WEBVTT - Part Two: How Woody Guthrie Turned Folk Music into a Weapon

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<v Speaker 1>Also media.

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<v Speaker 2>Welcome back to the Court of Robert Evans Bastard Guy podcast.

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<v Speaker 2>Yeah that's right, got a gabble. See take that our engineers,

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<v Speaker 2>they're not gonna be happy.

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<v Speaker 3>Who let you get a gap?

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<v Speaker 2>I got sent this by the judge again. It works

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<v Speaker 2>exactly like vampires made me. And it's lovely. It's a

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<v Speaker 2>beautiful gabble, look at it.

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<v Speaker 4>Yeah.

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<v Speaker 1>I can also buy that from like toy z r

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<v Speaker 1>Us or whatever children's store has survived.

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<v Speaker 2>It would mean nothing at all in your hands, Sophie,

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<v Speaker 2>you haven't gone through the extensive training and preparation to

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<v Speaker 2>become a United States municipal judge like.

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<v Speaker 3>I have cool.

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<v Speaker 2>Cool, Welcome back to behind the bast I.

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<v Speaker 1>Really hate that you have power of any kind.

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<v Speaker 2>I know, I know, tremendous power, unaccountable power. I'm now

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<v Speaker 2>eligible for the Supreme Court. Although I think technically anyone

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<v Speaker 2>is fun.

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<v Speaker 4>Uh.

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<v Speaker 1>I actually think you would be a no.

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<v Speaker 2>Yeah, I'd be a great.

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<v Speaker 3>Supremacurt you'd be better than one Supreme Court like ninety

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<v Speaker 3>percent of the time and then ten percent of the time.

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<v Speaker 3>You would be like I think that every one should

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<v Speaker 3>have a personal nuke. You be k canster, but here's

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<v Speaker 3>the thing. I think you'd be better going to.

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<v Speaker 2>Be any more home invasions.

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<v Speaker 1>Margaret, You're better than the nine we have.

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<v Speaker 2>You know, that's very true?

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<v Speaker 3>Quite true?

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<v Speaker 2>Yeah, Well, speaking of someone who would have been better

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<v Speaker 2>on the Supreme Court, Woody Guthrie, that's who we're talking

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<v Speaker 2>about in part two of these episodes, yep, Margaret dad,

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<v Speaker 2>though not his clansman of father.

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<v Speaker 1>Before we jump into this, though, I want to plug

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<v Speaker 1>something really fast, if that's okay.

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<v Speaker 2>Uh oh.

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<v Speaker 1>I just want to plug a series that our colleague

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<v Speaker 1>and my dear friend, Jimmie lost Fist has been doing

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<v Speaker 1>on her podcast, sixteenth Minute of Fame. Ever heard of

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<v Speaker 1>it about the Manosphere? I think they and the Bastard's

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<v Speaker 1>audience would really enjoy it. Jimmy has worked very hard

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<v Speaker 1>on the writing is incredible, So check that out on

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<v Speaker 1>sixteenth Minute of Fame.

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<v Speaker 2>The Manisphere, if you're not aware, is the kind of

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<v Speaker 2>colloquial term for this network of far right generally like

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<v Speaker 2>masculinity influencers. All all of them have fed into the

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<v Speaker 2>trumpest movement in groups like the Proud Boys. It's a

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<v Speaker 2>very important like social phenomenon that explains a lot of

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<v Speaker 2>why we are where we are right now, and Jamie

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<v Speaker 2>does a great job of breaking it down, so check

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<v Speaker 2>that out. On sixteenth minute.

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<v Speaker 1>Robert is interviewed on one of the parts.

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<v Speaker 3>Ooh, sure, I've only heard part one so far.

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<v Speaker 2>I am. I am well speaking of part two, Let's

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<v Speaker 2>do the part two of these episodes.

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<v Speaker 3>Huh, yes, No, I also haven't talked to this one yet.

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<v Speaker 2>Let's kill it. Let's murder it. Let's bury it in

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<v Speaker 2>the woods in a tree stump, under a tree stump

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<v Speaker 2>so that nobody finds it, and then cash in at

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<v Speaker 2>Social Security for you. I don't know what I'm doing here, Margaret,

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<v Speaker 2>Part two, So what do you go? Thrie had weed

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<v Speaker 2>Mary in nineteen thirty three, and by nineteen thirty six

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<v Speaker 2>when he quit Texas for California, which is what you

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<v Speaker 2>have to legally call it when you're talking about the

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<v Speaker 2>night teen thirties, she'd had one child with him and

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<v Speaker 2>was pregnant with another, and he kind of abandons her,

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<v Speaker 2>like not entirely, like he doesn't like break up with her,

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<v Speaker 2>and like she eventually moves to California with him, but

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<v Speaker 2>he does just kind of bounce to go try and

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<v Speaker 2>find a living you know, in the West, and this

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<v Speaker 2>is a thing a lot of guys are doing and

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<v Speaker 2>a lot of people have to do. It's also not

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<v Speaker 2>a thing that the family's thrilled with. The specific project

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<v Speaker 2>that he left for was a dam that was being

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<v Speaker 2>built outside of Redding, California, in a place called Happy Valley.

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<v Speaker 2>I have lived in and around there. I can assure

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<v Speaker 2>you it is not a particularly happy valley now, and

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<v Speaker 2>it wasn't one then either. In fact, the name was

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<v Speaker 2>kind of like ironic like because it was a shanty

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<v Speaker 2>town that was miserable, so like Greenland, like Greenland. Yes,

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<v Speaker 2>it's a I guess probably a better place now, although

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<v Speaker 2>I can't really in good conscious recommend anyone go to Redding.

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<v Speaker 2>So yeah, anyway, that's where Woody heads up to and

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<v Speaker 2>he's there for a little while. It's in this shanty

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<v Speaker 2>town with like about five thousand other work seekers who

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<v Speaker 2>are all like you know, showing up to try and

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<v Speaker 2>q in lines and get jobs every day. Right, And

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<v Speaker 2>there were a lot of spaces like this around the country,

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<v Speaker 2>you know, there were a lot of these government work

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<v Speaker 2>camps basically right which is where Woody is, And there

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<v Speaker 2>were also in areas like Sacramento, and Seattle. These things

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<v Speaker 2>called Hooverville's and Hooverville's were essentially large camp sites built

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<v Speaker 2>by homeless workers and their families as they migrated around

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<v Speaker 2>searching for work during the Great Depression.

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<v Speaker 3>Well, it's actually in the US they're called vacuum towns, vacuumville.

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<v Speaker 2>That was good. That was good, Margaret, Thank you, it

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<v Speaker 2>was good.

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<v Speaker 3>Thanks, I'll be here all day.

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<v Speaker 2>Electro lux cities, I don't know. I just think it's

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<v Speaker 2>funny because the old catchphrase was nothing sucks like an

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<v Speaker 2>electro lux And I've never heard an advertisement that was

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<v Speaker 2>more clearly made before the Internet. You couldn't get away

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<v Speaker 2>with that today, or you could, but it would be

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<v Speaker 2>a different.

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<v Speaker 3>Pro Although in England they had the we put the

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<v Speaker 3>d and Bread campaign only a couple of years ago.

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<v Speaker 2>That pretty funny, Yes.

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<v Speaker 4>Not bad.

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<v Speaker 2>I'm never gonna get over that, oh Man. So hoovervill

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<v Speaker 2>were named kind of it was an attack on President

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<v Speaker 2>Herbert Hoover, right, Like that's why they get their to

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<v Speaker 2>him because he was this this will not sound familiar

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<v Speaker 2>to anything that's about to happen. He was this corrupt

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<v Speaker 2>Republican president whose policies which benefited the incredibly wealthy, fed

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<v Speaker 2>into the Great Depression, and like allowed for the kind

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<v Speaker 2>of deregulation that made it much worse. And we're seen

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<v Speaker 2>as having largely led the country into economic calamity. And

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<v Speaker 2>so they named these massive homeless camps for like homeless families. Basically,

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<v Speaker 2>Hooverville's the largest and longest lasting. I'm not sure if

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<v Speaker 2>it was absolutely the largest, but it was the longest

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<v Speaker 2>lasting and among the largest. Hoovervilles was outside of Seattle,

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<v Speaker 2>and it stood from nineteen thirty one to nineteen forty one.

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<v Speaker 2>As an interesting side note, it was operated on land

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<v Speaker 2>next to Elliott Bay South, which I believe is where

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<v Speaker 2>Fraser's condo was meant to be located in the TV series.

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<v Speaker 2>That doesn't mean anything. I just thought it was interesting.

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<v Speaker 2>So Wood he missed out on the big West coast Hooverville's,

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<v Speaker 2>but he was in and round. You know, reading is

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<v Speaker 2>people who are heading up to Seattle or coming back

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<v Speaker 2>down from Seattley's talking to them. There's a big one

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<v Speaker 2>in Sacramento. He's talking to them, and he's in this

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<v Speaker 2>work camp and Happy Valley that's kind of similar Hooverville, right,

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<v Speaker 2>And he's supposed to be up there working on this

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<v Speaker 2>big damn project. But he does a lot better and

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<v Speaker 2>it's a lot more stable for him to just busk

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<v Speaker 2>for music, right, and so that's what he actually spends

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<v Speaker 2>most of his time doing. Now, I say he's better

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<v Speaker 2>at this than he is at laboring, he's not great

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<v Speaker 2>at it, and he's only able to send the occasional

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<v Speaker 2>very small money order back home to his wife and

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<v Speaker 2>two kids. So he is not The idea is I'm

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<v Speaker 2>coming out here to support my family, but he's not

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<v Speaker 2>able to support Mary. She and her now two kids

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<v Speaker 2>are utterly dependent on her parents, which was a very

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<v Speaker 2>embarrassing situation for her. Mary later said, I know it

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<v Speaker 2>upset my dad a lot, my mother too. Wood he

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<v Speaker 2>wasn't doing the manly thing, And I think it's both

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<v Speaker 2>worth like saying that that's her impression and the family's

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<v Speaker 2>impression of this. This is not an uncommon position for

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<v Speaker 2>people to be in, and I don't know that Woody

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<v Speaker 2>was doing very well back in Texas, so it's kind

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<v Speaker 2>of unclear to me, you know, what the right thing

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<v Speaker 2>to do here was. Ultimately, Woody, like a lot of people,

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<v Speaker 2>was put in a very difficult situation of trying to

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<v Speaker 2>do something he hoped would allow him to support his family,

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<v Speaker 2>and it didn't work very well for a while, right, I.

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<v Speaker 3>Mean it was the Great Depression.

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<v Speaker 2>It was like a Great Depression.

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<v Speaker 3>Yeah. We see a lot of this now, where like

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<v Speaker 3>people are like, oh, I'm failing under capitalism, I must

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<v Speaker 3>personally be a failure and you're like, yeah, no, times

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<v Speaker 3>are really hard right now.

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<v Speaker 2>Well, and we also on this show, like we've had

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<v Speaker 2>like guys like Steven Segall who as a guest yes yes, uh,

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<v Speaker 2>friend of the pod, like absolutely abandoned his family to

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<v Speaker 2>start his Hollywood career. That is a story we've told

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<v Speaker 2>a few times. Woody is his family feels like he's

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<v Speaker 2>doing that at the start. That's not actually what he

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<v Speaker 2>does here, right, because he's not actually like cutting ties

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<v Speaker 2>with them. But they're not.

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<v Speaker 3>Migrant laborers do this all the time today, Like my

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<v Speaker 3>grand labors come to the United States. They're not abandoning

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<v Speaker 3>their family to try and but.

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<v Speaker 2>They're usually not going out there to play guitar.

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<v Speaker 3>That's fair.

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<v Speaker 2>Yeah, I think that's kind of part of why, because

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<v Speaker 2>he's not really doing the work that you know, a

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<v Speaker 2>lot of these other guys were you know, he's doing

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<v Speaker 2>some of that, but that's not how he really makes

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<v Speaker 2>most of his bread. Yeah, So in short order, Wood

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<v Speaker 2>he left Reading for Glendale, which I've also done, and

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<v Speaker 2>I can tell you good call, much better place to

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<v Speaker 2>be than reading. He vaguely knew that he had an

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<v Speaker 2>aunt in the area, and as was often the case,

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<v Speaker 2>he just sort of they're not like sending letters usually

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<v Speaker 2>back and forth. They certainly don't have phones or whatever

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<v Speaker 2>you usually just like I was told once by a

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<v Speaker 2>relative that I have an aunt in Glendale. I'm just

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<v Speaker 2>gonna show up and figure out where she is and

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<v Speaker 2>hopefully she'll take me in. And social ties were such

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<v Speaker 2>that when he shows up on her doorstep, she's like,

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<v Speaker 2>all right. He is twenty five years old when he

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<v Speaker 2>makes it to the Los Angeles area after several months

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<v Speaker 2>of stress and internal recriminations because what, he's not thrilled

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<v Speaker 2>with himself either. He had wanted to be doing better.

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<v Speaker 2>He knows how little he's sending back to his family.

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<v Speaker 2>He's not happy about this. He gets a lucky break

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<v Speaker 2>courtesy of his cousin Leon, who everyone else either called

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<v Speaker 2>Jack or Oki Guthrie, and Ok is like a it's

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<v Speaker 2>kind of a pejorative term for someone from Oklahoma. Both

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<v Speaker 2>was used as an insult and also is like a

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<v Speaker 2>term of pride by people from Oklahoma. Right, the Guthries

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<v Speaker 2>are all Oakie's right, so calling him ok Guthrie must

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<v Speaker 2>have been a little bit confusing to like Woody, who

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<v Speaker 2>is also an Okie.

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<v Speaker 3>Uh huh.

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<v Speaker 2>Jack and his family had left home back at the

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<v Speaker 2>start of the Depression and moved to Sacramento. Like many Guthries,

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<v Speaker 2>he was musically talented, and so was his wife, and

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<v Speaker 2>they'd built a reputation for themselves as good musicians and performers.

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<v Speaker 2>He suggested teaming up with Woody to try and start

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<v Speaker 2>and act in Los Angeles. This was not the obviously

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<v Speaker 2>good idea that it would later seem, as Ed Gray

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<v Speaker 2>explains in the book ramblin Man. Jack was a Western singer.

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<v Speaker 2>His songs were heavily influenced by popular music. Wood he

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<v Speaker 2>was a country singer, his music born of an older

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<v Speaker 2>oral tradition. In practice, they could neither sing nor play

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<v Speaker 2>guitar together. Indeed, would he privately despise the treakly sentiment

0:10:10.400 --> 0:10:14.079
<v Speaker 2>of jack sagebrush serenades. Jack the guitarist used the jazz

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<v Speaker 2>influenced chords of popular music and played up the neck

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<v Speaker 2>of the instrument. Would he disdained chords beyond the minimal tonic,

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<v Speaker 2>subdominant and dominant. So this is not a great pairing

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<v Speaker 2>and Wood he's a little bit like he's a little

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<v Speaker 2>bit of a snob. Right, It's like, Oh, your music's

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<v Speaker 2>all popular and jazzy. You're not doing the cool punks.

0:10:31.880 --> 0:10:34.200
<v Speaker 2>You know, it's not really punk. But that's it's very

0:10:34.240 --> 0:10:36.600
<v Speaker 2>similar in attitude to that kind of guy.

0:10:36.480 --> 0:10:38.240
<v Speaker 3>Right, I mean he's doing folk punk before, it's.

0:10:39.200 --> 0:10:41.400
<v Speaker 2>Right, Yeah, at least he's about to be starting to

0:10:41.400 --> 0:10:42.120
<v Speaker 2>do folk punk.

0:10:42.440 --> 0:10:45.360
<v Speaker 3>It's interesting because the country western eye had never occurred

0:10:45.360 --> 0:10:47.120
<v Speaker 3>to me that those were separate categories.

0:10:47.640 --> 0:10:51.320
<v Speaker 2>Yes, because I mean it's this mix of these songs

0:10:51.320 --> 0:10:53.959
<v Speaker 2>that are like folk songs that are we would call

0:10:54.040 --> 0:10:56.920
<v Speaker 2>western because they're like songs about the West and about

0:10:57.000 --> 0:10:59.520
<v Speaker 2>you know, being a cowboy or whatever, and songs that

0:10:59.559 --> 0:11:02.640
<v Speaker 2>are like Western songs that are made for like the

0:11:02.640 --> 0:11:05.120
<v Speaker 2>different kinds of like floor shows and entertainment, you know,

0:11:05.559 --> 0:11:07.840
<v Speaker 2>radio and whatever that's popular at the time. Like those

0:11:07.840 --> 0:11:11.319
<v Speaker 2>are kind of different beasts. So in better times, these

0:11:11.320 --> 0:11:14.480
<v Speaker 2>guys probably would never have worked together. But desperation made,

0:11:14.559 --> 0:11:17.800
<v Speaker 2>you know, some kind of collaboration necessary, and they developed

0:11:17.880 --> 0:11:21.200
<v Speaker 2>a fairly successful act and we're able to book recurring

0:11:21.240 --> 0:11:25.040
<v Speaker 2>gigs on the radio through a station called kf VD.

0:11:25.240 --> 0:11:28.080
<v Speaker 2>Woody found himself increasingly drawing the folk music with a

0:11:28.120 --> 0:11:32.199
<v Speaker 2>sense of class consciousness, like Goebel Reeves nineteen thirty four.

