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Speaker 1: I mean, look, certain players just like get more calls too,

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Speaker 1: and it's very clear for Knicks fans that you're at

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Speaker 1: that place where you should be getting those calls, no question.

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Speaker 2: I'm just out there doing my job.

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Speaker 3: What's up, everybody, and welcome to another episode of the Roommates.

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Speaker 3: A Playmaker original. You know, the vibes are always immaculate,

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Speaker 3: and we are very excited about this episode and this guest.

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Speaker 3: He is the goat of the big stream, Oh, big stream,

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Speaker 3: big screen. Sorry, yeah, I have a problem with as

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Speaker 3: Jalen likes to point out because of my lisps. So

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Speaker 3: you pointed out every episode, every episode, than you make

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Speaker 3: me feel.

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Speaker 2: So much better.

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Speaker 3: He is a Emmy Award winner, actor, filmmaker, comedian, advocate,

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Speaker 3: one of the first to really show love to the pod.

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Speaker 3: And I think for uh Knicks fans, the most important

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Speaker 3: out of all that list is he is the king

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Speaker 3: of nixt Twitter. You really like the leader. So you know,

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Speaker 3: we have been still here. So we are very excited

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Speaker 3: and thank you for coming on the past.

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Speaker 1: Very It's exciting for me to be here with you

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Speaker 1: guys on the pod.

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Speaker 2: We're trying, Yeah, we try.

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Speaker 1: I think it's great. I've been listening.

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Speaker 3: We're having fun.

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Speaker 1: Yeah. I like how it's relaxed and it feels like intimate,

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Speaker 1: like a good way.

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Speaker 3: Oh thanks, that's the vibe. Trona portray Man's feel good.

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Speaker 4: Because you've been on a lot of sets and you

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Speaker 4: commented on the intricacy of the sets, I feel like

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Speaker 4: we're doing something right.

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Speaker 1: It's very professional set up here.

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Speaker 4: The folks can't see it back there, but it's like.

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Speaker 1: It's all dialed in. You got lighting set. I noticed

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Speaker 1: the set when i've I haven't watched it. I like

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Speaker 1: to listen to podcasts, so I haven't done the you know,

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Speaker 1: the YouTube thing, but just seeing, like you know, the clips.

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Speaker 1: When I see the clips, it looks very and I

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Speaker 1: like the Step Brothers. I already like the Step Brothers

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Speaker 1: art from the beginning that you're doing. It's one of

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Speaker 1: my favorite movies too, so I'm assuming it's one of

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Speaker 1: your favorite movies.

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Speaker 3: Somewhat. I feel like I feel like it's more the personality.

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Speaker 2: Even know you're the older, older person, I feel like

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Speaker 2: I'm the older brother.

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Speaker 3: We go down.

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Speaker 1: This and you guys, you guys met in school, right yep,

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Speaker 1: man man in college, and you hit it off right

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Speaker 1: from the no.

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Speaker 3: No rocky beginning, very rocky, rocky beginning, rocky middle not

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Speaker 3: not the beginning, not so because of him. Mm hmmm,

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Speaker 3: it was not. It was a combination between his dad

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Speaker 3: and like him because like his dad we talked about

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Speaker 3: I think we talked about it before on the episode.

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Speaker 3: He was just you know what I mean, it takes

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Speaker 3: him a while to open up or he wants to

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Speaker 3: put the persona on, like he's, you know, the tough guy.

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Speaker 1: He seems intense. I saw him when I got to

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Speaker 1: say how do you guys before a game a couple

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Speaker 1: of weeks ago. He's he seemed really intense though really serious.

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Speaker 5: Yeah, but I think once you get to know him,

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Speaker 5: he's more of a kid than me and him. Right,

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Speaker 5: he is a child, and my mother raised three children

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Speaker 5: in the house with me and my sister and him

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Speaker 5: with dogs up.

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Speaker 1: But in a good way.

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Speaker 2: Right.

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Speaker 5: He had his moments, but uh, now he's intense when

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Speaker 5: it's time, when it's when it's coached, he's intense when

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Speaker 5: his dad he's man, he's the biggest kid of them all.

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Speaker 1: Yeah, it seems like you guys have a good relationship.

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Speaker 1: I saw that video of you guys shooting the pampa

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Speaker 1: shots and seems.

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Speaker 5: Like, yeah, yeah, yeah, he's a competitor, but yeah, he

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Speaker 5: won't beat me anything ever again.

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Speaker 4: Would you say the last time he beat us you

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Speaker 4: were sixteen seventeen.

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Speaker 5: Sixteen seventeen, maybe eighteen, But that one on one, Papasha,

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Speaker 5: you didn't beat me. I want like a seven game

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Speaker 5: win streaking golf. So wow, I'm pretty much like superior.

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Speaker 6: Now.

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Speaker 5: It's like people who run around their house and there's

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Speaker 5: people like me who actually run the house, so it's

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Speaker 5: not him anymore.

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Speaker 7: There could you some treated brother, you some plants lemon

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Speaker 7: olive oil, oh, I mean olive to make olive oil

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Speaker 7: avocado avocado toast home.

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Speaker 1: My god, there is there's nothing like the father son

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Speaker 1: thing that Like, it's definitely like I have an eighteen

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Speaker 1: year old son, and I saone at that video. I said,

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Speaker 1: you know your dad like that circulated, but he's making

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Speaker 1: you just shoot again and again and again, and I like,

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Speaker 1: I would do that with my son, and like the

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Speaker 1: first time I go like okay, again, he just goes

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Speaker 1: off and walk away. I mean I literally cannot get

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Speaker 1: him to anything.

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Speaker 2: The amount of times I wanted to do that, almost

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Speaker 2: to this day.

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Speaker 1: Some times, but you didn't know. But you didn't, I

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Speaker 1: mean I didn't and you must have also, like since

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Speaker 1: he was in the NBA like you had of respect

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Speaker 1: for what he like, knowing you wanted to do what

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Speaker 1: he does or did. Right, he had a certain amount

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Speaker 1: of like Okay, I'm going to listen to this guy.

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Speaker 5: Yeah, he always said, it's like a teacher giving you

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Speaker 5: a study guide, Like she obviously made the test, she

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Speaker 5: has the answers to the test, and are you going

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Speaker 5: to study the study guide? She's giving me the answers

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Speaker 5: like are you just gonna wing it? So my dad's like,

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Speaker 5: I'm the study guide and either you can listen to

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Speaker 5: me or you can try to do on your own.

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Speaker 5: So I was obviously you want to use everything you have,

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Speaker 5: so right, he made it pretty easy.

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Speaker 4: Jalen, you obviously grew up, you know, around a professional

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Speaker 4: basketball player that's your career now. Been similar situation for you, right,

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Speaker 4: you grew up around your father who is in the

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Speaker 4: entertainment business. You're now in the entertainment business. Was it

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Speaker 4: a similar sort of Obviously we've seen the clips of

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Speaker 4: Jalen and his father working out and you know kind

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Speaker 4: of grew from a young age. Was that was it

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Speaker 4: similar with you at all?

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Speaker 2: Well?

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Speaker 1: Yeah, I mean it's interesting like the sports and entertainment

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Speaker 1: or you know, analogy because to a certain extent is

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Speaker 1: a part of it is having to just like put

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Speaker 1: in the work. But then it just gets very like

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Speaker 1: in sports, it's a lot tougher, I think, because it

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Speaker 1: becomes very binary. So either you're winning or losing, you're

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Speaker 1: getting drafted, you're not getting drafted. In entertainment, it's a

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Speaker 1: little more like you're doing your thing. And so you know,

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Speaker 1: my dad, he was always and my mom too because

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Speaker 1: they were a comedy team and they started out together

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Speaker 1: as a comedy team and then they work together a lot.

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Speaker 1: But he was always supportive. But I think, and I

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Speaker 1: have kids who are also interested in being actors, it's

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Speaker 1: such a tough business. Like I think a lot of

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Speaker 1: the time he was sort of like supportive but also protective.

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Speaker 1: Who's very overprotective, not wanting to see his kids have

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Speaker 1: to go through the you know, like all the rejection

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Speaker 1: of being in show business. But he was but he

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Speaker 1: kind of went off of my design, like I was

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Speaker 1: so in to it. I was so like just had

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Speaker 1: a focus that I think he supported that, but he

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Speaker 1: was also I could tell also that he was like

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Speaker 1: he's the type of guy like if I got a

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Speaker 1: bad review, he would write a letter to the critic,

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Speaker 1: you know, I mean, which is just like, you know,

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Speaker 1: so embarrassing as for me, you know, like but it

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Speaker 1: was came out of total just love and like really

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Speaker 1: genuinely just you know, loved his kids. So he wasn't

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Speaker 1: like a tough dad. He was more like kind of

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Speaker 1: the you know, super supportive but also overprotective. And and

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Speaker 1: then you know, when I was starting out my parents,

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Speaker 1: I would just I would do you know, I was

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Speaker 1: kind of just trying to figure it out, you know,

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Speaker 1: like I was telling you before, like no one was

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Speaker 1: hiring me as an actor, so I would, you know,

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Speaker 1: try to make my own stuff with my friends or

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Speaker 1: and a lot of times pulled my parents in to

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Speaker 1: like do like a you know, I was making like

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Speaker 1: a shorter video or something like that. And they were

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Speaker 1: always gain to do whatever. So they were you know,

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Speaker 1: they were great that way.

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Speaker 5: When did you realize that this is what you wanted

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Speaker 5: to do? Me obviously, with my dad, like he played

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Speaker 5: and like I always kind of knew I wanted to

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Speaker 5: play basketball, but then it was like sixth seventh grade

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Speaker 5: and I was like, boom, this is this is this

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Speaker 5: is it. This is what I want to do, Like,

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Speaker 5: why didn't you finally hit you that you wanted to

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Speaker 5: do this.

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Speaker 1: I think I was like probably like eight or nine

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Speaker 1: years old, and there was a movie called The Poseidon

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Speaker 1: Adventure when I was a kid, which was like a

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Speaker 1: disaster made this boat that gets into caught in the

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Speaker 1: tidal wave and goes upside down and everybody has to

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Speaker 1: like get out of the boat. The boat's upside down,

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Speaker 1: they have to make their way out to the top.

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Speaker 1: And I saw that movie like twenty times in the theater.

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Speaker 1: I was probably like nine years old when it came out,

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Speaker 1: and I just knew, like, I want to do that.

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Speaker 1: I want to be a movie maker. I want to

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Speaker 1: be a director. I knew I wanted to be a director.

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Speaker 1: I wanted to make movies. And then I was around

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Speaker 1: it with my parents, but just I kept started making movies.

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Speaker 1: My dad bought me super a camera editing equipment, and

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Speaker 1: I just started kind of making my own little movies,

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Speaker 1: and I knew from that point, I always knew that's

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Speaker 1: what I wanted to do. And then it kind of

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Speaker 1: like shifted a little as I got older into acting.

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Speaker 1: But for a long time I didn't want to do

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Speaker 1: comedy because you know, my parents were in comedy, so

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Speaker 1: I was like, I don't want to do that. I

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Speaker 1: didn't want to do what my parents did, and I

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Speaker 1: felt like I wanted to be serious filmmaker, serious actor.

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Speaker 1: And then I discovered comedy. Like, but it wasn't my parents.

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Speaker 1: I kind of had to find other people that I

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Speaker 1: you know, that I thought, oh, that guy's funny. Not

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Speaker 1: that I didn't think they were pubby, it's just they're

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Speaker 1: your parents, you know, so they weren't cool. And then

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Speaker 1: I saw like people like Bill Murray or Steve Martin,

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Speaker 1: you know, in those movies, and I was like, all right,

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Speaker 1: you know, I want to you know, I think that's funny.

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Speaker 1: I want to pursue that. Then, like I got when

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Speaker 1: I got older, I was able to appreciate my parents more,

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Speaker 1: I think, but it was a pretty pretty young age.

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Speaker 1: I just was like, that's all I want to do.

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Speaker 5: you put in your pants matters.

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Speaker 4: In basketball, obviously, it's incredibly difficult to make it to

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Speaker 4: the highest level, but there's a fairly established path.

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Speaker 1: Right.

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Speaker 4: You go to a great college, you get recruited to

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Speaker 4: play Division one, you do well there, you then become

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Speaker 4: a professional. I feel like for what you do, it's

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Speaker 4: a little bit different. You were saying, like no one

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Speaker 4: was hiring you kind of to make your own stuff.

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Speaker 2: Yeah.

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Speaker 4: Also it's not pathway.

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Speaker 1: Yeah, I mean that's what I'm amazed at too. In sports,

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Speaker 1: it's like you have to be so good at such

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Speaker 1: a young age, like you have to be performing at

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Speaker 1: a high level at a young age with a lot

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Speaker 1: of pressure, and you know, when you're starting out as

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Speaker 1: an actor, like you don't know what you're doing. And sometimes,

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Speaker 1: you know, some people are great right out of the box.

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Speaker 1: They you know, they start to do well and they

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Speaker 1: figure it out or they have a sense of who

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Speaker 1: they are. But a lot of times it takes a

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Speaker 1: long time to like figure out how to do it,

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Speaker 1: you know, and how to be good. I was bad

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Speaker 1: for I think a long time. I did a lot

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Speaker 1: of bad auditions. It really was like, you know, really

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Speaker 1: like just not good enough to get hired until I

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Speaker 1: got hired. But that's why I'm amazed at you guys,

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Speaker 1: Like you have to just you know, you have to

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Speaker 1: be by the time what you're like sixteen seventeen. You

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Speaker 1: have to be completely committed and be showing enough talent

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Speaker 1: and discipline and all those things to get there. And

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Speaker 1: for me, it was like took into my early twenties,

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Speaker 1: you know, kind of like trying to figure it out.

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Speaker 1: And I think I got my I can think got

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Speaker 1: my first job like when I was about twenty, but

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Speaker 1: I knew pretty like I quit college. I didn't want

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Speaker 1: to stay in college. I was very ambitious and like

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Speaker 1: wanted to be making movies and acting. And I was

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Speaker 1: probably too impatient too.

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Speaker 4: You are right at sixteen seventeen, Oh, I was solid.

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Speaker 4: Got a lot better.

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Speaker 3: I was rough, for I was a little rough.

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Speaker 2: On late Bloomer. He definitely got a lot better late

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Speaker 2: Bloomer for sure. Right.

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Speaker 1: But was there other people in your family? Were they

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Speaker 1: athletes too?

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Speaker 3: No? Not really my dad. My dad liked sports, but

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Speaker 3: he wasn't it was really the best athlete. My mom

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Speaker 3: is not an athletic really at all. So I have

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Speaker 3: a great uncle. Have a great uncle played baseball for

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Speaker 3: the Yankees over Yeah, but that's that's really like the

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Speaker 3: only athletic person in the Who is your uncle?

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Speaker 1: Oh my god? Yeah right. I was a big Yankee

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Speaker 1: fan when I was a kid too, so that yeah,

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Speaker 1: it was. Yeah, I'm not as much of a baseball

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Speaker 1: fan anymore. Yeah, but like when I was like seventy seven,

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Speaker 1: seventy eight, those years, I was like going to the

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Speaker 1: Yankee stam. I was there when Reggie hit three home

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Speaker 1: runs with my dad was storming the field at a

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Speaker 1: piece of right field that I took home that was

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Speaker 1: in my room for like two years. So I was

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Speaker 1: really into it for a while, and then I kind

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Speaker 1: of had I've gone in and out of my sports

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Speaker 1: fandom over the years. Like there were times when I

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Speaker 1: was really into the Knicks, and then when I moved

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Speaker 1: to LA, I guess I'm like, I don't know, like

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Speaker 1: nineteen ninety or something like that, I kind of I

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Speaker 1: lived in LA for like twenty years, and I never

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Speaker 1: became a Lakers fan, but I just was more disconnected

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Speaker 1: from the Knicks. Especially. It was actually a really great

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Speaker 1: time for the Knicks in the nineties, but I was

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Speaker 1: kind of just like focusing on other stuff. And then

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Speaker 1: when I moved back to New York around twenty ten,

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Speaker 1: twenty eleven, I was really happy to come back, and

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Speaker 1: like one of the great things about coming back to

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Speaker 1: New York is like, oh, I'm gonna get to go

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Speaker 1: to Knicks games and get court seats and bring my

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Speaker 1: kids and so. But then it was like a really

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Speaker 1: tough time, you know, the twenty tens. I mean there

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Speaker 1: were a lot of long I mean, we had mellow

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Speaker 1: and there was you know, there were periods of time

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Speaker 1: and you know, those those teams, but but overall it

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Speaker 1: was like, you know, it's been tough sledding until you

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Speaker 1: guys came along. Yeah, well, I mean it's like there

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Speaker 1: is there is true There definitely is like true excitement

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Speaker 1: about the Knicks now and as you know, like a

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Speaker 1: fan base that's like really so hungry for it, and

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Speaker 1: I'm sure it's like all the ups and downs of

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Speaker 1: that for you guys, like having the pressure, like just

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Speaker 1: like people, the intensity of basketball fans and now with

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Speaker 1: social media too, it's like very different too, the engagement, right.

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Speaker 6: And you should you should see the ms.

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Speaker 3: Oh my gosh, they going they kill us over every everything. Well, games,

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Speaker 3: how we play, if we played good, played too good?

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Speaker 1: Well, I think they have this emotion and they like

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Speaker 1: because I grew up going to Knicks games, right, My

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Speaker 1: dad took me when I was a kid. He had

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Speaker 1: these friends, these two guys, Freddie Klein and Stanasofski, who

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Speaker 1: were these season ticket holder guys who I think one

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Speaker 1: of them owned the Carnegie Deli. They're like classic New

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Speaker 1: York Jewish basketball fans, you know. And they had like

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Speaker 1: a row behind the Knicks basket and so we would

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Speaker 1: go and sit in their seats and they would yell

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Speaker 1: at the refs. They knew all the refs and you

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Speaker 1: know this was like, I mean, I literally remember meeting

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Speaker 1: Phil Jackson in like nineteen seventy three or something, and

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Speaker 1: I'm being introduced to him and I was missing a

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Speaker 1: front tooth and he said, hey, what do you want

352
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Speaker 1: for Christmas? The two front teeth? I always remember that.

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Speaker 1: But I was so I was like and I would

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Speaker 1: see them yell at the refs and there was like

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Speaker 1: such you know, there was like a real connection with

356
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Speaker 1: the Knicks. Also was coming off of the championship, seventy

357
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Speaker 1: three championship, and so you know, I always was like

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Speaker 1: connected to the Knicks and was was a fan in

359
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Speaker 1: the eighties. When I was like fifteen sixteen, I was

360
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Speaker 1: a huge Bernard King fan. I saw him, I saw

361
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Speaker 1: him score fifty once and I remember that he had

362
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Speaker 1: the back to back fifty point games, and you know,

363
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Speaker 1: he just he was like he was the guy for me.

364
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Speaker 1: And then there were some other like lesser known players

365
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Speaker 1: I was really into. But like over the years then

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Speaker 1: when I went to LA and I disconnected. When I

367
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Speaker 1: came back, it's like, you know, there's just been always

368
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Speaker 1: been a desire to get back to what I think

369
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Speaker 1: the seventy and the seventy three Nicks, and that team

370
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Speaker 1: was and so you know, it's interesting to me for

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Speaker 1: you guys because you guys are just like having to

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Speaker 1: step into that. But then when you start playing, well,

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Speaker 1: the excitement that's there is you know, palpable. But then

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Speaker 1: there's also the pressure.

375
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Speaker 5: Right No, for me, there's no pressure personally, but I

376
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Speaker 5: definitely feel the energy no matter where you are in

377
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Speaker 5: New York. As soon as you walk into the garden,

378
00:17:53,600 --> 00:17:58,320
Speaker 5: you feel the energy. Go to a restaurant and someone

379
00:17:58,440 --> 00:18:03,960
Speaker 5: sees you, they they excited. But I think the best

380
00:18:04,000 --> 00:18:06,919
Speaker 5: part about like our team right now is that, like

381
00:18:06,960 --> 00:18:09,760
Speaker 5: we don't have guys who are like truly like into that.

382
00:18:10,400 --> 00:18:12,840
Speaker 5: Like we're all about our business and we work as

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Speaker 5: hard as we can we get our work done.

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Speaker 2: But we have a lot of guys who are just like.

385
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Speaker 5: Just focus on the right thing. The main thing is

386
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Speaker 5: the main thing. And so but when it comes like

387
00:18:23,520 --> 00:18:26,040
Speaker 5: the fans and when it comes to everyone's kind of

388
00:18:26,080 --> 00:18:30,320
Speaker 5: coming together like this fan base, this city, this there's

389
00:18:30,440 --> 00:18:33,239
Speaker 5: nothing that compares to it. There's nothing comparison. So when

390
00:18:33,280 --> 00:18:37,600
Speaker 5: it comes to like pressure, I mean they're high stakes,

391
00:18:37,960 --> 00:18:40,520
Speaker 5: but like for me, it's not pressure because like we

392
00:18:40,680 --> 00:18:42,920
Speaker 5: already worked really hard for situations on this it's either

393
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Speaker 5: we're gonna succeed or we're gonna fail.

394
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Speaker 2: If you fail, we move on. If you succeed.

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Speaker 5: We learned from that, so I don't really feel pressure

396
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Speaker 5: when it comes to like certain situations.

397
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Speaker 1: Yeah, well that's why you're probably able to do what

398
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Speaker 1: you do, because I mean because I think that's what

399
00:18:55,520 --> 00:18:57,520
Speaker 1: every fan is like thinking when you're watching a game

400
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Speaker 1: and it comes down to you know, for quarter those

401
00:19:00,720 --> 00:19:03,560
Speaker 1: moments you're just like oh my, like you're because you think,

402
00:19:03,560 --> 00:19:05,400
Speaker 1: like what would I do? How how do you deal

403
00:19:05,480 --> 00:19:07,959
Speaker 1: with that? And obviously like did you ever see that

404
00:19:08,000 --> 00:19:12,080
Speaker 1: movie Free Solo about the guy who free climbs on

405
00:19:12,400 --> 00:19:19,240
Speaker 1: the rock climber? I feel like, yeah, it's a documentary.

406
00:19:19,480 --> 00:19:21,480
Speaker 1: I think it one. I think it won Best Best

407
00:19:21,480 --> 00:19:24,480
Speaker 1: Documentary a few years ago. This guy Alex Hanoald who

408
00:19:24,520 --> 00:19:27,880
Speaker 1: just free climbs like El Capatan with no ropes or anything.

