WEBVTT - Episode 253 w/ DJ Drama, Cassidy and Michael Blackson

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and his Drink chas motherfucking podcast.

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<v Speaker 1>He's a legendary Queen's rapper. He Segre is your boy

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<v Speaker 1>in the r E. He's a Miami hippopper, Lioneer one

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<v Speaker 1>up his DJ e FN. Together they drinking up with

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<v Speaker 1>some of the biggest players in the most professional, unprofessional

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<v Speaker 1>podcast and yet number one sorts for drunk fast drinks.

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<v Speaker 1>Mother is New Year's z that time for drinking Champs.

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<v Speaker 1>Drink Up, motherfuck? Would it good? Be always be your

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<v Speaker 1>boy in O R whats goods d j F and

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<v Speaker 1>this is drink Champs. Would make some do mean? You know,

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<v Speaker 1>we're a fan of putting, you know, things together that

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<v Speaker 1>makes sense that don't make sense. Yes, one brother we

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<v Speaker 1>had is a legend. He's a DJ, He's broke mixtape grounds.

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<v Speaker 1>He's the first raid ever fans came and got when

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<v Speaker 1>I listened to change too, I'll be Fresh's hair when

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<v Speaker 1>the friends watching like you always think about you. I

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<v Speaker 1>don't know. While Um went on to put on a

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<v Speaker 1>guy who has a diamond bringing his head, it's Ford

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<v Speaker 1>and he put on a whole bunch of other people.

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<v Speaker 1>He's a legend and he's in the minute of a

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<v Speaker 1>cart adversity beat. They're gonna get to the bottom with

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<v Speaker 1>the dream Chance today. There's a couple of them we're

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<v Speaker 1>gonna get too. In case you don't know what we're

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<v Speaker 1>talking about, DJ the other one is a legendary rapper.

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<v Speaker 1>Side to the Homeboy, Swiss Beats went through a lot

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<v Speaker 1>of things, you know, still in the game, you know

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<v Speaker 1>what I mean, A lot of things that's happened that

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<v Speaker 1>it hasn't been answered in his career as well. But

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<v Speaker 1>he's also a legendary phully and he's a ball lord

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<v Speaker 1>lyrics to the lyricists, and he's very in tune with God.

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<v Speaker 1>In case you don't now, not not. The other one

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<v Speaker 1>is a comedic genius. I actually thought that he was

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<v Speaker 1>not from Africa, but Google he is from Africa, and

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<v Speaker 1>then he moved. People started claiming him as Haitian earlier.

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<v Speaker 1>I don't know what nothing's right, but I went to

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<v Speaker 1>watch this man, this man, and he's survived through the pandemic. Man.

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<v Speaker 1>A lot of people are hurting, man, A lot of people,

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<v Speaker 1>you know what I mean. They can't get to the

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<v Speaker 1>people that can't get to their fans. This man is

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<v Speaker 1>is a genius and and and his stand up a

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<v Speaker 1>genius in his Instagram a genius just overall any role

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<v Speaker 1>he played man you know, from having beef for Peaky

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<v Speaker 1>and all that, you know what I'm saying. In case

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<v Speaker 1>Miga black around he played with God I care. So

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<v Speaker 1>let's let's let's break down Philadelphia right now, only brothers Philadelphia? Right?

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<v Speaker 1>Philadelphia is the city of brotherly love that seemed to

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<v Speaker 1>not have brotherly love. Is that accurate? Yes? I mean

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<v Speaker 1>it's been accurate ever since, you know, I was born

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<v Speaker 1>and raised there. Like I don't know if it's if

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<v Speaker 1>it's like the gift and occurs of us having to

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<v Speaker 1>name the city of brotherly love. But you know, one

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<v Speaker 1>thing about Philly is like we we've always had so

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<v Speaker 1>much talent. But you know, me moving out, I guess

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<v Speaker 1>I was able to see. I think a lot of

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<v Speaker 1>it is just the facts that there's not as many

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<v Speaker 1>outlets is other places, you know what I'm saying. So

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<v Speaker 1>you know, there's been a thing through the years of

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<v Speaker 1>people saying like you gotta leave Philly to kind of

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<v Speaker 1>get on or you know, this mentality of Philly having.

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<v Speaker 1>It's like uh, crabbing a barrel type of which a

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<v Speaker 1>lot of cities l A and you live in Atlanta, Yeah,

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<v Speaker 1>you still live in Philly cast or you in Jersey.

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<v Speaker 1>Think it's gonna leave somebody's all right. I just feel

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<v Speaker 1>like love could grow to hate. You know what I'm saying.

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<v Speaker 1>When you grow up in the city from young, people

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<v Speaker 1>know why you used to be. They know how you

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<v Speaker 1>was when you was fucked up, if you used to

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<v Speaker 1>be a certain way, if you used to be dirty,

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<v Speaker 1>or if the nigga beat you up before something. They

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<v Speaker 1>know about your history. So when they see you accomplish

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<v Speaker 1>it and then you become successful, that love that they

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<v Speaker 1>used to have for you could It could start off

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<v Speaker 1>they're excited like, oh my nigga doing something, but then

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<v Speaker 1>they see you really winning, you running around the world,

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<v Speaker 1>You're getting one of bitches. Then they get mad because

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<v Speaker 1>they don't got no plan. Some nigga's wig plans get

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<v Speaker 1>inspired and encouraged. But some niggas that don't got no

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<v Speaker 1>plan and no, I don't know where they're gonna turn,

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<v Speaker 1>and they see other niggas doing that, they get discouraged.

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<v Speaker 1>So that's why you gotta leave your city, because when

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<v Speaker 1>niggas see you in different cities, they only know you

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<v Speaker 1>from the nigger that you is now. They don't know

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<v Speaker 1>your story of what you used to do. So sometimes

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<v Speaker 1>you'd be having a clean slate and it'd be easier

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<v Speaker 1>to do it like that, like you were born, like

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<v Speaker 1>born again. Even go back to the stories in the Bible,

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<v Speaker 1>Jesus had to leave where he was from to get

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<v Speaker 1>recognition and all that man our ancestors was telling us

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<v Speaker 1>about this since back in the base change Michael, I

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<v Speaker 1>mean that's think that's for every city. I mean, right,

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<v Speaker 1>Ye're not possible, but I mean I think what besides,

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<v Speaker 1>like you're going to like a place like New York.

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<v Speaker 1>New York is a great place for entertainment, Atlanta in

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<v Speaker 1>l A. I mean there's only three paces entertainers go to. Wow.

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<v Speaker 1>So you know, you know you never heard of negatives

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<v Speaker 1>popping and gods Jackson, Misssippi. When I fu Jackson, you

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<v Speaker 1>gotta get funk out of jack Every city you gotta leave,

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<v Speaker 1>I think the city Brother you Love. I guess it

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<v Speaker 1>just means, you know, I never really did a research

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<v Speaker 1>a WI it's called brother you Love. I know for

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<v Speaker 1>a fact, if I never moved to Philly, I would

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<v Speaker 1>not be y I am today. So all they love

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<v Speaker 1>the Philly. Sometimes it's all about where you're, where you're from,

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<v Speaker 1>that raised you, that makes you what you are. And

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<v Speaker 1>Phil Delpin made me the great comedian and I am

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<v Speaker 1>you know coming from my Africa movie. The Philly definitely

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<v Speaker 1>changed my life. So I do say, Cup, I got

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<v Speaker 1>that same story, but kind of the opposite, Like put

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<v Speaker 1>us on Philly is what made me like I wouldn't

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<v Speaker 1>be who I am for being one of raids and

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<v Speaker 1>growing up in Philly and having you know, the hustle's mentality,

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<v Speaker 1>like you know, the city, the arts that we have

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<v Speaker 1>coming from the city, but then coming to Atlanta and

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<v Speaker 1>being able to accomplish what I did. You know, it's

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<v Speaker 1>kind of a story of the book too. I just

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<v Speaker 1>kid from Philly comps and you know I asked for

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<v Speaker 1>one cup, that the whole cup. You know, I got

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<v Speaker 1>that kind of changes like you know, southern Southern rap history.

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<v Speaker 1>You know what I'm saying. The Philly So you know, similar,

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<v Speaker 1>similar story, but you's in a different one. So let's

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<v Speaker 1>be clear, man, what's going on with you and ouzy

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<v Speaker 1>Bert Man? Because um it just feels it just feels like, um, y'all,

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<v Speaker 1>y'are not on the same level. You ain't got nothing

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<v Speaker 1>to do with the car in the Fullhead's definitely on

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<v Speaker 1>a whole another level. It's on a whole another level.

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<v Speaker 1>A lot of nigga. When when you saw There's twenty four,

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<v Speaker 1>he was like, how much of that did I make happen?

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<v Speaker 1>Like what? What did you say? What do you think?

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<v Speaker 1>I thought it was genius? So it was genius. I think,

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<v Speaker 1>like like who he has been doing since the beginning

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<v Speaker 1>of his career. It's just like you no, he's he's

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<v Speaker 1>a master it um of attracting attention what I'm saying,

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<v Speaker 1>and like, you know, I saw him saying, like you know,

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<v Speaker 1>when he saw the diamond, He's like, I'm a little loozy,

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<v Speaker 1>Like I can't just put that on my finger, I

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<v Speaker 1>gotta put that on my head. So and that's just

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<v Speaker 1>the type of that's the type of like individually he's

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<v Speaker 1>always been, like you know, he was he was a

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<v Speaker 1>rock star from the beginning. So to see where he's

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<v Speaker 1>at now and you know, to watch him put the

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<v Speaker 1>diamond in his hands right there, or maybe you ain't

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<v Speaker 1>exactly understanding my question he got lit and he left.

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<v Speaker 1>Is that? I mean, you gotta keep it real drama.

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<v Speaker 1>At some point, you gotta address this year. You gotta

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<v Speaker 1>stop being light skinned. And I've been talking about it recently,

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<v Speaker 1>Like you know, anything with us is that you know,

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<v Speaker 1>me and Cannon and Lake and you know generation now,

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<v Speaker 1>like when it out of it was going on, we

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<v Speaker 1>kind of set silent, you know, and and never really

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<v Speaker 1>like it was public, and you know, we didn't really

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<v Speaker 1>want to get in anything like a public situation. And honestly,

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<v Speaker 1>like you know, like to this day, I was he

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<v Speaker 1>wasn't absolutely like yeah, he put the tweets on everything,

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<v Speaker 1>so you know, and he created a certain narrative, you

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<v Speaker 1>know what I'm saying in a situation like that, when

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<v Speaker 1>you know Whosy is, you know, one of the biggest

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<v Speaker 1>artists in the world, Like it wasn't even a space

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<v Speaker 1>or a place for me to really for us to

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<v Speaker 1>feel like we had to defend ourselves, like we know

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<v Speaker 1>where we come from, we know we do good business,

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<v Speaker 1>you know what I'm saying, And like if there's any

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<v Speaker 1>it's just a personal situation. I can't help that, Like,

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<v Speaker 1>you know, I can't help how the guy might feel

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<v Speaker 1>about the personally, but I know when it comes to

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<v Speaker 1>business or nothing. It was like they said that I

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<v Speaker 1>was holding his music up. Yeah, we're in the business

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<v Speaker 1>of putting music out, so you know, holding the music

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<v Speaker 1>up not help us. And know no, I always wanted that,

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<v Speaker 1>like cast like I always wanted that. Like sometimes when

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<v Speaker 1>the rumor is not true about you, right, why you

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<v Speaker 1>just addressed the room or just immediately, But people train

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<v Speaker 1>you not to, right. I don't even know what public

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<v Speaker 1>I mean, but but I feel like discussing it then

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<v Speaker 1>would it wouldn't have been in the space because again,

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<v Speaker 1>his successes are success. We're still in business with little

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<v Speaker 1>so I'm come to death. Row Records take money f

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<v Speaker 1>jay Z and that deal that's just happened. Man, I'm

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<v Speaker 1>so proud, man, I'm so proud that we could take

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<v Speaker 1>our culture and the people outside our culture has to

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<v Speaker 1>recognize and buy into our culture and be a part

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<v Speaker 1>of our culture. Because that's saying this for real. They

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<v Speaker 1>can't beat us. They got to join us. God damnage

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<v Speaker 1>to make a choice. But you're still getting money money

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<v Speaker 1>with him. But is this your first time the artist?

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<v Speaker 1>Was just was was you know? Um? Well, I mean

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<v Speaker 1>it's it's a different situation that's going to happen, because yeah,

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<v Speaker 1>I mean I think that happens all the time. But

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<v Speaker 1>you know, Susy was literally our our first artist. I

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<v Speaker 1>was signed to our label, So I mean we came

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<v Speaker 1>out of the gate like with a super win, like

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<v Speaker 1>you know, with success, so you know, obviously we I

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<v Speaker 1>would have wanted it to go a different way, you

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<v Speaker 1>know what I mean, like with our quote unquote first artist,

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<v Speaker 1>per se, you know what I'm saying, and you know,

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<v Speaker 1>putting a label on his back and you know, Champion

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<v Speaker 1>Generation now. But it didn't go that way. But it's

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<v Speaker 1>fine because like you know, the thing about it and

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<v Speaker 1>the reason I can speak positively about it is because

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<v Speaker 1>you know, since that situation, you know, we've went on

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<v Speaker 1>and created another superstar and you know what I'm saying,

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<v Speaker 1>like Jack Carlo and you know, put it in perspective

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<v Speaker 1>like you know what I mean, Like, um, I've been

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<v Speaker 1>here a long time, like this is what I do.

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<v Speaker 1>I'm cut from the close, so you know I'm gonna

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<v Speaker 1>keep Because you even went to a discrepancy with with

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<v Speaker 1>Swiss at one point. How did that start? How did

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<v Speaker 1>your in debt correct that? Me and Swiss never went

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<v Speaker 1>through a discrepancy. That's a misunderstanding that the world got. Okay,

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<v Speaker 1>I guess they think when people separate, you know what

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<v Speaker 1>I'm saying, they had to go through some misunderstanding, there's

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<v Speaker 1>some type of problem. But me and Swiss, we never

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<v Speaker 1>even argue before. We never had misunderstanding, never beat for

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<v Speaker 1>Swiss before. We never had no confrontations, you know what

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<v Speaker 1>I'm saying. So that was definitely in the public eye.

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<v Speaker 1>But we just, yeah, we just part of ways as businessmen.

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<v Speaker 1>I wanted to go in a different direction and he

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<v Speaker 1>was going in. We didn't agree in the direction that

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<v Speaker 1>we wanted to go in for my career, so we

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<v Speaker 1>just decided the part ways and just go in different directions.

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<v Speaker 1>But it's all love. It was never thinks, but I'm

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<v Speaker 1>gonna let you get away with it. Thought differences that's

0:11:37.920 --> 0:11:39.599
<v Speaker 1>giving in the business. I learned how you got to

0:11:39.640 --> 0:11:41.480
<v Speaker 1>separate the two when I first got in and I

0:11:41.559 --> 0:11:43.560
<v Speaker 1>was a young boy, I was seventeen, so I used

0:11:43.559 --> 0:11:45.719
<v Speaker 1>to look at it the scene. I looked at all

0:11:45.720 --> 0:11:47.960
<v Speaker 1>of the rappers that I looked up to a street niggas.

0:11:48.360 --> 0:11:50.000
<v Speaker 1>So when they were saying all of the ship that

0:11:50.040 --> 0:11:52.320
<v Speaker 1>they were saying, I believed it. So when I got

0:11:52.360 --> 0:11:54.720
<v Speaker 1>into business and niggas was calling you their brother and

0:11:54.760 --> 0:11:56.679
<v Speaker 1>saying they love you and funk with you because you

0:11:56.760 --> 0:11:59.040
<v Speaker 1>in the line, like I thought that ship was true.

0:11:59.440 --> 0:12:02.120
<v Speaker 1>I really actually believed that. I looked at it like

0:12:02.160 --> 0:12:03.560
<v Speaker 1>it was a street and they get telling me the

0:12:03.640 --> 0:12:06.160
<v Speaker 1>same ship. But I learned how the business go, and

0:12:06.160 --> 0:12:08.720
<v Speaker 1>I learned it's a complete separation from the business and

0:12:08.720 --> 0:12:10.440
<v Speaker 1>what they can say to you and sometimes and they

0:12:10.480 --> 0:12:12.080
<v Speaker 1>get to say whatever they got to say to you

0:12:12.120 --> 0:12:15.120
<v Speaker 1>to continue to do good business. So once I learned that,

0:12:15.160 --> 0:12:16.720
<v Speaker 1>I learned I had to do it was best for

0:12:16.760 --> 0:12:18.839
<v Speaker 1>me and my brand, and all of the time was

0:12:18.880 --> 0:12:20.960
<v Speaker 1>best for me and my brand on coincide with West

0:12:21.000 --> 0:12:23.200
<v Speaker 1>Westlin to do at the time, And that's the reason

0:12:23.240 --> 0:12:26.080
<v Speaker 1>why we parted up. And I ain't now Michael Black

0:12:26.200 --> 0:12:28.720
<v Speaker 1>for one time. This was one time, one time only

0:12:29.040 --> 0:12:32.000
<v Speaker 1>I thought you went too far. Okay, what did I do? Money?

0:12:32.559 --> 0:12:34.720
<v Speaker 1>First of all, this is called drip. You know what

0:12:34.720 --> 0:12:54.520
<v Speaker 1>you need to do? Get that Just the one and

0:12:54.559 --> 0:12:56.760
<v Speaker 1>the only time I felt like you went too far.

0:12:57.280 --> 0:13:03.440
<v Speaker 1>And Money's gonna do with me. I'm watching you on

0:13:03.480 --> 0:13:06.280
<v Speaker 1>the Brothers club, right, and this is with Kevin Hart.

0:13:06.440 --> 0:13:08.360
<v Speaker 1>This is the first time I felt sorry for Kevin Hard,

0:13:08.360 --> 0:13:09.840
<v Speaker 1>even though I knew he thought he's rich as rich

0:13:09.880 --> 0:13:13.760
<v Speaker 1>as ship. But then the first time, because you know,

0:13:13.800 --> 0:13:17.480
<v Speaker 1>as a married man, I know that this they could

0:13:17.480 --> 0:13:19.760
<v Speaker 1>be slip ups or something like that. I haven't had one,

0:13:19.960 --> 0:13:22.320
<v Speaker 1>but I know that it can be slip ups. I

0:13:22.320 --> 0:13:24.679
<v Speaker 1>know that none of us is perfect, right. I know that,

0:13:24.960 --> 0:13:27.480
<v Speaker 1>come on, yea, I'm walking the very thin line. Listen.

0:13:28.400 --> 0:13:29.800
<v Speaker 1>I know that none of us here put that back

0:13:29.800 --> 0:13:31.600
<v Speaker 1>in head gotta they stay with ice. So I know

0:13:31.640 --> 0:13:34.600
<v Speaker 1>that none of us is perfect. So I felt like

0:13:34.880 --> 0:13:38.520
<v Speaker 1>comedians should have gave Kevin Hart the benefit of the doubt.

0:13:39.200 --> 0:13:43.840
<v Speaker 1>Nobody gets a break by the funds like you go opportunists, motherfucker.

0:13:45.440 --> 0:13:48.240
<v Speaker 1>I know. I mean, I never made fun of keV cheating.

0:13:48.360 --> 0:13:51.679
<v Speaker 1>I made front of keV snitching on himself, like, oh,

0:13:52.400 --> 0:13:56.600
<v Speaker 1>keV when it happened, nobody knew yet, but you know,

0:13:56.720 --> 0:13:58.680
<v Speaker 1>he tried to tell us in the head in advance.

0:13:58.679 --> 0:14:01.520
<v Speaker 1>So I said, nigga, you're snitching yourself, don't. They had

0:14:01.559 --> 0:14:04.480
<v Speaker 1>to put out the tap. It hasn't put up adnut

0:14:04.559 --> 0:14:06.280
<v Speaker 1>to it before. I guess he needed tip was coming out,

0:14:06.280 --> 0:14:07.959
<v Speaker 1>so he tried to you know, tell us in advance,

0:14:08.000 --> 0:14:09.880
<v Speaker 1>and it just the way he did it, it was

0:14:09.880 --> 0:14:12.760
<v Speaker 1>funny to me, and nobody gets a break with me much.

0:14:13.160 --> 0:14:17.680
<v Speaker 1>But too soon of a joke, like like, um, I

0:14:17.679 --> 0:14:21.120
<v Speaker 1>mean if somebody dies in yet, you know, and besides that, man,

0:14:21.200 --> 0:14:29.440
<v Speaker 1>I don't so I don't the gator. That's what definite

0:14:29.600 --> 0:14:31.360
<v Speaker 1>no no, I mean with me too soon like an

0:14:31.400 --> 0:14:35.520
<v Speaker 1>hour later, MO, like what if your homie, what if

0:14:35.520 --> 0:14:39.280
<v Speaker 1>your homies on Instagram getting knocked out? This is your homie? Okay,

0:14:39.880 --> 0:14:42.000
<v Speaker 1>Um are you supposed to call him and be like, yo,

0:14:42.040 --> 0:14:43.720
<v Speaker 1>you're about to make a joke on you or you

0:14:43.840 --> 0:14:46.840
<v Speaker 1>just go in? You know what he paid? If you

0:14:46.840 --> 0:14:49.640
<v Speaker 1>guys communicate on the regular. Me and keV, yeah, we're

0:14:49.640 --> 0:14:51.560
<v Speaker 1>a cool bit. We don't like, we don't like talk

0:14:51.600 --> 0:14:53.640
<v Speaker 1>on the regular at that moment. At that point, we

0:14:53.640 --> 0:14:55.920
<v Speaker 1>wasn't talking to the regular, So I mean I probably

0:14:55.960 --> 0:14:57.320
<v Speaker 1>if I was, it was somebody I was talking to

0:14:57.360 --> 0:14:59.600
<v Speaker 1>the regular. You know, I probably did that call it

0:14:59.640 --> 0:15:01.600
<v Speaker 1>you know, my to light your ass up and be prepared.

0:15:02.160 --> 0:15:04.120
<v Speaker 1>But we don't really commedic on the regular. So I

0:15:04.160 --> 0:15:05.560
<v Speaker 1>just said, you know, I just went in and just

0:15:05.800 --> 0:15:07.760
<v Speaker 1>did Kevin call you and be like, damn, bro, I

0:15:08.000 --> 0:15:10.800
<v Speaker 1>couldn't give me the past. No, no he didn't. If

0:15:10.880 --> 0:15:13.080
<v Speaker 1>they called me, I'll probably get my pass because I

0:15:13.200 --> 0:15:15.800
<v Speaker 1>just can't have a problem with this fair game. I

0:15:15.800 --> 0:15:17.240
<v Speaker 1>didn't think he had a problem with it. I saw

0:15:17.280 --> 0:15:19.440
<v Speaker 1>it on the Breakfast Club. You know, I just thought,

0:15:19.440 --> 0:15:22.080
<v Speaker 1>he I'm just you know, I'm just being a comedian. Yea.

0:15:22.120 --> 0:15:24.800
<v Speaker 1>I saw club to you know, yeah, thought you went too.

0:15:27.040 --> 0:15:29.800
<v Speaker 1>His reaction to was like, oh sho, damn, because I thought,

0:15:29.920 --> 0:15:32.240
<v Speaker 1>you know, I think comedians is like battle rappers. Like

0:15:32.240 --> 0:15:35.000
<v Speaker 1>battle rappers have no feelings? Right or do y'all have feelings?

0:15:35.040 --> 0:15:37.320
<v Speaker 1>Like when you're going and you're spinning against each other,

0:15:37.360 --> 0:15:39.040
<v Speaker 1>like you know what I mean? Like they think about

0:15:39.160 --> 0:15:41.160
<v Speaker 1>everybody make fun of him, even it's on friends. Did

0:15:41.200 --> 0:15:42.960
<v Speaker 1>they just have a bigger platform? So when I make

0:15:43.000 --> 0:15:45.400
<v Speaker 1>fun of him, millions of people see it, and that's

0:15:45.400 --> 0:15:47.920
<v Speaker 1>probably what I really But he come on, he comedian.

0:15:48.040 --> 0:15:49.920
<v Speaker 1>He can't be sensitive and I'm not saying nothing could

0:15:50.000 --> 0:15:52.600
<v Speaker 1>hurt my feelings. I got there. I got there, So

0:15:52.680 --> 0:15:55.920
<v Speaker 1>now drama, we're gonna get into it right now. Oh,

0:15:58.320 --> 0:16:05.800
<v Speaker 1>Drake smashed your girl? Jesus, what you're the way I

0:16:05.760 --> 0:16:10.160
<v Speaker 1>supposed to saying Drake had sexual relations with the girl

0:16:10.240 --> 0:16:14.400
<v Speaker 1>that was affiliated with you. All of a sudden, Meek

0:16:15.280 --> 0:16:22.040
<v Speaker 1>Phillyli artists winds up in Mean Street studios. He hears

0:16:22.120 --> 0:16:26.400
<v Speaker 1>this reference of these other songs and scripmacys what's my

0:16:26.480 --> 0:16:32.920
<v Speaker 1>man name ain't been around since? Now? All roads lad

0:16:32.960 --> 0:16:36.400
<v Speaker 1>to DJ drama at that time, all roads they didn't

0:16:36.440 --> 0:16:40.160
<v Speaker 1>lead to meet Mills, I said, Meek Mill saying how

0:16:40.200 --> 0:16:42.600
<v Speaker 1>Meek mil got it? Roles led to that to you.

0:16:43.000 --> 0:16:45.040
<v Speaker 1>So now, for lack of a better term, he was

0:16:45.120 --> 0:16:47.360
<v Speaker 1>kind of quiet. You didn't really want to address it.

0:16:48.520 --> 0:16:50.880
<v Speaker 1>I'd lightly touched on it at time, didn't hear I

0:16:50.920 --> 0:16:59.560
<v Speaker 1>didn't come to you. You never you never never never

0:16:59.560 --> 0:17:02.080
<v Speaker 1>happened here, explain to the people. Have something like that

0:17:02.120 --> 0:17:04.960
<v Speaker 1>goes because let me just tell you something, all right,

0:17:05.040 --> 0:17:07.080
<v Speaker 1>let me let me shut up. First of all, off

0:17:07.160 --> 0:17:09.840
<v Speaker 1>top of the way, you started saying Drake smashed my girl.

0:17:11.320 --> 0:17:26.040
<v Speaker 1>My excrat me and Drake have shared women. Yea, yeah,

0:17:26.359 --> 0:17:29.600
<v Speaker 1>I mean the conversation was about a particular female at

0:17:29.640 --> 0:17:33.680
<v Speaker 1>the time. You know um is a great woman, honestly,

0:17:33.720 --> 0:17:36.880
<v Speaker 1>and you know he knew where gears prior to me.

0:17:37.040 --> 0:17:40.240
<v Speaker 1>You know, me and her um hooked up and everything.

0:17:40.280 --> 0:17:44.280
<v Speaker 1>But there's never any over she's light skin too right,

0:17:44.480 --> 0:17:51.640
<v Speaker 1>she actually is. But me and him, that was never

0:17:51.800 --> 0:17:55.639
<v Speaker 1>any discrepancy based upon like that situation had nothing to

0:17:55.680 --> 0:17:59.359
<v Speaker 1>do with what wind up happening with me, Quentin Drake.

0:18:00.000 --> 0:18:04.400
<v Speaker 1>It happened to mein Street Studios, which you mean heard

0:18:04.480 --> 0:18:07.160
<v Speaker 1>it he did, He did hit. So you can see

0:18:07.160 --> 0:18:11.960
<v Speaker 1>how one could assume what else that became because it

0:18:12.000 --> 0:18:14.800
<v Speaker 1>wasn't It wasn't overlapping situations, but that that was a

0:18:14.920 --> 0:18:18.199
<v Speaker 1>narrative that like as if I had some ill intentions.