0:11:32.280 --> 0:11:36.280
<v Speaker 2>Tune Hobo's Lullaby, And here's Woody Guthrie singing a portion

0:11:36.480 --> 0:11:39.120
<v Speaker 2>of Hobo's Lullaby, which is again a song by another guy.

0:11:39.480 --> 0:11:42.640
<v Speaker 2>And this is a folk song, it's also kind of punk,

0:11:42.720 --> 0:11:44.280
<v Speaker 2>as you'll catch from this section.

0:11:44.520 --> 0:11:46.840
<v Speaker 3>Oh, I used to listen to it while riding trains.

0:11:47.080 --> 0:11:48.079
<v Speaker 3>Oh well, the guitar.

0:11:52.520 --> 0:11:59.400
<v Speaker 4>I know. The police calls you trouble. They call trouble

0:11:59.640 --> 0:12:07.800
<v Speaker 4>every but when you die and go to heaven, you

0:12:08.520 --> 0:12:10.000
<v Speaker 4>find policeman.

0:12:14.600 --> 0:12:22.600
<v Speaker 2>Okay, that's good. That's a good little bar. So I

0:12:22.600 --> 0:12:25.360
<v Speaker 2>would also be remiss because that's pretty cool if I

0:12:25.360 --> 0:12:28.120
<v Speaker 2>didn't expound on the fact that racism too was a

0:12:28.160 --> 0:12:30.720
<v Speaker 2>recurrent part of wood He's act and often on his

0:12:30.840 --> 0:12:33.800
<v Speaker 2>mind while living in Echo Park and fighting on behalf

0:12:33.840 --> 0:12:36.320
<v Speaker 2>of poor white people, because he's like an activist, you know,

0:12:36.360 --> 0:12:38.880
<v Speaker 2>helping like rent strike type stuff right, Like he is

0:12:38.920 --> 0:12:42.600
<v Speaker 2>an advocate for like poor downtrodden white people living in

0:12:42.679 --> 0:12:46.280
<v Speaker 2>Los Angeles. He also is drawing cartoons of people he

0:12:46.360 --> 0:12:50.840
<v Speaker 2>called jungle blacks and monkeys, and like that's bad. He

0:12:50.880 --> 0:12:53.320
<v Speaker 2>wrote poems so racist that I don't even feel like

0:12:53.600 --> 0:12:56.200
<v Speaker 2>I should describe them on the air to you, They're bad.

0:12:56.480 --> 0:12:59.400
<v Speaker 2>Oh god, Yeah, found a good LA Weekly article on

0:12:59.440 --> 0:13:02.160
<v Speaker 2>the subject by an author named Johnny Whiteside, and I'm

0:13:02.160 --> 0:13:04.760
<v Speaker 2>going to read a quote from it now. Broadcasting on

0:13:04.800 --> 0:13:08.520
<v Speaker 2>Pasadena's Kaffidi, Guthrie often indulged in on air employee of

0:13:08.520 --> 0:13:11.480
<v Speaker 2>a Bonix, and was stunned when a black listener characterized

0:13:11.520 --> 0:13:15.360
<v Speaker 2>the singer as unintelligent after hearing Guthrie performed songs with

0:13:15.440 --> 0:13:20.480
<v Speaker 2>titles like Run, Inward Run, and Inward Blues. Fortunately for Guthrie,

0:13:20.520 --> 0:13:24.200
<v Speaker 2>recordings of these tunes do not survive. Later, Guthrie said,

0:13:24.559 --> 0:13:26.960
<v Speaker 2>a young negro in Los Angeles wrote me a nice

0:13:27.040 --> 0:13:29.480
<v Speaker 2>letter one day telling me the meaning of that word,

0:13:29.559 --> 0:13:31.760
<v Speaker 2>the inWORD, and that I shouldn't say it anymore on

0:13:31.840 --> 0:13:35.280
<v Speaker 2>the air, so I apologized. He next tore all the

0:13:35.320 --> 0:13:39.760
<v Speaker 2>Inward songs out of his songbook. Huh, so you can

0:13:39.800 --> 0:13:42.200
<v Speaker 2>take that however you want. Right, the fact that he

0:13:42.320 --> 0:13:44.120
<v Speaker 2>is singing that kind of stuff on the air and

0:13:44.200 --> 0:13:47.800
<v Speaker 2>like just writing poems about it not great. But he's

0:13:47.840 --> 0:13:52.040
<v Speaker 2>also not unable to change or immune to criticism. So

0:13:52.080 --> 0:13:54.560
<v Speaker 2>he's willing to like listen to this criticism that a

0:13:54.640 --> 0:13:56.400
<v Speaker 2>black man gives him and be like, oh, you know what,

0:13:56.480 --> 0:13:58.640
<v Speaker 2>that is kind of fucked up and that ain't nothing

0:13:58.679 --> 0:14:00.920
<v Speaker 2>for the son of a klansman, right when you're yeah,

0:14:00.960 --> 0:14:03.480
<v Speaker 2>you know again, that's kind of up to your personal take.

0:14:03.760 --> 0:14:05.920
<v Speaker 2>When we talk about like how do you judge people,

0:14:06.440 --> 0:14:08.440
<v Speaker 2>you know, to what extent do you judge them based

0:14:08.440 --> 0:14:10.480
<v Speaker 2>on their time or based on some sort of concept

0:14:10.480 --> 0:14:13.600
<v Speaker 2>of objective morality, one thing that always matters to me

0:14:13.760 --> 0:14:18.560
<v Speaker 2>is where did they start versus where did they end up? Right,

0:14:18.720 --> 0:14:23.360
<v Speaker 2>Because someone who was raised in a slaveholding household and

0:14:23.440 --> 0:14:27.000
<v Speaker 2>becomes an abolitionist but is still racist is a lot

0:14:27.040 --> 0:14:30.480
<v Speaker 2>more impressive to me than a guy who just like

0:14:30.640 --> 0:14:34.280
<v Speaker 2>isn't outwardly racist because he grew up in the nineteen nineties,

0:14:34.440 --> 0:14:36.560
<v Speaker 2>but like crosses the street when he sees a.

0:14:36.560 --> 0:14:38.120
<v Speaker 3>Black guy, right, totally.

0:14:37.760 --> 0:14:39.640
<v Speaker 2>Because one of those is a person who like went

0:14:39.720 --> 0:14:43.800
<v Speaker 2>on a journey recognized a bad thing about themselves and

0:14:43.800 --> 0:14:44.560
<v Speaker 2>made changes.

0:14:44.800 --> 0:14:47.600
<v Speaker 3>You know, there's people that like will never get my

0:14:47.640 --> 0:14:50.520
<v Speaker 3>pronouns right, who I suspect would kill someone who tried

0:14:50.520 --> 0:14:53.320
<v Speaker 3>to hurt me. And there's other people who would absolutely

0:14:53.400 --> 0:14:56.640
<v Speaker 3>always get my pronouns right and be super respectful and

0:14:56.680 --> 0:14:58.760
<v Speaker 3>would be like, oh no, a bad thing is happening

0:14:58.800 --> 0:15:00.480
<v Speaker 3>if they watch me get murdered for them.

0:15:00.600 --> 0:15:00.800
<v Speaker 4>You know.

0:15:01.520 --> 0:15:04.640
<v Speaker 3>Yeah, I'm trying to be like, it's therefore okay, Like

0:15:04.640 --> 0:15:05.479
<v Speaker 3>I'm not trying.

0:15:05.200 --> 0:15:07.360
<v Speaker 2>The reason I included this because it's pretty bad and

0:15:07.400 --> 0:15:08.520
<v Speaker 2>you should know that about the guy.

0:15:08.600 --> 0:15:10.320
<v Speaker 3>Yeah, yeah, no, I'm not trying to Yeah, but.

0:15:10.680 --> 0:15:12.720
<v Speaker 2>This is not a part of his entire life or

0:15:12.720 --> 0:15:15.880
<v Speaker 2>his whole creative life. He writes anti racist songs later

0:15:15.920 --> 0:15:18.080
<v Speaker 2>in life, Like, it does seem like he makes a change,

0:15:18.560 --> 0:15:20.360
<v Speaker 2>And I do think it's worth noting like this is

0:15:20.400 --> 0:15:23.640
<v Speaker 2>a guy who was raised by a klansman in like

0:15:23.760 --> 0:15:28.400
<v Speaker 2>the thirties, twenties and thirties, you know, so you know, again,

0:15:28.600 --> 0:15:30.960
<v Speaker 2>you can figure out morally wherever you want to figure

0:15:30.960 --> 0:15:32.600
<v Speaker 2>that out. But I don't think it's worth kind of

0:15:32.600 --> 0:15:34.760
<v Speaker 2>looking at the whole sweep of the personal journey the

0:15:34.800 --> 0:15:38.000
<v Speaker 2>man went on there in nineteen thirty seven, Woody's wife,

0:15:38.040 --> 0:15:40.880
<v Speaker 2>Mary and two children moved to Los Angeles to be

0:15:40.960 --> 0:15:43.520
<v Speaker 2>with him. Jack wound up leaving the act and show

0:15:43.560 --> 0:15:47.000
<v Speaker 2>business for a while, but Woody paired up with Maxine Chrisman,

0:15:47.080 --> 0:15:49.840
<v Speaker 2>whose family was friends with his cousin and had taken

0:15:49.880 --> 0:15:54.400
<v Speaker 2>Woody in too. He dubbed Maxine Lefty Lou. The Tube

0:15:54.400 --> 0:15:57.120
<v Speaker 2>played songs by other artists that spoke to the poor

0:15:57.160 --> 0:16:00.920
<v Speaker 2>and downtrodden, like Hobo's Lullaby, but they also started playing

0:16:00.960 --> 0:16:05.200
<v Speaker 2>Woody's original compositions, like the Talking dust Bowl Blues. This

0:16:05.320 --> 0:16:08.680
<v Speaker 2>song really embodies what people were starting to love about Woody.

0:16:08.880 --> 0:16:11.440
<v Speaker 2>His music had a wartz end all description of life

0:16:11.560 --> 0:16:13.960
<v Speaker 2>during the Depression and the struggles of the hundreds of

0:16:14.000 --> 0:16:16.320
<v Speaker 2>thousands of people who were forced to move west during

0:16:16.320 --> 0:16:19.760
<v Speaker 2>the dust Bowl. He sung about relatable nuts and bolts

0:16:19.840 --> 0:16:22.800
<v Speaker 2>issues that are still familiar to a lot of people today.

0:16:23.080 --> 0:16:25.920
<v Speaker 2>If you were a poor punk kid who lived on

0:16:26.000 --> 0:16:28.920
<v Speaker 2>a semi permanent road trip for a while basically and

0:16:29.000 --> 0:16:31.360
<v Speaker 2>had the experience of trying to coast by turning your

0:16:31.360 --> 0:16:34.400
<v Speaker 2>car off on downhill runs because you can't afford gasoline,

0:16:34.760 --> 0:16:37.200
<v Speaker 2>here's Woody Gathrie singing about the same thing.

0:16:39.400 --> 0:16:41.720
<v Speaker 4>Way up yonder on the mountain curve. It's a way

0:16:41.760 --> 0:16:43.760
<v Speaker 4>up yonder in the pine, he would. And I give

0:16:43.880 --> 0:16:46.440
<v Speaker 4>that rolling forward to shove and eyes going to coast

0:16:46.480 --> 0:16:51.200
<v Speaker 4>as fur as it could come in coasting pigging up

0:16:51.240 --> 0:16:59.520
<v Speaker 4>speed was a half in turn. I didn't make it, man,

0:17:00.160 --> 0:17:03.040
<v Speaker 4>I'm telling you. The fiddles and the guitars really flew.

0:17:03.160 --> 0:17:05.439
<v Speaker 4>That Ford took off like a b lime squirrel, and

0:17:05.440 --> 0:17:09.720
<v Speaker 4>it flew halfway around the world, scattered wives and children's

0:17:09.760 --> 0:17:11.800
<v Speaker 4>all over the side of that mountain.

0:17:16.040 --> 0:17:18.480
<v Speaker 2>Man, I don't know.

0:17:18.600 --> 0:17:20.120
<v Speaker 3>I love his talking blues.

0:17:19.920 --> 0:17:21.639
<v Speaker 2>Yeah, I love his talking. I love the way he

0:17:21.680 --> 0:17:25.520
<v Speaker 2>says children like. It just tickles the hell out of me.

0:17:25.560 --> 0:17:27.200
<v Speaker 2>Reminds me of the good parts of Live in a

0:17:27.320 --> 0:17:30.600
<v Speaker 2>fucking middle of Nowhere, Oklahoma. Like I do like that

0:17:30.680 --> 0:17:32.160
<v Speaker 2>about him. And you know what I like.

0:17:32.119 --> 0:17:36.040
<v Speaker 3>Even more, Margaret, is it the sponsors of the show. Yes,

0:17:36.400 --> 0:17:37.159
<v Speaker 3>they're all great.

0:17:37.320 --> 0:17:39.760
<v Speaker 2>They're all great, and they've all had the experience of

0:17:39.800 --> 0:17:42.280
<v Speaker 2>having the coast in their Ford truck to save gas

0:17:42.320 --> 0:17:45.560
<v Speaker 2>money too. Look, it's hard times for everyone, even large brands.

0:17:46.080 --> 0:17:48.520
<v Speaker 3>They've probably driven stuff off of the road before.

0:17:48.800 --> 0:17:51.600
<v Speaker 2>Yeah. Absolutely, we could talk about what truck drivers are

0:17:51.600 --> 0:17:54.000
<v Speaker 2>forced to do in order to make their times. Anyway,

0:17:54.040 --> 0:17:59.800
<v Speaker 2>whatever we're done, Margaret, Yes, I do find it fun.

0:18:00.280 --> 0:18:02.880
<v Speaker 2>How much of like his dust Bowl songs are very

0:18:02.920 --> 0:18:08.080
<v Speaker 2>relatable to like punk life today. Yeah, totally hate the

0:18:08.119 --> 0:18:12.040
<v Speaker 2>cops fucking coasting in my car, you know, camping out

0:18:12.080 --> 0:18:13.639
<v Speaker 2>on the woods and shit like did.

0:18:13.480 --> 0:18:15.640
<v Speaker 3>He do Big Rock Candy Mountains as this someone else.

0:18:15.560 --> 0:18:17.560
<v Speaker 2>In my head? He did Big Rock Candy Mountains, but

0:18:17.600 --> 0:18:18.640
<v Speaker 2>I didn't double check on that.

0:18:19.440 --> 0:18:20.879
<v Speaker 3>I mean, he might have just sung it.

0:18:22.040 --> 0:18:25.359
<v Speaker 2>I'm fairly certain I've heard a version of the song

0:18:25.480 --> 0:18:28.359
<v Speaker 2>by him. Harry McClintock was the guy who I first

0:18:28.400 --> 0:18:29.480
<v Speaker 2>recorded and wrote it.

0:18:29.560 --> 0:18:31.800
<v Speaker 3>Yeah, one of the first people I ever rode trains with.

0:18:31.840 --> 0:18:33.520
<v Speaker 3>I haven't written trains nearly as much as going to

0:18:33.560 --> 0:18:35.199
<v Speaker 3>make it sound like when I do these episodes, But

0:18:35.640 --> 0:18:38.159
<v Speaker 3>was this focusing on him Ryan Harvey, And so that's

0:18:38.200 --> 0:18:40.000
<v Speaker 3>why I have a lot of these associations with riding

0:18:40.040 --> 0:18:42.399
<v Speaker 3>trains in particular. But we used to sit around and

0:18:42.440 --> 0:18:44.960
<v Speaker 3>sing Big Rock Candy Mountains, but change the words very

0:18:45.000 --> 0:18:47.840
<v Speaker 3>slightly to be like modern anarchy, and you didn't have

0:18:47.840 --> 0:18:50.720
<v Speaker 3>to change much. And my favorite was and the Hens

0:18:50.760 --> 0:18:52.760
<v Speaker 3>lay Vegan Eggs was my favorite clan.

