1 00:00:00,680 --> 00:00:03,920 Speaker 1: So is this the new norm? Is my question? Is 2 00:00:03,960 --> 00:00:07,080 Speaker 1: the new norm that you come five minutes late to 3 00:00:07,240 --> 00:00:08,320 Speaker 1: all of our sessions? 4 00:00:08,600 --> 00:00:09,920 Speaker 2: It's three minutes, you fucker. 5 00:00:10,160 --> 00:00:12,039 Speaker 1: Let me tell you something. We have a very fancy 6 00:00:12,280 --> 00:00:14,600 Speaker 1: we got a very fancy guest, and the very fancy 7 00:00:14,600 --> 00:00:18,040 Speaker 1: guest is starting sitting alone in his closet and you're 8 00:00:18,160 --> 00:00:19,480 Speaker 1: what are you doing making a drink? 9 00:00:20,440 --> 00:00:23,640 Speaker 2: No, I was about to get my GT's kombucha. Actually 10 00:00:23,760 --> 00:00:25,480 Speaker 2: I was asking. I was gonna ask for like five 11 00:00:25,520 --> 00:00:27,880 Speaker 2: minutes so I could get a GT's. Well, not five minutes, 12 00:00:27,920 --> 00:00:32,280 Speaker 2: five seconds. So I got a big old ship. I 13 00:00:32,320 --> 00:00:34,640 Speaker 2: got a ship like, I got a real shipman, not 14 00:00:34,760 --> 00:00:37,760 Speaker 2: like not that you know what interested Yeah, not that 15 00:00:37,760 --> 00:00:43,560 Speaker 2: we're interested in advertising in your uh on your podcast shipment. 16 00:00:43,600 --> 00:00:45,600 Speaker 2: I got that, yo, you know you got to talk 17 00:00:45,640 --> 00:00:47,640 Speaker 2: about you got to talk about us every time you 18 00:00:47,680 --> 00:00:50,479 Speaker 2: talk to start this podcast shipment. So I got that 19 00:00:50,560 --> 00:00:54,240 Speaker 2: big ass kimbucha shipment. And I've already gone through two 20 00:00:54,280 --> 00:00:55,000 Speaker 2: of the bad boys. 21 00:00:56,520 --> 00:00:59,440 Speaker 1: You might, Yeah, Donald, we were on a call has 22 00:00:59,480 --> 00:01:01,600 Speaker 1: become us ansor of the show, and we are on 23 00:01:01,640 --> 00:01:04,360 Speaker 1: a call with them, and Donald and I genuinely drink it. 24 00:01:04,400 --> 00:01:07,040 Speaker 1: So it was a no brainer, and Donald's like, let 25 00:01:07,080 --> 00:01:09,200 Speaker 1: me ask you something. Since we have the inventor of 26 00:01:09,200 --> 00:01:12,240 Speaker 1: this on the phone, how many do you recommend I 27 00:01:12,280 --> 00:01:16,560 Speaker 1: can have a day? And the guy. The Guy's like, well, 28 00:01:16,560 --> 00:01:19,600 Speaker 1: I think three is probably probably the max you want 29 00:01:19,600 --> 00:01:21,679 Speaker 1: to have a day. And Donald's like, okay, good, good good. 30 00:01:25,840 --> 00:01:27,040 Speaker 1: So you might want to pace bro. 31 00:01:27,720 --> 00:01:30,759 Speaker 2: They're gonna be gone soon. Man, They're gonna be gone. Listen, 32 00:01:30,840 --> 00:01:33,480 Speaker 2: let me my wife, my kids. Oh it's a wrap. 33 00:01:33,560 --> 00:01:36,120 Speaker 1: We have a very First of all, this episode is fucking. 34 00:01:35,920 --> 00:01:38,000 Speaker 2: Hilarious, very funny episode. 35 00:01:38,120 --> 00:01:40,800 Speaker 1: I laughed so many times. And I was on a 36 00:01:40,840 --> 00:01:44,040 Speaker 1: text with Donald and Bill right before this and about something, 37 00:01:44,080 --> 00:01:46,240 Speaker 1: and I was like, this episode one twenty is one 38 00:01:46,240 --> 00:01:47,440 Speaker 1: of the funniest of season one. 39 00:01:47,880 --> 00:01:50,200 Speaker 2: Yeah, easy, easy, And we have a. 40 00:01:50,240 --> 00:01:52,360 Speaker 1: Very handsome guests. Are you nervous? I put on a 41 00:01:52,440 --> 00:01:53,440 Speaker 1: nice sweatshirt for him. 42 00:01:53,800 --> 00:01:56,240 Speaker 2: No, I'm not nervous. He and I have worked a 43 00:01:56,240 --> 00:02:00,800 Speaker 2: lot together. Actually, we did Felicity together. We four Scrubs, 44 00:02:00,840 --> 00:02:04,400 Speaker 2: and then after Scrubs we did a little movie called 45 00:02:04,480 --> 00:02:07,880 Speaker 2: Let's Kill Ward's Wife together, and I played Ward uh 46 00:02:08,040 --> 00:02:13,119 Speaker 2: and he directed, and so uh, you know what I get. 47 00:02:13,240 --> 00:02:17,160 Speaker 1: I get nervous every time I see Scott Fully because really, yeah, 48 00:02:17,840 --> 00:02:20,920 Speaker 1: I'm I'm a straight man for the most part. But 49 00:02:21,000 --> 00:02:23,840 Speaker 1: there are certain men that I get a little shy 50 00:02:23,919 --> 00:02:27,440 Speaker 1: in front of, and okay, Fully is one of them. Really, 51 00:02:27,760 --> 00:02:29,520 Speaker 1: I don't want to play hide the peep with him, 52 00:02:29,520 --> 00:02:32,680 Speaker 1: but I get a little I get a little jittery. 53 00:02:32,919 --> 00:02:34,600 Speaker 2: Will you played? Would you play tip to tip? 54 00:02:34,840 --> 00:02:37,680 Speaker 1: I don't want to touch tips. I just listen. I 55 00:02:37,680 --> 00:02:40,240 Speaker 1: am secure enough in my in my sexuality to be 56 00:02:40,280 --> 00:02:42,600 Speaker 1: able to say that I get a little, I get 57 00:02:42,639 --> 00:02:43,920 Speaker 1: a little a flutter. 58 00:02:44,360 --> 00:02:45,520 Speaker 2: Oh okay, I. 59 00:02:45,480 --> 00:02:47,280 Speaker 1: Don't want to go tip to tip with Scott Fully, 60 00:02:47,320 --> 00:02:49,960 Speaker 1: but I I do think he's uh, he's very dreamy 61 00:02:49,960 --> 00:02:53,120 Speaker 1: to look at, and I I also really like him 62 00:02:53,160 --> 00:02:56,240 Speaker 1: as a human being. He's a he's a very sweet man. Okay, 63 00:02:56,240 --> 00:02:57,160 Speaker 1: should we invite him in? 64 00:02:57,600 --> 00:02:58,160 Speaker 2: Yeah? Why not? 65 00:02:58,520 --> 00:03:01,120 Speaker 1: I mean, I'm excited. Dan bring him in, Dan allow 66 00:03:01,200 --> 00:03:05,680 Speaker 1: him in. We put him in a green room. Oh 67 00:03:05,680 --> 00:03:11,280 Speaker 1: my goodness, man, just talking about you, you were yeah, 68 00:03:11,400 --> 00:03:13,880 Speaker 1: Donald was saying that you guys have worked on several 69 00:03:13,919 --> 00:03:14,760 Speaker 1: projects together. 70 00:03:14,840 --> 00:03:17,520 Speaker 2: Not wait before we get into this, Let's make sure 71 00:03:17,560 --> 00:03:18,120 Speaker 2: he's recording. 72 00:03:18,120 --> 00:03:19,320 Speaker 1: Are you recording stuff? Fully? 73 00:03:20,040 --> 00:03:22,639 Speaker 3: I think I'm recording on here? Right the phone. 74 00:03:22,919 --> 00:03:25,680 Speaker 1: Yes, yes, good, good, many a guest. I got this 75 00:03:25,720 --> 00:03:27,800 Speaker 1: sub stuff fully, but there's something that tells me that 76 00:03:27,800 --> 00:03:28,680 Speaker 1: you're going to do it right. 77 00:03:29,120 --> 00:03:31,160 Speaker 2: Oh, you look so handsome. Look at him looking out. 78 00:03:31,520 --> 00:03:33,520 Speaker 2: I'm gonna wait. 79 00:03:32,639 --> 00:03:35,080 Speaker 1: I was gonna wait a beat to tell him he 80 00:03:35,120 --> 00:03:36,720 Speaker 1: was handsome. Donald, you went right for it. 81 00:03:37,320 --> 00:03:40,880 Speaker 3: Can I tell you this. I watched the episode not 82 00:03:40,960 --> 00:03:42,600 Speaker 3: that long ago. I've watched it a couple of times 83 00:03:42,640 --> 00:03:44,640 Speaker 3: since we talked about me being on this, and this 84 00:03:44,760 --> 00:03:46,440 Speaker 3: is the first time my hair has been the same 85 00:03:46,520 --> 00:03:49,760 Speaker 3: length as it was during that episode. And I have 86 00:03:49,840 --> 00:03:51,200 Speaker 3: the pandemic to think. 87 00:03:51,440 --> 00:03:54,560 Speaker 1: Scott, you got an intro. I don't think another man 88 00:03:54,680 --> 00:03:57,840 Speaker 1: in nine years got the intro that we normally reserve 89 00:03:57,920 --> 00:04:01,360 Speaker 1: for the beautiful woman walking in with the slow motion 90 00:04:01,520 --> 00:04:07,400 Speaker 1: and the fan and they literally angels going oh. 91 00:04:05,800 --> 00:04:07,800 Speaker 3: It was a bit much and I was a little overwhelmed. 92 00:04:07,800 --> 00:04:09,280 Speaker 3: And I think you can tell that in my performance. 93 00:04:09,800 --> 00:04:10,760 Speaker 1: It was hilarious though. 94 00:04:11,120 --> 00:04:18,400 Speaker 2: Eating Jello seductive. 95 00:04:16,760 --> 00:04:18,479 Speaker 3: I mean I remember them. I remember them coming to 96 00:04:18,520 --> 00:04:19,599 Speaker 3: me saying like, what do you want to eat? I 97 00:04:19,600 --> 00:04:20,400 Speaker 3: was like, what's a hospital? 98 00:04:20,480 --> 00:04:20,640 Speaker 2: Right? 99 00:04:20,920 --> 00:04:21,640 Speaker 3: And they're like jello. 100 00:04:21,720 --> 00:04:22,120 Speaker 2: It is. 101 00:04:24,160 --> 00:04:27,760 Speaker 1: The way Sarah's character is so randy for you in 102 00:04:27,839 --> 00:04:30,320 Speaker 1: this I had forgotten, you know, we obviously, Scott, we 103 00:04:30,480 --> 00:04:32,080 Speaker 1: go back. We haven't seen these in twenty years. And 104 00:04:32,120 --> 00:04:34,600 Speaker 1: so it's fun for Doll and I because even though 105 00:04:34,600 --> 00:04:36,920 Speaker 1: we're the stars of the show, were watching it like 106 00:04:36,960 --> 00:04:39,240 Speaker 1: a new being, like, oh, that's a funny episode. And 107 00:04:39,279 --> 00:04:42,400 Speaker 1: I had totally forgotten how in this episode Sarah is 108 00:04:42,440 --> 00:04:46,680 Speaker 1: like really horny, frankly and riled up, like she's like 109 00:04:46,839 --> 00:04:47,320 Speaker 1: she's she. 110 00:04:47,360 --> 00:04:49,440 Speaker 2: Literally says, if I don't sleep with him, I'm gonna 111 00:04:49,480 --> 00:04:50,400 Speaker 2: kill myself. 112 00:04:50,120 --> 00:04:53,159 Speaker 1: Right And then yeah, she said she she'd suck on 113 00:04:53,200 --> 00:04:53,839 Speaker 1: his foot or. 114 00:04:53,839 --> 00:04:57,000 Speaker 2: Something, and then he's like, what I did? 115 00:04:58,640 --> 00:05:00,760 Speaker 3: They went They went to a lot of links with this, 116 00:05:00,839 --> 00:05:03,320 Speaker 3: between the sucking on the foot, talking about needing to 117 00:05:03,320 --> 00:05:05,760 Speaker 3: sleep with me, begging me to ask her out do it, 118 00:05:05,839 --> 00:05:10,040 Speaker 3: dropping stuff, and doing bizarre contortions, which, by the way, 119 00:05:10,120 --> 00:05:13,560 Speaker 3: works for anybody out there. It was really funny. 120 00:05:13,279 --> 00:05:15,880 Speaker 1: Though, because it's not something you often see on a show, 121 00:05:15,960 --> 00:05:18,880 Speaker 1: like you always see like the man being like neurotic 122 00:05:18,920 --> 00:05:21,279 Speaker 1: and frantic. How do I get her? And I'm so 123 00:05:21,480 --> 00:05:23,599 Speaker 1: attracted to her, I'm so horny, you know, and this 124 00:05:23,720 --> 00:05:26,000 Speaker 1: I thought this was funny that Sarah. First of all, 125 00:05:26,040 --> 00:05:29,080 Speaker 1: Sarah was very funny doing it, but she's so on 126 00:05:29,160 --> 00:05:30,640 Speaker 1: a mission to get laid. 127 00:05:31,240 --> 00:05:34,200 Speaker 3: Yeah, I you know, it's funny. I had so many 128 00:05:34,200 --> 00:05:36,440 Speaker 3: thoughts watching this. Sorry, you're gonna see my lights going on, 129 00:05:36,480 --> 00:05:38,400 Speaker 3: and nobody can see that because we're on a podcast. 130 00:05:38,800 --> 00:05:40,800 Speaker 3: I'm in a closet where it's got one of those 131 00:05:40,800 --> 00:05:43,240 Speaker 3: automatic lights. You walk in and it turns on, and 132 00:05:43,279 --> 00:05:45,320 Speaker 3: if I'm sitting here and not moving, then it's gonna 133 00:05:45,360 --> 00:05:45,680 Speaker 3: go dark. 134 00:05:46,480 --> 00:05:48,640 Speaker 1: That's the kind of fancy house that Scott Foley has. 135 00:05:48,640 --> 00:05:51,599 Speaker 1: Everyone he has a light that turns on with his money. 136 00:05:51,640 --> 00:05:54,440 Speaker 2: Some people have the clapper, some people have light switches. 137 00:05:54,839 --> 00:05:56,480 Speaker 2: Scott Foley has movement. 138 00:05:57,279 --> 00:05:59,359 Speaker 1: One day, if you have the level of success of 139 00:05:59,440 --> 00:06:01,960 Speaker 1: legendary actor Scott Fully, you could get one of these 140 00:06:02,040 --> 00:06:03,680 Speaker 1: motion lights in your closet. 141 00:06:04,240 --> 00:06:07,839 Speaker 3: Uh huh, I think all of your closets have that. No, 142 00:06:08,000 --> 00:06:10,919 Speaker 3: I was so impressed. First of all, what a time capsule. 143 00:06:11,000 --> 00:06:14,200 Speaker 3: These things are right, like not just the references, but 144 00:06:14,279 --> 00:06:16,200 Speaker 3: everything you see, Like the TV you guys are watching 145 00:06:16,240 --> 00:06:19,760 Speaker 3: in the beginning is an old vacuum tube television, you know, 146 00:06:19,880 --> 00:06:21,719 Speaker 3: which you just don't see anymore. Plus you guys are 147 00:06:21,720 --> 00:06:24,000 Speaker 3: talking about watching Iron Chef, which somehow has stood the 148 00:06:24,040 --> 00:06:26,280 Speaker 3: test of time, because I think it's still on. I 149 00:06:26,320 --> 00:06:27,240 Speaker 3: think there's still making. 150 00:06:27,880 --> 00:06:30,679 Speaker 2: Yeah. I think back then it was like Iron Chef 151 00:06:30,800 --> 00:06:33,960 Speaker 2: was an import and now it's domestic. 152 00:06:34,120 --> 00:06:36,560 Speaker 1: You know, I don't know that there's Is there a 153 00:06:36,560 --> 00:06:37,520 Speaker 1: domestic Iron Chef? 154 00:06:37,640 --> 00:06:40,000 Speaker 2: Yes, like body and all of that stuff on it 155 00:06:40,040 --> 00:06:40,440 Speaker 2: and stuff. 156 00:06:40,680 --> 00:06:43,760 Speaker 3: Yeah, but it was also it was also so impressive 157 00:06:43,800 --> 00:06:45,920 Speaker 3: to me to see, you know, this is the we're 158 00:06:45,960 --> 00:06:47,720 Speaker 3: getting towards the end of the first season, if I'm 159 00:06:47,760 --> 00:06:51,640 Speaker 3: not mistaken, and you guys have your characters dialed in 160 00:06:52,000 --> 00:06:54,159 Speaker 3: at this point already. I've been on a bunch of 161 00:06:54,160 --> 00:06:56,679 Speaker 3: television shows where it's not until like end of season 162 00:06:56,720 --> 00:06:58,880 Speaker 3: three where people are like, oh, oh, I know who 163 00:06:58,880 --> 00:07:01,599 Speaker 3: this guy is. You guys are dialed in to a 164 00:07:01,640 --> 00:07:05,200 Speaker 3: person like two from Kelso to Cox to you guys 165 00:07:05,200 --> 00:07:08,320 Speaker 3: to Sarah to like, it's amazing and being able to 166 00:07:09,800 --> 00:07:11,640 Speaker 3: jump into that, you know, it was such an interesting 167 00:07:11,720 --> 00:07:13,720 Speaker 3: character that I got to play here. But you're right, 168 00:07:13,840 --> 00:07:18,200 Speaker 3: watching Sarah and that character totally go for it was 169 00:07:18,320 --> 00:07:20,360 Speaker 3: such an interesting thing because you always see it from 170 00:07:20,360 --> 00:07:21,240 Speaker 3: the other side, don't you. 171 00:07:21,560 --> 00:07:24,520 Speaker 1: Yeah, And she's really fucking funny. I mean, we say this, 172 00:07:24,520 --> 00:07:27,120 Speaker 1: this is our twentieth episode of this Scott Fully, believe 173 00:07:27,120 --> 00:07:28,680 Speaker 1: it or not, it's become us a hit and we 174 00:07:28,720 --> 00:07:31,720 Speaker 1: can't believe it ourselves. But this is our twentieth one 175 00:07:31,880 --> 00:07:34,640 Speaker 1: and we've said it a bunch of times. But Sarah 176 00:07:34,720 --> 00:07:37,800 Speaker 1: Chalk is so fucking funny. I mean this episode in particular, 177 00:07:37,880 --> 00:07:39,640 Speaker 1: she is so fucking funny in this episode. 178 00:07:39,760 --> 00:07:42,640 Speaker 3: She's so talented, she's so beautiful, she is so good 179 00:07:42,640 --> 00:07:44,560 Speaker 3: at what she does, and she goes for it, man. 180 00:07:44,560 --> 00:07:47,120 Speaker 3: And that's what I appreciated most about the show is that, 181 00:07:47,200 --> 00:07:48,920 Speaker 3: you know, there are things that you would read on 182 00:07:48,960 --> 00:07:50,440 Speaker 3: the page, you think like, oh how am I going 183 00:07:50,520 --> 00:07:54,120 Speaker 3: to do that? And everybody to a person goes for it. 184 00:07:54,160 --> 00:07:56,520 Speaker 3: And I think that's what really made this show successful 185 00:07:56,520 --> 00:07:58,400 Speaker 3: and what makes it stand the test of time, even 186 00:07:58,440 --> 00:07:59,960 Speaker 3: though we're still looking at old TV sets. 187 00:08:00,680 --> 00:08:01,320 Speaker 2: It's all good. 188 00:08:02,040 --> 00:08:04,680 Speaker 1: Well, speaking of serious, a lot to talk about, Donald, 189 00:08:04,680 --> 00:08:05,920 Speaker 1: but I think we should sing first. 190 00:08:06,520 --> 00:08:09,720 Speaker 2: And Scott, I was about to say, speaking of successful, 191 00:08:09,920 --> 00:08:13,720 Speaker 2: let's get into that successful theme song about six seven 192 00:08:13,760 --> 00:08:15,400 Speaker 2: eight Scott to do it? 193 00:08:15,480 --> 00:08:18,880 Speaker 1: No, I like it not the song I would like 194 00:08:18,920 --> 00:08:22,280 Speaker 1: Scott fully to count it sent God has got. 195 00:08:23,520 --> 00:08:26,680 Speaker 3: Five six, seven, eight stories about shore. 196 00:08:26,920 --> 00:08:31,120 Speaker 4: We made about a bunch of dogs and nurses and 197 00:08:31,640 --> 00:08:39,080 Speaker 4: janitor who he said, here's the stories next. So YadA 198 00:08:39,200 --> 00:08:43,800 Speaker 4: around here, yeada n here. 199 00:08:45,920 --> 00:08:50,960 Speaker 1: No, that's the first time in podcast history we stopped 200 00:08:50,960 --> 00:08:53,720 Speaker 1: the opening theme song. And I'm sorry, Donald, I didn't 201 00:08:53,720 --> 00:08:55,199 Speaker 1: mean to question your no. 202 00:08:55,200 --> 00:08:56,960 Speaker 3: No no no no no no no no no, no 203 00:08:56,960 --> 00:08:57,280 Speaker 3: no no. 204 00:08:57,600 --> 00:09:00,240 Speaker 1: It's just about a VIP guest, and I thought, like, 205 00:09:00,240 --> 00:09:00,959 Speaker 1: give him the honor. 206 00:09:01,480 --> 00:09:03,000 Speaker 3: He was really excited to go for it. 207 00:09:03,160 --> 00:09:05,200 Speaker 2: I'm not. I'm not at all hurt in any way. 208 00:09:05,360 --> 00:09:07,280 Speaker 1: No, you know you're we are, we are, we are 209 00:09:07,360 --> 00:09:09,120 Speaker 1: partners in this, and I don't want you to ever 210 00:09:09,160 --> 00:09:11,680 Speaker 1: think I would ever question when it's time to sing 211 00:09:11,720 --> 00:09:12,080 Speaker 1: the song. 212 00:09:12,400 --> 00:09:15,320 Speaker 3: It was just your harmony song. Your harmony with that 213 00:09:15,400 --> 00:09:17,600 Speaker 3: song is something that that my wife and I have 214 00:09:17,640 --> 00:09:18,840 Speaker 3: had conversations about. 215 00:09:19,160 --> 00:09:21,240 Speaker 2: We go for it, We go for it's really good. 216 00:09:21,320 --> 00:09:23,719 Speaker 1: No listen to Scott. When we made this song, we 217 00:09:23,720 --> 00:09:25,800 Speaker 1: were like okay, but I was like, well, how do 218 00:09:25,840 --> 00:09:27,560 Speaker 1: we how do we do it? Now? How do we 219 00:09:28,080 --> 00:09:29,480 Speaker 1: You know, we made the song, but how are we 220 00:09:29,520 --> 00:09:31,199 Speaker 1: are both going to sing all the lyrics and Donald's like, 221 00:09:31,200 --> 00:09:32,840 Speaker 1: don't worry, I got this, and he like came up 222 00:09:32,880 --> 00:09:33,800 Speaker 1: with all those harmonies. 223 00:09:35,120 --> 00:09:37,160 Speaker 2: I was like, Zach was like, I'll just send you 224 00:09:37,200 --> 00:09:40,000 Speaker 2: a I'll send you my verse. I'll sing the whole 225 00:09:40,000 --> 00:09:42,360 Speaker 2: song and I'll send it to you and you just sing, 226 00:09:42,640 --> 00:09:44,240 Speaker 2: because originally we were going to do it where we 227 00:09:44,280 --> 00:09:48,520 Speaker 2: split up the the the words. Yeah right, And he 228 00:09:48,640 --> 00:09:50,600 Speaker 2: was like, I'll sing the whole thing and you just 229 00:09:50,640 --> 00:09:53,280 Speaker 2: pick where you want to sing, and we'll have Charlie 230 00:09:53,480 --> 00:09:55,880 Speaker 2: cut us in. And I heard him sing and I 231 00:09:55,920 --> 00:09:59,280 Speaker 2: was like, I think he sounds amazing. The only way 232 00:09:59,280 --> 00:10:01,120 Speaker 2: that this is gonna work is if I just back 233 00:10:01,160 --> 00:10:02,120 Speaker 2: him up with some hard. 234 00:10:02,000 --> 00:10:06,800 Speaker 3: If I sing the whole thing too, it's exactly good. 235 00:10:07,080 --> 00:10:08,880 Speaker 1: Exactly this is good. But you know what's gonna do, 236 00:10:09,240 --> 00:10:12,120 Speaker 1: what's gonna make it better? If I do really need 237 00:10:12,440 --> 00:10:14,760 Speaker 1: if I do really showy harmonies over all. 238 00:10:14,679 --> 00:10:19,439 Speaker 3: Of this, well it works and we are fans, so 239 00:10:19,520 --> 00:10:21,120 Speaker 3: good job, right, right. 240 00:10:21,720 --> 00:10:23,720 Speaker 2: Of course, Donald, I think we should go back to 241 00:10:24,040 --> 00:10:26,920 Speaker 2: I was gonna say that, let's obviously Scott's career. 242 00:10:26,960 --> 00:10:28,439 Speaker 1: I'll do a little we have to go back a 243 00:10:28,440 --> 00:10:28,880 Speaker 1: little bit. 244 00:10:29,160 --> 00:10:29,480 Speaker 2: Scott. 