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Speaker 1: Oh, Sunday a Friday.

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Speaker 2: Great, It's been awesome. It's been like, you know, a

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Speaker 2: couple of years of not really Sunday because I've been coming.

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Speaker 2: Even the pandemic shut down Sundance for the most part.

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Speaker 2: So like last year it was very mellow and relaxing

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Speaker 2: and like nobody was here. But this year it's back

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Speaker 2: to full speed regular Sundance movies already like selling for

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Speaker 2: seventeen million dollars and it's like, oh cool, that's a festival,

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Speaker 2: but no, super fun.

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Speaker 3: Do you just go to movies every day?

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Speaker 2: No, you know, like I've been trying to see a

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Speaker 2: lot more movies this time, but it's it's so hard,

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Speaker 2: like you just end up running into people and there's

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Speaker 2: parties and there's events and there's gathering, so like, I

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Speaker 2: mean there's depth. There have definitely been Sundances where I've

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Speaker 2: come and only seen like two movies. Let's see this time,

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Speaker 2: I've seen four, which you know is not great, like

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Speaker 2: I would love to see more, but Sundances one Like

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Speaker 2: there are festivals that I go to where I just

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Speaker 2: sit and watch movies, like that's all I'm there for.

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Speaker 2: But Sundance is such like we have the same group

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Speaker 2: of friends that come every year, and I mean it's

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Speaker 2: a huge group of friends. It's coming of always rotating.

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Speaker 2: So it's like some people I see every year, some

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Speaker 2: people haven't seen for six years, and then they come back,

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Speaker 2: and so it's like it ends up being much more

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Speaker 2: of a social thing than and you know, it's a

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Speaker 2: networking social thing. And then it is a movie thing.

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Speaker 2: But of course then we're like constantly talking about what

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Speaker 2: people have seen. So like everyone, like last night I

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Speaker 2: came home and like four other people in the house

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Speaker 2: had seen the same movie I had, and other people

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Speaker 2: had seen it before and hated it. We're all debating

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Speaker 2: and arguing and screaming at each other and talking about

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Speaker 2: what we think is gonna be like. And then next

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Speaker 2: year we'll get together we'll be like I told you

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Speaker 2: see how you know, it's so fun.

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Speaker 3: It's like I was gonna say, you're in Heaven's right now.

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Speaker 2: It's just face to geek out about film, you know,

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Speaker 2: and like and argue and and like yeah yeah, And

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Speaker 2: then we play charades, like we host a charades party

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Speaker 2: every year. I mean it started as just a pasta

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Speaker 2: party that our friends who have the house do.

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Speaker 1: What's a pasta party.

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Speaker 2: Well, they just mean they'd make like a whole, like

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Speaker 2: a whole bunch of pasta and invite a bunch of

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Speaker 2: people that that's fun, dance over to our house for pasta.

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Speaker 2: And then when Alex and I got a lot.

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Speaker 1: More questions about pasta party, I do other people do

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Speaker 1: pasta parties? You're acting as though pasta party is like

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Speaker 1: a common thing.

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Speaker 2: I don't know. I didn't start this party, so our

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Speaker 2: friend I guess maybe that's a common thing, or maybe

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Speaker 2: it's not.

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Speaker 1: Maybe it's weird one type of pasta.

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Speaker 2: Or Okay, well here's here's the I like to point.

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Speaker 4: Danielle has not perked up at all during the conversation

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Speaker 4: about film. You mentioned pasta once, and she's awake, instantly awake.

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Speaker 2: How you meet a pasta? Okay, well let me tell you.

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Speaker 4: So.

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Speaker 2: When we first heard about this pasta party, we were like,

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Speaker 2: this is great because you know, we had come to Sundance,

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Speaker 2: we had friends who were coming and whatever. This is

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Speaker 2: like eight years ago, nine years ago. And so our

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Speaker 2: friend's our friend Ashley, who like is the main host

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Speaker 2: of this house and this group of friends. She was like, oh,

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Speaker 2: we have our pasta party. We were like great and

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Speaker 2: we went and like the pasta was like canned pasta,

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Speaker 2: like you know, you take the sauce and you opened up.

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Speaker 2: So the next year Alex was like, no, no, no,

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Speaker 2: I'm doing my four or five hour sauce. We're gonna

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Speaker 2: like if we're hosting, because then we became like co

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Speaker 2: host because then it was like our house and we

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Speaker 2: became so Alex was like, I'm taking the but no,

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Speaker 2: the problem is we have like over one hundred people

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Speaker 2: show up at this party, like throughout the night. It's

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Speaker 2: like like this year we had like one hundred and

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Speaker 2: sixty RSVPs or whatever, and so like, no one like

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Speaker 2: the pasta is like carbo load, you know what I mean.

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Speaker 2: It's like it's not about like the quest. So Alex

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Speaker 2: spent one year trying to like make her sauce and

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Speaker 2: then realize like, oh, there's just too many people to care,

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Speaker 2: and nobody cares. They're here for like pasta. The garlic

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Speaker 2: bread is a bigger hit than the pasta. And then

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Speaker 2: what happened is Alex and I started doing running charades

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Speaker 2: games during the pasta party, and now that's like why

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Speaker 2: people come to our house, Like the word has gotten out,

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Speaker 2: so like we've become a thing and it's the greatest.

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Speaker 2: I mean we went until three in the morning playing

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Speaker 2: running trades.

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Speaker 4: Still three in the nine are people taking uber and

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Speaker 4: lyft home after this much pasta?

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Speaker 3: Oh yeah, okay, good because you don't want to.

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Speaker 2: I mean, come on, you can't drive when you're No

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Speaker 2: one drives at Sunday. So everyone's either walking or uber

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Speaker 2: lifting or they have like shuttles.

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Speaker 1: It's a whole I still really like this idea of

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Speaker 1: pasta party. I would I think I would just encourage

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Speaker 1: people to bring There are all different types of post

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Speaker 1: yeah for sure, Like we've got spaghetti covered, we could

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Speaker 1: use a ravioli, we need a penny.

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Speaker 2: Well that's what I did. That's why I've done that,

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Speaker 2: like a real pasta party for like my like I

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Speaker 2: had my birthday. This is like my thirty ninth birthday.

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Speaker 2: We rented a cabin and you know, like I used

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Speaker 2: to do all the time for my birthdays and have

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Speaker 2: a big group of friends and this was the legendary one.

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Speaker 2: We made our own pasta, so we spent we woke

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Speaker 2: up in the morning, we all made pasta. We made

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Speaker 2: different noodles and then Alex made two different sauces. She

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Speaker 2: did like a mushroom cream sauce and then like a

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Speaker 2: red sauce. Took all day, so then by the you know,

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Speaker 2: the pasta's been drying out all day and then cook it.

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Speaker 2: And that was probably the greatest my life, Like it

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Speaker 2: was so much fun because it was like by the

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Speaker 2: end of when you actually sit down to eat, you've

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Speaker 2: all worked all day together to make fasta, including the kids.

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Speaker 2: Like it is so much and we've after that, we

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Speaker 2: did that like maybe one other time, and you know,

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Speaker 2: it's a lot of work, but it's so worth it.

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Speaker 2: Like that is Yes, that's like a.

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Speaker 3: Real Daniel's party. You just you just found Daniels. Oh

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Speaker 3: my god, it's a hosta luck party.

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Speaker 4: Yeah, that's yeah, Okay, we know when we know how

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Speaker 4: to get Daniel out of the house now, multiple types

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Speaker 4: of pasta.

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Speaker 3: And fred sticks.

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Speaker 1: I'm not hard to please.

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Speaker 2: I just invite her to an olive garden the same

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Speaker 2: level of excitement.

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Speaker 3: That's true, isn't it.

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Speaker 1: Ye, Well, when you're here, your family, welcome to Podlets World.

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Speaker 1: I'm Danielle Fischel.

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Speaker 2: I'm right or strong, and I'm Wilfridlleh.

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Speaker 1: So today we are recapping season four, episode six, Janitor Dad.

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Speaker 1: It originally aired October twenty fifth, nineteen ninety six. The

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Speaker 1: synopsis Sean's father is the new janitor of John Adams High,

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Speaker 1: causing Sean significant embarrassing and attention from some new bullies. Also,

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Speaker 1: a large mountain man starts working at the Wilderness store.

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Speaker 1: That's yeah.

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Speaker 2: Also, large mountain man with the staff.

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Speaker 4: Named Iszekiel Ezekiel starts large bearded mountain man wait to

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Speaker 4: talk about Mickey?

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Speaker 1: Okay?

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Speaker 2: So.

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Speaker 1: It was directed by Jeff McCracken. It was written by

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Speaker 1: Jeff Manel and Guys buckle up for this list of

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Speaker 1: guest stars, so many Finny guest stars. Anthony Tyler Quinn

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Speaker 1: slowly creeping up to his motorcycle accident as Jonathan Turner

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Speaker 1: again only seen in this episode for a few seconds.

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Speaker 1: We have Blake Clark returning as Chet Hunter, Sharen Mitchell

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Speaker 1: returns as Verna Hunter, and then Jennifer Campbell as Lannie.

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Speaker 1: She is a former Miss Hawaiian Tropics International, best known

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Speaker 1: as Tia the Calvin Klein Model on three episodes of

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Speaker 1: Seinfeld and has three different characters on six episodes of Baywatch.

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Speaker 2: So hold on, you said Miss Hawaiian International.

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Speaker 1: It's It's the Hawaiians a beauty title. Yes, like the

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Speaker 1: Hawaiian Tropics. I think is Sun's green brand. Okay, And

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Speaker 1: they do like a swimsuit competition. It's all swimsuit And

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Speaker 1: is this still a thing Hawaiian Tropics.

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Speaker 3: I don't know, I think so, I don't know.

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Speaker 4: I only watched it for the articles, but yes, I

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Speaker 4: think that was a big thing in like the eighties

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Speaker 4: and the nineties.

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Speaker 3: Yes, so I don't know.

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Speaker 5: Then we have Mickey Jones as mountain Man Ezekiel best

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Speaker 5: knows awesome, Yeah, best known when it comes to acting

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Speaker 5: for Total Recall, National Lampoon's Vacation and sling Blade among.

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Speaker 2: And then he was in another episode of Boy he was. Yeah,

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Speaker 2: that's why I didn't talk to him this episode. He

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Speaker 2: comes in the episode when I go to a truck stop, Oh,

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Speaker 2: the Nobody's Angel episode, the Girls Singing, He's in that

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Speaker 2: truck stop and I spent that entire time hanging out

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Speaker 2: with him. I didn't hang out with him this because

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Speaker 2: I didn't work with him this week, but that later

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Speaker 2: week I spent all my time, like geeking out with

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Speaker 2: him because he's like a very really famous musician. He is.

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Speaker 4: Yeah, he was in We'll talking about yea Tin copy Legend,

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Speaker 4: his banned Yeah, there was a great, huge Hollywood legend

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Speaker 4: in a way.

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Speaker 3: Yeah.

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Speaker 1: Yeah, he's an accomplished drummer playing with Kenny Rogers. And

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Speaker 1: then Bob Dylan on his nineteen sixty six controversial and

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Speaker 1: now beloved electric tour.

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Speaker 2: That's the one we talked about. We spent the whole

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Speaker 2: time talking Dylan. It was amazing. He has so many

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Speaker 2: stories because he's completely sober. So he was like, he's

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Speaker 2: like the guy who remembers everything from that era.

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Speaker 1: Is also the drummer on the song Secret Agent Man.

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Speaker 1: He sadly passed away in twenty eighteen at the age

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Speaker 1: of seventy seven. No, that either, sorry to give.

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Speaker 3: It was a nice the nicest human being. Yeah, such

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Speaker 3: a nice man.

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Speaker 1: And then we have Kevin West as Wally. He's a

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Speaker 1: character actor from movies like Gone in sixty Seconds. In Junior,

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Speaker 1: we have Andrew Bilbore as Edgar. He has credits like

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Speaker 1: Friends Becker and Dexter, so he worked with our friend

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Speaker 1: Alex Decero over on Becker and then Willie Garson comes

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Speaker 1: back to Boy Meets World, this time as Mervin, one

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Speaker 1: of the many characters he would play in Boy Meets

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Speaker 1: World slash Girl Meets World. A reminder that he and

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Speaker 1: Michael Jacobs were very good friends, so any chance they

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Speaker 1: had to bring him back, they did.

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Speaker 2: Anytime they need a nerd.

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Speaker 3: Yep, and I forgot he was in this one. Totally

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Speaker 3: forgot he was.

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Speaker 2: In this episode. I knew he was in a bunch

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Speaker 2: of you know, but yeah, Lenny Spinelley to this, and

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Speaker 2: then he marries Scored yep.

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Speaker 1: Yeah, crazy, and then Sean Babb as Doug and Marcus

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Speaker 1: Toji as kid number one. He is still working mostly

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Speaker 1: in voiceovers for video games. Uh okay, So before we

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Speaker 1: jump into the recap, do you guys have some overall thoughts.

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Speaker 3: I don't want to start. It wasn't dad.

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Speaker 1: I didn't love it.

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Speaker 3: I didn't love it either. I didn't love it either.

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Speaker 4: I thought the BE story was stronger than the A

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Speaker 4: story because it was just random. But I thought at

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Speaker 4: times the A story got so caricature and so cartoony.

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Speaker 4: I liked the school stuff more than the trailer park stuff.

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Speaker 2: But Ezekiel is not cartoony, but it's supposed to be.

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Speaker 3: That's what I meant.

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Speaker 2: I I just know it's all super It's so big everything,

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Speaker 2: very big, Yes, very huge.

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Speaker 1: Yes, there was a very very obvious note to Scherene

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Speaker 1: Mitchell to like totally have a change of character.

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Speaker 4: And go huge with everything, and and yeah it's I

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Speaker 4: I don't I don't disagree. And I think it's doubly

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Speaker 4: jarring because the trailer park has now become the Matthews

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Speaker 4: living room. So there's that kind of fish out of

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Speaker 4: water feeling a little bit where you're kind of, oh,

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Speaker 4: this is this is now the family dynamic, which can

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Speaker 4: be a bit jarring, and then when it gets that big,

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Speaker 4: that fast, it's doubly.

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Speaker 3: Jarring, and you're seeing Corey come in and it's.

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Speaker 2: Like a it's like a pilot for the Shawn Hunter

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Speaker 2: exactly exactly. That's like an awkward pilot that hasn't gotten

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Speaker 2: its feet wet and like he still hasn't like found

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Speaker 2: It's yeah, it's it's a little hard it.

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Speaker 4: This was also so Roseanne was really big at this time.

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Speaker 4: This is a big time for the blue collar sitcoms,

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Speaker 4: so they might have been trying to kind of give

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Speaker 4: it a whole blue collar spin, and it seemed odd.

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Speaker 4: I think you're right, it did seem like a pilot

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Speaker 4: for the Shawn Hunters show.

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Speaker 3: Yeah.

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Speaker 2: Yeah, I think Blake is great in the episode. Yeah,

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Speaker 2: he's always great. Yeah, but I think he manages to

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Speaker 2: be a sort of over the top character subtly, like

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Speaker 2: he has a way of just I mean, I guess

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Speaker 2: part of it is that Chet is performative, so like,

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Speaker 2: even when Chet's saying ridiculous things, there's this level of

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Speaker 2: irony to it, like I'm just doing my thing. I'm

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Speaker 2: a guy. He talks like that, whereas everybody else it's

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Speaker 2: like it just feels big and cartoony to a degree

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Speaker 2: that really loses the character. Yeah, and then just it

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Speaker 2: just kind of the nose, like every beat felt very out. Yes,

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Speaker 2: let me drive this home.

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Speaker 4: And the thing that was so interesting, and unfortunately they

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Speaker 4: were in different scenes at the time about Blake and

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Speaker 4: Verna together, was that she was the anchor to his craziness, right,

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Speaker 4: and so when they're both kind of that big, it

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Speaker 4: washed out a bit for me.

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Speaker 6: Yeah.

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Speaker 1: While jumping into our recap, we start in the wilderness outpost.

