1 00:00:01,720 --> 00:00:04,440 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,360 --> 00:00:12,360 Speaker 1: Welcome to and That's what You Really miss podcast. We 4 00:00:12,440 --> 00:00:18,279 Speaker 1: have a returning customer. One returning customer. 5 00:00:18,200 --> 00:00:22,120 Speaker 2: A vip AN MVP of season five, cord Over Street 6 00:00:22,160 --> 00:00:22,439 Speaker 2: is here. 7 00:00:22,920 --> 00:00:25,880 Speaker 1: We remind him of a lot of things. There's a 8 00:00:25,920 --> 00:00:29,680 Speaker 1: lot of thoughts involved, but Cord is just Chords here. 9 00:00:30,160 --> 00:00:31,480 Speaker 2: He's got a lot going on. We have a great 10 00:00:31,480 --> 00:00:35,720 Speaker 2: little catchup. Yeah, he's so busy, and we quiz him 11 00:00:35,760 --> 00:00:38,680 Speaker 2: on what he remembers about season five, and let me 12 00:00:38,720 --> 00:00:40,400 Speaker 2: tell you, he doesn't. 13 00:00:44,040 --> 00:00:44,600 Speaker 1: Just like us. 14 00:00:44,760 --> 00:00:48,479 Speaker 2: So get ready buckle up for the best. The person 15 00:00:48,479 --> 00:00:52,800 Speaker 2: who could have chemistry with an aunt anything and an 16 00:00:52,840 --> 00:00:53,920 Speaker 2: ant I don't know. 17 00:00:53,920 --> 00:00:57,280 Speaker 1: Cord Over Street. Thanks for popping on, Cord. 18 00:00:57,680 --> 00:00:59,920 Speaker 3: Yeah, yeah, me get to see you guys. 19 00:01:00,120 --> 00:01:02,720 Speaker 2: We've we've been. We just finished watching season five. I 20 00:01:02,760 --> 00:01:06,119 Speaker 2: don't know how much of it you remember? Zero Yeah, 21 00:01:08,000 --> 00:01:08,559 Speaker 2: y'all go. 22 00:01:08,480 --> 00:01:12,840 Speaker 1: To New York only New York for a while. 23 00:01:13,319 --> 00:01:15,360 Speaker 4: Yeah, I don't remember much of it, to be honest. 24 00:01:15,440 --> 00:01:17,679 Speaker 4: I'll see I'll get tagged and stuff here and there. 25 00:01:17,520 --> 00:01:19,440 Speaker 3: And I'm like, oh, I forgot we did that? 26 00:01:20,000 --> 00:01:20,200 Speaker 4: Yeah? 27 00:01:20,280 --> 00:01:27,560 Speaker 2: Oh yeah, dank a couple of highlights. Kevin was like syphilis, yes, 28 00:01:27,760 --> 00:01:29,880 Speaker 2: thank you, Chamydia closed. 29 00:01:29,760 --> 00:01:34,880 Speaker 4: Okay, Chami and fake life and in real. 30 00:01:34,720 --> 00:01:41,560 Speaker 2: Life, wow wow everyone get tested. Get no. 31 00:01:41,640 --> 00:01:43,319 Speaker 3: I don't really remember much of the season five, to 32 00:01:43,360 --> 00:01:44,120 Speaker 3: be honest. 33 00:01:44,040 --> 00:01:47,040 Speaker 2: Well, you sort of took over as the The beginning 34 00:01:47,080 --> 00:01:48,880 Speaker 2: of the season was awful, you know, like we were 35 00:01:48,920 --> 00:01:53,800 Speaker 2: going through a really tough time personally, and so the 36 00:01:53,840 --> 00:01:57,280 Speaker 2: show had to be rethought out. We were just trying 37 00:01:57,320 --> 00:02:00,440 Speaker 2: to like get through our days. And then I am 38 00:02:01,160 --> 00:02:05,400 Speaker 2: sort of became the de facto new like leader of 39 00:02:07,360 --> 00:02:09,520 Speaker 2: you know, like I don't know of all of us, right, 40 00:02:09,600 --> 00:02:13,000 Speaker 2: like sort of stepped in and like took over Finn's 41 00:02:13,040 --> 00:02:17,520 Speaker 2: mantle a bit and then went to New York and 42 00:02:17,800 --> 00:02:20,919 Speaker 2: we brought back Sam sades. Like you had a lot 43 00:02:21,000 --> 00:02:23,960 Speaker 2: to do actually in this season, Like you became and 44 00:02:24,000 --> 00:02:26,600 Speaker 2: you were fine and you were dramatic. 45 00:02:26,480 --> 00:02:28,720 Speaker 1: And didn't watch it neither Tony. But I wasn't in it, 46 00:02:28,800 --> 00:02:31,960 Speaker 1: That's why. But you were, like you are the star. 47 00:02:32,400 --> 00:02:33,760 Speaker 2: You're acting your ass off court. 48 00:02:34,000 --> 00:02:35,519 Speaker 4: Oh thanks, guys. You guys are sweet. 49 00:02:36,000 --> 00:02:40,520 Speaker 1: Even when like you had that crazy storyline where you 50 00:02:40,560 --> 00:02:44,760 Speaker 1: and Mercedes were dating. Sam and Mercedes were dating and 51 00:02:44,800 --> 00:02:48,440 Speaker 1: you had that crazy storyline where you like met her friends, 52 00:02:48,560 --> 00:02:53,720 Speaker 1: and you had like all these very cringing microaggression things 53 00:02:53,760 --> 00:02:56,800 Speaker 1: that you had to do and pull off, and yet 54 00:02:56,880 --> 00:03:00,400 Speaker 1: you were still so charming and so good and so funny, 55 00:03:00,480 --> 00:03:03,800 Speaker 1: and even despite all of the wild storylines, it was 56 00:03:03,840 --> 00:03:05,520 Speaker 1: like you were just really really great. 57 00:03:05,960 --> 00:03:08,440 Speaker 4: I mean, I remember there's like one moment from that 58 00:03:08,440 --> 00:03:10,880 Speaker 4: that's like still cracks me up because I'm like, I 59 00:03:10,880 --> 00:03:12,240 Speaker 4: don't know if you'd be able to get away with it, 60 00:03:12,280 --> 00:03:15,640 Speaker 4: but I was like, I think I was able to 61 00:03:15,639 --> 00:03:17,680 Speaker 4: get away with it because you're just you have to 62 00:03:17,760 --> 00:03:20,120 Speaker 4: just just dive into it. But it was just like 63 00:03:20,160 --> 00:03:23,600 Speaker 4: one of those things where I remember it was like 64 00:03:24,600 --> 00:03:26,640 Speaker 4: I feel like it was raining, but we were on 65 00:03:26,680 --> 00:03:30,040 Speaker 4: the lot and walking on like running across the street 66 00:03:30,040 --> 00:03:31,720 Speaker 4: to meet her background singers. 67 00:03:32,400 --> 00:03:34,800 Speaker 3: Yes, And in the script that. 68 00:03:34,920 --> 00:03:39,720 Speaker 4: Was like he does a Kevin Hart doing a Chris 69 00:03:39,760 --> 00:03:42,760 Speaker 4: Tucker or one of the other the other way around. 70 00:03:42,480 --> 00:03:45,280 Speaker 3: And it was like, oh no, the line was. 71 00:03:45,360 --> 00:03:48,920 Speaker 4: Cloud it would take me. Oh they kiss that fat ass. No, 72 00:03:49,200 --> 00:03:50,960 Speaker 4: that's like the first thing I say to. 73 00:03:52,720 --> 00:03:54,640 Speaker 3: It was like, no, it's in there. 74 00:03:54,760 --> 00:03:57,360 Speaker 4: It's all in there, And maybe they cut it out 75 00:03:57,440 --> 00:03:59,080 Speaker 4: later they went they. 76 00:04:01,080 --> 00:04:05,400 Speaker 3: Oh my brd on TV. I mean, I just loved 77 00:04:05,440 --> 00:04:07,240 Speaker 3: the where TV was back then. 78 00:04:08,320 --> 00:04:11,600 Speaker 4: You could get away with saying anything, and it's like, yeah, comedy, 79 00:04:11,640 --> 00:04:13,080 Speaker 4: it's as soon as you put. 80 00:04:12,920 --> 00:04:14,160 Speaker 3: A filter up on comedy. 81 00:04:15,560 --> 00:04:19,000 Speaker 4: Yeah, you kind of lose a little bit of the 82 00:04:19,160 --> 00:04:22,240 Speaker 4: natural dumb things that people would say in a room 83 00:04:22,400 --> 00:04:27,320 Speaker 4: or you know, just pitching ideas. But there's a lot 84 00:04:27,320 --> 00:04:30,120 Speaker 4: of there's a lot of moments in that that season 85 00:04:30,360 --> 00:04:34,200 Speaker 4: probably just rewatching would feel like the first time seeing it. 86 00:04:34,480 --> 00:04:34,800 Speaker 3: Yeah. 87 00:04:34,839 --> 00:04:40,839 Speaker 1: We also had one of our favorite nationals, which was 88 00:04:40,960 --> 00:04:43,159 Speaker 1: City of Angels, so we all went to La. We 89 00:04:43,200 --> 00:04:46,440 Speaker 1: did the Boss in La. We did still haven't found 90 00:04:46,480 --> 00:04:50,920 Speaker 1: what I'm looking for a fan favorite. You dated Penny. 91 00:04:52,360 --> 00:04:55,400 Speaker 3: Wild. I mean. 92 00:04:57,320 --> 00:04:59,839 Speaker 2: That storyline was also great. We like to say that 93 00:05:00,080 --> 00:05:03,160 Speaker 2: you could have chemistry with the Wall. It's like no 94 00:05:03,160 --> 00:05:07,560 Speaker 2: matter who they put you with, it's insane that like 95 00:05:07,800 --> 00:05:10,360 Speaker 2: every it's and we're not just like trying to like 96 00:05:10,480 --> 00:05:13,080 Speaker 2: fake it till you make it. You know, no, you 97 00:05:13,080 --> 00:05:15,560 Speaker 2: can't fake it that much. Cord, like, you just are 98 00:05:15,600 --> 00:05:18,040 Speaker 2: so good with everyone, even if it's not romantic, Like 99 00:05:18,120 --> 00:05:22,839 Speaker 2: you and Darren have this like really great friendship, likeam 100 00:05:22,960 --> 00:05:24,720 Speaker 2: was it was so good. 101 00:05:24,920 --> 00:05:26,800 Speaker 4: Oh yeah, I mean it's just like, yeah, it's like 102 00:05:27,240 --> 00:05:31,000 Speaker 4: there was definitely a it was like I kind of 103 00:05:31,080 --> 00:05:34,320 Speaker 4: I've seen in a while, but like I remember like 104 00:05:35,480 --> 00:05:38,279 Speaker 4: there was like a shifting moment where something shifted and 105 00:05:38,320 --> 00:05:40,839 Speaker 4: I was like, you probably all both know this, but 106 00:05:40,839 --> 00:05:44,120 Speaker 4: there's like a little switch that flicks where it's like 107 00:05:44,320 --> 00:05:46,720 Speaker 4: something turns on and it's like you're in it. You're 108 00:05:46,800 --> 00:05:49,320 Speaker 4: there and it's in it. It kind of you know 109 00:05:49,360 --> 00:05:52,840 Speaker 4: when you you find the sweet spot assay in your 110 00:05:52,880 --> 00:05:56,560 Speaker 4: performances and stuff, And that's like I at first I 111 00:05:56,600 --> 00:05:59,720 Speaker 4: didn't really know what I was doing, and then I 112 00:05:59,800 --> 00:06:03,040 Speaker 4: kind of kind of like was able to recognize that 113 00:06:03,080 --> 00:06:06,800 Speaker 4: feeling and then everything kind of started getting a lot 114 00:06:06,800 --> 00:06:08,080 Speaker 4: better and a little bit more dialed in. 115 00:06:09,160 --> 00:06:13,960 Speaker 2: I remember even watching you like how you worked. It's 116 00:06:13,960 --> 00:06:15,720 Speaker 2: funny you say that because like watching you work in 117 00:06:15,760 --> 00:06:18,360 Speaker 2: season five, I have distinct memories of like something is 118 00:06:18,400 --> 00:06:22,159 Speaker 2: different for him, like you did understand in a deeper level, 119 00:06:22,160 --> 00:06:24,839 Speaker 2: and like seeing you flip that switch, like you would 120 00:06:24,880 --> 00:06:28,080 Speaker 2: take bigger swings at things. So like the comedy was 121 00:06:28,120 --> 00:06:31,920 Speaker 2: like getting bigger and better because I think that you 122 00:06:31,960 --> 00:06:33,719 Speaker 2: like trusted that you knew what you were doing, and 123 00:06:33,760 --> 00:06:36,560 Speaker 2: you could take bigger swings at certain things, and that 124 00:06:36,680 --> 00:06:39,560 Speaker 2: also made it even more impactful when you had these 125 00:06:39,560 --> 00:06:44,040 Speaker 2: like really nice adult conversations like between Sam and Mercedes 126 00:06:44,200 --> 00:06:45,799 Speaker 2: later on in the season and New York. 127 00:06:46,440 --> 00:06:50,880 Speaker 4: Where there's just like some different layers and contrasts, And 128 00:06:51,360 --> 00:06:53,359 Speaker 4: I think a lot of that kind of came with 129 00:06:53,520 --> 00:06:57,719 Speaker 4: just following a bunch of the writers and really funny 130 00:06:57,720 --> 00:07:00,920 Speaker 4: people around and just picking their brain watching like obviously 131 00:07:01,560 --> 00:07:03,599 Speaker 4: being in a cast with so many talented people watching 132 00:07:03,640 --> 00:07:06,760 Speaker 4: them up close and kind of seeing and then there's 133 00:07:06,880 --> 00:07:09,200 Speaker 4: a thing that's like you feel like if you go 134 00:07:09,320 --> 00:07:11,640 Speaker 4: really big, it comes off cheesing, doesn't work. But then 135 00:07:11,680 --> 00:07:13,640 Speaker 4: there's like I watched a lot of stuff with Jim 136 00:07:13,680 --> 00:07:15,880 Speaker 4: Carrey is like, oh it's not you can go as 137 00:07:15,920 --> 00:07:18,520 Speaker 4: big as you want, as long as you believe it 138 00:07:18,600 --> 00:07:20,040 Speaker 4: as much as anybody else. 139 00:07:20,600 --> 00:07:25,320 Speaker 3: Yes, And uh, yeah it was. I gotta go back 140 00:07:25,360 --> 00:07:26,440 Speaker 3: and check that out. 141 00:07:26,720 --> 00:07:29,720 Speaker 1: You should. It's a really good season for you. I mean, 142 00:07:29,800 --> 00:07:31,680 Speaker 1: in general, it was actually a really fun season to 143 00:07:31,680 --> 00:07:36,560 Speaker 1: watch because I I became teena graduated halfway through. So 144 00:07:36,600 --> 00:07:39,640 Speaker 1: we did first well, let's talk about Trio, because Trio 145 00:07:39,920 --> 00:07:44,600 Speaker 1: was when we did the high school, the lock in 146 00:07:45,040 --> 00:07:50,160 Speaker 1: with with Lauren and we had our infamous makeout session. 