1 00:00:00,120 --> 00:00:05,520 Speaker 1: Ron Burgundy podcast is starting when now. This is Ron 2 00:00:05,559 --> 00:00:09,320 Speaker 1: Burgundy and you are listening to the Run Burgundy podcast 3 00:00:09,400 --> 00:00:16,440 Speaker 1: available wherever podcasts are available from. As always, I'm joined 4 00:00:16,440 --> 00:00:21,600 Speaker 1: by my producer, Carolina. Carolina, how are you today? I'm okay, 5 00:00:21,680 --> 00:00:24,960 Speaker 1: I'm okay. Thanks for asking. I understand you have something 6 00:00:25,400 --> 00:00:28,720 Speaker 1: important you would like to share with us. Yeah, actually 7 00:00:28,760 --> 00:00:31,960 Speaker 1: I do. Um. As you know Carl, my boyfriend, Carl, 8 00:00:32,120 --> 00:00:35,360 Speaker 1: who's in the d g UM He's just shipped off 9 00:00:35,400 --> 00:00:38,879 Speaker 1: for a two year tour of duty and it's just 10 00:00:38,920 --> 00:00:41,000 Speaker 1: so hard saying goodbye to him this morning. Right. More 11 00:00:41,000 --> 00:00:43,920 Speaker 1: on that later, and um, I'm not just saying that. 12 00:00:44,159 --> 00:00:47,880 Speaker 1: I really want to hear more about Carl. But first off, 13 00:00:47,920 --> 00:00:51,920 Speaker 1: we are joined in studio by some very talented musicians 14 00:00:51,920 --> 00:00:54,680 Speaker 1: who are going to help us come up with a 15 00:00:54,760 --> 00:00:59,320 Speaker 1: theme song for the Ron Burgundy Pod. Carl, in a minute, 16 00:00:59,560 --> 00:01:02,720 Speaker 1: he broke We will get to your story. Trust me. 17 00:01:03,760 --> 00:01:05,560 Speaker 1: I really want to hear about it. Well, he broke 18 00:01:05,640 --> 00:01:08,160 Speaker 1: up with the actually right before boarding. Yeah, we'll hear 19 00:01:08,200 --> 00:01:11,039 Speaker 1: about it. Trust me. For those of you listening to 20 00:01:11,040 --> 00:01:15,200 Speaker 1: the podcasts, you probably noticed that we have functioned without 21 00:01:15,280 --> 00:01:18,640 Speaker 1: a proper theme song. I have just been making them 22 00:01:18,720 --> 00:01:21,840 Speaker 1: up off the top of my head, and I gotta 23 00:01:21,880 --> 00:01:25,360 Speaker 1: say some of them are pretty damn good. We've gotten 24 00:01:25,360 --> 00:01:27,839 Speaker 1: a lot of great feedback, you know. We actually we don't. 25 00:01:28,000 --> 00:01:31,440 Speaker 1: We haven't gotten any feedback, zero feedback. People haven't been 26 00:01:31,480 --> 00:01:36,000 Speaker 1: writing letters. Yeah. Well, anyway, today our objective is to 27 00:01:36,040 --> 00:01:40,360 Speaker 1: come up with the song befitting of the Ron Burgundy Podcast. 28 00:01:40,800 --> 00:01:45,199 Speaker 1: So while we're here, and we will get to Carl, 29 00:01:45,240 --> 00:01:48,920 Speaker 1: don't worry. Why don't we take this time and we're 30 00:01:48,920 --> 00:01:50,920 Speaker 1: gonna We're gonna go around the room and I'd like, 31 00:01:51,200 --> 00:01:54,400 Speaker 1: I like all all the members of this this musical 32 00:01:54,400 --> 00:01:58,400 Speaker 1: group to introduce yourselves and and tell our listeners your 33 00:01:58,520 --> 00:02:04,120 Speaker 1: name and instrument you play, and maybe some sort of 34 00:02:04,160 --> 00:02:07,880 Speaker 1: animal that I could associate with so I can remember 35 00:02:07,920 --> 00:02:13,200 Speaker 1: your name. So we'll start with this gentleman right here. Hello, 36 00:02:13,240 --> 00:02:17,959 Speaker 1: my name is Tam, and I played keys, and my 37 00:02:18,080 --> 00:02:22,320 Speaker 1: name begins with the letter T. So I'm gonna say Tiger, Tam, Tiger. 38 00:02:22,680 --> 00:02:25,680 Speaker 1: But you're you're sitting in front of a piano. Yes, 39 00:02:25,760 --> 00:02:28,679 Speaker 1: but you said you play the keys. Keys are are 40 00:02:28,840 --> 00:02:34,160 Speaker 1: on the piano, Okay, so you don't jingle house keys? No? 41 00:02:34,600 --> 00:02:36,560 Speaker 1: All right, Well, we just want to make sure everyone 42 00:02:36,560 --> 00:02:40,560 Speaker 1: knows that, because that could be confusing for the listeners. 43 00:02:40,680 --> 00:02:45,560 Speaker 1: So tam tiger and he plays the piano. He doesn't 44 00:02:45,560 --> 00:02:49,480 Speaker 1: play the keys. Yeah, let's be clear. All right, let's 45 00:02:49,480 --> 00:02:53,160 Speaker 1: start off here. I'm Trevor and I play the guitar, 46 00:02:54,680 --> 00:02:56,840 Speaker 1: and I gotta be honest with you. My favorite animal 47 00:02:57,040 --> 00:03:02,560 Speaker 1: is also the tiger. You're gonna go with the tiger too, Yeah, yes, sir, okay, 48 00:03:02,600 --> 00:03:05,240 Speaker 1: so we have so it defeats the purpose of the 49 00:03:05,400 --> 00:03:09,160 Speaker 1: animal exercise. But let's just keep going, all right. Next, 50 00:03:09,320 --> 00:03:12,680 Speaker 1: I'm Taylor. I play