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Speaker 1: Eric and Allan are helplessly staring at something in the

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Speaker 1: store when Eric whispers, Dad, you gotta kick mom out

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Speaker 1: or we're going to go bust by tuesday, and we

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Speaker 1: cut to Amy, who's telling a customer to put down

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Speaker 1: the rock climbing shoes. He's planning to buy a skinny

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Speaker 1: man like you should not be rock climbing. Alan laments,

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Speaker 1: we ain't gonna make it to Tuesday. Amy sees the

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Speaker 1: prospective shoe buyer out, suggesting a nearby yogurt store, and

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Speaker 1: as he leaves, she yells gets strawberry. Alan tells Amy

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Speaker 1: that the customers have their own mothers who can nag

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Speaker 1: them about their rock climbing interests. Amy reminds him he's

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Speaker 1: the one who asked for help because the store was

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Speaker 1: so busy. Alan responds that she's been a protective mother

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Speaker 1: figure for so long it's kind of getting in the

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Speaker 1: way of what they used to call sales. Amy brushes

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Speaker 1: him off. Then she sees a man testing out a

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Speaker 1: fishing spear. She yells, kill fish. You're gonna kill fish.

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Speaker 1: He puts down the weapon, defeated. Then we're outside of

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Speaker 1: the wilderness outposts. There's a help wanted signposter that now.

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Speaker 2: Is when I was already like, I don't know, I

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Speaker 2: know the same because I was like, is this really

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Speaker 2: this is the first has Amy ever been this way? No, like,

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Speaker 2: has she ever been a nagging over the whole point

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Speaker 2: of Amy is that she's chill, cool and like kind

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Speaker 2: of cool and like accepting of like people being different.

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Speaker 2: And I don't know, this was just like, clearly for

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Speaker 2: the story point, Yeah, let's make her a nagging mom

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Speaker 2: character that she's never been. And it was like, let's

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Speaker 2: just go for the I don't.

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Speaker 1: Know, especially because just a few episodes ago she was

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Speaker 1: the big savior who got them the wilderness snore and

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Speaker 1: now she's the obnoxious nagging woman who's ruining their business.

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Speaker 2: Exactly and bringing the boys down with her nagging.

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Speaker 4: Because the men want to do dangerous things, but of

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Speaker 4: course the woman is going to say you shouldn't be doing.

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Speaker 1: You're too skinny for that, and then the sign says

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Speaker 1: no mothers. And I hope this episode gets better for women.

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Speaker 6: Does not.

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Speaker 1: At the trailer part, yes, but then, guys, it does

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Speaker 1: get better for women when a super skinny, very hot

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Speaker 1: crop top woman shows up later who can act like

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Speaker 1: a boy, right, who could act like.

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Speaker 2: A boy could be one of the boys.

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Speaker 4: She's too distracted if she's a girl. That's literally said

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Speaker 4: that it's too distracting for her to be a girl.

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Speaker 1: Everyone knows the best girls.

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Speaker 2: Best girls are boys. Boys with boobs are the best.

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Speaker 1: Turn this out posts. During the interviews, there's a group

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Speaker 1: of middle aged men. Thank god, there's no women waiting

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Speaker 1: to be interviewed by Eric. The first candidate rattles off.

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Speaker 2: Guys, every one of them in glasses, every one of

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Speaker 2: them like just.

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Speaker 3: Another I say it's because it's Philadelphia.

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Speaker 4: We won't find anybody who knows outside because we're in Philadelphia.

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Speaker 1: Like, what does that mean? What does that mean? None

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Speaker 1: of it makes sense.

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Speaker 3: Why would our writers.

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Speaker 2: Were really in touch with Pennsylvania. I don't know if

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Speaker 2: you know this. Our Beverly and those living writers were

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Speaker 2: really they understand trailer parks. And there's two things our

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Speaker 2: writers know. It's trailer park blue collar lifestyle and Pennsylvania.

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Speaker 3: Wait, I'd like to throw a fourth and women and strength.

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Speaker 2: This this episode brings up the strengths in our writing staff.

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Speaker 2: O god, I mean like having two parents from Pennsylvania.

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Speaker 2: The amount of outdoor like it's all hunting it's all

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Speaker 2: outdoor people. It is like the most it's like the

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Speaker 2: most wilderness friendly place in all America.

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Speaker 3: Yes, oh yes, that's what you do in Pennsylvania. You hunt,

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Speaker 3: you fish, you can't there's mine.

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Speaker 2: People like.

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Speaker 3: Yes, oh my god.

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Speaker 1: So the first candidate rattles off all the things he's

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Speaker 1: sold during his time in retail and scoffs at the

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Speaker 1: required technical knowledge. He then points to a kayak and asks,

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Speaker 1: is this.

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Speaker 2: He played a teacher in a previous episode? Yes, this

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Speaker 2: guy who's an amazing character actor, He's been in everything

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Speaker 2: he's been in this. I just I know his face

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Speaker 2: and I see him. So remember we talked.

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Speaker 3: About we talked about the fact that the teachers are real.

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Speaker 1: Guy framer teacher who like around the corner, We're like,

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Speaker 1: what do you know?

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Speaker 3: A boy?

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Speaker 1: And was like, what the whoa?

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Speaker 2: So I wonder So these are all people who have

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Speaker 2: like already been on episodes of Boy before. It's like,

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Speaker 2: give me the nerds, those nerd guys we like, and

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Speaker 2: they just cast them.

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Speaker 3: Yes, twelve nerds in a mountain. Man go.

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Speaker 1: So he asks is this for like water? And then

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Speaker 1: ready to move on, Alan nods towards the other candidates,

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Speaker 1: and one of them, played by the Great Willie Garson,

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Speaker 1: is touching the spiky rock climbing shoe over and over

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Speaker 1: each time saying ow, but never stopping.

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Speaker 6: Somebody stopping.

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Speaker 3: Somebody stop, somebody stopping.

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Speaker 1: Why couldn't he have just still been Lenny Spinelli looking

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Speaker 1: for a new job.

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Speaker 2: Yeah, because all it would have taken was Alan being like, Lenny,

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Speaker 2: get out of here, and we would have laughed, and

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Speaker 2: it would have been a great joke because it's like, Lenny,

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Speaker 2: you're not right for this job. Yeah, Poor Lenny, Poor

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Speaker 2: Lenny can't get hired by his old boss.

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Speaker 4: Yeah, changing change his name from yeah. Actual Lenny has

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Speaker 4: a great job somewhere else. He actually runs the store.

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Speaker 2: Now, he runs the stuff, the stuff.

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Speaker 1: The stuff. You're right back at the wilderness outpost now.

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Speaker 1: After the interviews, Eric says they're never going to find

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Speaker 1: someone to fill this position in Philadelphia. Alan agrees they

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Speaker 1: need a grizzly Adams mountain man who lives the outdoor life,

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Speaker 1: knows this equipment, who needs a job and just to

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Speaker 1: wander in here, tee it up, tee it up and

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Speaker 1: give it to me, wouldn't you know it? At this

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Speaker 1: exact moment, an extremely tall man with a long beard,

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Speaker 1: long hair, walking stick, red suspenders in a fringe jacket

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Speaker 1: waltz is into the store. He says, I just happened

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Speaker 1: to wander in here looking for the yogurt chop because

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Speaker 1: I heard they was hiring scoopers. Although I know a

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Speaker 1: lot less about yogurt than I do about wilderness equipment.

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Speaker 1: I am in powerful need of employment. He is powerful,

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Speaker 1: so funny, so good.

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Speaker 3: He's so good. That's the thing.

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Speaker 1: Eric and Alan stare at each other. Eric breaks the silence. Yeah,

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Speaker 1: it's four doors down on the left. You can't miss it.

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00:18:37,600 --> 00:18:41,040
Speaker 1: The man starts to leave when Alan yells, wait a minute. Great,

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Speaker 1: great delivery.

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Speaker 3: And joke and all.

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Speaker 4: And if the A story had been far more rooted

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Speaker 4: in reality, this would have been fine. It would have

395
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Speaker 4: been great because it would have been ridiculousness on top

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Speaker 4: of drama.

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Speaker 2: And actually, then all we're really talking about is the

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Speaker 2: next scene, the first scene in the trip. Yes, yes,

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Speaker 2: because because the rest the episode is pretty grounded. And

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Speaker 2: I would say that like when Veer and Chet like

401
00:19:04,480 --> 00:19:06,680
Speaker 2: kiss and near the end like that is actually it's

402
00:19:06,720 --> 00:19:10,080
Speaker 2: that next scene where it suddenly becomes the like racky Hunters.

403
00:19:10,680 --> 00:19:13,159
Speaker 4: That's just it's just to him in school is fine.

404
00:19:13,400 --> 00:19:15,440
Speaker 4: When when Check gets to school, that's a great dynamic.

405
00:19:15,520 --> 00:19:20,000
Speaker 2: And Sean was pretty great too, So it's grounded. So yeah,

406
00:19:20,080 --> 00:19:20,800
Speaker 2: it really is.

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Speaker 3: Just the first wrong.

408
00:19:23,000 --> 00:19:24,960
Speaker 2: Yeah, it's just and it's the writing. And she just

409
00:19:24,960 --> 00:19:27,479
Speaker 2: shouldn't have been written as like, let's you didn't need

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00:19:27,480 --> 00:19:29,320
Speaker 2: the jokes. It could have just been you need a

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00:19:29,400 --> 00:19:32,160
Speaker 2: job or you know, some version, some slightly less over

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Speaker 2: the top version. Yeah.

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00:19:33,200 --> 00:19:37,280
Speaker 1: Yeah, they really wanted to set up the this for

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00:19:37,359 --> 00:19:40,560
Speaker 1: this scene that there is now a tornado inside the

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00:19:40,600 --> 00:19:45,160
Speaker 1: house and Corey wanders into a tornado, and unfortunately for

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00:19:45,280 --> 00:19:48,000
Speaker 1: the women, the only way they knew how to make

417
00:19:48,040 --> 00:19:51,119
Speaker 1: that happen was for her to be the sole source

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00:19:51,280 --> 00:19:54,840
Speaker 1: of the tornado conflict, and therefore she needed to be

419
00:19:56,000 --> 00:20:01,960
Speaker 1: high tension. And it's just we have a commercial. Some

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00:20:02,119 --> 00:20:05,800
Speaker 1: surfer rock acid into the Hunter's trailer. Sean's leaving for

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Speaker 1: school when his mom stops him he can't leave until

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00:20:07,880 --> 00:20:10,119
Speaker 1: he has a healthy breakfast. She whips out a sticky

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Speaker 1: bun and a Flintstone's vitamin and Sean exclaims, oh dino.

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00:20:14,119 --> 00:20:16,040
Speaker 1: She says she'll just pop the sticky bun in the microwave,

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00:20:16,080 --> 00:20:18,520
Speaker 1: and Chet nervously yells no time for that. Verna asks

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00:20:18,520 --> 00:20:20,760
Speaker 1: what's in the microwave, and he responds, you can continue

427
00:20:20,800 --> 00:20:23,439
Speaker 1: to ask me suspicious questions, or you can join in

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00:20:23,480 --> 00:20:26,399
Speaker 1: and embark on a new relationship, one based on trust

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00:20:26,440 --> 00:20:30,120
Speaker 1: and love and not going in that microwave. Verna immediately

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00:20:30,200 --> 00:20:32,240
Speaker 1: opens the microwave and pulls out a stack of papers.

431
00:20:32,440 --> 00:20:36,080
Speaker 1: Their bals, their meal.

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00:20:36,280 --> 00:20:39,320
Speaker 2: He pull out their bills. You must not be from Philadelphia.

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00:20:39,440 --> 00:20:41,920
Speaker 3: Wow, you're not from New York are?

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00:20:42,040 --> 00:20:44,639
Speaker 1: They're from their meals, Their meals in the microwave, from

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00:20:44,680 --> 00:20:48,199
Speaker 1: the old relationship. Chet explains, they have set sail on

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00:20:48,280 --> 00:20:51,560
Speaker 1: the new relationship and nothing's gonna set that ship off course.

437
00:20:51,880 --> 00:20:53,879
Speaker 1: Corey walks in and mentions how nice it is to

438
00:20:53,880 --> 00:20:56,400
Speaker 1: see the two of them back together. Verna tells Corey

439
00:20:56,480 --> 00:20:59,080
Speaker 1: he's sweet, then screams at Chet to find some way

440
00:20:59,119 --> 00:21:01,680
Speaker 1: to pay the bills. Corey offers to wait outside where

441
00:21:01,680 --> 00:21:03,560
Speaker 1: there's a little less tension, but when he opens the

442
00:21:03,600 --> 00:21:08,000
Speaker 1: trailer door, a nearby neighbor yells, you spineless, deadbeat hiding

443
00:21:08,000 --> 00:21:11,480
Speaker 1: the bills in the cat box. I'll kill you. Sean explains,

444
00:21:11,520 --> 00:21:12,040
Speaker 1: to Corey.

445
00:21:12,119 --> 00:21:16,200
Speaker 2: It's this, this is when we've ventured cud C. Yeah,

446
00:21:16,240 --> 00:21:18,400
Speaker 2: but it's you know, and you can do it if

447
00:21:18,640 --> 00:21:20,520
Speaker 2: I just think, you know, if it's funny enough, you

448
00:21:20,520 --> 00:21:22,720
Speaker 2: can earn it. But this is just isn't funny enough,

449
00:21:22,760 --> 00:21:23,240
Speaker 2: and it's.

450
00:21:23,040 --> 00:21:26,280
Speaker 3: Like, okay, there is also something I went back.

451
00:21:26,440 --> 00:21:29,040
Speaker 4: The thing that went to my head was season one

452
00:21:29,040 --> 00:21:30,720
Speaker 4: of Boy when I was watching this, and there was

453
00:21:30,760 --> 00:21:37,040
Speaker 4: something so grounded in reality about Sean's economic status right

454
00:21:37,119 --> 00:21:40,359
Speaker 4: where it was like, you know, you just mentioned that

455
00:21:40,400 --> 00:21:43,000
Speaker 4: Sean isn't probably going to get a Christmas gift or

456
00:21:43,040 --> 00:21:45,640
Speaker 4: we don't. I mean, it was very real, and that's

457
00:21:45,680 --> 00:21:49,480
Speaker 4: what I think people connected to was the dispared disparity

458
00:21:49,480 --> 00:21:52,720
Speaker 4: between Sean and Corey and they're making it now just

459
00:21:52,800 --> 00:21:56,000
Speaker 4: this big cartoony I'm poor and it's like.

460
00:21:56,480 --> 00:21:58,520
Speaker 2: You know, I actually think when we because we did

461
00:21:58,520 --> 00:22:00,520
Speaker 2: make the jokes like the Uncle Joe, my uncle who

462
00:22:00,560 --> 00:22:03,359
Speaker 2: does right and Verna, like we made jokes about but

463
00:22:03,359 --> 00:22:05,760
Speaker 2: it was always off camera, right, and so I think

464
00:22:05,800 --> 00:22:07,840
Speaker 2: like it could be cartooning over the top of it

465
00:22:07,880 --> 00:22:10,280
Speaker 2: was in your imagination. When you try and bring it

466
00:22:10,440 --> 00:22:13,800
Speaker 2: into reality, it becomes you have to Yeah, I mean

467
00:22:13,840 --> 00:22:15,360
Speaker 2: because I felt the same way about when we went

468
00:22:15,440 --> 00:22:18,000
Speaker 2: when we did the the documentary episode, we went to

469
00:22:18,119 --> 00:22:19,320
Speaker 2: you know, and they had to just keep making the

470
00:22:19,359 --> 00:22:22,200
Speaker 2: jokes about you know, Shawn's family being criminals not wanting

471
00:22:22,240 --> 00:22:24,560
Speaker 2: to be on camera, because again it's like, yeah, it

472
00:22:24,720 --> 00:22:27,399
Speaker 2: just doesn't. I don't know. I think I think Sean's like,

473
00:22:27,480 --> 00:22:30,600
Speaker 2: I think Sean's status is just better off camera or

474
00:22:30,720 --> 00:22:32,439
Speaker 2: or you know, or played for reality.

475
00:22:32,440 --> 00:22:34,639
Speaker 1: Well, when you played for jokes, you're right. When played

476
00:22:34,680 --> 00:22:36,840
Speaker 1: for over the top jokes, it's better to not see it.

477
00:22:36,880 --> 00:22:39,120
Speaker 1: When you see it, it feels it's not as good.