0:18:53.240 --> 0:19:02.080
<v Speaker 2>Ah that's good. Oh man, that's funny. Wait a second, yeah,

0:19:02.160 --> 0:19:06.200
<v Speaker 2>yeah yeah, police dogs can't sniff your weed. Yeah, totally

0:19:07.320 --> 0:19:10.480
<v Speaker 2>so Wood. He had attained a degree of local fame

0:19:10.640 --> 0:19:13.080
<v Speaker 2>by thirty eight thirty nine. Right nineteen thirty eight to

0:19:13.119 --> 0:19:16.000
<v Speaker 2>nineteen thirty nine, he's doing reasonably well. In fact, he

0:19:16.040 --> 0:19:18.480
<v Speaker 2>and Lefty Loo were so beloved that the radio station

0:19:18.520 --> 0:19:21.080
<v Speaker 2>where they played received thousands of fan letters over the

0:19:21.119 --> 0:19:23.600
<v Speaker 2>course of just a few months. They were doing okay

0:19:23.720 --> 0:19:26.720
<v Speaker 2>in terms of money, but not great because again, he

0:19:26.720 --> 0:19:29.359
<v Speaker 2>has a lot of fans, but they're broke ass dust

0:19:29.400 --> 0:19:32.600
<v Speaker 2>bowl refugees, So he's not getting rich off these people, right,

0:19:33.000 --> 0:19:35.919
<v Speaker 2>And he's also not very interested in getting rich. He

0:19:36.000 --> 0:19:38.480
<v Speaker 2>seemed to feel like he had a responsibility to reach

0:19:38.520 --> 0:19:41.800
<v Speaker 2>and provide relief for his people suffering in government work

0:19:41.840 --> 0:19:45.080
<v Speaker 2>camps and embarrassed by their situation. From a write up

0:19:45.119 --> 0:19:47.959
<v Speaker 2>by the Library of Congress quote he also sang at

0:19:48.000 --> 0:19:51.040
<v Speaker 2>government camps that gave these people some measure of dignity, health,

0:19:51.040 --> 0:19:53.760
<v Speaker 2>and safety. Joining him was Will Gear, an actor and

0:19:53.920 --> 0:19:56.959
<v Speaker 2>ernest leftwinger, who helped would he better understand the injustice

0:19:56.960 --> 0:19:59.480
<v Speaker 2>of an economic system that would allow Americans to live

0:19:59.520 --> 0:20:02.160
<v Speaker 2>in such pa And this is where he starts getting

0:20:02.160 --> 0:20:05.679
<v Speaker 2>pilled on socialism, right, and eventually becomes a communist. He

0:20:05.720 --> 0:20:08.320
<v Speaker 2>will call himself a card carrying communist, as we'll talk

0:20:08.320 --> 0:20:10.720
<v Speaker 2>about he never actually has a card, and he could.

0:20:10.520 --> 0:20:11.920
<v Speaker 3>Have gotten one.

0:20:12.440 --> 0:20:14.520
<v Speaker 2>But Wood, he's a little bit of a fabulous right

0:20:14.600 --> 0:20:16.399
<v Speaker 2>He lies a little bit, not in a way that

0:20:16.880 --> 0:20:20.840
<v Speaker 2>is massively meaningful, because he was a communist and very committed,

0:20:21.240 --> 0:20:23.359
<v Speaker 2>but you know, he also he's a little bit of

0:20:23.359 --> 0:20:27.720
<v Speaker 2>a tall tale spinner. So yeah, and you know it's

0:20:27.760 --> 0:20:30.359
<v Speaker 2>to his credit that he's again, rather than focusing on

0:20:30.440 --> 0:20:33.119
<v Speaker 2>making money off of this growing fame, he's giving a

0:20:33.119 --> 0:20:36.359
<v Speaker 2>lot of free shows to provide relief for his people.

0:20:36.520 --> 0:20:36.639
<v Speaker 5>Right.

0:20:36.720 --> 0:20:39.840
<v Speaker 2>He is very dedicated to his people in a way

0:20:39.880 --> 0:20:42.840
<v Speaker 2>that I think is pretty admirable. Wood. He's popularity and

0:20:42.840 --> 0:20:46.640
<v Speaker 2>by now fairly mature class consciousness started to make him

0:20:46.640 --> 0:20:50.480
<v Speaker 2>more connections with the radical political set, including various left

0:20:50.480 --> 0:20:54.840
<v Speaker 2>wing writers, journalists and socialists and communist activists. He began

0:20:54.880 --> 0:20:58.159
<v Speaker 2>writing songs that spoke not just of left wing politics,

0:20:58.440 --> 0:21:01.680
<v Speaker 2>but of the rage of the working and increasingly his

0:21:01.720 --> 0:21:04.480
<v Speaker 2>own hatred of the people that maintained the system that

0:21:04.600 --> 0:21:07.800
<v Speaker 2>kept his people down trodden. In nineteen thirty nine, he

0:21:07.840 --> 0:21:10.520
<v Speaker 2>wrote one of his most famous songs, The Ballad of

0:21:10.560 --> 0:21:13.800
<v Speaker 2>Pretty Boy Floyd, about an Oklahoma outlaw active in the

0:21:13.800 --> 0:21:18.639
<v Speaker 2>early nineteen thirties who regular listeners will know was my cousin. Now.

0:21:18.840 --> 0:21:20.760
<v Speaker 2>My great grandmother knew him as a girl. I grew

0:21:20.840 --> 0:21:23.840
<v Speaker 2>up here in songs about him from her and my family. They,

0:21:24.240 --> 0:21:26.760
<v Speaker 2>as I talk about, often very conservative people. But my

0:21:26.840 --> 0:21:29.919
<v Speaker 2>great grandma particularly would always tell us, you know, you

0:21:29.960 --> 0:21:32.120
<v Speaker 2>got outlaw blood in you, right, like it was something

0:21:32.160 --> 0:21:34.720
<v Speaker 2>she was very proud of. In a way that's a

0:21:34.760 --> 0:21:37.119
<v Speaker 2>little weird if you heard the way these people tended

0:21:37.160 --> 0:21:41.840
<v Speaker 2>to talk about other like urban crime, right. Outlaw crime

0:21:42.080 --> 0:21:45.639
<v Speaker 2>was very different to them. And I'm talking particularly my

0:21:45.800 --> 0:21:49.200
<v Speaker 2>relatives who were survivors of the Great Depression. Outlaws are

0:21:49.320 --> 0:21:52.560
<v Speaker 2>very different than modern criminals in their eyes. Right. I'm

0:21:52.600 --> 0:21:55.080
<v Speaker 2>not saying that's actually a fair, but their conception of

0:21:55.080 --> 0:21:57.639
<v Speaker 2>these people is extremely different. And a big part of

0:21:57.720 --> 0:22:01.159
<v Speaker 2>why is not just Woody, but songs like this that

0:22:01.200 --> 0:22:03.560
<v Speaker 2>would he made. Who turned these guys who were bank

0:22:03.640 --> 0:22:09.120
<v Speaker 2>robbers and gangsters into Robin hood figures, right, and Floyd

0:22:09.200 --> 0:22:12.240
<v Speaker 2>was a fairly easy one to turn into a Robinhood character,

0:22:12.280 --> 0:22:14.320
<v Speaker 2>because he kind of was at least a little bit

0:22:14.440 --> 0:22:16.959
<v Speaker 2>that guy. There's a debateis to like how much of

0:22:17.000 --> 0:22:19.040
<v Speaker 2>that sort of character was real and how much of

0:22:19.040 --> 0:22:21.560
<v Speaker 2>it is kind of myth making that Floyd did, but

0:22:22.440 --> 0:22:25.240
<v Speaker 2>some of it's certainly true. Floyd was born in Georgia,

0:22:25.359 --> 0:22:28.080
<v Speaker 2>but had moved with his family to Aiken's, Oklahoma, in

0:22:28.160 --> 0:22:31.119
<v Speaker 2>nineteen eleven, and his career as a criminal had started

0:22:31.160 --> 0:22:34.040
<v Speaker 2>early when he was arrested at age eighteen for stealing

0:22:34.080 --> 0:22:37.160
<v Speaker 2>three dollars and fifty cents worth of I think stamps

0:22:37.160 --> 0:22:40.160
<v Speaker 2>from a post office. A few years later, he robbed

0:22:40.160 --> 0:22:42.480
<v Speaker 2>a payroll in Saint Louis. So he goes from like

0:22:42.600 --> 0:22:46.400
<v Speaker 2>stamp theft to armed robbery fairly quickly, and he does

0:22:46.440 --> 0:22:49.720
<v Speaker 2>three years or so in prison for that. After he's released,

0:22:49.720 --> 0:22:52.679
<v Speaker 2>he becomes a Kansas City area bank robber. One thing

0:22:52.680 --> 0:22:55.040
<v Speaker 2>you get about Floyd is he that doesn't seem to

0:22:55.040 --> 0:23:01.440
<v Speaker 2>have ever considered not being a criminal. Yeah, just immediately.

0:23:00.920 --> 0:23:02.440
<v Speaker 3>Like, no, you know, he found this thing that sort

0:23:02.480 --> 0:23:05.160
<v Speaker 3>of works. Yeah, well, because it didn't really work. That's

0:23:05.200 --> 0:23:06.920
<v Speaker 3>the other weird thing about it. Huh.

0:23:06.960 --> 0:23:09.840
<v Speaker 2>No, but he never really thinks about doing anything but

0:23:09.920 --> 0:23:12.600
<v Speaker 2>being an outlaw, and he quickly gains He starts Robin

0:23:12.640 --> 0:23:15.840
<v Speaker 2>Banks in Kansas City, and he earns the nickname pretty Boy,

0:23:16.000 --> 0:23:18.840
<v Speaker 2>which eventually becomes pretty Boy Floyd because people thought he

0:23:18.880 --> 0:23:21.400
<v Speaker 2>was very good looking. He hated this nickname. So he's

0:23:21.400 --> 0:23:22.719
<v Speaker 2>gonna pull up a picture of the man. You can

0:23:22.800 --> 0:23:24.399
<v Speaker 2>decide yourself how good looking he was.

0:23:24.960 --> 0:23:26.200
<v Speaker 3>Is this a picture of Luigi?

0:23:30.359 --> 0:23:32.720
<v Speaker 2>Americans do love their sexy criminals.

0:23:33.119 --> 0:23:38.879
<v Speaker 3>Yeah, yeah, huh, not my type, but you know, the

0:23:38.920 --> 0:23:41.000
<v Speaker 3>standards were not as high back. He's got like a

0:23:41.040 --> 0:23:42.920
<v Speaker 3>soft gaze that nice, you know.

0:23:43.000 --> 0:23:46.240
<v Speaker 2>Like, yeah, prominent nose, good jaw line.

0:23:46.680 --> 0:23:48.360
<v Speaker 3>Yeah, he's not bad looking.

0:23:48.840 --> 0:23:51.920
<v Speaker 2>Certainly, not nice hair. Yeah.

0:23:52.040 --> 0:23:54.000
<v Speaker 3>Yeah, he's better looking at what he got. Three if

0:23:54.040 --> 0:23:55.320
<v Speaker 3>we go to ab real quick.

0:23:56.240 --> 0:23:59.399
<v Speaker 2>Yeah, he is a hardened criminal. He killed at least

0:23:59.400 --> 0:24:03.199
<v Speaker 2>one federal agent. He also killed the sheriff of Macintosh County.

0:24:03.600 --> 0:24:06.359
<v Speaker 2>Other members of his gang killed several police officers and

0:24:06.359 --> 0:24:10.520
<v Speaker 2>other criminals as well. There are multiple police officer murders

0:24:10.560 --> 0:24:13.000
<v Speaker 2>that he is also a suspect in that we don't

0:24:13.040 --> 0:24:15.760
<v Speaker 2>fully know did he kill all those cops, but he

0:24:15.880 --> 0:24:19.480
<v Speaker 2>killed a number of cops you know, like he shoots

0:24:19.520 --> 0:24:23.240
<v Speaker 2>a lot of police. In the early depression years, he

0:24:23.280 --> 0:24:26.240
<v Speaker 2>took to robbing banks in Oklahoma, where in addition to

0:24:26.280 --> 0:24:30.080
<v Speaker 2>taking money for himself, he would destroy mortgage documents in

0:24:30.200 --> 0:24:32.000
<v Speaker 2>order to free poor farmers from debt.

0:24:32.240 --> 0:24:32.400
<v Speaker 3>Hell.

0:24:32.520 --> 0:24:36.320
<v Speaker 2>Yeah, now we don't fully know if this happened, right,

0:24:36.359 --> 0:24:38.119
<v Speaker 2>It's not the kind of thing how would you prove it?

0:24:38.440 --> 0:24:42.080
<v Speaker 2>For one thing, right, people told stories about it. I

0:24:42.080 --> 0:24:44.880
<v Speaker 2>will tell you that everyone I knew in the towns

0:24:44.880 --> 0:24:47.960
<v Speaker 2>in Oklahoma like where he had been active, and again

0:24:48.000 --> 0:24:50.679
<v Speaker 2>including my family members who knew him, would tell you

0:24:50.760 --> 0:24:53.520
<v Speaker 2>that this is what he did. I don't know. It's

0:24:53.560 --> 0:24:56.560
<v Speaker 2>not provable. It's one of those things where it would

0:24:56.560 --> 0:24:58.119
<v Speaker 2>make sense for him to do it, even if he

0:24:58.240 --> 0:25:01.720
<v Speaker 2>was not really morally a Robin ho character, because if

0:25:01.760 --> 0:25:07.600
<v Speaker 2>you're destroying people's mortgages, they will hide you from the cops. Yeah.

0:25:07.640 --> 0:25:09.840
<v Speaker 3>Like, I could tie this back to Italy. In the

0:25:09.840 --> 0:25:12.760
<v Speaker 3>eighteen seventies, Mala Testa and all these other anarchists in

0:25:12.800 --> 0:25:17.199
<v Speaker 3>Italy in Benevento Province would go and their idea of

0:25:17.240 --> 0:25:19.240
<v Speaker 3>how to do propaganda of the deed was to go

0:25:19.280 --> 0:25:21.080
<v Speaker 3>and they'd march on these small towns and they would

0:25:21.119 --> 0:25:23.679
<v Speaker 3>destroy the tax and ownership records and they were like

0:25:24.080 --> 0:25:26.080
<v Speaker 3>and then everyone would come out and be like, you

0:25:26.119 --> 0:25:28.159
<v Speaker 3>have freed us. The priest was like came out of

0:25:28.160 --> 0:25:29.800
<v Speaker 3>the church and was like, these people have been sent

0:25:29.840 --> 0:25:32.560
<v Speaker 3>by God to free us. And then they all got arrested.

0:25:32.840 --> 0:25:35.080
<v Speaker 3>But then they actually only spent like a year in

0:25:35.160 --> 0:25:38.399
<v Speaker 3>jail because everyone was going so crazy in Italy at

0:25:38.440 --> 0:25:39.800
<v Speaker 3>that point that they were like, you know, we better

0:25:39.800 --> 0:25:40.680
<v Speaker 3>just let these people out.

0:25:41.119 --> 0:25:43.280
<v Speaker 2>Yeah, we can't go too hard on these people. Everyone

0:25:43.359 --> 0:25:44.640
<v Speaker 2>really likes them for so much.

0:25:44.760 --> 0:25:48.440
<v Speaker 3>Yeah, and so that's like there is a specific point

0:25:48.520 --> 0:25:50.679
<v Speaker 3>and if you're going to be a criminal, if you

0:25:50.760 --> 0:25:52.760
<v Speaker 3>go hard enough and make everyone like you, there's a

0:25:52.760 --> 0:25:53.840
<v Speaker 3>certain safety in that.

0:25:54.000 --> 0:25:56.080
<v Speaker 2>One of my favorite Floyd's stories is that he had

0:25:56.080 --> 0:25:59.520
<v Speaker 2>a gang and his gang decided they wanted to rob

0:25:59.600 --> 0:26:02.000
<v Speaker 2>a bunch of people on like Black Wall Street at

0:26:02.040 --> 0:26:06.520
<v Speaker 2>one point, which was very well armed, and Floyd was like, well,

0:26:06.560 --> 0:26:09.000
<v Speaker 2>you guys can go do that. I'm not fucking with that,

0:26:09.000 --> 0:26:12.119
<v Speaker 2>that seems like And sure enough they got fucking like

0:26:12.240 --> 0:26:15.640
<v Speaker 2>shot to pieces. Yeah. So he was a smart man.

0:26:16.119 --> 0:26:16.719
<v Speaker 3>Yeah.

0:26:16.920 --> 0:26:19.199
<v Speaker 2>My other favorite story about him I mentioned in my

0:26:19.359 --> 0:26:22.879
<v Speaker 2>high school ap English class that he was a cousin

0:26:22.920 --> 0:26:25.480
<v Speaker 2>of mine, and my teacher, who was, you know, in

0:26:25.520 --> 0:26:28.280
<v Speaker 2>her fifties or something, he said, he shot my grandfather

0:26:28.359 --> 0:26:28.880
<v Speaker 2>in the leg.

0:26:30.560 --> 0:26:33.200
<v Speaker 3>Oh did you get in that class, buddy.

0:26:33.280 --> 0:26:33.480
<v Speaker 4>No.

0:26:33.480 --> 0:26:36.080
<v Speaker 2>No, she was like, it's okay. Again, because she was

0:26:36.200 --> 0:26:38.600
<v Speaker 2>raised in this same culture, she was like, it's okay.

0:26:38.720 --> 0:26:41.480
<v Speaker 2>Like pretty boy said, no move, and my grandpa moved.

0:26:41.720 --> 0:26:44.440
<v Speaker 2>You know, he didn't kill him, he just shot him

0:26:44.440 --> 0:26:47.959
<v Speaker 2>in the leg a little. Again, there's a lot of

0:26:48.040 --> 0:26:51.680
<v Speaker 2>tolerance for these specific sorts of outlaws in that part

0:26:51.720 --> 0:26:52.240
<v Speaker 2>of the South.

0:26:52.400 --> 0:26:55.359
<v Speaker 3>Like it's that you probably wouldn't find today. Just to

0:26:55.359 --> 0:26:58.520
<v Speaker 3>be clear, anyone listening that you probably wouldn't find today,

0:26:58.560 --> 0:27:00.120
<v Speaker 3>you will not find today.

