WEBVTT - Episode 466 | .IDK.

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<v Speaker 1>Nollian.

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<v Speaker 2>All right, Roy, we are back today. We are joined

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<v Speaker 2>by a very special, very talented guest. I got a

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<v Speaker 2>beef to pick with you, but I'm gonna pick that

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<v Speaker 2>beef with you after. I guess we shouldn't argue, we

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<v Speaker 2>shouldn't fight in front of company. But you should have.

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<v Speaker 2>You should have sent me this project the day the

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<v Speaker 2>night it dropped, I talked about it. But you know

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<v Speaker 2>I have ADHD, so you're supposed to like, no, no,

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<v Speaker 2>stop what you're doing and play this project. Today we

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<v Speaker 2>were joined by another d m V. We just talking

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<v Speaker 2>about the DMV, yes, and it being like you just

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<v Speaker 2>a hub for extreme talent a d m V. I'm

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<v Speaker 2>gonna say he's a legend. I d K is in

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<v Speaker 2>the building. Ladies, Well, there's no ladies and gentlemen. Yes,

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<v Speaker 2>we never have ladies in the building. How you feeling man?

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<v Speaker 2>We never have podcast? What podcast world is? We have

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<v Speaker 2>ladies in the building, like you got you gotta fix that?

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<v Speaker 2>Well we got we have some ladies sometimes coming in

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<v Speaker 2>next time. Yeah, bring some ladies.

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<v Speaker 1>How you feeling, man, I'm good, I'm good.

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<v Speaker 2>So E t d S right. But before we get there,

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<v Speaker 2>because I was reading up on you obviously been following

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<v Speaker 2>you for a while, but listening to this project et

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<v Speaker 2>ds uh even the Devil Smiles available now DSPs. If

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<v Speaker 2>you haven't heard this, it's one of the best projects

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<v Speaker 2>that you're probably going to hear in the last ten

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<v Speaker 2>to fifteen years. Without a doubt. I'm getting right to it.

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<v Speaker 2>How the hell did you get a DMX feature?

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<v Speaker 3>That's easy, I'll be I don't mean getting the features easy.

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<v Speaker 3>Answering the question, Okay, yeah, yeah, I did a song

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<v Speaker 3>for him before he passed. It's actually me and Denzel

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<v Speaker 3>Curry and uh uh, he's done. We did cleared prayers

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<v Speaker 3>for the projects prior, so it was like, you know,

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<v Speaker 3>by the time he, you know, left us, I had

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<v Speaker 3>a beat well when he left us. A little after that,

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<v Speaker 3>a couple of years after that, I had this beat

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<v Speaker 3>from ke Trinada and I heard it and it was

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<v Speaker 3>a beat I originally passed on. And then I heard

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<v Speaker 3>that ship and I was just like, yo, it sounds

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<v Speaker 3>like some Rough Riders type shit, but like with a

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<v Speaker 3>little bit of a different swing. And the way I

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<v Speaker 3>seen him DJ it made me understand the beat more

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<v Speaker 3>than before I had actually seen him DJ. So, so

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<v Speaker 3>I like he just got this thing where he'll play

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<v Speaker 3>something like that and it'll be ladies dancing to it and.

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<v Speaker 1>All this stuff.

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<v Speaker 3>And once I saw that vision, I was like, all right,

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<v Speaker 3>this beat is like a little different than what I

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<v Speaker 3>originally thought. And I was like, man, I wonder what

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<v Speaker 3>happened to them vocals and what they do with that song.

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<v Speaker 3>So I hit Pat from his team and Pat was like, yo,

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<v Speaker 3>I still got it.

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<v Speaker 1>You know, we don't know what we want to do with.

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<v Speaker 3>It, and I asked for his blessing to try it

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<v Speaker 3>on the song. Once we tried it and we all

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<v Speaker 3>loved it, it was like, oh, let's, you know, go

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<v Speaker 3>through the proper channels, the family, fiance, everybody, to fan kids.

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<v Speaker 1>To clear it.

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<v Speaker 3>I got on a call with everybody, let them know

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<v Speaker 3>my intentions for it, and they gave me the blessing.

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<v Speaker 3>So it's the first actually approved or a state approved

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<v Speaker 3>feature that came out since his passive.

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<v Speaker 2>That's why I love with that question, because I mean

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<v Speaker 2>getting DMX feature while he was still with us was tough.

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<v Speaker 4>How'd you originally connect with them?

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<v Speaker 3>I chased him down myself myself was to clear this thing.

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<v Speaker 2>That's a brave thing to do.

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<v Speaker 1>Yeah, yeah, you know.

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<v Speaker 3>I really was like, yo, all right, he's performing it

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<v Speaker 3>this joint because I always like never left that mentality

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<v Speaker 3>of bro I got to make shit happen.

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<v Speaker 1>Regardless of wherever I was at.

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<v Speaker 3>I don't mind like rolling up my sleeves and just

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<v Speaker 3>hitting people and staying on top of certain shit. Some

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<v Speaker 3>people have like an ego about it, but I look

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<v Speaker 3>at it like how I looked at it when I

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<v Speaker 3>first started rapping. I went to a PG when I

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<v Speaker 3>got out of prison. I went to PG Community College

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<v Speaker 3>to just try to do like computer science or some shit,

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<v Speaker 3>and I would be like rapping. I'd be in a

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<v Speaker 3>cafeteria looking crazy by myself, just like writing and stuff

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<v Speaker 3>like that. And I knew that I looked crazy, but

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<v Speaker 3>I always knew that at the end of the day,

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<v Speaker 3>those same people that thought I was crazy gonna see

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<v Speaker 3>me where I'm going to be at, and then it's

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<v Speaker 3>not going to be crazy no more make sense? Right,

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<v Speaker 3>So I have to saying I wrote this one I

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<v Speaker 3>was locked up. Fantasy without reality is insanity. So I've

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<v Speaker 3>always been that way. So me like I was in

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<v Speaker 3>a place where I didn't necessarily need to chase them

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<v Speaker 3>down necessarily but I was with all that because whenever

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<v Speaker 3>I I believe it makes sense to do something, then

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<v Speaker 3>I'm cool to do all that stuff. If it don't

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<v Speaker 3>make sense, I probably feel weird. But if I think

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<v Speaker 3>it makes sense, and I'm like, yo, what I have

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<v Speaker 3>of you on this thing is great. I just want

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<v Speaker 3>your blessing. And they brought me backstage and he's like.

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<v Speaker 3>I talked to him and he's like, it's good. Whatever

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<v Speaker 3>you need, it's good.

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<v Speaker 4>How do you pitch a DMX?

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<v Speaker 3>And I just what I was doing, and it was,

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<v Speaker 3>you know, I had to do with religion and my

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<v Speaker 3>fight with God and and whether he's real or not

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<v Speaker 3>and all these things, and I told him to pitch.

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<v Speaker 1>He was like, it's good. Whatever you need, it's good,

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<v Speaker 1>you know what I mean. So then it was good.

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<v Speaker 5>Yeah, because I mean, your entire desography, you have some

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<v Speaker 5>of the most impressive features you go through your whole you.

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<v Speaker 1>Two though, you two, I just be buying your feature.

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<v Speaker 5>Because you've never struck me as someone that's that tries

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<v Speaker 5>to be in the mix so much. So that's where

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<v Speaker 5>or even I guess a networker right right way, So

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<v Speaker 5>how do you get these types of features?

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<v Speaker 3>I mean they're all different, but the real real answer

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<v Speaker 3>is audacity. I just asked, I asked, I hit Jay

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<v Speaker 3>like trying to go on a DM and see a

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<v Speaker 3>few responds. I'm just like that, and uh, I think

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<v Speaker 3>I move with man, I don't. I don't mean to

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<v Speaker 3>come like off like this, but this is actually true.

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<v Speaker 3>It's like a divine energy that I move with that's

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<v Speaker 3>really connected in a way where I think things happen.

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<v Speaker 1>I'm working on something.

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<v Speaker 3>I can't speak on it just yet, but when everyone

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<v Speaker 3>hears that I'm doing this, I think.

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<v Speaker 1>People gonna be there.

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<v Speaker 3>Gonna be some people that's maybe mad, but most people

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<v Speaker 3>are going to be like, wow, that's crazy that you're

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<v Speaker 3>doing that. And it's because of the divine energy and

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<v Speaker 3>the connection that I have. I really respect like people

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<v Speaker 3>who especially when someone has passed away and I have

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<v Speaker 3>a record that I want to do, I speak to

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<v Speaker 3>you know, like, and I thank them for allowing me

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<v Speaker 3>the opportunity to even do this when they're not here,

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<v Speaker 3>and the past just starts to clear.

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<v Speaker 1>Yeah, and I'm just being real like, and so that's

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<v Speaker 1>what it is.

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<v Speaker 3>Anything I do, I always make sure that in my mind, this, this,

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<v Speaker 3>this and this makes sense because of this, this and this,

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<v Speaker 3>and if it don't add up, I don't hit niggas.

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<v Speaker 1>Bro. Yeah, if I'm calling you, it makes sense.

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<v Speaker 4>I love that you just add to d m J. Electronica.

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<v Speaker 5>I had to fly to the mountains of Mexico, hike

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<v Speaker 5>up the side of a mountains a pyramid to get

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<v Speaker 5>my feature.

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<v Speaker 2>I'm not I'm not.

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<v Speaker 1>You're not joking.

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<v Speaker 2>I'm not joking at all.

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<v Speaker 1>I mean that's actually sicker than my situation. I'd rather

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<v Speaker 1>be you.

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<v Speaker 2>Once Mexico literally, yeah, man, Yeah it was jail leg

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<v Speaker 2>is a He's an interesting guy. Yeah yeahful one of

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<v Speaker 2>my favorite people ever. But you just have to be

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<v Speaker 2>prepared for anything. Trust when moving around with him, ar fifteen.

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<v Speaker 5>That to be putting malls faced by the federalities for

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<v Speaker 5>me to get those.

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<v Speaker 2>To Mexico to get them, and we were getting pulled

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<v Speaker 2>wild times, great times. But Jay is he's just one

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<v Speaker 2>of those people, man, the definition of free.

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<v Speaker 4>Yeah.

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<v Speaker 2>Yeah, he's the definition of somebody that is free, somebody

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<v Speaker 2>that does what they want to do, lives how they

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<v Speaker 2>want to live. It's admirable, but it is you know,

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<v Speaker 2>when you have when you when you when you meet

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<v Speaker 2>people like that, you realize like, oh yeah, like I'm

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<v Speaker 2>not living like this person. He's living waking up and

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<v Speaker 2>doing whatever he whatever the fuck he wants to do.

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<v Speaker 5>Did you feel the same way with Doom, because I

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<v Speaker 5>know you guys have worked before.

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<v Speaker 3>It's a feature on the album, like yeah, yeah, Doom.

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<v Speaker 3>That one's really special.

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<v Speaker 1>Man.

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<v Speaker 3>When I say I moved with like divine energy and

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<v Speaker 3>a certain connection. This is where I think it might

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<v Speaker 3>it might make the most sense with Doom. He the

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<v Speaker 3>future for me a while back, and Dell the funky

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<v Speaker 3>Hombo safety and got on the song. So I had

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<v Speaker 3>to cut his verse down a little bit. I didn't

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<v Speaker 3>have to, but I felt like it was necessary for

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<v Speaker 3>the song. So because he did a pretty long verse,

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<v Speaker 3>and then I grabbed that and I held on to it,

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<v Speaker 3>not thinking I'll ever use it for anything. Then when

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<v Speaker 3>Red came up, I asked for his blessing to use

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<v Speaker 3>a piece of it. I wasn't going to actually make

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<v Speaker 3>it a feature. It was just oh, that's Doomed, you

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<v Speaker 3>know what I mean. And then he passed away. And

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<v Speaker 3>then when he passed away, I was still waiting for

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<v Speaker 3>Jay to get me that verse and he dm me and.

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<v Speaker 1>Is like, nah, I got to make sure this happens.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 3>He's like, I got you, and then he texted he

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<v Speaker 3>DM me again and he was like touchdown, and then

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<v Speaker 3>he sent me the train and that's how that happened.

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<v Speaker 3>And then I still had more left though, and by

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<v Speaker 3>the time I started making this product, I had to

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<v Speaker 3>go deep within myself and go back to places that

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<v Speaker 3>I didn't want to go back to, which was being incarcerated,

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<v Speaker 3>behind bars, all of that shit. And then once I

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<v Speaker 3>did that, I started writing the records and then I

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<v Speaker 3>conductor sent.

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<v Speaker 1>Me this beat.

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<v Speaker 3>I took what he had, I chopped it and made

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<v Speaker 3>the verse on that beat is me chopping his beat,

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<v Speaker 3>and then the hook is the beat he basically sent me.

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<v Speaker 3>So then I thought about him, like, yo, I'm wondering

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<v Speaker 3>if those doom vocals will fit here, and it happened

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<v Speaker 3>to be like the X things similar bpms, and then

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<v Speaker 3>I was like, yo, he's talking about being locked up.

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<v Speaker 3>The irony of him talking about being locked up, and

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<v Speaker 3>that happens to be the piece that I left, and

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<v Speaker 3>I'm talking about being locked up. The whole time, I

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<v Speaker 3>was like, this gotta happen. So that's what I'm saying, like,

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<v Speaker 3>I didn't plan that that happened. I put it together,

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<v Speaker 3>I penned. I went to my experience of being behind

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<v Speaker 3>bars at that time, you know, trying K two for

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<v Speaker 3>the first time, all that shit, and I wanted to

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<v Speaker 3>put you in my shoes for that moment, and that's

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<v Speaker 3>what That's what came out. So and then obviously the

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<v Speaker 3>same thing sent it to the powers that be, it

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<v Speaker 3>got approved. It wasn't going to be a feature at first,

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<v Speaker 3>but then something they messed up, something on accident on

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<v Speaker 3>the vinyl, and my fans were zooming.

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<v Speaker 1>In on the you know what I'm saying. When I

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<v Speaker 1>put out the pre sale, and.

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<v Speaker 3>It was like Doom, Doom, So I tried to hurry

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<v Speaker 3>up and change it, and then I changed it, but

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<v Speaker 3>then people just kind of was.

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<v Speaker 2>Like, nah, do take it off?

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<v Speaker 3>So I never when I announced it, I ain't never

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<v Speaker 3>said anything about dooming, and people was mad. It was like, man,

0:11:48.160 --> 0:11:50.560
<v Speaker 3>how disrespectful is it to not list doom as a

0:11:50.559 --> 0:11:52.640
<v Speaker 3>feature on the project. But I wasn't trying to. I

0:11:52.679 --> 0:11:55.839
<v Speaker 3>wanted it to be a surprise. And also because it

0:11:55.880 --> 0:11:57.720
<v Speaker 3>wasn't a full verse, it was just on the hook.

0:11:58.080 --> 0:12:00.960
<v Speaker 3>I didn't want to gas it, so people okay, so

0:12:01.040 --> 0:12:04.800
<v Speaker 3>that's what happened. And then I just was like, well,

0:12:04.800 --> 0:12:06.520
<v Speaker 3>I guess we just got to put it as a feature.

0:12:06.520 --> 0:12:08.640
<v Speaker 3>Then yeah, you know, that's just what ended up happening

0:12:08.720 --> 0:12:09.080
<v Speaker 3>with them.

0:12:09.679 --> 0:12:14.840
<v Speaker 5>Speaking of spiritual connections and you being locked up? What

0:12:15.040 --> 0:12:17.600
<v Speaker 5>did you see on the first inhale of K two?

0:12:18.280 --> 0:12:22.079
<v Speaker 3>I saw some weird shit. Okay, this is walk me

0:12:22.120 --> 0:12:25.720
<v Speaker 3>through the day. What is it my birthday? And you

0:12:25.760 --> 0:12:27.880
<v Speaker 3>know this is when K two was new and ship,

0:12:28.040 --> 0:12:32.120
<v Speaker 3>so nobody really understood how people knew people would trip

0:12:32.160 --> 0:12:34.840
<v Speaker 3>off of it, don't get it twisted, yes, but most

0:12:34.840 --> 0:12:38.800
<v Speaker 3>people didn't really know that all the way how bad.

0:12:38.559 --> 0:12:39.079
<v Speaker 1>It could be.

0:12:39.600 --> 0:12:44.280
<v Speaker 3>So you know, it was my birthday and my boy

0:12:44.320 --> 0:12:46.480
<v Speaker 3>D was just like, yeah, man, I got this Da

0:12:46.520 --> 0:12:49.960
<v Speaker 3>da da. And then you know, we smoked it, and

0:12:50.040 --> 0:12:52.560
<v Speaker 3>you gotta, you know, you smoke it slow so that

0:12:52.600 --> 0:12:55.720
<v Speaker 3>the high could last, because sometimes the high is really quick.

0:12:56.360 --> 0:12:58.439
<v Speaker 1>Sometimes you don't know what how you're gonna get.

0:12:58.559 --> 0:13:00.960
<v Speaker 3>Actually that's the thing that's not consistance, so you don't

0:13:01.040 --> 0:13:03.080
<v Speaker 3>know what it's going through to you. And I smoked

0:13:03.120 --> 0:13:07.040
<v Speaker 3>it and I just started like basically everybody in prison

0:13:07.080 --> 0:13:11.400
<v Speaker 3>that I saw looked like themselves, but an animal version

0:13:11.440 --> 0:13:16.600
<v Speaker 3>of them themselves, Like if you look like kind of

0:13:16.640 --> 0:13:21.040
<v Speaker 3>like camel to me in that moment, you look like

0:13:21.120 --> 0:13:23.800
<v Speaker 3>it was a you know what I'm saying. It was

0:13:23.880 --> 0:13:25.880
<v Speaker 3>like but it was it was dark though. It was

0:13:25.960 --> 0:13:29.280
<v Speaker 3>like scary, like it wasn't funny. It was like yo.

0:13:29.679 --> 0:13:32.040
<v Speaker 3>And then you know, you know, like you you're looking

0:13:32.040 --> 0:13:34.880
<v Speaker 3>around like, nigga, I'm locked up right now, nigga, like

0:13:35.440 --> 0:13:38.040
<v Speaker 3>you're starting the reality starting to really kick in. I

0:13:39.040 --> 0:13:43.320
<v Speaker 3>know when I'm getting out, I'm like, it's my birthday

0:13:43.320 --> 0:13:46.520
<v Speaker 3>and ship, nigga, I'm looking at this like you know,

0:13:46.559 --> 0:13:48.920
<v Speaker 3>we had they got me like these little doughnuts and

0:13:48.960 --> 0:13:50.600
<v Speaker 3>all this ship my birthday and.

0:13:50.559 --> 0:13:52.440
<v Speaker 1>I'm like, I don't want to eat none of this ship.

0:13:52.520 --> 0:13:55.000
<v Speaker 3>This ship, Like I try to eat, it tastes nasty,

0:13:55.320 --> 0:13:57.120
<v Speaker 3>Like you know, I just need some milk. I'm gonna

0:13:57.160 --> 0:13:59.319
<v Speaker 3>lay on my bunk, nigga, and let this ship go away.

