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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Everybody who loves honey glaze

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Speaker 1: carrots a great side dish for your springtime celebration and

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Speaker 1: a delicious compliment to a sweet, bright muscatto. Wine is

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Speaker 1: made in virtually every country in the world, and I'm

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Speaker 1: ready to give you a tour to find the right

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Speaker 1: one serving lamb this season. Try it with a bold

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Speaker 1: cabernet from the trendy Postle Robles region. Whether you're hosting

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Speaker 1: or just bring the wine we love to share are

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Speaker 1: always low prices and ridiculous selection this spring at Total

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Speaker 1: Wine and More. Cheers. Uh yeah, uh yeah, uh yeah

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Speaker 1: yeah yeah. You see they hate the sea is when

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Speaker 1: it's so Unknow they got issues issue. You see, they

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Speaker 1: hate the sees. So I heard they got mashoes issue.

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Speaker 1: You see. They hate to see us winners. So I

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Speaker 1: know they got sma is shoes issue. You see, they

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Speaker 1: hate to see us winning. So I heard he got

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Speaker 1: some isshoes. Hey, Yo, what's filling back? Lidio? I feel

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Speaker 1: like ninety eight again, really gonna love it and the

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Speaker 1: faith gonna hate again. Other niggas fright and I can't

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Speaker 1: like they make it more than me. Me and dollar

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Speaker 1: meds and jeans. I dressed accordingly foger male upgrade from

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Speaker 1: Wogan original sliming hip hop. They all own me up

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Speaker 1: A city needed me. I read a hold of the videos,

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Speaker 1: killed it on the music and started killing the media

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Speaker 1: with the rental. Phil in the cup to the TV

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Speaker 1: that the nigga is sick like they rum a little

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Speaker 1: him me up. He they hate to see us winning,

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Speaker 1: so I know they got some shoes issue, you see,

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Speaker 1: they hate to see us winners. So I heard they

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Speaker 1: got some shoes. You see. They hate to see us winners.

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Speaker 1: So I know they got SMAs shoes, you see, they

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Speaker 1: hate to see winners. Who I heard he got something

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Speaker 1: really really who you know? Ell? Th't really riddle me that?

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Speaker 1: Oh my real niggas know where I'm mentally at money.

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Speaker 1: Ain't got the tricky pain. What's the issue with the

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Speaker 1: whole aliboom? When the hills well physically his name with

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Speaker 1: the hug conversations say the blown think I'm so good.

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Speaker 1: I'm just staying the fact world. Oh the cool I'm

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Speaker 1: debating with him that which rhy ain't then it out

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Speaker 1: of town. We hainting on that did they tell me

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Speaker 1: y'all a star. I'm just trying to get these cards.

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Speaker 1: They just telling me to rap. I'm just trying to

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Speaker 1: move the hardest wet pants and the rolling y'all do.

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Speaker 1: But they see y'all start out the mountain like I'm

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Speaker 1: blowing on the contry to see. So I know they've

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Speaker 1: got some issues. Issue you see, they need to see

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Speaker 1: his winnings. So I heard he got some issues. Issues.

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Speaker 1: You see, they hate to see us winner. So I

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Speaker 1: know they got some issues. Issues you see, the heat

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Speaker 1: to see us winning. So I heard he got some issues.

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Speaker 1: Issue let's and yo, they hate to see us winning.

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Speaker 1: So I heard we got some missies. No prob they tripped.

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Speaker 1: I'm a bloom like some tissue rhyming with the old

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Speaker 1: g sixteen by the hip like a hop nigga vley.

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Speaker 1: I'm an old d shooting for father like your nobili.

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Speaker 1: I don't believe nothing. Motherfucker's gotta show me trying to

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Speaker 1: level up, but the streets want the old men. Keep

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Speaker 1: it to myself. I did three for my code. The

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Speaker 1: nigga told nigga things with the giving goal grease on

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Speaker 1: Chris Hi guys on sick go and I let my

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Speaker 1: ship go. They know what it's hitting for. Heard what

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Speaker 1: I get it for. Imagine what I'm sitting it off.

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Speaker 1: You need to hate to see us winning, so I

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Speaker 1: know they got some issues. Issue. You see, they hate

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Speaker 1: to see us winning. So I heard they got some issues. Issues,

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Speaker 1: issue issue, you see, they hate to see US winners.

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Speaker 1: So I know they got some issues. Issue. You see,

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Speaker 1: they hate to see US winners. And I heard they

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Speaker 1: got some issues. Yeah, what's something y'all? What's going on? Right?

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Speaker 1: He's a legendary Queen's rapper, He Hanks is your boy,

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Speaker 1: and he's a Miami hip hop pioneer. What Up is

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Speaker 1: d J e f N? Together they drink it up

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Speaker 1: with some of the biggest players in music and sports,

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Speaker 1: I mean, the most professional, unprofessional podcast and your number

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Speaker 1: one source for drunk fact this is Drinks Chap right away.

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Speaker 1: Every day is New Year's e That's right, Hey, Hank said,

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Speaker 1: we hope to stop me and this is your boy?

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Speaker 1: What Up is d J e f N? And this

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Speaker 1: drink test motherfucker podcast? Right and right back? I have

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Speaker 1: to enter Deuce, one of the most phenomenon groups in history,

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Speaker 1: not in just hip hop hip hop, but in history.

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Speaker 1: These guys made countless hits repeatedly, back to back. And

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Speaker 1: when I heard Dj Khalid the other days say that

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Speaker 1: he was the anthem King, I had to test her. Sorry,

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Speaker 1: but every record these brothers had that was a hit

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Speaker 1: was an anthem, and I had to I had to say, like,

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Speaker 1: you know, it wasn't no hate because if you know

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Speaker 1: what I'm just saying, like, okay, you might be the

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Speaker 1: second anthem King, but I had to I had to

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Speaker 1: keep it real. I had to say, I think Naughty

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Speaker 1: was the first had them king. These brothers, just like

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Speaker 1: me and Capone, went through problems, trials and triple relations,

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Speaker 1: came back together and stuck together through brothers. They out

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Speaker 1: here right now on the New Year's Even special. I'm

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Speaker 1: sure they're doing something phenomena. By the time we dropped

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Speaker 1: this episode, they'll be already outside here. That's well, I

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Speaker 1: think it's them. What's what's the Nick Davis just took

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Speaker 1: Bolls room in Problem one twelve. It was a little

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Speaker 1: wild over there. But these brothers, these brothers have you know,

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Speaker 1: stuck it out through time and they're still here. They're

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Speaker 1: still relevant, They're still a part of what's going on,

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Speaker 1: what's now. One of them with a phenomenal producer produced

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Speaker 1: R and B. The other two is phenomenal mc larricists

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Speaker 1: with a tribe coming back and doing their thing and

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Speaker 1: daylyso coming back and doing anything. I can't wait for

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Speaker 1: a new naughty, naughty, naughty album. And right now, with

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Speaker 1: no further I would like to introduce some people that

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Speaker 1: I look up to personally naughty, but motherfucker nature. Hold

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Speaker 1: on before you make a car. It's not KG and Trash.

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Speaker 1: It's not Trash and KG. It's not KG and Vinny.

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Speaker 1: It's not Venny in Trash. It is all motherfucking three members,

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Speaker 1: not even name. Listen. I'm so much a fan of

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Speaker 1: you guys. I had to go research like a couple

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Speaker 1: of interviews. I haven't seen interviews with all three of

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Speaker 1: y'all in a minute, am I bugging? No, you're not.

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Speaker 1: It's been a minute. Okay, this is a moment. But

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Speaker 1: a lot of radio stations don't have it. That's why

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Speaker 1: we've been We ain't radio. We ain't radio. Yeah to

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Speaker 1: the station, so we wait outside stuff. Okay, So so

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Speaker 1: so look, let me ask y'all because all of y'all

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Speaker 1: from East Orange, correct, all three of y'all so, but

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Speaker 1: y'all all y'all from different parts of East Orange, but

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Speaker 1: pretty much the same hood. The same hood is by

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Speaker 1: the five block radios from each other. I'm from fifteen

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Speaker 1: streets from eighteen street trenches right across some of the bridge.

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Speaker 1: I'm a Grove Street right there. But you can move

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Speaker 1: walk to each of my homes. When we were three

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Speaker 1: three square mount radios of the whole hood, different middle schools,

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Speaker 1: anything else, but everybody was there. Funny story. I'm born

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Speaker 1: in Nork, so a lot of my families from Nork

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Speaker 1: right there. Me and red Man, there's little little homies

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Speaker 1: that we hated each other just because I was from

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Speaker 1: East and he was from a block over in North.

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Speaker 1: Like I said, little we got cool. Me and red

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Speaker 1: Man got cool because it is a little bit hoods,

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Speaker 1: the hoods, the hood. It's so close. Nor is the

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Speaker 1: biggest city in Jersey. But after the riots and anything else,

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Speaker 1: in the sixties and anything else, a lot of people

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Speaker 1: moved out of Nork, so they either went to East Stars,

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Speaker 1: West s Thorns Boom, everything else. But our old family

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Speaker 1: is Jersey. That's one of the smallest cities in there,

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Speaker 1: but it was the most like ghetto city out of

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Speaker 1: the smaller cities there at three block radius. So how

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Speaker 1: did how so you guys knew each other growing up?

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Speaker 1: High school? And yeah, like junior high school, all that ainything, football,

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Speaker 1: playing rams and then we used high school we met

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Speaker 1: up venues to beat box, so I knew then first

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Speaker 1: be in high school he would be the one then

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Speaker 1: and Kay grew up fifteen three and eighteen streets. We

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Speaker 1: went to the same high school as one, but then

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Speaker 1: I met him and then we used to justest he

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Speaker 1: We used to rock out in health class all the time,

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Speaker 1: so I used to break dance and the beat box

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Speaker 1: so I would beat box. Actually our brother bro Peppers

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Speaker 1: Michigan wolver Greens, they play in the night. But his

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Speaker 1: father I used to break dance with his father's how

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Speaker 1: to back breakdance, so I have to break dance and

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Speaker 1: our beat box for KG lived right across the street

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Speaker 1: from I used to go beat box for K and

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Speaker 1: then in health class trapped he always had he was

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Speaker 1: a family Freddy Krueger back in the just kidding, I

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Speaker 1: guess I'm hand a long nails and every day just

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Speaker 1: mad long. He every day this kid would come with

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Speaker 1: new lyrics and health around with health. He was spitting

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Speaker 1: new bars to me every day. So I told K

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Speaker 1: one day, like this kid in my health class is

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Speaker 1: the truth. We all, you know, linked up did this

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Speaker 1: talent show and that was it. It was the new stack.

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Speaker 1: So when you did this talent show, that was as

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Speaker 1: a group or y'all? Yeah, well we did really a

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Speaker 1: group at that point. Yeah, we wasn't. He just came

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Speaker 1: together because I'm We're just coming together because I'm a

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Speaker 1: year older than them. So it was my senior year

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Speaker 1: in high school and they will having a talent show

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Speaker 1: and like then said I was DJ and and I

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Speaker 1: wanted to get in and do something. So I was

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Speaker 1: just like, well that if you beat box not scratch,

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Speaker 1: we're gonna need an m C. And then I'd like

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Speaker 1: he said, he bought tresh into it. So we just

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Speaker 1: went in and we weren't even a group. I just

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Speaker 1: scratched in. We just we put together name. We didn't

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Speaker 1: have a name or nothing. I needed nothing our routine.

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Speaker 1: We were just practicing that we need to be up

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Speaker 1: in like in my sun ports up there, like Vincent,

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Speaker 1: I used to be across street, so he would hear

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Speaker 1: me practicing in the sun Ports. So up there we

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Speaker 1: were practiced for this talent show and I part of

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Speaker 1: our routine scratched in the Beastie Boys. It's the News Style.

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Speaker 1: So we started name and he's like we needed it,

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Speaker 1: like at that day, what's her name? New Style, New Style,

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Speaker 1: And that was after the talent show. Wow, we killed

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Speaker 1: the Talent show and were like, yo, that whole ship

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Speaker 1: kind of work. And we started off with the New Style.

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Speaker 1: Let's call ourselves the New Style. Yeah, let me tell

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Speaker 1: you something else, do hip hop history. His families from Queens,

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Speaker 1: you know family. So he sean, we said, we gotta

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Speaker 1: go to town show. We gotta we gotta have coordinating

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Speaker 1: ship with the New Style now. So he took us

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Speaker 1: over shirt and we got the New Style jackets class

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Speaker 1: for the shirt kings and boom. So all of the

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Speaker 1: doubts going on from them showing you to connect with

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Speaker 1: with anything, and so who shut down New Style? Who said,

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Speaker 1: let's we can't be New Style? Well we did not

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Speaker 1: shot that was that was actually shot him and Chris

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Speaker 1: LIKEDYI flavoring and Chris, let's get in this story. We

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Speaker 1: ended up being on Sugarhill Gang Records, which was bone

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Speaker 1: on Me, yea with new style. So y'all see that

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Speaker 1: picture of us with the new style, K had the

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Speaker 1: hot top fade that was signed sugar Hell Records, Bone

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Speaker 1: on Me. So we actually sign on me after all

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Speaker 1: the sugar help just sued him and got off. They

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Speaker 1: had another label. So anyway, we signed a contract without

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Speaker 1: calling Lloyd's. We suited the sugar Hill game and signing

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Speaker 1: and on the age and got robbed. Hey there, So

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Speaker 1: the good thing to having had my homie move Brown,

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Speaker 1: Big Move Brown. He had to quantum in anything we

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Speaker 1: had to get off the contract. So we're just riding

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Speaker 1: down Route four to te Neck Technologs and anything up

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Speaker 1: in there. We're gonna make these niggas signed us off

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Speaker 1: on the napkin sugar Hill, your motherfucking right. We called

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Speaker 1: an accident, had all the guns anything up, and he said,

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Speaker 1: you know, Taddy, I ain't got no license. The police

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Speaker 1: about to come. We got these bags of guns. I said,

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Speaker 1: well you go that way, I'll take these ships and

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Speaker 1: I ran then away and left. We're just gonna get

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Speaker 1: our ship release like that, And it's a god blessing

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Speaker 1: that we did because we're just gonna do some bills,

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Speaker 1: nasty it to get our release. But when we came,

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Speaker 1: we was like, yo, how we got a Flavy Unit.

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Speaker 1: Try that boom boom patchy rest in peace that you

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Speaker 1: guys changed the name because no, no, no, no no.

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Speaker 1: See what happened is like when we were New Style,

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Speaker 1: we got we got with Flavor Unit and they and

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Speaker 1: we were actually we were doing talent shows and all that.

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Speaker 1: So everybody around the hood, all through Jersey and all that,

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Speaker 1: we had already started building a name. Everybody knew they

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Speaker 1: were doing talent shows and we were coming in and

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Speaker 1: they would have the crowl they weren't like the crowds

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Speaker 1: judge it, and we would win every time. So then

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Speaker 1: they started feeling like we were coming with our own

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Speaker 1: built in crowd. So they changed and start bringing celebrities

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Speaker 1: and like bids and some different people, and we still

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Speaker 1: kept winning. So we were just like, man, we gotta

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Speaker 1: start spreading this out and start getting real with it

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Speaker 1: through that whole thing. Flavory Unit forty five. King Treach

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Speaker 1: was already dabbing over there with them. They were like, yo,

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Speaker 1: what's up with this group? News staff And at the time,

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Speaker 1: they had Flavoring Unit MCS, but they didn't have the

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Speaker 1: management company at the time, so they were just starting

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Speaker 1: man the management of Flavory Unit Management shot him and

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Speaker 1: Latifa were starting that and they wanted to get some

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Speaker 1: some new groups to sign. And then we were one

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Speaker 1: of the first Jersey, especially from Jersey, and they bought

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Speaker 1: a patche over to us and Patrie Co signed us.

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Speaker 1: And then we do a We threw a party for

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Speaker 1: ourselves at Upsala College out there in Jersey and we

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Speaker 1: invited them over and they came and source before him

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Speaker 1: and they loved what they saw. So then they took

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Speaker 1: us on from there and then we started, you know,

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Speaker 1: working on stuff and doing stuff. They started shopping out demo.

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Speaker 1: We had most of our records even recorded. We had

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Speaker 1: O P P already on there prior to shopping your

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Speaker 1: you already recorded. Yeah, yeah, we we went went to

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Speaker 1: study even before you got signed. It was out in

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Speaker 1: the bow man he was out years old. Ain't even

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Speaker 1: come out because straight after this So but how did

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Speaker 1: that name naughty by nature? That's what I'm getting true

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Speaker 1: that I was saying, so so everywhere, all that all

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Speaker 1: that we know, all that we was diving out. We

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Speaker 1: were doing whatever we have to do. So we're in

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Speaker 1: the studio. We recorded our demo. We had everything we was.

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Speaker 1: We had like you said, go to Shert King's. We

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Speaker 1: did all that stuff, were building it up, building it up,

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Speaker 1: doing the ground, doing the ground. And we had actually

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Speaker 1: we even had shopped out demo with Tommy Boy before

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Speaker 1: Flavor Unit and they turned us down the same exact

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Speaker 1: demo now opp all that on it went through Flavor Unit.

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Speaker 1: But once we got the politics behind us. Actually Tommy

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Speaker 1: Boy now even signed us. Warner brother signed. That's Benny

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Speaker 1: Bedina signed us to Warner Brothers. He never used giving

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Speaker 1: stories now how it went to from Naughty by Nature

283
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Speaker 1: and because we didn't get to the no you went

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Speaker 1: gas when we warned the Brothers sign and ship and

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Speaker 1: I tell how we went from new Style, hot top

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Speaker 1: fades and all of Google. In the go ahead, we

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00:17:04,800 --> 00:17:14,000
Speaker 1: had the biggest drug blocking church. He's always talked the

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Speaker 1: old man, Dave rest in peace up there. It's like,

289
00:17:16,000 --> 00:17:17,920
Speaker 1: why do you always talk to the old man over there? Man?

290
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Speaker 1: Like you always talk for the old heads, and I like,

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Speaker 1: you don't know the jewels that they have. I'm over

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Speaker 1: here looking old man. They told me one time he

293
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Speaker 1: got legs out. He was in the war all that.

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Speaker 1: He said, let me tell you something, A little sun sings.

295
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Speaker 1: I don't know who exactly, but i's somebody on this

296
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Speaker 1: motherfucking block is probably when the old bitches over there

297
00:17:39,400 --> 00:17:41,640
Speaker 1: just saying what color y'all got on and ain't time?

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Speaker 1: And she when the fit when the cops come to

299
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Speaker 1: dts come, you know, they go to y'all and row

300
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Speaker 1: right up in the alley. It's one of them old

301
00:17:47,680 --> 00:17:51,760
Speaker 1: bitches and shutting up there. From New Style to North,

302
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Speaker 1: I have shut up how all the motherfucking the phase

303
00:17:56,280 --> 00:17:58,639
Speaker 1: and trying to say how he was clean looking and

304
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Speaker 1: we was fresh to lay they these you know you

305
00:18:00,680 --> 00:18:03,040
Speaker 1: had to be fresh. We had the balleys, the Swede suits,

306
00:18:03,400 --> 00:18:07,399
Speaker 1: gold nugget, nigga, Gucci links, the motherfucking real gold not

307
00:18:07,520 --> 00:18:12,399
Speaker 1: from Canal Street Street. Old man said, I said you

308
00:18:12,600 --> 00:18:15,040
Speaker 1: ain't by having meet and I'm calling and said, yo,

309
00:18:15,359 --> 00:18:18,080
Speaker 1: some money ain't here, saying when we gotten norm we

310
00:18:18,200 --> 00:18:22,440
Speaker 1: are from this fucking dating one. You know you didn't

311
00:18:22,480 --> 00:18:25,040
Speaker 1: it just chained off for you. We're taking a little yo.

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Speaker 1: Know anybody all black a by dirtiest fuck fifteen Street

313
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Speaker 1: down there, all of them they had banses. They're looking

314
00:18:35,080 --> 00:18:38,160
Speaker 1: like gating for all the heat on them anything as

315
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Speaker 1: we was dirty. That's when the phase turned. The braid

316
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Speaker 1: aybody came in black grandmama's kids, the dts roll around

317
00:18:46,960 --> 00:18:50,960
Speaker 1: when they got on all black motherfucker's and you putting

318
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Speaker 1: strollers and the baby all black, like everybody all black.

319
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Speaker 1: I go through the Corge, I hit dollar Dollar. They're like, oh,

320
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Speaker 1: that's a famie block from New Style. They read abody

321
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Speaker 1: else or all the funk around it. So that's when

322
00:19:05,480 --> 00:19:07,879
Speaker 1: the Blake and we had a song from New Style,

323
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Speaker 1: and it was like I was just looking to titles.

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Speaker 1: I'm like, yo, we need a name New Style. That's

325
00:19:12,720 --> 00:19:15,480
Speaker 1: the eighties when we're in the name. One of songs

326
00:19:15,520 --> 00:19:18,240
Speaker 1: was Norty by Nature. Said, Norty by Nature was the

327
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Speaker 1: name of a New Style. Yeah, yeah, commercial break, here

328
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Speaker 1: you go. That I didn't even know I was gonna

329
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Speaker 1: be here handed. That's what's upright all right now. When

330
00:19:41,480 --> 00:19:43,240
Speaker 1: we were New Style, we had a song called Noughty

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Speaker 1: by Nature. So when we got the Flavor Unit, Flavor

332
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Speaker 1: Unit was like, all right, y'all a New Style and

333
00:19:48,320 --> 00:19:50,480
Speaker 1: y'all signed into this whole sugar Hill label. We got

334
00:19:50,600 --> 00:19:52,840
Speaker 1: a dad all of that. So yeah, yeah, I mean,

335
00:19:53,440 --> 00:19:55,879
Speaker 1: what's that name? Tommy Boy had to go because we

336
00:19:56,160 --> 00:19:59,959
Speaker 1: ain't tell Tommy Boy that we was on contract over there.

337
00:20:00,080 --> 00:20:03,280
Speaker 1: News and the crazy thing about bore them all crazy

338
00:20:03,400 --> 00:20:06,240
Speaker 1: thing about this back then, right, And this is what's

339
00:20:06,280 --> 00:20:09,120
Speaker 1: crazy about the evolution of you know, the hip hop

340
00:20:09,200 --> 00:20:12,560
Speaker 1: executive ship. We used to be on the blocks when

341
00:20:12,600 --> 00:20:14,640
Speaker 1: it was time to change from new style of Norughty

342
00:20:14,680 --> 00:20:17,240
Speaker 1: by Nature, when we was first pitching the name Norty

343
00:20:17,280 --> 00:20:22,800
Speaker 1: by Nature to shot him and they like, you know

344
00:20:23,119 --> 00:20:26,399
Speaker 1: who was there with him and Chris we had shot

345
00:20:26,520 --> 00:20:31,520
Speaker 1: him from Flavor, Chris Lidy and Jimmy Henchman. All three

346
00:20:31,600 --> 00:20:35,440
Speaker 1: of those guys were on them that that and that

347
00:20:35,960 --> 00:20:42,200
Speaker 1: and all of those nobody on the block. He's like,

348
00:20:42,280 --> 00:20:48,960
Speaker 1: many black just come out on the mother. They're like,

349
00:20:49,440 --> 00:20:55,359
Speaker 1: the fuck up, where's the group? They said, this is

350
00:20:55,480 --> 00:20:58,360
Speaker 1: very nigga. Seventy deep rolling clubs. Nigga. If we said

351
00:20:58,400 --> 00:21:00,359
Speaker 1: we had some jersey and motherfucker's by as we get

352
00:21:00,480 --> 00:21:05,359
Speaker 1: motherfucking bulled, we said, we got booed one time, Nigga,

353
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Speaker 1: We're going in new York seventy eighty fucking deep eye

354
00:21:12,000 --> 00:21:17,120
Speaker 1: back then. You know you're there was so deep. There's

355
00:21:17,160 --> 00:21:23,960
Speaker 1: robbing the nigga nigga we go. So you're saying that

356
00:21:24,119 --> 00:21:28,200
Speaker 1: you did the actual opp record Pride to the Damper.

357
00:21:28,320 --> 00:21:34,159
Speaker 1: That was like, um, like everything's gonna be all right

358
00:21:34,240 --> 00:21:39,280
Speaker 1: coming off the first album, like ronalds shine on the songs,

359
00:21:39,840 --> 00:21:42,600
Speaker 1: throw on it. This was like all right, was done

360
00:21:42,640 --> 00:21:45,760
Speaker 1: when we were working. That was done when we were seen.

361
00:21:47,200 --> 00:21:49,800
Speaker 1: I was working this broad my first pussy I had

362
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Speaker 1: in the park, and there was this other nigga bits

363
00:21:53,040 --> 00:21:57,560
Speaker 1: that I ain't like me, and I was like vers

364
00:21:57,640 --> 00:22:04,360
Speaker 1: it didn't come like all of them. And I got

365
00:22:04,400 --> 00:22:11,119
Speaker 1: my first base rally Park and rally Park l y.

366
00:22:11,160 --> 00:22:13,680
Speaker 1: I was homeless. I was sleeping there, hustling on that

367
00:22:13,760 --> 00:22:16,479
Speaker 1: ain thing. He started up there here and I got

368
00:22:16,520 --> 00:22:18,440
Speaker 1: my first busy and pussy up in there. It was

369
00:22:18,520 --> 00:22:21,359
Speaker 1: this motherfucker. I was never funning. It was like sisters.

370
00:22:21,760 --> 00:22:23,840
Speaker 1: And then he was all that little dirty ass nigger

371
00:22:23,840 --> 00:22:25,200
Speaker 1: bomb boo bo you know what there is fresh. I

372
00:22:25,280 --> 00:22:27,720
Speaker 1: had the braise on that he's sleeping the park nigga.

373
00:22:27,760 --> 00:22:31,440
Speaker 1: This motherfucker boh bla. He just can't come by y'all.

374
00:22:31,800 --> 00:22:34,560
Speaker 1: This bit in the bark. It was like O P

375
00:22:34,720 --> 00:22:37,440
Speaker 1: P and Move Brown that we're talking about. Before he

376
00:22:37,560 --> 00:22:40,760
Speaker 1: was always there, Yeah, I'm done with OPM. And then

377
00:22:41,040 --> 00:22:45,480
Speaker 1: he made up other people money's money because he was

378
00:22:45,520 --> 00:22:47,400
Speaker 1: like the big homie. Yeah, I'm done with over here

379
00:22:47,440 --> 00:22:49,760
Speaker 1: until we always lacked and then bids like back and

380
00:22:49,880 --> 00:22:52,199
Speaker 1: we always back. We come back here and thens like, well,

381
00:22:52,240 --> 00:22:55,200
Speaker 1: I'm down with opp said, what's that? Other people pussy

382
00:22:55,760 --> 00:22:59,119
Speaker 1: our reality? And I had I was right too, and

383
00:22:59,200 --> 00:23:02,200
Speaker 1: I heard a said, what you real? You had to

384
00:23:02,280 --> 00:23:08,359
Speaker 1: huk no he said that. He said, but I had

385
00:23:08,440 --> 00:23:11,879
Speaker 1: a virtue already about this nigga bitch that was tissing

386
00:23:11,960 --> 00:23:16,679
Speaker 1: me and anything out my pussy that was people. I said, Oh,

387
00:23:16,800 --> 00:23:19,280
Speaker 1: let me for the good yo. That song with like

388
00:23:19,400 --> 00:23:21,760
Speaker 1: ten years, motherfucker. But they even know what have made

389
00:23:21,760 --> 00:23:31,159
Speaker 1: because they would have never played it. It was a

390
00:23:31,280 --> 00:23:35,280
Speaker 1: lot of babies making that record. Like we were sitting

391
00:23:35,280 --> 00:23:38,000
Speaker 1: in on eighteen Street in my bedroom and I had

392
00:23:38,119 --> 00:23:40,400
Speaker 1: there was bunk beds in there, and I remember Track

393
00:23:40,440 --> 00:23:41,960
Speaker 1: sitting there with his arm on the top of the

394
00:23:42,000 --> 00:23:44,160
Speaker 1: bunk bed with it and just with the note book

395
00:23:44,240 --> 00:23:46,080
Speaker 1: up there and saying it to me, and I just

396
00:23:46,160 --> 00:23:48,640
Speaker 1: remember that day. I just like that, this is crazy.

