1 00:00:00,080 --> 00:00:04,600 Speaker 1: It is time to ask the CLO our Chief Love Officer, 2 00:00:04,640 --> 00:00:08,640 Speaker 1: Steve Harvey. This is from Catrese in Baltimore, who writes, 3 00:00:08,720 --> 00:00:11,880 Speaker 1: my sister suspects her husband of cheating, and she's so 4 00:00:12,119 --> 00:00:16,160 Speaker 1: worried that she's losing weight and she can't sleep. I've 5 00:00:16,200 --> 00:00:18,680 Speaker 1: seen him out with the lady and I met her. 6 00:00:18,800 --> 00:00:21,880 Speaker 1: Would it help if I had a real conversation with 7 00:00:21,920 --> 00:00:24,320 Speaker 1: my brother in law? Will he stop cheating? 8 00:00:25,160 --> 00:00:28,080 Speaker 2: No? No, he's not gonna stop cheating. If you have 9 00:00:28,200 --> 00:00:31,000 Speaker 2: real conversation with your brother in law, he married to 10 00:00:31,040 --> 00:00:34,120 Speaker 2: your sister, he cheating, he ain't married to you. Well, 11 00:00:34,159 --> 00:00:39,360 Speaker 2: what what are you gonna say? What are you gonna say? 12 00:00:39,560 --> 00:00:43,400 Speaker 2: The girl already suspects him. You've seen him with the girl, 13 00:00:44,320 --> 00:00:48,080 Speaker 2: and now you're gonna bring it up. He know he busted, 14 00:00:49,200 --> 00:00:52,440 Speaker 2: He know he busted. It's nothing you could say that's 15 00:00:52,440 --> 00:00:54,200 Speaker 2: gonna make What you're gonna say, I'm gonna tell your 16 00:00:54,200 --> 00:01:00,240 Speaker 2: wife she already know. So this is this is none 17 00:01:00,280 --> 00:01:02,480 Speaker 2: of your business. You have to let this play out now, 18 00:01:02,520 --> 00:01:05,360 Speaker 2: it's not your business. I know you love your sister 19 00:01:05,400 --> 00:01:09,120 Speaker 2: and everything. Just going and be there for holding, you know, 20 00:01:09,440 --> 00:01:11,240 Speaker 2: just going just going to court. 21 00:01:12,160 --> 00:01:14,080 Speaker 3: He go louse a lot of stuff. When he get 22 00:01:14,120 --> 00:01:16,640 Speaker 3: that too, he ain't gonna believe it is all right. 23 00:01:16,720 --> 00:01:20,959 Speaker 1: Well, moving on to Lawanda and Macon. Lawanda says, I 24 00:01:20,959 --> 00:01:23,720 Speaker 1: had a thing with my coworker before I got married, 25 00:01:24,040 --> 00:01:27,240 Speaker 1: and she told me she missed me. So I went 26 00:01:27,280 --> 00:01:30,160 Speaker 1: by her house one day last week. I feel bad 27 00:01:30,200 --> 00:01:33,280 Speaker 1: about sneaking around on my hobby. So do you think 28 00:01:33,520 --> 00:01:36,000 Speaker 1: he'll have an open mind about it? If I tell 29 00:01:36,040 --> 00:01:36,520 Speaker 1: the truth? 30 00:01:39,000 --> 00:01:40,840 Speaker 2: I know you're gonna. 31 00:01:40,640 --> 00:01:47,559 Speaker 3: Say, mixed up a little bit what you heard. 32 00:01:48,080 --> 00:01:51,400 Speaker 1: Lawanda says she had a thing with her coworker before 33 00:01:51,560 --> 00:01:55,440 Speaker 1: she got married, and the coworker told her that she 34 00:01:55,560 --> 00:01:58,200 Speaker 1: missed her. So she went by her house one day 35 00:01:58,280 --> 00:02:01,480 Speaker 1: last week, and she says she feels badly about sinking 36 00:02:01,520 --> 00:02:04,559 Speaker 1: around her husband. So do you think an open mind 37 00:02:04,600 --> 00:02:06,240 Speaker 1: about it if she tells the truth. 