guitar. Um my nickname was Tiger 51 00:03:12,960 --> 00:03:15,760 Speaker 1: when I was in high school. But I swear to God, Taylor, 52 00:03:15,800 --> 00:03:17,880 Speaker 1: I will knock your teeth out if you choose tiger 53 00:03:19,440 --> 00:03:22,280 Speaker 1: identified with it for a long time. But if if 54 00:03:22,320 --> 00:03:25,959 Speaker 1: you say so, I could you gotta pick another animal? Bear? 55 00:03:26,200 --> 00:03:28,680 Speaker 1: Polar bear? Thank you. I'm about to lose my mind. 56 00:03:30,040 --> 00:03:35,680 Speaker 1: So polar bear, sure, I mean, think about it. I 57 00:03:35,680 --> 00:03:38,760 Speaker 1: don't think you can dispute this. A tiger and a 58 00:03:38,800 --> 00:03:42,360 Speaker 1: polar bear fight to the death. I put my money 59 00:03:42,360 --> 00:03:44,480 Speaker 1: on an eight hunder pound polar bear. Every time eight 60 00:03:44,600 --> 00:03:47,800 Speaker 1: hundred pounds, I'd assume a polar bear is about eight 61 00:03:47,840 --> 00:03:52,360 Speaker 1: hundred pounds, right, the weight of a Volkswagen Beagle, a 62 00:03:52,480 --> 00:03:57,400 Speaker 1: volks and Beagle Beagle. Yes, volkswag and Beagle. We'll get 63 00:03:57,400 --> 00:04:02,040 Speaker 1: back to that. You drive a vult Swagon Beagle. Um, no, 64 00:04:02,160 --> 00:04:03,760 Speaker 1: it's a beatle like a bug. I see where the 65 00:04:03,760 --> 00:04:06,040 Speaker 1: confusion happens. Oh, that's why it's called a bug, the 66 00:04:06,160 --> 00:04:09,760 Speaker 1: v W bug. I never knew that you learned something 67 00:04:09,760 --> 00:04:14,400 Speaker 1: new every day. The gentleman with the bigger guitar. Alright, 68 00:04:14,440 --> 00:04:17,200 Speaker 1: my name is Lee. Uh, this this is a bass. 69 00:04:17,279 --> 00:04:21,679 Speaker 1: I played the bass great, and I'll go with a leopard. 70 00:04:22,040 --> 00:04:25,240 Speaker 1: Leopard Okay, see Lee's thinking. Yeah, also a nickname people 71 00:04:25,279 --> 00:04:28,200 Speaker 1: have for me leopard, So I'll just go with that. 72 00:04:29,279 --> 00:04:30,920 Speaker 1: When I was a younger man, that was a nickname 73 00:04:30,960 --> 00:04:38,320 Speaker 1: from my penis leopard. Really yes, no, no, I'm just kidding. No, no, Now. 74 00:04:38,360 --> 00:04:42,680 Speaker 1: I never had a nickname, always wanted one. It has 75 00:04:42,680 --> 00:04:46,640 Speaker 1: to happen organically. Never did. Trust me. I had a 76 00:04:46,640 --> 00:04:51,000 Speaker 1: whole laundry list of nicknames. I would lay down with 77 00:04:51,040 --> 00:04:52,680 Speaker 1: a woman and say, by the way, if you take 78 00:04:52,720 --> 00:04:56,000 Speaker 1: a look at this, this list of nicknames on the clipboard, 79 00:04:56,040 --> 00:04:57,800 Speaker 1: and if you want to use it at any time 80 00:04:57,880 --> 00:05:03,120 Speaker 1: to describe my genitalia feel feel free before before making love. Yes, 81 00:05:05,200 --> 00:05:08,359 Speaker 1: that's Leopard was at the top of the list, and 82 00:05:08,400 --> 00:05:10,960 Speaker 1: I tried to hint like, okay, leopard, time to play, 83 00:05:11,040 --> 00:05:14,080 Speaker 1: time for the leopard to hunt, and most of the 84 00:05:14,120 --> 00:05:18,760 Speaker 1: women would leave. Um, all right, let's go back to drums. 85 00:05:20,000 --> 00:05:24,120 Speaker 1: My my name is Griffin. I'm playing drums, and I 86 00:05:24,160 --> 00:05:29,040 Speaker 1: think I'm gonna go with Griffin because it's well, that's 87 00:05:29,040 --> 00:05:32,120 Speaker 1: a mythical creature. Though. Can we do that, Carolina? Sure? 88 00:05:32,200 --> 00:05:34,760 Speaker 1: It's just for you think I have to? It feels 89 00:05:34,800 --> 00:05:39,280 Speaker 1: weird to me. I mean, do you mind getting another one? 90 00:05:39,480 --> 00:05:42,520 Speaker 1: Do you mind Griffin? Because I'll never remember your name 91 00:05:42,640 --> 00:05:46,400 Speaker 1: if you're Griffin the Griffin. Sure, I'll go with a beagle. 92 00:05:47,560 --> 00:05:50,680 Speaker 1: Oh like the votes wag and beagle? Great? Thank you? 93 00:05:50,720 --> 00:05:52,320 Speaker 1: So it is a beagle. I knew it was a 94 00:05:52,400 --> 00:05:54,520 Speaker 1: Volkswagen Beagle. We just wanted to get the names down. 95 00:05:54,560 --> 00:05:57,159 Speaker 1: I've really lost our all right, Griffin's my man back 96 00:05:57,200 --> 00:06:01,000 Speaker 1: there on the skins. You're calling the skins, right, I 97 00:06:01,160 --> 00:06:03,560 Speaker 1: like to call him the Cans. The cans play the 98 00:06:03,600 --> 00:06:07,239 Speaker 1: Cans the skins. But you know you don't play the keys, 99 00:06:07,279 --> 00:06:09,440 Speaker 1: do you? And I'm not talking about piano. I'm talking 100 00:06:09,480 --> 00:06:13,400 Speaker 1: about keys on a key chain. It depends what you 101 00:06:13,520 --> 00:06:16,000 Speaker 1: so sometimes you play a set of house keys or 102 00:06:16,040 --> 00:06:19,200 Speaker 1: car keys kind of thing. I don't know. You're to 103 00:06:19,279 --> 00:06:24,720 Speaker 1: speaking Greek to me now, Griffin a k beagle. Anyway, 104 00:06:24,760 --> 00:06:26,760 Speaker 1: this is going to be great. And here's what I 105 00:06:26,800 --> 00:06:31,600 Speaker 1: am so excited about. We of course producing today. We 106 00:06:31,720 --> 00:06:35,440 Speaker 1: have the great the town had a dear friend of mine, 107 00:06:35,520 --> 00:06:39,120 Speaker 1: Mr Phil Spector, and he is in the booth today. 