WEBVTT - The Science of Dune: Biology

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<v Speaker 1>Welcome to stuff to blow your mind from how Stuff

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<v Speaker 1>Works dot com. Disembarkation disembarkation notice to all passengers arriving

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<v Speaker 1>on Station Oracus. The Dune Planetary Tourism Consortium, funded by

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<v Speaker 1>the great generosity of the most noble House Hardconed, would

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<v Speaker 1>like to welcome you to Planet Aracus. Aracus is a

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<v Speaker 1>dry place. Please remember to conserve water whenever possible. It

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<v Speaker 1>is recommended that you do not venture outside without a

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<v Speaker 1>properly fitted still suit to recycle your sweat, urine and

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<v Speaker 1>vegal moisture. When traveling beyond the shield wall, remember always

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<v Speaker 1>to watchful where I'm signed by keeping the mind. The

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<v Speaker 1>three ahs, hissing, heaving and high energy discharge, A hissing

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<v Speaker 1>sound in the sand, heaving up with display sediment, and

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<v Speaker 1>high energy setting discharge from the dunes may all indicate

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<v Speaker 1>that the sand worm is here and the event of

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<v Speaker 1>worm signed. Do not activate shields and proceed immediately to

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<v Speaker 1>the nearest cave building or evacuation orn't thought or local

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<v Speaker 1>vendors and kiosks found throughout Station Iraqis are in the

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<v Speaker 1>best place to purchase steel suits, frank hits, and individually

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<v Speaker 1>packaged worm thumbers. And duty free prices. Please remember also

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<v Speaker 1>the spice must flow. Anyone suspected of sabotaging, inhibiting, or

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<v Speaker 1>interfering with spice production may be subject to penalties up

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<v Speaker 1>to and including lactatorial remuneration on gaining prime or personal evaporation.

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<v Speaker 1>Please enjoy your say among the dunes. Hey, he wasn't

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<v Speaker 1>a stuff to blow your mind. My name is Robert

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<v Speaker 1>Lamb and I'm Joe McCormick. And this is episode two

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<v Speaker 1>in our exploration of the science of Done, the science

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<v Speaker 1>of Frank Herbert's sci fi classic Done, which is celebrating

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<v Speaker 1>its fiftieth anniversary this year. Yeah, so if you missed

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<v Speaker 1>the first part, you should go back and listen to

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<v Speaker 1>that first part one where we talk about the technology

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<v Speaker 1>of doing, and we we talked about some important sort

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<v Speaker 1>of introductory materials to the universe of Done. If you're

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<v Speaker 1>not familiar with it, we highly recommend that you check

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<v Speaker 1>out that part first before you listen to this one.

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<v Speaker 1>But if you just want to get thrown right into

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<v Speaker 1>the middle, here we are. Yeah, last time we talked

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<v Speaker 1>about but Larry and Jehad, we talked about still suits,

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<v Speaker 1>We talked about order thoptors and a little bit about

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<v Speaker 1>the Holtzman effect, whatever that is. But yeah, this time

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<v Speaker 1>we're going to talk more about the the living science

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<v Speaker 1>of Done, about the biology and ecology of the planet Iracus.

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<v Speaker 1>And one of the coolest things about the Done universe

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<v Speaker 1>has got to be the sandworms. Yes, I imagine that

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<v Speaker 1>is one of, if not the key aspects of the

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<v Speaker 1>franchise that come to people's minds when they think of Doing. Yeah.

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<v Speaker 1>I So, I just finished reading this book a few

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<v Speaker 1>weeks ago, and I loved it. I absolutely adored this book.

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<v Speaker 1>As I said in the last podcast, it frequently struck

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<v Speaker 1>me as just amazingly fresh for a fifty year old book.

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<v Speaker 1>It's full of ideas that you don't encounter elsewhere. It

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<v Speaker 1>just felt very original and unique and different. But the

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<v Speaker 1>moment where the book really kicked into gear for me

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<v Speaker 1>was the first sandwarm attack. And this is when they're

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<v Speaker 1>going out to observe spice harvests. Correct. Yeah, So I

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<v Speaker 1>want to kind of put you the listener into the

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<v Speaker 1>moment of the sandwarm attack. So imagine you're one of

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<v Speaker 1>a group of twenty six spice miners working on a

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<v Speaker 1>patch of spice in the deep deserts. So you're out

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<v Speaker 1>there among the dunes. The heat is high, the sun's

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<v Speaker 1>bearing down on you. You've got your protective still suit on.

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<v Speaker 1>You're working the harvester machine, trying desperately to get this

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<v Speaker 1>spice going. And you've you've been at it for several minutes,

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<v Speaker 1>and over head there's this enormous cargo aircraft. I suppose

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<v Speaker 1>it would be some type of ornithopter with flapping wings, which,

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<v Speaker 1>as we discussed in the last last episode, doesn't make

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<v Speaker 1>a lot of aerodynamic sense, but okay, uh, And it's

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<v Speaker 1>called a carryall. It hovers nearby, waiting to lift you

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<v Speaker 1>off at a moment's notice, and preferably at the last

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<v Speaker 1>possible minute, to maximize the profits, because you've got to

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<v Speaker 1>get as much spice as you can. The spice is important.

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<v Speaker 1>The spice must flow, the universe needs it. But a

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<v Speaker 1>worm will come. The worm always comes it. Here's the harvester.

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<v Speaker 1>It knows where you are and the moment you start working,

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<v Speaker 1>it's on its way. Now. With proper precautions, you'll lift

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<v Speaker 1>off at just the right moment. You'll get the maximum

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<v Speaker 1>spice and you'll avoid the worm. But if you're not

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<v Speaker 1>able to lift off in time, you may notice a

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<v Speaker 1>hissing sound in the sand sliding, you know, it's sand

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<v Speaker 1>sliding against sand. In the background, you might a static

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<v Speaker 1>discharge in the air, and eventually you're gonna notice an

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<v Speaker 1>upheaval of sand is the worm rises to the shallows

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<v Speaker 1>of the desert. And then finally you see, and it's

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<v Speaker 1>probably the last thing you see, a great gaping circular mouth,

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<v Speaker 1>maybe up to eighty meters wide, emerging from the dunes,

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<v Speaker 1>spreading open, closing over you, and swallowing you and your

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<v Speaker 1>friends and your mining vehicle all in one bite. It's

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<v Speaker 1>quite a site, and as far as sound goes, we

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<v Speaker 1>do want to give a quick thanks to Chris Knife

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<v Speaker 1>double O seven. He's on band camp as Cheesy Nervosa.

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<v Speaker 1>Will include a link to his account on the landing

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<v Speaker 1>Bait for this episode. But he does a lot of

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<v Speaker 1>cool ambient tracks where he gets the ambiance from from

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<v Speaker 1>various sci fi properties, and so this was the track

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<v Speaker 1>that we used. Hear was Dune sand Worm Ride. Yeah,

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<v Speaker 1>so I love the sandworms. I love the sandworms scenes

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<v Speaker 1>in the book. When we first encounter sandworms in the book,

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<v Speaker 1>it's there merely as a threat. You know, this this

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<v Speaker 1>huge terrifying beast that lives in the desert. It's you know,

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<v Speaker 1>it's a gigantic snake eel worm type creature that it's

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<v Speaker 1>sort of like the monsters and tremors. You know. It

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<v Speaker 1>lives under Yeah, it lives under the ground. It can

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<v Speaker 1>hear where you are. You know, it might be hundreds

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<v Speaker 1>of meters long. They're so huge you can't fight them off.

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<v Speaker 1>There's no way to avoid them except to run. Yeah,

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<v Speaker 1>and I've seen it describe that that the Frank Herbert

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<v Speaker 1>sandworms are are kind of like dragons, and but but

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<v Speaker 1>not nearly in just the threat aspect. Not just a

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<v Speaker 1>monstrous dragon, but a celestial dragon, because they're ultimately the

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<v Speaker 1>gateway to wisdom. Yeah, that's true. Because I don't want

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<v Speaker 1>to spoil too much. But then later on in the book,

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<v Speaker 1>we learned that the desert dwellers of the planet Iraq

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<v Speaker 1>is the Fremen, have a more complex relationship with the sandworms.

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<v Speaker 1>It's not just you know, here's this huge, threatening creature

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<v Speaker 1>that we have to avoid. They have a sort of

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<v Speaker 1>a bit of a back and forth. I don't want

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<v Speaker 1>to say too much more, but it's really interesting, and

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<v Speaker 1>so I thought we should talk about the sandworm. What

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<v Speaker 1>is this organism as it's imagined in the Dune universe,

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<v Speaker 1>and how has this changed the way we think about

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<v Speaker 1>aliens and science fiction and what what analogies can we

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<v Speaker 1>make to real world life forms? Yeah, and for starters,

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<v Speaker 1>let's just go ahead and roll through what we know

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<v Speaker 1>from from Frank Herbert's books. And again it's one of

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<v Speaker 1>those cases where Herbert throws a lot of information at

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<v Speaker 1>you about how sand worms work, but then when you

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<v Speaker 1>add it all up right, you realize you don't know

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<v Speaker 1>key things. Um, here's what we know. The sand worm

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<v Speaker 1>or shy hallud I believe that is the fleming term

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<v Speaker 1>a creature. Again, you utterly unique to iraq Us, totally

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<v Speaker 1>tied to a complex life cycle on the desert planet.

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<v Speaker 1>Links exceed four hundred meters, width of a hundred meters

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<v Speaker 1>at the thickest point, perhaps as long as the thousand

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<v Speaker 1>meters in the deep isolated parts of the desert mouth.

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<v Speaker 1>Diameter is probably about eighty ms, so when it's open

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<v Speaker 1>and lined with a thousand or more carbo silica crystal

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<v Speaker 1>teeth um. A typical worm consists of one to four

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<v Speaker 1>hundred segments, and each segment possessed its own nervous system.

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<v Speaker 1>Something to keep in mind for later. Now, what Herbert

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<v Speaker 1>didn't tell us. He didn't tell us whether sand mourns

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<v Speaker 1>lay eggs. They he didn't tell us if they're male

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<v Speaker 1>and female, how reproduction occurs at all. He didn't tell

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<v Speaker 1>us if it's a definitively if it's a vertebrate or

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<v Speaker 1>an invertebrate. He didn't explain the physics of how it moves,

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<v Speaker 1>and he didn't tell us what it eats. I would

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<v Speaker 1>be surprised if it's vertebrate, simply because I think of

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<v Speaker 1>vertebrate as a category belonging to Earth life. I mean,

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<v Speaker 1>I think it might have some kind of internal, you know,

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<v Speaker 1>rigid structure. But it's weird to think about those, you know,

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<v Speaker 1>those peculiarities of evolution that seems so ubiquitous on Earth.

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<v Speaker 1>We just assume their natural categories. But I mean, who

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<v Speaker 1>knows if a alien life form is likely to have

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<v Speaker 1>a backbone, right, And I think that ultimately, the like

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<v Speaker 1>the segmented nature and the independence of segments, tends to

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<v Speaker 1>imply something that is inherently invertebrate. But but again, he

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<v Speaker 1>doesn't draw a distinct line in the sand Well, then

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<v Speaker 1>to learn more about the sand worm, I think we're

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<v Speaker 1>gonna have to turn back to our old friends that

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<v Speaker 1>we mentioned in the last episode, a couple of books

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<v Speaker 1>that we used as resources. So one of these is

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<v Speaker 1>going to be The Science of Doune, edited by Kevin R. Grazier,

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<v Speaker 1>and then the other one is the Dune Encyclopedia, right right.

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<v Speaker 1>That one's compiled by Dr Willis E. McNelly, and that

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<v Speaker 1>came out in eighty five. It's out of print, but

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<v Speaker 1>you can still find used copies in various places. Um,

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<v Speaker 1>and I got mine online for like, you know, fifteen

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<v Speaker 1>or twenty bucks, so it's it's still out there and

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<v Speaker 1>it's not like an out of your reach collector's item.

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<v Speaker 1>In particular, that the explanations for sand worms from these

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<v Speaker 1>two books. From Done Encyclopedia, we have an explanation by

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<v Speaker 1>Maureen A. Shifflet, and Uh in the Science of Done

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<v Speaker 1>we have a sybil hetchel pH D's explanation from her

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<v Speaker 1>piece the Biology of the Sandworm. Now I'm actually gonna

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<v Speaker 1>start with the Dune Encyclopedia explanation from Marine Shifflet. Uh.

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<v Speaker 1>Shifflet goes ahead and defines both male and female sandworms

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<v Speaker 1>the ladder somewhat smaller than the males, with the secondary

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<v Speaker 1>segment of each worm containing its reproductive system, and she

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<v Speaker 1>posits that at age one thousand, because these are longer

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<v Speaker 1>than creatures. The female develops an egg sac in her

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<v Speaker 1>reproductive system, constructs a deep, massive nest, and then attracts

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<v Speaker 1>a male with rhythmic thumping. Now this is key because

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<v Speaker 1>in the in Dune we see people attracting or distracting

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<v Speaker 1>a worm by using a mechanical thumper. Right, yeah, that's

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<v Speaker 1>one of the technologies we could have talked about in

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<v Speaker 1>the last episode, but I guess we just didn't have time.

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<v Speaker 1>The thumper is a sort of you might think of

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<v Speaker 1>it as a defensive decoy mechanism out in the desert,

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<v Speaker 1>where if you want to draw off a sandworm, or

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<v Speaker 1>perhaps even attract a sandworm, you put this thing down

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<v Speaker 1>on the ground and it starts beating on the sand

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<v Speaker 1>to say come on over. Yeah, with a rhythmic pattern,

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<v Speaker 1>because if you you know, there's like the thing if

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<v Speaker 1>you gotta walk without rhythm, yeah, you know, unless you

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<v Speaker 1>want to attract the worm. So yeah. One of the

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<v Speaker 1>things that's frequently mentioned in the book is that if

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<v Speaker 1>you want to walk across the sand and not attract

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<v Speaker 1>the worm, you have to walk without rhythm. You have

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<v Speaker 1>to walk without any kind of uh cadence to your walk.

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<v Speaker 1>And I love how they bring up the fact that

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<v Speaker 1>this is so much harder to do than it sounds

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<v Speaker 1>like like the characters are just exhausted from trying to

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<v Speaker 1>walk without maintaining a rhythm of their gait. Right, And

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<v Speaker 1>so she ties this into the into the lifecycle of

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<v Speaker 1>the worm by saying that it's that kind of rhythmic

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<v Speaker 1>thumping but not only indicates something unnatural on the desert surface,

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<v Speaker 1>but perhaps the mating cry the mating call of the

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<v Speaker 1>female worm. So she says that then the male would arrive,

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<v Speaker 1>consumes the smaller female, just straight up eats the female

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<v Speaker 1>and then goes into a dormant state. And it's during

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<v Speaker 1>this state that the heavy duty spice fiber egg sac

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<v Speaker 1>remains intact and it's fertilized by the male's reproductive system.