0:18:18.480 --> 0:18:21.119
<v Speaker 1>I never had any ill intentions, you know. Honestly, like

0:18:22.600 --> 0:18:27.639
<v Speaker 1>looking back on the situation, I think all of us,

0:18:27.760 --> 0:18:31.040
<v Speaker 1>myself included, could have handled it in a different manner,

0:18:31.240 --> 0:18:34.240
<v Speaker 1>you know, I think there were all of us as individuals,

0:18:34.760 --> 0:18:39.680
<v Speaker 1>myself met Quentin Drake, you know under that it wasn't

0:18:39.720 --> 0:18:41.439
<v Speaker 1>handled properly, you know what I mean for it to

0:18:41.440 --> 0:18:45.880
<v Speaker 1>even get into that that outcome per sec you know. So,

0:18:46.160 --> 0:18:48.600
<v Speaker 1>but yeah, me didn't hear the mean street studios mean

0:18:48.640 --> 0:18:50.840
<v Speaker 1>Street studio, which is your studios, you all our studio

0:18:51.080 --> 0:18:53.600
<v Speaker 1>and we were working with Quentin Miller at the time. Yea,

0:18:53.760 --> 0:18:56.240
<v Speaker 1>and Quentin was Quentin played it for me. We didn't

0:18:56.280 --> 0:19:00.159
<v Speaker 1>hear this part of the story for me. I just

0:19:00.160 --> 0:19:06.880
<v Speaker 1>said that you got what can y. Quentin honestly took,

0:19:07.440 --> 0:19:09.520
<v Speaker 1>you know, out of everybody in this scenario, I mean,

0:19:09.600 --> 0:19:11.600
<v Speaker 1>he took the lass, he took the law. So you know,

0:19:11.680 --> 0:19:13.359
<v Speaker 1>I mean, I know he seen Meek and Draking like

0:19:13.400 --> 0:19:17.800
<v Speaker 1>what the fun y'are doing? Yeah, you know, out of everybody,

0:19:17.840 --> 0:19:19.480
<v Speaker 1>you know, he was, I mean, the kid was. The

0:19:19.560 --> 0:19:21.640
<v Speaker 1>kid was honestly, you know, trying to make a living

0:19:21.680 --> 0:19:24.200
<v Speaker 1>for himself and you know, doing dope work, and you

0:19:24.200 --> 0:19:26.359
<v Speaker 1>know what I'm saying, and and through it all, you know,

0:19:26.920 --> 0:19:30.520
<v Speaker 1>even through the narrative like I never you know, Drake's

0:19:30.960 --> 0:19:33.760
<v Speaker 1>literally you know, it's it's one in two conversations between

0:19:33.800 --> 0:19:36.480
<v Speaker 1>him and hold to me personally. So you know, even

0:19:36.560 --> 0:19:39.240
<v Speaker 1>with the Quentin Miller references, that doesn't take away from

0:19:39.280 --> 0:19:42.040
<v Speaker 1>any of his greatness per se. So, but he was

0:19:42.080 --> 0:19:45.360
<v Speaker 1>being petty at that time. I wasn't. I mean, you know, honestly,

0:19:45.480 --> 0:19:48.080
<v Speaker 1>some of the way it really happened with the man

0:19:48.560 --> 0:19:51.680
<v Speaker 1>was that I was trying to I was trying to

0:19:51.720 --> 0:19:54.040
<v Speaker 1>clarify something for me at the time, and you know,

0:19:54.080 --> 0:19:57.960
<v Speaker 1>he thought something and you know, I went against my

0:19:58.119 --> 0:20:03.120
<v Speaker 1>better judgment and by telling him something that honestly, yeah,

0:20:03.280 --> 0:20:06.280
<v Speaker 1>like explaining to him, listen, it's not what you're thinking is,

0:20:07.040 --> 0:20:08.960
<v Speaker 1>you know, and then me winning handled it the way

0:20:08.960 --> 0:20:13.440
<v Speaker 1>he chose to handle it. But that wasn't that wasn't

0:20:13.480 --> 0:20:15.879
<v Speaker 1>my handling. But I caught a lot of rap for it,

0:20:15.920 --> 0:20:18.080
<v Speaker 1>you know, And I stayed quiet because I did catch

0:20:18.119 --> 0:20:19.200
<v Speaker 1>a lot of rap for it, and I felt like

0:20:19.280 --> 0:20:21.240
<v Speaker 1>I had caught a lot of bad rap. But you know,

0:20:21.280 --> 0:20:23.080
<v Speaker 1>I definitely played a role in it, you know what

0:20:23.080 --> 0:20:25.480
<v Speaker 1>I'm saying. I'm not I'm not innocent of the situation,

0:20:25.520 --> 0:20:27.159
<v Speaker 1>but it's part of it is a petty side, like

0:20:27.160 --> 0:20:30.280
<v Speaker 1>it's cool to be petty. Honestly, if it wasn't, I

0:20:30.320 --> 0:20:32.280
<v Speaker 1>would tell you, But it really wasn't Like I never

0:20:32.280 --> 0:20:34.200
<v Speaker 1>wanted none of that to go down, you know. I mean,

0:20:34.320 --> 0:20:36.880
<v Speaker 1>in hindsight, it was an incredible battle for hip hop,

0:20:36.960 --> 0:20:39.480
<v Speaker 1>So you know, I guess, you know, and those guys

0:20:39.520 --> 0:20:42.960
<v Speaker 1>have since, you know, become friends again, and you know

0:20:43.000 --> 0:20:44.280
<v Speaker 1>what I mean, we can look at it as part

0:20:44.320 --> 0:20:47.320
<v Speaker 1>of hip hop history. But you know, so those shots

0:20:47.320 --> 0:20:55.760
<v Speaker 1>too they get these shots too. It So the famous

0:20:55.800 --> 0:20:59.879
<v Speaker 1>battle with you, Cassidy was with free Ray right, you know,

0:21:00.040 --> 0:21:04.240
<v Speaker 1>got to be it right, really great talk to that, Cassidy.

0:21:05.160 --> 0:21:08.240
<v Speaker 1>You know you have to be a writer to be

0:21:08.280 --> 0:21:12.600
<v Speaker 1>a dope MC did you said it don't matter that

0:21:12.720 --> 0:21:16.320
<v Speaker 1>he has dead with j D facts even if he don't, right,

0:21:16.960 --> 0:21:20.720
<v Speaker 1>you could be a dope rapper. I mean, I think

0:21:20.720 --> 0:21:23.200
<v Speaker 1>that's what we're talking about. Somebody who doesn't literally write raps.

0:21:23.240 --> 0:21:25.240
<v Speaker 1>But that's not a discussion when that comes to him.

0:21:25.280 --> 0:21:27.440
<v Speaker 1>I don't think the comedian be adult comedian if you

0:21:27.440 --> 0:21:30.639
<v Speaker 1>don't write no jokes, that's possible. I mean, it's a

0:21:30.680 --> 0:21:32.840
<v Speaker 1>lot of great guys out there that, if you look at,

0:21:32.920 --> 0:21:34.920
<v Speaker 1>don't write no jokes at all. I mean, you gotta

0:21:34.920 --> 0:21:36.480
<v Speaker 1>write some jokes and at the end of day, you

0:21:36.560 --> 0:21:38.719
<v Speaker 1>still have to deliver that joke. You have to make

0:21:38.760 --> 0:21:43.120
<v Speaker 1>it into your own way, you know, so you could

0:21:43.119 --> 0:21:45.119
<v Speaker 1>be I mean, I was watching one of my favorite

0:21:45.119 --> 0:21:47.960
<v Speaker 1>comedic of all time is Eddie and Uh and I

0:21:48.080 --> 0:21:51.119
<v Speaker 1>watched Brow and Deliverous and I see Kennan Ivy wayins

0:21:51.240 --> 0:21:54.119
<v Speaker 1>right and by those guys. So Eddie to me is

0:21:54.160 --> 0:21:57.480
<v Speaker 1>like great, I've seen Kenyan aber Brains and Robert down

0:21:57.800 --> 0:22:01.960
<v Speaker 1>Robert Robert Thomson. Yeah, but I thought there's like directors

0:22:02.080 --> 0:22:05.560
<v Speaker 1>directed it. I think Kenny did some writing, alright, Yeah,

0:22:05.560 --> 0:22:08.080
<v Speaker 1>I'm hard and sure, Eddie, Eddie, the way you come,

0:22:08.119 --> 0:22:09.560
<v Speaker 1>you get a certain part of your career were just

0:22:09.600 --> 0:22:12.359
<v Speaker 1>extremely busy. You gotta get you know, there's not ee

0:22:12.480 --> 0:22:14.280
<v Speaker 1>hiring writers. I mean, I'm yet to do it. I

0:22:14.280 --> 0:22:17.800
<v Speaker 1>write my own ship, you know. Um, But you know,

0:22:17.840 --> 0:22:20.640
<v Speaker 1>if I was throwing out specials every to three years,

0:22:20.680 --> 0:22:23.760
<v Speaker 1>then you gotta write because as a comedian, we don't.

0:22:24.000 --> 0:22:26.560
<v Speaker 1>You could write a material it's good for three years,

0:22:27.000 --> 0:22:28.920
<v Speaker 1>you go suck around the country for three years the

0:22:28.960 --> 0:22:31.680
<v Speaker 1>same material and then you know, every three but if

0:22:31.680 --> 0:22:34.439
<v Speaker 1>you're putting ship out every year every two years, then

0:22:34.480 --> 0:22:36.800
<v Speaker 1>you gotta gotta get some help. Let's take the shot

0:22:37.240 --> 0:22:40.480
<v Speaker 1>shot shot. What I think was some like alien type

0:22:40.520 --> 0:22:43.400
<v Speaker 1>of comedian, right, that could put in more work than

0:22:43.440 --> 0:22:46.000
<v Speaker 1>that all that work you're talking about, right, they do

0:22:46.119 --> 0:22:48.560
<v Speaker 1>more all of that ship than you're talking about. And

0:22:48.760 --> 0:22:51.399
<v Speaker 1>still writers own ship and don't need no writers. I

0:22:51.400 --> 0:22:55.520
<v Speaker 1>mean he should be he should be like he should

0:22:55.560 --> 0:23:02.000
<v Speaker 1>get some type of acknowledge definitely about Louie people's career

0:23:02.320 --> 0:23:04.360
<v Speaker 1>and we said, loui'all care come on that that makes

0:23:04.359 --> 0:23:10.600
<v Speaker 1>some No you ever got a post to write for

0:23:10.760 --> 0:23:12.560
<v Speaker 1>MC that you was like, what the fund? Get out

0:23:12.560 --> 0:23:15.800
<v Speaker 1>of here? Yeah? Really on in my career, I went

0:23:15.840 --> 0:23:19.440
<v Speaker 1>to Collie and Swiss the first time I've seen Holly

0:23:19.480 --> 0:23:22.600
<v Speaker 1>Berry two years waiting outside. Don't tell Holly berriers involved.

0:23:23.760 --> 0:23:25.600
<v Speaker 1>I've never had a holly Berry story or drink. Chaps

0:23:25.600 --> 0:23:31.880
<v Speaker 1>got damn, let's do that Hollyberry. Sure, come on, let's

0:23:31.880 --> 0:23:34.720
<v Speaker 1>do it. Did she have on cherries? Let's feel like

0:23:34.760 --> 0:23:37.600
<v Speaker 1>she just came out and cherries? Yeah, you know, I

0:23:37.720 --> 0:23:40.159
<v Speaker 1>can't now. It is always a Hollyberry fan. And when

0:23:40.160 --> 0:23:42.920
<v Speaker 1>I first see sorry, you gotta remember every moment when

0:23:42.920 --> 0:23:45.440
<v Speaker 1>you've seen Holly Berry. She was like, this is not

0:23:45.600 --> 0:23:49.440
<v Speaker 1>Keisha from Wall Bounds. This is holly Berry. Remember, come on,

0:23:49.560 --> 0:23:54.320
<v Speaker 1>I don't remember exactly. This is okay, remember what you remember?

0:23:54.359 --> 0:24:07.320
<v Speaker 1>Tell us what happened? You see holly Berry Like me

0:24:07.440 --> 0:24:13.159
<v Speaker 1>in the truck right the driver Nigger Swiss, Homy Swiss.

0:24:13.240 --> 0:24:15.800
<v Speaker 1>Like in the passenger side, I'm in the back of

0:24:15.840 --> 0:24:18.520
<v Speaker 1>the truck behind the driver and ma shan that like

0:24:18.640 --> 0:24:22.639
<v Speaker 1>in the other side, like behind Swiss, I think, and

0:24:23.240 --> 0:24:25.640
<v Speaker 1>I just remember how they burry walking pass and they

0:24:25.720 --> 0:24:28.440
<v Speaker 1>just called everybody of guards. So when Swiss looked over

0:24:28.520 --> 0:24:31.920
<v Speaker 1>and see it, he's like, what the fun? I think

0:24:31.920 --> 0:24:34.440
<v Speaker 1>he said something like what the funk? Who was that?

0:24:36.040 --> 0:24:38.119
<v Speaker 1>Something crazy like that he said in front of ma

0:24:38.240 --> 0:24:41.760
<v Speaker 1>Shan that then once he said that the driver seen that,

0:24:41.920 --> 0:24:44.720
<v Speaker 1>he just jumped out the car. He just ran upstairs

0:24:44.720 --> 0:24:46.520
<v Speaker 1>to his room to get his camera. On the way

0:24:46.520 --> 0:24:49.680
<v Speaker 1>he went, it was like a crazy situation, and I'm

0:24:49.720 --> 0:24:51.640
<v Speaker 1>just like fucked up. But I was a young boy.

0:24:52.160 --> 0:24:54.920
<v Speaker 1>I wasn't even established yet. I wasn't even dressed yet.

0:24:56.040 --> 0:24:58.479
<v Speaker 1>I wasn't even rice down. I wasn't even and I

0:24:58.520 --> 0:25:00.119
<v Speaker 1>was a young boy. I ain't wanted to meet me.

0:25:00.160 --> 0:25:02.520
<v Speaker 1>I'm like, first impression is everything. So I was looking

0:25:02.520 --> 0:25:06.439
<v Speaker 1>at it, but I didn't want to meet every monster

0:25:06.520 --> 0:25:09.239
<v Speaker 1>ball was a how you berry imbaps? What time? When

0:25:09.280 --> 0:25:15.240
<v Speaker 1>does that happen? That's when she won the glow baps

0:25:15.320 --> 0:25:17.200
<v Speaker 1>is when she was coming. I wasn't the back. It

0:25:17.320 --> 0:25:19.640
<v Speaker 1>wasn't the baps, Holly. She was like at a at

0:25:19.640 --> 0:25:22.479
<v Speaker 1>the baddest point, she looked like like had she been

0:25:22.480 --> 0:25:24.240
<v Speaker 1>looking when she had the baddest point in one of

0:25:24.280 --> 0:25:27.600
<v Speaker 1>the movies. She came out there was crazy and she

0:25:27.720 --> 0:25:29.880
<v Speaker 1>was walking and I remember she had in some pants

0:25:29.920 --> 0:25:32.399
<v Speaker 1>and she was by so To and she like walked

0:25:32.440 --> 0:25:34.960
<v Speaker 1>to the edge of the hotel and the car poured down,

0:25:35.000 --> 0:25:37.119
<v Speaker 1>and then she ran into the car and jumped in

0:25:37.240 --> 0:25:44.160
<v Speaker 1>and oh dog, some look for Hollyberry story. I wanted

0:25:44.520 --> 0:25:46.280
<v Speaker 1>every battles, I said it earlier. I think I think

0:25:46.280 --> 0:25:50.359
<v Speaker 1>you cut yourself off. Was you went freeway? Yeah? Like

0:25:50.480 --> 0:25:54.159
<v Speaker 1>what was that? What was that? Rocket? Fellow verse Rough Roders.

0:25:55.320 --> 0:25:58.320
<v Speaker 1>It was always that type of energy between them. So

0:25:58.520 --> 0:26:00.440
<v Speaker 1>one day I was in the studio with Swiss. It

0:26:00.520 --> 0:26:06.440
<v Speaker 1>wasn't Mary J. Blige song and Swiss was rapping. Swiss

0:26:06.560 --> 0:26:08.520
<v Speaker 1>did the beat and jay Z was rapping on it.

0:26:08.560 --> 0:26:10.280
<v Speaker 1>But they had did it like a minute ago. So

0:26:10.400 --> 0:26:12.840
<v Speaker 1>she wanted them to update the song, Swiss to update

0:26:12.880 --> 0:26:15.320
<v Speaker 1>the beat, jay Z to change the verse around a

0:26:15.359 --> 0:26:17.760
<v Speaker 1>little bit. So she set a possession for them to

0:26:17.840 --> 0:26:20.520
<v Speaker 1>come through and do that. Me and Swiss get there first,

0:26:21.119 --> 0:26:23.200
<v Speaker 1>and while we're in there, he fucking with the beat.

0:26:23.240 --> 0:26:25.960
<v Speaker 1>I get hungry, so I told Swiss driver to take

0:26:26.000 --> 0:26:28.719
<v Speaker 1>me to McDonald's and ship and while I'm while I'm

0:26:28.760 --> 0:26:32.720
<v Speaker 1>wanting McDonald's um the whole rocket Fellow on Hat Night seven.

0:26:32.720 --> 0:26:35.400
<v Speaker 1>It's that legendary freestyle they had when they was going

0:26:35.520 --> 0:26:38.080
<v Speaker 1>crazy on the radio. They talked about they want to

0:26:38.080 --> 0:26:39.919
<v Speaker 1>battle niggas and all that, and I felt like they

0:26:40.000 --> 0:26:42.840
<v Speaker 1>was talking about me because I was active at that time,

0:26:43.160 --> 0:26:45.159
<v Speaker 1>even though they wasn't. I just felt like they was.

0:26:45.680 --> 0:26:47.560
<v Speaker 1>And jay Z like Yo Nigga said they wanted to

0:26:47.600 --> 0:26:49.959
<v Speaker 1>call up in battle. Guess how much they said. They

0:26:50.000 --> 0:26:55.280
<v Speaker 1>wanted to bet a thousand dollars holler talking crazy the

0:26:55.359 --> 0:26:57.560
<v Speaker 1>niggas that wanted best small money and all that. So

0:26:57.680 --> 0:27:00.080
<v Speaker 1>I just feel like I just feel personal about this.

0:27:00.160 --> 0:27:02.000
<v Speaker 1>And when I get back to the front of McDonald's,

0:27:02.400 --> 0:27:04.600
<v Speaker 1>I tell Swiss about it and he like, oh, what's

0:27:04.600 --> 0:27:07.200
<v Speaker 1>school jay Z coming to the studio tonight, anyway to

0:27:07.240 --> 0:27:10.560
<v Speaker 1>redo this verse. So I started just sitting on the

0:27:10.600 --> 0:27:12.800
<v Speaker 1>couch thinking about the met jay Z for the first

0:27:12.800 --> 0:27:15.600
<v Speaker 1>time I've been was a fan. So I'm just happy

0:27:15.720 --> 0:27:18.160
<v Speaker 1>coming through. But also I'm thinking about these young boys

0:27:18.240 --> 0:27:21.080
<v Speaker 1>he got and when he comes through the studio, he'd

0:27:21.119 --> 0:27:23.720
<v Speaker 1>come by myself with no state property. You know what

0:27:23.760 --> 0:27:27.359
<v Speaker 1>I'm saying, each other's state property. I just feel like

0:27:27.400 --> 0:27:29.119
<v Speaker 1>everybody can fully know each other, like it go to

0:27:29.160 --> 0:27:36.439
<v Speaker 1>a big conversation at some point, like everybody. I was

0:27:36.520 --> 0:27:38.840
<v Speaker 1>fucked up. I thought all State property was like a team.

0:27:40.480 --> 0:27:42.840
<v Speaker 1>The all like a team. But you know, they put

0:27:42.840 --> 0:27:45.760
<v Speaker 1>them niggas together, so they barely knew each other. So

0:27:45.800 --> 0:27:49.080
<v Speaker 1>I ran into a few niggers and state property, you

0:27:49.119 --> 0:27:51.360
<v Speaker 1>know what I'm saying that Before that, Actually I ran

0:27:51.400 --> 0:27:53.119
<v Speaker 1>in the beans one time. He was gonna put me

0:27:53.160 --> 0:27:55.199
<v Speaker 1>on the record. He was a fan because I was

0:27:55.240 --> 0:27:57.359
<v Speaker 1>like running this radio show with my city and he

0:27:57.440 --> 0:27:59.000
<v Speaker 1>was a fan. So when he met me, he wanted

0:27:59.040 --> 0:28:01.359
<v Speaker 1>to put me on the record that I pissed on

0:28:01.440 --> 0:28:05.040
<v Speaker 1>your grave, I shoot on your tumb consider your doom.

0:28:05.080 --> 0:28:07.639
<v Speaker 1>But that's how I knew being So I met him

0:28:07.640 --> 0:28:10.280
<v Speaker 1>before that time. But Jeez didn't tell him it was me.

0:28:10.359 --> 0:28:12.479
<v Speaker 1>He didn't say I got the ball be from Philly

0:28:12.800 --> 0:28:16.040
<v Speaker 1>the ball, Cassidy. He just said, I got this nigger

0:28:16.080 --> 0:28:18.640
<v Speaker 1>in the studio talking crazy. I need you to come

0:28:18.680 --> 0:28:20.880
<v Speaker 1>through the studio and do this nicket dirty like that.

0:28:21.000 --> 0:28:23.479
<v Speaker 1>He didn't explain to him who it was, so they

0:28:23.520 --> 0:28:26.800
<v Speaker 1>you know it's Philly, Philly Crome. Nah, So you know

0:28:26.920 --> 0:28:29.360
<v Speaker 1>Swiss pick up the phone. He started calling Nigga's rough

0:28:29.440 --> 0:28:31.520
<v Speaker 1>riders right down the street at the other studios. So

0:28:31.560 --> 0:28:33.600
<v Speaker 1>they start showing up. That's how niggas come with the

0:28:33.680 --> 0:28:36.680
<v Speaker 1>cameras and all that. And then a little bit after that,

0:28:36.720 --> 0:28:39.120
<v Speaker 1>the door kick get kicked open, boom, and I had

0:28:39.200 --> 0:28:42.480
<v Speaker 1>it's Matt, Bitch and Mac come in the room and

0:28:43.440 --> 0:28:47.880
<v Speaker 1>Niggas is behind the most scheme, no Chris Freeway. They

0:28:47.880 --> 0:28:50.280
<v Speaker 1>are with him, and that niggas start coming in the

0:28:50.360 --> 0:28:53.720
<v Speaker 1>room and he looking around like this and be babies

0:28:53.840 --> 0:28:56.840
<v Speaker 1>beans looking around that niggas and then he see me

0:28:56.920 --> 0:29:00.040
<v Speaker 1>on the couch. He like, oh shit, be for in

0:29:00.160 --> 0:29:02.560
<v Speaker 1>Philly because he knows how I give it up. He like,

0:29:02.560 --> 0:29:06.239
<v Speaker 1>oh ship for Philly and he shake my hand and

0:29:06.480 --> 0:29:08.720
<v Speaker 1>I'm saying, that's how that ship went. And then jay

0:29:08.800 --> 0:29:11.840
<v Speaker 1>Z like, now who you say you wanted the battle? Like, man,

0:29:11.840 --> 0:29:14.000
<v Speaker 1>I ain't saying wanted the battle. None of these niggas.

0:29:14.040 --> 0:29:16.400
<v Speaker 1>I killed any of these niggas. I don't get who

0:29:16.480 --> 0:29:21.280
<v Speaker 1>you pick. Then Nigga starts saying free and free, Free

0:29:21.640 --> 0:29:25.880
<v Speaker 1>and free. That's all I remember Nigga saying free. And

0:29:26.240 --> 0:29:29.240
<v Speaker 1>now that was the afterwards, I'm like why they picked Free.

0:29:29.240 --> 0:29:32.280
<v Speaker 1>I think they's gonna pick a different nigger. You knew

0:29:32.360 --> 0:29:35.120
<v Speaker 1>him now, but I heard him like from the city.

0:29:35.120 --> 0:29:38.280
<v Speaker 1>They like state property. They was already like down with

0:29:38.400 --> 0:29:40.800
<v Speaker 1>jay Z and already putting out ships. So I heard

0:29:40.840 --> 0:29:43.520
<v Speaker 1>his music and I heard that he had that like

0:29:43.680 --> 0:29:46.360
<v Speaker 1>rod the beat type of float in the nnut rhine

0:29:46.440 --> 0:29:49.000
<v Speaker 1>pattern and the ship sound dope on beat. But in

0:29:49.120 --> 0:29:52.440
<v Speaker 1>battle rap, I know it wasn't gonna register, right, So

0:29:52.480 --> 0:29:54.320
<v Speaker 1>I don't think they should have picked them, but they did,

0:29:54.360 --> 0:29:57.120
<v Speaker 1>and that's how that ship went down. I just was

0:29:57.160 --> 0:29:59.560
<v Speaker 1>representing my team Rough Riders at the time because that's

0:29:59.600 --> 0:30:02.600
<v Speaker 1>what you was signed that brand because jay Z was

0:30:02.600 --> 0:30:04.840
<v Speaker 1>super disrespecting me, like I didn't give it up. So

0:30:05.600 --> 0:30:07.960
<v Speaker 1>that's how that's how he was already signed. This got

0:30:08.000 --> 0:30:10.440
<v Speaker 1>you sign now I was signed. I was signed to Swiss.

0:30:10.520 --> 0:30:12.200
<v Speaker 1>That's why I was in the studio with Swiss while

0:30:12.200 --> 0:30:16.520
<v Speaker 1>he was working on the Soon had a budget loop

0:30:18.280 --> 0:30:20.200
<v Speaker 1>about it, like, yeah, like you could have lost your

0:30:20.200 --> 0:30:22.840
<v Speaker 1>deal if you would have lost that, that's kind of crazy, man,

0:30:22.880 --> 0:30:25.120
<v Speaker 1>for sure. That's crazy man. Well, God bless you from

0:30:25.120 --> 0:30:31.120
<v Speaker 1>winning that one. Um you ever received slack from that

0:30:31.160 --> 0:30:33.440
<v Speaker 1>from Freeway, Like Freeway. Ever one of the part two

0:30:34.520 --> 0:30:36.160
<v Speaker 1>he ever seen you late night in South Street and

0:30:36.200 --> 0:30:39.760
<v Speaker 1>was like, what's going on? And Free We actually did

0:30:39.840 --> 0:30:42.880
<v Speaker 1>records after that. Um ran into each other a lot

0:30:42.920 --> 0:30:45.920
<v Speaker 1>of times after that, like I fun with Free. Free

0:30:46.000 --> 0:30:48.640
<v Speaker 1>was just Ryan for his team at the time. They

0:30:48.680 --> 0:30:50.640
<v Speaker 1>called out his name. They put him in a position.

0:30:51.160 --> 0:30:52.960
<v Speaker 1>They didn't know what type of the god was or

0:30:52.960 --> 0:30:55.440
<v Speaker 1>what they was dealing with. It was like a misunderstanding

0:30:55.480 --> 0:30:57.760
<v Speaker 1>that they put him in. And you know what I'm saying,

0:30:57.760 --> 0:31:00.160
<v Speaker 1>you know how that ship go. He just wasn't prepared us.

0:31:00.200 --> 0:31:03.520
<v Speaker 1>He just was on the radio giving it up, spitting

0:31:03.560 --> 0:31:05.680
<v Speaker 1>all them verses. So you know what I'm saying that

0:31:06.200 --> 0:31:08.120
<v Speaker 1>to take them right off the radio and put him

0:31:08.160 --> 0:31:10.440
<v Speaker 1>in front of a nigger like me, it wasn't a

0:31:10.480 --> 0:31:13.840
<v Speaker 1>good scenario. So Um, I've seen Free and he said,

0:31:13.920 --> 0:31:16.160
<v Speaker 1>Nigga still remind him about it to this day, like

0:31:16.240 --> 0:31:18.680
<v Speaker 1>down let it die. They keep bringing it up everywhere

0:31:18.720 --> 0:31:21.800
<v Speaker 1>he goes. He constantly hear about it. But you know,

0:31:21.960 --> 0:31:24.360
<v Speaker 1>Free of good niggas, so him whole new grudges and ship.

0:31:24.800 --> 0:31:26.840
<v Speaker 1>I actually ran in the Dame. I was working with

0:31:26.920 --> 0:31:29.840
<v Speaker 1>Dame and Dane was telling me like yo, if I

0:31:29.960 --> 0:31:31.760
<v Speaker 1>was there, you know what I'm saying, that ship would

0:31:31.840 --> 0:31:34.520
<v Speaker 1>never went down. We had budgets opened up for this nigga.

0:31:34.560 --> 0:31:36.520
<v Speaker 1>We was working on this album while put him in

0:31:36.560 --> 0:31:40.200
<v Speaker 1>the battle at that time. Man, I told that nigga,

0:31:40.400 --> 0:31:42.880
<v Speaker 1>you know want want want me before you cast I

0:31:42.880 --> 0:31:44.840
<v Speaker 1>told that nig he gotta come at you. I told

0:31:44.880 --> 0:31:47.200
<v Speaker 1>that nigga, Man fun that you go at this nigga.