108 00:06:39,120 --> 00:06:41,360 Speaker 1: Oh no, no, no, no, no, no. What happened? He 109 00:06:41,400 --> 00:06:44,640 Speaker 1: couldn't make it. He's in prison. Is what is he 110 00:06:44,720 --> 00:06:49,599 Speaker 1: doing in prison? Is he visiting someone? No? He went 111 00:06:49,720 --> 00:06:53,800 Speaker 1: from murder. Oh he he murdered someone. Yeah, it was 112 00:06:54,520 --> 00:07:00,120 Speaker 1: filled my film. When did this happen? A really long time? Go? 113 00:07:00,680 --> 00:07:03,760 Speaker 1: How did I lose track? I mean, I don't know. 114 00:07:03,960 --> 00:07:06,760 Speaker 1: It was all over the news. It was a huge scandal. 115 00:07:07,240 --> 00:07:09,880 Speaker 1: He did stop returning the letters I wrote to him. Yeah, 116 00:07:10,200 --> 00:07:13,640 Speaker 1: that address, I don't think. Yeah, he lives in prison. Now, 117 00:07:13,920 --> 00:07:16,440 Speaker 1: just got who's sitting back there that looks exactly like 118 00:07:16,480 --> 00:07:19,000 Speaker 1: Phil Specter. It's actually the guy that we've been working with. Nick. 119 00:07:19,120 --> 00:07:21,280 Speaker 1: He did all of our other episodes with us, sure, 120 00:07:21,320 --> 00:07:24,600 Speaker 1: I know Nick, it's just Nick. Okay. Maybe it's the 121 00:07:24,640 --> 00:07:28,280 Speaker 1: reflection of the light. For some reason, Nick today looks 122 00:07:28,320 --> 00:07:33,160 Speaker 1: like Phil Spector. I don't that's not nice. Wow, Phil Specter. 123 00:07:33,920 --> 00:07:36,640 Speaker 1: If you're listening to this podcast, we're breaking news. Phil 124 00:07:36,680 --> 00:07:42,080 Speaker 1: Specter is currently in prison. Yeah, it's not this just doubt. 125 00:07:43,960 --> 00:07:45,320 Speaker 1: Well I've got to go buy and visit and bring 126 00:07:45,360 --> 00:07:50,280 Speaker 1: him a bunt cake. He loves bunt cakes. Oh, Phil 127 00:07:51,400 --> 00:07:54,120 Speaker 1: Plea should see a look on his face when he 128 00:07:54,160 --> 00:07:58,160 Speaker 1: bites into a delicious ron burgundy bunt cake. I know 129 00:07:58,160 --> 00:08:00,400 Speaker 1: how to make a great bunt cake. That it's another 130 00:08:00,400 --> 00:08:03,960 Speaker 1: episode we're doing. I can't wait. That's gonna be a 131 00:08:04,000 --> 00:08:07,200 Speaker 1: fun one. Now. I really have to thank you guys. 132 00:08:07,240 --> 00:08:10,679 Speaker 1: You guys have done me an absolute solid by coming 133 00:08:10,680 --> 00:08:14,600 Speaker 1: here today. I know your schedules are busy and you're 134 00:08:14,600 --> 00:08:17,880 Speaker 1: well paid musicians and you don't need this bullshit, but 135 00:08:18,040 --> 00:08:20,280 Speaker 1: you're here and I really appreciate. And you have come 136 00:08:20,360 --> 00:08:23,560 Speaker 1: up with all the musical compositions for each one of 137 00:08:23,600 --> 00:08:29,800 Speaker 1: these potential theme songs, and I have meticulously crafted the lyrics, 138 00:08:30,360 --> 00:08:34,640 Speaker 1: and per usual, Carolina has done nothing. Are you kidding me? 139 00:08:34,720 --> 00:08:37,480 Speaker 1: I got the band. You have no idea. How much 140 00:08:37,520 --> 00:08:40,560 Speaker 1: I do I drive over to your condo every day 141 00:08:40,679 --> 00:08:43,000 Speaker 1: to personally wake you up because you don't know how 142 00:08:43,000 --> 00:08:46,000 Speaker 1: to work the alarm clock. Okay, you don't even know 143 00:08:46,040 --> 00:08:48,120 Speaker 1: how to turn on the stove or change batteries in 144 00:08:48,120 --> 00:08:53,240 Speaker 1: your TV rement. Okay, I was kidding. Geez, now I 145 00:08:53,280 --> 00:09:13,720 Speaker 1: know why Carl left. What did you just say? Nothing? Nothing? Okay, yeah, okay, 146 00:09:14,360 --> 00:09:16,439 Speaker 1: let's dive into our first song. What do you say? Guys, 147 00:09:17,040 --> 00:09:19,840 Speaker 1: we'll dive into our first song. Let me, I'm gonna 148 00:09:20,559 --> 00:09:24,800 Speaker 1: you're pass us out here, Okay, whenever you're ready, take 149 00:09:24,840 --> 00:09:37,959 Speaker 1: it away. R Burg and d run Berg and D 150 00:09:39,160 --> 00:09:45,920 Speaker 1: talking and say anything hands run