WEBVTT - False Finale (“Sectionals” S.1 Ep.13)

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<v Speaker 1>And that's what you really missed with Jenna and Kevin

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<v Speaker 1>and I heart radio podcast, Welcome to You, and that's

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<v Speaker 1>what you really missed. The sectional episode. Jenna's on her

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<v Speaker 1>a one voiceover game today. That was really beautiful. I

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<v Speaker 1>just got my teeth clean, so I feel fresh. Yeah,

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<v Speaker 1>just enunciates, show those teeth off. This is the fall finale.

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<v Speaker 1>This is we didn't know if we were coming back

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<v Speaker 1>show when we filmed this, this whole the tone of

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<v Speaker 1>this episode, um when I of what I remember of

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<v Speaker 1>it is very like nostalgic and very like emotional, because

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<v Speaker 1>we didn't know if we were coming back, so I

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<v Speaker 1>think everything was like this could be the last. Ironically,

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<v Speaker 1>it was definitely not the last. There were scenes that

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<v Speaker 1>I remember watching it. There were scenes that I remember

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<v Speaker 1>reading for the first time, and it felt sort of bittersweet.

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<v Speaker 1>I can't believe we got this far. Doing thirteen episodes

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<v Speaker 1>felt monumental. I had never done more than one or

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<v Speaker 1>two episodes of a TV show before, and it was

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<v Speaker 1>just really really cool because like we read it like, well,

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<v Speaker 1>this all feels great, this feels right, could be the end.

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<v Speaker 1>And it was directed by Brad Felchuk, which felt like

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<v Speaker 1>you know, there was this like full three sixty moment happening. Um,

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<v Speaker 1>coming back around to like one of the creators. Um,

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<v Speaker 1>we reflective of like seeing how far all the characters

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<v Speaker 1>had come and all the songs we had performed. Yes,

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<v Speaker 1>it was a big deal to us. It was a

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<v Speaker 1>big deal, all right. So this episode aired on December nine,

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<v Speaker 1>and um, we are still in the Empire state of

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<v Speaker 1>mind number one song and the Blindside number one movie. Okay,

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<v Speaker 1>what happened in the Glean news cycle this week? Kevin? Okay,

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<v Speaker 1>so we sort of got nominated for four Golden Globes.

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<v Speaker 1>No big deal. This was a big deal. This was

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<v Speaker 1>a very big deal. We lost our minds. We did

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<v Speaker 1>lose our minds. Is very exciting. There was lots of buzz.

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<v Speaker 1>I don't think I was prepared for any of the

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<v Speaker 1>stuff in the press and everything that we would be

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<v Speaker 1>going through. But um, it was a big deal. It

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<v Speaker 1>was just really exciting. This felt very like a tangible

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<v Speaker 1>thing where you know, you get numbers and oh, eight

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<v Speaker 1>million people watched this episode. The songs are doing really well,

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<v Speaker 1>but it still feels really removed and something like the

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<v Speaker 1>Golden Globes that like we had grown up watching all

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<v Speaker 1>of a sudden, we're now a part of like this

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<v Speaker 1>now like hit TV show, Hollywood reality thing, and this

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<v Speaker 1>was very beginning, weird and tangible. No, you're right, you're

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<v Speaker 1>actually very right, and this was like the beginning of

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<v Speaker 1>all of it. This is like being shot out of

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<v Speaker 1>a cannon. Understanding the award season and all of it.

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<v Speaker 1>Just it's a crazy, crazy circuit. Glee won five awards

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<v Speaker 1>at the fourteenth Annual Satellite Awards UM Christie Channel, with

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<v Speaker 1>one for Best Outstanding Guest Star. Leah was one for

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<v Speaker 1>Best Actress, Jane one for Best Supporting Actress, and Matt

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<v Speaker 1>Morrison won for Best Actor. So here was named this

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<v Speaker 1>Entertainers of the Year and had Matt and Leah and

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<v Speaker 1>Corey on the cover m which was very cool. I

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<v Speaker 1>do remember that. And then UM Glee Season one, Volume one,

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<v Speaker 1>The Road to Sectionals was released on DVD when DVDs

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<v Speaker 1>were still yeah, streaming did not exist, So this UM

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<v Speaker 1>was the midseason break and Glee did not come back

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<v Speaker 1>again for the back nine to air until April. So

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<v Speaker 1>we went from December night till April two ten, which

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<v Speaker 1>is crazy because we didn't go off, you know, we

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<v Speaker 1>didn't go away. We didn't go off air, we didn't

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<v Speaker 1>do all that. We were working the whole time. Well,

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<v Speaker 1>the break that we had was sort of our promo

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<v Speaker 1>break where we didn't know if we were coming back yet.

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<v Speaker 1>We had to go out and um promote the first

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<v Speaker 1>thirteen as that's like, we went to Australia, we did

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<v Speaker 1>the Hot Topic tour. That was our break. It was

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<v Speaker 1>at the very beginning of the season when um It

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<v Speaker 1>actually started airing, and then we came back at some

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<v Speaker 1>point I think in the late fall, right right. I mean,

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<v Speaker 1>do you remember like going home for the holidays then,

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<v Speaker 1>because that was the that was a huge difference of Yeah,

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<v Speaker 1>we we went back to do like your normal things

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<v Speaker 1>and all of a sudden, there's people coming up. You're

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<v Speaker 1>not normal anymore. Yeah. I remember going ice skating UM

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<v Speaker 1>in Dallas with like my family and people were coming up.

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<v Speaker 1>I'm terrible at ice skating, so it was already embarrassing,

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<v Speaker 1>and then people kept coming up to me and I

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<v Speaker 1>had like my little nieces and that few with me,

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<v Speaker 1>and it was so like how protective they got very

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<v Speaker 1>quickly like why all these people talking to him that

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<v Speaker 1>it's so annoying. I'm like no, it's fine, it's nice,

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<v Speaker 1>don't worry. I remember going home m being able to

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<v Speaker 1>buy my family really nice Christmas gifts because we were

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<v Speaker 1>finally talking to me about this. Yes and um no,

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<v Speaker 1>it was just exciting to be able to take your

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<v Speaker 1>parents out to dinner and like be like I got it,

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<v Speaker 1>and you know, buy them good kids and like and

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<v Speaker 1>then also like seeing all your high school friends and

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<v Speaker 1>being like I'm just kidding. I'm just kidding. We just

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<v Speaker 1>got drunk. It's fine. Um, but it's weird. It really exciting.

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<v Speaker 1>It was really excited. Everybody was just like super excited

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<v Speaker 1>because it was like the big hype. They're like, I

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<v Speaker 1>can't believe it. So and I mean my parents hated that.

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<v Speaker 1>I think I don't know if they did this year

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<v Speaker 1>or the next year. But we went out for like

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<v Speaker 1>a big Christmas Eve dinner and I would try to

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<v Speaker 1>on the slide, just pay for it. Yeah, And it

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<v Speaker 1>meant a lot to me to be able to do that,

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<v Speaker 1>and that, you know, because of my parents, Like you

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<v Speaker 1>have to save all your money, you keep be doing this,

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<v Speaker 1>you pay for me for twentysomething years. Let me do

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<v Speaker 1>this one thing. It's fine. My favorite Italian restaurant that

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<v Speaker 1>we go to for Christmas Eve when it was still

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<v Speaker 1>up on Christmas Eve was Vincent's Clambar in Garden City,

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<v Speaker 1>and we would like it's a sorry tradition. Now we

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<v Speaker 1>eat it all the time when I go home. And

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<v Speaker 1>they gave me like a little plaque on the tables,

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<v Speaker 1>like the New York Islanders got little plaques on the tables,

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<v Speaker 1>and I felt very special, and they wanted me to

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<v Speaker 1>take a photo with the owners. I've done a couple

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<v Speaker 1>of those, and um, every time they gave me like

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<v Speaker 1>a jar of sauce and like either take care of

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<v Speaker 1>dinner or take care of like, you know, a ton

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<v Speaker 1>of the meals. And it was just always like it.

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<v Speaker 1>It was our favorite place. But that's when you started

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<v Speaker 1>feeling like the yeah, you know, you're like, oh, people

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<v Speaker 1>are noticing, people are well, you know, the little local place.

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<v Speaker 1>Maggiano's and TLAs did not do that for me. But

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<v Speaker 1>it's fine Clambar, what a stap alilens table us delicious?

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<v Speaker 1>All right, So should we get into this episode. Yeah,

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<v Speaker 1>let's go for it. Okay, all right, this is the

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<v Speaker 1>Road Sectionals or Sectionals, and this has all of the

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<v Speaker 1>songs that we've seen before, except for a new couple

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<v Speaker 1>of surprises like you can't always get what you want

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<v Speaker 1>and my life it's like without you, which I love

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<v Speaker 1>that song. Um, we've got our guest stars Michael Hitchcock,

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<v Speaker 1>Eve and the judges. M hmm, that's right. And we

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<v Speaker 1>get to see, you know, some of our songs that

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<v Speaker 1>we've already done, done by other people. And you get

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<v Speaker 1>to see Amber doing and I'm telling you for the

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<v Speaker 1>first time pre winning an Olivier Award for playing Effie

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<v Speaker 1>in the West End, which I got to see. Also,

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<v Speaker 1>how how crazy that was? Wild? Um, I watched that

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<v Speaker 1>last night. We can talk about it and de cried.

