WEBVTT - Jerry Seinfeld

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the thing,

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<v Speaker 1>My chance to talk with artists, policymakers and performers, to

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<v Speaker 1>hear their stories. What inspired their creations, what decisions change

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<v Speaker 1>their careers, what relationships influenced their work. You have this

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<v Speaker 1>relationship with the audience that is private between you and them.

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<v Speaker 1>Your critics want to write, people want to talk. We

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<v Speaker 1>we have our own thing that nobody, nobody can break

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<v Speaker 1>that Once you build that, it can't be broken. Why

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<v Speaker 1>are you please welcome Jerry Steinfeld. Jerry Seinfeld debuted on

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<v Speaker 1>HBO in It was the same year he first appeared

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<v Speaker 1>on Johnny Carson. He was twenty seven years old. Nice

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<v Speaker 1>to be here tonight, A pleasure to be here tonight.

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<v Speaker 1>Seinfeld's material stood out. It wasn't about his upbringing or

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<v Speaker 1>personal relationships. It was about our universal experience of everyday things.

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<v Speaker 1>But Johns have got to be the world's funniest clothes.

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<v Speaker 1>Who designed them to look that way? Like a little

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<v Speaker 1>tiny suit? Notice little collar button down and a breast pocket.

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<v Speaker 1>There's a useful item. Is anybody using the breast pocket

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<v Speaker 1>on you? For times, Seinfeld asked questions we wished we'd

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<v Speaker 1>thought of. Then he'd answer them with a casual precision

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<v Speaker 1>that seemed to spin comedy out of nothing. In eight

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<v Speaker 1>years after his HBO debut, he and Larry David created

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<v Speaker 1>a weekly series that would change both their lives. This

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<v Speaker 1>is the show, and we're not going to change it. Right,

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<v Speaker 1>how about this? I manage a circus Seinfeld brand For

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<v Speaker 1>nine seasons on NBC. It was critical and popular success.

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<v Speaker 1>The show about nothing, as it's been described, challenged some

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<v Speaker 1>long established laws of mainstream television comedy. It was brilliantly unsentimental.

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<v Speaker 1>The characters rarely exhibited emotions other than exasperation. You think

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<v Speaker 1>what was going on? And on set, the writers held

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<v Speaker 1>strongly to a principle they dubbed no hugging, no learning.

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<v Speaker 1>But the seventies six million viewers who watched the series

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<v Speaker 1>finale waited to see what would happen next to the

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<v Speaker 1>performers they'd grown to love. We could put on a show,

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<v Speaker 1>maybe uh Bye Bye Birdie or My Fair Lady Elaine.

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<v Speaker 1>And even though conventional wisdom predicted spinoffs and sequels, Jerry

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<v Speaker 1>Seinfeld went back to stand up and it wasn't easy. Yeah,

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<v Speaker 1>all the stuff I've never set before anyone. So this

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<v Speaker 1>happened to has developed tour and as you can say,

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<v Speaker 1>it's quite painful. He's done a few other projects as well.

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<v Speaker 1>The latest on the internet is a show called Comedians

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<v Speaker 1>in Cars Getting Coffee, which combines some of his favorite things,

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<v Speaker 1>driving while talking to his friends and drinking coffee. It's

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<v Speaker 1>funny that you picked a Jaguar, because I have a

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<v Speaker 1>secret love of Jaguars. But I'm not a car person,

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<v Speaker 1>and I don't believe in spending money on cars. No offense.

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<v Speaker 1>Jerry Seinfeld has it figured out. He isn't destroying himself

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<v Speaker 1>trying to prove something. He isn't tortured by the challenges

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<v Speaker 1>of his art. He keeps things simple and clear. Take

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<v Speaker 1>his regular morning routine when he wakes up. If my

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<v Speaker 1>wife is up, I like that because I do not

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<v Speaker 1>like cat pulling around. I want to get up. Let's go, baby.

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<v Speaker 1>So the first thing I want, Yeah, I want, I

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<v Speaker 1>want sports radio on. And I and I washed, and

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<v Speaker 1>I run the faucets and I start splashing my face

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<v Speaker 1>with water like Mace in the Hustler, like Mace, And

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<v Speaker 1>I was gonna see more like Joan Crawford before she

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<v Speaker 1>goes in the studio to see Gleeson and the hustler

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<v Speaker 1>goes into the bathroom splashes his face with water to

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<v Speaker 1>revive for the next round. Yeah, and I took that.

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<v Speaker 1>I said, that's great. I'm gonna do that. That's how

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<v Speaker 1>you face life. Water water. If I splash water, yea.

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<v Speaker 1>What if you go on stage? Is that what you do?

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<v Speaker 1>You know, after I come off, when you come on,

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<v Speaker 1>when I come off, the hardest thing when you come

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<v Speaker 1>off is to return to your actual personality. You've blown

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<v Speaker 1>your personality up to this, you know, joker Jack Nicholson face.

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<v Speaker 1>And when you come off stage, I gotta go back

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<v Speaker 1>to me and I need a minute. People try and

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<v Speaker 1>talk to me when I come off. I can't talk

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<v Speaker 1>to him. I got I gotta splash some water. I go, yeah,

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<v Speaker 1>got beautiful to give me. That's how I like to

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<v Speaker 1>start the morning. Shades up radio sports radio on splashing

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<v Speaker 1>the face? Yes, and then and then what do you

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<v Speaker 1>have for breakfast? What's breakfast? Oatmeal? Honey and sentiment. So

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<v Speaker 1>there's a kind of a military theme, but there's a

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<v Speaker 1>kind of a military base theme. Your home doesn't resemble

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<v Speaker 1>a military base. I'm not funny. People die people are

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<v Speaker 1>gonna get hurt. Yeah, you want me on that stage,

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<v Speaker 1>you need me on that stage. Is that how you feel? No, No,

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<v Speaker 1>you don't know. What word do you just use to

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<v Speaker 1>describe what you do? What word do you use? What

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<v Speaker 1>describes what you do? Well, there's a term for it.

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<v Speaker 1>I don't need to describe it with another world called

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<v Speaker 1>stand up comedy. You call yourself a comic. You don't

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<v Speaker 1>call yourself an actor. No, I'm not an actor. You're

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<v Speaker 1>not an actor. I have acted. Have you ever considered

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<v Speaker 1>doing anything dramatic? No? Why to what end? Okay, it's

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<v Speaker 1>just a waste of time. Yes, So when when you

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<v Speaker 1>saw someone like I mean the most you know, blaring

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<v Speaker 1>example is when Jerry Lewis does King of Comedy and

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<v Speaker 1>crushes it. When Jerry Lewis comes in there and plays

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<v Speaker 1>that kind of just arid, I mean, it was so

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<v Speaker 1>remarkable his performance. It was breathtaking. He was breath You

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<v Speaker 1>don't remember the movie. I thought he was breath And

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<v Speaker 1>you don't see yourself doing that kind of in the

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<v Speaker 1>hands of someone like that. Of course you do something

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<v Speaker 1>like that, but that's what I'm saying. But that's his movie,

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<v Speaker 1>not you grading me. Am I like, am I not

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<v Speaker 1>getting it right here? I'm just I'm just I'm just

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<v Speaker 1>ripping with you, and I'm just saying that, um, what

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<v Speaker 1>I do is um, um the only thing that makes

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<v Speaker 1>sense to me. But I'm not disagreeing with you. I'm

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<v Speaker 1>saying that that you know that I appreciate. What I'm

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<v Speaker 1>saying is that there are people that come out on film,

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<v Speaker 1>you know, comics, stand up comics, clubs, performing, maybe they

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<v Speaker 1>go into sitcoms with shows or just be be joke,

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<v Speaker 1>be joke, they tell jokes, and then they go into

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<v Speaker 1>the movie business and there's some sense that there's going

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<v Speaker 1>to be and again not just stand up people, but

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<v Speaker 1>the improvisatory groups, you know, if they come from UCB

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<v Speaker 1>or Groundlings Corral is a good example, and they come

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<v Speaker 1>on and there was an amount of acting that's required.

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<v Speaker 1>When you did your TV show, there was some acting

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<v Speaker 1>that was required. So but you don't but you gotta

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<v Speaker 1>act the whole show. But but some saying, so you

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<v Speaker 1>don't call yourself an actor that you just say I'm

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<v Speaker 1>a comic. If I'm on the show acting, then i'm acting.

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<v Speaker 1>I'm I'm a comedian. Okay, I'm a stand up comedian.

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<v Speaker 1>That's what I call myself. But I can act. I

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<v Speaker 1>just don't see the need for it. I don't think

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<v Speaker 1>the world needs me to do that. Paul Rudd, what

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<v Speaker 1>do you need me for? You got a guy for that.

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<v Speaker 1>We got a guy for that. Who can do? Can

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<v Speaker 1>he do what I'm doing? Can he step into my shoes? Now?

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<v Speaker 1>There's many people that can do that thing and I

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<v Speaker 1>and I wish them all the luck and success. But

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<v Speaker 1>my thing only I can do my own head. My

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<v Speaker 1>thing is too just. You know, you probably splashed a

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<v Speaker 1>lot of water in your face? Is smart? Shoot? You

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<v Speaker 1>splashing an inordinate amount of really brisk water. It's almost

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<v Speaker 1>always three splashes. I'm trying. I'm feeling eight or nine

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<v Speaker 1>splashes will went on this morning because you're loaded for bear.

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<v Speaker 1>We're like in a deposition here. I love talking with you.

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<v Speaker 1>You know that. I love talking with you. Okay, so um?

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<v Speaker 1>Who makes it in comedy? Who are the ones that

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<v Speaker 1>make it? And it's a change in your lifetime? What

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<v Speaker 1>does it take in show business? Let's answer that question,

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<v Speaker 1>because I haven't. I'll tell you who's in show business?

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<v Speaker 1>You know it's in show business? And who wants to

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<v Speaker 1>be more than anyone else. Those are the people that

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<v Speaker 1>are in it, the people that just go, I want

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<v Speaker 1>to be in it. I'm going to be in it.

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<v Speaker 1>Do I have the skill set? Do I have a talent?

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<v Speaker 1>I have something to offer. We'll find out or not.

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<v Speaker 1>But it doesn't I may not take on that with

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<v Speaker 1>between Puccino. I said to him, what do you do

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<v Speaker 1>when you do a movie and the other person isn't

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<v Speaker 1>that good? Like you're doing a scene and I said,

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<v Speaker 1>you go up to the director and give them notes,

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<v Speaker 1>say tell them this other And said, no, I never

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<v Speaker 1>do that. I never do that. No, no, no, I said,

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<v Speaker 1>I said, what do you do? I? I said, what

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<v Speaker 1>do you do when the people that you're working with

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<v Speaker 1>they just I mean, you're so talented, and it's like

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<v Speaker 1>tennis and you're and you're and you're hitting the ball

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<v Speaker 1>with some and they're not that talented. And he said,

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<v Speaker 1>I like a like all of us in the business

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<v Speaker 1>are talented. Everybody's talented. Some of us are just more

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<v Speaker 1>talented than others. But everybody in the room when you're working,

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<v Speaker 1>they've got some kind of time. Like you'd say, he

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<v Speaker 1>has a talented for storytelling. He had a talent for

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<v Speaker 1>this but you're saying that people who determination is a

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<v Speaker 1>big part of it. I'm saying it's most of the

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<v Speaker 1>people we see in in the arts are there not

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<v Speaker 1>because they had the most to offer, but because they

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<v Speaker 1>wanted to be there the most, you believe. So when

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<v Speaker 1>you're in clubs in your early years and you'd see

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<v Speaker 1>people who were working, did you have an did you not?

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<v Speaker 1>Not that you cared about this or you were focused

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<v Speaker 1>on this, but would you sometimes because my friends who

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<v Speaker 1>were in clubs and there were comics, there was a

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<v Speaker 1>lot of evaluating of each other in the competition. It

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<v Speaker 1>was very competitive. And would you look at people and say,

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<v Speaker 1>I think he's got it or she's got and they're

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<v Speaker 1>going to make it and they don't or this one doesn't.

