WEBVTT - Museum of Failure, Meaningful Risk + BBQ Oreos

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<v Speaker 1>No really, Hello, everyone, welcome. I sound like snackle plus,

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<v Speaker 1>but I'm actually.

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<v Speaker 2>You always you come out of the shoot always every

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<v Speaker 2>time it's you know, it's a different thing.

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<v Speaker 3>I I I somehow, I I channeled. I channeled Snackles.

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<v Speaker 3>I think that people are of company. See your house right, okay? Hi,

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<v Speaker 3>I'm Jason Alexander.

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<v Speaker 1>I'm here with my pal Peter Tilden, and this is

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<v Speaker 1>our little podcast called Really Really, where we explore things

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<v Speaker 1>that make us say really really Yes exactly ding, I

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<v Speaker 1>say ding because they took away my bell once again.

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<v Speaker 1>Peter is not wearing the patented really no Really shirt

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<v Speaker 1>that I got him at my own expense. It wasn't

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<v Speaker 1>a company right off, I actually put out money. Oh

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<v Speaker 1>it will be I'm sure it's not going to get

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<v Speaker 1>it will be reimbursed. Producer Laurie has it. She wears it,

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<v Speaker 1>but you apparently something about it doesn't read for you.

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<v Speaker 2>We will look like the rest of the soccer team

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<v Speaker 2>hasn't showed up yet. It's everybody's in their emblem.

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<v Speaker 1>My gift to you was an abject failure, and that

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<v Speaker 1>brings us to our topic of the day, because here's

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<v Speaker 1>our really no really Peter saw that there was a museum,

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<v Speaker 1>a traveling installation, Museum of Failure, and it's a great success.

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<v Speaker 2>Really, no, really, we don't know. We'll find out how

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<v Speaker 2>much of a success that actually is. But we wanted

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<v Speaker 2>to have on oxy moron there. I don't you know,

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<v Speaker 2>And I'm sorry, did I use a word You're not

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<v Speaker 2>familiar with?

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<v Speaker 3>Oxymoron? Oh no, I know both of them.

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<v Speaker 2>Okay, oxy us stuff used to clean shirts, and moron

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<v Speaker 2>I think goes without is.

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<v Speaker 3>What I take every time I have to work with you.

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<v Speaker 2>Being kids at home. He did not mean that, No,

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<v Speaker 2>he did not mean that, don't do drugs. Yes, please

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<v Speaker 2>gonna get to doctor West. So doctor West is the

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<v Speaker 2>founder of the Museum of Failure. And what's great about

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<v Speaker 2>it is he misspelled the word museum when he applied

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<v Speaker 2>to register for the domain name. It's so so right on,

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<v Speaker 2>right on point. But you're also you have you're a

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<v Speaker 2>doctor obviously, so there is a a bit of psychology

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<v Speaker 2>involved in this, and it's not just about failure. But

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<v Speaker 2>thank you, thank you for coming on, and it's love

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<v Speaker 2>having you and finding out about the museum.

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<v Speaker 4>Sir, thanks for inviting me.

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<v Speaker 3>It's a pleasure. And doctor West You're in Spain as

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<v Speaker 3>we speak.

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<v Speaker 4>Right, I'm in Spain and I'm just thrilled.

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<v Speaker 3>Now, why are you in Spain? Is the museum over.

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<v Speaker 2>There or to No?

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<v Speaker 5>I just I live in Sweden. But I got depressed,

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<v Speaker 5>so I went to Spain.

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<v Speaker 3>Okay, all right?

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<v Speaker 1>Wow, hang on, isn't Sweden where people go? In Spanish

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<v Speaker 1>people are depressed, they go to Sweden.

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<v Speaker 3>Situation.

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<v Speaker 4>No, no, no, You've got it all wrong. People in

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<v Speaker 4>Sweden go to Spain. I did not know that Spain

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<v Speaker 4>is better than Sweden.

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<v Speaker 2>Well, looking boy, your hometown must be thrilled with you.

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<v Speaker 3>Yeah, I think so.

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<v Speaker 1>All right, Wow, So, doctor West, before we dive into

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<v Speaker 1>the Museum of Failure, you had another venture. And I

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<v Speaker 1>don't know if it was a success or a failure,

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<v Speaker 1>but I'm equally intrigued the Museum of Disgusting Foods?

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<v Speaker 3>What was that all about? Well?

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<v Speaker 5>I started Musum of Failure in twenty seventeen, and I

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<v Speaker 5>it was so much fun and it was so successful,

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<v Speaker 5>ironically enough, so I thought I want to do something more.

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<v Speaker 5>And I've always enjoyed I'm half Icelandic, and I enjoyed

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<v Speaker 5>having tourists visitors come to Iceland and then I would

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<v Speaker 5>give them rotten shark and I would tell them it's

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<v Speaker 5>really disgusting. I give it to you know, friends and

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<v Speaker 5>family and say, yeah, this.

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<v Speaker 4>Is traditional, real Icelandic food.

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<v Speaker 5>And as a kid, I would like, you know, give

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<v Speaker 5>it to them and say I eat this every day.

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<v Speaker 5>And they taste and they'd vomit, and I thought that

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<v Speaker 5>was the most fun thing ever.

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<v Speaker 2>First of all, maybe it wouldn't we do what we do.

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<v Speaker 3>This is man is given.

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<v Speaker 4>You're asking me, I love this this?

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<v Speaker 1>Yes, of course, no, please, I didn't mean to interrupt.

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<v Speaker 1>And and let's certainly set up a lunch date when

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<v Speaker 1>this is done.

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<v Speaker 3>Shark.

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<v Speaker 4>It's actually called black death.

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<v Speaker 1>Is it an actual thing that people have to eat?

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<v Speaker 1>Is sort of a fermented is A.

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<v Speaker 5>Yeah, it's it's it's twice fermented, so it's really rotten.

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<v Speaker 5>And uh, they actually do eat it, or they actually

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<v Speaker 5>ate it, I guess when they didn't have anything else

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<v Speaker 5>to eat in Iceland.

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<v Speaker 4>So it's a real it's a real thing in Iceland.

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<v Speaker 4>You should try it.

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<v Speaker 5>Anthony Bourdaine described it as the worst thing he's ever

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<v Speaker 5>tried in his life. And it tastes like it has

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<v Speaker 5>the consistency of a urine infested mattress and taste the same.

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<v Speaker 3>Jeez, how he put it on the menu?

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<v Speaker 2>We'll take to special does to make sure that the

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<v Speaker 2>museum grew out of that?

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<v Speaker 5>Yeah, well that was a disgusting food museum, and then

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<v Speaker 5>the Museum of Failure came before.

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<v Speaker 1>Discussing what other Just I swear this is going to

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<v Speaker 1>be largely about the Museum of Failure, But I'm just

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<v Speaker 1>found that what other what other major exhibits filled the

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<v Speaker 1>Museum of Disgusting Food?

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<v Speaker 3>What was what? What was like the top ten must see?

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<v Speaker 4>We have stinky tofu, which is one of my non favorites.

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<v Speaker 5>It's it's basically tofu that has been fermented and the smell.

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<v Speaker 4>Have you ever unscrewed a sink and the bottom like

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<v Speaker 4>the drain of a sink that's a kitchen sink?

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<v Speaker 3>Sure? Yeah, And there's like this.

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<v Speaker 4>Flimy brown greenish substance there right, yes, indeed, yeah.

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<v Speaker 5>Imagine that as stinkier than that, but the same consistency.

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<v Speaker 3>And you can put it on toast. That's the selling point.

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<v Speaker 5>I ate it, Kina, they fry it. It's actually pretty good.

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<v Speaker 5>But when it comes straight out of the can or.

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<v Speaker 1>Well, there's a you know I actually eat all the time.

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<v Speaker 1>There's a noodle that I believe is made from help.

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<v Speaker 1>It has no calories whatsoever. So when you open the bag,

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<v Speaker 1>because it's isn't some sort of liquid. When you open

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<v Speaker 1>the bag, you go, this cannot be consumed. This is

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<v Speaker 1>not It smells like a bad fish product. And then

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<v Speaker 1>but once you drain it and rinse it and you

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<v Speaker 1>cook it up, it's actually quite wonderful.

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<v Speaker 2>But by the way, segue here is so somebody for

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<v Speaker 2>all of those horrible foods, some culture is used to

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<v Speaker 2>that food and embraces that food. So a it's fascinating

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<v Speaker 2>because I'm sure as you walk to the gross Food

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<v Speaker 2>Museum you see different cultures.

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<v Speaker 3>Let's say that's it.

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<v Speaker 2>But same thing with failure, right, failures perceived differently in

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<v Speaker 2>different places.

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<v Speaker 5>Correct, absolutely, I like you're trying to make the segway

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<v Speaker 5>into museum a failure.

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<v Speaker 3>But I just want to stop.

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<v Speaker 4>Take a little bit more of a disgusting food.

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<v Speaker 3>Oh my gosh, the guy you're not going to it's called,

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<v Speaker 3>by the way, what happened to this? I work hard, doctor,

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<v Speaker 3>I worked so hard to get you off of gross food.

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<v Speaker 3>And segue, and I handed it to you and you

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<v Speaker 3>went not going you know what, we're here for you, sir,

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<v Speaker 3>You go where you want to go?

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<v Speaker 1>Do you ride your segue? You want to go back

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<v Speaker 1>to the Museum of Disgusting Food. Let's go there on,

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<v Speaker 1>go ahead, yes, tell us.

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<v Speaker 5>I just wanted to say that, like, cause you imagine

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<v Speaker 5>the different cultures of you know what this what's disgusting

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<v Speaker 5>and what's delicious varies. Some of the American items in

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<v Speaker 5>the Museum Disgusting Food Museum is, for example.

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<v Speaker 4>Root beer. Nobody outside the United States likes root beer.

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<v Speaker 3>Really, are you serious?

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<v Speaker 4>Most of the Europeans they taste root beer and they

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<v Speaker 4>spit it and they said.

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<v Speaker 2>It's like, well, okay, okay, but we are comparing root

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<v Speaker 2>beer to an unscrewed sink bottom. There's a bit of

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<v Speaker 2>a difference there, you know, ones like a hazmat suit

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<v Speaker 2>and the other is and maybe a beverage you don't

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<v Speaker 2>like that. It's a whole different I'm done with this

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<v Speaker 2>is what you're driving failure.