38 00:02:07,600 --> 00:02:10,680 Speaker 2: Well, so, if he's gonna have an open mind, but 39 00:02:10,720 --> 00:02:14,320 Speaker 2: the first thing he gonna want to do is join in, 40 00:02:14,600 --> 00:02:18,880 Speaker 2: I can almost assure you that that's going to happen 41 00:02:19,919 --> 00:02:23,840 Speaker 2: and right for Lizzo. Right, But he's not gonna have 42 00:02:23,919 --> 00:02:29,160 Speaker 2: an open mind. He might but or or it could 43 00:02:29,320 --> 00:02:32,160 Speaker 2: end y'all's relationship. It was one of the two. He 44 00:02:32,280 --> 00:02:35,640 Speaker 2: gonna either want to join in or y'all gonna end 45 00:02:35,720 --> 00:02:39,280 Speaker 2: this relationship. That's the chance you're gonna have to take 46 00:02:39,280 --> 00:02:42,000 Speaker 2: because I can't help you. Shut your damn mouth. 47 00:02:43,080 --> 00:02:44,880 Speaker 1: You're out of this one, all right. 48 00:02:45,280 --> 00:02:47,160 Speaker 3: I don't know why y'all got to tell everything. 49 00:02:47,280 --> 00:02:49,520 Speaker 2: No, just be quiet. You'd have made the mistaken and 50 00:02:49,560 --> 00:02:51,200 Speaker 2: went over the girl house. Y'all have been. 51 00:02:51,120 --> 00:02:56,880 Speaker 3: At it again. Shut up, let it go. Why did 52 00:02:56,919 --> 00:02:59,720 Speaker 3: y'all have to talk? I don't understand that. 53 00:03:01,919 --> 00:03:07,359 Speaker 4: Shut up, it's the same reason you have shut off. Well, 54 00:03:07,440 --> 00:03:11,919 Speaker 4: let's shut up. Lying and talking too much is too 55 00:03:12,000 --> 00:03:17,880 Speaker 4: damn too totally different things. We lie out of necessity, 56 00:03:18,320 --> 00:03:19,079 Speaker 4: ain'tybody ask? 57 00:03:19,120 --> 00:03:20,960 Speaker 3: Y'all walk ahead and tell the damn truth. 58 00:03:23,200 --> 00:03:23,639 Speaker 1: That's on. 59 00:03:25,680 --> 00:03:28,000 Speaker 3: Why Sir. 60 00:03:29,400 --> 00:03:32,600 Speaker 1: Frisia in Dover says, my husband told me that he 61 00:03:32,639 --> 00:03:35,280 Speaker 1: didn't mind if I got breast in plants as long 62 00:03:35,320 --> 00:03:38,600 Speaker 1: as he got to pick the sides. I don't want 63 00:03:38,600 --> 00:03:40,880 Speaker 1: the big ones that he wants me to have. So 64 00:03:41,200 --> 00:03:43,280 Speaker 1: should I be honest with him or go ahead and 65 00:03:43,280 --> 00:03:45,640 Speaker 1: get the sea cup that I want and deal with 66 00:03:45,720 --> 00:03:46,440 Speaker 1: him later? 67 00:03:47,840 --> 00:03:51,000 Speaker 3: Yeah, well, you're gonna put something on. You don't want this. 68 00:03:51,160 --> 00:03:56,480 Speaker 2: You're crazy you're already married to him. 69 00:03:56,480 --> 00:03:59,840 Speaker 3: Me is stupid. He'd have put something over here. 70 00:04:00,840 --> 00:04:03,040 Speaker 2: You're gonna be crushing beer cans with your breasts if 71 00:04:03,040 --> 00:04:06,080 Speaker 2: you listening to him. 72 00:04:06,360 --> 00:04:10,320 Speaker 3: Stop that girl talk to It's gotta make sense. 73 00:04:12,280 --> 00:04:14,600 Speaker 2: That's what's happening with these women going here asking these 74 00:04:14,680 --> 00:04:15,920 Speaker 2: men about these bb ls. 75 00:04:15,960 --> 00:04:17,919 Speaker 3: That's why these assers and got out of control. 