WEBVTT - TGI – Episode 406 “Janitor Dad”

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<v Speaker 1>Oh, Sunday a Friday.

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<v Speaker 2>Great, It's been awesome. It's been like, you know, a

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<v Speaker 2>couple of years of not really Sunday because I've been coming.

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<v Speaker 2>Even the pandemic shut down Sundance for the most part.

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<v Speaker 2>So like last year it was very mellow and relaxing

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<v Speaker 2>and like nobody was here. But this year it's back

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<v Speaker 2>to full speed regular Sundance movies already like selling for

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<v Speaker 2>seventeen million dollars and it's like, oh cool, that's a festival,

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<v Speaker 2>but no, super fun.

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<v Speaker 3>Do you just go to movies every day?

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<v Speaker 2>No, you know, like I've been trying to see a

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<v Speaker 2>lot more movies this time, but it's it's so hard,

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<v Speaker 2>like you just end up running into people and there's

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<v Speaker 2>parties and there's events and there's gathering, so like, I

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<v Speaker 2>mean there's depth. There have definitely been Sundances where I've

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<v Speaker 2>come and only seen like two movies. Let's see this time,

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<v Speaker 2>I've seen four, which you know is not great, like

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<v Speaker 2>I would love to see more, but Sundances one Like

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<v Speaker 2>there are festivals that I go to where I just

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<v Speaker 2>sit and watch movies, like that's all I'm there for.

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<v Speaker 2>But Sundance is such like we have the same group

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<v Speaker 2>of friends that come every year, and I mean it's

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<v Speaker 2>a huge group of friends. It's coming of always rotating.

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<v Speaker 2>So it's like some people I see every year, some

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<v Speaker 2>people haven't seen for six years, and then they come back,

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<v Speaker 2>and so it's like it ends up being much more

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<v Speaker 2>of a social thing than and you know, it's a

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<v Speaker 2>networking social thing. And then it is a movie thing.

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<v Speaker 2>But of course then we're like constantly talking about what

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<v Speaker 2>people have seen. So like everyone, like last night I

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<v Speaker 2>came home and like four other people in the house

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<v Speaker 2>had seen the same movie I had, and other people

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<v Speaker 2>had seen it before and hated it. We're all debating

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<v Speaker 2>and arguing and screaming at each other and talking about

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<v Speaker 2>what we think is gonna be like. And then next

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<v Speaker 2>year we'll get together we'll be like I told you

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<v Speaker 2>see how you know, it's so fun.

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<v Speaker 3>It's like I was gonna say, you're in Heaven's right now.

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<v Speaker 2>It's just face to geek out about film, you know,

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<v Speaker 2>and like and argue and and like yeah yeah, And

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<v Speaker 2>then we play charades, like we host a charades party

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<v Speaker 2>every year. I mean it started as just a pasta

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<v Speaker 2>party that our friends who have the house do.

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<v Speaker 1>What's a pasta party.

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<v Speaker 2>Well, they just mean they'd make like a whole, like

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<v Speaker 2>a whole bunch of pasta and invite a bunch of

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<v Speaker 2>people that that's fun, dance over to our house for pasta.

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<v Speaker 2>And then when Alex and I got a lot.

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<v Speaker 1>More questions about pasta party, I do other people do

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<v Speaker 1>pasta parties? You're acting as though pasta party is like

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<v Speaker 1>a common thing.

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<v Speaker 2>I don't know. I didn't start this party, so our

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<v Speaker 2>friend I guess maybe that's a common thing, or maybe

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<v Speaker 2>it's not.

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<v Speaker 1>Maybe it's weird one type of pasta.

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<v Speaker 2>Or Okay, well here's here's the I like to point.

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<v Speaker 4>Danielle has not perked up at all during the conversation

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<v Speaker 4>about film. You mentioned pasta once, and she's awake, instantly awake.

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<v Speaker 2>How you meet a pasta? Okay, well let me tell you.

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<v Speaker 4>So.

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<v Speaker 2>When we first heard about this pasta party, we were like,

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<v Speaker 2>this is great because you know, we had come to Sundance,

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<v Speaker 2>we had friends who were coming and whatever. This is

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<v Speaker 2>like eight years ago, nine years ago. And so our

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<v Speaker 2>friend's our friend Ashley, who like is the main host

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<v Speaker 2>of this house and this group of friends. She was like, oh,

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<v Speaker 2>we have our pasta party. We were like great and

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<v Speaker 2>we went and like the pasta was like canned pasta,

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<v Speaker 2>like you know, you take the sauce and you opened up.

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<v Speaker 2>So the next year Alex was like, no, no, no,

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<v Speaker 2>I'm doing my four or five hour sauce. We're gonna

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<v Speaker 2>like if we're hosting, because then we became like co

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<v Speaker 2>host because then it was like our house and we

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<v Speaker 2>became so Alex was like, I'm taking the but no,

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<v Speaker 2>the problem is we have like over one hundred people

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<v Speaker 2>show up at this party, like throughout the night. It's

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<v Speaker 2>like like this year we had like one hundred and

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<v Speaker 2>sixty RSVPs or whatever, and so like, no one like

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<v Speaker 2>the pasta is like carbo load, you know what I mean.

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<v Speaker 2>It's like it's not about like the quest. So Alex

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<v Speaker 2>spent one year trying to like make her sauce and

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<v Speaker 2>then realize like, oh, there's just too many people to care,

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<v Speaker 2>and nobody cares. They're here for like pasta. The garlic

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<v Speaker 2>bread is a bigger hit than the pasta. And then

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<v Speaker 2>what happened is Alex and I started doing running charades

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<v Speaker 2>games during the pasta party, and now that's like why

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<v Speaker 2>people come to our house, Like the word has gotten out,

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<v Speaker 2>so like we've become a thing and it's the greatest.

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<v Speaker 2>I mean we went until three in the morning playing

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<v Speaker 2>running trades.

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<v Speaker 4>Still three in the nine are people taking uber and

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<v Speaker 4>lyft home after this much pasta?

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<v Speaker 3>Oh yeah, okay, good because you don't want to.

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<v Speaker 2>I mean, come on, you can't drive when you're No

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<v Speaker 2>one drives at Sunday. So everyone's either walking or uber

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<v Speaker 2>lifting or they have like shuttles.

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<v Speaker 1>It's a whole I still really like this idea of

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<v Speaker 1>pasta party. I would I think I would just encourage

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<v Speaker 1>people to bring There are all different types of post

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<v Speaker 1>yeah for sure, Like we've got spaghetti covered, we could

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<v Speaker 1>use a ravioli, we need a penny.

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<v Speaker 2>Well that's what I did. That's why I've done that,

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<v Speaker 2>like a real pasta party for like my like I

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<v Speaker 2>had my birthday. This is like my thirty ninth birthday.

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<v Speaker 2>We rented a cabin and you know, like I used

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<v Speaker 2>to do all the time for my birthdays and have

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<v Speaker 2>a big group of friends and this was the legendary one.

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<v Speaker 2>We made our own pasta, so we spent we woke

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<v Speaker 2>up in the morning, we all made pasta. We made

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<v Speaker 2>different noodles and then Alex made two different sauces. She

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<v Speaker 2>did like a mushroom cream sauce and then like a

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<v Speaker 2>red sauce. Took all day, so then by the you know,

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<v Speaker 2>the pasta's been drying out all day and then cook it.

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<v Speaker 2>And that was probably the greatest my life, Like it

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<v Speaker 2>was so much fun because it was like by the

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<v Speaker 2>end of when you actually sit down to eat, you've

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<v Speaker 2>all worked all day together to make fasta, including the kids.

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<v Speaker 2>Like it is so much and we've after that, we

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<v Speaker 2>did that like maybe one other time, and you know,

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<v Speaker 2>it's a lot of work, but it's so worth it.

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<v Speaker 2>Like that is Yes, that's like a.

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<v Speaker 3>Real Daniel's party. You just you just found Daniels. Oh

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<v Speaker 3>my god, it's a hosta luck party.

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<v Speaker 4>Yeah, that's yeah, Okay, we know when we know how

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<v Speaker 4>to get Daniel out of the house now, multiple types

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<v Speaker 4>of pasta.

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<v Speaker 3>And fred sticks.

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<v Speaker 1>I'm not hard to please.

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<v Speaker 2>I just invite her to an olive garden the same

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<v Speaker 2>level of excitement.

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<v Speaker 3>That's true, isn't it.

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<v Speaker 1>Ye, Well, when you're here, your family, welcome to Podlets World.

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<v Speaker 1>I'm Danielle Fischel.

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<v Speaker 2>I'm right or strong, and I'm Wilfridlleh.

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<v Speaker 1>So today we are recapping season four, episode six, Janitor Dad.

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<v Speaker 1>It originally aired October twenty fifth, nineteen ninety six. The

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<v Speaker 1>synopsis Sean's father is the new janitor of John Adams High,

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<v Speaker 1>causing Sean significant embarrassing and attention from some new bullies. Also,

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<v Speaker 1>a large mountain man starts working at the Wilderness store.

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<v Speaker 1>That's yeah.

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<v Speaker 2>Also, large mountain man with the staff.

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<v Speaker 4>Named Iszekiel Ezekiel starts large bearded mountain man wait to

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<v Speaker 4>talk about Mickey?

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<v Speaker 1>Okay?

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<v Speaker 2>So.

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<v Speaker 1>It was directed by Jeff McCracken. It was written by

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<v Speaker 1>Jeff Manel and Guys buckle up for this list of

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<v Speaker 1>guest stars, so many Finny guest stars. Anthony Tyler Quinn

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<v Speaker 1>slowly creeping up to his motorcycle accident as Jonathan Turner

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<v Speaker 1>again only seen in this episode for a few seconds.

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<v Speaker 1>We have Blake Clark returning as Chet Hunter, Sharen Mitchell

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<v Speaker 1>returns as Verna Hunter, and then Jennifer Campbell as Lannie.

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<v Speaker 1>She is a former Miss Hawaiian Tropics International, best known

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<v Speaker 1>as Tia the Calvin Klein Model on three episodes of

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<v Speaker 1>Seinfeld and has three different characters on six episodes of Baywatch.

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<v Speaker 2>So hold on, you said Miss Hawaiian International.

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<v Speaker 1>It's It's the Hawaiians a beauty title. Yes, like the

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<v Speaker 1>Hawaiian Tropics. I think is Sun's green brand. Okay, And

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<v Speaker 1>they do like a swimsuit competition. It's all swimsuit And

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<v Speaker 1>is this still a thing Hawaiian Tropics.

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<v Speaker 3>I don't know, I think so, I don't know.

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<v Speaker 4>I only watched it for the articles, but yes, I

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<v Speaker 4>think that was a big thing in like the eighties

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<v Speaker 4>and the nineties.

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<v Speaker 3>Yes, so I don't know.

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<v Speaker 5>Then we have Mickey Jones as mountain Man Ezekiel best

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<v Speaker 5>knows awesome, Yeah, best known when it comes to acting

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<v Speaker 5>for Total Recall, National Lampoon's Vacation and sling Blade among.

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<v Speaker 2>And then he was in another episode of Boy he was. Yeah,

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<v Speaker 2>that's why I didn't talk to him this episode. He

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<v Speaker 2>comes in the episode when I go to a truck stop, Oh,

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<v Speaker 2>the Nobody's Angel episode, the Girls Singing, He's in that

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<v Speaker 2>truck stop and I spent that entire time hanging out

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<v Speaker 2>with him. I didn't hang out with him this because

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<v Speaker 2>I didn't work with him this week, but that later

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<v Speaker 2>week I spent all my time, like geeking out with

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<v Speaker 2>him because he's like a very really famous musician. He is.

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<v Speaker 4>Yeah, he was in We'll talking about yea Tin copy Legend,

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<v Speaker 4>his banned Yeah, there was a great, huge Hollywood legend

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<v Speaker 4>in a way.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, he's an accomplished drummer playing with Kenny Rogers. And

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<v Speaker 1>then Bob Dylan on his nineteen sixty six controversial and

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<v Speaker 1>now beloved electric tour.

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<v Speaker 2>That's the one we talked about. We spent the whole

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<v Speaker 2>time talking Dylan. It was amazing. He has so many

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<v Speaker 2>stories because he's completely sober. So he was like, he's

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<v Speaker 2>like the guy who remembers everything from that era.

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<v Speaker 1>Is also the drummer on the song Secret Agent Man.

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<v Speaker 1>He sadly passed away in twenty eighteen at the age

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<v Speaker 1>of seventy seven. No, that either, sorry to give.

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<v Speaker 3>It was a nice the nicest human being. Yeah, such

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<v Speaker 3>a nice man.

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<v Speaker 1>And then we have Kevin West as Wally. He's a

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<v Speaker 1>character actor from movies like Gone in sixty Seconds. In Junior,

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<v Speaker 1>we have Andrew Bilbore as Edgar. He has credits like

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<v Speaker 1>Friends Becker and Dexter, so he worked with our friend

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<v Speaker 1>Alex Decero over on Becker and then Willie Garson comes

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<v Speaker 1>back to Boy Meets World, this time as Mervin, one

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<v Speaker 1>of the many characters he would play in Boy Meets

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<v Speaker 1>World slash Girl Meets World. A reminder that he and

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<v Speaker 1>Michael Jacobs were very good friends, so any chance they

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<v Speaker 1>had to bring him back, they did.

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<v Speaker 2>Anytime they need a nerd.

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<v Speaker 3>Yep, and I forgot he was in this one. Totally

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<v Speaker 3>forgot he was.

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<v Speaker 2>In this episode. I knew he was in a bunch

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<v Speaker 2>of you know, but yeah, Lenny Spinelley to this, and

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<v Speaker 2>then he marries Scored yep.

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<v Speaker 1>Yeah, crazy, and then Sean Babb as Doug and Marcus

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<v Speaker 1>Toji as kid number one. He is still working mostly

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<v Speaker 1>in voiceovers for video games. Uh okay, So before we

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<v Speaker 1>jump into the recap, do you guys have some overall thoughts.

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<v Speaker 3>I don't want to start. It wasn't dad.

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<v Speaker 1>I didn't love it.

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<v Speaker 3>I didn't love it either. I didn't love it either.

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<v Speaker 4>I thought the BE story was stronger than the A

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<v Speaker 4>story because it was just random. But I thought at

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<v Speaker 4>times the A story got so caricature and so cartoony.

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<v Speaker 4>I liked the school stuff more than the trailer park stuff.

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<v Speaker 2>But Ezekiel is not cartoony, but it's supposed to be.

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<v Speaker 3>That's what I meant.

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<v Speaker 2>I I just know it's all super It's so big everything,

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<v Speaker 2>very big, Yes, very huge.

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<v Speaker 1>Yes, there was a very very obvious note to Scherene

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<v Speaker 1>Mitchell to like totally have a change of character.

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<v Speaker 4>And go huge with everything, and and yeah it's I

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<v Speaker 4>I don't I don't disagree. And I think it's doubly

0:10:42.640 --> 0:10:47.079
<v Speaker 4>jarring because the trailer park has now become the Matthews

0:10:47.120 --> 0:10:50.520
<v Speaker 4>living room. So there's that kind of fish out of

0:10:50.520 --> 0:10:52.720
<v Speaker 4>water feeling a little bit where you're kind of, oh,

0:10:52.760 --> 0:10:55.480
<v Speaker 4>this is this is now the family dynamic, which can

0:10:55.520 --> 0:10:57.559
<v Speaker 4>be a bit jarring, and then when it gets that big,

0:10:57.640 --> 0:11:00.240
<v Speaker 4>that fast, it's doubly.

0:11:00.120 --> 0:11:02.040
<v Speaker 3>Jarring, and you're seeing Corey come in and it's.

0:11:01.960 --> 0:11:03.720
<v Speaker 2>Like a it's like a pilot for the Shawn Hunter

0:11:04.840 --> 0:11:09.280
<v Speaker 2>exactly exactly. That's like an awkward pilot that hasn't gotten

0:11:09.320 --> 0:11:11.520
<v Speaker 2>its feet wet and like he still hasn't like found

0:11:11.559 --> 0:11:13.439
<v Speaker 2>It's yeah, it's it's a little hard it.

0:11:13.640 --> 0:11:17.680
<v Speaker 4>This was also so Roseanne was really big at this time.

0:11:18.320 --> 0:11:20.800
<v Speaker 4>This is a big time for the blue collar sitcoms,

0:11:20.800 --> 0:11:23.320
<v Speaker 4>so they might have been trying to kind of give

0:11:23.320 --> 0:11:26.120
<v Speaker 4>it a whole blue collar spin, and it seemed odd.

0:11:26.240 --> 0:11:27.920
<v Speaker 4>I think you're right, it did seem like a pilot

0:11:27.920 --> 0:11:29.040
<v Speaker 4>for the Shawn Hunters show.

0:11:29.240 --> 0:11:29.440
<v Speaker 3>Yeah.

