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Speaker 1: I Heart three D audio from UFOs to psychic powers

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Speaker 1: and government conspiracies. History is riddled with unexplained events. You

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Speaker 1: can turn back now or learn the stuff they don't

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Speaker 1: want you to know. A production of I Heart Radio. Hello,

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Speaker 1: welcome back to the show. My name is Matt, my

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Speaker 1: name is Noel Day, called me Ben. We're joined as

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Speaker 1: always with our superproducer Alexis Code being Doc Holiday Jackson.

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Speaker 1: Most importantly, you are you. You are here, and that

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Speaker 1: makes this stuff they don't want you to know. This

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Speaker 1: is one of the weirdest journeys we have gone on,

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Speaker 1: certainly in the last few years. We're really excited to

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Speaker 1: to bring this to you. Um. We may have teased

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Speaker 1: it a little bit obliquely, but all of us, everybody

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Speaker 1: on the team has been working assiduously to not spill

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Speaker 1: the beans until now when you're hearing this. And please understand,

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Speaker 1: fellow conspiracy realists, we're people who are literally paid to talk.

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Speaker 1: So this was, guys, this was an achievement on our part.

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Speaker 1: Don't you think it was tough to to be so

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Speaker 1: ameerta about it. But I'm really proud of us, you guys,

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Speaker 1: I'm really proud of I'm especially proud of you Ben,

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Speaker 1: and you Matt for your amazing contributions to this thing

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Speaker 1: we're about to hear. Ben turns in a tour Toforce

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Speaker 1: performance as the subject of a CIA experiment of sorts,

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Speaker 1: and Matt also plays a character but absolutely crushed it

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Speaker 1: with the sound design in this incredibly fun and immersive

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Speaker 1: three D audio sketch. What do you even call it?

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Speaker 1: It's a scene. It's kind of a work of art, guys,

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Speaker 1: it's a true story. This is a historical reenactment based

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Speaker 1: on a Freedom of Information Act request. Uh, this is

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Speaker 1: really u you know, and I don't want to put

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Speaker 1: you guys on the spot, but yeah, the romance went

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Speaker 1: to another level on this one. I am so profoundly impressed.

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Speaker 1: H This is in many ways Matt Frederick's baby, um

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Speaker 1: and Noel, all the music you hear is indeed our

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Speaker 1: own Noel Brown. Uh. I'm kind of along for the ride,

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Speaker 1: but it's it's like, I don't want to hype it

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Speaker 1: too much. Listen, listen when you when you're when you're

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Speaker 1: hearing this, you here been saying those things about how

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Speaker 1: everybody else did stuff. Ben takes us on this journey,

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Speaker 1: so you just hold on hold on to your seats,

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Speaker 1: strap in make sure the car seat is connected to

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Speaker 1: the actual car, because you know that's why they make

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Speaker 1: those straps there. It's really for safety. But most importantly,

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Speaker 1: strap some headphones into your noggin. That is crucial to

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Speaker 1: get the full effect. I did the music while listening

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Speaker 1: to them to the thing that Matt had geniusly soundscaped

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Speaker 1: in this amazing three D immersive way. And it's crazy

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Speaker 1: how with just like two sources left and the right

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Speaker 1: headphone you get all these incredible three effects and it

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Speaker 1: really is kind of chilling. Um and having that in

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Speaker 1: my ear as while I was blips blipping and blooping

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Speaker 1: on my synthesizers made it all the more fun. And

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Speaker 1: I think what I think, what we're all saying now is, uh,

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Speaker 1: it's funny because we have these big grins on our faces.

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Speaker 1: If you enjoy hearing this a fraction, like a miniscule sliver,

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Speaker 1: as much as we enjoyed making it, uh, then we

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Speaker 1: are going to be over the mooning brateful without further

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Speaker 1: ado because we did promise ourselves we wouldn't spoil it.

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Speaker 1: Travel with us to an undisclosed location. H m hmm.

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Speaker 1: This is remote viewing session. The date is May twenty

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Speaker 1: s The time is ten o nine am Pacific. Subject

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Speaker 1: is Joseph. Session is being monitored by Robert. Both subject

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Speaker 1: and monitor are unaware of the target. Okay, being the session,

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Speaker 1: all right, now, using the information in the envelope I've

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Speaker 1: provided exclusively focusing your attention now quality nine NONU. I

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Speaker 1: want to see it looks like I don't know, he's

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Speaker 1: sort of looks I kind of got an oblique view

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Speaker 1: of pyramid or pyramid form. It's very high. It's kind

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Speaker 1: of sitting in a large depressed area. Okay, it's yellowish

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Speaker 1: oprah colored. A little time top agent about blogic and

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Speaker 1: describe it. I'm tracking severe severe clouds more like dust storm.

