1 00:00:10,680 --> 00:00:12,719 Speaker 1: What's up this, Michael Rapport. You are now listening to 2 00:00:12,760 --> 00:00:17,079 Speaker 1: the I Am Rapp Reports Stereo podcast the met Galla. 3 00:00:17,400 --> 00:00:20,840 Speaker 1: Once again, they have not invited me, the gringo man dingo. 4 00:00:21,120 --> 00:00:25,279 Speaker 1: Why I asked the question, why we're going deep with 5 00:00:25,320 --> 00:00:27,480 Speaker 1: the sick fox of the week. So many sick fox, 6 00:00:27,760 --> 00:00:31,520 Speaker 1: so little time. The NBA playoffs are in full swing. 7 00:00:31,560 --> 00:00:35,159 Speaker 1: We're breaking that down and more. All that on a 8 00:00:35,240 --> 00:00:39,880 Speaker 1: brand new, fantastic, magical, very disruptive I Am Rapp Reports 9 00:00:39,880 --> 00:00:42,200 Speaker 1: Stereo podcast. Miles Jordan, let me get some real nice, 10 00:00:42,479 --> 00:00:46,040 Speaker 1: some real proper, but most importantly something real funky. Let's 11 00:00:46,040 --> 00:01:01,720 Speaker 1: go alright, alright, my name is Michael Rappaport. You are 12 00:01:01,800 --> 00:01:04,920 Speaker 1: now rocking with the best. This is the I Am 13 00:01:05,280 --> 00:01:13,200 Speaker 1: Rappaport Stereo podcast. Championship Podcasting coming live and direct mirror 14 00:01:13,240 --> 00:01:18,400 Speaker 1: mirror on the wall. Who's the most disruptive of them all? 15 00:01:20,200 --> 00:01:23,760 Speaker 1: I am your humble disruptive warrior. Nobody said it would 16 00:01:23,760 --> 00:01:28,839 Speaker 1: be easy. There are bumps, there are bruises, there are knockdowns. 17 00:01:30,040 --> 00:01:36,480 Speaker 1: Tighten up your jockstrap because we're about to go fifteen rounds, 18 00:01:36,480 --> 00:01:43,039 Speaker 1: fifteen rounds of disruptive podcasting. What can I say? It's 19 00:01:43,040 --> 00:01:45,640 Speaker 1: the Iron Rapp Report stereo podcast. Um, so much to 20 00:01:45,680 --> 00:01:52,120 Speaker 1: get into, so much to be excited about. Life is 21 00:01:52,360 --> 00:01:56,360 Speaker 1: good if you're living, if you're walking, if you're moving, 22 00:01:56,680 --> 00:02:01,120 Speaker 1: if you're breathing. Life is good. Yes you want more, Yes, 23 00:02:01,320 --> 00:02:05,120 Speaker 1: I want more. That's fine. Everybody's entitled to want more, 24 00:02:05,240 --> 00:02:10,040 Speaker 1: to get more. But health is the most important thing, 25 00:02:10,200 --> 00:02:15,840 Speaker 1: even even for disruptive or You can't be disruptive if 26 00:02:15,880 --> 00:02:20,240 Speaker 1: your body, your mind is not working fluidly. Um, it 27 00:02:20,320 --> 00:02:28,760 Speaker 1: happened again, ladies and gentlemen, it happened again. Um. The 28 00:02:28,840 --> 00:02:35,560 Speaker 1: two thousand nineteen met Gala happened again. Year after year. 29 00:02:35,680 --> 00:02:39,800 Speaker 1: This met Gala takes place in my city, in my 30 00:02:40,040 --> 00:02:43,600 Speaker 1: fucking town. The met Galla, the Metropolitan Museum of Art 31 00:02:43,720 --> 00:02:49,000 Speaker 1: is fifteen minutes, ten minutes if you're in a cab, 32 00:02:49,560 --> 00:02:51,959 Speaker 1: but a fifteen minute walked from where I grew up 33 00:02:53,280 --> 00:02:58,240 Speaker 1: right there in money making Manhattan. Okay, I've asked for 34 00:02:58,240 --> 00:03:01,400 Speaker 1: this for the last five years. All I ask for 35 00:03:01,480 --> 00:03:06,720 Speaker 1: is an invite. I'm a true blue New York My 36 00:03:06,800 --> 00:03:13,040 Speaker 1: nickname is Mr new York. Okay, there's no argument on 37 00:03:13,080 --> 00:03:17,959 Speaker 1: that they have this fucking met Gala every year, Um, 38 00:03:17,960 --> 00:03:21,880 Speaker 1: which is a total ship show. But it is to 39 00:03:21,960 --> 00:03:24,840 Speaker 1: raise money for the Metropolitan Museum of Art, which you 40 00:03:24,880 --> 00:03:28,960 Speaker 1: can go into for free. It is to raise money 41 00:03:28,960 --> 00:03:31,079 Speaker 1: for the museum. And and I don't know if you're 42 00:03:31,080 --> 00:03:33,600 Speaker 1: aware of this, but you can enter the Metropolitan Museum 43 00:03:33,639 --> 00:03:37,360 Speaker 1: of Art if you give them a penny. They say donations, 44 00:03:37,400 --> 00:03:39,880 Speaker 1: they'll they'll they'll say the recommended price to walk in 45 00:03:40,000 --> 00:03:44,040 Speaker 1: these I think maybe fifteen bucks, eighteen bucks. Listen, you 46 00:03:44,080 --> 00:03:46,280 Speaker 1: know what's rule number one of the iron wrap or 47 00:03:46,320 --> 00:03:50,720 Speaker 1: stereo podcast. No fact checking, there's no fact checking. Um. 48 00:03:50,760 --> 00:03:53,520 Speaker 1: But they will say that's the recommended entry fee. But 49 00:03:53,560 --> 00:03:55,080 Speaker 1: you could give them a nickel. You could, you could 50 00:03:55,120 --> 00:03:57,880 Speaker 1: give them five cents. You give them two quarters in 51 00:03:58,000 --> 00:04:01,880 Speaker 1: pennies and they let you in. UM. So I have 52 00:04:01,920 --> 00:04:04,760 Speaker 1: no problem with the gala. Uh. I have a problem 53 00:04:04,760 --> 00:04:07,960 Speaker 1: with the fact that I have asked year after year 54 00:04:08,080 --> 00:04:10,600 Speaker 1: to be invited. Now, not all these fucking people are 55 00:04:10,640 --> 00:04:15,840 Speaker 1: fashion icons. Twenty four seven, you got Jared Letto, the actor, 56 00:04:16,000 --> 00:04:20,440 Speaker 1: Jared Letto showed up in a dress. The motherfucker showed 57 00:04:20,520 --> 00:04:22,680 Speaker 1: up in a movement. Now listen, if I wait a 58 00:04:22,720 --> 00:04:25,560 Speaker 1: hundred and forty pounds and I was six ft one 59 00:04:25,600 --> 00:04:30,000 Speaker 1: like Jared Letto and I looked like Jesus Christ. Okay, 60 00:04:30,040 --> 00:04:31,920 Speaker 1: maybe at this point I'd be like, fuck it, I'll 61 00:04:31,920 --> 00:04:35,679 Speaker 1: show up in a moomo. Also, okay, he's also holding 62 00:04:36,440 --> 00:04:40,400 Speaker 1: a waxed uh sculpture of his head. I mean he 63 00:04:40,480 --> 00:04:43,280 Speaker 1: probably is like fuck it, fuck it. You know, like 64 00:04:43,400 --> 00:04:47,120 Speaker 1: the theme this year is camp be campy. I thought 65 00:04:47,120 --> 00:04:48,760 Speaker 1: that was the theme every year. This is the most 66 00:04:48,880 --> 00:04:53,960 Speaker 1: over the top spectacle every fucking year. Janelle Money showed 67 00:04:54,040 --> 00:04:56,240 Speaker 1: up wearing a hat on top of a hat with 68 00:04:56,320 --> 00:05:00,080 Speaker 1: a hat on top of that, and Lady Gaga, you 69 00:05:00,120 --> 00:05:04,080 Speaker 1: know what it is for these artsy FARTSI people, it's 70 00:05:04,160 --> 00:05:06,719 Speaker 1: the time to really show their true selves like these 71 00:05:06,720 --> 00:05:11,960 Speaker 1: people are. They're They're fucking nuts, all of them. They're nuts. 72 00:05:12,920 --> 00:05:15,479 Speaker 1: And the met Gala is too. Is it time to 73 00:05:15,520 --> 00:05:19,799 Speaker 1: showcase just how wacky to let your fucking cuckoo freak 74 00:05:19,960 --> 00:05:23,920 Speaker 1: flag fly on display and you you can hide it, 75 00:05:24,640 --> 00:05:26,920 Speaker 1: and you could veil it, and you can make an 76 00:05:26,920 --> 00:05:31,440 Speaker 1: excuse under the fact that it is for fashion, this, that, 77 00:05:31,520 --> 00:05:33,480 Speaker 1: and the other. But this is who they truly are. 78 00:05:33,760 --> 00:05:39,080 Speaker 1: Trust me, Actors, musicians, artists are fucking nuts. Let us 79 00:05:39,120 --> 00:05:42,440 Speaker 1: not forget Vincent Vango the great Vincent Vango, the motherfucker 80 00:05:42,480 --> 00:05:45,359 Speaker 1: cut his fucking ear off. If you really knew what 81 00:05:45,400 --> 00:05:50,720 Speaker 1: these great actors and actresses were really like in real life, 82 00:05:50,760 --> 00:05:55,320 Speaker 1: you would be mortified. Okay, they're fucking nuts. I'm nuts too, 83 00:05:55,800 --> 00:06:00,440 Speaker 1: but I let my fucking crazy balls hang. You got 84 00:06:00,440 --> 00:06:04,760 Speaker 1: to Carry Washington, the actress. She showed up with something 85 00:06:04,880 --> 00:06:08,240 Speaker 1: on her dress written like some scroll about no negativity. 86 00:06:08,480 --> 00:06:12,120 Speaker 1: Fuck that funk that you're trying to fuck my Twitter 87 00:06:12,160 --> 00:06:16,599 Speaker 1: account up, trying to funk on my Instagram no negat 88 00:06:16,800 --> 00:06:18,320 Speaker 1: Are you? Is that for me? Or is that for 89 00:06:18,400 --> 00:06:22,200 Speaker 1: you to remind yourself no negativity? Are you just so 90 00:06:22,320 --> 00:06:26,720 Speaker 1: evolved that you're out of negativity? Carry Washington that you're 91 00:06:26,760 --> 00:06:29,240 Speaker 1: here to remind the world and tell the world that 92 00:06:29,320 --> 00:06:31,480 Speaker 1: there shouldn't be any negativity? Or is that like a 93 00:06:31,480 --> 00:06:34,120 Speaker 1: note to self, no negativity? Because you ain't talking to me. 94 00:06:35,400 --> 00:06:40,000 Speaker 1: My ship isn't balanced, I mean balanced, Okay, I don't 95 00:06:40,040 --> 00:06:43,720 Speaker 1: need no fucking reminders. I've asked to go to this 96 00:06:43,800 --> 00:06:47,040 Speaker 1: met gala year after year. I promised if I showed up, 97 00:06:47,040 --> 00:06:51,240 Speaker 1: I would go chest naked. Yet I have not been 98 00:06:51,279 --> 00:06:59,160 Speaker 1: invited again, and it hurts. It fucking hurts. I kind 99 00:06:59,200 --> 00:07:01,560 Speaker 1: of sort of do blame myself because I'm always late. 100 00:07:02,200 --> 00:07:05,080 Speaker 1: I'm always complaining the day of or the day after 101 00:07:05,279 --> 00:07:07,560 Speaker 1: it is. It is my fault. I wish some people 102 00:07:07,600 --> 00:07:09,760 Speaker 1: would remind me a month before so I could really 103 00:07:10,160 --> 00:07:15,679 Speaker 1: go make a push. Tiger Woods went to the White House. 