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<v Speaker 1>So it's wild. It's a wild ride. Um. This is

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<v Speaker 1>the thirteenth episode. The Fox promo for this episode says,

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<v Speaker 1>the phenomenon that has made America Sing brings you an

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<v Speaker 1>unforgettable fall finale, guaranteed to make you cheer. You're welcome.

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<v Speaker 1>I have to say that was very good. But seeing

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<v Speaker 1>these promos and I know it's all hype and they're

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<v Speaker 1>just like trying to convince people that the show is

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<v Speaker 1>probably more successful than it really is. But you know,

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<v Speaker 1>being an avid TV consumer growing up and being a

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<v Speaker 1>part of a show that all of a sudden is

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<v Speaker 1>advertised like this was very surreal. It was very cool,

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<v Speaker 1>very surreal. There was everything that was happening at that

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<v Speaker 1>time was so unbelievable, very big, right. And this is

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<v Speaker 1>also around the time I had one of my best

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<v Speaker 1>friends justin I remember him being like, do you know

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<v Speaker 1>what's happening? Like can you feel the effect of the show?

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<v Speaker 1>Do you have any sense or awareness? And I was

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<v Speaker 1>like yeah, and he's like, no, you don't, right, Yeah,

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<v Speaker 1>maybe I don't. I don't think we could ever experience whatever,

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<v Speaker 1>but people outside experience yeah, because wrap my head around it.

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<v Speaker 1>But getting those Golden Globe nominations and having the ratings

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<v Speaker 1>sort of start to soar, it did start to have

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<v Speaker 1>a really big cultural impact. Now and I think from

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<v Speaker 1>now until when we come back on the air, we

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<v Speaker 1>were I remember being worried about, like are people going

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<v Speaker 1>to come back and watch it? It only sort of

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<v Speaker 1>grew in anticipation. So this whole episode was set all

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<v Speaker 1>that up. But anyway, new directions go to sectionals and

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<v Speaker 1>this is some big ship happening. We have baby Gate,

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<v Speaker 1>we have some where Will and Terry's marriage and so

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<v Speaker 1>maybe finally getting caught. M you know, m h finally,

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<v Speaker 1>my goodness. I think it's easier to just go through

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<v Speaker 1>this episode as is this this week, because it kind

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<v Speaker 1>of all intertwines and is like wrapping everything upste So

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<v Speaker 1>in the beginning, Rachel is suspicious of Puck Um and

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<v Speaker 1>Quinn because when Quinn slips um, Puck rushes to quinside

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<v Speaker 1>and everybody's like, because everybody else knows in the glee

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<v Speaker 1>club that Puck is the baby daddy, but they don't

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<v Speaker 1>want to tell Rachel because obviously we know who she's

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<v Speaker 1>gonna who. She'll trout mouth, which is this is the

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<v Speaker 1>birth of trout mouth, real trouting mouth, Mr Cordy Um,

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<v Speaker 1>and you say already says that she's a total trout mouth,

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<v Speaker 1>and chill tell Finn. I remember Rachel, what's happening you?

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<v Speaker 1>You are the most vocal about Rachel in the Black Club.

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<v Speaker 1>I feel like already is definitely like says it how

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<v Speaker 1>it is. Um. I mean we all kind of said

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<v Speaker 1>how it is, to be honest, we're all very crass. Um. Uh. So.

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<v Speaker 1>I remember shooting this telephone scene and getting a little

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<v Speaker 1>like nervous because I had to move switch the phone

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<v Speaker 1>we weren't really talking to you obviously, and so there's

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<v Speaker 1>all this stuff and you're walking, and Andrew Mitchell's walking behind,

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<v Speaker 1>like backwards with us, and we're walking down the hallways.

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<v Speaker 1>If you don't get it right, you gotta do it again.

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<v Speaker 1>And I was like, hu, it was one long walk

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<v Speaker 1>and talk and squishing three people into one frame on

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<v Speaker 1>the camera was also very hard. They're like, you guys

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<v Speaker 1>got to get closer together. We're like, we're walking. But

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<v Speaker 1>it was so brilliant how they edit it so it

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<v Speaker 1>looked like not everybody was together and there was. It

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<v Speaker 1>was and I'm going party line. Yeah, this is also

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<v Speaker 1>a really big moment. And I don't even know if

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<v Speaker 1>at the time when they wrote this, if it was

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<v Speaker 1>more anything more than just a joke. But when Santana's like,

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<v Speaker 1>sex is not dating, and then Britney's like, if it

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<v Speaker 1>were Santana and I would be dating, and everyone pauses.

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<v Speaker 1>So good, and then it carries on. Yeah, it was

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<v Speaker 1>very good. Um, So Emma tells Mr Shoe that she

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<v Speaker 1>pushed back her and Ken's wedding so she can make

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<v Speaker 1>it to sectional and Ken doesn't have to happen in

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<v Speaker 1>broad daylight it's it's yeah. She lies, she lies. She

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<v Speaker 1>was saying that it's Ken took it really well, cut

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<v Speaker 1>to Ken not taking it well. So we mark that

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<v Speaker 1>for later in the episode. And that's right, that's right,

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<v Speaker 1>um so, and then we go to Rachel freaking out

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<v Speaker 1>um Quinn by asking about the genetic testing up to

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<v Speaker 1>no good. So Quinn goes to Park and says that

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<v Speaker 1>he has to get tested because it's something it's wrong.

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<v Speaker 1>It won't go the plan won't go in um the

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<v Speaker 1>way it's supposed to, because the whole thing is is

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<v Speaker 1>that the testing has to be for a Jewish baby.

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<v Speaker 1>And so she's saying, well, if if she gets worried

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<v Speaker 1>about this and goes to Puck, then Puck's the baby daddy, right,

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<v Speaker 1>that's her whole master plan, right, okay, all right? Then Mr.

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<v Speaker 1>She was the choir room giving them like a pep talk,

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<v Speaker 1>saying MS his replacement for sectionals, and oh my god, Brittany.

0:14:10.120 --> 0:14:12.800
<v Speaker 1>Brittany says, she's the one that made me talk. They

0:14:12.800 --> 0:14:14.200
<v Speaker 1>made me talk to you, and they found out I

0:14:14.240 --> 0:14:16.719
<v Speaker 1>was keeping that bird in my locker. There's a lot

0:14:16.720 --> 0:14:21.480
<v Speaker 1>of bird jokes. We have had bird jokes throughout the season.

0:14:21.600 --> 0:14:23.960
<v Speaker 1>I like a lot of bird jokes. Yeah, and this

0:14:24.040 --> 0:14:28.440
<v Speaker 1>is where things It still doesn't sit right with me,

0:14:28.520 --> 0:14:31.600
<v Speaker 1>this whole Mercedes thing. So Mercedes asked Mr Shoe about

0:14:31.600 --> 0:14:33.520
<v Speaker 1>the set list and he can't help them with it,

0:14:33.560 --> 0:14:36.480
<v Speaker 1>and they have to figure it out. And at this point,

0:14:36.520 --> 0:14:39.200
<v Speaker 1>it's like, how did they not know the set list

0:14:39.600 --> 0:14:44.920
<v Speaker 1>what they were doing? Yeah, at this point, hasn't the

0:14:44.920 --> 0:14:48.520
<v Speaker 1>set list already been leaked? Like we know what's happening.

0:14:50.560 --> 0:14:52.640
<v Speaker 1>You know, I don't even know that we asked those

0:14:52.720 --> 0:14:57.960
<v Speaker 1>questions at that point. We absolutely did not. I can

0:14:58.000 --> 0:15:02.760
<v Speaker 1>guarantee you we did not. And then Mercedes is mad

0:15:02.800 --> 0:15:05.600
<v Speaker 1>because they have to have like a solo number, a ballad,

0:15:06.320 --> 0:15:09.360
<v Speaker 1>and Rachel's assuming it's going to be her, and then

0:15:09.400 --> 0:15:14.120
<v Speaker 1>Mercedes is piste off about it. And then this is

0:15:14.160 --> 0:15:16.240
<v Speaker 1>one of my favorite things that the show does. Or

0:15:16.280 --> 0:15:18.440
<v Speaker 1>Mercedes like, I'm willing to prove this to you that

0:15:18.520 --> 0:15:21.680
<v Speaker 1>I can do this, And all of a sudden, we

0:15:21.680 --> 0:15:23.920
<v Speaker 1>see her talking to somebody and it's a full band

0:15:24.120 --> 0:15:29.480
<v Speaker 1>with horns and strings, which we justly have No, it's

0:15:29.520 --> 0:15:31.920
<v Speaker 1>never been seen before. They're just sitting in there. She says,

0:15:32.640 --> 0:15:36.760
<v Speaker 1>don't address it. Band keeping, Um, this is the scene.

0:15:37.360 --> 0:15:39.520
<v Speaker 1>I don't know why this is so memorable to me,

0:15:40.080 --> 0:15:43.640
<v Speaker 1>but she's like Rachel says, um, do you think you're

0:15:43.680 --> 0:15:47.720
<v Speaker 1>the best balladeer? And Mercedes is like turns to all

0:15:47.760 --> 0:15:50.040
<v Speaker 1>of us and goes, what the f is a balladeer?