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Speaker 1: It's a it's a geologic problem. It seems to be

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Speaker 1: like a just a minute, I've I've got to iron

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Speaker 1: this out. It's really weird just for word of raw

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Speaker 1: processions at this time so early, I'm looking at at

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Speaker 1: a after effect of the major geologic problem. Okay, go

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Speaker 1: back at the time before the geost raw m total difference.

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Speaker 1: It's uh before there's no I don't know how It's

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Speaker 1: like mountains of dirt appear and then disappear when you

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Speaker 1: go before. I see a large flat surfaces, very smooth angles, walls.

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Speaker 1: They're really large though, I mean they're megalithic. It's this

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Speaker 1: very good time now beforetik around and then around this area.

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Speaker 1: Let's see and I'm seeing. Uh, it's it's like a

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Speaker 1: perception of a shadow of people, very tall, thin. It's

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Speaker 1: only a shadow. It's not as if they were there,

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Speaker 1: and they're not not not there anymore, go back the

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Speaker 1: period of time real they are. It's like I get

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Speaker 1: a lot of static on the line and everything. It's

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Speaker 1: it's breaking up all the time, very fragmentary pieces don't

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Speaker 1: have put together, just a cord the rod. Here. I

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Speaker 1: just keep seeing very large people. They appear thin and tall,

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Speaker 1: but they're very large and wearing some kind of strange blues.

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Speaker 1: Holy side, Holy oh for this location says a lot

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Speaker 1: of this location, but this move now to forty six

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Speaker 1: four five three piece good top forty says go for

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Speaker 1: three deep inside of the cabin, not a cabin, more

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Speaker 1: like a canyon. I'm I'm looking up up the side

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Speaker 1: of the steep wall that seems to go on forever,

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Speaker 1: and there's like a structure with a it's like the

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Speaker 1: wall of the canyon itself has been carved again. I'm

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Speaker 1: getting very large structures. No, no intricacy, it's just a

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Speaker 1: huge sections of steam stone in size size. Yes, yes,

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Speaker 1: they're they're very heavy. It's like a rabbit board, corners

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Speaker 1: of rooms. They're they're really huge. I don't feel like

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Speaker 1: I'm standing in one. It's just really huge. Perception is

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Speaker 1: that the ceiling is very high, the walls are very wide.

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Speaker 1: Time stamp is real time plus twenty two minutes. Yes,

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Speaker 1: that would be correct. All right, I'd like to move

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Speaker 1: now out to another location nearby this time forty five

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Speaker 1: one three four wells at the same time forty five

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Speaker 1: freezing before they have a appears to be the end

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Speaker 1: of a very large road, and there's a marker thing

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Speaker 1: that's very large. Keep getting Washington Monument overlaid. It's it's

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Speaker 1: like an obelisk that's moving out five we probably long

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Speaker 1: two thirty forty five four. It's like I'm in the

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Speaker 1: middle of a huge circular basin of the Range mountains

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Speaker 1: by almost only around very ragged, ragged mountain. It's very

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Speaker 1: tall basins, very very very large scale. Seems to be

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Speaker 1: off or something it's just it's really big. Everything's big.

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Speaker 1: The clusters squares up and down. Um, it's like you

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Speaker 1: want to make them square anyway. They're they're almost flush

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Speaker 1: with the ground, and it's like they're connected something very

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Speaker 1: white or reflects light observations. The state flop. I'm amid

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Speaker 1: oblique left angle. Sun is the sun as we're here,

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Speaker 1: back out of the ground, just as fas just a

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Speaker 1: little bit as fasse thirty four s very now las

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Speaker 1: very far. It's like I can just receive I go

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Speaker 1: a radiating pattern of some kind. It's it's like some

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Speaker 1: really strange intersecting kind of roads just dug into valleys,

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Speaker 1: you know where where rude is just a little blue.

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Speaker 1: The edge, they're like real neat channel cuts. They're very deep.

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Speaker 1: It's like the road wind down trick your readings. He's

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Speaker 1: pulling back. Okay, now I've I've noticed electrically you are

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Speaker 1: nulled out a little bit, and I want you to

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Speaker 1: stay deep and recapture your focus. Here. It's really tough.