0:14:00.200 --> 0:14:02.560
<v Speaker 3>And I remember hearing this beat in my head. I

0:14:02.559 --> 0:14:04.520
<v Speaker 3>still remember the beat to this day. I kind of

0:14:04.520 --> 0:14:07.480
<v Speaker 3>gotta make that. I got to make that shit and

0:14:07.520 --> 0:14:10.040
<v Speaker 3>it was just just dark ass, weird ass beat. But

0:14:10.360 --> 0:14:12.440
<v Speaker 3>if I make that beat there's nothing in music that

0:14:12.480 --> 0:14:15.920
<v Speaker 3>sounds like this shit actually, and that literally was my

0:14:16.040 --> 0:14:18.559
<v Speaker 3>experience doing it. I did it a couple of times,

0:14:18.559 --> 0:14:20.520
<v Speaker 3>though it wasn't like the only time I did.

0:14:20.360 --> 0:14:22.000
<v Speaker 2>It, so you went back for another case.

0:14:22.120 --> 0:14:24.720
<v Speaker 3>I think I did it before that, and then that

0:14:24.840 --> 0:14:25.840
<v Speaker 3>was my birthday time.

0:14:25.960 --> 0:14:28.480
<v Speaker 1>So yeah, but that I think I tried it.

0:14:28.560 --> 0:14:31.160
<v Speaker 3>I don't remember exactly how much I tried, but I'll

0:14:31.160 --> 0:14:32.760
<v Speaker 3>tell you this, when I got out, I didn't.

0:14:32.600 --> 0:14:33.400
<v Speaker 1>Smoke weed no more.

0:14:33.680 --> 0:14:36.280
<v Speaker 3>I couldn't smoke weed no more after that shit. Like

0:14:36.720 --> 0:14:38.840
<v Speaker 3>every time I tried it, I would get this weird

0:14:39.400 --> 0:14:43.080
<v Speaker 3>paranoid high that I didn't like, so I just stopped smoking.

0:14:43.160 --> 0:14:46.720
<v Speaker 4>Yeah, I think I accidentally smoke K two once accidentally.

0:14:46.800 --> 0:14:51.360
<v Speaker 5>It was like friend twenty ten and like the synthetic.

0:14:51.360 --> 0:14:54.840
<v Speaker 1>Weed, that's when I did. I was around that time and.

0:14:55.000 --> 0:14:55.920
<v Speaker 2>It was synthetic weed.

0:14:55.960 --> 0:14:58.440
<v Speaker 5>But part of me feels like in twenty ten that

0:14:58.480 --> 0:15:00.360
<v Speaker 5>was K two and we just didn't really know it

0:15:00.440 --> 0:15:03.440
<v Speaker 5>was to that's K two, that's what is. There was

0:15:03.480 --> 0:15:06.280
<v Speaker 5>a name I forgot the exact name. Spicy.

0:15:10.320 --> 0:15:14.200
<v Speaker 4>Definitely smoke king too, but no, it definitely makes you trip.

0:15:14.400 --> 0:15:17.040
<v Speaker 3>So the reason why we would do it is because

0:15:17.800 --> 0:15:20.800
<v Speaker 3>it was just like, oh yeah, it was like, you

0:15:20.840 --> 0:15:23.320
<v Speaker 3>can't it doesn't show up on your pist test, so

0:15:23.440 --> 0:15:25.880
<v Speaker 3>that's why we're smoking. I think I even smoked it

0:15:25.920 --> 0:15:27.520
<v Speaker 3>a little bit when I got out because it didn't

0:15:27.520 --> 0:15:30.480
<v Speaker 3>show up on my pits test. But honestly, it was

0:15:30.480 --> 0:15:33.280
<v Speaker 3>one of them things where I was like, I realized

0:15:33.320 --> 0:15:33.960
<v Speaker 3>my weed.

0:15:34.000 --> 0:15:37.400
<v Speaker 1>I was starting to like, like be not what I remember.

0:15:38.880 --> 0:15:40.800
<v Speaker 5>I can immediately tell when drugs are not for me

0:15:40.800 --> 0:15:42.680
<v Speaker 5>because I don't like them or because I may like

0:15:42.720 --> 0:15:47.120
<v Speaker 5>it too much. Right, Like shrooms I don't do very often,

0:15:47.160 --> 0:15:50.760
<v Speaker 5>but I've done them multiple times and is cool, I think,

0:15:51.000 --> 0:15:54.000
<v Speaker 5>especially micro does and this and that. But like I

0:15:54.040 --> 0:15:57.400
<v Speaker 5>tried coke, I was like, nah, I'm cool because I

0:15:57.440 --> 0:16:00.000
<v Speaker 5>may end up liking that ship. So I left that alone.

0:16:00.080 --> 0:16:03.160
<v Speaker 5>But that K two ship when that one time I

0:16:03.160 --> 0:16:05.160
<v Speaker 5>smoked it in that living room, I never wanted to

0:16:05.200 --> 0:16:07.640
<v Speaker 5>go near anything synthetic for the rest of my Yeah, no,

0:16:07.960 --> 0:16:11.360
<v Speaker 5>fat it like nothing about it was cool. It wasn't fun,

0:16:11.800 --> 0:16:13.640
<v Speaker 5>it wasn't a story we could talk like later. It

0:16:13.680 --> 0:16:17.160
<v Speaker 5>was just like, nah, none of that shit is cool. Man,

0:16:17.400 --> 0:16:19.920
<v Speaker 5>Like I mean, to each his own, but that ain't

0:16:20.240 --> 0:16:21.960
<v Speaker 5>my style. I can't even dream.

0:16:22.360 --> 0:16:25.720
<v Speaker 2>I never I never did shrooms. I had shroom tea before. Okay, yeah,

0:16:25.800 --> 0:16:28.120
<v Speaker 2>I just was never like I never like outside of weed.

0:16:28.200 --> 0:16:30.360
<v Speaker 2>I was never really like trying because I'm scared to

0:16:30.400 --> 0:16:32.440
<v Speaker 2>have like a trip and never come back right right,

0:16:32.480 --> 0:16:34.120
<v Speaker 2>That's like my biggest feel like I'm gonna turn into

0:16:34.120 --> 0:16:36.560
<v Speaker 2>a whole different person and I'm not gonna be able

0:16:36.600 --> 0:16:40.800
<v Speaker 2>to snap by like everything is different now. So let's

0:16:40.800 --> 0:16:44.880
<v Speaker 2>talk about the beginning of aud K Originally from the UK. Yeah,

0:16:44.880 --> 0:16:48.080
<v Speaker 2>born London, born London. How at what age did you

0:16:48.360 --> 0:16:52.280
<v Speaker 2>come to America? Two years old? Oh so yeah, yeah

0:16:52.280 --> 0:16:54.760
<v Speaker 2>I'm American. You're America more than anything. But are you

0:16:54.800 --> 0:16:57.520
<v Speaker 2>still tapped in with the London sound like London rap?

0:16:58.240 --> 0:17:00.680
<v Speaker 3>Yeah for sure. I got like Goldie on my project.

0:17:01.120 --> 0:17:02.960
<v Speaker 3>I still like it's Emmy, you know what I'm saying,

0:17:03.000 --> 0:17:07.120
<v Speaker 3>like for show. But but I'm mostly just a DMV,

0:17:07.400 --> 0:17:09.159
<v Speaker 3>like you know what I mean. That's mainly what I

0:17:09.160 --> 0:17:12.000
<v Speaker 3>am in DC, Maryland, Virginia. For those of you who don't.

0:17:11.800 --> 0:17:14.560
<v Speaker 2>Know now the DMV because me and Rory been talking

0:17:14.560 --> 0:17:17.560
<v Speaker 2>about it. What is it about the DMV that just

0:17:17.680 --> 0:17:23.679
<v Speaker 2>keeps creating such unique, such talented artists like throughout the

0:17:23.800 --> 0:17:27.440
<v Speaker 2>years in hip hop and R and B like this,

0:17:27.400 --> 0:17:30.359
<v Speaker 2>This is something about the DMB. Is it just the

0:17:30.359 --> 0:17:33.439
<v Speaker 2>culture of the DMV. Is it the close proximity and

0:17:33.560 --> 0:17:35.560
<v Speaker 2>so many different people are able to connect with each other?

0:17:35.640 --> 0:17:35.720
<v Speaker 1>Like?

0:17:35.920 --> 0:17:38.920
<v Speaker 2>What is it about the DMV that just keeps giving

0:17:39.040 --> 0:17:41.200
<v Speaker 2>us like such talented artists.

0:17:41.800 --> 0:17:46.359
<v Speaker 3>I think that we have some of the highest concentration

0:17:46.480 --> 0:17:51.920
<v Speaker 3>of pure creativity. Now, creativity meets opportunity to expand creativity

0:17:52.000 --> 0:17:54.240
<v Speaker 3>because you know, when you look at LA and you

0:17:54.280 --> 0:17:57.800
<v Speaker 3>look at New York, is easier to expand your creativity

0:17:58.119 --> 0:18:00.880
<v Speaker 3>to an audience because they have the industry there.

0:18:01.320 --> 0:18:03.600
<v Speaker 1>We just got the raw creativity.

0:18:03.680 --> 0:18:06.160
<v Speaker 3>So you know when when you look at something that's

0:18:06.240 --> 0:18:09.800
<v Speaker 3>unique as go go and then you look at how

0:18:10.280 --> 0:18:14.000
<v Speaker 3>people have adopted certain cultural things. This is like a

0:18:14.040 --> 0:18:15.520
<v Speaker 3>big African community there.

0:18:15.560 --> 0:18:16.960
<v Speaker 1>There's a big Hispanic.

0:18:16.600 --> 0:18:22.120
<v Speaker 3>Community there, obviously Black community, uh, and all of these things.

0:18:22.320 --> 0:18:25.320
<v Speaker 3>You know, when you kind of put that together and

0:18:25.359 --> 0:18:28.280
<v Speaker 3>we're all close nearby each other, I think it creates

0:18:28.760 --> 0:18:31.080
<v Speaker 3>what I like to call a color that doesn't exist,

0:18:31.480 --> 0:18:35.520
<v Speaker 3>something new, something unique, And even in the way we

0:18:35.680 --> 0:18:38.440
<v Speaker 3>dressing and all of that stuff, you know, we made

0:18:38.560 --> 0:18:39.760
<v Speaker 3>new balances popular.

0:18:39.760 --> 0:18:40.400
<v Speaker 1>You know what I'm saying.

0:18:40.640 --> 0:18:43.360
<v Speaker 4>When when my dad was living in Baltimore in PG County.

0:18:43.160 --> 0:18:45.800
<v Speaker 1>Yeah, I even got honest, you know what I mean.

0:18:46.200 --> 0:18:48.800
<v Speaker 3>You from New York, Yeah, yeas be trying to claim

0:18:49.040 --> 0:18:49.719
<v Speaker 3>the new balance.

0:18:50.040 --> 0:18:52.840
<v Speaker 4>Jim Jones tried, which was kind of funded. That's Jim Jones.

0:18:52.840 --> 0:18:53.320
<v Speaker 4>He's going to fight.

0:18:54.160 --> 0:18:57.520
<v Speaker 5>He's our soldier, boy. He was the first. But no,

0:18:57.600 --> 0:18:59.879
<v Speaker 5>I always because I was wearing new balances. And I'm

0:18:59.920 --> 0:19:02.359
<v Speaker 5>not saying this as a stat but when they weren't

0:19:02.440 --> 0:19:05.080
<v Speaker 5>popular up here and used to get kind of like

0:19:05.280 --> 0:19:05.840
<v Speaker 5>new balances.

0:19:05.840 --> 0:19:08.760
<v Speaker 4>I'm in Maryland, that's all they were.

0:19:10.400 --> 0:19:12.159
<v Speaker 2>We wore new balances in the early nineties.

0:19:12.160 --> 0:19:14.919
<v Speaker 1>Though in New York, we wore new balances in the eighties.

0:19:14.600 --> 0:19:17.040
<v Speaker 2>And I'm sure I did, but I remember, I remember

0:19:17.080 --> 0:19:19.560
<v Speaker 2>like the nineties, like new balances were a thing.

0:19:19.720 --> 0:19:22.399
<v Speaker 3>And when I was born in eighties, but I remember

0:19:22.400 --> 0:19:23.639
<v Speaker 3>seeing pictures of the eighties.

0:19:24.080 --> 0:19:26.800
<v Speaker 2>I definitely listen. I'm not, but I do know that

0:19:26.920 --> 0:19:31.359
<v Speaker 2>new balances was definitely something that New Yorkers wore, like

0:19:31.560 --> 0:19:34.280
<v Speaker 2>early in the nineties and probably before that. But I'm

0:19:34.320 --> 0:19:36.680
<v Speaker 2>just speaking for me and my friends. We definitely started

0:19:36.720 --> 0:19:38.120
<v Speaker 2>wearing new balance in the early nineties.

0:19:38.160 --> 0:19:40.880
<v Speaker 5>But up here, like when my dad moved to Maryland

0:19:41.000 --> 0:19:44.520
<v Speaker 5>was like oh, two three fourths somewhere in that time,

0:19:44.600 --> 0:19:47.639
<v Speaker 5>and nobody was wearing new balances up here. Like when

0:19:47.640 --> 0:19:49.000
<v Speaker 5>I went down there, it was four and I was like, oh,

0:19:49.040 --> 0:19:50.800
<v Speaker 5>new balances and they're comfortable as fuck.

0:19:52.960 --> 0:19:54.040
<v Speaker 1>Definitely, but yeah.

0:19:54.040 --> 0:19:56.879
<v Speaker 5>In the early two thousands at least my era was

0:19:56.920 --> 0:19:59.040
<v Speaker 5>definitely not wearing balances whatsoever.

0:19:59.119 --> 0:20:00.240
<v Speaker 4>That was definitely a dm.

0:20:00.680 --> 0:20:03.320
<v Speaker 3>And listen, I'm definitely like I credit New York for

0:20:03.480 --> 0:20:06.639
<v Speaker 3>popularizing a lot of styles from DC, you know what

0:20:06.680 --> 0:20:09.359
<v Speaker 3>I'm saying, Like how people were dressing, or the drug

0:20:09.400 --> 0:20:12.920
<v Speaker 3>dealers and all that stuff. People popularized a lot of

0:20:12.960 --> 0:20:17.040
<v Speaker 3>stuff back back then in New York, and I think

0:20:17.359 --> 0:20:21.280
<v Speaker 3>there's some sort of an admiration for people in New

0:20:21.359 --> 0:20:23.679
<v Speaker 3>York and how y'all get down and the swag and

0:20:23.720 --> 0:20:25.879
<v Speaker 3>all that stuff, for sure, But the.

0:20:26.320 --> 0:20:27.720
<v Speaker 1>Idea knew was coming.

0:20:28.320 --> 0:20:30.040
<v Speaker 2>Once they give you once, they give you credit and

0:20:30.040 --> 0:20:31.360
<v Speaker 2>they give you props to this, but.

0:20:31.480 --> 0:20:34.720
<v Speaker 3>You but it's just really one of them things where like,

0:20:35.720 --> 0:20:40.800
<v Speaker 3>you know, I think that d C specifically in the DMV,

0:20:41.520 --> 0:20:43.560
<v Speaker 3>we do a lot of things and maybe don't get

0:20:43.680 --> 0:20:46.199
<v Speaker 3>the credit so a lot of people are vocal about it.

0:20:46.440 --> 0:20:48.320
<v Speaker 3>That's really more so. What it boils down to.

0:20:51.680 --> 0:20:54.119
<v Speaker 5>Mal boost Mobile is proving that you don't have to

0:20:54.280 --> 0:20:56.240
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0:20:56.240 --> 0:20:58.320
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0:20:58.520 --> 0:21:00.600
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0:21:00.640 --> 0:21:01.159
<v Speaker 5>do that anymore.

0:21:01.200 --> 0:21:01.520
<v Speaker 2>Help me.

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0:21:11.080 --> 0:21:13.760
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0:21:13.880 --> 0:21:17.719
<v Speaker 5>six hundred dollars a year compared to any other major carrier.

0:21:18.200 --> 0:21:20.600
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0:21:23.160 --> 0:21:25.479
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0:21:37.760 --> 0:21:41.359
<v Speaker 5>What do you think the DMV music lineage is like?

0:21:41.400 --> 0:21:44.040
<v Speaker 5>For example, you could start with Disco in New York,

0:21:44.080 --> 0:21:46.119
<v Speaker 5>which then went to cool Herk and then went to

0:21:46.240 --> 0:21:48.200
<v Speaker 5>Curtis Blowercarris wanting and so on and so forth. You

0:21:48.280 --> 0:21:52.359
<v Speaker 5>kind of couldn't tell the entire the entire story of

0:21:52.400 --> 0:21:56.159
<v Speaker 5>New York hip hop. Where where does DMV start?

0:21:56.720 --> 0:21:57.000
<v Speaker 1>Wow?

0:21:58.200 --> 0:22:02.240
<v Speaker 3>So I'm going to speak with a lack of all

0:22:02.280 --> 0:22:05.359
<v Speaker 3>of the information and education and answered the best I

0:22:05.400 --> 0:22:08.920
<v Speaker 3>can with what I what I understand. I think the seventies,

0:22:08.960 --> 0:22:12.080
<v Speaker 3>maybe the late seventies is when Go Go kind of came.

0:22:12.920 --> 0:22:15.800
<v Speaker 3>But people were rapping over Go Go. Let's not let's

0:22:15.840 --> 0:22:19.760
<v Speaker 3>not like get that twisted. People were rapping over Go Go.

0:22:20.359 --> 0:22:22.920
<v Speaker 1>And I think, you know, people like Chuck Brown, things

0:22:22.960 --> 0:22:24.480
<v Speaker 1>like that, they were coming in.

0:22:25.960 --> 0:22:29.640
<v Speaker 3>Then you get to the early eighties. I'm pretty sure.

0:22:30.760 --> 0:22:35.359
<v Speaker 3>Don't quote me on this, but look it up. We came,

0:22:35.960 --> 0:22:39.840
<v Speaker 3>uh punk rock came from DC. Okay, I'm pretty pretty sure.

0:22:39.880 --> 0:22:44.920
<v Speaker 3>I'm like like ninety percent sure. So we obviously have that.

0:22:45.440 --> 0:22:46.200
<v Speaker 1>And then.

