WEBVTT - Brain and Head Theft, Part 2

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<v Speaker 1>Welcome to stot to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey you welcome to Stuff to Blow Your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 1>we're back with part two of our discussion of stolen

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<v Speaker 1>heads and stolen brains. That's right. If you didn't listen

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<v Speaker 1>to part one, go back listen to part one, because

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<v Speaker 1>that's where we initially get into it, and we talked

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<v Speaker 1>about like some ancient ideas about what the brain did

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<v Speaker 1>and uh, then we get into some examples of of

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<v Speaker 1>brains that have been preserved, uh, consensually, and then get

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<v Speaker 1>a little bit into the theft. And we're gonna get

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<v Speaker 1>more into the theft here in this episode, and then

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<v Speaker 1>towards the end we're gonna get into some of the

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<v Speaker 1>mythology and folklore of disembodied heads. That's right. So at

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<v Speaker 1>the end of the last episode, we were talking about

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<v Speaker 1>the theft of the skull of the Austrian classical composer

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<v Speaker 1>Franz Joseph Haydn, which was stolen by phrenologists who clung

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<v Speaker 1>to the mistaken belief that Haydn's musical genius would somehow

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<v Speaker 1>be inscribed in the bone of his cranium. But Hayden

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<v Speaker 1>isn't the only figure like this. There there are other

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<v Speaker 1>figures in history with some kind of reputation for genius

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<v Speaker 1>of one kind or another, who have had their heads

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<v Speaker 1>or their brains stolen in the hope that these remnants

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<v Speaker 1>would somehow explain to science what made them so smart.

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<v Speaker 1>And of course, in the case of phrenology, this was

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<v Speaker 1>an utterly hopeless endeavor, just because phrenology is total quack

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<v Speaker 1>pseudoscience end to end. But this has also happened even

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<v Speaker 1>in ages of more legitimate neuroscience, and still maybe doesn't

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<v Speaker 1>tell us as much as the people who stole these

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<v Speaker 1>brains hoped that it would. So I want to talk

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<v Speaker 1>about another famous stolen head that is not even for

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<v Speaker 1>any pretense of neuroscience or any other type of research.

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<v Speaker 1>I want to talk about the head of Jeremy Bentham.

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<v Speaker 1>H So you know Jeremy Bentham best for I don't

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<v Speaker 1>know what do people know him best for these days?

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<v Speaker 1>Maybe for the for the idea of the Panopticon, which

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<v Speaker 1>he was a promoter of. That would be where our

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<v Speaker 1>listeners might have heard his name on this show before. Yeah,

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<v Speaker 1>Jeremy Bentham was a highly influential eighteenth and nineteenth century

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<v Speaker 1>philosopher and social reformer from England, and he's usually thought

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<v Speaker 1>of as one of the founders of liberalism and one

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<v Speaker 1>of the modern founders of the utilitarian theory of ethics. So,

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<v Speaker 1>in other words, right and wrong would be determined not

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<v Speaker 1>by what the king says, or what the Bible says,

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<v Speaker 1>or not by any deontological duty, but by what course

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<v Speaker 1>of action would provide the greatest happiness to the greatest

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<v Speaker 1>number of people. And Bentham is kind of interesting because

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<v Speaker 1>if you read through a collection of his opinions and

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<v Speaker 1>arguments today, it is this strange mixture of things that

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<v Speaker 1>for the time were extremely radical, progressive and by our

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<v Speaker 1>modern ethics admirable, but also things that are bizarrely horrifying.

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<v Speaker 1>So so, for example, you know, he was in favor

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<v Speaker 1>of total political equality for women and the decriminalization of homosexuality.

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<v Speaker 1>But he also did not like the idea of privacy.

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<v Speaker 1>He thought that was a bad concept, and of course

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<v Speaker 1>this is exemplified in the idea of the panopticon, in

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<v Speaker 1>which prisoners have no privacy or and and do not

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<v Speaker 1>know if if the gaze of the like the the

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<v Speaker 1>lone observation tower if they are looking at them in

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<v Speaker 1>any given moment, you know, right, So he would dig

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<v Speaker 1>where we are now in some respects. Oh my god,

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<v Speaker 1>Jeremy Bentham. I would love to know Jeremy Bentham's thoughts

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<v Speaker 1>on the modern digital landscape. But anyway, that the relevant

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<v Speaker 1>part of the Jeremy Bentham story today is that his

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<v Speaker 1>head still exists today above ground in a grotesque, incompetently

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<v Speaker 1>mummified form, and and it keeps getting stolen. I was

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<v Speaker 1>reading a piece about this that was a transcript of

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<v Speaker 1>a CBC radio piece which featured an interview with the

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<v Speaker 1>Subadra Dos, who was a curator of collections at University

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<v Speaker 1>College London. The interviewer was named Carol Off and this

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<v Speaker 1>CBC piece includes some excellent biographical tidbits right at the

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<v Speaker 1>top about Bentham's weird and interesting personality apart from his

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<v Speaker 1>politics and his public work. For example, it says that

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<v Speaker 1>Bentham had a walking stick that he called Dapple, he

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<v Speaker 1>had a teapot that he referred to as Dicky, and

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<v Speaker 1>he had an elderly cat that was named the Reverend

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<v Speaker 1>Sir John Langborne. Oh that's that's I don't know if

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<v Speaker 1>that's a good cat name. That's too human. I think

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<v Speaker 1>it's funny when a dog has a very human name.

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<v Speaker 1>And I haven't made my mind up about cats yet.

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<v Speaker 1>I think, I guess I assume that's funny. I find

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<v Speaker 1>it cats work best when they have food names, you know, Oh, okay, yeah,

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<v Speaker 1>biscuit or mochi or pound cake or um yeah, really

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<v Speaker 1>anything rabby oli. I mean, you can go go crazy

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<v Speaker 1>with it, but generally speaking, yes, something kind of cute

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<v Speaker 1>and foods. He works well with cats. I find I'm

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<v Speaker 1>glad that we've all learned that one day you plan

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<v Speaker 1>to eat a cat. Well, I mean it would really

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<v Speaker 1>if that were the case, and it's not, then we

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<v Speaker 1>would the feeling would be mutual between me and the cats.

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<v Speaker 1>So I think the cat would respect it. Oh yeah,

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<v Speaker 1>if we were appreciating game, is that what they say? Yeah, totally,

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<v Speaker 1>if we were small enough our cats what heat does? Yeah? Um.

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<v Speaker 1>But anyway, I thought that was a pretty good window

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<v Speaker 1>into his personality. And uh. And so Bentham apparently had

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<v Speaker 1>express wishes for what would be done to his remains

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<v Speaker 1>in the event of his death, and they fall along

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<v Speaker 1>some similar lines of sensibility. So Bentham died in eighteen

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<v Speaker 1>thirty two, and when that happened, he wanted his dead

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<v Speaker 1>body to be preserved in a way that would allow

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<v Speaker 1>him to be wheeled out and presented to friends at

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<v Speaker 1>parties in case anybody missed seeing him. Take I want

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<v Speaker 1>you to take what I just said and compare that

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<v Speaker 1>to the picture of his preserved head above. Well, you know,

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<v Speaker 1>it certainly would be a conversation starter or stopper at

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<v Speaker 1>any party. Uh. I mean, it's pretty impressive looking. It

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<v Speaker 1>is identifiable as a head, even his head. Uh, it

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<v Speaker 1>kind of looks it has a very leathery consistency to it. Um.

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<v Speaker 1>The skin is kind of darkened and kind of looks

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<v Speaker 1>like a slim gem. There's hair on it, which I'm

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<v Speaker 1>guessing is perhaps his original hair, real hair. The eyes

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<v Speaker 1>clearly are not his original eyes. Appears to be a

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<v Speaker 1>pair of glass eyeballs that have been inserted into it,

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<v Speaker 1>which you give it this extra uncanny appearance because it

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<v Speaker 1>looks like, you know, the living dead. It looks like

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<v Speaker 1>the eyes of a of a litch staring at you.

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<v Speaker 1>But the look on his face is also not terrifying.

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<v Speaker 1>It's more serene. It looks like he's pay anciently listening

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<v Speaker 1>to you while you're sharing a tidnet. Oh, I don't

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<v Speaker 1>know how, Serene, And I mean, I guess I kind

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<v Speaker 1>of see what you're saying. But he looks to me

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<v Speaker 1>very like startled and appalled. He looks like a a

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<v Speaker 1>butler who has accidentally opened a door to a room

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<v Speaker 1>in which something obscene is taking place. Oh, I get

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<v Speaker 1>more of a like he's patiently listening to you while

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<v Speaker 1>you tell him something that he personally finds boring by Okay,

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<v Speaker 1>he's a good listener, nonetheless, Okay, So what was the

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<v Speaker 1>deal with his head? Like? Why is his head off

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<v Speaker 1>of his dead body but they're both preserved. Why does

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<v Speaker 1>it look like that? To quote from Doss in this interview,

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<v Speaker 1>she says Bentham had made a special request that his

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<v Speaker 1>head be preserved in the style of the Maori, the

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<v Speaker 1>native New Zealanders, But his friend Dr southwood Smith, who

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<v Speaker 1>was tasked with creating the auto icon, wasn't necessarily as

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<v Speaker 1>practiced with that as he probably would have liked to

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<v Speaker 1>have been. And Dost goes on, and so the result

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<v Speaker 1>was ahead that southwood Smith said was not suitable for display,

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<v Speaker 1>which is why he had a wax model commissioned. That's

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<v Speaker 1>the one on display with the auto icon, which is

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<v Speaker 1>the skeleton in Bentham Zone clothes. So so, according to Das,

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<v Speaker 1>the head was desiccated here with sulfuric acid and sometimes

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<v Speaker 1>his hair still falls out. But the situation is that

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<v Speaker 1>there are two separate necro icons of this utilitarian philosopher

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<v Speaker 1>that are both made out of his real body. There's

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<v Speaker 1>his body containing his bones and his clothes, topped with

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<v Speaker 1>a fake wax head and that's on display at University

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<v Speaker 1>College London, and Rob I've got an image for you

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<v Speaker 1>to look at down below here, and then you also

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<v Speaker 1>have his severed head poorly preserved that we just described,

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<v Speaker 1>sometimes kept separately, sometimes shown at the feet of the

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<v Speaker 1>auto icon of the rest of the body because it's

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<v Speaker 1>just this disgusting, rotten looking beef jerky head. And then

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<v Speaker 1>of course there's the horrible body with a wax head

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<v Speaker 1>that has these gloves on it that look really just

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<v Speaker 1>this is awful. Yeah, the picture you shared that shows

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<v Speaker 1>the the wax headed figure with an actual skeleton inside

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<v Speaker 1>of it, uh seated and then there it at its

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<v Speaker 1>feet indeed is the original head and um, yeah, this

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<v Speaker 1>looks fairly terrifying but also symbolically potent. Maybe it's just

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<v Speaker 1>because of the some of the examples that I was

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<v Speaker 1>looking at from say Hindu iconography that we'll get into later.

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<v Speaker 1>Like there, I feel like this image is trying to

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<v Speaker 1>tell me something about about death. Yeah, it seems almost

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<v Speaker 1>in the style of the the cephalophor sat you know,

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<v Speaker 1>like the Saints like San Denis in Paris, the Saints

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<v Speaker 1>who carry their own heads in their hands because of

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<v Speaker 1>the legends where they were decapitated but then just picked

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<v Speaker 1>up their heads and walked around, did some miracles or something. Yeah,

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<v Speaker 1>except he's like saying, yeah, it's like, look, there's my

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<v Speaker 1>head down there. It's rotten, but I'm I'm one. Look

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<v Speaker 1>at this gorgeous wax head. I'm boasting. So the story

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<v Speaker 1>gets weird because we got to get to the actual theft.

