WEBVTT - Coco Jones

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<v Speaker 1>And Money. Well take vala. We are the authority on

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<v Speaker 1>all things ladies, and tell me what's going on. I

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<v Speaker 1>am taking in ton and this is the R and

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<v Speaker 1>B Money Podcast, the authority on all things, all things

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<v Speaker 1>R and B. Who's the day in the building? Uh

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<v Speaker 1>we we We talked about um new addition going from

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<v Speaker 1>boys to men. This young lady has gone from young

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<v Speaker 1>lady to grown woman. Um, right before our very eyes.

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<v Speaker 1>She is gifted, she is beautiful, and she is none

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<v Speaker 1>other then miss Ko. Welcome girl, girl? Did you hurt that?

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<v Speaker 1>That was a good I just it just the lord.

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<v Speaker 1>It is from me being a rapper before we get started. Um,

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<v Speaker 1>tequila to you. Um. You went crazy on the Soul

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<v Speaker 1>Training Awards. The Michael Michaels did nickas Mike's be off whatever?

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<v Speaker 1>Oh this is delightful? Is this it's it's it's support

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<v Speaker 1>of life that you know most privy tips to die

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<v Speaker 1>you all is good? Yeah, because normally sequila comes with

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<v Speaker 1>the side of burn, but this is good. It's comes

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<v Speaker 1>to sneaker. Here comes with that is co cou You

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<v Speaker 1>went so crazy on the Soul Train Awards. And I

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<v Speaker 1>hate to start right here because we're going to go

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<v Speaker 1>back to the beginning, right, But you were going so

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<v Speaker 1>crazy and I actual so you didn't get to see

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<v Speaker 1>the show because I was doing so much running around

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<v Speaker 1>and I sat and watched the show on TV and

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<v Speaker 1>you started singing, and I was like, that's singing. Yeah,

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<v Speaker 1>that's that's R and B music. No, that's how you deliver,

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<v Speaker 1>Mike on. Okay, you're giving them face fit. You know

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<v Speaker 1>what I'm saying. You drip everything. You're giving him the

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<v Speaker 1>whole thing. That again, you're talking about my hair, be la.

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<v Speaker 1>The hair was late. I mean, write that down so

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<v Speaker 1>you know that next the hair was late, not dripped,

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<v Speaker 1>because then drip was I mean, I just wanted to

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<v Speaker 1>say dripped from head to talk. That's fine. Wanted to

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<v Speaker 1>be just adding to your Lord, Jesus Lord. The last

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<v Speaker 1>supper was out there. You know what you can say.

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<v Speaker 1>I was eating like it was the last supper. You know.

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<v Speaker 1>It makes me like you wrap two you can say that, Okay,

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<v Speaker 1>you do you wrap? Can you wrap? I'm not even

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<v Speaker 1>going to speak on that because the girls who really

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<v Speaker 1>be rapping really be rapping. But sometimes I do surprise

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<v Speaker 1>myself with a little bar. But I just don't see Baddy.

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<v Speaker 1>I surprised myself too in my earlier days. Everything Okay,

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<v Speaker 1>MC hurricane, I was, I started, I started, I was

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<v Speaker 1>a terror in the hood? Was it really empty? Hurricane?

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<v Speaker 1>Hurricane in the hood? I battle? You know, this ain't

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<v Speaker 1>about you. It bothered me, and and and something you

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<v Speaker 1>said that was really dupe before we started, Like you know,

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<v Speaker 1>you're hearing you sing and you getting into that moment

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<v Speaker 1>and delivering, and then the announcer the commercial comes up

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<v Speaker 1>and starts talking while you're singing, and I get it. Um,

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<v Speaker 1>you know, I guess in terms of the format of

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<v Speaker 1>the show or whatever they have to do to promote

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<v Speaker 1>and all these cool things. Okay, well I look at

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<v Speaker 1>it like this, right, That's why I said how much respect?

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<v Speaker 1>But at the same time as a fan anger and

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<v Speaker 1>when somebody getting busy, like the other young fellow cue

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<v Speaker 1>getting get busy to go to fucking commercial. Okay, guys,

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<v Speaker 1>First of all, it's a whole show, and they got

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<v Speaker 1>to fit a whole school show into the lineup. They

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<v Speaker 1>cut something else, not the singing. What they're supposed to cut.

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<v Speaker 1>I don't know something I don't right, And then we

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<v Speaker 1>gotta figure out, Okay, if there is a commercial then

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<v Speaker 1>let's set aside. Let's find a moment to where that

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<v Speaker 1>can be because it's going to be re aired, right,

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<v Speaker 1>so let's find a moment for that full performance to

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<v Speaker 1>be televised. That's a performance is available for people to watch.

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<v Speaker 1>It's just not on the entire show. And they had

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<v Speaker 1>already told me that before I even did my performance.

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<v Speaker 1>But here's why I said humble beginnings, because a year

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<v Speaker 1>ago I was watching it mad as hell? Why am

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<v Speaker 1>I not on it? So now I'm there, and then

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<v Speaker 1>I'm gonna be mad that they cut my performance a

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<v Speaker 1>little bit. No, I know, it's just a start. You

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<v Speaker 1>are doing it the right way. We're gonna be angry

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<v Speaker 1>for you. Thank you. I'm gonna custom that's how I

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<v Speaker 1>live my life because we are so oh you. He

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<v Speaker 1>won't have my performance, said, he's not gonna get the

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<v Speaker 1>fool me, then I'm not. I'm not coming. I haven't

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<v Speaker 1>screamed one day, maybe one day. I just got here. Okay,

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<v Speaker 1>I'm just happy to be here. You're gonna be here.

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<v Speaker 1>You're here, You're gonna be here, and we want we

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<v Speaker 1>just we are celebrating. We are in the space of

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<v Speaker 1>motivating and encouraging those kinds of moments. Those are the

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<v Speaker 1>moments that are going to continue to inspire the next generation.

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<v Speaker 1>As you are the new generation of R and B,

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<v Speaker 1>but the next the kids coming. You know what I'm saying.

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<v Speaker 1>When I was a kid seven years old, you already

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<v Speaker 1>had a record deal of anyway, when I was a

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<v Speaker 1>kid seven, eight, nine years old watching amazing performers on television.

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<v Speaker 1>You know what I mean, those are the things that

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<v Speaker 1>inspired me and so that you know, for me, your

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<v Speaker 1>entire performance I felt, you know, wasn't necessary in that,

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<v Speaker 1>but I digress. It upset us. Thank you and we'll move. Yeah,

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<v Speaker 1>you doing this for me some training to um uh

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<v Speaker 1>letkoko umleko ko man. You've referred to you as this.

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<v Speaker 1>A few say it is they throw throw. Um Let's

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<v Speaker 1>go back too, as you say, humble beginnings, the very beginning,

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<v Speaker 1>Like when was the first time somebody said, oh, that

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<v Speaker 1>baby right there got it? Or that you saw and

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<v Speaker 1>felt that moment happening. He was like, ship, that's so

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<v Speaker 1>funny that you asked that the first time somebody noticed

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<v Speaker 1>that I could really sing? I don't even think I

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<v Speaker 1>was two years old. So basically, my mom had her

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<v Speaker 1>friend over and her friend was a violinist and they

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<v Speaker 1>were talking and I was just watching Barnie. Literally they're

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<v Speaker 1>talking and the ladies like, hold on, I'm sorry, she

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<v Speaker 1>just stopped talking. My mom's like, what what, She's like,

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<v Speaker 1>your kid, they're singing everything back in perfect pitch. Your

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<v Speaker 1>child has a perfect ear. And my mom was like, okay,

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<v Speaker 1>like period, when I tell you from then on, I

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<v Speaker 1>literally have never stopped making sounds, singing, humming, like in

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<v Speaker 1>all the baby videos. It's all I'm doing at all tonight.

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<v Speaker 1>Literally it's crazy like I'm always making some sort of music.

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<v Speaker 1>And that was the first time it was noticed, the

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<v Speaker 1>first time I felt it was like I would come

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<v Speaker 1>from athletes. My dad played professional football, so I know

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<v Speaker 1>what it's like when you like score and everyone reacts

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<v Speaker 1>to the score. It feels like you ate that. You

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<v Speaker 1>know what I'm saying. You feel that momentum, You feel

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<v Speaker 1>that energy in the house with Mike Jones. When Mike

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<v Speaker 1>when like Nick's just running around like going Mike y'all.

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<v Speaker 1>First of all, but he's not the rapper one like

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<v Speaker 1>the name Jones. Okay, like's not that one, but m Yeah,

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<v Speaker 1>we'd be outside doing drills in the summer I'm like, sir,

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<v Speaker 1>I'm in third grade. I don't know what this has

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<v Speaker 1>to do with much, but okay, here we go outside

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<v Speaker 1>with like. But I was also very competitive, like I'd

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<v Speaker 1>be the one on flag football, like dodging all types

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<v Speaker 1>of dudes and then like I'd go and score and

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<v Speaker 1>then I like hose and they'd be like were period.

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<v Speaker 1>Like I was always so competitive, so I knew that

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<v Speaker 1>feeling of like doing something good and seeing the reaction.

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<v Speaker 1>And I remember I had done like this little Broadway

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<v Speaker 1>type show with my school like young kids, and I

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<v Speaker 1>had a little solo and I remember seeing the reactions

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<v Speaker 1>and I was like, this is the same reaction as

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<v Speaker 1>when I score. I was like, what is this? It's

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<v Speaker 1>giving everyone's cheering, so I'm like, what does this mean? Um?

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<v Speaker 1>I say that was like the first time that I

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<v Speaker 1>really noticed it really young though. All of this stuff

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<v Speaker 1>was really young. You from the south, right, I'm from Tennessee.

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<v Speaker 1>Was it country at first? For you? Was it country

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<v Speaker 1>music or no? You know what's funny? It was definitely gospel.

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<v Speaker 1>My mom was like, you are going to serve the

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<v Speaker 1>Lord with this voice of yours. I was like, okay,

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<v Speaker 1>She's like Courtney you will serve the Lord with this voice.

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<v Speaker 1>That's my mom. And I was like, okay, I'm nine,

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<v Speaker 1>so like whatever you want to do, that's what we're

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<v Speaker 1>gonna do. Like what am I going to object? So

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<v Speaker 1>my mom was trying to get me in all these

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<v Speaker 1>gospel lanes and it just wasn't happening. It wasn't panning

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<v Speaker 1>out like I was supposed to join the one Christian

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<v Speaker 1>group like pure in RG help. You guys are a

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<v Speaker 1>group right now. If you are, I'm out side. I

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<v Speaker 1>hope you're doing well. If you are. It just like

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<v Speaker 1>wouldn't work, Like the doors would just keep closing, and

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<v Speaker 1>the doors that would openly wanted to pose. I did

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<v Speaker 1>want to you for Christ you can post. Don't even

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<v Speaker 1>do that. Don't put yourself in a box. Do what

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<v Speaker 1>the post for crisis. It's like this, you not need

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<v Speaker 1>to cross. I don't think that's gonna work. You know,

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<v Speaker 1>it's it's the heart. He didn't work. Now it works.

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<v Speaker 1>It didn't work for a media. I think it was

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<v Speaker 1>just like God had a different plan for how I'm

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<v Speaker 1>going to impact you know, because you can be in

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<v Speaker 1>the gospel category and be a light, and you can

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<v Speaker 1>be in the secular music and be a light. It's

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<v Speaker 1>about your actions. It's not about like what job you do.

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<v Speaker 1>You can be a postman and be a light. You

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<v Speaker 1>know what I'm saying. It's about what you're caring, what

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<v Speaker 1>you're bringing to the world, what you're what you're offering,

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<v Speaker 1>what you're talking about. So it just wouldn't pan out

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<v Speaker 1>like that. But the doors that would open would be

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<v Speaker 1>like like Kids Bob or like a commercial about like

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<v Speaker 1>a broccoli cereal and I'd be like, I do it,

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<v Speaker 1>and it would happen. And that's just kind of how

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<v Speaker 1>it panned out. And you're doing this from Tennessee. Yes,

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<v Speaker 1>I would um audition and they'd have like cattle calls

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<v Speaker 1>and things like that, and I would do music there

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<v Speaker 1>like as much as they could offer me. I mean,

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<v Speaker 1>but I was also just trying to figure it out.

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<v Speaker 1>Like my mom made this ghetto little EP on her computer,

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<v Speaker 1>and I was like talking about basketball and singing about

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<v Speaker 1>like sleepovers and stuff. But you know it was really dope.

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<v Speaker 1>Was I would do all these live performances like if

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<v Speaker 1>you want to pause there, sleep over something, I want

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<v Speaker 1>to know what, you know what the basketball friends and

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<v Speaker 1>they come over and then it starts. It's sleep. You know,

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<v Speaker 1>stop playing with me because it would be giving soul.

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<v Speaker 1>This one, this one about basketball, it was like, uh,

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<v Speaker 1>it was like jump ball, Hey, kicking it to me,

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<v Speaker 1>watch me you work. I'm jumping out of the gym.

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<v Speaker 1>It was fire. It was fire. And then I had

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<v Speaker 1>this other one about like doing char excuse me, don't

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<v Speaker 1>play with me because I always was giving soul now

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<v Speaker 1>and they had like a cute look. It was like

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<v Speaker 1>funky like anyway because all that was like all these

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<v Speaker 1>like older muic muic and guys like that's what they knew.

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<v Speaker 1>They didn't know hip hop like always put the old

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<v Speaker 1>niggas world. It's just so funny that that always happens.

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<v Speaker 1>And it really did give that. Like this guy that

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<v Speaker 1>was a judge at a talent competition that I won,

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<v Speaker 1>he was like, I'll work with you for free until

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<v Speaker 1>until when I saw he saw the talent so it

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<v Speaker 1>would be him and like he'd be like Courtney, you're ready,

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<v Speaker 1>I'm like here we go, rob jump out. I felt

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<v Speaker 1>like I was personally eating a stop. Wait, why is

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<v Speaker 1>what side is that it's actually giving that? Okay, I

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<v Speaker 1>still don't like it. I don't care because if you

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<v Speaker 1>listen to it, you'd be like, Okay, this kind of

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<v Speaker 1>has a little sleep. I'll send it to you. I'll

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<v Speaker 1>find don't I'm gonna find it. They always act everyone.

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<v Speaker 1>My mom has every song of that. This is my

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<v Speaker 1>camera right here, Mama Jones, Mama Jones, can you send

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<v Speaker 1>this jump ball? Jumball? Is that what it's called. I

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<v Speaker 1>don't know what we're gonna call it? Jump off? It's

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<v Speaker 1>the basketball song. We need to hear the backs, the

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<v Speaker 1>basketball song. My mom would also help me, right, I'd

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<v Speaker 1>be like, thanks, girl, but you want to know something crazy.

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<v Speaker 1>When I was also a rapper because I used to

0:13:47.360 --> 0:13:50.640
<v Speaker 1>sing a rap as well. My brother, my older brother,

0:13:50.640 --> 0:13:56.800
<v Speaker 1>would write all my raps about the sleepover, different ones. Okay,

0:13:56.840 --> 0:13:58.880
<v Speaker 1>I'm trying trying to flash. I'm trying to put two

0:13:58.920 --> 0:14:01.080
<v Speaker 1>and two together. That's all. That's all I'm trying to do.

0:14:01.280 --> 0:14:03.360
<v Speaker 1>There were other songs. It was what I was going

0:14:03.400 --> 0:14:05.840
<v Speaker 1>through in my life, not doing chores, my best friend

0:14:05.920 --> 0:14:09.959
<v Speaker 1>moving away, basketball sleepovers. I mean, I don't know that's

0:14:09.960 --> 0:14:15.760
<v Speaker 1>what I'm actually with it. I'm what it is supposed

0:14:15.800 --> 0:14:19.760
<v Speaker 1>to be. There. At that age, you were writing your life,

0:14:20.160 --> 0:14:22.560
<v Speaker 1>which is crazy because that's when we preach right, you

0:14:22.600 --> 0:14:27.880
<v Speaker 1>were literally like writing the very nuances and it sounds funny,

0:14:27.920 --> 0:14:32.080
<v Speaker 1>but the simplest things those are hit records. Okay, sleepover

0:14:32.160 --> 0:14:35.000
<v Speaker 1>record right now, my son will sing the mess out

0:14:35.040 --> 0:14:37.120
<v Speaker 1>of a sleepover. That's what I'm saying. But we need

0:14:37.160 --> 0:14:41.160
<v Speaker 1>those records again, we actually do for kids. Like when

0:14:41.160 --> 0:14:43.280
<v Speaker 1>we we had Ray Parker Jr. On here and he

0:14:43.320 --> 0:14:46.040
<v Speaker 1>talked about Riddy missed a telephone man for a new edition.