397
00:23:48,880 --> 00:23:51,399
Speaker 1: You knew it's gonna be a hit. I didn't. I

398
00:23:51,480 --> 00:23:53,280
Speaker 1: just I just thought it because at that time you

399
00:23:53,320 --> 00:23:55,680
Speaker 1: had never like you probably made hit records, but I

400
00:23:56,200 --> 00:24:02,480
Speaker 1: didn't make it. But it wasn't. I we came out

401
00:24:03,560 --> 00:24:08,280
Speaker 1: Yeah we can Yeah, and the class just like that

402
00:24:08,359 --> 00:24:10,000
Speaker 1: because it was not the first hip hop record. The

403
00:24:10,119 --> 00:24:13,440
Speaker 1: MTV broke, like really really broke. They really got behind

404
00:24:13,560 --> 00:24:18,320
Speaker 1: it because that's the MTV. I never I never tell

405
00:24:19,000 --> 00:24:22,879
Speaker 1: the MTV bro I'm gonna give you my mom fucking

406
00:24:22,960 --> 00:24:27,400
Speaker 1: for or far because right alert run the shot, run

407
00:24:27,520 --> 00:24:33,400
Speaker 1: damn c rock box that's walked this way and opened

408
00:24:33,440 --> 00:24:38,080
Speaker 1: that fucking ship for hip hop. Yea, then break the

409
00:24:38,160 --> 00:24:42,280
Speaker 1: record even man that what do you say we opened

410
00:24:42,280 --> 00:24:45,760
Speaker 1: the door? No? No, no, maybe you say that song

411
00:24:46,400 --> 00:24:49,520
Speaker 1: that's all we got that man, I know what you say,

412
00:24:49,600 --> 00:24:52,200
Speaker 1: open to the mas. You're talking about a record that

413
00:24:52,600 --> 00:24:58,600
Speaker 1: MTV did a real repatively. Let's just tell a real

414
00:24:58,680 --> 00:25:04,679
Speaker 1: fucking story. You don't you made that ship the ground

415
00:25:04,760 --> 00:25:11,439
Speaker 1: out close. I tell these motherfucker got damnady got charges

416
00:25:11,480 --> 00:25:16,080
Speaker 1: and I'm gonna go ahead. Listen, man, what turned this

417
00:25:16,080 --> 00:25:20,320
Speaker 1: ship around. Was video jukebox. We changed the whole ship.

418
00:25:21,280 --> 00:25:24,800
Speaker 1: Anytime you call in the video play pop p played

419
00:25:25,119 --> 00:25:27,680
Speaker 1: twenty four hours all day. They said we got changed

420
00:25:27,680 --> 00:25:34,640
Speaker 1: it for and that was based out here video when

421
00:25:34,680 --> 00:25:40,440
Speaker 1: you call damn every time you man. Ralph is the

422
00:25:40,520 --> 00:25:43,199
Speaker 1: o G. He played our ship before we played New

423
00:25:43,280 --> 00:25:47,800
Speaker 1: South Shot. We but the video juke box when you

424
00:25:47,960 --> 00:25:51,360
Speaker 1: paid ninety nonsense or whatever. They see the video all day.

425
00:25:51,640 --> 00:25:55,439
Speaker 1: It was twenty four hours a fucking day, right, Yo.

426
00:25:55,640 --> 00:25:57,760
Speaker 1: They had to change in format, like wait a bitut man,

427
00:25:57,880 --> 00:26:01,639
Speaker 1: these motherfucker's just getting heavy play got MTV jumped in. Yo.

428
00:26:01,960 --> 00:26:09,000
Speaker 1: MTV had to end fat five Freddie dr Dre on

429
00:26:09,119 --> 00:26:15,080
Speaker 1: TV down mtvas when you're on TV. Raps came out.

430
00:26:15,480 --> 00:26:19,000
Speaker 1: Then we got heybody, we're just doing the spring breaks

431
00:26:19,040 --> 00:26:25,720
Speaker 1: with the US. One try called quest Boston John you feel,

432
00:26:25,760 --> 00:26:28,520
Speaker 1: I'm saying so with them opening the doors for us,

433
00:26:28,840 --> 00:26:31,639
Speaker 1: it was like when we came in he was a

434
00:26:31,800 --> 00:26:34,800
Speaker 1: genius where he just had the substitution tracking and put

435
00:26:34,880 --> 00:26:37,879
Speaker 1: au ABC just like how are you gonna clear this?

436
00:26:38,119 --> 00:26:40,720
Speaker 1: And it's wonder butter of Bennie. But then he was like, um, well, um,

437
00:26:40,960 --> 00:26:44,080
Speaker 1: you probably just won't have no production. You have writers,

438
00:26:44,119 --> 00:26:46,960
Speaker 1: but Hunters Publishing there gonna go to the Jackson viv

439
00:26:47,720 --> 00:27:00,280
Speaker 1: And we say, yes, yes, the Jackson five. That's still

440
00:27:00,400 --> 00:27:18,159
Speaker 1: it was business man, you know, helping me. Yeah, we

441
00:27:18,400 --> 00:27:26,840
Speaker 1: still be selling dope for We wasn't getting no for

442
00:27:27,000 --> 00:27:33,200
Speaker 1: Hip Hop Parade because Kate show off. Well everybody, hi baba,

443
00:27:42,040 --> 00:27:53,320
Speaker 1: and you can let your brothers. You know, there's a

444
00:27:53,359 --> 00:27:56,280
Speaker 1: lot of platforms out there with the people interview new artists.

445
00:27:56,440 --> 00:27:58,800
Speaker 1: There's a lot of platforms where artists can get broken

446
00:27:59,200 --> 00:28:01,439
Speaker 1: or for these platform warms. You know, I looked at

447
00:28:01,760 --> 00:28:04,159
Speaker 1: me and my partner, I looked at inside the NBA,

448
00:28:04,200 --> 00:28:06,640
Speaker 1: and we see, you know, that's that's Elliott Wilson trained

449
00:28:06,680 --> 00:28:09,000
Speaker 1: to worry about that because I hate a guy train.

450
00:28:15,000 --> 00:28:21,840
Speaker 1: We looked at Jersey, We looked at listen where about

451
00:28:22,760 --> 00:28:29,159
Speaker 1: three yall, And we looked at We looked instantly inside

452
00:28:29,240 --> 00:28:32,280
Speaker 1: the NBA and we said, Charles Barkley and we've seen

453
00:28:32,320 --> 00:28:35,159
Speaker 1: Shaquille O'Neill, and we've seen my my brother from Left

454
00:28:35,280 --> 00:28:38,080
Speaker 1: Rack City, Kenney Smith, and we said, damn, they ain't

455
00:28:38,080 --> 00:28:41,040
Speaker 1: a platform for hip hop to do that, right, But

456
00:28:41,200 --> 00:28:44,680
Speaker 1: not only that, even with them, they will interview new artists.

457
00:28:44,760 --> 00:28:48,880
Speaker 1: This platform is too is to continue to salute our legends,

458
00:28:49,800 --> 00:28:53,120
Speaker 1: give them fly. This wasn't true. We want to get

459
00:28:53,160 --> 00:28:56,400
Speaker 1: the trees when they can't hell them exactly what I'm saying,

460
00:28:56,760 --> 00:29:00,440
Speaker 1: because because you know why, so many of us, when

461
00:29:00,480 --> 00:29:02,800
Speaker 1: it comes to a certain time in our life, so

462
00:29:02,960 --> 00:29:05,320
Speaker 1: many people want to write you all. We got five

463
00:29:05,440 --> 00:29:07,280
Speaker 1: years in the game, got ten years in the game.

464
00:29:07,320 --> 00:29:09,800
Speaker 1: You can't do it again. You got fifteen, twenty years,

465
00:29:10,080 --> 00:29:11,880
Speaker 1: and they just always want to write us all. I

466
00:29:12,000 --> 00:29:14,720
Speaker 1: want this to be a platform that are artists, are legends,

467
00:29:14,760 --> 00:29:17,280
Speaker 1: can always come on and we can salute them and

468
00:29:17,400 --> 00:29:20,400
Speaker 1: praise them exactly, and we don't ridicule people. And we

469
00:29:20,520 --> 00:29:23,120
Speaker 1: don't talk about if you got caught with this chick,

470
00:29:24,680 --> 00:29:28,280
Speaker 1: we don't do that. What we're doing saluting, we want

471
00:29:28,360 --> 00:29:32,320
Speaker 1: you to know that tonight we are sue saluting Naughty

472
00:29:32,360 --> 00:29:34,880
Speaker 1: by Nation and home. Go with the glasses. Please chell ours.

473
00:29:35,280 --> 00:29:48,480
Speaker 1: We hear you a lot. Make something so sorry. I

474
00:29:48,520 --> 00:29:54,680
Speaker 1: can't take you nowhere. That's everywhere so hip, that's right.

475
00:29:55,400 --> 00:29:58,000
Speaker 1: I think the thing is what you guys are doing here,

476
00:29:58,200 --> 00:30:00,520
Speaker 1: and you know you create a platfor for him where

477
00:30:00,840 --> 00:30:03,360
Speaker 1: cats like us could come through. Man. People need to

478
00:30:03,480 --> 00:30:10,200
Speaker 1: understand about longevity. You know, even DJs MC's longevity creativity,

479
00:30:10,520 --> 00:30:13,960
Speaker 1: brand management. But because a lot of people don't, maevity

480
00:30:14,280 --> 00:30:17,280
Speaker 1: is disposable nowadays. And I want to be the exact

481
00:30:17,360 --> 00:30:19,200
Speaker 1: opposite of that. To continue what you're saying, Well, the

482
00:30:19,320 --> 00:30:22,000
Speaker 1: thing is is like, look, we're just coming from rehearsals

483
00:30:22,080 --> 00:30:24,840
Speaker 1: where a cat like Rob Base it takes to shout

484
00:30:28,000 --> 00:30:30,720
Speaker 1: that record came out in the eighties. Man and cats

485
00:30:30,800 --> 00:30:33,280
Speaker 1: look at Rob Bass and they think, yo, he don't work,

486
00:30:33,360 --> 00:30:39,000
Speaker 1: he's not eating. He's grossing millions of dollars of years

487
00:30:39,040 --> 00:30:41,960
Speaker 1: and just touring alone, you know what I mean, So

488
00:30:42,400 --> 00:30:45,479
Speaker 1: that they yeah, yeah, but look, this is the thing

489
00:30:45,520 --> 00:30:49,040
Speaker 1: about zat bernardists. We out here, man, it turns up

490
00:30:49,080 --> 00:30:52,120
Speaker 1: them out here. We're eating. We're on this package right now.

491
00:30:52,200 --> 00:30:55,360
Speaker 1: It's called I Love the Nineties Tour, right so salting

492
00:30:55,400 --> 00:30:58,920
Speaker 1: Pepper and Vanilla Ice, Like cats said, people, Vanilla Ice,

493
00:30:59,000 --> 00:31:03,160
Speaker 1: you're not thinking about this cat? Reality is is that something?

494
00:31:03,240 --> 00:31:06,959
Speaker 1: Step In and Phenomena Ice just headline a tour by

495
00:31:07,040 --> 00:31:11,560
Speaker 1: themselves all arenas and amphitheaters, a hundred and ten dates

496
00:31:14,160 --> 00:31:22,880
Speaker 1: and legends they sold They sold six hundred thousand tickets,

497
00:31:23,560 --> 00:31:26,760
Speaker 1: six hundred thousand tickets, all the six hundred thousand tickets

498
00:31:26,800 --> 00:31:29,920
Speaker 1: sold in twenty seventeen. So this is what we're about

499
00:31:29,960 --> 00:31:32,920
Speaker 1: to re up on in twenty seventeen, is two legs

500
00:31:33,000 --> 00:31:37,120
Speaker 1: of this joint. And let's also just big up other

501
00:31:37,280 --> 00:31:40,440
Speaker 1: legends that drop music nowadays, because it seems like the

502
00:31:40,600 --> 00:31:43,080
Speaker 1: music is coming back to the realness and we have

503
00:31:43,160 --> 00:31:47,840
Speaker 1: to salute people like Daylas Soul hitting number one. That's

504
00:31:47,920 --> 00:31:50,760
Speaker 1: right independent. Then we got to also turn around and

505
00:31:50,880 --> 00:31:55,440
Speaker 1: also salute requests for doing only a phenomenal album that

506
00:31:55,600 --> 00:31:58,960
Speaker 1: sounds like nineteen ninety now exactly like its sounds like

507
00:31:59,120 --> 00:32:01,840
Speaker 1: what's happening out, but it sounds like ninety it's sound

508
00:32:01,840 --> 00:32:06,120
Speaker 1: like our ship. Because every time we we described real

509
00:32:06,240 --> 00:32:08,680
Speaker 1: hip hop, people will say, that's that nineties ship, but

510
00:32:08,760 --> 00:32:14,080
Speaker 1: I think that's agesm You know the problem translations. We

511
00:32:14,120 --> 00:32:18,160
Speaker 1: got these radio stations and program directors man that let

512
00:32:18,240 --> 00:32:20,880
Speaker 1: you after thirty in hip hop like you would, you

513
00:32:20,920 --> 00:32:24,440
Speaker 1: gotta retill it like you like you ain't got it

514
00:32:24,520 --> 00:32:27,440
Speaker 1: no more, and it's the whole thing instead of a

515
00:32:27,560 --> 00:32:29,640
Speaker 1: mixture and everything else. When you shop off the head

516
00:32:29,680 --> 00:32:33,960
Speaker 1: of the elders the younger wold exactly like Chicago, like

517
00:32:34,040 --> 00:32:40,040
Speaker 1: that just in the music as opinion. When your boy

518
00:32:40,240 --> 00:32:45,080
Speaker 1: and they locked up on of these these big so

519
00:32:45,080 --> 00:32:47,920
Speaker 1: I understand what you're saying. I'm sorry, tell you exactly

520
00:32:49,080 --> 00:32:51,360
Speaker 1: because it's like the animal in the Kingdom when you

521
00:32:51,440 --> 00:32:53,520
Speaker 1: see the elephants and anything else, or the or the

522
00:32:53,600 --> 00:32:56,080
Speaker 1: big bulls. They kill him for the touch of the bulls.

523
00:32:56,120 --> 00:32:57,920
Speaker 1: The little ones run wild because they ain't got the mail.

524
00:32:57,960 --> 00:33:00,800
Speaker 1: They don't listen to the moms anything. When you take

525
00:33:00,840 --> 00:33:03,400
Speaker 1: the head off of hip hop, you kill the culture.

526
00:33:03,760 --> 00:33:06,280
Speaker 1: And then the young ones is running wow and they

527
00:33:06,280 --> 00:33:09,280
Speaker 1: ain't talking about nothing because they just about the paper

528
00:33:09,320 --> 00:33:12,720
Speaker 1: instead of the culture. So when the program directors don't

529
00:33:12,760 --> 00:33:14,280
Speaker 1: have a mixture. You used to be a time where

530
00:33:14,280 --> 00:33:18,120
Speaker 1: you go to West Coast. You're here seventy percent West

531
00:33:18,160 --> 00:33:20,959
Speaker 1: Coast music spent with everybody else. They west your head,

532
00:33:22,000 --> 00:33:24,800
Speaker 1: East Coast you here seventy here. Look you know when

533
00:33:24,920 --> 00:33:27,720
Speaker 1: you at you turn on the radio. Now every way

534
00:33:27,720 --> 00:33:30,280
Speaker 1: you're turning the radio, you think you down south, and

535
00:33:30,360 --> 00:33:34,480
Speaker 1: they didn't. Cousin's become corporate and all those radio stations

536
00:33:36,440 --> 00:33:41,360
Speaker 1: translation all stars checks. So they have mom. They have

537
00:33:41,560 --> 00:33:44,880
Speaker 1: one radio playlist, that one playlist that spread across the

538
00:33:44,960 --> 00:33:51,920
Speaker 1: bars of the stations. So it don't matter what exacts,

539
00:33:51,920 --> 00:33:56,280
Speaker 1: ain't format of coast, the forations, gifts and ships saw

540
00:33:56,520 --> 00:33:59,320
Speaker 1: playing all the ship the same, the sound and the

541
00:33:59,440 --> 00:34:02,360
Speaker 1: syndicate it as well. Not only are they playing the

542
00:34:02,440 --> 00:34:08,080
Speaker 1: same records, they sound the same. You don't have nobody's listen.

543
00:34:08,440 --> 00:34:12,279
Speaker 1: That's the beauty of today's technology and tools. You know

544
00:34:12,320 --> 00:34:14,960
Speaker 1: what I mean. I'm not the guy that plays the

545
00:34:15,040 --> 00:34:18,880
Speaker 1: old school game and say records, labels and radio stations.

546
00:34:19,200 --> 00:34:22,040
Speaker 1: You have the Internet, now, you have podcasts, you have

547
00:34:22,200 --> 00:34:26,080
Speaker 1: social media, and the reality is is that the labels

548
00:34:26,120 --> 00:34:28,319
Speaker 1: they did the work for us. You know, they did

549
00:34:28,440 --> 00:34:37,440
Speaker 1: the work alive, they did with us, with men up

550
00:34:37,640 --> 00:34:42,240
Speaker 1: in there with snakes and rats dropping them off plugs,

551
00:34:42,719 --> 00:34:47,759
Speaker 1: having releases on nakation. So what are you at now

552
00:34:48,040 --> 00:34:50,560
Speaker 1: is what you can do it yourself. You could do

553
00:34:50,680 --> 00:34:53,879
Speaker 1: it all yourself when thus a draw. They still play

554
00:34:53,920 --> 00:34:57,000
Speaker 1: our catalog every day, So it's not about what's playing

555
00:34:57,080 --> 00:35:01,720
Speaker 1: on today's nine of five radio. You got satellite radio,

556
00:35:01,760 --> 00:35:06,720
Speaker 1: you gotto you're gonna direct when you have this type

557
00:35:06,800 --> 00:35:13,200
Speaker 1: of and you get y'all put this message out and

558
00:35:13,280 --> 00:35:16,120
Speaker 1: it's coming back to direct fans and everything. So it's

559
00:35:16,120 --> 00:35:18,880
Speaker 1: to do it yourself business. I I like to play

560
00:35:19,320 --> 00:35:22,680
Speaker 1: the sounds pizzeria joint. We built this drug with hand,

561
00:35:23,120 --> 00:35:25,560
Speaker 1: and now the internet gives us a chance to just

562
00:35:25,719 --> 00:35:32,120
Speaker 1: keep managing our brand by our hands yourself records exactly,

563
00:35:32,280 --> 00:35:34,800
Speaker 1: you could just post anything in the whole world see it.

564
00:35:35,560 --> 00:35:38,080
Speaker 1: So it's like it's so the labels you like, y'all now.

565
00:35:41,200 --> 00:35:42,960
Speaker 1: But the good thing is too as well, is that

566
00:35:43,080 --> 00:35:46,359
Speaker 1: we came before that whole three sixty times and all

567
00:35:46,440 --> 00:35:49,840
Speaker 1: that other thing of all of that, because the exactly

568
00:35:50,360 --> 00:35:53,000
Speaker 1: a lot of us did, and that that allowed record

569
00:35:53,040 --> 00:35:55,719
Speaker 1: companies that spend millions of dollars on our brand. Like

570
00:35:55,800 --> 00:35:59,000
Speaker 1: you're looking at when you say that, look at when

571
00:35:59,120 --> 00:36:04,360
Speaker 1: you say they can't that bad and you did your

572
00:36:04,400 --> 00:36:06,359
Speaker 1: soul off. It stayed out that they kept the whole

573
00:36:06,440 --> 00:36:10,279
Speaker 1: hip hop like we still here like looking like like

574
00:36:10,400 --> 00:36:14,800
Speaker 1: they spent millions of dollars on on our on this

575
00:36:15,000 --> 00:36:17,839
Speaker 1: that they don't they spent millions of dollars to help

576
00:36:17,960 --> 00:36:20,759
Speaker 1: us build this, and now we walked away with it. Right, Yeah,

577
00:36:21,000 --> 00:36:23,680
Speaker 1: you know you can't do that when you get that today,

578
00:36:23,800 --> 00:36:26,920
Speaker 1: you can't do that today. That's why you ain't gonna

579
00:36:26,920 --> 00:36:29,040
Speaker 1: walk you in if you want, if you want to

580
00:36:29,080 --> 00:36:31,480
Speaker 1: know what the concast, if you want your own liquor,

581
00:36:31,800 --> 00:36:33,719
Speaker 1: if you want anything, you know what they call it.

582
00:36:33,960 --> 00:36:38,640
Speaker 1: Translation gives them more deals, no more. They call him

583
00:36:38,640 --> 00:36:41,400
Speaker 1: the content deal content, So it sounds a little bit

584
00:36:41,480 --> 00:36:44,239
Speaker 1: more lenient like. But you know, Leo Cones was the

585
00:36:44,280 --> 00:36:47,000
Speaker 1: person that invented the three exactly and and it stuck

586
00:36:47,040 --> 00:36:49,560
Speaker 1: with him so so that but now other people are

587
00:36:49,640 --> 00:36:56,879
Speaker 1: doing it. What they're doing it, you know, you gotta

588
00:36:56,920 --> 00:37:02,120
Speaker 1: have one ducking they don't drink curse fornic Kate. Yeah,

589
00:37:02,280 --> 00:37:05,720
Speaker 1: that baby were good that you need one of those guys.

590
00:37:07,080 --> 00:37:17,000
Speaker 1: Somebody drop big old as motherucker hat. And I'll understand

591
00:37:17,120 --> 00:37:20,520
Speaker 1: because of the transition that happened in the record industry games,

592
00:37:20,800 --> 00:37:24,280
Speaker 1: I could kind of understand the three sixty deal because

593
00:37:24,800 --> 00:37:26,719
Speaker 1: you know, back in the day they got paid off

594
00:37:26,760 --> 00:37:30,680
Speaker 1: of physical content. That was the albums, the CDs, the cassettes.

595
00:37:31,160 --> 00:37:34,080
Speaker 1: That was tens of money to tons of money. Tom

596
00:37:34,160 --> 00:37:38,040
Speaker 1: Silverman told us, look, when I finance dr album, I

597
00:37:38,200 --> 00:37:40,920
Speaker 1: made y'all sold over two million copies of a cassette,

598
00:37:40,960 --> 00:37:43,800
Speaker 1: A six dollar cassette you sold over two million copies.

599
00:37:43,840 --> 00:37:47,080
Speaker 1: That's two million dollars. I already recoup your album long

600
00:37:47,160 --> 00:37:49,279
Speaker 1: before I even put it out. I was the rest

601
00:37:49,360 --> 00:37:51,000
Speaker 1: of the money. That's why I had to go and

602
00:37:51,160 --> 00:37:54,880
Speaker 1: that motherfucker tell the old translation. Mother, so now, but

603
00:37:55,040 --> 00:37:58,200
Speaker 1: that was he calls up. You had albums, you had cassettes,

604
00:37:58,280 --> 00:38:01,640
Speaker 1: you had CDs, you had physical content. Now with everything

605
00:38:01,800 --> 00:38:04,560
Speaker 1: streaming and you know, boo, don't you go up on

606
00:38:04,640 --> 00:38:08,040
Speaker 1: the internet is spreads like wildfire. Soul music is basically

607
00:38:08,120 --> 00:38:10,879
Speaker 1: a loss leader. Right now, you're basically give it. Well,

608
00:38:11,120 --> 00:38:19,160
Speaker 1: back then, it's disposable back then. Back then, translation translations

609
00:38:19,480 --> 00:38:22,000
Speaker 1: average a hundred and fifty shows for the past twenty

610
00:38:22,080 --> 00:38:24,880
Speaker 1: five years. Twenty five year anniversary be for Nority by name,

611
00:38:29,320 --> 00:38:34,880
Speaker 1: so it's translation. He was the hustle us. Let me

612
00:38:34,920 --> 00:38:36,640
Speaker 1: put it like this to you, because you remember back

613
00:38:36,680 --> 00:38:38,560
Speaker 1: in the days, a person will come out with an

614
00:38:38,640 --> 00:38:41,839
Speaker 1: album and you would live with it. Like nobody really

615
00:38:41,880 --> 00:38:44,879
Speaker 1: said ill Matic was a classic when it came out

616
00:38:45,040 --> 00:38:50,040
Speaker 1: that week. It was the I don't know if you

617
00:38:50,280 --> 00:38:55,239
Speaker 1: was at nowadays something and they threw and left fact

618
00:38:56,040 --> 00:39:02,359
Speaker 1: you oh ship, yeah, I was in the first game, mother, come,

619
00:39:03,160 --> 00:39:06,160
Speaker 1: but what I'm saying is what I'm saying is right

620
00:39:06,239 --> 00:39:09,839
Speaker 1: now people people don't do that. People don't analyze the album.

621
00:39:09,840 --> 00:39:11,719
Speaker 1: People would just look at and people would be so

622
00:39:11,840 --> 00:39:14,239
Speaker 1: much stands meaning there's so much fans of these people

623
00:39:14,600 --> 00:39:16,520
Speaker 1: that they just say they album was a classic and

624
00:39:16,600 --> 00:39:19,279
Speaker 1: the album without seventy two hours people. We're here to

625
00:39:19,400 --> 00:39:21,800
Speaker 1: do that now because it's been more of a singles

626
00:39:21,920 --> 00:39:25,840
Speaker 1: game the past decade. What the youngest about, right, the

627
00:39:26,000 --> 00:39:28,600
Speaker 1: term you're talking about is back when we came up,

628
00:39:28,640 --> 00:39:30,960
Speaker 1: when you created an album, it was called the Body

629
00:39:31,040 --> 00:39:35,760
Speaker 1: of Work. At first it was an album and every

630
00:39:35,880 --> 00:39:39,160
Speaker 1: single run out fast forwarding every song. When I'm fast

631
00:39:39,200 --> 00:39:49,000
Speaker 1: forward like time you get digital albums and lead welcome back.

632
00:39:49,040 --> 00:39:51,960
Speaker 1: We missed you, my brother. You know, I gotta chotes

633
00:39:52,040 --> 00:39:55,280
Speaker 1: because when we talk about albums, right, we talked about

634
00:39:55,520 --> 00:39:58,839
Speaker 1: the skits that everything and r I p to our

635
00:39:58,920 --> 00:40:05,680
Speaker 1: brother Ricky Harris comedian, you know, skits with death Row

636
00:40:05,800 --> 00:40:08,120
Speaker 1: and all of those cats. Man, So you got a

637
00:40:08,160 --> 00:40:15,480
Speaker 1: big Ricky hard especially we just had. I just had T. K.

638
00:40:15,640 --> 00:40:18,040
Speaker 1: Coplan on here. But see that that's a difference from

639
00:40:18,040 --> 00:40:22,319
Speaker 1: my era. Like, um, I remember about maybe four four

640
00:40:22,440 --> 00:40:25,520
Speaker 1: or five years ago. I just wanted to shop album

641
00:40:25,560 --> 00:40:27,960
Speaker 1: because I always you know, you know, created our own

642
00:40:28,120 --> 00:40:30,960
Speaker 1: music and we make it and then we shop it

643
00:40:31,400 --> 00:40:34,440
Speaker 1: from the beginning. So I had went and this is

644
00:40:34,520 --> 00:40:36,719
Speaker 1: like four or four or five years ago, and I

645
00:40:36,800 --> 00:40:39,680
Speaker 1: went to a company and they offered me a good deal.

646
00:40:40,360 --> 00:40:42,920
Speaker 1: But when I sat down with him, they said, you

647
00:40:43,080 --> 00:40:45,520
Speaker 1: play me this. And I played it, and they played

648
00:40:45,520 --> 00:40:47,480
Speaker 1: play me this, and I played it, and I was like,

649
00:40:47,480 --> 00:40:49,520
Speaker 1: all right, cool, we'll make the deal. And I was like,

650
00:40:50,760 --> 00:40:53,560
Speaker 1: you don't want to hear the b sides, right, You

651
00:40:53,640 --> 00:40:56,960
Speaker 1: don't want to hear the belly. You don't want to

652
00:40:57,040 --> 00:40:59,880
Speaker 1: hear the coume under the table. You don't want that

653
00:41:00,400 --> 00:41:02,840
Speaker 1: taking him. You don't want to hear you know, my

654
00:41:03,080 --> 00:41:08,440
Speaker 1: fingernails off of my big hol and what is it

655
00:41:08,520 --> 00:41:11,840
Speaker 1: called a body work? But you got to hear my

656
00:41:12,000 --> 00:41:19,400
Speaker 1: own He only wanted that they heard me. No institutionalives, right,

657
00:41:19,719 --> 00:41:30,080
Speaker 1: they had you had Hello, yeah, mother, come right now,

658
00:41:30,200 --> 00:41:36,040
Speaker 1: because I think right now, nor I think what you

659
00:41:36,200 --> 00:41:39,560
Speaker 1: guys are doing. Norm even back then, four years ago,

660
00:41:39,640 --> 00:41:42,880
Speaker 1: when you were shopping that demo, you may not have

661
00:41:43,080 --> 00:41:46,719
Speaker 1: known the importance of your brand until you do the podcast.

662
00:41:47,440 --> 00:41:50,399
Speaker 1: You may not have realized how many motherfucker's out there,

663
00:41:50,520 --> 00:41:54,480
Speaker 1: love you because you're still shopping the demo instead of

664
00:41:54,560 --> 00:41:57,080
Speaker 1: gold straight with the middle. I'm gonna be honest with you, man.