0:22:48.000 --> 0:22:50.879
<v Speaker 3>And then I think in the eighties, Go Go started

0:22:50.920 --> 0:22:55.240
<v Speaker 3>to expand a lot more. I think that the nineties

0:22:55.280 --> 0:23:00.000
<v Speaker 3>came and then we had is it nonchalant five o'clock

0:23:00.320 --> 0:23:02.680
<v Speaker 3>in the morning when you be around that time? Right,

0:23:04.320 --> 0:23:06.840
<v Speaker 3>And by the way, I'm gonna probably miss people, So

0:23:06.920 --> 0:23:08.320
<v Speaker 3>I don't want to, you know what, I'm saying no

0:23:08.400 --> 0:23:12.439
<v Speaker 3>disrespect to anybody that I missed. But I think around

0:23:12.440 --> 0:23:16.199
<v Speaker 3>that time that started to happen when we had like

0:23:16.960 --> 0:23:19.320
<v Speaker 3>Junk Yard Band and all these people that started getting

0:23:19.359 --> 0:23:23.160
<v Speaker 3>like real recognition being signed to I think Death Jam Records,

0:23:23.200 --> 0:23:26.879
<v Speaker 3>things like that, and then we're the eerror. Where I

0:23:26.920 --> 0:23:29.959
<v Speaker 3>really started paying attention to certain things was when Tabby

0:23:30.000 --> 0:23:33.920
<v Speaker 3>Bonnet and Wile was coming out, because was the first

0:23:34.000 --> 0:23:36.639
<v Speaker 3>nigga from back home from what I remember to be

0:23:36.720 --> 0:23:40.359
<v Speaker 3>on MTV. Yeah, shout out to Tuma because Tuma was

0:23:40.359 --> 0:23:42.720
<v Speaker 3>working at MTV around that time, and.

0:23:42.920 --> 0:23:45.240
<v Speaker 1>I remember seeing that, like, yo, this could really happen.

0:23:45.880 --> 0:23:49.040
<v Speaker 3>I started seeing Phil I Day around that time as well,

0:23:49.760 --> 0:23:52.640
<v Speaker 3>so like but you know a little later actually, but.

0:23:54.320 --> 0:23:56.440
<v Speaker 1>Was the first time I really seen.

0:23:56.320 --> 0:23:59.119
<v Speaker 3>Like somebody like doing something you know what I'm saying,

0:23:59.680 --> 0:24:02.520
<v Speaker 3>And that kind of rubbed off on me, like it's

0:24:02.600 --> 0:24:05.400
<v Speaker 3>possible because not only is he from where I'm from,

0:24:05.440 --> 0:24:08.520
<v Speaker 3>he's also African. You know, he's talking about the struggle

0:24:08.600 --> 0:24:11.280
<v Speaker 3>being African, being made fun of all that shit. So

0:24:11.320 --> 0:24:14.239
<v Speaker 3>it's connecting with me in a real way. So by

0:24:14.280 --> 0:24:16.719
<v Speaker 3>the time I got locked up and got out, I

0:24:16.760 --> 0:24:19.639
<v Speaker 3>remember saying to myself, you know, I'm not going to

0:24:19.720 --> 0:24:22.360
<v Speaker 3>take raps seriously because my biggest thing is I want

0:24:22.359 --> 0:24:24.280
<v Speaker 3>to rap, but I don't ever want to perform. Like

0:24:24.359 --> 0:24:27.040
<v Speaker 3>the idea of performing was so crazy and scary to me.

0:24:27.160 --> 0:24:29.080
<v Speaker 2>I want to rap, but you don't want to perform.

0:24:28.840 --> 0:24:30.200
<v Speaker 1>No, I just want to put out songs.

0:24:30.600 --> 0:24:31.919
<v Speaker 3>And I was like, I want to have like a

0:24:32.000 --> 0:24:34.400
<v Speaker 3>local buzz like l A when he first came out,

0:24:34.600 --> 0:24:36.840
<v Speaker 3>but I don't want to be like a big superstar

0:24:36.920 --> 0:24:40.280
<v Speaker 3>and nothing like that. And that was my mentality going

0:24:40.280 --> 0:24:43.040
<v Speaker 3>into it. My Plan A was a finished school, you know,

0:24:43.240 --> 0:24:45.160
<v Speaker 3>and try to do something with that. I still got

0:24:45.160 --> 0:24:47.520
<v Speaker 3>my book from jail when I wrote my plan my

0:24:47.560 --> 0:24:50.280
<v Speaker 3>Plan B, and both of them were not rap at

0:24:50.280 --> 0:24:52.800
<v Speaker 3>the end. They had rap in it, but that wasn't

0:24:52.800 --> 0:24:56.560
<v Speaker 3>the end all be all, and so but like.

0:24:56.520 --> 0:24:58.600
<v Speaker 1>I'm back to the lineage part.

0:24:58.800 --> 0:25:00.840
<v Speaker 3>You know, you go while A and you start seeing

0:25:00.920 --> 0:25:03.720
<v Speaker 3>like Fat trailing them and the Shotglizzy.

0:25:03.800 --> 0:25:07.639
<v Speaker 1>I was I was locked up when shot Lizzy.

0:25:07.800 --> 0:25:09.479
<v Speaker 3>Yeah, I remember that being locked up and they were like, yo,

0:25:09.480 --> 0:25:12.600
<v Speaker 3>shot Lizzy, shot Lizzy. He beefing with Fat trail d

0:25:12.800 --> 0:25:15.040
<v Speaker 3>niggas telling me you know what I mean, And then

0:25:16.440 --> 0:25:19.119
<v Speaker 3>then there was just mad other eras like when you

0:25:19.160 --> 0:25:24.480
<v Speaker 3>go from that era to the next, I say, I

0:25:24.520 --> 0:25:27.399
<v Speaker 3>guess the next era was me starting to be like

0:25:27.520 --> 0:25:31.200
<v Speaker 3>gold Link and Chazz French people like that was coming out.

0:25:31.200 --> 0:25:34.600
<v Speaker 3>Shaboozi was around two. Like Shaboozi was always running out.

0:25:34.760 --> 0:25:36.359
<v Speaker 3>Me and him got songs from when he was like

0:25:36.840 --> 0:25:39.040
<v Speaker 3>fucking seventeen or something like you know what I mean,

0:25:39.800 --> 0:25:42.840
<v Speaker 3>and Chabuzzi coming up around his time. All of us

0:25:42.920 --> 0:25:45.400
<v Speaker 3>is like doing our thing. But that gold Link wave

0:25:45.560 --> 0:25:48.760
<v Speaker 3>was serious. When that came out, that was like, oh shit,

0:25:49.000 --> 0:25:50.760
<v Speaker 3>like you know what I mean, I can't forget.

0:25:50.840 --> 0:25:52.280
<v Speaker 1>There was even before that.

0:25:52.160 --> 0:25:54.760
<v Speaker 3>There was like Booby One Way Boobie and all these

0:25:54.880 --> 0:25:56.680
<v Speaker 3>you know, all the street rappers. It was coming out

0:25:56.720 --> 0:26:00.080
<v Speaker 3>to Big Wax, everybody, Circle Boys all that.

0:26:00.600 --> 0:26:01.360
<v Speaker 1>Then we go to.

0:26:03.200 --> 0:26:06.119
<v Speaker 3>After that era, you know, we all kind of was

0:26:06.160 --> 0:26:09.760
<v Speaker 3>doing our thing, was growing. I want to say Logic

0:26:09.880 --> 0:26:12.160
<v Speaker 3>was around that time as well a little bit before that.

0:26:13.680 --> 0:26:17.000
<v Speaker 3>And then the next era was like when Big Flock

0:26:17.240 --> 0:26:25.160
<v Speaker 3>and Rico Nasty and Shabaz Cutiful all them started coming out.

0:26:25.359 --> 0:26:26.600
<v Speaker 1>But that was the whole thing.

0:26:26.760 --> 0:26:30.080
<v Speaker 3>Yeah, Then we got young Manny and all them guys

0:26:30.560 --> 0:26:34.359
<v Speaker 3>uh zam Man, which is basically they originated the flow

0:26:34.400 --> 0:26:40.200
<v Speaker 3>that everybody's really using now, and then there's probably another

0:26:40.200 --> 0:26:42.399
<v Speaker 3>era right after that, which is kind of more so

0:26:42.560 --> 0:26:48.240
<v Speaker 3>now where you get Nino paid and you get who

0:26:48.280 --> 0:26:51.280
<v Speaker 3>else is out there, you get El Cousto, you're getting.

0:26:51.320 --> 0:26:53.200
<v Speaker 3>I mean, I would say that's even a little after

0:26:53.280 --> 0:26:57.520
<v Speaker 3>maybe or close to that, where you know, right now,

0:26:57.640 --> 0:27:02.000
<v Speaker 3>I think after that era Earl Sweatshirt clip winning when

0:27:02.119 --> 0:27:05.040
<v Speaker 3>viral Niggas is like, oh shit, like that's our flow.

0:27:05.200 --> 0:27:07.920
<v Speaker 3>That's like the DMV flow to the t you know

0:27:07.920 --> 0:27:10.280
<v Speaker 3>what I'm saying. But right now, I mean like you

0:27:10.400 --> 0:27:13.160
<v Speaker 3>got people like even Machago coming out, They came out

0:27:13.240 --> 0:27:16.919
<v Speaker 3>a little bit before around my era, like like we

0:27:17.040 --> 0:27:18.000
<v Speaker 3>just got so much shit.

0:27:18.200 --> 0:27:20.960
<v Speaker 2>Yeah, so you running down this list, it's so much talent.

0:27:21.280 --> 0:27:23.080
<v Speaker 4>Yeah, yeah, we were.

0:27:23.240 --> 0:27:24.960
<v Speaker 5>I think it was last episode we were talking about

0:27:25.119 --> 0:27:29.120
<v Speaker 5>Foggy's album, Like Foggy too. The DMV has a sound,

0:27:29.160 --> 0:27:31.080
<v Speaker 5>but it doesn't if that, I guess because there is

0:27:31.160 --> 0:27:34.000
<v Speaker 5>just so many different types of artists where there isn't

0:27:34.119 --> 0:27:38.520
<v Speaker 5>a definitive sound, but there is, Like I think Foggy

0:27:38.920 --> 0:27:41.119
<v Speaker 5>and I mean it's respectfully like I can hear some

0:27:41.240 --> 0:27:44.600
<v Speaker 5>of gold Link in his music to me, which is

0:27:44.840 --> 0:27:47.879
<v Speaker 5>very much a d m V type of tone.

0:27:48.880 --> 0:27:51.639
<v Speaker 3>Maybe maybe you know, that was the one thing I

0:27:51.680 --> 0:27:53.080
<v Speaker 3>was saying. I don't see it all the way, but

0:27:53.119 --> 0:27:55.520
<v Speaker 3>I can see maybe from the outside, and then how

0:27:55.640 --> 0:27:58.080
<v Speaker 3>it could be I see the nuance a little more. Yeah,

0:27:58.119 --> 0:28:00.439
<v Speaker 3>So I'm like foggy sound like foggy to me, But

0:28:02.440 --> 0:28:06.120
<v Speaker 3>when I hear what he's doing, it is it is

0:28:06.359 --> 0:28:10.000
<v Speaker 3>a lot of sub pockets of music, right, But it's

0:28:10.080 --> 0:28:11.600
<v Speaker 3>kind of the same way there's like a lot of

0:28:11.640 --> 0:28:16.240
<v Speaker 3>subcultures in general in the DMV, right, But ultimately what

0:28:16.280 --> 0:28:19.119
<v Speaker 3>you may get that's consistent is a certain type of slang,

0:28:19.480 --> 0:28:25.200
<v Speaker 3>a certain type of respect and flow that's derivative derivative

0:28:25.640 --> 0:28:30.439
<v Speaker 3>of go go music. And then after that it just

0:28:30.480 --> 0:28:33.480
<v Speaker 3>becomes what type of style you want to do over

0:28:33.560 --> 0:28:36.119
<v Speaker 3>what type of beats? You know what I'm saying, But

0:28:36.400 --> 0:28:40.400
<v Speaker 3>I'm probably missing like ninety percent of all of the

0:28:40.440 --> 0:28:43.760
<v Speaker 3>shit that's really has been going on in these errors.

0:28:44.120 --> 0:28:47.000
<v Speaker 3>That's that's the thing. But we don't have the industry

0:28:47.080 --> 0:28:51.360
<v Speaker 3>like that. So when you hear certain things, they kind

0:28:51.360 --> 0:28:54.240
<v Speaker 3>of like become like this thing where it's like it's

0:28:54.320 --> 0:28:58.680
<v Speaker 3>dope cool people taken from it for sure, but it

0:28:58.720 --> 0:29:01.760
<v Speaker 3>doesn't have the chance to incubate and becoming this big thing.

0:29:01.840 --> 0:29:04.120
<v Speaker 3>Every now and then you get certain things but not

0:29:04.320 --> 0:29:06.960
<v Speaker 3>so much right and then bruh, Like a lot of

0:29:07.000 --> 0:29:10.240
<v Speaker 3>the artists, they be like they don't have the foundation

0:29:10.360 --> 0:29:15.080
<v Speaker 3>around them so structure wise, like management, certain things like that.

0:29:15.400 --> 0:29:17.600
<v Speaker 3>So it's that's why I say we are a hub

0:29:17.680 --> 0:29:21.960
<v Speaker 3>of pure artistic talent, whether it comes to style, whether

0:29:21.960 --> 0:29:24.600
<v Speaker 3>it comes to music, all of that shit. Like we

0:29:24.840 --> 0:29:29.080
<v Speaker 3>got that in the purest form. We got the blue magic,

0:29:29.560 --> 0:29:33.040
<v Speaker 3>you know what I'm saying, But we don't We're not

0:29:33.520 --> 0:29:37.280
<v Speaker 3>always able to distribute it throughout New York City.

0:29:37.440 --> 0:29:39.080
<v Speaker 1>Got it like a better Ford.

0:29:39.240 --> 0:29:42.160
<v Speaker 2>I guess you know what I see, uh.

0:29:42.160 --> 0:29:47.160
<v Speaker 5>With the Not Atlanta record, with what La Russell's been

0:29:47.160 --> 0:29:49.320
<v Speaker 5>doing with the Bay I see everyone arguing what's the

0:29:49.360 --> 0:29:50.480
<v Speaker 5>city and what's not the city?

0:29:50.680 --> 0:29:51.920
<v Speaker 4>Is the clips DMV or not?

0:29:53.800 --> 0:29:54.040
<v Speaker 1>Yes?

0:29:54.960 --> 0:29:59.360
<v Speaker 3>I say yes, I say because I've heard Parrell say

0:29:59.400 --> 0:30:02.280
<v Speaker 3>it out of his I mean, so I'll go with

0:30:02.320 --> 0:30:06.160
<v Speaker 3>real right right. I think people try to write off

0:30:06.400 --> 0:30:09.520
<v Speaker 3>certain places because it's a little too far. I think

0:30:09.560 --> 0:30:11.960
<v Speaker 3>there's two ways to look at it. There is It's

0:30:12.040 --> 0:30:15.040
<v Speaker 3>like if I'm out of town. I'd rather just I'm

0:30:15.080 --> 0:30:17.880
<v Speaker 3>so I'm closer to DC than I am to Baltimore. Yeah,

0:30:17.960 --> 0:30:19.840
<v Speaker 3>so when people say where you're from, I just say DC.

0:30:20.640 --> 0:30:22.720
<v Speaker 3>It's not But if you're from DC and you say

0:30:22.760 --> 0:30:25.920
<v Speaker 3>you're from DC but you're not from DCA, that don't fly.

0:30:26.560 --> 0:30:29.000
<v Speaker 3>So you got to know the context in what you

0:30:29.120 --> 0:30:34.040
<v Speaker 3>speaking on. If I say the DMV and it pertains

0:30:34.040 --> 0:30:38.320
<v Speaker 3>to the CLIPS, it's the most general broad aspect of

0:30:38.360 --> 0:30:42.120
<v Speaker 3>the DMV we can have. Now, the real DMV, like

0:30:42.160 --> 0:30:45.640
<v Speaker 3>the honest to god real version of the DMV, is

0:30:45.640 --> 0:30:50.600
<v Speaker 3>the metropolitan area right all around. Basically, if you're if

0:30:50.640 --> 0:30:53.160
<v Speaker 3>the train don't go to where you're from, it's not

0:30:53.240 --> 0:30:56.800
<v Speaker 3>really the DMV. Kind of that's the way some people

0:30:56.840 --> 0:31:00.160
<v Speaker 3>look at it. But because DC, Maryland and Virginia are

0:31:01.040 --> 0:31:04.480
<v Speaker 3>the d m V, the specifying that you kind of

0:31:04.520 --> 0:31:06.560
<v Speaker 3>got to be from there to really understand why you

0:31:06.560 --> 0:31:09.520
<v Speaker 3>gotta specify. So so because of that, CLIPS is d

0:31:09.600 --> 0:31:12.560
<v Speaker 3>m V. Okay, if they say it, then that's it.

0:31:12.720 --> 0:31:13.640
<v Speaker 1>That's it. You know what I'm saying.

0:31:14.440 --> 0:31:17.920
<v Speaker 3>I ain't that ain't at all.

0:31:17.960 --> 0:31:21.560
<v Speaker 5>Remember the Titans squad is right, because that's a New York.

0:31:22.000 --> 0:31:25.200
<v Speaker 2>We still claim the CLIPS you're the only New York Times.

0:31:25.200 --> 0:31:27.400
<v Speaker 1>I didn't even know that. I've never heard that in

0:31:27.440 --> 0:31:27.960
<v Speaker 1>my life.

0:31:28.840 --> 0:31:37.360
<v Speaker 5>Face before, and he said, no, I'm not. I mean

0:31:37.400 --> 0:31:40.520
<v Speaker 5>speaking of of the clips and push your tea. You

0:31:40.600 --> 0:31:44.560
<v Speaker 5>and I we're talking the day that record came out. Yeah,

0:31:44.960 --> 0:31:47.320
<v Speaker 5>why do you think people thought you were dissing Drake

0:31:47.440 --> 0:31:48.080
<v Speaker 5>on that record?

0:31:48.280 --> 0:31:48.719
<v Speaker 1>I don't know.

0:31:48.760 --> 0:31:51.360
<v Speaker 2>That was a very odd perspective, because you and me.

0:31:51.440 --> 0:31:53.560
<v Speaker 3>It was like it was like I said Ice this

0:31:53.800 --> 0:31:57.280
<v Speaker 3>and Ice that, and I wasn't thinking about no Drake

0:31:57.320 --> 0:31:59.320
<v Speaker 3>when I made you know what I'm saying, like Ice,

0:31:59.400 --> 0:32:01.400
<v Speaker 3>and you know it was it was dark to see

0:32:01.400 --> 0:32:04.760
<v Speaker 3>that people dig that deep and listen, man, keep digging

0:32:04.840 --> 0:32:08.760
<v Speaker 3>like sometimes I do be saying some clever Yeah, it's right,

0:32:09.080 --> 0:32:12.479
<v Speaker 3>But I think it was that, And I think just

0:32:12.560 --> 0:32:15.920
<v Speaker 3>by nature of the timing. That's why I say divine

0:32:15.960 --> 0:32:19.120
<v Speaker 3>timing is interesting. I didn't plan for that to happen

0:32:19.160 --> 0:32:21.760
<v Speaker 3>at that time. And I think they said something about Drake,

0:32:21.880 --> 0:32:24.320
<v Speaker 3>posted something about Ice, and then we dropped a song.

0:32:24.360 --> 0:32:26.240
<v Speaker 1>I was not. That shit had nothing to do with

0:32:26.360 --> 0:32:27.520
<v Speaker 1>what I was, you know what I'm saying.

