1 00:00:00,560 --> 00:00:02,760 Speaker 1: Ridiculous Crime is a production of iHeartRadio. 2 00:00:03,480 --> 00:00:06,400 Speaker 2: Elizabeth Dunton. Hey, Saron, I missed you. 3 00:00:06,519 --> 00:00:08,560 Speaker 3: I missed you too. I've been great. 4 00:00:08,640 --> 00:00:09,880 Speaker 2: Okay, I got a question for you. Yeah. 5 00:00:09,920 --> 00:00:10,280 Speaker 3: Yeah. 6 00:00:10,320 --> 00:00:11,320 Speaker 2: Do you know what's ridiculous? 7 00:00:11,400 --> 00:00:15,480 Speaker 3: I do? I knew you would Ikea bags? 8 00:00:15,680 --> 00:00:16,599 Speaker 2: They are ridiculous. 9 00:00:16,720 --> 00:00:17,840 Speaker 3: Nice, I love them. 10 00:00:18,079 --> 00:00:18,520 Speaker 2: You want more? 11 00:00:18,680 --> 00:00:22,439 Speaker 3: Yeah? I have a bunch of Ikea bags, very handy. Yeah. 12 00:00:22,680 --> 00:00:25,440 Speaker 2: Do you know that they make like really cool new 13 00:00:25,560 --> 00:00:28,159 Speaker 2: bags like backpacks and other types of stuff out of them. 14 00:00:28,200 --> 00:00:30,000 Speaker 2: People will take them and they've converted them. I saw 15 00:00:30,000 --> 00:00:31,440 Speaker 2: them at a flea market. 16 00:00:31,760 --> 00:00:36,080 Speaker 3: Oh really, Oh cool. So you know I do a 17 00:00:36,080 --> 00:00:41,720 Speaker 3: lot of mashups, and so think of the iconic Ikea bag. 18 00:00:41,920 --> 00:00:44,839 Speaker 2: What if I don't if id and you. 19 00:00:44,840 --> 00:00:49,360 Speaker 3: Just think about two iconic paintings. 20 00:00:49,720 --> 00:00:52,760 Speaker 2: Okay, you've got me. Unfortunately, go on, hold on. 21 00:00:52,720 --> 00:00:56,000 Speaker 3: Hold on this just in This is not a mashup. 22 00:00:56,240 --> 00:00:58,520 Speaker 3: What this is? This is an update. This is a 23 00:00:58,600 --> 00:00:59,960 Speaker 3: Ridiculous Crime update. 24 00:01:00,200 --> 00:01:01,320 Speaker 2: Oh hell yeah. 25 00:01:01,400 --> 00:01:04,240 Speaker 3: Okay, So you know how I was. You're so relieved. 26 00:01:04,760 --> 00:01:08,080 Speaker 3: So remember I told you about the Van Go Van 27 00:01:08,800 --> 00:01:13,240 Speaker 3: painting that was stolen from the Singer Laren Museum. Yeah, 28 00:01:13,280 --> 00:01:19,720 Speaker 3: the parsonage garden. It's been recovered. The Laughing Boys and 29 00:01:19,800 --> 00:01:23,800 Speaker 3: that's that still hasn't been recovered, right, But the parsonage 30 00:01:23,880 --> 00:01:28,880 Speaker 3: is back. Baby. There's a Dutch art sleuth. His name 31 00:01:28,920 --> 00:01:34,479 Speaker 3: is Arthur Brand and he like had this unnamed contact. 32 00:01:34,560 --> 00:01:38,280 Speaker 3: They met up. Dude gave him a Ikia bag with 33 00:01:38,319 --> 00:01:40,960 Speaker 3: something wrapped in an old pillow case and inside the 34 00:01:41,080 --> 00:01:45,199 Speaker 3: van go whoa, And so it's it. It's the real one. 35 00:01:45,400 --> 00:01:48,200 Speaker 3: It's basically you can track it down to that Nil's 36 00:01:48,360 --> 00:01:50,680 Speaker 3: m the guy that I told you about. We pretty 37 00:01:50,720 --> 00:01:54,880 Speaker 3: much knew he did it, and so yeah, right, I 38 00:01:55,000 --> 00:01:58,680 Speaker 3: was right here it is. They they still have to 39 00:01:58,720 --> 00:02:01,080 Speaker 3: go through like you know, all these you know, looking 40 00:02:01,120 --> 00:02:03,920 Speaker 3: it over and double and triple checking and what have you. 41 00:02:05,120 --> 00:02:07,200 Speaker 3: They're going to hand it over to the museum soon. 42 00:02:08,160 --> 00:02:10,720 Speaker 3: But yeah, so it's been recovered. We got that news. 43 00:02:10,760 --> 00:02:12,480 Speaker 3: The first person got it from a bunch of people. 44 00:02:12,880 --> 00:02:14,880 Speaker 3: But the first person did let us know, is Mary 45 00:02:14,960 --> 00:02:20,600 Speaker 3: Tarantino on Instagram. You Mary looking looking out So yeah, 46 00:02:20,639 --> 00:02:23,880 Speaker 3: that's ridiculous. 47 00:02:24,560 --> 00:02:26,720 Speaker 2: If you got a second, do you have a second? 48 00:02:27,160 --> 00:02:28,680 Speaker 2: Are you in the mood to hear something ridiculous? 49 00:02:28,680 --> 00:02:30,880 Speaker 3: Because I got one for you, girl, I am Yeah. 50 00:02:30,760 --> 00:02:35,919 Speaker 2: Okay, imagine two hundred and ninety nine rare tropical. 51 00:02:35,440 --> 00:02:38,040 Speaker 3: Birds, Okay, all in one room. 52 00:02:38,000 --> 00:02:40,560 Speaker 2: Exactly, and now they're all covered in bright plumage. It's 53 00:02:40,600 --> 00:02:42,960 Speaker 2: a rainbow of feathers, just a riot of color. Now 54 00:02:43,000 --> 00:02:44,959 Speaker 2: imagine these birds and their feathers are on display in 55 00:02:45,000 --> 00:02:45,800 Speaker 2: a British museum. 56 00:02:46,240 --> 00:02:46,720 Speaker 3: I can see that. 57 00:02:46,760 --> 00:02:49,560 Speaker 2: Okay, right, totally fitting. Now, Next, try to imagine the 58 00:02:49,600 --> 00:02:53,320 Speaker 2: twenty two year old American who would steal those rare 59 00:02:53,440 --> 00:02:54,440 Speaker 2: bird feathers. 60 00:02:54,800 --> 00:02:55,160 Speaker 3: Oh. 61 00:02:55,240 --> 00:02:58,040 Speaker 2: Now, last, try to picture that same young American man 62 00:02:58,040 --> 00:03:01,480 Speaker 2: who's in your imagination as he sells the stolen rare 63 00:03:01,600 --> 00:03:05,080 Speaker 2: bird feathers on the black market in order to make 64 00:03:05,120 --> 00:03:09,160 Speaker 2: a small fortune so that he could buy a golden flute. 65 00:03:10,680 --> 00:03:12,120 Speaker 3: Is this a Hans Christian? 66 00:03:12,160 --> 00:03:36,440 Speaker 2: And this is ridiculous crime? A podcast about absurd and 67 00:03:36,560 --> 00:03:40,000 Speaker 2: outrageous capers, heists and cons. It's all with ninety nine 68 00:03:40,000 --> 00:03:45,240 Speaker 2: percent murder free and one hundred percent ridiculous ridiculous. All right, Elizabeth, 69 00:03:45,920 --> 00:03:47,280 Speaker 2: I have an extra wild one for you today. 70 00:03:47,400 --> 00:03:48,680 Speaker 3: I'm so glad I need it. 71 00:03:48,760 --> 00:03:50,280 Speaker 2: Nice that shot. 72 00:03:50,080 --> 00:03:50,520 Speaker 3: In the arm. 73 00:03:50,600 --> 00:03:52,320 Speaker 2: Okay, I got a lift for you. This story has 74 00:03:52,320 --> 00:03:54,600 Speaker 2: a little bit of everything. He's got rare birds. It's 75 00:03:54,640 --> 00:03:57,040 Speaker 2: got British naturalists, he's got one of the wealthiest men 76 00:03:57,080 --> 00:03:59,440 Speaker 2: in the world. It's got an American music lover. He's 77 00:03:59,440 --> 00:04:02,840 Speaker 2: got a thing for golden flutes. Sign me up, right, Okay, 78 00:04:02,880 --> 00:04:05,920 Speaker 2: let's just take an element by element first, one rare birds. 79 00:04:06,320 --> 00:04:07,040 Speaker 3: Yeah right. 80 00:04:07,120 --> 00:04:09,840 Speaker 2: You know how it's not easy to save nature from 81 00:04:09,920 --> 00:04:13,840 Speaker 2: the ever rushing onslaught of humanity. I hate to have 82 00:04:13,840 --> 00:04:17,960 Speaker 2: that job. Enter the naturalist. That's pretty much their job, right. 83 00:04:18,240 --> 00:04:19,680 Speaker 2: I mean, this is also the reason why we have 84 00:04:19,800 --> 00:04:23,000 Speaker 2: zoos and zoo keepers, same reason, right, and nature preserves 85 00:04:23,600 --> 00:04:27,359 Speaker 2: open the last resort naturalist museums, because if we can't 86 00:04:27,400 --> 00:04:29,880 Speaker 2: save the animal from disappearing from the natural world, at 87 00:04:29,960 --> 00:04:32,000 Speaker 2: least we can still look at it behind glass, at 88 00:04:32,160 --> 00:04:34,680 Speaker 2: memories right there it was. Now, can you imagine what 89 00:04:34,760 --> 00:04:37,760 Speaker 2: must feel like to be a modern naturalist like today? 90 00:04:38,960 --> 00:04:40,760 Speaker 2: I mean, they live a good life on one level, right, 91 00:04:40,800 --> 00:04:42,840 Speaker 2: Like they get a scrabble over rocks, they get to 92 00:04:43,200 --> 00:04:46,800 Speaker 2: climb around ravines, they're clambering up boreal footpaths. They have 93 00:04:46,880 --> 00:04:49,719 Speaker 2: a great life in that they're stalking across meadow hill 94 00:04:49,839 --> 00:04:51,640 Speaker 2: and dale just to see an animal. 95 00:04:51,960 --> 00:04:54,360 Speaker 3: I mean, how awesome is that it's pretty good job. 96 00:04:54,440 --> 00:04:56,279 Speaker 3: That's a good job for you, but it does sound 97 00:04:56,320 --> 00:04:57,080 Speaker 3: like a job for me. 98 00:04:57,240 --> 00:04:58,680 Speaker 2: Honestly, I don't think I could be one of them, 99 00:04:59,000 --> 00:05:00,440 Speaker 2: and I just want to be as a I told 100 00:05:00,560 --> 00:05:01,520 Speaker 2: I was one of the kids. I want to be 101 00:05:01,520 --> 00:05:03,440 Speaker 2: a marine biologist, right, I was that kid? 102 00:05:03,640 --> 00:05:06,400 Speaker 3: Dude? How many marine biologists are there in the world, 103 00:05:06,480 --> 00:05:10,080 Speaker 3: because I think every person in like fifth and sixth grade, Yes, 104 00:05:10,120 --> 00:05:12,599 Speaker 3: it was HiT's on marine biologist. But then it continues. 105 00:05:12,640 --> 00:05:14,599 Speaker 3: Then you got people all the way into how many 106 00:05:14,640 --> 00:05:15,040 Speaker 3: are there? 107 00:05:15,400 --> 00:05:17,680 Speaker 2: Three thousand, two hundred and eighty four. 108 00:05:17,839 --> 00:05:20,479 Speaker 3: Okay, good to know, Yeah, ok question, probably have better 109 00:05:20,560 --> 00:05:24,200 Speaker 3: odds of being an MLB Baseball player than being a marine, 110 00:05:24,240 --> 00:05:27,359 Speaker 3: but has no idea. I know you made that up, 111 00:05:27,400 --> 00:05:28,080 Speaker 3: and I love you for that. 112 00:05:28,320 --> 00:05:29,880 Speaker 2: I'm sure that you know it's close. 113 00:05:30,240 --> 00:05:32,880 Speaker 3: Yeah, let's just say. I'm just going to go out 114 00:05:32,880 --> 00:05:34,599 Speaker 3: here on the limb and say it. You have a 115 00:05:34,640 --> 00:05:39,120 Speaker 3: better chance of becoming a professional athlete than a marine biologists. 116 00:05:39,240 --> 00:05:42,760 Speaker 2: Wow, that's just kind of humbling, don't you think? I think? Maybe? 117 00:05:42,800 --> 00:05:44,280 Speaker 3: Right, I don't know, I know, I'm right. 118 00:05:44,520 --> 00:05:47,240 Speaker 2: Well, if you're a naturalist these days, you know you're 119 00:05:47,240 --> 00:05:50,919 Speaker 2: living through the anthroposscene mega extinction event. Yeah, right, so 120 00:05:51,120 --> 00:05:53,760 Speaker 2: you're documenting. Yeah, that's fun for you as a naturalist. 121 00:05:54,200 --> 00:05:55,960 Speaker 2: Now I found this one guy's a naturalist. I was 122 00:05:55,960 --> 00:05:57,920 Speaker 2: doing research for this story. Right. I find him. He's 123 00:05:57,920 --> 00:06:00,640 Speaker 2: down there in Mexico trying to track down a rare bird. Right. 124 00:06:01,240 --> 00:06:03,880 Speaker 2: What he was all about was the Imperial woodpecker. Now, 125 00:06:03,920 --> 00:06:06,600 Speaker 2: this is a huge, two foot tall striking bird, right, 126 00:06:06,760 --> 00:06:10,080 Speaker 2: with majestic plumage, has this really bright red crop on 127 00:06:10,120 --> 00:06:12,080 Speaker 2: top of its head, right, and it's believed to be 128 00:06:12,240 --> 00:06:13,720 Speaker 2: extinct or nearing extinction. 129 00:06:13,880 --> 00:06:16,839 Speaker 3: They don't really know two foot tall woodpeckers, yeah. 130 00:06:16,720 --> 00:06:19,279 Speaker 2: And the mountains of Mexico, and it was it's circling 131 00:06:19,279 --> 00:06:20,960 Speaker 2: in the drain of life on earth right now. Right, 132 00:06:21,000 --> 00:06:23,120 Speaker 2: So this naturalist tramps out into the wilderness. He's just 133 00:06:23,120 --> 00:06:26,720 Speaker 2: to find the last imperial woodpecker. He's convinced there's been spottings. 134 00:06:26,839 --> 00:06:30,080 Speaker 2: So what does he find, Elizabeth. He doesn't find the bird. Instead, 135 00:06:30,080 --> 00:06:32,840 Speaker 2: he finds a truck driver. Now this truck driver, yeah, 136 00:06:32,920 --> 00:06:34,560 Speaker 2: real close. He was a little bit taller than two feet, 137 00:06:34,600 --> 00:06:37,920 Speaker 2: but he had seen the Imperial woodpecker. He'd been crossing 138 00:06:38,000 --> 00:06:41,320 Speaker 2: the Sierra Madre Occidental Mountains down in Mexico. That mountainous 139 00:06:41,360 --> 00:06:45,800 Speaker 2: region is the home to the presumed last remaining Imperial woodpeckers. 140 00:06:45,920 --> 00:06:48,320 Speaker 2: So this truck driver he spots one. So when he 141 00:06:48,360 --> 00:06:52,160 Speaker 2: saw that brightly plumage bird perch on the Durango pine 142 00:06:52,200 --> 00:06:55,839 Speaker 2: tree branch high above him, it's the truck driver gazes 143 00:06:55,920 --> 00:06:59,320 Speaker 2: up at her right there resting feet that red feather crop. 144 00:06:59,360 --> 00:07:02,480 Speaker 2: I told you about catching the sunlight. He slowly pulled 145 00:07:02,520 --> 00:07:06,200 Speaker 2: out a gun and shot the woodpecker. Get then he 146 00:07:06,440 --> 00:07:09,760 Speaker 2: ate it. The truck driver told the naturalists this story 147 00:07:10,000 --> 00:07:13,160 Speaker 2: of his Imperial woodpecker encounter. He added that the bird 148 00:07:13,320 --> 00:07:16,600 Speaker 2: was on the car, which are in American English. This 149 00:07:16,600 --> 00:07:19,320 Speaker 2: says the bird was a one great piece of meat. 150 00:07:19,760 --> 00:07:23,120 Speaker 2: So his truck driver's meal may have been the last 151 00:07:23,160 --> 00:07:25,160 Speaker 2: Imperial woodpecker we'll ever see. 152 00:07:25,280 --> 00:07:27,000 Speaker 3: But what kind of gun did he shoot? It was? 153 00:07:27,040 --> 00:07:28,520 Speaker 2: I didn't. That was not in any of the stories. 154 00:07:28,560 --> 00:07:31,440 Speaker 3: So I'm thinking, like, that's not a big bird, and 155 00:07:31,480 --> 00:07:32,560 Speaker 3: you're going to do a lot of damn. 156 00:07:32,640 --> 00:07:34,240 Speaker 2: I think like a twenty two rifle, something that a 157 00:07:34,240 --> 00:07:35,960 Speaker 2: truck driver would have in their trucks. 