478
00:22:39,720 --> 00:22:43,159
Speaker 1: So Chet then simps to Verna sugar pie, honey bunch.

479
00:22:43,400 --> 00:22:46,520
Speaker 1: He refers to the bills as minor financial fracas, then

480
00:22:46,520 --> 00:22:49,880
Speaker 1: tells the boys that's their new vocabulary word of the day, fracus.

481
00:22:50,440 --> 00:22:54,840
Speaker 1: He's again so good, so funny, and it's exactly what

482
00:22:54,880 --> 00:22:57,040
Speaker 1: you said writer, that part of who he is as

483
00:22:57,080 --> 00:23:00,920
Speaker 1: a person is a performative guy exactly. So you're allowed

484
00:23:00,960 --> 00:23:03,000
Speaker 1: to be look at me putting on a show because

485
00:23:03,000 --> 00:23:04,640
Speaker 1: he's look at me put on I'm putting on a show.

486
00:23:04,800 --> 00:23:05,000
Speaker 4: Guy.

487
00:23:05,480 --> 00:23:07,919
Speaker 2: Oh it's really Verna. If if Verna's character, if you

488
00:23:07,960 --> 00:23:10,560
Speaker 2: had written this scene with Verna being like no, no, seriously, chet,

489
00:23:10,600 --> 00:23:12,200
Speaker 2: I need you to get a job. Like it would

490
00:23:12,200 --> 00:23:15,200
Speaker 2: have raised the stakes and made made them like real,

491
00:23:15,280 --> 00:23:17,240
Speaker 2: like I can't you know, I'm working at this movie theater.

492
00:23:17,320 --> 00:23:18,960
Speaker 2: I can't do this. You have to like pull your

493
00:23:18,960 --> 00:23:21,000
Speaker 2: weight and like just play it and like she's not

494
00:23:21,040 --> 00:23:23,080
Speaker 2: a joke and he's trying to get around it and

495
00:23:23,080 --> 00:23:24,720
Speaker 2: then ask you like I can't I gotta do that.

496
00:23:24,960 --> 00:23:26,359
Speaker 2: It could have been great. It could have been just

497
00:23:26,359 --> 00:23:28,880
Speaker 2: a very straightforward and still funny because he could still

498
00:23:28,920 --> 00:23:30,879
Speaker 2: be trying to scheme and it's just not working.

499
00:23:31,080 --> 00:23:33,600
Speaker 4: Yeah, and she's already proved in the last episode she's

500
00:23:33,640 --> 00:23:37,240
Speaker 4: a phenomenal actor totally, so she can handle the weight,

501
00:23:37,480 --> 00:23:38,800
Speaker 4: you know, make make it.

502
00:23:38,880 --> 00:23:41,320
Speaker 2: But they hired her for the last episode scenes and

503
00:23:41,359 --> 00:23:44,040
Speaker 2: then put her in a like wacky sitcom scene. Yes,

504
00:23:44,119 --> 00:23:46,840
Speaker 2: and it's like that's not that's not the right tone.

505
00:23:46,880 --> 00:23:47,560
Speaker 2: It's just great.

506
00:23:47,720 --> 00:23:51,320
Speaker 1: I also think it would have made it actually more

507
00:23:52,640 --> 00:23:57,840
Speaker 1: scary for Sean, especially like Mom's gonna leave again exactly

508
00:23:57,880 --> 00:24:01,359
Speaker 1: she has been calm, if she but the fact that

509
00:24:01,400 --> 00:24:04,080
Speaker 1: she's like ah, but if she had said, like if

510
00:24:04,080 --> 00:24:07,440
Speaker 1: she was like you know what, I'm not surprised. If

511
00:24:07,480 --> 00:24:11,080
Speaker 1: it's the I'm not angry, I'm disappointed exactly. Oh my god,

512
00:24:11,920 --> 00:24:14,720
Speaker 1: there's a real like, oh gosh, Dad, this is every

513
00:24:14,800 --> 00:24:17,040
Speaker 1: this was what everything was, This is why she left

514
00:24:17,080 --> 00:24:19,400
Speaker 1: in the first place. This is she's gonna do it again.

515
00:24:19,400 --> 00:24:21,240
Speaker 1: I'm gonna come home today and she won't be here.

516
00:24:21,680 --> 00:24:23,239
Speaker 2: And so if Sean saying, Dad, you got to get

517
00:24:23,280 --> 00:24:26,200
Speaker 2: a job with real urgency, and then of course that

518
00:24:26,240 --> 00:24:28,640
Speaker 2: would only make him be in the janitor because then Sean.

519
00:24:28,640 --> 00:24:31,320
Speaker 4: That that much work, and then the turn at the

520
00:24:31,440 --> 00:24:33,879
Speaker 4: end from her starting to from that position to then

521
00:24:33,920 --> 00:24:36,640
Speaker 4: literally putting her arms around Chad and kissing him would

522
00:24:36,680 --> 00:24:37,520
Speaker 4: be huge.

523
00:24:37,720 --> 00:24:38,359
Speaker 1: Yeah, huge.

524
00:24:38,720 --> 00:24:38,920
Speaker 4: Yeah.

525
00:24:50,840 --> 00:24:52,960
Speaker 1: Verna grabs Chet by the ear and reminds him that

526
00:24:53,000 --> 00:24:55,560
Speaker 1: she's been tearing tickets at the movie theater every afternoon

527
00:24:55,560 --> 00:24:57,680
Speaker 1: so they wouldn't have to hide bills in the microwave.

528
00:24:57,840 --> 00:25:00,040
Speaker 1: She shakes him back and forth, comically, yelling I I

529
00:25:00,119 --> 00:25:03,280
Speaker 1: want to be normal. Chet Chet responds, well, if we're

530
00:25:03,320 --> 00:25:05,080
Speaker 1: not pleased with our little job but the theater, we

531
00:25:05,080 --> 00:25:07,600
Speaker 1: should find one with a little more job fulfillment. Verna

532
00:25:07,640 --> 00:25:09,800
Speaker 1: looks at him with fire in her eyes, and she says,

533
00:25:09,840 --> 00:25:11,520
Speaker 1: we you said we work.

534
00:25:12,359 --> 00:25:13,520
Speaker 2: I thought that's what they were gonna do.

535
00:25:13,680 --> 00:25:15,800
Speaker 1: He too. I was like, that's where Sean gets it.

536
00:25:15,880 --> 00:25:17,560
Speaker 3: I thought that's where it was going.

537
00:25:18,440 --> 00:25:20,720
Speaker 1: She says, I work like a pig. This is quite

538
00:25:20,760 --> 00:25:22,920
Speaker 1: a different personality than the last time we saw Verna.

539
00:25:23,000 --> 00:25:25,400
Speaker 1: So Chet says that she storms away. Maybe you want

540
00:25:25,400 --> 00:25:27,080
Speaker 1: to ask for a raise because we got a microwave

541
00:25:27,119 --> 00:25:29,479
Speaker 1: full of bills, honey. She checks her apron at him

542
00:25:29,480 --> 00:25:31,680
Speaker 1: and he ducks right on time. Corey opens the door

543
00:25:31,680 --> 00:25:33,640
Speaker 1: because it's got to be better out there. But that

544
00:25:34,000 --> 00:25:37,439
Speaker 1: same woman we heard earlier is yelling familiar complaints. I

545
00:25:37,520 --> 00:25:41,000
Speaker 1: want to be normal, spud. Corey slams the door. I'm stuck.

546
00:25:41,160 --> 00:25:44,239
Speaker 1: And I love Corey in this situation where this is

547
00:25:44,520 --> 00:25:48,199
Speaker 1: so different from his normal life and he is so

548
00:25:48,520 --> 00:25:52,120
Speaker 1: anxious about it, Like, oh gosh, what do we do

549
00:25:53,040 --> 00:25:53,600
Speaker 1: with Vernet.

550
00:25:53,840 --> 00:25:59,520
Speaker 4: This episode, though, also continues to debunk a theory that

551
00:25:59,560 --> 00:26:01,879
Speaker 4: we had, which is one of the theories that we

552
00:26:02,000 --> 00:26:03,960
Speaker 4: had was one of the reasons they were getting rid

553
00:26:04,160 --> 00:26:08,399
Speaker 4: of Tony is because the Tony Sean dynamic was taking

554
00:26:08,400 --> 00:26:11,600
Speaker 4: away from Corey. I know, it's still he's still not there,

555
00:26:11,640 --> 00:26:15,600
Speaker 4: and it's still not Corey, right, So it's it obviously,

556
00:26:15,680 --> 00:26:18,560
Speaker 4: wasn't that. You know, We've had a couple episodes now

557
00:26:18,560 --> 00:26:21,760
Speaker 4: where it's still Sean or Eric or somebody other than

558
00:26:21,800 --> 00:26:23,760
Speaker 4: Corey that's driving the story forward.

559
00:26:24,040 --> 00:26:25,640
Speaker 1: Yeah, really interesting.

560
00:26:26,680 --> 00:26:28,640
Speaker 2: I mean, Blake is just so good. I think he's

561
00:26:28,640 --> 00:26:31,000
Speaker 2: so such a fun character that I think they were

562
00:26:31,040 --> 00:26:33,240
Speaker 2: just like the writers were just, oh, we gotta, we

563
00:26:33,280 --> 00:26:36,480
Speaker 2: gotta do more for this guy, which meant can have

564
00:26:36,520 --> 00:26:38,399
Speaker 2: Turner two. You know, it's like Sean can only you know,

565
00:26:38,400 --> 00:26:40,280
Speaker 2: you can only have so many relationships. And I think

566
00:26:40,320 --> 00:26:42,560
Speaker 2: once the once they realized like that they could keep

567
00:26:42,560 --> 00:26:44,440
Speaker 2: writing for Blake and he would keep delivering, and they

568
00:26:44,480 --> 00:26:46,679
Speaker 2: just went that direction, and poor Tony got.

569
00:26:46,720 --> 00:26:48,760
Speaker 3: And how did Blake not end up with the Blake

570
00:26:48,800 --> 00:26:49,320
Speaker 3: Clark show?

571
00:26:49,600 --> 00:26:53,320
Speaker 4: Based just on this, especially in the nineties in sitcom

572
00:26:53,320 --> 00:26:55,359
Speaker 4: with the blue Collar Comedy Tour being so big, with

573
00:26:55,400 --> 00:26:57,160
Speaker 4: all the blue collar shows being so big.

574
00:26:57,119 --> 00:26:59,679
Speaker 3: How was there not a Blake Clark show? That just

575
00:26:59,720 --> 00:27:00,760
Speaker 3: doesn't make any sense to me?

576
00:27:01,080 --> 00:27:04,320
Speaker 1: I know. Well, with Verna in the nearby bedroom, Sean

577
00:27:04,359 --> 00:27:06,480
Speaker 1: reminds his dad that she came back because she believed

578
00:27:06,520 --> 00:27:09,000
Speaker 1: things would be different. There has to be change. Chet

579
00:27:09,040 --> 00:27:10,879
Speaker 1: asks if Sean's referring to him getting a nine to

580
00:27:10,960 --> 00:27:14,040
Speaker 1: five job, and Sean nods that would be different. Chet

581
00:27:14,040 --> 00:27:16,040
Speaker 1: says maybe he needs to quit his ways of dreaming

582
00:27:16,080 --> 00:27:18,160
Speaker 1: and scheme in to settle down and focus on reality.

583
00:27:18,359 --> 00:27:20,080
Speaker 1: Of course, he'll have to move to Portugal because it's

584
00:27:20,119 --> 00:27:22,640
Speaker 1: the pearl diving capital of the world. And Chet proudly says,

585
00:27:22,720 --> 00:27:24,360
Speaker 1: you know I can hold my breath underwater for over

586
00:27:24,400 --> 00:27:26,879
Speaker 1: four minutes. Corey jokes, well, that should help when she

587
00:27:26,920 --> 00:27:29,399
Speaker 1: throws you off the bridge. Sean says Chet needs a

588
00:27:29,440 --> 00:27:32,960
Speaker 1: normal job. Verna emphasized she wants to be normal. Chet

589
00:27:32,960 --> 00:27:34,679
Speaker 1: looks at Corey. I suppose you want me to get

590
00:27:34,680 --> 00:27:38,719
Speaker 1: a job too. Corey, sheepishly answers, whatever would calm everyone

591
00:27:38,760 --> 00:27:42,359
Speaker 1: down is fine with me. Again. I love Coy, so Cory,

592
00:27:42,440 --> 00:27:43,919
Speaker 1: I want to give him a big hug. He's like,

593
00:27:43,960 --> 00:27:49,200
Speaker 1: please save me. And then we are in John Adams High, Corey, Shawan,

594
00:27:49,240 --> 00:27:52,359
Speaker 1: and Tapanga are all together, just casually posing near a

595
00:27:52,400 --> 00:27:55,960
Speaker 1: trash can like it's a teen beat centerfold, with Corey

596
00:27:56,000 --> 00:27:58,840
Speaker 1: telling Sean his plan isn't gonna work. To Panga butts in,

597
00:27:59,040 --> 00:28:02,080
Speaker 1: I think you are so mature, Corey responds, that's what

598
00:28:02,119 --> 00:28:03,479
Speaker 1: it's like to be a guy. Honey.

599
00:28:03,760 --> 00:28:04,320
Speaker 6: Uh.

600
00:28:04,359 --> 00:28:07,439
Speaker 1: Three young little Minkus lookalikes walk up and say that

601
00:28:07,560 --> 00:28:10,119
Speaker 1: wasn't Homer Simpson. Sean says, sorry, kid, I could have

602
00:28:10,119 --> 00:28:12,360
Speaker 1: sworn it was him. The three kids start to drink

603
00:28:12,359 --> 00:28:15,400
Speaker 1: from their milk cartons and it all spills down their clothes.

604
00:28:15,640 --> 00:28:18,959
Speaker 1: Sean boasts, they said it couldn't be done to Panga sarcastically,

605
00:28:19,000 --> 00:28:23,240
Speaker 1: praise is very good anytime you can humiliate people, And

606
00:28:23,280 --> 00:28:28,359
Speaker 1: I'm saying it with emphosis because I apparently could not

607
00:28:28,520 --> 00:28:30,760
Speaker 1: say it as a teen. Did you guys notice that.

608
00:28:31,160 --> 00:28:32,720
Speaker 3: No, but you couldn't say humiliate.

609
00:28:33,040 --> 00:28:38,160
Speaker 1: I run right over it, or I say humiliate it's

610
00:28:38,160 --> 00:28:41,440
Speaker 1: something I mean humiliate and I don't say it's like.

611
00:28:41,840 --> 00:28:44,040
Speaker 1: I don't know if I apparently couldn't say it and

612
00:28:44,080 --> 00:28:46,320
Speaker 1: this was the best take they got, or if for

613
00:28:46,400 --> 00:28:48,640
Speaker 1: whatever reason, they chose the take where this was the

614
00:28:48,640 --> 00:28:51,440
Speaker 1: only time I said it. But it's so I listened

615
00:28:51,440 --> 00:28:54,960
Speaker 1: to it like five times. What am I saying? But anyway,

616
00:28:55,040 --> 00:28:57,760
Speaker 1: she says, anytime you can humiliate people who are weaker

617
00:28:57,760 --> 00:29:02,040
Speaker 1: and defenseless, you should certainly go for it. Also, did

618
00:29:02,120 --> 00:29:05,400
Speaker 1: you guys notice that I'm actively lowering my voice.

619
00:29:06,040 --> 00:29:10,520
Speaker 3: No, oh, are you did you speaking of? Did you

620
00:29:10,640 --> 00:29:11,240
Speaker 3: notice stuff?

621
00:29:12,360 --> 00:29:15,480
Speaker 4: Did you notice what was in the background the sign

622
00:29:15,920 --> 00:29:19,400
Speaker 4: episode down?

623
00:29:20,080 --> 00:29:20,800
Speaker 2: Is that what it says?

624
00:29:20,840 --> 00:29:25,000
Speaker 1: That just one in the classroom that says boom.

625
00:29:25,680 --> 00:29:28,800
Speaker 2: Down right, there's a yellow sign this is like Halloween

626
00:29:28,840 --> 00:29:31,120
Speaker 2: bash or whatever. And then there's a black sign that

627
00:29:31,160 --> 00:29:33,240
Speaker 2: I was like, what does it say? And it looks

628
00:29:33,240 --> 00:29:34,280
Speaker 2: like a ghosty.

