<v Speaker 1>mixture and everything else. When you shop off the head

0:32:29.680 --> 0:32:33.960
<v Speaker 1>of the elders the younger wold exactly like Chicago, like

0:32:34.040 --> 0:32:40.040
<v Speaker 1>that just in the music as opinion. When your boy

0:32:40.240 --> 0:32:45.080
<v Speaker 1>and they locked up on of these these big so

0:32:45.080 --> 0:32:47.920
<v Speaker 1>I understand what you're saying. I'm sorry, tell you exactly

0:32:49.080 --> 0:32:51.360
<v Speaker 1>because it's like the animal in the Kingdom when you

0:32:51.440 --> 0:32:53.520
<v Speaker 1>see the elephants and anything else, or the or the

0:32:53.600 --> 0:32:56.080
<v Speaker 1>big bulls. They kill him for the touch of the bulls.

0:32:56.120 --> 0:32:57.920
<v Speaker 1>The little ones run wild because they ain't got the mail.

0:32:57.960 --> 0:33:00.800
<v Speaker 1>They don't listen to the moms anything. When you take

0:33:00.840 --> 0:33:03.400
<v Speaker 1>the head off of hip hop, you kill the culture.

0:33:03.760 --> 0:33:06.280
<v Speaker 1>And then the young ones is running wow and they

0:33:06.280 --> 0:33:09.280
<v Speaker 1>ain't talking about nothing because they just about the paper

0:33:09.320 --> 0:33:12.720
<v Speaker 1>instead of the culture. So when the program directors don't

0:33:12.760 --> 0:33:14.280
<v Speaker 1>have a mixture. You used to be a time where

0:33:14.280 --> 0:33:18.120
<v Speaker 1>you go to West Coast. You're here seventy percent West

0:33:18.160 --> 0:33:20.959
<v Speaker 1>Coast music spent with everybody else. They west your head,

0:33:22.000 --> 0:33:24.800
<v Speaker 1>East Coast you here seventy here. Look you know when

0:33:24.920 --> 0:33:27.720
<v Speaker 1>you at you turn on the radio. Now every way

0:33:27.720 --> 0:33:30.280
<v Speaker 1>you're turning the radio, you think you down south, and

0:33:30.360 --> 0:33:34.480
<v Speaker 1>they didn't. Cousin's become corporate and all those radio stations

0:33:36.440 --> 0:33:41.360
<v Speaker 1>translation all stars checks. So they have mom. They have

0:33:41.560 --> 0:33:44.880
<v Speaker 1>one radio playlist, that one playlist that spread across the

0:33:44.960 --> 0:33:51.920
<v Speaker 1>bars of the stations. So it don't matter what exacts,

0:33:51.920 --> 0:33:56.280
<v Speaker 1>ain't format of coast, the forations, gifts and ships saw

0:33:56.520 --> 0:33:59.320
<v Speaker 1>playing all the ship the same, the sound and the

0:33:59.440 --> 0:34:02.360
<v Speaker 1>syndicate it as well. Not only are they playing the

0:34:02.440 --> 0:34:08.080
<v Speaker 1>same records, they sound the same. You don't have nobody's listen.

0:34:08.440 --> 0:34:12.279
<v Speaker 1>That's the beauty of today's technology and tools. You know

0:34:12.320 --> 0:34:14.960
<v Speaker 1>what I mean. I'm not the guy that plays the

0:34:15.040 --> 0:34:18.880
<v Speaker 1>old school game and say records, labels and radio stations.

0:34:19.200 --> 0:34:22.040
<v Speaker 1>You have the Internet, now, you have podcasts, you have

0:34:22.200 --> 0:34:26.080
<v Speaker 1>social media, and the reality is is that the labels

0:34:26.120 --> 0:34:28.319
<v Speaker 1>they did the work for us. You know, they did

0:34:28.440 --> 0:34:37.440
<v Speaker 1>the work alive, they did with us, with men up

0:34:37.640 --> 0:34:42.240
<v Speaker 1>in there with snakes and rats dropping them off plugs,

0:34:42.719 --> 0:34:47.759
<v Speaker 1>having releases on nakation. So what are you at now

0:34:48.040 --> 0:34:50.560
<v Speaker 1>is what you can do it yourself. You could do

0:34:50.680 --> 0:34:53.879
<v Speaker 1>it all yourself when thus a draw. They still play

0:34:53.920 --> 0:34:57.000
<v Speaker 1>our catalog every day, So it's not about what's playing

0:34:57.080 --> 0:35:01.720
<v Speaker 1>on today's nine of five radio. You got satellite radio,

0:35:01.760 --> 0:35:06.720
<v Speaker 1>you gotto you're gonna direct when you have this type

0:35:06.800 --> 0:35:13.200
<v Speaker 1>of and you get y'all put this message out and

0:35:13.280 --> 0:35:16.120
<v Speaker 1>it's coming back to direct fans and everything. So it's

0:35:16.120 --> 0:35:18.880
<v Speaker 1>to do it yourself business. I I like to play

0:35:19.320 --> 0:35:22.680
<v Speaker 1>the sounds pizzeria joint. We built this drug with hand,

0:35:23.120 --> 0:35:25.560
<v Speaker 1>and now the internet gives us a chance to just

0:35:25.719 --> 0:35:32.120
<v Speaker 1>keep managing our brand by our hands yourself records exactly,

0:35:32.280 --> 0:35:34.800
<v Speaker 1>you could just post anything in the whole world see it.

0:35:35.560 --> 0:35:38.080
<v Speaker 1>So it's like it's so the labels you like, y'all now.

0:35:41.200 --> 0:35:42.960
<v Speaker 1>But the good thing is too as well, is that

0:35:43.080 --> 0:35:46.359
<v Speaker 1>we came before that whole three sixty times and all

0:35:46.440 --> 0:35:49.840
<v Speaker 1>that other thing of all of that, because the exactly

0:35:50.360 --> 0:35:53.000
<v Speaker 1>a lot of us did, and that that allowed record

0:35:53.040 --> 0:35:55.719
<v Speaker 1>companies that spend millions of dollars on our brand. Like

0:35:55.800 --> 0:35:59.000
<v Speaker 1>you're looking at when you say that, look at when

0:35:59.120 --> 0:36:04.360
<v Speaker 1>you say they can't that bad and you did your

0:36:04.400 --> 0:36:06.359
<v Speaker 1>soul off. It stayed out that they kept the whole

0:36:06.440 --> 0:36:10.279
<v Speaker 1>hip hop like we still here like looking like like

0:36:10.400 --> 0:36:14.800
<v Speaker 1>they spent millions of dollars on on our on this

0:36:15.000 --> 0:36:17.839
<v Speaker 1>that they don't they spent millions of dollars to help

0:36:17.960 --> 0:36:20.759
<v Speaker 1>us build this, and now we walked away with it. Right, Yeah,

0:36:21.000 --> 0:36:23.680
<v Speaker 1>you know you can't do that when you get that today,

0:36:23.800 --> 0:36:26.920
<v Speaker 1>you can't do that today. That's why you ain't gonna

0:36:26.920 --> 0:36:29.040
<v Speaker 1>walk you in if you want, if you want to

0:36:29.080 --> 0:36:31.480
<v Speaker 1>know what the concast, if you want your own liquor,

0:36:31.800 --> 0:36:33.719
<v Speaker 1>if you want anything, you know what they call it.

0:36:33.960 --> 0:36:38.640
<v Speaker 1>Translation gives them more deals, no more. They call him

0:36:38.640 --> 0:36:41.400
<v Speaker 1>the content deal content, So it sounds a little bit

0:36:41.480 --> 0:36:44.239
<v Speaker 1>more lenient like. But you know, Leo Cones was the

0:36:44.280 --> 0:36:47.000
<v Speaker 1>person that invented the three exactly and and it stuck

0:36:47.040 --> 0:36:49.560
<v Speaker 1>with him so so that but now other people are

0:36:49.640 --> 0:36:56.879
<v Speaker 1>doing it. What they're doing it, you know, you gotta

0:36:56.920 --> 0:37:02.120
<v Speaker 1>have one ducking they don't drink curse fornic Kate. Yeah,

0:37:02.280 --> 0:37:05.720
<v Speaker 1>that baby were good that you need one of those guys.

0:37:07.080 --> 0:37:17.000
<v Speaker 1>Somebody drop big old as motherucker hat. And I'll understand

0:37:17.120 --> 0:37:20.520
<v Speaker 1>because of the transition that happened in the record industry games,

0:37:20.800 --> 0:37:24.280
<v Speaker 1>I could kind of understand the three sixty deal because

0:37:24.800 --> 0:37:26.719
<v Speaker 1>you know, back in the day they got paid off

0:37:26.760 --> 0:37:30.680
<v Speaker 1>of physical content. That was the albums, the CDs, the cassettes.

0:37:31.160 --> 0:37:34.080
<v Speaker 1>That was tens of money to tons of money. Tom

0:37:34.160 --> 0:37:38.040
<v Speaker 1>Silverman told us, look, when I finance dr album, I

0:37:38.200 --> 0:37:40.920
<v Speaker 1>made y'all sold over two million copies of a cassette,

0:37:40.960 --> 0:37:43.800
<v Speaker 1>A six dollar cassette you sold over two million copies.

0:37:43.840 --> 0:37:47.080
<v Speaker 1>That's two million dollars. I already recoup your album long

0:37:47.160 --> 0:37:49.279
<v Speaker 1>before I even put it out. I was the rest

0:37:49.360 --> 0:37:51.000
<v Speaker 1>of the money. That's why I had to go and

0:37:51.160 --> 0:37:54.880
<v Speaker 1>that motherfucker tell the old translation. Mother, so now, but

0:37:55.040 --> 0:37:58.200
<v Speaker 1>that was he calls up. You had albums, you had cassettes,

0:37:58.280 --> 0:38:01.640
<v Speaker 1>you had CDs, you had physical content. Now with everything

0:38:01.800 --> 0:38:04.560
<v Speaker 1>streaming and you know, boo, don't you go up on

0:38:04.640 --> 0:38:08.040
<v Speaker 1>the internet is spreads like wildfire. Soul music is basically

0:38:08.120 --> 0:38:10.879
<v Speaker 1>a loss leader. Right now, you're basically give it. Well,

0:38:11.120 --> 0:38:19.160
<v Speaker 1>back then, it's disposable back then. Back then, translation translations

0:38:19.480 --> 0:38:22.000
<v Speaker 1>average a hundred and fifty shows for the past twenty

0:38:22.080 --> 0:38:24.880
<v Speaker 1>five years. Twenty five year anniversary be for Nority by name,

0:38:29.320 --> 0:38:34.880
<v Speaker 1>so it's translation. He was the hustle us. Let me

0:38:34.920 --> 0:38:36.640
<v Speaker 1>put it like this to you, because you remember back

0:38:36.680 --> 0:38:38.560
<v Speaker 1>in the days, a person will come out with an

0:38:38.640 --> 0:38:41.839
<v Speaker 1>album and you would live with it. Like nobody really

0:38:41.880 --> 0:38:44.879
<v Speaker 1>said ill Matic was a classic when it came out

0:38:45.040 --> 0:38:50.040
<v Speaker 1>that week. It was the I don't know if you

0:38:50.280 --> 0:38:55.239
<v Speaker 1>was at nowadays something and they threw and left fact

0:38:56.040 --> 0:39:02.359
<v Speaker 1>you oh ship, yeah, I was in the first game, mother, come,

0:39:03.160 --> 0:39:06.160
<v Speaker 1>but what I'm saying is what I'm saying is right

0:39:06.239 --> 0:39:09.839
<v Speaker 1>now people people don't do that. People don't analyze the album.

0:39:09.840 --> 0:39:11.719
<v Speaker 1>People would just look at and people would be so

0:39:11.840 --> 0:39:14.239
<v Speaker 1>much stands meaning there's so much fans of these people

0:39:14.600 --> 0:39:16.520
<v Speaker 1>that they just say they album was a classic and

0:39:16.600 --> 0:39:19.279
<v Speaker 1>the album without seventy two hours people. We're here to

0:39:19.400 --> 0:39:21.800
<v Speaker 1>do that now because it's been more of a singles

0:39:21.920 --> 0:39:25.840
<v Speaker 1>game the past decade. What the youngest about, right, the

0:39:26.000 --> 0:39:28.600
<v Speaker 1>term you're talking about is back when we came up,

0:39:28.640 --> 0:39:30.960
<v Speaker 1>when you created an album, it was called the Body

0:39:31.040 --> 0:39:35.760
<v Speaker 1>of Work. At first it was an album and every

0:39:35.880 --> 0:39:39.160
<v Speaker 1>single run out fast forwarding every song. When I'm fast

0:39:39.200 --> 0:39:49.000
<v Speaker 1>forward like time you get digital albums and lead welcome back.

0:39:49.040 --> 0:39:51.960
<v Speaker 1>We missed you, my brother. You know, I gotta chotes

0:39:52.040 --> 0:39:55.280
<v Speaker 1>because when we talk about albums, right, we talked about

0:39:55.520 --> 0:39:58.839
<v Speaker 1>the skits that everything and r I p to our

0:39:58.920 --> 0:40:05.680
<v Speaker 1>brother Ricky Harris comedian, you know, skits with death Row

0:40:05.800 --> 0:40:08.120
<v Speaker 1>and all of those cats. Man, So you got a

0:40:08.160 --> 0:40:15.480
<v Speaker 1>big Ricky hard especially we just had. I just had T. K.

0:40:15.640 --> 0:40:18.040
<v Speaker 1>Coplan on here. But see that that's a difference from

0:40:18.040 --> 0:40:22.319
<v Speaker 1>my era. Like, um, I remember about maybe four four

0:40:22.440 --> 0:40:25.520
<v Speaker 1>or five years ago. I just wanted to shop album

0:40:25.560 --> 0:40:27.960
<v Speaker 1>because I always you know, you know, created our own

0:40:28.120 --> 0:40:30.960
<v Speaker 1>music and we make it and then we shop it

0:40:31.400 --> 0:40:34.440
<v Speaker 1>from the beginning. So I had went and this is

0:40:34.520 --> 0:40:36.719
<v Speaker 1>like four or four or five years ago, and I

0:40:36.800 --> 0:40:39.680
<v Speaker 1>went to a company and they offered me a good deal.

0:40:40.360 --> 0:40:42.920
<v Speaker 1>But when I sat down with him, they said, you

0:40:43.080 --> 0:40:45.520
<v Speaker 1>play me this. And I played it, and they played

0:40:45.520 --> 0:40:47.480
<v Speaker 1>play me this, and I played it, and I was like,

0:40:47.480 --> 0:40:49.520
<v Speaker 1>all right, cool, we'll make the deal. And I was like,

0:40:50.760 --> 0:40:53.560
<v Speaker 1>you don't want to hear the b sides, right, You

0:40:53.640 --> 0:40:56.960
<v Speaker 1>don't want to hear the belly. You don't want to

0:40:57.040 --> 0:40:59.880
<v Speaker 1>hear the coume under the table. You don't want that

0:41:00.400 --> 0:41:02.840
<v Speaker 1>taking him. You don't want to hear you know, my

0:41:03.080 --> 0:41:08.440
<v Speaker 1>fingernails off of my big hol and what is it

0:41:08.520 --> 0:41:11.840
<v Speaker 1>called a body work? But you got to hear my

0:41:12.000 --> 0:41:19.400
<v Speaker 1>own He only wanted that they heard me. No institutionalives, right,

0:41:19.719 --> 0:41:30.080
<v Speaker 1>they had you had Hello, yeah, mother, come right now,

0:41:30.200 --> 0:41:36.040
<v Speaker 1>because I think right now, nor I think what you

0:41:36.200 --> 0:41:39.560
<v Speaker 1>guys are doing. Norm even back then, four years ago,

0:41:39.640 --> 0:41:42.880
<v Speaker 1>when you were shopping that demo, you may not have

0:41:43.080 --> 0:41:46.719
<v Speaker 1>known the importance of your brand until you do the podcast.

0:41:47.440 --> 0:41:50.399
<v Speaker 1>You may not have realized how many motherfucker's out there,

0:41:50.520 --> 0:41:54.480
<v Speaker 1>love you because you're still shopping the demo instead of

0:41:54.560 --> 0:41:57.080
<v Speaker 1>gold straight with the middle. I'm gonna be honest with you, man.

0:41:57.200 --> 0:42:00.719
<v Speaker 1>What it was was, I had did so much products independent,

0:42:00.800 --> 0:42:03.239
<v Speaker 1>I'll start spending so much my mom my own money,

0:42:03.320 --> 0:42:05.680
<v Speaker 1>fifteen thousand at a time, fifty thousand at a time,

0:42:05.760 --> 0:42:08.400
<v Speaker 1>cerventy five thousand at a time. And what we just

0:42:08.600 --> 0:42:12.040
<v Speaker 1>found out is that people this, this payola ship is

0:42:12.080 --> 0:42:15.600
<v Speaker 1>being shut down in our city. And I gotta applaud that.

0:42:15.960 --> 0:42:18.880
<v Speaker 1>You understand I'm saying. But back then I didn't know that,

0:42:19.000 --> 0:42:21.759
<v Speaker 1>and I'm independent, so I'm doing that. So I'm like,

0:42:22.040 --> 0:42:23.640
<v Speaker 1>I don't want to spend my own money no more.

0:42:23.760 --> 0:42:26.200
<v Speaker 1>Let me go back to I know this labeled on it,

0:42:26.360 --> 0:42:28.520
<v Speaker 1>this an hour stuff. Let me go back to an epic.

0:42:28.640 --> 0:42:30.440
<v Speaker 1>Let me go back. And when I did that, but

0:42:30.560 --> 0:42:33.520
<v Speaker 1>this wasn't that. This was one of the new labels,

0:42:33.560 --> 0:42:35.440
<v Speaker 1>and they you know, I had a little buzz at

0:42:35.440 --> 0:42:38.080
<v Speaker 1>the time, a lot of bus and then they said

0:42:38.920 --> 0:42:40.879
<v Speaker 1>let me hear the single, and I played and said

0:42:40.920 --> 0:42:43.120
<v Speaker 1>let me hear the number two and that was it.

0:42:43.360 --> 0:42:47.399
<v Speaker 1>But I had a whole body of work. I want

0:42:47.440 --> 0:42:49.560
<v Speaker 1>to play, I want to play I Love my Life

0:42:49.600 --> 0:42:52.520
<v Speaker 1>for call Thomas and you know that might not make

0:42:52.560 --> 0:42:54.320
<v Speaker 1>it radio, but the streets is going to feel that

0:42:55.640 --> 0:43:00.960
<v Speaker 1>the money money what you said, they you invested in

0:43:01.080 --> 0:43:04.560
<v Speaker 1>then and motherfucker's don't know they invest in theirself. Aybody

0:43:04.600 --> 0:43:07.000
<v Speaker 1>want to deal ortle big Ship When you did, she

0:43:07.160 --> 0:43:12.560
<v Speaker 1>would have did over. Y'all was known like you put

0:43:12.640 --> 0:43:16.000
<v Speaker 1>it in the station boom old work and then the

0:43:16.200 --> 0:43:19.000
<v Speaker 1>radio station don't play us that when they call us

0:43:19.040 --> 0:43:22.160
<v Speaker 1>for their motherfucking shows. We charged them triple. I mean,

0:43:22.280 --> 0:43:24.640
<v Speaker 1>do you think about even now you might have a

0:43:24.760 --> 0:43:30.120
<v Speaker 1>day can record label now play charge Joe smoll and

0:43:30.200 --> 0:43:36.439
<v Speaker 1>just show business no more. You're like you gotta see yeah,

0:43:36.560 --> 0:43:40.920
<v Speaker 1>and he's got to have follow You don't need him

0:43:40.920 --> 0:43:46.480
<v Speaker 1>because you need him. So when up when the artist

0:43:46.680 --> 0:43:55.120
<v Speaker 1>does build his own following you now no no no

0:43:55.239 --> 0:43:58.160
<v Speaker 1>no no, But if you if you unless you're walking in,

0:43:58.239 --> 0:44:00.719
<v Speaker 1>then they're throwing something they thought the money at you

0:44:00.840 --> 0:44:03.560
<v Speaker 1>can take? Why not this the vision hold or not

0:44:03.719 --> 0:44:19.160
<v Speaker 1>a bad cousin crazy champ Hey, Normy, my thing is

0:44:19.440 --> 0:44:23.760
<v Speaker 1>leon Ship. You don't need an artist when you're creative

0:44:23.840 --> 0:44:27.160
<v Speaker 1>with your brand. Once you're established, we're all musicians we

0:44:27.239 --> 0:44:29.840
<v Speaker 1>all have class and hip hop ship. Hip hop is

0:44:29.840 --> 0:44:32.799
<v Speaker 1>about the diverse hustle. It's not only the LETA, it's

0:44:32.840 --> 0:44:35.799
<v Speaker 1>not only the podcast. Look at what fifty is doing

0:44:35.880 --> 0:44:39.040
<v Speaker 1>with power with all of these guys went. It's about

0:44:39.239 --> 0:44:42.800
<v Speaker 1>being creative with your brand. You create another lane. You

0:44:42.840 --> 0:44:44.920
<v Speaker 1>don't need to go to a record label. You can

0:44:45.000 --> 0:44:47.640
<v Speaker 1>come straight up the middle. Look at dream Champs right now,

0:44:47.760 --> 0:45:07.120
<v Speaker 1>you can drop whatever the Welcome to play a new

0:45:07.280 --> 0:45:12.040
<v Speaker 1>podcast network featuring radio and TV personalities talking business, sports, tech,

0:45:12.320 --> 0:45:17.040
<v Speaker 1>entertainment and more. Play it at play dot It. We're

0:45:17.120 --> 0:45:20.520
<v Speaker 1>back to Drink Champs Radio with Rapper and R and

0:45:20.719 --> 0:45:26.960
<v Speaker 1>d J. Then so the FN. I was down here

0:45:27.000 --> 0:45:32.560
<v Speaker 1>with you. I love that documentary series. Documentary series goes

0:45:32.640 --> 0:45:38.759
<v Speaker 1>rearch and this is what people need to understand. Hip

0:45:38.800 --> 0:45:41.960
<v Speaker 1>hop is a global culture to what you're doing. I

0:45:42.160 --> 0:45:44.560
<v Speaker 1>was here last time. I sat through it. Man, for

0:45:44.680 --> 0:45:47.160
<v Speaker 1>you guys to travel the world and go to different

0:45:47.239 --> 0:45:52.960
<v Speaker 1>pockets from Brazil to Vietnam and was a war right

0:45:53.160 --> 0:45:59.800
<v Speaker 1>just to see all around the globe. Man, it's crazy.

