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Speaker 1: Big Bang and DJ Screen bring you Big Facts Podcast

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Speaker 1: in the streets. Visit the new website today www dot

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Speaker 1: Big Facts pod dot com live for first class sounds.

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Speaker 1: You know what it is, DJ Screen, Big Bank, Baby Jay,

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Speaker 1: this time for another episode of Big Facts. What's up?

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Speaker 1: People say? Everybody? Everybody doing? What the hell is going on? Good?

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Speaker 1: Jay is happy? She looks very studious today. I'm very

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Speaker 1: happy because I'm from the east Side today. You're from

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Speaker 1: the east Side today? Okay, yeah, Honorary. Do you hear

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Speaker 1: what she's saying for for you, bro? Basically, do you

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Speaker 1: want to repeat it? You want me to inflated and

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Speaker 1: make it sound crazy? Blow it up. That's how niggas

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Speaker 1: on the east Side dressed like what what you say,

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Speaker 1: dressed like good wholesome people. Oh my gosh, she said, said,

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Speaker 1: what's up Bank? You good? Smoking? Good today? It's a

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Speaker 1: good strand early. Yeah, got your candle, get your vibe.

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Speaker 1: I like that man, those it is. He looks very

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Speaker 1: you know, Okay, that's what's up. We ain't mad at that.

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Speaker 1: We ain't mad at that music legend J Juice Man

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Speaker 1: gonna pull up all this today. You know what I mean?

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Speaker 1: Shot a juice Man that's long, that's long overdue. But

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Speaker 1: first we're gonna we're gonna do a little goat talk,

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Speaker 1: you know what I'm saying. Um, I feel like when

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Speaker 1: you go online you open your ears, your eyes and everything.

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Speaker 1: I feel like the word goat, like everybody's a goat.

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Speaker 1: I feel like the term is used too loosely. It's

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Speaker 1: like goat classic, all this, all these terms of endearment,

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Speaker 1: like an album will be out for ten minutes to

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Speaker 1: be a classic. Everybody's a goat, And I get it,

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Speaker 1: you know what I'm saying. I think it's just kind

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Speaker 1: of like uplift your brothers and stuff like that. But

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Speaker 1: shouldn't we have to work towards or have some type

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Speaker 1: of filter to get to that point of just goat?

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Speaker 1: Like everybody can't just be a goat, like straight off

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Speaker 1: the porch. I think like that ship is kind of

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Speaker 1: like a almost a reflex in this day and age,

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Speaker 1: Like you say, like, okay, like you hear some ship

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Speaker 1: that's like going crazy, Oh, that's the harder sh it ever,

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Speaker 1: or you hear some ship like oh that nigg is

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Speaker 1: going crazy, or you know what I'm saying, Like going

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Speaker 1: crazy and goat is two different things though, like going crazy.

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Speaker 1: It's like if nigga goes crazy more than once. You

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Speaker 1: know what I'm saying. Not me, but people have a

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Speaker 1: tendency to associate that with being the goat. But they

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Speaker 1: don't understand that the goat means the greatest of all

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Speaker 1: times And just because this nigga went crazy twice doesn't

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Speaker 1: mean that. Yeah, and nor because if you're listening to

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Speaker 1: some ship in the first two songs on the project Hard,

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Speaker 1: that don't mean it's classic classic. So ship we're still

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Speaker 1: listening to from ten twenty years ago? Yeah, I'm just

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Speaker 1: talking about the filters. And do y'all feel like this

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Speaker 1: is because I mean I do the same ship. I

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Speaker 1: might not say goat, but I might be like this

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Speaker 1: is a classic because I like two three songs. But Ship,

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Speaker 1: it's supposed to be one goat of each thing, right, Yeah,

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Speaker 1: the greatest of all time? So who's the rap goat?

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Speaker 1: But see that jay Z alright, j Z the rap

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Speaker 1: Let's see what does that mean? Drake can't be a goat? Okay?

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Speaker 1: So I think that we need some different errs. I

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Speaker 1: think different different Yeah. But if you say, of all times,

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Speaker 1: who's the best? Yeah, Gold is of all time, Like

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Speaker 1: you gotta change that work a little bit, like it

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Speaker 1: can't be of all times, like but that's what it

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Speaker 1: can be, okay, like like a G O. And I

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Speaker 1: think people meeting in the in the in the sense

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Speaker 1: of just kind of like there's kind of like O G.

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Speaker 1: People just use the term O G. Anybody can be

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Speaker 1: anybody can be an A because in O G isn't

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Speaker 1: an original gangster of a certain time, and O G

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Speaker 1: is just an original gangster. Like that's the original definition

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Speaker 1: of it. I think it's that ain't what they time

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Speaker 1: out when they be called they to mysething. They just

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Speaker 1: called all ni O G go what's about to go? Back?

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Speaker 1: Go back to the the greatest of all time football?

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Speaker 1: Tom Brady basketball, Michael Jordan's a. Numbers, numbers, numbers solidified

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Speaker 1: you as to go, who got more? Who got more

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Speaker 1: than see Marines of the Quarterback Tom Brady, Tom Brady?

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Speaker 1: So who you on, it don't matter. J's ultimate goal

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Speaker 1: is to get championships, right, and you got the most

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Speaker 1: way that makes you, It makes you to go so

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Speaker 1: but but but but but you know the crazy thing.

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Speaker 1: So we just said money. Now it's a it's a

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Speaker 1: it's possible to make the most money but not have

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Speaker 1: the most championships. Like he got the most money, but

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Speaker 1: he don't have the most platinum pleques. No, you gotta win, No, bro,

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Speaker 1: legend the greatest, you gotta be the greatest ship in

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Speaker 1: the game. He's a legend. He's a culture ship. Hold on, somebody,

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Speaker 1: it's m J Man. What you say he was? Again? Yeah,

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Speaker 1: I say he's a coaching ship, a real ship. That's

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Speaker 1: what he is like, and that's considered some great ship.

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Speaker 1: But he's not the greatest basketball player of all times.

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Speaker 1: You feel what I'm saying. And then just like and

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Speaker 1: I love like my favorite basketball player. Yeah, yeah, because

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Speaker 1: he looked like the nigger you saw playing at the

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Speaker 1: gym and the basketball courts like that actually make from

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Speaker 1: the ram or some ship in the hood Lebron what duh,

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Speaker 1: duh duh, it's Jordan's. Yeah. You can't beat a go

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Speaker 1: You just gotta be go the goat, right, Yeah, like

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Speaker 1: beyonces the goat of what of whatever her genre is.

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Speaker 1: She's almost a billionaire or whatever she got going on,

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Speaker 1: and she has the plaques to show for it, and

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Speaker 1: she's toured and she did coach chilling all this other

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Speaker 1: ship like who else? So just fun Diana Rosst No,

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Speaker 1: see what I'm saying that. He said, there's different errors,

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Speaker 1: like we can't shoot on we got to say who

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Speaker 1: the goat? Goat though streams of all of it. Well,

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Speaker 1: I'm gonna stay out of that. When it comes to

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Speaker 1: female musicians and ship, I stay out of that. But

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Speaker 1: for rappers, jay Z, you're just saying for rappers jay Z,

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Speaker 1: rappers jay Z? Right? No, so who so so so?

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Speaker 1: Who the female goat of R and B? Mary j

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Speaker 1: Blinde our favorite? She's our favorite, our favorite, hits consistent,

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Speaker 1: and I'm like, I'm more histing Beyonce. She got anybody? Yeah,

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Speaker 1: I think right now Beyonce. But with Mary Jane put

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Speaker 1: out on music in a minute, Mary Janet got to

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Speaker 1: put out another another, another ad limb and she's that's

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Speaker 1: my favorite, that's my personal favorite favorite. But speak got

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Speaker 1: the most money and the most plaque. You're saying, we

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Speaker 1: can't speak opinions, so so what the funk else is

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Speaker 1: there other than opinions, opinions numbers? That's the covers said, sports,

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Speaker 1: we can measure it by your championships and music. You know,

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Speaker 1: I ain't gonna go. You got ten Grammys, you to go.

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Speaker 1: I don't give you know what I'm saying, like whatever,

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Speaker 1: you got the Grammys. But if you're on Forbes and

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Speaker 1: we look up and you got a hunted plaques all platinum, platinum,

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Speaker 1: all that ship, I'm gonna go at you. How three

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Speaker 1: decades she she made the money, Beyonce, maybe b Plax.

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Speaker 1: We have to have money to it. We have to

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Speaker 1: have money, make money, money, not make everything. No, it don't.

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Speaker 1: But what I'm saying to everything but numbers the one

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Speaker 1: I think, I think, I think, I think, if I think,

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Speaker 1: I don't know, I don't know what Mary J. Blige.

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Speaker 1: We don't want to take nothing from Mary J. Blige.

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Speaker 1: Somebody that's already out of the game. That doesn't matter

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Speaker 1: you're talking about because Tom Brady is still again telling

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Speaker 1: the man, come on, Louis V. Man, Louis V. Come on,

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Speaker 1: he made it, come on let him. You gotta get

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Speaker 1: on this, Mike. That's just what said again. I said,

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Speaker 1: I think if you're gonna be called the goat, you

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Speaker 1: should be out the game. I mean, you can't be

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Speaker 1: the goat. Tom Brady is still in the game. I agreed,

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Speaker 1: but not yet. No whot, Yeah, don't do that not Yeah, yeah,

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Speaker 1: what is he gonna do? Tire serenas to go it?

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Speaker 1: I mean she's getting beat now too that that's not good. Yeah,

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Speaker 1: you get she's getting beat by somebody that looked up

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Speaker 1: to her because in her eyes, but she's getting beat now, yeah,

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Speaker 1: because like said, how can you get disrespected by somebody

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Speaker 1: you don't even respect. You're my little nigger, So like

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Speaker 1: you beating me means okay, like you're buddy. I'm not

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Speaker 1: saying she's not a ghost. No, I'm not gonna say that,

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Speaker 1: but they're okay, Hey, it has to be. And we're

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Speaker 1: talking about the football goat. It is Tom Brady. I

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Speaker 1: don't care. I retired and I don't take I'm just

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Speaker 1: saying in this situation, yeah, he is. He is a goat.

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Speaker 1: He is no no, no, no go football Okay cool.

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Speaker 1: Ain't nobody got board championship rings in him? If we're

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Speaker 1: gonna talk numbers, that's perfectly fine. But yeah, said music,

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Speaker 1: let's stick to music. The rapper goat is jay Z. Agreed,

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Speaker 1: it's jay Z. Agree. We can all agree on that. Agree.

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Speaker 1: How many times has he retired? He's retired a couple

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Speaker 1: of times. How many times did you put out an

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Speaker 1: album since the last He hasn't put out an album

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Speaker 1: in the wild, all right, So everybody looking at him,

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Speaker 1: ask but he was here when he when he was

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Speaker 1: in the game, was no, No, he was agout five

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Speaker 1: years ago, bro in five years and ten years ago. Man,

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Speaker 1: it's fifty something, Hello, hello, Hello, Say what you said again?

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Speaker 1: You said when he's in the game. When he was

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Speaker 1: in the game, was everybody looking at him as to

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Speaker 1: go black album? He was not. I think after the

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Speaker 1: black album he was can say that it was still

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Speaker 1: still was still it was still either bigger pocket, that's right,

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Speaker 1: because we thought he was going to retire. It was

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Speaker 1: like deal makes all of them was still in that

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Speaker 1: in that right and that run. Then I got the

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Speaker 1: name Avery Graham came in the game. And then what

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Speaker 1: happened now where we started the question, Yeah, what you

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Speaker 1: mean any conversation, any conversation, what what let nick out?

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Speaker 1: Are you drunk? We're doing the phone with the snitch,

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Speaker 1: get the funk out of here with big homie house

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Speaker 1: call that we're gonna make sure that big homies homies

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Speaker 1: houses tripping in this talk about numbers like straight up z,

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Speaker 1: I'm saying no, we said not then, not now. A

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Speaker 1: lot of people go jay Z and Tupac, I mean

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Speaker 1: to Tupac and Biggie until the jay Z ship happened.

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Speaker 1: Now we have to have the conversation. Soon jay Z

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Speaker 1: took over and soon we have to have the conversation

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Speaker 1: about Drake, right, we just do. Who is definitely going

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Speaker 1: to be is a goal? He's not. But he's put

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Speaker 1: up the numbers, but he hasn't made the same money yet,

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Speaker 1: So you can't. You can't. You can't base this ship

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Speaker 1: off the money. You can't. You know, I got to

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Speaker 1: drain the goat of what the money else? The money

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Speaker 1: helps listen to what I'm saying, they can get included,

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Speaker 1: but it can't be a deal breaker. What that's the

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Speaker 1: case ago right to what he does. Yeah, you can't

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Speaker 1: have a say about with talking about them and not

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Speaker 1: talk about and we got to find another public all

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Speaker 1: these people who have did similar work, but it's only

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Speaker 1: what those are legends. There's legends, there are legends, there's legends,

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Speaker 1: there's goat. Yeah it's one goat, Like what's who to

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Speaker 1: go to boxing Floyd right now? Because he's retired, he's done.

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Speaker 1: He would go back man, right, he's not talking about

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Speaker 1: Mohammed Ali. I'm talking about the black neggat that was

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Speaker 1: boxing outside. That was the first black neggative box. No, no, no,

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Speaker 1: not the first neggative booth. His name is Jack Um.

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Speaker 1: Yes you know Jack Dempsey was. I think in boxing

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Speaker 1: you throw if he's not the n but if you

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Speaker 1: don't remember his name, he's not the goat. All right,

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Speaker 1: bro am I right a wrong, you're gonna remember the

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Speaker 1: greatest name you got A dog is Italian for my last.

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Speaker 1: So what I'm saying is, when you're talking about the debate,

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Speaker 1: the debate becomes Mohammed Ali and may web right for show.

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Speaker 1: But to Mohammed Mike Tyson a legend, legend because he

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Speaker 1: felt from grace because he bent Evander's ear off. He didn't,

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Speaker 1: that's not why Grace because of his life, his life,

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Speaker 1: he talks about it to call these other people. So

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Speaker 1: these other people are legends. There's a legend you have,

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Speaker 1: goats have got So Beyonce is a legend, a legend

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Speaker 1: right now, she's not the goat yet. Mary showed me

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Speaker 1: who's done where he hasn't done. What Beyonce has. I

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Speaker 1: love Mary, but Beyonce hasn't done what Mary did? Even

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Speaker 1: what was that? What is done? Three decades? Bro? She seen?

