WEBVTT - Yvonne Wells: Quilting the Past, Teaching the Future

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<v Yvonne>Welcome back to She Pivots. I'm Yvonn Wells.

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<v ETS>Welcome back to She Pivots, the podcast where we talk

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<v ETS>with women who dare to pivot out of one career

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<v ETS>and into something new and explore how their personal lives

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<v ETS>impacts these decisions. I'm your host, Emily Tish Sussman. Today

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<v ETS>I had the absolute pleasure of debuting the incredible story

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<v ETS>of Ivonn Wells for the first time ever on a podcast.

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<v ETS>Yvon is a folk artist who creates the most striking

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<v ETS>quilts that depict stories from the civil rights movement and

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<v ETS>the Bible. She's been making quilts since she was in

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<v ETS>her forties, but now at eighty five, she's finally getting

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<v ETS>her due. Her work has been featured in the Smithsonian,

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<v ETS>the International Quilt Museum, and at the White House, but

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<v ETS>this late in life renaissance was never an expected pivot

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<v ETS>for her. Yvonne spent her career as a physical education

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<v ETS>teacher in Tuscaloosa, Alabama, where she dedicated her life to

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<v ETS>teaching and to her community. She's of the civil rights

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<v ETS>generation and experience the tension and the difficulties of the time.

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<v ETS>You'll hear in her interview. Her first hand experience as

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<v ETS>one of a few black teachers to integrate one of

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<v ETS>the high schools. As a result, her quilts are an

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<v ETS>expression of the tension she experienced during the Civil Rights

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<v ETS>movement and offer relief and peace through her depictions of

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<v ETS>the Bible. Although it took her years to accept the

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<v ETS>title of artists, there is no question of the care

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<v ETS>and artistry in every stitch. Yvonne's success post retirement is

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<v ETS>proof that every path, no matter how nonlinear, can lead

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<v ETS>to something greater than you ever could have imagined. So

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<v ETS>honored that she is here to share her story with

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<v ETS>us today, and so excited for you to get to

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<v ETS>know Vonn enjoy.

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<v Yvonne>I am Yvonne Wells, and I make story quilts.

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<v ETS>Okay, so we're gonna go. We're gonna go to LITTLELEVDD.

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<v ETS>You are one of nine siblings, correct, which sounds like

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<v ETS>a whole lot of fun, a whole lot of chaos.

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<v ETS>And where do you chaos?

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<v Yvonne>Mostly?

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<v ETS>Where do you fall in the birth order?

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<v Yvonne>I'm number eight. It was seven girls and two boys.

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<v Yvonne>Seven of us were born in the thirties, two were not.

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<v Yvonne>The oldest was born in twenties and the youngest was

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<v Yvonne>born in forties. But the rest of us were born

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<v Yvonne>in the thirties, So my mama had seven babies and

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<v Yvonne>ten years.

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<v ETS>Oh my goodness is wild. So did you end up

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<v ETS>being the youngest? Did you end up with a lot

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<v ETS>of responsibility at home or did your siblings mostly take

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<v ETS>care of you? Like, how did it work in your family?

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<v Yvonne>Well, no, I'm the one who did mostly everything. They

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<v Yvonne>did some however, as well. But if there was something

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<v Yvonne>that needed to be fixed or needed to be done,

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<v Yvonne>it was always Yvonne. So I was considered a tomboy

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<v Yvonne>and I could do all of this stuff. If something

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<v Yvonne>needed to be hammered, moved on, the yard needed mowing,

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<v Yvonne>I'm Yvonne, the tomboy they knew.

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<v ETS>Did you think about being a grown up? Like, did

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<v ETS>you ever think about what you wanted to be when

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<v ETS>you grew up?

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<v Yvonne>I know I didn't think. I always thought I would

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<v Yvonne>be a grown up, but I didn't know which direction

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<v Yvonne>I would go in. However, it was placed in our

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<v Yvonne>mind and our souls and our bodies that each of

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<v Yvonne>you would go to college. So we all did go

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<v Yvonne>to Stillman College, which was in walking distance from our home.

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<v ETS>That's quite remarkable at the time. It's remarkable under any

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<v ETS>circumstances for all nine siblings to go to college, but

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<v ETS>certainly in the South at the time. Yes, And did

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<v ETS>everyone live at home? And why was that important to her?

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<v Yvonne>Well? She always said, in order to get a better

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<v Yvonne>way of life, in order to do well in life,

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<v Yvonne>you're going to have to have education so that you

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<v Yvonne>will know what to do to have a prosperous life.

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<v Yvonne>Education was the way out, she would say. So that's

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<v Yvonne>why it was extremely important for us to go to college.

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<v Yvonne>Each of my aunts in office all went to college.

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<v Yvonne>Doctor Hardy was the president of Stillman College moment tarily

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<v Yvonne>and my mother's everybody taught school, but everybody went to college.

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<v Yvonne>So that was I didn't see any way out. And

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<v Yvonne>as a matter of fact, I didn't want to see

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<v Yvonne>any other way out because it is I who would

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<v Yvonne>always try to carry on what my mother was. Her

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<v Yvonne>wishes were. I remember upon her die in bed and

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<v Yvonne>I'm holding her hands. She said, Yvonne, take care of

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<v Yvonne>your brother. Yvonne, do this, Yvonne, do that.

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<v ETS>Yvonne did as her mother wished and attended Stillman College,

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<v ETS>and it wasn't long before she met her husband.

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<v Yvonne>Sure we were in school at Stilmam together and I

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<v Yvonne>was one year ahead of him in nineteen fifty eight.

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<v Yvonne>I think he came in nineteen fifty eight and I

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<v Yvonne>graduated in nineteen fifty seven. I was already there when

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<v Yvonne>he came in. And when he came in, I saw him.

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<v Yvonne>I said, well, there's nice looking guy. But I was

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<v Yvonne>told that he was already consumed by other women. I said, okay,

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<v Yvonne>I just leave it alone. But as time went on,

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<v Yvonne>that finally changed.

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<v ETS>Was it always clear that you were going to go

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<v ETS>into teaching and to education.

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<v Yvonne>Not always clear. It wasn't always clear because at one

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<v Yvonne>time I thought I wasn't going to go at all.

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<v Yvonne>But somehow we were able to manage to get enough resources.

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<v Yvonne>And my husband was the caregiver of the financial giver

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<v Yvonne>at that time, so he finished up my years on

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<v Yvonne>my final years of college. Oh, he had to stop

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<v Yvonne>college because his finances were unable to continue his educational goal.

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<v Yvonne>He joined the Marines, and that's how we got the

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<v Yvonne>assistant that I needed to continue.

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<v ETS>So when you started as a teacher, you worked as

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<v ETS>a teacher during the height of school integration in Alabama.

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<v Yvonne>I did.

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<v ETS>You were one of the first teachers to integrate Tuscalousa

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<v ETS>High School. What did you see during those years?

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<v Yvonne>What was your role? Well, when I was informed that

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<v Yvonne>I was going to be transferred to Tuscaloosa High School,

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<v Yvonne>I went to the principal's office and told him, no,

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<v Yvonne>I can't go there because I'm a little strict on

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<v Yvonne>students as far as doing what I asked you to do.

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<v Yvonne>But I love them all and I would buy them

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<v Yvonne>anything and hug them and all that kind of thing.