409
00:19:28,880 --> 00:19:32,000
Speaker 1: And they like they did, like they did a scan

410
00:19:32,119 --> 00:19:35,320
Speaker 1: of his brain and there was like something missing and

411
00:19:35,400 --> 00:19:37,440
Speaker 1: like is a migdal or something that like he didn't

412
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Speaker 1: have like the fear you know area, the area where

413
00:19:41,040 --> 00:19:43,719
Speaker 1: fear is was like different on him, you know, but

414
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Speaker 1: I think like the idea of like when you're in

415
00:19:45,760 --> 00:19:48,359
Speaker 1: those moments of the pressure situations. That's the thing like

416
00:19:48,359 --> 00:19:50,280
Speaker 1: when people say like, oh, he's like he's clutch, he

417
00:19:50,320 --> 00:19:54,040
Speaker 1: can do you know, operate in those moments. That to me,

418
00:19:54,119 --> 00:19:56,639
Speaker 1: I think is what every fan is like always amazed with.

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Speaker 5: I feel like it's way harder to watch game games

420
00:20:00,400 --> 00:20:04,399
Speaker 5: sure than playing it. Like when I watch like Nova

421
00:20:04,440 --> 00:20:09,600
Speaker 5: games now, it is like just like I don't know,

422
00:20:09,960 --> 00:20:12,320
Speaker 5: it's tough when it's like a situation like ah, I

423
00:20:12,320 --> 00:20:14,359
Speaker 5: would do that, I would do this, like you're like

424
00:20:14,400 --> 00:20:15,960
Speaker 5: trying to talk to them through the TV.

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Speaker 8: That's when every fan is, yeah, screaming, it's really worth watching,

426
00:20:22,359 --> 00:20:25,240
Speaker 8: just because like when you're playing, you don't I say,

427
00:20:25,280 --> 00:20:27,280
Speaker 8: you don't think about it, Like it's just like you're

428
00:20:27,840 --> 00:20:30,840
Speaker 8: you put in so many reps, Like it's just it's

429
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Speaker 8: a regular thing.

430
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Speaker 3: Like no matter you know what time of the game

431
00:20:34,320 --> 00:20:37,399
Speaker 3: it is, if it's you know, jump ball or if

432
00:20:37,400 --> 00:20:40,880
Speaker 3: it's ten second stuff in the fourth quarter, you just yeah,

433
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Speaker 3: and like things are going by so fast, Like I

434
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Speaker 3: don't think you're really able to really understand like the

435
00:20:45,480 --> 00:20:47,920
Speaker 3: magnitude of the moment, right, But it's.

436
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Speaker 1: Just because it all happens so fast. And that's the

437
00:20:49,400 --> 00:20:51,000
Speaker 1: other thing. When you go to a game in person,

438
00:20:51,720 --> 00:20:54,560
Speaker 1: it's just everything goes so fast. Like That's what I'm

439
00:20:54,560 --> 00:20:57,360
Speaker 1: always amazed with. It's like, just it's happened. You guys

440
00:20:57,359 --> 00:20:59,920
Speaker 1: are playing, Like, is it even faster than Colin?

441
00:21:00,560 --> 00:21:02,600
Speaker 3: Yeah?

442
00:21:03,280 --> 00:21:05,560
Speaker 5: At first, yeah, at first, but then once you like

443
00:21:05,640 --> 00:21:07,880
Speaker 5: you kind of get a rhythm with it, the game

444
00:21:07,920 --> 00:21:11,119
Speaker 5: like slows down. Like when you're in the game, the

445
00:21:11,200 --> 00:21:13,560
Speaker 5: game is so much slower than when you're actually like

446
00:21:13,600 --> 00:21:14,119
Speaker 5: watching it.

447
00:21:14,240 --> 00:21:16,280
Speaker 4: Yeah, we had and we had We had Michael Bridges

448
00:21:16,320 --> 00:21:19,879
Speaker 4: on two episodes ago and we asked him about experience

449
00:21:19,920 --> 00:21:21,919
Speaker 4: playing in the NBA Finals and he said the biggest

450
00:21:21,920 --> 00:21:23,520
Speaker 4: thing was that it didn't feel like the finals. He

451
00:21:23,600 --> 00:21:25,280
Speaker 4: was like, I watched the finals leading up to it,

452
00:21:25,320 --> 00:21:26,439
Speaker 4: and then I was in it. It was like it

453
00:21:26,440 --> 00:21:27,960
Speaker 4: didn't it didn't feel Yeah, I heard.

454
00:21:27,800 --> 00:21:29,320
Speaker 1: That, he said. He what like, it wasn't like watching

455
00:21:29,320 --> 00:21:31,480
Speaker 1: it on TV or just like being in it. And

456
00:21:31,520 --> 00:21:33,560
Speaker 1: also because it goes so fast, I would imagine like

457
00:21:33,600 --> 00:21:35,639
Speaker 1: you can't be like really like you have to be

458
00:21:35,640 --> 00:21:38,280
Speaker 1: going off of your instinct where you have to be

459
00:21:38,320 --> 00:21:39,440
Speaker 1: going off with whatever.

460
00:21:39,400 --> 00:21:40,520
Speaker 2: You start thinking too much.

461
00:21:41,960 --> 00:21:45,920
Speaker 3: Yeah, once you once you start thinking and like overthinking,

462
00:21:46,080 --> 00:21:50,320
Speaker 3: it's you're you're like everything you're doing like you're analyzing,

463
00:21:50,359 --> 00:21:53,639
Speaker 3: and then it's just there's no good going to come up.

464
00:21:53,720 --> 00:21:55,680
Speaker 1: But I also feel like we're watching you a lot.

465
00:21:55,800 --> 00:21:58,000
Speaker 1: I was saying, like last night that game, you know,

466
00:21:58,040 --> 00:21:59,960
Speaker 1: like end of the first half where you like to

467
00:22:00,119 --> 00:22:01,439
Speaker 1: that three and then you missed it, then you ran,

468
00:22:01,560 --> 00:22:03,720
Speaker 1: got your own reband came dro and then you like

469
00:22:03,760 --> 00:22:06,240
Speaker 1: got to the line. Like all happened so fast. It

470
00:22:06,280 --> 00:22:07,800
Speaker 1: seems like you're game. Like a lot of it is

471
00:22:07,920 --> 00:22:10,200
Speaker 1: just like reactive, Like you're just reactive in the.

472
00:22:10,119 --> 00:22:12,120
Speaker 3: Moment, just like a bat out of hell. Yeah I've

473
00:22:12,160 --> 00:22:12,720
Speaker 3: run around.

474
00:22:12,960 --> 00:22:14,439
Speaker 2: Yeah yeah, you run around.

475
00:22:14,960 --> 00:22:17,640
Speaker 3: Yeah, I've run around like a bull in a China shop.

476
00:22:17,960 --> 00:22:20,840
Speaker 4: Just say he brings to the starting lineup, Cardio.

477
00:22:21,600 --> 00:22:24,520
Speaker 1: But like and there was that like like last night,

478
00:22:24,600 --> 00:22:26,840
Speaker 1: guarding Jason Tatum, that's more exhausting.

479
00:22:26,960 --> 00:22:36,080
Speaker 3: Yeah, it's more I would say, like guarding guarding taller

480
00:22:36,160 --> 00:22:38,840
Speaker 3: guys or is a little more exhausting. I don't mind

481
00:22:38,920 --> 00:22:42,280
Speaker 3: running running around screens doing all that, that's not exhausting,

482
00:22:42,920 --> 00:22:44,960
Speaker 3: But when you when you're guarding those guys who like

483
00:22:45,040 --> 00:22:48,400
Speaker 3: to operating like the post mid post area and your

484
00:22:48,960 --> 00:22:52,840
Speaker 3: physical like that's when I start getting I get tired

485
00:22:52,840 --> 00:22:55,719
Speaker 3: because you have to like handle getting hit, handle bumps,

486
00:22:55,760 --> 00:22:58,520
Speaker 3: doing all those kind of things. And it's like if

487
00:22:58,520 --> 00:23:00,879
Speaker 3: it's very physical, Yeah, it's very.

488
00:23:00,720 --> 00:23:03,399
Speaker 4: Physical to someone who was seven to three seven to

489
00:23:03,760 --> 00:23:05,280
Speaker 4: last night, yep.

490
00:23:05,119 --> 00:23:07,119
Speaker 3: And you see he didn't score in the post. He

491
00:23:07,160 --> 00:23:09,159
Speaker 3: did not score. What I get through about it? And

492
00:23:09,200 --> 00:23:12,080
Speaker 3: I just run down to court like a bat out

493
00:23:12,119 --> 00:23:16,399
Speaker 3: of hell. That's that's when I started gaining getting tired.

494
00:23:16,200 --> 00:23:19,000
Speaker 1: But right and and and getting back to like the

495
00:23:19,040 --> 00:23:22,280
Speaker 1: social media aspect though, Like I you know, if I

496
00:23:22,480 --> 00:23:24,440
Speaker 1: like when I have something that I've made or something

497
00:23:24,520 --> 00:23:26,720
Speaker 1: and it comes out, I'm not like I stay off

498
00:23:26,760 --> 00:23:28,920
Speaker 1: of social media. I don't want to like read everybody's

499
00:23:28,960 --> 00:23:32,000
Speaker 1: comments about stuff. But like as a Knicks fan, like

500
00:23:32,119 --> 00:23:35,520
Speaker 1: I'm like having fun there, you know, just and I

501
00:23:35,560 --> 00:23:38,040
Speaker 1: read all the insane stuff, and it is ridiculous because

502
00:23:38,040 --> 00:23:41,560
Speaker 1: it's impossible, like the level of scrutiny and the level

503
00:23:41,600 --> 00:23:43,680
Speaker 1: of reaction to you know, what you guys are doing.

504
00:23:43,840 --> 00:23:46,240
Speaker 1: It's like impossible to you know, if you're really going

505
00:23:46,320 --> 00:23:48,920
Speaker 1: to like care about that, because everybody has a point

506
00:23:48,960 --> 00:23:51,800
Speaker 1: of view or an opinion. But then they're also like

507
00:23:51,920 --> 00:23:54,480
Speaker 1: I think the fans what I learned because I never

508
00:23:54,680 --> 00:23:57,439
Speaker 1: I don't really like Twitter, and like literally the only thing,

509
00:23:57,440 --> 00:23:58,720
Speaker 1: if you like look at my Twitter fe it's like

510
00:23:58,800 --> 00:24:01,520
Speaker 1: only Knick stuff really because I just it's the only

511
00:24:01,520 --> 00:24:04,800
Speaker 1: thing I feel comfortable tweeting about really is like my

512
00:24:05,720 --> 00:24:08,679
Speaker 1: enthusiasm for for the Knicks and for the games. And

513
00:24:08,680 --> 00:24:10,280
Speaker 1: then all of a sudden, I started, like, you know,

514
00:24:10,400 --> 00:24:14,280
Speaker 1: doing it while games are happening, and uh, and I realized, ohow,

515
00:24:14,280 --> 00:24:16,919
Speaker 1: I'm kind of like live tweeting this game. And then

516
00:24:16,960 --> 00:24:18,680
Speaker 1: I and then I realized, wait a minute, Like there's

517
00:24:18,800 --> 00:24:20,920
Speaker 1: people on Twitter that like, are the other Knicks fans

518
00:24:20,960 --> 00:24:24,680
Speaker 1: are like like expecting me to check out? And I'm

519
00:24:24,720 --> 00:24:27,400
Speaker 1: so not a Twitter person. And also, like I grew

520
00:24:27,480 --> 00:24:29,840
Speaker 1: up with, my dad was like a real like he

521
00:24:29,920 --> 00:24:32,280
Speaker 1: never was like tough on like he was just a

522
00:24:32,320 --> 00:24:35,639
Speaker 1: really generous, sweet guy. So like I never felt he

523
00:24:35,720 --> 00:24:38,639
Speaker 1: never was like, okay, like trashing players, you know, like

524
00:24:38,680 --> 00:24:41,040
Speaker 1: he always kind of looked at players as like human

525
00:24:41,080 --> 00:24:43,480
Speaker 1: beings and he always like just he had this funny

526
00:24:43,480 --> 00:24:45,720
Speaker 1: thing where he just like would connect emotionally with players

527
00:24:45,760 --> 00:24:49,760
Speaker 1: and like kind of analyze that is rare, rare, very rare.

528
00:24:50,040 --> 00:24:52,399
Speaker 5: I'll say, like I'll say this about well you, like

529
00:24:52,440 --> 00:24:55,600
Speaker 5: I actually said something about it. I don't know when,

530
00:24:56,440 --> 00:24:59,159
Speaker 5: may have been on the pod, but literally what you

531
00:24:59,280 --> 00:25:01,840
Speaker 5: just said, like you kind of look at the player

532
00:25:02,080 --> 00:25:04,119
Speaker 5: like you're never really negative, Like I've never seen your

533
00:25:04,119 --> 00:25:08,240
Speaker 5: tweet one negative thing. I just I remember like when

534
00:25:08,880 --> 00:25:11,680
Speaker 5: when like Arjane Quick got traded, You're you said great

535
00:25:11,720 --> 00:25:14,680
Speaker 5: things about them, and like it's just like you don't

536
00:25:14,680 --> 00:25:17,399
Speaker 5: really see that too much. And so like when I

537
00:25:17,400 --> 00:25:19,000
Speaker 5: see you tweet like that and I see other fans

538
00:25:19,000 --> 00:25:21,400
Speaker 5: like like jump on that bandwagon and say nice things

539
00:25:21,400 --> 00:25:25,879
Speaker 5: as well, I'm like, There's hasn't been one negative tweet

540
00:25:25,920 --> 00:25:27,439
Speaker 5: that I've seen come from your.

541
00:25:27,520 --> 00:25:29,320
Speaker 1: Well, I don't feel I don't feel comfortable doing it,

542
00:25:29,359 --> 00:25:32,040
Speaker 1: honestly because like I feel like these I maybe it's

543
00:25:32,040 --> 00:25:33,680
Speaker 1: because growing up with my dad whatever, but like there

544
00:25:33,720 --> 00:25:35,760
Speaker 1: he always looked them as like these are people like

545
00:25:35,800 --> 00:25:37,680
Speaker 1: I know how hard it is what you guys do,

546
00:25:38,000 --> 00:25:40,400
Speaker 1: and like of course every fan out there could never

547
00:25:40,600 --> 00:25:42,760
Speaker 1: get out on court and do do anything like that.

548
00:25:42,880 --> 00:25:46,240
Speaker 1: So just bad appreciation. And it's very easy to get

549
00:25:46,240 --> 00:25:49,199
Speaker 1: frustrated when you see like a guy missing shots or

550
00:25:49,200 --> 00:25:51,119
Speaker 1: whatever and so, and it's very easy to go negative

551
00:25:51,119 --> 00:25:53,639
Speaker 1: on Twitter period. You know, people just express themselves in

552
00:25:53,680 --> 00:25:55,840
Speaker 1: ways that they never would in real life.

553
00:25:55,840 --> 00:25:58,520
Speaker 4: With people as the anonymous people too, yeah, of.

554
00:25:58,480 --> 00:26:02,679
Speaker 1: Course, you know the one with no picture, but the level, like,

555
00:26:02,760 --> 00:26:05,480
Speaker 1: I think there are fans out there that really really

556
00:26:05,560 --> 00:26:07,840
Speaker 1: love the Knicks and like and do come from a

557
00:26:07,960 --> 00:26:11,040
Speaker 1: very positive place and love their team and want to

558
00:26:11,040 --> 00:26:14,520
Speaker 1: support that, and then they get frustrated sometimes when they

559
00:26:14,520 --> 00:26:16,959
Speaker 1: see like things happening that or you know, sometimes it's

560
00:26:17,000 --> 00:26:19,639
Speaker 1: a coaching thing, or sometimes it's a player that you know,

561
00:26:19,720 --> 00:26:21,760
Speaker 1: they go like why does this player do it? But

562
00:26:22,440 --> 00:26:24,520
Speaker 1: it has to come from a place of like appreciation

563
00:26:24,680 --> 00:26:27,560
Speaker 1: for like you guys are human beings that you know,

564
00:26:27,640 --> 00:26:29,800
Speaker 1: are doing something that very few people can do at

565
00:26:29,800 --> 00:26:31,679
Speaker 1: a level. Like just the idea of like having to

566
00:26:31,720 --> 00:26:35,440
Speaker 1: shoot a foul shot in Masison Square Garden, like anybody

567
00:26:35,480 --> 00:26:39,760
Speaker 1: having to do that, like Jesus, Like that's just the pressure, right,

568
00:26:39,920 --> 00:26:41,439
Speaker 1: just like and you have to like do it and

569
00:26:41,520 --> 00:26:43,240
Speaker 1: kind of like do it at different times in the

570
00:26:43,240 --> 00:26:45,280
Speaker 1: game when like the whole game could be online, but

571
00:26:45,400 --> 00:26:47,880
Speaker 1: just that level of pressure, you know. Ninety nine point

572
00:26:47,960 --> 00:26:49,960
Speaker 1: ninety nine nine percent of people just couldn't even deal

573
00:26:50,000 --> 00:26:52,000
Speaker 1: with even if they even great players. I mean, that's

574
00:26:52,000 --> 00:26:54,400
Speaker 1: the thing. There's so many great basketball players who can't

575
00:26:54,400 --> 00:26:56,520
Speaker 1: get to the level playing in the NBA probably, i'd

576
00:26:56,600 --> 00:26:59,520
Speaker 1: imagine because of the dealing being able to deal with

577
00:26:59,560 --> 00:27:00,720
Speaker 1: that level of scrutiny.

578
00:27:00,880 --> 00:27:03,920
Speaker 3: The funniest thing is like when you go to games

579
00:27:04,760 --> 00:27:07,760
Speaker 3: and like during a timeout when they have like when

580
00:27:07,800 --> 00:27:09,960
Speaker 3: I bring a fan down and I have them shooting,

581
00:27:10,600 --> 00:27:15,040
Speaker 3: you know, three pointers a lot. You rarely ever see

582
00:27:15,080 --> 00:27:17,600
Speaker 3: someone go out there and just like make shots right,

583
00:27:17,720 --> 00:27:20,200
Speaker 3: Like they're like airballing shots. They're doing those kind of things.

584
00:27:20,200 --> 00:27:23,639
Speaker 3: So it's always funny because it's like, oh now, sometimes

585
00:27:23,640 --> 00:27:25,440
Speaker 3: it's kind of like, oh, now you see how hard

586
00:27:25,560 --> 00:27:27,040
Speaker 3: you know? Now you see how hard it is.

587
00:27:27,200 --> 00:27:29,480
Speaker 1: Yeah, it's insane. I mean it's but it's not real.

588
00:27:29,560 --> 00:27:31,760
Speaker 1: It's not reality to most people. I think it's right.

589
00:27:31,800 --> 00:27:33,919
Speaker 1: They're just able to like kind of go, okay, I'm

590
00:27:33,960 --> 00:27:36,159
Speaker 1: just gonna vent and do my thing. But you know,

591
00:27:37,160 --> 00:27:38,760
Speaker 1: it's not that to me, that's not like a real

592
00:27:38,800 --> 00:27:41,040
Speaker 1: appreciation of like what's actually happening out there.

593
00:27:41,640 --> 00:27:43,239
Speaker 4: I want to go back to something you said, Ben,

594
00:27:43,280 --> 00:27:45,200
Speaker 4: because you said that when you you know, before you

595
00:27:45,240 --> 00:27:46,960
Speaker 4: put something out, you kind of stay off Twitter because

596
00:27:46,960 --> 00:27:49,360
Speaker 4: you don't want to see what people, you know say. Obviously,

597
00:27:49,400 --> 00:27:51,560
Speaker 4: sports is very objective, right do you either win or

598
00:27:51,560 --> 00:27:54,320
Speaker 4: you lose? Art what you do is very subjective. So

599
00:27:54,800 --> 00:27:57,360
Speaker 4: here you are, you know, a master of your craft.

600
00:27:57,720 --> 00:28:00,440
Speaker 4: Before you put something out, do you do you get

601
00:28:00,560 --> 00:28:02,000
Speaker 4: is it a feeling of like nerves or like what

602
00:28:02,320 --> 00:28:04,320
Speaker 4: is it that makes you not want to look on Twitter.

603
00:28:05,160 --> 00:28:10,720
Speaker 1: Just not to see mean things? I mean, I love

604
00:28:11,080 --> 00:28:13,359
Speaker 1: you know, I'm just I'm sensitive. Like so, I you know,

605
00:28:13,720 --> 00:28:17,320
Speaker 1: after thirty whatever years of doing what I do, I

606
00:28:17,480 --> 00:28:19,600
Speaker 1: you know, you just you know, the cycle is gonna happen.

607
00:28:19,640 --> 00:28:21,720
Speaker 1: You're gonna make your thing. You're gonna put it out there.

608
00:28:21,920 --> 00:28:23,719
Speaker 1: People are either gonna like it or not like it.

609
00:28:23,760 --> 00:28:26,040
Speaker 1: Fans will you know, go to it or not go

610
00:28:26,080 --> 00:28:28,800
Speaker 1: to Critics will have their point of view. But it's

611
00:28:28,800 --> 00:28:31,320
Speaker 1: always the same thing. But yet it's still it's for me,

612
00:28:31,359 --> 00:28:33,840
Speaker 1: it's still the same you know kind of experience, like

613
00:28:33,880 --> 00:28:38,360
Speaker 1: if you're not sensitive enough to you have to be sensitive,

614
00:28:38,360 --> 00:28:40,680
Speaker 1: I think on a certain level to do what we do,

615
00:28:40,720 --> 00:28:42,440
Speaker 1: you know, to be in touch with kind of like

616
00:28:42,520 --> 00:28:45,640
Speaker 1: you know, being a person, emotions and all that stuff,

617
00:28:46,120 --> 00:28:48,320
Speaker 1: and some people are better at it than others in

618
00:28:48,440 --> 00:28:50,880
Speaker 1: terms of dealing with that part of it. I think

619
00:28:50,920 --> 00:28:52,920
Speaker 1: I accept it, but I also know like for me,

620
00:28:53,040 --> 00:28:55,600
Speaker 1: for my process, I love being in process. I love

621
00:28:55,720 --> 00:28:58,000
Speaker 1: like right now, like I'm making our show. I love

622
00:28:58,120 --> 00:28:59,720
Speaker 1: going to work. Tomorrow, I'll go to work. I'll be

623
00:28:59,720 --> 00:29:04,040
Speaker 1: direct acting. You know, I'm very happy doing that editing,

624
00:29:04,120 --> 00:29:07,520
Speaker 1: putting it together, and then finishing it. And then I

625
00:29:07,560 --> 00:29:09,400
Speaker 1: have the thing that I've worked on. I'm like, Okay,

626
00:29:09,440 --> 00:29:10,840
Speaker 1: this is the you know, done, the best I could

627
00:29:10,880 --> 00:29:13,400
Speaker 1: do with this project. And then it's out in the world,

628
00:29:13,480 --> 00:29:15,400
Speaker 1: and then people are going to react the way they're

629
00:29:15,440 --> 00:29:19,360
Speaker 1: going to react. So I kind of it's great when

630
00:29:19,360 --> 00:29:22,080
Speaker 1: people love something. I think sometimes you can get a

631
00:29:22,320 --> 00:29:27,400
Speaker 1: positive you can get feedback criticism that that can be helpful.