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Speaker 1: It seems like it's just always very sporadic. It's very

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Speaker 1: important take the focus. I have exercise. It's in semable

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Speaker 1: business wag. It's a whole those stop meta top fatiform

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Speaker 1: and now pickings on my horizons. Takes time and get

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Speaker 1: back see the um intersecting whatever. These are aqueduct type things,

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Speaker 1: these rounded bottom carved channels like road beds. See see

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Speaker 1: pointed tops of something on the horizon, even and the horizon.

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Speaker 1: It's funny and weird. It's like a different misty, like

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Speaker 1: it's really far away, very vague. Okay, angry for now,

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Speaker 1: Angry for I see pyramids. I can't tell that's overly

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Speaker 1: or not because they're different. Okay, parents had the size

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Speaker 1: and houses. M hmm, gotta both and they're huge. He's

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Speaker 1: losing his ability to move accurately. Agreed. It's really it's

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Speaker 1: attracted to things that are interesting. It's an interesting perception

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Speaker 1: and getting should we abandon the targets. It's filtered from

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Speaker 1: storms or something. Repeat that they're like shelters from storms,

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Speaker 1: these structures you're seeing. Yes, they're designed for that. All right,

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Speaker 1: go and side one of these and find some activity

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Speaker 1: to tell me about time code plus thirty seven minutes

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Speaker 1: real time. Different chambers, but they're almost stripped of any

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Speaker 1: kind of furnishings or anything. It's like a strictly functional

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Speaker 1: place for sleeping or it's not a good word. Hibernations

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Speaker 1: in some form. I can't I get real raw input, storms,

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Speaker 1: savage storms, sleeping through storms, make contact. Tell me about

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Speaker 1: the ones who sleep through the storms. Very tall again,

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Speaker 1: very large people, but they're thin. They look thin because

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Speaker 1: of their height, and they dress like in hell. It's

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Speaker 1: not it's like a real light silk, but it's it's

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Speaker 1: not flowing topic clothings. It's eats cut to fit about.

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Speaker 1: They're ancient people. They're they're dying it's past the time,

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Speaker 1: or they're age as. They're very philosophic about it. They're

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Speaker 1: looking for the latest survival and they just can't. I

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Speaker 1: can't can't seem to get their way out. Don't go

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Speaker 1: to plus forty minutes definite voltage reversal. They can't seem

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Speaker 1: to find their way out. So they're hanging on while

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Speaker 1: they look for while they wait for something to return,

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Speaker 1: something coming with the answer hard they're uh. Evidently was

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Speaker 1: a group or a party of them that went to

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Speaker 1: find a new place to live. It's it's like I'm

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Speaker 1: getting all kinds of overwhelming into it of the corruption

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Speaker 1: of their environment. It's fairly very rapidly, and this group

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Speaker 1: went somewhere like a long way to find another place

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Speaker 1: to live, almost cause sels sels, I see a picture

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Speaker 1: of a picture like, oh hell, it's almost a warp

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Speaker 1: in a Oh god, this is difficult. It's it's like

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Speaker 1: I get a globe. It's like a globe that goes

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Speaker 1: through a comic table or something. Thing. But it's it's

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Speaker 1: all very cosmic. It's like space pictures. Ah h, now

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Speaker 1: pass as there's any way. Also, he knows who you are?

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Speaker 1: And then how depressings. All I get is that they

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Speaker 1: must just wait. It doesn't know who I am. I

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Speaker 1: think he perceives of a hallucination. Last last how getting

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Speaker 1: impression of a double bout what the heck it is?

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Speaker 1: It looks like the inside of a larger boat, very

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Speaker 1: rounded walls and shining metal. Not how where go along

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Speaker 1: with them in their journey and find out where they go?

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Speaker 1: Impression really crazy place, volcanoes, gas pockets, strange plants and

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Speaker 1: very volatile place. It's it's very much like going from

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Speaker 1: the frying pan into the fire. Differences that there seems

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Speaker 1: to be a lot of vegetation where the other place

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Speaker 1: didn't have it, and different kind of storm remote viewing

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Speaker 1: session with subject real time plus forty six minutes confirmation. Congratulations,

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Speaker 1: Now bring them home. Oh awesome. Now back to the room,

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Speaker 1: back to the sound of my voice. Back further now

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Speaker 1: to the sound of my voice. On the two of May,

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Speaker 1: the method of site acquisition was a sealed envelope. It

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Speaker 1: was coupled with geographic coordinates given by the monitor. The

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Speaker 1: field envelope was given to the subject immediately prior to

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Speaker 1: the session. The envelope was not opened until after the session.