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<v Speaker 1>And then when he wakes up, he's gonna spit that

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<v Speaker 1>fertilized egg sac out. What yeah, I mean, I've heard

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<v Speaker 1>of reproductive cannibalism, but what yeah, this is It's an

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<v Speaker 1>interesting uh uh. And again this is you know, her

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<v Speaker 1>taking Herbert's world and extrapolating on it and trying to

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<v Speaker 1>come with a scientific explanation for how it might work.

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<v Speaker 1>It's not this is not cannon by any means, but

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<v Speaker 1>it is interesting because we don't see sexual cannibalism occur

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<v Speaker 1>in nature that I can think of, where the male

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<v Speaker 1>eats the female, because generally the female is the species

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<v Speaker 1>and she may or may not eat the male after

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<v Speaker 1>he's served his purpose. But here we have the male

0:12:57.559 --> 0:13:01.600
<v Speaker 1>consuming the female. The Yeah, okay, I mean that just

0:13:01.640 --> 0:13:04.800
<v Speaker 1>makes me wonder if this almost would start to play

0:13:04.840 --> 0:13:07.280
<v Speaker 1>with the definitions of what counts as male and what

0:13:07.400 --> 0:13:10.040
<v Speaker 1>counts as female in a species. Yeah, I would. I

0:13:10.080 --> 0:13:12.679
<v Speaker 1>feel like I would feel more comfortable with this example

0:13:13.080 --> 0:13:16.080
<v Speaker 1>of the genders were reversed and the primary primarily the

0:13:16.120 --> 0:13:20.160
<v Speaker 1>sandworms are are female. But but you know, either way,

0:13:20.559 --> 0:13:23.959
<v Speaker 1>the the best example that comes to mind of something

0:13:24.000 --> 0:13:29.120
<v Speaker 1>close to this in the natural world would be um anglerfish,

0:13:29.360 --> 0:13:32.080
<v Speaker 1>where you have those great things. So you've probably seen

0:13:32.120 --> 0:13:34.280
<v Speaker 1>pictures of these from the deep ocean. They look like

0:13:34.440 --> 0:13:37.480
<v Speaker 1>movie monsters. Uh. They've got the crazy faces and that

0:13:37.600 --> 0:13:40.880
<v Speaker 1>they've got a little a little lit up fishing pole, right, yeah,

0:13:40.920 --> 0:13:43.079
<v Speaker 1>and those are the females. The females are the ones

0:13:43.120 --> 0:13:46.880
<v Speaker 1>we see pictures of the males um are essentially a tiny,

0:13:46.960 --> 0:13:51.679
<v Speaker 1>heat seeking sexual missile equipped with gigantic nostrils. Uh. All

0:13:51.720 --> 0:13:53.840
<v Speaker 1>they do is they swim out in search of a female,

0:13:53.880 --> 0:13:57.040
<v Speaker 1>and if he's lucky and most or not, they find

0:13:57.080 --> 0:13:59.640
<v Speaker 1>one and they bite onto her abdomen and hang on. Again.

0:13:59.640 --> 0:14:02.520
<v Speaker 1>These are the angler fish, real world organisms, nothing from

0:14:02.520 --> 0:14:06.280
<v Speaker 1>sci fi. And then there I'm looking. I just google. Sorry,

0:14:06.280 --> 0:14:09.280
<v Speaker 1>I looked. I just googled pictures of the male angler

0:14:09.280 --> 0:14:12.160
<v Speaker 1>fish attaching to the female angler fish. And it's pathetic.

0:14:12.400 --> 0:14:16.240
<v Speaker 1>It's you could go with that interpretation, because what happens

0:14:16.280 --> 0:14:17.920
<v Speaker 1>is not only does he bite on and hold on,

0:14:18.240 --> 0:14:21.640
<v Speaker 1>but their flesh grows together, their blood vessels connect, and

0:14:21.640 --> 0:14:24.320
<v Speaker 1>the male becomes a mere part of the female's body,

0:14:24.400 --> 0:14:28.040
<v Speaker 1>sustained by her systems. His eyes, fins, and some internal

0:14:28.120 --> 0:14:30.960
<v Speaker 1>organs all atrophy and just leave him as just this

0:14:31.040 --> 0:14:34.280
<v Speaker 1>fat flap of skin. This's this mindless thing on the female.

0:14:34.320 --> 0:14:36.640
<v Speaker 1>And this way, the male and his reproductive systems are

0:14:36.680 --> 0:14:39.680
<v Speaker 1>always there when she needs them, which is a necessary

0:14:39.680 --> 0:14:42.840
<v Speaker 1>adaptation in the dark, lonely world of the deep ocean.

0:14:43.000 --> 0:14:45.920
<v Speaker 1>That's fascinating. I've never read about this before. I was

0:14:45.960 --> 0:14:47.960
<v Speaker 1>really I ran across in the past year or two

0:14:48.400 --> 0:14:51.120
<v Speaker 1>and was pretty amazed by it. But that's certainly it's

0:14:51.120 --> 0:14:53.120
<v Speaker 1>the case where the male and female fuse into one.

0:14:53.520 --> 0:14:56.520
<v Speaker 1>And I guess you could interpret this consumption of the

0:14:56.720 --> 0:15:00.040
<v Speaker 1>of the female sand worm is more of emerging and

0:15:00.080 --> 0:15:03.160
<v Speaker 1>a consumption since there's not according to her model anyway,

0:15:03.200 --> 0:15:05.720
<v Speaker 1>there's not really any nourishment to be gained from the

0:15:05.720 --> 0:15:09.760
<v Speaker 1>worm eating the other worm. Okay, so this is where

0:15:09.760 --> 0:15:12.440
<v Speaker 1>we start getting into a more complex life cycle. So

0:15:13.240 --> 0:15:16.280
<v Speaker 1>bear with me, everyone, Um, when a male sum so,

0:15:16.320 --> 0:15:18.200
<v Speaker 1>the male sand word comes to vomits up that egg

0:15:18.240 --> 0:15:21.040
<v Speaker 1>case and he takes off the egg case. Eventually hatch

0:15:21.160 --> 0:15:25.920
<v Speaker 1>catches into a legion of sand trout sand trout sand trout. Yes,

0:15:26.000 --> 0:15:28.000
<v Speaker 1>and now these these this is where we're getting back

0:15:28.000 --> 0:15:32.160
<v Speaker 1>into um, into the actual canon of of of Frank

0:15:32.200 --> 0:15:35.120
<v Speaker 1>Herbert's sandworm biology, because these are very much a part

0:15:35.160 --> 0:15:39.040
<v Speaker 1>of the series. Yeah, there are sequences in Dune where character,

0:15:39.160 --> 0:15:40.960
<v Speaker 1>well at least one character I can think of, the

0:15:40.960 --> 0:15:44.800
<v Speaker 1>planetary scientist kinds. Uh. There may be other characters, but

0:15:44.840 --> 0:15:48.000
<v Speaker 1>not that I recall, at least kinds thinks about down

0:15:48.080 --> 0:15:51.840
<v Speaker 1>under the the dunes of sand, there are these massive

0:15:52.680 --> 0:15:56.320
<v Speaker 1>patches of life. Then there's moisture down there too, which

0:15:56.360 --> 0:15:58.320
<v Speaker 1>is sort of hidden from the surface, which is I

0:15:58.360 --> 0:16:01.920
<v Speaker 1>guess being trapped or used by these unicellular life forms.

0:16:02.080 --> 0:16:05.240
<v Speaker 1>And in this case we're talking twenty by six centimeter

0:16:05.480 --> 0:16:10.640
<v Speaker 1>unicellular organisms. But that's a big cell. You know, alien world,

0:16:10.680 --> 0:16:14.560
<v Speaker 1>different laws, right, um. But but yeah, their water scavengers.

0:16:14.560 --> 0:16:17.000
<v Speaker 1>So the idea here is that they're traveling out, they're

0:16:17.000 --> 0:16:20.600
<v Speaker 1>collecting water, they're bringing them back, according to UM to

0:16:20.720 --> 0:16:24.720
<v Speaker 1>this model anyway, to the nest site, and they're sequestering

0:16:24.720 --> 0:16:27.400
<v Speaker 1>the water. And here the water mixes with excretions from

0:16:27.440 --> 0:16:30.880
<v Speaker 1>the pre spice mass uh. And here the C t

0:16:31.000 --> 0:16:33.400
<v Speaker 1>U C two builds up as a byproduct, and this

0:16:33.440 --> 0:16:37.440
<v Speaker 1>eventually results in a spice blow explosion. And this is

0:16:37.520 --> 0:16:40.440
<v Speaker 1>very much a part of the books, where eventually the

0:16:40.440 --> 0:16:43.800
<v Speaker 1>pressure builds up and it blasts that precious spice melange

0:16:43.880 --> 0:16:48.560
<v Speaker 1>that's produced uh somehow by this sand trout nesting water

0:16:49.080 --> 0:16:51.840
<v Speaker 1>sequestering action blows it up to the surface where people

0:16:51.840 --> 0:16:53.680
<v Speaker 1>can say, hey, there's some spice there, let's go get

0:16:53.680 --> 0:16:56.960
<v Speaker 1>it all right, all right, So but it's not only

0:16:57.000 --> 0:16:58.640
<v Speaker 1>people that want to come get the spice that also

0:16:58.680 --> 0:17:02.080
<v Speaker 1>attracts the sandworms, which get into um. And at this point,

0:17:02.120 --> 0:17:06.000
<v Speaker 1>according to Schifflet, the sand worms enter a pre metamorphic

0:17:06.080 --> 0:17:09.919
<v Speaker 1>stage during which surviving sand trout joining bodies, and as

0:17:09.960 --> 0:17:13.760
<v Speaker 1>metamorphosis sets in properly, each sand trout, also known as

0:17:13.760 --> 0:17:17.399
<v Speaker 1>a little maker among the fremen, becomes a segment of

0:17:17.440 --> 0:17:21.480
<v Speaker 1>a conjoined body that becomes a small sandworm. So again

0:17:21.480 --> 0:17:24.240
<v Speaker 1>we see conjoined bodies coming into play. Uh. And this

0:17:24.320 --> 0:17:28.960
<v Speaker 1>is this is certainly part of of Herbert's original model

0:17:29.000 --> 0:17:31.240
<v Speaker 1>for the sand worm. So this is fascinating because the

0:17:31.320 --> 0:17:33.719
<v Speaker 1>sand worm and that sense, it is sort of a

0:17:33.720 --> 0:17:38.080
<v Speaker 1>composite organism. Yes, very much so. Um and this this play,

0:17:38.119 --> 0:17:39.600
<v Speaker 1>I don't want to give any spoilers, but this also

0:17:39.600 --> 0:17:42.760
<v Speaker 1>plays out in rather unique and mind blowing ways in

0:17:42.800 --> 0:17:45.560
<v Speaker 1>the sequels. Okay, so how long does it take for

0:17:45.840 --> 0:17:49.760
<v Speaker 1>little sand trout joining together to become the gigantic shi

0:17:49.800 --> 0:17:52.160
<v Speaker 1>hlud like we see in the book? You know, before

0:17:52.200 --> 0:17:54.480
<v Speaker 1>they're they're a big sand worm out in the desert

0:17:54.840 --> 0:17:57.800
<v Speaker 1>over over a thousand years. Because it's going to take

0:17:57.840 --> 0:18:01.520
<v Speaker 1>that long corners. Shifflet here to segment for the segments

0:18:01.520 --> 0:18:04.480
<v Speaker 1>to take on. Uh, you know, the different properties such

0:18:04.520 --> 0:18:08.240
<v Speaker 1>as the tooth head, the reproductive system. If you're going

0:18:08.240 --> 0:18:11.720
<v Speaker 1>by her model, and during this time of environmental conditions

0:18:11.720 --> 0:18:15.440
<v Speaker 1>are not met, then the underdifferentiated segments can revert to

0:18:15.520 --> 0:18:18.520
<v Speaker 1>san trout. So it's kind of like those jellyfish that

0:18:18.600 --> 0:18:22.080
<v Speaker 1>can that can reverse age, right, can revert to the

0:18:22.600 --> 0:18:26.040
<v Speaker 1>earlier life form stage if things aren't going well. Yeah,

0:18:26.119 --> 0:18:29.120
<v Speaker 1>I like that detail that she throws in. And finally

0:18:29.240 --> 0:18:32.280
<v Speaker 1>the a sexual juvenile warm develops and it's twenty to

0:18:32.400 --> 0:18:36.200
<v Speaker 1>thirty long, and this is the form that fremen eventually

0:18:36.320 --> 0:18:40.800
<v Speaker 1>capture and drown to produce spice essence. More about spice

0:18:40.840 --> 0:18:44.000
<v Speaker 1>in this episode later that's coming up. Uh, most juveniles,

0:18:44.040 --> 0:18:47.760
<v Speaker 1>according to Shifflet, would become females, but it's possible that

0:18:48.080 --> 0:18:50.760
<v Speaker 1>it's possible that the environmental absence of a male is

0:18:50.800 --> 0:18:54.600
<v Speaker 1>what results in male development. In the book itself, we're

0:18:54.600 --> 0:18:57.439
<v Speaker 1>told that each male has a three four hundred kilometer

0:18:57.840 --> 0:19:02.600
<v Speaker 1>territory that it defends against at worms, and she has

0:19:02.640 --> 0:19:07.399
<v Speaker 1>a really interesting bit about how that combat would work.

0:19:07.960 --> 0:19:10.040
<v Speaker 1>How do the worms fight each other? If they're just

0:19:10.400 --> 0:19:14.600
<v Speaker 1>they're huge worms with big circular mouths. Well, she draws

0:19:14.640 --> 0:19:17.120
<v Speaker 1>on a on a on a detail that we'll discuss

0:19:17.320 --> 0:19:19.800
<v Speaker 1>in a minute. Um, but I guess let's go ahead

0:19:19.800 --> 0:19:23.200
<v Speaker 1>and hit it. How does someone ride a sandworm? Ah? Yes,

0:19:23.280 --> 0:19:24.920
<v Speaker 1>Well this is something we learned about later in the

0:19:24.960 --> 0:19:27.639
<v Speaker 1>book and it's very interesting. So the sandworm, like the

0:19:27.680 --> 0:19:30.879
<v Speaker 1>sandworms like we mentioned, have these segments on their bodies.