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<v Speaker 3>His own. So now we're back a man who doesn't

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<v Speaker 3>want to promote the thing he's on to promote.

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<v Speaker 2>So so the museum, let's go, let's there's a bigger

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<v Speaker 2>point in the museum about failure that we'll get to.

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<v Speaker 2>But the items are in there. I think people would

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<v Speaker 2>love to hear the specific items because they're fascinating these

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<v Speaker 2>huge companies that invested so much money to come up

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<v Speaker 2>with stuff that's just so wrong in retrospect. You look

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<v Speaker 2>at him, Why don't you give us some of those

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<v Speaker 2>Doctor West.

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<v Speaker 4>I mean we were talking about food earlier. We have Olestra.

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<v Speaker 4>You remember that.

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<v Speaker 2>God David Leman did an episode we talked about a

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<v Speaker 2>uxtra chips and he said the slogan was Elestra.

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<v Speaker 3>I'm sitting in it.

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<v Speaker 4>For those who don't remember Alestra.

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<v Speaker 5>It was a Procter and Gamble had developed a zero

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<v Speaker 5>calorie fat substitute. So finally you can eat as much

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<v Speaker 5>junk food as you want to without getting fat.

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<v Speaker 4>So yay, hallelujah. Good stuff. Except that it caused diarrhea.

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<v Speaker 1>Yeah, I believe that, And I believe the phrase was

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<v Speaker 1>mild uncontrollable diarrhea, which was three words. I didn't book

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<v Speaker 1>a good sign side by side in the same sense.

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<v Speaker 2>Any anytime I'm told do not eat this product and

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<v Speaker 2>wear light colored pants, yeah, or eat or wear like

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<v Speaker 2>colored or where like colored pants?

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<v Speaker 4>Do you go? Now?

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<v Speaker 3>I think I'm out.

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<v Speaker 5>I found it when I was doing research on it

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<v Speaker 5>that someone had cleverly read because diarrhea is not something

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<v Speaker 5>you really want to have associated with your food product,

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<v Speaker 5>so some clever copywriters rebranded diarrhea and instead started calling

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<v Speaker 5>it may cause quote, ain't no leakage?

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<v Speaker 3>Yes, which is highly preferent, you doctor.

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<v Speaker 2>What's fascinating? I wonder if it's going to be a

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<v Speaker 2>theme in the other products you mentioned. I always picture

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<v Speaker 2>the conference room when they're about to release that. They

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<v Speaker 2>got ten people sitting around, and they go, how anybody's here?

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<v Speaker 2>Why it's not ready yet? Ain't a leakage? Anybody else

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<v Speaker 2>have a And then they weren't anybody have a problem

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<v Speaker 2>with that? And they wouldn't know we're in I don't see.

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<v Speaker 2>I don't see any reason to slow down production just

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<v Speaker 2>for this. Let's get out, let's go to market, Well

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<v Speaker 2>work it out.

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<v Speaker 3>What that's out there? How do they have that?

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<v Speaker 2>What was that conversation?

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<v Speaker 3>What was that short?

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<v Speaker 2>And how many people are responsible for saying okay, let's

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<v Speaker 2>get this out there.

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<v Speaker 1>In fairness, it only affected nine out of ten.

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<v Speaker 2>Years, So there's this one guy today going, I can't

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<v Speaker 2>believe my favorite chip is no longer here, and I'm impervious.

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<v Speaker 2>It's explosive diarrhea. As a matter of fact, I've been

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<v Speaker 2>constipated for twelve years. This was the only thing that

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<v Speaker 2>freed me up was a Leicester. So talk about your McDonald's,

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<v Speaker 2>because Jason, you can a had a huge feel.

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<v Speaker 1>What's your what's your McDonald's fail we'll compare. I don't

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<v Speaker 1>think mine is in your museum, but go ahead, give me.

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<v Speaker 4>You're a McDonald's fan, I'm curious.

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<v Speaker 3>Now, Okay, you go first, and then I'll tell you mine.

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<v Speaker 5>So the item I have in a museum is the

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<v Speaker 5>Arch Deluxe, which was apparently one of the biggest failures

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<v Speaker 5>in fast food, and McDonald's put you know, millions of

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<v Speaker 5>dollars into developing it. It was a luxury burger for adults,

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<v Speaker 5>and their advertisements were children eating the Arch Deluxe and

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<v Speaker 5>spitting it out.

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<v Speaker 3>Oh that's interesting. Interesting.

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<v Speaker 5>Get do get emails every now and saying, oh, hey, whatever.

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<v Speaker 4>Happened to that? I want it back. I actually liked it. Yeah,

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<v Speaker 4>I'm like you probably liked everything else at the museum.

0:11:49.200 --> 0:11:50.480
<v Speaker 3>Yeah, here's mine.

0:11:50.760 --> 0:11:54.800
<v Speaker 1>So I I was hired when I was in my twenties,

0:11:54.840 --> 0:11:56.640
<v Speaker 1>I believe, because I still lived in New York to

0:11:56.920 --> 0:12:02.360
<v Speaker 1>be the singing dancing spokesperson for a huge new McDonald's

0:12:02.400 --> 0:12:07.880
<v Speaker 1>project product called the McDLT And what this was was

0:12:08.040 --> 0:12:11.320
<v Speaker 1>it was a you know, pretty much standard McDonald's hamburger.

0:12:11.679 --> 0:12:15.240
<v Speaker 1>But they had determined that the biggest issue, the biggest

0:12:15.280 --> 0:12:18.360
<v Speaker 1>complaint was that when you make a hamburger and you

0:12:18.520 --> 0:12:21.439
<v Speaker 1>put your crisp lettuce and tomato into the hamburger and

0:12:21.559 --> 0:12:24.040
<v Speaker 1>then it sits under the warming tray, the lettuce and

0:12:24.080 --> 0:12:27.720
<v Speaker 1>the tomato become unappetizing because they're no longer crisp and cool.

0:12:28.280 --> 0:12:33.280
<v Speaker 1>So McDonald's developed this two section styrofoam box, and the

0:12:33.400 --> 0:12:36.040
<v Speaker 1>selling point was it keeps the hot hot and the

0:12:36.120 --> 0:12:39.319
<v Speaker 1>cool cool, so on one half of a bun and

0:12:39.400 --> 0:12:41.719
<v Speaker 1>the hamburger would go on one side and then on

0:12:41.800 --> 0:12:43.360
<v Speaker 1>the other side was the other half of the bun

0:12:43.840 --> 0:12:49.040
<v Speaker 1>with your tomato. Right now, if you assembled it that way,

0:12:49.240 --> 0:12:52.800
<v Speaker 1>closed the lid and kept the box absolutely level, and

0:12:52.960 --> 0:12:55.120
<v Speaker 1>handed it to the patron that way, and they took

0:12:55.160 --> 0:12:57.040
<v Speaker 1>it to their table or their car and they opened

0:12:57.040 --> 0:12:59.559
<v Speaker 1>it that way, you still would have the problem of

0:13:00.200 --> 0:13:04.200
<v Speaker 1>I get these two halfs it together without creating a schmorgasport.

0:13:04.480 --> 0:13:07.080
<v Speaker 1>But you what what usually happened is they would make

0:13:08.320 --> 0:13:10.840
<v Speaker 1>sandwich this way and then they would turn the box

0:13:11.200 --> 0:13:13.839
<v Speaker 1>vertically to put it in the bag, and whatever was

0:13:13.880 --> 0:13:16.800
<v Speaker 1>in the top section would drip down into the bottom section.

0:13:17.000 --> 0:13:20.520
<v Speaker 3>It was a disaster. Uh we we We released the product.

0:13:20.640 --> 0:13:23.920
<v Speaker 1>There was a song that lives on on the internet,

0:13:24.520 --> 0:13:29.440
<v Speaker 1>the McDLT song in which I am and uh oh,

0:13:29.520 --> 0:13:33.320
<v Speaker 1>I don't think so. It was uh talking, let us

0:13:33.360 --> 0:13:35.240
<v Speaker 1>in to meadow on the cool cool side at the

0:13:35.320 --> 0:13:38.200
<v Speaker 1>cool stays cool, the new mcd LT.

0:13:38.480 --> 0:13:38.760
<v Speaker 2>It was.

0:13:39.080 --> 0:13:41.920
<v Speaker 3>The song was the highlight of the product.

0:13:43.800 --> 0:13:46.800
<v Speaker 1>And I think it ran less than one full commercial cycle,

0:13:46.880 --> 0:13:47.920
<v Speaker 1>so that's less than three minutes.

0:13:47.920 --> 0:13:49.760
<v Speaker 3>Everybody project. And I got a little call.

0:13:49.679 --> 0:13:53.120
<v Speaker 1>From McDonald's saying thank you for your service, and you

0:13:53.200 --> 0:13:55.800
<v Speaker 1>thought it the time I'm retiring on I thought this

0:13:55.960 --> 0:13:58.240
<v Speaker 1>is going to be I'm gonna be the McDLT guy

0:13:58.640 --> 0:13:59.000
<v Speaker 1>for you know.

0:13:59.080 --> 0:13:59.280
<v Speaker 4>I was.

0:13:59.440 --> 0:14:01.079
<v Speaker 1>I was a little theater actor in New York and

0:14:01.200 --> 0:14:04.599
<v Speaker 1>I thought I'm set for life. And it all, it

0:14:04.720 --> 0:14:05.960
<v Speaker 1>all went with the Hamburger.

0:14:06.240 --> 0:14:08.800
<v Speaker 2>By the way, Jason loves oreos and always talks about

0:14:09.160 --> 0:14:10.720
<v Speaker 2>amazing how many flavors there are.

0:14:11.240 --> 0:14:12.199
<v Speaker 3>The big failed.

0:14:11.960 --> 0:14:16.240
<v Speaker 4>Flavor was, well, we have oreos at the museum, a

0:14:16.320 --> 0:14:17.560
<v Speaker 4>lot of the different flavors.

0:14:18.200 --> 0:14:20.200
<v Speaker 5>Not so much to say like hey and laugh and

0:14:20.360 --> 0:14:23.480
<v Speaker 5>like which flavors failed, although I have a few, but

0:14:23.640 --> 0:14:27.240
<v Speaker 5>more to show how they approach innovation, like they're just like,

0:14:27.840 --> 0:14:30.920
<v Speaker 5>we're gonna try all kinds of crazy flavors and we'll

0:14:31.000 --> 0:14:32.760
<v Speaker 5>see which of them, which woman stick?