104 00:07:15,760 --> 00:07:20,400 Speaker 1: Tiger Woods, who just as fresh off of his masters 105 00:07:20,840 --> 00:07:26,560 Speaker 1: um victory. We all know about this, Uh, he went 106 00:07:26,600 --> 00:07:30,040 Speaker 1: to the White House and accepted his Medal of honor, 107 00:07:30,040 --> 00:07:32,600 Speaker 1: Medal of Freedom from Dick Stain Donald Trump. Dick Stain, 108 00:07:32,680 --> 00:07:36,880 Speaker 1: Donald Trump called, and he fucking ran there, just like 109 00:07:36,960 --> 00:07:41,520 Speaker 1: the true bitch ass mark ass trick he is. He 110 00:07:41,600 --> 00:07:44,320 Speaker 1: ran there to get that medal from Dick Stain Donald Trump. 111 00:07:45,640 --> 00:07:48,680 Speaker 1: But do you remember when Bill Clinton invited him to 112 00:07:48,720 --> 00:07:51,200 Speaker 1: the White House on the day that Jackie Robinson broke 113 00:07:51,400 --> 00:07:57,120 Speaker 1: the color barrier in baseball? He declined that invite. You 114 00:07:57,240 --> 00:08:00,480 Speaker 1: decline that, you fuck, but you go there to get 115 00:08:00,520 --> 00:08:03,960 Speaker 1: your little your little little bullshit metal from Dick Stain 116 00:08:04,000 --> 00:08:08,040 Speaker 1: Donald That's who you rock with. He he he calls, 117 00:08:08,400 --> 00:08:12,600 Speaker 1: and you run there, And people still funk with this guy, 118 00:08:12,680 --> 00:08:17,520 Speaker 1: Tiger Woods. He don't give two ships about anybody, nobody, 119 00:08:17,800 --> 00:08:21,600 Speaker 1: the black community, the white community, the Asian community. He 120 00:08:21,640 --> 00:08:24,480 Speaker 1: don't give a funk about the golf community. You see 121 00:08:24,480 --> 00:08:29,880 Speaker 1: this guy building golf courses for kids in underprivileged areas, 122 00:08:29,920 --> 00:08:34,120 Speaker 1: some fly ship like that, doing some dope ship like that, 123 00:08:34,440 --> 00:08:39,199 Speaker 1: building a golf course, uh for some regular folks to play. Nah, 124 00:08:39,360 --> 00:08:43,679 Speaker 1: he's a punk, he's a mark, he's a trick. Okay, 125 00:08:43,880 --> 00:08:45,680 Speaker 1: that's who Tiger Woods is. He showed up at the 126 00:08:45,679 --> 00:08:48,960 Speaker 1: White House, uh with bells on for Dick Stain Donald Trump. 127 00:09:03,760 --> 00:09:07,800 Speaker 1: So there's a banger record out, um, another banger record out. UM. 128 00:09:07,840 --> 00:09:10,200 Speaker 1: I think Statics select to mention this to me. Somebody 129 00:09:10,240 --> 00:09:13,280 Speaker 1: mentioned this to me. Maybe Static mentioned this to me 130 00:09:13,360 --> 00:09:17,880 Speaker 1: when he was on the Iron Rappors Stereo podcast. But 131 00:09:18,080 --> 00:09:24,160 Speaker 1: styles p Uh from the Lock styles p Um dropped 132 00:09:24,160 --> 00:09:30,160 Speaker 1: a great record. I mean it's really fucking good, very 133 00:09:30,200 --> 00:09:36,000 Speaker 1: well produced. Um bangers. Um. His flow is dope. It's 134 00:09:36,000 --> 00:09:40,760 Speaker 1: always been dope, but I think it's gotten doper and 135 00:09:40,920 --> 00:09:45,000 Speaker 1: I really really dig this record. UM. I don't know 136 00:09:45,160 --> 00:09:49,680 Speaker 1: all the people's names who produced it, um, but you 137 00:09:49,720 --> 00:09:52,840 Speaker 1: need to check out the new styles p record. If 138 00:09:52,840 --> 00:09:54,880 Speaker 1: you want some ship, if you want some hip hop, 139 00:09:54,920 --> 00:09:58,520 Speaker 1: if you want some smackers. UM. The opening track is 140 00:09:59,080 --> 00:10:01,960 Speaker 1: my favorite so far, and there's just a bunch of 141 00:10:02,000 --> 00:10:04,000 Speaker 1: dope songs on it. The name of the record is 142 00:10:04,280 --> 00:10:07,240 Speaker 1: sp the Goat, the Ghost of All Time. And I 143 00:10:07,320 --> 00:10:10,720 Speaker 1: think he used to or maybe he still does. He 144 00:10:10,720 --> 00:10:13,239 Speaker 1: he used to write for people like he was a ghostwriter, 145 00:10:13,360 --> 00:10:17,120 Speaker 1: like he would write for other rappers. Um, but check 146 00:10:17,200 --> 00:10:19,920 Speaker 1: this record out downloaded. However you get your music, I 147 00:10:19,960 --> 00:10:21,880 Speaker 1: don't know how people get their music anymore. If some 148 00:10:21,920 --> 00:10:26,280 Speaker 1: of you guys are into record players, uh, people are 149 00:10:26,320 --> 00:10:29,520 Speaker 1: really into that record player life. I know it sounds good, 150 00:10:29,559 --> 00:10:32,120 Speaker 1: the sound is good. I just I'm not with that 151 00:10:32,160 --> 00:10:34,640 Speaker 1: record player ship. I did that record player ship when 152 00:10:34,679 --> 00:10:37,040 Speaker 1: I was a kid, and then I did that tape 153 00:10:37,080 --> 00:10:41,559 Speaker 1: cassette ship, and then I got reluctantly into the CDs 154 00:10:41,920 --> 00:10:44,840 Speaker 1: and now they're worth jack shit, and uh, send everything 155 00:10:44,920 --> 00:10:47,920 Speaker 1: is digitized. I ain't going back to the records, Duke. 156 00:10:48,679 --> 00:10:51,080 Speaker 1: We we were not doing that. We're not gonna go 157 00:10:51,320 --> 00:10:54,000 Speaker 1: and restart a record collection. I tually, I already got 158 00:10:54,360 --> 00:10:56,880 Speaker 1: got rid of my records twenty years ago. We're not 159 00:10:57,480 --> 00:11:00,760 Speaker 1: restarting that funk that you're not you're not catching me 160 00:11:00,760 --> 00:11:03,520 Speaker 1: out there. And also, uh, the way I listen to 161 00:11:03,600 --> 00:11:06,600 Speaker 1: music now I fill it up on my Sanos. So 162 00:11:06,600 --> 00:11:10,439 Speaker 1: if I'm at the crib, I love Sanos. I love 163 00:11:10,720 --> 00:11:13,800 Speaker 1: you know. I have been rocking with Sanos from day one. 164 00:11:14,240 --> 00:11:18,280 Speaker 1: Remember we did the Mike d uh Iron Wrap Ports 165 00:11:18,280 --> 00:11:21,160 Speaker 1: Stereo podcasts, which you could listen to. All the Iron 166 00:11:21,160 --> 00:11:25,600 Speaker 1: Wrap Pors stereo podcasts, every single one, five hundred and 167 00:11:25,640 --> 00:11:31,960 Speaker 1: sixty plus episodes are available on Luminary the whole catalog. 168 00:11:32,400 --> 00:11:36,280 Speaker 1: We interviewed Mike d Um it was. It's a great interview. 169 00:11:36,320 --> 00:11:38,720 Speaker 1: If you haven't listened to the Mike d from the 170 00:11:38,720 --> 00:11:42,679 Speaker 1: Beastie Boys Iron Wrap Ports Stereo podcast, go through the 171 00:11:42,720 --> 00:11:46,200 Speaker 1: library and and download it and listen to it. Um 172 00:11:46,200 --> 00:11:51,000 Speaker 1: it's It's excellent. It's fucking excellent. Um And you know 173 00:11:51,000 --> 00:11:54,360 Speaker 1: he's talking Beastie Boys ship, old hip hop stories. Just great. 174 00:11:54,480 --> 00:11:56,840 Speaker 1: He's just such a good dude and prolific with the 175 00:11:56,880 --> 00:11:59,719 Speaker 1: Beastie Boys and uh we we did an interview with 176 00:11:59,760 --> 00:12:01,600 Speaker 1: him a Signals because I've been I've had a relationship 177 00:12:01,600 --> 00:12:04,240 Speaker 1: with the Signos company from from day one. Anyway, So 178 00:12:04,320 --> 00:12:07,440 Speaker 1: when I listen to music now, I'll load in on 179 00:12:07,520 --> 00:12:09,840 Speaker 1: the Signles. I'm not I'm not trying to sit around 180 00:12:09,880 --> 00:12:13,240 Speaker 1: in my den with my my pipe, and you know, 181 00:12:13,320 --> 00:12:16,800 Speaker 1: lay amongst my records and read the liner notes and listen. 182 00:12:16,800 --> 00:12:19,120 Speaker 1: If you're into that cool, I already did that ship. 183 00:12:20,840 --> 00:12:23,720 Speaker 1: I want to pick my music for the time being 184 00:12:24,080 --> 00:12:26,480 Speaker 1: and let that ship rock. I'm not flipping the records. 185 00:12:26,480 --> 00:12:30,000 Speaker 1: I'm not doing any of that ship. This ain't happy days, Okay, 186 00:12:30,040 --> 00:12:32,160 Speaker 1: I'm not working with a jukebox. I'm not doing any 187 00:12:32,160 --> 00:12:34,400 Speaker 1: of My ship is all digitized. Now. I try to 188 00:12:34,440 --> 00:12:36,400 Speaker 1: get the best sound out of the digital. I know 189 00:12:36,600 --> 00:12:40,720 Speaker 1: it's better funk, all that funk, all that. But the 190 00:12:40,760 --> 00:12:45,080 Speaker 1: styles P record Um is dope. And like I said, 191 00:12:45,080 --> 00:12:47,920 Speaker 1: the first song is is just a smack banger called 192 00:12:48,000 --> 00:12:50,959 Speaker 1: Pushed the Line Um. And then this other joint that 193 00:12:51,000 --> 00:12:53,839 Speaker 1: I love, Filthy is dope, and this joint called the 194 00:12:53,840 --> 00:12:57,280 Speaker 1: Professionals with Little Fame from m OP and there's just 195 00:12:57,360 --> 00:12:59,880 Speaker 1: I haven't even, like really gotten into the entire record. 