632
00:29:28,000 --> 00:29:30,560
Speaker 1: But you know, you have to kind of know at

633
00:29:30,560 --> 00:29:32,560
Speaker 1: a certain point, like what works for you in terms

634
00:29:32,560 --> 00:29:34,360
Speaker 1: of how you kind of go through and do your thing.

635
00:29:35,480 --> 00:29:41,840
Speaker 5: I was my kind of going off that actually taking

636
00:29:41,880 --> 00:29:46,640
Speaker 5: a quick right turn. What was like that moment that thing,

637
00:29:46,760 --> 00:29:49,440
Speaker 5: that thing that you said, all right, this is it.

638
00:29:49,800 --> 00:29:53,200
Speaker 2: I'm here. I'm like, I'm in my Prime, this is

639
00:29:53,320 --> 00:29:53,760
Speaker 2: this is it?

640
00:29:53,800 --> 00:29:55,560
Speaker 5: Like what was your moment, what was like the thing

641
00:29:55,600 --> 00:29:58,959
Speaker 5: you produced or put out there that you were like,

642
00:29:59,080 --> 00:30:01,120
Speaker 5: I'm this is me, this is it?

643
00:30:01,680 --> 00:30:05,200
Speaker 1: Like that that was that people responded to.

644
00:30:05,360 --> 00:30:07,720
Speaker 2: Not even responded, that you put out and you were like.

645
00:30:09,320 --> 00:30:12,120
Speaker 3: I'm him, I'm I'm.

646
00:30:12,640 --> 00:30:17,480
Speaker 1: I mean, I think for me it was, well, I

647
00:30:17,600 --> 00:30:19,680
Speaker 1: always had this kind of like two things going on,

648
00:30:19,720 --> 00:30:23,160
Speaker 1: which was the directing and you know, writing and creating

649
00:30:23,160 --> 00:30:25,360
Speaker 1: stuff and then acting. And I was kind of doing

650
00:30:25,400 --> 00:30:27,920
Speaker 1: both together for a while, like when I first started out,

651
00:30:28,320 --> 00:30:30,320
Speaker 1: and I kind of gradually started to get work. I

652
00:30:30,360 --> 00:30:32,280
Speaker 1: was on Saturday Night Live for like a really short

653
00:30:32,320 --> 00:30:36,320
Speaker 1: period of time and then then moved on and did

654
00:30:36,360 --> 00:30:38,400
Speaker 1: an MTV show and then did a show on Fox,

655
00:30:38,440 --> 00:30:40,200
Speaker 1: a sketch show, and I was starting to get like

656
00:30:40,240 --> 00:30:43,480
Speaker 1: some success. But for me, I think when I started

657
00:30:43,520 --> 00:30:48,440
Speaker 1: to make movies, uh, And the first movie I directed

658
00:30:48,520 --> 00:30:50,760
Speaker 1: was this movie Reality by Ites back in like ninety two,

659
00:30:50,800 --> 00:30:52,320
Speaker 1: and that was exciting because it was like, oh, I'm

660
00:30:52,320 --> 00:30:55,880
Speaker 1: directing a movie. But I think like the first movie

661
00:30:55,920 --> 00:30:58,520
Speaker 1: that I was in that people connected with was There

662
00:30:58,560 --> 00:31:01,800
Speaker 1: Something about Mary, which was like ninety eight, and that

663
00:31:02,000 --> 00:31:03,719
Speaker 1: was like the first time I was in. I'd already

664
00:31:03,720 --> 00:31:05,800
Speaker 1: been working for a while and doing my thing, but

665
00:31:05,880 --> 00:31:07,480
Speaker 1: that was the first movie I was in that people

666
00:31:07,520 --> 00:31:10,520
Speaker 1: responded to and you know, was ended up being a

667
00:31:10,520 --> 00:31:12,880
Speaker 1: big hit. And I think that was when I was like,

668
00:31:12,920 --> 00:31:16,040
Speaker 1: oh wow, this is like this is definitely like I

669
00:31:16,040 --> 00:31:17,880
Speaker 1: guess I'm I'm doing okay.

670
00:31:18,360 --> 00:31:20,200
Speaker 4: My parents loved that movie. I watched it with them.

671
00:31:20,760 --> 00:31:24,080
Speaker 1: Yeah, I I you watch it with your parents, because

672
00:31:24,360 --> 00:31:25,880
Speaker 1: I watched it with my parents and that wasn't a

673
00:31:25,880 --> 00:31:26,400
Speaker 1: good experience.

674
00:31:26,440 --> 00:31:28,320
Speaker 4: The only scene that the only scene that I felt

675
00:31:28,400 --> 00:31:30,760
Speaker 4: a little awkward in was was Cameron Diez.

676
00:31:30,480 --> 00:31:33,680
Speaker 1: His hair, yeah, or the scene before that was zipp

677
00:31:33,800 --> 00:31:37,719
Speaker 1: now yeah, well yeah, the bathroom creating that, and that

678
00:31:37,880 --> 00:31:40,480
Speaker 1: was and I remember being at the premiere with my

679
00:31:40,480 --> 00:31:43,000
Speaker 1: my mom was sitting behind me and that scene came

680
00:31:43,080 --> 00:31:45,880
Speaker 1: up and I was like, oh, I forgot about this

681
00:31:45,960 --> 00:31:49,000
Speaker 1: scene and I just kind of stared at the screen

682
00:31:49,040 --> 00:31:52,760
Speaker 1: and didn't really look at her after. But that was

683
00:31:52,760 --> 00:31:54,840
Speaker 1: like probably the first time I thought, Okay, this is like,

684
00:31:55,080 --> 00:31:57,000
Speaker 1: you know, somebody wanted to hire me for another movie

685
00:31:57,240 --> 00:31:59,400
Speaker 1: because there's an actor. You also never feel that security

686
00:31:59,400 --> 00:32:01,600
Speaker 1: where you're like you know where the next job is

687
00:32:01,640 --> 00:32:03,760
Speaker 1: coming from and then all of a sudden, I was like, Okay,

688
00:32:04,160 --> 00:32:07,560
Speaker 1: you know, it seems like people are wanting to hire me.

689
00:32:07,840 --> 00:32:08,080
Speaker 2: Yeah.

690
00:32:08,200 --> 00:32:09,840
Speaker 4: I feel like you see a lot of actors spend

691
00:32:09,840 --> 00:32:12,200
Speaker 4: most of their career acting and then transition to directing

692
00:32:12,200 --> 00:32:13,640
Speaker 4: and producing. But you said you were kind of doing

693
00:32:13,640 --> 00:32:14,600
Speaker 4: both like from the beginning.

694
00:32:14,720 --> 00:32:17,200
Speaker 1: Yeah, because I was trying to create. I love filmmaking

695
00:32:17,240 --> 00:32:18,480
Speaker 1: since I was ten years old. I want to be

696
00:32:18,480 --> 00:32:20,520
Speaker 1: a director. But then I also was trying to create

697
00:32:20,520 --> 00:32:23,280
Speaker 1: my own work, so like when no one was hiring me,

698
00:32:23,280 --> 00:32:24,880
Speaker 1: I'd go off and make like a short film or

699
00:32:24,880 --> 00:32:27,600
Speaker 1: make an audition tape for Saturday Night Live, which got

700
00:32:27,640 --> 00:32:31,720
Speaker 1: me hired. Or that's really how like I kind of

701
00:32:31,800 --> 00:32:35,479
Speaker 1: started out and started doing my own thing. And really, honestly,

702
00:32:35,480 --> 00:32:37,600
Speaker 1: when you're making movies, you kind of have to create

703
00:32:37,960 --> 00:32:41,640
Speaker 1: your own Like it's really like what direction do you

704
00:32:41,680 --> 00:32:44,160
Speaker 1: want to go in? And I think whether it's writing

705
00:32:44,240 --> 00:32:49,640
Speaker 1: or collaborating with writers and directing, it's very much yourself.

706
00:32:49,680 --> 00:32:52,040
Speaker 1: You're creating it on your own, so you have to

707
00:32:52,080 --> 00:32:54,280
Speaker 1: just figure out what you want to say.

708
00:32:57,080 --> 00:32:59,280
Speaker 3: I do have a question for you, right because I've

709
00:32:59,320 --> 00:33:02,840
Speaker 3: always been fast about this. The can you give us

710
00:33:02,880 --> 00:33:05,520
Speaker 3: like an insight of like the zone that you go

711
00:33:05,640 --> 00:33:08,200
Speaker 3: into when you're about to when you know, when you're

712
00:33:08,200 --> 00:33:10,720
Speaker 3: acting in a scene or what like what do you

713
00:33:10,720 --> 00:33:13,080
Speaker 3: what go through your mind mentally like as you like

714
00:33:13,120 --> 00:33:16,040
Speaker 3: process of like how you're going to you know, say

715
00:33:16,080 --> 00:33:17,720
Speaker 3: this line, How are you going to react this way?

716
00:33:17,800 --> 00:33:20,000
Speaker 3: How how are you going to show? You know which

717
00:33:20,080 --> 00:33:23,000
Speaker 3: Facebook expression is that like the zone that you go into.

718
00:33:24,040 --> 00:33:27,880
Speaker 1: I mean I think it's maybe it's like a little

719
00:33:27,920 --> 00:33:30,360
Speaker 1: similar to like if you're in a game where you're

720
00:33:30,400 --> 00:33:32,560
Speaker 1: like you want to be in a reactive place where

721
00:33:32,560 --> 00:33:35,320
Speaker 1: you're not thinking about For me, it's like you've done

722
00:33:35,360 --> 00:33:38,360
Speaker 1: the work, the preparation work for the character. You know

723
00:33:38,440 --> 00:33:40,560
Speaker 1: what the scene is, you know the lines, you know

724
00:33:41,600 --> 00:33:44,480
Speaker 1: what the idea of the scene is, where you're supposed

725
00:33:44,480 --> 00:33:48,160
Speaker 1: to be as a character, and then you just want

726
00:33:48,200 --> 00:33:49,440
Speaker 1: to For me, I just want to be in the

727
00:33:49,480 --> 00:33:52,080
Speaker 1: moment of the scene. So it's kind of like trying

728
00:33:52,080 --> 00:33:54,880
Speaker 1: to figure out a way to get comfortable with like

729
00:33:54,960 --> 00:33:57,880
Speaker 1: all the cameras and and you know, the lights and

730
00:33:57,920 --> 00:34:00,520
Speaker 1: people staring at you and all that's which you have

731
00:34:00,600 --> 00:34:02,080
Speaker 1: to kind of let go of and just sort of

732
00:34:02,120 --> 00:34:05,200
Speaker 1: like somehow try to be in the moment and be

733
00:34:05,280 --> 00:34:08,560
Speaker 1: connected with who you're in the scene with. And once

734
00:34:08,560 --> 00:34:10,880
Speaker 1: you're in that, like you're in that and you're connecting,

735
00:34:11,520 --> 00:34:14,480
Speaker 1: you know, that's all that's there, and then you're hopefully

736
00:34:15,360 --> 00:34:19,120
Speaker 1: reacting to what's being given to you in the circumstances.

737
00:34:19,280 --> 00:34:22,640
Speaker 1: And that's your job as an actor is to kind

738
00:34:22,640 --> 00:34:24,960
Speaker 1: of like deal with all that other stuff and like

739
00:34:25,080 --> 00:34:27,520
Speaker 1: figure out a way to let it go. And it's

740
00:34:27,560 --> 00:34:30,440
Speaker 1: a constant process of trying to get comfortable with that,

741
00:34:30,800 --> 00:34:33,799
Speaker 1: which I think changes from seeing to scene and really

742
00:34:33,840 --> 00:34:35,680
Speaker 1: where you're at in your life as you go into work.

743
00:34:36,600 --> 00:34:38,600
Speaker 1: For me as a director, that's why I like directing too.

744
00:34:38,640 --> 00:34:41,279
Speaker 1: It's kind of like trying to help actors get into

745
00:34:41,280 --> 00:34:44,319
Speaker 1: a place where they can give their best work and

746
00:34:44,520 --> 00:34:47,000
Speaker 1: allowing them. Every actor has a different process, there's no

747
00:34:47,040 --> 00:34:49,200
Speaker 1: one way to do it, so it's just trying to

748
00:34:49,200 --> 00:34:53,440
Speaker 1: create an environment for the actors that they can really

749
00:34:53,680 --> 00:34:56,560
Speaker 1: be in the moment and be real and be in

750
00:34:56,600 --> 00:35:00,200
Speaker 1: that place. So there's no like I said, there's no rules, know,

751
00:35:01,239 --> 00:35:03,200
Speaker 1: and that's that's that's probably the toughest thing, is just

752
00:35:03,280 --> 00:35:05,160
Speaker 1: kind of getting the place where you can let everything

753
00:35:05,200 --> 00:35:07,360
Speaker 1: go and just and just lie yourself to be in

754
00:35:07,400 --> 00:35:07,800
Speaker 1: the moment.

755
00:35:08,360 --> 00:35:11,800
Speaker 4: What's it like being an actor with the directorial experience,

756
00:35:11,840 --> 00:35:13,920
Speaker 4: almost like being a player with coaching experience, Like do

757
00:35:13,960 --> 00:35:16,440
Speaker 4: you find yourself analyzing situations differently? Do you look at

758
00:35:16,440 --> 00:35:18,280
Speaker 4: the way that the director is like running the running

759
00:35:18,280 --> 00:35:18,640
Speaker 4: the set.

760
00:35:19,680 --> 00:35:22,279
Speaker 1: Yeah, I mean the director is really like creating the

761
00:35:22,320 --> 00:35:26,000
Speaker 1: whole experience, you know, and every director does it differently,

762
00:35:26,880 --> 00:35:29,719
Speaker 1: and you have to really trust that director's vision. Like

763
00:35:31,239 --> 00:35:34,680
Speaker 1: it's so subjective, and I wonder what that's like working

764
00:35:34,680 --> 00:35:37,400
Speaker 1: with a coach, where every coach has a different you know, style,

765
00:35:37,520 --> 00:35:40,879
Speaker 1: but like it's it's very subjective. Directing is about having

766
00:35:40,880 --> 00:35:43,000
Speaker 1: a point of view, So every director is going to

767
00:35:43,040 --> 00:35:44,520
Speaker 1: have a like you look at a scene and go, well,

768
00:35:44,520 --> 00:35:46,520
Speaker 1: I would have shot it this way, but this director

769
00:35:46,600 --> 00:35:48,600
Speaker 1: is directing it. So I want to be a part

770
00:35:48,600 --> 00:35:50,319
Speaker 1: of the way they see it because I'm trying to

771
00:35:50,320 --> 00:35:55,759
Speaker 1: help them realize what they want. So it's like it's

772
00:35:55,760 --> 00:35:57,840
Speaker 1: almost like you don't want to put your point of

773
00:35:57,920 --> 00:36:00,080
Speaker 1: view onto what they're doing, and you just want to

774
00:36:00,120 --> 00:36:02,160
Speaker 1: kind of be there for them as an actor to

775
00:36:02,200 --> 00:36:04,879
Speaker 1: help support their vision. And some directors are really great

776
00:36:04,880 --> 00:36:06,920
Speaker 1: talking to actress. Other directors don't even talk to the

777
00:36:06,960 --> 00:36:09,080
Speaker 1: actors and they just put the camera somewhere and they

778
00:36:09,120 --> 00:36:11,080
Speaker 1: let you do your thing. And that's part of their processes.

779
00:36:11,120 --> 00:36:13,840
Speaker 1: They want you to just do your thing. Some directors

780
00:36:13,880 --> 00:36:16,800
Speaker 1: do fifty takes, like literally fifty takes of a scene.

781
00:36:16,880 --> 00:36:19,759
Speaker 1: Some directors will do like two takes, like Clint Eastwood's

782
00:36:19,800 --> 00:36:22,480
Speaker 1: known for like doing like one or two takes. But

783
00:36:22,480 --> 00:36:24,719
Speaker 1: I've worked with directors who do fifty takes too, and

784
00:36:24,760 --> 00:36:27,839
Speaker 1: it's you know, and not telling you what they want.

785
00:36:28,040 --> 00:36:30,160
Speaker 1: And that's because they just want to let something happen.

786
00:36:30,840 --> 00:36:34,480
Speaker 1: So I'm curious what it's like for you guys if

787
00:36:34,480 --> 00:36:38,919
Speaker 1: I can change the subject playing like playing for TIBs.

788
00:36:38,640 --> 00:36:41,319
Speaker 9: Because I knew it as soon as soon as he

789
00:36:41,400 --> 00:36:45,600
Speaker 9: said as soon as he said like doing a take

790
00:36:45,680 --> 00:36:52,920
Speaker 9: like fifty times a new tip style, it's it's not fifty.

791
00:36:53,280 --> 00:36:57,000
Speaker 5: But see, he is a man of repetition. He is

792
00:36:57,040 --> 00:37:02,680
Speaker 5: a man of repetition, and he, like I said, he's

793
00:37:02,680 --> 00:37:04,239
Speaker 5: always go get the best out of you. Like there's

794
00:37:04,239 --> 00:37:07,759
Speaker 5: go many times he's been yelling and screaming and Combinator,

795
00:37:07,840 --> 00:37:11,239
Speaker 5: we're gonna be like all right, all right, but he's

796
00:37:11,280 --> 00:37:15,120
Speaker 5: going to prepare you. He's gonna have whatever question you have,

797
00:37:15,640 --> 00:37:19,440
Speaker 5: he hasn't answered in two different, three different ways. He's

798
00:37:19,480 --> 00:37:23,839
Speaker 5: the most prepared coach that you will ever see. So

799
00:37:24,000 --> 00:37:27,160
Speaker 5: he like when we go into like game planning and

800
00:37:27,160 --> 00:37:31,320
Speaker 5: stuff like don don he has everything done. Any seriously,

801
00:37:31,360 --> 00:37:32,759
Speaker 5: any question you have like what if he does this,

802
00:37:32,880 --> 00:37:34,080
Speaker 5: if he does this, all right, if he does this,

803
00:37:34,200 --> 00:37:37,239
Speaker 5: boom boom boom, we walk through it. And so we

804
00:37:37,320 --> 00:37:39,360
Speaker 5: walk through all our adjustments, we do all that stuff. So,

805
00:37:40,480 --> 00:37:42,799
Speaker 5: like I said, a man of repetition.

806
00:37:42,840 --> 00:37:45,080
Speaker 1: Right, and you've known him like since you were a

807
00:37:45,160 --> 00:37:48,879
Speaker 1: kid for way too long, right, and way too long.

808
00:37:48,920 --> 00:37:51,920
Speaker 1: The interesting thing to me is like now because players

809
00:37:51,960 --> 00:37:54,879
Speaker 1: with social media and podcasts like you kind of get

810
00:37:54,880 --> 00:37:57,040
Speaker 1: sometimes get a sense of players and what they're like.

811
00:37:57,440 --> 00:38:00,239
Speaker 1: But like the last bastion of the mystery or the

812
00:38:00,280 --> 00:38:03,880
Speaker 1: coaches because you know, because Tims isn't like tweeting and

813
00:38:03,920 --> 00:38:06,840
Speaker 1: he's not doing podcast so you know, you look at

814
00:38:06,840 --> 00:38:10,279
Speaker 1: that guy, I'm like fascinated, like because he's so it's

815
00:38:10,280 --> 00:38:13,600
Speaker 1: so he's so intense on the sidelines during the games,

816
00:38:13,719 --> 00:38:15,640
Speaker 1: and it's like one of my most favorite things is

817
00:38:15,680 --> 00:38:17,560
Speaker 1: just like reading his lips during games.

818
00:38:18,120 --> 00:38:19,839
Speaker 2: You don't have to be lips you can hear him.

819
00:38:19,880 --> 00:38:23,000
Speaker 1: Yeah, you can hear him from uh it's a California

820
00:38:24,040 --> 00:38:27,440
Speaker 1: And but like you know, it's really interesting because you

821
00:38:27,560 --> 00:38:29,680
Speaker 1: just like wonder, like, well is He's probably not the

822
00:38:29,760 --> 00:38:31,720
Speaker 1: kind of coaches like going out there and saying like, Okay,

823
00:38:31,719 --> 00:38:34,319
Speaker 1: just go out and have some fun. Right, go go

824
00:38:34,360 --> 00:38:36,040
Speaker 1: out there and have a good time. Nah.

825
00:38:36,280 --> 00:38:37,400
Speaker 3: Nah, He's not gonna say that.

826
00:38:37,760 --> 00:38:42,200
Speaker 1: But it's like, but does it? But you have to

827
00:38:42,200 --> 00:38:44,960
Speaker 1: figure out how to. I mean, you know known him,

828
00:38:44,960 --> 00:38:47,319
Speaker 1: but like it's different playing for him than playing for

829
00:38:48,000 --> 00:38:49,839
Speaker 1: I don't know who is coaching Dallas.

830
00:38:50,120 --> 00:38:53,600
Speaker 5: It was Rick Carlos and Jason Kidd, right, Like you said,

831
00:38:53,640 --> 00:38:55,800
Speaker 5: like every director, every coach is different.

832
00:38:56,120 --> 00:38:59,399
Speaker 1: So but if you had it like with coaches, where

833
00:38:59,400 --> 00:39:01,960
Speaker 1: the coach does and get you like the coach and

834
00:39:02,000 --> 00:39:03,560
Speaker 1: you have to kind of figure out how to.

835
00:39:03,680 --> 00:39:06,520
Speaker 3: I've yet to be understood by the coach, right, I've

836
00:39:06,520 --> 00:39:07,040
Speaker 3: had a lot of.

837
00:39:08,560 --> 00:39:09,480
Speaker 1: So how do you deal with that?

838
00:39:12,960 --> 00:39:14,640
Speaker 3: I think it all depends like this. This is my

839
00:39:14,880 --> 00:39:19,880
Speaker 3: seventh year in the league. Tibbs is my fifth or sixth,

840
00:39:20,000 --> 00:39:23,120
Speaker 3: sixth head coach. I think it was so for me,

841
00:39:23,360 --> 00:39:27,480
Speaker 3: it's it's interesting just because, like I said, like everyone

842
00:39:27,560 --> 00:39:31,200
Speaker 3: has their own style. He's actually him and stand Ban

843
00:39:31,280 --> 00:39:35,319
Speaker 3: Gundhi are very similar in a lot of in a

844
00:39:35,320 --> 00:39:38,839
Speaker 3: lot of ways. But it's kind of like you said,

845
00:39:38,880 --> 00:39:43,120
Speaker 3: like maybe times I'm wondering something, I'm questioning something, I'm

846
00:39:43,160 --> 00:39:44,760
Speaker 3: just like, you know what, like this is the scheme,

847
00:39:44,840 --> 00:39:46,799
Speaker 3: this is what we're going to do. Cool. But then

848
00:39:46,840 --> 00:39:51,160
Speaker 3: there's other coaches where it's like like Tibbs, he has prepared.