0:14:32.760 --> 0:14:33.280
<v Speaker 4>You know which one.

0:14:34.080 --> 0:14:37.880
<v Speaker 5>So they're obviously creating crazy flavors to get publicity and

0:14:37.960 --> 0:14:40.120
<v Speaker 5>get people to talk about it. But some of it

0:14:40.280 --> 0:14:42.920
<v Speaker 5>is also you know, they're they're testing out new flavors,

0:14:43.000 --> 0:14:45.920
<v Speaker 5>and that's a that's a great way to test the market.

0:14:46.000 --> 0:14:47.960
<v Speaker 3>I'm guessing the root beer one not such a big

0:14:48.040 --> 0:14:49.160
<v Speaker 3>seller overseason.

0:14:49.680 --> 0:14:52.600
<v Speaker 5>The one, the one that's the most interesting is uh

0:14:53.240 --> 0:14:56.680
<v Speaker 5>oreos with uh spicy barbecue chicken flavor.

0:14:57.040 --> 0:15:01.840
<v Speaker 1>No, come on, come on dinner and dessert one really

0:15:02.000 --> 0:15:03.680
<v Speaker 1>dang a spicy barbie?

0:15:04.640 --> 0:15:05.320
<v Speaker 4>Yeah spicy.

0:15:05.360 --> 0:15:08.560
<v Speaker 5>They're actually they taste like you know when you you

0:15:08.640 --> 0:15:12.600
<v Speaker 5>know those instant noodle, those cheap instant you know that

0:15:12.720 --> 0:15:14.080
<v Speaker 5>the little package that comes.

0:15:14.000 --> 0:15:14.600
<v Speaker 3>With yes, I.

0:15:16.400 --> 0:15:18.400
<v Speaker 4>If you dipped your finger and that and taste it.

0:15:18.480 --> 0:15:19.600
<v Speaker 4>That's what they tasted like.

0:15:19.720 --> 0:15:22.440
<v Speaker 1>And what are the is the flavoring all in the

0:15:22.600 --> 0:15:25.200
<v Speaker 1>cream filling or or are they infusing it in the

0:15:25.320 --> 0:15:26.440
<v Speaker 1>outer crust.

0:15:26.600 --> 0:15:29.120
<v Speaker 4>They're sophisticated. They keep it all in so you can

0:15:29.200 --> 0:15:29.760
<v Speaker 4>fail that way.

0:15:29.880 --> 0:15:32.800
<v Speaker 1>So so now you have to add barbecue, chicken and

0:15:32.880 --> 0:15:35.720
<v Speaker 1>sauce between two chocolate papers.

0:15:35.920 --> 0:15:37.920
<v Speaker 3>What association?

0:15:38.120 --> 0:15:40.360
<v Speaker 2>As I'm hearing that, I'm thinking somebody tried that and went,

0:15:40.400 --> 0:15:41.480
<v Speaker 2>you know what, this is the thing?

0:15:42.160 --> 0:15:44.000
<v Speaker 3>Yeah, again, to be to.

0:15:44.040 --> 0:15:47.160
<v Speaker 5>Be fair to oreos, I bought those in shot and high,

0:15:47.960 --> 0:15:51.200
<v Speaker 5>so they're real oreos, but they were geared towards the Chinese.

0:15:58.560 --> 0:16:01.880
<v Speaker 2>My favorite thing that I shall in your museum is

0:16:01.960 --> 0:16:04.600
<v Speaker 2>the euro Club, the golf club that you can also

0:16:04.760 --> 0:16:06.200
<v Speaker 2>urinate in. So if you're in the golf course and

0:16:06.240 --> 0:16:08.200
<v Speaker 2>you have to go and you're in your in your

0:16:08.480 --> 0:16:11.040
<v Speaker 2>but think about this. Yeah, you're seventy eight years old,

0:16:11.440 --> 0:16:15.760
<v Speaker 2>you have all you can do, go on the green. Well,

0:16:16.040 --> 0:16:18.640
<v Speaker 2>I think that's what I think. That's what messed this up.

0:16:19.200 --> 0:16:21.120
<v Speaker 2>That people went to a tree in the corner and

0:16:21.120 --> 0:16:22.760
<v Speaker 2>when you know, I don't want am my opinion a club.

0:16:23.680 --> 0:16:26.960
<v Speaker 2>By the way, if I was going to say you're

0:16:27.000 --> 0:16:27.720
<v Speaker 2>your urine.

0:16:29.280 --> 0:16:30.520
<v Speaker 3>A little bit. Yeah, exactly.

0:16:32.320 --> 0:16:33.680
<v Speaker 1>Yeah, there's there's.

0:16:33.520 --> 0:16:36.600
<v Speaker 5>Nothing wrong with the europe It's a great idea, like

0:16:36.680 --> 0:16:39.000
<v Speaker 5>you have to urinate you're on a big golf course.

0:16:39.360 --> 0:16:42.760
<v Speaker 4>Just unscrewed this this fake golf club and urinate in it.

0:16:43.080 --> 0:16:46.640
<v Speaker 5>What was interesting about it was the was the commercials

0:16:46.680 --> 0:16:50.920
<v Speaker 5>which were sort of in between like funny and ridiculous

0:16:50.960 --> 0:16:53.600
<v Speaker 5>and actually being serious, so you didn't really know are

0:16:53.640 --> 0:16:54.960
<v Speaker 5>they serious are the joking?

0:16:55.080 --> 0:16:57.920
<v Speaker 4>And one of the things that that the golf the

0:16:58.280 --> 0:17:01.520
<v Speaker 4>golf clubs, So it had like a little towel green

0:17:01.680 --> 0:17:04.840
<v Speaker 4>towel with it. So in the ad it says, and

0:17:05.080 --> 0:17:08.600
<v Speaker 4>if you're playing golf with lady golfers, you have to

0:17:08.720 --> 0:17:10.200
<v Speaker 4>use the privacy towel.

0:17:10.320 --> 0:17:12.879
<v Speaker 5>You clip on this towel on your belt and then

0:17:12.920 --> 0:17:16.320
<v Speaker 5>you fumble under the towel and urinate into the golf shop.

0:17:16.920 --> 0:17:17.879
<v Speaker 4>That's hilarious.

0:17:19.000 --> 0:17:21.080
<v Speaker 3>And by the time you get to use towel, I

0:17:21.160 --> 0:17:22.359
<v Speaker 3>could have made it into the club.

0:17:23.560 --> 0:17:30.720
<v Speaker 1>I'm also thinking someone's going to criticize my grip, you know, yeah,

0:17:32.480 --> 0:17:33.960
<v Speaker 1>it's not really a wood wow.

0:17:34.240 --> 0:17:37.760
<v Speaker 2>Before we move to the underlying if you're the big

0:17:37.880 --> 0:17:41.879
<v Speaker 2>issue about failure and creativity et cetera. Any other items

0:17:41.960 --> 0:17:44.320
<v Speaker 2>that stick out that people really love. I mean they're

0:17:44.320 --> 0:17:46.000
<v Speaker 2>over one hundred and fifty items in the museum.

0:17:47.240 --> 0:17:50.000
<v Speaker 5>I mean people everybody has their own favorites. The Ford

0:17:50.200 --> 0:17:55.119
<v Speaker 5>Edsel is popular. We have some medical misshap they're interesting

0:17:55.119 --> 0:17:58.639
<v Speaker 5>in like a lobotomy tool. It's quite interesting. We have

0:17:59.520 --> 0:18:02.320
<v Speaker 5>the Apple Newton, one of the sort of iconic failures

0:18:02.600 --> 0:18:04.080
<v Speaker 5>of the nineteen nineties.

0:18:04.440 --> 0:18:06.720
<v Speaker 3>What was the Apple Newton? I don't recall that the.

0:18:06.720 --> 0:18:09.160
<v Speaker 5>Apple Newton was. I think it was like early nineties.

0:18:09.320 --> 0:18:13.440
<v Speaker 5>It was the first personal digital assistant. So the kick

0:18:13.520 --> 0:18:16.840
<v Speaker 5>ass feature, like the main feature of this device was

0:18:17.440 --> 0:18:19.760
<v Speaker 5>that you could just write with a stylist onto the

0:18:19.840 --> 0:18:21.119
<v Speaker 5>screen at the entry.

0:18:21.000 --> 0:18:25.360
<v Speaker 3>Dat oh oh like a Palm pilot is what I had? Yeah, yeah, way.

0:18:26.160 --> 0:18:28.680
<v Speaker 5>It was just the same sort of similar time there where.

0:18:29.320 --> 0:18:32.359
<v Speaker 5>But Apple was like their device was awesome except for

0:18:32.440 --> 0:18:33.600
<v Speaker 5>the fact that it didn't work.

0:18:34.160 --> 0:18:38.760
<v Speaker 3>Oh okay, and again made it to market.

0:18:38.840 --> 0:18:40.760
<v Speaker 2>May I say something about because you brought up the

0:18:40.840 --> 0:18:43.560
<v Speaker 2>edgel and I knew we were going to segue from

0:18:43.560 --> 0:18:46.840
<v Speaker 2>talking about failures into success and the need to have

0:18:46.960 --> 0:18:48.920
<v Speaker 2>fail to get to success. So Roy Brown Junior, I

0:18:48.960 --> 0:18:50.800
<v Speaker 2>want to see the guy designing the Edgele. He designed

0:18:50.800 --> 0:18:54.000
<v Speaker 2>the Attel, but he also to the point they didn't

0:18:54.119 --> 0:18:56.639
<v Speaker 2>not only didn't they fire him, but he was transferred

0:18:56.680 --> 0:18:59.480
<v Speaker 2>to England, where he designed the Ford Cortina, which was

0:18:59.560 --> 0:19:01.680
<v Speaker 2>the best selling car and Great Britain. He returned to

0:19:01.760 --> 0:19:05.160
<v Speaker 2>Detroit in nineteen sixty six and helped design the Ford

0:19:05.200 --> 0:19:09.080
<v Speaker 2>a Conline van, which also really popular. So these people

0:19:09.200 --> 0:19:11.840
<v Speaker 2>believed in him enough that even though he had this

0:19:12.040 --> 0:19:15.320
<v Speaker 2>huge failure, they allowed him to continue designing stuff and

0:19:15.359 --> 0:19:16.360
<v Speaker 2>he had huge success.