147 00:07:50,680 --> 00:07:52,600 Speaker 3: They got cut, but it was just so. 148 00:07:52,840 --> 00:07:53,280 Speaker 2: It made it. 149 00:07:54,320 --> 00:07:56,560 Speaker 1: There's just the closest part of it. 150 00:07:57,560 --> 00:07:59,920 Speaker 3: He had just kept pushing more and more. 151 00:08:00,960 --> 00:08:07,840 Speaker 1: Like we have footage and we like that didn't make it, but. 152 00:08:09,000 --> 00:08:12,320 Speaker 4: It was like, it's probably the craziest, the craziest thing 153 00:08:12,400 --> 00:08:17,200 Speaker 4: I shot on that shows not accurate. 154 00:08:17,360 --> 00:08:18,280 Speaker 2: No, I don't think so. 155 00:08:18,440 --> 00:08:21,120 Speaker 3: I think I think with it ended. 156 00:08:21,000 --> 00:08:22,600 Speaker 4: Up being really tame versus what it was. 157 00:08:22,760 --> 00:08:23,600 Speaker 2: Yes, I agreed. 158 00:08:24,320 --> 00:08:26,960 Speaker 1: And then your bus, your bus when you go to 159 00:08:27,040 --> 00:08:30,240 Speaker 1: New York and you're pursuing your acting, your modeling career, 160 00:08:30,360 --> 00:08:33,480 Speaker 1: and you're dating Mercedes. You guys are living together, and 161 00:08:33,520 --> 00:08:38,040 Speaker 1: the bus in the in the episode where you cheat 162 00:08:38,080 --> 00:08:41,160 Speaker 1: on Mercedes, you cheat on Mercedes, right, and you're naked 163 00:08:41,200 --> 00:08:44,839 Speaker 1: in like every scene literally you have like your shirt 164 00:08:44,840 --> 00:08:46,520 Speaker 1: off in every scene. 165 00:08:46,840 --> 00:08:49,240 Speaker 2: Were you miserable? Now, sweet Potatoes? 166 00:08:49,679 --> 00:08:51,720 Speaker 4: Now I look back on it and I'm like, you know, 167 00:08:52,280 --> 00:08:55,000 Speaker 4: you know, I got there at some point in my life. 168 00:08:55,000 --> 00:08:57,880 Speaker 4: It's a good it's a good you know, Yes, yes, 169 00:08:58,280 --> 00:09:00,800 Speaker 4: it's it's a terrible reminder to where it's it's almost 170 00:09:00,800 --> 00:09:02,920 Speaker 4: impossible to live up to that at thirty six, but 171 00:09:03,800 --> 00:09:05,280 Speaker 4: you know, yeah, and. 172 00:09:05,160 --> 00:09:08,000 Speaker 1: You thought, like we thought we weren't looking our best, 173 00:09:08,160 --> 00:09:09,640 Speaker 1: you know what I mean. You look back, you're like, 174 00:09:09,880 --> 00:09:10,760 Speaker 1: I was my best. 175 00:09:11,720 --> 00:09:14,400 Speaker 3: Yeah, I think. I think that's it story. 176 00:09:14,120 --> 00:09:14,600 Speaker 4: Of my life. 177 00:09:15,280 --> 00:09:17,880 Speaker 1: But I felt bad for you during the process of 178 00:09:17,920 --> 00:09:21,960 Speaker 1: that because it was like, oh, Kurts Cords shirtless again 179 00:09:22,080 --> 00:09:24,640 Speaker 1: in this episode, and you're just like, oh god, no. 180 00:09:24,760 --> 00:09:27,880 Speaker 4: I think at the time I was I was I 181 00:09:27,920 --> 00:09:30,120 Speaker 4: would get done working and I would when I would 182 00:09:30,120 --> 00:09:31,720 Speaker 4: get home, I would put on like a forty pounds 183 00:09:31,800 --> 00:09:34,200 Speaker 4: vest and like two or three pairs of sweats and 184 00:09:34,320 --> 00:09:37,120 Speaker 4: walk on an incline for like an hour and then 185 00:09:37,120 --> 00:09:39,720 Speaker 4: get in the sauna and then try to go to bed. 186 00:09:39,720 --> 00:09:42,360 Speaker 4: But like you know, I was hungry, brain was wired 187 00:09:42,360 --> 00:09:45,480 Speaker 4: from all of the day and you know, working out 188 00:09:45,559 --> 00:09:45,960 Speaker 4: late at night. 189 00:09:46,000 --> 00:09:48,960 Speaker 3: So I would be doing that like regular, I forget about. 190 00:09:48,720 --> 00:09:50,200 Speaker 4: All that stuff, and I'm like, oh man, that was 191 00:09:50,240 --> 00:09:53,320 Speaker 4: like I probably didn't need to go that hard. I 192 00:09:53,360 --> 00:09:56,120 Speaker 4: was like twenty four at the time, and my metabolism 193 00:09:56,200 --> 00:09:57,200 Speaker 4: was doing what it was doing. 194 00:09:57,640 --> 00:10:00,240 Speaker 2: Yeah exactly. But it's like we were surrounded by but 195 00:10:00,240 --> 00:10:02,439 Speaker 2: like we would hear all the stories of like oh, 196 00:10:02,520 --> 00:10:04,120 Speaker 2: this person did this when they were on this show, 197 00:10:04,160 --> 00:10:05,679 Speaker 2: and this person did this to be in a movie 198 00:10:05,720 --> 00:10:08,360 Speaker 2: and we're shirtless, so like you would just like take 199 00:10:08,400 --> 00:10:09,720 Speaker 2: all that in and be like, I guess I have 200 00:10:09,760 --> 00:10:10,080 Speaker 2: to do that. 201 00:10:10,160 --> 00:10:11,400 Speaker 1: We're just like in it, you know. 202 00:10:11,600 --> 00:10:14,319 Speaker 4: Yeah, well, you know, things live on the internet for forever, so. 203 00:10:14,600 --> 00:10:17,640 Speaker 2: Exactly, yeah, exactly. It's hard when you know, in like 204 00:10:17,679 --> 00:10:19,360 Speaker 2: three weeks a couple of million people are going to 205 00:10:19,400 --> 00:10:22,280 Speaker 2: see you shirtless, so you want to try to look 206 00:10:22,280 --> 00:10:22,720 Speaker 2: your best. 207 00:10:23,320 --> 00:10:23,560 Speaker 3: Yeah. 208 00:10:23,600 --> 00:10:25,240 Speaker 4: You know what's crazy now, it's like you look at 209 00:10:25,280 --> 00:10:29,079 Speaker 4: like the lowest the ratings, you know, ratings were on 210 00:10:29,120 --> 00:10:32,040 Speaker 4: the show like that, and people are like, oh no, 211 00:10:32,240 --> 00:10:34,080 Speaker 4: like kind of you know, we're not panicked, but like 212 00:10:34,080 --> 00:10:37,240 Speaker 4: they're just like, yeah, you know, you're comparing the highest 213 00:10:37,240 --> 00:10:39,400 Speaker 4: to the lowest, and it's like now, like our lowest 214 00:10:39,400 --> 00:10:43,200 Speaker 4: would be unbelievable ratings for TV show. 215 00:10:47,400 --> 00:10:50,760 Speaker 1: You also, you were growing your hair out epically during 216 00:10:50,760 --> 00:10:53,679 Speaker 1: this season and then you cut your hair on the show. 217 00:10:54,960 --> 00:10:55,640 Speaker 1: Do you remember that? 218 00:10:56,120 --> 00:10:59,760 Speaker 4: Yeah, I get really like tired of having long hair. 219 00:10:59,559 --> 00:11:02,079 Speaker 1: And did you did you cut it? 220 00:11:02,240 --> 00:11:02,440 Speaker 4: Yeah? 221 00:11:02,440 --> 00:11:02,920 Speaker 3: I think so. 222 00:11:02,960 --> 00:11:06,320 Speaker 4: I think they I remember they wrote they wrote it 223 00:11:06,360 --> 00:11:09,520 Speaker 4: in because we were cross shooting a couple of different episodes. 224 00:11:09,520 --> 00:11:12,480 Speaker 4: So at one point when me and Darren were doing uh, 225 00:11:12,840 --> 00:11:14,800 Speaker 4: I think best day of my life in New York, 226 00:11:14,880 --> 00:11:16,040 Speaker 4: we did it in Times Square. 227 00:11:16,360 --> 00:11:22,120 Speaker 5: I was wearing a wig and oh yeah in that 228 00:11:22,240 --> 00:11:25,720 Speaker 5: scene and because I cut it, I cut it in 229 00:11:25,840 --> 00:11:27,880 Speaker 5: LA before we went to shoot, and then then that's 230 00:11:28,080 --> 00:11:29,920 Speaker 5: that episode was right before. 231 00:11:32,840 --> 00:11:35,920 Speaker 2: I loved speaking of New York. I loved like when 232 00:11:35,960 --> 00:11:38,800 Speaker 2: we all got to do that episode, the Chlamydia episode. 233 00:11:38,880 --> 00:11:42,800 Speaker 2: We were at Serendipity a bunch, oh yeah, And and 234 00:11:42,840 --> 00:11:44,160 Speaker 2: like you and I got to film a lot of 235 00:11:44,160 --> 00:11:46,120 Speaker 2: scenes over a couple episodes were just like playing video 236 00:11:46,160 --> 00:11:49,240 Speaker 2: games and like being like boys like lads, lads, lads, 237 00:11:49,240 --> 00:11:51,880 Speaker 2: which we never really got to do, which it was 238 00:11:51,920 --> 00:11:54,280 Speaker 2: really I never got to do that, and it was 239 00:11:54,360 --> 00:11:57,000 Speaker 2: really fun, Like you and I had so much more 240 00:11:57,040 --> 00:11:59,600 Speaker 2: stuff to do in the back half of the season, 241 00:11:59,600 --> 00:11:59,959 Speaker 2: like with the. 242 00:12:00,600 --> 00:12:04,000 Speaker 4: And yeah, there's a lot of fun stuff in there. 243 00:12:04,040 --> 00:12:06,080 Speaker 4: And also like shooting in New York was so cool 244 00:12:06,120 --> 00:12:08,840 Speaker 4: because normally we would you know, LA shuts down when 245 00:12:08,840 --> 00:12:10,720 Speaker 4: we were shoot in l A and we would we 246 00:12:11,000 --> 00:12:14,280 Speaker 4: finish shooting out in the freezing cold at like one 247 00:12:14,280 --> 00:12:16,520 Speaker 4: o'clock in the morning. Everything's so open in New York, 248 00:12:16,559 --> 00:12:18,240 Speaker 4: so you know, we could go out and get drinks 249 00:12:18,240 --> 00:12:21,240 Speaker 4: and kind of hang and actually have get to have 250 00:12:21,240 --> 00:12:25,720 Speaker 4: a little fun outside of oh that, but yeah, I 251 00:12:25,760 --> 00:12:27,199 Speaker 4: loved I loved filming in New York. 252 00:12:27,320 --> 00:12:29,439 Speaker 2: It was so much fun that I was. I forgot 253 00:12:29,440 --> 00:12:31,719 Speaker 2: that too, because like what we were shooting in New York, it. 254 00:12:31,679 --> 00:12:32,959 Speaker 3: Was almost because crane. 255 00:12:34,480 --> 00:12:39,000 Speaker 2: Yeah, it was good memory, a steel trap memory. 256 00:12:39,080 --> 00:12:43,560 Speaker 4: It's, yeah, I just remember weird things here and there. 257 00:12:43,640 --> 00:12:46,480 Speaker 4: Most of the stuff I've I forget until like you know, 258 00:12:46,600 --> 00:12:49,040 Speaker 4: it's kind of like that. I feel like I forget 259 00:12:49,080 --> 00:12:51,280 Speaker 4: like ninety percent of things until I start talking with 260 00:12:51,280 --> 00:12:52,800 Speaker 4: people about it, and then it's like comes back, like 261 00:12:52,840 --> 00:12:53,880 Speaker 4: you're in a therapy session. 262 00:12:54,160 --> 00:12:58,120 Speaker 2: Right, maybe I did Thanks for going to do this. 263 00:12:58,240 --> 00:13:03,240 Speaker 2: We could at Yeah, but like when we were shooting 264 00:13:03,440 --> 00:13:07,200 Speaker 2: in New York, we weren't doing that much. So we 265 00:13:07,200 --> 00:13:11,319 Speaker 2: were doing like exteriors, so like those aren't really extensively 266 00:13:11,400 --> 00:13:14,040 Speaker 2: like long scenes, so you're shooting a little piece here, 267 00:13:14,080 --> 00:13:16,400 Speaker 2: a little piece there, and so we could like go. 268 00:13:16,440 --> 00:13:18,800 Speaker 1: Out and do other Yeah, you weren't doing. 269 00:13:18,640 --> 00:13:20,400 Speaker 2: We weren't doing sixteen hour days like we would be 270 00:13:20,480 --> 00:13:21,600 Speaker 2: doing in La you know. 271 00:13:21,720 --> 00:13:24,640 Speaker 4: And it was also so much of those location dependent 272 00:13:24,880 --> 00:13:28,720 Speaker 4: you know, and all right, this is set at night time, 273 00:13:28,840 --> 00:13:31,280 Speaker 4: so you know, we have the day to where sometimes 274 00:13:31,280 --> 00:13:32,840 Speaker 4: I think we started like two or three o'clock in 275 00:13:32,840 --> 00:13:33,360 Speaker 4: the afternoon. 276 00:13:33,440 --> 00:13:34,760 Speaker 2: Yeah, that's fun. 277 00:13:35,040 --> 00:13:38,480 Speaker 4: But there was there was the one like it was 278 00:13:38,559 --> 00:13:41,479 Speaker 4: like I think it was early March or late February, 279 00:13:42,679 --> 00:13:46,000 Speaker 4: but it was what it was set like in the 280 00:13:46,000 --> 00:13:48,439 Speaker 4: springtime in New York. So I remember like kind of 281 00:13:48,480 --> 00:13:49,800 Speaker 4: like right when it was starting to get warm, but 282 00:13:49,840 --> 00:13:52,560 Speaker 4: it was freezing and we were out on that in Brooklyn. 