0:14:46.600 --> 0:14:49.120
<v Speaker 1>Obviously you don't even need a telephone many more really,

0:14:49.160 --> 0:14:52.160
<v Speaker 1>but in that when he wrote that record, when I

0:14:52.200 --> 0:14:54.560
<v Speaker 1>was a kid and I heard that song, it connected

0:14:54.560 --> 0:14:58.200
<v Speaker 1>to him. So we actually do need that again. We

0:14:58.280 --> 0:15:02.200
<v Speaker 1>need younger artists, especially if you're you know, preteen or teenage.

0:15:02.640 --> 0:15:04.480
<v Speaker 1>You should be singing about that. You shouldn't be singing

0:15:04.520 --> 0:15:06.920
<v Speaker 1>about you know, we're growing up. We should not be

0:15:07.000 --> 0:15:10.000
<v Speaker 1>a club in your song. Yeah, but you know what

0:15:10.000 --> 0:15:12.280
<v Speaker 1>they do. They had kid clubs when I was young.

0:15:12.520 --> 0:15:15.000
<v Speaker 1>I don't know, you never you could go outside. I

0:15:15.040 --> 0:15:17.720
<v Speaker 1>went to a kid club. He went outside. You couldn't go.

0:15:17.720 --> 0:15:23.560
<v Speaker 1>Oh he was religious. They had a bang called Black Saturday.

0:15:25.400 --> 0:15:31.400
<v Speaker 1>Who boy. Okay, okay, mine was not giving your manager.

0:15:34.800 --> 0:15:41.320
<v Speaker 1>She's from the bank should interesting. Yeah, yeah, but back

0:15:41.360 --> 0:15:44.960
<v Speaker 1>to Coco Jones writing the songs about basketball, Oh my god,

0:15:46.160 --> 0:15:51.800
<v Speaker 1>trying to install. I did play for a really long time,

0:15:51.840 --> 0:15:54.400
<v Speaker 1>and then when I started singing, I was missing practice

0:15:54.440 --> 0:15:57.520
<v Speaker 1>and stuff and I couldn't balance them both, and I

0:15:57.560 --> 0:15:59.680
<v Speaker 1>just chose singing, all right, So we went to missing

0:15:59.720 --> 0:16:02.920
<v Speaker 1>preg this is and so apparently at some point things

0:16:03.000 --> 0:16:08.200
<v Speaker 1>started getting crazy. When was that? What? What? What time

0:16:08.200 --> 0:16:10.360
<v Speaker 1>period was that where you just felt like there was

0:16:10.400 --> 0:16:15.000
<v Speaker 1>an influx of demand for what you what? What's your

0:16:15.000 --> 0:16:19.840
<v Speaker 1>gifts were? Um? Around twelve? Around twelve is when I

0:16:19.920 --> 0:16:23.280
<v Speaker 1>did Next Big Thing, which is like American Idol, Disney's

0:16:23.360 --> 0:16:25.600
<v Speaker 1>version of that. Actually Chloe and Highy were on it too,

0:16:26.160 --> 0:16:29.680
<v Speaker 1>but I did that. And then once you kind of

0:16:29.960 --> 0:16:32.960
<v Speaker 1>become one of the people that they go to, they

0:16:33.240 --> 0:16:34.600
<v Speaker 1>send you out to a lot of things. So I

0:16:34.680 --> 0:16:38.120
<v Speaker 1>was on tours, I was performing, doing our shows. I

0:16:38.160 --> 0:16:41.320
<v Speaker 1>was getting into it. Yes, I was doing shows, and

0:16:41.360 --> 0:16:43.680
<v Speaker 1>then I would be auditioning at the same time for roles.

0:16:43.720 --> 0:16:46.120
<v Speaker 1>My acting was real, real crusty at that time. They

0:16:46.160 --> 0:16:48.960
<v Speaker 1>say I wasn't getting a lot, but I was getting

0:16:49.000 --> 0:16:52.480
<v Speaker 1>better and better with time, and I just would always

0:16:52.480 --> 0:16:54.800
<v Speaker 1>be in l A and every summer I'd be like,

0:16:54.840 --> 0:16:56.800
<v Speaker 1>all right, y'all, I'm gonna go be Hanna Montana. I'll

0:16:56.800 --> 0:16:58.680
<v Speaker 1>see y'all. I don't know when i'mnna seyall again, but

0:16:58.760 --> 0:17:03.360
<v Speaker 1>you know, you can definitely come to show. Whatever I was,

0:17:03.480 --> 0:17:05.239
<v Speaker 1>I was just I knew I was going that way.

0:17:05.280 --> 0:17:07.159
<v Speaker 1>I was like, is this for me? I don't know

0:17:07.160 --> 0:17:09.359
<v Speaker 1>about job? So twelve years old, you get your ears,

0:17:09.440 --> 0:17:15.040
<v Speaker 1>you get you get your you get your Mickey Mouse ears.

0:17:15.280 --> 0:17:18.520
<v Speaker 1>I mean that's when I was really really working with

0:17:18.920 --> 0:17:22.280
<v Speaker 1>um Disney Channel a lot. And I mean that's like

0:17:22.320 --> 0:17:24.399
<v Speaker 1>the perfect place to be at the time, you know,

0:17:24.440 --> 0:17:27.200
<v Speaker 1>because you want to be doing me personally. My mom

0:17:27.280 --> 0:17:29.000
<v Speaker 1>is not a stage mom. My mom was like if

0:17:29.000 --> 0:17:31.760
<v Speaker 1>you're not trying to work, I'm going home. I'm tired.

0:17:32.160 --> 0:17:33.800
<v Speaker 1>So I was always the one like, Okay, what can

0:17:33.840 --> 0:17:36.320
<v Speaker 1>I do more of? Like I was hungry for it

0:17:36.480 --> 0:17:38.480
<v Speaker 1>this whole time, you know. So for me, it was

0:17:38.480 --> 0:17:41.359
<v Speaker 1>like the perfect scenario, like I'm doing these guest stars

0:17:41.440 --> 0:17:44.080
<v Speaker 1>and then I get this movie and it felt like

0:17:44.119 --> 0:17:47.719
<v Speaker 1>a dream to me, Like it was just like a dream.

0:17:47.760 --> 0:17:50.320
<v Speaker 1>Like I would go to the park and I'd sing

0:17:50.359 --> 0:17:52.960
<v Speaker 1>there and then I get to ride rides, no lines

0:17:53.080 --> 0:17:56.040
<v Speaker 1>like this was everything. This was everything I ever needed,

0:17:56.359 --> 0:18:00.359
<v Speaker 1>you know, I was very very happy. But yeah, for

0:18:00.400 --> 0:18:03.240
<v Speaker 1>you though, was it a choice to go to Disney

0:18:03.320 --> 0:18:05.800
<v Speaker 1>Route or was that just what was available? It was

0:18:05.880 --> 0:18:08.440
<v Speaker 1>it was just we didn't know anything. Like we were

0:18:08.480 --> 0:18:11.320
<v Speaker 1>just like going, like I'm just grateful that my mom

0:18:11.359 --> 0:18:13.719
<v Speaker 1>and dad had started some businesses, so they did know

0:18:13.880 --> 0:18:17.680
<v Speaker 1>like certain things like Coco is is my business name?

0:18:17.680 --> 0:18:20.359
<v Speaker 1>And I have like business you know, it's all business

0:18:20.359 --> 0:18:22.000
<v Speaker 1>savvy the things that they did. But as far as

0:18:22.040 --> 0:18:26.480
<v Speaker 1>like we have never stuff like that and like to

0:18:26.520 --> 0:18:30.160
<v Speaker 1>protect me and whatnot. Um, but as far as knowing

0:18:30.200 --> 0:18:31.560
<v Speaker 1>what we were doing in the industry, we were just

0:18:31.560 --> 0:18:34.520
<v Speaker 1>going through the doors that opened. Like your dad still

0:18:34.560 --> 0:18:36.560
<v Speaker 1>playing at this time. Oh no, no, no no, he retired

0:18:36.600 --> 0:18:39.760
<v Speaker 1>when I was much younger. Okay, so they were able

0:18:39.760 --> 0:18:43.000
<v Speaker 1>to focus on pushing your career. Well, yeah, my mom

0:18:43.200 --> 0:18:44.760
<v Speaker 1>was really the one that like would be on the

0:18:44.800 --> 0:18:47.480
<v Speaker 1>road with me, and then my brother and sister. They

0:18:47.480 --> 0:18:50.080
<v Speaker 1>both played sports, so my dad would be like nurturing

0:18:50.080 --> 0:18:52.480
<v Speaker 1>their careers, you know what I'm saying. And um, it

0:18:52.560 --> 0:18:54.640
<v Speaker 1>was really just like whatever opens, that's where we're gonna,

0:18:54.680 --> 0:18:56.800
<v Speaker 1>That's where we really go, you know, and my mom

0:18:56.880 --> 0:18:59.040
<v Speaker 1>she did a really good job of just finding as

0:18:59.080 --> 0:19:01.520
<v Speaker 1>much opportunity as she could. You know, for a while

0:19:01.600 --> 0:19:06.879
<v Speaker 1>she was management, agent, stylists, you know everything. You know,

0:19:07.760 --> 0:19:13.119
<v Speaker 1>that's crazy because it's like it's like it's so different

0:19:13.160 --> 0:19:15.240
<v Speaker 1>because where I guess where we come from, or where

0:19:15.240 --> 0:19:19.080
<v Speaker 1>I came from, anyway, we didn't. I just didn't know

0:19:19.160 --> 0:19:21.760
<v Speaker 1>what that was. I knew I could sing, I knew

0:19:21.760 --> 0:19:23.719
<v Speaker 1>I could write a song. I know I can make

0:19:23.720 --> 0:19:25.679
<v Speaker 1>a track. I didn't know what to do after that.

0:19:26.800 --> 0:19:29.880
<v Speaker 1>My mama didn't know, you know what I'm saying. Father, military, mother,

0:19:29.960 --> 0:19:32.640
<v Speaker 1>working two jobs at department stores. Did you do any

0:19:32.720 --> 0:19:36.159
<v Speaker 1>like talent shows or anything? I mean, I was I

0:19:36.280 --> 0:19:39.959
<v Speaker 1>was already already a professional gospel singer in high school.

0:19:40.520 --> 0:19:44.359
<v Speaker 1>But if it wasn't church, yeah, I wasn't doing it.

0:19:44.680 --> 0:19:46.680
<v Speaker 1>I didn't. I didn't know much about it. I wasn't

0:19:46.680 --> 0:19:47.720
<v Speaker 1>doing it, you know what I'm saying. So it was

0:19:47.760 --> 0:19:51.280
<v Speaker 1>always choirs, and I had been introduced to John p

0:19:51.400 --> 0:19:53.159
<v Speaker 1>Key and all these things at an early age, so

0:19:53.240 --> 0:19:56.239
<v Speaker 1>that's you know, I still didn't know what it was

0:19:56.280 --> 0:19:59.200
<v Speaker 1>on the other side of the teleged of the team stream, Yeah,

0:19:59.240 --> 0:20:01.040
<v Speaker 1>I still didn't know how any of that work, because

0:20:01.080 --> 0:20:04.520
<v Speaker 1>it sounds like from what you're telling us that you

0:20:04.600 --> 0:20:09.280
<v Speaker 1>were the one pushing forward early, I mean finding these

0:20:09.280 --> 0:20:12.640
<v Speaker 1>things to get involved in. Yeah. Yeah, I was very

0:20:12.760 --> 0:20:16.000
<v Speaker 1>very passionate. Like I would wear like my pajamas to

0:20:16.040 --> 0:20:17.679
<v Speaker 1>the studio because I knew I had to get up

0:20:17.720 --> 0:20:20.359
<v Speaker 1>for school, but like I would rather be there doing

0:20:20.400 --> 0:20:23.280
<v Speaker 1>that all night, and my mom will be like like, no,

0:20:23.480 --> 0:20:26.000
<v Speaker 1>my one more try. And you know another thing too,

0:20:26.040 --> 0:20:28.199
<v Speaker 1>Like I would sing all the way through. It was

0:20:28.280 --> 0:20:30.600
<v Speaker 1>old as equipment, so I would have to sing the

0:20:30.640 --> 0:20:35.720
<v Speaker 1>takes all the way through. I feel like a lot

0:20:35.760 --> 0:20:38.719
<v Speaker 1>of the stuff that I do now is because of

0:20:38.760 --> 0:20:42.200
<v Speaker 1>how hungry I was and just using whatever resources were

0:20:42.240 --> 0:20:45.640
<v Speaker 1>around me. Yeah, it was definitely scaring, and my mom

0:20:45.760 --> 0:20:49.119
<v Speaker 1>like she saw my passion for it. My passion for it.

0:20:55.160 --> 0:21:00.679
<v Speaker 1>What is the moment if you're looking around and you're like, Okay,

0:21:01.160 --> 0:21:05.000
<v Speaker 1>I've arrived. We're not a national normal. I don't even

0:21:05.200 --> 0:21:18.080
<v Speaker 1>using that I who N O N. But we call

0:21:18.160 --> 0:21:29.320
<v Speaker 1>it l E V A N O N. My big break,

0:21:30.080 --> 0:21:33.240
<v Speaker 1>My big break was definitely let it Shine. I mean

0:21:33.760 --> 0:21:39.520
<v Speaker 1>that is still what people talk about and associate me with.

0:21:39.880 --> 0:21:44.840
<v Speaker 1>First even with all this other stuff going on. Um,

0:21:44.920 --> 0:21:49.800
<v Speaker 1>I remember like the audition process and pretty much everybody

0:21:49.840 --> 0:21:52.080
<v Speaker 1>that we know was in that auditioning room. You know,

0:21:52.320 --> 0:21:55.080
<v Speaker 1>all of us as little kids and young girls, young

0:21:55.119 --> 0:21:58.159
<v Speaker 1>black girls, so like it would just get smaller and

0:21:58.200 --> 0:22:00.640
<v Speaker 1>smaller and smaller and smaller this pool. And I think

0:22:00.640 --> 0:22:03.359
<v Speaker 1>I auditioned like seven times, so that meant we had

0:22:03.359 --> 0:22:06.320
<v Speaker 1>to come to l A multiple times. You know, you

0:22:06.359 --> 0:22:08.120
<v Speaker 1>have to fly here to audition. Yeah. I didn't move

0:22:08.119 --> 0:22:11.920
<v Speaker 1>here until I was an adult, okay, or like if

0:22:11.920 --> 0:22:14.119
<v Speaker 1>it was important, important, then they'd be like, all right,

0:22:14.280 --> 0:22:18.080
<v Speaker 1>let's get out. So what was the audition on their dime?

0:22:18.200 --> 0:22:19.600
<v Speaker 1>Or you all had to pay for it to get

0:22:19.720 --> 0:22:23.560
<v Speaker 1>got it? Got l O L got it? If you

0:22:23.600 --> 0:22:27.200
<v Speaker 1>want it, you want it, come on, okay, you need

0:22:27.240 --> 0:22:31.919
<v Speaker 1>to be there very much. It's giving or next. Um.

0:22:32.000 --> 0:22:35.320
<v Speaker 1>So when I got that film and it came out,

0:22:35.640 --> 0:22:38.560
<v Speaker 1>it was the number one TV movie that year, and

0:22:38.600 --> 0:22:41.520
<v Speaker 1>I just remember the momentum like right after that, like

0:22:41.880 --> 0:22:43.520
<v Speaker 1>it was like Okay, now you're gonna have this TV

0:22:43.600 --> 0:22:45.800
<v Speaker 1>show and you're signed, you're at a record label. Dada

0:22:45.840 --> 0:22:48.000
<v Speaker 1>da da da, Like it was just going so fast,

0:22:48.080 --> 0:22:50.920
<v Speaker 1>and it feels kind of like now, you know, like

0:22:51.000 --> 0:22:54.600
<v Speaker 1>all this momentum and and like building up to something.

0:22:54.920 --> 0:22:57.160
<v Speaker 1>But I was fourteen, you know, and I didn't know.

0:22:57.480 --> 0:22:59.359
<v Speaker 1>I didn't know that that would ever stop. So I

0:22:59.440 --> 0:23:04.040
<v Speaker 1>was like, so j'all, so y'all try to play here

0:23:04.040 --> 0:23:09.199
<v Speaker 1>we go so but literally, like it was all these

0:23:09.240 --> 0:23:11.120
<v Speaker 1>things that were supposed to happen, and I did put

0:23:11.119 --> 0:23:13.520
<v Speaker 1>out a project. It's so crazy, like Victoria wrote on

0:23:13.520 --> 0:23:17.119
<v Speaker 1>my first EP. Yes, and Tommy was on it too.