0:15:51.760 --> 0:15:55.400
<v Speaker 1>I don't know, I don't know. Wait, was that this episode? Yes,

0:15:55.480 --> 0:15:59.600
<v Speaker 1>this is the episode where the famous Dijon moment happened.

0:16:00.080 --> 0:16:03.640
<v Speaker 1>He says, I don't know, I don't know. It's like

0:16:03.720 --> 0:16:09.720
<v Speaker 1>Dejan's online and we let me tell you, we use

0:16:09.800 --> 0:16:13.760
<v Speaker 1>that amongst ourselves for years. I don't know, years, but

0:16:13.840 --> 0:16:16.760
<v Speaker 1>I love that. What's a ballot here? I don't know. Well,

0:16:16.760 --> 0:16:19.200
<v Speaker 1>there's so many moments of Mercedes, like the past couple

0:16:19.200 --> 0:16:22.480
<v Speaker 1>of episodes where she is sort of like we're all

0:16:22.520 --> 0:16:25.000
<v Speaker 1>against like Rachel look and Mattress like, yeah, you go

0:16:25.080 --> 0:16:28.520
<v Speaker 1>take the yearbook photo and she's sort of rounding up

0:16:28.520 --> 0:16:31.400
<v Speaker 1>the kids. And it's happened earlier in the season as well,

0:16:31.440 --> 0:16:33.320
<v Speaker 1>where she's always sort of turning back and being like

0:16:33.960 --> 0:16:35.880
<v Speaker 1>guys or it feels like she's sort of our de

0:16:35.960 --> 0:16:40.560
<v Speaker 1>facto leader within the choir room because we're all behind her.

0:16:41.080 --> 0:16:45.880
<v Speaker 1>Yea feels like it's right. Um so Mercedes does, and

0:16:46.000 --> 0:16:51.880
<v Speaker 1>I'm telling you I'm not going this number. I mean,

0:16:52.000 --> 0:16:54.760
<v Speaker 1>this was like you saw how ham she was going.

0:16:55.240 --> 0:17:00.720
<v Speaker 1>She did this like every time we watched it or

0:17:00.960 --> 0:17:03.840
<v Speaker 1>she shot it. She was going for it. And in

0:17:03.880 --> 0:17:06.600
<v Speaker 1>the recording studio I remember her saying at the end

0:17:06.680 --> 0:17:10.440
<v Speaker 1>after recording it, she literally like almost fainted because it's

0:17:10.440 --> 0:17:14.480
<v Speaker 1>such a hard number. Um. She did an amazing job.

0:17:14.720 --> 0:17:17.960
<v Speaker 1>That was real life us cheering and hooting and hollering.

0:17:18.000 --> 0:17:22.200
<v Speaker 1>That was definitely us actually responding to Amber singing a song,

0:17:22.280 --> 0:17:25.600
<v Speaker 1>because obviously that's what it is. But also I got

0:17:25.640 --> 0:17:29.920
<v Speaker 1>to see Amber do this um in twenties fifteen sixteen,

0:17:30.040 --> 0:17:33.600
<v Speaker 1>one of those um in on the West End in

0:17:34.480 --> 0:17:41.560
<v Speaker 1>and it was jaw dropping it. It's amazing, I mean

0:17:41.600 --> 0:17:43.639
<v Speaker 1>truly amazing. They do listen to this. I mean this

0:17:43.680 --> 0:17:45.320
<v Speaker 1>is one of those moments where none of us were

0:17:45.320 --> 0:17:48.480
<v Speaker 1>acting like you see tears in Chris's eyes like it

0:17:48.600 --> 0:17:53.000
<v Speaker 1>was we were so proud. Yeah, it was unbelievable to like, oh,

0:17:53.400 --> 0:17:56.399
<v Speaker 1>we know someone who can pract this right right that

0:17:57.200 --> 0:18:00.320
<v Speaker 1>Mike drop. I also did notice too, or I could.

0:18:00.440 --> 0:18:03.800
<v Speaker 1>I could be nitpicky, but when she's doing some of

0:18:03.800 --> 0:18:07.760
<v Speaker 1>the runs, the really complicated runs, at the end, she's

0:18:07.800 --> 0:18:10.840
<v Speaker 1>covering her face with her hair. She's like going down

0:18:11.240 --> 0:18:12.760
<v Speaker 1>and I was like, oh, she doesn't know the run.

0:18:13.840 --> 0:18:16.359
<v Speaker 1>She probably did a bunch and she probably didn't know

0:18:16.359 --> 0:18:19.000
<v Speaker 1>what what happens. I vaguely remember her telling me that

0:18:19.040 --> 0:18:20.760
<v Speaker 1>where she's like, I don't know which version of the run,

0:18:21.560 --> 0:18:24.240
<v Speaker 1>so I'm just gonna that's how good she is. She's like,

0:18:24.359 --> 0:18:25.879
<v Speaker 1>let me just try a bunch of them and then

0:18:25.920 --> 0:18:29.719
<v Speaker 1>you pick the best one. Oh my god. Okay. Rachel

0:18:29.840 --> 0:18:33.520
<v Speaker 1>obviously agrees that she should do the ballot. Do the ballot,

0:18:33.720 --> 0:18:39.480
<v Speaker 1>be the ballot, do the ballad so um. Finn tells Rachel.

0:18:39.520 --> 0:18:41.879
<v Speaker 1>He's like, yeah, that was pretty cool. That must have

0:18:41.880 --> 0:18:49.080
<v Speaker 1>been also, um hard to do. In this intimate moment, um,

0:18:49.280 --> 0:18:53.320
<v Speaker 1>Rachel decides, Okay, well you can't. I'm not going to

0:18:53.400 --> 0:18:56.080
<v Speaker 1>sit back and watch you suffer. Um and she says,

0:18:56.080 --> 0:18:58.040
<v Speaker 1>when you care about someone, you can't sit around and

0:18:58.040 --> 0:19:00.320
<v Speaker 1>watch them suffer when you know you can do something

0:19:00.359 --> 0:19:03.800
<v Speaker 1>about it. Well, Rachel, okay, um. She decides to teal

0:19:03.880 --> 0:19:07.879
<v Speaker 1>Finn about Quentin Puck and you know, this is one

0:19:07.880 --> 0:19:09.639
<v Speaker 1>of those moments where she should have had a friend

0:19:09.720 --> 0:19:12.640
<v Speaker 1>like Jenna. I said, this is not your story to tell.

0:19:14.960 --> 0:19:17.800
<v Speaker 1>Is not your story to tell? That is right. Rachel

0:19:18.119 --> 0:19:21.320
<v Speaker 1>broke the cardinal rule. This is not your story to tell.

0:19:22.480 --> 0:19:25.920
<v Speaker 1>And and with that we cut back to the choir

0:19:26.000 --> 0:19:30.320
<v Speaker 1>room where there's a big fight going down and um,

0:19:30.520 --> 0:19:37.240
<v Speaker 1>finn Is is punching uh Puck and this was stunt

0:19:37.480 --> 0:19:41.560
<v Speaker 1>doubles right, yeah, but also like Puck didn't really suffer

0:19:41.560 --> 0:19:49.720
<v Speaker 1>any bruises. Afterwards, he like just fine for sexual uh,

0:19:49.760 --> 0:19:52.640
<v Speaker 1>and Quinn's crying in between them and he's like, tell

0:19:52.720 --> 0:19:54.640
<v Speaker 1>me if it's true. And obviously we get to see

0:19:56.200 --> 0:19:59.840
<v Speaker 1>some of the Coreys and Diana is amazing acting chops

0:20:00.160 --> 0:20:03.359
<v Speaker 1>in the scene, and you just like, are so compelled

0:20:03.560 --> 0:20:06.560
<v Speaker 1>by Corey. I'm just like every time you watch him

0:20:06.600 --> 0:20:09.200
<v Speaker 1>do something like that, you're like, I believe you one

0:20:09.320 --> 0:20:13.920
<v Speaker 1>thousand percent right now. Yeah, He's so good, so good.

0:20:14.680 --> 0:20:17.800
<v Speaker 1>So Finn's does his normal starm out, but this is

0:20:17.960 --> 0:20:20.840
<v Speaker 1>a bit more dramatic, and he says, screw this done,

0:20:20.960 --> 0:20:26.000
<v Speaker 1>I'm done. I'm done. He's done, and we are downically

0:20:26.119 --> 0:20:30.159
<v Speaker 1>club member and remember we have to have twelve. So

0:20:30.200 --> 0:20:35.040
<v Speaker 1>then Rachel Rachel apologizes to Quinn, and Quinn asked Rachel

0:20:35.160 --> 0:20:38.560
<v Speaker 1>to leave, and then put comes in to like comfort

0:20:38.560 --> 0:20:42.400
<v Speaker 1>her and says like he wants to be a good father. Um,

0:20:42.440 --> 0:20:44.959
<v Speaker 1>but she's like, nah, I want to do this on

0:20:45.000 --> 0:20:49.680
<v Speaker 1>my own. And is also this is the moment where

0:20:49.680 --> 0:20:52.760
<v Speaker 1>I also realized that Puck's face looked completely Yeah, I'm

0:20:52.760 --> 0:20:56.960
<v Speaker 1>curious why they missed that. Maybe they just didn't want

0:20:57.080 --> 0:20:59.800
<v Speaker 1>to have bruises for sectionals, so they just chose to

0:21:00.680 --> 0:21:03.520
<v Speaker 1>have pu come out unscathed. Fans a big guy, but

0:21:03.600 --> 0:21:06.120
<v Speaker 1>he throws a weak punch, is what we're getting at.