158 00:07:36,400 --> 00:07:38,200 Speaker 3: Anyway, I mean, I know you're hungry. 159 00:07:37,880 --> 00:07:40,000 Speaker 2: But come on to tell a hungry man not to eat. 160 00:07:40,280 --> 00:07:42,960 Speaker 3: Yeah, but of all the birds he doesn't know he's liked. Well, 161 00:07:42,960 --> 00:07:44,040 Speaker 3: that one's the easiest to see. 162 00:07:44,160 --> 00:07:46,640 Speaker 2: It was just right near him. He figures out it's 163 00:07:46,640 --> 00:07:49,280 Speaker 2: in the trees. You know, we got plenty of birds. Now, 164 00:07:49,360 --> 00:07:52,120 Speaker 2: this more naturalist listening to this story of the truck, 165 00:07:52,960 --> 00:07:56,160 Speaker 2: he's just losing. He's been dying to see this bird. Right, 166 00:07:56,240 --> 00:07:59,240 Speaker 2: it's possibly the last imperial woodpecker. And now this guy 167 00:07:59,280 --> 00:08:01,080 Speaker 2: they could be extend like we still don't know. We 168 00:08:01,080 --> 00:08:03,640 Speaker 2: still haven't seen one since this truck driver. Yeah, oh, 169 00:08:03,720 --> 00:08:07,600 Speaker 2: the life of the modern naturalist. But let's talk about 170 00:08:07,640 --> 00:08:09,800 Speaker 2: the lucky ones, the ones that got to quote, discover 171 00:08:09,920 --> 00:08:13,200 Speaker 2: everything and go around naming everything. The eighteenth and nineteenth 172 00:08:13,240 --> 00:08:17,520 Speaker 2: century naturalists, right, you know some of the big names, Carlneis, 173 00:08:17,960 --> 00:08:22,080 Speaker 2: John James Audubon, Alexander von Humboldt, and al. 174 00:08:22,000 --> 00:08:24,840 Speaker 3: Wallace, the greats, all the greats. 175 00:08:24,920 --> 00:08:26,920 Speaker 2: Yeah. Well that last guy, that's just what Paul Simon 176 00:08:26,960 --> 00:08:30,840 Speaker 2: and I call him. We call him al Oh god hinterned. 177 00:08:30,920 --> 00:08:36,640 Speaker 2: Nineteenth century British naturalist Alfred Russell Wallace. Hey. Now, Wallace 178 00:08:36,720 --> 00:08:39,679 Speaker 2: was a collector, extraordinariy. He dreamed of gathering up from 179 00:08:39,800 --> 00:08:43,439 Speaker 2: nature a storehouse and cataloging at all like a library 180 00:08:43,480 --> 00:08:46,440 Speaker 2: of Mother Nature. That's what he wanted, the greatest hits 181 00:08:46,480 --> 00:08:48,839 Speaker 2: of mothers, Nature's greatest works, but all of them really 182 00:08:49,160 --> 00:08:52,640 Speaker 2: now the scientists. He thought, I can put this collection 183 00:08:52,679 --> 00:08:55,640 Speaker 2: together for the benefit of all humanity. That's how this 184 00:08:55,720 --> 00:08:57,839 Speaker 2: cat talked to He's like all humanity, that's what I'm 185 00:08:57,880 --> 00:09:00,480 Speaker 2: doing this for now. He's super high mind, did very 186 00:09:00,520 --> 00:09:02,800 Speaker 2: noble view of himself and what he aimed to do. 187 00:09:03,000 --> 00:09:04,880 Speaker 2: But he was also very effective. Now, when I say 188 00:09:04,960 --> 00:09:07,120 Speaker 2: very effective, I mean like, after one trip down to 189 00:09:07,120 --> 00:09:11,560 Speaker 2: the Melee Archipelago that is at now Malaysia and Indonesia, Wallace 190 00:09:11,600 --> 00:09:14,360 Speaker 2: walked out of the jungles after harvesting get this, one 191 00:09:14,440 --> 00:09:17,040 Speaker 2: hundred and twenty five thousand specimens. 192 00:09:17,120 --> 00:09:20,559 Speaker 3: So he doesn't wait until they just the great Creator 193 00:09:20,600 --> 00:09:21,040 Speaker 3: takes him. 194 00:09:21,080 --> 00:09:21,719 Speaker 2: No, no, no no. 195 00:09:22,200 --> 00:09:24,920 Speaker 3: For guys, anthology is the hand of God. 196 00:09:25,200 --> 00:09:30,800 Speaker 2: Harvesting. Yes, So primarily he was gathering up butterflies, beetles, birds. Now, Elizabeth, 197 00:09:30,800 --> 00:09:32,960 Speaker 2: you may be wondering, Saren, why did he need one 198 00:09:33,040 --> 00:09:37,120 Speaker 2: hundred and twenty five thousand specimens? Why basically in the 199 00:09:37,120 --> 00:09:39,760 Speaker 2: wings of a butterfly, Wallace saw world peace. 200 00:09:40,400 --> 00:09:43,880 Speaker 3: Oh God, I told you, you're trying to give me 201 00:09:43,920 --> 00:09:44,360 Speaker 3: a headache. 202 00:09:44,480 --> 00:09:47,720 Speaker 2: Nineteenth century. Yeah. So there's this book called Beauty Obsession 203 00:09:47,800 --> 00:09:50,199 Speaker 2: and the Natural History Heist of the Century. It's by 204 00:09:50,240 --> 00:09:52,840 Speaker 2: this author, Kirk Wallace Johnson. And in his book he 205 00:09:52,880 --> 00:09:55,240 Speaker 2: documents in great detail the story that I'm about to 206 00:09:55,280 --> 00:09:56,959 Speaker 2: tell you, and I will be quoting some of various 207 00:09:57,000 --> 00:09:59,600 Speaker 2: interviews he gave hyping his book. And in his book 208 00:09:59,600 --> 00:10:02,520 Speaker 2: The Writer Kirk Johnson, he concluded that the naturalist Wallace 209 00:10:02,600 --> 00:10:05,319 Speaker 2: believed that nature had written and I quote letters in 210 00:10:05,400 --> 00:10:07,560 Speaker 2: the volume of the Earth's Deep History. And if we 211 00:10:07,600 --> 00:10:10,960 Speaker 2: allow these things to disappear, we're essentially blinding ourselves to 212 00:10:11,000 --> 00:10:14,800 Speaker 2: these records. So real, high minded language. Right, it's a 213 00:10:14,800 --> 00:10:16,800 Speaker 2: heavy trip, but it got dude, ain't wrong, right. I'm 214 00:10:16,840 --> 00:10:19,079 Speaker 2: a big believer in biomimicry. You know this. I fully 215 00:10:19,120 --> 00:10:21,160 Speaker 2: agree with al. I mean, like, yeah, we gotta look 216 00:10:21,240 --> 00:10:24,560 Speaker 2: at nature as our place, not as something we exploit. 217 00:10:24,600 --> 00:10:24,880 Speaker 3: Sure. 218 00:10:25,000 --> 00:10:27,559 Speaker 2: Anyway, this naturalist ol Wallace, he goes tramp on off 219 00:10:27,559 --> 00:10:30,199 Speaker 2: to the South Pacific to study nature and birds and whatnot. 220 00:10:30,360 --> 00:10:32,800 Speaker 2: As I told you, for one of our big early trips, 221 00:10:32,840 --> 00:10:34,880 Speaker 2: he went down to the Melee Archipelago. While he was there, 222 00:10:34,920 --> 00:10:37,280 Speaker 2: he collected all these creatures he found undud you know, 223 00:10:37,440 --> 00:10:39,720 Speaker 2: fascinating or pretty or whatever. He ends up writing some 224 00:10:39,760 --> 00:10:43,120 Speaker 2: papers for science journals. He's particularly smitten with the birds 225 00:10:43,120 --> 00:10:45,320 Speaker 2: of Paradise. You know, the birds of Paradise. Really okay, 226 00:10:45,360 --> 00:10:47,160 Speaker 2: so those are his birds, not the flower, the bird 227 00:10:47,160 --> 00:10:49,400 Speaker 2: obviously he loves it right. In one paper that was 228 00:10:49,400 --> 00:10:52,240 Speaker 2: published in eighteen fifty five, Wallace wrote that quote, every 229 00:10:52,240 --> 00:10:55,320 Speaker 2: species has come into existence coincident, both in space and time, 230 00:10:55,360 --> 00:10:58,880 Speaker 2: with pre existing closely allied species. So basically what he 231 00:10:58,920 --> 00:11:01,880 Speaker 2: had concluded is that each species came into being through 232 00:11:01,880 --> 00:11:06,240 Speaker 2: a divergence with apparent species. And this natural progression, if 233 00:11:06,280 --> 00:11:08,679 Speaker 2: you or if you prefer this evolution, was how new 234 00:11:08,720 --> 00:11:11,280 Speaker 2: animals came into being. In other words, he came up 235 00:11:11,280 --> 00:11:13,880 Speaker 2: with Darwin's theory of survival of the fittest on his own, 236 00:11:14,679 --> 00:11:17,320 Speaker 2: and three or four years before Darwin published it. So 237 00:11:18,040 --> 00:11:21,360 Speaker 2: he sent his ideas to Darwin in eighteen fifty eight. Yes, 238 00:11:21,640 --> 00:11:24,200 Speaker 2: and Darwin was so struck by them and how similar 239 00:11:24,280 --> 00:11:26,480 Speaker 2: they were to his own ideas, which he had been 240 00:11:26,480 --> 00:11:29,760 Speaker 2: developing independently. That he showed, you know, he showed his 241 00:11:29,760 --> 00:11:32,200 Speaker 2: buddies Wallace's ideas, right, and he was like, look, homies, 242 00:11:32,240 --> 00:11:33,600 Speaker 2: look what this cat came up with. Do I need 243 00:11:33,640 --> 00:11:36,080 Speaker 2: to be worried about this? And his buddies, right, Darwin's 244 00:11:36,080 --> 00:11:38,560 Speaker 2: close homies. They're also scientists, right, So once a geologist 245 00:11:38,600 --> 00:11:41,520 Speaker 2: and other dudes a botanist. Now they considered this question 246 00:11:41,640 --> 00:11:43,600 Speaker 2: earnest and they come back to Darwin and they're like, look, 247 00:11:43,720 --> 00:11:45,480 Speaker 2: my dude, d we got to be straight up with 248 00:11:45,520 --> 00:11:47,920 Speaker 2: you about this. This guy he's got all the same 249 00:11:47,960 --> 00:11:50,280 Speaker 2: stuff as you. So we're thinking this, it's better to 250 00:11:50,360 --> 00:11:53,960 Speaker 2: keep your friends close and your enemies closer. And he's like, ooh, 251 00:11:54,160 --> 00:11:56,320 Speaker 2: Darwin's like, my geez, I like that, that's what's up. 252 00:11:56,360 --> 00:11:58,280 Speaker 2: I'm going to do that. So I'm going to invite 253 00:11:58,360 --> 00:12:00,560 Speaker 2: him to publish a piece with me in my journal, 254 00:12:00,800 --> 00:12:02,920 Speaker 2: but I'll position it so that my ideas are up 255 00:12:02,920 --> 00:12:05,880 Speaker 2: front and his ideas are just like further confirmation of mine. 256 00:12:06,080 --> 00:12:08,600 Speaker 2: Think that'll play. They're like, that's what's up. 257 00:12:08,520 --> 00:12:10,600 Speaker 3: Right, So, and that is what was up. 258 00:12:10,640 --> 00:12:13,480 Speaker 2: And that's what was up, Elizabeth. That was the move. 259 00:12:13,760 --> 00:12:16,240 Speaker 2: So Darwin, he does exactly that. He publishes his landmark 260 00:12:16,240 --> 00:12:19,000 Speaker 2: book on the Origin of Species very next year, eighteen 261 00:12:19,080 --> 00:12:22,600 Speaker 2: fifty nine, a year after Wallace's entem his work. So 262 00:12:22,840 --> 00:12:25,040 Speaker 2: now to seal the deal for his scientific fame, Darwin 263 00:12:25,120 --> 00:12:28,240 Speaker 2: came up with a presentation that featured extracts from his work, 264 00:12:28,640 --> 00:12:31,800 Speaker 2: two previous books of his, and some of Wallace's papers. 265 00:12:32,000 --> 00:12:34,360 Speaker 2: So then he presents them to the Linnaean Society, which 266 00:12:34,400 --> 00:12:37,400 Speaker 2: is basically the leading naturalist organization of the day. He's 267 00:12:37,440 --> 00:12:40,839 Speaker 2: now backseatd his brother forever. Right, So the paper that 268 00:12:40,920 --> 00:12:43,719 Speaker 2: Darwin presents and publishes is called on the Tendency of 269 00:12:43,760 --> 00:12:46,840 Speaker 2: Species to form varieties, and on the Perpetuation of varieties 270 00:12:46,880 --> 00:12:50,000 Speaker 2: and species by natural means of selection. Quite a banger, sure, 271 00:12:50,080 --> 00:12:53,440 Speaker 2: yeah right, it has it's his name, right, just just 272 00:12:53,520 --> 00:12:56,120 Speaker 2: liquid words, right, But Wallace's name is on the paper, 273 00:12:56,160 --> 00:12:57,920 Speaker 2: so it was Darwin's. But everyone still treats it like 274 00:12:57,960 --> 00:13:00,960 Speaker 2: it's Darwin's paper. So boom, Darwin and seals the deal 275 00:13:00,960 --> 00:13:02,959 Speaker 2: in the science community, and we all know it now 276 00:13:03,000 --> 00:13:06,920 Speaker 2: as Darwin's theory of evolution. Wallace gets sidetracked for all times. Sorry, 277 00:13:07,120 --> 00:13:10,040 Speaker 2: now right now, Darwin, he was a little decent about 278 00:13:10,080 --> 00:13:12,400 Speaker 2: this he made sure that Wallace won a couple awards. 279 00:13:12,440 --> 00:13:15,720 Speaker 2: He gets some medals, and also when later when Wallace 280 00:13:15,880 --> 00:13:17,800 Speaker 2: was aged and poor because he did not get the 281 00:13:17,840 --> 00:13:21,679 Speaker 2: scientific glory, Darwin also made sure you know that Wallace 282 00:13:21,800 --> 00:13:24,720 Speaker 2: is watching himself be lost to history while he's still alive. 283 00:13:25,000 --> 00:13:26,920 Speaker 2: Darwin got him a stipend of funds to live on, 284 00:13:27,040 --> 00:13:29,720 Speaker 2: so he was decent in that regard. But anyway, that's 285 00:13:29,760 --> 00:13:32,320 Speaker 2: pretty much how gangster Darwin iced out this guy Wallace. 286 00:13:32,360 --> 00:13:34,520 Speaker 2: So what about Wallace? Like, why should we not cry 287 00:13:34,559 --> 00:13:35,319 Speaker 2: for Wallace. 288 00:13:35,120 --> 00:13:37,199 Speaker 3: Argentina, don't cry for him because. 289 00:13:36,920 --> 00:13:39,640 Speaker 2: His story isn't over, Elizabeth. He later on became buddy 290 00:13:39,679 --> 00:13:42,560 Speaker 2: buddy with one of the richest men in the world. Yeah, 291 00:13:42,600 --> 00:13:46,120 Speaker 2: who offered him his entire naturalist collection and create a 292 00:13:46,160 --> 00:13:49,920 Speaker 2: great museum to display at all. That was a good outcome. 