0:23:17.359 --> 0:23:20.119
<v Speaker 1>Tommy produced it on it too, like all the people

0:23:20.160 --> 0:23:22.680
<v Speaker 1>like we you know, we are all like doing big

0:23:22.720 --> 0:23:25.760
<v Speaker 1>things now. But it was like Taylor Parks was on

0:23:25.800 --> 0:23:29.800
<v Speaker 1>it too, like crazy. But it all was like going

0:23:29.880 --> 0:23:34.560
<v Speaker 1>like this and then it just like stopped, but not drastically.

0:23:34.640 --> 0:23:36.720
<v Speaker 1>In my mind, it felt like that, but it was

0:23:36.760 --> 0:23:38.959
<v Speaker 1>more like, Okay, my management at the time did not

0:23:39.000 --> 0:23:40.679
<v Speaker 1>know like what to do. They didn't know how to

0:23:40.720 --> 0:23:43.960
<v Speaker 1>create opportunity. They knew how to keep because they know

0:23:44.000 --> 0:23:48.160
<v Speaker 1>how to keep umbrella to right, What do you mean

0:23:48.200 --> 0:23:51.560
<v Speaker 1>as far as like the movies, No, not even just

0:23:51.600 --> 0:23:53.880
<v Speaker 1>the business side of it. From from your business side

0:23:53.880 --> 0:23:55.520
<v Speaker 1>of I'm talking about the business that you guys were in.

0:23:56.000 --> 0:23:59.760
<v Speaker 1>He's like you were signed to Hollywood Records, right, and

0:23:59.760 --> 0:24:05.800
<v Speaker 1>they're connected to said, well you said it, I said,

0:24:06.119 --> 0:24:12.720
<v Speaker 1>I did, you know what? But all of these companies

0:24:12.720 --> 0:24:15.640
<v Speaker 1>were connected to each other though yeah, yeah, I mean

0:24:15.680 --> 0:24:17.960
<v Speaker 1>they kind of it's like a it's not a full

0:24:18.040 --> 0:24:20.320
<v Speaker 1>package deal, but you kind of know if you have

0:24:20.359 --> 0:24:22.920
<v Speaker 1>a show, you're gonna make music, and if you're doing

0:24:23.000 --> 0:24:24.600
<v Speaker 1>really well, they're going to try to put you on

0:24:24.640 --> 0:24:26.080
<v Speaker 1>a show, you know, and you're only going to do

0:24:26.520 --> 0:24:31.320
<v Speaker 1>a deal with their company. You're you can do whatever

0:24:31.480 --> 0:24:35.160
<v Speaker 1>you want to do. But at the time, I mean,

0:24:35.160 --> 0:24:37.840
<v Speaker 1>when you're a young kid and this looks like the

0:24:37.880 --> 0:24:40.880
<v Speaker 1>next obvious step, the whole golden ticket, that's what you're

0:24:40.880 --> 0:24:42.720
<v Speaker 1>gonna do, you don't think like you know that I

0:24:42.760 --> 0:24:44.639
<v Speaker 1>have leverage. Let's see what you can do for me.

0:24:44.760 --> 0:24:49.000
<v Speaker 1>Like but I was like sign it, but my mom

0:24:49.119 --> 0:24:52.359
<v Speaker 1>was like, mmmm, something in my schando since now. So

0:24:52.440 --> 0:24:54.600
<v Speaker 1>I did do the record deal, but I didn't do

0:24:54.600 --> 0:24:59.960
<v Speaker 1>the TV show. And I asked that because our podcast

0:25:00.160 --> 0:25:04.160
<v Speaker 1>is informative, we wanted to be as informative as possible,

0:25:04.440 --> 0:25:07.800
<v Speaker 1>and your situation is so unique for a guest that

0:25:07.840 --> 0:25:10.320
<v Speaker 1>we've had. That's why I asked that, Like, you know,

0:25:10.400 --> 0:25:15.200
<v Speaker 1>because it's kind of American Idol is like you said,

0:25:15.240 --> 0:25:17.560
<v Speaker 1>like when you when you do American Idol, you're signing

0:25:17.560 --> 0:25:20.480
<v Speaker 1>to a certain label that's connected to American Idol. It's

0:25:20.520 --> 0:25:23.080
<v Speaker 1>not like, oh, I want American Idol and now I'm

0:25:23.119 --> 0:25:26.679
<v Speaker 1>about to go do you know this this whole campaign

0:25:26.680 --> 0:25:29.840
<v Speaker 1>and go meet all these labels, right, run it up?

0:25:30.400 --> 0:25:32.920
<v Speaker 1>Ain't running it up? No, it's giving like we put

0:25:32.960 --> 0:25:38.040
<v Speaker 1>you on, You're gonna stay right on. But like, these

0:25:38.040 --> 0:25:40.000
<v Speaker 1>are all things that I wanted to I didn't I

0:25:40.040 --> 0:25:43.520
<v Speaker 1>didn't know what shopping, wasn't going to other labels, and

0:25:43.680 --> 0:25:45.679
<v Speaker 1>I didn't know any of that. I was like, I

0:25:45.720 --> 0:25:48.879
<v Speaker 1>want to do. What can I do to be Raven

0:25:49.080 --> 0:25:51.480
<v Speaker 1>Hannah Montana? Like what can I do? This is what

0:25:51.520 --> 0:25:52.640
<v Speaker 1>this is what you do. This is what we're doing.

0:25:53.240 --> 0:25:56.000
<v Speaker 1>You know. So at the time, like it looked like

0:25:56.040 --> 0:25:58.280
<v Speaker 1>all of these things we're gonna work out, But there's

0:25:58.280 --> 0:26:02.400
<v Speaker 1>also a formula, and if you're a black girl who

0:26:02.440 --> 0:26:05.040
<v Speaker 1>can sing, you're not going to fit into that formula.

0:26:05.080 --> 0:26:07.800
<v Speaker 1>Like you're already throwing throwing off the balance, you know,

0:26:08.200 --> 0:26:10.440
<v Speaker 1>because I don't look like those girls that I said

0:26:10.480 --> 0:26:13.639
<v Speaker 1>I wanted to be, Like, I definitely don't sing like them.

0:26:13.680 --> 0:26:15.720
<v Speaker 1>I don't even the music doesn't even fit me that

0:26:15.760 --> 0:26:19.000
<v Speaker 1>I'm being told to do. So what now what? And

0:26:19.119 --> 0:26:21.040
<v Speaker 1>I didn't do the TV show? So now the main

0:26:21.119 --> 0:26:24.239
<v Speaker 1>marketing strategy is not I didn't do that. Was there

0:26:24.240 --> 0:26:26.280
<v Speaker 1>a reason you didn't do the TV show? Um? I

0:26:26.320 --> 0:26:29.359
<v Speaker 1>think part of it, from what I mean, I don't.

0:26:29.400 --> 0:26:31.800
<v Speaker 1>I don't really know because I was much younger. But

0:26:31.960 --> 0:26:35.040
<v Speaker 1>part of it, I feel like, was how long I

0:26:35.119 --> 0:26:38.639
<v Speaker 1>was going to be under you know, that umbrella to

0:26:38.680 --> 0:26:45.879
<v Speaker 1>keep being longer and longer. Yeah, um, and then a

0:26:45.920 --> 0:26:51.600
<v Speaker 1>little record company and then also to like I knew

0:26:51.640 --> 0:26:56.240
<v Speaker 1>that I wanted to like have a different type of longevity.

0:26:56.280 --> 0:26:58.399
<v Speaker 1>And so I do feel like my mom was smart

0:26:58.440 --> 0:27:01.600
<v Speaker 1>and like to thinking what we could get from the experience,

0:27:01.640 --> 0:27:05.040
<v Speaker 1>but not diving so deep in that you're really really

0:27:05.200 --> 0:27:09.000
<v Speaker 1>stuck as that character, you know what I'm saying, Like

0:27:09.240 --> 0:27:13.639
<v Speaker 1>stuck because it can happen. Yeah, and especially if you

0:27:13.760 --> 0:27:17.080
<v Speaker 1>do it really really well. Yeah, you were that person

0:27:17.240 --> 0:27:20.920
<v Speaker 1>you everyone foreverever in the transition. Is that much more

0:27:20.920 --> 0:27:23.639
<v Speaker 1>difficult or growing up for that matter, Yeah, is that

0:27:23.720 --> 0:27:26.159
<v Speaker 1>much more? Yeah? And I think I mean God was

0:27:26.200 --> 0:27:29.840
<v Speaker 1>definitely protecting me, but at the time I was like

0:27:30.000 --> 0:27:33.199
<v Speaker 1>so disappointed because it just wasn't I was like, this

0:27:33.280 --> 0:27:34.439
<v Speaker 1>is what I was saying. I was going to do

0:27:34.480 --> 0:27:35.680
<v Speaker 1>the whole time and didn't pan out the way you

0:27:37.000 --> 0:27:42.040
<v Speaker 1>when you say slow down as you put it in

0:27:42.119 --> 0:27:44.080
<v Speaker 1>that moment, What does that feel like to you? And

0:27:44.400 --> 0:27:47.320
<v Speaker 1>what are you doing too? I guess feel the space

0:27:47.400 --> 0:27:50.720
<v Speaker 1>or feel the time avoid that you're feeling. Man. Well,

0:27:50.840 --> 0:27:53.800
<v Speaker 1>I was also trying to graduate early, so now I'm

0:27:53.840 --> 0:27:57.680
<v Speaker 1>like fifteen, are you in school or homeschool? Homeschool? Trying

0:27:57.720 --> 0:27:59.600
<v Speaker 1>to graduate early because I was like, I need to

0:27:59.600 --> 0:28:01.720
<v Speaker 1>move to leg now. I need to move there because

0:28:01.720 --> 0:28:03.760
<v Speaker 1>that's where the opportunities are. That's why I'm not like

0:28:04.040 --> 0:28:06.359
<v Speaker 1>this big star, I'm here, I need to go. So

0:28:06.400 --> 0:28:08.720
<v Speaker 1>I was trying to go like finished school and get

0:28:08.720 --> 0:28:12.520
<v Speaker 1>out of there. And um, I also was like, I

0:28:12.560 --> 0:28:16.960
<v Speaker 1>guess I was really in my religious mindset because I

0:28:17.000 --> 0:28:20.120
<v Speaker 1>was like, where am I sinning? Because this isn't happening

0:28:20.280 --> 0:28:23.159
<v Speaker 1>the way it's supposed to happen. So what man? What

0:28:23.280 --> 0:28:26.159
<v Speaker 1>didn't I do? Right? And so I was like like

0:28:26.200 --> 0:28:28.199
<v Speaker 1>my friends would call me like the Nune because I like,

0:28:28.640 --> 0:28:30.400
<v Speaker 1>I'm gonna sit this one out and let y'all have

0:28:31.440 --> 0:28:33.280
<v Speaker 1>you're not feeling no, no, no, no, no, not that

0:28:33.320 --> 0:28:35.880
<v Speaker 1>I'm not feeling that. I just don't understand that because

0:28:35.880 --> 0:28:39.200
<v Speaker 1>I wasn't raised that way. So there is no there

0:28:39.400 --> 0:28:50.080
<v Speaker 1>is no um there is there is there's nothing telling

0:28:50.160 --> 0:28:54.840
<v Speaker 1>me because I did this, this is not happening right.

0:28:54.920 --> 0:28:56.360
<v Speaker 1>That's the best way that I can put it, you

0:28:56.360 --> 0:28:59.239
<v Speaker 1>know what I mean. There's no like commandments of I

0:28:59.240 --> 0:29:02.360
<v Speaker 1>didn't follow that, so this didn't happen for me. I

0:29:02.480 --> 0:29:04.880
<v Speaker 1>never think, well, I don't. I don't have that. In

0:29:04.880 --> 0:29:07.360
<v Speaker 1>that church space that we were in, it was very

0:29:07.440 --> 0:29:11.200
<v Speaker 1>much everything was connected to you know what I'm saying.

0:29:11.200 --> 0:29:15.000
<v Speaker 1>The good and bad things were definitely centered around how

0:29:15.040 --> 0:29:21.160
<v Speaker 1>are you living? You know, it could be anything anything,

0:29:21.280 --> 0:29:23.200
<v Speaker 1>you know what I'm saying, Like you said some bad

0:29:23.240 --> 0:29:26.000
<v Speaker 1>words last week. That's why the Lord is you know,

0:29:26.200 --> 0:29:28.440
<v Speaker 1>that's why this, this, this opportunity didn't come through it.

0:29:29.240 --> 0:29:30.880
<v Speaker 1>You gotta slow that down, you know what I'm saying.

0:29:30.880 --> 0:29:32.600
<v Speaker 1>I gotta trying to tell you something. You doing something.

0:29:32.960 --> 0:29:35.280
<v Speaker 1>It's all it was. It's all it was always that

0:29:35.440 --> 0:29:39.000
<v Speaker 1>you're not doing something right. Therefore, that's why this is

0:29:39.080 --> 0:29:48.000
<v Speaker 1>not happening. Boy, very much done. But no, at the

0:29:48.080 --> 0:29:52.840
<v Speaker 1>time like I really like was diving into that, like

0:29:53.160 --> 0:29:56.480
<v Speaker 1>what exa. I was like, how do I live perfect?

0:29:56.720 --> 0:30:00.880
<v Speaker 1>Because that must be why my prayers aren't answering. So

0:30:01.040 --> 0:30:04.360
<v Speaker 1>I'd be the nun like the goody like I wasn't

0:30:04.400 --> 0:30:07.120
<v Speaker 1>doing it. I was not doing nothing, but I just

0:30:07.160 --> 0:30:09.960
<v Speaker 1>wanted to graduate and I wanted these things to work out.

0:30:10.320 --> 0:30:13.640
<v Speaker 1>And then I got dropped and then I was like, oh,

0:30:13.840 --> 0:30:18.400
<v Speaker 1>now I'm rebellious because something someone wide and I'm curious.

0:30:18.680 --> 0:30:21.479
<v Speaker 1>I'm sixteen, I haven't done anything. All the girls are

0:30:21.520 --> 0:30:28.600
<v Speaker 1>doing everything. I'm done, girl, I'm outside. You know, if

0:30:28.640 --> 0:30:30.680
<v Speaker 1>this was really me talking to God, I'd be like, okay,

0:30:30.720 --> 0:30:33.800
<v Speaker 1>what's that? He like? Are you being real? I'm like,

0:30:34.240 --> 0:30:36.800
<v Speaker 1>I didn't do anything. I was sitting here and now

0:30:37.000 --> 0:30:39.440
<v Speaker 1>and it's not okay, So I'm done. And that's really

0:30:39.440 --> 0:30:42.360
<v Speaker 1>how I was like. And I mean I wasn't out

0:30:42.400 --> 0:30:44.000
<v Speaker 1>here while because first of all, I was home school.

0:30:44.040 --> 0:30:45.680
<v Speaker 1>It's not like I was about to go like I

0:30:45.720 --> 0:30:47.720
<v Speaker 1>went to like some parties with the girls who would

0:30:47.760 --> 0:30:50.120
<v Speaker 1>dance with me, like my dancers, and I'd be like

0:30:50.240 --> 0:30:54.760
<v Speaker 1>sneaking out. Yeah, Like I was so not like really

0:30:54.880 --> 0:30:57.479
<v Speaker 1>with it, you know what I'm saying, um, but then

0:30:57.520 --> 0:31:07.000
<v Speaker 1>I did graduate. She's the greatest. This is great, literally,

0:31:07.080 --> 0:31:08.600
<v Speaker 1>but you want to know something so funny? Can I

0:31:08.640 --> 0:31:13.200
<v Speaker 1>can I tell a funny story? Okay? So this this

0:31:13.280 --> 0:31:15.560
<v Speaker 1>was the first time I ever snuck out right, and

0:31:15.760 --> 0:31:18.320
<v Speaker 1>my mom and dad went to go somewhere my sister

0:31:18.400 --> 0:31:20.640
<v Speaker 1>for volleyball. So me and my brother were at the house.

0:31:20.680 --> 0:31:22.120
<v Speaker 1>My brother was like, I'm sticking out and I was

0:31:22.160 --> 0:31:24.160
<v Speaker 1>like what. He was like, I'm sneaking out. I was

0:31:24.200 --> 0:31:26.920
<v Speaker 1>like I was older than him, Like I was I

0:31:26.960 --> 0:31:29.800
<v Speaker 1>was sixteen. Yeah, I was sixteen and he was fifteen.