849
00:39:51,280 --> 00:39:54,880
Speaker 3: But then if you have questions, you know, and you

850
00:39:54,920 --> 00:39:57,440
Speaker 3: feel not comfortable with something, you know, we can make adjustment.

851
00:39:57,520 --> 00:40:00,880
Speaker 3: Sometimes coaches just like I get but this is what

852
00:40:00,920 --> 00:40:04,840
Speaker 3: we're doing and that's it. So it's it takes a

853
00:40:04,920 --> 00:40:07,200
Speaker 3: little bit of getting used to and I think you know,

854
00:40:07,280 --> 00:40:10,280
Speaker 3: part of it is the longer you get in the league,

855
00:40:10,440 --> 00:40:12,959
Speaker 3: you know, the more your voice is a little bit more,

856
00:40:13,760 --> 00:40:15,760
Speaker 3: you know, sturdy.

857
00:40:16,239 --> 00:40:20,680
Speaker 5: What Josh is the person on the team where he

858
00:40:20,800 --> 00:40:23,319
Speaker 5: makes all this noise. He complains about whatever and all

859
00:40:23,360 --> 00:40:27,000
Speaker 5: this stuff. So he's in the corner like yelling, complaining

860
00:40:27,160 --> 00:40:28,600
Speaker 5: whatever he has to do, and we're all just like

861
00:40:29,040 --> 00:40:31,560
Speaker 5: let him burn out and then once he's done, he'll

862
00:40:31,560 --> 00:40:33,200
Speaker 5: come back to us and then we just continue on

863
00:40:33,239 --> 00:40:34,960
Speaker 5: what we're doing. But like he's like a little bad

864
00:40:35,040 --> 00:40:36,200
Speaker 5: kid that's just leaving the corner.

865
00:40:36,200 --> 00:40:37,760
Speaker 1: And then what will he complain about?

866
00:40:38,080 --> 00:40:38,560
Speaker 2: Everything?

867
00:40:39,920 --> 00:40:44,800
Speaker 5: And I mean everything he will complain about. He complains

868
00:40:44,840 --> 00:40:45,799
Speaker 5: about the refs.

869
00:40:46,200 --> 00:40:46,719
Speaker 6: That's for sure.

870
00:40:46,760 --> 00:40:49,680
Speaker 5: He plays with the refs. At one point during the season.

871
00:40:49,719 --> 00:40:51,440
Speaker 5: He just complain about his minutes.

872
00:40:52,920 --> 00:40:54,719
Speaker 2: Now he's playing. Now he's playing too much minutes in

873
00:40:54,719 --> 00:40:55,360
Speaker 2: his mind.

874
00:40:55,320 --> 00:41:00,680
Speaker 3: Right, this is think about me, Like I just have

875
00:41:00,760 --> 00:41:04,800
Speaker 3: to like like, yeah, get I have to get whatever

876
00:41:04,840 --> 00:41:06,080
Speaker 3: it is I have to say. I just have to

877
00:41:06,080 --> 00:41:06,799
Speaker 3: get off my chest.

878
00:41:07,840 --> 00:41:11,960
Speaker 1: So like but Tips, but Tips gets you, he gets

879
00:41:12,000 --> 00:41:14,880
Speaker 1: you in that you're in the rotation, you know what

880
00:41:14,920 --> 00:41:18,000
Speaker 1: I mean. Like I feel like he from the outside,

881
00:41:18,040 --> 00:41:19,840
Speaker 1: it seems like either you're in the rotation, you're not

882
00:41:19,880 --> 00:41:22,759
Speaker 1: in the rotation. So the players that he you know,

883
00:41:22,920 --> 00:41:24,960
Speaker 1: wants to be in the rotation are the ones that are. Yeah,

884
00:41:25,360 --> 00:41:27,040
Speaker 1: I mean that that's that seems to me like the

885
00:41:27,320 --> 00:41:28,560
Speaker 1: biggest vote of confidence.

886
00:41:28,600 --> 00:41:30,360
Speaker 4: The funniest part about it is like you're such a

887
00:41:30,480 --> 00:41:31,160
Speaker 4: TIBs guy.

888
00:41:31,480 --> 00:41:33,359
Speaker 6: Yeah, that's what's so funny.

889
00:41:33,239 --> 00:41:36,480
Speaker 3: And like like whatever Tibbs wants me to do, like

890
00:41:36,719 --> 00:41:38,480
Speaker 3: I'm gonna go run through a wall to do it.

891
00:41:38,920 --> 00:41:41,359
Speaker 3: But like there's just times, I'll just be yelling, you know,

892
00:41:42,280 --> 00:41:44,160
Speaker 3: I'll have Joe Ingles on me, who's like the most

893
00:41:44,280 --> 00:41:48,400
Speaker 3: unathletic player in the NBA, and I'll just like be

894
00:41:48,520 --> 00:41:50,040
Speaker 3: in the corner with like.

895
00:41:50,000 --> 00:41:50,560
Speaker 1: Not in action.

896
00:41:50,719 --> 00:41:53,520
Speaker 3: So I'll just be you know, I'll go into the badtub,

897
00:41:53,560 --> 00:41:56,840
Speaker 3: like I got Joe Ingles on me. He can't do anything.

898
00:41:56,960 --> 00:42:00,120
Speaker 3: He's unathletic, he can't da da da da, and and

899
00:42:00,360 --> 00:42:03,279
Speaker 3: like I say it, and then I'm like, all right, cool.

900
00:42:03,320 --> 00:42:04,719
Speaker 3: Then I go back into the huddle.

901
00:42:06,080 --> 00:42:07,520
Speaker 1: And he'll let they He'll let you do that.

902
00:42:07,840 --> 00:42:11,240
Speaker 3: Yeah, he left me just kind of just because he knows,

903
00:42:11,280 --> 00:42:16,920
Speaker 3: like I'm gonna just let Jos just kind of like

904
00:42:17,040 --> 00:42:19,080
Speaker 3: Jaylen said, just go on the corner and you just

905
00:42:19,200 --> 00:42:23,400
Speaker 3: yell and curse and you know, throw whatever, and then

906
00:42:24,120 --> 00:42:25,759
Speaker 3: he lit have come back and whatever I asked him

907
00:42:25,800 --> 00:42:27,440
Speaker 3: to do, he's going to do it one hundred percent.

908
00:42:27,560 --> 00:42:30,239
Speaker 1: But it does seem like watching the team that everybody

909
00:42:30,280 --> 00:42:32,759
Speaker 1: does seem to understand that, you know, like when you

910
00:42:32,800 --> 00:42:35,319
Speaker 1: watch like what you're doing, because I don't know, I

911
00:42:35,400 --> 00:42:37,719
Speaker 1: just feel like getting back to like the idea of

912
00:42:37,760 --> 00:42:41,440
Speaker 1: like the emotional connection that fans have with the players,

913
00:42:41,840 --> 00:42:43,800
Speaker 1: and I do think like New York fans are really

914
00:42:45,200 --> 00:42:48,279
Speaker 1: you know, they're really connected to and what's going on

915
00:42:48,560 --> 00:42:50,319
Speaker 1: that they feel it. I was telling you that earlier,

916
00:42:50,400 --> 00:42:54,040
Speaker 1: Like they feel it when somebody's like really working hard, right,

917
00:42:54,040 --> 00:42:56,439
Speaker 1: they really feel it, Like when you're and a lot

918
00:42:56,440 --> 00:42:58,919
Speaker 1: of times you're put in the position, like when you've

919
00:42:58,920 --> 00:43:01,120
Speaker 1: been shorthanded of having do like a lot of different

920
00:43:01,160 --> 00:43:04,719
Speaker 1: things right in terms of just and like, but yet

921
00:43:04,760 --> 00:43:07,120
Speaker 1: it always feels to me like everybody kind of knows,

922
00:43:07,160 --> 00:43:09,200
Speaker 1: like you know what your job is on the team,

923
00:43:09,400 --> 00:43:12,120
Speaker 1: and when you're shorthanded, you know what you have to do,

924
00:43:12,200 --> 00:43:13,640
Speaker 1: and I know it just feels to me like you

925
00:43:13,680 --> 00:43:15,160
Speaker 1: guys are kind of in sync that way.

926
00:43:15,680 --> 00:43:18,880
Speaker 5: Yeah, I feel like we've been playing together for obviously

927
00:43:18,880 --> 00:43:25,400
Speaker 5: a long time, and everyone on the team.

928
00:43:23,680 --> 00:43:26,080
Speaker 2: I mean, obviously we made moves, but like.

929
00:43:26,400 --> 00:43:28,319
Speaker 5: I feel like our chemistry has helped us, like all

930
00:43:28,360 --> 00:43:32,439
Speaker 5: in the court because we I mean yeah, like I said,

931
00:43:32,480 --> 00:43:35,160
Speaker 5: we've made a lot of moves, but like.

932
00:43:34,520 --> 00:43:35,719
Speaker 2: We genuinely like each other.

933
00:43:36,160 --> 00:43:38,719
Speaker 5: And so when you have that, that's that helps with

934
00:43:38,760 --> 00:43:40,920
Speaker 5: like on the court, like you learn things faster, you

935
00:43:40,920 --> 00:43:44,000
Speaker 5: get to know each other faster. The things you do

936
00:43:44,040 --> 00:43:47,319
Speaker 5: on the court are easier because you genuinely like each other.

937
00:43:47,560 --> 00:43:52,759
Speaker 5: So that's a big plus. It's not like a thing

938
00:43:52,800 --> 00:43:54,399
Speaker 5: you see every day in the NBA. I think it's

939
00:43:54,400 --> 00:43:58,200
Speaker 5: more common now, like everyone feels like they genuinely like

940
00:43:58,239 --> 00:44:02,799
Speaker 5: each other on teams. But you know, there's no bad

941
00:44:02,840 --> 00:44:04,960
Speaker 5: apple on our team.

942
00:44:05,120 --> 00:44:07,680
Speaker 1: Yeah, and even having to deal with like new personnel

943
00:44:07,719 --> 00:44:09,560
Speaker 1: and the trades and stuff, it feels like.

944
00:44:09,640 --> 00:44:11,839
Speaker 5: Even even then, even before that, there was like there's

945
00:44:11,840 --> 00:44:13,840
Speaker 5: never been like a bad apple.

946
00:44:14,000 --> 00:44:16,360
Speaker 3: You know, all those guys kind of just fit in,

947
00:44:17,160 --> 00:44:20,799
Speaker 3: you know, seemless in terms of work ethic. You know

948
00:44:20,880 --> 00:44:24,000
Speaker 3: how they approach a game, you know too, you know,

949
00:44:24,120 --> 00:44:26,200
Speaker 3: to joking around. And I think, you know, that's the

950
00:44:26,239 --> 00:44:28,880
Speaker 3: big thing with us is like we we have a

951
00:44:28,920 --> 00:44:33,200
Speaker 3: good culture. And you know, obviously credit to to Leon

952
00:44:33,280 --> 00:44:38,040
Speaker 3: and timms West. You know, I fat head over here helps.

953
00:44:39,800 --> 00:44:41,799
Speaker 2: But uh yeah, hold on, you guys.

954
00:44:42,160 --> 00:44:44,600
Speaker 5: You guys cannot keep laughing every time he makes a

955
00:44:44,640 --> 00:44:45,359
Speaker 5: dumb ass joke.

956
00:44:46,080 --> 00:44:46,840
Speaker 2: It's not funny.

957
00:44:47,160 --> 00:44:51,280
Speaker 4: Don't be in the studio audience today, studio audience.

958
00:44:51,280 --> 00:44:55,520
Speaker 2: And every time he says something crickets.

959
00:44:55,120 --> 00:44:59,719
Speaker 3: I'm sorry, I didn't I'm don't talk. I didn't say

960
00:44:59,760 --> 00:45:02,960
Speaker 3: any today but like I was actually the one of

961
00:45:03,000 --> 00:45:05,399
Speaker 3: the one of the main reasons why I was really

962
00:45:05,440 --> 00:45:11,359
Speaker 3: excited for this episode because the role you had, you know,

963
00:45:11,480 --> 00:45:14,000
Speaker 3: your make of mind, right, and we call him make

964
00:45:14,040 --> 00:45:16,520
Speaker 3: a Dome, So it was make of mind, make a

965
00:45:16,600 --> 00:45:18,520
Speaker 3: Dome on the pod together at the same time. I

966
00:45:18,560 --> 00:45:21,960
Speaker 3: feel like that's like a historic moment. And you know,

967
00:45:22,840 --> 00:45:23,320
Speaker 3: in our.

968
00:45:23,239 --> 00:45:30,600
Speaker 1: Lives, but the guys that we have.

969
00:45:32,000 --> 00:45:35,080
Speaker 3: It's you know, every everything just kind of just fit

970
00:45:35,200 --> 00:45:39,000
Speaker 3: in well, just in terms of off the court personalities

971
00:45:39,040 --> 00:45:41,880
Speaker 3: and then just just on the court, you know, in

972
00:45:42,000 --> 00:45:46,040
Speaker 3: terms of we got guys that can shoot, play defense,

973
00:45:46,640 --> 00:45:49,600
Speaker 3: you know this, you know, shot makers, decision makers, and

974
00:45:49,680 --> 00:45:52,040
Speaker 3: I feel like we have in that category.

975
00:45:54,520 --> 00:45:54,600
Speaker 1: Me.

976
00:45:56,160 --> 00:45:58,880
Speaker 2: Yeah, I'm for last. I just I genuinely want to

977
00:45:58,920 --> 00:46:02,000
Speaker 2: know when I can't get I make it personal for.

978
00:46:04,520 --> 00:46:06,480
Speaker 1: Me where I fit in.

979
00:46:06,640 --> 00:46:10,560
Speaker 3: I think I fully like we get fully healthy team.

980
00:46:11,040 --> 00:46:16,239
Speaker 3: I'm the guy who's gonna go out, defend, rebound, you know,

981
00:46:16,440 --> 00:46:17,320
Speaker 3: play hard.

982
00:46:17,560 --> 00:46:20,640
Speaker 1: And you'll shoot the three when you need to. Yeah,

983
00:46:20,960 --> 00:46:23,279
Speaker 1: shoot the three. I feel like you shoot a lot

984
00:46:23,280 --> 00:46:25,080
Speaker 1: of threes that need to be shot.

985
00:46:26,080 --> 00:46:26,400
Speaker 3: Thank you.

986
00:46:26,680 --> 00:46:29,239
Speaker 1: I mean, what are you looking at me?

987
00:46:29,719 --> 00:46:33,759
Speaker 3: I always tell me shoot the ball and you tend

988
00:46:33,800 --> 00:46:37,680
Speaker 3: to hit like important ones, like the thing with me

989
00:46:38,840 --> 00:46:44,120
Speaker 3: which I don't know. I like, I felt like my

990
00:46:44,200 --> 00:46:45,279
Speaker 3: game changed a little bit.

991
00:46:45,320 --> 00:46:46,360
Speaker 1: Like college.

992
00:46:46,440 --> 00:46:48,160
Speaker 3: I wanted to score when I first got into like

993
00:46:48,239 --> 00:46:51,200
Speaker 3: the league, like first couple of years, you know, I

994
00:46:51,360 --> 00:46:53,000
Speaker 3: just like I want to I want to play defense,

995
00:46:53,040 --> 00:46:54,560
Speaker 3: I want to score, like that was the main thing.

996
00:46:54,680 --> 00:46:57,640
Speaker 3: And then I got two. When I was in New

997
00:46:57,800 --> 00:47:00,000
Speaker 3: Orleans and I was with Willie Green, he put me

998
00:47:00,080 --> 00:47:03,120
Speaker 3: in a position where it was like I have it

999
00:47:03,160 --> 00:47:04,680
Speaker 3: was a little bit more of like a you know,

1000
00:47:05,400 --> 00:47:08,400
Speaker 3: playmaker decision maker role where it was like I can

1001
00:47:08,480 --> 00:47:10,719
Speaker 3: get into a slot and I can attack the rim

1002
00:47:10,800 --> 00:47:12,840
Speaker 3: or shoot or pass and do all those kinds of things.

1003
00:47:12,880 --> 00:47:17,360
Speaker 3: And I I felt like I started to enjoy getting

1004
00:47:17,400 --> 00:47:21,439
Speaker 3: into the lane and like making assists or finding guys open,

1005
00:47:21,560 --> 00:47:24,800
Speaker 3: doing those kinds of things. So now you know, I

1006
00:47:25,160 --> 00:47:26,920
Speaker 3: find a little bit more joy in that, and I

1007
00:47:27,000 --> 00:47:30,400
Speaker 3: think it's it helps to a certain extent. Sometimes it

1008
00:47:30,440 --> 00:47:35,440
Speaker 3: also hinders because I'll catch I'll catch the ball and

1009
00:47:35,520 --> 00:47:37,319
Speaker 3: I might be open and I just I'm not even

1010
00:47:37,320 --> 00:47:38,759
Speaker 3: looking at the rim because I'm trying to find an

1011
00:47:38,760 --> 00:47:41,320
Speaker 3: action to get someone like someone to shout or someone involved.

1012
00:47:41,800 --> 00:47:44,880
Speaker 3: So you know, that's my style, and I think it

1013
00:47:45,360 --> 00:47:48,719
Speaker 3: is helpful for what we have, but sometimes, like you know,

1014
00:47:48,760 --> 00:47:51,120
Speaker 3: it might hinder because sometimes I'll be wide open and

1015
00:47:51,160 --> 00:47:54,080
Speaker 3: I'm just like mine's going like you know, one hundred

1016
00:47:54,120 --> 00:47:56,640
Speaker 3: miles hour, like where where can I get Where's Jay

1017
00:47:56,680 --> 00:47:58,480
Speaker 3: and little where's tape? Where can I get a handoff

1018
00:47:58,520 --> 00:48:01,560
Speaker 3: or ball screen or whatever? And then you know, I

1019
00:48:01,640 --> 00:48:04,520
Speaker 3: might be open, I don't shoot it, and sometimes you know,

1020
00:48:04,800 --> 00:48:06,400
Speaker 3: that might be the best shot we could get on

1021
00:48:06,400 --> 00:48:06,920
Speaker 3: that possession.

1022
00:48:06,960 --> 00:48:08,080
Speaker 2: That's when I shoot the ball.

1023
00:48:08,400 --> 00:48:10,239
Speaker 3: Yeah, and then that's when Jalen curses me off and

1024
00:48:10,280 --> 00:48:11,120
Speaker 3: not shooting right.

1025
00:48:11,320 --> 00:48:13,680
Speaker 1: But I feel like that changes. It's like that's such

1026
00:48:13,719 --> 00:48:17,120
Speaker 1: a tough decision a lot of the time because from

1027
00:48:17,120 --> 00:48:19,640
Speaker 1: what you're saying, like, you know, sometimes it is the

1028
00:48:19,719 --> 00:48:22,879
Speaker 1: right thing to do when whoever's on the floor they

1029
00:48:22,960 --> 00:48:26,040
Speaker 1: need you know, we need like open shot, go for it,

1030
00:48:26,040 --> 00:48:26,319
Speaker 1: you know.

1031
00:48:26,320 --> 00:48:30,000
Speaker 3: And yeah, and it's like it really all like it

1032
00:48:30,120 --> 00:48:32,799
Speaker 3: just it really all depends on just like the you know,

1033
00:48:32,920 --> 00:48:36,360
Speaker 3: personnel and you know where you are in the season,

1034
00:48:36,360 --> 00:48:39,120
Speaker 3: where your team is, where we're other guys like for example,

1035
00:48:39,120 --> 00:48:42,120
Speaker 3: like the first you know, when Quinn was on the bench,

1036
00:48:42,160 --> 00:48:44,360
Speaker 3: like the first couple of games on the bench, like

1037
00:48:44,960 --> 00:48:46,279
Speaker 3: you know, he was running with you know, we were

1038
00:48:46,320 --> 00:48:48,759
Speaker 3: running together, and I was like, my biggest thing on

1039
00:48:48,800 --> 00:48:51,560
Speaker 3: my mind, I'm like, I don't care if I if

1040
00:48:51,600 --> 00:48:53,480
Speaker 3: I shoot or score the ball, like I'm going to

1041
00:48:53,600 --> 00:48:55,719
Speaker 3: I'm finding him. I'm going to find him and try

1042
00:48:55,760 --> 00:48:58,759
Speaker 3: to get him open shots. So it's like, you know,

1043
00:48:59,120 --> 00:49:02,840
Speaker 3: certain you know, think they're like now obviously we're a

1044
00:49:02,920 --> 00:49:06,240
Speaker 3: little depleted, and you know, God's hurts, and now it's like, okay,

1045
00:49:06,719 --> 00:49:09,480
Speaker 3: I got to try to change that into Okay, I

1046
00:49:09,480 --> 00:49:11,680
Speaker 3: got to be a little bit more aggressive creating, and

1047
00:49:12,440 --> 00:49:16,360
Speaker 3: you know, sometimes it's good. Sometimes I take some terrible shots,

1048
00:49:17,000 --> 00:49:19,960
Speaker 3: but it's always about finding like the middle ground, and

1049
00:49:20,000 --> 00:49:21,360
Speaker 3: that's always like the constant but I do.

1050
00:49:21,480 --> 00:49:23,640
Speaker 1: Yeah, that's what I feel like people pick up on.

1051
00:49:23,680 --> 00:49:24,000
Speaker 2: It is like that.

1052
00:49:24,200 --> 00:49:26,680
Speaker 1: I always feel like that's what you're doing, like trying

1053
00:49:26,719 --> 00:49:29,920
Speaker 1: to suss out in the moment what is needed, you know,

1054
00:49:30,360 --> 00:49:32,319
Speaker 1: especially at the time now when it's like the team

1055
00:49:32,400 --> 00:49:35,960
Speaker 1: is obviously dealing with a lot of injuries. So but

1056
00:49:36,000 --> 00:49:37,719
Speaker 1: it always feels like you guys are I don't know,

1057
00:49:37,800 --> 00:49:39,160
Speaker 1: as a fan, like I always feel like you guys

1058
00:49:39,160 --> 00:49:41,080
Speaker 1: always like I was saying that game last night. You're

1059
00:49:41,080 --> 00:49:42,920
Speaker 1: always putting everything into it, and I think that's what

1060
00:49:43,120 --> 00:49:45,759
Speaker 1: fans appreciate. It's like when you just feel like the

1061
00:49:45,760 --> 00:49:48,880
Speaker 1: players are just like totally just giving their all and

1062
00:49:49,000 --> 00:49:49,759
Speaker 1: a smart too.