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<v Speaker 1>This was all according to two Bentham's wishes, though the

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<v Speaker 1>mummification or preservation of the head got screwed up. Southwood

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<v Speaker 1>Smith did not do a good job with that, or

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<v Speaker 1>at least not to his own liking, and I don't know,

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<v Speaker 1>the results don't look great. But then the theft comes

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<v Speaker 1>in because apparently Jeremy Bentham's actual preserved head has been

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<v Speaker 1>repeatedly stolen or kidnapped as a result of student pranks

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<v Speaker 1>like Doss points out that sometime in the nineteen nineties,

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<v Speaker 1>Bentham's head was quote kidnapped by uc l's rival University

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<v Speaker 1>King's College in London. So I assume it was stolen

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<v Speaker 1>by some kind of English version of Jim Magilowski from

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<v Speaker 1>the Brain, you know, a prank boy. And in fact

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<v Speaker 1>it seems the head was stolen multiple times in its history.

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<v Speaker 1>I was reading a piece about this from Smith Journal

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<v Speaker 1>that says, quote once it was returned upon the making

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<v Speaker 1>of a charitable donation. On another occasion it was recovered

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<v Speaker 1>from a luggage locker in Aberdeen. A man as clever

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<v Speaker 1>as Bentham should have been able to foresee the inevitable

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<v Speaker 1>consequences of spending eternity among students. Now, at some point

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<v Speaker 1>the head was recovered from what happened in the nineties

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<v Speaker 1>these mischievous students, and it was put back on display

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<v Speaker 1>at least at one point for an exhibit called what

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<v Speaker 1>does it Mean to be Human? Curating Heads at u

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<v Speaker 1>c L. So this is a head that apparently keeps

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<v Speaker 1>getting stolen. Don't know if it will ever be stolen again.

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<v Speaker 1>I think they are taking extreme measures to prevent that,

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<v Speaker 1>but who knows what's going to happen. But we should

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<v Speaker 1>still say that, at least in Bentham's case, this is

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<v Speaker 1>consensual preservation in a museum. Despite a few uh encephaloclepts

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<v Speaker 1>over the years, there are also lots of disturbing cases

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<v Speaker 1>where someone's head or brain ends up in a museum

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<v Speaker 1>against their own wishes, whether it's by the supposed forces

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<v Speaker 1>of science and preservation or some other forces that are

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<v Speaker 1>doing the stealing. It has happened plenty of times that heads,

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<v Speaker 1>skulls and get taken from somebody's body, whether they wanted

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<v Speaker 1>that or not, and end up in a museum. And

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<v Speaker 1>and this brings me to the next thing I wanted

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<v Speaker 1>to talk about, to follow up on some of the

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<v Speaker 1>UH some of the phrenology discussion from the last episode,

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<v Speaker 1>because I feel like I want to be a bit

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<v Speaker 1>self critical here, because I have to note that I

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<v Speaker 1>feel a baseline sympathy for the classic Indiana Jones line

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<v Speaker 1>about the Cross of Coronado in the Last Crusade when

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<v Speaker 1>he says it belongs in a museum. You know, I

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<v Speaker 1>I really enjoy museums, and I am instinctually drawn to

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<v Speaker 1>the idea that it's good to have artifacts preserved in

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<v Speaker 1>places like museums, places where you know, artifacts from history

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<v Speaker 1>should be the you know, the the common heritage of

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<v Speaker 1>all humankind to observe and learn from. And so it's

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<v Speaker 1>good that you get to go see them in a

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<v Speaker 1>museum in a place where they will be preserved as

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<v Speaker 1>well as possible across time. And this sounds good, but

0:12:53.320 --> 0:12:56.360
<v Speaker 1>of course it can in reality be an extremely fraught

0:12:56.400 --> 0:12:59.880
<v Speaker 1>concept and just one of the million complications. We expl

0:13:00.080 --> 0:13:01.880
<v Speaker 1>or some of this in our Invention episode on the

0:13:01.920 --> 0:13:05.560
<v Speaker 1>First Museum is the question of physical location. Like, I

0:13:05.600 --> 0:13:08.360
<v Speaker 1>think it is actually good that artifacts from ancient history

0:13:08.440 --> 0:13:10.920
<v Speaker 1>or even more recent history could in some way be

0:13:11.200 --> 0:13:13.679
<v Speaker 1>the common heritage of all humankind to learn from. But

0:13:13.720 --> 0:13:15.959
<v Speaker 1>they've got to physically be somewhere, and it turns out

0:13:16.000 --> 0:13:19.520
<v Speaker 1>that is often in like wealthy European nations or in

0:13:19.520 --> 0:13:23.120
<v Speaker 1>the United States, so like not everybody actually has the

0:13:23.160 --> 0:13:26.040
<v Speaker 1>same access to these artifacts. You know, you've got to

0:13:26.080 --> 0:13:28.880
<v Speaker 1>physically go to London or to Washington or something to

0:13:28.920 --> 0:13:32.320
<v Speaker 1>see them. Yeah, you have this this um, this this

0:13:32.480 --> 0:13:37.120
<v Speaker 1>severe imbalance where say school children in the United States

0:13:37.320 --> 0:13:40.559
<v Speaker 1>can go to their local museum in a major city

0:13:40.800 --> 0:13:44.680
<v Speaker 1>and see artifacts of ancient Egypt. But those same artifacts

0:13:44.679 --> 0:13:47.880
<v Speaker 1>are not on display at the local museum for actual

0:13:47.920 --> 0:13:50.320
<v Speaker 1>Egyptian children to see if they would have to look

0:13:50.360 --> 0:13:53.160
<v Speaker 1>at a reproduction or a picture in a book or

0:13:53.200 --> 0:13:56.800
<v Speaker 1>on the internet. Right. And of course, another big problem

0:13:56.880 --> 0:13:59.000
<v Speaker 1>here is just the question of, like, how do you

0:13:59.120 --> 0:14:01.840
<v Speaker 1>source these are the facts when you're you're bringing them

0:14:01.840 --> 0:14:04.760
<v Speaker 1>into museum collections, A lot of times it's hard to

0:14:04.840 --> 0:14:08.000
<v Speaker 1>make a convincing argument that that what's happening in the

0:14:08.040 --> 0:14:10.840
<v Speaker 1>collection of these artifacts is not just stealing, is just

0:14:10.920 --> 0:14:14.040
<v Speaker 1>stealing from dead people. And so I think that there

0:14:14.040 --> 0:14:16.040
<v Speaker 1>are real dilemmas here. I say this as as a

0:14:16.080 --> 0:14:19.200
<v Speaker 1>lover of museums, uh. And of course it's true even

0:14:19.240 --> 0:14:21.920
<v Speaker 1>of inanimate artifacts that are produced by people who are

0:14:21.960 --> 0:14:25.040
<v Speaker 1>long gone, But it's obviously even more fraught when you're

0:14:25.040 --> 0:14:29.120
<v Speaker 1>talking about things like the remains of human beings, especially

0:14:29.200 --> 0:14:38.360
<v Speaker 1>human beings who lived relatively recently, thank thank uh. And

0:14:38.400 --> 0:14:40.040
<v Speaker 1>so this brings me back to what we were talking

0:14:40.040 --> 0:14:42.520
<v Speaker 1>about in the heidn segment of part one. We were

0:14:42.560 --> 0:14:47.280
<v Speaker 1>talking about the development of the pseudoscience of phrenology, which

0:14:47.360 --> 0:14:51.840
<v Speaker 1>quick refresher. This was a a now completely debunked pseudoscience

0:14:51.880 --> 0:14:54.480
<v Speaker 1>that was popular, especially in like the first half of

0:14:54.520 --> 0:14:58.280
<v Speaker 1>the nineteenth century, popular throughout Europe in the United States,

0:14:58.320 --> 0:15:01.560
<v Speaker 1>and it was the belief that you could infer mental

0:15:01.760 --> 0:15:07.080
<v Speaker 1>characteristics of people by measuring bumps and contours on their skulls.

0:15:07.680 --> 0:15:09.320
<v Speaker 1>And this is one of the this was one of

0:15:09.320 --> 0:15:12.760
<v Speaker 1>the motivations for the stealing of the of Franz Joseph

0:15:12.800 --> 0:15:16.920
<v Speaker 1>Hydn's skull. Now, there are some strains of phrenology that

0:15:17.480 --> 0:15:21.680
<v Speaker 1>a person could see as extremely wrong and pseudo scientific,

0:15:22.200 --> 0:15:25.400
<v Speaker 1>but not super harmful, or at least not more harmful

0:15:25.440 --> 0:15:27.920
<v Speaker 1>than a belief in like palm reading or something. You know,

0:15:27.960 --> 0:15:30.600
<v Speaker 1>I'm just feeling around on your head and doing a

0:15:30.680 --> 0:15:34.520
<v Speaker 1>doing a little personality test for you. Right, It's not accurate,

0:15:35.160 --> 0:15:40.280
<v Speaker 1>there's no science to it, but it's it's ultimately, I guess, harmless, right, right,

0:15:40.400 --> 0:15:42.560
<v Speaker 1>I mean, I mean, I guess all pseudoscience in a

0:15:42.600 --> 0:15:45.720
<v Speaker 1>way is potentially harmful, but it's not It's not as

0:15:45.760 --> 0:15:47.640
<v Speaker 1>harmful as the other stuff we're about to talk to.

0:15:47.960 --> 0:15:51.840
<v Speaker 1>Because there are these other strains and incarnations of phrenology

0:15:51.840 --> 0:15:55.840
<v Speaker 1>and other types of pseudoscience that are that are just

0:15:55.920 --> 0:16:00.280
<v Speaker 1>a straight up nightmare. Sometimes forms of racist pseudoscience aimed

0:16:00.280 --> 0:16:04.560
<v Speaker 1>at like proving that people with different skin colors were

0:16:04.600 --> 0:16:07.560
<v Speaker 1>a result of separate acts of divine creation, so they're

0:16:07.600 --> 0:16:10.880
<v Speaker 1>not even really all the same kind of human. Also

0:16:11.000 --> 0:16:15.440
<v Speaker 1>weird ideas of crackpot cranial criminology. Um that didn't mean

0:16:15.480 --> 0:16:19.040
<v Speaker 1>to be so illiterated there, but in the nineteenth century especially,

0:16:19.040 --> 0:16:22.160
<v Speaker 1>it was very common for proponents of phrenology and other

0:16:22.240 --> 0:16:26.480
<v Speaker 1>types of craniometry. So craniometry would be a any kind

0:16:26.480 --> 0:16:29.240
<v Speaker 1>of a belief system based on the measurements of the skull,

0:16:29.360 --> 0:16:33.480
<v Speaker 1>not necessarily like bumps like phrenology. But there were other

0:16:33.480 --> 0:16:35.680
<v Speaker 1>people who just tried to collect a bunch of skulls

0:16:35.680 --> 0:16:38.960
<v Speaker 1>and measure them and draw inferences. Uh So, so there

0:16:38.960 --> 0:16:41.200
<v Speaker 1>were these things going on, and they would cause people

0:16:41.240 --> 0:16:45.720
<v Speaker 1>to gather these huge collections of human skulls, supposedly to

0:16:45.840 --> 0:16:49.040
<v Speaker 1>form the raw materials for their research. But I was

0:16:49.080 --> 0:16:51.080
<v Speaker 1>reading about this in that same book I mentioned in

0:16:51.080 --> 0:16:54.040
<v Speaker 1>the previous episode, the one by Francis Larson called Severed,

0:16:54.120 --> 0:16:58.200
<v Speaker 1>which this whole chapter is really, uh really horrifying and

0:16:58.520 --> 0:17:01.560
<v Speaker 1>fascinating uh, it would lead these people to gather these

0:17:01.600 --> 0:17:04.480
<v Speaker 1>big collections of skulls that in practice, it seems to

0:17:04.520 --> 0:17:07.760
<v Speaker 1>me these collections were often just as much as sort

0:17:07.800 --> 0:17:11.879
<v Speaker 1>of personal museum exhibit or a morbid curio collection to

0:17:12.000 --> 0:17:16.119
<v Speaker 1>impress guests and wealthy benefactors as they were even a

0:17:16.280 --> 0:17:20.320
<v Speaker 1>failed attempt to actually gather data. And unfortunately, it seems

0:17:20.320 --> 0:17:24.560
<v Speaker 1>like most of these skulls collected for supposed craniometric research

0:17:24.720 --> 0:17:28.840
<v Speaker 1>in the eighteen hundreds were not donated consensually. You can

0:17:28.920 --> 0:17:31.040
<v Speaker 1>probably imagine where a lot of them came from. A