0:27:01.640 --> 0:27:05.920
<v Speaker 2>So again, fascinating character. And yeah, I can't say how

0:27:05.960 --> 0:27:08.199
<v Speaker 2>much of the whole robin Hood thing is true, but

0:27:08.200 --> 0:27:10.080
<v Speaker 2>I think a lot of the robin Hood image that

0:27:10.160 --> 0:27:14.320
<v Speaker 2>he has comes from Woody. Although it's also worth noting

0:27:14.359 --> 0:27:16.320
<v Speaker 2>he is part of why it takes so long for

0:27:16.440 --> 0:27:18.040
<v Speaker 2>him to get caught, because he's like one of the

0:27:18.160 --> 0:27:21.360
<v Speaker 2>last gangsters to get caught and killed by the government.

0:27:21.440 --> 0:27:23.800
<v Speaker 2>His death is generally agreed to have heralded the end

0:27:23.840 --> 0:27:26.800
<v Speaker 2>of the gangster era. Huh, yeah, because I think thirty

0:27:26.800 --> 0:27:29.840
<v Speaker 2>four is when he's gunned down, and like there's a

0:27:29.880 --> 0:27:31.959
<v Speaker 2>lot of stories of him like hiding with little old

0:27:32.040 --> 0:27:34.399
<v Speaker 2>ladies and lying to the cops. And then when he

0:27:34.560 --> 0:27:37.400
<v Speaker 2>like leaves, there's one hundred dollars bill under the plate

0:27:37.400 --> 0:27:40.000
<v Speaker 2>where she'd fed him dinner or something like that. So

0:27:40.080 --> 0:27:42.840
<v Speaker 2>in nineteen thirty nine, you know, about five years after

0:27:42.880 --> 0:27:46.880
<v Speaker 2>his death, when memories of this guy are still very strong,

0:27:47.359 --> 0:27:50.080
<v Speaker 2>Woody writes the song that is very much responsible for

0:27:50.200 --> 0:27:54.120
<v Speaker 2>crystallizing this image of pretty Boy Floyd as this kind

0:27:54.160 --> 0:27:57.600
<v Speaker 2>of like banded outlaw king of the American South. And

0:27:57.640 --> 0:28:00.560
<v Speaker 2>we're just going to listen to that song because it's

0:28:00.720 --> 0:28:02.720
<v Speaker 2>Christmas and it's a song about my cousin.

0:28:03.000 --> 0:28:03.160
<v Speaker 5>Hell.

0:28:03.240 --> 0:28:14.040
<v Speaker 4>Yeah, if you'll gather around me, children, a story I

0:28:14.240 --> 0:28:18.800
<v Speaker 4>will tell about perty Boy Floyd and Outlaw Oklahoma and

0:28:18.960 --> 0:28:28.040
<v Speaker 4>you him. Well. It was in the town of Shawnee

0:28:28.560 --> 0:28:34.680
<v Speaker 4>Saturday afternoon, his wife beside him in his wagon as

0:28:34.720 --> 0:28:44.120
<v Speaker 4>into town may road. Baron Deputy Shirt approached him in

0:28:44.200 --> 0:28:50.480
<v Speaker 4>a manner rather rude, vulgar words of anger, and his wife,

0:28:50.520 --> 0:29:00.720
<v Speaker 4>she overheard pretty Boy grabbed a log chain and the

0:29:00.800 --> 0:29:05.240
<v Speaker 4>deputy grabbed his gun. In the fight that followed, he

0:29:05.360 --> 0:29:11.000
<v Speaker 4>laid that deputy down. Then he took to the tree

0:29:13.880 --> 0:29:19.360
<v Speaker 4>and timber to live alive. Of shame. Every crime in

0:29:19.440 --> 0:29:28.400
<v Speaker 4>Oklahoma was added to his name. But a mini a

0:29:28.560 --> 0:29:35.720
<v Speaker 4>starving farmer. The same old story told how the outlaw

0:29:35.880 --> 0:29:43.720
<v Speaker 4>paid their mortgage and saved their little holes. Others tell

0:29:43.800 --> 0:29:47.240
<v Speaker 4>you about a stranger that comes to bag a meal.

0:29:48.320 --> 0:29:59.280
<v Speaker 4>Underneath his napkin left a thousand dollars bills. It was

0:29:59.360 --> 0:30:07.040
<v Speaker 4>in Oakland, a hord city. It was on a Christmas day.

0:30:08.520 --> 0:30:11.440
<v Speaker 4>There was a whole car load of groceries come with

0:30:11.560 --> 0:30:17.760
<v Speaker 4>a note to see. Well, you say that I'm an outlaw,

0:30:18.040 --> 0:30:22.240
<v Speaker 4>you say that I'm a thief. Here's a Christmas dinner

0:30:22.480 --> 0:30:29.320
<v Speaker 4>for the family's on relief. Yes, it is through this

0:30:29.480 --> 0:30:37.600
<v Speaker 4>world I've wondered. I've seen lots of money men. Some

0:30:37.760 --> 0:30:40.760
<v Speaker 4>will rob you with a six gun and some with

0:30:40.880 --> 0:30:50.880
<v Speaker 4>a fountain pen. And is through your life if you travel, Yes,

0:30:51.000 --> 0:30:56.600
<v Speaker 4>it's through your life you roll. You will never see

0:30:56.680 --> 0:31:01.920
<v Speaker 4>an outlaw drive family frumler hole.

0:31:09.080 --> 0:31:14.719
<v Speaker 2>I love the way that song ends. Yeah, and some

0:31:14.800 --> 0:31:17.120
<v Speaker 2>will rob you with a six gun and some with

0:31:17.200 --> 0:31:18.000
<v Speaker 2>a fountain pen.

0:31:19.400 --> 0:31:21.280
<v Speaker 3>That's a lot I hear all over the place.

0:31:21.480 --> 0:31:23.040
<v Speaker 2>It's it's a great fuck. I mean, this is one

0:31:23.080 --> 0:31:26.160
<v Speaker 2>of his more famous songs. Yeah, but it's a damn

0:31:26.200 --> 0:31:26.760
<v Speaker 2>good line.

0:31:27.040 --> 0:31:28.560
<v Speaker 1>I enjoyed that thorough.

0:31:28.640 --> 0:31:31.440
<v Speaker 2>I also like that. Look, I've seen a lot of outlaws.

0:31:31.560 --> 0:31:34.240
<v Speaker 2>I'm not saying I'm not defending the things they've done,

0:31:34.520 --> 0:31:37.120
<v Speaker 2>But it's not the outlaws I see forcing people to

0:31:37.200 --> 0:31:42.440
<v Speaker 2>be homeless, you know, that's the bands. Yeah, yeah, yeah,

0:31:42.480 --> 0:31:44.760
<v Speaker 2>So I disagree with my family about a lot, but

0:31:44.800 --> 0:31:48.480
<v Speaker 2>our shared pride in our cop killing ancestor is not

0:31:48.640 --> 0:31:49.560
<v Speaker 2>one of those things.

0:31:49.680 --> 0:31:50.680
<v Speaker 3>Yeah.

0:31:50.720 --> 0:31:53.360
<v Speaker 2>Anyway, as is often the case for people who come

0:31:53.400 --> 0:31:56.560
<v Speaker 2>to Los Angeles for the music industry, would he wound

0:31:56.600 --> 0:31:59.280
<v Speaker 2>up having to take his family back home to Texas

0:31:59.480 --> 0:32:01.400
<v Speaker 2>and then lee them again to move to New York

0:32:01.480 --> 0:32:04.720
<v Speaker 2>City in nineteen forty, chasing what had become for him

0:32:04.760 --> 0:32:08.080
<v Speaker 2>a dream of folk stardom. By this point, he'd become

0:32:08.080 --> 0:32:10.360
<v Speaker 2>a little bit of a legend, enough that the Library

0:32:10.360 --> 0:32:12.840
<v Speaker 2>of Congress had him sit down and record his dust

0:32:12.880 --> 0:32:16.400
<v Speaker 2>Bowl songs for posterity. He laid down tracks with Pete

0:32:16.480 --> 0:32:19.280
<v Speaker 2>Seeger and became an influential part of the urban folk

0:32:19.360 --> 0:32:22.480
<v Speaker 2>revival of the time. In a letter to Alan Lomax,

0:32:22.560 --> 0:32:26.200
<v Speaker 2>another influential pillar of the urban folk revival. He described

0:32:26.240 --> 0:32:28.640
<v Speaker 2>his thoughts on what folk music ought to be. And

0:32:28.680 --> 0:32:31.760
<v Speaker 2>I'm interested for your thoughts on this, Margaret Ken. A

0:32:31.800 --> 0:32:34.200
<v Speaker 2>folk song is what's wrong and how to fix it.

0:32:34.360 --> 0:32:36.680
<v Speaker 2>Or it could be who's hungry and where their mouth is,

0:32:36.960 --> 0:32:38.720
<v Speaker 2>or who's out of work and where the job is,

0:32:38.840 --> 0:32:41.120
<v Speaker 2>or who's broke and where the money is, or who's

0:32:41.160 --> 0:32:44.320
<v Speaker 2>carrying a gun and where the piece is. That's folklore,

0:32:44.360 --> 0:32:46.320
<v Speaker 2>and folks made it up because they've seen that the

0:32:46.360 --> 0:32:49.600
<v Speaker 2>politicians couldn't find nothing to fix or nobody to feed

0:32:49.720 --> 0:32:50.920
<v Speaker 2>or give a job a work.

0:32:52.760 --> 0:32:56.800
<v Speaker 3>That's good. That's It's so interesting to me because I

0:32:56.800 --> 0:32:59.240
<v Speaker 3>if you'd say folk music in different places, you mean

0:32:59.280 --> 0:33:02.640
<v Speaker 3>something so completely different. Right, American folk music is this

0:33:02.760 --> 0:33:07.080
<v Speaker 3>like Woody Guthrie kind of vibe thing, whereasn't almost any

0:33:07.120 --> 0:33:09.280
<v Speaker 3>other country. You're looking at stuff that's a little bit

0:33:09.280 --> 0:33:15.400
<v Speaker 3>more like technically interesting, like musically yes, I don't know.

0:33:15.440 --> 0:33:16.840
<v Speaker 3>I have a lot of thoughts about like folk and

0:33:16.880 --> 0:33:19.400
<v Speaker 3>folk instrumentation and music and all that, but I think

0:33:19.440 --> 0:33:22.120
<v Speaker 3>what he's describing is great and specifically that thing that

0:33:22.160 --> 0:33:24.640
<v Speaker 3>it's just like this is the stuff that people make up,

0:33:24.800 --> 0:33:25.920
<v Speaker 3>you know, it's not fancy.

0:33:26.080 --> 0:33:30.720
<v Speaker 2>Yeah, and it's also how poor people without really any

0:33:30.760 --> 0:33:33.920
<v Speaker 2>other idea of how to have a voice, talk about

0:33:34.040 --> 0:33:35.480
<v Speaker 2>in a lot of ways, the kind of issues that

0:33:35.520 --> 0:33:38.400
<v Speaker 2>today we ascribe to, like the job of journalists, right,

0:33:38.800 --> 0:33:41.040
<v Speaker 2>who was hungry and where their mouth is? Who's carrying

0:33:41.040 --> 0:33:42.320
<v Speaker 2>a gun and where the piece is?

0:33:42.440 --> 0:33:42.600
<v Speaker 1>Right?

0:33:42.680 --> 0:33:44.560
<v Speaker 3>Yeah, yeah, totally it's gossip.

0:33:45.000 --> 0:33:48.280
<v Speaker 2>Yes, yes, it's gossip and its agitation.

0:33:49.080 --> 0:33:49.280
<v Speaker 6>Right.

0:33:49.560 --> 0:33:51.120
<v Speaker 2>You look at a lot of folk songs and a

0:33:51.160 --> 0:33:54.680
<v Speaker 2>lot of folks stories, and that's the first safe place

0:33:54.760 --> 0:33:58.040
<v Speaker 2>to attack the wealthy and the powerful, right, totally a

0:33:58.080 --> 0:34:01.960
<v Speaker 2>little bit, you know, totally oftentimes. You know, there's also

0:34:01.960 --> 0:34:04.400
<v Speaker 2>plenty of folk stuff that reinforces some of those things,

0:34:04.400 --> 0:34:07.440
<v Speaker 2>but it is where you see a lot of subversive stuff.

0:34:07.960 --> 0:34:10.279
<v Speaker 3>Yeah. I mean that's the thing about like populist and

0:34:10.360 --> 0:34:13.040
<v Speaker 3>popular stuff, as it can really go either way. Yeah,

0:34:13.080 --> 0:34:16.760
<v Speaker 3>but it's like yeah, still on some fundamental level. Interesting.

0:34:17.120 --> 0:34:19.799
<v Speaker 2>Yeah, Now, it's worth spending some time on just how

0:34:19.920 --> 0:34:23.520
<v Speaker 2>radically folk music changes, as you noted, in other countries,

0:34:23.760 --> 0:34:26.080
<v Speaker 2>it's very different. And part of why it's different in

0:34:26.120 --> 0:34:29.960
<v Speaker 2>the US is Woody Guthrie. He changes what folk music

0:34:30.000 --> 0:34:32.680
<v Speaker 2>is in the United States in a fundamental way. In

0:34:32.719 --> 0:34:35.800
<v Speaker 2>an article for The New Yorker, David Hajdou writes, quote,

0:34:36.040 --> 0:34:39.480
<v Speaker 2>folk music, including country, blues and other vernacular styles, was

0:34:39.520 --> 0:34:42.880
<v Speaker 2>supposed to be anonymous, a collective art passed along Worley,

0:34:42.920 --> 0:34:46.960
<v Speaker 2>from singer to singer, generation to generation, sometimes culture to culture.

0:34:47.160 --> 0:34:49.400
<v Speaker 2>From the vantage point of today, when kids with their

0:34:49.440 --> 0:34:52.040
<v Speaker 2>first guitar start writing songs before they learn to play

0:34:52.040 --> 0:34:55.080
<v Speaker 2>other tunes, it is difficult to process how exceptional it

0:34:55.200 --> 0:34:57.600
<v Speaker 2>was for a folk artist such as Woody Guthrie to

0:34:57.680 --> 0:35:02.720
<v Speaker 2>have created a vast repertoire of deeply idiosyncratic works. Many Tenpanaley,

0:35:02.719 --> 0:35:05.920
<v Speaker 2>Broadway and Hollywood songwriters of the thirties and earlier were

0:35:05.960 --> 0:35:08.560
<v Speaker 2>as skilled and prolific as Guthrie, but they were working

0:35:08.600 --> 0:35:11.920
<v Speaker 2>in a different vein writing to order for professional singers.

0:35:12.360 --> 0:35:16.640
<v Speaker 2>Guthrie brought the authorial imperative to vernacular music in America.

0:35:17.080 --> 0:35:18.640
<v Speaker 2>And I think that's also very interesting.

0:35:19.280 --> 0:35:21.440
<v Speaker 3>Just to keep going with all the weird family connections,

0:35:21.480 --> 0:35:24.799
<v Speaker 3>My great grandfather was a ten panale songwriter, and yeah,

0:35:24.840 --> 0:35:27.239
<v Speaker 3>he just wrote. He wrote music that he didn't own

0:35:27.239 --> 0:35:30.719
<v Speaker 3>the copyright to. He wrote the b sides for more

0:35:30.760 --> 0:35:32.319
<v Speaker 3>popular musicians.

0:35:31.800 --> 0:35:36.000
<v Speaker 2>Like, yeah, yeah, that makes total sense. I'm not surprised

0:35:36.000 --> 0:35:41.920
<v Speaker 2>that that's your family connection. Yeah. So, by this point

0:35:41.960 --> 0:35:44.439
<v Speaker 2>in time, Woody was what you would call a left

0:35:44.440 --> 0:35:47.520
<v Speaker 2>wing radical, although not again a card carrying one. He

0:35:47.560 --> 0:35:51.360
<v Speaker 2>played benefits for and was associated with the American Communist Party,

0:35:51.360 --> 0:35:53.600
<v Speaker 2>but he never got around adjoining and you'll find several

0:35:53.640 --> 0:35:56.439
<v Speaker 2>different theories as to why. The leading one that you'll

0:35:56.480 --> 0:35:58.840
<v Speaker 2>hear is that he liked his independence a little too

0:35:58.920 --> 0:36:02.640
<v Speaker 2>much to be a joiner. Now this sounds good, especially

0:36:02.719 --> 0:36:05.040
<v Speaker 2>to people like you and me, but it leaves out

0:36:05.040 --> 0:36:07.400
<v Speaker 2>a crucial fact, which is that wood He was his

0:36:07.480 --> 0:36:11.399
<v Speaker 2>era's equivalent of like a Tanky right totally. I mean,

0:36:11.400 --> 0:36:14.000
<v Speaker 2>it also leaves out the fact that he vocally took

0:36:14.080 --> 0:36:16.480
<v Speaker 2>claim to have a card like claimed to be a

0:36:16.520 --> 0:36:18.040
<v Speaker 2>member of the party right, and that it was the

0:36:18.040 --> 0:36:20.640
<v Speaker 2>best thing he'd done, which he hadn't. Again, he wasn't

0:36:20.680 --> 0:36:23.200
<v Speaker 2>immune to the worst impulses if the American left. During

0:36:23.239 --> 0:36:26.759
<v Speaker 2>this period. He had been enthusiastic about FDR early on,

0:36:26.960 --> 0:36:29.759
<v Speaker 2>but once the Molotov Ribbentrop Pact was signed and the

0:36:29.840 --> 0:36:33.040
<v Speaker 2>USSR locked into a treaty with the Nazis, he attacked

0:36:33.160 --> 0:36:37.320
<v Speaker 2>Roosevelt as Quote Churchill's lapdog for his anti Nazi stance

0:36:37.360 --> 0:36:39.719
<v Speaker 2>in support of Great Britain during the early months of

0:36:39.760 --> 0:36:42.680
<v Speaker 2>the war. He argued that the developing World War was

0:36:42.719 --> 0:36:46.799
<v Speaker 2>a capitalist fraud. When Nazi Germany and the Soviet Union

0:36:46.840 --> 0:36:51.080
<v Speaker 2>invaded Poland together, Guthrie supported Stalin to an extent and

0:36:51.120 --> 0:36:55.400
<v Speaker 2>with such vociferousness that biographer Will Kaufman called it shocking.

