1 00:00:01,760 --> 00:00:05,160 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,519 --> 00:00:11,280 Speaker 1: and I heart radio podcast, Welcome to You, and that's 3 00:00:11,360 --> 00:00:19,200 Speaker 1: what you really missed. The sectional episode. Jenna's on her 4 00:00:20,079 --> 00:00:24,400 Speaker 1: a one voiceover game today. That was really beautiful. I 5 00:00:24,480 --> 00:00:28,880 Speaker 1: just got my teeth clean, so I feel fresh. Yeah, 6 00:00:29,160 --> 00:00:34,160 Speaker 1: just enunciates, show those teeth off. This is the fall finale. 7 00:00:34,920 --> 00:00:38,200 Speaker 1: This is we didn't know if we were coming back 8 00:00:38,520 --> 00:00:41,760 Speaker 1: show when we filmed this, this whole the tone of 9 00:00:41,800 --> 00:00:45,680 Speaker 1: this episode, um when I of what I remember of 10 00:00:45,720 --> 00:00:51,720 Speaker 1: it is very like nostalgic and very like emotional, because 11 00:00:51,760 --> 00:00:53,840 Speaker 1: we didn't know if we were coming back, so I 12 00:00:53,880 --> 00:00:57,840 Speaker 1: think everything was like this could be the last. Ironically, 13 00:00:58,240 --> 00:01:01,880 Speaker 1: it was definitely not the last. There were scenes that 14 00:01:02,040 --> 00:01:05,200 Speaker 1: I remember watching it. There were scenes that I remember 15 00:01:05,360 --> 00:01:10,720 Speaker 1: reading for the first time, and it felt sort of bittersweet. 16 00:01:11,160 --> 00:01:14,479 Speaker 1: I can't believe we got this far. Doing thirteen episodes 17 00:01:14,560 --> 00:01:18,280 Speaker 1: felt monumental. I had never done more than one or 18 00:01:18,319 --> 00:01:22,840 Speaker 1: two episodes of a TV show before, and it was 19 00:01:22,920 --> 00:01:26,479 Speaker 1: just really really cool because like we read it like, well, 20 00:01:26,600 --> 00:01:29,720 Speaker 1: this all feels great, this feels right, could be the end. 21 00:01:30,080 --> 00:01:32,600 Speaker 1: And it was directed by Brad Felchuk, which felt like 22 00:01:33,160 --> 00:01:38,160 Speaker 1: you know, there was this like full three sixty moment happening. Um, 23 00:01:38,200 --> 00:01:41,880 Speaker 1: coming back around to like one of the creators. Um, 24 00:01:42,959 --> 00:01:45,400 Speaker 1: we reflective of like seeing how far all the characters 25 00:01:45,400 --> 00:01:49,520 Speaker 1: had come and all the songs we had performed. Yes, 26 00:01:49,600 --> 00:01:51,160 Speaker 1: it was a big deal to us. It was a 27 00:01:51,160 --> 00:01:56,520 Speaker 1: big deal, all right. So this episode aired on December nine, 28 00:01:57,520 --> 00:02:01,160 Speaker 1: and um, we are still in the Empire state of 29 00:02:01,200 --> 00:02:06,360 Speaker 1: mind number one song and the Blindside number one movie. Okay, 30 00:02:06,440 --> 00:02:10,000 Speaker 1: what happened in the Glean news cycle this week? Kevin? Okay, 31 00:02:10,040 --> 00:02:13,240 Speaker 1: so we sort of got nominated for four Golden Globes. 32 00:02:13,320 --> 00:02:16,320 Speaker 1: No big deal. This was a big deal. This was 33 00:02:16,360 --> 00:02:19,480 Speaker 1: a very big deal. We lost our minds. We did 34 00:02:19,560 --> 00:02:23,600 Speaker 1: lose our minds. Is very exciting. There was lots of buzz. 35 00:02:23,800 --> 00:02:25,639 Speaker 1: I don't think I was prepared for any of the 36 00:02:26,560 --> 00:02:28,640 Speaker 1: stuff in the press and everything that we would be 37 00:02:28,680 --> 00:02:32,480 Speaker 1: going through. But um, it was a big deal. It 38 00:02:32,560 --> 00:02:37,079 Speaker 1: was just really exciting. This felt very like a tangible 39 00:02:37,720 --> 00:02:42,000 Speaker 1: thing where you know, you get numbers and oh, eight 40 00:02:42,040 --> 00:02:45,440 Speaker 1: million people watched this episode. The songs are doing really well, 41 00:02:45,880 --> 00:02:49,160 Speaker 1: but it still feels really removed and something like the 42 00:02:49,160 --> 00:02:52,280 Speaker 1: Golden Globes that like we had grown up watching all 43 00:02:52,320 --> 00:02:56,520 Speaker 1: of a sudden, we're now a part of like this 44 00:02:56,760 --> 00:03:01,200 Speaker 1: now like hit TV show, Hollywood reality thing, and this 45 00:03:01,240 --> 00:03:03,960 Speaker 1: was very beginning, weird and tangible. No, you're right, you're 46 00:03:04,000 --> 00:03:06,400 Speaker 1: actually very right, and this was like the beginning of 47 00:03:06,440 --> 00:03:08,679 Speaker 1: all of it. This is like being shot out of 48 00:03:08,720 --> 00:03:12,639 Speaker 1: a cannon. Understanding the award season and all of it. 49 00:03:12,800 --> 00:03:17,480 Speaker 1: Just it's a crazy, crazy circuit. Glee won five awards 50 00:03:17,520 --> 00:03:22,679 Speaker 1: at the fourteenth Annual Satellite Awards UM Christie Channel, with 51 00:03:22,760 --> 00:03:26,160 Speaker 1: one for Best Outstanding Guest Star. Leah was one for 52 00:03:26,200 --> 00:03:29,800 Speaker 1: Best Actress, Jane one for Best Supporting Actress, and Matt 53 00:03:29,840 --> 00:03:34,120 Speaker 1: Morrison won for Best Actor. So here was named this 54 00:03:34,360 --> 00:03:37,920 Speaker 1: Entertainers of the Year and had Matt and Leah and 55 00:03:37,960 --> 00:03:42,040 Speaker 1: Corey on the cover m which was very cool. I 56 00:03:42,040 --> 00:03:46,800 Speaker 1: do remember that. And then UM Glee Season one, Volume one, 57 