0:21:07.080 --> 0:21:11.080
<v Speaker 1>He missed. He hit the floor a lot. So we

0:21:11.800 --> 0:21:15.119
<v Speaker 1>are going to sectionals finally, and we see the bus

0:21:15.880 --> 0:21:18.800
<v Speaker 1>that we all fought for and already is getting loaded

0:21:18.800 --> 0:21:22.240
<v Speaker 1>into the bus and oh my gosh, Jacob and Israel

0:21:22.280 --> 0:21:26.080
<v Speaker 1>shows up. He's replaced Finch and it's immediately next to Rachel,

0:21:26.160 --> 0:21:32.800
<v Speaker 1>which is very funny. Window. Um, Kevin, you said in

0:21:32.840 --> 0:21:36.199
<v Speaker 1>the bts of this that you're excited to go to sectionals.

0:21:36.480 --> 0:21:40.840
<v Speaker 1>We feel like we've been talking about it for ages. Yeah,

0:21:41.119 --> 0:21:44.400
<v Speaker 1>it was. That was where you know, mirroring the characters

0:21:44.400 --> 0:21:48.880
<v Speaker 1>in real life sort of happened where right, And yeah,

0:21:48.920 --> 0:21:52.320
<v Speaker 1>in real life we were growing as actors and friends

0:21:52.359 --> 0:21:55.919
<v Speaker 1>and co workers and becoming a real cohesive group and

0:21:56.000 --> 0:21:58.399
<v Speaker 1>learning all of these numbers, and the glee club was

0:21:58.400 --> 0:22:01.439
<v Speaker 1>doing the same thing, and it was all leading to

0:22:01.480 --> 0:22:04.880
<v Speaker 1>getting to perform on a real stage in a real theater.

0:22:05.400 --> 0:22:06.879
<v Speaker 1>And so in real life we just got to go

0:22:06.920 --> 0:22:11.200
<v Speaker 1>to Glendo and performed this at the Alex Theater. That's right,

0:22:11.840 --> 0:22:16.680
<v Speaker 1>this is our first big competition. Um, this was like

0:22:17.160 --> 0:22:20.240
<v Speaker 1>by the time we got to season four, three or four,

0:22:20.320 --> 0:22:24.639
<v Speaker 1>we like, we're like, oh, sectionals, regionals, smoke Stig, we

0:22:24.720 --> 0:22:27.879
<v Speaker 1>got this, but this was like huge. This felt like

0:22:28.200 --> 0:22:33.600
<v Speaker 1>massive yet audience extras, judges, the whole thing. This was

0:22:33.640 --> 0:22:36.040
<v Speaker 1>also one of those things where Brad it was great

0:22:36.080 --> 0:22:40.359
<v Speaker 1>Brad feltchick was directing because this then laid the groundwork

0:22:40.400 --> 0:22:43.320
<v Speaker 1>for how we shot all of these competitions from here

0:22:43.320 --> 0:22:46.840
<v Speaker 1>on out. Because there were such big days, big theaters,

0:22:46.880 --> 0:22:51.800
<v Speaker 1>managing a lot of background actors and crew and us.

0:22:51.840 --> 0:22:55.240
<v Speaker 1>You couldn't get too creative. Things just needed to here's

0:22:55.240 --> 0:22:58.360
<v Speaker 1>how the day is going to go exactly. Yes, And um,

0:22:58.359 --> 0:23:01.080
<v Speaker 1>I think it was later we well about Brad Beaker

0:23:01.160 --> 0:23:03.760
<v Speaker 1>with his big white board of shot lists. Do you

0:23:03.800 --> 0:23:06.520
<v Speaker 1>remember that Brad Beaker would come in with this big

0:23:06.600 --> 0:23:09.720
<v Speaker 1>like poster board like presentation style and write all the

0:23:09.760 --> 0:23:12.200
<v Speaker 1>shots we needed and he would literally cross them off

0:23:12.240 --> 0:23:15.200
<v Speaker 1>with the marker every time we got one. Um, it

0:23:15.320 --> 0:23:18.280
<v Speaker 1>was kind of like yeah, yeah, it was satisfying and

0:23:18.320 --> 0:23:22.000
<v Speaker 1>also just very Yeah. It was that structured in methodical,

0:23:22.080 --> 0:23:33.960
<v Speaker 1>that's a good word. Okay, So we're we are excited

0:23:34.080 --> 0:23:39.400
<v Speaker 1>to be there, we are excited, and we find out

0:23:39.440 --> 0:23:43.400
<v Speaker 1>that we're going last. Do you remember this scene where

0:23:43.400 --> 0:23:46.600
<v Speaker 1>we're shooting in the in the little like lobby upstairs.

0:23:47.480 --> 0:23:52.040
<v Speaker 1>I remember shooting that so vividly in my brain that, Um,

0:23:52.240 --> 0:23:55.399
<v Speaker 1>that scene. I'm not sure why, maybe just because we

0:23:55.400 --> 0:23:59.440
<v Speaker 1>were on set, like on location. Yeah, this whole experience

0:23:59.480 --> 0:24:01.800
<v Speaker 1>seems like that. I remember being really excited for the

0:24:01.840 --> 0:24:07.120
<v Speaker 1>next scene of where I'm ramming myself into the wall. Yeah,

0:24:07.119 --> 0:24:10.440
<v Speaker 1>I don't know. It's still because we did two scenes

0:24:10.520 --> 0:24:14.159
<v Speaker 1>up here. We did the scene of um, we're feelings

0:24:14.160 --> 0:24:16.720
<v Speaker 1>that we're going last, and then we go watch then

0:24:16.760 --> 0:24:20.159
<v Speaker 1>perform and Jane Adams Academy does and I'm telling you

0:24:20.200 --> 0:24:24.320
<v Speaker 1>and proud Mary and um, so we know that the

0:24:24.320 --> 0:24:27.040
<v Speaker 1>set list has been leaked. Then we come back in

0:24:27.080 --> 0:24:30.320
<v Speaker 1>the same place and that's all right. He's ramming himself

0:24:30.359 --> 0:24:32.880
<v Speaker 1>into the wall and Emma is on a phone call

0:24:33.040 --> 0:24:36.360
<v Speaker 1>with Will telling him like, uh, this is what happened.

0:24:36.520 --> 0:24:39.760
<v Speaker 1>We need help. And I was so excited to do

0:24:39.800 --> 0:24:42.120
<v Speaker 1>that because I just thought that scene was hilarious, all

0:24:42.160 --> 0:24:47.200
<v Speaker 1>of us losing our minds in the background. That's right, Well,

0:24:47.440 --> 0:24:49.159
<v Speaker 1>that is true. We did get to play and it

0:24:49.200 --> 0:24:52.000
<v Speaker 1>was fun to have Jama as our like little leader. Yeah.

0:24:52.680 --> 0:24:56.439
<v Speaker 1>So Will, Will's pissed, right, He's like okay, but he's like,

0:24:56.520 --> 0:25:01.960
<v Speaker 1>I know just what to do. Um. So first she's

0:25:02.000 --> 0:25:07.840
<v Speaker 1>going to go confront and he says, you crossed the line.

0:25:08.640 --> 0:25:10.879
<v Speaker 1>I'm not gonna say idly by anymore. I'm going to

0:25:10.960 --> 0:25:14.439
<v Speaker 1>expose you for the fraud that you are um. And

0:25:14.520 --> 0:25:17.919
<v Speaker 1>Sue says, bring it on, William. I'm reasonably confident that

0:25:17.960 --> 0:25:20.960
<v Speaker 1>you will be adding revenge the long list of things

0:25:20.960 --> 0:25:26.240
<v Speaker 1>you're no good at, right next to being married. Um,

0:25:26.280 --> 0:25:31.399
<v Speaker 1>it's very good. Then Will says, don't And then Susy

0:25:33.160 --> 0:25:36.000
<v Speaker 1>running a high schoolglie club and finding a hairstyle that

0:25:36.080 --> 0:25:39.399
<v Speaker 1>doesn't make you look like a lesbian. I love you

0:25:39.520 --> 0:25:44.640
<v Speaker 1>like a sister. I love when Jane does think where

0:25:44.680 --> 0:25:46.679
<v Speaker 1>she's smiling, but it's like an evil smile because the

0:25:46.680 --> 0:25:49.520
<v Speaker 1>rest of that scene she's just like smiling and does

0:25:49.640 --> 0:25:55.959
<v Speaker 1>little kiss. It's um, you know, I was mad. Had

0:25:56.000 --> 0:26:00.639
<v Speaker 1>a really easy episode because he's doing phone acting the

0:26:00.680 --> 0:26:04.240
<v Speaker 1>rest of the episode. Until doing phone acting he did,