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Speaker 1: You gotta What are you trying to say a group?

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Speaker 1: She wasn't She didn't have social media, she didn't have

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Speaker 1: like what Beyonce didn't have social media? That's they shouting,

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Speaker 1: I have social media something that was created at everybody

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Speaker 1: do now? What was that? What's that first female that

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Speaker 1: really got to remix? Why nobody doing remix? Yes? Yeah,

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Speaker 1: I love Mary j Blood. We got These are opinions,

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Speaker 1: y'all trying to argue. Yeah, yeah, So so what makes

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Speaker 1: you go? That makes you a go? The facts? What

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Speaker 1: makes you a go? In the we're not got what

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Speaker 1: makes you go to the fact should be with the championships?

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Speaker 1: So what's the championship of music? Let's define that. What

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Speaker 1: I'm saying, it's not the GM makes you go? And

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Speaker 1: what are the qualifications? Is everybody is going to have

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Speaker 1: a different set of qualifications as what makes you So

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Speaker 1: that's an opinion. What's the championship for musicians? If you're

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Speaker 1: a musician, what is your championship? What do you want?

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Speaker 1: The vision? Fucking what I don't think it's awards. No,

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Speaker 1: I think it's plex. If you're gonna go awards, then

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Speaker 1: you got to give drink his credit plaques, didn't get

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Speaker 1: a Grammy Baby, didn't get Gray. I did say I

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Speaker 1: don't get it, y'all. Yeah, I'm okay. I was gonna

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Speaker 1: go out plaques with music. No what we're going on

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Speaker 1: because you know how many niggers have been snubbed for

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Speaker 1: plaque total plaques. We can't go to play. We gotta

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Speaker 1: go out. We gotta go out for that money. Money, money, influence, influence,

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Speaker 1: that's what makes you to go. Like the end of

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Speaker 1: the days, you can't even argue about jay z influence

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Speaker 1: his paper. He's got damn moves, moves like a lot

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Speaker 1: of niggas probably would have been the goat if they

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Speaker 1: didn't pass away or if they got themn he could

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Speaker 1: have been to go to their mother. Up, I'm saying

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Speaker 1: he is a go I'm saying he probably would have

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Speaker 1: been the goat if he had had his business. Great

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Speaker 1: de folks got a beating straight. So all that ship

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Speaker 1: fall up on that. Remember we're talking about on one

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Speaker 1: big your bitches moves. You could your motherfucking your style

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Speaker 1: the way you walk, the way you talk. What I'm saying,

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Speaker 1: we're talking about. Were talked about saying he was the

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Speaker 1: first artist to have a dog. Listen, we talked, we

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Speaker 1: talked about We talked tom amazing goat moves. We talked

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Speaker 1: about on bit fasting goat moves that we got to

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Speaker 1: say a lot of people may goat moves, but we

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Speaker 1: talked about on bit fast before how you control your legacy,

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Speaker 1: your legacy. So if we go back, really the nigger

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Speaker 1: that fuck the whole goat ship and start using the

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Speaker 1: term we couldn't argue at the time was Coja. When

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Speaker 1: Coolja had this ship all lockdown and he came out

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Speaker 1: with an album called go he started this ship, but

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Speaker 1: he was talking about what we talked about, what the

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Speaker 1: qualifications he take to be the goat need you're talking about,

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Speaker 1: He was the greatest. He's my rapper. Though see a

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Speaker 1: lot of you pla goat on on. I guess they expertise,

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Speaker 1: you know what I'm saying, Like he probably feel like

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Speaker 1: I'm the best rapper period, not I'm the best dress

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Speaker 1: or I'm the best spoken on the bench, nothing else

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Speaker 1: but the rapper, right, Okay, So we gotta say, who's

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Speaker 1: the best rapper? Go, because we gotta take j he

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Speaker 1: is the best rap artist of all time. Yeah, he's

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Speaker 1: the best rapper. He's the best man exact for sure.

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Speaker 1: But but but it's more people that I like. I

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Speaker 1: like more rappers over jay Z. Like I prefer to

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Speaker 1: listen to somebody else rap, but I prefer to listen

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Speaker 1: to this, and they talk about business, I prefer over anybody.

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Speaker 1: I prefer to God. Then watch his moves and try

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Speaker 1: to you know what I'm saying duplicate to some extent,

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Speaker 1: you get what I'm saying, like for having my business together.

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Speaker 1: But at the end of the day, and then some

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Speaker 1: of these rappers that I listened to, probably I wouldn't

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Speaker 1: listen to ship they say about no business. So all

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Speaker 1: we say jay to go now who the boss? And

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Speaker 1: go why? But you just said business did? Because this

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Speaker 1: this is where it gets a little tricky. I feel

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Speaker 1: like if you talk to Mayweather, the inspiration created that,

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Speaker 1: ain't that don't make you a goat Because I'm inspired

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Speaker 1: by something I I was just buyed by crackheads in

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Speaker 1: my neighborhood. Not come out so straight up like they

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Speaker 1: don't make them need no goats. Yeah, is the goat

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Speaker 1: because that nigga changed, He changed the way the folks

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Speaker 1: got them saying the way they need to get paid.

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Speaker 1: They need to getting real money off this ship, not

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00:18:37,359 --> 00:18:40,280
Speaker 1: just for himself, for other people on That's another thing

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00:18:40,359 --> 00:18:43,200
Speaker 1: you gotta consider too. So what about the people? Yeah,

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00:18:43,200 --> 00:18:46,320
Speaker 1: look how many people employed by them? And what about

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Speaker 1: the people from another world? What about the people from

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Speaker 1: another world that would of what white wrapped artists? White rapper,

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Speaker 1: he's probably the most the most relevant white rapper ever ever.

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Speaker 1: For sure, he's the the white goat of all time,

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Speaker 1: of all time. Yeah, they can't name another white rapper,

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Speaker 1: order them or you know what I'm saying the end

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Speaker 1: of the day or what they do. But far as

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Speaker 1: the American dream of a rap nigga jay z is

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Speaker 1: so we settled that. And who's the American dream of

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Speaker 1: a female R and B artist? If you put it

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Speaker 1: in that light, then it will be beyont That's what

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Speaker 1: I'm saying. Like, like coming up, if they showed you

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Speaker 1: if you was a little girl, this time use little

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Speaker 1: jay the littit as girl right now, and this time

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Speaker 1: they show you the videos of everybody's career as a

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Speaker 1: female who would you pick to be? Like right now,

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Speaker 1: you know what I'm saying. They showed you all what

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Speaker 1: they did. But see, we grew up in people now

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Speaker 1: didn't see Mary j Blie do what she did. But

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Speaker 1: if I go back and show you everything Mary did

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Speaker 1: in her career and show you everything that be didn't

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Speaker 1: her career, who who would you think these females gonna

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Speaker 1: want to emmulate? Oh yeah, yeah, yeah, definitely beyond say definitely,

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Speaker 1: That's all I'm saying. Basketball the same way when Nigga's

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Speaker 1: going to the whole who they splaying joy Joy Joy,

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Speaker 1: don't matter what what shoes you got on, what you're

334
00:20:10,760 --> 00:20:13,480
Speaker 1: going to the everybody got a pair of Jorge. I

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Speaker 1: don't know too many people to my dog like home

336
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Speaker 1: he but guess what, they're ugly as fun as that's

337
00:20:20,760 --> 00:20:24,920
Speaker 1: all country up. Shot at them. Tell them out of feature. Yeah,

338
00:20:24,960 --> 00:20:28,119
Speaker 1: I'm just sitting over there hoping them. And she's a

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Speaker 1: Sacramento But I always have to say, Jordan, Yeah, That's

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Speaker 1: what I'm saying. Like the end of the day, if

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Speaker 1: you finished through football, got now you want your on

342
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Speaker 1: to be like braid It on depends who I'm a

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Speaker 1: Mike Vick fan. We all might be, but you're gonna

344
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Speaker 1: put Vic on your team before Brady. In fact, it

345
00:20:50,920 --> 00:21:01,320
Speaker 1: depends on what depends up your job. Viewers, Um, the

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Speaker 1: junior man was general manager. Then let's let's let's start.

347
00:21:07,160 --> 00:21:10,520
Speaker 1: Let's let's throw one more out actor actor, actress, actors

348
00:21:10,560 --> 00:21:16,119
Speaker 1: and actress goats. Denzel ain't like and then and then

349
00:21:16,280 --> 00:21:17,920
Speaker 1: you gotta do that with Pleaux with him and all that.

350
00:21:18,160 --> 00:21:20,880
Speaker 1: It's just you can any role he played, you can

351
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Speaker 1: feel like this the truth I get somebody give his money.

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00:21:26,760 --> 00:21:28,760
Speaker 1: We'll Smith, but yeah, but we'll Smith. I looked at

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Speaker 1: you as a rapper at first, so it's just like

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Speaker 1: I ain't I'm talking Fox too. Yeah, definitely, but that

355
00:21:35,359 --> 00:21:39,440
Speaker 1: ain't know wor man. But does there work different man? Smith?

356
00:21:39,680 --> 00:21:43,399
Speaker 1: Smith knocks on that. You can damn see every character

357
00:21:43,480 --> 00:21:45,520
Speaker 1: Denzel play. You can damn see that in him, like

358
00:21:45,920 --> 00:21:49,240
Speaker 1: that's he got that in him for real? Yeah, Like

359
00:21:49,480 --> 00:21:54,560
Speaker 1: you can see people like Hold like he couldn't. I

360
00:21:54,680 --> 00:21:57,000
Speaker 1: see somebody getting the wrong man commit got his faith

361
00:21:57,040 --> 00:22:01,919
Speaker 1: tattooed on. There can see that ship Instagram somebody when

362
00:22:01,960 --> 00:22:07,160
Speaker 1: they got a magal tattoo and let him tattoo. Yeah, yeah,

363
00:22:07,720 --> 00:22:09,960
Speaker 1: what about female about female. That's what I was just

364
00:22:10,000 --> 00:22:16,800
Speaker 1: getting ready to. So no, Cincily Tyson. We yeah, yeah,

365
00:22:16,920 --> 00:22:18,719
Speaker 1: but that was I think she was a little bit

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Speaker 1: before fucking Meryl Street. Cincily Tyson, Yeah, I know that,

367
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Speaker 1: But we don't know about wind A Bassett. I'll say

368
00:22:30,040 --> 00:22:40,760
Speaker 1: Angela Bassett just because she played Tina. No, no, that

369
00:22:40,960 --> 00:22:47,119
Speaker 1: category Angela Bassett. What the kind of punch you got? Bro?

370
00:22:48,040 --> 00:22:50,159
Speaker 1: That nigga drinkings the rock at eleven o'clock in the

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Speaker 1: morning and it's the same nigga. Man, don't even get

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Speaker 1: me starting on Hettle Louis V Man. We're about to

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Speaker 1: get ready for o J the juice Man. You know,

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Speaker 1: I'm saying, we're gonna ask him who his goat is?

375
00:23:02,760 --> 00:23:05,040
Speaker 1: So who to go to trap me? Who's the go

376
00:23:05,200 --> 00:23:08,120
Speaker 1: to trap me? That's now okay, Yeah, I can't waiting

377
00:23:08,119 --> 00:23:10,719
Speaker 1: to hear that one coming from y'all. We're gonna we're

378
00:23:10,760 --> 00:23:14,359
Speaker 1: gonna keep that. We're gonna, okay, let's answer that. This

379
00:23:14,480 --> 00:23:21,200
Speaker 1: podcast doing one. That's good. Why do you say, well,

380
00:23:21,640 --> 00:23:24,520
Speaker 1: you gotta look at what when Trapp really started coming out?

381
00:23:24,640 --> 00:23:28,680
Speaker 1: So you got him, you got jeezy he applies. I'm

382
00:23:28,680 --> 00:23:31,200
Speaker 1: gonna tell you what to trap me there with somebody'll

383
00:23:31,200 --> 00:23:35,000
Speaker 1: tell you what, Yeah, let me go. And so out

384
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Speaker 1: of all of them people that came out somewhat around

385
00:23:36,960 --> 00:23:39,120
Speaker 1: the same time, you gotta look at what Gucci contribution

386
00:23:39,280 --> 00:23:41,440
Speaker 1: was to the game. Not only did he do what

387
00:23:41,680 --> 00:23:43,840
Speaker 1: he did when he put other people on the back

388
00:23:44,160 --> 00:23:49,119
Speaker 1: that that would making real you know, you know who

389
00:23:49,520 --> 00:23:55,400
Speaker 1: he's still putting facts, you know who to ship. That's

390
00:23:55,400 --> 00:23:56,960
Speaker 1: gonna make him to go to this shoot. You know,

391
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Speaker 1: you know what you know and this is healthy conversation.

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Speaker 1: Who would disagree with that? Thirdly, that's what I said.

393
00:24:03,480 --> 00:24:05,679
Speaker 1: If I popt the Tip was here, he would thoroughly.

394
00:24:05,760 --> 00:24:10,320
Speaker 1: He's supposed to. Tip is the center. Tip is the

395
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Speaker 1: inventor of hen trying to say he be trying to

396
00:24:14,520 --> 00:24:17,800
Speaker 1: say like he's he is. He is the inventor from

397
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Speaker 1: Atlantic of trapped music. He first Nigga said what it

398
00:24:21,000 --> 00:24:23,480
Speaker 1: was trapped music? Everybody but the goat of it is

399
00:24:24,040 --> 00:24:27,240
Speaker 1: everybody put on because he put like he said he did,

400
00:24:28,000 --> 00:24:31,560
Speaker 1: everybody t I put on and not take off? Is

401
00:24:31,600 --> 00:24:37,959
Speaker 1: that what That's the truth? No, Trapp Scott, he had

402
00:24:38,000 --> 00:24:41,200
Speaker 1: meet milk, he had meat milk too, meet me, took off.

403
00:24:41,720 --> 00:24:45,320
Speaker 1: He got ross. Yeah, yeah, Tro had a hell of

404
00:24:45,359 --> 00:24:53,120
Speaker 1: a good country Kang country hard Contro's hard hard yeah,

405
00:24:53,760 --> 00:24:57,600
Speaker 1: b o B. He's saying, Gucci made stark. No, Gucci

406
00:24:57,800 --> 00:25:00,919
Speaker 1: is never get about We can't forge about ecstasy. Now,

407
00:25:01,080 --> 00:25:07,080
Speaker 1: Ecstasy was making major waves for the ladies stars. Yeah,

408
00:25:07,280 --> 00:25:14,440
Speaker 1: every every every matter is the true trap guy, trap trap.