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<v Yvonne>But I felt that I was not the right person

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<v Yvonne>at the right time to do this job. And he said, well,

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<v Yvonne>let me call the superintendent. So he called and said,

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<v Yvonne>she's not going, and they said, yes, you are going.

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<v Yvonne>So I went on and when I got there, it

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<v Yvonne>was quite different because two different schools, one black, one white,

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<v Yvonne>and the integration was nil at that time. But I

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<v Yvonne>did go and tried to make an impact on the

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<v Yvonne>students as far as being cooperative getting along, but it

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<v Yvonne>didn't work all the time.

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<v ETS>The tensions of that time were immense. Yvonne described it

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<v ETS>as quote the most tense time that I've ever experienced

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<v ETS>between the races. You could almost cut it so much

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<v ETS>so that tension turned to violence. During her classes, this.

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<v Yvonne>Is one of the places I saw the most blood

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<v Yvonne>that I had seen in my life come from a

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<v Yvonne>live person. It appeared to me that they came to

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<v Yvonne>the gym because that was a big area, you know,

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<v Yvonne>lots of space fights with two by fours and whatever

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<v Yvonne>thing they could pick up. And they were fighting, and

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<v Yvonne>I'm trying to break them up from a district and

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<v Yvonne>I knew not to get in between them because that

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<v Yvonne>was dangerous, but we had to always call police in.

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<v Yvonne>I said, well, my goodness, this is not education. This

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<v Yvonne>is something that has got to be done. But I

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<v Yvonne>did see a lot of a lot of that. But

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<v Yvonne>pretty soon things started to get a little better. A

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<v Yvonne>lot of the students moved out of the zone and

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<v Yvonne>went to another school, and soon it basically became all

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<v Yvonne>one color again black. But they did move to another

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<v Yvonne>school where they had thought that they could get a

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<v Yvonne>better education or better peace. There's nothing like having peace

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<v Yvonne>when you're there trying to learn and then parents coming

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<v Yvonne>up to the school all the time because of some disruption.

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<v Yvonne>It's difficult.

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<v ETS>But still a Vanstine true to her nature and became

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<v ETS>a beloved teacher to countless students. Eventually they would find

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<v ETS>her and thank her.

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<v Yvonne>They have found me because I'm not in the community

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<v Yvonne>all the time doing stuff, and they would come up

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<v Yvonne>and say, aren't you miss Wells. I said yes. She

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<v Yvonne>said you taught me in school, and you taught me

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<v Yvonne>well That touched my heart. She said, you taught me

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<v Yvonne>how to live and how to talk, how to my

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<v Yvonne>parents and all of that. And I did. And I'm

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<v Yvonne>so glad to know that I had made some impact.

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<v Yvonne>But I hear that quite often, and it makes me

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<v Yvonne>feel really good that my teaching was not in vain.

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<v ETS>And despite your long career as a teacher, you pursued

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<v ETS>many interests over the years. You became a certified notary,

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<v ETS>a licensed funeral director, a certified emergency medical technician, and

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<v ETS>you had to kids. Oh.

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<v Yvonne>I think the more I did, the better I felt,

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<v Yvonne>because each of those that you have mentioned always had

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<v Yvonne>the intention of helping someone, helping someone who needed help.

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<v Yvonne>I a licensed paramedic. I was a license paramedic for years,

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<v Yvonne>and I got that because as a physical education teacher,

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<v Yvonne>you are not always in the building. You're far away

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<v Yvonne>from your class. Because when I would take them outside

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<v Yvonne>to play ball, the field was way way way away

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<v Yvonne>from a classroom. So I said, gosh, what would happened

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<v Yvonne>if one of my kids got injured? So I said, okay, Van,

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<v Yvonne>I'm going to take that. So it took me two

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<v Yvonne>years to go to paramedic school and be licensed, but

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<v Yvonne>I didn't keep it because other people, I mean, it

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<v Yvonne>came in where that as a paramedic, I wasn't allowed

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<v Yvonne>to do some of the things that I'm thinking that

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<v Yvonne>my kids needed at the time. So as paramedics now,

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<v Yvonne>you cannot do all the things that we could do

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<v Yvonne>a long time ago. And that's why I think we

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<v Yvonne>have paramedics now in the city, not because of me,

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<v Yvonne>but because of the necessity to act quickly in a

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<v Yvonne>scene that is either the last draw or someone is dying,

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<v Yvonne>or someone is injured. But my reason was to help

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<v Yvonne>my kids if needed. And fortunately I don't think I

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<v Yvonne>have to use it at all there. I haven't had

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<v Yvonne>to use it at anything as a matter of fact.

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<v Yvonne>But you never forget some of those skills that were

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<v Yvonne>taught to you.

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<v ETS>Yeah, and what about a notary and a licensed funeral director. Yes,

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<v ETS>a notary. I still am a notary. When I got

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<v ETS>the notary and I did volunteer work at a community's

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<v ETS>service organization. It's called temporary emergency service where we give

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<v ETS>stuff to people who need it. And a lot of

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<v ETS>times the students people would come in who were trying

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<v ETS>to get their kids in school or trying to get

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<v ETS>water turned on something, but they had to be notarized,

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<v ETS>and I was there to assist them. However, I'm just

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<v ETS>doing that, still doing that now here at home. But

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<v ETS>that was the time you got a chance to see

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<v ETS>the real community and some of the obstacles that they

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<v ETS>go through, and you look around and say how fortunate

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<v ETS>you are. And I was always the one who wanted

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<v ETS>to help that person who needed my help if I

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<v ETS>could give it to them, Yeah, that's beautiful. And I

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<v ETS>just have to ask about the few director.

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<v Yvonne>Yes, it was very rewarding because at funerals it's a

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<v Yvonne>time you at your most vulnerable time. You don't know

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<v Yvonne>how to be sad and you don't know how to

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<v Yvonne>be happy. So I was always there to talk to

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<v Yvonne>the family and go get the family, give them whatever

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<v Yvonne>they want, take them, go with them to the to

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<v Yvonne>the grave site, and just be there as a as

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<v Yvonne>a help, but be there for consolation or for somebody's

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<v Yvonne>head to lie down on. I just lost my sister

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<v Yvonne>about three weeks three months ago, and I know the

0:14:43.440 --> 0:14:48.640
<v Yvonne>need for a funeral director. However, I didn't only work

0:14:48.720 --> 0:14:51.920
<v Yvonne>with the families. I work in the back as well,

0:14:52.080 --> 0:14:55.600
<v Yvonne>with the bodies as well, but didn't do that very

0:14:55.680 --> 0:15:00.160
<v Yvonne>long because I was not a trained mar tissue or

0:15:00.240 --> 0:15:02.560
<v Yvonne>a trained person to work in the back. But that

0:15:02.680 --> 0:15:04.800
<v Yvonne>then stopped me from doing what I needed to do

0:15:05.240 --> 0:15:06.200
<v Yvonne>with the families.

0:15:07.160 --> 0:15:10.560
<v ETS>I'm sure you were such a comfort to them.

0:15:10.840 --> 0:15:13.360
<v Yvonne>I love it today and I've always loved it.

0:15:13.760 --> 0:15:18.480
<v ETS>Yeah, so let's start talking about your quilting. You're a

0:15:18.560 --> 0:15:22.680
<v ETS>self taught quilter. How did you first learn to sew?