665
00:41:57,200 --> 00:42:00,719
Speaker 1: What it was was, I had did so much products independent,

666
00:42:00,800 --> 00:42:03,239
Speaker 1: I'll start spending so much my mom my own money,

667
00:42:03,320 --> 00:42:05,680
Speaker 1: fifteen thousand at a time, fifty thousand at a time,

668
00:42:05,760 --> 00:42:08,400
Speaker 1: cerventy five thousand at a time. And what we just

669
00:42:08,600 --> 00:42:12,040
Speaker 1: found out is that people this, this payola ship is

670
00:42:12,080 --> 00:42:15,600
Speaker 1: being shut down in our city. And I gotta applaud that.

671
00:42:15,960 --> 00:42:18,880
Speaker 1: You understand I'm saying. But back then I didn't know that,

672
00:42:19,000 --> 00:42:21,759
Speaker 1: and I'm independent, so I'm doing that. So I'm like,

673
00:42:22,040 --> 00:42:23,640
Speaker 1: I don't want to spend my own money no more.

674
00:42:23,760 --> 00:42:26,200
Speaker 1: Let me go back to I know this labeled on it,

675
00:42:26,360 --> 00:42:28,520
Speaker 1: this an hour stuff. Let me go back to an epic.

676
00:42:28,640 --> 00:42:30,440
Speaker 1: Let me go back. And when I did that, but

677
00:42:30,560 --> 00:42:33,520
Speaker 1: this wasn't that. This was one of the new labels,

678
00:42:33,560 --> 00:42:35,440
Speaker 1: and they you know, I had a little buzz at

679
00:42:35,440 --> 00:42:38,080
Speaker 1: the time, a lot of bus and then they said

680
00:42:38,920 --> 00:42:40,879
Speaker 1: let me hear the single, and I played and said

681
00:42:40,920 --> 00:42:43,120
Speaker 1: let me hear the number two and that was it.

682
00:42:43,360 --> 00:42:47,399
Speaker 1: But I had a whole body of work. I want

683
00:42:47,440 --> 00:42:49,560
Speaker 1: to play, I want to play I Love my Life

684
00:42:49,600 --> 00:42:52,520
Speaker 1: for call Thomas and you know that might not make

685
00:42:52,560 --> 00:42:54,320
Speaker 1: it radio, but the streets is going to feel that

686
00:42:55,640 --> 00:43:00,960
Speaker 1: the money money what you said, they you invested in

687
00:43:01,080 --> 00:43:04,560
Speaker 1: then and motherfucker's don't know they invest in theirself. Aybody

688
00:43:04,600 --> 00:43:07,000
Speaker 1: want to deal ortle big Ship When you did, she

689
00:43:07,160 --> 00:43:12,560
Speaker 1: would have did over. Y'all was known like you put

690
00:43:12,640 --> 00:43:16,000
Speaker 1: it in the station boom old work and then the

691
00:43:16,200 --> 00:43:19,000
Speaker 1: radio station don't play us that when they call us

692
00:43:19,040 --> 00:43:22,160
Speaker 1: for their motherfucking shows. We charged them triple. I mean,

693
00:43:22,280 --> 00:43:24,640
Speaker 1: do you think about even now you might have a

694
00:43:24,760 --> 00:43:30,120
Speaker 1: day can record label now play charge Joe smoll and

695
00:43:30,200 --> 00:43:36,439
Speaker 1: just show business no more. You're like you gotta see yeah,

696
00:43:36,560 --> 00:43:40,920
Speaker 1: and he's got to have follow You don't need him

697
00:43:40,920 --> 00:43:46,480
Speaker 1: because you need him. So when up when the artist

698
00:43:46,680 --> 00:43:55,120
Speaker 1: does build his own following you now no no no

699
00:43:55,239 --> 00:43:58,160
Speaker 1: no no, But if you if you unless you're walking in,

700
00:43:58,239 --> 00:44:00,719
Speaker 1: then they're throwing something they thought the money at you

701
00:44:00,840 --> 00:44:03,560
Speaker 1: can take? Why not this the vision hold or not

702
00:44:03,719 --> 00:44:19,160
Speaker 1: a bad cousin crazy champ Hey, Normy, my thing is

703
00:44:19,440 --> 00:44:23,760
Speaker 1: leon Ship. You don't need an artist when you're creative

704
00:44:23,840 --> 00:44:27,160
Speaker 1: with your brand. Once you're established, we're all musicians we

705
00:44:27,239 --> 00:44:29,840
Speaker 1: all have class and hip hop ship. Hip hop is

706
00:44:29,840 --> 00:44:32,799
Speaker 1: about the diverse hustle. It's not only the LETA, it's

707
00:44:32,840 --> 00:44:35,799
Speaker 1: not only the podcast. Look at what fifty is doing

708
00:44:35,880 --> 00:44:39,040
Speaker 1: with power with all of these guys went. It's about

709
00:44:39,239 --> 00:44:42,800
Speaker 1: being creative with your brand. You create another lane. You

710
00:44:42,840 --> 00:44:44,920
Speaker 1: don't need to go to a record label. You can

711
00:44:45,000 --> 00:44:47,640
Speaker 1: come straight up the middle. Look at dream Champs right now,

712
00:44:47,760 --> 00:45:07,120
Speaker 1: you can drop whatever the Welcome to play a new

713
00:45:07,280 --> 00:45:12,040
Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech,

714
00:45:12,320 --> 00:45:17,040
Speaker 1: entertainment and more. Play it at play dot It. We're

715
00:45:17,120 --> 00:45:20,520
Speaker 1: back to Drink Champs Radio with Rapper and R and

716
00:45:20,719 --> 00:45:26,960
Speaker 1: d J. Then so the FN. I was down here

717
00:45:27,000 --> 00:45:32,560
Speaker 1: with you. I love that documentary series. Documentary series goes

718
00:45:32,640 --> 00:45:38,759
Speaker 1: rearch and this is what people need to understand. Hip

719
00:45:38,800 --> 00:45:41,960
Speaker 1: hop is a global culture to what you're doing. I

720
00:45:42,160 --> 00:45:44,560
Speaker 1: was here last time. I sat through it. Man, for

721
00:45:44,680 --> 00:45:47,160
Speaker 1: you guys to travel the world and go to different

722
00:45:47,239 --> 00:45:52,960
Speaker 1: pockets from Brazil to Vietnam and was a war right

723
00:45:53,160 --> 00:45:59,800
Speaker 1: just to see all around the globe. Man, it's crazy.

724
00:46:00,000 --> 00:46:03,040
Speaker 1: What it's being creative with your brain. It's being creative

725
00:46:03,080 --> 00:46:05,319
Speaker 1: with your brain because the thing about this, this thing

726
00:46:05,360 --> 00:46:09,319
Speaker 1: about is this right. I can tell that everybody head

727
00:46:09,719 --> 00:46:12,320
Speaker 1: at some point. If we wouldn't have got paid for

728
00:46:12,480 --> 00:46:14,960
Speaker 1: what we love to do, we would have continued to

729
00:46:15,080 --> 00:46:18,279
Speaker 1: do it right and I would have continued like like

730
00:46:18,400 --> 00:46:20,239
Speaker 1: in the in the begining, but we would have been

731
00:46:20,320 --> 00:46:23,680
Speaker 1: in some houses time motherfucker's up getting safe at the time,

732
00:46:23,760 --> 00:46:30,680
Speaker 1: and the ship makes some noise attraction. We're talking about

733
00:46:31,280 --> 00:46:42,800
Speaker 1: enough the whole life. It's definitely because and that and

734
00:46:42,920 --> 00:46:45,279
Speaker 1: that's and that's what the love of hip hop is. Like. Um,

735
00:46:45,640 --> 00:46:50,279
Speaker 1: the other day they had a Hottest MC lifts. A

736
00:46:50,360 --> 00:46:54,840
Speaker 1: lot of people were offended, and I understood why a

737
00:46:54,920 --> 00:46:59,239
Speaker 1: lot of people were offended because but then one of

738
00:46:59,280 --> 00:47:01,000
Speaker 1: the way they break it down, they said the Hottest

739
00:47:01,160 --> 00:47:03,920
Speaker 1: MC list, Well, we have to take em c out

740
00:47:04,000 --> 00:47:06,920
Speaker 1: of that. You just gotta say the rappers artists are

741
00:47:07,239 --> 00:47:12,359
Speaker 1: the hottest. You know how they checked the whole game.

742
00:47:12,960 --> 00:47:14,920
Speaker 1: You can't have a top ten and hip hop, you

743
00:47:15,000 --> 00:47:18,680
Speaker 1: gotta have like a top fifty. Yeah, that's true, but

744
00:47:20,360 --> 00:47:23,440
Speaker 1: you cut the whole lot of mother's sucking channel's side.

745
00:47:24,080 --> 00:47:33,160
Speaker 1: You disrespect like man arrest. Never one could take a

746
00:47:33,239 --> 00:47:36,160
Speaker 1: lot of motherfucker's split off the dome without em writing

747
00:47:36,200 --> 00:47:39,080
Speaker 1: nothing down they'd be making back like what mcs are

748
00:47:39,080 --> 00:47:41,840
Speaker 1: you talking about? And that guy I could bring to

749
00:47:41,960 --> 00:47:47,920
Speaker 1: the motherfucker show and just And the thing is when

750
00:47:48,120 --> 00:47:50,239
Speaker 1: when you get into that, never in the argument, because

751
00:47:50,280 --> 00:47:52,719
Speaker 1: it all depends on how old you are, when you

752
00:47:52,840 --> 00:47:56,120
Speaker 1: live at when you say hottest, just like your top

753
00:47:56,239 --> 00:48:04,960
Speaker 1: five or top ten, when you get into any of that, yes,

754
00:48:07,480 --> 00:48:11,320
Speaker 1: when you grew back. Ask a guy from Cali, or

755
00:48:11,400 --> 00:48:13,640
Speaker 1: expect a guy from Cali to have the same list

756
00:48:13,719 --> 00:48:17,760
Speaker 1: as a guy from New York. Let me ask you something. Recently,

757
00:48:17,880 --> 00:48:21,320
Speaker 1: a guy named Little Yadi said he thought that Biggie

758
00:48:21,440 --> 00:48:26,440
Speaker 1: Biggie was overrated. I absolutely didn't take no offense to

759
00:48:26,560 --> 00:48:29,560
Speaker 1: it because I don't love Big. Of course I love

760
00:48:29,680 --> 00:48:33,120
Speaker 1: Big Big. Big wasn't It wasn't, but he wasn't Ray.

761
00:48:33,200 --> 00:48:37,480
Speaker 1: It's like if you asked me if Joe Joe Joe

762
00:48:37,560 --> 00:48:40,000
Speaker 1: Lewis was ill, and I'm gonna tell you, yeah, from

763
00:48:40,080 --> 00:48:42,879
Speaker 1: Joe Lewis is ill. From the replays I saw, I've

764
00:48:42,880 --> 00:48:45,120
Speaker 1: never seen Joe Louis. I'm gonna tell you Floyd Maywell,

765
00:48:45,160 --> 00:48:49,200
Speaker 1: it's the greatest boxer I ever seen, period, because that's

766
00:48:49,200 --> 00:48:50,919
Speaker 1: the truth. But I doubt if you would have said

767
00:48:50,920 --> 00:49:00,840
Speaker 1: he was overrated. What my big was the best I

768
00:49:00,880 --> 00:49:05,720
Speaker 1: ever said? I think the problem if you're asking another

769
00:49:06,600 --> 00:49:11,040
Speaker 1: current lyricists see little Yall he does, he's music, he does,

770
00:49:11,120 --> 00:49:13,560
Speaker 1: he's got to break down. They ever said you're talking

771
00:49:13,600 --> 00:49:17,160
Speaker 1: to Trick Lamar or or kid you Lamar. Never see

772
00:49:17,280 --> 00:49:21,040
Speaker 1: rapper or Jake Coles saying you know what, I think

773
00:49:21,120 --> 00:49:24,279
Speaker 1: Biggie was overrated. Because now you look at you know what,

774
00:49:24,440 --> 00:49:34,920
Speaker 1: you're a lycist and you know that you believe you're

775
00:49:34,960 --> 00:49:39,600
Speaker 1: saying that part right there, that part bigger, what's seen

776
00:49:39,640 --> 00:49:48,239
Speaker 1: that ship, that part that's my man, that's a leracist face.

777
00:49:49,080 --> 00:49:52,480
Speaker 1: The thing you're starting to following me on Twitter. I'm

778
00:49:52,520 --> 00:49:59,040
Speaker 1: just expect that. I yo, man, Yeah, back we fell

779
00:49:59,160 --> 00:50:01,719
Speaker 1: and we know man, listen, half of the hip and

780
00:50:01,840 --> 00:50:05,960
Speaker 1: hip hop need a hip replacement. You know what you

781
00:50:06,080 --> 00:50:08,120
Speaker 1: mean by luck the way you said that, man, it

782
00:50:08,239 --> 00:50:10,960
Speaker 1: was half of the hip and hip hop need a

783
00:50:11,080 --> 00:50:15,040
Speaker 1: hip replacement because because we're trying to say that ship

784
00:50:15,120 --> 00:50:18,880
Speaker 1: crippled these Yeah, I understand the world asked me for

785
00:50:18,960 --> 00:50:21,080
Speaker 1: squad because I'm tapped with them shots to make your

786
00:50:21,120 --> 00:50:23,480
Speaker 1: pop block and if the win at the amendment, the

787
00:50:23,520 --> 00:50:25,680
Speaker 1: game and I'm top of the line and tenant that

788
00:50:25,840 --> 00:50:29,239
Speaker 1: damn thing man say video right from the get go.

789
00:50:29,520 --> 00:50:31,919
Speaker 1: I want to see if many float asking TV show

790
00:50:32,120 --> 00:50:34,439
Speaker 1: make a dirty city goal, can't send the city show?

791
00:50:34,600 --> 00:50:36,839
Speaker 1: Funk who that being though? Let's your old community. Though

792
00:50:37,160 --> 00:50:41,120
Speaker 1: we're smoking enemies like Chimneys, Hallow Hennessey. The industry got

793
00:50:41,200 --> 00:50:44,400
Speaker 1: four or five minimes the Homer stolen cars and new tags,

794
00:50:44,640 --> 00:50:47,160
Speaker 1: boot the bags and do rash to trade one ring

795
00:50:47,320 --> 00:50:50,759
Speaker 1: for two jacks. And if you ever hit them hip

796
00:50:50,800 --> 00:50:52,919
Speaker 1: hop niggers like, tell them the teeth are onto the today,

797
00:50:53,040 --> 00:51:03,800
Speaker 1: to the seat today. Just back these niggas can't do this,

798
00:51:04,000 --> 00:51:06,000
Speaker 1: niggas said, can I'm around for you? I was. I

799
00:51:06,200 --> 00:51:08,120
Speaker 1: was with my more and my baby mom is dropping

800
00:51:08,160 --> 00:51:10,279
Speaker 1: off some money and ship and the Bronx, and he

801
00:51:10,440 --> 00:51:13,520
Speaker 1: was like, I was saying, do you know, like I said,

802
00:51:13,719 --> 00:51:15,960
Speaker 1: if you can't say this, I ain't. You can't. I

803
00:51:16,000 --> 00:51:20,560
Speaker 1: don't even want that in the middle, some little man

804
00:51:20,600 --> 00:51:24,640
Speaker 1: who didn't do literally all right, I want my Yeah,

805
00:51:25,800 --> 00:51:28,279
Speaker 1: you know what they want to say, you want to

806
00:51:28,760 --> 00:51:31,800
Speaker 1: feed my money, ain't already I'm on that league. My

807
00:51:33,120 --> 00:51:41,359
Speaker 1: jeans means if you do out the battle, little That's

808
00:51:41,360 --> 00:51:45,800
Speaker 1: how they want to tell I'm gonna I'm on and

809
00:51:46,080 --> 00:51:52,880
Speaker 1: leave getting fum. This is what I cautioned, this is

810
00:51:52,960 --> 00:51:55,520
Speaker 1: what I wish the nigga war like a kissing cabinet.

811
00:51:56,239 --> 00:52:13,319
Speaker 1: What this that was? Yo? Man ya, they're gonna him?

812
00:52:13,600 --> 00:52:17,439
Speaker 1: He said, what we all? We all, we all must

813
00:52:17,520 --> 00:52:22,480
Speaker 1: be careful. We all. I want you to hear this too.

814
00:52:22,880 --> 00:52:26,200
Speaker 1: I think we all must be careful, man because one

815
00:52:26,280 --> 00:52:30,239
Speaker 1: thing is for sure is things evolved. Music evolved, and

816
00:52:30,440 --> 00:52:32,719
Speaker 1: we need to pay attention to hip hop music. What

817
00:52:32,920 --> 00:52:35,600
Speaker 1: we know it asked. A lot of people are complaining

818
00:52:35,760 --> 00:52:39,840
Speaker 1: because they hear it soundly lyrically evolving beyond what we

819
00:52:40,000 --> 00:52:43,360
Speaker 1: grew up on. It's the same thing from bebop and

820
00:52:43,520 --> 00:52:48,760
Speaker 1: Cap Colloway days that was on young music. You're fast

821
00:52:48,840 --> 00:52:52,800
Speaker 1: forward to disco music because soul music, Teddy Pendergrass and

822
00:52:52,840 --> 00:52:56,800
Speaker 1: all of those disco music. Hip hop took out disco music,

823
00:52:57,000 --> 00:53:00,120
Speaker 1: so that whole genre. If you watch your unsung all

824
00:53:00,160 --> 00:53:02,520
Speaker 1: of those guys that we're hot back in the dam

825
00:53:02,600 --> 00:53:04,319
Speaker 1: and try to do it, by the time you try

826
00:53:04,400 --> 00:53:07,680
Speaker 1: to redo it, it's evomed on something else. That's why

827
00:53:07,760 --> 00:53:12,279
Speaker 1: you feel like you don't have an ear. You don't

828
00:53:12,360 --> 00:53:15,480
Speaker 1: understand is that we need to cherish and and and

829
00:53:15,680 --> 00:53:19,040
Speaker 1: really protect hip hop man, because if it evolves off

830
00:53:19,080 --> 00:53:22,280
Speaker 1: into something else, you're gonna be stocked, like in the tumbar.

831
00:53:22,400 --> 00:53:26,200
Speaker 1: And what he's saying in translation is but these motherfucker's

832
00:53:26,200 --> 00:53:29,319
Speaker 1: would play a whole lot of different ship because when

833
00:53:29,360 --> 00:53:31,920
Speaker 1: you see it that them out of that range. They

834
00:53:32,000 --> 00:53:34,319
Speaker 1: got talent, but they think they gotta make it all

835
00:53:34,440 --> 00:53:36,879
Speaker 1: and all of the ship you hit sound like one song,

836
00:53:37,080 --> 00:53:41,320
Speaker 1: all the seventies, eighties, eight thing, ninety. Everybody should sound different.

837
00:53:42,480 --> 00:53:44,719
Speaker 1: Now they got them all sounding got to sound like

838
00:53:44,880 --> 00:53:47,719
Speaker 1: that to be there. They don't sound like one. But

839
00:53:48,239 --> 00:53:52,000
Speaker 1: your new your next level of little Yahti and those

840
00:53:52,400 --> 00:53:54,839
Speaker 1: next guys are like, my music ain't even hip hop.

841
00:53:54,920 --> 00:53:59,560
Speaker 1: I don't know what you were. You were saying, it's

842
00:53:59,600 --> 00:54:03,640
Speaker 1: kennibalizing itself. Yeah, changing within its within the same John

843
00:54:03,840 --> 00:54:06,560
Speaker 1: and it's a lot of hot new music that don't

844
00:54:06,640 --> 00:54:12,520
Speaker 1: like biology, cancer cell. He's definitely gonna that's different no

845
00:54:12,680 --> 00:54:16,960
Speaker 1: matter what, even if it's cannibalizing itself, the eventuality is

846
00:54:17,160 --> 00:54:21,799
Speaker 1: it's But that's why all the E. D. M. Cox

847
00:54:22,000 --> 00:54:24,800
Speaker 1: is um you know, blowing up and a lot of

848
00:54:24,920 --> 00:54:27,239
Speaker 1: hip hop DJ y'all know that from the class five

849
00:54:27,360 --> 00:54:30,160
Speaker 1: years a lot of hip hop DJs just went straight.

850
00:54:31,920 --> 00:54:36,080
Speaker 1: But but him, they bail. But let me ask you

851
00:54:36,239 --> 00:54:38,920
Speaker 1: both a question, three hour question. But ship hip hop

852
00:54:39,040 --> 00:54:43,680
Speaker 1: the category grids like you know, hip sub genres within

853
00:54:43,800 --> 00:54:49,120
Speaker 1: here like sub jobs and girl hip hop, classic authentic.

854
00:54:49,840 --> 00:54:51,919
Speaker 1: I mean we do it to ourself anyway. Some people

855
00:54:51,960 --> 00:54:56,880
Speaker 1: like it backpack conscious. You can't you cannot cage, you

856
00:54:57,000 --> 00:55:00,759
Speaker 1: can't box in creativity. Yeah, that's hip hop what it

857
00:55:01,000 --> 00:55:03,320
Speaker 1: is and what it can't do. All you can do

858
00:55:03,520 --> 00:55:05,920
Speaker 1: is walking to the bricks. It's like the pyramids. You're

859
00:55:05,920 --> 00:55:08,760
Speaker 1: gonna have a little pyramid. Some of them fucking pyramids

860
00:55:08,840 --> 00:55:11,480
Speaker 1: is so big, so many people worked on that pyramid

861
00:55:11,880 --> 00:55:15,880
Speaker 1: that it's bigger than yours. It's bigger than yours. So

862
00:55:16,120 --> 00:55:19,440
Speaker 1: now that's easy ativity. You don't ever want you can.

863
00:55:19,640 --> 00:55:22,000
Speaker 1: You can put your own stuff out via and say

864
00:55:22,520 --> 00:55:28,200
Speaker 1: enough humanity. It's it's only yourself, yea nobody off. You

865
00:55:28,320 --> 00:55:31,200
Speaker 1: can be from Africa and go to Europe and combine

866
00:55:31,280 --> 00:55:34,439
Speaker 1: cultures and come up with some fly ship to move

867
00:55:34,680 --> 00:55:40,160
Speaker 1: global humanity forward. Stay over here because this culture is that,

868
00:55:40,480 --> 00:55:43,880
Speaker 1: that's that, that's why translations over here a little bigger

869
00:55:44,200 --> 00:55:59,759
Speaker 1: That's why the relation every this is why you say,

870
00:56:02,160 --> 00:56:06,640
Speaker 1: then you get this. It's born from wherever it's born.

871
00:56:07,920 --> 00:56:11,880
Speaker 1: So many people from so many different cultures, regions, ethnicities,

872
00:56:12,160 --> 00:56:16,160
Speaker 1: they all participate love absorbed hip hop, and then when

873
00:56:16,239 --> 00:56:19,799
Speaker 1: they try to regurgitate it. Nigga shouldn't be wrapping. White

874
00:56:19,840 --> 00:56:23,359
Speaker 1: boys shouldn't be wrapping this guy, shouldn't be wrapping. That's

875
00:56:23,400 --> 00:56:28,440
Speaker 1: not fly. Can't do that. You can't do that translation.

876
00:56:28,880 --> 00:56:33,600
Speaker 1: Fuck you radio stations. Niggas go into the nag didn't

877
00:56:33,719 --> 00:56:38,120
Speaker 1: cord translate for you. It mean funck y'all. We do ourselves.

878
00:56:38,239 --> 00:56:40,680
Speaker 1: When we got ship like I don't know where we

879
00:56:40,760 --> 00:56:46,480
Speaker 1: got it. Got no gifts. We got gifts to nigga.

880
00:56:48,000 --> 00:56:54,759
Speaker 1: This niggas't translate. It ain't gifts niggas translation already, I

881
00:56:54,800 --> 00:56:58,200
Speaker 1: don't even so I said those gifts already. I'm just

882
00:56:58,280 --> 00:57:01,600
Speaker 1: showing y'all how we're bringing in the new Yo. Yeah,

883
00:57:01,680 --> 00:57:05,439
Speaker 1: you better be leaving somebody. That's all. Check, that is all,

884
00:57:06,920 --> 00:57:09,879
Speaker 1: and that and those besides you. I'm telling the hat

885
00:57:12,000 --> 00:57:16,080
Speaker 1: okay yo side give me whatever. I ain't gonna lie.

886
00:57:16,120 --> 00:57:18,400
Speaker 1: If I got those, I'm framing those. I'm not wearing

887
00:57:18,440 --> 00:57:23,920
Speaker 1: those I'm putting that ship watching, putting that in the

888
00:57:24,080 --> 00:57:27,840
Speaker 1: kitchen work. We're bringing in the new you know she listened.

889
00:57:27,960 --> 00:57:30,240
Speaker 1: I don't know if you know this only support rapper ship.

890
00:57:31,440 --> 00:57:34,280
Speaker 1: So I look, look besides Hennessee and they're gonna cut

891
00:57:34,320 --> 00:57:38,400
Speaker 1: the check eventually. But everybody else they either cut check

892
00:57:38,440 --> 00:57:40,840
Speaker 1: on that rap. We support rap. We got va. I

893
00:57:40,880 --> 00:57:43,160
Speaker 1: don't know why didn't even bring out the vodka. I'm

894
00:57:43,200 --> 00:57:50,919
Speaker 1: gonna about. We're gonna take another shot, signs of ship

895
00:57:51,040 --> 00:57:56,560
Speaker 1: security security dress Ready another shot? I got the KG.

896
00:57:57,040 --> 00:57:59,400
Speaker 1: This is yall. Why you poor? Because I'm about the same.

897
00:58:00,000 --> 00:58:10,800
Speaker 1: You drinking because like smoke. Yeah, you saw us in

898
00:58:10,840 --> 00:58:15,360
Speaker 1: my now some of us four and I did same.

899
00:58:16,040 --> 00:58:19,720
Speaker 1: Sick it up. Can get it. I'm getting me ship.

900
00:58:20,080 --> 00:58:22,160
Speaker 1: Oh you're not taking a shot? Sorry, you got you

901
00:58:22,200 --> 00:58:24,080
Speaker 1: gotta take your shout of sur rock. You've been taking

902
00:58:24,120 --> 00:58:26,880
Speaker 1: shout of rock. You've been on white. Don't switch it up. Yeah,

903
00:58:27,120 --> 00:58:30,360
Speaker 1: but that's that's a mixed stream. It's a mixed drink.

904
00:58:30,400 --> 00:58:36,120
Speaker 1: So yeah, straight blue young, I gotta big. I got

905
00:58:36,240 --> 00:58:38,360
Speaker 1: a big up. Did he did he d rock in

906
00:58:38,440 --> 00:58:42,160
Speaker 1: the sack? Yeah? What you did? You? We did our

907
00:58:42,200 --> 00:58:47,240
Speaker 1: twenty fifth anniversary pool Shiprock came through. We do it

908
00:58:48,080 --> 00:58:52,640
Speaker 1: came to the like one of the cook gown. Yeah,

909
00:58:53,160 --> 00:58:54,880
Speaker 1: like I can't, I can't want to, you know, like

910
00:58:55,360 --> 00:58:58,760
Speaker 1: the brother pool. That's right, that's what you got us.

911
00:58:58,760 --> 00:59:01,920
Speaker 1: Something man, I used to western ya. Could you look

912
00:59:01,960 --> 00:59:05,080
Speaker 1: at this motherfucker? Dude. This looks like like a double

913
00:59:05,120 --> 00:59:08,880
Speaker 1: shot of some talking to me like I don't know

914
00:59:09,080 --> 00:59:19,720
Speaker 1: something this ship let's go real quick. Told us to

915
00:59:19,760 --> 00:59:22,560
Speaker 1: be crazy. Fact that told I told videos the last time.

916
00:59:23,040 --> 00:59:26,720
Speaker 1: Y'all have to remember the craziest video remix in the

917
00:59:26,800 --> 00:59:30,160
Speaker 1: remix from the Miami, The Miami, the CZA. Yeah, it's

918
00:59:30,200 --> 00:59:34,200
Speaker 1: me and my crew was Broward County. We showed on

919
00:59:34,280 --> 00:59:38,960
Speaker 1: the lin Fellers. Everybody shot y'all that ain't ain't done

920
00:59:39,080 --> 00:59:50,040
Speaker 1: that that point where we are, Yeah, remember the records.