409
00:25:19,119 --> 00:25:22,800
Speaker 1: So why come on, man, jes came in. We been

410
00:25:22,840 --> 00:25:25,440
Speaker 1: in no disrespect to him. He did his thing. I'm

411
00:25:25,440 --> 00:25:27,960
Speaker 1: just asking just let me tell you what Jesus did, though,

412
00:25:28,160 --> 00:25:30,920
Speaker 1: we gotta get him an in credit. Jesus took it

413
00:25:31,080 --> 00:25:34,960
Speaker 1: to the rich Dope boys ship from from a brand,

414
00:25:35,000 --> 00:25:36,200
Speaker 1: you know what I'm saying, He took it from God.

415
00:25:36,240 --> 00:25:37,680
Speaker 1: Then we gotta get that into that, like he was

416
00:25:37,720 --> 00:25:39,680
Speaker 1: talking to the street what we're going on right then

417
00:25:39,920 --> 00:25:42,520
Speaker 1: that would make him even be relevant in this conversation.

418
00:25:43,119 --> 00:25:44,879
Speaker 1: Like there's a lot of NEU got money to that

419
00:25:44,960 --> 00:25:47,360
Speaker 1: g I got money to that ship. You get saying

420
00:25:47,440 --> 00:25:49,200
Speaker 1: like he was speaking this ship like but you just

421
00:25:49,400 --> 00:25:52,159
Speaker 1: left out my spot stalking this ship, you know what

422
00:25:52,200 --> 00:25:57,359
Speaker 1: I'm saying. So he's he's uh, he's a legend and

423
00:25:57,440 --> 00:25:59,760
Speaker 1: what he needs and he's a trap legend and what

424
00:25:59,880 --> 00:26:02,080
Speaker 1: he like I can't take that from the man. But

425
00:26:02,200 --> 00:26:06,200
Speaker 1: he's not the goal period. Yeah, that's like I said,

426
00:26:06,520 --> 00:26:10,360
Speaker 1: Chill started Jesus took it to the natural level till

427
00:26:10,359 --> 00:26:12,360
Speaker 1: we're talking about the dope boy isn't running the car

428
00:26:12,880 --> 00:26:14,840
Speaker 1: at the time. That what we were doing, Like I

429
00:26:14,960 --> 00:26:16,959
Speaker 1: graduate these niggas at that time, that what he's doing.

430
00:26:17,240 --> 00:26:19,320
Speaker 1: Jesus can't he more talking about niggas in the spot

431
00:26:19,440 --> 00:26:22,520
Speaker 1: servant with scales and ship, that's what we were doing

432
00:26:22,560 --> 00:26:25,800
Speaker 1: at that time. Gucci brought all that ship to the game.

433
00:26:26,040 --> 00:26:27,840
Speaker 1: We're gonna wrong, We're gonna do whatever, and we're gonna

434
00:26:27,840 --> 00:26:30,440
Speaker 1: put niggas on the shits the side of it, the

435
00:26:30,520 --> 00:26:34,639
Speaker 1: zone sitway so that what it is like all them

436
00:26:34,720 --> 00:26:37,560
Speaker 1: niggas did what they even even it's it's more niggas,

437
00:26:37,560 --> 00:26:39,280
Speaker 1: but we're gonna name the niggas from Atlanta so because

438
00:26:39,320 --> 00:26:41,600
Speaker 1: that's what we're from. But it's more niggas that that

439
00:26:42,720 --> 00:26:44,200
Speaker 1: put ship in that ship to to make it what

440
00:26:44,320 --> 00:26:47,200
Speaker 1: it is. But them three niggs that's what And you

441
00:26:47,240 --> 00:26:49,320
Speaker 1: know what I'm saying, Yeah, exactly, you got you came

442
00:26:49,359 --> 00:26:52,480
Speaker 1: back niggas like like the nigga play their part like

443
00:26:52,720 --> 00:26:55,760
Speaker 1: and what this ship is But like I said, popped

444
00:26:55,760 --> 00:26:58,520
Speaker 1: it off with they goddamn dope boys ship. Then you

445
00:26:58,640 --> 00:27:02,479
Speaker 1: brought goddamn Jesus Like I said, we're working scales now.

446
00:27:03,600 --> 00:27:05,680
Speaker 1: Brought the whole everything that got something to do with

447
00:27:05,720 --> 00:27:10,480
Speaker 1: the trap to the ship. Yeah, that's got a good question.

448
00:27:10,880 --> 00:27:13,000
Speaker 1: So y'all from Atlanta, I'm from South Carolinas. I just

449
00:27:13,080 --> 00:27:15,160
Speaker 1: want to know, like, when's the first time you heard

450
00:27:15,200 --> 00:27:16,840
Speaker 1: the word trap? Who was the first rap? And get

451
00:27:16,920 --> 00:27:25,159
Speaker 1: him mafia for me? For me? Yeah, he took he

452
00:27:25,280 --> 00:27:27,960
Speaker 1: made it boys in the traps a word and I

453
00:27:28,080 --> 00:27:33,240
Speaker 1: probably heard first in ninety phone from get on Mafia.

454
00:27:34,160 --> 00:27:35,680
Speaker 1: That was the first time I heard. You know what

455
00:27:35,680 --> 00:27:37,960
Speaker 1: I'm saying, But nigga's been saying that, saying that, That's

456
00:27:37,960 --> 00:27:42,879
Speaker 1: what I'm saying. That the first. So you can't take

457
00:27:42,920 --> 00:27:47,200
Speaker 1: it from Yeah, you can't take he he made he

458
00:27:47,359 --> 00:27:51,159
Speaker 1: made different sea to start looking at na get some

459
00:27:51,160 --> 00:27:54,520
Speaker 1: street niggas. Yeah, yeah, yeah, because no dished the good

460
00:27:54,880 --> 00:27:57,360
Speaker 1: out care they was. They was on some different ships,

461
00:27:57,800 --> 00:27:59,320
Speaker 1: but it was it was it was our time like

462
00:27:59,400 --> 00:28:01,200
Speaker 1: it would play. It was They've got trapped put in

463
00:28:01,240 --> 00:28:05,000
Speaker 1: the dictionary. Yeah, he made it a household term. Yeah,

464
00:28:05,200 --> 00:28:07,440
Speaker 1: first time I heard it on Wax was going to mafia.

465
00:28:07,520 --> 00:28:11,040
Speaker 1: That's just for shure. Yeah, I don't say like we

466
00:28:11,119 --> 00:28:14,040
Speaker 1: started getting recognition from the other cities that like with

467
00:28:14,200 --> 00:28:16,440
Speaker 1: dope boys, and so we gotta get home. You know

468
00:28:16,440 --> 00:28:18,480
Speaker 1: what I'm saying. We gotta give him that yeah again

469
00:28:19,600 --> 00:28:24,119
Speaker 1: and showed you that. Everybody to play all three of them.

470
00:28:24,200 --> 00:28:26,359
Speaker 1: Nigga played them. Now we can say them nigging the

471
00:28:26,400 --> 00:28:31,879
Speaker 1: trap guards, the trap got what they call it, the

472
00:28:32,040 --> 00:28:37,880
Speaker 1: um mount us Mount Russia. Yes, now for show leading,

473
00:28:37,920 --> 00:28:40,400
Speaker 1: the one on the out, because because one when one

474
00:28:40,560 --> 00:28:43,000
Speaker 1: want to help do the other, you get one saying

475
00:28:43,040 --> 00:28:45,440
Speaker 1: all that ship helped each other. To me, yeah, you

476
00:28:45,480 --> 00:28:48,720
Speaker 1: know what I mean. Facts big shouts out, Big Facts

477
00:28:48,800 --> 00:28:50,760
Speaker 1: is going down. Triple w Dot Big Facts, pot Dot

478
00:28:50,800 --> 00:28:53,600
Speaker 1: com O j the Juice Man on the way, the Truth,

479
00:28:53,960 --> 00:28:57,000
Speaker 1: the whole truth and nothing but the truth. Yeah, it's

480
00:28:57,040 --> 00:28:59,800
Speaker 1: Big Facts DJ screen, Big Bang baby Ja. We gotta

481
00:29:00,000 --> 00:29:02,640
Speaker 1: actual guests in the building. You know I'm saying, trapped legend.

482
00:29:02,680 --> 00:29:04,800
Speaker 1: We're gonna have a lot of conversation with the one

483
00:29:04,800 --> 00:29:07,480
Speaker 1: and only, oh Ja, the Juice Man on Big Facts,

484
00:29:08,640 --> 00:29:18,200
Speaker 1: Big Facts Man, a good real man. I appreciate y'all

485
00:29:18,280 --> 00:29:20,720
Speaker 1: having me. Man, I've been wanting to come a long time,

486
00:29:21,240 --> 00:29:23,280
Speaker 1: you know what I'm saying, and just seeing y'all how

487
00:29:23,400 --> 00:29:25,680
Speaker 1: y'all orchestrated the thing. Man, I'm gonna tell you how

488
00:29:25,720 --> 00:29:27,960
Speaker 1: we brought with you. And I mean this so we

489
00:29:28,000 --> 00:29:30,280
Speaker 1: can laugh about it. We have never letting anybody be

490
00:29:30,400 --> 00:29:35,120
Speaker 1: to late. The big fact I said, I said that said,

491
00:29:35,240 --> 00:29:38,480
Speaker 1: that's our jew move man, And so I mean, and

492
00:29:38,560 --> 00:29:43,160
Speaker 1: then I stayed so fucking far from here, you god damn. So,

493
00:29:43,520 --> 00:29:45,560
Speaker 1: I mean they're good for me because you know, coming

494
00:29:45,600 --> 00:29:50,160
Speaker 1: from the screet when niggas tell you nigga's goddamn like

495
00:29:50,280 --> 00:29:52,640
Speaker 1: on some ship like for nigga tell you and you

496
00:29:52,840 --> 00:29:55,840
Speaker 1: got now forty minutes from where you're actually working, that

497
00:29:56,600 --> 00:30:00,840
Speaker 1: nick gonna turn out like both in here, didn't he get? Yeah?

498
00:30:01,840 --> 00:30:05,800
Speaker 1: Through five counties, we got sticks in the cold. Hell

499
00:30:05,960 --> 00:30:11,120
Speaker 1: not turn around. They might not be right too far,

500
00:30:11,320 --> 00:30:13,480
Speaker 1: but yeah, yeah, So I just try to you know,

501
00:30:13,600 --> 00:30:17,200
Speaker 1: I just stayed far from where I play at. That's real.

502
00:30:17,280 --> 00:30:19,360
Speaker 1: So where you've been, that's what the first I want

503
00:30:19,400 --> 00:30:21,960
Speaker 1: to know musically, where you've been physically just in your life.

504
00:30:23,480 --> 00:30:26,440
Speaker 1: I mean I've been, I've been in the same thing.

505
00:30:26,600 --> 00:30:29,160
Speaker 1: I never trained my flow. It just when when the

506
00:30:29,240 --> 00:30:33,960
Speaker 1: business went bad with Deep them and me learning the

507
00:30:34,040 --> 00:30:37,240
Speaker 1: business instead of just being the artist, I started doing

508
00:30:37,320 --> 00:30:41,480
Speaker 1: everything independently, so I my my huge backing that was

509
00:30:41,560 --> 00:30:46,240
Speaker 1: pushing me it kind of you know way, Yeah, that's

510
00:30:46,280 --> 00:30:50,840
Speaker 1: something that has reckons out, like keeping I'm keeping the movie.

511
00:30:50,880 --> 00:30:54,239
Speaker 1: I'm cool on them. You know, I'm cool on fair

512
00:30:54,360 --> 00:31:00,160
Speaker 1: enough enough. So you've been on your independent ground. Only

513
00:31:00,200 --> 00:31:02,440
Speaker 1: complaint from your fans and they want more music. They

514
00:31:02,480 --> 00:31:05,560
Speaker 1: want more music, and my slow ass don't begin on

515
00:31:06,080 --> 00:31:10,280
Speaker 1: videos when I load them up with music. But I

516
00:31:10,360 --> 00:31:14,000
Speaker 1: don't do videos, and I don't know black I want

517
00:31:14,040 --> 00:31:16,480
Speaker 1: to do it, and then uh fucking the day I'll

518
00:31:16,480 --> 00:31:18,200
Speaker 1: be trying to set it up to do it. I

519
00:31:18,320 --> 00:31:19,800
Speaker 1: wake up and I'm like, man, I don't want you

520
00:31:19,960 --> 00:31:24,520
Speaker 1: this ship, I swear, and I'm like, man, I gotta

521
00:31:24,520 --> 00:31:28,520
Speaker 1: stop doing the cause I noticed Defolt want the content

522
00:31:28,840 --> 00:31:33,280
Speaker 1: visuals with the music. Yeah they yeah, they might want

523
00:31:33,320 --> 00:31:35,520
Speaker 1: you music. Defolt want to see this ship. You know.

524
00:31:35,640 --> 00:31:37,840
Speaker 1: The moment where a lot of people can't the juice

525
00:31:37,880 --> 00:31:40,520
Speaker 1: man fans was when you did that Hood of Fests freestyle.

526
00:31:40,600 --> 00:31:47,520
Speaker 1: So you got to treat the videos like that. They

527
00:31:47,680 --> 00:31:49,520
Speaker 1: called me and see it. Well, we're shooting. I run

528
00:31:49,720 --> 00:31:52,680
Speaker 1: my fat down. I was like, I got to be

529
00:31:52,840 --> 00:31:54,920
Speaker 1: in new when you're right to the folks want to

530
00:31:55,320 --> 00:31:57,840
Speaker 1: see that stuff. They want to speaking of Gresham in

531
00:31:57,880 --> 00:31:59,600
Speaker 1: the East Side. And you know what I'm saying all

532
00:31:59,680 --> 00:32:03,280
Speaker 1: of that, it's a lot of people that are familiar

533
00:32:03,320 --> 00:32:06,960
Speaker 1: with you, but they don't know like the origin, what

534
00:32:07,120 --> 00:32:10,480
Speaker 1: exactly it's thirty two entertainment and where did it come from? Okay,

535
00:32:10,800 --> 00:32:12,600
Speaker 1: what does the thirty two mean? Like all that kind

536
00:32:12,600 --> 00:32:14,520
Speaker 1: of ship. Break that down for us. Okay, I'm gonna

537
00:32:14,520 --> 00:32:17,440
Speaker 1: break it down. Thirty thirty two n t come from

538
00:32:17,680 --> 00:32:20,240
Speaker 1: me standing at the top of something valid at the

539
00:32:20,320 --> 00:32:23,040
Speaker 1: bus stop and for and for those that I don't

540
00:32:23,080 --> 00:32:26,120
Speaker 1: know about the bus stop, Okay, something valid, Okay, something

541
00:32:26,160 --> 00:32:29,120
Speaker 1: valid is departments. I grew up in right off of

542
00:32:29,200 --> 00:32:31,960
Speaker 1: Boat of Chris and the bus stop was for people

543
00:32:32,000 --> 00:32:35,480
Speaker 1: who didn't have transportation. It was like your local transportation.