0:19:30.880 --> 0:19:34.320
<v Speaker 1>They have sort of scales that protects their soft, fleshy

0:19:34.359 --> 0:19:37.720
<v Speaker 1>inner tissues from the you know, the harsh exterior realities

0:19:37.800 --> 0:19:41.520
<v Speaker 1>of Aracus and all the sand So a Fremen who

0:19:41.720 --> 0:19:45.359
<v Speaker 1>is who is hopped up on spice and ready to ride,

0:19:45.520 --> 0:19:48.119
<v Speaker 1>will go out into the desert with some hooks and

0:19:48.200 --> 0:19:52.159
<v Speaker 1>attract a sandworm using a thumper, And if the sandworm

0:19:52.240 --> 0:19:55.440
<v Speaker 1>comes by at the right time, the fremen writer can

0:19:55.480 --> 0:19:59.400
<v Speaker 1>get the hooks under one of the sandworms outer plates

0:19:59.520 --> 0:20:04.000
<v Speaker 1>or these ales segments, whatever you wants, yeah, and then

0:20:04.200 --> 0:20:06.800
<v Speaker 1>pull it back. And what that does is exposed the

0:20:06.840 --> 0:20:11.040
<v Speaker 1>sandworms inner tissues to the external elements. Obviously, the sand

0:20:11.080 --> 0:20:14.719
<v Speaker 1>worm does not like this and says, oh no, and

0:20:14.760 --> 0:20:18.280
<v Speaker 1>it rolls over to protect the exposed part of its

0:20:18.320 --> 0:20:22.000
<v Speaker 1>body from the sand, and in doing so can lift

0:20:22.080 --> 0:20:25.680
<v Speaker 1>the rider up onto its back. And then once you're

0:20:25.680 --> 0:20:29.400
<v Speaker 1>going like that, the sandworm refuses. It doesn't resubmerge into

0:20:29.440 --> 0:20:32.679
<v Speaker 1>the ground while it's got a part of its body

0:20:32.720 --> 0:20:35.160
<v Speaker 1>exposed like that, because it doesn't want sand to get

0:20:35.200 --> 0:20:38.359
<v Speaker 1>in there and hurt it. So you can essentially ride

0:20:38.520 --> 0:20:41.360
<v Speaker 1>this sandworm around as long as you want until it's

0:20:41.400 --> 0:20:44.480
<v Speaker 1>just exhausted and collapses, as long as you've got the

0:20:44.520 --> 0:20:48.040
<v Speaker 1>hooks pulling back the plate. Right, did I describe that

0:20:48.040 --> 0:20:50.639
<v Speaker 1>about right? Yeah? Yeah, yeah, that's that's perfect. And and

0:20:50.680 --> 0:20:53.440
<v Speaker 1>so in shifflet trying to understand like what its teeth

0:20:53.480 --> 0:20:57.360
<v Speaker 1>are for, she draws on this detail and says, well, uh,

0:20:57.480 --> 0:21:00.560
<v Speaker 1>what happens when two males are are getting to combat

0:21:00.600 --> 0:21:04.520
<v Speaker 1>over territory. They're using those teeth to pull back each

0:21:04.520 --> 0:21:09.399
<v Speaker 1>other's segments, essentially wrestling that way. And uh, because again

0:21:09.520 --> 0:21:11.920
<v Speaker 1>sand gets in there, it's gonna irritate the flesh. And

0:21:11.960 --> 0:21:14.960
<v Speaker 1>she posits that in extreme cases this could result in

0:21:15.000 --> 0:21:17.600
<v Speaker 1>a viral infection that could kill a worm, but generally

0:21:17.600 --> 0:21:21.040
<v Speaker 1>the loser breaks away, So, uh, yeah, just grappling with

0:21:21.119 --> 0:21:23.560
<v Speaker 1>each other, exposing each other as inner flesh by pulling

0:21:23.600 --> 0:21:26.640
<v Speaker 1>back with the teeth and eventually forcing one of them

0:21:26.640 --> 0:21:28.760
<v Speaker 1>to give up and break. Yeah, and a lot. It's

0:21:28.840 --> 0:21:31.640
<v Speaker 1>like in nature on Earth, a lot of territorial disputes

0:21:31.720 --> 0:21:35.320
<v Speaker 1>between you know, angry males of species. They don't always

0:21:35.400 --> 0:21:37.840
<v Speaker 1>end in death. They just one of them is like, okay,

0:21:37.840 --> 0:21:39.560
<v Speaker 1>I give up. Yeah, if you can have it, you

0:21:39.560 --> 0:21:44.159
<v Speaker 1>can eat all the females in this region that you want. Um. Finally,

0:21:44.200 --> 0:21:47.119
<v Speaker 1>a word on diet from Shifflet. Her theory here is

0:21:47.160 --> 0:21:49.800
<v Speaker 1>that the sand worm is a true autotroph that's an

0:21:49.880 --> 0:21:53.480
<v Speaker 1>organism that's able to to form a nutritional organic substances

0:21:53.560 --> 0:21:58.119
<v Speaker 1>from simple inorganic substances such as carbon dioxide. In this case,

0:21:58.560 --> 0:22:01.679
<v Speaker 1>the sandworm is producing all of the nutritional needs from

0:22:01.760 --> 0:22:05.119
<v Speaker 1>inorganic compounds on the planet's surface. The energy for this,

0:22:05.280 --> 0:22:09.159
<v Speaker 1>she says that it it drives the synthetic reactions to

0:22:09.280 --> 0:22:12.960
<v Speaker 1>completion just by by traveling across the sand, which causes

0:22:13.000 --> 0:22:16.560
<v Speaker 1>an electrostatic charge differential, which we do see in the

0:22:16.640 --> 0:22:18.320
<v Speaker 1>books with a whole You know, you see that you

0:22:18.359 --> 0:22:20.879
<v Speaker 1>already mentioned the static charge that tells you that a

0:22:20.920 --> 0:22:25.600
<v Speaker 1>worm is approaching and uh. Incidentally, she also uses this

0:22:25.680 --> 0:22:28.480
<v Speaker 1>as an as an explanation for one water would be

0:22:28.560 --> 0:22:30.639
<v Speaker 1>fatal to a sandworm, and that it would cause the

0:22:30.680 --> 0:22:35.000
<v Speaker 1>electrons to discharge abnormally. Yeah. Now, obviously it can't be

0:22:35.080 --> 0:22:38.760
<v Speaker 1>that any massive water is fatal to a sandworm because

0:22:38.800 --> 0:22:41.879
<v Speaker 1>there there is some tiny amount of water on Iracus.

0:22:41.960 --> 0:22:44.040
<v Speaker 1>But it sounds like a large amount of water will

0:22:44.080 --> 0:22:46.680
<v Speaker 1>kill a sandworm, right, And it gets into that whole

0:22:46.720 --> 0:22:48.800
<v Speaker 1>segmented thing because it's it's mentioned in the book that

0:22:48.880 --> 0:22:52.320
<v Speaker 1>to really kill a sandworm, like to straight up kill it,

0:22:52.320 --> 0:22:54.600
<v Speaker 1>it's so big. And since each since it doesn't have

0:22:54.600 --> 0:22:57.160
<v Speaker 1>a central nervous system Sinich, each segment has its own

0:22:57.200 --> 0:23:00.000
<v Speaker 1>nervous system, you would have to just nuke the whole

0:23:00.080 --> 0:23:02.520
<v Speaker 1>thing with one of your your handy house atomics that

0:23:02.640 --> 0:23:08.760
<v Speaker 1>you're not allowed to use anyway. Wow. Yeah, um so

0:23:09.000 --> 0:23:12.160
<v Speaker 1>uh yeah, it's a it's kind of a complex life cycle.

0:23:12.520 --> 0:23:15.520
<v Speaker 1>Uh and uh it's it's summed up in this brief

0:23:15.560 --> 0:23:18.040
<v Speaker 1>bit from the appendix to dune. Now they had a

0:23:18.040 --> 0:23:22.480
<v Speaker 1>circular relationship little maker again, that's our our sound trout

0:23:22.800 --> 0:23:26.560
<v Speaker 1>to Priespye spice mass little maker to shah Haloud shah

0:23:26.560 --> 0:23:29.840
<v Speaker 1>Haloo to scatter the spice upon which fed microscopic creatures

0:23:29.880 --> 0:23:33.680
<v Speaker 1>called sand plankton, which we'll get into the sand plankton

0:23:33.840 --> 0:23:39.560
<v Speaker 1>food for shah Haloud, growing, burrowing, becoming little makers. Now

0:23:41.000 --> 0:23:43.479
<v Speaker 1>that of course is a little complicated, and we'll get

0:23:43.520 --> 0:23:46.080
<v Speaker 1>into that. Because here it seems like how can one

0:23:46.560 --> 0:23:48.600
<v Speaker 1>does it? Sounds like one part of its own life

0:23:48.640 --> 0:23:51.760
<v Speaker 1>cycle is also part of it is also it's part

0:23:51.760 --> 0:23:55.879
<v Speaker 1>of its diet. That's bizarre, all right, And this brings

0:23:55.960 --> 0:24:01.880
<v Speaker 1>us to biologist civil hetchel PhD sum Science of Dune explanation,

0:24:02.000 --> 0:24:05.720
<v Speaker 1>which uh is also really interesting and I think gives

0:24:05.760 --> 0:24:10.320
<v Speaker 1>us our best comparison to real world biology. Okay, so

0:24:11.480 --> 0:24:14.280
<v Speaker 1>first of all, she she she zooms in on the

0:24:14.320 --> 0:24:18.160
<v Speaker 1>whole idea that san trout produce oxygen deep underground, as

0:24:18.200 --> 0:24:20.840
<v Speaker 1>mentioned by Kinds in the novel. But they need an

0:24:20.920 --> 0:24:23.800
<v Speaker 1>energy source to produce oxygen, and since photos, since theist

0:24:23.880 --> 0:24:26.199
<v Speaker 1>is out of the question because their underground, right, the

0:24:26.240 --> 0:24:30.040
<v Speaker 1>best candidate is, of course de hydrothermal vents. That's how

0:24:30.040 --> 0:24:34.160
<v Speaker 1>we see it working on Earth, right, Okay, so one

0:24:34.160 --> 0:24:37.360
<v Speaker 1>could interpret the san trout as the producer of milange,

0:24:37.640 --> 0:24:40.320
<v Speaker 1>and that's then certainly Herbert doesn't really say exactly like

0:24:40.359 --> 0:24:43.720
<v Speaker 1>it's just sandworms are key to the production of spice. Mlehunch,

0:24:43.800 --> 0:24:47.199
<v Speaker 1>but I don't know exactly how it goes happening. But

0:24:47.280 --> 0:24:49.560
<v Speaker 1>of course we don't want them to go extinct, right,

0:24:50.119 --> 0:24:54.919
<v Speaker 1>So Hetchel deposits that just as san trout scavenge and

0:24:54.960 --> 0:24:59.639
<v Speaker 1>herd water, they may also tend a milang producing fungus.

0:25:00.359 --> 0:25:03.240
<v Speaker 1>So in this case then it's not actually any part

0:25:03.400 --> 0:25:07.240
<v Speaker 1>of the UH of the sandworms life cycle that produces

0:25:07.320 --> 0:25:10.959
<v Speaker 1>the spice, but they are harvesters of spice, right. She's

0:25:11.119 --> 0:25:15.600
<v Speaker 1>theorizing that they would sequester stashes of water around these

0:25:15.800 --> 0:25:20.640
<v Speaker 1>hydrothermal areas, and this would cause the spice fungus to grow. UH.

0:25:20.760 --> 0:25:23.480
<v Speaker 1>And in our world, plants, bacteria, and fungi produced the

0:25:23.520 --> 0:25:27.760
<v Speaker 1>majority of exotic compounds, such as psychedelic compounds, so this

0:25:27.800 --> 0:25:31.600
<v Speaker 1>would make extra sense, right, the secondary compact pounds that

0:25:31.680 --> 0:25:35.600
<v Speaker 1>synthesized for protection by a particular fungus. And of course

0:25:35.640 --> 0:25:38.800
<v Speaker 1>there are examples of animals on Earth that actually do

0:25:39.280 --> 0:25:42.760
<v Speaker 1>practice farming, I mean animals other than humans. Right. The

0:25:42.800 --> 0:25:44.879
<v Speaker 1>example here would be, of course, the leaf cutter ants.

0:25:44.880 --> 0:25:47.520
<v Speaker 1>And that's the comparison that that civil Hetchel makes in

0:25:47.600 --> 0:25:50.560
<v Speaker 1>this UH. In this piece. The leaf cutter ants are

0:25:50.560 --> 0:25:53.520
<v Speaker 1>of course a number of species that are found in

0:25:53.520 --> 0:25:56.040
<v Speaker 1>the America's and they cut tree leaves. They drag them

0:25:56.040 --> 0:25:58.720
<v Speaker 1>to an underground growth chamber and they keep it moist

0:25:58.800 --> 0:26:03.440
<v Speaker 1>to gold, cultivate guy on the leaves, um, and then

0:26:03.480 --> 0:26:05.800
<v Speaker 1>they so they so basically it breaks down like this.

0:26:05.920 --> 0:26:08.880
<v Speaker 1>They bring leaf cuttings back to the colony along well

0:26:08.960 --> 0:26:11.920
<v Speaker 1>worn forest roads and paths. We've probably all seen video

0:26:11.960 --> 0:26:15.320
<v Speaker 1>or images of this, you know, very very visual. Um.

0:26:15.400 --> 0:26:17.360
<v Speaker 1>They filter out the bad cuttings, they hand the good

0:26:17.359 --> 0:26:19.840
<v Speaker 1>ones off to their farmer ants. Then they munched the

0:26:19.880 --> 0:26:22.520
<v Speaker 1>leaf cuttings down into a fine mulch. Then they grow

0:26:22.560 --> 0:26:25.320
<v Speaker 1>the delicious fung guy on that mulch, lay some eggs

0:26:25.320 --> 0:26:28.160
<v Speaker 1>in it, and enjoy. They dragged the depleted leaf cuttings

0:26:28.280 --> 0:26:30.800
<v Speaker 1>to the dump chamber along with all the dead ants

0:26:30.800 --> 0:26:34.800
<v Speaker 1>and dead fungus. So the crazy part about this and

0:26:35.040 --> 0:26:38.000
<v Speaker 1>ultimately kind of sci fi uh sounding thing about the

0:26:38.160 --> 0:26:40.560
<v Speaker 1>leaf cutter ants is that they gave up hunting and

0:26:40.600 --> 0:26:44.640
<v Speaker 1>gathering fifty million years ago and they became farmers, and

0:26:44.720 --> 0:26:48.320
<v Speaker 1>they they discovered the technology of agriculture before we did.

0:26:48.359 --> 0:26:51.920
<v Speaker 1>They did, and not only before we did, before we existed, right.