629
00:29:33,960 --> 00:29:35,920
Speaker 1: Sort of down dance.

630
00:29:36,080 --> 00:29:39,760
Speaker 3: Yeah, but then the John Adams High statue.

631
00:29:39,280 --> 00:29:41,680
Speaker 1: Has a pig face, has the creepiest pig face.

632
00:29:41,800 --> 00:29:46,120
Speaker 3: That's just the time. It's really weird. Yeah, I mean

633
00:29:46,160 --> 00:29:46,719
Speaker 3: I love that.

634
00:29:46,760 --> 00:29:48,880
Speaker 1: This is like, hey, surprise, it's the Halloween episode.

635
00:29:49,080 --> 00:29:51,040
Speaker 4: You can tell by the skeleton on the wall that

636
00:29:51,080 --> 00:29:53,400
Speaker 4: this is apparently the Halloween episode exactly.

637
00:29:55,160 --> 00:29:56,000
Speaker 3: By the way, if.

638
00:29:55,880 --> 00:29:58,960
Speaker 4: Those kids, which I bet you they were, those three

639
00:29:58,960 --> 00:30:04,160
Speaker 4: little kids were eleven, they were the ages that you

640
00:30:04,240 --> 00:30:07,920
Speaker 4: guys were, and they looked t they were so.

641
00:30:08,200 --> 00:30:12,239
Speaker 1: Tiny, so cute and small. Corey points out how much

642
00:30:12,280 --> 00:30:14,440
Speaker 1: of a mess that prank caused, and Shawn agrees, Now

643
00:30:14,480 --> 00:30:16,680
Speaker 1: the school janitor will have something to do. Thus we

644
00:30:16,760 --> 00:30:19,120
Speaker 1: have insured his job for another day. Right then the

645
00:30:19,200 --> 00:30:23,360
Speaker 1: janitor walks out of his closet, and it's jet. Sean

646
00:30:23,400 --> 00:30:26,720
Speaker 1: and Corey are both shocked. Chet proudly introduces himself chet

647
00:30:26,760 --> 00:30:31,320
Speaker 1: Hunter Educational custodial services, normal job for normal people, and

648
00:30:31,360 --> 00:30:33,920
Speaker 1: then sad music plays in the background and we realize

649
00:30:34,200 --> 00:30:40,000
Speaker 1: the title of this episode is quite the spoiler. Janitor Dad.

650
00:30:41,800 --> 00:30:43,520
Speaker 4: Also, I don't think he's coming out of his closet,

651
00:30:43,560 --> 00:30:44,440
Speaker 4: it says bathroom.

652
00:30:44,720 --> 00:30:47,400
Speaker 1: Oh, I thought he was coming out of the janitor closet.

653
00:30:47,400 --> 00:30:47,680
Speaker 3: You're right.

654
00:30:47,720 --> 00:30:51,440
Speaker 1: It's you're right well, and then Phoene does head that way,

655
00:30:51,480 --> 00:30:53,280
Speaker 1: but we're on different floors of the tower, so it's

656
00:30:53,320 --> 00:30:56,680
Speaker 1: his office on that gotcha. Then we have a commercial

657
00:30:56,680 --> 00:30:58,760
Speaker 1: break and we're back at the Wilderness out post. Eric

658
00:30:58,800 --> 00:31:02,280
Speaker 1: and Allen are once against in amazement. Eric comments, remember, mom,

659
00:31:02,680 --> 00:31:06,440
Speaker 1: he better, and that's very clear Michael.

660
00:31:06,560 --> 00:31:09,760
Speaker 4: Michael Jacobs and you Jane Katie.

661
00:31:09,920 --> 00:31:12,160
Speaker 3: Yeh such a Michael Jacobs's line.

662
00:31:12,240 --> 00:31:16,000
Speaker 1: Yep, he better. The camera cuts to the mountain man Ezekiel,

663
00:31:16,040 --> 00:31:18,400
Speaker 1: who is selling a plethora of rock climbing gear to

664
00:31:18,560 --> 00:31:21,640
Speaker 1: the skinny yogurt man who amy shoot away in the episode,

665
00:31:21,720 --> 00:31:24,280
Speaker 1: and the customer admits he's not sure about rock climbing.

666
00:31:24,360 --> 00:31:27,520
Speaker 1: I prefer an elevator. Ezekiel assures him, this isn't about

667
00:31:27,600 --> 00:31:30,080
Speaker 1: rock climbing, this is about your evolution as a human being.

668
00:31:30,320 --> 00:31:32,680
Speaker 1: He asks what the man's name is, Edgar? Do you

669
00:31:32,720 --> 00:31:33,200
Speaker 1: want to be an.

670
00:31:33,240 --> 00:31:33,960
Speaker 2: Edgirl all your life?

671
00:31:34,320 --> 00:31:36,880
Speaker 1: Edgar asks? Can you get me out of it? Alan

672
00:31:36,960 --> 00:31:39,880
Speaker 1: tells Eric he's going to kill that little man. Eric responds,

673
00:31:39,920 --> 00:31:41,920
Speaker 1: the guy came in because he wanted some booboo cream.

674
00:31:42,040 --> 00:31:44,680
Speaker 1: Ezekiel sold him seven hundred dollars worth of equipment, and

675
00:31:44,720 --> 00:31:46,760
Speaker 1: Alan explains, well, if all our customers are dead from

676
00:31:46,840 --> 00:31:50,160
Speaker 1: falling off of mountains, at some point, business falls off too,

677
00:31:51,280 --> 00:31:53,800
Speaker 1: and then we're back at John Adams High. Sean cannot

678
00:31:53,840 --> 00:31:55,600
Speaker 1: get over this. Why does he have to be a

679
00:31:55,680 --> 00:31:56,320
Speaker 1: janitor here?

680
00:31:56,760 --> 00:31:56,840
Speaker 6: To?

681
00:31:58,200 --> 00:31:59,560
Speaker 2: This is a really so?

682
00:32:00,320 --> 00:32:01,360
Speaker 1: Yeah? This is the three line?

683
00:32:01,440 --> 00:32:01,640
Speaker 3: Is that?

684
00:32:01,720 --> 00:32:06,040
Speaker 2: Yeah? So you guys know like the Dan Harmon character wheel.

685
00:32:06,200 --> 00:32:06,920
Speaker 2: Do you know about this?

686
00:32:07,160 --> 00:32:07,800
Speaker 3: No?

687
00:32:07,720 --> 00:32:10,760
Speaker 2: No, no, okay, Well this is like the classic sitcom

688
00:32:11,000 --> 00:32:14,000
Speaker 2: or comedy writing structure. And Dan Harmon lays it out

689
00:32:14,040 --> 00:32:16,640
Speaker 2: really well, Dan Harmon to create a community and everything

690
00:32:17,400 --> 00:32:21,880
Speaker 2: freaking morty and he it's like it's become like the standard.

691
00:32:22,640 --> 00:32:27,400
Speaker 2: He basically identified what is the television the arc of

692
00:32:27,440 --> 00:32:30,080
Speaker 2: every character in every television show has eight points, and

693
00:32:30,120 --> 00:32:32,960
Speaker 2: he draws it as a circle. And it's basically like

694
00:32:33,000 --> 00:32:34,880
Speaker 2: his adaptation of the Hero's Journey, you guys know, the

695
00:32:34,880 --> 00:32:37,160
Speaker 2: Holy Hero, Like you leave home and so you have

696
00:32:37,240 --> 00:32:39,840
Speaker 2: like the old school hero's journey, which describes how every

697
00:32:39,880 --> 00:32:43,200
Speaker 2: story supposedly according to Joseph Campbell and a bunch of

698
00:32:43,280 --> 00:32:45,960
Speaker 2: other theorists back anyway, so he adapted it so it's

699
00:32:45,960 --> 00:32:48,920
Speaker 2: basically like a oh there it is. So you start with,

700
00:32:48,960 --> 00:32:51,880
Speaker 2: you establish a protagonist, he needs something that isn't right,

701
00:32:51,960 --> 00:32:55,160
Speaker 2: you go across the threshold. Anyway, it's eight points. But anyway,

702
00:32:55,520 --> 00:32:57,680
Speaker 2: like the big thing is like they get what they

703
00:32:57,720 --> 00:32:59,560
Speaker 2: want and then they pay a price for it, right,

704
00:32:59,560 --> 00:33:01,440
Speaker 2: Like that's all always the moment in every Sick Car.

705
00:33:01,680 --> 00:33:04,840
Speaker 2: And I just love that Eric and Alan get what

706
00:33:04,880 --> 00:33:06,880
Speaker 2: they want, which is the great you know, the guy

707
00:33:06,920 --> 00:33:08,760
Speaker 2: who's the Ezekiel, and then there has to be a

708
00:33:08,760 --> 00:33:10,760
Speaker 2: problem with it, right, That's how story works. It's like

709
00:33:11,040 --> 00:33:15,360
Speaker 2: and the problem is people are gonna die. Like it's

710
00:33:15,400 --> 00:33:17,200
Speaker 2: like such a stretch. I was like, wait a minute,

711
00:33:17,200 --> 00:33:20,160
Speaker 2: I don't understand. Like they're making so much money, right,

712
00:33:20,200 --> 00:33:22,400
Speaker 2: and all their problems I've been solved. But we have

713
00:33:22,480 --> 00:33:24,360
Speaker 2: to have a reason that this isn't gonna work, and

714
00:33:24,440 --> 00:33:27,640
Speaker 2: it's not gonna work because nerds are dying on mountains

715
00:33:27,720 --> 00:33:30,360
Speaker 2: like That's is one of the biggest stretches I've ever

716
00:33:30,440 --> 00:33:33,120
Speaker 2: It's like this off camera problem that's really kind of

717
00:33:33,160 --> 00:33:33,800
Speaker 2: not a problem.

718
00:33:33,800 --> 00:33:37,480
Speaker 7: And also like, is it it would anyone argue it

719
00:33:37,600 --> 00:33:40,840
Speaker 7: is your job as a store owner to determine that

720
00:33:40,920 --> 00:33:44,120
Speaker 7: someone is incapable of something by just glancing at them.

721
00:33:44,680 --> 00:33:47,280
Speaker 2: Right, the weirdest stretch, I just could not hear it.

722
00:33:47,960 --> 00:33:50,280
Speaker 4: Okay, So there's an interesting story that goes along with

723
00:33:50,320 --> 00:33:53,040
Speaker 4: this that's pretty awful. I was part of me wasn't

724
00:33:53,040 --> 00:33:55,440
Speaker 4: even gonna tell it, but I was gonna. I figure

725
00:33:55,440 --> 00:33:58,000
Speaker 4: out it's too perfect not to at this point because

726
00:33:58,080 --> 00:34:00,080
Speaker 4: it just goes in exactly with what you're saying. So

727
00:34:00,320 --> 00:34:04,240
Speaker 4: this week my brother Gary came out, my oldest brother

728
00:34:04,320 --> 00:34:08,279
Speaker 4: came out to watch the taping, and he was there

729
00:34:09,080 --> 00:34:10,600
Speaker 4: for the run through, and it's the first time he

730
00:34:10,640 --> 00:34:13,680
Speaker 4: saw it. And at this scene and at the next scene,

731
00:34:13,719 --> 00:34:17,680
Speaker 4: I looked over and his face was ashen, and it's

732
00:34:17,680 --> 00:34:20,359
Speaker 4: because I had just realized that one of his best

733
00:34:20,360 --> 00:34:24,480
Speaker 4: friends had just died in a climbing accident. It was

734
00:34:24,680 --> 00:34:27,240
Speaker 4: I mean, I think it was weeks before or something

735
00:34:27,280 --> 00:34:29,239
Speaker 4: like that. When I mean, somebody he grew up with

736
00:34:29,360 --> 00:34:32,200
Speaker 4: had literally just died in a climbing accident, and we're

737
00:34:32,200 --> 00:34:35,960
Speaker 4: sitting there joking about people dying in climbing accidents, and

738
00:34:37,000 --> 00:34:41,040
Speaker 4: my brother too. That's when he said, that's when he

739
00:34:41,120 --> 00:34:44,279
Speaker 4: was looking he was looking at like, I mean mortified

740
00:34:44,320 --> 00:34:47,040
Speaker 4: watching this, And of course you don't think about something

741
00:34:47,040 --> 00:34:47,920
Speaker 4: as random as that.

742
00:34:48,320 --> 00:34:49,839
Speaker 1: We're like, you know what, I'm going to get out

743
00:34:49,880 --> 00:34:51,919
Speaker 1: of this town I live in where my friend just died.

744
00:34:52,040 --> 00:34:56,359
Speaker 1: I'm going to go to watch a comedy in Los Angeles.

745
00:34:55,880 --> 00:34:58,040
Speaker 3: Joking about and that's what we're joking.

746
00:34:58,120 --> 00:35:00,719
Speaker 1: They would never do a storyline about a small man

747
00:35:00,840 --> 00:35:01,879
Speaker 1: dying on a mountain.

748
00:35:02,360 --> 00:35:05,759
Speaker 3: And that's what happened, literally had just happened. Yeah, it

749
00:35:05,760 --> 00:35:07,400
Speaker 3: was not terrible. Yeah, in the nineties.

750
00:35:07,480 --> 00:35:07,719
Speaker 1: Yeah.

751
00:35:07,880 --> 00:35:10,799
Speaker 4: So so that's one of the things I remember from

752
00:35:10,800 --> 00:35:14,480
Speaker 4: doing this episode was watching that as you're kind of

753
00:35:14,600 --> 00:35:16,960
Speaker 4: exactly what you're saying, like is this a bit ridiculous,

754
00:35:16,960 --> 00:35:18,759
Speaker 4: Like you're saying that at the beginning of the of

755
00:35:18,800 --> 00:35:21,040
Speaker 4: the show, like, come on, we're worried about people dying

756
00:35:21,040 --> 00:35:22,960
Speaker 4: from it and then looking over and being like, oh god,

757
00:35:23,000 --> 00:35:23,839
Speaker 4: it happened.

758
00:35:23,719 --> 00:35:25,680
Speaker 3: Like it's rare obviously, but it was.

759
00:35:26,080 --> 00:35:26,279
Speaker 4: It was.

760
00:35:26,560 --> 00:35:28,640
Speaker 3: It was a weird judge position, Yeah, bizarre.

761
00:35:28,840 --> 00:35:30,279
Speaker 4: Didn't want to bring the room down, but it was

762
00:35:30,320 --> 00:35:33,360
Speaker 4: too too much of a correlation to see that.

763
00:35:33,400 --> 00:35:35,200
Speaker 2: Yeah, it just goes to show like no matter what

764
00:35:35,239 --> 00:35:36,359
Speaker 2: the storyline is or.

765
00:35:38,080 --> 00:35:40,200
Speaker 3: With somebody, Yeah, it'll resonate with somebody.

766
00:35:40,600 --> 00:35:40,880
Speaker 6: Nuts.

767
00:35:40,960 --> 00:35:45,080
Speaker 1: Yeah, totally so to Panga assures Sean, everyone needs a job.

768
00:35:45,160 --> 00:35:47,680
Speaker 1: People understand that. They walk into Turner's classroom and a

769
00:35:47,760 --> 00:35:49,760
Speaker 1: kid who has spiky hair and looks like the bully

770
00:35:49,800 --> 00:35:54,480
Speaker 1: sid from Toy Story tells Sean does he does?

771
00:35:54,520 --> 00:35:57,239
Speaker 2: It was probably cast because of that, because he looked.

772
00:35:57,000 --> 00:36:03,920
Speaker 4: Like and with such a bully name too.

773
00:36:02,840 --> 00:36:05,760
Speaker 2: Random on his desk crandall.

774
00:36:05,840 --> 00:36:08,080
Speaker 4: You've never seen me before, but I'm always here, ready

775
00:36:08,080 --> 00:36:09,840
Speaker 4: to make fun of people, a.

776
00:36:11,680 --> 00:36:12,359
Speaker 2: Sticking out of his.