1063
00:49:49,920 --> 00:49:53,920
Speaker 5: And you know, last thing I'll say about that, I

1064
00:49:54,320 --> 00:49:57,759
Speaker 5: just think that the fans, like you said, really appreciate

1065
00:49:57,800 --> 00:50:00,520
Speaker 5: like like how hard we play and things that we

1066
00:50:00,600 --> 00:50:02,640
Speaker 5: get to the game. Maybe don't take things for granted,

1067
00:50:03,160 --> 00:50:06,680
Speaker 5: but I think it's important, like how we hold each

1068
00:50:06,680 --> 00:50:12,279
Speaker 5: other accountable. Like after games they ask their questions. I

1069
00:50:12,320 --> 00:50:15,640
Speaker 5: can easily say like things about like yeah, like I

1070
00:50:15,719 --> 00:50:17,919
Speaker 5: may play well, but like we didn't, Like I don't

1071
00:50:17,920 --> 00:50:22,040
Speaker 5: really talk about like what I do when it's a

1072
00:50:22,080 --> 00:50:24,120
Speaker 5: lot or when we win, when it's a win we

1073
00:50:24,160 --> 00:50:25,080
Speaker 5: want as a team.

1074
00:50:25,520 --> 00:50:26,640
Speaker 2: When we lose, I'm like.

1075
00:50:26,600 --> 00:50:29,680
Speaker 5: I could be better because I need to be as

1076
00:50:29,680 --> 00:50:32,799
Speaker 5: a team, we can be better. But like I I

1077
00:50:32,840 --> 00:50:35,520
Speaker 5: think my point of view, I feel like my teammates

1078
00:50:35,600 --> 00:50:38,560
Speaker 5: respect it when like I always make sure like I

1079
00:50:38,560 --> 00:50:40,319
Speaker 5: bring my teammates with me when we win and when

1080
00:50:40,320 --> 00:50:42,799
Speaker 5: it's like I'll take the blame when we lose, just

1081
00:50:42,800 --> 00:50:46,080
Speaker 5: because I mean I want to hold that burden because

1082
00:50:46,120 --> 00:50:47,600
Speaker 5: I want everyone else to have that confidence to go

1083
00:50:47,640 --> 00:50:49,279
Speaker 5: out there and just play the same way next day.

1084
00:50:49,280 --> 00:50:53,400
Speaker 5: I feel like mentally I can hold that for my teammates,

1085
00:50:53,840 --> 00:50:58,520
Speaker 5: and I think next Twitter Knicks fans, I appreciate that

1086
00:50:58,600 --> 00:51:01,200
Speaker 5: because our minds that's never satisfied.

1087
00:51:01,520 --> 00:51:04,600
Speaker 1: Yeah, no, that's you definitely get that, and you feel

1088
00:51:04,600 --> 00:51:08,000
Speaker 1: like you guys are just like have a goal and

1089
00:51:08,040 --> 00:51:10,960
Speaker 1: you're serious about it, but you also have chemistry and

1090
00:51:11,160 --> 00:51:12,680
Speaker 1: I don't know, there's like a It's an interesting thing

1091
00:51:12,719 --> 00:51:14,360
Speaker 1: because like back in the day, we didn't have that

1092
00:51:14,440 --> 00:51:17,080
Speaker 1: interaction with the players, and I feel like in terms

1093
00:51:17,080 --> 00:51:19,359
Speaker 1: of just like getting a sense of their personalities and

1094
00:51:19,400 --> 00:51:21,760
Speaker 1: who they are, and I feel like that really comes

1095
00:51:21,800 --> 00:51:25,080
Speaker 1: through now more and it didn't used to be like that.

1096
00:51:25,320 --> 00:51:29,440
Speaker 4: You know, I borant, I mean the lead like it's

1097
00:51:29,480 --> 00:51:32,000
Speaker 4: all the product. I think JJ said it on his podcast,

1098
00:51:32,000 --> 00:51:34,000
Speaker 4: But like the players or the product, the game is

1099
00:51:34,040 --> 00:51:36,560
Speaker 4: the product. And you, guys, the more that I feel

1100
00:51:36,560 --> 00:51:38,400
Speaker 4: like you let fans into your life and who you

1101
00:51:38,440 --> 00:51:41,960
Speaker 4: are as people, it creates that affinity and it brings

1102
00:51:42,000 --> 00:51:44,000
Speaker 4: them closer to the game, which is ultimately what you want.

1103
00:51:44,280 --> 00:51:47,040
Speaker 1: Yeah, it's also just very accessible, like because I feel

1104
00:51:47,040 --> 00:51:50,920
Speaker 1: like you guys have this quality of like an underdog

1105
00:51:51,000 --> 00:51:55,040
Speaker 1: team too that never quite gets the respect that they deserve,

1106
00:51:55,680 --> 00:51:58,719
Speaker 1: and the fans feel that, Like the fans are so on,

1107
00:51:58,840 --> 00:52:01,000
Speaker 1: you know, so with you in that way, we're like,

1108
00:52:01,040 --> 00:52:03,920
Speaker 1: come on, he's got you know. And and that's been

1109
00:52:03,920 --> 00:52:06,320
Speaker 1: a thing a thing this season, I think with you,

1110
00:52:06,320 --> 00:52:08,640
Speaker 1: you know, it's like this guy, come on, this guy's

1111
00:52:08,640 --> 00:52:12,160
Speaker 1: one a and it's like, you know, right, Twitter would,

1112
00:52:12,400 --> 00:52:14,160
Speaker 1: but like when somebody says something like that, like it

1113
00:52:14,320 --> 00:52:18,279
Speaker 1: just lights up because people are like so behind you

1114
00:52:18,320 --> 00:52:19,920
Speaker 1: know what you guys are doing.

1115
00:52:20,120 --> 00:52:23,319
Speaker 5: So every every single person on this team has been

1116
00:52:23,400 --> 00:52:25,839
Speaker 5: doubted at some point in the NBA. I think that's

1117
00:52:25,840 --> 00:52:27,160
Speaker 5: what brings us closer together.

1118
00:52:27,320 --> 00:52:29,560
Speaker 2: We all we all have been.

1119
00:52:31,040 --> 00:52:34,120
Speaker 5: Put in that situation where like he's good, but I

1120
00:52:34,120 --> 00:52:35,960
Speaker 5: don't think he can do this. I don't think he

1121
00:52:36,000 --> 00:52:39,520
Speaker 5: can do that. Every single person on this team has

1122
00:52:39,560 --> 00:52:40,080
Speaker 5: been doing that.

1123
00:52:40,320 --> 00:52:42,200
Speaker 1: And how much do you guys engage with that on

1124
00:52:42,400 --> 00:52:43,600
Speaker 1: like a day to day basis?

1125
00:52:44,920 --> 00:52:47,040
Speaker 3: But like we joke around a little, like with each

1126
00:52:47,040 --> 00:52:49,920
Speaker 3: other a little bit about it, but like we don't

1127
00:52:49,960 --> 00:52:53,400
Speaker 3: like yeah.

1128
00:52:53,200 --> 00:52:56,239
Speaker 5: Like I you think about it internally, but like we

1129
00:52:56,280 --> 00:52:59,319
Speaker 5: don't really talk about like yeah, that stuff. Like, I

1130
00:52:59,400 --> 00:53:02,040
Speaker 5: just think that it fuels us a little bit just

1131
00:53:02,080 --> 00:53:04,959
Speaker 5: be better every single day. That's why we have maybe

1132
00:53:04,960 --> 00:53:06,240
Speaker 5: that underdog mindset.

1133
00:53:06,760 --> 00:53:10,600
Speaker 3: But yeah, we just go out there works and we

1134
00:53:11,160 --> 00:53:13,800
Speaker 3: know we don't really got to say much because nixt Twitter,

1135
00:53:13,800 --> 00:53:18,240
Speaker 3: they're gonna defend They're gonna be they're gonna be honest,

1136
00:53:18,320 --> 00:53:22,279
Speaker 3: but they're gonna defend it like they exactly they defend him.

1137
00:53:22,360 --> 00:53:25,239
Speaker 5: I saw to the last I saw a tweet. It

1138
00:53:25,320 --> 00:53:28,120
Speaker 5: was like Knicks fans Twitter. They were fighting with each

1139
00:53:28,160 --> 00:53:31,400
Speaker 5: other about like something going on with our team, and

1140
00:53:31,400 --> 00:53:33,440
Speaker 5: then like another person from another fan base said something

1141
00:53:33,440 --> 00:53:35,480
Speaker 5: and it went crazy and then they joined forces and

1142
00:53:35,520 --> 00:53:38,239
Speaker 5: it went right at that year. And so that's it's

1143
00:53:38,280 --> 00:53:40,480
Speaker 5: like you can joke with your family, but then when

1144
00:53:40,480 --> 00:53:43,719
Speaker 5: someone jokes about us, the family comes together and yeah, sure,

1145
00:53:43,800 --> 00:53:45,000
Speaker 5: attacking as one.

1146
00:53:45,280 --> 00:53:47,680
Speaker 4: Then we've talked a lot about them and who they've

1147
00:53:47,680 --> 00:53:50,640
Speaker 4: played with in their careers. Who is your starting five

1148
00:53:50,760 --> 00:53:52,480
Speaker 4: of collaborators throughout your career?

1149
00:53:52,640 --> 00:53:57,680
Speaker 1: Oh god, I mean, you know, for me, like people

1150
00:53:57,719 --> 00:53:59,919
Speaker 1: I'm a fan of that. I've worked with robertson Hero

1151
00:54:00,320 --> 00:54:03,240
Speaker 1: for sure, because just I grew up watching his movies

1152
00:54:03,320 --> 00:54:06,840
Speaker 1: and being able to work with him was pretty exciting.

1153
00:54:08,560 --> 00:54:09,480
Speaker 3: Will Ferrell.

1154
00:54:10,719 --> 00:54:14,000
Speaker 4: He's probably the center, right, Oh my god, I have

1155
00:54:14,000 --> 00:54:18,279
Speaker 4: to give them positions, or maybe Vince von at center.

1156
00:54:18,719 --> 00:54:24,400
Speaker 1: Vince at Center's tall drink of water. Yeah, yeah, I

1157
00:54:24,400 --> 00:54:27,040
Speaker 1: mean Vince like funny Vince Vaughan. There's no one, you know.

1158
00:54:27,080 --> 00:54:32,279
Speaker 1: It's just like such a unique tone to what he does. Yeah,

1159
00:54:32,440 --> 00:54:37,400
Speaker 1: I mean will Owen Wilson no one of my best friends.

1160
00:54:37,440 --> 00:54:41,120
Speaker 1: So he just makes me laugh. How many people is.

1161
00:54:41,040 --> 00:54:44,080
Speaker 2: That, Vince? Yeah?

1162
00:54:46,920 --> 00:54:49,960
Speaker 1: Oh gosh, mhm.

1163
00:54:50,960 --> 00:54:53,800
Speaker 3: Wow, you got the ruthless because you over there, Collen.

1164
00:54:53,840 --> 00:54:54,640
Speaker 3: I was just going to let him.

1165
00:54:56,680 --> 00:54:58,880
Speaker 1: I thought you guys were gonna like ask me about this,

1166
00:54:58,960 --> 00:55:03,960
Speaker 1: and it was, Oh, I'd say, like Sandler probably you

1167
00:55:04,000 --> 00:55:10,080
Speaker 1: know outam Sandler, Like just he's so I think he's

1168
00:55:10,120 --> 00:55:14,000
Speaker 1: just amazing, so funny. He's a great guy, most loyal

1169
00:55:14,080 --> 00:55:19,160
Speaker 1: guy in the world. Uh, you know, just loves what

1170
00:55:19,239 --> 00:55:23,000
Speaker 1: he does. And you know, anytime I'm with him, I'm

1171
00:55:23,080 --> 00:55:23,640
Speaker 1: enjoying that.

1172
00:55:23,920 --> 00:55:26,520
Speaker 4: We were looking up your filmography prior to coming on,

1173
00:55:26,600 --> 00:55:29,440
Speaker 4: just like for research purposes, and we thought we forgot

1174
00:55:29,440 --> 00:55:30,560
Speaker 4: you were nhappy Gilmour.

1175
00:55:31,840 --> 00:55:37,160
Speaker 1: I got yeah, tortures his grandmother.

1176
00:55:39,239 --> 00:55:45,880
Speaker 3: That was a Ogob. He was. He was really disappointed

1177
00:55:45,880 --> 00:55:49,880
Speaker 3: that I didn't saying by his regular name. So Ojob

1178
00:55:49,960 --> 00:55:51,520
Speaker 3: wanted me to tell you that his one of his

1179
00:55:51,600 --> 00:55:53,279
Speaker 3: favorite movies was A long camp.

1180
00:55:53,840 --> 00:55:55,880
Speaker 2: Really oh wow, and I was.

1181
00:55:55,920 --> 00:55:57,919
Speaker 6: I was like, it was when that came out.

1182
00:55:58,280 --> 00:56:05,600
Speaker 3: I don't know that's like, but was probably be probably yeah,

1183
00:56:05,600 --> 00:56:10,040
Speaker 3: that's yeah. But the funny thing, I was like, oh,

1184
00:56:10,360 --> 00:56:11,200
Speaker 3: what about Dodgeball.

1185
00:56:11,200 --> 00:56:12,359
Speaker 1: I'm like, Dogball, was it right?

1186
00:56:12,400 --> 00:56:14,520
Speaker 3: He was like, oh, I don't know if I really

1187
00:56:14,880 --> 00:56:16,600
Speaker 3: saw that one. You know, he's from London, so you

1188
00:56:16,680 --> 00:56:20,160
Speaker 3: know they're a little different over there, but you know what.

1189
00:56:20,160 --> 00:56:25,879
Speaker 5: I mean, upset every city we've said, Indiana, what else

1190
00:56:25,880 --> 00:56:26,319
Speaker 5: are we said?

1191
00:56:27,120 --> 00:56:27,239
Speaker 6: This?

1192
00:56:27,320 --> 00:56:27,640
Speaker 3: Indian?

1193
00:56:27,640 --> 00:56:29,319
Speaker 2: It was this, he said. He said, you said another

1194
00:56:29,360 --> 00:56:30,120
Speaker 2: city last time?

1195
00:56:30,840 --> 00:56:32,000
Speaker 1: They love you in Indiana.

1196
00:56:32,520 --> 00:56:35,040
Speaker 2: Yeah, I'm a big I'm a big London.

1197
00:56:35,680 --> 00:56:38,359
Speaker 3: No, I love London, London one of my favorite I'm

1198
00:56:38,360 --> 00:56:42,680
Speaker 3: a Chelsea supporter, love Chelsea, a valid, valid North London.

1199
00:56:42,719 --> 00:56:47,719
Speaker 3: I'm just Arsenal Tottenham. No, that's that's terrible. That's a

1200
00:56:47,760 --> 00:56:51,640
Speaker 3: little bit, you know, yeah, saying but now we're talking

1201
00:56:51,640 --> 00:56:53,880
Speaker 3: about Dodgeball. Dodgeball was my one of my favorite movies

1202
00:56:53,960 --> 00:56:56,040
Speaker 3: growing up. My favorite movie.

1203
00:56:56,640 --> 00:56:58,800
Speaker 4: It's a fun one that was Dodgeball came out and

1204
00:56:58,960 --> 00:57:01,600
Speaker 4: was it four Yeah, we were. That was like a

1205
00:57:01,600 --> 00:57:03,960
Speaker 4: crazy year for you, Like I think like Dodgeball stars

1206
00:57:03,960 --> 00:57:07,040
Speaker 4: Sking Hutch. Yeah, it all came out like in the

1207
00:57:07,080 --> 00:57:08,160
Speaker 4: same year Anchorman.

1208
00:57:09,360 --> 00:57:09,600
Speaker 2: Yeah.

1209
00:57:09,600 --> 00:57:11,040
Speaker 1: I mean I just did a little thing in Anchorman,

1210
00:57:11,080 --> 00:57:13,680
Speaker 1: but I was touching a lot of movies back then.

1211
00:57:15,880 --> 00:57:17,800
Speaker 1: Dodgeball was fun though, because it was sort of like

1212
00:57:18,200 --> 00:57:20,760
Speaker 1: nobody really thought anybody would watch it, or it's the

1213
00:57:20,760 --> 00:57:22,720
Speaker 1: fact that even people remember to this day. It is

1214
00:57:22,720 --> 00:57:24,760
Speaker 1: funny to me because it's such a ridiculous movie.

1215
00:57:26,480 --> 00:57:28,960
Speaker 3: That basically like started the OCHO and now you now

1216
00:57:28,960 --> 00:57:32,320
Speaker 3: you see ESPN. I think it was like a week

1217
00:57:32,480 --> 00:57:34,919
Speaker 3: or like a month that ESPN has, like I don't

1218
00:57:34,920 --> 00:57:39,200
Speaker 3: even did I call it the still crazy.

1219
00:57:39,640 --> 00:57:41,600
Speaker 1: That was Ross and Marshall Thurber who wrote it and

1220
00:57:41,600 --> 00:57:44,040
Speaker 1: directed it, and he came up with.

1221
00:57:44,000 --> 00:57:46,800
Speaker 3: That one of one of my favorite scenes from that movie,

1222
00:57:48,360 --> 00:57:52,360
Speaker 3: the one at the very end, I think after the credits.

1223
00:57:52,080 --> 00:58:04,280
Speaker 10: When he's let himself go, yeah, milkshake.

1224
00:58:04,760 --> 00:58:05,720
Speaker 1: You've never seen that one?

1225
00:58:06,000 --> 00:58:08,840
Speaker 2: No, No, I know exactly what you talking about.

1226
00:58:08,840 --> 00:58:12,800
Speaker 5: It's just like milk and like breasts.

1227
00:58:12,800 --> 00:58:14,840
Speaker 2: It's like it's it's a thing. It is a thing.

1228
00:58:15,000 --> 00:58:16,840
Speaker 3: Okay, I wasn't thinking of that.

1229
00:58:17,040 --> 00:58:18,040
Speaker 2: But that's the part that.

1230
00:58:18,240 --> 00:58:19,640
Speaker 1: I'm the breast milk.

1231
00:58:19,720 --> 00:58:19,880
Speaker 2: Right.

1232
00:58:19,920 --> 00:58:21,840
Speaker 1: You had that thing about tasting breast.

1233
00:58:21,560 --> 00:58:25,800
Speaker 2: Milk from from the from there you were, your dad,

1234
00:58:25,920 --> 00:58:26,360
Speaker 2: your father.

1235
00:58:26,840 --> 00:58:30,720
Speaker 3: Did you taste or did I want If you don't

1236
00:58:30,720 --> 00:58:32,240
Speaker 3: want to answer, did you at least wonder what it

1237
00:58:32,280 --> 00:58:33,080
Speaker 3: tastes of all?

1238
00:58:33,120 --> 00:58:35,600
Speaker 1: I was never breastfed as a child, okay, because my

1239
00:58:36,080 --> 00:58:37,640
Speaker 1: error that I grew up in it didn't happen with

1240
00:58:37,680 --> 00:58:40,880
Speaker 1: my mother. But I never know you.

1241
00:58:41,160 --> 00:58:44,560
Speaker 11: I was just man, man, you were so sure that

1242
00:58:44,640 --> 00:58:49,320
Speaker 11: you were like every new parent, he's probably twenty eighty

1243
00:58:49,360 --> 00:58:51,280
Speaker 11: percent always want you know what I mean, because like

1244
00:58:52,560 --> 00:58:53,560
Speaker 11: you know what I mean.

1245
00:58:53,920 --> 00:58:59,280
Speaker 3: It's it's just a wonder. I didn't say what tasted it.

1246
00:58:59,440 --> 00:59:01,280
Speaker 3: I feel like a lot of guys wonder, like, oh,

1247
00:59:01,320 --> 00:59:03,160
Speaker 3: I wonder what one of these.

1248
00:59:03,560 --> 00:59:05,960
Speaker 4: The pod we will will show the taste test.

1249
00:59:06,120 --> 00:59:07,400
Speaker 2: Okay, it will show the tastes.

1250
00:59:07,680 --> 00:59:15,520
Speaker 4: Yeah, come on, we have a video of it somewhere.

1251
00:59:15,920 --> 00:59:17,000
Speaker 3: Yeah.

1252
00:59:17,320 --> 00:59:19,600
Speaker 4: I think you picked it over almond milk. I'm not mistaken.

1253
00:59:20,360 --> 00:59:23,400
Speaker 3: I did. It was a little sweeter than almond milk.

1254
00:59:24,360 --> 00:59:27,960
Speaker 3: I'm telling you. It's I mean, this tweet is going

1255
00:59:28,040 --> 00:59:30,320
Speaker 3: to like it's going to follow me to like my

1256
00:59:30,440 --> 00:59:34,320
Speaker 3: dying day. But there was there is either was or

1257
00:59:34,480 --> 00:59:39,600
Speaker 3: is a country somewhere in like Europe. Who are you

1258
00:59:39,640 --> 00:59:45,880
Speaker 3: know adding that to the to the menu, like you know,

1259
00:59:46,080 --> 00:59:49,640
Speaker 3: as a milk substitute nutritional supplement.

1260
00:59:50,360 --> 00:59:51,360
Speaker 4: Can someone fact check that?

1261
00:59:51,480 --> 00:59:51,880
Speaker 2: Is that?

1262
00:59:52,120 --> 00:59:53,360
Speaker 6: Where is that happening.

1263
00:59:54,120 --> 00:59:54,960
Speaker 1: Country in Europe?

1264
00:59:55,280 --> 00:59:55,520
Speaker 2: Yeah?

1265
00:59:55,800 --> 00:59:57,120
Speaker 3: Somewhere somewhere in yours.

1266
00:59:57,280 --> 00:59:58,920
Speaker 2: It's because he's sent it to me.

1267
00:59:59,320 --> 01:00:01,440
Speaker 3: I sent it and I'll just like hear me out.

1268
01:00:01,440 --> 01:00:08,800
Speaker 5: And you know what I mean, Like, all right, while

1269
01:00:08,960 --> 01:00:12,880
Speaker 5: while you're looking that up, Ben, do you take the

1270
01:00:12,960 --> 01:00:17,040
Speaker 5: crown as the leader of next Twitter? Would you happily

1271
01:00:17,120 --> 01:00:17,680
Speaker 5: take that crowd?

1272
01:00:18,280 --> 01:00:21,640
Speaker 1: I mean, I'm thank you for even offering it or

1273
01:00:21,680 --> 01:00:23,720
Speaker 1: saying it's even a part. I feel like I can't

1274
01:00:23,720 --> 01:00:26,480
Speaker 1: because I'm really not I'm not you know, I'm sort

1275
01:00:26,520 --> 01:00:28,520
Speaker 1: of a casual fan really in a way, I don't

1276
01:00:28,520 --> 01:00:30,840
Speaker 1: really understand the game enough. There's some guys on next

1277
01:00:30,840 --> 01:00:34,600
Speaker 1: Twitter that are so smart about the game, you know that.