0:15:23.760 --> 0:15:27.960
<v Yvonne>I don't know if I was consider it sewing, but

0:15:28.160 --> 0:15:30.880
<v Yvonne>I remember my mother would tell us to patch to

0:15:31.000 --> 0:15:33.400
<v Yvonne>sew your socks up because they had holes in it.

0:15:33.760 --> 0:15:35.640
<v Yvonne>I guess it was a manden. So I will put

0:15:35.680 --> 0:15:40.640
<v Yvonne>two bitch stitches in it, and I call that sewing. However,

0:15:40.880 --> 0:15:44.640
<v Yvonne>when it came down to making a quilt, I just

0:15:44.640 --> 0:15:48.000
<v Yvonne>didn't know what to do. That was not in my

0:15:48.760 --> 0:15:51.240
<v Yvonne>way of thinking. Who would have thought Yvonne would be

0:15:51.280 --> 0:15:56.320
<v Yvonne>making quilt making quilts because I'm busy. I'm busy all

0:15:56.840 --> 0:16:01.920
<v Yvonne>the time, as far as in this concern. It became

0:16:02.040 --> 0:16:07.480
<v Yvonne>my first love. After I made my first quilt, I

0:16:07.560 --> 0:16:11.480
<v Yvonne>would quilt all the time. And the reason why I

0:16:11.520 --> 0:16:14.880
<v Yvonne>think it also felt so good it all we was

0:16:15.120 --> 0:16:18.720
<v Yvonne>always because there was always something there in the house

0:16:19.440 --> 0:16:22.400
<v Yvonne>that I could get to make a quilt. And let

0:16:22.400 --> 0:16:25.280
<v Yvonne>me tell you, when I started making quilt, I never

0:16:25.440 --> 0:16:28.240
<v Yvonne>thought I would sell. I never wanted to sell a quilt.

0:16:28.320 --> 0:16:32.000
<v Yvonne>I was making it because of the love and to

0:16:32.120 --> 0:16:37.200
<v Yvonne>see my creation down on the floor completed. It was.

0:16:37.560 --> 0:16:43.120
<v Yvonne>It was my boxley. So that's how I started. Because

0:16:43.920 --> 0:16:47.720
<v Yvonne>when we added on to our home, when we had fireplaces,

0:16:48.160 --> 0:16:51.080
<v Yvonne>my husband went down in a county that a home

0:16:51.240 --> 0:16:53.560
<v Yvonne>was given to us by my aunt, and he brought

0:16:53.560 --> 0:16:56.440
<v Yvonne>all the lumber back. I think it was an Annabelle

0:16:56.440 --> 0:16:59.200
<v Yvonne>home that was writing down there. But we usually would

0:17:00.280 --> 0:17:05.400
<v Yvonne>is in our house right now. But the fireplaces were

0:17:05.440 --> 0:17:09.480
<v Yvonne>not They were not putting out enough heat. So I said, shoot,

0:17:09.680 --> 0:17:12.600
<v Yvonne>I'm going to make me something to keep my little

0:17:12.640 --> 0:17:16.359
<v Yvonne>legs warm. So I looked around the curtains on the wall.

0:17:16.480 --> 0:17:20.200
<v Yvonne>So I just grabbed that and reaching in the closet

0:17:20.240 --> 0:17:23.000
<v Yvonne>and pulls on my husband's clothes and my clothes. The

0:17:23.119 --> 0:17:27.880
<v Yvonne>children's stuff. It was there, sheets were on the bed,

0:17:28.680 --> 0:17:31.040
<v Yvonne>there were all kinds of stuff that I just reached

0:17:31.160 --> 0:17:34.400
<v Yvonne>up and got and made quilts. And it was the

0:17:34.400 --> 0:17:38.359
<v Yvonne>best feeling that I had had in many years.

0:17:39.040 --> 0:17:42.360
<v ETS>Yvonne let the joy of the craft guide her creating

0:17:42.480 --> 0:17:45.480
<v ETS>quilts in a bit of an unconventional way, a way

0:17:45.560 --> 0:17:47.320
<v ETS>that she calls my way.

0:17:48.080 --> 0:17:52.720
<v Yvonne>I had seen quilts that were made by other people

0:17:52.760 --> 0:17:56.240
<v Yvonne>and I thought they were extremely beautiful, and I still do.

0:17:56.960 --> 0:18:00.600
<v Yvonne>And I actually tried to make a piece well, and

0:18:00.680 --> 0:18:04.800
<v Yvonne>I did, but it was made my way, not like

0:18:04.920 --> 0:18:07.919
<v Yvonne>it was like there were patterns or anything, but it

0:18:08.000 --> 0:18:11.800
<v Yvonne>was made my way and I enjoyed that and I

0:18:11.960 --> 0:18:15.320
<v Yvonne>liked it. Look, I wasn't told how to do it.

0:18:15.840 --> 0:18:18.480
<v Yvonne>I didn't know if it worked.

0:18:19.480 --> 0:18:22.200
<v ETS>That's her beloved dog, you hear in the back. He'll

0:18:22.200 --> 0:18:24.760
<v ETS>make himself known in the background every now and then

0:18:24.800 --> 0:18:26.080
<v ETS>throughout the episode.

0:18:26.800 --> 0:18:31.960
<v Yvonne>I didn't know if it worked. I just didn't. But

0:18:32.200 --> 0:18:35.720
<v Yvonne>I did continue to say I did it in my

0:18:35.920 --> 0:18:40.359
<v Yvonne>way because it was me. Nobody told me anything. When

0:18:40.400 --> 0:18:42.520
<v Yvonne>I did it and it got through, I said, oh gosh,

0:18:42.520 --> 0:18:46.240
<v Yvonne>this looks good. And I said, okay, well I'll continue.

0:18:46.720 --> 0:18:49.280
<v Yvonne>And that's how I get started. You know, I was

0:18:49.359 --> 0:18:53.920
<v Yvonne>making them as fast as I could think and as

0:18:54.040 --> 0:18:58.159
<v Yvonne>fast as I could stitched them, which was very fast

0:18:58.200 --> 0:19:01.560
<v Yvonne>at the time. Enjoyed every minute of it.

0:19:02.440 --> 0:19:06.280
<v ETS>For years, she just created and created, reveling in the

0:19:06.320 --> 0:19:09.920
<v ETS>pleasure of the moment. But the quilting community wasn't as

0:19:09.960 --> 0:19:12.240
<v ETS>open to her nonconformist designs.

0:19:12.960 --> 0:19:16.840
<v Yvonne>When I first started going to Kentuck the festival, I

0:19:16.880 --> 0:19:19.280
<v Yvonne>would go up, my son would put up this huge,

0:19:19.600 --> 0:19:23.520
<v Yvonne>this huge tent, and there are people will come by

0:19:23.560 --> 0:19:26.919
<v Yvonne>because I had at least eight quilt showing at one time,

0:19:27.680 --> 0:19:29.760
<v Yvonne>and they go up and look at it, and it

0:19:29.840 --> 0:19:33.400
<v Yvonne>was so it was to me really heartbreaking. They walk

0:19:33.520 --> 0:19:35.919
<v Yvonne>up and say, oh, gosh, this is John. Look at

0:19:35.920 --> 0:19:40.439
<v Yvonne>these big stitches. No. I didn't have an answer for

0:19:40.520 --> 0:19:44.280
<v Yvonne>that because I didn't know anything else. My stitches are large,

0:19:44.760 --> 0:19:48.720
<v Yvonne>but that was who I am. Oh this is nothing

0:19:48.720 --> 0:19:51.199
<v Yvonne>but John. Why would you have all of these colors?