0:31:47.240 --> 0:31:50.600
<v Speaker 1>Now you gotta and free, ain't I mean I ain't

0:31:50.600 --> 0:31:52.320
<v Speaker 1>never had free do it, So I guess free and

0:31:52.400 --> 0:31:54.080
<v Speaker 1>want to do it like. That's the reason why we

0:31:54.120 --> 0:31:57.000
<v Speaker 1>stopped working with him. The same way. So the same

0:31:57.000 --> 0:31:58.600
<v Speaker 1>way you said I could have get you, I could

0:31:58.640 --> 0:32:01.200
<v Speaker 1>have got drunk. It affected a lot of ship that

0:32:01.200 --> 0:32:03.560
<v Speaker 1>could have happened in freeway career. But that's how badder

0:32:03.600 --> 0:32:05.040
<v Speaker 1>Rap used to be back in the day that she

0:32:05.120 --> 0:32:08.280
<v Speaker 1>used to be real. It's comedy like that. You guys

0:32:08.400 --> 0:32:13.280
<v Speaker 1>like have a comedy off to the backstage, you remember,

0:32:13.560 --> 0:32:17.480
<v Speaker 1>you know, um Philly, I mean, of course me cav.

0:32:18.160 --> 0:32:20.840
<v Speaker 1>I mean whenever comedics get together, man, just be ready

0:32:21.160 --> 0:32:23.400
<v Speaker 1>because you don't know who's gonna go at who just start.

0:32:23.480 --> 0:32:25.280
<v Speaker 1>Just just pick a nigger and just go on him.

0:32:25.520 --> 0:32:27.800
<v Speaker 1>Because now you might be the negative won pick you

0:32:27.840 --> 0:32:29.680
<v Speaker 1>know what I mean. So it's like that, but it

0:32:29.720 --> 0:32:32.400
<v Speaker 1>ain't nothing. I mean, that was probably the social media

0:32:32.440 --> 0:32:38.760
<v Speaker 1>way she like for wookies like rookies and like each other,

0:32:38.880 --> 0:32:42.000
<v Speaker 1>you know, like I mean, Philly was not a really

0:32:42.400 --> 0:32:44.560
<v Speaker 1>a big platform for comedy, so a lot of us

0:32:44.560 --> 0:32:46.200
<v Speaker 1>took a lot of trips to New York. So you know,

0:32:46.240 --> 0:32:49.480
<v Speaker 1>so we'll go then we'll you know, comics. We just

0:32:49.680 --> 0:32:51.640
<v Speaker 1>we see each other. We just talk roasting. I mean

0:32:51.680 --> 0:32:53.600
<v Speaker 1>back in the day with comedians like talent and like

0:32:53.720 --> 0:32:57.120
<v Speaker 1>Rob Staple team, you know, can we all get together

0:32:57.200 --> 0:32:59.280
<v Speaker 1>and we just just like starting each other up to

0:32:59.360 --> 0:33:01.960
<v Speaker 1>just be ready because you never know. But it wasn't

0:33:01.960 --> 0:33:04.040
<v Speaker 1>nothing that's gonna up your career, not like these guys

0:33:04.080 --> 0:33:07.160
<v Speaker 1>you know, rap your stage, you get blud on stage.

0:33:07.760 --> 0:33:10.720
<v Speaker 1>Jokes about me and during the Drake Show, yeah, I

0:33:10.840 --> 0:33:13.600
<v Speaker 1>get everybody man, nobody. Most of the joke about meet

0:33:13.640 --> 0:33:17.080
<v Speaker 1>with Meek in the picture drinking. Yeah that did something

0:33:17.080 --> 0:33:21.200
<v Speaker 1>like real ship. Some ship is the first time. I mean, yes,

0:33:21.280 --> 0:33:24.680
<v Speaker 1>you know what I looked at. No, not that one

0:33:24.760 --> 0:33:28.680
<v Speaker 1>was a big mistake. My ex that was my ex, No, no, no,

0:33:28.800 --> 0:33:31.640
<v Speaker 1>And I never talked about it because I never want

0:33:31.640 --> 0:33:34.240
<v Speaker 1>to blame blame blanishing on my girl at that time,

0:33:34.800 --> 0:33:37.520
<v Speaker 1>you know, but it was my ex did that dumb

0:33:37.520 --> 0:33:39.160
<v Speaker 1>ship at that time, like Meek at the end of

0:33:39.160 --> 0:33:41.640
<v Speaker 1>the end, hold me and I knew what he was

0:33:41.640 --> 0:33:44.040
<v Speaker 1>going through. And I mean, I mean, I'll do certain jokes,

0:33:44.040 --> 0:33:46.240
<v Speaker 1>but no, I'm the type will do a joke, but

0:33:46.320 --> 0:33:48.320
<v Speaker 1>not a joke that I want to shoot you over.

0:33:48.840 --> 0:33:50.640
<v Speaker 1>I'll do a joke out. I'm if my goal is

0:33:50.920 --> 0:33:52.640
<v Speaker 1>if I climbed somebody, my goal is to make that

0:33:52.720 --> 0:33:56.280
<v Speaker 1>person laugh. That person, yeah, the person I'm climbing on

0:33:56.320 --> 0:33:58.360
<v Speaker 1>that Like I make jokes about I make gauge you,

0:33:58.520 --> 0:34:00.880
<v Speaker 1>but my gage will make a gay personal laugh. I'm

0:34:00.920 --> 0:34:02.520
<v Speaker 1>not gonna you know what I mean, make im want

0:34:02.560 --> 0:34:05.040
<v Speaker 1>to go and try to cancel. Michael Blackson, I mean

0:34:05.320 --> 0:34:07.760
<v Speaker 1>did about me and that movie we did Coney Montana.

0:34:07.960 --> 0:34:10.080
<v Speaker 1>That's what we've seen you did with the cops about

0:34:10.120 --> 0:34:17.040
<v Speaker 1>me and all that you did. I'll watch you, man,

0:34:17.880 --> 0:34:20.799
<v Speaker 1>So let me tell this story, right were um, so

0:34:20.840 --> 0:34:24.200
<v Speaker 1>we just we did a benefit me Meek, we did

0:34:24.200 --> 0:34:26.920
<v Speaker 1>a benefit and then why was I took a picture together?

0:34:27.120 --> 0:34:29.520
<v Speaker 1>So why I was going home I'm driving. I told

0:34:29.520 --> 0:34:31.200
<v Speaker 1>my grad. I said, there's a picture, to put this

0:34:31.239 --> 0:34:34.400
<v Speaker 1>caption on this picture. I said, put on damn my

0:34:34.400 --> 0:34:37.480
<v Speaker 1>fun guy exactly. But the caption I said, it was

0:34:37.560 --> 0:34:45.200
<v Speaker 1>something like, um me, uh, Nikki's boyfriend something something light.

0:34:45.480 --> 0:34:47.480
<v Speaker 1>Nothing's crazy, like I don't call him me. I won't

0:34:47.560 --> 0:34:50.600
<v Speaker 1>come like Nikki's boyfriend or something. Right, I said, put

0:34:50.600 --> 0:34:52.799
<v Speaker 1>that and put that in the caption this I think

0:34:52.800 --> 0:34:55.120
<v Speaker 1>you said, we're all told girl to or something like that. No, no,

0:34:55.200 --> 0:34:57.719
<v Speaker 1>it was not this. Not my grad at that time

0:34:57.840 --> 0:34:59.840
<v Speaker 1>was a savage. You know what I mean. This is

0:35:00.000 --> 0:35:02.520
<v Speaker 1>all writers. You sing a songwriter. This chick was a

0:35:02.520 --> 0:35:04.920
<v Speaker 1>real savage and for some reason, she never, for some

0:35:04.960 --> 0:35:07.560
<v Speaker 1>reason ever like me. I don't know why, but she

0:35:07.600 --> 0:35:09.560
<v Speaker 1>wrote the most savage thing on there, and I had

0:35:09.600 --> 0:35:12.760
<v Speaker 1>no clue. I'm driving right next thing. No, I'm getting

0:35:12.800 --> 0:35:15.560
<v Speaker 1>text from like mixed goons like yea, what the fund

0:35:15.640 --> 0:35:17.640
<v Speaker 1>is that about? I'm know what you're talking about. I looked,

0:35:17.640 --> 0:35:21.160
<v Speaker 1>I'm bitch with your post. She went't real hard, so

0:35:21.239 --> 0:35:23.600
<v Speaker 1>you know what I mean, And we had to squash

0:35:23.640 --> 0:35:25.560
<v Speaker 1>all that. But yeah, but that that one didn't come

0:35:25.560 --> 0:35:27.399
<v Speaker 1>from me, like I said, I'll go hard but I'll

0:35:27.400 --> 0:35:30.480
<v Speaker 1>go hard enough with not hard enough. I'll go hard

0:35:30.520 --> 0:35:33.040
<v Speaker 1>that the person I joked about laugh and then if

0:35:33.040 --> 0:35:35.000
<v Speaker 1>me get laugh at what I'm saying about him, then

0:35:35.040 --> 0:35:38.400
<v Speaker 1>I'm not gonna do it. Especially if it's my homie, Well,

0:35:38.440 --> 0:35:42.280
<v Speaker 1>I'll dropma. I was just hanging out with Gilly. Gilly

0:35:42.360 --> 0:35:48.160
<v Speaker 1>said it was a tub well, cash money. You know

0:35:48.160 --> 0:35:51.440
<v Speaker 1>what I'm going I'll give you the tough questions where

0:35:51.600 --> 0:35:53.960
<v Speaker 1>I'm getting easy. It's not even it's not gonna be

0:35:53.960 --> 0:35:59.359
<v Speaker 1>put it in to Gilles. This is the first time

0:35:59.840 --> 0:36:01.800
<v Speaker 1>I said God, I said, listen, Jilly, I'm gonna be honest.

0:36:01.840 --> 0:36:05.520
<v Speaker 1>I never thought I don't need cash. Monday's black I

0:36:05.640 --> 0:36:08.600
<v Speaker 1>never thought that was remotely true. He said it on

0:36:08.640 --> 0:36:10.400
<v Speaker 1>the show that they were black balling. Yeah. I told him,

0:36:10.520 --> 0:36:13.520
<v Speaker 1>you believe it in the show and he said, you guys,

0:36:13.680 --> 0:36:17.600
<v Speaker 1>d J Drama. DJ Drama just did my show. He said,

0:36:17.960 --> 0:36:21.440
<v Speaker 1>we actually induced uh something. You said, Yo, you know what.

0:36:21.520 --> 0:36:23.840
<v Speaker 1>I'm stand by it. But he said that Wayne called

0:36:23.880 --> 0:36:27.359
<v Speaker 1>you and said you can leave him on there, leave

0:36:27.440 --> 0:36:29.680
<v Speaker 1>him on the show. But just no, you'll never have

0:36:29.760 --> 0:36:32.239
<v Speaker 1>another Wayne versus ev in your life. You know, I

0:36:32.280 --> 0:36:35.160
<v Speaker 1>love you nor but I respect I just had his

0:36:35.239 --> 0:36:39.160
<v Speaker 1>convo with Gilly. You know, it's like it's like a

0:36:39.200 --> 0:36:41.600
<v Speaker 1>mix tape, so that's exclusive, but you can't give you

0:36:41.680 --> 0:36:54.440
<v Speaker 1>exclusive twice. I gotta that is crazy though, So I

0:36:54.520 --> 0:37:00.520
<v Speaker 1>actually existed, but I can't call that black ball. Yeah,

0:37:00.560 --> 0:37:03.760
<v Speaker 1>that's a form of black If I called with the label,

0:37:04.880 --> 0:37:07.480
<v Speaker 1>if I called with the management, if I caught with

0:37:07.520 --> 0:37:10.759
<v Speaker 1>the higher ups, that could just be an artist be

0:37:10.880 --> 0:37:14.560
<v Speaker 1>insensitive but sensitive mother flippers facts. It could be just

0:37:14.600 --> 0:37:17.000
<v Speaker 1>be an artist sensitive. That artist might not necessarily have

0:37:17.040 --> 0:37:19.120
<v Speaker 1>that power. That was the one on one conversation. I

0:37:19.160 --> 0:37:22.879
<v Speaker 1>will say that, So it wasn't it. You know, Gilly

0:37:23.280 --> 0:37:26.560
<v Speaker 1>has his own take on black ball. I was not

0:37:26.719 --> 0:37:30.160
<v Speaker 1>part of the black ball per se. Yeah, and Wayne talked,

0:37:31.280 --> 0:37:40.239
<v Speaker 1>let's you'll be black ball and black ball where you

0:37:40.400 --> 0:37:42.960
<v Speaker 1>got everybody black ball niggas That down't like it's just

0:37:43.040 --> 0:37:46.880
<v Speaker 1>all about the policies. What do you think black that

0:37:47.080 --> 0:37:49.040
<v Speaker 1>you're willing to use it on, Like how much you

0:37:49.160 --> 0:37:51.400
<v Speaker 1>don't funk with that nigga, how much you're getting on

0:37:51.520 --> 0:37:53.880
<v Speaker 1>your nerves, and how much you're willing to move forward

0:37:53.960 --> 0:37:56.400
<v Speaker 1>with it and deal with it. But everybody black ball

0:37:56.520 --> 0:38:04.399
<v Speaker 1>nigga drama drama, drama, fucking with this artist. I don't

0:38:04.440 --> 0:38:06.080
<v Speaker 1>focus this artist. I tell the drum, I don't want

0:38:06.080 --> 0:38:07.439
<v Speaker 1>to be on that side of the tape. I don't

0:38:07.440 --> 0:38:11.520
<v Speaker 1>look at that as black ball. Yeah, I don't necessarily

0:38:12.000 --> 0:38:14.320
<v Speaker 1>look at that as black ball. But now if I

0:38:14.400 --> 0:38:18.160
<v Speaker 1>say I'm never giving you nothing ever again, say I

0:38:18.200 --> 0:38:19.840
<v Speaker 1>can say skip that tape and cast me on the

0:38:19.960 --> 0:38:22.719
<v Speaker 1>next tape. As simple as this, man, if you more

0:38:22.840 --> 0:38:25.839
<v Speaker 1>powerful than whoever you said, you ain't knowing that tape.

0:38:25.880 --> 0:38:27.520
<v Speaker 1>But if he put this nigga on there, and you

0:38:27.680 --> 0:38:30.319
<v Speaker 1>got more leverage, more fan base, and more control over

0:38:30.400 --> 0:38:33.000
<v Speaker 1>what's going on, and you say that, then you're black

0:38:33.080 --> 0:38:35.680
<v Speaker 1>balling that nigga. Now, if he's just as powerful or

0:38:35.719 --> 0:38:37.680
<v Speaker 1>more powerful than you when you say that, then you

0:38:37.800 --> 0:38:40.280
<v Speaker 1>can't do it. And nigga gonna be like, he's probably

0:38:40.320 --> 0:38:42.640
<v Speaker 1>going side with that nigga more than you. You're gonna

0:38:42.640 --> 0:38:44.600
<v Speaker 1>have to fight and yell and scream and it still

0:38:44.680 --> 0:38:46.640
<v Speaker 1>might not get done. If the nigga more powerful than you,

0:38:46.960 --> 0:38:49.040
<v Speaker 1>So you can't black baller nigga that got just as

0:38:49.120 --> 0:38:51.600
<v Speaker 1>much leverage and more powerful than you. But a little

0:38:51.719 --> 0:38:54.319
<v Speaker 1>nigga and you got all this leverage and niggas. They

0:38:54.400 --> 0:38:58.000
<v Speaker 1>might not even they might not even doing business with you.

0:38:58.280 --> 0:39:02.879
<v Speaker 1>They might just think in the future, the little Nile

0:39:02.960 --> 0:39:05.279
<v Speaker 1>Violet with the little nigga actually did do something. Now

0:39:05.880 --> 0:39:07.719
<v Speaker 1>do the didn't do something? And I say, I ain't

0:39:07.760 --> 0:39:09.839
<v Speaker 1>working with that tape. If he's on there, then I'm wrong.

0:39:09.920 --> 0:39:12.080
<v Speaker 1>Actually that is called volt and that is called hat.

0:39:12.280 --> 0:39:14.359
<v Speaker 1>But what if the dude actually did something? And then

0:39:14.440 --> 0:39:16.840
<v Speaker 1>Drama calls me and says, Yo yo, Nor, I know

0:39:17.200 --> 0:39:19.520
<v Speaker 1>um you and your arms light is going through it.

0:39:19.800 --> 0:39:21.240
<v Speaker 1>You know what I'm saying. I say it we Drama.

0:39:21.239 --> 0:39:22.920
<v Speaker 1>You know that between me and him. You know what

0:39:22.920 --> 0:39:25.439
<v Speaker 1>I'm saying. I ain't gonna work with that now. Drama says,

0:39:25.640 --> 0:39:28.239
<v Speaker 1>That's what I'm driving to say. You know what, this

0:39:28.400 --> 0:39:32.080
<v Speaker 1>might affect me in Norm's relationship moving forward. Nor's not hating,

0:39:32.920 --> 0:39:36.120
<v Speaker 1>but I'll tell you like this, Like I said, one time,

0:39:36.200 --> 0:39:41.000
<v Speaker 1>I had somebody, uh Foxy Brown had this Puff on

0:39:41.160 --> 0:39:43.640
<v Speaker 1>my record. So I went to see Puff because I

0:39:43.760 --> 0:39:46.560
<v Speaker 1>wanted to keep my relationship, and Puff screamed on me

0:39:46.640 --> 0:39:50.279
<v Speaker 1>like what the fund is Rum? But I'm like, told

0:39:50.440 --> 0:39:52.200
<v Speaker 1>us I could say the word I thought, so I said,

0:39:52.239 --> 0:39:53.640
<v Speaker 1>all right, cool, So I'm not supposed to put out

0:39:53.640 --> 0:39:55.600
<v Speaker 1>the record. He said, no, I get money, nigga, And

0:39:55.680 --> 0:39:59.200
<v Speaker 1>I said, oh ship. He expressed his opinion, but he

0:39:59.280 --> 0:40:03.200
<v Speaker 1>didn't let it get the way of business. Holy. Holy,

0:40:05.320 --> 0:40:09.200
<v Speaker 1>That wasn't a hater. That wasn't that he expressed to me.

0:40:09.600 --> 0:40:12.080
<v Speaker 1>I didn't like that. I didn't appreciate you let somebody

0:40:12.120 --> 0:40:14.280
<v Speaker 1>dissing me on your record. But at the same token,

0:40:14.520 --> 0:40:17.479
<v Speaker 1>she is a great recommend But you also knew, you knew,

0:40:17.680 --> 0:40:19.560
<v Speaker 1>you know what that was about, because you know what

0:40:19.960 --> 0:40:22.000
<v Speaker 1>the man told me that to my face. You also

0:40:22.040 --> 0:40:24.080
<v Speaker 1>said yourself, you had to you had to talk to

0:40:24.160 --> 0:40:27.279
<v Speaker 1>Foxy about going back in, and like, do you know

0:40:27.400 --> 0:40:30.239
<v Speaker 1>she did down her home. She actually dumbed down her

0:40:30.320 --> 0:40:31.840
<v Speaker 1>verse on her own. You was there, right, and I

0:40:31.920 --> 0:40:34.680
<v Speaker 1>believe she her first couple of verses was even worse.

0:40:35.200 --> 0:40:37.720
<v Speaker 1>So I appreciate it. We do that with everybody concern

0:40:37.840 --> 0:40:40.040
<v Speaker 1>and Fox Me every situation that fox Me is. And

0:40:40.160 --> 0:40:42.360
<v Speaker 1>then Puffy say get money to everybody? Or did he

0:40:42.480 --> 0:40:44.879
<v Speaker 1>just do that only to you know I stepped to him.

0:40:44.920 --> 0:40:49.200
<v Speaker 1>I didn't. I didn't wait for everybody has He might

0:40:49.239 --> 0:40:50.920
<v Speaker 1>have told you to get money, but they might have

0:40:51.000 --> 0:40:54.120
<v Speaker 1>been ten twenty of the Motherfucker's that affected my relationship

0:40:54.160 --> 0:40:55.719
<v Speaker 1>with him. He might have said get money, but that

0:40:55.960 --> 0:40:57.319
<v Speaker 1>might have been a trap for me to be like, yo,

0:40:57.440 --> 0:40:59.200
<v Speaker 1>I ain't never going to funk with him again because

0:40:59.239 --> 0:41:01.319
<v Speaker 1>I know he'll know I'm saying so. But I felt

0:41:01.320 --> 0:41:02.759
<v Speaker 1>like a man about it. Like I felt like a

0:41:02.840 --> 0:41:04.600
<v Speaker 1>man when I stepped to him. I was just like, yo, bro,

0:41:04.960 --> 0:41:07.239
<v Speaker 1>you know what I'm saying, like marm deep because really

0:41:07.280 --> 0:41:10.360
<v Speaker 1>it's marm Deep and CNN and we're just putting the

0:41:10.440 --> 0:41:12.359
<v Speaker 1>girls like the girls, the girls beef and that ain't

0:41:12.360 --> 0:41:14.759
<v Speaker 1>gonna do with us. So let Kim and Foxy beef

0:41:15.200 --> 0:41:17.160
<v Speaker 1>and that's ain't gonna do with us. But it's through

0:41:17.280 --> 0:41:20.960
<v Speaker 1>in the dude. But I didn't like, you know, I

0:41:21.000 --> 0:41:23.760
<v Speaker 1>feel I feel like people in the like niggas always

0:41:23.760 --> 0:41:25.320
<v Speaker 1>felt the type of way if it's they have a

0:41:25.360 --> 0:41:28.640
<v Speaker 1>certain relationship and then you allow somebody to but there's

0:41:28.680 --> 0:41:32.440
<v Speaker 1>somebody on your record, like you know, so now I understand, man,

0:41:32.719 --> 0:41:35.000
<v Speaker 1>I understand is that like that the comedy people, somebody

0:41:35.040 --> 0:41:37.120
<v Speaker 1>in your comedy showing and there's somebody you got them

0:41:37.160 --> 0:41:39.960
<v Speaker 1>that you cannot give nobody the power to in your career. Man,

0:41:40.160 --> 0:41:45.480
<v Speaker 1>in comedy, any anyway anything. I mean, comedy is to

0:41:45.600 --> 0:41:48.200
<v Speaker 1>be a successful comedian, you have to be likable. Once

0:41:48.239 --> 0:41:51.160
<v Speaker 1>you become likable, man, it's so hard for one person

0:41:51.239 --> 0:41:53.080
<v Speaker 1>to have the whole words shut you down, especially the

0:41:53.120 --> 0:41:55.680
<v Speaker 1>era we're in where we control our own I have

0:41:55.800 --> 0:41:58.520
<v Speaker 1>five million following words. Honestly, I don't need know fucking body.

0:41:59.000 --> 0:42:00.799
<v Speaker 1>You know what I mean? Everyone, I got to tell jokes.

0:42:00.840 --> 0:42:02.319
<v Speaker 1>I sat out. If I want to shoot a movie,

0:42:02.440 --> 0:42:04.560
<v Speaker 1>I got five minute pole to buy it. You know,

0:42:04.680 --> 0:42:06.480
<v Speaker 1>so in a whole different error right now. I mean,

0:42:07.000 --> 0:42:10.640
<v Speaker 1>look at it. Look at Cat Wims, cat on for

0:42:10.840 --> 0:42:16.000
<v Speaker 1>to tell your kid smoke crack everything and anybody mean

0:42:16.040 --> 0:42:18.520
<v Speaker 1>black boys, cat Ba Cat is so likable and so lovable.

0:42:18.600 --> 0:42:20.520
<v Speaker 1>Cat go, I don't do a movie do whatever he wants.

0:42:21.000 --> 0:42:22.960
<v Speaker 1>You can't, you know. I think the comedy is just

0:42:23.040 --> 0:42:25.040
<v Speaker 1>a little different. And I'm going to stand with music

0:42:25.080 --> 0:42:27.600
<v Speaker 1>because you guys, you know, I don't know how much

0:42:27.640 --> 0:42:30.080
<v Speaker 1>you need each other to put you on or whatever

0:42:30.200 --> 0:42:32.279
<v Speaker 1>the whole they work. But during the pandemic, you and

0:42:32.360 --> 0:42:35.319
<v Speaker 1>your girl but having the most fun. I ain't gonna

0:42:35.320 --> 0:42:38.200
<v Speaker 1>front your apartment looks like this, not done grating my

0:42:38.320 --> 0:42:50.600
<v Speaker 1>fucking crap. It's called house, follow your Instagram and your girl. Yeah,

0:42:51.280 --> 0:42:54.719
<v Speaker 1>you know what prior to my girl, prior to us

0:42:54.760 --> 0:42:56.759
<v Speaker 1>getting together. You know, when I broke on my egg

0:42:56.840 --> 0:42:59.479
<v Speaker 1>to crazy Big Jo, what's got me? People to build

0:42:59.520 --> 0:43:02.320
<v Speaker 1>my fucking off. When I broke up with her, I

0:43:02.360 --> 0:43:04.640
<v Speaker 1>said to myself, you know, I'm done, no more relationship.

0:43:04.640 --> 0:43:06.319
<v Speaker 1>I want to be free to do what I want.

0:43:07.000 --> 0:43:09.439
<v Speaker 1>And when I met her, you know, my new girl,

0:43:09.560 --> 0:43:11.480
<v Speaker 1>she was definitely downe with what I was down. She

0:43:11.520 --> 0:43:13.040
<v Speaker 1>said to support me and like, hey, Mike, I know

0:43:13.160 --> 0:43:15.759
<v Speaker 1>what you're about. You know, I'll compromise with you. And

0:43:15.880 --> 0:43:18.759
<v Speaker 1>she's be like the best friends right now, you know,

0:43:18.960 --> 0:43:20.520
<v Speaker 1>so and check us out. Have a show on the

0:43:20.640 --> 0:43:23.839
<v Speaker 1>VIA one coming out called Couples Retreat with the Nigger

0:43:24.760 --> 0:43:27.840
<v Speaker 1>Hip brought me when it brought me in there for

0:43:27.960 --> 0:43:30.400
<v Speaker 1>some comic relief, you know, I mean, so the show's

0:43:30.400 --> 0:43:32.640
<v Speaker 1>coming on, not on love and hip hop that is

0:43:32.680 --> 0:43:34.560
<v Speaker 1>in there. You got a good chet, you know the coach.

0:43:37.680 --> 0:43:39.480
<v Speaker 1>Which one me popping, y'all We're going to gold or

0:43:39.480 --> 0:43:41.080
<v Speaker 1>we're gonna go We're gonna go to Big Boy? Which

0:43:41.120 --> 0:43:44.040
<v Speaker 1>one were popping? Um, I ain't gonna a big Boy. Well,

0:43:44.040 --> 0:43:45.719
<v Speaker 1>I don't know which one rose or do you want

0:43:45.719 --> 0:43:49.360
<v Speaker 1>to go go Let's keep that unless you pop this

0:43:49.440 --> 0:43:53.719
<v Speaker 1>one because because you know wild drama, I'm coming back

0:43:53.760 --> 0:44:06.480
<v Speaker 1>to you. I'm coming back to the drama building up now. Okay,

0:44:06.480 --> 0:44:08.759
<v Speaker 1>I got trut. I'm do it for you, brother. You

0:44:08.800 --> 0:44:11.160
<v Speaker 1>know this is this is for real Champagne Papa Rescue. Okay,

0:44:13.040 --> 0:44:15.680
<v Speaker 1>it was a time, you know, I thought DJ Clue

0:44:15.840 --> 0:44:21.040
<v Speaker 1>was getting and then case Slay and Envy, but they

0:44:21.200 --> 0:44:24.160
<v Speaker 1>never quite had what you had. Like, I didn't realize

0:44:24.160 --> 0:44:27.239
<v Speaker 1>how much against the grill mans. Let me let me

0:44:27.280 --> 0:44:29.320
<v Speaker 1>take it from there. Okay, you take it from there. Okay,

0:44:29.560 --> 0:44:31.520
<v Speaker 1>I didn't know how much against the grill meant cause

0:44:31.520 --> 0:44:42.400
<v Speaker 1>I never had one slight shot. Slight shots hung up.

