1 00:00:00,320 --> 00:00:02,440 Speaker 1: Yeah, it was to raporate our podcast. My name is 2 00:00:02,480 --> 00:00:06,840 Speaker 1: beat Out Elliott Wilson. Elliott is so hard to say goodbye. 3 00:00:06,440 --> 00:00:08,400 Speaker 2: Although we come to the end of the world. 4 00:00:08,960 --> 00:00:15,120 Speaker 1: Yes, sir, season finale, Season finale, rapperate our podcast. 5 00:00:15,240 --> 00:00:17,200 Speaker 2: Man, shout to the amazing people at Interval. 6 00:00:18,040 --> 00:00:19,400 Speaker 1: You know we want through a lot beat out in 7 00:00:19,440 --> 00:00:22,920 Speaker 1: this on this podcast journey since twenty fifteen. But this 8 00:00:22,960 --> 00:00:26,080 Speaker 1: is the official close out of the second season of 9 00:00:26,120 --> 00:00:28,840 Speaker 1: our partnership with the good folks at Interval. Yes, Sir, 10 00:00:29,240 --> 00:00:31,680 Speaker 1: I can't believe we hear him mass but you know, 11 00:00:31,720 --> 00:00:33,960 Speaker 1: closing out at the good time, man, Howiday sees him. 12 00:00:33,960 --> 00:00:36,560 Speaker 2: Man a gift to the people, you know, a gift. 13 00:00:36,880 --> 00:00:39,000 Speaker 1: Twenty six weeks later. Man, who would have thought it? 14 00:00:39,000 --> 00:00:40,839 Speaker 1: But you got to give a shout out to like 15 00:00:40,880 --> 00:00:44,320 Speaker 1: you said, the good people are Interval Jake Samara, I'm 16 00:00:44,400 --> 00:00:46,760 Speaker 1: leaving out some names, Big Boss, any Coy, the Big 17 00:00:46,800 --> 00:00:51,960 Speaker 1: Boy Island of course. I got Martin's over there, Martin, yeah, yeah, absolutely, Lara, 18 00:00:52,200 --> 00:00:55,360 Speaker 1: Sarah over there too, yeah, Sarah, Laura of course. And 19 00:00:55,440 --> 00:00:58,120 Speaker 1: hyper House our amazing production people. 20 00:00:58,800 --> 00:01:01,520 Speaker 2: There's the right here, man. Dyl Dylan got shot dealing. 21 00:01:01,320 --> 00:01:04,240 Speaker 1: Out absolutely, and of course we have the best photographers, 22 00:01:04,280 --> 00:01:06,679 Speaker 1: the best shooters in the game. Man, he's telling about 23 00:01:06,920 --> 00:01:08,679 Speaker 1: how the one of our best guests of the years 24 00:01:08,720 --> 00:01:10,520 Speaker 1: stole one of our photographers beat out. I tell him 25 00:01:10,520 --> 00:01:13,199 Speaker 1: about that, Man, I'm still tight about that. Burna boys 26 00:01:13,200 --> 00:01:17,039 Speaker 1: stole Nicky from us. Man boy took a liking to 27 00:01:17,120 --> 00:01:19,920 Speaker 1: Nikki Rose, Or of Photographers New York, and now she's 28 00:01:19,920 --> 00:01:23,920 Speaker 1: on the road with him. Man touching continents, passport stamps. Yeah, 29 00:01:24,000 --> 00:01:27,760 Speaker 1: man from b X to Berlin. So shout out to Nicki, Kenya, Steve. 30 00:01:27,800 --> 00:01:30,120 Speaker 1: He's in the mix, you know. So we we have 31 00:01:30,160 --> 00:01:32,280 Speaker 1: a good we got a good news assembly. Man. 32 00:01:32,480 --> 00:01:33,640 Speaker 2: Don't forget our Atlanta crew. 33 00:01:33,640 --> 00:01:36,479 Speaker 1: We got Trav and his crew and Riot Riders out 34 00:01:36,480 --> 00:01:38,959 Speaker 1: here shooting another adult female photographer we have on the 35 00:01:39,000 --> 00:01:41,240 Speaker 1: team in it. So yeah, man, we got to work 36 00:01:41,240 --> 00:01:42,759 Speaker 1: with a lot of great creatives this year. Man, it's 37 00:01:42,760 --> 00:01:46,440 Speaker 1: been exciting, man, absolutely, and especially our last episode with 38 00:01:46,560 --> 00:01:51,200 Speaker 1: two Changs, Man Chains, Speedy Recovery, the two Change l Yeah. 39 00:01:51,320 --> 00:01:53,440 Speaker 1: You saw him this past weekend, right, Yeah, I was 40 00:01:53,480 --> 00:01:56,480 Speaker 1: at some of our Basil Miami things. Sean Dickerson shout 41 00:01:56,600 --> 00:01:58,360 Speaker 1: to him. He girls like all the cool parties from 42 00:01:58,440 --> 00:02:01,160 Speaker 1: LA to wherever, and yeah, Wayne was there. Change was 43 00:02:01,200 --> 00:02:03,880 Speaker 1: their adapt up Change. And then that very night, I 44 00:02:03,880 --> 00:02:05,559 Speaker 1: guess he left the club and got into a really 45 00:02:05,680 --> 00:02:09,280 Speaker 1: terrible like free car smash up car accident. But you 46 00:02:09,320 --> 00:02:11,280 Speaker 1: know he's let us all know he's you know, he's 47 00:02:11,280 --> 00:02:13,600 Speaker 1: on a speedy recovery. So I just want to send 48 00:02:13,639 --> 00:02:15,840 Speaker 1: loving prayers and strength to him, and I hit tech 49 00:02:15,919 --> 00:02:17,600 Speaker 1: up and you know, he said he was recovering. 50 00:02:17,680 --> 00:02:19,320 Speaker 2: So but yeah, we love we. 51 00:02:19,240 --> 00:02:21,160 Speaker 1: Love Change man, and we just had a great episode 52 00:02:21,160 --> 00:02:22,520 Speaker 1: with him, and I felt like that was a really 53 00:02:22,600 --> 00:02:24,080 Speaker 1: dope conversation, you. 54 00:02:24,080 --> 00:02:26,160 Speaker 2: Know, about the Collige Girl project with him and Wayne 55 00:02:26,160 --> 00:02:26,600 Speaker 2: and you know. 56 00:02:26,680 --> 00:02:28,480 Speaker 1: Way and I didn't realize that had been so long 57 00:02:28,480 --> 00:02:30,799 Speaker 1: since he was back on the Rapparado podcast, right, Yeah, 58 00:02:30,840 --> 00:02:34,760 Speaker 1: it's like, what six years? Can we take crazy crazy man? 59 00:02:34,919 --> 00:02:36,720 Speaker 1: It's been a minute. So I'm happy to have him 60 00:02:36,760 --> 00:02:38,280 Speaker 1: back on. Man, that was a really good episode. Make 61 00:02:38,280 --> 00:02:39,239 Speaker 1: sure y'all check that out. 62 00:02:39,440 --> 00:02:41,040 Speaker 2: He could recuperate a candy lamb. Man. 63 00:02:41,040 --> 00:02:43,440 Speaker 1: They should just set him up in that strip club, 64 00:02:43,480 --> 00:02:45,240 Speaker 1: you know, saying give a little bend the side of 65 00:02:45,280 --> 00:02:48,080 Speaker 1: the room, you know, I mean, rest up at some 66 00:02:48,120 --> 00:02:52,760 Speaker 1: pineapple juice. Sappy a man but now we've had some 67 00:02:52,800 --> 00:02:55,120 Speaker 1: amazing episodes this year, man, you know to how the 68 00:02:55,200 --> 00:02:58,080 Speaker 1: creator obviously, what was some of your what was some 69 00:02:58,120 --> 00:02:58,440 Speaker 1: of your. 70 00:02:58,320 --> 00:02:59,040 Speaker 2: Favorites this year? 71 00:02:59,600 --> 00:03:02,280 Speaker 1: I mean everyone is my favorites, like asking, hey, what's 72 00:03:02,280 --> 00:03:04,760 Speaker 1: your favorite finger? You know, we got Jack follow. 73 00:03:04,600 --> 00:03:07,639 Speaker 2: The Middle One, Man the Middle One. 74 00:03:07,040 --> 00:03:11,480 Speaker 1: Saus Moody, Joe Budd and Charlamagne Killer, Mike the Butcher, 75 00:03:11,960 --> 00:03:14,560 Speaker 1: and we can't even forget about last season. We did 76 00:03:14,680 --> 00:03:17,240 Speaker 1: the NB A young boy, We did Rich Paul, you 77 00:03:17,240 --> 00:03:19,560 Speaker 1: know and being a young boy two point six million, man, 78 00:03:19,639 --> 00:03:22,000 Speaker 1: don't don't mess around with the numbers. Beverage Paul is 79 00:03:22,000 --> 00:03:23,639 Speaker 1: a classic. What's that guy? 80 00:03:23,760 --> 00:03:24,320 Speaker 2: Uh? 81 00:03:24,400 --> 00:03:29,040 Speaker 1: Brent fires Man teaso touchdown your favorite? Your favorite battle rapper? 82 00:03:29,160 --> 00:03:31,760 Speaker 1: He was at the spotse gche Gotti tear it down 83 00:03:31,840 --> 00:03:35,720 Speaker 1: these battle rapers, Yeah, Gotti, every fucking bar man. 84 00:03:37,440 --> 00:03:37,640 Speaker 2: Nah. 85 00:03:37,640 --> 00:03:39,760 Speaker 1: Man, I thought we had a great uh wide ranging 86 00:03:39,800 --> 00:03:42,400 Speaker 1: of guests. You know, can't forget the ladies again, know 87 00:03:42,600 --> 00:03:45,440 Speaker 1: Monet and editorya Monet and the Queen and all these 88 00:03:45,440 --> 00:03:47,760 Speaker 1: other you know, multi talented artists. 89 00:03:47,760 --> 00:03:49,400 Speaker 2: Man got a couple of top tier artists. 90 00:03:49,120 --> 00:03:51,120 Speaker 1: Man, and just you know, just the consistency, Man, I 91 00:03:51,160 --> 00:03:54,120 Speaker 1: really appreciate, you know, how we approach these things, and 92 00:03:54,160 --> 00:03:56,280 Speaker 1: you know people kind of sometimes take for granted. 93 00:03:56,280 --> 00:03:58,360 Speaker 2: You know, here's another great interview, but this is This 94 00:03:58,440 --> 00:04:00,560 Speaker 2: ain't easy, kids, This ain't easy. You know what I mean? 95 00:04:00,640 --> 00:04:01,440 Speaker 2: It damn sure is. 96 00:04:01,480 --> 00:04:04,520 Speaker 1: And I think today's episode adds to that great catalog 97 00:04:04,640 --> 00:04:07,120 Speaker 1: of guests that we had this year. Oh, Guccie Man 98 00:04:07,160 --> 00:04:10,240 Speaker 1: and BG that sounds in sane, Gucci Man, Gucci Man 99 00:04:10,320 --> 00:04:14,640 Speaker 1: and Beg together, right, b Jizzle, what a dunke it nobody. 100 00:04:14,360 --> 00:04:16,520 Speaker 2: Would have dunck it man. Welcome home to b Gizzl Man. 101 00:04:16,560 --> 00:04:18,880 Speaker 1: It takes me back to the cash Muddy ex Excel 102 00:04:19,000 --> 00:04:20,280 Speaker 1: days and you. 103 00:04:20,240 --> 00:04:22,720 Speaker 2: Know Vanessa dealing with those animals over there, and uh, 104 00:04:22,839 --> 00:04:23,479 Speaker 2: you know he. 105 00:04:23,520 --> 00:04:26,320 Speaker 1: Did Hot Boys covers and Jewey covers and Wade covers 106 00:04:26,320 --> 00:04:29,360 Speaker 1: and yeah, DG that did a real big man. 107 00:04:29,440 --> 00:04:30,640 Speaker 2: Came back with a full. 108 00:04:30,760 --> 00:04:33,920 Speaker 1: Natty get dreads and full hair, and you know, it's 109 00:04:33,960 --> 00:04:35,320 Speaker 1: just so great to chop it up with that brother. 110 00:04:35,360 --> 00:04:36,480 Speaker 2: And he still stulls good man. 111 00:04:36,520 --> 00:04:39,160 Speaker 1: He still sells good in that microphone. He definitely does. 112 00:04:39,160 --> 00:04:42,400 Speaker 1: He still has that Louisiana draw that we're known to love, 113 00:04:43,200 --> 00:04:45,440 Speaker 1: and uh, you know, he's like you said he has 114 00:04:45,480 --> 00:04:47,640 Speaker 1: a mister B and of course the united with Gucci Man. 115 00:04:47,640 --> 00:04:49,000 Speaker 1: He's had an out of a year with his new 116 00:04:49,000 --> 00:04:52,640 Speaker 1: album Breath of Fresh Air. He's you know, killing the features. 117 00:04:52,640 --> 00:04:55,840 Speaker 1: He's worked with guys like Jay Cole, the Baby. You know, 118 00:04:56,200 --> 00:04:59,720 Speaker 1: Gucci Man is a prolific uh, a prolific artist. So 119 00:05:00,040 --> 00:05:03,039 Speaker 1: this is like just adding to his canning of of 120 00:05:03,040 --> 00:05:04,839 Speaker 1: of records. And I don't understand how we got cool 121 00:05:04,880 --> 00:05:07,080 Speaker 1: with him, b Like we did the whole We did 122 00:05:07,080 --> 00:05:09,200 Speaker 1: the whole revolting with him a year or so ago. 123 00:05:09,320 --> 00:05:12,040 Speaker 1: And then when this run of breast with the surprise album, 124 00:05:12,560 --> 00:05:14,560 Speaker 1: you know, shout out to Ashley at Atlantic, he reached 125 00:05:14,600 --> 00:05:16,200 Speaker 1: out or said he wanted she wants us to get 126 00:05:16,240 --> 00:05:18,200 Speaker 1: the interview with him at BG BG still on, Like 127 00:05:19,279 --> 00:05:20,760 Speaker 1: what's the what's the thing we got to he's at 128 00:05:20,760 --> 00:05:23,640 Speaker 1: the halfway halfway house, Yes exactly, so we had limited time. 129 00:05:23,680 --> 00:05:25,359 Speaker 1: We went to Las Vegas to get it done, you know, 130 00:05:25,440 --> 00:05:26,640 Speaker 1: me and beat out to go out there and get 131 00:05:26,640 --> 00:05:30,320 Speaker 1: the story. But you know, goowap Mass, you know, very respectful, 132 00:05:30,360 --> 00:05:31,120 Speaker 1: showing a lot of love. 133 00:05:31,240 --> 00:05:32,280 Speaker 2: Man. That's crazy to know. 134 00:05:32,440 --> 00:05:34,360 Speaker 1: The week like are cool with guwap Man, you know, 135 00:05:34,360 --> 00:05:36,640 Speaker 1: what I'm saying, He's dangerous, man. That's the thing. You 136 00:05:36,680 --> 00:05:39,680 Speaker 1: don't know. We'll never know what Gucci gonna get, gonna happy. 137 00:05:39,480 --> 00:05:42,240 Speaker 2: Gucci grow, Gucci. 