0:32:27.560 --> 0:32:31.280
<v Speaker 3>So hey, look, people probably said it because they just

0:32:31.320 --> 0:32:33.720
<v Speaker 3>thought that that's what it was, and hey, I looked

0:32:33.720 --> 0:32:33.920
<v Speaker 3>at it.

0:32:34.560 --> 0:32:37.760
<v Speaker 2>They try to dig and find little anything that may

0:32:37.880 --> 0:32:41.320
<v Speaker 2>look like a shot or beef or disrespect. That's just

0:32:41.360 --> 0:32:45.800
<v Speaker 2>what rap is. Everything is, like Mike was under the microscope,

0:32:45.840 --> 0:32:47.560
<v Speaker 2>like what he meant by that, like you said, by that,

0:32:47.600 --> 0:32:49.800
<v Speaker 2>and then like you said, if somebody drops a song

0:32:49.840 --> 0:32:52.320
<v Speaker 2>and then you drop something, or somebody posted something and

0:32:52.360 --> 0:32:54.320
<v Speaker 2>you drop something, it looks like the timing of it

0:32:54.360 --> 0:32:56.960
<v Speaker 2>all it is like, Nah, that ain't no coincidence, like

0:32:56.960 --> 0:32:57.800
<v Speaker 2>he talking to him.

0:32:57.960 --> 0:32:59.880
<v Speaker 1>Yeah, I don't even think Push was talking.

0:33:00.760 --> 0:33:02.320
<v Speaker 2>Just say I could.

0:33:02.360 --> 0:33:04.600
<v Speaker 5>You can maybe make a case, but I still don't

0:33:04.600 --> 0:33:06.280
<v Speaker 5>even think Push was talking about Rake on that verse.

0:33:06.440 --> 0:33:08.080
<v Speaker 1>Yeah, and it's kind of one of them.

0:33:08.280 --> 0:33:10.680
<v Speaker 3>I'm not about to act that man, but unless you

0:33:10.680 --> 0:33:13.360
<v Speaker 3>know what I'm saying, like like that, it's just like

0:33:13.440 --> 0:33:16.080
<v Speaker 3>our conversations don't. Really that's not what it was, like

0:33:16.280 --> 0:33:18.600
<v Speaker 3>you know what I'm saying. I think he would say

0:33:19.000 --> 0:33:22.480
<v Speaker 3>what it is if it's necessary to be said. I

0:33:22.480 --> 0:33:25.960
<v Speaker 3>think he was just expressing himself on with that pen

0:33:26.120 --> 0:33:29.040
<v Speaker 3>like we all do as artists and whatever people want

0:33:29.080 --> 0:33:30.720
<v Speaker 3>to say, let him talk, Yeah, because.

0:33:30.520 --> 0:33:33.280
<v Speaker 5>I even saw it got weird in those threads I

0:33:33.320 --> 0:33:36.120
<v Speaker 5>saw people saying you you had who kids host it

0:33:36.320 --> 0:33:41.520
<v Speaker 5>because because the family matters, Like if y'all really think.

0:33:40.560 --> 0:33:42.520
<v Speaker 4>About that's too much.

0:33:42.640 --> 0:33:46.360
<v Speaker 3>Like I'm not the kind of guy that's obsesses over

0:33:46.640 --> 0:33:50.800
<v Speaker 3>trying to make a point or insert myself into a

0:33:50.840 --> 0:33:54.160
<v Speaker 3>conversation that I have no business in. I don't think

0:33:54.200 --> 0:33:57.200
<v Speaker 3>that ever goes well. I am a guy that if

0:33:57.240 --> 0:34:01.720
<v Speaker 3>somebody uh said certain things about me, I don't like bullying,

0:34:02.080 --> 0:34:06.000
<v Speaker 3>and I don't like and mostly mostly trying to bully me. Yeah,

0:34:06.280 --> 0:34:10.520
<v Speaker 3>it's because that's the mentality I developed from being locked up.

0:34:10.560 --> 0:34:13.520
<v Speaker 3>It's like, you let somebody play with you in them

0:34:13.520 --> 0:34:15.719
<v Speaker 3>buying them walls, that's going to be your time the

0:34:15.760 --> 0:34:17.719
<v Speaker 3>rest of the time there. You might as well just

0:34:17.800 --> 0:34:23.080
<v Speaker 3>crash out, and I have to deal with that. Crash out, bro,

0:34:23.400 --> 0:34:25.120
<v Speaker 3>you gotta if that's what you gotta do, that's what

0:34:25.160 --> 0:34:26.920
<v Speaker 3>you gotta do, because at the end of the day,

0:34:26.920 --> 0:34:29.840
<v Speaker 3>this ship is about survival and you buying them walls.

0:34:30.040 --> 0:34:32.080
<v Speaker 3>You gotta figure out how to make your time the

0:34:32.120 --> 0:34:35.400
<v Speaker 3>most comfortable possible. I'm not about to have nobody make

0:34:35.480 --> 0:34:36.640
<v Speaker 3>my time uncomfortable.

0:34:36.640 --> 0:34:36.839
<v Speaker 1>Bro.

0:34:37.000 --> 0:34:39.640
<v Speaker 3>I gotta eat, I gotta do what I do. I

0:34:39.640 --> 0:34:43.319
<v Speaker 3>don't bother. Nobody leave me alone there. I'm over here,

0:34:43.840 --> 0:34:46.080
<v Speaker 3>and I don't like that. Sometimes people think, because I'm

0:34:46.120 --> 0:34:49.000
<v Speaker 3>a nice guy like to people most for the most part,

0:34:49.239 --> 0:34:52.279
<v Speaker 3>they think that they could maybe play with me. That's rare,

0:34:52.440 --> 0:34:55.360
<v Speaker 3>by the way, but that's what I don't like. But

0:34:55.520 --> 0:34:57.680
<v Speaker 3>to me to just go out of my way and

0:34:57.719 --> 0:35:00.239
<v Speaker 3>be like, oh man, let me try to even like

0:35:00.239 --> 0:35:02.960
<v Speaker 3>stretch it, because some niggas to hear some ship and

0:35:03.000 --> 0:35:05.200
<v Speaker 3>then they'll be like, oh, this is my opportunity. He

0:35:05.280 --> 0:35:08.040
<v Speaker 3>said this one little line and I'm gonna try to

0:35:08.040 --> 0:35:10.680
<v Speaker 3>make it. Then nah, man, that shit don't again. I

0:35:10.800 --> 0:35:12.759
<v Speaker 3>move with divine energy. If that ain't what it is,

0:35:12.840 --> 0:35:15.040
<v Speaker 3>that's not what it needs to be. I actually fuck

0:35:15.080 --> 0:35:17.480
<v Speaker 3>with Drake, you know what I'm saying. Fuck with some

0:35:17.520 --> 0:35:20.479
<v Speaker 3>of the shit he does. A lot of shit he does, Drake.

0:35:20.640 --> 0:35:22.560
<v Speaker 3>I listen to Take Care when I was locked up.

0:35:22.920 --> 0:35:25.200
<v Speaker 3>That was you know, that was a record that shaped

0:35:25.280 --> 0:35:28.160
<v Speaker 3>how I even listen to music. I don't think people

0:35:28.200 --> 0:35:31.839
<v Speaker 3>give him the props he deserves for the music he's

0:35:31.880 --> 0:35:35.799
<v Speaker 3>put out, even though commercially he's successful. I think from

0:35:35.840 --> 0:35:39.360
<v Speaker 3>a respect standpoint, people write it off. I was arguing

0:35:39.400 --> 0:35:43.000
<v Speaker 3>with Torre about this shit like on the joint because

0:35:43.000 --> 0:35:46.040
<v Speaker 3>he know he has his feelings about it. And I'm like, look,

0:35:46.320 --> 0:35:48.600
<v Speaker 3>I don't know about the ghost writing shit. I don't really,

0:35:49.040 --> 0:35:51.520
<v Speaker 3>I'm not in the room to know who did. But

0:35:51.560 --> 0:35:53.800
<v Speaker 3>what I heard when I hear on them speakers. My

0:35:55.239 --> 0:35:58.680
<v Speaker 3>argument with him was, are you saying what he's saying

0:35:58.719 --> 0:35:59.960
<v Speaker 3>what's coming out as bad?

0:36:00.080 --> 0:36:02.080
<v Speaker 1>Or is it because he may have a ghostwriter?

0:36:02.200 --> 0:36:04.239
<v Speaker 3>And once it was like what he's hearing is bad,

0:36:04.280 --> 0:36:07.040
<v Speaker 3>I'm like, I don't agree with that.

0:36:07.040 --> 0:36:09.240
<v Speaker 1>That Nigga's clever. I said this to his face.

0:36:09.280 --> 0:36:11.040
<v Speaker 3>I told him, I was like, you know how to

0:36:11.080 --> 0:36:13.399
<v Speaker 3>say simple clever shit in a simple way.

0:36:13.440 --> 0:36:16.800
<v Speaker 1>That's hard, extremely that's very hard to artistic.

0:36:17.080 --> 0:36:19.000
<v Speaker 3>Some man shout out, shout out to him and what

0:36:19.040 --> 0:36:22.400
<v Speaker 3>he does, no, you know, and that's not no disrespect

0:36:22.560 --> 0:36:25.400
<v Speaker 3>to push, that's not no disrespect to other people that

0:36:25.480 --> 0:36:27.960
<v Speaker 3>I fuck with. I'm just a fan of what this

0:36:28.239 --> 0:36:30.600
<v Speaker 3>is and that that guy has never done nothing to

0:36:30.640 --> 0:36:32.239
<v Speaker 3>me that I you know what I'm saying. They try

0:36:32.280 --> 0:36:36.320
<v Speaker 3>to say, maybe he had an idea that was inspired

0:36:36.360 --> 0:36:40.760
<v Speaker 3>by something I did with the k Tranada joint and never, honestly,

0:36:40.800 --> 0:36:43.839
<v Speaker 3>never mind whatever that was, Like an internet thing, I ain't.

0:36:44.520 --> 0:36:48.160
<v Speaker 3>I actually show him after that, and the energy was

0:36:48.200 --> 0:36:48.680
<v Speaker 3>just cool.

0:36:49.160 --> 0:36:52.680
<v Speaker 1>I left it at that. So when people try to put.

0:36:52.920 --> 0:36:55.759
<v Speaker 2>All that together, they make shit with people to fend

0:36:55.800 --> 0:36:56.600
<v Speaker 2>sometime makes shit with.

0:36:56.719 --> 0:36:58.799
<v Speaker 3>And then then then the other thing is like some

0:36:58.840 --> 0:37:01.319
<v Speaker 3>people be I'm not saying he is, I don't know him,

0:37:01.520 --> 0:37:04.800
<v Speaker 3>but some people be sensitive and take that shit seriously.

0:37:05.000 --> 0:37:08.040
<v Speaker 3>Yeah I'm not one of them, guys, Like I really got,

0:37:08.640 --> 0:37:10.960
<v Speaker 3>like I said, bro, being behind certain walls and being

0:37:11.000 --> 0:37:13.759
<v Speaker 3>behind them walls. Bro, you look at life differently, like

0:37:13.800 --> 0:37:16.440
<v Speaker 3>you look at time differently, you look at being patient differently,

0:37:16.680 --> 0:37:18.960
<v Speaker 3>you look at who could be an enemy and who's not.

0:37:19.600 --> 0:37:20.399
<v Speaker 1>Very different yea.

0:37:20.719 --> 0:37:24.200
<v Speaker 3>So for me, like I don't move, I move with

0:37:24.280 --> 0:37:25.960
<v Speaker 3>the principles that I learned from that.

0:37:26.360 --> 0:37:31.560
<v Speaker 5>And yeah, yeah, I think a lot of artists obviously

0:37:31.560 --> 0:37:34.759
<v Speaker 5>are sensitive, but they kind of let the fans in

0:37:34.800 --> 0:37:37.560
<v Speaker 5>the internet dictate how they should move because a lot

0:37:37.560 --> 0:37:39.920
<v Speaker 5>of times it's not even that. And then the artists

0:37:39.920 --> 0:37:43.040
<v Speaker 5>will be scrolling for two days and be like, now

0:37:43.160 --> 0:37:45.000
<v Speaker 5>you know what, maybe it is maybe he was talking

0:37:45.000 --> 0:37:49.040
<v Speaker 5>about it, like no, they made this up, bro, But

0:37:49.640 --> 0:37:52.000
<v Speaker 5>you should understand that the fans are the ones that

0:37:52.040 --> 0:37:54.080
<v Speaker 5>are making you think that someone is saying some shit

0:37:54.120 --> 0:37:54.600
<v Speaker 5>about you.

0:37:54.640 --> 0:37:57.720
<v Speaker 3>Well, gang, that's why I got a fucking phone. Nigga

0:37:57.920 --> 0:38:02.040
<v Speaker 3>hit my line, you know me A and Ja Electronica. Yeah,

0:38:02.600 --> 0:38:04.440
<v Speaker 3>if you feel a way about me, bro, that's why

0:38:04.440 --> 0:38:07.480
<v Speaker 3>I don't like this is just man time. If you

0:38:07.480 --> 0:38:09.440
<v Speaker 3>feel away about me, if I feel away about you,

0:38:09.480 --> 0:38:12.359
<v Speaker 3>oh man, ask anybody that I will call you. Yeah,

0:38:12.400 --> 0:38:15.120
<v Speaker 3>I'm gonna hit your phone, bro. And some niggas be scared.

0:38:15.160 --> 0:38:18.120
<v Speaker 3>They don't want to answer the phone. And they any

0:38:18.200 --> 0:38:20.080
<v Speaker 3>nigga who don't want to answer the phone and have

0:38:20.120 --> 0:38:22.280
<v Speaker 3>a conversation but want to talk on in I already

0:38:22.280 --> 0:38:22.839
<v Speaker 3>write you off.

0:38:22.960 --> 0:38:25.200
<v Speaker 2>Yeah that's perform it.

0:38:25.280 --> 0:38:29.719
<v Speaker 5>But that's that's ego ship too, because one of those

0:38:29.719 --> 0:38:32.160
<v Speaker 5>people small attest to I do in a dumb.

0:38:32.040 --> 0:38:33.080
<v Speaker 4>Way a lot of times as well.

0:38:33.120 --> 0:38:36.680
<v Speaker 5>I will always approach somebody if there's something that has

0:38:36.840 --> 0:38:39.239
<v Speaker 5>to be said that man. I never understand like we

0:38:39.280 --> 0:38:42.000
<v Speaker 5>could just have a five minute conversation. Yeah that doesn't

0:38:42.000 --> 0:38:46.600
<v Speaker 5>mean we have to. We could just both coexist if

0:38:46.600 --> 0:38:48.239
<v Speaker 5>it is like that and just move forward. It's not

0:38:48.680 --> 0:38:50.800
<v Speaker 5>I never understand why people can't just have a conversation.

0:38:50.880 --> 0:38:52.160
<v Speaker 1>Niggas be avoiding. Bro.

0:38:52.719 --> 0:38:55.160
<v Speaker 3>Listen, Bro, I keep going back to this, but I'm

0:38:55.200 --> 0:38:57.440
<v Speaker 3>telling you, I had to realize I'm the way I

0:38:57.480 --> 0:39:01.080
<v Speaker 3>am because at pivotal ages from seven teen nineteen, I'm

0:39:01.480 --> 0:39:04.759
<v Speaker 3>to twenty. I'm behind bars. So I'm looking at my mind.

0:39:04.840 --> 0:39:08.400
<v Speaker 3>My brain is developing and I'm learning these things. I

0:39:08.440 --> 0:39:10.680
<v Speaker 3>can't do that back. You know, you can't do that

0:39:10.760 --> 0:39:14.040
<v Speaker 3>in that situation. You like, you can't hide from niggas.

0:39:14.320 --> 0:39:16.920
<v Speaker 3>You gotta confront shit. I've been in situations where I'm

0:39:16.960 --> 0:39:19.640
<v Speaker 3>hearing shit about a nigga. He feeling a way nigga

0:39:19.680 --> 0:39:22.200
<v Speaker 3>pacing back and forth. I don't know if he has

0:39:22.239 --> 0:39:24.920
<v Speaker 3>a knife on him, I don't know what he's literally well,

0:39:25.000 --> 0:39:27.120
<v Speaker 3>walk up to his nigga, like, yo, let me holler

0:39:27.200 --> 0:39:29.480
<v Speaker 3>at you. Let's let's sit down and talk about whatever

0:39:29.520 --> 0:39:31.840
<v Speaker 3>the fuck this misunderstanding may be.

0:39:32.000 --> 0:39:33.759
<v Speaker 1>Because I got to go home at the end of

0:39:33.800 --> 0:39:34.120
<v Speaker 1>the day.

0:39:34.160 --> 0:39:36.560
<v Speaker 3>Bro, I can't deal with like all this and this

0:39:36.640 --> 0:39:39.520
<v Speaker 3>nigga on some probably crash out shit, he mind, he

0:39:39.560 --> 0:39:40.720
<v Speaker 3>don't know when he going home.

0:39:40.960 --> 0:39:42.160
<v Speaker 1>I don't have time for that, Bro.

0:39:42.280 --> 0:39:44.239
<v Speaker 3>Let's talk about it, and if it from there it

0:39:44.360 --> 0:39:46.319
<v Speaker 3>still escalates, then I mean I did everything in my

0:39:46.440 --> 0:39:49.839
<v Speaker 3>power to de escalate it and whatever happens after that

0:39:49.920 --> 0:39:54.840
<v Speaker 3>is what happens. Yeah, that's my mentality. So when it

0:39:54.920 --> 0:39:56.839
<v Speaker 3>comes to these niggas, this is a piece of cake.

0:39:57.440 --> 0:40:00.879
<v Speaker 3>It's just like, just get on the phone, scary ass

0:40:00.960 --> 0:40:02.000
<v Speaker 3>nigga would be scared.

0:40:02.080 --> 0:40:03.440
<v Speaker 1>Bro, it's a phone call.

0:40:03.560 --> 0:40:04.160
<v Speaker 2>A phone call?

0:40:05.160 --> 0:40:05.800
<v Speaker 1>Are you scared?

0:40:05.920 --> 0:40:10.200
<v Speaker 3>It's a message when we grown men got kids and

0:40:10.200 --> 0:40:12.600
<v Speaker 3>ship then I don't have no kids. I understanding niggas

0:40:12.600 --> 0:40:15.320
<v Speaker 3>got kids or gonna have kids. Nigga, what are you doing?

0:40:15.640 --> 0:40:18.839
<v Speaker 3>H let's just talk say, well, imagine your kid. Think

0:40:19.000 --> 0:40:22.400
<v Speaker 3>that's my daddy, my daddy.

0:40:22.760 --> 0:40:26.440
<v Speaker 2>That's how my dad, my daddy supposed to be a superhero.

0:40:27.680 --> 0:40:30.200
<v Speaker 2>Scared for nigga learning kindergarten? Talk it out.

0:40:31.280 --> 0:40:32.920
<v Speaker 1>But that's my look at it.

0:40:33.000 --> 0:40:35.480
<v Speaker 5>What was that feeling like when you thought you had

0:40:35.480 --> 0:40:39.000
<v Speaker 5>to do fifteen and it ended up, you know, just

0:40:39.040 --> 0:40:39.399
<v Speaker 5>having to.