bergend run Back and Deep. 151 00:09:46,760 --> 00:09:52,880 Speaker 1: He's not playing any games. Making sure you get the 152 00:09:53,240 --> 00:09:59,720 Speaker 1: facts and listen to song. Gats he will find hot 153 00:10:00,080 --> 00:10:07,920 Speaker 1: to the We know he's the best. Take Back the Night, 154 00:10:08,400 --> 00:10:16,880 Speaker 1: take Back to Night, take Back to Night, take Back 155 00:10:17,040 --> 00:10:26,040 Speaker 1: to Night, run any podcast. Wow, guys, that felt really good. 156 00:10:26,280 --> 00:10:28,360 Speaker 1: I mean, first one, right out of the gate. I 157 00:10:28,480 --> 00:10:31,800 Speaker 1: like that. I like that. Um if Caroline of thoughts, 158 00:10:32,600 --> 00:10:34,679 Speaker 1: there's the take back the Night part? You see that 159 00:10:34,800 --> 00:10:38,360 Speaker 1: like four times? Do I? Okay, I was just in 160 00:10:38,440 --> 00:10:42,480 Speaker 1: the flow and I didn't realize it's a really masculine song. 161 00:10:42,800 --> 00:10:46,920 Speaker 1: Yes that's what you're going for. Okay, great, yeah, very 162 00:10:47,240 --> 00:10:53,880 Speaker 1: pickup truck good. Yeah, okay it's yeah hard driving, yeah, 163 00:10:55,120 --> 00:10:58,120 Speaker 1: not messing around. Yeah, you know what I mean, really tough, 164 00:10:59,120 --> 00:11:01,559 Speaker 1: especially with the take Back the Night. What does that 165 00:11:01,640 --> 00:11:05,200 Speaker 1: part mean? It's just a little thematic choice. Take back 166 00:11:05,240 --> 00:11:07,400 Speaker 1: the Night. I think it just says, hey, we're not 167 00:11:07,480 --> 00:11:09,960 Speaker 1: messing around. Okay, do we take it out and maybe 168 00:11:10,040 --> 00:11:12,760 Speaker 1: just shorten the song a little bit. I was thinking 169 00:11:12,800 --> 00:11:15,200 Speaker 1: the exact opposite. We might want to add eight more 170 00:11:15,280 --> 00:11:18,199 Speaker 1: bars of take Back the Night. You know what, we'll 171 00:11:18,240 --> 00:11:21,120 Speaker 1: revisit it. Okay, well we got that one in the can. 172 00:11:21,360 --> 00:11:24,600 Speaker 1: That one felt good. Let's move on with our second selection. Here, 173 00:11:24,760 --> 00:11:27,920 Speaker 1: a little more of a jazz feel to it, fellas, 174 00:11:27,960 --> 00:11:37,240 Speaker 1: take it away whenever you're ready, butter Scotch and brandy, 175 00:11:38,520 --> 00:11:45,480 Speaker 1: no time, I'm like to night. We're gonna get down 176 00:11:45,600 --> 00:11:51,679 Speaker 1: with it. This in bolts. We can't fine take my 177 00:11:52,120 --> 00:11:57,880 Speaker 1: hand while I kiss your lips. They ain't no mystery. 178 00:12:00,080 --> 00:12:12,040 Speaker 1: Who's that man jogging in my ease? He's run bugndy 179 00:12:14,720 --> 00:12:21,080 Speaker 1: want two three four, take Back the Night, Jake back 180 00:12:21,160 --> 00:12:26,079 Speaker 1: the night's having him abe that value that value jake 181 00:12:26,280 --> 00:12:29,400 Speaker 1: back Okay, okay, we're doing that. Was that was take 182 00:12:29,480 --> 00:12:31,200 Speaker 1: back the night. That was the lyric from the last 183 00:12:31,200 --> 00:12:33,200 Speaker 1: time that we talked about, right, that was we were 184 00:12:33,240 --> 00:12:35,640 Speaker 1: having trouble with because it didn't make any sense. Oh 185 00:12:36,840 --> 00:12:39,880 Speaker 1: did we say it? Three? Okay? I was just flowing, 186 00:12:40,520 --> 00:12:43,160 Speaker 1: didn't you know what? That's fine because I wasn't feeling 187 00:12:43,160 --> 00:12:45,720 Speaker 1: I don't. I don't feel like we have enough improvised 188 00:12:45,760 --> 00:12:49,600 Speaker 1: spoken words. So yeah, let's take that base for a walk, right, 189 00:12:50,520 --> 00:12:59,679 Speaker 1: get a little more of that tiny little Dutch boy 190 00:13:02,360 --> 00:13:10,760 Speaker 1: walking through the town. He's got no family left. He 191 00:13:11,080 --> 00:13:16,840 Speaker 1: wants to be a clown. Chip Chap says the Falcon 192 00:13:18,920 --> 00:13:26,160 Speaker 1: as he drives his motor car. Oh no, it's gonna 193 00:13:26,360 --> 00:13:35,080 Speaker 1: rain down a foggy London town, I said, foggy London town. Yeah, 194 00:13:37,600 --> 00:13:40,760 Speaker 1: that's gonna mix in realize. I don't know, but we 195 00:13:40,840 --> 00:13:43,360 Speaker 1: can try it. Well, we've got fill here. He's a 196 00:13:43,400 --> 00:13:47,679 Speaker 1: magic manuse but he's going to help from prison. I 197 00:13:47,720 --> 00:13:52,920 Speaker 1: don't feel comfortable making contact, all right, Well, those are 198 00:13:52,960 --> 00:13:54,679 Speaker 1: two those are two options. I feel like that was 199 00:13:54,760 --> 00:13:58,800 Speaker 1: like very much like the Romantic song. Those are two options. 