0:26:52.320 --> 0:26:55.280
<v Speaker 1>They not only did they find this substance, but they

0:26:55.520 --> 0:26:59.640
<v Speaker 1>essentially domesticated it, and it's grown extinct in the wild,

0:26:59.720 --> 0:27:02.120
<v Speaker 1>like it's no longer something that they can go out

0:27:02.160 --> 0:27:05.439
<v Speaker 1>and get. So the analogy here would be imagine if

0:27:05.520 --> 0:27:09.680
<v Speaker 1>leaf cutter ants, uh could grow to become giant leaf

0:27:09.720 --> 0:27:12.480
<v Speaker 1>cutter ants that can eat a city. But also if

0:27:12.520 --> 0:27:15.359
<v Speaker 1>the fungus that the little leaf cutter ants grew in

0:27:15.400 --> 0:27:21.080
<v Speaker 1>their colonies created a drug that lets you see the future. Yeah. Yeah,

0:27:21.160 --> 0:27:24.119
<v Speaker 1>imagine all those leaf cutter ants vultronning up into a

0:27:24.200 --> 0:27:28.320
<v Speaker 1>larger organism over the course of a thousand years. Um.

0:27:28.520 --> 0:27:30.200
<v Speaker 1>And I do also want to know that it's it's

0:27:30.240 --> 0:27:32.880
<v Speaker 1>also kind of like a caveman movie in that when

0:27:33.280 --> 0:27:36.880
<v Speaker 1>a winged male prepares to leave leaf cutter cutter ant

0:27:36.920 --> 0:27:39.000
<v Speaker 1>colony to found a new colony, they have to take

0:27:39.040 --> 0:27:41.880
<v Speaker 1>a sample of that precious fungi with them, because again,

0:27:41.920 --> 0:27:44.600
<v Speaker 1>it doesn't exist in the wild anymore. I was continually

0:27:44.600 --> 0:27:48.040
<v Speaker 1>fascinated by that. Um, we're completely at the mercy of

0:27:48.080 --> 0:27:50.480
<v Speaker 1>the ants. If we want this fungus exactly, and of

0:27:50.560 --> 0:27:53.119
<v Speaker 1>course we don't want it, but they require it completely.

0:27:53.119 --> 0:27:56.399
<v Speaker 1>It's key to their their their life. But back to

0:27:56.480 --> 0:28:00.520
<v Speaker 1>the sandworms. Okay, so we don't know exact actually what

0:28:00.680 --> 0:28:03.639
<v Speaker 1>sand plankton and sand trout are supposed to eat, but

0:28:03.800 --> 0:28:07.320
<v Speaker 1>maybe they eat spice, uh and it and it, but

0:28:07.880 --> 0:28:10.600
<v Speaker 1>you know, but it wouldn't make sense. Hetchel argues for

0:28:10.640 --> 0:28:13.600
<v Speaker 1>the creature to both create and consume spice, so the

0:28:13.640 --> 0:28:16.479
<v Speaker 1>fungus again makes more sense from from that analogy as

0:28:16.480 --> 0:28:19.439
<v Speaker 1>well for that comparison as well. So she well, I

0:28:19.440 --> 0:28:21.600
<v Speaker 1>mean I wonder you could look at depending on what

0:28:21.680 --> 0:28:24.680
<v Speaker 1>you mean by create, you could look at an example

0:28:24.760 --> 0:28:27.200
<v Speaker 1>like honey in a bee colony. You know, the bees

0:28:27.240 --> 0:28:30.159
<v Speaker 1>don't create the honey, but they sort of they process

0:28:30.359 --> 0:28:32.480
<v Speaker 1>the honey. Yes, And I think that would be an

0:28:32.480 --> 0:28:34.800
<v Speaker 1>apt analogy here for the milange as well, that the

0:28:36.000 --> 0:28:40.640
<v Speaker 1>kind of is a created element um. So she argues

0:28:40.680 --> 0:28:45.120
<v Speaker 1>that sand trout communities um are essentially like a combination

0:28:45.160 --> 0:28:48.840
<v Speaker 1>of leaf cutting, ant nest and hydrothermal vent community and

0:28:49.000 --> 0:28:51.840
<v Speaker 1>in this case, sand plankton and sand trout would subsist

0:28:51.920 --> 0:28:55.000
<v Speaker 1>on living spice, fungi and bacterial mats that grow around

0:28:55.000 --> 0:28:57.600
<v Speaker 1>the events. She also presents the notion that sand trout

0:28:57.680 --> 0:29:00.640
<v Speaker 1>or essentially a sexual and they might sub this as

0:29:00.760 --> 0:29:03.480
<v Speaker 1>clone communities for quite some time at least until the

0:29:03.480 --> 0:29:06.680
<v Speaker 1>build up of carbon dioxide from their farming efforts trigger

0:29:06.760 --> 0:29:11.000
<v Speaker 1>sexual reproduction and also triggers that spice blow the results

0:29:11.000 --> 0:29:13.360
<v Speaker 1>from the build up, and then that that would scatter

0:29:13.440 --> 0:29:16.720
<v Speaker 1>the newly produced sandplankton. So then the sand worm comes in.

0:29:17.040 --> 0:29:19.080
<v Speaker 1>It wants to eat up that spice, and in doing

0:29:19.120 --> 0:29:22.640
<v Speaker 1>so it disperses the offspring across vast distances, because of

0:29:22.640 --> 0:29:27.240
<v Speaker 1>course sandworms have those large spread out territories. That makes

0:29:27.280 --> 0:29:29.960
<v Speaker 1>sense with some Earth earth life too. You can think

0:29:30.000 --> 0:29:33.520
<v Speaker 1>about seeds that spread by growing in fruits that predators

0:29:33.520 --> 0:29:35.720
<v Speaker 1>want to come and eat, or maybe not predators you'd

0:29:35.720 --> 0:29:38.160
<v Speaker 1>call them. I guess they're predators of the plant. They

0:29:38.240 --> 0:29:40.200
<v Speaker 1>come and want to eat the fruit, and then they

0:29:40.200 --> 0:29:44.320
<v Speaker 1>take the seeds with them wherever they go afterwards. So

0:29:45.280 --> 0:29:47.280
<v Speaker 1>now she also goes on in this piece. She has

0:29:47.320 --> 0:29:50.960
<v Speaker 1>some some thoughts on size constraints of enormous organisms. If

0:29:51.000 --> 0:29:52.520
<v Speaker 1>you want to read about that, do check out the

0:29:52.560 --> 0:29:54.960
<v Speaker 1>book to check out her peace, but we're not going

0:29:55.000 --> 0:29:57.640
<v Speaker 1>to go into them in this podcast. So one of

0:29:57.640 --> 0:30:00.560
<v Speaker 1>the things I've already mentioned that I really loved about

0:30:00.600 --> 0:30:05.160
<v Speaker 1>doing is that it's the most ecologically conscious novel I've

0:30:05.200 --> 0:30:09.360
<v Speaker 1>ever read. It's it's a novel that really has interesting

0:30:09.720 --> 0:30:14.200
<v Speaker 1>thoughts about ecosystems and about resources in ecosystems, like how

0:30:14.280 --> 0:30:18.800
<v Speaker 1>resources get used and conserves, specifically water and spice, and

0:30:18.840 --> 0:30:23.480
<v Speaker 1>then also about how organisms feed into one another and

0:30:23.840 --> 0:30:26.520
<v Speaker 1>create ecosystems. There's actually a section in the book where

0:30:26.520 --> 0:30:31.520
<v Speaker 1>the planetary scientist and ecologist Kinds has visions of his father,

0:30:31.560 --> 0:30:34.280
<v Speaker 1>who is also an ecologist and lived among the Fremen

0:30:34.520 --> 0:30:38.720
<v Speaker 1>on the dune planet, and the vision of his father

0:30:38.800 --> 0:30:41.800
<v Speaker 1>says a couple of interesting things. He says, the more

0:30:41.880 --> 0:30:44.680
<v Speaker 1>life there is within a system, the more niches there

0:30:44.680 --> 0:30:49.400
<v Speaker 1>are for life. Life improves the capacity of the environment

0:30:49.480 --> 0:30:54.000
<v Speaker 1>to sustain life. Life makes needed nutrients more readily available.

0:30:54.240 --> 0:30:57.480
<v Speaker 1>It binds more energy into the system through the tremendous

0:30:57.560 --> 0:31:01.720
<v Speaker 1>chemical interplay from organism to organism. And I think that

0:31:01.760 --> 0:31:05.960
<v Speaker 1>makes a lot of sense because whenever you imagine a

0:31:05.960 --> 0:31:10.200
<v Speaker 1>a rich, thriving ecosystem on Earth, it's one that already

0:31:10.240 --> 0:31:12.480
<v Speaker 1>has a lot of life forms succeeding in It is

0:31:12.520 --> 0:31:16.640
<v Speaker 1>kind of counterintuitive from a resource competition or evolutionary perspective.

0:31:17.360 --> 0:31:21.040
<v Speaker 1>Places that have a lot of competitions seem like they

0:31:21.080 --> 0:31:24.760
<v Speaker 1>they should be harder to survive in. But life creates

0:31:25.160 --> 0:31:28.680
<v Speaker 1>ways for other life to thrive, and this is sort

0:31:28.720 --> 0:31:31.840
<v Speaker 1>of part of the problem with Aracus as it's imagined,

0:31:31.920 --> 0:31:34.920
<v Speaker 1>unless you you imagine it terraformed and seated with other

0:31:35.000 --> 0:31:37.200
<v Speaker 1>life forms, as some characters in the novel do kind

0:31:37.200 --> 0:31:40.360
<v Speaker 1>of imagine. I think primarily they talked about, let's plants,

0:31:40.400 --> 0:31:44.640
<v Speaker 1>some grasses and you know, and settle the dunes. It

0:31:44.720 --> 0:31:48.959
<v Speaker 1>doesn't seem to have enough biodiversity to be very hospitable

0:31:49.000 --> 0:31:52.960
<v Speaker 1>to life forms. And uh, in addition to the sandworms.

0:31:53.040 --> 0:31:57.120
<v Speaker 1>Like what life forms are described as inhabiting Aracus, Herbert

0:31:57.160 --> 0:32:01.240
<v Speaker 1>mentions some scavenging birds and a few other carrion eaters

0:32:01.240 --> 0:32:05.920
<v Speaker 1>and some kind of scrubby plants. But I got the sense,

0:32:05.960 --> 0:32:07.560
<v Speaker 1>I don't know what you thought about this. I get

0:32:07.560 --> 0:32:10.680
<v Speaker 1>the sense that a lot of these animals that are

0:32:10.960 --> 0:32:15.680
<v Speaker 1>described as inhabiting Aracus are imports from human settlement. I

0:32:15.680 --> 0:32:17.480
<v Speaker 1>don't know what you thought. That's that's the sense I

0:32:17.480 --> 0:32:20.240
<v Speaker 1>got as well. They're like the scavenging birds have certainly

0:32:20.320 --> 0:32:25.720
<v Speaker 1>evolved over over time to to thrive on Aracus, Like

0:32:25.760 --> 0:32:27.840
<v Speaker 1>they're there's you know, they're far more conscious. They can

0:32:27.880 --> 0:32:31.560
<v Speaker 1>basically hear water, you know, miles away, but that they're

0:32:31.600 --> 0:32:36.280
<v Speaker 1>essentially a terrestrial product, while the sand worm is is

0:32:36.680 --> 0:32:40.440
<v Speaker 1>entirely alien. So I don't know, maybe somewhere in the

0:32:40.680 --> 0:32:42.400
<v Speaker 1>if it's in the sequels, or if I missed it.

0:32:42.440 --> 0:32:45.320
<v Speaker 1>In the book, Herbert does talk about other life forms

0:32:45.440 --> 0:32:48.280
<v Speaker 1>native to Aracus, but I can't think of any examples

0:32:48.280 --> 0:32:50.560
<v Speaker 1>where I remember him talking about that, And and I

0:32:50.600 --> 0:32:54.480
<v Speaker 1>wanted to ask the question, if we imagine that the sandworm,

0:32:54.560 --> 0:32:57.000
<v Speaker 1>at the various stages of his life cycle, were the

0:32:57.200 --> 0:33:01.719
<v Speaker 1>one and only organism native to a planet, is something

0:33:01.800 --> 0:33:04.280
<v Speaker 1>like that possible in reality? Can you have a one

0:33:04.680 --> 0:33:08.640
<v Speaker 1>organism ecosystem? Yeah, even if it's a really complex organism

0:33:08.680 --> 0:33:11.840
<v Speaker 1>like this one. I was trying to find examples of this.

0:33:12.200 --> 0:33:16.040
<v Speaker 1>I found one. Actually I think you found it first.