0:11:29.480 --> 0:11:32.680
<v Speaker 2>Yeah, I think Blake is great in the episode. Yeah,

0:11:33.120 --> 0:11:36.400
<v Speaker 2>he's always great. Yeah, but I think he manages to

0:11:36.440 --> 0:11:40.120
<v Speaker 2>be a sort of over the top character subtly, like

0:11:40.160 --> 0:11:42.080
<v Speaker 2>he has a way of just I mean, I guess

0:11:42.080 --> 0:11:44.440
<v Speaker 2>part of it is that Chet is performative, so like,

0:11:44.480 --> 0:11:46.880
<v Speaker 2>even when Chet's saying ridiculous things, there's this level of

0:11:46.920 --> 0:11:49.640
<v Speaker 2>irony to it, like I'm just doing my thing. I'm

0:11:49.640 --> 0:11:52.319
<v Speaker 2>a guy. He talks like that, whereas everybody else it's

0:11:52.360 --> 0:11:54.959
<v Speaker 2>like it just feels big and cartoony to a degree

0:11:55.000 --> 0:11:58.719
<v Speaker 2>that really loses the character. Yeah, and then just it

0:11:58.880 --> 0:12:03.280
<v Speaker 2>just kind of the nose, like every beat felt very out. Yes,

0:12:03.600 --> 0:12:05.160
<v Speaker 2>let me drive this home.

0:12:05.320 --> 0:12:07.679
<v Speaker 4>And the thing that was so interesting, and unfortunately they

0:12:07.679 --> 0:12:10.920
<v Speaker 4>were in different scenes at the time about Blake and

0:12:11.040 --> 0:12:16.040
<v Speaker 4>Verna together, was that she was the anchor to his craziness, right,

0:12:16.080 --> 0:12:18.000
<v Speaker 4>and so when they're both kind of that big, it

0:12:18.640 --> 0:12:19.560
<v Speaker 4>washed out a bit for me.

0:12:20.040 --> 0:12:31.959
<v Speaker 6>Yeah.

0:12:32.000 --> 0:12:35.120
<v Speaker 1>While jumping into our recap, we start in the wilderness outpost.

0:12:35.280 --> 0:12:37.439
<v Speaker 1>Eric and Allan are helplessly staring at something in the

0:12:37.480 --> 0:12:40.280
<v Speaker 1>store when Eric whispers, Dad, you gotta kick mom out

0:12:40.320 --> 0:12:42.240
<v Speaker 1>or we're going to go bust by tuesday, and we

0:12:42.280 --> 0:12:44.439
<v Speaker 1>cut to Amy, who's telling a customer to put down

0:12:44.480 --> 0:12:46.840
<v Speaker 1>the rock climbing shoes. He's planning to buy a skinny

0:12:46.880 --> 0:12:49.520
<v Speaker 1>man like you should not be rock climbing. Alan laments,

0:12:49.600 --> 0:12:52.080
<v Speaker 1>we ain't gonna make it to Tuesday. Amy sees the

0:12:52.080 --> 0:12:54.839
<v Speaker 1>prospective shoe buyer out, suggesting a nearby yogurt store, and

0:12:54.880 --> 0:12:58.720
<v Speaker 1>as he leaves, she yells gets strawberry. Alan tells Amy

0:12:58.720 --> 0:13:00.880
<v Speaker 1>that the customers have their own mothers who can nag

0:13:01.000 --> 0:13:04.719
<v Speaker 1>them about their rock climbing interests. Amy reminds him he's

0:13:04.760 --> 0:13:06.440
<v Speaker 1>the one who asked for help because the store was

0:13:06.480 --> 0:13:09.040
<v Speaker 1>so busy. Alan responds that she's been a protective mother

0:13:09.080 --> 0:13:10.800
<v Speaker 1>figure for so long it's kind of getting in the

0:13:10.800 --> 0:13:13.720
<v Speaker 1>way of what they used to call sales. Amy brushes

0:13:13.760 --> 0:13:15.679
<v Speaker 1>him off. Then she sees a man testing out a

0:13:15.720 --> 0:13:18.520
<v Speaker 1>fishing spear. She yells, kill fish. You're gonna kill fish.

0:13:18.760 --> 0:13:21.640
<v Speaker 1>He puts down the weapon, defeated. Then we're outside of

0:13:21.679 --> 0:13:24.800
<v Speaker 1>the wilderness outposts. There's a help wanted signposter that now.

0:13:24.760 --> 0:13:26.760
<v Speaker 2>Is when I was already like, I don't know, I

0:13:26.840 --> 0:13:29.520
<v Speaker 2>know the same because I was like, is this really

0:13:29.600 --> 0:13:34.920
<v Speaker 2>this is the first has Amy ever been this way? No, like,

0:13:35.040 --> 0:13:39.360
<v Speaker 2>has she ever been a nagging over the whole point

0:13:39.400 --> 0:13:41.720
<v Speaker 2>of Amy is that she's chill, cool and like kind

0:13:41.720 --> 0:13:44.600
<v Speaker 2>of cool and like accepting of like people being different.

0:13:44.640 --> 0:13:47.120
<v Speaker 2>And I don't know, this was just like, clearly for

0:13:47.320 --> 0:13:50.319
<v Speaker 2>the story point, Yeah, let's make her a nagging mom

0:13:50.840 --> 0:13:52.920
<v Speaker 2>character that she's never been. And it was like, let's

0:13:52.960 --> 0:13:53.920
<v Speaker 2>just go for the I don't.

0:13:53.800 --> 0:13:56.760
<v Speaker 1>Know, especially because just a few episodes ago she was

0:13:56.800 --> 0:13:59.720
<v Speaker 1>the big savior who got them the wilderness snore and

0:13:59.760 --> 0:14:04.120
<v Speaker 1>now she's the obnoxious nagging woman who's ruining their business.

0:14:04.080 --> 0:14:08.439
<v Speaker 2>Exactly and bringing the boys down with her nagging.

0:14:07.440 --> 0:14:09.480
<v Speaker 4>Because the men want to do dangerous things, but of

0:14:09.480 --> 0:14:11.840
<v Speaker 4>course the woman is going to say you shouldn't be doing.

0:14:11.720 --> 0:14:15.040
<v Speaker 1>You're too skinny for that, and then the sign says

0:14:15.160 --> 0:14:19.600
<v Speaker 1>no mothers. And I hope this episode gets better for women.

0:14:21.400 --> 0:14:21.880
<v Speaker 6>Does not.

0:14:23.760 --> 0:14:28.880
<v Speaker 1>At the trailer part, yes, but then, guys, it does

0:14:28.920 --> 0:14:31.880
<v Speaker 1>get better for women when a super skinny, very hot

0:14:31.960 --> 0:14:34.680
<v Speaker 1>crop top woman shows up later who can act like

0:14:34.720 --> 0:14:35.960
<v Speaker 1>a boy, right, who could act like.

0:14:35.880 --> 0:14:39.240
<v Speaker 2>A boy could be one of the boys.

0:14:39.760 --> 0:14:43.480
<v Speaker 4>She's too distracted if she's a girl. That's literally said

0:14:43.560 --> 0:14:45.160
<v Speaker 4>that it's too distracting for her to be a girl.

0:14:45.360 --> 0:14:48.520
<v Speaker 1>Everyone knows the best girls.

0:14:49.040 --> 0:14:59.600
<v Speaker 2>Best girls are boys. Boys with boobs are the best.

0:15:00.120 --> 0:15:03.920
<v Speaker 1>Turn this out posts. During the interviews, there's a group

0:15:03.960 --> 0:15:07.880
<v Speaker 1>of middle aged men. Thank god, there's no women waiting

0:15:07.920 --> 0:15:11.240
<v Speaker 1>to be interviewed by Eric. The first candidate rattles off.

0:15:11.880 --> 0:15:14.880
<v Speaker 2>Guys, every one of them in glasses, every one of

0:15:14.920 --> 0:15:15.720
<v Speaker 2>them like just.

0:15:16.000 --> 0:15:18.040
<v Speaker 3>Another I say it's because it's Philadelphia.

0:15:18.040 --> 0:15:21.680
<v Speaker 4>We won't find anybody who knows outside because we're in Philadelphia.

0:15:22.080 --> 0:15:25.880
<v Speaker 1>Like, what does that mean? What does that mean? None

0:15:25.920 --> 0:15:26.640
<v Speaker 1>of it makes sense.

0:15:26.760 --> 0:15:28.479
<v Speaker 3>Why would our writers.

0:15:28.080 --> 0:15:30.000
<v Speaker 2>Were really in touch with Pennsylvania. I don't know if

0:15:30.000 --> 0:15:32.640
<v Speaker 2>you know this. Our Beverly and those living writers were

0:15:32.920 --> 0:15:36.480
<v Speaker 2>really they understand trailer parks. And there's two things our

0:15:36.520 --> 0:15:41.480
<v Speaker 2>writers know. It's trailer park blue collar lifestyle and Pennsylvania.

0:15:41.600 --> 0:15:45.960
<v Speaker 3>Wait, I'd like to throw a fourth and women and strength.

0:15:46.120 --> 0:15:49.400
<v Speaker 2>This this episode brings up the strengths in our writing staff.

0:15:51.360 --> 0:15:57.080
<v Speaker 2>O god, I mean like having two parents from Pennsylvania.

0:15:57.240 --> 0:16:00.480
<v Speaker 2>The amount of outdoor like it's all hunting it's all

0:16:00.520 --> 0:16:03.640
<v Speaker 2>outdoor people. It is like the most it's like the

0:16:03.680 --> 0:16:07.480
<v Speaker 2>most wilderness friendly place in all America.

0:16:08.160 --> 0:16:10.840
<v Speaker 3>Yes, oh yes, that's what you do in Pennsylvania. You hunt,

0:16:10.880 --> 0:16:13.440
<v Speaker 3>you fish, you can't there's mine.

0:16:13.320 --> 0:16:14.280
<v Speaker 2>People like.

0:16:15.800 --> 0:16:17.800
<v Speaker 3>Yes, oh my god.

0:16:18.640 --> 0:16:21.520
<v Speaker 1>So the first candidate rattles off all the things he's

0:16:21.520 --> 0:16:23.600
<v Speaker 1>sold during his time in retail and scoffs at the

0:16:23.720 --> 0:16:27.200
<v Speaker 1>required technical knowledge. He then points to a kayak and asks,

0:16:27.360 --> 0:16:27.720
<v Speaker 1>is this.

0:16:27.760 --> 0:16:31.240
<v Speaker 2>He played a teacher in a previous episode? Yes, this

0:16:31.320 --> 0:16:33.640
<v Speaker 2>guy who's an amazing character actor, He's been in everything

0:16:33.680 --> 0:16:36.160
<v Speaker 2>he's been in this. I just I know his face

0:16:36.560 --> 0:16:38.520
<v Speaker 2>and I see him. So remember we talked.

0:16:38.280 --> 0:16:41.000
<v Speaker 3>About we talked about the fact that the teachers are real.

0:16:41.320 --> 0:16:44.040
<v Speaker 1>Guy framer teacher who like around the corner, We're like,

0:16:44.800 --> 0:16:45.240
<v Speaker 1>what do you know?

0:16:45.320 --> 0:16:45.640
<v Speaker 3>A boy?

0:16:46.160 --> 0:16:47.200
<v Speaker 1>And was like, what the whoa?

0:16:47.880 --> 0:16:50.480
<v Speaker 2>So I wonder So these are all people who have

0:16:50.560 --> 0:16:52.560
<v Speaker 2>like already been on episodes of Boy before. It's like,

0:16:52.760 --> 0:16:56.240
<v Speaker 2>give me the nerds, those nerd guys we like, and

0:16:56.240 --> 0:16:57.160
<v Speaker 2>they just cast them.

0:16:57.280 --> 0:16:59.360
<v Speaker 3>Yes, twelve nerds in a mountain. Man go.

0:17:00.320 --> 0:17:03.360
<v Speaker 1>So he asks is this for like water? And then

0:17:03.600 --> 0:17:06.240
<v Speaker 1>ready to move on, Alan nods towards the other candidates,

0:17:06.240 --> 0:17:08.480
<v Speaker 1>and one of them, played by the Great Willie Garson,

0:17:09.520 --> 0:17:12.320
<v Speaker 1>is touching the spiky rock climbing shoe over and over

0:17:12.400 --> 0:17:14.680
<v Speaker 1>each time saying ow, but never stopping.

0:17:15.600 --> 0:17:16.280
<v Speaker 6>Somebody stopping.

0:17:16.359 --> 0:17:17.639
<v Speaker 3>Somebody stop, somebody stopping.

0:17:18.440 --> 0:17:21.119
<v Speaker 1>Why couldn't he have just still been Lenny Spinelli looking

0:17:21.160 --> 0:17:22.320
<v Speaker 1>for a new job.

0:17:22.640 --> 0:17:25.040
<v Speaker 2>Yeah, because all it would have taken was Alan being like, Lenny,

0:17:25.080 --> 0:17:26.679
<v Speaker 2>get out of here, and we would have laughed, and

0:17:26.680 --> 0:17:28.800
<v Speaker 2>it would have been a great joke because it's like, Lenny,

0:17:28.800 --> 0:17:32.920
<v Speaker 2>you're not right for this job. Yeah, Poor Lenny, Poor

0:17:33.000 --> 0:17:35.240
<v Speaker 2>Lenny can't get hired by his old boss.

0:17:36.160 --> 0:17:42.240
<v Speaker 4>Yeah, changing change his name from yeah. Actual Lenny has

0:17:42.280 --> 0:17:44.600
<v Speaker 4>a great job somewhere else. He actually runs the store.

0:17:44.640 --> 0:17:47.240
<v Speaker 2>Now, he runs the stuff, the stuff.

0:17:46.960 --> 0:17:50.360
<v Speaker 1>The stuff. You're right back at the wilderness outpost now.

0:17:50.400 --> 0:17:52.600
<v Speaker 1>After the interviews, Eric says they're never going to find

0:17:52.600 --> 0:17:56.200
<v Speaker 1>someone to fill this position in Philadelphia. Alan agrees they

0:17:56.200 --> 0:17:59.160
<v Speaker 1>need a grizzly Adams mountain man who lives the outdoor life,

0:17:59.200 --> 0:18:02.639
<v Speaker 1>knows this equipment, who needs a job and just to

0:18:02.840 --> 0:18:05.920
<v Speaker 1>wander in here, tee it up, tee it up and

0:18:06.520 --> 0:18:08.960
<v Speaker 1>give it to me, wouldn't you know it? At this

0:18:09.040 --> 0:18:11.960
<v Speaker 1>exact moment, an extremely tall man with a long beard,

0:18:12.000 --> 0:18:15.480
<v Speaker 1>long hair, walking stick, red suspenders in a fringe jacket

0:18:16.000 --> 0:18:18.520
<v Speaker 1>waltz is into the store. He says, I just happened

0:18:18.520 --> 0:18:20.440
<v Speaker 1>to wander in here looking for the yogurt chop because

0:18:20.440 --> 0:18:22.840
<v Speaker 1>I heard they was hiring scoopers. Although I know a

0:18:22.880 --> 0:18:25.640
<v Speaker 1>lot less about yogurt than I do about wilderness equipment.

0:18:25.680 --> 0:18:28.920
<v Speaker 1>I am in powerful need of employment. He is powerful,

0:18:29.160 --> 0:18:30.440
<v Speaker 1>so funny, so good.

0:18:30.960 --> 0:18:32.720
<v Speaker 3>He's so good. That's the thing.

0:18:33.080 --> 0:18:35.760
<v Speaker 1>Eric and Alan stare at each other. Eric breaks the silence. Yeah,

0:18:35.800 --> 0:18:37.520
<v Speaker 1>it's four doors down on the left. You can't miss it.

0:18:37.600 --> 0:18:41.040
<v Speaker 1>The man starts to leave when Alan yells, wait a minute. Great,

0:18:41.400 --> 0:18:42.800
<v Speaker 1>great delivery.

0:18:42.640 --> 0:18:44.040
<v Speaker 3>And joke and all.

0:18:44.119 --> 0:18:47.240
<v Speaker 4>And if the A story had been far more rooted

0:18:47.280 --> 0:18:50.040
<v Speaker 4>in reality, this would have been fine. It would have

0:18:50.040 --> 0:18:53.160
<v Speaker 4>been great because it would have been ridiculousness on top

0:18:53.240 --> 0:18:54.080
<v Speaker 4>of drama.

0:18:54.080 --> 0:18:56.520
<v Speaker 2>And actually, then all we're really talking about is the

0:18:56.560 --> 0:18:59.000
<v Speaker 2>next scene, the first scene in the trip. Yes, yes,

0:18:59.080 --> 0:19:01.960
<v Speaker 2>because because the rest the episode is pretty grounded. And

0:19:01.960 --> 0:19:04.320
<v Speaker 2>I would say that like when Veer and Chet like

0:19:04.480 --> 0:19:06.680
<v Speaker 2>kiss and near the end like that is actually it's

0:19:06.720 --> 0:19:10.080
<v Speaker 2>that next scene where it suddenly becomes the like racky Hunters.

0:19:10.680 --> 0:19:13.159
<v Speaker 4>That's just it's just to him in school is fine.

0:19:13.400 --> 0:19:15.440
<v Speaker 4>When when Check gets to school, that's a great dynamic.

0:19:15.520 --> 0:19:20.000
<v Speaker 2>And Sean was pretty great too, So it's grounded. So yeah,

0:19:20.080 --> 0:19:20.800
<v Speaker 2>it really is.

0:19:20.920 --> 0:19:22.840
<v Speaker 3>Just the first wrong.