245 00:10:29,520 --> 00:10:31,520 Speaker 1: The first time I remember hearing about you was on 246 00:10:31,559 --> 00:10:35,800 Speaker 1: a very very successful show, solely successful because of Donald's 247 00:10:35,840 --> 00:10:37,800 Speaker 1: phase on but I believe you were on it too. 248 00:10:37,800 --> 00:10:40,280 Speaker 1: It's called Felicity, that's correct. 249 00:10:40,320 --> 00:10:42,480 Speaker 3: Donald and I met for the first time on Felicity, 250 00:10:42,480 --> 00:10:45,520 Speaker 3: and I remember being like, holy ship, the clueless guys here. 251 00:10:47,720 --> 00:10:49,600 Speaker 1: That's what happens every time he walks into. 252 00:10:49,360 --> 00:10:53,600 Speaker 3: A restaurant, of course, of course, but I also I 253 00:10:53,600 --> 00:10:55,720 Speaker 3: mean Donald was great on that, and you were you. 254 00:10:55,720 --> 00:10:57,360 Speaker 3: You had that you were going through this phase where 255 00:10:57,400 --> 00:11:00,160 Speaker 3: you were trying to be ripped you. I remember I 256 00:11:00,200 --> 00:11:02,199 Speaker 3: think the first table read you came in, you were 257 00:11:02,240 --> 00:11:04,680 Speaker 3: carrying like a three gallon Jerry can of water. 258 00:11:05,160 --> 00:11:05,360 Speaker 2: Yeah. 259 00:11:05,400 --> 00:11:07,560 Speaker 3: It gives you crazy, the amount of water you would 260 00:11:07,640 --> 00:11:10,800 Speaker 3: drink every day, and you were shredded. And we'd play 261 00:11:10,840 --> 00:11:14,760 Speaker 3: basketball in the parking lot out there. And actually I remember, 262 00:11:14,800 --> 00:11:16,920 Speaker 3: I think you've been on the show off and on 263 00:11:17,040 --> 00:11:22,880 Speaker 3: for a season or two, maybe three, and before Scrubs 264 00:11:22,880 --> 00:11:26,240 Speaker 3: came around, right, yeah, And I remember talking to you. 265 00:11:26,240 --> 00:11:28,200 Speaker 3: You had done the pilot and you were telling me 266 00:11:28,280 --> 00:11:30,280 Speaker 3: about it and you said, I don't know, man, it's 267 00:11:30,320 --> 00:11:33,400 Speaker 3: really funny. It's from this young rider. Uh. He did 268 00:11:33,480 --> 00:11:36,000 Speaker 3: Spin City and we got a good group and I 269 00:11:36,000 --> 00:11:37,760 Speaker 3: saw the pilot and it's really funny. I think it's 270 00:11:37,760 --> 00:11:40,520 Speaker 3: gonna take off. And I was like, yeah, good for you. 271 00:11:40,600 --> 00:11:41,600 Speaker 3: Let's keep playing basketball. 272 00:11:42,120 --> 00:11:46,880 Speaker 2: Yes, and later, Yeah, we had a lot of conversations 273 00:11:46,920 --> 00:11:50,040 Speaker 2: just about work back back then. Also, you know, I 274 00:11:50,080 --> 00:11:52,560 Speaker 2: don't know how new you were to the game, but 275 00:11:52,679 --> 00:11:55,160 Speaker 2: you had been working. You did, you had done Felicity, 276 00:11:55,280 --> 00:11:57,800 Speaker 2: You had done Scream two or was it. 277 00:11:57,800 --> 00:12:00,640 Speaker 3: Your scream Scream three? I'd done before for I had 278 00:12:00,640 --> 00:12:03,440 Speaker 3: done Dawson's Creek, which was sort of my introduction to 279 00:12:03,640 --> 00:12:08,960 Speaker 3: the back then was the WB the now defunct WB World, which. 280 00:12:08,760 --> 00:12:10,720 Speaker 1: Was Felicity, your first big leading part. 281 00:12:11,360 --> 00:12:13,800 Speaker 3: Felicity was my first big leading part. Yeah, yeah, and 282 00:12:14,320 --> 00:12:17,640 Speaker 3: you know it was. It was really the the springboard 283 00:12:17,640 --> 00:12:19,960 Speaker 3: that and I'm so grateful for it that that allowed 284 00:12:19,960 --> 00:12:21,559 Speaker 3: me to be a part of your show and sort 285 00:12:21,559 --> 00:12:22,520 Speaker 3: of everything that's come since. 286 00:12:23,080 --> 00:12:27,040 Speaker 1: And and when you guys, are you guys still friendly? 287 00:12:27,400 --> 00:12:28,920 Speaker 1: The three of you, the three of you. 288 00:12:28,880 --> 00:12:31,280 Speaker 3: The love Triangle, We're not not friendly. 289 00:12:32,000 --> 00:12:33,760 Speaker 1: We don't like you know, I me and Donald where 290 00:12:33,800 --> 00:12:36,240 Speaker 1: you're not like having him over and and and putting 291 00:12:36,240 --> 00:12:39,040 Speaker 1: his putting his kids in a in a bouncy castle. 292 00:12:39,840 --> 00:12:41,640 Speaker 3: No, I'm I'm We're not like that. But but we 293 00:12:41,720 --> 00:12:45,240 Speaker 3: got together last year for it was the twentieth reunion 294 00:12:45,280 --> 00:12:48,680 Speaker 3: of Felicity. Wow, which was amazing and we got so 295 00:12:48,760 --> 00:12:51,959 Speaker 3: many people together. We went to the at X, the 296 00:12:52,000 --> 00:12:55,680 Speaker 3: Austin Television Festival, and I think they screened an episode 297 00:12:55,679 --> 00:12:56,959 Speaker 3: and we all sat on stage where a bunch of 298 00:12:57,000 --> 00:12:58,720 Speaker 3: people ask us questions. There was a modern and it 299 00:12:58,760 --> 00:13:01,000 Speaker 3: was really great. It was the first time we'd all 300 00:13:01,040 --> 00:13:04,760 Speaker 3: been together in you know, seventeen eighteen years. 301 00:13:05,240 --> 00:13:05,720 Speaker 2: Wow. 302 00:13:06,440 --> 00:13:09,280 Speaker 3: Yeah, it was really really fun man, And I uh, 303 00:13:10,160 --> 00:13:12,880 Speaker 3: you know, I'd always said I don't think you know, 304 00:13:12,920 --> 00:13:14,920 Speaker 3: they talk about doing reboots, and I always said, I 305 00:13:14,920 --> 00:13:16,520 Speaker 3: don't think you can do a reboot of Felicity because 306 00:13:16,520 --> 00:13:20,280 Speaker 3: it was so specific to not just that time in 307 00:13:20,400 --> 00:13:23,560 Speaker 3: a person's life when we were all so much younger, 308 00:13:23,920 --> 00:13:28,760 Speaker 3: but to that period of the world of our existence. 309 00:13:28,840 --> 00:13:33,559 Speaker 3: And I sort of changed my mind after being with 310 00:13:33,640 --> 00:13:35,960 Speaker 3: them because I just missed them all so much, and 311 00:13:36,000 --> 00:13:40,600 Speaker 3: I remembered the feelings that I had, both good and bad, 312 00:13:40,640 --> 00:13:42,360 Speaker 3: and I sort of yearned for them. 313 00:13:42,400 --> 00:13:45,280 Speaker 1: So, if you know, I think we have an exclusive 314 00:13:45,360 --> 00:13:48,840 Speaker 1: right here on the Fake Doctor's real friend, gott Foley 315 00:13:49,000 --> 00:13:51,280 Speaker 1: is willing to do a Felicity reboot everybody. 316 00:13:51,160 --> 00:13:52,959 Speaker 3: That would be interesting again, it wouldn't be a no. 317 00:13:53,320 --> 00:13:55,320 Speaker 1: Could Donald be on it too? I would only support 318 00:13:55,320 --> 00:13:56,520 Speaker 1: it if my character lives. 319 00:13:56,679 --> 00:13:59,880 Speaker 2: My character lives, so it's a possibility. 320 00:13:59,400 --> 00:14:01,439 Speaker 1: Right, Could I only support it if you get to 321 00:14:01,440 --> 00:14:01,960 Speaker 1: come back town. 322 00:14:02,360 --> 00:14:04,800 Speaker 2: It would be very interesting to see if everybody is 323 00:14:05,800 --> 00:14:09,000 Speaker 2: still friendly from the cast in the show, you know 324 00:14:09,040 --> 00:14:11,160 Speaker 2: what I mean, Like, you guys were in college together, 325 00:14:11,200 --> 00:14:13,760 Speaker 2: and you guys all lived together, kind disorder, and you 326 00:14:13,800 --> 00:14:17,480 Speaker 2: guys all dated each other, but it was college and 327 00:14:17,880 --> 00:14:20,480 Speaker 2: usually you know, I didn't go to college, but I 328 00:14:20,480 --> 00:14:22,880 Speaker 2: don't have a lot of friends from my you know, 329 00:14:23,040 --> 00:14:26,480 Speaker 2: early that I still hang out with from my early 330 00:14:26,520 --> 00:14:28,640 Speaker 2: twenties that I still hang out with. So it'd be 331 00:14:28,680 --> 00:14:30,680 Speaker 2: really interesting to see what happened after you guys all 332 00:14:30,760 --> 00:14:31,520 Speaker 2: left NYU. 333 00:14:32,200 --> 00:14:34,680 Speaker 1: I remember when there was a controversy when Carrie Russell 334 00:14:34,720 --> 00:14:37,200 Speaker 1: cut her hair. People lost their minds, right. 335 00:14:37,440 --> 00:14:39,680 Speaker 3: Yeah, And that's I remember being. 336 00:14:39,560 --> 00:14:41,240 Speaker 1: Like, I remember, I remember I didn't watch the show, 337 00:14:41,280 --> 00:14:43,480 Speaker 1: but I remember being like, are people really up in 338 00:14:43,600 --> 00:14:45,200 Speaker 1: arms that carry Russell cut her hair? 339 00:14:46,720 --> 00:14:48,840 Speaker 3: People were up in arms and it was it's to 340 00:14:48,880 --> 00:14:51,960 Speaker 3: this day, I think the thing that people talk about 341 00:14:51,960 --> 00:14:53,480 Speaker 3: the most when they talk about the show, and the 342 00:14:53,480 --> 00:14:56,360 Speaker 3: interesting thing is that it was scripted, Like she cut 343 00:14:56,400 --> 00:14:59,840 Speaker 3: her hair on the show and somehow it it gained traction. 344 00:15:00,120 --> 00:15:02,560 Speaker 3: Is this urban legend that she did it on her 345 00:15:02,600 --> 00:15:04,600 Speaker 3: own because she was angry or wanted to change or 346 00:15:04,640 --> 00:15:07,080 Speaker 3: get away from the character. We cut it. You actually 347 00:15:07,080 --> 00:15:09,680 Speaker 3: see it in season two of the show, her cutting 348 00:15:09,680 --> 00:15:13,320 Speaker 3: her hair, and I thought she looked more beautiful with 349 00:15:13,360 --> 00:15:14,800 Speaker 3: the short hair than she did with the long. 350 00:15:14,920 --> 00:15:17,600 Speaker 1: But you know, people just loved it. I'm just just 351 00:15:17,720 --> 00:15:20,000 Speaker 1: making up that people loved her hair so much that 352 00:15:20,040 --> 00:15:21,040 Speaker 1: they were like, how dare you? 353 00:15:21,640 --> 00:15:23,400 Speaker 2: It was a lot of hair due it was a 354 00:15:23,440 --> 00:15:24,080 Speaker 2: lot of hair. 355 00:15:25,120 --> 00:15:27,920 Speaker 1: I'm assuming, as I recall, she had beautiful, curly, long hair, 356 00:15:27,920 --> 00:15:28,760 Speaker 1: and people were like, you know. 357 00:15:28,840 --> 00:15:31,160 Speaker 2: Dare you? Yeah? 358 00:15:30,160 --> 00:15:32,080 Speaker 3: I enviable hair. 359 00:15:32,160 --> 00:15:34,000 Speaker 2: Yeah yeah, it looked like she had been growing it 360 00:15:34,000 --> 00:15:36,240 Speaker 2: since birth. That's how beautiful the hair was. 361 00:15:36,600 --> 00:15:38,960 Speaker 1: Garry Russell was on our show. She was a love 362 00:15:39,000 --> 00:15:39,720 Speaker 1: interest of mine. 363 00:15:40,720 --> 00:15:41,200 Speaker 3: Is that right? 364 00:15:41,480 --> 00:15:42,520 Speaker 1: On Scrubs? Yeah? 365 00:15:42,600 --> 00:15:44,960 Speaker 2: Yes, she did a couple episodes, just like, well you 366 00:15:45,000 --> 00:15:47,320 Speaker 2: did way more episode your character tracked. 367 00:15:46,960 --> 00:15:49,880 Speaker 1: For Yeah, well don't worry, Scott, you did way more. 368 00:15:49,960 --> 00:15:52,120 Speaker 1: But uh, I know, you know you did me a 369 00:15:52,120 --> 00:15:53,520 Speaker 1: favor and look up how many she did. 370 00:15:53,840 --> 00:15:54,520 Speaker 2: But she did too. 371 00:15:54,840 --> 00:15:56,240 Speaker 1: Yeah, oh, Donald, you know. 372 00:15:56,240 --> 00:15:59,840 Speaker 3: That that's cool. So now she's talented and great. 373 00:15:59,880 --> 00:16:02,200 Speaker 1: And we kissed, I think, I mean on the show. 374 00:16:02,240 --> 00:16:02,920 Speaker 1: I think we kissed. 375 00:16:03,480 --> 00:16:06,280 Speaker 3: We might be lip guarantee. I would guarantee that you 376 00:16:06,320 --> 00:16:07,640 Speaker 3: remember whether you kissed or not. 377 00:16:08,040 --> 00:16:10,720 Speaker 1: No, I know, I I remember being very excited that 378 00:16:10,720 --> 00:16:12,600 Speaker 1: she was a love interest. But Jad didn't make out 379 00:16:12,600 --> 00:16:15,120 Speaker 1: with all his love interests. I Joelle will look it 380 00:16:15,200 --> 00:16:17,880 Speaker 1: up for me, did JD? But anyway, Scott, we might 381 00:16:17,920 --> 00:16:18,720 Speaker 1: be lip cousins. 382 00:16:20,000 --> 00:16:21,960 Speaker 3: We're definitely wiener cousins. 383 00:16:21,960 --> 00:16:24,760 Speaker 1: We're definitely wiener cousins. Donald and I were touching talk 384 00:16:24,800 --> 00:16:27,000 Speaker 1: about touching tips or just before you came on, but 385 00:16:28,240 --> 00:16:30,440 Speaker 1: not in real life Donald with Sarah. 386 00:16:30,240 --> 00:16:33,920 Speaker 3: In the character Yeah, oh oh oh, well, I think 387 00:16:33,960 --> 00:16:35,479 Speaker 3: I hope that's the only crossover. 388 00:16:35,640 --> 00:16:38,200 Speaker 1: I don't think we had any real life crossover, Scott, fully, 389 00:16:38,360 --> 00:16:40,520 Speaker 1: and I hope not because the woman would have clearly 390 00:16:40,520 --> 00:16:41,080 Speaker 1: preferred you. 391 00:16:41,920 --> 00:16:44,680 Speaker 3: I don't know about that, although you know, I'm only 392 00:16:44,760 --> 00:16:46,680 Speaker 3: how dare you you know how handsome you are? 393 00:16:47,040 --> 00:16:47,320 Speaker 1: Scott? 394 00:16:48,520 --> 00:16:49,880 Speaker 2: Listen, listen, listen. 395 00:16:50,000 --> 00:16:50,960 Speaker 1: You might be handsome. 396 00:16:51,000 --> 00:16:54,600 Speaker 2: Tell me all you know, listen, I know that all 397 00:16:54,600 --> 00:16:58,320 Speaker 2: of your supporters are out there right now. You know, 398 00:16:58,560 --> 00:17:02,520 Speaker 2: just you probably bought, you know, quite a few downloads 399 00:17:02,560 --> 00:17:03,800 Speaker 2: to our podcast. Just you. 400 00:17:03,920 --> 00:17:06,280 Speaker 3: Yeah, yeah, now, yeah, that's very kind. 401 00:17:06,320 --> 00:17:09,600 Speaker 2: People are your scandal crew? Hey, girls, how y'all doing? 402 00:17:13,760 --> 00:17:14,440 Speaker 2: I'll take that. 403 00:17:15,440 --> 00:17:17,880 Speaker 1: Must have something else in common, and that is we've 404 00:17:17,920 --> 00:17:21,680 Speaker 1: all had ABC cancel our shows in season one? 405 00:17:22,040 --> 00:17:25,120 Speaker 2: Yes, brutal thirteen episodes. He's got thirteen. 406 00:17:25,760 --> 00:17:27,879 Speaker 1: I only got I only got ten, Scott, how many 407 00:17:27,920 --> 00:17:28,480 Speaker 1: did you get? 408 00:17:28,840 --> 00:17:32,120 Speaker 3: We got thirteen, thank goodness, and a trip to Prague? 409 00:17:32,280 --> 00:17:33,520 Speaker 2: That right, right. 410 00:17:33,600 --> 00:17:35,520 Speaker 1: So for those of you who don't know, because I 411 00:17:35,520 --> 00:17:38,720 Speaker 1: guess not enough of you knew, ut none enough watched. 412 00:17:38,960 --> 00:17:42,800 Speaker 1: Scott was on a huge budget action series that shot 413 00:17:42,840 --> 00:17:45,879 Speaker 1: in Prague. He moved his whole family there, which is 414 00:17:45,960 --> 00:17:49,200 Speaker 1: no small deal because you have two children, right. 415 00:17:49,320 --> 00:17:53,200 Speaker 3: I have three children. They were three school over there. Yeah. 416 00:17:53,240 --> 00:17:55,320 Speaker 1: And it was not a by no means a simple 417 00:17:55,359 --> 00:17:57,000 Speaker 1: show I was about. I was going to direct it, 418 00:17:57,200 --> 00:17:58,600 Speaker 1: but then I had a conflict. But it was a 419 00:17:58,680 --> 00:18:02,600 Speaker 1: huge budget epic sort of James Bond comedic, James Bond 420 00:18:02,640 --> 00:18:06,919 Speaker 1: action show that Bill Lawrence six Degrees of Bill Lawrence 421 00:18:07,200 --> 00:18:09,960 Speaker 1: was the showrunner of and I thought it was amazing. 422 00:18:10,000 --> 00:18:13,239 Speaker 1: The pilot was unbelievable. I couldn't believe the scale of it. 423 00:18:13,240 --> 00:18:16,920 Speaker 1: It looked like it looked like a giant feature. Oh thanks, man, 424 00:18:17,000 --> 00:18:19,320 Speaker 1: and you were so good in it. But anyway, I was, 425 00:18:19,320 --> 00:18:21,800 Speaker 1: as I was preparing for today, I went all three 426 00:18:21,840 --> 00:18:25,080 Speaker 1: of us were at work, were stars of ABC, and 427 00:18:25,119 --> 00:18:27,960 Speaker 1: then got a new ABC show that only went half 428 00:18:27,960 --> 00:18:28,439 Speaker 1: a season. 429 00:18:29,520 --> 00:18:31,480 Speaker 3: Man, it was just and it's still heartbreaking. My wife 430 00:18:31,520 --> 00:18:33,200 Speaker 3: and I had a conversation about it a couple nights 431 00:18:33,240 --> 00:18:35,200 Speaker 3: ago where you know, she was like, Oh, I wish 432 00:18:35,280 --> 00:18:38,280 Speaker 3: we were still in Prague. You know, we just we 433 00:18:38,280 --> 00:18:40,840 Speaker 3: were so fortunate. And you know, that's one of the 434 00:18:40,840 --> 00:18:43,199 Speaker 3: great things about and one of the reasons I'm so 435 00:18:43,200 --> 00:18:45,879 Speaker 3: excited to talk to you guys today, because you know, 436 00:18:46,000 --> 00:18:49,240 Speaker 3: Scrubs for me was it started out as just a gig, 437 00:18:49,520 --> 00:18:52,679 Speaker 3: right and coming in doing something fun, doing something different, 438 00:18:52,800 --> 00:18:57,960 Speaker 3: and it has morphed into the relationships that I've made 439 00:18:58,119 --> 00:19:02,760 Speaker 3: from it have have sustained a lot of what I do, 440 00:19:02,800 --> 00:19:05,600 Speaker 3: and it's it's made me happy. The people that I've 441 00:19:05,760 --> 00:19:07,480 Speaker 3: gotten to work with and gone on to work with 442 00:19:07,840 --> 00:19:10,000 Speaker 3: because of Scrubs have been great. And like you said, 443 00:19:10,000 --> 00:19:13,479 Speaker 3: Bill Lawrence was the showrunner of Whiskey Cavalier and we 444 00:19:13,480 --> 00:19:15,919 Speaker 3: were over in Prague together and you know, without Scrubs 445 00:19:15,920 --> 00:19:16,679 Speaker 3: that wouldn't have happened. 446 00:19:16,920 --> 00:19:20,320 Speaker 1: And I think you really showed that you were really funny, Scott, 447 00:19:20,359 --> 00:19:22,520 Speaker 1: I mean, he got I think that with your other 448 00:19:22,640 --> 00:19:25,239 Speaker 1: shows that you'd known for, you know, whether it be 449 00:19:25,440 --> 00:19:28,760 Speaker 1: Felicity or Scandal. You know, obviously people know that you 450 00:19:28,880 --> 00:19:31,520 Speaker 1: as a as a great dramatic actor. But I think 451 00:19:31,560 --> 00:19:34,840 Speaker 1: on Scrubs Bill really gave you a chance to be hilarious. 452 00:19:35,680 --> 00:19:39,200 Speaker 1: One of my favorite moments of of of Shawn's character 453 00:19:39,320 --> 00:19:42,040 Speaker 1: was in the script. I say this to Scott all 454 00:19:42,080 --> 00:19:44,760 Speaker 1: the time and Bill all the time that it literally 455 00:19:44,840 --> 00:19:48,640 Speaker 1: said in a script, Sean for lornly rides a dolphin. 456 00:19:51,440 --> 00:19:53,399 Speaker 1: And then when I saw the shot of you for 457 00:19:53,520 --> 00:19:56,480 Speaker 1: Lornley riding a dolphin, I thought he fucking nailed that. 458 00:19:57,359 --> 00:20:00,000 Speaker 3: Maybe he really the best screen direction of my career. 459 00:20:00,119 --> 00:20:02,760 Speaker 1: That's how I would sum up that shot is Sean 460 00:20:02,920 --> 00:20:04,360 Speaker 1: Forlornly rise of dolphin. 461 00:20:04,720 --> 00:20:06,680 Speaker 3: Oh thanks man, Well, I will look. 462 00:20:08,359 --> 00:20:10,359 Speaker 2: Before I will say this, though I knew you were 463 00:20:10,400 --> 00:20:12,800 Speaker 2: funny from when we did Felicity together, when Noel went 464 00:20:12,800 --> 00:20:15,840 Speaker 2: off the rails and went a little batshit crazy, and 465 00:20:15,840 --> 00:20:19,919 Speaker 2: you got to explore this character who was kind of 466 00:20:19,960 --> 00:20:24,480 Speaker 2: by the book and did everything by the book, refined himself. 467 00:20:24,520 --> 00:20:26,520 Speaker 2: And I remember doing a bunch of episodes where they 468 00:20:26,520 --> 00:20:29,199 Speaker 2: were looking for you and we finally found you, and 469 00:20:29,240 --> 00:20:31,879 Speaker 2: you were like, you were completely out there, And I 470 00:20:31,880 --> 00:20:34,560 Speaker 2: remember not being able to hold it together when we 471 00:20:34,560 --> 00:20:37,760 Speaker 2: were doing the takes because you were so funny. So 472 00:20:37,800 --> 00:20:40,600 Speaker 2: I knew you were funny way before we still before 473 00:20:40,640 --> 00:20:41,600 Speaker 2: you came on Scrubs. 474 00:20:41,960 --> 00:20:45,160 Speaker 3: Oh thanks man. I yeah, I think I think Zach 475 00:20:45,200 --> 00:20:48,080 Speaker 3: you overstated my my talent by saying I'm a great 476 00:20:48,160 --> 00:20:51,679 Speaker 3: dramatic actor. I think I'm passable. But Donald, that was. 477 00:20:52,080 --> 00:20:55,439 Speaker 3: That was a bizarre like Season three Tangent where my 478 00:20:55,560 --> 00:20:58,800 Speaker 3: character Noel decided to change his name to Leon, literally 479 00:20:58,840 --> 00:21:03,760 Speaker 3: just reversed the letters in his name. They put like 480 00:21:03,800 --> 00:21:06,600 Speaker 3: a weird wig on me, so I had like blonde 481 00:21:06,720 --> 00:21:09,560 Speaker 3: tips on my hair. It was the strangest thing. But 482 00:21:09,680 --> 00:21:10,399 Speaker 3: thank you, Donald. 