0:17:31.080 --> 0:17:34.439
<v Speaker 1>lot of them were stolen from graveyards and battlefields. Some

0:17:34.680 --> 0:17:40.600
<v Speaker 1>came from prisons and morgues, hospitals, workhouses, burial grounds, without

0:17:40.640 --> 0:17:44.159
<v Speaker 1>the consultation of the owner or their family, and often

0:17:44.280 --> 0:17:47.679
<v Speaker 1>without even knowing who the person had actually been. And

0:17:47.800 --> 0:17:50.399
<v Speaker 1>as you might guess, the less wealth and power the

0:17:50.440 --> 0:17:53.119
<v Speaker 1>person had, the more likely that their skull might be

0:17:53.200 --> 0:17:57.200
<v Speaker 1>stolen after their death. Many came from cemeteries of enslaved

0:17:57.200 --> 0:18:00.680
<v Speaker 1>people in America. There are horrific details of the harvesting

0:18:00.680 --> 0:18:03.639
<v Speaker 1>of skulls from Native American people's during the wars of

0:18:03.680 --> 0:18:06.919
<v Speaker 1>expansion of the U. S Frontier into tribal lands, and

0:18:07.000 --> 0:18:10.639
<v Speaker 1>many came from just from poor people, from workhouses and

0:18:10.720 --> 0:18:14.280
<v Speaker 1>potter's fields. Larson as a whole chapter about this horrible

0:18:14.280 --> 0:18:18.159
<v Speaker 1>episode in history and her book severed Um. But a

0:18:18.240 --> 0:18:22.000
<v Speaker 1>couple of these notorious skull collectors she mentions are the

0:18:22.000 --> 0:18:27.080
<v Speaker 1>English doctor Joseph Barnard Davis and the American physician Samuel

0:18:27.119 --> 0:18:30.359
<v Speaker 1>George Morton. Both were mainly working in the early to

0:18:30.400 --> 0:18:34.680
<v Speaker 1>mid nineteenth century, and she tells one anecdote about Barnard

0:18:34.760 --> 0:18:37.400
<v Speaker 1>Davis that I wanted to read here, so she says

0:18:37.480 --> 0:18:41.200
<v Speaker 1>quote as a physician, Barnard Davis showed few qualms when

0:18:41.240 --> 0:18:44.639
<v Speaker 1>it came to head collecting. John Betto, a fellow doctor,

0:18:44.720 --> 0:18:49.320
<v Speaker 1>remembered that he looked on heads simply as potential skulls.

0:18:49.880 --> 0:18:53.240
<v Speaker 1>Beddo recounted introducing Barnard Davis during his rounds at the

0:18:53.280 --> 0:18:56.800
<v Speaker 1>hospital to one of his patients, a sailor from Dubrovnik

0:18:57.000 --> 0:18:59.520
<v Speaker 1>who had nearly drowned. It was being cared for at

0:18:59.520 --> 0:19:02.680
<v Speaker 1>the brisk A Royal Infirmary. Betto was treating the man

0:19:02.760 --> 0:19:06.280
<v Speaker 1>for gang green on the lung. Barnard Davis's curiosity was

0:19:06.320 --> 0:19:09.840
<v Speaker 1>immediately piqued. Now, he said to Betto, you know that

0:19:09.880 --> 0:19:12.680
<v Speaker 1>man can't recover, do take care to secure his head

0:19:12.680 --> 0:19:14.919
<v Speaker 1>for me when he dies? For I have no cranium

0:19:14.960 --> 0:19:17.840
<v Speaker 1>from that neighborhood. I guess he was talking about the

0:19:18.080 --> 0:19:22.880
<v Speaker 1>neighborhood of Dubrovnik. And Uh. Then Larsen goes on. Luckily

0:19:22.920 --> 0:19:25.840
<v Speaker 1>for the sailor Bernard Davis had been too enthusiastic in

0:19:25.880 --> 0:19:29.720
<v Speaker 1>his diagnosis. The patient made a full recovery, and Tibetto's

0:19:29.760 --> 0:19:33.200
<v Speaker 1>amused relief he carried his head on his own shoulders

0:19:33.200 --> 0:19:36.600
<v Speaker 1>back to Herzegovina. Uh. And so she says, like, this

0:19:36.680 --> 0:19:38.959
<v Speaker 1>is this is the reality of what's often going on

0:19:39.000 --> 0:19:44.080
<v Speaker 1>in skull collecting. It's like basically totally ignoring the humanity

0:19:44.119 --> 0:19:46.000
<v Speaker 1>of human beings and just being like, how am I

0:19:46.000 --> 0:19:48.239
<v Speaker 1>going to get that skull? It's like a like a

0:19:48.280 --> 0:19:51.520
<v Speaker 1>cartoon where one cartoon character looks at the other and

0:19:51.600 --> 0:19:55.320
<v Speaker 1>just sees like food as a cannibalistic frenzy takes every

0:19:55.320 --> 0:19:58.679
<v Speaker 1>except yeah, the Loony Tunes where like they're in the

0:19:58.720 --> 0:20:01.439
<v Speaker 1>lifeboat and like Donald Doc looks at somebody and just

0:20:01.520 --> 0:20:05.000
<v Speaker 1>imagines their body is like a like a drumstick or something. Yeah.

0:20:05.640 --> 0:20:07.359
<v Speaker 1>It also reminds me of that line and T. S.

0:20:07.400 --> 0:20:11.640
<v Speaker 1>Eliot's Whispers of Immortality. Webster was much possessed by death

0:20:11.680 --> 0:20:15.080
<v Speaker 1>and saw the skull and eat the skin. Now, it's

0:20:15.119 --> 0:20:17.399
<v Speaker 1>also worth pointing out that the findings of these early

0:20:17.480 --> 0:20:21.679
<v Speaker 1>craniometrists have not really held up to scientific scrutiny. Larson

0:20:21.760 --> 0:20:23.840
<v Speaker 1>talks about this as well, all of the problems with

0:20:23.880 --> 0:20:26.960
<v Speaker 1>their supposed research. Uh, they a lot of them were

0:20:26.960 --> 0:20:30.600
<v Speaker 1>trying to make generalizations about the mental qualities of large

0:20:30.600 --> 0:20:32.840
<v Speaker 1>groups of people. Oh, you know, you can see because

0:20:32.880 --> 0:20:36.200
<v Speaker 1>of this trend in the skulls of people from this

0:20:36.280 --> 0:20:39.400
<v Speaker 1>part of the world that they have these mental characteristics.

0:20:39.960 --> 0:20:42.800
<v Speaker 1>And this was all based on the skull measurements. But

0:20:43.359 --> 0:20:48.159
<v Speaker 1>their research was plagued by poor methodology, inconsistency and samples

0:20:48.200 --> 0:20:52.480
<v Speaker 1>inconsistency and measurements, fudging the data when it didn't fit, etcetera.

0:20:52.640 --> 0:20:54.879
<v Speaker 1>Larson as a whole discussion on this, it seems like

0:20:54.960 --> 0:20:57.920
<v Speaker 1>once again we're dealing with something that ultimately just amounted

0:20:57.960 --> 0:21:01.480
<v Speaker 1>to bunk. Though I it also to discuss a couple

0:21:01.520 --> 0:21:03.639
<v Speaker 1>of points that she makes, which I thought were very

0:21:03.760 --> 0:21:07.800
<v Speaker 1>useful and interpreting what was going on here. Historically. One

0:21:07.840 --> 0:21:11.280
<v Speaker 1>interesting issue was if people are looking into, you know,

0:21:11.359 --> 0:21:15.720
<v Speaker 1>these various questions, trying to understand the human mind, trying

0:21:15.720 --> 0:21:20.639
<v Speaker 1>to understand culture, trying to understand mental processes. Why the

0:21:20.960 --> 0:21:25.720
<v Speaker 1>particular emphasis on skulls, like why the phrenology and craniometry

0:21:25.800 --> 0:21:30.000
<v Speaker 1>craze as a very bone focused thing to begin with. Well,

0:21:30.040 --> 0:21:33.239
<v Speaker 1>she talks about how the physical characteristics of skulls just

0:21:33.359 --> 0:21:37.960
<v Speaker 1>happened to lend themselves quite well to the practical applications

0:21:38.000 --> 0:21:40.760
<v Speaker 1>and interests of the people who were in these fields.

0:21:41.400 --> 0:21:45.880
<v Speaker 1>So she writes quote one Victorian physician, James Aitken MiGs

0:21:46.359 --> 0:21:50.640
<v Speaker 1>noted that skulls are easily prepared and preserved, maybe conveniently

0:21:50.680 --> 0:21:54.560
<v Speaker 1>handled and surveyed, Considered in various points of view, and

0:21:54.640 --> 0:21:59.000
<v Speaker 1>compared to each other. Skulls are favorable specimens because they're small,

0:21:59.200 --> 0:22:02.840
<v Speaker 1>hard and robut dust. They're more compact than whole skeletons,

0:22:02.880 --> 0:22:06.119
<v Speaker 1>which means that they can be relatively easily transported, and

0:22:06.160 --> 0:22:09.960
<v Speaker 1>they're more durable than the messy tissues they contain, surviving

0:22:10.000 --> 0:22:14.400
<v Speaker 1>for centuries on a museum shelf. They're surprisingly resistant to pressure,

0:22:14.600 --> 0:22:17.240
<v Speaker 1>partly because of their shape, but also because the skull,

0:22:17.440 --> 0:22:21.359
<v Speaker 1>unlike longbones, has no marrow and skulls were thought to

0:22:21.400 --> 0:22:25.040
<v Speaker 1>be the most characteristic part of the human body because

0:22:25.040 --> 0:22:26.760
<v Speaker 1>there were so many ways in which one could be

0:22:26.760 --> 0:22:29.880
<v Speaker 1>different from another, full of nooks and crannies and holes

0:22:29.880 --> 0:22:33.919
<v Speaker 1>and lumps. They were a statistician's dream. So this seems

0:22:33.920 --> 0:22:36.359
<v Speaker 1>like one of those cases of people who thought they

0:22:36.359 --> 0:22:39.439
<v Speaker 1>were doing scientific research but may well have been letting

0:22:39.480 --> 0:22:44.919
<v Speaker 1>their theories be overdetermined by attraction to the specific practical

0:22:45.240 --> 0:22:49.520
<v Speaker 1>and esthetic aspects of objects that they just wanted to study.

0:22:49.880 --> 0:22:52.119
<v Speaker 1>Maybe because it was kind of attractive to have a

0:22:52.119 --> 0:22:54.280
<v Speaker 1>collection of these in your house that you could show

0:22:54.280 --> 0:22:56.840
<v Speaker 1>off to people. Maybe because they were easy to move

0:22:56.880 --> 0:23:00.400
<v Speaker 1>around from place to place and store, and much more so,

0:23:00.480 --> 0:23:03.600
<v Speaker 1>of course than actual brains themselves, which would quickly wrought

0:23:03.640 --> 0:23:06.760
<v Speaker 1>and all that kind of stuff. Yeah, I mean, skulls

0:23:06.800 --> 0:23:09.560
<v Speaker 1>are really cool. I mean there's no denying it, um

0:23:09.840 --> 0:23:13.840
<v Speaker 1>that their neat. Uh. You know, it's fun to draw skulls,

0:23:13.880 --> 0:23:17.480
<v Speaker 1>it's fun to look at pictures and photos and illustrations

0:23:17.480 --> 0:23:21.320
<v Speaker 1>of skulls, skull iconography, and just pretty much every culture

0:23:21.320 --> 0:23:25.800
<v Speaker 1>on earth is instantly captivating. Uh. And then yeah, you

0:23:25.840 --> 0:23:27.760
<v Speaker 1>can see where someone might be like, all right, let's

0:23:27.840 --> 0:23:30.240
<v Speaker 1>I'm gonna lean into this. Skulls are my thing. I

0:23:30.280 --> 0:23:32.720
<v Speaker 1>want to study the skull. What what kind of information

0:23:32.760 --> 0:23:35.160
<v Speaker 1>can I glean from the skull? Yeah, you almost get

0:23:35.160 --> 0:23:37.639
<v Speaker 1>the sense that this was, um, it was a very

0:23:37.720 --> 0:23:40.440
<v Speaker 1>cart before the horse. It was kind of like, uh,

0:23:40.640 --> 0:23:44.280
<v Speaker 1>skull collecting first science second, and it turned out that

0:23:44.320 --> 0:23:47.640
<v Speaker 1>the science was not even good science. Yeah, I mean

0:23:47.680 --> 0:23:51.320
<v Speaker 1>it just inevitably it brings us back to the you know,

0:23:51.640 --> 0:23:53.600
<v Speaker 1>the end of the scene from Hamlet where he's holding

0:23:53.640 --> 0:23:58.280
<v Speaker 1>the skull and contemplating mortality and impermanence and so forth.