0:19:51.200 --> 0:19:55.480
<v Yvonne>They don't match. Oh it matches to me. I tell

0:19:55.520 --> 0:19:58.480
<v Yvonne>them I'm a personal color in more ways than one.

0:19:59.240 --> 0:20:02.760
<v Yvonne>And they would say that all the time you need

0:20:02.800 --> 0:20:06.280
<v Yvonne>to go to school is you can't show this to anybody.

0:20:06.440 --> 0:20:09.560
<v Yvonne>But I was bound in the termine, and today here

0:20:09.640 --> 0:20:12.240
<v Yvonne>I am.

0:20:12.440 --> 0:20:16.760
<v ETS>And then at what point did you shift from simply

0:20:17.000 --> 0:20:19.960
<v ETS>creating to selling your quilts?

0:20:20.600 --> 0:20:23.840
<v Yvonne>Like I said before, I never thought I would sell them,

0:20:24.440 --> 0:20:28.080
<v Yvonne>but the number of quilts that I was producing led

0:20:28.119 --> 0:20:30.040
<v Yvonne>me to believe, now, I don't have enough room in

0:20:30.080 --> 0:20:34.840
<v Yvonne>the house to put these. So years passed by and

0:20:34.920 --> 0:20:38.320
<v Yvonne>I met a man who had a gallery downtown and

0:20:38.359 --> 0:20:44.000
<v Yvonne>who was interested in quilts, and especially the black person's quilts.

0:20:44.520 --> 0:20:48.520
<v Yvonne>I said, oh, well, okay, so he came over. He

0:20:48.600 --> 0:20:50.399
<v Yvonne>and his wife came over and looked at what I

0:20:50.480 --> 0:20:54.159
<v Yvonne>was seeing, and he just fell in love with what

0:20:54.200 --> 0:20:57.199
<v Yvonne>I was doing and told me to show it to

0:20:57.240 --> 0:21:00.200
<v Yvonne>the public and you may get something. I said, no,

0:21:00.359 --> 0:21:03.360
<v Yvonne>I will not do that because I don't want anybody

0:21:03.440 --> 0:21:06.640
<v Yvonne>to see this junk. And that's what it was called

0:21:06.680 --> 0:21:11.359
<v Yvonne>for several years, junk, but usually it was I was

0:21:11.400 --> 0:21:13.679
<v Yvonne>told to go to school to learn how to quilt,

0:21:14.080 --> 0:21:17.359
<v Yvonne>and I wouldn't show this stuff to anything to anybody.

0:21:17.760 --> 0:21:21.080
<v Yvonne>So all those kinds of things, it's made me to

0:21:21.200 --> 0:21:24.040
<v Yvonne>want to make and to work harder at what I

0:21:24.160 --> 0:21:28.520
<v Yvonne>was doing. But I never changed my way and my

0:21:28.760 --> 0:21:30.480
<v Yvonne>vision of a quilt.

0:21:31.160 --> 0:21:34.119
<v ETS>When you say your way and your vision. Are you

0:21:34.200 --> 0:21:38.960
<v ETS>talking about how they're very they're pictorial, they depict scenes.

0:21:39.760 --> 0:21:43.800
<v ETS>Was having them be visual and pictorial always part of

0:21:43.840 --> 0:21:45.520
<v ETS>the vision for you of the quilt, Like, did they

0:21:45.520 --> 0:21:47.159
<v ETS>ever evolve in that sense?

0:21:48.000 --> 0:21:52.480
<v Yvonne>Well, there was an evolution early on after I made

0:21:52.600 --> 0:21:57.120
<v Yvonne>a quilt called a Mothership. It was from a pattern

0:21:57.640 --> 0:22:00.760
<v Yvonne>and I showed it to Robert Caringo. I've heard the

0:22:00.920 --> 0:22:04.120
<v Yvonne>name before, and he said, he thinks this is a story.

0:22:04.359 --> 0:22:06.760
<v Yvonne>I said, well, how do you think it's a story?

0:22:06.880 --> 0:22:09.120
<v Yvonne>He said, wellther yoused to call it mother ship has

0:22:09.160 --> 0:22:11.680
<v Yvonne>the babies and dad's a mother and she's calling them on.

0:22:11.840 --> 0:22:15.680
<v Yvonne>I said, oh, I didn't know that. So after being

0:22:15.720 --> 0:22:18.480
<v Yvonne>told that, I said, shoot, I think I can make

0:22:18.520 --> 0:22:22.679
<v Yvonne>a story because I see so much. I see and

0:22:22.760 --> 0:22:26.760
<v Yvonne>I feel so much. And then I created my first

0:22:26.800 --> 0:22:31.080
<v Yvonne>story quilt after doing all the patterns, was a crucifixion.

0:22:31.720 --> 0:22:34.880
<v Yvonne>And because I worked on the floor, there was several

0:22:35.359 --> 0:22:37.600
<v Yvonne>quilts on the floor at one time. At one time,

0:22:37.640 --> 0:22:41.160
<v Yvonne>I was doing five at a time because I would

0:22:41.160 --> 0:22:45.159
<v Yvonne>stay up all night because it felt good. It felt good,

0:22:45.240 --> 0:22:48.400
<v Yvonne>and I wanted to I didn't want to stop, even

0:22:48.440 --> 0:22:50.320
<v Yvonne>though it's three o'clock in the morning. I don't want

0:22:50.359 --> 0:22:54.640
<v Yvonne>to stop because I may miss something, and I don't

0:22:54.640 --> 0:22:57.600
<v Yvonne>want to miss anything. But I made the Crucifixion, and

0:22:57.680 --> 0:23:02.040
<v Yvonne>after making that, making that, I said, well, I think

0:23:02.119 --> 0:23:06.480
<v Yvonne>I could do them more. And from there I proceeded

0:23:06.560 --> 0:23:09.399
<v Yvonne>to where I am now stories.

0:23:09.000 --> 0:23:11.399
<v ETS>Out of them basically, and I think that was probably

0:23:11.480 --> 0:23:15.439
<v ETS>the thing that attracted me most about her work is

0:23:15.480 --> 0:23:18.000
<v ETS>the storytelling or the narratives that are in each.

0:23:17.880 --> 0:23:20.480
<v Speaker 3>Of the quilt. So I'm here at the International Quilt

0:23:20.520 --> 0:23:23.520
<v Speaker 3>Museum back in the archives today. There are over ten

0:23:23.600 --> 0:23:28.040
<v Speaker 3>thousand quilts, textiles, and quilted objects here in the collection,

0:23:28.400 --> 0:23:30.359
<v Speaker 3>and I'm standing in front of my one of my

0:23:30.520 --> 0:23:34.080
<v Speaker 3>very favorite quilts. This is a gorgeous quilt made by

0:23:34.280 --> 0:23:38.840
<v Speaker 3>Yvonne Wells in nineteen eighty seven, and it's called Going Home.