544
00:32:35,480 --> 00:32:37,960
Speaker 1: You could pay to get you the certain spots. And

545
00:32:38,480 --> 00:32:40,240
Speaker 1: me sending at the bus stop all day. But I

546
00:32:40,280 --> 00:32:44,000
Speaker 1: ain't trying to ride the mortar bus. So and at

547
00:32:44,080 --> 00:32:47,360
Speaker 1: thirty two coming back to back and two, the bus

548
00:32:47,560 --> 00:32:49,680
Speaker 1: thirty two is they say thirty two to Chris on

549
00:32:49,720 --> 00:32:53,120
Speaker 1: the Mortar bus, and so I'm like, ship, I'm gonna

550
00:32:53,160 --> 00:32:54,960
Speaker 1: name my ship third because that's all I know, that's

551
00:32:55,160 --> 00:32:59,840
Speaker 1: at the bus stop all day for life. And I'm like,

552
00:33:00,120 --> 00:33:02,400
Speaker 1: I'm gonna name my joint U thirty two E N

553
00:33:02,480 --> 00:33:06,200
Speaker 1: T Man and and I've been running with that way

554
00:33:06,280 --> 00:33:08,240
Speaker 1: before I signed with Dell. You know what I'm saying,

555
00:33:08,720 --> 00:33:11,000
Speaker 1: Even when I was doing the hype man stuff for

556
00:33:11,080 --> 00:33:14,640
Speaker 1: Goochen and whatnot, just trying to really get into business

557
00:33:14,680 --> 00:33:20,640
Speaker 1: and whatnot. It's always thirty to always entertainment. I remember

558
00:33:20,680 --> 00:33:23,040
Speaker 1: when you first started with this ship. But when you

559
00:33:23,120 --> 00:33:25,080
Speaker 1: feel like you started taking ships here like oh I

560
00:33:25,120 --> 00:33:27,880
Speaker 1: can do this ship. When we was in the leab

561
00:33:28,600 --> 00:33:31,000
Speaker 1: U when we saw all do to leave on more

562
00:33:31,160 --> 00:33:33,800
Speaker 1: and I go in there and pay dj Andre fitted

563
00:33:33,880 --> 00:33:39,360
Speaker 1: all of the get ready to yeah and get dre

564
00:33:39,520 --> 00:33:42,400
Speaker 1: fitted all of them. I had about two hundred maybe

565
00:33:42,480 --> 00:33:45,240
Speaker 1: one anywhere from a huntred the three hundred worth of wars,

566
00:33:45,640 --> 00:33:47,640
Speaker 1: and when I performed, I was I started off with

567
00:33:48,240 --> 00:33:51,120
Speaker 1: getting money way before quarter brick and then I just

568
00:33:51,320 --> 00:33:56,120
Speaker 1: always throw the money. And I'm still yeah, just be

569
00:33:56,200 --> 00:33:57,800
Speaker 1: throwing the money. I was trying to make it look

570
00:33:57,880 --> 00:34:04,360
Speaker 1: good because it was got down. I'm like, oh ship,

571
00:34:04,960 --> 00:34:09,040
Speaker 1: I might o my got it, I'm like, and then

572
00:34:09,120 --> 00:34:12,000
Speaker 1: I started doing the ad lives, and folks will catch

573
00:34:12,080 --> 00:34:14,560
Speaker 1: it to the ad lives then what I'm really rapping about.

574
00:34:14,920 --> 00:34:17,600
Speaker 1: So I'm like, oh ship, So this has probably had

575
00:34:17,680 --> 00:34:21,439
Speaker 1: to been like with oh File six, I didn't really

576
00:34:22,280 --> 00:34:26,680
Speaker 1: because I started with okay. I used to just stretched okay,

577
00:34:27,360 --> 00:34:34,160
Speaker 1: and then I thought I started doing them okay, okay.

578
00:34:34,280 --> 00:34:36,000
Speaker 1: You know what I'm saying, Like that right down so

579
00:34:36,120 --> 00:34:38,560
Speaker 1: on like shipt up the run because it got the

580
00:34:38,640 --> 00:34:41,800
Speaker 1: bounce to it. And you know, we come from getting

581
00:34:41,880 --> 00:34:46,080
Speaker 1: dope book talk cutless eighty three cutless or eight six

582
00:34:46,200 --> 00:34:49,040
Speaker 1: eight eight box shiving and we got a little thing.

583
00:34:49,360 --> 00:34:50,759
Speaker 1: We're back in the day we used to do this,

584
00:34:50,920 --> 00:34:53,200
Speaker 1: like coming to a red like and you got the

585
00:34:53,400 --> 00:34:56,480
Speaker 1: beating your trunk folk twis or whatnot. You start whipping.

586
00:34:56,920 --> 00:34:58,920
Speaker 1: You might wheel to the level, wheel to the right

587
00:34:59,480 --> 00:35:05,640
Speaker 1: like you always music. We get you know what I'm

588
00:35:05,640 --> 00:35:10,960
Speaker 1: saying about. That's I always looked at me making the

589
00:35:11,080 --> 00:35:15,719
Speaker 1: a's or whatnot. You think it's harder to god, then

590
00:35:15,760 --> 00:35:17,640
Speaker 1: stay focused on the on the rap ship when you

591
00:35:17,719 --> 00:35:19,239
Speaker 1: know you know how to get money to do others

592
00:35:19,280 --> 00:35:23,960
Speaker 1: like sometimes true because yeah, yea, because sometimes the other

593
00:35:24,040 --> 00:35:26,279
Speaker 1: thing could consume a lot of your time. And with

594
00:35:26,520 --> 00:35:30,719
Speaker 1: the music you got, you got the lowdr category up

595
00:35:30,800 --> 00:35:33,800
Speaker 1: with music like you got to stay recording like it was.

596
00:35:33,880 --> 00:35:36,600
Speaker 1: At one point in time, I was like, man, forget music.

597
00:35:36,719 --> 00:35:40,680
Speaker 1: Man it is I like it, but from all the

598
00:35:40,800 --> 00:35:43,960
Speaker 1: bad business. And then the money ain't coming in how

599
00:35:44,040 --> 00:35:47,239
Speaker 1: it used to be on life, you know. But hey man,

600
00:35:47,480 --> 00:35:50,359
Speaker 1: you know brow I'm cool with it, but it ain't

601
00:35:50,360 --> 00:35:54,160
Speaker 1: paying the bills if you So let's say, let's say

602
00:35:54,160 --> 00:35:56,400
Speaker 1: you're in the booth and you in the middle of

603
00:35:56,480 --> 00:35:59,400
Speaker 1: a song, you're jamming the ship, and then maybe your

604
00:35:59,440 --> 00:36:07,680
Speaker 1: phone go for a play, hey man, Apple saving and

605
00:36:07,719 --> 00:36:14,400
Speaker 1: then I get back to you get to it because

606
00:36:14,400 --> 00:36:16,120
Speaker 1: I always leave my studio, and then I kind of

607
00:36:16,200 --> 00:36:19,400
Speaker 1: noticed they probably wouldn't be missing up my own my

608
00:36:19,760 --> 00:36:21,800
Speaker 1: my Mike pre Choose because I don't went through like

609
00:36:22,400 --> 00:36:25,200
Speaker 1: three three Mike pre too, because I just always leave

610
00:36:25,200 --> 00:36:27,319
Speaker 1: it on because I never know when I just need

611
00:36:27,400 --> 00:36:30,200
Speaker 1: to go in here and record, and I think I

612
00:36:30,360 --> 00:36:32,920
Speaker 1: damaged some stuff doing that because I don't switch Mike

613
00:36:33,000 --> 00:36:36,439
Speaker 1: pre Choose at least three to four times. What time

614
00:36:36,480 --> 00:36:38,400
Speaker 1: do you feel like in the South of US be

615
00:36:38,400 --> 00:36:40,960
Speaker 1: getting bought the most that and you show you the

616
00:36:41,000 --> 00:36:43,640
Speaker 1: most love. M hmm. And they got to be the

617
00:36:43,719 --> 00:36:51,920
Speaker 1: Carolinas for show Carolina Everybody three money, You're Gonna Eat Man,

618
00:36:52,960 --> 00:36:55,920
Speaker 1: And they just like good music and and and what

619
00:36:56,080 --> 00:36:59,040
Speaker 1: I noticed about Carolina they at the party. You know

620
00:36:59,080 --> 00:37:01,520
Speaker 1: what I'm saying, They like the party. Carolina is just

621
00:37:01,600 --> 00:37:04,319
Speaker 1: one of my biggest I used to super be big

622
00:37:04,480 --> 00:37:11,600
Speaker 1: and Chicago, but with that no radio buds, it kind

623
00:37:11,640 --> 00:37:17,719
Speaker 1: of shimmer you down. But my main that's gonna book Carolina,

624
00:37:17,840 --> 00:37:20,840
Speaker 1: North and South Carolinas is more grass room. Like you

625
00:37:20,880 --> 00:37:23,520
Speaker 1: know what I'm saying. They really listen to music and

626
00:37:24,480 --> 00:37:29,440
Speaker 1: stay with the artists as opposed to so you think

627
00:37:29,480 --> 00:37:31,120
Speaker 1: that's a part of make you want to just keep

628
00:37:31,160 --> 00:37:32,640
Speaker 1: doing the ship like the love you get when you're

629
00:37:32,640 --> 00:37:35,560
Speaker 1: going to the township and that and the people that

630
00:37:35,719 --> 00:37:37,960
Speaker 1: be on my social media like bro, I don't start

631
00:37:38,080 --> 00:37:42,600
Speaker 1: where we love you, um where you really really taught

632
00:37:42,680 --> 00:37:45,360
Speaker 1: the stuff? And I never really looked there like that

633
00:37:45,440 --> 00:37:47,759
Speaker 1: be could then when I do think about it, like now,

634
00:37:47,840 --> 00:37:49,920
Speaker 1: I do be breaking down a lot of stuff that

635
00:37:50,080 --> 00:37:53,960
Speaker 1: a more actual person win breakdown, Like you gotta think

636
00:37:53,960 --> 00:37:58,799
Speaker 1: about when I put make said made the radio. I'm like, really,

637
00:37:58,880 --> 00:38:02,440
Speaker 1: the first person to a brick broke down on radio.

638
00:38:05,719 --> 00:38:08,000
Speaker 1: I never looked at it like that truth. This is truth.

639
00:38:08,280 --> 00:38:10,800
Speaker 1: And I worked that record three years. They told me

640
00:38:10,880 --> 00:38:14,799
Speaker 1: that record one never make radio because it's too too

641
00:38:14,960 --> 00:38:19,720
Speaker 1: much reference. Y. Yeah, and then they end up blowing

642
00:38:20,040 --> 00:38:23,080
Speaker 1: I'm getting mine out the water. Come, I'm getting money

643
00:38:23,120 --> 00:38:26,120
Speaker 1: will posted being my main first single. I think Copper

644
00:38:26,239 --> 00:38:28,120
Speaker 1: Chicken was the one that got and they slept on

645
00:38:28,239 --> 00:38:32,920
Speaker 1: that because of the fact when they put it out

646
00:38:32,920 --> 00:38:35,160
Speaker 1: they only put it out one verse. But I had

647
00:38:35,320 --> 00:38:39,640
Speaker 1: an original original Copper Chicken with three verses. Bro. But

648
00:38:39,760 --> 00:38:42,480
Speaker 1: when they did that, when they did the other side

649
00:38:42,520 --> 00:38:45,360
Speaker 1: of the trap album, they only put they put the

650
00:38:45,440 --> 00:38:50,799
Speaker 1: version out with just one verse. Yeah, what's up? What's up?

651
00:38:50,880 --> 00:38:53,040
Speaker 1: So before before you pulled up, we was having this

652
00:38:53,120 --> 00:38:57,960
Speaker 1: healthy debate about who is the goat of trapp many,

653
00:38:58,000 --> 00:39:00,120
Speaker 1: who is the go to trap music? You know, I'm

654
00:39:00,120 --> 00:39:06,320
Speaker 1: gonna say me because okay, you know what I'm saying.

655
00:39:07,120 --> 00:39:09,200
Speaker 1: You know what I'm saying. I don't just created nobody

656
00:39:09,239 --> 00:39:12,160
Speaker 1: else or what they say they do, but I do

657
00:39:12,320 --> 00:39:15,800
Speaker 1: this that we we we, we we saluted Gucci because

658
00:39:15,840 --> 00:39:18,120
Speaker 1: Gucci opened up a lot of doors through a lot

659
00:39:18,160 --> 00:39:21,680
Speaker 1: of it. He still is a lot of doors trap music, right,

660
00:39:22,080 --> 00:39:24,319
Speaker 1: So it Gucci? Who else? We didn't take anything away

661
00:39:24,360 --> 00:39:36,600
Speaker 1: from and everybody else because you know, Jeezy brought the

662
00:39:36,719 --> 00:39:39,560
Speaker 1: rich nigger aspect to it because he took the ship

663
00:39:39,640 --> 00:39:43,759
Speaker 1: from the nick to a break, but Gucci encompassed the

664
00:39:43,840 --> 00:39:47,080
Speaker 1: whole entire thing. And on top of that, he's still

665
00:39:47,400 --> 00:39:50,120
Speaker 1: like pulling niggas out of the trap to this day

666
00:39:50,600 --> 00:39:56,480
Speaker 1: and like getting them real bad down. And then we

667
00:39:57,040 --> 00:39:59,279
Speaker 1: threw out there Jeezy too, because we think it's proper to.

668
00:39:59,480 --> 00:40:02,399
Speaker 1: I mean, jeez, this one. They were having glutenwood day

669
00:40:02,480 --> 00:40:04,920
Speaker 1: back and I forgot what you do. They probably had

670
00:40:05,080 --> 00:40:08,480
Speaker 1: been Old three Old Fold maybe I don't know. I

671
00:40:08,560 --> 00:40:12,359
Speaker 1: want to boot count. Oh it was like all four

672
00:40:13,000 --> 00:40:15,640
Speaker 1: they're doing. And that's when the Trap of Dafford came out.