0:40:39.320 --> 0:40:41.879
<v Speaker 3>Serve serve to three. So I didn't make that clear.

0:40:41.920 --> 0:40:44.600
<v Speaker 3>I never thought I had to do fifteen. I had fifteen,

0:40:44.880 --> 0:40:48.360
<v Speaker 3>I got fifteen. Yeah, but it got suspended to three

0:40:48.560 --> 0:40:49.560
<v Speaker 3>as you were a minor or.

0:40:50.440 --> 0:40:51.839
<v Speaker 1>I think that helped played a part.

0:40:52.840 --> 0:40:54.360
<v Speaker 3>I think they would have fried me and if I

0:40:54.440 --> 0:40:56.640
<v Speaker 3>was if I was eighteen, they considered it, but they

0:40:56.719 --> 0:40:59.399
<v Speaker 3>charged me as an adult, so it's like it's a consideration,

0:40:59.520 --> 0:41:02.680
<v Speaker 3>but it's not. It doesn't legally make them not do

0:41:02.840 --> 0:41:04.920
<v Speaker 3>or not do something. I think. I didn't have no

0:41:05.000 --> 0:41:07.640
<v Speaker 3>record prior to that. I was seventeen when it happened.

0:41:08.000 --> 0:41:11.759
<v Speaker 3>They didn't find said gun. There was a lot of

0:41:11.800 --> 0:41:15.319
<v Speaker 3>little shit that was like in my favor. So then

0:41:15.360 --> 0:41:17.320
<v Speaker 3>the judge is like, all right, man, let excuse you

0:41:17.480 --> 0:41:20.440
<v Speaker 3>three boom. You could do it on private home detention,

0:41:21.080 --> 0:41:24.200
<v Speaker 3>which is a trick bag because it's like it sounds

0:41:24.239 --> 0:41:25.960
<v Speaker 3>sweet and it's better than going to prison. Let me

0:41:26.000 --> 0:41:28.120
<v Speaker 3>make sure that's clear. But private home detention you got

0:41:28.120 --> 0:41:32.560
<v Speaker 3>paid for. It's not state, so it's a little more strict.

0:41:32.760 --> 0:41:36.040
<v Speaker 3>It's a little different. And then to be eighteen living

0:41:36.040 --> 0:41:39.320
<v Speaker 3>your life as a eighteen year old at that time,

0:41:40.600 --> 0:41:43.640
<v Speaker 3>it's kind of hard to have that level of responsibility

0:41:43.880 --> 0:41:46.279
<v Speaker 3>for that long of a time. So I went in

0:41:46.719 --> 0:41:48.960
<v Speaker 3>back in for violations and shit like that, you know

0:41:48.960 --> 0:41:51.680
<v Speaker 3>what I'm saying, and ended up having to do the

0:41:51.680 --> 0:41:53.919
<v Speaker 3>rest of my bid what they call up the road

0:41:53.960 --> 0:41:59.200
<v Speaker 3>in state prison, where they basically it's sweeter, it's fun

0:41:59.680 --> 0:42:04.359
<v Speaker 3>more fun and more livable than jail. But that's where

0:42:04.360 --> 0:42:07.560
<v Speaker 3>the real hyenas be at. That's where the real extortion happens.

0:42:07.560 --> 0:42:10.160
<v Speaker 3>That's where the Aryan Brotherhood and all that type of

0:42:10.160 --> 0:42:12.520
<v Speaker 3>shit is over there. And you have to know how

0:42:12.520 --> 0:42:15.840
<v Speaker 3>to navigate gang culture. That's why this music industry is

0:42:15.880 --> 0:42:17.960
<v Speaker 3>a piece of cake to me. These niggas ain't you

0:42:17.960 --> 0:42:19.400
<v Speaker 3>know what I'm saying, Like I really had to be

0:42:19.560 --> 0:42:23.080
<v Speaker 3>in that situation and navigate that as a nineteen twenty

0:42:23.160 --> 0:42:25.759
<v Speaker 3>year old my niggas, like I had to be. I

0:42:25.800 --> 0:42:27.439
<v Speaker 3>was a tutor, so I help people get their ged.

0:42:27.640 --> 0:42:30.480
<v Speaker 3>So every off bucks, everybody fuck with me, yeah, like

0:42:30.560 --> 0:42:32.360
<v Speaker 3>off that. And I used to cut niggas here. I

0:42:32.400 --> 0:42:34.879
<v Speaker 3>used to have a blade and a comb. Imagine they

0:42:34.880 --> 0:42:36.319
<v Speaker 3>catch me with it, you know what I'm saying, Like

0:42:36.480 --> 0:42:38.960
<v Speaker 3>I'm in the back cutting niggas here for two dollars

0:42:39.000 --> 0:42:42.279
<v Speaker 3>soups like nigga two packs of noodles, hitting niggas with

0:42:42.320 --> 0:42:45.279
<v Speaker 3>the shape up like all that. You know what I'm saying, Like,

0:42:45.400 --> 0:42:47.279
<v Speaker 3>that's what that was where I was at with it.

0:42:47.960 --> 0:42:50.040
<v Speaker 3>I hustled, I did what I had to do, got

0:42:50.040 --> 0:42:53.000
<v Speaker 3>to fuck out that joint man like. So that's why

0:42:53.000 --> 0:42:56.719
<v Speaker 3>I say this shit. I could see niggas when they

0:42:56.800 --> 0:42:59.759
<v Speaker 3>really that, when they're really not that, like when they

0:43:00.080 --> 0:43:03.200
<v Speaker 3>are scared, you learn how to sense fear, Like you

0:43:03.239 --> 0:43:05.320
<v Speaker 3>could see a nigga heart being like you know what

0:43:05.320 --> 0:43:08.200
<v Speaker 3>I'm saying, You could feel it. And and one thing

0:43:08.239 --> 0:43:10.440
<v Speaker 3>I definitely never do is take.

0:43:10.320 --> 0:43:12.719
<v Speaker 1>Advantage of people's fear. I just try to.

0:43:12.719 --> 0:43:15.359
<v Speaker 3>Make niggas, you know, call niggas down, like, Yo, I'm

0:43:15.400 --> 0:43:16.160
<v Speaker 3>not a bad person.

0:43:16.200 --> 0:43:18.000
<v Speaker 1>We good, We can get through certain shit.

0:43:18.000 --> 0:43:21.680
<v Speaker 3>It's just when niggas trying to act like they you know,

0:43:22.200 --> 0:43:23.919
<v Speaker 3>act like I'm scared because I'm being nice.

0:43:24.120 --> 0:43:29.160
<v Speaker 2>Yeah, just that something that happens parton of the Vlad question.

0:43:30.280 --> 0:43:32.000
<v Speaker 5>But just since you you know, you mentioned it on

0:43:32.160 --> 0:43:36.040
<v Speaker 5>the mixtape, what was the Christmas Eve body that they

0:43:36.160 --> 0:43:37.080
<v Speaker 5>try to put on you? O?

0:43:37.440 --> 0:43:39.720
<v Speaker 2>God, you did not commit that.

0:43:39.560 --> 0:43:41.520
<v Speaker 1>Has a whole other thing.

0:43:42.920 --> 0:43:44.160
<v Speaker 2>That's you wrapped about it.

0:43:44.239 --> 0:43:44.759
<v Speaker 1>The only reason why?

0:43:45.080 --> 0:43:47.839
<v Speaker 3>Yeah, no, no fair And and you know that's come

0:43:47.960 --> 0:43:52.200
<v Speaker 3>up quite a few times that particular conversation of what

0:43:52.239 --> 0:43:54.440
<v Speaker 3>I was saying. I want to make sure it's very

0:43:54.480 --> 0:43:58.000
<v Speaker 3>clear a lot of that was based off of imagination

0:43:58.239 --> 0:44:03.120
<v Speaker 3>and exaggerating whatever the scenario is to explain the effects

0:44:03.120 --> 0:44:06.160
<v Speaker 3>of karma, right, like going through all this shit, getting

0:44:06.160 --> 0:44:09.680
<v Speaker 3>away with everything thinking I'm and then come back and

0:44:09.719 --> 0:44:11.640
<v Speaker 3>now I got charged with shit I didn't even do.

0:44:13.280 --> 0:44:17.520
<v Speaker 3>I did have a situation where some charges came up.

0:44:18.480 --> 0:44:22.000
<v Speaker 3>We don't even talk about the charges, but they came up. Bro,

0:44:22.080 --> 0:44:24.839
<v Speaker 3>I was in my cell and they're like, yo, you're

0:44:24.840 --> 0:44:28.520
<v Speaker 3>getting moved to Virginia. Like Virginia. They put me in

0:44:28.520 --> 0:44:31.719
<v Speaker 3>a bullpen. I'm like, in a bullpen? Like, what did

0:44:31.719 --> 0:44:33.880
<v Speaker 3>I do in Virginia. I don't even be in Virginia

0:44:34.000 --> 0:44:35.440
<v Speaker 3>like that. It's the DMV.

0:44:35.719 --> 0:44:37.560
<v Speaker 1>And so they said I had my niggas.

0:44:37.600 --> 0:44:39.960
<v Speaker 3>So they said I had some charges, and I thought about,

0:44:40.000 --> 0:44:43.120
<v Speaker 3>what the fuck? And I remember the only time in

0:44:43.160 --> 0:44:45.640
<v Speaker 3>my life I ever got robbed. I was fucking wrong

0:44:45.680 --> 0:44:48.399
<v Speaker 3>with these niggas and them niggas was.

0:44:48.560 --> 0:44:50.239
<v Speaker 1>I'm telling you. That was the day I realized I

0:44:50.280 --> 0:44:50.920
<v Speaker 1>didn't have.

0:44:50.960 --> 0:44:53.960
<v Speaker 3>A certain level of fear, meaning I want to get

0:44:54.000 --> 0:44:56.080
<v Speaker 3>a little bit into the story, like I'm chilling.

0:44:56.680 --> 0:44:59.000
<v Speaker 1>You know. In the DMV, niggas wear ski masks. That's

0:44:59.080 --> 0:44:59.520
<v Speaker 1>like a thing.

0:45:00.239 --> 0:45:01.919
<v Speaker 3>So I see a nigga the ski mask and I'm

0:45:01.960 --> 0:45:05.239
<v Speaker 3>with somebody who's supposed to beat him, right, And I

0:45:05.320 --> 0:45:08.279
<v Speaker 3>remember seeing a nigga, but I ain't really think much

0:45:08.320 --> 0:45:12.719
<v Speaker 3>of it. And I remember nigga came up to the car.

0:45:12.880 --> 0:45:15.080
<v Speaker 3>Next thing, you know, bro, I got a gun to

0:45:15.160 --> 0:45:17.200
<v Speaker 3>my neck and they're like, what a coke at with

0:45:17.320 --> 0:45:20.279
<v Speaker 3>a coke at? And I'm like, I don't got nothing

0:45:20.280 --> 0:45:22.360
<v Speaker 3>to do with none of that, bro, But I know

0:45:22.400 --> 0:45:25.560
<v Speaker 3>the nigga that I'm around. They certain shit.

0:45:25.600 --> 0:45:26.799
<v Speaker 4>You said, I'm a K two guy.

0:45:29.680 --> 0:45:32.640
<v Speaker 3>They into shit, They into certain shit. I had have

0:45:32.680 --> 0:45:34.680
<v Speaker 3>got out with my first bid. This was me trying

0:45:34.680 --> 0:45:37.279
<v Speaker 3>to figure out my life. I sold a like in

0:45:37.400 --> 0:45:39.799
<v Speaker 3>pala ss, so I had like six bands on me.

0:45:41.320 --> 0:45:44.000
<v Speaker 3>I remember feeling that money in the moment. The first

0:45:44.040 --> 0:45:46.040
<v Speaker 3>thing I thought is whatever this nigga needs, I'm gonna

0:45:46.040 --> 0:45:46.640
<v Speaker 3>just give him to him.

0:45:46.680 --> 0:45:47.600
<v Speaker 1>It's not worth my life.

0:45:48.440 --> 0:45:50.440
<v Speaker 3>So he's got the gun with a coke at that

0:45:50.480 --> 0:45:52.080
<v Speaker 3>it does so and then he proceeds to try to

0:45:52.160 --> 0:45:52.520
<v Speaker 3>rob me.

0:45:52.640 --> 0:45:52.839
<v Speaker 1>Right.

0:45:53.680 --> 0:45:55.520
<v Speaker 3>I do this thing where I get on the ground

0:45:55.719 --> 0:45:58.520
<v Speaker 3>and this is a car right here, and I start

0:45:58.600 --> 0:46:01.919
<v Speaker 3>feeling in my pockets and my nigga when I said

0:46:01.920 --> 0:46:05.040
<v Speaker 3>I think the six bands was right here. I have

0:46:05.560 --> 0:46:07.200
<v Speaker 3>a couple of dollars right here, and I have my

0:46:07.239 --> 0:46:10.240
<v Speaker 3>wallet right here. I was about to give him everything,

0:46:10.400 --> 0:46:14.080
<v Speaker 3>and then I realized, Man, I felt them six that

0:46:14.239 --> 0:46:17.080
<v Speaker 3>six bands. I'm like, I'm not giving this nigga this money, bro.

0:46:17.719 --> 0:46:22.759
<v Speaker 3>So what I did was fast, right, So I'm like this,

0:46:23.120 --> 0:46:25.439
<v Speaker 3>I'm moving my body underneath the car a little bit

0:46:26.000 --> 0:46:28.319
<v Speaker 3>right here, and I'm like giving them money out of here.

0:46:28.880 --> 0:46:29.680
<v Speaker 1>Boom, and I'm.

0:46:29.560 --> 0:46:33.080
<v Speaker 3>Throwing the other pocket, changing some more shit, and I'm

0:46:33.080 --> 0:46:35.400
<v Speaker 3>like the wallet two, like the wallet two nigga all

0:46:35.960 --> 0:46:39.719
<v Speaker 3>except meanwhile, I'm pulling this money out of here and

0:46:39.760 --> 0:46:42.080
<v Speaker 3>I'm doing this and I pull it, put it into

0:46:42.080 --> 0:46:43.600
<v Speaker 3>the car and I shi me out and I'm like,

0:46:43.640 --> 0:46:46.040
<v Speaker 3>I ain't got nothing else. And he goes over to

0:46:46.080 --> 0:46:48.719
<v Speaker 3>the other nigga and this nigga crying and some more

0:46:48.760 --> 0:46:51.080
<v Speaker 3>ship like this nigga I got kid like it, but

0:46:51.120 --> 0:46:54.920
<v Speaker 3>the ugly cry like and I remember in that moment,

0:46:55.080 --> 0:46:58.719
<v Speaker 3>like looking at this nigga supposed to be not that. Listen, man,

0:46:58.800 --> 0:47:00.799
<v Speaker 3>you can cry if you're getting right, you might lose

0:47:00.800 --> 0:47:03.240
<v Speaker 3>your life. I'm not gonna but I just ain't expect

0:47:03.320 --> 0:47:03.839
<v Speaker 3>we're gonna live.

0:47:05.360 --> 0:47:06.600
<v Speaker 2>So you could do it in the moment.

0:47:06.680 --> 0:47:09.200
<v Speaker 3>You could cry, but nah, So that that shit happened

0:47:09.200 --> 0:47:12.480
<v Speaker 3>and ship and dumb and uh. And that's why I

0:47:12.520 --> 0:47:15.200
<v Speaker 3>realized I didn't have a certain level of fear. I

0:47:15.239 --> 0:47:17.360
<v Speaker 3>was like, I got I still had that money, nigga,

0:47:17.400 --> 0:47:19.320
<v Speaker 3>I still got there. That's what you focused on that

0:47:19.600 --> 0:47:21.840
<v Speaker 3>which bands on the car so boom. So that's the

0:47:21.880 --> 0:47:24.000
<v Speaker 3>segway to that story. But back to what the original thing.

0:47:24.080 --> 0:47:27.640
<v Speaker 3>So myne social security was in that wallet. So when

0:47:27.640 --> 0:47:30.839
<v Speaker 3>that ship came up, I'm like, man, what if they

0:47:30.960 --> 0:47:33.279
<v Speaker 3>got me for my social and diss and wild ship?

0:47:33.400 --> 0:47:37.319
<v Speaker 3>And oh okay, now I'm getting hit for that. And

0:47:37.360 --> 0:47:40.279
<v Speaker 3>it was a serious ass charge. It was a very serious.

0:47:40.040 --> 0:47:43.279
<v Speaker 1>Charge, luckily more serious than the ship.

0:47:43.320 --> 0:47:46.440
<v Speaker 3>I was in there for it. Luckily they never moved me.

0:47:46.520 --> 0:47:49.279
<v Speaker 3>They were like, it's there's a mishap, blah blah blah.

0:47:49.320 --> 0:47:49.640
<v Speaker 2>Man.

0:47:49.880 --> 0:47:52.080
<v Speaker 1>I was like, shore relieved.

0:47:52.080 --> 0:47:54.839
<v Speaker 3>Bro, I'm like, I'm never getting out like at this

0:47:54.880 --> 0:47:57.040
<v Speaker 3>point because even if you because if you get a body,

0:47:57.640 --> 0:47:59.880
<v Speaker 3>you still got to being in court for like a

0:48:00.080 --> 0:48:01.000
<v Speaker 3>year fighting that year.

0:48:01.080 --> 0:48:03.600
<v Speaker 1>Yeah hell yeah. And I'm like that's what this sucks about.

0:48:03.600 --> 0:48:05.200
<v Speaker 3>It even if you ain't do the shit, if they

0:48:05.239 --> 0:48:08.160
<v Speaker 3>got enough evidence or believe they have enough evidence I

0:48:08.280 --> 0:48:09.120
<v Speaker 3>being there four minutes.

0:48:09.320 --> 0:48:12.279
<v Speaker 4>Yeah, yeah, no, absolutely no yet.

0:48:14.080 --> 0:48:16.160
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0:48:16.239 --> 0:48:18.920
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0:49:06.480 --> 0:49:09.080
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0:49:23.040 --> 0:49:32.560
<v Speaker 2>and Virginia. Let's talk about sub suburban trap. Yeah, because

0:49:32.560 --> 0:49:35.120
<v Speaker 2>I liked that. I liked that that that that term.

0:49:35.880 --> 0:49:38.880
<v Speaker 2>How did you come up with creating that name or

0:49:38.880 --> 0:49:39.480
<v Speaker 2>that sound?

0:49:39.719 --> 0:49:39.919
<v Speaker 4>Yeah?

0:49:40.280 --> 0:49:40.520
<v Speaker 1>Trap.