0:19:16.440 --> 0:19:20.040
<v Speaker 1>But the Edsel apparently was mostly a failure as I

0:19:20.200 --> 0:19:24.040
<v Speaker 1>understand it because of edseel Ford, that that edgel Ford

0:19:24.119 --> 0:19:27.440
<v Speaker 1>was the son of Henry and that somehow he was

0:19:27.600 --> 0:19:29.960
<v Speaker 1>really the guy who was pushing for this line.

0:19:30.040 --> 0:19:32.240
<v Speaker 2>And I think the thing was too expensive. I think

0:19:32.680 --> 0:19:34.959
<v Speaker 2>it it just didn't capture the public. Because even if

0:19:34.960 --> 0:19:37.159
<v Speaker 2>that's for pushing it's the public doesn't like it. They

0:19:37.160 --> 0:19:38.560
<v Speaker 2>ain't buying it, and they didn't buy it.

0:19:38.720 --> 0:19:43.000
<v Speaker 5>Boy, you guys, are you guys really are experts on everything,

0:19:43.080 --> 0:19:43.399
<v Speaker 5>aren't you?

0:19:43.760 --> 0:19:46.080
<v Speaker 3>Well, well not, we're not experts on it. We haven't

0:19:46.080 --> 0:19:47.680
<v Speaker 3>started talking about our own failure, you know what.

0:19:47.840 --> 0:19:50.200
<v Speaker 5>Well, I just want to add I was being ironic

0:19:50.320 --> 0:19:54.199
<v Speaker 5>there about the Edel because you're probably sort of right,

0:19:54.359 --> 0:20:01.399
<v Speaker 5>mostly wrong. The Edsel failed because mainly things. One was

0:20:01.560 --> 0:20:05.080
<v Speaker 5>that people were just confused is it an expensive.

0:20:04.680 --> 0:20:06.760
<v Speaker 4>Car or is it a cheap car? There so many

0:20:06.920 --> 0:20:09.560
<v Speaker 4>versions of it, and it was so overhyped.

0:20:09.960 --> 0:20:12.480
<v Speaker 5>They had a The Ford even had its own sort

0:20:12.520 --> 0:20:16.000
<v Speaker 5>of entertainment TV show with Frank Sinatra.

0:20:16.160 --> 0:20:19.359
<v Speaker 4>Another big They really pushed it, they really hyped it.

0:20:19.640 --> 0:20:22.000
<v Speaker 4>And then one of the most funny.

0:20:21.760 --> 0:20:25.480
<v Speaker 5>Reasons why it failed is because the grill on the

0:20:25.600 --> 0:20:28.960
<v Speaker 5>episode is vertical rather than horizontal like a regular car.

0:20:30.080 --> 0:20:32.600
<v Speaker 4>If you can imagine that, yeah, turned on its side.

0:20:33.040 --> 0:20:35.639
<v Speaker 4>And this is like the nineteen fifties in the United States.

0:20:35.720 --> 0:20:39.639
<v Speaker 5>So people found it indecent because it reminded them of

0:20:39.720 --> 0:20:40.880
<v Speaker 5>female genitalia.

0:20:41.760 --> 0:20:47.119
<v Speaker 3>Oh sure, whoa wow and wow, sure, I got to

0:20:47.359 --> 0:20:47.959
<v Speaker 3>check this out now.

0:20:48.080 --> 0:20:52.960
<v Speaker 2>Look and by the way, Chevy's watching this close it

0:20:53.000 --> 0:20:56.000
<v Speaker 2>because they thought if if people look like we got

0:20:56.080 --> 0:20:59.920
<v Speaker 2>to change the girl on every car, we did, that's amazing.

0:21:00.240 --> 0:21:02.280
<v Speaker 2>But more amazing is he said, you guys are experts

0:21:02.280 --> 0:21:03.680
<v Speaker 2>and then show us we were totally wrong.

0:21:03.800 --> 0:21:03.960
<v Speaker 3>Yeah.

0:21:04.040 --> 0:21:08.479
<v Speaker 1>Well yeah again, keeping on should be the criticism, right exactly,

0:21:10.000 --> 0:21:11.720
<v Speaker 1>So so failure.

0:21:12.520 --> 0:21:13.920
<v Speaker 3>I know that you talk about that a lot.

0:21:14.080 --> 0:21:17.679
<v Speaker 2>That a big part of this museum is understanding failure

0:21:17.800 --> 0:21:19.560
<v Speaker 2>and failure in our culture, correct, So why don't you

0:21:19.720 --> 0:21:20.560
<v Speaker 2>dress that a little bit.

0:21:21.359 --> 0:21:24.359
<v Speaker 5>I mean, one thing that's fascinating is the paradox. On

0:21:24.440 --> 0:21:27.320
<v Speaker 5>the one hand, society says, hey, we really want you

0:21:27.440 --> 0:21:30.879
<v Speaker 5>to innovate. We look up to entrepreneurs who take risks.

0:21:31.720 --> 0:21:34.960
<v Speaker 5>All this is fantastic. But then at the same time,

0:21:35.160 --> 0:21:38.639
<v Speaker 5>society stigmatizes failure. So there's like, we want you to

0:21:38.760 --> 0:21:41.040
<v Speaker 5>do it, but when it doesn't work.

0:21:40.880 --> 0:21:42.600
<v Speaker 4>Out, we're going to punish you in some way or

0:21:42.680 --> 0:21:46.240
<v Speaker 4>judge you. So that's one element of it. The other

0:21:46.520 --> 0:21:50.480
<v Speaker 4>is that there is something there's not really that many.

0:21:50.320 --> 0:21:54.040
<v Speaker 5>Companies that do actually embrace failure, but some companies are

0:21:54.119 --> 0:21:56.800
<v Speaker 5>much better taking risks and being willing to accept that

0:21:57.640 --> 0:22:01.960
<v Speaker 5>failure is necessary for any kind of innovation or progress.

0:22:02.160 --> 0:22:05.400
<v Speaker 5>So that's also the aim of the museum to drive

0:22:05.480 --> 0:22:07.879
<v Speaker 5>home that point that we have to accept failure if

0:22:07.920 --> 0:22:10.359
<v Speaker 5>we want you gotta we gotta tak the bad and

0:22:10.480 --> 0:22:10.760
<v Speaker 5>the good.

0:22:10.800 --> 0:22:11.920
<v Speaker 4>We can't just have the good.

0:22:12.280 --> 0:22:17.159
<v Speaker 2>But it's inherent, like in science, I know, by failure, right,

0:22:17.240 --> 0:22:20.280
<v Speaker 2>it's all about eliminating what it's not to get closer

0:22:20.320 --> 0:22:22.840
<v Speaker 2>to what it is. And you rely on failure after failure.

0:22:22.880 --> 0:22:25.000
<v Speaker 2>As long as you learn from the failure and its

0:22:25.160 --> 0:22:27.240
<v Speaker 2>you're getting closer to what the answer is.

0:22:27.320 --> 0:22:30.719
<v Speaker 1>Well, to that extent, doctors, do you are you aware

0:22:30.760 --> 0:22:34.200
<v Speaker 1>of anything that began as a completely abject failure and

0:22:35.880 --> 0:22:38.760
<v Speaker 1>was turned around to become a success? Is there anything

0:22:38.800 --> 0:22:40.280
<v Speaker 1>that jumps out like that?

0:22:41.000 --> 0:22:41.160
<v Speaker 4>There?

0:22:41.600 --> 0:22:45.240
<v Speaker 5>There are the sort of examples that everybody knows about

0:22:45.280 --> 0:22:48.280
<v Speaker 5>with the posted note and Viagra, which both were sort

0:22:48.320 --> 0:22:52.080
<v Speaker 5>of unexpected successes. But but I mean I often get

0:22:52.080 --> 0:22:56.959
<v Speaker 5>approached by both journalists and the corporate side where they say, hey,

0:22:57.080 --> 0:22:59.280
<v Speaker 5>we really want you to give a talk, or we

0:22:59.320 --> 0:23:01.800
<v Speaker 5>want to come visit museum or something, but we'd like

0:23:01.920 --> 0:23:06.000
<v Speaker 5>to focus on the failures that lead to something successful, right,

0:23:06.280 --> 0:23:09.160
<v Speaker 5>And I always resist that because I think, I think

0:23:09.240 --> 0:23:12.119
<v Speaker 5>that's talking about failure within the narrative of success, and

0:23:12.200 --> 0:23:15.600
<v Speaker 5>I think there's there's failure in and of itself, even

0:23:15.640 --> 0:23:18.800
<v Speaker 5>when it doesn't need success is interesting also and should

0:23:18.920 --> 0:23:22.679
<v Speaker 5>also deserve some attention. So like all these I got

0:23:22.760 --> 0:23:25.239
<v Speaker 5>so tired of these success I was reading so much

0:23:25.280 --> 0:23:29.200
<v Speaker 5>about innovation, and you know, entrepreneurship. And I got so

0:23:29.400 --> 0:23:34.240
<v Speaker 5>tired of these successful often guys up on a stage

0:23:34.359 --> 0:23:37.000
<v Speaker 5>and they're like, look at me, I'm so rich and successful.

0:23:37.240 --> 0:23:40.080
<v Speaker 5>And then they tell their success stories and they always

0:23:40.119 --> 0:23:44.040
<v Speaker 5>have shiny teeth and they you.

0:23:44.080 --> 0:23:45.760
<v Speaker 4>Know, it gets boring after a while.

0:23:45.800 --> 0:23:50.360
<v Speaker 5>They're all the same, they're all identical and it's not interesting,

0:23:50.480 --> 0:23:55.000
<v Speaker 5>whereas the failures actually they're authentic, they're real, they haven't

0:23:55.119 --> 0:23:59.560
<v Speaker 5>been you know, there's no spin doctors there, corporate types

0:23:59.640 --> 0:24:01.439
<v Speaker 5>trying trying to curate.

0:24:02.160 --> 0:24:03.879
<v Speaker 2>Well, and to your point what you just said, one

0:24:03.920 --> 0:24:06.080
<v Speaker 2>of the things that bothers me about failure is that

0:24:06.320 --> 0:24:08.320
<v Speaker 2>every guy gets up in the romanticience failure.

0:24:08.920 --> 0:24:09.879
<v Speaker 3>Yeah, it's the best thing.