283 00:13:52,559 --> 00:13:56,080 Speaker 4: We were out on that wherever that carousel thing is. Yeah, 284 00:13:56,679 --> 00:13:59,319 Speaker 4: and I was pretty much in just a flannel in 285 00:13:59,440 --> 00:14:03,720 Speaker 4: jeans and that was like the I think the coldest 286 00:14:03,800 --> 00:14:06,000 Speaker 4: day of filming I had ever experienced. 287 00:14:06,120 --> 00:14:08,960 Speaker 1: It was all looked cold and like you could see 288 00:14:09,000 --> 00:14:11,960 Speaker 1: the breath and you're like, that doesn't look like spray. 289 00:14:12,480 --> 00:14:12,520 Speaker 4: No. 290 00:14:12,720 --> 00:14:15,400 Speaker 2: I remember they gave us like long John's like thermals 291 00:14:15,440 --> 00:14:16,760 Speaker 2: to wear underneath everything. 292 00:14:16,960 --> 00:14:18,360 Speaker 3: And then we were right on the water. 293 00:14:18,679 --> 00:14:21,920 Speaker 2: Yeah, there was a breeze, a cold, cold breeze. 294 00:14:22,280 --> 00:14:25,360 Speaker 4: It was not ideal, but yeah, the serendipity thing was 295 00:14:25,400 --> 00:14:26,760 Speaker 4: so was so cool going there. 296 00:14:26,840 --> 00:14:28,880 Speaker 3: I my nephew. 297 00:14:29,480 --> 00:14:31,600 Speaker 4: He just came up to when I was living. I 298 00:14:31,640 --> 00:14:32,920 Speaker 4: lived in New York like a year. He came up 299 00:14:32,960 --> 00:14:35,240 Speaker 4: to New York and visited because he had never been 300 00:14:35,680 --> 00:14:36,840 Speaker 4: for his like fourteenth birthday. 301 00:14:36,880 --> 00:14:39,160 Speaker 3: With the serendipity walked around. I kind of gave him the. 302 00:14:39,200 --> 00:14:41,240 Speaker 4: Tour of the city, but I went back in that 303 00:14:41,360 --> 00:14:42,280 Speaker 4: frozen hot chocolate. 304 00:14:42,800 --> 00:14:45,680 Speaker 1: So good, so good. I'm so jealous. 305 00:14:45,800 --> 00:14:46,480 Speaker 4: It was so good. 306 00:14:54,960 --> 00:14:57,400 Speaker 1: You were also on another Rye Murphy show recently. 307 00:14:57,880 --> 00:15:00,440 Speaker 3: Oh yeah, we did a little uh pop been for 308 00:15:00,800 --> 00:15:02,360 Speaker 3: Doctor Odyssey, which is really fun. 309 00:15:04,040 --> 00:15:05,960 Speaker 4: I mean, honestly, it was so fun. It was it 310 00:15:06,040 --> 00:15:08,960 Speaker 4: was you know, getting back with like a lot of 311 00:15:09,040 --> 00:15:12,440 Speaker 4: familiar crew. You know, Paris was directing, worked with Paris, 312 00:15:12,720 --> 00:15:18,720 Speaker 4: and then I knew Josh uh from like just old 313 00:15:18,760 --> 00:15:21,840 Speaker 4: like TCA things with Fox and when he was on 314 00:15:21,840 --> 00:15:24,760 Speaker 4: the Fringe and stuff, and yuh, it was good getting 315 00:15:24,760 --> 00:15:27,640 Speaker 4: to hang and work with him and uh, you know, 316 00:15:27,760 --> 00:15:28,360 Speaker 4: it was it. 317 00:15:28,360 --> 00:15:30,040 Speaker 3: Was like got to see all of all of a 318 00:15:30,080 --> 00:15:30,880 Speaker 3: lot of the crew that. 319 00:15:30,920 --> 00:15:32,360 Speaker 4: You know, all still work with Ryan. 320 00:15:32,400 --> 00:15:34,400 Speaker 3: And we were shooting on the old sound stages to 321 00:15:34,440 --> 00:15:37,360 Speaker 3: be filmed on, which is kind of which is cool 322 00:15:37,400 --> 00:15:38,880 Speaker 3: and wild. 323 00:15:39,640 --> 00:15:41,480 Speaker 4: It was definitely weird going back on like a different 324 00:15:41,520 --> 00:15:43,720 Speaker 4: set with being like walking through it's like kind of 325 00:15:44,520 --> 00:15:47,680 Speaker 4: you know the sound stage, but everything. 326 00:15:47,360 --> 00:15:51,800 Speaker 3: How it's built out is so as really Florence. But yeah, 327 00:15:51,800 --> 00:15:53,240 Speaker 3: everybody was really cool, Like. 328 00:15:53,280 --> 00:15:56,080 Speaker 4: Don Johnson was just like super sweet, and I Twain 329 00:15:56,280 --> 00:16:00,320 Speaker 4: was on the episode and like everybody, everybody was just sick. 330 00:16:00,600 --> 00:16:01,080 Speaker 1: Uh. 331 00:16:01,280 --> 00:16:02,960 Speaker 4: It was a really fun environment for that. 332 00:16:03,560 --> 00:16:05,240 Speaker 2: Did you know Saya from before this? 333 00:16:06,440 --> 00:16:10,880 Speaker 3: I worked with her on like a c MT uh 334 00:16:12,040 --> 00:16:14,840 Speaker 3: intro video for like CMT music or to the Taylor Swift, 335 00:16:14,920 --> 00:16:16,600 Speaker 3: like briefly when I was like I think we were 336 00:16:16,600 --> 00:16:21,520 Speaker 3: on tour, h Like I met there, did the did 337 00:16:21,520 --> 00:16:23,720 Speaker 3: the bit for the day and then I flew into 338 00:16:25,080 --> 00:16:27,760 Speaker 3: uh from there to Delaware or wherever. 339 00:16:27,440 --> 00:16:29,000 Speaker 4: We were or something like that. 340 00:16:31,040 --> 00:16:32,600 Speaker 3: Crazy, but I didn't really know. 341 00:16:32,560 --> 00:16:33,800 Speaker 4: What she was like so sweet. 342 00:16:33,840 --> 00:16:35,520 Speaker 2: We talked icon. 343 00:16:37,160 --> 00:16:38,800 Speaker 4: We had we talked about a lot of like she's 344 00:16:38,840 --> 00:16:41,280 Speaker 4: like really interesting person to talk to, but could have 345 00:16:41,280 --> 00:16:45,600 Speaker 4: been nicer and uh, I feel like she was talking 346 00:16:45,600 --> 00:16:48,160 Speaker 4: about doing a musical or something with her music. I'm 347 00:16:48,200 --> 00:16:49,920 Speaker 4: not sure if I'm right on that, but which would 348 00:16:49,920 --> 00:16:50,800 Speaker 4: be sick. 349 00:16:52,440 --> 00:16:55,560 Speaker 1: The dream so well, that would be definitely. 350 00:16:55,320 --> 00:16:59,000 Speaker 2: That I couldn't be wrong though, well regardless, it needs 351 00:16:59,000 --> 00:16:59,360 Speaker 2: to happen. 352 00:17:00,080 --> 00:17:00,960 Speaker 3: Don't fact check me on this. 353 00:17:02,360 --> 00:17:05,560 Speaker 2: Luckily I don't have Shanaia's number, so I can't. So 354 00:17:05,560 --> 00:17:09,880 Speaker 2: we're just going to take your sing as he got 355 00:17:09,880 --> 00:17:10,439 Speaker 2: to sing with her. 356 00:17:10,720 --> 00:17:13,000 Speaker 3: Yeah, exactly, Wait, he got to sing with her? 357 00:17:13,040 --> 00:17:17,040 Speaker 2: Do you know that story? Cord No years ago, during 358 00:17:17,080 --> 00:17:21,840 Speaker 2: Shania's first residency in Vegas, I went with Telly and 359 00:17:21,880 --> 00:17:25,879 Speaker 2: a bunch of people, like we all went and in 360 00:17:25,920 --> 00:17:28,679 Speaker 2: the back of my mind, I was like, God, wouldn't 361 00:17:28,680 --> 00:17:30,840 Speaker 2: it be great if do you remember like during Glee 362 00:17:30,840 --> 00:17:34,400 Speaker 2: we went to a really like heavy Shanaia period where 363 00:17:34,400 --> 00:17:36,760 Speaker 2: we all became really obsessed with Shanaia for no reason, 364 00:17:36,800 --> 00:17:37,520 Speaker 2: like out of nowhere. 365 00:17:38,040 --> 00:17:39,440 Speaker 3: I think you guys were a little bit late to 366 00:17:39,480 --> 00:17:40,240 Speaker 3: the party of that. 367 00:17:40,640 --> 00:17:46,400 Speaker 2: Yeah, it was the second time around. And so then 368 00:17:46,480 --> 00:17:51,480 Speaker 2: she started her Vegas residency and we went and we 369 00:17:51,480 --> 00:17:54,919 Speaker 2: were like standing up singing the whole time. We were 370 00:17:54,920 --> 00:17:56,800 Speaker 2: the only people singing there. And there was also a 371 00:17:56,840 --> 00:17:59,240 Speaker 2: country I don't know if it was a CMA Awards 372 00:17:59,320 --> 00:18:02,320 Speaker 2: or something like that. We're also in town that weekend, 373 00:18:02,359 --> 00:18:06,120 Speaker 2: so like one section over from us was like everybody 374 00:18:06,600 --> 00:18:10,880 Speaker 2: like Riba and like all these very famous country singers, 375 00:18:11,920 --> 00:18:15,160 Speaker 2: and we're the only people standing in the entire coliseum. 376 00:18:15,880 --> 00:18:18,080 Speaker 2: And she does this whole bit where she starts pulling 377 00:18:18,080 --> 00:18:21,000 Speaker 2: people out of the audience to come up and sing 378 00:18:21,040 --> 00:18:21,320 Speaker 2: with her. 379 00:18:21,359 --> 00:18:24,000 Speaker 3: She has like she pulled the loudest person she could find. 380 00:18:24,200 --> 00:18:26,800 Speaker 2: She didn't so I think they normally pull up, like 381 00:18:27,080 --> 00:18:29,520 Speaker 2: let's say it's three people, right, and so she finds 382 00:18:29,560 --> 00:18:31,320 Speaker 2: her three people and we're all like, oh my god, 383 00:18:31,359 --> 00:18:35,440 Speaker 2: Like Kelly has to Telly knows every Shanaia harmony, every 384 00:18:35,480 --> 00:18:38,480 Speaker 2: song known to man. Her husband slash manager, was sitting 385 00:18:38,560 --> 00:18:41,440 Speaker 2: the row behind us, and then like calls security over 386 00:18:41,480 --> 00:18:42,960 Speaker 2: and I see it happening out the corner of my 387 00:18:43,000 --> 00:18:46,200 Speaker 2: eye and they come and get Telly and they bring him. 388 00:18:46,240 --> 00:18:48,600 Speaker 2: They walk him up to the stage and they call 389 00:18:48,680 --> 00:18:51,600 Speaker 2: Shanaia over in the middle of her like talking, and 390 00:18:51,600 --> 00:18:54,280 Speaker 2: they're like, we got one more for you. So because 391 00:18:54,320 --> 00:18:57,640 Speaker 2: they ran out of room, she sits Tlly right next 392 00:18:57,680 --> 00:19:00,199 Speaker 2: to her on this like fake campfire set up up, 393 00:19:00,760 --> 00:19:02,600 Speaker 2: and then the first song whatever I think it was, like, 394 00:19:02,640 --> 00:19:06,199 Speaker 2: come on over. She leans over and like gives the 395 00:19:06,240 --> 00:19:10,959 Speaker 2: mic to Telly, and obviously he knows every harmony and 396 00:19:11,000 --> 00:19:14,720 Speaker 2: sings in perfect harmony with her, so she basically sings 397 00:19:14,760 --> 00:19:18,920 Speaker 2: the next three songs with him as a duet, ignores 398 00:19:18,960 --> 00:19:21,800 Speaker 2: everybody else on that stage, and like gives him the 399 00:19:21,840 --> 00:19:23,440 Speaker 2: mic and he doesn't really need the mic because that 400 00:19:23,520 --> 00:19:24,520 Speaker 2: voice carries. 401 00:19:24,800 --> 00:19:27,200 Speaker 3: And I wish I could have seen that. 402 00:19:27,440 --> 00:19:31,200 Speaker 2: Oh it was we were freaking out and I didn't 403 00:19:31,240 --> 00:19:33,719 Speaker 2: take video. You weren't allowed to have video out or anything. 404 00:19:34,600 --> 00:19:38,160 Speaker 2: But he comes back and he has this like polaroid 405 00:19:38,200 --> 00:19:40,119 Speaker 2: taken with her, and he's covered in glitter because I 406 00:19:40,119 --> 00:19:41,320 Speaker 2: guess she was covered in glitter. 407 00:19:42,480 --> 00:19:43,520 Speaker 3: He's covered in tears. 408 00:19:43,880 --> 00:19:44,080 Speaker 4: Well. 409 00:19:44,840 --> 00:19:46,800 Speaker 2: The rest of the night, he kept getting recognized for 410 00:19:46,880 --> 00:19:48,840 Speaker 2: people that were at the show. It was like, you know, 411 00:19:48,920 --> 00:19:49,280 Speaker 2: he's a. 412 00:19:49,240 --> 00:19:53,200 Speaker 3: Star, Yeah I have. I haven't. 413 00:19:53,240 --> 00:19:56,040 Speaker 4: I saw Brittany do a residency there. Other than that, 414 00:19:56,080 --> 00:20:05,600 Speaker 4: I haven't really. Oh yeah, he's just like he's just 415 00:20:05,840 --> 00:20:09,360 Speaker 4: always excellent, like his super Bowl stuff, like his live show. 416 00:20:09,400 --> 00:20:11,680 Speaker 1: It's just like Chef's kiss. 417 00:20:11,760 --> 00:20:14,280 Speaker 2: Yeah, nobody's doing what he's doing like. 418 00:20:14,200 --> 00:20:17,119 Speaker 1: That, and then you put put his He he also 419 00:20:17,200 --> 00:20:20,840 Speaker 1: didn't allow phones and like I love that experience, like 420 00:20:20,960 --> 00:20:23,240 Speaker 1: you lock your phone in a magnetic bag and you 421 00:20:23,320 --> 00:20:24,440 Speaker 1: just dance your night away. 422 00:20:24,880 --> 00:20:26,760 Speaker 4: Like yeah, it's like when you think about it, like 423 00:20:26,760 --> 00:20:30,840 Speaker 4: as for a performer, it's it's really, yeah, you're the 424 00:20:30,880 --> 00:20:34,240 Speaker 4: fans are trying to remember the show and every bit 425 00:20:34,280 --> 00:20:36,119 Speaker 4: of it, so they film a lot of these things, 426 00:20:36,240 --> 00:20:39,320 Speaker 4: or they reput for posting whatever, But at the time 427 00:20:39,359 --> 00:20:41,200 Speaker 4: you don't ever really look at those videos when they 428 00:20:41,200 --> 00:20:44,440 Speaker 4: go into your phone. Again, No, it's probably I mean, 429 00:20:44,440 --> 00:20:48,080 Speaker 4: it is kind of odd when you're performing for a 430 00:20:48,080 --> 00:20:49,520 Speaker 4: bunch of people and you just see a bunch of 431 00:20:49,720 --> 00:20:52,520 Speaker 4: phone cameras and you know, like aimed at you can't 432 00:20:52,520 --> 00:20:55,760 Speaker 4: really you don't really concern people are really enjoying their 433 00:20:56,640 --> 00:20:59,840 Speaker 4: experience as much. So it's it's kind of those types 434 00:20:59,880 --> 00:21:02,840 Speaker 4: of shows you really want, like that feedback from the 435 00:21:02,880 --> 00:21:05,880 Speaker 4: audience versus just looking at a bunch of labors. 