777
00:36:12,320 --> 00:36:18,040
Speaker 1: Mouth and a Southern accent. Yeah, so, he tells Sean,

778
00:36:18,040 --> 00:36:19,880
Speaker 1: I hear our dads have a lot in common. My

779
00:36:20,000 --> 00:36:22,640
Speaker 1: father is a doctor and your father's Oh wait, he

780
00:36:22,760 --> 00:36:27,960
Speaker 1: cleans toilets my mistake. The audience oohs loudly. Even the

781
00:36:28,000 --> 00:36:33,719
Speaker 1: inmates are disgusted, Sean responds, very funny. If you keep

782
00:36:33,719 --> 00:36:35,480
Speaker 1: it up, I'm gonna punch your head off. The boy

783
00:36:35,480 --> 00:36:37,839
Speaker 1: snaps back. Then your father's gonna pick it up.

784
00:36:38,160 --> 00:36:41,279
Speaker 3: Oh sorry, I was doing that too with.

785
00:36:41,239 --> 00:36:45,680
Speaker 1: The audience exactly. Turner, who is vested up looking like

786
00:36:45,800 --> 00:36:49,479
Speaker 1: color me bad, steps in asking if everything's okay, because

787
00:36:49,520 --> 00:36:51,320
Speaker 1: if it is, we're just gonna take a little break

788
00:36:51,320 --> 00:36:54,600
Speaker 1: for your education, and then Turner begins to teach about H. G.

789
00:36:54,760 --> 00:36:57,520
Speaker 1: Wells's bleak picture of class differences in the future from

790
00:36:57,560 --> 00:37:00,600
Speaker 1: his book The Time Machine Above the surf. You have the.

791
00:37:00,719 --> 00:37:05,200
Speaker 2: Literature they're bringing back. They're bringing it back. Having Tony

792
00:37:05,239 --> 00:37:08,480
Speaker 2: on screen, especially like next to me, I was like, oh,

793
00:37:08,640 --> 00:37:10,200
Speaker 2: I know, we're done with that whole era.

794
00:37:10,560 --> 00:37:12,440
Speaker 3: Yes, it's over. It's over. That's it.

795
00:37:12,880 --> 00:37:14,719
Speaker 2: There's no real acknowledgment of it now.

796
00:37:14,840 --> 00:37:16,840
Speaker 3: I was just teaching like it would be so great.

797
00:37:17,120 --> 00:37:18,560
Speaker 2: I mean, I know, we just we only have twenty

798
00:37:18,560 --> 00:37:20,480
Speaker 2: two minutes, but like Turner should be involved in the

799
00:37:20,480 --> 00:37:23,239
Speaker 2: discussion and part of the feeny thing, like I miss it,

800
00:37:23,280 --> 00:37:24,799
Speaker 2: I miss it.

801
00:37:24,680 --> 00:37:27,600
Speaker 1: It is so it is the show, So he says,

802
00:37:27,640 --> 00:37:29,799
Speaker 1: the alloy living the good life below the surface, living

803
00:37:29,840 --> 00:37:32,200
Speaker 1: like animals. You got the Morlocks doing all the dirty work.

804
00:37:32,360 --> 00:37:34,840
Speaker 1: Chet walks into the classroom just at this moment, wheeling

805
00:37:34,840 --> 00:37:37,399
Speaker 1: a TV and for the class to use, which, if

806
00:37:37,400 --> 00:37:41,040
Speaker 1: you lived in the nineties, was the single greatest moment

807
00:37:41,120 --> 00:37:43,840
Speaker 1: you could experience watching today.

808
00:37:44,600 --> 00:37:47,560
Speaker 2: Yes, yes, it's teacher doesn't know what to teach. They're

809
00:37:47,600 --> 00:37:50,279
Speaker 2: just gonna throw on freaky Fridays, we are going to

810
00:37:50,360 --> 00:37:52,400
Speaker 2: watch a movie about our ever growing bodies.

811
00:37:52,520 --> 00:37:53,319
Speaker 3: I cannot wait.

812
00:37:54,560 --> 00:37:58,240
Speaker 1: Yeah, the bully scoff speaking of your dad, and Sean

813
00:37:58,320 --> 00:38:01,759
Speaker 1: snaps snaps back, speak of head off, which is not

814
00:38:02,040 --> 00:38:02,960
Speaker 1: a great comeback.

815
00:38:03,440 --> 00:38:07,759
Speaker 2: The worst I've ever heard was real.

816
00:38:08,080 --> 00:38:10,440
Speaker 1: Jerk Store, George costanzavibes.

817
00:38:10,719 --> 00:38:13,319
Speaker 2: You know it should have been more of a joke,

818
00:38:13,440 --> 00:38:15,680
Speaker 2: like I should have played it up for speaking of

819
00:38:16,440 --> 00:38:18,799
Speaker 2: get off. You know, there's a way to play it,

820
00:38:19,239 --> 00:38:20,520
Speaker 2: but we're played it for drama.

821
00:38:20,560 --> 00:38:25,960
Speaker 4: But it's the absolutely is jerk store.

822
00:38:28,360 --> 00:38:29,640
Speaker 2: I don't know the jerk store of reference.

823
00:38:30,239 --> 00:38:33,799
Speaker 4: George Constanz's comeback is he's got to come back at

824
00:38:34,360 --> 00:38:35,680
Speaker 4: this store.

825
00:38:35,800 --> 00:38:37,480
Speaker 1: And then he gets in the car and he leaves

826
00:38:37,560 --> 00:38:40,319
Speaker 1: and on his way home, you real, he comes up

827
00:38:40,360 --> 00:38:42,960
Speaker 1: with an insult and so he tries.

828
00:38:42,719 --> 00:38:45,400
Speaker 4: Eating a bunch of shrimp, and the guy says, hey, George,

829
00:38:45,440 --> 00:38:47,920
Speaker 4: the ocean called, they want their shrimp. The running out

830
00:38:47,920 --> 00:38:50,839
Speaker 4: of shrimp. And as he's driving home, he's like, oh,

831
00:38:50,880 --> 00:38:52,640
Speaker 4: that's what I should have said. And he goes, yeah,

832
00:38:52,680 --> 00:38:55,040
Speaker 4: Well the jerk store called and they're running out of

833
00:38:55,080 --> 00:38:57,680
Speaker 4: you and there's crickets.

834
00:38:58,080 --> 00:38:59,800
Speaker 1: He was already on his way home and he drinks

835
00:38:59,840 --> 00:39:01,720
Speaker 1: on he's got.

836
00:39:01,560 --> 00:39:04,320
Speaker 4: It, and he thinks it's the perfect line, jerk store.

837
00:39:04,480 --> 00:39:11,040
Speaker 4: I'm going with jerk stores. That's such a jerk store line.

838
00:39:10,840 --> 00:39:14,880
Speaker 2: No one's talking about. You are the one. What you know, Sean?

839
00:39:15,040 --> 00:39:17,920
Speaker 1: Stop Sean, this is You're embarrassing?

840
00:39:18,840 --> 00:39:24,160
Speaker 3: Are I am rooting for Doug crandall? At this point.

841
00:39:26,120 --> 00:39:28,279
Speaker 2: Should have just cut to him. Doug Crand will be like,

842
00:39:28,320 --> 00:39:33,160
Speaker 2: what we go back to that? You want to try

843
00:39:33,160 --> 00:39:35,440
Speaker 2: that again? It again? From the top.

844
00:39:37,760 --> 00:39:40,040
Speaker 1: Turner explains, since there are no pictures in the book,

845
00:39:40,080 --> 00:39:41,680
Speaker 1: he thought they'd take a look at the film version

846
00:39:41,719 --> 00:39:42,759
Speaker 1: of the time Machine for once.

847
00:39:42,800 --> 00:39:47,600
Speaker 2: The exactly why would Turner ever be like, let's watch

848
00:39:47,640 --> 00:39:50,640
Speaker 2: a movie version of the book of the book. Where

849
00:39:50,840 --> 00:39:51,719
Speaker 2: to get that TV in there?

850
00:39:52,840 --> 00:39:56,000
Speaker 1: Jet hands the VHS to Turner, which resembles a Blockbuster

851
00:39:56,120 --> 00:39:58,759
Speaker 1: box and says hi to his son on the way out.

852
00:39:58,880 --> 00:40:01,280
Speaker 1: The bully mocks him, was the nice man your daddy?

853
00:40:01,600 --> 00:40:04,000
Speaker 1: Corey tells Crandall to shut up, and Depega tells them

854
00:40:04,040 --> 00:40:06,279
Speaker 1: to both ignore him. And how does Turner not hear

855
00:40:06,400 --> 00:40:08,120
Speaker 1: all of this and step in?

856
00:40:08,920 --> 00:40:11,239
Speaker 4: He's too busy rewinding the tape because the last guy

857
00:40:11,280 --> 00:40:12,240
Speaker 4: didn't do it exactly.

858
00:40:12,360 --> 00:40:13,120
Speaker 1: He was not kind.

859
00:40:13,239 --> 00:40:14,600
Speaker 3: No, rewind rewind.

860
00:40:14,760 --> 00:40:17,440
Speaker 1: Crandall purposefully knocks some things onto the floor for Chet

861
00:40:17,480 --> 00:40:20,520
Speaker 1: to clean up. What are those rocks? Sunflower seeds?

862
00:40:20,640 --> 00:40:21,600
Speaker 2: You've gotten something?

863
00:40:21,600 --> 00:40:24,279
Speaker 3: The shells of some seeds like you do on your desk.

864
00:40:24,400 --> 00:40:26,240
Speaker 1: Yeah, okay, so some it's hard.

865
00:40:26,040 --> 00:40:28,080
Speaker 2: To tell without I know my definition.

866
00:40:28,200 --> 00:40:30,239
Speaker 1: It's just like and you could hear them all fall,

867
00:40:30,320 --> 00:40:32,080
Speaker 1: so it sounds like rocks fall.

868
00:40:32,120 --> 00:40:36,920
Speaker 3: And I just carry gravel everywhere, go dog, Crandall anything.

869
00:40:37,280 --> 00:40:38,560
Speaker 2: Crandall? What are you doing.

870
00:40:40,040 --> 00:40:42,040
Speaker 3: Sitting here with my gravel? What's what's your problem?

871
00:40:42,520 --> 00:40:45,680
Speaker 1: The boy stands up and calls for Sean's pappy. Sean

872
00:40:45,760 --> 00:40:47,840
Speaker 1: stands up to Doug, why don't you do me a

873
00:40:47,880 --> 00:40:51,240
Speaker 1: favor first? Doug asks what, and Shawn's lunges at him, saying,

874
00:40:51,520 --> 00:40:55,719
Speaker 1: you can bleed and you can bleed is actually a

875
00:40:55,760 --> 00:40:57,120
Speaker 1: great catchphrase for Sean.

876
00:40:57,840 --> 00:41:01,279
Speaker 2: I'm like shouting while jumping like I'm ready to fight.

877
00:41:02,960 --> 00:41:06,399
Speaker 2: What sorry, Sean, what did you say speaking? I jump

878
00:41:06,520 --> 00:41:08,760
Speaker 2: like three feet to reach the guy because he's gig

879
00:41:08,920 --> 00:41:10,040
Speaker 2: and sick like.

880
00:41:10,280 --> 00:41:12,480
Speaker 4: This is also the school where no one ever throws

881
00:41:12,480 --> 00:41:15,040
Speaker 4: a punch. You just go straight for the headlock and

882
00:41:15,040 --> 00:41:15,440
Speaker 4: then wrestle.

883
00:41:15,600 --> 00:41:17,560
Speaker 2: Yeah, that's if we're doing a lot of like tussle

884
00:41:17,800 --> 00:41:20,880
Speaker 2: motion to make it look like we're fighting when nothing's happening.

885
00:41:21,120 --> 00:41:23,680
Speaker 2: It was, this is not as good as the Cory

886
00:41:24,000 --> 00:41:26,600
Speaker 2: No Corey Sean fight. Ben and I were much more

887
00:41:26,600 --> 00:41:29,719
Speaker 2: comfortable with our studs. Me and this actor playing Doug

888
00:41:29,760 --> 00:41:31,160
Speaker 2: crandall not as comfortable.

889
00:41:31,480 --> 00:41:36,000
Speaker 3: And uh Sean Sean bib Yeah was that his name?

890
00:41:36,120 --> 00:41:39,560
Speaker 3: Bib bab bab bab baby by that's it, Sean John bab.

891
00:41:40,360 --> 00:41:43,160
Speaker 1: The two boys pretend fight until Corey and Turner break

892
00:41:43,200 --> 00:41:46,200
Speaker 1: them apart. Corey holds Sean back as Turner looks disappointed,

893
00:41:46,560 --> 00:41:48,600
Speaker 1: and then that's when I noticed for the first time

894
00:41:48,680 --> 00:41:51,680
Speaker 1: the poster in the background that says Booggy.

895
00:41:51,120 --> 00:41:55,560
Speaker 3: Down by the way, Happy Halloween everyone. That's how the

896
00:41:55,560 --> 00:41:57,520
Speaker 3: show how the episode should have ended. Yes, it's just

897
00:41:57,600 --> 00:42:01,080
Speaker 3: wait what I'm proud of? My dad is the janitor.

898
00:42:01,200 --> 00:42:08,320
Speaker 1: And so then we are in Phoenie's office. Phoenie declares,

899
00:42:08,360 --> 00:42:10,480
Speaker 1: it's mister Hunter in my office for getting into a fight.

900
00:42:10,600 --> 00:42:12,600
Speaker 1: Let me show you my big surprised face, but then

901
00:42:12,640 --> 00:42:15,600
Speaker 1: he stares down Sean without a single expression. Sean tells

902
00:42:15,600 --> 00:42:17,080
Speaker 1: Phoenie to punish him so they can get on with

903
00:42:17,120 --> 00:42:19,720
Speaker 1: their lives, and Phoene explains this is my life, asking

904
00:42:19,719 --> 00:42:22,120
Speaker 1: what you've done and why you've done it. Sean argues back,

905
00:42:22,120 --> 00:42:24,399
Speaker 1: it's nothing I did. It's about you hiring my father

906
00:42:24,480 --> 00:42:26,279
Speaker 1: to be the janitor. How could you do that to me?

907
00:42:26,640 --> 00:42:29,359
Speaker 1: Phoene is surprised. I never actually considered that it would

908
00:42:29,400 --> 00:42:32,560
Speaker 1: be awkward having your father work here. Phoene explains if

909
00:42:32,680 --> 00:42:34,759
Speaker 1: Chet working at the school is disruptive, he'll have to

910
00:42:34,800 --> 00:42:38,800
Speaker 1: reconsider his employment. Sewan is surprised, you're on my side.

911
00:42:39,080 --> 00:42:42,640
Speaker 1: Phoenie admits, frightening, isn't it. However, rather than take sides,

912
00:42:42,680 --> 00:42:44,200
Speaker 1: I think the best course would be to throw it

913
00:42:44,239 --> 00:42:46,400
Speaker 1: to you. Since he is his student, Sean can decide

914
00:42:46,400 --> 00:42:48,120
Speaker 1: whether or not he wants his father to work there,

915
00:42:48,239 --> 00:42:50,879
Speaker 1: and then we get dramatic music as Sean realizes it's

916
00:42:50,960 --> 00:42:53,399
Speaker 1: up to him and he leaves the office, allowing Bill

917
00:42:53,480 --> 00:42:55,520
Speaker 1: to do some serious pen fiddling.

918
00:42:56,239 --> 00:42:59,799
Speaker 2: Excellent Phoene sing Pie Peeni. I mean, like, this is

919
00:43:00,160 --> 00:43:03,239
Speaker 2: just the ultimate Phoene scene, right, Yeah, You're You're the

920
00:43:03,280 --> 00:43:06,240
Speaker 2: authority figure who's supposed to come down hard and instead

921
00:43:06,560 --> 00:43:10,400
Speaker 2: you taekwondo it, You flip it and suddenly it's like whoa,

922
00:43:10,440 --> 00:43:12,839
Speaker 2: Sean's energy is thrust back at him and he has

923
00:43:12,880 --> 00:43:16,560
Speaker 2: to like think for himself. Come on, it's great, this

924
00:43:16,719 --> 00:43:20,279
Speaker 2: is like, yeah, this arc, the Phoene Sean side of

925
00:43:20,320 --> 00:43:25,160
Speaker 2: this episode is excellent. Cla classic Phoenie. Great.