0:49:40.800 --> 0:49:45.160
<v Speaker 3>So it's interesting when I first got out the well,

0:49:45.200 --> 0:49:47.720
<v Speaker 3>when I got out the last time from actual prison,

0:49:49.800 --> 0:49:51.480
<v Speaker 3>there was this thing in my mind where I just

0:49:51.520 --> 0:49:55.000
<v Speaker 3>wanted to just be like a normal guy, normal scenario,

0:49:55.280 --> 0:49:57.799
<v Speaker 3>like like I did whatever was in my past. I

0:49:57.840 --> 0:50:00.440
<v Speaker 3>wanted that so far away from me. I was like,

0:50:00.440 --> 0:50:02.160
<v Speaker 3>I'm gonna come out rapping, but I don't want to

0:50:02.200 --> 0:50:04.600
<v Speaker 3>talk about nothing about being locked up, none of that shit,

0:50:06.640 --> 0:50:10.120
<v Speaker 3>And I just want to separate myself from anything that

0:50:10.160 --> 0:50:13.400
<v Speaker 3>could be considered street. So I grew up in the

0:50:13.480 --> 0:50:18.080
<v Speaker 3>suburbs the way PG County is set up Maryland. If

0:50:18.080 --> 0:50:19.880
<v Speaker 3>you don't go to a private school, you still go

0:50:19.880 --> 0:50:22.759
<v Speaker 3>to school in the hood with the hood. That's mostly

0:50:23.200 --> 0:50:25.600
<v Speaker 3>the scenario. Or if you go to a school like

0:50:25.640 --> 0:50:27.600
<v Speaker 3>in like let's say Booh for instance, it's a lot

0:50:27.640 --> 0:50:30.880
<v Speaker 3>of niggas who come from certain areas that end up

0:50:30.920 --> 0:50:34.280
<v Speaker 3>going to that school. So it's like, weirdly still bad.

0:50:34.440 --> 0:50:36.799
<v Speaker 3>You know, I'm saying, like, shit just still go down.

0:50:37.320 --> 0:50:40.080
<v Speaker 3>So I was like, I wanted to create this thing

0:50:40.120 --> 0:50:43.080
<v Speaker 3>that made it very clear that I come from this

0:50:43.960 --> 0:50:46.200
<v Speaker 3>and at this time, I'm not trying to talk about

0:50:46.239 --> 0:50:48.359
<v Speaker 3>anything that I did, going to jail all that shit.

0:50:48.440 --> 0:50:49.880
<v Speaker 3>I was just talking about, Look, man, I'm just this

0:50:49.960 --> 0:50:53.560
<v Speaker 3>nigga that's hustling, songing, we trying to make music work.

0:50:54.200 --> 0:50:56.839
<v Speaker 3>And that was what the suburban trap thing came from.

0:50:57.360 --> 0:51:00.320
<v Speaker 3>And I created these little characters, like all these different

0:51:00.320 --> 0:51:03.439
<v Speaker 3>people that represented people that I did meet along the way,

0:51:03.680 --> 0:51:06.160
<v Speaker 3>being behind bars, things like that. But I wanted to

0:51:06.200 --> 0:51:09.560
<v Speaker 3>make sure that my story was very clearly not that,

0:51:10.400 --> 0:51:12.680
<v Speaker 3>And so I talked about college a lot, trying to

0:51:12.680 --> 0:51:15.600
<v Speaker 3>go to college. I barely went, but like that's what

0:51:15.719 --> 0:51:17.840
<v Speaker 3>I put like, you know, more in the music. And

0:51:17.880 --> 0:51:20.319
<v Speaker 3>that's that's how subject that actually changed my life. That

0:51:20.320 --> 0:51:21.560
<v Speaker 3>project when it came out.

0:51:22.280 --> 0:51:24.759
<v Speaker 5>You mentioned your plan A and plan B written down.

0:51:25.080 --> 0:51:28.880
<v Speaker 5>What did you want to do INSTEADY plan performing.

0:51:28.800 --> 0:51:37.400
<v Speaker 3>But Plan B was like a registered nurse and plan A.

0:51:38.120 --> 0:51:41.520
<v Speaker 2>You can't just say registered no, no, they do. But

0:51:41.600 --> 0:51:44.040
<v Speaker 2>I wasn't expecting like not registered nurse.

0:51:44.360 --> 0:51:46.080
<v Speaker 3>That's what I wanted to do because my mom was

0:51:46.080 --> 0:51:47.600
<v Speaker 3>saying ship like that and you can make a lot

0:51:47.640 --> 0:51:48.240
<v Speaker 3>of money.

0:51:48.520 --> 0:51:50.040
<v Speaker 1>And the other thing was she was talking about it.

0:51:50.560 --> 0:51:52.080
<v Speaker 3>So I was planning a trunk to get in I

0:51:52.160 --> 0:51:55.400
<v Speaker 3>t When I went back to school at PG Community,

0:51:55.440 --> 0:52:00.239
<v Speaker 3>I was trying to do computer science and learned that

0:52:00.440 --> 0:52:02.919
<v Speaker 3>aspect and and that was my planning and my plan

0:52:02.960 --> 0:52:06.919
<v Speaker 3>B RAP was in the plan in the diagram I drew.

0:52:07.000 --> 0:52:10.640
<v Speaker 1>But it wasn't the end all be all. I was

0:52:10.680 --> 0:52:12.040
<v Speaker 1>just trying to I was just trying.

0:52:11.760 --> 0:52:14.480
<v Speaker 3>To get a good job, man, knowing that I got felting,

0:52:14.719 --> 0:52:16.520
<v Speaker 3>and I was just trying to like figure it out,

0:52:16.520 --> 0:52:18.520
<v Speaker 3>you know what I mean, That's really all it was.

0:52:19.360 --> 0:52:23.360
<v Speaker 2>Now I was texting Rory about this this this project,

0:52:23.680 --> 0:52:27.920
<v Speaker 2>and and listening to it, uh the last two days

0:52:27.960 --> 0:52:31.600
<v Speaker 2>like just on repeat. I haven't. I don't think I've

0:52:31.719 --> 0:52:37.319
<v Speaker 2>enjoyed a rap project like this in a very long

0:52:37.360 --> 0:52:41.200
<v Speaker 2>time like this, this had. This reminds me of how

0:52:41.239 --> 0:52:44.319
<v Speaker 2>I felt when when Mock dropped Pray for Haiti. M hm,

0:52:45.120 --> 0:52:47.880
<v Speaker 2>obviously you got conducted on this, so that DNA is

0:52:48.400 --> 0:52:51.160
<v Speaker 2>is there. I'm a I was. I came up in

0:52:51.160 --> 0:52:53.480
<v Speaker 2>the in the in the in the nineties. I'm an

0:52:53.520 --> 0:52:56.080
<v Speaker 2>eighties baby god. So this is this reminds me of

0:52:56.400 --> 0:52:59.080
<v Speaker 2>I felt the Far Side. I felt Tribe got you,

0:52:59.160 --> 0:53:04.600
<v Speaker 2>I felt you know that whole era of nineties rap

0:53:04.719 --> 0:53:08.520
<v Speaker 2>hip hop was that like making this album? Was that

0:53:08.560 --> 0:53:11.879
<v Speaker 2>the intent was that the feeling, the vibe, the energy

0:53:11.920 --> 0:53:14.040
<v Speaker 2>that you was aiming for or was this something that

0:53:14.120 --> 0:53:19.520
<v Speaker 2>just happened, Because this is definitely like real rap hip

0:53:19.560 --> 0:53:23.440
<v Speaker 2>hop every level, the music, the bars. You set a

0:53:23.480 --> 0:53:25.120
<v Speaker 2>line in there, like I love when rappers say a

0:53:25.120 --> 0:53:27.440
<v Speaker 2>line that I never heard. You say, cutting corners like

0:53:27.440 --> 0:53:30.880
<v Speaker 2>a picnic sandwich. I've never heard I've never heard rap

0:53:31.760 --> 0:53:33.319
<v Speaker 2>like that. So when I heard that, I was like,

0:53:33.600 --> 0:53:37.120
<v Speaker 2>hold on. Not only is the music incredible, but whenever

0:53:37.160 --> 0:53:40.120
<v Speaker 2>a rapper says things that I never heard any other

0:53:40.239 --> 0:53:45.040
<v Speaker 2>rappers say, I'm impressed you know, it's hard to create

0:53:45.160 --> 0:53:48.000
<v Speaker 2>new things and new sounds and things like that. So

0:53:48.800 --> 0:53:51.200
<v Speaker 2>just the music and the rapping and the bars, and

0:53:51.239 --> 0:53:55.160
<v Speaker 2>then the intention and then just everything all together. I

0:53:55.200 --> 0:53:57.319
<v Speaker 2>was really impressed with this, and I told Ry, I

0:53:57.360 --> 0:54:00.680
<v Speaker 2>was like, I can't believe that this album has not

0:54:00.760 --> 0:54:08.040
<v Speaker 2>been in my rotation. It's a mixtape. Yeah, it's a mixtape.

0:54:08.080 --> 0:54:11.279
<v Speaker 2>Like and again, you know, mixtape is just a name, right,

0:54:11.320 --> 0:54:14.560
<v Speaker 2>But there is something that is a difference in as

0:54:14.560 --> 0:54:17.200
<v Speaker 2>far as in creation with artists that it's a different

0:54:17.200 --> 0:54:21.080
<v Speaker 2>type of freedom when you're creating an album versus the mixtape.

0:54:22.000 --> 0:54:24.319
<v Speaker 2>But this, this, this, this is like some of the

0:54:24.360 --> 0:54:28.839
<v Speaker 2>best rapping, one of the best projects that I think

0:54:28.880 --> 0:54:30.680
<v Speaker 2>we've had in a very long man. So I had

0:54:30.680 --> 0:54:32.080
<v Speaker 2>to I had to come in here and salute you

0:54:32.120 --> 0:54:34.080
<v Speaker 2>for that. But like, what was the intention of did

0:54:34.120 --> 0:54:35.680
<v Speaker 2>you feel like I want to I want to go

0:54:35.800 --> 0:54:39.239
<v Speaker 2>for this energy, this vibe, golden era of rap hip

0:54:39.239 --> 0:54:40.680
<v Speaker 2>hop or you just being I DK.

0:54:41.360 --> 0:54:42.600
<v Speaker 1>I think I was being I d K.

0:54:43.040 --> 0:54:46.040
<v Speaker 3>More than anything, I let production dictate what I do,

0:54:46.160 --> 0:54:48.560
<v Speaker 3>and I think I was this I d K the

0:54:48.680 --> 0:54:51.440
<v Speaker 3>artist and this IDKA the producer. And I think that

0:54:51.719 --> 0:54:55.120
<v Speaker 3>when I put the records together. Then that started coming out.

0:54:55.160 --> 0:54:57.960
<v Speaker 3>I was thinking, especially the first half of the record

0:54:58.040 --> 0:55:01.600
<v Speaker 3>the project, I was thinking more like like fifty cent

0:55:02.440 --> 0:55:06.920
<v Speaker 3>fifty cent and g unit. Reason being, I'm by myself

0:55:07.040 --> 0:55:10.040
<v Speaker 3>for the most part. I got my peoples and that's it.

0:55:10.080 --> 0:55:10.319
<v Speaker 1>I'm not.

0:55:10.360 --> 0:55:13.680
<v Speaker 3>I don't belong to no subculture, no community or rap.

0:55:13.680 --> 0:55:17.200
<v Speaker 3>I'm cool with everybody, but I'm like a loaner. Sometimes

0:55:17.200 --> 0:55:19.319
<v Speaker 3>people even think I think I'm better than them. I

0:55:19.360 --> 0:55:21.560
<v Speaker 3>could tell the energy. I've heard people say that and

0:55:21.600 --> 0:55:24.239
<v Speaker 3>they ain't even like that. It's just it's like went

0:55:24.400 --> 0:55:26.839
<v Speaker 3>back to just being being locked up when I would

0:55:26.960 --> 0:55:29.880
<v Speaker 3>At first people didn't know how to read me, and

0:55:30.000 --> 0:55:33.319
<v Speaker 3>I actually actually liked that. I like when people can't

0:55:33.320 --> 0:55:36.400
<v Speaker 3>read me. I remember Og came up to me. I

0:55:36.400 --> 0:55:38.600
<v Speaker 3>had to be here all that shit, and he's like, man,

0:55:38.640 --> 0:55:41.360
<v Speaker 3>I still can't put my finger on you. Man, I

0:55:41.400 --> 0:55:43.359
<v Speaker 3>can't read you. And the reason why he said that

0:55:43.440 --> 0:55:46.440
<v Speaker 3>is because I will be quiet and then next thing

0:55:46.480 --> 0:55:48.640
<v Speaker 3>you know, I'm cooking somebody or making fun of somebody

0:55:49.520 --> 0:55:51.120
<v Speaker 3>how they dress or whatever the like.

0:55:51.080 --> 0:55:51.879
<v Speaker 1>Whatever it is.

0:55:52.239 --> 0:55:55.040
<v Speaker 3>So they he was like he came up to me

0:55:55.080 --> 0:55:56.680
<v Speaker 3>because after that he was like, I thought she was

0:55:56.719 --> 0:55:59.000
<v Speaker 3>the quiet nigga. Now you get brows the niggas and shit.

0:55:59.440 --> 0:56:01.560
<v Speaker 3>He was like, I can't put my figure on you.

0:56:01.880 --> 0:56:04.440
<v Speaker 3>And I always move with that because I always like

0:56:04.480 --> 0:56:06.759
<v Speaker 3>to look at the room, see what everybody on.

0:56:06.960 --> 0:56:07.640
<v Speaker 1>See who's who.

0:56:08.160 --> 0:56:10.640
<v Speaker 3>That's the loud nigga right there, that's the quiet dude

0:56:10.680 --> 0:56:13.399
<v Speaker 3>over there, This nigga I'm not really sure about.

0:56:13.480 --> 0:56:13.959
<v Speaker 1>Let me see.

0:56:14.320 --> 0:56:17.880
<v Speaker 3>And I think in the rap industry, I inherently just

0:56:18.000 --> 0:56:23.400
<v Speaker 3>do that. So if someone's really quiet, I'm more loud.

0:56:23.560 --> 0:56:26.560
<v Speaker 3>If someone's really loud, I'm really quiet. I'm just paying attention.

0:56:26.719 --> 0:56:29.520
<v Speaker 3>You know what I'm saying. This is like interesting. So

0:56:30.120 --> 0:56:32.600
<v Speaker 3>I think because of that, I felt like I was

0:56:32.600 --> 0:56:35.040
<v Speaker 3>a loner. And then it's just like bro, it's just

0:56:35.040 --> 0:56:37.880
<v Speaker 3>certain niggas be trying to style on niggas like say that,

0:56:38.000 --> 0:56:40.520
<v Speaker 3>and I'm like, bro, listen, man, I asked you for

0:56:40.560 --> 0:56:43.959
<v Speaker 3>this whatever record or whatever whatever we're doing. Don't try

0:56:43.960 --> 0:56:46.160
<v Speaker 3>to act like you better than me or cooler than me.

0:56:46.680 --> 0:56:48.480
<v Speaker 3>Like I understand you where you at.

0:56:48.560 --> 0:56:50.280
<v Speaker 2>That's industry, though, Yeah, that's just industry.

0:56:50.600 --> 0:56:52.120
<v Speaker 1>It's like, but I think about this shit. All this

0:56:52.120 --> 0:56:53.160
<v Speaker 1>shit is like high school.

0:56:53.400 --> 0:56:55.320
<v Speaker 3>I know the type of nigga I was in high school,

0:56:55.440 --> 0:56:57.200
<v Speaker 3>but I was a certain type of nigga. I got

0:56:57.440 --> 0:56:59.799
<v Speaker 3>niggas from high school with me.

0:56:59.840 --> 0:57:00.359
<v Speaker 1>Right, ain't now.

0:57:00.960 --> 0:57:04.279
<v Speaker 3>I wasn't the type of nigga like you do that

0:57:04.360 --> 0:57:06.200
<v Speaker 3>kind of ship too. I wasn't the type of nigga

0:57:06.239 --> 0:57:08.560
<v Speaker 3>that wasn't cool. They didn't get no hold none of

0:57:08.600 --> 0:57:10.399
<v Speaker 3>that ship. Like I was a certain type of nigga

0:57:10.440 --> 0:57:12.680
<v Speaker 3>in high school. And I look at certain niggas, I

0:57:12.880 --> 0:57:14.680
<v Speaker 3>know what type of niggas they was in high school,

0:57:14.880 --> 0:57:16.360
<v Speaker 3>but they got a little bit of you know what

0:57:16.400 --> 0:57:19.680
<v Speaker 3>I'm saying, and they move like that's who they are.

0:57:19.800 --> 0:57:22.560
<v Speaker 3>I could tell, and I'm like, I get offended by that.

0:57:23.240 --> 0:57:26.800
<v Speaker 3>Nah bro' this you that were cool, but you don't

0:57:26.840 --> 0:57:28.600
<v Speaker 3>got a style on me. I'm good at what I

0:57:28.640 --> 0:57:31.840
<v Speaker 3>do and for my resources and never being a part

0:57:31.880 --> 0:57:36.480
<v Speaker 3>of a big community that catapulted me. I figured it out.

0:57:36.720 --> 0:57:41.400
<v Speaker 3>So listen the features on this, but let's just run.

0:57:41.200 --> 0:57:44.000
<v Speaker 5>Through it real quick before you while you're looking them up.

0:57:44.800 --> 0:57:47.840
<v Speaker 5>I had said to mol earlier today, I think you

0:57:47.880 --> 0:57:51.400
<v Speaker 5>outshine the features, which are kind of a very difficult

0:57:51.440 --> 0:57:53.240
<v Speaker 5>thing to do with the type of features.

0:57:52.880 --> 0:57:53.280
<v Speaker 1>That you are.

0:57:53.720 --> 0:58:00.640
<v Speaker 2>I appreciate I mean, black Thought did go, Yeah, I thought.

0:58:01.120 --> 0:58:04.880
<v Speaker 5>But to still have the presence that you have next

0:58:04.920 --> 0:58:07.000
<v Speaker 5>to a Push or next to a Black Thought takes

0:58:07.000 --> 0:58:11.600
<v Speaker 5>a different level of talent because usually when people suspect

0:58:11.640 --> 0:58:14.320
<v Speaker 5>these types of features, you end up kind of like

0:58:14.400 --> 0:58:17.120
<v Speaker 5>that's the highlight of the project, which I feel like

0:58:17.840 --> 0:58:20.040
<v Speaker 5>you're the star on every song even with the features,

0:58:20.280 --> 0:58:21.640
<v Speaker 5>which to me is very difficult to do.

0:58:21.840 --> 0:58:22.760
<v Speaker 1>Nah, I appreciate that.

0:58:22.760 --> 0:58:25.160
<v Speaker 5>That's where a lot of I think rappers fuck up,

0:58:25.600 --> 0:58:27.600
<v Speaker 5>especially if they signed to a major and now get

0:58:27.960 --> 0:58:30.320
<v Speaker 5>the opportunity to have all these crazy features, like well,

0:58:30.320 --> 0:58:34.960
<v Speaker 5>now your album is feature presentation, Like now this album

0:58:35.080 --> 0:58:37.120
<v Speaker 5>is dictated based off other people.

0:58:37.160 --> 0:58:38.680
<v Speaker 4>No one's really gonna connect with you.

0:58:38.800 --> 0:58:41.080
<v Speaker 3>Yeah, And you know what, to that point, it is interesting,

0:58:42.120 --> 0:58:44.800
<v Speaker 3>you know, I look at like odd Future.