483 00:21:10,440 --> 00:21:10,719 Speaker 2: That was. 484 00:21:10,960 --> 00:21:12,760 Speaker 3: It was at least a little chance for me to 485 00:21:12,800 --> 00:21:14,119 Speaker 3: stretch myself in that character. 486 00:21:14,200 --> 00:21:17,280 Speaker 1: Now did J. J. Abrams run all the seasons. 487 00:21:17,480 --> 00:21:22,520 Speaker 3: Every season, Yes, every season. He was gone a little 488 00:21:22,520 --> 00:21:25,520 Speaker 3: bit on season four on our final season because he 489 00:21:25,640 --> 00:21:28,760 Speaker 3: had started a show called Alias and so was sort 490 00:21:28,760 --> 00:21:32,119 Speaker 3: of doing his time between both sets. But he was 491 00:21:32,119 --> 00:21:34,439 Speaker 3: there the whole time. I was really fortunate. You know, 492 00:21:34,480 --> 00:21:37,600 Speaker 3: obviously no one knew that J. J Abens would become J. 493 00:21:37,760 --> 00:21:39,320 Speaker 3: J Abrams back then. 494 00:21:39,520 --> 00:21:43,719 Speaker 1: You like, do you like Donald occasionally put it out 495 00:21:43,800 --> 00:21:46,440 Speaker 1: there that you're open to being in any Star Wars 496 00:21:46,480 --> 00:21:47,920 Speaker 1: franchises that he's suggested. 497 00:21:49,880 --> 00:21:52,359 Speaker 3: Can I tell you it's been. It's been the like 498 00:21:52,520 --> 00:21:54,240 Speaker 3: if if I was ever. 499 00:21:54,119 --> 00:21:57,760 Speaker 1: In anything Gunberg Gunberg. He keeps getting all the love. 500 00:21:57,800 --> 00:21:59,240 Speaker 1: I mean, where the Fu's happened to? With Donald and 501 00:21:59,280 --> 00:21:59,919 Speaker 1: Scott Foley. 502 00:22:00,320 --> 00:22:02,239 Speaker 3: Grumburg and J. J. Abrams have been friends since they 503 00:22:02,240 --> 00:22:04,159 Speaker 3: were three years old. Like they were best friends in 504 00:22:04,160 --> 00:22:07,439 Speaker 3: elementary school. They made you know, crappy movies together on 505 00:22:07,440 --> 00:22:11,239 Speaker 3: their Super eight film cameras when they were kids. They 506 00:22:11,240 --> 00:22:13,320 Speaker 3: were best men at each other's weddings. Look, I think 507 00:22:13,400 --> 00:22:15,679 Speaker 3: JJ knows just by the fact that I'm an actor 508 00:22:16,200 --> 00:22:19,520 Speaker 3: that I would like to be in Star Wars. 509 00:22:20,080 --> 00:22:21,440 Speaker 1: There gotta be more directs good. 510 00:22:21,560 --> 00:22:24,879 Speaker 3: Donald's very merus about him, But I would yeah, of 511 00:22:24,920 --> 00:22:26,560 Speaker 3: course I would love to. And I've you know, every 512 00:22:26,560 --> 00:22:28,439 Speaker 3: time he signs on to direct a new one, I 513 00:22:28,440 --> 00:22:30,360 Speaker 3: sent him a text like, Wow, way to go. You're 514 00:22:30,359 --> 00:22:32,040 Speaker 3: not gonna see your family for a while. Might want 515 00:22:32,040 --> 00:22:36,840 Speaker 3: some friends around. So I'm not sure how to take 516 00:22:36,840 --> 00:22:38,840 Speaker 3: it that he hasn't cast me in. You know, you 517 00:22:38,880 --> 00:22:42,280 Speaker 3: always there's the old story that you know someone likes 518 00:22:42,320 --> 00:22:44,200 Speaker 3: working with you, if they if they hire you again 519 00:22:44,240 --> 00:22:46,520 Speaker 3: and again and again. And I've been I've been fortunate 520 00:22:46,560 --> 00:22:49,560 Speaker 3: with Bill that that that's happened multiple times. JJ, not 521 00:22:49,600 --> 00:22:52,199 Speaker 3: so much, not what you know. 522 00:22:52,200 --> 00:22:54,800 Speaker 1: It's funny, jolly build a direct and giant tenpole movie. 523 00:22:54,840 --> 00:22:56,639 Speaker 1: I mean, what's going on? Bill? Step it up? 524 00:22:56,680 --> 00:23:00,720 Speaker 3: Do you remember he was gonna do Fletch eight script 525 00:23:01,080 --> 00:23:02,679 Speaker 3: for Fletch and I went and I met with him, 526 00:23:02,720 --> 00:23:04,640 Speaker 3: I read with him and there was a whole long 527 00:23:04,760 --> 00:23:06,879 Speaker 3: Mirrormax story that goes with it. But but he was 528 00:23:06,920 --> 00:23:08,199 Speaker 3: on his way. Man. I thought he would have been 529 00:23:08,200 --> 00:23:08,560 Speaker 3: great at that. 530 00:23:08,720 --> 00:23:10,439 Speaker 1: I know we really need him. I don't think he 531 00:23:10,520 --> 00:23:12,600 Speaker 1: is interested. He loves TV so much. But I think 532 00:23:12,680 --> 00:23:14,560 Speaker 1: for all of us, we would like Bill to become 533 00:23:14,600 --> 00:23:17,280 Speaker 1: a studio ten pole filmmaker if he doesn't. 534 00:23:17,119 --> 00:23:18,680 Speaker 3: Mind making movies anymore. 535 00:23:18,920 --> 00:23:20,440 Speaker 1: They do. There's a couple coming out. 536 00:23:21,160 --> 00:23:24,960 Speaker 2: Yeah, they're saying July. They're saying like into July, things 537 00:23:25,000 --> 00:23:25,560 Speaker 2: are gonna pick. 538 00:23:25,680 --> 00:23:27,919 Speaker 1: They're saying that Chris Nolan movie is coming out no 539 00:23:28,000 --> 00:23:32,200 Speaker 1: matter what Tenant. Oh really right, That's what I've been hearing. 540 00:23:32,280 --> 00:23:34,480 Speaker 1: And then I mean, maybe they'll change their mind. But 541 00:23:35,080 --> 00:23:37,880 Speaker 1: I read something on the interwebs that said they're still 542 00:23:37,920 --> 00:23:40,640 Speaker 1: saying July, which assumes that people are going to be 543 00:23:40,720 --> 00:23:43,120 Speaker 1: willing to go to the theater in July. I don't, 544 00:23:43,720 --> 00:23:45,760 Speaker 1: I don't, I don't know. It seems pretty ballsy to 545 00:23:45,840 --> 00:23:48,159 Speaker 1: release like a two hundred million dollars. I mean, I 546 00:23:48,160 --> 00:23:49,399 Speaker 1: don't know if it's not much money, but I think 547 00:23:49,440 --> 00:23:52,520 Speaker 1: scient movies for that for in July. 548 00:23:53,320 --> 00:23:56,119 Speaker 2: But some things are filming already, like they're filming in certain. 549 00:23:56,440 --> 00:23:59,920 Speaker 1: Jowell just said two hundred and five million and July seven, 550 00:24:00,240 --> 00:24:04,960 Speaker 1: that's coming up five million dollars. That's that's gonna be 551 00:24:04,960 --> 00:24:06,760 Speaker 1: interesting to see how you spend two hundred and five 552 00:24:06,800 --> 00:24:07,479 Speaker 1: million dollars. 553 00:24:08,160 --> 00:24:09,840 Speaker 3: I would think, like, wouldn't you have to double the 554 00:24:09,840 --> 00:24:11,879 Speaker 3: amount of theaters because the theaters are only going to 555 00:24:11,920 --> 00:24:14,760 Speaker 3: be at half capacity just because of social distancing in 556 00:24:14,840 --> 00:24:17,040 Speaker 3: order to like, they're just don't enough theaters out there 557 00:24:17,480 --> 00:24:18,320 Speaker 3: to the money. 558 00:24:18,520 --> 00:24:20,960 Speaker 1: Two hundred and five is the production budget, so they're 559 00:24:20,960 --> 00:24:23,800 Speaker 1: gonna put like one hundred million into releasing it. That 560 00:24:23,920 --> 00:24:25,399 Speaker 1: is a that's a lot of money. 561 00:24:26,280 --> 00:24:28,040 Speaker 2: That is a lot of money. But I asked my 562 00:24:28,200 --> 00:24:29,920 Speaker 2: but then you ask yourself how much did it cost 563 00:24:30,000 --> 00:24:32,280 Speaker 2: to make Endgame and all of those things? Those things 564 00:24:32,320 --> 00:24:34,440 Speaker 2: look like they cost half a billion dollars? 565 00:24:34,520 --> 00:24:36,200 Speaker 1: No, but when you've got a built in marvel onians, 566 00:24:36,240 --> 00:24:39,639 Speaker 1: this movie has no mega celebrities in it. 567 00:24:39,680 --> 00:24:41,000 Speaker 2: I don't but it's Nolan, man. 568 00:24:41,080 --> 00:24:42,919 Speaker 1: I mean, I know, I know, Chris Nolan is his 569 00:24:42,960 --> 00:24:45,040 Speaker 1: own enterprise. Don't get me wrong, I get it. But 570 00:24:45,520 --> 00:24:48,560 Speaker 1: it's got to be the most amount of money spent 571 00:24:48,880 --> 00:24:51,520 Speaker 1: on an original script. 572 00:24:52,280 --> 00:24:54,680 Speaker 3: Wow, and fifty million game. 573 00:24:54,800 --> 00:24:57,160 Speaker 1: Scott, you're not supposed to read the producer. Sorry, Okay, 574 00:24:57,200 --> 00:25:02,560 Speaker 1: this is a second time. It's did the same thing, Sarah. 575 00:25:02,600 --> 00:25:04,800 Speaker 1: Sarah did the same thing. Scott Donald and I are 576 00:25:04,840 --> 00:25:08,240 Speaker 1: the hosts of the show. You, as a guest, ignore 577 00:25:08,320 --> 00:25:09,439 Speaker 1: my producer's notes. 578 00:25:10,080 --> 00:25:11,760 Speaker 3: Well, no, you know what I was doing was pretending 579 00:25:11,800 --> 00:25:13,000 Speaker 3: that I actually knew the budget. 580 00:25:15,640 --> 00:25:18,560 Speaker 1: Sarah we had Sarah on, and Joel was like, you know, 581 00:25:18,760 --> 00:25:21,400 Speaker 1: Joel always gives us little things to help the conversation along, 582 00:25:21,480 --> 00:25:23,679 Speaker 1: and Sarah just starts reading them, Like, Sarah, that is 583 00:25:23,760 --> 00:25:24,720 Speaker 1: not for the guests. 584 00:25:26,800 --> 00:25:28,480 Speaker 3: The fact that you needed little things to help the 585 00:25:28,480 --> 00:25:30,960 Speaker 3: conversation along with Sarah, who I worked with for ten years, 586 00:25:31,240 --> 00:25:31,760 Speaker 3: is amazing. 587 00:25:31,920 --> 00:25:33,560 Speaker 1: No, but I said, I said, Sarah, what happens if 588 00:25:33,640 --> 00:25:36,199 Speaker 1: Joel's writing like this is so boring? Help her along? 589 00:25:36,320 --> 00:25:37,600 Speaker 1: You know, like, don't read those? 590 00:25:38,920 --> 00:25:40,720 Speaker 3: Okay, So I'll wait, I'm gonna put a piece of 591 00:25:40,760 --> 00:25:43,560 Speaker 3: tape above my my No no. 592 00:25:42,720 --> 00:25:45,000 Speaker 1: No, no, no, no, no, no, I'm kidding. I'm kidding 593 00:25:45,080 --> 00:25:48,000 Speaker 1: Joel Wright. Joel would never write Scott fully is so boring. 594 00:25:48,040 --> 00:25:48,520 Speaker 1: Don't worry. 595 00:25:49,680 --> 00:25:50,560 Speaker 3: She wouldn't be the first one. 596 00:25:50,560 --> 00:25:50,840 Speaker 2: Anyway. 597 00:25:50,880 --> 00:25:53,000 Speaker 1: All I was saying was that Chris Nolan, I get, 598 00:25:53,119 --> 00:25:56,159 Speaker 1: is his own entity, and I get that everyone is 599 00:25:56,200 --> 00:25:58,440 Speaker 1: going to see this movie because he's a fucking genius. 600 00:25:58,960 --> 00:26:01,040 Speaker 1: But I wonder if it's the most amount of money 601 00:26:01,080 --> 00:26:04,320 Speaker 1: ever spent on a on a on a piece of 602 00:26:04,320 --> 00:26:08,639 Speaker 1: material that isn't already established piece of intellectual property like 603 00:26:08,760 --> 00:26:11,639 Speaker 1: Marvel or James Bond or the like. You know, what 604 00:26:11,680 --> 00:26:13,440 Speaker 1: I'm saying, I. 605 00:26:13,359 --> 00:26:15,040 Speaker 2: Don't I don't know. That's a lot of money to 606 00:26:15,080 --> 00:26:17,680 Speaker 2: have to spend on something and it not work, you know. 607 00:26:17,920 --> 00:26:20,119 Speaker 1: Yeah, yeah, I mean just it's just the amount of 608 00:26:20,119 --> 00:26:22,560 Speaker 1: money it has to make in order for it to 609 00:26:22,560 --> 00:26:26,320 Speaker 1: be successful is just. And especially with what Scott's saying 610 00:26:26,400 --> 00:26:28,640 Speaker 1: is that the talk is that the theaters are only 611 00:26:28,680 --> 00:26:31,399 Speaker 1: gonna be half full, so you can have most distance 612 00:26:31,480 --> 00:26:33,520 Speaker 1: from from each other. So then you need double the 613 00:26:33,560 --> 00:26:36,000 Speaker 1: amount of screenings. 614 00:26:36,640 --> 00:26:40,160 Speaker 2: You know, work. What would be really interesting is Okay, 615 00:26:40,200 --> 00:26:43,080 Speaker 2: so Trolls World Tour was supposed to come out in 616 00:26:43,119 --> 00:26:45,159 Speaker 2: theaters and it didn't make it to theaters because of 617 00:26:45,160 --> 00:26:47,840 Speaker 2: the whole COVID thing, right, and so they released it 618 00:26:47,960 --> 00:26:51,440 Speaker 2: on uh digital, the digital platform, but you had to 619 00:26:51,480 --> 00:26:53,800 Speaker 2: rent it. You couldn't buy it. You could only rent it, 620 00:26:53,840 --> 00:26:57,879 Speaker 2: and your rental lasts for about, you know, twenty four hours. 621 00:26:58,200 --> 00:27:02,120 Speaker 2: I wonder how much money Trolls World Tour made. Because 622 00:27:02,680 --> 00:27:05,439 Speaker 2: the model is there to put movies out, well, at 623 00:27:05,480 --> 00:27:07,520 Speaker 2: least right now, if you if you really want to 624 00:27:08,119 --> 00:27:13,639 Speaker 2: watch and they haven't really experimented with like big blockbuster movies, 625 00:27:13,680 --> 00:27:16,720 Speaker 2: but if you really want to watch a movie, it's 626 00:27:16,760 --> 00:27:19,080 Speaker 2: fine to watch it at home. I understand they need 627 00:27:19,119 --> 00:27:21,800 Speaker 2: movie theater money because popcorn all of that shit theaters 628 00:27:21,840 --> 00:27:24,840 Speaker 2: and everything. But I wonder what Troll's World Tour did 629 00:27:25,560 --> 00:27:27,720 Speaker 2: for Joelle? Can we find that out? 630 00:27:28,240 --> 00:27:30,360 Speaker 1: I wonder if it's even I wonder if it's even published. 631 00:27:31,119 --> 00:27:35,200 Speaker 2: So seventy seven million Trolls World Tour did That's a lot. 632 00:27:35,240 --> 00:27:35,679 Speaker 2: I don't know. 633 00:27:36,440 --> 00:27:38,160 Speaker 1: Yeah, well that would be. That would be you're saying, 634 00:27:38,359 --> 00:27:40,480 Speaker 1: is that the first weekend or is that total? No, 635 00:27:40,520 --> 00:27:42,600 Speaker 1: they wouldn't be freaking sorry, that'd be total. So when 636 00:27:42,600 --> 00:27:44,200 Speaker 1: you rent it, because I haven't done this yet, when 637 00:27:44,240 --> 00:27:46,600 Speaker 1: you rent with this new model where you rent the 638 00:27:46,640 --> 00:27:48,840 Speaker 1: movie for twenty four hour, what is what? What did 639 00:27:48,880 --> 00:27:49,800 Speaker 1: Trolls cost you? 640 00:27:50,520 --> 00:27:53,000 Speaker 3: Twenty bucks? Nineteen ninety nine something? 641 00:27:53,000 --> 00:27:55,480 Speaker 1: I love the two dads. No, they're like twenty bucks. 642 00:27:55,760 --> 00:27:57,720 Speaker 3: Yeah, oh yeah please. I looked at my wife. I 643 00:27:57,720 --> 00:27:58,959 Speaker 3: was like, we're spending twenty bucks on this? 644 00:27:59,119 --> 00:28:03,040 Speaker 2: Yeah, all right, we'll several times. 645 00:28:02,720 --> 00:28:06,200 Speaker 1: To how much? Think how much money you've gotten off 646 00:28:06,200 --> 00:28:09,080 Speaker 1: the faisons because you guys are renting it multiple times. 647 00:28:09,400 --> 00:28:11,159 Speaker 2: But it would cost more if we went to the 648 00:28:11,200 --> 00:28:14,600 Speaker 2: movie theater though, because it would be yes, twenty bucks 649 00:28:14,640 --> 00:28:15,880 Speaker 2: each person you know what I mean. 650 00:28:15,960 --> 00:28:17,840 Speaker 3: And so, yeah, that's right. 651 00:28:17,880 --> 00:28:19,680 Speaker 2: Plus popcorn and all of that stuff. I don't know 652 00:28:19,680 --> 00:28:21,840 Speaker 2: if they get money for the popcorn, but I'm just saying. 653 00:28:21,640 --> 00:28:23,280 Speaker 1: I wonder if that's a newty. 654 00:28:23,320 --> 00:28:25,600 Speaker 2: Seven million is a lot of money to make online. 655 00:28:25,640 --> 00:28:27,399 Speaker 3: Dude, that's a new model. They've been talking about it. 656 00:28:27,400 --> 00:28:29,000 Speaker 3: I think it's it's an interesting way to go to. 657 00:28:28,920 --> 00:28:30,560 Speaker 1: Tell me what people are going to start doing. I 658 00:28:30,560 --> 00:28:33,440 Speaker 1: mean if because I don't you know, Spike Lee said 659 00:28:33,440 --> 00:28:35,160 Speaker 1: the other day he's not going to the theater until 660 00:28:35,160 --> 00:28:37,400 Speaker 1: there's a vaccine, and I was kind of like, yeah, 661 00:28:37,440 --> 00:28:38,800 Speaker 1: I think I might agree with that. 662 00:28:39,440 --> 00:28:42,320 Speaker 3: Yeah, that makes sense. I mean, my wife's not leaving 663 00:28:42,360 --> 00:28:45,720 Speaker 3: the house till there's a fucking vaccine, you know, And 664 00:28:46,800 --> 00:28:49,560 Speaker 3: that's your choice, right, It's yeah, sure, I have a 665 00:28:49,560 --> 00:28:50,320 Speaker 3: lot to do with that. 666 00:28:51,320 --> 00:28:53,960 Speaker 1: Donald, your wife is your wife more hardcore than you 667 00:28:54,000 --> 00:28:56,320 Speaker 1: about this? Because Donald's definitely more hardcore than his wife. 668 00:28:56,840 --> 00:29:01,680 Speaker 3: No, my wife is anxiety ridden about out everything. She 669 00:29:01,920 --> 00:29:04,120 Speaker 3: is terrified not just that we're going to get it, 670 00:29:04,320 --> 00:29:06,360 Speaker 3: but that we're all going to die from it when 671 00:29:06,400 --> 00:29:06,880 Speaker 3: we get it. 672 00:29:07,920 --> 00:29:08,120 Speaker 2: You know. 673 00:29:08,200 --> 00:29:11,080 Speaker 3: Mind you none of us have pre existing conditions. She 674 00:29:11,200 --> 00:29:14,440 Speaker 3: has made five hundred masks and donated them and given 675 00:29:14,480 --> 00:29:17,880 Speaker 3: them the friends. She is all over this, and I 676 00:29:17,920 --> 00:29:18,880 Speaker 3: still can't leave the house. 677 00:29:20,160 --> 00:29:21,160 Speaker 2: Yeah, it's crazy. 678 00:29:21,200 --> 00:29:21,719 Speaker 3: It's crazy. 679 00:29:22,000 --> 00:29:24,040 Speaker 2: My wife doesn't like me right now because I'm like, well, 680 00:29:24,040 --> 00:29:28,680 Speaker 2: maybe it started off like this. Maybe maybe in May, honey, 681 00:29:28,880 --> 00:29:32,800 Speaker 2: maybe no, maybe in May. Okay, we'll see about May, 682 00:29:33,240 --> 00:29:35,760 Speaker 2: and then May's come around. I'm like, okay, maybe June. 683 00:29:35,880 --> 00:29:40,320 Speaker 2: And she's like, June is here, motherfucker. Like listen July. 684 00:29:41,080 --> 00:29:45,000 Speaker 2: When July comes around, I promise you, baby, we're gonna 685 00:29:45,040 --> 00:29:48,560 Speaker 2: scope out the situation and if it's all good, then 686 00:29:48,560 --> 00:29:49,600 Speaker 2: we can go outside. 687 00:29:49,680 --> 00:29:51,719 Speaker 1: Well, Donald and I got invited to go on Now 688 00:29:51,720 --> 00:29:55,280 Speaker 1: there's this really popular YouTube show called Good Mythical Morning, 689 00:29:55,840 --> 00:30:00,120 Speaker 1: and it's a hugely successful show. They do it in 690 00:30:00,160 --> 00:30:02,240 Speaker 1: a normal time, to do it every excuse me, every morning, 691 00:30:02,840 --> 00:30:04,840 Speaker 1: and uh we got an invite to do it at 692 00:30:04,840 --> 00:30:08,400 Speaker 1: the end of July. And I was like, I think, like, 693 00:30:08,960 --> 00:30:10,280 Speaker 1: and you have to go in person. They're not doing 694 00:30:10,360 --> 00:30:12,480 Speaker 1: it on on on Zoom and I was like, I 695 00:30:12,480 --> 00:30:14,720 Speaker 1: think and we were just talking about this before the show, 696 00:30:14,760 --> 00:30:17,000 Speaker 1: like end of July, we could probably do that, right 697 00:30:17,040 --> 00:30:19,360 Speaker 1: and we don't know, I mean, we're both having the conversation, 698 00:30:19,480 --> 00:30:21,520 Speaker 1: but in our heads is like, are we gonna be 699 00:30:21,560 --> 00:30:23,680 Speaker 1: going to do a talk show end of July? Does 700 00:30:23,720 --> 00:30:25,880 Speaker 1: that seem like? Are we gonna wear masks? Like I 701 00:30:25,880 --> 00:30:26,800 Speaker 1: don't understand how it's. 702 00:30:26,680 --> 00:30:30,200 Speaker 2: Gonna talking face to face? Two. 703 00:30:30,960 --> 00:30:33,520 Speaker 3: I mean, you know, everybody's got an opinion. Mine is 704 00:30:33,560 --> 00:30:35,760 Speaker 3: I think it's gonna be okay. You know at a 705 00:30:35,840 --> 00:30:39,280 Speaker 3: certain point, don't don't you doesn't life have to go on? 706 00:30:39,440 --> 00:30:40,920 Speaker 3: I mean it does, and. 707 00:30:40,880 --> 00:30:43,160 Speaker 1: I know, but but but choosing you know, life will 708 00:30:43,160 --> 00:30:47,479 Speaker 1: go on, but choosing to go into like making choices 709 00:30:47,520 --> 00:30:48,760 Speaker 1: that are like I'm gonna go sit in a movie 710 00:30:48,800 --> 00:30:50,440 Speaker 1: theater with a bunch of people that might be coughing, 711 00:30:50,560 --> 00:30:53,400 Speaker 1: or I'm gonna go into a tight elevator or a restaurant. 712 00:30:53,400 --> 00:30:55,400 Speaker 1: I mean those choices. I don't know. I might, we 713 00:30:55,480 --> 00:30:57,840 Speaker 1: might hold hold off on those. We got to go 714 00:30:57,840 --> 00:30:59,480 Speaker 1: to a break because that's what we have to do, 715 00:30:59,520 --> 00:31:01,479 Speaker 1: because this is a real show that has breaks and 716 00:31:01,520 --> 00:31:04,400 Speaker 1: ads and ship Scott Fully, this isn't like a bullshit show. 717 00:31:04,440 --> 00:31:05,880 Speaker 1: This is a show breaks. 