0:26:04.280 --> 0:26:06.679
<v Speaker 1>he had some pretty easy shots. He probably could have

0:26:06.680 --> 0:26:08.720
<v Speaker 1>done them all in one sitting and that would have

0:26:08.800 --> 0:26:12.720
<v Speaker 1>been yeah exactly. Jane came up with a lovely like

0:26:12.760 --> 0:26:15.320
<v Speaker 1>a sister line. I don't know, I don't think so

0:26:15.440 --> 0:26:17.280
<v Speaker 1>I'll just talk to her about that. Yeah, we'll have

0:26:17.359 --> 0:26:22.000
<v Speaker 1>to ask um so. And then Will it's like, I'm

0:26:22.040 --> 0:26:23.639
<v Speaker 1>going to go save the day. And he goes to

0:26:23.680 --> 0:26:27.840
<v Speaker 1>find Will sorry Finn in the locker room and gives

0:26:27.920 --> 0:26:32.359
<v Speaker 1>him a the good old Mr Shoe pep talk that

0:26:32.480 --> 0:26:34.960
<v Speaker 1>this was a nice circular moment from the pilot. He

0:26:35.000 --> 0:26:37.199
<v Speaker 1>goes back to the locker room, has his one on

0:26:37.240 --> 0:26:40.840
<v Speaker 1>one with him and now his status has really changed

0:26:40.880 --> 0:26:42.640
<v Speaker 1>in the school in terms of now he's a leader

0:26:42.680 --> 0:26:47.119
<v Speaker 1>of the glee club as well. M M, that's me.

0:26:48.760 --> 0:26:51.439
<v Speaker 1>Talks him into it and well, and Finn understandably he's

0:26:51.480 --> 0:26:54.000
<v Speaker 1>not having it, and he's like, well, sometimes it sucks

0:26:54.000 --> 0:27:02.040
<v Speaker 1>to be special, right, And no, I didn't own so

0:27:03.800 --> 0:27:06.880
<v Speaker 1>Finn takes him up and it's going to be the good,

0:27:07.440 --> 0:27:10.520
<v Speaker 1>good old leader that he is and show up and

0:27:10.520 --> 0:27:17.320
<v Speaker 1>and yeah, we hope. So Emma, sweet sweet Emma confronts

0:27:17.359 --> 0:27:22.560
<v Speaker 1>the other choir directors, satisfying is this. I mean it's

0:27:22.600 --> 0:27:27.439
<v Speaker 1>the cutest. She's just the cutest. Emma confronts the choir director.

0:27:27.560 --> 0:27:31.720
<v Speaker 1>She's like, I know what you did. That's my summary

0:27:31.760 --> 0:27:34.959
<v Speaker 1>of it. I know what you did. And then it

0:27:35.000 --> 0:27:36.840
<v Speaker 1>makes him feel really bad because it wouldn't have been

0:27:36.880 --> 0:27:39.640
<v Speaker 1>really special to be able to see them actually win

0:27:39.800 --> 0:27:41.840
<v Speaker 1>on their own, because they're talented enough to do it.

0:27:42.720 --> 0:27:47.760
<v Speaker 1>Educators stunned into silence. And then we see we here

0:27:47.800 --> 0:27:51.240
<v Speaker 1>don't stop all even done by the Haverrbrook and um

0:27:51.400 --> 0:27:54.680
<v Speaker 1>the choir a deaf choir, and there are audience members

0:27:54.720 --> 0:28:00.720
<v Speaker 1>with tears, tears, and everybody's very very upset. So Rachel

0:28:00.760 --> 0:28:05.040
<v Speaker 1>calls a good meeting and we're in the great scene.

0:28:06.200 --> 0:28:11.800
<v Speaker 1>Oh my god, this this scene sucked right to film. Yes, yes,

0:28:12.200 --> 0:28:14.640
<v Speaker 1>I think it's because we were in there for hours.

0:28:15.080 --> 0:28:17.600
<v Speaker 1>Were there, We were in there all day. It was

0:28:17.640 --> 0:28:23.639
<v Speaker 1>a full day in this one set and there was

0:28:23.720 --> 0:28:26.600
<v Speaker 1>no way I remember it was so hot and there

0:28:26.640 --> 0:28:28.600
<v Speaker 1>was no way to block it out because they built

0:28:28.600 --> 0:28:32.719
<v Speaker 1>this really great set and you sort of needed us

0:28:32.760 --> 0:28:34.520
<v Speaker 1>all spread out because it would have been easier to

0:28:34.520 --> 0:28:36.520
<v Speaker 1>shoot if we were all just in one position, but

0:28:36.600 --> 0:28:39.760
<v Speaker 1>because we were all different places, we had to turn

0:28:39.760 --> 0:28:44.560
<v Speaker 1>the camera exactly exactly. I remember this being a very

0:28:44.560 --> 0:28:48.600
<v Speaker 1>watching the scene. I think the scene is great likeness,

0:28:48.680 --> 0:28:51.600
<v Speaker 1>big scene. It's also it's an important scene, so I

0:28:51.960 --> 0:28:53.960
<v Speaker 1>get it now. I don't think back then I was

0:28:54.160 --> 0:29:00.160
<v Speaker 1>really as um understanding. But we're like, get us out

0:29:00.200 --> 0:29:06.800
<v Speaker 1>of year um. So Rachel calls a meeting and and

0:29:06.840 --> 0:29:09.440
<v Speaker 1>then she's like, no, Mercedes, you're supposed to do the ballot,

0:29:09.440 --> 0:29:12.040
<v Speaker 1>and Mercedes is like, no, Rachel, I was supposed to

0:29:12.040 --> 0:29:13.880
<v Speaker 1>do the ballot, but now you need to do it.

0:29:14.040 --> 0:29:16.000
<v Speaker 1>Why did she say you need to do it. I

0:29:16.040 --> 0:29:19.680
<v Speaker 1>don't remember the intention behind it. She's just saying, if

0:29:19.720 --> 0:29:24.000
<v Speaker 1>anyone could do a ballot on the fly, Rachel. What

0:29:24.040 --> 0:29:26.400
<v Speaker 1>I don't like is Mercedes having to be like your

0:29:27.440 --> 0:29:31.719
<v Speaker 1>the best singer, because they're both incredible in different ways.

0:29:32.040 --> 0:29:38.480
<v Speaker 1>And well, there's everybody right and yeah, but we need

0:29:38.560 --> 0:29:44.600
<v Speaker 1>to say it like that. I know, alright, So then

0:29:44.800 --> 0:29:49.040
<v Speaker 1>Finn come before Finn comes in. It's also a really

0:29:49.080 --> 0:29:54.600
<v Speaker 1>nice moment where like, uh, Santana, It's like oh yeah,

0:29:54.720 --> 0:29:56.800
<v Speaker 1>because they're saying like who leaked the set list? And

0:29:56.800 --> 0:29:59.800
<v Speaker 1>sim was like, look, if you tell anybody I said

0:29:59.840 --> 0:30:03.600
<v Speaker 1>this like a lie, but like I really like Glee Club.

0:30:03.960 --> 0:30:08.880
<v Speaker 1>It makes me happy. That was a really nice time,

0:30:09.440 --> 0:30:13.800
<v Speaker 1>Rachel saying like, I believe you. Yeah, it was. There

0:30:13.840 --> 0:30:17.840
<v Speaker 1>was a lot of bonding, trauma bonding going on in

0:30:17.920 --> 0:30:20.760
<v Speaker 1>this scene. Yeah. So Finn comes in like the good

0:30:20.760 --> 0:30:26.440
<v Speaker 1>guy and with a stack of sheet paper and it's like, look,

0:30:27.480 --> 0:30:30.040
<v Speaker 1>we got this, I have the song. I know what

0:30:30.040 --> 0:30:33.200
<v Speaker 1>we're gonna do and rounds up the best dancers and

0:30:33.200 --> 0:30:36.320
<v Speaker 1>it's like, we'll follow whatever you did, because we're good

0:30:36.320 --> 0:30:39.720
<v Speaker 1>when we're loose. He's pulling the Mr. Shoe and I

0:30:39.760 --> 0:30:43.360
<v Speaker 1>have goose bumps. It was so sweet. It wasn't like

0:30:44.520 --> 0:30:46.560
<v Speaker 1>him come in and save the day and also not

0:30:46.680 --> 0:30:50.479
<v Speaker 1>be fine with Puck and Quinn because Puck tries to like, hey,

0:30:50.480 --> 0:30:52.760
<v Speaker 1>are we cool and he's like, no, we're not, which

0:30:52.800 --> 0:30:55.280
<v Speaker 1>is also nice. Yeah, yeah, I know why would be?