436 00:21:06,600 --> 00:21:09,520 Speaker 2: Yeah, speaking of which, I mean, you just had a 437 00:21:09,520 --> 00:21:11,640 Speaker 2: new song come out court and I text you about 438 00:21:11,640 --> 00:21:12,200 Speaker 2: it because. 439 00:21:12,000 --> 00:21:13,520 Speaker 1: It's so good. 440 00:21:13,840 --> 00:21:14,080 Speaker 3: Thanks. 441 00:21:14,400 --> 00:21:18,920 Speaker 2: You're just yeah, I can't say it enough. You're songwriter. 442 00:21:19,040 --> 00:21:22,400 Speaker 2: I know you're like, do you sound great? Like, what's 443 00:21:22,400 --> 00:21:22,960 Speaker 2: the story of this? 444 00:21:23,600 --> 00:21:26,679 Speaker 4: I love the story of the song was so I 445 00:21:26,760 --> 00:21:30,520 Speaker 4: kind of went through a kind of went through like 446 00:21:30,560 --> 00:21:34,000 Speaker 4: a two or three year phase during the pandemic where 447 00:21:34,560 --> 00:21:38,439 Speaker 4: it felt really uninspired to write anything. And I was 448 00:21:38,520 --> 00:21:41,879 Speaker 4: dating somebody that like started the pandemic too for like 449 00:21:41,920 --> 00:21:45,840 Speaker 4: three years, and I didn't really I kind of was like, 450 00:21:45,880 --> 00:21:48,760 Speaker 4: did I just like lose like my creative bug? What 451 00:21:49,359 --> 00:21:52,719 Speaker 4: m And I think it's I think it was just 452 00:21:52,920 --> 00:21:55,720 Speaker 4: everybody kind of bunker it up during the pandemic, so 453 00:21:55,800 --> 00:21:57,840 Speaker 4: I didn't really have a lot of time to be alone. 454 00:21:58,560 --> 00:21:59,560 Speaker 3: And then towards the end. 455 00:21:59,520 --> 00:22:01,359 Speaker 4: Of that reallylationship, there was like a little bit of 456 00:22:01,440 --> 00:22:06,040 Speaker 4: cracks in the in the relationship, and you know, she 457 00:22:06,080 --> 00:22:07,880 Speaker 4: would go out to dinner with her friends and I'd 458 00:22:07,920 --> 00:22:10,920 Speaker 4: have like an hour and a half two hours at 459 00:22:10,920 --> 00:22:12,639 Speaker 4: home alone to where I kind of start kind of 460 00:22:12,680 --> 00:22:14,679 Speaker 4: start getting you know, the ideas and stuff. 461 00:22:14,720 --> 00:22:19,320 Speaker 3: But I think it was like a week right after 462 00:22:19,400 --> 00:22:23,119 Speaker 3: we broke up where I went into the session. 463 00:22:23,200 --> 00:22:27,320 Speaker 4: I had this idea of trying to figure out how 464 00:22:27,320 --> 00:22:30,480 Speaker 4: to get back to yourself after a breakup. And it's 465 00:22:30,560 --> 00:22:35,520 Speaker 4: kind of like, you know, like I was, you know, 466 00:22:35,720 --> 00:22:39,119 Speaker 4: doing I've been doing like relationships stuff for like three years. 467 00:22:39,119 --> 00:22:40,920 Speaker 4: You kind of lose a little bit of your individual 468 00:22:40,920 --> 00:22:42,240 Speaker 4: identities to trying to figure. 469 00:22:42,040 --> 00:22:42,920 Speaker 3: All that stuff out. 470 00:22:42,960 --> 00:22:46,800 Speaker 4: And sure, uh, you know, I think that's that's where 471 00:22:46,840 --> 00:22:48,679 Speaker 4: I could just have that title in my head, and 472 00:22:48,720 --> 00:22:51,399 Speaker 4: I was like went into the session. Like usually when 473 00:22:51,400 --> 00:22:55,520 Speaker 4: you're going into writing stuff, it's usually stuff just kind 474 00:22:55,520 --> 00:22:57,760 Speaker 4: of flows when you're going through a you know, a 475 00:22:57,840 --> 00:23:02,320 Speaker 4: breakup or yeah thing. So uh, usually I try to, 476 00:23:02,359 --> 00:23:03,920 Speaker 4: like if I'm going through anything like that, I try 477 00:23:03,960 --> 00:23:06,760 Speaker 4: to just like fill my days up with creating and 478 00:23:06,800 --> 00:23:07,320 Speaker 4: doing music. 479 00:23:07,359 --> 00:23:08,840 Speaker 3: But I started having. 480 00:23:08,760 --> 00:23:10,119 Speaker 2: A healthy, healthy outlet. 481 00:23:10,280 --> 00:23:14,320 Speaker 4: Yeah, I started having like ideas again when I spent 482 00:23:14,359 --> 00:23:16,920 Speaker 4: I started like forcing myself to spend time alone, which 483 00:23:18,240 --> 00:23:22,600 Speaker 4: is is a challenging thing to do. Yeah, and like 484 00:23:22,880 --> 00:23:26,160 Speaker 4: put my phone away and go back to like analog 485 00:23:26,520 --> 00:23:28,600 Speaker 4: paper and pen and just a guitar to where you know, 486 00:23:28,640 --> 00:23:33,879 Speaker 4: there's probably some other inspirational like you know, influences in 487 00:23:33,920 --> 00:23:34,760 Speaker 4: there or whether it be. 488 00:23:36,600 --> 00:23:39,280 Speaker 1: Uh it's like space to think, you know what I mean. 489 00:23:40,080 --> 00:23:43,360 Speaker 4: Yeah, But yeah, I just kind of went like from 490 00:23:44,040 --> 00:23:45,760 Speaker 4: like as soon as I kind of got single, I 491 00:23:45,880 --> 00:23:48,760 Speaker 4: just was like was like spending a lot of time 492 00:23:48,800 --> 00:23:50,000 Speaker 4: alone creating and doing something. 493 00:23:50,000 --> 00:23:52,520 Speaker 3: I was like, Okay, I've got something to say again. 494 00:23:52,600 --> 00:23:54,879 Speaker 4: But it's like really hard to you know, look yourself 495 00:23:54,920 --> 00:24:00,600 Speaker 4: in the mirror and be honest and open about you know, 496 00:24:00,840 --> 00:24:02,479 Speaker 4: I feel like it's easier to write music for other 497 00:24:02,520 --> 00:24:04,320 Speaker 4: people than it is to write for myself and be like, 498 00:24:04,320 --> 00:24:06,879 Speaker 4: what do I have to say? Totally because a lot 499 00:24:06,920 --> 00:24:08,320 Speaker 4: of the time you probably don't even think the stuff 500 00:24:08,320 --> 00:24:10,040 Speaker 4: that you have to say is interesting as just an 501 00:24:10,080 --> 00:24:11,600 Speaker 4: individual exactly. 502 00:24:12,040 --> 00:24:12,320 Speaker 2: Yep. 503 00:24:13,240 --> 00:24:14,800 Speaker 3: But yeah, that's kind of. 504 00:24:14,720 --> 00:24:18,399 Speaker 4: A fair way behind the behind that is, you know, 505 00:24:19,359 --> 00:24:23,359 Speaker 4: just going through the ups and downs of relationships. 506 00:24:24,320 --> 00:24:27,080 Speaker 2: You're I think what you excel at though, like any 507 00:24:27,119 --> 00:24:31,760 Speaker 2: good songwriter, is that like you're able to very succinctly 508 00:24:32,119 --> 00:24:37,000 Speaker 2: in like in a relatable way, like verbalize really complex emotions. 509 00:24:37,040 --> 00:24:40,399 Speaker 2: Like everything you just said is super relatable. But to 510 00:24:40,440 --> 00:24:43,639 Speaker 2: be able to boil that down into two verses in 511 00:24:43,680 --> 00:24:47,359 Speaker 2: a chorus is really difficult and have it still have 512 00:24:47,440 --> 00:24:50,760 Speaker 2: as much meaning and impact without like stripping it of 513 00:24:50,800 --> 00:24:52,840 Speaker 2: all that emotion and not just being you know, some 514 00:24:53,640 --> 00:24:57,920 Speaker 2: generic lyric coming out. You're You're really good. 515 00:24:57,720 --> 00:24:59,800 Speaker 4: At that, And I think that's like with anything like 516 00:25:00,080 --> 00:25:02,760 Speaker 4: on the in the creative uh space, Like if you 517 00:25:02,800 --> 00:25:04,840 Speaker 4: know where you're going, you can figure out how to 518 00:25:04,840 --> 00:25:06,359 Speaker 4: get there. So like I kind of I like to 519 00:25:06,400 --> 00:25:07,360 Speaker 4: work backwards to ward. 520 00:25:07,400 --> 00:25:08,560 Speaker 3: It's like, what's the. 521 00:25:08,280 --> 00:25:11,080 Speaker 4: Button at the end of something and then I know, 522 00:25:12,320 --> 00:25:18,840 Speaker 4: I know yeah, versus I've done sessions and writing where 523 00:25:19,080 --> 00:25:21,560 Speaker 4: sometimes you go in and you're not you're not coming 524 00:25:21,560 --> 00:25:24,359 Speaker 4: in with an idea, and so sometimes it feels like 525 00:25:24,359 --> 00:25:27,440 Speaker 4: it's random until something shifts and something happens, and sometimes 526 00:25:27,440 --> 00:25:29,199 Speaker 4: it never does. So it's like if I can go 527 00:25:29,280 --> 00:25:33,280 Speaker 4: in with like, all right, I need to make X, 528 00:25:33,440 --> 00:25:36,000 Speaker 4: X and X and there's like more, I can figure 529 00:25:36,000 --> 00:25:36,280 Speaker 4: it out. 530 00:25:36,600 --> 00:25:39,320 Speaker 2: Yeah, yeah, it makes sense. Do you have more music 531 00:25:39,359 --> 00:25:40,520 Speaker 2: coming out? Uh? 532 00:25:40,640 --> 00:25:41,240 Speaker 3: Yeah, I've got to. 533 00:25:41,840 --> 00:25:44,280 Speaker 4: I've got another song coming out next month, and then 534 00:25:44,520 --> 00:25:46,560 Speaker 4: after that another one and another one. So I probably have 535 00:25:46,600 --> 00:25:49,200 Speaker 4: like a full record like stacked up that I'm gonna 536 00:25:49,200 --> 00:25:53,200 Speaker 4: start putting out one a month. It's it's I've had 537 00:25:53,200 --> 00:25:55,800 Speaker 4: it for the like probably the last year, but it's 538 00:25:55,840 --> 00:25:58,720 Speaker 4: been you know, going through mixing, find it, you know, 539 00:25:58,840 --> 00:26:02,600 Speaker 4: having you know, the production done and uh and then 540 00:26:02,640 --> 00:26:06,800 Speaker 4: also like waiting on timing because uh, the last four 541 00:26:06,840 --> 00:26:08,639 Speaker 4: years I've been filming a show to where it's you know, 542 00:26:08,720 --> 00:26:13,080 Speaker 4: three months, you're yeah, you're gone, and then you're playing 543 00:26:13,119 --> 00:26:14,760 Speaker 4: ketchup when you get back and it's Almo. You know. 544 00:26:14,800 --> 00:26:17,639 Speaker 4: It's it's a lot for your brain to kind of 545 00:26:17,640 --> 00:26:20,320 Speaker 4: do all those things at once. So but I was 546 00:26:20,320 --> 00:26:22,040 Speaker 4: able to get a build up a lot of music 547 00:26:22,119 --> 00:26:23,880 Speaker 4: and have it ready to go, so now I can 548 00:26:23,960 --> 00:26:25,360 Speaker 4: kind of go full steam. 549 00:26:26,520 --> 00:26:28,080 Speaker 2: Great, are you gonna do shows? 550 00:26:28,960 --> 00:26:29,359 Speaker 4: I think. 551 00:26:31,119 --> 00:26:34,040 Speaker 3: I'm doing. No, I don't. I don't do the phone 552 00:26:34,080 --> 00:26:34,560 Speaker 3: locking thing. 553 00:26:34,600 --> 00:26:38,440 Speaker 4: But but but maybe I don't. I'm doing a show 554 00:26:38,480 --> 00:26:43,879 Speaker 4: in Atlanta, like doing a little like convention for uh 555 00:26:44,280 --> 00:26:48,000 Speaker 4: like Vampire Diaries stuff that they're Kayla and those guys 556 00:26:48,040 --> 00:26:51,320 Speaker 4: are going down there. So I'm going down there, uh Thursday. 557 00:26:51,920 --> 00:26:52,760 Speaker 2: Amazing. 