0:46:00.000 --> 0:46:03.040
<v Speaker 1>What it's being creative with your brain. It's being creative

0:46:03.080 --> 0:46:05.319
<v Speaker 1>with your brain because the thing about this, this thing

0:46:05.360 --> 0:46:09.319
<v Speaker 1>about is this right. I can tell that everybody head

0:46:09.719 --> 0:46:12.320
<v Speaker 1>at some point. If we wouldn't have got paid for

0:46:12.480 --> 0:46:14.960
<v Speaker 1>what we love to do, we would have continued to

0:46:15.080 --> 0:46:18.279
<v Speaker 1>do it right and I would have continued like like

0:46:18.400 --> 0:46:20.239
<v Speaker 1>in the in the begining, but we would have been

0:46:20.320 --> 0:46:23.680
<v Speaker 1>in some houses time motherfucker's up getting safe at the time,

0:46:23.760 --> 0:46:30.680
<v Speaker 1>and the ship makes some noise attraction. We're talking about

0:46:31.280 --> 0:46:42.800
<v Speaker 1>enough the whole life. It's definitely because and that and

0:46:42.920 --> 0:46:45.279
<v Speaker 1>that's and that's what the love of hip hop is. Like. Um,

0:46:45.640 --> 0:46:50.279
<v Speaker 1>the other day they had a Hottest MC lifts. A

0:46:50.360 --> 0:46:54.840
<v Speaker 1>lot of people were offended, and I understood why a

0:46:54.920 --> 0:46:59.239
<v Speaker 1>lot of people were offended because but then one of

0:46:59.280 --> 0:47:01.000
<v Speaker 1>the way they break it down, they said the Hottest

0:47:01.160 --> 0:47:03.920
<v Speaker 1>MC list, Well, we have to take em c out

0:47:04.000 --> 0:47:06.920
<v Speaker 1>of that. You just gotta say the rappers artists are

0:47:07.239 --> 0:47:12.359
<v Speaker 1>the hottest. You know how they checked the whole game.

0:47:12.960 --> 0:47:14.920
<v Speaker 1>You can't have a top ten and hip hop, you

0:47:15.000 --> 0:47:18.680
<v Speaker 1>gotta have like a top fifty. Yeah, that's true, but

0:47:20.360 --> 0:47:23.440
<v Speaker 1>you cut the whole lot of mother's sucking channel's side.

0:47:24.080 --> 0:47:33.160
<v Speaker 1>You disrespect like man arrest. Never one could take a

0:47:33.239 --> 0:47:36.160
<v Speaker 1>lot of motherfucker's split off the dome without em writing

0:47:36.200 --> 0:47:39.080
<v Speaker 1>nothing down they'd be making back like what mcs are

0:47:39.080 --> 0:47:41.840
<v Speaker 1>you talking about? And that guy I could bring to

0:47:41.960 --> 0:47:47.920
<v Speaker 1>the motherfucker show and just And the thing is when

0:47:48.120 --> 0:47:50.239
<v Speaker 1>when you get into that, never in the argument, because

0:47:50.280 --> 0:47:52.719
<v Speaker 1>it all depends on how old you are, when you

0:47:52.840 --> 0:47:56.120
<v Speaker 1>live at when you say hottest, just like your top

0:47:56.239 --> 0:48:04.960
<v Speaker 1>five or top ten, when you get into any of that, yes,

0:48:07.480 --> 0:48:11.320
<v Speaker 1>when you grew back. Ask a guy from Cali, or

0:48:11.400 --> 0:48:13.640
<v Speaker 1>expect a guy from Cali to have the same list

0:48:13.719 --> 0:48:17.760
<v Speaker 1>as a guy from New York. Let me ask you something. Recently,

0:48:17.880 --> 0:48:21.320
<v Speaker 1>a guy named Little Yadi said he thought that Biggie

0:48:21.440 --> 0:48:26.440
<v Speaker 1>Biggie was overrated. I absolutely didn't take no offense to

0:48:26.560 --> 0:48:29.560
<v Speaker 1>it because I don't love Big. Of course I love

0:48:29.680 --> 0:48:33.120
<v Speaker 1>Big Big. Big wasn't It wasn't, but he wasn't Ray.

0:48:33.200 --> 0:48:37.480
<v Speaker 1>It's like if you asked me if Joe Joe Joe

0:48:37.560 --> 0:48:40.000
<v Speaker 1>Lewis was ill, and I'm gonna tell you, yeah, from

0:48:40.080 --> 0:48:42.879
<v Speaker 1>Joe Lewis is ill. From the replays I saw, I've

0:48:42.880 --> 0:48:45.120
<v Speaker 1>never seen Joe Louis. I'm gonna tell you Floyd Maywell,

0:48:45.160 --> 0:48:49.200
<v Speaker 1>it's the greatest boxer I ever seen, period, because that's

0:48:49.200 --> 0:48:50.919
<v Speaker 1>the truth. But I doubt if you would have said

0:48:50.920 --> 0:49:00.840
<v Speaker 1>he was overrated. What my big was the best I

0:49:00.880 --> 0:49:05.720
<v Speaker 1>ever said? I think the problem if you're asking another

0:49:06.600 --> 0:49:11.040
<v Speaker 1>current lyricists see little Yall he does, he's music, he does,

0:49:11.120 --> 0:49:13.560
<v Speaker 1>he's got to break down. They ever said you're talking

0:49:13.600 --> 0:49:17.160
<v Speaker 1>to Trick Lamar or or kid you Lamar. Never see

0:49:17.280 --> 0:49:21.040
<v Speaker 1>rapper or Jake Coles saying you know what, I think

0:49:21.120 --> 0:49:24.279
<v Speaker 1>Biggie was overrated. Because now you look at you know what,

0:49:24.440 --> 0:49:34.920
<v Speaker 1>you're a lycist and you know that you believe you're

0:49:34.960 --> 0:49:39.600
<v Speaker 1>saying that part right there, that part bigger, what's seen

0:49:39.640 --> 0:49:48.239
<v Speaker 1>that ship, that part that's my man, that's a leracist face.

0:49:49.080 --> 0:49:52.480
<v Speaker 1>The thing you're starting to following me on Twitter. I'm

0:49:52.520 --> 0:49:59.040
<v Speaker 1>just expect that. I yo, man, Yeah, back we fell

0:49:59.160 --> 0:50:01.719
<v Speaker 1>and we know man, listen, half of the hip and

0:50:01.840 --> 0:50:05.960
<v Speaker 1>hip hop need a hip replacement. You know what you

0:50:06.080 --> 0:50:08.120
<v Speaker 1>mean by luck the way you said that, man, it

0:50:08.239 --> 0:50:10.960
<v Speaker 1>was half of the hip and hip hop need a

0:50:11.080 --> 0:50:15.040
<v Speaker 1>hip replacement because because we're trying to say that ship

0:50:15.120 --> 0:50:18.880
<v Speaker 1>crippled these Yeah, I understand the world asked me for

0:50:18.960 --> 0:50:21.080
<v Speaker 1>squad because I'm tapped with them shots to make your

0:50:21.120 --> 0:50:23.480
<v Speaker 1>pop block and if the win at the amendment, the

0:50:23.520 --> 0:50:25.680
<v Speaker 1>game and I'm top of the line and tenant that

0:50:25.840 --> 0:50:29.239
<v Speaker 1>damn thing man say video right from the get go.

0:50:29.520 --> 0:50:31.919
<v Speaker 1>I want to see if many float asking TV show

0:50:32.120 --> 0:50:34.439
<v Speaker 1>make a dirty city goal, can't send the city show?

0:50:34.600 --> 0:50:36.839
<v Speaker 1>Funk who that being though? Let's your old community. Though

0:50:37.160 --> 0:50:41.120
<v Speaker 1>we're smoking enemies like Chimneys, Hallow Hennessey. The industry got

0:50:41.200 --> 0:50:44.400
<v Speaker 1>four or five minimes the Homer stolen cars and new tags,

0:50:44.640 --> 0:50:47.160
<v Speaker 1>boot the bags and do rash to trade one ring

0:50:47.320 --> 0:50:50.759
<v Speaker 1>for two jacks. And if you ever hit them hip

0:50:50.800 --> 0:50:52.919
<v Speaker 1>hop niggers like, tell them the teeth are onto the today,

0:50:53.040 --> 0:51:03.800
<v Speaker 1>to the seat today. Just back these niggas can't do this,

0:51:04.000 --> 0:51:06.000
<v Speaker 1>niggas said, can I'm around for you? I was. I

0:51:06.200 --> 0:51:08.120
<v Speaker 1>was with my more and my baby mom is dropping

0:51:08.160 --> 0:51:10.279
<v Speaker 1>off some money and ship and the Bronx, and he

0:51:10.440 --> 0:51:13.520
<v Speaker 1>was like, I was saying, do you know, like I said,

0:51:13.719 --> 0:51:15.960
<v Speaker 1>if you can't say this, I ain't. You can't. I

0:51:16.000 --> 0:51:20.560
<v Speaker 1>don't even want that in the middle, some little man

0:51:20.600 --> 0:51:24.640
<v Speaker 1>who didn't do literally all right, I want my Yeah,

0:51:25.800 --> 0:51:28.279
<v Speaker 1>you know what they want to say, you want to

0:51:28.760 --> 0:51:31.800
<v Speaker 1>feed my money, ain't already I'm on that league. My

0:51:33.120 --> 0:51:41.359
<v Speaker 1>jeans means if you do out the battle, little That's

0:51:41.360 --> 0:51:45.800
<v Speaker 1>how they want to tell I'm gonna I'm on and

0:51:46.080 --> 0:51:52.880
<v Speaker 1>leave getting fum. This is what I cautioned, this is

0:51:52.960 --> 0:51:55.520
<v Speaker 1>what I wish the nigga war like a kissing cabinet.

0:51:56.239 --> 0:52:13.319
<v Speaker 1>What this that was? Yo? Man ya, they're gonna him?

0:52:13.600 --> 0:52:17.439
<v Speaker 1>He said, what we all? We all, we all must

0:52:17.520 --> 0:52:22.480
<v Speaker 1>be careful. We all. I want you to hear this too.

0:52:22.880 --> 0:52:26.200
<v Speaker 1>I think we all must be careful, man because one

0:52:26.280 --> 0:52:30.239
<v Speaker 1>thing is for sure is things evolved. Music evolved, and

0:52:30.440 --> 0:52:32.719
<v Speaker 1>we need to pay attention to hip hop music. What

0:52:32.920 --> 0:52:35.600
<v Speaker 1>we know it asked. A lot of people are complaining

0:52:35.760 --> 0:52:39.840
<v Speaker 1>because they hear it soundly lyrically evolving beyond what we

0:52:40.000 --> 0:52:43.360
<v Speaker 1>grew up on. It's the same thing from bebop and

0:52:43.520 --> 0:52:48.760
<v Speaker 1>Cap Colloway days that was on young music. You're fast

0:52:48.840 --> 0:52:52.800
<v Speaker 1>forward to disco music because soul music, Teddy Pendergrass and

0:52:52.840 --> 0:52:56.800
<v Speaker 1>all of those disco music. Hip hop took out disco music,

0:52:57.000 --> 0:53:00.120
<v Speaker 1>so that whole genre. If you watch your unsung all

0:53:00.160 --> 0:53:02.520
<v Speaker 1>of those guys that we're hot back in the dam

0:53:02.600 --> 0:53:04.319
<v Speaker 1>and try to do it, by the time you try

0:53:04.400 --> 0:53:07.680
<v Speaker 1>to redo it, it's evomed on something else. That's why

0:53:07.760 --> 0:53:12.279
<v Speaker 1>you feel like you don't have an ear. You don't

0:53:12.360 --> 0:53:15.480
<v Speaker 1>understand is that we need to cherish and and and

0:53:15.680 --> 0:53:19.040
<v Speaker 1>really protect hip hop man, because if it evolves off

0:53:19.080 --> 0:53:22.280
<v Speaker 1>into something else, you're gonna be stocked, like in the tumbar.

0:53:22.400 --> 0:53:26.200
<v Speaker 1>And what he's saying in translation is but these motherfucker's

0:53:26.200 --> 0:53:29.319
<v Speaker 1>would play a whole lot of different ship because when

0:53:29.360 --> 0:53:31.920
<v Speaker 1>you see it that them out of that range. They

0:53:32.000 --> 0:53:34.319
<v Speaker 1>got talent, but they think they gotta make it all

0:53:34.440 --> 0:53:36.879
<v Speaker 1>and all of the ship you hit sound like one song,

0:53:37.080 --> 0:53:41.320
<v Speaker 1>all the seventies, eighties, eight thing, ninety. Everybody should sound different.

0:53:42.480 --> 0:53:44.719
<v Speaker 1>Now they got them all sounding got to sound like

0:53:44.880 --> 0:53:47.719
<v Speaker 1>that to be there. They don't sound like one. But

0:53:48.239 --> 0:53:52.000
<v Speaker 1>your new your next level of little Yahti and those

0:53:52.400 --> 0:53:54.839
<v Speaker 1>next guys are like, my music ain't even hip hop.

0:53:54.920 --> 0:53:59.560
<v Speaker 1>I don't know what you were. You were saying, it's

0:53:59.600 --> 0:54:03.640
<v Speaker 1>kennibalizing itself. Yeah, changing within its within the same John

0:54:03.840 --> 0:54:06.560
<v Speaker 1>and it's a lot of hot new music that don't

0:54:06.640 --> 0:54:12.520
<v Speaker 1>like biology, cancer cell. He's definitely gonna that's different no

0:54:12.680 --> 0:54:16.960
<v Speaker 1>matter what, even if it's cannibalizing itself, the eventuality is

0:54:17.160 --> 0:54:21.799
<v Speaker 1>it's But that's why all the E. D. M. Cox

0:54:22.000 --> 0:54:24.800
<v Speaker 1>is um you know, blowing up and a lot of

0:54:24.920 --> 0:54:27.239
<v Speaker 1>hip hop DJ y'all know that from the class five

0:54:27.360 --> 0:54:30.160
<v Speaker 1>years a lot of hip hop DJs just went straight.

0:54:31.920 --> 0:54:36.080
<v Speaker 1>But but him, they bail. But let me ask you

0:54:36.239 --> 0:54:38.920
<v Speaker 1>both a question, three hour question. But ship hip hop

0:54:39.040 --> 0:54:43.680
<v Speaker 1>the category grids like you know, hip sub genres within

0:54:43.800 --> 0:54:49.120
<v Speaker 1>here like sub jobs and girl hip hop, classic authentic.

0:54:49.840 --> 0:54:51.919
<v Speaker 1>I mean we do it to ourself anyway. Some people

0:54:51.960 --> 0:54:56.880
<v Speaker 1>like it backpack conscious. You can't you cannot cage, you

0:54:57.000 --> 0:55:00.759
<v Speaker 1>can't box in creativity. Yeah, that's hip hop what it

0:55:01.000 --> 0:55:03.320
<v Speaker 1>is and what it can't do. All you can do

0:55:03.520 --> 0:55:05.920
<v Speaker 1>is walking to the bricks. It's like the pyramids. You're

0:55:05.920 --> 0:55:08.760
<v Speaker 1>gonna have a little pyramid. Some of them fucking pyramids

0:55:08.840 --> 0:55:11.480
<v Speaker 1>is so big, so many people worked on that pyramid

0:55:11.880 --> 0:55:15.880
<v Speaker 1>that it's bigger than yours. It's bigger than yours. So

0:55:16.120 --> 0:55:19.440
<v Speaker 1>now that's easy ativity. You don't ever want you can.

0:55:19.640 --> 0:55:22.000
<v Speaker 1>You can put your own stuff out via and say

0:55:22.520 --> 0:55:28.200
<v Speaker 1>enough humanity. It's it's only yourself, yea nobody off. You

0:55:28.320 --> 0:55:31.200
<v Speaker 1>can be from Africa and go to Europe and combine

0:55:31.280 --> 0:55:34.439
<v Speaker 1>cultures and come up with some fly ship to move

0:55:34.680 --> 0:55:40.160
<v Speaker 1>global humanity forward. Stay over here because this culture is that,

0:55:40.480 --> 0:55:43.880
<v Speaker 1>that's that, that's why translations over here a little bigger

0:55:44.200 --> 0:55:59.759
<v Speaker 1>That's why the relation every this is why you say,

0:56:02.160 --> 0:56:06.640
<v Speaker 1>then you get this. It's born from wherever it's born.

0:56:07.920 --> 0:56:11.880
<v Speaker 1>So many people from so many different cultures, regions, ethnicities,

0:56:12.160 --> 0:56:16.160
<v Speaker 1>they all participate love absorbed hip hop, and then when

0:56:16.239 --> 0:56:19.799
<v Speaker 1>they try to regurgitate it. Nigga shouldn't be wrapping. White

0:56:19.840 --> 0:56:23.359
<v Speaker 1>boys shouldn't be wrapping this guy, shouldn't be wrapping. That's

0:56:23.400 --> 0:56:28.440
<v Speaker 1>not fly. Can't do that. You can't do that translation.

0:56:28.880 --> 0:56:33.600
<v Speaker 1>Fuck you radio stations. Niggas go into the nag didn't

0:56:33.719 --> 0:56:38.120
<v Speaker 1>cord translate for you. It mean funck y'all. We do ourselves.

0:56:38.239 --> 0:56:40.680
<v Speaker 1>When we got ship like I don't know where we

0:56:40.760 --> 0:56:46.480
<v Speaker 1>got it. Got no gifts. We got gifts to nigga.

0:56:48.000 --> 0:56:54.759
<v Speaker 1>This niggas't translate. It ain't gifts niggas translation already, I

0:56:54.800 --> 0:56:58.200
<v Speaker 1>don't even so I said those gifts already. I'm just

0:56:58.280 --> 0:57:01.600
<v Speaker 1>showing y'all how we're bringing in the new Yo. Yeah,

0:57:01.680 --> 0:57:05.439
<v Speaker 1>you better be leaving somebody. That's all. Check, that is all,

0:57:06.920 --> 0:57:09.879
<v Speaker 1>and that and those besides you. I'm telling the hat

0:57:12.000 --> 0:57:16.080
<v Speaker 1>okay yo side give me whatever. I ain't gonna lie.

0:57:16.120 --> 0:57:18.400
<v Speaker 1>If I got those, I'm framing those. I'm not wearing

0:57:18.440 --> 0:57:23.920
<v Speaker 1>those I'm putting that ship watching, putting that in the

0:57:24.080 --> 0:57:27.840
<v Speaker 1>kitchen work. We're bringing in the new you know she listened.

0:57:27.960 --> 0:57:30.240
<v Speaker 1>I don't know if you know this only support rapper ship.

0:57:31.440 --> 0:57:34.280
<v Speaker 1>So I look, look besides Hennessee and they're gonna cut

0:57:34.320 --> 0:57:38.400
<v Speaker 1>the check eventually. But everybody else they either cut check

0:57:38.440 --> 0:57:40.840
<v Speaker 1>on that rap. We support rap. We got va. I

0:57:40.880 --> 0:57:43.160
<v Speaker 1>don't know why didn't even bring out the vodka. I'm

0:57:43.200 --> 0:57:50.919
<v Speaker 1>gonna about. We're gonna take another shot, signs of ship

0:57:51.040 --> 0:57:56.560
<v Speaker 1>security security dress Ready another shot? I got the KG.

0:57:57.040 --> 0:57:59.400
<v Speaker 1>This is yall. Why you poor? Because I'm about the same.

0:58:00.000 --> 0:58:10.800
<v Speaker 1>You drinking because like smoke. Yeah, you saw us in

0:58:10.840 --> 0:58:15.360
<v Speaker 1>my now some of us four and I did same.

0:58:16.040 --> 0:58:19.720
<v Speaker 1>Sick it up. Can get it. I'm getting me ship.

0:58:20.080 --> 0:58:22.160
<v Speaker 1>Oh you're not taking a shot? Sorry, you got you

0:58:22.200 --> 0:58:24.080
<v Speaker 1>gotta take your shout of sur rock. You've been taking

0:58:24.120 --> 0:58:26.880
<v Speaker 1>shout of rock. You've been on white. Don't switch it up. Yeah,

0:58:27.120 --> 0:58:30.360
<v Speaker 1>but that's that's a mixed stream. It's a mixed drink.

0:58:30.400 --> 0:58:36.120
<v Speaker 1>So yeah, straight blue young, I gotta big. I got

0:58:36.240 --> 0:58:38.360
<v Speaker 1>a big up. Did he did he d rock in

0:58:38.440 --> 0:58:42.160
<v Speaker 1>the sack? Yeah? What you did? You? We did our

0:58:42.200 --> 0:58:47.240
<v Speaker 1>twenty fifth anniversary pool Shiprock came through. We do it

0:58:48.080 --> 0:58:52.640
<v Speaker 1>came to the like one of the cook gown. Yeah,

0:58:53.160 --> 0:58:54.880
<v Speaker 1>like I can't, I can't want to, you know, like

0:58:55.360 --> 0:58:58.760
<v Speaker 1>the brother pool. That's right, that's what you got us.

0:58:58.760 --> 0:59:01.920
<v Speaker 1>Something man, I used to western ya. Could you look

0:59:01.960 --> 0:59:05.080
<v Speaker 1>at this motherfucker? Dude. This looks like like a double

0:59:05.120 --> 0:59:08.880
<v Speaker 1>shot of some talking to me like I don't know

0:59:09.080 --> 0:59:19.720
<v Speaker 1>something this ship let's go real quick. Told us to

0:59:19.760 --> 0:59:22.560
<v Speaker 1>be crazy. Fact that told I told videos the last time.

0:59:23.040 --> 0:59:26.720
<v Speaker 1>Y'all have to remember the craziest video remix in the

0:59:26.800 --> 0:59:30.160
<v Speaker 1>remix from the Miami, The Miami, the CZA. Yeah, it's

0:59:30.200 --> 0:59:34.200
<v Speaker 1>me and my crew was Broward County. We showed on

0:59:34.280 --> 0:59:38.960
<v Speaker 1>the lin Fellers. Everybody shot y'all that ain't ain't done

0:59:39.080 --> 0:59:50.040
<v Speaker 1>that that point where we are, Yeah, remember the records.

0:59:50.080 --> 0:59:51.560
<v Speaker 1>I remember that's the homie that used to roll with

0:59:51.640 --> 0:59:56.280
<v Speaker 1>y'all back those rejourn news. I'm gonna I'm gona telling

0:59:56.280 --> 0:59:59.040
<v Speaker 1>you some funny ship. I'm in Japan, right, just like

0:59:59.400 --> 1:00:02.640
<v Speaker 1>I gotta be like nineties nine, two thousand maybe two

1:00:02.680 --> 1:00:05.600
<v Speaker 1>thousand one in that area, though not anywhere with bot

1:00:05.680 --> 1:00:08.880
<v Speaker 1>that I meet this. I'm in Japan. I'm just randomly

1:00:09.400 --> 1:00:13.120
<v Speaker 1>dude come up to me. I said, what do you

1:00:14.560 --> 1:00:24.480
<v Speaker 1>definitely say? But he said, what with that? Man? Let

1:00:24.560 --> 1:00:31.000
<v Speaker 1>me tell you what I homie like, you seem like

1:00:31.080 --> 1:00:33.920
<v Speaker 1>you're from the town, like the way you're talking your swag.

1:00:34.360 --> 1:00:36.080
<v Speaker 1>He said, Yeah, I came out here with Noughty by

1:00:36.200 --> 1:00:48.240
<v Speaker 1>Nature a year ago and I never came back ever since. Yeah, Japan,

1:00:48.320 --> 1:00:56.280
<v Speaker 1>with London all over the world. When you trying to

1:00:56.840 --> 1:01:02.080
<v Speaker 1>over the world, you might have advice on a pass, fool,

1:01:05.840 --> 1:01:14.240
<v Speaker 1>but that's how you know. Yeah you. Helpy was one

1:01:14.280 --> 1:01:17.680
<v Speaker 1>of our regional radio wraps. She worked for Tommy Boy

1:01:17.720 --> 1:01:20.200
<v Speaker 1>and she was the London regional. We took him out there.