0:30:56.840 --> 0:31:00.920
<v Speaker 1>So then we pop to New Directions performing form performing

0:31:01.480 --> 0:31:05.360
<v Speaker 1>Rachel's doing Don't Random My Parade from Funny Girl, which

0:31:05.400 --> 0:31:08.280
<v Speaker 1>is a full three six as well. How wild in

0:31:08.320 --> 0:31:11.400
<v Speaker 1>the same episode. I know that's right in Mercedes Amber

0:31:11.520 --> 0:31:16.880
<v Speaker 1>and Leah. That's really funny. Um, Leah kills this number

0:31:16.960 --> 0:31:21.040
<v Speaker 1>for the first time. We'll see this multiple times after UM,

0:31:21.720 --> 0:31:27.040
<v Speaker 1>you know in other seasons. But that's right. We did

0:31:27.120 --> 0:31:31.120
<v Speaker 1>do it on the tours. She did it at the Tony's. Um,

0:31:31.160 --> 0:31:36.360
<v Speaker 1>this was crazy. So this begins the rain don't random

0:31:36.640 --> 0:31:42.200
<v Speaker 1>parade but okay, so Rachel kills it. Leah kills this

0:31:42.320 --> 0:31:47.960
<v Speaker 1>number obviously, and then we get into the surprise number

0:31:47.960 --> 0:31:50.240
<v Speaker 1>that Finn has come up with that we so magically

0:31:50.280 --> 0:31:54.160
<v Speaker 1>figure out and look so synchronized and great doing It's

0:31:54.240 --> 0:31:57.040
<v Speaker 1>you can't always get what you want by the rolling Stones,

0:31:57.240 --> 0:32:03.720
<v Speaker 1>because Mr You says to Finn in the locker room,

0:32:03.840 --> 0:32:06.520
<v Speaker 1>sometimes you can't always get what you want planting the scenes.

0:32:07.160 --> 0:32:12.320
<v Speaker 1>I wonder if anybody caught that. I'm sure I mean

0:32:12.360 --> 0:32:15.640
<v Speaker 1>earlier though, like when he says that, when Will says it, that,

0:32:15.840 --> 0:32:18.480
<v Speaker 1>does anybody actually kept that? And I forgot what songs

0:32:18.520 --> 0:32:19.640
<v Speaker 1>we did in this and then We'll said it. I

0:32:19.680 --> 0:32:21.400
<v Speaker 1>was like, oh, yeah, that's what we did. I did too.

0:32:22.720 --> 0:32:26.880
<v Speaker 1>I thought this was the Journey. The Journey mash up

0:32:27.440 --> 0:32:29.720
<v Speaker 1>almost and then I was like, no, you're wrong, Ja.

0:32:30.640 --> 0:32:33.560
<v Speaker 1>And it's funny because I'm able to kind of distinguish

0:32:33.640 --> 0:32:36.120
<v Speaker 1>what numbers we did most of the time by the

0:32:36.200 --> 0:32:39.280
<v Speaker 1>dresses we were wearing, because that was I was able

0:32:39.320 --> 0:32:42.960
<v Speaker 1>to establish which competition show we were in, or where

0:32:43.000 --> 0:32:47.040
<v Speaker 1>we shot at, or what we were doing at the time. Um.

0:32:47.080 --> 0:32:51.800
<v Speaker 1>So I also thought it was interesting we don't show

0:32:51.960 --> 0:32:54.040
<v Speaker 1>what we do Somebody to Love as the last number.

0:32:54.840 --> 0:32:57.160
<v Speaker 1>I also think if you noticed, they don't ever show

0:32:57.160 --> 0:33:01.640
<v Speaker 1>the balcony in the theater, and we do that the

0:33:01.680 --> 0:33:03.400
<v Speaker 1>rest of the time. I think we might show the balcony.

0:33:03.440 --> 0:33:06.440
<v Speaker 1>I'm not sure, but I'm wondering. Yeah, gets like the

0:33:06.480 --> 0:33:08.440
<v Speaker 1>first two rows of the balcony and then they fill

0:33:08.440 --> 0:33:11.600
<v Speaker 1>out with those crazy little bubble actions. The blow up.

0:33:12.000 --> 0:33:13.840
<v Speaker 1>People didn't do that at this time, like maybe to

0:33:13.840 --> 0:33:17.280
<v Speaker 1>save the budget, you know, yeah, yeah, yeah, And I

0:33:17.320 --> 0:33:19.800
<v Speaker 1>do think there were dummies in the last row of

0:33:19.920 --> 0:33:22.800
<v Speaker 1>the orchestra. Yeah, I think I do think there were

0:33:22.840 --> 0:33:25.240
<v Speaker 1>those blow up There were definitely dummies in this one,

0:33:25.280 --> 0:33:29.160
<v Speaker 1>because this is where um, isn't this for Dan? I

0:33:29.240 --> 0:33:32.000
<v Speaker 1>like bit it. Afterwards she ran up the aisle and

0:33:32.040 --> 0:33:36.800
<v Speaker 1>like fell, no, no, I think that was I think

0:33:36.840 --> 0:33:41.480
<v Speaker 1>that was regionals. Did you also notice that Leah had

0:33:41.520 --> 0:33:43.440
<v Speaker 1>a like a bandage on the side of her leg

0:33:44.160 --> 0:33:45.800
<v Speaker 1>or something in one of these and one of the

0:33:45.800 --> 0:33:48.400
<v Speaker 1>shots and the next shot it's gone, like she got

0:33:48.520 --> 0:33:52.120
<v Speaker 1>hurt or something. I don't know, she might have caught herself.

0:33:52.520 --> 0:33:56.120
<v Speaker 1>So then we're listening into the judges. We're trying to

0:33:56.120 --> 0:33:59.000
<v Speaker 1>figure out what the judges are saying. They're deliberating. Um.

0:33:59.120 --> 0:34:02.880
<v Speaker 1>Eve comes to apologize to us, which is also cool,

0:34:03.720 --> 0:34:08.680
<v Speaker 1>and like, I'm in the scene with Eve, I remember

0:34:08.719 --> 0:34:11.680
<v Speaker 1>that she was very nice, um. And it's like the

0:34:11.719 --> 0:34:14.560
<v Speaker 1>only time we had really met her. Um. And then

0:34:15.600 --> 0:34:22.000
<v Speaker 1>the judges Ana camp a camp was so good and

0:34:22.239 --> 0:34:27.680
<v Speaker 1>Rod Remington of course, and um uh it was I

0:34:27.719 --> 0:34:31.280
<v Speaker 1>mean the judge judges room is very funny, are very funny,

0:34:31.520 --> 0:34:34.040
<v Speaker 1>and it's always a funny bit also going on going

0:34:34.120 --> 0:34:37.920
<v Speaker 1>forward from these competition episodes about who are going to

0:34:37.960 --> 0:34:41.160
<v Speaker 1>be the judges and do they care? Most of them

0:34:41.160 --> 0:34:43.200
<v Speaker 1>they don't even really care. But it's a nice little

0:34:43.200 --> 0:34:47.120
<v Speaker 1>funny moment. But he tries to apologize to the judges.

0:34:47.200 --> 0:34:50.399
<v Speaker 1>Do you remember that, yes, And it's too late, It's

0:34:50.400 --> 0:34:53.719
<v Speaker 1>too late, right, Yes, I remember like being there and

0:34:53.880 --> 0:34:57.440
<v Speaker 1>filming that and trying not to laugh. Rod Remington wasn't

0:34:57.440 --> 0:35:01.279
<v Speaker 1>that the same day as the day we shot? It

0:35:01.320 --> 0:35:03.400
<v Speaker 1>was all that. That was all one set, so the

0:35:03.480 --> 0:35:07.359
<v Speaker 1>judges room, um, and then the green room, the very

0:35:07.400 --> 0:35:11.319
<v Speaker 1>long day set that was the same day. It was

0:35:11.360 --> 0:35:14.720
<v Speaker 1>the same set, and I remember being very smoky and hot.

0:35:14.840 --> 0:35:17.360
<v Speaker 1>But we were in that um that little like hallway

0:35:17.680 --> 0:35:19.040
<v Speaker 1>and I was like, how are we all going to

0:35:19.160 --> 0:35:21.799
<v Speaker 1>fit in this little hall way here? But we did?

0:35:21.880 --> 0:35:27.719
<v Speaker 1>And um, yes, Rod Remington is very funny and um,

0:35:27.880 --> 0:35:30.719
<v Speaker 1>Eve was like I remember seeing the pop print tattoo

0:35:30.840 --> 0:35:34.960
<v Speaker 1>on her like jazz and it's like it's like very iconomy.