0:19:23.000 --> 0:19:24.960
<v Speaker 2>Yeah, it's just and it's the writing. And she just

0:19:24.960 --> 0:19:27.479
<v Speaker 2>shouldn't have been written as like, let's you didn't need

0:19:27.480 --> 0:19:29.320
<v Speaker 2>the jokes. It could have just been you need a

0:19:29.400 --> 0:19:32.160
<v Speaker 2>job or you know, some version, some slightly less over

0:19:32.160 --> 0:19:33.120
<v Speaker 2>the top version. Yeah.

0:19:33.200 --> 0:19:37.280
<v Speaker 1>Yeah, they really wanted to set up the this for

0:19:37.359 --> 0:19:40.560
<v Speaker 1>this scene that there is now a tornado inside the

0:19:40.600 --> 0:19:45.160
<v Speaker 1>house and Corey wanders into a tornado, and unfortunately for

0:19:45.280 --> 0:19:48.000
<v Speaker 1>the women, the only way they knew how to make

0:19:48.040 --> 0:19:51.119
<v Speaker 1>that happen was for her to be the sole source

0:19:51.280 --> 0:19:54.840
<v Speaker 1>of the tornado conflict, and therefore she needed to be

0:19:56.000 --> 0:20:01.960
<v Speaker 1>high tension. And it's just we have a commercial. Some

0:20:02.119 --> 0:20:05.800
<v Speaker 1>surfer rock acid into the Hunter's trailer. Sean's leaving for

0:20:05.840 --> 0:20:07.840
<v Speaker 1>school when his mom stops him he can't leave until

0:20:07.880 --> 0:20:10.119
<v Speaker 1>he has a healthy breakfast. She whips out a sticky

0:20:10.119 --> 0:20:13.240
<v Speaker 1>bun and a Flintstone's vitamin and Sean exclaims, oh dino.

0:20:14.119 --> 0:20:16.040
<v Speaker 1>She says she'll just pop the sticky bun in the microwave,

0:20:16.080 --> 0:20:18.520
<v Speaker 1>and Chet nervously yells no time for that. Verna asks

0:20:18.520 --> 0:20:20.760
<v Speaker 1>what's in the microwave, and he responds, you can continue

0:20:20.800 --> 0:20:23.439
<v Speaker 1>to ask me suspicious questions, or you can join in

0:20:23.480 --> 0:20:26.399
<v Speaker 1>and embark on a new relationship, one based on trust

0:20:26.440 --> 0:20:30.120
<v Speaker 1>and love and not going in that microwave. Verna immediately

0:20:30.200 --> 0:20:32.240
<v Speaker 1>opens the microwave and pulls out a stack of papers.

0:20:32.440 --> 0:20:36.080
<v Speaker 1>Their bals, their meal.

0:20:36.280 --> 0:20:39.320
<v Speaker 2>He pull out their bills. You must not be from Philadelphia.

0:20:39.440 --> 0:20:41.920
<v Speaker 3>Wow, you're not from New York are?

0:20:42.040 --> 0:20:44.639
<v Speaker 1>They're from their meals, Their meals in the microwave, from

0:20:44.680 --> 0:20:48.199
<v Speaker 1>the old relationship. Chet explains, they have set sail on

0:20:48.280 --> 0:20:51.560
<v Speaker 1>the new relationship and nothing's gonna set that ship off course.

0:20:51.880 --> 0:20:53.879
<v Speaker 1>Corey walks in and mentions how nice it is to

0:20:53.880 --> 0:20:56.400
<v Speaker 1>see the two of them back together. Verna tells Corey

0:20:56.480 --> 0:20:59.080
<v Speaker 1>he's sweet, then screams at Chet to find some way

0:20:59.119 --> 0:21:01.680
<v Speaker 1>to pay the bills. Corey offers to wait outside where

0:21:01.680 --> 0:21:03.560
<v Speaker 1>there's a little less tension, but when he opens the

0:21:03.600 --> 0:21:08.000
<v Speaker 1>trailer door, a nearby neighbor yells, you spineless, deadbeat hiding

0:21:08.000 --> 0:21:11.480
<v Speaker 1>the bills in the cat box. I'll kill you. Sean explains,

0:21:11.520 --> 0:21:12.040
<v Speaker 1>to Corey.

0:21:12.119 --> 0:21:16.200
<v Speaker 2>It's this, this is when we've ventured cud C. Yeah,

0:21:16.240 --> 0:21:18.400
<v Speaker 2>but it's you know, and you can do it if

0:21:18.640 --> 0:21:20.520
<v Speaker 2>I just think, you know, if it's funny enough, you

0:21:20.520 --> 0:21:22.720
<v Speaker 2>can earn it. But this is just isn't funny enough,

0:21:22.760 --> 0:21:23.240
<v Speaker 2>and it's.

0:21:23.040 --> 0:21:26.280
<v Speaker 3>Like, okay, there is also something I went back.

0:21:26.440 --> 0:21:29.040
<v Speaker 4>The thing that went to my head was season one

0:21:29.040 --> 0:21:30.720
<v Speaker 4>of Boy when I was watching this, and there was

0:21:30.760 --> 0:21:37.040
<v Speaker 4>something so grounded in reality about Sean's economic status right

0:21:37.119 --> 0:21:40.359
<v Speaker 4>where it was like, you know, you just mentioned that

0:21:40.400 --> 0:21:43.000
<v Speaker 4>Sean isn't probably going to get a Christmas gift or

0:21:43.040 --> 0:21:45.640
<v Speaker 4>we don't. I mean, it was very real, and that's

0:21:45.680 --> 0:21:49.480
<v Speaker 4>what I think people connected to was the dispared disparity

0:21:49.480 --> 0:21:52.720
<v Speaker 4>between Sean and Corey and they're making it now just

0:21:52.800 --> 0:21:56.000
<v Speaker 4>this big cartoony I'm poor and it's like.

0:21:56.480 --> 0:21:58.520
<v Speaker 2>You know, I actually think when we because we did

0:21:58.520 --> 0:22:00.520
<v Speaker 2>make the jokes like the Uncle Joe, my uncle who

0:22:00.560 --> 0:22:03.359
<v Speaker 2>does right and Verna, like we made jokes about but

0:22:03.359 --> 0:22:05.760
<v Speaker 2>it was always off camera, right, and so I think

0:22:05.800 --> 0:22:07.840
<v Speaker 2>like it could be cartooning over the top of it

0:22:07.880 --> 0:22:10.280
<v Speaker 2>was in your imagination. When you try and bring it

0:22:10.440 --> 0:22:13.800
<v Speaker 2>into reality, it becomes you have to Yeah, I mean

0:22:13.840 --> 0:22:15.360
<v Speaker 2>because I felt the same way about when we went

0:22:15.440 --> 0:22:18.000
<v Speaker 2>when we did the the documentary episode, we went to

0:22:18.119 --> 0:22:19.320
<v Speaker 2>you know, and they had to just keep making the

0:22:19.359 --> 0:22:22.200
<v Speaker 2>jokes about you know, Shawn's family being criminals not wanting

0:22:22.240 --> 0:22:24.560
<v Speaker 2>to be on camera, because again it's like, yeah, it

0:22:24.720 --> 0:22:27.399
<v Speaker 2>just doesn't. I don't know. I think I think Sean's like,

0:22:27.480 --> 0:22:30.600
<v Speaker 2>I think Sean's status is just better off camera or

0:22:30.720 --> 0:22:32.439
<v Speaker 2>or you know, or played for reality.

0:22:32.440 --> 0:22:34.639
<v Speaker 1>Well, when you played for jokes, you're right. When played

0:22:34.680 --> 0:22:36.840
<v Speaker 1>for over the top jokes, it's better to not see it.

0:22:36.880 --> 0:22:39.120
<v Speaker 1>When you see it, it feels it's not as good.

0:22:39.720 --> 0:22:43.159
<v Speaker 1>So Chet then simps to Verna sugar pie, honey bunch.

0:22:43.400 --> 0:22:46.520
<v Speaker 1>He refers to the bills as minor financial fracas, then

0:22:46.520 --> 0:22:49.880
<v Speaker 1>tells the boys that's their new vocabulary word of the day, fracus.

0:22:50.440 --> 0:22:54.840
<v Speaker 1>He's again so good, so funny, and it's exactly what

0:22:54.880 --> 0:22:57.040
<v Speaker 1>you said writer, that part of who he is as

0:22:57.080 --> 0:23:00.920
<v Speaker 1>a person is a performative guy exactly. So you're allowed

0:23:00.960 --> 0:23:03.000
<v Speaker 1>to be look at me putting on a show because

0:23:03.000 --> 0:23:04.640
<v Speaker 1>he's look at me put on I'm putting on a show.

0:23:04.800 --> 0:23:05.000
<v Speaker 4>Guy.

0:23:05.480 --> 0:23:07.919
<v Speaker 2>Oh it's really Verna. If if Verna's character, if you

0:23:07.960 --> 0:23:10.560
<v Speaker 2>had written this scene with Verna being like no, no, seriously, chet,

0:23:10.600 --> 0:23:12.200
<v Speaker 2>I need you to get a job. Like it would

0:23:12.200 --> 0:23:15.200
<v Speaker 2>have raised the stakes and made made them like real,

0:23:15.280 --> 0:23:17.240
<v Speaker 2>like I can't you know, I'm working at this movie theater.

0:23:17.320 --> 0:23:18.960
<v Speaker 2>I can't do this. You have to like pull your

0:23:18.960 --> 0:23:21.000
<v Speaker 2>weight and like just play it and like she's not

0:23:21.040 --> 0:23:23.080
<v Speaker 2>a joke and he's trying to get around it and

0:23:23.080 --> 0:23:24.720
<v Speaker 2>then ask you like I can't I gotta do that.

0:23:24.960 --> 0:23:26.359
<v Speaker 2>It could have been great. It could have been just

0:23:26.359 --> 0:23:28.880
<v Speaker 2>a very straightforward and still funny because he could still

0:23:28.920 --> 0:23:30.879
<v Speaker 2>be trying to scheme and it's just not working.

0:23:31.080 --> 0:23:33.600
<v Speaker 4>Yeah, and she's already proved in the last episode she's

0:23:33.640 --> 0:23:37.240
<v Speaker 4>a phenomenal actor totally, so she can handle the weight,

0:23:37.480 --> 0:23:38.800
<v Speaker 4>you know, make make it.

0:23:38.880 --> 0:23:41.320
<v Speaker 2>But they hired her for the last episode scenes and

0:23:41.359 --> 0:23:44.040
<v Speaker 2>then put her in a like wacky sitcom scene. Yes,

0:23:44.119 --> 0:23:46.840
<v Speaker 2>and it's like that's not that's not the right tone.

0:23:46.880 --> 0:23:47.560
<v Speaker 2>It's just great.

0:23:47.720 --> 0:23:51.320
<v Speaker 1>I also think it would have made it actually more

0:23:52.640 --> 0:23:57.840
<v Speaker 1>scary for Sean, especially like Mom's gonna leave again exactly

0:23:57.880 --> 0:24:01.359
<v Speaker 1>she has been calm, if she but the fact that

0:24:01.400 --> 0:24:04.080
<v Speaker 1>she's like ah, but if she had said, like if

0:24:04.080 --> 0:24:07.440
<v Speaker 1>she was like you know what, I'm not surprised. If

0:24:07.480 --> 0:24:11.080
<v Speaker 1>it's the I'm not angry, I'm disappointed exactly. Oh my god,

0:24:11.920 --> 0:24:14.720
<v Speaker 1>there's a real like, oh gosh, Dad, this is every

0:24:14.800 --> 0:24:17.040
<v Speaker 1>this was what everything was, This is why she left

0:24:17.080 --> 0:24:19.400
<v Speaker 1>in the first place. This is she's gonna do it again.

0:24:19.400 --> 0:24:21.240
<v Speaker 1>I'm gonna come home today and she won't be here.

0:24:21.680 --> 0:24:23.239
<v Speaker 2>And so if Sean saying, Dad, you got to get

0:24:23.280 --> 0:24:26.200
<v Speaker 2>a job with real urgency, and then of course that

0:24:26.240 --> 0:24:28.640
<v Speaker 2>would only make him be in the janitor because then Sean.

0:24:28.640 --> 0:24:31.320
<v Speaker 4>That that much work, and then the turn at the

0:24:31.440 --> 0:24:33.879
<v Speaker 4>end from her starting to from that position to then

0:24:33.920 --> 0:24:36.640
<v Speaker 4>literally putting her arms around Chad and kissing him would

0:24:36.680 --> 0:24:37.520
<v Speaker 4>be huge.

0:24:37.720 --> 0:24:38.359
<v Speaker 1>Yeah, huge.

0:24:38.720 --> 0:24:38.920
<v Speaker 4>Yeah.

0:24:50.840 --> 0:24:52.960
<v Speaker 1>Verna grabs Chet by the ear and reminds him that

0:24:53.000 --> 0:24:55.560
<v Speaker 1>she's been tearing tickets at the movie theater every afternoon

0:24:55.560 --> 0:24:57.680
<v Speaker 1>so they wouldn't have to hide bills in the microwave.

0:24:57.840 --> 0:25:00.040
<v Speaker 1>She shakes him back and forth, comically, yelling I I

0:25:00.119 --> 0:25:03.280
<v Speaker 1>want to be normal. Chet Chet responds, well, if we're

0:25:03.320 --> 0:25:05.080
<v Speaker 1>not pleased with our little job but the theater, we

0:25:05.080 --> 0:25:07.600
<v Speaker 1>should find one with a little more job fulfillment. Verna

0:25:07.640 --> 0:25:09.800
<v Speaker 1>looks at him with fire in her eyes, and she says,

0:25:09.840 --> 0:25:11.520
<v Speaker 1>we you said we work.

0:25:12.359 --> 0:25:13.520
<v Speaker 2>I thought that's what they were gonna do.

0:25:13.680 --> 0:25:15.800
<v Speaker 1>He too. I was like, that's where Sean gets it.

0:25:15.880 --> 0:25:17.560
<v Speaker 3>I thought that's where it was going.

0:25:18.440 --> 0:25:20.720
<v Speaker 1>She says, I work like a pig. This is quite

0:25:20.760 --> 0:25:22.920
<v Speaker 1>a different personality than the last time we saw Verna.

0:25:23.000 --> 0:25:25.400
<v Speaker 1>So Chet says that she storms away. Maybe you want

0:25:25.400 --> 0:25:27.080
<v Speaker 1>to ask for a raise because we got a microwave

0:25:27.119 --> 0:25:29.479
<v Speaker 1>full of bills, honey. She checks her apron at him

0:25:29.480 --> 0:25:31.680
<v Speaker 1>and he ducks right on time. Corey opens the door

0:25:31.680 --> 0:25:33.640
<v Speaker 1>because it's got to be better out there. But that

0:25:34.000 --> 0:25:37.439
<v Speaker 1>same woman we heard earlier is yelling familiar complaints. I

0:25:37.520 --> 0:25:41.000
<v Speaker 1>want to be normal, spud. Corey slams the door. I'm stuck.

0:25:41.160 --> 0:25:44.239
<v Speaker 1>And I love Corey in this situation where this is

0:25:44.520 --> 0:25:48.199
<v Speaker 1>so different from his normal life and he is so

0:25:48.520 --> 0:25:52.120
<v Speaker 1>anxious about it, Like, oh gosh, what do we do

0:25:53.040 --> 0:25:53.600
<v Speaker 1>with Vernet.

0:25:53.840 --> 0:25:59.520
<v Speaker 4>This episode, though, also continues to debunk a theory that

0:25:59.560 --> 0:26:01.879
<v Speaker 4>we had, which is one of the theories that we

0:26:02.000 --> 0:26:03.960
<v Speaker 4>had was one of the reasons they were getting rid

0:26:04.160 --> 0:26:08.399
<v Speaker 4>of Tony is because the Tony Sean dynamic was taking

0:26:08.400 --> 0:26:11.600
<v Speaker 4>away from Corey. I know, it's still he's still not there,

0:26:11.640 --> 0:26:15.600
<v Speaker 4>and it's still not Corey, right, So it's it obviously,

0:26:15.680 --> 0:26:18.560
<v Speaker 4>wasn't that. You know, We've had a couple episodes now

0:26:18.560 --> 0:26:21.760
<v Speaker 4>where it's still Sean or Eric or somebody other than

0:26:21.800 --> 0:26:23.760
<v Speaker 4>Corey that's driving the story forward.

0:26:24.040 --> 0:26:25.640
<v Speaker 1>Yeah, really interesting.

0:26:26.680 --> 0:26:28.640
<v Speaker 2>I mean, Blake is just so good. I think he's

0:26:28.640 --> 0:26:31.000
<v Speaker 2>so such a fun character that I think they were

0:26:31.040 --> 0:26:33.240
<v Speaker 2>just like the writers were just, oh, we gotta, we

0:26:33.280 --> 0:26:36.480
<v Speaker 2>gotta do more for this guy, which meant can have

0:26:36.520 --> 0:26:38.399
<v Speaker 2>Turner two. You know, it's like Sean can only you know,

0:26:38.400 --> 0:26:40.280
<v Speaker 2>you can only have so many relationships. And I think

0:26:40.320 --> 0:26:42.560
<v Speaker 2>once the once they realized like that they could keep

0:26:42.560 --> 0:26:44.440
<v Speaker 2>writing for Blake and he would keep delivering, and they

0:26:44.480 --> 0:26:46.679
<v Speaker 2>just went that direction, and poor Tony got.