293 00:13:49,640 --> 00:13:50,199 Speaker 3: Right, Okay. 294 00:13:50,400 --> 00:13:53,040 Speaker 2: However, he wasn't the only one in England who zealously 295 00:13:53,120 --> 00:13:56,160 Speaker 2: coveted the feathers of rare tropical birds, so that led 296 00:13:56,200 --> 00:13:59,040 Speaker 2: to a negative outcome, which was okay. There was this 297 00:13:59,120 --> 00:14:01,680 Speaker 2: fashion trend going on the time, bright tropical feathers that 298 00:14:01,679 --> 00:14:04,000 Speaker 2: these guys in these naturalists have been collecting. Suddenly became 299 00:14:04,080 --> 00:14:07,280 Speaker 2: all the rage in eighteen seventies London society, right, anyone 300 00:14:07,320 --> 00:14:09,679 Speaker 2: who was anyone had to have some eye catching plumage, 301 00:14:09,880 --> 00:14:13,199 Speaker 2: something to decorate their high hat. Basically, the ladies of 302 00:14:13,240 --> 00:14:15,160 Speaker 2: London were like pimps. They needed all the feathers they 303 00:14:15,160 --> 00:14:16,880 Speaker 2: could get. They're like, give them to me, right, So 304 00:14:16,960 --> 00:14:20,120 Speaker 2: the fashion training creates a crime wave because they need 305 00:14:20,160 --> 00:14:22,920 Speaker 2: a black market to supply the ladies with the feathers 306 00:14:22,920 --> 00:14:25,080 Speaker 2: that they're willing to pay top dollar for. Us his 307 00:14:25,240 --> 00:14:28,480 Speaker 2: crime wave right and fashion trend synergy. It leads to 308 00:14:28,520 --> 00:14:31,160 Speaker 2: a creation of a network of feather getters m HM 309 00:14:31,640 --> 00:14:35,240 Speaker 2: and boom. Unscrupulous Europeans come rushing into the South Pacific 310 00:14:35,360 --> 00:14:38,840 Speaker 2: following Wallace, taking the same birds he's trying to take. Right, 311 00:14:38,960 --> 00:14:41,720 Speaker 2: they're taking him in such large numbers. They're just scouring 312 00:14:41,760 --> 00:14:44,440 Speaker 2: the jungles for rare feathers that are now basically worth 313 00:14:44,440 --> 00:14:47,000 Speaker 2: more than gold. That there are so many feather hunters, 314 00:14:47,040 --> 00:14:49,680 Speaker 2: and they resulted in a mass slaughter that was nicknamed 315 00:14:49,680 --> 00:14:52,080 Speaker 2: by the press at the time the slaughter of the Innocence. 316 00:14:52,120 --> 00:14:54,600 Speaker 2: That's how many birds they were taking, right. The wanton 317 00:14:54,600 --> 00:14:57,720 Speaker 2: bird killing got so bloody, so brutal that they eventually 318 00:14:58,040 --> 00:14:59,880 Speaker 2: animal rights activists, they didn't have that name with the 319 00:14:59,880 --> 00:15:04,480 Speaker 2: ti time. They formed the first early animal conservation societies 320 00:15:04,560 --> 00:15:07,040 Speaker 2: just to stop the feather trade. So this effort leads 321 00:15:07,080 --> 00:15:09,960 Speaker 2: to legislation in the UK. The UK bans the feather 322 00:15:10,040 --> 00:15:12,600 Speaker 2: trade entirely. Right. So now these same groups would go 323 00:15:12,600 --> 00:15:15,320 Speaker 2: on to form animal rights and conservation groups that we 324 00:15:15,360 --> 00:15:18,960 Speaker 2: know of. This was their first success, really, right, your people, Elizabeth, 325 00:15:19,000 --> 00:15:21,320 Speaker 2: So we don't have. 326 00:15:21,240 --> 00:15:25,480 Speaker 3: A lot of these birds anymore. So that Henrietta Baxter 327 00:15:25,680 --> 00:15:27,800 Speaker 3: Chonkington could walk down the street. 328 00:15:27,720 --> 00:15:30,040 Speaker 2: And look super flea and incredible, yes exactly, so she 329 00:15:30,040 --> 00:15:30,960 Speaker 2: could feel some kind of way. 330 00:15:31,000 --> 00:15:33,080 Speaker 3: Well, it's also like, you know, it's not new to 331 00:15:33,120 --> 00:15:38,480 Speaker 3: have the beautiful feathers and items like the Chinese Kingfisher headdress, 332 00:15:38,520 --> 00:15:42,160 Speaker 3: which are now in bits and pieces all over Western 333 00:15:42,440 --> 00:15:45,040 Speaker 3: gift shops in like China, Chinatown. 334 00:15:45,240 --> 00:15:46,200 Speaker 2: Yeah, you have. 335 00:15:46,240 --> 00:15:50,840 Speaker 3: Broken up into Vancouver to which is so heartbreaking that 336 00:15:51,000 --> 00:15:51,200 Speaker 3: you know. 337 00:15:51,440 --> 00:15:55,600 Speaker 2: Anyway, So the thing is is that the eighteen seventies 338 00:15:55,640 --> 00:15:57,800 Speaker 2: allowed them to be able to get at an industrial 339 00:15:57,840 --> 00:16:00,240 Speaker 2: scale and harvest all this stuff. As before pe have 340 00:16:00,280 --> 00:16:02,560 Speaker 2: been getting it. They just couldn't go take steamships down 341 00:16:02,560 --> 00:16:05,160 Speaker 2: there and gingle tramping off and everything they could, much 342 00:16:05,200 --> 00:16:09,120 Speaker 2: like the gold Rush. Just imagine it for feathers. Yeah right, yeah, okay, 343 00:16:09,160 --> 00:16:11,720 Speaker 2: Well next up in our next element, the richest man 344 00:16:11,760 --> 00:16:14,280 Speaker 2: in the world. But first let's take a break and 345 00:16:14,320 --> 00:16:37,440 Speaker 2: we'll be back in two and two. All right, Elizabeth, 346 00:16:37,440 --> 00:16:41,360 Speaker 2: we're back. I got more nuts for you. Yeah ready, 347 00:16:41,680 --> 00:16:46,440 Speaker 2: Enter Lord lionel Walter Rothschild, the second Baron Rothschild. Is 348 00:16:46,440 --> 00:16:49,040 Speaker 2: he an you could say so? I mean, I'm not. 349 00:16:49,120 --> 00:16:51,840 Speaker 2: I'm not. I just meant the story itself. I got 350 00:16:51,920 --> 00:16:52,840 Speaker 2: I got a whole bag of nuts. 351 00:16:52,960 --> 00:16:54,640 Speaker 3: I thought you had a bunch of bozos for me 352 00:16:54,680 --> 00:16:55,320 Speaker 3: to learn about. 353 00:16:55,440 --> 00:16:57,160 Speaker 2: I do that too. I got a I got a hole. 354 00:16:57,200 --> 00:16:59,160 Speaker 2: I got a bag of nuts and a bucket load 355 00:16:59,200 --> 00:17:01,760 Speaker 2: of bozos. This guy, he was the son of the 356 00:17:01,800 --> 00:17:05,639 Speaker 2: first Baron Rothschild aka Nathan, and his father was a 357 00:17:05,880 --> 00:17:09,119 Speaker 2: Nate magnate you know who he was. Father was an 358 00:17:09,160 --> 00:17:12,399 Speaker 2: international financier. This man, he'd founded the banking fortune that 359 00:17:12,440 --> 00:17:16,160 Speaker 2: we all still influences our world today. Right. His boy, 360 00:17:16,240 --> 00:17:18,520 Speaker 2: lionel Or Walter, as he was known to the fam 361 00:17:18,600 --> 00:17:20,760 Speaker 2: and to history, was the eldest of three kids. So 362 00:17:20,800 --> 00:17:23,240 Speaker 2: that means he stood in line to inherit everything and 363 00:17:23,280 --> 00:17:25,800 Speaker 2: become the next sigh On and so forth. But he 364 00:17:25,840 --> 00:17:28,199 Speaker 2: was kind of a delicate boy. So because of his 365 00:17:28,359 --> 00:17:30,880 Speaker 2: rather porcelain nature, he was homeschooled. And then that's where 366 00:17:30,880 --> 00:17:33,280 Speaker 2: he came up with his true life's ambition, which was 367 00:17:33,320 --> 00:17:36,480 Speaker 2: not running the family's banking empire. Instead, like Matt Damon, 368 00:17:36,560 --> 00:17:37,560 Speaker 2: he would buy a zoo. 369 00:17:37,880 --> 00:17:39,200 Speaker 3: Does he have soft hands? 370 00:17:39,480 --> 00:17:40,920 Speaker 2: No, he was a big dude. He's like six y 371 00:17:40,960 --> 00:17:43,639 Speaker 2: three and all that. Oh no, yeah, he had definitely 372 00:17:43,680 --> 00:17:47,840 Speaker 2: soft like butter soft hands, damp hands, moist, clammy hands. Yes, 373 00:17:47,920 --> 00:17:50,919 Speaker 2: I imagine that. So being the son of fabulous wealthies, I'm 374 00:17:50,920 --> 00:17:52,720 Speaker 2: building a zoo and he can build a zoo, So 375 00:17:52,920 --> 00:17:56,359 Speaker 2: a tremendousuo fabulous zoo. He would have everything. And you 376 00:17:56,400 --> 00:17:59,080 Speaker 2: know he because as I said, he's a you know, 377 00:17:59,400 --> 00:18:01,159 Speaker 2: child of wealth and privilege. He doesn't have to give 378 00:18:01,240 --> 00:18:03,119 Speaker 2: up this seven year old's dream. He can make it 379 00:18:03,160 --> 00:18:06,240 Speaker 2: actually happen, right, he has to wade out his family's 380 00:18:06,280 --> 00:18:09,560 Speaker 2: resistance to it. So eventually the family they buy him 381 00:18:09,600 --> 00:18:13,040 Speaker 2: the zoo, but not till he was forty years old. 382 00:18:13,200 --> 00:18:15,639 Speaker 2: By then, he had made it clear to everybody and 383 00:18:16,320 --> 00:18:19,120 Speaker 2: in every possible way that he had no head for finance. 384 00:18:19,440 --> 00:18:21,720 Speaker 3: And so Daddy says, I want a zoo exactly. 385 00:18:21,800 --> 00:18:24,480 Speaker 2: Daddy's like, Okay, give him the goddamn zoo. So they 386 00:18:24,480 --> 00:18:26,400 Speaker 2: bought him the zoo. Now, Walter he builds a zoo 387 00:18:26,440 --> 00:18:29,160 Speaker 2: right there on the family homes property at Tring Park. 388 00:18:29,440 --> 00:18:30,960 Speaker 2: And that's got to be fun. Like, you're one of 389 00:18:30,960 --> 00:18:32,520 Speaker 2: the richest men in the world. You live above the 390 00:18:32,560 --> 00:18:35,400 Speaker 2: lion cage that your son has created. You're like when 391 00:18:35,440 --> 00:18:37,720 Speaker 2: the wind shifts and you're like, we're gonna have to 392 00:18:37,800 --> 00:18:41,440 Speaker 2: change rooms, guys. So Walter Roschau he starts collecting animals. 393 00:18:41,440 --> 00:18:43,560 Speaker 2: He's like, this is like having a job, right. So, 394 00:18:43,880 --> 00:18:46,040 Speaker 2: but he's good to his word. His aim is to 395 00:18:46,040 --> 00:18:48,640 Speaker 2: become like Moses two point zero, just without the flood, right. 396 00:18:48,720 --> 00:18:53,080 Speaker 2: So he starts collecting everything butterflies. Mosah, what I say, Moses, 397 00:18:53,280 --> 00:18:59,639 Speaker 2: I'm sorry, Noah, come with me animals And then sorry, 398 00:19:00,200 --> 00:19:01,840 Speaker 2: You're right, Noah, not Moses. 399 00:19:01,840 --> 00:19:03,560 Speaker 3: I was trying to save you from like. 400 00:19:03,600 --> 00:19:06,000 Speaker 2: The Instagram comments when I have like yeah flub yeah, 401 00:19:06,040 --> 00:19:06,359 Speaker 2: So thank you. 402 00:19:06,359 --> 00:19:09,200 Speaker 3: I appreciate that I spend my life trying to avoid those. 403 00:19:09,280 --> 00:19:11,600 Speaker 2: Yeah, clearly I do not corrections. 404 00:19:11,640 --> 00:19:13,200 Speaker 3: You know again keep swimming. 405 00:19:13,240 --> 00:19:15,640 Speaker 2: But anyway, I like that about you. Yeah, good looking 406 00:19:15,680 --> 00:19:23,640 Speaker 2: at huh, you know I'm back. So butterflies, moths, lizards, rabbits, squirrels, tigers, kangaroos, giraffes, 407 00:19:23,720 --> 00:19:26,720 Speaker 2: you name it. He wants them in London, right, He's like, 408 00:19:26,720 --> 00:19:29,360 Speaker 2: what do you got? I'll take two. So you've likely 409 00:19:29,400 --> 00:19:31,600 Speaker 2: actually seen an image of this guy. You wouldn't think, 410 00:19:31,720 --> 00:19:33,639 Speaker 2: you know, Baron rothschildt off of site, but I'd be 411 00:19:33,680 --> 00:19:35,560 Speaker 2: willing to bet you you've seen him. He's the British 412 00:19:35,600 --> 00:19:38,400 Speaker 2: cat who used to drive around Victorian and later Edwardian 413 00:19:38,440 --> 00:19:40,800 Speaker 2: England in a carriage pulled by a team of zebras. 414 00:19:41,040 --> 00:19:44,760 Speaker 2: You ever seeing the photo of a team of zebras, perhaps, well, 415 00:19:44,760 --> 00:19:46,680 Speaker 2: he had this team of floor zebras and they'd pull 416 00:19:46,720 --> 00:19:48,760 Speaker 2: his coach to like Buckingham Palace, and there's all these 417 00:19:48,800 --> 00:19:50,880 Speaker 2: pictures of that, you know, which is kind of striking. 418 00:19:51,320 --> 00:19:53,399 Speaker 2: But there's also images of him riding zebras like he's 419 00:19:53,400 --> 00:19:55,679 Speaker 2: a British cowboy, which are just kind of silly. And 420 00:19:55,720 --> 00:19:58,200 Speaker 2: he was real big on domesticating zebras. For some reason, 421 00:19:58,240 --> 00:20:00,280 Speaker 2: he bred them. He crossbred them with horse says he 422 00:20:00,320 --> 00:20:05,359 Speaker 2: called the resulting creature he created a zebroid. So anyway, 423 00:20:05,400 --> 00:20:09,159 Speaker 2: due to his aforementioned delicate constitution, Old Walter Rothschild, he 424 00:20:09,160 --> 00:20:10,879 Speaker 2: didn't leave the UK much, not as much as he 425 00:20:10,880 --> 00:20:12,760 Speaker 2: would like to. He couldn't go on the adventures that 426 00:20:12,800 --> 00:20:14,119 Speaker 2: he craved. So instead, what did he do? 427 00:20:14,160 --> 00:20:17,439 Speaker 3: Elizabeth brings everyone to a very incompatible climate. 428 00:20:17,680 --> 00:20:20,520 Speaker 2: Yes, and he hires teams of men to bring him 429 00:20:20,520 --> 00:20:23,679 Speaker 2: the world. He hires all these hunters, he sends them 430 00:20:23,680 --> 00:20:26,879 Speaker 2: out into the wilderness of the world to collect samples 431 00:20:26,920 --> 00:20:30,119 Speaker 2: from everything from his animal wish list. Right, so he 432 00:20:30,640 --> 00:20:34,600 Speaker 2: paid also roomfuls of taxidermists to prepare his collection, because 433 00:20:34,600 --> 00:20:37,200 Speaker 2: remember talking in the thousands for these animals, he had 434 00:20:37,280 --> 00:20:40,520 Speaker 2: librarians and scientists on his payroll. He had paid a 435 00:20:40,600 --> 00:20:43,480 Speaker 2: team of naturalists to organize and label his collections. He's 436 00:20:43,520 --> 00:20:46,920 Speaker 2: like a one man industry. Eventually, Walter Rothschild he had 437 00:20:46,920 --> 00:20:50,000 Speaker 2: two hundred thousand bird eggs in his collection, ten one 438 00:20:50,080 --> 00:20:51,080 Speaker 2: hundred thousand. 439 00:20:51,240 --> 00:20:53,760 Speaker 3: Think of the storage space exactly. 440 00:20:53,600 --> 00:20:55,479 Speaker 2: Just moving him around, and you had to label them 441 00:20:55,520 --> 00:20:56,879 Speaker 2: all anyway, and these. 