0:35:35.719 --> 0:35:39.120
<v Speaker 1>I don't stare at her, don't stare at her. Boom. Yeah,

0:35:39.200 --> 0:35:43.319
<v Speaker 1>I was so star struck. I was. I had a

0:35:43.400 --> 0:35:50.920
<v Speaker 1>really hard time, which is like not surprising. Um. And

0:35:50.960 --> 0:35:54.719
<v Speaker 1>now Ian, Brad and Ryan are starting to wrap up

0:35:54.760 --> 0:35:57.840
<v Speaker 1>most of the season storylines obviously because this could be

0:35:57.840 --> 0:36:00.600
<v Speaker 1>the yeah, because originally this was the season one finale

0:36:01.080 --> 0:36:05.279
<v Speaker 1>and then Fox ordered the back nine to make a

0:36:05.320 --> 0:36:10.640
<v Speaker 1>complete twenty two episode season. So Mr Shoe goes home, well,

0:36:10.640 --> 0:36:14.120
<v Speaker 1>he's getting ready for Emma's wedding, and he tells Terry

0:36:14.239 --> 0:36:17.080
<v Speaker 1>that he doesn't love her anymore because she's like, I'm

0:36:17.080 --> 0:36:18.759
<v Speaker 1>going to therapy, I'm working on myself. And he's like,

0:36:18.760 --> 0:36:20.960
<v Speaker 1>I hope that works out for you, but like it's

0:36:20.960 --> 0:36:24.400
<v Speaker 1>not gonna work out good for you. And then when

0:36:24.440 --> 0:36:28.279
<v Speaker 1>he shows up about the wedding, he finds out that

0:36:28.400 --> 0:36:32.600
<v Speaker 1>can dumped Emma because of him. And here we go,

0:36:34.719 --> 0:36:39.239
<v Speaker 1>and I mean, I am a question this, you know,

0:36:39.480 --> 0:36:42.240
<v Speaker 1>hall that they have their wedding, And wasn't it supposed

0:36:42.239 --> 0:36:46.279
<v Speaker 1>to be a small wedding right? And yeah, it is

0:36:46.280 --> 0:36:50.160
<v Speaker 1>a big room and I'm just for dramatic. How long

0:36:50.200 --> 0:36:54.680
<v Speaker 1>was she sitting there? Two? Because like there's nobody there

0:36:54.719 --> 0:37:00.040
<v Speaker 1>and she's fully glammed up in her dress. How it

0:37:00.239 --> 0:37:02.839
<v Speaker 1>was he? Did he not get the text saying it's

0:37:02.880 --> 0:37:06.000
<v Speaker 1>called off? Everybody else did? Yeah, it was interesting. Maybe

0:37:06.600 --> 0:37:08.799
<v Speaker 1>maybe he wasn't going to the church. He was just

0:37:08.880 --> 0:37:11.680
<v Speaker 1>going to the reception, and nobody had made it to

0:37:11.680 --> 0:37:14.359
<v Speaker 1>the reception because they were all at the church where

0:37:14.920 --> 0:37:19.960
<v Speaker 1>maybe I don't know, it doesn't matter, so m I says,

0:37:20.760 --> 0:37:23.200
<v Speaker 1>and Will's like, well, you know you were doing it

0:37:23.239 --> 0:37:26.880
<v Speaker 1>for the kids, obviously, and she's like, yeah, I if

0:37:26.920 --> 0:37:29.000
<v Speaker 1>I was doing it for the kids, but I was

0:37:29.040 --> 0:37:33.959
<v Speaker 1>doing it for you and uh. And then Emma says

0:37:34.000 --> 0:37:37.160
<v Speaker 1>that she's leaving because of both Kennan one and she's like,

0:37:37.200 --> 0:37:40.560
<v Speaker 1>I can't look at him and I can't look at you,

0:37:40.800 --> 0:37:44.520
<v Speaker 1>and it's just it's all too much. It's all too much,

0:37:45.000 --> 0:37:46.480
<v Speaker 1>was like. And then she gets up and leaves, and

0:37:46.480 --> 0:37:49.640
<v Speaker 1>he looks sort of like he's like I just left

0:37:49.640 --> 0:37:52.719
<v Speaker 1>my wife and like stops her, and she's like, exactly,

0:37:52.880 --> 0:37:55.160
<v Speaker 1>that's why this can't work out. And there's like this

0:37:55.360 --> 0:38:00.759
<v Speaker 1>beautiful longing moment where she leaves and see him sit

0:38:00.840 --> 0:38:03.880
<v Speaker 1>with that and like, what am I gonna do? I

0:38:03.960 --> 0:38:07.719
<v Speaker 1>just want them to be together. I just want them together.

0:38:08.920 --> 0:38:11.879
<v Speaker 1>Um okay. And then and then we we shoot two

0:38:11.920 --> 0:38:16.640
<v Speaker 1>principal Figians telling Sue that she is no longer the

0:38:16.680 --> 0:38:19.160
<v Speaker 1>coach of the Cheerios for the set list and I've

0:38:19.800 --> 0:38:25.080
<v Speaker 1>genuinely felt scared face. I beg your pardon, I beg

0:38:25.560 --> 0:38:32.000
<v Speaker 1>your pardon. That was her. That was her response, Like completely,

0:38:32.040 --> 0:38:34.280
<v Speaker 1>how good is she because you've never seen her stunned

0:38:34.360 --> 0:38:39.000
<v Speaker 1>really and she's in full shock. She's just in It's dynamic,

0:38:39.080 --> 0:38:42.480
<v Speaker 1>it's dynamic. And then she says, which is I think

0:38:42.520 --> 0:38:46.040
<v Speaker 1>one of the most famous lines of the season. I think,

0:38:46.640 --> 0:38:48.920
<v Speaker 1>I don't. Do you think this was something that we

0:38:48.920 --> 0:38:51.239
<v Speaker 1>were most compelled by, or do you think this was

0:38:51.320 --> 0:38:54.640
<v Speaker 1>a very popular I don't know. There's no way enough,

0:38:56.520 --> 0:38:58.719
<v Speaker 1>but we love it. Says you're about to bore the

0:38:58.800 --> 0:39:08.080
<v Speaker 1>Sue Sylvester Spress destination hard hard Um. I thought was

0:39:08.120 --> 0:39:12.600
<v Speaker 1>incredible in the scene managing the big you know, wilds

0:39:12.640 --> 0:39:16.080
<v Speaker 1>sitting there and Shock and Sue was going crazy and

0:39:16.120 --> 0:39:19.359
<v Speaker 1>he for once, it's sort of stepping up and being like,

0:39:19.520 --> 0:39:23.640
<v Speaker 1>no this, I didn't believe it, and now I do,

0:39:23.800 --> 0:39:26.720
<v Speaker 1>and now I've seen it, and you're suspended from the school.

0:39:27.719 --> 0:39:29.000
<v Speaker 1>And then she's like, well, I'm going to go down

0:39:29.040 --> 0:39:32.839
<v Speaker 1>to Boka and get a tan uh huh. And Mr

0:39:32.880 --> 0:39:36.400
<v Speaker 1>Shoe was reinstated because he calls the board, the Ohio

0:39:36.480 --> 0:39:40.120
<v Speaker 1>State Board, and Sue's back A Shoe's back in. Sue

0:39:40.160 --> 0:39:44.320
<v Speaker 1>and Schue, Sue and Chou Um. So we find out

0:39:44.840 --> 0:39:48.319
<v Speaker 1>now and I had to actually remember. I was like,

0:39:48.360 --> 0:39:50.960
<v Speaker 1>did we win this one? I didn't remember either. Did

0:39:51.000 --> 0:39:54.680
<v Speaker 1>we win this um? And I was like, oh my gosh,

0:39:54.760 --> 0:39:57.080
<v Speaker 1>we won because I remember this scene when we hide

0:39:57.120 --> 0:39:59.960
<v Speaker 1>the drove. It also took so long, we don't find

0:40:00.560 --> 0:40:03.640
<v Speaker 1>what happened? I know, I know that was a weird one.

0:40:03.880 --> 0:40:06.560
<v Speaker 1>You're like, did they win? Um? And then we do

0:40:06.680 --> 0:40:09.319
<v Speaker 1>want life with stuck without you? Which I love this number.

0:40:09.680 --> 0:40:12.040
<v Speaker 1>And I don't know if everybody gets this number, but

0:40:12.120 --> 0:40:16.240
<v Speaker 1>this was ezact Wly, our choreographer and Brooke. Their idea

0:40:16.480 --> 0:40:20.360
<v Speaker 1>was to incorporate all of the like most iconic numbers

0:40:20.440 --> 0:40:22.640
<v Speaker 1>or dance moves or things that we did from other

0:40:22.719 --> 0:40:25.040
<v Speaker 1>numbers throughout the season. This was like a nod to

0:40:25.120 --> 0:40:28.799
<v Speaker 1>all of those for Mr Shoe and it was It

0:40:28.880 --> 0:40:31.760
<v Speaker 1>was really nostalgic because I was like, we remember looking

0:40:31.760 --> 0:40:34.680
<v Speaker 1>at everybody and being like, this could be it. This

0:40:34.680 --> 0:40:36.480
<v Speaker 1>could be the last number we ever do together. Did

0:40:36.520 --> 0:40:41.440
<v Speaker 1>you catch all the references? There was pushes, what single,

0:40:41.520 --> 0:40:47.600
<v Speaker 1>ladies hate on me? Say a little prayer? Uh not

0:40:47.640 --> 0:40:50.680
<v Speaker 1>my last name? Last name? Yes, last name. There were

0:40:50.680 --> 0:40:55.120
<v Speaker 1>the boys and girls mash up yep, that's right, yeah,

0:40:55.239 --> 0:40:57.680
<v Speaker 1>most of my hair I think most of the hair

0:40:58.000 --> 0:41:00.520
<v Speaker 1>one was in there as well. It was les sweet.