0:26:46.720 --> 0:26:48.760
<v Speaker 3>And how did Blake not end up with the Blake

0:26:48.800 --> 0:26:49.320
<v Speaker 3>Clark show?

0:26:49.600 --> 0:26:53.320
<v Speaker 4>Based just on this, especially in the nineties in sitcom

0:26:53.320 --> 0:26:55.359
<v Speaker 4>with the blue Collar Comedy Tour being so big, with

0:26:55.400 --> 0:26:57.160
<v Speaker 4>all the blue collar shows being so big.

0:26:57.119 --> 0:26:59.679
<v Speaker 3>How was there not a Blake Clark show? That just

0:26:59.720 --> 0:27:00.760
<v Speaker 3>doesn't make any sense to me?

0:27:01.080 --> 0:27:04.320
<v Speaker 1>I know. Well, with Verna in the nearby bedroom, Sean

0:27:04.359 --> 0:27:06.480
<v Speaker 1>reminds his dad that she came back because she believed

0:27:06.520 --> 0:27:09.000
<v Speaker 1>things would be different. There has to be change. Chet

0:27:09.040 --> 0:27:10.879
<v Speaker 1>asks if Sean's referring to him getting a nine to

0:27:10.960 --> 0:27:14.040
<v Speaker 1>five job, and Sean nods that would be different. Chet

0:27:14.040 --> 0:27:16.040
<v Speaker 1>says maybe he needs to quit his ways of dreaming

0:27:16.080 --> 0:27:18.160
<v Speaker 1>and scheme in to settle down and focus on reality.

0:27:18.359 --> 0:27:20.080
<v Speaker 1>Of course, he'll have to move to Portugal because it's

0:27:20.119 --> 0:27:22.640
<v Speaker 1>the pearl diving capital of the world. And Chet proudly says,

0:27:22.720 --> 0:27:24.360
<v Speaker 1>you know I can hold my breath underwater for over

0:27:24.400 --> 0:27:26.879
<v Speaker 1>four minutes. Corey jokes, well, that should help when she

0:27:26.920 --> 0:27:29.399
<v Speaker 1>throws you off the bridge. Sean says Chet needs a

0:27:29.440 --> 0:27:32.960
<v Speaker 1>normal job. Verna emphasized she wants to be normal. Chet

0:27:32.960 --> 0:27:34.679
<v Speaker 1>looks at Corey. I suppose you want me to get

0:27:34.680 --> 0:27:38.719
<v Speaker 1>a job too. Corey, sheepishly answers, whatever would calm everyone

0:27:38.760 --> 0:27:42.359
<v Speaker 1>down is fine with me. Again. I love Coy, so Cory,

0:27:42.440 --> 0:27:43.919
<v Speaker 1>I want to give him a big hug. He's like,

0:27:43.960 --> 0:27:49.200
<v Speaker 1>please save me. And then we are in John Adams High, Corey, Shawan,

0:27:49.240 --> 0:27:52.359
<v Speaker 1>and Tapanga are all together, just casually posing near a

0:27:52.400 --> 0:27:55.960
<v Speaker 1>trash can like it's a teen beat centerfold, with Corey

0:27:56.000 --> 0:27:58.840
<v Speaker 1>telling Sean his plan isn't gonna work. To Panga butts in,

0:27:59.040 --> 0:28:02.080
<v Speaker 1>I think you are so mature, Corey responds, that's what

0:28:02.119 --> 0:28:03.479
<v Speaker 1>it's like to be a guy. Honey.

0:28:03.760 --> 0:28:04.320
<v Speaker 6>Uh.

0:28:04.359 --> 0:28:07.439
<v Speaker 1>Three young little Minkus lookalikes walk up and say that

0:28:07.560 --> 0:28:10.119
<v Speaker 1>wasn't Homer Simpson. Sean says, sorry, kid, I could have

0:28:10.119 --> 0:28:12.360
<v Speaker 1>sworn it was him. The three kids start to drink

0:28:12.359 --> 0:28:15.400
<v Speaker 1>from their milk cartons and it all spills down their clothes.

0:28:15.640 --> 0:28:18.959
<v Speaker 1>Sean boasts, they said it couldn't be done to Panga sarcastically,

0:28:19.000 --> 0:28:23.240
<v Speaker 1>praise is very good anytime you can humiliate people, And

0:28:23.280 --> 0:28:28.359
<v Speaker 1>I'm saying it with emphosis because I apparently could not

0:28:28.520 --> 0:28:30.760
<v Speaker 1>say it as a teen. Did you guys notice that.

0:28:31.160 --> 0:28:32.720
<v Speaker 3>No, but you couldn't say humiliate.

0:28:33.040 --> 0:28:38.160
<v Speaker 1>I run right over it, or I say humiliate it's

0:28:38.160 --> 0:28:41.440
<v Speaker 1>something I mean humiliate and I don't say it's like.

0:28:41.840 --> 0:28:44.040
<v Speaker 1>I don't know if I apparently couldn't say it and

0:28:44.080 --> 0:28:46.320
<v Speaker 1>this was the best take they got, or if for

0:28:46.400 --> 0:28:48.640
<v Speaker 1>whatever reason, they chose the take where this was the

0:28:48.640 --> 0:28:51.440
<v Speaker 1>only time I said it. But it's so I listened

0:28:51.440 --> 0:28:54.960
<v Speaker 1>to it like five times. What am I saying? But anyway,

0:28:55.040 --> 0:28:57.760
<v Speaker 1>she says, anytime you can humiliate people who are weaker

0:28:57.760 --> 0:29:02.040
<v Speaker 1>and defenseless, you should certainly go for it. Also, did

0:29:02.120 --> 0:29:05.400
<v Speaker 1>you guys notice that I'm actively lowering my voice.

0:29:06.040 --> 0:29:10.520
<v Speaker 3>No, oh, are you did you speaking of? Did you

0:29:10.640 --> 0:29:11.240
<v Speaker 3>notice stuff?

0:29:12.360 --> 0:29:15.480
<v Speaker 4>Did you notice what was in the background the sign

0:29:15.920 --> 0:29:19.400
<v Speaker 4>episode down?

0:29:20.080 --> 0:29:20.800
<v Speaker 2>Is that what it says?

0:29:20.840 --> 0:29:25.000
<v Speaker 1>That just one in the classroom that says boom.

0:29:25.680 --> 0:29:28.800
<v Speaker 2>Down right, there's a yellow sign this is like Halloween

0:29:28.840 --> 0:29:31.120
<v Speaker 2>bash or whatever. And then there's a black sign that

0:29:31.160 --> 0:29:33.240
<v Speaker 2>I was like, what does it say? And it looks

0:29:33.240 --> 0:29:34.280
<v Speaker 2>like a ghosty.

0:29:33.960 --> 0:29:35.920
<v Speaker 1>Sort of down dance.

0:29:36.080 --> 0:29:39.760
<v Speaker 3>Yeah, but then the John Adams High statue.

0:29:39.280 --> 0:29:41.680
<v Speaker 1>Has a pig face, has the creepiest pig face.

0:29:41.800 --> 0:29:46.120
<v Speaker 3>That's just the time. It's really weird. Yeah, I mean

0:29:46.160 --> 0:29:46.719
<v Speaker 3>I love that.

0:29:46.760 --> 0:29:48.880
<v Speaker 1>This is like, hey, surprise, it's the Halloween episode.

0:29:49.080 --> 0:29:51.040
<v Speaker 4>You can tell by the skeleton on the wall that

0:29:51.080 --> 0:29:53.400
<v Speaker 4>this is apparently the Halloween episode exactly.

0:29:55.160 --> 0:29:56.000
<v Speaker 3>By the way, if.

0:29:55.880 --> 0:29:58.960
<v Speaker 4>Those kids, which I bet you they were, those three

0:29:58.960 --> 0:30:04.160
<v Speaker 4>little kids were eleven, they were the ages that you

0:30:04.240 --> 0:30:07.920
<v Speaker 4>guys were, and they looked t they were so.

0:30:08.200 --> 0:30:12.239
<v Speaker 1>Tiny, so cute and small. Corey points out how much

0:30:12.280 --> 0:30:14.440
<v Speaker 1>of a mess that prank caused, and Shawn agrees, Now

0:30:14.480 --> 0:30:16.680
<v Speaker 1>the school janitor will have something to do. Thus we

0:30:16.760 --> 0:30:19.120
<v Speaker 1>have insured his job for another day. Right then the

0:30:19.200 --> 0:30:23.360
<v Speaker 1>janitor walks out of his closet, and it's jet. Sean

0:30:23.400 --> 0:30:26.720
<v Speaker 1>and Corey are both shocked. Chet proudly introduces himself chet

0:30:26.760 --> 0:30:31.320
<v Speaker 1>Hunter Educational custodial services, normal job for normal people, and

0:30:31.360 --> 0:30:33.920
<v Speaker 1>then sad music plays in the background and we realize

0:30:34.200 --> 0:30:40.000
<v Speaker 1>the title of this episode is quite the spoiler. Janitor Dad.

0:30:41.800 --> 0:30:43.520
<v Speaker 4>Also, I don't think he's coming out of his closet,

0:30:43.560 --> 0:30:44.440
<v Speaker 4>it says bathroom.

0:30:44.720 --> 0:30:47.400
<v Speaker 1>Oh, I thought he was coming out of the janitor closet.

0:30:47.400 --> 0:30:47.680
<v Speaker 3>You're right.

0:30:47.720 --> 0:30:51.440
<v Speaker 1>It's you're right well, and then Phoene does head that way,

0:30:51.480 --> 0:30:53.280
<v Speaker 1>but we're on different floors of the tower, so it's

0:30:53.320 --> 0:30:56.680
<v Speaker 1>his office on that gotcha. Then we have a commercial

0:30:56.680 --> 0:30:58.760
<v Speaker 1>break and we're back at the Wilderness out post. Eric

0:30:58.800 --> 0:31:02.280
<v Speaker 1>and Allen are once against in amazement. Eric comments, remember, mom,

0:31:02.680 --> 0:31:06.440
<v Speaker 1>he better, and that's very clear Michael.

0:31:06.560 --> 0:31:09.760
<v Speaker 4>Michael Jacobs and you Jane Katie.

0:31:09.920 --> 0:31:12.160
<v Speaker 3>Yeh such a Michael Jacobs's line.

0:31:12.240 --> 0:31:16.000
<v Speaker 1>Yep, he better. The camera cuts to the mountain man Ezekiel,

0:31:16.040 --> 0:31:18.400
<v Speaker 1>who is selling a plethora of rock climbing gear to

0:31:18.560 --> 0:31:21.640
<v Speaker 1>the skinny yogurt man who amy shoot away in the episode,

0:31:21.720 --> 0:31:24.280
<v Speaker 1>and the customer admits he's not sure about rock climbing.

0:31:24.360 --> 0:31:27.520
<v Speaker 1>I prefer an elevator. Ezekiel assures him, this isn't about

0:31:27.600 --> 0:31:30.080
<v Speaker 1>rock climbing, this is about your evolution as a human being.

0:31:30.320 --> 0:31:32.680
<v Speaker 1>He asks what the man's name is, Edgar? Do you

0:31:32.720 --> 0:31:33.200
<v Speaker 1>want to be an.

0:31:33.240 --> 0:31:33.960
<v Speaker 2>Edgirl all your life?

0:31:34.320 --> 0:31:36.880
<v Speaker 1>Edgar asks? Can you get me out of it? Alan

0:31:36.960 --> 0:31:39.880
<v Speaker 1>tells Eric he's going to kill that little man. Eric responds,

0:31:39.920 --> 0:31:41.920
<v Speaker 1>the guy came in because he wanted some booboo cream.

0:31:42.040 --> 0:31:44.680
<v Speaker 1>Ezekiel sold him seven hundred dollars worth of equipment, and

0:31:44.720 --> 0:31:46.760
<v Speaker 1>Alan explains, well, if all our customers are dead from

0:31:46.840 --> 0:31:50.160
<v Speaker 1>falling off of mountains, at some point, business falls off too,

0:31:51.280 --> 0:31:53.800
<v Speaker 1>and then we're back at John Adams High. Sean cannot

0:31:53.840 --> 0:31:55.600
<v Speaker 1>get over this. Why does he have to be a

0:31:55.680 --> 0:31:56.320
<v Speaker 1>janitor here?

0:31:56.760 --> 0:31:56.840
<v Speaker 6>To?

0:31:58.200 --> 0:31:59.560
<v Speaker 2>This is a really so?

0:32:00.320 --> 0:32:01.360
<v Speaker 1>Yeah? This is the three line?

0:32:01.440 --> 0:32:01.640
<v Speaker 3>Is that?

0:32:01.720 --> 0:32:06.040
<v Speaker 2>Yeah? So you guys know like the Dan Harmon character wheel.

0:32:06.200 --> 0:32:06.920
<v Speaker 2>Do you know about this?

0:32:07.160 --> 0:32:07.800
<v Speaker 3>No?

0:32:07.720 --> 0:32:10.760
<v Speaker 2>No, no, okay, Well this is like the classic sitcom

0:32:11.000 --> 0:32:14.000
<v Speaker 2>or comedy writing structure. And Dan Harmon lays it out

0:32:14.040 --> 0:32:16.640
<v Speaker 2>really well, Dan Harmon to create a community and everything

0:32:17.400 --> 0:32:21.880
<v Speaker 2>freaking morty and he it's like it's become like the standard.

0:32:22.640 --> 0:32:27.400
<v Speaker 2>He basically identified what is the television the arc of

0:32:27.440 --> 0:32:30.080
<v Speaker 2>every character in every television show has eight points, and

0:32:30.120 --> 0:32:32.960
<v Speaker 2>he draws it as a circle. And it's basically like

0:32:33.000 --> 0:32:34.880
<v Speaker 2>his adaptation of the Hero's Journey, you guys know, the

0:32:34.880 --> 0:32:37.160
<v Speaker 2>Holy Hero, Like you leave home and so you have

0:32:37.240 --> 0:32:39.840
<v Speaker 2>like the old school hero's journey, which describes how every

0:32:39.880 --> 0:32:43.200
<v Speaker 2>story supposedly according to Joseph Campbell and a bunch of

0:32:43.280 --> 0:32:45.960
<v Speaker 2>other theorists back anyway, so he adapted it so it's

0:32:45.960 --> 0:32:48.920
<v Speaker 2>basically like a oh there it is. So you start with,

0:32:48.960 --> 0:32:51.880
<v Speaker 2>you establish a protagonist, he needs something that isn't right,

0:32:51.960 --> 0:32:55.160
<v Speaker 2>you go across the threshold. Anyway, it's eight points. But anyway,

0:32:55.520 --> 0:32:57.680
<v Speaker 2>like the big thing is like they get what they

0:32:57.720 --> 0:32:59.560
<v Speaker 2>want and then they pay a price for it, right,

0:32:59.560 --> 0:33:01.440
<v Speaker 2>Like that's all always the moment in every Sick Car.

0:33:01.680 --> 0:33:04.840
<v Speaker 2>And I just love that Eric and Alan get what

0:33:04.880 --> 0:33:06.880
<v Speaker 2>they want, which is the great you know, the guy

0:33:06.920 --> 0:33:08.760
<v Speaker 2>who's the Ezekiel, and then there has to be a

0:33:08.760 --> 0:33:10.760
<v Speaker 2>problem with it, right, That's how story works. It's like

0:33:11.040 --> 0:33:15.360
<v Speaker 2>and the problem is people are gonna die. Like it's

0:33:15.400 --> 0:33:17.200
<v Speaker 2>like such a stretch. I was like, wait a minute,

0:33:17.200 --> 0:33:20.160
<v Speaker 2>I don't understand. Like they're making so much money, right,

0:33:20.200 --> 0:33:22.400
<v Speaker 2>and all their problems I've been solved. But we have

0:33:22.480 --> 0:33:24.360
<v Speaker 2>to have a reason that this isn't gonna work, and

0:33:24.440 --> 0:33:27.640
<v Speaker 2>it's not gonna work because nerds are dying on mountains

0:33:27.720 --> 0:33:30.360
<v Speaker 2>like That's is one of the biggest stretches I've ever

0:33:30.440 --> 0:33:33.120
<v Speaker 2>It's like this off camera problem that's really kind of

0:33:33.160 --> 0:33:33.800
<v Speaker 2>not a problem.

0:33:33.800 --> 0:33:37.480
<v Speaker 7>And also like, is it it would anyone argue it

0:33:37.600 --> 0:33:40.840
<v Speaker 7>is your job as a store owner to determine that

0:33:40.920 --> 0:33:44.120
<v Speaker 7>someone is incapable of something by just glancing at them.

0:33:44.680 --> 0:33:47.280
<v Speaker 2>Right, the weirdest stretch, I just could not hear it.