196 00:13:00,080 --> 00:13:02,560 Speaker 1: I've been stuck on a few songs. But it's a 197 00:13:02,679 --> 00:13:05,000 Speaker 1: very good record and I'm happy for him. And like 198 00:13:05,040 --> 00:13:07,319 Speaker 1: I said, the sound stuck out to me, the production 199 00:13:07,720 --> 00:13:11,080 Speaker 1: stuck out to me. Um, So check that record out 200 00:13:11,400 --> 00:13:13,400 Speaker 1: if you if you want to smack a record. And 201 00:13:13,440 --> 00:13:16,480 Speaker 1: then I got some jazz ship for you, um, because 202 00:13:16,520 --> 00:13:18,040 Speaker 1: you know I'm all my jazz ship and you know 203 00:13:18,120 --> 00:13:21,040 Speaker 1: I'm heavy into my jash it speaking of snos and 204 00:13:21,120 --> 00:13:24,800 Speaker 1: filling cues like my jazz game. I'm gonna be honest, 205 00:13:25,240 --> 00:13:29,360 Speaker 1: My jazz game is insane. I can't articulate, um and 206 00:13:29,520 --> 00:13:35,240 Speaker 1: explain the music. I don't understand it, um like the 207 00:13:35,280 --> 00:13:38,800 Speaker 1: way I understand hip hop. But the dingo me, the 208 00:13:38,840 --> 00:13:41,679 Speaker 1: greno man dingo, the uh, the jackal amount of podcasting 209 00:13:41,880 --> 00:13:45,560 Speaker 1: has a deep, deep knowledge and a deep respect uh 210 00:13:45,640 --> 00:13:48,679 Speaker 1: for jazz. And I mentioned on the last podcast or 211 00:13:48,679 --> 00:13:51,160 Speaker 1: one of the last podcast, money Jungle by Duke Ellington. 212 00:13:51,200 --> 00:13:53,480 Speaker 1: That's one of my favorite records. I found this new 213 00:13:53,600 --> 00:13:57,520 Speaker 1: kid named Joel ross He's like twenty six years old. 214 00:13:58,880 --> 00:14:02,280 Speaker 1: He's a vibraphone this and uh he's dope. And this 215 00:14:02,360 --> 00:14:06,920 Speaker 1: record by this kid named Joel ross Um who uh 216 00:14:06,960 --> 00:14:10,040 Speaker 1: called Kingmaker and I think he's twenty three or twenty five. 217 00:14:10,080 --> 00:14:13,640 Speaker 1: It's called Kingmaker. If you want some some nice uh 218 00:14:13,880 --> 00:14:19,520 Speaker 1: feel good like real chill but thoughtful, uh kind of 219 00:14:19,560 --> 00:14:21,920 Speaker 1: just to give you a hip hop reference, kind of 220 00:14:21,960 --> 00:14:25,880 Speaker 1: has uh some sounds in there that Jay Dillah with 221 00:14:26,160 --> 00:14:29,200 Speaker 1: sample from but it's definitely jazz. It's not hip hop, 222 00:14:29,240 --> 00:14:33,240 Speaker 1: it's not beats, it's it's jazz music. Check this record 223 00:14:33,240 --> 00:14:38,600 Speaker 1: out called Kingmaker by Joel Ross, which I really really 224 00:14:38,640 --> 00:14:41,240 Speaker 1: like and I found somewhere because he's on Blue Note, 225 00:14:41,280 --> 00:14:43,840 Speaker 1: on the Blue Note label, and I saw something about 226 00:14:43,880 --> 00:14:46,000 Speaker 1: it last week and then the record dropped and it 227 00:14:46,080 --> 00:14:49,840 Speaker 1: was it's nice. I've been rocking that all weekend, um 228 00:14:49,880 --> 00:14:51,520 Speaker 1: and of course all week and I've been watching the 229 00:14:51,600 --> 00:14:55,760 Speaker 1: NBA Playoffs, which we are deep in the cut man. 230 00:14:56,520 --> 00:15:02,440 Speaker 1: NBA action is fantat literally games every night. There has 231 00:15:02,480 --> 00:15:06,960 Speaker 1: been a game every night for the last what is it? Uh? 232 00:15:06,960 --> 00:15:09,880 Speaker 1: Since the what was it? The We're almost at a 233 00:15:09,920 --> 00:15:14,920 Speaker 1: month of a game literally every single night. I love it. 234 00:15:15,520 --> 00:15:18,840 Speaker 1: I love it. The Warriors. They need to put the 235 00:15:18,920 --> 00:15:24,160 Speaker 1: fucking Rockets away. They need to put him away. The media, 236 00:15:24,840 --> 00:15:29,040 Speaker 1: like I skip, Shannon, Stephen A, Max, all these fucking 237 00:15:29,560 --> 00:15:33,320 Speaker 1: uh media people's sports people and then rightfully don't they 238 00:15:33,320 --> 00:15:36,320 Speaker 1: were on my guys, Steph Curry, Uh, he fucked up 239 00:15:36,640 --> 00:15:40,240 Speaker 1: in Game three. I'm sure there's some Houston Rocket fans 240 00:15:40,280 --> 00:15:42,400 Speaker 1: out there. Bundy. I don't know if you're listening. Paul 241 00:15:42,400 --> 00:15:45,960 Speaker 1: wall O G Paul Wall, fuck you guys, Okay, fucking 242 00:15:46,040 --> 00:15:48,560 Speaker 1: Kimla Juan and those guys that they're not a king. 243 00:15:48,640 --> 00:15:53,160 Speaker 1: The dream isn't coming back into the gym. Nobody is 244 00:15:53,240 --> 00:15:57,080 Speaker 1: fearful of the beard. Nobody's fearing the beard. James Harden 245 00:15:57,200 --> 00:15:59,520 Speaker 1: is not gonna do with Chris Paul. You see what 246 00:15:59,640 --> 00:16:04,440 Speaker 1: he is. Chris Paul is a little fucking whiney baby. 247 00:16:04,680 --> 00:16:06,640 Speaker 1: He used to be incredible. He used to be like 248 00:16:06,680 --> 00:16:09,480 Speaker 1: a little general out there. Listen. I know he's done 249 00:16:09,520 --> 00:16:12,280 Speaker 1: a lot of great things, uh, in his career as 250 00:16:12,320 --> 00:16:15,520 Speaker 1: a player. He also has done tons of great things 251 00:16:16,040 --> 00:16:19,400 Speaker 1: as the representative of the players. He's the representative of 252 00:16:19,440 --> 00:16:22,720 Speaker 1: the players union. UM. And if you ask old players, 253 00:16:22,760 --> 00:16:25,560 Speaker 1: former players, they give him nothing but respect for the 254 00:16:25,640 --> 00:16:28,160 Speaker 1: job he's done. He has gone out of his way 255 00:16:28,200 --> 00:16:32,160 Speaker 1: to get the old players health insurance, UM, and not 256 00:16:32,280 --> 00:16:36,080 Speaker 1: fuck them over the way the NFL fox over their players. UM. 257 00:16:36,120 --> 00:16:38,800 Speaker 1: So I know they all respect and love him. And again, 258 00:16:38,840 --> 00:16:42,000 Speaker 1: I'm not talking about the person of Chris Paul. I'm 259 00:16:42,000 --> 00:16:44,280 Speaker 1: talking about the player of Chris Paul. He's a whiny 260 00:16:44,440 --> 00:16:48,320 Speaker 1: fucking baby, and he looks like he's just doesn't care 261 00:16:48,400 --> 00:16:50,800 Speaker 1: half the time. And the flipping and the flopping and 262 00:16:50,800 --> 00:16:52,800 Speaker 1: the showing up the red. He seems like he's just 263 00:16:52,920 --> 00:16:56,000 Speaker 1: tired of playing basketball. That's what it seems like. He 264 00:16:56,000 --> 00:16:59,680 Speaker 1: seems like he's tired of losing and tired of playing basketball. 265 00:16:59,840 --> 00:17:02,520 Speaker 1: And I'm sure he'll do great things with the NBA. 266 00:17:02,600 --> 00:17:05,200 Speaker 1: And like I said, the players in the league love him, 267 00:17:05,400 --> 00:17:08,200 Speaker 1: the old players, they love him for what he's done 268 00:17:08,240 --> 00:17:11,080 Speaker 1: for them. Um, I'm talking to some Big three players 269 00:17:11,080 --> 00:17:13,040 Speaker 1: and my guy Rex Chapman, and like, yo, we funk 270 00:17:13,119 --> 00:17:15,840 Speaker 1: with him hard. But you know, as a player, you 271 00:17:15,840 --> 00:17:18,000 Speaker 1: know people will criticize him because of his book. They're 272 00:17:18,000 --> 00:17:23,280 Speaker 1: now beating my Warriors. I know somebody will you your Warriors. Yes, 273 00:17:23,320 --> 00:17:26,200 Speaker 1: when it comes to the playoffs, when my Knicks are 274 00:17:26,200 --> 00:17:29,960 Speaker 1: fucking they're already done with their vacation. The New York 275 00:17:30,000 --> 00:17:32,800 Speaker 1: Knicks have already vacation and now they're like starting to 276 00:17:32,840 --> 00:17:34,879 Speaker 1: think about next season. That's how funked up it is 277 00:17:34,920 --> 00:17:38,120 Speaker 1: for for the New York Knicks. They've been on vacation 278 00:17:38,200 --> 00:17:40,719 Speaker 1: for three weeks. Now they're back. They're like bored already, 279 00:17:40,760 --> 00:17:42,520 Speaker 1: Like what are we gonna do? The season doesn't start 280 00:17:42,560 --> 00:17:46,960 Speaker 1: until October? Okay, so I I get it. But I'm 281 00:17:46,960 --> 00:17:50,359 Speaker 1: not gonna just sit around playing twiddle dick during the playoffs. 282 00:17:50,359 --> 00:17:52,480 Speaker 1: We know how I get down. Yes, it would have 283 00:17:52,520 --> 00:17:58,840 Speaker 1: been more um fulfilling. Yes, it's always more fulfilling to 284 00:17:58,840 --> 00:18:02,359 Speaker 1: to beat the ship out of Lebron James. I love it. 285 00:18:03,240 --> 00:18:06,439 Speaker 1: I love it. Even when the Warriors lost to the 286 00:18:06,560 --> 00:18:11,520 Speaker 1: Cleveland Cavaliers and it was tough, at least it was fulfilling. 287 00:18:11,760 --> 00:18:15,080 Speaker 1: At least it was dramatic. At least you were totally 288 00:18:15,119 --> 00:18:20,679 Speaker 1: emotionally involved. Um. But that being said, if the Warriors 289 00:18:20,680 --> 00:18:23,840 Speaker 1: play the seventies Sixers in the finals, I am going 290 00:18:23,880 --> 00:18:26,399 Speaker 1: to have a lot of problems from my people in 291 00:18:26,440 --> 00:18:31,440 Speaker 1: Philly and my Philadelphia fandom, you know, on the Iron Rappors, 292 00:18:31,480 --> 00:18:35,480 Speaker 1: stereo pockets, How I get down with Philadelphia, all things Rocky, 293 00:18:35,520 --> 00:18:38,920 Speaker 1: all things Julius, irving the Philadelphia sound and so forth 294 00:18:38,960 --> 00:18:47,400 Speaker 1: and so on. But that goofy whining complaining, motherfucker's always sick. 295 00:18:47,480 --> 00:18:51,600 Speaker 1: There's always something wrong with him. Joel and Beat played 296 00:18:51,600 --> 00:18:53,720 Speaker 1: the other day the other the game before that. I 297 00:18:53,760 --> 00:18:55,480 Speaker 1: think he's in game three, games two. He's like, oh, 298 00:18:55,560 --> 00:18:57,240 Speaker 1: he could be one of the greats of all time. 299 00:18:57,520 --> 00:19:01,359 Speaker 1: Some motherfucker's something's always wrong with this dude, and I 300 00:19:01,400 --> 00:19:03,719 Speaker 1: don't think he gets it. Like Yo, I like that 301 00:19:03,760 --> 00:19:06,160 Speaker 1: he's funny and he's got a good personality, but at 302 00:19:06,160 --> 00:19:09,200 Speaker 1: the end of the day, if you're over seven feet, 303 00:19:09,320 --> 00:19:12,600 Speaker 1: I want you to be mean. I want you to 304 00:19:12,640 --> 00:19:15,760 Speaker 1: be nasty. I don't want you to be smiling. I 305 00:19:15,760 --> 00:19:19,240 Speaker 1: don't want you to be goofy. Okay, look at that 306 00:19:19,359 --> 00:19:25,080 Speaker 1: big fucking lurch motherfucker on Denver Joe Kick. He could 307 00:19:25,080 --> 00:19:27,560 Speaker 1: barely speak the language and he doesn't care. He's out 308 00:19:27,600 --> 00:19:32,520 Speaker 1: there busting people's ass. His grilla is all fucked up. 309 00:19:32,600 --> 00:19:35,680 Speaker 1: Every single day of the week, every game, it looks 310 00:19:35,680 --> 00:19:38,359 Speaker 1: like he just came out of the ring from sparring 311 00:19:38,440 --> 00:19:42,880 Speaker 1: fifteen rounds. Joel and Beets just too too laughy taffy. 