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<v Speaker 1>And and a big part of your saying is just

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<v Speaker 1>the drive. They just they want it. They're a dog

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<v Speaker 1>on a bone. You see a lot of that, don't

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<v Speaker 1>you think? I think so well? In the in the

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<v Speaker 1>movie business, you can see people who they put it

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<v Speaker 1>before everything else, you know, I mean, they're not what business?

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<v Speaker 1>What what field of endeavor has the highest bullshit factor? Right?

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<v Speaker 1>In your opinion? Um, because you've been in a number

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<v Speaker 1>of different branches. Now, well, I think, well, obviously a

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<v Speaker 1>government is then I think entertainment. Did you enjoy the

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<v Speaker 1>Anthony Weiner show this season or not the show that

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<v Speaker 1>you put on for us when when that was going on?

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<v Speaker 1>Did you were you disgusted? Were you going? I love this?

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<v Speaker 1>I I loved it because to me it was the

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<v Speaker 1>visible man. Let's take off the face of the clock

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<v Speaker 1>and watch the gears. And that's what that was. This

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<v Speaker 1>is you know, we're talking about people our ownership show

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<v Speaker 1>business because they want to be He wants to have power.

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<v Speaker 1>He just wants it. He wants and most of most

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<v Speaker 1>of them have all the guyses and veils and and

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<v Speaker 1>you know policy, well they pretend that what you just

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<v Speaker 1>hit on a very important point, which is that they

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<v Speaker 1>pretend to some degree that it's selfless. That well that also, yeah,

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<v Speaker 1>that that they don't crave power. But but the other

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<v Speaker 1>thing about Weener that I found unusual. I mean, listen,

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<v Speaker 1>this is I'm not going to say anything. I don't

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<v Speaker 1>think I'm capable of saying anything that hasn't been said before.

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<v Speaker 1>But the idea that you want to take pictures of

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<v Speaker 1>your genitalia and send it to women that you barely know.

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<v Speaker 1>I wonder if there's an unconscious part of him that's like,

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<v Speaker 1>I'm gonna send pictures of my genitalia to a couple

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<v Speaker 1>of women who I don't even know that well, and

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<v Speaker 1>let's see what happens. Let's let's roll the dice here.

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<v Speaker 1>I'm putting all my chips on black. I'm all in.

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<v Speaker 1>I got another pile, and I'm all in on sending

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<v Speaker 1>this chicken picture of my you know what of my personality?

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<v Speaker 1>I don't have that desire, right, I'm not must exacts.

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<v Speaker 1>It's easier to understand than his get off was. Ding.

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<v Speaker 1>He looks at the phone. Ding, let's it just press send.

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<v Speaker 1>Where where's the thrill? Everybody has as some component of

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<v Speaker 1>them for what I call negative excitement, Like what's your thing?

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<v Speaker 1>You want to do that that you indulge some weakness

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<v Speaker 1>of yours? You know what I mean? Some people have

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<v Speaker 1>food issues, they have drinking mine it would be yours. Uh,

0:12:40.679 --> 0:12:43.960
<v Speaker 1>I don't think I have I mean beyond tomato sauce. Maybe,

0:12:44.040 --> 0:12:48.320
<v Speaker 1>I mean, yeah, that's not that night. Yeah you are.

0:12:49.360 --> 0:12:51.200
<v Speaker 1>And for people who don't know you see, this is

0:12:51.240 --> 0:12:54.560
<v Speaker 1>the thing that that in all honesty, I always when

0:12:54.600 --> 0:12:57.120
<v Speaker 1>I think about you. The list of things I think

0:12:57.160 --> 0:13:01.480
<v Speaker 1>about is is how not just professional and committed in

0:13:01.559 --> 0:13:04.000
<v Speaker 1>all those other kind of lame were you know, lazier words,

0:13:04.400 --> 0:13:08.240
<v Speaker 1>but how you know, just just focused and hard working.

0:13:08.280 --> 0:13:10.319
<v Speaker 1>You are like a lot of people look at you

0:13:10.559 --> 0:13:12.640
<v Speaker 1>and view you as someone who is but let's be

0:13:12.800 --> 0:13:16.000
<v Speaker 1>very candid, you're someone people people view you as someone

0:13:16.000 --> 0:13:19.480
<v Speaker 1>who is this incredibly gifted person. I love this show, right,

0:13:19.520 --> 0:13:21.240
<v Speaker 1>I know you are. But the point is that you

0:13:21.840 --> 0:13:25.520
<v Speaker 1>like you don't work, like you do things like like

0:13:25.559 --> 0:13:27.960
<v Speaker 1>you going on on a trip to go do some gigs.

0:13:28.280 --> 0:13:30.200
<v Speaker 1>It's kind of a thing. You're probably just doing a

0:13:30.240 --> 0:13:34.320
<v Speaker 1>favor for someone. I think that's more you. I don't

0:13:34.320 --> 0:13:36.960
<v Speaker 1>think that's the general perception. I think that's you. I

0:13:36.960 --> 0:13:41.920
<v Speaker 1>think your image of me or what you think. Yeah,

0:13:41.960 --> 0:13:44.440
<v Speaker 1>I think that's your sense I'm projecting. Yeah, I think

0:13:44.480 --> 0:13:47.520
<v Speaker 1>you're projecting. But you know that that's not mad. No, no,

0:13:47.559 --> 0:13:49.600
<v Speaker 1>not at all. You know that I love to work.

0:13:49.920 --> 0:13:55.000
<v Speaker 1>You're incredibly so, but but not um, I'm not driven

0:13:55.280 --> 0:13:58.880
<v Speaker 1>by anything very healthy healthy, I'm not driven by anything unwholesome.

0:13:58.960 --> 0:14:03.120
<v Speaker 1>But you're healthier. You are healthier than anybody else I've

0:14:03.120 --> 0:14:06.560
<v Speaker 1>ever met in your professional everybody else I've met in

0:14:06.559 --> 0:14:09.440
<v Speaker 1>your profession, it was you could do Saturday Night Live

0:14:09.520 --> 0:14:11.880
<v Speaker 1>and be roaming the hallways of that building. Yeah, for

0:14:12.040 --> 0:14:14.160
<v Speaker 1>over the course of you know, it's really more like

0:14:14.160 --> 0:14:16.520
<v Speaker 1>four days, not a full week, and you're around them

0:14:16.559 --> 0:14:19.320
<v Speaker 1>other people. I did a sitcom with other people. I've

0:14:19.320 --> 0:14:21.200
<v Speaker 1>been around a lot of people who make their living

0:14:21.200 --> 0:14:23.800
<v Speaker 1>in comedy. I made films with them, and some of them,

0:14:23.840 --> 0:14:26.200
<v Speaker 1>you'd be around them, you know, within ten minutes you

0:14:26.280 --> 0:14:30.040
<v Speaker 1>understood what was really their deepest problem that they hadn't resolved.

0:14:30.400 --> 0:14:32.680
<v Speaker 1>Some of them took a question a few days. You

0:14:32.680 --> 0:14:35.800
<v Speaker 1>don't have any problems, No, I don't, but I do

0:14:36.480 --> 0:14:40.640
<v Speaker 1>relate very deeply to to all of those people. In fact,

0:14:40.680 --> 0:14:42.320
<v Speaker 1>I was watching the Emmys. Is the only part of

0:14:42.360 --> 0:14:44.520
<v Speaker 1>the Emmys that I like when they do the Comedy

0:14:44.520 --> 0:14:48.760
<v Speaker 1>Writing Award and each comedy writing staff puts up funny pictures,

0:14:49.160 --> 0:14:51.320
<v Speaker 1>and then when the the actual staff comes up on

0:14:51.360 --> 0:14:55.000
<v Speaker 1>the stage and you see these gnome like cretans just

0:14:55.200 --> 0:14:59.440
<v Speaker 1>kind of all misshapen, and and I go, this is me,

0:14:59.680 --> 0:15:04.200
<v Speaker 1>this who I am? This is that's my group people? Yeah,

0:15:04.520 --> 0:15:09.520
<v Speaker 1>but you yeah, do you see that in me? Okay? Well,

0:15:09.520 --> 0:15:12.120
<v Speaker 1>then you've learned something here today. What did I learn?

0:15:12.280 --> 0:15:17.080
<v Speaker 1>You learned that despite maybe I am healthy and somewhat functional,

0:15:18.120 --> 0:15:21.400
<v Speaker 1>but I can I see myself as one of those

0:15:21.440 --> 0:15:25.680
<v Speaker 1>guys that that that that group of Colbert Report writers

0:15:25.680 --> 0:15:29.920
<v Speaker 1>that are just it looks like we would never let

0:15:29.920 --> 0:15:33.640
<v Speaker 1>them speak Colbert mustis. Now those that's where I want

0:15:33.640 --> 0:15:38.000
<v Speaker 1>to hang out with those guys. You do, Yeah, like Barry, Yeah, yeah,

0:15:38.200 --> 0:15:40.760
<v Speaker 1>you're more comfortable with the Berries of I'm only comfortable,

0:15:41.600 --> 0:15:47.280
<v Speaker 1>only comfortable with those people. Really, Yeah, describe Berry. You

0:15:47.280 --> 0:15:50.040
<v Speaker 1>have a special relation. Sherry Martyr is my very special friend.

0:15:50.400 --> 0:15:52.760
<v Speaker 1>Barry is the author of the Letters from a Nutbook

0:15:52.800 --> 0:15:56.680
<v Speaker 1>under the nom de plume ted L Nancy, and he

0:15:56.880 --> 0:16:04.160
<v Speaker 1>is um. He's also fascinating, a compilation of function and dysfunction,

0:16:04.200 --> 0:16:09.360
<v Speaker 1>which any interesting person is. Um. He's a guy who's

0:16:09.640 --> 0:16:11.840
<v Speaker 1>what I love about Barries. I can call him right now,

0:16:11.880 --> 0:16:14.160
<v Speaker 1>it's even thirty that he will just say hello. He's

0:16:14.200 --> 0:16:17.960
<v Speaker 1>always there, always at home. He's got a red couch.

0:16:18.040 --> 0:16:22.200
<v Speaker 1>His living room looks like a murder scene. This you know, uh,

0:16:23.440 --> 0:16:27.960
<v Speaker 1>very scary looking stains on a white rug. Lives into

0:16:28.000 --> 0:16:32.560
<v Speaker 1>Lucca Lake to Luca Lake and we talk every day,

0:16:32.640 --> 0:16:37.160
<v Speaker 1>usually an hour on a good day, two hours. And um,

0:16:37.440 --> 0:16:44.280
<v Speaker 1>we're talking yesterday about chantics, the quit smoking drug commercial

0:16:44.560 --> 0:16:48.040
<v Speaker 1>where they list the side effects and one of the

0:16:48.040 --> 0:16:51.840
<v Speaker 1>ones that the people have experienced with chantics is weird dreams.

0:16:52.440 --> 0:16:56.000
<v Speaker 1>And now we're trying to figure out, well, what's a

0:16:56.080 --> 0:16:59.480
<v Speaker 1>weird dream? And do they have a hotline that you

0:16:59.480 --> 0:17:01.160
<v Speaker 1>can call. I was like, Bob, I got a guy

0:17:01.240 --> 0:17:04.280
<v Speaker 1>here's you know, woke up. He dreamt he had orangutang feet.

0:17:04.880 --> 0:17:08.200
<v Speaker 1>Is that weird? And he goes, no, I've had that one.

0:17:08.400 --> 0:17:12.960
<v Speaker 1>You know, that's that's not weird. Who who doesn't have

0:17:13.200 --> 0:17:17.800
<v Speaker 1>weird dreams? There's no dream, it's not weird exactly. It's

0:17:17.800 --> 0:17:19.680
<v Speaker 1>to be done to I had a dream last night.

0:17:19.720 --> 0:17:21.280
<v Speaker 1>It's funny to say that because I don't dream. Do

0:17:21.320 --> 0:17:24.119
<v Speaker 1>you dream? Or you a dreamer? Everyone dreams like I

0:17:24.119 --> 0:17:27.760
<v Speaker 1>don't remember my dreams very rarely. You're a good sleeper, yeah,

0:17:27.760 --> 0:17:31.280
<v Speaker 1>because the super healthy man that you are, that man,

0:17:31.400 --> 0:17:33.520
<v Speaker 1>the water, the revel e, the up in the morning.