1278
01:00:35,080 --> 01:00:37,400
Speaker 1: I Mean, there's like my buddy Sean Getty's I h

1279
01:00:37,440 --> 01:00:40,440
Speaker 1: Shawn who just like like his love for the Knicks

1280
01:00:41,000 --> 01:00:43,480
Speaker 1: is so insane, and he also understands the game. So

1281
01:00:43,520 --> 01:00:47,200
Speaker 1: I think I maybe you know, I would not take no.

1282
01:00:47,280 --> 01:00:48,280
Speaker 1: I wouldn't say yes.

1283
01:00:48,400 --> 01:00:51,760
Speaker 2: You could be like you could be like the face, Yeah, like.

1284
01:00:53,400 --> 01:00:54,360
Speaker 1: It really happened.

1285
01:00:54,600 --> 01:00:55,640
Speaker 2: You can lead the army.

1286
01:00:55,880 --> 01:00:59,520
Speaker 1: Yeah, I'm I'm I'm happy if you're saying so obviously

1287
01:00:59,760 --> 01:01:02,720
Speaker 1: I'm I mean, I am always going to be a supporter.

1288
01:01:02,840 --> 01:01:05,440
Speaker 1: I feel like now, like even when I'm working, because

1289
01:01:05,480 --> 01:01:09,000
Speaker 1: like we're filming, you know, I will put the game

1290
01:01:09,040 --> 01:01:11,919
Speaker 1: on while I'm filming, which doesn't make people happy people

1291
01:01:11,960 --> 01:01:14,000
Speaker 1: I'm working, but I have to have the game on,

1292
01:01:14,120 --> 01:01:15,600
Speaker 1: and I do feel like I have to at least

1293
01:01:15,640 --> 01:01:18,120
Speaker 1: like put one or two tweets out during the game

1294
01:01:18,240 --> 01:01:20,560
Speaker 1: just to like at least, let's go next before the game.

1295
01:01:21,160 --> 01:01:23,360
Speaker 1: And then, you know, the other thing is the only

1296
01:01:23,400 --> 01:01:26,040
Speaker 1: you know, we're talking about like criticizing not criticizing players.

1297
01:01:26,400 --> 01:01:29,120
Speaker 1: The only people I have no trouble criticizing are the refs.

1298
01:01:29,400 --> 01:01:32,400
Speaker 1: But I mean I have no problem. And that Houston call,

1299
01:01:32,560 --> 01:01:36,200
Speaker 1: that insane call, like I really triggered something at me.

1300
01:01:36,240 --> 01:01:37,880
Speaker 1: If you like, look at the tweets that came out

1301
01:01:37,920 --> 01:01:40,680
Speaker 1: of me. I was like it was so upsetting to me,

1302
01:01:40,720 --> 01:01:43,120
Speaker 1: and I felt like those the ref like it's so

1303
01:01:43,280 --> 01:01:46,840
Speaker 1: clearly like a huge, huge mistake that they made. What's

1304
01:01:46,880 --> 01:01:48,800
Speaker 1: going to happen with that? Is that being challenged still

1305
01:01:48,880 --> 01:01:51,360
Speaker 1: or I have no idea? But and I know you were.

1306
01:01:51,400 --> 01:01:53,760
Speaker 1: You were amazing because you just said, like, first you said,

1307
01:01:53,800 --> 01:01:55,960
Speaker 1: great call, next one, next question, great call.

1308
01:01:56,200 --> 01:01:56,320
Speaker 2: Now.

1309
01:01:56,480 --> 01:01:58,400
Speaker 1: I think then I heard on the last podcast you

1310
01:01:58,400 --> 01:02:00,600
Speaker 1: were like it was you didn't say it was a

1311
01:02:00,600 --> 01:02:01,920
Speaker 1: bad call, you said it was like.

1312
01:02:03,360 --> 01:02:06,800
Speaker 5: Would I said that the referees have a really tough job,

1313
01:02:07,120 --> 01:02:10,080
Speaker 5: and I love what they do night in and night out.

1314
01:02:11,320 --> 01:02:15,240
Speaker 5: I really appreciate you guys. So let's just let's clip

1315
01:02:15,280 --> 01:02:15,840
Speaker 5: this one right here.

1316
01:02:15,920 --> 01:02:18,960
Speaker 1: Yeah, but I but I have no trouble criticizing the

1317
01:02:18,960 --> 01:02:22,360
Speaker 1: refs because I feel like they they really do. Sometimes

1318
01:02:22,400 --> 01:02:24,320
Speaker 1: it just feels like they're just so off in what

1319
01:02:24,360 --> 01:02:26,720
Speaker 1: they're doing. And I know they're you know, they're doing

1320
01:02:26,760 --> 01:02:29,680
Speaker 1: there the most part, they do a good job, but

1321
01:02:29,760 --> 01:02:32,880
Speaker 1: it seems like the inconsistency sometimes in games is insane.

1322
01:02:33,040 --> 01:02:37,439
Speaker 2: I think they're great. I personally think they're great.

1323
01:02:37,520 --> 01:02:41,880
Speaker 1: I think but that that call literally costs the Knicks

1324
01:02:41,880 --> 01:02:44,600
Speaker 1: a win, and it was an ridiculous call. It was

1325
01:02:44,640 --> 01:02:47,720
Speaker 1: an awful call. Well also because you see what like

1326
01:02:47,880 --> 01:02:51,840
Speaker 1: I mean, look, certain players just like get more calls too.

1327
01:02:52,200 --> 01:02:56,240
Speaker 1: And it's very clear for Knicks fans that you're at

1328
01:02:56,280 --> 01:02:59,760
Speaker 1: that place where you should be getting those calls. No question.

1329
01:03:00,800 --> 01:03:03,680
Speaker 2: I'm just out there doing my job playing.

1330
01:03:04,160 --> 01:03:06,720
Speaker 4: I'm just saying you can say it as a fan.

1331
01:03:06,880 --> 01:03:07,720
Speaker 1: It's very clear.

1332
01:03:07,840 --> 01:03:10,640
Speaker 2: I'm saying this. I don't care what he just said.

1333
01:03:11,920 --> 01:03:14,400
Speaker 5: With what I'm saying about not wanting to be the

1334
01:03:14,480 --> 01:03:16,400
Speaker 5: leader of next, with it that that that makes you

1335
01:03:16,600 --> 01:03:19,560
Speaker 5: the leader of next. Twitter at their fat that was

1336
01:03:19,600 --> 01:03:22,880
Speaker 5: like he was doing the politically correct answer and all

1337
01:03:22,880 --> 01:03:23,720
Speaker 5: of a sudden.

1338
01:03:23,960 --> 01:03:26,440
Speaker 3: Yeah, just flip flip the switch, ready to go right

1339
01:03:26,480 --> 01:03:29,600
Speaker 3: to the problem with the rest. I feel like we

1340
01:03:29,680 --> 01:03:31,720
Speaker 3: just started to make a go fund of me for

1341
01:03:33,160 --> 01:03:37,080
Speaker 3: our technical fouls. As the team.

1342
01:03:37,080 --> 01:03:38,200
Speaker 6: You actually need to calculate.

1343
01:03:38,720 --> 01:03:40,560
Speaker 2: I know you don't. We don't have the final that.

1344
01:03:40,800 --> 01:03:43,080
Speaker 5: Yeah, I know it's about I'm not going to say

1345
01:03:43,080 --> 01:03:47,240
Speaker 5: I think what it's text or fines text finds same.

1346
01:03:47,560 --> 01:03:51,080
Speaker 4: I think you're at forty texts in your career seven years.

1347
01:03:51,120 --> 01:03:52,760
Speaker 3: That's not bad. That's less than ten texts a year.

1348
01:03:53,480 --> 01:03:56,960
Speaker 3: Hey good, that's that's not bad some that's the bar

1349
01:03:57,120 --> 01:03:59,080
Speaker 3: that some got rescinded. You know what I mean.

1350
01:03:59,400 --> 01:04:01,280
Speaker 4: I'm not gonna I'm not going to say what you said.

1351
01:04:01,280 --> 01:04:02,800
Speaker 4: But there was a time a while ago that you

1352
01:04:02,840 --> 01:04:04,600
Speaker 4: got a tech for saying something to a ref and

1353
01:04:04,600 --> 01:04:06,720
Speaker 4: then after the game you called Dave, your agent. You

1354
01:04:06,760 --> 01:04:09,160
Speaker 4: were like, Yo, Dave, can we appeal this? Day was like,

1355
01:04:09,200 --> 01:04:10,560
Speaker 4: all right, I'm on it. I'll get back to you.

1356
01:04:10,840 --> 01:04:12,840
Speaker 4: And then he called you back. He's like, Josh, I

1357
01:04:12,880 --> 01:04:15,240
Speaker 4: heard what you said. This is not getting appealed.

1358
01:04:15,400 --> 01:04:16,440
Speaker 6: There's a zero percent.

1359
01:04:17,520 --> 01:04:19,640
Speaker 3: There's certain ones that I try to get appealed, and

1360
01:04:19,680 --> 01:04:21,880
Speaker 3: like they would be like, because you can appeal, you know,

1361
01:04:22,000 --> 01:04:24,640
Speaker 3: you know some of the texts, and you know, there

1362
01:04:24,680 --> 01:04:26,680
Speaker 3: are times where I'm like, yo, I should I should

1363
01:04:26,720 --> 01:04:30,120
Speaker 3: get disappealed this. This shouldn't cost me, you know, whatever

1364
01:04:30,200 --> 01:04:34,080
Speaker 3: money that it cost me. And then there's somewhere they

1365
01:04:34,080 --> 01:04:36,960
Speaker 3: would be like yo, you know the you know I

1366
01:04:37,000 --> 01:04:39,080
Speaker 3: wrote from the MVP. A would be like, yo, so

1367
01:04:39,200 --> 01:04:40,640
Speaker 3: you got a text? Do you want to appeal this?

1368
01:04:40,720 --> 01:04:44,240
Speaker 3: And I'll be like, nah, no, that was that was

1369
01:04:44,320 --> 01:04:45,360
Speaker 3: that was well deserved.

1370
01:04:45,680 --> 01:04:47,360
Speaker 1: I got. I got my money's worth on that one.

1371
01:04:47,400 --> 01:04:49,240
Speaker 1: But there must be certain reps that you know will

1372
01:04:49,960 --> 01:04:53,960
Speaker 1: call it. We'll call it sooner than others, right or.

1373
01:04:54,160 --> 01:04:57,160
Speaker 3: Yeah, dude, it's it's like yeah, it's like everyone like

1374
01:04:57,200 --> 01:05:02,200
Speaker 3: everyone has their own like you know, fuse or whatever,

1375
01:05:02,240 --> 01:05:05,479
Speaker 3: and like, at least normally for me, it's like I'll

1376
01:05:05,520 --> 01:05:08,560
Speaker 3: normally snap or something because like he did a moment

1377
01:05:08,600 --> 01:05:13,200
Speaker 3: competitiveness and then normally, like probably ninety ninety percent of

1378
01:05:13,240 --> 01:05:15,800
Speaker 3: times I'll come back to wrath. I'm like, yo, like

1379
01:05:15,920 --> 01:05:19,880
Speaker 3: that's my fault, like you know whatever, But ten percent

1380
01:05:19,960 --> 01:05:20,600
Speaker 3: of times I don't know.

1381
01:05:20,720 --> 01:05:22,400
Speaker 1: That's one of the most interesting things about being able

1382
01:05:22,400 --> 01:05:24,760
Speaker 1: to sit close to games is hearing the conversations that

1383
01:05:24,840 --> 01:05:26,880
Speaker 1: you guys have with each other and also with the

1384
01:05:26,880 --> 01:05:28,600
Speaker 1: refs because there is a lot of I mean, it's

1385
01:05:28,600 --> 01:05:29,720
Speaker 1: almost constant.

1386
01:05:29,880 --> 01:05:31,320
Speaker 2: Oh, there's always something inside.

1387
01:05:32,600 --> 01:05:34,200
Speaker 4: So this is a new segment we actually have not

1388
01:05:34,240 --> 01:05:36,400
Speaker 4: done before. That play Maker team is through and it's

1389
01:05:36,400 --> 01:05:38,880
Speaker 4: called just like we drew it up. Ben and the

1390
01:05:38,880 --> 01:05:41,800
Speaker 4: guys have some fun explaining these movies and shows using

1391
01:05:41,840 --> 01:05:42,760
Speaker 4: basketball terms.

1392
01:05:43,400 --> 01:05:44,400
Speaker 6: So we'll see how this goes.

1393
01:05:44,560 --> 01:05:46,880
Speaker 3: We can go with Madagascar, we can do this in

1394
01:05:47,040 --> 01:05:54,400
Speaker 3: Madagas or Knicks edition. We'll have Jalen be Alex the Lion.

1395
01:05:57,160 --> 01:05:57,440
Speaker 1: Like that.

1396
01:05:57,720 --> 01:05:59,120
Speaker 3: Yeah, that's a good one.

1397
01:06:00,040 --> 01:06:03,200
Speaker 1: Alex is very New York music in the Central Park Zoo,

1398
01:06:04,000 --> 01:06:04,520
Speaker 1: New Yorker.

1399
01:06:04,720 --> 01:06:06,240
Speaker 4: Maybe Mitch is the giraft.

1400
01:06:06,360 --> 01:06:12,560
Speaker 3: Mitch is a giraft the elephant, don't really remember who

1401
01:06:12,840 --> 01:06:15,800
Speaker 3: the elephant's characteristics, but like a big strong guy like

1402
01:06:16,240 --> 01:06:16,640
Speaker 3: the hippo.

1403
01:06:17,000 --> 01:06:18,959
Speaker 1: Oh, that's for sure, Julius.

1404
01:06:21,400 --> 01:06:24,080
Speaker 3: Yeah, but the.

1405
01:06:24,040 --> 01:06:32,520
Speaker 1: Physique Marty's Chris Rock mart would be maybe he could just.

1406
01:06:34,880 --> 01:06:42,560
Speaker 3: Would Marty be Dante or O G. That's a tough one.

1407
01:06:42,600 --> 01:06:45,320
Speaker 2: I just know that I'm gonna say, I'm gonna say,

1408
01:06:45,320 --> 01:06:45,640
Speaker 2: oh g.

1409
01:06:45,960 --> 01:06:51,200
Speaker 3: O G okay, and then I'm for sure Skipper not Skipper,

1410
01:06:51,640 --> 01:06:57,560
Speaker 3: private the penguin. That's me. That's he's my favorite character

1411
01:06:57,560 --> 01:07:03,840
Speaker 3: in that This this how Aki.

1412
01:07:02,320 --> 01:07:06,000
Speaker 1: You know that was actually the director of the movie. Really, yeah,

1413
01:07:06,320 --> 01:07:07,040
Speaker 1: guy has talent.

1414
01:07:08,120 --> 01:07:10,480
Speaker 3: We did that and it will have the old Dante

1415
01:07:10,880 --> 01:07:14,080
Speaker 3: could be Skipper. He would be a good one.

1416
01:07:14,680 --> 01:07:23,920
Speaker 12: Who's king Juan tips tips and then he likes to

1417
01:07:23,960 --> 01:07:27,520
Speaker 12: move it, move it. Yeah, would you.

1418
01:07:27,440 --> 01:07:29,840
Speaker 4: Guys ever have TIBs on the Yes.

1419
01:07:29,960 --> 01:07:33,920
Speaker 2: Will be on after season? Okay, after the season.

1420
01:07:34,760 --> 01:07:35,960
Speaker 3: That would be a good that's gonna be.

1421
01:07:36,760 --> 01:07:37,800
Speaker 2: That would be a good episode.

1422
01:07:38,400 --> 01:07:40,959
Speaker 3: That would be the Penguins a Medagascar New York Knicks edition.

1423
01:07:41,000 --> 01:07:47,680
Speaker 3: All right, Oh, now, I feel like Isaiah could be

1424
01:07:48,600 --> 01:07:51,360
Speaker 3: the one that has the penguin that has the massive

1425
01:07:51,360 --> 01:07:55,760
Speaker 3: throat that he like splits up everything because like he's

1426
01:07:56,160 --> 01:07:58,520
Speaker 3: he's good at a lot of things, so like you

1427
01:07:58,640 --> 01:08:01,520
Speaker 3: never know, you know, in need of something.

1428
01:08:01,320 --> 01:08:02,520
Speaker 2: Next one spit it up?

1429
01:08:02,960 --> 01:08:15,040
Speaker 5: Yeah, Jesus christ Man, Oh my god.

1430
01:08:11,920 --> 01:08:16,600
Speaker 1: They're actually a team, so I guess it's uh, the

1431
01:08:16,640 --> 01:08:18,680
Speaker 1: white Goodman is kind of a villain, so he is

1432
01:08:18,720 --> 01:08:19,040
Speaker 1: a villain.

1433
01:08:19,080 --> 01:08:20,080
Speaker 6: Who would Goodman be?

1434
01:08:20,640 --> 01:08:21,280
Speaker 3: Jimmy Butler?

1435
01:08:21,920 --> 01:08:23,000
Speaker 4: Mmmm, Draymond?

1436
01:08:23,479 --> 01:08:26,360
Speaker 3: Sorry, I know political Jane is not going to get

1437
01:08:26,360 --> 01:08:28,280
Speaker 3: in this, but I feel like, not for us, but

1438
01:08:28,280 --> 01:08:32,080
Speaker 3: I feel like for like Nick's Knicks fans.

1439
01:08:32,040 --> 01:08:38,559
Speaker 1: Definitely last season, Yeah, Trey Young, he really triggered something

1440
01:08:38,600 --> 01:08:39,320
Speaker 1: to nixed fans.

1441
01:08:40,160 --> 01:08:42,280
Speaker 4: He did that was that was there's a lot of

1442
01:08:42,280 --> 01:08:43,679
Speaker 4: beef there, Reggie Miller level.

1443
01:08:43,680 --> 01:08:46,800
Speaker 3: Potentially, I wasn't here. I don't know.

1444
01:08:48,280 --> 01:08:49,000
Speaker 1: That was painful.

1445
01:08:49,160 --> 01:08:54,400
Speaker 3: That was painful, but it's just funny because like like

1446
01:08:54,680 --> 01:08:58,960
Speaker 3: I mean, you know, Tray's cool, cool, cool, So it

1447
01:08:58,840 --> 01:09:02,759
Speaker 3: was just funny you have that and then Jimmy Jim's

1448
01:09:02,760 --> 01:09:05,640
Speaker 3: an interesting dude, but he has a lot of like

1449
01:09:05,760 --> 01:09:09,400
Speaker 3: really cool like stuff going on, but it's just like

1450
01:09:09,479 --> 01:09:10,280
Speaker 3: all over the place.

1451
01:09:10,520 --> 01:09:13,040
Speaker 1: Yeah, well it's just I think. Yeah, when you see

1452
01:09:13,360 --> 01:09:15,000
Speaker 1: like I saw an interview with him, he seems like

1453
01:09:15,040 --> 01:09:17,320
Speaker 1: a really great guy. And Trey too, but.

1454
01:09:17,360 --> 01:09:20,840
Speaker 13: Like in the lens of the Knicks and like the

1455
01:09:20,880 --> 01:09:24,960
Speaker 13: playoffs and you know, you know, Trey doing his thing,

1456
01:09:25,080 --> 01:09:27,960
Speaker 13: he really like incited the fans and he seemed to

1457
01:09:28,040 --> 01:09:28,679
Speaker 13: enjoy it too.

1458
01:09:29,040 --> 01:09:32,160
Speaker 1: Traffic thing is not a movie that's gonna get greenlit today.

1459
01:09:32,200 --> 01:09:34,320
Speaker 1: It's not gonna get made today. So when we were

1460
01:09:34,680 --> 01:09:37,120
Speaker 1: operating that time, it was.

1461
01:09:38,960 --> 01:09:41,960
Speaker 3: I feel like there's a lot of films that like

1462
01:09:42,040 --> 01:09:45,240
Speaker 3: during that there's like films like The Office could never

1463
01:09:45,360 --> 01:09:47,400
Speaker 3: come back today, But it was one of the best

1464
01:09:47,400 --> 01:09:51,880
Speaker 3: shows over The Office could come back. You got to

1465
01:09:51,920 --> 01:09:55,479
Speaker 3: meet uh yeah, Ray Wilson, he came to the game

1466
01:09:55,520 --> 01:09:57,559
Speaker 3: the other night. Yeah, that was I was so hyped,

1467
01:09:57,920 --> 01:09:58,840
Speaker 3: ya know what I mean, U.

1468
01:10:00,080 --> 01:10:02,759
Speaker 1: It's probably one of the funniest shows ever for sure.

1469
01:10:02,880 --> 01:10:05,880
Speaker 3: Yeah, it was. I could you know, I feel like

1470
01:10:05,960 --> 01:10:09,080
Speaker 3: I can't be too big of a fan because whenever

1471
01:10:09,360 --> 01:10:11,519
Speaker 3: you sometimes my wife said would say that would be

1472
01:10:11,560 --> 01:10:13,800
Speaker 3: an ick for her, like if I'm just like fanboying.

1473
01:10:13,880 --> 01:10:16,479
Speaker 1: So you know, how do you guys deal with that?

1474
01:10:16,520 --> 01:10:19,280
Speaker 1: Like when you're and you see people at the game,

1475
01:10:19,360 --> 01:10:21,960
Speaker 1: like I know, you say like hi, you're like check

1476
01:10:22,000 --> 01:10:25,120
Speaker 1: in or like Spike or like you know, interact to talk,

1477
01:10:25,200 --> 01:10:27,240
Speaker 1: but like how do you deal with like all that

1478
01:10:27,360 --> 01:10:31,400
Speaker 1: energy of people watching? Like do you tune it out

1479
01:10:31,400 --> 01:10:33,080
Speaker 1: at certain times and let it come back?

1480
01:10:33,160 --> 01:10:35,679
Speaker 2: I try and tune it out. I try to, Like.

1481
01:10:37,040 --> 01:10:39,240
Speaker 5: Once I'm like once I run into the court for

1482
01:10:39,479 --> 01:10:41,679
Speaker 5: like way of blinds, like right before the game starts,

1483
01:10:41,720 --> 01:10:43,280
Speaker 5: I'm like locked in.

1484
01:10:43,360 --> 01:10:44,360
Speaker 2: I don't really I don't.

1485
01:10:44,479 --> 01:10:47,160
Speaker 5: Take pictures, like I'll stay hi to people, but I'm

1486
01:10:47,200 --> 01:10:49,040
Speaker 5: not sunning in the autographs.

1487
01:10:49,120 --> 01:10:50,960
Speaker 1: I always feel that like watching is like I don't

1488
01:10:50,960 --> 01:10:52,680
Speaker 1: want to like get in the players, like you know.