558 00:26:53,000 --> 00:26:54,600 Speaker 4: Yeah, I'm going down to do that. And I did 559 00:26:54,600 --> 00:26:56,480 Speaker 4: that last year. It was so fun, like their fans 560 00:26:56,480 --> 00:27:03,400 Speaker 4: are just insane and yeah, yeah different different breed, but yeah, 561 00:27:03,480 --> 00:27:05,720 Speaker 4: that the song I had on the last episode of 562 00:27:05,760 --> 00:27:08,720 Speaker 4: Vampire Diaries, I usually like play that down there, and 563 00:27:08,800 --> 00:27:12,680 Speaker 4: it's like those fans absolutely just eat it up. They know, 564 00:27:12,880 --> 00:27:17,080 Speaker 4: just blew that song up and so very very grateful 565 00:27:17,119 --> 00:27:18,639 Speaker 4: for those guys. 566 00:27:18,640 --> 00:27:19,680 Speaker 3: And it'll be fun. 567 00:27:19,680 --> 00:27:22,320 Speaker 4: But I'm doing that, and then I think I don't 568 00:27:22,359 --> 00:27:24,400 Speaker 4: have anything yet on the books. I've kind of been 569 00:27:25,000 --> 00:27:29,480 Speaker 4: uh kind of just like in work release writing. I'm 570 00:27:29,520 --> 00:27:31,439 Speaker 4: like in Nashville right now, just writing and recording and 571 00:27:31,440 --> 00:27:34,119 Speaker 4: trying to finish out the rest of this record. But 572 00:27:34,640 --> 00:27:36,719 Speaker 4: I think once that's done, just like put music out, 573 00:27:36,800 --> 00:27:39,160 Speaker 4: get it out there, and then once it's out there, 574 00:27:39,160 --> 00:27:40,840 Speaker 4: start like doing live stuff. 575 00:27:48,520 --> 00:27:51,040 Speaker 1: That's on another season of Acapoco too. 576 00:27:51,200 --> 00:27:52,760 Speaker 3: Thanks, Hell yeah. 577 00:27:52,520 --> 00:27:54,560 Speaker 1: What you gone for us? Tell us what's coming on 578 00:27:54,600 --> 00:27:55,800 Speaker 1: the show? Anything fun? 579 00:27:56,960 --> 00:28:00,560 Speaker 4: There's a lot of fun stuff. I don't know what, 580 00:28:00,000 --> 00:28:02,399 Speaker 4: but what all they what all I can give away? 581 00:28:02,480 --> 00:28:08,760 Speaker 4: But this is I think I'm not sure. I mean 582 00:28:08,800 --> 00:28:11,280 Speaker 4: we could go another season after this. It might be 583 00:28:11,320 --> 00:28:11,880 Speaker 4: the last season. 584 00:28:11,920 --> 00:28:12,520 Speaker 3: We don't. I don't know. 585 00:28:12,560 --> 00:28:15,800 Speaker 4: They kind of we find out usually, Like I think 586 00:28:15,880 --> 00:28:17,359 Speaker 4: last season we found it like five weeks before we 587 00:28:17,400 --> 00:28:19,600 Speaker 4: started filming that we were we were going back. So 588 00:28:20,560 --> 00:28:23,359 Speaker 4: but you know, the shows like it's just really really great, 589 00:28:23,400 --> 00:28:26,760 Speaker 4: like heartwarming, fun comedy, and uh, it's had this really 590 00:28:27,040 --> 00:28:30,879 Speaker 4: nice organic word of mouth kind of growth. So like 591 00:28:30,960 --> 00:28:32,920 Speaker 4: each year, the you know, the fans get a little 592 00:28:32,960 --> 00:28:35,840 Speaker 4: bit more, it grows a lot. 593 00:28:35,680 --> 00:28:37,359 Speaker 3: And they get a little bit more into it. 594 00:28:37,400 --> 00:28:39,440 Speaker 4: And uh, I mean. 595 00:28:39,360 --> 00:28:42,080 Speaker 3: Down in Mexico for three months is not a bad Uh. 596 00:28:42,560 --> 00:28:44,720 Speaker 2: You know right now, I didn't get to see you 597 00:28:44,760 --> 00:28:45,360 Speaker 2: this last time. 598 00:28:45,760 --> 00:28:49,520 Speaker 4: Just you know, just just come on down man, I'm 599 00:28:49,560 --> 00:28:51,400 Speaker 4: thinking about moving down to port of article time. 600 00:28:51,960 --> 00:28:54,800 Speaker 1: I mean, why not. What a difference to from like 601 00:28:55,320 --> 00:28:57,840 Speaker 1: our show to going on to a show where you 602 00:28:57,920 --> 00:29:00,400 Speaker 1: go three months in like to Mexico and then you're 603 00:29:00,400 --> 00:29:02,000 Speaker 1: home for the rest of the year. It must be 604 00:29:02,160 --> 00:29:02,680 Speaker 1: so nice. 605 00:29:02,880 --> 00:29:05,840 Speaker 4: Yeah, But I do love I do love having like 606 00:29:05,880 --> 00:29:08,320 Speaker 4: twenty two. I mean you get a lot more like 607 00:29:08,400 --> 00:29:11,120 Speaker 4: you can put a lot more of like action in 608 00:29:11,160 --> 00:29:13,600 Speaker 4: ten episode seasons. But I do like the twenty two, 609 00:29:13,960 --> 00:29:15,760 Speaker 4: in the twenty two episode format. 610 00:29:15,480 --> 00:29:18,200 Speaker 2: Because it's that job security, that check exactly. 611 00:29:18,360 --> 00:29:23,000 Speaker 4: Yeah, you know, it's like you know, you're if it 612 00:29:23,160 --> 00:29:25,000 Speaker 4: like when you're signing onto your show, you're kind of 613 00:29:25,480 --> 00:29:27,800 Speaker 4: you can't really do other shows where you know, as 614 00:29:28,040 --> 00:29:29,800 Speaker 4: as a as a as a regular, So when you're 615 00:29:29,840 --> 00:29:33,160 Speaker 4: signing on to a show having a lot of downtime, 616 00:29:33,800 --> 00:29:37,120 Speaker 4: like it's it's it's definitely different versus you know, when 617 00:29:37,120 --> 00:29:38,920 Speaker 4: we were working it was like, you know, ten months 618 00:29:38,920 --> 00:29:44,080 Speaker 4: out of the year at least, so you know, you 619 00:29:44,160 --> 00:29:47,680 Speaker 4: felt like your time was, you know, very useful versus 620 00:29:47,720 --> 00:29:48,959 Speaker 4: like when you have a lot of downtime, you've got 621 00:29:49,000 --> 00:29:51,760 Speaker 4: to get really creative of like stuff you're working, stuff 622 00:29:51,760 --> 00:29:53,680 Speaker 4: you're working on and so what you can't do. Also, 623 00:29:53,680 --> 00:29:55,840 Speaker 4: there's like there's so many scheduling things you don't know 624 00:29:55,920 --> 00:29:57,760 Speaker 4: because a lot of it's always up in the air. 625 00:29:59,360 --> 00:30:01,640 Speaker 4: But I mean that shows so fun. It's like thirty 626 00:30:01,720 --> 00:30:03,280 Speaker 4: minutes and ten episodes. 627 00:30:03,320 --> 00:30:04,520 Speaker 1: It's want to dream. 628 00:30:04,840 --> 00:30:06,520 Speaker 4: Yeah, And like the people I get to work with 629 00:30:06,680 --> 00:30:10,880 Speaker 4: are really really cool and easy going and so great. 630 00:30:11,480 --> 00:30:15,680 Speaker 1: You did perform at els Fast this past year with 631 00:30:15,880 --> 00:30:19,600 Speaker 1: Darren you appeared. We talked to Darren about it. He 632 00:30:19,680 --> 00:30:24,080 Speaker 1: said it was a blast. Was it fun? I mean 633 00:30:24,160 --> 00:30:25,760 Speaker 1: I did it one year and it was like the 634 00:30:25,800 --> 00:30:28,760 Speaker 1: fans are just the same, and they're all Glee crossover 635 00:30:28,840 --> 00:30:31,880 Speaker 1: fans obviously because of Darren, and it's just like felt 636 00:30:31,880 --> 00:30:33,520 Speaker 1: like a rock concert all over again. 637 00:30:34,440 --> 00:30:37,080 Speaker 3: Yeah. It was, uh, I mean I hadn't really ever been. 638 00:30:37,160 --> 00:30:39,040 Speaker 4: It was a lot bigger than I expected to be, 639 00:30:39,200 --> 00:30:43,360 Speaker 4: Like to turn out the people, for sure, I mean 640 00:30:43,400 --> 00:30:45,440 Speaker 4: the talented people they had come up on stage and 641 00:30:45,480 --> 00:30:48,840 Speaker 4: performance for performances was incredible. 642 00:30:48,920 --> 00:30:51,040 Speaker 3: But it was so fun. I just came in for 643 00:30:52,520 --> 00:30:53,280 Speaker 3: we were trying to. 644 00:30:54,800 --> 00:30:57,200 Speaker 4: Me learning lyrics is like if I haven't done it 645 00:30:57,200 --> 00:30:58,560 Speaker 4: in a while, it was like it takes like I 646 00:30:58,560 --> 00:31:00,280 Speaker 4: have to listen to the song a million times, and 647 00:31:00,320 --> 00:31:05,480 Speaker 4: so before that weekend before I was just like listening 648 00:31:05,520 --> 00:31:08,480 Speaker 4: to the Billy Joel moving out over and over because 649 00:31:08,480 --> 00:31:09,880 Speaker 4: I was like, I don't know what my parts were. 650 00:31:10,000 --> 00:31:10,920 Speaker 4: I can't remember. 651 00:31:12,320 --> 00:31:12,560 Speaker 3: It was. 652 00:31:12,840 --> 00:31:15,760 Speaker 4: It was so fun though, just literally no no rehearsal, 653 00:31:15,840 --> 00:31:17,240 Speaker 4: just kind of like popped in and just. 654 00:31:18,080 --> 00:31:21,800 Speaker 1: Yeah, we pitched this to Darren. We're kind of we're 655 00:31:21,800 --> 00:31:25,120 Speaker 1: half kidding, half not, but we pitched to Darren doing 656 00:31:27,000 --> 00:31:30,920 Speaker 1: Loser Like Me. That the second version that we aught 657 00:31:30,960 --> 00:31:33,160 Speaker 1: you and Kevin and me and Darren did. 658 00:31:33,040 --> 00:31:34,560 Speaker 2: Together, one hundred episode version. 659 00:31:34,760 --> 00:31:39,040 Speaker 1: Yeah, and then Breakaway and what was the other one, 660 00:31:39,120 --> 00:31:42,959 Speaker 1: Kevin that we had pitched, But we'd love it if 661 00:31:42,960 --> 00:31:45,240 Speaker 1: you would do it with us, half kidding, half not. 662 00:31:46,400 --> 00:31:48,680 Speaker 1: What's the do you remember doing that one? 663 00:31:50,440 --> 00:31:55,640 Speaker 2: It seems like the version of Loser Like Me. No, 664 00:31:58,400 --> 00:32:00,560 Speaker 2: go listen to it, remember your part, and then we'll 665 00:32:00,560 --> 00:32:01,320 Speaker 2: see you at Elson. 666 00:32:02,280 --> 00:32:02,760 Speaker 1: No. 667 00:32:04,680 --> 00:32:09,080 Speaker 2: I mean you may think that I'm a break. 668 00:32:08,840 --> 00:32:14,280 Speaker 4: Showing I Did we actually do that on the show. 669 00:32:14,800 --> 00:32:22,959 Speaker 2: Yeah, it was the four of us. 670 00:32:24,160 --> 00:32:26,800 Speaker 4: I I man, gosh, I really need to go back 671 00:32:26,840 --> 00:32:27,360 Speaker 4: and watch this. 672 00:32:27,680 --> 00:32:31,040 Speaker 2: It's just like riding a bike. You'll know it's fine. 673 00:32:31,280 --> 00:32:33,000 Speaker 4: Yeah, there is stuff that I see from that, like 674 00:32:33,080 --> 00:32:35,719 Speaker 4: that show that's like that you know, I'll get tagged 675 00:32:35,760 --> 00:32:40,120 Speaker 4: on on just like little video clips. I'm like, oh man, 676 00:32:40,200 --> 00:32:44,120 Speaker 4: somebody's like performances like hold up. 677 00:32:44,160 --> 00:32:46,360 Speaker 3: Like and they're they're a lot better than I remember 678 00:32:46,400 --> 00:32:46,720 Speaker 3: them being. 679 00:32:46,720 --> 00:32:49,960 Speaker 4: I mean obviously just like we're filming everything on film 680 00:32:50,000 --> 00:32:55,080 Speaker 4: and working with a you know, an infinite list of 681 00:32:55,120 --> 00:32:59,880 Speaker 4: talented people. But I forget like how like how how 682 00:33:00,360 --> 00:33:03,640 Speaker 4: like the quality was like on a lot of those things, 683 00:33:03,880 --> 00:33:06,920 Speaker 4: like the performers, like getting to watch up close, like 684 00:33:06,960 --> 00:33:09,120 Speaker 4: even that that number that Matt and Harry did where 685 00:33:09,120 --> 00:33:11,120 Speaker 4: they're I think it was like a. 686 00:33:14,200 --> 00:33:16,600 Speaker 2: Were they doing on the auditorium stage like where they have. 687 00:33:16,600 --> 00:33:21,400 Speaker 4: A like like wallet walking up walls? 688 00:33:21,480 --> 00:33:25,680 Speaker 2: Yeah, m h yeah, it's insane wild. Yeah, especially like 689 00:33:25,920 --> 00:33:27,800 Speaker 2: when we got to season five and we're about to 690 00:33:27,800 --> 00:33:31,080 Speaker 2: go to season six, where we remember absolutely nothing but 691 00:33:31,240 --> 00:33:33,640 Speaker 2: the numbers. I think we all became really critical of 692 00:33:33,640 --> 00:33:37,880 Speaker 2: the show, probably because we were, you know, unhappy for 693 00:33:37,960 --> 00:33:41,760 Speaker 2: other reasons of like you know, Corey and things. But 694 00:33:42,440 --> 00:33:44,360 Speaker 2: going back and watching it now, it was like every 695 00:33:44,360 --> 00:33:46,320 Speaker 2: episode had a moment like that You're like, oh wow, 696 00:33:46,880 --> 00:33:48,720 Speaker 2: this number was really good. 697 00:33:49,400 --> 00:33:51,520 Speaker 4: Yeah, I think you can't help but get better when 698 00:33:51,520 --> 00:33:54,040 Speaker 4: you do something, so you know, so much like so 699 00:33:54,240 --> 00:33:58,320 Speaker 4: often like that. You know, I think everybody's bar starts 700 00:33:58,360 --> 00:34:01,520 Speaker 4: getting higher and higher and higher. So then you uh, 701 00:34:02,600 --> 00:34:05,720 Speaker 4: you know, it breeds a lot of really great work. 702 00:34:06,440 --> 00:34:07,400 Speaker 2: Yeah, for sure. 703 00:34:08,320 --> 00:34:10,440 Speaker 4: But I mean there's some numbers that you know, some 704 00:34:10,480 --> 00:34:12,560 Speaker 4: of the dance numbers that you were just wheeling around 705 00:34:12,560 --> 00:34:15,560 Speaker 4: through and like, you know, I was like, man, this 706 00:34:15,560 --> 00:34:21,400 Speaker 4: this guy, this guy's forearms are probably exhausted. There was 707 00:34:21,440 --> 00:34:23,799 Speaker 4: like one scene I'm seeing you like get launched into 708 00:34:23,840 --> 00:34:27,040 Speaker 4: the pool. I'm like, oh man, this, I love it. 709 00:34:27,239 --> 00:34:30,400 Speaker 2: That was improved too, good old Eric. 710 00:34:33,920 --> 00:34:36,680 Speaker 1: They are like so many things that would have gone 711 00:34:36,680 --> 00:34:39,800 Speaker 1: into doing that had they written that into the script. 