0:31:30.040 --> 0:31:32.040
<v Speaker 1>He was like, I'm out. I was like where. I

0:31:32.040 --> 0:31:33.600
<v Speaker 1>was like, where are you going? He was like, I

0:31:33.600 --> 0:31:35.480
<v Speaker 1>don't know, it's gonna be outside. I was like, well

0:31:35.480 --> 0:31:38.000
<v Speaker 1>what if? I mean like, I was just like, wow,

0:31:38.040 --> 0:31:42.000
<v Speaker 1>we're rebellious. Okay, okay. I was like, so me too.

0:31:42.160 --> 0:31:44.800
<v Speaker 1>I was asking my I was asking my dancer. I

0:31:44.880 --> 0:31:47.360
<v Speaker 1>was like, where the party it. She was like, okay, yeah,

0:31:47.360 --> 0:31:49.040
<v Speaker 1>you can come to me this party like it was

0:31:49.120 --> 0:31:53.360
<v Speaker 1>like deep Nashville. Now, I don't really go outside like that.

0:31:53.480 --> 0:31:56.080
<v Speaker 1>I was with my mom. I was very much like

0:31:56.120 --> 0:31:59.040
<v Speaker 1>trying to like be booked. I was on set. The

0:31:59.080 --> 0:32:03.840
<v Speaker 1>only times I went to Ashville. Was for the studio sessions, auditions, performances,

0:32:04.040 --> 0:32:05.800
<v Speaker 1>and now I'm gonna go to the party. Right how far?

0:32:07.120 --> 0:32:12.880
<v Speaker 1>It's like yeah, And here's the thing too, Like we

0:32:12.920 --> 0:32:16.360
<v Speaker 1>had a long driveway, so I was driving with no

0:32:16.560 --> 0:32:18.560
<v Speaker 1>lights on. I was like, I was sweating. I was like,

0:32:19.800 --> 0:32:25.200
<v Speaker 1>I was it's forest because my neighbors are snitches because

0:32:25.240 --> 0:32:28.440
<v Speaker 1>they was gonna tell. I was like, I was scared.

0:32:28.480 --> 0:32:30.880
<v Speaker 1>I was driving, could not see. I have my glass zone.

0:32:31.160 --> 0:32:33.400
<v Speaker 1>It's so much forestry and deers. I was like, oh

0:32:33.440 --> 0:32:36.240
<v Speaker 1>my god, Bamby, please like I can't today. Okay. So

0:32:36.280 --> 0:32:39.520
<v Speaker 1>I sneak out right and my mom sends like this text.

0:32:39.520 --> 0:32:41.680
<v Speaker 1>She's like, thank you guys so much for like not

0:32:41.800 --> 0:32:44.160
<v Speaker 1>having any attitude. And we were like stay home, we

0:32:44.240 --> 0:32:47.360
<v Speaker 1>love y'all. And I was I was like, no, no problem, girl.

0:32:47.840 --> 0:32:51.520
<v Speaker 1>I was at this party, right. I was at this party.

0:32:51.840 --> 0:32:53.680
<v Speaker 1>And so then this guy that I had liked at

0:32:53.680 --> 0:32:55.440
<v Speaker 1>the time, who also went to my church. I was

0:32:55.480 --> 0:32:57.640
<v Speaker 1>such a square. He went to my church, but he

0:32:57.680 --> 0:32:59.720
<v Speaker 1>was like the rebellious type. I was like, oh he's

0:32:59.760 --> 0:33:05.040
<v Speaker 1>dead and at least sting okay, shurts that it was

0:33:05.080 --> 0:33:08.520
<v Speaker 1>so hot, okay, So he was saying he was gonna

0:33:08.560 --> 0:33:10.840
<v Speaker 1>come there or whatever, and I was like, okay. Period.

0:33:11.200 --> 0:33:13.280
<v Speaker 1>So when I walked in or whatever, I remember it

0:33:13.320 --> 0:33:15.120
<v Speaker 1>was like a cloud of smoke. This is my first

0:33:15.120 --> 0:33:19.560
<v Speaker 1>time like even being around anything. I was like, oh

0:33:19.600 --> 0:33:21.600
<v Speaker 1>my god. I was like, this is the haze. This

0:33:21.640 --> 0:33:23.520
<v Speaker 1>is the this is the spirit, this is the dark

0:33:23.600 --> 0:33:26.600
<v Speaker 1>spirit haze. This is that. I was like. I was

0:33:26.600 --> 0:33:28.640
<v Speaker 1>like I should leave, and then I was like I

0:33:28.760 --> 0:33:31.120
<v Speaker 1>must stay. So I went in there or whatever. So

0:33:31.200 --> 0:33:33.280
<v Speaker 1>then I was like dancing with my friend and I

0:33:33.280 --> 0:33:35.200
<v Speaker 1>couldn't find my phone. This was after my mom had

0:33:35.200 --> 0:33:37.760
<v Speaker 1>texted me. My phone had like a bedazzled case, like

0:33:37.840 --> 0:33:39.800
<v Speaker 1>somebody was going to see my phone. It was like

0:33:39.840 --> 0:33:44.720
<v Speaker 1>pink bedazzled Claire's sparkles bright and so I'm like, okay,

0:33:44.720 --> 0:33:46.680
<v Speaker 1>where's my phone. Now I'm really freaking out because I

0:33:46.680 --> 0:33:49.480
<v Speaker 1>didn't snuck out. I just responded to I said, you're

0:33:49.480 --> 0:33:52.800
<v Speaker 1>welcome in the group chat. I'm scared. So then I

0:33:52.880 --> 0:33:54.560
<v Speaker 1>was like I was asking my dancer. I was like,

0:33:54.600 --> 0:33:56.040
<v Speaker 1>my phone, my phone, my phone, I can't find it.

0:33:56.080 --> 0:33:58.520
<v Speaker 1>So literally all these girls, I felt like such sisterhood,

0:33:58.600 --> 0:34:01.040
<v Speaker 1>very much cheated sisters. Literally all of us came together.

0:34:01.120 --> 0:34:03.040
<v Speaker 1>We did like this and they had their phones with

0:34:03.080 --> 0:34:06.120
<v Speaker 1>the lights and we went like all through the dance

0:34:06.120 --> 0:34:07.800
<v Speaker 1>floor and like we didn't see it. So I was

0:34:07.840 --> 0:34:09.920
<v Speaker 1>like freaking out. I was about to have a breakdown.

0:34:10.160 --> 0:34:11.759
<v Speaker 1>And then the DJ was like, yo, we gotta pay

0:34:11.840 --> 0:34:13.759
<v Speaker 1>phone at the d J booth. Pay phone at the

0:34:13.800 --> 0:34:16.120
<v Speaker 1>DJ booth. I was like, oh, thank you Lord. I

0:34:16.160 --> 0:34:17.680
<v Speaker 1>went and got my phone. I was like, okay, I

0:34:17.719 --> 0:34:19.239
<v Speaker 1>really need to leave. That was the Lord's saving me.

0:34:19.280 --> 0:34:21.239
<v Speaker 1>I should just leave. And then I was like I

0:34:21.280 --> 0:34:25.200
<v Speaker 1>want to stay. And then I stayed. And then the

0:34:25.239 --> 0:34:27.480
<v Speaker 1>guy that I like came and I was like he

0:34:27.560 --> 0:34:35.560
<v Speaker 1>did church. I'm not saying his freaking name. You know

0:34:35.600 --> 0:34:42.600
<v Speaker 1>who you are. That was nice to your little system,

0:34:42.600 --> 0:34:43.879
<v Speaker 1>but she was bad. I was just trying to hang

0:34:43.920 --> 0:34:47.560
<v Speaker 1>with shoot up. She was that. But anyway, so yeah,

0:34:47.560 --> 0:34:49.719
<v Speaker 1>he came to the party or whatever, and then like

0:34:49.880 --> 0:34:51.759
<v Speaker 1>I was like, oh my god, food up mooving it

0:34:51.800 --> 0:34:54.239
<v Speaker 1>out of but anyway, Yeah, so then I went home

0:34:54.280 --> 0:34:56.440
<v Speaker 1>and I didn't get caught or anything. But that was

0:34:56.480 --> 0:35:00.600
<v Speaker 1>like my first time sneaking out fully sixteen is great.

0:35:02.280 --> 0:35:06.279
<v Speaker 1>This is so yeah, that was my first time speaking out.

0:35:06.760 --> 0:35:08.759
<v Speaker 1>You did get caught. I did not get caught. I mean,

0:35:08.800 --> 0:35:12.120
<v Speaker 1>I'm telling now, but girl, don't drive me mom anyway.

0:35:12.160 --> 0:35:14.799
<v Speaker 1>But yeah, so I got dropped in stuff and like

0:35:15.120 --> 0:35:17.160
<v Speaker 1>I was just I didn't know what was happening. You know.

0:35:17.239 --> 0:35:19.600
<v Speaker 1>It's also so weird, Like I was watching a lot

0:35:19.640 --> 0:35:23.160
<v Speaker 1>of interviews. I would watch like interviews like Beyonce being

0:35:23.200 --> 0:35:26.600
<v Speaker 1>interviewed like Kobe, Like I would watch anything like just

0:35:26.680 --> 0:35:29.200
<v Speaker 1>to see what these people that I looked up to

0:35:29.280 --> 0:35:31.759
<v Speaker 1>what they were talking about, and like what they would

0:35:31.760 --> 0:35:33.560
<v Speaker 1>say about the journey. And I'd be like, I always

0:35:33.640 --> 0:35:36.320
<v Speaker 1>feel like they were not saying enough about the journey,

0:35:36.360 --> 0:35:38.799
<v Speaker 1>like where's the bad parts? You know, like where are

0:35:38.800 --> 0:35:41.279
<v Speaker 1>the where are the bad Like how long did it take?

0:35:41.520 --> 0:35:43.880
<v Speaker 1>What did you do? Did you get dropped right? Like

0:35:44.040 --> 0:35:48.680
<v Speaker 1>all of these things I was looking for, like to

0:35:48.680 --> 0:35:51.600
<v Speaker 1>to make it feel normal that it wasn't happening good

0:35:51.640 --> 0:35:53.600
<v Speaker 1>for me. So that's why I try to be like

0:35:53.960 --> 0:35:56.920
<v Speaker 1>more transparent about everything that happened, just because I was

0:35:57.000 --> 0:36:00.200
<v Speaker 1>like is this okay? Like does this mean I'm still

0:36:00.480 --> 0:36:04.040
<v Speaker 1>when or what what does this mean? So yeah, that's

0:36:04.080 --> 0:36:06.880
<v Speaker 1>kind of like what I was doing to feel the space. Yeah,

0:36:07.280 --> 0:36:09.919
<v Speaker 1>and you lived still with your parents at the time. Yeah, yeah,

0:36:09.920 --> 0:36:11.719
<v Speaker 1>I was sixteen. And then when I was seventeen, I

0:36:11.760 --> 0:36:14.400
<v Speaker 1>graduated early and I moved to l A and I

0:36:14.440 --> 0:36:18.200
<v Speaker 1>was staying with like kind of like godparents type, and

0:36:18.239 --> 0:36:20.800
<v Speaker 1>then I got this opportunity to be on Broadway. So

0:36:20.840 --> 0:36:23.000
<v Speaker 1>then I moved to New York by myself. And then

0:36:23.000 --> 0:36:24.200
<v Speaker 1>I was like, oh, I'm definitely not. I have a

0:36:24.239 --> 0:36:28.760
<v Speaker 1>roommates in the same year in the same year book

0:36:28.760 --> 0:36:32.200
<v Speaker 1>a Broadway show. That's so. Then I was in New

0:36:32.280 --> 0:36:34.600
<v Speaker 1>York and all my family came to New York for Christmas.

0:36:34.680 --> 0:36:36.520
<v Speaker 1>But for the most part, I was like there by

0:36:36.560 --> 0:36:39.800
<v Speaker 1>myself seventeen and then I turned eighteen. I had my

0:36:39.840 --> 0:36:43.000
<v Speaker 1>eighteenth birthday in New York. That's where were you staying

0:36:43.000 --> 0:36:45.680
<v Speaker 1>in New York? I was staying they had like they

0:36:45.680 --> 0:36:48.520
<v Speaker 1>had put me up in this like oh it's house.

0:36:48.600 --> 0:36:52.440
<v Speaker 1>It was not giving, but you know, um respectfully be

0:36:52.480 --> 0:36:56.759
<v Speaker 1>giving overworks and underpaid. I wasn't living for that. Yes,

0:36:57.160 --> 0:37:03.480
<v Speaker 1>I was like, isn't it labor of something? I don't

0:37:03.480 --> 0:37:08.320
<v Speaker 1>know one to three, four, five, six, seven. It's almost

0:37:08.320 --> 0:37:10.319
<v Speaker 1>like eight to nine shows a week, depending on what

0:37:10.360 --> 0:37:12.359
<v Speaker 1>you want, okay. And then I was like, Okay, who's

0:37:12.360 --> 0:37:13.920
<v Speaker 1>doing here? In makeup, They're like you. I was like,

0:37:13.960 --> 0:37:16.799
<v Speaker 1>who's doing design you? Well, who's putting my MinC on you?

0:37:17.160 --> 0:37:21.320
<v Speaker 1>I was like, okay, Literally I was over there. I

0:37:21.400 --> 0:37:23.920
<v Speaker 1>was like, so it's the same scripts, same everything every

0:37:24.000 --> 0:37:26.640
<v Speaker 1>day and we're doing this mostle time to day. Hey,

0:37:26.719 --> 0:37:30.359
<v Speaker 1>yay guy, how long were you on bay? I did

0:37:30.400 --> 0:37:35.120
<v Speaker 1>that like almost a year. Yeah, you were training for

0:37:36.120 --> 0:37:38.840
<v Speaker 1>but that's a that's a deep training, you know what

0:37:38.880 --> 0:37:42.720
<v Speaker 1>I'm saying. And it was at the time it feels

0:37:42.800 --> 0:37:48.560
<v Speaker 1>a way, but that's real training. It was. I was like,

0:37:48.840 --> 0:37:52.160
<v Speaker 1>I'm sorry, y'all. Y'all deserve way more than this because

0:37:52.280 --> 0:37:55.279
<v Speaker 1>this is a lot. Like it was the hardest job

0:37:55.440 --> 0:37:58.760
<v Speaker 1>I think I've ever done, like being on top of everything.

0:37:58.760 --> 0:38:01.040
<v Speaker 1>I remember the first couple of shows was like if

0:38:01.080 --> 0:38:03.160
<v Speaker 1>I didn't know where I was supposed to be placed,

0:38:03.400 --> 0:38:05.160
<v Speaker 1>like the other girls that played my friends and stuff,

0:38:05.160 --> 0:38:06.640
<v Speaker 1>they would look at me and I'm like, this is

0:38:06.640 --> 0:38:09.319
<v Speaker 1>a live show. Oh my god. It was too much.

0:38:09.400 --> 0:38:12.239
<v Speaker 1>I was so I was so green, And then by

0:38:12.280 --> 0:38:14.319
<v Speaker 1>the end of it, I was like, anyway, I got

0:38:14.640 --> 0:38:18.680
<v Speaker 1>right there. I'd be like happily because I've done it

0:38:18.719 --> 0:38:21.719
<v Speaker 1>so much. I go like a robot. You know that. Yeah,

0:38:21.800 --> 0:38:23.520
<v Speaker 1>and then like at the beginning, I would always be

0:38:23.560 --> 0:38:25.200
<v Speaker 1>nervous because I had to kiss this guy because we

0:38:25.080 --> 0:38:27.080
<v Speaker 1>were in love, and I'd be like and then by

0:38:27.080 --> 0:38:28.680
<v Speaker 1>the end, I was like, all right, anyway, let's get

0:38:28.719 --> 0:38:32.759
<v Speaker 1>this over come on, Tom, give me literally, Like I mean,

0:38:32.880 --> 0:38:36.400
<v Speaker 1>it was just crazy, like how how different my mindset

0:38:36.520 --> 0:38:39.080
<v Speaker 1>was on it at the end versus at the beginning.

0:38:39.440 --> 0:38:41.319
<v Speaker 1>But I don't know I would I think I would

0:38:41.320 --> 0:38:43.080
<v Speaker 1>do it again, but it would have to be like

0:38:45.480 --> 0:38:50.000
<v Speaker 1>definitely bossed up. And then also like it's not it

0:38:50.000 --> 0:38:53.520
<v Speaker 1>would be like a very much passionate project. It's like

0:38:53.560 --> 0:38:57.640
<v Speaker 1>when you do Broadway, you know it is a labor up.