442 00:20:56,720 --> 00:20:58,840 Speaker 3: Are just like unfertilized bird egg. 443 00:20:58,720 --> 00:21:01,119 Speaker 2: Yeah, just like imagine like an Ostrich museum, just but 444 00:21:01,280 --> 00:21:05,800 Speaker 2: all the eggs. So he had thirty thousand beatles. He 445 00:21:05,880 --> 00:21:09,600 Speaker 2: had two million, two hundred and fifty thousand butterflies. It 446 00:21:09,680 --> 00:21:12,280 Speaker 2: was the largest private collection in the world at the 447 00:21:12,320 --> 00:21:15,240 Speaker 2: time by far, and thanks to my man Al Wallace's collection, 448 00:21:15,320 --> 00:21:18,400 Speaker 2: he also had three hundred thousand rare birds to display 449 00:21:18,920 --> 00:21:23,120 Speaker 2: eighty one hundred thousand. Yes. So in eighteen ninety two 450 00:21:23,920 --> 00:21:26,840 Speaker 2: he opens up his family's private parking museum collection to 451 00:21:26,920 --> 00:21:29,359 Speaker 2: the public. It becomes a wonder of its age. The 452 00:21:29,400 --> 00:21:32,640 Speaker 2: crowds love it. But just to make this long story short, 453 00:21:32,680 --> 00:21:34,800 Speaker 2: in nineteen thirty two, he gets blackmailed by a mistress 454 00:21:34,840 --> 00:21:37,199 Speaker 2: and he loses the zoo. So it wait plays out 455 00:21:37,240 --> 00:21:40,360 Speaker 2: like this. She was the third mistress to blackmail one. Right, 456 00:21:40,440 --> 00:21:43,560 Speaker 2: So this guy his first mistress had found out about 457 00:21:43,560 --> 00:21:45,960 Speaker 2: his second mistress and both of them were furious because 458 00:21:45,960 --> 00:21:47,960 Speaker 2: it turns out he had met his first two mistresses 459 00:21:48,160 --> 00:21:50,720 Speaker 2: at the exact same party. It was a hell of 460 00:21:50,720 --> 00:21:53,399 Speaker 2: a swanky affair hosted by King Edward the seventh. So 461 00:21:53,480 --> 00:21:56,280 Speaker 2: Walter rothschild. He starts canodling with Bogrim at the time. 462 00:21:56,320 --> 00:21:57,720 Speaker 2: Then they find out all hell. 463 00:21:57,680 --> 00:21:59,479 Speaker 3: Breaks these are mistresses, so he has one. 464 00:21:59,520 --> 00:22:00,760 Speaker 2: He's not married, he's unmarried. 465 00:22:00,840 --> 00:22:02,119 Speaker 3: Oh, they are just girlfriends. 466 00:22:02,200 --> 00:22:04,479 Speaker 2: Yes, but they're called mistresses and all the press because 467 00:22:04,520 --> 00:22:07,600 Speaker 2: at no point intending to marry them. They're not. Clearly, 468 00:22:07,720 --> 00:22:08,400 Speaker 2: you're not taking them. 469 00:22:08,440 --> 00:22:10,680 Speaker 3: I don't think they use the term girlfriend at the time. 470 00:22:10,800 --> 00:22:12,840 Speaker 2: No, but they're not girlfriends because he's not planning on marryland. 471 00:22:12,840 --> 00:22:13,440 Speaker 2: There's no future. 472 00:22:13,840 --> 00:22:16,440 Speaker 3: Fellows have a girlfriend, they have no intention of murder. 473 00:22:16,520 --> 00:22:18,399 Speaker 2: Yeah, we're just little more delicate. I guess these days 474 00:22:19,280 --> 00:22:22,000 Speaker 2: started calling girlfriends. They're mistress. Oh this is your mistress. No, 475 00:22:22,040 --> 00:22:23,919 Speaker 2: I'm not married. I know I know somebody. 476 00:22:24,040 --> 00:22:27,000 Speaker 3: We all know where be real, honey, don't get your hopes. 477 00:22:27,320 --> 00:22:30,560 Speaker 2: So eventually threats get made by these two mistresses. Now 478 00:22:30,600 --> 00:22:34,000 Speaker 2: remember I said that, Uh, he's Walter's kind of delicate. Well, 479 00:22:34,000 --> 00:22:36,320 Speaker 2: his brother, his younger brother, has to step in and 480 00:22:36,359 --> 00:22:39,680 Speaker 2: settle the royaling embarrassment to the family. He bribes both 481 00:22:39,720 --> 00:22:42,200 Speaker 2: women with land and money for them to go away. 482 00:22:42,240 --> 00:22:44,920 Speaker 2: So then now unmarried Walter rothschild. He finds himself a 483 00:22:44,960 --> 00:22:46,040 Speaker 2: new mistress to blackmail. 484 00:22:46,400 --> 00:22:48,639 Speaker 3: This man can like dip his wick all over the place, 485 00:22:48,640 --> 00:22:50,040 Speaker 3: but he can't settle up, like. 486 00:22:50,119 --> 00:22:54,000 Speaker 2: Come on, he's yeah, delicata. He doesn't deal with people 487 00:22:54,040 --> 00:22:55,320 Speaker 2: like he doesn't like game. 488 00:22:55,480 --> 00:22:58,359 Speaker 3: Thing you tell me about this man makes me loathe 489 00:22:58,480 --> 00:23:00,320 Speaker 3: him more and more. 490 00:23:00,640 --> 00:23:05,280 Speaker 2: Just wait. So his mistress of decades, she eventually blackmailed him. 491 00:23:05,359 --> 00:23:07,919 Speaker 2: He has a mistress he's with for four decades, the 492 00:23:07,960 --> 00:23:11,480 Speaker 2: same one during all of this, right, but she was married, 493 00:23:11,640 --> 00:23:14,919 Speaker 2: so she's married. He's not her husband and her conspire 494 00:23:15,000 --> 00:23:18,000 Speaker 2: to start blackmailing them. They blackmailed him for the four decades. 495 00:23:19,480 --> 00:23:20,200 Speaker 2: They just work them. 496 00:23:20,200 --> 00:23:21,160 Speaker 3: They blackmailed him. 497 00:23:21,080 --> 00:23:23,760 Speaker 2: For four decades, and at the very end they're like, 498 00:23:23,920 --> 00:23:25,840 Speaker 2: we need to cash out. So they cash out at 499 00:23:25,840 --> 00:23:27,880 Speaker 2: the casino and they go, we're gonna go big man. 500 00:23:28,040 --> 00:23:30,520 Speaker 2: He's like, oh, come on, guys, and they make him 501 00:23:30,560 --> 00:23:33,199 Speaker 2: sell his bird collection to pay off their ransom. So 502 00:23:33,280 --> 00:23:35,720 Speaker 2: he has to sell it off. He sells the Tring Museum. 503 00:23:36,080 --> 00:23:38,159 Speaker 2: He sells the museum and then on his death it 504 00:23:38,240 --> 00:23:40,639 Speaker 2: goes and gets transferred to the crown and the people 505 00:23:40,680 --> 00:23:41,160 Speaker 2: of the UK. 506 00:23:41,400 --> 00:23:45,399 Speaker 3: The magnitude of like the maronitude in this we were like, 507 00:23:45,560 --> 00:23:48,679 Speaker 3: he has three hundred thousand birds. I'm like, my mind exposed. 508 00:23:48,800 --> 00:23:50,960 Speaker 3: He was blackmailed for four decades. 509 00:23:51,359 --> 00:23:54,160 Speaker 2: And then he loses it to this married couple that've 510 00:23:54,160 --> 00:23:56,680 Speaker 2: been working there for He loses his whole collection. Right 511 00:23:56,720 --> 00:23:58,879 Speaker 2: the museum goes to the UK. It gets called in 512 00:23:58,920 --> 00:24:02,840 Speaker 2: nineteen thirty seven the Natural History Museum at Train. Now 513 00:24:02,880 --> 00:24:05,680 Speaker 2: in two thousand and nine, some random twenty something American 514 00:24:05,840 --> 00:24:08,960 Speaker 2: breaks into this museum, rifles through the collection and steals 515 00:24:08,960 --> 00:24:12,399 Speaker 2: the long prize fortune of Wallace and Rothschild and you 516 00:24:12,440 --> 00:24:15,520 Speaker 2: know the affair couple. This all the ultra rare birds. 517 00:24:15,800 --> 00:24:19,360 Speaker 2: This thief, what is he after? Elizabeth Feathers us say 518 00:24:19,480 --> 00:24:23,040 Speaker 2: yes so even talking rare bird Feathers British naturalists, one 519 00:24:23,040 --> 00:24:24,919 Speaker 2: of the wealthiest men in the world. Before I introduce 520 00:24:24,960 --> 00:24:26,520 Speaker 2: you to the criminal today, I do need to tell 521 00:24:26,560 --> 00:24:29,080 Speaker 2: you one more thing. You ready? You ever tie a fly? 522 00:24:30,440 --> 00:24:31,280 Speaker 3: Oh like fishing fly? 523 00:24:31,480 --> 00:24:34,480 Speaker 2: Yes? Good call. Yeah, I mean someone tried. 524 00:24:34,359 --> 00:24:37,000 Speaker 3: To teach me in the past and I go, oh, yeah, totally, 525 00:24:37,080 --> 00:24:39,080 Speaker 3: you've seen it done. I've seen it done. Actually my 526 00:24:39,119 --> 00:24:40,080 Speaker 3: father used to tie them. 527 00:24:40,119 --> 00:24:41,679 Speaker 2: You used tod type fly. Okay, there you go. It 528 00:24:41,680 --> 00:24:44,480 Speaker 2: turns out there's another group in this story who also 529 00:24:44,600 --> 00:24:48,040 Speaker 2: covet rare bird feathers. The dudes and Dudets who tie 530 00:24:48,080 --> 00:24:50,399 Speaker 2: flies for fly fishing. They like to use the feathers 531 00:24:50,440 --> 00:24:53,320 Speaker 2: for all sorts of imitations of nature designed a trick 532 00:24:53,320 --> 00:24:55,639 Speaker 2: fish into thinking it's a flying insect. Right, So the 533 00:24:55,640 --> 00:24:58,399 Speaker 2: New York Times they once documented this salmon fly fishing 534 00:24:58,440 --> 00:25:01,879 Speaker 2: expert dude tie his own flies. He ties flies professionally 535 00:25:01,880 --> 00:25:05,320 Speaker 2: for others. He's a master tie flyer or fly tire anyway, 536 00:25:05,400 --> 00:25:07,600 Speaker 2: whichever the case may be. His name is Paul Schmuckl, 537 00:25:07,720 --> 00:25:09,560 Speaker 2: and this cat Paul Schmukel. He was quoted in a 538 00:25:09,640 --> 00:25:12,600 Speaker 2: nineteen ninety profile wherein he tells the Paper of Record 539 00:25:12,600 --> 00:25:14,600 Speaker 2: that quote, we will use up to one hundred and 540 00:25:14,600 --> 00:25:18,240 Speaker 2: fifty different materials, ranging from polar bear and mink fur 541 00:25:18,480 --> 00:25:22,040 Speaker 2: to the feathers of wild turkeys, golden and reeves, pheasants, 542 00:25:22,240 --> 00:25:26,800 Speaker 2: the African speckled buzzard, and the Brazilian blue chatterer. I'm sorry, 543 00:25:26,840 --> 00:25:28,320 Speaker 2: that's just a fun list to say. I don't get it. 544 00:25:29,200 --> 00:25:31,160 Speaker 2: How often do you say the Brazilian blue chatterer. 545 00:25:31,240 --> 00:25:33,640 Speaker 3: Well, it seems like they're like, you know, wild turkeys, 546 00:25:34,119 --> 00:25:36,080 Speaker 3: they're all over the place, and we got him walking. 547 00:25:35,920 --> 00:25:38,119 Speaker 2: All over the African speckled buzzard. 548 00:25:37,960 --> 00:25:40,159 Speaker 3: Polar bears like please tell me you just went and 549 00:25:40,200 --> 00:25:41,520 Speaker 3: snipped a little off the side. 550 00:25:41,560 --> 00:25:44,600 Speaker 2: You didn't. I'm hoping he went to the zoo. He's like, 551 00:25:44,600 --> 00:25:46,000 Speaker 2: do you guys just cleaned up? Like sleep up? 552 00:25:46,400 --> 00:25:49,879 Speaker 3: Trying to get disappointed in fly fisher people, just we 553 00:25:50,200 --> 00:25:53,679 Speaker 3: I always admired it because it's a very contemplative activity. 554 00:25:53,920 --> 00:25:57,000 Speaker 3: And not only just in the tying of the flies. 555 00:25:57,119 --> 00:25:58,520 Speaker 2: I've been where a river runs through it. 556 00:25:58,760 --> 00:26:02,919 Speaker 3: Exactly. You just stand there, just a little quiet, keeping yourself. 557 00:26:02,760 --> 00:26:06,960 Speaker 2: Imitating legs, like imitating imagine. 558 00:26:06,560 --> 00:26:10,439 Speaker 3: That people are yes, and I take every opportunity to 559 00:26:10,480 --> 00:26:11,800 Speaker 3: say someone's peeing their pants. 560 00:26:11,840 --> 00:26:13,880 Speaker 2: Yes, that's good anyway. 561 00:26:13,920 --> 00:26:16,360 Speaker 3: But yeah, I know it's very contemplative and I appreciate that. 562 00:26:16,440 --> 00:26:20,600 Speaker 3: But now that they're just as craven and disgusting, Oh yeah, 563 00:26:20,640 --> 00:26:23,680 Speaker 3: they're all breaking my main credo in life, which is 564 00:26:23,960 --> 00:26:26,800 Speaker 3: let wild be wild. I like your main that's my 565 00:26:26,880 --> 00:26:29,480 Speaker 3: big thing, Let wild be wild. 566 00:26:29,560 --> 00:26:31,160 Speaker 2: You have a Mary Oliver, I'm telling it. You always 567 00:26:31,160 --> 00:26:31,640 Speaker 2: about it. 568 00:26:31,920 --> 00:26:34,600 Speaker 3: Love her. But yeah, like, come on, guys. 569 00:26:34,880 --> 00:26:38,280 Speaker 2: Well you're gonna hate this next part. Chief among the 570 00:26:38,359 --> 00:26:42,040 Speaker 2: chosen natural materials of these fly fishermen is rare bird feathers, right, 571 00:26:42,119 --> 00:26:44,160 Speaker 2: and they are integral to a number of different fly 572 00:26:44,240 --> 00:26:46,120 Speaker 2: what they call recipes that you'll find in all these 573 00:26:46,160 --> 00:26:48,720 Speaker 2: manuals that are available. But get this, Elizabeth, most of 574 00:26:48,760 --> 00:26:51,359 Speaker 2: the flies these folks tie, they never actually get used 575 00:26:51,400 --> 00:26:54,760 Speaker 2: for fly fishing. So at this point they're just it's 576 00:26:54,880 --> 00:26:56,000 Speaker 2: it's a whole art of tie. 577 00:26:56,160 --> 00:26:58,320 Speaker 3: They're in a shadow box on someone's walls exactly. 578 00:26:58,359 --> 00:27:00,280 Speaker 2: So these ties are works of art. These beauties create. 579 00:27:00,320 --> 00:27:02,399 Speaker 2: They never touch water. I mean, would you throw Van 580 00:27:02,440 --> 00:27:04,720 Speaker 2: gos Storry night into a rushing creek, Elizabeth, No, you 581 00:27:04,720 --> 00:27:05,119 Speaker 2: would not. 582 00:27:05,160 --> 00:27:06,840 Speaker 3: I needed to teach a man to fish. 583 00:27:07,680 --> 00:27:10,000 Speaker 2: So these flies also at this point they can cost 584 00:27:10,119 --> 00:27:13,080 Speaker 2: thousands of dollars. Would you throw thousands of dollars into 585 00:27:13,080 --> 00:27:16,959 Speaker 2: a rocky bottom stream, Elizabeth? You would not. Anyway, you 586 00:27:17,000 --> 00:27:22,440 Speaker 2: probably would also anywhere whole festivals dedicated just to tying flies, 587 00:27:22,880 --> 00:27:24,520 Speaker 2: not to fishing, right, just to tying. 588 00:27:24,680 --> 00:27:27,199 Speaker 3: Probably find festivals dedicated to pretty much. 589 00:27:27,320 --> 00:27:28,920 Speaker 2: Yeah, it's kind of rule thirty four. On the Internet, 590 00:27:29,040 --> 00:27:31,920 Speaker 2: people either gather or yeah anyway, So there are conventions, 591 00:27:31,960 --> 00:27:34,280 Speaker 2: there are meetups, There are groups rife with folks who 592 00:27:34,280 --> 00:27:38,440 Speaker 2: are all they all covet the feather, right, yeah, especially birds, 593 00:27:38,640 --> 00:27:41,040 Speaker 2: And just like remember those Victorian feather hunters of the past. 594 00:27:41,080 --> 00:27:42,719 Speaker 2: They also kind of get into a craze and a 595 00:27:42,720 --> 00:27:44,640 Speaker 2: mania out of this all, right now, So naturally these 596 00:27:44,640 --> 00:27:47,600 Speaker 2: folks will pay high dollar for these rare feathers that 597 00:27:47,640 --> 00:27:50,960 Speaker 2: they desire. Like addicts or junkies or funko pop collectors. 