0:23:40.680 --> 0:23:43.679
<v ETS>So when you're creating your quilts and coming up with

0:23:43.760 --> 0:23:47.720
<v ETS>the story, which comes first? Do you see the fabrics

0:23:48.000 --> 0:23:51.560
<v ETS>and are you inspired? Does the story become inspired by

0:23:51.560 --> 0:23:53.639
<v ETS>the fabric or do you think of the story that

0:23:53.680 --> 0:23:55.200
<v ETS>you want to tell and you go out and find

0:23:55.200 --> 0:23:56.320
<v ETS>the materials.

0:23:56.720 --> 0:24:00.159
<v Yvonne>I think I do all of that first, however, or

0:24:00.200 --> 0:24:02.879
<v Yvonne>I must see it. I got to see it first

0:24:02.880 --> 0:24:05.560
<v Yvonne>in my mind. Then I have to think about it.

0:24:06.280 --> 0:24:09.120
<v Yvonne>Then I have to feel it in my heart if

0:24:09.119 --> 0:24:11.200
<v Yvonne>this is the way that I want to go with

0:24:11.240 --> 0:24:14.399
<v Yvonne>the story, or am I to look at something else.

0:24:15.200 --> 0:24:18.320
<v Yvonne>Let me say this, I don't jump right into the

0:24:18.400 --> 0:24:23.240
<v Yvonne>story making the quilt until I have almost completely finished

0:24:23.240 --> 0:24:28.199
<v Yvonne>the quilts itself, because as I make the quilts sometimes

0:24:28.240 --> 0:24:29.320
<v Yvonne>the story change.

0:24:32.000 --> 0:24:35.000
<v ETS>If you have a lot of religious themes and civil

0:24:35.080 --> 0:24:39.800
<v ETS>rights themes, I do. Are there particular stories you're trying

0:24:39.840 --> 0:24:44.560
<v ETS>to tell through the civil rights stories? Are you recreating

0:24:44.600 --> 0:24:47.160
<v ETS>things that you've seen or more things that you envision?

0:24:48.200 --> 0:24:50.959
<v Yvonne>It could be both. I could be all of those.

0:24:51.960 --> 0:24:56.000
<v Yvonne>It was my intention and it is still today that

0:24:56.200 --> 0:25:02.439
<v Yvonne>I would put down in a quilt history. Because I

0:25:02.560 --> 0:25:05.480
<v Yvonne>was during this of rights era, that's my era, and

0:25:05.680 --> 0:25:09.199
<v Yvonne>so much was going on. I said, gosh, let me

0:25:09.320 --> 0:25:11.280
<v Yvonne>just see if I could put some of this down

0:25:12.119 --> 0:25:16.960
<v Yvonne>in my way. But like I said, as a teacher,

0:25:17.400 --> 0:25:21.520
<v Yvonne>I always wanted to have something that a child or

0:25:21.600 --> 0:25:25.000
<v Yvonne>somebody else can look at it and say, oh, is

0:25:25.040 --> 0:25:28.440
<v Yvonne>this the way it was? Or I'll go worried about it.

0:25:29.200 --> 0:25:31.840
<v Yvonne>As I said, the viewer and the artists are two

0:25:31.920 --> 0:25:39.200
<v Yvonne>different people. The artist can see anything, but as a viewer,

0:25:39.359 --> 0:25:43.240
<v Yvonne>you may not even get it unless I'm there to

0:25:43.320 --> 0:25:43.679
<v Yvonne>tell you.

0:25:44.520 --> 0:25:48.960
<v ETS>Evonne's quilts have traveled the world, from the Smithsonian to

0:25:49.119 --> 0:25:53.680
<v ETS>France to Japan. There's no question her work has achieved

0:25:53.720 --> 0:25:57.560
<v ETS>her dream and intention of educating viewers through her depictions.

0:25:58.640 --> 0:26:01.840
<v ETS>After the break, we dived into a Vaughn's mindset. She

0:26:01.920 --> 0:26:05.440
<v ETS>expanded her work as a folk quilt artist, all while

0:26:05.480 --> 0:26:18.680
<v ETS>teaching full time and raising her family. Did you think

0:26:18.840 --> 0:26:22.959
<v ETS>about becoming an artist full time while you were still

0:26:23.200 --> 0:26:26.119
<v ETS>working as a teacher, because you stayed doing both for

0:26:26.160 --> 0:26:26.800
<v ETS>a long time.

0:26:27.720 --> 0:26:31.879
<v Yvonne>I did. I never thought I was an artist. I

0:26:32.200 --> 0:26:35.520
<v Yvonne>never to well to this day they say I'm beginning

0:26:35.560 --> 0:26:39.800
<v Yvonne>to to envelop that title. But I never thought I

0:26:39.920 --> 0:26:43.280
<v Yvonne>was an artist. I just thought I was somebody who

0:26:43.320 --> 0:26:47.840
<v Yvonne>made quilts. But I'm like I said, I begin to

0:26:48.640 --> 0:26:52.560
<v Yvonne>take it in now because this has been so much

0:26:52.600 --> 0:26:57.080
<v Yvonne>attention given to my staff, and I'm pleased to deafoot

0:26:57.440 --> 0:27:02.320
<v Yvonne>title artist is way way out of my thank you.

0:27:02.320 --> 0:27:04.440
<v ETS>You've noted that you had a lot of anxiety at

0:27:04.440 --> 0:27:07.320
<v ETS>first around showing your quilts to the world. How did

0:27:07.320 --> 0:27:08.280
<v ETS>you overcome that?

0:27:09.400 --> 0:27:13.920
<v Yvonne>Well, I saw some acceptance because at first, like I

0:27:14.040 --> 0:27:16.840
<v Yvonne>tell you, it was criticized and it didn't look like

0:27:17.000 --> 0:27:21.960
<v Yvonne>anything any quotures had ever made. I became more embolded

0:27:22.520 --> 0:27:25.800
<v Yvonne>because there were people saying, Oh, this is good, this

0:27:25.920 --> 0:27:28.479
<v Yvonne>looks good, it tells a great story. And then I

0:27:28.520 --> 0:27:32.920
<v Yvonne>had the determination not to stop. I was bound and determined.

0:27:32.960 --> 0:27:35.119
<v Yvonne>I was determined that I was going to keep this

0:27:35.240 --> 0:27:38.439
<v Yvonne>going as long as I could, whether they liked it

0:27:38.560 --> 0:27:42.399
<v Yvonne>or not. I did. I did. I got to that point.

0:27:42.800 --> 0:27:43.200
<v Yvonne>I did.

0:27:44.119 --> 0:27:47.080
<v ETS>I love that. I think some people get discouraged if

0:27:47.119 --> 0:27:51.200
<v ETS>the thing they want doesn't show immediate returns for them

0:27:51.320 --> 0:27:54.080
<v ETS>or recognition right away. How long do you think it

0:27:54.280 --> 0:27:58.439
<v ETS>was between when you started quilting and gaining recognition that

0:27:58.480 --> 0:27:59.800
<v ETS>you felt was meaningful.

0:28:00.520 --> 0:28:05.600
<v Yvonne>When I first got my first award at Kentuck, I

0:28:06.000 --> 0:28:10.000
<v Yvonne>was knocked off my feet because my stuff looked funny.