0:38:57.760 --> 0:38:59.600
<v Speaker 1>Yeah you know what I mean, and because you really

0:38:59.600 --> 0:39:02.279
<v Speaker 1>did to show up in your tools, your tool and

0:39:02.600 --> 0:39:06.680
<v Speaker 1>but it's like you never if you can have no no, no,

0:39:06.880 --> 0:39:09.040
<v Speaker 1>if you can if you have to my life to

0:39:09.080 --> 0:39:14.680
<v Speaker 1>pick the project, then that's uh, that's the plus. If

0:39:14.719 --> 0:39:17.280
<v Speaker 1>you can pick the project in the moment, that's the plus.

0:39:17.320 --> 0:39:25.759
<v Speaker 1>But but outside, but the work, I respected that how

0:39:25.760 --> 0:39:34.799
<v Speaker 1>many we do okay, okay, how much right like um okay,

0:39:34.840 --> 0:39:38.080
<v Speaker 1>But it was like it was the the best experience

0:39:38.120 --> 0:39:40.080
<v Speaker 1>for me because of you know, of course the people

0:39:40.120 --> 0:39:42.480
<v Speaker 1>that I was on the road with, they were like

0:39:42.640 --> 0:39:45.759
<v Speaker 1>you know, from TV shows and from movies, and they

0:39:45.760 --> 0:39:49.040
<v Speaker 1>were they were the real deal. I was this singer guy,

0:39:49.880 --> 0:39:52.360
<v Speaker 1>you know what I mean, who was the only singer

0:39:52.400 --> 0:39:55.040
<v Speaker 1>guy on the stage in this you know, kind of

0:39:55.040 --> 0:39:58.439
<v Speaker 1>prominent role. And they're looking at me like what you got?

0:39:58.680 --> 0:40:01.960
<v Speaker 1>What you got out? I think it's so interesting because

0:40:02.160 --> 0:40:04.640
<v Speaker 1>when I was doing it, I was like the girl

0:40:04.719 --> 0:40:07.120
<v Speaker 1>from Disney. So they were like, what are you doing?

0:40:08.120 --> 0:40:11.760
<v Speaker 1>That's like, I really don't know. Actually, doesn't you're doing something?

0:40:12.440 --> 0:40:16.439
<v Speaker 1>You got to go to the trenches. I mean, it's

0:40:16.480 --> 0:40:20.680
<v Speaker 1>it's it's all preparation for all of these things that

0:40:20.719 --> 0:40:24.560
<v Speaker 1>we're involved in. And it goes back to you're so

0:40:24.680 --> 0:40:29.319
<v Speaker 1>trying to wards performance. You're prepared for those moments. It

0:40:29.600 --> 0:40:34.160
<v Speaker 1>showed everyone is not prepared for when that light come

0:40:34.200 --> 0:40:38.880
<v Speaker 1>on and when it's time to do your job. You understand, Okay,

0:40:39.000 --> 0:40:41.839
<v Speaker 1>this is my spot, these are my these are my

0:40:41.920 --> 0:40:44.520
<v Speaker 1>these are my notes, this is how I'm supposed to finish.

0:40:46.400 --> 0:40:48.600
<v Speaker 1>And I'm gonna handle this like a professional, you know

0:40:48.640 --> 0:40:50.640
<v Speaker 1>what I mean. You've got so many artists out here

0:40:50.680 --> 0:40:53.439
<v Speaker 1>now and I won't even say now we've always had.

0:40:53.560 --> 0:40:57.560
<v Speaker 1>We've always had some bullshit at times, but I think

0:40:57.719 --> 0:41:03.319
<v Speaker 1>it's it's it's more. It's it's it's normalized now that

0:41:03.440 --> 0:41:07.400
<v Speaker 1>people aren't ready ready. And I think also because we

0:41:07.480 --> 0:41:10.440
<v Speaker 1>are in this fast culture, so then sometimes people do

0:41:10.520 --> 0:41:13.880
<v Speaker 1>pop off fast because of social media and trends, and

0:41:13.920 --> 0:41:16.920
<v Speaker 1>then it's like, yeah, what do you do when you

0:41:16.920 --> 0:41:21.000
<v Speaker 1>were just singing and doing something on your computer? You know? Well,

0:41:21.000 --> 0:41:24.839
<v Speaker 1>I think it's I think it's like like if if

0:41:24.840 --> 0:41:28.800
<v Speaker 1>we're saying, okay, this this record is jumping off, TikTok

0:41:28.880 --> 0:41:31.560
<v Speaker 1>is going crazy, this major label comes in and say, hey,

0:41:31.719 --> 0:41:33.440
<v Speaker 1>you're popping, We're gonna give you a deal, let's go,

0:41:33.680 --> 0:41:36.560
<v Speaker 1>and then you just throw them to the wolves. And

0:41:36.640 --> 0:41:41.120
<v Speaker 1>that's the part that the development costs money, but I

0:41:41.280 --> 0:41:44.360
<v Speaker 1>want to spend that, but that's the part that's missing.

0:41:44.440 --> 0:41:46.839
<v Speaker 1>So it's like that's why we have I think more

0:41:46.920 --> 0:41:49.560
<v Speaker 1>of it. You know, We've always had the bullshit for sure,

0:41:49.840 --> 0:41:51.920
<v Speaker 1>but I think we have more of it because there

0:41:51.920 --> 0:41:54.839
<v Speaker 1>are more avenues for people to get cracking and people

0:41:54.880 --> 0:41:57.640
<v Speaker 1>will just throw money at it as opposed to throwing

0:41:57.800 --> 0:42:00.960
<v Speaker 1>some type of tutelage and education and I'm just standing

0:42:01.000 --> 0:42:05.640
<v Speaker 1>at it it's a fun word to need it. We

0:42:05.680 --> 0:42:09.400
<v Speaker 1>need it. And so um, let's get out of New York. Okay,

0:42:09.960 --> 0:42:14.880
<v Speaker 1>back to back to BA. You're back to l with

0:42:14.960 --> 0:42:24.080
<v Speaker 1>no roommate. I was blowing it. That was not a

0:42:24.120 --> 0:42:25.799
<v Speaker 1>big Okay, that was not a big But I had

0:42:25.800 --> 0:42:27.520
<v Speaker 1>all these you know, I had savings and stuff because

0:42:27.520 --> 0:42:33.279
<v Speaker 1>I've been working since I was literally twelve. Yeah period. Um,

0:42:33.360 --> 0:42:37.560
<v Speaker 1>so yes, I was back in l A auditioning and

0:42:37.600 --> 0:42:40.320
<v Speaker 1>this was pre COVID when you would go into rooms

0:42:40.360 --> 0:42:42.440
<v Speaker 1>and like meet casting people and stuff. It just seems

0:42:42.520 --> 0:42:45.680
<v Speaker 1>so so long ago when we would go into rooms.

0:42:45.719 --> 0:42:49.960
<v Speaker 1>But I'll be driving like all over the place, Santa Monica, downtown,

0:42:50.040 --> 0:42:54.799
<v Speaker 1>North Hollywood, auditioning, auditioning, auditioning, auditioning, auditioning, auditioning, auditioning. Oh

0:42:55.239 --> 0:42:58.719
<v Speaker 1>d Like, at least I'm grateful that, like I did

0:42:58.719 --> 0:43:02.200
<v Speaker 1>have opportunities an audition. Some people just want that, you know,

0:43:02.320 --> 0:43:04.800
<v Speaker 1>just the fact that they even are getting a shot

0:43:05.239 --> 0:43:08.239
<v Speaker 1>to take It's like, oh my gosh, wow. But I

0:43:08.280 --> 0:43:11.040
<v Speaker 1>think for me, like my pride was chacked because I

0:43:11.080 --> 0:43:13.920
<v Speaker 1>had already expected it to go. I already thought I

0:43:13.960 --> 0:43:16.960
<v Speaker 1>was at this level and go up from there. But

0:43:17.000 --> 0:43:19.200
<v Speaker 1>it was like it doesn't matter what you did when

0:43:19.239 --> 0:43:22.600
<v Speaker 1>you go into these rooms. They do not care your

0:43:22.719 --> 0:43:25.680
<v Speaker 1>brand new. So I felt like I was constantly like

0:43:26.120 --> 0:43:28.640
<v Speaker 1>just proving myself to people, like proving it, proving and

0:43:28.719 --> 0:43:31.040
<v Speaker 1>proving it. And at the same time with music, I'm

0:43:31.080 --> 0:43:34.680
<v Speaker 1>independent now, so like I don't really know what I

0:43:34.760 --> 0:43:38.960
<v Speaker 1>want to sing recording to now when you come back

0:43:38.960 --> 0:43:41.480
<v Speaker 1>to l as. Yeah, but like very much independent, like

0:43:42.040 --> 0:43:45.239
<v Speaker 1>whatever I want to spend my money on to do,

0:43:45.560 --> 0:43:48.680
<v Speaker 1>you know, because when you're independent, it's on you, and

0:43:48.719 --> 0:43:51.000
<v Speaker 1>then the people that want to rock with you, you you know,

0:43:51.120 --> 0:43:54.240
<v Speaker 1>maybe get it on the back end or like just believe,

0:43:54.640 --> 0:43:56.600
<v Speaker 1>you know. And I had plenty of all of those

0:43:56.600 --> 0:43:59.600
<v Speaker 1>different things. So like I would make music and then

0:43:59.600 --> 0:44:02.799
<v Speaker 1>I was all to go into this music school. But

0:44:02.840 --> 0:44:05.200
<v Speaker 1>that was just see I could feel my my family

0:44:05.239 --> 0:44:07.480
<v Speaker 1>that I was in school, you know, because they were

0:44:07.480 --> 0:44:09.879
<v Speaker 1>like when is she doing out there? And my parents

0:44:09.880 --> 0:44:13.000
<v Speaker 1>would be like, she's in school, but um, I was

0:44:13.040 --> 0:44:15.839
<v Speaker 1>doing that too. That was that didn't lead too much,

0:44:16.200 --> 0:44:19.319
<v Speaker 1>and like it was so crazy because every time it

0:44:19.320 --> 0:44:21.719
<v Speaker 1>would get to the point where it looked like I

0:44:21.760 --> 0:44:25.280
<v Speaker 1>would need to pivot and like do something else, something

0:44:25.280 --> 0:44:29.960
<v Speaker 1>would happen literally every time I would get something or

0:44:30.000 --> 0:44:33.680
<v Speaker 1>like a song would pop off, or like I would

0:44:33.680 --> 0:44:37.240
<v Speaker 1>get a sponsorship like a promo, like a content piece

0:44:37.320 --> 0:44:39.359
<v Speaker 1>to do something on social media. And my numbers were

0:44:39.360 --> 0:44:42.120
<v Speaker 1>not even giving like that. So it was just so

0:44:43.280 --> 0:44:46.719
<v Speaker 1>they would come like something would always keep me going.

0:44:49.640 --> 0:44:55.279
<v Speaker 1>I mean that it worked out, if that's what it was.

0:44:56.080 --> 0:45:05.600
<v Speaker 1>If I was thinking if I was none none of that,

0:45:05.960 --> 0:45:11.759
<v Speaker 1>I got thirty none steps. I got a question. Yes,

0:45:12.360 --> 0:45:16.080
<v Speaker 1>some totally different. You mentioned it the school. Uh huh.

0:45:17.840 --> 0:45:21.719
<v Speaker 1>What were your expectations of music school did you have?

0:45:21.800 --> 0:45:23.920
<v Speaker 1>Did you walk into because you said something you were like,

0:45:23.920 --> 0:45:28.320
<v Speaker 1>it didn't really pan out. So did you have expectations

0:45:28.360 --> 0:45:31.520
<v Speaker 1>when you when you signed up for music school like

0:45:31.600 --> 0:45:35.319
<v Speaker 1>this is going to help me through get X yres it. No,

0:45:35.640 --> 0:45:39.400
<v Speaker 1>I did not expect that. I I only wanted to

0:45:39.440 --> 0:45:44.120
<v Speaker 1>go to the school to network and to possibly learn.

0:45:44.200 --> 0:45:45.880
<v Speaker 1>I was thinking I was going to learn how to produce.

0:45:45.960 --> 0:45:48.160
<v Speaker 1>I was like, okay, I can learn that there, Lauren.

0:45:48.239 --> 0:45:51.400
<v Speaker 1>I was studying like music business, like entertainment law, like

0:45:51.440 --> 0:45:53.080
<v Speaker 1>I was like, I want to learn what all of

0:45:53.080 --> 0:45:55.319
<v Speaker 1>this stuff means. Those were the things that I really

0:45:55.440 --> 0:45:57.200
<v Speaker 1>knew I could get out of it. But what I

0:45:57.239 --> 0:45:59.640
<v Speaker 1>thought was gonna pop me off was a job like

0:46:00.040 --> 0:46:03.279
<v Speaker 1>acting role. So that's where I was like, whenever I

0:46:03.320 --> 0:46:04.920
<v Speaker 1>get this role, I'm out of here. I don't even

0:46:05.000 --> 0:46:07.359
<v Speaker 1>care how long I was studying any of this. I'm

0:46:07.400 --> 0:46:09.080
<v Speaker 1>gone because this is what is going to open the

0:46:09.080 --> 0:46:12.520
<v Speaker 1>door for me, you know, because I think sometimes people

0:46:13.840 --> 0:46:17.600
<v Speaker 1>it's a it's a weird space with um with the

0:46:17.680 --> 0:46:23.680
<v Speaker 1>music business and music education, and I think a lot

0:46:23.719 --> 0:46:27.399
<v Speaker 1>of people don't look at it as really a real

0:46:27.480 --> 0:46:32.719
<v Speaker 1>resource into making it because so many people have done

0:46:32.719 --> 0:46:36.960
<v Speaker 1>it without it. So it's I and I sit in

0:46:37.000 --> 0:46:39.480
<v Speaker 1>a funny space because I didn't you, I didn't utilize

0:46:39.480 --> 0:46:41.640
<v Speaker 1>I didn't go to school for music either. But I

0:46:41.680 --> 0:46:45.360
<v Speaker 1>do understand the value of it, and I think sometimes

0:46:45.400 --> 0:46:47.560
<v Speaker 1>it's it's not really it's not really brought up at

0:46:47.600 --> 0:46:51.520
<v Speaker 1>all when people talk about, Okay, this person went to

0:46:51.560 --> 0:46:54.160
<v Speaker 1>Berkeley School of Music or this person you know, they

0:46:54.200 --> 0:46:57.000
<v Speaker 1>went to the engineering Academy and these type of things.

0:46:57.040 --> 0:46:59.399
<v Speaker 1>And I personally think it should be promoted a little

0:46:59.440 --> 0:47:03.719
<v Speaker 1>more because I do think we need more people that

0:47:04.120 --> 0:47:08.920
<v Speaker 1>you know, have some form of education in music business

0:47:09.040 --> 0:47:12.879
<v Speaker 1>and in music period. I think that as we look

0:47:12.920 --> 0:47:17.080
<v Speaker 1>at a curriculum for music business. I don't think that

0:47:17.080 --> 0:47:23.160
<v Speaker 1>that's been curated no properly. And I think that there

0:47:23.160 --> 0:47:27.400
<v Speaker 1>are so many things, so many nuances and actual music

0:47:27.520 --> 0:47:31.400
<v Speaker 1>business of us doing the music business that's not in

0:47:31.480 --> 0:47:36.719
<v Speaker 1>a music business school, that at some point there's we're

0:47:36.719 --> 0:47:40.520
<v Speaker 1>going to have to help curate that program so that

0:47:40.560 --> 0:47:44.040
<v Speaker 1>when people come out of music school music business school,

0:47:44.560 --> 0:47:47.560
<v Speaker 1>they're not starting over from the very beginning, because that's

0:47:47.560 --> 0:47:49.759
<v Speaker 1>normally what happens. Now if you have the gift, like

0:47:49.760 --> 0:47:52.160
<v Speaker 1>if you go to Berkeley or one of those schools

0:47:52.160 --> 0:47:54.880
<v Speaker 1>and you come out in here, or you know, you

0:47:55.040 --> 0:47:57.640
<v Speaker 1>technically savvy, you know how to you know, you engineer,

0:47:57.800 --> 0:48:00.359
<v Speaker 1>you know all these cool things like there's a there's

0:48:00.400 --> 0:48:02.440
<v Speaker 1>a there's a good chance that you can be a

0:48:02.480 --> 0:48:05.319
<v Speaker 1>dope session engineer, or catch a tour and go on

0:48:05.320 --> 0:48:08.000
<v Speaker 1>the road, or or catch a cool engineering job for

0:48:08.200 --> 0:48:10.080
<v Speaker 1>up and coming rapper or something like that. You know

0:48:10.080 --> 0:48:13.440
<v Speaker 1>what I'm saying. Like, but when it's just music business.