598 00:27:51,160 --> 00:27:54,080 Speaker 2: They're willing to ruin their lives in pursuit of rare 599 00:27:54,119 --> 00:27:56,440 Speaker 2: bird feathers. Yeah, and you know what that means, Elizabeth, 600 00:27:56,480 --> 00:28:00,520 Speaker 2: that means crime. So meet Edwin Risk. Yes, two year 601 00:28:00,520 --> 00:28:02,560 Speaker 2: old American floutist and fly. 602 00:28:02,440 --> 00:28:04,400 Speaker 3: Tying and daddiest on top of it all. 603 00:28:04,480 --> 00:28:06,160 Speaker 2: Dude was born in New York City. Later his family 604 00:28:06,240 --> 00:28:09,159 Speaker 2: moved upstate to Hudson Valley area. That's where he was homeschooled. 605 00:28:09,200 --> 00:28:11,960 Speaker 2: At a rage around ten years old, young ed Woim's home. 606 00:28:11,960 --> 00:28:14,040 Speaker 2: He's sitting there, he's, you know, schooling it up. He 607 00:28:14,080 --> 00:28:16,720 Speaker 2: sees a video about tying flies. He starts watching. A 608 00:28:16,800 --> 00:28:19,880 Speaker 2: kid is in fraud, right, He's he's also he's watch 609 00:28:19,960 --> 00:28:21,800 Speaker 2: he wants him to watch another video and another one. 610 00:28:21,920 --> 00:28:24,360 Speaker 2: He got no friends and he's got nothing to do, 611 00:28:24,520 --> 00:28:26,879 Speaker 2: and so he's hooked. He runs around his home gathering 612 00:28:26,960 --> 00:28:29,520 Speaker 2: up all these materials. He immediately begins imitating what he's 613 00:28:29,520 --> 00:28:31,560 Speaker 2: watching on the screen. He ties his very first fly. 614 00:28:31,840 --> 00:28:34,800 Speaker 2: That moment, moment changes the entire course of his life. 615 00:28:34,840 --> 00:28:37,600 Speaker 2: That one fly tying video did he happen to see? 616 00:28:38,000 --> 00:28:41,160 Speaker 2: Is wild? Like a one random us have those. 617 00:28:41,000 --> 00:28:43,800 Speaker 3: One moments exactly, you know, change the course of everything. 618 00:28:43,840 --> 00:28:46,360 Speaker 2: I think every kink is based on that one moment. No, 619 00:28:46,400 --> 00:28:48,920 Speaker 2: I mean, seriously, how much of a life anyway, So 620 00:28:49,560 --> 00:28:52,120 Speaker 2: his obsession with tie flying it grabs hold of him. 621 00:28:52,320 --> 00:28:54,360 Speaker 2: He starts focusing on trout flies as a kid. No, 622 00:28:54,480 --> 00:28:56,040 Speaker 2: trout flies, they're kind of easy for a kid to 623 00:28:56,080 --> 00:28:58,040 Speaker 2: tie because they're supposed to look like an ugly insect 624 00:28:58,080 --> 00:29:00,680 Speaker 2: and not like a beautiful yeah may fly or something. 625 00:29:00,960 --> 00:29:02,760 Speaker 2: So it's supposed to look like a bug. Right, So 626 00:29:02,800 --> 00:29:05,080 Speaker 2: he's able to do those and he starts to learn 627 00:29:05,120 --> 00:29:07,720 Speaker 2: as young and when risks, he starts learning all the techniques, 628 00:29:07,760 --> 00:29:10,720 Speaker 2: the history of tie flying. He spreads his own little wings. 629 00:29:10,720 --> 00:29:14,040 Speaker 2: He begins to compete. He travels to fly tying contests 630 00:29:14,080 --> 00:29:16,480 Speaker 2: one and two states away, mostly in New England. Right, 631 00:29:16,760 --> 00:29:20,320 Speaker 2: and at a convention, he sees someone who's tying salmon flies. 632 00:29:20,760 --> 00:29:23,240 Speaker 2: This is like Gwernica to his young eyes. He's like, 633 00:29:23,320 --> 00:29:26,160 Speaker 2: oh so young boy, thighs are now drawn to all 634 00:29:26,200 --> 00:29:29,440 Speaker 2: this bright, strange, rare bird feathers that this person used 635 00:29:29,440 --> 00:29:32,160 Speaker 2: for this salmon fly. And there he asks, and he 636 00:29:32,200 --> 00:29:34,600 Speaker 2: finds out there were twelve different types of bird feathers 637 00:29:34,680 --> 00:29:37,680 Speaker 2: used for just this one salmon fly. They're all delicately 638 00:29:37,720 --> 00:29:40,160 Speaker 2: wrapped and braided around the eyelid of the fish hook. 639 00:29:40,360 --> 00:29:42,360 Speaker 2: And he stares long and hard at this salmon fly 640 00:29:42,480 --> 00:29:44,720 Speaker 2: right the colors, and he just transfix them. It's like 641 00:29:44,720 --> 00:29:46,760 Speaker 2: a magic spell gets cast. He just has to be 642 00:29:46,800 --> 00:29:49,440 Speaker 2: about this to pare for his Netchere, Elizabeth, he stared 643 00:29:49,480 --> 00:29:52,120 Speaker 2: into the salmon fly, and the salmon flies stared into him. 644 00:29:52,440 --> 00:29:54,440 Speaker 2: Now evan to risk, he's got a new obsession, right, 645 00:29:54,520 --> 00:29:57,760 Speaker 2: so he books lessons with masters of salmon fly tying. 646 00:29:58,000 --> 00:30:00,360 Speaker 2: Turns out this kid's a natural. He had a god 647 00:30:00,440 --> 00:30:03,479 Speaker 2: given gift for making imitation insects out of bird feathers 648 00:30:03,520 --> 00:30:07,240 Speaker 2: and some mink fur or whatever. Rights having to drive 649 00:30:07,280 --> 00:30:09,920 Speaker 2: like all around these different states. Let's go get you 650 00:30:09,960 --> 00:30:13,040 Speaker 2: those fly like you can't watch them, Like when you 651 00:30:13,040 --> 00:30:14,640 Speaker 2: have a kid who's like good at gymnastics, at least 652 00:30:14,640 --> 00:30:15,840 Speaker 2: you can watch some fun stuff. 653 00:30:15,880 --> 00:30:19,400 Speaker 3: You're like, oh, oh, man, I would take driving around 654 00:30:19,520 --> 00:30:24,840 Speaker 3: to fly tying over a gymnastics meet any day. 655 00:30:25,000 --> 00:30:27,600 Speaker 2: Okay, well that's the difference between you and I. Jim's stink, 656 00:30:27,760 --> 00:30:30,640 Speaker 2: the competition, the action, there's something going on instead of 657 00:30:30,640 --> 00:30:33,239 Speaker 2: like get out the ziplock turkey bag and find that 658 00:30:33,280 --> 00:30:34,480 Speaker 2: really feather. 659 00:30:34,680 --> 00:30:36,280 Speaker 3: Yeah, I would go for the feather thing. 660 00:30:36,480 --> 00:30:41,040 Speaker 2: Yeah. Anyway, so guys, this is not a huge surprise 661 00:30:41,120 --> 00:30:42,840 Speaker 2: that this guy's good. Had all of this to be, 662 00:30:43,080 --> 00:30:45,560 Speaker 2: I said, he's a natural. I remember also this, I said, 663 00:30:45,560 --> 00:30:48,520 Speaker 2: he is a floutest. He was a virtuos too floutest. 664 00:30:48,600 --> 00:30:51,280 Speaker 2: This kid Edwin is like he could play a tune 665 00:30:51,280 --> 00:30:52,920 Speaker 2: on a flute to make a grown man cry. I 666 00:30:52,920 --> 00:30:55,480 Speaker 2: mean he's like as a kid. Apparently he also could 667 00:30:55,480 --> 00:30:57,640 Speaker 2: play metallic on his flute. I mean he was just 668 00:30:57,640 --> 00:30:58,320 Speaker 2: about it, right. 669 00:30:58,320 --> 00:31:01,160 Speaker 3: I like to hear all of those. I like how 670 00:31:01,240 --> 00:31:06,920 Speaker 3: high minded his games and activities. Kind of like a 671 00:31:06,960 --> 00:31:10,120 Speaker 3: sixty year old man in a child wants to tie 672 00:31:10,120 --> 00:31:12,160 Speaker 3: flies and he wants to play the floor. 673 00:31:12,560 --> 00:31:15,360 Speaker 2: Yeah, and you know from Metallica. 674 00:31:15,520 --> 00:31:17,600 Speaker 3: Yeah, hey, he's ste year old man. 675 00:31:17,840 --> 00:31:20,240 Speaker 2: It makes you believe in reincarnation. Anyway, as I said, 676 00:31:20,280 --> 00:31:22,720 Speaker 2: he's got to get for artistic expressions. His obsession with 677 00:31:22,760 --> 00:31:25,320 Speaker 2: time flies continues to hold over him. There's one problem, though. 678 00:31:25,440 --> 00:31:28,720 Speaker 2: If vund Wrist wants to recreate the recipes he's finding 679 00:31:28,760 --> 00:31:32,000 Speaker 2: in these nineteenth centuries masters of tie flyings recipe books, 680 00:31:32,080 --> 00:31:34,560 Speaker 2: he would need the materials that they had. Super rare materials, 681 00:31:34,600 --> 00:31:36,800 Speaker 2: the sort of materials that are now illegal to purchase 682 00:31:37,440 --> 00:31:41,240 Speaker 2: laws would not stop him. Elizabeth, he had flies to tie. 683 00:31:41,720 --> 00:31:45,280 Speaker 2: Years later, he moves to England. He finds himself not 684 00:31:45,440 --> 00:31:47,920 Speaker 2: far from one of the greatest collections of rare bird 685 00:31:47,960 --> 00:31:51,240 Speaker 2: feathers known to humanity. The idea of us come to 686 00:31:51,320 --> 00:31:52,760 Speaker 2: him one day. He was just like, you know, I 687 00:31:52,880 --> 00:31:56,240 Speaker 2: must break into the British National History Museum. So he 688 00:31:56,280 --> 00:31:59,400 Speaker 2: decides he's going to steal Lord Rothschild's display of Wallace's 689 00:31:59,440 --> 00:32:02,240 Speaker 2: rare birds, and if he was successful, he would sell 690 00:32:02,240 --> 00:32:05,040 Speaker 2: the feathers to all of his fellow fly tying officionados. 691 00:32:05,080 --> 00:32:07,280 Speaker 2: He would free the feathers, because you know, that's what 692 00:32:07,320 --> 00:32:09,360 Speaker 2: he was really after, Elizabeth. He wanted to buy himself 693 00:32:09,360 --> 00:32:11,680 Speaker 2: that solid gold flute. So he's planning a move in 694 00:32:11,720 --> 00:32:12,320 Speaker 2: these feathers. 695 00:32:12,360 --> 00:32:15,240 Speaker 3: So are these birds actually on display? 696 00:32:15,440 --> 00:32:16,440 Speaker 2: Taxidermy birds. 697 00:32:16,440 --> 00:32:18,600 Speaker 3: They're not just in the storerooms. 698 00:32:18,040 --> 00:32:21,080 Speaker 2: Taxidermy birds on display, last case, his cabinets, the whole bit. 699 00:32:21,200 --> 00:32:23,640 Speaker 2: Sometimes feathers like attached to a wing. 700 00:32:23,880 --> 00:32:26,200 Speaker 3: Because I'm trying to decide how mad I get because 701 00:32:26,200 --> 00:32:28,360 Speaker 3: I'm thinking, like, if they're just in a storage space 702 00:32:28,400 --> 00:32:30,120 Speaker 3: and no one can see them, well, maybe they get 703 00:32:30,160 --> 00:32:32,840 Speaker 3: repurposed and people can see it because they're not using 704 00:32:32,880 --> 00:32:37,080 Speaker 3: these for actual fly fishing. They're for display purposes. Wait, 705 00:32:37,280 --> 00:32:38,600 Speaker 3: oh my goodness. 706 00:32:38,720 --> 00:32:43,000 Speaker 2: So he is now next to the greatest temptation that 707 00:32:43,080 --> 00:32:46,280 Speaker 2: you could possibly conceive for this kid, the Natural History 708 00:32:46,360 --> 00:32:51,880 Speaker 2: Museum at Tring. They're in South Kensington, Soliz, Yes, can 709 00:32:51,920 --> 00:32:54,880 Speaker 2: you feel them, just like the anticipation, the anxiety this 710 00:32:54,960 --> 00:32:57,280 Speaker 2: kid must have, like, how can I get those feathers? Huh? 711 00:32:57,600 --> 00:32:58,960 Speaker 2: I want you to stay right there with that feeling, 712 00:32:59,000 --> 00:33:01,120 Speaker 2: cause we're gonna take a break afterwards. We're gonna bust 713 00:33:01,120 --> 00:33:24,480 Speaker 2: into that museum. Yeah all right, Elizabeth, Yes, you're ready 714 00:33:24,520 --> 00:33:28,080 Speaker 2: to bust into this baby. We're gonna free some feathers. Okay. Now, 715 00:33:28,120 --> 00:33:30,520 Speaker 2: this museum, it boasted, the is at this point the 716 00:33:30,720 --> 00:33:34,160 Speaker 2: second largest ornithological collection on the planet. I think the 717 00:33:34,160 --> 00:33:36,680 Speaker 2: Smithsonian has passed it or the Naturalisty Museum in New York. 718 00:33:36,680 --> 00:33:38,240 Speaker 2: I cannot remember. I did not look up what was 719 00:33:38,320 --> 00:33:42,520 Speaker 2: number one. But it was criminally unguarded or underguarded. Yeah, 720 00:33:42,600 --> 00:33:45,120 Speaker 2: it did have guards, but it was a rather easy target, 721 00:33:45,160 --> 00:33:48,160 Speaker 2: even for an amateur cat burglar. So Edwin brist he 722 00:33:48,200 --> 00:33:50,720 Speaker 2: does it the smart way. He cases the joint. He 723 00:33:50,840 --> 00:33:54,040 Speaker 2: visits the museum pretending to be a student photographer. That 724 00:33:54,080 --> 00:33:56,960 Speaker 2: gives him cover, right, so he's able to photograph everything. 725 00:33:57,640 --> 00:34:00,400 Speaker 2: He takes photos of all the cases, the cabinets, every 726 00:34:00,480 --> 00:34:02,920 Speaker 2: rare bird he wants to on his shopping list. He 727 00:34:02,960 --> 00:34:04,719 Speaker 2: of course, you know, he takes photos of the entrances, 728 00:34:04,760 --> 00:34:06,760 Speaker 2: the exists, all the info he'd need for his eventual 729 00:34:07,000 --> 00:34:10,240 Speaker 2: break in plan right for the next seven or eight months, 730 00:34:10,440 --> 00:34:13,280 Speaker 2: He creates his master plan, and like you, he created 731 00:34:13,280 --> 00:34:19,200 Speaker 2: a word document. He titled it Plan for a Museum Invasion. Yes, 732 00:34:19,239 --> 00:34:21,719 Speaker 2: in the document, he typed out his shopping list of 733 00:34:21,719 --> 00:34:24,839 Speaker 2: burglary tools and birds he wanted, and his wish list, 734 00:34:24,920 --> 00:34:28,000 Speaker 2: you know, just everything that could go right. And he 735 00:34:28,120 --> 00:34:30,680 Speaker 2: keeps visiting the Tring Museum working on his plan. We're 736 00:34:30,680 --> 00:34:33,640 Speaker 2: working up the nerve. One day he feels good to go. 737 00:34:33,719 --> 00:34:36,240 Speaker 2: He's like, all my ducks are in a row. So finally, 738 00:34:36,320 --> 00:34:39,320 Speaker 2: on a fateful summer day in June, edwind Wrist sets 739 00:34:39,360 --> 00:34:41,320 Speaker 2: his hest plan into motion. It was the night of 740 00:34:41,400 --> 00:34:43,960 Speaker 2: June twenty third, two thousand and nine. Edwind Wrist scheduled 741 00:34:44,000 --> 00:34:47,000 Speaker 2: to perform in a concert in London. He brought his 742 00:34:47,000 --> 00:34:50,520 Speaker 2: flute with him. He turned that concert hall out. Then 743 00:34:50,760 --> 00:34:53,400 Speaker 2: he took a train up to Tring Park. That I 744 00:34:53,440 --> 00:34:55,600 Speaker 2: discovered his estimated to be about a forty five minute 745 00:34:55,640 --> 00:34:57,759 Speaker 2: long train. Right, Okay, I haven't taken it. I don't know. 746 00:34:57,880 --> 00:34:59,760 Speaker 2: Don't jump on me if I'm wrong. Yeah, But whatever 747 00:34:59,800 --> 00:35:02,880 Speaker 2: it is, I do know this, Elizabeth. I'm not gonna 748 00:35:02,880 --> 00:35:04,319 Speaker 2: just tell you about that night. I want you to 749 00:35:04,320 --> 00:35:06,560 Speaker 2: close your eyes and I want you to picture as 750 00:35:06,600 --> 00:35:11,839 Speaker 2: a close You are a Victorian era ghost, yes I am. 751 00:35:12,120 --> 00:35:14,719 Speaker 2: You haunt the former home of the Baron Rothschild. You 752 00:35:14,760 --> 00:35:17,200 Speaker 2: were one of the Rothschild's domestic servants, but you died 753 00:35:17,200 --> 00:35:19,279 Speaker 2: in a tragic hunting accident. So now you stalk the 754 00:35:19,280 --> 00:35:22,520 Speaker 2: grounds of Trink Park, specifically the spot where you were shot, 755 00:35:22,719 --> 00:35:25,080 Speaker 2: which happens to be the Natural History Museum at Tring. 