1489
01:10:53,040 --> 01:10:55,760
Speaker 3: Yeah, I think it's a different different players and like

1490
01:10:55,800 --> 01:10:59,920
Speaker 3: they're like he's like locked in like me, I'm I'm

1491
01:11:00,200 --> 01:11:03,360
Speaker 3: chilling like mess around like if you're like if you're

1492
01:11:03,360 --> 01:11:06,040
Speaker 3: a course, I you know tomorrow, like I'm sitting there

1493
01:11:06,080 --> 01:11:08,800
Speaker 3: like have a conversation with you or whatever. But like

1494
01:11:09,800 --> 01:11:11,720
Speaker 3: you know, normally, like we're fully healthy. I'm coming out

1495
01:11:11,720 --> 01:11:13,640
Speaker 3: the bench as soon as I step on the court,

1496
01:11:13,800 --> 01:11:15,760
Speaker 3: then it's like locked in.

1497
01:11:16,040 --> 01:11:19,400
Speaker 1: But like because I see players that do talk to fans,

1498
01:11:19,560 --> 01:11:22,280
Speaker 1: like Lebron or like you know, people like just have

1499
01:11:22,360 --> 01:11:24,360
Speaker 1: like an interaction in the middle of a game. But

1500
01:11:24,439 --> 01:11:27,040
Speaker 1: I I don't, you know, I don't understand, Like is

1501
01:11:27,040 --> 01:11:30,519
Speaker 1: that sort of like just sort of to like let out.

1502
01:11:31,160 --> 01:11:34,479
Speaker 5: I feel like that's like like you're you're locked in,

1503
01:11:34,520 --> 01:11:37,879
Speaker 5: like you're in the zone, like when a situation that happens,

1504
01:11:37,880 --> 01:11:41,360
Speaker 5: like it's just like you're in the rhythm. I feel

1505
01:11:41,360 --> 01:11:45,160
Speaker 5: like you're you're good, like in the right mindset, like

1506
01:11:45,720 --> 01:11:48,200
Speaker 5: you have a international like a fan or whatever. Should

1507
01:11:48,240 --> 01:11:52,519
Speaker 5: we get into some fan questions at seventeen regal, Which

1508
01:11:52,640 --> 01:11:53,360
Speaker 5: night at the museum?

1509
01:11:53,400 --> 01:11:54,719
Speaker 2: Movie is your favorite?

1510
01:11:55,720 --> 01:11:58,960
Speaker 1: I think the first one. You know, they were all

1511
01:11:59,000 --> 01:12:01,360
Speaker 1: fun to make, but the first one was really fun

1512
01:12:01,400 --> 01:12:03,720
Speaker 1: because we didn't know if it was going to work

1513
01:12:03,840 --> 01:12:05,920
Speaker 1: or not. And I loved the idea of the movie

1514
01:12:05,920 --> 01:12:08,080
Speaker 1: because I grew up on the Upper West Side. I

1515
01:12:08,160 --> 01:12:09,720
Speaker 1: used to go to the like I cut school and

1516
01:12:09,720 --> 01:12:12,240
Speaker 1: go to the Museum of Natural History, So like when

1517
01:12:12,320 --> 01:12:14,719
Speaker 1: they and I think I think it was like will

1518
01:12:14,760 --> 01:12:18,920
Speaker 1: Smith had been offered it and turned it down. And

1519
01:12:18,960 --> 01:12:20,320
Speaker 1: I got the call by this and I was like,

1520
01:12:20,320 --> 01:12:22,640
Speaker 1: this sounds great. I mean, this is like like if

1521
01:12:22,680 --> 01:12:24,599
Speaker 1: I was ten years old, I'd love this movie. And

1522
01:12:24,680 --> 01:12:26,519
Speaker 1: I was like, I kind of love the idea of

1523
01:12:26,520 --> 01:12:29,680
Speaker 1: this movie as an adult. So I was so into it.

1524
01:12:29,720 --> 01:12:32,000
Speaker 1: And when we were making it, it was really fun

1525
01:12:32,040 --> 01:12:33,479
Speaker 1: because we didn't know if it was going to work

1526
01:12:33,560 --> 01:12:36,479
Speaker 1: or not, and then came out people liked it. So

1527
01:12:36,520 --> 01:12:39,200
Speaker 1: I think the first one for sure at Andy Barbs.

1528
01:12:40,160 --> 01:12:44,160
Speaker 1: What was your favorite years to watch the Nicks? Well,

1529
01:12:44,200 --> 01:12:47,519
Speaker 1: I have to say right now it is definitely there was. Yeah,

1530
01:12:47,920 --> 01:12:53,400
Speaker 1: best time in a long time. But other than this season,

1531
01:12:53,439 --> 01:12:56,719
Speaker 1: which this season has really been like a special season,

1532
01:12:58,520 --> 01:13:04,200
Speaker 1: I'd say for me like probably so everyone I was

1533
01:13:04,200 --> 01:13:06,800
Speaker 1: like really young. I think like those Bernard for a

1534
01:13:06,800 --> 01:13:09,120
Speaker 1: couple of years, Bernard King years that were really exciting,

1535
01:13:09,160 --> 01:13:11,639
Speaker 1: like eighty three, eighty four or eighty forty five, even

1536
01:13:11,640 --> 01:13:14,679
Speaker 1: though the team didn't go that far, that was really

1537
01:13:14,840 --> 01:13:18,120
Speaker 1: so into you know, into that team.

1538
01:13:17,720 --> 01:13:21,280
Speaker 4: At the final attempt Based on persona, which next player

1539
01:13:21,320 --> 01:13:23,840
Speaker 4: pasted or present? Does Ben Stiller think could cut it

1540
01:13:23,880 --> 01:13:24,480
Speaker 4: in Hollywood?

1541
01:13:27,120 --> 01:13:31,559
Speaker 1: Oh? Man, look on this current team, what do you

1542
01:13:31,560 --> 01:13:35,760
Speaker 1: say cut it in Hollywood? At the final attempt. I

1543
01:13:35,760 --> 01:13:38,320
Speaker 1: don't know what you mean. I mean to be an.

1544
01:13:38,320 --> 01:13:40,200
Speaker 4: Actor, who would you cast in one of your movies?

1545
01:13:41,960 --> 01:13:48,040
Speaker 1: I mean, I think you're funny. Yeah, Jalen, it's you

1546
01:13:48,080 --> 01:13:49,559
Speaker 1: guys both have a sense of humor.

1547
01:13:50,280 --> 01:13:51,760
Speaker 3: And I was, yeah, I.

1548
01:13:51,720 --> 01:13:56,360
Speaker 2: Have a little bit, a little bit since Yeah, for sure, all.

1549
01:13:56,400 --> 01:13:58,360
Speaker 3: Right can be at a like little coffee shop.

1550
01:14:01,439 --> 01:14:04,479
Speaker 1: I would say that you you do have like this

1551
01:14:04,720 --> 01:14:07,880
Speaker 1: kind of like like a sense like a kind of

1552
01:14:07,880 --> 01:14:11,120
Speaker 1: a sense of humor that I think other players haven't. You.

1553
01:14:11,120 --> 01:14:13,360
Speaker 1: You have it just like your fun guy that you'd

1554
01:14:13,400 --> 01:14:14,160
Speaker 1: want to hang out and.

1555
01:14:14,080 --> 01:14:14,679
Speaker 2: I don't care.

1556
01:14:15,439 --> 01:14:18,599
Speaker 1: You have like a sense of like how absurd everything

1557
01:14:18,680 --> 01:14:23,160
Speaker 1: is sometimes I feel idea, Yeah, it's dry, it's very dry.

1558
01:14:23,240 --> 01:14:24,920
Speaker 4: You keep a straight face. You were like they were like,

1559
01:14:24,920 --> 01:14:26,519
Speaker 4: what does Josharp bring the starting line up? And you

1560
01:14:26,560 --> 01:14:29,120
Speaker 4: looked them dead in the cardioc.

1561
01:14:30,000 --> 01:14:30,840
Speaker 2: There's nothing else.

1562
01:14:31,040 --> 01:14:33,000
Speaker 1: But that's like a new thing, like I haven't seen,

1563
01:14:33,080 --> 01:14:35,439
Speaker 1: ever seen a Nicks player has that sort of sense

1564
01:14:35,439 --> 01:14:35,840
Speaker 1: of humor.

1565
01:14:36,560 --> 01:14:41,439
Speaker 3: So, oh, Jalen bruns him. That's a that's a great

1566
01:14:41,479 --> 01:14:44,559
Speaker 3: Twitter name. Yeah, what's your top three favorite movies you've done?

1567
01:14:45,040 --> 01:14:49,639
Speaker 1: God? Well, I mean like in terms of like making

1568
01:14:49,640 --> 01:14:53,240
Speaker 1: the movie and experience, I'd say Tropics Thunder is like

1569
01:14:53,280 --> 01:14:54,840
Speaker 1: one of the most fun because we got to shoot

1570
01:14:54,840 --> 01:14:56,639
Speaker 1: it with a bunch of guys who I loved, and

1571
01:14:56,800 --> 01:15:00,160
Speaker 1: it's a great cast and we were in Hawaii, and

1572
01:15:00,320 --> 01:15:02,480
Speaker 1: I'd say, like, that's probably one of my favorite experiences.

1573
01:15:02,479 --> 01:15:04,800
Speaker 1: And I'd say probably Meet the Parents with because of

1574
01:15:04,880 --> 01:15:09,600
Speaker 1: de Niro working with him, and then uh and Zoolander.

1575
01:15:09,680 --> 01:15:13,400
Speaker 1: I think Zoolander was making the first one was it

1576
01:15:13,560 --> 01:15:16,080
Speaker 1: was challenging, but at the end of the day, it's

1577
01:15:16,080 --> 01:15:17,840
Speaker 1: been nice that that movie kind of had its own

1578
01:15:17,880 --> 01:15:20,080
Speaker 1: life because when it came out, people were like, what

1579
01:15:20,200 --> 01:15:22,400
Speaker 1: is this and it was just like this weird.

1580
01:15:22,200 --> 01:15:25,479
Speaker 4: Character, but Zoe Landers start as a skit, yeah, and

1581
01:15:25,520 --> 01:15:26,840
Speaker 4: then it turned into a full feature.

1582
01:15:26,920 --> 01:15:27,120
Speaker 2: Yeah.

1583
01:15:27,160 --> 01:15:29,840
Speaker 1: It was the VH one Fashion Awards back in the

1584
01:15:30,640 --> 01:15:32,479
Speaker 1: I don't know what it was. It was like ninety six,

1585
01:15:32,640 --> 01:15:34,280
Speaker 1: ninety seven, ninety eight, something like that.

1586
01:15:34,439 --> 01:15:36,120
Speaker 4: What's crazy is I feel like that's something you'd hear

1587
01:15:36,160 --> 01:15:38,640
Speaker 4: happened about happening today with social media, but there was

1588
01:15:38,680 --> 01:15:40,640
Speaker 4: no social but it went from a skit to like

1589
01:15:40,680 --> 01:15:41,400
Speaker 4: a full on movie.

1590
01:15:41,520 --> 01:15:43,160
Speaker 1: Yeah, it took a few years to make it.

1591
01:15:43,240 --> 01:15:43,519
Speaker 3: Happen.

1592
01:15:43,640 --> 01:15:46,439
Speaker 1: But it was, uh, it was really because you know,

1593
01:15:46,560 --> 01:15:48,720
Speaker 1: like that, Yeah, we did it two years on the

1594
01:15:48,760 --> 01:15:52,040
Speaker 1: VH one Fashion Awards and then like somebody had an

1595
01:15:52,040 --> 01:15:53,680
Speaker 1: idea like, oh, that could be a movie, and it

1596
01:15:53,720 --> 01:15:56,120
Speaker 1: took like three years of like developing the script. And

1597
01:15:57,320 --> 01:16:01,639
Speaker 1: I think it was also like after Austin Powers came out,

1598
01:16:01,640 --> 01:16:03,760
Speaker 1: when Mike Mike Myers did that, I was like, Oh,

1599
01:16:03,800 --> 01:16:06,280
Speaker 1: that's like I thought that was such a funny movie,

1600
01:16:06,320 --> 01:16:08,560
Speaker 1: and I was like, oh, maybe we could take Zuelandard

1601
01:16:08,640 --> 01:16:09,320
Speaker 1: do something like that.

1602
01:16:10,160 --> 01:16:12,000
Speaker 4: It's okay if the answers know, is there any chance

1603
01:16:12,040 --> 01:16:12,880
Speaker 4: you'd hit a blue steal?

1604
01:16:15,560 --> 01:16:15,920
Speaker 5: It was.

1605
01:16:18,360 --> 01:16:19,200
Speaker 1: First one missed.

1606
01:16:20,320 --> 01:16:21,000
Speaker 3: That's perfect.

1607
01:16:22,040 --> 01:16:22,800
Speaker 6: Please click that.

1608
01:16:23,200 --> 01:16:24,000
Speaker 1: Thank you?

1609
01:16:25,280 --> 01:16:28,719
Speaker 2: Airbender one six. When are we getting season two of seven?

1610
01:16:29,120 --> 01:16:32,599
Speaker 1: So Severance is we're shooting it now. It's coming soon

1611
01:16:32,640 --> 01:16:35,040
Speaker 1: and we don't have an actual date. But I've been

1612
01:16:35,120 --> 01:16:37,000
Speaker 1: working on the second season of it for a long

1613
01:16:37,040 --> 01:16:39,360
Speaker 1: time since we had a strike an actor and writer's

1614
01:16:39,360 --> 01:16:42,040
Speaker 1: strike back last year. It went from like May to

1615
01:16:42,200 --> 01:16:44,679
Speaker 1: like October, so that cut us off for a while,

1616
01:16:44,960 --> 01:16:48,800
Speaker 1: and we're gonna be shooting till probably like the end

1617
01:16:49,040 --> 01:16:52,280
Speaker 1: of April, and it will be coming out sometime after

1618
01:16:52,320 --> 01:16:52,920
Speaker 1: that soon.

1619
01:16:53,760 --> 01:16:56,880
Speaker 6: But yeah, I have one quick question on severance though,

1620
01:16:56,920 --> 01:16:57,240
Speaker 6: real quick.

1621
01:16:57,680 --> 01:17:00,360
Speaker 4: You went from being in and making comedies most of

1622
01:17:00,360 --> 01:17:02,560
Speaker 4: your career to something that is like incredibly serious and

1623
01:17:02,560 --> 01:17:04,640
Speaker 4: actually has a lot of the commentary. What was that

1624
01:17:04,680 --> 01:17:05,559
Speaker 4: transition like for you?

1625
01:17:05,880 --> 01:17:08,000
Speaker 1: I mean, it was really fun because, like I said,

1626
01:17:08,000 --> 01:17:11,160
Speaker 1: I always loved directing, and I actually loved serious movies

1627
01:17:11,200 --> 01:17:14,600
Speaker 1: and dramas. And so the first thing I directed that

1628
01:17:14,600 --> 01:17:17,840
Speaker 1: I wasn't in was this thing called Escape at Dana Mora,

1629
01:17:17,920 --> 01:17:20,479
Speaker 1: which was a limited series about a prison escape, a

1630
01:17:20,479 --> 01:17:24,160
Speaker 1: true story that happened like in twenty fifteen. And I

1631
01:17:24,200 --> 01:17:25,760
Speaker 1: had so much fun doing that. And by the way,

1632
01:17:26,240 --> 01:17:29,640
Speaker 1: one of the actors in that, Michael Beasley, used to

1633
01:17:29,720 --> 01:17:33,720
Speaker 1: be a player NBA and his son, Malik.

1634
01:17:34,400 --> 01:17:42,559
Speaker 14: Oh is the one that Okay, yeah, so Malik Beasley,

1635
01:17:44,479 --> 01:17:45,360
Speaker 14: the Bucks, Milk Bees.

1636
01:17:46,439 --> 01:17:46,679
Speaker 7: Oh.

1637
01:17:47,080 --> 01:17:48,519
Speaker 6: His dad's name is Michael, and his.

1638
01:17:48,520 --> 01:17:50,920
Speaker 1: Dad is Michael and used to play He played internationally too.

1639
01:17:51,000 --> 01:17:59,880
Speaker 1: He's one of the actors, Michael and other Michael Beasley.

1640
01:18:00,240 --> 01:18:01,840
Speaker 1: It was a nick for a short period.

1641
01:18:02,120 --> 01:18:06,519
Speaker 6: Yeah, yeah, that was crazy.

1642
01:18:07,120 --> 01:18:12,720
Speaker 1: The other Michael, Yeah, Michael Beasley senior to Leak's dad

1643
01:18:12,800 --> 01:18:15,120
Speaker 1: is a great actor. And uh he worked with me

1644
01:18:15,160 --> 01:18:18,320
Speaker 1: in that and uh yeah, and that was the first

1645
01:18:18,360 --> 01:18:19,960
Speaker 1: time I directed something that was like kind of a

1646
01:18:20,080 --> 01:18:21,840
Speaker 1: drama and I love that so much. And so I

1647
01:18:22,000 --> 01:18:25,400
Speaker 1: just love I love directing. I love acting too. But

1648
01:18:25,560 --> 01:18:27,840
Speaker 1: for me, like Severn's kind of has humor in it too,

1649
01:18:27,880 --> 01:18:30,280
Speaker 1: but it's like a weird science fiction thing too. So

1650
01:18:31,120 --> 01:18:34,320
Speaker 1: for me, like, I'm happy because I feel like anything

1651
01:18:34,360 --> 01:18:36,160
Speaker 1: that has if you're doing something, it's always going to

1652
01:18:36,200 --> 01:18:38,240
Speaker 1: have humor in it, and sometimes you can have room

1653
01:18:38,280 --> 01:18:40,720
Speaker 1: to be funny and things that are serious even and

1654
01:18:41,320 --> 01:18:44,599
Speaker 1: more because you know, comedy, everybody's always expecting where's the laugh,

1655
01:18:44,600 --> 01:18:46,240
Speaker 1: where's the laugh? But when you do something serious and

1656
01:18:46,280 --> 01:18:48,680
Speaker 1: there's humor in it, it's kind of like, you know,

1657
01:18:48,840 --> 01:18:52,240
Speaker 1: extra and uh, I feel like there's more freedom within that.

1658
01:18:52,400 --> 01:18:57,160
Speaker 4: So at Hip Hop Underscore, Musashi, I'm hosting a date?

1659
01:18:57,320 --> 01:18:59,559
Speaker 4: What should I put on? Meet the Fockers or Dodgeball?

1660
01:19:00,600 --> 01:19:02,840
Speaker 1: Hosting a date? How do you host a date?

1661
01:19:04,560 --> 01:19:05,400
Speaker 3: Interesting wording.

1662
01:19:06,000 --> 01:19:07,760
Speaker 1: I mean, if it's a date, I would like go

1663
01:19:07,800 --> 01:19:14,200
Speaker 1: to dinner and maybe I don't know, like talk and

1664
01:19:14,320 --> 01:19:15,000
Speaker 1: I you know.

1665
01:19:15,120 --> 01:19:20,000
Speaker 5: We're definitely in the Netflix and chill exactly right. So

1666
01:19:20,200 --> 01:19:22,880
Speaker 5: if you know, right, what is it?

1667
01:19:23,920 --> 01:19:24,439
Speaker 2: Not a date?

1668
01:19:26,360 --> 01:19:28,240
Speaker 1: But you know, Meet the Fogers probably would be, like

1669
01:19:28,400 --> 01:19:31,439
Speaker 1: it's more of a family movie, So maybe Dodgeball might

1670
01:19:31,479 --> 01:19:32,080
Speaker 1: be more fun.

1671
01:19:32,439 --> 01:19:36,960
Speaker 3: Ben, you played so many hilarious roles. Which characters was

1672
01:19:37,000 --> 01:19:37,559
Speaker 3: your favorite?

1673
01:19:37,600 --> 01:19:40,920
Speaker 1: I don't know, I've had, I've had, you know, it's fun,

1674
01:19:40,960 --> 01:19:45,320
Speaker 1: Like Zulander was fun because such a ridiculous character, White Goodman.

1675
01:19:45,920 --> 01:19:48,320
Speaker 1: There's a movie we did called Heavyweights where I played

1676
01:19:48,320 --> 01:19:52,160
Speaker 1: this mean guy who runs a camp for kids who

1677
01:19:52,200 --> 01:19:54,960
Speaker 1: have to lose weight but were man, it was a

1678
01:19:54,960 --> 01:19:57,200
Speaker 1: Disney movie from the nineties that would never be made today.

1679
01:19:57,320 --> 01:19:59,880
Speaker 4: Both your parents were in that, right, both my parents.

1680
01:19:59,560 --> 01:20:02,120
Speaker 1: Were in there. Yeah, but I think, you know, playing

1681
01:20:02,120 --> 01:20:05,759
Speaker 1: with some of those ridiculous villain type characters are always fun.

1682
01:20:06,560 --> 01:20:07,040
Speaker 2: Gambles.

1683
01:20:08,240 --> 01:20:10,320
Speaker 3: Most memorable next game you've watched?

1684
01:20:11,400 --> 01:20:13,559
Speaker 2: Oh god, can I guess?

1685
01:20:14,200 --> 01:20:14,639
Speaker 1: Yeah?

1686
01:20:14,760 --> 01:20:16,759
Speaker 2: Would it be the Bernard came back to back fifties?

1687
01:20:16,880 --> 01:20:19,639
Speaker 1: Yeah, only that those didn't happen. Those happened on the road.

1688
01:20:20,160 --> 01:20:23,240
Speaker 1: Oh yeah, I actually looked it up, like, but it

1689
01:20:23,360 --> 01:20:27,120
Speaker 1: was Bernard King fifty and I think it was against Indianapolis,

1690
01:20:27,160 --> 01:20:29,720
Speaker 1: but I don't remember exactly. That was probably like the

1691
01:20:29,760 --> 01:20:33,000
Speaker 1: most exciting but I mean, there's been so many over.

1692
01:20:32,800 --> 01:20:34,840
Speaker 3: The years, tough one.

1693
01:20:35,080 --> 01:20:37,599
Speaker 1: Honestly, Like I'm more invested now as a Nick fan

1694
01:20:37,600 --> 01:20:42,120
Speaker 1: than I've ever been in my life. No pressure, but

1695
01:20:42,200 --> 01:20:45,639
Speaker 1: I mean I enjoy the games now, like just because

1696
01:20:46,160 --> 01:20:48,639
Speaker 1: for whatever reason, Like I enjoyed them now.

1697
01:20:48,479 --> 01:20:51,679
Speaker 3: More than we got the side talk question of the day,

1698
01:20:52,439 --> 01:20:53,360
Speaker 3: let's see what we got.

1699
01:20:53,520 --> 01:20:56,160
Speaker 2: Yo yo yo, Josh and Jayalen, what up?

1700
01:20:56,479 --> 01:20:59,840
Speaker 15: This is Danny the guy w called out KD. My

1701
01:21:00,120 --> 01:21:03,880
Speaker 15: side talk question of the day is, if you had

1702
01:21:03,920 --> 01:21:08,080
Speaker 15: to choose one player to come to the New York Knicks,

1703
01:21:08,560 --> 01:21:09,800
Speaker 15: who would it be?