200 00:14:00,000 --> 00:14:02,240 Speaker 1: It's let's dive into this. This one's this one's a 201 00:14:02,320 --> 00:14:05,600 Speaker 1: little more of a pop mix to it. Uh, something 202 00:14:05,679 --> 00:14:10,840 Speaker 1: that the kids will I think, really dig you say 203 00:14:10,880 --> 00:14:16,000 Speaker 1: dig right, Carolina? Like or love or no one says 204 00:14:16,080 --> 00:14:18,840 Speaker 1: dick like really literally no, no one on planet Earth. 205 00:14:19,240 --> 00:14:23,920 Speaker 1: I didn't say that. Yeah, so people say it, okay, 206 00:14:24,760 --> 00:14:40,760 Speaker 1: all right? Yeah, ou waited by the phone on a 207 00:14:41,000 --> 00:14:48,840 Speaker 1: Saturnday night. Move along, there's nothing to see it fun 208 00:14:48,960 --> 00:14:52,480 Speaker 1: by now, i'd find true love. But in life, let's 209 00:14:52,560 --> 00:14:59,440 Speaker 1: face it, nothing for free out my back? Oh who's 210 00:14:59,560 --> 00:15:04,600 Speaker 1: going knock up on my door at night? I'm telling 211 00:15:04,800 --> 00:15:11,280 Speaker 1: you my heart is room diving through the boring rain. 212 00:15:11,400 --> 00:15:18,000 Speaker 1: I got a feeling and this time I'm shore wrong 213 00:15:18,320 --> 00:15:25,320 Speaker 1: Bag and Depo podcast it's fun? But how Bag in podcast? 214 00:15:27,040 --> 00:15:32,720 Speaker 1: HiT's him and now m Bag in the podcast it's hot. 215 00:15:33,360 --> 00:15:39,640 Speaker 1: Oh yeah. Oh, by the way, one other thing, take 216 00:15:39,720 --> 00:15:43,480 Speaker 1: back the night. Damn it, I did it again, didn't I? 217 00:15:44,880 --> 00:15:49,000 Speaker 1: I caught myself that time. Jeez, it's a good lyric. 218 00:15:49,200 --> 00:15:51,920 Speaker 1: I just don't see how it fits. Yeah, you know what, 219 00:15:52,160 --> 00:15:55,680 Speaker 1: this time I'm with you, it was just jackass. I 220 00:15:55,720 --> 00:15:57,920 Speaker 1: think you know what. It's in the muscle memory and 221 00:15:57,920 --> 00:16:01,120 Speaker 1: it's just hard to shake it. And I it's in 222 00:16:01,160 --> 00:16:04,040 Speaker 1: the muscle memory. It's in my muscle memory, the memories 223 00:16:04,080 --> 00:16:09,280 Speaker 1: of my muscles. Each muscle has a memory. It's it's 224 00:16:09,960 --> 00:16:13,680 Speaker 1: it's art, it's charted, you're doing studies on it. And 225 00:16:13,840 --> 00:16:15,680 Speaker 1: but anyway, you get it into your muscle memory, and 226 00:16:15,720 --> 00:16:19,240 Speaker 1: it's like like your your regular brain forgets things, but 227 00:16:19,320 --> 00:16:24,400 Speaker 1: your muscles do not got it. Like if I watch 228 00:16:24,680 --> 00:16:30,600 Speaker 1: Cramer Versus Cramer, my right by biceps just twitches endlessly 229 00:16:32,000 --> 00:16:34,600 Speaker 1: because I remember it remembers the movie, how much it 230 00:16:34,720 --> 00:16:37,280 Speaker 1: loved the movie. If I even right now, look at 231 00:16:37,320 --> 00:16:41,000 Speaker 1: my right bicep going crazy because I'm just thinking about 232 00:16:41,000 --> 00:16:45,800 Speaker 1: Cramer Versus Cramer, fellas you like Cramer Versus Cramer. I 233 00:16:45,800 --> 00:16:47,280 Speaker 1: haven't seen it. I don't even know what. I haven't 234 00:16:47,320 --> 00:16:49,880 Speaker 1: seen it, never saw Check it out if you've got 235 00:16:49,960 --> 00:16:52,240 Speaker 1: a free Sunday. It's just a movie about divorce, and 236 00:16:52,400 --> 00:16:54,800 Speaker 1: leave the whole day open because once you watch it once, 237 00:16:54,840 --> 00:16:59,920 Speaker 1: you're gonna watch it a second time. Well, so far 238 00:17:00,120 --> 00:17:03,160 Speaker 1: three for three in my book. You know, sure, we'll 239 00:17:03,200 --> 00:17:04,840 Speaker 1: have to choose one of these. We'll have to choose. 240 00:17:04,840 --> 00:17:07,040 Speaker 1: It's gonna be a tough decision. This is gonna be 241 00:17:07,160 --> 00:17:11,040 Speaker 1: a brain twister, right, we'll probably which sounds gonna be 242 00:17:11,040 --> 00:17:14,000 Speaker 1: a lot of muscle memory used in this one. Did 243 00:17:14,040 --> 00:17:20,160 Speaker 1: you just learn about that muscle memory? Yeah? Yeah, yeah, yep. Sure. Alright, guys, 244 00:17:20,440 --> 00:17:24,359 Speaker 1: here's one. I wrote original composition. I also wrote the 245 00:17:24,520 --> 00:17:27,119 Speaker 1: music for it, Caroline. If you could pass out the 246 00:17:27,160 --> 00:17:29,600 Speaker 1: sheet music, that would be great. This is a This 247 00:17:29,760 --> 00:17:34,080 Speaker 1: is an original, and I feel really good about what 248 00:17:34,160 --> 00:17:36,679 Speaker 1: I wrote. Here some some powerful lyrics that came from 249 00:17:36,720 --> 00:17:39,560 Speaker 1: the heart. Um, I've worked on this song for over 250 00:17:39,640 --> 00:17:42,720 Speaker 1: a year and uh