76 00:04:18,040 --> 00:04:21,120 Speaker 2: Right now, y'all walking down here in the sugar ice 77 00:04:21,160 --> 00:04:29,240 Speaker 2: cream cone? Yeah, you know them little waffle cones. Yeah, 78 00:04:29,320 --> 00:04:31,839 Speaker 2: listen to the great, big old ass. A little bitty thighs 79 00:04:31,920 --> 00:04:34,240 Speaker 2: can't even hold that much tail up this. That's why 80 00:04:34,480 --> 00:04:37,280 Speaker 2: y'all be listening to me. You can't get the big 81 00:04:37,279 --> 00:04:41,240 Speaker 2: ones in you little Just gotta make sense. Ask the 82 00:04:41,279 --> 00:04:42,239 Speaker 2: doctor what he thinks. 83 00:04:42,320 --> 00:04:46,440 Speaker 3: Damn. Yeah. Yeah. 84 00:04:47,200 --> 00:04:50,560 Speaker 1: So just you're you're suggesting and agreeing with her that 85 00:04:50,600 --> 00:04:53,320 Speaker 1: she should just get the smaller size that she wants 86 00:04:53,800 --> 00:04:57,960 Speaker 1: because it's her body anyway. Okay, all right, last one. 87 00:04:58,720 --> 00:05:04,320 Speaker 1: Huh no, I'm sorry. Moving on to uh Davion in 88 00:05:04,680 --> 00:05:09,520 Speaker 1: Fort Lauderdale debian says, I'm a painter, and I went 89 00:05:09,600 --> 00:05:11,600 Speaker 1: to do a job at one of my buddy's house 90 00:05:11,680 --> 00:05:14,640 Speaker 1: and his lady friend was walking around in her bra 91 00:05:14,920 --> 00:05:18,839 Speaker 1: and panties. I was uncomfortable and I told him. He 92 00:05:19,000 --> 00:05:21,680 Speaker 1: told me that's because I want her. How did he 93 00:05:21,760 --> 00:05:23,000 Speaker 1: jump to that conclusion? 94 00:05:23,640 --> 00:05:31,360 Speaker 3: What? What? And okay, this is crazy all of us, 95 00:05:31,400 --> 00:05:32,440 Speaker 3: all the men went. 96 00:05:32,360 --> 00:05:36,799 Speaker 1: Why No, Okay, so I'm gonna I'm gonna say it again. 97 00:05:36,880 --> 00:05:40,440 Speaker 1: I'm gonna say it again because it's crazy. Davion is 98 00:05:40,480 --> 00:05:42,760 Speaker 1: a painter. He went to do a job at one 99 00:05:42,760 --> 00:05:45,240 Speaker 1: of his buddy's house and his lady's friend was his 100 00:05:45,400 --> 00:05:48,000 Speaker 1: lady friend was walking around in her bra and panties. 101 00:05:48,279 --> 00:05:51,480 Speaker 1: He said he was uncomfortable and he told him, Uh, 102 00:05:51,640 --> 00:05:53,920 Speaker 1: the guy told him that that's because he wants her. 103 00:05:54,680 --> 00:05:57,440 Speaker 1: How did he jump to that conclusion? So he went 104 00:05:57,520 --> 00:05:59,880 Speaker 1: to paint the guy's house. The guy's woman was walking 105 00:06:00,120 --> 00:06:04,040 Speaker 1: rounding her bron pennies and the painter was uncomfortable, so 106 00:06:04,120 --> 00:06:05,760 Speaker 1: he told his friend about it. 107 00:06:06,040 --> 00:06:07,320 Speaker 3: He told the guy about. 108 00:06:07,080 --> 00:06:09,599 Speaker 1: It who he was doing the job for, and the 109 00:06:09,760 --> 00:06:12,960 Speaker 1: guy said, that's because you want her. And he's trying 110 00:06:12,960 --> 00:06:14,560 Speaker 1: to figure out how in the world did he come 111 00:06:14,600 --> 00:06:15,560 Speaker 1: to that conclusion. 