0:17:33.640 --> 0:17:36.520
<v Speaker 1>I don't want a cat pour around. That man sleeps well.

0:17:37.119 --> 0:17:39.560
<v Speaker 1>He sleeps well. Yeah, because I I have and you

0:17:39.640 --> 0:17:43.240
<v Speaker 1>lay down in your things to people have nothing to

0:17:43.320 --> 0:17:47.520
<v Speaker 1>keep me up? Is that? What is that? I don't

0:17:47.520 --> 0:17:49.080
<v Speaker 1>think I do bad things to people. You know, in

0:17:49.119 --> 0:17:51.280
<v Speaker 1>the Jewish religion, we have a day to day of atonement.

0:17:51.280 --> 0:17:53.639
<v Speaker 1>It's your homem kipper when you think of the things

0:17:53.680 --> 0:17:56.879
<v Speaker 1>that you did during the year, uh, and you repent.

0:17:57.520 --> 0:17:59.639
<v Speaker 1>So when you so for you, that's a very short,

0:18:00.080 --> 0:18:04.320
<v Speaker 1>almost like a moment. Yeah, exactly. You walked down the street,

0:18:04.359 --> 0:18:05.760
<v Speaker 1>you kind of looked down at the crack of the

0:18:05.800 --> 0:18:07.880
<v Speaker 1>cyber food and counter three and go, okay, I'm done.

0:18:08.000 --> 0:18:11.040
<v Speaker 1>I don't you thought I did. I did snap at

0:18:11.080 --> 0:18:13.320
<v Speaker 1>that woman when she spilled the coffee on my I

0:18:13.320 --> 0:18:14.920
<v Speaker 1>would never do that. You would never do that. No,

0:18:14.920 --> 0:18:19.639
<v Speaker 1>I would never snap at somebody. Never, never. Never. I

0:18:19.640 --> 0:18:21.919
<v Speaker 1>wish I could say the same thing. I have snapped

0:18:21.920 --> 0:18:23.960
<v Speaker 1>at some people in my life. But a certain breat

0:18:23.960 --> 0:18:26.520
<v Speaker 1>of people people I thought were nothing gets to me

0:18:26.600 --> 0:18:33.200
<v Speaker 1>more upset than than you paying attention to those. Yeah,

0:18:33.240 --> 0:18:35.760
<v Speaker 1>I don't like that. I do have because you're one

0:18:35.760 --> 0:18:38.399
<v Speaker 1>of the great entertainers that I try to glorify and

0:18:38.400 --> 0:18:40.080
<v Speaker 1>call it like I have like a Bruce Wayne syndrome.

0:18:40.119 --> 0:18:41.800
<v Speaker 1>I gotta put that cape on, I gotta get the door,

0:18:41.840 --> 0:18:45.359
<v Speaker 1>and I gotta straighten these people out. Um, you talked

0:18:45.359 --> 0:18:47.240
<v Speaker 1>to him for an hour or two hours? Is it?

0:18:47.400 --> 0:18:51.160
<v Speaker 1>Is it a therapy for you? Yes, because your therapy. Yes,

0:18:51.320 --> 0:18:56.919
<v Speaker 1>because we don't talk about anything important, no agenda, and

0:18:56.960 --> 0:18:58.840
<v Speaker 1>we could just go on board of this and then

0:18:58.880 --> 0:19:01.040
<v Speaker 1>it just and just change the suff You don't even

0:19:01.080 --> 0:19:02.720
<v Speaker 1>say on board of this. I'll just change the subject.

0:19:02.760 --> 0:19:04.920
<v Speaker 1>You just are on the same frequency, the two of you. Yeah,

0:19:05.119 --> 0:19:10.199
<v Speaker 1>we love the sipping coffee and allowedly you know on

0:19:10.240 --> 0:19:21.359
<v Speaker 1>the phone, you know this, this sounds. I like to

0:19:21.359 --> 0:19:27.320
<v Speaker 1>tighten my tour to get back to Barry because I

0:19:27.320 --> 0:19:28.919
<v Speaker 1>have a friend like that, my friend Ronnie Dopson. No,

0:19:28.920 --> 0:19:30.479
<v Speaker 1>but I find that we all have to have a

0:19:30.520 --> 0:19:33.880
<v Speaker 1>person who is that kind of a soulmate. You can

0:19:33.920 --> 0:19:36.439
<v Speaker 1>really talk. And it's interesting that it's a guy like

0:19:36.560 --> 0:19:40.200
<v Speaker 1>my wife. Now it's very close to that. I mean,

0:19:40.200 --> 0:19:43.439
<v Speaker 1>I can tell her anything, I can say anything. I

0:19:43.440 --> 0:19:45.480
<v Speaker 1>can say anything, and she'll look at me and she

0:19:45.640 --> 0:19:47.800
<v Speaker 1>and there will be some judgment. Because all women want

0:19:47.840 --> 0:19:50.000
<v Speaker 1>to fix the man. Therewith. I want to think that

0:19:50.040 --> 0:19:53.119
<v Speaker 1>they have some that they're they have some kind of

0:19:53.840 --> 0:19:57.600
<v Speaker 1>supervisory function in our lives. I've learned to have my wife,

0:19:58.080 --> 0:20:00.919
<v Speaker 1>take my inventory, R tell me what's really going on,

0:20:01.320 --> 0:20:03.880
<v Speaker 1>show me what I'm missing about myself. See what you're

0:20:03.920 --> 0:20:05.960
<v Speaker 1>not seeing is? And now what I do is I

0:20:05.960 --> 0:20:07.320
<v Speaker 1>sit there and I go, first of all, I go

0:20:07.440 --> 0:20:13.800
<v Speaker 1>like this, and let's just say, are you listening to me?

0:20:13.800 --> 0:20:16.879
<v Speaker 1>I'm like, yes, I'm every word. I agree with you.

0:20:16.880 --> 0:20:19.760
<v Speaker 1>You're totally right. I do do that. It's wrong, it's wrong,

0:20:19.840 --> 0:20:22.159
<v Speaker 1>and I really need to thank you. I need to

0:20:22.200 --> 0:20:24.320
<v Speaker 1>look at that more closely than if you're bringing that.

0:20:24.600 --> 0:20:27.359
<v Speaker 1>I call Ronnie, who's my berry? There's none of that,

0:20:28.280 --> 0:20:31.359
<v Speaker 1>there's no there's no judgment, there's no supervisory function. Is

0:20:31.359 --> 0:20:34.520
<v Speaker 1>that the way it is with Barry Um? If I

0:20:34.600 --> 0:20:38.639
<v Speaker 1>ask for it, I will often I will ask him,

0:20:37.680 --> 0:20:42.040
<v Speaker 1>uh the most challenging questions of life to me? And

0:20:42.160 --> 0:20:46.639
<v Speaker 1>he work related, work related, personal. You know, you know,

0:20:47.000 --> 0:20:51.000
<v Speaker 1>almost every call we have it's why are we what

0:20:51.040 --> 0:20:52.800
<v Speaker 1>are we doing? Why are we here? Why are we

0:20:52.840 --> 0:20:57.360
<v Speaker 1>even alive? And he's give me an answer. He'll give

0:20:57.400 --> 0:20:59.400
<v Speaker 1>me an answer. What does he say, why are we alive?

0:20:59.440 --> 0:21:06.520
<v Speaker 1>According to Um, he would probably say, um to sit

0:21:06.640 --> 0:21:09.960
<v Speaker 1>on the stained sofa into Luca Lake and think the

0:21:10.000 --> 0:21:13.520
<v Speaker 1>great thoughts. Yeah, that's right, to laugh, to have fun,

0:21:14.280 --> 0:21:29.520
<v Speaker 1>to enjoy ourselves. Yeah, to enjoy ourselves happy. Yeah. Jerry

0:21:29.560 --> 0:21:32.679
<v Speaker 1>spends his days doing just that. And when he's not

0:21:32.760 --> 0:21:36.800
<v Speaker 1>laughing himself, he's creating material to make others laugh. But

0:21:36.920 --> 0:21:39.800
<v Speaker 1>even for Seinfeld, one of the greatest stand ups of

0:21:39.840 --> 0:21:43.879
<v Speaker 1>all time, some audiences are harder than others. My wife

0:21:43.920 --> 0:21:47.360
<v Speaker 1>will laugh, but at this point, fifteen years in, it's

0:21:47.400 --> 0:21:50.800
<v Speaker 1>that golf shot that you hit perfect in it. It's

0:21:50.800 --> 0:21:56.000
<v Speaker 1>got to be a perfect the wedge. Yeah, that, and

0:21:56.080 --> 0:21:58.760
<v Speaker 1>she will burst out laughing. So I gotta it's gotta

0:21:58.800 --> 0:22:18.879
<v Speaker 1>be a good one, and that's fine. Coming up, Jerry

0:22:18.880 --> 0:22:21.800
<v Speaker 1>Seinfeld talks about the family he grew up with and

0:22:21.880 --> 0:22:24.879
<v Speaker 1>the family he lives with today. He has three kids.

0:22:37.560 --> 0:22:40.720
<v Speaker 1>Here's the thing. Take a listen to our archive where

0:22:40.760 --> 0:22:43.439
<v Speaker 1>you can hear other comedians like Kristen Wigg, who, like

0:22:43.600 --> 0:22:47.240
<v Speaker 1>Jerry Seinfeld, follows her gut when it comes to her career.

0:22:47.520 --> 0:22:50.840
<v Speaker 1>I don't like the word goal because I feel like

0:22:51.920 --> 0:22:54.680
<v Speaker 1>those are always changing for me. You don't like I

0:22:54.720 --> 0:22:58.119
<v Speaker 1>don't like having gold. That's why, you know, do what

0:22:58.160 --> 0:23:00.560
<v Speaker 1>I do? I don't know. I want to erect, I

0:23:00.640 --> 0:23:04.480
<v Speaker 1>want to live in Paris and paint. I want to

0:23:04.520 --> 0:23:06.240
<v Speaker 1>do like I don't know. I want to do a

0:23:06.280 --> 0:23:10.560
<v Speaker 1>lot of different things. Seriously, Yeah, I live in Paris,

0:23:09.840 --> 0:23:13.240
<v Speaker 1>and I don't know. You'd let Paris for about two months?

0:23:13.640 --> 0:23:15.720
<v Speaker 1>Well maybe, but then I live in Paris for two months.

0:23:17.200 --> 0:23:30.680
<v Speaker 1>Take a listen and here's the thing dot Org. This

0:23:30.760 --> 0:23:33.480
<v Speaker 1>is Alec Baldwin and you're listening to Here's the Thing.

0:23:34.280 --> 0:23:38.760
<v Speaker 1>On the TV show, Seinfeld, Jerry, Elaine Cramer, and George

0:23:39.080 --> 0:23:43.760
<v Speaker 1>were characters driven largely by unabashed self interest. Come on,

0:23:43.840 --> 0:23:45.240
<v Speaker 1>let's go do something. I don't want to just sit

0:23:45.280 --> 0:23:47.640
<v Speaker 1>around here. I want to go get something to eat.

0:23:47.680 --> 0:23:50.280
<v Speaker 1>Where you want to go, I don't care, I'm not hungry.

0:23:50.480 --> 0:23:54.480
<v Speaker 1>Growing up, Jerry Seinfeld's own family life served as a

0:23:54.600 --> 0:23:57.840
<v Speaker 1>useful model of just that. Look, my mother is an orphan.

0:23:58.080 --> 0:24:01.639
<v Speaker 1>My father left the house probably even years old, to

0:24:01.720 --> 0:24:03.600
<v Speaker 1>work on the street and make a living on the

0:24:03.640 --> 0:24:06.600
<v Speaker 1>Lower east Side. You know, they got married in their forties.

0:24:07.480 --> 0:24:10.800
<v Speaker 1>They had no concept of what a family should even be.

0:24:11.800 --> 0:24:15.960
<v Speaker 1>And all I craved was the same fierce independence that

0:24:16.080 --> 0:24:22.200
<v Speaker 1>they had in their lives. Indestructible, indestructible, self contained, self

0:24:22.200 --> 0:24:25.960
<v Speaker 1>reliant people. This is not great going into a marriage.