0:48:13.440 --> 0:48:16.360
<v Speaker 1>The things that I've seen from music business school is

0:48:16.400 --> 0:48:24.560
<v Speaker 1>that they it's a book thing for the more go go,

0:48:24.680 --> 0:48:26.920
<v Speaker 1>you're awesome and all things. That's what you've told them. Okay,

0:48:27.040 --> 0:48:29.520
<v Speaker 1>you told us without telling them if you flexed on them. Okay,

0:48:30.560 --> 0:48:32.799
<v Speaker 1>since you were this high, you've been doing it at

0:48:32.800 --> 0:48:37.239
<v Speaker 1>a high level. We're gonna get into your mind, your

0:48:37.320 --> 0:48:42.040
<v Speaker 1>R and B mind, and be mind. Your top five?

0:48:43.440 --> 0:48:46.640
<v Speaker 1>Why does everything sound like a bad beer commercial? This

0:48:46.719 --> 0:48:56.480
<v Speaker 1>is the mop. Your top five singers and singers and

0:48:56.560 --> 0:49:01.440
<v Speaker 1>singers and singings and singers, top five and be sunk.

0:49:01.560 --> 0:49:19.000
<v Speaker 1>Can give us a little bit the next My tough

0:49:19.040 --> 0:49:36.120
<v Speaker 1>five aready your top five R and B singers male

0:49:36.239 --> 0:49:40.960
<v Speaker 1>or female? Okay, well, I already hit. I already thought

0:49:40.960 --> 0:49:46.239
<v Speaker 1>about this. They're all female, um in no particular order,

0:49:46.239 --> 0:49:53.080
<v Speaker 1>but five of them. Brandy, Jasmine selevant, you're going to heavy,

0:49:53.320 --> 0:50:05.480
<v Speaker 1>go ahead? And her Yeah, Barrier Alia Wow, Oh that's

0:50:05.480 --> 0:50:12.120
<v Speaker 1>the toughness. Who dangerous sounds like they check ball man?

0:50:12.600 --> 0:50:18.640
<v Speaker 1>Whose monsters? Who want to go no one, no One?

0:50:19.200 --> 0:50:23.880
<v Speaker 1>I feel like they all have different elements. Like Jasmine

0:50:23.920 --> 0:50:27.640
<v Speaker 1>is like this raspy, soul, full type thing, and like

0:50:27.719 --> 0:50:31.040
<v Speaker 1>Aaliyah is like this vibe you can't help but be

0:50:31.160 --> 0:50:35.560
<v Speaker 1>like you. Her songs are magnetic, you know, and they

0:50:35.640 --> 0:50:39.680
<v Speaker 1>stick in your head. Beyonce is the execution. It's going

0:50:39.760 --> 0:50:43.319
<v Speaker 1>to be executed to perfection, you know, her is like

0:50:43.800 --> 0:50:50.160
<v Speaker 1>artistry like all these instruments you know who that Brandy Yea,

0:50:51.360 --> 0:50:54.239
<v Speaker 1>the vocal behind you already knew. I feel like as

0:50:54.280 --> 0:50:56.600
<v Speaker 1>I listened to your music and your EP, like your

0:50:56.640 --> 0:51:01.080
<v Speaker 1>body of work, you cover all of that ground, You

0:51:01.160 --> 0:51:05.640
<v Speaker 1>cover all of your inspirations in your music, because it

0:51:05.760 --> 0:51:11.000
<v Speaker 1>was like you, you really were morphing into different moments,

0:51:12.000 --> 0:51:14.920
<v Speaker 1>you know what I mean, which is tough to do,

0:51:15.800 --> 0:51:20.160
<v Speaker 1>to be able to you know, cater your voice to

0:51:20.320 --> 0:51:23.720
<v Speaker 1>the different sonics, into the different tempos, and like I didn't,

0:51:23.760 --> 0:51:26.400
<v Speaker 1>I didn't lose anything from you from a tempo record

0:51:26.400 --> 0:51:30.919
<v Speaker 1>to a slow record. Did you write all of them?

0:51:31.000 --> 0:51:33.000
<v Speaker 1>I don't feel like you should stay here and now

0:51:33.080 --> 0:51:36.960
<v Speaker 1>get better here or you should like everything was like okay,

0:51:37.040 --> 0:51:39.480
<v Speaker 1>because and then that comes with the execution when you

0:51:39.480 --> 0:51:42.640
<v Speaker 1>talk about Beyoncet like you didn't. You didn't, you didn't

0:51:42.719 --> 0:51:44.960
<v Speaker 1>lay off on any of those moments, on any of

0:51:44.960 --> 0:51:48.920
<v Speaker 1>those tempos, like we gotta nail that. Let's do that again,

0:51:48.960 --> 0:51:52.160
<v Speaker 1>because if it's not the run, then it's got to

0:51:52.200 --> 0:51:54.440
<v Speaker 1>be the swag. And if it's not the swag, then

0:51:54.480 --> 0:51:56.040
<v Speaker 1>it's got to be the cadence. And if it's not

0:51:56.120 --> 0:52:03.000
<v Speaker 1>like you were on all of that. Congratulations you're top five, Welcome, Welcome,

0:52:03.680 --> 0:52:12.200
<v Speaker 1>R and B songs, Okay, um and no order, say

0:52:12.239 --> 0:52:17.280
<v Speaker 1>my name, Disney's Child, thinking about you, Frank Ocean, Wow,

0:52:18.239 --> 0:52:22.600
<v Speaker 1>when you touch me? Brandy, don't you do this today? Okay?

0:52:23.520 --> 0:52:28.520
<v Speaker 1>Some spear fingers, you know that one? That's one of

0:52:28.520 --> 0:52:34.040
<v Speaker 1>my favorite records of all time. Okay, um focused by

0:52:34.120 --> 0:52:37.560
<v Speaker 1>her with the harps, It doesn't mean And then I

0:52:37.640 --> 0:52:40.839
<v Speaker 1>said my own song, just my luck, Come on, shout

0:52:40.840 --> 0:52:43.440
<v Speaker 1>out yourself. Why shouldn't your song we want of your

0:52:43.440 --> 0:52:45.920
<v Speaker 1>top five? I mean I realized that the theme here

0:52:46.000 --> 0:52:53.360
<v Speaker 1>is do whatever you play? And damn right, how you

0:52:53.400 --> 0:52:57.160
<v Speaker 1>went to that? Brandy? When you touch me? Oh my

0:52:57.360 --> 0:53:02.000
<v Speaker 1>gosh's listen? Brand be saying one time at this R

0:53:02.120 --> 0:53:04.719
<v Speaker 1>and B with an R and B night that I

0:53:04.840 --> 0:53:09.760
<v Speaker 1>used to host every Wednesday, and Brandy singing, came in there, singing,

0:53:10.360 --> 0:53:14.560
<v Speaker 1>and I saw dudes huddled up, Oh my gods, huddled

0:53:14.640 --> 0:53:19.960
<v Speaker 1>up together, shoulder to shoulder in frenzy. It's like I

0:53:20.520 --> 0:53:26.280
<v Speaker 1>wasn't one of those guys. It was. I just wasn't

0:53:26.600 --> 0:53:36.600
<v Speaker 1>women in this like an artists together. It was guys

0:53:36.800 --> 0:53:41.439
<v Speaker 1>huddled together, strong, solid dudes that were had, there were

0:53:41.520 --> 0:53:46.799
<v Speaker 1>they were, they were broken, they were emotional, Brandy had

0:53:46.840 --> 0:53:50.040
<v Speaker 1>done that. Her vocal is serious. It is, it is.

0:53:50.440 --> 0:53:55.439
<v Speaker 1>It's the backgrounds as well, like it's the detail. It's

0:53:55.480 --> 0:53:58.080
<v Speaker 1>not she don't play, she don't. And it's like, what's

0:53:58.080 --> 0:54:00.160
<v Speaker 1>crazy is you remember the song and you web were

0:54:00.160 --> 0:54:02.400
<v Speaker 1>the ad libs? Like, that's a whole another verse is

0:54:02.440 --> 0:54:05.279
<v Speaker 1>the ad litle You've been trying to sing all the

0:54:05.320 --> 0:54:08.640
<v Speaker 1>parts running out of breath. It's a whole thing. I

0:54:08.680 --> 0:54:11.640
<v Speaker 1>want to sing your ad libs in the backgrounds at

0:54:11.640 --> 0:54:15.120
<v Speaker 1>the same time, at the same time, well along with

0:54:15.160 --> 0:54:17.720
<v Speaker 1>this lead line that Rodney's playing, What is the lead line?

0:54:18.200 --> 0:54:20.520
<v Speaker 1>I want to do all of that. Okay, here we go.

0:54:22.960 --> 0:54:27.520
<v Speaker 1>You're making an R and B voltron Okay, we're building.

0:54:28.960 --> 0:54:36.520
<v Speaker 1>We need the vocal performance, style, styling, and passion for

0:54:36.680 --> 0:54:39.520
<v Speaker 1>the artist for this voltron Who are you getting the

0:54:39.760 --> 0:54:47.000
<v Speaker 1>vocal from? Put your phone down? Put your phone down? Alright, alright,

0:54:47.320 --> 0:54:51.760
<v Speaker 1>Google is not your friend. I was gonna say the vocal,

0:54:51.880 --> 0:54:55.520
<v Speaker 1>I would say, Jasmine, I want Jasmine's vocal on this

0:54:55.600 --> 0:55:01.920
<v Speaker 1>voltron Um. Vote you go on with that, Yes, Jasmine

0:55:01.960 --> 0:55:05.120
<v Speaker 1>your vocal. I'm gonna say, I mean, I could say Brandy,

0:55:05.160 --> 0:55:09.440
<v Speaker 1>of course, but but I love Jasmine. I love it.

0:55:09.600 --> 0:55:11.799
<v Speaker 1>This is like, this is this is one of my

0:55:11.880 --> 0:55:14.080
<v Speaker 1>vul Drahn's. This is one of them. Okay, this one

0:55:14.120 --> 0:55:15.600
<v Speaker 1>you're just building here, you're gonna build another one that

0:55:15.880 --> 0:55:19.600
<v Speaker 1>it already did. The Brandy one is like it's on

0:55:19.640 --> 0:55:22.440
<v Speaker 1>its own, leading the pack. And then this is the

0:55:22.480 --> 0:55:30.239
<v Speaker 1>second in command performance style on stage. Beyonce m would

0:55:30.239 --> 0:55:33.000
<v Speaker 1>pick that as well. Yeah, did you go to them

0:55:33.080 --> 0:55:39.360
<v Speaker 1>to run two two? Get on my nerves. I have

0:55:39.440 --> 0:55:43.440
<v Speaker 1>a thing where I only want to experience these things

0:55:43.640 --> 0:55:46.279
<v Speaker 1>at the top tier, Like I would rather I want

0:55:46.280 --> 0:55:48.520
<v Speaker 1>to go to the concert. When she's like, hey, co going,

0:55:48.520 --> 0:55:51.080
<v Speaker 1>I'm like hey, she's like, come to the concert. I'm like, okay, yeah,

0:55:51.080 --> 0:55:53.800
<v Speaker 1>I'm on the way. Where's it that? Oh that's a

0:55:53.800 --> 0:55:59.200
<v Speaker 1>little she didn't know what the show was that you're

0:55:59.239 --> 0:56:01.279
<v Speaker 1>not really proud of to be huh, like like the

0:56:01.320 --> 0:56:04.920
<v Speaker 1>rest of us, I'm saying, like, I just I just

0:56:05.280 --> 0:56:09.480
<v Speaker 1>wanted to be experienced that way as I was in

0:56:09.520 --> 0:56:12.600
<v Speaker 1>the audience experience in Beyonce. I want to be like

0:56:12.680 --> 0:56:14.560
<v Speaker 1>I want to come and say don't We'll talk about

0:56:14.560 --> 0:56:20.720
<v Speaker 1>your membership after this. Um, Okay, styling of the artists.

0:56:20.719 --> 0:56:23.440
<v Speaker 1>What you want put the trip? Who who put who

0:56:23.520 --> 0:56:27.600
<v Speaker 1>put that ship on? Put that on? She did? She?

0:56:27.719 --> 0:56:31.399
<v Speaker 1>I mean, the trends are still very much the trends. Absolutely,

0:56:31.560 --> 0:56:35.279
<v Speaker 1>she definitely put that on. Absolutely, And I also feel

0:56:35.360 --> 0:56:40.320
<v Speaker 1>like she was sexy. But it wasn't giving like, Okay,

0:56:40.640 --> 0:56:45.040
<v Speaker 1>new mystery, huh, it's really we're all out here when aperio, Okay.

0:56:45.200 --> 0:56:46.879
<v Speaker 1>It was more like how does she? What is that?

0:56:47.200 --> 0:56:50.160
<v Speaker 1>What's under there? Like what is this? I'm captivated by

0:56:50.200 --> 0:56:54.240
<v Speaker 1>the unknown? You know. I just feel like that's something

0:56:54.280 --> 0:56:57.520
<v Speaker 1>that is not as popular anymore, like you know what

0:56:57.560 --> 0:57:00.320
<v Speaker 1>I'm saying, Especially like as women, you feel like, Okay,

0:57:00.360 --> 0:57:01.880
<v Speaker 1>this is what everybody doing, this is what this is

0:57:01.880 --> 0:57:04.160
<v Speaker 1>what I gotta do what we do? Like, well they

0:57:04.200 --> 0:57:07.440
<v Speaker 1>care if I don't, you know. Well, so I liked that.

0:57:07.480 --> 0:57:09.360
<v Speaker 1>For me, it was like, oh wow, she gets to

0:57:09.440 --> 0:57:13.440
<v Speaker 1>like not have to do that. You just gotta decide

0:57:13.480 --> 0:57:16.360
<v Speaker 1>what you want to be on and and not you

0:57:17.400 --> 0:57:19.600
<v Speaker 1>and stand on the right. Of course you do. But

0:57:19.640 --> 0:57:21.560
<v Speaker 1>then you know, as a girl, as a young girl

0:57:21.600 --> 0:57:24.400
<v Speaker 1>coming up, all you see is the certain things that

0:57:24.400 --> 0:57:31.160
<v Speaker 1>are like it right there right. I just feel like

0:57:31.240 --> 0:57:33.040
<v Speaker 1>she for me was like a breath of fresh air.

0:57:33.680 --> 0:57:36.640
<v Speaker 1>I could wear that too and feel like that's something

0:57:36.680 --> 0:57:38.640
<v Speaker 1>I would wear. I would want to do that, not

0:57:38.760 --> 0:57:41.280
<v Speaker 1>feel like, Okay, I have to do this to keep up.

0:57:41.760 --> 0:57:45.840
<v Speaker 1>You know, passion of the artists who you don't get

0:57:45.880 --> 0:57:52.720
<v Speaker 1>the heart from. Then, because Beyonce also has a passion

0:57:53.440 --> 0:58:00.520
<v Speaker 1>as well, I'm going to say, Michael Jackson, mm hmm,

0:58:01.400 --> 0:58:03.360
<v Speaker 1>oh you want to rehearse eight to ten hours a day.

0:58:04.600 --> 0:58:06.840
<v Speaker 1>I don't want to play with it. Yeah, the passion

0:58:06.920 --> 0:58:09.880
<v Speaker 1>was passionate. Yeah, you don't want to play with it. Yeah,

0:58:09.960 --> 0:58:13.080
<v Speaker 1>I'm playing with it. Yeah, he didn't play car being polished.

0:58:14.160 --> 0:58:19.720
<v Speaker 1>That's man, that's yeah, it's different. I love it different.

0:58:19.840 --> 0:58:24.880
<v Speaker 1>That is different. That's a great vultura. That's a great vultura.

0:58:25.000 --> 0:58:26.680
<v Speaker 1>And then I also had to say dancing. But you

0:58:26.720 --> 0:58:30.000
<v Speaker 1>guys didn't ask me that well, performance style. Oh okay,

0:58:30.000 --> 0:58:42.440
<v Speaker 1>that is that is fact. Yeah, come over here, thank you.

0:58:43.200 --> 0:58:46.720
<v Speaker 1>And I'm sad. None ain't nothing. I'm no, ain't nothing, right,

0:58:48.120 --> 0:58:57.600
<v Speaker 1>don't make me regret? Oh yeah, in fact? Okay, oh yeah, okay, sorry,

0:58:58.120 --> 0:59:00.960
<v Speaker 1>we got listen, we got we got we got something

0:59:00.960 --> 0:59:03.360
<v Speaker 1>else for you. Lord what and don't go to your

0:59:03.440 --> 0:59:05.640
<v Speaker 1>damn phone for it. Neither. You can't get this out

0:59:05.680 --> 0:59:14.760
<v Speaker 1>your phone. I ain't singing no names. I have to guess.