00:03:47,040 --> 00:03:50,800 Speaker 1: The Road to Sectionals was released on DVD when DVDs 58 00:03:50,800 --> 00:03:56,360 Speaker 1: were still yeah, streaming did not exist, So this UM 59 00:03:56,440 --> 00:03:59,680 Speaker 1: was the midseason break and Glee did not come back 60 00:03:59,840 --> 00:04:03,720 Speaker 1: again for the back nine to air until April. So 61 00:04:03,760 --> 00:04:07,360 Speaker 1: we went from December night till April two ten, which 62 00:04:07,400 --> 00:04:11,960 Speaker 1: is crazy because we didn't go off, you know, we 63 00:04:11,960 --> 00:04:14,000 Speaker 1: didn't go away. We didn't go off air, we didn't 64 00:04:14,040 --> 00:04:17,120 Speaker 1: do all that. We were working the whole time. Well, 65 00:04:17,279 --> 00:04:20,560 Speaker 1: the break that we had was sort of our promo 66 00:04:20,680 --> 00:04:24,039 Speaker 1: break where we didn't know if we were coming back yet. 67 00:04:25,160 --> 00:04:28,120 Speaker 1: We had to go out and um promote the first 68 00:04:28,160 --> 00:04:31,160 Speaker 1: thirteen as that's like, we went to Australia, we did 69 00:04:31,160 --> 00:04:34,240 Speaker 1: the Hot Topic tour. That was our break. It was 70 00:04:34,279 --> 00:04:37,839 Speaker 1: at the very beginning of the season when um It 71 00:04:37,880 --> 00:04:40,279 Speaker 1: actually started airing, and then we came back at some 72 00:04:40,360 --> 00:04:43,840 Speaker 1: point I think in the late fall, right right. I mean, 73 00:04:43,839 --> 00:04:46,000 Speaker 1: do you remember like going home for the holidays then, 74 00:04:46,080 --> 00:04:50,400 Speaker 1: because that was the that was a huge difference of Yeah, 75 00:04:50,480 --> 00:04:53,400 Speaker 1: we we went back to do like your normal things 76 00:04:53,560 --> 00:04:55,880 Speaker 1: and all of a sudden, there's people coming up. You're 77 00:04:55,920 --> 00:05:00,800 Speaker 1: not normal anymore. Yeah. I remember going ice skating UM 78 00:05:00,839 --> 00:05:03,560 Speaker 1: in Dallas with like my family and people were coming up. 79 00:05:03,720 --> 00:05:06,240 Speaker 1: I'm terrible at ice skating, so it was already embarrassing, 80 00:05:06,680 --> 00:05:08,520 Speaker 1: and then people kept coming up to me and I 81 00:05:08,520 --> 00:05:10,839 Speaker 1: had like my little nieces and that few with me, 82 00:05:11,480 --> 00:05:15,520 Speaker 1: and it was so like how protective they got very 83 00:05:15,600 --> 00:05:18,279 Speaker 1: quickly like why all these people talking to him that 84 00:05:19,120 --> 00:05:21,960 Speaker 1: it's so annoying. I'm like no, it's fine, it's nice, 85 00:05:22,040 --> 00:05:26,960 Speaker 1: don't worry. I remember going home m being able to 86 00:05:26,960 --> 00:05:30,600 Speaker 1: buy my family really nice Christmas gifts because we were 87 00:05:30,600 --> 00:05:34,760 Speaker 1: finally talking to me about this. Yes and um no, 88 00:05:34,880 --> 00:05:36,560 Speaker 1: it was just exciting to be able to take your 89 00:05:36,560 --> 00:05:39,480 Speaker 1: parents out to dinner and like be like I got it, 90 00:05:40,040 --> 00:05:43,600 Speaker 1: and you know, buy them good kids and like and 91 00:05:43,640 --> 00:05:46,039 Speaker 1: then also like seeing all your high school friends and 92 00:05:46,080 --> 00:05:51,839 Speaker 1: being like I'm just kidding. I'm just kidding. We just 93 00:05:51,839 --> 00:05:56,880 Speaker 1: got drunk. It's fine. Um, but it's weird. It really exciting. 94 00:05:57,000 --> 00:05:59,520 Speaker 1: It was really excited. Everybody was just like super excited 95 00:05:59,560 --> 00:06:01,839 Speaker 1: because it was like the big hype. They're like, I 96 00:06:01,839 --> 00:06:06,719 Speaker 1: can't believe it. So and I mean my parents hated that. 97 00:06:07,120 --> 00:06:08,800 Speaker 1: I think I don't know if they did this year 98 00:06:08,839 --> 00:06:10,159 Speaker 1: or the next year. But we went out for like 99 00:06:10,200 --> 00:06:12,880 Speaker 1: a big Christmas Eve dinner and I would try to 100 00:06:13,000 --> 00:06:16,039 Speaker 1: on the slide, just pay for it. Yeah, And it 101 00:06:16,080 --> 00:06:17,800 Speaker 1: meant a lot to me to be able to do that, 102 00:06:18,200 --> 00:06:19,600 Speaker 1: and that, you know, because of my parents, Like you 103 00:06:19,680 --> 00:06:21,280 Speaker 1: have to save all your money, you keep be doing this, 104 00:06:21,600 --> 00:06:24,760 Speaker 1: you pay for me for twentysomething years. Let me do 105 00:06:24,800 --> 00:06:28,680 Speaker 1: this one thing. It's fine. My favorite Italian restaurant that 106 00:06:28,720 --> 00:06:30,800 Speaker 1: we go to for Christmas Eve when it was still 107 00:06:30,880 --> 00:06:34,080 Speaker 1: up on Christmas Eve was Vincent's Clambar in Garden City, 108 00:06:34,120 --> 00:06:36,880 Speaker 1: and we would like it's a sorry tradition. Now we 109 00:06:36,920 --> 00:06:39,039 Speaker 1: eat it all the time when I go home. And 110 00:06:39,120 --> 00:06:41,240 Speaker 1: they gave me like a little plaque on the tables, 111 00:06:41,279 --> 00:06:44,000 Speaker 1: like the New York Islanders got little plaques on the tables, 112 00:06:44,040 --> 00:06:46,320 Speaker 1: and I felt very special, and they wanted me to 113 00:06:46,360 --> 00:06:48,200 Speaker 1: take a photo with the owners. I've done a couple 114 00:06:48,240 --> 00:06:51,159 Speaker 1: of those, and um, every time they gave me like 115 00:06:51,160 --> 00:06:52,960 Speaker 1: a jar of sauce and like either take care of 116 00:06:53,000 --> 00:06:55,279 Speaker 1: dinner or take care of like, you know, a ton 117 00:06:55,320 --> 00:06:57,640 Speaker 1: of the meals. And it was just always like it. 118 00:06:57,640 --> 00:06:59,640 Speaker 1: It was our favorite place. But that's when you started 119 00:06:59,640 --> 00:07:03,839 Speaker 1: feeling like the yeah, you know, you're like, oh, people 120 00:07:03,880 --> 00:07:08,920 Speaker 1: are noticing, people are well, you know, the little local place. 