756 00:35:25,680 --> 00:35:28,040 Speaker 2: It's nighttime you're doing your thing, haunting the hallways of 757 00:35:28,120 --> 00:35:31,600 Speaker 2: the museum. You hear a noise. You float directly through 758 00:35:31,640 --> 00:35:33,600 Speaker 2: the brick walls of the building and pass through into 759 00:35:33,640 --> 00:35:35,920 Speaker 2: the alley that runs behind the museum. You spy a 760 00:35:35,960 --> 00:35:39,160 Speaker 2: young man dragging a suitcase behind him. You watch as 761 00:35:39,160 --> 00:35:41,960 Speaker 2: he climbs up the backside of the museum. He cuts 762 00:35:42,080 --> 00:35:44,560 Speaker 2: the barbed wire meant to keep someone like him out. 763 00:35:44,640 --> 00:35:47,279 Speaker 2: With one good snip, the barbed wire springs away with 764 00:35:47,320 --> 00:35:49,560 Speaker 2: the tension of the wires. The young man climbs up 765 00:35:49,600 --> 00:35:52,719 Speaker 2: to a window. He goes up with his suitcase. Once 766 00:35:52,760 --> 00:35:55,600 Speaker 2: he's situated, he pulls out a diamond tip glass cutter. 767 00:35:55,719 --> 00:35:58,799 Speaker 2: You watch with curious relish. He tries to use the 768 00:35:58,840 --> 00:36:01,120 Speaker 2: glass cutter like you see in a movie, like a 769 00:36:01,120 --> 00:36:03,880 Speaker 2: cat burglar would do, or to his mind, like a 770 00:36:03,920 --> 00:36:06,759 Speaker 2: superspied James Bond guy would do. But the glass cutter 771 00:36:06,840 --> 00:36:09,799 Speaker 2: he bought online doesn't work. It fails him in that 772 00:36:09,800 --> 00:36:12,640 Speaker 2: critical moment, so you float over closer to see what 773 00:36:12,719 --> 00:36:15,360 Speaker 2: he's up to. He doesn't sense you, though. Instead he 774 00:36:15,360 --> 00:36:17,480 Speaker 2: hops back down to the ground. He pulls a loose brick, 775 00:36:17,520 --> 00:36:19,840 Speaker 2: then he climbs back up and smashes the glass of 776 00:36:19,840 --> 00:36:23,200 Speaker 2: the window. Then he reaches in. He opens the window, 777 00:36:23,239 --> 00:36:25,680 Speaker 2: swings it open, shoves his luggage into the window. The 778 00:36:25,719 --> 00:36:29,720 Speaker 2: suitcase lands inside the museum with a leathery slap. Meanwhile, 779 00:36:29,800 --> 00:36:31,720 Speaker 2: you float there wondering if you have a new roommate 780 00:36:31,760 --> 00:36:34,640 Speaker 2: in the museum. You float back through the brick wall 781 00:36:34,640 --> 00:36:36,480 Speaker 2: and catch up with a cat burglar. You watch him 782 00:36:36,480 --> 00:36:39,520 Speaker 2: as he quietly opens the glass faced cabinets and cases. 783 00:36:39,560 --> 00:36:43,040 Speaker 2: They barely creak with noise. Then he shoves Taxi dermy 784 00:36:43,080 --> 00:36:46,880 Speaker 2: bird after Taxi dermy bird into his suitcase. You know 785 00:36:46,920 --> 00:36:49,440 Speaker 2: there's a security guard working that night. You saw him earlier, 786 00:36:49,440 --> 00:36:52,280 Speaker 2: a droll fellow of little imagination. He's not even worth haunting, 787 00:36:52,280 --> 00:36:54,920 Speaker 2: but you know he's there. Later on, that same security 788 00:36:54,920 --> 00:36:57,640 Speaker 2: guard will say that an alarm did go off that night, 789 00:36:58,080 --> 00:37:00,200 Speaker 2: but in a different one of the six gallery of 790 00:37:00,239 --> 00:37:03,440 Speaker 2: the museum. But you, you are here, you know what 791 00:37:03,560 --> 00:37:06,399 Speaker 2: really happened. As best as you can count. The young 792 00:37:06,440 --> 00:37:09,520 Speaker 2: man steals two hundred and ninety nine rare birds from 793 00:37:09,520 --> 00:37:12,440 Speaker 2: the collection. Then he exits the same way he came in. 794 00:37:12,640 --> 00:37:14,280 Speaker 2: It just takes him a second or two to shove 795 00:37:14,320 --> 00:37:16,560 Speaker 2: his suitcase back through the open window and like that 796 00:37:16,800 --> 00:37:21,200 Speaker 2: he's gone. So Edwin Risk gets away with it. 797 00:37:21,320 --> 00:37:24,960 Speaker 3: He successfully steals three birds, a suitcase. 798 00:37:24,520 --> 00:37:28,880 Speaker 2: Full of birds. So I don't know, like why that 799 00:37:29,000 --> 00:37:31,279 Speaker 2: worked for him, that was his first big bus, but 800 00:37:31,440 --> 00:37:34,480 Speaker 2: it works. So the amateur cat burglar. He goes to 801 00:37:34,520 --> 00:37:36,719 Speaker 2: a train station. His plan is then could take the 802 00:37:36,760 --> 00:37:39,800 Speaker 2: last train back to London. But he took so long 803 00:37:39,920 --> 00:37:43,040 Speaker 2: shopping for birds. He was like, you know those grocery 804 00:37:43,080 --> 00:37:45,839 Speaker 2: store shopping spree TV shows. Now was him in the museum, right, 805 00:37:45,880 --> 00:37:49,480 Speaker 2: It's bird after bird in the suitcase. He's dragging it around, 806 00:37:49,480 --> 00:37:52,360 Speaker 2: more birds, more birds, takes he gets so many birds. 807 00:37:52,400 --> 00:37:54,000 Speaker 2: When he gets to the train station, he's missed the 808 00:37:54,080 --> 00:37:56,200 Speaker 2: last train. So what's he gonna do now? Now he's 809 00:37:56,239 --> 00:37:58,239 Speaker 2: sitting there with basically about a million dollars worth of 810 00:37:58,239 --> 00:38:01,040 Speaker 2: birds in a suitcase at a train station somewhere in 811 00:38:01,080 --> 00:38:04,600 Speaker 2: the like suburbs of London. So he sits there at 812 00:38:04,640 --> 00:38:07,160 Speaker 2: a train station, all by himself, just a few miles 813 00:38:07,200 --> 00:38:10,520 Speaker 2: away from the museum. He's just burgled. And uh, luckily 814 00:38:10,560 --> 00:38:12,120 Speaker 2: though he's not in a part of England where someone 815 00:38:12,200 --> 00:38:14,239 Speaker 2: would think to steal his suitcase. That's the only thing 816 00:38:14,280 --> 00:38:15,160 Speaker 2: that works out for him. 817 00:38:15,200 --> 00:38:17,560 Speaker 3: Right, they'd be disappointed, dude, the flute player. 818 00:38:17,880 --> 00:38:20,160 Speaker 2: Right, imagine you steal suitcase. It's kind of heavy. You 819 00:38:20,160 --> 00:38:22,680 Speaker 2: think elders is coming here, get home. It's just a 820 00:38:22,680 --> 00:38:24,000 Speaker 2: bunch of tropical dead birds. 821 00:38:24,080 --> 00:38:26,239 Speaker 3: No, not my suitcase. There's a million dollars with the 822 00:38:26,239 --> 00:38:29,280 Speaker 3: stuff in there. You're like, oh yeah, what kind of money? 823 00:38:29,320 --> 00:38:33,760 Speaker 2: Python sketch him I in anyway, the dude, he's safely this, 824 00:38:33,760 --> 00:38:36,359 Speaker 2: this flute player safely spends the night in the train station. 825 00:38:36,560 --> 00:38:38,840 Speaker 2: No cops come up to him, No strangers walk up 826 00:38:38,880 --> 00:38:41,360 Speaker 2: and say his full name at him, No one punks 827 00:38:41,400 --> 00:38:43,480 Speaker 2: him for his suitcase. He makes it all the way 828 00:38:43,480 --> 00:38:46,600 Speaker 2: to dawn, He catches the first morning train, makes it 829 00:38:46,640 --> 00:38:51,040 Speaker 2: back to London. He goes back to you know his place. Now. 830 00:38:51,040 --> 00:38:52,959 Speaker 2: It's the next day, June twenty four to two thousand 831 00:38:52,960 --> 00:38:55,200 Speaker 2: and nine. Police are called out to the Natural History Museum. 832 00:38:55,440 --> 00:38:57,560 Speaker 2: Governort has been a break in. It's a train right. 833 00:38:57,960 --> 00:39:00,359 Speaker 2: The staffed and administrators of the train museum are on it. 834 00:39:00,440 --> 00:39:03,520 Speaker 2: The quickly tabulate Elizabeth the damage and lost items. Doesn't 835 00:39:03,520 --> 00:39:05,920 Speaker 2: take them long. Not coincidentally, it was all male birds 836 00:39:05,920 --> 00:39:07,160 Speaker 2: that were stolen. Why is that? 837 00:39:07,320 --> 00:39:08,520 Speaker 3: Aren't they the showier one. 838 00:39:08,600 --> 00:39:11,399 Speaker 2: Yes, he's not some kind of bird sexiest. Turns out 839 00:39:11,719 --> 00:39:14,440 Speaker 2: that in the bird world, magnificent plumage and regal feathers 840 00:39:14,440 --> 00:39:17,879 Speaker 2: are the male's domain, right They females, they get the show, 841 00:39:17,920 --> 00:39:20,640 Speaker 2: they get to decide. So the juvenile males, though, they 842 00:39:20,640 --> 00:39:22,799 Speaker 2: are too young for all that, so they're still drab 843 00:39:22,840 --> 00:39:25,560 Speaker 2: looking like the females. So this guy on his wish 844 00:39:25,600 --> 00:39:28,080 Speaker 2: list a bunch of male birds with bright feathers. Right, 845 00:39:28,120 --> 00:39:31,520 Speaker 2: so the birds he took, right, these you haven't asked me, 846 00:39:31,560 --> 00:39:32,360 Speaker 2: So I'm just going to tell you. 847 00:39:32,400 --> 00:39:34,799 Speaker 3: I was waiting. I think give me an accounting of 848 00:39:34,840 --> 00:39:36,000 Speaker 3: what the flute tutor took. 849 00:39:36,160 --> 00:39:39,200 Speaker 2: There you are they rare katangas, the oh not the 850 00:39:39,280 --> 00:39:42,400 Speaker 2: rare yes, rare katangas, and the quetzals from South America. 851 00:39:42,680 --> 00:39:44,360 Speaker 3: Yeah, that's new social media. 852 00:39:44,680 --> 00:39:46,000 Speaker 2: Bower birds from New Guinea. 853 00:39:46,120 --> 00:39:49,400 Speaker 3: Oh, now, there's so much good footage of birds building 854 00:39:49,440 --> 00:39:52,480 Speaker 3: their collections of Yeah, it's fantastic. 855 00:39:52,560 --> 00:39:54,640 Speaker 2: Now the Indian crows and the ever striking birds of 856 00:39:54,680 --> 00:39:57,759 Speaker 2: Paradise previously mentioned, also from New Guinea. He collected a 857 00:39:57,800 --> 00:39:59,719 Speaker 2: bunch of them. He's all about the tropical birds, and 858 00:39:59,760 --> 00:40:02,080 Speaker 2: all of them had been collected by al my Man 859 00:40:02,200 --> 00:40:04,799 Speaker 2: al Wallace back in the nineteenth century. So these birds 860 00:40:04,840 --> 00:40:07,680 Speaker 2: are irreplaceable, right, Yeah. The then director of science at 861 00:40:07,719 --> 00:40:09,680 Speaker 2: the museum, Richard Lane, he tells the press quote, these 862 00:40:09,719 --> 00:40:12,799 Speaker 2: birds are extremely scarce. They are scarce in collections, even 863 00:40:12,840 --> 00:40:15,600 Speaker 2: more scarce in the wild. Our utmost priority is working 864 00:40:15,600 --> 00:40:17,960 Speaker 2: with police to return these specimens to the national collection 865 00:40:18,000 --> 00:40:21,120 Speaker 2: so that they can be used by future generations of scientists. 866 00:40:21,200 --> 00:40:24,400 Speaker 2: Kind of a dusty statement. Yeah, To put it in perspective, 867 00:40:24,440 --> 00:40:26,560 Speaker 2: the collection was three hundred and fifty years old, the 868 00:40:26,600 --> 00:40:30,479 Speaker 2: specimens had been taken. This is basically you know, these 869 00:40:30,520 --> 00:40:33,680 Speaker 2: birds are literally priceless, like they The museum's collection represented 870 00:40:33,800 --> 00:40:36,399 Speaker 2: ninety five percent of all known living species of birds, 871 00:40:36,440 --> 00:40:38,440 Speaker 2: and he's just rifling through it. So he's damaging some, 872 00:40:38,600 --> 00:40:41,400 Speaker 2: taking others. Anyway, Oh my god, nothing else they had 873 00:40:41,400 --> 00:40:43,440 Speaker 2: been stolen except for these tropical birds. So the police 874 00:40:43,440 --> 00:40:48,480 Speaker 2: are baffled. The Interdetective Inspector Fraser Wiley, this is a 875 00:40:48,560 --> 00:40:50,600 Speaker 2: very unusual crime and we are keen to recover the 876 00:40:50,600 --> 00:40:53,479 Speaker 2: bird skins, which are part of a national heritage. Because 877 00:40:53,480 --> 00:40:56,080 Speaker 2: the British keep calling them birds skins because they're taxidermied birds, 878 00:40:56,120 --> 00:40:59,719 Speaker 2: there's no bones inside, yeah, exact. So the police asked 879 00:40:59,719 --> 00:41:02,920 Speaker 2: the pub look for help or assistance that they can provide. Meanwhile, 880 00:41:02,960 --> 00:41:04,759 Speaker 2: back at the ranch, and by the ranch, I mean 881 00:41:04,800 --> 00:41:08,520 Speaker 2: student housing at the Royal Academy of Music. Cut to 882 00:41:08,640 --> 00:41:11,360 Speaker 2: the rare bird feathers, all right, stolen by this random 883 00:41:11,360 --> 00:41:14,600 Speaker 2: twenty two year old American from the Hudson Valley. So, dude, 884 00:41:14,840 --> 00:41:17,080 Speaker 2: Edwin wrist Right, what's he doing at this point in 885 00:41:17,160 --> 00:41:19,560 Speaker 2: his little weird criminal fairy tale that he's living in 886 00:41:19,560 --> 00:41:22,239 Speaker 2: where he's gonna trade bird feathers for a golden flute? 887 00:41:22,600 --> 00:41:23,560 Speaker 3: Does he have a roommate? 888 00:41:23,880 --> 00:41:27,920 Speaker 2: No, he doesn't have a roommates. Yeah, right, But like, 889 00:41:28,040 --> 00:41:30,640 Speaker 2: why a golden flute? I'm so glad you asked to lose. 890 00:41:30,920 --> 00:41:32,960 Speaker 3: I was wondering why a golden I look this up. 891 00:41:33,400 --> 00:41:36,600 Speaker 2: Golden flutes or gold flutes, they are a thing. There's 892 00:41:36,640 --> 00:41:40,759 Speaker 2: apparently some benefit to buying and playing a solid gold flute. 