712 00:34:40,120 --> 00:34:42,320 Speaker 1: But Steltz is like, just doing. 713 00:34:42,640 --> 00:34:44,399 Speaker 2: That was like cord gets a do fun things. 714 00:34:44,480 --> 00:34:47,360 Speaker 3: Let me do this. That was great. Though, It's like 715 00:34:47,440 --> 00:34:48,200 Speaker 3: I think the highlight. 716 00:34:48,280 --> 00:34:51,040 Speaker 4: I think there's probably several little gifts out there if 717 00:34:51,080 --> 00:34:53,840 Speaker 4: you just just launching yourself into the pool. 718 00:34:56,480 --> 00:34:58,360 Speaker 2: I felt like when that aired, nobody caught it, and 719 00:34:58,440 --> 00:35:00,360 Speaker 2: then it became like an internet thing a couple of 720 00:35:00,400 --> 00:35:02,480 Speaker 2: years ago. It's like, yeah, great, people are seeing it. 721 00:35:02,840 --> 00:35:05,480 Speaker 4: But then there's like also like really cool stuff where 722 00:35:05,520 --> 00:35:08,000 Speaker 4: they use you to do like stuff like the fantasy 723 00:35:08,000 --> 00:35:09,880 Speaker 4: stuff like safety dance and all this other stuff that 724 00:35:09,920 --> 00:35:12,719 Speaker 4: you're like, oh man, that's ah, it's really cool to 725 00:35:12,800 --> 00:35:15,319 Speaker 4: see you actually be able to use those skills, because 726 00:35:15,440 --> 00:35:18,640 Speaker 4: probably one of the more qualified dancers that we had 727 00:35:18,640 --> 00:35:23,040 Speaker 4: on the show that was, uh. 728 00:35:21,840 --> 00:35:24,120 Speaker 2: Yeah, do you miss dancing? Do you miss dance class? 729 00:35:24,280 --> 00:35:28,160 Speaker 4: And no, I don't, just because you know, it's like 730 00:35:29,440 --> 00:35:32,440 Speaker 4: it's like hearing your voice back on a recording. You know, 731 00:35:32,760 --> 00:35:35,759 Speaker 4: when you think you're doing something in time or or 732 00:35:35,880 --> 00:35:39,080 Speaker 4: you think you're aware of how your body moves, and then. 733 00:35:38,960 --> 00:35:41,200 Speaker 1: You're and you watch it back and you're like, that's 734 00:35:41,239 --> 00:35:42,200 Speaker 1: not what I sound like. 735 00:35:43,000 --> 00:35:45,000 Speaker 4: Yeah, it's like, but watching it back, it's like that's 736 00:35:45,040 --> 00:35:47,720 Speaker 4: how I'm moving, oh man. And you're like, our body 737 00:35:47,760 --> 00:35:50,320 Speaker 4: looks so weird, and you're like, thank god that the 738 00:35:50,440 --> 00:35:53,719 Speaker 4: editors we had were amazing. 739 00:35:53,920 --> 00:35:54,840 Speaker 3: You could cut around. 740 00:35:55,200 --> 00:36:00,160 Speaker 4: Yeah. It's it's one of those things to where I 741 00:36:00,160 --> 00:36:03,840 Speaker 4: I am like I'm coordinated in certain things, but like 742 00:36:03,840 --> 00:36:06,839 Speaker 4: like I got a lot better as time went on, 743 00:36:06,960 --> 00:36:09,600 Speaker 4: but oh yeah, my body fell so foreign too. 744 00:36:09,560 --> 00:36:11,520 Speaker 3: How it moved or how I was supposed to make 745 00:36:11,520 --> 00:36:11,879 Speaker 3: it move. 746 00:36:13,480 --> 00:36:16,680 Speaker 2: You're like, can we learn? Yeah. You went from like 747 00:36:16,920 --> 00:36:19,400 Speaker 2: having like a baseball scholarship to do in Windy City. 748 00:36:19,560 --> 00:36:22,320 Speaker 3: You know, Okay, okay, like I can figure out a 749 00:36:22,360 --> 00:36:24,600 Speaker 3: body role. It's just let's just throw that in. 750 00:36:25,280 --> 00:36:27,560 Speaker 1: They're like, just do that, cord, you just do you 751 00:36:28,400 --> 00:36:31,000 Speaker 1: figure it out. Everybody just had to do free form 752 00:36:31,080 --> 00:36:33,239 Speaker 1: rock out and do their own things. At some point 753 00:36:33,280 --> 00:36:34,799 Speaker 1: they just learned that's yeah. 754 00:36:34,880 --> 00:36:36,880 Speaker 4: I mean I would have I mean I would always 755 00:36:37,000 --> 00:36:39,680 Speaker 4: have like Harry trying to show me isolation tricks on 756 00:36:39,719 --> 00:36:40,200 Speaker 4: the side, and. 757 00:36:41,800 --> 00:36:45,120 Speaker 3: It's like a little bit. 758 00:36:45,760 --> 00:36:48,880 Speaker 4: I mean, yeah, what season five have you? Guys just 759 00:36:48,920 --> 00:36:54,400 Speaker 4: finished the whole season? Yeah, it's what's the most ridiculous 760 00:36:54,400 --> 00:36:55,040 Speaker 4: thing you've seen? 761 00:36:56,040 --> 00:37:01,440 Speaker 2: Oh my god, there's a lot because just remember context, 762 00:37:01,680 --> 00:37:05,000 Speaker 2: you know, like we had just gone through all that stuff. 763 00:37:05,320 --> 00:37:06,400 Speaker 2: The show had to be. 764 00:37:07,880 --> 00:37:11,680 Speaker 1: Passed away, right, Yeah, And so we went on like 765 00:37:11,680 --> 00:37:13,920 Speaker 1: like a two episode break so the writers could figure 766 00:37:13,920 --> 00:37:17,120 Speaker 1: out what was happening. We did the Beatles episodes where 767 00:37:16,960 --> 00:37:20,479 Speaker 1: you were dating Penny. You guys did applause, we did 768 00:37:20,800 --> 00:37:23,040 Speaker 1: roar Like hours were great. 769 00:37:23,080 --> 00:37:25,000 Speaker 2: The story was a little crazy some of the time, 770 00:37:25,160 --> 00:37:29,000 Speaker 2: but like the musical numbers were like the music was. 771 00:37:29,000 --> 00:37:31,120 Speaker 1: A plus plus in this season, if you. 772 00:37:31,080 --> 00:37:33,880 Speaker 2: Ask me, that's all we had. Remember like Roor You're 773 00:37:33,880 --> 00:37:35,240 Speaker 2: swinging on the vines. 774 00:37:34,920 --> 00:37:37,760 Speaker 1: And definitely I'm trying to think. 775 00:37:37,640 --> 00:37:43,440 Speaker 2: Of Mary's Boy Child with Alex Nole the Christmas episode. 776 00:37:43,560 --> 00:37:45,440 Speaker 2: The Christmas episode was too much. 777 00:37:46,880 --> 00:37:50,000 Speaker 1: And then with City of Angels with my one of 778 00:37:50,040 --> 00:37:50,600 Speaker 1: my favorites. 779 00:37:50,640 --> 00:37:53,080 Speaker 4: Obviously, there's when we did I Love l A, right, Yeah, yeah, 780 00:37:53,800 --> 00:37:56,759 Speaker 4: like Pink's hot Dogs and exactly you know what it was. 781 00:37:56,800 --> 00:37:58,400 Speaker 4: It was like I got to do all the tourists 782 00:37:59,000 --> 00:38:00,880 Speaker 4: tourist things and for the first. 783 00:38:02,040 --> 00:38:04,880 Speaker 2: For years because he moved to l A and just 784 00:38:04,920 --> 00:38:05,680 Speaker 2: like got booked. 785 00:38:05,960 --> 00:38:10,520 Speaker 4: Yeah. Well yeah, that like you know, like the tourists 786 00:38:10,560 --> 00:38:12,160 Speaker 4: side of things is like when you live in a 787 00:38:12,160 --> 00:38:13,600 Speaker 4: place is probably the most exhausting. 788 00:38:14,080 --> 00:38:16,080 Speaker 2: Yeah, you don't do that stuff I don't want to do. 789 00:38:16,840 --> 00:38:18,360 Speaker 1: And also you're like on a hit TV show. You 790 00:38:18,360 --> 00:38:20,520 Speaker 1: don't want to be going to like the Grumman's like 791 00:38:20,800 --> 00:38:21,759 Speaker 1: Chinese theater at that. 792 00:38:21,760 --> 00:38:23,400 Speaker 2: Point, and then they put on us, They put us 793 00:38:23,440 --> 00:38:27,320 Speaker 2: on like the most of us. 794 00:38:27,960 --> 00:38:28,840 Speaker 1: Yeah, it was fun. 795 00:38:29,160 --> 00:38:31,120 Speaker 3: I just remember I got so sun burned that day. 796 00:38:31,800 --> 00:38:36,200 Speaker 1: Yeah, everybody's the tourist hats, the props they gave us. 797 00:38:36,600 --> 00:38:41,000 Speaker 1: We did puppet Master where they had the the puppets 798 00:38:41,080 --> 00:38:45,960 Speaker 1: made after us, yep. And then and then we went 799 00:38:46,040 --> 00:38:47,600 Speaker 1: to Full New York, which was like when you and 800 00:38:47,719 --> 00:38:50,080 Speaker 1: Darren did all that stuff, And I loved watching that 801 00:38:50,120 --> 00:38:51,400 Speaker 1: because I wasn't in most of it. 802 00:38:51,480 --> 00:38:54,080 Speaker 4: So yeah, I think I think part of part of 803 00:38:54,080 --> 00:38:56,760 Speaker 4: a lot of that stuff, like the all the crazy, wild, 804 00:38:56,880 --> 00:39:00,239 Speaker 4: different things we did and got to do, probably comes 805 00:39:00,239 --> 00:39:03,120 Speaker 4: from having twenty two episodes, because you know, it's you know, 806 00:39:03,200 --> 00:39:06,839 Speaker 4: it's very much like you have so much time to 807 00:39:06,880 --> 00:39:09,560 Speaker 4: fill bill. You know, like you see it a lot 808 00:39:09,600 --> 00:39:11,399 Speaker 4: in sitcoms, you know, like How I Met Your Mother. 809 00:39:11,440 --> 00:39:13,719 Speaker 4: It's like, Okay, now Barney has an episode where he's 810 00:39:13,719 --> 00:39:17,040 Speaker 4: in space, you know where he's you know, it's it's 811 00:39:17,080 --> 00:39:20,839 Speaker 4: it's it's like it's a fun side episode that doesn't necessarily. 812 00:39:20,280 --> 00:39:23,080 Speaker 2: Have it's entertainment. 813 00:39:23,600 --> 00:39:26,479 Speaker 4: Yeah, which that's one of my favorite things about TV. 814 00:39:26,600 --> 00:39:30,680 Speaker 4: It's like, you know, it's just pure just entertainment and fun. 815 00:39:31,800 --> 00:39:34,040 Speaker 4: And now everything is so story packed where it's like 816 00:39:34,080 --> 00:39:35,520 Speaker 4: if you miss an episode, you're kind of screwed. 817 00:39:35,880 --> 00:39:38,920 Speaker 2: True, it's like Game of Thrones, happened, and everyone's like, 818 00:39:39,400 --> 00:39:40,800 Speaker 2: we need to be this dense. 819 00:39:41,719 --> 00:39:44,520 Speaker 4: I didn't watch I didn't watch Game of Thrones until 820 00:39:44,520 --> 00:39:46,320 Speaker 4: it was like five seasons are out, so. 821 00:39:46,280 --> 00:39:51,600 Speaker 3: I I had so much great great like I watched. 822 00:39:52,360 --> 00:39:53,799 Speaker 4: I kind of binge watching it when we were on 823 00:39:53,800 --> 00:39:55,400 Speaker 4: the road on tour because I was like, you have 824 00:39:55,840 --> 00:39:59,080 Speaker 4: you know, seven hours eight hours of driving time? Wow, 825 00:39:59,120 --> 00:40:01,080 Speaker 4: And I got an to it. I got into it that. 826 00:40:01,040 --> 00:40:03,600 Speaker 2: Way, but so jealous. I wish I could watch it 827 00:40:03,640 --> 00:40:04,520 Speaker 2: again for the first time. 828 00:40:06,120 --> 00:40:07,080 Speaker 1: What a special show. 829 00:40:07,560 --> 00:40:10,040 Speaker 4: Rewatching it. Rewatching it's fun too. I mean you pick 830 00:40:10,120 --> 00:40:11,600 Speaker 4: up a lot of things you might you might have dropped. 831 00:40:12,040 --> 00:40:13,759 Speaker 3: I rewatched. I rewatched all. 832 00:40:13,640 --> 00:40:16,200 Speaker 4: The Severns right before I started season two, just to 833 00:40:16,280 --> 00:40:18,080 Speaker 4: kind of and I'm never seen it. 834 00:40:19,360 --> 00:40:21,240 Speaker 2: Have you never seen No? 835 00:40:21,239 --> 00:40:23,680 Speaker 1: No, I know I just started it recently and like 836 00:40:24,000 --> 00:40:25,719 Speaker 1: didn't get that far and was like, I need to 837 00:40:25,760 --> 00:40:28,160 Speaker 1: like go back and actually like watch us now, and. 838 00:40:28,440 --> 00:40:30,120 Speaker 2: I feel like you'll love it. Yeah, you got you 839 00:40:30,200 --> 00:40:30,440 Speaker 2: got it. 840 00:40:30,480 --> 00:40:31,880 Speaker 3: You got a lot of you got a lot of 841 00:40:31,920 --> 00:40:32,839 Speaker 3: things taking up your time. 842 00:40:32,800 --> 00:40:37,000 Speaker 1: John, I know, but I'm you know, I'm into it now. 843 00:40:37,000 --> 00:40:39,600 Speaker 1: I have a little bit more time, Like people are sleeping, 844 00:40:39,800 --> 00:40:41,759 Speaker 1: so like, I feel like I could get into it, 845 00:40:41,800 --> 00:40:44,360 Speaker 1: and everybody's talking about it. So it's just one of 846 00:40:44,360 --> 00:40:45,719 Speaker 1: those that I really want to see court. 