0:28:10.400 --> 0:28:13.960
<v Yvonne>I was hanging them on barbed wire, tree limbs, chairs

0:28:14.000 --> 0:28:16.480
<v Yvonne>and everything. But at the end of the day, I

0:28:16.560 --> 0:28:20.280
<v Yvonne>wanted best to show. And after that I said, well,

0:28:20.320 --> 0:28:23.480
<v Yvonne>wait a minute, there is something going on that they

0:28:23.560 --> 0:28:28.160
<v Yvonne>saw that I wasn't seeing. And from that point on,

0:28:28.359 --> 0:28:31.400
<v Yvonne>I think I begun to see that I did have

0:28:31.520 --> 0:28:34.760
<v Yvonne>something a little bit different, and it was feeling good.

0:28:34.800 --> 0:28:38.400
<v Yvonne>To me. So that's how it just kept moving and

0:28:38.440 --> 0:28:41.080
<v Yvonne>moving and moving it. I'm not a person who sits

0:28:41.120 --> 0:28:42.880
<v Yvonne>phil and moving.

0:28:43.040 --> 0:28:47.480
<v ETS>She did. Even when she retired from teaching, Avon barely

0:28:47.520 --> 0:28:48.240
<v ETS>slowed down.

0:28:49.080 --> 0:28:53.920
<v Yvonne>Now it's supposed to say I didn't see any change

0:28:53.960 --> 0:28:57.800
<v Yvonne>in what I was doing when I was teaching, as

0:28:58.040 --> 0:29:01.680
<v Yvonne>when I retired. That was no change other than I

0:29:01.840 --> 0:29:05.400
<v Yvonne>was home all the time after retiring most of the time.

0:29:05.440 --> 0:29:09.360
<v Yvonne>But I did stuff like mold of yards and cut

0:29:09.400 --> 0:29:12.680
<v Yvonne>the flowers into trees and all that kind of stuff,

0:29:12.680 --> 0:29:17.000
<v Yvonne>and fix the houses of things. I was doing something

0:29:17.040 --> 0:29:21.400
<v Yvonne>all the time, but still creating at the same time

0:29:21.640 --> 0:29:24.720
<v Yvonne>that I was when I was teaching. I never thought

0:29:24.760 --> 0:29:28.760
<v Yvonne>I would come home and sit and rock, even though

0:29:28.800 --> 0:29:31.960
<v Yvonne>I was quilt to know. Not only do I quilt,

0:29:32.160 --> 0:29:36.240
<v Yvonne>I'm a community person. I'm involved in just about everything.

0:29:37.000 --> 0:29:39.360
<v Yvonne>There are people out there in the world who needs me,

0:29:40.000 --> 0:29:42.600
<v Yvonne>I think, and I want to be able to assist

0:29:42.600 --> 0:29:46.480
<v Yvonne>them the best way I can. If it's not financial,

0:29:46.520 --> 0:29:48.480
<v Yvonne>I want them to show I want to show them

0:29:48.640 --> 0:29:52.280
<v Yvonne>that this is the way it can be done. So no,

0:29:52.440 --> 0:29:53.320
<v Yvonne>I'm not a rocker.

0:29:54.480 --> 0:29:57.840
<v ETS>You know this moment is amazing. You are an artist

0:29:58.000 --> 0:30:00.600
<v ETS>or having a real renaissance in the art work. Why

0:30:00.640 --> 0:30:02.280
<v ETS>do you think it's all happening right now?

0:30:02.840 --> 0:30:06.040
<v Yvonne>I don't know why it's all happening at one time,

0:30:06.640 --> 0:30:09.440
<v Yvonne>which is almost I thought I wasn't going to make

0:30:09.440 --> 0:30:11.680
<v Yvonne>it through. But things are tapering you off some But

0:30:11.840 --> 0:30:14.880
<v Yvonne>I have other things going on, but not as big

0:30:15.400 --> 0:30:19.560
<v Yvonne>unless somebody says they want me to do a bigger show.

0:30:20.200 --> 0:30:24.880
<v Yvonne>Things are beginning to taper down as far as big stuff.

0:30:25.400 --> 0:30:28.280
<v Yvonne>But why I'm out of here? Why am i here?

0:30:28.480 --> 0:30:34.040
<v Yvonne>I don't know. But apparently others think it's good, and

0:30:34.080 --> 0:30:36.960
<v Yvonne>the people in the right places think it's worth that.

0:30:38.280 --> 0:30:40.600
<v Yvonne>So I'm glad to know that other people can speak

0:30:40.640 --> 0:30:44.320
<v Yvonne>about another artist in the tone that they are speaking

0:30:44.320 --> 0:30:44.800
<v Yvonne>about me.

0:30:46.120 --> 0:30:49.720
<v ETS>Your quilts have handed up in some remarkable places. Can

0:30:49.760 --> 0:30:51.120
<v ETS>you tell us where they bended up?

0:30:52.000 --> 0:30:55.760
<v Yvonne>Well, I can't tell you every place because I forget

0:30:55.840 --> 0:30:59.000
<v Yvonne>where they have been. I was chosen to go to

0:30:59.480 --> 0:31:03.920
<v Yvonne>France as one of the thirteen Alabama artists to show

0:31:03.960 --> 0:31:07.280
<v Yvonne>our work. My work it's been there. I've been to

0:31:07.320 --> 0:31:11.600
<v Yvonne>Italy right now. In Paris, I have an exhibition going

0:31:11.640 --> 0:31:15.200
<v Yvonne>on in the Hyatt Museum, and I have one piece

0:31:15.240 --> 0:31:20.840
<v Yvonne>in the Quilt Museum of African American culture. You know,

0:31:21.000 --> 0:31:23.239
<v Yvonne>at the time, someone call and say, I saw your

0:31:23.320 --> 0:31:26.640
<v Yvonne>work this place, I saw you work that place. I'm

0:31:26.640 --> 0:31:29.960
<v Yvonne>glad that that is been shown in different areas of

0:31:30.040 --> 0:31:33.200
<v Yvonne>the world so that they can see what I was

0:31:33.280 --> 0:31:35.520
<v Yvonne>trying to do or I am trying to.

0:31:35.520 --> 0:31:40.560
<v ETS>Do still doing it. You even created an ornament for

0:31:40.600 --> 0:31:41.240
<v ETS>the White House.

0:31:41.800 --> 0:31:45.640
<v Yvonne>I cheer that. Oh, you talking about big stuff to me.

0:31:46.920 --> 0:31:49.960
<v Yvonne>I was able to call up there and talk to

0:31:50.000 --> 0:31:52.920
<v Yvonne>somebody in the Blue Room or the White House. You

0:31:53.040 --> 0:31:55.760
<v Yvonne>don't know how that beat that was. That was in

0:31:55.840 --> 0:31:59.240
<v Yvonne>nineteen ninety three, I believe, and they were looking for

0:31:59.560 --> 0:32:03.600
<v Yvonne>and are artist in every state to make an ornament

0:32:03.680 --> 0:32:06.520
<v Yvonne>for the Christmas tree in the Blue Room. I was

0:32:06.560 --> 0:32:10.360
<v Yvonne>recommended by Robert Carclow to do this, and I said, no,

0:32:10.600 --> 0:32:14.600
<v Yvonne>you kidding me. So I was accepted and I did

0:32:15.080 --> 0:32:18.960
<v Yvonne>what I do. I made a panel with the Alabama

0:32:19.200 --> 0:32:22.600
<v Yvonne>flag on it, with Alabama shape and all of its

0:32:23.400 --> 0:32:26.440
<v Yvonne>resources that we have in Alabama. And I also made

0:32:26.840 --> 0:32:31.080
<v Yvonne>an ornament that says hope because Bill Clinton would always

0:32:31.160 --> 0:32:34.200
<v Yvonne>talk about hope. So I made a white ornament with

0:32:34.280 --> 0:32:36.720
<v Yvonne>the word hope on and they put it on a tree.