0:36:55.920 --> 0:36:58.879
<v Speaker 2>In ramblin Man, Ed Craig goes into more detail about

0:36:58.880 --> 0:37:01.840
<v Speaker 2>a left wing anti war song he wrote called why

0:37:01.880 --> 0:37:04.560
<v Speaker 2>do You Stand There in the Rain, based on the

0:37:04.600 --> 0:37:06.799
<v Speaker 2>title of a New York Post article, and I'm going

0:37:06.840 --> 0:37:10.279
<v Speaker 2>to read from that section from ramblin Man here. Just

0:37:10.360 --> 0:37:13.279
<v Speaker 2>days before, some six thousand delegates of the American Youth

0:37:13.360 --> 0:37:16.640
<v Speaker 2>Congress had gathered in Washington to advocate jobs in peace.

0:37:16.960 --> 0:37:19.880
<v Speaker 2>At the invitation of First Lady Eleanor Roosevelt, the delegates

0:37:19.920 --> 0:37:21.960
<v Speaker 2>gathered in front of the south portico of the White

0:37:22.000 --> 0:37:24.399
<v Speaker 2>House and a cold drizzle to listen to a half

0:37:24.400 --> 0:37:27.640
<v Speaker 2>hour speech by the President. Fdr threw down the gauntlet,

0:37:27.719 --> 0:37:30.640
<v Speaker 2>aware that the Young Communist League had taken firm grip

0:37:30.719 --> 0:37:34.840
<v Speaker 2>on the once broadly based Popular Front ayc. The Soviet Union,

0:37:35.040 --> 0:37:37.160
<v Speaker 2>as everyone who has the courage to face the fact knows,

0:37:37.360 --> 0:37:39.839
<v Speaker 2>is run by a dictatorship, and as absolute as any

0:37:39.880 --> 0:37:43.279
<v Speaker 2>dictatorship in the world. It has allied itself with another dictatorship,

0:37:43.320 --> 0:37:46.920
<v Speaker 2>and has invaded a neighbor, Finland, so infinitesimally small that

0:37:46.960 --> 0:37:49.680
<v Speaker 2>it could do no conceivable harm to the Soviet Union,

0:37:49.920 --> 0:37:51.960
<v Speaker 2>a neighbor which seeks only to live in peace as

0:37:51.960 --> 0:37:55.000
<v Speaker 2>a democracy, and a liberal, forward looking democracy. At that

0:37:55.560 --> 0:37:58.160
<v Speaker 2>Roosevelt heard the booze and hisses through the cold rain.

0:37:58.480 --> 0:38:01.200
<v Speaker 2>People's World columnist, would he Gothrie knew where he stood?

0:38:01.480 --> 0:38:04.160
<v Speaker 2>He chided the president and song. Now the guns in

0:38:04.200 --> 0:38:07.040
<v Speaker 2>Europe roar as they have so oft before, and the

0:38:07.080 --> 0:38:09.840
<v Speaker 2>warlords play the same old game again. They butcher and

0:38:09.880 --> 0:38:12.759
<v Speaker 2>they kill. Uncle Sam foots the bill with his own

0:38:12.800 --> 0:38:15.640
<v Speaker 2>dear children, standing in the rain? Why do you stand

0:38:15.640 --> 0:38:17.560
<v Speaker 2>there in the rain? Why do you stand there in

0:38:17.600 --> 0:38:20.680
<v Speaker 2>the rain. He's a strange carrying on the White House

0:38:20.719 --> 0:38:23.080
<v Speaker 2>Capital lawn. Tell me, why do you stand there in

0:38:23.120 --> 0:38:26.160
<v Speaker 2>the rain? Then the President's voice did ring. Why this

0:38:26.320 --> 0:38:28.239
<v Speaker 2>is the silliest thing I have heard in all my

0:38:28.360 --> 0:38:31.200
<v Speaker 2>fifty eight years of life. But it just stands to reason,

0:38:31.239 --> 0:38:33.840
<v Speaker 2>as he passes another season, he'll be smarter by the

0:38:33.880 --> 0:38:39.320
<v Speaker 2>time he's fifty nine. So he's being like real shitty

0:38:39.560 --> 0:38:43.600
<v Speaker 2>to Roosevelt there, specifically about his support of England in

0:38:43.800 --> 0:38:47.480
<v Speaker 2>the war that is developing, and very defensive of the

0:38:47.600 --> 0:38:50.880
<v Speaker 2>USSR and invading a much smaller neighbor in invading Poland.

0:38:51.360 --> 0:38:55.200
<v Speaker 2>And it's one of those things where this is both

0:38:55.280 --> 0:38:59.720
<v Speaker 2>like horrifying given what we know happens, you have to

0:38:59.719 --> 0:39:04.120
<v Speaker 2>to extent while still saying he was wrong, look at

0:39:04.320 --> 0:39:08.239
<v Speaker 2>his level of knowledge and what had actually happened previously.

0:39:09.360 --> 0:39:12.759
<v Speaker 2>World War One was the touchstone here. And in World

0:39:12.800 --> 0:39:17.160
<v Speaker 2>War One the US did enable further butchering right, like

0:39:17.280 --> 0:39:20.319
<v Speaker 2>we were arming and profiting off of a hideous war

0:39:20.360 --> 0:39:23.800
<v Speaker 2>that we had no business sticking our noses into. Yeah,

0:39:24.320 --> 0:39:27.120
<v Speaker 2>and he's pissed about that. It's also there's a lot

0:39:27.239 --> 0:39:30.840
<v Speaker 2>less information about what was going on in the Soviet

0:39:30.840 --> 0:39:33.400
<v Speaker 2>you now, I will also say more than enough that

0:39:33.480 --> 0:39:35.160
<v Speaker 2>he should have known, right.

0:39:35.560 --> 0:39:41.480
<v Speaker 3>Yeah, I mean the internationalist newspaper stuff was pretty Yeah.

0:39:41.680 --> 0:39:43.759
<v Speaker 3>Sometimes they were better at knowing what was going on

0:39:43.800 --> 0:39:46.400
<v Speaker 3>around the world than like a modern leftist today. But

0:39:46.840 --> 0:39:50.160
<v Speaker 3>he's holding the party line. They got told very specifically, like,

0:39:50.360 --> 0:39:52.719
<v Speaker 3>I mean, is the problem with the common tern in

0:39:52.760 --> 0:39:55.640
<v Speaker 3>the communist international, Yes, is that someone in the American

0:39:55.640 --> 0:40:00.319
<v Speaker 3>Communist Party during this era is literally taking orders from Russia. Yeah,

0:40:00.600 --> 0:40:01.960
<v Speaker 3>And that's like one of the parts that we don't

0:40:01.960 --> 0:40:03.320
<v Speaker 3>want to talk about with the Red scare, because the

0:40:03.320 --> 0:40:05.799
<v Speaker 3>Red scare is bad, right, Yeah, But when they're like, oh,

0:40:05.840 --> 0:40:09.440
<v Speaker 3>these foreign agents acting under a foreign national they were.

0:40:09.480 --> 0:40:13.960
<v Speaker 2>There was literally like they were taking direct like propaganda,

0:40:14.040 --> 0:40:17.960
<v Speaker 2>direct orders like from Moscow, well not from Moscow, but

0:40:18.239 --> 0:40:22.399
<v Speaker 2>like from the Communist Party in the Soviet Union. And

0:40:23.320 --> 0:40:26.040
<v Speaker 2>they were really wrong on some things as a result

0:40:26.080 --> 0:40:29.520
<v Speaker 2>of that, because it turns out Hitler's not an ally

0:40:29.640 --> 0:40:33.120
<v Speaker 2>of international communism. It turns out now yeah, no, no,

0:40:33.239 --> 0:40:36.239
<v Speaker 2>that goes very badly, very quickly. Yeah, And ye know

0:40:36.280 --> 0:40:39.160
<v Speaker 2>what he had been had been describing himself as an

0:40:39.160 --> 0:40:42.480
<v Speaker 2>anti fascist at this point. But also I think he

0:40:42.520 --> 0:40:44.279
<v Speaker 2>probably would have said that like, well, you know, the

0:40:44.280 --> 0:40:47.040
<v Speaker 2>Communist Party knows its business if they think that's what

0:40:47.080 --> 0:40:49.520
<v Speaker 2>they've got to do to secure themselves with matters is

0:40:49.960 --> 0:40:53.239
<v Speaker 2>you know, the survival of communism, which you know, at

0:40:53.239 --> 0:40:56.160
<v Speaker 2>that point had weathered a number of attacks from the

0:40:56.160 --> 0:41:00.120
<v Speaker 2>international capitalist community, like during the Russian Civil War. And

0:41:00.160 --> 0:41:01.919
<v Speaker 2>I'm not saying that because I think that's a good argument.

0:41:01.960 --> 0:41:04.680
<v Speaker 2>I'm saying I think that's he would have made. I'm

0:41:04.680 --> 0:41:08.399
<v Speaker 2>pretty firmly on the stance of Stalin Bat and the

0:41:08.440 --> 0:41:13.280
<v Speaker 2>Malotov Ribbentrop packed inexcusable. Yeah, But also I always emphasize

0:41:13.320 --> 0:41:15.799
<v Speaker 2>inexcusable on behalf of the Soviet leadership. You know, I've

0:41:15.840 --> 0:41:18.040
<v Speaker 2>got nothing but respect for the guys who wound up

0:41:18.120 --> 0:41:21.400
<v Speaker 2>dying by the millions to stop the Nazis, absolutely totally

0:41:21.440 --> 0:41:24.759
<v Speaker 2>and the right those guys, yeah, and ladies. So it

0:41:24.840 --> 0:41:27.920
<v Speaker 2>is impossible to look at this situation without saying commonalities

0:41:27.960 --> 0:41:31.160
<v Speaker 2>between more modern failures of the left to condemn dictators

0:41:31.160 --> 0:41:34.680
<v Speaker 2>seen as anti imperialist for very flawed reasons. I might

0:41:34.719 --> 0:41:37.359
<v Speaker 2>suggest that we also not forget at the time one

0:41:37.400 --> 0:41:41.480
<v Speaker 2>of the complicating factors here is how the US government

0:41:41.800 --> 0:41:44.880
<v Speaker 2>deals with what it considers communism and what things it

0:41:44.960 --> 0:41:49.279
<v Speaker 2>considers communism, right, because that's important too. What he had

0:41:49.320 --> 0:41:52.319
<v Speaker 2>an extensive FBI file, And in nineteen forty one, after

0:41:52.360 --> 0:41:55.239
<v Speaker 2>he joined the Merchant Marine, one of his shipmates was

0:41:55.239 --> 0:41:58.160
<v Speaker 2>cited as saying, would he quote followed the Communist Party

0:41:58.239 --> 0:42:01.120
<v Speaker 2>line and that they were very pro Russian and advocated

0:42:01.200 --> 0:42:04.799
<v Speaker 2>racial intermarriage. So again that is what the guy who

0:42:04.800 --> 0:42:07.880
<v Speaker 2>informs on him and the FBI considers evidence of his

0:42:07.960 --> 0:42:11.040
<v Speaker 2>Communist sympathies is he thinks that black people and white

0:42:11.080 --> 0:42:13.520
<v Speaker 2>people should be able to get married. So keep that

0:42:13.560 --> 0:42:14.399
<v Speaker 2>in mind too.

0:42:15.000 --> 0:42:19.080
<v Speaker 3>The Communist Party was absolutely right about racial politics in

0:42:19.120 --> 0:42:21.520
<v Speaker 3>the United States, Yes, one hundred percent, And they were

0:42:21.520 --> 0:42:24.280
<v Speaker 3>one of the only non black organization, it was actually

0:42:24.280 --> 0:42:26.719
<v Speaker 3>heavily black, but one of the only not majority black

0:42:26.840 --> 0:42:28.520
<v Speaker 3>organizations that was right about this.

0:42:29.080 --> 0:42:31.640
<v Speaker 2>Yes, yes, And so like when we talk about like

0:42:32.239 --> 0:42:35.040
<v Speaker 2>criticizing him, don't leave out the fact that he's he's

0:42:35.080 --> 0:42:39.359
<v Speaker 2>also very much correct about this right totally. After the war,

0:42:39.440 --> 0:42:42.319
<v Speaker 2>he would be accused by the California State Senate's far

0:42:42.440 --> 0:42:45.719
<v Speaker 2>right Committee on un American Activities for being Joe Stalin's

0:42:45.719 --> 0:42:50.239
<v Speaker 2>California mouthpiece, which wasn't one point true, but also for

0:42:50.280 --> 0:42:54.520
<v Speaker 2>being a member of a factionalist sabotage group, which was absurd.

0:42:54.800 --> 0:42:57.279
<v Speaker 2>What he never sought or attempted to do anything but

0:42:57.360 --> 0:43:00.560
<v Speaker 2>sing songs and write articles for socialist papers. He was

0:43:00.600 --> 0:43:02.080
<v Speaker 2>not sabotaging anything.

0:43:02.440 --> 0:43:04.120
<v Speaker 3>I'm a feeling the reason he didn't get a card

0:43:04.239 --> 0:43:05.360
<v Speaker 3>is he was like, I don't want to be on

0:43:05.360 --> 0:43:06.120
<v Speaker 3>that list.

0:43:06.480 --> 0:43:09.000
<v Speaker 2>Yeah. Maybe, yeah, I mean that may have been at

0:43:09.200 --> 0:43:11.040
<v Speaker 2>I think he also just might have been too lazy.

0:43:11.360 --> 0:43:13.200
<v Speaker 3>Yeah, I didn't want to pay the thiees whatever.

0:43:13.320 --> 0:43:16.719
<v Speaker 2>He's an artist, he's not good at signing papers.

0:43:16.920 --> 0:43:17.920
<v Speaker 3>Yeah.

0:43:18.000 --> 0:43:20.960
<v Speaker 2>Marjorie Guthrie, who is his second wife, he starts a

0:43:21.000 --> 0:43:23.840
<v Speaker 2>family with her after he divorces his first wife Mary

0:43:23.960 --> 0:43:26.959
<v Speaker 2>and moves to Coney Island, sums things up this way.

0:43:27.480 --> 0:43:30.040
<v Speaker 2>I don't know what happened prior to my time, but

0:43:30.080 --> 0:43:32.720
<v Speaker 2>from my time in Coney Island he was not welcomed

0:43:32.800 --> 0:43:34.719
<v Speaker 2>by the party because he didn't want to follow a

0:43:34.760 --> 0:43:37.640
<v Speaker 2>party line. You couldn't tell Woody what to think, and

0:43:37.719 --> 0:43:40.160
<v Speaker 2>so we were not members of the party in Coney Island.

0:43:40.600 --> 0:43:43.680
<v Speaker 2>And again I include that because she was his wife,

0:43:43.719 --> 0:43:47.319
<v Speaker 2>she knew him. But also that isn't entirely true, because

0:43:47.320 --> 0:43:49.800
<v Speaker 2>he certainly followed the party line on some very fucked

0:43:49.880 --> 0:43:50.360
<v Speaker 2>up things.

0:43:50.680 --> 0:43:53.279
<v Speaker 3>But actually that's still like even when we talk about

0:43:53.280 --> 0:43:55.840
<v Speaker 3>the way that people have arcs, right, one of the

0:43:55.880 --> 0:43:57.239
<v Speaker 3>things I've read a lot. I've read a lot about

0:43:57.239 --> 0:44:00.480
<v Speaker 3>the UK Communists at this era where a lot of

0:44:00.480 --> 0:44:03.440
<v Speaker 3>the Communists left the Communist Party once they realized that

0:44:03.440 --> 0:44:05.720
<v Speaker 3>they were just being mouthpieces for Stalin.

0:44:06.400 --> 0:44:09.080
<v Speaker 2>You know, yeah, yeah, I mean, and again, there is

0:44:09.120 --> 0:44:12.680
<v Speaker 2>a degree to which the fact that there's so much

0:44:12.719 --> 0:44:15.560
<v Speaker 2>disinformation being pumped out about the Soviet and there's so

0:44:15.640 --> 0:44:19.200
<v Speaker 2>much bad like its certainly more reasonable then for someone

0:44:19.239 --> 0:44:21.799
<v Speaker 2>to doubt a lot of the official narratives coming out

0:44:21.800 --> 0:44:23.560
<v Speaker 2>and to doubt a lot of the information that makes

0:44:23.560 --> 0:44:27.000
<v Speaker 2>Stalin look bad from their position in the United States.