0:24:26.200 --> 0:24:29.600
<v Speaker 1>May I say, you know? And I was that guy saying, well,

0:24:29.600 --> 0:24:31.320
<v Speaker 1>I gotta go now, I gotta go to work. And

0:24:31.359 --> 0:24:34.679
<v Speaker 1>you don't think that this might be a problem for

0:24:34.920 --> 0:24:37.800
<v Speaker 1>a person that's not used to being around that. So

0:24:37.840 --> 0:24:39.639
<v Speaker 1>it took me a long time to learn that. You

0:24:39.640 --> 0:24:41.159
<v Speaker 1>know that you have to be understand because to me,

0:24:42.840 --> 0:24:46.880
<v Speaker 1>to me, this life, my life, what I would call

0:24:46.960 --> 0:24:50.159
<v Speaker 1>my life in comedy, is a life of sacrifice that

0:24:50.280 --> 0:24:55.359
<v Speaker 1>I am only too happy to make. All my relationships

0:24:55.440 --> 0:24:58.160
<v Speaker 1>I got married at forty five. All my relationships were

0:24:58.160 --> 0:25:01.760
<v Speaker 1>as disposable as a dixie cup. Excuse me with women

0:25:01.760 --> 0:25:04.159
<v Speaker 1>you made. Yes, I gotta work. You've gone right, But

0:25:04.400 --> 0:25:07.280
<v Speaker 1>well if you don't, if you don't want you know, well,

0:25:07.320 --> 0:25:08.840
<v Speaker 1>if you if you're gonna be on the road that much,

0:25:08.840 --> 0:25:13.520
<v Speaker 1>we can't be together. Goodbye, goodbye. This is this my

0:25:13.680 --> 0:25:15.679
<v Speaker 1>I have had a sense of mission. You were like

0:25:15.760 --> 0:25:19.200
<v Speaker 1>Lee Strasburg in The Godfather Part two. Yes, when he says,

0:25:19.720 --> 0:25:22.679
<v Speaker 1>if I come back here, I know I have a partner.

0:25:22.720 --> 0:25:26.360
<v Speaker 1>I'll know I have a partner. If it's not, i'll

0:25:26.359 --> 0:25:29.200
<v Speaker 1>know I don't. I'll know I don't. What he said,

0:25:29.200 --> 0:25:31.560
<v Speaker 1>I'm going in the other room. It's the last time

0:25:31.880 --> 0:25:33.760
<v Speaker 1>a really out of shape man took his shirt off

0:25:33.760 --> 0:25:37.199
<v Speaker 1>in a movie and it wasn't bad. Hair on the

0:25:37.200 --> 0:25:41.359
<v Speaker 1>top of the shoulders, a little little little like a

0:25:41.520 --> 0:25:45.120
<v Speaker 1>little tumbleweeds of hair. Yeah, did you know him? Did

0:25:45.119 --> 0:25:48.040
<v Speaker 1>you know when I studied acting at this school on

0:25:48.119 --> 0:25:50.080
<v Speaker 1>fifte Street. When I went to n y U, I

0:25:50.119 --> 0:25:52.440
<v Speaker 1>went to Strasburg. They assigned you to the studio, You

0:25:52.480 --> 0:25:56.080
<v Speaker 1>went to Adler Strasburg Up. I went to Strasburg and

0:25:56.119 --> 0:25:58.680
<v Speaker 1>I had wonderful teachers, Marsha how Freckt and Jeffrey Horn

0:25:58.760 --> 0:26:01.000
<v Speaker 1>is a wonderful too beautiful people. But you know, the

0:26:01.040 --> 0:26:05.080
<v Speaker 1>method of Strasburg was very uh severe. Did it work

0:26:05.119 --> 0:26:07.520
<v Speaker 1>for you one of the Well, it opened up your

0:26:07.560 --> 0:26:10.800
<v Speaker 1>eyes to the idea of whatever word you want to use,

0:26:10.840 --> 0:26:12.719
<v Speaker 1>I'm never going to use the right word for everyone.

0:26:13.040 --> 0:26:17.000
<v Speaker 1>To mind your past and mind your emotional fabric to

0:26:17.200 --> 0:26:21.200
<v Speaker 1>get where you want to go. Whereas Strasberg and Stanislavski,

0:26:21.359 --> 0:26:25.240
<v Speaker 1>both people don't necessarily stumble across this fine print and

0:26:25.280 --> 0:26:29.040
<v Speaker 1>all these writings of their where what Stanislavski and Strasburg

0:26:29.280 --> 0:26:31.320
<v Speaker 1>both said is that the method, so to speak, is

0:26:31.400 --> 0:26:35.159
<v Speaker 1>something that you apply only if inspiration fails you like

0:26:35.200 --> 0:26:36.439
<v Speaker 1>you don't. You don't need to go off into a

0:26:36.520 --> 0:26:39.080
<v Speaker 1>room and twist yourself into some kind of psychological pretzel

0:26:39.680 --> 0:26:41.920
<v Speaker 1>to do this work. If you can just say the

0:26:41.960 --> 0:26:44.200
<v Speaker 1>words and you're there, you feel connected to the character

0:26:44.240 --> 0:26:46.000
<v Speaker 1>in and of yourself. Do you do you have a

0:26:46.040 --> 0:26:49.600
<v Speaker 1>desire as an actor to be one of those guys,

0:26:49.960 --> 0:26:54.480
<v Speaker 1>one of those I'm gonna take my rib cage and separated.

0:26:54.560 --> 0:26:56.480
<v Speaker 1>When I was younger, I did you did? When I

0:26:56.560 --> 0:26:58.480
<v Speaker 1>was younger? I did? Did you feel you there was

0:26:58.520 --> 0:26:59.960
<v Speaker 1>there was there a role where you felt you got

0:27:00.000 --> 0:27:01.840
<v Speaker 1>close to that. When I did street Car named Desire

0:27:01.880 --> 0:27:04.679
<v Speaker 1>on Broadway and Amy Madigan, I would scream Stella stella

0:27:04.720 --> 0:27:06.879
<v Speaker 1>for her to come downstairs, and Amy would come in.

0:27:06.880 --> 0:27:08.959
<v Speaker 1>The minute I would touch Amy, I'd burst into tears.

0:27:09.640 --> 0:27:12.400
<v Speaker 1>Remember I didn't. I loved Amy more than any woman

0:27:12.440 --> 0:27:16.720
<v Speaker 1>I ever loved. You know, at that moment, I mean,

0:27:16.720 --> 0:27:19.560
<v Speaker 1>and it was real right, I was in love with Amy.

0:27:19.760 --> 0:27:21.440
<v Speaker 1>Do you think I'm capable of that kind of work?

0:27:21.560 --> 0:27:24.879
<v Speaker 1>I think you are. It would be a tremendous mistake

0:27:24.960 --> 0:27:27.240
<v Speaker 1>on your car. It would be a huge would be

0:27:27.280 --> 0:27:29.480
<v Speaker 1>one of the poorest choices, probably in show business history,

0:27:29.760 --> 0:27:31.680
<v Speaker 1>for you to go and to say, you want to

0:27:31.840 --> 0:27:33.000
<v Speaker 1>know what do you want to do? A street car

0:27:33.080 --> 0:27:37.320
<v Speaker 1>on um. I was in an acting class where a

0:27:37.359 --> 0:27:39.719
<v Speaker 1>guy did have me play Brick, but that's Cata hot

0:27:39.760 --> 0:27:42.240
<v Speaker 1>Tin roof. He because I was able to handle the

0:27:42.520 --> 0:27:45.159
<v Speaker 1>light comedy so easily, he said you, I need to

0:27:45.200 --> 0:27:47.080
<v Speaker 1>challenge you more. So he had me and he said,

0:27:47.080 --> 0:27:49.720
<v Speaker 1>I want you to study the role of Brick. Wasn't

0:27:49.720 --> 0:27:56.480
<v Speaker 1>that the name of the character street and yeah, Maggie

0:27:56.480 --> 0:27:58.880
<v Speaker 1>and Brick. Yeah. Well that's when I left that. There's

0:27:58.880 --> 0:28:00.400
<v Speaker 1>a girl I could you you're the pret this because

0:28:00.400 --> 0:28:02.560
<v Speaker 1>you're from Long Island. And I met this woman, uh

0:28:03.000 --> 0:28:06.040
<v Speaker 1>many years later and even she laughed about it, so

0:28:06.080 --> 0:28:09.960
<v Speaker 1>I can say this, remember pergaments hardware storm. Okay, I

0:28:10.000 --> 0:28:13.000
<v Speaker 1>went to I went to college. I went to g

0:28:13.280 --> 0:28:15.120
<v Speaker 1>W for three years and I went and I took

0:28:15.160 --> 0:28:18.120
<v Speaker 1>my last year there, my junior year before I climbed

0:28:18.119 --> 0:28:19.439
<v Speaker 1>over the wall there and went to end. While you

0:28:19.440 --> 0:28:22.600
<v Speaker 1>just studied acting, I took acting for non drama majors.

0:28:23.440 --> 0:28:26.080
<v Speaker 1>It was a gut course you take at GW. I

0:28:26.080 --> 0:28:28.919
<v Speaker 1>took acting for non drama majors, and everyone in the class.

0:28:29.240 --> 0:28:30.680
<v Speaker 1>This was one of the things that gave me the

0:28:30.760 --> 0:28:32.600
<v Speaker 1>impetus to be an actor because everyone in the class

0:28:32.680 --> 0:28:36.400
<v Speaker 1>was so horrible and I could, I could, I squeaked

0:28:36.400 --> 0:28:38.160
<v Speaker 1>by like I wasn't that bad. I was okay in

0:28:38.280 --> 0:28:40.880
<v Speaker 1>terms of performing. And the teacher said to me, I

0:28:40.920 --> 0:28:42.920
<v Speaker 1>want you to do a scene from Canada huntin roof

0:28:42.960 --> 0:28:45.640
<v Speaker 1>of Maggie Brick scene and your partner is Debbie Pergament,

0:28:46.280 --> 0:28:48.800
<v Speaker 1>who was the daughter and I don't want to call

0:28:48.840 --> 0:28:51.080
<v Speaker 1>her the heir to the Pergamin fortune, but let's just

0:28:51.120 --> 0:28:54.680
<v Speaker 1>say that for our comedy purposes, Debbie Pergamont. And literally

0:28:54.720 --> 0:28:58.920
<v Speaker 1>she was this lovely girl, adorable, gorgeous, really cute as

0:28:58.960 --> 0:29:02.000
<v Speaker 1>the day is long. But she was from you know,

0:29:02.080 --> 0:29:06.720
<v Speaker 1>like Rosley or somewhere. So when she would say she

0:29:06.840 --> 0:29:09.280
<v Speaker 1>was the only person who made Brick a bicyllabic where

0:29:09.320 --> 0:29:13.360
<v Speaker 1>she was like a rick rick, I am like a

0:29:13.520 --> 0:29:18.120
<v Speaker 1>cat's on a Hudson roof here, I am so upset.

0:29:19.080 --> 0:29:22.000
<v Speaker 1>Debbie Pergmant was who was my partner in a scene

0:29:22.040 --> 0:29:25.239
<v Speaker 1>study class, and it was it was eye opening. So

0:29:25.240 --> 0:29:28.360
<v Speaker 1>where do we want to go now? Your your career now?

