1 00:00:00,240 --> 00:00:00,920 Speaker 1: Five albums. 2 00:00:01,520 --> 00:00:03,840 Speaker 2: Yep, I'm working on my sixth album right now, Inspy. 3 00:00:05,160 --> 00:00:06,320 Speaker 1: What do you think that's gonna come out? 4 00:00:06,360 --> 00:00:08,600 Speaker 2: I'm working on it right now. I'm still making a title. 5 00:00:09,240 --> 00:00:11,680 Speaker 2: I got two titles in my head. I wish I 6 00:00:11,680 --> 00:00:16,040 Speaker 2: could say it right now, but I'm not good. Don't 7 00:00:16,040 --> 00:00:19,599 Speaker 2: do that. Favorite of your current albums it would be 8 00:00:19,800 --> 00:00:22,319 Speaker 2: to be honest, I'll say one that I'm thinking about, 9 00:00:22,360 --> 00:00:24,520 Speaker 2: and I want my fans to comment under the you 10 00:00:24,520 --> 00:00:27,720 Speaker 2: know comment section to see if it's valid enough. But 11 00:00:27,840 --> 00:00:30,320 Speaker 2: one title I was thinking about making my project is 12 00:00:31,240 --> 00:00:34,400 Speaker 2: I want to name it art. My name is Artists 13 00:00:34,400 --> 00:00:37,919 Speaker 2: and stuff. Everybody knows. But you know, I don't want 14 00:00:37,920 --> 00:00:40,600 Speaker 2: to keep on just making projects. I got the same name. 15 00:00:40,600 --> 00:00:43,320 Speaker 2: But at the same time, I'm looking at this as 16 00:00:43,360 --> 00:00:47,360 Speaker 2: a like a literal term. When I say art, I 17 00:00:47,400 --> 00:00:49,600 Speaker 2: want people to just listen to this album and paint 18 00:00:49,600 --> 00:00:51,400 Speaker 2: the picture for real, for real this time. I want 19 00:00:51,440 --> 00:00:55,200 Speaker 2: people to just, you know, like, don't don't even like 20 00:00:55,240 --> 00:00:57,160 Speaker 2: think about it. Just listen to the album and paint 21 00:00:57,200 --> 00:01:00,320 Speaker 2: the picture. Don't overthink it at all, or is when 22 00:01:00,320 --> 00:01:02,880 Speaker 2: you overthink it, that's when things get complicated. Just listen 23 00:01:02,920 --> 00:01:03,440 Speaker 2: to the album. 24 00:01:05,000 --> 00:01:07,679 Speaker 3: What's your favorite one of your albums. It's already out. 25 00:01:07,880 --> 00:01:12,520 Speaker 2: My favorite one so far, Hoodie Season, Hooty Season was 26 00:01:13,440 --> 00:01:16,160 Speaker 2: it was the most fun album too. I was in 27 00:01:16,200 --> 00:01:18,000 Speaker 2: Atlanta at the time and moved to Atlanta. I made 28 00:01:18,000 --> 00:01:19,560 Speaker 2: that album in a week. I was in New York 29 00:01:19,600 --> 00:01:22,920 Speaker 2: making the album for three months, right, I couldn't do it. 30 00:01:22,959 --> 00:01:25,200 Speaker 2: I went to Atlanta for one week and I made 31 00:01:25,240 --> 00:01:27,440 Speaker 2: the whole album from scratch, new songs and all that, 32 00:01:27,520 --> 00:01:29,839 Speaker 2: and then like I just ended up dropping the shit 33 00:01:30,720 --> 00:01:34,920 Speaker 2: went crazy went crazy from there. It was like, what 34 00:01:34,959 --> 00:01:36,399 Speaker 2: was the main song on it? I think it was 35 00:01:36,680 --> 00:01:38,040 Speaker 2: look back at look back at It? 36 00:01:38,120 --> 00:01:38,240 Speaker 3: Right? 37 00:01:38,319 --> 00:01:38,479 Speaker 4: Yeah? 38 00:01:38,560 --> 00:01:40,840 Speaker 2: Yeah, yeah, look back at It. Drove that song, I 39 00:01:40,840 --> 00:01:42,240 Speaker 2: mean drove that album crazy. 