0:58:44.880 --> 0:58:48.160
<v Speaker 1>For instance, I remember when I first heard about the.

0:58:48.240 --> 0:58:50.960
<v Speaker 3>Future from a Double Xcel magazine in the South, and

0:58:51.040 --> 0:58:54.200
<v Speaker 3>I'm like, these niggas look as weird as shit. Tyler

0:58:54.280 --> 0:58:56.400
<v Speaker 3>are created, these niggas on some demonic shit, Like I

0:58:56.400 --> 0:58:58.360
<v Speaker 3>don't really like you know what I'm saying, Like when

0:58:58.360 --> 0:59:01.280
<v Speaker 3>you like, when you're around like certain people, that shit

0:59:01.360 --> 0:59:05.120
<v Speaker 3>is weird to you. I didn't grow up really on that.

0:59:05.320 --> 0:59:07.320
<v Speaker 3>So when I seen it, I thought it was weird.

0:59:07.320 --> 0:59:10.680
<v Speaker 3>But then when I started seeing them like afterwards, and

0:59:10.720 --> 0:59:13.360
<v Speaker 3>obviously Tyler's has done stuff on albums and shit like that.

0:59:13.400 --> 0:59:16.000
<v Speaker 3>For me, like I started to get it more when

0:59:16.000 --> 0:59:17.360
<v Speaker 3>I got out more, you know what I'm saying. I

0:59:17.400 --> 0:59:19.760
<v Speaker 3>went to school, there's like two white people. The whole

0:59:19.760 --> 0:59:21.320
<v Speaker 3>school was like all black, you know what I'm saying.

0:59:21.320 --> 0:59:24.680
<v Speaker 3>Like I only knew one thing. So the interesting part

0:59:24.760 --> 0:59:27.520
<v Speaker 3>of that is I see that they had a movement

0:59:27.560 --> 0:59:30.880
<v Speaker 3>and they did their thing. I realized I thought I

0:59:30.960 --> 0:59:34.320
<v Speaker 3>needed a co sign up until like twenty seventeen, I'm like, damn,

0:59:34.640 --> 0:59:38.439
<v Speaker 3>you know j I d is with JJ, Cole and them,

0:59:38.440 --> 0:59:41.440
<v Speaker 3>and they stamping them. And then you see Kendrick came

0:59:41.480 --> 0:59:43.560
<v Speaker 3>in with Dre when he really came in. He came

0:59:43.600 --> 0:59:46.480
<v Speaker 3>in with Dre, and then Cole came in with Hole.

0:59:47.160 --> 0:59:50.480
<v Speaker 3>I lay a little bit of ho Kanye with Hole.

0:59:50.880 --> 0:59:53.600
<v Speaker 3>Then Big Sean came from Kanye, and I was like, man,

0:59:54.240 --> 0:59:55.320
<v Speaker 3>Nikki Wayne.

0:59:55.160 --> 0:59:56.200
<v Speaker 1>All that shit Dwayne.

0:59:56.600 --> 0:59:59.560
<v Speaker 3>So I'm like, man, there's always been people passionate torture,

0:59:59.640 --> 1:00:03.200
<v Speaker 3>and I'm like, man, I had gotten a deal from

1:00:03.280 --> 1:00:06.440
<v Speaker 3>Good Music at some point but I didn't want to

1:00:06.480 --> 1:00:08.200
<v Speaker 3>do it because I'm like, is Kanye going to be

1:00:08.240 --> 1:00:11.080
<v Speaker 3>back at me? And it didn't sound like he was

1:00:11.120 --> 1:00:13.120
<v Speaker 3>gonna be too deep into the you know what I mean?

1:00:13.640 --> 1:00:16.280
<v Speaker 3>So I'm just like And then it got to a

1:00:16.280 --> 1:00:18.080
<v Speaker 3>point where I had to just go back to the

1:00:18.120 --> 1:00:21.440
<v Speaker 3>mentality I always had. It's like, I can't make that happen.

1:00:22.440 --> 1:00:24.520
<v Speaker 3>I have to do what I can on my own.

1:00:24.720 --> 1:00:26.920
<v Speaker 3>That's when I went to Adult Swim with an idea.

1:00:27.000 --> 1:00:29.640
<v Speaker 3>I was like, Yo, I got this project, but I

1:00:29.680 --> 1:00:31.240
<v Speaker 3>want all the songs to sound like they could be

1:00:31.280 --> 1:00:34.760
<v Speaker 3>on Adult Swim. The only reason why that worked out

1:00:35.000 --> 1:00:37.800
<v Speaker 3>is because when I dropped a project called empty Bank.

1:00:38.240 --> 1:00:38.400
<v Speaker 1>Bro.

1:00:38.600 --> 1:00:40.840
<v Speaker 3>When I say Crickets, it was a second. It was

1:00:40.920 --> 1:00:44.040
<v Speaker 3>right after Subtrat. I dropped Empty Bank, and I'm like, Yo,

1:00:44.520 --> 1:00:47.000
<v Speaker 3>that's going to change my life, and it was Crickets.

1:00:47.000 --> 1:00:48.600
<v Speaker 1>Nobody was really fucking with it like that.

1:00:48.680 --> 1:00:53.200
<v Speaker 3>Nobody I experienced, Oh, this thing doesn't just keep going

1:00:53.320 --> 1:00:56.280
<v Speaker 3>up because you consistently put out music or even better music.

1:00:56.280 --> 1:00:59.040
<v Speaker 3>That's not how that works. It's about attention. And I

1:00:59.280 --> 1:01:03.200
<v Speaker 3>was crushed by that. And one thing happened that was

1:01:03.240 --> 1:01:06.800
<v Speaker 3>probably the most important thing. One of the most immotant

1:01:06.840 --> 1:01:10.040
<v Speaker 3>things in my career. The guy who created, directed and

1:01:10.080 --> 1:01:14.480
<v Speaker 3>created Tunami and Cartoon and Adults Swim. He tweeted about

1:01:14.480 --> 1:01:17.400
<v Speaker 3>the album how much he loved it. So we had

1:01:17.440 --> 1:01:20.360
<v Speaker 3>a relationship and that's why when I had the idea,

1:01:20.440 --> 1:01:22.840
<v Speaker 3>I was like, hey man, I got this idea, and

1:01:22.880 --> 1:01:25.600
<v Speaker 3>then he was like, I'm gonna get behind you. That's

1:01:25.640 --> 1:01:27.760
<v Speaker 3>when I started realizing that's the coast signs I gotta

1:01:28.120 --> 1:01:30.560
<v Speaker 3>I can't. I can't be waiting on no other rapper

1:01:30.600 --> 1:01:33.080
<v Speaker 3>to come fuck with me this and then give me

1:01:33.080 --> 1:01:34.760
<v Speaker 3>a bad deal on top of that and it may

1:01:34.800 --> 1:01:35.200
<v Speaker 3>not work.

1:01:35.800 --> 1:01:37.320
<v Speaker 1>I was like, all right, fuck it, I'm gonna fuck

1:01:37.320 --> 1:01:38.040
<v Speaker 1>with Adult Swim.

1:01:38.120 --> 1:01:39.840
<v Speaker 3>I'm gonna fuck with this brand that makes sense for

1:01:39.960 --> 1:01:43.040
<v Speaker 3>what I And then they helped market my ship to

1:01:43.080 --> 1:01:45.960
<v Speaker 3>an audience, and Adult Swim is the kind of what

1:01:46.200 --> 1:01:49.680
<v Speaker 3>kicked off me having like a cult following, Like they

1:01:50.000 --> 1:01:52.200
<v Speaker 3>were the ones that really like did that for me.

1:01:52.720 --> 1:01:56.320
<v Speaker 5>So yeah, yeah, that far, No, those those I completely agree.

1:01:56.360 --> 1:01:59.000
<v Speaker 5>Those coat signs are more important for your solo because

1:01:59.040 --> 1:02:02.040
<v Speaker 5>even like I mean, of course Sean did just fine,

1:02:02.200 --> 1:02:04.920
<v Speaker 5>but he just signed the good music. When Yea's coming off,

1:02:04.920 --> 1:02:08.880
<v Speaker 5>Ada waits and heartbreaks going into My Beautiful arguably his peak,

1:02:10.240 --> 1:02:12.040
<v Speaker 5>You're not going to be the biggest part. You'll get

1:02:12.080 --> 1:02:14.880
<v Speaker 5>a look like he's on the bonus track on uh

1:02:15.000 --> 1:02:17.320
<v Speaker 5>might be darks with a Fantasy, which I'm sure helped,

1:02:17.360 --> 1:02:20.560
<v Speaker 5>but his real co signs because I was in the

1:02:20.560 --> 1:02:22.640
<v Speaker 5>building at Deaf Jam at that time. That was him

1:02:22.680 --> 1:02:26.080
<v Speaker 5>networking with the building. That wasn't a Kanye thing like

1:02:26.160 --> 1:02:27.720
<v Speaker 5>he really put in. He had to go put the

1:02:27.720 --> 1:02:32.080
<v Speaker 5>working Kanye rightfully, so it is focused on his career world.

1:02:33.320 --> 1:02:35.440
<v Speaker 5>I can't sit here and put together the entire like

1:02:36.120 --> 1:02:38.240
<v Speaker 5>Yay took a break for a second to do the

1:02:38.360 --> 1:02:41.360
<v Speaker 5>push Tiana nas like. That's when he's like, I'm stopping

1:02:41.400 --> 1:02:44.560
<v Speaker 5>what I'm doing, right and I can focus on producing

1:02:44.600 --> 1:02:47.400
<v Speaker 5>other other people ship. But at that time, now you

1:02:47.480 --> 1:02:49.440
<v Speaker 5>signed good music though those guys at the height of

1:02:49.480 --> 1:02:52.120
<v Speaker 5>his career, right right, yeah, I mean, how many Kanye

1:02:52.160 --> 1:02:53.800
<v Speaker 5>beats are even on Finally Famous.

1:02:53.600 --> 1:02:54.280
<v Speaker 1>Right right? Right?

1:02:54.360 --> 1:02:57.800
<v Speaker 5>No, that's one right, First of all, Marvin Gay and

1:02:58.280 --> 1:03:00.920
<v Speaker 5>I was in the office Sean had I think it

1:03:00.960 --> 1:03:03.160
<v Speaker 5>was the bait store. Sean had shut down the entire

1:03:03.200 --> 1:03:06.960
<v Speaker 5>street and soho, and that's when Kanye and it's not

1:03:06.960 --> 1:03:08.560
<v Speaker 5>a slight to Kanye. I'm just telling the truth or whatever.

1:03:09.200 --> 1:03:12.680
<v Speaker 5>Kanye in the building took notice, like wait, wait, Big

1:03:12.720 --> 1:03:16.240
<v Speaker 5>Sean booked the bag store by himself, shut the whole blockdown.

1:03:16.280 --> 1:03:18.320
<v Speaker 5>Cops had to come, like there was too many kids

1:03:18.360 --> 1:03:20.600
<v Speaker 5>out there. That was the day that Ya was like,

1:03:20.680 --> 1:03:21.880
<v Speaker 5>I'll get on Marvin game shortener.

1:03:23.040 --> 1:03:26.960
<v Speaker 2>This kid got something hit somebody. It's a certain respect

1:03:26.960 --> 1:03:28.160
<v Speaker 2>that you got to demand for yourself.

1:03:28.160 --> 1:03:30.120
<v Speaker 5>And yeah, and again it's not a slight to Yeah,

1:03:30.120 --> 1:03:32.000
<v Speaker 5>he's got his own ship going on. That's why it's

1:03:32.000 --> 1:03:34.000
<v Speaker 5>just tough for artists, which Maul always makes a great

1:03:34.000 --> 1:03:36.320
<v Speaker 5>point with Wayne. Wayne at the peak of his career

1:03:36.400 --> 1:03:39.400
<v Speaker 5>stepping aside, putting his ego to the side to help

1:03:39.480 --> 1:03:42.240
<v Speaker 5>Nicky and Drake and Tiger and everyone was that's the

1:03:42.360 --> 1:03:44.320
<v Speaker 5>rarest thing that does not have ever like.

1:03:44.320 --> 1:03:47.360
<v Speaker 3>Yeah, yeah, yeah, you got that's self confidence though, Yeah,

1:03:47.520 --> 1:03:51.760
<v Speaker 3>that's I was getting pussy since high school confidence right right,

1:03:51.880 --> 1:03:56.240
<v Speaker 3>Like he had start he was, yeah, nah, real ship though,

1:03:56.320 --> 1:03:58.520
<v Speaker 3>like that ship rubs off on you in a certain

1:03:58.560 --> 1:04:00.919
<v Speaker 3>way when you move a certain way, Like I could

1:04:00.960 --> 1:04:03.000
<v Speaker 3>do shit like that where my eyes closed if I

1:04:03.080 --> 1:04:04.840
<v Speaker 3>ever had an artist like you know what I'm saying,

1:04:06.080 --> 1:04:08.880
<v Speaker 3>and the other thing is you just explained something that's

1:04:08.920 --> 1:04:11.640
<v Speaker 3>really important that a lot of people don't understand how

1:04:11.680 --> 1:04:16.120
<v Speaker 3>to maximize opportunity. Niggas be playing games out here like nigga,

1:04:16.200 --> 1:04:18.439
<v Speaker 3>I don't play with this shit like I do this shit.

1:04:18.480 --> 1:04:20.920
<v Speaker 3>I love this shit, man, I'm about this life I made.

1:04:21.320 --> 1:04:25.840
<v Speaker 3>I made myself focus on this thing to get where

1:04:25.880 --> 1:04:28.520
<v Speaker 3>I needed to get to, like Bro like same, that

1:04:28.640 --> 1:04:32.520
<v Speaker 3>same album that kind of flopped for me, my nigga.

1:04:32.800 --> 1:04:35.919
<v Speaker 3>The one thing another thing that happened Dave Free. Dave

1:04:36.000 --> 1:04:38.640
<v Speaker 3>Free was like, that shit is fire. I'm gonna put

1:04:38.640 --> 1:04:41.720
<v Speaker 3>you on tour with Isaiah Shad. I think Peter Rosenberg

1:04:41.760 --> 1:04:43.520
<v Speaker 3>sent it to him and he was like, I can't lie.

1:04:43.560 --> 1:04:46.600
<v Speaker 3>That's that's I confront that's fire, and he put me

1:04:46.640 --> 1:04:48.720
<v Speaker 3>on tour with isaiahs Shod. I got like a bunch

1:04:48.720 --> 1:04:50.960
<v Speaker 3>of bro. I had no money. My mom had just

1:04:51.040 --> 1:04:54.920
<v Speaker 3>passed away. I used the life insurance money bro to

1:04:55.000 --> 1:04:57.280
<v Speaker 3>pay for that my last ten thousand mile my only time.

1:04:57.320 --> 1:04:58.640
<v Speaker 3>That's the most money I've ever got in my life

1:04:58.680 --> 1:05:01.320
<v Speaker 3>at that time, and dollars I got from that shit.

1:05:02.080 --> 1:05:04.000
<v Speaker 3>I fucking I was about to try to get a

1:05:04.000 --> 1:05:05.920
<v Speaker 3>little van with it, and shit, They're like, no, I

1:05:06.000 --> 1:05:09.440
<v Speaker 3>just rant a spriinner, you know. And I think it

1:05:09.480 --> 1:05:11.280
<v Speaker 3>was a rush card that gave me a little bit

1:05:11.320 --> 1:05:11.840
<v Speaker 3>of money to do.

1:05:12.000 --> 1:05:14.640
<v Speaker 1>Remember Rush Card, It's crazy they gave me writing.

1:05:15.040 --> 1:05:17.880
<v Speaker 4>I had to have people sign up every great idea

1:05:17.960 --> 1:05:20.680
<v Speaker 4>in theory, yeah, I had to.

1:05:20.800 --> 1:05:21.600
<v Speaker 1>Have people sign up.

1:05:21.640 --> 1:05:24.720
<v Speaker 3>But that's the dedication, Like my last you know what

1:05:24.720 --> 1:05:26.800
<v Speaker 3>I'm saying for my mom my blessing, like you know

1:05:26.800 --> 1:05:27.160
<v Speaker 3>what I mean?

1:05:27.320 --> 1:05:30.600
<v Speaker 5>Yeah, And I think that's that's something that people that

1:05:30.720 --> 1:05:32.840
<v Speaker 5>separates what I've seen.

1:05:32.760 --> 1:05:35.680
<v Speaker 4>In the fifteen years I've been doing this shit.

1:05:37.320 --> 1:05:40.080
<v Speaker 5>When shot Money allowed me in the building, I was

1:05:40.120 --> 1:05:42.680
<v Speaker 5>not expecting Shot Money to then guide me to every

1:05:42.720 --> 1:05:45.160
<v Speaker 5>next pillar. You allowed me in the building, I'm going

1:05:45.240 --> 1:05:47.560
<v Speaker 5>to maximize every last thing that since you gave me

1:05:47.600 --> 1:05:50.920
<v Speaker 5>a key card. I'm talking to everybody in this fucking building.

1:05:51.120 --> 1:05:52.600
<v Speaker 5>I'm going to get to know everyone. I'm gonna try

1:05:52.640 --> 1:05:54.680
<v Speaker 5>to figure out how I can help with everyone. I

1:05:54.720 --> 1:05:59.680
<v Speaker 5>think rappers lose that mentality too sometimes when you get

1:05:59.720 --> 1:06:01.600
<v Speaker 5>signed to say a jay Z all right, go get

1:06:01.640 --> 1:06:03.520
<v Speaker 5>to know Sherry, go get to know the entire team.

1:06:03.720 --> 1:06:05.600
<v Speaker 5>Someone's giving you opportunity that doesn't mean they're going to

1:06:05.720 --> 1:06:08.120
<v Speaker 5>lead you to the fucking water. They just allowed you

1:06:08.160 --> 1:06:09.640
<v Speaker 5>in the building. Now it is your time to go

1:06:09.680 --> 1:06:12.600
<v Speaker 5>do something. I watched Sean talk to everybody in marketing.

1:06:12.920 --> 1:06:15.520
<v Speaker 5>He was asking assistance to help him out with stuff

1:06:15.560 --> 1:06:18.080
<v Speaker 5>like people that were twenty years old making forty five

1:06:18.080 --> 1:06:21.000
<v Speaker 5>thousand dollars Big Sean was nobody. Oh, some of those

1:06:21.000 --> 1:06:23.560
<v Speaker 5>people are stilling his team to this day. Like, that's

1:06:23.560 --> 1:06:26.280
<v Speaker 5>what you need to do. When you're giving a small opportunity,

1:06:26.400 --> 1:06:28.920
<v Speaker 5>how can you maximize it for yourself? That work across

1:06:28.920 --> 1:06:31.640
<v Speaker 5>with everybody. That's where rappers fuck up too. There's still

1:06:31.680 --> 1:06:33.680
<v Speaker 5>a business at the end of the day. I'm still

1:06:33.680 --> 1:06:35.440
<v Speaker 5>of the belief that creative should be able to be

1:06:35.520 --> 1:06:38.640
<v Speaker 5>left alone and be creatives. But it's twenty twenty six, Like,

1:06:38.720 --> 1:06:41.400
<v Speaker 5>you have to be able to manage yourself to some

1:06:41.520 --> 1:06:44.080
<v Speaker 5>degree as well, because no one's gonna get your creativity

1:06:44.480 --> 1:06:46.800
<v Speaker 5>better than you are. You need to explain that to

1:06:46.880 --> 1:06:49.240
<v Speaker 5>pr you need to explain that to marketing. Your manager

1:06:49.280 --> 1:06:51.560
<v Speaker 5>can only do so much in that repard. You got

1:06:51.560 --> 1:06:54.120
<v Speaker 5>to have those relationships. And let's not act like, especially

1:06:54.160 --> 1:06:56.680
<v Speaker 5>people that work in music don't have some type of

1:06:57.480 --> 1:06:59.880
<v Speaker 5>vain star mentality as well.