673
00:40:15,680 --> 00:40:19,680
Speaker 1: I'm playing that right now, the old car. Everybody in

674
00:40:19,760 --> 00:40:24,960
Speaker 1: the car like I would have going to crazy. And

675
00:40:25,040 --> 00:40:27,799
Speaker 1: we ain't know him from a can of paint. But hey,

676
00:40:27,920 --> 00:40:32,160
Speaker 1: we like to do music, so so what's up with you?

677
00:40:32,239 --> 00:40:35,640
Speaker 1: And Gucci? Were still on good times. We're still on

678
00:40:35,760 --> 00:40:38,719
Speaker 1: good terms. I was just uh at the birthday don

679
00:40:38,840 --> 00:40:41,560
Speaker 1: on the o other night, he's still in solid you

680
00:40:41,600 --> 00:40:45,640
Speaker 1: know what I'm saying, Yeah, yeah, I know. You gotta

681
00:40:45,640 --> 00:40:47,879
Speaker 1: be happy to see his progression. Don't like true saying

682
00:40:47,920 --> 00:40:50,200
Speaker 1: to be married as a kid and just getting his

683
00:40:50,320 --> 00:40:52,759
Speaker 1: money and mine right and the man she would have

684
00:40:52,840 --> 00:40:56,400
Speaker 1: come from, uh fucking picking up cans and knocking on

685
00:40:56,520 --> 00:41:03,560
Speaker 1: dough to take trash. Huh impartment with a trash taking

686
00:41:03,600 --> 00:41:06,879
Speaker 1: out to give us a dollar two dollar dollar film

687
00:41:06,960 --> 00:41:09,400
Speaker 1: dollar for me or if it's a dollar, will bust

688
00:41:09,440 --> 00:41:12,040
Speaker 1: it down fit to fit the walk to the test

689
00:41:12,160 --> 00:41:15,279
Speaker 1: co get something well, I know, goose. Before we moved

690
00:41:15,480 --> 00:41:17,759
Speaker 1: to something that we come from mountain part of coast,

691
00:41:17,800 --> 00:41:26,240
Speaker 1: the avenue back with the Nintendo, I just steal something Nintendo.

692
00:41:27,120 --> 00:41:35,680
Speaker 1: He used to let me borrow somebody. That's that's accurate

693
00:41:35,960 --> 00:41:39,520
Speaker 1: description of that time period. And then we moved the

694
00:41:39,640 --> 00:41:41,840
Speaker 1: something that like they moved it something at the first.

695
00:41:42,200 --> 00:41:45,000
Speaker 1: But I had another buddy named Dude who I used

696
00:41:45,000 --> 00:41:48,000
Speaker 1: to spend night at his house too, and they from

697
00:41:48,000 --> 00:41:49,839
Speaker 1: a mountain park too, And when he moved the sathing

698
00:41:49,880 --> 00:41:51,840
Speaker 1: bad that I spent the night over his house and

699
00:41:51,920 --> 00:41:54,399
Speaker 1: something that but Gucca was already up. So I went

700
00:41:54,480 --> 00:41:56,480
Speaker 1: home and bid my mom, like, bro let move the

701
00:41:56,600 --> 00:41:59,600
Speaker 1: something valley all my friends over there. But we got

702
00:41:59,719 --> 00:42:03,839
Speaker 1: the and then we moved to something that wow, big

703
00:42:03,920 --> 00:42:10,920
Speaker 1: history on big facts. So some other things. Um, when

704
00:42:11,440 --> 00:42:13,600
Speaker 1: you slim down? Was that was that? I know you

705
00:42:13,800 --> 00:42:17,719
Speaker 1: you diabetes? Everybody I was. I was two hundred four

706
00:42:17,800 --> 00:42:20,800
Speaker 1: pounds so I used to well fucking forty two. So

707
00:42:20,960 --> 00:42:26,239
Speaker 1: did you did you? Did you? Did you start working out?

708
00:42:26,320 --> 00:42:28,480
Speaker 1: Or you just change your whole diet? Because I mean

709
00:42:28,560 --> 00:42:31,759
Speaker 1: I did change my die because with the diabetes, what

710
00:42:32,000 --> 00:42:35,840
Speaker 1: you have to count it is the sugars. With the

711
00:42:35,840 --> 00:42:38,479
Speaker 1: sugars is your total carbo hydrate. You have to watch

712
00:42:38,560 --> 00:42:42,040
Speaker 1: the sodium because the sodium make your feet swell. Um

713
00:42:43,320 --> 00:42:46,640
Speaker 1: and no, and see I just changed everything. I went

714
00:42:46,719 --> 00:42:52,680
Speaker 1: from regular drinks to diet drinks. Everything died. Uh, THEMN up,

715
00:42:53,480 --> 00:42:57,160
Speaker 1: all the food baked, no salt, that the season with

716
00:42:57,320 --> 00:43:02,440
Speaker 1: other ship even um. And it really it's just it

717
00:43:02,560 --> 00:43:05,399
Speaker 1: hit me out of nowhere because I want to say

718
00:43:05,400 --> 00:43:08,319
Speaker 1: I got diagnosed with diabetes, and oh eight, I got

719
00:43:08,400 --> 00:43:11,480
Speaker 1: diagnosed diabetes one week and then I got shot eight

720
00:43:11,560 --> 00:43:15,200
Speaker 1: times another week a week later and then in the

721
00:43:15,320 --> 00:43:18,120
Speaker 1: midst again. Shot. I'm coming from the hotpital with this

722
00:43:18,239 --> 00:43:21,320
Speaker 1: new thing talking about diabetes and defaults telling me you

723
00:43:21,480 --> 00:43:23,800
Speaker 1: heal different. You ain't gonna hear this ain't so be

724
00:43:23,880 --> 00:43:26,600
Speaker 1: careful and watch your feet. So when I get shot,

725
00:43:26,960 --> 00:43:30,200
Speaker 1: oh god, damn d a shot, I don't fuck up.

726
00:43:30,520 --> 00:43:33,000
Speaker 1: I got diabetes over to be fucked in the game.

727
00:43:33,560 --> 00:43:39,000
Speaker 1: And then I still got like a because the bullets

728
00:43:39,040 --> 00:43:42,880
Speaker 1: they hit my right leg it uh fund us some

729
00:43:42,960 --> 00:43:49,840
Speaker 1: nerves so it feels like needles when yeah, um, but

730
00:43:50,000 --> 00:43:52,520
Speaker 1: I was still trying because I went to a fucking

731
00:43:53,040 --> 00:43:57,279
Speaker 1: I let grad Greater hospital get me. Uh what they

732
00:43:57,320 --> 00:44:01,200
Speaker 1: were getting me fit centified? All the run tiss on

733
00:44:01,840 --> 00:44:04,600
Speaker 1: young people with diabetes. I don't know. I don't know

734
00:44:04,800 --> 00:44:08,239
Speaker 1: what this ship will. My dad didn't have, my MoMA

735
00:44:08,320 --> 00:44:11,520
Speaker 1: didn't have, but my dad side got it bad and

736
00:44:11,680 --> 00:44:14,759
Speaker 1: my mom's side got it bad. Man. And when I

737
00:44:14,880 --> 00:44:17,800
Speaker 1: got this ship on, like lord, why me? What the

738
00:44:17,920 --> 00:44:20,360
Speaker 1: hell did I do? And then I was still cheating

739
00:44:20,400 --> 00:44:23,239
Speaker 1: because I started off as type two where I was

740
00:44:23,320 --> 00:44:25,880
Speaker 1: taking the form and Peter, but I'm still cheat with

741
00:44:26,000 --> 00:44:29,360
Speaker 1: the candy. And then motherfucker go bad and I go

742
00:44:29,520 --> 00:44:33,279
Speaker 1: to type one, so type one. You gotta stick. Yeah,

743
00:44:33,320 --> 00:44:37,000
Speaker 1: I stick three times a day. Shoot and see you

744
00:44:37,080 --> 00:44:39,120
Speaker 1: pulled to pick your fingers so many times today. But

745
00:44:39,560 --> 00:44:42,239
Speaker 1: all that fingerprink it make my hand look like a jake.

746
00:44:43,920 --> 00:44:46,759
Speaker 1: You vee him like I'm just gonna shoot, you know what.

747
00:44:46,760 --> 00:44:49,560
Speaker 1: I ain't gonna keep God damn and my hand looking

748
00:44:49,600 --> 00:44:52,279
Speaker 1: like a crack smoker, you know what I'm saying. Like,

749
00:44:52,440 --> 00:44:56,120
Speaker 1: So I did maneuver, had maneuver. Watched I know when

750
00:44:56,239 --> 00:44:59,960
Speaker 1: my sugar kind of going up because I stayed dehydrated.

751
00:45:00,280 --> 00:45:04,040
Speaker 1: I keep pissing dehydrated to keep pissing, and then my

752
00:45:04,160 --> 00:45:07,279
Speaker 1: bones and go to feeling like just weaker hill like

753
00:45:07,560 --> 00:45:10,360
Speaker 1: you know, just you got no energy. You just wanted

754
00:45:10,360 --> 00:45:12,520
Speaker 1: to slay down and just sleep, you know what I'm saying.

755
00:45:12,680 --> 00:45:15,360
Speaker 1: So I'll be knowing it's time to shoot now. I

756
00:45:15,440 --> 00:45:17,799
Speaker 1: know one thing that the diabetes ain't stop you from doing.

757
00:45:17,960 --> 00:45:19,360
Speaker 1: And you're the person that got me on it. You

758
00:45:19,360 --> 00:45:21,440
Speaker 1: should be the supposed person that's going to that damn papa.

759
00:45:21,480 --> 00:45:24,480
Speaker 1: Those man I know that ain't stop you with that papa.

760
00:45:25,320 --> 00:45:27,640
Speaker 1: If you listen to you go to Houston, if you

761
00:45:27,719 --> 00:45:40,799
Speaker 1: listen to the I'm buying shit, I ain't never heardrow again. Yeah,

762
00:45:41,440 --> 00:45:43,319
Speaker 1: my little chur and a little being a hunter though

763
00:45:43,440 --> 00:45:45,520
Speaker 1: I don't know what they like. They just for the

764
00:45:45,600 --> 00:45:47,840
Speaker 1: food or because the chef do what you do in

765
00:45:47,960 --> 00:45:50,200
Speaker 1: front of you, you know what. Yeah, the whole performance,

766
00:45:51,239 --> 00:45:52,960
Speaker 1: I'll make the fire come out of the cones and

767
00:45:53,040 --> 00:45:55,799
Speaker 1: stuff like that. Yeah, that was my first time I've

768
00:45:55,800 --> 00:45:59,240
Speaker 1: ever seen fire come out of a money. And if

769
00:45:59,280 --> 00:46:02,879
Speaker 1: he's a stop today? What you think people remember you from?

770
00:46:03,400 --> 00:46:07,840
Speaker 1: Just remember they remember O J. The majority of the

771
00:46:07,960 --> 00:46:12,440
Speaker 1: people probably will remember me as the a mantle m

772
00:46:12,719 --> 00:46:15,800
Speaker 1: m oh, you're talking about the quarter brit Man or

773
00:46:15,920 --> 00:46:18,839
Speaker 1: something like that, you know what I mean? That's that's

774
00:46:18,880 --> 00:46:22,200
Speaker 1: what I think. How how did that whole situation go

775
00:46:22,280 --> 00:46:25,520
Speaker 1: down when that a little came out? Damn? I know

776
00:46:25,640 --> 00:46:27,879
Speaker 1: my heart will stop when you first a soldier boy

777
00:46:28,000 --> 00:46:31,440
Speaker 1: using it killed me. Call. I'm coming from like Brian,

778
00:46:31,680 --> 00:46:34,560
Speaker 1: didn't let from nobody to get anything. I mean, I

779
00:46:34,760 --> 00:46:37,600
Speaker 1: worked niggas might have thought you brought me in, but

780
00:46:37,760 --> 00:46:42,560
Speaker 1: now I came in on my own. I came in

781
00:46:42,719 --> 00:46:45,279
Speaker 1: on my own. We were just homeboy and shout and

782
00:46:45,320 --> 00:46:48,319
Speaker 1: blew up for I did I come home from chain

783
00:46:48,400 --> 00:46:50,520
Speaker 1: game with Boot? It was a chain game boot camp

784
00:46:51,080 --> 00:46:53,839
Speaker 1: and my supter come pick me up from down the road? Um.

785
00:46:54,840 --> 00:46:59,600
Speaker 1: Why was that? Um it was a French Scott State

786
00:46:59,640 --> 00:47:03,759
Speaker 1: boot but in the middle of Frankie Scott State prison. Um.

787
00:47:04,120 --> 00:47:06,440
Speaker 1: I can't remember what part of Georgia. It was. Down

788
00:47:06,520 --> 00:47:08,759
Speaker 1: the road my senses come pick me or she like

789
00:47:09,320 --> 00:47:11,360
Speaker 1: so I can caught. She had mer CD back like,

790
00:47:11,440 --> 00:47:14,719
Speaker 1: oh buddy, but I don't put a CD yacht. I

791
00:47:14,880 --> 00:47:21,799
Speaker 1: grabbed him, motherfuck like ohm fing to try and see.