0:29:29.800 --> 0:29:34.280
<v Speaker 1>Um you you you're seeing another corridor for yourself? Is

0:29:34.320 --> 0:29:36.760
<v Speaker 1>something you want to explore something you have to offer

0:29:36.880 --> 0:29:40.239
<v Speaker 1>or be honest with me. Are you just tired and

0:29:40.280 --> 0:29:42.960
<v Speaker 1>you just don't want to travel and slap and deal

0:29:43.040 --> 0:29:45.120
<v Speaker 1>with these idiots you want to know the truth is

0:29:45.160 --> 0:29:48.479
<v Speaker 1>I want to be more like you, really, because you

0:29:48.520 --> 0:29:51.120
<v Speaker 1>are a very happy like. I look at you and

0:29:51.200 --> 0:29:53.720
<v Speaker 1>I see to myself everything is always like, why aren't

0:29:53.720 --> 0:29:56.880
<v Speaker 1>you doing what other people do? What? Meaning? Like the

0:29:56.920 --> 0:29:59.480
<v Speaker 1>first thing people would say in the business, I mean

0:29:59.680 --> 0:30:01.840
<v Speaker 1>even outside the business, if they have some savvy about it,

0:30:01.800 --> 0:30:04.040
<v Speaker 1>what they say, did Jerry want to ramp up a

0:30:04.040 --> 0:30:10.200
<v Speaker 1>production company and just print TV shows? How many sitcoms

0:30:10.200 --> 0:30:13.479
<v Speaker 1>could you have launched the mater of your name? Forget it?

0:30:13.600 --> 0:30:17.640
<v Speaker 1>Forget it. You can have your own channel, the Jerry Channel.

0:30:18.360 --> 0:30:22.080
<v Speaker 1>But I didn't take that face Why because I know

0:30:22.120 --> 0:30:25.800
<v Speaker 1>what it is. I know what it is. That's why

0:30:27.000 --> 0:30:29.280
<v Speaker 1>you can't pull that over on me. What what is?

0:30:29.320 --> 0:30:30.920
<v Speaker 1>I've sat in all the chairs, I've been in all

0:30:30.960 --> 0:30:35.880
<v Speaker 1>the rooms. I know what it is. Look Alec you

0:30:35.880 --> 0:30:40.840
<v Speaker 1>you've you've been there, right. Yes, you can't trick me

0:30:40.920 --> 0:30:47.200
<v Speaker 1>into thinking thinking what that's good? That's because don't. Most

0:30:47.240 --> 0:30:53.400
<v Speaker 1>of it is not creative work and not reaching an audience.

0:30:53.600 --> 0:30:55.080
<v Speaker 1>You want to be on the water. How do you

0:30:55.080 --> 0:30:56.160
<v Speaker 1>want to be on the water. You want to be

0:30:56.160 --> 0:30:57.520
<v Speaker 1>on a yacht. You want to be on a surfboard.

0:30:57.840 --> 0:30:59.520
<v Speaker 1>I want to be on a surfboard. I don't want

0:30:59.520 --> 0:31:03.160
<v Speaker 1>to deal with that's a yacht. And you just also

0:31:03.240 --> 0:31:05.560
<v Speaker 1>some people want a yacht to say, to see my yacht,

0:31:06.760 --> 0:31:08.440
<v Speaker 1>and you just didn't want people do you, And you

0:31:08.480 --> 0:31:11.920
<v Speaker 1>also didn't want to ultimately wind up putting your name

0:31:11.960 --> 0:31:13.720
<v Speaker 1>as is often the case, look at which if you're

0:31:13.720 --> 0:31:16.240
<v Speaker 1>the goose that lays the golden egg, you're the successful person,

0:31:16.320 --> 0:31:18.800
<v Speaker 1>and it all emanates you're the godhead if you will,

0:31:18.880 --> 0:31:21.160
<v Speaker 1>comedy wise, and you go launch all these other shows,

0:31:21.160 --> 0:31:23.200
<v Speaker 1>and all those other shows they aren't maybe as good,

0:31:23.240 --> 0:31:25.520
<v Speaker 1>of course they're not. And how much of your well,

0:31:25.560 --> 0:31:27.400
<v Speaker 1>why doesn't he want to do it? How much wou

0:31:27.440 --> 0:31:29.080
<v Speaker 1>would have to even how much for you to be

0:31:29.160 --> 0:31:32.040
<v Speaker 1>in there for one just to whatever it is? Yeah,

0:31:32.200 --> 0:31:34.800
<v Speaker 1>whatever it is. Let me tell you why my TV

0:31:34.880 --> 0:31:38.240
<v Speaker 1>series in the nineties was so good. Bespides an inordinate

0:31:38.240 --> 0:31:42.960
<v Speaker 1>amount of just pure good fortune. In most TV series,

0:31:44.120 --> 0:31:46.440
<v Speaker 1>fifty percent of the time is spent working on the show.

0:31:46.720 --> 0:31:50.280
<v Speaker 1>Fifty percent of the time is spent dealing with personality,

0:31:50.640 --> 0:31:58.239
<v Speaker 1>political and hierarchical issues of making something. We spent nine

0:31:58.880 --> 0:32:02.200
<v Speaker 1>of our time writing Me and Larry. The door was closed,

0:32:03.000 --> 0:32:05.640
<v Speaker 1>some somebody calls. We're not taking the call. We're gonna

0:32:05.680 --> 0:32:07.760
<v Speaker 1>We're gonna make this seem funny. That's why the show

0:32:07.800 --> 0:32:11.120
<v Speaker 1>was good. I didn't want to go from that two.

0:32:12.120 --> 0:32:16.920
<v Speaker 1>Um you know some some H. G. Wells contraption machine

0:32:18.680 --> 0:32:21.200
<v Speaker 1>you know, of of trying to control the weather. That's

0:32:21.200 --> 0:32:23.640
<v Speaker 1>what That's what these these deals are. That's what making

0:32:23.680 --> 0:32:27.640
<v Speaker 1>a movie is. What's a movie. It's this giant machine,

0:32:27.720 --> 0:32:30.480
<v Speaker 1>is this giant ship, and everybody gets on it and

0:32:30.520 --> 0:32:33.920
<v Speaker 1>they shove off and nobody knows where it's going. And

0:32:33.960 --> 0:32:38.120
<v Speaker 1>the captain is doing where's the captain? He's getting high

0:32:38.240 --> 0:32:41.240
<v Speaker 1>and and and and you know, and sleeping with the

0:32:41.320 --> 0:32:47.680
<v Speaker 1>first mate. Period. Yeah. So it's too much time and

0:32:47.800 --> 0:32:52.000
<v Speaker 1>energy spent on that is not the juice. The really

0:32:52.040 --> 0:32:55.240
<v Speaker 1>good stuff is a great line. So when you go

0:32:55.280 --> 0:32:57.640
<v Speaker 1>out as the stand up comedian, I can control that.

0:32:57.720 --> 0:32:59.880
<v Speaker 1>So when you go out on stage now, so for now,

0:33:00.040 --> 0:33:03.600
<v Speaker 1>for you, other than whatever other things you're involved with

0:33:03.960 --> 0:33:06.920
<v Speaker 1>writing or comedians and cars with coffee and so forth,

0:33:07.360 --> 0:33:09.560
<v Speaker 1>you go out on stage, you perform live. How many

0:33:09.680 --> 0:33:11.920
<v Speaker 1>shows you do? But on average? Would you say, I'm

0:33:11.920 --> 0:33:13.440
<v Speaker 1>not sure, it varies. But you're on the road how

0:33:13.440 --> 0:33:17.520
<v Speaker 1>many how many shows a year? Um? Maybe seventy so, so

0:33:17.440 --> 0:33:20.200
<v Speaker 1>so you do seventy five appearances a year? And is

0:33:20.240 --> 0:33:22.760
<v Speaker 1>it just very simply a case where you walk out there,

0:33:23.080 --> 0:33:26.360
<v Speaker 1>that exchange of energy between you and them. They want

0:33:26.360 --> 0:33:28.640
<v Speaker 1>what you've got, you want what they've got. You're at home,

0:33:28.720 --> 0:33:31.160
<v Speaker 1>you feel comfortable, you're happy. It's a it's a it's

0:33:31.320 --> 0:33:39.959
<v Speaker 1>it's a very fulfilling, uh, unsolvable puzzle that is endlessly

0:33:40.960 --> 0:33:44.440
<v Speaker 1>um it just because it goes right to your soul?

0:33:44.640 --> 0:33:46.160
<v Speaker 1>Does every night need to be different if you can

0:33:46.200 --> 0:33:47.560
<v Speaker 1>make it? So? Do you try to make it different

0:33:47.560 --> 0:33:49.120
<v Speaker 1>that there's nothing I can do about that. It's gonna

0:33:49.120 --> 0:33:51.239
<v Speaker 1>be different. It's gonna be different. Yeah. But if I

0:33:51.280 --> 0:33:53.959
<v Speaker 1>can get them right where I want them and and

0:33:54.000 --> 0:33:59.000
<v Speaker 1>get myself where I want myself, and the thing just explodes, well,

0:33:59.040 --> 0:34:02.440
<v Speaker 1>you know, it's fun. That's life. People who perform live.

0:34:02.440 --> 0:34:04.480
<v Speaker 1>I'll never forget. There was an article like an Esquire

0:34:04.560 --> 0:34:06.960
<v Speaker 1>magazine or somewhere, and they did an article about Wayne

0:34:07.000 --> 0:34:09.680
<v Speaker 1>Newton and they took it was about Vegas, and I

0:34:09.680 --> 0:34:11.600
<v Speaker 1>think it was about Wayne Newton, and I love this article.

0:34:11.600 --> 0:34:14.279
<v Speaker 1>And they weren't mean towards him, were diminishing him, and

0:34:14.280 --> 0:34:16.360
<v Speaker 1>they were saying how they thought it was uncanny how

0:34:16.400 --> 0:34:18.160
<v Speaker 1>the guy went to the show in Vegas with a

0:34:18.200 --> 0:34:21.680
<v Speaker 1>stop watch and Newton came out and he did the

0:34:21.760 --> 0:34:23.759
<v Speaker 1>same thing every show, the same exact thing, the same

0:34:23.800 --> 0:34:26.400
<v Speaker 1>exact beats. It was just it was just he just

0:34:26.560 --> 0:34:28.839
<v Speaker 1>cloned one show after that and he would come out,

0:34:28.880 --> 0:34:31.600
<v Speaker 1>but he would create the dynamic tension that this show

0:34:31.680 --> 0:34:33.839
<v Speaker 1>was different. And he come out on stage and people

0:34:33.840 --> 0:34:35.800
<v Speaker 1>will be screaming, and the women are throwing their panties

0:34:35.800 --> 0:34:38.440
<v Speaker 1>and they're throwing their hotel room keys had him his crowd,

0:34:38.520 --> 0:34:40.760
<v Speaker 1>and then he sit there and he'd say, um, um,

0:34:40.800 --> 0:34:42.759
<v Speaker 1>you know, we gotta we gotta wrap this up. But

0:34:42.920 --> 0:34:44.520
<v Speaker 1>you know, I love you people. I'm gonna something. I'm

0:34:44.520 --> 0:34:46.840
<v Speaker 1>gonna sing a song I never sing anymore. And the

0:34:46.880 --> 0:34:48.759
<v Speaker 1>song he just sang, like, you know, ninety minutes ago,

0:34:48.920 --> 0:34:50.359
<v Speaker 1>I'm gonna sing a number for you guys, I never

0:34:50.360 --> 0:34:52.480
<v Speaker 1>sing anymore. I never would never break this one out anymore.

0:34:52.719 --> 0:34:55.400
<v Speaker 1>And he just re created the same, Uh, you know,

0:34:55.520 --> 0:34:58.200
<v Speaker 1>mock freshness of the whole thing, which many performers. I

0:34:58.239 --> 0:35:00.319
<v Speaker 1>assume they do that. Yeah, he used to say, tell

0:35:00.360 --> 0:35:04.440
<v Speaker 1>him locked the doors. They don't want me to go along.

0:35:04.520 --> 0:35:07.600
<v Speaker 1>But but this audience, I don't. I don't know. I'm

0:35:07.600 --> 0:35:11.160
<v Speaker 1>gonna do something the rules. Yeah, and of course you

0:35:11.200 --> 0:35:13.680
<v Speaker 1>wouldn't write on the button. You performed in Vegas all

0:35:13.719 --> 0:35:16.839
<v Speaker 1>the time. So they throw the hotel room key. How

0:35:16.920 --> 0:35:19.480
<v Speaker 1>desperate is this entertainer, by the way, to just pick

0:35:19.600 --> 0:35:23.600
<v Speaker 1>up d and go I'm heading over there, over there,

0:35:23.680 --> 0:35:26.040
<v Speaker 1>which one of you? Oh you, I'm sorry, let me

0:35:26.040 --> 0:35:27.920
<v Speaker 1>give you your key back. I'm sorry. I don't want

0:35:27.960 --> 0:35:48.520
<v Speaker 1>that kid coming up. More from Jerry Seinfeld. He's got

0:35:48.560 --> 0:35:51.439
<v Speaker 1>so many years of stand up under his belt. When

0:35:51.440 --> 0:35:55.280
<v Speaker 1>he travels, as he does most weekends, every move is planned.