yeah, so it's it's good to 251 00:17:42,800 --> 00:17:44,560 Speaker 1: finally record it, even if we don't use it for 252 00:17:44,640 --> 00:17:46,800 Speaker 1: the podcast. Do you think this might be the one? 253 00:17:46,960 --> 00:18:03,040 Speaker 1: This could be the one? So that's exciting. Okay, You're 254 00:18:03,200 --> 00:18:07,119 Speaker 1: on the phone with your girlfriend. She's upset. She's going 255 00:18:07,240 --> 00:18:12,240 Speaker 1: off about something that you said. She doesn't get your 256 00:18:12,520 --> 00:18:18,920 Speaker 1: humor like I do. I'm in the room. It's a 257 00:18:19,040 --> 00:18:23,119 Speaker 1: typical Tuesday night. I'm listening to the kind of music 258 00:18:23,280 --> 00:18:27,960 Speaker 1: she doesn't like. But she'll never know your story like 259 00:18:28,440 --> 00:18:35,359 Speaker 1: I do. But she wears short skirts, I wear T shirt. 260 00:18:35,560 --> 00:18:38,960 Speaker 1: She's a cheer captain and I'm on in the bleachers. 261 00:18:39,200 --> 00:18:41,920 Speaker 1: Dreaming about the day when you wake up and find 262 00:18:42,160 --> 00:18:45,680 Speaker 1: that what you're looking for has been here the whole time. 263 00:18:45,760 --> 00:18:49,480 Speaker 1: If you can see that one, the one who understands 264 00:18:49,600 --> 00:18:53,920 Speaker 1: you've been here all along, So why can't you see 265 00:18:54,320 --> 00:19:09,480 Speaker 1: he he you belong with me? He de young. It's 266 00:19:09,800 --> 00:19:11,400 Speaker 1: actually it was on the radio. I think it came 267 00:19:11,400 --> 00:19:15,360 Speaker 1: out in twos. This is a Taylor Swift song. How 268 00:19:15,440 --> 00:19:17,720 Speaker 1: did you you worked on this? I wrote, No, I 269 00:19:17,840 --> 00:19:20,879 Speaker 1: wrote the music and the lyrics. I think maybe what 270 00:19:20,960 --> 00:19:24,160 Speaker 1: happened is that you might have heard it somewhere. Maybe 271 00:19:24,600 --> 00:19:28,440 Speaker 1: these are exactly the Taylor word for word. Yeah. Well, 272 00:19:28,520 --> 00:19:31,360 Speaker 1: here's the thing. Is it beyond the realm of possibility 273 00:19:31,920 --> 00:19:36,000 Speaker 1: that two people on planet Earth could not literally right 274 00:19:36,200 --> 00:19:39,639 Speaker 1: the same song word for word note for note. I 275 00:19:39,720 --> 00:19:43,000 Speaker 1: feel like probably not. I don't know. I mean, I 276 00:19:43,600 --> 00:19:46,680 Speaker 1: believe you. I believe that you believe that you wrote 277 00:19:46,720 --> 00:19:50,600 Speaker 1: the song. Maybe you heard it and forgot you heard it. 278 00:19:51,080 --> 00:19:53,199 Speaker 1: I don't even I don't even think that you believe 279 00:19:53,320 --> 00:19:59,320 Speaker 1: that you wrote it. That's just a straight rip off. Okay, Okay, listen, Griffin, 280 00:20:00,280 --> 00:20:05,160 Speaker 1: this is an open forum. Fine, but relax, Okay, I'll 281 00:20:05,200 --> 00:20:09,280 Speaker 1: have your car toad. Carolina will ren a toe truck 282 00:20:09,320 --> 00:20:11,159 Speaker 1: and tow it. That's not necessary. I think that we 283 00:20:11,200 --> 00:20:13,320 Speaker 1: should just maybe all right, so we don't do it. 284 00:20:13,359 --> 00:20:14,920 Speaker 1: So it happened to be a Taylor Swift song. I 285 00:20:15,000 --> 00:20:24,560 Speaker 1: had no idea. My apologies. OK, fair enough, listen to this. There. Done, 286 00:20:25,520 --> 00:20:29,800 Speaker 1: that's really traumatic. Okay, done? And you know what I'm 287 00:20:29,800 --> 00:20:32,240 Speaker 1: gonna do. I'm gonna eat it and I'm gonna poop 288 00:20:32,280 --> 00:20:35,399 Speaker 1: it out and mail it to you know who? This 289 00:20:35,480 --> 00:20:40,080 Speaker 1: supposed Taylor Swift nuts her name. I don't know. Maybe 290 00:20:40,119 --> 00:20:42,040 Speaker 1: it got stuck in my muscle memory somewhere and I just, 291 00:20:42,359 --> 00:20:46,600 Speaker 1: you know, let's forget it alright, move on, yeah, brush 292 00:20:46,640 --> 00:20:51,760 Speaker 1: it off. Well, this is our last entry. And you 293 00:20:51,840 --> 00:20:54,119 Speaker 1: said this was your more emotional. This is more, but 294 00:20:54,200 --> 00:20:59,440 Speaker 1: this is a tender song. OK yeah, I'm excited. Okay. Three. 