0:44:47.719 --> 0:44:51.680
<v Speaker 1>You don't want to say I'm sad that So at

0:44:51.760 --> 0:44:54.480
<v Speaker 1>one point you it was like, whoa, that's okay, that's

0:44:59.120 --> 0:45:01.320
<v Speaker 1>how How did it feel? Because I mean it's a

0:45:01.640 --> 0:45:04.920
<v Speaker 1>I'm gonna keep it the one part question, how did

0:45:04.960 --> 0:45:07.239
<v Speaker 1>it feel to just control the game and not only

0:45:07.280 --> 0:45:11.640
<v Speaker 1>control the game, but there's people from New York, Yeah, yeah, yeah,

0:45:11.640 --> 0:45:15.279
<v Speaker 1>there's people in New York their first time hearing jeez it, Stu,

0:45:15.520 --> 0:45:19.520
<v Speaker 1>you that first time hearing t I. It's do you

0:45:20.360 --> 0:45:23.760
<v Speaker 1>that first time getting acquainted with jeezy man, it's still

0:45:23.840 --> 0:45:27.440
<v Speaker 1>you and your work. How crazy was the games? I mean,

0:45:27.640 --> 0:45:29.200
<v Speaker 1>just to put in a perspective and how did you

0:45:29.280 --> 0:45:33.120
<v Speaker 1>come up with it? Originally? Like that concept it was

0:45:33.200 --> 0:45:34.719
<v Speaker 1>John just screaming to your Mike. He was like, let's

0:45:34.760 --> 0:45:37.839
<v Speaker 1>go simply. I mean even before that, you know again,

0:45:37.920 --> 0:45:40.759
<v Speaker 1>like I think to put in a perspective like I'm

0:45:41.040 --> 0:45:43.400
<v Speaker 1>I'm a nigger from Philly who who came up on

0:45:44.200 --> 0:45:49.520
<v Speaker 1>S and S RONJ and do clueing dji now saying

0:45:49.560 --> 0:45:52.960
<v Speaker 1>like back of his hands, jumping up of my early influences.

0:45:53.000 --> 0:45:54.600
<v Speaker 1>So when I when I got to Atlanta, not when

0:45:54.600 --> 0:45:57.040
<v Speaker 1>I got to Atlanta, but after I was in Atlanta

0:45:57.080 --> 0:46:00.520
<v Speaker 1>for some years and I was you know, I used to, um,

0:46:00.719 --> 0:46:02.839
<v Speaker 1>what were the Atlanta guys doing the mix tapes out there?

0:46:02.840 --> 0:46:04.759
<v Speaker 1>And there was Jelly, it was DJ Jelly, it was

0:46:05.360 --> 0:46:09.840
<v Speaker 1>Marte Um, it was Mars doing Yeah, Mars was doing tapes.

0:46:10.080 --> 0:46:15.719
<v Speaker 1>Um Uh. Edward j he was the you know, he

0:46:16.000 --> 0:46:18.040
<v Speaker 1>he's like the o G the LEGIOND in Atlanta per se.

0:46:18.280 --> 0:46:20.600
<v Speaker 1>So when I when I got there, like Big Jelly

0:46:20.640 --> 0:46:24.360
<v Speaker 1>and Mante was killing ship and the style that I

0:46:24.520 --> 0:46:27.440
<v Speaker 1>was really using to make Gangster Girls because basically, I

0:46:27.480 --> 0:46:29.920
<v Speaker 1>mean I was. I used to sell the CDs myself,

0:46:30.719 --> 0:46:34.080
<v Speaker 1>so I'd have up North tape. I had like an

0:46:34.120 --> 0:46:36.400
<v Speaker 1>eclectic R and B tape. I had a reggae mix tape.

0:46:36.440 --> 0:46:41.640
<v Speaker 1>I had anything you needed. I had this this thing

0:46:41.800 --> 0:46:44.160
<v Speaker 1>is that known me from just doing reggae parties back

0:46:44.160 --> 0:46:46.000
<v Speaker 1>in the day. Like so we used to do reggae

0:46:46.040 --> 0:46:49.840
<v Speaker 1>parties too, Sonig is doing reggae parties. Let me do

0:46:51.480 --> 0:46:58.319
<v Speaker 1>Let's make the noise for that man. My man lady

0:46:58.360 --> 0:47:05.600
<v Speaker 1>says it is. DJs looked the same. So Gangster Girls

0:47:05.640 --> 0:47:07.840
<v Speaker 1>as as a concept was like you know, it was

0:47:07.880 --> 0:47:09.840
<v Speaker 1>just it was a South CD that I you know

0:47:09.880 --> 0:47:12.200
<v Speaker 1>what I mean. I needed to have something for everybody.

0:47:12.800 --> 0:47:15.160
<v Speaker 1>As I was paying attention to the mixtape game in

0:47:15.239 --> 0:47:18.040
<v Speaker 1>the direction that it was going in, my influences was

0:47:18.120 --> 0:47:20.480
<v Speaker 1>coming pretty much from what was happening up top, you

0:47:20.520 --> 0:47:23.359
<v Speaker 1>know what I'm saying. So and people weren't applying South

0:47:23.520 --> 0:47:25.719
<v Speaker 1>music to that formula. And niggas told me, that's not

0:47:25.760 --> 0:47:27.399
<v Speaker 1>when niggas on the South want to hear. I didn't

0:47:27.400 --> 0:47:29.160
<v Speaker 1>want to hear talking on the tape. They don't want

0:47:29.160 --> 0:47:31.160
<v Speaker 1>to hear exclusives. They don't want to hear new ship

0:47:31.239 --> 0:47:33.320
<v Speaker 1>and everything. And I went totally against the grain and

0:47:33.400 --> 0:47:35.719
<v Speaker 1>did all that that they said niggas didn't want to hear.

0:47:35.719 --> 0:47:38.239
<v Speaker 1>And that's how Gangster Girls was pretty much creative. Little

0:47:38.320 --> 0:47:40.160
<v Speaker 1>John being the voice was the first host because I

0:47:40.200 --> 0:47:42.120
<v Speaker 1>was paying attention to people doing host and what what

0:47:42.239 --> 0:47:45.560
<v Speaker 1>have you. So around the time when you know a

0:47:45.640 --> 0:47:50.000
<v Speaker 1>link with Tip and you know t I, you know,

0:47:50.640 --> 0:47:53.560
<v Speaker 1>literally he's the first. You know, Gangster Girls became a

0:47:53.640 --> 0:47:57.279
<v Speaker 1>street album because of TI I us linking up and

0:47:57.480 --> 0:48:01.400
<v Speaker 1>you know that being the first body Troc it was

0:48:01.440 --> 0:48:04.319
<v Speaker 1>talking that they want for the first time, I met

0:48:04.360 --> 0:48:05.600
<v Speaker 1>name and told me he was the king of the South.

0:48:06.040 --> 0:48:08.200
<v Speaker 1>They want you know what I'm saying, Blessing, he knew

0:48:08.520 --> 0:48:10.520
<v Speaker 1>what you said there is what made Gangster Girls different.

0:48:10.560 --> 0:48:14.480
<v Speaker 1>They became street albums that changed mixtape game right there.

0:48:14.560 --> 0:48:17.040
<v Speaker 1>I think it did that. And you know, I'm I'm

0:48:17.120 --> 0:48:22.080
<v Speaker 1>from the Gangster Grills. Is the the post fifty and

0:48:22.520 --> 0:48:25.840
<v Speaker 1>dip set per se. So I was I was following

0:48:25.920 --> 0:48:28.200
<v Speaker 1>that formula that sets you know what I mean. And

0:48:28.560 --> 0:48:32.480
<v Speaker 1>you know, like with all due respect to all the

0:48:32.600 --> 0:48:35.520
<v Speaker 1>legends that you name. I think when it's when it's

0:48:35.520 --> 0:48:38.719
<v Speaker 1>all said and done, there can be conversations about who

0:48:38.880 --> 0:48:42.960
<v Speaker 1>the best mixtape DJ of all time is. I'm still

0:48:43.040 --> 0:48:49.200
<v Speaker 1>probably that guy, but that could be argued people. You know,

0:48:49.320 --> 0:48:51.719
<v Speaker 1>I know New York City, like y'all is gonna argue

0:48:51.719 --> 0:48:53.080
<v Speaker 1>that to the to the death. And I get that.

0:48:53.200 --> 0:48:55.560
<v Speaker 1>You know, my fans are gonna argue it, and that's fine.

0:48:55.840 --> 0:48:58.839
<v Speaker 1>We can. I'm open to the conversation. And you said,

0:49:00.200 --> 0:49:02.839
<v Speaker 1>that's that's next take DJ of all time. I ain't

0:49:02.840 --> 0:49:06.839
<v Speaker 1>gonna lie. According to the FED, you are fairly DJ.

0:49:07.040 --> 0:49:09.239
<v Speaker 1>And the way I was terrorized in the city, man,

0:49:09.640 --> 0:49:13.080
<v Speaker 1>we mean like Gangster Grills, though beyond that is the

0:49:13.800 --> 0:49:18.960
<v Speaker 1>most important and impactful mixtape series of all time. That

0:49:19.040 --> 0:49:21.960
<v Speaker 1>can't be argument That can't be arguing, and you can't

0:49:22.000 --> 0:49:25.080
<v Speaker 1>tell me. I think it's the biggest, it's the most important.

0:49:26.440 --> 0:49:29.080
<v Speaker 1>I don't think I'm gonna argue that, especially for breaking

0:49:29.120 --> 0:49:32.319
<v Speaker 1>the artist even before that, and then it became because

0:49:32.360 --> 0:49:36.000
<v Speaker 1>even the artists, Yeah, I mean, people was doubling back

0:49:36.040 --> 0:49:37.759
<v Speaker 1>and coming back around, and I was doing them with

0:49:37.840 --> 0:49:40.480
<v Speaker 1>some of the biggest names in the game, Like I mean,

0:49:40.960 --> 0:49:43.960
<v Speaker 1>don't you got for real? Do I've won for real.

0:49:44.800 --> 0:49:51.440
<v Speaker 1>It's crazy, but that is that is so because I

0:49:51.480 --> 0:49:53.960
<v Speaker 1>don't want to struggle back to this, So let's just

0:49:54.040 --> 0:49:58.400
<v Speaker 1>get it all out. What was you think? Let's just

0:49:58.440 --> 0:50:02.520
<v Speaker 1>be clear. Did you think the label snitch sting you? No,

0:50:02.640 --> 0:50:04.560
<v Speaker 1>I don't think the labels snitched on but the labels

0:50:04.800 --> 0:50:08.560
<v Speaker 1>still label money. I respect that the rs used to

0:50:08.680 --> 0:50:10.640
<v Speaker 1>lead us the records, but the higher ups and the

0:50:10.719 --> 0:50:13.520
<v Speaker 1>lawyers used to send the season to see. He's right

0:50:13.520 --> 0:50:15.640
<v Speaker 1>about that. They definitely did that. I mean I think

0:50:15.680 --> 0:50:18.160
<v Speaker 1>it was. I think the labels weren't all on the

0:50:18.239 --> 0:50:21.279
<v Speaker 1>same page. It because the legal department and wasn't in

0:50:21.440 --> 0:50:23.920
<v Speaker 1>tune with the marketing department per se. Because that was

0:50:24.040 --> 0:50:27.560
<v Speaker 1>the actual problem was there were certain people that's buying

0:50:27.640 --> 0:50:30.839
<v Speaker 1>more gains the grills than they was buying actual artist albums, right,

0:50:31.320 --> 0:50:33.000
<v Speaker 1>I mean, I don't, It wasn't. I didn't see it

0:50:33.040 --> 0:50:36.000
<v Speaker 1>as a problem. Didn't look we see it as a problem.

0:50:39.080 --> 0:50:42.560
<v Speaker 1>You're saying the money we were seeing you just had

0:50:42.640 --> 0:50:44.960
<v Speaker 1>suits looking at it is copyright and f and it

0:50:45.080 --> 0:50:46.960
<v Speaker 1>was to the people out to leave the A and

0:50:47.080 --> 0:50:48.560
<v Speaker 1>rs that were at the street level that that's how

0:50:48.600 --> 0:50:50.120
<v Speaker 1>they were breaking all the artists that we're making in

0:50:50.200 --> 0:50:52.480
<v Speaker 1>their money. But you know, I always was I felt

0:50:52.520 --> 0:50:56.439
<v Speaker 1>like I was in cahoots with the labels like it was. Yeah,

0:50:56.480 --> 0:50:58.279
<v Speaker 1>So I was like, you know, I'm I'm not you know,

0:50:58.320 --> 0:51:00.239
<v Speaker 1>there were people out there that were leaking music, sick

0:51:00.280 --> 0:51:02.799
<v Speaker 1>and putting tapes out there like that wasn't my repertoire.

0:51:02.920 --> 0:51:07.080
<v Speaker 1>So um, but yeah, I don't, you know, I looked

0:51:07.080 --> 0:51:11.399
<v Speaker 1>at it like when the Beds came as a joker. Yeah,

0:51:11.440 --> 0:51:13.440
<v Speaker 1>I didn't. I didn't think that this was your homies

0:51:13.480 --> 0:51:16.560
<v Speaker 1>like massed up playing around Halloween. You didn't know what

0:51:16.640 --> 0:51:18.840
<v Speaker 1>happened to do it out here my years before that,

0:51:18.920 --> 0:51:20.640
<v Speaker 1>I heard you talk about that on the show. He

0:51:20.760 --> 0:51:22.520
<v Speaker 1>was the first one, but he was the mix tape

0:51:22.560 --> 0:51:24.920
<v Speaker 1>distributor got you. You probably might have done him at

0:51:24.960 --> 0:51:26.359
<v Speaker 1>some point, but he was one of the biggest ones.

0:51:26.840 --> 0:51:29.279
<v Speaker 1>And that's a little different. It's a little different than that.

0:51:29.640 --> 0:51:32.239
<v Speaker 1>And there were other like people that probably went down

0:51:32.360 --> 0:51:36.040
<v Speaker 1>for like bootlegging and stuff, But that was I was

0:51:36.160 --> 0:51:40.440
<v Speaker 1>that who seeing case, seeing m vs, seeing yours but

0:51:40.560 --> 0:51:43.560
<v Speaker 1>not knowing the impact of it, as if that like

0:51:44.000 --> 0:51:47.279
<v Speaker 1>what did you think when when? What was it? They

0:51:47.320 --> 0:51:48.920
<v Speaker 1>don't because the parts don't give you a warning, right,

0:51:48.920 --> 0:51:53.600
<v Speaker 1>they don't just coming. What happened? They came, you know,

0:51:53.880 --> 0:51:58.279
<v Speaker 1>with the fucking M sixteens. They came. They came like

0:51:58.360 --> 0:52:01.239
<v Speaker 1>we had some ship. They wasn't looking for mixtapes. The

0:52:01.320 --> 0:52:03.480
<v Speaker 1>first thing they said that when they went in that studio,

0:52:04.520 --> 0:52:06.600
<v Speaker 1>where is it at? Tell us where it's had. It's

0:52:06.600 --> 0:52:08.839
<v Speaker 1>gonna be easier on all y'all because you were sticking

0:52:08.840 --> 0:52:13.000
<v Speaker 1>in cocaine. They thought, where are the guns and the drugs?

0:52:13.080 --> 0:52:16.680
<v Speaker 1>That let us know. They didn't find nothing, bro, not

0:52:16.840 --> 0:52:19.520
<v Speaker 1>a joint, not a non millimeter, and all you say,

0:52:19.560 --> 0:52:22.440
<v Speaker 1>I'm an mixtape DJ, and like you know you're illegal,

0:52:22.880 --> 0:52:25.840
<v Speaker 1>say well when I when they first looking back on it,

0:52:26.080 --> 0:52:28.719
<v Speaker 1>I'm shocked at how calm I was, because they had

0:52:28.760 --> 0:52:30.880
<v Speaker 1>the M sixteen pointed at me. I walked outside and

0:52:31.160 --> 0:52:34.600
<v Speaker 1>moved my car, and I remember because you know, somebody

0:52:34.680 --> 0:52:36.360
<v Speaker 1>called me and was like, yo, just let you know

0:52:36.600 --> 0:52:39.880
<v Speaker 1>they're coming over. Idea. No, but I had a warning

0:52:39.960 --> 0:52:43.960
<v Speaker 1>like maybe thirty minutes. This is a law enforcement guy.

0:52:44.239 --> 0:52:47.000
<v Speaker 1>Somebody had a relative and law enforcement and they said, yo,

0:52:47.040 --> 0:52:49.040
<v Speaker 1>we just got word because that was Tiya's old studio.

0:52:49.640 --> 0:52:55.240
<v Speaker 1>So you know, um, you set them up with the guns,

0:52:55.280 --> 0:52:59.640
<v Speaker 1>not just playing come on later that year that that's

0:53:00.200 --> 0:53:04.040
<v Speaker 1>that hadn't happened yet. Atlantis. Look this ship is hot.

0:53:04.440 --> 0:53:07.320
<v Speaker 1>They came. So they came. I remember just you know,

0:53:07.640 --> 0:53:10.200
<v Speaker 1>getting on the ground thinking, okay, once we figured this

0:53:10.239 --> 0:53:14.320
<v Speaker 1>out everything, they asked for my ID and then I

0:53:14.400 --> 0:53:17.759
<v Speaker 1>hear him go over to you know the things we

0:53:17.840 --> 0:53:19.880
<v Speaker 1>got one of the purps and I'm like, what, like,

0:53:20.360 --> 0:53:22.440
<v Speaker 1>they tell me my name is Tamium. They said, Tarry Simmons,

0:53:22.480 --> 0:53:25.440
<v Speaker 1>you you're under arrest for bootlegging and racketeering under the

0:53:25.520 --> 0:53:34.040
<v Speaker 1>Rico law. And come out did they freeze asset? Because

0:53:34.040 --> 0:53:35.640
<v Speaker 1>that's what they didn't do it out here? What I

0:53:35.680 --> 0:53:37.560
<v Speaker 1>would check my band. I didn't know about the RecA

0:53:37.600 --> 0:53:41.560
<v Speaker 1>at the time. I know that it's a type when

0:53:42.080 --> 0:53:44.759
<v Speaker 1>hit me with the RecA the next day when I

0:53:44.840 --> 0:53:48.320
<v Speaker 1>went to I got out. The next day, my nigger.

0:53:48.320 --> 0:53:50.319
<v Speaker 1>I went to my bank account, that ship said zero

0:53:50.480 --> 0:53:55.120
<v Speaker 1>point zero zero. Yeah, oh, but they let you out

0:53:55.160 --> 0:53:56.759
<v Speaker 1>the next day, let me out the next day, Yeah,

0:53:57.480 --> 0:54:01.279
<v Speaker 1>next that Jesus. I mean, but know in hindsight, like

0:54:01.760 --> 0:54:04.279
<v Speaker 1>you know, the game was changing. I think I think

0:54:04.320 --> 0:54:07.840
<v Speaker 1>looking back on it, like the the music industry was

0:54:07.920 --> 0:54:11.400
<v Speaker 1>taking a hit, you know what I'm saying. That charged

0:54:11.480 --> 0:54:14.160
<v Speaker 1>for a mixtape. Yeah, I was charging labels. No, no,

0:54:14.280 --> 0:54:17.680
<v Speaker 1>I mean like officially now, which I mean, oh yeah,

0:54:17.880 --> 0:54:19.920
<v Speaker 1>I mean look where it's at now. I mean it's

0:54:19.960 --> 0:54:22.359
<v Speaker 1>it's bigger, but it became bigger business than ever even

0:54:22.440 --> 0:54:24.920
<v Speaker 1>after that, you know, and and and speaking on that too,

0:54:25.040 --> 0:54:27.120
<v Speaker 1>like you know, one of the things for me, like

0:54:27.680 --> 0:54:30.520
<v Speaker 1>was that, you know, I felt a little guilty after that,

0:54:31.000 --> 0:54:33.200
<v Speaker 1>you know, just in a sense of like, you know,

0:54:33.360 --> 0:54:36.239
<v Speaker 1>not even you know, not even in the like there

0:54:36.280 --> 0:54:38.440
<v Speaker 1>were conversations about how much money I was getting, or

0:54:38.440 --> 0:54:40.600
<v Speaker 1>if I was doing it right or wrong, or you know,

0:54:40.840 --> 0:54:43.480
<v Speaker 1>those beyond that, like this is a culture that I

0:54:43.680 --> 0:54:46.719
<v Speaker 1>grew up loving and like, you know, like had a

0:54:46.800 --> 0:54:51.480
<v Speaker 1>passion to too, listening to Clue like play everywhere in

0:54:51.560 --> 0:54:54.600
<v Speaker 1>the streets of Philly and what have you so for

0:54:54.760 --> 0:54:58.800
<v Speaker 1>me to become the top of the food chain and

0:54:58.960 --> 0:55:01.080
<v Speaker 1>for this to happen, and you know, at the time,

0:55:01.239 --> 0:55:03.840
<v Speaker 1>you know, if I'll tell you, like people the mixtape

0:55:03.840 --> 0:55:05.719
<v Speaker 1>game was like, oh ship, we gotta chill out. They

0:55:05.760 --> 0:55:08.600
<v Speaker 1>came from drama, like nobody's safe, you know what I'm saying.

0:55:08.600 --> 0:55:10.560
<v Speaker 1>And I was like Damn, I can't. I can't let

0:55:11.000 --> 0:55:13.920
<v Speaker 1>you realize how big the top he was, how much

0:55:13.960 --> 0:55:17.640
<v Speaker 1>of a shark, or where all you were in the hindsight,

0:55:17.680 --> 0:55:19.200
<v Speaker 1>I mean, it made me even bigger. But you felt

0:55:19.239 --> 0:55:22.160
<v Speaker 1>you were like a scapegoat. That's what I felt like.

0:55:22.200 --> 0:55:24.040
<v Speaker 1>I didn't want I couldn't a lot. I didn't want

0:55:24.040 --> 0:55:25.920
<v Speaker 1>to see a culture down on my shoulders and I'd

0:55:25.920 --> 0:55:30.040
<v Speaker 1>be to blame for it, like there was nothing like

0:55:31.200 --> 0:55:33.480
<v Speaker 1>you said, and and the you know, the streaming ship

0:55:33.560 --> 0:55:35.839
<v Speaker 1>like Napster and all that's happening at the same time,

0:55:36.160 --> 0:55:39.080
<v Speaker 1>so they used mixtape DJs. Now, this is escapegoat. This

0:55:39.120 --> 0:55:40.799
<v Speaker 1>is why we're losing money when it's not the case.

0:55:40.880 --> 0:55:43.600
<v Speaker 1>We're helping, at least within the world of hip hop,

0:55:43.640 --> 0:55:45.120
<v Speaker 1>we're helping. And then you know it's the I R

0:55:45.200 --> 0:55:46.800
<v Speaker 1>double A like these. The same thing is that semi

0:55:46.840 --> 0:55:49.640
<v Speaker 1>plaux like what y'all y'all includes with them to lock

0:55:49.719 --> 0:55:52.200
<v Speaker 1>me up, like saying I'm doing something wrong. I'm helping

0:55:52.239 --> 0:55:57.080
<v Speaker 1>you make millions and billions. Cassidy, you had the controversial

0:55:57.080 --> 0:55:58.759
<v Speaker 1>with had a couple of controversion things. But one of

0:55:58.800 --> 0:56:02.040
<v Speaker 1>the things is um in the middle of your you know,

0:56:02.600 --> 0:56:06.400
<v Speaker 1>highlight of your career, this murder case happens? What what?

0:56:07.000 --> 0:56:08.880
<v Speaker 1>What was that about? You talk about the parts that

0:56:08.960 --> 0:56:11.040
<v Speaker 1>you can't talk about. You you don't have to talk

0:56:11.040 --> 0:56:14.080
<v Speaker 1>about anything, but you can't talk about what? Like what

0:56:14.239 --> 0:56:16.920
<v Speaker 1>was your mind like at that? You got a record there?

0:56:17.680 --> 0:56:21.320
<v Speaker 1>You know what I mean? Lest this happens. Yeah, I

0:56:21.400 --> 0:56:24.080
<v Speaker 1>came right before my second album drop I'm a hustler.

0:56:25.360 --> 0:56:28.480
<v Speaker 1>Um hm. The single was out, the video was out,

0:56:28.560 --> 0:56:31.640
<v Speaker 1>but the album didn't drop yet. That's when I realized

0:56:31.640 --> 0:56:34.160
<v Speaker 1>I had a warrant. I had to turn myself finger

0:56:34.239 --> 0:56:37.640
<v Speaker 1>when my lawyer's turned myself finished it. But I'm thinking

0:56:37.680 --> 0:56:39.520
<v Speaker 1>I'm gonna be able to bail out, like I had

0:56:39.520 --> 0:56:42.640
<v Speaker 1>a lot of support at that time, had the machine

0:56:42.760 --> 0:56:45.160
<v Speaker 1>behind me. They was ready to push me. So I'm

0:56:45.200 --> 0:56:49.719
<v Speaker 1>thinking I'm a bell out. But I actually went to

0:56:49.840 --> 0:56:53.319
<v Speaker 1>my first court date. I didn't have a preliminary yet.

0:56:53.360 --> 0:56:56.160
<v Speaker 1>They pushed the preliminary back, but the judge gave me

0:56:56.239 --> 0:56:58.960
<v Speaker 1>a bell for five hundred thousand, and I thought I

0:56:59.080 --> 0:57:02.560
<v Speaker 1>was going to that out that time. But the d

0:57:02.800 --> 0:57:05.120
<v Speaker 1>A like they went in the pill this ship and say, yo,

0:57:05.239 --> 0:57:07.320
<v Speaker 1>you can't do that. As illegal to do that. He

0:57:07.360 --> 0:57:10.719
<v Speaker 1>ain't even have a preliminary hearing yet to determine what

0:57:10.840 --> 0:57:12.960
<v Speaker 1>he charging them with, so how can you give him bell?

0:57:13.640 --> 0:57:16.200
<v Speaker 1>So they had the appell that bell, and I had

0:57:16.240 --> 0:57:18.960
<v Speaker 1>to wait till I have my preliminary hearing. Once I

0:57:19.040 --> 0:57:23.280
<v Speaker 1>had my preliminary hearing, they gave me a bell. They

0:57:23.360 --> 0:57:25.680
<v Speaker 1>gave me a two million dollar bell for the murder

0:57:25.840 --> 0:57:28.160
<v Speaker 1>and two hundred thousand for each attempt So it came

0:57:28.200 --> 0:57:32.560
<v Speaker 1>to like two point oh no, two point five million

0:57:32.680 --> 0:57:35.240
<v Speaker 1>for the murder and two hundred thousand a piece for

0:57:35.280 --> 0:57:38.080
<v Speaker 1>the attempts, so I think came at two point nine

0:57:38.200 --> 0:57:42.400
<v Speaker 1>or something like that. But they said they got thirty days.

0:57:42.440 --> 0:57:45.000
<v Speaker 1>I got thirty days the weight. I gotta wait. The

0:57:45.120 --> 0:57:47.280
<v Speaker 1>d A got thirty days the appellar before I could

0:57:47.280 --> 0:57:49.560
<v Speaker 1>pay it and get out. So my label and the

0:57:49.600 --> 0:57:51.880
<v Speaker 1>people behind me was ready to pay it, you know

0:57:51.920 --> 0:57:54.680
<v Speaker 1>what I'm saying. But on the thirtieth day, that's when

0:57:54.720 --> 0:57:56.920
<v Speaker 1>the d A appelled it. Then we went back to

0:57:57.040 --> 0:57:59.120
<v Speaker 1>court and they said they were charging me with the

0:57:59.240 --> 0:58:01.680
<v Speaker 1>general murder then and then fully, you can't battle out

0:58:01.760 --> 0:58:04.120
<v Speaker 1>for that. So I had to sit in court until

0:58:04.200 --> 0:58:07.560
<v Speaker 1>trout and that's the reason why I was locked up

0:58:07.560 --> 0:58:10.120
<v Speaker 1>by come promote down the Hustle album. It was the

0:58:10.200 --> 0:58:12.560
<v Speaker 1>first platinum ring tone and ship was going crazy and

0:58:12.640 --> 0:58:14.840
<v Speaker 1>they had it like a nice crazy promo run for

0:58:14.960 --> 0:58:17.080
<v Speaker 1>me to make it even more of a movie. But

0:58:17.240 --> 0:58:20.400
<v Speaker 1>I wasn't really there to execute. And um this is

0:58:20.480 --> 0:58:23.320
<v Speaker 1>before like the social media days like nowa days. If

0:58:23.360 --> 0:58:25.040
<v Speaker 1>that would have happened, it probably would have been more

0:58:25.120 --> 0:58:31.080
<v Speaker 1>beneficial for the song was going on. Yeah, but back then,

0:58:31.520 --> 0:58:33.960
<v Speaker 1>no social media, it was hard for people to understand

0:58:34.040 --> 0:58:36.400
<v Speaker 1>what was going on. They ain't fully understand the story,

0:58:36.480 --> 0:58:39.919
<v Speaker 1>and that kind of affected how big that project would

0:58:39.960 --> 0:58:48.680
<v Speaker 1>have been. That's crazy some that because most of rappers

0:58:48.720 --> 0:58:51.160
<v Speaker 1>that get hard of its old. You know what I'm saying,

0:58:51.200 --> 0:58:53.680
<v Speaker 1>These people trying to invade your crib like pop smoke.