1:01:20.280 --> 1:01:23.439
<v Speaker 1>He bagged and knocked up and never think about that. Yes,

1:01:23.480 --> 1:01:26.000
<v Speaker 1>he came back. I know how that regional game. When

1:01:26.040 --> 1:01:29.439
<v Speaker 1>I was out there, he didn't come back. He said,

1:01:31.400 --> 1:01:37.240
<v Speaker 1>that's spending different type of money. To translation translation, this

1:01:37.440 --> 1:01:40.240
<v Speaker 1>motherfucker would come back and get deported from the country.

1:01:40.320 --> 1:01:43.680
<v Speaker 1>He's talk with us because this nigga, they're like, LP,

1:01:44.360 --> 1:01:50.120
<v Speaker 1>no leave his ass, but he living in London. I

1:01:50.240 --> 1:01:52.720
<v Speaker 1>think I think like it's talking like like nigga, you

1:01:52.960 --> 1:01:54.680
<v Speaker 1>up from the hood, but you're not. But you know how,

1:01:55.320 --> 1:01:58.640
<v Speaker 1>me somebody and somebody would be like, Yo, I'm down

1:01:58.760 --> 1:02:00.960
<v Speaker 1>with these niggas and then don't want to call him

1:02:01.080 --> 1:02:05.880
<v Speaker 1>or not he can call none of y'all know he's

1:02:06.960 --> 1:02:12.320
<v Speaker 1>the way he was holding out. Let me tell you

1:02:12.480 --> 1:02:17.880
<v Speaker 1>haven't ever called anyone of y'all. And I knew it

1:02:17.960 --> 1:02:22.760
<v Speaker 1>with said you know your relatives my niggers was like, yo,

1:02:22.880 --> 1:02:26.680
<v Speaker 1>y'all said, nah, he got I believe if he were

1:02:26.920 --> 1:02:30.800
<v Speaker 1>that Nikols said, you know one of your relatives relative

1:02:31.120 --> 1:02:34.560
<v Speaker 1>everywhere when he touched yo, we all got the eye

1:02:34.720 --> 1:02:37.280
<v Speaker 1>like I should. I heard on this side he got it,

1:02:37.360 --> 1:02:39.560
<v Speaker 1>tat it on the wrong side. But he's like, yeah,

1:02:39.800 --> 1:02:43.440
<v Speaker 1>I just wanted it over here. Like He's like, like

1:02:43.600 --> 1:02:49.680
<v Speaker 1>he touched, Yeah, he TechEd my man. Yeah, man. LP

1:02:50.640 --> 1:02:53.040
<v Speaker 1>already knew his story with the truth. I've never asked

1:02:53.480 --> 1:02:55.600
<v Speaker 1>and I never seen y'all for ten years straight. I've

1:02:55.640 --> 1:02:58.120
<v Speaker 1>never been up because I just knew. When he said

1:02:58.160 --> 1:03:01.520
<v Speaker 1>it to me, I was like, I believe you ain't

1:03:01.560 --> 1:03:07.200
<v Speaker 1>got definitely really, but listen now, KG, So you produced

1:03:07.480 --> 1:03:12.320
<v Speaker 1>for the group, what you produced for New Style? What's

1:03:12.360 --> 1:03:16.840
<v Speaker 1>it called style? New Style? Do you produced by Naughty

1:03:16.880 --> 1:03:19.880
<v Speaker 1>by Nature? What makes you say I'm gonna grant you

1:03:19.960 --> 1:03:25.200
<v Speaker 1>out start my own label and incorporate R and B.

1:03:25.280 --> 1:03:28.120
<v Speaker 1>Because that's what it felt like your label was. It

1:03:28.320 --> 1:03:41.160
<v Speaker 1>was group tied here the Hawaiian who ain't gonna see

1:03:41.160 --> 1:03:44.000
<v Speaker 1>me listen, man, once we got on board, man, I

1:03:44.080 --> 1:03:47.440
<v Speaker 1>was running. I was running, So we're happening. Arraster came

1:03:47.520 --> 1:03:49.720
<v Speaker 1>to you an arrastill because that's where your label was

1:03:49.800 --> 1:03:55.160
<v Speaker 1>at first, right hometown Holetown with the first group, and

1:03:55.280 --> 1:03:59.240
<v Speaker 1>I was on Mr DJ Fan for the Rascals on

1:03:59.360 --> 1:04:03.080
<v Speaker 1>there was on Motown, y'all. I mean, I always loved

1:04:03.200 --> 1:04:04.880
<v Speaker 1>R and B from the door. Like even if you

1:04:05.120 --> 1:04:07.320
<v Speaker 1>listen to like the first Nority My Nature album, like

1:04:07.440 --> 1:04:09.120
<v Speaker 1>the way that it was done there was there was

1:04:09.120 --> 1:04:11.600
<v Speaker 1>a lot of music, musical stuff on there. Even if

1:04:11.640 --> 1:04:13.680
<v Speaker 1>you go back and listen to new style stuff. I

1:04:13.680 --> 1:04:15.760
<v Speaker 1>mean I was sampling the Eagles, a bunch of different

1:04:15.800 --> 1:04:17.640
<v Speaker 1>stuff like that. Like I always listen to a bunch

1:04:17.640 --> 1:04:21.160
<v Speaker 1>of different records like that or off to the side.

1:04:21.200 --> 1:04:23.360
<v Speaker 1>I mean, as a producer you have to anyway. But

1:04:23.560 --> 1:04:27.080
<v Speaker 1>growing up, especially R and being soul music like my

1:04:27.200 --> 1:04:29.360
<v Speaker 1>parents is originally from the South, and then that's what

1:04:29.520 --> 1:04:31.760
<v Speaker 1>my whole queen's think came in they got together and

1:04:31.760 --> 1:04:34.200
<v Speaker 1>they grew up in Queens. So my family is from Jamaica.

1:04:35.120 --> 1:04:37.600
<v Speaker 1>Mother and my father Jamaica Queen's grew him to make

1:04:37.600 --> 1:04:43.480
<v Speaker 1>a Queen's y'all them up side one in bush. I

1:04:43.600 --> 1:05:01.760
<v Speaker 1>did Jamaica Queen's man family face like, yeah, he doesn't.

1:05:01.800 --> 1:05:06.880
<v Speaker 1>Coach Shaun is out there like y'all like and you

1:05:06.960 --> 1:05:08.919
<v Speaker 1>know they like I said, they grew up in the South,

1:05:09.040 --> 1:05:12.120
<v Speaker 1>So my grandparents is down there. Some of my um

1:05:12.560 --> 1:05:14.880
<v Speaker 1>my father's like sisters. So we would go to the

1:05:14.960 --> 1:05:17.640
<v Speaker 1>South always playing and my father always just played a

1:05:17.680 --> 1:05:19.760
<v Speaker 1>bunch of soul music. That's my younger brother right there,

1:05:19.840 --> 1:05:26.880
<v Speaker 1>like he's saying, no, you know every record, every record,

1:05:26.960 --> 1:05:29.840
<v Speaker 1>every movie, and that's all because I mean because of

1:05:29.960 --> 1:05:32.960
<v Speaker 1>growing up. Like when my father like that's all he

1:05:33.080 --> 1:05:41.080
<v Speaker 1>did is that records they play like that's why he

1:05:41.120 --> 1:05:43.280
<v Speaker 1>about the falls sleep. They beat us in the head

1:05:43.360 --> 1:05:45.680
<v Speaker 1>growing up. So when I when I got the opportunity

1:05:45.680 --> 1:05:47.280
<v Speaker 1>to do that, man, I just I wanted to do

1:05:47.400 --> 1:05:49.600
<v Speaker 1>something different because I just said, you know what I want,

1:05:49.640 --> 1:05:51.720
<v Speaker 1>I'm gonna swip. I'm gonna flip the script and I'm

1:05:51.720 --> 1:05:53.880
<v Speaker 1>gonna shot people because I'm gonna come left Field. Everybody's

1:05:53.880 --> 1:05:55.800
<v Speaker 1>gonna expect me to do hip hop, but I'm gonna

1:05:55.840 --> 1:06:06.560
<v Speaker 1>come and do something that's influence John Ay and Next Brown.

1:06:07.440 --> 1:06:09.720
<v Speaker 1>What do you feel when you when you see next

1:06:09.800 --> 1:06:12.840
<v Speaker 1>and then you see the guy, why you always like

1:06:14.280 --> 1:06:16.680
<v Speaker 1>you want to see that guy keep it real, want

1:06:16.720 --> 1:06:18.880
<v Speaker 1>to see me me personally? Man, I feel like it

1:06:19.000 --> 1:06:23.920
<v Speaker 1>keeps it keeps correcting about you know, the mailbox to

1:06:24.080 --> 1:06:32.600
<v Speaker 1>check to the mailbox, and that's the thing, like like

1:06:32.720 --> 1:06:34.920
<v Speaker 1>eventually my thing is just like man, we gotta put

1:06:34.960 --> 1:06:36.600
<v Speaker 1>in the hard work now and just to put on

1:06:36.680 --> 1:06:38.680
<v Speaker 1>our flip flops and walk to the mailbox and ain't

1:06:38.680 --> 1:06:42.920
<v Speaker 1>got to work no more. People like that, people like

1:06:44.600 --> 1:06:48.640
<v Speaker 1>people like always like even these movies like if you

1:06:48.720 --> 1:06:51.160
<v Speaker 1>look at a movie like um off, m like The

1:06:51.280 --> 1:06:53.640
<v Speaker 1>Office Party, I'm gonna send you the chack we got.

1:06:53.920 --> 1:07:07.760
<v Speaker 1>We gonna flip the walk to the mail man. Did

1:07:07.800 --> 1:07:12.520
<v Speaker 1>I show you? Did I show y'all? Yes? Yes, let's

1:07:12.520 --> 1:07:17.440
<v Speaker 1>make some voice slightest because stressed through my light up

1:07:17.520 --> 1:07:27.760
<v Speaker 1>year gold that you look at movies like Office Christmas

1:07:27.880 --> 1:07:30.680
<v Speaker 1>Party that just like basically took and remain like we're

1:07:30.680 --> 1:07:34.120
<v Speaker 1>just talking about earlier on OVP Christmas Party remade that

1:07:34.280 --> 1:07:36.400
<v Speaker 1>and license that, like you teld me like when they

1:07:36.440 --> 1:07:38.480
<v Speaker 1>did down on MTV and he said that, y, you're

1:07:38.480 --> 1:07:40.240
<v Speaker 1>always lying, Like that's how I say, like I'm not

1:07:40.400 --> 1:07:43.000
<v Speaker 1>mad at stuff like that. That keeps it going, keeps

1:07:43.000 --> 1:07:45.680
<v Speaker 1>your brand alive, and keeps your publishing flowing and going,

1:07:46.000 --> 1:07:51.000
<v Speaker 1>and allows you to walk to the mailbox. Man. That's

1:07:51.000 --> 1:07:55.920
<v Speaker 1>when his when his views, like when that guy his

1:07:56.080 --> 1:07:58.680
<v Speaker 1>views go up. What happens the publishing company call you

1:07:58.800 --> 1:08:04.440
<v Speaker 1>all you are like the riginal record Internet, it makes

1:08:04.520 --> 1:08:12.000
<v Speaker 1>him everybody year spend that money promotion. And that's weirdly

1:08:12.080 --> 1:08:14.800
<v Speaker 1>crazy about that, right. My daughter, my daughter, I have

1:08:14.880 --> 1:08:17.160
<v Speaker 1>a daughter that sixteen years old. So she was playing

1:08:17.240 --> 1:08:22.000
<v Speaker 1>that record and viral video was lying. So I said,

1:08:22.080 --> 1:08:24.400
<v Speaker 1>you know what, I said, you know that record? I said,

1:08:24.479 --> 1:08:28.559
<v Speaker 1>that's my record. She's like, she's like, you know out

1:08:28.600 --> 1:08:30.400
<v Speaker 1>of here. I said, yes it is. I like, that's

1:08:30.479 --> 1:08:33.640
<v Speaker 1>next record, like the group next. She's like really, I

1:08:33.720 --> 1:08:36.280
<v Speaker 1>was like, yeah, not playing it. She was like, oh

1:08:40.000 --> 1:08:46.640
<v Speaker 1>give me. She like like whatever. That but about it,

1:08:46.880 --> 1:08:50.320
<v Speaker 1>like it introduces you to a whole different audience as well,

1:08:50.920 --> 1:08:53.519
<v Speaker 1>so it allows you to bridge the gap, like you said,

1:08:53.520 --> 1:08:56.719
<v Speaker 1>and it becomes recurrent. So okay, so I'm gonna twisted

1:08:56.760 --> 1:09:07.320
<v Speaker 1>turn even though I know you wasted, good wasted. You're wasted,

1:09:08.160 --> 1:09:11.679
<v Speaker 1>my brother, you're wasted. Well, I'm about RAMI is giving

1:09:11.720 --> 1:09:16.200
<v Speaker 1>you Mama. I was talking about find the Womrono, Holy Telito,

1:09:16.280 --> 1:09:19.560
<v Speaker 1>jacking New City Vide's and Badest thrown see in. He

1:09:19.640 --> 1:09:22.479
<v Speaker 1>know we do be damn duty ask he kills silver

1:09:22.560 --> 1:09:26.439
<v Speaker 1>crafty Pappy. That's how they trying to who's back with

1:09:26.479 --> 1:09:30.960
<v Speaker 1>the new guy, who's tracking man? And who that I

1:09:31.040 --> 1:09:34.439
<v Speaker 1>got to chilly, not like billy lly. Y'all's got me silly.

1:09:34.479 --> 1:09:36.479
<v Speaker 1>If you feel me spit the filly, really feel me

1:09:36.760 --> 1:09:39.880
<v Speaker 1>spinning in infinity. The fine flows, comedy and couches in

1:09:39.920 --> 1:09:43.160
<v Speaker 1>the condom combos the prime problem my flow, my flow,

1:09:43.360 --> 1:09:45.920
<v Speaker 1>anything less to be attests any more only than nine

1:09:45.960 --> 1:09:48.439
<v Speaker 1>knows they're selling less and nine shows of fine folks.

1:09:48.479 --> 1:09:52.519
<v Speaker 1>My foe blows shows that time shows think a bit

1:09:52.600 --> 1:09:56.800
<v Speaker 1>like that. Did you have safe about just just spit around?

1:09:58.120 --> 1:10:01.840
<v Speaker 1>I told you, bud Way, God come to me every day?

1:10:01.920 --> 1:10:05.200
<v Speaker 1>Why mom is in the brooks? I had niggas was

1:10:05.280 --> 1:10:07.320
<v Speaker 1>going when I had to come through, and they was

1:10:07.360 --> 1:10:19.880
<v Speaker 1>like yea like translation translation translate my way through. They

1:10:20.240 --> 1:10:24.360
<v Speaker 1>that transfer. Yeah, there's a record I need to do

1:10:24.640 --> 1:10:27.960
<v Speaker 1>to make it up Uptoil Anthorm. Yeah, please tell you

1:10:28.080 --> 1:10:31.040
<v Speaker 1>the making of Uptown anthing that came about. Didn't even

1:10:31.160 --> 1:10:34.920
<v Speaker 1>I didn't even I'm not I didn't you making at first?

1:10:35.280 --> 1:10:41.559
<v Speaker 1>What is like Brothers the World Records with the skeleton beat.

1:10:41.600 --> 1:10:45.519
<v Speaker 1>I didn't like the skeleton the beat, uptail anthem Juice,

1:10:46.520 --> 1:10:50.679
<v Speaker 1>Yeah to this track. It was in the dar because

1:10:50.800 --> 1:10:54.240
<v Speaker 1>I said, Yo, this is this is what translation translation

1:10:55.439 --> 1:10:57.320
<v Speaker 1>the jail. Because of that we have to do. They

1:10:57.400 --> 1:11:04.680
<v Speaker 1>came up they would translation down. You came down to

1:11:04.760 --> 1:11:07.639
<v Speaker 1>block and understand the translation. He came down the block.

1:11:07.680 --> 1:11:09.800
<v Speaker 1>He said, Yo, Tommy boys on us. They want us

1:11:09.800 --> 1:11:11.960
<v Speaker 1>to do a record for this Juice soundtrack. What are

1:11:12.000 --> 1:11:14.160
<v Speaker 1>we gonna do? What you want to do? I said,

1:11:14.160 --> 1:11:15.960
<v Speaker 1>I don't know, man, and I'll start playing the movie's

1:11:15.960 --> 1:11:18.120
<v Speaker 1>already done. Though the movie was done, but then he's

1:11:18.120 --> 1:11:22.160
<v Speaker 1>already in Yeah, yeah that's yet. It wasn't out. But

1:11:22.400 --> 1:11:25.519
<v Speaker 1>Tommy Boy wanted us to do a record, and they

1:11:25.560 --> 1:11:27.120
<v Speaker 1>said we need to get a record for it. So

1:11:27.800 --> 1:11:29.560
<v Speaker 1>they came up there and I was just like, I

1:11:29.680 --> 1:11:32.000
<v Speaker 1>got this one joint. I was like, but it's a skeleton,

1:11:32.040 --> 1:11:34.240
<v Speaker 1>I don't really like it or whatever. And I played

1:11:34.280 --> 1:11:35.479
<v Speaker 1>it and I was like, I don't really like it.

1:11:35.520 --> 1:11:37.080
<v Speaker 1>I put it in real quick, took it out, then

1:11:37.120 --> 1:11:38.760
<v Speaker 1>start playing some other stuff. And he's just like, no

1:11:38.880 --> 1:11:40.120
<v Speaker 1>no no no no no no no no, go back

1:11:40.120 --> 1:11:41.680
<v Speaker 1>to the other one. Go back to that, which one,

1:11:42.040 --> 1:12:00.360
<v Speaker 1>Go back to the other one. This, Yeah, that's it's

1:12:00.400 --> 1:12:09.080
<v Speaker 1>gonna fly were the world and now won't coptition, beat

1:12:09.160 --> 1:12:13.599
<v Speaker 1>your break your bunk yourself get you. Two days later,

1:12:13.720 --> 1:12:16.920
<v Speaker 1>a little to me up with a dick and don't

1:12:16.960 --> 1:12:19.719
<v Speaker 1>want to bring your brothers ships. Morning on the hippo,

1:12:21.560 --> 1:12:25.559
<v Speaker 1>the flame flas and the damn you can't go far

1:12:25.960 --> 1:12:47.640
<v Speaker 1>no matter where you go here fighting was cool, like

1:12:47.800 --> 1:12:55.840
<v Speaker 1>the check and then we got food. Yeah, we got

1:12:57.720 --> 1:13:06.240
<v Speaker 1>I'm gonna happen. We go well, we said out you

1:13:06.280 --> 1:13:10.439
<v Speaker 1>know everyway I said it out of court with me,

1:13:10.600 --> 1:13:16.880
<v Speaker 1>God damn su tell that ship, God damn it, mother,

1:13:17.720 --> 1:13:20.040
<v Speaker 1>they said, out of court when they funk with me,

1:13:21.160 --> 1:13:24.640
<v Speaker 1>my brother, Oh sh I think we want to drop this.

1:13:26.080 --> 1:13:28.320
<v Speaker 1>It's a gang of little niggas and who he's outside

1:13:28.360 --> 1:13:30.439
<v Speaker 1>to just keep following me and ship and anything. It's

1:13:30.479 --> 1:13:34.120
<v Speaker 1>just saying t Trad Norty Norty, Norty Dory, you love

1:13:34.200 --> 1:13:38.040
<v Speaker 1>you no, no, yeah, this let's drop this law suit.

1:13:38.680 --> 1:13:42.480
<v Speaker 1>Who is these motherfucker's out? Ain't drew? Story start to limitation.

1:13:43.360 --> 1:13:50.200
<v Speaker 1>So I want to ask you serious slashes, serious, some

1:13:50.360 --> 1:13:56.000
<v Speaker 1>serious ship, some serious. Who did you meet for Big

1:13:56.120 --> 1:14:00.479
<v Speaker 1>up Pop Pop? Yeah, Paw can'ttroduced me to big when

1:14:00.560 --> 1:14:03.240
<v Speaker 1>Pocket Big Dog nigga, I died with him. I'm just

1:14:03.320 --> 1:14:07.360
<v Speaker 1>here haunting niggas with the truth. Real deal then was

1:14:07.520 --> 1:14:12.080
<v Speaker 1>my niggas. So now when did you meet Pop? I'm

1:14:12.120 --> 1:14:16.759
<v Speaker 1>the pop. We were doing um rolling, flavoring and anything

1:14:17.320 --> 1:14:20.960
<v Speaker 1>and on the road it was queen Ante for a

1:14:21.040 --> 1:14:25.120
<v Speaker 1>heavy D Republican to me and digital underground. So he

1:14:25.360 --> 1:14:29.120
<v Speaker 1>was doing a humpty and around that was a road.

1:14:29.520 --> 1:14:35.160
<v Speaker 1>No see that that that I would say, they told

1:14:35.240 --> 1:14:38.720
<v Speaker 1>him and get this nigga crazy off the block, like

1:14:38.840 --> 1:14:45.000
<v Speaker 1>you take him out the role. He would just be

1:14:45.160 --> 1:14:47.040
<v Speaker 1>drifting around the hood. We were just like you know

1:14:47.200 --> 1:14:56.439
<v Speaker 1>what we say, Yeah, they said, you just let me

1:14:56.520 --> 1:15:03.000
<v Speaker 1>tell you something this day hood. You know how you

1:15:03.080 --> 1:15:05.640
<v Speaker 1>grow up from the hud and you got brothers and

1:15:05.800 --> 1:15:09.160
<v Speaker 1>you know you got catch like yo, these niggas as

1:15:09.240 --> 1:15:13.880
<v Speaker 1>some wild niggas, right, Tretch has always been that I've

1:15:13.960 --> 1:15:17.120
<v Speaker 1>been in denying you all these years. I'm like, Tretches

1:15:17.240 --> 1:15:22.160
<v Speaker 1>wild Trench ain't really that wild. Let wild fucking mega

1:15:22.320 --> 1:15:28.519
<v Speaker 1>right here, Yeah about this catch, don't worry about yeah.

1:15:29.680 --> 1:15:33.000
<v Speaker 1>But yeah, like they all when we were again stage

1:15:33.080 --> 1:15:36.880
<v Speaker 1>we stick down there though, but forgetting stages with Flavoring Unit.

1:15:36.920 --> 1:15:38.800
<v Speaker 1>We were norty by nature of the town and we

1:15:38.920 --> 1:15:41.960
<v Speaker 1>were starting to get everything together and Latifa them was

1:15:42.000 --> 1:15:43.880
<v Speaker 1>going on tour, and it was just like we were

1:15:43.880 --> 1:15:45.920
<v Speaker 1>just like, yo, just take Tretch, let him be a roady,

1:15:46.080 --> 1:15:51.839
<v Speaker 1>just take translation, just take we. Oh, we don't have anything,

1:15:52.040 --> 1:15:56.919
<v Speaker 1>we anything. Everybody played their position. Nobody never killed, nobody

1:15:57.160 --> 1:16:01.519
<v Speaker 1>from the homies and nothing. Nobody know nobody nothing. It

1:16:01.640 --> 1:16:05.439
<v Speaker 1>was coach rules, anything else. Averybody played their position. I

1:16:05.760 --> 1:16:10.720
<v Speaker 1>was the motherfucking we peaceful. Then forcef anybody funck with

1:16:10.840 --> 1:16:14.680
<v Speaker 1>my mother fucking brothers and our whole quick you feel me?