0:24:10.280 --> 0:24:12.480
<v Speaker 2>I would have never gotten here if I didn't fail it.

0:24:12.560 --> 0:24:15.639
<v Speaker 2>And they love telling that story, and I go, hey,

0:24:15.760 --> 0:24:18.920
<v Speaker 2>we have a family of failures and it ain't so romantic. Okay,

0:24:19.600 --> 0:24:22.119
<v Speaker 2>you know, my uncle was a failure and there is

0:24:22.200 --> 0:24:24.600
<v Speaker 2>no success story there. So you don't want to romanticize it.

0:24:24.680 --> 0:24:28.000
<v Speaker 2>You want to kind of understand it and understand how

0:24:28.040 --> 0:24:28.359
<v Speaker 2>to move on.

0:24:28.600 --> 0:24:32.399
<v Speaker 1>Well, you know, I tell a story to in my

0:24:32.480 --> 0:24:37.000
<v Speaker 1>own speaking, I was in a big failure. Well, what

0:24:37.160 --> 0:24:42.000
<v Speaker 1>was considered a failure. My Broadway debut was directed by

0:24:42.040 --> 0:24:45.320
<v Speaker 1>how Prince and was written by Stephen Sondheim, and you know,

0:24:45.560 --> 0:24:48.639
<v Speaker 1>legendary figures of the American theater in the twentieth century.

0:24:49.000 --> 0:24:52.360
<v Speaker 1>But the show Merrily We Rolled Along was a failure,

0:24:53.440 --> 0:24:57.080
<v Speaker 1>a critical failure and a popular failure. But I then

0:24:57.160 --> 0:24:59.320
<v Speaker 1>go on to say, I believe the very next show

0:24:59.400 --> 0:25:03.800
<v Speaker 1>that Steven's Sondheim wrote was Sunday in the Park with George,

0:25:03.960 --> 0:25:06.600
<v Speaker 1>which everybody said was going to fail and wound up

0:25:06.640 --> 0:25:09.960
<v Speaker 1>winning the Politzer Prize that year and has become one

0:25:10.040 --> 0:25:14.080
<v Speaker 1>of his most successful and most revered pieces of writing.

0:25:14.560 --> 0:25:17.760
<v Speaker 1>So in that case, you have I never asked Steve

0:25:17.800 --> 0:25:20.600
<v Speaker 1>about you know, was this was the failure of Merrily

0:25:20.680 --> 0:25:21.200
<v Speaker 1>any kind?

0:25:21.440 --> 0:25:24.120
<v Speaker 3>Because Sunday in the Parklin George is artist.

0:25:25.080 --> 0:25:28.240
<v Speaker 1>What what did did that experience give you an insight

0:25:28.320 --> 0:25:29.640
<v Speaker 1>that you wouldn't have had otherwise?

0:25:29.760 --> 0:25:30.760
<v Speaker 3>So who knows?

0:25:30.880 --> 0:25:33.720
<v Speaker 2>But yeah, well, and then failures like Michael Tremino Heavens

0:25:33.800 --> 0:25:37.080
<v Speaker 2>Gate was deemed one of the worst failures in movie history,

0:25:37.160 --> 0:25:39.520
<v Speaker 2>and then they got a standing ovation just a couple

0:25:39.560 --> 0:25:42.399
<v Speaker 2>of years ago at Venice with the Director's cut, and

0:25:42.440 --> 0:25:45.760
<v Speaker 2>now it's lauded as this amazing film, So a failure

0:25:45.840 --> 0:25:49.000
<v Speaker 2>that became in itself. And then Jason's if you want

0:25:49.000 --> 0:25:53.000
<v Speaker 2>to talk about a failure, doctor the lowest scoring pilot

0:25:53.400 --> 0:25:57.840
<v Speaker 2>in NBC history was signful. Yeah, you can't get can't

0:25:57.840 --> 0:25:59.800
<v Speaker 2>get worse. You want to add to the museum, by

0:25:59.800 --> 0:26:01.000
<v Speaker 2>the way, we can console.

0:26:01.560 --> 0:26:05.000
<v Speaker 1>So Doctor West for when when when coch or Pepsi

0:26:05.119 --> 0:26:09.160
<v Speaker 1>makes a product and it fails, we tend to recognize

0:26:09.200 --> 0:26:11.960
<v Speaker 1>that because they have attained such a level of success

0:26:12.560 --> 0:26:16.200
<v Speaker 1>that the misses make news. Is part of being a

0:26:16.280 --> 0:26:19.119
<v Speaker 1>notable failure that you have to have that it is

0:26:19.680 --> 0:26:21.840
<v Speaker 1>in the chain of a number of great successes.

0:26:21.880 --> 0:26:23.960
<v Speaker 3>Do you have to fall from a great height to

0:26:24.119 --> 0:26:25.280
<v Speaker 3>be a notable failure?

0:26:25.480 --> 0:26:27.879
<v Speaker 1>Or is it? Or do are there are there casual,

0:26:27.960 --> 0:26:31.120
<v Speaker 1>everyday failures that have become notable in and of themselves.

0:26:32.280 --> 0:26:33.320
<v Speaker 4>That's an excellent question.

0:26:34.359 --> 0:26:37.480
<v Speaker 5>What makes something a notable failure is often because either

0:26:37.520 --> 0:26:40.440
<v Speaker 5>it's something that's famous is in and of itself, or

0:26:40.480 --> 0:26:45.560
<v Speaker 5>a famous person or a reputable company, or sometimes it's

0:26:45.640 --> 0:26:47.160
<v Speaker 5>because something is overhyped.

0:26:47.920 --> 0:26:49.800
<v Speaker 4>So it doesn't always have to be.

0:26:49.960 --> 0:26:54.440
<v Speaker 5>This fantastically successful Apple or Coca Cola or some super celebrity.

0:26:54.960 --> 0:26:57.359
<v Speaker 4>It can also just be something that has been hyped

0:26:57.400 --> 0:26:58.200
<v Speaker 4>to gone viral.

0:26:58.280 --> 0:27:00.359
<v Speaker 5>There was a there was a I think it was

0:27:00.480 --> 0:27:04.639
<v Speaker 5>last year somebody on TikTok launched got famous overnight for

0:27:04.720 --> 0:27:05.760
<v Speaker 5>a pink sauce.

0:27:06.119 --> 0:27:08.160
<v Speaker 4>It's like a gravy or something.

0:27:08.160 --> 0:27:11.720
<v Speaker 5>And it's purple or pink, and it just went, it

0:27:11.880 --> 0:27:14.960
<v Speaker 5>exploded overnight and became a massive success.

0:27:15.480 --> 0:27:17.040
<v Speaker 4>And all this is within a couple of weeks.

0:27:17.160 --> 0:27:20.280
<v Speaker 5>And then they had production issues and nothing worked and

0:27:20.440 --> 0:27:23.320
<v Speaker 5>people were complaining, and it died equally, you know, as

0:27:23.480 --> 0:27:26.840
<v Speaker 5>quickly as it as it as it. Yeah, So I

0:27:26.880 --> 0:27:30.000
<v Speaker 5>mean nobody knew anything about that, you know, two weeks earlier.

0:27:31.080 --> 0:27:33.400
<v Speaker 5>So so I think it has to do with expectations.

0:27:33.680 --> 0:27:36.240
<v Speaker 5>And then obviously, like you said, how how far have

0:27:36.359 --> 0:27:36.919
<v Speaker 5>they fallen?

0:27:37.200 --> 0:27:39.840
<v Speaker 2>Yeah, Before we go, I just want to ask you

0:27:39.880 --> 0:27:42.240
<v Speaker 2>about the change in failure, because I think you mentioned

0:27:42.280 --> 0:27:45.760
<v Speaker 2>it and you notice it in Silicon Valley. Every venture

0:27:45.800 --> 0:27:48.240
<v Speaker 2>capitalist I've ever talked to my life goes, oh, our business,

0:27:48.640 --> 0:27:50.440
<v Speaker 2>you invest in ten things, eight are going to fail,

0:27:50.520 --> 0:27:52.399
<v Speaker 2>one's going to do okay, and then one's a huge hit.

0:27:53.000 --> 0:27:55.800
<v Speaker 2>Their whole business is built on failure and fast failure,

0:27:56.280 --> 0:27:58.040
<v Speaker 2>like the better it goes, I mean people go, well,

0:27:58.080 --> 0:27:59.960
<v Speaker 2>how did serenos happen? And you go, cause people may

0:28:00.119 --> 0:28:02.600
<v Speaker 2>money on sertaoes. The guys who told you to invest

0:28:02.640 --> 0:28:04.840
<v Speaker 2>in it made a lot of made a lot of money.

0:28:04.840 --> 0:28:07.080
<v Speaker 2>They made commission stuff, And how did this happen? Well,

0:28:07.119 --> 0:28:08.879
<v Speaker 2>they pitched it and they weren't that worried about it

0:28:08.960 --> 0:28:11.920
<v Speaker 2>being successful. They didn't even know the tests didn't exist,

0:28:12.520 --> 0:28:13.920
<v Speaker 2>and yet people got out and made money.

0:28:13.960 --> 0:28:14.840
<v Speaker 3>So what do you think about that?

0:28:15.000 --> 0:28:18.919
<v Speaker 2>The fast failure today and the whole Silicon Valley phenomenon.

0:28:19.800 --> 0:28:23.520
<v Speaker 5>But Silicon Valley is really good at embracing failure and

0:28:23.720 --> 0:28:26.960
<v Speaker 5>not sort of holding it against you as a business person,

0:28:27.280 --> 0:28:29.720
<v Speaker 5>so they're willing to give people a second and third

0:28:29.800 --> 0:28:32.960
<v Speaker 5>and fourth chances. But the problem with Silicon Valley and

0:28:33.080 --> 0:28:38.840
<v Speaker 5>is fail fast mentality, fail fast often and cheaply, is

0:28:38.920 --> 0:28:41.200
<v Speaker 5>that they're not very good at learning from their failure,

0:28:41.280 --> 0:28:43.360
<v Speaker 5>so they do the same mistakes and fails over and

0:28:43.480 --> 0:28:46.000
<v Speaker 5>over again, and it costs them and everyone else a

0:28:46.040 --> 0:28:46.560
<v Speaker 5>lot of money.

0:28:46.880 --> 0:28:49.520
<v Speaker 4>We do have their ends in the museum, but it's

0:28:49.560 --> 0:28:50.160
<v Speaker 4>sort of borant.