312 00:19:42,920 --> 00:19:46,359 Speaker 1: He's on that laughy taffy. He's on that laffy taffy. 313 00:19:46,400 --> 00:19:50,040 Speaker 1: He's just too listen. He's a great player with great 314 00:19:50,080 --> 00:19:52,639 Speaker 1: talent and and and he's and he's huge, and you know, 315 00:19:52,680 --> 00:19:55,120 Speaker 1: and you rarely see a guy that could like move 316 00:19:55,200 --> 00:19:56,919 Speaker 1: the way he moves. But if there was another like 317 00:19:57,040 --> 00:20:03,960 Speaker 1: Shaquille O'Neil would listen. I love Philadelphia, okay, but it's 318 00:20:04,040 --> 00:20:08,600 Speaker 1: it's hard to love this Philadelphia seventies Sixers team. If 319 00:20:08,640 --> 00:20:12,600 Speaker 1: you're not a die hard Philadelphia seventies Sixers fan like 320 00:20:12,760 --> 00:20:15,680 Speaker 1: Alan Iverson team, you love that team because you loved 321 00:20:15,760 --> 00:20:19,560 Speaker 1: Alan Iverson, you wanted him to win. If the seventies 322 00:20:19,560 --> 00:20:21,119 Speaker 1: Sixers make it to the finals, and I don't know 323 00:20:21,119 --> 00:20:22,560 Speaker 1: if they're gonna make it to the finals, they're in 324 00:20:22,640 --> 00:20:27,439 Speaker 1: a war with the Raptors, Dame Dollar and Denver. I 325 00:20:27,440 --> 00:20:30,359 Speaker 1: don't know who's gonna win that series. Uh, these series 326 00:20:30,400 --> 00:20:34,160 Speaker 1: all might go seven games. But I need my Golden 327 00:20:34,160 --> 00:20:38,719 Speaker 1: State Warriors to put those fucking rockets away, get some 328 00:20:38,840 --> 00:20:43,680 Speaker 1: rests and get ready to win the rings and things. Okay, 329 00:20:43,720 --> 00:20:47,600 Speaker 1: but the NBA playoffs, Yo, the NBA playoffs are fantastic. Please. 330 00:20:47,680 --> 00:20:50,320 Speaker 1: I am really imploring you guys. And you know when 331 00:20:50,320 --> 00:20:55,639 Speaker 1: I use fancy words, okay, like imploring, you know that 332 00:20:55,680 --> 00:20:59,040 Speaker 1: I'm serious. You never hear me say the word imploring. Yes, 333 00:20:59,080 --> 00:21:02,199 Speaker 1: that's one of my I say five fancy words that 334 00:21:02,240 --> 00:21:04,840 Speaker 1: I'll throw out every now and then, and I know 335 00:21:04,880 --> 00:21:09,360 Speaker 1: it's not that fancy. Watch the Denver Portland's series. They 336 00:21:09,359 --> 00:21:14,320 Speaker 1: are bawling. They went to four overtimes last Friday night. 337 00:21:14,640 --> 00:21:19,800 Speaker 1: Or Saturday Night four overtimes. Every game is tight, every 338 00:21:19,840 --> 00:21:23,560 Speaker 1: game is competitive, of course, Dame Dollar and c J 339 00:21:23,680 --> 00:21:28,160 Speaker 1: McCullum and the point guard, the kid on Denver Murray, 340 00:21:28,200 --> 00:21:31,600 Speaker 1: he's balling out um, and just both teams have so 341 00:21:31,680 --> 00:21:35,360 Speaker 1: many players that are just playing beautiful basketball. It's competitive, 342 00:21:36,240 --> 00:21:40,399 Speaker 1: it's it's ball movement. You have stars. Uh, it's just 343 00:21:40,720 --> 00:21:42,960 Speaker 1: really good. So I I really you need to check 344 00:21:42,960 --> 00:21:45,120 Speaker 1: out that series if you haven't been watching it, because 345 00:21:45,160 --> 00:21:49,600 Speaker 1: it's just great basketball. Shout out to the Portugal Demand guys. 346 00:21:50,200 --> 00:21:52,600 Speaker 1: Also been on the Iron Wrap ports Stereo podcast Look 347 00:21:52,640 --> 00:21:55,959 Speaker 1: him up, Look up Iron Wrap Reports Stereo podcast with 348 00:21:56,040 --> 00:22:00,840 Speaker 1: Portugal Demand. Okay, great in you with those guys. They 349 00:22:00,840 --> 00:22:03,320 Speaker 1: went from being like a bottom of the barrel band 350 00:22:04,000 --> 00:22:07,920 Speaker 1: two huge fucking success, the Grammy's, the Emmys, the Oscars, 351 00:22:07,960 --> 00:22:12,040 Speaker 1: all that ship and they're big Portland Trailblazers fans. I've 352 00:22:12,040 --> 00:22:14,560 Speaker 1: been talking to them about the games anyway. The NBA 353 00:22:14,920 --> 00:22:19,480 Speaker 1: is fantastic, NBA action is fantastic. And Steph did funk 354 00:22:19,560 --> 00:22:24,120 Speaker 1: up Game three, okay, and uh they they came down 355 00:22:24,240 --> 00:22:27,600 Speaker 1: him good good. If he funks up, they should come 356 00:22:27,640 --> 00:22:30,560 Speaker 1: down on him, just like they come down on fucking Lebron. 357 00:22:30,720 --> 00:22:32,840 Speaker 1: Just like they come down on Kevin Durant, they come 358 00:22:32,840 --> 00:22:37,280 Speaker 1: down to Kawhi Leonard and fucking sick coughing Joel Embat. Now, 359 00:22:37,280 --> 00:22:39,239 Speaker 1: I don't make light of Joel Embat. I don't make 360 00:22:39,320 --> 00:22:41,240 Speaker 1: light of the knee injuries. But like he had like 361 00:22:41,280 --> 00:22:44,560 Speaker 1: a belly ache or some ship, how are you gonna 362 00:22:44,600 --> 00:22:47,000 Speaker 1: be seven three and and let that become public to go? 363 00:22:47,160 --> 00:22:49,520 Speaker 1: I gotta upset stomach. What the funk are you eating? 364 00:22:50,880 --> 00:22:55,800 Speaker 1: What's the matter with you? It's the playoffs, man, Incubate yourself, Okay, 365 00:22:56,000 --> 00:22:58,760 Speaker 1: get some wheat grass shots and chill the funk out. 366 00:22:58,800 --> 00:23:02,040 Speaker 1: When you're not playing, he said, he's goofing around playing 367 00:23:02,119 --> 00:23:06,359 Speaker 1: video games tweeting it. That's why you're getting sick. Okay. 368 00:23:06,400 --> 00:23:08,480 Speaker 1: I don't wish any of these players injuries. This guy's 369 00:23:08,520 --> 00:23:12,720 Speaker 1: got like a belly eight before a playoff game. That's embarrassing. 370 00:23:13,359 --> 00:23:16,280 Speaker 1: The fact that you're seven three and you're complaining about 371 00:23:16,320 --> 00:23:19,760 Speaker 1: a stomach ache sounds stupid. Duke. Sorry, sorry to my 372 00:23:19,800 --> 00:23:24,600 Speaker 1: people in Philadelphia. I'm sorry. Speaking of uh, the self 373 00:23:24,640 --> 00:23:29,119 Speaker 1: anointed King King James, he put out another very boring 374 00:23:29,840 --> 00:23:33,520 Speaker 1: episode of his show The Shop with literally this time 375 00:23:33,640 --> 00:23:37,640 Speaker 1: nine guests. There was literally I believe it was nine guests. 376 00:23:38,119 --> 00:23:43,879 Speaker 1: Um it was Farrell Seth Rogan, Jimmy Ivan, Alonzo Ball, 377 00:23:44,880 --> 00:23:47,840 Speaker 1: who was a football player. I mean, it's just tons 378 00:23:47,840 --> 00:23:49,479 Speaker 1: of people. Some guy didn't even know who he was. 379 00:23:49,760 --> 00:23:54,080 Speaker 1: Everybody gets three words in and and his man, his 380 00:23:54,280 --> 00:23:57,879 Speaker 1: right hand man, is sitting there feeding him softball questions 381 00:23:58,160 --> 00:24:00,760 Speaker 1: as if he doesn't know the answer, adding up lebron 382 00:24:00,840 --> 00:24:03,679 Speaker 1: to to answer, and you know, drop some jewels. You 383 00:24:03,680 --> 00:24:06,920 Speaker 1: all you know the answer, duke, His man Maverick Carter, 384 00:24:07,119 --> 00:24:11,320 Speaker 1: who obviously has some sort of allergy problem with Maverick cars. 385 00:24:11,400 --> 00:24:14,639 Speaker 1: Like bro, when when tell everybody with you he sits 386 00:24:14,640 --> 00:24:16,800 Speaker 1: all stuffed up? Why is your ship all stuffed up? 387 00:24:16,840 --> 00:24:21,560 Speaker 1: Maverick Carter? Get some tissue, get some flown as your 388 00:24:21,560 --> 00:24:24,440 Speaker 1: ship is all stuffed up? Duke, why is your nose 389 00:24:24,480 --> 00:24:27,720 Speaker 1: all stuff? To stop throwing this guy's softball questions They 390 00:24:27,760 --> 00:24:32,359 Speaker 1: discussed when Magic Johnson left the Lakers, him and Alonzo Ball, 391 00:24:32,720 --> 00:24:35,320 Speaker 1: they were talking about that, and it's just just making 392 00:24:35,359 --> 00:24:39,720 Speaker 1: themselves keep it real. This is supposed to be the shop, right, 393 00:24:40,359 --> 00:24:42,960 Speaker 1: supposed to be like uh, some sort of you know, 394 00:24:43,040 --> 00:24:45,960 Speaker 1: real life, just because you're cursing doesn't mean you're being real. 395 00:24:46,200 --> 00:24:48,480 Speaker 1: He's up there cursing his ass off worse than me. 396 00:24:49,200 --> 00:24:54,840 Speaker 1: Fuck this and word that bullshit, this cocksucker that it's offensive. 397 00:24:56,720 --> 00:25:01,840 Speaker 1: Oh yeah, I find his language offensive. And just because 398 00:25:01,840 --> 00:25:04,439 Speaker 1: your cursing doesn't mean you're telling the truth, Just because 399 00:25:04,600 --> 00:25:07,119 Speaker 1: your cursing doesn't mean you're being a hundred and fifty 400 00:25:07,160 --> 00:25:11,439 Speaker 1: percent honest. You want some objective ship talking, let me 401 00:25:11,480 --> 00:25:15,920 Speaker 1: ask the fucking questions. Tell you, boy Maverick Carter, to 402 00:25:16,000 --> 00:25:18,760 Speaker 1: go get a nose strip, take some muse in next 403 00:25:18,800 --> 00:25:21,280 Speaker 1: because his nose is also Yo, bring you to the 404 00:25:21,359 --> 00:25:23,920 Speaker 1: people with what you're saying. Get the funk outta here 405 00:25:23,920 --> 00:25:27,359 Speaker 1: with that goofy shit. He's got all these great guests. 