40 00:01:42,480 --> 00:01:45,720 Speaker 4: So why like what made it just happen like within 41 00:01:45,720 --> 00:01:48,560 Speaker 4: the week, Like you're on for three months and all 42 00:01:48,560 --> 00:01:49,600 Speaker 4: of a sudden this Yeah. 43 00:01:49,640 --> 00:01:52,600 Speaker 2: That was my first time trying that experiment. Every day 44 00:01:52,600 --> 00:01:57,000 Speaker 2: in the studio throwing like thirty thousand in the Yeah, yeah, 45 00:01:57,040 --> 00:01:58,680 Speaker 2: it would be you see the ceiling got how it 46 00:01:58,720 --> 00:02:01,280 Speaker 2: got like stuff on the ceiling studio always got ship 47 00:02:01,400 --> 00:02:03,160 Speaker 2: like that. So it would be a thousand dollars and 48 00:02:03,200 --> 00:02:05,280 Speaker 2: singles just stuffed up there. The workers will go clean 49 00:02:05,360 --> 00:02:07,240 Speaker 2: up after and just go pick it up, scoop it up, 50 00:02:07,720 --> 00:02:10,040 Speaker 2: and then we coming the next day, same thing all 51 00:02:10,080 --> 00:02:11,960 Speaker 2: over again, same thing. I got an air mattress in 52 00:02:12,000 --> 00:02:15,760 Speaker 2: my in the booth, and I'm like, you know, really 53 00:02:15,800 --> 00:02:19,400 Speaker 2: like locking in now I'm saying to sleep I had 54 00:02:19,440 --> 00:02:20,520 Speaker 2: the air bad to sleep on. 55 00:02:20,919 --> 00:02:22,760 Speaker 1: I don't think I'm gonna tell white people like yo, 56 00:02:23,520 --> 00:02:24,000 Speaker 1: go to the. 57 00:02:23,960 --> 00:02:29,919 Speaker 2: Studio those days every day no more? Those days ain't 58 00:02:29,919 --> 00:02:32,000 Speaker 2: every day no more. Sometimes you just can't be in 59 00:02:32,000 --> 00:02:34,440 Speaker 2: a studio looking at nothing. But if you see singles 60 00:02:34,440 --> 00:02:37,120 Speaker 2: flying everywhere, you turned up in there, you're making a 61 00:02:37,120 --> 00:02:38,720 Speaker 2: song that you're gonna want to hear in the club 62 00:02:38,760 --> 00:02:42,080 Speaker 2: after that vibe like so like yeah, sometimes that's much needed. 63 00:02:43,520 --> 00:02:43,880 Speaker 1: Mm hmm. 64 00:02:44,840 --> 00:02:45,840 Speaker 2: It's not all about. 65 00:02:45,639 --> 00:02:53,799 Speaker 1: Sex, said, I've always was always wondered this. So, how 66 00:02:53,840 --> 00:02:57,639 Speaker 1: many songs are like do you have right now on 67 00:02:57,680 --> 00:02:59,880 Speaker 1: the cowgg that are like unreleased or like there you're 68 00:02:59,880 --> 00:03:02,800 Speaker 1: like that you wanted to go on the album or didn't. Damn, 69 00:03:03,040 --> 00:03:05,639 Speaker 1: that's a hard question because I got I feel like 70 00:03:05,680 --> 00:03:08,520 Speaker 1: it's always like a crazy number, a lot a lot. 71 00:03:08,760 --> 00:03:10,320 Speaker 2: I got a lot of hard drives and I make 72 00:03:10,360 --> 00:03:13,200 Speaker 2: a lot of music every day, Like the other day, 73 00:03:13,200 --> 00:03:15,240 Speaker 2: I just made five songs that you're probably never gonna 74 00:03:15,240 --> 00:03:17,240 Speaker 2: hear it, like literally, like I. 75 00:03:17,240 --> 00:03:19,640 Speaker 4: Just like why, like why would we never hear it? 76 00:03:20,600 --> 00:03:22,680 Speaker 2: Sometimes I just be cooking up for myself a lot. 77 00:03:22,720 --> 00:03:24,680 Speaker 2: I know it's selfish, I know, I know, but sometimes 78 00:03:24,720 --> 00:03:26,560 Speaker 2: I cook up for myself a lot because this is like, 79 00:03:26,680 --> 00:03:27,400 Speaker 2: this is a hobby. 80 00:03:27,400 --> 00:03:27,560 Speaker 3: Still. 