921
00:59:50,080 --> 00:59:51,560
Speaker 1: I remember that's the homie that used to roll with

922
00:59:51,640 --> 00:59:56,280
Speaker 1: y'all back those rejourn news. I'm gonna I'm gona telling

923
00:59:56,280 --> 00:59:59,040
Speaker 1: you some funny ship. I'm in Japan, right, just like

924
00:59:59,400 --> 01:00:02,640
Speaker 1: I gotta be like nineties nine, two thousand maybe two

925
01:00:02,680 --> 01:00:05,600
Speaker 1: thousand one in that area, though not anywhere with bot

926
01:00:05,680 --> 01:00:08,880
Speaker 1: that I meet this. I'm in Japan. I'm just randomly

927
01:00:09,400 --> 01:00:13,120
Speaker 1: dude come up to me. I said, what do you

928
01:00:14,560 --> 01:00:24,480
Speaker 1: definitely say? But he said, what with that? Man? Let

929
01:00:24,560 --> 01:00:31,000
Speaker 1: me tell you what I homie like, you seem like

930
01:00:31,080 --> 01:00:33,920
Speaker 1: you're from the town, like the way you're talking your swag.

931
01:00:34,360 --> 01:00:36,080
Speaker 1: He said, Yeah, I came out here with Noughty by

932
01:00:36,200 --> 01:00:48,240
Speaker 1: Nature a year ago and I never came back ever since. Yeah, Japan,

933
01:00:48,320 --> 01:00:56,280
Speaker 1: with London all over the world. When you trying to

934
01:00:56,840 --> 01:01:02,080
Speaker 1: over the world, you might have advice on a pass, fool,

935
01:01:05,840 --> 01:01:14,240
Speaker 1: but that's how you know. Yeah you. Helpy was one

936
01:01:14,280 --> 01:01:17,680
Speaker 1: of our regional radio wraps. She worked for Tommy Boy

937
01:01:17,720 --> 01:01:20,200
Speaker 1: and she was the London regional. We took him out there.

938
01:01:20,280 --> 01:01:23,439
Speaker 1: He bagged and knocked up and never think about that. Yes,

939
01:01:23,480 --> 01:01:26,000
Speaker 1: he came back. I know how that regional game. When

940
01:01:26,040 --> 01:01:29,439
Speaker 1: I was out there, he didn't come back. He said,

941
01:01:31,400 --> 01:01:37,240
Speaker 1: that's spending different type of money. To translation translation, this

942
01:01:37,440 --> 01:01:40,240
Speaker 1: motherfucker would come back and get deported from the country.

943
01:01:40,320 --> 01:01:43,680
Speaker 1: He's talk with us because this nigga, they're like, LP,

944
01:01:44,360 --> 01:01:50,120
Speaker 1: no leave his ass, but he living in London. I

945
01:01:50,240 --> 01:01:52,720
Speaker 1: think I think like it's talking like like nigga, you

946
01:01:52,960 --> 01:01:54,680
Speaker 1: up from the hood, but you're not. But you know how,

947
01:01:55,320 --> 01:01:58,640
Speaker 1: me somebody and somebody would be like, Yo, I'm down

948
01:01:58,760 --> 01:02:00,960
Speaker 1: with these niggas and then don't want to call him

949
01:02:01,080 --> 01:02:05,880
Speaker 1: or not he can call none of y'all know he's

950
01:02:06,960 --> 01:02:12,320
Speaker 1: the way he was holding out. Let me tell you

951
01:02:12,480 --> 01:02:17,880
Speaker 1: haven't ever called anyone of y'all. And I knew it

952
01:02:17,960 --> 01:02:22,760
Speaker 1: with said you know your relatives my niggers was like, yo,

953
01:02:22,880 --> 01:02:26,680
Speaker 1: y'all said, nah, he got I believe if he were

954
01:02:26,920 --> 01:02:30,800
Speaker 1: that Nikols said, you know one of your relatives relative

955
01:02:31,120 --> 01:02:34,560
Speaker 1: everywhere when he touched yo, we all got the eye

956
01:02:34,720 --> 01:02:37,280
Speaker 1: like I should. I heard on this side he got it,

957
01:02:37,360 --> 01:02:39,560
Speaker 1: tat it on the wrong side. But he's like, yeah,

958
01:02:39,800 --> 01:02:43,440
Speaker 1: I just wanted it over here. Like He's like, like

959
01:02:43,600 --> 01:02:49,680
Speaker 1: he touched, Yeah, he TechEd my man. Yeah, man. LP

960
01:02:50,640 --> 01:02:53,040
Speaker 1: already knew his story with the truth. I've never asked

961
01:02:53,480 --> 01:02:55,600
Speaker 1: and I never seen y'all for ten years straight. I've

962
01:02:55,640 --> 01:02:58,120
Speaker 1: never been up because I just knew. When he said

963
01:02:58,160 --> 01:03:01,520
Speaker 1: it to me, I was like, I believe you ain't

964
01:03:01,560 --> 01:03:07,200
Speaker 1: got definitely really, but listen now, KG, So you produced

965
01:03:07,480 --> 01:03:12,320
Speaker 1: for the group, what you produced for New Style? What's

966
01:03:12,360 --> 01:03:16,840
Speaker 1: it called style? New Style? Do you produced by Naughty

967
01:03:16,880 --> 01:03:19,880
Speaker 1: by Nature? What makes you say I'm gonna grant you

968
01:03:19,960 --> 01:03:25,200
Speaker 1: out start my own label and incorporate R and B.

969
01:03:25,280 --> 01:03:28,120
Speaker 1: Because that's what it felt like your label was. It

970
01:03:28,320 --> 01:03:41,160
Speaker 1: was group tied here the Hawaiian who ain't gonna see

971
01:03:41,160 --> 01:03:44,000
Speaker 1: me listen, man, once we got on board, man, I

972
01:03:44,080 --> 01:03:47,440
Speaker 1: was running. I was running, So we're happening. Arraster came

973
01:03:47,520 --> 01:03:49,720
Speaker 1: to you an arrastill because that's where your label was

974
01:03:49,800 --> 01:03:55,160
Speaker 1: at first, right hometown Holetown with the first group, and

975
01:03:55,280 --> 01:03:59,240
Speaker 1: I was on Mr DJ Fan for the Rascals on

976
01:03:59,360 --> 01:04:03,080
Speaker 1: there was on Motown, y'all. I mean, I always loved

977
01:04:03,200 --> 01:04:04,880
Speaker 1: R and B from the door. Like even if you

978
01:04:05,120 --> 01:04:07,320
Speaker 1: listen to like the first Nority My Nature album, like

979
01:04:07,440 --> 01:04:09,120
Speaker 1: the way that it was done there was there was

980
01:04:09,120 --> 01:04:11,600
Speaker 1: a lot of music, musical stuff on there. Even if

981
01:04:11,640 --> 01:04:13,680
Speaker 1: you go back and listen to new style stuff. I

982
01:04:13,680 --> 01:04:15,760
Speaker 1: mean I was sampling the Eagles, a bunch of different

983
01:04:15,800 --> 01:04:17,640
Speaker 1: stuff like that. Like I always listen to a bunch

984
01:04:17,640 --> 01:04:21,160
Speaker 1: of different records like that or off to the side.

985
01:04:21,200 --> 01:04:23,360
Speaker 1: I mean, as a producer you have to anyway. But

986
01:04:23,560 --> 01:04:27,080
Speaker 1: growing up, especially R and being soul music like my

987
01:04:27,200 --> 01:04:29,360
Speaker 1: parents is originally from the South, and then that's what

988
01:04:29,520 --> 01:04:31,760
Speaker 1: my whole queen's think came in they got together and

989
01:04:31,760 --> 01:04:34,200
Speaker 1: they grew up in Queens. So my family is from Jamaica.

990
01:04:35,120 --> 01:04:37,600
Speaker 1: Mother and my father Jamaica Queen's grew him to make

991
01:04:37,600 --> 01:04:43,480
Speaker 1: a Queen's y'all them up side one in bush. I

992
01:04:43,600 --> 01:05:01,760
Speaker 1: did Jamaica Queen's man family face like, yeah, he doesn't.

993
01:05:01,800 --> 01:05:06,880
Speaker 1: Coach Shaun is out there like y'all like and you

994
01:05:06,960 --> 01:05:08,919
Speaker 1: know they like I said, they grew up in the South,

995
01:05:09,040 --> 01:05:12,120
Speaker 1: So my grandparents is down there. Some of my um

996
01:05:12,560 --> 01:05:14,880
Speaker 1: my father's like sisters. So we would go to the

997
01:05:14,960 --> 01:05:17,640
Speaker 1: South always playing and my father always just played a

998
01:05:17,680 --> 01:05:19,760
Speaker 1: bunch of soul music. That's my younger brother right there,

999
01:05:19,840 --> 01:05:26,880
Speaker 1: like he's saying, no, you know every record, every record,

1000
01:05:26,960 --> 01:05:29,840
Speaker 1: every movie, and that's all because I mean because of

1001
01:05:29,960 --> 01:05:32,960
Speaker 1: growing up. Like when my father like that's all he

1002
01:05:33,080 --> 01:05:41,080
Speaker 1: did is that records they play like that's why he

1003
01:05:41,120 --> 01:05:43,280
Speaker 1: about the falls sleep. They beat us in the head

1004
01:05:43,360 --> 01:05:45,680
Speaker 1: growing up. So when I when I got the opportunity

1005
01:05:45,680 --> 01:05:47,280
Speaker 1: to do that, man, I just I wanted to do

1006
01:05:47,400 --> 01:05:49,600
Speaker 1: something different because I just said, you know what I want,

1007
01:05:49,640 --> 01:05:51,720
Speaker 1: I'm gonna swip. I'm gonna flip the script and I'm

1008
01:05:51,720 --> 01:05:53,880
Speaker 1: gonna shot people because I'm gonna come left Field. Everybody's

1009
01:05:53,880 --> 01:05:55,800
Speaker 1: gonna expect me to do hip hop, but I'm gonna

1010
01:05:55,840 --> 01:06:06,560
Speaker 1: come and do something that's influence John Ay and Next Brown.

1011
01:06:07,440 --> 01:06:09,720
Speaker 1: What do you feel when you when you see next

1012
01:06:09,800 --> 01:06:12,840
Speaker 1: and then you see the guy, why you always like

1013
01:06:14,280 --> 01:06:16,680
Speaker 1: you want to see that guy keep it real, want

1014
01:06:16,720 --> 01:06:18,880
Speaker 1: to see me me personally? Man, I feel like it

1015
01:06:19,000 --> 01:06:23,920
Speaker 1: keeps it keeps correcting about you know, the mailbox to

1016
01:06:24,080 --> 01:06:32,600
Speaker 1: check to the mailbox, and that's the thing, like like

1017
01:06:32,720 --> 01:06:34,920
Speaker 1: eventually my thing is just like man, we gotta put

1018
01:06:34,960 --> 01:06:36,600
Speaker 1: in the hard work now and just to put on

1019
01:06:36,680 --> 01:06:38,680
Speaker 1: our flip flops and walk to the mailbox and ain't

1020
01:06:38,680 --> 01:06:42,920
Speaker 1: got to work no more. People like that, people like

1021
01:06:44,600 --> 01:06:48,640
Speaker 1: people like always like even these movies like if you

1022
01:06:48,720 --> 01:06:51,160
Speaker 1: look at a movie like um off, m like The

1023
01:06:51,280 --> 01:06:53,640
Speaker 1: Office Party, I'm gonna send you the chack we got.

1024
01:06:53,920 --> 01:07:07,760
Speaker 1: We gonna flip the walk to the mail man. Did

1025
01:07:07,800 --> 01:07:12,520
Speaker 1: I show you? Did I show y'all? Yes? Yes, let's

1026
01:07:12,520 --> 01:07:17,440
Speaker 1: make some voice slightest because stressed through my light up

1027
01:07:17,520 --> 01:07:27,760
Speaker 1: year gold that you look at movies like Office Christmas

1028
01:07:27,880 --> 01:07:30,680
Speaker 1: Party that just like basically took and remain like we're

1029
01:07:30,680 --> 01:07:34,120
Speaker 1: just talking about earlier on OVP Christmas Party remade that

1030
01:07:34,280 --> 01:07:36,400
Speaker 1: and license that, like you teld me like when they

1031
01:07:36,440 --> 01:07:38,480
Speaker 1: did down on MTV and he said that, y, you're

1032
01:07:38,480 --> 01:07:40,240
Speaker 1: always lying, Like that's how I say, like I'm not

1033
01:07:40,400 --> 01:07:43,000
Speaker 1: mad at stuff like that. That keeps it going, keeps

1034
01:07:43,000 --> 01:07:45,680
Speaker 1: your brand alive, and keeps your publishing flowing and going,

1035
01:07:46,000 --> 01:07:51,000
Speaker 1: and allows you to walk to the mailbox. Man. That's

1036
01:07:51,000 --> 01:07:55,920
Speaker 1: when his when his views, like when that guy his

1037
01:07:56,080 --> 01:07:58,680
Speaker 1: views go up. What happens the publishing company call you

1038
01:07:58,800 --> 01:08:04,440
Speaker 1: all you are like the riginal record Internet, it makes

1039
01:08:04,520 --> 01:08:12,000
Speaker 1: him everybody year spend that money promotion. And that's weirdly

1040
01:08:12,080 --> 01:08:14,800
Speaker 1: crazy about that, right. My daughter, my daughter, I have

1041
01:08:14,880 --> 01:08:17,160
Speaker 1: a daughter that sixteen years old. So she was playing

1042
01:08:17,240 --> 01:08:22,000
Speaker 1: that record and viral video was lying. So I said,

1043
01:08:22,080 --> 01:08:24,400
Speaker 1: you know what, I said, you know that record? I said,

1044
01:08:24,479 --> 01:08:28,559
Speaker 1: that's my record. She's like, she's like, you know out

1045
01:08:28,600 --> 01:08:30,400
Speaker 1: of here. I said, yes it is. I like, that's

1046
01:08:30,479 --> 01:08:33,640
Speaker 1: next record, like the group next. She's like really, I

1047
01:08:33,720 --> 01:08:36,280
Speaker 1: was like, yeah, not playing it. She was like, oh

1048
01:08:40,000 --> 01:08:46,640
Speaker 1: give me. She like like whatever. That but about it,

1049
01:08:46,880 --> 01:08:50,320
Speaker 1: like it introduces you to a whole different audience as well,

1050
01:08:50,920 --> 01:08:53,519
Speaker 1: so it allows you to bridge the gap, like you said,

1051
01:08:53,520 --> 01:08:56,719
Speaker 1: and it becomes recurrent. So okay, so I'm gonna twisted

1052
01:08:56,760 --> 01:09:07,320
Speaker 1: turn even though I know you wasted, good wasted. You're wasted,

1053
01:09:08,160 --> 01:09:11,679
Speaker 1: my brother, you're wasted. Well, I'm about RAMI is giving

1054
01:09:11,720 --> 01:09:16,200
Speaker 1: you Mama. I was talking about find the Womrono, Holy Telito,

1055
01:09:16,280 --> 01:09:19,560
Speaker 1: jacking New City Vide's and Badest thrown see in. He

1056
01:09:19,640 --> 01:09:22,479
Speaker 1: know we do be damn duty ask he kills silver

1057
01:09:22,560 --> 01:09:26,439
Speaker 1: crafty Pappy. That's how they trying to who's back with

1058
01:09:26,479 --> 01:09:30,960
Speaker 1: the new guy, who's tracking man? And who that I

1059
01:09:31,040 --> 01:09:34,439
Speaker 1: got to chilly, not like billy lly. Y'all's got me silly.

1060
01:09:34,479 --> 01:09:36,479
Speaker 1: If you feel me spit the filly, really feel me

1061
01:09:36,760 --> 01:09:39,880
Speaker 1: spinning in infinity. The fine flows, comedy and couches in

1062
01:09:39,920 --> 01:09:43,160
Speaker 1: the condom combos the prime problem my flow, my flow,

1063
01:09:43,360 --> 01:09:45,920
Speaker 1: anything less to be attests any more only than nine

1064
01:09:45,960 --> 01:09:48,439
Speaker 1: knows they're selling less and nine shows of fine folks.

1065
01:09:48,479 --> 01:09:52,519
Speaker 1: My foe blows shows that time shows think a bit

1066
01:09:52,600 --> 01:09:56,800
Speaker 1: like that. Did you have safe about just just spit around?

1067
01:09:58,120 --> 01:10:01,840
Speaker 1: I told you, bud Way, God come to me every day?

1068
01:10:01,920 --> 01:10:05,200
Speaker 1: Why mom is in the brooks? I had niggas was

1069
01:10:05,280 --> 01:10:07,320
Speaker 1: going when I had to come through, and they was

1070
01:10:07,360 --> 01:10:19,880
Speaker 1: like yea like translation translation translate my way through. They

1071
01:10:20,240 --> 01:10:24,360
Speaker 1: that transfer. Yeah, there's a record I need to do

1072
01:10:24,640 --> 01:10:27,960
Speaker 1: to make it up Uptoil Anthorm. Yeah, please tell you

1073
01:10:28,080 --> 01:10:31,040
Speaker 1: the making of Uptown anthing that came about. Didn't even

1074
01:10:31,160 --> 01:10:34,920
Speaker 1: I didn't even I'm not I didn't you making at first?

1075
01:10:35,280 --> 01:10:41,559
Speaker 1: What is like Brothers the World Records with the skeleton beat.

1076
01:10:41,600 --> 01:10:45,519
Speaker 1: I didn't like the skeleton the beat, uptail anthem Juice,

1077
01:10:46,520 --> 01:10:50,679
Speaker 1: Yeah to this track. It was in the dar because

1078
01:10:50,800 --> 01:10:54,240
Speaker 1: I said, Yo, this is this is what translation translation

1079
01:10:55,439 --> 01:10:57,320
Speaker 1: the jail. Because of that we have to do. They

1080
01:10:57,400 --> 01:11:04,680
Speaker 1: came up they would translation down. You came down to

1081
01:11:04,760 --> 01:11:07,639
Speaker 1: block and understand the translation. He came down the block.

1082
01:11:07,680 --> 01:11:09,800
Speaker 1: He said, Yo, Tommy boys on us. They want us

1083
01:11:09,800 --> 01:11:11,960
Speaker 1: to do a record for this Juice soundtrack. What are

1084
01:11:12,000 --> 01:11:14,160
Speaker 1: we gonna do? What you want to do? I said,

1085
01:11:14,160 --> 01:11:15,960
Speaker 1: I don't know, man, and I'll start playing the movie's

1086
01:11:15,960 --> 01:11:18,120
Speaker 1: already done. Though the movie was done, but then he's

1087
01:11:18,120 --> 01:11:22,160
Speaker 1: already in Yeah, yeah that's yet. It wasn't out. But

1088
01:11:22,400 --> 01:11:25,519
Speaker 1: Tommy Boy wanted us to do a record, and they

1089
01:11:25,560 --> 01:11:27,120
Speaker 1: said we need to get a record for it. So

1090
01:11:27,800 --> 01:11:29,560
Speaker 1: they came up there and I was just like, I

1091
01:11:29,680 --> 01:11:32,000
Speaker 1: got this one joint. I was like, but it's a skeleton,

1092
01:11:32,040 --> 01:11:34,240
Speaker 1: I don't really like it or whatever. And I played

1093
01:11:34,280 --> 01:11:35,479
Speaker 1: it and I was like, I don't really like it.

1094
01:11:35,520 --> 01:11:37,080
Speaker 1: I put it in real quick, took it out, then

1095
01:11:37,120 --> 01:11:38,760
Speaker 1: start playing some other stuff. And he's just like, no

1096
01:11:38,880 --> 01:11:40,120
Speaker 1: no no no no no no no no, go back

1097
01:11:40,120 --> 01:11:41,680
Speaker 1: to the other one. Go back to that, which one,

1098
01:11:42,040 --> 01:12:00,360
Speaker 1: Go back to the other one. This, Yeah, that's it's

1099
01:12:00,400 --> 01:12:09,080
Speaker 1: gonna fly were the world and now won't coptition, beat

1100
01:12:09,160 --> 01:12:13,599
Speaker 1: your break your bunk yourself get you. Two days later,

1101
01:12:13,720 --> 01:12:16,920
Speaker 1: a little to me up with a dick and don't

1102
01:12:16,960 --> 01:12:19,719
Speaker 1: want to bring your brothers ships. Morning on the hippo,

1103
01:12:21,560 --> 01:12:25,559
Speaker 1: the flame flas and the damn you can't go far

1104
01:12:25,960 --> 01:12:47,640
Speaker 1: no matter where you go here fighting was cool, like

1105
01:12:47,800 --> 01:12:55,840
Speaker 1: the check and then we got food. Yeah, we got

1106
01:12:57,720 --> 01:13:06,240
Speaker 1: I'm gonna happen. We go well, we said out you

1107
01:13:06,280 --> 01:13:10,439
Speaker 1: know everyway I said it out of court with me,

1108
01:13:10,600 --> 01:13:16,880
Speaker 1: God damn su tell that ship, God damn it, mother,

1109
01:13:17,720 --> 01:13:20,040
Speaker 1: they said, out of court when they funk with me,

1110
01:13:21,160 --> 01:13:24,640
Speaker 1: my brother, Oh sh I think we want to drop this.

1111
01:13:26,080 --> 01:13:28,320
Speaker 1: It's a gang of little niggas and who he's outside

1112
01:13:28,360 --> 01:13:30,439
Speaker 1: to just keep following me and ship and anything. It's

1113
01:13:30,479 --> 01:13:34,120
Speaker 1: just saying t Trad Norty Norty, Norty Dory, you love

1114
01:13:34,200 --> 01:13:38,040
Speaker 1: you no, no, yeah, this let's drop this law suit.

1115
01:13:38,680 --> 01:13:42,480
Speaker 1: Who is these motherfucker's out? Ain't drew? Story start to limitation.

1116
01:13:43,360 --> 01:13:50,200
Speaker 1: So I want to ask you serious slashes, serious, some

1117
01:13:50,360 --> 01:13:56,000
Speaker 1: serious ship, some serious. Who did you meet for Big

1118
01:13:56,120 --> 01:14:00,479
Speaker 1: up Pop Pop? Yeah, Paw can'ttroduced me to big when

1119
01:14:00,560 --> 01:14:03,240
Speaker 1: Pocket Big Dog nigga, I died with him. I'm just

1120
01:14:03,320 --> 01:14:07,360
Speaker 1: here haunting niggas with the truth. Real deal then was

1121
01:14:07,520 --> 01:14:12,080
Speaker 1: my niggas. So now when did you meet Pop? I'm

1122
01:14:12,120 --> 01:14:16,759
Speaker 1: the pop. We were doing um rolling, flavoring and anything

1123
01:14:17,320 --> 01:14:20,960
Speaker 1: and on the road it was queen Ante for a

1124
01:14:21,040 --> 01:14:25,120
Speaker 1: heavy D Republican to me and digital underground. So he

1125
01:14:25,360 --> 01:14:29,120
Speaker 1: was doing a humpty and around that was a road.

1126
01:14:29,520 --> 01:14:35,160
Speaker 1: No see that that that I would say, they told

1127
01:14:35,240 --> 01:14:38,720
Speaker 1: him and get this nigga crazy off the block, like

1128
01:14:38,840 --> 01:14:45,000
Speaker 1: you take him out the role. He would just be

1129
01:14:45,160 --> 01:14:47,040
Speaker 1: drifting around the hood. We were just like you know

1130
01:14:47,200 --> 01:14:56,439
Speaker 1: what we say, Yeah, they said, you just let me

1131
01:14:56,520 --> 01:15:03,000
Speaker 1: tell you something this day hood. You know how you

1132
01:15:03,080 --> 01:15:05,640
Speaker 1: grow up from the hud and you got brothers and

1133
01:15:05,800 --> 01:15:09,160
Speaker 1: you know you got catch like yo, these niggas as

1134
01:15:09,240 --> 01:15:13,880
Speaker 1: some wild niggas, right, Tretch has always been that I've

1135
01:15:13,960 --> 01:15:17,120
Speaker 1: been in denying you all these years. I'm like, Tretches

1136
01:15:17,240 --> 01:15:22,160
Speaker 1: wild Trench ain't really that wild. Let wild fucking mega

1137
01:15:22,320 --> 01:15:28,519
Speaker 1: right here, Yeah about this catch, don't worry about yeah.

1138
01:15:29,680 --> 01:15:33,000
Speaker 1: But yeah, like they all when we were again stage

1139
01:15:33,080 --> 01:15:36,880
Speaker 1: we stick down there though, but forgetting stages with Flavoring Unit.

1140
01:15:36,920 --> 01:15:38,800
Speaker 1: We were norty by nature of the town and we

1141
01:15:38,920 --> 01:15:41,960
Speaker 1: were starting to get everything together and Latifa them was

1142
01:15:42,000 --> 01:15:43,880
Speaker 1: going on tour, and it was just like we were

1143
01:15:43,880 --> 01:15:45,920
Speaker 1: just like, yo, just take Tretch, let him be a roady,

1144
01:15:46,080 --> 01:15:51,839
Speaker 1: just take translation, just take we. Oh, we don't have anything,

1145
01:15:52,040 --> 01:15:56,919
Speaker 1: we anything. Everybody played their position. Nobody never killed, nobody

1146
01:15:57,160 --> 01:16:01,519
Speaker 1: from the homies and nothing. Nobody know nobody nothing. It

1147
01:16:01,640 --> 01:16:05,439
Speaker 1: was coach rules, anything else. Averybody played their position. I

1148
01:16:05,760 --> 01:16:10,720
Speaker 1: was the motherfucking we peaceful. Then forcef anybody funck with

1149
01:16:10,840 --> 01:16:14,680
Speaker 1: my mother fucking brothers and our whole quick you feel me?

1150
01:16:15,120 --> 01:16:18,680
Speaker 1: They did they part, they do the abody played they

1151
01:16:18,800 --> 01:16:23,160
Speaker 1: fucking position, and the niggas come. I'm just saying no more.

1152
01:16:23,439 --> 01:16:27,160
Speaker 1: There's the whole. But you remember the first day I'll

1153
01:16:27,160 --> 01:16:30,160
Speaker 1: met Pop, the first time man. When I met this nigga, Yo,

1154
01:16:30,280 --> 01:16:33,559
Speaker 1: they had that we was on the road. We was roadies.

1155
01:16:33,640 --> 01:16:36,400
Speaker 1: What roadies are people? We got a little bit damn.

1156
01:16:36,680 --> 01:16:39,240
Speaker 1: Damn is what you get paid a week or something,

1157
01:16:40,200 --> 01:16:43,519
Speaker 1: you know, and you carry them bags. If you're happy,

1158
01:16:43,720 --> 01:16:46,400
Speaker 1: you're happy. He wasn't there. You're happy to be because

1159
01:16:46,439 --> 01:16:49,800
Speaker 1: they yeah, they sent me out. And that's how I

1160
01:16:49,920 --> 01:16:54,760
Speaker 1: met when he signed with Flavor Unit Management. Right, we

1161
01:16:54,880 --> 01:16:57,439
Speaker 1: were still on the block basically, but when we signed

1162
01:16:57,479 --> 01:17:00,400
Speaker 1: with Flavor Unit Management, they took trips from the road

1163
01:17:00,520 --> 01:17:03,200
Speaker 1: so he could go pre style in the middle of

1164
01:17:03,560 --> 01:17:07,320
Speaker 1: a forced me these my brother said that way we

1165
01:17:07,400 --> 01:17:28,920
Speaker 1: got business that years ago. Not easy to out here,

1166
01:17:28,960 --> 01:17:31,599
Speaker 1: and we do something about the second man. We used

1167
01:17:31,600 --> 01:17:34,000
Speaker 1: to be on the block, right, so everybody we was

1168
01:17:34,080 --> 01:17:35,880
Speaker 1: shut down the block for the day. We're going a

1169
01:17:35,960 --> 01:17:39,519
Speaker 1: great adventure, Nory, We're going a great adventure for the day.

1170
01:17:39,800 --> 01:17:43,400
Speaker 1: This nigga would stayed back. Nobody's on the block. He's

1171
01:17:43,439 --> 01:17:46,920
Speaker 1: out there setting his own prices. Double the rate because

1172
01:17:46,960 --> 01:17:52,880
Speaker 1: nobody's out there. Everybody's in holding up, holding up translation

1173
01:17:53,800 --> 01:17:56,280
Speaker 1: real nigga. I said, they said, you know, you can't

1174
01:17:56,320 --> 01:17:59,840
Speaker 1: get these ships for twenties and I said, y'all, I think,

1175
01:18:00,040 --> 01:18:04,720
Speaker 1: and he's you ain't think. We're up in the fucking price.

1176
01:18:04,880 --> 01:18:07,799
Speaker 1: It's like move far. I said, y'all take y'all vacating.

1177
01:18:07,800 --> 01:18:10,439
Speaker 1: They ain't niggas go I'm taking. They called me trigger.