0:33:16.080 --> 0:33:19.440
<v Speaker 1>But in two thousand and eight there were reports that

0:33:19.520 --> 0:33:23.920
<v Speaker 1>the first known single organism ecosystem had been discovered, and

0:33:23.960 --> 0:33:27.840
<v Speaker 1>this was miles under the earth in the moment, I

0:33:28.280 --> 0:33:32.480
<v Speaker 1>apologize if I'm pronouncing this wrong, Momponing gold mine in

0:33:32.560 --> 0:33:35.719
<v Speaker 1>South Africa, and it was a bacteria called de sulfur

0:33:35.880 --> 0:33:40.720
<v Speaker 1>Udis audax viator, it was a rod shaped bacterium, and

0:33:40.880 --> 0:33:44.320
<v Speaker 1>it makes its living in a very remarkable way. It

0:33:44.400 --> 0:33:48.600
<v Speaker 1>doesn't need sunlight and it doesn't need any prey organisms,

0:33:49.200 --> 0:33:52.000
<v Speaker 1>so it lives down there by itself, and instead it

0:33:52.080 --> 0:33:56.600
<v Speaker 1>puts together the organic molecules it needs by access only

0:33:56.640 --> 0:34:01.040
<v Speaker 1>to water, carbon, and nitrogen in the ground and using

0:34:01.280 --> 0:34:04.840
<v Speaker 1>energy from According to this Lawrence Berkeley Lab source I

0:34:04.880 --> 0:34:09.280
<v Speaker 1>read on this, hydrogen and sulfate produced by the radioactive

0:34:09.320 --> 0:34:14.960
<v Speaker 1>decay of uranium. So this is a it's surviving on

0:34:15.160 --> 0:34:19.240
<v Speaker 1>chemicals created by radiation in the ground, almost two miles

0:34:19.320 --> 0:34:22.560
<v Speaker 1>under the ground. This is essentially about as close to

0:34:22.600 --> 0:34:25.879
<v Speaker 1>an alien microbe as I've ever heard of on Earth. Yeah,

0:34:25.880 --> 0:34:31.279
<v Speaker 1>it's pretty it's pretty far removed from our traditional ecosystem model. Yeah,

0:34:31.320 --> 0:34:34.640
<v Speaker 1>and so I just thought that was fascinating. But another

0:34:34.640 --> 0:34:37.560
<v Speaker 1>way of thinking about it is, if you imagine way

0:34:37.600 --> 0:34:41.719
<v Speaker 1>way back in time two I don't know situations of

0:34:41.920 --> 0:34:46.160
<v Speaker 1>a biogenesis on Earth, you probably at least have to

0:34:46.200 --> 0:34:49.080
<v Speaker 1>imagine that there are some periods in the history of

0:34:49.120 --> 0:34:53.160
<v Speaker 1>life where there was only one organism um and then

0:34:53.239 --> 0:34:56.120
<v Speaker 1>and then of course we got a branching ecosystem. So

0:34:56.160 --> 0:34:59.000
<v Speaker 1>that again makes me wonder if you could naturally have

0:34:59.080 --> 0:35:02.640
<v Speaker 1>a planet where there's really only one type of organism there,

0:35:03.239 --> 0:35:06.400
<v Speaker 1>it seems like the natural course of biological evolution is

0:35:06.440 --> 0:35:12.000
<v Speaker 1>to diversify. But another way of thinking about this that

0:35:12.000 --> 0:35:15.680
<v Speaker 1>that occurred to me is that what if it is

0:35:15.719 --> 0:35:19.359
<v Speaker 1>the case that the sandworm and its various stages of

0:35:19.400 --> 0:35:22.880
<v Speaker 1>life is the only major organism alive on Iracus and

0:35:22.960 --> 0:35:27.200
<v Speaker 1>it wasn't always that way, So it could have been

0:35:27.239 --> 0:35:31.279
<v Speaker 1>a planet rich with life that has essentially been conquered

0:35:31.600 --> 0:35:36.640
<v Speaker 1>by a single invasive species, Like there's one organism that

0:35:36.800 --> 0:35:41.359
<v Speaker 1>destroys all eco diversity on the planet. I can say, Okay,

0:35:41.360 --> 0:35:42.919
<v Speaker 1>I can see that being the case too. Yeah, where

0:35:42.920 --> 0:35:45.840
<v Speaker 1>you end up with just a sandworm only ecosystem because

0:35:45.840 --> 0:35:48.920
<v Speaker 1>it's that dominant species in this environment. Yeah, I mean,

0:35:49.000 --> 0:35:51.800
<v Speaker 1>one wonders how sustainable a system like that would be.

0:35:52.080 --> 0:35:54.480
<v Speaker 1>That Uh. And then of course, if you want to

0:35:54.480 --> 0:35:57.160
<v Speaker 1>think about other parallels to the sandworm in reality, you've

0:35:57.480 --> 0:36:01.640
<v Speaker 1>of course got the Mongolian deathworm. Ah. Now the Mongolian

0:36:01.719 --> 0:36:06.680
<v Speaker 1>death worm is not real though, right, maybe not to you. Well,

0:36:06.719 --> 0:36:08.600
<v Speaker 1>I didn't know if maybe I've missed a new study

0:36:08.680 --> 0:36:11.640
<v Speaker 1>where the occasionally you see an expedition to to to

0:36:11.800 --> 0:36:14.319
<v Speaker 1>find it. No, as far as I'm aware, no one

0:36:14.360 --> 0:36:17.480
<v Speaker 1>has ever discovered the Mongolian deathcorm. But if you're not familiar,

0:36:17.520 --> 0:36:20.319
<v Speaker 1>you should. I bet you've written a blog post about that.

0:36:20.680 --> 0:36:24.640
<v Speaker 1>I don't know if I've ever really covered Mongolian deathworm. Um, no,

0:36:24.719 --> 0:36:26.640
<v Speaker 1>I haven't run a crud. You have something called a

0:36:26.719 --> 0:36:30.400
<v Speaker 1>sandworm that lives in beach sand, but of course that's

0:36:30.400 --> 0:36:36.000
<v Speaker 1>an entirely different scenario. Yeah, that's unfortunate, Okay, Robert, Yes,

0:36:36.280 --> 0:36:40.280
<v Speaker 1>imagine yourself at a party with some hip young people

0:36:41.320 --> 0:36:45.319
<v Speaker 1>who start passing around the hottest new designer drug. It

0:36:45.480 --> 0:36:50.520
<v Speaker 1>is the spice Melange. And Herbert never is exactly clear

0:36:50.680 --> 0:36:52.799
<v Speaker 1>what the spice in the book looks like, but I'm

0:36:52.800 --> 0:36:54.560
<v Speaker 1>going to try to imagine it here based on a

0:36:54.600 --> 0:36:57.719
<v Speaker 1>scene from the movie and a description quote I read

0:36:57.760 --> 0:37:01.080
<v Speaker 1>from a from a sequel. Uh, It's it's a little

0:37:01.280 --> 0:37:06.680
<v Speaker 1>glass or box. And then inside the box there is

0:37:06.840 --> 0:37:09.680
<v Speaker 1>some orange mass. It almost looks like a like an

0:37:09.680 --> 0:37:13.799
<v Speaker 1>evacuated insects shell, you know how, like when the cicadas

0:37:13.880 --> 0:37:17.480
<v Speaker 1>leave their shells behind after they mold some stuff like that.

0:37:17.600 --> 0:37:20.600
<v Speaker 1>It's kind of brownish orange. And then you press down

0:37:20.640 --> 0:37:23.560
<v Speaker 1>a little piston to crush some of this stuff in

0:37:23.640 --> 0:37:27.799
<v Speaker 1>the glass, and an orange liquid strains out and it

0:37:27.880 --> 0:37:31.040
<v Speaker 1>smells like cinnamon. And you can drink it right up,

0:37:31.120 --> 0:37:33.680
<v Speaker 1>or you can add it to food or beverages, or

0:37:33.719 --> 0:37:36.160
<v Speaker 1>have it transformed into a gas if you're a guild

0:37:36.239 --> 0:37:39.239
<v Speaker 1>navigator in a tank. But it's going to be doing

0:37:39.440 --> 0:37:41.840
<v Speaker 1>some weird stuff to you. Yeah. And if you're in

0:37:41.920 --> 0:37:45.520
<v Speaker 1>Iraq in uh, Dennis, And if you if Iracus is

0:37:45.560 --> 0:37:47.239
<v Speaker 1>your home and you're not pretty to a lot of

0:37:47.760 --> 0:37:51.120
<v Speaker 1>outsider food coming in from other worlds. Uh, it's just

0:37:51.160 --> 0:37:54.160
<v Speaker 1>gonna find its way into your diet. It's just an

0:37:54.160 --> 0:37:59.279
<v Speaker 1>ambient part of of water and food on the world. Yeah.

0:37:59.320 --> 0:38:02.080
<v Speaker 1>And if you're not careful and you keep taking too

0:38:02.200 --> 0:38:05.200
<v Speaker 1>much spice, you may begin to see the future and

0:38:05.239 --> 0:38:08.120
<v Speaker 1>become fatally addicted. Yeah, and your eyes will turn blue

0:38:08.320 --> 0:38:11.479
<v Speaker 1>despite the fatal addiction. There's something kind of appealing about

0:38:11.560 --> 0:38:13.800
<v Speaker 1>the way they describe some of the spice consumption in

0:38:13.840 --> 0:38:16.360
<v Speaker 1>the novel. Yeah. They mentioned having, you know, having a

0:38:16.400 --> 0:38:19.120
<v Speaker 1>cup of spice coffee. Uh so I think there's some

0:38:19.120 --> 0:38:22.520
<v Speaker 1>spice cakes that are mentioned here and there. Yeah. Yeah, Yeah,

0:38:22.680 --> 0:38:24.160
<v Speaker 1>you're like, yeah, I would kind of like that a

0:38:24.920 --> 0:38:28.040
<v Speaker 1>nice uh, you know, a nice consciousness expanding cup of

0:38:28.040 --> 0:38:30.759
<v Speaker 1>coffee as opposed to this, you know, these Red Bull

0:38:30.800 --> 0:38:35.640
<v Speaker 1>and Simuda cocktails that I keep going. So characteristics of

0:38:35.680 --> 0:38:37.880
<v Speaker 1>the spice in the book, which very according to the

0:38:38.400 --> 0:38:41.880
<v Speaker 1>person taking it and the intake level, would be some

0:38:41.920 --> 0:38:44.319
<v Speaker 1>of the following. First, I should say that it's core

0:38:44.440 --> 0:38:47.600
<v Speaker 1>the spice is described, I think is an awareness drug

0:38:47.960 --> 0:38:52.040
<v Speaker 1>and that it changes perception and consciousness. Now, the first

0:38:52.719 --> 0:38:56.719
<v Speaker 1>major feature described is that it's the geriatric spice. It's

0:38:56.880 --> 0:38:59.919
<v Speaker 1>when taken in small quantities over long periods of time,

0:39:00.520 --> 0:39:03.680
<v Speaker 1>it extends your lifespan. And that's something we probably should

0:39:03.680 --> 0:39:07.359
<v Speaker 1>have mentioned more earlier on. Like, that's another reason that

0:39:07.640 --> 0:39:10.160
<v Speaker 1>iraq Is is the center of the universe, because not

0:39:10.280 --> 0:39:14.600
<v Speaker 1>only does the spice enable interstellar travel, uh, it also

0:39:14.719 --> 0:39:17.919
<v Speaker 1>allows the wealthy people to extend their lives. Right. Once

0:39:17.960 --> 0:39:20.520
<v Speaker 1>you're a feudal lord and you've conquered all your enemies

0:39:20.560 --> 0:39:23.320
<v Speaker 1>and you've secured a place in the in the power

0:39:23.400 --> 0:39:26.040
<v Speaker 1>structures of the universe, what's the next thing you need.

0:39:26.400 --> 0:39:29.480
<v Speaker 1>You've got to live forever, right, So it does that.

0:39:29.560 --> 0:39:32.320
<v Speaker 1>And then another effect of it is that it stains

0:39:32.320 --> 0:39:36.279
<v Speaker 1>your eyes. Taking spice will will cause blue tinting of

0:39:36.320 --> 0:39:38.760
<v Speaker 1>the eyes, not just the iris is but the whole eye.

0:39:40.320 --> 0:39:44.480
<v Speaker 1>It's a mind expander. It grants heightened awareness. In some

0:39:44.520 --> 0:39:49.160
<v Speaker 1>cases it allows prescience or limited omniscience. I don't know

0:39:49.239 --> 0:39:53.719
<v Speaker 1>if limited omniscience is a phrase that makes any sense.

0:39:53.760 --> 0:39:56.840
<v Speaker 1>It allows you to have some knowledge beyond your physical

0:39:56.920 --> 0:39:59.959
<v Speaker 1>time and place, and the ability to see some ass

0:40:00.000 --> 0:40:02.640
<v Speaker 1>spects of the future or aspects of the present removed

0:40:02.680 --> 0:40:07.120
<v Speaker 1>by distance, or to share communal awareness, sort of collaborating

0:40:07.160 --> 0:40:11.839
<v Speaker 1>across aspects of mind with others. And they often make

0:40:11.880 --> 0:40:15.000
<v Speaker 1>geographic comparisons in the book, So it's like looking into

0:40:15.040 --> 0:40:17.239
<v Speaker 1>the future is kind of like looking across the landscape.

0:40:17.239 --> 0:40:19.920
<v Speaker 1>And depending on your circumstances, you might be kind of

0:40:20.200 --> 0:40:22.799
<v Speaker 1>standing in a like a shallow basin and you can't

0:40:22.840 --> 0:40:26.560
<v Speaker 1>actually see that far. Other times it's flat. Other times

0:40:26.560 --> 0:40:28.200
<v Speaker 1>maybe you're on a hill, and it depends on your

0:40:28.239 --> 0:40:31.040
<v Speaker 1>prescient availabilities how far can you see? Yeah, And then

0:40:31.080 --> 0:40:33.920
<v Speaker 1>of course the negative that the downside I alluded to

0:40:34.000 --> 0:40:37.640
<v Speaker 1>earlier is the addiction. When you take it in large quantities,

0:40:37.800 --> 0:40:39.920
<v Speaker 1>you will get addicted to it, and if you stop

0:40:40.000 --> 0:40:45.839
<v Speaker 1>taking it, you will die, that'll happen, and unfortunately so.

0:40:45.880 --> 0:40:49.280
<v Speaker 1>The idea of a drug that expands consciousness is certainly

0:40:49.360 --> 0:40:52.239
<v Speaker 1>something you find in many cultures writing, including our own.

0:40:52.280 --> 0:40:58.919
<v Speaker 1>You know, lots of people believe things like hallucinogens like LSD, marijuana, psilocybin, mushrooms, uh,

0:40:58.960 --> 0:41:03.120
<v Speaker 1>and the Iowa oscar brew which I think the chemical, uh,

0:41:03.560 --> 0:41:06.799
<v Speaker 1>the active chemical and that is d m T right. Yeah,

0:41:06.840 --> 0:41:10.480
<v Speaker 1>And so under various circumstances, people have suggested all these

0:41:10.560 --> 0:41:15.719
<v Speaker 1>drugs not only provide euphoria and sometimes sensory hallucinations, but

0:41:15.960 --> 0:41:21.160
<v Speaker 1>they actually provide access to information or knowledge about reality

0:41:21.200 --> 0:41:25.080
<v Speaker 1>that is not otherwise available to people. One of the

0:41:25.080 --> 0:41:28.440
<v Speaker 1>most common claims you hear is the sort of transcendence

0:41:28.520 --> 0:41:32.080
<v Speaker 1>journey you might call it, where the hallucinogen gives the

0:41:32.200 --> 0:41:35.640
<v Speaker 1>user a mental vantage point from which he or she

0:41:35.760 --> 0:41:39.920
<v Speaker 1>claims to see a deeper reality or to now understand

0:41:39.960 --> 0:41:42.680
<v Speaker 1>that our day to day experiences are not all there is.

0:41:43.200 --> 0:41:45.880
<v Speaker 1>I'm sure you've encountered this before. Oh yeah, And of

0:41:45.880 --> 0:41:48.560
<v Speaker 1>course it's and that's key to most religions too, that

0:41:48.640 --> 0:41:52.040
<v Speaker 1>you have at the heart there's a deeper understanding of reality,

0:41:52.560 --> 0:41:55.480
<v Speaker 1>um that you have to uncover Yeah, and I think

0:41:55.520 --> 0:42:00.279
<v Speaker 1>that's interesting. I think the the hallucinogen comparison despy is

0:42:00.600 --> 0:42:03.600
<v Speaker 1>perhaps quite on point because in a two thousand five

0:42:03.680 --> 0:42:08.080
<v Speaker 1>book called Mycelium Running by the American mycologist Pulse statements,

0:42:08.120 --> 0:42:11.960
<v Speaker 1>that's a person who studies fungus. Uh. The author claims

0:42:12.000 --> 0:42:15.360
<v Speaker 1>that Frank Herbert, Well, I should just read this quote.