81 00:03:27,560 --> 00:03:29,240 Speaker 2: People got to understand. This is what I used to 82 00:03:29,280 --> 00:03:31,640 Speaker 2: do for like every mood that I was in, I 83 00:03:31,720 --> 00:03:33,480 Speaker 2: used to go to the studio and really just cook 84 00:03:33,520 --> 00:03:35,440 Speaker 2: up because I'm in that move. I didn't cook up 85 00:03:35,440 --> 00:03:37,600 Speaker 2: because I want to just be famous and put it 86 00:03:37,600 --> 00:03:39,240 Speaker 2: out to the world and everybody to hear me cry 87 00:03:39,280 --> 00:03:41,040 Speaker 2: and whatever. If I was sad to go to the 88 00:03:41,040 --> 00:03:43,000 Speaker 2: studio about a heartbreak, I wanted to go in there 89 00:03:43,080 --> 00:03:45,160 Speaker 2: because it was me. You know. I ended up being that, 90 00:03:45,840 --> 00:03:48,480 Speaker 2: you know, ended up being that case. So I ran 91 00:03:48,520 --> 00:03:50,920 Speaker 2: with it. But it's still a hobby, you know what 92 00:03:50,920 --> 00:03:52,800 Speaker 2: I'm saying. It's still a hobby. I still take it 93 00:03:52,840 --> 00:03:54,960 Speaker 2: as how it was, so it could still be fun 94 00:03:55,000 --> 00:03:56,520 Speaker 2: to me. I don't want to treat it as a job. 95 00:03:56,560 --> 00:03:58,360 Speaker 3: So is there an example of a song you put 96 00:03:58,400 --> 00:04:00,960 Speaker 3: out that you had no idea, what's gonna go crazy? 97 00:04:00,960 --> 00:04:02,400 Speaker 3: And then it went crazy. 98 00:04:02,760 --> 00:04:08,560 Speaker 2: Secrets Okay, Secrets didn't have any beat to it, and 99 00:04:08,600 --> 00:04:11,880 Speaker 2: it was like everybody was like, oh, I needs this 100 00:04:11,960 --> 00:04:14,040 Speaker 2: and these that, and I wanted it to be like 101 00:04:14,080 --> 00:04:16,080 Speaker 2: that so bad. I didn't care. I just let it go, 102 00:04:16,360 --> 00:04:22,440 Speaker 2: and I was like listening to you know, the common 103 00:04:22,480 --> 00:04:24,159 Speaker 2: song where people had to say before I dropped the 104 00:04:24,200 --> 00:04:27,800 Speaker 2: song compared to like how I really felt, you know 105 00:04:27,839 --> 00:04:29,880 Speaker 2: what I'm saying. And I didn't even listen to myself 106 00:04:29,880 --> 00:04:32,120 Speaker 2: at that point until the fans really went crazy and 107 00:04:32,160 --> 00:04:34,080 Speaker 2: I was like, dam see, I should go with this, 108 00:04:34,160 --> 00:04:36,120 Speaker 2: you know. So I felt like I could make any 109 00:04:36,200 --> 00:04:39,640 Speaker 2: kind of type of not any type of song, but 110 00:04:39,680 --> 00:04:41,560 Speaker 2: you know, if I feel like it's really fire, I 111 00:04:41,560 --> 00:04:44,279 Speaker 2: gotta go with my gut sometimes and then the whole 112 00:04:44,279 --> 00:04:47,440 Speaker 2: project doesn't have to be it got to be you know, 113 00:04:47,520 --> 00:04:49,520 Speaker 2: all around. For me, it can't be like, you know, 114 00:04:49,640 --> 00:04:51,640 Speaker 2: the same vibe. So it doesn't matter if I make 115 00:04:51,680 --> 00:04:54,760 Speaker 2: one song with no beat. You know, when you made Drowning, 116 00:04:54,839 --> 00:04:58,080 Speaker 2: did you know hell? I know, really, I don't know, 117 00:04:58,200 --> 00:05:01,960 Speaker 2: not at all. I was in that studio trying to 118 00:05:02,000 --> 00:05:05,520 Speaker 2: impress the label at that point, you know, what I'm saying. 119 00:05:05,520 --> 00:05:07,520 Speaker 2: I was in there just trying to like work and 120 00:05:07,600 --> 00:05:09,960 Speaker 2: get get more music to the label. That was like 121 00:05:10,000 --> 00:05:13,360 Speaker 2: my first first year really like locking and locking in 122 00:05:13,360 --> 00:05:16,960 Speaker 2: the real studios. So I was just like creating and creating. 123 00:05:16,960 --> 00:05:18,640 Speaker 2: It was so easy for me at that time when 124 00:05:18,680 --> 00:05:20,640 Speaker 2: I was like when you were in the beginning when 125 00:05:20,640 --> 00:05:22,839 Speaker 2: you have like I came from the block block, so 126 00:05:23,000 --> 00:05:25,120 Speaker 2: like it was like I was on zero coming into 127 00:05:25,200 --> 00:05:27,119 Speaker 2: the game compared to millions, you know what I'm saying. 