718 00:31:05,920 --> 00:31:07,920 Speaker 3: You guys have supporters, now, yeah we have. 719 00:31:07,960 --> 00:31:11,480 Speaker 1: And we have real fancy ones too. And here here's 720 00:31:11,480 --> 00:31:24,840 Speaker 1: some here's some of them are we'll be right, that 721 00:31:24,920 --> 00:31:27,400 Speaker 1: I that I doll that I hold off to see 722 00:31:27,400 --> 00:31:28,320 Speaker 1: who's gonna do it. 723 00:31:28,360 --> 00:31:34,080 Speaker 3: We're like that, shame you guys don't enjoy. 724 00:31:33,880 --> 00:31:36,120 Speaker 1: This because of the delay, nothing we ever do is 725 00:31:36,160 --> 00:31:38,800 Speaker 1: in sync. So we sometimes ask Dan to in post 726 00:31:38,880 --> 00:31:40,360 Speaker 1: to make it seem like we know how to sing 727 00:31:40,360 --> 00:31:41,040 Speaker 1: at the same time. 728 00:31:41,440 --> 00:31:44,360 Speaker 2: Thanks, Can you guys give me a minute to run 729 00:31:44,400 --> 00:31:45,280 Speaker 2: and grab my notes? 730 00:31:45,600 --> 00:31:47,840 Speaker 1: Yeah, but don't don't. Don't take a deuce, dude, we 731 00:31:47,880 --> 00:31:48,920 Speaker 1: got Scott Fully here. 732 00:31:50,200 --> 00:31:53,520 Speaker 2: Scott Fully I would never do on your time. 733 00:31:53,720 --> 00:31:54,640 Speaker 1: Okay, thank you. 734 00:31:55,200 --> 00:31:57,160 Speaker 3: His minute is the equivalent of him learning learning his 735 00:31:57,200 --> 00:31:58,040 Speaker 3: lines on scrubs. 736 00:31:58,160 --> 00:32:00,920 Speaker 1: This is glad. You know we talked a lot about this. 737 00:32:01,000 --> 00:32:02,880 Speaker 1: Will you please say that when he comes back. 738 00:32:04,840 --> 00:32:07,640 Speaker 3: Or not learning his lines, I should say he's going away. 739 00:32:08,160 --> 00:32:10,680 Speaker 1: He claims he's turned over a new leaf, but I 740 00:32:10,720 --> 00:32:13,840 Speaker 1: think that's just because he's worried that potential directors and 741 00:32:14,000 --> 00:32:16,760 Speaker 1: showrunners might be listening to the podcast and won't hire him. 742 00:32:17,120 --> 00:32:20,040 Speaker 1: So he has this whole thing where he says that 743 00:32:20,120 --> 00:32:22,640 Speaker 1: he's he's turned over a new leaf and now he 744 00:32:22,760 --> 00:32:23,440 Speaker 1: learns his lines. 745 00:32:24,440 --> 00:32:27,120 Speaker 3: Well, how it's a pandemic. That's his new leaf. There's 746 00:32:27,160 --> 00:32:27,680 Speaker 3: nothing to learn. 747 00:32:28,280 --> 00:32:30,200 Speaker 1: I know. He also said he quit weed, but I 748 00:32:30,360 --> 00:32:33,080 Speaker 1: think that I will ask him if that's if that's lasted. 749 00:32:33,800 --> 00:32:37,320 Speaker 1: Why is your wife's instagram handled the mean Chick? She 750 00:32:37,440 --> 00:32:41,200 Speaker 1: seems like such a nice person, does she. Well, I 751 00:32:41,240 --> 00:32:43,720 Speaker 1: don't know her that well, but every time I've hung 752 00:32:43,760 --> 00:32:45,160 Speaker 1: out with her, she seems delightful. 753 00:32:45,800 --> 00:32:48,920 Speaker 3: She is delightful her her. She's Polish and her last 754 00:32:48,960 --> 00:32:52,120 Speaker 3: name is Domin Chick or Domean Chick, which sounds like 755 00:32:52,280 --> 00:32:54,200 Speaker 3: the mean chick. So every time someone has has a 756 00:32:54,280 --> 00:32:56,720 Speaker 3: hard time pronouncing her name, she just says it sounds 757 00:32:56,800 --> 00:32:57,520 Speaker 3: like the mean chick. 758 00:32:57,600 --> 00:32:58,160 Speaker 2: So that's oh. 759 00:32:58,360 --> 00:32:59,680 Speaker 1: I thought there were I thought it was like a 760 00:32:59,720 --> 00:33:02,120 Speaker 1: thing like, look, you might think I'm nice, but I'm 761 00:33:02,160 --> 00:33:02,760 Speaker 1: a bitch. 762 00:33:03,520 --> 00:33:05,480 Speaker 3: No, no, no, she's She's an asshole. 763 00:33:05,520 --> 00:33:06,280 Speaker 2: But god, I love her. 764 00:33:07,600 --> 00:33:09,200 Speaker 1: And she had a good part on your show too, 765 00:33:09,280 --> 00:33:13,240 Speaker 1: didn't she. Yeah, Man, I forgot did she have a 766 00:33:13,400 --> 00:33:14,240 Speaker 1: recurring or something? 767 00:33:14,520 --> 00:33:15,960 Speaker 3: She had she had a recurring role. And that was 768 00:33:16,000 --> 00:33:18,680 Speaker 3: sort of one of the one of the caveats I 769 00:33:18,720 --> 00:33:22,040 Speaker 3: had when I was when I was talking about shooting 770 00:33:22,080 --> 00:33:23,920 Speaker 3: this show in Prague, you know, I was like, you 771 00:33:23,960 --> 00:33:26,320 Speaker 3: guys want me to move over to Prague for a year. 772 00:33:26,680 --> 00:33:29,040 Speaker 3: And I got a wife who's a working actress. I 773 00:33:29,080 --> 00:33:30,640 Speaker 3: got three kids, and I'm gonna put in school, like 774 00:33:30,680 --> 00:33:32,640 Speaker 3: I can't ask her to stop. And Bill was like, 775 00:33:32,680 --> 00:33:33,400 Speaker 3: she could be on the show. 776 00:33:33,800 --> 00:33:36,640 Speaker 1: Yeah, you know whatever. Bill's a good salesman. He's like, 777 00:33:36,880 --> 00:33:39,640 Speaker 1: I just I just discovered who our new recurring role is. 778 00:33:40,280 --> 00:33:43,240 Speaker 3: Yeah, you know, but that it was a It was 779 00:33:43,320 --> 00:33:45,240 Speaker 3: a It was a smart move on his part and 780 00:33:45,640 --> 00:33:47,880 Speaker 3: and ours. Actually, you know, shooting over in Prague was 781 00:33:49,920 --> 00:33:52,560 Speaker 3: obviously much better for the budget. The tax breaks and 782 00:33:52,640 --> 00:33:56,200 Speaker 3: the cost of doing business over there is substantially lower. 783 00:33:56,040 --> 00:33:58,440 Speaker 1: So and and just that production value. You know, there's 784 00:33:58,440 --> 00:33:59,720 Speaker 1: a shot in the pilot. By the way, if you 785 00:33:59,720 --> 00:34:01,560 Speaker 1: haven't see the show, go see it, even if you 786 00:34:01,640 --> 00:34:04,200 Speaker 1: just watch the pilot, because you'll be impressed by the 787 00:34:04,280 --> 00:34:06,720 Speaker 1: scope of the damn thing. I just couldn't. I thought 788 00:34:06,760 --> 00:34:08,880 Speaker 1: it was a pilot was really well done, and I 789 00:34:09,000 --> 00:34:10,600 Speaker 1: was I was gonna go direct one. I was sort 790 00:34:10,600 --> 00:34:12,880 Speaker 1: of intimidated. I was like, how many days you get 791 00:34:12,920 --> 00:34:14,040 Speaker 1: to shoot these episodes? 792 00:34:14,040 --> 00:34:15,840 Speaker 3: Because it was just we were so excited to have 793 00:34:15,960 --> 00:34:16,400 Speaker 3: you over there. 794 00:34:16,480 --> 00:34:16,600 Speaker 2: Man. 795 00:34:16,640 --> 00:34:18,279 Speaker 3: We were so bummed when it when it fell through, 796 00:34:18,360 --> 00:34:19,719 Speaker 3: and I know you got a big I. 797 00:34:20,840 --> 00:34:23,680 Speaker 1: Got a part in a good role in a movie 798 00:34:23,760 --> 00:34:28,040 Speaker 1: with Christopher Walking and my actor crush heart. Couldn't say 799 00:34:28,080 --> 00:34:29,799 Speaker 1: no to that. As much as I wanted to come 800 00:34:29,840 --> 00:34:35,400 Speaker 1: to Prague and Boss Scott Foley around the show, I 801 00:34:35,520 --> 00:34:37,880 Speaker 1: know she's that episode would have would have been the thing. No, 802 00:34:38,000 --> 00:34:40,279 Speaker 1: But I I I I can't wait to work with 803 00:34:40,360 --> 00:34:42,520 Speaker 1: you again because I think you're fantastic. Donald. 804 00:34:43,719 --> 00:34:45,360 Speaker 2: You're so amazing in this episode. 805 00:34:45,480 --> 00:34:47,880 Speaker 1: Man, Yeah, let's get into the episode. Let's get in 806 00:34:47,960 --> 00:34:50,640 Speaker 1: the episode. Yeah, it's a very good episode. You know 807 00:34:50,760 --> 00:34:53,319 Speaker 1: we Adam Bernstein directed it, who directed our pilot. We've 808 00:34:53,360 --> 00:34:56,399 Speaker 1: told you, and he's a very very funny talented guy, 809 00:34:56,840 --> 00:34:58,799 Speaker 1: Eric Er, very funny writer. 810 00:35:00,040 --> 00:35:02,040 Speaker 3: I played tennis with him after this episode. 811 00:35:02,320 --> 00:35:04,000 Speaker 1: You're a good tennis players and not a bit of 812 00:35:04,040 --> 00:35:04,640 Speaker 1: trivia about you. 813 00:35:05,280 --> 00:35:06,800 Speaker 3: That is a bit of trivia about me. I'm I 814 00:35:06,840 --> 00:35:08,600 Speaker 3: can hold my own. I'm not great, but I can. 815 00:35:08,520 --> 00:35:09,000 Speaker 1: Hold my own. 816 00:35:09,400 --> 00:35:10,040 Speaker 2: That's what college. 817 00:35:10,160 --> 00:35:12,320 Speaker 1: That's what people who are really good say to be modest. 818 00:35:12,360 --> 00:35:16,399 Speaker 1: You're really good. I think can you beat Bill? No? Yeah, 819 00:35:16,440 --> 00:35:17,200 Speaker 1: Bill's really good. 820 00:35:17,800 --> 00:35:19,800 Speaker 3: Bill's really good. Although although these days I don't know 821 00:35:19,920 --> 00:35:20,640 Speaker 3: he's gotten older. 822 00:35:21,840 --> 00:35:23,960 Speaker 1: Bill. You know, Bill and I we don't. We don't 823 00:35:24,000 --> 00:35:26,239 Speaker 1: play together because it's just not fun for for either 824 00:35:26,280 --> 00:35:31,280 Speaker 1: one of us. But we often hit. We've we've vacationed together, 825 00:35:31,360 --> 00:35:33,000 Speaker 1: and we would like each hit with a pro on 826 00:35:33,160 --> 00:35:35,920 Speaker 1: separate courts because I'm I just can just get by. 827 00:35:36,040 --> 00:35:38,279 Speaker 1: But I love it. And Bill's is like, you know, 828 00:35:38,360 --> 00:35:41,920 Speaker 1: played college, is really good. But he would play these 829 00:35:42,000 --> 00:35:45,200 Speaker 1: young pros and try his ass off to but he 830 00:35:45,239 --> 00:35:46,680 Speaker 1: would keep up with him. I mean, you know, it 831 00:35:46,760 --> 00:35:47,920 Speaker 1: was it was he was impressive. 832 00:35:48,600 --> 00:35:50,319 Speaker 3: Yeah, no, he's he's good. He and I have gone 833 00:35:50,320 --> 00:35:52,279 Speaker 3: out to hit a few times. And we have a 834 00:35:52,880 --> 00:35:56,680 Speaker 3: tennis program named Christian Kapolick who was a pro for 835 00:35:56,760 --> 00:35:58,279 Speaker 3: a while and and sort of hits with a bunch 836 00:35:58,280 --> 00:36:00,520 Speaker 3: of people around town and we both play with him. 837 00:36:00,560 --> 00:36:03,080 Speaker 3: But Bill's very talented, as by the way, getting back 838 00:36:03,080 --> 00:36:05,640 Speaker 3: to the episode, was mister Weinberg, he's a very good 839 00:36:05,680 --> 00:36:06,200 Speaker 3: tennis player. 840 00:36:07,560 --> 00:36:09,279 Speaker 1: I got to say that. What I want to start 841 00:36:09,320 --> 00:36:11,400 Speaker 1: to say is that you know, we're watching these episodes, Scott, 842 00:36:11,440 --> 00:36:13,040 Speaker 1: and they're all some of them are great and some 843 00:36:13,200 --> 00:36:15,880 Speaker 1: of them are just okay. As as happens when you 844 00:36:15,960 --> 00:36:18,279 Speaker 1: make one hundred and eighty two episodes of Something. I 845 00:36:18,400 --> 00:36:21,400 Speaker 1: have to say this one is particularly really. 846 00:36:21,200 --> 00:36:24,360 Speaker 2: Fucking funny one quite a few times. 847 00:36:24,520 --> 00:36:27,080 Speaker 1: I mean about a bunch. Not only do we have 848 00:36:27,160 --> 00:36:29,880 Speaker 1: Scott's wholet and Sarah's ark, which is hilarious, but the 849 00:36:30,000 --> 00:36:32,640 Speaker 1: janitor fucking with me and telling all my patients to 850 00:36:32,680 --> 00:36:34,280 Speaker 1: get sergerty. It's so funny. 851 00:36:35,680 --> 00:36:39,520 Speaker 3: And Donald hes to everybody. He talks to everybody was 852 00:36:39,560 --> 00:36:42,440 Speaker 3: in this episode he talks to e everybody. 853 00:36:42,719 --> 00:36:45,640 Speaker 1: I know Bill, you know, as you know, Bill has 854 00:36:45,880 --> 00:36:49,000 Speaker 1: held on to this, uh, this lure that in season 855 00:36:49,080 --> 00:36:52,120 Speaker 1: one the janitor only spoke to JD and and if 856 00:36:52,360 --> 00:36:55,239 Speaker 1: he was debating whether as we went forward, if if 857 00:36:55,280 --> 00:36:57,240 Speaker 1: the janitor would just be a figured in Jad's imagination. 858 00:36:57,880 --> 00:36:58,920 Speaker 2: This is where it went off the way. 859 00:36:59,000 --> 00:37:02,680 Speaker 1: Yeah, I think episode he must have been like fucking 860 00:37:03,200 --> 00:37:04,600 Speaker 1: because the janitor tugs everybody. 861 00:37:05,320 --> 00:37:08,880 Speaker 3: J is, He's given advice, He's given medical advice to people. 862 00:37:09,680 --> 00:37:13,759 Speaker 1: Yeah, that was really funny. Let's get into it. I'm 863 00:37:13,800 --> 00:37:15,240 Speaker 1: your bia very funny. 864 00:37:15,760 --> 00:37:18,480 Speaker 2: H Yeah, this was this is the beginning, well not 865 00:37:18,600 --> 00:37:21,120 Speaker 2: the beginning of Scrubs being a musical, because we had 866 00:37:21,200 --> 00:37:23,480 Speaker 2: Judy and Sam sing together. Yeah, but this is the 867 00:37:23,520 --> 00:37:26,920 Speaker 2: beginning of big product musical productions. Though in Scrub we're 868 00:37:26,960 --> 00:37:30,480 Speaker 2: all dancing in the hallway, Yeah, singing on a on 869 00:37:30,600 --> 00:37:33,440 Speaker 2: a made up uh pire escape. 870 00:37:33,680 --> 00:37:35,960 Speaker 1: Yeah. This was our homage to West Side Story, and 871 00:37:36,200 --> 00:37:38,239 Speaker 1: we clearly didn't have the rights because we're very clearly 872 00:37:38,320 --> 00:37:41,160 Speaker 1: tiptoeing around it being a West Side Story spoof. But 873 00:37:41,239 --> 00:37:42,640 Speaker 1: it is a West Side Story spoof. 874 00:37:43,160 --> 00:37:46,000 Speaker 3: I loved it. I love the musical theater references. I thought, 875 00:37:46,400 --> 00:37:47,840 Speaker 3: you know, I was, I was sitting there watching this 876 00:37:47,920 --> 00:37:49,680 Speaker 3: trying to think of the sort of the theme. And 877 00:37:49,760 --> 00:37:52,359 Speaker 3: you know, they talk about competition, but but whether it's 878 00:37:52,600 --> 00:37:57,800 Speaker 3: whether it's you, j D and Turk or Cox and Kelso, 879 00:37:58,320 --> 00:38:01,160 Speaker 3: like it's it's not necessarily competition, but there's a power 880 00:38:01,200 --> 00:38:03,600 Speaker 3: struggle happening here with all these characters, which was really 881 00:38:03,719 --> 00:38:05,879 Speaker 3: interesting to watch. And I thought the you know, we're 882 00:38:05,920 --> 00:38:08,400 Speaker 3: not obviously not there yet, but I thought that the resolution, 883 00:38:08,840 --> 00:38:11,160 Speaker 3: especially when it came to you guys a storyline, was 884 00:38:11,200 --> 00:38:11,919 Speaker 3: a great one. 885 00:38:12,800 --> 00:38:15,120 Speaker 1: Yeah. Yeah, it is about. It's about I guess that's 886 00:38:15,160 --> 00:38:18,440 Speaker 1: the theme in the two main storyline. I mean not 887 00:38:18,560 --> 00:38:21,000 Speaker 1: the two main because you and Sarah one, the Cox 888 00:38:21,120 --> 00:38:23,960 Speaker 1: Kelso one, and the me Donald on is is competing 889 00:38:24,040 --> 00:38:26,520 Speaker 1: with your peers, And you're right, it is the first 890 00:38:26,560 --> 00:38:28,680 Speaker 1: time we get into all these games that Donald and 891 00:38:28,760 --> 00:38:31,520 Speaker 1: I would play over the years. Uh, these stupid, these 892 00:38:31,560 --> 00:38:34,279 Speaker 1: stupid little challenges. You know, what was the one with 893 00:38:34,800 --> 00:38:39,640 Speaker 1: hide the saltine and all the many things. 894 00:38:39,480 --> 00:38:41,400 Speaker 2: But this was the first tower finger. 895 00:38:41,640 --> 00:38:42,399 Speaker 1: Yeah. Yeah. 896 00:38:43,880 --> 00:38:46,239 Speaker 3: And they're all very They're all named in a very 897 00:38:46,360 --> 00:38:49,400 Speaker 3: Bill Lawrence way, you know, like steak is just called steak, 898 00:38:50,000 --> 00:38:53,600 Speaker 3: it's just but but even what Cox calls the nerve 899 00:38:53,640 --> 00:38:56,799 Speaker 3: coffee nurse like it. It's so simple the way Bill 900 00:38:56,880 --> 00:38:57,279 Speaker 3: names things. 901 00:38:57,320 --> 00:38:58,840 Speaker 1: And it's hilarious, by the way, a little bit of 902 00:38:58,880 --> 00:39:00,960 Speaker 1: trivia coffee nurs. I don't know if you know this 903 00:39:01,480 --> 00:39:05,400 Speaker 1: is uh, Matt Tarsus's beautiful wife, Katie Tarsus. 904 00:39:06,520 --> 00:39:08,400 Speaker 3: Matt, I didn't know that, Matt. I didn't you know 905 00:39:08,480 --> 00:39:10,520 Speaker 3: Matt Tarsis Scott fully, Yeah, I know Matt, but I 906 00:39:10,560 --> 00:39:11,399 Speaker 3: didn't know that was his wife. 907 00:39:11,560 --> 00:39:13,840 Speaker 1: Matt Tarsus Is was one of our great writers on 908 00:39:13,920 --> 00:39:17,760 Speaker 1: Scrubs and he created, along with me, are our ABC 909 00:39:17,880 --> 00:39:21,440 Speaker 1: show that didn't work Alex inc And uh, he's a 910 00:39:21,560 --> 00:39:24,000 Speaker 1: great human being and has a beautiful wife. And I 911 00:39:24,200 --> 00:39:28,680 Speaker 1: stopped and I was like, that's Katie Tarsus playing coffee nurse. 912 00:39:29,640 --> 00:39:30,160 Speaker 3: She was great. 913 00:39:30,400 --> 00:39:32,960 Speaker 1: And I texted and I said, your wife is so 914 00:39:33,239 --> 00:39:35,879 Speaker 1: beautiful in this episode and he said yes, And I said, 915 00:39:37,040 --> 00:39:44,359 Speaker 1: I'm not gonna say never mind what you got done, 916 00:39:44,360 --> 00:39:48,760 Speaker 1: you got anything else? This dude is fucking hilarious. 917 00:39:48,760 --> 00:39:51,760 Speaker 2: What's the name of the gentleman who played with Red Stoler? 918 00:39:51,920 --> 00:39:52,399 Speaker 1: Is his name? 919 00:39:53,080 --> 00:39:53,560 Speaker 2: So good? 920 00:39:53,840 --> 00:39:56,040 Speaker 1: This guy. I got to tell you, if you are 921 00:39:56,120 --> 00:39:59,200 Speaker 1: a director or a filmmaker or a showrunner, you need 922 00:39:59,280 --> 00:40:01,840 Speaker 1: to hire this guy because every sentence he said, I 923 00:40:01,920 --> 00:40:02,760 Speaker 1: laughed out loud. 924 00:40:02,920 --> 00:40:05,960 Speaker 2: Out loud. I remember laughing when we were making the 925 00:40:06,040 --> 00:40:09,120 Speaker 2: show and him doing this. The lines in the thing 926 00:40:09,760 --> 00:40:12,880 Speaker 2: the Chicken that he shit had me going for days. 927 00:40:13,120 --> 00:40:15,800 Speaker 1: He takes the funniest he takes the funniest stutter, and 928 00:40:16,120 --> 00:40:17,759 Speaker 1: I tried to write it down because the word what 929 00:40:17,840 --> 00:40:20,040 Speaker 1: he's trying to say is no, you said chicken. But 930 00:40:20,160 --> 00:40:23,000 Speaker 1: what it comes out is he goes, no, you chicken again, 931 00:40:24,520 --> 00:40:26,480 Speaker 1: and like, I don't know, you can't write that in 932 00:40:26,560 --> 00:40:29,120 Speaker 1: a script. That's just an actor coming up with something funny. 933 00:40:29,200 --> 00:40:30,120 Speaker 1: It was hilarious. 934 00:40:30,719 --> 00:40:33,000 Speaker 3: He's been around for years. He's that character actor guy 935 00:40:33,040 --> 00:40:35,920 Speaker 3: who just pops up and he slays every time you 936 00:40:36,000 --> 00:40:38,560 Speaker 3: see him. He's got such a dry sense of humor 937 00:40:38,600 --> 00:40:40,240 Speaker 3: that is innately watchable. 938 00:40:40,360 --> 00:40:43,680 Speaker 1: There is this there is this type of really funny actor. 939 00:40:44,080 --> 00:40:47,200 Speaker 1: They're often called character actors that like Fred that can 940 00:40:47,480 --> 00:40:49,680 Speaker 1: that and Bill would hire lots of them on the 941 00:40:49,719 --> 00:40:52,359 Speaker 1: show over the years, and he jokingly would call him 942 00:40:52,400 --> 00:40:55,799 Speaker 1: his assassins. And Bob Pundennen is another one. And they 943 00:40:55,840 --> 00:40:57,160 Speaker 1: would just come on and they would have like a 944 00:40:57,239 --> 00:41:00,920 Speaker 1: few lines, but everything they said was was and uh. 945 00:41:01,560 --> 00:41:03,960 Speaker 1: And I just want to say to Fred and anyone 946 00:41:03,960 --> 00:41:06,520 Speaker 1: who knows Fred, every single thing you said on this 947 00:41:06,560 --> 00:41:07,480 Speaker 1: episode made us laugh. 948 00:41:07,960 --> 00:41:11,560 Speaker 2: Yeah, he came back to later on, not you know, 949 00:41:11,719 --> 00:41:14,719 Speaker 2: seasons later. Actually I thought he would be somebody who 950 00:41:14,719 --> 00:41:16,680 Speaker 2: would come back into the hospital over and over again. 951 00:41:16,800 --> 00:41:19,200 Speaker 1: I think, yeah, when this was, when this episode was done, 952 00:41:19,239 --> 00:41:20,680 Speaker 1: I remember telling Bill like, you got to have that 953 00:41:20,719 --> 00:41:22,439 Speaker 1: guy back, you got to have him. Yeah, he should 954 00:41:22,480 --> 00:41:23,560 Speaker 1: be a regular. He's hilarious. 955 00:41:24,080 --> 00:41:25,760 Speaker 3: He was really funny. Yeah, I agree. 956 00:41:26,360 --> 00:41:32,000 Speaker 2: On the treadmill. Yeah, oh god, one, you look great. 