138 00:05:44,160 --> 00:05:46,200 Speaker 1: Rappy, and we got rapped her Gucci, right. That was 139 00:05:46,240 --> 00:05:48,720 Speaker 1: fun to watch exactly chop it up with BG. I 140 00:05:48,800 --> 00:05:50,480 Speaker 1: got to ask that question, you know, me and me 141 00:05:50,600 --> 00:05:53,360 Speaker 1: and beat out the big fans of the Prodigy. H 142 00:05:53,480 --> 00:05:56,280 Speaker 1: n I see album rest Rest in Peace Prodigy and 143 00:05:56,360 --> 00:05:58,680 Speaker 1: it just to get to ask him about that collaboration, right, 144 00:05:58,839 --> 00:06:01,840 Speaker 1: young black entrepreneur, Yeah, young black entrepreneurs. I got to 145 00:06:01,920 --> 00:06:04,479 Speaker 1: ask him about chopping the city and the ghetto turned 146 00:06:04,520 --> 00:06:07,400 Speaker 1: twenty five, which he couldn't even believe. I can't believe 147 00:06:07,400 --> 00:06:09,600 Speaker 1: it's been twenty five years of that. Next year, we 148 00:06:09,680 --> 00:06:12,520 Speaker 1: also talked about life fatter, Cash Money is time in prison. Yeah, 149 00:06:12,560 --> 00:06:15,560 Speaker 1: and of course Gucci Man and his project and work 150 00:06:15,640 --> 00:06:18,440 Speaker 1: with so many artists. It's a really great episode man. Yeah, 151 00:06:18,480 --> 00:06:20,160 Speaker 1: I was really excited to hear about Gucci Man just 152 00:06:20,520 --> 00:06:23,640 Speaker 1: expressed his love and admiration for Cash Money and other 153 00:06:23,760 --> 00:06:25,560 Speaker 1: artists that he was listening to on the come up. 154 00:06:25,640 --> 00:06:26,680 Speaker 2: And you know, it's a. 155 00:06:26,720 --> 00:06:28,520 Speaker 1: Dream for him to be making the whole record with 156 00:06:28,640 --> 00:06:31,200 Speaker 1: a beg and putting this out and it shout out 157 00:06:31,240 --> 00:06:32,800 Speaker 1: up to do some Mike will made. I heard he 158 00:06:32,920 --> 00:06:34,680 Speaker 1: tells us that he had played a key role in 159 00:06:35,200 --> 00:06:38,400 Speaker 1: getting those guys together to get the record done. Absolutely, 160 00:06:38,520 --> 00:06:40,640 Speaker 1: and also like the fact that she talked about the mixtapes. Man, 161 00:06:40,720 --> 00:06:43,200 Speaker 1: you brought up that mixtape graphic that's circulating on the 162 00:06:43,240 --> 00:06:46,600 Speaker 1: internet about Gucci not being on the Mount Rushmore. Oh yeah, yeah, 163 00:06:46,600 --> 00:06:48,640 Speaker 1: And I'm saying it's a criminal that can go up 164 00:06:48,680 --> 00:06:50,080 Speaker 1: on it. What do you think of that list? He 165 00:06:50,200 --> 00:06:52,640 Speaker 1: was mad the fifty cent wasn't getting enough respect, right. 166 00:06:52,720 --> 00:06:55,000 Speaker 1: I think he said, yeah, that tricked me out. I'm like, yo, 167 00:06:55,200 --> 00:06:58,480 Speaker 1: rap revisionism, that's like a subgenre, Yo. The only know 168 00:06:59,040 --> 00:07:02,600 Speaker 1: as a TV Bug's spelling, Like you said, he's Aaron spelling. 169 00:07:02,640 --> 00:07:06,560 Speaker 1: He's normally live you know about uh the big state. Man, 170 00:07:07,240 --> 00:07:10,600 Speaker 1: that's crazy. But I think Gucci deserves maybe not Mount Rushmore, 171 00:07:10,640 --> 00:07:12,800 Speaker 1: but maybe a bust we'll give him on his own statue. 172 00:07:13,000 --> 00:07:15,160 Speaker 2: But I'm wondering, though, where's Gucci may gonna be on 173 00:07:15,280 --> 00:07:17,000 Speaker 2: these beat out end of the end of the year list. 174 00:07:17,120 --> 00:07:19,440 Speaker 1: Man, It's almost that time. Man, I'm scared for you. Man, 175 00:07:19,480 --> 00:07:21,440 Speaker 1: you're gonna be allR You're gonna changing up again what 176 00:07:21,520 --> 00:07:21,920 Speaker 1: we're doing. 177 00:07:22,000 --> 00:07:23,720 Speaker 2: How was it looking? I said, what's coming together? 178 00:07:23,960 --> 00:07:26,960 Speaker 1: I might need security? You know, I'm making your list 179 00:07:27,040 --> 00:07:29,520 Speaker 1: of checking it twice so we'll find out real soon. 180 00:07:29,640 --> 00:07:31,840 Speaker 1: You are like like the evil say at the closet 181 00:07:32,000 --> 00:07:34,120 Speaker 1: rap at this time of year, man, with these lists, Man, 182 00:07:34,360 --> 00:07:37,160 Speaker 1: everybody's on baiting breath. Man, you know, Griselda got the 183 00:07:37,240 --> 00:07:41,840 Speaker 1: phone lines open already. You know, Griselda. I might get 184 00:07:41,920 --> 00:07:45,240 Speaker 1: died on uh a Man's eleven or something. I don't 185 00:07:45,240 --> 00:07:46,120 Speaker 1: know too far. 186 00:07:46,320 --> 00:07:48,600 Speaker 2: Hey, yo, beat out, Yo, you still mess it up? 187 00:07:49,120 --> 00:07:51,680 Speaker 1: Hey, Yo, you're still messing so good. 188 00:07:51,760 --> 00:07:54,000 Speaker 2: I don't see rope streets on this list. I don't 189 00:07:54,080 --> 00:07:54,320 Speaker 2: see it. 190 00:07:54,880 --> 00:07:55,040 Speaker 3: Man. 191 00:07:55,360 --> 00:07:58,080 Speaker 1: I'm waiting for that call right now. Operators are standing by, 192 00:07:58,240 --> 00:07:59,800 Speaker 1: so I know you're not gonna give me the lead, 193 00:08:00,120 --> 00:08:01,640 Speaker 1: not that yet. But what's I forget the rollout? 194 00:08:01,680 --> 00:08:03,400 Speaker 2: So you do that? You do the artists first. That 195 00:08:03,520 --> 00:08:05,600 Speaker 2: shakes the game up right, and then you do the albums. 196 00:08:06,040 --> 00:08:07,160 Speaker 2: How do you do? Remember? 197 00:08:07,240 --> 00:08:09,760 Speaker 1: Man, I just be I just be freestyling, elliot, you know, 198 00:08:09,920 --> 00:08:12,920 Speaker 1: like I might do artists first, I'm doing songs, guests 199 00:08:13,000 --> 00:08:15,400 Speaker 1: versus and the albums. So okay, I don't know what 200 00:08:15,880 --> 00:08:18,960 Speaker 1: to come first. So artists, albums, guests versus. Yeah, and 201 00:08:19,040 --> 00:08:22,720 Speaker 1: what's the other category? Artist albums, guests versus and songs 202 00:08:22,880 --> 00:08:23,560 Speaker 1: best rap songs? 203 00:08:23,600 --> 00:08:27,160 Speaker 2: Okay, what categories? Man? Four categories at the Grammys. Man, 204 00:08:27,200 --> 00:08:29,160 Speaker 2: the beat Out it wasn't coming Man, the beat Out. 205 00:08:29,000 --> 00:08:31,680 Speaker 1: It wasn't covering. Everybody's scared, you know what I'm saying. 206 00:08:31,680 --> 00:08:33,600 Speaker 1: So that'll keep us hot while want not a little 207 00:08:33,679 --> 00:08:35,960 Speaker 1: hiatus right now. Everybody will have to tear it up 208 00:08:36,000 --> 00:08:38,040 Speaker 1: beat out going into next year. So when we return, 209 00:08:38,559 --> 00:08:40,480 Speaker 1: you know what I'm saying, we'll already have that beat 210 00:08:40,520 --> 00:08:42,400 Speaker 1: out being the most hated man of hip hop media, 211 00:08:42,440 --> 00:08:42,960 Speaker 1: you know what I'm saying. 212 00:08:42,960 --> 00:08:44,720 Speaker 2: The new list is coming out, the new list. 213 00:08:45,720 --> 00:08:50,440 Speaker 1: But in the meantime, I'm going golfer Man, Mosquito, mosquitoes, Man, 214 00:08:50,480 --> 00:08:52,199 Speaker 1: a little tobo for the rapper up boys. But we 215 00:08:52,320 --> 00:08:54,400 Speaker 1: will be back man and bring you some more greatness. Man, 216 00:08:54,400 --> 00:08:57,000 Speaker 1: I'm confident of that. But in the meantime, it's a 217 00:08:57,080 --> 00:08:59,160 Speaker 1: hell of a way to close out the year. Wants 218 00:08:59,200 --> 00:09:00,800 Speaker 1: to get a shout out to who wops out to 219 00:09:00,880 --> 00:09:01,480 Speaker 1: beat JIZZL. 220 00:09:01,600 --> 00:09:03,800 Speaker 2: Yes, sir, we know you're gonna enjoy this one man. 221 00:09:04,040 --> 00:09:09,200 Speaker 1: Rap rate all podcasts. Yeah, rap right up podcasts. Yo, 222 00:09:09,240 --> 00:09:11,720 Speaker 1: it's the rap Rate all podcasts. My name is Beat Elliot, 223 00:09:11,840 --> 00:09:14,280 Speaker 1: Wilson Elliott. It's a new dynamic duo in the town. 224 00:09:14,400 --> 00:09:19,000 Speaker 1: Oh my god, we would have thought it BG Gucci Man, 225 00:09:20,520 --> 00:09:20,840 Speaker 1: he was just. 226 00:09:20,840 --> 00:09:21,480 Speaker 2: A dynamic duo. 227 00:09:21,559 --> 00:09:21,679 Speaker 3: Man. 228 00:09:21,720 --> 00:09:23,880 Speaker 1: These guys are legends, man, legends of hip hop, man 229 00:09:23,920 --> 00:09:25,640 Speaker 1: hip hop, all the famous man coming together. 230 00:09:27,280 --> 00:09:32,560 Speaker 2: How does this partnership happen? Well, be not getting right 231 00:09:32,600 --> 00:09:32,800 Speaker 2: to it. 232 00:09:34,440 --> 00:09:36,120 Speaker 4: I've been a fan of BG, you know what I'm saying, 233 00:09:36,240 --> 00:09:38,760 Speaker 4: even before I even put out my first commercial album, 234 00:09:38,920 --> 00:09:42,079 Speaker 4: Like you know what I'm saying, nine eight nine and nine, 235 00:09:42,160 --> 00:09:44,640 Speaker 4: like his first taste, like all this shit I've been on, 236 00:09:44,840 --> 00:09:47,800 Speaker 4: so to me, it's been like a wishing to make 237 00:09:47,800 --> 00:09:49,679 Speaker 4: it even before I even thought about it, you know 238 00:09:49,720 --> 00:09:51,800 Speaker 4: what I'm saying, Like I know, I know he was 239 00:09:51,840 --> 00:09:53,360 Speaker 4: an artist that I like, you know what I'm saying. 240 00:09:53,400 --> 00:09:56,959 Speaker 4: And I don't really gravitate toward on a certain few artists. 241 00:09:57,400 --> 00:09:59,160 Speaker 1: A lot of times you build younger artists, Like what 242 00:09:59,240 --> 00:10:01,480 Speaker 1: do you still see that that BG just sort of 243 00:10:01,520 --> 00:10:04,520 Speaker 1: hall of fame already still has to contribute to the game. 244 00:10:04,880 --> 00:10:06,720 Speaker 4: We were around the same age and we've been through 245 00:10:06,760 --> 00:10:09,160 Speaker 4: a lot of the same things. Got we both got 246 00:10:09,200 --> 00:10:11,240 Speaker 4: a story BG. 247 00:10:11,360 --> 00:10:13,400 Speaker 1: First of all, welcome home brother, man. We did some 248 00:10:13,440 --> 00:10:15,120 Speaker 1: amazing work with you in the Cash Money Days with 249 00:10:15,240 --> 00:10:17,400 Speaker 1: and that's Satin. It's just great to see you man 250 00:10:17,440 --> 00:10:18,120 Speaker 1: physically home. 251 00:10:18,200 --> 00:10:18,360 Speaker 3: Man. 252 00:10:18,440 --> 00:10:19,079 Speaker 2: What you've been through. 253 00:10:19,160 --> 00:10:20,480 Speaker 3: Man, you man, I appreciate that. 254 00:10:20,640 --> 00:10:21,600 Speaker 2: You've hit the ground running. 255 00:10:21,640 --> 00:10:21,760 Speaker 4: Man. 256 00:10:21,800 --> 00:10:23,240 Speaker 2: How does it feel to be just out here and 257 00:10:23,360 --> 00:10:25,000 Speaker 2: just like getting right back to that music? 258 00:10:26,280 --> 00:10:29,760 Speaker 3: Man? It feel good. Man. There's nothing short of a blessing. Man, 259 00:10:29,800 --> 00:10:32,040 Speaker 3: you know what I mean to you know, be gone 260 00:10:32,080 --> 00:10:33,839 Speaker 3: as long as I was gone for twelve and a 261 00:10:33,840 --> 00:10:35,559 Speaker 3: half years. You know what I'm saying. It's just a 262 00:10:36,200 --> 00:10:40,040 Speaker 3: you know, come back out here. People still be receptive 263 00:10:40,080 --> 00:10:42,559 Speaker 3: to the music to even must still want to hear me, man. 264 00:10:42,679 --> 00:10:45,120 Speaker 3: I mean, it's just it let me know that the 265 00:10:45,240 --> 00:10:48,040 Speaker 3: music that I contributed past the test of time, right, 266 00:10:48,080 --> 00:10:51,080 Speaker 3: you know what I'm saying. But yeah, I just feel 267 00:10:51,120 --> 00:10:52,200 Speaker 3: in the man and blessed. 268 00:10:52,440 --> 00:10:53,720 Speaker 2: Were you writing a lot in prison? 269 00:10:54,600 --> 00:10:54,800 Speaker 1: Oh? 270 00:10:55,760 --> 00:10:59,880 Speaker 3: Yeah, I had my I used to go through ups 271 00:11:00,040 --> 00:11:02,199 Speaker 3: and downs, you know what I'm saying. Like it was 272 00:11:02,320 --> 00:11:05,520 Speaker 3: a time where I just took like two years old 273 00:11:05,559 --> 00:11:07,520 Speaker 3: because at first I couldn't see the end, you know 274 00:11:07,559 --> 00:11:09,880 Speaker 3: what I mean. So I really thought it was over 275 00:11:10,000 --> 00:11:11,480 Speaker 3: with for me. You know what I'm saying. I'm like, 276 00:11:11,600 --> 00:11:14,160 Speaker 3: I thought they had closed the curtains. But you know, 277 00:11:14,280 --> 00:11:16,240 Speaker 3: the closer I got to the door, I kind of 278 00:11:16,880 --> 00:11:19,520 Speaker 3: was feeling like, damn, man, I still might have a 279 00:11:19,600 --> 00:11:22,000 Speaker 3: shot at it, you know what I'm saying. So you know, 280 00:11:22,080 --> 00:11:24,040 Speaker 3: I picked my pen back up, you know what I mean. 281 00:11:24,200 --> 00:11:26,400 Speaker 3: But yeah, I was off and on writing book. 282 00:11:26,520 --> 00:11:29,400 Speaker 1: To answer your question, Guccie, is that also what connected 283 00:11:29,440 --> 00:11:31,319 Speaker 1: to you to like obviously you came out of your situation, 284 00:11:32,000 --> 00:11:33,679 Speaker 1: hit the ground running, like you know, to give the 285 00:11:33,760 --> 00:11:35,480 Speaker 1: brother a chance to like really get back on his 286 00:11:35,520 --> 00:11:36,199 Speaker 1: feet the right way. 287 00:11:36,559 --> 00:11:39,360 Speaker 4: One hundred percent. I thought about like the thing people 288 00:11:39,360 --> 00:11:40,760 Speaker 4: were doing for me, you know what I'm saying, Like 289 00:11:41,040 --> 00:11:42,480 Speaker 4: Drake coming to my house when I was in the 290 00:11:42,520 --> 00:11:47,480 Speaker 4: Halfway House, just the inspiration mode, Mike Will and Dolph, 291 00:11:47,600 --> 00:11:50,120 Speaker 4: you know what I'm saying, Just like all those people, 292 00:11:50,160 --> 00:11:51,520 Speaker 4: you know what I'm saying, Like Hippie, you know what 293 00:11:51,559 --> 00:11:52,200 Speaker 4: I'm saying. 294 00:11:52,320 --> 00:11:54,200 Speaker 2: They ain't had to do that, yeah, at that time 295 00:11:54,240 --> 00:11:54,840 Speaker 2: of their careers. 296 00:11:55,800 --> 00:11:59,199 Speaker 1: Yeah, so with the co record happened was at the 297 00:11:59,280 --> 00:12:01,000 Speaker 1: begetting of sort of just testing the waters here if 298 00:12:01,000 --> 00:12:03,160 Speaker 1: you guys had that chemistry, Like, what was it like 299 00:12:03,200 --> 00:12:05,079 Speaker 1: with putting that cold record together with Michae What made it? 300 00:12:05,800 --> 00:12:05,959 Speaker 2: Man? 301 00:12:06,160 --> 00:12:10,160 Speaker 3: Honestly, the core record happened. Me and Mike was in 302 00:12:10,280 --> 00:12:14,720 Speaker 3: the in the in the studio or doing the album together. Right, 303 00:12:15,760 --> 00:12:18,160 Speaker 3: he played the record. You know what I'm saying. For me, 304 00:12:18,280 --> 00:12:20,719 Speaker 3: he was like, Man, I got something I want you 305 00:12:20,840 --> 00:12:23,560 Speaker 3: to hear, and he played it and I was like, Man, 306 00:12:23,640 --> 00:12:24,360 Speaker 3: get Gucci on the. 307 00:12:24,400 --> 00:12:27,599 Speaker 2: Phone, kind of like the video, so that's close to 308 00:12:27,679 --> 00:12:28,560 Speaker 2: the l Like. 309 00:12:28,720 --> 00:12:31,360 Speaker 3: Man, I'm like, Man, I'm like, man calling Man, tell 310 00:12:31,440 --> 00:12:33,439 Speaker 3: him I need to get on their a SEP. You 311 00:12:33,480 --> 00:12:35,679 Speaker 3: know what I'm saying. Mike made it happen. 