0:35:55.640 --> 0:36:00.719
<v Speaker 1>It is organized with military precision on it, not an

0:36:00.760 --> 0:36:04.359
<v Speaker 1>ounce on the day. It's three guys, three suits, three

0:36:04.360 --> 0:36:08.520
<v Speaker 1>garment bags. We're in, we're out, and we have a

0:36:08.520 --> 0:36:12.680
<v Speaker 1>great time. We worked very hard. It's zero dark thirty.

0:36:12.920 --> 0:36:17.840
<v Speaker 1>It is Yeah, you get the lot and go. That's thinker.

0:36:17.880 --> 0:36:22.920
<v Speaker 1>Put the dead bodies body. It's a beautiful thing. This

0:36:23.000 --> 0:36:27.120
<v Speaker 1>is what I was given from the TV series that

0:36:27.200 --> 0:36:30.560
<v Speaker 1>I could live like this now on my own terms.

0:36:31.320 --> 0:36:35.680
<v Speaker 1>That that's what we're looking for on my own term. Right, God,

0:36:36.120 --> 0:36:39.280
<v Speaker 1>I've that's such a foreign concept to me. Yes, of course,

0:36:39.360 --> 0:36:43.080
<v Speaker 1>the lack of an actor is anything but but right.

0:36:43.320 --> 0:36:47.359
<v Speaker 1>But this is where we're moving now with Alec God. Yeah,

0:36:47.360 --> 0:36:52.640
<v Speaker 1>my god, on my own terms. More wisdom from Jerry

0:36:52.680 --> 0:37:00.719
<v Speaker 1>Seinfeld in a moment, This is Alec Baldwin. Take a

0:37:00.760 --> 0:37:05.880
<v Speaker 1>listen to our archive more in depth conversations with artists, policymakers,

0:37:05.960 --> 0:37:10.439
<v Speaker 1>and performers like Patti Lapone, Erica Young, and Debbie Reynolds.

0:37:10.480 --> 0:37:14.400
<v Speaker 1>Good morning, good morning, it's great to stay in Blake,

0:37:14.480 --> 0:37:19.479
<v Speaker 1>Good morning, good morning. What fun you see? I can't

0:37:19.480 --> 0:37:21.440
<v Speaker 1>sing to save my life if you put a gun

0:37:21.520 --> 0:37:24.719
<v Speaker 1>to my head and said saying, are you almost go

0:37:24.920 --> 0:37:43.520
<v Speaker 1>to here's the thing? Dot Org, this is Alec Baldwin,

0:37:43.760 --> 0:37:47.400
<v Speaker 1>and you're listening to Here's the thing. When Jerry Seinfeld

0:37:47.480 --> 0:37:51.200
<v Speaker 1>was ten years old, he started feverishly studying the techniques

0:37:51.640 --> 0:37:55.600
<v Speaker 1>of stand up comedians on TV, devouring it everything. That's

0:37:55.840 --> 0:37:59.560
<v Speaker 1>just like my daughter does. Now. My daughters totally got

0:37:59.600 --> 0:38:02.920
<v Speaker 1>whatever gene I had. She's got it. She can do

0:38:03.000 --> 0:38:08.359
<v Speaker 1>any voice, accent, takes lines. Her brother said to her,

0:38:08.400 --> 0:38:10.520
<v Speaker 1>this one she's wearing glass. She has glasses. Her brother said,

0:38:10.560 --> 0:38:15.919
<v Speaker 1>he said, are those are those real glasses? She looked

0:38:15.920 --> 0:38:23.720
<v Speaker 1>at him, she said, what do you think that's she's twelve,

0:38:24.680 --> 0:38:28.680
<v Speaker 1>she's already she's not ready to go play iron Rand

0:38:28.719 --> 0:38:37.920
<v Speaker 1>at the local library and the fake glasses. But um, okay,

0:38:37.960 --> 0:38:42.880
<v Speaker 1>so my house, Um, I assume my my childhood was

0:38:43.600 --> 0:38:46.960
<v Speaker 1>my relationship to my parents was you do what you

0:38:47.040 --> 0:38:49.359
<v Speaker 1>gotta do. I'll do what I gotta do, and I'm

0:38:49.400 --> 0:38:51.359
<v Speaker 1>just living here until I can figure something else out.

0:38:52.680 --> 0:38:56.040
<v Speaker 1>That was my house, and to me, that was great.

0:38:56.120 --> 0:38:58.520
<v Speaker 1>We've talked about this. You and I was very independent.

0:38:59.640 --> 0:39:01.400
<v Speaker 1>My father. They never hugged me, never told me he

0:39:01.440 --> 0:39:07.480
<v Speaker 1>loved me, never threw me a ball, No problem. I'm good.

0:39:07.480 --> 0:39:13.040
<v Speaker 1>I'm good. He's you're good. You're gonna do whatever some

0:39:13.080 --> 0:39:16.000
<v Speaker 1>time together, right? Who was the guy who blew the

0:39:16.040 --> 0:39:18.200
<v Speaker 1>horn in the in the when the tower and the

0:39:18.239 --> 0:39:20.520
<v Speaker 1>tower fell over? Remember at the beginning of each show,

0:39:20.920 --> 0:39:23.200
<v Speaker 1>I forget what was it? Was it Larry? It was

0:39:23.239 --> 0:39:27.080
<v Speaker 1>another No, Larry Storch was a garn he was an

0:39:27.680 --> 0:39:33.120
<v Speaker 1>There was another Larry Parmenter Captain Parmenter. It wasn't really funny.

0:39:33.160 --> 0:39:37.359
<v Speaker 1>But there was another guy, another Larry, who was at

0:39:37.360 --> 0:39:39.120
<v Speaker 1>the top of the time the tower would fall over

0:39:39.800 --> 0:39:42.440
<v Speaker 1>the beginning. He was had very kind of vanilla looking Yea,

0:39:43.040 --> 0:39:45.080
<v Speaker 1>it wasn't It wasn't Larry Wilcox. He went on to

0:39:45.080 --> 0:39:49.799
<v Speaker 1>do chips. No, No, it was another Larry anyway, but yeah,

0:39:49.800 --> 0:39:53.640
<v Speaker 1>it was Abber Costello was. I really became obsessed with

0:39:53.719 --> 0:39:58.200
<v Speaker 1>them because of the precision word play they were. See

0:39:58.239 --> 0:40:01.040
<v Speaker 1>that's where they went. You know, there was there was

0:40:01.080 --> 0:40:03.719
<v Speaker 1>Laurel and Hardy and then Martin Lewis, but Aban and

0:40:03.800 --> 0:40:08.320
<v Speaker 1>Costello had this precision. I mean, who's on first is

0:40:08.880 --> 0:40:13.640
<v Speaker 1>a piece of It's like that that museum in Spain,

0:40:13.800 --> 0:40:17.799
<v Speaker 1>you know, the what you know, the no, the other

0:40:17.840 --> 0:40:22.759
<v Speaker 1>one that what's his name did? Yeah? Whose real name

0:40:22.760 --> 0:40:25.400
<v Speaker 1>is Goldberg by the way, is really yes it is.

0:40:25.880 --> 0:40:29.600
<v Speaker 1>He changed it in college, Frank Frank, Yeah, the what's

0:40:29.600 --> 0:40:33.840
<v Speaker 1>the name of that museum in northern Bill? Yeah, anyway,

0:40:33.880 --> 0:40:37.279
<v Speaker 1>that's what Who's on first? This it's like, what a construction,

0:40:37.320 --> 0:40:41.360
<v Speaker 1>What a brilliant piece of construction. So and when I

0:40:41.480 --> 0:40:45.279
<v Speaker 1>heard things like that, um, I just would get very

0:40:45.280 --> 0:40:48.280
<v Speaker 1>excited that you could do things like that with words

0:40:48.280 --> 0:40:52.319
<v Speaker 1>and ideas and attitudes and and have laughs. You know,

0:40:52.320 --> 0:40:54.319
<v Speaker 1>I have laughed. I remember when I was a kid.

0:40:54.840 --> 0:40:56.800
<v Speaker 1>My dad would go to work and my brothers and

0:40:56.840 --> 0:40:59.360
<v Speaker 1>sisters would go to school, and my mom was lonely.

0:41:00.040 --> 0:41:03.640
<v Speaker 1>M I probably missed school like thirty or forty days

0:41:03.680 --> 0:41:06.239
<v Speaker 1>a year. You did, and it was a game. I

0:41:06.280 --> 0:41:07.759
<v Speaker 1>was totally full of ship. I said to my mom,

0:41:07.800 --> 0:41:12.239
<v Speaker 1>I don't feel good, right, Remember like, all right, you

0:41:12.280 --> 0:41:14.239
<v Speaker 1>get in there and go to the breakfast table and

0:41:14.239 --> 0:41:16.040
<v Speaker 1>pretend you're going to school until your brother and then

0:41:16.080 --> 0:41:18.840
<v Speaker 1>when he's gone, you can go back upstairs. And I

0:41:18.880 --> 0:41:21.480
<v Speaker 1>would go and lie on the couch and they would

0:41:21.480 --> 0:41:24.359
<v Speaker 1>show the same movie five days in a row. So

0:41:24.440 --> 0:41:26.440
<v Speaker 1>the housewives, who could only catch a piece of it,

0:41:26.520 --> 0:41:28.680
<v Speaker 1>here in a piece, so they shall inherit the wind.

0:41:29.320 --> 0:41:31.959
<v Speaker 1>And by Friday I was laying in bed. I missed

0:41:31.960 --> 0:41:35.439
<v Speaker 1>school for three days. And Friday Spencer Tracy would say,

0:41:35.440 --> 0:41:37.640
<v Speaker 1>this man wants to be afforded the same rights as

0:41:37.680 --> 0:41:40.960
<v Speaker 1>a sponge. He wishes to think my lip sync the

0:41:41.000 --> 0:41:43.640
<v Speaker 1>words I knew that I'm like the door. I became

0:41:43.800 --> 0:41:49.560
<v Speaker 1>a complete movie. So that's where it began. And then

0:41:49.560 --> 0:41:52.360
<v Speaker 1>when we got into the errand spelling years, I abandoned.

0:41:52.400 --> 0:41:56.160
<v Speaker 1>He never watched TV again. Charlie's names and now what

0:41:56.239 --> 0:42:00.319
<v Speaker 1>do you watch? Uh? Now come into your how It's

0:42:00.360 --> 0:42:04.320
<v Speaker 1>ten forty five at night, everyone's the wife, kids, babies

0:42:04.320 --> 0:42:06.920
<v Speaker 1>of sleep. I'm reading, you're reading. I'm reading on the internet.

0:42:06.960 --> 0:42:08.440
<v Speaker 1>I read, I read up, I read a book, or

0:42:08.480 --> 0:42:09.839
<v Speaker 1>I read the New York or to get me to sleep,

0:42:09.880 --> 0:42:13.839
<v Speaker 1>reading we get fall asleep. But when I watched TV, God,

0:42:13.840 --> 0:42:17.000
<v Speaker 1>when I NFL, I watched make Up Moments for NFL

0:42:17.120 --> 0:42:21.520
<v Speaker 1>sixty minutes. I watched MSNBC, I watch Uh, I've watched

0:42:21.520 --> 0:42:24.400
<v Speaker 1>snippets of these shows, you know, like Breaking Bad and

0:42:24.400 --> 0:42:28.440
<v Speaker 1>these contemporary you know, these jokes. I don't have time.

0:42:28.480 --> 0:42:31.239
<v Speaker 1>I don't have time. I don't I don't understand either.