957 00:41:32,080 --> 00:41:34,399 Speaker 2: You got that young you got that young body where 958 00:41:34,440 --> 00:41:39,040 Speaker 2: the shoulders haven't really caught up yet. You know what 959 00:41:39,160 --> 00:41:42,000 Speaker 2: I mean where they're like huge, your shoulders. 960 00:41:41,680 --> 00:41:42,760 Speaker 1: Like so high and everything. 961 00:41:42,920 --> 00:41:44,479 Speaker 2: You know what I'm talking about. When you're like a baby, 962 00:41:44,480 --> 00:41:46,600 Speaker 2: you know what you're talking about. You start growing lats 963 00:41:46,640 --> 00:41:50,759 Speaker 2: and ship Anyway, Uh, when making that the fall, was 964 00:41:50,800 --> 00:41:53,719 Speaker 2: that you? Or was that the same question asking you 965 00:41:53,800 --> 00:41:54,080 Speaker 2: to do it? 966 00:41:54,440 --> 00:41:56,600 Speaker 1: The fall was me? I was. 967 00:41:56,760 --> 00:41:59,080 Speaker 3: I was terrified about this. This was the scene in 968 00:41:59,160 --> 00:42:01,880 Speaker 3: the script that had me the most nervous, and for 969 00:42:02,080 --> 00:42:07,399 Speaker 3: ridiculous reasons, like there is something about watching people run 970 00:42:07,680 --> 00:42:10,879 Speaker 3: on screen that you can look the gate, your gate. 971 00:42:11,160 --> 00:42:13,160 Speaker 3: You can look like an idiot, or you can look okay. 972 00:42:13,760 --> 00:42:15,960 Speaker 3: You know, like if you you see people run on screen, 973 00:42:15,960 --> 00:42:18,400 Speaker 3: you're like, that's a weird run. That's it, and it's 974 00:42:18,760 --> 00:42:20,799 Speaker 3: it's quick and easy to judge. So I was very 975 00:42:20,880 --> 00:42:24,960 Speaker 3: nervous about that. But I also felt that the here 976 00:42:25,160 --> 00:42:26,560 Speaker 3: far be it for me to be a writer. But 977 00:42:26,760 --> 00:42:30,000 Speaker 3: I felt that the scene needed like a button at 978 00:42:30,040 --> 00:42:32,759 Speaker 3: the end. It didn't, It didn't come together quite right. 979 00:42:33,120 --> 00:42:35,920 Speaker 3: And I remember the first time I thought about doing it, 980 00:42:36,040 --> 00:42:38,200 Speaker 3: and in the scene I just halfway through the first take, 981 00:42:38,200 --> 00:42:41,200 Speaker 3: I decided to do it, and everyone flipped out, like 982 00:42:41,280 --> 00:42:43,160 Speaker 3: we didn't even like they're like are you okay? Oh 983 00:42:43,239 --> 00:42:43,839 Speaker 3: my god, what happened? 984 00:42:43,880 --> 00:42:44,040 Speaker 2: Guys? 985 00:42:44,080 --> 00:42:44,880 Speaker 3: Can we get a medican here? 986 00:42:44,920 --> 00:42:45,120 Speaker 1: Someone? 987 00:42:45,160 --> 00:42:46,759 Speaker 3: I was like, no, no, no, no, it was a bit. 988 00:42:47,239 --> 00:42:49,239 Speaker 1: It was a bit. Guy. That's pretty courageous of you 989 00:42:49,400 --> 00:42:53,640 Speaker 1: to do a unscheduled, almost proudfall on a treadmill running. 990 00:42:53,680 --> 00:42:56,880 Speaker 3: That's advanced, Scott, Thank you, my friend. Well, I pride 991 00:42:56,920 --> 00:42:59,480 Speaker 3: myself on physical comedy, although I never get to do it. 992 00:42:59,560 --> 00:43:02,000 Speaker 3: My wife sichem at home and my wife is sick 993 00:43:02,000 --> 00:43:02,160 Speaker 3: of it. 994 00:43:03,040 --> 00:43:03,400 Speaker 1: But it was. 995 00:43:03,680 --> 00:43:07,839 Speaker 3: It was Unfortunately they liked it after they calmed down 996 00:43:07,920 --> 00:43:10,279 Speaker 3: and I had to do it, you know, seven more times. 997 00:43:10,840 --> 00:43:13,480 Speaker 1: Right, Well, good thing you survived. I liked it because 998 00:43:13,920 --> 00:43:18,680 Speaker 1: you were such a good ying yang for Sarah, because 999 00:43:18,840 --> 00:43:22,640 Speaker 1: you're both sort of goofy and nervous and neurotic, and 1000 00:43:23,560 --> 00:43:26,600 Speaker 1: it was just so she's doing all this ridiculous stuff 1001 00:43:26,719 --> 00:43:29,879 Speaker 1: and you're seemingly holding it together and then she looks 1002 00:43:29,880 --> 00:43:31,600 Speaker 1: away and you trip on the treadmill. I thought that 1003 00:43:31,680 --> 00:43:32,320 Speaker 1: was really funny. 1004 00:43:32,920 --> 00:43:33,400 Speaker 3: Thanks man. 1005 00:43:33,480 --> 00:43:33,680 Speaker 2: It was. 1006 00:43:34,080 --> 00:43:36,680 Speaker 3: You know, finding it's always a hard thing when you 1007 00:43:36,800 --> 00:43:38,640 Speaker 3: first come onto a show. Even even though you guys 1008 00:43:38,640 --> 00:43:40,920 Speaker 3: were in your first season. This is the twentieth episode, 1009 00:43:41,200 --> 00:43:44,000 Speaker 3: so to try to establish a character amongst all these 1010 00:43:44,000 --> 00:43:45,640 Speaker 3: other characters is a really hard thing to do. And 1011 00:43:46,120 --> 00:43:49,040 Speaker 3: Sarah and I talked about it a bit, and you know, 1012 00:43:49,120 --> 00:43:51,360 Speaker 3: I think what we came up with for Sean and 1013 00:43:52,760 --> 00:43:55,560 Speaker 3: worked ultimately. You know, he got a little more confident 1014 00:43:55,600 --> 00:43:58,600 Speaker 3: as the show went on and his episodes got there. 1015 00:43:58,640 --> 00:44:02,080 Speaker 3: But it was fun playing this sort of nervous, neurotic, 1016 00:44:02,600 --> 00:44:06,680 Speaker 3: uh somewhat insecure kid. It was really interesting. 1017 00:44:07,280 --> 00:44:10,000 Speaker 2: Yeah, you're your your character arc throughout the show is 1018 00:44:10,120 --> 00:44:12,719 Speaker 2: it's really it's very interesting because you do start off, 1019 00:44:13,040 --> 00:44:15,319 Speaker 2: you and Sarah are pretty much the same character. You're 1020 00:44:15,360 --> 00:44:17,360 Speaker 2: just the male version of her. And then all of 1021 00:44:17,400 --> 00:44:21,200 Speaker 2: a sudden you develop this confidence, right, and then you 1022 00:44:21,320 --> 00:44:23,359 Speaker 2: lose this confidence all of a sudden when she breaks 1023 00:44:23,440 --> 00:44:25,800 Speaker 2: up with you out of nowhere, you know, when you 1024 00:44:25,880 --> 00:44:26,719 Speaker 2: grow the beard and. 1025 00:44:28,239 --> 00:44:30,720 Speaker 1: And and he for learnedly rides a dolphin. 1026 00:44:32,400 --> 00:44:34,600 Speaker 3: They had me doing some strange things, which I hope 1027 00:44:34,600 --> 00:44:36,640 Speaker 3: we get to talk about in future episodes. Look at 1028 00:44:36,680 --> 00:44:37,799 Speaker 3: where I am inviting myself over. 1029 00:44:38,160 --> 00:44:43,279 Speaker 1: You know, absolutely, Scott, you are so good for our 1030 00:44:43,400 --> 00:44:47,000 Speaker 1: ratings that we are to have you back. I hope 1031 00:44:47,040 --> 00:44:47,960 Speaker 1: you'll come back on episodes. 1032 00:44:47,960 --> 00:44:50,160 Speaker 3: You have nothing to do with I would love to 1033 00:44:50,400 --> 00:44:51,320 Speaker 3: just to make fun of people. 1034 00:44:52,200 --> 00:44:54,520 Speaker 1: Know, we're already you're you're, we're already inviting you back 1035 00:44:54,560 --> 00:44:56,080 Speaker 1: because we have to talk about SeaWorld. 1036 00:44:56,640 --> 00:44:58,359 Speaker 2: Uh and uh oh yeah. 1037 00:44:58,600 --> 00:45:01,080 Speaker 1: I would like to say that I know younger support SeaWorld, 1038 00:45:01,160 --> 00:45:02,640 Speaker 1: but at the time we were happy to go to 1039 00:45:02,640 --> 00:45:03,160 Speaker 1: the Sea World. 1040 00:45:03,560 --> 00:45:05,800 Speaker 2: I remember being so pissed off because I couldn't go. 1041 00:45:06,080 --> 00:45:08,160 Speaker 2: None of my scenes were at Sea World, not so 1042 00:45:08,280 --> 00:45:10,399 Speaker 2: let me run straight. Let me get this straight. Y'all 1043 00:45:10,440 --> 00:45:12,840 Speaker 2: are all gone to San Diego to hang out for 1044 00:45:12,960 --> 00:45:16,360 Speaker 2: a night in San Diego and ride dolphins and I 1045 00:45:16,440 --> 00:45:19,640 Speaker 2: gotta stay back at the mofucking hospital was I was 1046 00:45:19,800 --> 00:45:20,480 Speaker 2: so pissed. 1047 00:45:20,800 --> 00:45:22,640 Speaker 1: It was so fun. But this was all before we 1048 00:45:22,719 --> 00:45:24,840 Speaker 1: all saw the documentary Blackfish. 1049 00:45:24,480 --> 00:45:26,880 Speaker 3: And yes, and now we don't. We don't go there anymore. 1050 00:45:27,040 --> 00:45:30,280 Speaker 1: Now we we encourage people to not go there anymore. 1051 00:45:30,360 --> 00:45:31,399 Speaker 1: But before we were. 1052 00:45:31,320 --> 00:45:36,279 Speaker 5: All, before we knew, before we knew, before we were 1053 00:45:36,280 --> 00:45:39,760 Speaker 5: animal woke and Scott, you you did get to forlornly 1054 00:45:39,840 --> 00:45:41,520 Speaker 5: ride a dolphin, which is one of the coolest things 1055 00:45:41,520 --> 00:45:42,839 Speaker 5: anyone could ever do in their career. 1056 00:45:43,760 --> 00:45:45,799 Speaker 3: The things that I got to do on this show 1057 00:45:46,360 --> 00:45:50,120 Speaker 3: were still some of the highlights of my career. I mean, 1058 00:45:50,160 --> 00:45:54,960 Speaker 3: between riding on the dolphin, doing this Betty the seal bit. 1059 00:45:55,000 --> 00:45:56,759 Speaker 3: I don't know if you remember this, but I had 1060 00:45:56,840 --> 00:45:59,520 Speaker 3: like a phone call with Sarah and I turned my 1061 00:45:59,600 --> 00:46:01,160 Speaker 3: head in this steal turns his head towards me, and 1062 00:46:01,239 --> 00:46:03,040 Speaker 3: I look away like it sticks its tongue out of me. 1063 00:46:03,920 --> 00:46:06,640 Speaker 3: I got to be like a like damn close to 1064 00:46:06,680 --> 00:46:08,960 Speaker 3: a killer whale and a bluga whale, and it was 1065 00:46:09,000 --> 00:46:11,200 Speaker 3: a it was a really amazing experience, and I'll never 1066 00:46:11,239 --> 00:46:11,600 Speaker 3: forget it. 1067 00:46:12,120 --> 00:46:14,160 Speaker 1: Think how sad that whale was, Scott while you were 1068 00:46:14,200 --> 00:46:14,680 Speaker 1: acting with it. 1069 00:46:15,320 --> 00:46:22,080 Speaker 3: I had no idea. It didn't let on, you're. 1070 00:46:21,920 --> 00:46:23,200 Speaker 2: Gonna get mail for that one. 1071 00:46:26,239 --> 00:46:29,080 Speaker 1: Scott's I had no idea. I did not know. 1072 00:46:29,960 --> 00:46:31,040 Speaker 3: I didn't say a damn thing. 1073 00:46:31,360 --> 00:46:31,880 Speaker 1: I would have been. 1074 00:46:31,880 --> 00:46:33,080 Speaker 3: I would have had his bad Listen. 1075 00:46:32,960 --> 00:46:35,480 Speaker 1: We're trying to buy it back with some karma now 1076 00:46:35,560 --> 00:46:38,120 Speaker 1: by saying don't support it any longer. So there you go. 1077 00:46:38,360 --> 00:46:39,399 Speaker 2: There you go, boy. 1078 00:46:39,640 --> 00:46:43,040 Speaker 1: All right, let's talk about let's talk about when he goes. 1079 00:46:43,600 --> 00:46:46,120 Speaker 1: I love when he goes what are you eight eleven? 1080 00:46:46,600 --> 00:46:46,640 Speaker 4: With? 1081 00:46:46,880 --> 00:46:49,480 Speaker 1: With with Hoffner, I go, he goes, what are you 1082 00:46:49,560 --> 00:46:51,640 Speaker 1: serving for dinner? The night, and I go, that's that's 1083 00:46:51,680 --> 00:46:53,880 Speaker 1: not really my area. He goes, I'd like chicken. 1084 00:46:58,040 --> 00:46:58,880 Speaker 2: That guy was great. 1085 00:46:58,960 --> 00:47:02,760 Speaker 1: He just chicken, chicken, chicken. 1086 00:47:04,120 --> 00:47:07,000 Speaker 3: So I was I don't know where. I don't know 1087 00:47:07,040 --> 00:47:08,920 Speaker 3: where in the show that is, But I want to 1088 00:47:08,960 --> 00:47:12,640 Speaker 3: talk for a second about you two singing on the 1089 00:47:12,719 --> 00:47:16,719 Speaker 3: fire escape. Yeah, which was a I loved it, and 1090 00:47:16,800 --> 00:47:19,319 Speaker 3: I loved the musical theater references, and those are something 1091 00:47:19,400 --> 00:47:23,640 Speaker 3: that find a home throughout the life of this television show. 1092 00:47:24,160 --> 00:47:27,359 Speaker 3: But the smile that you had on your face, Zach, 1093 00:47:27,960 --> 00:47:31,799 Speaker 3: we were unable to hide made me rewind it two 1094 00:47:31,920 --> 00:47:33,800 Speaker 3: or three times to be like, is he just smiling 1095 00:47:33,840 --> 00:47:34,480 Speaker 3: because he's singing? 1096 00:47:34,640 --> 00:47:37,720 Speaker 1: Or no, no, no, he can't hold back his laugher Scott, 1097 00:47:37,800 --> 00:47:40,000 Speaker 1: I had a Phantom of the opera beach towel hung 1098 00:47:40,080 --> 00:47:41,080 Speaker 1: on my wall as a child. 1099 00:47:42,200 --> 00:47:44,680 Speaker 3: I'm very aware this was me living my best life. 1100 00:47:45,280 --> 00:47:49,360 Speaker 3: It was your Seinfeld moment. Someone your Seinfeld moment, unable 1101 00:47:49,400 --> 00:47:50,440 Speaker 3: to hide your smile. 1102 00:47:50,800 --> 00:47:54,600 Speaker 1: Someone was paying me well to hold donald and sing 1103 00:47:54,719 --> 00:47:57,439 Speaker 1: musical theater to him. I was like, how could life 1104 00:47:57,560 --> 00:47:58,239 Speaker 1: get better than this? 1105 00:47:58,880 --> 00:48:02,160 Speaker 3: It was fantastic, and I appreciated you not being able 1106 00:48:02,200 --> 00:48:03,120 Speaker 3: to contain your Life show. 1107 00:48:03,280 --> 00:48:06,200 Speaker 1: Getting a getting a lead in a TV show was 1108 00:48:06,680 --> 00:48:09,399 Speaker 1: was enough. Now you're letting me sing a love song 1109 00:48:09,480 --> 00:48:11,279 Speaker 1: to Donald on a fire escape. Come on. 1110 00:48:12,560 --> 00:48:14,759 Speaker 3: It was great. And by the way, the way you 1111 00:48:14,920 --> 00:48:19,400 Speaker 3: guys did the dancing in the hallway, everybody looked professional 1112 00:48:20,320 --> 00:48:21,279 Speaker 3: was going far. 1113 00:48:21,840 --> 00:48:24,239 Speaker 1: Everyone well, obviously everyone that wasn't the lead was a 1114 00:48:24,360 --> 00:48:25,000 Speaker 1: dancer and. 1115 00:48:27,000 --> 00:48:30,080 Speaker 2: The best I've ever seen Sarah dance. Also to me to. 1116 00:48:30,239 --> 00:48:32,959 Speaker 1: Sarah can dance, Sarah, she can't sing, but she can dance. 1117 00:48:33,480 --> 00:48:35,840 Speaker 2: Dude. She was on fire and this ship, dude, like 1118 00:48:36,000 --> 00:48:39,480 Speaker 2: I've seen Sarah dance, and Sarah dances like you know, 1119 00:48:39,719 --> 00:48:43,160 Speaker 2: Sarah Dan, I'm not gonna do. She knows. Sarah dances 1120 00:48:43,200 --> 00:48:43,960 Speaker 2: like she dances. 1121 00:48:44,160 --> 00:48:46,600 Speaker 1: Well, she knows her. She has her little thing she does, 1122 00:48:46,680 --> 00:48:49,759 Speaker 1: which was agnorable. But she she was doing like full 1123 00:48:49,840 --> 00:48:51,560 Speaker 1: on you know, Broadway choreography. 1124 00:48:52,160 --> 00:48:58,800 Speaker 2: Yeah, dude, yes he was. But Rob Mashio, Rob Mascio, 1125 00:48:58,960 --> 00:49:01,359 Speaker 2: did you know? I wonder if Rob Maschio ever did 1126 00:49:01,480 --> 00:49:03,600 Speaker 2: musical theater. I bet he did. I bet he did. 1127 00:49:04,280 --> 00:49:05,600 Speaker 1: We should have a section where we go to Rob. 1128 00:49:05,800 --> 00:49:07,080 Speaker 2: This is a Bill Lawrence question. 1129 00:49:07,239 --> 00:49:09,160 Speaker 1: No, we should go to Rob. And now we go 1130 00:49:09,280 --> 00:49:09,600 Speaker 1: to Rob. 1131 00:49:10,120 --> 00:49:12,040 Speaker 3: No, he's like a correspondent. 1132 00:49:12,239 --> 00:49:15,440 Speaker 1: Rob. Yeah, going to Rob live. Rob is a very 1133 00:49:15,480 --> 00:49:18,640 Speaker 1: successful realtor now at the beach. Scott. I don't know 1134 00:49:18,640 --> 00:49:19,839 Speaker 1: if you know that. So when you're ready to buy 1135 00:49:19,880 --> 00:49:21,840 Speaker 1: your beach house, you better use Rob Mashio. 1136 00:49:22,400 --> 00:49:23,839 Speaker 3: I'm not going to be ready to buy my beach 1137 00:49:23,880 --> 00:49:26,000 Speaker 3: house for a while, well one, but I'll use him 1138 00:49:26,000 --> 00:49:26,320 Speaker 3: when I do. 1139 00:49:26,719 --> 00:49:29,120 Speaker 1: Yes, I encourage anyone. We always like to give Rob 1140 00:49:29,200 --> 00:49:31,759 Speaker 1: shout outs. You can get Rob on cameo and you 1141 00:49:31,880 --> 00:49:34,440 Speaker 1: can pay him a nominal fee to send you a 1142 00:49:34,560 --> 00:49:36,880 Speaker 1: video where he high fives your friends. So go on 1143 00:49:36,960 --> 00:49:39,560 Speaker 1: cameo and hire Rob Mashio. And of course, if you're 1144 00:49:39,600 --> 00:49:41,680 Speaker 1: looking for real estate on the West side of Los Angeles, 1145 00:49:41,760 --> 00:49:44,319 Speaker 1: we encourage you to hire him. 1146 00:49:44,640 --> 00:49:46,680 Speaker 3: I'd like to go on cameo and have him and 1147 00:49:46,840 --> 00:49:49,120 Speaker 3: pay him whatever it costs just to watch him run line. 1148 00:49:54,600 --> 00:49:56,840 Speaker 1: By the way, Scott, I'm going to I don't know 1149 00:49:56,840 --> 00:49:59,000 Speaker 1: what's your birthday, I'm going to send you a cameo 1150 00:49:59,080 --> 00:49:59,480 Speaker 1: from Rob. 1151 00:50:00,120 --> 00:50:00,759 Speaker 2: Oh, that's great. 1152 00:50:00,840 --> 00:50:02,719 Speaker 3: July fifteenth, that's coming on, it's coming up. 1153 00:50:03,719 --> 00:50:04,600 Speaker 2: Yeah, yeah, I. 1154 00:50:04,840 --> 00:50:06,239 Speaker 1: Hope Rob will give it to me for free, but 1155 00:50:06,320 --> 00:50:09,560 Speaker 1: if not, I'm willing no, no, no cameo makes your pay. Okay, 1156 00:50:11,120 --> 00:50:13,399 Speaker 1: I'm gonna donald. Don't you think we should hire Rob 1157 00:50:13,480 --> 00:50:15,880 Speaker 1: to give sent Scott Follio a high five cameo? 1158 00:50:16,000 --> 00:50:17,360 Speaker 2: I think that would be the best thing ever. And 1159 00:50:17,440 --> 00:50:18,960 Speaker 2: if you have to share it too, you. 1160 00:50:19,000 --> 00:50:21,759 Speaker 1: Know you can get Really my brother loves baseball more 1161 00:50:21,800 --> 00:50:24,080 Speaker 1: than anything, and they have like old school you know, 1162 00:50:24,239 --> 00:50:26,959 Speaker 1: they have sports players. Is that what you call them? Sports? 1163 00:50:26,960 --> 00:50:30,760 Speaker 1: Sports players? Sports people? Sure, athletes, Yes, they have athletes, athletes, 1164 00:50:30,840 --> 00:50:37,319 Speaker 1: sports players. They have famous sports players and uh and. 1165 00:50:40,840 --> 00:50:41,800 Speaker 3: Ball and bad guys. 1166 00:50:42,280 --> 00:50:43,480 Speaker 1: But some of them are like I don't know if 1167 00:50:43,480 --> 00:50:45,560 Speaker 1: you like Lenny Dykestrong. Don't if you've heard Lenny Dykstraw 1168 00:50:45,880 --> 00:50:48,560 Speaker 1: starring lately, but he's you know, he's gotten a little wacky. 1169 00:50:48,600 --> 00:50:50,239 Speaker 1: And I was thinking about getting Leny Dyster from my 1170 00:50:50,320 --> 00:50:51,680 Speaker 1: brother to like send him a message. 1171 00:50:52,760 --> 00:50:54,200 Speaker 3: Are you guys on that you do cameo? 1172 00:50:54,840 --> 00:50:57,279 Speaker 1: I'm not on there, but I I occasionally scroll it 1173 00:50:57,440 --> 00:51:00,319 Speaker 1: because there's some people that I think would be very 1174 00:51:00,400 --> 00:51:04,719 Speaker 1: funny to hire for other people. Yeah, and uh, and 1175 00:51:04,920 --> 00:51:07,279 Speaker 1: so I've I've thought about it, but uh, like, like 1176 00:51:07,320 --> 00:51:09,640 Speaker 1: I saw Olivia Wilde I follow on Instagram and I'm 1177 00:51:09,680 --> 00:51:12,239 Speaker 1: friends with her, and she she loved that that documentary Cheer. 1178 00:51:12,280 --> 00:51:14,960 Speaker 1: I don't know if you saw Cheer, yes, but one 1179 00:51:15,000 --> 00:51:17,560 Speaker 1: of her friends hired all the kids, all the kids 1180 00:51:17,560 --> 00:51:19,800 Speaker 1: from Cheer are on there, hired every single one of 1181 00:51:19,840 --> 00:51:22,239 Speaker 1: them to send her birthday messages, and so for her 1182 00:51:22,800 --> 00:51:25,280 Speaker 1: feed on her birthday was all the kids from Cheers 1183 00:51:25,280 --> 00:51:27,759 Speaker 1: sending your birthday messages. I thought that was that's so cool. 1184 00:51:27,920 --> 00:51:28,880 Speaker 3: That's a great idea. 1185 00:51:28,960 --> 00:51:31,320 Speaker 1: So there you go, gift, it's a great gift idea. 1186 00:51:31,400 --> 00:51:33,480 Speaker 1: There you go, I'm giving. I'm giving Cameo a shout out. 1187 00:51:33,480 --> 00:51:34,759 Speaker 1: Although Donald and I are not on there. 1188 00:51:35,640 --> 00:51:38,040 Speaker 2: Have you guys, Have you guys ever met anyone that's 1189 00:51:38,080 --> 00:51:41,040 Speaker 2: as competitive as these guys are on the show that 1190 00:51:41,400 --> 00:51:45,960 Speaker 2: just you know, uh, you are competent. You think I'm competitive? 1191 00:51:46,000 --> 00:51:48,080 Speaker 1: No, not in life, but sports wise, you are when 1192 00:51:48,120 --> 00:51:50,640 Speaker 1: it comes to when you were in the day. 1193 00:51:50,760 --> 00:51:53,719 Speaker 2: When it comes to playing sports against anyone, absolutely, regardless 1194 00:51:53,760 --> 00:51:55,560 Speaker 2: of what it is, I want to win your absolutely. 