121 00:07:09,080 --> 00:07:12,840 Speaker 1: Maggiano's and TLAs did not do that for me. But 122 00:07:13,680 --> 00:07:18,880 Speaker 1: it's fine Clambar, what a stap alilens table us delicious? 123 00:07:18,920 --> 00:07:21,640 Speaker 1: All right, So should we get into this episode. Yeah, 124 00:07:21,720 --> 00:07:25,200 Speaker 1: let's go for it. Okay, all right, this is the 125 00:07:25,280 --> 00:07:31,440 Speaker 1: Road Sectionals or Sectionals, and this has all of the 126 00:07:31,480 --> 00:07:35,880 Speaker 1: songs that we've seen before, except for a new couple 127 00:07:35,880 --> 00:07:38,360 Speaker 1: of surprises like you can't always get what you want 128 00:07:38,520 --> 00:07:40,400 Speaker 1: and my life it's like without you, which I love 129 00:07:40,480 --> 00:07:45,240 Speaker 1: that song. Um, we've got our guest stars Michael Hitchcock, 130 00:07:45,320 --> 00:07:53,320 Speaker 1: Eve and the judges. M hmm, that's right. And we 131 00:07:54,440 --> 00:07:56,400 Speaker 1: get to see, you know, some of our songs that 132 00:07:56,400 --> 00:07:59,920 Speaker 1: we've already done, done by other people. And you get 133 00:08:00,000 --> 00:08:02,000 Speaker 1: to see Amber doing and I'm telling you for the 134 00:08:02,040 --> 00:08:07,000 Speaker 1: first time pre winning an Olivier Award for playing Effie 135 00:08:07,040 --> 00:08:08,880 Speaker 1: in the West End, which I got to see. Also, 136 00:08:09,000 --> 00:08:14,200 Speaker 1: how how crazy that was? Wild? Um, I watched that 137 00:08:14,280 --> 00:08:16,760 Speaker 1: last night. We can talk about it and de cried. 138 00:08:17,240 --> 00:08:23,640 Speaker 1: So it's wild. It's a wild ride. Um. This is 139 00:08:23,680 --> 00:08:26,720 Speaker 1: the thirteenth episode. The Fox promo for this episode says, 140 00:08:27,240 --> 00:08:30,840 Speaker 1: the phenomenon that has made America Sing brings you an 141 00:08:30,920 --> 00:08:36,880 Speaker 1: unforgettable fall finale, guaranteed to make you cheer. You're welcome. 142 00:08:37,240 --> 00:08:40,560 Speaker 1: I have to say that was very good. But seeing 143 00:08:40,880 --> 00:08:44,880 Speaker 1: these promos and I know it's all hype and they're 144 00:08:44,880 --> 00:08:46,439 Speaker 1: just like trying to convince people that the show is 145 00:08:46,440 --> 00:08:50,360 Speaker 1: probably more successful than it really is. But you know, 146 00:08:50,600 --> 00:08:54,680 Speaker 1: being an avid TV consumer growing up and being a 147 00:08:54,720 --> 00:08:56,240 Speaker 1: part of a show that all of a sudden is 148 00:08:56,280 --> 00:09:00,320 Speaker 1: advertised like this was very surreal. It was very cool, 149 00:09:00,679 --> 00:09:03,160 Speaker 1: very surreal. There was everything that was happening at that 150 00:09:03,240 --> 00:09:10,400 Speaker 1: time was so unbelievable, very big, right. And this is 151 00:09:10,440 --> 00:09:12,920 Speaker 1: also around the time I had one of my best 152 00:09:12,960 --> 00:09:16,839 Speaker 1: friends justin I remember him being like, do you know 153 00:09:16,920 --> 00:09:21,280 Speaker 1: what's happening? Like can you feel the effect of the show? 154 00:09:21,720 --> 00:09:24,280 Speaker 1: Do you have any sense or awareness? And I was 155 00:09:24,320 --> 00:09:26,960 Speaker 1: like yeah, and he's like, no, you don't, right, Yeah, 156 00:09:27,000 --> 00:09:30,480 Speaker 1: maybe I don't. I don't think we could ever experience whatever, 157 00:09:30,640 --> 00:09:35,640 Speaker 1: but people outside experience yeah, because wrap my head around it. 158 00:09:35,720 --> 00:09:41,319 Speaker 1: But getting those Golden Globe nominations and having the ratings 159 00:09:41,320 --> 00:09:45,400 Speaker 1: sort of start to soar, it did start to have 160 00:09:45,640 --> 00:09:49,400 Speaker 1: a really big cultural impact. Now and I think from 161 00:09:49,400 --> 00:09:52,120 Speaker 1: now until when we come back on the air, we 162 00:09:52,120 --> 00:09:53,880 Speaker 1: were I remember being worried about, like are people going 163 00:09:53,920 --> 00:09:55,880 Speaker 1: to come back and watch it? It only sort of 164 00:09:56,000 --> 00:10:00,240 Speaker 1: grew in anticipation. So this whole episode was set all 165 00:10:00,360 --> 00:10:04,960 Speaker 1: that up. But anyway, new directions go to sectionals and 166 00:10:05,240 --> 00:10:10,520 Speaker 1: this is some big ship happening. We have baby Gate, 167 00:10:11,360 --> 00:10:15,920 Speaker 1: we have some where Will and Terry's marriage and so 168 00:10:17,200 --> 00:10:23,200 Speaker 1: maybe finally getting caught. M you know, m h finally, 169 00:10:23,520 --> 00:10:34,760 Speaker 1: my goodness. I think it's easier to just go through 170 00:10:34,800 --> 00:10:38,240 