128 00:05:27,560 --> 00:05:29,559 Speaker 2: So I just wanted it and wanted it so bad 129 00:05:30,520 --> 00:05:32,479 Speaker 2: that I would like be sleeping in the studio on 130 00:05:32,520 --> 00:05:34,760 Speaker 2: the floor sometimes wake up and look at the microphone 131 00:05:34,800 --> 00:05:37,839 Speaker 2: like damn in the studio still and shit like or 132 00:05:38,000 --> 00:05:41,680 Speaker 2: nowadays it's like so much other things going on outside 133 00:05:41,680 --> 00:05:44,000 Speaker 2: of just the music. When you get too deep into it, 134 00:05:44,000 --> 00:05:46,359 Speaker 2: it gets a little hard to just like stay you know, 135 00:05:46,480 --> 00:05:49,640 Speaker 2: stay in that vocals on so or That's what I'm 136 00:05:49,680 --> 00:05:53,440 Speaker 2: working on right now, trying to block everything out except 137 00:05:53,440 --> 00:05:53,920 Speaker 2: for the studio. 138 00:05:54,320 --> 00:05:56,440 Speaker 3: That's gonna be hard to like take yourself back to 139 00:05:56,600 --> 00:05:57,960 Speaker 3: where you were before you had. 140 00:05:58,480 --> 00:06:02,560 Speaker 2: Exactly but you get there, what's all the process? Like 141 00:06:03,240 --> 00:06:04,919 Speaker 2: I'd have been through it, man, I didn't been through it, 142 00:06:04,960 --> 00:06:06,960 Speaker 2: like ups and downs of having even right it's black 143 00:06:07,000 --> 00:06:08,839 Speaker 2: in the studio up to a point where I go 144 00:06:08,880 --> 00:06:11,000 Speaker 2: on the next month and I make so many songs 145 00:06:11,040 --> 00:06:14,200 Speaker 2: where it's like damn, like for real, do. 146 00:06:14,160 --> 00:06:16,600 Speaker 3: You guys ever feel that in your career, Like I 147 00:06:16,680 --> 00:06:19,960 Speaker 3: think you have trouble channeling maybe not not necessarily the love, 148 00:06:20,040 --> 00:06:22,080 Speaker 3: but the hunger that maybe you felt when you were 149 00:06:22,080 --> 00:06:24,000 Speaker 3: like a little kid on the playground trying to have 150 00:06:24,080 --> 00:06:25,880 Speaker 3: dreams be An NBA, the hunger. 151 00:06:26,040 --> 00:06:32,599 Speaker 4: No, No. I I felt like there's times where like 152 00:06:32,680 --> 00:06:35,440 Speaker 4: I'm on the top of my game, and there's times 153 00:06:35,560 --> 00:06:38,240 Speaker 4: I'm like thinking myself, like what am I doing? Like 154 00:06:38,360 --> 00:06:42,760 Speaker 4: this isn't me? But like the hunger is always there. 155 00:06:44,120 --> 00:06:44,480 Speaker 4: I think. 156 00:06:45,520 --> 00:06:48,359 Speaker 2: I think it's honest, will always beat it if like, 157 00:06:49,320 --> 00:06:52,240 Speaker 2: especially when it when it comes down to like everybody 158 00:06:52,320 --> 00:06:54,760 Speaker 2: like looking at you, when it comes down to like 159 00:06:54,760 --> 00:06:56,919 Speaker 2: you like the spotlight, that's when it's like, you know, 160 00:06:57,040 --> 00:06:59,120 Speaker 2: no matter what you got in life, the spotlight is 161 00:06:59,160 --> 00:07:01,000 Speaker 2: on you. The hung is always going to beat it. 162 00:07:01,080 --> 00:07:03,840 Speaker 2: But when it comes down to like real life situations, 163 00:07:03,880 --> 00:07:05,600 Speaker 2: when you feel like that where you're like what am 164 00:07:05,600 --> 00:07:08,840 Speaker 2: I doing? And shit, that's where you you know, question that. 165 00:07:08,839 --> 00:07:11,200 Speaker 2: That's where it's like, I, but am I doing the 166 00:07:11,240 --> 00:07:13,440 Speaker 2: right things? And that's where you got to just focus up. 167 00:07:13,560 --> 00:07:15,920 Speaker 4: That's the worst part when you start questioning yourself, Like 168 00:07:16,000 --> 00:07:18,360 Speaker 4: I feel like I feel like I worked really hard, 169 00:07:18,400 --> 00:07:19,760 Speaker 4: I feel like I do all the right things. I 170 00:07:19,800 --> 00:07:23,640 Speaker 4: feel like I try and mentally and physically prefer myself 171 00:07:23,720 --> 00:07:27,320 Speaker 4: for games all the time. And then even while doing that, 172 00:07:27,360 --> 00:07:29,520 Speaker 4: sometimes you have a little it could be like the 173 00:07:29,560 --> 00:07:32,480 Speaker 4: slightest doubt, but it's enough to kind of like just 174 00:07:32,520 --> 00:07:34,360 Speaker 4: like knock up your path a little bit. 175 00:07:34,560 --> 00:07:36,440 Speaker 2: It's like a pinch when you like feel like you 176 00:07:36,440 --> 00:07:37,960 Speaker 2: you know, you know how you driving, and you feel 177 00:07:37,960 --> 00:07:40,720 Speaker 2: like you're sleeping and you just like slap us up 178 00:07:40,720 --> 00:07:41,120 Speaker 2: real quick. 179 00:07:41,200 --> 00:07:44,600 Speaker 3: Is one of those was like, I feel like that's 180 00:07:44,640 --> 00:07:46,840 Speaker 3: valuable for our audience to hear. Right, you have three 181 00:07:46,840 --> 00:07:48,720 Speaker 3: people who are at the top of their craft who 182 00:07:48,760 --> 00:07:52,040 Speaker 3: at times to still doubt themselves. You know too, who's 183 00:07:52,040 --> 00:07:57,880 Speaker 3: not at the top of their craft Josh trying to say. 184 00:07:56,680 --> 00:07:58,880 Speaker 4: Josh, he's having a career here, Josh is having a career, 185 00:07:59,080 --> 00:08:04,440 Speaker 4: And when is this dropping before next week? Do you 186 00:08:04,440 --> 00:08:05,960 Speaker 4: want do you want to talk you wanta talkbout last 187 00:08:05,960 --> 00:08:10,920 Speaker 4: week about our conversation last week. But we were we're 188 00:08:10,920 --> 00:08:13,320 Speaker 4: talking on the show on the pod and we're talking. 189 00:08:13,360 --> 00:08:15,280 Speaker 4: We were so last week meeting and Josh are talking 190 00:08:15,280 --> 00:08:18,720 Speaker 4: and Josh was was physically here doing the show, but 191 00:08:18,760 --> 00:08:21,800 Speaker 4: he wasn't mentally here doing the show and has a 192 00:08:21,800 --> 00:08:24,800 Speaker 4: lot to do with play on the court, and so 193 00:08:25,240 --> 00:08:28,440 Speaker 4: had a three hours of sleep travel and travel, but 194 00:08:28,920 --> 00:08:31,800 Speaker 4: he was he was a lit a little upset. And 195 00:08:33,320 --> 00:08:37,640 Speaker 4: so we're sitting here, we're talking and based I'm just 196 00:08:37,640 --> 00:08:39,840 Speaker 4: telling him, I yo, like, no matter what the situation 197 00:08:39,880 --> 00:08:41,480 Speaker 4: is about how you're feeling, like, we need the Josh 198 00:08:41,559 --> 00:08:43,280 Speaker 4: hard that's like the leader. We need a one that's 199 00:08:43,320 --> 00:08:46,720 Speaker 4: like the guy who's all of the court, you know, 200 00:08:47,400 --> 00:08:49,680 Speaker 4: who's being aggressive on both sides of the balls and 201 00:08:49,960 --> 00:08:52,640 Speaker 4: like all that stuff. I'm saying that to him, right, 202 00:08:53,080 --> 00:08:55,520 Speaker 4: and like I feel like he's processing it and he's 203 00:08:55,520 --> 00:08:58,160 Speaker 4: thinking about it. But like I feel like, sometimes it's 204 00:08:58,200 --> 00:09:00,280 Speaker 4: all you need. You need someone who's like close. It's 205 00:09:00,320 --> 00:09:03,160 Speaker 4: not gonna like bs U to the point where me 206 00:09:03,200 --> 00:09:05,719 Speaker 4: and Josh are so like close. If he were to 