0:42:15.440 --> 0:42:19.320
<v Speaker 1>It says uh. He says that Frank Herbert was apparently

0:42:19.360 --> 0:42:22.600
<v Speaker 1>an enthusiastic mushroom collector himself who came up with this

0:42:22.680 --> 0:42:27.399
<v Speaker 1>great system for for growing chantrelle mushrooms in a way

0:42:27.440 --> 0:42:30.240
<v Speaker 1>that people hadn't realized how to do before, by creating

0:42:30.320 --> 0:42:34.600
<v Speaker 1>this spore slurry in a bucket. But anyway, he says

0:42:34.640 --> 0:42:37.560
<v Speaker 1>of Frank Herbert. Frank went on to tell me that

0:42:37.640 --> 0:42:41.360
<v Speaker 1>much of the premise of Dune, the magic spice spores

0:42:42.080 --> 0:42:46.360
<v Speaker 1>that allowed the bending of space tripping, the giant worms,

0:42:46.600 --> 0:42:51.120
<v Speaker 1>maggots digesting mushrooms, the eyes of the fremen, the cerulean

0:42:51.160 --> 0:42:56.239
<v Speaker 1>blue of psilocybin mushrooms, the mysticism of the female spiritual warriors,

0:42:56.320 --> 0:42:59.320
<v Speaker 1>the Binny jess Er. It's influenced by tales of Maria

0:42:59.400 --> 0:43:02.960
<v Speaker 1>Sabina and the Sacred mushroom culleds of Mexico came from

0:43:03.000 --> 0:43:07.040
<v Speaker 1>his perception of the fungal life cycle, and his imagination

0:43:07.120 --> 0:43:11.279
<v Speaker 1>was stimulated through his experiences with the use of magic mushrooms.

0:43:13.200 --> 0:43:15.719
<v Speaker 1>All right, well, then that that certainly matches up with

0:43:16.120 --> 0:43:17.919
<v Speaker 1>with what we see in the book. And again bearing

0:43:17.960 --> 0:43:19.600
<v Speaker 1>in mind that this is you know, rising out of

0:43:19.680 --> 0:43:23.160
<v Speaker 1>nineteen sixty five and mid sixties and and uh and

0:43:23.200 --> 0:43:25.839
<v Speaker 1>a lot of the counterculture movements that were taking place there,

0:43:25.920 --> 0:43:29.799
<v Speaker 1>and the and the roll of drugs and hallucinogens in

0:43:29.800 --> 0:43:33.080
<v Speaker 1>that subculture. Yeah, yeah, certainly, though one thing about that

0:43:33.080 --> 0:43:36.560
<v Speaker 1>that was weird. I googled the psilocybia mushrooms and they

0:43:36.560 --> 0:43:39.799
<v Speaker 1>didn't look blue to me. I don't know. Yeah, maybe

0:43:39.840 --> 0:43:42.919
<v Speaker 1>there's sometimes I have seen have not. Yeah, they look

0:43:42.960 --> 0:43:47.040
<v Speaker 1>like mushrooms to me. I've never noticed a blue one. Anyway.

0:43:47.080 --> 0:43:50.120
<v Speaker 1>To go back to the science of Dune, the writer

0:43:50.280 --> 0:43:54.040
<v Speaker 1>Carol Hart, PhD has a great essay about the spice

0:43:54.120 --> 0:43:56.759
<v Speaker 1>milange and the science of Dune, and she makes some

0:43:56.840 --> 0:44:01.160
<v Speaker 1>really interesting points comparing the spice to hallucinogens like the

0:44:01.160 --> 0:44:06.839
<v Speaker 1>ones I mentioned above, LSD, psilocybin mushrooms, uh ayahuasca, and

0:44:07.080 --> 0:44:09.880
<v Speaker 1>there are the following changes that you can notice that

0:44:09.920 --> 0:44:12.760
<v Speaker 1>are similar. One would be changes to the eyes. The spice,

0:44:12.760 --> 0:44:15.279
<v Speaker 1>it seems, causes a more permanent kind of change with

0:44:15.320 --> 0:44:19.680
<v Speaker 1>the blue tent, but hallucinogens like LSD and ayahuasca typically

0:44:19.719 --> 0:44:24.000
<v Speaker 1>cause an extreme dilation of the pupils. She also notices

0:44:24.440 --> 0:44:29.640
<v Speaker 1>suspension of time right, ecstaticus, an ecstatic and sometimes frightening

0:44:29.640 --> 0:44:34.120
<v Speaker 1>sense of communion with others, out of body sensations, loss

0:44:34.120 --> 0:44:39.440
<v Speaker 1>of self and merger into a oneness, euphoria, death, rebirth, experience,

0:44:40.120 --> 0:44:45.480
<v Speaker 1>vision slash, hallucinations, and prescience and life changing realizations. And

0:44:45.520 --> 0:44:47.960
<v Speaker 1>I think this is one of the most interesting things because,

0:44:49.160 --> 0:44:51.440
<v Speaker 1>like like I said earlier, a lot of times people

0:44:51.800 --> 0:44:55.080
<v Speaker 1>take hallucinogens not just with the idea that I'm going

0:44:55.160 --> 0:44:57.799
<v Speaker 1>to see something interesting, but they take it with the

0:44:57.840 --> 0:45:01.560
<v Speaker 1>idea that they're learning something about the true nature of reality.

0:45:01.560 --> 0:45:05.240
<v Speaker 1>They're getting access to facts and useful information. She says,

0:45:05.280 --> 0:45:10.320
<v Speaker 1>for example, for the Amazonian shamans, ayahuasca allowed the soul

0:45:10.400 --> 0:45:13.600
<v Speaker 1>to leave the body, to search out the explanation for

0:45:13.680 --> 0:45:17.839
<v Speaker 1>illness in the individual or problems threatening the community, and

0:45:17.880 --> 0:45:21.520
<v Speaker 1>to decide the course of action. Yeah, I I remember reading,

0:45:21.760 --> 0:45:27.080
<v Speaker 1>uh some words from Buddhist Alan Watts, who is also

0:45:27.160 --> 0:45:30.240
<v Speaker 1>part of You Know the certainly a name during the

0:45:30.280 --> 0:45:33.319
<v Speaker 1>sixties and seventies, and he was commenting on the on

0:45:33.360 --> 0:45:37.680
<v Speaker 1>the views of psychedelic drugs in the counterculture, and he

0:45:37.800 --> 0:45:40.959
<v Speaker 1>compared them to the use of a telescope or microscope

0:45:41.239 --> 0:45:43.239
<v Speaker 1>that it's something that you you know, you put your

0:45:43.239 --> 0:45:46.320
<v Speaker 1>eye to the telescope of the microscope to learn something

0:45:46.360 --> 0:45:48.800
<v Speaker 1>about reality, but then you also have to re engage

0:45:48.800 --> 0:45:50.480
<v Speaker 1>with reality. You have to put the telescope or the

0:45:50.480 --> 0:45:54.440
<v Speaker 1>microscope down in order to to take those lessons and

0:45:54.480 --> 0:45:58.000
<v Speaker 1>apply them to life. Yeah, another really interesting parallel with Dune,

0:45:58.040 --> 0:46:01.240
<v Speaker 1>I think is that the effect of the drug, whether

0:46:01.280 --> 0:46:05.120
<v Speaker 1>you're talking about real hallucinogens or the spice in Dune,

0:46:05.520 --> 0:46:07.799
<v Speaker 1>is not just a product of the drug. It's not

0:46:07.880 --> 0:46:10.279
<v Speaker 1>just here are the molecules in the drug and what

0:46:10.360 --> 0:46:13.040
<v Speaker 1>they'll do to you, but there are there are a product,

0:46:13.280 --> 0:46:16.440
<v Speaker 1>a sort of combinatorial product of the drug acting on

0:46:16.560 --> 0:46:22.640
<v Speaker 1>body and the preparation that the user has experienced. So

0:46:22.680 --> 0:46:25.719
<v Speaker 1>it's about preparation, it's about departure. States. Some people will

0:46:25.920 --> 0:46:29.200
<v Speaker 1>take acid, take LST and just mess around and have

0:46:29.280 --> 0:46:32.319
<v Speaker 1>some weird experiences and don't learn a whole lot from it.

0:46:32.600 --> 0:46:35.360
<v Speaker 1>Some people might have bad trips, some people might have

0:46:35.480 --> 0:46:39.640
<v Speaker 1>what they would consider to be transcendent experiences. And I

0:46:39.680 --> 0:46:41.759
<v Speaker 1>think there are a lot of people who throughout the

0:46:41.840 --> 0:46:46.800
<v Speaker 1>years have been advocates of controlled hallucinogen use, who lament

0:46:46.880 --> 0:46:49.799
<v Speaker 1>the fact that it's taken for kicks. Yeah. I mean,

0:46:49.840 --> 0:46:52.040
<v Speaker 1>we look at some of the current research, and we're

0:46:52.080 --> 0:46:56.840
<v Speaker 1>finally seeing a lot more research into psychedelics uh these days.

0:46:57.040 --> 0:46:59.600
<v Speaker 1>For a while, it was such a taboo area, you know,

0:46:59.719 --> 0:47:04.000
<v Speaker 1>really kind of poisoned by uh the more you know,

0:47:04.040 --> 0:47:07.200
<v Speaker 1>extreme aspects of the counterculture in the way that it

0:47:07.200 --> 0:47:10.719
<v Speaker 1>it gained coverage in the media, we're finally seeing it

0:47:11.760 --> 0:47:13.960
<v Speaker 1>being an area that can get funded and and and

0:47:14.120 --> 0:47:16.560
<v Speaker 1>be studied. Uh. And there have been some some really

0:47:16.560 --> 0:47:20.920
<v Speaker 1>fascinating looks into how the right levels of hallucinogens combined

0:47:20.960 --> 0:47:25.200
<v Speaker 1>with appropriate priming, uh, you know, preparation for the experience.

0:47:25.600 --> 0:47:28.919
<v Speaker 1>Uh and as well as sort of after uh exploration

0:47:29.000 --> 0:47:31.279
<v Speaker 1>of what they felt, it can be used to help

0:47:31.520 --> 0:47:34.440
<v Speaker 1>terminally ill patients as they prepared to die. It can

0:47:34.480 --> 0:47:39.480
<v Speaker 1>be used in in various therapies that even addiction therapies UH.

0:47:39.560 --> 0:47:42.520
<v Speaker 1>So so Yeah, the priming, the purpose, really the ritual

0:47:42.680 --> 0:47:45.560
<v Speaker 1>of it is essential. I mean, I imagine a number

0:47:45.560 --> 0:47:48.480
<v Speaker 1>of our listeners can think of, you know, some individuals

0:47:48.480 --> 0:47:51.240
<v Speaker 1>they've come across before that, at least on the surface,

0:47:51.520 --> 0:47:54.399
<v Speaker 1>looks like they are gaining nothing of value from their

0:47:54.480 --> 0:47:57.720
<v Speaker 1>experimentation with psychedelics. And and then on the other hand,

0:47:58.120 --> 0:48:00.680
<v Speaker 1>you know, there are cases where you know, this particular

0:48:00.920 --> 0:48:04.719
<v Speaker 1>thinker claims to have had some sort of profound insight

0:48:05.239 --> 0:48:10.719
<v Speaker 1>um intellectually or creatively while trying one of these substances. Yeah. So,

0:48:11.280 --> 0:48:14.880
<v Speaker 1>as Albert Hoffman, the discoverer of LSD, once wrote, he

0:48:14.920 --> 0:48:20.520
<v Speaker 1>said special internal and external advanced preparations are required. With them,

0:48:20.560 --> 0:48:24.680
<v Speaker 1>an LSD experiment can become a meaningful experience. So I

0:48:24.680 --> 0:48:26.480
<v Speaker 1>think he was one of those people you're you know,

0:48:26.520 --> 0:48:32.040
<v Speaker 1>who recommended the preparations that go into making yourself ready

0:48:32.080 --> 0:48:35.920
<v Speaker 1>for the mental journey of expanded consciousness. If you don't

0:48:35.920 --> 0:48:39.120
<v Speaker 1>put the preparation time in, it doesn't work. And we

0:48:39.200 --> 0:48:43.160
<v Speaker 1>see this in the novel Dune because people consuming lots

0:48:43.200 --> 0:48:45.960
<v Speaker 1>of spice react to it in very different ways. You

0:48:46.000 --> 0:48:49.479
<v Speaker 1>get the sense that when Paula Tradees starts taking lots

0:48:49.520 --> 0:48:52.640
<v Speaker 1>of spice and then has his moment of expanded consciousness

0:48:52.680 --> 0:48:55.560
<v Speaker 1>begins to see the future, begins to have you know,

0:48:55.680 --> 0:49:00.759
<v Speaker 1>heightened awareness and pressions and limited omniscians. It's all because

0:49:00.880 --> 0:49:03.399
<v Speaker 1>of the things that have gone into making Paul who

0:49:03.440 --> 0:49:05.359
<v Speaker 1>he is. It's not just like he got a really

0:49:05.400 --> 0:49:08.720
<v Speaker 1>strong hit of it, you know. So it's the fact

0:49:08.760 --> 0:49:12.279
<v Speaker 1>that he's been trained in the Benny jesser At Ways

0:49:12.320 --> 0:49:13.840
<v Speaker 1>that we talked about in the last episode in the

0:49:13.840 --> 0:49:17.319
<v Speaker 1>mint At Ways, all this that went into making him

0:49:17.360 --> 0:49:21.000
<v Speaker 1>who he is also made the expanded consciousness what it was.

0:49:21.480 --> 0:49:24.200
<v Speaker 1>You can see that in contrast to another character in

0:49:24.239 --> 0:49:27.000
<v Speaker 1>the novel that Twisted mint At. Do you call him

0:49:27.000 --> 0:49:30.319
<v Speaker 1>Pider or Peter? Um always read At as Peter, but

0:49:30.760 --> 0:49:33.480
<v Speaker 1>Pider might be more accurate. They call him Pider. In

0:49:33.560 --> 0:49:36.239
<v Speaker 1>the David Lynch movie, I'll call him Peter. Peter Duvrees,

0:49:36.320 --> 0:49:39.640
<v Speaker 1>the the bad Mintat who works for the evil Harconan's

0:49:40.320 --> 0:49:43.080
<v Speaker 1>uh he. They say he takes huge amounts of spice too.