Speaker 1: this episode as is this this week, because it kind 171 00:10:38,240 --> 00:10:41,560 Speaker 1: of all intertwines and is like wrapping everything upste So 172 00:10:41,600 --> 00:10:46,120 Speaker 1: in the beginning, Rachel is suspicious of Puck Um and 173 00:10:46,200 --> 00:10:50,960 Speaker 1: Quinn because when Quinn slips um, Puck rushes to quinside 174 00:10:51,320 --> 00:10:56,920 Speaker 1: and everybody's like, because everybody else knows in the glee 175 00:10:56,920 --> 00:11:01,160 Speaker 1: club that Puck is the baby daddy, but they don't 176 00:11:01,160 --> 00:11:04,480 Speaker 1: want to tell Rachel because obviously we know who she's 177 00:11:04,480 --> 00:11:07,840 Speaker 1: gonna who. She'll trout mouth, which is this is the 178 00:11:07,880 --> 00:11:16,160 Speaker 1: birth of trout mouth, real trouting mouth, Mr Cordy Um, 179 00:11:16,440 --> 00:11:19,680 Speaker 1: and you say already says that she's a total trout mouth, 180 00:11:20,000 --> 00:11:26,480 Speaker 1: and chill tell Finn. I remember Rachel, what's happening you? 181 00:11:26,480 --> 00:11:29,880 Speaker 1: You are the most vocal about Rachel in the Black Club. 182 00:11:29,960 --> 00:11:32,280 Speaker 1: I feel like already is definitely like says it how 183 00:11:32,320 --> 00:11:35,640 Speaker 1: it is. Um. I mean we all kind of said 184 00:11:35,640 --> 00:11:41,400 Speaker 1: how it is, to be honest, we're all very crass. Um. Uh. So. 185 00:11:41,520 --> 00:11:44,760 Speaker 1: I remember shooting this telephone scene and getting a little 186 00:11:45,400 --> 00:11:49,280 Speaker 1: like nervous because I had to move switch the phone 187 00:11:49,520 --> 00:11:53,280 Speaker 1: we weren't really talking to you obviously, and so there's 188 00:11:53,320 --> 00:11:56,760 Speaker 1: all this stuff and you're walking, and Andrew Mitchell's walking behind, 189 00:11:56,960 --> 00:11:59,920 Speaker 1: like backwards with us, and we're walking down the hallways. 190 00:12:00,040 --> 00:12:02,320 Speaker 1: If you don't get it right, you gotta do it again. 191 00:12:02,400 --> 00:12:08,040 Speaker 1: And I was like, hu, it was one long walk 192 00:12:08,080 --> 00:12:11,520 Speaker 1: and talk and squishing three people into one frame on 193 00:12:11,559 --> 00:12:13,240 Speaker 1: the camera was also very hard. They're like, you guys 194 00:12:13,240 --> 00:12:16,560 Speaker 1: got to get closer together. We're like, we're walking. But 195 00:12:16,600 --> 00:12:18,480 Speaker 1: it was so brilliant how they edit it so it 196 00:12:18,520 --> 00:12:21,400 Speaker 1: looked like not everybody was together and there was. It 197 00:12:21,600 --> 00:12:29,720 Speaker 1: was and I'm going party line. Yeah, this is also 198 00:12:29,960 --> 00:12:33,440 Speaker 1: a really big moment. And I don't even know if 199 00:12:33,480 --> 00:12:35,120 Speaker 1: at the time when they wrote this, if it was 200 00:12:35,160 --> 00:12:40,280 Speaker 1: more anything more than just a joke. But when Santana's like, 201 00:12:40,320 --> 00:12:42,160 Speaker 1: sex is not dating, and then Britney's like, if it 202 00:12:42,200 --> 00:12:45,120 Speaker 1: were Santana and I would be dating, and everyone pauses. 203 00:12:45,640 --> 00:12:50,839 Speaker 1: So good, and then it carries on. Yeah, it was 204 00:12:50,960 --> 00:12:57,240 Speaker 1: very good. Um, So Emma tells Mr Shoe that she 205 00:12:57,360 --> 00:12:59,360 Speaker 1: pushed back her and Ken's wedding so she can make 206 00:12:59,400 --> 00:13:02,440 Speaker 1: it to sectional and Ken doesn't have to happen in 207 00:13:02,480 --> 00:13:09,800 Speaker 1: broad daylight it's it's yeah. She lies, she lies. She 208 00:13:09,880 --> 00:13:12,400 Speaker 1: was saying that it's Ken took it really well, cut 209 00:13:12,440 --> 00:13:16,000 Speaker 1: to Ken not taking it well. So we mark that 210 00:13:16,080 --> 00:13:18,840 Speaker 1: for later in the episode. And that's right, that's right, 211 00:13:19,559 --> 00:13:23,640 Speaker 1: um so, and then we go to Rachel freaking out 212 00:13:24,480 --> 00:13:29,960 Speaker 1: um Quinn by asking about the genetic testing up to 213 00:13:30,040 --> 00:13:32,959 Speaker 1: no good. So Quinn goes to Park and says that 214 00:13:33,000 --> 00:13:34,840 Speaker 1: he has to get tested because it's something it's wrong. 215 00:13:35,080 --> 00:13:38,600 Speaker 1: It won't go the plan won't go in um the 216 00:13:38,640 --> 00:13:41,480 Speaker 1: way it's supposed to, because the whole thing is is 217 00:13:41,520 --> 00:13:46,000 Speaker 1: that the testing has to be for a Jewish baby. 218 00:13:46,280 --> 00:13:48,640 Speaker 1: And so she's saying, well, if if she gets worried 219 00:13:48,640 --> 00:13:52,839 Speaker 1: about this and goes to Puck, then Puck's the baby daddy, right, 220 00:13:53,240 --> 00:13:59,600 Speaker 1: that's her whole master plan, right, okay, all right? Then Mr. 221 00:13:59,640 --> 00:14:01,640 Speaker 1: She was the choir room giving them like a pep talk, 222 00:14:02,080 --> 00:14:09,680 Speaker 1: saying MS his replacement for sectionals, and oh my god, Brittany. 223 00:14:10,120 --> 00:14:12,800 Speaker 1: Brittany says, she's the one that made me talk. They 224 00:14:12,800 --> 00:14:14,200 Speaker 1: made me talk to you, and they found out I 225 00:14:14,240 --> 00:14:16,719 Speaker 1: was keeping that bird in my locker. There's a lot 226 00:14:16,720 --> 00:14:21,480 Speaker 1: of bird jokes. We have had bird jokes throughout the season. 