0:28:50.160 --> 0:28:53.240
<v Speaker 5>It's fraud and it's also failure, and it's failure from

0:28:53.320 --> 0:28:56.520
<v Speaker 5>the perspective of you know, like, what what were these

0:28:56.840 --> 0:29:01.360
<v Speaker 5>the pharmacy chains and these big badass sort of a

0:29:01.720 --> 0:29:06.880
<v Speaker 5>level investors throwing money at a product that didn't exist.

0:29:08.120 --> 0:29:11.640
<v Speaker 2>For a long time, for a very long incredible nobody

0:29:11.680 --> 0:29:12.760
<v Speaker 2>said let me see it.

0:29:13.560 --> 0:29:14.280
<v Speaker 3>Let it worked?

0:29:14.320 --> 0:29:16.320
<v Speaker 4>Oh my god, yeah, I'm going to pay you five

0:29:16.400 --> 0:29:19.880
<v Speaker 4>hundred million dollars. Can we at least see what we're investing.

0:29:19.480 --> 0:29:21.320
<v Speaker 2>In and the incredible board and all before we go.

0:29:21.480 --> 0:29:23.360
<v Speaker 2>Spray on condom didn't work because.

0:29:24.720 --> 0:29:28.120
<v Speaker 5>Because you spray it on and you have to wait

0:29:28.280 --> 0:29:31.560
<v Speaker 5>five or ten minutes to dry, you can figure it.

0:29:31.720 --> 0:29:33.200
<v Speaker 4>Can figure that one out yourself.

0:29:33.800 --> 0:29:37.480
<v Speaker 3>This would be a good time to wrap doctor. Thank

0:29:37.480 --> 0:29:37.920
<v Speaker 3>you for being on.

0:29:38.320 --> 0:29:40.040
<v Speaker 2>Where's the museum right now? And is it coming to

0:29:40.160 --> 0:29:40.520
<v Speaker 2>LA again?

0:29:40.600 --> 0:29:44.560
<v Speaker 4>I hope it's in New York right now. It's there

0:29:44.640 --> 0:29:45.680
<v Speaker 4>for another couple of months.

0:29:46.680 --> 0:29:48.520
<v Speaker 5>It was already it's already been in Los Angeles, but

0:29:48.600 --> 0:29:50.120
<v Speaker 5>it was so popular in Los Angeles.

0:29:50.120 --> 0:29:51.080
<v Speaker 4>I think it'll come back.

0:29:51.280 --> 0:29:54.880
<v Speaker 3>In your professional opinion, this interview success failure? What do

0:29:54.920 --> 0:29:55.160
<v Speaker 3>you think?

0:29:56.360 --> 0:29:56.520
<v Speaker 5>I have?

0:29:56.840 --> 0:29:58.320
<v Speaker 4>Great success? I thought it was fun.

0:29:58.520 --> 0:30:00.360
<v Speaker 2>Well there, yeah we got My favorite part of that

0:30:00.760 --> 0:30:02.320
<v Speaker 2>was the segue I'll never forget.

0:30:02.600 --> 0:30:03.760
<v Speaker 3>Then you just you just went for it.

0:30:03.840 --> 0:30:06.480
<v Speaker 2>It's the U turn, it's the you, and I'll give

0:30:06.480 --> 0:30:08.800
<v Speaker 2>you this in the words of Conan O'Brien. Conan O'Brien

0:30:09.280 --> 0:30:12.120
<v Speaker 2>gave a commencement at Dartmouth shortly after being fired as

0:30:12.160 --> 0:30:15.200
<v Speaker 2>the host of tonight Show, and he said those you

0:30:15.240 --> 0:30:18.160
<v Speaker 2>should not fear failure. You should do your very best

0:30:18.200 --> 0:30:21.560
<v Speaker 2>to have avoid at all, which is a great way

0:30:21.600 --> 0:30:23.480
<v Speaker 2>to go. Thank you for being on with US Soccer West.

0:30:23.680 --> 0:30:24.000
<v Speaker 4>Thank you.

0:30:32.320 --> 0:30:34.800
<v Speaker 2>So that was pretty fascinating. The Museum of Failure. We're

0:30:34.880 --> 0:30:38.480
<v Speaker 2>joined now by Google Him, who correct.

0:30:38.360 --> 0:30:40.440
<v Speaker 3>Said David, Google him. He needs a theme.

0:30:41.560 --> 0:30:41.800
<v Speaker 4>I have.

0:30:43.600 --> 0:30:47.840
<v Speaker 3>What's your theme? I don't know. I have a theme.

0:30:48.200 --> 0:30:50.080
<v Speaker 3>That's a thing. That's a diddy, that's not a thing.

0:30:50.560 --> 0:30:52.040
<v Speaker 3>Are you guys doing? What do you die?

0:30:53.240 --> 0:30:57.840
<v Speaker 2>Anyway, He's here to correct and informs as we go on.

0:30:58.000 --> 0:31:00.840
<v Speaker 2>But we wanted, we wanted. Now that the doctor has left,

0:31:00.880 --> 0:31:02.640
<v Speaker 2>I want to just talk about the bigger, the bigger

0:31:02.800 --> 0:31:06.080
<v Speaker 2>issue I think with failures that we do romanticize it.

0:31:06.480 --> 0:31:09.840
<v Speaker 1>Well you know, but you're you're talking about romanticizing failure

0:31:09.880 --> 0:31:12.160
<v Speaker 1>where somebody gets up, who is currently having a success

0:31:12.280 --> 0:31:14.080
<v Speaker 1>and because what it took me to get here, I

0:31:14.160 --> 0:31:17.760
<v Speaker 1>thank the failures cultural to me, I don't think that's romanticizing.

0:31:18.160 --> 0:31:22.120
<v Speaker 1>I actually think there is a sense of either true

0:31:22.200 --> 0:31:24.280
<v Speaker 1>or false humility in that, because you know, when you're

0:31:24.360 --> 0:31:27.520
<v Speaker 1>riding high, if you're smart, you don't want to You

0:31:27.640 --> 0:31:31.160
<v Speaker 1>don't want to set yourself up for criticism at that level.

0:31:31.280 --> 0:31:35.080
<v Speaker 1>You don't you want to be appreciated and embraced rather

0:31:35.280 --> 0:31:38.040
<v Speaker 1>than create something that's going to distance you from people.

0:31:38.080 --> 0:31:41.200
<v Speaker 3>So you don't go, yeah, I'm hit it now, I'm

0:31:41.240 --> 0:31:41.880
<v Speaker 3>an a plus.

0:31:42.440 --> 0:31:44.720
<v Speaker 1>So you go, yeah, this one worked out, But I

0:31:44.800 --> 0:31:46.840
<v Speaker 1>gotta tell you, I've got twenty that didn't. And you know,

0:31:46.960 --> 0:31:50.960
<v Speaker 1>I think it's a it's a it is true self humility,

0:31:51.520 --> 0:31:53.080
<v Speaker 1>But I also think it's a little bit of a

0:31:53.160 --> 0:31:57.280
<v Speaker 1>protective thing to go, yeah, listen, yes this one worked,

0:31:57.520 --> 0:31:58.040
<v Speaker 1>don't don't.

0:31:58.120 --> 0:31:58.880
<v Speaker 3>Don't begrudge.

0:31:58.880 --> 0:32:00.680
<v Speaker 2>That may be true, but you never get to hear

0:32:00.720 --> 0:32:02.880
<v Speaker 2>the guy going up going I've been a continuous failure.

0:32:02.880 --> 0:32:04.480
<v Speaker 3>I'm waiting hasn't.

0:32:04.240 --> 0:32:08.640
<v Speaker 2>Happened to you if I ever win an Emmy. And

0:32:08.760 --> 0:32:10.760
<v Speaker 2>by the way, there are eight million books with failure

0:32:10.760 --> 0:32:12.600
<v Speaker 2>in the title. Tell me if these are real books

0:32:12.640 --> 0:32:14.800
<v Speaker 2>or fake books? Right, I'm read the Gift of failure

0:32:14.920 --> 0:32:19.840
<v Speaker 2>truthful true? Yeah, yeah, the value of failure, uh, probably true.

0:32:20.000 --> 0:32:25.120
<v Speaker 2>Fueled by failure, probably true. Ending failure. Yeah, you're failing

0:32:25.240 --> 0:32:27.240
<v Speaker 2>just like your father and your uncle Harald's that's a

0:32:27.320 --> 0:32:28.200
<v Speaker 2>Peter Tilden title.

0:32:28.240 --> 0:32:28.960
<v Speaker 3>Iver I heard.

0:32:28.880 --> 0:32:32.680
<v Speaker 2>Failure smailure, eat your eggs. Yeah, your rabbit. I'm not

0:32:32.720 --> 0:32:34.600
<v Speaker 2>a failure. I'm not a failure.

0:32:34.840 --> 0:32:35.720
<v Speaker 3>I'm just unlucky.

0:32:36.600 --> 0:32:40.040
<v Speaker 2>Oh, I'm sure how to turn a failure into yet

0:32:40.080 --> 0:32:40.760
<v Speaker 2>another failure?

0:32:41.040 --> 0:32:45.520
<v Speaker 3>Guarantee? Oh, someone's been up writing. That's why you didn't

0:32:45.520 --> 0:32:46.480
<v Speaker 3>answer the pH There are so.

0:32:46.600 --> 0:32:49.600
<v Speaker 2>Many And this is the Tony Robbins thing about the

0:32:49.800 --> 0:32:52.680
<v Speaker 2>implication is that you're not enough. Yeah, but you know

0:32:52.760 --> 0:32:54.959
<v Speaker 2>what all that stuff is. We're not enough your failure.

0:32:55.000 --> 0:32:57.440
<v Speaker 2>And if you just walk on hot coals yeah, or

0:32:57.480 --> 0:33:00.240
<v Speaker 2>sit in a sweat lodge, you are going to go

0:33:00.360 --> 0:33:02.680
<v Speaker 2>to the moon, friend and you go. Or I'm gonna

0:33:02.680 --> 0:33:04.520
<v Speaker 2>burn my feet and have to go to the hospital. Yeah,

0:33:04.600 --> 0:33:06.560
<v Speaker 2>which has happened. Well, I'm gonna pass out and die

0:33:06.560 --> 0:33:08.479
<v Speaker 2>at the sweat lodge, which has happened.