792
00:47:21,840 --> 00:47:25,920
Speaker 1: I started h it was the tray when he got

793
00:47:26,040 --> 00:47:29,560
Speaker 1: with because she the CD the screat drop with wol

794
00:47:29,600 --> 00:47:32,759
Speaker 1: them when really just did like that. I mean, he

795
00:47:32,880 --> 00:47:35,440
Speaker 1: had good records on it whatnot. But when Home got

796
00:47:35,480 --> 00:47:38,640
Speaker 1: with Big Cat and they get the tray ship, oh

797
00:47:38,800 --> 00:47:42,200
Speaker 1: man for me made it like oh, I'm like, well

798
00:47:42,200 --> 00:47:45,520
Speaker 1: I made it with Home, but we come from like

799
00:47:45,640 --> 00:47:47,520
Speaker 1: I took but we were knocking on the door. Can't

800
00:47:47,520 --> 00:47:50,200
Speaker 1: we take your trash shot? Picking up? Can't walking with

801
00:47:50,280 --> 00:47:52,279
Speaker 1: the trap bag going to say the can to the

802
00:47:52,320 --> 00:47:57,040
Speaker 1: aluminum spot? Yeah? And then when he made on like

803
00:47:57,080 --> 00:48:00,960
Speaker 1: oh but I'm gonna try. I'm gonna try trying, but

804
00:48:03,080 --> 00:48:05,919
Speaker 1: the track here yeah, And then I had my rap

805
00:48:06,000 --> 00:48:09,920
Speaker 1: first route name was gold mouth and I had everything

806
00:48:10,080 --> 00:48:16,920
Speaker 1: on me, everything once I get a deal everything. I'm

807
00:48:16,960 --> 00:48:20,960
Speaker 1: saying that that was my first first introduce you to

808
00:48:21,280 --> 00:48:23,640
Speaker 1: a O JD. You man right here, Yeah, you know

809
00:48:23,680 --> 00:48:26,319
Speaker 1: what I'm saying. Then I had a second following call

810
00:48:26,760 --> 00:48:30,439
Speaker 1: attention on that, and I wrote that from the boot

811
00:48:30,520 --> 00:48:33,600
Speaker 1: count because when you get up in the morning and

812
00:48:34,120 --> 00:48:38,200
Speaker 1: the sergeant or whatever, the boot comp drill thing, if

813
00:48:38,239 --> 00:48:39,920
Speaker 1: it's a male, you gotta say you're tentioning on that

814
00:48:40,120 --> 00:48:43,920
Speaker 1: one sir, good morning, sir, tenching on that man, good

815
00:48:43,960 --> 00:48:46,640
Speaker 1: morning man. So I made me a song attending on that,

816
00:48:47,280 --> 00:48:49,160
Speaker 1: tending on that. You know what I'm saying. But I

817
00:48:49,280 --> 00:48:54,680
Speaker 1: got it from doing the boot camp time. Yeah, would

818
00:48:54,719 --> 00:48:59,320
Speaker 1: you open the lever back up? Yeah? That motherfuna? What

819
00:48:59,480 --> 00:49:03,680
Speaker 1: is it? Not? Well? Libor the one on It's been

820
00:49:04,239 --> 00:49:10,960
Speaker 1: been through, the one on aggressive, It ain't that. It's

821
00:49:11,000 --> 00:49:17,719
Speaker 1: just there. Yeah, like bigger Loans, aren't they got some ship?

822
00:49:17,840 --> 00:49:20,160
Speaker 1: It's like it's some ship next door to it called um,

823
00:49:21,600 --> 00:49:28,239
Speaker 1: what's the ship come from? Yeah yeah yeah, yeah yeah,

824
00:49:28,239 --> 00:49:33,160
Speaker 1: but that's all really is Joes leaving h Yeah, we

825
00:49:33,200 --> 00:49:37,239
Speaker 1: gotta think about like he come front the leave back

826
00:49:37,280 --> 00:49:43,439
Speaker 1: when we was on moreing again Andre feted off, standing DJ. Yeah,

827
00:49:43,800 --> 00:49:46,480
Speaker 1: that's hard man, another boundstone in your career. Man. I

828
00:49:46,800 --> 00:49:49,040
Speaker 1: know it's a little bit weird to talk about this,

829
00:49:49,120 --> 00:49:51,160
Speaker 1: but how was it working with R Kelly? Like? Did

830
00:49:51,200 --> 00:49:54,360
Speaker 1: you get to sit with you? Just it was some

831
00:49:54,440 --> 00:49:57,759
Speaker 1: computer ship. I didn't get to meet him. I know

832
00:49:57,920 --> 00:50:00,560
Speaker 1: they had put the call in and she our killy

833
00:50:00,640 --> 00:50:02,719
Speaker 1: got this record. He wants me on, but he needs

834
00:50:02,760 --> 00:50:07,760
Speaker 1: a hook and then um I went to oh will

835
00:50:07,960 --> 00:50:10,440
Speaker 1: what it was a producer that produced a lot of

836
00:50:10,520 --> 00:50:14,160
Speaker 1: record from Willie Wheel or something like that Wheel something well,

837
00:50:14,640 --> 00:50:16,760
Speaker 1: And when I got over, he was playing the feat.

838
00:50:16,840 --> 00:50:20,040
Speaker 1: I'm like, damn, motherfucking heart. He's kind of R and

839
00:50:20,080 --> 00:50:22,279
Speaker 1: B s but it still got the little trap box

840
00:50:22,360 --> 00:50:25,200
Speaker 1: to its like you know what? Boom. I went to

841
00:50:25,320 --> 00:50:28,040
Speaker 1: riding the hook. I did one hood and I didn't

842
00:50:28,080 --> 00:50:30,480
Speaker 1: really like it. I'm like, I don't know if you're

843
00:50:30,480 --> 00:50:32,960
Speaker 1: gonna fit. Our kids come talking about too much dope,

844
00:50:33,000 --> 00:50:36,840
Speaker 1: you know what I'm saying. So I'm like, you know

845
00:50:36,920 --> 00:50:39,680
Speaker 1: what got them turn the dope down a little bit

846
00:50:40,280 --> 00:50:43,319
Speaker 1: and try to wrap a back? You know what I'm saying.

847
00:50:43,360 --> 00:50:50,239
Speaker 1: Something different what I'm saying. So I walked in the

848
00:50:50,320 --> 00:50:52,279
Speaker 1: club again, super Man. Hi. You know what I'm saying

849
00:50:52,320 --> 00:50:54,640
Speaker 1: that you try to keep it on some club is

850
00:50:54,800 --> 00:50:58,600
Speaker 1: but not dope is all the way. Yeah, you turn

851
00:50:58,680 --> 00:51:01,800
Speaker 1: that record up to yeah I did. I think I

852
00:51:01,880 --> 00:51:03,799
Speaker 1: did good on that on whose phone good? And then

853
00:51:03,880 --> 00:51:06,279
Speaker 1: we went to New York and shot the video and

854
00:51:06,560 --> 00:51:10,200
Speaker 1: the trenches only got the New York ship different. Yeah

855
00:51:11,880 --> 00:51:14,279
Speaker 1: it is. So could anybody get you the right check

856
00:51:14,680 --> 00:51:19,239
Speaker 1: to sign at this point because they're gonna see this ship,

857
00:51:19,840 --> 00:51:21,799
Speaker 1: they might think you're not even open to it. If

858
00:51:21,840 --> 00:51:24,040
Speaker 1: somebody coming to right bad and the right situation and

859
00:51:24,120 --> 00:51:28,359
Speaker 1: now you you know what I'm saying, you're right, yeah, yeah,

860
00:51:29,000 --> 00:51:31,239
Speaker 1: but I got to make sure that paperwork right. And

861
00:51:31,320 --> 00:51:34,399
Speaker 1: that's why I fought the furgo round. What I'm saying,

862
00:51:34,440 --> 00:51:37,520
Speaker 1: Why you're saying paper what? What rolls your last paper? Folk?

863
00:51:37,640 --> 00:51:40,040
Speaker 1: Kill me? But no money, not the or the side

864
00:51:40,080 --> 00:51:42,480
Speaker 1: of the trap. Make the trap say hey, I'm getting

865
00:51:43,080 --> 00:51:47,480
Speaker 1: I can't getting not one coin from that, not show

866
00:51:47,560 --> 00:51:53,560
Speaker 1: money what you're being the one hellp signed paperwork? But yeah,

867
00:51:53,880 --> 00:51:57,160
Speaker 1: but your lawyers say in the end, the man Black

868
00:51:59,280 --> 00:52:02,880
Speaker 1: hit me with to let you out there a contract

869
00:52:03,560 --> 00:52:05,719
Speaker 1: so you can be free. You gotta let her have

870
00:52:05,960 --> 00:52:08,520
Speaker 1: everything for the other side of the trap for your life,

871
00:52:08,560 --> 00:52:12,319
Speaker 1: and ten years after your life, you lying who said

872
00:52:13,160 --> 00:52:23,200
Speaker 1: who I was signed to? I I come out the

873
00:52:23,280 --> 00:52:25,440
Speaker 1: hot pital to sign the paperwork. I got dirbeat. I've

874
00:52:25,440 --> 00:52:28,879
Speaker 1: done or died on the folk flow with diabet can't move.

875
00:52:29,000 --> 00:52:30,320
Speaker 1: My girl had to come get me and took me

876
00:52:30,360 --> 00:52:33,200
Speaker 1: straight to great I'm throwing up black ship, yellow ship,

877
00:52:34,160 --> 00:52:37,120
Speaker 1: just everything whatever is in my stuntch right now because

878
00:52:37,120 --> 00:52:41,120
Speaker 1: ten years ain't no, it's up. Yeah, I've been. I've

879
00:52:41,120 --> 00:52:46,560
Speaker 1: been away for the folks like eighteen fourteen something like.

880
00:52:48,600 --> 00:52:51,040
Speaker 1: But they're saying I cannot come back and sue for

881
00:52:51,160 --> 00:52:53,360
Speaker 1: the other side of the trap for my life in

882
00:52:53,440 --> 00:52:56,200
Speaker 1: teen years after my life. So after you died ten

883
00:52:56,360 --> 00:52:58,680
Speaker 1: years after that, my kids can try to get somebody

884
00:52:58,800 --> 00:53:04,799
Speaker 1: from their dad the first who even ship business? Man,

885
00:53:05,560 --> 00:53:07,680
Speaker 1: this ship business. I don't know what the business, but

886
00:53:07,719 --> 00:53:13,680
Speaker 1: this ship business. WHOA. That's a tone though, blacks. Hey man,

887
00:53:14,520 --> 00:53:16,440
Speaker 1: I don't know, man, right, I don't know either. I

888
00:53:16,480 --> 00:53:19,040
Speaker 1: don't know because I'm on the other side of the track, right,

889
00:53:19,080 --> 00:53:24,120
Speaker 1: And see this big fast we speak openly that there's

890
00:53:24,160 --> 00:53:25,920
Speaker 1: two sides to every story, and we don't know what

891
00:53:26,000 --> 00:53:28,080
Speaker 1: the other side is true. You know what I'm saying.

892
00:53:28,160 --> 00:53:32,000
Speaker 1: But you know I can't capt for nothing. I ain't

893
00:53:32,040 --> 00:53:34,120
Speaker 1: never kept coming in this ship. I ain't capt for

894
00:53:34,200 --> 00:53:38,439
Speaker 1: photo ship. I'm not from the cap now, like that's

895
00:53:38,480 --> 00:53:44,160
Speaker 1: why O J. The Juice Man, really if you noticed,

896
00:53:47,680 --> 00:53:50,719
Speaker 1: But I got away from the folks. It was all

897
00:53:50,840 --> 00:53:58,360
Speaker 1: bad super mony stone m supermaney like. But but you

898
00:53:58,480 --> 00:54:01,440
Speaker 1: know that for show that they get, nobody didn't. Nobody

899
00:54:01,520 --> 00:54:07,439
Speaker 1: didn't know how to handle the business ship. Okay, Warner

900
00:54:07,520 --> 00:54:10,400
Speaker 1: brother couldn't give me the money directly because I'm signed

901
00:54:10,440 --> 00:54:16,120
Speaker 1: to mass A Entertainment, So basically all payments went to

902
00:54:16,560 --> 00:54:22,360
Speaker 1: mass and from ms A she give me ten maybe twenty.

903
00:54:23,680 --> 00:54:26,560
Speaker 1: So I ain't gonna I ain't gonna harp on. You

904
00:54:26,640 --> 00:54:31,160
Speaker 1: know sometimes when there's a business, right, I think we've

905
00:54:31,160 --> 00:54:34,880
Speaker 1: all been trying to I'm just trying to see like

906
00:54:35,040 --> 00:54:41,480
Speaker 1: I don't see that though, how you don't see it? Okay,

907
00:54:41,640 --> 00:54:47,480
Speaker 1: the high start always with the always be the back

908
00:54:47,520 --> 00:54:50,600
Speaker 1: when it was so icy. Hey, they're booking their own show.

909
00:54:51,120 --> 00:54:54,920
Speaker 1: I ain't come to the if mom, the O J.

910
00:54:55,160 --> 00:54:57,799
Speaker 1: J Man c D got my book and Norman been

911
00:54:57,840 --> 00:54:59,480
Speaker 1: doing that from day one because I know what I

912
00:54:59,560 --> 00:55:02,680
Speaker 1: was trying to uh, maybe I have to do some

913
00:55:02,840 --> 00:55:06,560
Speaker 1: hype man ship to get my CD wood doo. Yeah,

914
00:55:06,560 --> 00:55:09,080
Speaker 1: ain't treating that boom there call him my spotting the

915
00:55:09,160 --> 00:55:12,839
Speaker 1: same I'm loaded CDs are I'm pressing them up myself

916
00:55:12,920 --> 00:55:14,920
Speaker 1: now every midstape I did, I'm pressing them up my

917
00:55:14,960 --> 00:55:18,279
Speaker 1: ship doing ten thousand cops. She coming there, bit, I

918
00:55:18,320 --> 00:55:20,319
Speaker 1: got the j's on the floor bag and this ship up.

919
00:55:21,360 --> 00:55:26,360
Speaker 1: I got a fucking walls and posters flyers to my

920
00:55:26,400 --> 00:55:28,960
Speaker 1: own mother. She coming up. You know what it is?

921
00:55:29,239 --> 00:55:33,840
Speaker 1: You see screep money, the screep money and shouted, know

922
00:55:33,960 --> 00:55:36,560
Speaker 1: what he won't you know what I'm saying, woo okay boom.

923
00:55:37,719 --> 00:55:41,680
Speaker 1: In the midst of we re called doing ship boom,

924
00:55:42,160 --> 00:55:44,920
Speaker 1: I can't dive beat it on my first show and

925
00:55:45,200 --> 00:55:48,200
Speaker 1: roaring over Gine come back on Seek Ahead, laying on

926
00:55:48,320 --> 00:55:53,040
Speaker 1: the floor and there. Then they did blood Sugar nine

927
00:55:53,120 --> 00:55:57,279
Speaker 1: haunted on thank God you're here. Brother. You know no,

928
00:55:57,400 --> 00:56:03,759
Speaker 1: I'm a person blood not want feel but you want

929
00:56:03,800 --> 00:56:07,239
Speaker 1: seventy you on the verge of some diabet that type ship.