227 00:14:21,600 --> 00:14:23,960 Speaker 1: I like a lot of bird jokes. Yeah, and this 228 00:14:24,040 --> 00:14:28,440 Speaker 1: is where things It still doesn't sit right with me, 229 00:14:28,520 --> 00:14:31,600 Speaker 1: this whole Mercedes thing. So Mercedes asked Mr Shoe about 230 00:14:31,600 --> 00:14:33,520 Speaker 1: the set list and he can't help them with it, 231 00:14:33,560 --> 00:14:36,480 Speaker 1: and they have to figure it out. And at this point, 232 00:14:36,520 --> 00:14:39,200 Speaker 1: it's like, how did they not know the set list 233 00:14:39,600 --> 00:14:44,920 Speaker 1: what they were doing? Yeah, at this point, hasn't the 234 00:14:44,920 --> 00:14:48,520 Speaker 1: set list already been leaked? Like we know what's happening. 235 00:14:50,560 --> 00:14:52,640 Speaker 1: You know, I don't even know that we asked those 236 00:14:52,720 --> 00:14:57,960 Speaker 1: questions at that point. We absolutely did not. I can 237 00:14:58,000 --> 00:15:02,760 Speaker 1: guarantee you we did not. And then Mercedes is mad 238 00:15:02,800 --> 00:15:05,600 Speaker 1: because they have to have like a solo number, a ballad, 239 00:15:06,320 --> 00:15:09,360 Speaker 1: and Rachel's assuming it's going to be her, and then 240 00:15:09,400 --> 00:15:14,120 Speaker 1: Mercedes is piste off about it. And then this is 241 00:15:14,160 --> 00:15:16,240 Speaker 1: one of my favorite things that the show does. Or 242 00:15:16,280 --> 00:15:18,440 Speaker 1: Mercedes like, I'm willing to prove this to you that 243 00:15:18,520 --> 00:15:21,680 Speaker 1: I can do this, And all of a sudden, we 244 00:15:21,680 --> 00:15:23,920 Speaker 1: see her talking to somebody and it's a full band 245 00:15:24,120 --> 00:15:29,480 Speaker 1: with horns and strings, which we justly have No, it's 246 00:15:29,520 --> 00:15:31,920 Speaker 1: never been seen before. They're just sitting in there. She says, 247 00:15:32,640 --> 00:15:36,760 Speaker 1: don't address it. Band keeping, Um, this is the scene. 248 00:15:37,360 --> 00:15:39,520 Speaker 1: I don't know why this is so memorable to me, 249 00:15:40,080 --> 00:15:43,640 Speaker 1: but she's like Rachel says, um, do you think you're 250 00:15:43,680 --> 00:15:47,720 Speaker 1: the best balladeer? And Mercedes is like turns to all 251 00:15:47,760 --> 00:15:50,040 Speaker 1: of us and goes, what the f is a balladeer? 252 00:15:51,760 --> 00:15:55,400 Speaker 1: I don't know, I don't know. Wait, was that this episode? Yes, 253 00:15:55,480 --> 00:15:59,600 Speaker 1: this is the episode where the famous Dijon moment happened. 254 00:16:00,080 --> 00:16:03,640 Speaker 1: He says, I don't know, I don't know. It's like 255 00:16:03,720 --> 00:16:09,720 Speaker 1: Dejan's online and we let me tell you, we use 256 00:16:09,800 --> 00:16:13,760 Speaker 1: that amongst ourselves for years. I don't know, years, but 257 00:16:13,840 --> 00:16:16,760 Speaker 1: I love that. What's a ballot here? I don't know. Well, 258 00:16:16,760 --> 00:16:19,200 Speaker 1: there's so many moments of Mercedes, like the past couple 259 00:16:19,200 --> 00:16:22,480 Speaker 1: of episodes where she is sort of like we're all 260 00:16:22,520 --> 00:16:25,000 Speaker 1: against like Rachel look and Mattress like, yeah, you go 261 00:16:25,080 --> 00:16:28,520 Speaker 1: take the yearbook photo and she's sort of rounding up 262 00:16:28,520 --> 00:16:31,400 Speaker 1: the kids. And it's happened earlier in the season as well, 263 00:16:31,440 --> 00:16:33,320 Speaker 1: where she's always sort of turning back and being like 264 00:16:33,960 --> 00:16:35,880 Speaker 1: guys or it feels like she's sort of our de 265 00:16:35,960 --> 00:16:40,560 Speaker 1: facto leader within the choir room because we're all behind her. 266 00:16:41,080 --> 00:16:45,880 Speaker 1: Yea feels like it's right. Um so Mercedes does, and 267 00:16:46,000 --> 00:16:51,880 Speaker 1: I'm telling you I'm not going this number. I mean, 268 00:16:52,000 --> 00:16:54,760 Speaker 1: this was like you saw how ham she was going. 269 00:16:55,240 --> 00:17:00,720 Speaker 1: She did this like every time we watched it or 270 00:17:00,960 --> 00:17:03,840 Speaker 1: she shot it. She was going for it. And in 271 00:17:03,880 --> 00:17:06,600 Speaker 1: the recording studio I remember her saying at the end 272 00:17:06,680 --> 00:17:10,440 Speaker 1: after recording it, she literally like almost fainted because it's 273 00:17:10,440 --> 00:17:14,480 Speaker 1: such a hard number. Um. She did an amazing job. 274 00:17:14,720 --> 00:17:17,960 Speaker 1: That was real life us cheering and hooting and hollering. 275 00:17:18,000 --> 00:17:22,200 Speaker 1: That was definitely us actually responding to Amber singing a song, 276 00:17:22,280 --> 00:17:25,600 Speaker 1: because obviously that's what it is. But also I got 277 00:17:25,640 --> 00:17:29,920 Speaker 1: to see Amber do this um in twenties fifteen sixteen, 278 00:17:30,040 --> 00:17:33,600 Speaker 1: one of those um in on the West End in 279 00:17:34,480 --> 00:17:41,560 Speaker 1: and it was jaw dropping it. It's amazing, I mean 280 00:17:41,600 --> 00:17:43,639 Speaker 1: truly amazing. They do listen to this. I mean this 281 00:17:43,680 --> 00:17:45,320 Speaker 1: is one of those moments where none of us were 282 00:17:45,320 --> 00:17:48,480 Speaker 1: acting like you see tears in Chris's eyes like it 283 00:17:48,600 --> 00:17:53,000 Speaker 1: was we were so proud. Yeah, it was unbelievable to like, oh, 284 00:17:53,400 --> 00:17:56,399 Speaker 1: we know someone who can pract this right right that 285 00:17:57,200 --> 00:18:00,320 Speaker 1: Mike drop. I also did notice too, or I could. 