1178
01:18:10,479 --> 01:18:12,640
Speaker 1: I'll go serve ship with them peace. I wanted to

1179
01:18:12,680 --> 01:18:16,280
Speaker 1: go to break eventure. That nigger niggas going make lots

1180
01:18:16,320 --> 01:18:23,040
Speaker 1: of tress, never going to one of the somebody going

1181
01:18:23,080 --> 01:18:33,479
Speaker 1: to hell got the ship. No, niggas ain't gonna right

1182
01:18:33,560 --> 01:18:37,200
Speaker 1: now that that nigga ain't go there the block. He

1183
01:18:37,479 --> 01:18:40,559
Speaker 1: come on over there like that. We use it on black,

1184
01:18:40,680 --> 01:18:44,320
Speaker 1: ain't back out the block. So you remember going to

1185
01:18:44,479 --> 01:18:48,439
Speaker 1: use you might never go nowhere. Niggas used to come around,

1186
01:18:48,520 --> 01:18:51,320
Speaker 1: go to five events. We just anchored down on the

1187
01:18:51,439 --> 01:18:56,120
Speaker 1: block and just getting it. I don't want to go

1188
01:18:56,200 --> 01:18:58,920
Speaker 1: to break. I want to go do ship. Look we

1189
01:18:59,240 --> 01:19:02,720
Speaker 1: use evans were beating without. He was like he was

1190
01:19:02,840 --> 01:19:14,120
Speaker 1: beating with weaking without wasn't going nobody. Translation were beating

1191
01:19:14,240 --> 01:19:18,680
Speaker 1: with our ya. We ain't seen street physic ship. They

1192
01:19:18,800 --> 01:19:20,840
Speaker 1: fresh as hell. They're looking like they're fresh out of

1193
01:19:20,920 --> 01:19:24,680
Speaker 1: motherfucker paying for out pole and ship. They got the

1194
01:19:24,960 --> 01:19:28,639
Speaker 1: BMW change. They were dirty and shipped on the block.

1195
01:19:28,840 --> 01:19:30,760
Speaker 1: When they get braidy, they want ill, can we come

1196
01:19:30,800 --> 01:19:36,479
Speaker 1: over in the old Man for Friday? No nigga nigga,

1197
01:19:36,560 --> 01:19:40,680
Speaker 1: y'all niggas is hot. We dirty y'all coming over here

1198
01:19:41,120 --> 01:19:44,439
Speaker 1: and bringing them business and all that ship and gold chains.

1199
01:19:44,479 --> 01:19:46,760
Speaker 1: They see all these niggas and we're yeah, they'd be

1200
01:19:46,880 --> 01:19:49,240
Speaker 1: over there when we go out. We are mixing ship

1201
01:19:49,520 --> 01:19:51,639
Speaker 1: all our mother bud and they got damn Gucci suites

1202
01:19:51,840 --> 01:19:57,760
Speaker 1: and about now, y'all not coming. So try anybody to

1203
01:19:57,880 --> 01:20:00,280
Speaker 1: try to come through the block for the O G

1204
01:20:00,880 --> 01:20:05,760
Speaker 1: Ski and and all of us. A body would have

1205
01:20:06,000 --> 01:20:10,360
Speaker 1: mother got dance to that, even if from somebody, that's

1206
01:20:10,360 --> 01:20:13,240
Speaker 1: because the grand mama. Yeah, like you are naked trying

1207
01:20:13,240 --> 01:20:16,000
Speaker 1: to day to block over there. Even Yeah, I got

1208
01:20:16,080 --> 01:20:24,360
Speaker 1: a question ship, Yeah that you can't control this hold

1209
01:20:26,840 --> 01:20:33,560
Speaker 1: held hold on translationship translation. Let's get this breast. Just

1210
01:20:33,680 --> 01:20:41,280
Speaker 1: show that. No just was lad king. Well guess what's

1211
01:20:41,280 --> 01:20:46,320
Speaker 1: got kicked gone? I was not with the last day.

1212
01:20:47,080 --> 01:20:51,719
Speaker 1: I was a fucking they said I was from Washington,

1213
01:20:52,360 --> 01:21:01,519
Speaker 1: was dominicant. We are yeah Boston translate. You know, hip

1214
01:21:01,560 --> 01:21:05,160
Speaker 1: hop represent every race. He's on the Rail. You know,

1215
01:21:07,120 --> 01:21:11,360
Speaker 1: I watched, like I said, drink Chaps is this type

1216
01:21:11,400 --> 01:21:14,599
Speaker 1: of podcast. It really isn't. Drink Chapters just for every culture,

1217
01:21:14,920 --> 01:21:17,960
Speaker 1: and it's hip hop. That's why I feel like hip

1218
01:21:18,000 --> 01:21:20,519
Speaker 1: hop should be its own race. Like I feel like,

1219
01:21:21,160 --> 01:21:23,320
Speaker 1: I don't know, I know this is a tardy, but

1220
01:21:23,760 --> 01:21:28,000
Speaker 1: they might be genius. I think that the next presidential

1221
01:21:28,160 --> 01:21:34,800
Speaker 1: race people should run as hip hop candidate. Yeah, I mean,

1222
01:21:34,920 --> 01:21:46,920
Speaker 1: maybe we need somebody else. Few it's third day but Trump.

1223
01:21:47,320 --> 01:21:51,280
Speaker 1: But there's people like David Banner. There's people killing Mike.

1224
01:21:52,040 --> 01:21:55,120
Speaker 1: There's people are what's my other brother that was on

1225
01:21:55,360 --> 01:22:02,720
Speaker 1: Deaf jam um young brother on Deaf Big, on death Chat.

1226
01:22:02,920 --> 01:22:05,720
Speaker 1: There's people that we can listen. That's maybe maybe we

1227
01:22:06,080 --> 01:22:12,320
Speaker 1: gotta rush from to the presidency. Okay, maybe mayors, why not?

1228
01:22:12,560 --> 01:22:16,160
Speaker 1: But maybe maybe with David Banner, like David Banna, I

1229
01:22:16,280 --> 01:22:19,839
Speaker 1: suggested that, you know, he didn't in Mississippi. I suggested

1230
01:22:19,880 --> 01:22:23,080
Speaker 1: that when Tyler Quali sat here, you weren't for Brooklyn Counsel.

1231
01:22:24,040 --> 01:22:25,640
Speaker 1: And the thing is a lot of us because I

1232
01:22:25,680 --> 01:22:29,800
Speaker 1: remember I told it to Russell Russell Simms. I was,

1233
01:22:29,960 --> 01:22:35,160
Speaker 1: I was, I was in uh hip hop summits. Remember

1234
01:22:35,160 --> 01:22:37,800
Speaker 1: back in the day simon the Hip Hop Summit, So

1235
01:22:37,920 --> 01:22:42,280
Speaker 1: Russell Simmons, I've been like seventeen and at just one points, like, Russ,

1236
01:22:44,439 --> 01:22:47,040
Speaker 1: you're getting me out here because he because wherever I'm at,

1237
01:22:47,080 --> 01:22:51,240
Speaker 1: he's pulling over my whole bucks because it's like death

1238
01:22:51,479 --> 01:22:53,760
Speaker 1: at the time wherever we are, Like your show was

1239
01:22:53,800 --> 01:22:55,400
Speaker 1: canceled or not. You gotta do the Hip Hop Summit

1240
01:22:56,080 --> 01:23:01,280
Speaker 1: right your Russ? At some point are you doing? Shouldn't

1241
01:23:01,280 --> 01:23:05,120
Speaker 1: you give us back that? And Russ is like, he's like,

1242
01:23:05,680 --> 01:23:07,080
Speaker 1: so what do you mean? I said, why don't you

1243
01:23:07,240 --> 01:23:10,479
Speaker 1: run for president? And I know I said this story

1244
01:23:10,560 --> 01:23:12,600
Speaker 1: on the on the podcast a couple of times, but

1245
01:23:12,640 --> 01:23:14,599
Speaker 1: I'm gonna say it again. He said, no, I mean

1246
01:23:14,640 --> 01:23:18,760
Speaker 1: I smoke dope. I said, ain't smoke. He said that

1247
01:23:18,800 --> 01:23:25,960
Speaker 1: osmoke terroke. But back then I understood. I was like,

1248
01:23:26,040 --> 01:23:29,720
Speaker 1: you know, Russ, a cool smoke troin cool Right now,

1249
01:23:30,080 --> 01:23:33,800
Speaker 1: what if Donald gave us anything? He gave us the

1250
01:23:33,880 --> 01:23:36,479
Speaker 1: hope that they don't give a fuck. As long as

1251
01:23:36,520 --> 01:23:40,680
Speaker 1: you create your following. It's just like Kanye. I mean,

1252
01:23:41,120 --> 01:23:43,479
Speaker 1: whether you agree with Kanye, you don't agree with Kanye,

1253
01:23:43,800 --> 01:23:48,000
Speaker 1: his followers still follow him. That's what happened with Trump.

1254
01:23:48,160 --> 01:23:53,560
Speaker 1: He used social media, social media President. I said it

1255
01:23:53,680 --> 01:23:55,680
Speaker 1: from this podcast from the beginning. What did I say?

1256
01:23:55,720 --> 01:24:01,280
Speaker 1: Trump turned on politics into smack DVD. They didn't care

1257
01:24:01,360 --> 01:24:04,120
Speaker 1: about what he was saying was factual. Without it was

1258
01:24:04,200 --> 01:24:08,360
Speaker 1: the better line. They don't give a funk. You could

1259
01:24:08,400 --> 01:24:11,720
Speaker 1: tell this factual. We get him with facts on the

1260
01:24:11,760 --> 01:24:16,840
Speaker 1: snackb But if you got the better line, translation, don

1261
01:24:16,960 --> 01:24:29,160
Speaker 1: Trump's motherfucker and I'm going to wall. Here's something he

1262
01:24:29,320 --> 01:24:33,800
Speaker 1: was reading, hell hoppy. He was saying what the majority

1263
01:24:34,120 --> 01:24:38,720
Speaker 1: of the voters was going to say. Trump. Yeah, we

1264
01:24:38,840 --> 01:24:41,600
Speaker 1: gotta protect this. We gotta go this, we gotta have this,

1265
01:24:41,720 --> 01:24:43,360
Speaker 1: we gotta beat for us, we gotta more moment. We

1266
01:24:43,400 --> 01:24:45,720
Speaker 1: got Bill, you know what I mean, the separation and

1267
01:24:45,760 --> 01:24:50,040
Speaker 1: they president and everybody was gonna here. Here's another thing though,

1268
01:24:50,120 --> 01:24:53,960
Speaker 1: Nor and Bill up. Not only do I think the

1269
01:24:54,080 --> 01:24:56,920
Speaker 1: better player is for all of us if we're involved

1270
01:24:56,960 --> 01:24:59,800
Speaker 1: in politics or whatever, it's just like you're putting on

1271
01:24:59,880 --> 01:25:03,680
Speaker 1: the next artist. It's just like you're putting on the

1272
01:25:04,760 --> 01:25:09,720
Speaker 1: political men and they tell them at listen. It's not

1273
01:25:09,920 --> 01:25:13,679
Speaker 1: like it's not like you're putting on the next artist.

1274
01:25:13,960 --> 01:25:18,160
Speaker 1: You're just co signing the next urban politician or your

1275
01:25:18,240 --> 01:25:22,880
Speaker 1: next young politicians. So we provide the mouse mouthpiece. We

1276
01:25:23,040 --> 01:25:26,720
Speaker 1: provide that international connection. When you're talking about hip hop

1277
01:25:26,800 --> 01:25:28,880
Speaker 1: as a race, it's gonna be a normal race. It's

1278
01:25:28,880 --> 01:25:33,920
Speaker 1: gonna be multicultural, multi ethnic, it's one voice. So what

1279
01:25:34,160 --> 01:25:36,040
Speaker 1: we need to do is we need to keep doing

1280
01:25:36,160 --> 01:25:41,719
Speaker 1: what we're doing because we're and we're signing the people

1281
01:25:41,960 --> 01:25:49,479
Speaker 1: who are gonna be there and trenched that look mostly

1282
01:25:50,040 --> 01:25:52,240
Speaker 1: like they'll do. Like I said, we're playing our parts.

1283
01:25:53,000 --> 01:25:56,519
Speaker 1: He's great with the you know, the politicians, all of them.

1284
01:25:56,880 --> 01:26:00,400
Speaker 1: I'm in the streets with I'm having a nick homies,

1285
01:26:00,720 --> 01:26:04,360
Speaker 1: doing games together and everything else. We got that playing

1286
01:26:04,400 --> 01:26:08,800
Speaker 1: games with the rivals. They're put on the lights of

1287
01:26:08,840 --> 01:26:11,000
Speaker 1: the city. You know, we pull the cars up, put

1288
01:26:11,000 --> 01:26:14,880
Speaker 1: the headlights on them. If I got waters bomb uniforms,

1289
01:26:15,000 --> 01:26:18,840
Speaker 1: and we have different bloods in the crypts, it ain't

1290
01:26:18,920 --> 01:26:23,040
Speaker 1: blood against gripts. Just like teams with stall up. So

1291
01:26:23,120 --> 01:26:25,559
Speaker 1: when you break bread together and see in the streets

1292
01:26:25,600 --> 01:26:28,599
Speaker 1: and they go back out, now you know that's my people.

1293
01:26:30,680 --> 01:26:33,560
Speaker 1: You know what I like a little bit to just

1294
01:26:33,760 --> 01:26:36,599
Speaker 1: put back to the community where you have any teple

1295
01:26:36,680 --> 01:26:40,040
Speaker 1: connect that ship goes far in hip hop is all

1296
01:26:40,200 --> 01:26:43,840
Speaker 1: within it right right, because you know, the point that

1297
01:26:44,000 --> 01:26:48,200
Speaker 1: we kind of trying to get at um is sometimes

1298
01:26:48,439 --> 01:26:51,000
Speaker 1: are still being in the hood and still being involved

1299
01:26:51,080 --> 01:26:53,280
Speaker 1: with the hood and still being around the hood, and

1300
01:26:53,400 --> 01:26:56,640
Speaker 1: we're not giving something back. The thing about it is

1301
01:26:56,800 --> 01:27:00,320
Speaker 1: we have to we have to push it forward because

1302
01:27:02,240 --> 01:27:06,040
Speaker 1: the error that we live in with black men being

1303
01:27:06,200 --> 01:27:12,960
Speaker 1: murdered every Jing, Chicago, think about I'll get the Chicago next.

1304
01:27:13,000 --> 01:27:15,800
Speaker 1: But I'm saying, you know, just on the streets getting

1305
01:27:15,800 --> 01:27:19,800
Speaker 1: pulled over for traffic, like getting pulled over, like we're

1306
01:27:19,960 --> 01:27:24,480
Speaker 1: at genocide already. How could we admit our own genocide?

1307
01:27:24,960 --> 01:27:27,040
Speaker 1: So like I can't, I don't really want to beef

1308
01:27:27,120 --> 01:27:29,640
Speaker 1: for anybody. I don't want to have you have to

1309
01:27:29,760 --> 01:27:32,439
Speaker 1: do with anybody, have to have problems because we have

1310
01:27:32,600 --> 01:27:38,560
Speaker 1: fucking war within ourselves. What I'm saying, within ourselves, it

1311
01:27:38,760 --> 01:27:42,679
Speaker 1: always hurts and always it always hits home because it's like, damn,

1312
01:27:42,720 --> 01:27:46,320
Speaker 1: I guess what, don't don't we have the same news station,

1313
01:27:47,479 --> 01:27:50,280
Speaker 1: we have the same NFL. How are we still beefing?

1314
01:27:50,520 --> 01:27:54,200
Speaker 1: When we came up, all of us, we had forty houses,

1315
01:27:55,520 --> 01:28:05,280
Speaker 1: We had little drinks, a little bit, we did a

1316
01:28:05,320 --> 01:28:09,280
Speaker 1: different thing. These kids. Now they're getting house ship that

1317
01:28:09,840 --> 01:28:15,920
Speaker 1: the motherfucker would like shrim and lane oxyto, yeah, percocet,

1318
01:28:15,960 --> 01:28:18,200
Speaker 1: And they just waked the funk up and head and

1319
01:28:18,400 --> 01:28:22,320
Speaker 1: jailed for life, like what happened? You killed three motherfucker's

1320
01:28:22,640 --> 01:28:28,840
Speaker 1: two who was your homies? And they so hot? Like

1321
01:28:28,960 --> 01:28:32,200
Speaker 1: we wasn't on that type of ship. It wasn't cool

1322
01:28:32,240 --> 01:28:35,560
Speaker 1: to be a thing. But translation, it wasn't cool to

1323
01:28:35,640 --> 01:28:38,840
Speaker 1: be a fiend just killing guys are just scared to

1324
01:28:38,920 --> 01:28:41,000
Speaker 1: just have a fair one and just walk away from

1325
01:28:41,080 --> 01:28:43,360
Speaker 1: it like that, like that's what it used to be

1326
01:28:43,680 --> 01:28:49,560
Speaker 1: because solved. Your fathers went to the play take the

1327
01:28:49,640 --> 01:29:02,080
Speaker 1: gun like put up them take the board if that time.

1328
01:29:02,280 --> 01:29:05,559
Speaker 1: But we got gift basket. We look ship that's gonna

1329
01:29:05,560 --> 01:29:09,439
Speaker 1: stop showing off, showing off back ship, drink your bags.

1330
01:29:09,520 --> 01:29:25,360
Speaker 1: I never that I never seen that one. You know

1331
01:29:25,520 --> 01:29:31,880
Speaker 1: why you let me just say something. We're gonna get

1332
01:29:31,880 --> 01:29:33,519
Speaker 1: back to everything that we were talking about. But you

1333
01:29:33,640 --> 01:29:37,719
Speaker 1: know what, you guys raised not only me, not only FM,

1334
01:29:37,800 --> 01:29:40,400
Speaker 1: but you raised hip hop. You got stood there. You're

1335
01:29:40,400 --> 01:29:46,040
Speaker 1: still strong. You can consistently stayed the same no matter.

1336
01:29:46,160 --> 01:29:47,880
Speaker 1: I don't get I don't care when I'm here in

1337
01:29:47,920 --> 01:29:51,120
Speaker 1: New Norty record. As long as Cage is on a

1338
01:29:51,280 --> 01:30:01,880
Speaker 1: motherfucking be exactly nigger, it's a it is kicking that

1339
01:30:02,040 --> 01:30:05,000
Speaker 1: ship and then videos coming in there with that button

1340
01:30:05,080 --> 01:30:08,400
Speaker 1: on that bread. That's exactly what it is in hip

1341
01:30:08,439 --> 01:30:12,639
Speaker 1: hop needs to continue to appraise. Praise you. I said

1342
01:30:12,720 --> 01:30:34,840
Speaker 1: a praise. Let's let's roll with that. Translate. I'm drunk.

1343
01:30:35,600 --> 01:30:40,520
Speaker 1: You know you don't. That's why I take you everywhere.

1344
01:30:47,560 --> 01:30:51,040
Speaker 1: Welcome to play a new podcast network featuring radio and

1345
01:30:51,120 --> 01:30:55,719
Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play

1346
01:30:55,760 --> 01:31:00,400
Speaker 1: it at play dot It. We're back to Drink Champs

1347
01:31:00,520 --> 01:31:06,840
Speaker 1: Radio with Rapper and R and d J. Then listen,

1348
01:31:06,960 --> 01:31:10,160
Speaker 1: you know what it is so many people when they

1349
01:31:10,240 --> 01:31:13,080
Speaker 1: when they ride off our legends and when I know

1350
01:31:13,240 --> 01:31:15,880
Speaker 1: the real deal because I'm in the field and I

1351
01:31:16,320 --> 01:31:20,200
Speaker 1: walk around and I know that I see tretching Ruth Chris,

1352
01:31:21,360 --> 01:31:23,000
Speaker 1: and then if he go to the bathroom, I take

1353
01:31:23,040 --> 01:31:25,160
Speaker 1: care of his bill. If I if I go to

1354
01:31:25,200 --> 01:31:27,280
Speaker 1: the bathroom, we take care of my bill. And we're

1355
01:31:27,320 --> 01:31:30,200
Speaker 1: out there living good and just having fun. And it's

1356
01:31:30,280 --> 01:31:32,960
Speaker 1: like I didn't want him to just tell that to me.

1357
01:31:34,080 --> 01:31:36,760
Speaker 1: I wanted to talk to to the world that were

1358
01:31:36,840 --> 01:31:40,040
Speaker 1: out here still living. Just because you don't see a

1359
01:31:40,120 --> 01:31:44,719
Speaker 1: person on the Hottest m cless, don't mean he ain't

1360
01:31:44,760 --> 01:31:51,000
Speaker 1: the hottest MC right, Nigga niggas ain't working at us

1361
01:31:51,880 --> 01:31:58,160
Speaker 1: and you guys I got but yeah, niggas all around

1362
01:31:58,600 --> 01:32:02,200
Speaker 1: world wide asked boards, that's why I was about to

1363
01:32:02,200 --> 01:32:08,559
Speaker 1: go to listen. Let me just tell you something. Number

1364
01:32:08,640 --> 01:32:13,400
Speaker 1: one record in the world, you know, platinum album. I

1365
01:32:13,560 --> 01:32:17,000
Speaker 1: go to London or something like that, and I see that.

1366
01:32:17,200 --> 01:32:20,200
Speaker 1: I saw this is my favorite group, like at the time,

1367
01:32:20,280 --> 01:32:22,639
Speaker 1: like was in my long it's my ship. Now I'm

1368
01:32:22,680 --> 01:32:27,479
Speaker 1: on Tommy Boy. They tell me, boy, I don't understand

1369
01:32:27,800 --> 01:32:33,519
Speaker 1: because time like and I see them, I said, what

1370
01:32:33,640 --> 01:32:36,680
Speaker 1: you're doing out here? He said, we gotta show like

1371
01:32:36,840 --> 01:32:40,000
Speaker 1: two weeks from now, and I laughed at them. I

1372
01:32:40,160 --> 01:32:43,719
Speaker 1: literally was like, what just out here for two weeks?

1373
01:32:43,880 --> 01:32:47,000
Speaker 1: Because I was so young, I didn't know what happened,

1374
01:32:47,840 --> 01:32:52,400
Speaker 1: So alright, cool, here's I went platinum whatever whatever when

1375
01:32:52,520 --> 01:32:59,680
Speaker 1: things went down and not just in Europe for a month. Oh,

1376
01:33:00,000 --> 01:33:06,559
Speaker 1: I understood, But I was so young at that point

1377
01:33:07,680 --> 01:33:11,160
Speaker 1: that when they said, like, you're just chilling in Europe

1378
01:33:11,400 --> 01:33:14,880
Speaker 1: for two extra weeks. I have no idea about features,

1379
01:33:15,360 --> 01:33:18,559
Speaker 1: I have no idea about hosting mixtapes. I have no idea.

1380
01:33:18,600 --> 01:33:21,320
Speaker 1: But I'm sitting because to me, Europe at that time

1381
01:33:21,439 --> 01:33:23,679
Speaker 1: was like, why be here. I can be in Harlem,

1382
01:33:24,400 --> 01:33:27,479
Speaker 1: I can be in New Orleans, I could be in Miami,

1383
01:33:27,600 --> 01:33:30,360
Speaker 1: I could be in l A. And then years later,

1384
01:33:30,479 --> 01:33:33,000
Speaker 1: when I sat back, and you know what, hip hop

1385
01:33:33,200 --> 01:33:36,360
Speaker 1: might live real hip hop, the hip hop that we're

1386
01:33:36,400 --> 01:33:41,400
Speaker 1: all talking about, might live more in Europe. It doesn't.

1387
01:33:46,280 --> 01:33:49,719
Speaker 1: In Europe is out there six o'clock in the afternoon,

1388
01:33:49,760 --> 01:33:51,960
Speaker 1: and I'm like, what time to close? Club opening, like

1389
01:33:52,080 --> 01:33:55,160
Speaker 1: nine o'clock, Like wait a minute, why are they out there?

1390
01:33:55,200 --> 01:33:57,439
Speaker 1: Why my sound check? Because they want to be the

1391
01:33:57,520 --> 01:34:00,080
Speaker 1: first people in there, and they're out there breakdance. This

1392
01:34:00,160 --> 01:34:04,120
Speaker 1: nick is doing graffiti at the venue. Yeah, this is

1393
01:34:04,200 --> 01:34:06,160
Speaker 1: a bad thing about I. Ever, when they got that

1394
01:34:06,920 --> 01:34:09,200
Speaker 1: where you can see the old school or the throwback

1395
01:34:09,280 --> 01:34:14,120
Speaker 1: the nineties eight, then that say this like America and

1396
01:34:14,240 --> 01:34:18,799
Speaker 1: this is like the world like compared to us. However,

1397
01:34:18,960 --> 01:34:22,479
Speaker 1: we could go all over and tour. If you ain't

1398
01:34:22,520 --> 01:34:24,920
Speaker 1: got that content like that, you know you got Japan.

1399
01:34:26,040 --> 01:34:32,120
Speaker 1: They break dancing still, they look at you they don't

1400
01:34:32,160 --> 01:34:38,280
Speaker 1: know English. Here's one thing I want to tell you, guys,

1401
01:34:38,720 --> 01:34:40,760
Speaker 1: and I want to tell the worst to the audience. Man,

1402
01:34:41,200 --> 01:34:44,000
Speaker 1: do not take your own backyard for granted. Because, like

1403
01:34:44,160 --> 01:34:46,960
Speaker 1: we told you all those new style stories, we got

1404
01:34:47,160 --> 01:34:50,639
Speaker 1: fucking established as the new stop right there in our backyard.

1405
01:34:50,960 --> 01:34:54,880
Speaker 1: It was our high school auditorium where we got our

1406
01:34:54,960 --> 01:34:58,560
Speaker 1: first studience. Then we mastered our backyard, and then we

1407
01:34:58,720 --> 01:35:01,599
Speaker 1: took it where we took it. Don't keep letting people

1408
01:35:01,840 --> 01:35:05,320
Speaker 1: or don't let people tell you all the money is overseas.

1409
01:35:05,640 --> 01:35:07,960
Speaker 1: When we have all of these, we have the whole

1410
01:35:08,120 --> 01:35:13,000
Speaker 1: United States right here. That's right now. I'm telling let

1411
01:35:13,040 --> 01:35:17,400
Speaker 1: me just let me just tell you this. I'm gonna

1412
01:35:17,680 --> 01:35:21,759
Speaker 1: drop it on you. Seventeen we will be doing easily

1413
01:35:22,120 --> 01:35:26,639
Speaker 1: one hundred amphitheaters and arenas in the United States. That's

1414
01:35:26,680 --> 01:35:29,880
Speaker 1: not going to Canada. It's not going nowhere. Eight to

1415
01:35:30,040 --> 01:35:33,040
Speaker 1: ten thousand people, man on this. I love the nineties tour,

1416
01:35:33,600 --> 01:35:37,400
Speaker 1: but working with our agency and the game is evolving.

1417
01:35:37,640 --> 01:35:40,800
Speaker 1: The game is evolving. These package dates are the ship.

1418
01:35:41,439 --> 01:35:44,360
Speaker 1: But how about these new artists? Right will throw out

1419
01:35:44,400 --> 01:35:47,439
Speaker 1: a record and it's hot on the internet, and the

1420
01:35:47,920 --> 01:35:50,960
Speaker 1: good thing and The bad thing about the internet is

1421
01:35:51,000 --> 01:35:53,679
Speaker 1: when it's hot on the internet, it's hot in places

1422
01:35:53,800 --> 01:35:58,320
Speaker 1: we don't know. They can't really build a foundation. Like

1423
01:35:58,640 --> 01:36:01,439
Speaker 1: I forget. This guy is a white guy. He said, Um,

1424
01:36:02,120 --> 01:36:04,839
Speaker 1: the white guy only needs is a good booking agency.

1425
01:36:05,240 --> 01:36:08,200
Speaker 1: You know, Um no, not no, not post a loan.

1426
01:36:08,280 --> 01:36:11,200
Speaker 1: The guy, he said, he's not about that life. Oh

1427
01:36:11,400 --> 01:36:14,599
Speaker 1: Slim something, sim boy, Well, Slim, you just put out

1428
01:36:14,640 --> 01:36:17,599
Speaker 1: the record. His record blew up and he couldn't even

1429
01:36:18,360 --> 01:36:21,160
Speaker 1: even if he wanted to build up his own hometown,

1430
01:36:21,600 --> 01:36:24,040
Speaker 1: he couldn't because he when he threw it up on

1431
01:36:24,360 --> 01:36:27,960
Speaker 1: on the internet, it blew up everywhere else. So how

1432
01:36:27,960 --> 01:36:35,639
Speaker 1: about these guys like this? I just said, I see

1433
01:36:35,760 --> 01:36:38,160
Speaker 1: what you can do to like like even like going

1434
01:36:38,240 --> 01:36:42,280
Speaker 1: back like just to to just funds relating to us,

1435
01:36:42,520 --> 01:36:45,519
Speaker 1: and and and going into like to piggyback of what

1436
01:36:45,600 --> 01:36:47,840
Speaker 1: you're talking about. It's like even with us, like we

1437
01:36:48,080 --> 01:36:51,040
Speaker 1: felt like I guess my point, I'm trying to say,

1438
01:36:51,080 --> 01:36:53,360
Speaker 1: it's even without Slim Jesus or anybody like that. You

1439
01:36:53,439 --> 01:36:56,360
Speaker 1: got to continue to plan and continue to build, like

1440
01:36:56,479 --> 01:36:58,840
Speaker 1: you said, you can still build that home as well

1441
01:36:58,960 --> 01:37:01,760
Speaker 1: as outside. Like even with us, we locked our hometown

1442
01:37:01,880 --> 01:37:05,200
Speaker 1: down at home and I was our city and in

1443
01:37:05,320 --> 01:37:08,599
Speaker 1: our state. But then our we were said, we said,

1444
01:37:08,640 --> 01:37:10,920
Speaker 1: this Tom is spread out now and we went in

1445
01:37:11,000 --> 01:37:12,840
Speaker 1: New York and the first time we went in New

1446
01:37:12,960 --> 01:37:15,719
Speaker 1: York was birthday party. They booed aside in that place.