1:16:15.120 --> 1:16:18.680
<v Speaker 1>They did they part, they do the abody played they

1:16:18.800 --> 1:16:23.160
<v Speaker 1>fucking position, and the niggas come. I'm just saying no more.

1:16:23.439 --> 1:16:27.160
<v Speaker 1>There's the whole. But you remember the first day I'll

1:16:27.160 --> 1:16:30.160
<v Speaker 1>met Pop, the first time man. When I met this nigga, Yo,

1:16:30.280 --> 1:16:33.559
<v Speaker 1>they had that we was on the road. We was roadies.

1:16:33.640 --> 1:16:36.400
<v Speaker 1>What roadies are people? We got a little bit damn.

1:16:36.680 --> 1:16:39.240
<v Speaker 1>Damn is what you get paid a week or something,

1:16:40.200 --> 1:16:43.519
<v Speaker 1>you know, and you carry them bags. If you're happy,

1:16:43.720 --> 1:16:46.400
<v Speaker 1>you're happy. He wasn't there. You're happy to be because

1:16:46.439 --> 1:16:49.800
<v Speaker 1>they yeah, they sent me out. And that's how I

1:16:49.920 --> 1:16:54.760
<v Speaker 1>met when he signed with Flavor Unit Management. Right, we

1:16:54.880 --> 1:16:57.439
<v Speaker 1>were still on the block basically, but when we signed

1:16:57.479 --> 1:17:00.400
<v Speaker 1>with Flavor Unit Management, they took trips from the road

1:17:00.520 --> 1:17:03.200
<v Speaker 1>so he could go pre style in the middle of

1:17:03.560 --> 1:17:07.320
<v Speaker 1>a forced me these my brother said that way we

1:17:07.400 --> 1:17:28.920
<v Speaker 1>got business that years ago. Not easy to out here,

1:17:28.960 --> 1:17:31.599
<v Speaker 1>and we do something about the second man. We used

1:17:31.600 --> 1:17:34.000
<v Speaker 1>to be on the block, right, so everybody we was

1:17:34.080 --> 1:17:35.880
<v Speaker 1>shut down the block for the day. We're going a

1:17:35.960 --> 1:17:39.519
<v Speaker 1>great adventure, Nory, We're going a great adventure for the day.

1:17:39.800 --> 1:17:43.400
<v Speaker 1>This nigga would stayed back. Nobody's on the block. He's

1:17:43.439 --> 1:17:46.920
<v Speaker 1>out there setting his own prices. Double the rate because

1:17:46.960 --> 1:17:52.880
<v Speaker 1>nobody's out there. Everybody's in holding up, holding up translation

1:17:53.800 --> 1:17:56.280
<v Speaker 1>real nigga. I said, they said, you know, you can't

1:17:56.320 --> 1:17:59.840
<v Speaker 1>get these ships for twenties and I said, y'all, I think,

1:18:00.040 --> 1:18:04.720
<v Speaker 1>and he's you ain't think. We're up in the fucking price.

1:18:04.880 --> 1:18:07.799
<v Speaker 1>It's like move far. I said, y'all take y'all vacating.

1:18:07.800 --> 1:18:10.439
<v Speaker 1>They ain't niggas go I'm taking. They called me trigger.

1:18:10.479 --> 1:18:12.640
<v Speaker 1>I'll go serve ship with them peace. I wanted to

1:18:12.680 --> 1:18:16.280
<v Speaker 1>go to break eventure. That nigger niggas going make lots

1:18:16.320 --> 1:18:23.040
<v Speaker 1>of tress, never going to one of the somebody going

1:18:23.080 --> 1:18:33.479
<v Speaker 1>to hell got the ship. No, niggas ain't gonna right

1:18:33.560 --> 1:18:37.200
<v Speaker 1>now that that nigga ain't go there the block. He

1:18:37.479 --> 1:18:40.559
<v Speaker 1>come on over there like that. We use it on black,

1:18:40.680 --> 1:18:44.320
<v Speaker 1>ain't back out the block. So you remember going to

1:18:44.479 --> 1:18:48.439
<v Speaker 1>use you might never go nowhere. Niggas used to come around,

1:18:48.520 --> 1:18:51.320
<v Speaker 1>go to five events. We just anchored down on the

1:18:51.439 --> 1:18:56.120
<v Speaker 1>block and just getting it. I don't want to go

1:18:56.200 --> 1:18:58.920
<v Speaker 1>to break. I want to go do ship. Look we

1:18:59.240 --> 1:19:02.720
<v Speaker 1>use evans were beating without. He was like he was

1:19:02.840 --> 1:19:14.120
<v Speaker 1>beating with weaking without wasn't going nobody. Translation were beating

1:19:14.240 --> 1:19:18.680
<v Speaker 1>with our ya. We ain't seen street physic ship. They

1:19:18.800 --> 1:19:20.840
<v Speaker 1>fresh as hell. They're looking like they're fresh out of

1:19:20.920 --> 1:19:24.680
<v Speaker 1>motherfucker paying for out pole and ship. They got the

1:19:24.960 --> 1:19:28.639
<v Speaker 1>BMW change. They were dirty and shipped on the block.

1:19:28.840 --> 1:19:30.760
<v Speaker 1>When they get braidy, they want ill, can we come

1:19:30.800 --> 1:19:36.479
<v Speaker 1>over in the old Man for Friday? No nigga nigga,

1:19:36.560 --> 1:19:40.680
<v Speaker 1>y'all niggas is hot. We dirty y'all coming over here

1:19:41.120 --> 1:19:44.439
<v Speaker 1>and bringing them business and all that ship and gold chains.

1:19:44.479 --> 1:19:46.760
<v Speaker 1>They see all these niggas and we're yeah, they'd be

1:19:46.880 --> 1:19:49.240
<v Speaker 1>over there when we go out. We are mixing ship

1:19:49.520 --> 1:19:51.639
<v Speaker 1>all our mother bud and they got damn Gucci suites

1:19:51.840 --> 1:19:57.760
<v Speaker 1>and about now, y'all not coming. So try anybody to

1:19:57.880 --> 1:20:00.280
<v Speaker 1>try to come through the block for the O G

1:20:00.880 --> 1:20:05.760
<v Speaker 1>Ski and and all of us. A body would have

1:20:06.000 --> 1:20:10.360
<v Speaker 1>mother got dance to that, even if from somebody, that's

1:20:10.360 --> 1:20:13.240
<v Speaker 1>because the grand mama. Yeah, like you are naked trying

1:20:13.240 --> 1:20:16.000
<v Speaker 1>to day to block over there. Even Yeah, I got

1:20:16.080 --> 1:20:24.360
<v Speaker 1>a question ship, Yeah that you can't control this hold

1:20:26.840 --> 1:20:33.560
<v Speaker 1>held hold on translationship translation. Let's get this breast. Just

1:20:33.680 --> 1:20:41.280
<v Speaker 1>show that. No just was lad king. Well guess what's

1:20:41.280 --> 1:20:46.320
<v Speaker 1>got kicked gone? I was not with the last day.

1:20:47.080 --> 1:20:51.719
<v Speaker 1>I was a fucking they said I was from Washington,

1:20:52.360 --> 1:21:01.519
<v Speaker 1>was dominicant. We are yeah Boston translate. You know, hip

1:21:01.560 --> 1:21:05.160
<v Speaker 1>hop represent every race. He's on the Rail. You know,

1:21:07.120 --> 1:21:11.360
<v Speaker 1>I watched, like I said, drink Chaps is this type

1:21:11.400 --> 1:21:14.599
<v Speaker 1>of podcast. It really isn't. Drink Chapters just for every culture,

1:21:14.920 --> 1:21:17.960
<v Speaker 1>and it's hip hop. That's why I feel like hip

1:21:18.000 --> 1:21:20.519
<v Speaker 1>hop should be its own race. Like I feel like,

1:21:21.160 --> 1:21:23.320
<v Speaker 1>I don't know, I know this is a tardy, but

1:21:23.760 --> 1:21:28.000
<v Speaker 1>they might be genius. I think that the next presidential

1:21:28.160 --> 1:21:34.800
<v Speaker 1>race people should run as hip hop candidate. Yeah, I mean,

1:21:34.920 --> 1:21:46.920
<v Speaker 1>maybe we need somebody else. Few it's third day but Trump.

1:21:47.320 --> 1:21:51.280
<v Speaker 1>But there's people like David Banner. There's people killing Mike.

1:21:52.040 --> 1:21:55.120
<v Speaker 1>There's people are what's my other brother that was on

1:21:55.360 --> 1:22:02.720
<v Speaker 1>Deaf jam um young brother on Deaf Big, on death Chat.

1:22:02.920 --> 1:22:05.720
<v Speaker 1>There's people that we can listen. That's maybe maybe we

1:22:06.080 --> 1:22:12.320
<v Speaker 1>gotta rush from to the presidency. Okay, maybe mayors, why not?

1:22:12.560 --> 1:22:16.160
<v Speaker 1>But maybe maybe with David Banner, like David Banna, I

1:22:16.280 --> 1:22:19.839
<v Speaker 1>suggested that, you know, he didn't in Mississippi. I suggested

1:22:19.880 --> 1:22:23.080
<v Speaker 1>that when Tyler Quali sat here, you weren't for Brooklyn Counsel.

1:22:24.040 --> 1:22:25.640
<v Speaker 1>And the thing is a lot of us because I

1:22:25.680 --> 1:22:29.800
<v Speaker 1>remember I told it to Russell Russell Simms. I was,

1:22:29.960 --> 1:22:35.160
<v Speaker 1>I was, I was in uh hip hop summits. Remember

1:22:35.160 --> 1:22:37.800
<v Speaker 1>back in the day simon the Hip Hop Summit, So

1:22:37.920 --> 1:22:42.280
<v Speaker 1>Russell Simmons, I've been like seventeen and at just one points, like, Russ,

1:22:44.439 --> 1:22:47.040
<v Speaker 1>you're getting me out here because he because wherever I'm at,

1:22:47.080 --> 1:22:51.240
<v Speaker 1>he's pulling over my whole bucks because it's like death

1:22:51.479 --> 1:22:53.760
<v Speaker 1>at the time wherever we are, Like your show was

1:22:53.800 --> 1:22:55.400
<v Speaker 1>canceled or not. You gotta do the Hip Hop Summit

1:22:56.080 --> 1:23:01.280
<v Speaker 1>right your Russ? At some point are you doing? Shouldn't

1:23:01.280 --> 1:23:05.120
<v Speaker 1>you give us back that? And Russ is like, he's like,

1:23:05.680 --> 1:23:07.080
<v Speaker 1>so what do you mean? I said, why don't you

1:23:07.240 --> 1:23:10.479
<v Speaker 1>run for president? And I know I said this story

1:23:10.560 --> 1:23:12.600
<v Speaker 1>on the on the podcast a couple of times, but

1:23:12.640 --> 1:23:14.599
<v Speaker 1>I'm gonna say it again. He said, no, I mean

1:23:14.640 --> 1:23:18.760
<v Speaker 1>I smoke dope. I said, ain't smoke. He said that

1:23:18.800 --> 1:23:25.960
<v Speaker 1>osmoke terroke. But back then I understood. I was like,

1:23:26.040 --> 1:23:29.720
<v Speaker 1>you know, Russ, a cool smoke troin cool Right now,

1:23:30.080 --> 1:23:33.800
<v Speaker 1>what if Donald gave us anything? He gave us the

1:23:33.880 --> 1:23:36.479
<v Speaker 1>hope that they don't give a fuck. As long as

1:23:36.520 --> 1:23:40.680
<v Speaker 1>you create your following. It's just like Kanye. I mean,

1:23:41.120 --> 1:23:43.479
<v Speaker 1>whether you agree with Kanye, you don't agree with Kanye,

1:23:43.800 --> 1:23:48.000
<v Speaker 1>his followers still follow him. That's what happened with Trump.

1:23:48.160 --> 1:23:53.560
<v Speaker 1>He used social media, social media President. I said it

1:23:53.680 --> 1:23:55.680
<v Speaker 1>from this podcast from the beginning. What did I say?

1:23:55.720 --> 1:24:01.280
<v Speaker 1>Trump turned on politics into smack DVD. They didn't care

1:24:01.360 --> 1:24:04.120
<v Speaker 1>about what he was saying was factual. Without it was

1:24:04.200 --> 1:24:08.360
<v Speaker 1>the better line. They don't give a funk. You could

1:24:08.400 --> 1:24:11.720
<v Speaker 1>tell this factual. We get him with facts on the

1:24:11.760 --> 1:24:16.840
<v Speaker 1>snackb But if you got the better line, translation, don

1:24:16.960 --> 1:24:29.160
<v Speaker 1>Trump's motherfucker and I'm going to wall. Here's something he

1:24:29.320 --> 1:24:33.800
<v Speaker 1>was reading, hell hoppy. He was saying what the majority

1:24:34.120 --> 1:24:38.720
<v Speaker 1>of the voters was going to say. Trump. Yeah, we

1:24:38.840 --> 1:24:41.600
<v Speaker 1>gotta protect this. We gotta go this, we gotta have this,

1:24:41.720 --> 1:24:43.360
<v Speaker 1>we gotta beat for us, we gotta more moment. We

1:24:43.400 --> 1:24:45.720
<v Speaker 1>got Bill, you know what I mean, the separation and

1:24:45.760 --> 1:24:50.040
<v Speaker 1>they president and everybody was gonna here. Here's another thing though,

1:24:50.120 --> 1:24:53.960
<v Speaker 1>Nor and Bill up. Not only do I think the

1:24:54.080 --> 1:24:56.920
<v Speaker 1>better player is for all of us if we're involved

1:24:56.960 --> 1:24:59.800
<v Speaker 1>in politics or whatever, it's just like you're putting on

1:24:59.880 --> 1:25:03.680
<v Speaker 1>the next artist. It's just like you're putting on the

1:25:04.760 --> 1:25:09.720
<v Speaker 1>political men and they tell them at listen. It's not

1:25:09.920 --> 1:25:13.679
<v Speaker 1>like it's not like you're putting on the next artist.

1:25:13.960 --> 1:25:18.160
<v Speaker 1>You're just co signing the next urban politician or your

1:25:18.240 --> 1:25:22.880
<v Speaker 1>next young politicians. So we provide the mouse mouthpiece. We

1:25:23.040 --> 1:25:26.720
<v Speaker 1>provide that international connection. When you're talking about hip hop

1:25:26.800 --> 1:25:28.880
<v Speaker 1>as a race, it's gonna be a normal race. It's

1:25:28.880 --> 1:25:33.920
<v Speaker 1>gonna be multicultural, multi ethnic, it's one voice. So what

1:25:34.160 --> 1:25:36.040
<v Speaker 1>we need to do is we need to keep doing

1:25:36.160 --> 1:25:41.719
<v Speaker 1>what we're doing because we're and we're signing the people

1:25:41.960 --> 1:25:49.479
<v Speaker 1>who are gonna be there and trenched that look mostly

1:25:50.040 --> 1:25:52.240
<v Speaker 1>like they'll do. Like I said, we're playing our parts.

1:25:53.000 --> 1:25:56.519
<v Speaker 1>He's great with the you know, the politicians, all of them.

1:25:56.880 --> 1:26:00.400
<v Speaker 1>I'm in the streets with I'm having a nick homies,

1:26:00.720 --> 1:26:04.360
<v Speaker 1>doing games together and everything else. We got that playing

1:26:04.400 --> 1:26:08.800
<v Speaker 1>games with the rivals. They're put on the lights of

1:26:08.840 --> 1:26:11.000
<v Speaker 1>the city. You know, we pull the cars up, put

1:26:11.000 --> 1:26:14.880
<v Speaker 1>the headlights on them. If I got waters bomb uniforms,

1:26:15.000 --> 1:26:18.840
<v Speaker 1>and we have different bloods in the crypts, it ain't

1:26:18.920 --> 1:26:23.040
<v Speaker 1>blood against gripts. Just like teams with stall up. So

1:26:23.120 --> 1:26:25.559
<v Speaker 1>when you break bread together and see in the streets

1:26:25.600 --> 1:26:28.599
<v Speaker 1>and they go back out, now you know that's my people.

1:26:30.680 --> 1:26:33.560
<v Speaker 1>You know what I like a little bit to just

1:26:33.760 --> 1:26:36.599
<v Speaker 1>put back to the community where you have any teple

1:26:36.680 --> 1:26:40.040
<v Speaker 1>connect that ship goes far in hip hop is all

1:26:40.200 --> 1:26:43.840
<v Speaker 1>within it right right, because you know, the point that

1:26:44.000 --> 1:26:48.200
<v Speaker 1>we kind of trying to get at um is sometimes

1:26:48.439 --> 1:26:51.000
<v Speaker 1>are still being in the hood and still being involved

1:26:51.080 --> 1:26:53.280
<v Speaker 1>with the hood and still being around the hood, and

1:26:53.400 --> 1:26:56.640
<v Speaker 1>we're not giving something back. The thing about it is

1:26:56.800 --> 1:27:00.320
<v Speaker 1>we have to we have to push it forward because

1:27:02.240 --> 1:27:06.040
<v Speaker 1>the error that we live in with black men being

1:27:06.200 --> 1:27:12.960
<v Speaker 1>murdered every Jing, Chicago, think about I'll get the Chicago next.

1:27:13.000 --> 1:27:15.800
<v Speaker 1>But I'm saying, you know, just on the streets getting

1:27:15.800 --> 1:27:19.800
<v Speaker 1>pulled over for traffic, like getting pulled over, like we're

1:27:19.960 --> 1:27:24.480
<v Speaker 1>at genocide already. How could we admit our own genocide?

1:27:24.960 --> 1:27:27.040
<v Speaker 1>So like I can't, I don't really want to beef

1:27:27.120 --> 1:27:29.640
<v Speaker 1>for anybody. I don't want to have you have to

1:27:29.760 --> 1:27:32.439
<v Speaker 1>do with anybody, have to have problems because we have

1:27:32.600 --> 1:27:38.560
<v Speaker 1>fucking war within ourselves. What I'm saying, within ourselves, it

1:27:38.760 --> 1:27:42.679
<v Speaker 1>always hurts and always it always hits home because it's like, damn,

1:27:42.720 --> 1:27:46.320
<v Speaker 1>I guess what, don't don't we have the same news station,

1:27:47.479 --> 1:27:50.280
<v Speaker 1>we have the same NFL. How are we still beefing?

1:27:50.520 --> 1:27:54.200
<v Speaker 1>When we came up, all of us, we had forty houses,

1:27:55.520 --> 1:28:05.280
<v Speaker 1>We had little drinks, a little bit, we did a

1:28:05.320 --> 1:28:09.280
<v Speaker 1>different thing. These kids. Now they're getting house ship that

1:28:09.840 --> 1:28:15.920
<v Speaker 1>the motherfucker would like shrim and lane oxyto, yeah, percocet,

1:28:15.960 --> 1:28:18.200
<v Speaker 1>And they just waked the funk up and head and

1:28:18.400 --> 1:28:22.320
<v Speaker 1>jailed for life, like what happened? You killed three motherfucker's

1:28:22.640 --> 1:28:28.840
<v Speaker 1>two who was your homies? And they so hot? Like

1:28:28.960 --> 1:28:32.200
<v Speaker 1>we wasn't on that type of ship. It wasn't cool

1:28:32.240 --> 1:28:35.560
<v Speaker 1>to be a thing. But translation, it wasn't cool to

1:28:35.640 --> 1:28:38.840
<v Speaker 1>be a fiend just killing guys are just scared to

1:28:38.920 --> 1:28:41.000
<v Speaker 1>just have a fair one and just walk away from

1:28:41.080 --> 1:28:43.360
<v Speaker 1>it like that, like that's what it used to be

1:28:43.680 --> 1:28:49.560
<v Speaker 1>because solved. Your fathers went to the play take the

1:28:49.640 --> 1:29:02.080
<v Speaker 1>gun like put up them take the board if that time.

1:29:02.280 --> 1:29:05.559
<v Speaker 1>But we got gift basket. We look ship that's gonna

1:29:05.560 --> 1:29:09.439
<v Speaker 1>stop showing off, showing off back ship, drink your bags.

1:29:09.520 --> 1:29:25.360
<v Speaker 1>I never that I never seen that one. You know

1:29:25.520 --> 1:29:31.880
<v Speaker 1>why you let me just say something. We're gonna get

1:29:31.880 --> 1:29:33.519
<v Speaker 1>back to everything that we were talking about. But you

1:29:33.640 --> 1:29:37.719
<v Speaker 1>know what, you guys raised not only me, not only FM,

1:29:37.800 --> 1:29:40.400
<v Speaker 1>but you raised hip hop. You got stood there. You're

1:29:40.400 --> 1:29:46.040
<v Speaker 1>still strong. You can consistently stayed the same no matter.

1:29:46.160 --> 1:29:47.880
<v Speaker 1>I don't get I don't care when I'm here in

1:29:47.920 --> 1:29:51.120
<v Speaker 1>New Norty record. As long as Cage is on a

1:29:51.280 --> 1:30:01.880
<v Speaker 1>motherfucking be exactly nigger, it's a it is kicking that

1:30:02.040 --> 1:30:05.000
<v Speaker 1>ship and then videos coming in there with that button

1:30:05.080 --> 1:30:08.400
<v Speaker 1>on that bread. That's exactly what it is in hip

1:30:08.439 --> 1:30:12.639
<v Speaker 1>hop needs to continue to appraise. Praise you. I said

1:30:12.720 --> 1:30:34.840
<v Speaker 1>a praise. Let's let's roll with that. Translate. I'm drunk.

1:30:35.600 --> 1:30:40.520
<v Speaker 1>You know you don't. That's why I take you everywhere.

1:30:47.560 --> 1:30:51.040
<v Speaker 1>Welcome to play a new podcast network featuring radio and

1:30:51.120 --> 1:30:55.719
<v Speaker 1>TV personalities talking business, sports, tech, entertainment, and more. Play

1:30:55.760 --> 1:31:00.400
<v Speaker 1>it at play dot It. We're back to Drink Champs

1:31:00.520 --> 1:31:06.840
<v Speaker 1>Radio with Rapper and R and d J. Then listen,

1:31:06.960 --> 1:31:10.160
<v Speaker 1>you know what it is so many people when they

1:31:10.240 --> 1:31:13.080
<v Speaker 1>when they ride off our legends and when I know

1:31:13.240 --> 1:31:15.880
<v Speaker 1>the real deal because I'm in the field and I

1:31:16.320 --> 1:31:20.200
<v Speaker 1>walk around and I know that I see tretching Ruth Chris,

1:31:21.360 --> 1:31:23.000
<v Speaker 1>and then if he go to the bathroom, I take

1:31:23.040 --> 1:31:25.160
<v Speaker 1>care of his bill. If I if I go to

1:31:25.200 --> 1:31:27.280
<v Speaker 1>the bathroom, we take care of my bill. And we're

1:31:27.320 --> 1:31:30.200
<v Speaker 1>out there living good and just having fun. And it's

1:31:30.280 --> 1:31:32.960
<v Speaker 1>like I didn't want him to just tell that to me.

1:31:34.080 --> 1:31:36.760
<v Speaker 1>I wanted to talk to to the world that were

1:31:36.840 --> 1:31:40.040
<v Speaker 1>out here still living. Just because you don't see a

1:31:40.120 --> 1:31:44.719
<v Speaker 1>person on the Hottest m cless, don't mean he ain't

1:31:44.760 --> 1:31:51.000
<v Speaker 1>the hottest MC right, Nigga niggas ain't working at us

1:31:51.880 --> 1:31:58.160
<v Speaker 1>and you guys I got but yeah, niggas all around

1:31:58.600 --> 1:32:02.200
<v Speaker 1>world wide asked boards, that's why I was about to

1:32:02.200 --> 1:32:08.559
<v Speaker 1>go to listen. Let me just tell you something. Number

1:32:08.640 --> 1:32:13.400
<v Speaker 1>one record in the world, you know, platinum album. I

1:32:13.560 --> 1:32:17.000
<v Speaker 1>go to London or something like that, and I see that.