930
00:56:08,120 --> 00:56:10,239
Speaker 1: So my ship was now, honey, I'm done. Then I

931
00:56:10,360 --> 00:56:12,080
Speaker 1: told I can't move screen. I can't even get up

932
00:56:12,120 --> 00:56:16,120
Speaker 1: out the floor. Boom, go to the ju and let

933
00:56:16,160 --> 00:56:19,640
Speaker 1: me take you to the white folk. They won't. I'm

934
00:56:19,800 --> 00:56:24,200
Speaker 1: still maneuver in the street. Let me see all right, Boom,

935
00:56:24,680 --> 00:56:29,440
Speaker 1: get out the hospital from the diabetes. On like a Thursday,

936
00:56:29,840 --> 00:56:35,799
Speaker 1: I got shot. That next Sunday got damn boom. Now

937
00:56:35,920 --> 00:56:38,839
Speaker 1: she got to come in to hopit again. But the time,

938
00:56:38,920 --> 00:56:42,480
Speaker 1: you know, a crying could nigga really wounded, you know,

939
00:56:42,600 --> 00:56:44,600
Speaker 1: and they're like, Jude, what are you doing? Let me

940
00:56:44,680 --> 00:56:48,040
Speaker 1: get you to the white folk who do so I'm like,

941
00:56:48,160 --> 00:56:51,400
Speaker 1: you know what, all I wanted my ship oh the

942
00:56:51,480 --> 00:56:54,239
Speaker 1: way and thirty two n T. I ain't tripping on

943
00:56:54,760 --> 00:56:57,279
Speaker 1: no super big money. You can really tripping about no

944
00:56:57,400 --> 00:56:59,960
Speaker 1: money because I felt like I had some screep money,

945
00:57:00,160 --> 00:57:02,840
Speaker 1: not in knowing you post get money and ship. He

946
00:57:02,960 --> 00:57:07,920
Speaker 1: poke poke Pooguese money and signed. So boom. I come

947
00:57:07,960 --> 00:57:10,160
Speaker 1: from out the highpital and I looked at there like

948
00:57:10,239 --> 00:57:12,239
Speaker 1: a mama. You know what I'm saying. Okay, she got

949
00:57:12,320 --> 00:57:15,200
Speaker 1: pretty eye, she like skin. She reminds you of am

950
00:57:15,360 --> 00:57:19,080
Speaker 1: mama type person. Whoo whoo. So I'm like, you know what,

951
00:57:20,240 --> 00:57:23,320
Speaker 1: when I get out of hospital from this shooting, I'm

952
00:57:23,400 --> 00:57:27,480
Speaker 1: coming straight to the office to sign mhm, get out,

953
00:57:28,280 --> 00:57:32,680
Speaker 1: go down, crichid and something like that long table. Everybody

954
00:57:32,720 --> 00:57:36,760
Speaker 1: in the motherfucker signed the paper, everybody clapping, crying, happy

955
00:57:36,800 --> 00:57:40,720
Speaker 1: wood woo. Then I did the show on the Christchid

956
00:57:41,000 --> 00:57:45,960
Speaker 1: like a day later, not knowing the paperwork was out bad.

957
00:57:46,920 --> 00:57:49,200
Speaker 1: I signed it with nobody around. No lord, you know

958
00:57:49,400 --> 00:57:52,080
Speaker 1: that like oh the weed come on with you say

959
00:57:52,160 --> 00:57:53,920
Speaker 1: you can do it? They do all I want to

960
00:57:53,960 --> 00:57:56,040
Speaker 1: Old William and thirty two n T on my seat.

961
00:57:57,120 --> 00:58:03,080
Speaker 1: M hm, so you you you would you say you

962
00:58:03,440 --> 00:58:06,160
Speaker 1: you now? In hindsight, man, I approached the business wrong.

963
00:58:06,400 --> 00:58:08,680
Speaker 1: I think there's another side of it. But and then

964
00:58:08,760 --> 00:58:13,000
Speaker 1: on top of that screen, I was fucking just trying

965
00:58:13,040 --> 00:58:16,120
Speaker 1: to be the artist, like I didn't build relationships with

966
00:58:17,200 --> 00:58:23,040
Speaker 1: certain motherfucker like radio personality look like key people. I'm

967
00:58:23,120 --> 00:58:25,480
Speaker 1: going out with you say dude, go here all right boom.

968
00:58:25,800 --> 00:58:27,360
Speaker 1: I'm just doing an artist ship. I don't want to

969
00:58:27,400 --> 00:58:32,880
Speaker 1: know to be it. Yeah yeah, because I'm thinking ship

970
00:58:33,040 --> 00:58:36,400
Speaker 1: going right right. But the actually at Bright I didn't

971
00:58:36,400 --> 00:58:39,800
Speaker 1: make no money off that. Damn You know. Men as

972
00:58:39,840 --> 00:58:43,880
Speaker 1: they come from me, they fucking two fitted for a beat.

973
00:58:45,040 --> 00:58:50,040
Speaker 1: Two means they kind of feel a little bit apart

974
00:58:50,200 --> 00:58:54,439
Speaker 1: because he didn't know. I didn't make not one coin

975
00:58:54,600 --> 00:58:57,280
Speaker 1: from the album, and they like, damn, you shudn't pay

976
00:58:57,320 --> 00:58:59,919
Speaker 1: for the beat. What them folk did was too three

977
00:59:00,040 --> 00:59:04,520
Speaker 1: before or my best mix tapes, got the best songs

978
00:59:05,080 --> 00:59:07,600
Speaker 1: and made an album. They didn't pay for beats, they

979
00:59:07,680 --> 00:59:10,360
Speaker 1: didn't pay for mixing the master. They got stuff that

980
00:59:10,600 --> 00:59:13,280
Speaker 1: I paid for you my face cart, for studio time

981
00:59:13,760 --> 00:59:16,040
Speaker 1: and stuff like that, and then made an album out

982
00:59:16,240 --> 00:59:19,320
Speaker 1: three folk mixtapes, you see what I'm saying. So they

983
00:59:19,400 --> 00:59:23,000
Speaker 1: felt like damn. A majority of the album was always a's.

984
00:59:24,400 --> 00:59:28,400
Speaker 1: So what would you say to a young nigger so

985
00:59:28,560 --> 00:59:30,920
Speaker 1: that because the past is the past and nothing can

986
00:59:31,040 --> 00:59:35,040
Speaker 1: do healthy, you know, saying you get money, what would

987
00:59:35,040 --> 00:59:37,720
Speaker 1: you say to a young nigger to prevent another young

988
00:59:37,760 --> 00:59:40,680
Speaker 1: nigga from having to go to that man? Take your

989
00:59:40,680 --> 00:59:44,160
Speaker 1: paperwork to somebody. Don't sign out the gate j A

990
00:59:44,400 --> 00:59:48,280
Speaker 1: putting up no man, Let somebody who know ain't got

991
00:59:48,360 --> 00:59:53,160
Speaker 1: common sense with music terms inside of a contract and

992
00:59:53,280 --> 00:59:56,480
Speaker 1: let them oversee and con fine through. So what was

993
00:59:56,560 --> 00:59:59,920
Speaker 1: in this ship? Man? I don't know. I just signed

994
01:00:00,080 --> 01:00:02,240
Speaker 1: to that day like you had to see it now,

995
01:00:02,360 --> 01:00:05,800
Speaker 1: like it was all bad like, and then on top

996
01:00:05,840 --> 01:00:09,240
Speaker 1: of that, she was supposed to get you know, manager

997
01:00:09,280 --> 01:00:16,080
Speaker 1: get but on the show ship out thousand, the show

998
01:00:16,120 --> 01:00:18,040
Speaker 1: back then, and then that that wouldn't even really no money.

999
01:00:18,280 --> 01:00:21,120
Speaker 1: But I'm doing third Friday, said Sunning. So I'm picking

1000
01:00:21,200 --> 01:00:23,840
Speaker 1: up santified hunting. I ain't looking at the fact that

1001
01:00:24,000 --> 01:00:28,240
Speaker 1: the first getting soaked up somewhere else, But ain't nobody

1002
01:00:28,320 --> 01:00:30,720
Speaker 1: on Stay Hole they looked so doing all the rapping.

1003
01:00:30,800 --> 01:00:34,520
Speaker 1: Swint like me, why here you getting fifth? I didn't know.

1004
01:00:35,640 --> 01:00:38,400
Speaker 1: I'm I'm paying her filthy, but being on top of it,

1005
01:00:38,480 --> 01:00:42,480
Speaker 1: I'm paying the road manage to twenty. I'm gonna ask

1006
01:00:42,760 --> 01:00:45,240
Speaker 1: clarity because I don't see That's what I was saying.

1007
01:00:45,600 --> 01:00:48,400
Speaker 1: I don't see I don't see documentaries. I just just

1008
01:00:48,520 --> 01:00:54,640
Speaker 1: for clarity. This is just for clarity. There wasn't saying

1009
01:00:54,880 --> 01:01:04,560
Speaker 1: as there wasn't Jackson, there wasn't No, there wasn't the boy.

1010
01:01:05,440 --> 01:01:10,040
Speaker 1: Oh that was there a big if we just want

1011
01:01:10,040 --> 01:01:13,080
Speaker 1: to answer this, was there a big money advantage jury,

1012
01:01:13,160 --> 01:01:15,800
Speaker 1: advanced car house, advanced ship like that? Because I don't

1013
01:01:15,800 --> 01:01:19,959
Speaker 1: see other documentaries with the handling your business your sheep

1014
01:01:20,320 --> 01:01:26,240
Speaker 1: when when I first signed what they'll give me ten. Yeah,

1015
01:01:26,320 --> 01:01:29,400
Speaker 1: she gave me team and not cool with that cam

1016
01:01:29,520 --> 01:01:31,520
Speaker 1: like I don't need the money, but come on with

1017
01:01:32,600 --> 01:01:34,680
Speaker 1: But then on top of the team, you gotta show,

1018
01:01:35,200 --> 01:01:37,680
Speaker 1: gotta show Friday. You got what I'm said, do what

1019
01:01:37,720 --> 01:01:41,600
Speaker 1: you're picking up. But you gotta think about like a

1020
01:01:41,720 --> 01:01:45,560
Speaker 1: nigga agree with certain ship until they find But it

1021
01:01:45,680 --> 01:01:48,000
Speaker 1: was saying, see like this thing means they sent and

1022
01:01:48,040 --> 01:01:52,960
Speaker 1: sent would probably agreed greed upon. I get. I get

1023
01:01:53,000 --> 01:01:54,520
Speaker 1: what you're saying. What I'm saying, this is what niggas do.

1024
01:01:54,880 --> 01:01:57,640
Speaker 1: Niggas got that coming something. And then the mother tell

1025
01:01:57,640 --> 01:02:00,400
Speaker 1: you like I gonn we're gonna bust everything ain't down,

1026
01:02:01,000 --> 01:02:03,480
Speaker 1: but need to tell you're gonna bust everything down. Now, Okay,

1027
01:02:03,480 --> 01:02:04,720
Speaker 1: you don't want to do on the sweating and ship

1028
01:02:04,760 --> 01:02:06,400
Speaker 1: you go to feeling like this, but you agree to

1029
01:02:06,480 --> 01:02:08,280
Speaker 1: this ship and we're fucked up. What you I'm talking

1030
01:02:08,280 --> 01:02:16,960
Speaker 1: about never agreed to that. I'm not agreed, but listen,

1031
01:02:16,960 --> 01:02:18,240
Speaker 1: I'm want to keep it, RealD with it. If you

1032
01:02:18,320 --> 01:02:21,240
Speaker 1: went and perform, you agree to it. If I wouldn't

1033
01:02:22,080 --> 01:02:24,800
Speaker 1: another time, I didn't know it was fifteen thousand until

1034
01:02:24,840 --> 01:02:30,320
Speaker 1: I get the Lloyd's involved. So yeah, yeah, yeah, I'm

1035
01:02:30,360 --> 01:02:32,840
Speaker 1: getting I'm making Johnny Pool contracts now because I'm gonna

1036
01:02:32,840 --> 01:02:35,520
Speaker 1: put the loryer on your head. Oh so that you said,

1037
01:02:35,640 --> 01:02:40,120
Speaker 1: Oh man, you're thinking, you're thinking you're going to get

1038
01:02:40,160 --> 01:02:45,360
Speaker 1: the SENTI again, Yeah, boy, the road knowing about their

1039
01:02:45,640 --> 01:02:49,800
Speaker 1: first So when I do, when I do find out

1040
01:02:49,840 --> 01:02:52,400
Speaker 1: the deposit, she hit me with old juice. That's going

1041
01:02:52,440 --> 01:02:54,480
Speaker 1: back into the company. You know, they helped the company

1042
01:02:54,560 --> 01:02:57,640
Speaker 1: builds you. But I don't own a company, right, the

1043
01:02:57,720 --> 01:02:59,760
Speaker 1: company in that mind? So why am my parents for

1044
01:03:00,040 --> 01:03:05,120
Speaker 1: coming to death not mine? Yeah? Yeah, damn. So you

1045
01:03:05,120 --> 01:03:07,400
Speaker 1: would say to a young nigga, get get a lawyer,

1046
01:03:07,920 --> 01:03:11,320
Speaker 1: read your ship, but please not another another thing to

1047
01:03:11,480 --> 01:03:12,880
Speaker 1: let me say this. Let me say this to the

1048
01:03:12,920 --> 01:03:15,960
Speaker 1: young niggas or whatever. It's important to have a lawyer

1049
01:03:16,120 --> 01:03:20,040
Speaker 1: to read your ship. But the most even more important

1050
01:03:20,120 --> 01:03:23,080
Speaker 1: part about having a lawyer is having a lawyer that's

1051
01:03:23,120 --> 01:03:27,800
Speaker 1: independent of the people, that of the people for giving

1052
01:03:27,800 --> 01:03:30,720
Speaker 1: you this paperwork. Because if you get a lawyer that's

1053
01:03:30,760 --> 01:03:33,040
Speaker 1: InCor hoots with the people that's giving you the paperwork,

1054
01:03:33,480 --> 01:03:38,040
Speaker 1: you're double fucking, which you might get double back a

1055
01:03:38,120 --> 01:03:40,360
Speaker 1: few years later. Time he was a conflict of entry.

1056
01:03:40,440 --> 01:03:42,880
Speaker 1: But ship the mind gone and where they're gonna get

1057
01:03:42,880 --> 01:03:47,480
Speaker 1: it from. So if you sign artists. I tried, but

1058
01:03:48,480 --> 01:03:50,720
Speaker 1: I ain't made no coring off of nigga didn't do

1059
01:03:50,960 --> 01:03:53,720
Speaker 1: right all. I asked the nigger to do Bro, do

1060
01:03:53,920 --> 01:03:56,520
Speaker 1: open my bro. We feel like we too be a

1061
01:03:56,640 --> 01:03:58,280
Speaker 1: to do open mic. Bro, We've been on the road

1062
01:03:58,320 --> 01:04:03,120
Speaker 1: with you. Damn. Then that's thirty two entertainment. Yeah, I

1063
01:04:03,160 --> 01:04:04,920
Speaker 1: can't hear you feel like you to be able to

1064
01:04:05,000 --> 01:04:06,680
Speaker 1: do open Michael. You've been on the road with me.