0:58:53.760 --> 0:59:00.120
<v Speaker 1>This is something like that. Um nah. Um. Well, the

0:59:00.240 --> 0:59:02.720
<v Speaker 1>situation actually happened with the murder. I was with some

0:59:02.840 --> 0:59:07.480
<v Speaker 1>other friends, some other people you know, a R and them.

0:59:07.680 --> 0:59:10.360
<v Speaker 1>They was with me, you know what I'm saying, And

0:59:10.760 --> 0:59:12.960
<v Speaker 1>a situation happened when I went in the store. One

0:59:13.000 --> 0:59:16.200
<v Speaker 1>of the homies gone to a confrontation with another nigga.

0:59:16.240 --> 0:59:20.320
<v Speaker 1>Another nigga start choking the nigga. Right, I've never seen

0:59:20.360 --> 0:59:22.480
<v Speaker 1>no ship like this neither. Like I've seen niggas go

0:59:22.680 --> 0:59:27.120
<v Speaker 1>up punch niggas. I've seen niggas go up and kick niggas.

0:59:27.440 --> 0:59:31.000
<v Speaker 1>I've seen even niggas running up and drop kick niggas before,

0:59:31.520 --> 0:59:33.800
<v Speaker 1>but I've never seen a nigga like running up to

0:59:33.960 --> 0:59:38.160
<v Speaker 1>a nigga and just start choking, like in my whole

0:59:38.320 --> 0:59:46.280
<v Speaker 1>fucking entire life, like like like he knew he was

0:59:46.320 --> 0:59:52.120
<v Speaker 1>doing some I'm a fan of. I know. It's like

0:59:52.200 --> 0:59:54.240
<v Speaker 1>a long story to go back. Like I was having

0:59:54.280 --> 0:59:57.720
<v Speaker 1>a private party for my album releasing Philly Right, and

0:59:57.840 --> 1:00:00.880
<v Speaker 1>there was a hotel party. So one of the niggas

1:00:00.880 --> 1:00:03.840
<v Speaker 1>sneak upstairs that we had security blocking niggers from even

1:00:03.920 --> 1:00:06.800
<v Speaker 1>coming on that floor because it was so crazy. One

1:00:06.880 --> 1:00:10.000
<v Speaker 1>of the nigga get upstairs and one of my homies like, Yo,

1:00:10.080 --> 1:00:12.320
<v Speaker 1>what the funk you doing up here? Get the funk

1:00:12.360 --> 1:00:17.160
<v Speaker 1>out what you're doing? So everybody else, you know, zone

1:00:17.200 --> 1:00:19.600
<v Speaker 1>and doing them, But he like, what the fund is

1:00:19.640 --> 1:00:21.880
<v Speaker 1>you doing in here, nigga, Get the funk out. It's

1:00:21.920 --> 1:00:24.520
<v Speaker 1>only grows niggas in this room. Get the funk out, right,

1:00:24.920 --> 1:00:27.840
<v Speaker 1>So he played the negative nigga feeling embarrassed, I don't

1:00:27.880 --> 1:00:29.960
<v Speaker 1>really want to get out, but he got to, you

1:00:30.000 --> 1:00:32.400
<v Speaker 1>know what I'm saying. Then my big brother is too

1:00:32.520 --> 1:00:35.280
<v Speaker 1>much commotion, so he jumped out, Man, what the funk get?

1:00:35.600 --> 1:00:37.760
<v Speaker 1>I mean, like, yeah, I gotta stop this ship. So

1:00:38.120 --> 1:00:40.640
<v Speaker 1>the next time we see the niggas at this store,

1:00:40.840 --> 1:00:43.960
<v Speaker 1>like at this uh wal mart or whatever. The next

1:00:44.000 --> 1:00:46.000
<v Speaker 1>time we see the neggator had to get out. And

1:00:46.120 --> 1:00:47.880
<v Speaker 1>I'm with the neiggat that told him to get out.

1:00:48.320 --> 1:00:51.040
<v Speaker 1>So I guess he got so much emotions from being

1:00:51.120 --> 1:00:53.920
<v Speaker 1>embarrassed at that time that he just come up to

1:00:54.040 --> 1:00:57.320
<v Speaker 1>the nigga. He just started choking the nigga, like you

1:00:57.360 --> 1:01:00.520
<v Speaker 1>know what I'm saying. So he choking him and they're

1:01:00.560 --> 1:01:03.360
<v Speaker 1>like choking them with his hands. But the niggas are

1:01:03.480 --> 1:01:05.560
<v Speaker 1>and them, they wasn't at the party. They don't know

1:01:05.680 --> 1:01:07.480
<v Speaker 1>the nigga. I don't know what's going on. They just

1:01:07.640 --> 1:01:10.600
<v Speaker 1>with the nigga that he's choking. So they get him

1:01:10.680 --> 1:01:12.520
<v Speaker 1>up off of them, you know what I'm saying. They

1:01:12.520 --> 1:01:14.440
<v Speaker 1>ain't really beat him up because I told him not to.

1:01:14.640 --> 1:01:16.560
<v Speaker 1>I know the nigga, you know what I'm saying. But

1:01:16.640 --> 1:01:18.800
<v Speaker 1>they got him up off the nigga or whatever, and

1:01:18.880 --> 1:01:21.439
<v Speaker 1>when we get back around that when we drive off,

1:01:21.840 --> 1:01:24.840
<v Speaker 1>that's when the conversation happened. Nigga start calling my phone

1:01:24.920 --> 1:01:26.960
<v Speaker 1>thinking we rolled on their man, when I really saved

1:01:27.000 --> 1:01:29.640
<v Speaker 1>their man life. And that's how the issue happened. But

1:01:29.800 --> 1:01:31.960
<v Speaker 1>people think it was like somebody trying to run down

1:01:32.040 --> 1:01:34.320
<v Speaker 1>on me, like I was trying to get robbed or

1:01:34.360 --> 1:01:36.360
<v Speaker 1>somebody was about to come kill me and a r

1:01:36.440 --> 1:01:39.000
<v Speaker 1>saved my life. No, that was the issue that day

1:01:39.120 --> 1:01:41.680
<v Speaker 1>was going through. Day was in the situation, and I

1:01:41.800 --> 1:01:44.600
<v Speaker 1>gave them the guns because they was acting like they

1:01:44.640 --> 1:01:48.200
<v Speaker 1>were shooters. So if y'all got guns, then and your shooters,

1:01:48.600 --> 1:01:52.080
<v Speaker 1>everybody comfortable. And when I gave them guns, that's how

1:01:52.120 --> 1:01:55.400
<v Speaker 1>the whole situation went wrong, and niggas got shot and

1:01:55.440 --> 1:01:57.640
<v Speaker 1>all that, and I got snitched on it too, like

1:01:57.760 --> 1:01:59.680
<v Speaker 1>I was a shooter, you know what I'm saying. So

1:01:59.800 --> 1:02:02.040
<v Speaker 1>that's how I went to jail for murder. But there

1:02:02.120 --> 1:02:04.440
<v Speaker 1>was nobody defending me. Wasn't nothing happened to me. It

1:02:04.520 --> 1:02:07.000
<v Speaker 1>wasn't even an issue with me. I was doing music,

1:02:07.080 --> 1:02:09.200
<v Speaker 1>about to go to New York and record, and the

1:02:09.280 --> 1:02:12.080
<v Speaker 1>niggas that I was got in the situation, and then

1:02:12.240 --> 1:02:14.760
<v Speaker 1>when they got locked up. They told on me, and

1:02:14.840 --> 1:02:16.960
<v Speaker 1>that's how I got a warrant issue out from my arrest.

1:02:17.040 --> 1:02:19.880
<v Speaker 1>They said I was a shooter and just that statement

1:02:19.920 --> 1:02:22.200
<v Speaker 1>Alan was enough to lock the wrapper up because that's

1:02:22.200 --> 1:02:24.200
<v Speaker 1>what they really want me. So the bigger that got

1:02:24.280 --> 1:02:27.640
<v Speaker 1>chicken and never died. I never died, nothing ever happened.

1:02:27.920 --> 1:02:31.240
<v Speaker 1>He's still, you know, in the world. Make it to

1:02:31.280 --> 1:02:36.160
<v Speaker 1>the hotel party. How was it working with all Kelly,

1:02:36.240 --> 1:02:43.880
<v Speaker 1>Let's just be clear, I mean it was back then.

1:02:43.920 --> 1:02:46.240
<v Speaker 1>How was it? I mean, how to dope? How is

1:02:46.320 --> 1:02:48.560
<v Speaker 1>your discrepancy with Swiss? Because I remember weird on the

1:02:48.640 --> 1:02:51.360
<v Speaker 1>phone before. You know, we were friends, man, we were

1:02:51.520 --> 1:02:56.080
<v Speaker 1>back in the day before. There's many descripacies Swiss, Swiss

1:02:56.120 --> 1:02:58.680
<v Speaker 1>is Swiss is my brother, many descriptions to be Virgo.

1:02:58.840 --> 1:03:04.040
<v Speaker 1>So you know I clash, you know, um d L crime.

1:03:04.080 --> 1:03:06.400
<v Speaker 1>It happens a lot um. Yeah, it's been a couple

1:03:06.400 --> 1:03:08.000
<v Speaker 1>of times Ship I had to describe my SHEP was Swiss.

1:03:08.040 --> 1:03:13.360
<v Speaker 1>Recently Swiss was on here and we spoke about his

1:03:13.720 --> 1:03:16.400
<v Speaker 1>his problem with Drake and he edited me. He told

1:03:16.440 --> 1:03:18.240
<v Speaker 1>me he wanted to me to edit him and I

1:03:18.560 --> 1:03:21.400
<v Speaker 1>we don't edit at all. And I edited him and

1:03:21.480 --> 1:03:23.520
<v Speaker 1>I was mad at the Ship because I felt like

1:03:23.640 --> 1:03:27.000
<v Speaker 1>he had spoke articulate. I felt like he he didn't

1:03:27.040 --> 1:03:29.760
<v Speaker 1>do what he did on the on his Instagram live

1:03:29.800 --> 1:03:31.960
<v Speaker 1>when he went at Drake, I'm saying, and I wouldn't

1:03:31.960 --> 1:03:34.920
<v Speaker 1>to put Swiss in um harm's way because Drake had

1:03:35.000 --> 1:03:37.480
<v Speaker 1>just called us and was like, yo, we're coming down,

1:03:37.720 --> 1:03:40.280
<v Speaker 1>Like I'm coming down, so he was ready to do

1:03:40.280 --> 1:03:42.400
<v Speaker 1>a drink chat. So I wouldn't let's Swiss go crazy.

1:03:42.440 --> 1:03:44.840
<v Speaker 1>You know what I'm saying. I actually would have, you know,

1:03:45.640 --> 1:03:47.560
<v Speaker 1>for a lack of a better term, tamed him, like

1:03:47.600 --> 1:03:49.680
<v Speaker 1>I wouldn't have edit it, but I tamed him, so

1:03:49.720 --> 1:03:52.280
<v Speaker 1>I did. And then he's like, nah, he called me.

1:03:52.360 --> 1:03:56.280
<v Speaker 1>He was like, yo, you know, editor ship man, you

1:03:56.320 --> 1:03:59.760
<v Speaker 1>know what I'm saying. And I was like, all right,

1:04:00.000 --> 1:04:01.959
<v Speaker 1>because I don't like editing. I don't like editing myself.

1:04:02.000 --> 1:04:04.360
<v Speaker 1>I say something stupid like I'm like, fucking just let me,

1:04:04.600 --> 1:04:06.560
<v Speaker 1>let me, let me just go through the stupid. Yeah,

1:04:06.560 --> 1:04:08.080
<v Speaker 1>you look stupid all the time, So I don't. I don't.

1:04:08.080 --> 1:04:10.960
<v Speaker 1>I don't mind at all. But I was kind of mad,

1:04:11.080 --> 1:04:13.640
<v Speaker 1>like that's that's that's that's the reason. But um, you know,

1:04:13.720 --> 1:04:15.919
<v Speaker 1>that's what I noticed in this game. If you're gonna

1:04:15.920 --> 1:04:18.000
<v Speaker 1>be around people, you're gonna spind things that that you

1:04:18.160 --> 1:04:19.960
<v Speaker 1>love with them, and you're gonna find things that you

1:04:20.400 --> 1:04:22.200
<v Speaker 1>you know, I don't want to use the word hate,

1:04:22.240 --> 1:04:23.880
<v Speaker 1>but you dislike of them, you know what I mean.

1:04:23.960 --> 1:04:26.160
<v Speaker 1>But that doesn't make you just friends. It's it's just

1:04:26.240 --> 1:04:28.160
<v Speaker 1>been a whole bunch of ships. The same thing with Forrell,

1:04:28.240 --> 1:04:30.640
<v Speaker 1>Like I know Frell twenty two years. Frell at one

1:04:30.680 --> 1:04:33.040
<v Speaker 1>point was doing country music and he told me I'm

1:04:33.120 --> 1:04:38.520
<v Speaker 1>doing country music And I said, what another super Doug

1:04:39.520 --> 1:04:42.200
<v Speaker 1>Me like, I need another whole boy like you know.

1:04:42.600 --> 1:04:45.080
<v Speaker 1>But it happens, man, and um, you know, through the

1:04:45.160 --> 1:04:47.640
<v Speaker 1>grace of I want to say God, and through the

1:04:47.680 --> 1:04:50.600
<v Speaker 1>grace of you know, just think that it's been times

1:04:50.600 --> 1:04:53.960
<v Speaker 1>when you called me you already on some ship and

1:04:54.320 --> 1:04:56.040
<v Speaker 1>tell me one of the times, I don't know, I

1:04:56.160 --> 1:04:58.760
<v Speaker 1>was going I was about to go crazy on me.

1:04:58.960 --> 1:05:01.800
<v Speaker 1>I mean, my I can't believe this, niggad. I've been

1:05:02.000 --> 1:05:04.600
<v Speaker 1>crazy on this nigga. And you're calling me. You're checking

1:05:04.640 --> 1:05:07.360
<v Speaker 1>in you got yo, what's up? Man? You're checking my temperature.

1:05:07.720 --> 1:05:10.520
<v Speaker 1>You're trying to see if it's just rappid it's so serious,

1:05:13.160 --> 1:05:15.560
<v Speaker 1>serious giving me all the advice that you need me

1:05:15.880 --> 1:05:18.280
<v Speaker 1>You who g I needed to relax. I don't need

1:05:18.360 --> 1:05:21.120
<v Speaker 1>to take it past this level. You've always been giving

1:05:21.160 --> 1:05:24.200
<v Speaker 1>me good advice to calm down. One time I talked

1:05:24.240 --> 1:05:26.120
<v Speaker 1>to you when you was talking about Swiss and it

1:05:26.240 --> 1:05:32.360
<v Speaker 1>was in reverse. I was trying to calm you. It's

1:05:32.440 --> 1:05:35.760
<v Speaker 1>going crazy. I'm like, yo, glorious about to go crazy,

1:05:35.800 --> 1:05:41.120
<v Speaker 1>and what's going on, my bro? That is happening. I

1:05:41.200 --> 1:05:49.680
<v Speaker 1>could imagine that. It get crazy at times. And there's

1:05:49.720 --> 1:05:53.560
<v Speaker 1>times like he wasn't we wasn't communicating, we wasn't speakers,

1:05:53.720 --> 1:05:56.040
<v Speaker 1>or it's not like I could really tap in you,

1:05:56.240 --> 1:05:58.680
<v Speaker 1>the one tapping in you. The niggad as reaching out

1:05:58.800 --> 1:06:01.040
<v Speaker 1>tapping that and I'm not I'm not talking to him.

1:06:01.840 --> 1:06:04.560
<v Speaker 1>So when you're coming from but it's at the same time,

1:06:04.640 --> 1:06:07.880
<v Speaker 1>it's like, damn, like I'm between the rock and office

1:06:07.920 --> 1:06:10.680
<v Speaker 1>and I'm trying to calm you down. You're like, man, God,

1:06:14.400 --> 1:06:17.400
<v Speaker 1>that's my brother though, that's my I expect that, man.

1:06:17.440 --> 1:06:19.640
<v Speaker 1>I expect me being mad though, And I ain't denying

1:06:19.680 --> 1:06:26.280
<v Speaker 1>you at all. It's the drink Champs Mary. Everybody ain't

1:06:26.600 --> 1:06:30.800
<v Speaker 1>that at all because saying that went through more of

1:06:30.840 --> 1:06:33.200
<v Speaker 1>a discrepancy than me and me and him, like I

1:06:33.360 --> 1:06:35.800
<v Speaker 1>wasn't even on that tip like how you was with him.

1:06:35.920 --> 1:06:38.720
<v Speaker 1>I never got that that tip. It's just over business,

1:06:38.800 --> 1:06:41.080
<v Speaker 1>like you know what I'm saying that it's a miscommunication

1:06:41.480 --> 1:06:43.960
<v Speaker 1>and a lot of niggas that's that came out around

1:06:44.000 --> 1:06:47.919
<v Speaker 1>my time, even before me, wetulars arguing going through ship

1:06:48.000 --> 1:06:50.640
<v Speaker 1>about them being locked in contracts and the predicaments and

1:06:50.960 --> 1:06:53.680
<v Speaker 1>they only getting a little bit of money publishing every year.

1:06:53.720 --> 1:06:55.640
<v Speaker 1>They wish they could get out of contracts that they've

1:06:55.680 --> 1:06:58.400
<v Speaker 1>been signed when they was kids. So niggas is trying

1:06:58.440 --> 1:07:00.400
<v Speaker 1>to get out of these contracts because they know they're

1:07:00.440 --> 1:07:02.680
<v Speaker 1>not right and they're stuck in them. And because I

1:07:02.880 --> 1:07:05.480
<v Speaker 1>was able to niggas think it's a discrepancy, I did

1:07:05.600 --> 1:07:07.640
<v Speaker 1>something wrong. Now, I did that what was best for

1:07:07.720 --> 1:07:11.480
<v Speaker 1>my brand at the time, yea. And that's why I've

1:07:11.520 --> 1:07:14.080
<v Speaker 1>been moving independent like this for the last fitteen years.

1:07:14.200 --> 1:07:17.880
<v Speaker 1>Niggas can't really control me sound as me. I don't

1:07:17.880 --> 1:07:19.800
<v Speaker 1>really get caught up in the loop. I don't really

1:07:19.840 --> 1:07:22.560
<v Speaker 1>gotta please nobody. I don't gotta laugh and smile. I

1:07:22.600 --> 1:07:24.640
<v Speaker 1>don't got to do nothing that Michael Blacks to call

1:07:24.720 --> 1:07:26.400
<v Speaker 1>me for a movie. I could do it, like you

1:07:26.440 --> 1:07:28.160
<v Speaker 1>know what I'm saying. I could call you be like, yeah,

1:07:28.160 --> 1:07:29.840
<v Speaker 1>I want to put together a drink, chance to get

1:07:29.840 --> 1:07:31.840
<v Speaker 1>it popping. It might not be in his best interest

1:07:31.920 --> 1:07:33.560
<v Speaker 1>because I don't got the machine behind me, But I

1:07:33.600 --> 1:07:35.480
<v Speaker 1>could do whatever I want to do at any given

1:07:35.520 --> 1:07:37.800
<v Speaker 1>the time. And that's why I appreciate coming on this

1:07:37.960 --> 1:07:40.680
<v Speaker 1>platform because it's roll for me and my brand now

1:07:40.840 --> 1:07:43.240
<v Speaker 1>for nobody else, and nothing those niggas got going on,

1:07:43.400 --> 1:07:45.320
<v Speaker 1>it's all for with me and my team got going on.

1:07:45.480 --> 1:07:48.280
<v Speaker 1>And that's why I appreciate this situation more than ever.

1:07:48.600 --> 1:07:50.960
<v Speaker 1>It might take a longer. I know you love the machines.

1:07:51.040 --> 1:08:01.320
<v Speaker 1>It's easy, it's easy. Is it easier? Easy? It's a

1:08:01.400 --> 1:08:03.800
<v Speaker 1>harder fight like that. It's a hard a fight like this.

1:08:03.960 --> 1:08:05.920
<v Speaker 1>But I want once you once you go through the

1:08:06.040 --> 1:08:08.320
<v Speaker 1>fight and you get the knockout or you get there,

1:08:08.360 --> 1:08:10.280
<v Speaker 1>you win by decision, and you go through that fight

1:08:10.360 --> 1:08:13.640
<v Speaker 1>and then you win, and then you like untouchable. It's

1:08:13.720 --> 1:08:16.040
<v Speaker 1>nothing nobody could do to you, and there's nothing nobody

1:08:16.080 --> 1:08:18.280
<v Speaker 1>could compare to you. And then the same amount of

1:08:18.320 --> 1:08:20.240
<v Speaker 1>money gonna open up for you. It's just gonna take

1:08:20.240 --> 1:08:23.680
<v Speaker 1>a little longer time. So you know how that being

1:08:23.840 --> 1:08:31.600
<v Speaker 1>a network where you're like being on Instagram that I

1:08:31.680 --> 1:08:34.360
<v Speaker 1>like doing my own thing. The thing about the industry,

1:08:34.520 --> 1:08:37.360
<v Speaker 1>then step up to me till every bit up what

1:08:37.600 --> 1:08:40.400
<v Speaker 1>seven years ago? Money I've been telling jokes for five years.

1:08:40.800 --> 1:08:42.559
<v Speaker 1>The only come to you when they know they could

1:08:42.600 --> 1:08:44.640
<v Speaker 1>make money on you. You know, when I got to

1:08:44.640 --> 1:08:46.519
<v Speaker 1>the point where I could make my own money, I might.

1:08:47.000 --> 1:08:52.639
<v Speaker 1>I don't why you get what. I'm the biggest movie

1:08:52.680 --> 1:09:01.240
<v Speaker 1>that's coming out next week. You gotta love this stuff

1:09:01.240 --> 1:09:06.120
<v Speaker 1>and that to come out that week. Start nigger. Like

1:09:06.240 --> 1:09:08.519
<v Speaker 1>earlier on in the Drink Chance, he said something about

1:09:08.560 --> 1:09:10.559
<v Speaker 1>Eddie Murphy a piece of the fact that he had

1:09:10.560 --> 1:09:12.680
<v Speaker 1>a little writer. He's like, Yo, that's my nigga, eat

1:09:12.720 --> 1:09:14.680
<v Speaker 1>the most creative, and they gotta let that nigga. I'm saying,

1:09:14.720 --> 1:09:16.600
<v Speaker 1>I love it. But you understand why he was doing that.

1:09:16.720 --> 1:09:23.320
<v Speaker 1>It was laid on and this this please up to

1:09:23.360 --> 1:09:27.479
<v Speaker 1>our second. You're ready quick time with slip ready now

1:09:27.560 --> 1:09:31.080
<v Speaker 1>this as you pick one and look, if you want

1:09:31.120 --> 1:09:34.720
<v Speaker 1>to pick both, you gotta take a shot. So bring

1:09:34.960 --> 1:09:39.800
<v Speaker 1>bring a shot. I was sat I've seen this so

1:09:39.880 --> 1:09:51.479
<v Speaker 1>many times. Just two days ago, it was actually it

1:09:51.600 --> 1:09:56.120
<v Speaker 1>was actually sim sim Thug actually is the I love well.

1:09:56.360 --> 1:09:58.840
<v Speaker 1>I came up with the rule you the both, but

1:09:59.040 --> 1:10:00.880
<v Speaker 1>slim Thug was actually even when I said, if you're

1:10:00.880 --> 1:10:03.519
<v Speaker 1>gonna do both, you gotta you gotta drink. And then

1:10:03.600 --> 1:10:06.559
<v Speaker 1>we said that will be the grab one of the balls,

1:10:07.360 --> 1:10:10.040
<v Speaker 1>and everybody got they shot glass right? All right, cool,

1:10:11.040 --> 1:10:13.680
<v Speaker 1>you take a shot, take a shot if you want to.

1:10:13.800 --> 1:10:16.360
<v Speaker 1>If you want to say both, he's gonna give you

1:10:16.400 --> 1:10:18.840
<v Speaker 1>two options to pick one of of two. If you

1:10:18.880 --> 1:10:21.760
<v Speaker 1>want to say both, you gotta take a shot. All right, cool,

1:10:22.320 --> 1:10:26.160
<v Speaker 1>because it's gonna be like you know, you're ready, I'm first,

1:10:26.720 --> 1:10:29.880
<v Speaker 1>you first. I want to take a shot, even without

1:10:30.080 --> 1:10:32.880
<v Speaker 1>being asked to credit. Let me just take a shot anyway.

1:10:32.880 --> 1:10:34.120
<v Speaker 1>I just want to take a shot. Meet for me.

1:10:34.479 --> 1:10:36.000
<v Speaker 1>I don't take a shot, but get the shot ready

1:10:36.040 --> 1:10:41.120
<v Speaker 1>for for these negroes. All right, cool, hold on, hold on,

1:10:41.720 --> 1:10:44.080
<v Speaker 1>it's gonna be hard. He's starting with Michael Blacksby ready.

1:10:47.720 --> 1:10:51.799
<v Speaker 1>You said, Hold up, I just want to shot anyway,

1:10:51.840 --> 1:10:54.599
<v Speaker 1>just want to shot anyway. You win you into a right,

1:10:54.960 --> 1:10:57.760
<v Speaker 1>let's go, Let's go, baby, I'll take a shot. You

1:11:00.040 --> 1:11:03.920
<v Speaker 1>take a shot, Richard, give me one ready, or Eddie Murphy.

1:11:04.680 --> 1:11:09.559
<v Speaker 1>Definitely Eddie Murphy. Damn that I thought that, Yeah too easy.

1:11:09.560 --> 1:11:11.920
<v Speaker 1>I ain't think that. Let them take that, Richard. Richard

1:11:11.960 --> 1:11:13.800
<v Speaker 1>admitted to sucking a dick. I couldn't roll with any

1:11:15.880 --> 1:11:22.160
<v Speaker 1>Damn who the fucking up front? Man? I was expected,

1:11:25.200 --> 1:11:35.120
<v Speaker 1>all right, pacity a little bit of dude shake Bedie

1:11:35.200 --> 1:11:44.800
<v Speaker 1>Seagull or Jade Kiss. M hm, take a shot about

1:11:45.600 --> 1:11:50.799
<v Speaker 1>Jade Kiss. That's not personal, right, This is like bars

1:11:51.240 --> 1:12:05.479
<v Speaker 1>back to me, who I pick? Who? Who I would pick? Brandon? Alright,

1:12:05.520 --> 1:12:21.160
<v Speaker 1>all right? He discovered this is payback this lot. Beans

1:12:21.160 --> 1:12:25.519
<v Speaker 1>ain't kiss both, like, I gotta go with Kiss or Drake.

1:12:28.000 --> 1:12:30.519
<v Speaker 1>He said, back to Philly, you just remember that. That's fine.

1:12:34.200 --> 1:12:36.040
<v Speaker 1>I guess he's trying to throw a Philly nigger in

1:12:36.080 --> 1:12:42.720
<v Speaker 1>the conversation over the other with the city over a

1:12:42.800 --> 1:12:50.080
<v Speaker 1>different nigga, Nas or jay Z. I'm not gonna ask

1:12:50.080 --> 1:12:54.240
<v Speaker 1>why this time Nas I did while songs were nas

1:12:54.320 --> 1:12:56.880
<v Speaker 1>not sure wild love to meet Kings to studio, fun

1:12:57.000 --> 1:13:00.439
<v Speaker 1>with me and he got eat out. So I gotta

1:13:00.479 --> 1:13:05.480
<v Speaker 1>go with naj Kevin Hart Will Smith. What a combination

1:13:06.560 --> 1:13:12.000
<v Speaker 1>the same category? I think it's gonna say like Kevin Hard,

1:13:12.080 --> 1:13:15.160
<v Speaker 1>like that's what I was suspected. Okay, you probably you

1:13:15.240 --> 1:13:18.519
<v Speaker 1>might want to do that. Don't want anybody you want

1:13:18.520 --> 1:13:24.040
<v Speaker 1>to Kevin Hart or Mike Apps? Has you even started

1:13:24.040 --> 1:13:27.559
<v Speaker 1>working with these questions? I gotta go with Apps because

1:13:27.600 --> 1:13:30.200
<v Speaker 1>I made more money with Apps and y'all did the

1:13:30.360 --> 1:13:34.599
<v Speaker 1>Friday and Ship. We're tour together right now. We're to Yeah,

1:13:34.640 --> 1:13:37.000
<v Speaker 1>we've been touring for like a few years together. So

1:13:37.320 --> 1:13:39.400
<v Speaker 1>it's what you know what I mean made the question

1:13:39.800 --> 1:13:46.360
<v Speaker 1>himself comedian, who's a better comedian? I mean it is

1:13:46.400 --> 1:13:49.880
<v Speaker 1>more sillier to me, you know, like silly motherfucker's Kevis

1:13:49.920 --> 1:13:53.560
<v Speaker 1>my nigga. He's talented and he's business minding. He's a

1:13:53.600 --> 1:13:56.080
<v Speaker 1>great guy. But I gotta I gotta go to silly nigga.