312 00:12:36,320 --> 00:12:38,440 Speaker 2: You ain't miss a step on that record though, PG. 313 00:12:38,840 --> 00:12:42,280 Speaker 3: Nah, thank you man. I appreciate that. Man, I appreciate that. 314 00:12:42,480 --> 00:12:44,640 Speaker 1: And you guys had of another record, Choppers and Bricks, 315 00:12:45,000 --> 00:12:46,000 Speaker 1: that we were privy too. 316 00:12:46,559 --> 00:12:51,880 Speaker 3: Man, we actually got like a bunch of records, you 317 00:12:51,920 --> 00:12:53,720 Speaker 3: know what I'm saying. But yeah, the Choppers and Bricks, 318 00:12:53,760 --> 00:12:58,280 Speaker 3: that's definitely a super hard record man. I mean, like 319 00:12:58,400 --> 00:13:01,000 Speaker 3: he said, we both had a story this tell I've 320 00:13:01,040 --> 00:13:02,760 Speaker 3: been a fan of WIP, you know what I'm saying. 321 00:13:02,880 --> 00:13:06,880 Speaker 3: And for real, I manifested this whole album from myself. 322 00:13:06,960 --> 00:13:08,839 Speaker 3: You know what I'm saying. I used to be when 323 00:13:08,880 --> 00:13:11,679 Speaker 3: he went home. I just was watching. Now he was 324 00:13:11,800 --> 00:13:14,600 Speaker 3: moving and you know, watching all the moves he was making, 325 00:13:14,679 --> 00:13:17,400 Speaker 3: and I just want to follow in his footsteps, you 326 00:13:17,440 --> 00:13:20,720 Speaker 3: know what I'm saying, Because I know what I hadn't 327 00:13:20,800 --> 00:13:22,800 Speaker 3: been through was pretty much similar, right, you know what 328 00:13:22,840 --> 00:13:25,120 Speaker 3: I'm saying. And I was like, damn, man, I know 329 00:13:25,280 --> 00:13:26,800 Speaker 3: would do it. I could do it, you know what 330 00:13:26,840 --> 00:13:29,679 Speaker 3: I'm saying, especially with the drink and the lean and 331 00:13:29,760 --> 00:13:32,240 Speaker 3: the popping the pills and you know, just the wile 332 00:13:32,320 --> 00:13:34,800 Speaker 3: and stuff. And I was like, man, yeah, Now he 333 00:13:35,400 --> 00:13:37,760 Speaker 3: let me know, Like man, yeah, and I could be done. 334 00:13:38,040 --> 00:13:39,839 Speaker 3: So I was like, man, when I get out, man, 335 00:13:39,880 --> 00:13:41,599 Speaker 3: I got to go link up with run man and 336 00:13:41,679 --> 00:13:42,360 Speaker 3: make this happen. 337 00:13:42,640 --> 00:13:44,520 Speaker 1: You guys have been communicating for a while when he 338 00:13:44,640 --> 00:13:46,480 Speaker 1: was behind the wall, like now the first start. 339 00:13:46,720 --> 00:13:49,040 Speaker 4: Now Mike will put it together. But Mike Will, I 340 00:13:49,200 --> 00:13:51,200 Speaker 4: was a fan of his because I always been talking 341 00:13:51,240 --> 00:13:52,840 Speaker 4: about like you know what I'm saying, We've always been 342 00:13:52,880 --> 00:13:55,680 Speaker 4: shining him out and we just you know what I'm saying, 343 00:13:55,880 --> 00:13:58,599 Speaker 4: He really put it together for me, Like, hey, you 344 00:13:58,679 --> 00:14:00,720 Speaker 4: know you need to fuck with BG, and like, hell yeah, 345 00:14:00,840 --> 00:14:02,360 Speaker 4: I wanted, you know what I'm saying, put us together. 346 00:14:02,679 --> 00:14:05,280 Speaker 3: And actually when I was reading your book, I was 347 00:14:05,360 --> 00:14:07,439 Speaker 3: reading your book and you sent me a shout out 348 00:14:07,480 --> 00:14:09,959 Speaker 3: in the book when he was talking about I was 349 00:14:10,080 --> 00:14:12,520 Speaker 3: like like, oh, Ship, you know what I'm saying. 350 00:14:13,080 --> 00:14:13,600 Speaker 2: Ship Real? 351 00:14:13,720 --> 00:14:15,760 Speaker 3: I was like, yeah, nah, that was real when I 352 00:14:15,880 --> 00:14:17,920 Speaker 3: went when I'm telling you, when I was I read 353 00:14:17,960 --> 00:14:20,520 Speaker 3: your book twice. Actually, but when I was reading a 354 00:14:20,600 --> 00:14:23,240 Speaker 3: book and you was talking about the situation you and Julie, 355 00:14:23,560 --> 00:14:24,120 Speaker 3: you know what I'm. 356 00:14:24,000 --> 00:14:28,560 Speaker 1: Saying, Ship, Wait, you share what that is in case 357 00:14:28,600 --> 00:14:29,080 Speaker 1: people don't know. 358 00:14:29,560 --> 00:14:30,600 Speaker 3: I mean, read the book. 359 00:14:32,680 --> 00:14:33,480 Speaker 4: That's really good. 360 00:14:33,520 --> 00:14:37,560 Speaker 2: Books in your corner? Were the other artists that were 361 00:14:37,560 --> 00:14:38,560 Speaker 2: supporting you during that time? 362 00:14:39,120 --> 00:14:42,880 Speaker 3: What doing my incarceration just you know, since I've been home. 363 00:14:42,960 --> 00:14:45,080 Speaker 2: What you mean, why are you incarcerated? 364 00:14:45,800 --> 00:14:50,080 Speaker 3: Uh? Yeah, yeah? Most definitely my man Boosy, you know 365 00:14:50,160 --> 00:14:53,200 Speaker 3: what I'm saying. He walked pretty much the whole Vietnam 366 00:14:53,280 --> 00:14:55,080 Speaker 3: with me and my man t I. You know what 367 00:14:55,120 --> 00:14:56,800 Speaker 3: I'm saying. He was there for me. You know what 368 00:14:56,840 --> 00:14:59,760 Speaker 3: I'm saying. Throughout my big bird Man was there for me. 369 00:15:00,000 --> 00:15:02,400 Speaker 3: It was, it was, I mean, it was a few 370 00:15:02,480 --> 00:15:02,800 Speaker 3: people that. 371 00:15:02,840 --> 00:15:04,480 Speaker 1: Forget you had the moment when you was with t 372 00:15:04,600 --> 00:15:06,400 Speaker 1: I with Grand Hustle Woman. I remember we did a 373 00:15:06,440 --> 00:15:07,240 Speaker 1: cover with that when. 374 00:15:07,080 --> 00:15:10,160 Speaker 3: You was Yeah, yeah Hustle Yeah Tip Tip co executive 375 00:15:10,200 --> 00:15:12,160 Speaker 3: produced the album with me. I wouldn't actually signed the 376 00:15:12,200 --> 00:15:15,240 Speaker 3: Groundhousse I was signing Atlantic, but yeah, t I definitely 377 00:15:15,320 --> 00:15:17,600 Speaker 3: played a part in the album and the whole process. 378 00:15:17,840 --> 00:15:19,880 Speaker 1: Even two Change. He had a song called free BG 379 00:15:20,040 --> 00:15:21,200 Speaker 1: on his last album. 380 00:15:21,120 --> 00:15:24,000 Speaker 3: Well fact, that's shout out the two chains Man, that's 381 00:15:24,040 --> 00:15:27,600 Speaker 3: my man. Man Change go way way back like two 382 00:15:27,720 --> 00:15:30,520 Speaker 3: thousand and three, two thousand and four, but yeah, Changed 383 00:15:30,560 --> 00:15:33,640 Speaker 3: my dog. He definitely was screaming free see. 384 00:15:34,360 --> 00:15:36,640 Speaker 2: Or it's on the Bricks and Choppers record. 385 00:15:36,800 --> 00:15:38,600 Speaker 1: I noticed that you made a point of saying on 386 00:15:38,680 --> 00:15:41,360 Speaker 1: the song that you're independent, right was why did you 387 00:15:41,520 --> 00:15:43,640 Speaker 1: decide to go that route instead of going like cash money? 388 00:15:43,760 --> 00:15:45,160 Speaker 1: Was it offer presented to you? 389 00:15:47,320 --> 00:15:52,360 Speaker 3: I mean, I mean, I haven't been home nothing, but 390 00:15:52,680 --> 00:15:55,160 Speaker 3: you know, two and a half months, you know what 391 00:15:55,200 --> 00:15:58,000 Speaker 3: I'm saying, not even three months yet, so you know, 392 00:15:58,160 --> 00:16:01,360 Speaker 3: I just want to that's the wall. Really, I want 393 00:16:01,400 --> 00:16:04,160 Speaker 3: to show you know what I can do on my own. 394 00:16:04,240 --> 00:16:05,640 Speaker 3: You know what I'm saying. I just ain't want to 395 00:16:05,720 --> 00:16:08,120 Speaker 3: Russian or nothing, you know what I mean, So keep 396 00:16:08,160 --> 00:16:09,720 Speaker 3: my options open, you know what I'm saying. 397 00:16:10,600 --> 00:16:12,200 Speaker 2: Well, why do you think you're so decisive when it 398 00:16:12,200 --> 00:16:12,760 Speaker 2: comes to the artists. 399 00:16:12,760 --> 00:16:14,320 Speaker 1: I feel like when you make that decision you want 400 00:16:14,360 --> 00:16:16,480 Speaker 1: to rock with somebody, you just jump to it and 401 00:16:16,560 --> 00:16:17,240 Speaker 1: you execute it. 402 00:16:19,160 --> 00:16:22,320 Speaker 4: I think it's like one of my my biggest attributes. Actually, 403 00:16:22,400 --> 00:16:24,880 Speaker 4: you know what I'm saying, not being scared to fuck 404 00:16:24,960 --> 00:16:27,440 Speaker 4: with discreets so fuck with people, you know what I'm saying. 405 00:16:27,960 --> 00:16:30,400 Speaker 4: Most artists when I was coming up, they all was like, bougie, 406 00:16:30,440 --> 00:16:31,960 Speaker 4: they're cool now, but like they was like. 407 00:16:33,280 --> 00:16:34,720 Speaker 1: I'm seriously, they wouldn't they weren't. 408 00:16:34,760 --> 00:16:36,280 Speaker 4: They felt like there was on this high horse and 409 00:16:36,320 --> 00:16:37,960 Speaker 4: they were gonna they wasn't gonna open the door to 410 00:16:38,120 --> 00:16:40,240 Speaker 4: you know, no little artists, you know what I'm saying. 411 00:16:42,160 --> 00:16:44,200 Speaker 4: So as I always see it, like I almost never 412 00:16:44,320 --> 00:16:45,160 Speaker 4: do like be like that. 413 00:16:45,560 --> 00:16:47,200 Speaker 1: I think if you do a great balance of with 414 00:16:47,320 --> 00:16:50,680 Speaker 1: ten seventeen, you're constantly you're staying active first and foremost, 415 00:16:51,200 --> 00:16:53,320 Speaker 1: then you're always building younger artists, but at the same 416 00:16:53,400 --> 00:16:57,000 Speaker 1: time you collaborate off your reputation respect you have in 417 00:16:57,120 --> 00:16:59,240 Speaker 1: the industry. The other artists want to mess with you. 418 00:16:59,680 --> 00:17:01,520 Speaker 1: We see you with Jake Cole. It's like, oh shit, 419 00:17:01,600 --> 00:17:03,400 Speaker 1: Goop and Jake Cole, you know what I mean. 420 00:17:03,520 --> 00:17:06,679 Speaker 4: Yeah, that's me and Jacob behad post this. They had 421 00:17:06,680 --> 00:17:10,080 Speaker 4: supposed to do a song since like COVID, but it 422 00:17:10,160 --> 00:17:12,040 Speaker 4: took like two three years for us to like really 423 00:17:12,240 --> 00:17:14,480 Speaker 4: put together that one song, you know what I'm saying, 424 00:17:14,640 --> 00:17:17,080 Speaker 4: Not just that one song, but like it took two 425 00:17:17,160 --> 00:17:19,040 Speaker 4: or three years for us to make one record, you 426 00:17:19,119 --> 00:17:20,880 Speaker 4: know what I mean. But we still kept in touch. 427 00:17:21,320 --> 00:17:22,480 Speaker 1: Why do you think that's the bore for you to 428 00:17:22,600 --> 00:17:24,440 Speaker 1: kind of connect to other artists that are in the 429 00:17:24,480 --> 00:17:25,639 Speaker 1: space like currently. 430 00:17:26,560 --> 00:17:27,480 Speaker 2: I think that's what I do. 431 00:17:27,720 --> 00:17:29,320 Speaker 4: Like, you know what I'm saying. I'm a fan of music. 432 00:17:29,400 --> 00:17:33,760 Speaker 4: I make music. I consider myself a professional and my 433 00:17:33,880 --> 00:17:37,320 Speaker 4: door's open, you know what I'm saying, Beach. 434 00:17:37,440 --> 00:17:39,720 Speaker 1: You know, obviously Gucci's always worked with new artists, But 435 00:17:39,840 --> 00:17:42,080 Speaker 1: while are you incarcerated, how are you getting hip to 436 00:17:42,160 --> 00:17:42,680 Speaker 1: the new music? 437 00:17:42,800 --> 00:17:44,359 Speaker 2: Like word the artists that you were listening to. 438 00:17:44,840 --> 00:17:49,320 Speaker 3: Oh yeah, man. I mean I'm a fan of music period, right, 439 00:17:49,480 --> 00:17:53,639 Speaker 3: so you know, I consider myself somebody that's part of 440 00:17:53,720 --> 00:17:57,639 Speaker 3: the community. So you know, I definitely kept my ears, 441 00:17:58,280 --> 00:18:01,080 Speaker 3: you know, open head, you know what I'm saying to 442 00:18:02,080 --> 00:18:04,960 Speaker 3: what was going on? But yeah, I was. I was 443 00:18:05,119 --> 00:18:07,879 Speaker 3: listening to a lot of Little Baby, a lot of 444 00:18:07,960 --> 00:18:10,920 Speaker 3: Money Bag Yo, a lot of little Dirt, you know 445 00:18:11,000 --> 00:18:15,800 Speaker 3: what I'm saying, Shot Glizzie Migos I was listening to. 446 00:18:16,320 --> 00:18:19,240 Speaker 3: I was listening to pretty much everything what I'm saying. Yeah, no, 447 00:18:19,400 --> 00:18:20,280 Speaker 3: that's a fact, I say. 448 00:18:20,280 --> 00:18:22,040 Speaker 1: You with a new joint of Kevin Gates and Sexy 449 00:18:22,119 --> 00:18:24,000 Speaker 1: Red Man. 450 00:18:24,000 --> 00:18:26,680 Speaker 3: Yeah, yeah, yeah, shout after my man Gates. Man. He 451 00:18:26,840 --> 00:18:29,120 Speaker 3: reached out to me and was like, man, I got 452 00:18:29,160 --> 00:18:30,760 Speaker 3: a record. You know what I'm saying for you to 453 00:18:30,840 --> 00:18:33,480 Speaker 3: get on the record was actually men Gates on it 454 00:18:33,560 --> 00:18:36,200 Speaker 3: at first, you know what I'm saying. And then when 455 00:18:36,280 --> 00:18:39,000 Speaker 3: I heard it again, well, he reached out and say 456 00:18:39,040 --> 00:18:40,920 Speaker 3: he was putting Sexy Red on the record. I was like, 457 00:18:41,000 --> 00:18:43,440 Speaker 3: oh shit, that's gonna make it even hotter, you know 458 00:18:43,480 --> 00:18:45,200 Speaker 3: what I'm saying. And then when I heard it again, 459 00:18:45,320 --> 00:18:46,879 Speaker 3: she was on it and she killed it. 460 00:18:47,200 --> 00:18:49,720 Speaker 1: Yeah, and you're still working on your own stuff too hard. 461 00:18:49,720 --> 00:18:51,560 Speaker 1: The Street's two point five and three on the way. 462 00:18:51,720 --> 00:18:55,080 Speaker 3: Oh yeah. Actually, when me and WIP coming first with 463 00:18:55,240 --> 00:18:57,119 Speaker 3: the shoppers and Bricks, you know what I'm saying, Like, 464 00:18:57,280 --> 00:18:59,399 Speaker 3: that's gonna set the tone for everything else, you know 465 00:18:59,440 --> 00:19:03,520 Speaker 3: what I'm saying. So the Gucchin and BG mixtape coming. 