0:59:14.840 --> 0:59:18.720
<v Speaker 1>I ain't saying no names there. Who's doing you gotta

0:59:18.720 --> 0:59:21.960
<v Speaker 1>looking to the clouds when he's saying might have been me?

0:59:22.280 --> 0:59:25.080
<v Speaker 1>Might have been there? I don't know what it was

0:59:25.160 --> 0:59:34.600
<v Speaker 1>like singing no names like you saying no names? You

0:59:34.720 --> 0:59:37.440
<v Speaker 1>say names? What is this? What happened? I might you

0:59:37.520 --> 0:59:41.000
<v Speaker 1>need a breakdown. You listen his song first, though, you

0:59:41.040 --> 0:59:44.680
<v Speaker 1>see you see what you see what he's doing? Huh?

0:59:45.080 --> 0:59:47.320
<v Speaker 1>You might catch you by the four seasons playing the

0:59:47.360 --> 0:59:52.560
<v Speaker 1>piano the lobby. You what I ain't saying no name?

0:59:52.720 --> 1:00:00.760
<v Speaker 1>Definitely master your second floor? Second, no names, get to

1:00:00.880 --> 1:00:11.840
<v Speaker 1>it extra garlic like my steak oscar style. What is

1:00:11.880 --> 1:00:15.760
<v Speaker 1>going on? So we have a portion of the show.

1:00:15.880 --> 1:00:18.960
<v Speaker 1>Segment of the show. It's called I ain't saying no names.

1:00:19.960 --> 1:00:23.200
<v Speaker 1>Will you tell us a story? Funny or fucked up?

1:00:23.480 --> 1:00:27.600
<v Speaker 1>Are funny? Oh? I was over here trying to guess

1:00:27.600 --> 1:00:31.880
<v Speaker 1>the song. I was like, no names, names And the

1:00:31.960 --> 1:00:36.240
<v Speaker 1>only rule to this game. You can't say no names.

1:00:36.440 --> 1:00:39.320
<v Speaker 1>We don't do no snitching here. You can't say nobody

1:00:39.400 --> 1:00:48.360
<v Speaker 1>name tell your story though, Um, come on, listen. Let

1:00:48.400 --> 1:00:52.880
<v Speaker 1>me think, because me telling this story, I mean, I'm

1:00:52.960 --> 1:00:56.439
<v Speaker 1>in the stories. So I'm like, what do I want

1:00:56.480 --> 1:01:00.920
<v Speaker 1>to say on the interwebs to win? So I like it?

1:01:00.960 --> 1:01:04.840
<v Speaker 1>I like it. I like, give me. You can't say

1:01:04.840 --> 1:01:11.160
<v Speaker 1>it was me Mini and Mickey do that? Oh my gosh.

1:01:11.200 --> 1:01:14.000
<v Speaker 1>And I told a good story already and didn't say

1:01:14.040 --> 1:01:20.840
<v Speaker 1>no name. Let me think. M I'm scared. I'm also

1:01:21.000 --> 1:01:26.800
<v Speaker 1>a little naive. People you got them, you got you

1:01:26.880 --> 1:01:29.680
<v Speaker 1>got the stories, and now you got the stories. M

1:01:29.880 --> 1:01:36.240
<v Speaker 1>h yeah that's the one when it hits you. Yeah,

1:01:39.120 --> 1:01:49.520
<v Speaker 1>oh mm hm oh yeah. Should I thank you management?

1:01:49.520 --> 1:01:55.160
<v Speaker 1>I love that management. I love that Yeah. Yeah, oh no,

1:01:55.760 --> 1:01:57.520
<v Speaker 1>I have to keep that in mind. Say no names. Okay,

1:01:58.680 --> 1:02:04.560
<v Speaker 1>so before you saw this is Coco Jones, I ain't

1:02:04.600 --> 1:02:14.160
<v Speaker 1>saying no names. Whoa um, okay, I'm going to talk

1:02:14.280 --> 1:02:21.240
<v Speaker 1>about a first date that I here went on. So

1:02:21.320 --> 1:02:33.439
<v Speaker 1>basically this okay, fine checked. So this was a recommendation

1:02:33.760 --> 1:02:36.920
<v Speaker 1>from a friend. My friend was like, I think you

1:02:36.920 --> 1:02:40.800
<v Speaker 1>guys would really hit it off because the impression that

1:02:41.040 --> 1:02:44.760
<v Speaker 1>I get from this guy is that you guys were

1:02:44.880 --> 1:02:46.880
<v Speaker 1>really match. You know what I'm saying. You guys seen

1:02:47.000 --> 1:02:50.320
<v Speaker 1>birds of a feather flock together type and I was like, okay,

1:02:50.440 --> 1:02:53.600
<v Speaker 1>my friend had never recommended me do any first dates

1:02:53.600 --> 1:02:55.439
<v Speaker 1>and nothing like that, so I was like, okay, cool,

1:02:55.560 --> 1:02:59.200
<v Speaker 1>I'm gonna see what's talking about. So the first kind

1:02:59.240 --> 1:03:01.840
<v Speaker 1>of date was like all like kind of a group

1:03:01.840 --> 1:03:04.360
<v Speaker 1>hangout type thing, like to get just get the vibe.

1:03:05.480 --> 1:03:07.400
<v Speaker 1>And then like you know how, girls were like, are

1:03:07.440 --> 1:03:09.600
<v Speaker 1>you gonna go the bathroom? So basically means like you

1:03:09.600 --> 1:03:11.040
<v Speaker 1>want to go talk to it in the bathroom, and

1:03:11.080 --> 1:03:12.760
<v Speaker 1>so it's like, yes, I do. Great, So we're go

1:03:12.760 --> 1:03:14.520
<v Speaker 1>in the bathroom. And after I had met him, like

1:03:14.600 --> 1:03:16.440
<v Speaker 1>I thought, he was like mad fine, like da da

1:03:16.520 --> 1:03:18.880
<v Speaker 1>da da da tall. You know, in l A it

1:03:19.040 --> 1:03:23.960
<v Speaker 1>really be giving like you're either five eight or year

1:03:24.040 --> 1:03:27.600
<v Speaker 1>six spot. Like it's rare for me because I'm tall.

1:03:27.640 --> 1:03:32.080
<v Speaker 1>I'm always like year five ten. Okay, all right, I'm

1:03:32.200 --> 1:03:35.560
<v Speaker 1>five ten anyway, so I was like he's actually tall,

1:03:35.640 --> 1:03:38.120
<v Speaker 1>Like oh my god, he's cute, like funny da da

1:03:38.200 --> 1:03:40.200
<v Speaker 1>da da da, Like I was a girl, I think

1:03:40.240 --> 1:03:43.200
<v Speaker 1>you ate that. She was like okay, par so cool.

1:03:43.600 --> 1:03:47.040
<v Speaker 1>So after the group haying, he was like, yeah, let's

1:03:47.040 --> 1:03:48.200
<v Speaker 1>hang out one on one and I was like yeah,

1:03:48.240 --> 1:03:54.040
<v Speaker 1>for sure, so he like he was like, you want

1:03:54.080 --> 1:03:55.480
<v Speaker 1>me to pick you up? Da da da da das

1:03:55.520 --> 1:03:57.320
<v Speaker 1>and the carbos like whatever. I was like, you know,

1:03:57.400 --> 1:04:03.920
<v Speaker 1>like you can pick me up whatever. Yeah, Okay's friends

1:04:04.000 --> 1:04:06.480
<v Speaker 1>charming and like, you know, I had these impressions like

1:04:06.520 --> 1:04:09.480
<v Speaker 1>he's like cool, like suave type, you know, like the

1:04:09.960 --> 1:04:12.600
<v Speaker 1>like with a little side of like corny, which I

1:04:12.680 --> 1:04:16.160
<v Speaker 1>like that, like I don't like, like yo what I'm like, Okay,

1:04:16.160 --> 1:04:18.160
<v Speaker 1>I can't read you. He's so scary, like I like

1:04:18.200 --> 1:04:20.080
<v Speaker 1>a little fun because I'm like a little corny too,

1:04:20.120 --> 1:04:22.240
<v Speaker 1>you know. So we go on this date or whatever,

1:04:22.640 --> 1:04:25.439
<v Speaker 1>and um when he gets there to pick me up,

1:04:26.040 --> 1:04:32.160
<v Speaker 1>I get in the car and there's a balloon ball Yes,

1:04:33.000 --> 1:04:37.160
<v Speaker 1>there's a balloon, a happy birthday balloon. And it's not

1:04:37.240 --> 1:04:40.480
<v Speaker 1>my birthday, and I don't think it's his, Like why

1:04:40.480 --> 1:04:41.920
<v Speaker 1>would you want to hang out with me on your birthday?

1:04:41.920 --> 1:04:45.240
<v Speaker 1>I just met you? This is crazy. So I'm like, oh,

1:04:45.360 --> 1:04:49.040
<v Speaker 1>I'm like what is it? What's that? And he's like okay.

1:04:49.120 --> 1:04:52.800
<v Speaker 1>So he's like I wanted to do something a little different,

1:04:53.040 --> 1:04:55.840
<v Speaker 1>you know, like and it was like hard to get

1:04:55.840 --> 1:04:57.840
<v Speaker 1>a reservation. So I told him it was your birthday.

1:04:57.880 --> 1:05:00.160
<v Speaker 1>So we got to like pretend it's your birthday, like

1:05:00.320 --> 1:05:05.160
<v Speaker 1>is that okay? And I was like okay, Like I was,

1:05:05.320 --> 1:05:09.840
<v Speaker 1>I was thinking this is different. I'm never gonna forget this.

1:05:10.280 --> 1:05:12.040
<v Speaker 1>But then I was like, do you buy a balloon

1:05:12.040 --> 1:05:14.560
<v Speaker 1>for every girl? Like it's a lot of balloons. I mean,

1:05:14.680 --> 1:05:16.120
<v Speaker 1>I don't know how you get down, but like, is

1:05:16.160 --> 1:05:18.800
<v Speaker 1>this what you're doing? Every time? I was like is

1:05:18.800 --> 1:05:21.840
<v Speaker 1>he doing this? Because like I'm in the industry and

1:05:21.880 --> 1:05:25.160
<v Speaker 1>I like, like the raw raw, Like what's happening. I

1:05:25.200 --> 1:05:27.320
<v Speaker 1>was like okay, But in my mind, I'm like, but

1:05:27.360 --> 1:05:30.720
<v Speaker 1>I think he's being like nice and trying to be different. Okay. Cool. So,

1:05:31.920 --> 1:05:35.880
<v Speaker 1>like we drive and we go to the wrong destination first,

1:05:35.960 --> 1:05:38.440
<v Speaker 1>the old restaurant, and it wasn't even there anymore, so

1:05:38.440 --> 1:05:39.760
<v Speaker 1>that we had to go to the other one. And

1:05:39.800 --> 1:05:42.120
<v Speaker 1>so it's kind of like a longer drive, and I'm like,

1:05:42.200 --> 1:05:44.360
<v Speaker 1>let's play some of our favorite songs so that we

1:05:44.360 --> 1:05:46.160
<v Speaker 1>could like not have to like sit here and talk

1:05:46.280 --> 1:05:48.200
<v Speaker 1>all the time, Like we got a long drive. So

1:05:49.320 --> 1:05:51.080
<v Speaker 1>he plays some of his music and I did not

1:05:51.200 --> 1:05:54.040
<v Speaker 1>like any of it. Like that was also very concerning.

1:05:55.360 --> 1:05:58.040
<v Speaker 1>I was like, what are these songs? Like I've never

1:05:58.080 --> 1:06:00.520
<v Speaker 1>heard them and I don't like them at all. So

1:06:00.560 --> 1:06:03.000
<v Speaker 1>I was like okay, and the balloons like bouncing around

1:06:03.000 --> 1:06:05.080
<v Speaker 1>the background, I'm like oh. I was like oh, I

1:06:05.120 --> 1:06:10.080
<v Speaker 1>was like okay, next, so so literally like he gets

1:06:10.240 --> 1:06:11.840
<v Speaker 1>he was like, I just have one more song, like

1:06:11.840 --> 1:06:15.040
<v Speaker 1>I need to play it, like this is my favorite cover,

1:06:15.280 --> 1:06:18.120
<v Speaker 1>and I was like, okay, a favorite cover, Like okay,

1:06:18.160 --> 1:06:22.680
<v Speaker 1>so no names, it's this song, this cover and I

1:06:22.680 --> 1:06:24.720
<v Speaker 1>can't even sing the song because the song would give

1:06:24.840 --> 1:06:27.440
<v Speaker 1>it away. Well, no, it's a cover, okay. So I'm

1:06:27.480 --> 1:06:29.880
<v Speaker 1>just gonna say a hypothetical song and pretend to be

1:06:30.000 --> 1:06:32.800
<v Speaker 1>him because I need to play this out. We're driving

1:06:32.880 --> 1:06:39.320
<v Speaker 1>or whatever and he's singing his heart out and I

1:06:39.400 --> 1:06:44.080
<v Speaker 1>just met him, so let's pretend it's uh revo uh.

1:06:44.120 --> 1:06:47.720
<v Speaker 1>And so he's like zlight and it's not on tune

1:06:47.760 --> 1:06:50.959
<v Speaker 1>like he's he's not giving it's like zat I don't

1:06:51.040 --> 1:06:55.200
<v Speaker 1>wagon like he's singing, and I'm like all the cool

1:06:55.240 --> 1:06:58.560
<v Speaker 1>points went out the window, Like I said, I like cool,

1:06:58.600 --> 1:07:03.360
<v Speaker 1>I like cool, what the what? The song outside not

1:07:03.360 --> 1:07:06.400
<v Speaker 1>not the main dish, like save that on the side

1:07:06.440 --> 1:07:09.320
<v Speaker 1>so I can dabble in. It's not not even family

1:07:09.320 --> 1:07:15.160
<v Speaker 1>style honestly like kids, a kid's portion of corn, kids portion,

1:07:15.240 --> 1:07:17.080
<v Speaker 1>like you can fit it in the small plate that

1:07:17.160 --> 1:07:20.200
<v Speaker 1>the couple one. And I was like, whoa, whoa, whoa, wait,

1:07:20.440 --> 1:07:22.240
<v Speaker 1>this is not who I met the other day, Like,

1:07:22.400 --> 1:07:25.120
<v Speaker 1>what's going on here? The balloon? I'm like, oh, the balloon.

1:07:25.160 --> 1:07:27.600
<v Speaker 1>I'm holding the balloon and I don't like the song

1:07:27.680 --> 1:07:29.880
<v Speaker 1>and he's singing his heart out and then he like

1:07:29.960 --> 1:07:33.560
<v Speaker 1>takes my hand and he's like, z this is I'm

1:07:33.560 --> 1:07:39.360
<v Speaker 1>like so I'm like, I'm telling my hand is the

1:07:39.400 --> 1:07:42.479
<v Speaker 1>mic and I'm like holding the balloon and I'm like okay, wait,

1:07:42.480 --> 1:07:44.480
<v Speaker 1>wait wait, I'm just like what happened? Where did the

1:07:44.520 --> 1:07:47.120
<v Speaker 1>cool points go? So then we pulled up to the restaurant.

1:07:47.160 --> 1:07:48.760
<v Speaker 1>I didn't even get to play my songs, you know,

1:07:48.840 --> 1:07:51.760
<v Speaker 1>I didn't get to play anything. And he's still singing

1:07:52.160 --> 1:07:54.720
<v Speaker 1>and the ballet is like are you So he's looking

1:07:54.760 --> 1:07:58.240
<v Speaker 1>in the window and he's like dah and I'm like okay,

1:07:58.440 --> 1:08:00.600
<v Speaker 1>and the guys that are you coming out like I

1:08:00.640 --> 1:08:02.640
<v Speaker 1>don't know and he's like we just gotta finish this

1:08:02.680 --> 1:08:06.320
<v Speaker 1>real quick. And he's like like literally, I don't know

1:08:06.400 --> 1:08:09.680
<v Speaker 1>what was going on. I didn't know what was going on.

1:08:10.120 --> 1:08:12.840
<v Speaker 1>So I'm like I'm getting nervous because I'm like, oh

1:08:12.880 --> 1:08:15.560
<v Speaker 1>my gosh, like what did I sign up for? What? What? Where?

1:08:15.600 --> 1:08:20.479
<v Speaker 1>Who is this man? So anyway, the song finally ends

1:08:20.560 --> 1:08:23.320
<v Speaker 1>like and I was like trying to like get get

1:08:23.320 --> 1:08:24.600
<v Speaker 1>that over with. So I was like, I was like,

1:08:24.640 --> 1:08:28.080
<v Speaker 1>come on, let's go. I was like the valets like

1:08:28.080 --> 1:08:31.240
<v Speaker 1>waiting on us, like come on, and he's like okay, yeah.