0:33:47.960 --> 0:33:50.280
<v Speaker 4>Okay, So there's an interesting story that goes along with

0:33:50.320 --> 0:33:53.040
<v Speaker 4>this that's pretty awful. I was part of me wasn't

0:33:53.040 --> 0:33:55.440
<v Speaker 4>even gonna tell it, but I was gonna. I figure

0:33:55.440 --> 0:33:58.000
<v Speaker 4>out it's too perfect not to at this point because

0:33:58.080 --> 0:34:00.080
<v Speaker 4>it just goes in exactly with what you're saying. So

0:34:00.320 --> 0:34:04.240
<v Speaker 4>this week my brother Gary came out, my oldest brother

0:34:04.320 --> 0:34:08.279
<v Speaker 4>came out to watch the taping, and he was there

0:34:09.080 --> 0:34:10.600
<v Speaker 4>for the run through, and it's the first time he

0:34:10.640 --> 0:34:13.680
<v Speaker 4>saw it. And at this scene and at the next scene,

0:34:13.719 --> 0:34:17.680
<v Speaker 4>I looked over and his face was ashen, and it's

0:34:17.680 --> 0:34:20.359
<v Speaker 4>because I had just realized that one of his best

0:34:20.360 --> 0:34:24.480
<v Speaker 4>friends had just died in a climbing accident. It was

0:34:24.680 --> 0:34:27.240
<v Speaker 4>I mean, I think it was weeks before or something

0:34:27.280 --> 0:34:29.239
<v Speaker 4>like that. When I mean, somebody he grew up with

0:34:29.360 --> 0:34:32.200
<v Speaker 4>had literally just died in a climbing accident, and we're

0:34:32.200 --> 0:34:35.960
<v Speaker 4>sitting there joking about people dying in climbing accidents, and

0:34:37.000 --> 0:34:41.040
<v Speaker 4>my brother too. That's when he said, that's when he

0:34:41.120 --> 0:34:44.279
<v Speaker 4>was looking he was looking at like, I mean mortified

0:34:44.320 --> 0:34:47.040
<v Speaker 4>watching this, And of course you don't think about something

0:34:47.040 --> 0:34:47.920
<v Speaker 4>as random as that.

0:34:48.320 --> 0:34:49.839
<v Speaker 1>We're like, you know what, I'm going to get out

0:34:49.880 --> 0:34:51.919
<v Speaker 1>of this town I live in where my friend just died.

0:34:52.040 --> 0:34:56.359
<v Speaker 1>I'm going to go to watch a comedy in Los Angeles.

0:34:55.880 --> 0:34:58.040
<v Speaker 3>Joking about and that's what we're joking.

0:34:58.120 --> 0:35:00.719
<v Speaker 1>They would never do a storyline about a small man

0:35:00.840 --> 0:35:01.879
<v Speaker 1>dying on a mountain.

0:35:02.360 --> 0:35:05.759
<v Speaker 3>And that's what happened, literally had just happened. Yeah, it

0:35:05.760 --> 0:35:07.400
<v Speaker 3>was not terrible. Yeah, in the nineties.

0:35:07.480 --> 0:35:07.719
<v Speaker 1>Yeah.

0:35:07.880 --> 0:35:10.799
<v Speaker 4>So so that's one of the things I remember from

0:35:10.800 --> 0:35:14.480
<v Speaker 4>doing this episode was watching that as you're kind of

0:35:14.600 --> 0:35:16.960
<v Speaker 4>exactly what you're saying, like is this a bit ridiculous,

0:35:16.960 --> 0:35:18.759
<v Speaker 4>Like you're saying that at the beginning of the of

0:35:18.800 --> 0:35:21.040
<v Speaker 4>the show, like, come on, we're worried about people dying

0:35:21.040 --> 0:35:22.960
<v Speaker 4>from it and then looking over and being like, oh god,

0:35:23.000 --> 0:35:23.839
<v Speaker 4>it happened.

0:35:23.719 --> 0:35:25.680
<v Speaker 3>Like it's rare obviously, but it was.

0:35:26.080 --> 0:35:26.279
<v Speaker 4>It was.

0:35:26.560 --> 0:35:28.640
<v Speaker 3>It was a weird judge position, Yeah, bizarre.

0:35:28.840 --> 0:35:30.279
<v Speaker 4>Didn't want to bring the room down, but it was

0:35:30.320 --> 0:35:33.360
<v Speaker 4>too too much of a correlation to see that.

0:35:33.400 --> 0:35:35.200
<v Speaker 2>Yeah, it just goes to show like no matter what

0:35:35.239 --> 0:35:36.359
<v Speaker 2>the storyline is or.

0:35:38.080 --> 0:35:40.200
<v Speaker 3>With somebody, Yeah, it'll resonate with somebody.

0:35:40.600 --> 0:35:40.880
<v Speaker 6>Nuts.

0:35:40.960 --> 0:35:45.080
<v Speaker 1>Yeah, totally so to Panga assures Sean, everyone needs a job.

0:35:45.160 --> 0:35:47.680
<v Speaker 1>People understand that. They walk into Turner's classroom and a

0:35:47.760 --> 0:35:49.760
<v Speaker 1>kid who has spiky hair and looks like the bully

0:35:49.800 --> 0:35:54.480
<v Speaker 1>sid from Toy Story tells Sean does he does?

0:35:54.520 --> 0:35:57.239
<v Speaker 2>It was probably cast because of that, because he looked.

0:35:57.000 --> 0:36:03.920
<v Speaker 4>Like and with such a bully name too.

0:36:02.840 --> 0:36:05.760
<v Speaker 2>Random on his desk crandall.

0:36:05.840 --> 0:36:08.080
<v Speaker 4>You've never seen me before, but I'm always here, ready

0:36:08.080 --> 0:36:09.840
<v Speaker 4>to make fun of people, a.

0:36:11.680 --> 0:36:12.359
<v Speaker 2>Sticking out of his.

0:36:12.320 --> 0:36:18.040
<v Speaker 1>Mouth and a Southern accent. Yeah, so, he tells Sean,

0:36:18.040 --> 0:36:19.880
<v Speaker 1>I hear our dads have a lot in common. My

0:36:20.000 --> 0:36:22.640
<v Speaker 1>father is a doctor and your father's Oh wait, he

0:36:22.760 --> 0:36:27.960
<v Speaker 1>cleans toilets my mistake. The audience oohs loudly. Even the

0:36:28.000 --> 0:36:33.719
<v Speaker 1>inmates are disgusted, Sean responds, very funny. If you keep

0:36:33.719 --> 0:36:35.480
<v Speaker 1>it up, I'm gonna punch your head off. The boy

0:36:35.480 --> 0:36:37.839
<v Speaker 1>snaps back. Then your father's gonna pick it up.

0:36:38.160 --> 0:36:41.279
<v Speaker 3>Oh sorry, I was doing that too with.

0:36:41.239 --> 0:36:45.680
<v Speaker 1>The audience exactly. Turner, who is vested up looking like

0:36:45.800 --> 0:36:49.479
<v Speaker 1>color me bad, steps in asking if everything's okay, because

0:36:49.520 --> 0:36:51.320
<v Speaker 1>if it is, we're just gonna take a little break

0:36:51.320 --> 0:36:54.600
<v Speaker 1>for your education, and then Turner begins to teach about H. G.

0:36:54.760 --> 0:36:57.520
<v Speaker 1>Wells's bleak picture of class differences in the future from

0:36:57.560 --> 0:37:00.600
<v Speaker 1>his book The Time Machine Above the surf. You have the.

0:37:00.719 --> 0:37:05.200
<v Speaker 2>Literature they're bringing back. They're bringing it back. Having Tony

0:37:05.239 --> 0:37:08.480
<v Speaker 2>on screen, especially like next to me, I was like, oh,

0:37:08.640 --> 0:37:10.200
<v Speaker 2>I know, we're done with that whole era.

0:37:10.560 --> 0:37:12.440
<v Speaker 3>Yes, it's over. It's over. That's it.

0:37:12.880 --> 0:37:14.719
<v Speaker 2>There's no real acknowledgment of it now.

0:37:14.840 --> 0:37:16.840
<v Speaker 3>I was just teaching like it would be so great.

0:37:17.120 --> 0:37:18.560
<v Speaker 2>I mean, I know, we just we only have twenty

0:37:18.560 --> 0:37:20.480
<v Speaker 2>two minutes, but like Turner should be involved in the

0:37:20.480 --> 0:37:23.239
<v Speaker 2>discussion and part of the feeny thing, like I miss it,

0:37:23.280 --> 0:37:24.799
<v Speaker 2>I miss it.

0:37:24.680 --> 0:37:27.600
<v Speaker 1>It is so it is the show, So he says,

0:37:27.640 --> 0:37:29.799
<v Speaker 1>the alloy living the good life below the surface, living

0:37:29.840 --> 0:37:32.200
<v Speaker 1>like animals. You got the Morlocks doing all the dirty work.

0:37:32.360 --> 0:37:34.840
<v Speaker 1>Chet walks into the classroom just at this moment, wheeling

0:37:34.840 --> 0:37:37.399
<v Speaker 1>a TV and for the class to use, which, if

0:37:37.400 --> 0:37:41.040
<v Speaker 1>you lived in the nineties, was the single greatest moment

0:37:41.120 --> 0:37:43.840
<v Speaker 1>you could experience watching today.

0:37:44.600 --> 0:37:47.560
<v Speaker 2>Yes, yes, it's teacher doesn't know what to teach. They're

0:37:47.600 --> 0:37:50.279
<v Speaker 2>just gonna throw on freaky Fridays, we are going to

0:37:50.360 --> 0:37:52.400
<v Speaker 2>watch a movie about our ever growing bodies.

0:37:52.520 --> 0:37:53.319
<v Speaker 3>I cannot wait.

0:37:54.560 --> 0:37:58.240
<v Speaker 1>Yeah, the bully scoff speaking of your dad, and Sean

0:37:58.320 --> 0:38:01.759
<v Speaker 1>snaps snaps back, speak of head off, which is not

0:38:02.040 --> 0:38:02.960
<v Speaker 1>a great comeback.

0:38:03.440 --> 0:38:07.759
<v Speaker 2>The worst I've ever heard was real.

0:38:08.080 --> 0:38:10.440
<v Speaker 1>Jerk Store, George costanzavibes.

0:38:10.719 --> 0:38:13.319
<v Speaker 2>You know it should have been more of a joke,

0:38:13.440 --> 0:38:15.680
<v Speaker 2>like I should have played it up for speaking of

0:38:16.440 --> 0:38:18.799
<v Speaker 2>get off. You know, there's a way to play it,

0:38:19.239 --> 0:38:20.520
<v Speaker 2>but we're played it for drama.

0:38:20.560 --> 0:38:25.960
<v Speaker 4>But it's the absolutely is jerk store.

0:38:28.360 --> 0:38:29.640
<v Speaker 2>I don't know the jerk store of reference.

0:38:30.239 --> 0:38:33.799
<v Speaker 4>George Constanz's comeback is he's got to come back at

0:38:34.360 --> 0:38:35.680
<v Speaker 4>this store.

0:38:35.800 --> 0:38:37.480
<v Speaker 1>And then he gets in the car and he leaves

0:38:37.560 --> 0:38:40.319
<v Speaker 1>and on his way home, you real, he comes up

0:38:40.360 --> 0:38:42.960
<v Speaker 1>with an insult and so he tries.

0:38:42.719 --> 0:38:45.400
<v Speaker 4>Eating a bunch of shrimp, and the guy says, hey, George,

0:38:45.440 --> 0:38:47.920
<v Speaker 4>the ocean called, they want their shrimp. The running out

0:38:47.920 --> 0:38:50.839
<v Speaker 4>of shrimp. And as he's driving home, he's like, oh,

0:38:50.880 --> 0:38:52.640
<v Speaker 4>that's what I should have said. And he goes, yeah,

0:38:52.680 --> 0:38:55.040
<v Speaker 4>Well the jerk store called and they're running out of

0:38:55.080 --> 0:38:57.680
<v Speaker 4>you and there's crickets.

0:38:58.080 --> 0:38:59.800
<v Speaker 1>He was already on his way home and he drinks

0:38:59.840 --> 0:39:01.720
<v Speaker 1>on he's got.

0:39:01.560 --> 0:39:04.320
<v Speaker 4>It, and he thinks it's the perfect line, jerk store.

0:39:04.480 --> 0:39:11.040
<v Speaker 4>I'm going with jerk stores. That's such a jerk store line.

0:39:10.840 --> 0:39:14.880
<v Speaker 2>No one's talking about. You are the one. What you know, Sean?

0:39:15.040 --> 0:39:17.920
<v Speaker 1>Stop Sean, this is You're embarrassing?

0:39:18.840 --> 0:39:24.160
<v Speaker 3>Are I am rooting for Doug crandall? At this point.

0:39:26.120 --> 0:39:28.279
<v Speaker 2>Should have just cut to him. Doug Crand will be like,

0:39:28.320 --> 0:39:33.160
<v Speaker 2>what we go back to that? You want to try

0:39:33.160 --> 0:39:35.440
<v Speaker 2>that again? It again? From the top.

0:39:37.760 --> 0:39:40.040
<v Speaker 1>Turner explains, since there are no pictures in the book,

0:39:40.080 --> 0:39:41.680
<v Speaker 1>he thought they'd take a look at the film version

0:39:41.719 --> 0:39:42.759
<v Speaker 1>of the time Machine for once.

0:39:42.800 --> 0:39:47.600
<v Speaker 2>The exactly why would Turner ever be like, let's watch

0:39:47.640 --> 0:39:50.640
<v Speaker 2>a movie version of the book of the book. Where

0:39:50.840 --> 0:39:51.719
<v Speaker 2>to get that TV in there?

0:39:52.840 --> 0:39:56.000
<v Speaker 1>Jet hands the VHS to Turner, which resembles a Blockbuster

0:39:56.120 --> 0:39:58.759
<v Speaker 1>box and says hi to his son on the way out.

0:39:58.880 --> 0:40:01.280
<v Speaker 1>The bully mocks him, was the nice man your daddy?

0:40:01.600 --> 0:40:04.000
<v Speaker 1>Corey tells Crandall to shut up, and Depega tells them

0:40:04.040 --> 0:40:06.279
<v Speaker 1>to both ignore him. And how does Turner not hear

0:40:06.400 --> 0:40:08.120
<v Speaker 1>all of this and step in?

0:40:08.920 --> 0:40:11.239
<v Speaker 4>He's too busy rewinding the tape because the last guy

0:40:11.280 --> 0:40:12.240
<v Speaker 4>didn't do it exactly.

0:40:12.360 --> 0:40:13.120
<v Speaker 1>He was not kind.

0:40:13.239 --> 0:40:14.600
<v Speaker 3>No, rewind rewind.

0:40:14.760 --> 0:40:17.440
<v Speaker 1>Crandall purposefully knocks some things onto the floor for Chet

0:40:17.480 --> 0:40:20.520
<v Speaker 1>to clean up. What are those rocks? Sunflower seeds?

0:40:20.640 --> 0:40:21.600
<v Speaker 2>You've gotten something?

0:40:21.600 --> 0:40:24.279
<v Speaker 3>The shells of some seeds like you do on your desk.

0:40:24.400 --> 0:40:26.240
<v Speaker 1>Yeah, okay, so some it's hard.

0:40:26.040 --> 0:40:28.080
<v Speaker 2>To tell without I know my definition.

0:40:28.200 --> 0:40:30.239
<v Speaker 1>It's just like and you could hear them all fall,

0:40:30.320 --> 0:40:32.080
<v Speaker 1>so it sounds like rocks fall.

0:40:32.120 --> 0:40:36.920
<v Speaker 3>And I just carry gravel everywhere, go dog, Crandall anything.

0:40:37.280 --> 0:40:38.560
<v Speaker 2>Crandall? What are you doing.

0:40:40.040 --> 0:40:42.040
<v Speaker 3>Sitting here with my gravel? What's what's your problem?

0:40:42.520 --> 0:40:45.680
<v Speaker 1>The boy stands up and calls for Sean's pappy. Sean

0:40:45.760 --> 0:40:47.840
<v Speaker 1>stands up to Doug, why don't you do me a

0:40:47.880 --> 0:40:51.240
<v Speaker 1>favor first? Doug asks what, and Shawn's lunges at him, saying,

0:40:51.520 --> 0:40:55.719
<v Speaker 1>you can bleed and you can bleed is actually a

0:40:55.760 --> 0:40:57.120
<v Speaker 1>great catchphrase for Sean.

0:40:57.840 --> 0:41:01.279
<v Speaker 2>I'm like shouting while jumping like I'm ready to fight.

0:41:02.960 --> 0:41:06.399
<v Speaker 2>What sorry, Sean, what did you say speaking? I jump

0:41:06.520 --> 0:41:08.760
<v Speaker 2>like three feet to reach the guy because he's gig

0:41:08.920 --> 0:41:10.040
<v Speaker 2>and sick like.

0:41:10.280 --> 0:41:12.480
<v Speaker 4>This is also the school where no one ever throws

0:41:12.480 --> 0:41:15.040
<v Speaker 4>a punch. You just go straight for the headlock and

0:41:15.040 --> 0:41:15.440
<v Speaker 4>then wrestle.

0:41:15.600 --> 0:41:17.560
<v Speaker 2>Yeah, that's if we're doing a lot of like tussle

0:41:17.800 --> 0:41:20.880
<v Speaker 2>motion to make it look like we're fighting when nothing's happening.

0:41:21.120 --> 0:41:23.680
<v Speaker 2>It was, this is not as good as the Cory

0:41:24.000 --> 0:41:26.600
<v Speaker 2>No Corey Sean fight. Ben and I were much more

0:41:26.600 --> 0:41:29.719
<v Speaker 2>comfortable with our studs. Me and this actor playing Doug

0:41:29.760 --> 0:41:31.160
<v Speaker 2>crandall not as comfortable.