1:32:17.200 --> 1:32:20.200
<v Speaker 1>I saw this is my favorite group, like at the time,

1:32:20.280 --> 1:32:22.639
<v Speaker 1>like was in my long it's my ship. Now I'm

1:32:22.680 --> 1:32:27.479
<v Speaker 1>on Tommy Boy. They tell me, boy, I don't understand

1:32:27.800 --> 1:32:33.519
<v Speaker 1>because time like and I see them, I said, what

1:32:33.640 --> 1:32:36.680
<v Speaker 1>you're doing out here? He said, we gotta show like

1:32:36.840 --> 1:32:40.000
<v Speaker 1>two weeks from now, and I laughed at them. I

1:32:40.160 --> 1:32:43.719
<v Speaker 1>literally was like, what just out here for two weeks?

1:32:43.880 --> 1:32:47.000
<v Speaker 1>Because I was so young, I didn't know what happened,

1:32:47.840 --> 1:32:52.400
<v Speaker 1>So alright, cool, here's I went platinum whatever whatever when

1:32:52.520 --> 1:32:59.680
<v Speaker 1>things went down and not just in Europe for a month. Oh,

1:33:00.000 --> 1:33:06.559
<v Speaker 1>I understood, But I was so young at that point

1:33:07.680 --> 1:33:11.160
<v Speaker 1>that when they said, like, you're just chilling in Europe

1:33:11.400 --> 1:33:14.880
<v Speaker 1>for two extra weeks. I have no idea about features,

1:33:15.360 --> 1:33:18.559
<v Speaker 1>I have no idea about hosting mixtapes. I have no idea.

1:33:18.600 --> 1:33:21.320
<v Speaker 1>But I'm sitting because to me, Europe at that time

1:33:21.439 --> 1:33:23.679
<v Speaker 1>was like, why be here. I can be in Harlem,

1:33:24.400 --> 1:33:27.479
<v Speaker 1>I can be in New Orleans, I could be in Miami,

1:33:27.600 --> 1:33:30.360
<v Speaker 1>I could be in l A. And then years later,

1:33:30.479 --> 1:33:33.000
<v Speaker 1>when I sat back, and you know what, hip hop

1:33:33.200 --> 1:33:36.360
<v Speaker 1>might live real hip hop, the hip hop that we're

1:33:36.400 --> 1:33:41.400
<v Speaker 1>all talking about, might live more in Europe. It doesn't.

1:33:46.280 --> 1:33:49.719
<v Speaker 1>In Europe is out there six o'clock in the afternoon,

1:33:49.760 --> 1:33:51.960
<v Speaker 1>and I'm like, what time to close? Club opening, like

1:33:52.080 --> 1:33:55.160
<v Speaker 1>nine o'clock, Like wait a minute, why are they out there?

1:33:55.200 --> 1:33:57.439
<v Speaker 1>Why my sound check? Because they want to be the

1:33:57.520 --> 1:34:00.080
<v Speaker 1>first people in there, and they're out there breakdance. This

1:34:00.160 --> 1:34:04.120
<v Speaker 1>nick is doing graffiti at the venue. Yeah, this is

1:34:04.200 --> 1:34:06.160
<v Speaker 1>a bad thing about I. Ever, when they got that

1:34:06.920 --> 1:34:09.200
<v Speaker 1>where you can see the old school or the throwback

1:34:09.280 --> 1:34:14.120
<v Speaker 1>the nineties eight, then that say this like America and

1:34:14.240 --> 1:34:18.799
<v Speaker 1>this is like the world like compared to us. However,

1:34:18.960 --> 1:34:22.479
<v Speaker 1>we could go all over and tour. If you ain't

1:34:22.520 --> 1:34:24.920
<v Speaker 1>got that content like that, you know you got Japan.

1:34:26.040 --> 1:34:32.120
<v Speaker 1>They break dancing still, they look at you they don't

1:34:32.160 --> 1:34:38.280
<v Speaker 1>know English. Here's one thing I want to tell you, guys,

1:34:38.720 --> 1:34:40.760
<v Speaker 1>and I want to tell the worst to the audience. Man,

1:34:41.200 --> 1:34:44.000
<v Speaker 1>do not take your own backyard for granted. Because, like

1:34:44.160 --> 1:34:46.960
<v Speaker 1>we told you all those new style stories, we got

1:34:47.160 --> 1:34:50.639
<v Speaker 1>fucking established as the new stop right there in our backyard.

1:34:50.960 --> 1:34:54.880
<v Speaker 1>It was our high school auditorium where we got our

1:34:54.960 --> 1:34:58.560
<v Speaker 1>first studience. Then we mastered our backyard, and then we

1:34:58.720 --> 1:35:01.599
<v Speaker 1>took it where we took it. Don't keep letting people

1:35:01.840 --> 1:35:05.320
<v Speaker 1>or don't let people tell you all the money is overseas.

1:35:05.640 --> 1:35:07.960
<v Speaker 1>When we have all of these, we have the whole

1:35:08.120 --> 1:35:13.000
<v Speaker 1>United States right here. That's right now. I'm telling let

1:35:13.040 --> 1:35:17.400
<v Speaker 1>me just let me just tell you this. I'm gonna

1:35:17.680 --> 1:35:21.759
<v Speaker 1>drop it on you. Seventeen we will be doing easily

1:35:22.120 --> 1:35:26.639
<v Speaker 1>one hundred amphitheaters and arenas in the United States. That's

1:35:26.680 --> 1:35:29.880
<v Speaker 1>not going to Canada. It's not going nowhere. Eight to

1:35:30.040 --> 1:35:33.040
<v Speaker 1>ten thousand people, man on this. I love the nineties tour,

1:35:33.600 --> 1:35:37.400
<v Speaker 1>but working with our agency and the game is evolving.

1:35:37.640 --> 1:35:40.800
<v Speaker 1>The game is evolving. These package dates are the ship.

1:35:41.439 --> 1:35:44.360
<v Speaker 1>But how about these new artists? Right will throw out

1:35:44.400 --> 1:35:47.439
<v Speaker 1>a record and it's hot on the internet, and the

1:35:47.920 --> 1:35:50.960
<v Speaker 1>good thing and The bad thing about the internet is

1:35:51.000 --> 1:35:53.679
<v Speaker 1>when it's hot on the internet, it's hot in places

1:35:53.800 --> 1:35:58.320
<v Speaker 1>we don't know. They can't really build a foundation. Like

1:35:58.640 --> 1:36:01.439
<v Speaker 1>I forget. This guy is a white guy. He said, Um,

1:36:02.120 --> 1:36:04.839
<v Speaker 1>the white guy only needs is a good booking agency.

1:36:05.240 --> 1:36:08.200
<v Speaker 1>You know, Um no, not no, not post a loan.

1:36:08.280 --> 1:36:11.200
<v Speaker 1>The guy, he said, he's not about that life. Oh

1:36:11.400 --> 1:36:14.599
<v Speaker 1>Slim something, sim boy, Well, Slim, you just put out

1:36:14.640 --> 1:36:17.599
<v Speaker 1>the record. His record blew up and he couldn't even

1:36:18.360 --> 1:36:21.160
<v Speaker 1>even if he wanted to build up his own hometown,

1:36:21.600 --> 1:36:24.040
<v Speaker 1>he couldn't because he when he threw it up on

1:36:24.360 --> 1:36:27.960
<v Speaker 1>on the internet, it blew up everywhere else. So how

1:36:27.960 --> 1:36:35.639
<v Speaker 1>about these guys like this? I just said, I see

1:36:35.760 --> 1:36:38.160
<v Speaker 1>what you can do to like like even like going

1:36:38.240 --> 1:36:42.280
<v Speaker 1>back like just to to just funds relating to us,

1:36:42.520 --> 1:36:45.519
<v Speaker 1>and and and going into like to piggyback of what

1:36:45.600 --> 1:36:47.840
<v Speaker 1>you're talking about. It's like even with us, like we

1:36:48.080 --> 1:36:51.040
<v Speaker 1>felt like I guess my point, I'm trying to say,

1:36:51.080 --> 1:36:53.360
<v Speaker 1>it's even without Slim Jesus or anybody like that. You

1:36:53.439 --> 1:36:56.360
<v Speaker 1>got to continue to plan and continue to build, like

1:36:56.479 --> 1:36:58.840
<v Speaker 1>you said, you can still build that home as well

1:36:58.960 --> 1:37:01.760
<v Speaker 1>as outside. Like even with us, we locked our hometown

1:37:01.880 --> 1:37:05.200
<v Speaker 1>down at home and I was our city and in

1:37:05.320 --> 1:37:08.599
<v Speaker 1>our state. But then our we were said, we said,

1:37:08.640 --> 1:37:10.920
<v Speaker 1>this Tom is spread out now and we went in

1:37:11.000 --> 1:37:12.840
<v Speaker 1>New York and the first time we went in New

1:37:12.960 --> 1:37:15.719
<v Speaker 1>York was birthday party. They booed aside in that place.

1:37:15.960 --> 1:37:22.240
<v Speaker 1>And we were a bun birthday because we said from

1:37:23.000 --> 1:37:26.639
<v Speaker 1>because it was Right Alerts birthday party. Right, so back

1:37:26.760 --> 1:37:29.200
<v Speaker 1>then and this was the eighties, we would have style.

1:37:29.280 --> 1:37:32.040
<v Speaker 1>We weren't even Norty by nature yet. So there's Daylight

1:37:32.120 --> 1:37:35.560
<v Speaker 1>Sould trip called Quest Queen for krus One, you name it,

1:37:35.640 --> 1:37:39.599
<v Speaker 1>you name at Right Alert's birthday party. We come there

1:37:39.680 --> 1:37:42.160
<v Speaker 1>because Ka's brother was managing us at the time and

1:37:42.240 --> 1:37:45.000
<v Speaker 1>he knew the promoter who was throwing the party. So

1:37:45.200 --> 1:37:47.000
<v Speaker 1>he's like, back, we'll put you all on as the

1:37:47.080 --> 1:37:50.080
<v Speaker 1>new style of just opened up. Before whatever else happened,

1:37:50.439 --> 1:37:53.480
<v Speaker 1>we got up there and that this was the craziest

1:37:53.520 --> 1:37:59.120
<v Speaker 1>ship in December. We got up even if I was first,

1:37:59.600 --> 1:38:03.439
<v Speaker 1>I'm saying that we're from Nordy. My nature went from Jersey.

1:38:03.680 --> 1:38:06.559
<v Speaker 1>We got booed before we even dropped the racket. Then

1:38:06.640 --> 1:38:09.479
<v Speaker 1>when we dropped, they bowed us out of the building.

1:38:09.920 --> 1:38:13.880
<v Speaker 1>The craziest part is when we pulled up the street

1:38:14.200 --> 1:38:16.960
<v Speaker 1>clear like this. By the time we got bulled and

1:38:17.080 --> 1:38:19.200
<v Speaker 1>had to drive back to Jersey, it was like three

1:38:19.240 --> 1:38:29.559
<v Speaker 1>ft of snow out there, Jersey. You know what. Look,

1:38:30.800 --> 1:38:39.599
<v Speaker 1>we sat whole rod and I'm doing it. Never happened,

1:38:39.920 --> 1:38:48.960
<v Speaker 1>Never say we would time right, We went back to

1:38:49.120 --> 1:38:53.200
<v Speaker 1>the drawing boy like until this fucking day. Man, We

1:38:53.280 --> 1:38:56.000
<v Speaker 1>don't care about what you know. We got the brand,

1:38:56.080 --> 1:38:58.519
<v Speaker 1>we got the legacy, we got the lot of the people.

1:38:58.680 --> 1:39:01.200
<v Speaker 1>You have the Internet, you have the proper tools and

1:39:01.280 --> 1:39:04.599
<v Speaker 1>to own to operate a business. Roll up your fucking sleeves,

1:39:04.680 --> 1:39:08.120
<v Speaker 1>investing yourself, stay on top of your ship and you

1:39:08.240 --> 1:39:23.280
<v Speaker 1>can manage and missing and I bust. You know it.

1:39:23.560 --> 1:39:25.960
<v Speaker 1>Nigga would count you out a million times, they say,

1:39:26.200 --> 1:39:29.200
<v Speaker 1>not trying to hear that ship. You're banging out with component,

1:39:29.240 --> 1:39:31.760
<v Speaker 1>trying to figure out new music. You can't lust on

1:39:31.880 --> 1:39:35.960
<v Speaker 1>these niggas with tree chats. Hold different lane, man, all right,

1:39:37.040 --> 1:39:39.600
<v Speaker 1>that's what the game is about. That we had a

1:39:39.760 --> 1:39:46.439
<v Speaker 1>guy already voted for you to stay on top ship.

1:39:47.160 --> 1:39:50.960
<v Speaker 1>Anybody could do every fucking thing. Prey voted for you

1:39:51.080 --> 1:39:58.840
<v Speaker 1>already already, nigga. Man, it's yeah, it's a politician like

1:39:58.920 --> 1:40:02.479
<v Speaker 1>a mother for you. We do this ship, man, We've

1:40:02.600 --> 1:40:07.080
<v Speaker 1>been doing this ship for years. Man, when when we

1:40:07.160 --> 1:40:09.880
<v Speaker 1>had a minute before we went in New York, he said, no,

1:40:10.160 --> 1:40:20.280
<v Speaker 1>don't say we from Jersey because I's going to whip least,

1:40:23.000 --> 1:40:28.559
<v Speaker 1>there were gory say do not say we from Jersey,

1:40:29.479 --> 1:40:32.559
<v Speaker 1>rock back, motherfucking frost niggas and hip hop. Don't know man,

1:40:32.640 --> 1:40:36.880
<v Speaker 1>if you wasn't frond of the Five Boroughs back year.

1:40:38.600 --> 1:40:50.679
<v Speaker 1>This was like before we say eighty nine, he's eighteen,

1:40:50.800 --> 1:41:02.160
<v Speaker 1>nineteen years old from fucking Jersey. We were away. One thing.

1:41:02.240 --> 1:41:06.640
<v Speaker 1>One thing was when DMC was sort of like your inspiration,

1:41:13.320 --> 1:41:24.640
<v Speaker 1>please food every Friday nightmare. Let me tell you this

1:41:24.760 --> 1:41:27.719
<v Speaker 1>to even with all of that, right, a trade coat

1:41:27.920 --> 1:41:35.559
<v Speaker 1>in middle school with a briefcase, and that motherfucker came

1:41:35.680 --> 1:41:41.840
<v Speaker 1>on the radio playing motherfucking motherfucker season Ship here. You

1:41:41.920 --> 1:41:45.120
<v Speaker 1>know all that motherfucker is like yo, the washing lord.

1:41:46.880 --> 1:41:49.679
<v Speaker 1>You know, like you said saying, I don't start feeling

1:41:49.720 --> 1:41:52.600
<v Speaker 1>it was my ship. I was little ll that we

1:41:52.760 --> 1:41:56.080
<v Speaker 1>came out. When we came out, was mad because Kumod

1:41:56.360 --> 1:41:59.760
<v Speaker 1>was like he took out dodskin niggers, but I love

1:42:00.439 --> 1:42:07.960
<v Speaker 1>you feel me then dar he's Niggs man. Then if

1:42:08.000 --> 1:42:13.439
<v Speaker 1>you need Darson Niggs coming back. Daddy can can't translate

1:42:13.640 --> 1:42:16.600
<v Speaker 1>big Daddy can't put chocolate back. But you know what.

1:42:16.880 --> 1:42:21.000
<v Speaker 1>On another speaking of Run Damn Ce like we've always been,

1:42:21.080 --> 1:42:24.280
<v Speaker 1>like you said, we've been everything we do. See we

1:42:24.360 --> 1:42:28.320
<v Speaker 1>call it like everything's after them like we but we

1:42:28.520 --> 1:42:31.720
<v Speaker 1>when we came out in ninety four ninety three, we

1:42:31.800 --> 1:42:41.960
<v Speaker 1>came out with hip hop array hip. They still they said,

1:42:43.200 --> 1:42:53.160
<v Speaker 1>backtrack to that reckon with the decoration of that and

1:42:53.200 --> 1:42:56.320
<v Speaker 1>the evolution of it. But even with that, we were,

1:42:56.479 --> 1:42:58.920
<v Speaker 1>like you said about feeling itself. We came out with

1:42:59.040 --> 1:43:01.599
<v Speaker 1>that I thought first time, and we sold millions of records.

1:43:01.680 --> 1:43:03.519
<v Speaker 1>Come out with this. We're back on top. We're gonna

1:43:03.720 --> 1:43:06.360
<v Speaker 1>got our own tour. We're like, yo, listen, we love

1:43:06.479 --> 1:43:08.640
<v Speaker 1>running them. See this is who we came up on.

1:43:09.000 --> 1:43:10.840
<v Speaker 1>And at that time people start to sleep on Run

1:43:10.920 --> 1:43:13.120
<v Speaker 1>Damn See, like, oh they're over. We put them on

1:43:13.240 --> 1:43:19.320
<v Speaker 1>to we we see now listen what we were saying

1:43:19.360 --> 1:43:23.160
<v Speaker 1>to ourselves. But our audience gonna come see us. We're

1:43:23.200 --> 1:43:27.080
<v Speaker 1>gonna murder them. Man. The very first show, Rinch member

1:43:28.200 --> 1:43:33.680
<v Speaker 1>Rich Richt tell us story. They said, tell U, man,

1:43:33.840 --> 1:43:37.840
<v Speaker 1>mother fucking now, I'm talking to the hell that. I said, no,

1:43:38.120 --> 1:43:40.280
<v Speaker 1>we don't want one. Then see we said, fucking cancel

1:43:40.360 --> 1:43:42.000
<v Speaker 1>the tour run d n C can't come out. I

1:43:42.600 --> 1:43:45.920
<v Speaker 1>said that that we wanted to tell the old story anyway.

1:43:46.560 --> 1:43:50.960
<v Speaker 1>We said. We were out there and we're like, yo,

1:43:51.120 --> 1:43:54.080
<v Speaker 1>I showed it crazy grow. We're gonna go out here

1:43:54.080 --> 1:43:56.559
<v Speaker 1>and they can do whatever. We're gonna kill them, man,

1:43:56.920 --> 1:44:01.120
<v Speaker 1>then see what out good head bop the very first,

1:44:01.360 --> 1:44:04.200
<v Speaker 1>the very first, every show I've learned us nigger. We

1:44:04.240 --> 1:44:08.080
<v Speaker 1>didn't go close, gonna go troll. We're gonna play position,

1:44:08.439 --> 1:44:13.759
<v Speaker 1>going before them niggers because you're going after the headline.

1:44:14.600 --> 1:44:18.160
<v Speaker 1>You one DFC. If you lest somebody set you over

1:44:18.280 --> 1:44:21.719
<v Speaker 1>that that's how I did go as him one DFC

1:44:22.040 --> 1:44:29.519
<v Speaker 1>niggers it up. You don't want to for a lot

1:44:29.600 --> 1:44:31.360
<v Speaker 1>of people don't want to, don't want to go on

1:44:33.120 --> 1:44:38.320
<v Speaker 1>a lot of people like you can't go after wends

1:44:38.400 --> 1:44:46.880
<v Speaker 1>nehing like we do you fresh, don't you know what about?

1:44:46.880 --> 1:44:50.559
<v Speaker 1>I was actually my first deal. I want time boy.

1:44:50.640 --> 1:44:53.400
<v Speaker 1>Then death came in heroded yea, yeah, yeah. Because I

1:44:53.439 --> 1:44:55.400
<v Speaker 1>didn't like Tom Silman. He kept coming to means but

1:44:55.479 --> 1:44:58.960
<v Speaker 1>eline on this, I just I just thought it was weird.

1:44:59.040 --> 1:45:14.240
<v Speaker 1>He he was doing normal like rustling and then nas

1:45:14.600 --> 1:45:18.840
<v Speaker 1>and I can l A and and your closets. He

1:45:18.960 --> 1:45:21.679
<v Speaker 1>came out, came out of the class when he got away.

1:45:21.680 --> 1:45:27.120
<v Speaker 1>Any time I came in here looking for nih, he

1:45:27.280 --> 1:45:31.200
<v Speaker 1>just just like it was like like that, you know

1:45:34.800 --> 1:45:37.000
<v Speaker 1>where he whatever you are? What do you guys? What

1:45:37.120 --> 1:45:39.240
<v Speaker 1>do you guys thinking the game today? What are you

1:45:39.320 --> 1:45:41.280
<v Speaker 1>thinking that? You know what I'm thinking the game the

1:45:41.439 --> 1:45:44.280
<v Speaker 1>half of hip hop, and he's a hip I think

1:45:44.360 --> 1:45:50.000
<v Speaker 1>half of me says, um uh, they're not doing real

1:45:50.120 --> 1:45:52.360
<v Speaker 1>hip hop. But then the other half of me says,

1:45:53.560 --> 1:45:55.680
<v Speaker 1>they said the same thing about you when you were

1:45:55.760 --> 1:45:58.479
<v Speaker 1>doing I listened to what my kids want to listen to.

1:45:59.000 --> 1:46:01.559
<v Speaker 1>I listened to that. I see the good all the time.

1:46:01.600 --> 1:46:11.600
<v Speaker 1>When we first name, I like because you know, you know,

1:46:11.840 --> 1:46:15.960
<v Speaker 1>like I like the gut ship. It's like it's like,

1:46:16.160 --> 1:46:20.000
<v Speaker 1>you know what happened one day was club I started

1:46:20.040 --> 1:46:23.040
<v Speaker 1>living here. I start living here, and no matter what,

1:46:23.640 --> 1:46:25.320
<v Speaker 1>you go to a club, and the club they play

1:46:25.400 --> 1:46:29.040
<v Speaker 1>the young ship, So you know, I'm cool. And then

1:46:29.120 --> 1:46:31.439
<v Speaker 1>one day my son pick up not saying I love you.

1:46:31.479 --> 1:46:35.040
<v Speaker 1>I miss you. It's in basketball camp. Motherfucker call me.

1:46:35.680 --> 1:46:43.120
<v Speaker 1>You know, they don't want to call me because translation anyway,

1:46:43.280 --> 1:46:47.000
<v Speaker 1>yeah playing ball. So anyway, Um, I used to walk

1:46:47.080 --> 1:46:48.960
<v Speaker 1>past my son and room and I used to hear

1:46:49.080 --> 1:46:51.400
<v Speaker 1>the ship that I heard in the club. So now

1:46:51.479 --> 1:46:54.640
<v Speaker 1>I started to get curious and I started to be like,

1:46:54.680 --> 1:46:58.080
<v Speaker 1>all right, well why is he listening to that? So

1:46:58.120 --> 1:46:59.680
<v Speaker 1>I would tell him, come out your head, take the

1:46:59.720 --> 1:47:03.840
<v Speaker 1>beach pill and he'll be like, if you don't want

1:47:03.840 --> 1:47:06.360
<v Speaker 1>to hear my ship, pop like, first of don't call

1:47:06.400 --> 1:47:13.640
<v Speaker 1>me pop dad dad, just flick that sound pop sounds like.