406 00:25:27,359 --> 00:25:29,800 Speaker 1: He could get anybody on his show. He's got fifteen 407 00:25:29,840 --> 00:25:34,720 Speaker 1: guests on a half hour show. Nobody says anything of 408 00:25:34,760 --> 00:25:37,879 Speaker 1: any importance because I mean Farrell barely talked. He says 409 00:25:37,920 --> 00:25:40,679 Speaker 1: one thing, Lonzo Ball says one thing. Seth Rogans just 410 00:25:40,760 --> 00:25:46,320 Speaker 1: like laughing at his own jokes. Jimmy Ivan, Yo, sit 411 00:25:46,400 --> 00:25:48,280 Speaker 1: these dudes one at a time, two at a time 412 00:25:48,280 --> 00:25:49,960 Speaker 1: and do the show instead of having like this group 413 00:25:50,040 --> 00:25:53,359 Speaker 1: chat and you're throwing softball questions to one another. Ship's 414 00:25:53,400 --> 00:25:56,959 Speaker 1: weak man. You're not fooling me, Duke. Sorry, you're not 415 00:25:57,119 --> 00:25:59,879 Speaker 1: fooling me. If you really want to have a barbershop, No, 416 00:26:00,040 --> 00:26:02,800 Speaker 1: but he gets along. You're supposed to be arguing. You're 417 00:26:02,840 --> 00:26:05,920 Speaker 1: supposed to be disagreeing everybody at your barbershop. Lebron James 418 00:26:06,119 --> 00:26:09,800 Speaker 1: is on the same page about every single subject. That's 419 00:26:09,800 --> 00:26:13,440 Speaker 1: not dope, that's not objective reporting. That's not an objective 420 00:26:13,440 --> 00:26:16,240 Speaker 1: television show. I call that, Yeah, what do I call that? 421 00:26:16,400 --> 00:26:23,080 Speaker 1: A propaganda piece? Podcast? Now, I've mentioned a couple of 422 00:26:23,359 --> 00:26:27,600 Speaker 1: past episodes. I mentioned Portugal Demand, I mentioned the Mike 423 00:26:27,760 --> 00:26:32,680 Speaker 1: d episodes. All of the podcast, every single I Am 424 00:26:32,720 --> 00:26:37,920 Speaker 1: Rapp Reports stereo podcast We've ever done, is available now 425 00:26:38,000 --> 00:26:45,040 Speaker 1: at Luminary podcast dot com Luminary podcast dot com. We 426 00:26:45,119 --> 00:26:50,919 Speaker 1: are moving to Luminary exclusively May twentie. I do not 427 00:26:51,119 --> 00:26:55,000 Speaker 1: want you guys to go away. Okay, I've gotten some 428 00:26:55,080 --> 00:26:57,880 Speaker 1: I'm gonna be totally transparent. I've seen some comments from 429 00:26:57,920 --> 00:27:02,840 Speaker 1: some fans that said selling out, yo, if you can't 430 00:27:02,880 --> 00:27:09,080 Speaker 1: afford the to rock with us on Luminary. I get that, 431 00:27:09,480 --> 00:27:12,640 Speaker 1: I understand that, I respect that. I hate to see 432 00:27:13,280 --> 00:27:17,159 Speaker 1: one fan go. From the bottom of my heart, I 433 00:27:17,200 --> 00:27:19,679 Speaker 1: hate to see any fans go if you if you 434 00:27:19,720 --> 00:27:22,639 Speaker 1: don't agree with it, if you don't think it's fair. 435 00:27:22,960 --> 00:27:26,600 Speaker 1: I get all that, but don't come on my page. 436 00:27:26,680 --> 00:27:30,320 Speaker 1: Don't come on the I m Rappaport Stereo podcast page. 437 00:27:30,400 --> 00:27:35,719 Speaker 1: When you know we've been rocking for five years straight. 438 00:27:36,000 --> 00:27:40,880 Speaker 1: We've never missed a week, We've hardly missed a podcast. 439 00:27:41,560 --> 00:27:46,760 Speaker 1: This is a finely tuned, disruptive machine. Do not come on. 440 00:27:46,840 --> 00:27:51,760 Speaker 1: They're talking about we're selling out. This is a business, okay, 441 00:27:52,040 --> 00:27:56,679 Speaker 1: the Dust Brothers they do this professionally, Miles Davis, Jordan Winter. 442 00:27:56,960 --> 00:28:02,400 Speaker 1: They are professional podcast producers. Okay. They're not sitting around 443 00:28:02,720 --> 00:28:08,480 Speaker 1: picking their asses, okay, producing podcast for free. This is 444 00:28:08,520 --> 00:28:12,560 Speaker 1: a professional podcast okay. So if you don't want to 445 00:28:12,560 --> 00:28:14,840 Speaker 1: go with us, all luminary, I get that. I don't 446 00:28:14,880 --> 00:28:17,320 Speaker 1: want to see any fans going, but don't come on 447 00:28:17,440 --> 00:28:21,040 Speaker 1: there talking about we're selling out. All right, We've been 448 00:28:21,160 --> 00:28:24,400 Speaker 1: rocking for free for five years and yes, some podcast 449 00:28:24,480 --> 00:28:27,439 Speaker 1: will still be for free, but things are going to 450 00:28:27,600 --> 00:28:32,280 Speaker 1: change in the podcast world. We're doing what's best, okay 451 00:28:32,320 --> 00:28:36,960 Speaker 1: for us, and I understand again, I understand again that 452 00:28:37,080 --> 00:28:39,800 Speaker 1: might not be best for every single fan, but we 453 00:28:39,880 --> 00:28:44,320 Speaker 1: give blood, sweat and tears, all heart fifteen fucking rounds 454 00:28:44,360 --> 00:28:47,680 Speaker 1: every podcast. We don't cheat the fans. We don't fuck 455 00:28:47,800 --> 00:28:53,880 Speaker 1: the fans. Okay, this is a finely tuned disruptive podcast machine. 456 00:28:53,960 --> 00:28:56,040 Speaker 1: If I say, Miles Jordan, let me get something funky, 457 00:28:56,120 --> 00:28:58,560 Speaker 1: watch what happens. Check this out. Miles Jordan's let me 458 00:28:58,600 --> 00:29:03,880 Speaker 1: get something funky, Boom, boom, And those are all original beats, 459 00:29:03,880 --> 00:29:07,280 Speaker 1: those are all exclusive. I am wrappingport stereo podcast beat. 460 00:29:07,400 --> 00:29:09,760 Speaker 1: If I say, yo, Miles Jordan's let me get something 461 00:29:09,800 --> 00:29:13,800 Speaker 1: funky again, boom, there it is? You fuck? Do you 462 00:29:13,840 --> 00:29:18,120 Speaker 1: think that just happens? But I'm not fucking Fanzie, I'm 463 00:29:18,120 --> 00:29:21,240 Speaker 1: not fucking Arthur Fonzather. You remember Fanzi go hey in 464 00:29:21,320 --> 00:29:24,239 Speaker 1: the jukebox would stop and then he go hey, this 465 00:29:24,280 --> 00:29:29,880 Speaker 1: ain't fucking happy days. This is a finely tuned disruptive 466 00:29:30,040 --> 00:29:33,960 Speaker 1: podcast machine. One more time, Miles Jordan's let me get 467 00:29:33,960 --> 00:29:36,640 Speaker 1: something real nice, something real, proper, something real smooth. Check 468 00:29:36,680 --> 00:29:42,080 Speaker 1: this out. Boom. You hear the sound. It's it ain't 469 00:29:42,200 --> 00:29:48,920 Speaker 1: fucking deep. This sound is it ain't fucking deep? Calling 470 00:29:49,040 --> 00:29:51,640 Speaker 1: us sellouts, We're We're not selling up. Listen. If it 471 00:29:51,680 --> 00:29:55,160 Speaker 1: doesn't make sense for you, it hurts me. I know, 472 00:29:55,320 --> 00:30:01,640 Speaker 1: I I get that. Three months are free. Okay, we 473 00:30:01,800 --> 00:30:04,560 Speaker 1: will never fuck the fans again. Listen. If you guys 474 00:30:04,640 --> 00:30:06,560 Speaker 1: want to meet and greet and do your thing, you 475 00:30:06,600 --> 00:30:09,480 Speaker 1: want to meet up and have uh whatever you wanna have. 476 00:30:09,600 --> 00:30:11,520 Speaker 1: You want to suck each other, that's on you for me. 477 00:30:11,880 --> 00:30:15,640 Speaker 1: Me Me, Michael Rappaport, that's my name, Michael David Rappaport 478 00:30:15,640 --> 00:30:20,320 Speaker 1: a K. The Gringo Man Dingo, ak White Mike, a K. 479 00:30:20,560 --> 00:30:23,000 Speaker 1: Mr White Folks, a k uh the jakel Amount of 480 00:30:23,000 --> 00:30:25,560 Speaker 1: podcasting a K. The push it t of podcasting a K. 481 00:30:25,840 --> 00:30:29,600 Speaker 1: The White Chocolateito a K. The Champion of disruptive podcasts. 482 00:30:29,640 --> 00:30:32,800 Speaker 1: They still call me Champ. We've been through it all. 483 00:30:32,880 --> 00:30:35,280 Speaker 1: If you've been rocking with the Iron Rapports stereo podcasts 484 00:30:35,400 --> 00:30:36,880 Speaker 1: from the beginning for the last two years, for the 485 00:30:36,960 --> 00:30:39,280 Speaker 1: last three you know the the rest, the highs, the lows, 486 00:30:39,440 --> 00:30:42,160 Speaker 1: the ups and downs. I fucking wear all my ship 487 00:30:42,280 --> 00:30:44,880 Speaker 1: talking on my sleeve. I don't hold back. You go 488 00:30:44,920 --> 00:30:47,360 Speaker 1: out there, you sniff around. You see if anybody does 489 00:30:47,360 --> 00:30:51,000 Speaker 1: it like the Dingo, don't come on here talking about 490 00:30:51,000 --> 00:30:54,000 Speaker 1: we're fucking selling out. If you're not gonna rock with us, 491 00:30:54,120 --> 00:30:57,239 Speaker 1: I get it. It's sad for me, it's sad for you. 492 00:30:57,440 --> 00:31:00,840 Speaker 1: But don't come on there, fucking I don't. Don't come 493 00:31:00,840 --> 00:31:03,480 Speaker 1: on ire fucking calling names because you know who Cole's names. 494 00:31:03,520 --> 00:31:07,040 Speaker 1: Back me me to fucking Dingle. That's what I do. 495 00:31:07,120 --> 00:31:13,240 Speaker 1: That's why this is a disruptive podcast. Okay, sign up, 496 00:31:13,560 --> 00:31:18,880 Speaker 1: Go to Luminary dot link slash rappaport. That's Luminary dot 497 00:31:19,200 --> 00:31:24,040 Speaker 1: link slash rappaport. We are excited about the future. There 498 00:31:24,040 --> 00:31:29,120 Speaker 1: are forty plus other exclusive podcast The entire I Am 499 00:31:29,200 --> 00:31:34,800 Speaker 1: Rapports stereo podcast catalog is on their Big Daddy Kane Premier, 500 00:31:35,320 --> 00:31:38,240 Speaker 1: Meth the Man, and so forth and so on, Mighty 501 00:31:38,440 --> 00:31:41,360 Speaker 1: from the Beast, the Boys, Mike Tyson from Mike Tyson. 