926
00:43:25,239 --> 00:43:28,160
Speaker 3: Yeah, and yeah, I love it and a great problem

927
00:43:28,200 --> 00:43:28,560
Speaker 3: to have.

928
00:43:28,680 --> 00:43:30,440
Speaker 4: That's one of the things that I had wrong with

929
00:43:30,480 --> 00:43:32,719
Speaker 4: this episode is it could have been so good because

930
00:43:32,760 --> 00:43:35,360
Speaker 4: it's a great problem. Your dad needs a job he

931
00:43:35,440 --> 00:43:38,399
Speaker 4: works at the same school. Is that embarrassing? Oh man,

932
00:43:38,480 --> 00:43:41,080
Speaker 4: the things you could have done with it are incredible. Also,

933
00:43:41,120 --> 00:43:43,799
Speaker 4: why wasn't Crandall in trouble or was he was? He

934
00:43:44,920 --> 00:43:46,040
Speaker 4: maybe yelled.

935
00:43:45,719 --> 00:43:48,800
Speaker 1: At and maybe he was yelled at sept.

936
00:43:48,920 --> 00:43:50,080
Speaker 3: That's what I'm thinking. That's what I went to.

937
00:43:50,480 --> 00:43:55,800
Speaker 2: YEAHI was just like, what are you eating in class?

938
00:43:55,920 --> 00:43:59,480
Speaker 4: The pocket of gravel or and or Lucci all this

939
00:43:59,560 --> 00:44:00,560
Speaker 4: time miss.

940
00:44:02,560 --> 00:44:05,279
Speaker 2: Gravel. Again, we have to.

941
00:44:05,360 --> 00:44:11,000
Speaker 1: Talk about a dentist. I could recommend to you.

942
00:44:11,000 --> 00:44:15,880
Speaker 4: Your father's a doctor, mister Crandall, you should talk to him.

943
00:44:16,200 --> 00:44:18,480
Speaker 1: And then we are in the school hallway. It is

944
00:44:18,800 --> 00:44:22,040
Speaker 1: now that I've noticed it, it is absolutely filled with

945
00:44:22,160 --> 00:44:25,520
Speaker 1: Halloween posters.

946
00:44:25,560 --> 00:44:27,080
Speaker 2: It was such a note, you know, they were like,

947
00:44:27,360 --> 00:44:29,760
Speaker 2: what do we do it? We got I want Halloween everywhere, everywhere,

948
00:44:29,800 --> 00:44:30,880
Speaker 2: everywhere with cameras.

949
00:44:31,040 --> 00:44:33,200
Speaker 3: It's now the it's the spooky blood drive.

950
00:44:33,360 --> 00:44:38,319
Speaker 2: Let's go change the poster. There is like this prank thing,

951
00:44:38,480 --> 00:44:40,640
Speaker 2: like you know, Sean does the prank in the beginning

952
00:44:40,680 --> 00:44:42,560
Speaker 2: with the milk car, and it's like there could have

953
00:44:42,600 --> 00:44:45,120
Speaker 2: been something like hallow, it's a treat. It's the season

954
00:44:45,160 --> 00:44:46,080
Speaker 2: of pranks.

955
00:44:46,000 --> 00:44:46,600
Speaker 3: Right, yeah?

956
00:44:46,600 --> 00:44:49,240
Speaker 4: And again how does Crandall not then take candy wrappers

957
00:44:49,239 --> 00:44:50,120
Speaker 4: and throw them on the ground.

958
00:44:50,160 --> 00:44:52,200
Speaker 1: I mean it's like, that's it's holloway size.

959
00:44:53,160 --> 00:44:53,920
Speaker 3: You need gravel.

960
00:44:54,040 --> 00:44:57,279
Speaker 4: Not at your house, Daniel full That's right, it's place

961
00:44:57,320 --> 00:44:57,520
Speaker 4: I go.

962
00:44:59,080 --> 00:45:01,120
Speaker 1: Corey is sitting down paper towels as he and Sean

963
00:45:01,160 --> 00:45:03,200
Speaker 1: get ready for lunch. Corey explains he doesn't want to

964
00:45:03,200 --> 00:45:05,040
Speaker 1: make a mess because somebody's got to clean it up,

965
00:45:05,040 --> 00:45:06,960
Speaker 1: and I don't want anybody to clean it up. And

966
00:45:06,960 --> 00:45:10,400
Speaker 1: then Doug and his friend who was not paid to speak,

967
00:45:10,440 --> 00:45:11,919
Speaker 1: so he doesn't ever say anything, but.

968
00:45:11,840 --> 00:45:14,680
Speaker 3: He's got leather jacket, so he's bad. You know he's bad.

969
00:45:14,880 --> 00:45:16,239
Speaker 3: Leave the jacket gang back.

970
00:45:16,360 --> 00:45:19,720
Speaker 1: Doug loudly says, so. The toilet overflows, and Phoene asks

971
00:45:19,760 --> 00:45:21,799
Speaker 1: the new janitor if he can handle it. Guy says, hey,

972
00:45:21,800 --> 00:45:23,480
Speaker 1: when I was in the CIA, I opped up after

973
00:45:23,520 --> 00:45:26,640
Speaker 1: the sandinistas. I can mop up this. Then, in the

974
00:45:26,680 --> 00:45:29,840
Speaker 1: most d bag TGIF has ever seen up to this point,

975
00:45:29,920 --> 00:45:34,680
Speaker 1: he says, janitors are so colorful, and he walks on,

976
00:45:35,200 --> 00:45:38,720
Speaker 1: and then the crowd oohs very loudly, but doesn't feel

977
00:45:38,719 --> 00:45:41,360
Speaker 1: like that was very sick burn, in my opinion.

978
00:45:42,040 --> 00:45:46,680
Speaker 4: Not as sick as speaking of head off. Yeah, I mean,

979
00:45:47,160 --> 00:45:49,080
Speaker 4: where do you go from after that? You've hit the

980
00:45:49,120 --> 00:45:59,960
Speaker 4: pinnacle complete. As long as you weren't humiliated, you're fine.

981
00:46:00,480 --> 00:46:06,719
Speaker 3: If you aren't humiliated, you're humiliated. Humiliate ooge. Supposedly you

982
00:46:06,760 --> 00:46:08,520
Speaker 3: were humiliate million million.

983
00:46:09,239 --> 00:46:23,240
Speaker 1: It's very hard to say wrong. Just then Poenie walks

984
00:46:23,239 --> 00:46:25,080
Speaker 1: by and Sean rushes to him he's thought it over.

985
00:46:25,200 --> 00:46:27,680
Speaker 1: Phoene replies, Wow, that took all of five minutes. I'm

986
00:46:27,680 --> 00:46:30,560
Speaker 1: glad you gave it the time it deserved. Sean reveals,

987
00:46:30,640 --> 00:46:32,160
Speaker 1: I think it'd be best for everybody if you just

988
00:46:32,239 --> 00:46:35,400
Speaker 1: let my dad go. Feenie agrees it is important to

989
00:46:35,440 --> 00:46:38,320
Speaker 1: look out for everybody. Sean asks when he's going to

990
00:46:38,360 --> 00:46:40,040
Speaker 1: be fired, and Phoene says it may take a few

991
00:46:40,120 --> 00:46:42,919
Speaker 1: days to find a replacement, so he'll tell Chet about

992
00:46:42,920 --> 00:46:45,959
Speaker 1: his decision after that, and right on cute Chet walks

993
00:46:46,040 --> 00:46:48,719
Speaker 1: up to Corey's array of paper towels. What pig eight here?

994
00:46:49,160 --> 00:46:51,880
Speaker 1: And obviously guilty feeling, Sean tries to convince Corey that

995
00:46:51,920 --> 00:46:53,960
Speaker 1: he's actually doing his dad a favor, but we can

996
00:46:54,000 --> 00:46:57,719
Speaker 1: feel he doesn't actually believe it. And then we're back

997
00:46:57,719 --> 00:47:01,440
Speaker 1: in the wilderness outpost, which also is completely ducked out

998
00:47:01,560 --> 00:47:06,239
Speaker 1: in decorative Halloween ghosts. Yep, and Eric excitedly announces that

999
00:47:06,280 --> 00:47:09,239
Speaker 1: Ezekiel sold all the rock climbing shoes, but Alan says

1000
00:47:09,280 --> 00:47:11,680
Speaker 1: he sold them to customers who had no business buying them.

1001
00:47:12,040 --> 00:47:14,960
Speaker 1: Eric asks, so, if we get past that nagging moral issue,

1002
00:47:14,960 --> 00:47:16,799
Speaker 1: that all those people are gonna die. We could be

1003
00:47:16,960 --> 00:47:17,799
Speaker 1: very successful.

1004
00:47:18,080 --> 00:47:19,920
Speaker 3: Right then the funny line.

1005
00:47:19,680 --> 00:47:22,480
Speaker 1: It is very funny. Alan says he'd had dreams of

1006
00:47:22,480 --> 00:47:24,920
Speaker 1: skinny little men and brand new rock climbing shoes, falling

1007
00:47:24,920 --> 00:47:27,200
Speaker 1: off a mountain screaming at him, you sold me these

1008
00:47:27,280 --> 00:47:28,760
Speaker 1: you merchants of Day.

1009
00:47:29,840 --> 00:47:33,440
Speaker 3: And Rusty and I could not get through this because.

1010
00:47:33,440 --> 00:47:35,520
Speaker 1: Even with your brother standing nearby. Crime No.

1011
00:47:35,640 --> 00:47:38,560
Speaker 4: Luckily, by this point he would. Gary wasn't there for

1012
00:47:38,560 --> 00:47:40,400
Speaker 4: the actual KP. He just came for the He was

1013
00:47:40,440 --> 00:47:41,120
Speaker 4: there for the run through.

1014
00:47:41,239 --> 00:47:42,800
Speaker 1: He was probably planning to be there for the running

1015
00:47:42,800 --> 00:47:44,839
Speaker 1: but then when he saw who I'm out of here?

1016
00:47:45,000 --> 00:47:47,520
Speaker 4: We we could not, I mean, because Rusty was so

1017
00:47:47,600 --> 00:47:50,760
Speaker 4: funny and we just we laughed for a day straight.

1018
00:47:50,840 --> 00:47:54,400
Speaker 4: It was so funny, funny, I love you, I.

1019
00:47:54,840 --> 00:47:57,520
Speaker 1: Love thinking about you, and Rusty not being able to

1020
00:47:57,600 --> 00:47:58,120
Speaker 1: keep it together.

1021
00:47:58,120 --> 00:47:59,839
Speaker 3: Oh we couldn't. We could not get through this scene.

1022
00:47:59,840 --> 00:48:01,600
Speaker 3: We just had the giggles the whole time. It was

1023
00:48:01,640 --> 00:48:02,160
Speaker 3: so funny.

1024
00:48:02,320 --> 00:48:05,719
Speaker 1: So Eric asks merchants of Day and Aaron clarifies death.

1025
00:48:06,120 --> 00:48:08,040
Speaker 1: Eric tries to make him feel better, Well, if we

1026
00:48:08,040 --> 00:48:10,360
Speaker 1: weren't making stacks and stacks of money dreams like that,

1027
00:48:10,400 --> 00:48:13,640
Speaker 1: would really bug us, another very funny line, and then

1028
00:48:13,680 --> 00:48:16,880
Speaker 1: Ezekiel walks in. He has terrible news from the hill country.

1029
00:48:17,080 --> 00:48:20,880
Speaker 1: Alan guesses they found the bodies, and Ezekiel continues, my

1030
00:48:20,960 --> 00:48:23,840
Speaker 1: mama's took sick. She wants him to come home so

1031
00:48:23,920 --> 00:48:26,239
Speaker 1: he can tend to her. Eric is furious, you can't

1032
00:48:26,280 --> 00:48:28,560
Speaker 1: just leave. We don't know how to sell stuff. Ezekiel

1033
00:48:28,600 --> 00:48:30,520
Speaker 1: calms him, don't worry, I'd never leave you. Kind folks

1034
00:48:30,560 --> 00:48:32,200
Speaker 1: in alrics, you blew.

1035
00:48:32,040 --> 00:48:35,400
Speaker 2: Past one of the best moments ever when Will just

1036
00:48:36,480 --> 00:48:39,959
Speaker 2: takes a whole full like beat, walks up and says,

1037
00:48:40,239 --> 00:48:44,920
Speaker 2: powerful Sick is one of the greatest line reads ever.

1038
00:48:46,160 --> 00:48:51,480
Speaker 2: Powerful sick? Are you kidding me? Like that is one

1039
00:48:51,480 --> 00:48:53,600
Speaker 2: of the greatest, Like if you read that on the page,

1040
00:48:53,719 --> 00:48:57,600
Speaker 2: the line is Mama took sick, and then Eric says

1041
00:48:57,600 --> 00:49:02,120
Speaker 2: powerful sick. But Will makes a meal out of it

1042
00:49:02,480 --> 00:49:05,520
Speaker 2: and just kills it. And then I wanted to keep going.

1043
00:49:05,600 --> 00:49:07,800
Speaker 2: Then you adjusted. I was like, oh, if we'll just

1044
00:49:07,880 --> 00:49:11,200
Speaker 2: keeps playing off the Ezekiel like speak and like Eric,

1045
00:49:11,200 --> 00:49:13,960
Speaker 2: it becomes like Mountain Man with him. Oh, I would

1046
00:49:13,960 --> 00:49:17,439
Speaker 2: watch a whole episode of that Powerful Sick. Oh my god,

1047
00:49:17,480 --> 00:49:21,919
Speaker 2: that was funny, my god, like my favorite that these

1048
00:49:21,920 --> 00:49:23,919
Speaker 2: are the two best lines of the whole episode, because

1049
00:49:24,120 --> 00:49:26,320
Speaker 2: MERCHANTI dad, powerful.

1050
00:49:26,200 --> 00:49:32,080
Speaker 1: Powerful, sick o man, oh god. Ezekiel says he got

1051
00:49:32,120 --> 00:49:35,400
Speaker 1: his younger brother's youngster, Lonnie to come down here and

1052
00:49:35,440 --> 00:49:38,759
Speaker 1: take my place. Furious, Eric gets all up in Ezekiel's face.

1053
00:49:38,800 --> 00:49:41,440
Speaker 1: Now you looky here. We hired you, okay, not Lonnie.

1054
00:49:41,440 --> 00:49:44,719
Speaker 1: We don't know Lonnie. We don't want Lonnie. Okay? Why

1055
00:49:44,719 --> 00:49:48,520
Speaker 1: would you tell Lonnie to go back where Lonnie came from?

1056
00:49:48,920 --> 00:49:51,000
Speaker 1: And then a girl in tiny shorts and a crop

1057
00:49:51,040 --> 00:49:58,840
Speaker 1: top walks in. She's Lonnie. Eric screams in excitement, Dad,

1058
00:49:58,960 --> 00:50:03,160
Speaker 1: look who's here. It's Lonnie. Oh man, that really made

1059
00:50:03,200 --> 00:50:06,480
Speaker 1: me laugh too. Your turn from Lonnie get Lonnie out

1060
00:50:06,480 --> 00:50:08,880
Speaker 1: of here to screaming Lonnie in excitement was very funny.

1061
00:50:09,560 --> 00:50:11,920
Speaker 1: And then we're back in the Hunter's trailer. Verna's setting

1062
00:50:11,920 --> 00:50:13,799
Speaker 1: out dinner as Sean walks in and tells her there's

1063
00:50:13,840 --> 00:50:15,920
Speaker 1: this kid at school who spilled his milk all over

1064
00:50:15,960 --> 00:50:18,040
Speaker 1: the floor, forcing somebody to come and clean it up.

1065
00:50:18,440 --> 00:50:20,360
Speaker 1: Verna asks, he did this in front of your friends.