0:49:43.200 --> 0:49:46.200
<v Speaker 1>He's just gobbles it like Candy, can't get enough of it.

0:49:46.440 --> 0:49:49.280
<v Speaker 1>But he does not seem to have this same type

0:49:49.320 --> 0:49:52.759
<v Speaker 1>of expanded awareness that Paul has from extended spice use

0:49:53.080 --> 0:49:55.520
<v Speaker 1>and it seems to be that it's it's because of

0:49:55.600 --> 0:49:58.840
<v Speaker 1>different types of preparation going into the experience. Yeah. I

0:49:58.880 --> 0:50:02.040
<v Speaker 1>mean the other example, of course, the Guild navigators who

0:50:02.120 --> 0:50:07.279
<v Speaker 1>have been engineered uh in bread to to pilot these

0:50:07.320 --> 0:50:11.400
<v Speaker 1>spaceships uh while using the spice. So they consume the

0:50:11.440 --> 0:50:15.000
<v Speaker 1>spice in order to safely navigate folded space and as

0:50:15.080 --> 0:50:17.759
<v Speaker 1>a celestial mechanic. John C. Smith points out in the

0:50:17.800 --> 0:50:20.919
<v Speaker 1>Science of doone, UH, there's a quantum physics tie in here.

0:50:21.239 --> 0:50:24.239
<v Speaker 1>So eight years before the publication of doone, physicist Hugh

0:50:24.360 --> 0:50:28.440
<v Speaker 1>Ever the Third proposed a radical interpretation of quantum mechanics

0:50:28.440 --> 0:50:32.520
<v Speaker 1>that everything that can happen does happen, and each possible

0:50:32.560 --> 0:50:35.120
<v Speaker 1>action spawns a new universe. This is what's known as

0:50:35.160 --> 0:50:39.360
<v Speaker 1>the many worlds theory. Every time there's an indeterminate quantum event,

0:50:39.400 --> 0:50:43.000
<v Speaker 1>the world the universe branches off into separate realities. It's

0:50:43.040 --> 0:50:47.120
<v Speaker 1>the very thing that the Bores referenced with the Library

0:50:47.120 --> 0:50:51.080
<v Speaker 1>of Babble, that this library would contain not only all books,

0:50:51.120 --> 0:50:54.479
<v Speaker 1>but all possible books. So taking the spies here would

0:50:54.480 --> 0:50:57.680
<v Speaker 1>have allowed the navigator to at least see the immediate

0:50:57.760 --> 0:51:02.160
<v Speaker 1>path of the ship in many different multiverses. Uh, and

0:51:02.200 --> 0:51:06.719
<v Speaker 1>then safely, you know, choose the safest path. UM. And

0:51:06.760 --> 0:51:09.880
<v Speaker 1>interestingly enough, there is kind of a real world tie

0:51:09.920 --> 0:51:14.640
<v Speaker 1>in here, because according to a nineteen seventy three studied

0:51:14.680 --> 0:51:18.200
<v Speaker 1>compiled by the RAND Corporation for the US Defense Advanced

0:51:18.200 --> 0:51:23.520
<v Speaker 1>Research Projects Agency or DARPA, UM, there was a Soviet

0:51:23.960 --> 0:51:28.120
<v Speaker 1>plan to launch psychics into orbit. Quote how how much

0:51:28.120 --> 0:51:30.360
<v Speaker 1>should we how much space should we put in this report?

0:51:30.920 --> 0:51:33.480
<v Speaker 1>I mean, maybe a grain of salt, I'll read the

0:51:33.600 --> 0:51:39.440
<v Speaker 1>quote here. Regarding precognition, we found only one unverified report

0:51:39.680 --> 0:51:43.200
<v Speaker 1>by a Soviet investigator that a program was being planned

0:51:43.239 --> 0:51:46.800
<v Speaker 1>to train astronauts to quote foresee and to avoid accidents

0:51:46.800 --> 0:51:49.960
<v Speaker 1>in space. It was clear from the context that he

0:51:50.040 --> 0:51:56.680
<v Speaker 1>was referring to pre cognitive process. So I don't know, Uh,

0:51:56.719 --> 0:51:58.719
<v Speaker 1>if they did look into it, obviously didn't work out.

0:51:58.960 --> 0:52:01.720
<v Speaker 1>But this was a time when you know, the stakes

0:52:01.719 --> 0:52:03.799
<v Speaker 1>were high in the Cold War. So if there was

0:52:03.800 --> 0:52:06.840
<v Speaker 1>a possibility that there was something to some sort of

0:52:06.880 --> 0:52:10.640
<v Speaker 1>paranormal uh situation, you checked it out. Yeah, why not

0:52:10.760 --> 0:52:14.480
<v Speaker 1>training a bunker full of psychics? Yeah? The same The

0:52:14.520 --> 0:52:19.000
<v Speaker 1>same Rand Corporation report also mentioned UM that there was

0:52:19.040 --> 0:52:23.319
<v Speaker 1>a test into psychic communication by sacrificing a litter of

0:52:23.360 --> 0:52:26.279
<v Speaker 1>baby rabbits on board of on board of Soviet submarine

0:52:26.440 --> 0:52:29.160
<v Speaker 1>what and the idea here was that the mother rabbit

0:52:29.280 --> 0:52:31.920
<v Speaker 1>located on the surface might receive psychic signals from the

0:52:31.960 --> 0:52:37.560
<v Speaker 1>dying young. So again, uh, this is all unverified, but

0:52:38.560 --> 0:52:41.799
<v Speaker 1>but it seems possible based on some of the other

0:52:41.840 --> 0:52:44.919
<v Speaker 1>reports we've heard about both the US and Soviet investigations

0:52:44.920 --> 0:52:48.000
<v Speaker 1>into the potential use of paranormal effects. You know, one

0:52:48.000 --> 0:52:50.319
<v Speaker 1>of the things that's interesting to me about the role

0:52:50.360 --> 0:52:54.640
<v Speaker 1>of spice in the Dune universe is that it posits

0:52:54.640 --> 0:52:58.840
<v Speaker 1>a world in which the entire universe is completely dependent

0:52:59.080 --> 0:53:04.040
<v Speaker 1>on a resource or that essentially produces effects similar to

0:53:04.160 --> 0:53:08.600
<v Speaker 1>things that are taboo in our culture that not only

0:53:08.640 --> 0:53:11.320
<v Speaker 1>do we you know, not depend on as a society,

0:53:11.360 --> 0:53:15.520
<v Speaker 1>but we try to stamp out and say that's not okay. Yeah, Like,

0:53:16.480 --> 0:53:19.279
<v Speaker 1>essentially everyone in the book seems to be taking some

0:53:19.360 --> 0:53:23.880
<v Speaker 1>sort of um performance enhancing substance. If it's not milange,

0:53:24.200 --> 0:53:27.960
<v Speaker 1>then it's the uh you know, they're taking simuda, or

0:53:28.000 --> 0:53:30.040
<v Speaker 1>they're taking the I can't remember the name of it,

0:53:30.080 --> 0:53:32.120
<v Speaker 1>but that wine that the mentense drink, which I believe

0:53:32.200 --> 0:53:34.319
<v Speaker 1>is supposed to be derived from the same source as

0:53:34.400 --> 0:53:38.280
<v Speaker 1>Samuda the Purple staind lips. Yeah, so everybody's just cranked

0:53:38.360 --> 0:53:40.680
<v Speaker 1>the gills on something because you can't have been on

0:53:40.719 --> 0:53:42.759
<v Speaker 1>the thinking machine. You got to depend on the human mind.

0:53:43.120 --> 0:53:45.480
<v Speaker 1>So maybe you could say that if we had to

0:53:45.520 --> 0:53:48.879
<v Speaker 1>get rid of our computers, there would be I don't

0:53:48.880 --> 0:53:55.759
<v Speaker 1>know less opposition to recreational drug use. Maybe. So all right,

0:53:55.840 --> 0:53:57.680
<v Speaker 1>you know, we're running out of time here, and I

0:53:57.719 --> 0:53:59.359
<v Speaker 1>don't know, we might even have to cut this part,

0:53:59.440 --> 0:54:04.120
<v Speaker 1>but I do want to mention the beneath a lack

0:54:04.160 --> 0:54:08.200
<v Speaker 1>Sue face dancers before we close out. These are characters

0:54:08.239 --> 0:54:10.440
<v Speaker 1>that you did not encounter in the book because they

0:54:10.440 --> 0:54:13.120
<v Speaker 1>don't show up until book too, and then play an

0:54:13.200 --> 0:54:17.799
<v Speaker 1>increasingly important role moving on. But as we mentioned, UH,

0:54:17.840 --> 0:54:20.040
<v Speaker 1>I think in the first episode that many, if they

0:54:20.120 --> 0:54:22.640
<v Speaker 1>lack su this is a group, this is like a

0:54:23.200 --> 0:54:26.400
<v Speaker 1>faction in the Doing universe that are really involved in

0:54:26.840 --> 0:54:32.440
<v Speaker 1>trans human post human um machinations. They're changing the human form, UH,

0:54:32.600 --> 0:54:37.080
<v Speaker 1>engineering new people UH to UH to survive in this

0:54:37.239 --> 0:54:42.200
<v Speaker 1>post singularity, you know, Postbutalian Jahad world. And so they're

0:54:42.239 --> 0:54:45.520
<v Speaker 1>doing things like like essentially engaging in cloning, the producer

0:54:45.520 --> 0:54:47.920
<v Speaker 1>of these ghoula's that play an important role in the

0:54:48.000 --> 0:54:51.160
<v Speaker 1>later books where a dead individuals brought back as a clone.

0:54:52.160 --> 0:54:54.839
<v Speaker 1>I like the sound of that. Yeah, they're the they're

0:54:54.880 --> 0:54:59.040
<v Speaker 1>the faction that creates the twisted uh mentats we've already discussed.

0:54:59.440 --> 0:55:01.920
<v Speaker 1>And then they also have these face dancers who are

0:55:01.960 --> 0:55:05.960
<v Speaker 1>known and feared to spies and assassins um and they're

0:55:06.040 --> 0:55:09.280
<v Speaker 1>essentially their shape shifters. They can change their their face,

0:55:09.440 --> 0:55:14.800
<v Speaker 1>their appearance, um, their their voice, everything to resemble another

0:55:14.920 --> 0:55:18.759
<v Speaker 1>person um and and so they you know, give them

0:55:18.880 --> 0:55:22.160
<v Speaker 1>unparalleled acting ability. They serve as entertainers throughout the galaxy

0:55:22.600 --> 0:55:27.120
<v Speaker 1>and UM and they're also key at the Laxu diplomats

0:55:27.120 --> 0:55:32.440
<v Speaker 1>and conspirators as and as well as just core members

0:55:32.440 --> 0:55:37.280
<v Speaker 1>of their society. So uh. There, there's actually a couple

0:55:37.320 --> 0:55:41.080
<v Speaker 1>of cool articles about how this might work, essentially, how

0:55:41.120 --> 0:55:44.279
<v Speaker 1>a shape shifting humanoid might work as an organism. Uh.

0:55:44.360 --> 0:55:46.600
<v Speaker 1>The first uh and the primary one I want to

0:55:46.600 --> 0:55:50.960
<v Speaker 1>mention comes to us from the Dune Encyclopedia, and this

0:55:51.040 --> 0:55:54.200
<v Speaker 1>is from contributor Walter E. Myers, and he very much

0:55:54.360 --> 0:55:58.480
<v Speaker 1>in envisions face dancer biology, a shape shifting biology as

0:55:58.520 --> 0:56:03.279
<v Speaker 1>a complex creation of raining, breeding, embryotic manipulation, genetic team

0:56:03.320 --> 0:56:07.640
<v Speaker 1>current tinkering, and surgical augmentation. So basically throwing all of

0:56:07.640 --> 0:56:10.680
<v Speaker 1>these various everything, we got everything we got at creating

0:56:10.960 --> 0:56:14.120
<v Speaker 1>this shape shifting creature. So I'm not going to go

0:56:14.200 --> 0:56:16.600
<v Speaker 1>through the entire entry because it's a he has a

0:56:17.080 --> 0:56:18.880
<v Speaker 1>lot of details that he throws out, but here are

0:56:18.880 --> 0:56:22.000
<v Speaker 1>the high points. This is what you need. Key alterations

0:56:22.040 --> 0:56:27.879
<v Speaker 1>include selected breeding for appropriate physicality and muscle control, because

0:56:27.880 --> 0:56:30.600
<v Speaker 1>you're gonna need muscle control to shift the face around

0:56:30.600 --> 0:56:35.600
<v Speaker 1>and shift everything about. Embryotic stimulation of overdeveloped back muscles

0:56:35.640 --> 0:56:41.120
<v Speaker 1>and hyper elastic spine for height control. The embryotic manipulation

0:56:41.160 --> 0:56:44.960
<v Speaker 1>of the bodies a psylamic sacks, altering their position and

0:56:45.000 --> 0:56:48.680
<v Speaker 1>allowing them to serve in the voluntary inflation of artificial

0:56:48.800 --> 0:56:53.440
<v Speaker 1>tubes that are implanted after puberty, thus allowing conscious body

0:56:53.520 --> 0:56:58.080
<v Speaker 1>size alteration, so essentially bladders in the body that allow

0:56:58.160 --> 0:57:02.200
<v Speaker 1>you to just fill up his needed childhood augmentation of

0:57:02.239 --> 0:57:06.640
<v Speaker 1>facial structure replacing certain facial bones with elastic cartilage, coupled

0:57:06.640 --> 0:57:10.480
<v Speaker 1>with extensive training to allow total manipulation of facial features.

0:57:11.360 --> 0:57:15.920
<v Speaker 1>Cellular embryonic manipulation to allow conscious control of scalp temperature.

0:57:16.520 --> 0:57:19.160
<v Speaker 1>In this help temperature, because this would be used to

0:57:19.200 --> 0:57:23.960
<v Speaker 1>allow the color manipulation of artificial liquid crystal hair follicles

0:57:23.960 --> 0:57:28.720
<v Speaker 1>that are later planted like individually. Genetic manipulation to enable

0:57:28.760 --> 0:57:32.760
<v Speaker 1>the conscious formonal control of eye pigment, fetal manipulation, and

0:57:32.840 --> 0:57:37.160
<v Speaker 1>surgical augmentation to produce male genitals that are retractable within

0:57:37.240 --> 0:57:41.960
<v Speaker 1>a vaginal cavity for visual ginger swapping, so they wouldn't

0:57:41.960 --> 0:57:44.080
<v Speaker 1>actually be able to change sex, but they could sort

0:57:44.120 --> 0:57:47.720
<v Speaker 1>of retract the genitals into a cavity as if they

0:57:47.720 --> 0:57:51.480
<v Speaker 1>were the landing gear of an airplane. Training and surgery

0:57:51.520 --> 0:57:56.200
<v Speaker 1>to enhance deferential muscle and autonomic nerve control. Uh So,

0:57:56.280 --> 0:57:59.200
<v Speaker 1>in other words, a face answer by this definition would

0:57:59.240 --> 0:58:04.040
<v Speaker 1>been extremely complex product uh and no mere human subspecies.