1:08:31.360 --> 1:08:33.920
<v Speaker 1>I was like come on please. So then we get

1:08:33.920 --> 1:08:36.040
<v Speaker 1>out or whatever and he's like, well, is that too much?

1:08:36.120 --> 1:08:38.400
<v Speaker 1>And I was like no, no, no, no, it's fine.

1:08:38.439 --> 1:08:42.599
<v Speaker 1>But I'm like so I'm like carrying this balloon. I'm

1:08:42.640 --> 1:08:47.080
<v Speaker 1>like walking past people like ah, you're Darren. So this

1:08:47.200 --> 1:08:51.640
<v Speaker 1>date was on Halloween, so just think about that. This

1:08:51.840 --> 1:08:55.160
<v Speaker 1>was on Halloween. So I'm carrying this balloon and people

1:08:55.200 --> 1:08:58.840
<v Speaker 1>are like Halloween Birthday, Like oh my gosh. They're like

1:08:58.960 --> 1:09:02.320
<v Speaker 1>they're like, get Jerry Jerry. Jerry Jay comes out. He's

1:09:02.360 --> 1:09:04.799
<v Speaker 1>like I do not see a lot of Halloween birthdays,

1:09:04.800 --> 1:09:07.639
<v Speaker 1>but man, oh man, aren't we special hall And I'm

1:09:07.680 --> 1:09:11.120
<v Speaker 1>like yes, yes, So it's so nice. And then the

1:09:11.160 --> 1:09:13.040
<v Speaker 1>guys like it's I tell her all the time, like

1:09:13.080 --> 1:09:14.920
<v Speaker 1>it's her birthday, like you know, she gotta live it up.

1:09:15.080 --> 1:09:19.240
<v Speaker 1>And I'm like, like, this is so not what I

1:09:19.280 --> 1:09:21.960
<v Speaker 1>thought was gonna happen. Not what I thought was gonna happen.

1:09:22.080 --> 1:09:24.320
<v Speaker 1>So literally like that's where we're like the balloon is

1:09:24.320 --> 1:09:26.720
<v Speaker 1>settled because it was messing with the heat lamps and

1:09:26.760 --> 1:09:28.360
<v Speaker 1>so I had to like I was like sit your

1:09:28.560 --> 1:09:31.519
<v Speaker 1>as the balloon was like settled there, and like I'm

1:09:31.560 --> 1:09:34.720
<v Speaker 1>talking to him and everything, like I would say, it

1:09:34.760 --> 1:09:38.479
<v Speaker 1>would give like oh yeah, like your wifey. I was like,

1:09:39.080 --> 1:09:45.120
<v Speaker 1>oh first, it was like it was like your cap

1:09:45.160 --> 1:09:47.479
<v Speaker 1>because there's no way he did. I was like, you

1:09:47.479 --> 1:09:50.240
<v Speaker 1>don't even know me. I'd be like, oh, yeah, I've

1:09:50.240 --> 1:09:52.679
<v Speaker 1>tried that that that food before. Like shrimp is really good.

1:09:52.680 --> 1:09:55.559
<v Speaker 1>He'd be like, shrimp, he's good. You're so wifey, Like yes,

1:09:55.920 --> 1:10:02.040
<v Speaker 1>I'd be like a protein. I mean, I don't know.

1:10:02.400 --> 1:10:05.840
<v Speaker 1>I don't think that qualifies me. I haven't asked me

1:10:05.880 --> 1:10:08.879
<v Speaker 1>like any core questions about myself, but shrimp he is good.

1:10:08.920 --> 1:10:12.000
<v Speaker 1>I guess like yeah. So like we're talking or whatever

1:10:13.080 --> 1:10:16.240
<v Speaker 1>and the progresses or whatever, and I know I'm like

1:10:16.479 --> 1:10:18.479
<v Speaker 1>not really feeling it if I'm just ready to go,

1:10:18.640 --> 1:10:21.000
<v Speaker 1>Like you know when you really like somebody. You're like, oh,

1:10:21.160 --> 1:10:23.200
<v Speaker 1>you know, there's a little lounge waking. It's kind of

1:10:23.240 --> 1:10:26.080
<v Speaker 1>cute like whatever. But then I was like, yeah, I'm

1:10:26.120 --> 1:10:31.840
<v Speaker 1>so so tired working, working, you know, man working, So

1:10:31.960 --> 1:10:33.840
<v Speaker 1>I just need to go. I'm gonna rest, like I

1:10:33.840 --> 1:10:36.760
<v Speaker 1>need to rest. And he's like, yeah, no problem. He

1:10:36.840 --> 1:10:40.040
<v Speaker 1>drops me off whatever whatever, and then um, he like

1:10:40.120 --> 1:10:45.120
<v Speaker 1>walks me to the door, and I was like literally

1:10:45.160 --> 1:10:47.040
<v Speaker 1>I was looking at him and I feel like I

1:10:47.080 --> 1:10:49.320
<v Speaker 1>literally gave him telepathy. I was like, you are going

1:10:49.360 --> 1:10:51.880
<v Speaker 1>to get embarrassed. I would really appreciate it if you

1:10:52.040 --> 1:10:54.479
<v Speaker 1>just settled the score and leave. And then I felt

1:10:54.479 --> 1:10:56.800
<v Speaker 1>like he was like understood, thank you so much for

1:10:56.880 --> 1:10:59.960
<v Speaker 1>telling me I will head out, so anyway, he didn't.

1:11:00.000 --> 1:11:04.000
<v Speaker 1>It gives me whatever, but I get into my house

1:11:04.080 --> 1:11:06.320
<v Speaker 1>or whatever. And then he texted me and he was

1:11:06.360 --> 1:11:09.519
<v Speaker 1>like I just cannot get over how beautiful you looked.

1:11:09.720 --> 1:11:12.320
<v Speaker 1>He was like, thank you so much for spending time

1:11:12.360 --> 1:11:16.479
<v Speaker 1>with me. Sleep well, and um text me tomorrow. And

1:11:16.479 --> 1:11:19.360
<v Speaker 1>then he was like good night me and more I

1:11:19.439 --> 1:11:30.800
<v Speaker 1>was like damn. I was like, man, I said good night,

1:11:31.800 --> 1:11:36.960
<v Speaker 1>and yeah, that was an interesting story. I don't know what.

1:11:37.479 --> 1:11:43.000
<v Speaker 1>I don't know what that was. I really don't excited. Why,

1:11:43.040 --> 1:11:45.439
<v Speaker 1>like what see and that's what that's what's not gonna

1:11:45.520 --> 1:11:48.280
<v Speaker 1>work for me. It's like, yes, for sure, yes this

1:11:48.400 --> 1:11:52.320
<v Speaker 1>is all very much young because even the verbage that

1:11:52.400 --> 1:11:56.000
<v Speaker 1>shrimp is nice your wife, like that's a very young

1:11:56.880 --> 1:11:58.960
<v Speaker 1>I don't like they throw that out like that, you

1:11:58.960 --> 1:12:03.040
<v Speaker 1>know what I'm saying to It was just like I

1:12:03.080 --> 1:12:05.400
<v Speaker 1>felt like, I don't like to feel I feel I

1:12:05.439 --> 1:12:08.920
<v Speaker 1>want to feel valued and like, oh you you are

1:12:08.960 --> 1:12:12.120
<v Speaker 1>treating me like a prize. You know, yes, I want

1:12:12.160 --> 1:12:13.439
<v Speaker 1>to feel that, but I don't want to feel like

1:12:14.160 --> 1:12:17.400
<v Speaker 1>you're you're you're looking at me up on this pedestal

1:12:17.479 --> 1:12:19.200
<v Speaker 1>like wow, hope one day I can get up there,

1:12:19.560 --> 1:12:21.439
<v Speaker 1>because then I'm like that means I'm looking down at you.

1:12:22.000 --> 1:12:23.160
<v Speaker 1>Why am I on a date with you and I'm

1:12:23.200 --> 1:12:24.960
<v Speaker 1>looking down at you? You know, I don't want to

1:12:24.960 --> 1:12:28.080
<v Speaker 1>feel like that anyway. If that was a funny ish story,

1:12:28.880 --> 1:12:32.639
<v Speaker 1>kind of cringe, let me use that. But I didn't

1:12:32.680 --> 1:12:36.479
<v Speaker 1>count them out that. I didn't count the out. You

1:12:36.479 --> 1:12:40.920
<v Speaker 1>didn't count you gave him another day? Yeah, yeah, I

1:12:40.920 --> 1:12:44.120
<v Speaker 1>actually did, like, oh, ship, but don't be over here

1:12:44.200 --> 1:12:48.040
<v Speaker 1>buying balloons for the first day. That's not hot. It word.

1:12:48.400 --> 1:12:52.120
<v Speaker 1>It did not work. No, no no, no, no, no, no

1:12:52.240 --> 1:12:55.240
<v Speaker 1>one here, it did not work. I I liked him,

1:12:55.280 --> 1:13:00.040
<v Speaker 1>but it wasn't giving that, so you liked him. I

1:13:00.040 --> 1:13:03.320
<v Speaker 1>I don't know. I don't know that happy birthday balloon,

1:13:03.400 --> 1:13:10.960
<v Speaker 1>you little corny fellas. Okay, it's but corn is memorable.

1:13:11.200 --> 1:13:30.160
<v Speaker 1>Corn is memorable, rememberable doesn't Corn doesn't break down anyway.

1:13:30.200 --> 1:13:31.800
<v Speaker 1>I thought he was a good guy. That's why I

1:13:31.840 --> 1:13:33.920
<v Speaker 1>gave him more of a chance because I was thinking

1:13:33.920 --> 1:13:35.880
<v Speaker 1>about it and I was like, Okay, he definitely went

1:13:35.960 --> 1:13:38.919
<v Speaker 1>all the way corn city with it. But the opposite

1:13:38.920 --> 1:13:41.360
<v Speaker 1>of that is the too cool for school like I

1:13:41.479 --> 1:13:44.679
<v Speaker 1>do this, like I say everything. Everything that I'm saying

1:13:44.720 --> 1:13:47.720
<v Speaker 1>sounds rehearsed, Like I'm not nervous at all. You don't

1:13:47.720 --> 1:13:50.559
<v Speaker 1>give me no type of butterflies, like whatever, you know.

1:13:50.920 --> 1:13:53.680
<v Speaker 1>I don't want that. So I'm going to give the

1:13:53.680 --> 1:13:56.760
<v Speaker 1>guy a chance. Yeah, yeah, you know what I like,

1:13:56.840 --> 1:13:59.680
<v Speaker 1>Did you get a chance? Yeah? Yeah, Because you just

1:13:59.720 --> 1:14:01.920
<v Speaker 1>never know. You never know, you never know, you never know,

1:14:02.280 --> 1:14:09.519
<v Speaker 1>never know. I've seen some odd couples wherever like, Okay,

1:14:09.800 --> 1:14:13.400
<v Speaker 1>you don't look like it's her birthday. I know. I

1:14:13.479 --> 1:14:15.600
<v Speaker 1>was like man, what y'all really got me? Carrying it

1:14:15.720 --> 1:14:22.160
<v Speaker 1>balloon around? Literally, always remember it. I will never forget it.

1:14:22.200 --> 1:14:24.240
<v Speaker 1>I'll never forget it. I'll never forget it. And I

1:14:24.240 --> 1:14:27.839
<v Speaker 1>still like, I still think the guy has great qualities

1:14:27.840 --> 1:14:31.360
<v Speaker 1>and all of those things. It's just giving. That's not

1:14:31.400 --> 1:14:34.559
<v Speaker 1>how it was gonna pan out. But if a guy

1:14:34.680 --> 1:14:37.479
<v Speaker 1>was corny on the first date, I'm definitely gonna have

1:14:37.479 --> 1:14:41.120
<v Speaker 1>another day with him because I'm like, you're nervous and

1:14:41.160 --> 1:14:44.240
<v Speaker 1>you're trying. The effort is there. We'll take that. Yeah,

1:14:44.439 --> 1:14:48.479
<v Speaker 1>come on, now the level of corn watch this and

1:14:48.520 --> 1:14:50.640
<v Speaker 1>be like, you know, when I get my change. This

1:14:50.720 --> 1:14:55.160
<v Speaker 1>is a little side right here, just enough to compliment

1:14:55.240 --> 1:14:58.439
<v Speaker 1>the entree, just enough to compliment. Don't over don't be

1:14:58.520 --> 1:15:02.200
<v Speaker 1>overbearing with the core. Like half a cob, half a

1:15:02.200 --> 1:15:07.200
<v Speaker 1>cop at best, a whole car right there with it,

1:15:07.720 --> 1:15:10.439
<v Speaker 1>right there with it. Just a spoonful of sugar makes

1:15:10.520 --> 1:15:14.559
<v Speaker 1>medicine go down. You know, you get it. Um Coco Jones,

1:15:15.880 --> 1:15:21.280
<v Speaker 1>thank you, thank you. Um we we we think you're

1:15:21.280 --> 1:15:24.559
<v Speaker 1>really dope. Thank you. We appreciate the light. Yeah, we

1:15:24.600 --> 1:15:31.200
<v Speaker 1>appreciate your energy. Um pure in r G. Don't do

1:15:31.240 --> 1:15:33.759
<v Speaker 1>that because they could be a whole group right now. Great,

1:15:33.800 --> 1:15:39.439
<v Speaker 1>bringback Greg. That's what I did. I'm never gonna live.

1:15:42.560 --> 1:15:45.160
<v Speaker 1>You're still high up on the cool with us. Still

1:15:45.439 --> 1:15:51.280
<v Speaker 1>you got it. I see so much um, so much

1:15:51.360 --> 1:15:56.360
<v Speaker 1>dope shit in your future than you and I see it, um.

1:15:56.400 --> 1:15:58.320
<v Speaker 1>I see it in the very simple space of you

1:15:58.439 --> 1:16:03.120
<v Speaker 1>just being you. Thank you. You know what. I absolutely

1:16:03.160 --> 1:16:05.720
<v Speaker 1>that you will never you will never have to compromise

1:16:05.760 --> 1:16:08.439
<v Speaker 1>who you are and people are going to love it.

1:16:08.520 --> 1:16:11.479
<v Speaker 1>They're already gravitating to it. And it's just gonna keep

1:16:11.560 --> 1:16:16.040
<v Speaker 1>taking you higher and higher and higher. So from R

1:16:16.120 --> 1:16:19.479
<v Speaker 1>and B Money, Um, you have our support. You have

1:16:19.560 --> 1:16:23.400
<v Speaker 1>anything you need from us that goes without saying thank you.

1:16:23.479 --> 1:16:26.720
<v Speaker 1>I need a hit song with a duet. Let's get

1:16:26.720 --> 1:16:31.800
<v Speaker 1>into that sounds simple, Yes, that's easy, that doesn't sound

1:16:31.840 --> 1:16:38.559
<v Speaker 1>all Yeah, okay, great, that's done. So listen you just

1:16:38.600 --> 1:16:41.640
<v Speaker 1>heard it first. There's gonna be some music. Yeah, we

1:16:41.800 --> 1:16:44.960
<v Speaker 1>just poke some R and B money Koko Jones. Yeah,

1:16:44.960 --> 1:16:48.639
<v Speaker 1>I done for Jones. You're saying to get a little chance,

1:16:49.160 --> 1:16:51.080
<v Speaker 1>we're gonna talk about it. We're gonna talk about it.

1:16:52.280 --> 1:16:55.800
<v Speaker 1>Take Valentine and this has been the R and B

1:16:56.040 --> 1:17:04.799
<v Speaker 1>Money Podcast featuring the Don't Coach Coach, Thank You Guys,

1:17:09.600 --> 1:17:12.759
<v Speaker 1>R and Molly. R and B Money is a production

1:17:12.760 --> 1:17:16.439
<v Speaker 1>of the Black Effect podcast Network. For more podcasts from

1:17:16.439 --> 1:17:20.520
<v Speaker 1>I Heart Radio, visit the I Heart Radio app, Apple Podcasts,

1:17:20.640 --> 1:17:23.880
<v Speaker 1>or wherever you listen to your favorite shows. Don't forget

1:17:23.920 --> 1:17:26.720
<v Speaker 1>to subscribe to and rate our show, and you can

1:17:26.760 --> 1:17:30.200
<v Speaker 1>connect with us on social media at Jay Valentine and

1:17:30.320 --> 1:17:34.240
<v Speaker 1>at the Real Tank. For the extended episode, subscribe to

1:17:34.280 --> 1:17:37.920
<v Speaker 1>YouTube dot com, forward Slash, R and B Money