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Speaker 1: Inside the envelope was a three by five card with

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Speaker 1: the following information the planet Mars time of interest approximately

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Speaker 1: one million years BC. So wait, so we've talked about this,

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Speaker 1: this all actually happens, well almost all of it. There's

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Speaker 1: one thing that we have to tell you about that

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Speaker 1: we did in the transcript that you could at one

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Speaker 1: point find, I believe on the CIA's website or maybe

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Speaker 1: the FBI was actually hosting it. It was a c

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Speaker 1: I A request. We got ahold of the transcript a

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Speaker 1: long time ago, and then it got taken down and

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Speaker 1: we had to find it again through the wayback machine.

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Speaker 1: But it's available online and you could you've probably heard

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Speaker 1: of it before it's an actual transcript and it only

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Speaker 1: contains two people, a subject and a monitor. So in

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Speaker 1: this case, what you were listening to Ben's character and

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Speaker 1: Noel's character. I of course had to insert myself in

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Speaker 1: here somehow, So we made up a supervisor character that

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Speaker 1: says mostly I guess the lines if you will, that

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Speaker 1: we're coming from the monitor, because there are points in

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Speaker 1: the transcript where it mentions that some of the things

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Speaker 1: the monitor states in the transcript are not heard by

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Speaker 1: the subject. So in our minds, we imagined this person

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Speaker 1: in another room with a microphone that that he could

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Speaker 1: turn on or turn off to where he could dictate

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Speaker 1: some things without the subject hearing them. Yeah. Yeah, and this, uh,

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Speaker 1: this also the lines that you hear when you say

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Speaker 1: it's a true story, it's all pulled directly from that transcript.

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Speaker 1: Of course. Uh, the CIA has nothing on us when

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Speaker 1: it comes to sound design and soundtracking. I think that

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Speaker 1: is clear now in compositions. But the well, they did

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Speaker 1: some great work in the sixties. Okay, that part's true.

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Speaker 1: But this the one thing that I think changes a

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Speaker 1: little bit is that twist that yet, right, Matt, That's

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Speaker 1: that's the only big like textual change. But even that

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Speaker 1: is verbatim from this actual transcript. It is a true story. Uh.

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Speaker 1: The CIA really did attempt to work with what they

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Speaker 1: called psycho energetics. Uh. They defined this as a mental

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Speaker 1: process by which an individual perceives, communicates with, and or

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Speaker 1: perturbs characteristics of a designated target person or events remote

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Speaker 1: in space and or time from that individual. That makes

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Speaker 1: me think this is absolutely legit, because only Uncle Sam

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Speaker 1: could write about such an exciting thing in such a

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Speaker 1: dry and boring way and get that word perturb in there.

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Speaker 1: I mean, why not see and um oh man, I

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Speaker 1: completely didn't finish my thought there. I'm so sorry you guys.

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Speaker 1: Um So, the supervisor character that you hear from me

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Speaker 1: is actually the monitor, and it's actually in the transcript.

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Speaker 1: There are like two lines I think that I added

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Speaker 1: one in particular at the very end where I say confirmed,

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Speaker 1: let's bring him home. That is completely made up. That's

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Speaker 1: just I don't know, a fun imagining of what it

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Speaker 1: could be. But that's how adaptation works, you know. Uh.

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Speaker 1: So this experiment just for background, if you want to

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Speaker 1: go back and listen again. Uh. The way they did

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Speaker 1: it is that they they had a sealed envelope, and

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Speaker 1: in the sealed envelope there would be a little index

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Speaker 1: card like a three by five that you might have

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Speaker 1: used to study in school. And this had a very

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Speaker 1: simple three line message. It just said the planet Mars

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Speaker 1: time of interest approximately one million years BC. That's right,

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Speaker 1: that's right, And just the descriptions that were given by

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Speaker 1: This is what I'm assuming, and I don't know if

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Speaker 1: this is fully correct. This is what we're all assuming here.

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Speaker 1: We found a video of a man named Joe McGonagall

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Speaker 1: who stayed in two thousand and four that he was

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Speaker 1: the person doing this remote viewing session. He was the subject,

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Speaker 1: so he was ben essentially, and he was working with

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Speaker 1: Bob Monroe that we've spoken about before on this show

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Speaker 1: to make this happen, as well as his supervisor, so

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Speaker 1: there were three people involved in some way. Um, we

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Speaker 1: just don't have the full transcript, I guess, but he

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Speaker 1: he talks about exactly what the experience was like. He

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Speaker 1: says he was laying in a dark black cube in

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Speaker 1: the lab, floating in a sea of salt, so it

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Speaker 1: sounds a lot like a sensory deprivation chamber. He was

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Speaker 1: listening to HEMI sink tapes. That's what Noel was inspired

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Speaker 1: by when he created the soundtrack here, or the score rather. Yeah,

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Speaker 1: just kind of like this sort of weird filtered, kind

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Speaker 1: of other worldly kind of sound. And Matt, the way

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Speaker 1: you filtered the experientially, you know, kind of took listeners

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Speaker 1: from the perspective of the subject, Ben and kind of

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Speaker 1: like bounce back and forth into the room with the monitor. Um.