502 00:31:42,400 --> 00:31:46,120 Speaker 1: Every single episode we've ever done, they aged like fine 503 00:31:46,320 --> 00:31:50,840 Speaker 1: wine may We're only gonna be on Luminary Okay. I 504 00:31:50,880 --> 00:31:54,320 Speaker 1: want all the fans to come. Okay, I want every 505 00:31:54,320 --> 00:31:58,160 Speaker 1: single fan to come. I get it. If you can't 506 00:31:58,160 --> 00:32:00,000 Speaker 1: do it, I get it. If you you don't want 507 00:32:00,000 --> 00:32:01,560 Speaker 1: want to do it. But from the bottom of my heart, 508 00:32:01,600 --> 00:32:03,600 Speaker 1: I don't want to lose fans. We do this for 509 00:32:03,800 --> 00:32:09,120 Speaker 1: the fans. Go to Luminary dot link slash Rappaport May 510 00:32:09,400 --> 00:32:18,440 Speaker 1: twenty May, We're gonna be exclusive on Luminary podcast. All right, 511 00:32:18,920 --> 00:32:22,959 Speaker 1: So this is the Iron Rapp Reports Stereo Podcast. One 512 00:32:23,000 --> 00:32:28,360 Speaker 1: of the trademarks an award winning worldwide segment of the 513 00:32:28,400 --> 00:32:32,400 Speaker 1: I M. Rappaport Stereo podcast is what is What What? Yes, Yes, 514 00:32:32,600 --> 00:32:37,000 Speaker 1: it's a sick Fox of the Week Miles Jordan. Please 515 00:32:38,320 --> 00:32:39,880 Speaker 1: let me get the sick Funk of the Week theme song. 516 00:32:43,880 --> 00:32:46,560 Speaker 1: This is an award that is earned, not given, earned, 517 00:32:47,000 --> 00:32:50,240 Speaker 1: not given. It's called the Sick the Foxes of the 518 00:32:50,760 --> 00:32:56,120 Speaker 1: Sick really fucking sick man whack line make him you 519 00:32:56,320 --> 00:32:59,120 Speaker 1: smell like a sick fuck you look like a six 520 00:32:59,200 --> 00:33:01,680 Speaker 1: A supposed to be on a plane. You sick? You are? 521 00:33:01,720 --> 00:33:04,400 Speaker 1: You do it? Hey man, Leave that chicken alone, Leave 522 00:33:04,480 --> 00:33:06,760 Speaker 1: the chicken alone. But what are you doing to the 523 00:33:06,880 --> 00:33:14,280 Speaker 1: chicken that doesn't belong in? A chicken? Yes? You hear it, 524 00:33:15,280 --> 00:33:19,480 Speaker 1: you hear the Sick Funck of the Week theme song. 525 00:33:19,600 --> 00:33:21,040 Speaker 1: The Sick Funk of the Week is an award that 526 00:33:21,080 --> 00:33:25,040 Speaker 1: has earned, not given. It is an award that has earned, yes, 527 00:33:25,360 --> 00:33:27,960 Speaker 1: but not given. I want to say this shout out 528 00:33:28,000 --> 00:33:33,120 Speaker 1: to all the people out there who continue to send suggestions. Um, 529 00:33:33,280 --> 00:33:36,360 Speaker 1: you are upping the bar week after week with all 530 00:33:36,440 --> 00:33:38,680 Speaker 1: the sick funs. Of course I gotta bring up my guy, 531 00:33:38,960 --> 00:33:42,440 Speaker 1: the sick Funk of the week, whisper Mike Schaefer. Guy 532 00:33:42,560 --> 00:33:47,280 Speaker 1: has a nose and a knack for just scouring the 533 00:33:47,440 --> 00:33:51,160 Speaker 1: world wide web to find me. Not just the run 534 00:33:51,240 --> 00:33:55,000 Speaker 1: of the mill sick funck. This guy digs deep. Okay, 535 00:33:55,080 --> 00:33:58,280 Speaker 1: of course, O. G. Paul Wall another guy on the surface, 536 00:33:58,320 --> 00:34:00,400 Speaker 1: you wouldn't think O. G. Paul Wall would have like 537 00:34:00,560 --> 00:34:03,640 Speaker 1: some sort of skill set, although he has multi talent 538 00:34:03,760 --> 00:34:07,840 Speaker 1: and multifaceted. He's an entrepreneur, so it doesn't surprise me. 539 00:34:07,960 --> 00:34:10,000 Speaker 1: But like on the service you'd be like, Oh, he's 540 00:34:10,000 --> 00:34:13,600 Speaker 1: a rapper, he makes grills, He's done all sorts of 541 00:34:13,719 --> 00:34:17,239 Speaker 1: things entrepreneurially. I didn't know he had this in his 542 00:34:17,520 --> 00:34:21,040 Speaker 1: um arsenal um. But all you guys out there, I 543 00:34:21,360 --> 00:34:23,839 Speaker 1: I don't like to exclude anybody. All you guys out 544 00:34:23,920 --> 00:34:27,160 Speaker 1: there that are sending me the sick Fox of the week, 545 00:34:27,560 --> 00:34:30,320 Speaker 1: keep sending them. You know where to find us. You 546 00:34:30,360 --> 00:34:34,240 Speaker 1: can email us at I Am Rappaport Podcast at gmail 547 00:34:34,320 --> 00:34:37,400 Speaker 1: dot com. You can tweet me, you can instagram me, 548 00:34:37,640 --> 00:34:41,359 Speaker 1: you could facebook me at Michael Rappaport. And of course, uh, 549 00:34:41,480 --> 00:34:44,960 Speaker 1: the podcast is I at I Am Rappaport. Let's get 550 00:34:45,080 --> 00:34:48,640 Speaker 1: right to it. Let's get right to it. This guy 551 00:34:49,640 --> 00:34:54,359 Speaker 1: slow pitch in Virginia, Uh looks like a sick fuck. Uh. 552 00:34:54,480 --> 00:34:59,280 Speaker 1: In North Potamaic, Virginia, a man was arrested after he tried. 553 00:35:00,640 --> 00:35:03,320 Speaker 1: He tried and he failed. You have to feel like 554 00:35:03,440 --> 00:35:08,520 Speaker 1: a real dumb dumb fuck when you try to fuck 555 00:35:08,600 --> 00:35:13,440 Speaker 1: a horse, okay, but then you can't or you don't 556 00:35:13,680 --> 00:35:18,040 Speaker 1: and you get arrested for trying to fuck a horse. 557 00:35:18,160 --> 00:35:21,760 Speaker 1: It's one thing to fuck a horse and then get busted. 558 00:35:22,280 --> 00:35:25,280 Speaker 1: This guy was, you know what kind of like imagine 559 00:35:25,320 --> 00:35:28,480 Speaker 1: this like you know how like during the day, like, Oh, 560 00:35:28,560 --> 00:35:31,160 Speaker 1: should I go get my mail? Oh I gotta go 561 00:35:31,239 --> 00:35:33,560 Speaker 1: to the drug store. Oh I gotta go to the 562 00:35:33,600 --> 00:35:35,879 Speaker 1: hardware star. I gotta do this errand do that Errand 563 00:35:36,320 --> 00:35:38,719 Speaker 1: Oh I'm gonna call this girl. Oh I'm gonna call 564 00:35:38,800 --> 00:35:40,520 Speaker 1: that girl. I gotta call my mom, I gotta call 565 00:35:40,640 --> 00:35:43,440 Speaker 1: my dad. This guy's thinking, oh I gotta do this. 566 00:35:43,640 --> 00:35:46,560 Speaker 1: I could and I'm gonna go buy the uh the farm, 567 00:35:47,040 --> 00:35:49,919 Speaker 1: and I'm gonna try to fund this horse. Yeah, yeah, 568 00:35:49,960 --> 00:35:51,360 Speaker 1: that's what I'm gonna do later. So I'm gonna go 569 00:35:51,400 --> 00:35:53,799 Speaker 1: to go to go to the hardware store. I'm gonna 570 00:35:53,920 --> 00:35:56,239 Speaker 1: call but call mom, see how she's doing, and then 571 00:35:56,239 --> 00:36:00,319 Speaker 1: I'm gonna go fuck a horse. No, no, asshole. Uh. 572 00:36:00,400 --> 00:36:04,719 Speaker 1: It didn't work out for James Vaughan un Dundas, who 573 00:36:04,920 --> 00:36:09,840 Speaker 1: solicited an undercover cop. Okay, he went so far to 574 00:36:09,920 --> 00:36:13,800 Speaker 1: try to reach out to somebody online to find a 575 00:36:13,880 --> 00:36:17,440 Speaker 1: horse that he could fuck, and then he got busted. 576 00:36:18,480 --> 00:36:23,720 Speaker 1: You gotta feel like you gotta feel real stupid. Okay, 577 00:36:24,040 --> 00:36:26,960 Speaker 1: you gotta feel real stupid. You you tried to like 578 00:36:27,080 --> 00:36:29,239 Speaker 1: It's basically, instead of getting a cold girl, instead of 579 00:36:29,280 --> 00:36:32,680 Speaker 1: getting a hooker, okay, or instead of watching a no 580 00:36:32,840 --> 00:36:35,759 Speaker 1: no a portal like everybody else. Na, that wasn't good enough. 581 00:36:36,320 --> 00:36:38,800 Speaker 1: You went on the back pages of Craigslist and this, 582 00:36:38,960 --> 00:36:40,520 Speaker 1: that and the other to try to find a horse 583 00:36:40,600 --> 00:36:42,360 Speaker 1: you could fun, and it didn't work out for you. 584 00:36:42,520 --> 00:36:49,080 Speaker 1: Duke moving on in New York City. Guy with tattoos 585 00:36:49,120 --> 00:36:51,600 Speaker 1: all over his face, looking like a little zan or 586 00:36:51,719 --> 00:36:55,760 Speaker 1: some like Little Boys band Emo Rock E d M freak, 587 00:36:55,880 --> 00:36:59,560 Speaker 1: Nicholas Brent Gibson was arrested in New York City. He 588 00:36:59,760 --> 00:37:02,640 Speaker 1: was wanted in where do you think, Florida? He was 589 00:37:02,719 --> 00:37:07,000 Speaker 1: on the L train. He was arrested on the L train. 590 00:37:07,239 --> 00:37:10,600 Speaker 1: He was He was wanted in Florida for mutilation murder 591 00:37:12,239 --> 00:37:16,360 Speaker 1: of a seventies seven year old man in Miami. The 592 00:37:16,480 --> 00:37:20,680 Speaker 1: mutilation murder, the sex part of it. Unfortunately, this sick 593 00:37:20,800 --> 00:37:24,040 Speaker 1: fuck with tattoos all over his face, looking like he's 594 00:37:24,120 --> 00:37:28,160 Speaker 1: all on that good bath salt. Cut this gentleman's penis 595 00:37:28,200 --> 00:37:31,799 Speaker 1: off while we got you in New York. Another sick 596 00:37:32,239 --> 00:37:36,719 Speaker 1: fuck has been captured in New New York City. U S. Marshals. 597 00:37:36,760 --> 00:37:40,120 Speaker 1: They tracked them down. Blah blah blah. Busted asshole. Yo, 598 00:37:40,640 --> 00:37:42,560 Speaker 1: My man is gonna have a he's gonna have a 599 00:37:42,680 --> 00:37:46,320 Speaker 1: run in prison. When you see this dude, Yo, he's 600 00:37:46,360 --> 00:37:49,160 Speaker 1: going to catch that work. He's going to catch that 601 00:37:49,320 --> 00:37:54,200 Speaker 1: wonder bread bag treatment in prison. Rest the shore Um 602 00:37:54,320 --> 00:37:58,920 Speaker 1: a man who was released from prison after a thirty 603 00:37:59,040 --> 00:38:02,680 Speaker 1: year rape charge was dropped. Okay, so this guy who 604 00:38:02,800 --> 00:38:08,800 Speaker 1: looks like a sick fuck was in prison for thirty years. Okay. 605 00:38:08,840 --> 00:38:12,719 Speaker 1: He became the poster boy for the criminal Justice Reform 606 00:38:13,320 --> 00:38:21,800 Speaker 1: movement has now been charged with raping another woman in Lawrence, Massachusetts. 