1:47:20.840 --> 1:47:22.800
<v Speaker 1>And then I started to I started saying, you know what,

1:47:23.040 --> 1:47:26.479
<v Speaker 1>I'm not gonna judge my son because my parents ain't

1:47:26.520 --> 1:47:28.880
<v Speaker 1>judging me. Some of them him listening to what you

1:47:28.960 --> 1:47:31.320
<v Speaker 1>listen to. And that's what kind of got me into

1:47:31.439 --> 1:47:36.200
<v Speaker 1>the new generation like acceptable, Like I could care less.

1:47:36.320 --> 1:47:40.680
<v Speaker 1>I'll be in the club, say so be live, but

1:47:40.800 --> 1:47:50.240
<v Speaker 1>you know that's a loon. But switch DRIV dreams and

1:47:50.600 --> 1:47:52.479
<v Speaker 1>story and I'll be in the end. I'll be like

1:47:52.960 --> 1:47:57.200
<v Speaker 1>and I'll find myself loving this ship, not even liking it,

1:47:57.400 --> 1:48:00.320
<v Speaker 1>loving it the same music that I know. But if

1:48:00.360 --> 1:48:03.320
<v Speaker 1>I was to listen to it in the nineties or

1:48:03.439 --> 1:48:06.560
<v Speaker 1>in are you going to left racking and listen to

1:48:06.720 --> 1:48:10.479
<v Speaker 1>that ship but your peers no, amos, my peers no,

1:48:11.000 --> 1:48:15.719
<v Speaker 1>but here you and left the young kids and kids

1:48:16.680 --> 1:48:20.880
<v Speaker 1>where they are listening to that. So instead of me

1:48:21.000 --> 1:48:24.360
<v Speaker 1>being like like a dude like that, I started to

1:48:24.600 --> 1:48:32.280
<v Speaker 1>listen right well right, you know, yeah, don't see but no, no,

1:48:32.600 --> 1:48:34.360
<v Speaker 1>but the thing, you know what it is. I think

1:48:34.400 --> 1:48:37.320
<v Speaker 1>a lot of people, I think, not not not all

1:48:37.400 --> 1:48:39.479
<v Speaker 1>of them, but I think some are most of them

1:48:39.840 --> 1:48:43.280
<v Speaker 1>that do have the total total like shut out of

1:48:43.400 --> 1:48:45.960
<v Speaker 1>and just be like that that is that because they

1:48:46.000 --> 1:48:49.800
<v Speaker 1>don't have kids. If you have kids, they will start

1:48:50.000 --> 1:48:52.920
<v Speaker 1>understanding because you see how they react to it and

1:48:53.080 --> 1:48:55.000
<v Speaker 1>you listen to them listen to it, Like you said

1:48:55.040 --> 1:48:58.439
<v Speaker 1>the same thing what you said, I can relate together.

1:48:58.960 --> 1:49:06.400
<v Speaker 1>I was seen Translations that's been playing that stuff for years,

1:49:07.040 --> 1:49:08.960
<v Speaker 1>and I just hear him playing it, and I hear

1:49:09.040 --> 1:49:11.960
<v Speaker 1>I'm saying these songs to three months before they even

1:49:12.080 --> 1:49:14.880
<v Speaker 1>come out, like because they get that. All those kids do,

1:49:14.960 --> 1:49:17.280
<v Speaker 1>they explore, they get off the internet, and then they

1:49:17.320 --> 1:49:19.160
<v Speaker 1>played in their rooms and then all of a sudden

1:49:19.200 --> 1:49:21.320
<v Speaker 1>the radio starts playing it. Later. But you've been a herd.

1:49:21.360 --> 1:49:27.400
<v Speaker 1>Don't playing it this head? And I was starting anyway,

1:49:27.520 --> 1:49:34.400
<v Speaker 1>perfect one, Jake Ford, I think it changed this motherfucker

1:49:34.479 --> 1:49:37.920
<v Speaker 1>game man had the motherfucker new motherfucker to do a project.

1:49:38.000 --> 1:49:41.760
<v Speaker 1>We got the old doctor throwback tracks from the era,

1:49:42.320 --> 1:49:45.720
<v Speaker 1>having my money and Kazi our nephew there he had

1:49:45.760 --> 1:49:58.200
<v Speaker 1>a hit and all that battle. Actually, okay, KG got

1:49:58.280 --> 1:50:02.080
<v Speaker 1>a question I gotta ask. Let me actually this yes today, yeah,

1:50:03.160 --> 1:50:09.639
<v Speaker 1>which you make a song incorporating that side that style

1:50:09.720 --> 1:50:12.160
<v Speaker 1>of music, if you today, if you if you were

1:50:12.200 --> 1:50:16.879
<v Speaker 1>making a record, I did already. Um funk flex actually

1:50:17.000 --> 1:50:20.000
<v Speaker 1>went crazy on my my new record because I know

1:50:20.160 --> 1:50:23.360
<v Speaker 1>and I know it's younger new style. No, it's not

1:50:23.520 --> 1:50:32.400
<v Speaker 1>younger new style. I'm sorry. I'm sorry. When you made

1:50:32.479 --> 1:50:39.320
<v Speaker 1>the fucking trap beat today, I didn't get that. I

1:50:39.400 --> 1:50:45.320
<v Speaker 1>didn't like translations. Did it translation? If you mentioned a

1:50:45.400 --> 1:50:48.400
<v Speaker 1>certain motherfucker, we don't you get your money with that.

1:50:48.520 --> 1:50:51.080
<v Speaker 1>We don't sunk up your money. You got are no where,

1:50:52.000 --> 1:50:56.800
<v Speaker 1>don't go through the stage. Didn't and we rolling two

1:50:56.920 --> 1:51:01.040
<v Speaker 1>years ago. Yo, let's do a project where the path

1:51:02.080 --> 1:51:05.679
<v Speaker 1>play yourself that probably lang yourself. Thank you. I wasn't

1:51:05.680 --> 1:51:07.920
<v Speaker 1>comfortable in that you know and you you know what,

1:51:08.120 --> 1:51:10.479
<v Speaker 1>don't go down to do that. But you don't have

1:51:10.640 --> 1:51:14.080
<v Speaker 1>to do that, my husband, that's a bridge. There's the

1:51:14.320 --> 1:51:22.439
<v Speaker 1>biggest podcast in the world. Before that thought trap music

1:51:22.680 --> 1:51:29.880
<v Speaker 1>didn't work. I didn't crack you like the old mom movie.

1:51:30.160 --> 1:51:35.760
<v Speaker 1>You know, you had to connect with you. We got

1:51:36.000 --> 1:51:39.720
<v Speaker 1>conn Why don't sucking us and connecting blow up back?

1:51:40.439 --> 1:51:43.840
<v Speaker 1>You don't be sharing your stand you know, he go

1:51:44.040 --> 1:51:46.679
<v Speaker 1>get him? You come straight up to the Just text

1:51:46.760 --> 1:51:50.679
<v Speaker 1>me on that mother ship up. We're listen. We're gonna

1:51:50.840 --> 1:51:55.680
<v Speaker 1>like a thousands and Jersey niggers. Yeah, train can right down.

1:51:56.400 --> 1:51:58.320
<v Speaker 1>You know what I'm just saying for the video, Yeah,

1:51:58.560 --> 1:52:05.240
<v Speaker 1>showing like gonna do it. You goddamn it is nor

1:52:05.479 --> 1:52:10.200
<v Speaker 1>what's the relationship with who for? That's my brother. He

1:52:10.280 --> 1:52:13.679
<v Speaker 1>just texts me, marry Christmas. I wished to a married Christmas.

1:52:13.720 --> 1:52:17.719
<v Speaker 1>I've been texting a wrong number because my phone hasn't

1:52:17.720 --> 1:52:22.439
<v Speaker 1>been backed up in thirty six thirty eight weeks, thirty

1:52:22.479 --> 1:52:25.599
<v Speaker 1>eight weeks. And it's because I'm a bowls I'm got

1:52:25.640 --> 1:52:29.240
<v Speaker 1>from resource from from special education that will kick your

1:52:29.280 --> 1:52:39.759
<v Speaker 1>ass in science class, I'm good, I'm just every other class.

1:52:48.400 --> 1:52:50.400
<v Speaker 1>I don't want to keep you the kid. But you

1:52:50.479 --> 1:52:53.000
<v Speaker 1>know that's the homie. I haven't spoke to him because

1:52:53.600 --> 1:52:57.160
<v Speaker 1>what happened was we were we were doing That's that's

1:52:57.200 --> 1:52:59.559
<v Speaker 1>always been. So what happened to the tracks were done?

1:53:00.000 --> 1:53:01.800
<v Speaker 1>Said the studio on the whole side of your house

1:53:03.600 --> 1:53:07.679
<v Speaker 1>got the quest but I didn't know. I was thinking

1:53:07.760 --> 1:53:13.320
<v Speaker 1>that up. Hit me, what are you doing? I said

1:53:15.160 --> 1:53:19.760
<v Speaker 1>this on the board of the bus, and sometime were

1:53:19.760 --> 1:53:22.840
<v Speaker 1>on the board we gotta saying that it's good. It's

1:53:22.880 --> 1:53:24.680
<v Speaker 1>just were on the board of the boss. I want

1:53:24.760 --> 1:53:30.439
<v Speaker 1>the webinar on at each other. Were fighting each other

1:53:30.600 --> 1:53:36.720
<v Speaker 1>just to get the car. They say, you don't say

1:53:37.360 --> 1:53:40.560
<v Speaker 1>we gotta saying. And it's called pie p I E.

1:53:40.880 --> 1:53:42.800
<v Speaker 1>And this is what you all need to understand. P

1:53:43.080 --> 1:53:50.760
<v Speaker 1>I E. Positioning is everything. Positioning You position yourself and

1:53:50.840 --> 1:53:53.920
<v Speaker 1>without giving up too much normy you're doing your thing.

1:53:54.600 --> 1:54:01.200
<v Speaker 1>Blocks the podcast journalists help. I saw when you saw

1:54:01.320 --> 1:54:03.800
<v Speaker 1>you like you went to I follow you on social

1:54:03.840 --> 1:54:07.439
<v Speaker 1>media going to one of these fucking journalism media events,

1:54:08.080 --> 1:54:10.760
<v Speaker 1>like you know what I'm really seeing. This is my

1:54:10.920 --> 1:54:13.360
<v Speaker 1>first time showing up at one of these motherfucker's as

1:54:13.400 --> 1:54:17.080
<v Speaker 1>a journal That's true. So what's the experience, the diversity.

1:54:17.200 --> 1:54:19.360
<v Speaker 1>People need to learn from you too. How do you

1:54:19.520 --> 1:54:23.000
<v Speaker 1>work that brand, diversify that brand, find out the avenues

1:54:23.400 --> 1:54:28.000
<v Speaker 1>to reinvent yourself. Well, I just reedituate. What I was

1:54:28.160 --> 1:54:33.040
<v Speaker 1>kind of saying earlier was um, the brother that sits

1:54:33.120 --> 1:54:38.160
<v Speaker 1>right there, DJ and my brother. He kept telling me, Yo,

1:54:38.280 --> 1:54:40.000
<v Speaker 1>we should do something, we should do because we had

1:54:40.040 --> 1:54:43.040
<v Speaker 1>a radio show at first, and then this has been

1:54:43.120 --> 1:54:47.200
<v Speaker 1>serious satellite and exing combined it because I remember at

1:54:47.240 --> 1:54:52.800
<v Speaker 1>first Serious See was separate. So we had a radio

1:54:52.880 --> 1:54:56.000
<v Speaker 1>show and it did pretty good. But then when it

1:54:56.120 --> 1:54:58.200
<v Speaker 1>merged it together, I believe I had just moved to

1:54:58.320 --> 1:55:00.240
<v Speaker 1>Miami and it was like, yeah, I could do the

1:55:00.280 --> 1:55:02.400
<v Speaker 1>show if you do to New York. I forget what

1:55:02.680 --> 1:55:05.400
<v Speaker 1>exactly what it was, and then we stopped doing it.

1:55:06.120 --> 1:55:13.320
<v Speaker 1>But if he sort of knew what we had when

1:55:13.400 --> 1:55:17.520
<v Speaker 1>we did this show, so I reiterated to me, kept saying,

1:55:17.560 --> 1:55:20.760
<v Speaker 1>you're let's do something, let's do something. And I had

1:55:20.880 --> 1:55:24.920
<v Speaker 1>did a podcast, you know, long story short, and then

1:55:25.000 --> 1:55:29.400
<v Speaker 1>we started doing this and then we our idea was

1:55:30.360 --> 1:55:33.800
<v Speaker 1>fuck it. I listened to how Nuny seven, I listened

1:55:33.800 --> 1:55:36.120
<v Speaker 1>to Power Lardy nine now Here, I listened to all

1:55:36.200 --> 1:55:39.720
<v Speaker 1>that and all these platforms is based on the old

1:55:39.840 --> 1:55:45.280
<v Speaker 1>nigga that's hot or the new nigga that's hot. Why

1:55:45.320 --> 1:55:50.560
<v Speaker 1>don't we praise our legends. Why don't we say and

1:55:50.720 --> 1:55:53.960
<v Speaker 1>say and say you know what yo, listen, listen. I

1:55:54.080 --> 1:55:56.120
<v Speaker 1>know we quoted some of your records where you can

1:55:56.200 --> 1:55:58.720
<v Speaker 1>go through your albums. I know your words word, but

1:55:59.440 --> 1:56:10.240
<v Speaker 1>still got um noon. Understand that it's business. What you're

1:56:10.280 --> 1:56:13.080
<v Speaker 1>saying is the reality is what corporate America, all the

1:56:13.160 --> 1:56:16.960
<v Speaker 1>corporate radio stations. It's business. It's not personal. We all

1:56:17.080 --> 1:56:20.160
<v Speaker 1>know all of these programmers people run these stations. They

1:56:20.200 --> 1:56:23.000
<v Speaker 1>would love to do more, but they have to follow

1:56:23.080 --> 1:56:25.760
<v Speaker 1>the order of the day. And it takes cots like

1:56:25.960 --> 1:56:28.440
<v Speaker 1>you who you know this side of the game to

1:56:28.560 --> 1:56:31.520
<v Speaker 1>bring a nory in and create your own. My favorite

1:56:31.600 --> 1:56:35.480
<v Speaker 1>coment is if it doesn't exist, creative. So that's all

1:56:35.560 --> 1:56:38.000
<v Speaker 1>it takes. You listen to all of this ship, you

1:56:38.120 --> 1:56:40.240
<v Speaker 1>see what's going on, you say, you know what's missing,

1:56:40.480 --> 1:56:43.160
<v Speaker 1>and that's what Pop said, ain't the weakness in the game,

1:56:43.200 --> 1:56:45.880
<v Speaker 1>and sew it up and then so many people, so

1:56:46.000 --> 1:56:49.320
<v Speaker 1>many people that I know that's real. Hip hop lovers

1:56:49.800 --> 1:56:52.840
<v Speaker 1>used to get playing about hip hop and the thing is,

1:56:53.640 --> 1:56:56.200
<v Speaker 1>I love what they're complaining about, but I didn't want

1:56:56.240 --> 1:57:00.880
<v Speaker 1>to complain. I want to do something about it. So

1:57:01.320 --> 1:57:05.240
<v Speaker 1>me and my partner got together day. Yeah, I don't

1:57:05.240 --> 1:57:08.680
<v Speaker 1>want to pronounce your last name. Yeah yeah, that ship

1:57:08.840 --> 1:57:11.920
<v Speaker 1>is like that ship is like German last not see

1:57:12.000 --> 1:57:16.680
<v Speaker 1>what I mean, But I said, yo, let's let's let's

1:57:17.440 --> 1:57:20.480
<v Speaker 1>let's you know, were interview care us one nigga said,

1:57:20.480 --> 1:57:23.560
<v Speaker 1>oh yeah, I think it's crazy. And you know where

1:57:23.560 --> 1:57:27.960
<v Speaker 1>we did t MFU right right, And I'm like, because

1:57:28.040 --> 1:57:31.200
<v Speaker 1>it ain't about if a niggat got a project out.

1:57:31.320 --> 1:57:34.800
<v Speaker 1>You know what it's about praising what the funk up loving, right,

1:57:35.160 --> 1:57:36.840
<v Speaker 1>praising what the fun he grew up love. And then

1:57:36.880 --> 1:57:38.960
<v Speaker 1>they gotta bid on because you know that's not hip

1:57:39.000 --> 1:57:43.520
<v Speaker 1>hop v right to him? You know how when you

1:57:44.400 --> 1:57:50.920
<v Speaker 1>still play translations final, I want to know what happened

1:57:50.960 --> 1:57:52.640
<v Speaker 1>to all the tracks we did, you know how, like

1:57:52.760 --> 1:57:55.800
<v Speaker 1>your relative and queen come to Jersey and ship and

1:57:55.960 --> 1:57:58.200
<v Speaker 1>you're missing something of you the old school she got

1:57:58.240 --> 1:58:02.560
<v Speaker 1>the hard d Yeah it went to funk. You tell

1:58:02.680 --> 1:58:06.600
<v Speaker 1>that ship right now? I don't know you have my

1:58:06.720 --> 1:58:15.960
<v Speaker 1>favorite records together? Yeah, told me and me and planting

1:58:16.000 --> 1:58:21.160
<v Speaker 1>to have a mixtape together, like hell, you found a

1:58:21.240 --> 1:58:37.520
<v Speaker 1>bit up the door Jan and Dex and next I know, look, Nori,

1:58:37.800 --> 1:58:40.960
<v Speaker 1>here's a nothing thing. You talk about my life, y'all,

1:58:41.440 --> 1:58:45.040
<v Speaker 1>just the k life. A bottom got damn bottom bottom

1:58:45.040 --> 1:58:50.080
<v Speaker 1>break this is Apple. It's already l pals later. Oh

1:58:50.160 --> 1:58:56.200
<v Speaker 1>we'll cut that translation up, Nori. We have a Jersey

1:58:56.400 --> 1:59:02.320
<v Speaker 1>queen's connection and Kay's family. We got south Side Jamaica queens.

1:59:02.600 --> 1:59:05.600
<v Speaker 1>And then we have left Frock. Yes you do so, y'all.

1:59:06.520 --> 1:59:11.360
<v Speaker 1>We love that'sy. Then my baby mom was South side

1:59:11.360 --> 1:59:14.080
<v Speaker 1>of Pepper from some covering. You know she's Jamaica. Let's

1:59:14.080 --> 1:59:21.560
<v Speaker 1>get into your baby baby. Tell you something? Should we

1:59:21.600 --> 1:59:26.800
<v Speaker 1>tell you? Straight on trade from Kingston, Jamaica and Jamaica Quezy.

1:59:26.880 --> 1:59:32.280
<v Speaker 1>Yeah they no think Kenney Kenny Anderson got one about

1:59:34.080 --> 1:59:51.040
<v Speaker 1>I've been missing up about when the pepper come out?

1:59:51.080 --> 1:59:54.520
<v Speaker 1>What do you think? But yeah, that's the show stop

1:59:54.680 --> 2:00:01.240
<v Speaker 1>for eight two eight. Okay, So now i' three real

2:00:01.360 --> 2:00:11.000
<v Speaker 1>gym when it was at three school not listening eight lady, Kay,

2:00:13.120 --> 2:00:15.480
<v Speaker 1>So now listen, I came out like yeah, I was

2:00:15.720 --> 2:00:20.280
<v Speaker 1>gone right seventy seven and we're born in seventies. So

2:00:20.440 --> 2:00:25.480
<v Speaker 1>when I'm looking at female. Not really, I'm a young

2:00:25.800 --> 2:00:37.280
<v Speaker 1>to you. I'm not where at your store, I said, damn,

2:00:37.960 --> 2:00:42.920
<v Speaker 1>Kenny Anderson, that's been the brother dressed the hip. I said,

2:00:43.320 --> 2:00:51.400
<v Speaker 1>it's old for me. I'm seven years old. Was my right.

2:00:51.640 --> 2:00:54.520
<v Speaker 1>I swore I was gonna marry one of the motherfucker's right.

2:00:55.680 --> 2:00:58.320
<v Speaker 1>I ain't even I've never met someone Pepper. You never

2:00:58.480 --> 2:01:02.040
<v Speaker 1>let pepper or when y'all at tom all night man,

2:01:02.160 --> 2:01:07.640
<v Speaker 1>we're doing this ship, come out there, go backstays play,

2:01:08.120 --> 2:01:11.840
<v Speaker 1>come with us, got damn brands like we're doing translation

2:01:14.800 --> 2:01:18.280
<v Speaker 1>moment and on them dressing board when I go out

2:01:18.320 --> 2:01:20.320
<v Speaker 1>and do you just talked to him? Take the stuff

2:01:20.360 --> 2:01:26.200
<v Speaker 1>it's in everything, change numbers all that. But you smashed

2:01:26.240 --> 2:01:29.400
<v Speaker 1>a lot of a lot of you put my busineses

2:01:29.520 --> 2:01:34.920
<v Speaker 1>you out to a lot of It's yeah, motherfucker took me.

2:01:35.760 --> 2:01:40.760
<v Speaker 1>You're never get you loosen, got damnit smash you lotzation

2:01:40.920 --> 2:01:44.120
<v Speaker 1>nigger only seven years. Got damn it over seven years

2:01:44.160 --> 2:01:47.920
<v Speaker 1>and never might have broke the beckon in the mother

2:01:48.040 --> 2:01:51.200
<v Speaker 1>fucking magnum condoms like just to have them and shouldn't

2:01:51.280 --> 2:02:04.800
<v Speaker 1>use them. The god damn wetting name, damn all six

2:02:04.960 --> 2:02:10.440
<v Speaker 1>kids I got one of them, tell us what magnus

2:02:10.520 --> 2:02:15.960
<v Speaker 1>man with the wet my sick kids. I wanted them

2:02:17.120 --> 2:02:22.640
<v Speaker 1>that part, that part ain't no more, ain't no mistifous

2:02:22.720 --> 2:02:28.600
<v Speaker 1>splashing over the station boarders, just this ross splashing, you know,

2:02:30.480 --> 2:02:32.840
<v Speaker 1>don't about you got some ice over that? Yeah, we

2:02:32.880 --> 2:02:36.920
<v Speaker 1>got ice. Nigger. I'm like, tell me where the hell

2:02:37.080 --> 2:02:39.160
<v Speaker 1>is the song? And when you're going to email? Like

2:02:39.360 --> 2:02:41.960
<v Speaker 1>the three of them we did. We had like two

2:02:42.520 --> 2:02:49.840
<v Speaker 1>n there niggas here, politician, these two niggas. I'm telling you,

2:02:51.160 --> 2:02:55.240
<v Speaker 1>you'll take over all the Spanish world, motherfucker take over there.

2:02:55.480 --> 2:02:59.840
<v Speaker 1>And y'all niggas is good niggas good niggas. Did you

2:03:00.800 --> 2:03:03.200
<v Speaker 1>still like answer my ship? No? No, no, I got

2:03:03.280 --> 2:03:08.920
<v Speaker 1>I got a KG. Did you ever picture yourself as

2:03:09.040 --> 2:03:14.840
<v Speaker 1>top five producer of hip hopm all time? Maybe? Cheating

2:03:14.880 --> 2:03:18.160
<v Speaker 1>the man? Ever is where you go? And he always

2:03:18.280 --> 2:03:22.080
<v Speaker 1>was like that man listen to listen to all the niggas.