1704
01:21:10,920 --> 01:21:11,120
Speaker 2: Answer?

1705
01:21:11,680 --> 01:21:13,320
Speaker 3: Might be tampering, might be.

1706
01:21:15,920 --> 01:21:18,160
Speaker 2: I'll modified answer if you can bring back.

1707
01:21:19,560 --> 01:21:21,439
Speaker 6: Any retired Nick Rick Bronson.

1708
01:21:21,880 --> 01:21:27,400
Speaker 2: No, I'm good. No, I think we'll be better off.

1709
01:21:27,920 --> 01:21:28,479
Speaker 2: Got him.

1710
01:21:30,200 --> 01:21:33,720
Speaker 5: Any retired Nick? I mean one answer I would say

1711
01:21:33,720 --> 01:21:36,719
Speaker 5: it is mellow. It's as easy.

1712
01:21:38,280 --> 01:21:41,559
Speaker 2: But if I wasn't gonna say mellow, oh yeah, yeah,

1713
01:21:41,560 --> 01:21:42,559
Speaker 2: he would, Oh yeah.

1714
01:21:43,280 --> 01:21:43,920
Speaker 3: Do top three?

1715
01:21:44,000 --> 01:21:44,360
Speaker 1: Mellow?

1716
01:21:45,000 --> 01:21:46,040
Speaker 3: I got John Starks.

1717
01:21:46,040 --> 01:21:48,000
Speaker 6: I love Patrick Ewing.

1718
01:21:48,960 --> 01:21:49,320
Speaker 2: Patrick.

1719
01:21:49,320 --> 01:21:52,320
Speaker 4: You guys would be crazy with Patrick Ewing right now.

1720
01:21:52,400 --> 01:21:55,880
Speaker 3: Yeah, that'll be a good three. I'm happy with that three.

1721
01:21:57,200 --> 01:21:58,000
Speaker 2: I'll have with that three.

1722
01:21:58,080 --> 01:22:01,000
Speaker 1: Who would you I mean, it's like it's fun to

1723
01:22:01,000 --> 01:22:04,120
Speaker 1: think about all the guys. You know, it may be interesting,

1724
01:22:04,120 --> 01:22:07,719
Speaker 1: like guy like Anthony Mason old bring.

1725
01:22:07,479 --> 01:22:13,559
Speaker 16: This, you don't know, he might be suspended if I

1726
01:22:13,560 --> 01:22:18,759
Speaker 16: half at least half the season, I guess.

1727
01:22:18,800 --> 01:22:23,559
Speaker 1: Also defensive player, like one of the best Nick defensive players.

1728
01:22:23,600 --> 01:22:26,880
Speaker 1: Who would you say in Knick's history, because you guys play.

1729
01:22:27,320 --> 01:22:29,439
Speaker 1: I mean that's kind of your identity.

1730
01:22:29,000 --> 01:22:31,960
Speaker 5: Right, I mean Starcks is up there for sure. Yeah,

1731
01:22:33,600 --> 01:22:37,000
Speaker 5: I would say him because he had the guard I'm.

1732
01:22:36,520 --> 01:22:38,639
Speaker 3: Yeah, I'm Jay Reggie.

1733
01:22:40,240 --> 01:22:43,160
Speaker 2: Yeah, I would say I'll I'll to him.

1734
01:22:43,240 --> 01:22:46,000
Speaker 4: How would uh Latrell Spree well fitting on this team?

1735
01:22:46,360 --> 01:22:47,920
Speaker 3: Oh, we didn't say Alan Houston either.

1736
01:22:48,320 --> 01:22:50,320
Speaker 2: He would be more talented Josh.

1737
01:22:50,880 --> 01:22:55,439
Speaker 5: That makes sense mm hmm, like he has offensively, he's

1738
01:22:55,520 --> 01:22:56,479
Speaker 5: just like so skilled.

1739
01:22:58,520 --> 01:23:00,759
Speaker 2: Same hairstyle, same attitude.

1740
01:23:00,880 --> 01:23:04,400
Speaker 3: I feel like my hair is attitude. I feel like

1741
01:23:04,400 --> 01:23:05,320
Speaker 3: my hair is a little better.

1742
01:23:06,680 --> 01:23:08,160
Speaker 2: Same hairstyle, same attitude.

1743
01:23:08,200 --> 01:23:10,320
Speaker 3: But I put New York in my brains. I feel

1744
01:23:10,320 --> 01:23:12,320
Speaker 3: like that kind of puts me above hairstyle.

1745
01:23:12,560 --> 01:23:13,960
Speaker 2: They told you to take it out.

1746
01:23:13,960 --> 01:23:17,320
Speaker 3: It's coming back soon, are you What about your hairstyle?

1747
01:23:17,360 --> 01:23:19,080
Speaker 1: Because you had the other hairstyle for a while.

1748
01:23:19,200 --> 01:23:19,920
Speaker 3: Yeah, no, I got it.

1749
01:23:19,960 --> 01:23:22,000
Speaker 2: That was good. It was cool switch up, but.

1750
01:23:22,600 --> 01:23:24,760
Speaker 1: How big forehead was anything? Not my bad.

1751
01:23:24,760 --> 01:23:25,840
Speaker 3: I'm not to set it in my head.

1752
01:23:27,680 --> 01:23:30,000
Speaker 2: I don't get superstitious, but you're a.

1753
01:23:30,000 --> 01:23:34,599
Speaker 5: Little stitious sometimes, right, it's just an idiot, man.

1754
01:23:34,720 --> 01:23:39,320
Speaker 2: I can't stand this dude. Uh yeah, nah, I don't

1755
01:23:39,320 --> 01:23:42,160
Speaker 2: guess really no, I thought so.

1756
01:23:42,920 --> 01:23:45,559
Speaker 5: I thought I would, and then like Orlando, I had

1757
01:23:45,600 --> 01:23:48,160
Speaker 5: that really good like first quarter, So maybe it's not

1758
01:23:48,200 --> 01:23:48,720
Speaker 5: really a thing.

1759
01:23:48,840 --> 01:23:49,720
Speaker 2: We did lose that game.

1760
01:23:49,760 --> 01:23:53,719
Speaker 3: But yeah, so let's see what your priorities are. Picture

1761
01:23:53,720 --> 01:23:59,040
Speaker 3: of me scrolling. We're going to react. We're going to

1762
01:23:59,120 --> 01:24:02,240
Speaker 3: react to the funny internet moments of the week. So

1763
01:24:02,320 --> 01:24:03,360
Speaker 3: let's see what we got.

1764
01:24:03,880 --> 01:24:04,519
Speaker 2: Tao Swift.

1765
01:24:04,640 --> 01:24:08,000
Speaker 1: Yeah, that's my son when he was he was eighteen now,

1766
01:24:08,880 --> 01:24:11,040
Speaker 1: when he was we went to a game Taylor Swift

1767
01:24:11,080 --> 01:24:16,240
Speaker 1: was there and Carly Klass and then I took my

1768
01:24:16,360 --> 01:24:18,960
Speaker 1: daughter once and when when she was about eight and

1769
01:24:18,960 --> 01:24:20,920
Speaker 1: there was like a picture in page six or something

1770
01:24:20,960 --> 01:24:24,760
Speaker 1: of her just like like so bored, and so we

1771
01:24:24,840 --> 01:24:25,840
Speaker 1: never did a game to go.

1772
01:24:27,600 --> 01:24:28,960
Speaker 6: What year was this the one?

1773
01:24:29,000 --> 01:24:31,519
Speaker 1: I mean, that's probably like I don't know, that's probably

1774
01:24:31,520 --> 01:24:35,880
Speaker 1: like eight years ago. Yeah.

1775
01:24:35,960 --> 01:24:39,120
Speaker 5: Yeah, so that was when we were that was last year,

1776
01:24:39,280 --> 01:24:41,760
Speaker 5: that was last playoffs, in the playoffs, and everybody was

1777
01:24:41,800 --> 01:24:42,639
Speaker 5: getting so excited.

1778
01:24:42,640 --> 01:24:45,840
Speaker 1: And we were shooting Severn's in New Jersey and that's

1779
01:24:45,880 --> 01:24:47,679
Speaker 1: like a bunch of guys on the crew and we

1780
01:24:47,680 --> 01:24:50,120
Speaker 1: were like, literally, that's why I was watching the game

1781
01:24:50,160 --> 01:24:54,400
Speaker 1: while we're filming, don't tell anybody, And everybody was just

1782
01:24:54,400 --> 01:24:55,080
Speaker 1: going crazy.

1783
01:24:55,680 --> 01:24:57,599
Speaker 4: Yeah, it was like a little bit insane.

1784
01:24:59,280 --> 01:25:07,320
Speaker 2: I think it was after one in Cleveland. Yeah. Yeah, oh,

1785
01:25:10,600 --> 01:25:14,320
Speaker 2: they must have raised raised the rim. That's the game.

1786
01:25:14,320 --> 01:25:16,760
Speaker 2: You don't on Atlanta, that's the game.

1787
01:25:16,800 --> 01:25:23,000
Speaker 5: That's the game when Jalen Johnson decided to advertise you.

1788
01:25:22,320 --> 01:25:24,479
Speaker 3: Were in Atlanta twice, so could have been.

1789
01:25:24,479 --> 01:25:28,400
Speaker 2: Probably that's probably the game. That's that's the game, for sure.

1790
01:25:28,400 --> 01:25:29,360
Speaker 3: It could have been another game.

1791
01:25:29,720 --> 01:25:33,679
Speaker 2: No, that's the game at Ben Stiller.

1792
01:25:34,280 --> 01:25:35,040
Speaker 3: Yeah, that's.

1793
01:25:36,479 --> 01:25:38,639
Speaker 5: Jalen Brunt to got Clyde to watch The Tonight Show

1794
01:25:38,640 --> 01:25:39,599
Speaker 5: for the first time ever.

1795
01:25:40,160 --> 01:25:41,240
Speaker 2: This is a special year.

1796
01:25:41,400 --> 01:25:44,840
Speaker 1: Yeah, so did you hear like Clyde was calling the game.

1797
01:25:44,840 --> 01:25:47,000
Speaker 1: You wouldn't hear because you're playing the game. But Clyde,

1798
01:25:47,000 --> 01:25:49,960
Speaker 1: basically because I watched this show, The Tonight Show for

1799
01:25:50,000 --> 01:25:53,559
Speaker 1: the first time. He literally said he watched the Tonight

1800
01:25:53,600 --> 01:25:55,720
Speaker 1: Show for the first time to watch you on it,

1801
01:25:56,200 --> 01:25:59,479
Speaker 1: So that that blew my mind that Ben Well Fraser

1802
01:25:59,600 --> 01:26:02,200
Speaker 1: never seen The Tonight Show before. But he's funny because

1803
01:26:02,240 --> 01:26:03,839
Speaker 1: he just like what he clues into.

1804
01:26:03,960 --> 01:26:04,559
Speaker 6: In his own world.

1805
01:26:04,640 --> 01:26:10,320
Speaker 1: Yeah, hey, now you're an all star, get your game on,

1806
01:26:11,360 --> 01:26:11,880
Speaker 1: go play.

1807
01:26:13,160 --> 01:26:16,559
Speaker 17: Hey now you're a rock star, get the show on,

1808
01:26:17,560 --> 01:26:23,080
Speaker 17: get paid and all that glitters his golden only shooting

1809
01:26:23,080 --> 01:26:29,040
Speaker 17: stars break the mold.

1810
01:26:29,200 --> 01:26:31,960
Speaker 2: I'm i'm ea be I'm gonna be completely honest with you.

1811
01:26:32,479 --> 01:26:37,200
Speaker 5: I was cool, calm and collected for all holding out

1812
01:26:37,400 --> 01:26:38,400
Speaker 5: and the guy is like.

1813
01:26:38,400 --> 01:26:45,080
Speaker 2: All right, you're up beating It's yeah, oh my, Like

1814
01:26:45,120 --> 01:26:46,360
Speaker 2: the interview part was easy.

1815
01:26:46,439 --> 01:26:50,639
Speaker 5: He was really cool. He was super nice. But that part,

1816
01:26:50,640 --> 01:26:52,080
Speaker 5: I don't know why. It was just like.

1817
01:26:53,680 --> 01:26:56,200
Speaker 1: It's always nerve wracking going on those shows, I find,

1818
01:26:56,240 --> 01:26:59,200
Speaker 1: you know, because people are you know, it's like it's

1819
01:26:59,240 --> 01:27:01,839
Speaker 1: the Tonight Show. All of a sudden, you're like supposed

1820
01:27:01,840 --> 01:27:05,400
Speaker 1: to be entertaining or whatever. I thought that was funny though.

1821
01:27:05,680 --> 01:27:06,920
Speaker 3: It's pretty cool, A good job.

1822
01:27:07,600 --> 01:27:09,920
Speaker 1: I thought that whole Yeah, I thought it was Everybody

1823
01:27:09,960 --> 01:27:11,280
Speaker 1: got a kick out of seeing you on it. It's

1824
01:27:11,280 --> 01:27:13,559
Speaker 1: like been a cool moment for you the last you know.

1825
01:27:13,880 --> 01:27:16,400
Speaker 2: Yeah, it's been it's been fun. Yeah, it's been fun.

1826
01:27:16,800 --> 01:27:18,000
Speaker 1: And have fun at the All Star Game.

1827
01:27:18,520 --> 01:27:22,799
Speaker 2: Yeah yeah, yeah, everyone played really hard. It was really good.

1828
01:27:24,000 --> 01:27:27,600
Speaker 1: Yeah. I don't know what the deal is with the defense.

1829
01:27:28,320 --> 01:27:30,120
Speaker 4: We talked about in the last time I heard you

1830
01:27:30,160 --> 01:27:30,559
Speaker 4: guys talk.

1831
01:27:32,360 --> 01:27:33,440
Speaker 1: It is a dilemma.

1832
01:27:33,560 --> 01:27:34,639
Speaker 6: It's a dilemma for sure.

1833
01:27:36,240 --> 01:27:38,639
Speaker 1: I do. I do think the one on as a fan,

1834
01:27:38,720 --> 01:27:42,320
Speaker 1: the one on one would be cool to see. But

1835
01:27:42,400 --> 01:27:44,200
Speaker 1: you said that they'd have you just like the money

1836
01:27:44,200 --> 01:27:44,639
Speaker 1: would have.

1837
01:27:44,600 --> 01:27:46,600
Speaker 2: Like it just not.

1838
01:27:47,439 --> 01:27:49,040
Speaker 5: I just I'm not sure people will want to do

1839
01:27:49,120 --> 01:27:52,640
Speaker 5: that because of the what because like they put like

1840
01:27:53,320 --> 01:27:55,400
Speaker 5: so much in the season into the season and if

1841
01:27:55,439 --> 01:27:57,160
Speaker 5: something if we did like a one on one tournament

1842
01:27:57,160 --> 01:27:58,400
Speaker 5: and something happened.

1843
01:27:58,600 --> 01:28:03,639
Speaker 2: Right, it's over facts like something.

1844
01:28:04,200 --> 01:28:06,040
Speaker 1: But do you think about that when you're playing it

1845
01:28:06,120 --> 01:28:07,160
Speaker 1: all because you can't think.

1846
01:28:07,080 --> 01:28:09,320
Speaker 5: No, no, no, don't think about playing It's only something that

1847
01:28:09,360 --> 01:28:12,840
Speaker 5: you would think after the fact, right, Like everything is

1848
01:28:12,880 --> 01:28:16,000
Speaker 5: fine til something happens and I'll be yeah to change something.

1849
01:28:16,520 --> 01:28:16,880
Speaker 2: That's it.

1850
01:28:17,200 --> 01:28:20,080
Speaker 4: Yeah, someone did say that they were They responded they

1851
01:28:20,120 --> 01:28:22,200
Speaker 4: were like, would people go harder if it was a

1852
01:28:22,760 --> 01:28:26,080
Speaker 4: US All Stars versus like versus International as.

1853
01:28:27,439 --> 01:28:29,240
Speaker 2: Might be, that would be pretty cool.

1854
01:28:30,040 --> 01:28:33,280
Speaker 3: Mm hmmm, probably not. You gotta get you gotta get

1855
01:28:33,360 --> 01:28:36,599
Speaker 3: Jokic to to really play hard. Yogic goes out there

1856
01:28:37,040 --> 01:28:37,880
Speaker 3: like four points and.

1857
01:28:37,920 --> 01:28:41,920
Speaker 2: Like does like when it gets a horse.

1858
01:28:42,840 --> 01:28:49,080
Speaker 3: Oh, Jokic is going going crazy.

1859
01:28:49,080 --> 01:28:51,360
Speaker 1: Op oop.

1860
01:28:53,800 --> 01:28:54,360
Speaker 2: Another one.

1861
01:28:55,040 --> 01:28:58,800
Speaker 4: This is Josh missing eight different high fives and high five.

1862
01:29:06,560 --> 01:29:09,240
Speaker 1: They could do this to anybody though, right, I mean,

1863
01:29:10,720 --> 01:29:12,479
Speaker 1: mh It's.

1864
01:29:12,360 --> 01:29:14,479
Speaker 4: So funny to see all the different evolutions of it

1865
01:29:14,479 --> 01:29:16,000
Speaker 4: from like your rookie year until now.

1866
01:29:16,360 --> 01:29:17,520
Speaker 1: Are you aware of this?

1867
01:29:17,880 --> 01:29:20,599
Speaker 3: Yeah? People tagging me this a lot.

1868
01:29:20,680 --> 01:29:22,599
Speaker 2: I think I think it's forced. I don't think.

1869
01:29:22,439 --> 01:29:28,479
Speaker 3: He's no, honestly, because like sometimes like you know, like

1870
01:29:29,400 --> 01:29:31,840
Speaker 3: there'll be a player or something something happens and I'm thinking,

1871
01:29:31,880 --> 01:29:35,439
Speaker 3: like I'm anticipating, like, oh, this dude's about to like

1872
01:29:35,560 --> 01:29:37,960
Speaker 3: he's walking past me, like he's going to like, you know,

1873
01:29:38,080 --> 01:29:42,040
Speaker 3: see my hand out, you know, and sometimes it just doesn't,

1874
01:29:42,040 --> 01:29:44,880
Speaker 3: you know, like Zion instead of you know, looking to

1875
01:29:44,920 --> 01:29:46,920
Speaker 3: his left, he just looks straight and I'm just thinking,

1876
01:29:46,960 --> 01:29:49,720
Speaker 3: like he's going to see my hand here, and just

1877
01:29:49,960 --> 01:29:50,439
Speaker 3: he doesn't.

1878
01:29:50,800 --> 01:29:53,439
Speaker 2: So this is crazy.

1879
01:29:54,240 --> 01:29:57,120
Speaker 3: No, this one I wasn't like, it wasn't actually adapt

1880
01:29:57,320 --> 01:30:00,679
Speaker 3: I was like, yeah, I was like I was trying

1881
01:30:00,680 --> 01:30:02,040
Speaker 3: to ask him. I'm like, Yo, what are we in?

1882
01:30:02,200 --> 01:30:03,880
Speaker 3: What do we yo? What are we in?

1883
01:30:06,040 --> 01:30:08,920
Speaker 1: I'm for what the offensive play was? What is like

1884
01:30:09,000 --> 01:30:14,160
Speaker 1: the sort of like the common wisdom or like what

1885
01:30:14,479 --> 01:30:17,280
Speaker 1: like with the players on the opposite team helping them.

1886
01:30:17,160 --> 01:30:20,960
Speaker 3: Up these days, like do you we don't do it?

1887
01:30:21,120 --> 01:30:24,160
Speaker 2: You don't do it right, I would help another player up.

1888
01:30:26,600 --> 01:30:29,720
Speaker 5: Like I'm not going to rush to help a player up,

1889
01:30:29,720 --> 01:30:31,479
Speaker 5: but if I knock him down, he's literally right there

1890
01:30:31,520 --> 01:30:32,960
Speaker 5: and there's knowing around me, I might.

1891
01:30:32,800 --> 01:30:33,280
Speaker 2: Help him up.

1892
01:30:34,280 --> 01:30:37,200
Speaker 5: There's nothing personal like when someone comes to help me up,

1893
01:30:37,439 --> 01:30:39,720
Speaker 5: I'm just like I can't. Sorry, my teammates will help

1894
01:30:39,760 --> 01:30:43,840
Speaker 5: me up, right, Nothing, it's us versus all right now.

1895
01:30:45,200 --> 01:30:47,200
Speaker 1: I mean, I'm just here because I'm a fan of

1896
01:30:47,240 --> 01:30:52,040
Speaker 1: you guys and the podcast and team and excited about

1897
01:30:52,040 --> 01:30:54,679
Speaker 1: what you're doing. It's nice to connect with you and

1898
01:30:55,400 --> 01:30:59,920
Speaker 1: relay the you know, the fans support you guys have,

1899
01:31:00,160 --> 01:31:03,040
Speaker 1: which I'm sure you know as I guess the unofficial

1900
01:31:03,080 --> 01:31:05,559
Speaker 1: I don't want to say that I'm king of anything,

1901
01:31:06,080 --> 01:31:07,960
Speaker 1: but as someone who tweets a lot.

1902
01:31:07,840 --> 01:31:09,040
Speaker 6: About I think it's official now.

1903
01:31:09,760 --> 01:31:12,840
Speaker 1: As someone who's you know, connected to that fan base,

1904
01:31:13,040 --> 01:31:15,200
Speaker 1: I'm just excited with what's going on and what you

1905
01:31:15,200 --> 01:31:16,200
Speaker 1: guys are bringing to New York.

1906
01:31:16,240 --> 01:31:17,360
Speaker 3: So thanks man for sure.

1907
01:31:17,360 --> 01:31:17,519
Speaker 1: Sure.

1908
01:31:17,640 --> 01:31:22,760
Speaker 3: Yeah, we appreciate you coming on. This was this was

1909
01:31:22,800 --> 01:31:26,800
Speaker 3: a blast. We appreciate everyone that's tuned in. Thank you

1910
01:31:26,880 --> 01:31:30,400
Speaker 3: for listening to another episode of The Roommates. Makes you

1911
01:31:30,439 --> 01:31:33,840
Speaker 3: guys continue to tune in and grow with us. And

1912
01:31:35,200 --> 01:31:38,559
Speaker 3: you know, it was amazing having Megamind and Mega Dome

1913
01:31:38,600 --> 01:31:39,599
Speaker 3: in the same room together.

1914
01:31:41,840 --> 01:31:44,720
Speaker 1: It's good year, special year, and I you know, I

1915
01:31:44,720 --> 01:31:45,800
Speaker 1: think you guys are going far.

1916
01:31:45,920 --> 01:31:46,960
Speaker 2: So appreciate.

1917
01:31:47,080 --> 01:31:52,880
Speaker 6: Thank you, Thank you,