607 00:38:21,920 --> 00:38:26,320 Speaker 1: George Parrot fifty years old. Again. He was in prison 608 00:38:26,440 --> 00:38:28,759 Speaker 1: for thirty years. They said he did not commit the 609 00:38:28,880 --> 00:38:31,239 Speaker 1: crime that he had been in prison for for thirty years. 610 00:38:31,320 --> 00:38:33,279 Speaker 1: He was awarded money or in the process of being 611 00:38:33,320 --> 00:38:36,600 Speaker 1: awarded money for being wrong wrongfully convicted and boomed that 612 00:38:36,680 --> 00:38:41,480 Speaker 1: got him again. This time the charges are gonna stick. Man, Yo, 613 00:38:41,840 --> 00:38:47,440 Speaker 1: my man, you didn't yo, yo. This guy is stupid. 614 00:38:47,800 --> 00:38:51,120 Speaker 1: This is this is sick. This is a sick funk. 615 00:38:51,160 --> 00:38:53,799 Speaker 1: So he probably did the original rape or some other 616 00:38:54,000 --> 00:38:56,200 Speaker 1: terrible things. He went to prison for thirty years, and 617 00:38:56,239 --> 00:39:00,680 Speaker 1: now you're going back for life. Man. They must have 618 00:39:00,920 --> 00:39:02,880 Speaker 1: you know, they must have gave him that work when 619 00:39:02,960 --> 00:39:04,560 Speaker 1: he was in jail the first time. And now you're 620 00:39:04,560 --> 00:39:06,560 Speaker 1: gonna for the rest of your life. Now you're fifty, 621 00:39:06,600 --> 00:39:10,640 Speaker 1: they're going to be all up in your rectum. Duke, 622 00:39:10,680 --> 00:39:15,600 Speaker 1: you're gonna you're not coming out a former priest. This 623 00:39:15,840 --> 00:39:18,759 Speaker 1: is former priest. You know it. You know it's not 624 00:39:18,920 --> 00:39:21,839 Speaker 1: starting off good. Okay, you you know where this is going. 625 00:39:22,000 --> 00:39:24,680 Speaker 1: If I'm bringing up a priest on the sick funk 626 00:39:24,719 --> 00:39:28,960 Speaker 1: of the Week segment rest Asshore, it's not good news. Okay. 627 00:39:29,320 --> 00:39:34,840 Speaker 1: A former priest who got a teen pregnant. Okay. A 628 00:39:35,000 --> 00:39:39,560 Speaker 1: veteran New Jersey teacher who once had a sexual relationship 629 00:39:39,600 --> 00:39:42,440 Speaker 1: with a fourteen year old girl and got her pregnant 630 00:39:42,560 --> 00:39:48,719 Speaker 1: while he was a Catholic priest can somehow, some way 631 00:39:49,400 --> 00:39:55,480 Speaker 1: keep his middle school teaching job in New Jersey. No, 632 00:39:55,680 --> 00:40:01,160 Speaker 1: you can't, no, no, you can't listen. If you're having 633 00:40:01,200 --> 00:40:03,840 Speaker 1: sex with fourteen year old girls while you're a priest, 634 00:40:04,520 --> 00:40:07,239 Speaker 1: that's who you are. You're not my middle school You're 635 00:40:07,280 --> 00:40:11,800 Speaker 1: not my son's middle school teacher. Okay. The former reverend 636 00:40:12,280 --> 00:40:15,880 Speaker 1: Joseph de Sean, who's fifty nine years old, began teaching 637 00:40:16,680 --> 00:40:20,200 Speaker 1: in cinemason I can't pronounce it. The school district in 638 00:40:20,320 --> 00:40:27,440 Speaker 1: nine in Jersey, in fucking dirty jurors. Okay, the school 639 00:40:27,480 --> 00:40:31,280 Speaker 1: officials didn't learn that he had had impregnated a fourteen 640 00:40:31,360 --> 00:40:35,520 Speaker 1: year old girl. Why isn't he in prison? Why isn't 641 00:40:35,560 --> 00:40:39,600 Speaker 1: this guy in fucking jail? Anyway? Last year, a twelve 642 00:40:39,680 --> 00:40:43,040 Speaker 1: year old girl complained that he had made her uncomfortable 643 00:40:43,360 --> 00:40:46,120 Speaker 1: by talking about her pretty green eyes. Locked this piece 644 00:40:46,160 --> 00:40:48,040 Speaker 1: of ship up you know if that was my daughter, 645 00:40:49,360 --> 00:40:53,279 Speaker 1: real talk and this dude had already uh done something 646 00:40:53,320 --> 00:40:54,880 Speaker 1: like this, and you're talking to my daughter about her 647 00:40:54,920 --> 00:40:57,160 Speaker 1: pretty green eyes. Yeah, I'm going over. I'm knocking his 648 00:40:57,280 --> 00:41:00,680 Speaker 1: fucking jaw. I'm tapping his job. I'm in that jaw, 649 00:41:01,960 --> 00:41:07,440 Speaker 1: and somehow, someway he's still able to keep his job. Nah, Nope, 650 00:41:07,840 --> 00:41:13,839 Speaker 1: sorry again. A home health employee. This is a person 651 00:41:13,920 --> 00:41:18,760 Speaker 1: who helps elderly people, handicapped people. Um, this has happened 652 00:41:18,800 --> 00:41:22,560 Speaker 1: all year long. Um, I believe this is the fifth guy. Um. 653 00:41:23,040 --> 00:41:30,160 Speaker 1: A home health employee who raped a blind woman has 654 00:41:30,239 --> 00:41:33,640 Speaker 1: more victims. But his defense is that somehow, some way, 655 00:41:33,719 --> 00:41:38,000 Speaker 1: this this guy is saying he was blackmailed into doing it. Nah, duke, 656 00:41:39,000 --> 00:41:43,200 Speaker 1: we're good. We're locking you up, Duke, We're locking up 657 00:41:43,239 --> 00:41:47,719 Speaker 1: Gregory Porous. Okay, we're locking you up homie. Okay. And 658 00:41:47,800 --> 00:41:51,359 Speaker 1: there ain't no blackmail. Okay, you're going to prison. Okay, 659 00:41:51,400 --> 00:41:54,720 Speaker 1: you're gonna catch that wonder bread bag and olive oil treatment. 660 00:41:54,760 --> 00:41:58,080 Speaker 1: You raped a blind woman. You're a home employee, you're 661 00:41:58,120 --> 00:42:02,359 Speaker 1: like a home nurse, and you're raping people. Sick funk 662 00:42:02,400 --> 00:42:05,319 Speaker 1: of the week. Nothing funny about it. I don't care 663 00:42:05,400 --> 00:42:08,080 Speaker 1: what your excuses. You were blackmailed, you would court you. 664 00:42:08,520 --> 00:42:13,200 Speaker 1: Come on, man next. This is actually sad. Um. But 665 00:42:13,320 --> 00:42:15,879 Speaker 1: I was thinking about this because I walk Central Park 666 00:42:16,200 --> 00:42:19,560 Speaker 1: all the time. UM And I just don't understand it. 667 00:42:19,600 --> 00:42:21,080 Speaker 1: Why if you're gonna do something like this, why you 668 00:42:21,160 --> 00:42:24,239 Speaker 1: have to make it such a public spectacle. Again, I 669 00:42:24,440 --> 00:42:28,239 Speaker 1: I don't make light of suicide. Um And and this guy, 670 00:42:29,200 --> 00:42:31,960 Speaker 1: obviously this isn't a sick Funk of the week person, 671 00:42:32,560 --> 00:42:35,719 Speaker 1: but an actor, a Broadway actor in New York, UM 672 00:42:35,960 --> 00:42:40,480 Speaker 1: hung himself from one of the archways in Central Park. Obviously, 673 00:42:40,600 --> 00:42:43,359 Speaker 1: passer bys early in the morning found that, I guess 674 00:42:43,400 --> 00:42:47,359 Speaker 1: it had happened overnight. UM found this guy hanging from 675 00:42:47,440 --> 00:42:49,600 Speaker 1: one of the archways. If you've never been to Central 676 00:42:49,640 --> 00:42:51,279 Speaker 1: Park and you're going to New York, A lot of 677 00:42:51,320 --> 00:42:54,279 Speaker 1: times people ask me about what they should do if 678 00:42:54,320 --> 00:42:56,320 Speaker 1: they go to New York. One of the things you 679 00:42:56,480 --> 00:42:57,920 Speaker 1: have to do if you're in New York is a 680 00:42:58,040 --> 00:43:02,400 Speaker 1: hundred fifty spend two hours three hours a whole afternoon 681 00:43:03,040 --> 00:43:06,560 Speaker 1: or morning. Uh, if the weather is nice walking through 682 00:43:06,640 --> 00:43:10,919 Speaker 1: Central Park, get lost, get confused, UM, find your way, 683 00:43:11,000 --> 00:43:13,799 Speaker 1: get lost again. It really truly lives up to all 684 00:43:13,880 --> 00:43:17,480 Speaker 1: the hype, and it's beautiful and it's spectacular, and it's 685 00:43:17,800 --> 00:43:20,840 Speaker 1: huge Central Parking just like a little park. It's miles 686 00:43:20,920 --> 00:43:24,200 Speaker 1: upon miles and there's lakes and there's coves and there's 687 00:43:24,520 --> 00:43:28,560 Speaker 1: just great. But imagine you're a person walking through Central Park, 688 00:43:28,920 --> 00:43:31,399 Speaker 1: like you know, for your your your morning walk, your hike, 689 00:43:31,480 --> 00:43:33,400 Speaker 1: your job. You see a guy fucking hanging there. I mean, 690 00:43:33,440 --> 00:43:35,040 Speaker 1: I don't know why you just don't do this at home? 691 00:43:36,120 --> 00:43:40,160 Speaker 1: God bless this person. I don't make light of suicide, 692 00:43:40,200 --> 00:43:42,200 Speaker 1: but ship, why does it have to be a public spectacle? 693 00:43:42,360 --> 00:43:44,480 Speaker 1: Why do you have to ruin the other You know 694 00:43:44,520 --> 00:43:48,200 Speaker 1: what kind of darress that puts other people through to 695 00:43:48,280 --> 00:43:52,000 Speaker 1: see you hanging from an archway in New York City. 696 00:43:52,840 --> 00:43:57,120 Speaker 1: That's not dope. Moving on the the actor who used 697 00:43:57,200 --> 00:44:04,000 Speaker 1: to voice Winnie from Winnie the Pooh. Okay, says an actor, 698 00:44:04,239 --> 00:44:07,520 Speaker 1: he's the voice of Winnie the Pool A true blue 699 00:44:07,880 --> 00:44:11,600 Speaker 1: sick fuck. He is in deep doo doo uh he 700 00:44:11,760 --> 00:44:15,120 Speaker 1: he is stuck in the honey. His ex wife is 701 00:44:15,160 --> 00:44:20,880 Speaker 1: saying that he engaged in physical, sexual emotional abuse. Uh, 702 00:44:21,080 --> 00:44:26,680 Speaker 1: death threats, raped her, had deviant behavior, and there's animal abuse. 