0:23:58.359 --> 0:23:59.720
<v Speaker 1>You know, I mean, it's just that that's what the

0:23:59.760 --> 0:24:03.560
<v Speaker 1>skull is. It is such a a potent symbol of

0:24:03.600 --> 0:24:07.920
<v Speaker 1>these just all these different ideas and concerns and anxieties

0:24:07.960 --> 0:24:12.520
<v Speaker 1>we have about impermanence. Yeah. Now, when it comes to

0:24:12.720 --> 0:24:16.400
<v Speaker 1>brains specifically, I also want to talk about one tragic

0:24:16.440 --> 0:24:20.159
<v Speaker 1>case in history of of brains being preserved for supposed

0:24:20.200 --> 0:24:24.240
<v Speaker 1>scientific uses or by museums without the consent of the

0:24:24.280 --> 0:24:27.119
<v Speaker 1>person and so. And of course this is something to

0:24:27.200 --> 0:24:30.359
<v Speaker 1>consider in contrast to something like Bentham or like you know,

0:24:30.560 --> 0:24:35.000
<v Speaker 1>where somebody intentionally grants their head to a museum or something. Uh,

0:24:35.040 --> 0:24:37.400
<v Speaker 1>this is the story of a man known to history

0:24:37.520 --> 0:24:41.639
<v Speaker 1>as is She now, as told by Larson is She

0:24:42.040 --> 0:24:46.720
<v Speaker 1>was a Native American man who was captured while foraging

0:24:46.800 --> 0:24:49.520
<v Speaker 1>near a slaughter house in northern California in the year

0:24:49.600 --> 0:24:54.040
<v Speaker 1>nineteen eleven. He was about fifty years old. He did

0:24:54.040 --> 0:24:56.960
<v Speaker 1>not speak English, and he apparently at least had no

0:24:57.160 --> 0:25:00.439
<v Speaker 1>living friends or relatives, and so he was say into

0:25:00.480 --> 0:25:05.240
<v Speaker 1>anthropologists at the University of California, Berkeley, who identified him

0:25:05.280 --> 0:25:08.360
<v Speaker 1>as a member of the Yahi people, many of whom

0:25:08.440 --> 0:25:11.040
<v Speaker 1>had been victims of genocide by the white settlers in

0:25:11.080 --> 0:25:15.600
<v Speaker 1>northern California. And Uhhi was not even really the man's name.

0:25:15.720 --> 0:25:19.080
<v Speaker 1>Is She was an identifier given to him by the anthropologist,

0:25:19.160 --> 0:25:22.920
<v Speaker 1>which apparently meant man in the Yana language, that's the

0:25:23.000 --> 0:25:28.119
<v Speaker 1>overarching language to which the Yahi people belonged. But the

0:25:28.119 --> 0:25:30.840
<v Speaker 1>man known as She never revealed his real name, do

0:25:31.000 --> 0:25:34.640
<v Speaker 1>apparently to to accustom within his culture of not revealing

0:25:34.680 --> 0:25:37.359
<v Speaker 1>your name to someone unless you are introduced by a

0:25:37.400 --> 0:25:40.399
<v Speaker 1>member of your own people. So after he after he

0:25:40.480 --> 0:25:43.639
<v Speaker 1>was captured, he was taken to the University of California

0:25:43.760 --> 0:25:46.879
<v Speaker 1>Museum of Anthropology, where he lived for some time. He

0:25:46.960 --> 0:25:51.400
<v Speaker 1>worked as a janitor, and anthropologists did some research with him.

0:25:51.440 --> 0:25:55.199
<v Speaker 1>They made recordings of him speaking and singing in his language. Uh.

0:25:55.400 --> 0:25:58.159
<v Speaker 1>They they studied his language, studied him in other ways,

0:25:58.640 --> 0:26:02.040
<v Speaker 1>and he passed away nineteen sixteen. And then when I

0:26:02.080 --> 0:26:05.040
<v Speaker 1>want to pick up, quoting from Larsen here quote is

0:26:05.119 --> 0:26:08.800
<v Speaker 1>She had expressly asked that his body not be subject

0:26:08.840 --> 0:26:12.000
<v Speaker 1>to a post mortem. One curator wrote in the days

0:26:12.040 --> 0:26:15.120
<v Speaker 1>before is She's death, quote science can go to hell.

0:26:15.520 --> 0:26:19.440
<v Speaker 1>We propose to stand by our friends. He added, Besides,

0:26:19.520 --> 0:26:23.160
<v Speaker 1>I cannot believe that any scientific value is materially involved.

0:26:23.359 --> 0:26:25.639
<v Speaker 1>The prime interest in his case would be of a

0:26:25.760 --> 0:26:31.040
<v Speaker 1>morbid romantic nature. But his letter arrived too late. Staff

0:26:31.080 --> 0:26:34.760
<v Speaker 1>at the museum, who declared themselves is She's friends made

0:26:34.880 --> 0:26:39.040
<v Speaker 1>quote a compromise between science and sentiment, and performed an

0:26:39.040 --> 0:26:42.600
<v Speaker 1>autopsy against his wishes. They removed his brain and sent

0:26:42.680 --> 0:26:46.480
<v Speaker 1>it to the Smithsonian. Those who undertook the autopsy comforted

0:26:46.520 --> 0:26:49.840
<v Speaker 1>themselves that it had been minimally invasive and certainly not

0:26:49.960 --> 0:26:53.480
<v Speaker 1>as disrespectful as a dissection. His brain, after all, was

0:26:53.560 --> 0:26:57.280
<v Speaker 1>preserved rather than destroyed. The rest of Ishi's body, which

0:26:57.320 --> 0:27:00.840
<v Speaker 1>was kept whole, was cremated in a California, sim Terry.

0:27:00.880 --> 0:27:03.639
<v Speaker 1>Thus the autopsy was seen as a compromise, despite the

0:27:03.680 --> 0:27:07.399
<v Speaker 1>fact that it went against the dead man's wishes, and

0:27:07.680 --> 0:27:10.520
<v Speaker 1>Larson goes on to say that she's body was divided

0:27:10.560 --> 0:27:13.240
<v Speaker 1>after death, just as his identity had been in life.

0:27:13.240 --> 0:27:16.560
<v Speaker 1>He was both a man and a scientific specimen. Like

0:27:16.640 --> 0:27:19.600
<v Speaker 1>so many others. He had supposedly been quote the last

0:27:19.640 --> 0:27:23.000
<v Speaker 1>of his tribe, and was apparently without living relatives, and

0:27:23.119 --> 0:27:27.320
<v Speaker 1>was considered to quote valuable to lose in death. And

0:27:27.359 --> 0:27:29.879
<v Speaker 1>I feel like this story is such an important reminder

0:27:30.000 --> 0:27:32.679
<v Speaker 1>that even if what you're doing is real science and

0:27:32.720 --> 0:27:36.560
<v Speaker 1>not for anology or something, you can't ever let yourself

0:27:36.640 --> 0:27:40.120
<v Speaker 1>start thinking about human beings as information first. I mean,

0:27:40.600 --> 0:27:43.480
<v Speaker 1>the situation she's describing here is that there were scientists

0:27:43.520 --> 0:27:45.800
<v Speaker 1>who were saying, like, oh, but it's just it would

0:27:45.800 --> 0:27:49.440
<v Speaker 1>just be too valuable, uh, to to study his brain.

0:27:49.480 --> 0:27:52.760
<v Speaker 1>There's too much we can learn from it. But I mean,

0:27:52.840 --> 0:27:55.480
<v Speaker 1>he didn't want this to happen. And so you've got

0:27:55.480 --> 0:27:57.959
<v Speaker 1>to remember to think of people as people first, and

0:27:58.080 --> 0:28:00.520
<v Speaker 1>only once they say Okay, I am willing to have

0:28:00.800 --> 0:28:04.960
<v Speaker 1>my my body somehow translated into information for science, that

0:28:05.040 --> 0:28:07.680
<v Speaker 1>you can proceed down that road. It's the basis of

0:28:07.720 --> 0:28:10.280
<v Speaker 1>the concept of informed consent, which is so important and

0:28:10.320 --> 0:28:14.200
<v Speaker 1>scientific research today. Plus, I feel like, you know, certainly

0:28:14.480 --> 0:28:19.159
<v Speaker 1>from our perspective, the case was not very strong, for

0:28:19.720 --> 0:28:22.720
<v Speaker 1>we must preserve this brain, we must study this brain.

0:28:22.760 --> 0:28:25.480
<v Speaker 1>I know, as as one of the people who worked

0:28:25.480 --> 0:28:28.400
<v Speaker 1>with you. She said, you know that it's probably more

0:28:28.440 --> 0:28:32.359
<v Speaker 1>a case of motivation by mere morbid curiosity, with also

0:28:32.359 --> 0:28:35.480
<v Speaker 1>I'm sure quite racist undertones. Yeah, yeah, it's not. It's

0:28:35.480 --> 0:28:37.080
<v Speaker 1>not like they were trying to solve a crime. It's

0:28:37.119 --> 0:28:39.480
<v Speaker 1>not like they were trying to understand the ravages of

0:28:39.480 --> 0:28:44.680
<v Speaker 1>a particular disease, etcetera. Yeah, it seemed based almost entirely

0:28:44.680 --> 0:28:48.960
<v Speaker 1>in just morbid interest. Fortunately, there is a better conclusion

0:28:48.960 --> 0:28:51.520
<v Speaker 1>to this story. So I was reading a San Francisco

0:28:51.600 --> 0:28:55.120
<v Speaker 1>Chronicle article by Kevin Fagan from the year two thousand

0:28:55.680 --> 0:29:01.080
<v Speaker 1>that was about the reunification of of She's remains. So

0:29:01.160 --> 0:29:04.480
<v Speaker 1>Fagin here writes quote, sometime today, a jet is scheduled

0:29:04.480 --> 0:29:08.080
<v Speaker 1>to land in California carrying a band of Ish's descendants,

0:29:08.120 --> 0:29:10.640
<v Speaker 1>and with them will be the long lost final piece

0:29:10.680 --> 0:29:15.240
<v Speaker 1>of their ancestor, Ish's brain. Leaders of the reading Rancheria

0:29:15.400 --> 0:29:18.160
<v Speaker 1>and Pitt River tribes, which trace their bloodlines to is

0:29:18.280 --> 0:29:21.720
<v Speaker 1>She's extinct Yahe nation through the Yana tribe promised to

0:29:21.760 --> 0:29:24.800
<v Speaker 1>never reveal where they buried him. They're not saying when

0:29:24.840 --> 0:29:26.920
<v Speaker 1>they will do it either, just that they're landing in

0:29:26.960 --> 0:29:29.440
<v Speaker 1>California today and that they want to be left alone

0:29:29.440 --> 0:29:32.960
<v Speaker 1>to shepherd their departed elder spirit away in peace. So

0:29:33.040 --> 0:29:35.040
<v Speaker 1>obviously it's good to hear that that happened, but it

0:29:35.080 --> 0:29:37.560
<v Speaker 1>only follows, you know, what had already happened and could

0:29:37.560 --> 0:29:40.800
<v Speaker 1>not be undone, and it makes you, I mean again,

0:29:40.840 --> 0:29:43.440
<v Speaker 1>it brings me back to this question about like, um,

0:29:43.480 --> 0:29:45.440
<v Speaker 1>how do you how do you manage the sort of

0:29:45.480 --> 0:29:49.800
<v Speaker 1>scientific and preservation impulse that belongs in a museum impulse

0:29:50.240 --> 0:29:53.280
<v Speaker 1>against questions where maybe it's not as clear, like it's

0:29:53.360 --> 0:29:56.480
<v Speaker 1>clear that this should not that that's brain should not

0:29:56.520 --> 0:29:58.480
<v Speaker 1>have been removed because he was alive. You got to

0:29:58.520 --> 0:30:01.680
<v Speaker 1>hear him say no, I don't want this. Um. I

0:30:01.680 --> 0:30:05.240
<v Speaker 1>guess the tougher question is in cases of like what

0:30:05.240 --> 0:30:07.680
<v Speaker 1>what about the remains of people who have been dead

0:30:07.760 --> 0:30:09.920
<v Speaker 1>for a longer time and you know, could not be

0:30:10.040 --> 0:30:12.800
<v Speaker 1>consulted on the question of whether they would be interested

0:30:12.840 --> 0:30:15.960
<v Speaker 1>in being the subject of scientific research or not. And

0:30:16.040 --> 0:30:19.080
<v Speaker 1>I genuinely don't know the answer there. Yeah, I do

0:30:19.280 --> 0:30:23.160
<v Speaker 1>like how the story ended with the brain being returned

0:30:23.240 --> 0:30:26.800
<v Speaker 1>into tribal privacy, you know, like and I feel like

0:30:26.840 --> 0:30:29.880
<v Speaker 1>that detail you know of itself, that that lines up

0:30:29.920 --> 0:30:32.480
<v Speaker 1>with a lot of different you know, things for seeing

0:30:32.480 --> 0:30:37.320
<v Speaker 1>regarding not only like actual artifacts, but also just like

0:30:37.400 --> 0:30:42.800
<v Speaker 1>traditions and information. Um. I did a I did an

0:30:42.920 --> 0:30:46.520
<v Speaker 1>article last year for House to Works about the skin Walker.