1195 00:51:55,560 --> 00:51:57,120 Speaker 2: By wait, I don't know if you know anybody in 1196 00:51:57,239 --> 00:51:59,239 Speaker 2: life that's like that, other than Bill Lawrence. I was 1197 00:51:59,280 --> 00:52:01,440 Speaker 2: gonna say Bil Laura, but other than Bill Lawrence. 1198 00:52:01,239 --> 00:52:03,640 Speaker 1: Hill is the most competitive person I know in real life. 1199 00:52:04,000 --> 00:52:06,600 Speaker 2: Where you where it's like, you can't walk, don't walk 1200 00:52:06,640 --> 00:52:08,879 Speaker 2: faster than him, He's gonna think it's a race. 1201 00:52:09,160 --> 00:52:12,200 Speaker 1: Yeah, this is probably why it's in the scripts, because. 1202 00:52:14,200 --> 00:52:16,200 Speaker 3: I have a funny Bill Lawrence walking story. We were 1203 00:52:16,239 --> 00:52:18,080 Speaker 3: in We took a trip from Probue when we were 1204 00:52:18,080 --> 00:52:20,520 Speaker 3: shooting Whiskey Cavalier over to Amsterdam. And if you guys 1205 00:52:20,560 --> 00:52:24,000 Speaker 3: have never been there, it's a huge bicycle culture, right, 1206 00:52:24,040 --> 00:52:27,000 Speaker 3: Everyone rides bikes around. So we're walking down the sidewalks 1207 00:52:27,239 --> 00:52:30,680 Speaker 3: and wherever you wherever you are, you're inundated with these 1208 00:52:31,200 --> 00:52:34,719 Speaker 3: bicycle bells ringing constantly telling you to get out of 1209 00:52:34,760 --> 00:52:36,359 Speaker 3: the way, and you don't know where they're coming from, 1210 00:52:36,560 --> 00:52:38,440 Speaker 3: and you're looking behind you and you're always stepping off 1211 00:52:39,080 --> 00:52:40,839 Speaker 3: trying to get out of the way. And we were 1212 00:52:40,920 --> 00:52:43,080 Speaker 3: walking down and there was nobody around us. It had 1213 00:52:43,120 --> 00:52:45,360 Speaker 3: to be two in the morning. We've just seen a 1214 00:52:46,520 --> 00:52:48,320 Speaker 3: raiding concert in Amsterdam. 1215 00:52:50,080 --> 00:52:51,840 Speaker 2: Every show episode. 1216 00:52:53,120 --> 00:52:55,960 Speaker 3: Shout out my wife was he you know, Bill was like, 1217 00:52:55,960 --> 00:52:57,719 Speaker 3: we're gonna go fly to Amsterdam and go see him. 1218 00:52:57,719 --> 00:52:59,120 Speaker 3: And he does this song and my wife is like, 1219 00:52:59,160 --> 00:53:01,000 Speaker 3: oh my god, yes to sing only you. So of 1220 00:53:01,040 --> 00:53:02,320 Speaker 3: course in the middle of this thing, He's like and 1221 00:53:02,560 --> 00:53:07,719 Speaker 3: for Marika, only you, and she's like tearing up. I'm like, 1222 00:53:07,760 --> 00:53:08,719 Speaker 3: I think he's making fun of you. 1223 00:53:08,760 --> 00:53:08,960 Speaker 2: Baby. 1224 00:53:09,000 --> 00:53:11,799 Speaker 3: He doesn't want to sing the song. But we're we're 1225 00:53:11,880 --> 00:53:14,560 Speaker 3: walking back to the hotel and there's you know, it's dead, 1226 00:53:14,600 --> 00:53:17,279 Speaker 3: it's two in the morning, and there are all these 1227 00:53:17,360 --> 00:53:20,560 Speaker 3: bikes parked along. Nobody's riding bikes, but they're all sort 1228 00:53:20,600 --> 00:53:22,760 Speaker 3: of chained up along the sidewalk and we're walking. Bill's 1229 00:53:22,800 --> 00:53:25,839 Speaker 3: a couple uh steps ahead of me and I ring 1230 00:53:26,480 --> 00:53:30,000 Speaker 3: one of these locked up bikes bells. He damn near 1231 00:53:30,040 --> 00:53:30,760 Speaker 3: went to his knees. 1232 00:53:30,800 --> 00:53:31,680 Speaker 1: He was so afraid. 1233 00:53:31,760 --> 00:53:35,560 Speaker 3: He was such a PTSD. I've never seen Bill. 1234 00:53:35,400 --> 00:53:36,759 Speaker 2: Like oh God like he he. 1235 00:53:36,880 --> 00:53:38,800 Speaker 3: I don't think he'll ever go back to Amsterdam, because. 1236 00:53:41,080 --> 00:53:42,680 Speaker 2: All right, we went to Amsterdam together. 1237 00:53:43,480 --> 00:53:45,240 Speaker 1: Yeah, Donald and I went to Amscham together. 1238 00:53:45,280 --> 00:53:46,560 Speaker 2: Oh that was dangerous. 1239 00:53:46,960 --> 00:53:48,759 Speaker 1: Yeah. I don't know if we can tell any of 1240 00:53:48,840 --> 00:53:49,440 Speaker 1: those stories. 1241 00:53:49,719 --> 00:53:50,520 Speaker 2: I don't think we can. 1242 00:53:50,920 --> 00:53:52,920 Speaker 1: I know they want to hear it. We had some 1243 00:53:53,040 --> 00:53:54,120 Speaker 1: good time in Amstam. 1244 00:53:54,320 --> 00:53:56,759 Speaker 2: Did you guys have a good time in Amsterdam? It 1245 00:53:56,960 --> 00:54:00,640 Speaker 2: was the best, the best, Yeah, I mean it wasn't. 1246 00:54:01,000 --> 00:54:03,000 Speaker 3: Yeah, it wasn't like that kind of good time because 1247 00:54:03,000 --> 00:54:05,600 Speaker 3: we were sort of was with work people, I know, 1248 00:54:06,160 --> 00:54:07,680 Speaker 3: but it was that kind of good time. 1249 00:54:08,239 --> 00:54:10,840 Speaker 1: He tried God's let Us and it was delicious. 1250 00:54:11,280 --> 00:54:14,440 Speaker 3: Oh Jesus, you didn't have one of those what are those? 1251 00:54:14,560 --> 00:54:16,640 Speaker 1: What? This was before God's let us? This is before 1252 00:54:16,719 --> 00:54:20,680 Speaker 1: God's let Us was legal in California. We were really Yeah, 1253 00:54:20,880 --> 00:54:22,400 Speaker 1: they really like it over there, you know. 1254 00:54:22,760 --> 00:54:24,480 Speaker 3: Now we had it was a moon pie or there's 1255 00:54:24,520 --> 00:54:26,000 Speaker 3: something like that over there that you eat and it 1256 00:54:26,160 --> 00:54:26,920 Speaker 3: just wrecks you. 1257 00:54:28,000 --> 00:54:28,120 Speaker 4: Oh. 1258 00:54:28,640 --> 00:54:32,319 Speaker 2: I wish, I mean, I wish I would have known. 1259 00:54:33,120 --> 00:54:35,040 Speaker 1: Guys, this is a real show. Now we're not just 1260 00:54:35,160 --> 00:54:37,040 Speaker 1: two guys doing this out of their closets. We have 1261 00:54:37,160 --> 00:54:40,600 Speaker 1: to go to advertisers. Will be right, We'll be right back. 1262 00:54:43,880 --> 00:54:50,160 Speaker 1: We're back. I'm looking at I'm looking at both Scott 1263 00:54:50,200 --> 00:54:53,360 Speaker 1: Fully and Donald Faison in their closets. Scott's has to 1264 00:54:53,480 --> 00:54:56,200 Speaker 1: continually wave his arm to make his lights go. I 1265 00:54:56,280 --> 00:54:58,160 Speaker 1: wish we were recording the video of this, because it 1266 00:54:58,160 --> 00:54:59,560 Speaker 1: would be the light. 1267 00:55:00,200 --> 00:55:04,759 Speaker 2: We'll start putting them out. We'll start putting one, all right, 1268 00:55:05,120 --> 00:55:05,560 Speaker 2: bring them in. 1269 00:55:05,719 --> 00:55:09,040 Speaker 1: Joelle and uh Dana just the mic for Donald's Oprah 1270 00:55:09,080 --> 00:55:10,840 Speaker 1: introduction because you know it can get loud. 1271 00:55:12,000 --> 00:55:15,279 Speaker 2: Donald, please adjust your mic for the Okay, I'll back 1272 00:55:15,360 --> 00:55:15,920 Speaker 2: up a little bit. 1273 00:55:16,880 --> 00:55:19,880 Speaker 1: It's okay. Worried about it. No, he's ready. He's a professional. 1274 00:55:19,960 --> 00:55:20,240 Speaker 2: Donald. 1275 00:55:20,280 --> 00:55:21,040 Speaker 1: Here comes Jenny. 1276 00:55:21,760 --> 00:55:24,520 Speaker 2: Ladies and gentlemen, give it up for Jenny Pulston. 1277 00:55:26,120 --> 00:55:27,800 Speaker 1: I think it's Puleston. Is it Puleston? 1278 00:55:27,840 --> 00:55:31,360 Speaker 3: Jenny, Yes, that's correct, that's what I said. 1279 00:55:36,440 --> 00:55:39,080 Speaker 1: Hi, Jenny, welcome to Fake Doctor's Real Friends. You picked 1280 00:55:39,080 --> 00:55:41,880 Speaker 1: a very good day to beyond because we have a 1281 00:55:42,080 --> 00:55:44,839 Speaker 1: very funny and handsome guest named Scott Foley. You might 1282 00:55:44,880 --> 00:55:49,640 Speaker 1: know him from the show Scandal, Felicity, Whiskey, Fox Trot, 1283 00:55:50,080 --> 00:56:00,480 Speaker 1: Scrub Whiskey Cavalier. Hy Jenny, Sorry, Scott, Scott. Scott, Scott, 1284 00:56:00,520 --> 00:56:03,080 Speaker 1: do not flirt with Jenny. Okay, this is our God. 1285 00:56:03,200 --> 00:56:05,440 Speaker 3: She's there, got all the flags behind her. She looks fantastic. 1286 00:56:05,560 --> 00:56:07,319 Speaker 1: Jenny, are you where are you calling in from? 1287 00:56:08,520 --> 00:56:08,560 Speaker 3: So? 1288 00:56:08,680 --> 00:56:11,479 Speaker 6: I live in Canberra, Australia. Canberra is the capital city 1289 00:56:11,719 --> 00:56:13,799 Speaker 6: of my fine country on. 1290 00:56:13,840 --> 00:56:14,399 Speaker 3: The West Coast. 1291 00:56:14,480 --> 00:56:16,240 Speaker 2: Yes it is, Scott. 1292 00:56:16,320 --> 00:56:18,399 Speaker 1: Scott's showing off that he knows it's on the West Coast. 1293 00:56:18,680 --> 00:56:21,560 Speaker 3: I lived in Australia Jenny, I know what I'm talking about. 1294 00:56:21,840 --> 00:56:24,319 Speaker 2: Wait, when did you live in Australia as a kid. 1295 00:56:24,360 --> 00:56:27,440 Speaker 3: I lived in Sydney for four years and snives Sydney. 1296 00:56:28,320 --> 00:56:29,680 Speaker 2: Wow is it near? 1297 00:56:29,920 --> 00:56:30,640 Speaker 1: Is it near Perth? 1298 00:56:32,280 --> 00:56:32,320 Speaker 3: No? 1299 00:56:32,920 --> 00:56:35,080 Speaker 2: Okay Jesus, but it's near Melbourne. 1300 00:56:36,400 --> 00:56:38,160 Speaker 3: No, well, Sydney is near Melbourne closer. 1301 00:56:38,560 --> 00:56:40,680 Speaker 1: But no, it's on the west coast of Australia. This 1302 00:56:40,800 --> 00:56:43,000 Speaker 1: is so embarrassing. I want I want everyone to know 1303 00:56:43,120 --> 00:56:45,719 Speaker 1: that the American public school system spends very little time 1304 00:56:45,800 --> 00:56:47,880 Speaker 1: on geography. I think it was like two weeks in 1305 00:56:47,960 --> 00:56:55,000 Speaker 1: seventh grade or Australia. Yes, yes, Jenny, thank you for 1306 00:56:55,080 --> 00:56:56,960 Speaker 1: coming on the show. Do you have a question for 1307 00:56:57,520 --> 00:56:59,960 Speaker 1: any of us? You can ask us anything, ask us anything. 1308 00:57:01,239 --> 00:57:04,680 Speaker 6: Yeah, I just wanted to say I started watching your 1309 00:57:04,760 --> 00:57:07,560 Speaker 6: show when I was in my early twenties, like you 1310 00:57:07,680 --> 00:57:11,000 Speaker 6: guys were, and it really resonated with me. Then I 1311 00:57:11,280 --> 00:57:15,040 Speaker 6: just started my career. I had a mentor you know, 1312 00:57:15,200 --> 00:57:17,920 Speaker 6: learning to do things on your own without a safety net. 1313 00:57:18,480 --> 00:57:20,400 Speaker 6: And then I watched the series again a few years 1314 00:57:20,480 --> 00:57:23,000 Speaker 6: later when I had my children and they were babies 1315 00:57:23,040 --> 00:57:24,400 Speaker 6: and I was up at the night, I put it 1316 00:57:24,480 --> 00:57:29,120 Speaker 6: on and certain episodes resonated in a different way because 1317 00:57:29,120 --> 00:57:34,600 Speaker 6: I a parent and researched every school holidays and there's 1318 00:57:34,640 --> 00:57:38,640 Speaker 6: something new that pops up that's, you know, based on 1319 00:57:38,880 --> 00:57:41,040 Speaker 6: an experience that I've just had. It just makes me 1320 00:57:41,160 --> 00:57:43,880 Speaker 6: think of, you know, something different. So I just wanted 1321 00:57:43,960 --> 00:57:48,080 Speaker 6: to know, with your experience of the last twenty years, 1322 00:57:48,680 --> 00:57:51,400 Speaker 6: what advice would you give to your younger selves? 1323 00:57:51,840 --> 00:57:52,000 Speaker 4: Now? 1324 00:57:53,440 --> 00:57:54,680 Speaker 2: Oh man, you mean? I mean? 1325 00:57:54,840 --> 00:57:58,680 Speaker 1: I says real people are our characters. Yeah, no people, oh, 1326 00:57:58,760 --> 00:57:59,160 Speaker 1: real people. 1327 00:58:00,320 --> 00:58:02,480 Speaker 2: While while making the show, I wish I could have 1328 00:58:02,520 --> 00:58:04,280 Speaker 2: been more present, you know what I mean. I hate 1329 00:58:04,320 --> 00:58:05,640 Speaker 2: to jump in front of you, Scott, but I got 1330 00:58:05,720 --> 00:58:10,040 Speaker 2: to get to this right away. Yeah, I was so 1331 00:58:11,760 --> 00:58:14,920 Speaker 2: not there. Let's say, when we were making that, I 1332 00:58:15,120 --> 00:58:18,600 Speaker 2: was very much worried about being out and about I 1333 00:58:18,840 --> 00:58:23,760 Speaker 2: was more interested in what came with what came after 1334 00:58:23,920 --> 00:58:26,560 Speaker 2: work than what came with work back when we were 1335 00:58:26,600 --> 00:58:29,280 Speaker 2: making Scrubs, and I wish I could have been more 1336 00:58:29,440 --> 00:58:34,000 Speaker 2: present at when it came to doing my job back then. 1337 00:58:34,120 --> 00:58:35,760 Speaker 2: That's the one thing that I look back and say, 1338 00:58:36,000 --> 00:58:38,000 Speaker 2: you know what, I know, I know I had fun, 1339 00:58:38,040 --> 00:58:40,200 Speaker 2: and I know I enjoyed myself. I wish I could 1340 00:58:40,240 --> 00:58:42,680 Speaker 2: have experienced all of that while making it. 1341 00:58:43,360 --> 00:58:46,160 Speaker 1: Yeah, my reaction is similar in a sense that you know, 1342 00:58:46,320 --> 00:58:48,520 Speaker 1: I think we took it for granted that this would 1343 00:58:48,720 --> 00:58:51,560 Speaker 1: happen all the time. That is to say that, you know, 1344 00:58:51,640 --> 00:58:54,560 Speaker 1: we've spoken this on other podcasts before, that these really 1345 00:58:54,600 --> 00:58:57,520 Speaker 1: special friendships would would be on every job we did. 1346 00:58:58,160 --> 00:58:58,800 Speaker 3: And and. 1347 00:59:00,880 --> 00:59:04,000 Speaker 1: I think, and we've discussed before, you know how we've 1348 00:59:04,200 --> 00:59:06,120 Speaker 1: all gone on and done these other jobs and some 1349 00:59:06,360 --> 00:59:10,480 Speaker 1: some are successful, some or not, but still to this day, 1350 00:59:10,840 --> 00:59:13,080 Speaker 1: the bond that we all had that comes across on 1351 00:59:13,120 --> 00:59:15,480 Speaker 1: the screen. I think it's the reason people really. One 1352 00:59:15,520 --> 00:59:18,400 Speaker 1: of the reasons, of course, the writing first and foremost, 1353 00:59:18,480 --> 00:59:21,400 Speaker 1: but another reason was that the love that you see 1354 00:59:21,440 --> 00:59:22,959 Speaker 1: between these characters was real. 1355 00:59:23,160 --> 00:59:23,440 Speaker 3: It was. 1356 00:59:25,080 --> 00:59:29,040 Speaker 1: We're watching people who genuinely cared as much about each 1357 00:59:29,040 --> 00:59:32,200 Speaker 1: other in real life as they did as the characters 1358 00:59:32,240 --> 00:59:35,000 Speaker 1: did on screen. So I think that I think I 1359 00:59:35,160 --> 00:59:37,280 Speaker 1: took that for granted. I was a young actor. This 1360 00:59:37,400 --> 00:59:40,640 Speaker 1: is my first big job, and I thought, oh, this 1361 00:59:40,840 --> 00:59:42,800 Speaker 1: is what it's always like to be on a set. 1362 00:59:42,920 --> 00:59:44,960 Speaker 1: Everyone loves each other, everyone wants to hang out on 1363 00:59:45,000 --> 00:59:47,840 Speaker 1: weekends even after we've worked all these days, and oh 1364 00:59:47,920 --> 00:59:51,280 Speaker 1: my god, the scripts are always hilarious, and it took 1365 00:59:51,560 --> 00:59:53,320 Speaker 1: so many years to be like, oh no, this is 1366 00:59:53,480 --> 00:59:57,120 Speaker 1: a diamond in the rough. Not only the writing staff 1367 00:59:57,160 --> 00:59:59,000 Speaker 1: that Bill assembled was just the dream team. I mean, 1368 00:59:59,000 --> 01:00:01,000 Speaker 1: they've all gone off to be here, usually successful on 1369 01:00:01,080 --> 01:00:04,160 Speaker 1: their own right, but but also just the bond that 1370 01:00:04,520 --> 01:00:09,160 Speaker 1: that the seven main characters of us had was something 1371 01:00:09,200 --> 01:00:12,360 Speaker 1: I haven't really ever seen again, whether I'm an actor 1372 01:00:12,480 --> 01:00:15,000 Speaker 1: or a director. It's just it was just so rare. 1373 01:00:16,200 --> 01:00:17,880 Speaker 1: So that's what I think too. It's a similar answer 1374 01:00:17,920 --> 01:00:18,360 Speaker 1: to Donald. 1375 01:00:19,920 --> 01:00:23,320 Speaker 2: Now Scott's been on three, in my opinion, three very 1376 01:00:23,400 --> 01:00:26,160 Speaker 2: successful shows. I'm interested to hear how. 1377 01:00:26,760 --> 01:00:28,680 Speaker 1: He might not. He might not have an answer related 1378 01:00:28,720 --> 01:00:30,280 Speaker 1: to ours, though not to ours. 1379 01:00:30,360 --> 01:00:32,960 Speaker 2: But yeah, but I'm interested in hearing if it was 1380 01:00:33,120 --> 01:00:35,240 Speaker 2: like that for each one of those successes, you know 1381 01:00:35,280 --> 01:00:37,800 Speaker 2: what I mean, like Felicity, you know. 1382 01:00:38,040 --> 01:00:41,560 Speaker 3: I think, just directly answering your question, I think I 1383 01:00:42,280 --> 01:00:44,959 Speaker 3: for me, looking back, if I had to do it again, 1384 01:00:45,120 --> 01:00:47,880 Speaker 3: I would I would try to relax. I think I 1385 01:00:48,040 --> 01:00:50,200 Speaker 3: was holding on really tight. It was very important to me. 1386 01:00:50,240 --> 01:00:52,040 Speaker 3: I didn't I didn't go to college, I didn't want 1387 01:00:52,080 --> 01:00:55,120 Speaker 3: to do anything else. This was my only shot. Really, 1388 01:00:55,240 --> 01:00:57,520 Speaker 3: like if I wasn't going to be a working actor, 1389 01:00:59,200 --> 01:01:01,560 Speaker 3: be digging holes. You know, I don't know what else 1390 01:01:01,600 --> 01:01:04,160 Speaker 3: I'd do, So I was. I was really uptight and 1391 01:01:04,320 --> 01:01:07,600 Speaker 3: nervous about making sure I got it right and and 1392 01:01:07,760 --> 01:01:10,680 Speaker 3: really focused on work. And I think I h if 1393 01:01:10,720 --> 01:01:12,520 Speaker 3: I had to do it again, I'd take a breather 1394 01:01:12,760 --> 01:01:17,680 Speaker 3: and be more like Donald, but not not that far. 1395 01:01:17,800 --> 01:01:21,480 Speaker 1: Not that far, but you know what I mean, Like 1396 01:01:21,600 --> 01:01:21,920 Speaker 1: we were. 1397 01:01:22,160 --> 01:01:24,360 Speaker 3: I was young and wanted to be successful and was 1398 01:01:24,440 --> 01:01:27,200 Speaker 3: working towards a goal. But you know, at a certain 1399 01:01:27,240 --> 01:01:29,040 Speaker 3: point you got to sort of stop and smell the 1400 01:01:29,120 --> 01:01:29,680 Speaker 3: flowers too. 1401 01:01:30,160 --> 01:01:31,840 Speaker 1: Did you guys all get along on Scandal? 1402 01:01:32,520 --> 01:01:32,840 Speaker 2: We did? 1403 01:01:33,440 --> 01:01:33,600 Speaker 4: You know? 1404 01:01:33,760 --> 01:01:35,200 Speaker 1: I was hoping that I was hoping to get some 1405 01:01:35,280 --> 01:01:36,720 Speaker 1: clickbait going, here's gotting. 1406 01:01:36,600 --> 01:01:40,320 Speaker 3: No, man, I've been I was looking for ever since 1407 01:01:40,360 --> 01:01:42,160 Speaker 3: I'd done Scrubs. I was looking for a show that 1408 01:01:42,400 --> 01:01:46,600 Speaker 3: had a similar vibe, a similar friendship, not just in 1409 01:01:46,640 --> 01:01:48,720 Speaker 3: front of the camera but behind it. And I found 1410 01:01:48,760 --> 01:01:51,000 Speaker 3: it on Scandal, and we still keep in touch. I 1411 01:01:51,080 --> 01:01:53,320 Speaker 3: get texts where I have a group chain, group text chain, 1412 01:01:53,360 --> 01:01:58,640 Speaker 3: I get something multiple things daily. Uh, we vacation together? 1413 01:01:59,000 --> 01:01:59,680 Speaker 1: Could I join that? 1414 01:02:00,080 --> 01:02:03,800 Speaker 3: Texts Scott, if you have something to offer i'd love 1415 01:02:03,880 --> 01:02:04,040 Speaker 3: I do. 1416 01:02:04,280 --> 01:02:06,720 Speaker 1: You know I have a long history with Tony Goldman 1417 01:02:06,880 --> 01:02:10,560 Speaker 1: and I know you do, yes, And I'm I love 1418 01:02:10,640 --> 01:02:13,560 Speaker 1: that man a lot. And he directed a movie I 1419 01:02:13,600 --> 01:02:15,720 Speaker 1: was in called The Last Kiss, and we've stayed friendly 1420 01:02:15,760 --> 01:02:18,440 Speaker 1: over the years, and I just think he's a very 1421 01:02:18,520 --> 01:02:21,360 Speaker 1: very special human being. I wish he was the real Press. 1422 01:02:21,720 --> 01:02:23,080 Speaker 1: I wish he was the real President. 1423 01:02:23,600 --> 01:02:25,120 Speaker 3: I think we all wish someone else was the real 1424 01:02:25,160 --> 01:02:28,760 Speaker 3: president right now. Sorry, Jenny, that's not what you're right, 1425 01:02:29,080 --> 01:02:29,760 Speaker 3: that's what you're getting. 1426 01:02:29,840 --> 01:02:34,080 Speaker 1: You don't have to bring an Australian into our political situation. Jenny, 1427 01:02:34,120 --> 01:02:35,840 Speaker 1: Do you have another question for any of us? 1428 01:02:37,240 --> 01:02:39,760 Speaker 6: Yes, I do, because I want to look at for 1429 01:02:39,880 --> 01:02:42,800 Speaker 6: my fellow Australians. I just want to ask, why do 1430 01:02:42,920 --> 01:02:45,400 Speaker 6: you think doctor Cox takes two Jackmans. 