703 00:44:26,920 --> 00:44:30,840 Speaker 1: My man the funk are you doing? How do you 704 00:44:30,960 --> 00:44:33,200 Speaker 1: get this job? They need to do background checks. This 705 00:44:33,360 --> 00:44:37,160 Speaker 1: is the voice of Winnie the Pooh and this guy's 706 00:44:37,200 --> 00:44:42,840 Speaker 1: a kicking his dog. He's drug addicted. He raped his wife, 707 00:44:43,120 --> 00:44:48,279 Speaker 1: so she says, allegedly, I'll say that again. Allegedly. Jim 708 00:44:48,400 --> 00:44:51,319 Speaker 1: Cummings is the name. He's a voiceover actor. Lock him up, 709 00:44:52,560 --> 00:44:57,160 Speaker 1: Lock him up. Finally, Uh, this guy's on the loose. Uh. 710 00:44:57,280 --> 00:45:02,080 Speaker 1: This is in foul Mouth or fall Month, probably pronounced Fallmouth, 711 00:45:02,200 --> 00:45:07,160 Speaker 1: Gordon Wall, which is uh a town in London. I believe, 712 00:45:07,360 --> 00:45:09,400 Speaker 1: I don't know. Listen. I don't fact check these stories, 713 00:45:09,480 --> 00:45:11,840 Speaker 1: but this is true, and this is a true story. 714 00:45:12,440 --> 00:45:16,479 Speaker 1: This piece of shit on video has this little dog 715 00:45:17,040 --> 00:45:21,600 Speaker 1: overlooking um, a beach. Um. He's on the um, you know, 716 00:45:21,680 --> 00:45:25,480 Speaker 1: the walkway overlooking the beach. One sick fuck is holding 717 00:45:25,520 --> 00:45:29,040 Speaker 1: the dog while another sick funck his friend is filming 718 00:45:29,360 --> 00:45:32,879 Speaker 1: and they're both laughing hysterically. This guy through this little 719 00:45:33,000 --> 00:45:37,680 Speaker 1: dog into the water. Um. You can't tell what happens 720 00:45:38,320 --> 00:45:40,560 Speaker 1: um at the end because the video cuts off. But 721 00:45:40,719 --> 00:45:43,840 Speaker 1: they need to find this sick funck now. I know 722 00:45:43,920 --> 00:45:46,080 Speaker 1: there are listeners of the I M Wrap reports stereo 723 00:45:46,239 --> 00:45:49,120 Speaker 1: podcast all over the world. If there's anybody out there 724 00:45:49,160 --> 00:45:54,200 Speaker 1: in fall myth Cornwall, find this piece of shit. Okay, 725 00:45:54,920 --> 00:45:57,480 Speaker 1: find this guy and let's turn him in and let's 726 00:45:57,560 --> 00:46:00,520 Speaker 1: throw him into the water and see how how he 727 00:46:01,200 --> 00:46:05,279 Speaker 1: likes it. Okay, the video is terrible to watch. You 728 00:46:05,400 --> 00:46:07,360 Speaker 1: can't tell whether the dog makes it back or not. 729 00:46:07,520 --> 00:46:10,880 Speaker 1: The dog is like crying and screaming and struggling, and 730 00:46:11,000 --> 00:46:14,000 Speaker 1: this piece of ship is laughing. We need to find 731 00:46:14,080 --> 00:46:16,239 Speaker 1: this guy. We need to fucking lock him up. Shout 732 00:46:16,239 --> 00:46:20,440 Speaker 1: out to Ricky Gervais who posted this video. And I'm 733 00:46:20,520 --> 00:46:23,719 Speaker 1: sure you know because he Uh, he's on the case too, 734 00:46:23,800 --> 00:46:26,560 Speaker 1: and he's he's got a lot of people on the ground, uh, 735 00:46:26,719 --> 00:46:31,000 Speaker 1: looking for this guy in London. Oh, one more, one more? 736 00:46:32,000 --> 00:46:34,600 Speaker 1: And this goes directly a credit my sick funk of 737 00:46:34,640 --> 00:46:40,040 Speaker 1: the Week whisper Mike Shaffer in Orlando, Florida. In Orlando, Florida, 738 00:46:40,560 --> 00:46:46,040 Speaker 1: UH deputies have arrested a lift driver and arrested her. Okay, 739 00:46:46,520 --> 00:46:49,520 Speaker 1: and the reason why they arrested her is because she 740 00:46:50,160 --> 00:46:55,080 Speaker 1: ran over the passenger she gave a ride to. Yes, 741 00:46:55,239 --> 00:46:59,399 Speaker 1: apparently the passenger didn't like the driver. The driver didn't 742 00:46:59,440 --> 00:47:02,120 Speaker 1: like the pass singer. They were arguing a little bit. 743 00:47:03,040 --> 00:47:04,719 Speaker 1: She said she was going to give her a bad 744 00:47:04,880 --> 00:47:07,480 Speaker 1: rating because you know you rate the drivers. Well, this 745 00:47:07,640 --> 00:47:11,480 Speaker 1: sick fucking lift driver said, oh no you're not, No, 746 00:47:11,680 --> 00:47:15,880 Speaker 1: you ain't bitch, and uh she ran over the driver. 747 00:47:17,320 --> 00:47:20,799 Speaker 1: See that's this is why we have the sick Funk 748 00:47:20,840 --> 00:47:23,600 Speaker 1: of the Week segment. You know you can't. You don't know. 749 00:47:24,080 --> 00:47:26,719 Speaker 1: There's a lot of crazy people out there. Okay, you 750 00:47:26,800 --> 00:47:29,719 Speaker 1: don't know who you're dealing with. Okay, I say this 751 00:47:29,840 --> 00:47:32,759 Speaker 1: to myself every day, right, You don't know who you're 752 00:47:32,840 --> 00:47:36,279 Speaker 1: dealing with, what they're going through, what their mental uh 753 00:47:36,560 --> 00:47:42,600 Speaker 1: capacity is. Watch out. You think your lift driver, you 754 00:47:42,680 --> 00:47:44,880 Speaker 1: think ship is sweet because they're driving you around in 755 00:47:44,920 --> 00:47:48,359 Speaker 1: a car that's relatively decent and clean, and that's got 756 00:47:48,520 --> 00:47:50,799 Speaker 1: and it's got some air fresheners in it. You don't 757 00:47:50,840 --> 00:47:54,040 Speaker 1: know these people. You don't know who's driving your bus. 758 00:47:54,440 --> 00:47:56,560 Speaker 1: You don't know what they've went through. You don't know 759 00:47:56,600 --> 00:47:58,560 Speaker 1: who's taking you around in your cab. You don't know 760 00:47:58,560 --> 00:48:02,279 Speaker 1: who's driving you the train conductor. You don't know who 761 00:48:02,360 --> 00:48:05,839 Speaker 1: you're bumping into at your local coffee restaurant. You don't 762 00:48:05,840 --> 00:48:08,640 Speaker 1: know who you're honking at road raging. I tell that 763 00:48:08,800 --> 00:48:10,560 Speaker 1: to the young shooter all time, like, yoah, you don't 764 00:48:10,600 --> 00:48:12,120 Speaker 1: know who you're honking at. You don't know what he's 765 00:48:12,160 --> 00:48:15,320 Speaker 1: gotten there. You don't know what he's been through today 766 00:48:15,800 --> 00:48:18,400 Speaker 1: in his life, what he's capable of. I'm not with 767 00:48:18,560 --> 00:48:23,200 Speaker 1: that road rade ship. Be careful out there, people, Okay, 768 00:48:23,600 --> 00:48:26,160 Speaker 1: be careful when you're in ubers, Be careful when you're 769 00:48:26,160 --> 00:48:29,680 Speaker 1: in lifts. Be careful out there. Don't live in fear. 770 00:48:30,160 --> 00:48:33,480 Speaker 1: But mind yourself. Okay, there's a lot of fucking kooks 771 00:48:33,520 --> 00:48:35,840 Speaker 1: out there. We docu. You know, I have I have 772 00:48:36,080 --> 00:48:38,319 Speaker 1: stacks of sick funks of the week that I can't 773 00:48:38,320 --> 00:48:43,680 Speaker 1: even get to. I have him piled up. I can't 774 00:48:43,719 --> 00:48:45,160 Speaker 1: even get to all of them. It would just be 775 00:48:45,280 --> 00:48:48,719 Speaker 1: it would be too overwhelming and too upsetting to just 776 00:48:48,880 --> 00:48:52,200 Speaker 1: do hour upon hour upon hour of sick fun It 777 00:48:52,239 --> 00:48:54,840 Speaker 1: would make people mortified to leave their house. You'd be like, 778 00:48:54,920 --> 00:49:01,319 Speaker 1: you'd be frozen in fear. You'd be baffled. Teachers, gardeners, 779 00:49:02,160 --> 00:49:05,280 Speaker 1: you don't know what the politicians priest. They're fucking nuts. 780 00:49:06,120 --> 00:49:09,479 Speaker 1: So mind yourself out there. Okay, listen, if you're listening 781 00:49:09,560 --> 00:49:11,520 Speaker 1: to this and you're in Los Angeles this week, I'm 782 00:49:11,560 --> 00:49:15,840 Speaker 1: gonna be performing, all right, I am gonna be performing 783 00:49:15,960 --> 00:49:20,279 Speaker 1: May seven, alright, May seventh, I will be at the 784 00:49:20,400 --> 00:49:24,920 Speaker 1: Improv in Hollywood. Okay. May nine, I will be at 785 00:49:24,960 --> 00:49:30,680 Speaker 1: the Improv in Hollywood. And then Friday, May tenth, I'm 786 00:49:30,760 --> 00:49:34,719 Speaker 1: going back to Irvine. I'm doing a show with a 787 00:49:34,800 --> 00:49:39,960 Speaker 1: few other comics in Irvine at the Irvine Improv this Friday. Okay. 788 00:49:40,640 --> 00:49:42,600 Speaker 1: Uh So That's where I'll be this week. And then 789 00:49:42,640 --> 00:49:45,200 Speaker 1: I told you guys, I am coming to San Francisco 790 00:49:45,560 --> 00:49:49,840 Speaker 1: May eighteenth and May nineteenth at Cops Comedy. Tickets are 791 00:49:49,880 --> 00:49:53,440 Speaker 1: available at cops Comedy dot com. There's a show Saturday night. 792 00:49:53,640 --> 00:49:57,720 Speaker 1: There's a show Sunday night, May eighteenth at Cops Comedy. 793 00:49:57,760 --> 00:50:01,080 Speaker 1: Tickets are available at cops Comedy dot com. But yow, 794 00:50:01,120 --> 00:50:03,160 Speaker 1: if you're in l A, come see me Tomorrow night 795 00:50:03,719 --> 00:50:06,319 Speaker 1: at the Improv, Thursday night at the Improv, or an 796 00:50:06,360 --> 00:50:09,680 Speaker 1: Irvine Friday night at the Improv and Irvine you know 797 00:50:09,760 --> 00:50:11,960 Speaker 1: where to find us. As the I am wrapping Poor 798 00:50:12,080 --> 00:50:18,160 Speaker 1: Big Body, Hard Body, Karate Banging, Blood, Guts and Glory. 799 00:50:18,320 --> 00:50:21,480 Speaker 1: Fifteen rounds of podcasting Miles Jordan, Take Me out of 800 00:50:21,480 --> 00:50:25,239 Speaker 1: here with something real, nice, something real proper but most important, Yes, 801 00:50:26,120 --> 00:50:27,960 Speaker 1: yes you need something real p.