0:32:37.120 --> 0:32:39.640
<v Yvonne>They were inviting the folk artists to show their work,

0:32:40.320 --> 0:32:42.000
<v Yvonne>and I was one of them.

0:32:42.680 --> 0:32:47.040
<v ETS>Yvonne's success after success post retirement is a testament that

0:32:47.120 --> 0:32:50.360
<v ETS>life is never linear or as you may expect. And

0:32:50.400 --> 0:32:53.680
<v ETS>she's not done yet. I vonn has more in store

0:32:53.760 --> 0:33:05.320
<v ETS>for us when we return. Stay tuned and tell us

0:33:05.320 --> 0:33:07.480
<v ETS>about the inspiration for writing your book.

0:33:08.120 --> 0:33:12.360
<v Yvonne>Oh boy, oh boy. It has been talked about for

0:33:12.440 --> 0:33:15.600
<v Yvonne>many years. I don't know if you know Stacey Morgan,

0:33:15.720 --> 0:33:18.560
<v Yvonne>doctor Morgan, but he's a professor at the University of

0:33:18.640 --> 0:33:23.240
<v Yvonne>Alabama here and we have been friends for many years.

0:33:23.280 --> 0:33:26.400
<v Yvonne>I would go to his class at the university and

0:33:26.480 --> 0:33:30.400
<v Yvonne>talk to his class about my work because he was

0:33:30.480 --> 0:33:34.600
<v Yvonne>one of those people who were very much supportive. So

0:33:34.680 --> 0:33:37.200
<v Yvonne>he wanted me to talk to his class, and I

0:33:37.360 --> 0:33:39.400
<v Yvonne>was thinking. I said, well, now, if that comes a time,

0:33:39.520 --> 0:33:43.320
<v Yvonne>this needs to be put down so that people can

0:33:43.400 --> 0:33:46.760
<v Yvonne>see what I have been doing for these many years.

0:33:47.360 --> 0:33:51.160
<v Yvonne>And it's also thinks something that my kids or my

0:33:51.240 --> 0:33:55.200
<v Yvonne>family could be proud of. I after my own and

0:33:55.320 --> 0:33:59.560
<v Yvonne>said this was my mama. So that was that was

0:33:59.640 --> 0:34:02.719
<v Yvonne>part of the inspiration. But I did not realize how

0:34:02.800 --> 0:34:06.920
<v Yvonne>much work we had to go into writing a book.

0:34:07.400 --> 0:34:12.040
<v Yvonne>But the reason that it was. It was long, however,

0:34:12.800 --> 0:34:17.240
<v Yvonne>but each day that Stacy would come it got better

0:34:17.440 --> 0:34:21.520
<v Yvonne>and better and better. It felt so good. Not only

0:34:21.560 --> 0:34:26.920
<v Yvonne>were we talking and measuring and pulling out stuff, but

0:34:27.040 --> 0:34:30.480
<v Yvonne>he made me feel like this is it. We should

0:34:30.560 --> 0:34:35.480
<v Yvonne>do this. So we did. After a little over five years,

0:34:35.480 --> 0:34:40.160
<v Yvonne>it finally came out. And I'm thrilled you alluded to

0:34:40.239 --> 0:34:44.279
<v Yvonne>your legacy. What do you want your legacy to be? Well,

0:34:44.360 --> 0:34:47.919
<v Yvonne>sometimes it changes. If it could be a long, long,

0:34:47.960 --> 0:34:51.000
<v Yvonne>long legacy, I could say a lot of things I

0:34:51.200 --> 0:34:58.480
<v Yvonne>wanted to be said that she never turned around because

0:34:59.360 --> 0:35:04.640
<v Yvonne>of the negative comments that were made about her work.

0:35:05.640 --> 0:35:10.959
<v Yvonne>She never listened and stopped because people were to say

0:35:11.000 --> 0:35:14.400
<v Yvonne>this is nothing. I want them to say. No matter

0:35:14.760 --> 0:35:20.839
<v Yvonne>whatever she started with, she completed it and excel at it.

0:35:21.280 --> 0:35:24.839
<v Yvonne>As far as Quilton misconcern, I wanted you to be

0:35:24.880 --> 0:35:29.720
<v Yvonne>a teaching too, for anyone who's trying to teach about

0:35:29.800 --> 0:35:34.279
<v Yvonne>history or teach about any kind of lesson from the stories.

0:35:34.800 --> 0:35:38.080
<v Yvonne>I wanted to be a teaching too. Plus I wanted

0:35:38.160 --> 0:35:40.879
<v Yvonne>to be a life on the hill so those who

0:35:40.960 --> 0:35:43.400
<v Yvonne>can see it would learn from it.

0:35:44.760 --> 0:35:48.560
<v ETS>I like to think about what different phases look like

0:35:48.880 --> 0:35:52.480
<v ETS>and what success means like how we define success for

0:35:52.560 --> 0:35:56.799
<v ETS>ourselves through our different phases of our lives. How do

0:35:56.880 --> 0:35:59.400
<v ETS>you think you define success for yourself right now?

0:36:00.360 --> 0:36:04.439
<v Yvonne>The fact that from the when I first started, there

0:36:04.560 --> 0:36:08.960
<v Yvonne>was a bud I moved on. The butt began to

0:36:09.440 --> 0:36:13.760
<v Yvonne>open up. As time went on, it got large and larger,

0:36:14.200 --> 0:36:19.800
<v Yvonne>and right now I'm at the apex of this folk

0:36:19.920 --> 0:36:24.400
<v Yvonne>art quilt. So I think that's how it got to

0:36:24.480 --> 0:36:27.640
<v Yvonne>be this point. And what is success? This is to

0:36:27.680 --> 0:36:31.919
<v Yvonne>me a success And the fact that my children are

0:36:32.800 --> 0:36:38.239
<v Yvonne>seeing the fruits of my labor means very, very lock

0:36:38.360 --> 0:36:42.480
<v Yvonne>to me. So I think this is it. However, I

0:36:42.520 --> 0:36:45.720
<v Yvonne>don't plan to stop. But it may not be as many,

0:36:45.880 --> 0:36:47.160
<v Yvonne>but I don't plan to stop.

0:36:49.200 --> 0:36:51.840
<v ETS>So I asked this question of all of my guests,

0:36:51.960 --> 0:36:55.880
<v ETS>what is one thing that at the time maybe you

0:36:55.960 --> 0:36:58.920
<v ETS>considered to be kind of a low, but now you

0:36:59.040 --> 0:37:01.840
<v ETS>see it as something that really set you up for

0:37:01.960 --> 0:37:03.439
<v ETS>the success that you are now.

0:37:04.360 --> 0:37:07.879
<v Yvonne>My husband was a military person and when he came

0:37:07.920 --> 0:37:12.920
<v Yvonne>back from Vietnam, he had all kinds of issues, major issues,

0:37:12.960 --> 0:37:15.560
<v Yvonne>and that was that was very low. We had to

0:37:15.640 --> 0:37:19.239
<v Yvonne>learn how to adjust to live in with him. The

0:37:19.360 --> 0:37:23.920
<v Yvonne>kids didn't understand the military airs that he would do.