286 00:18:00,440 --> 00:18:03,800 Speaker 1: I could be nitpicky, but when she's doing some of 287 00:18:03,800 --> 00:18:07,760 Speaker 1: the runs, the really complicated runs, at the end, she's 288 00:18:07,800 --> 00:18:10,840 Speaker 1: covering her face with her hair. She's like going down 289 00:18:11,240 --> 00:18:12,760 Speaker 1: and I was like, oh, she doesn't know the run. 290 00:18:13,840 --> 00:18:16,359 Speaker 1: She probably did a bunch and she probably didn't know 291 00:18:16,359 --> 00:18:19,000 Speaker 1: what what happens. I vaguely remember her telling me that 292 00:18:19,040 --> 00:18:20,760 Speaker 1: where she's like, I don't know which version of the run, 293 00:18:21,560 --> 00:18:24,240 Speaker 1: so I'm just gonna that's how good she is. She's like, 294 00:18:24,359 --> 00:18:25,879 Speaker 1: let me just try a bunch of them and then 295 00:18:25,920 --> 00:18:29,719 Speaker 1: you pick the best one. Oh my god. Okay. Rachel 296 00:18:29,840 --> 00:18:33,520 Speaker 1: obviously agrees that she should do the ballot. Do the ballot, 297 00:18:33,720 --> 00:18:39,480 Speaker 1: be the ballot, do the ballad so um. Finn tells Rachel. 298 00:18:39,520 --> 00:18:41,879 Speaker 1: He's like, yeah, that was pretty cool. That must have 299 00:18:41,880 --> 00:18:49,080 Speaker 1: been also, um hard to do. In this intimate moment, um, 300 00:18:49,280 --> 00:18:53,320 Speaker 1: Rachel decides, Okay, well you can't. I'm not going to 301 00:18:53,400 --> 00:18:56,080 Speaker 1: sit back and watch you suffer. Um and she says, 302 00:18:56,080 --> 00:18:58,040 Speaker 1: when you care about someone, you can't sit around and 303 00:18:58,040 --> 00:19:00,320 Speaker 1: watch them suffer when you know you can do something 304 00:19:00,359 --> 00:19:03,800 Speaker 1: about it. Well, Rachel, okay, um. She decides to teal 305 00:19:03,880 --> 00:19:07,879 Speaker 1: Finn about Quentin Puck and you know, this is one 306 00:19:07,880 --> 00:19:09,639 Speaker 1: of those moments where she should have had a friend 307 00:19:09,720 --> 00:19:12,640 Speaker 1: like Jenna. I said, this is not your story to tell. 308 00:19:14,960 --> 00:19:17,800 Speaker 1: Is not your story to tell? That is right. Rachel 309 00:19:18,119 --> 00:19:21,320 Speaker 1: broke the cardinal rule. This is not your story to tell. 310 00:19:22,480 --> 00:19:25,920 Speaker 1: And and with that we cut back to the choir 311 00:19:26,000 --> 00:19:30,320 Speaker 1: room where there's a big fight going down and um, 312 00:19:30,520 --> 00:19:37,240 Speaker 1: finn Is is punching uh Puck and this was stunt 313 00:19:37,480 --> 00:19:41,560 Speaker 1: doubles right, yeah, but also like Puck didn't really suffer 314 00:19:41,560 --> 00:19:49,720 Speaker 1: any bruises. Afterwards, he like just fine for sexual uh, 315 00:19:49,760 --> 00:19:52,640 Speaker 1: and Quinn's crying in between them and he's like, tell 316 00:19:52,720 --> 00:19:54,640 Speaker 1: me if it's true. And obviously we get to see 317 00:19:56,200 --> 00:19:59,840 Speaker 1: some of the Coreys and Diana is amazing acting chops 318 00:20:00,160 --> 00:20:03,359 Speaker 1: in the scene, and you just like, are so compelled 319 00:20:03,560 --> 00:20:06,560 Speaker 1: by Corey. I'm just like every time you watch him 320 00:20:06,600 --> 00:20:09,200 Speaker 1: do something like that, you're like, I believe you one 321 00:20:09,320 --> 00:20:13,920 Speaker 1: thousand percent right now. Yeah, He's so good, so good. 322 00:20:14,680 --> 00:20:17,800 Speaker 1: So Finn's does his normal starm out, but this is 323 00:20:17,960 --> 00:20:20,840 Speaker 1: a bit more dramatic, and he says, screw this done, 324 00:20:20,960 --> 00:20:26,000 Speaker 1: I'm done. I'm done. He's done, and we are downically 325 00:20:26,119 --> 00:20:30,159 Speaker 1: club member and remember we have to have twelve. So 326 00:20:30,200 --> 00:20:35,040 Speaker 1: then Rachel Rachel apologizes to Quinn, and Quinn asked Rachel 327 00:20:35,160 --> 00:20:38,560 Speaker 1: to leave, and then put comes in to like comfort 328 00:20:38,560 --> 00:20:42,400 Speaker 1: her and says like he wants to be a good father. Um, 329 00:20:42,440 --> 00:20:44,959 Speaker 1: but she's like, nah, I want to do this on 330 00:20:45,000 --> 00:20:49,680 Speaker 1: my own. And is also this is the moment where 331 00:20:49,680 --> 00:20:52,760 Speaker 1: I also realized that Puck's face looked completely Yeah, I'm 332 00:20:52,760 --> 00:20:56,960 Speaker 1: curious why they missed that. Maybe they just didn't want 333 00:20:57,080 --> 00:20:59,800 Speaker 1: to have bruises for sectionals, so they just chose to 334 00:21:00,680 --> 00:21:03,520 Speaker 1: have pu come out unscathed. Fans a big guy, but 335 00:21:03,600 --> 00:21:06,120 Speaker 1: he throws a weak punch, is what we're getting at. 336 00:21:07,080 --> 00:21:11,080 Speaker 1: He missed. He hit the floor a lot. So we 337 00:21:11,800 --> 00:21:15,119 Speaker 1: are going to sectionals finally, and we see the bus 338 00:21:15,880 --> 00:21:18,800 Speaker 1: that we all fought for and already is getting loaded 339 00:21:18,800 --> 00:21:22,240 Speaker 1: into the bus and oh my gosh, Jacob and Israel 340 00:21:22,280 --> 00:21:26,080 Speaker 1: shows up. He's replaced Finch and it's immediately next to Rachel, 341 00:21:26,160 --> 00:21:32,800 Speaker 1: which is very funny. Window. Um, Kevin, you said in 342 00:21:32,840 --> 00:21:36,199 Speaker 1: the bts of this that you're excited to go to sectionals. 