0:30:46.560 --> 0:30:49.480
<v Speaker 1>They wanted an article about the Navajo tradition of the

0:30:49.520 --> 0:30:51.720
<v Speaker 1>skin walker, and like that was one of the things

0:30:51.760 --> 0:30:55.000
<v Speaker 1>I really was driven home from me in researching that

0:30:55.160 --> 0:30:59.000
<v Speaker 1>is like that there there are certain you know, aspects

0:30:59.040 --> 0:31:04.840
<v Speaker 1>of of living tradition that you know, it's it's it's

0:31:04.880 --> 0:31:07.960
<v Speaker 1>disrespectful to to to you know, to act on this

0:31:08.040 --> 0:31:11.040
<v Speaker 1>desire to collect it all and to and to keep

0:31:11.080 --> 0:31:12.920
<v Speaker 1>it all and to codify it and to put it

0:31:12.960 --> 0:31:16.240
<v Speaker 1>on a shelf. That some things you know, still belong

0:31:16.360 --> 0:31:20.000
<v Speaker 1>to the people who created them, and you know they

0:31:20.040 --> 0:31:23.560
<v Speaker 1>can share them if they want to, you know. Uh So, Yeah,

0:31:23.560 --> 0:31:25.680
<v Speaker 1>I can't help but be reminded of that with this

0:31:25.960 --> 0:31:29.440
<v Speaker 1>the story of of this this piece of this individual

0:31:29.760 --> 0:31:34.040
<v Speaker 1>finally being returned to his people, and in doing so

0:31:34.120 --> 0:31:37.640
<v Speaker 1>it kind of passes out of of the broader like

0:31:37.840 --> 0:31:40.040
<v Speaker 1>media view, right that you're not going to be like

0:31:40.080 --> 0:31:43.520
<v Speaker 1>taking TV cameras to his grave site or yeah, that

0:31:43.600 --> 0:31:45.800
<v Speaker 1>kind of thing, because that would just be a continuation

0:31:45.920 --> 0:31:48.840
<v Speaker 1>of the same sort of energy that he seemed very

0:31:48.840 --> 0:31:58.120
<v Speaker 1>outspoken against. Well, now that we've talked a good bit

0:31:58.120 --> 0:32:01.840
<v Speaker 1>about the foibles and horrors of relatively recent skull head

0:32:01.880 --> 0:32:04.360
<v Speaker 1>and brain theft, uh, what do you say we go

0:32:04.440 --> 0:32:09.120
<v Speaker 1>back into some some more deeper history and mythology. Yeah, yeah,

0:32:09.120 --> 0:32:12.520
<v Speaker 1>because again, you know, the skull, the head, Uh, you know,

0:32:12.560 --> 0:32:17.600
<v Speaker 1>these are certainly long standing icons. So they've been focal

0:32:17.640 --> 0:32:21.959
<v Speaker 1>points for myth making and dreaming and anxiety, you know,

0:32:22.000 --> 0:32:25.280
<v Speaker 1>throughout all the human existence. And it's it's it's only

0:32:25.280 --> 0:32:27.480
<v Speaker 1>relatively recently we've been able to focus more on the

0:32:27.560 --> 0:32:30.840
<v Speaker 1>brain as an icon. You know. Um, you know, like

0:32:30.880 --> 0:32:34.720
<v Speaker 1>if you ever encounter a ghost movie that has like

0:32:34.760 --> 0:32:37.520
<v Speaker 1>a brain based ghost, it's a little off off putting,

0:32:37.600 --> 0:32:39.640
<v Speaker 1>right because it doesn't seem like the ghost should be

0:32:39.680 --> 0:32:42.440
<v Speaker 1>associated with the brain. The brain seems more of a

0:32:42.440 --> 0:32:45.000
<v Speaker 1>science fiction quality as opposed to something that is more

0:32:45.040 --> 0:32:49.120
<v Speaker 1>supernatural in nature. So yeah, I guess to begin with,

0:32:49.160 --> 0:32:51.080
<v Speaker 1>we should point out that folks have been taken heads

0:32:51.120 --> 0:32:53.480
<v Speaker 1>for longer than they have had any any certainly any

0:32:53.520 --> 0:32:56.960
<v Speaker 1>understanding of the brains rattling around inside them. Uh. And

0:32:57.000 --> 0:32:58.959
<v Speaker 1>we don't even have to get into all the gory details,

0:32:59.000 --> 0:33:00.760
<v Speaker 1>because you know the sort of things we're talking about,

0:33:00.760 --> 0:33:03.200
<v Speaker 1>you know, heads hewn off in battles, heads mounted on

0:33:03.280 --> 0:33:06.560
<v Speaker 1>poles and pikes, lobbed with a catapult, skulls lined up

0:33:06.560 --> 0:33:10.120
<v Speaker 1>on the on shelves in catacombs, that sort of thing.

0:33:10.520 --> 0:33:13.800
<v Speaker 1>And we're also never in some cases we're not sure,

0:33:14.160 --> 0:33:16.400
<v Speaker 1>you know, when we're dealing with something where it's okay,

0:33:16.440 --> 0:33:18.120
<v Speaker 1>is this head a trophy? Is this some sort or

0:33:18.120 --> 0:33:20.800
<v Speaker 1>of this some some sort of like sacred funerary tradition

0:33:21.200 --> 0:33:22.840
<v Speaker 1>or something in between a lot of times we have

0:33:22.840 --> 0:33:26.080
<v Speaker 1>to sort of piece together what it actually meant. So

0:33:26.360 --> 0:33:28.920
<v Speaker 1>one example, I was looking at from the ancient world,

0:33:28.920 --> 0:33:31.120
<v Speaker 1>and this is this is not so much myth here,

0:33:31.160 --> 0:33:35.600
<v Speaker 1>this is actual, like you know, actual um archaeological evidence. Uh.

0:33:35.640 --> 0:33:40.200
<v Speaker 1>I was reading ritual use of trophy heads in Ancient

0:33:40.960 --> 0:33:45.040
<v Speaker 1>Nascar society and this was by Donald A. Prue, published

0:33:45.080 --> 0:33:48.320
<v Speaker 1>in Ritual Sacrifice in ancient Peru in two thousand and one.

0:33:48.880 --> 0:33:51.720
<v Speaker 1>So the taking of heads for ritual use has a

0:33:51.840 --> 0:33:56.480
<v Speaker 1>long history in the Central Andes, from the pre Ceramic

0:33:56.560 --> 0:34:00.280
<v Speaker 1>period prior to about eighteen hundred BC and continuing through

0:34:00.320 --> 0:34:04.560
<v Speaker 1>Inca times and with the Nasca, the craftspeople Uh you know,

0:34:04.600 --> 0:34:07.640
<v Speaker 1>responsible for the Nasca lines. These were created between five

0:34:08.000 --> 0:34:11.880
<v Speaker 1>BC and five With the Nasca Uh they also engaged

0:34:11.920 --> 0:34:14.560
<v Speaker 1>in the taking of heads, and we see it represented

0:34:14.600 --> 0:34:19.200
<v Speaker 1>in their rich textile art, depicting warriors, shamans, mythical beings

0:34:19.239 --> 0:34:22.960
<v Speaker 1>in some cases with human heads, often on their cloaks

0:34:23.400 --> 0:34:26.879
<v Speaker 1>or in their hands, and according to Prue, over one

0:34:26.960 --> 0:34:30.239
<v Speaker 1>hundred examples remain of the Nasca mummified heads which were

0:34:30.239 --> 0:34:32.480
<v Speaker 1>the which were first removed from the body, apparently with

0:34:32.520 --> 0:34:35.279
<v Speaker 1>an obsidian knife, and then a hole would have been

0:34:35.320 --> 0:34:38.400
<v Speaker 1>punched through the base of the skull using a club

0:34:38.520 --> 0:34:41.120
<v Speaker 1>or some sort of a tool, and then the brain

0:34:41.239 --> 0:34:45.239
<v Speaker 1>and the eyes were removed through that opening. But then

0:34:45.239 --> 0:34:49.400
<v Speaker 1>another hole, smaller hole was punched or drilled through the forehead,

0:34:49.719 --> 0:34:53.400
<v Speaker 1>and this was apparently in order to allow a carrying

0:34:53.520 --> 0:34:57.239
<v Speaker 1>rope to be secured. The lips were pinned with thorns

0:34:57.239 --> 0:34:59.880
<v Speaker 1>and cloth was stuffed into the skull, and so you

0:35:00.000 --> 0:35:02.160
<v Speaker 1>have a preserved skull at this point. So you said

0:35:02.160 --> 0:35:05.040
<v Speaker 1>that these were believed to be for ritual use. Was

0:35:05.120 --> 0:35:07.680
<v Speaker 1>the thought that they would be like displayed somewhere, or

0:35:07.719 --> 0:35:11.000
<v Speaker 1>that they would be like carried in a ceremony. This

0:35:11.040 --> 0:35:13.440
<v Speaker 1>is where it all gets really interesting, And this is

0:35:13.440 --> 0:35:16.279
<v Speaker 1>where that where a lot of authors of and a

0:35:16.280 --> 0:35:19.400
<v Speaker 1>lot of scientists have have really chimed in with different views.

0:35:19.400 --> 0:35:22.319
<v Speaker 1>But it looks it's easy to look at something like

0:35:22.360 --> 0:35:24.719
<v Speaker 1>this and think of it just as trophy taking, right

0:35:24.960 --> 0:35:27.680
<v Speaker 1>like the just the trophy taking of a war like people,

0:35:27.680 --> 0:35:29.920
<v Speaker 1>and indeed war was an important part of their culture.

0:35:30.360 --> 0:35:34.520
<v Speaker 1>But the reality seems to have been ultimately far more complicated.