0:41:31.480 --> 0:41:36.000
<v Speaker 3>And uh Sean Sean bib Yeah was that his name?

0:41:36.120 --> 0:41:39.560
<v Speaker 3>Bib bab bab bab baby by that's it, Sean John bab.

0:41:40.360 --> 0:41:43.160
<v Speaker 1>The two boys pretend fight until Corey and Turner break

0:41:43.200 --> 0:41:46.200
<v Speaker 1>them apart. Corey holds Sean back as Turner looks disappointed,

0:41:46.560 --> 0:41:48.600
<v Speaker 1>and then that's when I noticed for the first time

0:41:48.680 --> 0:41:51.680
<v Speaker 1>the poster in the background that says Booggy.

0:41:51.120 --> 0:41:55.560
<v Speaker 3>Down by the way, Happy Halloween everyone. That's how the

0:41:55.560 --> 0:41:57.520
<v Speaker 3>show how the episode should have ended. Yes, it's just

0:41:57.600 --> 0:42:01.080
<v Speaker 3>wait what I'm proud of? My dad is the janitor.

0:42:01.200 --> 0:42:08.320
<v Speaker 1>And so then we are in Phoenie's office. Phoenie declares,

0:42:08.360 --> 0:42:10.480
<v Speaker 1>it's mister Hunter in my office for getting into a fight.

0:42:10.600 --> 0:42:12.600
<v Speaker 1>Let me show you my big surprised face, but then

0:42:12.640 --> 0:42:15.600
<v Speaker 1>he stares down Sean without a single expression. Sean tells

0:42:15.600 --> 0:42:17.080
<v Speaker 1>Phoenie to punish him so they can get on with

0:42:17.120 --> 0:42:19.720
<v Speaker 1>their lives, and Phoene explains this is my life, asking

0:42:19.719 --> 0:42:22.120
<v Speaker 1>what you've done and why you've done it. Sean argues back,

0:42:22.120 --> 0:42:24.399
<v Speaker 1>it's nothing I did. It's about you hiring my father

0:42:24.480 --> 0:42:26.279
<v Speaker 1>to be the janitor. How could you do that to me?

0:42:26.640 --> 0:42:29.359
<v Speaker 1>Phoene is surprised. I never actually considered that it would

0:42:29.400 --> 0:42:32.560
<v Speaker 1>be awkward having your father work here. Phoene explains if

0:42:32.680 --> 0:42:34.759
<v Speaker 1>Chet working at the school is disruptive, he'll have to

0:42:34.800 --> 0:42:38.800
<v Speaker 1>reconsider his employment. Sewan is surprised, you're on my side.

0:42:39.080 --> 0:42:42.640
<v Speaker 1>Phoenie admits, frightening, isn't it. However, rather than take sides,

0:42:42.680 --> 0:42:44.200
<v Speaker 1>I think the best course would be to throw it

0:42:44.239 --> 0:42:46.400
<v Speaker 1>to you. Since he is his student, Sean can decide

0:42:46.400 --> 0:42:48.120
<v Speaker 1>whether or not he wants his father to work there,

0:42:48.239 --> 0:42:50.879
<v Speaker 1>and then we get dramatic music as Sean realizes it's

0:42:50.960 --> 0:42:53.399
<v Speaker 1>up to him and he leaves the office, allowing Bill

0:42:53.480 --> 0:42:55.520
<v Speaker 1>to do some serious pen fiddling.

0:42:56.239 --> 0:42:59.799
<v Speaker 2>Excellent Phoene sing Pie Peeni. I mean, like, this is

0:43:00.160 --> 0:43:03.239
<v Speaker 2>just the ultimate Phoene scene, right, Yeah, You're You're the

0:43:03.280 --> 0:43:06.240
<v Speaker 2>authority figure who's supposed to come down hard and instead

0:43:06.560 --> 0:43:10.400
<v Speaker 2>you taekwondo it, You flip it and suddenly it's like whoa,

0:43:10.440 --> 0:43:12.839
<v Speaker 2>Sean's energy is thrust back at him and he has

0:43:12.880 --> 0:43:16.560
<v Speaker 2>to like think for himself. Come on, it's great, this

0:43:16.719 --> 0:43:20.279
<v Speaker 2>is like, yeah, this arc, the Phoene Sean side of

0:43:20.320 --> 0:43:25.160
<v Speaker 2>this episode is excellent. Cla classic Phoenie. Great.

0:43:25.239 --> 0:43:28.160
<v Speaker 3>Yeah, and yeah, I love it and a great problem

0:43:28.200 --> 0:43:28.560
<v Speaker 3>to have.

0:43:28.680 --> 0:43:30.440
<v Speaker 4>That's one of the things that I had wrong with

0:43:30.480 --> 0:43:32.719
<v Speaker 4>this episode is it could have been so good because

0:43:32.760 --> 0:43:35.360
<v Speaker 4>it's a great problem. Your dad needs a job he

0:43:35.440 --> 0:43:38.399
<v Speaker 4>works at the same school. Is that embarrassing? Oh man,

0:43:38.480 --> 0:43:41.080
<v Speaker 4>the things you could have done with it are incredible. Also,

0:43:41.120 --> 0:43:43.799
<v Speaker 4>why wasn't Crandall in trouble or was he was? He

0:43:44.920 --> 0:43:46.040
<v Speaker 4>maybe yelled.

0:43:45.719 --> 0:43:48.800
<v Speaker 1>At and maybe he was yelled at sept.

0:43:48.920 --> 0:43:50.080
<v Speaker 3>That's what I'm thinking. That's what I went to.

0:43:50.480 --> 0:43:55.800
<v Speaker 2>YEAHI was just like, what are you eating in class?

0:43:55.920 --> 0:43:59.480
<v Speaker 4>The pocket of gravel or and or Lucci all this

0:43:59.560 --> 0:44:00.560
<v Speaker 4>time miss.

0:44:02.560 --> 0:44:05.279
<v Speaker 2>Gravel. Again, we have to.

0:44:05.360 --> 0:44:11.000
<v Speaker 1>Talk about a dentist. I could recommend to you.

0:44:11.000 --> 0:44:15.880
<v Speaker 4>Your father's a doctor, mister Crandall, you should talk to him.

0:44:16.200 --> 0:44:18.480
<v Speaker 1>And then we are in the school hallway. It is

0:44:18.800 --> 0:44:22.040
<v Speaker 1>now that I've noticed it, it is absolutely filled with

0:44:22.160 --> 0:44:25.520
<v Speaker 1>Halloween posters.

0:44:25.560 --> 0:44:27.080
<v Speaker 2>It was such a note, you know, they were like,

0:44:27.360 --> 0:44:29.760
<v Speaker 2>what do we do it? We got I want Halloween everywhere, everywhere,

0:44:29.800 --> 0:44:30.880
<v Speaker 2>everywhere with cameras.

0:44:31.040 --> 0:44:33.200
<v Speaker 3>It's now the it's the spooky blood drive.

0:44:33.360 --> 0:44:38.319
<v Speaker 2>Let's go change the poster. There is like this prank thing,

0:44:38.480 --> 0:44:40.640
<v Speaker 2>like you know, Sean does the prank in the beginning

0:44:40.680 --> 0:44:42.560
<v Speaker 2>with the milk car, and it's like there could have

0:44:42.600 --> 0:44:45.120
<v Speaker 2>been something like hallow, it's a treat. It's the season

0:44:45.160 --> 0:44:46.080
<v Speaker 2>of pranks.

0:44:46.000 --> 0:44:46.600
<v Speaker 3>Right, yeah?

0:44:46.600 --> 0:44:49.240
<v Speaker 4>And again how does Crandall not then take candy wrappers

0:44:49.239 --> 0:44:50.120
<v Speaker 4>and throw them on the ground.

0:44:50.160 --> 0:44:52.200
<v Speaker 1>I mean it's like, that's it's holloway size.

0:44:53.160 --> 0:44:53.920
<v Speaker 3>You need gravel.

0:44:54.040 --> 0:44:57.279
<v Speaker 4>Not at your house, Daniel full That's right, it's place

0:44:57.320 --> 0:44:57.520
<v Speaker 4>I go.

0:44:59.080 --> 0:45:01.120
<v Speaker 1>Corey is sitting down paper towels as he and Sean

0:45:01.160 --> 0:45:03.200
<v Speaker 1>get ready for lunch. Corey explains he doesn't want to

0:45:03.200 --> 0:45:05.040
<v Speaker 1>make a mess because somebody's got to clean it up,

0:45:05.040 --> 0:45:06.960
<v Speaker 1>and I don't want anybody to clean it up. And

0:45:06.960 --> 0:45:10.400
<v Speaker 1>then Doug and his friend who was not paid to speak,

0:45:10.440 --> 0:45:11.919
<v Speaker 1>so he doesn't ever say anything, but.

0:45:11.840 --> 0:45:14.680
<v Speaker 3>He's got leather jacket, so he's bad. You know he's bad.

0:45:14.880 --> 0:45:16.239
<v Speaker 3>Leave the jacket gang back.

0:45:16.360 --> 0:45:19.720
<v Speaker 1>Doug loudly says, so. The toilet overflows, and Phoene asks

0:45:19.760 --> 0:45:21.799
<v Speaker 1>the new janitor if he can handle it. Guy says, hey,

0:45:21.800 --> 0:45:23.480
<v Speaker 1>when I was in the CIA, I opped up after

0:45:23.520 --> 0:45:26.640
<v Speaker 1>the sandinistas. I can mop up this. Then, in the

0:45:26.680 --> 0:45:29.840
<v Speaker 1>most d bag TGIF has ever seen up to this point,

0:45:29.920 --> 0:45:34.680
<v Speaker 1>he says, janitors are so colorful, and he walks on,

0:45:35.200 --> 0:45:38.720
<v Speaker 1>and then the crowd oohs very loudly, but doesn't feel

0:45:38.719 --> 0:45:41.360
<v Speaker 1>like that was very sick burn, in my opinion.

0:45:42.040 --> 0:45:46.680
<v Speaker 4>Not as sick as speaking of head off. Yeah, I mean,

0:45:47.160 --> 0:45:49.080
<v Speaker 4>where do you go from after that? You've hit the

0:45:49.120 --> 0:45:59.960
<v Speaker 4>pinnacle complete. As long as you weren't humiliated, you're fine.

0:46:00.480 --> 0:46:06.719
<v Speaker 3>If you aren't humiliated, you're humiliated. Humiliate ooge. Supposedly you

0:46:06.760 --> 0:46:08.520
<v Speaker 3>were humiliate million million.

0:46:09.239 --> 0:46:23.240
<v Speaker 1>It's very hard to say wrong. Just then Poenie walks

0:46:23.239 --> 0:46:25.080
<v Speaker 1>by and Sean rushes to him he's thought it over.

0:46:25.200 --> 0:46:27.680
<v Speaker 1>Phoene replies, Wow, that took all of five minutes. I'm

0:46:27.680 --> 0:46:30.560
<v Speaker 1>glad you gave it the time it deserved. Sean reveals,

0:46:30.640 --> 0:46:32.160
<v Speaker 1>I think it'd be best for everybody if you just

0:46:32.239 --> 0:46:35.400
<v Speaker 1>let my dad go. Feenie agrees it is important to

0:46:35.440 --> 0:46:38.320
<v Speaker 1>look out for everybody. Sean asks when he's going to

0:46:38.360 --> 0:46:40.040
<v Speaker 1>be fired, and Phoene says it may take a few

0:46:40.120 --> 0:46:42.919
<v Speaker 1>days to find a replacement, so he'll tell Chet about

0:46:42.920 --> 0:46:45.959
<v Speaker 1>his decision after that, and right on cute Chet walks

0:46:46.040 --> 0:46:48.719
<v Speaker 1>up to Corey's array of paper towels. What pig eight here?

0:46:49.160 --> 0:46:51.880
<v Speaker 1>And obviously guilty feeling, Sean tries to convince Corey that

0:46:51.920 --> 0:46:53.960
<v Speaker 1>he's actually doing his dad a favor, but we can

0:46:54.000 --> 0:46:57.719
<v Speaker 1>feel he doesn't actually believe it. And then we're back

0:46:57.719 --> 0:47:01.440
<v Speaker 1>in the wilderness outpost, which also is completely ducked out

0:47:01.560 --> 0:47:06.239
<v Speaker 1>in decorative Halloween ghosts. Yep, and Eric excitedly announces that

0:47:06.280 --> 0:47:09.239
<v Speaker 1>Ezekiel sold all the rock climbing shoes, but Alan says

0:47:09.280 --> 0:47:11.680
<v Speaker 1>he sold them to customers who had no business buying them.

0:47:12.040 --> 0:47:14.960
<v Speaker 1>Eric asks, so, if we get past that nagging moral issue,

0:47:14.960 --> 0:47:16.799
<v Speaker 1>that all those people are gonna die. We could be

0:47:16.960 --> 0:47:17.799
<v Speaker 1>very successful.

0:47:18.080 --> 0:47:19.920
<v Speaker 3>Right then the funny line.

0:47:19.680 --> 0:47:22.480
<v Speaker 1>It is very funny. Alan says he'd had dreams of

0:47:22.480 --> 0:47:24.920
<v Speaker 1>skinny little men and brand new rock climbing shoes, falling

0:47:24.920 --> 0:47:27.200
<v Speaker 1>off a mountain screaming at him, you sold me these

0:47:27.280 --> 0:47:28.760
<v Speaker 1>you merchants of Day.

0:47:29.840 --> 0:47:33.440
<v Speaker 3>And Rusty and I could not get through this because.

0:47:33.440 --> 0:47:35.520
<v Speaker 1>Even with your brother standing nearby. Crime No.

0:47:35.640 --> 0:47:38.560
<v Speaker 4>Luckily, by this point he would. Gary wasn't there for

0:47:38.560 --> 0:47:40.400
<v Speaker 4>the actual KP. He just came for the He was

0:47:40.440 --> 0:47:41.120
<v Speaker 4>there for the run through.

0:47:41.239 --> 0:47:42.800
<v Speaker 1>He was probably planning to be there for the running

0:47:42.800 --> 0:47:44.839
<v Speaker 1>but then when he saw who I'm out of here?

0:47:45.000 --> 0:47:47.520
<v Speaker 4>We we could not, I mean, because Rusty was so

0:47:47.600 --> 0:47:50.760
<v Speaker 4>funny and we just we laughed for a day straight.

0:47:50.840 --> 0:47:54.400
<v Speaker 4>It was so funny, funny, I love you, I.

0:47:54.840 --> 0:47:57.520
<v Speaker 1>Love thinking about you, and Rusty not being able to

0:47:57.600 --> 0:47:58.120
<v Speaker 1>keep it together.

0:47:58.120 --> 0:47:59.839
<v Speaker 3>Oh we couldn't. We could not get through this scene.

0:47:59.840 --> 0:48:01.600
<v Speaker 3>We just had the giggles the whole time. It was

0:48:01.640 --> 0:48:02.160
<v Speaker 3>so funny.

0:48:02.320 --> 0:48:05.719
<v Speaker 1>So Eric asks merchants of Day and Aaron clarifies death.

0:48:06.120 --> 0:48:08.040
<v Speaker 1>Eric tries to make him feel better, Well, if we

0:48:08.040 --> 0:48:10.360
<v Speaker 1>weren't making stacks and stacks of money dreams like that,

0:48:10.400 --> 0:48:13.640
<v Speaker 1>would really bug us, another very funny line, and then

0:48:13.680 --> 0:48:16.880
<v Speaker 1>Ezekiel walks in. He has terrible news from the hill country.

0:48:17.080 --> 0:48:20.880
<v Speaker 1>Alan guesses they found the bodies, and Ezekiel continues, my

0:48:20.960 --> 0:48:23.840
<v Speaker 1>mama's took sick. She wants him to come home so

0:48:23.920 --> 0:48:26.239
<v Speaker 1>he can tend to her. Eric is furious, you can't

0:48:26.280 --> 0:48:28.560
<v Speaker 1>just leave. We don't know how to sell stuff. Ezekiel

0:48:28.600 --> 0:48:30.520
<v Speaker 1>calms him, don't worry, I'd never leave you. Kind folks

0:48:30.560 --> 0:48:32.200
<v Speaker 1>in alrics, you blew.

0:48:32.040 --> 0:48:35.400
<v Speaker 2>Past one of the best moments ever when Will just

0:48:36.480 --> 0:48:39.959
<v Speaker 2>takes a whole full like beat, walks up and says,

0:48:40.239 --> 0:48:44.920
<v Speaker 2>powerful Sick is one of the greatest line reads ever.

0:48:46.160 --> 0:48:51.480
<v Speaker 2>Powerful sick? Are you kidding me? Like that is one

0:48:51.480 --> 0:48:53.600
<v Speaker 2>of the greatest, Like if you read that on the page,

0:48:53.719 --> 0:48:57.600
<v Speaker 2>the line is Mama took sick, and then Eric says

0:48:57.600 --> 0:49:02.120
<v Speaker 2>powerful sick. But Will makes a meal out of it

0:49:02.480 --> 0:49:05.520
<v Speaker 2>and just kills it. And then I wanted to keep going.