2:03:22.120 --> 2:03:25.040
<v Speaker 1>They stopped rating ship because I took it personal and

2:03:25.120 --> 2:03:27.400
<v Speaker 1>I went to funk up to their little rating spots

2:03:27.640 --> 2:03:30.680
<v Speaker 1>and said, for real, y'all disrespectful and showed him the

2:03:30.760 --> 2:03:33.360
<v Speaker 1>top that I think with it and no, and he

2:03:33.480 --> 2:03:36.600
<v Speaker 1>ain't on there. You motherfucker's stop doing this ship if

2:03:36.600 --> 2:03:39.720
<v Speaker 1>you ain't gonna keep it funky, tell that part you

2:03:40.200 --> 2:03:43.440
<v Speaker 1>City of Salt top five he is, goddamnit ain't number

2:03:43.480 --> 2:03:45.880
<v Speaker 1>one in my motherfucking ship. So that's what I'm saying.

2:03:46.360 --> 2:03:48.440
<v Speaker 1>The funk up. That's all the matter that part. No,

2:03:49.080 --> 2:03:52.520
<v Speaker 1>I don't go for number one way, ain't sorry, I

2:03:52.560 --> 2:04:02.760
<v Speaker 1>don't look sitting. I'm gonna tell you something that really matters.

2:04:03.040 --> 2:04:07.880
<v Speaker 1>Because all these lists exists, the mother fucking publishing tracks.

2:04:08.360 --> 2:04:11.000
<v Speaker 1>That's what really matter. Y'all can debate all you want.

2:04:11.120 --> 2:04:18.240
<v Speaker 1>Sitting and got them barber Shound sign and look at

2:04:18.320 --> 2:04:22.080
<v Speaker 1>the work I ever. Look at the translations to numbers, games,

2:04:23.760 --> 2:04:27.520
<v Speaker 1>numbers don't lie. Look at motherfucking any food to anything.

2:04:27.760 --> 2:04:31.600
<v Speaker 1>Loyalty has no exploration date. Look at Norty by Nature.

2:04:31.640 --> 2:04:35.480
<v Speaker 1>You see produced and written no matter what anybody shared

2:04:35.560 --> 2:04:38.760
<v Speaker 1>from that ship. Family that stays together get paid together

2:04:38.880 --> 2:04:42.120
<v Speaker 1>for life. We got all out of publishing and producing together,

2:04:42.600 --> 2:04:45.240
<v Speaker 1>no matter if whoever wrote or produce anything, we got

2:04:45.320 --> 2:04:48.520
<v Speaker 1>it all. So how did you back, Pepper? How did

2:04:48.600 --> 2:04:50.320
<v Speaker 1>this go down? Nigga? Let me tell you how I

2:04:50.400 --> 2:04:54.840
<v Speaker 1>got because you know, like anybody was like all out

2:04:54.920 --> 2:04:59.840
<v Speaker 1>of statement. You are like, I can tell you that

2:05:01.280 --> 2:05:06.520
<v Speaker 1>has poppar out of first after the AID tests and

2:05:06.680 --> 2:05:09.000
<v Speaker 1>it didn't happened, and pop ran up. Ah, Man, I

2:05:09.080 --> 2:05:12.360
<v Speaker 1>want this all about different things that happened with him anyway.

2:05:12.440 --> 2:05:15.120
<v Speaker 1>I know I didn't. I would tell you about hopped

2:05:15.240 --> 2:05:18.400
<v Speaker 1>on him once. Nell did you try? Everybody got to

2:05:18.440 --> 2:05:20.440
<v Speaker 1>try Janet, it's Janet. Come on, I never got out

2:05:20.440 --> 2:05:23.680
<v Speaker 1>to close. Come on, Jane right, wife, tell me Janet

2:05:23.720 --> 2:05:26.200
<v Speaker 1>got damn it. You don't choose j Jane, you better

2:05:26.240 --> 2:05:28.000
<v Speaker 1>get your wife and tell you that. You know. I'm

2:05:28.040 --> 2:05:30.200
<v Speaker 1>just plash. I'm just I'm just trying to get out

2:05:30.200 --> 2:05:31.600
<v Speaker 1>of here. I try to get out of here. He said,

2:05:31.640 --> 2:05:37.200
<v Speaker 1>Can I get you? Said one Jane, No, but she

2:05:37.360 --> 2:05:40.000
<v Speaker 1>like get But how was it meant you met? Janet?

2:05:40.400 --> 2:05:45.280
<v Speaker 1>Tell us in minutes, Yo, it's we met, Mike. Tell

2:05:45.320 --> 2:05:48.200
<v Speaker 1>us to the Mike. We're gonna do Janet, Mike or Michael,

2:05:48.280 --> 2:05:51.400
<v Speaker 1>Jane man, whatever we can. Jane it first, Janet first,

2:05:51.640 --> 2:05:54.240
<v Speaker 1>Let's go trash. Put me on the planet. Damn it,

2:05:55.400 --> 2:05:58.240
<v Speaker 1>just stop it, man. She always was walking in the

2:05:58.440 --> 2:06:00.200
<v Speaker 1>right spots to the spots to the club up that

2:06:00.280 --> 2:06:01.800
<v Speaker 1>I was in the back and it's kind of dark

2:06:01.840 --> 2:06:04.800
<v Speaker 1>and stuff, so we focused. Sometimes you ain't got a criminals,

2:06:05.160 --> 2:06:07.920
<v Speaker 1>I'm not. I'm telling you that's your limitation and I

2:06:07.920 --> 2:06:12.040
<v Speaker 1>ain't telling Nona's ship and they go, you man kind

2:06:12.080 --> 2:06:14.760
<v Speaker 1>of did and we kept well, you know when we're done,

2:06:14.840 --> 2:06:18.240
<v Speaker 1>man and cool and that's all. And that's all I got,

2:06:18.320 --> 2:06:28.960
<v Speaker 1>said my lord, Yeah, coom By, Yeah, my lord. It's

2:06:29.000 --> 2:06:37.480
<v Speaker 1>not saying I got Man five out. We just made

2:06:37.520 --> 2:06:42.840
<v Speaker 1>it out right. Just let me tell you something. Nordy

2:06:42.880 --> 2:06:46.200
<v Speaker 1>by Nature. Y'all had a lustrious life that you met

2:06:46.240 --> 2:06:48.720
<v Speaker 1>the Michael Park They said that Michael, you know, I

2:06:48.840 --> 2:06:51.360
<v Speaker 1>was going in and I'm sorry, but let's go straight

2:06:51.360 --> 2:06:54.240
<v Speaker 1>into it because your bid says he's a cool All

2:06:54.280 --> 2:06:57.320
<v Speaker 1>the time we met Mike, it was like here another

2:06:57.440 --> 2:07:01.320
<v Speaker 1>triple O G and what everybody? Please give it up

2:07:01.480 --> 2:07:05.160
<v Speaker 1>for the Nomber. We love mc having D rest movies,

2:07:07.560 --> 2:07:11.760
<v Speaker 1>so y'all, havy D sension was the reason we met

2:07:12.320 --> 2:07:17.200
<v Speaker 1>Michael Jackson. Story Have did the Space James Heavy D

2:07:18.040 --> 2:07:22.920
<v Speaker 1>Peace Happy Day? Have did the soundtrack to Space Jam

2:07:23.040 --> 2:07:26.600
<v Speaker 1>to Michael Jackson a Little Bucks Bunny movie, right all right?

2:07:27.000 --> 2:07:29.560
<v Speaker 1>So he was out of the time I've never heard

2:07:29.600 --> 2:07:33.400
<v Speaker 1>somebody described as Michael Jackson bugs Bunny movie and leave

2:07:33.480 --> 2:07:41.040
<v Speaker 1>out Jordan's I respect, I've never listened in my whole

2:07:44.000 --> 2:07:48.600
<v Speaker 1>the way it went down. So our manager cuting my

2:07:48.680 --> 2:07:53.120
<v Speaker 1>teethest manager shot Kim. He would have real heavy, real

2:07:53.240 --> 2:07:56.280
<v Speaker 1>real heavy. So he was out in Chicago with Have

2:07:56.760 --> 2:08:00.040
<v Speaker 1>and he was shooting the video to the sound the

2:08:00.160 --> 2:08:03.640
<v Speaker 1>track space Jam. So it was halving Michael Jackson Jordan

2:08:03.680 --> 2:08:06.640
<v Speaker 1>and he was doing all that. Shot Kim and this

2:08:06.800 --> 2:08:10.840
<v Speaker 1>is the importance of Brandon. We always flooded our whole

2:08:11.200 --> 2:08:14.360
<v Speaker 1>family with just naughty merch. So Shan Kim had on

2:08:14.440 --> 2:08:17.240
<v Speaker 1>the black pilot dracket with the Naughty by Nature logo

2:08:17.720 --> 2:08:20.960
<v Speaker 1>embroidered on it. Michael Jackson hit him, was like, hey,

2:08:21.720 --> 2:08:25.600
<v Speaker 1>you know Nature, I know those guys. I was like, Yo,

2:08:25.760 --> 2:08:29.880
<v Speaker 1>I made teeth them here? What hell? I like this guy,

2:08:30.240 --> 2:08:33.640
<v Speaker 1>I can get them out here, yo. Mike made the call.

2:08:33.760 --> 2:08:35.880
<v Speaker 1>Shot made the call of us, and we flew out

2:08:35.960 --> 2:08:40.480
<v Speaker 1>the Chicago and Michael, yeah, we got We've got what

2:08:40.640 --> 2:08:43.520
<v Speaker 1>you call up. Oh wasn't that We were there all day,

2:08:43.640 --> 2:08:48.360
<v Speaker 1>were filled for hours. Half a second, Who wasn't that naughty?

2:08:48.640 --> 2:08:52.080
<v Speaker 1>And then another shot wasn't that, that's what we call it.

2:08:52.120 --> 2:08:58.000
<v Speaker 1>Who was? But we did get him, and that's when

2:08:58.040 --> 2:09:02.280
<v Speaker 1>we got like the monkey. The monkey. You those just

2:09:02.320 --> 2:09:07.560
<v Speaker 1>gotta pay anority by name your boxes. Remember the noority boxes. Yeah, yeah,

2:09:07.600 --> 2:09:11.440
<v Speaker 1>that motherfucker was shopping and I don't know we're gonna

2:09:11.440 --> 2:09:15.480
<v Speaker 1>do business. But these I called the Michael Jackson gloves though,

2:09:16.760 --> 2:09:19.360
<v Speaker 1>because I'm bosing this is there. This is how I'm

2:09:19.400 --> 2:09:23.400
<v Speaker 1>bringing in the new year, that Jackson gloves. If you

2:09:23.520 --> 2:09:26.360
<v Speaker 1>give me those, I'm not gonna wear those because way

2:09:26.400 --> 2:09:29.960
<v Speaker 1>too many niggas I shot. That's gonna feel disrespected. Yea,

2:09:33.320 --> 2:09:42.080
<v Speaker 1>always shots gonna be like what I'm speaking around. I

2:09:42.160 --> 2:09:48.120
<v Speaker 1>don't boxing up teaching my wife. I love him. I'm

2:09:48.320 --> 2:09:51.720
<v Speaker 1>very hard and we are together forever. But I can't

2:09:51.760 --> 2:09:54.280
<v Speaker 1>win those in public because if I windows and queens

2:09:54.360 --> 2:09:57.720
<v Speaker 1>think it's gonna be like that, the shot you. So

2:09:58.240 --> 2:10:11.960
<v Speaker 1>it's out here where you're Yeah, it's big, ready to

2:10:11.960 --> 2:10:21.240
<v Speaker 1>be good. But I said it right that I kill

2:10:21.280 --> 2:10:35.320
<v Speaker 1>about I listen living limit. You give you a story

2:10:35.360 --> 2:10:37.800
<v Speaker 1>about Big. Give me a story about Big. This is

2:10:37.920 --> 2:10:41.520
<v Speaker 1>my story about Big. If you follow my Instagram at Uncle,

2:10:41.680 --> 2:10:46.360
<v Speaker 1>then rock um deep down inside, I have a picture

2:10:46.800 --> 2:10:50.800
<v Speaker 1>one of those polaroid joints that they pronounced slide joining

2:10:51.440 --> 2:10:54.440
<v Speaker 1>a biggie. This was when he was first coming out,

2:10:54.680 --> 2:10:59.200
<v Speaker 1>very early nineties. Party of bullshit. Before that, it's somewhere

2:10:59.280 --> 2:11:02.640
<v Speaker 1>in there. But somehow me and Viggie were down at

2:11:02.680 --> 2:11:06.560
<v Speaker 1>Howard University and we was fucking with DJ ron G.

2:11:07.800 --> 2:11:12.840
<v Speaker 1>Tell you this, that's the classic mistake is and all

2:11:12.920 --> 2:11:17.000
<v Speaker 1>of that ship. But dude, Ron, he was doing a

2:11:17.120 --> 2:11:20.040
<v Speaker 1>party down in Howard. Somehow me and Big was down

2:11:20.160 --> 2:11:23.880
<v Speaker 1>there and Ron needed help with fucking crates show. His

2:11:24.040 --> 2:11:27.000
<v Speaker 1>crew wasn't even right. We were already rolling as naughty,

2:11:27.240 --> 2:11:29.880
<v Speaker 1>so I had crispy tims. If you look up this picture,

2:11:30.320 --> 2:11:33.440
<v Speaker 1>being had little nasty TEMs on. He was he was

2:11:33.520 --> 2:11:36.080
<v Speaker 1>still in that he was same, but he was in

2:11:36.160 --> 2:11:41.040
<v Speaker 1>the stage with that first joint man. And we we

2:11:41.280 --> 2:11:45.080
<v Speaker 1>helped ron G carry his fucking crates and that Howard joint.

2:11:45.680 --> 2:11:50.600
<v Speaker 1>So this me and Big and Big knew who I was,

2:11:50.840 --> 2:11:52.760
<v Speaker 1>and we knew who Big was. He came to one

2:11:52.800 --> 2:11:56.400
<v Speaker 1>of our shows, but Big Lincoln up and then once

2:11:56.480 --> 2:11:58.600
<v Speaker 1>we helped ron G, he was like your veilans take

2:11:58.640 --> 2:12:01.800
<v Speaker 1>a picture, So we took the pictures snapped up twice.

2:12:01.960 --> 2:12:04.520
<v Speaker 1>He took one and then he gave me one and

2:12:04.600 --> 2:12:07.080
<v Speaker 1>he wrote down his beeper and his fucking home number

2:12:07.160 --> 2:12:10.440
<v Speaker 1>on the joint. Hold on, time out, make some noise,

2:12:11.000 --> 2:12:23.520
<v Speaker 1>prevent having bige. That's all story. That's that's all. People number.

2:12:24.040 --> 2:12:26.640
<v Speaker 1>You know, you listen whenever I think I said people number,

2:12:26.640 --> 2:12:29.360
<v Speaker 1>you just gotta just got the funk up and just listen.

2:12:29.800 --> 2:12:33.240
<v Speaker 1>And it's big hand right they broke that ship. Give

2:12:33.280 --> 2:12:36.440
<v Speaker 1>me a big story, all right. Well this was like

2:12:37.160 --> 2:12:41.000
<v Speaker 1>nineties five nine six where it was like tension between

2:12:41.120 --> 2:12:46.640
<v Speaker 1>East West big Bro we're on tour, Noughty and bad

2:12:46.720 --> 2:12:51.520
<v Speaker 1>Boy at the way time out. I just let me

2:12:51.560 --> 2:12:57.920
<v Speaker 1>just let me just spine. Let me tell to think

2:12:57.960 --> 2:13:03.520
<v Speaker 1>about this. The shot in New York back this fucking

2:13:03.640 --> 2:13:12.080
<v Speaker 1>time back, blooding on East West, all that bad bad

2:13:12.160 --> 2:13:17.840
<v Speaker 1>boy and well for the first three for the first

2:13:17.920 --> 2:13:23.160
<v Speaker 1>made your tour, uh translation, for the first three four days,

2:13:23.240 --> 2:13:25.960
<v Speaker 1>I'm like, yo, man, were in sant Yoh, y'all be

2:13:26.040 --> 2:13:28.680
<v Speaker 1>at yo. Why don't go out to these parties? Muja

2:13:28.800 --> 2:13:34.080
<v Speaker 1>did me and men? She need to buy my brother?

2:13:35.560 --> 2:13:38.040
<v Speaker 1>Hold on, were you're saying this? She took him out?

2:13:38.880 --> 2:13:41.960
<v Speaker 1>We're saying the same hotel, but they never left the

2:13:42.040 --> 2:13:46.800
<v Speaker 1>hotel room I ever leave it. Relationship with man, mad

2:13:47.040 --> 2:13:50.800
<v Speaker 1>fucking back. Why you're the motherfucker They like it's the camp.

2:13:50.960 --> 2:13:53.160
<v Speaker 1>The doors open there in the hotel, never going nowhere.

2:13:53.800 --> 2:13:56.120
<v Speaker 1>Why don't never go to the party when the man

2:13:56.160 --> 2:13:59.640
<v Speaker 1>shot let me kid this goddamn phone because we had

2:13:59.680 --> 2:14:02.840
<v Speaker 1>the phone like that. And ship is long, you know,

2:14:04.680 --> 2:14:10.280
<v Speaker 1>sek on and like, man, those jo hey what man

2:14:10.360 --> 2:14:13.800
<v Speaker 1>who trick? Oh yeah, this ship. I'm like, we're parking

2:14:13.960 --> 2:14:17.360
<v Speaker 1>o right here? You're like, what's roping? Like? Man, these niggas,

2:14:17.400 --> 2:14:19.400
<v Speaker 1>I'm I don't toll with these niggas, man, These niggas

2:14:19.440 --> 2:14:21.440
<v Speaker 1>don't even want to go a party with me and nothing. Man,

2:14:21.520 --> 2:14:25.400
<v Speaker 1>these niggas like yo, man, what the man telling bit?

2:14:25.520 --> 2:14:28.000
<v Speaker 1>And Sugar like telling bit. Niggas go out with ship

2:14:28.640 --> 2:14:31.040
<v Speaker 1>when you're gonna suck up your money, you brother, tip

2:14:31.160 --> 2:14:34.480
<v Speaker 1>and family anything, hell and all the part, gonna make

2:14:34.520 --> 2:14:37.839
<v Speaker 1>some brackage. You're gonna buy him out, he's gonna make backage.

2:14:37.840 --> 2:14:40.600
<v Speaker 1>We're gonna make money. Got tell him up, nigga go

2:14:40.640 --> 2:14:44.280
<v Speaker 1>out and there I don't speak. And niggas came out

2:14:44.320 --> 2:14:46.360
<v Speaker 1>there just coming out with the shiny suits every show

2:14:46.640 --> 2:14:50.640
<v Speaker 1>like after that, the niggers came out with timbo boots

2:14:50.680 --> 2:14:53.880
<v Speaker 1>and noughty boxes. He ties on with those shots to

2:14:54.000 --> 2:14:57.840
<v Speaker 1>join your mafia. I got big, I got big, and

2:14:58.000 --> 2:15:01.040
<v Speaker 1>Kim Little drop your mafia going on the hood with me,

2:15:03.440 --> 2:15:09.640
<v Speaker 1>stripped joints and ship all of us and them up

2:15:12.720 --> 2:15:18.200
<v Speaker 1>fucking night with them up here. You still ain't come

2:15:18.280 --> 2:15:21.400
<v Speaker 1>back with that last fucking sack and nigger? Are you

2:15:21.560 --> 2:15:25.120
<v Speaker 1>got real stick? Look at mama. Come. You know there's

2:15:25.200 --> 2:15:29.200
<v Speaker 1>old gaw slap box. You're that big bag. Would be

2:15:29.360 --> 2:15:33.160
<v Speaker 1>nice to get to get pump daddy. You know that's

2:15:33.200 --> 2:15:39.280
<v Speaker 1>my melitary. That's how we talk. Slap back Daddy, I know.

2:15:46.440 --> 2:15:49.920
<v Speaker 1>Welcome to play a new podcast network featuring radio and

2:15:50.000 --> 2:15:54.480
<v Speaker 1>TV personalities talking business, sports, tech, entertainment, and more. Play

2:15:54.560 --> 2:15:58.880
<v Speaker 1>it at play dot It. We're back to Drink Chips

2:15:59.040 --> 2:16:06.560
<v Speaker 1>Radio with rap for R and DJE. So let me

2:16:06.720 --> 2:16:10.880
<v Speaker 1>end this conversation with this. I want a big all

2:16:11.080 --> 2:16:13.920
<v Speaker 1>twee you brothers up. And I want to say that again.

2:16:14.720 --> 2:16:16.720
<v Speaker 1>Like I said in the beginning of the interview, when

2:16:16.760 --> 2:16:19.320
<v Speaker 1>they said we're gonna get naughty, I said, Yo, who

2:16:19.400 --> 2:16:25.680
<v Speaker 1>are we gonna get? Because sometimes Naughty can be kout

2:16:28.120 --> 2:16:39.280
<v Speaker 1>different configuration. Mother, my mother, I'm cool. Yeah, yeah, keep me.

2:16:41.320 --> 2:16:47.240
<v Speaker 1>Translation made me listen, let me. I'm gonna tell you that.

2:16:47.280 --> 2:16:48.880
<v Speaker 1>So I'm gonna tell you what you got. I'm gonna

2:16:48.920 --> 2:16:52.000
<v Speaker 1>tell you what you got, and everybody and the social

2:16:52.040 --> 2:16:54.200
<v Speaker 1>media and all of this ship. I'm tell y'all what

2:16:54.360 --> 2:16:57.640
<v Speaker 1>y'all got. When Naughty we had the problems a couple

2:16:57.680 --> 2:17:00.080
<v Speaker 1>of years, my two brothers they went up to the

2:17:00.160 --> 2:17:03.920
<v Speaker 1>Breakfast Club and they did an interview. So ever since then,

2:17:04.400 --> 2:17:08.000
<v Speaker 1>this is the first interview three of us, this kind

2:17:08.040 --> 2:17:19.320
<v Speaker 1>of yes, So your brothers are doing your thing. I

2:17:19.440 --> 2:17:23.119
<v Speaker 1>understand what you're doing with your past, understanding the platform,

2:17:23.600 --> 2:17:26.880
<v Speaker 1>understand all of that. I understand advertising. I'm coming through

2:17:26.959 --> 2:17:31.680
<v Speaker 1>with the sneaker coup. We we're gonna put up that

2:17:31.800 --> 2:17:35.920
<v Speaker 1>sponsorship money. And when do the right once once to

2:17:36.000 --> 2:17:38.959
<v Speaker 1>the pool and let's rock and let's rock out. Man.

2:17:40.040 --> 2:17:44.160
<v Speaker 1>It's about creative. It's about being created. But it's got

2:17:44.280 --> 2:17:48.359
<v Speaker 1>the tools nervous about being creative. It ain't about blaming nobody.