0:35:34.920 --> 0:35:38.360
<v Speaker 1>Substitute head jars where sometimes we're found to be buried

0:35:38.480 --> 0:35:41.920
<v Speaker 1>with the bodies and the actual heads were not merely

0:35:42.080 --> 0:35:45.880
<v Speaker 1>symbols of victory, but they were used in shamatic rituals,

0:35:46.000 --> 0:35:50.040
<v Speaker 1>perhaps entailing hallucinogenics as a means of communing with the

0:35:50.120 --> 0:35:55.120
<v Speaker 1>spirit realm and according to pro quote, propagating and controlling

0:35:55.160 --> 0:35:58.960
<v Speaker 1>the forces of nature, especially so far as natural resources

0:35:58.960 --> 0:36:02.400
<v Speaker 1>are concerned. Now, apparently some have argued that these were

0:36:02.480 --> 0:36:05.000
<v Speaker 1>not trophy heads, but the heads of honored ancestors. But

0:36:05.040 --> 0:36:08.440
<v Speaker 1>pro dis disputes this. He he defines them instead as quote,

0:36:08.560 --> 0:36:12.759
<v Speaker 1>trophies of warfare collected for ritual purposes. So that that's

0:36:12.800 --> 0:36:15.520
<v Speaker 1>that's interesting because it seems to I think to a

0:36:15.520 --> 0:36:18.440
<v Speaker 1>lot of modern minds, it seems to be it seems

0:36:18.440 --> 0:36:21.160
<v Speaker 1>sounds like a mashup of two twoferent ideas, like you're

0:36:21.200 --> 0:36:23.879
<v Speaker 1>taking the head of your your enemy off of their

0:36:23.880 --> 0:36:26.400
<v Speaker 1>dead body, but isn't. But you're probably doing that as

0:36:26.440 --> 0:36:28.640
<v Speaker 1>like a trophy or a sign of disrespect. You know,

0:36:28.719 --> 0:36:32.040
<v Speaker 1>we often think of that. Um, I think of the

0:36:32.120 --> 0:36:37.000
<v Speaker 1>key and peel skit where one like Barbarian the heads

0:36:37.000 --> 0:36:40.080
<v Speaker 1>another and then goes through all these various sort of

0:36:40.080 --> 0:36:42.400
<v Speaker 1>comedic acts with the head to see what how the

0:36:42.440 --> 0:36:45.160
<v Speaker 1>rest of the tribe responds. I know that what does

0:36:45.200 --> 0:36:48.399
<v Speaker 1>he do? He? Uh, he like puts little shoes under

0:36:48.440 --> 0:36:50.839
<v Speaker 1>it and makes it walk, Yeah, and like that's that's

0:36:50.960 --> 0:36:53.680
<v Speaker 1>a big hit. But he also like does things like

0:36:53.719 --> 0:36:55.640
<v Speaker 1>pretend to give birth to the head, and like that

0:36:55.800 --> 0:37:02.040
<v Speaker 1>just doesn't they don't like it. That's funny, Yeah, But

0:37:02.080 --> 0:37:03.640
<v Speaker 1>it's the kind of thing where like when we think

0:37:03.680 --> 0:37:05.880
<v Speaker 1>about head taking, we think of stuff like that. We

0:37:05.920 --> 0:37:10.120
<v Speaker 1>think of like something barbaric and trophy oriented. But in

0:37:10.120 --> 0:37:13.120
<v Speaker 1>this case it seems like it wasn't bad or it

0:37:13.160 --> 0:37:15.560
<v Speaker 1>wasn't purely that it was. It was also this idea

0:37:15.600 --> 0:37:19.160
<v Speaker 1>of what you need this head. This head is necessary

0:37:19.280 --> 0:37:24.120
<v Speaker 1>for various religious purposes, a way of a means of

0:37:24.160 --> 0:37:27.760
<v Speaker 1>communing with the spirit realm um. Now, as for the brain,

0:37:27.840 --> 0:37:30.040
<v Speaker 1>it seems like the brain was was discarded. That would

0:37:30.040 --> 0:37:31.680
<v Speaker 1>have been again, that would have been part of like

0:37:31.719 --> 0:37:34.160
<v Speaker 1>that first act of of punching through the back of

0:37:34.160 --> 0:37:36.840
<v Speaker 1>the skull to remove the eyes and the brain. Uh.

0:37:36.960 --> 0:37:39.000
<v Speaker 1>Probably going back to the reality we talked about before

0:37:39.040 --> 0:37:42.879
<v Speaker 1>where the brain uh rots rather rather quickly, and that's

0:37:42.880 --> 0:37:44.319
<v Speaker 1>going to be one of the first things you're gonna

0:37:44.360 --> 0:37:47.440
<v Speaker 1>want to remove. Now. This also reminds me of the

0:37:47.520 --> 0:37:51.480
<v Speaker 1>mummified heads of the Kocoum dynasty of the Maya, which

0:37:51.520 --> 0:37:53.960
<v Speaker 1>were kept and preserved because they were said to contain

0:37:54.040 --> 0:37:58.120
<v Speaker 1>the voices of their ancestors, again a means of communicating

0:37:58.160 --> 0:38:01.400
<v Speaker 1>with spirits and or the dead. This is interesting to

0:38:01.480 --> 0:38:04.359
<v Speaker 1>compare to remember what we talked about in the first

0:38:04.400 --> 0:38:09.640
<v Speaker 1>episode about the plastered heads of Chattelhyuk in in southern Turkey,

0:38:09.760 --> 0:38:12.640
<v Speaker 1>which you know from this Stone Age settlement, there were

0:38:12.640 --> 0:38:16.239
<v Speaker 1>often heads of ancestors that were kept in some kind

0:38:16.239 --> 0:38:20.320
<v Speaker 1>of preserved form, apparently within the home. Yeah, and during

0:38:20.360 --> 0:38:23.200
<v Speaker 1>the mid first millennium BC, there were there were various

0:38:23.200 --> 0:38:25.920
<v Speaker 1>accounts of the use of human heads in acts of

0:38:25.920 --> 0:38:31.680
<v Speaker 1>of of communion, necromancy, divination across the Mediterranean. We see

0:38:31.719 --> 0:38:35.719
<v Speaker 1>it mentioned in the accounts of rodotas in Aristotle, um

0:38:35.920 --> 0:38:38.520
<v Speaker 1>uh Cleo Manis of the first of Sparta is said

0:38:38.560 --> 0:38:41.200
<v Speaker 1>to have consulted with the head of his friend our

0:38:41.280 --> 0:38:45.120
<v Speaker 1>quantities on all major decisions ahead, which he kept preserved

0:38:45.200 --> 0:38:49.759
<v Speaker 1>in honey, whoa in honey, Yeah, that's good. And so

0:38:50.120 --> 0:38:52.279
<v Speaker 1>you know, of course, when we deal with accounts like this,

0:38:52.360 --> 0:38:55.959
<v Speaker 1>we're we're beginning to at least beginning to transfer into

0:38:55.960 --> 0:39:00.800
<v Speaker 1>the realm of myth and lore and legend, where we

0:39:00.800 --> 0:39:03.359
<v Speaker 1>we become less sure about what is actually going on,

0:39:04.280 --> 0:39:07.839
<v Speaker 1>because then there is this broader realm of just stories

0:39:08.239 --> 0:39:12.680
<v Speaker 1>about disembodied heads that still have life in them, that

0:39:12.760 --> 0:39:16.839
<v Speaker 1>can speak, that can fly, that can terrorize, that can

0:39:16.880 --> 0:39:21.400
<v Speaker 1>give you know, important advice to the living, etcetera. I

0:39:21.400 --> 0:39:24.239
<v Speaker 1>think one of the coolest of these that uh, that

0:39:24.280 --> 0:39:27.440
<v Speaker 1>folks may have heard of is is the myth of

0:39:27.440 --> 0:39:32.680
<v Speaker 1>of Memir uh in Norse mythology. Uh So this Memir

0:39:32.800 --> 0:39:35.239
<v Speaker 1>was one of the Jiltons in Norse mythology, one of

0:39:35.280 --> 0:39:37.680
<v Speaker 1>the frost giants, and he was the guardian of the

0:39:37.719 --> 0:39:41.600
<v Speaker 1>well of inspiration and wisdom at the roots of the

0:39:41.640 --> 0:39:44.879
<v Speaker 1>world tree. And Odin would come to to drink from

0:39:44.880 --> 0:39:47.200
<v Speaker 1>the well and Memory would make him leave an eye

0:39:47.239 --> 0:39:51.080
<v Speaker 1>and payment. And then member was held hostage in in

0:39:51.160 --> 0:39:54.560
<v Speaker 1>battle by the Vanier during the the Aser Vanier War,

0:39:54.880 --> 0:39:58.279
<v Speaker 1>and they beheaded him, but Odin, since he liked the guy,

0:39:58.360 --> 0:40:00.920
<v Speaker 1>you know, retrieved his head and kept alive with magic

0:40:00.960 --> 0:40:03.960
<v Speaker 1>herbs so that the head could continue to give counsel

0:40:04.080 --> 0:40:07.880
<v Speaker 1>to the King of the gods. And so you'll see uh,

0:40:08.000 --> 0:40:11.360
<v Speaker 1>some wonderful illustrations of this, both old and then recent,

0:40:11.760 --> 0:40:14.279
<v Speaker 1>where there's like this some of some cases is like

0:40:14.320 --> 0:40:18.400
<v Speaker 1>a zombie head that Odin is is holding that he is,

0:40:18.520 --> 0:40:22.439
<v Speaker 1>uh that that is his advisor. Yeah, you've attached one

0:40:22.480 --> 0:40:25.759
<v Speaker 1>here where Odin is is leaning his head over on

0:40:25.840 --> 0:40:28.640
<v Speaker 1>the severed head like he's almost kind of snuggling with it.

0:40:28.960 --> 0:40:32.360
<v Speaker 1>Of course, Odin is missing one eye as usual, and uh,

0:40:32.440 --> 0:40:34.680
<v Speaker 1>and there's just fire coming out of the thing's mouth

0:40:34.760 --> 0:40:36.000
<v Speaker 1>or I don't know, it looks like he's got like

0:40:36.040 --> 0:40:40.560
<v Speaker 1>a star inside the back of his throat. Yes. Um.

0:40:40.760 --> 0:40:44.040
<v Speaker 1>In terms of heads that give advice like this, there's

0:40:44.080 --> 0:40:48.439
<v Speaker 1>also an Arabian Nights story of of King Yu Nan

0:40:48.760 --> 0:40:51.440
<v Speaker 1>and the Duban and Duban the sage and the stage

0:40:51.440 --> 0:40:53.760
<v Speaker 1>in question. At least in some variations of this tale,

0:40:53.880 --> 0:40:56.800
<v Speaker 1>continues to speak after it has been removed from its body.

0:40:57.239 --> 0:41:00.680
<v Speaker 1>Now I'm gonna get into some other examples. Uh here,

0:41:01.239 --> 0:41:06.360
<v Speaker 1>Uh you know of of disembodied heads of decapitation in

0:41:06.560 --> 0:41:09.680
<v Speaker 1>mythology that are that are pretty interesting. One that I

0:41:09.760 --> 0:41:15.040
<v Speaker 1>found really fascinating is the self decapitating nude goddess of Hinduism. Uh.

0:41:15.080 --> 0:41:19.560
<v Speaker 1>That is that is known as China Masta, and that

0:41:19.640 --> 0:41:23.359
<v Speaker 1>just means she's she whose head is severed, and she's

0:41:23.400 --> 0:41:26.959
<v Speaker 1>typically depicted red fleshed and holding a scimitar in one

0:41:27.000 --> 0:41:30.280
<v Speaker 1>hand and her own head in the other as blood

0:41:30.400 --> 0:41:33.440
<v Speaker 1>fountains from the stump of her neck, which and in

0:41:33.480 --> 0:41:37.640
<v Speaker 1>some cases is then consumed by her thirsty skeletal attendants.