0:49:05.600 --> 0:49:07.800
<v Speaker 2>Then you adjusted. I was like, oh, if we'll just

0:49:07.880 --> 0:49:11.200
<v Speaker 2>keeps playing off the Ezekiel like speak and like Eric,

0:49:11.200 --> 0:49:13.960
<v Speaker 2>it becomes like Mountain Man with him. Oh, I would

0:49:13.960 --> 0:49:17.439
<v Speaker 2>watch a whole episode of that Powerful Sick. Oh my god,

0:49:17.480 --> 0:49:21.919
<v Speaker 2>that was funny, my god, like my favorite that these

0:49:21.920 --> 0:49:23.919
<v Speaker 2>are the two best lines of the whole episode, because

0:49:24.120 --> 0:49:26.320
<v Speaker 2>MERCHANTI dad, powerful.

0:49:26.200 --> 0:49:32.080
<v Speaker 1>Powerful, sick o man, oh god. Ezekiel says he got

0:49:32.120 --> 0:49:35.400
<v Speaker 1>his younger brother's youngster, Lonnie to come down here and

0:49:35.440 --> 0:49:38.759
<v Speaker 1>take my place. Furious, Eric gets all up in Ezekiel's face.

0:49:38.800 --> 0:49:41.440
<v Speaker 1>Now you looky here. We hired you, okay, not Lonnie.

0:49:41.440 --> 0:49:44.719
<v Speaker 1>We don't know Lonnie. We don't want Lonnie. Okay? Why

0:49:44.719 --> 0:49:48.520
<v Speaker 1>would you tell Lonnie to go back where Lonnie came from?

0:49:48.920 --> 0:49:51.000
<v Speaker 1>And then a girl in tiny shorts and a crop

0:49:51.040 --> 0:49:58.840
<v Speaker 1>top walks in. She's Lonnie. Eric screams in excitement, Dad,

0:49:58.960 --> 0:50:03.160
<v Speaker 1>look who's here. It's Lonnie. Oh man, that really made

0:50:03.200 --> 0:50:06.480
<v Speaker 1>me laugh too. Your turn from Lonnie get Lonnie out

0:50:06.480 --> 0:50:08.880
<v Speaker 1>of here to screaming Lonnie in excitement was very funny.

0:50:09.560 --> 0:50:11.920
<v Speaker 1>And then we're back in the Hunter's trailer. Verna's setting

0:50:11.920 --> 0:50:13.799
<v Speaker 1>out dinner as Sean walks in and tells her there's

0:50:13.840 --> 0:50:15.920
<v Speaker 1>this kid at school who spilled his milk all over

0:50:15.960 --> 0:50:18.040
<v Speaker 1>the floor, forcing somebody to come and clean it up.

0:50:18.440 --> 0:50:20.360
<v Speaker 1>Verna asks, he did this in front of your friends.

0:50:20.480 --> 0:50:23.080
<v Speaker 1>Sean nods, in front of everybody. Verna asks if you

0:50:23.080 --> 0:50:25.840
<v Speaker 1>did a good job leaving the floor lemony fresh. Sean

0:50:25.880 --> 0:50:29.719
<v Speaker 1>emphasizes Dad's a school janitor. It's humiliating, Verna sorry he

0:50:29.760 --> 0:50:31.839
<v Speaker 1>feels that way because she is so proud of Chet

0:50:31.920 --> 0:50:34.560
<v Speaker 1>she could bust. She explains that for twenty years we

0:50:34.680 --> 0:50:37.120
<v Speaker 1>have lived on your father's stories, and those used to

0:50:37.160 --> 0:50:39.319
<v Speaker 1>make me angry because none of them were real. But

0:50:39.440 --> 0:50:42.400
<v Speaker 1>your story about your father being a janitor, that's real,

0:50:42.600 --> 0:50:47.320
<v Speaker 1>and yeah, that makes me proud and like, good scene, great, great,

0:50:47.800 --> 0:50:52.040
<v Speaker 1>great line, great point, like gets me in my feels.

0:50:52.480 --> 0:50:55.680
<v Speaker 4>Yeah, I tried, but I was so distracted by how

0:50:55.680 --> 0:50:58.600
<v Speaker 4>she was not the mashed potatoes.

0:50:58.880 --> 0:51:01.160
<v Speaker 1>Why the right way to make a wi Well?

0:51:01.160 --> 0:51:03.239
<v Speaker 4>First of all, the milk was obviously not warmed in

0:51:03.239 --> 0:51:04.120
<v Speaker 4>any way, shape or form.

0:51:04.200 --> 0:51:05.000
<v Speaker 3>She's making him in a.

0:51:04.920 --> 0:51:07.320
<v Speaker 4>Glass bowl on the table, not even over the heat

0:51:07.440 --> 0:51:08.440
<v Speaker 4>in any way, shape or form.

0:51:08.520 --> 0:51:09.920
<v Speaker 1>Back would have to be a camera for that.

0:51:09.960 --> 0:51:15.319
<v Speaker 4>Will Well have priorities mashed potatoes first, TV show second. Okay,

0:51:15.560 --> 0:51:17.640
<v Speaker 4>that's the way it works, I'm sure, she said wonderful

0:51:17.640 --> 0:51:19.920
<v Speaker 4>things until she added a little bit of margarine.

0:51:20.040 --> 0:51:23.120
<v Speaker 1>They should have the potato party. Aposta party would have

0:51:23.160 --> 0:51:24.880
<v Speaker 1>solved everyone's problems.

0:51:24.440 --> 0:51:26.359
<v Speaker 4>Here I'm just saying, I'm sure the scene was very good.

0:51:26.400 --> 0:51:28.399
<v Speaker 4>I couldn't tell because I was too worried about the cold,

0:51:28.440 --> 0:51:29.920
<v Speaker 4>lumpy margarine to mashed potatoes.

0:51:30.440 --> 0:51:33.440
<v Speaker 1>Well, we know where our priorities are. Chet busts through

0:51:33.480 --> 0:51:35.920
<v Speaker 1>the door with a huge smile on his face. He looks,

0:51:36.320 --> 0:51:39.120
<v Speaker 1>I realized in this moment, he looks like John Goodman like,

0:51:39.200 --> 0:51:41.200
<v Speaker 1>and this is like coming in. He reminds me of

0:51:41.239 --> 0:51:42.560
<v Speaker 1>John Goodman coming in Roseanne.

0:51:42.600 --> 0:51:45.080
<v Speaker 3>And that's what I'm saying. They did like the Roseanne

0:51:45.080 --> 0:51:45.719
<v Speaker 3>show this week.

0:51:45.880 --> 0:51:49.439
<v Speaker 1>Yeah, he greets the two as his little nuclear family unit.

0:51:49.480 --> 0:51:52.240
<v Speaker 1>There's my wife making supper, there's my son home from school.

0:51:52.320 --> 0:51:54.480
<v Speaker 1>The only thing missing to complete the scene of domestic

0:51:54.520 --> 0:51:58.439
<v Speaker 1>regularity is dad's first paycheck. And then Chet pulls out

0:51:58.480 --> 0:52:01.359
<v Speaker 1>his first paycheck. And I first thought, how'd he get

0:52:01.360 --> 0:52:03.799
<v Speaker 1>that so fast? It's one been one day. Then I

0:52:03.840 --> 0:52:08.560
<v Speaker 1>thought Phoene's plan. It's all part of Phoene's plan. He

0:52:08.640 --> 0:52:12.120
<v Speaker 1>knows well. On the one hand, he could have sent

0:52:12.200 --> 0:52:15.399
<v Speaker 1>him home with his check because it's his last check, right,

0:52:15.960 --> 0:52:18.080
<v Speaker 1>He's going to fire him tomorrow. He wants Sean to

0:52:18.080 --> 0:52:19.920
<v Speaker 1>think he's gonna fire him tomorrow. But I don't think

0:52:19.920 --> 0:52:22.399
<v Speaker 1>that's as realistic as the idea that he knows he's

0:52:22.400 --> 0:52:26.080
<v Speaker 1>gonna come home thrilled to have a paycheck. So I

0:52:26.120 --> 0:52:29.040
<v Speaker 1>think I think it's all part of making Phoenie the wonderful,

0:52:29.280 --> 0:52:32.440
<v Speaker 1>all knowing manipulator behind the scenes of all that.

0:52:32.560 --> 0:52:33.040
<v Speaker 3>He's Yoda.

0:52:33.400 --> 0:52:35.640
<v Speaker 1>Yes he really is, he says, well, look he here,

0:52:35.680 --> 0:52:38.400
<v Speaker 1>and I earned it, I really did. Verna grabs him

0:52:38.400 --> 0:52:40.600
<v Speaker 1>for a passionate kiss and Chet is shocked. What the

0:52:40.640 --> 0:52:42.799
<v Speaker 1>heck was that? She tells him there's plenty more where

0:52:42.840 --> 0:52:45.960
<v Speaker 1>that came from. That you probably won't recognize either, mister paycheck.

0:52:46.880 --> 0:52:49.280
<v Speaker 1>You know what I thought here, Verna's.

0:52:48.960 --> 0:52:55.440
<v Speaker 2>DTLM takes us a bitcheck.

0:52:55.920 --> 0:52:58.480
<v Speaker 3>Well, she's certainly not DTM. She's not down to mash

0:52:58.520 --> 0:52:59.520
<v Speaker 3>so many problems.

0:53:01.320 --> 0:53:03.160
<v Speaker 1>Chet says, not in front of the boy. I ain't

0:53:03.200 --> 0:53:05.359
<v Speaker 1>really had a chance to explain to young Shawnie the

0:53:05.400 --> 0:53:09.160
<v Speaker 1>dirtiness of life. Verna reiterates how proud she is, and

0:53:09.200 --> 0:53:11.000
<v Speaker 1>he thanks her. I think I'm doing a good job too,

0:53:11.000 --> 0:53:12.919
<v Speaker 1>because mister Feeney wants to see me in his office

0:53:12.960 --> 0:53:18.120
<v Speaker 1>first thing in the morning, he jokes. He jokes, kind

0:53:18.120 --> 0:53:21.000
<v Speaker 1>of like father like son. Huh, Sean. Sean is visibly sad,

0:53:21.040 --> 0:53:23.440
<v Speaker 1>and Chet asks what's wrong? And Sean asks, are you

0:53:23.480 --> 0:53:25.200
<v Speaker 1>okay with this job? It didn't bother you to be

0:53:25.200 --> 0:53:27.640
<v Speaker 1>cleaning up after other people, and Chet admits it's not

0:53:27.680 --> 0:53:30.480
<v Speaker 1>exactly pearl diving in Portugal, but he has this amazing

0:53:30.520 --> 0:53:33.480
<v Speaker 1>benefits package, and Sean scoffs. What benefits are there to

0:53:33.520 --> 0:53:35.799
<v Speaker 1>being a janitor? Chat tells him, well, for one thing,

0:53:35.840 --> 0:53:37.960
<v Speaker 1>after being away from my son for a year, what

0:53:38.160 --> 0:53:41.040
<v Speaker 1>better benefit than a job that lets me be near him.

0:53:41.719 --> 0:53:44.479
<v Speaker 1>Verna gives Shan a big smile and Sean smiles back.

0:53:44.520 --> 0:53:47.160
<v Speaker 1>But the idea that he's forced Feeney to fire Chet

0:53:47.200 --> 0:53:49.200
<v Speaker 1>in the morning is weighing heavy.

0:53:50.480 --> 0:53:53.759
<v Speaker 3>Very nice, by the way, you said that said that

0:53:53.760 --> 0:53:54.880
<v Speaker 3>well for force.

0:53:55.560 --> 0:53:58.640
<v Speaker 1>Yeah, thanks.

0:53:59.400 --> 0:54:01.520
<v Speaker 2>Fire Fred fo fire friends.

0:54:01.840 --> 0:54:04.120
<v Speaker 3>That's the problem that this.

0:54:04.040 --> 0:54:08.799
<v Speaker 4>Scene just indicates how the entire episode could have been

0:54:08.800 --> 0:54:12.400
<v Speaker 4>better if they'd just rewritten that first scene, because it

0:54:12.440 --> 0:54:14.640
<v Speaker 4>really is just the first scene that's the problem. The

0:54:14.680 --> 0:54:18.439
<v Speaker 4>rest of it is great. Yeah, so yeah, it did

0:54:18.719 --> 0:54:19.400
<v Speaker 4>it did. So.

0:54:19.440 --> 0:54:21.520
<v Speaker 1>Then we're back in John Adams High. Sean's waiting by

0:54:21.520 --> 0:54:23.600
<v Speaker 1>his locker as mister foene walks by. He runs up

0:54:23.600 --> 0:54:26.320
<v Speaker 1>to Feenie, who shocked to see Sean at school early.

0:54:26.560 --> 0:54:29.960
<v Speaker 1>My life's work is done. Goodbye everyone, so good. Sean

0:54:30.000 --> 0:54:32.400
<v Speaker 1>says he's changed his mind about his dad working at school,

0:54:32.520 --> 0:54:35.160
<v Speaker 1>and Phoene says he's already started searching for a replacement.

0:54:35.440 --> 0:54:37.520
<v Speaker 1>Sean begs him, you have to cancel it, okay, because

0:54:37.520 --> 0:54:39.319
<v Speaker 1>you can't just do that to a guy who's finally

0:54:39.360 --> 0:54:41.720
<v Speaker 1>found a steady job. And my mom, who's been waiting

0:54:41.760 --> 0:54:43.880
<v Speaker 1>all this time for him to be responsible, came to

0:54:43.920 --> 0:54:47.080
<v Speaker 1>the chair and she put her arm around him. Phoenie understands,

0:54:47.239 --> 0:54:50.720
<v Speaker 1>thanks for a second and says, Oki doki. Sean's confused,

0:54:50.800 --> 0:54:53.879
<v Speaker 1>I'm me too, just like that, and Phoene explains, I'm

0:54:53.880 --> 0:54:56.799
<v Speaker 1>the principle I willed great and mysterious powers. Besides that,

0:54:56.880 --> 0:54:58.960
<v Speaker 1>I was never going to fire your father in the

0:54:59.000 --> 0:55:02.640
<v Speaker 1>first place, because this never about your father. This was

0:55:02.719 --> 0:55:06.120
<v Speaker 1>always about you. Phoenie pats him on the shoulder and

0:55:06.200 --> 0:55:11.680
<v Speaker 1>walks away.

0:55:09.280 --> 0:55:11.920
<v Speaker 2>And he says, because you're the student, right, what the line.

0:55:11.680 --> 0:55:13.400
<v Speaker 1>Is always about you?

0:55:13.480 --> 0:55:13.719
<v Speaker 3>Yeah?

0:55:14.400 --> 0:55:18.640
<v Speaker 2>Oh man, awesome. Yeah. And this is where we get

0:55:18.640 --> 0:55:20.920
<v Speaker 2>into like the sort of the question of you know,

0:55:21.040 --> 0:55:23.520
<v Speaker 2>the reality of boy meets world being from like the

0:55:23.600 --> 0:55:26.359
<v Speaker 2>kid's point of view. You know, where your principle is God,

0:55:26.560 --> 0:55:29.320
<v Speaker 2>like your principal is the sort of on your teacher.

0:55:29.560 --> 0:55:33.080
<v Speaker 2>You know, originally your teacher knows best. You know, like

0:55:33.360 --> 0:55:36.720
<v Speaker 2>teacher knows best. Could kind of be like a subatic

0:55:37.120 --> 0:55:41.160
<v Speaker 2>message of boy meets World. Yeah, it's very interesting.

0:55:41.440 --> 0:55:45.080
<v Speaker 1>So great. So Cory and Topanga, who have been creepingly like,

0:55:45.239 --> 0:55:47.080
<v Speaker 1>did you notice us creepily standing in the back?

0:55:47.960 --> 0:55:50.640
<v Speaker 4>No, because I couldn't see anything the tiny little skirt

0:55:50.680 --> 0:55:51.240
<v Speaker 4>you're wearing.

0:55:53.400 --> 0:55:55.759
<v Speaker 1>We continue to not care about what she looks like.

0:55:58.680 --> 0:56:01.080
<v Speaker 4>Sue, and Sue's like, oh my god, how did her

0:56:01.120 --> 0:56:02.560
<v Speaker 4>parents let her out of the house like that?

0:56:02.719 --> 0:56:04.960
<v Speaker 3>Get back upstairs and put on a longer dress.

0:56:05.080 --> 0:56:07.480
<v Speaker 1>I know. I think it's funny that after the haircutting episode,

0:56:07.480 --> 0:56:09.520
<v Speaker 1>it was like, yeah, you're right, and then I've continued

0:56:09.520 --> 0:56:12.560
<v Speaker 1>to just wear super cute little outfits, do my hair

0:56:12.600 --> 0:56:15.640
<v Speaker 1>and makeup every day. It's I mean, it's cute. We're

0:56:15.680 --> 0:56:20.640
<v Speaker 1>in peak Daniell, peak Danielle time. Uh So they Corey

0:56:20.640 --> 0:56:22.239
<v Speaker 1>and Tanga walk up and Corey asks what was so

0:56:22.239 --> 0:56:24.080
<v Speaker 1>important that we had to be here five minutes early.

0:56:24.400 --> 0:56:27.080
<v Speaker 1>Sean looks over at Doug and his thug buddy. They've

0:56:27.080 --> 0:56:30.120
<v Speaker 1>also been hanging out nearby for really no reason. I

0:56:30.400 --> 0:56:32.440
<v Speaker 1>just wanted to watch you drink this milk. He pulls

0:56:32.440 --> 0:56:34.600
<v Speaker 1>a carton out of his backpack and hands it to Corey,

0:56:34.800 --> 0:56:36.959
<v Speaker 1>who says, I guess I could always use a little

0:56:37.000 --> 0:56:39.200
<v Speaker 1>milk to Panga asks.