466 00:19:04,000 --> 00:19:06,320 Speaker 3: Then I got a mixtape coming called Live from the 467 00:19:06,359 --> 00:19:09,240 Speaker 3: Halfway House. And then I got The Heart of the 468 00:19:09,320 --> 00:19:13,280 Speaker 3: Streets two point five, which produced by Mike Will made it, 469 00:19:13,600 --> 00:19:15,680 Speaker 3: he did the whole album. And then I got The 470 00:19:15,760 --> 00:19:19,040 Speaker 3: Heart of the Streets three. And I'm just I'm just 471 00:19:19,160 --> 00:19:20,200 Speaker 3: bailing my catalog. 472 00:19:20,320 --> 00:19:22,119 Speaker 1: Man, say what, speaking of the catalog, where does the 473 00:19:22,200 --> 00:19:24,000 Speaker 1: hunger come from? Just you already a Hall of famer. 474 00:19:24,000 --> 00:19:25,560 Speaker 1: You all fame with the Hot Boys, your Hall of 475 00:19:25,600 --> 00:19:28,240 Speaker 1: Famer solo like you bought the world blain bling. 476 00:19:29,160 --> 00:19:30,359 Speaker 2: I mean, you know what I'm saying. 477 00:19:31,600 --> 00:19:35,600 Speaker 3: I've been gone man, Like well, you know, to my credit, 478 00:19:35,720 --> 00:19:38,520 Speaker 3: I was able to put in a lot of work 479 00:19:39,080 --> 00:19:41,879 Speaker 3: before I went the chair. I think I got like 480 00:19:42,040 --> 00:19:47,280 Speaker 3: thirteen fourteen solo albums, like three High Boy albums, couple 481 00:19:47,280 --> 00:19:49,920 Speaker 3: of Choppa City Boy albums, a bunch of mixtapes and 482 00:19:49,960 --> 00:19:52,040 Speaker 3: all that, But I felt like I was on the 483 00:19:52,160 --> 00:19:55,720 Speaker 3: sideline for like twelve and a half years. Ain't feel 484 00:19:55,760 --> 00:19:57,480 Speaker 3: like I was. I was, you know what I'm saying. 485 00:19:57,640 --> 00:20:00,480 Speaker 3: So I feel like I'm playing ketchup what I'm saying, 486 00:20:00,600 --> 00:20:03,560 Speaker 3: And a lot of people, probably you know, thought I 487 00:20:03,720 --> 00:20:06,280 Speaker 3: lost it, right, So you know, I just want to 488 00:20:06,359 --> 00:20:09,480 Speaker 3: show that, you know, it's it's it's in me. It's 489 00:20:09,520 --> 00:20:11,880 Speaker 3: not on me, you know what I mean. So yeah, 490 00:20:12,080 --> 00:20:13,520 Speaker 3: and I got a lot to say, I got a 491 00:20:13,560 --> 00:20:15,640 Speaker 3: lot to talk about, got a lot to get off 492 00:20:15,720 --> 00:20:18,520 Speaker 3: my chest. So yeah, it's gonna take all that, you 493 00:20:18,560 --> 00:20:18,960 Speaker 3: know what I mean. 494 00:20:19,800 --> 00:20:20,639 Speaker 2: You know he still had it. 495 00:20:21,240 --> 00:20:23,520 Speaker 4: Nah, you gotta strike when the fire is still hot, 496 00:20:23,680 --> 00:20:26,600 Speaker 4: and you gotta go, like you gotta go now. And 497 00:20:26,760 --> 00:20:28,680 Speaker 4: everybody missing, Everybody want to hear him, you know what 498 00:20:28,720 --> 00:20:31,600 Speaker 4: I'm saying. That include me in the whole like community, 499 00:20:31,640 --> 00:20:34,359 Speaker 4: and like the young kids need to hear the story 500 00:20:34,400 --> 00:20:36,320 Speaker 4: of like you know what I'm saying, Okay, I'd have 501 00:20:36,400 --> 00:20:38,960 Speaker 4: been through this and just the good side of it 502 00:20:39,040 --> 00:20:40,480 Speaker 4: and just the bad side of it, you know what 503 00:20:40,520 --> 00:20:42,920 Speaker 4: I'm saying, Like they need to hear that, not just 504 00:20:43,080 --> 00:20:45,200 Speaker 4: kids who ain't even ever heard of BG before you 505 00:20:45,240 --> 00:20:46,920 Speaker 4: know what I'm saying. And plus I was like, you 506 00:20:47,000 --> 00:20:48,880 Speaker 4: still got all of us who grew up listening to him. 507 00:20:48,880 --> 00:20:50,840 Speaker 4: You know what I'm saying, He inspired all these artists. 508 00:20:51,600 --> 00:20:53,800 Speaker 1: How competitive is it when you guys are in the studio? 509 00:20:54,040 --> 00:20:56,600 Speaker 1: Make you want to still shark and still? When he 510 00:20:56,680 --> 00:20:58,800 Speaker 1: told me, let's do the table, start sending me records. 511 00:20:58,840 --> 00:21:00,960 Speaker 1: You know what I'm saying, it came apparent in me 512 00:21:01,080 --> 00:21:03,520 Speaker 1: like soon, like down all these songs hard. You know 513 00:21:03,560 --> 00:21:05,320 Speaker 1: what I'm saying, I ain't lying to. 514 00:21:05,520 --> 00:21:07,800 Speaker 3: It was a couple of records that I sent him 515 00:21:08,000 --> 00:21:10,600 Speaker 3: and he sent back that I don't want to change 516 00:21:10,680 --> 00:21:11,080 Speaker 3: my birth. 517 00:21:13,920 --> 00:21:16,800 Speaker 2: I called him like, wow, man, you crushed me on this. 518 00:21:18,800 --> 00:21:20,840 Speaker 2: I think I might need to go back in, but 519 00:21:21,000 --> 00:21:24,639 Speaker 2: I ain't go. You can't do that. We can't do that. 520 00:21:27,040 --> 00:21:29,359 Speaker 3: No, that's a fact that's here to hit me, Like, 521 00:21:30,040 --> 00:21:32,520 Speaker 3: oh man, you got off on this record. 522 00:21:32,600 --> 00:21:34,479 Speaker 2: I'm like, that's what's up. 523 00:21:34,560 --> 00:21:37,240 Speaker 3: But it was a friendly competition, but I think we 524 00:21:37,359 --> 00:21:39,840 Speaker 3: pushed each other to you know what I'm saying, go hard, 525 00:21:39,920 --> 00:21:41,800 Speaker 3: And it came out to be what it is. 526 00:21:41,920 --> 00:21:46,080 Speaker 1: Because it hasn't been any previous collaborations. Right before it's 527 00:21:46,119 --> 00:21:47,760 Speaker 1: just crazy because you know, you guys have work with 528 00:21:48,400 --> 00:21:48,760 Speaker 1: a lot. 529 00:21:48,720 --> 00:21:49,520 Speaker 2: Of people for. 530 00:21:51,119 --> 00:21:53,280 Speaker 3: It was overdue. It was overdue. 531 00:21:53,400 --> 00:21:56,360 Speaker 1: Speaking of Calo, you talking about go Out. You won't stop, man, 532 00:21:56,400 --> 00:21:58,919 Speaker 1: We can't keep tracking. How many mixtapes to your albums 533 00:21:58,960 --> 00:22:01,119 Speaker 1: you have been I'll say it earlier, like when you 534 00:22:01,200 --> 00:22:03,320 Speaker 1: put the Call that Black record out January. 535 00:22:03,960 --> 00:22:04,560 Speaker 2: Look at it now. 536 00:22:04,600 --> 00:22:06,119 Speaker 1: It's like you put all these records out that led 537 00:22:06,160 --> 00:22:07,800 Speaker 1: to Breath for Fresh Air. It's almost like you spent 538 00:22:07,840 --> 00:22:09,240 Speaker 1: the whole year rolling out an album. 539 00:22:09,800 --> 00:22:10,520 Speaker 2: Was that the intent? 540 00:22:11,440 --> 00:22:13,080 Speaker 1: No, it wasn't the intent. 541 00:22:13,240 --> 00:22:15,600 Speaker 4: But I kind of got inspired after you know, I 542 00:22:15,680 --> 00:22:18,040 Speaker 4: started singing scringing together like two or three Ruggords and 543 00:22:18,040 --> 00:22:20,240 Speaker 4: they start having success. I'm like, I need to keep 544 00:22:20,280 --> 00:22:22,320 Speaker 4: it going, you know what I'm saying. And then I 545 00:22:22,440 --> 00:22:24,000 Speaker 4: just like I'm gonna just push myself. And then I'm like, 546 00:22:24,000 --> 00:22:26,520 Speaker 4: I'm gonna drop problem in June is July because I 547 00:22:26,960 --> 00:22:29,960 Speaker 4: had a lot of good Ruckers in and sequence. But 548 00:22:30,040 --> 00:22:32,000 Speaker 4: then I'm like, nah, I'm gonna wait. The ten something team. 549 00:22:32,400 --> 00:22:33,440 Speaker 4: It was just, you know what I'm saying, It just 550 00:22:33,520 --> 00:22:36,000 Speaker 4: made sense. You never just so that's just. 551 00:22:36,040 --> 00:22:36,639 Speaker 2: Really what it is. 552 00:22:36,720 --> 00:22:38,680 Speaker 4: Maybe some people think I waited too long, you know 553 00:22:38,720 --> 00:22:40,959 Speaker 4: what I'm saying, Because you're like, Okay, after you came 554 00:22:41,040 --> 00:22:42,520 Speaker 4: with this rook and and this record, aren't you going 555 00:22:42,720 --> 00:22:45,000 Speaker 4: just drop off? I'll take you. But I was having 556 00:22:45,040 --> 00:22:46,840 Speaker 4: fun just dropping the singers like you were saying, so 557 00:22:46,880 --> 00:22:47,680 Speaker 4: I just kept going. 558 00:22:47,960 --> 00:22:49,359 Speaker 2: Nothing you did. I thought it was cool. Is you 559 00:22:49,440 --> 00:22:50,840 Speaker 2: kind of paid homise to your history? 560 00:22:50,920 --> 00:22:51,040 Speaker 3: Right? 561 00:22:51,119 --> 00:22:54,160 Speaker 1: Like with the videos you went back to the Atlanta Braids, Jersey, 562 00:22:54,240 --> 00:22:56,040 Speaker 1: the Yellow Women, they like what made you pay? 563 00:22:56,080 --> 00:22:58,040 Speaker 2: How much? Kind of to yourself and your legacy in 564 00:22:58,119 --> 00:22:58,680 Speaker 2: a sense. 565 00:22:59,160 --> 00:23:01,640 Speaker 4: Because everybody else be doing it, you know what I'm saying, 566 00:23:01,680 --> 00:23:04,199 Speaker 4: people making hits out of your song, sampling your songs, 567 00:23:04,880 --> 00:23:07,879 Speaker 4: and like I'm like, let's say BG and master P 568 00:23:08,119 --> 00:23:10,159 Speaker 4: for instance. You know what I'm saying, I would be 569 00:23:10,200 --> 00:23:11,280 Speaker 4: sampling all these songs. 570 00:23:11,320 --> 00:23:11,480 Speaker 3: To me. 571 00:23:11,560 --> 00:23:13,040 Speaker 4: It's like, man, I'm big fans of them. You know 572 00:23:13,040 --> 00:23:14,639 Speaker 4: what I'm saying. The old stuff they used to make. 573 00:23:14,680 --> 00:23:16,080 Speaker 4: You know what I'm saying, because it was part of 574 00:23:16,119 --> 00:23:17,800 Speaker 4: my It's part of my life, you know what I'm saying, 575 00:23:18,119 --> 00:23:21,280 Speaker 4: part of my high school years, my trap years, you 576 00:23:21,359 --> 00:23:23,280 Speaker 4: know what I'm saying. Like I did a lot of 577 00:23:23,320 --> 00:23:24,720 Speaker 4: stuff to those records. 578 00:23:24,400 --> 00:23:25,040 Speaker 2: You know what I'm saying. 579 00:23:25,440 --> 00:23:27,680 Speaker 4: So I feel like that's a cheat code. You feel 580 00:23:27,680 --> 00:23:28,920 Speaker 4: what I'm saying, you know what I'm saying. But so 581 00:23:29,000 --> 00:23:32,000 Speaker 4: I'm like, even though they didn't do it, I'm like, 582 00:23:32,040 --> 00:23:33,800 Speaker 4: I'm gonna do it. Then you feel what I'm saying. 583 00:23:34,080 --> 00:23:36,240 Speaker 4: And that's what my tip that do it, my tempt 584 00:23:36,240 --> 00:23:37,560 Speaker 4: the doing it right. 585 00:23:37,800 --> 00:23:39,520 Speaker 1: Like Elliott say, you had a busy year this year, 586 00:23:39,560 --> 00:23:42,119 Speaker 1: Gucci like the Breath of fresh Air that title, like 587 00:23:42,240 --> 00:23:43,040 Speaker 1: what does that represent? 588 00:23:43,119 --> 00:23:44,200 Speaker 2: You have the family on the cover? 589 00:23:46,000 --> 00:23:49,320 Speaker 4: Yes, I understand. It was just a lot of darkness, 590 00:23:49,400 --> 00:23:50,840 Speaker 4: not saying darkness, you know what I'm saying, but a 591 00:23:50,840 --> 00:23:53,480 Speaker 4: lot of just death and darkness, you know what I'm saying. 592 00:23:53,600 --> 00:23:56,280 Speaker 4: Just I was just seeing like Lowse takeoff and Scar 593 00:23:57,560 --> 00:24:00,639 Speaker 4: and that really golf take off, and you know what 594 00:24:00,640 --> 00:24:02,200 Speaker 4: I'm saying, Those really hit me hard, you know what 595 00:24:02,200 --> 00:24:05,480 Speaker 4: I'm saying. So it was just like made me appreciate 596 00:24:05,560 --> 00:24:07,920 Speaker 4: my family and made me want to document. 597 00:24:08,000 --> 00:24:10,080 Speaker 1: Me and my two little kids. I just you know 598 00:24:10,119 --> 00:24:12,440 Speaker 1: what I'm saying, because in my wife too, right, because 599 00:24:12,480 --> 00:24:14,080 Speaker 1: the album I was listening to and you know, I 600 00:24:14,160 --> 00:24:16,000 Speaker 1: really enjoyed it. It sounded like a launching pad for 601 00:24:16,040 --> 00:24:18,000 Speaker 1: a lot of new voices like you always do. But 602 00:24:18,119 --> 00:24:19,960 Speaker 1: it also felt like a lot of cautionary tails in 603 00:24:20,000 --> 00:24:22,639 Speaker 1: there because he had like broken hearted business not personal 604 00:24:22,760 --> 00:24:25,280 Speaker 1: Internet chatter, like was that your mission? 