112 00:06:16,400 --> 00:06:22,480 Speaker 2: Well, these are some swinging right here. Well you over 113 00:06:22,520 --> 00:06:24,920 Speaker 2: at the house, and then that was the selling tool. 114 00:06:24,960 --> 00:06:27,880 Speaker 2: And then he goes. That's cause you want him. Now 115 00:06:28,040 --> 00:06:31,120 Speaker 2: any other man the hell you mean you looking at 116 00:06:31,160 --> 00:06:32,840 Speaker 2: my wife walking around the house, it would have been 117 00:06:32,839 --> 00:06:35,840 Speaker 2: all other. But how where the question come from? That's 118 00:06:35,920 --> 00:06:41,559 Speaker 2: cause you want him? See all that's a set up question. 119 00:06:42,400 --> 00:06:44,320 Speaker 2: Y'all got to know what's happening here now, and then 120 00:06:44,360 --> 00:06:46,720 Speaker 2: you gonna say, well, damn, she and my face dog, 121 00:06:46,800 --> 00:06:47,800 Speaker 2: I'm just letting you know. 122 00:06:47,960 --> 00:06:49,280 Speaker 3: Well do you want him? 123 00:06:50,160 --> 00:06:52,760 Speaker 2: Naw? We fin to get into what it's all about 124 00:06:52,880 --> 00:06:56,359 Speaker 2: right here. See, you ain't finn to just be a painter. 125 00:06:56,480 --> 00:06:58,400 Speaker 2: You finish be a poem starle You finna be on 126 00:06:58,520 --> 00:06:59,800 Speaker 2: film though, ye? 127 00:07:00,080 --> 00:07:00,800 Speaker 4: Okay, so much. 128 00:07:01,000 --> 00:07:07,320 Speaker 2: She's walking around, start watching she advertising? Should she advertised? 129 00:07:07,920 --> 00:07:11,040 Speaker 2: Because that's what he likes. He's he likes to watch 130 00:07:11,080 --> 00:07:14,520 Speaker 2: people with his girl. So now he just set the 131 00:07:14,600 --> 00:07:17,400 Speaker 2: painting up. Now you're gonna be over there. He's gonna 132 00:07:17,400 --> 00:07:19,520 Speaker 2: be in the corner drink and strawberry lemon ade watching 133 00:07:19,600 --> 00:07:21,120 Speaker 2: y'all that what that what didn't have it? 134 00:07:21,200 --> 00:07:23,960 Speaker 3: Y'all? Let that let that job go. Pardon yeah, just 135 00:07:23,960 --> 00:07:27,160 Speaker 3: walk yeah. 136 00:07:26,360 --> 00:07:30,880 Speaker 2: Because you're finna be a world in trouble right here. 137 00:07:30,880 --> 00:07:35,040 Speaker 2: Your painting Unless you're gonna paint naked unless you're gonna 138 00:07:35,080 --> 00:07:36,040 Speaker 2: paint naked and going on. 139 00:07:37,920 --> 00:07:39,040 Speaker 3: We're all in there now. 140 00:07:40,760 --> 00:07:44,640 Speaker 1: It doesn't sound like he is though he's uncomfortable. He 141 00:07:44,720 --> 00:07:46,280 Speaker 1: already said he's uncomfortable. 142 00:07:48,680 --> 00:07:50,200 Speaker 3: Steve Harbin Martin show Man. 143 00:07:50,800 --> 00:07:54,720 Speaker 1: Would you rather be known as a sex symbol or 144 00:07:54,720 --> 00:07:56,720 Speaker 1: would you rather be known as the funniest man? 145 00:07:57,080 --> 00:07:58,680 Speaker 3: Or I'll be beaten because I ain't gonna be no 146 00:07:58,720 --> 00:08:00,800 Speaker 3: sex someone that was his body. I missed that. I 147 00:08:00,880 --> 00:08:04,520 Speaker 3: missed that train. I'm not gonna beat that. I am 148 00:08:04,560 --> 00:08:07,280 Speaker 3: a sex symbol. I can't get rid of it, but 149 00:08:07,600 --> 00:08:08,200 Speaker 3: you can't help. 150 00:08:08,280 --> 00:08:10,040 Speaker 2: I know I can't get rid of that, and that 151 00:08:10,240 --> 00:08:14,080 Speaker 2: right there is the funniest thing you moran. 152 00:08:14,080 --> 00:08:16,000 Speaker 3: Steve Harby Morning Show coming up right after