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Speaker 1: But I had a blast do in it. And like

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Speaker 1: I said, doing the I did that all in one

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Speaker 1: pass while listening to the things, so hopefully it ebbed

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Speaker 1: and float along with the performances. I've really had a

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Speaker 1: great time doing. I hope you guys enjoyed it. Yeah,

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Speaker 1: we sure, I hope you enjoyed it. And also, you know,

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Speaker 1: we should mention our a lot of our Pure podcasters

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Speaker 1: because long time listeners, you know that most of us

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Speaker 1: are thickest thieves, especially us who have been around for

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Speaker 1: a while. Um, a lot of our our Pure shows

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Speaker 1: are also doing special three D episodes, So if you

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Speaker 1: enjoyed this, uh, please check out any number of other

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Speaker 1: shows from your favorite shows on the network will also

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Speaker 1: be having three D episodes this week. And Matt's you

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Speaker 1: An You Got any scoops on ones that are on

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Speaker 1: your radar in particular, Well, I mean, I know for

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Speaker 1: sure there's a Ridiculous History three D episode because I

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Speaker 1: recorded it with you guys, and I got to watch

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Speaker 1: y'all be just ridiculous, as the name states, with with

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Speaker 1: one of those three D O microphones with the ears.

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Speaker 1: It was quite fun to watch an experience. So I

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Speaker 1: can't wait to hear that one. I'm sorry we're always

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Speaker 1: polluting you into direct stuff, but yes, thank you very much,

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Speaker 1: that is true. Uh, there's also I believe Savor has one.

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Speaker 1: Both both our friends any recent more in Vocalbam have

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Speaker 1: appeared on the show before, so it'll be familiar to you. Uh.

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Speaker 1: And stuff you should know is doing one stuff you

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Speaker 1: should yeah, with Josh and Chuck and Jerry of course.

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Speaker 1: And then uh, while we're on the subject Ridiculous History,

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Speaker 1: just the plug you can hear our very own Matt

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Speaker 1: Frederick on a two partner episode that came out recently

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Speaker 1: while was on a sojourn. It's all about pointy shoes.

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Speaker 1: Yeah poutine. Oh no, no, I got it wrong, Lane.

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Speaker 1: But but back to Mars, this is a true story

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Speaker 1: we have. We've interviewed people in the space before. We've

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Speaker 1: also done some deep dives. We we just love the

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Speaker 1: audio of the Theater of the Mind. If you enjoyed

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Speaker 1: this episode, please do right to us. If you have more,

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Speaker 1: oh gosh, if you have been participant in these experiments,

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Speaker 1: are things like this and we'd like to know that too.

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Speaker 1: We try to be pretty easy to find online. That's right.

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Speaker 1: You can find us in the usual social media locations

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Speaker 1: of choice. We are Conspiracy Stuff on Twitter and Facebook,

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Speaker 1: Conspiracy Stuff Show on Instagram. Yeah, loop back over to

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Speaker 1: Facebook you can find our group here's where it gets crazy,

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Speaker 1: where you can join and hang out with the best

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Speaker 1: moderators in the Facebook group game and also your fellow

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Speaker 1: conspiracy realists. That's that's a really fun place. Lots of

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Speaker 1: good content there. And while you're on the internet, why

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Speaker 1: not leave us up a review on Apple podcast That

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Speaker 1: would be super swell, it would We would love that. Hey,

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Speaker 1: if you don't wanna use social media, or I don't know,

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Speaker 1: for some reason, you don't want to rate us on

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Speaker 1: Once you hear Ben, he gives you a little go

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Speaker 1: ahead there to leave a message. If you would please

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Speaker 1: just reduces the number that we listen to every week.

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Speaker 1: but just before we go, if you have any ideas

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Speaker 1: for another interesting three D episode for us to produce,

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Speaker 1: we would love to hear it. Maybe you saw transcript somewhere,

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Speaker 1: Maybe you heard about a specific event that we could recreate.

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Speaker 1: Anything weird like that, we would love to hear it

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Speaker 1: from you. You can send those suggestions and anything else

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