295 00:21:03,320 --> 00:21:06,960 Speaker 1: This is dedicated to my dear Aunt Louise, my favorite aunt, 296 00:21:08,400 --> 00:21:22,159 Speaker 1: miss your rest in peace. Aunt Louise's get dasty and 297 00:21:22,400 --> 00:21:28,480 Speaker 1: touch your body, get nasty and tell you fray hand, 298 00:21:30,119 --> 00:21:35,960 Speaker 1: get nasty, but don't tell you mama. Romburg in d 299 00:21:37,160 --> 00:21:50,520 Speaker 1: is one Batman Who Hi Romberg in the podcast who 300 00:21:52,440 --> 00:22:13,000 Speaker 1: ha ha Rombug in the podcast Hi, Hey Mama, who Hi, 301 00:22:14,320 --> 00:22:24,720 Speaker 1: go tell you Papa. Getting so hot in here, but 302 00:22:24,960 --> 00:22:31,600 Speaker 1: there ain't never to fear. I'm getting so hot in here, 303 00:22:34,560 --> 00:22:40,240 Speaker 1: but there ain't never to fear. Oh, take back the night, 304 00:22:44,240 --> 00:22:54,080 Speaker 1: take back the night, Take back the night hunt. We're 305 00:22:54,119 --> 00:23:01,080 Speaker 1: gonna take out the night hunt? All right? That time 306 00:23:01,119 --> 00:23:05,200 Speaker 1: it worked? That time it actually right? Yeah, that was perfect. See, okay, 307 00:23:05,240 --> 00:23:09,000 Speaker 1: so we finally found the correct use. Well yeah, no, 308 00:23:09,200 --> 00:23:11,760 Speaker 1: I maybe that I may. I was just trying in 309 00:23:11,880 --> 00:23:13,960 Speaker 1: all the songs and just trying to find the right fit. 310 00:23:14,200 --> 00:23:16,840 Speaker 1: And this is for your aunt that just passed away. Yes, 311 00:23:18,920 --> 00:23:22,840 Speaker 1: it's it's a moving song. It seems a little I know. 312 00:23:24,000 --> 00:23:25,960 Speaker 1: I'm sorry to end on such a low note. Guys, 313 00:23:27,480 --> 00:23:32,800 Speaker 1: she was accidentally locked in a sa at the gym? 314 00:23:33,920 --> 00:23:36,000 Speaker 1: Is that is that why the lyric is getting so hot? 315 00:23:36,200 --> 00:23:41,159 Speaker 1: Getting exactly? And then did you explain, don't tell your mama? 316 00:23:41,840 --> 00:23:45,800 Speaker 1: Did you keep it from her sister? Well, her sister, 317 00:23:47,080 --> 00:23:51,840 Speaker 1: my mother, Yes, didn't know? Wow it does she know? Now? 318 00:23:53,200 --> 00:23:55,960 Speaker 1: She will? She will know after listening to this song. 319 00:23:56,520 --> 00:24:00,199 Speaker 1: So this is your way of telling her. Yes, right, 320 00:24:00,240 --> 00:24:02,200 Speaker 1: maybe we should change a little bit of grief, you know, 321 00:24:02,280 --> 00:24:05,320 Speaker 1: manifest itself in very mysterious ways. Well, you start off 322 00:24:05,359 --> 00:24:09,080 Speaker 1: the song by saying getting nasty, which might just confuse 323 00:24:10,040 --> 00:24:14,520 Speaker 1: and might confuse her. Um, And well, no, I think 324 00:24:14,560 --> 00:24:17,440 Speaker 1: she'll understand because that was her personalized license plate. Aunt 325 00:24:17,520 --> 00:24:24,800 Speaker 1: Louise got it nasty, So it's associative, yes, exactly. Anyway, gentlemen, 326 00:24:25,359 --> 00:24:30,960 Speaker 1: cannot thank you enough wonderful work. Um, don't worry. You're 327 00:24:31,280 --> 00:24:34,960 Speaker 1: you're parking will be validated. I know it wasn't the 328 00:24:35,040 --> 00:24:37,280 Speaker 1: last time you were here. In fact, you had to 329 00:24:37,320 --> 00:24:41,160 Speaker 1: pay triple I believe, but we were on it this time. 330 00:24:41,920 --> 00:24:45,240 Speaker 1: You said you wanted a prophet. You need to relax, 331 00:24:45,960 --> 00:24:49,440 Speaker 1: all right, yes, uh, well, I think this is a 332 00:24:49,560 --> 00:24:52,800 Speaker 1: very successful session and I can't thank all of you 333 00:24:52,920 --> 00:25:01,560 Speaker 1: enough wonderful work. And that's some fact check. Please leave, 334 00:25:01,960 --> 00:25:04,560 Speaker 1: can you guys leave? Actually, we have to do the 335 00:25:04,600 --> 00:25:06,520 Speaker 1: rest of the podcast. Thank you, thanks for having us. 336 00:25:06,680 --> 00:25:11,280 Speaker 1: Ok bye, okay, bye, thank you. Hurry up, Carolina, help 337 00:25:11,320 --> 00:25:15,240 Speaker 1: help them pack them stuff up and unplug the equipment. Okay, 338 00:25:15,240 --> 00:25:31,560 Speaker 1: I'll lift the drum, you do the rest, so Carl actually, 339 00:25:31,960 --> 00:25:36,520 Speaker 1: Um then told me that he's not ready for our relationship, um, 340 00:25:36,760 --> 00:25:40,200 Speaker 1: while he's overseas, And at first I was chocked, and 341 00:25:40,320 --> 00:25:46,760 Speaker 1: then I was confused, and is that it? I mean 342 00:25:46,800 --> 00:25:49,800 Speaker 1: there's more, but but that's pretty much a that's a 343 00:25:49,840 --> 00:25:51,800 Speaker 1: good overview. I mean I realized things about me and 344 00:25:51,840 --> 00:25:54,560 Speaker 1: my dad. Yeah, you know, relationships so tough. That's all 345 00:25:54,600 --> 00:25:57,840 Speaker 1: I can tell you. You know, you win some, you 346 00:25:57,920 --> 00:26:01,560 Speaker 1: lose some, and most of them you lose. All right, 347 00:26:02,160 --> 00:26:07,560 Speaker 1: thank you for sharing. Um, So let's do our fact check, Carolina. 