0:56:39.080 --> 0:56:42.960
<v Speaker 2>No, then Sean just throw some milk on the ground, right.

0:56:43.320 --> 0:56:45.520
<v Speaker 1>Right, But he wanted they need they want to do

0:56:45.600 --> 0:56:49.560
<v Speaker 1>a gravel cory into it, so Corey. Corey knows that

0:56:49.640 --> 0:56:52.040
<v Speaker 1>this is a bit because Corey looks over his shoulder

0:56:52.080 --> 0:56:54.880
<v Speaker 1>at Doug like, yeah, I'll help you do this. So

0:56:54.920 --> 0:56:58.000
<v Speaker 1>they just wanted to tie it together. That the core

0:56:59.200 --> 0:57:01.440
<v Speaker 1>always he's gotten, He's got nothing, nothing.

0:57:01.480 --> 0:57:02.680
<v Speaker 3>This was not a Corey episode.

0:57:02.760 --> 0:57:02.920
<v Speaker 4>Yeah.

0:57:03.080 --> 0:57:05.840
<v Speaker 2>Yeah, So this is interesting because he could have easily

0:57:05.880 --> 0:57:08.400
<v Speaker 2>been like involved on the Phoene side, right, like Corey

0:57:08.440 --> 0:57:10.839
<v Speaker 2>could have been in other episodes. He's played that role

0:57:10.880 --> 0:57:13.120
<v Speaker 2>where he's like, I'm worried about Sean to like mister

0:57:13.160 --> 0:57:15.560
<v Speaker 2>Feenie or mister Turner and sort of helping him. But

0:57:15.560 --> 0:57:17.880
<v Speaker 2>in this episode he's just there for laughs and yep,

0:57:18.000 --> 0:57:19.840
<v Speaker 2>not not affecting change at all.

0:57:20.080 --> 0:57:21.080
<v Speaker 3>Yeah.

0:57:21.120 --> 0:57:23.520
<v Speaker 1>So Tapanga asks, is this another one of those delightful

0:57:23.560 --> 0:57:26.400
<v Speaker 1>little stunts. Sean thinks to Panga may actually like this one,

0:57:26.400 --> 0:57:28.480
<v Speaker 1>and then he knocks the cart and out of Corey's hand.

0:57:28.680 --> 0:57:31.720
<v Speaker 1>Milk spills all over the floor. Corey shocked, and Shohan apologizes,

0:57:32.000 --> 0:57:33.920
<v Speaker 1>so he is kind of in on it. But then

0:57:33.920 --> 0:57:38.040
<v Speaker 1>he asks, very shocked about what happened. Sean apologizes, and

0:57:38.080 --> 0:57:40.439
<v Speaker 1>then Doug walks up, looks like we get to start

0:57:40.480 --> 0:57:43.680
<v Speaker 1>another day with your dad, and Sean proudly responds, looks

0:57:43.720 --> 0:57:46.920
<v Speaker 1>like we do. Chat walks out of the janitorial closet

0:57:46.960 --> 0:57:47.920
<v Speaker 1>or the bathroom.

0:57:47.680 --> 0:57:50.360
<v Speaker 3>Bathroom, says bathrooms, bathroom. Also he seems to just sense

0:57:50.400 --> 0:57:51.280
<v Speaker 3>when something spilled on the.

0:57:51.240 --> 0:57:56.320
<v Speaker 1>Floors, always in the bathroom.

0:57:59.600 --> 0:58:02.400
<v Speaker 2>Twenty seven into the tower. Alert, Alert, we have cleaning crew.

0:58:02.600 --> 0:58:06.120
<v Speaker 4>Cleaning crew, immediately, we have milk down on for this

0:58:06.280 --> 0:58:07.760
<v Speaker 4>twenty eight floor tower.

0:58:10.280 --> 0:58:12.080
<v Speaker 1>He comes out and says, looks like I'm needed here.

0:58:12.120 --> 0:58:14.840
<v Speaker 1>Sean stops him, grabs the mop from his hand and says, here, DoD,

0:58:14.920 --> 0:58:17.080
<v Speaker 1>let me take care of that. He mops proudly in

0:58:17.080 --> 0:58:19.360
<v Speaker 1>front of Doug's face. Chet says he doesn't have to

0:58:19.400 --> 0:58:21.560
<v Speaker 1>do that, but Sean responds, I know I don't, and

0:58:21.640 --> 0:58:24.120
<v Speaker 1>I know you don't either. Chet smiles as the crowd

0:58:24.280 --> 0:58:27.680
<v Speaker 1>crowd claps loudly and Sean continues mopping in front of

0:58:27.720 --> 0:58:29.080
<v Speaker 1>the two bullies who.

0:58:28.920 --> 0:58:31.280
<v Speaker 4>Hate him, but Doug also gives him kind of like

0:58:31.320 --> 0:58:36.160
<v Speaker 4>a yeah, respect man, man, he does respect for something.

0:58:36.560 --> 0:58:42.880
<v Speaker 2>It's that moment karate kid. Yes, cat in the face.

0:58:44.080 --> 0:58:47.439
<v Speaker 3>Illegally, by the way, but that's a whole nother story. Yeah,

0:58:47.440 --> 0:58:47.680
<v Speaker 3>it was.

0:58:47.720 --> 0:58:49.560
<v Speaker 4>It was a strange kind of like, yeah, I respect

0:58:49.560 --> 0:58:52.360
<v Speaker 4>that you're now also helping to the milk you caused

0:58:52.960 --> 0:58:55.280
<v Speaker 4>problems with I'm Doug, you'll never see.

0:58:55.120 --> 0:58:58.760
<v Speaker 2>Me again, Doug crandall empty Doug crandall.

0:58:58.560 --> 0:59:03.120
<v Speaker 4>Out Jerk store with jerk store.

0:59:05.280 --> 0:59:07.320
<v Speaker 1>And then we're in the Wilderness Outpost?

0:59:08.080 --> 0:59:09.720
<v Speaker 2>Is really the wilderness Outpost?

0:59:09.800 --> 0:59:10.120
<v Speaker 4>Is that what it?

0:59:10.560 --> 0:59:14.440
<v Speaker 1>That's what it's called the store it's outside of it

0:59:14.480 --> 0:59:17.080
<v Speaker 1>says Wilderness Outpost, but I never.

0:59:16.920 --> 0:59:21.360
<v Speaker 2>Scribble said wilderness store. Yeah, it's a backyard.

0:59:21.720 --> 0:59:25.400
<v Speaker 1>It's a backyard and a wilderness store. So a lot

0:59:25.400 --> 0:59:28.360
<v Speaker 1>of staring in the Wilderness Store in this episode, as

0:59:28.480 --> 0:59:30.920
<v Speaker 1>Eric is now staring at a Lonnie who is explaining

0:59:30.920 --> 0:59:33.800
<v Speaker 1>to Willie Garson, who's back in the store, that bow

0:59:33.880 --> 0:59:36.200
<v Speaker 1>hunting takes a special kind of man, a man who

0:59:36.200 --> 0:59:38.600
<v Speaker 1>can stand his ground when a grizzly bears charging right

0:59:38.640 --> 0:59:39.720
<v Speaker 1>at him.

0:59:40.080 --> 0:59:44.880
<v Speaker 2>Picks up not a bow but a cross though, which

0:59:45.240 --> 0:59:50.440
<v Speaker 2>doesnt with the crossbow. No, it's not. It's the weirdest, like,

0:59:50.480 --> 0:59:50.800
<v Speaker 2>why not.

0:59:51.480 --> 0:59:54.320
<v Speaker 1>Know any of it? It could have been a bow,

0:59:54.600 --> 0:59:55.440
<v Speaker 1>it could have been.

0:59:57.720 --> 1:00:00.440
<v Speaker 2>That is a crossbow cross I mean maybe people hunt

1:00:00.440 --> 1:00:02.200
<v Speaker 2>with crossboys. I don't know, but it's definitely not the

1:00:02.200 --> 1:00:05.520
<v Speaker 2>same as bohun Like you're you and your bow and

1:00:05.560 --> 1:00:08.480
<v Speaker 2>an arrow and you're going out. Yeah, it's highly skilled

1:00:08.520 --> 1:00:09.320
<v Speaker 2>and yeah, yep.

1:00:10.000 --> 1:00:13.120
<v Speaker 1>Well, Mervin responds, I work for Merrill Lynch. She hands

1:00:13.200 --> 1:00:15.640
<v Speaker 1>him the bow. You'll be fine. Sorry, she hands him

1:00:15.680 --> 1:00:17.320
<v Speaker 1>Mervin Ross. But yes, his name is Mervin.

1:00:17.880 --> 1:00:18.400
<v Speaker 6>Oh my god.

1:00:18.880 --> 1:00:22.520
<v Speaker 1>Yeah, Alan tells Ezekiel behind the counter. I must say,

1:00:22.560 --> 1:00:24.680
<v Speaker 1>I'm a little concerned about your niece working here. She

1:00:24.720 --> 1:00:27.240
<v Speaker 1>seems like a sweet, nice girl, but she is on

1:00:27.320 --> 1:00:30.600
<v Speaker 1>the attractive side and could be a distraction to a

1:00:30.640 --> 1:00:34.120
<v Speaker 1>lot of young men, so she should not be allowed

1:00:34.160 --> 1:00:34.720
<v Speaker 1>to exist.

1:00:34.760 --> 1:00:36.280
<v Speaker 3>No, she should have jobs.

1:00:36.560 --> 1:00:38.040
<v Speaker 2>No, No, you can't have a job where you're going

1:00:38.080 --> 1:00:40.000
<v Speaker 2>to get you're attracted men.

1:00:39.880 --> 1:00:43.920
<v Speaker 1>You might distract on you. Get out of here, fired

1:00:44.400 --> 1:00:51.120
<v Speaker 1>fired damn women, and then he says, like, oh, say

1:00:51.200 --> 1:00:53.480
<v Speaker 1>my son who has to work with her every day.

1:00:53.720 --> 1:00:56.600
<v Speaker 1>Ezekiel sures there's nothing to worry about. Lonetta was raised

1:00:56.600 --> 1:01:00.440
<v Speaker 1>with eleven brothers, but the way he says it is

1:01:00.520 --> 1:01:01.720
<v Speaker 1>like he's an eleven brother.

1:01:02.840 --> 1:01:06.560
<v Speaker 3>Oh interesting, he's not. Yeah, he's not. He doesn't know

1:01:06.560 --> 1:01:07.520
<v Speaker 3>the handshake. Come on, ryder.

1:01:11.080 --> 1:01:17.160
<v Speaker 1>Yes, they brought her up as girly as they could,

1:01:17.160 --> 1:01:19.960
<v Speaker 1>but danged if she didn't turn out all boy. Eric

1:01:20.000 --> 1:01:22.240
<v Speaker 1>approaches Lonnie, saying it'd probably be in their best interest

1:01:22.320 --> 1:01:24.160
<v Speaker 1>to get to know each other since they'll be working together.

1:01:24.440 --> 1:01:27.320
<v Speaker 1>She kindly asks, you mean that, Eric? He emphasizes, I've

1:01:27.320 --> 1:01:29.800
<v Speaker 1>never been more serious about anything in my entire life.

1:01:30.200 --> 1:01:33.200
<v Speaker 1>She punches him and tells him how friendly ouch That

1:01:33.280 --> 1:01:36.040
<v Speaker 1>punch stung? She asks, you like to go hunting? You

1:01:36.120 --> 1:01:37.840
<v Speaker 1>like to go fishing? We can do some boxing. She

1:01:37.880 --> 1:01:40.040
<v Speaker 1>puts up her dukes and starts punching Eric again. He's

1:01:40.040 --> 1:01:41.960
<v Speaker 1>in pain, asking her to stop. As she pummels him.

1:01:42.240 --> 1:01:43.960
<v Speaker 1>She puts him in a choke hold and tells him

1:01:43.960 --> 1:01:47.680
<v Speaker 1>to not hold back. Not the face, Eric yells. Ezekiel

1:01:47.720 --> 1:01:50.520
<v Speaker 1>tells Alan, yeah, her brothers are real glad she found work.

1:01:50.840 --> 1:01:53.640
<v Speaker 1>Eric eventually falls over in defeat and Lonnie celebrates like

1:01:53.720 --> 1:01:55.600
<v Speaker 1>Rocky after a knockout.

1:01:56.160 --> 1:02:00.400
<v Speaker 3>She beat the hell of me.

1:02:00.640 --> 1:02:03.080
<v Speaker 2>Really, I was wondering, actually have week.

1:02:03.240 --> 1:02:06.720
<v Speaker 4>No pads, to the point where the third day I

1:02:06.800 --> 1:02:08.880
<v Speaker 4>was covered in bruises and I had to pull her

1:02:08.920 --> 1:02:12.200
<v Speaker 4>aside and said, can you can you please pull your

1:02:12.200 --> 1:02:13.000
<v Speaker 4>punches a little bit?

1:02:13.080 --> 1:02:13.680
<v Speaker 2>If memories?

1:02:13.840 --> 1:02:15.880
<v Speaker 4>First of all, she couldn't have been sweeter. She and

1:02:15.880 --> 1:02:18.760
<v Speaker 4>I got along really really well, good actress. She'd done

1:02:18.760 --> 1:02:22.560
<v Speaker 4>a bunch of episodes since after, and we loved working together.

1:02:22.640 --> 1:02:25.760
<v Speaker 4>But I had to go to her bruises in hand

1:02:25.960 --> 1:02:30.000
<v Speaker 4>and say, can you please pull your punches? Because at

1:02:30.000 --> 1:02:32.720
<v Speaker 4>first she had a ring on and she was dating

1:02:32.880 --> 1:02:36.680
<v Speaker 4>a guy at the time who was like a martial

1:02:36.760 --> 1:02:40.200
<v Speaker 4>arts master who apparently she had trained with, and as

1:02:40.240 --> 1:02:43.040
<v Speaker 4>my wife says, I bruise like a peach. Yeah, so

1:02:43.200 --> 1:02:45.919
<v Speaker 4>I mean she be. I would go home and take

1:02:45.920 --> 1:02:49.160
<v Speaker 4>my shirt off, and I was covered in bruises from

1:02:49.160 --> 1:02:51.640
<v Speaker 4>this woman, and so it was like, can you please,

1:02:51.720 --> 1:02:53.880
<v Speaker 4>could you please stop actually beating me up? During the

1:02:53.960 --> 1:02:55.960
<v Speaker 4>run through, She's like, I'm so sorry, of course, but

1:02:56.000 --> 1:02:58.400
<v Speaker 4>it was man that that whole week hurts.

1:02:58.760 --> 1:03:00.960
<v Speaker 1>Yeah, Well, I just want you guys to know we

1:03:01.000 --> 1:03:04.640
<v Speaker 1>looked up Mickey Jones's birthday and it was June tenth.

1:03:04.800 --> 1:03:07.760
<v Speaker 1>So close, so close.

1:03:07.880 --> 1:03:09.600
<v Speaker 3>He's got an eleventh brother vibe though.

1:03:09.480 --> 1:03:12.080
<v Speaker 1>Yeah he does. You're right, Yeah, you're right. Well, thank

1:03:12.120 --> 1:03:14.480
<v Speaker 1>you all for joining us for this episode of Podmeets World.

1:03:14.560 --> 1:03:17.120
<v Speaker 1>You can follow us on Instagram pod Meets World Show.

1:03:17.200 --> 1:03:19.280
<v Speaker 1>You can send us your emails pod meets World Show

1:03:19.400 --> 1:03:23.360
<v Speaker 1>at gmail dot com. And we have merch merchant of

1:03:23.560 --> 1:03:27.240
<v Speaker 1>merger pod Meets World.

1:03:27.600 --> 1:03:28.720
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1:03:28.880 --> 1:03:31.680
<v Speaker 3>Powerful that's good too, Powerful powerful.

1:03:31.240 --> 1:03:32.880
<v Speaker 2>Merch, powerful merch.

1:03:33.400 --> 1:03:36.760
<v Speaker 1>Pod Meeatsworldshow dot com writer, send us out.

1:03:37.280 --> 1:03:42.000
<v Speaker 2>We love you all, pod dismissed. Pod Meets World is

1:03:42.000 --> 1:03:45.120
<v Speaker 2>an iHeart podcast producer and hosted by Danielle Fischel, Wilfridell

1:03:45.200 --> 1:03:48.720
<v Speaker 2>and Ryder Strong. Executive producers Jensen Carp and Amy Sugarman,

1:03:48.880 --> 1:03:53.520
<v Speaker 2>Executive in charge of production, Danielle Romo, producer and editor, Tarasubash, producer,

1:03:53.600 --> 1:03:56.800
<v Speaker 2>Maddie Moore, engineer and boy meets World Superman Easton Allen.

1:03:56.960 --> 1:04:00.200
<v Speaker 2>Our theme song is by Kyle Morton of Typhoon. Hellow

1:04:00.240 --> 1:04:03.000
<v Speaker 2>us on Instagram at Podmets World Show or email us

1:04:03.040 --> 1:04:08.560
<v Speaker 2>at podmetsworldshowat gmail dot com. M