1:13:57.040 --> 1:14:07.280
<v Speaker 1>Good you ready? Beat Mail or pet Crack Meet Mail,

1:14:08.080 --> 1:14:11.120
<v Speaker 1>p d Crack. I funk with pd He originated that style.

1:14:11.200 --> 1:14:16.000
<v Speaker 1>You gotta give him love. But he just not active enough.

1:14:16.080 --> 1:14:18.960
<v Speaker 1>He's not he's not working hard enough. He's not he's

1:14:19.000 --> 1:14:21.479
<v Speaker 1>not active enough for me, like especially in the last

1:14:21.560 --> 1:14:24.120
<v Speaker 1>ten years. Like you know what I'm saying that Meek

1:14:24.200 --> 1:14:27.080
<v Speaker 1>Men too too active. The last ten years that you

1:14:27.120 --> 1:14:29.519
<v Speaker 1>know what I'm saying for me to say, Pet, so

1:14:29.640 --> 1:14:41.280
<v Speaker 1>I gotta m shop. I respect that you did. I

1:14:41.320 --> 1:14:44.720
<v Speaker 1>couldn't answer that question now, but actually I want to

1:14:44.760 --> 1:14:47.400
<v Speaker 1>take that back now. I'm gonna go with Pet because

1:14:47.439 --> 1:15:07.920
<v Speaker 1>he that's like, you know, I got signed. My son

1:15:07.960 --> 1:15:10.479
<v Speaker 1>about to be eighteen. So sometimes you be around the

1:15:10.560 --> 1:15:13.000
<v Speaker 1>crowd like my Ni playing all this music, they be

1:15:13.080 --> 1:15:16.680
<v Speaker 1>caught up in there. So I'm thinking about like success

1:15:16.960 --> 1:15:19.800
<v Speaker 1>and accomplishments and how many people been talking about him.

1:15:19.840 --> 1:15:22.880
<v Speaker 1>I'm in the same bag as like the social media niggas.

1:15:23.360 --> 1:15:26.120
<v Speaker 1>But I know Pet originated that style. I even did

1:15:26.200 --> 1:15:28.639
<v Speaker 1>it this song telling me how he stole pet style.

1:15:29.520 --> 1:15:32.519
<v Speaker 1>And Pet was super active when he was men doing

1:15:32.560 --> 1:15:35.000
<v Speaker 1>this thing. So IMA have to go with Pete. You

1:15:35.080 --> 1:15:38.320
<v Speaker 1>got to get a shot for we want just what

1:15:38.479 --> 1:15:50.840
<v Speaker 1>we want. I ain't say trying to make some matching

1:15:50.880 --> 1:15:54.479
<v Speaker 1>to happen this show. Okay, cool cool cool cool cool

1:15:54.520 --> 1:15:58.880
<v Speaker 1>cool cool. I'm going it's right back up. This is great,

1:15:58.920 --> 1:16:00.680
<v Speaker 1>by the way. A shot for the shot for that.

1:16:01.200 --> 1:16:04.599
<v Speaker 1>I've been shot, shot for y'all man, shot for y'all

1:16:04.640 --> 1:16:10.559
<v Speaker 1>man coming through mm hmm. That's how that goes down. Okay,

1:16:11.600 --> 1:16:13.920
<v Speaker 1>I'm I'm sure this question is for you. Wanna come

1:16:14.000 --> 1:16:19.679
<v Speaker 1>back to you. I'm gonna stay on you now. I'm

1:16:19.680 --> 1:16:25.240
<v Speaker 1>giving this to all three of y'all. Black Dog or

1:16:25.320 --> 1:16:33.800
<v Speaker 1>corrupt I love. My name is corrupt, black Dog, No,

1:16:34.080 --> 1:16:39.000
<v Speaker 1>and I got one for you. No component DJ here

1:16:39.000 --> 1:16:51.800
<v Speaker 1>I'm going. But I think I shot for that though,

1:16:51.880 --> 1:16:55.000
<v Speaker 1>definitely will um that's that's your answer. That means you

1:16:55.040 --> 1:16:58.880
<v Speaker 1>to get shot. I said, black dog, black dog, black

1:16:58.960 --> 1:17:01.200
<v Speaker 1>dog to corrupt, whichever where you want to go with it.

1:17:04.120 --> 1:17:15.040
<v Speaker 1>Damn man, you need to tell corrupt my negger correct anybody.

1:17:18.479 --> 1:17:20.400
<v Speaker 1>Back when I was a young boy, like before rough

1:17:20.479 --> 1:17:22.880
<v Speaker 1>Riders and all that, I was about to go sign

1:17:22.920 --> 1:17:25.120
<v Speaker 1>the Corrupt. He was in the city, he was active,

1:17:25.160 --> 1:17:26.800
<v Speaker 1>and they just took me to him. And I was

1:17:26.840 --> 1:17:28.519
<v Speaker 1>about to sign to one way back in the day,

1:17:28.800 --> 1:17:31.439
<v Speaker 1>and he probably caught my phone like last week FaceTime,

1:17:31.640 --> 1:17:34.200
<v Speaker 1>let me know what's going on, So I corrupt personally.

1:17:34.320 --> 1:17:36.400
<v Speaker 1>The same ship happened to me when I was like fifteen.

1:17:36.479 --> 1:17:38.479
<v Speaker 1>He came to Germany Town and somebody was telling me like,

1:17:39.040 --> 1:17:42.040
<v Speaker 1>corrupt me is a DJ. This is before everything. I mean,

1:17:42.120 --> 1:17:44.200
<v Speaker 1>one time black Thot put me on stage with the

1:17:44.280 --> 1:17:45.960
<v Speaker 1>Roots and let me perform. I think he was in

1:17:46.200 --> 1:17:49.479
<v Speaker 1>Atlanta some way. He put me on stage, like years ago,

1:17:49.720 --> 1:17:53.200
<v Speaker 1>but that was like one time, corrupt, more more active.

1:17:53.240 --> 1:17:55.640
<v Speaker 1>He funk with me, hit me up, So I I

1:17:55.640 --> 1:17:57.800
<v Speaker 1>gotta go to correct. You make a quick time of

1:17:57.880 --> 1:18:00.240
<v Speaker 1>slop a longer second. I gotta go to correct. I'm

1:18:00.280 --> 1:18:07.320
<v Speaker 1>gonna corrupt. I just play's spending a snoop and I

1:18:07.360 --> 1:18:13.680
<v Speaker 1>want I met him personally, and both Foxy brought a

1:18:13.680 --> 1:18:20.840
<v Speaker 1>little kid count Okay. I never can't be Doskin doing that. Man,

1:18:20.880 --> 1:18:23.000
<v Speaker 1>I'm gonna be honest. I think no, no, I think

1:18:25.120 --> 1:18:28.439
<v Speaker 1>me and about you. They've been traded. No, no, no,

1:18:28.720 --> 1:18:32.640
<v Speaker 1>it's it's really tough because I met Um Foxy. I

1:18:32.720 --> 1:18:35.200
<v Speaker 1>met her like maybe I met kimp a Lord later

1:18:35.240 --> 1:18:37.880
<v Speaker 1>on her career, like more recently, you know, and I

1:18:38.000 --> 1:18:41.280
<v Speaker 1>met Foxy maybe ten years ago. We love them both. Yeah,

1:18:41.320 --> 1:18:45.120
<v Speaker 1>yeah you guys still man, Okay, cool, but I fum

1:18:45.200 --> 1:18:47.519
<v Speaker 1>that's my only I really know Cam. Like we did

1:18:47.640 --> 1:18:50.360
<v Speaker 1>records the guy with Cam, So I gotta go come

1:18:50.439 --> 1:18:52.599
<v Speaker 1>on day all right, since you're breaking up, you talking

1:18:52.600 --> 1:18:56.240
<v Speaker 1>about doing the record all Kelly, what did we We

1:18:56.280 --> 1:19:10.679
<v Speaker 1>didn't get into it? Yeah, video, I was I ain't

1:19:10.680 --> 1:19:13.519
<v Speaker 1>gonna lie. Met the Nigger twice. First time was when

1:19:13.760 --> 1:19:19.880
<v Speaker 1>Switzer the Niggas took me to Chicago to record the record. Yeah,

1:19:23.800 --> 1:19:25.920
<v Speaker 1>Grady is definitely the plug. This is my first I

1:19:26.080 --> 1:19:28.680
<v Speaker 1>had no singles out, I had no records out, I

1:19:28.680 --> 1:19:31.120
<v Speaker 1>ain't had shipped out. They just opened up my budget.

1:19:31.439 --> 1:19:33.360
<v Speaker 1>I did a lot of the songs and they're like, Yo,

1:19:33.439 --> 1:19:35.400
<v Speaker 1>you need a single with a big single on it,

1:19:35.800 --> 1:19:37.240
<v Speaker 1>Like you know what I'm saying, some ship that we

1:19:37.479 --> 1:19:40.599
<v Speaker 1>because I was on J Records, they like, they don't

1:19:40.640 --> 1:19:43.000
<v Speaker 1>need no death Jam record. They need a record that's

1:19:43.040 --> 1:19:46.280
<v Speaker 1>top forty that they came to. Yeah, they need that

1:19:46.360 --> 1:19:53.320
<v Speaker 1>type of record cloud like where's that record that like

1:19:53.479 --> 1:19:59.680
<v Speaker 1>where's the where's the Yeah. So not that first. Some

1:19:59.760 --> 1:20:02.240
<v Speaker 1>of my the names came up. Some other ideas came up.

1:20:04.920 --> 1:20:08.080
<v Speaker 1>Man that was so long ago, Mankaren Man, I ain't

1:20:08.080 --> 1:20:09.960
<v Speaker 1>gonna lie. I don't want to do that because I'm like,

1:20:10.360 --> 1:20:13.559
<v Speaker 1>I'm like, I don't remember. But it was some whether

1:20:13.600 --> 1:20:17.360
<v Speaker 1>it was whoever was big at that time, who was

1:20:18.040 --> 1:20:21.160
<v Speaker 1>like at the same time as Kelly. Definitely, those names

1:20:21.240 --> 1:20:26.880
<v Speaker 1>came up, like all the all of the big singers

1:20:27.000 --> 1:20:29.200
<v Speaker 1>right there came up. Right, because I got out the

1:20:29.240 --> 1:20:39.160
<v Speaker 1>bars if you wanted. And then Kelly, I said, Grady Grady, like, Yo,

1:20:39.320 --> 1:20:41.240
<v Speaker 1>you want to do something, Kelly, I think we go

1:20:41.320 --> 1:20:43.920
<v Speaker 1>out there in from Chicago. Din. I'm like, what the

1:20:44.080 --> 1:20:47.560
<v Speaker 1>funk are Kelly? Hero? Yeah, let's get it because I

1:20:47.680 --> 1:20:50.880
<v Speaker 1>know my old like my god brother died like eleven

1:20:50.960 --> 1:20:52.680
<v Speaker 1>years older than me. That's my old way. Used to

1:20:52.720 --> 1:20:54.559
<v Speaker 1>add a hood on smashes to take me around. They

1:20:54.640 --> 1:20:59.120
<v Speaker 1>used to be playing R. Kelly and with a gun

1:20:59.200 --> 1:21:01.519
<v Speaker 1>in the car that and they think playing R Kelly

1:21:01.600 --> 1:21:03.519
<v Speaker 1>and the girls used to love it. So I used

1:21:03.560 --> 1:21:05.240
<v Speaker 1>to be like you R Kelly, that nigga as a

1:21:05.320 --> 1:21:08.040
<v Speaker 1>young boy. So when they suggested me to do something

1:21:08.080 --> 1:21:10.160
<v Speaker 1>with R. Kelly, I'm like, hell, yeah, let's get it.

1:21:10.720 --> 1:21:13.720
<v Speaker 1>So they flew me out there to Chicago, took me

1:21:13.800 --> 1:21:19.519
<v Speaker 1>in the studio. The nigger come out on the studio. Nah, yeah,

1:21:19.520 --> 1:21:23.560
<v Speaker 1>I don't see regular ship. He came out though he

1:21:23.720 --> 1:21:25.479
<v Speaker 1>came out right. He explained it to him. We like, yo,

1:21:25.560 --> 1:21:28.400
<v Speaker 1>we got the song one through hotel, like like ladies

1:21:28.479 --> 1:21:30.800
<v Speaker 1>going to hotel all this ship and then he like,

1:21:30.920 --> 1:21:32.760
<v Speaker 1>let me hear the beat. As soon as the beat

1:21:32.840 --> 1:21:37.000
<v Speaker 1>came on the nigga started going crazy, like he started

1:21:37.040 --> 1:21:40.519
<v Speaker 1>doing all these different who who who and started doing

1:21:40.600 --> 1:21:42.040
<v Speaker 1>all these and all of these and ship. Then he

1:21:42.120 --> 1:21:46.000
<v Speaker 1>went in the booth and went crazy, like the remix

1:21:46.080 --> 1:21:48.760
<v Speaker 1>the Hotel, he did all that. He did like wild

1:21:48.840 --> 1:21:51.960
<v Speaker 1>More Court, like Swiss got Wild morel chorus is from

1:21:52.040 --> 1:21:54.000
<v Speaker 1>r Kelly from the same session, and he did a

1:21:54.040 --> 1:21:56.599
<v Speaker 1>lot of ship from the same session. It's just reused

1:21:56.640 --> 1:21:58.880
<v Speaker 1>that little piece for the hotel hook. You know what

1:21:58.920 --> 1:22:01.519
<v Speaker 1>I'm saying. But he went crazy. I'm like, Yo, this

1:22:01.640 --> 1:22:03.720
<v Speaker 1>nigga is a genius. And then we went back to

1:22:03.800 --> 1:22:05.880
<v Speaker 1>the hotel Swiss and yeah, we got this nigga are

1:22:05.960 --> 1:22:08.960
<v Speaker 1>Kelly on this ship and then we wrote. We wrote

1:22:09.000 --> 1:22:10.960
<v Speaker 1>the ship right in the hotel. I'm like, we could

1:22:11.000 --> 1:22:13.120
<v Speaker 1>go get the cragging, but you know where to happen,

1:22:13.320 --> 1:22:15.519
<v Speaker 1>We'd be under the covers. I came up right with

1:22:15.720 --> 1:22:18.840
<v Speaker 1>that ship in the actual hotel with Swiss. And then

1:22:19.240 --> 1:22:20.919
<v Speaker 1>you know what I'm saying, We went back and recorded

1:22:20.960 --> 1:22:22.760
<v Speaker 1>and then there was a hit. And the second time

1:22:22.800 --> 1:22:24.519
<v Speaker 1>I've seen that man was when he showed up with

1:22:24.600 --> 1:22:27.479
<v Speaker 1>the masks on at the video shoot. You know what

1:22:27.520 --> 1:22:33.240
<v Speaker 1>I'm saying. I'm like, I'm thinking too, like this is

1:22:33.320 --> 1:22:36.840
<v Speaker 1>my video. Were in Chicago. I'm super excited. This is

1:22:36.880 --> 1:22:39.519
<v Speaker 1>my first video, was like, I mean, I did big business,

1:22:40.200 --> 1:22:43.439
<v Speaker 1>but I'm telling about my personal video, Like even though

1:22:43.560 --> 1:22:46.400
<v Speaker 1>R Kelly and it is my video, Like this my budget,

1:22:46.479 --> 1:22:50.400
<v Speaker 1>my ship and we're in Chicago. It's Ferraris is ill

1:22:50.439 --> 1:22:52.880
<v Speaker 1>type the ship outside. We got big as manages as,

1:22:52.920 --> 1:22:55.519
<v Speaker 1>all these video girls running around. I'm like, I'm feeling

1:22:55.560 --> 1:22:58.040
<v Speaker 1>like I'm on top of the world. And then they're like, yo,

1:22:58.280 --> 1:23:00.960
<v Speaker 1>R Kelly here. I'm like yes, because I don't think

1:23:00.960 --> 1:23:04.280
<v Speaker 1>the niggas gonna come nigga showed him like yes, or

1:23:04.439 --> 1:23:08.280
<v Speaker 1>Kelly coming there with the mask or I'm like but

1:23:08.400 --> 1:23:18.479
<v Speaker 1>I could tell us are Kelly. So I'm like, everybody

1:23:18.600 --> 1:23:21.240
<v Speaker 1>knows that I complent ship after that, But this is

1:23:21.320 --> 1:23:24.759
<v Speaker 1>my first single. Niggas don't know that I'm I'm worth nothing.

1:23:24.880 --> 1:23:27.599
<v Speaker 1>This is R Kelly, Like you know what I'm saying,

1:23:27.680 --> 1:23:30.280
<v Speaker 1>Like I'm accident, like like I'm happy I got a

1:23:30.320 --> 1:23:32.320
<v Speaker 1>budget open this is my first single. I'm like, damn,

1:23:32.360 --> 1:23:34.160
<v Speaker 1>I've been dying for this. I was signing the Rough

1:23:34.280 --> 1:23:36.360
<v Speaker 1>Riders for all these years. They had no fucking budget.

1:23:36.400 --> 1:23:38.200
<v Speaker 1>Now I finally got one of them shooting the video

1:23:38.600 --> 1:23:41.560
<v Speaker 1>and they bringing this nigga R Kelly out, So I'm excited.

1:23:41.640 --> 1:23:44.160
<v Speaker 1>I mean, I'm happy. And then the nigga show with

1:23:44.200 --> 1:23:46.000
<v Speaker 1>the mask, so I was like, yo, one nigga night.

1:23:46.479 --> 1:23:48.519
<v Speaker 1>But I got to accept it. I'm like, yo, fucking

1:23:48.520 --> 1:23:52.240
<v Speaker 1>I don't given six in the morning. Right next to them,

1:23:52.240 --> 1:23:55.240
<v Speaker 1>they go with the mask like man checking out of

1:23:55.320 --> 1:23:58.519
<v Speaker 1>six and the more I got no mask? You see

1:23:58.600 --> 1:24:02.000
<v Speaker 1>me like kass in that it was just the odd though, right,

1:24:02.040 --> 1:24:03.640
<v Speaker 1>it was just the odds. I don't know why he

1:24:03.720 --> 1:24:11.680
<v Speaker 1>did it. I didn't. Yeah he had this one. Did

1:24:11.720 --> 1:24:15.760
<v Speaker 1>that mean he would take the appreciate That's like, I'm

1:24:15.800 --> 1:24:20.559
<v Speaker 1>not thanks for coming out, bro, I appreciate this ship. Yo,

1:24:21.360 --> 1:24:24.879
<v Speaker 1>about to change my life. I'm never gonna stop performing hotel.

1:24:25.320 --> 1:24:27.200
<v Speaker 1>So if I would have had a discrepancy because he

1:24:27.320 --> 1:24:29.680
<v Speaker 1>got on some masks and I would have tried to dispute,

1:24:29.920 --> 1:24:35.720
<v Speaker 1>then why would I come to the video and leave it?

1:24:36.080 --> 1:24:39.479
<v Speaker 1>And you just leave? Now? Now you don't got no video.

1:24:39.640 --> 1:24:41.920
<v Speaker 1>Now you said to about the nigger to take the map.

1:24:42.160 --> 1:24:44.240
<v Speaker 1>I don't give the nigga with the king with a

1:24:44.760 --> 1:24:48.080
<v Speaker 1>bad boon costume on, I don't give or Kelly would

1:24:48.080 --> 1:24:49.519
<v Speaker 1>have showed up and I would have shot it. I

1:24:49.720 --> 1:24:53.920
<v Speaker 1>was a young boy. Let's get it. I was excited.

1:24:54.520 --> 1:25:01.679
<v Speaker 1>Let's make some noise for that. I think it's so funny.

1:25:01.680 --> 1:25:03.439
<v Speaker 1>I actually went on tour. I actually opened up for

1:25:03.680 --> 1:25:16.920
<v Speaker 1>Kelly a few times. Yeah you wanted to ye, No, No,

1:25:17.000 --> 1:25:20.160
<v Speaker 1>I'm just saying he's a cool dude. He was. I'm

1:25:20.200 --> 1:25:23.280
<v Speaker 1>saying I never was. Everybody did was old enough drink alcohol.

1:25:23.320 --> 1:25:29.000
<v Speaker 1>Nobody would drink a Similac motherfucker already. The third time

1:25:29.080 --> 1:25:30.880
<v Speaker 1>I was about to meet R. Kelly was when he

1:25:31.000 --> 1:25:33.240
<v Speaker 1>was on the tour with I'm jay Z. He was

1:25:33.320 --> 1:25:37.200
<v Speaker 1>performing that Madison Square guard. Yeah, this was the first

1:25:37.240 --> 1:25:39.400
<v Speaker 1>time he was gonna bring me out to perform Hotel

1:25:39.479 --> 1:25:42.920
<v Speaker 1>with him, and that should happened. Yeah, and that happens.

1:25:43.000 --> 1:25:48.280
<v Speaker 1>What happened um or the two with chill your case? No, no, no, no, no,

1:25:48.560 --> 1:25:51.080
<v Speaker 1>I wasn't. I wasn't nothing to do with my case.

1:25:51.080 --> 1:25:53.120
<v Speaker 1>I dare to performing the song with R. Kelly and

1:25:53.200 --> 1:25:56.200
<v Speaker 1>he got into a situation where somebody else got pepper sprayed,

1:25:56.280 --> 1:25:58.759
<v Speaker 1>the show got shut down, he got rushes to the hospital.

1:25:59.120 --> 1:26:03.600
<v Speaker 1>It was on tour the before I want to go

1:26:04.040 --> 1:26:05.920
<v Speaker 1>with you all the time because it became jay Z

1:26:06.000 --> 1:26:08.800
<v Speaker 1>and Frost there that night. I came after that because

1:26:08.840 --> 1:26:12.080
<v Speaker 1>my Nigga, I was in the bathroom smoking. I was like, Nigga,

1:26:12.080 --> 1:26:14.680
<v Speaker 1>I'm about to go out on Madison Square Guard. I'm

1:26:14.720 --> 1:26:18.240
<v Speaker 1>already lit. I'm already performing this ship, and I'm already

1:26:18.439 --> 1:26:21.360
<v Speaker 1>super lit already. So now I'm about to go on

1:26:21.479 --> 1:26:24.599
<v Speaker 1>stage with R. Kelly at Madison Square, Guarden, I'm about

1:26:24.600 --> 1:26:26.559
<v Speaker 1>to go on and go. Girl, you want to cover

1:26:26.680 --> 1:26:28.919
<v Speaker 1>to my old time. I'm in the bathroom, I'm smoking.

1:26:29.479 --> 1:26:32.920
<v Speaker 1>I'm ready. But I was high hated back then like

1:26:33.040 --> 1:26:36.160
<v Speaker 1>this this like before they before, like the cases and

1:26:36.280 --> 1:26:38.799
<v Speaker 1>all that. You know what I'm saying. So Nigga's strapped

1:26:38.880 --> 1:26:41.280
<v Speaker 1>up in the bathroom. Nigga's got the all gatte where

1:26:41.560 --> 1:26:44.400
<v Speaker 1>and all was a sudden I see R. Kelly Cousins

1:26:44.479 --> 1:26:47.360
<v Speaker 1>and his security, all the people they running the bathroom. Key,

1:26:48.240 --> 1:26:50.840
<v Speaker 1>I like, what the fun going on? They're like, yo,

1:26:52.000 --> 1:26:55.400
<v Speaker 1>it's called they're screaming on crazy. So we take some

1:26:55.560 --> 1:26:59.000
<v Speaker 1>guns and we give them some guns. Like, yeah, Nick,

1:26:59.040 --> 1:27:01.120
<v Speaker 1>I need to get on the stag to perform this ship.

1:27:01.880 --> 1:27:04.639
<v Speaker 1>I don't know what they're going through the nigga screaming,

1:27:04.680 --> 1:27:07.519
<v Speaker 1>ain't saying what he's going through. He just like niggas trainer,

1:27:08.240 --> 1:27:10.960
<v Speaker 1>So we get him nigging some guns and selling niggas

1:27:10.960 --> 1:27:12.880
<v Speaker 1>go into business so we could get on the stage.

1:27:13.320 --> 1:27:18.280
<v Speaker 1>Next thing. I know. It's a hell of Madison Square

1:27:18.320 --> 1:27:21.560
<v Speaker 1>Gardens story. I'm just saying, like you canna call you

1:27:21.640 --> 1:27:29.200
<v Speaker 1>the gun nigga from the guns. I mean when they got,

1:27:29.520 --> 1:27:32.599
<v Speaker 1>I I feel good a something, if we got something.

1:27:33.920 --> 1:27:36.800
<v Speaker 1>I'm not the bad guy. I'm not putting no hits out.

1:27:36.840 --> 1:27:38.680
<v Speaker 1>I'm not telling you to go hit this. I'm not

1:27:38.800 --> 1:27:44.280
<v Speaker 1>going We're just saying I got I'm not saying that.

1:27:44.880 --> 1:27:47.680
<v Speaker 1>It's like I want to perform and do business. I

1:27:47.760 --> 1:27:50.439
<v Speaker 1>want to get I want to do my song. I

1:27:50.560 --> 1:27:52.960
<v Speaker 1>want to go out there. Go girl, you want to come,

1:27:53.439 --> 1:27:56.240
<v Speaker 1>I don't want to do You're coming there screaming the

1:27:56.320 --> 1:28:01.320
<v Speaker 1>dollar like a nigga dying. Got Jimmy, I don't know

1:28:01.439 --> 1:28:07.000
<v Speaker 1>what's going on, so I can give y'allsel to do,

1:28:07.720 --> 1:28:09.960
<v Speaker 1>Like I don't know what the fun is going on. Now.

1:28:10.160 --> 1:28:13.000
<v Speaker 1>It turned around this with jay Z. Now I don't

1:28:13.040 --> 1:28:15.519
<v Speaker 1>want That's probably why I ain't get as as big

1:28:15.560 --> 1:28:17.200
<v Speaker 1>as I was probably supposed to get in my career

1:28:17.240 --> 1:28:21.439
<v Speaker 1>because everything and I know this the platform. I just

1:28:21.520 --> 1:28:23.479
<v Speaker 1>want this man to know he didn't know. Ye had

1:28:23.600 --> 1:28:25.880
<v Speaker 1>nothing to do with it. They would said they, but

1:28:26.040 --> 1:28:29.400
<v Speaker 1>they sell with jay Z. I was like, Z ain't

1:28:29.400 --> 1:28:33.200
<v Speaker 1>getting like I'm figuring that out. It was made it

1:28:33.240 --> 1:28:35.599
<v Speaker 1>seem like it was a regular nigga. So I'm like, yo,

1:28:35.760 --> 1:28:39.200
<v Speaker 1>my niggas like I was back then. There's no home

1:28:39.280 --> 1:28:43.960
<v Speaker 1>calls you good now? Yeah, that was that was actually

1:28:45.080 --> 1:28:49.280
<v Speaker 1>he said, not actually Kelly, but the homie that was

1:28:49.320 --> 1:28:52.400
<v Speaker 1>next to the home. Yeah, and niggas that niggas that

1:28:52.520 --> 1:28:55.920
<v Speaker 1>I know that is his, his people's. They ran in

1:28:56.000 --> 1:29:00.160
<v Speaker 1>the bathroom chaotic, Yo, Kelly, Oh my goodness. So I

1:29:00.240 --> 1:29:03.960
<v Speaker 1>was like, you know what I'm saying, So you they

1:29:04.000 --> 1:29:08.560
<v Speaker 1>didn't say, they didn't say yo with jay Z and

1:29:08.720 --> 1:29:11.240
<v Speaker 1>his people's and he did this and then this is this.

1:29:11.880 --> 1:29:14.400
<v Speaker 1>I ain't know. I wanted to go on stage and perform.