1431 01:02:47,320 --> 01:02:49,360 Speaker 1: You know, this is a question that's been asked so 1432 01:02:50,280 --> 01:02:52,240 Speaker 1: often and we never answered it. I think we're going 1433 01:02:52,320 --> 01:02:56,640 Speaker 1: to throw it to Bill. But my theory is that Cox, 1434 01:02:57,160 --> 01:03:01,920 Speaker 1: who was such an alpha competitive guy, was jealous because 1435 01:03:01,920 --> 01:03:04,400 Speaker 1: at the time Hugh Jackman when we were making the show. 1436 01:03:04,640 --> 01:03:07,160 Speaker 1: It was right at the time with Hugh Jackman exploding 1437 01:03:07,240 --> 01:03:10,600 Speaker 1: and becoming a megastar who was not just your average megastar. 1438 01:03:10,760 --> 01:03:12,280 Speaker 1: He was doing everything. He could see it. 1439 01:03:12,760 --> 01:03:13,760 Speaker 2: Everything he could see it. 1440 01:03:13,880 --> 01:03:15,919 Speaker 1: He could dance, he could host award shows, he could 1441 01:03:15,920 --> 01:03:17,680 Speaker 1: be an action star, he could be a dramatic star. 1442 01:03:18,080 --> 01:03:20,400 Speaker 1: He was you know, it was he was everywhere and 1443 01:03:20,440 --> 01:03:22,240 Speaker 1: he was doing everything, and everyone liked him. It wasn't 1444 01:03:22,280 --> 01:03:25,120 Speaker 1: like you know, a lot of stars become polarizing. He 1445 01:03:25,240 --> 01:03:26,840 Speaker 1: wasn't everybody. Everybody loved him. 1446 01:03:27,360 --> 01:03:29,760 Speaker 2: This dude could this dude could host the Tony's and 1447 01:03:29,880 --> 01:03:32,480 Speaker 2: then stamp somebody up as Wolverine Man. 1448 01:03:32,520 --> 01:03:33,800 Speaker 4: It was like it was like just. 1449 01:03:35,440 --> 01:03:35,800 Speaker 2: One eight. 1450 01:03:36,360 --> 01:03:39,720 Speaker 1: So I think, Jenny, that's my guess is that Cox 1451 01:03:40,160 --> 01:03:43,480 Speaker 1: was the character of Cox was jealous of this handsome, 1452 01:03:44,280 --> 01:03:47,520 Speaker 1: you know, muscular man who could do anything and everything 1453 01:03:47,560 --> 01:03:49,360 Speaker 1: and people just loved him and adored him, and so 1454 01:03:49,440 --> 01:03:51,760 Speaker 1: he was jealous of him. But let's ask Bill. That's 1455 01:03:51,760 --> 01:03:54,760 Speaker 1: a good ask Bill, Bill. The fans have been asking 1456 01:03:54,840 --> 01:03:57,880 Speaker 1: for many years, and now a very nice woman from 1457 01:03:57,920 --> 01:04:00,600 Speaker 1: Australia has asked, and we just have to get the answer. 1458 01:04:00,960 --> 01:04:04,160 Speaker 1: Why does doctor Cox hate Hugh Jackman so much? 1459 01:04:04,680 --> 01:04:07,520 Speaker 7: Look, we love Hugh Jackman. When we were trying to 1460 01:04:07,520 --> 01:04:09,720 Speaker 7: come up with who doctor Cox hated, for no reason. 1461 01:04:10,440 --> 01:04:11,960 Speaker 7: I think we thought it was important that we came 1462 01:04:12,040 --> 01:04:14,680 Speaker 7: up with somebody that everybody loved and that could do everything. 1463 01:04:15,040 --> 01:04:17,000 Speaker 7: I mean, who has anything against Hugh Jackman. 1464 01:04:17,080 --> 01:04:17,920 Speaker 2: He's Wolverine. 1465 01:04:18,360 --> 01:04:20,280 Speaker 7: You know, he's in action movies. 1466 01:04:20,920 --> 01:04:23,120 Speaker 2: He's apparently a lovely guy. 1467 01:04:23,440 --> 01:04:28,000 Speaker 7: He's handsome, he's like People Magazine's sexiest person. He can sing, 1468 01:04:28,320 --> 01:04:31,960 Speaker 7: he can dance, you know, five six seven eight, slid 1469 01:04:32,040 --> 01:04:36,080 Speaker 7: that one in. He starred in the music Man on Broadway, 1470 01:04:36,160 --> 01:04:41,800 Speaker 7: and that Peter Allen thing. He's just too damn talented. 1471 01:04:42,880 --> 01:04:46,200 Speaker 7: My buddy Scott Foley, is there, Scott torture them, Jenny. 1472 01:04:46,280 --> 01:04:47,360 Speaker 2: I hope that worked for you. 1473 01:04:47,800 --> 01:04:54,040 Speaker 1: Yes, five six seven eight? No, no, no, no, you 1474 01:04:54,120 --> 01:04:58,560 Speaker 1: know what, most people only Bill usually gets the song 1475 01:04:58,640 --> 01:05:01,040 Speaker 1: when he says it. But because Scott so darn charming, 1476 01:05:01,200 --> 01:05:02,280 Speaker 1: Dan hit the button. 1477 01:05:02,080 --> 01:05:04,920 Speaker 2: Again, they couldn't control them. 1478 01:05:07,840 --> 01:05:11,520 Speaker 1: Let me control, Let me control my own tiny little universe. 1479 01:05:11,200 --> 01:05:16,080 Speaker 2: Please, Jenny, I'm going to give you one more question. 1480 01:05:18,200 --> 01:05:20,720 Speaker 1: Third question, Uh yeah, yeah. 1481 01:05:20,840 --> 01:05:23,960 Speaker 6: My other question was what was your proudest moment from 1482 01:05:24,040 --> 01:05:26,920 Speaker 6: being on the show. You're proud of performance? 1483 01:05:27,960 --> 01:05:31,360 Speaker 2: Oh wow, I really enjoyed doing the musical theater. Uh, 1484 01:05:31,600 --> 01:05:34,600 Speaker 2: the the musical episode I had a lot of fun 1485 01:05:34,680 --> 01:05:37,320 Speaker 2: doing that. Growing up, I did a lot of musical theater, 1486 01:05:37,360 --> 01:05:39,840 Speaker 2: but not at that scope or that level. And a 1487 01:05:39,920 --> 01:05:43,000 Speaker 2: lot of the people that you know, we're in scrubs 1488 01:05:43,040 --> 01:05:46,560 Speaker 2: the musical I saw later on in La La Land 1489 01:05:46,800 --> 01:05:49,600 Speaker 2: or whatever, and that made me feel really good. Like, 1490 01:05:49,880 --> 01:05:52,680 Speaker 2: you know, I danced with some of the some of 1491 01:05:52,920 --> 01:05:55,640 Speaker 2: LA's best dancers and stuff like that, and got to 1492 01:05:55,720 --> 01:05:59,280 Speaker 2: perform with some of LA's best and you know, as 1493 01:05:59,360 --> 01:06:03,400 Speaker 2: you know, anybody comes here to make it in the industry, 1494 01:06:04,080 --> 01:06:07,640 Speaker 2: and it felt good to be amongst Hollywood's elite dancers 1495 01:06:07,680 --> 01:06:09,680 Speaker 2: and being able to dance with them. I really enjoyed that. 1496 01:06:09,720 --> 01:06:11,120 Speaker 2: I'm very proud that I'm going to do that. 1497 01:06:11,640 --> 01:06:13,880 Speaker 1: Yeah, I think I'm proud of that episode too, And 1498 01:06:15,000 --> 01:06:16,760 Speaker 1: also I'm really proud of you know, it was a 1499 01:06:16,800 --> 01:06:20,280 Speaker 1: really underappreciated thing. But we did this sort of Princess 1500 01:06:20,360 --> 01:06:24,480 Speaker 1: Briane homage episode that was the fantasies and sort of 1501 01:06:24,520 --> 01:06:28,600 Speaker 1: a medieval thing, and it kind of it was I 1502 01:06:28,680 --> 01:06:32,960 Speaker 1: believe it was during the Ryer strike season and the 1503 01:06:33,040 --> 01:06:35,320 Speaker 1: season ended early and we didn't know if the show 1504 01:06:35,400 --> 01:06:38,040 Speaker 1: was coming back, and it was. It was sort of 1505 01:06:38,160 --> 01:06:41,600 Speaker 1: presented as the season finale and possibly a series finale, 1506 01:06:41,640 --> 01:06:43,560 Speaker 1: because no one knew if we were coming back, and 1507 01:06:43,720 --> 01:06:46,720 Speaker 1: so it kind of got treated like, oh, what does 1508 01:06:46,800 --> 01:06:48,760 Speaker 1: that have to do with Scrubs or ending the show? 1509 01:06:48,840 --> 01:06:53,160 Speaker 1: And but I really am proud of the directing work 1510 01:06:53,240 --> 01:06:55,040 Speaker 1: I did on it, and uh, and I think it 1511 01:06:55,120 --> 01:06:58,760 Speaker 1: looks really pretty and and it was a huge scale 1512 01:06:58,880 --> 01:07:00,960 Speaker 1: for for some scope was huge. 1513 01:07:01,160 --> 01:07:01,920 Speaker 2: Yeah, it was. 1514 01:07:02,240 --> 01:07:04,120 Speaker 1: It was big, and we spent a lot of money 1515 01:07:04,200 --> 01:07:06,120 Speaker 1: and I think it looked like it and a lot 1516 01:07:06,120 --> 01:07:08,000 Speaker 1: of people worked very hard on it. And then it 1517 01:07:08,080 --> 01:07:11,200 Speaker 1: sort of got underappreciated because people were like, please tell me, 1518 01:07:11,280 --> 01:07:12,960 Speaker 1: that's not the series finale, and I was like, no 1519 01:07:13,040 --> 01:07:15,400 Speaker 1: one meant that that was the series finale. But I 1520 01:07:15,480 --> 01:07:16,120 Speaker 1: thought that was good. 1521 01:07:16,840 --> 01:07:18,000 Speaker 6: Yeah, I love that episode. 1522 01:07:18,040 --> 01:07:21,080 Speaker 1: I remember, thank you, thank you, Jenny. All Right, we 1523 01:07:21,240 --> 01:07:23,920 Speaker 1: have to to move on, but thank you so much 1524 01:07:23,960 --> 01:07:25,560 Speaker 1: for coming on the show, Scott, do you want to 1525 01:07:25,560 --> 01:07:27,080 Speaker 1: say anything Jenny? Thank her for coming on. 1526 01:07:27,840 --> 01:07:29,840 Speaker 3: I'd like to thank you for coming on the show too, Jenny. 1527 01:07:29,880 --> 01:07:33,280 Speaker 3: I hope forgive me for getting into this, but I 1528 01:07:33,360 --> 01:07:36,640 Speaker 3: hope everything's everyone's okay now that you guys have those 1529 01:07:36,680 --> 01:07:38,439 Speaker 3: terrible fires and we were all sort of thinking about 1530 01:07:38,440 --> 01:07:40,800 Speaker 3: you over over on the side of the world. So 1531 01:07:41,040 --> 01:07:42,000 Speaker 3: I'm glad you guys are better. 1532 01:07:43,440 --> 01:07:45,800 Speaker 6: Yeah, it's been a big, very difficult year, but yeah, 1533 01:07:45,840 --> 01:07:46,800 Speaker 6: we're all getting there. 1534 01:07:47,520 --> 01:07:49,640 Speaker 1: Scott's message was nicer than mine, so I would like 1535 01:07:49,680 --> 01:07:51,919 Speaker 1: to say that I hope everything's okay. 1536 01:07:52,000 --> 01:07:52,760 Speaker 2: Nobody cares. 1537 01:07:54,640 --> 01:07:55,560 Speaker 3: Nobody cares. 1538 01:07:55,960 --> 01:07:58,880 Speaker 1: That's what we called a callback choke. Everybody, all right? 1539 01:07:58,920 --> 01:08:06,600 Speaker 1: Thank you, Jenny, thanks yanks much. Very sweet, very very sweet. 1540 01:08:07,240 --> 01:08:09,480 Speaker 2: Yo. J D is a rat. Hold up, let's get 1541 01:08:09,480 --> 01:08:14,760 Speaker 2: into this. JD is a little beach. He's a rat. 1542 01:08:15,200 --> 01:08:16,280 Speaker 2: He is a rat. D. 1543 01:08:17,560 --> 01:08:19,640 Speaker 1: I tell you though, how funny is that fantasy with 1544 01:08:19,720 --> 01:08:20,559 Speaker 1: me on Johnny's lap? 1545 01:08:21,040 --> 01:08:21,920 Speaker 2: It's very golly. 1546 01:08:22,000 --> 01:08:25,920 Speaker 1: But you are a blue hat. He goes, Who's he goes, 1547 01:08:25,920 --> 01:08:28,360 Speaker 1: who's my big boy? Hi? Yeah? 1548 01:08:30,520 --> 01:08:31,040 Speaker 3: That was great. 1549 01:08:32,040 --> 01:08:34,200 Speaker 2: I love that. I love that. They they show you 1550 01:08:34,360 --> 01:08:38,040 Speaker 2: the two the two sides of you know, when something 1551 01:08:38,120 --> 01:08:40,080 Speaker 2: bad happens, they show you the two sides. They show 1552 01:08:40,120 --> 01:08:42,800 Speaker 2: you the one that runs right to the principle and 1553 01:08:42,920 --> 01:08:45,639 Speaker 2: it's like and and cries to the principal. Oh yeah, 1554 01:08:45,720 --> 01:08:47,639 Speaker 2: and he did this. And then they showed the other 1555 01:08:47,760 --> 01:08:51,200 Speaker 2: person who runs to the principal and freaking tells the 1556 01:08:51,280 --> 01:08:55,320 Speaker 2: principal off John C's character. Cox is the dad that 1557 01:08:55,479 --> 01:08:57,760 Speaker 2: goes to the school and beats up the bully for 1558 01:08:57,840 --> 01:09:00,400 Speaker 2: fucking with his kid. You know what I mean, twelve 1559 01:09:00,479 --> 01:09:02,880 Speaker 2: year old boy fucking with his son. Oh, you're gonna 1560 01:09:02,880 --> 01:09:05,400 Speaker 2: touch my son like that? How about this? Go tell 1561 01:09:05,439 --> 01:09:08,000 Speaker 2: your dad, don't tell your dad that doctor Cox smack 1562 01:09:08,080 --> 01:09:10,920 Speaker 2: the shit out of you. And it goes it goes south. 1563 01:09:11,360 --> 01:09:15,760 Speaker 2: But it was very interesting to watch the two dynamics, 1564 01:09:15,840 --> 01:09:20,040 Speaker 2: like one guy, one guy is a complete rat. 1565 01:09:20,160 --> 01:09:22,320 Speaker 1: Yeah, and the other funny. I didn't even see that. 1566 01:09:22,400 --> 01:09:24,639 Speaker 1: I didn't even see that interpretation of it. But that's 1567 01:09:24,640 --> 01:09:26,640 Speaker 1: smart that that is exactly what happens. It's it's the 1568 01:09:26,640 --> 01:09:28,240 Speaker 1: two sides of a coin of how you deal with 1569 01:09:28,320 --> 01:09:28,799 Speaker 1: the situation. 1570 01:09:29,520 --> 01:09:30,960 Speaker 2: Yeah, anyway, why. 1571 01:09:30,880 --> 01:09:33,400 Speaker 1: Would why would Turk even promise to side with me? 1572 01:09:33,479 --> 01:09:35,280 Speaker 1: I mean, he's a really good doctor. We know that 1573 01:09:35,479 --> 01:09:38,560 Speaker 1: he's not gonna go not not It's almost ridiculous that 1574 01:09:38,560 --> 01:09:40,160 Speaker 1: he would even say, Yeah, don't worry, ILL back you up. 1575 01:09:40,160 --> 01:09:42,000 Speaker 1: He's gonna come in and give his honest analysis. 1576 01:09:42,960 --> 01:09:47,120 Speaker 2: Right. Well, I think he was. I think Turk was trusting, Uh, 1577 01:09:47,439 --> 01:09:51,640 Speaker 2: the fact that you had done your job and you know, 1578 01:09:51,800 --> 01:09:54,479 Speaker 2: you were literally calling him in for a favor. Yo, 1579 01:09:54,640 --> 01:09:56,599 Speaker 2: just just tell this dude that he doesn't have anything 1580 01:09:56,640 --> 01:09:59,400 Speaker 2: to worry about. And then when Turk looked at it 1581 01:10:00,120 --> 01:10:03,080 Speaker 2: like bullshit, wait, hold on, hold on, wait right, you 1582 01:10:03,160 --> 01:10:05,200 Speaker 2: gotta you got I look at it like, you know, 1583 01:10:05,280 --> 01:10:07,840 Speaker 2: if there's any if there's a slight chance that Turk 1584 01:10:07,880 --> 01:10:10,920 Speaker 2: gets the opportunity to operate, he's gonna say, yeah, I'm 1585 01:10:10,920 --> 01:10:11,640 Speaker 2: gonna operate, right. 1586 01:10:11,800 --> 01:10:13,439 Speaker 1: I mean, I think that's a real thing. Obviously taken 1587 01:10:13,520 --> 01:10:15,840 Speaker 1: from Obviously this is all inspired by what we were 1588 01:10:15,880 --> 01:10:18,800 Speaker 1: told by real doctors, that the surgeons are more apt 1589 01:10:18,840 --> 01:10:19,880 Speaker 1: to be like let's cut him up. 1590 01:10:20,680 --> 01:10:21,960 Speaker 2: Yeah, let's get it out, let's do it. 1591 01:10:22,080 --> 01:10:25,120 Speaker 1: Let's do our let's do our thing. And I love 1592 01:10:25,280 --> 01:10:28,600 Speaker 1: uh at twelve fifteen when when when the janitor is 1593 01:10:29,000 --> 01:10:31,040 Speaker 1: giving my patient advice and he's like, I'm gonna go 1594 01:10:31,120 --> 01:10:35,400 Speaker 1: with surgery, and I go, he's a janitor and he goes, 1595 01:10:35,479 --> 01:10:42,160 Speaker 1: but he seems confident. Again, the guy did not say 1596 01:10:42,200 --> 01:10:42,720 Speaker 1: a sentence, but. 1597 01:10:42,800 --> 01:10:45,120 Speaker 2: I didn't laugh out loud at very funny. 1598 01:10:45,160 --> 01:10:47,720 Speaker 1: How about Sarah all dolled up for Scott Foley at 1599 01:10:47,760 --> 01:10:48,639 Speaker 1: thirteen forty five? 1600 01:10:48,760 --> 01:10:51,599 Speaker 3: Beautiful How lucky was I in my stupid big overcoat? 1601 01:10:51,840 --> 01:10:52,799 Speaker 3: But your jacket? 1602 01:10:52,800 --> 01:10:55,080 Speaker 1: Why was your jacket eleven size is too big? 1603 01:10:55,760 --> 01:10:58,160 Speaker 2: I don't know. Did you not have a fitting? 1604 01:10:58,240 --> 01:11:00,400 Speaker 1: Do you remember it was like that jacket only. 1605 01:11:00,280 --> 01:11:02,680 Speaker 3: Three The only thing I could chalk it up to 1606 01:11:02,840 --> 01:11:05,200 Speaker 3: was that was just the what people were wearing back then. 1607 01:11:05,240 --> 01:11:06,559 Speaker 3: But it seemed really big. 1608 01:11:06,760 --> 01:11:08,280 Speaker 2: That was huge, dude, it. 1609 01:11:08,400 --> 01:11:10,760 Speaker 3: Was the Harmani baggy look back then. 1610 01:11:11,840 --> 01:11:13,679 Speaker 1: I don't know, do you really think it was style 1611 01:11:13,840 --> 01:11:16,560 Speaker 1: or just fit wrong? Because you're you're you're supposed to 1612 01:11:16,560 --> 01:11:19,360 Speaker 1: be playing this like heart throb and and there there 1613 01:11:19,439 --> 01:11:21,880 Speaker 1: you are. I mean, you should be looking like in 1614 01:11:21,960 --> 01:11:22,639 Speaker 1: a nice outfit. 1615 01:11:22,880 --> 01:11:25,200 Speaker 3: I have to think it's it was style or else someone. 1616 01:11:25,240 --> 01:11:28,439 Speaker 3: I mean, there's you know, no less than three people, 1617 01:11:28,520 --> 01:11:31,360 Speaker 3: but maybe thirty people on set who should be like, hey, 1618 01:11:32,000 --> 01:11:33,360 Speaker 3: he looks really stupid in that. 1619 01:11:34,360 --> 01:11:36,120 Speaker 1: And it must have been it must have been the style. 1620 01:11:36,520 --> 01:11:39,040 Speaker 2: The style. It had to be style, because that jacket 1621 01:11:39,040 --> 01:11:41,479 Speaker 2: would it came down to your knees almost, and it was. 1622 01:11:41,640 --> 01:11:46,000 Speaker 3: Huge, and it was like a doctor's smock. She's a monster, 1623 01:11:47,120 --> 01:11:48,040 Speaker 3: just ridiculous. 1624 01:11:48,400 --> 01:11:53,439 Speaker 1: Well, I thought Sarah looked U beautiful moment. 1625 01:11:53,720 --> 01:11:55,720 Speaker 2: And then I think she looked beautiful even after her. 1626 01:11:56,360 --> 01:11:58,719 Speaker 1: I know, even with Huke. And it was so funny. 1627 01:11:58,760 --> 01:12:01,120 Speaker 1: She's covered with little puke and blood and poop. 1628 01:12:01,840 --> 01:12:04,599 Speaker 3: Yeah, yep, they did a really good job with her. 1629 01:12:04,720 --> 01:12:05,600 Speaker 2: And that was it was. 1630 01:12:05,800 --> 01:12:07,760 Speaker 1: And then you remember filming, you guys, you guys get 1631 01:12:07,800 --> 01:12:11,360 Speaker 1: into that really funny, awkward poop conversation. They cut, they 1632 01:12:11,400 --> 01:12:13,200 Speaker 1: cut to Judy. It's so funny because you guys are 1633 01:12:13,320 --> 01:12:16,240 Speaker 1: awkwardly flirting about poop and you cut the Judy's dead 1634 01:12:16,280 --> 01:12:18,040 Speaker 1: pan face. Well, you know. 1635 01:12:18,160 --> 01:12:20,920 Speaker 3: And then right after that there's a there's a great 1636 01:12:21,040 --> 01:12:24,200 Speaker 3: moment where the nurse has like, you know, uh, Sarah 1637 01:12:24,240 --> 01:12:26,360 Speaker 3: and Judy you're talking. You know, I don't think anybody noticed. 1638 01:12:26,360 --> 01:12:28,240 Speaker 3: It's not a big deal. And then one of the 1639 01:12:28,320 --> 01:12:30,599 Speaker 3: nurses walk by and says, hey, poopy, which I thought 1640 01:12:30,720 --> 01:12:31,920 Speaker 3: was just hilarious. 1641 01:12:32,040 --> 01:12:35,880 Speaker 1: Helma. Yes, I'm really I'm really noticing it all these 1642 01:12:35,960 --> 01:12:39,559 Speaker 1: years later that many of Aloma's lines are moving. She's 1643 01:12:39,560 --> 01:12:42,639 Speaker 1: always walking away, the always on the move, Hey poopy. 1644 01:12:43,960 --> 01:12:45,880 Speaker 3: That we slaugh her into someone else's shot. 1645 01:12:46,200 --> 01:12:48,360 Speaker 2: But that was very funny to you. Your whole conversation 1646 01:12:48,439 --> 01:12:51,439 Speaker 2: on how you took a poop not here but not 1647 01:12:51,520 --> 01:12:54,720 Speaker 2: here before, but before earlier I was down there. 1648 01:12:57,240 --> 01:12:59,519 Speaker 3: I think, you know, we we we delve into their 1649 01:12:59,520 --> 01:13:01,960 Speaker 3: relationship for in other episodes, but I think that's really 1650 01:13:02,040 --> 01:13:05,919 Speaker 3: the foundation for them. You know, poop is the foundation. 1651 01:13:06,280 --> 01:13:07,519 Speaker 3: It's a house built on poop. 1652 01:13:08,200 --> 01:13:11,320 Speaker 2: It well, you know, the relationship didn't last long, and 1653 01:13:11,400 --> 01:13:12,559 Speaker 2: we know poop is not a problet. 1654 01:13:12,640 --> 01:13:16,240 Speaker 3: Founder depends on what your head. 1655 01:13:16,520 --> 01:13:18,599 Speaker 1: They should not have built their house on a foundation 1656 01:13:18,720 --> 01:13:23,280 Speaker 1: of poop. What about in fourteen twenty when the jentleman goes, look, 1657 01:13:23,280 --> 01:13:25,640 Speaker 1: I'm just a joender. I don't know, but I know this. 1658 01:13:26,479 --> 01:13:32,360 Speaker 2: You need surgery. How did he get in that room? 1659 01:13:32,680 --> 01:13:33,120 Speaker 2: How he. 1660 01:13:35,080 --> 01:13:37,679 Speaker 3: Was that the was that the beginning of the speech 1661 01:13:37,720 --> 01:13:39,679 Speaker 3: where at the end of it he grabs a newspaper 1662 01:13:39,720 --> 01:13:40,840 Speaker 3: and goes back into the toilet. 1663 01:13:41,360 --> 01:13:44,000 Speaker 2: Uh no, that's a different that's that was geez. 1664 01:13:44,240 --> 01:13:47,280 Speaker 1: That's before he starts going like, that's the that's the 1665 01:13:47,360 --> 01:13:49,920 Speaker 1: mast moment with my patient. But then yeah, then we 1666 01:13:50,000 --> 01:13:52,240 Speaker 1: cut around to him going to all of my patients 1667 01:13:52,240 --> 01:13:55,000 Speaker 1: around the entire hospital, telling them they all need surgery. 