348 00:26:07,560 --> 00:26:09,600 Speaker 1: How do we do today? I'm not so great? And 349 00:26:09,760 --> 00:26:15,480 Speaker 1: we have the Volkswagen Beetle. It's not a beagle check, 350 00:26:15,560 --> 00:26:18,840 Speaker 1: but we discuss that Griffin thinks it's a beagle. Oh, 351 00:26:19,119 --> 00:26:23,040 Speaker 1: I don't know about that. Um. And then we actually 352 00:26:23,480 --> 00:26:25,679 Speaker 1: we just should go over me and you maybe at 353 00:26:25,680 --> 00:26:28,119 Speaker 1: a separate time. What muscle memory is. I feel like, oh, 354 00:26:28,160 --> 00:26:30,280 Speaker 1: I'd be happy to go more in depth, do a 355 00:26:30,359 --> 00:26:33,080 Speaker 1: deeper dive. Yeah that sounds great. Let's do a deeper 356 00:26:33,119 --> 00:26:36,600 Speaker 1: dive on muscle memory. Maybe. Yeah, let's make a note 357 00:26:36,640 --> 00:26:42,560 Speaker 1: of that. Otherwise, what I learned today is that music 358 00:26:43,440 --> 00:26:47,480 Speaker 1: really is an insight into your soul. Wow. Yeah, you know, 359 00:26:48,560 --> 00:26:53,480 Speaker 1: there's all types of music, wonderful forms and musicians. I 360 00:26:53,600 --> 00:26:55,920 Speaker 1: gotta hand it to them. They put there, you know what, 361 00:26:56,200 --> 00:27:04,600 Speaker 1: on the line every day. Yeah, absolutely amazing, amazing, really gripping. Okay, 362 00:27:04,680 --> 00:27:08,119 Speaker 1: we're there saying that our studio spaces. We have to 363 00:27:08,200 --> 00:27:14,680 Speaker 1: leave now, okay, we will. We're just finishing up. You 364 00:27:14,720 --> 00:27:16,440 Speaker 1: don't have to make a gesture like that at me. 365 00:27:17,560 --> 00:27:19,040 Speaker 1: You know why, because I can do it right back 366 00:27:19,080 --> 00:27:25,000 Speaker 1: at you. There. How does that feel? Okay, it's time 367 00:27:25,040 --> 00:27:28,680 Speaker 1: to go. Thank you for everyone listening to the Take 368 00:27:28,720 --> 00:27:31,360 Speaker 1: Back the Night ron Burgundy Podcast. This is Ron Burgundy, 369 00:27:31,800 --> 00:27:37,480 Speaker 1: Carolina saying goodbye. Stay tuned for scenes from the next 370 00:27:37,560 --> 00:27:44,960 Speaker 1: episode of the Ron Burgundy Podcast on the next Ron 371 00:27:45,040 --> 00:27:48,120 Speaker 1: Burgundy Podcast. Now, I don't I don't want to say 372 00:27:48,119 --> 00:27:52,200 Speaker 1: anything partisan, but I for one am starting to take 373 00:27:52,960 --> 00:27:57,080 Speaker 1: an anti bullying stance. But when you're least expecting at Carolina, 374 00:27:57,320 --> 00:27:59,760 Speaker 1: I'm going to give you a swirly I please don't 375 00:28:00,040 --> 00:28:02,840 Speaker 1: old Time's sake, and it's not bullying. Just so you know, 376 00:28:03,000 --> 00:28:05,240 Speaker 1: it's a fun joke. I'm not doing it because I'm 377 00:28:05,240 --> 00:28:07,080 Speaker 1: a bully. I'm just like Caroline is going to get 378 00:28:07,080 --> 00:28:10,360 Speaker 1: a kick out of this sweirly time. Hello. My name 379 00:28:10,440 --> 00:28:13,679 Speaker 1: is Gondal and dais Carava Gwinn. Thank you for joining us, 380 00:28:13,840 --> 00:28:17,560 Speaker 1: and I want to put this elegantly because I'm a journalist. Um, 381 00:28:18,119 --> 00:28:21,920 Speaker 1: when you think of the schoolyard or your friends, who's 382 00:28:21,960 --> 00:28:24,800 Speaker 1: who's the biggest act tole you know? You're in my 383 00:28:24,960 --> 00:28:32,879 Speaker 1: belly and now I'm about to poop you out. We're laughing. 384 00:28:34,520 --> 00:28:40,760 Speaker 1: We are enjoying each other's company. Okay, Gwen, Ron, we 385 00:28:40,840 --> 00:28:46,040 Speaker 1: can get through this trying to examine bullying not look perpetuated. 386 00:28:46,960 --> 00:28:50,880 Speaker 1: We've got this. Hey, Gwen, Carolina totally screwed up. Huh 387 00:28:51,160 --> 00:28:57,040 Speaker 1: because she's dumb. She's not dumb. My point is, bullying 388 00:28:58,440 --> 00:29:07,000 Speaker 1: is not cool. The Ron Burgundy Podcast is a production 389 00:29:07,080 --> 00:29:10,800 Speaker 1: of I Heart Radio podcast Network and Funnier Die. I'm 390 00:29:10,920 --> 00:29:14,640 Speaker 1: Ron Burgundy. I'm the host, writer and executive producer. Carolina 391 00:29:14,680 --> 00:29:17,640 Speaker 1: Barlow is my co host, writer and producer. The show 392 00:29:17,760 --> 00:29:21,720 Speaker 1: was also produced by Whitney Hodeck, Jack O'Brien, Miles Gray, 393 00:29:21,840 --> 00:29:25,160 Speaker 1: and Nick Stump. Our executive producer is Mike farre Our 394 00:29:25,240 --> 00:29:29,680 Speaker 1: consulting producer is Andrew Steeve. Our associate producer is Anna Hosnier. 395 00:29:30,040 --> 00:29:34,640 Speaker 1: Our writer is Jake Focalist. Our production supervisor is Colin McDougall. 396 00:29:35,000 --> 00:29:38,640 Speaker 1: This episode was engineered, mixed, and edited by Nick stump. 397 00:29:39,080 --> 00:29:41,920 Speaker 1: See you next Thursday on The Ron Burgundy podcast.