0:33:09.000 --> 0:33:12.920
<v Speaker 3>So people are so they so want to success, they

0:33:13.040 --> 0:33:14.120
<v Speaker 3>so want to change.

0:33:14.160 --> 0:33:16.040
<v Speaker 1>Well, they want to feel that they can be a

0:33:16.400 --> 0:33:18.320
<v Speaker 1>I think that's more about people wanting to be a

0:33:18.440 --> 0:33:19.840
<v Speaker 1>better version of themselves.

0:33:20.080 --> 0:33:21.680
<v Speaker 3>Not you cause you're a.

0:33:22.400 --> 0:33:24.960
<v Speaker 1>Well, not no because you feel incomplete. I don't know

0:33:25.040 --> 0:33:28.160
<v Speaker 1>that that is directly tied to failure. Listen, I've watched

0:33:28.280 --> 0:33:31.720
<v Speaker 1>enough documentaries about people like Anthony Robbins and their seminars.

0:33:31.880 --> 0:33:35.120
<v Speaker 1>There there are a goodly faction of people who are

0:33:35.200 --> 0:33:38.400
<v Speaker 1>doing quite well there who just feel they personally feel they.

0:33:38.320 --> 0:33:40.719
<v Speaker 3>Are not doing quite well. That's follow the years from

0:33:40.720 --> 0:33:42.000
<v Speaker 3>now Here's what I love.

0:33:42.120 --> 0:33:45.200
<v Speaker 1>I think people enjoy a certain kind of failure because

0:33:45.840 --> 0:33:47.920
<v Speaker 1>I cannot. When I go on YouTube. The first thing

0:33:48.000 --> 0:33:51.400
<v Speaker 1>that comes up on my YouTube fail Army. That's the

0:33:51.480 --> 0:33:55.560
<v Speaker 1>site fail Army, and every week, every two weeks they

0:33:55.720 --> 0:34:01.800
<v Speaker 1>post compilation videos of people just just eating it, just.

0:34:03.720 --> 0:34:04.320
<v Speaker 3>Wiping out.

0:34:04.440 --> 0:34:07.840
<v Speaker 1>There's a whole the Darwin Award books that are given

0:34:08.080 --> 0:34:10.520
<v Speaker 1>for people that and how tragic is this? People who

0:34:10.560 --> 0:34:14.879
<v Speaker 1>have died in ridiculous ways, usually created by their own hand.

0:34:15.800 --> 0:34:18.640
<v Speaker 1>The one that I remember so well was a gentleman

0:34:18.719 --> 0:34:22.280
<v Speaker 1>who died because he he was living alone in a cabin.

0:34:22.520 --> 0:34:25.200
<v Speaker 1>It was cold, he had a fire going, he was

0:34:25.320 --> 0:34:28.120
<v Speaker 1>drinking heavily. He wasn't when he ran out of alcohol.

0:34:28.120 --> 0:34:30.799
<v Speaker 1>He wasn't satisfied, so he looked at his kerosene lamp

0:34:30.920 --> 0:34:33.840
<v Speaker 1>drank the kerosene. It made him sick. He threw up

0:34:33.840 --> 0:34:36.279
<v Speaker 1>into the fireplace and the fumes backed up, and he

0:34:36.440 --> 0:34:39.239
<v Speaker 1>blew out his lungs and killed himself. And I go

0:34:39.640 --> 0:34:45.560
<v Speaker 1>that you gotta tragic. But a lot of people die.

0:34:45.600 --> 0:34:47.680
<v Speaker 3>I don't talk about soundly.

0:34:47.760 --> 0:34:52.560
<v Speaker 2>Must be waiting for somebody to ask here we go, wow,

0:34:52.640 --> 0:34:54.960
<v Speaker 2>and you got so the other part of this is Broadway.

0:34:55.680 --> 0:34:59.919
<v Speaker 2>I did radio and I get critiqued. Knows this TV. Yeah,

0:35:00.080 --> 0:35:02.879
<v Speaker 2>but in radio it used to be got the rating

0:35:02.920 --> 0:35:06.360
<v Speaker 2>book every quarter, then it was every week, then it

0:35:06.480 --> 0:35:08.480
<v Speaker 2>was every month, then it was every week. Then it's

0:35:08.600 --> 0:35:11.200
<v Speaker 2>our buyout. Yeah, so you can know if you're tanking,

0:35:11.440 --> 0:35:11.839
<v Speaker 2>you're bad.

0:35:11.920 --> 0:35:14.640
<v Speaker 3>Now you're bad. Now, Oh you're bad again.

0:35:14.880 --> 0:35:16.840
<v Speaker 2>And I know a Broadway you told me that on

0:35:16.960 --> 0:35:21.120
<v Speaker 2>opening night. If the review is good, you're okay. If

0:35:21.160 --> 0:35:23.719
<v Speaker 2>the opening night review is bad, it's it's hell because

0:35:23.719 --> 0:35:25.359
<v Speaker 2>you still got to do the show for another couple

0:35:25.360 --> 0:35:25.640
<v Speaker 2>of weeks.

0:35:25.680 --> 0:35:29.360
<v Speaker 1>Well, there's nothing worse than opening your show and you know,

0:35:30.000 --> 0:35:33.040
<v Speaker 1>not one bad review, although the New York Times is

0:35:33.080 --> 0:35:36.880
<v Speaker 1>still you know, being a castle. But if you know,

0:35:37.040 --> 0:35:41.440
<v Speaker 1>if the general response. I did a show in nineteen

0:35:41.520 --> 0:35:44.000
<v Speaker 1>eighty four called The Rink. It was a candorin EBB

0:35:44.120 --> 0:35:48.680
<v Speaker 1>musical and it starred Cheta Rivera and Liz Manelli. And

0:35:49.080 --> 0:35:51.000
<v Speaker 1>it was one of the few and only times I

0:35:51.120 --> 0:35:54.040
<v Speaker 1>was ever fooled on an opening night because I thought

0:35:54.080 --> 0:35:56.000
<v Speaker 1>that I thought the show was really quite wonderful. I

0:35:56.080 --> 0:35:58.600
<v Speaker 1>still think the show is really quite wonderful. We did

0:35:58.840 --> 0:36:02.480
<v Speaker 1>workshops of it. We thought the workshops went great. We

0:36:02.680 --> 0:36:06.320
<v Speaker 1>had I think six or seven weeks of preview performances

0:36:06.360 --> 0:36:07.719
<v Speaker 1>before critics were allowed to come.

0:36:08.080 --> 0:36:11.960
<v Speaker 3>And I'm telling you, people loved it. They loved the songs,

0:36:12.000 --> 0:36:14.480
<v Speaker 3>They surely loved the ladies. You know, that was.

0:36:14.600 --> 0:36:19.600
<v Speaker 1>Unmistakable star power, yet standing ovations. We got to opening

0:36:19.719 --> 0:36:23.880
<v Speaker 1>night and I'm telling you it was mixed to bad reviews.

0:36:24.440 --> 0:36:26.719
<v Speaker 1>And the next audience came in the next night and

0:36:26.920 --> 0:36:31.320
<v Speaker 1>things that had normally been giant laughs and huge applause

0:36:31.400 --> 0:36:36.040
<v Speaker 1>and tumbleweeds because they had been told you don't like

0:36:36.840 --> 0:36:37.320
<v Speaker 1>you don't like this.

0:36:38.120 --> 0:36:39.959
<v Speaker 3>And we did that show for nine months.

0:36:40.040 --> 0:36:43.239
<v Speaker 1>And if we had not had those two ladies who

0:36:43.520 --> 0:36:45.719
<v Speaker 1>who had enough star power that they could pull an

0:36:45.719 --> 0:36:47.719
<v Speaker 1>audience in that was at least curious to see them.

0:36:48.040 --> 0:36:50.239
<v Speaker 3>We would have closed that week I have.

0:36:50.840 --> 0:36:54.200
<v Speaker 1>I tell you there are shows that have closed the

0:36:54.320 --> 0:36:57.320
<v Speaker 1>day after their opening night. There have been shows that

0:36:57.440 --> 0:36:59.279
<v Speaker 1>have closed without getting.

0:36:59.040 --> 0:37:00.600
<v Speaker 3>To an opening night preview.

0:37:00.680 --> 0:37:03.400
<v Speaker 1>And that's the worst kind of failure because that's not

0:37:03.560 --> 0:37:06.719
<v Speaker 1>a critique failure, that's the audience word of mouth going,

0:37:06.840 --> 0:37:07.719
<v Speaker 1>I just saw this thing.

0:37:07.920 --> 0:37:09.560
<v Speaker 3>Do not spend your money there.

0:37:09.680 --> 0:37:12.760
<v Speaker 2>Tell the story. Tell the story of you doing a success.

0:37:12.800 --> 0:37:14.719
<v Speaker 2>So Jason Warren a Tony Award, that's a that's a

0:37:15.080 --> 0:37:18.640
<v Speaker 2>major thing, left the show as a conquering hero, and

0:37:18.719 --> 0:37:21.719
<v Speaker 2>I'd never heard the story before recently, and the show

0:37:21.840 --> 0:37:22.239
<v Speaker 2>needed you.

0:37:22.320 --> 0:37:23.000
<v Speaker 3>To come back.

0:37:23.600 --> 0:37:25.800
<v Speaker 1>Yeah, So this is this is just a lesson of

0:37:26.000 --> 0:37:30.480
<v Speaker 1>when you think you're a major success, somewhere, you're a failure.

0:37:30.840 --> 0:37:34.440
<v Speaker 1>So I do the show Jerome Robbins Broadway. I win

0:37:34.520 --> 0:37:37.480
<v Speaker 1>a Tony Award. A month later, I'm out of the show.

0:37:37.560 --> 0:37:39.400
<v Speaker 1>My contract is up and I had other things to do.

0:37:40.040 --> 0:37:42.719
<v Speaker 1>I was replaced by a wonderful actor named Terry Mann.

0:37:42.800 --> 0:37:45.520
<v Speaker 3>Terrence Man. Terry takes over the show.

0:37:45.440 --> 0:37:48.600
<v Speaker 1>But about two weeks into his run, he got sick

0:37:48.840 --> 0:37:51.520
<v Speaker 1>and he couldn't do the show and his understudy had

0:37:51.680 --> 0:37:54.040
<v Speaker 1>only recently been hired and didn't.