1:29:15.040 --> 1:29:17.760
<v Speaker 1>I'm happy that they are on the best of both worlds.

1:29:17.760 --> 1:29:21.000
<v Speaker 1>I'm thinking they're friends. I don't know the I don't know,

1:29:21.600 --> 1:29:23.800
<v Speaker 1>you know what I'm saying. But that was the third

1:29:23.880 --> 1:29:25.720
<v Speaker 1>time I was supposed to see him. I didn't see

1:29:25.760 --> 1:29:29.840
<v Speaker 1>him that day though, like the other niggas came into

1:29:29.880 --> 1:29:33.080
<v Speaker 1>bathroom when they got the ship. We went to the

1:29:33.200 --> 1:29:37.639
<v Speaker 1>hospital to go recover what we gave them. R Kelly

1:29:37.800 --> 1:29:39.920
<v Speaker 1>was in the hospitals or I ain't see him that time.

1:29:40.080 --> 1:29:41.960
<v Speaker 1>I saw I met him the two times the time

1:29:42.040 --> 1:29:48.519
<v Speaker 1>you went to guns back, Yeah, like I ain't shooting.

1:29:50.960 --> 1:29:53.360
<v Speaker 1>I can't see if they knocked something off to that.

1:29:54.680 --> 1:29:57.280
<v Speaker 1>But it's like niggas ain't doing nothing. Got my ship

1:29:57.360 --> 1:29:59.120
<v Speaker 1>and they not happened. Let me get my ship back.

1:29:59.200 --> 1:30:01.880
<v Speaker 1>So we went to the spin God get your back.

1:30:02.280 --> 1:30:04.040
<v Speaker 1>But I ain't see him like you know you see

1:30:04.800 --> 1:30:07.840
<v Speaker 1>at the going stage, just peace, super mad. That's the

1:30:07.920 --> 1:30:10.160
<v Speaker 1>mold the story. I'm happy you see the morrow the story.

1:30:10.520 --> 1:30:12.880
<v Speaker 1>Everybody trying to think aways to me like I'm a

1:30:12.960 --> 1:30:16.160
<v Speaker 1>criminal with the girls. I'm talking, I ain't get to perform,

1:30:18.439 --> 1:30:20.280
<v Speaker 1>like I never got to do this. I've never done

1:30:20.320 --> 1:30:22.559
<v Speaker 1>a song. No, I've never been on stage. And then

1:30:22.600 --> 1:30:30.360
<v Speaker 1>they're going to go, girl, you show your career. I

1:30:30.400 --> 1:30:36.720
<v Speaker 1>don't see that's sound. And then that ship happened. It's like,

1:30:36.760 --> 1:30:40.360
<v Speaker 1>come on, man, what the fun is going on? Let's

1:30:40.400 --> 1:30:42.120
<v Speaker 1>change it up for us, like a little oozy, A

1:30:42.200 --> 1:30:49.360
<v Speaker 1>little baby, um, little little auzy, a little baby. You're

1:30:49.360 --> 1:30:53.760
<v Speaker 1>gonna ask me the same thing, man, you gotta answer, brother,

1:30:53.760 --> 1:30:59.360
<v Speaker 1>don't take a shot. Damn, man, that's weird lately. So

1:30:59.439 --> 1:31:10.040
<v Speaker 1>I like your long time as some fans down. I've

1:31:10.080 --> 1:31:12.320
<v Speaker 1>seen when I first came to Atlanta, right, this is

1:31:12.360 --> 1:31:14.200
<v Speaker 1>when our first movie out day. I was in the mall.

1:31:14.560 --> 1:31:16.400
<v Speaker 1>I'm looking for some ship. Let's get away with this

1:31:16.520 --> 1:31:20.720
<v Speaker 1>last one, but this quick time and it's one baby. Yes,

1:31:21.080 --> 1:31:26.000
<v Speaker 1>that's it. We come back a little we come back

1:31:26.040 --> 1:31:27.920
<v Speaker 1>to the great store. I love it. I've met the

1:31:27.960 --> 1:31:31.080
<v Speaker 1>little baby. I shook his handy good. I'm from Philly

1:31:31.120 --> 1:31:33.519
<v Speaker 1>and I never met little Bosie, never tapped in So

1:31:33.520 --> 1:31:37.200
<v Speaker 1>a little baby. If you want, we don't. We're not

1:31:37.320 --> 1:31:40.479
<v Speaker 1>mad if you if you want to think about it,

1:31:40.560 --> 1:31:44.719
<v Speaker 1>it's okay. Little little baby who finished on his forehead,

1:31:45.000 --> 1:31:53.240
<v Speaker 1>the village on his head, guy's head, right, little baby,

1:31:54.400 --> 1:31:56.360
<v Speaker 1>the growing you guy has called into baby. I'm going on.

1:31:57.680 --> 1:32:01.080
<v Speaker 1>You think it's million anybody, it's down on it. I

1:32:01.400 --> 1:32:04.680
<v Speaker 1>think it's five hundred. I God, damn, I love it.

1:32:04.680 --> 1:32:08.200
<v Speaker 1>Because you're gonna get a piece of that face. I

1:32:08.240 --> 1:32:11.679
<v Speaker 1>don't get a piece wings all right, yeah, be careful

1:32:11.760 --> 1:32:21.720
<v Speaker 1>right now Atlanta or Miami? Atlanta, Atlanta, Miami. I don't

1:32:21.720 --> 1:32:27.480
<v Speaker 1>know if that was a fair one from me. Shot relationships,

1:32:29.000 --> 1:32:30.800
<v Speaker 1>stop you that. Let's get this thing a shot a

1:32:30.800 --> 1:32:39.200
<v Speaker 1>little fast. Come on, at s say I'll respect that

1:32:41.840 --> 1:32:45.599
<v Speaker 1>the tiny shots. Okay, Atlanta Miami. You tek about buy

1:32:45.640 --> 1:32:51.280
<v Speaker 1>pussy or game pussy. It's a difference. I can't Mimi

1:32:51.360 --> 1:32:54.639
<v Speaker 1>is the buying. No, No, I'm every woman's for selling Miami.

1:32:54.720 --> 1:32:57.960
<v Speaker 1>My knee got don't be a hitter, please, every woman

1:32:58.040 --> 1:33:00.280
<v Speaker 1>is selling pussy more Atlanta to But I got go

1:33:00.360 --> 1:33:02.880
<v Speaker 1>Atlanta because I make more money on landing. Okay, alright,

1:33:02.920 --> 1:33:05.560
<v Speaker 1>are you going to bathroom? Or this is one for

1:33:05.600 --> 1:33:13.599
<v Speaker 1>all through three year y'all? Loyalty or respect? I'm gonna

1:33:13.600 --> 1:33:15.640
<v Speaker 1>take a shot. I need both of them, all right,

1:33:15.720 --> 1:33:19.920
<v Speaker 1>I respect that shot. Loyalty or respect? Come on, No,

1:33:20.360 --> 1:33:24.000
<v Speaker 1>you can't keep doing it once you get it. You

1:33:24.080 --> 1:33:28.759
<v Speaker 1>know it's affective. You can't ask the next already creative.

1:33:30.040 --> 1:33:32.519
<v Speaker 1>I'm take a shot. You know that take a shot.

1:33:33.040 --> 1:33:35.240
<v Speaker 1>Should take a shot. I don't know. I don't know.

1:33:36.040 --> 1:33:42.600
<v Speaker 1>School three champs, you know not to respect you to

1:33:44.640 --> 1:33:52.639
<v Speaker 1>come respect to be both loyalty. If you if you're

1:33:52.720 --> 1:33:55.640
<v Speaker 1>loyal to me, you should respect respect, respect that. I

1:33:55.760 --> 1:33:58.519
<v Speaker 1>respect that now. But if you respect me, you should

1:33:58.520 --> 1:34:01.719
<v Speaker 1>be lawyer to me too. Everybody that respects you as loyalty,

1:34:01.720 --> 1:34:07.160
<v Speaker 1>I'm gonna take a shot for you. Take a shot

1:34:07.240 --> 1:34:10.000
<v Speaker 1>for you. I don't got a ticket shot because I picked,

1:34:11.760 --> 1:34:14.960
<v Speaker 1>I got fokeingball and I forgot your basses from Philip.

1:34:14.960 --> 1:34:20.040
<v Speaker 1>You're gonna throw for his baths in here, all right? Um,

1:34:22.800 --> 1:34:24.639
<v Speaker 1>it should be easy for a couple of people. Swiss

1:34:24.680 --> 1:34:32.439
<v Speaker 1>mesa tip back Wood out there, m hmm, and my

1:34:32.560 --> 1:34:38.519
<v Speaker 1>book bag. I'm gonna go Swiss, Swiss Visa, timperly, Swiss meat,

1:34:38.720 --> 1:34:44.360
<v Speaker 1>Swiss timper just you know, I gotta go to Swiss

1:34:44.360 --> 1:34:46.800
<v Speaker 1>because he put my niegue on. Okay, all right then,

1:34:46.800 --> 1:34:48.680
<v Speaker 1>now let me start with you real quick. For ev

1:34:48.840 --> 1:34:55.080
<v Speaker 1>Us up, Rocket Feller, cash money, Rocket Feller, They're rock.

1:34:57.520 --> 1:35:03.960
<v Speaker 1>I'm gonna cash money. J clue what jazz, Jeff. Let's

1:35:03.960 --> 1:35:07.080
<v Speaker 1>do different categories. That's the reason why it should be

1:35:07.240 --> 1:35:12.640
<v Speaker 1>that that's a hard one. No, that's a different one

1:35:12.680 --> 1:35:17.400
<v Speaker 1>that that already hard one. Um, it's another one like this,

1:35:19.920 --> 1:35:27.360
<v Speaker 1>I mean no, because he's trying to send me up

1:35:27.400 --> 1:35:30.120
<v Speaker 1>with the Philly Ship. Wait, wait, wait, I didn't even

1:35:30.120 --> 1:35:32.599
<v Speaker 1>know I forgot the question. The clue Jazz Jeff, Yeah,

1:35:32.920 --> 1:35:34.960
<v Speaker 1>you want me to answer it? No, I don't want

1:35:35.000 --> 1:35:45.680
<v Speaker 1>you to answer Jazzy jeff Man hometown. I mean the

1:35:45.840 --> 1:35:48.599
<v Speaker 1>last one for your motherfucker's Jill Scott a Jasmine Sullivan,

1:35:49.400 --> 1:35:54.360
<v Speaker 1>Jeff Scott, Jie Scott, Jill Scott. I think Jazze still

1:35:54.439 --> 1:35:59.400
<v Speaker 1>she still got to go to Jasmine. She's just amazing.

1:36:00.080 --> 1:36:06.719
<v Speaker 1>But let Julia Irvin Julie Servant, Junior servant, Dr Jay Money,

1:36:08.400 --> 1:36:15.800
<v Speaker 1>I'm gonna see a quick break, taking a quick people's break. Yeah,

1:36:16.200 --> 1:36:19.960
<v Speaker 1>do it. Let's walk the room, yo, Ja Jr. Servant's son.

1:36:20.080 --> 1:36:22.120
<v Speaker 1>Jay Irving used to manage me. That's why I got

1:36:22.200 --> 1:36:24.599
<v Speaker 1>picked jail. And I said, but you feel to keep

1:36:24.640 --> 1:36:36.639
<v Speaker 1>from keep stop. You don't stop stop little ship. We'll

1:36:36.640 --> 1:36:38.400
<v Speaker 1>get a lot of sick cause we still feeling, and

1:36:38.479 --> 1:36:51.960
<v Speaker 1>you'll still wipe up. Yeah, he taking up. Let's go

1:36:52.920 --> 1:36:57.599
<v Speaker 1>all right? Cool, So drama real quick. When you when

1:36:57.640 --> 1:37:01.800
<v Speaker 1>you come, when you're going from Philly tow Atlanta? How

1:37:01.840 --> 1:37:04.120
<v Speaker 1>old do you at that point? I was eighteen? And

1:37:04.200 --> 1:37:06.120
<v Speaker 1>what was the reason for that? I went to I went.

1:37:06.280 --> 1:37:09.280
<v Speaker 1>I left to go to college, So you went to

1:37:09.320 --> 1:37:13.439
<v Speaker 1>Calklanta University, And that was that was my reason. I mean,

1:37:14.439 --> 1:37:16.000
<v Speaker 1>I went to college to go to Atlanta. I didn't

1:37:16.000 --> 1:37:18.360
<v Speaker 1>even know, you know, I know at the time, like

1:37:18.439 --> 1:37:22.360
<v Speaker 1>Atlanta had a a vibrant scene, like you know, I

1:37:22.439 --> 1:37:25.679
<v Speaker 1>had visited with my father and I had seen like, yeah,

1:37:25.720 --> 1:37:36.640
<v Speaker 1>we are rolling the fun bro um. No, so I

1:37:36.720 --> 1:37:39.000
<v Speaker 1>had knew, like you know, Atlanta was a was a

1:37:40.720 --> 1:37:44.519
<v Speaker 1>place of you know, opportunity for young black people of

1:37:44.880 --> 1:37:47.160
<v Speaker 1>young young people of color, you know, from all over

1:37:47.240 --> 1:37:48.519
<v Speaker 1>the place. You know, I always thought I was gonna

1:37:48.520 --> 1:37:50.360
<v Speaker 1>wind up in New York honestly, you know what I'm saying,

1:37:50.400 --> 1:37:53.599
<v Speaker 1>coming from Philly like when I was you know, waving

1:37:53.600 --> 1:37:56.599
<v Speaker 1>and everything. But Atlanta is like, you know, I owe

1:37:56.640 --> 1:37:58.640
<v Speaker 1>a lot to Atlanta for my career, and you know,

1:37:59.640 --> 1:38:01.840
<v Speaker 1>for what I was able to accomplish there, you were

1:38:01.840 --> 1:38:05.840
<v Speaker 1>already DJ ye Yeah, I was DJ. I mean, you

1:38:05.920 --> 1:38:08.040
<v Speaker 1>know one of the reasons why I chose Black Daughters

1:38:08.080 --> 1:38:10.040
<v Speaker 1>because you know, I came up at the time when

1:38:10.040 --> 1:38:12.360
<v Speaker 1>I literally watched the Roots get on. That was my

1:38:12.479 --> 1:38:17.840
<v Speaker 1>first tom seeing literally like somebody like right in front

1:38:17.840 --> 1:38:19.519
<v Speaker 1>of me is like getting a record deal and you know,

1:38:19.960 --> 1:38:22.240
<v Speaker 1>making it, you know on rap City. You know what

1:38:22.280 --> 1:38:25.920
<v Speaker 1>I'm saying, even though there was pridecast from Philly from

1:38:25.960 --> 1:38:29.519
<v Speaker 1>my generation, from seeing it in knowing Quests and knowing

1:38:29.960 --> 1:38:32.360
<v Speaker 1>black Dog, you know what I'm saying, Restling Peace the

1:38:32.400 --> 1:38:34.680
<v Speaker 1>Mouth B two and you know it the DJ for

1:38:34.920 --> 1:38:37.400
<v Speaker 1>Bahama d I Don't Want People. Yeah, of course, yeah,

1:38:37.439 --> 1:38:39.479
<v Speaker 1>so you know that that was my early you know

1:38:39.560 --> 1:38:41.519
<v Speaker 1>Philly days and what happen bro, But yeah, I went,

1:38:41.560 --> 1:38:43.519
<v Speaker 1>I went for college. I know, we came back. But

1:38:43.640 --> 1:38:46.479
<v Speaker 1>he was, was you already making mixtapte? Lightly? I was?

1:38:46.600 --> 1:38:49.439
<v Speaker 1>I mean obviously not to the degree, but I was.

1:38:49.640 --> 1:38:52.240
<v Speaker 1>You know, I made this tape called ill It Delf

1:38:52.320 --> 1:38:56.720
<v Speaker 1>and I literally just copy uh Dop ninety five live

1:38:56.960 --> 1:38:59.519
<v Speaker 1>and you know black Dog, but I'm what's it called

1:39:00.000 --> 1:39:03.960
<v Speaker 1>it with? And you know, I just I copied do

1:39:04.080 --> 1:39:06.680
<v Speaker 1>Op and just you know, took the artists that were

1:39:06.720 --> 1:39:08.760
<v Speaker 1>around me at the time. We all wanted to do that.

1:39:08.840 --> 1:39:10.960
<v Speaker 1>Any mixtape you really wanted to do that, You wanted

1:39:10.960 --> 1:39:12.679
<v Speaker 1>to do that. So that's what I did for the crib.

1:39:13.800 --> 1:39:22.160
<v Speaker 1>You know, she ass o g of course together. I'm

1:39:22.200 --> 1:39:25.960
<v Speaker 1>trying to understand. So did you forget. I was from Philly.

1:39:26.479 --> 1:39:31.240
<v Speaker 1>Hell yeah, what what I'm telling sudden? You know had

1:39:31.360 --> 1:39:35.320
<v Speaker 1>Jillian Wallow here, I was here. I come in here

1:39:35.320 --> 1:39:37.160
<v Speaker 1>because Mike hip me last night. So I'm gonna meet

1:39:37.160 --> 1:39:39.320
<v Speaker 1>your drink champs. I don't know he here, I don't

1:39:39.320 --> 1:39:42.320
<v Speaker 1>know drum here. Uh yeah, I definitely forgot. I'm standing

1:39:42.320 --> 1:39:44.040
<v Speaker 1>here and I'm like, yo, this the second time I'm

1:39:44.600 --> 1:39:54.920
<v Speaker 1>Michigan for some reason. Michigan. He be you got hot?

1:39:55.240 --> 1:40:01.080
<v Speaker 1>Yeah a lot. I forgot, forgot, forgot. That's because I

1:40:01.200 --> 1:40:03.400
<v Speaker 1>just said you said, there's no way this nigger. No,

1:40:03.520 --> 1:40:07.040
<v Speaker 1>I'm fulfilling. Keep having niggers that I knowing right now. Definitely,

1:40:07.080 --> 1:40:11.040
<v Speaker 1>I definitely never Yeah, I definitely ain't put two and

1:40:11.080 --> 1:40:14.960
<v Speaker 1>two together. Yeah slip yeah yeah yeah, I slipped today.

1:40:15.000 --> 1:40:20.519
<v Speaker 1>I slipped today. But you're here, nigger. That's like, can

1:40:20.560 --> 1:40:23.719
<v Speaker 1>I bring my my nigg Yeah yeah yeah yeah, lulu

1:40:23.840 --> 1:40:29.080
<v Speaker 1>USI birth Okay, generational, Okay, coolest, that's what y'all are.

1:40:29.640 --> 1:40:39.240
<v Speaker 1>Cool nigga right here, cool nigger. You're Gonnas only, right boy?

1:40:39.640 --> 1:40:44.519
<v Speaker 1>Yeah yeah, you're crazy crazy yeah yeah yeah yeah that

1:40:44.640 --> 1:40:47.240
<v Speaker 1>niggas about it that it's crazy crazy and you signed

1:40:47.240 --> 1:40:51.120
<v Speaker 1>the drum yeah, yeah, generational. So how do y'all link up?

1:40:52.600 --> 1:40:56.640
<v Speaker 1>I sluck in the studio. I got my I just

1:40:56.720 --> 1:40:59.200
<v Speaker 1>got my deal from the Red Flow the boy I

1:40:59.280 --> 1:41:02.200
<v Speaker 1>got that was how that was coming. When John really

1:41:02.240 --> 1:41:04.439
<v Speaker 1>came in, wrapped hands around and they took it to

1:41:04.479 --> 1:41:07.400
<v Speaker 1>another level with it. Now we are I really stuck

1:41:07.439 --> 1:41:10.559
<v Speaker 1>in the studio. I met with a joke with a joke,

1:41:11.080 --> 1:41:16.080
<v Speaker 1>it's what's yeah, whether Joe is at Main Street at

1:41:16.120 --> 1:41:20.040
<v Speaker 1>the fly of Flying Arts. So once I link up

1:41:20.080 --> 1:41:22.360
<v Speaker 1>with him, you know, he put me in front of

1:41:22.360 --> 1:41:24.479
<v Speaker 1>the drum and when he was already hearing the music

1:41:24.800 --> 1:41:28.439
<v Speaker 1>and John was off the rip. So just took it

1:41:28.520 --> 1:41:35.720
<v Speaker 1>from nothing like let's do it? Yeah, how did you

1:41:35.800 --> 1:41:39.760
<v Speaker 1>mean swiss um? I was signed the Rough Riders. I

1:41:39.800 --> 1:41:45.880
<v Speaker 1>signed the Rough Riders when I was seventeen. Mm hmm yeah,

1:41:45.960 --> 1:41:49.320
<v Speaker 1>when I was the ball day. I'm not t d

1:41:49.439 --> 1:41:53.320
<v Speaker 1>to negotiated that Swiss pop. I'm not an a Philly

1:41:53.360 --> 1:41:55.439
<v Speaker 1>in the ballger shop and he was passing through, he

1:41:55.560 --> 1:41:58.000
<v Speaker 1>used to live in Philly, savey passing through and then

1:41:58.120 --> 1:41:59.960
<v Speaker 1>he was asking who the hottest thing in this set

1:42:00.760 --> 1:42:02.960
<v Speaker 1>and the Barbara told him about me, called me through

1:42:02.960 --> 1:42:06.760
<v Speaker 1>the studio asked me to spit some ship. So I

1:42:06.880 --> 1:42:09.360
<v Speaker 1>came to the studio and start spitting. I seen TV

1:42:09.520 --> 1:42:11.960
<v Speaker 1>he was down with Rough Riders. I didn't know him though.

1:42:12.000 --> 1:42:14.840
<v Speaker 1>He wasn't like DMX and nobody that I was familiar with,

1:42:15.760 --> 1:42:18.439
<v Speaker 1>but he had on the hat, he had merchandise and

1:42:18.479 --> 1:42:20.960
<v Speaker 1>ship like that. That's how I sped for him, made him,

1:42:21.160 --> 1:42:23.200
<v Speaker 1>made an impression on him. He got my number and

1:42:23.280 --> 1:42:26.400
<v Speaker 1>all that. Like two days later in school, I got

1:42:26.520 --> 1:42:28.320
<v Speaker 1>a page from my mom and he was telling me

1:42:28.400 --> 1:42:30.560
<v Speaker 1>to come out in New York to me why his

1:42:30.720 --> 1:42:32.960
<v Speaker 1>brother that was the CEO or Rough Riders. And that's

1:42:33.000 --> 1:42:34.640
<v Speaker 1>how I got signed the Rough Riders when I was

1:42:34.720 --> 1:42:37.720
<v Speaker 1>seventeen and Swiss was like one of the popping this

1:42:37.880 --> 1:42:41.040
<v Speaker 1>producers over there at the time. When I first got signed,

1:42:42.400 --> 1:42:44.960
<v Speaker 1>he was leviting and when I when I got signed,

1:42:45.040 --> 1:42:48.559
<v Speaker 1>he started to blow started to go crazy. He wanted

1:42:48.600 --> 1:42:51.280
<v Speaker 1>to start his own production company, so he needed an artist.

1:42:51.760 --> 1:42:53.920
<v Speaker 1>I was in the three man group, lost in the family,

1:42:54.000 --> 1:42:55.920
<v Speaker 1>but he said he wanted me as a solo artist.

1:42:56.000 --> 1:43:00.120
<v Speaker 1>So that's how we partner it up and started or

1:43:00.160 --> 1:43:04.800
<v Speaker 1>Service Records. The group was signed Rough Riders. Just you now,

1:43:04.920 --> 1:43:06.840
<v Speaker 1>he just signed me as a solo artist like I

1:43:06.960 --> 1:43:09.840
<v Speaker 1>was in the three man group, signed the Rough Riders group,

1:43:11.760 --> 1:43:14.160
<v Speaker 1>and that's how we got free from that contract because

1:43:14.479 --> 1:43:17.720
<v Speaker 1>I signed as a solo artist the Swiss Beats well

1:43:17.800 --> 1:43:21.120
<v Speaker 1>with Swiss Beats and we started for Surface and then

1:43:21.200 --> 1:43:25.120
<v Speaker 1>I got the artists there with Jay Records, Clive Davis,

1:43:25.520 --> 1:43:28.320
<v Speaker 1>and that's how he made that happen. But he went

1:43:28.439 --> 1:43:30.600
<v Speaker 1>the group, I mean, and at that time I was

1:43:30.680 --> 1:43:34.240
<v Speaker 1>the one being active battle in going crazy at the time,

1:43:34.520 --> 1:43:37.320
<v Speaker 1>and I was the youngest, so I guess he found,

1:43:37.439 --> 1:43:40.519
<v Speaker 1>like I guess he felt like, you know, that was

1:43:40.560 --> 1:43:42.560
<v Speaker 1>the best direction to go in, so he talked it

1:43:42.640 --> 1:43:45.280
<v Speaker 1>over with me, and my management at the time was

1:43:45.439 --> 1:43:49.679
<v Speaker 1>his dad and um I was signed to his uncle's

1:43:50.000 --> 1:43:52.680
<v Speaker 1>d and WY, So it was easy for me to

1:43:52.720 --> 1:43:55.200
<v Speaker 1>get out that contract and get in a new situation.

1:43:55.800 --> 1:43:59.000
<v Speaker 1>And I knew it was probably not gonna be you

1:43:59.080 --> 1:44:01.560
<v Speaker 1>know what I mean beneficial for us to stay with

1:44:01.680 --> 1:44:03.800
<v Speaker 1>Rough Riders at that time, because they had so much

1:44:03.880 --> 1:44:07.240
<v Speaker 1>talent X the locks in dragged, they weren't about so

1:44:07.360 --> 1:44:09.720
<v Speaker 1>much other situations that we was like last on the

1:44:09.840 --> 1:44:12.400
<v Speaker 1>list and we didn't even had no budget open. So

1:44:12.520 --> 1:44:14.880
<v Speaker 1>the best situation for me was to go with Swiss

1:44:14.880 --> 1:44:17.720
<v Speaker 1>because I was gonna be his only artist. And that's

1:44:17.760 --> 1:44:20.960
<v Speaker 1>how I didn't and made it happen. I'd really good

1:44:20.960 --> 1:44:25.920
<v Speaker 1>with Mike, uh, I mean me and Mike, we just

1:44:26.040 --> 1:44:30.200
<v Speaker 1>competed trying to We actually was in a UM competition

1:44:30.280 --> 1:44:33.080
<v Speaker 1>together that we I mean, comics were like one big family.

1:44:33.120 --> 1:44:35.519
<v Speaker 1>Always see each other during open mic night. You know,

1:44:36.040 --> 1:44:38.240
<v Speaker 1>we've known each other for seeing the beginning of everything.

1:44:39.200 --> 1:44:41.720
<v Speaker 1>We actually come we just really do get along. We

1:44:41.760 --> 1:44:44.360
<v Speaker 1>don't know each other, but I mean we we worked together,

1:44:44.560 --> 1:44:47.040
<v Speaker 1>you know actually the first time, not the first, but

1:44:47.520 --> 1:44:50.320
<v Speaker 1>one time, UM that she was in a competition that

1:44:50.400 --> 1:44:55.000
<v Speaker 1>gives him. It was Steve. It was Apollo, an Apollo competition. Yes,

1:44:55.120 --> 1:44:57.519
<v Speaker 1>me and Mike Epps. And the only reason why he won.

1:44:57.640 --> 1:44:59.840
<v Speaker 1>The reason why I lost because I went I did.

1:45:00.000 --> 1:45:01.840
<v Speaker 1>I went over my time. That's what he told me

1:45:01.920 --> 1:45:04.240
<v Speaker 1>that Mike, you went over your time. That's why you lost.

1:45:04.320 --> 1:45:06.760
<v Speaker 1>But um, yeah, we go way back, man, inflect your bad.

1:45:07.400 --> 1:45:09.439
<v Speaker 1>At one point was my road manager. I met him.

1:45:10.280 --> 1:45:12.840
<v Speaker 1>I made him through Tim Thomas. You know, Tim was

1:45:12.880 --> 1:45:17.320
<v Speaker 1>my homie, the bast my player. He's from Philio, so uh.

1:45:17.880 --> 1:45:21.080
<v Speaker 1>He played in Veranova and he signed like eighty min out.

1:45:21.160 --> 1:45:24.800
<v Speaker 1>You don't wanted one of the first eightymen out with

1:45:24.880 --> 1:45:30.920
<v Speaker 1>Milwaukee Bucks six NBA countract thirty million dollars shoe deal. Yeah,

1:45:31.560 --> 1:45:33.280
<v Speaker 1>and then he's working with him. That's how mad I

1:45:33.320 --> 1:45:36.200
<v Speaker 1>met him. I met him through Tim. Tim was my homie.