0:41:00.560 --> 0:41:02.120
<v Speaker 1>I really really liked that. It was a great way

0:41:02.160 --> 0:41:04.640
<v Speaker 1>to do that, and that was all Zack with And

0:41:04.680 --> 0:41:09.480
<v Speaker 1>then we get to the last and best scene that

0:41:09.640 --> 0:41:16.200
<v Speaker 1>was not originally scripted like this, Um, what they weren't

0:41:16.200 --> 0:41:22.520
<v Speaker 1>supposed to kiss originally? Oh, that's right. So that during

0:41:22.760 --> 0:41:25.439
<v Speaker 1>my life Let's Stuck Without You, it's cut up into

0:41:25.440 --> 0:41:29.120
<v Speaker 1>a montage between the kids dancing and Will running after

0:41:29.239 --> 0:41:34.879
<v Speaker 1>Emma actually's leaving the school. And then I think they're

0:41:34.880 --> 0:41:38.359
<v Speaker 1>originally just supposed to, like chase after look at each other.

0:41:38.520 --> 0:41:42.360
<v Speaker 1>And then Brad Falchuck said he pulled Matt aside and

0:41:42.480 --> 0:41:46.000
<v Speaker 1>was said, kiss Jama and to give her like an

0:41:46.040 --> 0:41:48.200
<v Speaker 1>authentic reaction. And so that was it. That was real.

0:41:49.960 --> 0:41:55.000
<v Speaker 1>I have challenge and that beautifully lit hallway and I'm

0:41:55.040 --> 0:41:58.600
<v Speaker 1>glad they used that one because that was And then

0:41:58.840 --> 0:42:00.360
<v Speaker 1>and we had to come back with is you have

0:42:00.400 --> 0:42:02.840
<v Speaker 1>to know if they exactly and then we have to

0:42:02.840 --> 0:42:05.879
<v Speaker 1>see regionals I mean, and that's it, and then we're

0:42:05.920 --> 0:42:08.560
<v Speaker 1>off the air for four months to come back. Oh

0:42:08.600 --> 0:42:13.400
<v Speaker 1>my gosh, fingers crossed. Okay, so let's do some Tardy takes.

0:42:13.520 --> 0:42:18.000
<v Speaker 1>Um we did do it. That is sectionals. Um Okay,

0:42:18.080 --> 0:42:23.759
<v Speaker 1>Kevin Tardy takes cringe moments A K A cheese? Oh wow?

0:42:23.800 --> 0:42:26.800
<v Speaker 1>What did I say? A k a auchiese? What is

0:42:26.840 --> 0:42:30.080
<v Speaker 1>your pick? I mean, I think j b I saying

0:42:30.120 --> 0:42:33.120
<v Speaker 1>I'm just trying to get into Rachel's pants is pretty suspect.

0:42:33.160 --> 0:42:39.600
<v Speaker 1>And also, um, the judges comments were pretty wild, like

0:42:39.600 --> 0:42:41.319
<v Speaker 1>I don't know how those deaf kids got in. They

0:42:41.320 --> 0:42:47.200
<v Speaker 1>weren't singing, they were like honking, and that's terrible. That's

0:42:47.200 --> 0:42:51.960
<v Speaker 1>Anna Camp's character. She's like, get off the stage. You're terrible,

0:42:52.040 --> 0:42:57.360
<v Speaker 1>and you're making peas comfortable. Her performance again was excellent.

0:42:58.200 --> 0:43:04.640
<v Speaker 1>Um I think Also, yeah, Rod Remingtons saying no hold

0:43:04.680 --> 0:43:06.880
<v Speaker 1>on a second candy, those havor Brook kids twice had

0:43:06.920 --> 0:43:09.440
<v Speaker 1>me reaching for my handkerchief, and those Jane Adam girls,

0:43:09.440 --> 0:43:11.920
<v Speaker 1>how'd it going on? In all the right Yeah, it

0:43:12.040 --> 0:43:16.680
<v Speaker 1>was not um worst worst dance move or best dance move.

0:43:17.440 --> 0:43:22.439
<v Speaker 1>I gotta say the call back to some of those

0:43:22.520 --> 0:43:26.280
<v Speaker 1>number those weird numbers in my life with Stuck without You,

0:43:26.320 --> 0:43:29.799
<v Speaker 1>like the push it humping that we did again we

0:43:29.840 --> 0:43:33.040
<v Speaker 1>had to see again, which was weird. I think on

0:43:33.080 --> 0:43:35.879
<v Speaker 1>the flip mode on the flip side or another note,

0:43:35.920 --> 0:43:37.319
<v Speaker 1>I don't know the saying. I think that was my

0:43:37.360 --> 0:43:40.839
<v Speaker 1>favorite because it was nice. It was nice to see

0:43:41.400 --> 0:43:43.960
<v Speaker 1>was wrapped into that last song and they did not

0:43:44.000 --> 0:43:46.879
<v Speaker 1>fit with the song, and it was great, fair enough.

0:43:47.200 --> 0:43:52.120
<v Speaker 1>What was your favorite songs song? Oh, my gosh, I

0:43:52.160 --> 0:43:57.240
<v Speaker 1>gotta say obviously, like I think. Um, the Rolling Stones

0:43:57.320 --> 0:44:00.200
<v Speaker 1>number is a great number. It didn't quite have the

0:44:00.200 --> 0:44:03.400
<v Speaker 1>effect on me that other numbers do have on me.

0:44:03.480 --> 0:44:06.239
<v Speaker 1>I will be honest. Maybe I would say right on

0:44:06.320 --> 0:44:08.759
<v Speaker 1>my parade, Yeah, I think, and I'm telling you and

0:44:08.880 --> 0:44:13.920
<v Speaker 1>right my Parade tie. Oh duh, that's right. Amber's number two. Okay,

0:44:14.000 --> 0:44:17.560
<v Speaker 1>so the two balladeers they win today Best performance by

0:44:17.640 --> 0:44:20.960
<v Speaker 1>prop m. Did you notice that Hitchcock had a pretzel

0:44:20.960 --> 0:44:23.839
<v Speaker 1>and it dropped in the middle of the scene. Did

0:44:23.840 --> 0:44:26.239
<v Speaker 1>it drop? I remember the pretzel. I just didn't see

0:44:26.239 --> 0:44:29.040
<v Speaker 1>it drop. That's funny. What about the trophy? Oh? Yeah,

0:44:29.080 --> 0:44:34.360
<v Speaker 1>the trophy? You're right, You're right? Um. Um. Should we

0:44:34.520 --> 0:44:38.080
<v Speaker 1>do some best lines real quick? Yeah, let's do it.

0:44:38.400 --> 0:44:43.719
<v Speaker 1>Let's do what's your favorite line? Sue? Uh running a

0:44:43.760 --> 0:44:45.920
<v Speaker 1>high school coolie club and finding a hairstyle that doesn't

0:44:45.920 --> 0:44:48.000
<v Speaker 1>make you look like a lesbian. I mean I think

0:44:48.040 --> 0:44:50.920
<v Speaker 1>that's that. And you're about to board the Susi Vester

0:44:51.000 --> 0:44:56.480
<v Speaker 1>Express Destination horror. I think those are again for Just

0:44:56.880 --> 0:44:59.680
<v Speaker 1>do it, Jenna. Let's talk about some should we found

0:44:59.680 --> 0:45:08.240
<v Speaker 1>on TikTok real quick talk to Connor. Hess Um posted

0:45:08.280 --> 0:45:11.040
<v Speaker 1>a TikTok of him saying, I watched GLEEZ so much

0:45:11.080 --> 0:45:14.200
<v Speaker 1>it burned into my TV screen. And so when the

0:45:14.239 --> 0:45:20.440
<v Speaker 1>TV it has like a blank screen, you see Glee

0:45:20.880 --> 0:45:26.520
<v Speaker 1>into the background. Stop. That's really good. I wish you'd

0:45:26.520 --> 0:45:28.560
<v Speaker 1>be like and we're gifting you a new TV, but no,

0:45:28.719 --> 0:45:32.880
<v Speaker 1>it we're not. Um. That's amazing and the fact that

0:45:32.920 --> 0:45:35.719
<v Speaker 1>you watch it that much is hilarious and that he's

0:45:35.920 --> 0:45:43.040
<v Speaker 1>that shot. Thanks for sending it in. Yeah, that's it,

0:45:43.239 --> 0:45:45.919
<v Speaker 1>that's our show. That's it. We're done after this, see

0:45:45.920 --> 0:45:49.440
<v Speaker 1>you guys never. I'm just kidding. That was awesome. I

0:45:49.480 --> 0:45:51.239
<v Speaker 1>can't wait to recap Hello, and you don't have to

0:45:51.360 --> 0:45:57.120
<v Speaker 1>wait four months to see us again next week come

0:45:57.160 --> 0:46:01.000
<v Speaker 1>back whoa Okay sectional us Now we are on the

0:46:01.040 --> 0:46:06.600
<v Speaker 1>way to read your knows and that's right, get ready.

0:46:06.600 --> 0:46:10.160
<v Speaker 1>Thanks for joining us, you guys, and that's what you

0:46:10.360 --> 0:46:14.759
<v Speaker 1>really missed. Bye bye bye bye, see you next time.

0:46:15.480 --> 0:46:18.600
<v Speaker 1>Thanks for listening and follow us on Instagram at and

0:46:18.719 --> 0:46:20.920
<v Speaker 1>that's what you really miss pod. Make sure to write

0:46:20.960 --> 0:46:23.279
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0:46:23.280 --> 0:46:23.680
<v Speaker 1>next time.