1668 01:13:58,840 --> 01:13:59,800 Speaker 2: You have that. 1669 01:14:00,000 --> 01:14:01,960 Speaker 1: It's hilarious and Neil's so funny. 1670 01:14:03,160 --> 01:14:04,920 Speaker 2: That I'm having surgery right now. 1671 01:14:05,439 --> 01:14:09,600 Speaker 1: Oh that was that was great. I'm having surgery and 1672 01:14:09,680 --> 01:14:10,400 Speaker 1: I'm loving it. 1673 01:14:10,520 --> 01:14:11,720 Speaker 2: And I'm loving it. 1674 01:14:12,000 --> 01:14:13,439 Speaker 3: It's a bizarre infomercial, man. 1675 01:14:13,439 --> 01:14:15,280 Speaker 1: And then Donald, what do you say, Let's get you 1676 01:14:15,320 --> 01:14:17,760 Speaker 1: out of your skin, skin, Let's cut you out to 1677 01:14:17,840 --> 01:14:21,160 Speaker 1: your skin. I'm having that. Girl did a great job. 1678 01:14:21,240 --> 01:14:23,240 Speaker 1: I'm having surgery right now and loving it. 1679 01:14:24,280 --> 01:14:26,320 Speaker 3: You know, the writers always have always done a good 1680 01:14:26,400 --> 01:14:32,400 Speaker 3: job on this show of finding really subtle gender specific 1681 01:14:32,920 --> 01:14:36,479 Speaker 3: moments that there's something that and I think Bill takes 1682 01:14:36,520 --> 01:14:38,040 Speaker 3: a lot of it from Christa. You know, there's moments 1683 01:14:38,040 --> 01:14:40,280 Speaker 3: where he's like, there was a character at one point 1684 01:14:40,320 --> 01:14:42,320 Speaker 3: in the show. I don't remember what season it was, 1685 01:14:42,360 --> 01:14:44,880 Speaker 3: but a woman talks about chewing on her thumbnail until 1686 01:14:44,920 --> 01:14:46,559 Speaker 3: it bleeds at the side of her thumbtail bleeds, which 1687 01:14:46,560 --> 01:14:49,400 Speaker 3: is a very specific sort of woman thing. And there 1688 01:14:49,479 --> 01:14:53,000 Speaker 3: was a moment in here where Judy says, you know, 1689 01:14:53,120 --> 01:14:55,000 Speaker 3: I'm I'm not sure there's a cat heaven, like I 1690 01:14:55,040 --> 01:14:56,840 Speaker 3: don't tell Church. I sometimes cried becase I'm not sure 1691 01:14:56,840 --> 01:14:59,360 Speaker 3: there's a cat heaven. Like I thought that was a genius, 1692 01:15:00,000 --> 01:15:04,479 Speaker 3: really subtle gender specific moment, really spirit of. 1693 01:15:04,479 --> 01:15:06,240 Speaker 1: What you're saying, Scott. Then they cut to Sarah, and 1694 01:15:06,320 --> 01:15:08,760 Speaker 1: the look on her face is like, there's no cat heaven. Yeah, 1695 01:15:09,960 --> 01:15:13,519 Speaker 1: what do you mean there's no cat heaven. It's a 1696 01:15:13,600 --> 01:15:15,960 Speaker 1: really really it's a really subtle moment, but they cut 1697 01:15:16,040 --> 01:15:18,479 Speaker 1: to Sarah's face as though she's just heard, like for 1698 01:15:18,560 --> 01:15:20,800 Speaker 1: the first time there's no cat heaven, like she's just 1699 01:15:20,880 --> 01:15:22,000 Speaker 1: had Santa Claus. 1700 01:15:21,760 --> 01:15:22,280 Speaker 2: Room for her. 1701 01:15:22,840 --> 01:15:24,920 Speaker 3: I thought it was great, man, I thought it was 1702 01:15:25,000 --> 01:15:30,640 Speaker 3: really smart, and Judi delivered it beautifully. The amount of 1703 01:15:30,640 --> 01:15:32,360 Speaker 3: times I'll run into my wife and be like, Hey, 1704 01:15:32,680 --> 01:15:34,439 Speaker 3: why are you crying, She's like, never mind, and you 1705 01:15:34,520 --> 01:15:36,040 Speaker 3: know it's because she's not sure if there's a cat 1706 01:15:36,040 --> 01:15:37,640 Speaker 3: Heaven's something ridiculous like that. 1707 01:15:39,280 --> 01:15:42,560 Speaker 1: At seventeen twenty one, Sarah bumps into Colonel Doctor and 1708 01:15:43,160 --> 01:15:45,479 Speaker 1: I just was exciting because you know, Colonel Doctor didn't 1709 01:15:45,479 --> 01:15:47,960 Speaker 1: always get a lot of foreground time, but he got 1710 01:15:48,000 --> 01:15:52,559 Speaker 1: a little foreground moment Coleman's law, I didn't. 1711 01:15:52,560 --> 01:15:55,439 Speaker 2: I didn't even see that. That went completely over my head. 1712 01:15:55,479 --> 01:15:55,880 Speaker 2: I missed that. 1713 01:15:56,000 --> 01:15:59,080 Speaker 1: Yeah, it's even in the Scrubs wiki, and I love 1714 01:15:59,080 --> 01:16:01,800 Speaker 1: about We call him Colonel Doctor because that's what we 1715 01:16:01,840 --> 01:16:04,880 Speaker 1: thought his name was, but because it's eventually revealed that 1716 01:16:05,000 --> 01:16:09,800 Speaker 1: his name is Coleman's Law. It says in the Scrubs Wiki, 1717 01:16:09,960 --> 01:16:19,560 Speaker 1: like Sarah bumps into Coleman's Law the Scrubs Wiggy, the 1718 01:16:19,640 --> 01:16:22,479 Speaker 1: Scrubs Wiggie is so is so accurate that they call 1719 01:16:22,600 --> 01:16:24,320 Speaker 1: Colonel doctor coleman slaws law. 1720 01:16:25,240 --> 01:16:25,799 Speaker 2: That's awesome. 1721 01:16:27,479 --> 01:16:32,760 Speaker 1: At twenty thirty five, the patient in bed is Richard Wells. Yes, 1722 01:16:33,560 --> 01:16:37,760 Speaker 1: was our are very he was our best first AD, first. 1723 01:16:37,520 --> 01:16:40,320 Speaker 2: AD and UPM. Also he went on to be r 1724 01:16:40,439 --> 01:16:44,320 Speaker 2: U p M later on when Scott Harris and uh, 1725 01:16:44,560 --> 01:16:46,880 Speaker 2: that's right, Franklin got better to we. 1726 01:16:46,880 --> 01:16:49,040 Speaker 1: Should say for those for those of you who don't know, 1727 01:16:49,160 --> 01:16:52,720 Speaker 1: a first ad, a first assistant director is the man 1728 01:16:52,840 --> 01:16:55,040 Speaker 1: or woman who was sort of running the set making 1729 01:16:55,160 --> 01:16:57,280 Speaker 1: sort of the one calling out saying, okay, here we go, 1730 01:16:57,439 --> 01:16:59,840 Speaker 1: we gotta move. Really you think of that in theater 1731 01:16:59,880 --> 01:17:03,400 Speaker 1: like the stage manager, but keeping everyone moving along uh 1732 01:17:04,000 --> 01:17:06,200 Speaker 1: and uh, and sort of the team leader. So the 1733 01:17:06,280 --> 01:17:09,240 Speaker 1: director can ideally focus on the creative aspects of things. 1734 01:17:09,560 --> 01:17:11,599 Speaker 2: Well, the first idea is usually the bad guy. Let's 1735 01:17:11,640 --> 01:17:12,960 Speaker 2: just put it that way. The first idea is the 1736 01:17:13,040 --> 01:17:15,360 Speaker 2: one that you come to with all the problems. You 1737 01:17:15,400 --> 01:17:18,280 Speaker 2: don't necessarily go back torect Yes, well. 1738 01:17:18,240 --> 01:17:20,559 Speaker 1: Richard Wells was so great at his job and one 1739 01:17:20,560 --> 01:17:22,760 Speaker 1: of the best first ads I've ever worked with. And 1740 01:17:23,360 --> 01:17:25,360 Speaker 1: and I forgot that he did a cameo and here 1741 01:17:25,400 --> 01:17:29,120 Speaker 1: he is as one of my patients that finally finally 1742 01:17:29,200 --> 01:17:31,960 Speaker 1: says he'll he'll go the medical route, solely because the 1743 01:17:32,040 --> 01:17:34,759 Speaker 1: janitor has told him so at the end of the episode. 1744 01:17:35,680 --> 01:17:40,080 Speaker 2: Also, also, Richard Wells directed a few episodes of Scrubs. Also, uh, 1745 01:17:41,400 --> 01:17:43,320 Speaker 2: he did a lot on the show. He wasn't just 1746 01:17:43,400 --> 01:17:43,760 Speaker 2: the ad. 1747 01:17:44,160 --> 01:17:46,320 Speaker 1: Yeah, when he became I was bummed though when he 1748 01:17:46,479 --> 01:17:49,280 Speaker 1: when he decided to become the UPM and he was 1749 01:17:49,320 --> 01:17:50,760 Speaker 1: no longer on set because. 1750 01:17:50,640 --> 01:17:52,839 Speaker 2: Can I ask you a question, Yes, what is a UPM? 1751 01:17:53,560 --> 01:17:57,000 Speaker 1: A UPM is a production manager unit production manager, handling 1752 01:17:57,120 --> 01:17:59,840 Speaker 1: the organization of everything the un up If you need 1753 01:17:59,880 --> 01:18:02,439 Speaker 1: a crane, the UPM is the one often calling the 1754 01:18:02,800 --> 01:18:04,839 Speaker 1: rental house and saying, we need a crane on Tuesday. 1755 01:18:05,160 --> 01:18:08,760 Speaker 1: Who's bringing it? Timmy and John the line producer kind 1756 01:18:08,760 --> 01:18:13,160 Speaker 1: of underneath the line producer, organizing anything and everything that 1757 01:18:13,240 --> 01:18:16,280 Speaker 1: the nuts and bolts of a production. Scott, you switched 1758 01:18:16,280 --> 01:18:17,280 Speaker 1: to eating, I see. 1759 01:18:17,320 --> 01:18:19,920 Speaker 3: Well, I switched to my damn things running out of 1760 01:18:19,960 --> 01:18:22,160 Speaker 3: batteries and I can't hear a fucking thing now. But yeah, 1761 01:18:22,200 --> 01:18:24,000 Speaker 3: it's my anniversary. So my wife made me these things, 1762 01:18:24,000 --> 01:18:25,320 Speaker 3: and I got to eat him before I come out 1763 01:18:25,360 --> 01:18:27,479 Speaker 3: of my closet, unless she's gonna say, like, why didn't 1764 01:18:27,479 --> 01:18:28,560 Speaker 3: you eat the cookie I made you? 1765 01:18:28,960 --> 01:18:29,120 Speaker 1: Oh? 1766 01:18:29,640 --> 01:18:29,880 Speaker 3: Sorry? 1767 01:18:29,920 --> 01:18:30,439 Speaker 1: How many years? 1768 01:18:30,960 --> 01:18:34,960 Speaker 2: How many? Thanks so much? Thirteen years? Oh my good, 1769 01:18:35,080 --> 01:18:39,400 Speaker 2: thirteen years. Wow? Yeah, wow, yeah, sorry, that's great. 1770 01:18:40,640 --> 01:18:42,160 Speaker 3: And I was excited. You know, I thought I could 1771 01:18:42,200 --> 01:18:44,719 Speaker 3: just listen to your explanation of line producer versus UPM 1772 01:18:45,080 --> 01:18:46,000 Speaker 3: and no one would notice. 1773 01:18:46,040 --> 01:18:48,400 Speaker 1: But I forgot that. I'm sure everyone tuned out when 1774 01:18:48,400 --> 01:18:51,080 Speaker 1: I started describing a UPM. All right, listen, we did 1775 01:18:51,120 --> 01:18:55,200 Speaker 1: it as uh as Howard Stern says, we've said it all. 1776 01:18:56,960 --> 01:18:58,360 Speaker 1: This has been really fun, Scott, did you have a 1777 01:18:58,400 --> 01:18:58,760 Speaker 1: good time? 1778 01:18:59,360 --> 01:19:01,160 Speaker 3: I loved being here. I love seeing your faces. 1779 01:19:01,280 --> 01:19:01,400 Speaker 2: Uh. 1780 01:19:01,520 --> 01:19:03,080 Speaker 3: You know, we haven't. We haven't had the chance to 1781 01:19:03,080 --> 01:19:05,479 Speaker 3: see too many people recently, so it meant a lot 1782 01:19:05,520 --> 01:19:07,599 Speaker 3: to me, and it uh, it has meant a lot 1783 01:19:07,640 --> 01:19:09,080 Speaker 3: to me to be a bit a part of this, 1784 01:19:09,400 --> 01:19:12,000 Speaker 3: have been a part of this show. I look back 1785 01:19:12,080 --> 01:19:14,960 Speaker 3: fondly on it and consider both of you good friends 1786 01:19:14,960 --> 01:19:16,280 Speaker 3: of mine, so I appreciate you having me on. 1787 01:19:16,760 --> 01:19:19,120 Speaker 1: Well, we miss you, dude. 1788 01:19:19,120 --> 01:19:21,320 Speaker 2: I gotta tell you, Yeah, I miss you, man, I 1789 01:19:21,560 --> 01:19:23,519 Speaker 2: I uh, I gotta tell you. You know, we talk 1790 01:19:23,560 --> 01:19:25,120 Speaker 2: about it all the time. I ran in the chip 1791 01:19:25,280 --> 01:19:31,160 Speaker 2: at vote voting, Uh, Jeff bur Yeah and uh and 1792 01:19:31,280 --> 01:19:33,400 Speaker 2: I was like, you know, we gotta we gotta get 1793 01:19:33,400 --> 01:19:36,040 Speaker 2: together again. And this was I thought. This was back 1794 01:19:36,080 --> 01:19:38,160 Speaker 2: when we thought this pandemic would last about a month 1795 01:19:38,160 --> 01:19:41,880 Speaker 2: and a half. And it's uh. You know, I'd love 1796 01:19:41,920 --> 01:19:43,439 Speaker 2: to get out and play golf with you again once 1797 01:19:43,520 --> 01:19:44,519 Speaker 2: this is all said and done. 1798 01:19:44,560 --> 01:19:44,680 Speaker 3: Man. 1799 01:19:45,000 --> 01:19:48,840 Speaker 1: Yeah, we'll find the time watch. I'd love to watch 1800 01:19:48,920 --> 01:19:51,240 Speaker 1: you defeat Bill and tennis if possible. 1801 01:19:51,520 --> 01:19:53,439 Speaker 3: Well, if we'll find out when he's injured, and then 1802 01:19:53,439 --> 01:19:54,280 Speaker 3: we'll go out and play. 1803 01:19:54,200 --> 01:19:57,080 Speaker 1: Because I can't because I can't beat Bill in any sports. 1804 01:19:57,200 --> 01:19:59,800 Speaker 1: I often try and find people that can beat him 1805 01:19:59,840 --> 01:20:00,959 Speaker 1: so I can just watch. 1806 01:20:03,800 --> 01:20:05,360 Speaker 3: Game. Hey, you know, I wanted to talk about and 1807 01:20:05,400 --> 01:20:07,600 Speaker 3: I don't know if you remember this before we go. 1808 01:20:08,040 --> 01:20:09,400 Speaker 3: You know, Donald and I have had the chance to 1809 01:20:09,439 --> 01:20:12,000 Speaker 3: work together, not just on a bunch of things, but 1810 01:20:12,200 --> 01:20:15,400 Speaker 3: you and I aside from scrubs, and this is something 1811 01:20:15,439 --> 01:20:18,599 Speaker 3: I regret very much after doing I don't know what, however, 1812 01:20:18,680 --> 01:20:21,160 Speaker 3: meant two or three episodes in the first season. You 1813 01:20:21,880 --> 01:20:25,600 Speaker 3: wrote a short film about robots. 1814 01:20:25,320 --> 01:20:27,520 Speaker 1: Maybe probably I love robots. 1815 01:20:27,640 --> 01:20:31,120 Speaker 3: And you sent me the script and I was busy 1816 01:20:31,200 --> 01:20:32,680 Speaker 3: doing something else so I couldn't do it. But I've 1817 01:20:32,680 --> 01:20:35,040 Speaker 3: always regretted not being able to work with you as 1818 01:20:35,080 --> 01:20:37,840 Speaker 3: a director on something you wrote, and that was that. 1819 01:20:38,120 --> 01:20:40,000 Speaker 3: There's still something I look back on. I totally remember it. 1820 01:20:40,080 --> 01:20:42,120 Speaker 1: It was a I can't believe remember that. I vaguely 1821 01:20:42,200 --> 01:20:45,720 Speaker 1: remember it too. I was trying to start directing things 1822 01:20:45,720 --> 01:20:47,320 Speaker 1: because I had gone to film school and I was 1823 01:20:47,920 --> 01:20:50,080 Speaker 1: and I was doing scrubs and it was so amazing. 1824 01:20:50,160 --> 01:20:52,360 Speaker 1: But of course in my mind as a as a 1825 01:20:52,439 --> 01:20:55,040 Speaker 1: young go getter, was thinking I got to start making stuff. 1826 01:20:55,320 --> 01:20:57,599 Speaker 1: And I wrote that a wacky short, and I asked 1827 01:20:57,640 --> 01:20:59,160 Speaker 1: you to be in it. But thank you for almost 1828 01:20:59,240 --> 01:21:00,519 Speaker 1: saying yes. Yeah. 1829 01:21:00,680 --> 01:21:02,760 Speaker 3: I absolute would have said yes if I wasn't able to. 1830 01:21:02,840 --> 01:21:05,559 Speaker 3: But I look, I love both you guys, and we'll 1831 01:21:05,680 --> 01:21:09,280 Speaker 3: hopefully work with you until we die on different things. 1832 01:21:09,520 --> 01:21:12,240 Speaker 1: I mean a really cool short film recently Scott that 1833 01:21:12,280 --> 01:21:14,280 Speaker 1: you should check out. It's called In the Time It 1834 01:21:14,400 --> 01:21:17,240 Speaker 1: Takes to get there, and I guess I've taken this 1835 01:21:17,280 --> 01:21:19,080 Speaker 1: opportunity to give a shout out to that short. So 1836 01:21:19,160 --> 01:21:21,559 Speaker 1: if you're listening to this, check it out. 1837 01:21:21,600 --> 01:21:23,439 Speaker 3: It's got in the time it takes to get there. 1838 01:21:23,560 --> 01:21:28,479 Speaker 1: Yeah, it's got Alicia Silverstone, Donald's old co star, and 1839 01:21:28,600 --> 01:21:34,040 Speaker 1: it's got Florence Pugh, the very exciting young actress Oscar nominee, 1840 01:21:34,600 --> 01:21:36,720 Speaker 1: and it's really good and it's on YouTube and you 1841 01:21:36,840 --> 01:21:39,719 Speaker 1: can go watch it. It was Adobe had this contest 1842 01:21:40,320 --> 01:21:43,400 Speaker 1: where people college kids could design a movie poster, and 1843 01:21:43,720 --> 01:21:47,400 Speaker 1: the winning movie poster design using photoshop. The prize was 1844 01:21:47,479 --> 01:21:50,520 Speaker 1: that I would write and direct a short film inspired 1845 01:21:50,680 --> 01:21:51,559 Speaker 1: by the movie poster. 1846 01:21:52,320 --> 01:21:54,680 Speaker 3: Oh yes, you know, I saw an article about that. 1847 01:21:54,720 --> 01:21:57,479 Speaker 3: Anytime I see you guys names in any sort of press, 1848 01:21:57,520 --> 01:21:59,080 Speaker 3: I check it out. And I saw an article about this, 1849 01:21:59,160 --> 01:21:59,920 Speaker 3: so I will definitely check it. 1850 01:22:00,280 --> 01:22:02,200 Speaker 1: Check it out. I recently wont a webbye for it, 1851 01:22:02,720 --> 01:22:05,560 Speaker 1: which is a which is a cool web award. But 1852 01:22:05,680 --> 01:22:08,880 Speaker 1: check it out. Nobody cares, Zach, Oh my god. 1853 01:22:10,920 --> 01:22:13,400 Speaker 3: Anybody could see Donald's face when he says that right now? 1854 01:22:13,479 --> 01:22:15,800 Speaker 3: I wish if he was his hands on his head. 1855 01:22:15,880 --> 01:22:18,599 Speaker 1: I wish everyone could see my face right now. Because 1856 01:22:19,000 --> 01:22:21,400 Speaker 1: I've successfully to feel sad. 1857 01:22:24,240 --> 01:22:26,120 Speaker 3: You're not, but you look like you're sitting underneath. 1858 01:22:26,160 --> 01:22:27,519 Speaker 1: By the way, I want you to know that I 1859 01:22:27,640 --> 01:22:30,880 Speaker 1: knew everybody listening would be like, oh, I can't wait 1860 01:22:30,880 --> 01:22:32,800 Speaker 1: for him to say nobody cares Sean. I'm the only 1861 01:22:32,920 --> 01:22:35,240 Speaker 1: one in this You've said it multiple times, Donald Has, 1862 01:22:35,479 --> 01:22:38,599 Speaker 1: I'm the only one who never said those nobody cares 1863 01:22:38,800 --> 01:22:39,439 Speaker 1: Zach Well. 1864 01:22:39,720 --> 01:22:41,920 Speaker 3: The problem is you said them to begin with, and 1865 01:22:42,080 --> 01:22:46,080 Speaker 3: not a day goes by where someone either personally or 1866 01:22:46,200 --> 01:22:49,920 Speaker 3: on social media doesn't comment or say nobody. I mean 1867 01:22:49,960 --> 01:22:52,000 Speaker 3: I could say happy birthday to my lovely wife of 1868 01:22:52,080 --> 01:22:55,040 Speaker 3: thirteen years or happy anniversary of thirteen years, and I'll 1869 01:22:55,080 --> 01:23:00,479 Speaker 3: get six nobody cares Sean's well, and it makes me 1870 01:23:01,000 --> 01:23:03,360 Speaker 3: equally happy and fucking irate. 1871 01:23:03,640 --> 01:23:05,600 Speaker 1: All Right, I get it, man. Well, listen, we we 1872 01:23:05,800 --> 01:23:07,759 Speaker 1: got Bill was saying five six seven eight on this podcast, 1873 01:23:07,800 --> 01:23:10,080 Speaker 1: and I post something on on Instagram and every other 1874 01:23:10,160 --> 01:23:11,439 Speaker 1: comment is five to six seven eight. 1875 01:23:11,920 --> 01:23:14,160 Speaker 3: Well, I mean you were You texted me are you 1876 01:23:14,320 --> 01:23:15,920 Speaker 3: ready to come on? And I think I just wrote 1877 01:23:15,960 --> 01:23:19,639 Speaker 3: back five six seven eight, and your response was like, yeah, okay, 1878 01:23:19,760 --> 01:23:20,160 Speaker 3: we get it. 1879 01:23:21,880 --> 01:23:23,880 Speaker 1: Listen, guys, you've gone an hour and a half. Uh, 1880 01:23:24,280 --> 01:23:26,720 Speaker 1: this has been amazing. We love the fans. Thank you 1881 01:23:26,800 --> 01:23:29,200 Speaker 1: for listening. We hope we're making you laugh a little 1882 01:23:29,280 --> 01:23:32,320 Speaker 1: in these crazy times. That's our hope. You can email 1883 01:23:32,439 --> 01:23:38,479 Speaker 1: questions to Scrubs iHeart at gmail dot com. Please follow 1884 01:23:38,560 --> 01:23:41,200 Speaker 1: Donald on Instagram. He's very envious of the amount of 1885 01:23:41,280 --> 01:23:41,880 Speaker 1: followers I have. 1886 01:23:42,160 --> 01:23:45,400 Speaker 2: Dude, you have like one million, one point three million 1887 01:23:46,520 --> 01:23:50,160 Speaker 2: on Instagram. Yeah you guys, I have six hundred thousand 1888 01:23:50,240 --> 01:23:50,720 Speaker 2: and two. 1889 01:23:51,240 --> 01:23:52,439 Speaker 1: Well, listen to Scott. 1890 01:23:52,600 --> 01:23:55,000 Speaker 2: I follow you on Instagram. By the way, thanks man. 1891 01:23:55,000 --> 01:23:56,960 Speaker 1: It's you can follow Scott Foley too, and look at 1892 01:23:57,000 --> 01:23:57,760 Speaker 1: how handsome he is. 1893 01:23:58,040 --> 01:23:59,320 Speaker 2: And that's it. 1894 01:23:59,479 --> 01:23:59,880 Speaker 1: We love you. 1895 01:24:00,360 --> 01:24:01,479 Speaker 2: Uh, let's see you next time. 1896 01:24:01,640 --> 01:24:07,680 Speaker 4: Whose stories that show we made about. 1897 01:24:07,439 --> 01:24:10,719 Speaker 1: A bunch of times and nurses in the janitor who love? 1898 01:24:11,200 --> 01:24:14,000 Speaker 4: I said, here's the stories next. 1899 01:24:13,920 --> 01:24:14,880 Speaker 2: All should know. 1900 01:24:16,520 --> 01:24:20,479 Speaker 4: So gather round you here, our gather round you here, 1901 01:24:20,680 --> 01:24:25,280 Speaker 4: our scure shows and no m