1:45:36.560 --> 1:45:38.800
<v Speaker 1>That's how I met you, right, Tim. Yeah, and then

1:45:38.840 --> 1:45:40.240
<v Speaker 1>he wanted to rule me for a few times. Being

1:45:40.360 --> 1:45:48.240
<v Speaker 1>rod managers, he was sucking the bitches. That's all we need.

1:45:48.720 --> 1:46:00.320
<v Speaker 1>We need ship. I'm an open book, so we can't

1:46:01.640 --> 1:46:05.080
<v Speaker 1>out there about no, no, no. It was good. They

1:46:05.160 --> 1:46:07.800
<v Speaker 1>come with the job. We have fun, though the job

1:46:07.960 --> 1:46:15.040
<v Speaker 1>we think have more fun. Comedians are rappers. Rappers actually good, Yeah, rappers,

1:46:15.120 --> 1:46:17.040
<v Speaker 1>I think have more. I've been on the rule both

1:46:17.080 --> 1:46:21.000
<v Speaker 1>more groupies and us. But yeah, I got because I

1:46:21.040 --> 1:46:26.320
<v Speaker 1>felt depends on that. We have grown up Google group

1:46:29.520 --> 1:46:39.400
<v Speaker 1>comedian groopies late thirties. Yeah, groupies have children. Yeah, groupies, Yeah,

1:46:41.720 --> 1:46:46.800
<v Speaker 1>they're wrong. Groopies there. I went to my friends too,

1:46:47.400 --> 1:46:53.160
<v Speaker 1>How did you look at Mayweather? I actually, um Floyd

1:46:53.280 --> 1:46:56.479
<v Speaker 1>was following me on Instagram and I didn't know. I

1:46:56.560 --> 1:47:00.559
<v Speaker 1>didn't know I was on my Uh. Actually I got

1:47:00.680 --> 1:47:05.720
<v Speaker 1>a text from Um from Keechi his assistant, Keeching, I've

1:47:05.720 --> 1:47:08.920
<v Speaker 1>been friends since I've been in Miami, and she texts

1:47:08.960 --> 1:47:13.000
<v Speaker 1>me one day, This was in February seventeen, and she

1:47:13.160 --> 1:47:16.759
<v Speaker 1>texts me and and said that Floyd wanted to invite

1:47:16.800 --> 1:47:19.280
<v Speaker 1>me and my man Rest in Peace prim to UH

1:47:19.920 --> 1:47:23.840
<v Speaker 1>to Floyd's forty birthday. And she said, and she said

1:47:23.920 --> 1:47:28.200
<v Speaker 1>that Floyd had been watching my Instagram and one day

1:47:28.240 --> 1:47:32.120
<v Speaker 1>I put up a post that really resonated with him personally.

1:47:32.680 --> 1:47:37.160
<v Speaker 1>It was about why do some dudes get mad if

1:47:37.200 --> 1:47:38.880
<v Speaker 1>a chick just don't want to funk with them and

1:47:38.960 --> 1:47:41.280
<v Speaker 1>want to funk with another dude? And he always looking

1:47:41.320 --> 1:47:43.680
<v Speaker 1>for explanation and I'm like, Nigga, you just ain't got it.

1:47:43.880 --> 1:47:46.120
<v Speaker 1>You ain't got that. Yeah, I mean he ain't got

1:47:46.200 --> 1:47:51.880
<v Speaker 1>that genesee qualad. So he really that that post dated

1:47:52.000 --> 1:47:53.960
<v Speaker 1>for him. So he told Keachi, like, yo, I like that, Nick.

1:47:54.000 --> 1:47:56.880
<v Speaker 1>I want to meet him. And he didn't know she

1:47:57.000 --> 1:48:00.120
<v Speaker 1>knew me. And when he showed it the post, she

1:48:00.240 --> 1:48:02.400
<v Speaker 1>was like, that's your bad. He was like, you know him?

1:48:02.520 --> 1:48:04.200
<v Speaker 1>She's like yeah, he said you like you know him?

1:48:04.240 --> 1:48:07.200
<v Speaker 1>No him? She said, yeah, I know him. She reached

1:48:07.240 --> 1:48:09.880
<v Speaker 1>out to me. I flew myself to l A for

1:48:10.000 --> 1:48:11.880
<v Speaker 1>his party, put myself in the hotel and all that

1:48:12.040 --> 1:48:15.639
<v Speaker 1>I met him, met him that night. The rest is history.

1:48:16.680 --> 1:48:19.360
<v Speaker 1>Now that's how floor is, Like, he'll watch you if

1:48:19.360 --> 1:48:21.840
<v Speaker 1>you funk with you, you watching for a few became

1:48:21.880 --> 1:48:24.720
<v Speaker 1>a fan, you know, he bent as she came to

1:48:24.760 --> 1:48:27.439
<v Speaker 1>throw my shows. After that, he's I put it up.

1:48:27.520 --> 1:48:29.720
<v Speaker 1>I made a post after the last show. He's like man,

1:48:29.760 --> 1:48:31.760
<v Speaker 1>he said after the show. Became a fan, he said,

1:48:31.800 --> 1:48:33.920
<v Speaker 1>of following me and next you know, wherever I'm at

1:48:34.040 --> 1:48:36.519
<v Speaker 1>here abouts and bring his whole crew, you know, and

1:48:36.600 --> 1:48:40.840
<v Speaker 1>he paid attention, pay attention to everything because and the

1:48:40.920 --> 1:48:43.640
<v Speaker 1>reason why he's so calculated like that is because when

1:48:43.680 --> 1:48:46.080
<v Speaker 1>he funk with you, he funk with you. He not

1:48:46.280 --> 1:48:49.559
<v Speaker 1>no funny style, Like if you notice he don't funk,

1:48:49.720 --> 1:48:52.439
<v Speaker 1>He don't roll with nobody but his team. Like he

1:48:52.560 --> 1:48:55.599
<v Speaker 1>cool with rappers and act like he cool with people.

1:48:55.680 --> 1:48:58.680
<v Speaker 1>But when he decided I want to funk with this

1:48:58.840 --> 1:49:01.519
<v Speaker 1>person and he bring you win? Is that for life?

1:49:01.720 --> 1:49:05.000
<v Speaker 1>Like only you can suck that up whatever I thought,

1:49:05.040 --> 1:49:06.439
<v Speaker 1>that's how he treated the show when he came on

1:49:06.560 --> 1:49:08.640
<v Speaker 1>the show, Like but that's how he completed. I was

1:49:09.400 --> 1:49:11.599
<v Speaker 1>with this. I'm with this situation right now. He wouldn't

1:49:11.600 --> 1:49:13.439
<v Speaker 1>have came if he didn't sunk with it. And trust me,

1:49:13.520 --> 1:49:15.840
<v Speaker 1>he probably don't watch the hundred episodes of this Ship

1:49:16.439 --> 1:49:19.280
<v Speaker 1>before he decided. Yeah, I see the other day at

1:49:19.360 --> 1:49:23.519
<v Speaker 1>his party, and like he said that, you know he

1:49:23.600 --> 1:49:32.280
<v Speaker 1>really like I was at that, Like like he when

1:49:32.320 --> 1:49:34.160
<v Speaker 1>he when he want to funk with somebody, like he

1:49:34.240 --> 1:49:38.519
<v Speaker 1>don't just dive in because you know people. You know,

1:49:38.640 --> 1:49:40.920
<v Speaker 1>he was disappointed humans, you know what I'm saying. So

1:49:41.040 --> 1:49:44.320
<v Speaker 1>when he tried to be really meticulous about who he

1:49:44.520 --> 1:49:48.400
<v Speaker 1>decided to hand pick and funk with, and like, man,

1:49:49.240 --> 1:49:51.120
<v Speaker 1>he sucked me up, like I ain't gonna hold you,

1:49:51.320 --> 1:49:53.519
<v Speaker 1>like I'm not gonna get into all the stories. But

1:49:53.680 --> 1:49:58.439
<v Speaker 1>like he called me. He called me one day in April.

1:49:58.680 --> 1:50:02.000
<v Speaker 1>I met him in February. I met him in February.

1:50:02.040 --> 1:50:04.240
<v Speaker 1>Now I told this story. I met him in February.

1:50:04.280 --> 1:50:07.280
<v Speaker 1>I went to l A. I came back from l

1:50:07.360 --> 1:50:11.599
<v Speaker 1>A that Monday. That Tuesday, Keachi called me. She said,

1:50:11.640 --> 1:50:15.479
<v Speaker 1>I told you when Floyd likes somebody, he likes him.

1:50:16.120 --> 1:50:17.759
<v Speaker 1>She said, No, I don't want to make you nervous,

1:50:18.320 --> 1:50:21.200
<v Speaker 1>she said, but he told me to ask you for

1:50:21.320 --> 1:50:26.920
<v Speaker 1>your bank account information. I'm like, he can have it.

1:50:27.000 --> 1:50:39.639
<v Speaker 1>I know, you know, you know he's not getting ready.

1:50:39.680 --> 1:50:42.719
<v Speaker 1>Still nothing, so like this couldn't only be going one direction.

1:50:42.920 --> 1:50:47.080
<v Speaker 1>So it was a Tuesday. Wednesday came and I'm not

1:50:47.280 --> 1:50:50.080
<v Speaker 1>I don't know what to expect. I don't have no expectations.

1:50:50.120 --> 1:50:51.679
<v Speaker 1>I'm just like, I don't know where this is going.

1:50:51.880 --> 1:50:54.920
<v Speaker 1>I just met the man four days ago, and that

1:50:55.160 --> 1:50:59.400
<v Speaker 1>Thursday he called me. He texted me and he said,

1:51:00.040 --> 1:51:04.120
<v Speaker 1>check your account in ten minutes, and it was ten

1:51:04.200 --> 1:51:09.000
<v Speaker 1>thousand in my account. That was February. My birthday was

1:51:09.080 --> 1:51:12.280
<v Speaker 1>in April. He came to my Ainami. He faced Tommy

1:51:12.560 --> 1:51:15.439
<v Speaker 1>and he said, Yo, where you where you at? I

1:51:15.479 --> 1:51:18.160
<v Speaker 1>said him in the house. He said, send me your location,

1:51:19.479 --> 1:51:22.120
<v Speaker 1>so he said I and I texted them look where

1:51:22.160 --> 1:51:23.840
<v Speaker 1>I live. He said, I'll be there in ten minutes,

1:51:24.800 --> 1:51:27.200
<v Speaker 1>and I, um, I got out say it. So I'm

1:51:27.240 --> 1:51:29.360
<v Speaker 1>looking for like I'm looking for the money team trucks.

1:51:29.400 --> 1:51:32.479
<v Speaker 1>I'm looking for the Bugatti. I'm looking for some ship.

1:51:32.680 --> 1:51:36.000
<v Speaker 1>But I don't see no cause. So I see U

1:51:36.600 --> 1:51:39.519
<v Speaker 1>a suv flashing they lights at me and it's him.

1:51:39.640 --> 1:51:43.400
<v Speaker 1>He drove just him his man out and and uh

1:51:43.840 --> 1:51:46.920
<v Speaker 1>in a lady friend. He drove in my crib, told

1:51:46.960 --> 1:51:50.920
<v Speaker 1>me happy birthday, gave me another tenthoud. Oh no, you'll

1:51:50.960 --> 1:51:54.240
<v Speaker 1>never see him, you know, he gave me another ten thousand.

1:51:54.320 --> 1:51:56.360
<v Speaker 1>But when he gave me that ten thousand, he said, listen,

1:51:57.120 --> 1:52:00.240
<v Speaker 1>He said, what you're doing on social media is needed,

1:52:01.240 --> 1:52:03.400
<v Speaker 1>he said, And he said, I know you're a man,

1:52:03.520 --> 1:52:05.080
<v Speaker 1>he said. I know. You don't ask me for nothing,

1:52:05.439 --> 1:52:08.479
<v Speaker 1>he said, But and I know what your background is,

1:52:08.880 --> 1:52:10.640
<v Speaker 1>he said. But I don't want you to risk your

1:52:10.720 --> 1:52:12.960
<v Speaker 1>freedom for money, he said, because we need you on

1:52:13.120 --> 1:52:15.160
<v Speaker 1>this side of the wall, not the other side of

1:52:15.200 --> 1:52:17.439
<v Speaker 1>the wall. He said. All that game you got it

1:52:17.520 --> 1:52:19.240
<v Speaker 1>need to be out here, he said, don't you worry

1:52:19.240 --> 1:52:22.479
<v Speaker 1>about nothing. I got you for life. You good? Why

1:52:23.439 --> 1:52:27.599
<v Speaker 1>that's not like to said, let me make this clear.

1:52:27.680 --> 1:52:29.720
<v Speaker 1>He don't just take care of me. You don't just

1:52:29.880 --> 1:52:33.320
<v Speaker 1>give every week. But he just wanted to be understood, like,

1:52:33.439 --> 1:52:35.080
<v Speaker 1>I really funk with you and I got your back.

1:52:35.160 --> 1:52:37.840
<v Speaker 1>So if you should need me, you understand you gotta

1:52:38.160 --> 1:52:51.360
<v Speaker 1>support system. But thankfully I don't. UN's fun popular, you know,

1:52:51.760 --> 1:52:54.720
<v Speaker 1>it's like you know it just you know what it does.

1:52:55.000 --> 1:52:56.920
<v Speaker 1>It took it took me back to something that my

1:52:57.040 --> 1:53:03.200
<v Speaker 1>mother taught me, and that was always exude stellar behavior

1:53:03.439 --> 1:53:06.120
<v Speaker 1>and good character because you never know who watching. Just

1:53:06.240 --> 1:53:09.880
<v Speaker 1>be great, Just be yourself for you're gonna come because

1:53:09.920 --> 1:53:11.800
<v Speaker 1>never in a million years, because I have designed that,

1:53:12.439 --> 1:53:14.920
<v Speaker 1>you know, saying that type of relationship or friendship to

1:53:15.000 --> 1:53:17.080
<v Speaker 1>this day my man and that's his way of doing

1:53:17.120 --> 1:53:19.320
<v Speaker 1>philanthropy for lack of a better world. But a lot

1:53:19.400 --> 1:53:21.639
<v Speaker 1>of people see, people don't know the difference between money

1:53:21.680 --> 1:53:24.960
<v Speaker 1>made Whether and Floyd. It's two different people. Money made

1:53:24.960 --> 1:53:27.680
<v Speaker 1>Whether they're supposed to piss people off. Money Mayweather is

1:53:27.720 --> 1:53:29.479
<v Speaker 1>the one that get under people's scan like that's the

1:53:29.560 --> 1:53:33.200
<v Speaker 1>one money Maybe Whether made the money. But Floyd, the person,

1:53:33.320 --> 1:53:36.639
<v Speaker 1>the man, the human, the person that got his own flaws,

1:53:36.760 --> 1:53:39.360
<v Speaker 1>the man that's human that you don't make mistakes like

1:53:39.439 --> 1:53:43.280
<v Speaker 1>everybody else make. His mistakes may be different. He's different

1:53:43.320 --> 1:53:46.280
<v Speaker 1>from money Mayweather. And that's the person that people don't know.

1:53:46.960 --> 1:53:50.400
<v Speaker 1>And that's the person that gets piste off when people

1:53:50.720 --> 1:53:53.840
<v Speaker 1>criticize Floyd for what money made, Whether might have did

1:53:53.880 --> 1:53:58.760
<v Speaker 1>you know what I'm saying. It's a difference. So what's

1:53:58.760 --> 1:54:03.479
<v Speaker 1>the next real quick? May be a city right now? Listen,

1:54:03.760 --> 1:54:07.519
<v Speaker 1>five as already out here. I'm gonna get to take

1:54:07.520 --> 1:54:11.000
<v Speaker 1>by y'all to say, let's okay, all right now all

1:54:12.880 --> 1:54:15.160
<v Speaker 1>I'm not just saying that neither, like so you know

1:54:15.200 --> 1:54:16.880
<v Speaker 1>how to pick up that's just crazy to pick up

1:54:18.640 --> 1:54:20.680
<v Speaker 1>and your energy good. When I pulled up and he's

1:54:20.720 --> 1:54:27.960
<v Speaker 1>from Florida. That's that's everything over this you next, um

1:54:29.120 --> 1:54:32.640
<v Speaker 1>car your I don't know if you know, I'm just

1:54:32.720 --> 1:54:36.920
<v Speaker 1>saluting to the subvert for them, you know, for this

1:54:37.000 --> 1:54:40.160
<v Speaker 1>ship but generation now, you know, shopping cannon they you know.

1:54:40.320 --> 1:54:45.280
<v Speaker 1>Jack Allough said, got some should coming. But I'm working

1:54:45.280 --> 1:54:47.400
<v Speaker 1>on some of the music too, Okay, I'm always working,

1:54:47.720 --> 1:54:51.480
<v Speaker 1>all right, podcast What's What's What's next for you? And

1:54:51.640 --> 1:54:54.520
<v Speaker 1>just just dropped three projects in the last five months,

1:54:55.120 --> 1:54:58.680
<v Speaker 1>The Science, the Former Lane, the Wise Man. So I've

1:54:58.680 --> 1:55:05.600
<v Speaker 1>been working cooking up on all platforms. Will check it out, everybody.

1:55:06.320 --> 1:55:09.120
<v Speaker 1>Three projects to Science, the Phone Alone, the Wise Man.

1:55:12.040 --> 1:55:15.400
<v Speaker 1>That's right, hey, marge. Second, my podcast come out called

1:55:15.480 --> 1:55:20.600
<v Speaker 1>No Filter with Michael Blackson. So yes, there's somebody named

1:55:20.640 --> 1:55:25.840
<v Speaker 1>Doggie Dimonds. There's a whole lot of filters. Yeah, there's

1:55:25.840 --> 1:55:27.520
<v Speaker 1>a whole lot of no filters. So I had a

1:55:27.840 --> 1:55:30.200
<v Speaker 1>No Filter with Michael Blackson. It's a wholeless it was

1:55:30.560 --> 1:55:33.520
<v Speaker 1>you hit me about to listen, it's already been contract

1:55:33.600 --> 1:55:37.320
<v Speaker 1>me signed already and my name is attituated. So it's

1:55:37.320 --> 1:55:40.080
<v Speaker 1>a whole bunch of no filters. You know, I wasn't great.

1:55:40.160 --> 1:55:42.200
<v Speaker 1>My things are like, so be glad you think as

1:55:42.240 --> 1:55:46.640
<v Speaker 1>good as me. Motherfucker with your name I had with

1:55:46.760 --> 1:55:49.120
<v Speaker 1>my name, So it's no filter. Michael blacks name is

1:55:49.160 --> 1:55:52.480
<v Speaker 1>on alright, shout out to Sharmis on Black Effects Network

1:55:52.560 --> 1:55:55.760
<v Speaker 1>and all that Black Effects. You all got a great

1:55:55.840 --> 1:55:58.760
<v Speaker 1>excellent so yes, March second stars of course much fit

1:55:58.960 --> 1:56:02.400
<v Speaker 1>um coming to America too, was in that movie. Everybody

1:56:02.400 --> 1:56:04.960
<v Speaker 1>got the bootleg, both flies me, everybody got. People have

1:56:05.040 --> 1:56:10.960
<v Speaker 1>seen it already. You see who come to even told

1:56:10.960 --> 1:56:17.080
<v Speaker 1>meet the bootleg? Day? They watching, they're watching the Friends far.

1:56:17.120 --> 1:56:32.720
<v Speaker 1>Motherfucker don't know the first one? Yea every yet, No listen,

1:56:33.000 --> 1:56:37.160
<v Speaker 1>it's not out there, bro, it ain't ain't no way

1:56:37.640 --> 1:56:40.640
<v Speaker 1>it's out there. Um yeah. And then of course March

1:56:40.720 --> 1:56:43.720
<v Speaker 1>twenty nine, Um, couples who treat me my girl, and

1:56:43.760 --> 1:56:45.640
<v Speaker 1>a bunch of love and hip hop people and I'm

1:56:45.640 --> 1:56:47.879
<v Speaker 1>on tour. I'm back on the road, you know, Corona.

1:56:48.360 --> 1:56:50.760
<v Speaker 1>We're back out there. I went doing my own thing,

1:56:51.080 --> 1:56:53.200
<v Speaker 1>I with Mike Abson and this this fall, and you

1:56:53.280 --> 1:56:56.680
<v Speaker 1>got the vaccine. Just say yeah, So you say you

1:56:56.760 --> 1:57:00.280
<v Speaker 1>got the vaccine. Listen, came to you that visine said

1:57:00.280 --> 1:57:03.760
<v Speaker 1>it's ninety seven point five percent accent. I'll get on

1:57:03.840 --> 1:57:07.880
<v Speaker 1>it right now, Okay, I take the viscene. I even

1:57:07.920 --> 1:57:11.560
<v Speaker 1>have COOVID. My mother crooked digging boyhead and called me that.

1:57:13.360 --> 1:57:15.680
<v Speaker 1>But yeah, so check me on toward this fall with

1:57:16.120 --> 1:57:18.520
<v Speaker 1>Martin Lawrence and then right now I'm on going on

1:57:18.560 --> 1:57:21.800
<v Speaker 1>the real Mike Apps. So we're gonna getting this money. Yes,

1:57:22.680 --> 1:57:29.080
<v Speaker 1>that's what's next for me. I wish they were slowing

1:57:29.200 --> 1:57:31.920
<v Speaker 1>like that, but you know, I'm appreciated to when they came.

1:57:32.680 --> 1:57:34.880
<v Speaker 1>You know what, you know that's not I don't know.

1:57:35.240 --> 1:57:38.200
<v Speaker 1>You you talking to the people that the people tell

1:57:38.200 --> 1:57:43.160
<v Speaker 1>the people what's that's going? Okay, okay, okay, people. You know,

1:57:43.200 --> 1:57:45.480
<v Speaker 1>when I got something that can right right, you know

1:57:45.800 --> 1:57:49.640
<v Speaker 1>when you talk about it, you know, Nori, you know, man,

1:57:49.720 --> 1:57:53.880
<v Speaker 1>Laurie got a funny story. You know, I never thought

1:57:53.960 --> 1:57:58.480
<v Speaker 1>this would even be, you know, something that was even possible.

1:57:58.520 --> 1:58:01.280
<v Speaker 1>What was that like? Two three years of a prof House,

1:58:02.200 --> 1:58:03.400
<v Speaker 1>So we gotta go. So let me know when you

1:58:03.480 --> 1:58:06.840
<v Speaker 1>got going on they're gonna do. Let's go, let's go.

1:58:06.920 --> 1:58:12.600
<v Speaker 1>Me and this guy before that, before that. I actually

1:58:12.640 --> 1:58:15.960
<v Speaker 1>just had a public this on Friday because my book

1:58:16.080 --> 1:58:17.880
<v Speaker 1>is done. Flip Your Life. The book has done in

1:58:17.880 --> 1:58:20.720
<v Speaker 1>my life story, it's complete, and so by the time

1:58:20.840 --> 1:58:24.240
<v Speaker 1>she does the synopsis and everything, your Flip your Life

1:58:24.320 --> 1:58:26.560
<v Speaker 1>is the name of my book. Yeah, Flip your Life

1:58:26.600 --> 1:58:28.000
<v Speaker 1>is the name of the book. M just hid a

1:58:28.040 --> 1:58:31.800
<v Speaker 1>publicity team Friday, So probably within the next three weeks

1:58:31.880 --> 1:58:34.560
<v Speaker 1>the book will be out. And listen, if y'all watched

1:58:34.600 --> 1:58:37.400
<v Speaker 1>this show, just count how many times money I said

1:58:37.480 --> 1:58:40.080
<v Speaker 1>going crazy? He said about thirty seven times. I counted,

1:58:40.760 --> 1:58:46.120
<v Speaker 1>just go. Chris counted when the show comes on, I

1:58:46.240 --> 1:58:52.320
<v Speaker 1>said seven money thirty seven times? Maybe thirty six? How

1:58:52.360 --> 1:58:55.440
<v Speaker 1>many times you think he said going crazy? I ain't

1:58:55.480 --> 1:59:00.560
<v Speaker 1>even know I'm saying that like that. Listen, brothers. You know, man,

1:59:01.080 --> 1:59:03.800
<v Speaker 1>our show is about giving people they flywers. It's about

1:59:03.800 --> 1:59:06.360
<v Speaker 1>saluting people to their face. You know. Um, you know,

1:59:06.480 --> 1:59:10.240
<v Speaker 1>I thought that you know m Philly together, I Toldally

1:59:10.320 --> 1:59:13.440
<v Speaker 1>forgot you know, your bads or some Philly. But glad

1:59:13.480 --> 1:59:16.800
<v Speaker 1>that it made it happened at the end away, you

1:59:16.840 --> 1:59:18.520
<v Speaker 1>know what I mean. But I just want to thank

1:59:18.600 --> 1:59:22.960
<v Speaker 1>your brothers because um, you know, it's about us giving

1:59:23.000 --> 1:59:25.480
<v Speaker 1>people off their clouders. You know what I'm saying. We

1:59:25.560 --> 1:59:27.080
<v Speaker 1>want to bake people up, you know what I mean,

1:59:27.240 --> 1:59:30.320
<v Speaker 1>because our coaches so stupid. Sometimes they want to beat

1:59:30.360 --> 1:59:32.720
<v Speaker 1>you up and they you know, God bless you know,

1:59:32.800 --> 1:59:35.160
<v Speaker 1>Fred the Godson. You know, I just got a street

1:59:36.200 --> 1:59:39.120
<v Speaker 1>named after him, and it's dope hopped up would have

1:59:39.200 --> 1:59:41.280
<v Speaker 1>been if you've seen that speaking with these a live

1:59:42.120 --> 1:59:44.240
<v Speaker 1>you know what I mean. So I want to change

1:59:44.240 --> 1:59:46.080
<v Speaker 1>the narrative or that, and that's what this is all

1:59:46.160 --> 1:59:49.280
<v Speaker 1>purpose is about what It wasn't about me. It's about week,

1:59:49.680 --> 1:59:53.080
<v Speaker 1>you know what I'm saying. And so I just want

1:59:53.080 --> 1:59:55.520
<v Speaker 1>to thank all you three brothers individually, you know what

1:59:55.520 --> 1:59:58.080
<v Speaker 1>I mean, taking the time out and you know, and

1:59:58.240 --> 2:00:00.280
<v Speaker 1>you know obviously want to get you all depred really

2:00:00.320 --> 2:00:03.360
<v Speaker 1>as well, you know, but this this is important to

2:00:03.400 --> 2:00:06.720
<v Speaker 1>show some really love. I was going on Gilly and

2:00:06.880 --> 2:00:11.080
<v Speaker 1>Willow and uh Freeway and whoever else PD crack Web

2:00:11.120 --> 2:00:13.839
<v Speaker 1>also a FaceTime in which I was just so interested.

2:00:13.880 --> 2:00:15.720
<v Speaker 1>I didn't want to take the time. I didn't want

2:00:15.720 --> 2:00:17.760
<v Speaker 1>to bother them and just some of the focus on

2:00:17.840 --> 2:00:20.000
<v Speaker 1>this energy here, so you know, bottom line, want to

2:00:20.000 --> 2:00:22.000
<v Speaker 1>say thank you. Let's take some pictures that you can

2:00:22.120 --> 2:00:33.000
<v Speaker 1>drive and let's do it and we see the back microphone. Yeah,

2:00:34.240 --> 2:00:36.560
<v Speaker 1>thanks for joining us for another episode of Drink Champs

2:00:36.680 --> 2:00:40.440
<v Speaker 1>hosted by yours truly d j e f F. Please

2:00:40.480 --> 2:00:45.360
<v Speaker 1>make sure to Drink Champs across all platforms at the

2:00:45.400 --> 2:00:49.360
<v Speaker 1>Real Noriegan I g at Noriega on Twitter, mine is

2:00:49.400 --> 2:00:52.360
<v Speaker 1>at Who's Crazy on I g at d j e

2:00:52.560 --> 2:00:55.160
<v Speaker 1>fn on Twitter, and most importantly, stay up to date

2:00:55.200 --> 2:00:58.360
<v Speaker 1>with the latest releases, news and merch by going to

2:00:58.480 --> 2:01:04.920
<v Speaker 1>drink Champs dot com. Yeah. For more podcasts from my

2:01:05.040 --> 2:01:09.200
<v Speaker 1>Heart Radio, visit the iHeart Radio app, Apple Podcast, or

2:01:09.280 --> 2:01:11.080
<v Speaker 1>wherever you listen to your favorite shows.