0:44:27.280 --> 0:44:30.960
<v Speaker 2>Right again, I think enough that a man is obviously intelligent,

0:44:31.000 --> 0:44:35.400
<v Speaker 2>as Woody should have been better informed. But he's not

0:44:35.440 --> 0:44:37.360
<v Speaker 2>the only one who makes this mistake and it's a

0:44:37.680 --> 0:44:40.120
<v Speaker 2>more understandable mistake then than it is now. As what

0:44:40.239 --> 0:44:45.480
<v Speaker 2>I'll say, that's without forgiving it, you know. So, yeah, however,

0:44:45.560 --> 0:44:48.319
<v Speaker 2>you want to mark this down morally for Woody, his

0:44:48.560 --> 0:44:51.520
<v Speaker 2>U the US shouldn't be getting into this capitalist war.

0:44:51.600 --> 0:44:53.960
<v Speaker 2>They're all cooking this World War two thing up. That

0:44:54.080 --> 0:44:57.759
<v Speaker 2>attitude ends for Woody. On June twenty second, nineteen forty one,

0:44:57.840 --> 0:45:02.000
<v Speaker 2>when Nazi Germany invades the Soviet Union, this is Operation Barbarossa.

0:45:02.520 --> 0:45:05.319
<v Speaker 2>Would he ran to his friend Pete Seeger after this

0:45:05.880 --> 0:45:08.400
<v Speaker 2>like breaks and told him, well, I guess we're not

0:45:08.440 --> 0:45:10.600
<v Speaker 2>going to be singing any more of them peace songs.

0:45:16.400 --> 0:45:18.680
<v Speaker 2>Woody was not the only man forced to change his

0:45:18.680 --> 0:45:20.520
<v Speaker 2>tune rapidly due to world events.

0:45:20.600 --> 0:45:24.320
<v Speaker 3>Winston Churchill anyway, yeah, yeah, well done, well done.

0:45:24.920 --> 0:45:28.279
<v Speaker 2>Winston Churchill, who was one of the world's loudest anti communists,

0:45:28.560 --> 0:45:31.719
<v Speaker 2>was forced by sheer necessity to make temporary amends and

0:45:31.800 --> 0:45:35.080
<v Speaker 2>even express support for the cause of Soviet soldiers. When

0:45:35.120 --> 0:45:38.200
<v Speaker 2>Woody heard this, he told a friend Churchill's flip flopped.

0:45:38.239 --> 0:45:45.360
<v Speaker 2>We got a flip flop too. You know who doesn't

0:45:45.360 --> 0:45:46.440
<v Speaker 2>flip flop though, Margaret.

0:45:46.880 --> 0:45:51.239
<v Speaker 3>The consistency with which our sponsors, yes, high quality goods

0:45:51.280 --> 0:45:51.960
<v Speaker 3>and services.

0:45:52.080 --> 0:45:55.240
<v Speaker 2>That's right, that's right. Our sponsors have never once changed

0:45:55.280 --> 0:45:59.359
<v Speaker 2>their opinion, which is why today, tomorrow and forever they

0:45:59.400 --> 0:46:05.480
<v Speaker 2>advise you to vote Millard Fillmore for president. We're back.

0:46:05.520 --> 0:46:09.640
<v Speaker 2>Our sponsors are all old hair tonics from the eighteen hundreds. Anyway,

0:46:09.760 --> 0:46:12.239
<v Speaker 2>vote Fillmore. Much of the Woody that we know, the

0:46:12.280 --> 0:46:15.000
<v Speaker 2>famous Woody Guthrie. You know, you brought up as soon

0:46:15.000 --> 0:46:16.160
<v Speaker 2>as I said what do you know of him? That

0:46:16.640 --> 0:46:18.400
<v Speaker 2>the picture of him with a guitar, that has a

0:46:18.480 --> 0:46:21.080
<v Speaker 2>this machine kills fascist sticker slapped across it.

0:46:21.280 --> 0:46:21.600
<v Speaker 3>Yeah.

0:46:21.680 --> 0:46:23.799
<v Speaker 2>By the way, that sticker was like put out by

0:46:23.800 --> 0:46:24.640
<v Speaker 2>the US government.

0:46:24.800 --> 0:46:26.560
<v Speaker 3>Huh that makes sense.

0:46:26.880 --> 0:46:28.879
<v Speaker 2>Yeah, it was a proper game, strange bedfilm and piece

0:46:28.920 --> 0:46:30.920
<v Speaker 2>of prop. There were a lot of machines we were

0:46:31.000 --> 0:46:33.640
<v Speaker 2>using to kill fascists, perfectly and reasonable to put some

0:46:33.719 --> 0:46:34.200
<v Speaker 2>stickers on.

0:46:34.640 --> 0:46:37.880
<v Speaker 3>Wait did they Oh that was like a the government

0:46:38.000 --> 0:46:40.480
<v Speaker 3>was putting that on machines to raise morale. And he

0:46:40.520 --> 0:46:42.040
<v Speaker 3>took one of those and was like, I'm putting this

0:46:42.120 --> 0:46:42.640
<v Speaker 3>on my guitar.

0:46:42.760 --> 0:46:44.319
<v Speaker 2>I think it's something like that. I read it in

0:46:44.320 --> 0:46:46.279
<v Speaker 2>that article and I think La Weekly by the fellow

0:46:46.280 --> 0:46:48.759
<v Speaker 2>who was writing about like Woody's history with racism, was

0:46:48.760 --> 0:46:50.560
<v Speaker 2>like this, you know, this thing was like a product

0:46:50.600 --> 0:46:51.520
<v Speaker 2>of the government that he has.

0:46:51.600 --> 0:46:53.920
<v Speaker 3>That makes so much sense. I never quite understood that.

0:46:53.960 --> 0:46:56.440
<v Speaker 3>I always really liked though, when people carve into their ak's,

0:46:56.480 --> 0:46:58.640
<v Speaker 3>wouldn't stock this machine makes folk music?

0:47:01.120 --> 0:47:03.560
<v Speaker 2>Yeah, there's been some good ones of that coming out

0:47:03.600 --> 0:47:04.040
<v Speaker 2>of Syria.

0:47:04.120 --> 0:47:05.200
<v Speaker 3>Yeah.

0:47:05.239 --> 0:47:08.040
<v Speaker 2>So he changes his opinion very rapidly, and once the

0:47:08.120 --> 0:47:11.600
<v Speaker 2>Nazis invade the USSR, he starts getting much more patriotic.

0:47:11.880 --> 0:47:14.759
<v Speaker 2>And again he had been making anti Nazi music and

0:47:14.800 --> 0:47:18.279
<v Speaker 2>been anti Nazi prior to this. And if you're saying, well,

0:47:18.280 --> 0:47:20.560
<v Speaker 2>that's incoherent for him to be against the war, and

0:47:20.640 --> 0:47:24.840
<v Speaker 2>you know whatnot, Yes, lots of people have incoherent politics,

0:47:25.239 --> 0:47:28.719
<v Speaker 2>but his politics get a lot more cohesive after Operation Barbarossa.

0:47:29.000 --> 0:47:32.040
<v Speaker 2>An article for Oklahoma History dot Org notes in New York,

0:47:32.080 --> 0:47:35.160
<v Speaker 2>he appeared on numerous popular radio shows before joining the

0:47:35.200 --> 0:47:38.800
<v Speaker 2>Merchant Marines with Cisco Houston. During World War Two, Guthrie

0:47:38.840 --> 0:47:42.080
<v Speaker 2>was on three torpedoed ships and the day Germany surrendered,

0:47:42.120 --> 0:47:43.800
<v Speaker 2>he was drafted into the US Army.

0:47:44.360 --> 0:47:46.640
<v Speaker 3>Like he was on ships that were hit by torpedes three.

0:47:47.280 --> 0:47:50.160
<v Speaker 2>Is and the Merchant Marine is effectively a part of

0:47:50.239 --> 0:47:54.480
<v Speaker 2>the military during a war. Right, he is a combat veteran. Yeah,

0:47:54.520 --> 0:47:57.160
<v Speaker 2>you know, like that's like he's on three ships that

0:47:57.200 --> 0:47:57.560
<v Speaker 2>get hit.

0:47:57.760 --> 0:47:57.960
<v Speaker 3>Yeah.

0:47:58.000 --> 0:48:00.000
<v Speaker 2>Now he's not in the army very long. It basically

0:48:00.080 --> 0:48:02.480
<v Speaker 2>immediately gets out because the war ends. But yeah, he

0:48:02.520 --> 0:48:05.080
<v Speaker 2>does like his bit, you know, he is not when

0:48:05.120 --> 0:48:07.120
<v Speaker 2>we play songs of his where he's talking about wanting

0:48:07.160 --> 0:48:09.520
<v Speaker 2>to fight the fascists, he goes and does it. You know,

0:48:10.160 --> 0:48:13.120
<v Speaker 2>he is doing an important, dangerous job where he gets

0:48:13.120 --> 0:48:15.160
<v Speaker 2>shot at so you cannot. Yeah, he's very willing to

0:48:15.160 --> 0:48:16.040
<v Speaker 2>put his skin in the game.

0:48:16.160 --> 0:48:18.680
<v Speaker 3>Yeah, one blown up ship. If you quit after one

0:48:18.680 --> 0:48:21.399
<v Speaker 3>blown up ship, no one's mad you did.

0:48:21.680 --> 0:48:25.359
<v Speaker 2>Nobody will call you a coward. Yeah, I don't know that. Yeah.

0:48:25.400 --> 0:48:27.840
<v Speaker 2>And so, from late nineteen forty one to the end

0:48:27.880 --> 0:48:31.440
<v Speaker 2>of the war, Woody Guthrie wrote several iconic anti fascist anthems,

0:48:31.480 --> 0:48:35.160
<v Speaker 2>including Ruben James, about a US destroyer that was torpedoed

0:48:35.200 --> 0:48:38.200
<v Speaker 2>and sunk by the Nazis in nineteen forty one. As

0:48:38.239 --> 0:48:40.680
<v Speaker 2>you might expect from Woody and the kind of songs

0:48:40.680 --> 0:48:44.040
<v Speaker 2>he wrote, this song focused on the lives and deaths

0:48:44.080 --> 0:48:47.279
<v Speaker 2>of normal men at war. The refrain went, tell me

0:48:47.360 --> 0:48:49.600
<v Speaker 2>what was their names? Tell me what was their names?

0:48:49.640 --> 0:48:52.040
<v Speaker 2>Did you have a friend on that? Good Ruben James.

0:48:52.320 --> 0:48:54.160
<v Speaker 2>It's a good song. But if you want my personal

0:48:54.200 --> 0:48:58.600
<v Speaker 2>favorite war years Woody Guthrie song, nothing beats this particular banger,

0:48:58.680 --> 0:49:01.760
<v Speaker 2>soph He's gonna put it up now for the very boil.

0:49:01.800 --> 0:49:04.720
<v Speaker 4>We'll show these fascist what a couple of hill billies

0:49:04.800 --> 0:49:17.400
<v Speaker 4>can do. Wow.

0:49:18.640 --> 0:49:22.840
<v Speaker 6>Well, I'm gonna tell you, fascist, you may be surprised

0:49:23.400 --> 0:49:27.000
<v Speaker 6>people in this world are getting organized.

0:49:27.080 --> 0:49:30.200
<v Speaker 4>You're bound to lose you Fascist, Found.

0:49:29.840 --> 0:49:40.359
<v Speaker 5>To lose WHOA all you Fascist? Last, all you Fascist? Yes,

0:49:40.880 --> 0:49:52.040
<v Speaker 5>all fascist? Bound you fascist. There's people of every nation marchings.

0:49:52.120 --> 0:49:56.000
<v Speaker 6>Find the side marching across the hills where a many

0:49:56.000 --> 0:49:57.000
<v Speaker 6>of fascists died.

0:49:57.080 --> 0:49:59.840
<v Speaker 4>You're bound to lose you Fascist. Bound to.

0:50:06.120 --> 0:50:37.560
<v Speaker 7>Ah banger music.

0:50:37.960 --> 0:50:38.560
<v Speaker 3>It's so good.

0:50:39.239 --> 0:50:40.080
<v Speaker 2>It's a real banger.

0:50:40.160 --> 0:50:41.320
<v Speaker 1>I enjoyed that immensely.

0:50:41.760 --> 0:50:44.480
<v Speaker 2>Yeah, one of my favorites. So near the end of

0:50:44.520 --> 0:50:48.240
<v Speaker 2>Woody's wartime experiences, he would record the first official version

0:50:48.239 --> 0:50:50.360
<v Speaker 2>of a song that he'd been working on since nineteen

0:50:50.480 --> 0:50:53.560
<v Speaker 2>forty This Land Is Your Land, which would go on

0:50:53.600 --> 0:50:56.520
<v Speaker 2>to be undoubtedly his most famous work of music. It

0:50:56.600 --> 0:50:59.759
<v Speaker 2>is definitely the one Woody Guthrie song everyone's fucking heard like.

0:50:59.800 --> 0:51:02.560
<v Speaker 2>You can't get through school without hearing this Land is

0:51:02.600 --> 0:51:03.080
<v Speaker 2>Your Land.

0:51:03.480 --> 0:51:04.640
<v Speaker 3>So easily recuperated.

0:51:05.239 --> 0:51:08.120
<v Speaker 2>Yes, And in the decades since nineteen forty four, it's

0:51:08.120 --> 0:51:10.600
<v Speaker 2>also been criticized for what many people interpret as an

0:51:10.600 --> 0:51:14.000
<v Speaker 2>air of imperialism and support for manifest destiny, which is

0:51:14.120 --> 0:51:16.759
<v Speaker 2>definitely present in the version of the song that is

0:51:16.800 --> 0:51:20.320
<v Speaker 2>commonly sung. Given this, I think it's interesting to actually

0:51:20.400 --> 0:51:23.480
<v Speaker 2>look into why wood he wrote the song and what

0:51:23.800 --> 0:51:27.200
<v Speaker 2>its original lyrics were This Land is Your Land was

0:51:27.280 --> 0:51:30.800
<v Speaker 2>initially something of a folk music dis track. It was

0:51:30.840 --> 0:51:34.640
<v Speaker 2>a response to Irving Berlin's God Bless America. This is

0:51:34.680 --> 0:51:37.760
<v Speaker 2>a song Berlin wrote in nineteen eighteen, after being drafted

0:51:37.800 --> 0:51:40.200
<v Speaker 2>and re released in nineteen forty one, is something of

0:51:40.239 --> 0:51:43.120
<v Speaker 2>a cash grap The lyrics if you aren't familiar, go

0:51:43.320 --> 0:51:46.800
<v Speaker 2>like this, God bless America, Land that I love, Stand

0:51:46.840 --> 0:51:48.759
<v Speaker 2>beside her and guide her through the night with a

0:51:48.840 --> 0:51:52.680
<v Speaker 2>light from above. Woody fucking hated this song, and it's

0:51:52.719 --> 0:51:55.719
<v Speaker 2>good he did because it's a fucking dogshit song. He

0:51:55.840 --> 0:51:58.200
<v Speaker 2>considered it far too sweet, a hymn for a nation

0:51:58.320 --> 0:52:00.400
<v Speaker 2>that had just sent millions of its citizen and do

0:52:00.440 --> 0:52:03.279
<v Speaker 2>a depression. This Land is Your Land was meant to

0:52:03.360 --> 0:52:07.319
<v Speaker 2>be a retort discussing the real America that Irving had

0:52:07.360 --> 0:52:11.400
<v Speaker 2>tried to conceal. The original title was God Bless America

0:52:11.560 --> 0:52:14.200
<v Speaker 2>for Me. Joe Riley writes of this first version of

0:52:14.200 --> 0:52:17.120
<v Speaker 2>the song, quote, it was more of a question than affirmation.

0:52:17.360 --> 0:52:20.800
<v Speaker 2>In fact, it was a sarcastic retort. Woody later changed

0:52:20.800 --> 0:52:23.600
<v Speaker 2>the refrain to this land was made for you and me,

0:52:24.040 --> 0:52:26.680
<v Speaker 2>and the song to this Land is Your Land the

0:52:26.800 --> 0:52:29.480
<v Speaker 2>verses he ultimately emitted from the final draft of the

0:52:29.520 --> 0:52:32.920
<v Speaker 2>song include this banger there was a big high wall

0:52:32.960 --> 0:52:35.440
<v Speaker 2>there that tried to stop me. The sign was painted

0:52:35.560 --> 0:52:39.040
<v Speaker 2>said private property, but on the backside it didn't say nothing.