1065
01:04:07,120 --> 01:04:08,760
Speaker 1: You've been on the road with me. This is my ship.

1066
01:04:09,920 --> 01:04:13,560
Speaker 1: Nobody to know you. I'm trying to make motherfucker's no,

1067
01:04:13,720 --> 01:04:15,919
Speaker 1: I'm trying to give you what even though I can't.

1068
01:04:16,160 --> 01:04:19,320
Speaker 1: Niggas can't say I'm gonna do what you did because

1069
01:04:19,400 --> 01:04:21,520
Speaker 1: them timeing in here. We need no social media when

1070
01:04:21,560 --> 01:04:23,480
Speaker 1: we were gonna leave. But I was just getting on

1071
01:04:23,520 --> 01:04:26,960
Speaker 1: a perspective how I started. I'm going every open mic

1072
01:04:27,080 --> 01:04:31,080
Speaker 1: I can, and I'm paying the DJ drink with us.

1073
01:04:31,400 --> 01:04:34,840
Speaker 1: But I'm gonna perform. I'm gonna perform and I'm gonna

1074
01:04:34,920 --> 01:04:39,480
Speaker 1: throw some money too. Yeah, y'all gonna see this ship man, Yeah, yeah, yeah,

1075
01:04:40,680 --> 01:04:45,400
Speaker 1: j Man. I might got a bad God damnit, bitchy

1076
01:04:46,520 --> 01:04:51,880
Speaker 1: my truck. I signed on the phone. Yeah, I ain't

1077
01:04:51,880 --> 01:04:59,120
Speaker 1: ain't nobody ain't I ain't. Nobody gave me ship no

1078
01:04:59,400 --> 01:05:06,680
Speaker 1: hand U really, that's what's up? Man? Before you're gonna

1079
01:05:06,720 --> 01:05:08,640
Speaker 1: make a little dounce with a big fast So the

1080
01:05:08,760 --> 01:05:11,640
Speaker 1: streets want to know. Why wasn't there ever no o

1081
01:05:11,880 --> 01:05:19,360
Speaker 1: j the juice man, my goofball lass listening to niggas

1082
01:05:20,000 --> 01:05:23,280
Speaker 1: like holiday, they pulling up even though you pulled up on,

1083
01:05:23,880 --> 01:05:27,560
Speaker 1: I pulled up on, pulled up. You did me. I

1084
01:05:27,600 --> 01:05:30,760
Speaker 1: don't know, man, niggas in my ear screen, but they

1085
01:05:30,880 --> 01:05:34,480
Speaker 1: always go ahead, do him first, do him first, and

1086
01:05:34,560 --> 01:05:36,960
Speaker 1: then in the missile doing them. He called the next

1087
01:05:37,080 --> 01:05:39,560
Speaker 1: nigga like a drama. Do him, you know what I mean.

1088
01:05:40,760 --> 01:05:43,600
Speaker 1: But at the whole time I should have did a screen,

1089
01:05:44,200 --> 01:05:47,360
Speaker 1: but the wrong people in my in my ear just

1090
01:05:47,440 --> 01:05:53,520
Speaker 1: a little and then they read the perfect time because

1091
01:05:53,520 --> 01:05:56,240
Speaker 1: screen got the streets. I was and you know I

1092
01:05:56,280 --> 01:05:58,120
Speaker 1: won't be. But I was a little touchy about that

1093
01:05:58,160 --> 01:06:04,160
Speaker 1: ship because I was a ben screen. You hate rappers,

1094
01:06:04,560 --> 01:06:07,200
Speaker 1: I don't hate rappers. Touch you what you when it

1095
01:06:07,280 --> 01:06:10,640
Speaker 1: comes to ship, I'm a fan. Do remember, I don't

1096
01:06:10,680 --> 01:06:12,000
Speaker 1: know if you remember I walk up to you a

1097
01:06:12,080 --> 01:06:14,680
Speaker 1: crucial low performance. I walk up to you as me

1098
01:06:14,760 --> 01:06:17,720
Speaker 1: and real like bro fucking with you, like I'm listening

1099
01:06:17,760 --> 01:06:19,000
Speaker 1: to this ship, I'm working with you. You might have

1100
01:06:19,040 --> 01:06:20,400
Speaker 1: been hot, what do you might not remember? But I

1101
01:06:20,560 --> 01:06:22,720
Speaker 1: was a fan. We're on the way back talking about

1102
01:06:22,760 --> 01:06:25,480
Speaker 1: you know, the low tap was big, gonna be big

1103
01:06:25,520 --> 01:06:27,560
Speaker 1: for everybody, but we don't figure out how to do it,

1104
01:06:27,720 --> 01:06:29,640
Speaker 1: how to get the ship out there, the networking, all

1105
01:06:29,680 --> 01:06:32,240
Speaker 1: this and the ship. So I'm ford to man, you

1106
01:06:32,320 --> 01:06:34,800
Speaker 1: hit me with the yeah, I don't do this holiday

1107
01:06:34,840 --> 01:06:40,160
Speaker 1: and drama to come back, and god damn, the wrong

1108
01:06:40,280 --> 01:06:46,600
Speaker 1: people man want with with the scree is like, it's

1109
01:06:46,640 --> 01:06:49,720
Speaker 1: so much to try to do. You're doing screen any

1110
01:06:51,240 --> 01:06:54,960
Speaker 1: and you're so low. I had wrong people, had wrong people. Bro,

1111
01:06:56,000 --> 01:06:58,160
Speaker 1: Everything happened when it's supposed to. So let the record

1112
01:06:58,240 --> 01:07:03,920
Speaker 1: be shown that that motherfucker the only way screaming on

1113
01:07:04,000 --> 01:07:07,280
Speaker 1: the way. The records are ready. I just fine tune

1114
01:07:07,360 --> 01:07:13,760
Speaker 1: everything to give them car radio, car radio ready, club

1115
01:07:13,880 --> 01:07:21,600
Speaker 1: speaker ready, and it's trapped sale phone ready inune video

1116
01:07:21,720 --> 01:07:28,920
Speaker 1: though I'm gonna look step behind video. We had to

1117
01:07:29,000 --> 01:07:34,120
Speaker 1: use this one video. I'm in the preparations of doing

1118
01:07:35,160 --> 01:07:38,640
Speaker 1: a couple of videos from the tape. We gotta add

1119
01:07:38,840 --> 01:07:43,000
Speaker 1: video I'm gonna put. I'm gonna put like twel song

1120
01:07:43,160 --> 01:07:49,800
Speaker 1: maybe a five video. Okay, now I'm telling I already

1121
01:07:49,840 --> 01:07:52,439
Speaker 1: got this so online, dude, I got the business one,

1122
01:07:52,560 --> 01:07:56,000
Speaker 1: all right, come find you. Shouts to drinking for putting

1123
01:07:56,040 --> 01:08:00,320
Speaker 1: the play big shout out. So like, so, what would

1124
01:08:00,320 --> 01:08:01,919
Speaker 1: you say to a nigger if he if he said

1125
01:08:01,960 --> 01:08:04,480
Speaker 1: to you or just some bober shop talk man. Trapping

1126
01:08:04,520 --> 01:08:06,680
Speaker 1: dead and all the trapped music, ship dead, all that

1127
01:08:06,760 --> 01:08:08,600
Speaker 1: ship ain't no money and that ship what would you

1128
01:08:08,680 --> 01:08:16,080
Speaker 1: say to trapping dead? Mit? You crazy? Why this ship

1129
01:08:16,160 --> 01:08:20,799
Speaker 1: ain't gonna die? It's money to be made in both words?

1130
01:08:22,479 --> 01:08:25,320
Speaker 1: Why you think white white? What you think inspired people

1131
01:08:25,360 --> 01:08:27,400
Speaker 1: to change that part of the hustle or some people

1132
01:08:27,439 --> 01:08:30,320
Speaker 1: won't even go that way like they because I mean,

1133
01:08:30,400 --> 01:08:35,400
Speaker 1: it ain't for everybody, like it ain't for everybody. Um,

1134
01:08:36,640 --> 01:08:39,280
Speaker 1: the streets, the cold and screets don't love you, but

1135
01:08:39,400 --> 01:08:42,400
Speaker 1: you can't get mine out of I ain't no love

1136
01:08:42,439 --> 01:08:46,599
Speaker 1: and screets, but you can get if you know how

1137
01:08:47,000 --> 01:08:51,000
Speaker 1: to do you and maneuver, you can be successful in

1138
01:08:51,200 --> 01:09:03,040
Speaker 1: musical screen. And that's say, man, yeah, you know, and

1139
01:09:03,240 --> 01:09:08,680
Speaker 1: you know, have a nice trip you out. That's it's

1140
01:09:08,720 --> 01:09:10,840
Speaker 1: coming to a space where at some of that traffic

1141
01:09:11,080 --> 01:09:15,599
Speaker 1: is legal. Like yeah, nigg we I seen that we went.

1142
01:09:16,320 --> 01:09:20,320
Speaker 1: We don't need on the federal level. No moment. Come on, man,

1143
01:09:21,439 --> 01:09:24,360
Speaker 1: I can't be mad at day I got sent some

1144
01:09:24,360 --> 01:09:26,439
Speaker 1: of them nigga home. They rail road behind it. True

1145
01:09:29,000 --> 01:09:32,320
Speaker 1: how they did it like that. Y'all don't decriminalized it.

1146
01:09:32,479 --> 01:09:35,800
Speaker 1: But y'all got people still inconserting you, right, and then

1147
01:09:36,000 --> 01:09:38,960
Speaker 1: get them volts on they legalized. They need to get

1148
01:09:39,000 --> 01:09:41,920
Speaker 1: them volts on. Reparations. I was gonna make something legal

1149
01:09:42,040 --> 01:09:43,880
Speaker 1: that you don't got no game some of your life away.

1150
01:09:43,920 --> 01:09:48,679
Speaker 1: For give me something. It is not ge nigger reparations

1151
01:09:49,439 --> 01:09:55,880
Speaker 1: the slaves reparations that they acting like they want to.

1152
01:09:56,840 --> 01:09:58,960
Speaker 1: It should be some type of loans put in place

1153
01:09:59,040 --> 01:10:04,200
Speaker 1: for the nigga's bed. They out them, Shiro nigga. Y'all

1154
01:10:04,240 --> 01:10:06,559
Speaker 1: locked me up for this ship. Forgot to get out.

1155
01:10:06,560 --> 01:10:09,600
Speaker 1: They're gonna come out cont the feelings right if they

1156
01:10:09,680 --> 01:10:11,519
Speaker 1: do that more exactly, I think if they do the

1157
01:10:11,560 --> 01:10:17,400
Speaker 1: more that it expunges the records people they do that, Okay, okay,

1158
01:10:18,760 --> 01:10:21,559
Speaker 1: so I hope we can put it in the atmosphere. Yeah,

1159
01:10:21,680 --> 01:10:24,519
Speaker 1: shut it out there. What you want to say to

1160
01:10:24,640 --> 01:10:26,880
Speaker 1: the people, what you want to say to the streets. Man, Hey, man,

1161
01:10:27,040 --> 01:10:30,759
Speaker 1: you man ain't ain't did you man ain't gone? I still,

1162
01:10:30,880 --> 01:10:32,840
Speaker 1: I mean, I got hell of music, gut that I've

1163
01:10:32,880 --> 01:10:36,280
Speaker 1: been putting it out just it wasn't a real bit

1164
01:10:36,400 --> 01:10:38,320
Speaker 1: bag and behind me show. A lot of people might

1165
01:10:38,360 --> 01:10:40,519
Speaker 1: have missed it. But the true jew Man fans they

1166
01:10:40,600 --> 01:10:44,080
Speaker 1: do be, they do grab, they do grab, and I

1167
01:10:44,240 --> 01:10:46,599
Speaker 1: just want to let everybody know, man, they're still thirty

1168
01:10:46,640 --> 01:10:49,559
Speaker 1: two e and teeth for like bit shout out to everybody.

1169
01:10:49,640 --> 01:10:52,800
Speaker 1: They're wrought with me and I wrought with them. Jay Black,

1170
01:10:53,640 --> 01:11:00,200
Speaker 1: Dave Screen, I ain't know y'all name shot. You know

1171
01:11:00,240 --> 01:11:04,400
Speaker 1: what I'm saying. I'm just aside. I'm sold, bro, I'm real. Third,

1172
01:11:04,760 --> 01:11:09,320
Speaker 1: I moved solo dolo. Um, I am gonna put vision

1173
01:11:09,400 --> 01:11:14,840
Speaker 1: was with the music. Ain't I pick its wolf? Gonna

1174
01:11:14,880 --> 01:11:16,920
Speaker 1: call you now, gonna call you that don't go to

1175
01:11:17,840 --> 01:11:22,760
Speaker 1: I mean, I'm just I got I'm back motivated. Go ahead, Yeah,

1176
01:11:22,840 --> 01:11:26,519
Speaker 1: I'm back motivated. That's what it is. Man. Thanks y'all

1177
01:11:26,600 --> 01:11:30,559
Speaker 1: man for having me at the Big Fat Man Man. Yeah,

1178
01:11:31,320 --> 01:11:34,040
Speaker 1: juice Man on Big Fact Triple w dot, Big facts

1179
01:11:34,160 --> 01:11:41,439
Speaker 1: pot dot com, Big Man and DJ Screen bring you

1180
01:11:41,920 --> 01:11:46,840
Speaker 1: big fat hey Man solway up that merch es Yeah

1181
01:11:46,920 --> 01:11:50,960
Speaker 1: that's right. Www Dot Big facts pot dot com. What

1182
01:11:51,080 --> 01:11:52,720
Speaker 1: the real one one time y'all come get y'all some

1183
01:11:52,760 --> 01:11:55,800
Speaker 1: of this merch man Big facts pot dot com. Get

1184
01:11:55,880 --> 01:11:58,800
Speaker 1: that merch right now. Shot with the sideway up fact

1185
01:11:58,880 --> 01:12:02,519
Speaker 1: merch going down the new website today www Dot Big

1186
01:12:02,600 --> 01:12:08,880
Speaker 1: fac spot dot com. Is it now h