605 00:24:25,760 --> 00:24:27,200 Speaker 4: I said, this was not gonna be like an album 606 00:24:27,200 --> 00:24:29,439 Speaker 4: when I try to like, you know, not talk about 607 00:24:30,200 --> 00:24:31,480 Speaker 4: you know, like you know what I'm saying, Like to 608 00:24:31,640 --> 00:24:33,960 Speaker 4: all the people that's talking about drilling and spinning, you 609 00:24:34,000 --> 00:24:36,119 Speaker 4: know what I'm saying. Just like, Okay, Gucci came out 610 00:24:36,160 --> 00:24:37,880 Speaker 4: with the album that's talking about going out to eat, 611 00:24:38,480 --> 00:24:40,640 Speaker 4: flying on the plane. You know what I'm saying, going 612 00:24:40,720 --> 00:24:44,520 Speaker 4: shopping with his kids. Just different topics so artists don't 613 00:24:44,520 --> 00:24:47,200 Speaker 4: have to keep regurgitating the same topics. You know what 614 00:24:47,200 --> 00:24:47,600 Speaker 4: I'm saying. 615 00:24:49,640 --> 00:24:52,080 Speaker 1: Yeah, one thing in particular that the intro must be 616 00:24:52,200 --> 00:24:54,800 Speaker 1: me very powerful record, and you kind of addressed, like, 617 00:24:55,280 --> 00:24:57,720 Speaker 1: you know, what is your responsibility of artists? Your artists 618 00:24:57,840 --> 00:24:59,600 Speaker 1: like go a certain way or something's don't go right 619 00:24:59,600 --> 00:25:02,200 Speaker 1: when the like what made you hit that topic head on? 620 00:25:02,280 --> 00:25:04,320 Speaker 2: It feel like you had to you wanted to address it. 621 00:25:05,040 --> 00:25:06,600 Speaker 4: I guess it was on my mind, you know what 622 00:25:06,640 --> 00:25:09,840 Speaker 4: I'm saying, Like you get blamed for like helping the 623 00:25:09,960 --> 00:25:12,399 Speaker 4: artists you get blamed, you see what I'm saying. So 624 00:25:12,520 --> 00:25:14,120 Speaker 4: it's like you can't win, you know what I'm saying. 625 00:25:14,160 --> 00:25:17,400 Speaker 4: You take somebody from like a bad situation, you try 626 00:25:17,440 --> 00:25:20,040 Speaker 4: to help them, you know, you're a mentor, you lean 627 00:25:20,160 --> 00:25:23,080 Speaker 4: by example. But soon as something bad happened to them, 628 00:25:23,440 --> 00:25:26,080 Speaker 4: they say, you know, your labor cursed you the reason, 629 00:25:26,800 --> 00:25:29,159 Speaker 4: you know, But I'm the one taking any chances with 630 00:25:29,240 --> 00:25:32,240 Speaker 4: these people. You know, nobody else will help, and that's 631 00:25:32,320 --> 00:25:34,440 Speaker 4: my way of giving back. I knew that was my plan. 632 00:25:35,000 --> 00:25:36,200 Speaker 4: But you know what I'm saying, it's weird to me 633 00:25:36,280 --> 00:25:38,439 Speaker 4: that like that, people that don't help got out all 634 00:25:38,480 --> 00:25:39,160 Speaker 4: the things the same. 635 00:25:39,480 --> 00:25:41,840 Speaker 1: Yeah, but since like artist you pick, it's like you're 636 00:25:41,880 --> 00:25:43,879 Speaker 1: competing and some sort of bidding war for them. You 637 00:25:44,000 --> 00:25:46,360 Speaker 1: find these talent early before most people. 638 00:25:46,240 --> 00:25:47,560 Speaker 4: Exactly, I ain't. You know what I'm saying. I'm not 639 00:25:47,680 --> 00:25:51,840 Speaker 4: chasing records. I'm finding talented artists and saying, okay, regardless 640 00:25:51,840 --> 00:25:54,000 Speaker 4: of what you got going on, let's just be from here. 641 00:25:54,440 --> 00:25:56,399 Speaker 2: Yeah. So it does bother you when people blame you 642 00:25:56,440 --> 00:25:58,560 Speaker 2: for your artists going to prison or getting locked up 643 00:25:58,640 --> 00:25:59,119 Speaker 2: or something like that. 644 00:26:00,000 --> 00:26:03,800 Speaker 4: I think it comes with the terror joy, right, you know, 645 00:26:04,000 --> 00:26:05,760 Speaker 4: I don't agree with it, you know what I'm saying, but. 646 00:26:07,480 --> 00:26:09,640 Speaker 1: Yeah, you can understand the perspective. But it felt important 647 00:26:09,640 --> 00:26:12,840 Speaker 1: to address that to say, hey, look, yes, that's what makes. 648 00:26:12,720 --> 00:26:14,520 Speaker 4: It what I had to put it into music, you 649 00:26:14,560 --> 00:26:17,200 Speaker 4: know what I'm saying, Like, you can't just take these punches. 650 00:26:17,720 --> 00:26:18,479 Speaker 2: And what am I too? 651 00:26:18,600 --> 00:26:20,840 Speaker 1: Like it seemed like, you know, when you first came out, 652 00:26:21,080 --> 00:26:23,160 Speaker 1: like it's like there's only as rumors. You look different, 653 00:26:23,400 --> 00:26:25,760 Speaker 1: you're so focused, you're doing certain things, but you haven't 654 00:26:25,760 --> 00:26:27,440 Speaker 1: stopped on that path. And I saw one quote you 655 00:26:27,480 --> 00:26:29,840 Speaker 1: sell on Instagram. It said I was praying and fastening 656 00:26:29,840 --> 00:26:31,880 Speaker 1: in the pen for a second chance, but I can't 657 00:26:31,920 --> 00:26:32,600 Speaker 1: fumble the bag. 658 00:26:33,240 --> 00:26:33,760 Speaker 4: No I can't. 659 00:26:34,160 --> 00:26:34,200 Speaker 3: No. 660 00:26:34,560 --> 00:26:36,840 Speaker 4: I remember that post because I was just thinking, like, 661 00:26:37,280 --> 00:26:41,119 Speaker 4: not even those second chance me, I had like five, six, eight, 662 00:26:41,320 --> 00:26:44,040 Speaker 4: nine chances, you know what I'm saying. So it's like 663 00:26:44,600 --> 00:26:47,640 Speaker 4: this last chance right here, I can't fun with this chance. 664 00:26:48,840 --> 00:26:50,200 Speaker 2: How do you feel in terms of that beg Like, 665 00:26:50,280 --> 00:26:50,960 Speaker 2: do you feel like you know? 666 00:26:51,000 --> 00:26:53,080 Speaker 1: Because what you're going through it is like, you know, 667 00:26:53,280 --> 00:26:55,960 Speaker 1: a lot of times people glorify certain things, but you 668 00:26:56,080 --> 00:26:58,000 Speaker 1: did a real bit. You did real time, you did 669 00:26:58,119 --> 00:27:00,560 Speaker 1: real time away and toring through all these scles, is like, 670 00:27:00,960 --> 00:27:02,520 Speaker 1: how important does it feel like that you have to 671 00:27:02,600 --> 00:27:05,800 Speaker 1: now seize this moment that you're finally back outside, oh. 672 00:27:05,840 --> 00:27:09,080 Speaker 3: Man, because I know it could have been much worse, 673 00:27:09,560 --> 00:27:12,119 Speaker 3: you know what I'm saying. Like you know they were 674 00:27:12,160 --> 00:27:14,160 Speaker 3: trying to give me twenty five years at one point, 675 00:27:14,240 --> 00:27:17,359 Speaker 3: you know what I mean, and you know, just just 676 00:27:17,800 --> 00:27:20,639 Speaker 3: man that to get another chance at it, man, Like, 677 00:27:22,080 --> 00:27:24,160 Speaker 3: I know this my last chance. You know what I'm saying. 678 00:27:24,520 --> 00:27:27,760 Speaker 3: I Like he said, Man, I had seven eighty nine chances. 679 00:27:27,800 --> 00:27:30,760 Speaker 3: You know what I'm saying. So you know how I 680 00:27:30,920 --> 00:27:35,040 Speaker 3: was able to really sit on and understand you know 681 00:27:35,080 --> 00:27:37,520 Speaker 3: what I'm saying, and just you know, get in tune 682 00:27:37,920 --> 00:27:42,160 Speaker 3: with myself and growing just the fall man Like when 683 00:27:42,200 --> 00:27:47,960 Speaker 3: you're in that cell and bosting like that man and 684 00:27:48,080 --> 00:27:50,320 Speaker 3: you know, taking away from your family, you know, taking 685 00:27:50,359 --> 00:27:53,480 Speaker 3: away from your career, taking away from just everything you love, 686 00:27:53,560 --> 00:27:55,560 Speaker 3: and you really have time to just really sit down 687 00:27:56,440 --> 00:27:58,800 Speaker 3: and think. You know what I'm saying, and you realize 688 00:27:58,840 --> 00:28:02,920 Speaker 3: what's important, you know, and I finally get it. 689 00:28:03,520 --> 00:28:05,520 Speaker 1: Did you said when you got out of jail felt 690 00:28:05,520 --> 00:28:07,600 Speaker 1: like you woke up from a bad dream. You talk 691 00:28:07,600 --> 00:28:09,239 Speaker 1: about your experience while you was locked up. 692 00:28:13,520 --> 00:28:19,119 Speaker 3: I mean, what about it? 693 00:28:19,880 --> 00:28:21,800 Speaker 1: One cold you say you see some real things. You 694 00:28:21,960 --> 00:28:23,920 Speaker 1: referenced that in the lyrics, and like, was you kind 695 00:28:23,920 --> 00:28:26,000 Speaker 1: of incarcerated in one space the whole time? 696 00:28:26,119 --> 00:28:26,399 Speaker 2: Right too? 697 00:28:26,440 --> 00:28:29,720 Speaker 3: For like I was actually on tour, man, they had 698 00:28:29,800 --> 00:28:32,960 Speaker 3: me on. I did my I did my time in 699 00:28:33,119 --> 00:28:37,880 Speaker 3: like eight different prisons. I'm so you know, every time 700 00:28:38,040 --> 00:28:40,680 Speaker 3: I got in trouble, I was getting shipped. You know 701 00:28:40,720 --> 00:28:43,080 Speaker 3: what I'm playing. So I was started off in both 702 00:28:43,160 --> 00:28:48,160 Speaker 3: my Texas, ended up in Kentucky. They shipped me to Pennsylvania, 703 00:28:48,760 --> 00:28:52,200 Speaker 3: shipped me to South Carolina. I was in Florida. I 704 00:28:52,400 --> 00:28:53,720 Speaker 3: ended it in California. 705 00:28:54,120 --> 00:28:56,240 Speaker 2: Cali was the last one I saw, the Cali. Yeah, 706 00:28:56,320 --> 00:28:56,560 Speaker 2: I was. 707 00:28:57,280 --> 00:28:59,760 Speaker 3: I was pretty much I've been around. 708 00:29:00,280 --> 00:29:02,760 Speaker 1: But like, people don't realize that this is a real situation. 709 00:29:02,800 --> 00:29:05,080 Speaker 1: These are real situations like being across rerated to doing 710 00:29:05,160 --> 00:29:07,560 Speaker 1: with the stuff you and just we have dealt with, right. 711 00:29:07,920 --> 00:29:09,240 Speaker 4: Yeah, definitely serious. 712 00:29:09,800 --> 00:29:13,720 Speaker 3: Yeah, nah, people losing their life behind it, wall man. 713 00:29:13,760 --> 00:29:14,320 Speaker 3: You know what I'm saying. 714 00:29:14,720 --> 00:29:15,680 Speaker 2: Real ain't nothing to play with. 715 00:29:15,840 --> 00:29:16,880 Speaker 3: Yeah, no, that's a fact. 716 00:29:17,160 --> 00:29:19,480 Speaker 2: How did the other inmates react to seeing you in prison? 717 00:29:21,280 --> 00:29:25,560 Speaker 3: I mean, shit, you know I was one of the guys, 718 00:29:25,680 --> 00:29:28,040 Speaker 3: you know what I'm saying. Like, I mean, you know, 719 00:29:28,160 --> 00:29:30,320 Speaker 3: at the end of the day, you know when when 720 00:29:30,440 --> 00:29:32,400 Speaker 3: when you know, when you go to jail, you strip 721 00:29:32,600 --> 00:29:36,560 Speaker 3: the you know that the jewelry, you know the cause, 722 00:29:36,720 --> 00:29:38,960 Speaker 3: you know the fame. You just a number. I was 723 00:29:39,040 --> 00:29:41,600 Speaker 3: three one nine six nine three four, you know what 724 00:29:41,640 --> 00:29:44,320 Speaker 3: I'm saying. So you know, I and I did mind 725 00:29:44,360 --> 00:29:48,560 Speaker 3: a GP you know what I'm saying. So it's like, yeah, 726 00:29:49,880 --> 00:29:51,880 Speaker 3: I mean, nah, it just was me, you know what 727 00:29:51,880 --> 00:29:54,920 Speaker 3: I mean. It's you know, it's some people you know 728 00:29:55,040 --> 00:29:57,480 Speaker 3: that that that see you and and see the person 729 00:29:57,560 --> 00:30:00,520 Speaker 3: they see on TV. But then it's up you know, 730 00:30:00,680 --> 00:30:02,920 Speaker 3: good man, who know you're a man first, you know 731 00:30:02,960 --> 00:30:04,720 Speaker 3: what I'm saying. And that's how I want to be 732 00:30:04,840 --> 00:30:06,600 Speaker 3: treated as a man first, you know what I'm saying. 733 00:30:06,680 --> 00:30:10,640 Speaker 3: Fuck Beach, you know this that like I'm you know 734 00:30:10,680 --> 00:30:11,000 Speaker 3: what I mean. 735 00:30:12,840 --> 00:30:15,000 Speaker 1: How do you think your pin involved from the chopping 736 00:30:15,040 --> 00:30:18,080 Speaker 1: in the city, chopping in the city's days till now? Like, 737 00:30:18,240 --> 00:30:19,640 Speaker 1: how do you think you've evolved as a writer? 738 00:30:20,320 --> 00:30:27,520 Speaker 3: I mean, you know I ain't never been the most lyrical, right, 739 00:30:31,200 --> 00:30:32,600 Speaker 3: That's why I. 740 00:30:32,600 --> 00:30:36,200 Speaker 2: Need you on that autumneurs. 741 00:30:37,360 --> 00:30:40,520 Speaker 3: Just just tell my story pretty much, you know, talk 742 00:30:40,600 --> 00:30:43,920 Speaker 3: about you know what it's like journaling for me, you 743 00:30:44,000 --> 00:30:46,680 Speaker 3: know what I'm saying. So I'm talking about you know 744 00:30:46,800 --> 00:30:49,920 Speaker 3: what I'm going through, what I see, you know what 745 00:30:50,040 --> 00:30:51,560 Speaker 3: I'm feeling, you know what I mean? 746 00:30:51,800 --> 00:30:54,520 Speaker 1: Like, Yeah, what was those catch money like years like 747 00:30:54,600 --> 00:30:56,520 Speaker 1: for you, Like you know you gotta set that matter 748 00:30:56,680 --> 00:30:58,200 Speaker 1: was going to take over the game nine nine in 749 00:30:58,320 --> 00:31:01,240 Speaker 1: two thousands and y'all did that, like you and the 750 00:31:01,280 --> 00:31:03,520 Speaker 1: whole crew hot boys, You're part of legendary group. 751 00:31:03,680 --> 00:31:05,680 Speaker 2: Like what was that life for y'all to like really 752 00:31:05,720 --> 00:31:06,360 Speaker 2: impact the game? 753 00:31:06,640 --> 00:31:11,160 Speaker 3: Really, I just want to talk about you know what 754 00:31:11,200 --> 00:31:11,680 Speaker 3: I'm saying. 755 00:31:12,360 --> 00:31:14,240 Speaker 2: We don't live in the past, right he is no 756 00:31:15,680 --> 00:31:16,680 Speaker 2: shoppers and bricks. 757 00:31:16,720 --> 00:31:18,880 Speaker 3: It's definitely December fifteen. 758 00:31:19,760 --> 00:31:21,880 Speaker 1: December fifteen. How many we don't get to hear the 759 00:31:21,880 --> 00:31:24,240 Speaker 1: full thing? Yeah, the full thing? So give us a 760 00:31:24,440 --> 00:31:25,520 Speaker 1: insight go out with the album. 761 00:31:25,680 --> 00:31:26,479 Speaker 2: What could we expect? 