0:41:38.160 --> 0:41:41.520
<v Speaker 1>And then she is usually stand depicted standing on top

0:41:41.600 --> 0:41:45.799
<v Speaker 1>of a copulating human couple. Uh So, it's it's an

0:41:45.920 --> 0:41:50.080
<v Speaker 1>instantly um captivating image. She's one of the ten goddesses

0:41:50.080 --> 0:41:52.840
<v Speaker 1>of the esoteric tradition of Tantra, and she's a slayer

0:41:52.840 --> 0:41:57.040
<v Speaker 1>of demons. So she's a highly uh symbolic deity. There's

0:41:57.080 --> 0:41:59.840
<v Speaker 1>the sense of the transcendence of the body free of

0:41:59.840 --> 0:42:02.040
<v Speaker 1>the mind. You know, the body, the mind has clearly

0:42:02.080 --> 0:42:05.840
<v Speaker 1>literally been removed from the physical form. She's a symbol

0:42:05.880 --> 0:42:10.319
<v Speaker 1>of sacrifice and ferocity. Yeah, this image, rey is amazing. Yeah,

0:42:10.320 --> 0:42:13.839
<v Speaker 1>it probably goes without saying, but this in particular, though,

0:42:13.920 --> 0:42:16.239
<v Speaker 1>this goes for a lot of Hindu iconography. This is

0:42:16.280 --> 0:42:18.680
<v Speaker 1>an image that's caught the interest of various Westerners, so

0:42:18.680 --> 0:42:21.760
<v Speaker 1>you'll sometimes see it depicted by Western artists or adopted

0:42:21.760 --> 0:42:26.360
<v Speaker 1>by death metal bands, etcetera. Right, man, the death metal bands,

0:42:26.400 --> 0:42:29.560
<v Speaker 1>they just they just snatch up everything. Cool. Yeah, Yeah,

0:42:29.640 --> 0:42:32.719
<v Speaker 1>if it's you know, it hits a certain vibe for them,

0:42:32.719 --> 0:42:35.680
<v Speaker 1>they'll they'll they'll take it. Uh So, they're at least

0:42:35.680 --> 0:42:39.160
<v Speaker 1>a couple of speaking heads associated with tellings and retellings

0:42:39.160 --> 0:42:42.920
<v Speaker 1>of the Mahabarata, the Hindu epic heads placed on poles

0:42:42.960 --> 0:42:46.239
<v Speaker 1>after being sacrificed or having their body sacrifice in order

0:42:46.280 --> 0:42:49.000
<v Speaker 1>to watch the battle. And I was reading a little

0:42:49.040 --> 0:42:53.920
<v Speaker 1>bit about this from author and mythologist dev Dute Panna Nick,

0:42:54.160 --> 0:42:56.840
<v Speaker 1>who has a whole page about these tales at his

0:42:56.880 --> 0:43:00.360
<v Speaker 1>mythology website dev Dute dot com. It's d V d

0:43:00.560 --> 0:43:04.200
<v Speaker 1>U t T dot com. Uh. He writes that these

0:43:04.200 --> 0:43:07.880
<v Speaker 1>tales are often about perspective. Quote. The talking head is

0:43:07.920 --> 0:43:11.560
<v Speaker 1>thus a symbol for a less confined, more global perspective

0:43:11.600 --> 0:43:13.759
<v Speaker 1>on things. All of us see the world from our

0:43:13.800 --> 0:43:17.520
<v Speaker 1>individual point of view, limited by our prejudices, our expectations,

0:43:17.520 --> 0:43:20.839
<v Speaker 1>and our experiences. The talking head sees it from an

0:43:20.880 --> 0:43:24.839
<v Speaker 1>alternative angle, and when he voices his opinions, we see

0:43:24.880 --> 0:43:27.960
<v Speaker 1>the world quite differently. When he speaks, we realize the

0:43:28.000 --> 0:43:31.960
<v Speaker 1>Pandavas and the caravas are are tiny elements of God's

0:43:32.000 --> 0:43:35.959
<v Speaker 1>greater canvas. The Mahabarata is not just about one kingdom.

0:43:36.000 --> 0:43:39.960
<v Speaker 1>It is about cosmic order. Now that's not to say

0:43:39.960 --> 0:43:44.239
<v Speaker 1>there aren't just monster heads too in Hindu iconography. Uh.

0:43:44.280 --> 0:43:48.480
<v Speaker 1>There's a really cool example, uh named Kurta Muka, or

0:43:48.520 --> 0:43:51.520
<v Speaker 1>the head of Glory as it's often referred to. And

0:43:51.520 --> 0:43:54.719
<v Speaker 1>this is a monstrous flying head in Hindu mythology that

0:43:54.760 --> 0:43:58.120
<v Speaker 1>seems to be similar in many ways to the Gorgonian

0:43:58.200 --> 0:44:00.359
<v Speaker 1>head of the Greek tradition that we discus in our

0:44:00.400 --> 0:44:05.920
<v Speaker 1>Medusa episodes. So, according to Carol Rose, the folklore is

0:44:06.600 --> 0:44:10.799
<v Speaker 1>when Shiva was told that he was unworthy of marrying Parvati.

0:44:11.200 --> 0:44:14.840
<v Speaker 1>In his rage, his experiences such rage that a monstrous

0:44:14.920 --> 0:44:18.720
<v Speaker 1>lion springs from his head and then it attacks Shiva,

0:44:19.040 --> 0:44:21.719
<v Speaker 1>and he commands that, no, we're not doing that, uh

0:44:21.880 --> 0:44:26.200
<v Speaker 1>eat yourself instead, and so this monster consumes its own body,

0:44:26.280 --> 0:44:29.719
<v Speaker 1>leaving only its in trails, which then turned to pearls,

0:44:29.960 --> 0:44:32.640
<v Speaker 1>and so that leaves only the head. So Shiva then

0:44:32.719 --> 0:44:37.120
<v Speaker 1>commands uh Kota Muka to serve as the guardian of entrances.

0:44:37.160 --> 0:44:40.120
<v Speaker 1>And so you see this head, this head of glory

0:44:40.560 --> 0:44:43.560
<v Speaker 1>uh in um, you know, above the door or around

0:44:43.640 --> 0:44:47.440
<v Speaker 1>the door of in in many different examples of of

0:44:47.520 --> 0:44:52.160
<v Speaker 1>Hindu architecture from India and from other countries. You know,

0:44:52.239 --> 0:44:54.319
<v Speaker 1>this is interesting because you brought it up and I

0:44:54.600 --> 0:44:57.680
<v Speaker 1>somehow did not think about it. But from Greek mythology.

0:44:57.719 --> 0:45:00.920
<v Speaker 1>You know, we did the episode last year about about Medusa.

0:45:01.600 --> 0:45:05.040
<v Speaker 1>That's of course the case of a stolen head in mythology,

0:45:05.120 --> 0:45:07.600
<v Speaker 1>or the head is severed and like he takes it

0:45:07.640 --> 0:45:12.000
<v Speaker 1>and uses it as a tool. Yeah, it becomes a weapon,

0:45:12.400 --> 0:45:15.360
<v Speaker 1>not so much a means of communicating with anything, but

0:45:15.360 --> 0:45:18.560
<v Speaker 1>but this this weapon, this symbol, and and here we

0:45:18.600 --> 0:45:21.520
<v Speaker 1>see another tradition. Now I've not read anything that that

0:45:21.600 --> 0:45:24.400
<v Speaker 1>links the two in any respect. You know, let's just

0:45:24.440 --> 0:45:26.880
<v Speaker 1>say that like one inspired the other anything of that nature.

0:45:26.920 --> 0:45:30.040
<v Speaker 1>But clearly they're getting it similar ideas. The idea of

0:45:30.080 --> 0:45:34.880
<v Speaker 1>this um, this terrifying head, uh, and or face that

0:45:35.120 --> 0:45:37.799
<v Speaker 1>stares out from a work as a as a way

0:45:37.840 --> 0:45:41.759
<v Speaker 1>of warning those who would who would trespass. Now I

0:45:41.760 --> 0:45:44.680
<v Speaker 1>should know that that looking around though sometimes it appears

0:45:44.680 --> 0:45:46.480
<v Speaker 1>to have arms, So I don't know if it it

0:45:46.600 --> 0:45:49.319
<v Speaker 1>gains arms later or arms just end up popping back

0:45:49.400 --> 0:45:53.920
<v Speaker 1>up in the iconography. But there you go. Another entity

0:45:53.960 --> 0:45:56.879
<v Speaker 1>we've talked about before in the show is Rahu in Hinduism,

0:45:56.920 --> 0:46:00.120
<v Speaker 1>the eclipse entity. Uh. You know, this is the you

0:46:00.160 --> 0:46:02.520
<v Speaker 1>know once was a proud oshera demi god of immense

0:46:02.560 --> 0:46:06.560
<v Speaker 1>power and hunger and seeking immortality. It drinks the divine nectar,

0:46:07.160 --> 0:46:10.520
<v Speaker 1>but before this drop can pass his throat, he's swallowing

0:46:10.520 --> 0:46:16.200
<v Speaker 1>it mid swallow, Vishnu decapitates him for his transgression and yeah,

0:46:16.200 --> 0:46:20.240
<v Speaker 1>and this ends up translating into this um this eclipse

0:46:20.280 --> 0:46:23.600
<v Speaker 1>mythology where the head of Rajo attempts to consume the

0:46:23.680 --> 0:46:26.360
<v Speaker 1>sun or does consume the sun, but then it passes

0:46:26.360 --> 0:46:28.239
<v Speaker 1>out of the next dump. I think we talked about

0:46:28.280 --> 0:46:30.080
<v Speaker 1>this in one of the first episodes of Stuff to

0:46:30.080 --> 0:46:33.200
<v Speaker 1>Blow Your Mind. I ever did the one on the eclipse? Yeah, yeah,

0:46:33.200 --> 0:46:37.040
<v Speaker 1>I think so. Another example is uh Braun the Blessed.

0:46:37.120 --> 0:46:40.520
<v Speaker 1>In Welsh mythology, the giant king who mortally wounded in battle,

0:46:40.719 --> 0:46:42.640
<v Speaker 1>had his followers cut off his head so that it

0:46:42.680 --> 0:46:45.440
<v Speaker 1>could be returned to Britain one day. And for a

0:46:45.440 --> 0:46:48.520
<v Speaker 1>long time this head was said to speak before it

0:46:48.600 --> 0:46:51.520
<v Speaker 1>grew silent, and the story goes that the silent head

0:46:51.560 --> 0:46:54.480
<v Speaker 1>was finally taken to White Hill. Uh. This is where

0:46:54.480 --> 0:46:57.000
<v Speaker 1>the Tower of London, they say would one day be built,

0:46:57.120 --> 0:47:00.480
<v Speaker 1>and they buried it there facing France to word off

0:47:00.520 --> 0:47:04.759
<v Speaker 1>the enemy. And this supposedly ties into the uh the

0:47:05.080 --> 0:47:08.080
<v Speaker 1>The Celtic cult of of the head also reflected in

0:47:08.320 --> 0:47:10.880
<v Speaker 1>the Tale of the Green Knight. Uh. We're in In

0:47:10.880 --> 0:47:13.879
<v Speaker 1>the Green Night, the Green Knight comes into Arthur's court

0:47:13.960 --> 0:47:16.200
<v Speaker 1>and challenges someone to cut off his head. But then

0:47:16.239 --> 0:47:18.080
<v Speaker 1>when they do, he just picks it up and he's like, no,

0:47:18.200 --> 0:47:19.959
<v Speaker 1>I'm fine. Now I get to cut off your head,

0:47:20.000 --> 0:47:22.359
<v Speaker 1>but I'll do it a year from now. Yeah. The

0:47:22.360 --> 0:47:26.480
<v Speaker 1>the decapitation battle is another motif or contest. You see that,

0:47:26.920 --> 0:47:28.880
<v Speaker 1>uh in a lot of legends from this part of

0:47:28.880 --> 0:47:32.680
<v Speaker 1>the world, and it's interesting, you know. Um. Terry Jones

0:47:32.800 --> 0:47:36.200
<v Speaker 1>of Money Python, of course, was very steeped in uh

0:47:36.239 --> 0:47:38.680
<v Speaker 1>in this sort of lore, and he was one of

0:47:38.719 --> 0:47:42.120
<v Speaker 1>the author one of the writers for the screenplay for Labyrinth,

0:47:42.600 --> 0:47:48.040
<v Speaker 1>and Labyrinth features those wonderful fiery red creatures that attempt

0:47:48.080 --> 0:47:53.880
<v Speaker 1>to engage in a decapitation contest with our our heroine, Sarah.

0:47:54.200 --> 0:47:56.560
<v Speaker 1>Do you remember them where they're like? Where did they

0:47:56.600 --> 0:47:58.360
<v Speaker 1>get mad at her? Because you're only you're not supposed

0:47:58.400 --> 0:48:00.880
<v Speaker 1>to take someone else's head, only supposed to take your

0:48:00.880 --> 0:48:04.120
<v Speaker 1>own head. Off of this, this reminds me of of

0:48:04.280 --> 0:48:07.840
<v Speaker 1>the head swapping scene and teams in the universe. Oh yeah, yeah, exactly.