847 00:40:45,800 --> 00:40:47,280 Speaker 2: Isn't it crazy? She has two kids? 848 00:40:47,640 --> 00:40:48,759 Speaker 4: Know, I was just about to ask you to have 849 00:40:48,760 --> 00:40:49,560 Speaker 4: another kid, don't you? 850 00:40:49,800 --> 00:40:50,040 Speaker 2: I do? 851 00:40:50,200 --> 00:40:52,839 Speaker 1: I have a son now as it's just oh. 852 00:40:52,760 --> 00:40:55,680 Speaker 4: Yeah, because last time I saw you were closer. 853 00:40:55,880 --> 00:40:58,000 Speaker 2: Yeah, isn't that crazy? 854 00:40:58,200 --> 00:41:02,239 Speaker 1: That's right? Yeah, supports the baby and dog whisperer. So 855 00:41:03,440 --> 00:41:05,960 Speaker 1: I could hand off both of my children and my 856 00:41:06,800 --> 00:41:10,279 Speaker 1: late dog and they would just like fall into court time. 857 00:41:10,520 --> 00:41:13,400 Speaker 3: I love I love kids and dogs. I had. I 858 00:41:13,440 --> 00:41:14,960 Speaker 3: have two little nephews. 859 00:41:15,000 --> 00:41:16,640 Speaker 4: I have four nephews, but I have two little. 860 00:41:16,400 --> 00:41:18,680 Speaker 3: Ones that one's four and the other one is two. 861 00:41:18,680 --> 00:41:20,720 Speaker 4: And I started taking the two year old to go golfing, 862 00:41:22,440 --> 00:41:24,080 Speaker 4: got him a little putter and then let him drive 863 00:41:24,120 --> 00:41:25,719 Speaker 4: the golf cart and he's like obsessed. 864 00:41:25,760 --> 00:41:29,399 Speaker 3: So a lot of fun, like the best uncle lay dates. 865 00:41:29,480 --> 00:41:32,719 Speaker 2: Yeah that's so cute. I bet your family loves having 866 00:41:32,719 --> 00:41:34,759 Speaker 2: you there, right, Yeah, Yeah, it's great. 867 00:41:34,760 --> 00:41:36,560 Speaker 4: It's great also because like you don't realize when you're 868 00:41:36,560 --> 00:41:39,120 Speaker 4: when you're living. I mean, I'm kind of split my 869 00:41:39,200 --> 00:41:41,680 Speaker 4: time back and forth from La to Nashville, but you 870 00:41:41,719 --> 00:41:45,600 Speaker 4: don't realize when you're like fully in La like those 871 00:41:45,680 --> 00:41:48,319 Speaker 4: those early years for the kids go by quick. Yeah, 872 00:41:48,760 --> 00:41:49,719 Speaker 4: so you miss a. 873 00:41:49,680 --> 00:41:51,759 Speaker 3: Lot of a little lot of that, but. 874 00:41:52,480 --> 00:41:56,120 Speaker 2: You have a lot of there's a lot of kids. Brothers. 875 00:41:56,280 --> 00:41:58,000 Speaker 4: Talking to one of my friends about doing like a 876 00:41:58,120 --> 00:42:01,880 Speaker 4: time share adopted baby, you know, just like it's like 877 00:42:01,920 --> 00:42:03,400 Speaker 4: one of my really good buddies where it's like, you know, 878 00:42:03,520 --> 00:42:06,839 Speaker 4: just a just two dads just trying to have a kid. 879 00:42:06,920 --> 00:42:09,440 Speaker 4: But you know, both dads are just bros. You know 880 00:42:10,440 --> 00:42:12,279 Speaker 4: half the year, you know, you take the kid half 881 00:42:12,320 --> 00:42:13,120 Speaker 4: to your all take them. 882 00:42:13,760 --> 00:42:17,640 Speaker 1: Uh, that seems that seems that makes sense. 883 00:42:18,320 --> 00:42:19,280 Speaker 2: Do you want a boyfriend? 884 00:42:20,080 --> 00:42:20,239 Speaker 4: Is that? 885 00:42:20,560 --> 00:42:22,240 Speaker 2: Are you just trying to say you want a husband? 886 00:42:22,600 --> 00:42:24,560 Speaker 4: No, I was just I was just I just thought 887 00:42:24,560 --> 00:42:26,200 Speaker 4: it would be a funny, a funny bit to where 888 00:42:26,200 --> 00:42:28,600 Speaker 4: it's like, hey, you know, if if you haven't, if 889 00:42:28,640 --> 00:42:30,440 Speaker 4: you haven't figured out your life partner yet, you can 890 00:42:30,520 --> 00:42:32,280 Speaker 4: just go with somebody that you've been you know, friends 891 00:42:32,280 --> 00:42:34,040 Speaker 4: with forever and just yeah, because. 892 00:42:33,800 --> 00:42:34,680 Speaker 2: You know that's not going to go on. 893 00:42:34,880 --> 00:42:36,399 Speaker 1: We can do whatever we want these days. 894 00:42:36,520 --> 00:42:39,399 Speaker 4: Yeah, I'm sure, baby, you know, I'm I'm I'm work 895 00:42:39,440 --> 00:42:41,160 Speaker 4: shopping it. You know, it might end up just being 896 00:42:41,239 --> 00:42:42,840 Speaker 4: like a wacky rom com idea, but. 897 00:42:43,960 --> 00:42:47,200 Speaker 1: Honestly not a bad idea either. Take either. 898 00:42:47,320 --> 00:42:51,719 Speaker 2: What's that's how I prefer to have a baby? I 899 00:42:51,760 --> 00:42:53,640 Speaker 2: would do it in that case. Yeah, timeshare. 900 00:42:53,680 --> 00:42:55,399 Speaker 4: Well, that's why being like a uncle's so great because 901 00:42:55,400 --> 00:42:56,880 Speaker 4: you can kind of you know, you can kind of 902 00:42:56,920 --> 00:42:58,400 Speaker 4: come and go for the fun stuff. 903 00:42:58,120 --> 00:43:01,640 Speaker 1: And yeah, you're not so tired half the year, you know, 904 00:43:01,880 --> 00:43:07,120 Speaker 1: like you discipline them. Yeah right, there's the fun uncle 905 00:43:07,280 --> 00:43:07,919 Speaker 1: all the time. 906 00:43:08,400 --> 00:43:11,000 Speaker 2: Well there's also like my nieces and nephews always responded 907 00:43:11,040 --> 00:43:13,720 Speaker 2: to me disciplining much more than they would their own parents. 908 00:43:14,120 --> 00:43:16,160 Speaker 4: But yeah, nobody expects their parents nowadays. 909 00:43:16,920 --> 00:43:19,280 Speaker 2: Yeah, that's right. Nowadays. 910 00:43:19,600 --> 00:43:22,359 Speaker 4: Nowadays, you know it's like because no parents are laying 911 00:43:22,360 --> 00:43:24,759 Speaker 4: down the law, you know, that's true. I'm like, man, 912 00:43:24,800 --> 00:43:26,480 Speaker 4: I would keep this kid in line like that. 913 00:43:26,800 --> 00:43:28,799 Speaker 2: A lot of soft parenting, a lot of you. 914 00:43:28,800 --> 00:43:31,160 Speaker 3: Know, spoil the rod, does it? Spoiler rod? Spare the 915 00:43:31,239 --> 00:43:33,200 Speaker 3: child or spare the rod, spoil the child. That's what 916 00:43:33,239 --> 00:43:33,440 Speaker 3: it is. 917 00:43:33,840 --> 00:43:36,120 Speaker 2: Yeah, spare the rod, spoil the child. 918 00:43:36,320 --> 00:43:38,279 Speaker 4: There was a it was a fifties phrase then they 919 00:43:38,320 --> 00:43:39,960 Speaker 4: used to like, you know, hit kids in public school, 920 00:43:40,040 --> 00:43:42,680 Speaker 4: like you know, the teachers would rulers, give the kids 921 00:43:42,760 --> 00:43:44,560 Speaker 4: as the rulers and stuff. 922 00:43:45,320 --> 00:43:48,279 Speaker 2: No, that doesn't that doesn't know, we don't need to 923 00:43:48,360 --> 00:43:48,560 Speaker 2: do that. 924 00:43:48,960 --> 00:43:52,000 Speaker 4: But my grandma, I think my grandma was born in 925 00:43:52,080 --> 00:43:53,600 Speaker 4: like the twenties or thirties. Uh. 926 00:43:54,320 --> 00:43:56,000 Speaker 3: When she was alive, she was telling me these stories. 927 00:43:56,040 --> 00:43:57,759 Speaker 4: She's like, oh, yeah, we used to make your dad 928 00:43:58,600 --> 00:44:00,799 Speaker 4: and his brothers or whatever go out to the yard 929 00:44:00,880 --> 00:44:02,120 Speaker 4: and pick out a switch. 930 00:44:02,200 --> 00:44:07,160 Speaker 3: I was like, what a psychological Oh my god. It's like, 931 00:44:07,320 --> 00:44:09,480 Speaker 3: you know, it's like that's this cycle. 932 00:44:09,680 --> 00:44:15,200 Speaker 2: I mean, gosh, talk about trauma, talk about trauma. I 933 00:44:15,239 --> 00:44:18,600 Speaker 2: mean I got I mean, I just got like a 934 00:44:18,760 --> 00:44:22,040 Speaker 2: yard work, right, yeah, exactly. 935 00:44:23,719 --> 00:44:26,400 Speaker 4: If I if I didn't, if I didn't like landscape, 936 00:44:26,440 --> 00:44:29,000 Speaker 4: the house perfectly, you know, that was another week yard work. 937 00:44:39,120 --> 00:44:40,800 Speaker 2: I meant to send you a video I was. I 938 00:44:41,000 --> 00:44:45,560 Speaker 2: was in Colorado and Keystone a couple months ago and 939 00:44:46,960 --> 00:44:48,920 Speaker 2: staying with some friends and they took us on this 940 00:44:49,080 --> 00:44:52,040 Speaker 2: like horse drawn sleigh ride to like a restaurant in 941 00:44:52,080 --> 00:44:52,880 Speaker 2: the middle of nowhere. 942 00:44:52,960 --> 00:44:53,200 Speaker 4: Cool. 943 00:44:53,719 --> 00:44:58,080 Speaker 2: It was amazing. And this little house like little restaurant, 944 00:44:59,640 --> 00:45:02,759 Speaker 2: there's a there who sings, who serenades you the entire time. 945 00:45:02,840 --> 00:45:06,960 Speaker 2: And he has this really extensive song list and there 946 00:45:07,080 --> 00:45:09,359 Speaker 2: was a Paul over Street original in that song list. 947 00:45:09,440 --> 00:45:11,640 Speaker 2: Oh I love that, And I was like, oh my god, 948 00:45:11,680 --> 00:45:12,480 Speaker 2: I got to get him to play. 949 00:45:13,000 --> 00:45:14,080 Speaker 3: Do you remember what song it was? 950 00:45:14,360 --> 00:45:19,839 Speaker 2: It was you know what's like, it's super famous. Now 951 00:45:19,840 --> 00:45:20,560 Speaker 2: I'm blinking on it. 952 00:45:21,280 --> 00:45:22,480 Speaker 3: She thinks my tracktre sexy. 953 00:45:22,800 --> 00:45:28,319 Speaker 2: Nope, slow song when you say nothing at all, Yes, yep, 954 00:45:28,640 --> 00:45:31,480 Speaker 2: it's the classic. I was like, I can't because you know, 955 00:45:31,760 --> 00:45:33,719 Speaker 2: he had like a hundred songs in there, and I 956 00:45:33,880 --> 00:45:35,400 Speaker 2: was and like one of the top ones was that, 957 00:45:35,480 --> 00:45:38,280 Speaker 2: and I was like, that's right, come on over Street. 958 00:45:38,480 --> 00:45:41,400 Speaker 4: I went to a to a restaurant where there was 959 00:45:41,719 --> 00:45:45,160 Speaker 4: there was it was like a like a cello or 960 00:45:45,680 --> 00:45:47,959 Speaker 4: a cello and a guitar or something and they would 961 00:45:47,960 --> 00:45:51,279 Speaker 4: come over to everybody's table and they would like serenade them. 962 00:45:51,320 --> 00:45:54,360 Speaker 4: But there's it was like I felt like Larry David 963 00:45:54,400 --> 00:45:54,840 Speaker 4: a little bit. 964 00:45:55,120 --> 00:45:56,600 Speaker 3: Yes, Curby enthusiastic. 965 00:45:56,640 --> 00:45:59,239 Speaker 4: There's like an episode where he's like kind of she's 966 00:45:59,280 --> 00:46:02,839 Speaker 4: the guy who's coming over, and it was like right 967 00:46:02,920 --> 00:46:04,960 Speaker 4: in the middle where in like this like like in 968 00:46:05,120 --> 00:46:11,360 Speaker 4: tit's conversation at this like this this this like Italian 969 00:46:11,640 --> 00:46:15,680 Speaker 4: like very operatic singer comes over and starts talking and 970 00:46:15,800 --> 00:46:18,880 Speaker 4: we all just kind of like kind of just like 971 00:46:18,960 --> 00:46:21,960 Speaker 4: had to stop. And like one of the guys who 972 00:46:22,000 --> 00:46:23,040 Speaker 4: was telling the story got. 973 00:46:23,000 --> 00:46:27,080 Speaker 1: So frustrated when the tray pass comes back. 974 00:46:27,320 --> 00:46:29,359 Speaker 4: But it happened like there wasn't a lot of people 975 00:46:29,400 --> 00:46:32,399 Speaker 4: at this restaurant, and so it happened like he came 976 00:46:32,440 --> 00:46:34,120 Speaker 4: over to our table like three or four times. 977 00:46:36,239 --> 00:46:37,879 Speaker 2: Okay, Okay, thank you so much. 978 00:46:38,120 --> 00:46:40,520 Speaker 3: Okay, okay, you're great, you're talpted. 979 00:46:40,160 --> 00:46:42,640 Speaker 2: But like leave us alone. 980 00:46:45,520 --> 00:46:52,360 Speaker 3: Oh my god, lord, we all felt like such keep it. 981 00:46:52,440 --> 00:46:55,960 Speaker 2: Put that in the Timeshare baby script. It's a good moment. 982 00:46:56,200 --> 00:46:59,080 Speaker 4: Oh yeah, the Timescare baby script is. I think it's 983 00:46:59,160 --> 00:47:03,200 Speaker 4: it's getting green let for sure. Yeah, I'm green lighting it. 984 00:47:03,600 --> 00:47:06,200 Speaker 1: Yeah, somewhere somewhere. 985 00:47:06,280 --> 00:47:07,800 Speaker 4: I'm going to finance that. We're gonna shoot it on 986 00:47:07,840 --> 00:47:08,440 Speaker 4: an iPhone. 