762 00:31:26,920 --> 00:31:28,960 Speaker 4: All kind of different producers, you know what I'm saying, 763 00:31:29,040 --> 00:31:31,600 Speaker 4: From Mike Will to at L Jacobs, you know what 764 00:31:31,640 --> 00:31:33,960 Speaker 4: I'm saying. So producers just turned me on to I 765 00:31:34,040 --> 00:31:36,320 Speaker 4: never worked with before. They were seeing the fire beats 766 00:31:36,960 --> 00:31:37,600 Speaker 4: you know what I'm saying. 767 00:31:39,480 --> 00:31:42,680 Speaker 1: Ok, Yeah, and there's a current Scar album you've got 768 00:31:42,760 --> 00:31:45,480 Speaker 1: to put out just now to right, Yes, that's just 769 00:31:45,600 --> 00:31:46,800 Speaker 1: the posthumous. 770 00:31:46,320 --> 00:31:49,520 Speaker 4: Socially, Yeah, the Frozene. Yes, he got a trilogy. You know, 771 00:31:49,600 --> 00:31:51,600 Speaker 4: he got the secret Weapon, he got Big grimd Weep 772 00:31:51,680 --> 00:31:54,560 Speaker 4: already did this went go so like seven hundred thousand 773 00:31:54,640 --> 00:31:55,280 Speaker 4: units already? 774 00:31:55,720 --> 00:31:55,920 Speaker 2: Yeah? 775 00:31:56,120 --> 00:31:58,720 Speaker 4: Then he got the secret weapon. Night just dropped Frozene. 776 00:31:59,320 --> 00:31:59,520 Speaker 3: Yeah. 777 00:32:01,160 --> 00:32:03,800 Speaker 4: So Peter Scar long Litle de Legions. 778 00:32:04,440 --> 00:32:06,400 Speaker 1: The song that you put out last year, let it 779 00:32:06,480 --> 00:32:09,480 Speaker 1: the take off. It was really poignant, Like how hard 780 00:32:09,600 --> 00:32:10,800 Speaker 1: was it making that record like that? 781 00:32:11,640 --> 00:32:13,440 Speaker 4: I don't I don't know. It seemed like there was 782 00:32:13,480 --> 00:32:15,040 Speaker 4: my really crying through that song. 783 00:32:15,120 --> 00:32:15,760 Speaker 2: I just wanted to. 784 00:32:15,760 --> 00:32:18,240 Speaker 4: Express the people, like, you know, this person was important 785 00:32:18,280 --> 00:32:19,880 Speaker 4: to me, you know what I'm saying. It wasn't about 786 00:32:20,480 --> 00:32:24,040 Speaker 4: how much the song screaming and seiling. I just wanted 787 00:32:24,080 --> 00:32:25,760 Speaker 4: to let the world know, Hey, this this you know 788 00:32:25,760 --> 00:32:27,240 Speaker 4: what I'm saying, Like, I can't let the day go 789 00:32:27,360 --> 00:32:29,760 Speaker 4: by without y'all knowing like this, my doubt, this hurt me. 790 00:32:29,920 --> 00:32:31,760 Speaker 4: This is what I'm feeling, like, you know what I'm saying. 791 00:32:31,680 --> 00:32:33,600 Speaker 2: Because it happened like almost a month apart. 792 00:32:34,560 --> 00:32:37,360 Speaker 4: Yeah, it was hard. That's still that's still something that 793 00:32:37,560 --> 00:32:38,560 Speaker 4: you know, I'm dealing. 794 00:32:38,360 --> 00:32:41,360 Speaker 1: With, right, Yeah, with Vegas right now, go up there. 795 00:32:41,360 --> 00:32:42,480 Speaker 1: So you had a line you said, I got so 796 00:32:42,560 --> 00:32:44,600 Speaker 1: much catching Vegas. I feel like I'm Elvis. 797 00:32:46,360 --> 00:32:47,280 Speaker 2: In Vegas at the top. 798 00:32:47,600 --> 00:32:49,840 Speaker 4: So the video you shoot at the poems and yeah, 799 00:32:51,200 --> 00:32:54,000 Speaker 4: I got a big connection with Vegas. Like I made 800 00:32:54,040 --> 00:32:56,440 Speaker 4: Eliminade in Vegas. I don't know how long ago it 801 00:32:56,600 --> 00:32:58,600 Speaker 4: was when Eliminade was out, but that was just like 802 00:32:58,760 --> 00:33:00,440 Speaker 4: on one of my trips that I used to go 803 00:33:00,520 --> 00:33:02,440 Speaker 4: hard at. You know what I'm saying. And I still 804 00:33:02,480 --> 00:33:04,200 Speaker 4: go to the same hotel. I still stay in the 805 00:33:04,240 --> 00:33:07,680 Speaker 4: same room. And I know that was like eleven twelve 806 00:33:07,760 --> 00:33:09,680 Speaker 4: years ago. It's the same routine. You know what I'm saying. 807 00:33:09,680 --> 00:33:12,920 Speaker 4: I'm still making records at the same place, the same studio. 808 00:33:13,040 --> 00:33:15,800 Speaker 4: It's still going. That's why I said, shit like Elvis, 809 00:33:15,840 --> 00:33:17,160 Speaker 4: you know what I'm saying, I'm still going. 810 00:33:18,000 --> 00:33:20,959 Speaker 1: I think you like the shopping possibilities of the Vegas provides, 811 00:33:21,040 --> 00:33:22,960 Speaker 1: you know, saying the money. 812 00:33:24,920 --> 00:33:27,920 Speaker 4: It's my spot, be honest, like seriously, like I really 813 00:33:28,160 --> 00:33:30,040 Speaker 4: love performing in Vegas. You know what I'm saying. 814 00:33:30,080 --> 00:33:31,960 Speaker 1: They love me, they supporting me. 815 00:33:32,920 --> 00:33:34,400 Speaker 4: It's a beautiful it's a beautiful thing. 816 00:33:34,520 --> 00:33:38,200 Speaker 2: It was a Dre's nightclub, but Dreda's nightclub. 817 00:33:38,320 --> 00:33:40,040 Speaker 4: Definitely respect them. And you know what I'm saying, they 818 00:33:40,080 --> 00:33:41,800 Speaker 4: showed me a little but before them, just like the 819 00:33:41,880 --> 00:33:44,400 Speaker 4: whole community of Vegas that's been supporting me before that, 820 00:33:44,480 --> 00:33:46,880 Speaker 4: you know what I'm saying, they always want to hear. 821 00:33:47,360 --> 00:33:49,880 Speaker 4: Speaking of performances, Gucci, man, we saw it's a legendary 822 00:33:49,920 --> 00:33:52,000 Speaker 4: performance with you and t I a couple of months back. 823 00:33:52,440 --> 00:33:54,160 Speaker 1: You know, you guys had friction in the past, but 824 00:33:54,240 --> 00:33:56,840 Speaker 1: you reconciled on stage in Atlanta. You talk about that, 825 00:33:56,960 --> 00:33:58,880 Speaker 1: and while it was important for that to happen. 826 00:33:59,400 --> 00:34:01,360 Speaker 4: It was a long time overdue, to be honest, And 827 00:34:02,480 --> 00:34:04,239 Speaker 4: you know what I'm saying, I feel like both us 828 00:34:04,320 --> 00:34:07,160 Speaker 4: got a legendary stance in Atlanta, both us and did 829 00:34:07,200 --> 00:34:09,319 Speaker 4: a lot for the city. You know what I'm saying, 830 00:34:10,560 --> 00:34:12,200 Speaker 4: I'm glad that we did that, right. 831 00:34:12,239 --> 00:34:13,000 Speaker 3: That's a very moment. 832 00:34:13,280 --> 00:34:14,520 Speaker 1: I don't know if you so go up this thing 833 00:34:14,560 --> 00:34:17,520 Speaker 1: online they were talking about to mixtape my Rushmore that 834 00:34:17,760 --> 00:34:19,880 Speaker 1: put Future fifty cent a little way and Jez. The 835 00:34:19,920 --> 00:34:22,480 Speaker 1: biggest OUTCRYSA was it was like you got to get 836 00:34:22,760 --> 00:34:25,560 Speaker 1: up on that, on that, on my Rushmore? What's your 837 00:34:25,640 --> 00:34:27,520 Speaker 1: take on like if you have to do your own 838 00:34:27,600 --> 00:34:31,080 Speaker 1: mistate my Rushmore? Who who belongs there in your mind? 839 00:34:31,680 --> 00:34:37,600 Speaker 4: I definitely belong on Inny Mountain rimore of anything. That's 840 00:34:37,680 --> 00:34:42,640 Speaker 4: just my opinion. I'm biased, you know, but you're not blind. 841 00:34:42,960 --> 00:34:43,200 Speaker 2: I'm not. 842 00:34:44,320 --> 00:34:48,719 Speaker 4: I got different criteria that what I judge than proud 843 00:34:48,719 --> 00:34:50,760 Speaker 4: of what you would judge or somebody else might judge, 844 00:34:51,040 --> 00:34:54,279 Speaker 4: or the popular opinion might judge. What you mean by 845 00:34:54,320 --> 00:34:56,319 Speaker 4: that just in terms of how you view like all, 846 00:34:56,400 --> 00:34:59,239 Speaker 4: Like I said, for even with BG or the artist 847 00:34:59,320 --> 00:35:01,200 Speaker 4: that I like before I really put out my first 848 00:35:01,239 --> 00:35:04,239 Speaker 4: professional album. You know what I'm saying two thousand and five. See, 849 00:35:04,280 --> 00:35:07,200 Speaker 4: I remember in two thousand and three listening. I remember 850 00:35:07,239 --> 00:35:10,400 Speaker 4: the CDs I used to listen to. It was BG chopping, 851 00:35:10,400 --> 00:35:13,160 Speaker 4: sitting in the Ghetto. That sitting in the ghetto, it was, 852 00:35:13,480 --> 00:35:15,640 Speaker 4: it was it was when you left and you was 853 00:35:15,719 --> 00:35:17,680 Speaker 4: on your own. I had an independent life off the 854 00:35:17,719 --> 00:35:20,799 Speaker 4: cash miny. First one listen to that CD and uh, 855 00:35:21,280 --> 00:35:24,080 Speaker 4: I think I listened to Little John Dat Sideboys with 856 00:35:24,160 --> 00:35:25,279 Speaker 4: Post Choice. 857 00:35:25,920 --> 00:35:28,400 Speaker 2: I remember that playing g a yes no no no 858 00:35:28,480 --> 00:35:30,880 Speaker 2: no no no no no no no no no. 859 00:35:31,080 --> 00:35:34,279 Speaker 4: Little John had had a CD by itself. They came 860 00:35:34,400 --> 00:35:36,799 Speaker 4: out and they had a church like on the intro 861 00:35:36,920 --> 00:35:39,840 Speaker 4: with Jada kids, you know what I'm saying, And fifty 862 00:35:40,160 --> 00:35:41,719 Speaker 4: came out. Then the three CITs and I used to 863 00:35:41,760 --> 00:35:43,200 Speaker 4: be doing my thing, you know what I'm saying, going 864 00:35:43,239 --> 00:35:45,960 Speaker 4: from Atlanta back to my home. Three those my three 865 00:35:46,160 --> 00:35:49,200 Speaker 4: no from Atlanta to Alabama. Well, my granddaddy stayed in 866 00:35:49,239 --> 00:35:51,400 Speaker 4: ten seventeen, but the it was my three CDs. And 867 00:35:51,440 --> 00:35:53,239 Speaker 4: I used to be using this girl car and in 868 00:35:53,360 --> 00:35:56,399 Speaker 4: the three CDs I had bought and Birmingham Record Store, 869 00:35:56,760 --> 00:35:58,200 Speaker 4: and I just every time I get in the car 870 00:35:58,239 --> 00:36:00,400 Speaker 4: to the three CDs, I used to rotate yep. And 871 00:36:00,560 --> 00:36:03,160 Speaker 4: I'll be coming back down twenty with them three cities. 872 00:36:03,760 --> 00:36:04,200 Speaker 2: So to me. 873 00:36:05,600 --> 00:36:07,759 Speaker 4: But what made me like those artists was it wasn't 874 00:36:08,080 --> 00:36:10,400 Speaker 4: like I said, it wasn't about the lyrics. It's the story. 875 00:36:10,880 --> 00:36:12,759 Speaker 2: Yeah, you feel I can relate to this. 876 00:36:12,800 --> 00:36:15,239 Speaker 4: Story, listen to you and get rich of that triump 877 00:36:15,280 --> 00:36:16,799 Speaker 4: anything like that. I need to be around. I need 878 00:36:16,840 --> 00:36:19,040 Speaker 4: to tell my story. Yeah, my story important. 879 00:36:19,080 --> 00:36:22,520 Speaker 1: We'll ever get to tell it. But it's interesting though 880 00:36:22,520 --> 00:36:24,400 Speaker 1: about the boy you kind of told in a lot 881 00:36:24,440 --> 00:36:26,520 Speaker 1: of ways, was this thing called the mixtape, right, whatever 882 00:36:26,560 --> 00:36:28,520 Speaker 1: that means, right, and we looked at it that. 883 00:36:28,600 --> 00:36:29,400 Speaker 2: Was the East Coast thing. 884 00:36:29,480 --> 00:36:31,160 Speaker 1: But you was to me the most prolific of the 885 00:36:31,280 --> 00:36:34,560 Speaker 1: South to kind of really use that format to express yourself. 886 00:36:35,320 --> 00:36:37,680 Speaker 4: Yeah, I honestly was like the only thing I can 887 00:36:37,760 --> 00:36:40,840 Speaker 4: take control of, you know, the major. You got control 888 00:36:40,960 --> 00:36:45,239 Speaker 4: of your album. I got control of this mixtape, so. 889 00:36:45,680 --> 00:36:47,120 Speaker 2: I can rhame over whatever I want. 890 00:36:47,400 --> 00:36:50,319 Speaker 4: Yes, I can drop it whenever I want. I don't 891 00:36:50,320 --> 00:36:52,440 Speaker 4: got to worry about you saying I'm gonna push your back. 892 00:36:53,280 --> 00:36:54,239 Speaker 2: I can't push it back. 893 00:36:55,400 --> 00:36:58,400 Speaker 1: It's already out out. Yeah, they got it in their cars. 894 00:36:58,719 --> 00:37:01,120 Speaker 1: But as Gucci just alluded to, you know, listening to 895 00:37:01,200 --> 00:37:04,200 Speaker 1: Chopping City Together. Next year, it's turned twenty five, BG, 896 00:37:04,360 --> 00:37:06,040 Speaker 1: what do you think about the impact that had? 897 00:37:06,320 --> 00:37:08,600 Speaker 2: Five Way five man? Five years? 898 00:37:09,880 --> 00:37:11,800 Speaker 1: What do you remember making that album in like the 899 00:37:11,880 --> 00:37:12,520 Speaker 1: impact of it? 900 00:37:14,280 --> 00:37:20,640 Speaker 3: Damn, man, I mean, it'd be hard for me to 901 00:37:20,760 --> 00:37:29,239 Speaker 3: remember twenty five minutes, you know, to remember Nah, But 902 00:37:29,840 --> 00:37:34,759 Speaker 3: I just I mean, man, I remember the camaraderie you 903 00:37:34,920 --> 00:37:36,520 Speaker 3: know that we had at a time you know what 904 00:37:36,560 --> 00:37:39,960 Speaker 3: I'm saying, Like, you know, we all used to just 905 00:37:40,080 --> 00:37:42,759 Speaker 3: support one another being in a studio at the same time. 906 00:37:42,840 --> 00:37:44,880 Speaker 3: You know, if I was in the studio, you know, 907 00:37:45,000 --> 00:37:47,399 Speaker 3: Fresh was in their shoes, and that Wayne was in there, 908 00:37:47,680 --> 00:37:50,640 Speaker 3: ls and there. It's not a slim you know, and 909 00:37:50,840 --> 00:37:54,320 Speaker 3: we all you know, contributed to each other's solo projects, 910 00:37:54,360 --> 00:37:57,000 Speaker 3: you know what I'm saying. So I think this was 911 00:37:57,120 --> 00:38:03,040 Speaker 3: maybe like the I don't know, maybe the second third 912 00:38:03,160 --> 00:38:08,200 Speaker 3: album on our deal or whatever. But yeah, I just 913 00:38:08,360 --> 00:38:11,040 Speaker 3: remember just going in there really just doing me, man, 914 00:38:11,239 --> 00:38:13,200 Speaker 3: just picking up from where I left off off the 915 00:38:13,239 --> 00:38:16,360 Speaker 3: first Chapper City album, because I dropped the first original 916 00:38:16,440 --> 00:38:18,799 Speaker 3: chaper City in ninety six, you know what I'm saying. 