2:17:48.480 --> 2:17:52.039
<v Speaker 1>No translation, hes gonna be in the office with them

2:17:52.120 --> 2:17:57.960
<v Speaker 1>and the mayor though you know, the warriors. When we

2:17:58.120 --> 2:18:00.480
<v Speaker 1>do this whole movement and all this ship we all

2:18:00.600 --> 2:18:05.640
<v Speaker 1>rolled together deep and we're gonna have anybody in this

2:18:05.800 --> 2:18:09.640
<v Speaker 1>motherfucker and anything I take it to the station, they're

2:18:09.680 --> 2:18:12.480
<v Speaker 1>gonna play it. Translation all the fans, All right, there

2:18:14.640 --> 2:18:19.560
<v Speaker 1>is the next y one because KG got all the

2:18:19.640 --> 2:18:23.200
<v Speaker 1>beats and y'all, I'll copy of the fucking tracks that

2:18:23.360 --> 2:18:26.840
<v Speaker 1>we fucking did everything. Can we really get back to

2:18:26.879 --> 2:18:29.880
<v Speaker 1>there before we closed out? I got tired in five

2:18:30.280 --> 2:18:43.600
<v Speaker 1>very right, here we go. The fans know what the

2:18:43.680 --> 2:18:46.920
<v Speaker 1>fans gonna kill us? When is the next real Naughty

2:18:47.000 --> 2:18:49.480
<v Speaker 1>by Nation? And listen, let me just tell you something.

2:18:50.720 --> 2:18:52.360
<v Speaker 1>Don't cut me off because I know you're about to

2:18:52.360 --> 2:19:07.640
<v Speaker 1>cut me off. Cut spad. Listen. We need the next

2:19:08.920 --> 2:19:16.440
<v Speaker 1>no everybody needs and we aware of technology, so we're

2:19:16.440 --> 2:19:19.640
<v Speaker 1>aware the reason why music sucks now because back in

2:19:19.680 --> 2:19:21.920
<v Speaker 1>the days when we made music, don't cut me off, nobody.

2:19:21.959 --> 2:19:30.640
<v Speaker 1>The reason why, the reason why the music was so

2:19:30.959 --> 2:19:33.640
<v Speaker 1>great back then is current. I couldn't send you an

2:19:33.720 --> 2:19:38.840
<v Speaker 1>email now, big them raps um with some ships, the rails,

2:19:40.000 --> 2:19:44.240
<v Speaker 1>they't want to bring them, so you had to go

2:19:44.440 --> 2:19:50.480
<v Speaker 1>to a person's studio to make that music. Just listen,

2:19:50.800 --> 2:19:54.920
<v Speaker 1>this is why music is disposable nowadays because evening what

2:19:55.040 --> 2:19:59.000
<v Speaker 1>do you recorded on is disposable. Back then, you couldn't.

2:19:59.640 --> 2:20:02.120
<v Speaker 1>You couldn't throw that dolf away. That niggles a dolf

2:20:02.840 --> 2:20:05.680
<v Speaker 1>translation a little norm he knows doesn't he wants us

2:20:05.720 --> 2:20:09.200
<v Speaker 1>to come to QUEENSA No I want y'all. You know

2:20:12.800 --> 2:20:17.200
<v Speaker 1>we translation didn't want email ship with a mansulation. I

2:20:17.240 --> 2:20:28.160
<v Speaker 1>don't want. I'm I don't even known first translation translation,

2:20:30.080 --> 2:20:32.680
<v Speaker 1>you have not to come to the Yeah, I'm not

2:20:34.480 --> 2:20:38.680
<v Speaker 1>unless KG is producing. That's what I believe. And somebody

2:20:38.720 --> 2:20:42.959
<v Speaker 1>say that and that's and that's real. So some people

2:20:42.959 --> 2:20:45.480
<v Speaker 1>will argue, if you hear wool Chain record and visit

2:20:45.600 --> 2:20:49.160
<v Speaker 1>and produce it, it doesn't sounds. But I don't care

2:20:49.160 --> 2:20:52.120
<v Speaker 1>if PRESI don't produce it as long as around that

2:20:52.240 --> 2:21:01.440
<v Speaker 1>man draining put it together that it was greatly. That

2:21:01.640 --> 2:21:05.320
<v Speaker 1>makes sense. It's different. It's the brand that fix what

2:21:05.480 --> 2:21:10.119
<v Speaker 1>it does. That's like the original Eagles where the hip

2:21:10.160 --> 2:21:22.800
<v Speaker 1>hop Eagles. Yeah alright, no, he's the bad nig. What

2:21:23.280 --> 2:21:28.440
<v Speaker 1>can we tell you about? You know this man, let's

2:21:28.440 --> 2:21:33.720
<v Speaker 1>go Eagle fans gonna trying that Eagles? Do you want

2:21:33.760 --> 2:21:37.000
<v Speaker 1>to be the hip hop rolling not just make trench

2:21:37.240 --> 2:21:39.480
<v Speaker 1>being the drug is nigger in the building and night

2:21:39.640 --> 2:21:47.200
<v Speaker 1>every night it does always making to put it on

2:21:47.320 --> 2:21:49.400
<v Speaker 1>you and the run the show and said, yeah, I'll

2:21:49.440 --> 2:21:52.640
<v Speaker 1>stick at the shoe calls traps and he drunk it

2:21:52.720 --> 2:22:01.240
<v Speaker 1>at me. He wont but he I'm usually he won

2:22:03.800 --> 2:22:08.040
<v Speaker 1>the right there. Yeah, yeah, puff to ship. Listen you

2:22:08.120 --> 2:22:13.680
<v Speaker 1>want to because no, we we used to have a

2:22:13.760 --> 2:22:16.600
<v Speaker 1>little chalice like the nick of that one. But Puff

2:22:17.000 --> 2:22:19.880
<v Speaker 1>came here like a trophy, a trophy and he took

2:22:20.400 --> 2:22:23.320
<v Speaker 1>every drink from every table. But we don't have the

2:22:23.480 --> 2:22:26.040
<v Speaker 1>foul and ship that we had before because we were

2:22:26.240 --> 2:22:30.879
<v Speaker 1>your limitation right, so and he took it with him.

2:22:30.959 --> 2:22:36.800
<v Speaker 1>He's a foul every alcohol in there. And question, has

2:22:36.920 --> 2:22:39.800
<v Speaker 1>this motherfucker here that I know all this goddamn time

2:22:39.879 --> 2:22:42.560
<v Speaker 1>for these day games, has this motherfucker ever wanted the

2:22:42.680 --> 2:22:47.560
<v Speaker 1>drunk as motherfucker ship? I'm seeing that I wanted with you.

2:22:47.920 --> 2:22:49.720
<v Speaker 1>And then you got kicked out of the hotel because

2:22:49.720 --> 2:22:55.280
<v Speaker 1>I told you couldn't smoke. Remember translation, you remember translation translation.

2:22:55.520 --> 2:22:57.560
<v Speaker 1>You didn't get kicked down because you didn't get kicked

2:22:57.560 --> 2:23:06.160
<v Speaker 1>down in front of you. Ain't gonna told you what

2:23:06.360 --> 2:23:09.680
<v Speaker 1>ain't out freebody said you didn't miss me about emotion.

2:23:11.200 --> 2:23:17.400
<v Speaker 1>You listen, niggasas remember this to you. I made you

2:23:17.560 --> 2:23:20.160
<v Speaker 1>miss your lately because you was in the room smoking

2:23:20.200 --> 2:23:22.200
<v Speaker 1>when me. You just told me not to smoking. I

2:23:22.320 --> 2:23:29.720
<v Speaker 1>gave you your week and you row. Can I leave Pisa? Yeah,

2:23:29.840 --> 2:23:32.960
<v Speaker 1>in the realm smoking piece and I was smoking. Yo. No, No,

2:23:33.320 --> 2:23:35.480
<v Speaker 1>I told you're not in smoking a room? Yeah? Why

2:23:35.560 --> 2:23:37.240
<v Speaker 1>you was said, what did you tell me? You said

2:23:37.280 --> 2:23:41.200
<v Speaker 1>I smoked? Why you ain't here smoking with me? You

2:23:41.280 --> 2:23:44.880
<v Speaker 1>were smoking the room you think would be there? And

2:23:45.000 --> 2:23:49.160
<v Speaker 1>then really stands to this charged me. I said, I

2:23:49.360 --> 2:23:52.880
<v Speaker 1>told you so. Yeah, like I was at money because

2:23:52.959 --> 2:23:56.800
<v Speaker 1>I was just telling them they'll tell him. So you

2:23:57.000 --> 2:24:08.279
<v Speaker 1>kiss the little a little story. Listen. Then trash kg

2:24:09.560 --> 2:24:12.440
<v Speaker 1>On behalf of hip hop, d j ar Fan drink

2:24:12.560 --> 2:24:17.440
<v Speaker 1>Champs as it sounds drained, Rich Blanco, Mr Lead, you

2:24:17.520 --> 2:24:20.680
<v Speaker 1>know Sunny d b T. You know, pray for DC

2:24:20.920 --> 2:24:24.440
<v Speaker 1>Twin everybody, you know, all my people, hot Key and Green.

2:24:25.200 --> 2:24:27.000
<v Speaker 1>What I'm saying, we want to salute you for what

2:24:27.160 --> 2:24:30.280
<v Speaker 1>you did to hip hop for raising us. Most of

2:24:30.440 --> 2:24:33.160
<v Speaker 1>us wouldn't been raised right if we didn't know that

2:24:33.360 --> 2:24:42.880
<v Speaker 1>there's other people's pussy out there. So relax. It's not sure.

2:24:43.000 --> 2:24:47.880
<v Speaker 1>Pussy people. Other people don't get you. Who would have

2:24:48.080 --> 2:24:51.000
<v Speaker 1>never been raised right if we didn't have hip hop.

2:24:53.240 --> 2:24:56.720
<v Speaker 1>Who would have never been right without your music, without

2:24:56.760 --> 2:25:00.400
<v Speaker 1>your contribution to hip hop and hip hop you And

2:25:00.440 --> 2:25:03.560
<v Speaker 1>we're gonna salute you that and we're gonna continue keeping

2:25:03.640 --> 2:25:06.160
<v Speaker 1>hip hop going because that's what we do. And I

2:25:06.240 --> 2:25:08.600
<v Speaker 1>don't know, I puff gave us this to kill U

2:25:08.680 --> 2:25:13.160
<v Speaker 1>with this heavy it's very heavy top to kill you

2:25:13.200 --> 2:25:18.320
<v Speaker 1>didn't give me that last bag that this is your Yeah,

2:25:18.600 --> 2:25:25.080
<v Speaker 1>that's your eternal lout for him the anniversary pool party

2:25:25.160 --> 2:25:33.720
<v Speaker 1>that up flat Rock. But I could never thank you brothers,

2:25:33.800 --> 2:25:37.520
<v Speaker 1>Mark Kim Green, thank you. I will never forget you

2:25:37.640 --> 2:25:46.720
<v Speaker 1>for yeah something in hill, Yeah yeah, why don't you six?

2:25:46.879 --> 2:25:50.959
<v Speaker 1>He starts high school to the mic night six, I'm

2:25:51.720 --> 2:25:56.240
<v Speaker 1>high school talege show, right, you had KG and trash

2:25:56.360 --> 2:25:59.840
<v Speaker 1>about to wreck it down. Sound system goes out. The

2:26:00.000 --> 2:26:01.840
<v Speaker 1>me who was the host of the talent show starts

2:26:01.920 --> 2:26:06.959
<v Speaker 1>beat boxing. Tress just go and and I started dancing.

2:26:07.000 --> 2:26:09.000
<v Speaker 1>Let's see you beat box for the for the record,

2:26:09.640 --> 2:26:24.280
<v Speaker 1>just for the record, let's just let's just water. When

2:26:24.280 --> 2:26:28.160
<v Speaker 1>you're talking about like that hip hop hip hox to

2:26:28.240 --> 2:26:30.680
<v Speaker 1>see it go down to nine six in front of

2:26:30.760 --> 2:26:34.920
<v Speaker 1>my eyes. We went to high school again, high school together,

2:26:35.080 --> 2:26:36.680
<v Speaker 1>so the scene goes out in front of my eyes.

2:26:36.800 --> 2:26:38.680
<v Speaker 1>The next thing, you know, four years later, I'm here,

2:26:38.760 --> 2:26:42.480
<v Speaker 1>O p P. I'm at Irving, Texas because Jersey too

2:26:42.600 --> 2:26:49.160
<v Speaker 1>right be started. We went to the high school together. Hi. Yeah,

2:26:49.720 --> 2:26:52.920
<v Speaker 1>that was middle school together. The first time I heard

2:26:52.959 --> 2:26:54.760
<v Speaker 1>of a careress one. I walked in the home room

2:26:54.800 --> 2:26:59.160
<v Speaker 1>class and he's holding an album like this is the

2:26:59.240 --> 2:27:02.320
<v Speaker 1>middle school. Then out and you got fake blue eyes,

2:27:02.440 --> 2:27:07.600
<v Speaker 1>right fake? Let me tuck those out, n real d

2:27:08.080 --> 2:27:12.600
<v Speaker 1>We said, we went to translation, went to school when

2:27:12.879 --> 2:27:18.880
<v Speaker 1>nig you say, y'all fake texting? Yeah, we're gonna go

2:27:19.320 --> 2:27:32.560
<v Speaker 1>commercing fat three five years. See you have to we

2:27:32.720 --> 2:27:42.120
<v Speaker 1>don't have to talk funny. Save never been right, nigger.

2:27:43.480 --> 2:27:47.880
<v Speaker 1>Nigger we called you know you is always because it's

2:27:47.920 --> 2:27:57.360
<v Speaker 1>never been in jail with don't Yeah, okay, everybody had

2:27:58.040 --> 2:28:43.120
<v Speaker 1>anybody everybody, let's see doing a busy push your hats

2:28:43.160 --> 2:28:45.360
<v Speaker 1>hold up one second while everybody know they could Check

2:28:45.440 --> 2:28:48.360
<v Speaker 1>us at drink champs dot com, Follow us at drink

2:28:48.440 --> 2:28:52.480
<v Speaker 1>Champs on Twitter, Instagram, and Facebook. Check Noriata at the

2:28:52.560 --> 2:28:56.160
<v Speaker 1>Real Norieg on Instagram, at Noriega on Twitter and New

2:28:56.240 --> 2:28:58.840
<v Speaker 1>Year Nori on Snapchat. You can check me d j

2:28:59.000 --> 2:29:02.120
<v Speaker 1>e f at at Who's Crazy Instagram at d j

2:29:02.320 --> 2:29:05.400
<v Speaker 1>e f n on Twitter at Who's Crazy on Snapchat.

2:29:06.080 --> 2:29:08.960
<v Speaker 1>Make sure you follow the team our visual media manager

2:29:09.120 --> 2:29:12.920
<v Speaker 1>Rich Blanco at Rich Underscore Blanco on Instagram and Twitter.

2:29:13.240 --> 2:29:16.640
<v Speaker 1>Our engineer has its Sounds at Hazardous Sounds on Instagram

2:29:16.720 --> 2:29:20.640
<v Speaker 1>and Twitter. Our photographer Big Drain at Drain on Instagram

2:29:20.920 --> 2:29:24.240
<v Speaker 1>and at big Drain on Twitter. Are graphic artists Akz

2:29:24.720 --> 2:29:28.760
<v Speaker 1>at Akz on Instagram and Twitter. Also shout out the

2:29:28.800 --> 2:29:31.680
<v Speaker 1>whole CBS play dot It team. Follow them at at

2:29:31.800 --> 2:29:34.640
<v Speaker 1>play it on Twitter, and make sure you grab yourself

2:29:34.680 --> 2:29:37.440
<v Speaker 1>some Drink Champs shirts, shot glasses and cups and all

2:29:37.480 --> 2:29:40.200
<v Speaker 1>that merch at drink Champs dot com or check our

2:29:40.240 --> 2:29:43.200
<v Speaker 1>homies at eight nine dot com. Head over to iTunes

2:29:43.400 --> 2:29:46.520
<v Speaker 1>and pick up the singles for the Win Moguls and Petty,

2:29:46.640 --> 2:29:49.360
<v Speaker 1>as well as a Drunk Uncle project from Nori. Also,

2:29:49.480 --> 2:29:52.640
<v Speaker 1>my album Another Time is out now available on iTunes, Spotify,

2:29:53.000 --> 2:29:56.520
<v Speaker 1>Google Play or physicals at crazyhood dot com. Check has

2:29:56.560 --> 2:29:58.960
<v Speaker 1>it as Sounds projects, Save the culture and you can

2:29:59.080 --> 2:30:01.440
<v Speaker 1>check that it has it iss sounds dot com or

2:30:01.560 --> 2:30:04.160
<v Speaker 1>check it on all digital platforms. Also look out for

2:30:04.240 --> 2:30:07.280
<v Speaker 1>Nori's cooking show coming very soon and My Coming Home

2:30:07.400 --> 2:30:10.360
<v Speaker 1>Vietnam film which you can see the previous films about Haiti,

2:30:10.640 --> 2:30:13.960
<v Speaker 1>Cuba and Peru currently on Revolt TV. Shout out the

2:30:14.000 --> 2:30:17.200
<v Speaker 1>whole dream chats Army, We really appreciate your support and

2:30:17.320 --> 2:30:35.199
<v Speaker 1>we out of here. Uh yeah, uh yeah, uh yeah,

2:30:37.800 --> 2:30:41.520
<v Speaker 1>uh yeah yeah. You see, they hate to see us

2:30:41.560 --> 2:30:46.280
<v Speaker 1>win that, so I know they got some issues. You see,

2:30:46.320 --> 2:30:48.320
<v Speaker 1>they this is win that. So I heard they got

2:30:48.360 --> 2:30:52.680
<v Speaker 1>some issues issue. You see, they hate to see us

2:30:52.720 --> 2:30:55.920
<v Speaker 1>win that. So I know they got some isshoes issue.

2:30:57.120 --> 2:30:58.720
<v Speaker 1>You see, they ain't to see us win. And so

2:30:58.840 --> 2:31:04.199
<v Speaker 1>I heard they got some Yo. What's filling back lyddy?

2:31:04.520 --> 2:31:07.000
<v Speaker 1>I feel like ninety eight again. Real gonna love it

2:31:07.080 --> 2:31:09.800
<v Speaker 1>and the fake gonna hate again. Other niggas fright and

2:31:09.840 --> 2:31:11.680
<v Speaker 1>I can't like they make it more than me. Me

2:31:11.800 --> 2:31:15.640
<v Speaker 1>and dollar meds and jeans. I dressed accordingly Oga male

2:31:15.879 --> 2:31:19.480
<v Speaker 1>upgrade from Ogan original sliming hip hop. They all owe me.

2:31:20.160 --> 2:31:22.040
<v Speaker 1>My city needed me. I read a hold of the

2:31:22.080 --> 2:31:24.560
<v Speaker 1>media is killed it on the music and started killing

2:31:24.680 --> 2:31:27.600
<v Speaker 1>the media with the rental Phil in the car, the

2:31:27.640 --> 2:31:30.520
<v Speaker 1>TV that the nigga is sick like they rumbert kill

2:31:30.600 --> 2:31:32.200
<v Speaker 1>me up. He didn't hate to see us winning, so

2:31:32.360 --> 2:31:36.640
<v Speaker 1>I know they got some issues issue. You see, they

2:31:36.720 --> 2:31:38.520
<v Speaker 1>need to see us winning. So I heard he got

2:31:38.600 --> 2:31:43.840
<v Speaker 1>some shoeste to see us winners. So I know they

2:31:43.959 --> 2:31:48.720
<v Speaker 1>got some maybe shoes you hate to see us winn?

2:31:48.760 --> 2:31:53.920
<v Speaker 1>And who I heard he got some who you know?

2:31:54.120 --> 2:31:57.080
<v Speaker 1>Ellendn't really riddle me that. Oh my real niggas know

2:31:57.280 --> 2:32:00.760
<v Speaker 1>where I'm mentally any wad drinking pain. What's the issue

2:32:00.800 --> 2:32:03.720
<v Speaker 1>with the old hella boom in the hills? Well physically,

2:32:04.720 --> 2:32:07.560
<v Speaker 1>then with the hugs conversations, just wrap them all. Think

2:32:07.600 --> 2:32:11.119
<v Speaker 1>I'm so good. I'm just staying the facts all the cool.

2:32:11.240 --> 2:32:13.560
<v Speaker 1>I'm debating with him that which ry then out of

2:32:13.680 --> 2:32:16.040
<v Speaker 1>town weep hating on the neck. Can they tell me,

2:32:16.120 --> 2:32:18.200
<v Speaker 1>y'all a start. I'm just trying to get these cars.

2:32:18.240 --> 2:32:20.240
<v Speaker 1>They're just telling me to right. I'm just trying to

2:32:20.320 --> 2:32:22.800
<v Speaker 1>move the hard wet pants and the rolling y'all do.

2:32:22.959 --> 2:32:25.520
<v Speaker 1>But let's see, y'all start out the mouth like I'm

2:32:25.560 --> 2:32:28.760
<v Speaker 1>blowing on the cart to see. I know they got

2:32:28.840 --> 2:32:33.440
<v Speaker 1>some issues issue. You see, they hate to see us winning.

2:32:33.560 --> 2:32:37.920
<v Speaker 1>So I heard they got some issues. Issue. You see,

2:32:37.959 --> 2:32:39.680
<v Speaker 1>they hate to see us winning. So I know they

2:32:39.800 --> 2:32:44.119
<v Speaker 1>got some issues. Issues. You see, they hate to see

2:32:44.200 --> 2:32:49.080
<v Speaker 1>us win. And I heard they got some isshoes and yo,

2:32:49.120 --> 2:32:50.920
<v Speaker 1>they hate to see us winning. So I heard we

2:32:51.040 --> 2:32:53.800
<v Speaker 1>got some missiones, no pro they tripped. I'm a bloom

2:32:53.879 --> 2:32:56.760
<v Speaker 1>like some tissue Ryan with the old G sixty by

2:32:56.800 --> 2:32:59.920
<v Speaker 1>that hip like a whole D niggable. I'm an old

2:33:00.120 --> 2:33:02.720
<v Speaker 1>D shooting for fat. But like your Noblie, I don't

2:33:02.760 --> 2:33:06.400
<v Speaker 1>believe nothing. Motherfucker's gotta show me shine level up, but

2:33:06.520 --> 2:33:08.959
<v Speaker 1>the streets want to owe me to keep it to myself.

2:33:09.040 --> 2:33:11.840
<v Speaker 1>I did three from my code. The nigga told nigga

2:33:12.360 --> 2:33:15.520
<v Speaker 1>things with the giving goal, grease on Chris Hi, guys

2:33:15.600 --> 2:33:18.000
<v Speaker 1>on sick go and I let my ship go. Didn't

2:33:18.040 --> 2:33:20.360
<v Speaker 1>know what it's hitting fork herd. What I get it for?

2:33:20.560 --> 2:33:22.960
<v Speaker 1>Imagine what I'm sitting it off. You need to hate

2:33:22.959 --> 2:33:24.680
<v Speaker 1>to see us winning, So I know they got some

2:33:24.879 --> 2:33:29.240
<v Speaker 1>issues issues issue. You see, they hate to see us winning.

2:33:29.400 --> 2:33:32.920
<v Speaker 1>So I heard they got some issues issues, issues, issues.

2:33:33.400 --> 2:33:35.200
<v Speaker 1>You see, they hate to see us winning. So I

2:33:35.240 --> 2:33:39.440
<v Speaker 1>know they got some issues, issues, issue. You see, they

2:33:39.480 --> 2:33:41.080
<v Speaker 1>hate to see us win, and so I heard he

2:33:41.200 --> 2:34:39.520
<v Speaker 1>got some issues. Issues issues. H Find all your favorite

2:34:39.520 --> 2:34:41.840
<v Speaker 1>movies and shows faster with Excity just speaking to the

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<v Speaker 1>store today, restrict and supply