0:42:31.640 --> 0:42:33.560
<v Speaker 1>I don't Where are they find in the time? Did

0:42:33.600 --> 0:42:39.120
<v Speaker 1>you download House to Cards? Now? Eight hours? It's the

0:42:39.160 --> 0:42:43.479
<v Speaker 1>first episode. Yeah, I can't do What are they doing?

0:42:43.640 --> 0:42:45.239
<v Speaker 1>What kind of how long are their days? Why was

0:42:45.280 --> 0:42:47.279
<v Speaker 1>we get that? I would always be flattered for a moment.

0:42:47.360 --> 0:42:49.120
<v Speaker 1>There was always a double beat there. When someone would

0:42:49.120 --> 0:42:51.360
<v Speaker 1>walk up to me with Lauren and they woke up,

0:42:51.400 --> 0:42:54.200
<v Speaker 1>they'd say, Lauren would say, you know Dave here, Dave

0:42:54.320 --> 0:42:58.200
<v Speaker 1>Swanson from you know, from Comcast, and I go high,

0:42:58.239 --> 0:43:00.200
<v Speaker 1>nice to meet you. And he turned to Lauren and go, god,

0:43:00.239 --> 0:43:01.960
<v Speaker 1>you guys, I gotta tell you my son broke his

0:43:02.040 --> 0:43:04.640
<v Speaker 1>leg skiing and he was in bed. He was in traction,

0:43:04.960 --> 0:43:07.399
<v Speaker 1>and we watched seasons two and three or thirty Rock

0:43:07.440 --> 0:43:10.520
<v Speaker 1>and I thought I'd smile, and then I thought, well,

0:43:10.520 --> 0:43:12.000
<v Speaker 1>that's how you get to watch season's two or three

0:43:12.040 --> 0:43:14.360
<v Speaker 1>or three. You gotta go and break your leg skiing.

0:43:14.360 --> 0:43:16.600
<v Speaker 1>You gotta go wrap yourself around a tree. Then you

0:43:16.600 --> 0:43:19.080
<v Speaker 1>can layd and binge view all this. I don't know

0:43:19.239 --> 0:43:21.879
<v Speaker 1>how to understand how people are fitting this into their day.

0:43:22.360 --> 0:43:25.400
<v Speaker 1>So there's not even one show that I really love, Madmen,

0:43:25.480 --> 0:43:28.040
<v Speaker 1>because that was my dream growing up on Long Island

0:43:28.520 --> 0:43:31.840
<v Speaker 1>was to get a Sampson I briefcase going along Island Railroad.

0:43:32.640 --> 0:43:33.799
<v Speaker 1>I was going to go in the city and I

0:43:33.800 --> 0:43:36.040
<v Speaker 1>was gonna work at a big ad agency and right

0:43:36.120 --> 0:43:39.120
<v Speaker 1>funny ads. That was my first dream. That was yeah,

0:43:39.640 --> 0:43:42.400
<v Speaker 1>because stand up comedy that I was seeing on the

0:43:42.400 --> 0:43:46.040
<v Speaker 1>Sullivan Show that was too far out. That was these

0:43:46.040 --> 0:43:50.160
<v Speaker 1>are some genius alien people. I could never be one

0:43:50.160 --> 0:43:52.600
<v Speaker 1>of those I'm not gonna get that, but maybe I

0:43:52.640 --> 0:43:56.160
<v Speaker 1>could be a copywriter or something in the ad game.

0:43:56.200 --> 0:43:59.320
<v Speaker 1>I love advertising. I like I like man I love Manhattan.

0:43:59.320 --> 0:44:02.920
<v Speaker 1>You men, growing up in Massapeico, Manhattan was was oz.

0:44:03.040 --> 0:44:06.240
<v Speaker 1>It was the Emerald City. Tell people when we were kids.

0:44:06.719 --> 0:44:11.040
<v Speaker 1>There was no Bergen County correspondent. The Martians could have

0:44:11.120 --> 0:44:13.839
<v Speaker 1>landed out in in in, in in Hempstead. No one

0:44:13.920 --> 0:44:17.120
<v Speaker 1>cared that the Martians did land in because they knew

0:44:17.120 --> 0:44:19.239
<v Speaker 1>there were no cameras out there. When you grew up

0:44:19.239 --> 0:44:22.160
<v Speaker 1>in our generation, it was like the mayor announced today

0:44:22.160 --> 0:44:24.080
<v Speaker 1>of the subway. Today, the cops shot on the I

0:44:24.239 --> 0:44:26.719
<v Speaker 1>n D the prepetator, this, the bank robbery, this, and

0:44:26.719 --> 0:44:29.839
<v Speaker 1>it was all Manhattan, Manhattan, the garden today the heavyweight shot.

0:44:30.160 --> 0:44:32.799
<v Speaker 1>Everything was Manhattan, not even the other outer boroughs. Right.

0:44:32.840 --> 0:44:35.240
<v Speaker 1>And when you lived where we lived, that was Saskatchewan.

0:44:35.520 --> 0:44:39.920
<v Speaker 1>To the meeting, remember Alan Burke did Jevers Allen Burke, Yes,

0:44:40.120 --> 0:44:43.400
<v Speaker 1>And they would come up and they had never correctly

0:44:43.880 --> 0:44:45.720
<v Speaker 1>estimated the average height of New York of the podium

0:44:45.760 --> 0:44:48.879
<v Speaker 1>was always way too high. Mr Bike, I just came

0:44:48.920 --> 0:44:52.560
<v Speaker 1>in from Mars where the Taxi and Limousine Commission there

0:44:53.440 --> 0:44:56.560
<v Speaker 1>they right back to from New York issue. What were

0:44:56.600 --> 0:44:58.040
<v Speaker 1>we saying before? I just lost my train of though.

0:44:58.080 --> 0:45:02.080
<v Speaker 1>When we were talking before, you said about or Madman. Now,

0:45:02.400 --> 0:45:05.560
<v Speaker 1>oh yeah, so Madman that is my fans. I said,

0:45:05.560 --> 0:45:07.919
<v Speaker 1>how when did you cross over and decide I could

0:45:07.920 --> 0:45:11.520
<v Speaker 1>do the other thing? Um? It was begin in college,

0:45:12.120 --> 0:45:18.239
<v Speaker 1>Queen's College. What did you study? There? A theater, communications, film,

0:45:18.280 --> 0:45:22.800
<v Speaker 1>all that stuff. I was. I was circling the field,

0:45:22.880 --> 0:45:25.319
<v Speaker 1>you know, going how do I how could I? I

0:45:25.360 --> 0:45:28.480
<v Speaker 1>wonder if I could? You know, did you decide? And

0:45:28.520 --> 0:45:32.000
<v Speaker 1>then there was Andy Kaufman. That Andy Kaufman happened. There's

0:45:32.000 --> 0:45:34.120
<v Speaker 1>this guy in New York who goes up on stage

0:45:34.120 --> 0:45:38.200
<v Speaker 1>and he plays the bongos and starts weeping. He's crazy

0:45:39.360 --> 0:45:42.440
<v Speaker 1>to So we all ran in to see Andy Kaufman

0:45:42.480 --> 0:45:44.400
<v Speaker 1>at the improv. And as soon as I walked in

0:45:44.440 --> 0:45:46.359
<v Speaker 1>that room and I saw what was going on in there,

0:45:47.480 --> 0:45:49.600
<v Speaker 1>I gotta get in on this. Yeah, I want to

0:45:49.600 --> 0:45:51.160
<v Speaker 1>be one of these. And when you got up there

0:45:51.400 --> 0:45:55.560
<v Speaker 1>and finally through whatever apprenticeship you had, and when you

0:45:55.600 --> 0:45:57.000
<v Speaker 1>got up there and you did that, was here a

0:45:57.040 --> 0:45:58.640
<v Speaker 1>moment where like some guy comes up to you. I

0:45:58.640 --> 0:46:00.479
<v Speaker 1>don't want me to be too Broadway, d Andy Rosen,

0:46:00.560 --> 0:46:03.120
<v Speaker 1>Yes there was. Did some guy welcome to and kid Call?

0:46:03.920 --> 0:46:05.759
<v Speaker 1>Yes there was? And you know who that guy was,

0:46:06.840 --> 0:46:12.320
<v Speaker 1>Jackie Mason. Jackie Mason alec I was doing comedy about

0:46:12.400 --> 0:46:17.959
<v Speaker 1>three weeks, three weeks and I mean stumbling nobody three weeks.

0:46:17.960 --> 0:46:21.600
<v Speaker 1>I'm nineteen years old, twenty years old of going up

0:46:21.600 --> 0:46:23.360
<v Speaker 1>on stage. But it wasn't even a stage. There was

0:46:23.400 --> 0:46:25.040
<v Speaker 1>a restaurant where they take a table out and they

0:46:25.080 --> 0:46:27.520
<v Speaker 1>would take one of the lights, the lamp, and they

0:46:27.520 --> 0:46:29.240
<v Speaker 1>would take the shade off it. That was the show.

0:46:31.360 --> 0:46:35.040
<v Speaker 1>He was in the audience people right, was one of

0:46:35.040 --> 0:46:37.160
<v Speaker 1>these cabaret things West forty four Ster was called the

0:46:37.200 --> 0:46:40.600
<v Speaker 1>Golden Lion Pub. He crooks his finger and he says,

0:46:40.600 --> 0:46:43.600
<v Speaker 1>come over here. He takes me over to the bar.

0:46:44.640 --> 0:46:48.160
<v Speaker 1>He says, you have it. He says you are going

0:46:48.239 --> 0:46:50.960
<v Speaker 1>to be so big. He says, it makes me sick

0:46:51.480 --> 0:46:54.400
<v Speaker 1>to even think of it, how successful you're gonna be.

0:46:55.400 --> 0:46:59.719
<v Speaker 1>And I was just starting wow. And that, I mean,

0:46:59.760 --> 0:47:02.960
<v Speaker 1>that was that was it, because he was, like, you know,

0:47:03.000 --> 0:47:05.960
<v Speaker 1>he was a very big comedian, still one of my favorites,

0:47:05.960 --> 0:47:08.520
<v Speaker 1>a great comedian. But to have a guy like that

0:47:08.560 --> 0:47:12.239
<v Speaker 1>come up to you as a kid I had so

0:47:12.360 --> 0:47:15.040
<v Speaker 1>that that's still you know when I talked to you

0:47:15.040 --> 0:47:16.839
<v Speaker 1>about I went in the improv and I saw all

0:47:16.880 --> 0:47:18.960
<v Speaker 1>these guys and I thought, I want to be one

0:47:18.960 --> 0:47:22.000
<v Speaker 1>of these guys. That's still how I feel now. Was

0:47:22.040 --> 0:47:26.160
<v Speaker 1>there a moment when for me one of the real

0:47:26.600 --> 0:47:29.319
<v Speaker 1>pure joys of this business are the people I've gotten

0:47:29.360 --> 0:47:32.000
<v Speaker 1>to me and I don't want to, you know, go

0:47:32.040 --> 0:47:35.160
<v Speaker 1>on and on one But were there people who came

0:47:35.200 --> 0:47:37.000
<v Speaker 1>to you that were like these godlike figures to you?

0:47:37.040 --> 0:47:39.759
<v Speaker 1>Were you just admired them from your world? They came

0:47:39.840 --> 0:47:41.640
<v Speaker 1>up to you and said, hey, man, they wait to

0:47:41.680 --> 0:47:43.520
<v Speaker 1>you said it could be he could be Carson across

0:47:43.560 --> 0:47:47.239
<v Speaker 1>the room. Well, Jack Rollins, who I looked up because

0:47:47.280 --> 0:47:50.839
<v Speaker 1>I saw your movie, which I loved, Blue Jasmine. You're

0:47:50.880 --> 0:47:53.239
<v Speaker 1>great and it was great. And I see, like Jack

0:47:53.320 --> 0:47:55.480
<v Speaker 1>Rollins in the credit, like I look, he's still alive.