207 00:09:05,800 --> 00:09:08,960 Speaker 4: say something to me that if I'm bullshitting or if 208 00:09:08,960 --> 00:09:10,640 Speaker 4: I'm not doing something right, I'm not going to take 209 00:09:10,640 --> 00:09:13,800 Speaker 4: it personal because I know where I know where he's 210 00:09:13,800 --> 00:09:15,040 Speaker 4: come from, he knows where I come from. We know 211 00:09:15,080 --> 00:09:18,520 Speaker 4: where we're trying to get to. And so I'm just 212 00:09:18,520 --> 00:09:21,400 Speaker 4: saying that because I think I've seen you mentally been 213 00:09:21,440 --> 00:09:24,480 Speaker 4: better since that day, both on and off the court. 214 00:09:24,520 --> 00:09:27,120 Speaker 4: So I want to give your flowers on that's on that. 215 00:09:27,320 --> 00:09:30,560 Speaker 4: Since we're on that topic. What it's about the times, 216 00:09:30,720 --> 00:09:32,320 Speaker 4: like you said, like we said, you're going to be 217 00:09:32,760 --> 00:09:35,000 Speaker 4: on the low and you need someone to just help 218 00:09:35,040 --> 00:09:36,480 Speaker 4: you get back up. 219 00:09:36,760 --> 00:09:39,199 Speaker 2: Yeah, it's all about just understanding what's going on. Though 220 00:09:39,200 --> 00:09:41,120 Speaker 2: at the same time, as long as you recognize what's 221 00:09:41,120 --> 00:09:43,880 Speaker 2: going on and you just move on from it, It's like, 222 00:09:43,920 --> 00:09:46,000 Speaker 2: you know, if you don't like see what's going on 223 00:09:46,080 --> 00:09:48,360 Speaker 2: and you're still in that bubbles, like damn bro, that's 224 00:09:48,360 --> 00:09:51,000 Speaker 2: when you're like fucked up. Well, as long as you recognize, 225 00:09:51,000 --> 00:09:52,560 Speaker 2: you know, you got to just see that ship. 226 00:09:53,200 --> 00:09:57,439 Speaker 4: Yeah, that's all I wanted to say. 227 00:09:57,800 --> 00:09:59,920 Speaker 2: That's dope, though heated too. 228 00:10:00,760 --> 00:10:03,960 Speaker 1: I was like, no, what, I'm not gonna snap. 229 00:10:04,320 --> 00:10:09,400 Speaker 3: I'm not gonna Yeah, I know when I'm not gonna snap, 230 00:10:09,640 --> 00:10:11,600 Speaker 3: I'm not gonna I'm gonna. 231 00:10:11,720 --> 00:10:14,319 Speaker 4: You controlled it, and you helped your team sucking win. 232 00:10:16,760 --> 00:10:18,160 Speaker 4: That's fine. 233 00:10:18,720 --> 00:10:25,320 Speaker 2: You having flashbacks right now, You're like, so I was heated, 234 00:10:25,320 --> 00:10:27,680 Speaker 2: aby so, y'all even though I was pissed this this 235 00:10:27,800 --> 00:10:29,880 Speaker 2: morning coming into the thing, I was just pissed little, 236 00:10:29,880 --> 00:10:31,880 Speaker 2: but I had to change my whole ship just now, 237 00:10:32,000 --> 00:10:34,640 Speaker 2: man like, for real, for real. Sometimes when you go outside, 238 00:10:34,640 --> 00:10:37,080 Speaker 2: you just can't. You gotta bring the energy that you 239 00:10:37,120 --> 00:10:38,800 Speaker 2: want other people to bring to you. So it's like, 240 00:10:38,840 --> 00:10:41,560 Speaker 2: you gotta just like, you know, fix that ship. Aside 241 00:10:41,600 --> 00:10:43,400 Speaker 2: brou you. 242 00:10:43,360 --> 00:10:45,400 Speaker 4: Know, we stayed rocking with our body and our sports strengths. 243 00:10:45,520 --> 00:10:47,559 Speaker 4: Orange Make it was always my go to whether I'm 244 00:10:47,559 --> 00:10:50,040 Speaker 4: shooting a podcast or after I'm shooting some hoops, I 245 00:10:50,080 --> 00:10:52,880 Speaker 4: need to get hydrated and stay hydrated with those electrolytes. 246 00:10:53,000 --> 00:10:55,840 Speaker 4: It wouldn't be the Roommates Show podcast. 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