0:37:53.800 --> 0:37:54.480
<v Speaker 3>Know the part yet.

0:37:54.960 --> 0:37:57.640
<v Speaker 1>So I get a desperate call from the Schubert organization, going,

0:37:57.680 --> 0:37:59.400
<v Speaker 1>can you please get us through the weekend?

0:37:59.440 --> 0:38:02.800
<v Speaker 3>We need far shows? Five shows, just five shows. So

0:38:02.960 --> 0:38:03.680
<v Speaker 3>I go back.

0:38:04.440 --> 0:38:07.880
<v Speaker 1>You know, the Tony Award winner returns. Oh, this audience,

0:38:07.960 --> 0:38:10.040
<v Speaker 1>what a treat for them. Normally you hear there's an

0:38:10.080 --> 0:38:11.840
<v Speaker 1>understudy one, there's a groan, you're.

0:38:11.680 --> 0:38:15.200
<v Speaker 3>Here, Terry's man is not here. But Tony Award and

0:38:15.400 --> 0:38:16.840
<v Speaker 3>oh the excitement, the enthusiasm.

0:38:16.920 --> 0:38:19.160
<v Speaker 1>So I go back feeling I am all that and

0:38:19.280 --> 0:38:22.560
<v Speaker 1>then some I do the Saturday night show and I

0:38:22.640 --> 0:38:24.840
<v Speaker 1>have to go pick up my wife at her parents' apartment,

0:38:24.880 --> 0:38:28.239
<v Speaker 1>which is Crosstown. So understand, whatever I tell you now

0:38:28.920 --> 0:38:31.560
<v Speaker 1>three seconds of time one way or the other, and

0:38:31.640 --> 0:38:34.040
<v Speaker 1>what I'm about to tell you doesn't happen. I have

0:38:34.160 --> 0:38:36.759
<v Speaker 1>to get on a bus. I go across town. I

0:38:36.840 --> 0:38:38.680
<v Speaker 1>have to then walk the three or four blocks from

0:38:38.719 --> 0:38:40.279
<v Speaker 1>where the bus left me off to get to my

0:38:40.800 --> 0:38:43.279
<v Speaker 1>in law's building. They live on the third floor. I

0:38:43.320 --> 0:38:45.680
<v Speaker 1>don't take the elevator, I walk up the three flights

0:38:45.719 --> 0:38:47.960
<v Speaker 1>of stairs. I go to the door and the people

0:38:48.080 --> 0:38:50.879
<v Speaker 1>that live across the hall for them are just going

0:38:50.960 --> 0:38:55.040
<v Speaker 1>into their doorway. And as I walk to my in

0:38:55.200 --> 0:38:58.680
<v Speaker 1>law's door, the only little snippet of their conversation I

0:38:58.880 --> 0:39:02.160
<v Speaker 1>hear is, well, yeah he was okay, but I would

0:39:02.200 --> 0:39:05.320
<v Speaker 1>have loved to have seen Terrence man. God put me,

0:39:06.360 --> 0:39:10.080
<v Speaker 1>God put me into tom door exactly.

0:39:10.280 --> 0:39:13.920
<v Speaker 3>That's three seconds more. They're in their apartment. I never know.

0:39:14.040 --> 0:39:18.879
<v Speaker 2>That doesn't doesn't matter Googleheim.

0:39:19.800 --> 0:39:22.600
<v Speaker 3>Any final words, Yeah we said wrong? What needs clarification?

0:39:23.640 --> 0:39:26.080
<v Speaker 3>The mcdeal t I loved it at the time. I don't.

0:39:26.120 --> 0:39:28.640
<v Speaker 3>I always loved this parter system. I did. I was

0:39:28.680 --> 0:39:28.960
<v Speaker 3>the guy.

0:39:29.640 --> 0:39:32.920
<v Speaker 6>Also for people interested in following up on the Merrily

0:39:33.040 --> 0:39:36.279
<v Speaker 6>We Rolled All Along, there was a documentary made. It

0:39:36.360 --> 0:39:39.920
<v Speaker 6>is called the best worst thing that ever could have happened?

0:39:39.960 --> 0:39:41.959
<v Speaker 6>And so that you and that's quite romp.

0:39:42.320 --> 0:39:42.960
<v Speaker 3>Yep. Yes.

0:39:43.760 --> 0:39:45.680
<v Speaker 1>And I will also say that Merrily We Rolled Along

0:39:45.800 --> 0:39:50.480
<v Speaker 1>has had many, many significant revivals over the forty years

0:39:50.520 --> 0:39:53.440
<v Speaker 1>since we did it, and it is coming back to

0:39:53.520 --> 0:39:56.960
<v Speaker 1>Broadway again while this fall in September of twenty three

0:39:57.360 --> 0:39:58.120
<v Speaker 1>with a new cast.

0:39:59.239 --> 0:40:01.520
<v Speaker 3>And I I saw this show off Broadway when I

0:40:01.600 --> 0:40:02.160
<v Speaker 3>was in New York.

0:40:02.760 --> 0:40:05.399
<v Speaker 1>And you know, it's essentially in many ways on show

0:40:05.440 --> 0:40:09.400
<v Speaker 1>we did, but now it's a different time, a different expectation,

0:40:10.280 --> 0:40:13.320
<v Speaker 1>and it has become I think it's become in arguably.

0:40:13.360 --> 0:40:14.000
<v Speaker 3>There's also.

0:40:15.320 --> 0:40:18.160
<v Speaker 1>The gentleman who filmed About a Boy where he shot

0:40:18.200 --> 0:40:21.440
<v Speaker 1>it over eighteen years, right, he is doing because Merrily

0:40:21.600 --> 0:40:25.680
<v Speaker 1>takes place over twenty years. He's filming a movie version

0:40:25.760 --> 0:40:28.440
<v Speaker 1>of it over the next twenty years with Ben Platten.

0:40:28.520 --> 0:40:29.000
<v Speaker 3>Beanie felt.

0:40:29.040 --> 0:40:31.600
<v Speaker 2>So I got to write down it opens, Yeah, okay,

0:40:31.640 --> 0:40:34.160
<v Speaker 2>I'll write it down the opening weekend makes Soon we'll

0:40:34.160 --> 0:40:35.000
<v Speaker 2>be on the red carpet.

0:40:35.120 --> 0:40:37.120
<v Speaker 3>We won't know it, but we'll be on the red carpet.

0:40:37.680 --> 0:40:39.719
<v Speaker 3>Thank you Google. Heeim. I want to thank doctor West.

0:40:42.480 --> 0:40:44.440
<v Speaker 3>Why are you discussing? I'm grateful that.

0:40:44.520 --> 0:40:44.960
<v Speaker 2>You said that.

0:40:45.120 --> 0:40:46.880
<v Speaker 3>Oh, go ahead, there you go.

0:40:47.080 --> 0:40:50.080
<v Speaker 6>The one thing I wanted to get to was shodenfreude,

0:40:50.880 --> 0:40:55.080
<v Speaker 6>which is basically when people get pleasure out of watching

0:40:55.160 --> 0:40:56.040
<v Speaker 6>other people's failure.

0:40:56.040 --> 0:40:58.040
<v Speaker 2>I thought that was an important Yeah, yes, that's the

0:40:58.080 --> 0:40:59.280
<v Speaker 2>whole entertainment marketplace.

0:40:59.360 --> 0:41:00.600
<v Speaker 3>Yeah, yes it is.

0:41:00.800 --> 0:41:04.520
<v Speaker 6>And because especially talking about the videos that Jason watches

0:41:04.600 --> 0:41:08.240
<v Speaker 6>on a regular basis, there actually been a study published

0:41:08.320 --> 0:41:14.520
<v Speaker 6>in Neuropsychologia that shows why we oftentimes laugh when we

0:41:14.760 --> 0:41:17.840
<v Speaker 6>encounter people failing or hurting or falling or whatever it is,

0:41:18.200 --> 0:41:21.560
<v Speaker 6>and it oftentimes has to do with brain confusion that

0:41:21.760 --> 0:41:26.200
<v Speaker 6>our brain, as we're understanding or seeing facial reactions of

0:41:26.320 --> 0:41:30.960
<v Speaker 6>people experience this, our brain is teetering between laughing and

0:41:31.080 --> 0:41:35.520
<v Speaker 6>being horrified. And often subtle cues like perhaps a funny

0:41:35.880 --> 0:41:39.000
<v Speaker 6>musical track will make our brain go in a certain way,

0:41:39.080 --> 0:41:43.640
<v Speaker 6>well we will laugh in a seemingly inappropriate situation.

0:41:44.360 --> 0:41:46.520
<v Speaker 3>Well, thank you, doctor Google. Thank you, sir. Well there

0:41:46.560 --> 0:41:47.520
<v Speaker 3>you go there, I google that.

0:41:52.400 --> 0:41:58.360
<v Speaker 4>Now, really, really, really.

0:41:59.200 --> 0:42:02.080
<v Speaker 1>Hopefully we done something successful today. If you think so,

0:42:02.280 --> 0:42:04.439
<v Speaker 1>let us know at really noreally dot com, our little

0:42:04.480 --> 0:42:06.360
<v Speaker 1>website where you can leave us messages.

0:42:07.600 --> 0:42:07.840
<v Speaker 3>Thank you.

0:42:07.960 --> 0:42:11.120
<v Speaker 1>If you're watching us on YouTube, remember to subscribe and like,

0:42:12.040 --> 0:42:14.840
<v Speaker 1>and of course we drop episodes every Tuesday.

0:42:15.200 --> 0:42:17.000
<v Speaker 3>We'll be back and you can catch us on.

0:42:17.040 --> 0:42:21.520
<v Speaker 1>The iHeart app, the Apple app, or wherever you get

0:42:21.560 --> 0:42:22.240
<v Speaker 1>your podcasts.

0:42:22.360 --> 0:42:26.760
<v Speaker 2>Great success, mister doctor Sammy West. Look up the Museum

0:42:26.840 --> 0:42:28.440
<v Speaker 2>of Failure. You'll get a real kick out of the

0:42:28.520 --> 0:42:30.839
<v Speaker 2>items that are in there. And he does a great

0:42:30.920 --> 0:42:33.279
<v Speaker 2>ted talk too, So thank you everybody, and thank you.

0:42:33.400 --> 0:42:36.759
<v Speaker 3>Producer Laurie crivile David, we'll see you next time.