917 00:38:18,960 --> 00:38:23,960 Speaker 3: So when I did Chappa City in the Ghetto that 918 00:38:24,080 --> 00:38:26,040 Speaker 3: was like ninety nine. You know what I'm saying, you. 919 00:38:26,080 --> 00:38:28,720 Speaker 2: Had a major distribution. Everybody's looking yeah, yeah. 920 00:38:28,800 --> 00:38:32,359 Speaker 3: Yeah, So it just was, you know, picking up from 921 00:38:32,400 --> 00:38:34,160 Speaker 3: where I left off with Chapel City, you know what 922 00:38:34,200 --> 00:38:37,160 Speaker 3: I'm saying, and just you know, telling my story, you know, 923 00:38:37,360 --> 00:38:39,400 Speaker 3: telling New Orleans story. You know what I mean. 924 00:38:39,640 --> 00:38:41,680 Speaker 1: It's crazy because that's your fourth album, but a lot 925 00:38:41,719 --> 00:38:43,600 Speaker 1: of people look at it almost debut. 926 00:38:43,960 --> 00:38:46,640 Speaker 3: Yeah, yeah, yeah, they thought yeah yeah, and yeah that 927 00:38:46,920 --> 00:38:49,279 Speaker 3: because I had the true story. Then the Chapa City. 928 00:38:49,920 --> 00:38:52,520 Speaker 3: Then it's all on you Volume one, then it's all 929 00:38:52,560 --> 00:38:59,040 Speaker 3: on your Volume two, then the chap for Real. 930 00:38:59,280 --> 00:39:01,960 Speaker 1: Just what inspire you though, like before you started getting 931 00:39:01,960 --> 00:39:04,239 Speaker 1: even with cash? Like what inspired you as a kid 932 00:39:04,280 --> 00:39:05,439 Speaker 1: coming up in terms of hip hop? 933 00:39:06,760 --> 00:39:11,800 Speaker 3: I mean, you know, I come up on UGK, Skull 934 00:39:11,920 --> 00:39:17,600 Speaker 3: Face A Ball and MJG. You know, Dayton Family, Top 935 00:39:17,640 --> 00:39:24,480 Speaker 3: of the Family, Wow, like SPIKEE one Pop. I was 936 00:39:24,680 --> 00:39:29,040 Speaker 3: listening to cool g rap you know. I was listening 937 00:39:29,200 --> 00:39:32,640 Speaker 3: to all that in a bunch of local artists, you know, 938 00:39:32,760 --> 00:39:35,680 Speaker 3: Pim Dadded you NLF. You know what I'm saying. Just 939 00:39:36,040 --> 00:39:38,000 Speaker 3: I was big on the New Orleans culture too. 940 00:39:38,239 --> 00:39:40,200 Speaker 1: But it reminds me of one of meet being beat 941 00:39:40,200 --> 00:39:42,480 Speaker 1: out from Queens one of my favorites that that Prodigy 942 00:39:42,520 --> 00:39:44,920 Speaker 1: album and I see you're on the album him when 943 00:39:44,920 --> 00:39:47,360 Speaker 1: I went back to Lewis, How did that come together? 944 00:39:47,640 --> 00:39:48,480 Speaker 2: How did that situation? 945 00:39:49,880 --> 00:39:53,759 Speaker 3: Prodigy reached out man, he was he was a fan 946 00:39:53,920 --> 00:39:56,320 Speaker 3: of a Chappa City in the ghetto, you know what 947 00:39:56,360 --> 00:39:59,000 Speaker 3: I'm saying, And he reached out the bird man and 948 00:39:59,280 --> 00:40:02,479 Speaker 3: was like, man, I'm trying to link up with beg 949 00:40:02,760 --> 00:40:06,160 Speaker 3: Man and Bird pulled up on and was like, man, 950 00:40:06,960 --> 00:40:08,319 Speaker 3: oh you called man. 951 00:40:09,880 --> 00:40:16,719 Speaker 2: I'm like, what mess with everybody? Mess with everybody? Back then, 952 00:40:16,800 --> 00:40:18,160 Speaker 2: you couldn't get a cash feature. 953 00:40:18,719 --> 00:40:19,279 Speaker 3: It was hard. 954 00:40:19,400 --> 00:40:19,919 Speaker 2: It was hard. 955 00:40:20,880 --> 00:40:21,960 Speaker 3: Can you turn down? 956 00:40:22,239 --> 00:40:26,959 Speaker 4: Like, like, what are you talking about? 957 00:40:27,000 --> 00:40:27,560 Speaker 3: You know what I'm saying. 958 00:40:27,640 --> 00:40:30,560 Speaker 1: I grew up with the opportunity only think people are 959 00:40:30,600 --> 00:40:32,279 Speaker 1: talking about this soon in the game. You all grew 960 00:40:32,360 --> 00:40:34,560 Speaker 1: up about hip hop and how much you know. You're 961 00:40:34,600 --> 00:40:37,000 Speaker 1: so clear on like the lineage of where you come 962 00:40:37,080 --> 00:40:38,280 Speaker 1: from with your just culture. 963 00:40:39,080 --> 00:40:42,719 Speaker 4: I'm super inspired about the whole cash money cash, But 964 00:40:43,040 --> 00:40:45,960 Speaker 4: Shlim and Baby did like definitely what made me want 965 00:40:46,000 --> 00:40:47,200 Speaker 4: to get in the game. You know what I'm saying. 966 00:40:47,600 --> 00:40:50,000 Speaker 4: I was listening to the to them bgms. I remember 967 00:40:50,040 --> 00:40:54,160 Speaker 4: them cookouts. Who was having and not? I graduated in 968 00:40:54,280 --> 00:40:56,520 Speaker 4: ninety eight, you know what I'm saying. So I remember 969 00:40:56,800 --> 00:40:59,359 Speaker 4: not to nine someone. I remember not the eight something. 970 00:40:59,520 --> 00:41:01,960 Speaker 4: I remember, but when people were playing Beach, I remember 971 00:41:02,040 --> 00:41:04,360 Speaker 4: having these d CDs, you know what I'm saying. And 972 00:41:04,480 --> 00:41:06,480 Speaker 4: I remember what they were doing to my neighborhood and 973 00:41:06,719 --> 00:41:09,680 Speaker 4: how people were like adopting these nicknames of people you 974 00:41:09,760 --> 00:41:12,239 Speaker 4: feel what I'm saying, and it just inspired all of us. 975 00:41:12,280 --> 00:41:14,880 Speaker 4: But it definitely made me think, like, you know, like, Okay, 976 00:41:15,000 --> 00:41:16,719 Speaker 4: I ain't got to just sit on the block. What 977 00:41:16,880 --> 00:41:18,480 Speaker 4: if I tried to put up on label? What if 978 00:41:18,520 --> 00:41:20,160 Speaker 4: I made these niggas up under me? 979 00:41:20,800 --> 00:41:21,440 Speaker 2: My artists? 980 00:41:22,160 --> 00:41:24,640 Speaker 4: That's what That's what me and my friend, that's what 981 00:41:24,719 --> 00:41:26,800 Speaker 4: we tried to do. You know, that's what made me. 982 00:41:26,960 --> 00:41:29,239 Speaker 4: You know what I'm saying, It like a damn like 983 00:41:29,280 --> 00:41:30,919 Speaker 4: they shine, like let me try to you know what I'm. 984 00:41:30,800 --> 00:41:31,760 Speaker 2: Saying, It's possible. 985 00:41:31,960 --> 00:41:32,640 Speaker 4: It's possible. 986 00:41:32,680 --> 00:41:37,040 Speaker 1: You know what I'm saying, BG what records from Gucci? Man? 987 00:41:37,120 --> 00:41:38,520 Speaker 2: Did you gravitate towards. 988 00:41:38,960 --> 00:41:46,640 Speaker 3: The Black Tea records? The Wasted was really one of 989 00:41:46,760 --> 00:41:49,640 Speaker 3: my favorite rights, you know what I'm saying. But that's 990 00:41:49,680 --> 00:41:51,719 Speaker 3: the whole point. I mean, he got so much work, 991 00:41:51,760 --> 00:41:53,879 Speaker 3: you know what I'm saying to you, Just gonna pop 992 00:41:54,280 --> 00:41:55,759 Speaker 3: that ship in and let it ride, you know what 993 00:41:55,760 --> 00:41:57,320 Speaker 3: I'm saying. And that's the type of artist that I 994 00:41:57,480 --> 00:42:01,080 Speaker 3: like listening to. You know nowadays, you know you one record, two, 995 00:42:02,080 --> 00:42:04,480 Speaker 3: you know what I'm saying, three records, But you know 996 00:42:04,640 --> 00:42:07,200 Speaker 3: I don't like skipping and ship you know, you. 997 00:42:07,239 --> 00:42:08,360 Speaker 2: Want to ride out to the album? 998 00:42:08,960 --> 00:42:13,279 Speaker 3: Man? Yeah, you you you That's what the music is 999 00:42:13,320 --> 00:42:14,840 Speaker 3: all about, right, you know what I'm saying. That's what 1000 00:42:15,320 --> 00:42:17,279 Speaker 3: making the album is all about. You know what I'm saying, 1001 00:42:17,360 --> 00:42:19,920 Speaker 3: giving people something that they can pop in and just 1002 00:42:20,080 --> 00:42:24,640 Speaker 3: ride so instead of just being able to ski. That's 1003 00:42:24,680 --> 00:42:26,800 Speaker 3: what we was able to do with the Shoppers and 1004 00:42:26,880 --> 00:42:27,840 Speaker 3: Bricks album. 1005 00:42:28,880 --> 00:42:32,080 Speaker 2: Focused focus the Christmas gift, the Christmas. 1006 00:42:31,800 --> 00:42:35,359 Speaker 3: Gift, and it's crazy because that's what he was like, Man, 1007 00:42:35,520 --> 00:42:37,400 Speaker 3: like this this is gonna be a gift to the streets. 1008 00:42:38,360 --> 00:42:39,799 Speaker 1: You know what I'm saying, because I feel like it's 1009 00:42:39,800 --> 00:42:41,200 Speaker 1: a little light out there, like people do the big 1010 00:42:41,239 --> 00:42:43,360 Speaker 1: fourth quarter releases, but this is dope to have you 1011 00:42:43,440 --> 00:42:44,680 Speaker 1: guys come together and deliver this. 1012 00:42:45,120 --> 00:42:48,840 Speaker 4: I like, I like, I like unexpected ship. Yeah, okay, 1013 00:42:49,200 --> 00:42:51,399 Speaker 4: just going with the flow. A lot of artists can't 1014 00:42:51,400 --> 00:42:54,720 Speaker 4: do that. Yeah, it takes them two years make one album. 1015 00:42:57,400 --> 00:43:00,640 Speaker 3: And somebody told me that too, because I was They 1016 00:43:00,640 --> 00:43:03,040 Speaker 3: were like, man, how many songs y'all got on there? 1017 00:43:03,080 --> 00:43:05,840 Speaker 3: They're like, I'm like, man, we got fourteen songs on that. 1018 00:43:06,200 --> 00:43:09,080 Speaker 3: They was like, ain't no way y'all did fourteen songs 1019 00:43:09,120 --> 00:43:12,080 Speaker 3: that fast? I'm like, yeah, like that's what we do, 1020 00:43:12,360 --> 00:43:15,560 Speaker 3: you know what I'm saying. And I'm talking about Man, 1021 00:43:15,600 --> 00:43:16,479 Speaker 3: this shit so hard. 1022 00:43:16,680 --> 00:43:19,120 Speaker 2: I mean, especially when you talk about what Guop's catalog, 1023 00:43:19,200 --> 00:43:20,240 Speaker 2: it's like your marathon. 1024 00:43:20,320 --> 00:43:20,480 Speaker 4: Man. 1025 00:43:20,719 --> 00:43:22,320 Speaker 2: It didn't keep up because. 1026 00:43:22,080 --> 00:43:24,520 Speaker 3: I was sending him the records right and then he 1027 00:43:24,680 --> 00:43:26,440 Speaker 3: was like, man, I'm going to the studio tomorrow, and 1028 00:43:27,160 --> 00:43:29,480 Speaker 3: and he knocked out five of them in one day. 1029 00:43:29,680 --> 00:43:31,880 Speaker 3: You know what I'm saying, shut them right back. I'm like, 1030 00:43:32,000 --> 00:43:34,600 Speaker 3: oh shit, he a machine, just like you know what 1031 00:43:34,640 --> 00:43:35,040 Speaker 3: I'm saying. 1032 00:43:35,120 --> 00:43:37,319 Speaker 2: I'm like, okay, let me get back on my ship. 1033 00:43:38,560 --> 00:43:40,800 Speaker 3: Nah. It was it was It was fun doing that. 1034 00:43:40,880 --> 00:43:42,520 Speaker 3: I wish we was able to be in there together, 1035 00:43:42,680 --> 00:43:44,840 Speaker 3: but that time coming, like I said, I'm still in 1036 00:43:44,880 --> 00:43:47,040 Speaker 3: the halfway house, you know what I'm saying. So we 1037 00:43:47,160 --> 00:43:50,120 Speaker 3: had to work, you know, via sending shit back and 1038 00:43:50,239 --> 00:43:52,600 Speaker 3: forth to each other. But we was able to pipeline 1039 00:43:52,640 --> 00:43:55,719 Speaker 3: over the phone and you know, bounce ideas back and 1040 00:43:55,840 --> 00:43:57,800 Speaker 3: forth off each other. So it was just like we 1041 00:43:57,960 --> 00:43:58,640 Speaker 3: was in there together. 1042 00:43:59,200 --> 00:44:01,480 Speaker 4: Some bucket lists. Like bucket list, I just did some 1043 00:44:01,640 --> 00:44:04,080 Speaker 4: of the artists that you know, and started rapping. I 1044 00:44:04,160 --> 00:44:05,759 Speaker 4: was listening to him that I know I liked it, 1045 00:44:05,880 --> 00:44:07,640 Speaker 4: you know, like one my personal favorites and all my 1046 00:44:07,719 --> 00:44:10,080 Speaker 4: homeboys know that. So to me, it was just like 1047 00:44:10,120 --> 00:44:12,280 Speaker 4: a bucket list thing. I would listen to the Ruggers 1048 00:44:12,320 --> 00:44:16,120 Speaker 4: as a straight fan, like I'm hearing the ship before 1049 00:44:16,160 --> 00:44:16,839 Speaker 4: anybody else here. 1050 00:44:16,880 --> 00:44:18,400 Speaker 2: I can't wait to hear what Beg says on this. 1051 00:44:18,520 --> 00:44:20,800 Speaker 4: I'm like, you know what I'm saying. I'm telling him, like, 1052 00:44:20,840 --> 00:44:24,600 Speaker 4: send me more. I'm gonna get on every rucker. It 1053 00:44:24,680 --> 00:44:26,400 Speaker 4: ain't a rock he send me that I didn't wrap on. 1054 00:44:27,000 --> 00:44:30,400 Speaker 2: He said, they gonna keep going like that, But how 1055 00:44:30,440 --> 00:44:32,719 Speaker 2: do you stay so shock with it? Grew up? Like 1056 00:44:33,040 --> 00:44:35,520 Speaker 2: what what's what's the reservoir? Like, why do you tell me? 1057 00:44:35,600 --> 00:44:38,000 Speaker 4: He's like my alternative was like was the streets? You know, 1058 00:44:38,080 --> 00:44:39,680 Speaker 4: So if this is my business and this what I 1059 00:44:39,880 --> 00:44:42,520 Speaker 4: what I'm doing, you know what I'm saying. I'm pushing. 1060 00:44:42,640 --> 00:44:45,359 Speaker 4: I'm pushing my music and I'm pushing my artists. 