1066
00:50:20,480 --> 00:50:23,080
Speaker 1: Sean nods, in front of everybody. Verna asks if you

1067
00:50:23,080 --> 00:50:25,840
Speaker 1: did a good job leaving the floor lemony fresh. Sean

1068
00:50:25,880 --> 00:50:29,719
Speaker 1: emphasizes Dad's a school janitor. It's humiliating, Verna sorry he

1069
00:50:29,760 --> 00:50:31,839
Speaker 1: feels that way because she is so proud of Chet

1070
00:50:31,920 --> 00:50:34,560
Speaker 1: she could bust. She explains that for twenty years we

1071
00:50:34,680 --> 00:50:37,120
Speaker 1: have lived on your father's stories, and those used to

1072
00:50:37,160 --> 00:50:39,319
Speaker 1: make me angry because none of them were real. But

1073
00:50:39,440 --> 00:50:42,400
Speaker 1: your story about your father being a janitor, that's real,

1074
00:50:42,600 --> 00:50:47,320
Speaker 1: and yeah, that makes me proud and like, good scene, great, great,

1075
00:50:47,800 --> 00:50:52,040
Speaker 1: great line, great point, like gets me in my feels.

1076
00:50:52,480 --> 00:50:55,680
Speaker 4: Yeah, I tried, but I was so distracted by how

1077
00:50:55,680 --> 00:50:58,600
Speaker 4: she was not the mashed potatoes.

1078
00:50:58,880 --> 00:51:01,160
Speaker 1: Why the right way to make a wi Well?

1079
00:51:01,160 --> 00:51:03,239
Speaker 4: First of all, the milk was obviously not warmed in

1080
00:51:03,239 --> 00:51:04,120
Speaker 4: any way, shape or form.

1081
00:51:04,200 --> 00:51:05,000
Speaker 3: She's making him in a.

1082
00:51:04,920 --> 00:51:07,320
Speaker 4: Glass bowl on the table, not even over the heat

1083
00:51:07,440 --> 00:51:08,440
Speaker 4: in any way, shape or form.

1084
00:51:08,520 --> 00:51:09,920
Speaker 1: Back would have to be a camera for that.

1085
00:51:09,960 --> 00:51:15,319
Speaker 4: Will Well have priorities mashed potatoes first, TV show second. Okay,

1086
00:51:15,560 --> 00:51:17,640
Speaker 4: that's the way it works, I'm sure, she said wonderful

1087
00:51:17,640 --> 00:51:19,920
Speaker 4: things until she added a little bit of margarine.

1088
00:51:20,040 --> 00:51:23,120
Speaker 1: They should have the potato party. Aposta party would have

1089
00:51:23,160 --> 00:51:24,880
Speaker 1: solved everyone's problems.

1090
00:51:24,440 --> 00:51:26,359
Speaker 4: Here I'm just saying, I'm sure the scene was very good.

1091
00:51:26,400 --> 00:51:28,399
Speaker 4: I couldn't tell because I was too worried about the cold,

1092
00:51:28,440 --> 00:51:29,920
Speaker 4: lumpy margarine to mashed potatoes.

1093
00:51:30,440 --> 00:51:33,440
Speaker 1: Well, we know where our priorities are. Chet busts through

1094
00:51:33,480 --> 00:51:35,920
Speaker 1: the door with a huge smile on his face. He looks,

1095
00:51:36,320 --> 00:51:39,120
Speaker 1: I realized in this moment, he looks like John Goodman like,

1096
00:51:39,200 --> 00:51:41,200
Speaker 1: and this is like coming in. He reminds me of

1097
00:51:41,239 --> 00:51:42,560
Speaker 1: John Goodman coming in Roseanne.

1098
00:51:42,600 --> 00:51:45,080
Speaker 3: And that's what I'm saying. They did like the Roseanne

1099
00:51:45,080 --> 00:51:45,719
Speaker 3: show this week.

1100
00:51:45,880 --> 00:51:49,439
Speaker 1: Yeah, he greets the two as his little nuclear family unit.

1101
00:51:49,480 --> 00:51:52,240
Speaker 1: There's my wife making supper, there's my son home from school.

1102
00:51:52,320 --> 00:51:54,480
Speaker 1: The only thing missing to complete the scene of domestic

1103
00:51:54,520 --> 00:51:58,439
Speaker 1: regularity is dad's first paycheck. And then Chet pulls out

1104
00:51:58,480 --> 00:52:01,359
Speaker 1: his first paycheck. And I first thought, how'd he get

1105
00:52:01,360 --> 00:52:03,799
Speaker 1: that so fast? It's one been one day. Then I

1106
00:52:03,840 --> 00:52:08,560
Speaker 1: thought Phoene's plan. It's all part of Phoene's plan. He

1107
00:52:08,640 --> 00:52:12,120
Speaker 1: knows well. On the one hand, he could have sent

1108
00:52:12,200 --> 00:52:15,399
Speaker 1: him home with his check because it's his last check, right,

1109
00:52:15,960 --> 00:52:18,080
Speaker 1: He's going to fire him tomorrow. He wants Sean to

1110
00:52:18,080 --> 00:52:19,920
Speaker 1: think he's gonna fire him tomorrow. But I don't think

1111
00:52:19,920 --> 00:52:22,399
Speaker 1: that's as realistic as the idea that he knows he's

1112
00:52:22,400 --> 00:52:26,080
Speaker 1: gonna come home thrilled to have a paycheck. So I

1113
00:52:26,120 --> 00:52:29,040
Speaker 1: think I think it's all part of making Phoenie the wonderful,

1114
00:52:29,280 --> 00:52:32,440
Speaker 1: all knowing manipulator behind the scenes of all that.

1115
00:52:32,560 --> 00:52:33,040
Speaker 3: He's Yoda.

1116
00:52:33,400 --> 00:52:35,640
Speaker 1: Yes he really is, he says, well, look he here,

1117
00:52:35,680 --> 00:52:38,400
Speaker 1: and I earned it, I really did. Verna grabs him

1118
00:52:38,400 --> 00:52:40,600
Speaker 1: for a passionate kiss and Chet is shocked. What the

1119
00:52:40,640 --> 00:52:42,799
Speaker 1: heck was that? She tells him there's plenty more where

1120
00:52:42,840 --> 00:52:45,960
Speaker 1: that came from. That you probably won't recognize either, mister paycheck.

1121
00:52:46,880 --> 00:52:49,280
Speaker 1: You know what I thought here, Verna's.

1122
00:52:48,960 --> 00:52:55,440
Speaker 2: DTLM takes us a bitcheck.

1123
00:52:55,920 --> 00:52:58,480
Speaker 3: Well, she's certainly not DTM. She's not down to mash

1124
00:52:58,520 --> 00:52:59,520
Speaker 3: so many problems.

1125
00:53:01,320 --> 00:53:03,160
Speaker 1: Chet says, not in front of the boy. I ain't

1126
00:53:03,200 --> 00:53:05,359
Speaker 1: really had a chance to explain to young Shawnie the

1127
00:53:05,400 --> 00:53:09,160
Speaker 1: dirtiness of life. Verna reiterates how proud she is, and

1128
00:53:09,200 --> 00:53:11,000
Speaker 1: he thanks her. I think I'm doing a good job too,

1129
00:53:11,000 --> 00:53:12,919
Speaker 1: because mister Feeney wants to see me in his office

1130
00:53:12,960 --> 00:53:18,120
Speaker 1: first thing in the morning, he jokes. He jokes, kind

1131
00:53:18,120 --> 00:53:21,000
Speaker 1: of like father like son. Huh, Sean. Sean is visibly sad,

1132
00:53:21,040 --> 00:53:23,440
Speaker 1: and Chet asks what's wrong? And Sean asks, are you

1133
00:53:23,480 --> 00:53:25,200
Speaker 1: okay with this job? It didn't bother you to be

1134
00:53:25,200 --> 00:53:27,640
Speaker 1: cleaning up after other people, and Chet admits it's not

1135
00:53:27,680 --> 00:53:30,480
Speaker 1: exactly pearl diving in Portugal, but he has this amazing

1136
00:53:30,520 --> 00:53:33,480
Speaker 1: benefits package, and Sean scoffs. What benefits are there to

1137
00:53:33,520 --> 00:53:35,799
Speaker 1: being a janitor? Chat tells him, well, for one thing,

1138
00:53:35,840 --> 00:53:37,960
Speaker 1: after being away from my son for a year, what

1139
00:53:38,160 --> 00:53:41,040
Speaker 1: better benefit than a job that lets me be near him.

1140
00:53:41,719 --> 00:53:44,479
Speaker 1: Verna gives Shan a big smile and Sean smiles back.

1141
00:53:44,520 --> 00:53:47,160
Speaker 1: But the idea that he's forced Feeney to fire Chet

1142
00:53:47,200 --> 00:53:49,200
Speaker 1: in the morning is weighing heavy.

1143
00:53:50,480 --> 00:53:53,759
Speaker 3: Very nice, by the way, you said that said that

1144
00:53:53,760 --> 00:53:54,880
Speaker 3: well for force.

1145
00:53:55,560 --> 00:53:58,640
Speaker 1: Yeah, thanks.

1146
00:53:59,400 --> 00:54:01,520
Speaker 2: Fire Fred fo fire friends.

1147
00:54:01,840 --> 00:54:04,120
Speaker 3: That's the problem that this.

1148
00:54:04,040 --> 00:54:08,799
Speaker 4: Scene just indicates how the entire episode could have been

1149
00:54:08,800 --> 00:54:12,400
Speaker 4: better if they'd just rewritten that first scene, because it

1150
00:54:12,440 --> 00:54:14,640
Speaker 4: really is just the first scene that's the problem. The

1151
00:54:14,680 --> 00:54:18,439
Speaker 4: rest of it is great. Yeah, so yeah, it did

1152
00:54:18,719 --> 00:54:19,400
Speaker 4: it did. So.

1153
00:54:19,440 --> 00:54:21,520
Speaker 1: Then we're back in John Adams High. Sean's waiting by

1154
00:54:21,520 --> 00:54:23,600
Speaker 1: his locker as mister foene walks by. He runs up

1155
00:54:23,600 --> 00:54:26,320
Speaker 1: to Feenie, who shocked to see Sean at school early.

1156
00:54:26,560 --> 00:54:29,960
Speaker 1: My life's work is done. Goodbye everyone, so good. Sean

1157
00:54:30,000 --> 00:54:32,400
Speaker 1: says he's changed his mind about his dad working at school,

1158
00:54:32,520 --> 00:54:35,160
Speaker 1: and Phoene says he's already started searching for a replacement.

1159
00:54:35,440 --> 00:54:37,520
Speaker 1: Sean begs him, you have to cancel it, okay, because

1160
00:54:37,520 --> 00:54:39,319
Speaker 1: you can't just do that to a guy who's finally

1161
00:54:39,360 --> 00:54:41,720
Speaker 1: found a steady job. And my mom, who's been waiting

1162
00:54:41,760 --> 00:54:43,880
Speaker 1: all this time for him to be responsible, came to

1163
00:54:43,920 --> 00:54:47,080
Speaker 1: the chair and she put her arm around him. Phoenie understands,

1164
00:54:47,239 --> 00:54:50,720
Speaker 1: thanks for a second and says, Oki doki. Sean's confused,

1165
00:54:50,800 --> 00:54:53,879
Speaker 1: I'm me too, just like that, and Phoene explains, I'm

1166
00:54:53,880 --> 00:54:56,799
Speaker 1: the principle I willed great and mysterious powers. Besides that,

1167
00:54:56,880 --> 00:54:58,960
Speaker 1: I was never going to fire your father in the

1168
00:54:59,000 --> 00:55:02,640
Speaker 1: first place, because this never about your father. This was

1169
00:55:02,719 --> 00:55:06,120
Speaker 1: always about you. Phoenie pats him on the shoulder and

1170
00:55:06,200 --> 00:55:11,680
Speaker 1: walks away.

1171
00:55:09,280 --> 00:55:11,920
Speaker 2: And he says, because you're the student, right, what the line.

1172
00:55:11,680 --> 00:55:13,400
Speaker 1: Is always about you?

1173
00:55:13,480 --> 00:55:13,719
Speaker 3: Yeah?

1174
00:55:14,400 --> 00:55:18,640
Speaker 2: Oh man, awesome. Yeah. And this is where we get

1175
00:55:18,640 --> 00:55:20,920
Speaker 2: into like the sort of the question of you know,

1176
00:55:21,040 --> 00:55:23,520
Speaker 2: the reality of boy meets world being from like the

1177
00:55:23,600 --> 00:55:26,359
Speaker 2: kid's point of view. You know, where your principle is God,

1178
00:55:26,560 --> 00:55:29,320
Speaker 2: like your principal is the sort of on your teacher.

1179
00:55:29,560 --> 00:55:33,080
Speaker 2: You know, originally your teacher knows best. You know, like

1180
00:55:33,360 --> 00:55:36,720
Speaker 2: teacher knows best. Could kind of be like a subatic

1181
00:55:37,120 --> 00:55:41,160
Speaker 2: message of boy meets World. Yeah, it's very interesting.

1182
00:55:41,440 --> 00:55:45,080
Speaker 1: So great. So Cory and Topanga, who have been creepingly like,

1183
00:55:45,239 --> 00:55:47,080
Speaker 1: did you notice us creepily standing in the back?

1184
00:55:47,960 --> 00:55:50,640
Speaker 4: No, because I couldn't see anything the tiny little skirt

1185
00:55:50,680 --> 00:55:51,240
Speaker 4: you're wearing.

1186
00:55:53,400 --> 00:55:55,759
Speaker 1: We continue to not care about what she looks like.

1187
00:55:58,680 --> 00:56:01,080
Speaker 4: Sue, and Sue's like, oh my god, how did her

1188
00:56:01,120 --> 00:56:02,560
Speaker 4: parents let her out of the house like that?

1189
00:56:02,719 --> 00:56:04,960
Speaker 3: Get back upstairs and put on a longer dress.

1190
00:56:05,080 --> 00:56:07,480
Speaker 1: I know. I think it's funny that after the haircutting episode,

1191
00:56:07,480 --> 00:56:09,520
Speaker 1: it was like, yeah, you're right, and then I've continued

1192
00:56:09,520 --> 00:56:12,560
Speaker 1: to just wear super cute little outfits, do my hair

1193
00:56:12,600 --> 00:56:15,640
Speaker 1: and makeup every day. It's I mean, it's cute. We're

1194
00:56:15,680 --> 00:56:20,640
Speaker 1: in peak Daniell, peak Danielle time. Uh So they Corey

1195
00:56:20,640 --> 00:56:22,239
Speaker 1: and Tanga walk up and Corey asks what was so

1196
00:56:22,239 --> 00:56:24,080
Speaker 1: important that we had to be here five minutes early.

1197
00:56:24,400 --> 00:56:27,080
Speaker 1: Sean looks over at Doug and his thug buddy. They've

1198
00:56:27,080 --> 00:56:30,120
Speaker 1: also been hanging out nearby for really no reason. I

1199
00:56:30,400 --> 00:56:32,440
Speaker 1: just wanted to watch you drink this milk. He pulls

1200
00:56:32,440 --> 00:56:34,600
Speaker 1: a carton out of his backpack and hands it to Corey,

1201
00:56:34,800 --> 00:56:36,959
Speaker 1: who says, I guess I could always use a little

1202
00:56:37,000 --> 00:56:39,200
Speaker 1: milk to Panga asks.

1203
00:56:39,080 --> 00:56:42,960
Speaker 2: No, then Sean just throw some milk on the ground, right.

1204
00:56:43,320 --> 00:56:45,520
Speaker 1: Right, But he wanted they need they want to do

1205
00:56:45,600 --> 00:56:49,560
Speaker 1: a gravel cory into it, so Corey. Corey knows that

1206
00:56:49,640 --> 00:56:52,040
Speaker 1: this is a bit because Corey looks over his shoulder

1207
00:56:52,080 --> 00:56:54,880
Speaker 1: at Doug like, yeah, I'll help you do this. So

1208
00:56:54,920 --> 00:56:58,000
Speaker 1: they just wanted to tie it together. That the core

1209
00:56:59,200 --> 00:57:01,440
Speaker 1: always he's gotten, He's got nothing, nothing.

1210
00:57:01,480 --> 00:57:02,680
Speaker 3: This was not a Corey episode.

1211
00:57:02,760 --> 00:57:02,920
Speaker 4: Yeah.