343 00:21:36,480 --> 00:21:40,840 Speaker 1: We feel like we've been talking about it for ages. Yeah, 344 00:21:41,119 --> 00:21:44,400 Speaker 1: it was. That was where you know, mirroring the characters 345 00:21:44,400 --> 00:21:48,880 Speaker 1: in real life sort of happened where right, And yeah, 346 00:21:48,920 --> 00:21:52,320 Speaker 1: in real life we were growing as actors and friends 347 00:21:52,359 --> 00:21:55,919 Speaker 1: and co workers and becoming a real cohesive group and 348 00:21:56,000 --> 00:21:58,399 Speaker 1: learning all of these numbers, and the glee club was 349 00:21:58,400 --> 00:22:01,439 Speaker 1: doing the same thing, and it was all leading to 350 00:22:01,480 --> 00:22:04,880 Speaker 1: getting to perform on a real stage in a real theater. 351 00:22:05,400 --> 00:22:06,879 Speaker 1: And so in real life we just got to go 352 00:22:06,920 --> 00:22:11,200 Speaker 1: to Glendo and performed this at the Alex Theater. That's right, 353 00:22:11,840 --> 00:22:16,680 Speaker 1: this is our first big competition. Um, this was like 354 00:22:17,160 --> 00:22:20,240 Speaker 1: by the time we got to season four, three or four, 355 00:22:20,320 --> 00:22:24,639 Speaker 1: we like, we're like, oh, sectionals, regionals, smoke Stig, we 356 00:22:24,720 --> 00:22:27,879 Speaker 1: got this, but this was like huge. This felt like 357 00:22:28,200 --> 00:22:33,600 Speaker 1: massive yet audience extras, judges, the whole thing. This was 358 00:22:33,640 --> 00:22:36,040 Speaker 1: also one of those things where Brad it was great 359 00:22:36,080 --> 00:22:40,359 Speaker 1: Brad feltchick was directing because this then laid the groundwork 360 00:22:40,400 --> 00:22:43,320 Speaker 1: for how we shot all of these competitions from here 361 00:22:43,320 --> 00:22:46,840 Speaker 1: on out. Because there were such big days, big theaters, 362 00:22:46,880 --> 00:22:51,800 Speaker 1: managing a lot of background actors and crew and us. 363 00:22:51,840 --> 00:22:55,240 Speaker 1: You couldn't get too creative. Things just needed to here's 364 00:22:55,240 --> 00:22:58,360 Speaker 1: how the day is going to go exactly. Yes, And um, 365 00:22:58,359 --> 00:23:01,080 Speaker 1: I think it was later we well about Brad Beaker 366 00:23:01,160 --> 00:23:03,760 Speaker 1: with his big white board of shot lists. Do you 367 00:23:03,800 --> 00:23:06,520 Speaker 1: remember that Brad Beaker would come in with this big 368 00:23:06,600 --> 00:23:09,720 Speaker 1: like poster board like presentation style and write all the 369 00:23:09,760 --> 00:23:12,200 Speaker 1: shots we needed and he would literally cross them off 370 00:23:12,240 --> 00:23:15,200 Speaker 1: with the marker every time we got one. Um, it 371 00:23:15,320 --> 00:23:18,280 Speaker 1: was kind of like yeah, yeah, it was satisfying and 372 00:23:18,320 --> 00:23:22,000 Speaker 1: also just very Yeah. It was that structured in methodical, 373 00:23:22,080 --> 00:23:33,960 Speaker 1: that's a good word. Okay, So we're we are excited 374 00:23:34,080 --> 00:23:39,400 Speaker 1: to be there, we are excited, and we find out 375 00:23:39,440 --> 00:23:43,400 Speaker 1: that we're going last. Do you remember this scene where 376 00:23:43,400 --> 00:23:46,600 Speaker 1: we're shooting in the in the little like lobby upstairs. 377 00:23:47,480 --> 00:23:52,040 Speaker 1: I remember shooting that so vividly in my brain that, Um, 378 00:23:52,240 --> 00:23:55,399 Speaker 1: that scene. I'm not sure why, maybe just because we 379 00:23:55,400 --> 00:23:59,440 Speaker 1: were on set, like on location. Yeah, this whole experience 380 00:23:59,480 --> 00:24:01,800 Speaker 1: seems like that. I remember being really excited for the 381 00:24:01,840 --> 00:24:07,120 Speaker 1: next scene of where I'm ramming myself into the wall. Yeah, 382 00:24:07,119 --> 00:24:10,440 Speaker 1: I don't know. It's still because we did two scenes 383 00:24:10,520 --> 00:24:14,159 Speaker 1: up here. We did the scene of um, we're feelings 384 00:24:14,160 --> 00:24:16,720 Speaker 1: that we're going last, and then we go watch then 385 00:24:16,760 --> 00:24:20,159 Speaker 1: perform and Jane Adams Academy does and I'm telling you 386 00:24:20,200 --> 00:24:24,320 Speaker 1: and proud Mary and um, so we know that the 387 00:24:24,320 --> 00:24:27,040 Speaker 1: set list has been leaked. Then we come back in 388 00:24:27,080 --> 00:24:30,320 Speaker 1: the same place and that's all right. He's ramming himself 389 00:24:30,359 --> 00:24:32,880 Speaker 1: into the wall and Emma is on a phone call 390 00:24:33,040 --> 00:24:36,360 Speaker 1: with Will telling him like, uh, this is what happened. 