1061 00:44:45,680 --> 00:44:47,920 Speaker 1: You know, because nothing that went crazy online when all 1062 00:44:48,080 --> 00:44:49,920 Speaker 1: three thousands said that, you know, he get older, he 1063 00:44:49,920 --> 00:44:51,759 Speaker 1: don't really know what to rap about. Like you know, 1064 00:44:51,840 --> 00:44:53,400 Speaker 1: now we're in the world now where rappers can't get 1065 00:44:53,440 --> 00:44:54,840 Speaker 1: older and still contribute, Like what. 1066 00:44:55,120 --> 00:44:57,200 Speaker 4: I saw that, and I saw what Wayne said this 1067 00:44:57,600 --> 00:45:00,799 Speaker 4: response to that, and uh, you know what I'm saying, 1068 00:45:00,800 --> 00:45:03,880 Speaker 4: I'm for the three years old, so about to be 1069 00:45:04,000 --> 00:45:08,239 Speaker 4: for just saying like you know, basically basically like you 1070 00:45:08,320 --> 00:45:11,040 Speaker 4: know what it is be to wrap about your life 1071 00:45:11,080 --> 00:45:13,080 Speaker 4: when you know you're afford this. You know what I'm saying. 1072 00:45:13,440 --> 00:45:16,680 Speaker 4: But I'm looking from a different viewpoint. You know what 1073 00:45:16,719 --> 00:45:19,320 Speaker 4: I'm saying. I didn't have the success of one hundred 1074 00:45:19,400 --> 00:45:20,000 Speaker 4: three thousand. 1075 00:45:20,640 --> 00:45:21,799 Speaker 2: Oh, you know what I'm saying. 1076 00:45:22,440 --> 00:45:25,400 Speaker 4: So I ain't coming down from the high, you know 1077 00:45:25,440 --> 00:45:28,560 Speaker 4: what I'm saying. And I ain't chasing the light. You 1078 00:45:28,640 --> 00:45:31,719 Speaker 4: know what I'm saying. I'm just doing what I'm doing, 1079 00:45:31,800 --> 00:45:33,680 Speaker 4: and I know that some of the stuff that I'm 1080 00:45:33,719 --> 00:45:36,040 Speaker 4: doing is resonating to the people who I want to reach. 1081 00:45:36,680 --> 00:45:39,560 Speaker 4: And I can't reach everybody physically, so I reach them 1082 00:45:39,680 --> 00:45:42,120 Speaker 4: like the ways I can. And I'm cool with that. 1083 00:45:42,600 --> 00:45:44,480 Speaker 2: So how can an artist at this point maintain a 1084 00:45:44,840 --> 00:45:46,360 Speaker 2: legendary career like you guys have. 1085 00:45:48,000 --> 00:45:49,160 Speaker 4: Be a legendary person? 1086 00:45:49,719 --> 00:45:53,920 Speaker 3: Nah, that's a fact. Just really being consistent man, and 1087 00:45:54,560 --> 00:45:59,200 Speaker 3: being authentic originality, you know what I'm saying, Like, that's 1088 00:45:59,320 --> 00:46:02,480 Speaker 3: that's that's to me is my you know how I 1089 00:46:02,640 --> 00:46:09,480 Speaker 3: see longevity or the definition of having longevity. It's just originality, authenticity, 1090 00:46:09,960 --> 00:46:12,400 Speaker 3: you know what I'm saying. Consistency, you know what I'm saying, 1091 00:46:12,560 --> 00:46:17,440 Speaker 3: like not you know, filowing a trend. You know what 1092 00:46:17,440 --> 00:46:20,400 Speaker 3: I'm saying, Like because everything that works for why it 1093 00:46:20,520 --> 00:46:23,080 Speaker 3: might not work for me. Everything that work for you know, 1094 00:46:23,200 --> 00:46:25,520 Speaker 3: you as as a host might not work for him 1095 00:46:25,560 --> 00:46:26,000 Speaker 3: as a whole. 1096 00:46:26,600 --> 00:46:29,800 Speaker 2: I know who you are, you man, like, Yeah. 1097 00:46:30,000 --> 00:46:32,680 Speaker 1: This has been your favorite collaboration as you've done Gucci, 1098 00:46:32,719 --> 00:46:36,719 Speaker 1: because you've done a lot of collaborations up there the top. 1099 00:46:37,920 --> 00:46:39,480 Speaker 2: I was just thinking, that's the first time you've did 1100 00:46:39,480 --> 00:46:40,880 Speaker 2: it with someone that influenced you. 1101 00:46:41,040 --> 00:46:43,239 Speaker 4: I guess it is like it's instead of me trying 1102 00:46:43,280 --> 00:46:47,000 Speaker 4: to help somebody career. But yeah, but it kind of 1103 00:46:47,040 --> 00:46:48,719 Speaker 4: worked the same way. He got the same youth for 1104 00:46:48,800 --> 00:46:50,880 Speaker 4: spirital this do it, and he came to me with 1105 00:46:51,000 --> 00:46:53,000 Speaker 4: it like I'm gonna use the person initiated, you know. 1106 00:46:54,080 --> 00:46:56,000 Speaker 4: He like, let's do a tape, and I'm the type 1107 00:46:56,000 --> 00:46:57,880 Speaker 4: of person like, you know, let's do. 1108 00:46:57,960 --> 00:46:59,120 Speaker 2: It, say leus. 1109 00:46:59,440 --> 00:47:04,320 Speaker 3: Yes, he had to think about it or ied the 1110 00:47:04,400 --> 00:47:08,719 Speaker 3: idea I'll call you back tomorrow. You were like, let's 1111 00:47:08,760 --> 00:47:10,480 Speaker 3: do it, and we right on top of it. 1112 00:47:11,040 --> 00:47:14,120 Speaker 1: Gucci, obviously people been in fluenced by you, But why 1113 00:47:14,120 --> 00:47:16,200 Speaker 1: are people so obsessed with the two thousand and six 1114 00:47:16,280 --> 00:47:19,920 Speaker 1: Gucci man. That's the Gucci man who was like they 1115 00:47:20,040 --> 00:47:26,239 Speaker 1: know what came with Hardy Killed Chicken talk. 1116 00:47:26,680 --> 00:47:29,200 Speaker 4: Yeah, it was that part of my life. I'm tearing, like, man, 1117 00:47:29,280 --> 00:47:31,640 Speaker 4: that was. That was That's a serious like you know 1118 00:47:31,680 --> 00:47:33,759 Speaker 4: what I'm saying. I had a whole bunch of like 1119 00:47:34,520 --> 00:47:36,520 Speaker 4: parts of my life. There a lot what was going on, 1120 00:47:36,640 --> 00:47:38,640 Speaker 4: you know what I'm saying. But at that part of 1121 00:47:38,680 --> 00:47:41,759 Speaker 4: my life twenty five and twenty six years old, like 1122 00:47:41,880 --> 00:47:44,440 Speaker 4: he was up. That's the best way I can describe it, 1123 00:47:44,480 --> 00:47:49,920 Speaker 4: because I had a real Macavelian approach to life, you 1124 00:47:50,000 --> 00:47:53,080 Speaker 4: know what I'm saying. And I was just playing my card. 1125 00:47:53,440 --> 00:47:56,759 Speaker 1: Absolutely, it's dope now, man. Just to see you guys together, man, 1126 00:47:56,760 --> 00:48:00,360 Speaker 1: it's legendary. Absolutely, and I'm talking about that. You should know, 1127 00:48:00,400 --> 00:48:02,759 Speaker 1: Gucci man, you got your own day as well. In 1128 00:48:02,840 --> 00:48:04,040 Speaker 1: Atlanta ten seventeen. 1129 00:48:07,160 --> 00:48:09,840 Speaker 4: That was a surprise, you know what I'm saying. That 1130 00:48:10,000 --> 00:48:12,160 Speaker 4: was that wasn't you know what I'm saying, Like the city, 1131 00:48:12,560 --> 00:48:14,800 Speaker 4: the city gave me my flowers. I appreciate that. You 1132 00:48:14,800 --> 00:48:15,720 Speaker 4: know what I'm saying. That was doping. 1133 00:48:16,760 --> 00:48:17,280 Speaker 2: That's awesome. 1134 00:48:17,280 --> 00:48:19,440 Speaker 1: How do you celebrate ten seventeen Day for next year? 1135 00:48:20,160 --> 00:48:20,560 Speaker 2: Next year? 1136 00:48:20,640 --> 00:48:21,640 Speaker 4: Ten seventeen Day? 1137 00:48:23,120 --> 00:48:25,480 Speaker 1: I'm not sure yet. Okay, I'm not sure. It's a 1138 00:48:25,520 --> 00:48:29,560 Speaker 1: holiday now, so we figure that out. That's what just 1139 00:48:29,600 --> 00:48:31,560 Speaker 1: so when you touched down after where do you think 1140 00:48:31,600 --> 00:48:33,399 Speaker 1: you're gonna lay your head after the halfway house? 1141 00:48:33,480 --> 00:48:35,920 Speaker 2: And what city you think you're gonna live in? 1142 00:48:36,200 --> 00:48:40,440 Speaker 3: Oh, I'm actually when I was in jail, I was 1143 00:48:40,560 --> 00:48:44,440 Speaker 3: playing on building my dream house in Atlanta, going to 1144 00:48:44,520 --> 00:48:53,600 Speaker 3: the Black Hollywood that. Yeah, I'm out here in Vegas 1145 00:48:53,680 --> 00:48:55,320 Speaker 3: right now. You know what I'm saying. That's why I 1146 00:48:55,360 --> 00:48:57,719 Speaker 3: got released her. So I'm gonna live. I said I 1147 00:48:57,840 --> 00:49:00,239 Speaker 3: was gonna live out here for about a year. Yeah, 1148 00:49:00,920 --> 00:49:03,040 Speaker 3: fill it out and see if I like it. I'm 1149 00:49:03,080 --> 00:49:05,919 Speaker 3: gonna keep a spot out here. But I always wanted 1150 00:49:05,920 --> 00:49:07,919 Speaker 3: to go back to Atlanta, man, you know what I'm saying, 1151 00:49:07,920 --> 00:49:09,640 Speaker 3: because I had a spot out there in like two 1152 00:49:09,719 --> 00:49:12,440 Speaker 3: thousand six, two thousand and seven, I had a condo 1153 00:49:12,520 --> 00:49:14,920 Speaker 3: out there when I when I gave it up and 1154 00:49:15,000 --> 00:49:17,600 Speaker 3: went back to the city, that's when everything went downhill, 1155 00:49:17,960 --> 00:49:18,560 Speaker 3: you know what I'm saying. 1156 00:49:18,640 --> 00:49:21,759 Speaker 2: And fuck it, a's to jail. 1157 00:49:21,960 --> 00:49:24,200 Speaker 3: I should have stayed in Atlanta, you know what I'm saying. 1158 00:49:24,400 --> 00:49:29,440 Speaker 3: But yeah, I'm definitely I'm gonna go down bottom man today. 1159 00:49:30,000 --> 00:49:31,239 Speaker 2: And when did you go to hair out? 1160 00:49:31,320 --> 00:49:31,440 Speaker 3: Man? 1161 00:49:31,480 --> 00:49:34,800 Speaker 2: It's different baby legendary, oh man, you know. 1162 00:49:34,800 --> 00:49:37,080 Speaker 3: And I had already had breize, right, you know what 1163 00:49:37,120 --> 00:49:41,320 Speaker 3: I'm saying. And I ain't wanna cut my ship. So 1164 00:49:42,080 --> 00:49:45,960 Speaker 3: I actually had had locked it up New Year's two 1165 00:49:46,040 --> 00:49:50,400 Speaker 3: thy eleven, and uh, I ended up going to jail 1166 00:49:50,520 --> 00:49:54,359 Speaker 3: in like March of two thy eleven before it locked up. 1167 00:49:54,520 --> 00:49:57,800 Speaker 3: And uh, in the beginning, I thought I was gonna 1168 00:49:57,920 --> 00:50:00,800 Speaker 3: end up getting like a year a day, you know, 1169 00:50:01,400 --> 00:50:04,759 Speaker 3: five years max, you know what I'm saying. But you know, 1170 00:50:04,880 --> 00:50:10,160 Speaker 3: when they want to talking to football, I was like, man, 1171 00:50:10,280 --> 00:50:13,280 Speaker 3: I definitely got to keep this ship. It ain't going nowhere. 1172 00:50:13,400 --> 00:50:17,319 Speaker 3: And you know, it told my story right because when 1173 00:50:17,360 --> 00:50:20,800 Speaker 3: I left, it was, you know, way up here. I 1174 00:50:21,000 --> 00:50:23,800 Speaker 3: came home and it's way down there. You know what 1175 00:50:23,840 --> 00:50:27,480 Speaker 3: I'm saying. And I'll be looking at pictures throughout my incarceration, 1176 00:50:27,600 --> 00:50:30,200 Speaker 3: you know what I'm saying. I'm like damn man, that 1177 00:50:30,400 --> 00:50:32,439 Speaker 3: hell really let me know, how did some time? 1178 00:50:33,800 --> 00:50:35,360 Speaker 2: Real? What was the first thing you did when you 1179 00:50:35,440 --> 00:50:36,040 Speaker 2: came home. 1180 00:50:38,520 --> 00:50:40,000 Speaker 3: When checked into the half way. 1181 00:50:41,320 --> 00:50:42,919 Speaker 2: Gotta be right, gotta be on point. 1182 00:50:43,520 --> 00:50:51,640 Speaker 3: Yeah, I ain't. Ain't jaywalking. I did exactly with that already, 1183 00:50:51,800 --> 00:50:55,400 Speaker 3: told me you know what I'm saying. Yeah, I know 1184 00:50:55,480 --> 00:50:58,759 Speaker 3: I did stop. I stopped and grab something to eat. 1185 00:50:58,800 --> 00:51:01,400 Speaker 3: But I called the jay and made sure that they 1186 00:51:01,520 --> 00:51:03,160 Speaker 3: called the halfway out. 1187 00:51:03,160 --> 00:51:04,840 Speaker 2: Let them know and let them know that I might 1188 00:51:05,160 --> 00:51:09,000 Speaker 2: quick bite, quick bite, but I be there. 1189 00:51:09,120 --> 00:51:12,600 Speaker 3: But yeah, I went, I went checking into the halfway house. 1190 00:51:13,560 --> 00:51:14,120 Speaker 2: Do you have to do that? 1191 00:51:14,840 --> 00:51:17,439 Speaker 3: I should be getting out of there probably in another week. 1192 00:51:17,560 --> 00:51:21,040 Speaker 1: Many this is the time for the holty, just the 1193 00:51:21,120 --> 00:51:21,760 Speaker 1: time for the album. 1194 00:51:21,880 --> 00:51:22,080 Speaker 2: Yeah. 1195 00:51:22,880 --> 00:51:23,480 Speaker 3: Absolutely. 1196 00:51:24,200 --> 00:51:27,520 Speaker 2: Choppers and Bricks and bricks, man, you didn't grew out 1197 00:51:27,600 --> 00:51:28,280 Speaker 2: another one. 1198 00:51:28,200 --> 00:51:31,040 Speaker 3: Man, And it made so much sense. Man, you got 1199 00:51:31,120 --> 00:51:35,759 Speaker 3: brick Squad and you got chopping City. It's like ship man, 1200 00:51:36,520 --> 00:51:41,719 Speaker 3: choppers and bricks. It makes sense like that's yeah, that's 1201 00:51:42,120 --> 00:51:44,840 Speaker 3: streets got ahead of man. I know they ready for that. 1202 00:51:45,160 --> 00:51:48,520 Speaker 2: Absolutely absolutely ready. Man to the legends. Man continue to 1203 00:51:48,560 --> 00:51:55,320 Speaker 2: add on, Y appreciate that. Yeah. Rapate podcast Raparador interval 1204 00:51:55,360 --> 00:51:59,400 Speaker 2: presents original production from Hyperhouse, produced by Laura Wasser, Hosting 1205 00:51:59,440 --> 00:52:03,160 Speaker 2: producers Elliott Wilson and Brian b. Dot Miller. Permittival presents 1206 00:52:03,320 --> 00:52:08,600 Speaker 2: executive producers Alan Coy and Jake Kleinberg, Executive producer Paul Rosenberg. 1207 00:52:09,080 --> 00:52:12,680 Speaker 1: Editing is sound design by Dylan Alexander Freeman, recording engineer 1208 00:52:12,840 --> 00:52:13,399 Speaker 1: Gray Paul. 1209 00:52:13,719 --> 00:52:18,440 Speaker 2: Visual directors Sammy Delil and Caleb Seals, Operations Lead Sarah Yu, 1210 00:52:18,800 --> 00:52:22,880 Speaker 2: Business development Lead Cheffie Allen Swig, and Marketing Lead Samara Still. 1211 00:52:23,200 --> 00:52:26,360 Speaker 2: Make sure to follow a rapriator or listen on Apple Podcasts, Spotify, 1212 00:52:26,520 --> 00:52:28,520 Speaker 2: Amazon Music, or wherever you get your podcasts