0:58:04.920 --> 0:58:07.240
<v Speaker 1>But this is just one take. We also have a

0:58:07.280 --> 0:58:11.120
<v Speaker 1>take from Sandy Field in her essay Evolution by Any

0:58:11.160 --> 0:58:13.480
<v Speaker 1>Means on Dune, and this is from the Science of Dune,

0:58:13.800 --> 0:58:16.280
<v Speaker 1>and she goes into a lot of a lot of

0:58:16.320 --> 0:58:18.920
<v Speaker 1>these sort of highly evolved human models that we discuss here,

0:58:19.600 --> 0:58:22.680
<v Speaker 1>but she posits that the face dancers mimic their targets

0:58:22.680 --> 0:58:26.440
<v Speaker 1>through conscious migration of body cells. So in order to

0:58:26.480 --> 0:58:28.640
<v Speaker 1>swiftly change form a face dancwer, we need to wreck

0:58:28.840 --> 0:58:33.240
<v Speaker 1>reorganize its skin cells, h muscle, aature and skeletal elements,

0:58:33.240 --> 0:58:37.080
<v Speaker 1>a feat they might accomplish through the the dissolution and

0:58:37.160 --> 0:58:40.480
<v Speaker 1>recombination of the cell to sell bonds that hold the

0:58:40.520 --> 0:58:44.800
<v Speaker 1>tissue together. Now, how might the the lax who have

0:58:44.840 --> 0:58:48.320
<v Speaker 1>accomplished this. Here's what she had to say. Quote the

0:58:48.360 --> 0:58:52.400
<v Speaker 1>concerted action of newly created hormones selected genetically by the

0:58:52.400 --> 0:58:55.840
<v Speaker 1>the laxo over many generations could act to allow different

0:58:55.920 --> 0:59:00.320
<v Speaker 1>cell types to move when prompted by neurological signals. Face

0:59:00.480 --> 0:59:04.200
<v Speaker 1>dancing then could be a genetically derived ability to generate

0:59:04.240 --> 0:59:08.040
<v Speaker 1>specific hormones at will which allow for the concerted movement

0:59:08.080 --> 0:59:10.800
<v Speaker 1>of skin, muscle, bone, and other cells to new locations

0:59:10.840 --> 0:59:14.800
<v Speaker 1>to create the appearance of another person. So there you go.

0:59:15.680 --> 0:59:18.000
<v Speaker 1>I mean, I I appreciate that as a as a

0:59:18.040 --> 0:59:22.160
<v Speaker 1>great attempt to explanation. I somehow don't feel like a

0:59:22.240 --> 0:59:25.040
<v Speaker 1>creature like that could exist in reality. I mean, certainly

0:59:25.120 --> 0:59:29.200
<v Speaker 1>you can imagine some types of uh, you know, chameleon

0:59:29.280 --> 0:59:33.280
<v Speaker 1>type elements like changing pigmentation and when we see octopuses

0:59:33.320 --> 0:59:36.600
<v Speaker 1>and stuff that have a remarkable ability to change their

0:59:36.640 --> 0:59:41.600
<v Speaker 1>external appearance at web will, But the moving of bones

0:59:42.000 --> 0:59:45.560
<v Speaker 1>and things like that, that sounds impossible to me. Yeah.

0:59:45.600 --> 0:59:48.680
<v Speaker 1>I I do love the the rigor in both of

0:59:48.680 --> 0:59:52.560
<v Speaker 1>these examples, because one takes a very um, you know, genetic,

0:59:52.720 --> 0:59:56.800
<v Speaker 1>cellular hormonal approach, and the other is a very more

0:59:56.840 --> 0:59:59.360
<v Speaker 1>of a varied approach, but also all into just post

0:59:59.480 --> 1:00:02.919
<v Speaker 1>humans ibrenetic tinkering. And I guess in reality you could

1:00:02.920 --> 1:00:05.160
<v Speaker 1>create a model that is a combination of the two,

1:00:05.200 --> 1:00:08.000
<v Speaker 1>maybe draw in some biomimicry by looking to the world

1:00:08.080 --> 1:00:11.920
<v Speaker 1>of of the of the octopus or the cuttlefish and saying, well,

1:00:11.920 --> 1:00:14.360
<v Speaker 1>how could you create those same sort of flesh effects

1:00:14.400 --> 1:00:17.280
<v Speaker 1>in a humanoid creature. Well, here's something I would say.

1:00:17.280 --> 1:00:20.880
<v Speaker 1>I don't know to what extent they have shape shifting

1:00:21.040 --> 1:00:24.760
<v Speaker 1>precision in the books, but I would I would buy

1:00:24.800 --> 1:00:29.160
<v Speaker 1>this creature more if it could make basic changes to

1:00:29.280 --> 1:00:32.560
<v Speaker 1>its body, but but not sort of target a particular

1:00:32.600 --> 1:00:36.520
<v Speaker 1>individual like I, you know, can look now exactly like

1:00:36.640 --> 1:00:39.280
<v Speaker 1>Robert Lamb as opposed to just I can look different

1:00:39.320 --> 1:00:42.480
<v Speaker 1>than I normally look. Yeah, yeah, it would, And I

1:00:42.480 --> 1:00:44.360
<v Speaker 1>think in the books. It's laid out that it depends

1:00:44.360 --> 1:00:46.840
<v Speaker 1>on how long they study a target. So if they

1:00:46.840 --> 1:00:48.640
<v Speaker 1>study you, know, they just sort of glance at you,

1:00:48.720 --> 1:00:51.920
<v Speaker 1>would be like a very rough version, but they would

1:00:51.920 --> 1:00:55.440
<v Speaker 1>ideally want to uh study you in earnest for a

1:00:55.440 --> 1:00:59.360
<v Speaker 1>few days before replacing you. Yeah, all right, so there

1:00:59.400 --> 1:01:02.320
<v Speaker 1>you go. We're we're out of time. Uh that's the

1:01:02.360 --> 1:01:05.120
<v Speaker 1>biology of dooe. But before we go, Robert, I gotta

1:01:05.160 --> 1:01:08.040
<v Speaker 1>ask you about David Lynch movie. I've been burning to

1:01:08.080 --> 1:01:11.160
<v Speaker 1>talk about this. No, I mean, I read the book

1:01:11.200 --> 1:01:13.360
<v Speaker 1>and then I watched the movie, and there's so much

1:01:13.400 --> 1:01:16.040
<v Speaker 1>to like about the movie actually, because it's got great

1:01:16.200 --> 1:01:19.400
<v Speaker 1>sets and costumes. Some parts of it are truly weird,

1:01:20.160 --> 1:01:23.480
<v Speaker 1>uh in ways that are really fun and exciting, and

1:01:23.720 --> 1:01:28.080
<v Speaker 1>other aspects of it are just incomprehensible. I watched it

1:01:28.160 --> 1:01:31.360
<v Speaker 1>with my wife Rachel, and I constantly had to explain

1:01:31.520 --> 1:01:36.480
<v Speaker 1>things because the movie does not make sense on its own. Yeah,

1:01:36.600 --> 1:01:39.160
<v Speaker 1>it's it's been a long time since I've seen the movie,

1:01:39.200 --> 1:01:42.920
<v Speaker 1>though I did last night. I rewatched the intro material

1:01:43.040 --> 1:01:45.360
<v Speaker 1>that was on the TV airing of it, where they

1:01:45.360 --> 1:01:48.960
<v Speaker 1>have the the still illustrations and some narration to set

1:01:49.000 --> 1:01:52.800
<v Speaker 1>up the world. Uh, yeah, I agree. There's there's so

1:01:52.880 --> 1:01:55.920
<v Speaker 1>much that doesn't work in the films and ultimately led

1:01:56.000 --> 1:01:57.960
<v Speaker 1>to it being a kind of a train wreck. But

1:01:58.000 --> 1:02:00.400
<v Speaker 1>then there's so many elements that are there well done.

1:02:00.440 --> 1:02:02.520
<v Speaker 1>Like some of the casting is just weird, some of

1:02:02.560 --> 1:02:06.600
<v Speaker 1>the casting is just spot on. The costumes are amazing,

1:02:06.880 --> 1:02:11.000
<v Speaker 1>some of the visual takes on the world are just perfect.

1:02:11.360 --> 1:02:14.400
<v Speaker 1>But it just doesn't all come together. Yeah, you know,

1:02:14.440 --> 1:02:18.840
<v Speaker 1>I I think Doing could be a really great animated movie. Yeah, Like,

1:02:18.880 --> 1:02:22.240
<v Speaker 1>imagine if Miyazaki had had taken it on, you know,

1:02:22.280 --> 1:02:25.480
<v Speaker 1>because you have the ecological elements that he's all, you know,

1:02:25.640 --> 1:02:28.320
<v Speaker 1>it's the president, his work. Oh man, that's a thing

1:02:28.400 --> 1:02:30.320
<v Speaker 1>that I think was really lacking, and at least the

1:02:30.400 --> 1:02:32.320
<v Speaker 1>version of Doing that I saw. Now I heard that

1:02:32.360 --> 1:02:34.840
<v Speaker 1>there there are shorter There's a shorter version and a

1:02:34.880 --> 1:02:38.400
<v Speaker 1>longer version. I'm not sure which one I saw. Uh.

1:02:38.480 --> 1:02:41.800
<v Speaker 1>If there's a shorter version, I cannot imagine it because

1:02:41.880 --> 1:02:46.400
<v Speaker 1>the version I saw left out so much explanation it's crazy.

1:02:46.600 --> 1:02:49.240
<v Speaker 1>But but yeah, the one thing that really seemed left

1:02:49.240 --> 1:02:52.320
<v Speaker 1>out of the movie is the ecological themes of the book.

1:02:52.760 --> 1:02:57.120
<v Speaker 1>All the concerns about water, about about how to survive

1:02:57.280 --> 1:02:59.480
<v Speaker 1>in the environment. I mean, this is a this is

1:02:59.480 --> 1:03:01.800
<v Speaker 1>a key part of the book and it's you know,

1:03:02.080 --> 1:03:05.480
<v Speaker 1>maybe one out of every three pages is primarily about water.

1:03:06.440 --> 1:03:10.560
<v Speaker 1>And this is just not the case in the movie. Yeah, indeed,

1:03:10.600 --> 1:03:13.280
<v Speaker 1>And that's you know, ultimately a you know, a large

1:03:13.360 --> 1:03:16.240
<v Speaker 1>thing to be missing from the finished product. On the

1:03:16.240 --> 1:03:18.400
<v Speaker 1>other hand, the movie does have I don't know if

1:03:18.400 --> 1:03:22.640
<v Speaker 1>you remember this from the movie, but the strategically inserted pug.

1:03:23.080 --> 1:03:26.040
<v Speaker 1>Oh yes, how how C Trades has a pug? Yeah,

1:03:26.080 --> 1:03:28.400
<v Speaker 1>and if you mentioned this, I saw the plug shows

1:03:28.480 --> 1:03:33.120
<v Speaker 1>up in the still illustrations for the TV version intro.

1:03:33.680 --> 1:03:36.760
<v Speaker 1>So it's got Jurgen proc Now standing there with his

1:03:36.760 --> 1:03:39.960
<v Speaker 1>his beard in his uniform holding a pug. There's also

1:03:40.040 --> 1:03:43.280
<v Speaker 1>a scene of Patrick Stewart as Gernie Halleck fighting a

1:03:43.320 --> 1:03:47.800
<v Speaker 1>battle and he's got the pug in his arms. Yeah.

1:03:47.880 --> 1:03:50.600
<v Speaker 1>I do not remember I in my reread of the book,

1:03:50.600 --> 1:03:53.360
<v Speaker 1>I've not come across the pug. Sure they added that

1:03:53.640 --> 1:03:56.120
<v Speaker 1>they're pug at tradees is not in the book. They

1:03:56.120 --> 1:03:58.760
<v Speaker 1>added the pug, They adding the added the weirding module.

1:03:59.080 --> 1:04:02.160
<v Speaker 1>Um few other things they add and then left out

1:04:02.200 --> 1:04:06.080
<v Speaker 1>some some key things as well, so there you go. Well, hey,

1:04:06.120 --> 1:04:07.360
<v Speaker 1>I know that a lot of you out there have

1:04:07.920 --> 1:04:10.680
<v Speaker 1>comments you would like to add on the Dune universe,

1:04:10.760 --> 1:04:14.320
<v Speaker 1>on the Dune movies, on some of this uh uh,

1:04:14.360 --> 1:04:17.040
<v Speaker 1>some of the possible science behind the biology behind the

1:04:17.080 --> 1:04:19.760
<v Speaker 1>technology that discussed in the other episodes, and we would

1:04:19.800 --> 1:04:22.120
<v Speaker 1>of course loved to hear from you. As always, check

1:04:22.160 --> 1:04:24.600
<v Speaker 1>out our home page Stuff to Blow your Mind dot com. Uh,

1:04:24.640 --> 1:04:26.400
<v Speaker 1>and you also want to check out the landing page

1:04:26.400 --> 1:04:28.400
<v Speaker 1>for this episode that will include links out to these

1:04:28.400 --> 1:04:31.520
<v Speaker 1>books that we've mentioned too related articles, as well as

1:04:31.640 --> 1:04:33.200
<v Speaker 1>where you can find some of the music that we

1:04:33.360 --> 1:04:36.360
<v Speaker 1>featured and uh. And indeed, as we close out here,

1:04:36.560 --> 1:04:40.360
<v Speaker 1>we're gonna be listening to the track Aracus by musician

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<v Speaker 1>Raleigh Porter Office two thousand eleven album Aftertime released by

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<v Speaker 1>Subtext Recordings. Uh. There'll be a link to that on

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<v Speaker 1>the landing page for this episode. But you can also

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<v Speaker 1>learn more about him and his work at Raleigh Porter

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<v Speaker 1>dot com. And if you want to get in touch

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<v Speaker 1>with us about your favorite aspect of the Dune novels

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<v Speaker 1>or the Dune movies, or your least favorite aspect, or

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<v Speaker 1>just tell us what should think about Dune or give

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<v Speaker 1>us feedback on the episode. You can email us at

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<v Speaker 1>blow the Mind at how stuff works dot com. For

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<v Speaker 1>more on this and thousands of other topics, visit how

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<v Speaker 1>stuff works dot com.