1212
00:57:03,080 --> 00:57:05,840
Speaker 2: Yeah, So this is interesting because he could have easily

1213
00:57:05,880 --> 00:57:08,400
Speaker 2: been like involved on the Phoene side, right, like Corey

1214
00:57:08,440 --> 00:57:10,839
Speaker 2: could have been in other episodes. He's played that role

1215
00:57:10,880 --> 00:57:13,120
Speaker 2: where he's like, I'm worried about Sean to like mister

1216
00:57:13,160 --> 00:57:15,560
Speaker 2: Feenie or mister Turner and sort of helping him. But

1217
00:57:15,560 --> 00:57:17,880
Speaker 2: in this episode he's just there for laughs and yep,

1218
00:57:18,000 --> 00:57:19,840
Speaker 2: not not affecting change at all.

1219
00:57:20,080 --> 00:57:21,080
Speaker 3: Yeah.

1220
00:57:21,120 --> 00:57:23,520
Speaker 1: So Tapanga asks, is this another one of those delightful

1221
00:57:23,560 --> 00:57:26,400
Speaker 1: little stunts. Sean thinks to Panga may actually like this one,

1222
00:57:26,400 --> 00:57:28,480
Speaker 1: and then he knocks the cart and out of Corey's hand.

1223
00:57:28,680 --> 00:57:31,720
Speaker 1: Milk spills all over the floor. Corey shocked, and Shohan apologizes,

1224
00:57:32,000 --> 00:57:33,920
Speaker 1: so he is kind of in on it. But then

1225
00:57:33,920 --> 00:57:38,040
Speaker 1: he asks, very shocked about what happened. Sean apologizes, and

1226
00:57:38,080 --> 00:57:40,439
Speaker 1: then Doug walks up, looks like we get to start

1227
00:57:40,480 --> 00:57:43,680
Speaker 1: another day with your dad, and Sean proudly responds, looks

1228
00:57:43,720 --> 00:57:46,920
Speaker 1: like we do. Chat walks out of the janitorial closet

1229
00:57:46,960 --> 00:57:47,920
Speaker 1: or the bathroom.

1230
00:57:47,680 --> 00:57:50,360
Speaker 3: Bathroom, says bathrooms, bathroom. Also he seems to just sense

1231
00:57:50,400 --> 00:57:51,280
Speaker 3: when something spilled on the.

1232
00:57:51,240 --> 00:57:56,320
Speaker 1: Floors, always in the bathroom.

1233
00:57:59,600 --> 00:58:02,400
Speaker 2: Twenty seven into the tower. Alert, Alert, we have cleaning crew.

1234
00:58:02,600 --> 00:58:06,120
Speaker 4: Cleaning crew, immediately, we have milk down on for this

1235
00:58:06,280 --> 00:58:07,760
Speaker 4: twenty eight floor tower.

1236
00:58:10,280 --> 00:58:12,080
Speaker 1: He comes out and says, looks like I'm needed here.

1237
00:58:12,120 --> 00:58:14,840
Speaker 1: Sean stops him, grabs the mop from his hand and says, here, DoD,

1238
00:58:14,920 --> 00:58:17,080
Speaker 1: let me take care of that. He mops proudly in

1239
00:58:17,080 --> 00:58:19,360
Speaker 1: front of Doug's face. Chet says he doesn't have to

1240
00:58:19,400 --> 00:58:21,560
Speaker 1: do that, but Sean responds, I know I don't, and

1241
00:58:21,640 --> 00:58:24,120
Speaker 1: I know you don't either. Chet smiles as the crowd

1242
00:58:24,280 --> 00:58:27,680
Speaker 1: crowd claps loudly and Sean continues mopping in front of

1243
00:58:27,720 --> 00:58:29,080
Speaker 1: the two bullies who.

1244
00:58:28,920 --> 00:58:31,280
Speaker 4: Hate him, but Doug also gives him kind of like

1245
00:58:31,320 --> 00:58:36,160
Speaker 4: a yeah, respect man, man, he does respect for something.

1246
00:58:36,560 --> 00:58:42,880
Speaker 2: It's that moment karate kid. Yes, cat in the face.

1247
00:58:44,080 --> 00:58:47,439
Speaker 3: Illegally, by the way, but that's a whole nother story. Yeah,

1248
00:58:47,440 --> 00:58:47,680
Speaker 3: it was.

1249
00:58:47,720 --> 00:58:49,560
Speaker 4: It was a strange kind of like, yeah, I respect

1250
00:58:49,560 --> 00:58:52,360
Speaker 4: that you're now also helping to the milk you caused

1251
00:58:52,960 --> 00:58:55,280
Speaker 4: problems with I'm Doug, you'll never see.

1252
00:58:55,120 --> 00:58:58,760
Speaker 2: Me again, Doug crandall empty Doug crandall.

1253
00:58:58,560 --> 00:59:03,120
Speaker 4: Out Jerk store with jerk store.

1254
00:59:05,280 --> 00:59:07,320
Speaker 1: And then we're in the Wilderness Outpost?

1255
00:59:08,080 --> 00:59:09,720
Speaker 2: Is really the wilderness Outpost?

1256
00:59:09,800 --> 00:59:10,120
Speaker 4: Is that what it?

1257
00:59:10,560 --> 00:59:14,440
Speaker 1: That's what it's called the store it's outside of it

1258
00:59:14,480 --> 00:59:17,080
Speaker 1: says Wilderness Outpost, but I never.

1259
00:59:16,920 --> 00:59:21,360
Speaker 2: Scribble said wilderness store. Yeah, it's a backyard.

1260
00:59:21,720 --> 00:59:25,400
Speaker 1: It's a backyard and a wilderness store. So a lot

1261
00:59:25,400 --> 00:59:28,360
Speaker 1: of staring in the Wilderness Store in this episode, as

1262
00:59:28,480 --> 00:59:30,920
Speaker 1: Eric is now staring at a Lonnie who is explaining

1263
00:59:30,920 --> 00:59:33,800
Speaker 1: to Willie Garson, who's back in the store, that bow

1264
00:59:33,880 --> 00:59:36,200
Speaker 1: hunting takes a special kind of man, a man who

1265
00:59:36,200 --> 00:59:38,600
Speaker 1: can stand his ground when a grizzly bears charging right

1266
00:59:38,640 --> 00:59:39,720
Speaker 1: at him.

1267
00:59:40,080 --> 00:59:44,880
Speaker 2: Picks up not a bow but a cross though, which

1268
00:59:45,240 --> 00:59:50,440
Speaker 2: doesnt with the crossbow. No, it's not. It's the weirdest, like,

1269
00:59:50,480 --> 00:59:50,800
Speaker 2: why not.

1270
00:59:51,480 --> 00:59:54,320
Speaker 1: Know any of it? It could have been a bow,

1271
00:59:54,600 --> 00:59:55,440
Speaker 1: it could have been.

1272
00:59:57,720 --> 01:00:00,440
Speaker 2: That is a crossbow cross I mean maybe people hunt

1273
01:00:00,440 --> 01:00:02,200
Speaker 2: with crossboys. I don't know, but it's definitely not the

1274
01:00:02,200 --> 01:00:05,520
Speaker 2: same as bohun Like you're you and your bow and

1275
01:00:05,560 --> 01:00:08,480
Speaker 2: an arrow and you're going out. Yeah, it's highly skilled

1276
01:00:08,520 --> 01:00:09,320
Speaker 2: and yeah, yep.

1277
01:00:10,000 --> 01:00:13,120
Speaker 1: Well, Mervin responds, I work for Merrill Lynch. She hands

1278
01:00:13,200 --> 01:00:15,640
Speaker 1: him the bow. You'll be fine. Sorry, she hands him

1279
01:00:15,680 --> 01:00:17,320
Speaker 1: Mervin Ross. But yes, his name is Mervin.

1280
01:00:17,880 --> 01:00:18,400
Speaker 6: Oh my god.

1281
01:00:18,880 --> 01:00:22,520
Speaker 1: Yeah, Alan tells Ezekiel behind the counter. I must say,

1282
01:00:22,560 --> 01:00:24,680
Speaker 1: I'm a little concerned about your niece working here. She

1283
01:00:24,720 --> 01:00:27,240
Speaker 1: seems like a sweet, nice girl, but she is on

1284
01:00:27,320 --> 01:00:30,600
Speaker 1: the attractive side and could be a distraction to a

1285
01:00:30,640 --> 01:00:34,120
Speaker 1: lot of young men, so she should not be allowed

1286
01:00:34,160 --> 01:00:34,720
Speaker 1: to exist.

1287
01:00:34,760 --> 01:00:36,280
Speaker 3: No, she should have jobs.

1288
01:00:36,560 --> 01:00:38,040
Speaker 2: No, No, you can't have a job where you're going

1289
01:00:38,080 --> 01:00:40,000
Speaker 2: to get you're attracted men.

1290
01:00:39,880 --> 01:00:43,920
Speaker 1: You might distract on you. Get out of here, fired

1291
01:00:44,400 --> 01:00:51,120
Speaker 1: fired damn women, and then he says, like, oh, say

1292
01:00:51,200 --> 01:00:53,480
Speaker 1: my son who has to work with her every day.

1293
01:00:53,720 --> 01:00:56,600
Speaker 1: Ezekiel sures there's nothing to worry about. Lonetta was raised

1294
01:00:56,600 --> 01:01:00,440
Speaker 1: with eleven brothers, but the way he says it is

1295
01:01:00,520 --> 01:01:01,720
Speaker 1: like he's an eleven brother.

1296
01:01:02,840 --> 01:01:06,560
Speaker 3: Oh interesting, he's not. Yeah, he's not. He doesn't know

1297
01:01:06,560 --> 01:01:07,520
Speaker 3: the handshake. Come on, ryder.

1298
01:01:11,080 --> 01:01:17,160
Speaker 1: Yes, they brought her up as girly as they could,

1299
01:01:17,160 --> 01:01:19,960
Speaker 1: but danged if she didn't turn out all boy. Eric

1300
01:01:20,000 --> 01:01:22,240
Speaker 1: approaches Lonnie, saying it'd probably be in their best interest

1301
01:01:22,320 --> 01:01:24,160
Speaker 1: to get to know each other since they'll be working together.

1302
01:01:24,440 --> 01:01:27,320
Speaker 1: She kindly asks, you mean that, Eric? He emphasizes, I've

1303
01:01:27,320 --> 01:01:29,800
Speaker 1: never been more serious about anything in my entire life.

1304
01:01:30,200 --> 01:01:33,200
Speaker 1: She punches him and tells him how friendly ouch That

1305
01:01:33,280 --> 01:01:36,040
Speaker 1: punch stung? She asks, you like to go hunting? You

1306
01:01:36,120 --> 01:01:37,840
Speaker 1: like to go fishing? We can do some boxing. She

1307
01:01:37,880 --> 01:01:40,040
Speaker 1: puts up her dukes and starts punching Eric again. He's

1308
01:01:40,040 --> 01:01:41,960
Speaker 1: in pain, asking her to stop. As she pummels him.

1309
01:01:42,240 --> 01:01:43,960
Speaker 1: She puts him in a choke hold and tells him

1310
01:01:43,960 --> 01:01:47,680
Speaker 1: to not hold back. Not the face, Eric yells. Ezekiel

1311
01:01:47,720 --> 01:01:50,520
Speaker 1: tells Alan, yeah, her brothers are real glad she found work.

1312
01:01:50,840 --> 01:01:53,640
Speaker 1: Eric eventually falls over in defeat and Lonnie celebrates like

1313
01:01:53,720 --> 01:01:55,600
Speaker 1: Rocky after a knockout.

1314
01:01:56,160 --> 01:02:00,400
Speaker 3: She beat the hell of me.

1315
01:02:00,640 --> 01:02:03,080
Speaker 2: Really, I was wondering, actually have week.

1316
01:02:03,240 --> 01:02:06,720
Speaker 4: No pads, to the point where the third day I

1317
01:02:06,800 --> 01:02:08,880
Speaker 4: was covered in bruises and I had to pull her

1318
01:02:08,920 --> 01:02:12,200
Speaker 4: aside and said, can you can you please pull your

1319
01:02:12,200 --> 01:02:13,000
Speaker 4: punches a little bit?

1320
01:02:13,080 --> 01:02:13,680
Speaker 2: If memories?

1321
01:02:13,840 --> 01:02:15,880
Speaker 4: First of all, she couldn't have been sweeter. She and

1322
01:02:15,880 --> 01:02:18,760
Speaker 4: I got along really really well, good actress. She'd done

1323
01:02:18,760 --> 01:02:22,560
Speaker 4: a bunch of episodes since after, and we loved working together.

1324
01:02:22,640 --> 01:02:25,760
Speaker 4: But I had to go to her bruises in hand

1325
01:02:25,960 --> 01:02:30,000
Speaker 4: and say, can you please pull your punches? Because at

1326
01:02:30,000 --> 01:02:32,720
Speaker 4: first she had a ring on and she was dating

1327
01:02:32,880 --> 01:02:36,680
Speaker 4: a guy at the time who was like a martial

1328
01:02:36,760 --> 01:02:40,200
Speaker 4: arts master who apparently she had trained with, and as

1329
01:02:40,240 --> 01:02:43,040
Speaker 4: my wife says, I bruise like a peach. Yeah, so

1330
01:02:43,200 --> 01:02:45,919
Speaker 4: I mean she be. I would go home and take

1331
01:02:45,920 --> 01:02:49,160
Speaker 4: my shirt off, and I was covered in bruises from

1332
01:02:49,160 --> 01:02:51,640
Speaker 4: this woman, and so it was like, can you please,

1333
01:02:51,720 --> 01:02:53,880
Speaker 4: could you please stop actually beating me up? During the

1334
01:02:53,960 --> 01:02:55,960
Speaker 4: run through, She's like, I'm so sorry, of course, but

1335
01:02:56,000 --> 01:02:58,400
Speaker 4: it was man that that whole week hurts.

1336
01:02:58,760 --> 01:03:00,960
Speaker 1: Yeah, Well, I just want you guys to know we

1337
01:03:01,000 --> 01:03:04,640
Speaker 1: looked up Mickey Jones's birthday and it was June tenth.

1338
01:03:04,800 --> 01:03:07,760
Speaker 1: So close, so close.

1339
01:03:07,880 --> 01:03:09,600
Speaker 3: He's got an eleventh brother vibe though.

1340
01:03:09,480 --> 01:03:12,080
Speaker 1: Yeah he does. You're right, Yeah, you're right. Well, thank

1341
01:03:12,120 --> 01:03:14,480
Speaker 1: you all for joining us for this episode of Podmeets World.

1342
01:03:14,560 --> 01:03:17,120
Speaker 1: You can follow us on Instagram pod Meets World Show.

1343
01:03:17,200 --> 01:03:19,280
Speaker 1: You can send us your emails pod meets World Show

1344
01:03:19,400 --> 01:03:23,360
Speaker 1: at gmail dot com. And we have merch merchant of

1345
01:03:23,560 --> 01:03:27,240
Speaker 1: merger pod Meets World.

1346
01:03:27,600 --> 01:03:28,720
Speaker 2: It is a powerful merch.

1347
01:03:28,880 --> 01:03:31,680
Speaker 3: Powerful that's good too, Powerful powerful.

1348
01:03:31,240 --> 01:03:32,880
Speaker 2: Merch, powerful merch.

1349
01:03:33,400 --> 01:03:36,760
Speaker 1: Pod Meeatsworldshow dot com writer, send us out.

1350
01:03:37,280 --> 01:03:42,000
Speaker 2: We love you all, pod dismissed. Pod Meets World is

1351
01:03:42,000 --> 01:03:45,120
Speaker 2: an iHeart podcast producer and hosted by Danielle Fischel, Wilfridell

1352
01:03:45,200 --> 01:03:48,720
Speaker 2: and Ryder Strong. Executive producers Jensen Carp and Amy Sugarman,

1353
01:03:48,880 --> 01:03:53,520
Speaker 2: Executive in charge of production, Danielle Romo, producer and editor, Tarasubash, producer,

1354
01:03:53,600 --> 01:03:56,800
Speaker 2: Maddie Moore, engineer and boy meets World Superman Easton Allen.

1355
01:03:56,960 --> 01:04:00,200
Speaker 2: Our theme song is by Kyle Morton of Typhoon. Hellow

1356
01:04:00,240 --> 01:04:03,000
Speaker 2: us on Instagram at Podmets World Show or email us

1357
01:04:03,040 --> 01:04:08,560
Speaker 2: at podmetsworldshowat gmail dot com. M