987 00:47:09,080 --> 00:47:09,840 Speaker 2: Great, that's it. 988 00:47:10,200 --> 00:47:12,720 Speaker 3: I'll play the baby, Kevin, you can play the baby. 989 00:47:16,040 --> 00:47:17,759 Speaker 1: I'll play the time Share Kevin. 990 00:47:18,000 --> 00:47:21,680 Speaker 4: You know what, Kevin, Kevin has a knack for just 991 00:47:22,239 --> 00:47:24,880 Speaker 4: finding roles where he's on wheels and you just stroll 992 00:47:24,960 --> 00:47:30,880 Speaker 4: him around and like you know, you know, it's a 993 00:47:31,000 --> 00:47:33,959 Speaker 4: lot of like credit to a lot of credit credit 994 00:47:34,040 --> 00:47:38,520 Speaker 4: to you, Kevin, because uh, there's so much energy in 995 00:47:38,760 --> 00:47:43,000 Speaker 4: acting that comes from movement and uh like performance wise, 996 00:47:43,280 --> 00:47:46,080 Speaker 4: to be able to do that while sitting down for 997 00:47:46,840 --> 00:47:49,680 Speaker 4: one percent of the time, that's it's a lot harder. 998 00:47:49,520 --> 00:47:50,359 Speaker 3: Than it you would think. 999 00:47:51,520 --> 00:47:53,560 Speaker 2: Yes, I don't know, I don't know. 1000 00:47:54,320 --> 00:47:56,400 Speaker 4: Unless you're sitting down playing video games with me. 1001 00:47:57,280 --> 00:48:01,880 Speaker 2: That was honestly, I Jenna, it was so great you 1002 00:48:02,000 --> 00:48:04,840 Speaker 2: guys got just because we also like, oh, so for 1003 00:48:04,960 --> 00:48:08,320 Speaker 2: this your motivation is zone out and play video games. 1004 00:48:08,480 --> 00:48:09,680 Speaker 1: Just don't forget your line. 1005 00:48:09,840 --> 00:48:12,920 Speaker 2: Yeah, which is like fine, Like it was, Yeah, it 1006 00:48:13,000 --> 00:48:13,359 Speaker 2: was great. 1007 00:48:13,560 --> 00:48:18,560 Speaker 1: I love those. But like the man scenes that you 1008 00:48:18,640 --> 00:48:21,800 Speaker 1: guys did, especially in the STV one, it's just like 1009 00:48:22,080 --> 00:48:24,600 Speaker 1: very male heavy storylines. 1010 00:48:23,920 --> 00:48:24,239 Speaker 4: And like. 1011 00:48:26,080 --> 00:48:28,400 Speaker 1: And then the scene where I love the scene with 1012 00:48:28,520 --> 00:48:32,200 Speaker 1: you and Mercedes where which episode was it was it 1013 00:48:33,040 --> 00:48:34,960 Speaker 1: Old Dog New Tricks when you oh you get the 1014 00:48:35,040 --> 00:48:40,200 Speaker 1: dog McConaughey, Yeah, and he's eating like all of her stuff. 1015 00:48:41,280 --> 00:48:44,279 Speaker 1: Is that's the scene right when you're playing videos show. 1016 00:48:44,360 --> 00:48:46,200 Speaker 2: It's so good and it's torn up and she comes 1017 00:48:46,239 --> 00:48:47,920 Speaker 2: in the house and then the dog comes down the 1018 00:48:47,960 --> 00:48:49,320 Speaker 2: stairs with the hair. 1019 00:48:49,520 --> 00:48:52,239 Speaker 4: By the way that season. They put me in like 1020 00:48:52,360 --> 00:48:55,440 Speaker 4: a model house thing for like right episode and by 1021 00:48:55,440 --> 00:48:57,040 Speaker 4: the end of the episode, I was out. But like 1022 00:48:57,560 --> 00:49:02,160 Speaker 4: one of the guys that we worked there, who you know, 1023 00:49:02,320 --> 00:49:04,719 Speaker 4: remain friends with, and he like super sweet guy. 1024 00:49:04,760 --> 00:49:05,880 Speaker 3: It was like Charles Melton. 1025 00:49:06,280 --> 00:49:10,520 Speaker 2: Yeah, I forgot he was on it. And then irror 1026 00:49:10,520 --> 00:49:12,319 Speaker 2: stories with him and I was like, wait, why did 1027 00:49:12,400 --> 00:49:13,400 Speaker 2: he never bring this up to me? 1028 00:49:13,880 --> 00:49:14,880 Speaker 3: Yeah? I ran into him. 1029 00:49:15,000 --> 00:49:16,719 Speaker 4: I ran into him something and I was like, hey, man, 1030 00:49:16,760 --> 00:49:20,400 Speaker 4: how's it going, Like uh, and like it all came back. 1031 00:49:20,600 --> 00:49:24,439 Speaker 4: I forgot that you came on for that episode. He's 1032 00:49:24,480 --> 00:49:26,560 Speaker 4: the sweetest, He's such a nice guy. 1033 00:49:26,880 --> 00:49:30,320 Speaker 3: Yeah, there's I gotta I gotta re rewatch some of 1034 00:49:30,320 --> 00:49:31,640 Speaker 3: that stuff. It is. 1035 00:49:31,719 --> 00:49:35,000 Speaker 1: It is a fun one actually, when you know what 1036 00:49:35,080 --> 00:49:38,040 Speaker 1: you're getting into and your expectations are like low, and 1037 00:49:38,200 --> 00:49:42,239 Speaker 1: like the music's really good and the performances are really good, 1038 00:49:42,320 --> 00:49:44,719 Speaker 1: and like you just we were giving everybody just like 1039 00:49:44,760 --> 00:49:47,600 Speaker 1: a little bit of grace the season, the writers, the creators, 1040 00:49:47,680 --> 00:49:49,640 Speaker 1: the actors, like everybody just gets a little bit of 1041 00:49:49,680 --> 00:49:52,560 Speaker 1: grace this season because we've been through so much. And 1042 00:49:52,640 --> 00:49:54,600 Speaker 1: then to watch it back, you're like, wow, we did that. 1043 00:49:54,960 --> 00:49:56,480 Speaker 1: You know we got through it. 1044 00:49:57,040 --> 00:50:01,480 Speaker 4: I mean, it's definitely a different it's a different thing 1045 00:50:01,719 --> 00:50:04,759 Speaker 4: that I you know, it's a different experience when you're 1046 00:50:05,520 --> 00:50:06,440 Speaker 4: dealing with all that stuff on. 1047 00:50:06,440 --> 00:50:10,480 Speaker 1: Top of like the yeah, everything emotional stuff that we 1048 00:50:10,560 --> 00:50:13,520 Speaker 1: were going through. Yeah, personal, Yeah, it was. 1049 00:50:14,560 --> 00:50:14,759 Speaker 3: Yeah. 1050 00:50:14,840 --> 00:50:17,080 Speaker 4: I feel like for some reason I thought that that 1051 00:50:17,160 --> 00:50:18,680 Speaker 4: was around season four, but I guess. 1052 00:50:18,520 --> 00:50:20,600 Speaker 1: It was end before, at the beginning of five or 1053 00:50:21,000 --> 00:50:24,120 Speaker 1: between the two. Yeah, essentially a crazy time. 1054 00:50:25,400 --> 00:50:27,759 Speaker 3: What happened in six you you guys got on the way. 1055 00:50:28,160 --> 00:50:28,960 Speaker 1: We haven't done it. 1056 00:50:29,680 --> 00:50:31,000 Speaker 2: We have zero I didn't tell you. 1057 00:50:31,160 --> 00:50:33,719 Speaker 1: The only thing I remember the finale episodes. That's the 1058 00:50:33,760 --> 00:50:35,879 Speaker 1: only thing I really remember. I think the last two 1059 00:50:36,880 --> 00:50:37,200 Speaker 1: that's it. 1060 00:50:37,719 --> 00:50:38,640 Speaker 2: Yeah, we're gonna have. 1061 00:50:38,600 --> 00:50:41,399 Speaker 3: Some of the newbies on and there is I think 1062 00:50:41,440 --> 00:50:43,040 Speaker 3: we did over seven hundred musical numbers. 1063 00:50:43,280 --> 00:50:44,040 Speaker 2: Yeah, we did. 1064 00:50:45,239 --> 00:50:47,160 Speaker 3: Thinking about that now, is like that. 1065 00:50:47,640 --> 00:50:50,560 Speaker 4: It would I think that would be so intimidating or 1066 00:50:50,640 --> 00:50:52,640 Speaker 4: daunting for any production to do that many. 1067 00:50:53,200 --> 00:50:58,640 Speaker 2: Yeah. Yeah, we also had such a good like pipeline, 1068 00:50:59,120 --> 00:51:00,640 Speaker 2: like we had that down. 1069 00:51:01,040 --> 00:51:02,279 Speaker 3: It was kind of plug in and play. 1070 00:51:02,360 --> 00:51:06,000 Speaker 2: After a while, nobody's been able to replicate that, I think, 1071 00:51:06,040 --> 00:51:08,440 Speaker 2: because like we just happened to have all the right 1072 00:51:08,520 --> 00:51:09,960 Speaker 2: people making those decisions. 1073 00:51:10,320 --> 00:51:12,920 Speaker 4: And yeah, from like the people that were doing the music, 1074 00:51:13,040 --> 00:51:14,960 Speaker 4: like they would have a song turned around in a night, 1075 00:51:15,040 --> 00:51:17,680 Speaker 4: and then you have like Andrew Mitchell running around up 1076 00:51:17,719 --> 00:51:18,920 Speaker 4: and down platforms back. 1077 00:51:20,280 --> 00:51:22,239 Speaker 3: I mean we would do like sometimes three three songs 1078 00:51:22,280 --> 00:51:22,520 Speaker 3: a day. 1079 00:51:23,400 --> 00:51:27,319 Speaker 2: Yeah, like we had like the best people in those 1080 00:51:27,360 --> 00:51:30,600 Speaker 2: positions possible, like make all that happen like it was 1081 00:51:30,640 --> 00:51:31,480 Speaker 2: a happy accident. 1082 00:51:32,080 --> 00:51:32,239 Speaker 4: Yeah. 1083 00:51:32,280 --> 00:51:33,320 Speaker 3: I don't know if you guys are seeing this. 1084 00:51:33,440 --> 00:51:35,600 Speaker 4: There's like a whole new wave of kids discovering the 1085 00:51:35,640 --> 00:51:37,000 Speaker 4: show now because I mean it's streaming. 1086 00:51:37,040 --> 00:51:38,239 Speaker 3: It's kind of stuff lives forever. 1087 00:51:38,320 --> 00:51:44,040 Speaker 4: So it's like, yeah, it's like a big second wave 1088 00:51:44,320 --> 00:51:46,360 Speaker 4: when stuff is kind of living on those platforms. 1089 00:51:46,480 --> 00:51:47,919 Speaker 2: I feel like now it's like a third wave. 1090 00:51:48,480 --> 00:51:50,719 Speaker 4: Yeah, very because there was like a while it was 1091 00:51:50,800 --> 00:51:52,080 Speaker 4: on Netflix for a while, and then it went to 1092 00:51:52,239 --> 00:51:53,960 Speaker 4: Hulu and Disney Now and Fox. 1093 00:51:54,640 --> 00:51:57,920 Speaker 3: Disney brought Fox and all that stuff, so and everybody's 1094 00:51:58,000 --> 00:51:59,120 Speaker 3: just all over those platforms. 1095 00:51:59,360 --> 00:52:04,799 Speaker 1: Yeah, everybody buy and everybody. Well, Cord, thanks so much 1096 00:52:04,920 --> 00:52:09,360 Speaker 1: for hanging out with us again coming back on and congrats, 1097 00:52:09,680 --> 00:52:12,520 Speaker 1: like you're just you're still killing it the music. 1098 00:52:13,640 --> 00:52:14,000 Speaker 2: Everyone. 1099 00:52:18,280 --> 00:52:21,480 Speaker 4: Yeah, thanks for the thanks for the plug on this 1100 00:52:21,600 --> 00:52:24,720 Speaker 4: on the music. I'll send you some stuff, some sneak 1101 00:52:24,719 --> 00:52:26,800 Speaker 4: peeks of some of the new stuff, but it's please do. 1102 00:52:27,400 --> 00:52:29,719 Speaker 4: I'm super I'm super stoked on it. And there's uh, 1103 00:52:30,200 --> 00:52:34,040 Speaker 4: you know, I'm still kind of ironing out the track 1104 00:52:34,120 --> 00:52:36,440 Speaker 4: list order and stuff like that, but I've I'm pretty 1105 00:52:36,600 --> 00:52:38,359 Speaker 4: stoked on the stuff that I've got. 1106 00:52:38,440 --> 00:52:40,399 Speaker 2: So you're great. 1107 00:52:41,040 --> 00:52:41,479 Speaker 1: You're great. 1108 00:52:41,800 --> 00:52:45,239 Speaker 3: Yeah, thank you guys for having me on here. I 1109 00:52:45,280 --> 00:52:45,759 Speaker 3: love you guys. 1110 00:52:46,239 --> 00:52:49,960 Speaker 2: Thanks for taking so much time. I would love to 1111 00:52:50,000 --> 00:52:50,719 Speaker 2: see you all. 1112 00:52:50,640 --> 00:52:52,000 Speaker 3: Right, Love you guys, Love you, Cord. 1113 00:52:52,560 --> 00:52:55,719 Speaker 2: Thanks Cord, Love you sweet man. 1114 00:52:56,640 --> 00:52:59,799 Speaker 1: That was so nice to catch up with with one 1115 00:52:59,840 --> 00:53:03,400 Speaker 1: of the course, that was just like a FaceTime that no, literally, 1116 00:53:03,440 --> 00:53:05,719 Speaker 1: you guys like we were just like chilling on a 1117 00:53:05,760 --> 00:53:10,759 Speaker 1: phone call. Well that's Chord, Chord, thanks for your time. 1118 00:53:11,120 --> 00:53:14,880 Speaker 1: He's he's writing. He's literally one of the best songwriters 1119 00:53:14,920 --> 00:53:15,160 Speaker 1: we know. 1120 00:53:15,840 --> 00:53:19,000 Speaker 2: Honestly, I can't go listen to the song and it's 1121 00:53:19,080 --> 00:53:22,320 Speaker 2: so good. And if you haven't watched Acapoco, go watch it. 1122 00:53:22,360 --> 00:53:24,120 Speaker 2: There's a new season coming and it's. 1123 00:53:23,960 --> 00:53:26,400 Speaker 1: A relief that he doesn't remember anything either, you know. 1124 00:53:26,600 --> 00:53:29,920 Speaker 2: Yeah, See, it's not just us everyone, and that's what 1125 00:53:30,040 --> 00:53:33,160 Speaker 2: you really miss. Thanks for listening, and follow us on 1126 00:53:33,280 --> 00:53:36,279 Speaker 2: Instagram at and That's what you really miss pod Make 1127 00:53:36,320 --> 00:53:38,600 Speaker 2: sure to write us a review and leave us five stars. 1128 00:53:38,840 --> 00:53:39,480 Speaker 2: See you next time.