893 00:41:40,960 --> 00:41:44,480 Speaker 2: So so it's not just solid gold. Yeah, So, to 894 00:41:44,600 --> 00:41:47,920 Speaker 2: quote the instrument maker Suzuki, gold lends a special glitter 895 00:41:48,000 --> 00:41:50,479 Speaker 2: to a flute, and the lustrous tombre of a gold 896 00:41:50,520 --> 00:41:53,680 Speaker 2: flute has an unerring, far reaching carry even when the 897 00:41:53,680 --> 00:41:57,319 Speaker 2: instrument is played pianissimo. It's allure probably makes it the 898 00:41:57,480 --> 00:42:01,239 Speaker 2: last word in flutes, so he wants that last word, right, 899 00:42:01,320 --> 00:42:03,960 Speaker 2: So how much would the last word and flutes cost? 900 00:42:04,040 --> 00:42:04,839 Speaker 3: Yeah, that's a good question. 901 00:42:04,880 --> 00:42:07,200 Speaker 2: I look this up for you. They range between twenty 902 00:42:07,239 --> 00:42:09,000 Speaker 2: five thousand and one hundred grand. 903 00:42:09,640 --> 00:42:12,160 Speaker 3: Wow. And it's not just to be flashy. 904 00:42:12,400 --> 00:42:15,960 Speaker 2: No, there's also solid platinum flutes. They're even more expensive, 905 00:42:16,120 --> 00:42:18,440 Speaker 2: which makes no sense because I can't imagine solid platinum 906 00:42:18,440 --> 00:42:20,879 Speaker 2: sounds better than gold AND's gold like atomically makes more 907 00:42:20,920 --> 00:42:22,080 Speaker 2: sense as a perfect element. 908 00:42:22,160 --> 00:42:24,240 Speaker 3: But whatever, Well, people love the platinum. 909 00:42:24,280 --> 00:42:25,719 Speaker 2: I know it just seems like you get platinum because 910 00:42:25,719 --> 00:42:27,520 Speaker 2: it's pretentious, not because he's going to do anything music. 911 00:42:27,520 --> 00:42:29,480 Speaker 2: But whatever, what do I know? I'm not a floutist. 912 00:42:29,640 --> 00:42:32,120 Speaker 2: So the time of the theft, Edwin Rist was twenty 913 00:42:32,160 --> 00:42:34,960 Speaker 2: years old. Now it's fifteen months later, he's twenty two 914 00:42:35,040 --> 00:42:36,960 Speaker 2: years old. I know you're wondering, how could that be. 915 00:42:37,000 --> 00:42:38,200 Speaker 2: It's because we missed a birthday or two. 916 00:42:38,239 --> 00:42:39,120 Speaker 3: We missed two birthdays. 917 00:42:39,160 --> 00:42:41,759 Speaker 2: Right, So he's studying flute at the London Royal Academy 918 00:42:41,760 --> 00:42:44,719 Speaker 2: of Music. Did he have his golden flute? Well, he 919 00:42:44,760 --> 00:42:46,680 Speaker 2: was trying to get that amount saved up. Right after 920 00:42:46,719 --> 00:42:48,920 Speaker 2: he'd successfully robbed the train museum, he took all they 921 00:42:48,920 --> 00:42:51,120 Speaker 2: told you, the two hundred and ninety nine bird skins. 922 00:42:51,320 --> 00:42:54,520 Speaker 2: He starts processing them. He's clipping off the identification tags, 923 00:42:54,520 --> 00:42:58,000 Speaker 2: decoupling the birds from all that inventory, like that indexing system. 924 00:42:58,239 --> 00:43:00,760 Speaker 2: So all the scientific research is now null and void. 925 00:43:00,920 --> 00:43:03,000 Speaker 2: And when he went to where he could sell bird 926 00:43:03,000 --> 00:43:05,239 Speaker 2: feathers on the black market, he knew where he could 927 00:43:05,239 --> 00:43:06,719 Speaker 2: find and connect with what I'm going to call the 928 00:43:06,719 --> 00:43:11,760 Speaker 2: feather underground. So that's my generalized nickname for the modern 929 00:43:11,800 --> 00:43:14,600 Speaker 2: feather hunters, collectors, dealers. Did anyone who buys, sells, or 930 00:43:14,640 --> 00:43:16,480 Speaker 2: covets rare bird feathers? Elizabeth? 931 00:43:16,560 --> 00:43:16,640 Speaker 3: Well? 932 00:43:16,640 --> 00:43:19,720 Speaker 2: Anyway, this black market, the feather underground, primarily it's composed 933 00:43:19,760 --> 00:43:21,240 Speaker 2: of fly tying fishermen. 934 00:43:21,440 --> 00:43:21,680 Speaker 3: Yeah. 935 00:43:21,760 --> 00:43:24,520 Speaker 2: Yeah, the folks who desired the brightly colored tropical feathers, 936 00:43:24,840 --> 00:43:26,640 Speaker 2: they were the ones who paid top dollars, so they 937 00:43:26,680 --> 00:43:28,919 Speaker 2: really moved the market, right, So they are also willing 938 00:43:28,960 --> 00:43:32,000 Speaker 2: to pay on something that's either extinct or endangered or 939 00:43:32,200 --> 00:43:35,439 Speaker 2: stolen or why not two of three? Yeah, So Edwin 940 00:43:36,640 --> 00:43:39,320 Speaker 2: the now twenty two year old flute virtuoso. He's studying 941 00:43:39,360 --> 00:43:42,160 Speaker 2: at the London Royal Academy of Music, so real, like, 942 00:43:42,200 --> 00:43:44,440 Speaker 2: you know, congrats to his parents. Yeah, he spends his 943 00:43:44,560 --> 00:43:48,160 Speaker 2: nights tying flies made from his stolen bird feathers. And 944 00:43:48,200 --> 00:43:50,000 Speaker 2: get this, Elizabeth, you were to drop Edwin in a 945 00:43:50,040 --> 00:43:52,359 Speaker 2: stream with a rod and some flies, he'd have no 946 00:43:52,400 --> 00:43:54,640 Speaker 2: idea what to do. He doesn't know how to fly fish. 947 00:43:54,680 --> 00:43:56,920 Speaker 2: He's never been fly fishing. He doesn't fly. He doesn't 948 00:43:56,920 --> 00:44:00,560 Speaker 2: fish period. Right, apparently this is very common for expert 949 00:44:00,600 --> 00:44:04,240 Speaker 2: tie flyers or fly tires rather, especially amongst the salmon 950 00:44:04,400 --> 00:44:07,839 Speaker 2: fly tying community. Anyway, so no fishing, Edwin. He's down 951 00:44:07,840 --> 00:44:10,560 Speaker 2: there spending all of his night's tying flies, and it's 952 00:44:10,600 --> 00:44:14,000 Speaker 2: tossing him into large ziplock bags. He crammed ziplock bags 953 00:44:14,040 --> 00:44:16,640 Speaker 2: filled with thousands of flies that he ties in this 954 00:44:16,760 --> 00:44:18,000 Speaker 2: twelve or fifteen month period. 955 00:44:18,080 --> 00:44:18,520 Speaker 3: Right. 956 00:44:18,600 --> 00:44:21,480 Speaker 2: So, anyway, kids, who's sitting down that day happened to 957 00:44:21,480 --> 00:44:23,839 Speaker 2: see a fly tying video has now shaped his life. 958 00:44:23,920 --> 00:44:26,520 Speaker 2: Or he's sitting there alone in London tying flies every night, 959 00:44:26,800 --> 00:44:30,000 Speaker 2: dreaming of his golden flute. Right, and he's plucking feathers 960 00:44:30,000 --> 00:44:32,120 Speaker 2: from this rare bird collection and so he does this 961 00:44:32,120 --> 00:44:33,799 Speaker 2: for more than a year. I said, he's plucking, he's 962 00:44:33,840 --> 00:44:36,920 Speaker 2: tye in, he's plucking some more. Edwin's sitting there alone. Boom. 963 00:44:37,239 --> 00:44:39,160 Speaker 2: It was like, also, I forgot to mention when he's 964 00:44:39,160 --> 00:44:41,920 Speaker 2: not doing that, he's ritualistically playing flute. So he's just 965 00:44:42,000 --> 00:44:45,000 Speaker 2: either playing flute because he's you know, virtuoso, or he's 966 00:44:45,040 --> 00:44:47,879 Speaker 2: tying flies. That's all he's doing. He's just obsessed, all right. 967 00:44:47,960 --> 00:44:51,480 Speaker 2: So he stuffs multiple ziplock bags filled with thousands of 968 00:44:51,480 --> 00:44:54,359 Speaker 2: delicate salmon flies. He manages to sell some online mini 969 00:44:54,440 --> 00:44:57,000 Speaker 2: In fact, he makes money, a bunch of money for sure. 970 00:44:57,160 --> 00:44:59,719 Speaker 2: And now where do you think he was selling these 971 00:45:00,040 --> 00:45:02,160 Speaker 2: stolen feathers? I told you who you're selling them to 972 00:45:02,280 --> 00:45:05,239 Speaker 2: and in the feather underground. But where do you think that? 973 00:45:05,280 --> 00:45:08,160 Speaker 3: Where do you think he found geographically? 974 00:45:08,280 --> 00:45:09,480 Speaker 2: We'tre's go with where? Online? 975 00:45:10,160 --> 00:45:10,560 Speaker 3: eBay? 976 00:45:10,800 --> 00:45:13,960 Speaker 2: Yes, he was selling them on eBay. He was just 977 00:45:14,040 --> 00:45:16,120 Speaker 2: listing and selling the rare bird feathers all out in 978 00:45:16,160 --> 00:45:19,520 Speaker 2: the open as whole skins or tide flies on eBay, 979 00:45:19,840 --> 00:45:22,239 Speaker 2: also in fly tying forums. It worked for a while. 980 00:45:22,280 --> 00:45:24,319 Speaker 2: He was able to he found four buyers. He moved 981 00:45:24,360 --> 00:45:27,800 Speaker 2: about seventeen thousand dollars worth of bird skins and flies. 982 00:45:28,160 --> 00:45:30,560 Speaker 2: Then things went awry. Someone got suspicious, someone went to 983 00:45:30,640 --> 00:45:33,000 Speaker 2: the police. They reported him. Didn't take long for the 984 00:45:33,000 --> 00:45:35,640 Speaker 2: bobbies to find him because he hadn't hidden his IP address. 985 00:45:35,680 --> 00:45:37,600 Speaker 2: He's just using eBay, so they just went right to 986 00:45:37,640 --> 00:45:40,760 Speaker 2: his student housing apartment. Knock, knock, knock. He gets arrested 987 00:45:40,800 --> 00:45:43,760 Speaker 2: November twelve, twenty ten. When the police search his apartment, 988 00:45:43,760 --> 00:45:45,960 Speaker 2: what do they find? They find one hundred and seventy 989 00:45:46,000 --> 00:45:48,280 Speaker 2: four of the two hundred and ninety nine stolen birds. 990 00:45:48,280 --> 00:45:50,920 Speaker 2: They're like, how many ties have you been tying? 991 00:45:51,040 --> 00:45:51,239 Speaker 3: Man? 992 00:45:51,640 --> 00:45:53,440 Speaker 2: So up about one hundred and seventy four. Only one 993 00:45:53,480 --> 00:45:56,240 Speaker 2: hundred and two were still tagged and labeled. The remaining 994 00:45:56,239 --> 00:45:58,480 Speaker 2: seventy two weren't there. Just all out. The museum puts 995 00:45:58,480 --> 00:46:00,640 Speaker 2: out a request and they asked in anyone who bought 996 00:46:00,640 --> 00:46:03,319 Speaker 2: one of his stolen birds please return them. No questions asked, 997 00:46:03,320 --> 00:46:05,560 Speaker 2: We just really want the birds, bask Can you guess 998 00:46:05,600 --> 00:46:07,919 Speaker 2: how many of these outstanding birds were sent back? 999 00:46:08,200 --> 00:46:12,680 Speaker 3: I'm gonna say zero nineteen, oh wow, which calculates out 1000 00:46:12,680 --> 00:46:14,840 Speaker 3: to be six percent of the missing birds from the 1001 00:46:14,880 --> 00:46:15,600 Speaker 3: Train Museum. 1002 00:46:15,840 --> 00:46:19,040 Speaker 2: So they got six. Yeah, so there's a few good 1003 00:46:19,080 --> 00:46:20,880 Speaker 2: people or maybe one who bought a lot, I don't know. 1004 00:46:21,600 --> 00:46:24,080 Speaker 2: Nineteen So anyway, guys, with the number of birds that 1005 00:46:24,120 --> 00:46:26,960 Speaker 2: were returned into flies and stuffed into zip lock bags, 1006 00:46:26,960 --> 00:46:29,520 Speaker 2: can we guess how many that was? The police estimated 1007 00:46:29,520 --> 00:46:32,760 Speaker 2: it as sixty four birds returned into flies. 1008 00:46:32,920 --> 00:46:34,360 Speaker 3: Sixty birds birds. 1009 00:46:35,000 --> 00:46:37,200 Speaker 2: Yeah, So he gets arrested, interrogated, and because he's not 1010 00:46:37,239 --> 00:46:40,560 Speaker 2: a hardened criminal, Edwin Wrist he confesses to everything and 1011 00:46:40,640 --> 00:46:43,200 Speaker 2: that just leaves his trial now because he is me right. 1012 00:46:43,280 --> 00:46:45,719 Speaker 2: So his defense attorney, admittedly though, just still wanted to 1013 00:46:45,719 --> 00:46:47,640 Speaker 2: fight something. He doesn't have much to work with, but 1014 00:46:47,680 --> 00:46:50,160 Speaker 2: he still decides to try to like get something. So 1015 00:46:50,480 --> 00:46:52,960 Speaker 2: the defense attorney works his butt off and the dude's sharp. 1016 00:46:53,000 --> 00:46:55,759 Speaker 2: He argued that his client, Edwin Risk, engaged in impulsive 1017 00:46:55,760 --> 00:46:59,000 Speaker 2: and amateurish actions, to be sure, in a vain attempt 1018 00:46:59,000 --> 00:47:02,040 Speaker 2: at living out his James Bond fantasies. Blah blah blah. 1019 00:47:02,120 --> 00:47:04,000 Speaker 2: Then the attorney he argued that his client had spent 1020 00:47:04,080 --> 00:47:06,280 Speaker 2: a few weeks, just to me, a few weeks planning 1021 00:47:06,280 --> 00:47:09,680 Speaker 2: this job, and he was a boy playing at cat burglar. 1022 00:47:10,000 --> 00:47:12,240 Speaker 2: The lawyer tried to downplay the value of the stolen 1023 00:47:12,400 --> 00:47:14,680 Speaker 2: rare bird Feather's what science can be done with three 1024 00:47:14,760 --> 00:47:17,600 Speaker 2: hundred and fifty year old feathers? Right? So Risk, at 1025 00:47:17,640 --> 00:47:19,400 Speaker 2: some point he's like really proud of his lawyer for 1026 00:47:19,480 --> 00:47:21,640 Speaker 2: just going after the court. Right. He tells Kirk Johnson, 1027 00:47:21,680 --> 00:47:24,080 Speaker 2: the author of the book, quote, my lawyer said, let's 1028 00:47:24,080 --> 00:47:26,799 Speaker 2: face it, the tring is a dusty old dump, and 1029 00:47:26,840 --> 00:47:29,920 Speaker 2: he was exactly right. What Yeah, so they just go 1030 00:47:29,960 --> 00:47:30,719 Speaker 2: on the attack. Right. 1031 00:47:30,719 --> 00:47:35,040 Speaker 3: So he's got James Bond. Yeah, there's nothing, says James Bond, 1032 00:47:35,080 --> 00:47:39,840 Speaker 3: more than tying flies and playing the flute by yourself. 1033 00:47:40,520 --> 00:47:41,280 Speaker 2: To break a window. 1034 00:47:41,960 --> 00:47:47,760 Speaker 3: Very James Bond, Yeah, exactly, it's just one Bond woman 1035 00:47:47,840 --> 00:47:48,319 Speaker 3: after another. 1036 00:47:48,760 --> 00:47:52,000 Speaker 2: He just needs a Bond woman and then boom birds. 1037 00:47:52,239 --> 00:47:55,359 Speaker 2: Oh wow. So his lawyer, rather solicitor, argued in court 1038 00:47:55,400 --> 00:47:57,839 Speaker 2: that the purported scientific value of the feather had been 1039 00:47:57,880 --> 00:48:00,359 Speaker 2: lost to the dustiness of the tring. Right, and Risk 1040 00:48:00,360 --> 00:48:02,200 Speaker 2: tells the court all the scientific data that can be 1041 00:48:02,239 --> 00:48:05,160 Speaker 2: extracted from the skins it has been extracted. So Risk 1042 00:48:05,239 --> 00:48:07,040 Speaker 2: is on the attack right now. Remember this dude's an 1043 00:48:07,040 --> 00:48:09,520 Speaker 2: amateur bird lover, no scientist, just a flute player. But 1044 00:48:09,560 --> 00:48:12,680 Speaker 2: he's out there talking about scientific value. Anyway, prosecution, they 1045 00:48:12,719 --> 00:48:15,600 Speaker 2: countery story. They go after him and they show that 1046 00:48:15,640 --> 00:48:18,240 Speaker 2: Eben Risk has been planning his burglary for fifteen months. 