1:07:00.200 --> 1:07:02.040
<v Speaker 4>Yeah, they want to talk to the artists.

1:07:02.280 --> 1:07:05.920
<v Speaker 5>They'll work harder for you if you get to know them. Yeah,

1:07:05.960 --> 1:07:07.800
<v Speaker 5>Like they want to talk to artists. That's why they

1:07:07.800 --> 1:07:09.960
<v Speaker 5>got in the businesses to work with artists. So if

1:07:10.680 --> 1:07:13.040
<v Speaker 5>manager's cool, I get it. But if you're not putting

1:07:13.040 --> 1:07:14.920
<v Speaker 5>in a thousand hours the way you did with the

1:07:14.920 --> 1:07:18.760
<v Speaker 5>guy from Adult Swim, like that means something he liked

1:07:18.800 --> 1:07:23.080
<v Speaker 5>your project. He ain't like your pr agent's project through you, right,

1:07:24.040 --> 1:07:25.360
<v Speaker 5>Like you got to talk to these people.

1:07:25.880 --> 1:07:28.240
<v Speaker 4>And I think that's where artists suck up a lot.

1:07:28.600 --> 1:07:28.800
<v Speaker 1>Yeah.

1:07:28.840 --> 1:07:31.720
<v Speaker 3>I think niggas just be just man so used to

1:07:31.760 --> 1:07:36.240
<v Speaker 3>getting they dick suck and they just don't know nah

1:07:36.280 --> 1:07:38.840
<v Speaker 3>and just be like bro, they forget that they're human

1:07:39.120 --> 1:07:41.920
<v Speaker 3>and sometimes so they just be trying to like they

1:07:42.000 --> 1:07:43.400
<v Speaker 3>expect to.

1:07:44.720 --> 1:07:45.560
<v Speaker 1>Have everybody.

1:07:45.800 --> 1:07:48.440
<v Speaker 3>It's like, listen, look, I think Gay said this, the

1:07:48.560 --> 1:07:52.520
<v Speaker 3>day you become famous, you stop growing. So you're whatever

1:07:52.560 --> 1:07:54.320
<v Speaker 3>age you are, that's you're going to be the rest

1:07:54.360 --> 1:07:56.520
<v Speaker 3>of your life until you're not famous anymore or whatever.

1:07:57.120 --> 1:08:00.240
<v Speaker 3>And that's stuck with me because it's like the niggas

1:08:00.240 --> 1:08:03.960
<v Speaker 3>like babies and ship like like crying about certain ship.

1:08:04.120 --> 1:08:07.960
<v Speaker 3>Like it's like even like reviews and stuff like niggas

1:08:08.040 --> 1:08:12.720
<v Speaker 3>hear a reviewer like Charlomagne said something about he said,

1:08:12.840 --> 1:08:15.320
<v Speaker 3>black thought bodied you bro body. He was saying this

1:08:15.360 --> 1:08:19.400
<v Speaker 3>ship on on Breakfast Club about the Yeah yeah, but

1:08:19.439 --> 1:08:21.800
<v Speaker 3>you know what's funny, he thought the nigga singing was me.

1:08:22.200 --> 1:08:24.040
<v Speaker 3>So he said, I ain't gonna cut it. He didn't

1:08:24.040 --> 1:08:27.200
<v Speaker 3>hear my verse, hear the peece so so, so he's

1:08:27.200 --> 1:08:30.360
<v Speaker 3>saying this and I just said, man, thank you for

1:08:30.800 --> 1:08:33.160
<v Speaker 3>even reacting to the joint like I DMN. He just

1:08:33.240 --> 1:08:36.000
<v Speaker 3>DM me yesterday like on some like Yo, it's all

1:08:36.080 --> 1:08:38.759
<v Speaker 3>up like but you know that wasn't me that you

1:08:38.760 --> 1:08:41.439
<v Speaker 3>you thought that was me singing. That wasn't me singing,

1:08:41.800 --> 1:08:45.439
<v Speaker 3>Like but see how that like that could have been, like.

1:08:45.400 --> 1:08:48.760
<v Speaker 2>Oh man, I could have missed that.

1:08:49.439 --> 1:08:51.799
<v Speaker 5>Also on top of that, like you brought up Peter Rosenberg.

1:08:51.840 --> 1:08:53.880
<v Speaker 5>I remember when jay Z was on want Epstein and

1:08:53.920 --> 1:08:57.160
<v Speaker 5>they brought up the the nas line Eminem killed you

1:08:57.200 --> 1:08:59.760
<v Speaker 5>on your own ship, and Hoe was like, while I

1:08:59.800 --> 1:09:04.880
<v Speaker 5>don't don't agree with that, would I not want that's

1:09:04.960 --> 1:09:05.559
<v Speaker 5>my album?

1:09:06.040 --> 1:09:07.360
<v Speaker 2>I'd want an amazing Eminem.

1:09:07.680 --> 1:09:11.240
<v Speaker 3>Yeah, that's what I'm saying at the end of the day.

1:09:11.520 --> 1:09:13.479
<v Speaker 5>Of course, but like you don't think I want a

1:09:13.479 --> 1:09:14.360
<v Speaker 5>good verse from my album?

1:09:14.439 --> 1:09:14.920
<v Speaker 1>And you know.

1:09:14.880 --> 1:09:17.880
<v Speaker 3>What what I did say? What also is great about that?

1:09:18.640 --> 1:09:21.639
<v Speaker 3>I talked to Tari Black thought we was in the studio,

1:09:21.840 --> 1:09:26.240
<v Speaker 3>me and him, Erica and pause from Daylight sou and

1:09:26.280 --> 1:09:30.760
<v Speaker 3>he literally I was like, man, I did that verse,

1:09:30.800 --> 1:09:34.200
<v Speaker 3>but man, you came with George, like you really because

1:09:34.120 --> 1:09:35.160
<v Speaker 3>I was biging him up.

1:09:35.240 --> 1:09:38.360
<v Speaker 4>He's like, no, but you dropped a bunch of names

1:09:38.360 --> 1:09:38.840
<v Speaker 4>down there.

1:09:41.200 --> 1:09:50.200
<v Speaker 1>With yeah. But I mean.

1:09:52.040 --> 1:09:54.120
<v Speaker 3>Be around that that type of energy, it's amazing. We

1:09:54.120 --> 1:09:56.439
<v Speaker 3>were talking about eight tracks. I was trying to understand

1:09:56.479 --> 1:09:58.800
<v Speaker 3>how shi it was when they was growing up. They

1:09:58.880 --> 1:10:01.040
<v Speaker 3>never understood the h fact that's what he's talking about.

1:10:01.080 --> 1:10:02.280
<v Speaker 1>I was talking about guy.

1:10:02.360 --> 1:10:06.560
<v Speaker 3>Had beefing anybody before and they had some crazy interesting stories.

1:10:07.240 --> 1:10:10.280
<v Speaker 1>Erica was amazing. She played a.

1:10:10.280 --> 1:10:13.840
<v Speaker 3>Very amazing project that I can't wait for that ship

1:10:13.840 --> 1:10:14.360
<v Speaker 3>to come out.

1:10:14.560 --> 1:10:17.960
<v Speaker 5>If it's the one I think talking about this the one.

1:10:17.520 --> 1:10:20.160
<v Speaker 4>I don't understand why it's not.

1:10:20.439 --> 1:10:21.559
<v Speaker 1>It's really good, it's.

1:10:21.400 --> 1:10:25.840
<v Speaker 4>Incredible, it's almost too it's really actually like, yeah, this

1:10:26.320 --> 1:10:26.720
<v Speaker 4>even the.

1:10:26.680 --> 1:10:29.960
<v Speaker 2>Devil Smiles e TDS Mixtape by I d K listen, man,

1:10:30.439 --> 1:10:32.800
<v Speaker 2>I just want to thank you for this project, because

1:10:32.880 --> 1:10:37.439
<v Speaker 2>this is like such a refreshing just vibe energy to

1:10:37.560 --> 1:10:40.120
<v Speaker 2>here raps in music like this. Man, It's like we

1:10:40.200 --> 1:10:42.960
<v Speaker 2>don't like we were sold off mic like they don't.

1:10:42.960 --> 1:10:45.360
<v Speaker 2>People don't put the effort into music as much as

1:10:45.360 --> 1:10:48.080
<v Speaker 2>they use it. They don't have the intention, the attention

1:10:48.240 --> 1:10:50.879
<v Speaker 2>to detail as much. People just want to get an album

1:10:50.840 --> 1:10:53.200
<v Speaker 2>done and get it out. But this this, this this

1:10:53.320 --> 1:10:56.160
<v Speaker 2>project from top to bottom. Bro, I mean, push your

1:10:56.160 --> 1:11:00.679
<v Speaker 2>t black thought, no I d conduct, which we don't

1:11:00.680 --> 1:11:03.280
<v Speaker 2>even dmx.

1:11:04.760 --> 1:11:04.920
<v Speaker 1>Bro.

1:11:05.040 --> 1:11:07.599
<v Speaker 2>This is just I don't I just I can't stop

1:11:07.640 --> 1:11:10.720
<v Speaker 2>talking about I started listening to this. Definitely one of

1:11:10.760 --> 1:11:13.759
<v Speaker 2>my favorite projects in the last time in many years.

1:11:14.000 --> 1:11:15.599
<v Speaker 2>And this is the type of album that we should

1:11:15.640 --> 1:11:17.479
<v Speaker 2>be talking about Roy, Like everybody want talk about these

1:11:17.520 --> 1:11:19.080
<v Speaker 2>other artists and shout out to other though I don't

1:11:19.120 --> 1:11:22.720
<v Speaker 2>want to hurt Bravado. Yeah, I'm gonna say, but this

1:11:22.840 --> 1:11:25.920
<v Speaker 2>to me is like to have this now, you know,

1:11:26.040 --> 1:11:28.080
<v Speaker 2>Like and we said this year twenty twenty six, We've

1:11:28.120 --> 1:11:30.800
<v Speaker 2>gotten a lot of good music so far, but this

1:11:30.880 --> 1:11:35.640
<v Speaker 2>is one of the albums or problem mixtapes that I

1:11:35.640 --> 1:11:38.760
<v Speaker 2>think everybody should be playing it because it's that incredible.

1:11:39.880 --> 1:11:42.760
<v Speaker 5>Before we let you go, I'm not sure if there's

1:11:42.760 --> 1:11:44.360
<v Speaker 5>something you want to advertise.

1:11:43.960 --> 1:11:45.320
<v Speaker 4>But I thought I thought it was great.

1:11:45.720 --> 1:11:48.200
<v Speaker 5>So by the time they hear this, your event in

1:11:48.240 --> 1:11:49.840
<v Speaker 5>New York would have already passed.

1:11:50.720 --> 1:11:51.320
<v Speaker 4>It is tonight.

1:11:52.040 --> 1:11:54.080
<v Speaker 5>You were mentioning that there are fans that may not

1:11:54.120 --> 1:11:56.200
<v Speaker 5>have the means to come to your show. You can

1:11:56.280 --> 1:11:58.479
<v Speaker 5>write in letters to get free tickets. I thought that

1:11:58.600 --> 1:12:01.639
<v Speaker 5>was like a really cool that you were doing. How

1:12:01.640 --> 1:12:02.360
<v Speaker 5>long you been doing that?

1:12:03.080 --> 1:12:06.600
<v Speaker 3>I think I did it before one other time, the

1:12:06.680 --> 1:12:08.679
<v Speaker 3>last time I went and did a couple of shows.

1:12:08.720 --> 1:12:11.799
<v Speaker 1>I just think, like a lot of people, I think.

1:12:11.720 --> 1:12:17.240
<v Speaker 3>The world is an interesting place, and I think that

1:12:17.320 --> 1:12:20.439
<v Speaker 3>a lot of people are trying to figure out how

1:12:20.479 --> 1:12:22.720
<v Speaker 3>to escape where we're at. And I like for my

1:12:22.800 --> 1:12:25.920
<v Speaker 3>shows to be and my music to be an aid

1:12:26.000 --> 1:12:28.400
<v Speaker 3>to that. But then some people just ain't got it

1:12:28.520 --> 1:12:31.680
<v Speaker 3>like that right now, I've heard I saw people talking

1:12:31.720 --> 1:12:35.080
<v Speaker 3>about they lost their family and financially since then they

1:12:35.120 --> 1:12:37.200
<v Speaker 3>ain't been good. They had to cover the funeral, and

1:12:37.240 --> 1:12:41.320
<v Speaker 3>they just asking for tickets. They just asking for tickets, gee, Like,

1:12:42.040 --> 1:12:43.760
<v Speaker 3>so I give them the ticket and a meeting and

1:12:43.760 --> 1:12:44.400
<v Speaker 3>greet for free.

1:12:44.439 --> 1:12:46.240
<v Speaker 1>You know what I'm saying, Like, it's.

1:12:46.120 --> 1:12:48.400
<v Speaker 3>Just like if you if it's if you're willing to

1:12:48.400 --> 1:12:50.559
<v Speaker 3>write a letter about it, you care.

1:12:50.880 --> 1:12:53.559
<v Speaker 1>You know what I'm saying. If I can do that,

1:12:53.600 --> 1:12:54.080
<v Speaker 1>I can do that.

1:12:54.120 --> 1:12:57.360
<v Speaker 3>And I have great fans to where some of them

1:12:57.400 --> 1:12:59.960
<v Speaker 3>are buying tickets for other people. You know what I'm saying,

1:13:00.040 --> 1:13:02.720
<v Speaker 3>which I thought was really special as well. Yeah, that's

1:13:02.800 --> 1:13:06.360
<v Speaker 3>just really that. It's really that, but hopefully nobody abuses it.

1:13:06.320 --> 1:13:06.960
<v Speaker 1>You know what I'm saying.

1:13:07.439 --> 1:13:09.559
<v Speaker 5>Yeah, I mean, right, let me get some tickets And

1:13:09.560 --> 1:13:12.439
<v Speaker 5>I got you right, That's why, Like I mean, I

1:13:12.479 --> 1:13:14.240
<v Speaker 5>guess we could say now since we're on the topic

1:13:14.479 --> 1:13:15.920
<v Speaker 5>ball and I have done that a lot with people

1:13:15.920 --> 1:13:17.839
<v Speaker 5>that have DMed us or even people on our discord

1:13:17.880 --> 1:13:20.680
<v Speaker 5>that just buy regular tickets get great no matter what.

1:13:20.840 --> 1:13:22.720
<v Speaker 5>We just haven't advertised it because I just don't want

1:13:22.720 --> 1:13:25.160
<v Speaker 5>my dms to be all eight hundred people at the

1:13:25.160 --> 1:13:26.639
<v Speaker 5>show say.

1:13:26.280 --> 1:13:28.960
<v Speaker 2>Right, right, right, right, right right right.

1:13:29.040 --> 1:13:32.920
<v Speaker 5>But yeah, that's definitely a special thing that I admire.

1:13:33.439 --> 1:13:35.040
<v Speaker 1>Thank you that I appreciate it.

1:13:35.120 --> 1:13:36.360
<v Speaker 4>Is there anything we can expect for?

1:13:36.439 --> 1:13:36.639
<v Speaker 1>Again?

1:13:36.680 --> 1:13:38.720
<v Speaker 5>This is this will be out by the time the

1:13:38.720 --> 1:13:41.240
<v Speaker 5>show is over. But yeah, what's the show look like tonight?

1:13:42.479 --> 1:13:42.840
<v Speaker 1>This one.

1:13:42.880 --> 1:13:46.479
<v Speaker 3>I'm just gonna do strictly what's on this record, So

1:13:46.520 --> 1:13:48.679
<v Speaker 3>it's like, it's the show you would have normally done

1:13:49.120 --> 1:13:52.439
<v Speaker 3>right when the record comes out for fans, but you know,

1:13:52.479 --> 1:13:55.439
<v Speaker 3>we wasn't expecting certain things or whatever, so we ended

1:13:55.520 --> 1:13:58.800
<v Speaker 3>up putting it together fairly last minute and putting it

1:13:58.840 --> 1:14:01.320
<v Speaker 3>this at the time, and that made sense. I was

1:14:01.360 --> 1:14:03.400
<v Speaker 3>gonna be out here for fouling and all that stuff,

1:14:03.439 --> 1:14:06.600
<v Speaker 3>so that's what happened. But but the great part of

1:14:06.640 --> 1:14:08.960
<v Speaker 3>it is, I'm just gonna give them this record.

1:14:09.600 --> 1:14:09.800
<v Speaker 1>Now.

1:14:09.840 --> 1:14:12.080
<v Speaker 3>There could be something later on where I do this

1:14:12.280 --> 1:14:14.920
<v Speaker 3>and all the other stuff and and probably something new,

1:14:15.280 --> 1:14:18.799
<v Speaker 3>but for this, what to expect is learn them words,

1:14:18.960 --> 1:14:21.519
<v Speaker 3>say them words. Put that you know. That's that's what

1:14:21.560 --> 1:14:23.719
<v Speaker 3>we're gonna do in New York and l a fire.

1:14:24.240 --> 1:14:26.080
<v Speaker 2>Yeah all right, well, I DK man, We thank you

1:14:26.120 --> 1:14:27.439
<v Speaker 2>for giving us some of your time.

1:14:27.479 --> 1:14:28.280
<v Speaker 1>Man, we know you got a.

1:14:28.280 --> 1:14:34.520
<v Speaker 2>Busy Thank you for this mixtape and incredible project fam

1:14:34.720 --> 1:14:36.120
<v Speaker 2>And if you haven't heard it, I don't know what

1:14:36.160 --> 1:14:39.000
<v Speaker 2>you're listening to, but turn that ship off, turned on

1:14:39.080 --> 1:14:42.599
<v Speaker 2>E T d S. This ship is incredible We're gonna

1:14:42.600 --> 1:14:45.000
<v Speaker 2>hopefully see you soon next time when you're running New York.

1:14:45.080 --> 1:14:45.439
<v Speaker 1>Thank you.

1:14:45.960 --> 1:14:48.160
<v Speaker 2>I'm that nigga. He's just Jinger. That's I. D K

1:14:48.360 --> 1:14:49.800
<v Speaker 2>E T D is available now.

1:14:50.040 --> 1:14:50.320
<v Speaker 1>Yes,