0:48:07.880 --> 0:48:11.640
<v Speaker 1>I mean this sort of thing, head swapping, decapitated heads

0:48:11.680 --> 0:48:15.439
<v Speaker 1>living on You see it just everywhere. Um. For instance. Here,

0:48:15.440 --> 0:48:18.799
<v Speaker 1>here's some other examples in in Maya mythology, you have

0:48:18.880 --> 0:48:21.359
<v Speaker 1>head app Woo who was tripped by the lords of

0:48:21.400 --> 0:48:24.920
<v Speaker 1>the underworld and his decapitated head was didn't hung as

0:48:24.960 --> 0:48:27.680
<v Speaker 1>a trophy from a giant tree. But then this head

0:48:27.800 --> 0:48:30.759
<v Speaker 1>later spits into a woman's hand and in doing so

0:48:30.880 --> 0:48:34.239
<v Speaker 1>impregnates her with the Maya hero twins, who would go

0:48:34.239 --> 0:48:37.960
<v Speaker 1>on to have various adventures. We've already touched on in

0:48:38.000 --> 0:48:41.080
<v Speaker 1>the previous episode. We've touched on Orpheus is singing head

0:48:41.160 --> 0:48:44.520
<v Speaker 1>and Greek mythology. Oh yeah, and the possible symbolic connection

0:48:44.600 --> 0:48:47.160
<v Speaker 1>to the box made for Hyde and Skull with the

0:48:47.239 --> 0:48:51.360
<v Speaker 1>liar Yeah. Uh. In the trial of the Knights Templars,

0:48:51.400 --> 0:48:53.840
<v Speaker 1>one of the charges was that they worshiped an entity

0:48:53.920 --> 0:48:57.360
<v Speaker 1>called Bahammet that was sometimes described as a severed head.

0:48:57.760 --> 0:49:01.080
<v Speaker 1>And then oh, you have some wonderful monsters as well. Um,

0:49:01.120 --> 0:49:04.520
<v Speaker 1>there's the Kara Sioux in the Southeast day. It's a

0:49:04.560 --> 0:49:07.120
<v Speaker 1>Southeast Asian spirit that takes the form of a beautiful

0:49:07.120 --> 0:49:10.719
<v Speaker 1>woman's head with her organs dangling below her neck so

0:49:10.800 --> 0:49:13.799
<v Speaker 1>it floats it close and it seems to essentially be

0:49:13.880 --> 0:49:17.319
<v Speaker 1>another variation of the willow the whisp tradition. Uh. That

0:49:17.520 --> 0:49:19.680
<v Speaker 1>is held around the world and that we devoted a

0:49:20.239 --> 0:49:23.520
<v Speaker 1>big episode two in the past, so she can't what

0:49:23.680 --> 0:49:26.760
<v Speaker 1>she like glows and leads people off the path. I believe,

0:49:26.800 --> 0:49:31.640
<v Speaker 1>so yes. Um. And there's there's actually Indonesian horror movie

0:49:31.640 --> 0:49:34.520
<v Speaker 1>titled Mystics in Bali that looks pretty interesting because it

0:49:34.560 --> 0:49:38.279
<v Speaker 1>features the kara su I included a screenshot here for you, Joe,

0:49:38.280 --> 0:49:40.359
<v Speaker 1>and for a movie trailer for you to check out later.

0:49:40.520 --> 0:49:42.680
<v Speaker 1>Oh yeah, I gotta, I gotta see that. That looks

0:49:42.719 --> 0:49:47.040
<v Speaker 1>great now. The melee version of this is the pontionic,

0:49:47.320 --> 0:49:50.680
<v Speaker 1>which functions like a vampire, only it prays exclusively on

0:49:50.760 --> 0:49:55.120
<v Speaker 1>babies and infants. Then there's also the Japanese uh Nuki kubi,

0:49:55.280 --> 0:49:57.640
<v Speaker 1>which is a type of yokai and Japanese traditions. It's

0:49:57.719 --> 0:50:00.600
<v Speaker 1>humanoid in form, but it can separate its head from

0:50:00.600 --> 0:50:03.480
<v Speaker 1>its body and this can float free to work mischief.

0:50:03.480 --> 0:50:06.520
<v Speaker 1>It's just one of one of various examples of disembodied

0:50:06.520 --> 0:50:10.000
<v Speaker 1>heads that you'll find in Japanese lore. And then in

0:50:10.200 --> 0:50:13.439
<v Speaker 1>um Uh, the Native people's of the Americas, you find

0:50:13.480 --> 0:50:17.200
<v Speaker 1>some other interesting traditions as well. Uh the flying head

0:50:17.280 --> 0:50:21.560
<v Speaker 1>of the Iroquois and the one doctor mythology, this is

0:50:21.680 --> 0:50:24.279
<v Speaker 1>a great flying head, sometimes with bat wings on each

0:50:24.320 --> 0:50:27.440
<v Speaker 1>side of its head, with long hair and terrible eyes.

0:50:28.440 --> 0:50:32.879
<v Speaker 1>Carol Rose writes about these in her book on Monsters. Uh.

0:50:33.200 --> 0:50:35.560
<v Speaker 1>She said that this was an entire class of monsters

0:50:35.560 --> 0:50:38.520
<v Speaker 1>in the folklore of the Iroquois, huge ugly heads with

0:50:38.680 --> 0:50:42.760
<v Speaker 1>eyes of fire, dripping fangs, and huge wings instead of ears.

0:50:43.160 --> 0:50:46.680
<v Speaker 1>They fly through storm winds with wild hair, uh, you know,

0:50:46.680 --> 0:50:49.080
<v Speaker 1>helping to keep them afloat and kind of floating around them.

0:50:49.239 --> 0:50:52.440
<v Speaker 1>They prey on villagers and animals alike. And their teeth

0:50:52.480 --> 0:50:55.480
<v Speaker 1>they're like it sounds like they were kind of like

0:50:55.480 --> 0:50:57.799
<v Speaker 1>like a cage. If their if their teeth or their

0:50:57.880 --> 0:51:01.560
<v Speaker 1>jaws close over you, there's no escape ape. But there's

0:51:01.600 --> 0:51:04.320
<v Speaker 1>a tail apparently of an old woman who is roasting

0:51:04.360 --> 0:51:07.560
<v Speaker 1>some chestnuts over the fire, and then she brings a

0:51:07.680 --> 0:51:10.319
<v Speaker 1>fiery coal back from the fire with her to keep

0:51:10.320 --> 0:51:14.360
<v Speaker 1>her warm. And then here comes the flying head and

0:51:14.440 --> 0:51:18.120
<v Speaker 1>it it gobbles her up chestnuts and all, but then

0:51:18.160 --> 0:51:20.640
<v Speaker 1>it has to spit her out because of the fiery coal,

0:51:20.960 --> 0:51:23.360
<v Speaker 1>and then that coal burns the monster up from the

0:51:23.400 --> 0:51:25.640
<v Speaker 1>inside out. Oh. I love when the story is a

0:51:25.680 --> 0:51:28.160
<v Speaker 1>trick like that. Yeah, especially when it's like an old

0:51:28.239 --> 0:51:31.680
<v Speaker 1>lady who gets gets the wind over the monster. That's

0:51:31.719 --> 0:51:37.759
<v Speaker 1>always nice, not not your traditional young, dashing male slayer. Yeah. So,

0:51:37.800 --> 0:51:41.440
<v Speaker 1>so that's just an example of some of the myths

0:51:41.520 --> 0:51:45.600
<v Speaker 1>and legends and folklore tales you'll find just throughout the world.

0:51:45.880 --> 0:51:48.040
<v Speaker 1>I know there's some wonderful ones that I didn't touch on,

0:51:48.120 --> 0:51:50.000
<v Speaker 1>and certainly I'd love to hear from anyone out there

0:51:50.040 --> 0:51:51.400
<v Speaker 1>if you have a really good one, if you have

0:51:51.440 --> 0:51:54.080
<v Speaker 1>a favorite, uh, we would love to to hear it

0:51:54.160 --> 0:51:56.719
<v Speaker 1>and then potentially share it back with everybody else in

0:51:56.719 --> 0:51:59.400
<v Speaker 1>a listener Maile episode. But I think just this selection

0:51:59.640 --> 0:52:02.759
<v Speaker 1>gives you a certain taste of what out what's out there,

0:52:02.800 --> 0:52:07.400
<v Speaker 1>you know, these various imaginative contemplations on like what happens

0:52:07.400 --> 0:52:10.280
<v Speaker 1>if the head lives and the body dies, what happens

0:52:10.280 --> 0:52:13.359
<v Speaker 1>if the body decapitates itself, Like there's just it's just

0:52:13.400 --> 0:52:19.600
<v Speaker 1>such rich grounds for contemplation regarding identity and mortality and

0:52:19.680 --> 0:52:22.000
<v Speaker 1>just so much. It seems like a lot of times

0:52:22.040 --> 0:52:25.480
<v Speaker 1>disembodied heads are angry. Yeah, well, you know a lot

0:52:25.480 --> 0:52:27.319
<v Speaker 1>of times, I guess they do have something to be

0:52:27.360 --> 0:52:30.759
<v Speaker 1>angry about. But but then sometimes their jovial. Um. You know,

0:52:30.800 --> 0:52:33.680
<v Speaker 1>there's some of those examples from the from tellings of

0:52:33.680 --> 0:52:36.200
<v Speaker 1>the Mahabarata. I was reading like they're laughing, like their

0:52:36.280 --> 0:52:38.640
<v Speaker 1>laugh there's one where I think their laughs there distracts

0:52:38.680 --> 0:52:42.319
<v Speaker 1>are Anna during the battle, um, you know, and there's

0:52:42.360 --> 0:52:46.600
<v Speaker 1>a sense of like being free from the body. UM.

0:52:46.640 --> 0:52:49.200
<v Speaker 1>I'm also reminded of the heads that show up in

0:52:49.239 --> 0:52:52.719
<v Speaker 1>Miyazaki Spirited Away, the three heads that kind of roll

0:52:52.840 --> 0:52:56.040
<v Speaker 1>around and bumble, and they don't have much personality to them,

0:52:56.040 --> 0:52:58.360
<v Speaker 1>and I don't really know what they're doing and what

0:52:58.400 --> 0:53:00.919
<v Speaker 1>they're there for, but they don't seem to stressed. They say,

0:53:00.960 --> 0:53:05.280
<v Speaker 1>maybe perpetually alarmed. But uh, that's about it. That's good stuff.

0:53:05.840 --> 0:53:08.960
<v Speaker 1>All right. Well, we're gonna go ahead and close this

0:53:09.000 --> 0:53:11.200
<v Speaker 1>episode out, but yeah, we'd love to hear from everybody

0:53:11.200 --> 0:53:15.440
<v Speaker 1>out there. Any any other examples of flying heads and

0:53:15.719 --> 0:53:20.200
<v Speaker 1>self decapitating spirits, other examples of brain and head preservation.

0:53:20.280 --> 0:53:23.680
<v Speaker 1>Have you been taken by a particular specimen of brain

0:53:23.800 --> 0:53:26.399
<v Speaker 1>or head at a museum. We would love to hear

0:53:26.440 --> 0:53:28.759
<v Speaker 1>from you all about it. In the meantime, if you

0:53:28.760 --> 0:53:30.359
<v Speaker 1>want to check out other episodes of stuff to blow

0:53:30.400 --> 0:53:31.920
<v Speaker 1>your mind, you can find us wherever you get your

0:53:31.920 --> 0:53:34.640
<v Speaker 1>podcasts uh and wherever that happens to be. We just

0:53:34.840 --> 0:53:38.040
<v Speaker 1>asked that you rate, review, and subscribe Huge things as

0:53:38.040 --> 0:53:41.120
<v Speaker 1>always to our excellent audio producer Seth Nicholas Johnson. If

0:53:41.160 --> 0:53:42.520
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0:53:42.640 --> 0:53:44.960
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0:53:45.000 --> 0:53:47.000
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0:53:47.080 --> 0:53:50.000
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0:53:50.160 --> 0:54:00.120
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0:54:00.200 --> 0:54:02.920
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