0:37:24.120 --> 0:37:26.399
<v Yvonne>He was he was tougher than I was, you know,

0:37:27.040 --> 0:37:29.239
<v Yvonne>and that was that was at a time that was

0:37:29.680 --> 0:37:36.960
<v Yvonne>very low. But I proceeded without allowing him to allow

0:37:37.120 --> 0:37:42.120
<v Yvonne>the situation to hold me back. I kind of involved

0:37:42.200 --> 0:37:46.359
<v Yvonne>him in my work by asking what you think, do

0:37:46.400 --> 0:37:49.000
<v Yvonne>you like this? It wouldn't have mattered if we had

0:37:49.040 --> 0:37:51.280
<v Yvonne>said no, because I was going to make it anyway.

0:37:51.560 --> 0:37:54.360
<v Yvonne>But it was at the time that he was he

0:37:54.440 --> 0:37:57.520
<v Yvonne>had just got in and he was a very, very

0:37:57.560 --> 0:38:01.120
<v Yvonne>sick man. But that was low. But I did not

0:38:01.320 --> 0:38:06.920
<v Yvonne>allow my work to interfere with what I was what

0:38:07.040 --> 0:38:11.359
<v Yvonne>he was doing as a sick man. I wanted to

0:38:11.400 --> 0:38:15.440
<v Yvonne>have something that the kids could see Mama doing and

0:38:15.640 --> 0:38:20.239
<v Yvonne>was enjoying it. And that was no stoppage because every

0:38:20.320 --> 0:38:24.160
<v Yvonne>year I would shown and that showed to me that

0:38:24.560 --> 0:38:27.799
<v Yvonne>whatever was going on here at the house, did it

0:38:27.840 --> 0:38:30.560
<v Yvonne>stop me from doing what I wanted to do outside.

0:38:31.280 --> 0:38:34.680
<v Yvonne>That was the lowest part, because there seemed to have

0:38:34.800 --> 0:38:39.080
<v Yvonne>been from the veteran's point of view that he couldn't

0:38:39.120 --> 0:38:43.960
<v Yvonne>get better. And that was kind of hard, but we

0:38:44.200 --> 0:38:46.399
<v Yvonne>managed and we got through it.

0:38:47.160 --> 0:38:48.560
<v ETS>Do you think you'll pivot again?

0:38:49.719 --> 0:38:53.040
<v Yvonne>Yes, I don't know. What it is yet, But I

0:38:53.080 --> 0:38:58.000
<v Yvonne>think I will. I really do, because I have had

0:38:58.680 --> 0:39:02.799
<v Yvonne>things going through my mind. But it is it is

0:39:02.840 --> 0:39:07.760
<v Yvonne>through fabric that I'm still seeing things that is different

0:39:07.800 --> 0:39:09.000
<v Yvonne>from what I'm doing now.

0:39:09.440 --> 0:39:11.880
<v ETS>Oh okay, So I hope.

0:39:11.640 --> 0:39:14.960
<v Yvonne>I can get something done by this year. Oh that

0:39:15.200 --> 0:39:19.319
<v Yvonne>I'll let you know that I'm headed in a new direction. Well,

0:39:19.400 --> 0:39:20.640
<v Yvonne>keep us posted. We like it.

0:39:23.960 --> 0:39:26.880
<v ETS>Do you think it gave you a new source of inspiration?

0:39:27.520 --> 0:39:32.799
<v Yvonne>I think so. The inspiration really comes when I have

0:39:33.000 --> 0:39:38.040
<v Yvonne>completed a piece of work and I look down at

0:39:38.080 --> 0:39:42.160
<v Yvonne>it because it's on the floor. I'd sometimes standing on

0:39:42.200 --> 0:39:45.319
<v Yvonne>the table and look down on it and say, boy,

0:39:45.480 --> 0:39:49.240
<v Yvonne>this looks good. Oh boy, it says what I wanted

0:39:49.280 --> 0:39:54.000
<v Yvonne>to say. Oh boy, I have created a piece of art.

0:39:55.080 --> 0:39:57.399
<v ETS>I loved it so great. It's so wonderful to talk

0:39:57.440 --> 0:39:58.560
<v ETS>to you, of honor, it is amazing.

0:39:59.080 --> 0:40:03.000
<v Yvonne>Well, thank you. I just wanted to make sure I

0:40:03.040 --> 0:40:05.520
<v Yvonne>said something about the people who helped me along.

0:40:05.640 --> 0:40:06.200
<v ETS>Oh please.

0:40:06.320 --> 0:40:09.960
<v Yvonne>And that's more than Stacy Morgan and Robert Cargo. I'm

0:40:10.040 --> 0:40:13.719
<v Yvonne>represented by fort Yanzi Ort now in New York. So

0:40:14.600 --> 0:40:17.040
<v Yvonne>those are the people I want to say thank you to.

0:40:17.280 --> 0:40:19.720
<v Yvonne>And plus there are others whose name I can't call.

0:40:20.760 --> 0:40:23.160
<v Yvonne>Wants to say thank you to them as well, and

0:40:23.239 --> 0:40:24.440
<v Yvonne>thanks to you guys.

0:40:25.160 --> 0:40:28.640
<v ETS>Absolutely, thank you so much. Evonn Oh, it has.

0:40:28.520 --> 0:40:29.480
<v Yvonne>Been my pleasure.

0:40:37.960 --> 0:40:41.040
<v ETS>Yvonne still lives in the same place she has spent

0:40:41.080 --> 0:40:45.480
<v ETS>her whole life, Tuscaloosa, Alabama, where she is surrounded by

0:40:45.560 --> 0:40:49.880
<v ETS>her beloved family and community. She currently has an exhibition

0:40:50.040 --> 0:40:53.640
<v ETS>at Fort gansa Ort Gallery in New York City. You

0:40:53.719 --> 0:40:57.200
<v ETS>can purchase her book, The Story of Quilting wherever you

0:40:57.280 --> 0:41:00.920
<v ETS>buy books. For more on a Vaughn, follow us on

0:41:00.960 --> 0:41:04.760
<v ETS>Instagram at she pivots the Podcast. We do our best

0:41:04.800 --> 0:41:06.960
<v ETS>to keep you up to date on all our guests.

0:41:07.320 --> 0:41:11.920
<v ETS>Talk to you next time. Thanks for listening to this

0:41:12.040 --> 0:41:15.279
<v ETS>episode of she Pivots. I hope you enjoyed it and

0:41:15.320 --> 0:41:17.719
<v ETS>if you did, leave us a rating and tell your

0:41:17.760 --> 0:41:21.520
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0:41:21.600 --> 0:41:25.280
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0:41:25.360 --> 0:41:28.120
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0:41:28.160 --> 0:41:31.920
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0:41:31.960 --> 0:41:39.120
<v ETS>dot com. Special thanks to the she pivots team. Executive

0:41:39.160 --> 0:41:44.680
<v ETS>producer Emily Edavelosik, Associate producer and social media connoisseur Hannah Cousins,

0:41:45.120 --> 0:41:50.040
<v ETS>Research director Christine Dickinson, Events and Logistics coordinator Madeline Snovak,

0:41:50.360 --> 0:41:54.400
<v ETS>and audio editor and mixer Nina pollock I And yours

0:41:54.640 --> 0:42:02.840
<v ETS>she pivots