0:52:39.360 --> 0:52:41.759
<v Speaker 2>This land was made for you and me, and the

0:52:41.800 --> 0:52:44.160
<v Speaker 2>squares of the city and the shadow of the steeple

0:52:44.320 --> 0:52:47.200
<v Speaker 2>near the relief office. I see my people, and some

0:52:47.280 --> 0:52:49.879
<v Speaker 2>are a grumblin and some are wondering if this land

0:52:50.040 --> 0:52:54.040
<v Speaker 2>still made for you and me. And that's a banger

0:52:54.120 --> 0:52:56.680
<v Speaker 2>that's very much not an imperialist song. That's more him

0:52:56.760 --> 0:53:00.279
<v Speaker 2>talking about like this, the people that this country to

0:53:00.360 --> 0:53:03.080
<v Speaker 2>be four are the ones being harmed by the system

0:53:03.200 --> 0:53:06.560
<v Speaker 2>that governs it, right, Like that's the original point of

0:53:06.600 --> 0:53:10.279
<v Speaker 2>the song, that said, this is not a case of

0:53:10.320 --> 0:53:13.560
<v Speaker 2>it being recuperated by someone else who changes the lyrics

0:53:13.560 --> 0:53:15.359
<v Speaker 2>because they'd think that they can tweak it. They don't

0:53:15.400 --> 0:53:19.319
<v Speaker 2>like Woody's original version. Woody changes it right, and he

0:53:19.440 --> 0:53:22.240
<v Speaker 2>changes it. He removes that verse about the relief office

0:53:22.320 --> 0:53:25.240
<v Speaker 2>because late in the war he decided it was too pessimistic,

0:53:25.640 --> 0:53:28.080
<v Speaker 2>and he replaces it with lines like from the redwood

0:53:28.120 --> 0:53:30.759
<v Speaker 2>forest to the Gulf stream waters, this land was made

0:53:30.800 --> 0:53:33.160
<v Speaker 2>for you and me, which is not all that different

0:53:33.200 --> 0:53:35.480
<v Speaker 2>from like some of the stuff Irving had been. Totally right,

0:53:36.480 --> 0:53:39.000
<v Speaker 2>The song becomes a massive hit. It is practically a

0:53:39.040 --> 0:53:42.200
<v Speaker 2>new national anthem, and Woody does not initially bother to

0:53:42.239 --> 0:53:44.480
<v Speaker 2>copyright it because this is you know, that's not uncommon

0:53:44.520 --> 0:53:48.160
<v Speaker 2>for him, right, He generally neglected to do that. Alas

0:53:48.239 --> 0:53:51.839
<v Speaker 2>for Woody, the post war optimism faded quickly, I mean,

0:53:51.840 --> 0:53:54.880
<v Speaker 2>and it so the first horrible thing that happens to

0:53:54.880 --> 0:53:57.800
<v Speaker 2>Woody after the war, because things go downhill for him quickly.

0:53:58.400 --> 0:54:01.960
<v Speaker 2>In February of nineteen four, there is an electrical fire

0:54:02.040 --> 0:54:04.800
<v Speaker 2>in his home and his little girl, Kathy Ann dies.

0:54:04.880 --> 0:54:08.000
<v Speaker 2>Oh god, he has bad luck with fire, Like I said,

0:54:08.320 --> 0:54:11.120
<v Speaker 2>he a horrible luck with fire. Now he and Marjorie

0:54:11.120 --> 0:54:15.000
<v Speaker 2>have three other kids. But yeah, like that's obviously really

0:54:15.040 --> 0:54:17.560
<v Speaker 2>fucks him up. And like that same year forty seven,

0:54:17.600 --> 0:54:19.920
<v Speaker 2>and then in forty eight he gets repeatedly attacked as

0:54:19.920 --> 0:54:22.520
<v Speaker 2>a communist, both in the State Committee of un American

0:54:22.560 --> 0:54:25.840
<v Speaker 2>Activities in California and in the House of Representatives Committee

0:54:25.880 --> 0:54:29.279
<v Speaker 2>on American Activities. Now they were attacking him for being

0:54:29.360 --> 0:54:32.320
<v Speaker 2>a communist, and he was, but he was not an American.

0:54:32.520 --> 0:54:35.319
<v Speaker 2>No one was more American than Wood. He fucking Guthrie right.

0:54:35.480 --> 0:54:37.959
<v Speaker 2>He suffers as a result of this, he gets blacklisted.

0:54:38.080 --> 0:54:40.960
<v Speaker 2>He had written an autobiographical novel at this point called

0:54:41.000 --> 0:54:43.600
<v Speaker 2>Bound for Glory that had been set to be turned

0:54:43.600 --> 0:54:46.880
<v Speaker 2>into a major Hollywood production, but that deal and others

0:54:47.000 --> 0:54:49.920
<v Speaker 2>like it, fell apart as unions were forced to take

0:54:49.960 --> 0:54:53.399
<v Speaker 2>anti communist stances in this new, more paranoid era. Wood

0:54:53.440 --> 0:54:55.759
<v Speaker 2>he stopped getting hired to play the events that had

0:54:55.840 --> 0:54:59.480
<v Speaker 2>largely supplemented his income, rather than fold as many did

0:55:00.000 --> 0:55:02.799
<v Speaker 2>ounce the things that he believed would. He spoke out

0:55:02.840 --> 0:55:06.520
<v Speaker 2>constantly against j Edgar Hoover, writing at one point quote

0:55:06.640 --> 0:55:09.480
<v Speaker 2>the roaches crawl across my page tonight and make a

0:55:09.520 --> 0:55:12.120
<v Speaker 2>noise that makes more sense than all that. Hoover writes,

0:55:13.880 --> 0:55:19.480
<v Speaker 2>He's a good bar. He became less dogmatic on the

0:55:19.480 --> 0:55:22.400
<v Speaker 2>Moscow line as well, although he never stops being a communist.

0:55:22.480 --> 0:55:24.359
<v Speaker 2>He starts writing that his goal was to quote get

0:55:24.400 --> 0:55:27.279
<v Speaker 2>this thing called socialism nailed and hammered up just as

0:55:27.360 --> 0:55:31.000
<v Speaker 2>quickly as he can, and praises Eugene V. Debs, former

0:55:31.080 --> 0:55:33.960
<v Speaker 2>chairman of the Socialist Party, as quote a peer cross

0:55:34.000 --> 0:55:37.560
<v Speaker 2>between Jesus Christ and Abe Lincoln, which again is not

0:55:37.600 --> 0:55:41.280
<v Speaker 2>really something that the Moscow Party once, you say. Despite

0:55:41.320 --> 0:55:44.080
<v Speaker 2>the consequences to his career, he continues to seek and

0:55:44.160 --> 0:55:48.920
<v Speaker 2>sing his mind. Quote. Fascism is being afraid. Fascism is

0:55:49.000 --> 0:55:52.160
<v Speaker 2>fear bossing you. Fascism is worse than all of these things.

0:55:52.239 --> 0:55:54.359
<v Speaker 2>And fascism is more closer to you than I can

0:55:54.400 --> 0:55:56.719
<v Speaker 2>make you. See, I'm trying to wake you up and

0:55:56.800 --> 0:55:59.279
<v Speaker 2>tell you that you're sleeping with something ten times more

0:55:59.360 --> 0:56:01.920
<v Speaker 2>dangerous thing and a poison fang snake in your bed.

0:56:02.360 --> 0:56:04.600
<v Speaker 2>If fascism does come, and if it does kill me,

0:56:04.680 --> 0:56:07.000
<v Speaker 2>well then you add me alone onto the hundreds of

0:56:07.080 --> 0:56:10.360
<v Speaker 2>millions which fascism has already dusted under. And it don't

0:56:10.360 --> 0:56:11.600
<v Speaker 2>scare me so very much.

0:56:12.480 --> 0:56:13.320
<v Speaker 3>That rules.

0:56:14.040 --> 0:56:15.200
<v Speaker 2>Yeah, like good line.

0:56:15.640 --> 0:56:18.600
<v Speaker 3>All right, it might kill me, it's killed millions of

0:56:18.600 --> 0:56:21.240
<v Speaker 3>people before, so it will be in good company.

0:56:21.600 --> 0:56:21.960
<v Speaker 5>Yeah.

0:56:22.040 --> 0:56:25.000
<v Speaker 3>Yeah, yeah, that's hard. I like that.

0:56:25.200 --> 0:56:28.719
<v Speaker 2>Yep, that's hard. And this is, unfortunately, Margaret, where the

0:56:28.760 --> 0:56:29.959
<v Speaker 2>story gets awkward again.

0:56:30.080 --> 0:56:32.920
<v Speaker 3>No, is he gonna heel turn again? He keeps dancing.

0:56:33.320 --> 0:56:36.920
<v Speaker 2>It's more complicated than a heel turn. He's about to

0:56:36.960 --> 0:56:42.480
<v Speaker 2>do a bad thing. There's a mitigating factor that's pretty significant. Okay, okay,

0:56:42.760 --> 0:56:45.759
<v Speaker 2>but it's a pretty bad thing. Woody is at this

0:56:45.880 --> 0:56:48.120
<v Speaker 2>point and always on the verge of being broke, but

0:56:48.160 --> 0:56:50.759
<v Speaker 2>also a famous and influential musician. And we know what

0:56:50.880 --> 0:56:53.600
<v Speaker 2>comes with that, right, which is the temptation to be

0:56:53.640 --> 0:56:54.399
<v Speaker 2>a sex pest.

0:56:54.520 --> 0:56:55.640
<v Speaker 3>Yeah.

0:56:55.719 --> 0:56:59.760
<v Speaker 2>Yeah, And you know Woody does not commit like rape,

0:57:00.080 --> 0:57:03.200
<v Speaker 2>but he does sexually harass someone very badly. And this

0:57:03.280 --> 0:57:05.239
<v Speaker 2>is a very ugly story. The gist of it is

0:57:05.239 --> 0:57:08.239
<v Speaker 2>that things with his second wife, Marjorie go downhill as

0:57:08.280 --> 0:57:11.120
<v Speaker 2>his career does. She is the family money maker. She

0:57:11.160 --> 0:57:13.960
<v Speaker 2>actually makes a very good living teaching dancing. She's an

0:57:14.040 --> 0:57:17.640
<v Speaker 2>extremely accomplished dancer, and his career is not doing well.

0:57:17.680 --> 0:57:20.480
<v Speaker 2>This leads to fighting, and Woody eventually moves out in

0:57:20.600 --> 0:57:23.680
<v Speaker 2>Rinse a room for himself. He starts writing letters to

0:57:23.720 --> 0:57:27.600
<v Speaker 2>his old music partner, Lefty Loo's sister. She is twenty

0:57:27.640 --> 0:57:29.880
<v Speaker 2>eight years old he is thirty six, so they're not

0:57:30.000 --> 0:57:32.960
<v Speaker 2>like crazy far apart. But the bigger issue is she

0:57:33.120 --> 0:57:36.120
<v Speaker 2>had never insinuated that she was into him, right, he

0:57:36.240 --> 0:57:38.760
<v Speaker 2>is just writing her letters about wanting to fuck her

0:57:39.240 --> 0:57:40.400
<v Speaker 2>apropos of nothing.

0:57:40.480 --> 0:57:41.360
<v Speaker 3>Oh fuck uh huh.

0:57:41.560 --> 0:57:43.880
<v Speaker 2>Now, wood he had just kind of assumed that because

0:57:43.920 --> 0:57:46.320
<v Speaker 2>she like they knew each other, right, they were like friendly,

0:57:46.920 --> 0:57:49.480
<v Speaker 2>But she gets divorced, and he just kind of assumes,

0:57:49.720 --> 0:57:52.280
<v Speaker 2>while I'm getting divorced too, that must mean she wants

0:57:52.320 --> 0:57:54.800
<v Speaker 2>to fuck, right, and his letters to her take on

0:57:54.880 --> 0:57:57.640
<v Speaker 2>an air of obsession. He writes at least twelve long

0:57:57.720 --> 0:58:01.000
<v Speaker 2>letters suggesting they move out together, hit the road, and

0:58:01.120 --> 0:58:05.320
<v Speaker 2>start having sex. These letters include long, rambling descriptions of

0:58:05.360 --> 0:58:07.840
<v Speaker 2>the kinds of sex, what he wanted to have, and more.

0:58:07.960 --> 0:58:10.520
<v Speaker 2>And I'm going to quote from ramblin Man here. Into

0:58:10.560 --> 0:58:13.840
<v Speaker 2>the envelopes Guthrie stuffed pages torn from New York's tabloids

0:58:13.880 --> 0:58:17.400
<v Speaker 2>with muddy magenta circle slathered around stories of grisly murders.

0:58:17.720 --> 0:58:20.479
<v Speaker 2>The packets, sometimes two or three a week, frightened Mary

0:58:20.560 --> 0:58:23.760
<v Speaker 2>Ruth by their intensity, the sexual proposals, and the suggestion

0:58:23.880 --> 0:58:26.400
<v Speaker 2>of violence. She drove to Los Angeles to show them

0:58:26.400 --> 0:58:28.760
<v Speaker 2>to her sister, who knew Guthrie best of all. You

0:58:28.840 --> 0:58:31.360
<v Speaker 2>have no idea how horrible it was, her older sister,

0:58:31.440 --> 0:58:35.680
<v Speaker 2>Maxine said. She in turn called the police. Now the

0:58:35.720 --> 0:58:38.040
<v Speaker 2>police get involved because they think Woody might be a

0:58:38.080 --> 0:58:40.520
<v Speaker 2>budding serial killer, and given the kind of stuff he's

0:58:40.520 --> 0:58:44.360
<v Speaker 2>sending not an unreasonable thing to be afraid of, and

0:58:44.440 --> 0:58:46.280
<v Speaker 2>given the fact that the FEDS are hounding him, I

0:58:46.280 --> 0:58:48.360
<v Speaker 2>get why Woody is like, this is them going after

0:58:48.400 --> 0:58:52.720
<v Speaker 2>me for my politics, but it really isn't. Yeah, he's

0:58:52.760 --> 0:58:57.360
<v Speaker 2>writing very upsetting things. Now there's another part to this

0:58:57.480 --> 0:58:59.760
<v Speaker 2>story which does not make the things he's writing less

0:58:59.760 --> 0:59:04.760
<v Speaker 2>fuck up or upsetting. But he is losing his mind. Okay,

0:59:04.800 --> 0:59:06.520
<v Speaker 2>he is losing his mind in a degree that is

0:59:06.640 --> 0:59:10.960
<v Speaker 2>very soon to be clinically diagnosed. Right in episode one,

0:59:11.080 --> 0:59:13.560
<v Speaker 2>I mentioned that Woody's mother went insane when he was

0:59:13.640 --> 0:59:16.160
<v Speaker 2>quite young and was institutionalized.

0:59:16.240 --> 0:59:16.400
<v Speaker 4>Right.

0:59:16.520 --> 0:59:19.000
<v Speaker 2>This traumatized him and at the time we didn't have

0:59:19.040 --> 0:59:21.160
<v Speaker 2>an explanation for what she was going for. They just

0:59:21.240 --> 0:59:24.480
<v Speaker 2>said madness. Right, we now know what she had because

0:59:24.520 --> 0:59:27.080
<v Speaker 2>Woody has it, and it's diagnosable by the time he

0:59:27.160 --> 0:59:31.720
<v Speaker 2>gets it, and it's called Huntington's disease. Yeah, his mom

0:59:31.760 --> 0:59:34.880
<v Speaker 2>and Woody gets it, and he is starting to suffer

0:59:34.960 --> 0:59:38.640
<v Speaker 2>the effects of Huntington's by the late forties. This is

0:59:38.720 --> 0:59:43.360
<v Speaker 2>a neurodegenerative disorder that Huntington's Disease News describes as characterized

0:59:43.360 --> 0:59:47.960
<v Speaker 2>by uncontrolled movements, loss of cognitive ability and psychiatric problems.

0:59:48.480 --> 0:59:52.439
<v Speaker 2>The middle stages of the illness are associated with psychosis.

0:59:52.480 --> 0:59:55.800
<v Speaker 2>Some patients experienced delusions which they tend to be convinced

0:59:55.880 --> 0:59:58.120
<v Speaker 2>are accurate. And it also comes with these like sort

0:59:58.120 --> 1:00:01.560
<v Speaker 2>of obsessive delusions, right, which might explain the whole him

1:00:01.680 --> 1:00:04.560
<v Speaker 2>thinking that this was something that was reciprocated.

1:00:04.680 --> 1:00:06.640
<v Speaker 3>Right, So this isn't a heel turn. This is just

1:00:06.680 --> 1:00:07.440
<v Speaker 3>a degeneration.

1:00:07.680 --> 1:00:11.439
<v Speaker 2>This is just a this is a very tragic degeneration, right,

1:00:11.760 --> 1:00:13.600
<v Speaker 2>you know, I don't know how again you want to

1:00:13.600 --> 1:00:15.840
<v Speaker 2>parse it up morally, but like he is diagnosed, like

1:00:15.880 --> 1:00:17.920
<v Speaker 2>he is losing his mind. He is going to spend

1:00:17.960 --> 1:00:19.840
<v Speaker 2>most of the rest of his life in an institution.

1:00:20.360 --> 1:00:22.000
<v Speaker 2>So this is not just a case of like a

1:00:22.080 --> 1:00:24.800
<v Speaker 2>powerful man in music being a sex pest, right, totally

1:00:24.800 --> 1:00:27.840
<v Speaker 2>a man who was not like this before so far

1:00:27.880 --> 1:00:34.360
<v Speaker 2>as we know, absolutely declining in becoming like increasingly delusional.