1447
01:37:15,960 --> 01:37:22,240
Speaker 1: And we were a bun birthday because we said from

1448
01:37:23,000 --> 01:37:26,639
Speaker 1: because it was Right Alerts birthday party. Right, so back

1449
01:37:26,760 --> 01:37:29,200
Speaker 1: then and this was the eighties, we would have style.

1450
01:37:29,280 --> 01:37:32,040
Speaker 1: We weren't even Norty by nature yet. So there's Daylight

1451
01:37:32,120 --> 01:37:35,560
Speaker 1: Sould trip called Quest Queen for krus One, you name it,

1452
01:37:35,640 --> 01:37:39,599
Speaker 1: you name at Right Alert's birthday party. We come there

1453
01:37:39,680 --> 01:37:42,160
Speaker 1: because Ka's brother was managing us at the time and

1454
01:37:42,240 --> 01:37:45,000
Speaker 1: he knew the promoter who was throwing the party. So

1455
01:37:45,200 --> 01:37:47,000
Speaker 1: he's like, back, we'll put you all on as the

1456
01:37:47,080 --> 01:37:50,080
Speaker 1: new style of just opened up. Before whatever else happened,

1457
01:37:50,439 --> 01:37:53,480
Speaker 1: we got up there and that this was the craziest

1458
01:37:53,520 --> 01:37:59,120
Speaker 1: ship in December. We got up even if I was first,

1459
01:37:59,600 --> 01:38:03,439
Speaker 1: I'm saying that we're from Nordy. My nature went from Jersey.

1460
01:38:03,680 --> 01:38:06,559
Speaker 1: We got booed before we even dropped the racket. Then

1461
01:38:06,640 --> 01:38:09,479
Speaker 1: when we dropped, they bowed us out of the building.

1462
01:38:09,920 --> 01:38:13,880
Speaker 1: The craziest part is when we pulled up the street

1463
01:38:14,200 --> 01:38:16,960
Speaker 1: clear like this. By the time we got bulled and

1464
01:38:17,080 --> 01:38:19,200
Speaker 1: had to drive back to Jersey, it was like three

1465
01:38:19,240 --> 01:38:29,559
Speaker 1: ft of snow out there, Jersey. You know what. Look,

1466
01:38:30,800 --> 01:38:39,599
Speaker 1: we sat whole rod and I'm doing it. Never happened,

1467
01:38:39,920 --> 01:38:48,960
Speaker 1: Never say we would time right, We went back to

1468
01:38:49,120 --> 01:38:53,200
Speaker 1: the drawing boy like until this fucking day. Man, We

1469
01:38:53,280 --> 01:38:56,000
Speaker 1: don't care about what you know. We got the brand,

1470
01:38:56,080 --> 01:38:58,519
Speaker 1: we got the legacy, we got the lot of the people.

1471
01:38:58,680 --> 01:39:01,200
Speaker 1: You have the Internet, you have the proper tools and

1472
01:39:01,280 --> 01:39:04,599
Speaker 1: to own to operate a business. Roll up your fucking sleeves,

1473
01:39:04,680 --> 01:39:08,120
Speaker 1: investing yourself, stay on top of your ship and you

1474
01:39:08,240 --> 01:39:23,280
Speaker 1: can manage and missing and I bust. You know it.

1475
01:39:23,560 --> 01:39:25,960
Speaker 1: Nigga would count you out a million times, they say,

1476
01:39:26,200 --> 01:39:29,200
Speaker 1: not trying to hear that ship. You're banging out with component,

1477
01:39:29,240 --> 01:39:31,760
Speaker 1: trying to figure out new music. You can't lust on

1478
01:39:31,880 --> 01:39:35,960
Speaker 1: these niggas with tree chats. Hold different lane, man, all right,

1479
01:39:37,040 --> 01:39:39,600
Speaker 1: that's what the game is about. That we had a

1480
01:39:39,760 --> 01:39:46,439
Speaker 1: guy already voted for you to stay on top ship.

1481
01:39:47,160 --> 01:39:50,960
Speaker 1: Anybody could do every fucking thing. Prey voted for you

1482
01:39:51,080 --> 01:39:58,840
Speaker 1: already already, nigga. Man, it's yeah, it's a politician like

1483
01:39:58,920 --> 01:40:02,479
Speaker 1: a mother for you. We do this ship, man, We've

1484
01:40:02,600 --> 01:40:07,080
Speaker 1: been doing this ship for years. Man, when when we

1485
01:40:07,160 --> 01:40:09,880
Speaker 1: had a minute before we went in New York, he said, no,

1486
01:40:10,160 --> 01:40:20,280
Speaker 1: don't say we from Jersey because I's going to whip least,

1487
01:40:23,000 --> 01:40:28,559
Speaker 1: there were gory say do not say we from Jersey,

1488
01:40:29,479 --> 01:40:32,559
Speaker 1: rock back, motherfucking frost niggas and hip hop. Don't know man,

1489
01:40:32,640 --> 01:40:36,880
Speaker 1: if you wasn't frond of the Five Boroughs back year.

1490
01:40:38,600 --> 01:40:50,679
Speaker 1: This was like before we say eighty nine, he's eighteen,

1491
01:40:50,800 --> 01:41:02,160
Speaker 1: nineteen years old from fucking Jersey. We were away. One thing.

1492
01:41:02,240 --> 01:41:06,640
Speaker 1: One thing was when DMC was sort of like your inspiration,

1493
01:41:13,320 --> 01:41:24,640
Speaker 1: please food every Friday nightmare. Let me tell you this

1494
01:41:24,760 --> 01:41:27,719
Speaker 1: to even with all of that, right, a trade coat

1495
01:41:27,920 --> 01:41:35,559
Speaker 1: in middle school with a briefcase, and that motherfucker came

1496
01:41:35,680 --> 01:41:41,840
Speaker 1: on the radio playing motherfucking motherfucker season Ship here. You

1497
01:41:41,920 --> 01:41:45,120
Speaker 1: know all that motherfucker is like yo, the washing lord.

1498
01:41:46,880 --> 01:41:49,679
Speaker 1: You know, like you said saying, I don't start feeling

1499
01:41:49,720 --> 01:41:52,600
Speaker 1: it was my ship. I was little ll that we

1500
01:41:52,760 --> 01:41:56,080
Speaker 1: came out. When we came out, was mad because Kumod

1501
01:41:56,360 --> 01:41:59,760
Speaker 1: was like he took out dodskin niggers, but I love

1502
01:42:00,439 --> 01:42:07,960
Speaker 1: you feel me then dar he's Niggs man. Then if

1503
01:42:08,000 --> 01:42:13,439
Speaker 1: you need Darson Niggs coming back. Daddy can can't translate

1504
01:42:13,640 --> 01:42:16,600
Speaker 1: big Daddy can't put chocolate back. But you know what.

1505
01:42:16,880 --> 01:42:21,000
Speaker 1: On another speaking of Run Damn Ce like we've always been,

1506
01:42:21,080 --> 01:42:24,280
Speaker 1: like you said, we've been everything we do. See we

1507
01:42:24,360 --> 01:42:28,320
Speaker 1: call it like everything's after them like we but we

1508
01:42:28,520 --> 01:42:31,720
Speaker 1: when we came out in ninety four ninety three, we

1509
01:42:31,800 --> 01:42:41,960
Speaker 1: came out with hip hop array hip. They still they said,

1510
01:42:43,200 --> 01:42:53,160
Speaker 1: backtrack to that reckon with the decoration of that and

1511
01:42:53,200 --> 01:42:56,320
Speaker 1: the evolution of it. But even with that, we were,

1512
01:42:56,479 --> 01:42:58,920
Speaker 1: like you said about feeling itself. We came out with

1513
01:42:59,040 --> 01:43:01,599
Speaker 1: that I thought first time, and we sold millions of records.

1514
01:43:01,680 --> 01:43:03,519
Speaker 1: Come out with this. We're back on top. We're gonna

1515
01:43:03,720 --> 01:43:06,360
Speaker 1: got our own tour. We're like, yo, listen, we love

1516
01:43:06,479 --> 01:43:08,640
Speaker 1: running them. See this is who we came up on.

1517
01:43:09,000 --> 01:43:10,840
Speaker 1: And at that time people start to sleep on Run

1518
01:43:10,920 --> 01:43:13,120
Speaker 1: Damn See, like, oh they're over. We put them on

1519
01:43:13,240 --> 01:43:19,320
Speaker 1: to we we see now listen what we were saying

1520
01:43:19,360 --> 01:43:23,160
Speaker 1: to ourselves. But our audience gonna come see us. We're

1521
01:43:23,200 --> 01:43:27,080
Speaker 1: gonna murder them. Man. The very first show, Rinch member

1522
01:43:28,200 --> 01:43:33,680
Speaker 1: Rich Richt tell us story. They said, tell U, man,

1523
01:43:33,840 --> 01:43:37,840
Speaker 1: mother fucking now, I'm talking to the hell that. I said, no,

1524
01:43:38,120 --> 01:43:40,280
Speaker 1: we don't want one. Then see we said, fucking cancel

1525
01:43:40,360 --> 01:43:42,000
Speaker 1: the tour run d n C can't come out. I

1526
01:43:42,600 --> 01:43:45,920
Speaker 1: said that that we wanted to tell the old story anyway.

1527
01:43:46,560 --> 01:43:50,960
Speaker 1: We said. We were out there and we're like, yo,

1528
01:43:51,120 --> 01:43:54,080
Speaker 1: I showed it crazy grow. We're gonna go out here

1529
01:43:54,080 --> 01:43:56,559
Speaker 1: and they can do whatever. We're gonna kill them, man,

1530
01:43:56,920 --> 01:44:01,120
Speaker 1: then see what out good head bop the very first,

1531
01:44:01,360 --> 01:44:04,200
Speaker 1: the very first, every show I've learned us nigger. We

1532
01:44:04,240 --> 01:44:08,080
Speaker 1: didn't go close, gonna go troll. We're gonna play position,

1533
01:44:08,439 --> 01:44:13,759
Speaker 1: going before them niggers because you're going after the headline.

1534
01:44:14,600 --> 01:44:18,160
Speaker 1: You one DFC. If you lest somebody set you over

1535
01:44:18,280 --> 01:44:21,719
Speaker 1: that that's how I did go as him one DFC

1536
01:44:22,040 --> 01:44:29,519
Speaker 1: niggers it up. You don't want to for a lot

1537
01:44:29,600 --> 01:44:31,360
Speaker 1: of people don't want to, don't want to go on

1538
01:44:33,120 --> 01:44:38,320
Speaker 1: a lot of people like you can't go after wends

1539
01:44:38,400 --> 01:44:46,880
Speaker 1: nehing like we do you fresh, don't you know what about?

1540
01:44:46,880 --> 01:44:50,559
Speaker 1: I was actually my first deal. I want time boy.

1541
01:44:50,640 --> 01:44:53,400
Speaker 1: Then death came in heroded yea, yeah, yeah. Because I

1542
01:44:53,439 --> 01:44:55,400
Speaker 1: didn't like Tom Silman. He kept coming to means but

1543
01:44:55,479 --> 01:44:58,960
Speaker 1: eline on this, I just I just thought it was weird.

1544
01:44:59,040 --> 01:45:14,240
Speaker 1: He he was doing normal like rustling and then nas

1545
01:45:14,600 --> 01:45:18,840
Speaker 1: and I can l A and and your closets. He

1546
01:45:18,960 --> 01:45:21,679
Speaker 1: came out, came out of the class when he got away.

1547
01:45:21,680 --> 01:45:27,120
Speaker 1: Any time I came in here looking for nih, he

1548
01:45:27,280 --> 01:45:31,200
Speaker 1: just just like it was like like that, you know

1549
01:45:34,800 --> 01:45:37,000
Speaker 1: where he whatever you are? What do you guys? What

1550
01:45:37,120 --> 01:45:39,240
Speaker 1: do you guys thinking the game today? What are you

1551
01:45:39,320 --> 01:45:41,280
Speaker 1: thinking that? You know what I'm thinking the game the

1552
01:45:41,439 --> 01:45:44,280
Speaker 1: half of hip hop, and he's a hip I think

1553
01:45:44,360 --> 01:45:50,000
Speaker 1: half of me says, um uh, they're not doing real

1554
01:45:50,120 --> 01:45:52,360
Speaker 1: hip hop. But then the other half of me says,

1555
01:45:53,560 --> 01:45:55,680
Speaker 1: they said the same thing about you when you were

1556
01:45:55,760 --> 01:45:58,479
Speaker 1: doing I listened to what my kids want to listen to.

1557
01:45:59,000 --> 01:46:01,559
Speaker 1: I listened to that. I see the good all the time.

1558
01:46:01,600 --> 01:46:11,600
Speaker 1: When we first name, I like because you know, you know,

1559
01:46:11,840 --> 01:46:15,960
Speaker 1: like I like the gut ship. It's like it's like,

1560
01:46:16,160 --> 01:46:20,000
Speaker 1: you know what happened one day was club I started

1561
01:46:20,040 --> 01:46:23,040
Speaker 1: living here. I start living here, and no matter what,

1562
01:46:23,640 --> 01:46:25,320
Speaker 1: you go to a club, and the club they play

1563
01:46:25,400 --> 01:46:29,040
Speaker 1: the young ship, So you know, I'm cool. And then

1564
01:46:29,120 --> 01:46:31,439
Speaker 1: one day my son pick up not saying I love you.

1565
01:46:31,479 --> 01:46:35,040
Speaker 1: I miss you. It's in basketball camp. Motherfucker call me.

1566
01:46:35,680 --> 01:46:43,120
Speaker 1: You know, they don't want to call me because translation anyway,

1567
01:46:43,280 --> 01:46:47,000
Speaker 1: yeah playing ball. So anyway, Um, I used to walk

1568
01:46:47,080 --> 01:46:48,960
Speaker 1: past my son and room and I used to hear

1569
01:46:49,080 --> 01:46:51,400
Speaker 1: the ship that I heard in the club. So now

1570
01:46:51,479 --> 01:46:54,640
Speaker 1: I started to get curious and I started to be like,

1571
01:46:54,680 --> 01:46:58,080
Speaker 1: all right, well why is he listening to that? So

1572
01:46:58,120 --> 01:46:59,680
Speaker 1: I would tell him, come out your head, take the

1573
01:46:59,720 --> 01:47:03,840
Speaker 1: beach pill and he'll be like, if you don't want

1574
01:47:03,840 --> 01:47:06,360
Speaker 1: to hear my ship, pop like, first of don't call

1575
01:47:06,400 --> 01:47:13,640
Speaker 1: me pop dad dad, just flick that sound pop sounds like.

1576
01:47:20,840 --> 01:47:22,800
Speaker 1: And then I started to I started saying, you know what,

1577
01:47:23,040 --> 01:47:26,479
Speaker 1: I'm not gonna judge my son because my parents ain't

1578
01:47:26,520 --> 01:47:28,880
Speaker 1: judging me. Some of them him listening to what you

1579
01:47:28,960 --> 01:47:31,320
Speaker 1: listen to. And that's what kind of got me into

1580
01:47:31,439 --> 01:47:36,200
Speaker 1: the new generation like acceptable, Like I could care less.

1581
01:47:36,320 --> 01:47:40,680
Speaker 1: I'll be in the club, say so be live, but

1582
01:47:40,800 --> 01:47:50,240
Speaker 1: you know that's a loon. But switch DRIV dreams and

1583
01:47:50,600 --> 01:47:52,479
Speaker 1: story and I'll be in the end. I'll be like

1584
01:47:52,960 --> 01:47:57,200
Speaker 1: and I'll find myself loving this ship, not even liking it,

1585
01:47:57,400 --> 01:48:00,320
Speaker 1: loving it the same music that I know. But if

1586
01:48:00,360 --> 01:48:03,320
Speaker 1: I was to listen to it in the nineties or

1587
01:48:03,439 --> 01:48:06,560
Speaker 1: in are you going to left racking and listen to

1588
01:48:06,720 --> 01:48:10,479
Speaker 1: that ship but your peers no, amos, my peers no,

1589
01:48:11,000 --> 01:48:15,719
Speaker 1: but here you and left the young kids and kids

1590
01:48:16,680 --> 01:48:20,880
Speaker 1: where they are listening to that. So instead of me

1591
01:48:21,000 --> 01:48:24,360
Speaker 1: being like like a dude like that, I started to

1592
01:48:24,600 --> 01:48:32,280
Speaker 1: listen right well right, you know, yeah, don't see but no, no,

1593
01:48:32,600 --> 01:48:34,360
Speaker 1: but the thing, you know what it is. I think

1594
01:48:34,400 --> 01:48:37,320
Speaker 1: a lot of people, I think, not not not all

1595
01:48:37,400 --> 01:48:39,479
Speaker 1: of them, but I think some are most of them

1596
01:48:39,840 --> 01:48:43,280
Speaker 1: that do have the total total like shut out of

1597
01:48:43,400 --> 01:48:45,960
Speaker 1: and just be like that that is that because they

1598
01:48:46,000 --> 01:48:49,800
Speaker 1: don't have kids. If you have kids, they will start

1599
01:48:50,000 --> 01:48:52,920
Speaker 1: understanding because you see how they react to it and

1600
01:48:53,080 --> 01:48:55,000
Speaker 1: you listen to them listen to it, Like you said

1601
01:48:55,040 --> 01:48:58,439
Speaker 1: the same thing what you said, I can relate together.

1602
01:48:58,960 --> 01:49:06,400
Speaker 1: I was seen Translations that's been playing that stuff for years,

1603
01:49:07,040 --> 01:49:08,960
Speaker 1: and I just hear him playing it, and I hear

1604
01:49:09,040 --> 01:49:11,960
Speaker 1: I'm saying these songs to three months before they even

1605
01:49:12,080 --> 01:49:14,880
Speaker 1: come out, like because they get that. All those kids do,

1606
01:49:14,960 --> 01:49:17,280
Speaker 1: they explore, they get off the internet, and then they

1607
01:49:17,320 --> 01:49:19,160
Speaker 1: played in their rooms and then all of a sudden

1608
01:49:19,200 --> 01:49:21,320
Speaker 1: the radio starts playing it. Later. But you've been a herd.

1609
01:49:21,360 --> 01:49:27,400
Speaker 1: Don't playing it this head? And I was starting anyway,

1610
01:49:27,520 --> 01:49:34,400
Speaker 1: perfect one, Jake Ford, I think it changed this motherfucker

1611
01:49:34,479 --> 01:49:37,920
Speaker 1: game man had the motherfucker new motherfucker to do a project.

1612
01:49:38,000 --> 01:49:41,760
Speaker 1: We got the old doctor throwback tracks from the era,

1613
01:49:42,320 --> 01:49:45,720
Speaker 1: having my money and Kazi our nephew there he had

1614
01:49:45,760 --> 01:49:58,200
Speaker 1: a hit and all that battle. Actually, okay, KG got

1615
01:49:58,280 --> 01:50:02,080
Speaker 1: a question I gotta ask. Let me actually this yes today, yeah,

1616
01:50:03,160 --> 01:50:09,639
Speaker 1: which you make a song incorporating that side that style

1617
01:50:09,720 --> 01:50:12,160
Speaker 1: of music, if you today, if you if you were

1618
01:50:12,200 --> 01:50:16,879
Speaker 1: making a record, I did already. Um funk flex actually

1619
01:50:17,000 --> 01:50:20,000
Speaker 1: went crazy on my my new record because I know

1620
01:50:20,160 --> 01:50:23,360
Speaker 1: and I know it's younger new style. No, it's not

1621
01:50:23,520 --> 01:50:32,400
Speaker 1: younger new style. I'm sorry. I'm sorry. When you made

1622
01:50:32,479 --> 01:50:39,320
Speaker 1: the fucking trap beat today, I didn't get that. I

1623
01:50:39,400 --> 01:50:45,320
Speaker 1: didn't like translations. Did it translation? If you mentioned a

1624
01:50:45,400 --> 01:50:48,400
Speaker 1: certain motherfucker, we don't you get your money with that.

1625
01:50:48,520 --> 01:50:51,080
Speaker 1: We don't sunk up your money. You got are no where,

1626
01:50:52,000 --> 01:50:56,800
Speaker 1: don't go through the stage. Didn't and we rolling two

1627
01:50:56,920 --> 01:51:01,040
Speaker 1: years ago. Yo, let's do a project where the path

1628
01:51:02,080 --> 01:51:05,679
Speaker 1: play yourself that probably lang yourself. Thank you. I wasn't

1629
01:51:05,680 --> 01:51:07,920
Speaker 1: comfortable in that you know and you you know what,

1630
01:51:08,120 --> 01:51:10,479
Speaker 1: don't go down to do that. But you don't have

1631
01:51:10,640 --> 01:51:14,080
Speaker 1: to do that, my husband, that's a bridge. There's the

1632
01:51:14,320 --> 01:51:22,439
Speaker 1: biggest podcast in the world. Before that thought trap music

1633
01:51:22,680 --> 01:51:29,880
Speaker 1: didn't work. I didn't crack you like the old mom movie.

1634
01:51:30,160 --> 01:51:35,760
Speaker 1: You know, you had to connect with you. We got

1635
01:51:36,000 --> 01:51:39,720
Speaker 1: conn Why don't sucking us and connecting blow up back?

1636
01:51:40,439 --> 01:51:43,840
Speaker 1: You don't be sharing your stand you know, he go

1637
01:51:44,040 --> 01:51:46,679
Speaker 1: get him? You come straight up to the Just text

1638
01:51:46,760 --> 01:51:50,679
Speaker 1: me on that mother ship up. We're listen. We're gonna

1639
01:51:50,840 --> 01:51:55,680
Speaker 1: like a thousands and Jersey niggers. Yeah, train can right down.

1640
01:51:56,400 --> 01:51:58,320
Speaker 1: You know what I'm just saying for the video, Yeah,

1641
01:51:58,560 --> 01:52:05,240
Speaker 1: showing like gonna do it. You goddamn it is nor

1642
01:52:05,479 --> 01:52:10,200
Speaker 1: what's the relationship with who for? That's my brother. He

1643
01:52:10,280 --> 01:52:13,679
Speaker 1: just texts me, marry Christmas. I wished to a married Christmas.

1644
01:52:13,720 --> 01:52:17,719
Speaker 1: I've been texting a wrong number because my phone hasn't

1645
01:52:17,720 --> 01:52:22,439
Speaker 1: been backed up in thirty six thirty eight weeks, thirty

1646
01:52:22,479 --> 01:52:25,599
Speaker 1: eight weeks. And it's because I'm a bowls I'm got

1647
01:52:25,640 --> 01:52:29,240
Speaker 1: from resource from from special education that will kick your

1648
01:52:29,280 --> 01:52:39,759
Speaker 1: ass in science class, I'm good, I'm just every other class.

1649
01:52:48,400 --> 01:52:50,400
Speaker 1: I don't want to keep you the kid. But you

1650
01:52:50,479 --> 01:52:53,000
Speaker 1: know that's the homie. I haven't spoke to him because

1651
01:52:53,600 --> 01:52:57,160
Speaker 1: what happened was we were we were doing That's that's

1652
01:52:57,200 --> 01:52:59,559
Speaker 1: always been. So what happened to the tracks were done?

1653
01:53:00,000 --> 01:53:01,800
Speaker 1: Said the studio on the whole side of your house

1654
01:53:03,600 --> 01:53:07,679
Speaker 1: got the quest but I didn't know. I was thinking

1655
01:53:07,760 --> 01:53:13,320
Speaker 1: that up. Hit me, what are you doing? I said

1656
01:53:15,160 --> 01:53:19,760
Speaker 1: this on the board of the bus, and sometime were

1657
01:53:19,760 --> 01:53:22,840
Speaker 1: on the board we gotta saying that it's good. It's

1658
01:53:22,880 --> 01:53:24,680
Speaker 1: just were on the board of the boss. I want

1659
01:53:24,760 --> 01:53:30,439
Speaker 1: the webinar on at each other. Were fighting each other

1660
01:53:30,600 --> 01:53:36,720
Speaker 1: just to get the car. They say, you don't say

1661
01:53:37,360 --> 01:53:40,560
Speaker 1: we gotta saying. And it's called pie p I E.

1662
01:53:40,880 --> 01:53:42,800
Speaker 1: And this is what you all need to understand. P

1663
01:53:43,080 --> 01:53:50,760
Speaker 1: I E. Positioning is everything. Positioning You position yourself and

1664
01:53:50,840 --> 01:53:53,920
Speaker 1: without giving up too much normy you're doing your thing.

1665
01:53:54,600 --> 01:54:01,200
Speaker 1: Blocks the podcast journalists help. I saw when you saw

1666
01:54:01,320 --> 01:54:03,800
Speaker 1: you like you went to I follow you on social

1667
01:54:03,840 --> 01:54:07,439
Speaker 1: media going to one of these fucking journalism media events,

1668
01:54:08,080 --> 01:54:10,760
Speaker 1: like you know what I'm really seeing. This is my

1669
01:54:10,920 --> 01:54:13,360
Speaker 1: first time showing up at one of these motherfucker's as

1670
01:54:13,400 --> 01:54:17,080
Speaker 1: a journal That's true. So what's the experience, the diversity.

1671
01:54:17,200 --> 01:54:19,360
Speaker 1: People need to learn from you too. How do you

1672
01:54:19,520 --> 01:54:23,000
Speaker 1: work that brand, diversify that brand, find out the avenues

1673
01:54:23,400 --> 01:54:28,000
Speaker 1: to reinvent yourself. Well, I just reedituate. What I was

1674
01:54:28,160 --> 01:54:33,040
Speaker 1: kind of saying earlier was um, the brother that sits

1675
01:54:33,120 --> 01:54:38,160
Speaker 1: right there, DJ and my brother. He kept telling me, Yo,

1676
01:54:38,280 --> 01:54:40,000
Speaker 1: we should do something, we should do because we had

1677
01:54:40,040 --> 01:54:43,040
Speaker 1: a radio show at first, and then this has been

1678
01:54:43,120 --> 01:54:47,200
Speaker 1: serious satellite and exing combined it because I remember at

1679
01:54:47,240 --> 01:54:52,800
Speaker 1: first Serious See was separate. So we had a radio

1680
01:54:52,880 --> 01:54:56,000
Speaker 1: show and it did pretty good. But then when it

1681
01:54:56,120 --> 01:54:58,200
Speaker 1: merged it together, I believe I had just moved to

1682
01:54:58,320 --> 01:55:00,240
Speaker 1: Miami and it was like, yeah, I could do the

1683
01:55:00,280 --> 01:55:02,400
Speaker 1: show if you do to New York. I forget what

1684
01:55:02,680 --> 01:55:05,400
Speaker 1: exactly what it was, and then we stopped doing it.