0:47:55.480 --> 0:48:00.319
<v Speaker 1>He's His daughter was a waitress at a comedy club

0:48:00.520 --> 0:48:03.239
<v Speaker 1>on the Upper Side, and she brought him in to

0:48:03.239 --> 0:48:05.120
<v Speaker 1>see me and Larry Miller and Jimmy Broken and he

0:48:05.160 --> 0:48:06.640
<v Speaker 1>watched the three of us, and then he sat and

0:48:06.640 --> 0:48:10.000
<v Speaker 1>talked with us afterwards, and he was very encouraging, very flattering.

0:48:10.120 --> 0:48:12.200
<v Speaker 1>That was really big because we were in about a

0:48:12.280 --> 0:48:14.719
<v Speaker 1>year at that point, we didn't know. There was no

0:48:14.760 --> 0:48:17.120
<v Speaker 1>business to get into. Even if we could do this,

0:48:17.760 --> 0:48:20.239
<v Speaker 1>didn't even exist. There was no place to work as

0:48:20.239 --> 0:48:24.719
<v Speaker 1>a stand up comic in seven didn't even exist. It

0:48:24.800 --> 0:48:28.000
<v Speaker 1>happened in the eighties. Once they were all these guys around.

0:48:28.600 --> 0:48:31.040
<v Speaker 1>Then these clubs started opening around the country. What about

0:48:31.040 --> 0:48:34.360
<v Speaker 1>someone else, someone beyond year old man have exist. In

0:48:34.360 --> 0:48:36.120
<v Speaker 1>the credits of a Woody Allen movie, who was some

0:48:36.280 --> 0:48:41.120
<v Speaker 1>iconic stand up figure? I saw Richard Pryor And in

0:48:41.160 --> 0:48:43.960
<v Speaker 1>those days, um he would come into the clubs and

0:48:43.960 --> 0:48:46.880
<v Speaker 1>we would say, George Carlin. No, we never said anything

0:48:46.920 --> 0:48:49.759
<v Speaker 1>to me, but just to meet those people. Was there

0:48:49.760 --> 0:48:52.160
<v Speaker 1>one at some point who other than Mason said you've

0:48:52.200 --> 0:48:57.040
<v Speaker 1>got it? No, No, if you don't need that, any

0:48:57.080 --> 0:49:03.239
<v Speaker 1>any self respecting professional comedian, You don't need that. You

0:49:03.320 --> 0:49:07.960
<v Speaker 1>don't need anyone or anything. You are built for brutality.

0:49:08.280 --> 0:49:12.440
<v Speaker 1>You have this relationship with the audience that is private

0:49:13.160 --> 0:49:16.840
<v Speaker 1>between you and them. You critics want to write, people

0:49:16.840 --> 0:49:21.600
<v Speaker 1>want to talk. We we have our own thing that nobody,

0:49:21.600 --> 0:49:24.919
<v Speaker 1>nobody can break that. Once you build that, it can't

0:49:24.960 --> 0:49:28.960
<v Speaker 1>be broken by outside forces. This is the difference between

0:49:29.000 --> 0:49:32.680
<v Speaker 1>being a comedian that has his own thing and everybody

0:49:32.719 --> 0:49:38.320
<v Speaker 1>else in the entertainment field who needs to cooperate to survive.

0:49:39.520 --> 0:49:42.320
<v Speaker 1>The comedian that you know, what do I care what

0:49:42.440 --> 0:49:46.400
<v Speaker 1>somebody writes about my show? What do I care? So

0:49:47.760 --> 0:49:49.759
<v Speaker 1>even doing the series, and even knowing I had these

0:49:49.760 --> 0:49:53.560
<v Speaker 1>other avenues, I could pursue that that's so pure and

0:49:53.640 --> 0:49:57.120
<v Speaker 1>so perfect and so good. It's not easy. It is

0:49:57.160 --> 0:50:01.600
<v Speaker 1>a rigorous life to maintain that. You know, I don't.

0:50:03.160 --> 0:50:07.040
<v Speaker 1>I don't hang out on stage. You've seen the show.

0:50:07.080 --> 0:50:09.600
<v Speaker 1>I don't hang out. I'm I'm, I'm up here to work.

0:50:09.760 --> 0:50:13.120
<v Speaker 1>I'm gonna work for you because I respect this relationship

0:50:13.760 --> 0:50:15.839
<v Speaker 1>and I want to keep it. I want to keep

0:50:15.880 --> 0:50:20.319
<v Speaker 1>it because once you have that, you can do what

0:50:20.360 --> 0:50:30.440
<v Speaker 1>you want. Jerry Seinfeld has meditated for over four decades

0:50:30.680 --> 0:50:36.560
<v Speaker 1>and it shows. He says, it makes stress float away.

0:50:38.480 --> 0:50:41.879
<v Speaker 1>I wanted to find out more about Jerry and meditation,

0:50:42.400 --> 0:50:46.880
<v Speaker 1>so I called him transcendental meditation. That's what I do.

0:50:49.200 --> 0:50:51.480
<v Speaker 1>And how long have you been doing that? Since? Um

0:50:51.760 --> 0:50:54.479
<v Speaker 1>seventy two? So so when did that come into your life?

0:50:54.480 --> 0:50:56.279
<v Speaker 1>You like saw a billboard when you were at the

0:50:56.880 --> 0:51:02.400
<v Speaker 1>railway station at a Swego State University where I was rolled.

0:51:02.440 --> 0:51:07.160
<v Speaker 1>Because I couldn't take senior year anymore. So I left

0:51:07.239 --> 0:51:11.000
<v Speaker 1>high school six months early and got into college and

0:51:11.080 --> 0:51:13.040
<v Speaker 1>left in the middle of senior year. Now, I know

0:51:13.160 --> 0:51:16.719
<v Speaker 1>you didn't do that because you were handsome and the

0:51:16.840 --> 0:51:19.640
<v Speaker 1>girls were hanging off of you, and senior year was

0:51:19.680 --> 0:51:22.600
<v Speaker 1>fantastic for you. That's what I know. It was a

0:51:22.680 --> 0:51:25.960
<v Speaker 1>vending machine of women. Know well, it wasn't like that

0:51:26.040 --> 0:51:29.000
<v Speaker 1>for me, buddy boy, all right. So I thought I

0:51:29.040 --> 0:51:31.439
<v Speaker 1>got to get out of here and start a new

0:51:31.480 --> 0:51:34.520
<v Speaker 1>life with people that don't know me. So I went

0:51:34.560 --> 0:51:37.520
<v Speaker 1>to Oswego and while I was there, and I remember,

0:51:37.560 --> 0:51:40.560
<v Speaker 1>this is a still in the flora and fauna of

0:51:40.640 --> 0:51:45.880
<v Speaker 1>sixties experimentalism, so transiental meditation. Somebody told me about it.

0:51:45.880 --> 0:51:48.800
<v Speaker 1>I don't remember who, and I thought, well, let me

0:51:48.840 --> 0:51:50.480
<v Speaker 1>see what that's about. And I went to the thing

0:51:50.520 --> 0:51:54.560
<v Speaker 1>and I learned the technique. It cleared up my acne immediately.

0:51:55.520 --> 0:51:59.359
<v Speaker 1>I had this great energy and focus and h I've

0:51:59.360 --> 0:52:01.279
<v Speaker 1>been doing it the us of my life. So you

0:52:01.360 --> 0:52:04.839
<v Speaker 1>sound when you say you learn the technique and clear

0:52:04.920 --> 0:52:07.920
<v Speaker 1>up your acne and your energy and focus It sounds

0:52:07.920 --> 0:52:10.640
<v Speaker 1>like you ultimately had the sex that had been evading

0:52:10.640 --> 0:52:12.239
<v Speaker 1>you up till that before you went to sweer. What

0:52:12.440 --> 0:52:14.560
<v Speaker 1>was it? Correct? So the team was really a pathway

0:52:14.600 --> 0:52:18.640
<v Speaker 1>to too sex? Correct? How can I do it? Like? What? Like?

0:52:18.680 --> 0:52:21.880
<v Speaker 1>Where do you do it? You can? You do it anywhere? Anywhere?

0:52:22.080 --> 0:52:24.799
<v Speaker 1>You do it anywhere. I'm gonna get you doing it now.

0:52:25.480 --> 0:52:29.400
<v Speaker 1>I want I want more energy, more focused on my

0:52:29.480 --> 0:52:31.560
<v Speaker 1>acting to clear up. Well, you don't need you can't

0:52:31.560 --> 0:52:33.800
<v Speaker 1>have more energy. You can't even dispose of the energy

0:52:33.880 --> 0:52:37.160
<v Speaker 1>that you have. It's true, but it's toxic energy. It's

0:52:37.160 --> 0:52:40.760
<v Speaker 1>more like a chernobyl than it is. Kind of different.

0:52:40.760 --> 0:52:43.640
<v Speaker 1>This is a nice energy, really nice. Here's how I'll

0:52:43.680 --> 0:52:46.040
<v Speaker 1>describe it to you. You know how three times a

0:52:46.120 --> 0:52:48.440
<v Speaker 1>year you wake up and you go, what that was

0:52:48.440 --> 0:52:52.319
<v Speaker 1>a really good sleep? Yes? Imagine feeling like that every day.

0:52:53.320 --> 0:53:04.200
<v Speaker 1>That's what it is. Meditation. I gotta try that. To

0:53:04.320 --> 0:53:07.880
<v Speaker 1>download more of my here's the thing interviews. Take a

0:53:07.960 --> 0:53:11.120
<v Speaker 1>listen to our archive where you can hear conversations with

0:53:11.239 --> 0:53:15.480
<v Speaker 1>artists and musicians like Herb Albert. Albert hasn't spent forty

0:53:15.560 --> 0:53:19.239
<v Speaker 1>years meditating, but like Jerry Seinfeld, he's found the zen

0:53:19.760 --> 0:53:22.799
<v Speaker 1>in his art. There's something about being an artist, being

0:53:22.800 --> 0:53:25.560
<v Speaker 1>a musician, being a paint of being a sculpture. When

0:53:25.600 --> 0:53:29.520
<v Speaker 1>you're doing it, you're in the exact moment of your life,

0:53:30.239 --> 0:53:33.239
<v Speaker 1>and that's rare. You know. When you're not in that mode,

0:53:33.360 --> 0:53:35.960
<v Speaker 1>you're you're thinking about yesterday or tomorrow or some other

0:53:36.040 --> 0:53:38.960
<v Speaker 1>house a ride that really doesn't make any sense. But

0:53:39.080 --> 0:53:42.200
<v Speaker 1>when you're doing it, man, it just feels so right

0:53:42.400 --> 0:53:44.440
<v Speaker 1>on the moment. I feel that we would have on

0:53:44.480 --> 0:53:49.120
<v Speaker 1>my boat. Well, yeah, cool. I don't paint, and I

0:53:49.120 --> 0:53:51.239
<v Speaker 1>don't I wish I could paint. I should try it.

0:53:51.360 --> 0:53:53.720
<v Speaker 1>I mean when I started painting, I painted like a monkey.

0:53:53.760 --> 0:53:55.680
<v Speaker 1>You know. I was just I squeezed some paint on

0:53:55.760 --> 0:53:58.680
<v Speaker 1>a canvas and moved it around with a kid. Yeah,

0:53:58.719 --> 0:54:01.040
<v Speaker 1>you're no training, no training. I didn't know what I

0:54:01.120 --> 0:54:03.440
<v Speaker 1>was doing. But I think there's an advantage to that.

0:54:03.520 --> 0:54:07.440
<v Speaker 1>I think when you're an amateur and you're just pooling around,

0:54:07.520 --> 0:54:11.719
<v Speaker 1>you have infinite possibilities. Take a listen and here's the

0:54:11.800 --> 0:54:21.000
<v Speaker 1>Thing dot Org. This is Alec Baldwin and you're listening

0:54:21.000 --> 0:54:24.320
<v Speaker 1>to Here's the Thing. Produced by Emily Botine and Kathy

0:54:24.400 --> 0:54:29.280
<v Speaker 1>Russo with Chris Bannon, Jim Briggs, Ed Herbsman, Melanie Hoops,

0:54:29.360 --> 0:54:34.440
<v Speaker 1>Monica Hopkins, Trey k, Sharon Machee, and Lou Okowski. Thanks

0:54:34.480 --> 0:54:41.600
<v Speaker 1>to Larry Josephson and the Radio Foundation H