1047 00:48:18,320 --> 00:48:20,360 Speaker 2: They showed that he contacted the museum by posing to 1048 00:48:20,440 --> 00:48:23,360 Speaker 2: someone else in emails. Then there was his purchase record. 1049 00:48:23,360 --> 00:48:25,759 Speaker 2: They showed in the months or the month rather before 1050 00:48:25,800 --> 00:48:28,120 Speaker 2: they break in, Van Rist bought a glass cutter. Then 1051 00:48:28,120 --> 00:48:30,399 Speaker 2: they showed the box of moth balls that he bought. 1052 00:48:30,440 --> 00:48:32,440 Speaker 2: Then also he bought, oh, by the way, fifteen hundred 1053 00:48:32,480 --> 00:48:36,120 Speaker 2: ziplock bags. So finally he also bought a lock I'm 1054 00:48:36,120 --> 00:48:38,359 Speaker 2: guessing a padlock that he planned to secure his door 1055 00:48:38,400 --> 00:48:40,680 Speaker 2: with because he had his you know, fortune and rare 1056 00:48:40,719 --> 00:48:43,080 Speaker 2: bird feathers he wanted to secure and he didn't want 1057 00:48:43,080 --> 00:48:44,680 Speaker 2: some punk twenty two year old to come along and 1058 00:48:44,680 --> 00:48:48,560 Speaker 2: steel his feather forteen Yeah, So as the scientific value 1059 00:48:48,600 --> 00:48:50,640 Speaker 2: of the stolen bird skins and rare bird feathers, the 1060 00:48:50,680 --> 00:48:54,240 Speaker 2: collection had been used for climate research. So these feathers 1061 00:48:54,320 --> 00:48:57,520 Speaker 2: from seabirds had been documented a rise in heavy metal pollutants. 1062 00:48:57,520 --> 00:49:00,000 Speaker 2: They used it to prove the DDT was on the rise. Basically, 1063 00:49:00,080 --> 00:49:02,880 Speaker 2: some real science was done. The naturalists. My man al Wallace. 1064 00:49:02,920 --> 00:49:05,960 Speaker 2: He would have been happy about that. Yeah, probably, you know, 1065 00:49:06,120 --> 00:49:09,200 Speaker 2: much happier than at Lisa's collection being turned into flies. Anyway, 1066 00:49:09,239 --> 00:49:11,840 Speaker 2: So Edwin Risks, he pleads guilty on charges of burglary 1067 00:49:11,920 --> 00:49:16,080 Speaker 2: money laundering. Then comes sentencing oh Man. Sentencing, the defense 1068 00:49:16,120 --> 00:49:19,560 Speaker 2: attorney introduced their star expert witness as psychologists who happened 1069 00:49:19,560 --> 00:49:23,560 Speaker 2: to be Sasha Baron Cohen's cousin. So yeah, so they 1070 00:49:23,560 --> 00:49:26,920 Speaker 2: have this psychologists evaluate Edwind Risk, and Sasha Baron Cohen's 1071 00:49:27,000 --> 00:49:29,799 Speaker 2: cousin convinces the court that's a lot of seas that 1072 00:49:29,960 --> 00:49:33,400 Speaker 2: Edwin Rist had Asperger syndrome and his James Bond fantasies. 1073 00:49:33,400 --> 00:49:34,920 Speaker 2: He's got him carried away, and believe it or not, 1074 00:49:35,040 --> 00:49:37,680 Speaker 2: the court goes for it. They sentenced Edwin Risk to 1075 00:49:37,760 --> 00:49:41,080 Speaker 2: time served in a fine. He's out free. As for 1076 00:49:41,160 --> 00:49:45,120 Speaker 2: the Asperger syndrome diagnosis, Elizabeth, Yeah, the author Kirk Johnson 1077 00:49:45,200 --> 00:49:47,439 Speaker 2: called him out on it. He asked Edwin Risk point 1078 00:49:47,480 --> 00:49:50,120 Speaker 2: blank about this diagnosis and the only interview this dude 1079 00:49:50,160 --> 00:49:53,080 Speaker 2: has done this, you know, about the burglary. Kirk Johnson recalled, 1080 00:49:53,080 --> 00:49:56,120 Speaker 2: and I quote, around the five or six hour mark 1081 00:49:56,120 --> 00:49:57,839 Speaker 2: of my interview with Edwin I said, I don't want 1082 00:49:57,840 --> 00:49:59,640 Speaker 2: to sound like a jerk, and I'm not an expert 1083 00:49:59,640 --> 00:50:01,960 Speaker 2: in it. You don't seem like you have asked Bergers. 1084 00:50:02,200 --> 00:50:06,320 Speaker 2: You're not avoiding eye contact. You're clearly reading the subtext 1085 00:50:06,320 --> 00:50:08,759 Speaker 2: of my questions. I'm paraphrasing what he told me that 1086 00:50:09,160 --> 00:50:12,800 Speaker 2: he became what he needed to become during that phase 1087 00:50:12,840 --> 00:50:15,160 Speaker 2: in his life, that he'd never had any issues with 1088 00:50:15,200 --> 00:50:17,560 Speaker 2: eye contact before since, but that all of a sudden 1089 00:50:17,560 --> 00:50:20,440 Speaker 2: he couldn't look in people's eyes, started rocking back and 1090 00:50:20,480 --> 00:50:22,960 Speaker 2: forth and hiked his voice up in octave. To me, 1091 00:50:23,320 --> 00:50:25,799 Speaker 2: it was clear that he had gained the system. He 1092 00:50:25,840 --> 00:50:28,840 Speaker 2: never spent a night in jail, graduated from the Royal Academy, 1093 00:50:28,880 --> 00:50:32,400 Speaker 2: and today plays the flute with orchestras throughout Germany, albeit 1094 00:50:32,560 --> 00:50:36,440 Speaker 2: under a different name. Now, wow, he did have to 1095 00:50:36,440 --> 00:50:38,560 Speaker 2: pay one hundred and twenty five and one hundred and 1096 00:50:38,600 --> 00:50:41,279 Speaker 2: fifty pounds. That's how much he made in total once 1097 00:50:41,320 --> 00:50:43,880 Speaker 2: they tabulated it all from selling rare birds on eBay 1098 00:50:44,360 --> 00:50:46,880 Speaker 2: and the fly fishing forums, a lot of money. And 1099 00:50:46,920 --> 00:50:49,440 Speaker 2: then also his fine was thirteen thousand, three hundred and 1100 00:50:49,440 --> 00:50:51,520 Speaker 2: seventy one pounds. He had to pay that in six 1101 00:50:51,600 --> 00:50:53,600 Speaker 2: months time, or else he'd have to turn himself in 1102 00:50:54,120 --> 00:50:56,880 Speaker 2: for his totally restored twelve months sentence, and he'd had 1103 00:50:56,920 --> 00:50:59,000 Speaker 2: to do the full twelve months. Of course he paid 1104 00:50:59,040 --> 00:51:01,960 Speaker 2: the fine. Yeah, served no time. But did he get 1105 00:51:02,000 --> 00:51:06,080 Speaker 2: that golden flute? Did he get what he was after, Elizabeth? No, 1106 00:51:06,239 --> 00:51:09,400 Speaker 2: he didn't enough rare birds to buy his golden float, 1107 00:51:09,560 --> 00:51:12,120 Speaker 2: thank god. But that said, if you check YouTube, which 1108 00:51:12,160 --> 00:51:14,560 Speaker 2: I did, you can find him jamming out on what 1109 00:51:14,680 --> 00:51:17,080 Speaker 2: looks like a golden flute. But I don't know. I'm 1110 00:51:17,120 --> 00:51:19,560 Speaker 2: not a golden floutist. I do know this, Elizabeth. He 1111 00:51:19,640 --> 00:51:21,799 Speaker 2: has a new name, and unlike the author, I'll tell 1112 00:51:21,800 --> 00:51:24,560 Speaker 2: you what it is. His new name is Edwin Reinhardt 1113 00:51:24,960 --> 00:51:27,279 Speaker 2: and he has that YouTube Jamli told you about where 1114 00:51:27,320 --> 00:51:29,040 Speaker 2: if you want, you can find him playing his heavy 1115 00:51:29,080 --> 00:51:33,960 Speaker 2: metal flute rendition of Metallica's Master of Puppets. He pulls 1116 00:51:34,000 --> 00:51:37,160 Speaker 2: the strings baby, yeah right, So go to at heavy 1117 00:51:37,200 --> 00:51:40,920 Speaker 2: metal flute on YouTube. There are five videos on his page. 1118 00:51:40,960 --> 00:51:43,399 Speaker 2: One is of a Game of Thrones theme song cover. 1119 00:51:43,480 --> 00:51:45,000 Speaker 2: There's a Lord of the Rings cover. I think it's 1120 00:51:45,040 --> 00:51:48,879 Speaker 2: a misty mountain cold yeah, but he's not very active there. 1121 00:51:48,880 --> 00:51:50,640 Speaker 2: The last video he posted was five years ago, so 1122 00:51:50,680 --> 00:51:53,720 Speaker 2: don't expect new content. So Elizabeth, what's our ridiculous takeaway 1123 00:51:53,719 --> 00:51:54,399 Speaker 2: after all of that? 1124 00:51:54,400 --> 00:51:58,799 Speaker 3: That wild be wild? That's my takeaway, you know, I mean, 1125 00:51:58,840 --> 00:52:01,120 Speaker 3: that's like I can see if you're sort of scavenging 1126 00:52:01,200 --> 00:52:04,479 Speaker 3: things that in nature that have already passed and don't 1127 00:52:04,520 --> 00:52:06,440 Speaker 3: have that like you're saying the scientific value. I mean, 1128 00:52:06,520 --> 00:52:09,200 Speaker 3: once these guys have in the past stolen all the birds, 1129 00:52:09,320 --> 00:52:11,560 Speaker 3: we can't go back and unsteal and then kill the 1130 00:52:11,560 --> 00:52:15,160 Speaker 3: birds today. Like if you're building these these flies first 1131 00:52:15,200 --> 00:52:17,239 Speaker 3: of all, to be a poser and not actually know 1132 00:52:17,280 --> 00:52:20,080 Speaker 3: how to fly fish, Like, wouldn't you need to know somehow, 1133 00:52:20,120 --> 00:52:22,680 Speaker 3: like how you would anticipate them sort of dancing on. 1134 00:52:22,719 --> 00:52:24,799 Speaker 2: The decontextualize it to the point that it is its 1135 00:52:24,840 --> 00:52:25,880 Speaker 2: own standalone elements. 1136 00:52:26,040 --> 00:52:28,399 Speaker 3: That's idiotic. But like I mean, I used to have 1137 00:52:28,480 --> 00:52:31,919 Speaker 3: a in my house, a mantle piece that I called 1138 00:52:31,960 --> 00:52:34,920 Speaker 3: my mantle Piece of Curiosities. It's just all stuff that 1139 00:52:34,960 --> 00:52:37,520 Speaker 3: I found like on walks and like you know, dead 1140 00:52:38,280 --> 00:52:44,080 Speaker 3: dragonflies and like feathers, girl skulls. Yeah yeah, but you 1141 00:52:44,120 --> 00:52:46,280 Speaker 3: know those are the kinds of things like cool shells, 1142 00:52:46,360 --> 00:52:48,759 Speaker 3: and but it's always something that you take and you're 1143 00:52:48,760 --> 00:52:50,680 Speaker 3: not damaging your environment to take. 1144 00:52:50,560 --> 00:52:52,640 Speaker 2: It away, and you're just acting as an animal. 1145 00:52:52,800 --> 00:52:53,960 Speaker 3: Yeah exactly, but. 1146 00:52:54,280 --> 00:52:56,560 Speaker 2: Much like a bower bird, you're just it was my power. 1147 00:52:56,680 --> 00:52:57,720 Speaker 3: Let wild be wild. 1148 00:52:58,280 --> 00:53:00,400 Speaker 2: Well, my ridiculus take away once again, and thank you 1149 00:53:00,400 --> 00:53:04,160 Speaker 2: for asking I anyway, I'll just tell it to you. 1150 00:53:04,520 --> 00:53:06,359 Speaker 2: Unlike most of the burglars would get away with it. 1151 00:53:06,400 --> 00:53:07,200 Speaker 2: I don't like this cat. 1152 00:53:07,400 --> 00:53:09,160 Speaker 3: Yeah, no, I don't like him because he. 1153 00:53:09,200 --> 00:53:12,600 Speaker 2: Steals birds and he stole science and he didn't he 1154 00:53:12,640 --> 00:53:14,400 Speaker 2: didn't steal it from money or for diamonds. If he 1155 00:53:14,400 --> 00:53:16,040 Speaker 2: would have stole money of diamonds, would have been cool 1156 00:53:16,040 --> 00:53:17,360 Speaker 2: with it, like I would have had no problem. But 1157 00:53:17,440 --> 00:53:19,680 Speaker 2: he stole science, he stole birds, and I'm just ain't 1158 00:53:19,719 --> 00:53:20,400 Speaker 2: cool with it. I don't know. 1159 00:53:20,560 --> 00:53:23,080 Speaker 3: My instinct is like whack, he blew it. Man. He 1160 00:53:23,080 --> 00:53:25,200 Speaker 3: could have been like every parent's dream of, like a 1161 00:53:25,320 --> 00:53:27,879 Speaker 3: kid who just like does really well and has these 1162 00:53:27,920 --> 00:53:30,880 Speaker 3: great you know, and then he goes off to a 1163 00:53:31,040 --> 00:53:34,880 Speaker 3: music conservatory school, Like come on, I don't like him. 1164 00:53:36,440 --> 00:53:38,000 Speaker 2: Well that's all I got for you. 1165 00:53:38,120 --> 00:53:39,359 Speaker 3: As always like it. 1166 00:53:39,800 --> 00:53:45,280 Speaker 2: Find us ever after online, ridiculous Crime, Twitter, Instagram, sometimes 1167 00:53:45,320 --> 00:53:47,440 Speaker 2: the Reds. I don't know, We have a website, Ridiculous 1168 00:53:47,440 --> 00:53:50,040 Speaker 2: Crime dot com. That's fun. We also like your talkbacks 1169 00:53:50,040 --> 00:53:51,719 Speaker 2: on the iHeart app. We listened to those. We dig 1170 00:53:51,760 --> 00:53:54,080 Speaker 2: those We drive around the car listening to him bumping them. 1171 00:53:54,239 --> 00:53:56,359 Speaker 2: Make the neighbors listen to him anyway. He emails if 1172 00:53:56,400 --> 00:53:59,600 Speaker 2: you want Ridiculous Crime at gmail dot com. As always, 1173 00:53:59,600 --> 00:54:03,240 Speaker 2: type You're Elizabeth and write your email YEP, thanks for listening, 1174 00:54:03,320 --> 00:54:11,360 Speaker 2: See you next Crime. Hidko's Crime is hosted by Elizabeth 1175 00:54:11,400 --> 00:54:14,680 Speaker 2: Dutton and Zaron Brunette, produced and edited by the seventh 1176 00:54:14,719 --> 00:54:17,839 Speaker 2: Baron of Houston, Dave Couston. Researches by Marissa do Not 1177 00:54:17,880 --> 00:54:21,320 Speaker 2: Give Me a cute Royalty Name Brown and Andrea Samesey's 1178 00:54:21,360 --> 00:54:24,320 Speaker 2: for Me song sharpened here. Our theme song is by Thomas, 1179 00:54:24,360 --> 00:54:26,680 Speaker 2: the fourth Duke of Lee and Travis the sixth and 1180 00:54:26,800 --> 00:54:29,839 Speaker 2: one third Earl of Dutton. The host wardrobe provided by 1181 00:54:29,840 --> 00:54:33,680 Speaker 2: Bonny five hundred. Executive producers are Ben of Paradise Bowlin 1182 00:54:33,760 --> 00:54:37,200 Speaker 2: and Noel Mister Matt Damon. Please buy na Zoo Brown? 1183 00:54:44,320 --> 00:54:46,480 Speaker 3: Why say it one more time? 1184 00:54:47,800 --> 00:54:48,160 Speaker 2: Crime? 1185 00:54:49,160 --> 00:54:52,520 Speaker 1: Ridiculous Crime is a production of iHeartRadio. Four more podcasts 1186 00:54:52,640 --> 00:54:55,800 Speaker 1: my Heart Radio. Visit the iHeartRadio app Apple podcasts, or 1187 00:54:55,840 --> 00:54:57,640 Speaker 1: wherever you listen to your favorite shows.