1685
01:55:06,120 --> 01:55:13,320
Speaker 1: But if he sort of knew what we had when

1686
01:55:13,400 --> 01:55:17,520
Speaker 1: we did this show, so I reiterated to me, kept saying,

1687
01:55:17,560 --> 01:55:20,760
Speaker 1: you're let's do something, let's do something. And I had

1688
01:55:20,880 --> 01:55:24,920
Speaker 1: did a podcast, you know, long story short, and then

1689
01:55:25,000 --> 01:55:29,400
Speaker 1: we started doing this and then we our idea was

1690
01:55:30,360 --> 01:55:33,800
Speaker 1: fuck it. I listened to how Nuny seven, I listened

1691
01:55:33,800 --> 01:55:36,120
Speaker 1: to Power Lardy nine now Here, I listened to all

1692
01:55:36,200 --> 01:55:39,720
Speaker 1: that and all these platforms is based on the old

1693
01:55:39,840 --> 01:55:45,280
Speaker 1: nigga that's hot or the new nigga that's hot. Why

1694
01:55:45,320 --> 01:55:50,560
Speaker 1: don't we praise our legends. Why don't we say and

1695
01:55:50,720 --> 01:55:53,960
Speaker 1: say and say you know what yo, listen, listen. I

1696
01:55:54,080 --> 01:55:56,120
Speaker 1: know we quoted some of your records where you can

1697
01:55:56,200 --> 01:55:58,720
Speaker 1: go through your albums. I know your words word, but

1698
01:55:59,440 --> 01:56:10,240
Speaker 1: still got um noon. Understand that it's business. What you're

1699
01:56:10,280 --> 01:56:13,080
Speaker 1: saying is the reality is what corporate America, all the

1700
01:56:13,160 --> 01:56:16,960
Speaker 1: corporate radio stations. It's business. It's not personal. We all

1701
01:56:17,080 --> 01:56:20,160
Speaker 1: know all of these programmers people run these stations. They

1702
01:56:20,200 --> 01:56:23,000
Speaker 1: would love to do more, but they have to follow

1703
01:56:23,080 --> 01:56:25,760
Speaker 1: the order of the day. And it takes cots like

1704
01:56:25,960 --> 01:56:28,440
Speaker 1: you who you know this side of the game to

1705
01:56:28,560 --> 01:56:31,520
Speaker 1: bring a nory in and create your own. My favorite

1706
01:56:31,600 --> 01:56:35,480
Speaker 1: coment is if it doesn't exist, creative. So that's all

1707
01:56:35,560 --> 01:56:38,000
Speaker 1: it takes. You listen to all of this ship, you

1708
01:56:38,120 --> 01:56:40,240
Speaker 1: see what's going on, you say, you know what's missing,

1709
01:56:40,480 --> 01:56:43,160
Speaker 1: and that's what Pop said, ain't the weakness in the game,

1710
01:56:43,200 --> 01:56:45,880
Speaker 1: and sew it up and then so many people, so

1711
01:56:46,000 --> 01:56:49,320
Speaker 1: many people that I know that's real. Hip hop lovers

1712
01:56:49,800 --> 01:56:52,840
Speaker 1: used to get playing about hip hop and the thing is,

1713
01:56:53,640 --> 01:56:56,200
Speaker 1: I love what they're complaining about, but I didn't want

1714
01:56:56,240 --> 01:57:00,880
Speaker 1: to complain. I want to do something about it. So

1715
01:57:01,320 --> 01:57:05,240
Speaker 1: me and my partner got together day. Yeah, I don't

1716
01:57:05,240 --> 01:57:08,680
Speaker 1: want to pronounce your last name. Yeah yeah, that ship

1717
01:57:08,840 --> 01:57:11,920
Speaker 1: is like that ship is like German last not see

1718
01:57:12,000 --> 01:57:16,680
Speaker 1: what I mean, But I said, yo, let's let's let's

1719
01:57:17,440 --> 01:57:20,480
Speaker 1: let's you know, were interview care us one nigga said,

1720
01:57:20,480 --> 01:57:23,560
Speaker 1: oh yeah, I think it's crazy. And you know where

1721
01:57:23,560 --> 01:57:27,960
Speaker 1: we did t MFU right right, And I'm like, because

1722
01:57:28,040 --> 01:57:31,200
Speaker 1: it ain't about if a niggat got a project out.

1723
01:57:31,320 --> 01:57:34,800
Speaker 1: You know what it's about praising what the funk up loving, right,

1724
01:57:35,160 --> 01:57:36,840
Speaker 1: praising what the fun he grew up love. And then

1725
01:57:36,880 --> 01:57:38,960
Speaker 1: they gotta bid on because you know that's not hip

1726
01:57:39,000 --> 01:57:43,520
Speaker 1: hop v right to him? You know how when you

1727
01:57:44,400 --> 01:57:50,920
Speaker 1: still play translations final, I want to know what happened

1728
01:57:50,960 --> 01:57:52,640
Speaker 1: to all the tracks we did, you know how, like

1729
01:57:52,760 --> 01:57:55,800
Speaker 1: your relative and queen come to Jersey and ship and

1730
01:57:55,960 --> 01:57:58,200
Speaker 1: you're missing something of you the old school she got

1731
01:57:58,240 --> 01:58:02,560
Speaker 1: the hard d Yeah it went to funk. You tell

1732
01:58:02,680 --> 01:58:06,600
Speaker 1: that ship right now? I don't know you have my

1733
01:58:06,720 --> 01:58:15,960
Speaker 1: favorite records together? Yeah, told me and me and planting

1734
01:58:16,000 --> 01:58:21,160
Speaker 1: to have a mixtape together, like hell, you found a

1735
01:58:21,240 --> 01:58:37,520
Speaker 1: bit up the door Jan and Dex and next I know, look, Nori,

1736
01:58:37,800 --> 01:58:40,960
Speaker 1: here's a nothing thing. You talk about my life, y'all,

1737
01:58:41,440 --> 01:58:45,040
Speaker 1: just the k life. A bottom got damn bottom bottom

1738
01:58:45,040 --> 01:58:50,080
Speaker 1: break this is Apple. It's already l pals later. Oh

1739
01:58:50,160 --> 01:58:56,200
Speaker 1: we'll cut that translation up, Nori. We have a Jersey

1740
01:58:56,400 --> 01:59:02,320
Speaker 1: queen's connection and Kay's family. We got south Side Jamaica queens.

1741
01:59:02,600 --> 01:59:05,600
Speaker 1: And then we have left Frock. Yes you do so, y'all.

1742
01:59:06,520 --> 01:59:11,360
Speaker 1: We love that'sy. Then my baby mom was South side

1743
01:59:11,360 --> 01:59:14,080
Speaker 1: of Pepper from some covering. You know she's Jamaica. Let's

1744
01:59:14,080 --> 01:59:21,560
Speaker 1: get into your baby baby. Tell you something? Should we

1745
01:59:21,600 --> 01:59:26,800
Speaker 1: tell you? Straight on trade from Kingston, Jamaica and Jamaica Quezy.

1746
01:59:26,880 --> 01:59:32,280
Speaker 1: Yeah they no think Kenney Kenny Anderson got one about

1747
01:59:34,080 --> 01:59:51,040
Speaker 1: I've been missing up about when the pepper come out?

1748
01:59:51,080 --> 01:59:54,520
Speaker 1: What do you think? But yeah, that's the show stop

1749
01:59:54,680 --> 02:00:01,240
Speaker 1: for eight two eight. Okay, So now i' three real

1750
02:00:01,360 --> 02:00:11,000
Speaker 1: gym when it was at three school not listening eight lady, Kay,

1751
02:00:13,120 --> 02:00:15,480
Speaker 1: So now listen, I came out like yeah, I was

1752
02:00:15,720 --> 02:00:20,280
Speaker 1: gone right seventy seven and we're born in seventies. So

1753
02:00:20,440 --> 02:00:25,480
Speaker 1: when I'm looking at female. Not really, I'm a young

1754
02:00:25,800 --> 02:00:37,280
Speaker 1: to you. I'm not where at your store, I said, damn,

1755
02:00:37,960 --> 02:00:42,920
Speaker 1: Kenny Anderson, that's been the brother dressed the hip. I said,

1756
02:00:43,320 --> 02:00:51,400
Speaker 1: it's old for me. I'm seven years old. Was my right.

1757
02:00:51,640 --> 02:00:54,520
Speaker 1: I swore I was gonna marry one of the motherfucker's right.

1758
02:00:55,680 --> 02:00:58,320
Speaker 1: I ain't even I've never met someone Pepper. You never

1759
02:00:58,480 --> 02:01:02,040
Speaker 1: let pepper or when y'all at tom all night man,

1760
02:01:02,160 --> 02:01:07,640
Speaker 1: we're doing this ship, come out there, go backstays play,

1761
02:01:08,120 --> 02:01:11,840
Speaker 1: come with us, got damn brands like we're doing translation

1762
02:01:14,800 --> 02:01:18,280
Speaker 1: moment and on them dressing board when I go out

1763
02:01:18,320 --> 02:01:20,320
Speaker 1: and do you just talked to him? Take the stuff

1764
02:01:20,360 --> 02:01:26,200
Speaker 1: it's in everything, change numbers all that. But you smashed

1765
02:01:26,240 --> 02:01:29,400
Speaker 1: a lot of a lot of you put my busineses

1766
02:01:29,520 --> 02:01:34,920
Speaker 1: you out to a lot of It's yeah, motherfucker took me.

1767
02:01:35,760 --> 02:01:40,760
Speaker 1: You're never get you loosen, got damnit smash you lotzation

1768
02:01:40,920 --> 02:01:44,120
Speaker 1: nigger only seven years. Got damn it over seven years

1769
02:01:44,160 --> 02:01:47,920
Speaker 1: and never might have broke the beckon in the mother

1770
02:01:48,040 --> 02:01:51,200
Speaker 1: fucking magnum condoms like just to have them and shouldn't

1771
02:01:51,280 --> 02:02:04,800
Speaker 1: use them. The god damn wetting name, damn all six

1772
02:02:04,960 --> 02:02:10,440
Speaker 1: kids I got one of them, tell us what magnus

1773
02:02:10,520 --> 02:02:15,960
Speaker 1: man with the wet my sick kids. I wanted them

1774
02:02:17,120 --> 02:02:22,640
Speaker 1: that part, that part ain't no more, ain't no mistifous

1775
02:02:22,720 --> 02:02:28,600
Speaker 1: splashing over the station boarders, just this ross splashing, you know,

1776
02:02:30,480 --> 02:02:32,840
Speaker 1: don't about you got some ice over that? Yeah, we

1777
02:02:32,880 --> 02:02:36,920
Speaker 1: got ice. Nigger. I'm like, tell me where the hell

1778
02:02:37,080 --> 02:02:39,160
Speaker 1: is the song? And when you're going to email? Like

1779
02:02:39,360 --> 02:02:41,960
Speaker 1: the three of them we did. We had like two

1780
02:02:42,520 --> 02:02:49,840
Speaker 1: n there niggas here, politician, these two niggas. I'm telling you,

1781
02:02:51,160 --> 02:02:55,240
Speaker 1: you'll take over all the Spanish world, motherfucker take over there.

1782
02:02:55,480 --> 02:02:59,840
Speaker 1: And y'all niggas is good niggas good niggas. Did you

1783
02:03:00,800 --> 02:03:03,200
Speaker 1: still like answer my ship? No? No, no, I got

1784
02:03:03,280 --> 02:03:08,920
Speaker 1: I got a KG. Did you ever picture yourself as

1785
02:03:09,040 --> 02:03:14,840
Speaker 1: top five producer of hip hopm all time? Maybe? Cheating

1786
02:03:14,880 --> 02:03:18,160
Speaker 1: the man? Ever is where you go? And he always

1787
02:03:18,280 --> 02:03:22,080
Speaker 1: was like that man listen to listen to all the niggas.

1788
02:03:22,120 --> 02:03:25,040
Speaker 1: They stopped rating ship because I took it personal and

1789
02:03:25,120 --> 02:03:27,400
Speaker 1: I went to funk up to their little rating spots

1790
02:03:27,640 --> 02:03:30,680
Speaker 1: and said, for real, y'all disrespectful and showed him the

1791
02:03:30,760 --> 02:03:33,360
Speaker 1: top that I think with it and no, and he

1792
02:03:33,480 --> 02:03:36,600
Speaker 1: ain't on there. You motherfucker's stop doing this ship if

1793
02:03:36,600 --> 02:03:39,720
Speaker 1: you ain't gonna keep it funky, tell that part you

1794
02:03:40,200 --> 02:03:43,440
Speaker 1: City of Salt top five he is, goddamnit ain't number

1795
02:03:43,480 --> 02:03:45,880
Speaker 1: one in my motherfucking ship. So that's what I'm saying.

1796
02:03:46,360 --> 02:03:48,440
Speaker 1: The funk up. That's all the matter that part. No,

1797
02:03:49,080 --> 02:03:52,520
Speaker 1: I don't go for number one way, ain't sorry, I

1798
02:03:52,560 --> 02:04:02,760
Speaker 1: don't look sitting. I'm gonna tell you something that really matters.

1799
02:04:03,040 --> 02:04:07,880
Speaker 1: Because all these lists exists, the mother fucking publishing tracks.

1800
02:04:08,360 --> 02:04:11,000
Speaker 1: That's what really matter. Y'all can debate all you want.

1801
02:04:11,120 --> 02:04:18,240
Speaker 1: Sitting and got them barber Shound sign and look at

1802
02:04:18,320 --> 02:04:22,080
Speaker 1: the work I ever. Look at the translations to numbers, games,

1803
02:04:23,760 --> 02:04:27,520
Speaker 1: numbers don't lie. Look at motherfucking any food to anything.

1804
02:04:27,760 --> 02:04:31,600
Speaker 1: Loyalty has no exploration date. Look at Norty by Nature.

1805
02:04:31,640 --> 02:04:35,480
Speaker 1: You see produced and written no matter what anybody shared

1806
02:04:35,560 --> 02:04:38,760
Speaker 1: from that ship. Family that stays together get paid together

1807
02:04:38,880 --> 02:04:42,120
Speaker 1: for life. We got all out of publishing and producing together,

1808
02:04:42,600 --> 02:04:45,240
Speaker 1: no matter if whoever wrote or produce anything, we got

1809
02:04:45,320 --> 02:04:48,520
Speaker 1: it all. So how did you back, Pepper? How did

1810
02:04:48,600 --> 02:04:50,320
Speaker 1: this go down? Nigga? Let me tell you how I

1811
02:04:50,400 --> 02:04:54,840
Speaker 1: got because you know, like anybody was like all out

1812
02:04:54,920 --> 02:04:59,840
Speaker 1: of statement. You are like, I can tell you that

1813
02:05:01,280 --> 02:05:06,520
Speaker 1: has poppar out of first after the AID tests and

1814
02:05:06,680 --> 02:05:09,000
Speaker 1: it didn't happened, and pop ran up. Ah, Man, I

1815
02:05:09,080 --> 02:05:12,360
Speaker 1: want this all about different things that happened with him anyway.

1816
02:05:12,440 --> 02:05:15,120
Speaker 1: I know I didn't. I would tell you about hopped

1817
02:05:15,240 --> 02:05:18,400
Speaker 1: on him once. Nell did you try? Everybody got to

1818
02:05:18,440 --> 02:05:20,440
Speaker 1: try Janet, it's Janet. Come on, I never got out

1819
02:05:20,440 --> 02:05:23,680
Speaker 1: to close. Come on, Jane right, wife, tell me Janet

1820
02:05:23,720 --> 02:05:26,200
Speaker 1: got damn it. You don't choose j Jane, you better

1821
02:05:26,240 --> 02:05:28,000
Speaker 1: get your wife and tell you that. You know. I'm

1822
02:05:28,040 --> 02:05:30,200
Speaker 1: just plash. I'm just I'm just trying to get out

1823
02:05:30,200 --> 02:05:31,600
Speaker 1: of here. I try to get out of here. He said,

1824
02:05:31,640 --> 02:05:37,200
Speaker 1: Can I get you? Said one Jane, No, but she

1825
02:05:37,360 --> 02:05:40,000
Speaker 1: like get But how was it meant you met? Janet?

1826
02:05:40,400 --> 02:05:45,280
Speaker 1: Tell us in minutes, Yo, it's we met, Mike. Tell

1827
02:05:45,320 --> 02:05:48,200
Speaker 1: us to the Mike. We're gonna do Janet, Mike or Michael,

1828
02:05:48,280 --> 02:05:51,400
Speaker 1: Jane man, whatever we can. Jane it first, Janet first,

1829
02:05:51,640 --> 02:05:54,240
Speaker 1: Let's go trash. Put me on the planet. Damn it,

1830
02:05:55,400 --> 02:05:58,240
Speaker 1: just stop it, man. She always was walking in the

1831
02:05:58,440 --> 02:06:00,200
Speaker 1: right spots to the spots to the club up that

1832
02:06:00,280 --> 02:06:01,800
Speaker 1: I was in the back and it's kind of dark

1833
02:06:01,840 --> 02:06:04,800
Speaker 1: and stuff, so we focused. Sometimes you ain't got a criminals,

1834
02:06:05,160 --> 02:06:07,920
Speaker 1: I'm not. I'm telling you that's your limitation and I

1835
02:06:07,920 --> 02:06:12,040
Speaker 1: ain't telling Nona's ship and they go, you man kind

1836
02:06:12,080 --> 02:06:14,760
Speaker 1: of did and we kept well, you know when we're done,

1837
02:06:14,840 --> 02:06:18,240
Speaker 1: man and cool and that's all. And that's all I got,

1838
02:06:18,320 --> 02:06:28,960
Speaker 1: said my lord, Yeah, coom By, Yeah, my lord. It's

1839
02:06:29,000 --> 02:06:37,480
Speaker 1: not saying I got Man five out. We just made

1840
02:06:37,520 --> 02:06:42,840
Speaker 1: it out right. Just let me tell you something. Nordy

1841
02:06:42,880 --> 02:06:46,200
Speaker 1: by Nature. Y'all had a lustrious life that you met

1842
02:06:46,240 --> 02:06:48,720
Speaker 1: the Michael Park They said that Michael, you know, I

1843
02:06:48,840 --> 02:06:51,360
Speaker 1: was going in and I'm sorry, but let's go straight

1844
02:06:51,360 --> 02:06:54,240
Speaker 1: into it because your bid says he's a cool All

1845
02:06:54,280 --> 02:06:57,320
Speaker 1: the time we met Mike, it was like here another

1846
02:06:57,440 --> 02:07:01,320
Speaker 1: triple O G and what everybody? Please give it up

1847
02:07:01,480 --> 02:07:05,160
Speaker 1: for the Nomber. We love mc having D rest movies,

1848
02:07:07,560 --> 02:07:11,760
Speaker 1: so y'all, havy D sension was the reason we met

1849
02:07:12,320 --> 02:07:17,200
Speaker 1: Michael Jackson. Story Have did the Space James Heavy D

1850
02:07:18,040 --> 02:07:22,920
Speaker 1: Peace Happy Day? Have did the soundtrack to Space Jam

1851
02:07:23,040 --> 02:07:26,600
Speaker 1: to Michael Jackson a Little Bucks Bunny movie, right all right?

1852
02:07:27,000 --> 02:07:29,560
Speaker 1: So he was out of the time I've never heard

1853
02:07:29,600 --> 02:07:33,400
Speaker 1: somebody described as Michael Jackson bugs Bunny movie and leave

1854
02:07:33,480 --> 02:07:41,040
Speaker 1: out Jordan's I respect, I've never listened in my whole

1855
02:07:44,000 --> 02:07:48,600
Speaker 1: the way it went down. So our manager cuting my

1856
02:07:48,680 --> 02:07:53,120
Speaker 1: teethest manager shot Kim. He would have real heavy, real

1857
02:07:53,240 --> 02:07:56,280
Speaker 1: real heavy. So he was out in Chicago with Have

1858
02:07:56,760 --> 02:08:00,040
Speaker 1: and he was shooting the video to the sound the

1859
02:08:00,160 --> 02:08:03,640
Speaker 1: track space Jam. So it was halving Michael Jackson Jordan

1860
02:08:03,680 --> 02:08:06,640
Speaker 1: and he was doing all that. Shot Kim and this

1861
02:08:06,800 --> 02:08:10,840
Speaker 1: is the importance of Brandon. We always flooded our whole

1862
02:08:11,200 --> 02:08:14,360
Speaker 1: family with just naughty merch. So Shan Kim had on

1863
02:08:14,440 --> 02:08:17,240
Speaker 1: the black pilot dracket with the Naughty by Nature logo

1864
02:08:17,720 --> 02:08:20,960
Speaker 1: embroidered on it. Michael Jackson hit him, was like, hey,

1865
02:08:21,720 --> 02:08:25,600
Speaker 1: you know Nature, I know those guys. I was like, Yo,

1866
02:08:25,760 --> 02:08:29,880
Speaker 1: I made teeth them here? What hell? I like this guy,

1867
02:08:30,240 --> 02:08:33,640
Speaker 1: I can get them out here, yo. Mike made the call.

1868
02:08:33,760 --> 02:08:35,880
Speaker 1: Shot made the call of us, and we flew out

1869
02:08:35,960 --> 02:08:40,480
Speaker 1: the Chicago and Michael, yeah, we got We've got what

1870
02:08:40,640 --> 02:08:43,520
Speaker 1: you call up. Oh wasn't that We were there all day,

1871
02:08:43,640 --> 02:08:48,360
Speaker 1: were filled for hours. Half a second, Who wasn't that naughty?

1872
02:08:48,640 --> 02:08:52,080
Speaker 1: And then another shot wasn't that, that's what we call it.

1873
02:08:52,120 --> 02:08:58,000
Speaker 1: Who was? But we did get him, and that's when

1874
02:08:58,040 --> 02:09:02,280
Speaker 1: we got like the monkey. The monkey. You those just

1875
02:09:02,320 --> 02:09:07,560
Speaker 1: gotta pay anority by name your boxes. Remember the noority boxes. Yeah, yeah,

1876
02:09:07,600 --> 02:09:11,440
Speaker 1: that motherfucker was shopping and I don't know we're gonna

1877
02:09:11,440 --> 02:09:15,480
Speaker 1: do business. But these I called the Michael Jackson gloves though,

1878
02:09:16,760 --> 02:09:19,360
Speaker 1: because I'm bosing this is there. This is how I'm

1879
02:09:19,400 --> 02:09:23,400
Speaker 1: bringing in the new year, that Jackson gloves. If you

1880
02:09:23,520 --> 02:09:26,360
Speaker 1: give me those, I'm not gonna wear those because way

1881
02:09:26,400 --> 02:09:29,960
Speaker 1: too many niggas I shot. That's gonna feel disrespected. Yea,

1882
02:09:33,320 --> 02:09:42,080
Speaker 1: always shots gonna be like what I'm speaking around. I

1883
02:09:42,160 --> 02:09:48,120
Speaker 1: don't boxing up teaching my wife. I love him. I'm

1884
02:09:48,320 --> 02:09:51,720
Speaker 1: very hard and we are together forever. But I can't

1885
02:09:51,760 --> 02:09:54,280
Speaker 1: win those in public because if I windows and queens

1886
02:09:54,360 --> 02:09:57,720
Speaker 1: think it's gonna be like that, the shot you. So

1887
02:09:58,240 --> 02:10:11,960
Speaker 1: it's out here where you're Yeah, it's big, ready to

1888
02:10:11,960 --> 02:10:21,240
Speaker 1: be good. But I said it right that I kill

1889
02:10:21,280 --> 02:10:35,320
Speaker 1: about I listen living limit. You give you a story

1890
02:10:35,360 --> 02:10:37,800
Speaker 1: about Big. Give me a story about Big. This is

1891
02:10:37,920 --> 02:10:41,520
Speaker 1: my story about Big. If you follow my Instagram at Uncle,

1892
02:10:41,680 --> 02:10:46,360
Speaker 1: then rock um deep down inside, I have a picture

1893
02:10:46,800 --> 02:10:50,800
Speaker 1: one of those polaroid joints that they pronounced slide joining

1894
02:10:51,440 --> 02:10:54,440
Speaker 1: a biggie. This was when he was first coming out,

1895
02:10:54,680 --> 02:10:59,200
Speaker 1: very early nineties. Party of bullshit. Before that, it's somewhere

1896
02:10:59,280 --> 02:11:02,640
Speaker 1: in there. But somehow me and Viggie were down at

1897
02:11:02,680 --> 02:11:06,560
Speaker 1: Howard University and we was fucking with DJ ron G.

1898
02:11:07,800 --> 02:11:12,840
Speaker 1: Tell you this, that's the classic mistake is and all

1899
02:11:12,920 --> 02:11:17,000
Speaker 1: of that ship. But dude, Ron, he was doing a

1900
02:11:17,120 --> 02:11:20,040
Speaker 1: party down in Howard. Somehow me and Big was down

1901
02:11:20,160 --> 02:11:23,880
Speaker 1: there and Ron needed help with fucking crates show. His

1902
02:11:24,040 --> 02:11:27,000
Speaker 1: crew wasn't even right. We were already rolling as naughty,

1903
02:11:27,240 --> 02:11:29,880
Speaker 1: so I had crispy tims. If you look up this picture,

1904
02:11:30,320 --> 02:11:33,440
Speaker 1: being had little nasty TEMs on. He was he was

1905
02:11:33,520 --> 02:11:36,080
Speaker 1: still in that he was same, but he was in

1906
02:11:36,160 --> 02:11:41,040
Speaker 1: the stage with that first joint man. And we we

1907
02:11:41,280 --> 02:11:45,080
Speaker 1: helped ron G carry his fucking crates and that Howard joint.

1908
02:11:45,680 --> 02:11:50,600
Speaker 1: So this me and Big and Big knew who I was,

1909
02:11:50,840 --> 02:11:52,760
Speaker 1: and we knew who Big was. He came to one

1910
02:11:52,800 --> 02:11:56,400
Speaker 1: of our shows, but Big Lincoln up and then once

1911
02:11:56,480 --> 02:11:58,600
Speaker 1: we helped ron G, he was like your veilans take

1912
02:11:58,640 --> 02:12:01,800
Speaker 1: a picture, So we took the pictures snapped up twice.

1913
02:12:01,960 --> 02:12:04,520
Speaker 1: He took one and then he gave me one and

1914
02:12:04,600 --> 02:12:07,080
Speaker 1: he wrote down his beeper and his fucking home number

1915
02:12:07,160 --> 02:12:10,440
Speaker 1: on the joint. Hold on, time out, make some noise,

1916
02:12:11,000 --> 02:12:23,520
Speaker 1: prevent having bige. That's all story. That's that's all. People number.

1917
02:12:24,040 --> 02:12:26,640
Speaker 1: You know, you listen whenever I think I said people number,

1918
02:12:26,640 --> 02:12:29,360
Speaker 1: you just gotta just got the funk up and just listen.

1919
02:12:29,800 --> 02:12:33,240
Speaker 1: And it's big hand right they broke that ship. Give

1920
02:12:33,280 --> 02:12:36,440
Speaker 1: me a big story, all right. Well this was like

1921
02:12:37,160 --> 02:12:41,000
Speaker 1: nineties five nine six where it was like tension between

1922
02:12:41,120 --> 02:12:46,640
Speaker 1: East West big Bro we're on tour, Noughty and bad

1923
02:12:46,720 --> 02:12:51,520
Speaker 1: Boy at the way time out. I just let me

1924
02:12:51,560 --> 02:12:57,920
Speaker 1: just let me just spine. Let me tell to think

1925
02:12:57,960 --> 02:13:03,520
Speaker 1: about this. The shot in New York back this fucking

1926
02:13:03,640 --> 02:13:12,080
Speaker 1: time back, blooding on East West, all that bad bad

1927
02:13:12,160 --> 02:13:17,840
Speaker 1: boy and well for the first three for the first

1928
02:13:17,920 --> 02:13:23,160
Speaker 1: made your tour, uh translation, for the first three four days,

1929
02:13:23,240 --> 02:13:25,960
Speaker 1: I'm like, yo, man, were in sant Yoh, y'all be

1930
02:13:26,040 --> 02:13:28,680
Speaker 1: at yo. Why don't go out to these parties? Muja

1931
02:13:28,800 --> 02:13:34,080
Speaker 1: did me and men? She need to buy my brother?

1932
02:13:35,560 --> 02:13:38,040
Speaker 1: Hold on, were you're saying this? She took him out?

1933
02:13:38,880 --> 02:13:41,960
Speaker 1: We're saying the same hotel, but they never left the

1934
02:13:42,040 --> 02:13:46,800
Speaker 1: hotel room I ever leave it. Relationship with man, mad

1935
02:13:47,040 --> 02:13:50,800
Speaker 1: fucking back. Why you're the motherfucker They like it's the camp.

1936
02:13:50,960 --> 02:13:53,160
Speaker 1: The doors open there in the hotel, never going nowhere.

1937
02:13:53,800 --> 02:13:56,120
Speaker 1: Why don't never go to the party when the man

1938
02:13:56,160 --> 02:13:59,640
Speaker 1: shot let me kid this goddamn phone because we had

1939
02:13:59,680 --> 02:14:02,840
Speaker 1: the phone like that. And ship is long, you know,

1940
02:14:04,680 --> 02:14:10,280
Speaker 1: sek on and like, man, those jo hey what man

1941
02:14:10,360 --> 02:14:13,800
Speaker 1: who trick? Oh yeah, this ship. I'm like, we're parking

1942
02:14:13,960 --> 02:14:17,360
Speaker 1: o right here? You're like, what's roping? Like? Man, these niggas,

1943
02:14:17,400 --> 02:14:19,400
Speaker 1: I'm I don't toll with these niggas, man, These niggas

1944
02:14:19,440 --> 02:14:21,440
Speaker 1: don't even want to go a party with me and nothing. Man,

1945
02:14:21,520 --> 02:14:25,400
Speaker 1: these niggas like yo, man, what the man telling bit?