1:00:33.920 --> 1:00:37.320
<v Speaker 3>And like Famous Man's sex pesting is fans say, famous

1:00:37.320 --> 1:00:40.280
<v Speaker 3>Man's sex pestiing is like or everyone in your orbit

1:00:40.360 --> 1:00:42.360
<v Speaker 3>you just assume they want to fuck you, which I

1:00:42.360 --> 1:00:45.480
<v Speaker 3>guess he's like doing to this. No, Yeah, the degeneration thing,

1:00:45.520 --> 1:00:46.280
<v Speaker 3>that just makes sense.

1:00:46.280 --> 1:00:48.560
<v Speaker 2>It's just yeah, he'd probably always had a crush on her,

1:00:48.600 --> 1:00:51.560
<v Speaker 2>and then this, like he becomes convinced that there is

1:00:51.560 --> 1:00:53.560
<v Speaker 2>something going on there that there's not right.

1:00:53.800 --> 1:00:55.200
<v Speaker 3>But the fact that it was out of the blue

1:00:55.200 --> 1:00:57.240
<v Speaker 3>to her means that he probably kept his fucking mouth

1:00:57.240 --> 1:00:58.760
<v Speaker 3>shut about the fact that he a crush on her.

1:00:58.840 --> 1:01:01.520
<v Speaker 2>One would assume, right, So it's not great. He has

1:01:01.560 --> 1:01:04.200
<v Speaker 2>ultimately charged in nineteen forty nine with sending him scene

1:01:04.200 --> 1:01:07.160
<v Speaker 2>material through the mail. He avoids prison time, but is

1:01:07.200 --> 1:01:09.920
<v Speaker 2>sentenced to therapy, and he and his therapist do not

1:01:10.000 --> 1:01:12.640
<v Speaker 2>have a good relationship. His therapist does not like him,

1:01:12.760 --> 1:01:15.640
<v Speaker 2>but he's not diagnosed with anything quite yet, so his

1:01:15.680 --> 1:01:18.240
<v Speaker 2>therapist is just like, he's kind of an asshole, which

1:01:18.280 --> 1:01:20.600
<v Speaker 2>I can't blame the therapist for because he's being an

1:01:20.640 --> 1:01:23.160
<v Speaker 2>asshole if you don't know the mitigating factor of the

1:01:23.200 --> 1:01:26.000
<v Speaker 2>family mental illness that destroyed his mother and is destroying

1:01:26.040 --> 1:01:29.680
<v Speaker 2>him Wood. He eventually refuses court mandated therapy, and his

1:01:29.840 --> 1:01:32.800
<v Speaker 2>lawyer manages to narrowly get him out of a six

1:01:32.840 --> 1:01:35.720
<v Speaker 2>month sentence. His lawyer who is at one of his shipmates. Right,

1:01:35.880 --> 1:01:38.040
<v Speaker 2>he and this guy are torpedo together, and this lawyer,

1:01:38.080 --> 1:01:39.680
<v Speaker 2>who's a very good friend who was like, I'm not

1:01:39.760 --> 1:01:43.720
<v Speaker 2>going to let my war buddy go to a fucking jail. Wood,

1:01:43.760 --> 1:01:46.760
<v Speaker 2>he was mostly angry when his sentence gets like cut off.

1:01:47.040 --> 1:01:49.000
<v Speaker 2>He's kind of pissed because he had been planning a

1:01:49.080 --> 1:01:51.680
<v Speaker 2>Christmas Eve show for the inmates that he doesn't get

1:01:51.720 --> 1:01:54.120
<v Speaker 2>to do now, So there's still that piece of him

1:01:54.160 --> 1:01:54.560
<v Speaker 2>in there.

1:01:54.640 --> 1:01:54.880
<v Speaker 4>Right.

1:01:55.400 --> 1:01:57.920
<v Speaker 2>By the mid nineteen fifties, Wood, he was disabled with

1:01:58.000 --> 1:02:01.440
<v Speaker 2>Huntington's badly enough that his second wife, Marjorie, who again

1:02:01.520 --> 1:02:04.600
<v Speaker 2>he has separated from, had to take charge of his affairs.

1:02:04.680 --> 1:02:07.520
<v Speaker 2>And it does say something that this person who he

1:02:07.680 --> 1:02:11.520
<v Speaker 2>was not nice to at the end, had enough affection

1:02:11.680 --> 1:02:15.120
<v Speaker 2>for him still that she makes sure he's taken care of, right,

1:02:15.320 --> 1:02:18.200
<v Speaker 2>which included she registers a copyright for this Land is

1:02:18.240 --> 1:02:19.840
<v Speaker 2>Your Land for the first time, right, and for a

1:02:19.880 --> 1:02:22.520
<v Speaker 2>number of his other songs. And she's doing that because like,

1:02:22.960 --> 1:02:24.840
<v Speaker 2>we're going to need some way of taking care of him,

1:02:25.240 --> 1:02:27.840
<v Speaker 2>you know, And this makes sense, right. One of the

1:02:28.200 --> 1:02:30.360
<v Speaker 2>fun side effects of this is that his family is

1:02:30.400 --> 1:02:32.840
<v Speaker 2>going to wind up in a lawsuit with Donald Trump

1:02:32.880 --> 1:02:35.439
<v Speaker 2>about this Land is Your Land because Trump kept trying

1:02:35.480 --> 1:02:38.120
<v Speaker 2>to play it. It is now in the public domain

1:02:38.240 --> 1:02:41.400
<v Speaker 2>but it wasn't for a while. So that same year,

1:02:41.640 --> 1:02:45.600
<v Speaker 2>in nineteen fifty six, he was involuntarily committed to Greystone Park,

1:02:45.880 --> 1:02:49.080
<v Speaker 2>a New Jersey mental institution. Over the next five years,

1:02:49.120 --> 1:02:51.920
<v Speaker 2>he lost the ability to play music or even to type.

1:02:52.600 --> 1:02:56.120
<v Speaker 2>But and again this really says something about the amount

1:02:56.160 --> 1:02:57.640
<v Speaker 2>of love there was still for him. He is not

1:02:57.840 --> 1:03:01.480
<v Speaker 2>cut off or alone. His family visits him regularly. They

1:03:01.560 --> 1:03:03.600
<v Speaker 2>take him out and he stays with them for weekends

1:03:03.640 --> 1:03:06.640
<v Speaker 2>and holidays. He's taken out and you know, taken to

1:03:06.680 --> 1:03:09.480
<v Speaker 2>shows and trips by his friends and by fellow artists.

1:03:10.200 --> 1:03:13.200
<v Speaker 2>Bob Dylan, who at this point is not particularly famous,

1:03:13.240 --> 1:03:16.240
<v Speaker 2>starts visiting Woody at the asylum in nineteen sixty one,

1:03:16.880 --> 1:03:20.120
<v Speaker 2>and Dylan starts working with other performers over the sixties.

1:03:20.360 --> 1:03:22.800
<v Speaker 2>They like, they play shows. They take Woody to some

1:03:22.840 --> 1:03:24.800
<v Speaker 2>of these shows where they're playing his music to this

1:03:24.920 --> 1:03:29.560
<v Speaker 2>new generation of newly radicalized Americans. And Woody lives long

1:03:29.640 --> 1:03:31.880
<v Speaker 2>enough to see his music honored and it's like sold

1:03:31.920 --> 1:03:34.200
<v Speaker 2>out shows by some of the you know, by fucking

1:03:34.200 --> 1:03:36.320
<v Speaker 2>Bob Dylan, some of the most beloved up and coming

1:03:36.400 --> 1:03:40.400
<v Speaker 2>musicians of the sixties. So he does go out knowing

1:03:40.480 --> 1:03:43.520
<v Speaker 2>that his music doesn't just live on, but is like

1:03:43.960 --> 1:03:46.560
<v Speaker 2>influenced this new generation of people who are going to

1:03:46.600 --> 1:03:50.680
<v Speaker 2>become incredibly famous and influential musicians in their own right, which,

1:03:50.720 --> 1:03:52.960
<v Speaker 2>as far as being an artist goes, is about as

1:03:53.000 --> 1:03:53.920
<v Speaker 2>much as you can hope for.

1:03:54.480 --> 1:03:54.920
<v Speaker 3>Totally.

1:03:55.800 --> 1:03:56.720
<v Speaker 2>Yeah, especially for.

1:03:56.600 --> 1:03:59.200
<v Speaker 3>Someone who's at the kind of beginning, not the very

1:03:59.240 --> 1:04:02.520
<v Speaker 3>beginning of record music, but like pretty close to it.

1:04:02.640 --> 1:04:02.800
<v Speaker 1>Yeah.

1:04:02.880 --> 1:04:03.480
<v Speaker 3>Yeah.

1:04:03.560 --> 1:04:06.600
<v Speaker 2>He dies in October of nineteen sixty seven. At that

1:04:06.680 --> 1:04:09.240
<v Speaker 2>point he is unable to communicate by any means besides

1:04:09.280 --> 1:04:12.320
<v Speaker 2>pointing at cards that said yes or no. But he

1:04:12.440 --> 1:04:16.840
<v Speaker 2>left behind again, a pretty incredible legacy, two novels, hundreds

1:04:16.880 --> 1:04:19.520
<v Speaker 2>of articles, more than a thousand songs and poems, five

1:04:19.600 --> 1:04:22.680
<v Speaker 2>hundred illustrations, and a central role in the folk music

1:04:22.720 --> 1:04:26.840
<v Speaker 2>revival that changed American music forever. We've listened to a

1:04:26.840 --> 1:04:29.640
<v Speaker 2>lot of Woody Guthrie's music in these episodes, and while

1:04:29.680 --> 1:04:31.640
<v Speaker 2>I do hope you all take the opportunity to listen

1:04:31.680 --> 1:04:33.960
<v Speaker 2>to more, I want to leave you with a quote

1:04:33.960 --> 1:04:36.520
<v Speaker 2>of his that I think is quite relevant for our times,

1:04:36.600 --> 1:04:38.960
<v Speaker 2>which Ed Cray picked out to open his two thousand

1:04:38.960 --> 1:04:42.280
<v Speaker 2>and eight biography of the Man, about all a human

1:04:42.320 --> 1:04:47.160
<v Speaker 2>being is anyway, is just a hoping machine, and I

1:04:47.280 --> 1:04:50.280
<v Speaker 2>like that. I also like this quote from Bob Dylan,

1:04:50.360 --> 1:04:52.720
<v Speaker 2>who was asked in nineteen sixty three to s up

1:04:52.760 --> 1:04:55.600
<v Speaker 2>his feelings on Woody Guthrie and twenty five words for

1:04:55.680 --> 1:04:58.560
<v Speaker 2>a book on the man. As history dot Com notes,

1:04:58.800 --> 1:05:01.880
<v Speaker 2>Dylan quote responded instead with one hundred and ninety four

1:05:01.960 --> 1:05:06.040
<v Speaker 2>line poem called Thoughts on Woody Guthrie, which took the

1:05:06.040 --> 1:05:08.680
<v Speaker 2>the eternal human search for hope and where do you

1:05:08.760 --> 1:05:11.600
<v Speaker 2>look for this hope you're seeking? Dylan asks in the poem,

1:05:11.640 --> 1:05:14.720
<v Speaker 2>before proceeding to a kind of answer. You can either

1:05:14.800 --> 1:05:16.720
<v Speaker 2>go to the church of your choice, or you can

1:05:16.800 --> 1:05:19.800
<v Speaker 2>go to a Brooklyn State Hospital. You'll find God in

1:05:19.840 --> 1:05:22.600
<v Speaker 2>the church of your choice. You'll find Woody Guthrie in

1:05:22.640 --> 1:05:23.960
<v Speaker 2>Brooklyn State Hospital.

1:05:25.840 --> 1:05:26.120
<v Speaker 3>Cool.

1:05:27.120 --> 1:05:33.680
<v Speaker 2>Yeah, anyway, that's Woody Guthrie. Yeah.

1:05:33.840 --> 1:05:36.920
<v Speaker 3>I knew so little about him. I know about some

1:05:37.000 --> 1:05:40.760
<v Speaker 3>of his music and it's been super influential. But that's awesome.

1:05:40.960 --> 1:05:43.880
<v Speaker 2>I'm yeah, it was one of those like again, it's

1:05:43.880 --> 1:05:47.040
<v Speaker 2>the messy story, but yeah, I see it was better

1:05:47.080 --> 1:05:47.800
<v Speaker 2>I would have guessed.

1:05:48.280 --> 1:05:51.960
<v Speaker 1>Yeah, great pick for the non bastard Holiday episode.

1:05:52.480 --> 1:05:54.600
<v Speaker 2>A relevant kind of guy to know about for the

1:05:54.680 --> 1:05:56.120
<v Speaker 2>kind of times we're heading into.

1:05:56.600 --> 1:06:00.200
<v Speaker 1>Yeah, and speaking of somebody people should know about, I

1:06:00.240 --> 1:06:06.160
<v Speaker 1>adopted a second dog. Hello, did This is Anderson's sister Truman.

1:06:07.760 --> 1:06:11.200
<v Speaker 1>She's learning how to be a dog. But she's a

1:06:11.240 --> 1:06:11.800
<v Speaker 1>good girl.

1:06:12.600 --> 1:06:14.880
<v Speaker 3>She's already a good podcast dog, which is a hard

1:06:15.760 --> 1:06:17.200
<v Speaker 3>level for a job.

1:06:17.840 --> 1:06:24.280
<v Speaker 1>Yeah, especially a hurting dog. Yeah, yeah, you're a good girl. Yeah.

1:06:24.360 --> 1:06:24.600
<v Speaker 3>Yeah.

1:06:24.680 --> 1:06:28.000
<v Speaker 1>I guess just to say happy holidays everyone.

1:06:27.880 --> 1:06:33.400
<v Speaker 2>Happy holiday, Yes, happy holidays. And I don't know, listen

1:06:33.480 --> 1:06:34.480
<v Speaker 2>to some Woody Guthrie.

1:06:34.800 --> 1:06:35.960
<v Speaker 7>Yeah.

1:06:36.080 --> 1:06:37.040
<v Speaker 1>We'll be back in the new.

1:06:37.000 --> 1:06:38.200
<v Speaker 3>Year or the first week of the year.

1:06:38.200 --> 1:06:40.000
<v Speaker 1>We'll have a couple of Q and A episodes.

1:06:40.440 --> 1:06:44.000
<v Speaker 2>We'll have some cues, we'll answer some a's. It will

1:06:44.040 --> 1:06:44.800
<v Speaker 2>be a good time.

1:06:45.160 --> 1:06:47.680
<v Speaker 1>Any final thoughts, Magpie, anything you want to.

1:06:47.680 --> 1:06:51.120
<v Speaker 3>Plug well, if you want Christmas. Every week I have

1:06:51.160 --> 1:06:54.000
<v Speaker 3>a podcast called Cool People Did Cool Stuff, where I

1:06:54.240 --> 1:06:56.520
<v Speaker 3>talk about cool people did cool stuff. And then either

1:06:56.560 --> 1:06:59.200
<v Speaker 3>this week or next week, depending on when everything gets released.

1:06:59.320 --> 1:07:01.800
<v Speaker 3>I also we'll be covering the history of the song

1:07:01.880 --> 1:07:06.920
<v Speaker 3>Bella Chow because I got excited by this recording last

1:07:07.000 --> 1:07:09.720
<v Speaker 3>week of part one and I thought I'm gonna do

1:07:09.960 --> 1:07:10.600
<v Speaker 3>a song too.

1:07:11.640 --> 1:07:15.840
<v Speaker 1>It will be the week after releasing that.

1:07:16.080 --> 1:07:18.560
<v Speaker 3>So next Monday you all can hear me talk about

1:07:18.600 --> 1:07:23.080
<v Speaker 3>the history of Bella chow awesome, all right, Harry, Christmas

1:07:23.080 --> 1:07:26.120
<v Speaker 3>and or whatever you want to have, happy happy, Well.

1:07:26.040 --> 1:07:28.880
<v Speaker 1>That'll do it that, I'll do it first twenty for

1:07:29.160 --> 1:07:30.200
<v Speaker 1>you're twenty twenty four.

1:07:30.760 --> 1:07:33.880
<v Speaker 2>Wow twenty four? Yeah, yeah, more or less, more.

1:07:33.800 --> 1:07:39.160
<v Speaker 1>Or less all right, yeah, be well, bye bye. Behind

1:07:39.200 --> 1:07:41.960
<v Speaker 1>the Bastards is a production of cool Zone Media. For

1:07:42.080 --> 1:07:45.160
<v Speaker 1>more from cool Zone Media, visit our website cool Zonemedia

1:07:45.360 --> 1:07:48.560
<v Speaker 1>dot com, or check us out on the iHeartRadio app,

1:07:48.640 --> 1:07:51.800
<v Speaker 1>Apple Podcasts, or wherever you get your podcasts. Behind the

1:07:51.800 --> 1:07:55.880
<v Speaker 1>Bastards is now available on YouTube, new episodes every Wednesday

1:07:56.000 --> 1:07:59.640
<v Speaker 1>and Friday. Subscribe to our channel YouTube dot com slash

1:08:00.320 --> 1:08:03.080
<v Speaker 1>Behind the Bastards