1946
02:14:25,520 --> 02:14:28,000
Speaker 1: And Sugar like telling bit. Niggas go out with ship

1947
02:14:28,640 --> 02:14:31,040
Speaker 1: when you're gonna suck up your money, you brother, tip

1948
02:14:31,160 --> 02:14:34,480
Speaker 1: and family anything, hell and all the part, gonna make

1949
02:14:34,520 --> 02:14:37,839
Speaker 1: some brackage. You're gonna buy him out, he's gonna make backage.

1950
02:14:37,840 --> 02:14:40,600
Speaker 1: We're gonna make money. Got tell him up, nigga go

1951
02:14:40,640 --> 02:14:44,280
Speaker 1: out and there I don't speak. And niggas came out

1952
02:14:44,320 --> 02:14:46,360
Speaker 1: there just coming out with the shiny suits every show

1953
02:14:46,640 --> 02:14:50,640
Speaker 1: like after that, the niggers came out with timbo boots

1954
02:14:50,680 --> 02:14:53,880
Speaker 1: and noughty boxes. He ties on with those shots to

1955
02:14:54,000 --> 02:14:57,840
Speaker 1: join your mafia. I got big, I got big, and

1956
02:14:58,000 --> 02:15:01,040
Speaker 1: Kim Little drop your mafia going on the hood with me,

1957
02:15:03,440 --> 02:15:09,640
Speaker 1: stripped joints and ship all of us and them up

1958
02:15:12,720 --> 02:15:18,200
Speaker 1: fucking night with them up here. You still ain't come

1959
02:15:18,280 --> 02:15:21,400
Speaker 1: back with that last fucking sack and nigger? Are you

1960
02:15:21,560 --> 02:15:25,120
Speaker 1: got real stick? Look at mama. Come. You know there's

1961
02:15:25,200 --> 02:15:29,200
Speaker 1: old gaw slap box. You're that big bag. Would be

1962
02:15:29,360 --> 02:15:33,160
Speaker 1: nice to get to get pump daddy. You know that's

1963
02:15:33,200 --> 02:15:39,280
Speaker 1: my melitary. That's how we talk. Slap back Daddy, I know.

1964
02:15:46,440 --> 02:15:49,920
Speaker 1: Welcome to play a new podcast network featuring radio and

1965
02:15:50,000 --> 02:15:54,480
Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play

1966
02:15:54,560 --> 02:15:58,880
Speaker 1: it at play dot It. We're back to Drink Chips

1967
02:15:59,040 --> 02:16:06,560
Speaker 1: Radio with rap for R and DJE. So let me

1968
02:16:06,720 --> 02:16:10,880
Speaker 1: end this conversation with this. I want a big all

1969
02:16:11,080 --> 02:16:13,920
Speaker 1: twee you brothers up. And I want to say that again.

1970
02:16:14,720 --> 02:16:16,720
Speaker 1: Like I said in the beginning of the interview, when

1971
02:16:16,760 --> 02:16:19,320
Speaker 1: they said we're gonna get naughty, I said, Yo, who

1972
02:16:19,400 --> 02:16:25,680
Speaker 1: are we gonna get? Because sometimes Naughty can be kout

1973
02:16:28,120 --> 02:16:39,280
Speaker 1: different configuration. Mother, my mother, I'm cool. Yeah, yeah, keep me.

1974
02:16:41,320 --> 02:16:47,240
Speaker 1: Translation made me listen, let me. I'm gonna tell you that.

1975
02:16:47,280 --> 02:16:48,880
Speaker 1: So I'm gonna tell you what you got. I'm gonna

1976
02:16:48,920 --> 02:16:52,000
Speaker 1: tell you what you got, and everybody and the social

1977
02:16:52,040 --> 02:16:54,200
Speaker 1: media and all of this ship. I'm tell y'all what

1978
02:16:54,360 --> 02:16:57,640
Speaker 1: y'all got. When Naughty we had the problems a couple

1979
02:16:57,680 --> 02:17:00,080
Speaker 1: of years, my two brothers they went up to the

1980
02:17:00,160 --> 02:17:03,920
Speaker 1: Breakfast Club and they did an interview. So ever since then,

1981
02:17:04,400 --> 02:17:08,000
Speaker 1: this is the first interview three of us, this kind

1982
02:17:08,040 --> 02:17:19,320
Speaker 1: of yes, So your brothers are doing your thing. I

1983
02:17:19,440 --> 02:17:23,119
Speaker 1: understand what you're doing with your past, understanding the platform,

1984
02:17:23,600 --> 02:17:26,880
Speaker 1: understand all of that. I understand advertising. I'm coming through

1985
02:17:26,959 --> 02:17:31,680
Speaker 1: with the sneaker coup. We we're gonna put up that

1986
02:17:31,800 --> 02:17:35,920
Speaker 1: sponsorship money. And when do the right once once to

1987
02:17:36,000 --> 02:17:38,959
Speaker 1: the pool and let's rock and let's rock out. Man.

1988
02:17:40,040 --> 02:17:44,160
Speaker 1: It's about creative. It's about being created. But it's got

1989
02:17:44,280 --> 02:17:48,359
Speaker 1: the tools nervous about being creative. It ain't about blaming nobody.

1990
02:17:48,480 --> 02:17:52,039
Speaker 1: No translation, hes gonna be in the office with them

1991
02:17:52,120 --> 02:17:57,960
Speaker 1: and the mayor though you know, the warriors. When we

1992
02:17:58,120 --> 02:18:00,480
Speaker 1: do this whole movement and all this ship we all

1993
02:18:00,600 --> 02:18:05,640
Speaker 1: rolled together deep and we're gonna have anybody in this

1994
02:18:05,800 --> 02:18:09,640
Speaker 1: motherfucker and anything I take it to the station, they're

1995
02:18:09,680 --> 02:18:12,480
Speaker 1: gonna play it. Translation all the fans, All right, there

1996
02:18:14,640 --> 02:18:19,560
Speaker 1: is the next y one because KG got all the

1997
02:18:19,640 --> 02:18:23,200
Speaker 1: beats and y'all, I'll copy of the fucking tracks that

1998
02:18:23,360 --> 02:18:26,840
Speaker 1: we fucking did everything. Can we really get back to

1999
02:18:26,879 --> 02:18:29,880
Speaker 1: there before we closed out? I got tired in five

2000
02:18:30,280 --> 02:18:43,600
Speaker 1: very right, here we go. The fans know what the

2001
02:18:43,680 --> 02:18:46,920
Speaker 1: fans gonna kill us? When is the next real Naughty

2002
02:18:47,000 --> 02:18:49,480
Speaker 1: by Nation? And listen, let me just tell you something.

2003
02:18:50,720 --> 02:18:52,360
Speaker 1: Don't cut me off because I know you're about to

2004
02:18:52,360 --> 02:19:07,640
Speaker 1: cut me off. Cut spad. Listen. We need the next

2005
02:19:08,920 --> 02:19:16,440
Speaker 1: no everybody needs and we aware of technology, so we're

2006
02:19:16,440 --> 02:19:19,640
Speaker 1: aware the reason why music sucks now because back in

2007
02:19:19,680 --> 02:19:21,920
Speaker 1: the days when we made music, don't cut me off, nobody.

2008
02:19:21,959 --> 02:19:30,640
Speaker 1: The reason why, the reason why the music was so

2009
02:19:30,959 --> 02:19:33,640
Speaker 1: great back then is current. I couldn't send you an

2010
02:19:33,720 --> 02:19:38,840
Speaker 1: email now, big them raps um with some ships, the rails,

2011
02:19:40,000 --> 02:19:44,240
Speaker 1: they't want to bring them, so you had to go

2012
02:19:44,440 --> 02:19:50,480
Speaker 1: to a person's studio to make that music. Just listen,

2013
02:19:50,800 --> 02:19:54,920
Speaker 1: this is why music is disposable nowadays because evening what

2014
02:19:55,040 --> 02:19:59,000
Speaker 1: do you recorded on is disposable. Back then, you couldn't.

2015
02:19:59,640 --> 02:20:02,120
Speaker 1: You couldn't throw that dolf away. That niggles a dolf

2016
02:20:02,840 --> 02:20:05,680
Speaker 1: translation a little norm he knows doesn't he wants us

2017
02:20:05,720 --> 02:20:09,200
Speaker 1: to come to QUEENSA No I want y'all. You know

2018
02:20:12,800 --> 02:20:17,200
Speaker 1: we translation didn't want email ship with a mansulation. I

2019
02:20:17,240 --> 02:20:28,160
Speaker 1: don't want. I'm I don't even known first translation translation,

2020
02:20:30,080 --> 02:20:32,680
Speaker 1: you have not to come to the Yeah, I'm not

2021
02:20:34,480 --> 02:20:38,680
Speaker 1: unless KG is producing. That's what I believe. And somebody

2022
02:20:38,720 --> 02:20:42,959
Speaker 1: say that and that's and that's real. So some people

2023
02:20:42,959 --> 02:20:45,480
Speaker 1: will argue, if you hear wool Chain record and visit

2024
02:20:45,600 --> 02:20:49,160
Speaker 1: and produce it, it doesn't sounds. But I don't care

2025
02:20:49,160 --> 02:20:52,120
Speaker 1: if PRESI don't produce it as long as around that

2026
02:20:52,240 --> 02:21:01,440
Speaker 1: man draining put it together that it was greatly. That

2027
02:21:01,640 --> 02:21:05,320
Speaker 1: makes sense. It's different. It's the brand that fix what

2028
02:21:05,480 --> 02:21:10,119
Speaker 1: it does. That's like the original Eagles where the hip

2029
02:21:10,160 --> 02:21:22,800
Speaker 1: hop Eagles. Yeah alright, no, he's the bad nig. What

2030
02:21:23,280 --> 02:21:28,440
Speaker 1: can we tell you about? You know this man, let's

2031
02:21:28,440 --> 02:21:33,720
Speaker 1: go Eagle fans gonna trying that Eagles? Do you want

2032
02:21:33,760 --> 02:21:37,000
Speaker 1: to be the hip hop rolling not just make trench

2033
02:21:37,240 --> 02:21:39,480
Speaker 1: being the drug is nigger in the building and night

2034
02:21:39,640 --> 02:21:47,200
Speaker 1: every night it does always making to put it on

2035
02:21:47,320 --> 02:21:49,400
Speaker 1: you and the run the show and said, yeah, I'll

2036
02:21:49,440 --> 02:21:52,640
Speaker 1: stick at the shoe calls traps and he drunk it

2037
02:21:52,720 --> 02:22:01,240
Speaker 1: at me. He wont but he I'm usually he won

2038
02:22:03,800 --> 02:22:08,040
Speaker 1: the right there. Yeah, yeah, puff to ship. Listen you

2039
02:22:08,120 --> 02:22:13,680
Speaker 1: want to because no, we we used to have a

2040
02:22:13,760 --> 02:22:16,600
Speaker 1: little chalice like the nick of that one. But Puff

2041
02:22:17,000 --> 02:22:19,880
Speaker 1: came here like a trophy, a trophy and he took

2042
02:22:20,400 --> 02:22:23,320
Speaker 1: every drink from every table. But we don't have the

2043
02:22:23,480 --> 02:22:26,040
Speaker 1: foul and ship that we had before because we were

2044
02:22:26,240 --> 02:22:30,879
Speaker 1: your limitation right, so and he took it with him.

2045
02:22:30,959 --> 02:22:36,800
Speaker 1: He's a foul every alcohol in there. And question, has

2046
02:22:36,920 --> 02:22:39,800
Speaker 1: this motherfucker here that I know all this goddamn time

2047
02:22:39,879 --> 02:22:42,560
Speaker 1: for these day games, has this motherfucker ever wanted the

2048
02:22:42,680 --> 02:22:47,560
Speaker 1: drunk as motherfucker ship? I'm seeing that I wanted with you.

2049
02:22:47,920 --> 02:22:49,720
Speaker 1: And then you got kicked out of the hotel because

2050
02:22:49,720 --> 02:22:55,280
Speaker 1: I told you couldn't smoke. Remember translation, you remember translation translation.

2051
02:22:55,520 --> 02:22:57,560
Speaker 1: You didn't get kicked down because you didn't get kicked

2052
02:22:57,560 --> 02:23:06,160
Speaker 1: down in front of you. Ain't gonna told you what

2053
02:23:06,360 --> 02:23:09,680
Speaker 1: ain't out freebody said you didn't miss me about emotion.

2054
02:23:11,200 --> 02:23:17,400
Speaker 1: You listen, niggasas remember this to you. I made you

2055
02:23:17,560 --> 02:23:20,160
Speaker 1: miss your lately because you was in the room smoking

2056
02:23:20,200 --> 02:23:22,200
Speaker 1: when me. You just told me not to smoking. I

2057
02:23:22,320 --> 02:23:29,720
Speaker 1: gave you your week and you row. Can I leave Pisa? Yeah,

2058
02:23:29,840 --> 02:23:32,960
Speaker 1: in the realm smoking piece and I was smoking. Yo. No, No,

2059
02:23:33,320 --> 02:23:35,480
Speaker 1: I told you're not in smoking a room? Yeah? Why

2060
02:23:35,560 --> 02:23:37,240
Speaker 1: you was said, what did you tell me? You said

2061
02:23:37,280 --> 02:23:41,200
Speaker 1: I smoked? Why you ain't here smoking with me? You

2062
02:23:41,280 --> 02:23:44,880
Speaker 1: were smoking the room you think would be there? And

2063
02:23:45,000 --> 02:23:49,160
Speaker 1: then really stands to this charged me. I said, I

2064
02:23:49,360 --> 02:23:52,880
Speaker 1: told you so. Yeah, like I was at money because

2065
02:23:52,959 --> 02:23:56,800
Speaker 1: I was just telling them they'll tell him. So you

2066
02:23:57,000 --> 02:24:08,279
Speaker 1: kiss the little a little story. Listen. Then trash kg

2067
02:24:09,560 --> 02:24:12,440
Speaker 1: On behalf of hip hop, d j ar Fan drink

2068
02:24:12,560 --> 02:24:17,440
Speaker 1: Champs as it sounds drained, Rich Blanco, Mr Lead, you

2069
02:24:17,520 --> 02:24:20,680
Speaker 1: know Sunny d b T. You know, pray for DC

2070
02:24:20,920 --> 02:24:24,440
Speaker 1: Twin everybody, you know, all my people, hot Key and Green.

2071
02:24:25,200 --> 02:24:27,000
Speaker 1: What I'm saying, we want to salute you for what

2072
02:24:27,160 --> 02:24:30,280
Speaker 1: you did to hip hop for raising us. Most of

2073
02:24:30,440 --> 02:24:33,160
Speaker 1: us wouldn't been raised right if we didn't know that

2074
02:24:33,360 --> 02:24:42,880
Speaker 1: there's other people's pussy out there. So relax. It's not sure.

2075
02:24:43,000 --> 02:24:47,880
Speaker 1: Pussy people. Other people don't get you. Who would have

2076
02:24:48,080 --> 02:24:51,000
Speaker 1: never been raised right if we didn't have hip hop.

2077
02:24:53,240 --> 02:24:56,720
Speaker 1: Who would have never been right without your music, without

2078
02:24:56,760 --> 02:25:00,400
Speaker 1: your contribution to hip hop and hip hop you And

2079
02:25:00,440 --> 02:25:03,560
Speaker 1: we're gonna salute you that and we're gonna continue keeping

2080
02:25:03,640 --> 02:25:06,160
Speaker 1: hip hop going because that's what we do. And I

2081
02:25:06,240 --> 02:25:08,600
Speaker 1: don't know, I puff gave us this to kill U

2082
02:25:08,680 --> 02:25:13,160
Speaker 1: with this heavy it's very heavy top to kill you

2083
02:25:13,200 --> 02:25:18,320
Speaker 1: didn't give me that last bag that this is your Yeah,

2084
02:25:18,600 --> 02:25:25,080
Speaker 1: that's your eternal lout for him the anniversary pool party

2085
02:25:25,160 --> 02:25:33,720
Speaker 1: that up flat Rock. But I could never thank you brothers,

2086
02:25:33,800 --> 02:25:37,520
Speaker 1: Mark Kim Green, thank you. I will never forget you

2087
02:25:37,640 --> 02:25:46,720
Speaker 1: for yeah something in hill, Yeah yeah, why don't you six?

2088
02:25:46,879 --> 02:25:50,959
Speaker 1: He starts high school to the mic night six, I'm

2089
02:25:51,720 --> 02:25:56,240
Speaker 1: high school talege show, right, you had KG and trash

2090
02:25:56,360 --> 02:25:59,840
Speaker 1: about to wreck it down. Sound system goes out. The

2091
02:26:00,000 --> 02:26:01,840
Speaker 1: me who was the host of the talent show starts

2092
02:26:01,920 --> 02:26:06,959
Speaker 1: beat boxing. Tress just go and and I started dancing.

2093
02:26:07,000 --> 02:26:09,000
Speaker 1: Let's see you beat box for the for the record,

2094
02:26:09,640 --> 02:26:24,280
Speaker 1: just for the record, let's just let's just water. When

2095
02:26:24,280 --> 02:26:28,160
Speaker 1: you're talking about like that hip hop hip hox to

2096
02:26:28,240 --> 02:26:30,680
Speaker 1: see it go down to nine six in front of

2097
02:26:30,760 --> 02:26:34,920
Speaker 1: my eyes. We went to high school again, high school together,

2098
02:26:35,080 --> 02:26:36,680
Speaker 1: so the scene goes out in front of my eyes.

2099
02:26:36,800 --> 02:26:38,680
Speaker 1: The next thing, you know, four years later, I'm here,

2100
02:26:38,760 --> 02:26:42,480
Speaker 1: O p P. I'm at Irving, Texas because Jersey too

2101
02:26:42,600 --> 02:26:49,160
Speaker 1: right be started. We went to the high school together. Hi. Yeah,

2102
02:26:49,720 --> 02:26:52,920
Speaker 1: that was middle school together. The first time I heard

2103
02:26:52,959 --> 02:26:54,760
Speaker 1: of a careress one. I walked in the home room

2104
02:26:54,800 --> 02:26:59,160
Speaker 1: class and he's holding an album like this is the

2105
02:26:59,240 --> 02:27:02,320
Speaker 1: middle school. Then out and you got fake blue eyes,

2106
02:27:02,440 --> 02:27:07,600
Speaker 1: right fake? Let me tuck those out, n real d

2107
02:27:08,080 --> 02:27:12,600
Speaker 1: We said, we went to translation, went to school when

2108
02:27:12,879 --> 02:27:18,880
Speaker 1: nig you say, y'all fake texting? Yeah, we're gonna go

2109
02:27:19,320 --> 02:27:32,560
Speaker 1: commercing fat three five years. See you have to we

2110
02:27:32,720 --> 02:27:42,120
Speaker 1: don't have to talk funny. Save never been right, nigger.

2111
02:27:43,480 --> 02:27:47,880
Speaker 1: Nigger we called you know you is always because it's

2112
02:27:47,920 --> 02:27:57,360
Speaker 1: never been in jail with don't Yeah, okay, everybody had

2113
02:27:58,040 --> 02:28:43,120
Speaker 1: anybody everybody, let's see doing a busy push your hats

2114
02:28:43,160 --> 02:28:45,360
Speaker 1: hold up one second while everybody know they could Check

2115
02:28:45,440 --> 02:28:48,360
Speaker 1: us at drink champs dot com, Follow us at drink

2116
02:28:48,440 --> 02:28:52,480
Speaker 1: Champs on Twitter, Instagram, and Facebook. Check Noriata at the

2117
02:28:52,560 --> 02:28:56,160
Speaker 1: Real Norieg on Instagram, at Noriega on Twitter and New

2118
02:28:56,240 --> 02:28:58,840
Speaker 1: Year Nori on Snapchat. You can check me d j

2119
02:28:59,000 --> 02:29:02,120
Speaker 1: e f at at Who's Crazy Instagram at d j

2120
02:29:02,320 --> 02:29:05,400
Speaker 1: e f n on Twitter at Who's Crazy on Snapchat.

2121
02:29:06,080 --> 02:29:08,960
Speaker 1: Make sure you follow the team our visual media manager

2122
02:29:09,120 --> 02:29:12,920
Speaker 1: Rich Blanco at Rich Underscore Blanco on Instagram and Twitter.

2123
02:29:13,240 --> 02:29:16,640
Speaker 1: Our engineer has its Sounds at Hazardous Sounds on Instagram

2124
02:29:16,720 --> 02:29:20,640
Speaker 1: and Twitter. Our photographer Big Drain at Drain on Instagram

2125
02:29:20,920 --> 02:29:24,240
Speaker 1: and at big Drain on Twitter. Are graphic artists Akz

2126
02:29:24,720 --> 02:29:28,760
Speaker 1: at Akz on Instagram and Twitter. Also shout out the

2127
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Speaker 1: whole CBS play dot It team. Follow them at at

2128
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Speaker 1: play it on Twitter, and make sure you grab yourself

2129
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Speaker 1: some Drink Champs shirts, shot glasses and cups and all

2130
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Speaker 1: that merch at drink Champs dot com or check our

2131
02:29:40,240 --> 02:29:43,200
Speaker 1: homies at eight nine dot com. Head over to iTunes

2132
02:29:43,400 --> 02:29:46,520
Speaker 1: and pick up the singles for the Win Moguls and Petty,

2133
02:29:46,640 --> 02:29:49,360
Speaker 1: as well as a Drunk Uncle project from Nori. Also,

2134
02:29:49,480 --> 02:29:52,640
Speaker 1: my album Another Time is out now available on iTunes, Spotify,

2135
02:29:53,000 --> 02:29:56,520
Speaker 1: Google Play or physicals at crazyhood dot com. Check has

2136
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Speaker 1: it as Sounds projects, Save the culture and you can

2137
02:29:59,080 --> 02:30:01,440
Speaker 1: check that it has it iss sounds dot com or

2138
02:30:01,560 --> 02:30:04,160
Speaker 1: check it on all digital platforms. Also look out for

2139
02:30:04,240 --> 02:30:07,280
Speaker 1: Nori's cooking show coming very soon and My Coming Home

2140
02:30:07,400 --> 02:30:10,360
Speaker 1: Vietnam film which you can see the previous films about Haiti,

2141
02:30:10,640 --> 02:30:13,960
Speaker 1: Cuba and Peru currently on Revolt TV. Shout out the

2142
02:30:14,000 --> 02:30:17,200
Speaker 1: whole dream chats Army, We really appreciate your support and

2143
02:30:17,320 --> 02:30:35,199
Speaker 1: we out of here. Uh yeah, uh yeah, uh yeah,

2144
02:30:37,800 --> 02:30:41,520
Speaker 1: uh yeah yeah. You see, they hate to see us

2145
02:30:41,560 --> 02:30:46,280
Speaker 1: win that, so I know they got some issues. You see,

2146
02:30:46,320 --> 02:30:48,320
Speaker 1: they this is win that. So I heard they got

2147
02:30:48,360 --> 02:30:52,680
Speaker 1: some issues issue. You see, they hate to see us

2148
02:30:52,720 --> 02:30:55,920
Speaker 1: win that. So I know they got some isshoes issue.

2149
02:30:57,120 --> 02:30:58,720
Speaker 1: You see, they ain't to see us win. And so

2150
02:30:58,840 --> 02:31:04,199
Speaker 1: I heard they got some Yo. What's filling back lyddy?

2151
02:31:04,520 --> 02:31:07,000
Speaker 1: I feel like ninety eight again. Real gonna love it

2152
02:31:07,080 --> 02:31:09,800
Speaker 1: and the fake gonna hate again. Other niggas fright and

2153
02:31:09,840 --> 02:31:11,680
Speaker 1: I can't like they make it more than me. Me

2154
02:31:11,800 --> 02:31:15,640
Speaker 1: and dollar meds and jeans. I dressed accordingly Oga male

2155
02:31:15,879 --> 02:31:19,480
Speaker 1: upgrade from Ogan original sliming hip hop. They all owe me.

2156
02:31:20,160 --> 02:31:22,040
Speaker 1: My city needed me. I read a hold of the

2157
02:31:22,080 --> 02:31:24,560
Speaker 1: media is killed it on the music and started killing

2158
02:31:24,680 --> 02:31:27,600
Speaker 1: the media with the rental Phil in the car, the

2159
02:31:27,640 --> 02:31:30,520
Speaker 1: TV that the nigga is sick like they rumbert kill

2160
02:31:30,600 --> 02:31:32,200
Speaker 1: me up. He didn't hate to see us winning, so

2161
02:31:32,360 --> 02:31:36,640
Speaker 1: I know they got some issues issue. You see, they

2162
02:31:36,720 --> 02:31:38,520
Speaker 1: need to see us winning. So I heard he got

2163
02:31:38,600 --> 02:31:43,840
Speaker 1: some shoeste to see us winners. So I know they

2164
02:31:43,959 --> 02:31:48,720
Speaker 1: got some maybe shoes you hate to see us winn?

2165
02:31:48,760 --> 02:31:53,920
Speaker 1: And who I heard he got some who you know?

2166
02:31:54,120 --> 02:31:57,080
Speaker 1: Ellendn't really riddle me that. Oh my real niggas know

2167
02:31:57,280 --> 02:32:00,760
Speaker 1: where I'm mentally any wad drinking pain. What's the issue

2168
02:32:00,800 --> 02:32:03,720
Speaker 1: with the old hella boom in the hills? Well physically,

2169
02:32:04,720 --> 02:32:07,560
Speaker 1: then with the hugs conversations, just wrap them all. Think

2170
02:32:07,600 --> 02:32:11,119
Speaker 1: I'm so good. I'm just staying the facts all the cool.

2171
02:32:11,240 --> 02:32:13,560
Speaker 1: I'm debating with him that which ry then out of

2172
02:32:13,680 --> 02:32:16,040
Speaker 1: town weep hating on the neck. Can they tell me,

2173
02:32:16,120 --> 02:32:18,200
Speaker 1: y'all a start. I'm just trying to get these cars.

2174
02:32:18,240 --> 02:32:20,240
Speaker 1: They're just telling me to right. I'm just trying to

2175
02:32:20,320 --> 02:32:22,800
Speaker 1: move the hard wet pants and the rolling y'all do.

2176
02:32:22,959 --> 02:32:25,520
Speaker 1: But let's see, y'all start out the mouth like I'm

2177
02:32:25,560 --> 02:32:28,760
Speaker 1: blowing on the cart to see. I know they got

2178
02:32:28,840 --> 02:32:33,440
Speaker 1: some issues issue. You see, they hate to see us winning.

2179
02:32:33,560 --> 02:32:37,920
Speaker 1: So I heard they got some issues. Issue. You see,

2180
02:32:37,959 --> 02:32:39,680
Speaker 1: they hate to see us winning. So I know they

2181
02:32:39,800 --> 02:32:44,119
Speaker 1: got some issues. Issues. You see, they hate to see

2182
02:32:44,200 --> 02:32:49,080
Speaker 1: us win. And I heard they got some isshoes and yo,

2183
02:32:49,120 --> 02:32:50,920
Speaker 1: they hate to see us winning. So I heard we

2184
02:32:51,040 --> 02:32:53,800
Speaker 1: got some missiones, no pro they tripped. I'm a bloom

2185
02:32:53,879 --> 02:32:56,760
Speaker 1: like some tissue Ryan with the old G sixty by

2186
02:32:56,800 --> 02:32:59,920
Speaker 1: that hip like a whole D niggable. I'm an old

2187
02:33:00,120 --> 02:33:02,720
Speaker 1: D shooting for fat. But like your Noblie, I don't

2188
02:33:02,760 --> 02:33:06,400
Speaker 1: believe nothing. Motherfucker's gotta show me shine level up, but

2189
02:33:06,520 --> 02:33:08,959
Speaker 1: the streets want to owe me to keep it to myself.

2190
02:33:09,040 --> 02:33:11,840
Speaker 1: I did three from my code. The nigga told nigga

2191
02:33:12,360 --> 02:33:15,520
Speaker 1: things with the giving goal, grease on Chris Hi, guys

2192
02:33:15,600 --> 02:33:18,000
Speaker 1: on sick go and I let my ship go. Didn't

2193
02:33:18,040 --> 02:33:20,360
Speaker 1: know what it's hitting fork herd. What I get it for?

2194
02:33:20,560 --> 02:33:22,960
Speaker 1: Imagine what I'm sitting it off. You need to hate

2195
02:33:22,959 --> 02:33:24,680
Speaker 1: to see us winning, So I know they got some

2196
02:33:24,879 --> 02:33:29,240
Speaker 1: issues issues issue. You see, they hate to see us winning.

2197
02:33:29,400 --> 02:33:32,920
Speaker 1: So I heard they got some issues issues, issues, issues.

2198
02:33:33,400 --> 02:33:35,200
Speaker 1: You see, they hate to see us winning. So I

2199
02:33:35,240 --> 02:33:39,440
Speaker 1: know they got some issues, issues, issue. You see, they

2200
02:33:39,480 --> 02:33:41,080
Speaker 1: hate to see us win, and so I heard he

2201
02:33:41,200 --> 02:34:39,520
Speaker 1: got some issues. Issues issues. H Find all your favorite

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