391 00:24:36,520 --> 00:24:39,760 Speaker 1: We need help. And I was so excited to do 392 00:24:39,800 --> 00:24:42,120 Speaker 1: that because I just thought that scene was hilarious, all 393 00:24:42,160 --> 00:24:47,200 Speaker 1: of us losing our minds in the background. That's right, Well, 394 00:24:47,440 --> 00:24:49,159 Speaker 1: that is true. We did get to play and it 395 00:24:49,200 --> 00:24:52,000 Speaker 1: was fun to have Jama as our like little leader. Yeah. 396 00:24:52,680 --> 00:24:56,439 Speaker 1: So Will, Will's pissed, right, He's like okay, but he's like, 397 00:24:56,520 --> 00:25:01,960 Speaker 1: I know just what to do. Um. So first she's 398 00:25:02,000 --> 00:25:07,840 Speaker 1: going to go confront and he says, you crossed the line. 399 00:25:08,640 --> 00:25:10,879 Speaker 1: I'm not gonna say idly by anymore. I'm going to 400 00:25:10,960 --> 00:25:14,439 Speaker 1: expose you for the fraud that you are um. And 401 00:25:14,520 --> 00:25:17,919 Speaker 1: Sue says, bring it on, William. I'm reasonably confident that 402 00:25:17,960 --> 00:25:20,960 Speaker 1: you will be adding revenge the long list of things 403 00:25:20,960 --> 00:25:26,240 Speaker 1: you're no good at, right next to being married. Um, 404 00:25:26,280 --> 00:25:31,399 Speaker 1: it's very good. Then Will says, don't And then Susy 405 00:25:33,160 --> 00:25:36,000 Speaker 1: running a high schoolglie club and finding a hairstyle that 406 00:25:36,080 --> 00:25:39,399 Speaker 1: doesn't make you look like a lesbian. I love you 407 00:25:39,520 --> 00:25:44,640 Speaker 1: like a sister. I love when Jane does think where 408 00:25:44,680 --> 00:25:46,679 Speaker 1: she's smiling, but it's like an evil smile because the 409 00:25:46,680 --> 00:25:49,520 Speaker 1: rest of that scene she's just like smiling and does 410 00:25:49,640 --> 00:25:55,959 Speaker 1: little kiss. It's um, you know, I was mad. Had 411 00:25:56,000 --> 00:26:00,639 Speaker 1: a really easy episode because he's doing phone acting the 412 00:26:00,680 --> 00:26:04,240 Speaker 1: rest of the episode. Until doing phone acting he did, 413 00:26:04,280 --> 00:26:06,679 Speaker 1: he had some pretty easy shots. He probably could have 414 00:26:06,680 --> 00:26:08,720 Speaker 1: done them all in one sitting and that would have 415 00:26:08,800 --> 00:26:12,720 Speaker 1: been yeah exactly. Jane came up with a lovely like 416 00:26:12,760 --> 00:26:15,320 Speaker 1: a sister line. I don't know, I don't think so 417 00:26:15,440 --> 00:26:17,280 Speaker 1: I'll just talk to her about that. Yeah, we'll have 418 00:26:17,359 --> 00:26:22,000 Speaker 1: to ask um so. And then Will it's like, I'm 419 00:26:22,040 --> 00:26:23,639 Speaker 1: going to go save the day. And he goes to 420 00:26:23,680 --> 00:26:27,840 Speaker 1: find Will sorry Finn in the locker room and gives 421 00:26:27,920 --> 00:26:32,359 Speaker 1: him a the good old Mr Shoe pep talk that 422 00:26:32,480 --> 00:26:34,960 Speaker 1: this was a nice circular moment from the pilot. He 423 00:26:35,000 --> 00:26:37,199 Speaker 1: goes back to the locker room, has his one on 424 00:26:37,240 --> 00:26:40,840 Speaker 1: one with him and now his status has really changed 425 00:26:40,880 --> 00:26:42,640 Speaker 1: in the school in terms of now he's a leader 426 00:26:42,680 --> 00:26:47,119 Speaker 1: of the glee club as well. M M, that's me. 427 00:26:48,760 --> 00:26:51,439 Speaker 1: Talks him into it and well, and Finn understandably he's 428 00:26:51,480 --> 00:26:54,000 Speaker 1: not having it, and he's like, well, sometimes it sucks 429 00:26:54,000 --> 00:27:02,040 Speaker 1: to be special, right, And no, I didn't own so 430 00:27:03,800 --> 00:27:06,880 Speaker 1: Finn takes him up and it's going to be the good, 431 00:27:07,440 --> 00:27:10,520 Speaker 1: good old leader that he is and show up and 432 00:27:10,520 --> 00:27:17,320 Speaker 1: and yeah, we hope. So Emma, sweet sweet Emma confronts 433 00:27:17,359 --> 00:27:22,560 Speaker 1: the other choir directors, satisfying is this. I mean it's 434 00:27:22,600 --> 00:27:27,439 Speaker 1: the cutest. She's just the cutest. Emma confronts the choir director. 435 00:27:27,560 --> 00:27:31,720 Speaker 1: She's like, I know what you did. That's my summary 436 00:27:31,760 --> 00:27:34,959 Speaker 1: of it. I know what you did. And then it 437 00:27:35,000 --> 00:27:36,840 Speaker 1: makes him feel really bad because it wouldn't have been 438 00:27:36,880 --> 00:27:39,640 Speaker 1: really special to be able to see them actually win 439 00:27:39,800 --> 00:27:41,840 Speaker 1: on their own, because they're talented enough to do it. 440 00:27:42,720 --> 00:27:47,760 Speaker 1: Educators stunned into silence. And then we see we here 441 00:27:47,800 --> 00:27:51,240 Speaker 1: don't stop all even done by the Haverrbrook and um 442 00:27:51,400 --> 00:27:54,680 Speaker 1: the choir a deaf choir, and there are audience members 443 00:27:54,720 --> 00:28:00,720 Speaker 1: with tears, tears, and everybody's very very upset. So Rachel 444 00:28:00,760 --> 00:28:05,040 Speaker 1: calls a good meeting and we're in the great scene. 445 00:28:06,200 --> 00:28:11,800 Speaker 1: Oh my god, this this scene sucked right to film. Yes, yes, 446 00:28:12,200 --> 00:28:14,640 Speaker 1: I think it's because we were in there for hours. 447 00:28:15,080 --> 00:28:17,600 Speaker 1: Were there, We were in there all day. It was 448 00:28:17,640 --> 00:28:23,639 Speaker 1: a full day in this one set and there was 449 00:28:23,720 --> 00:28:26,600 Speaker 1: no way I remember it was so hot and there 450 00:28:26,640 --> 00:28:28,600 Speaker 1: was no way to block it out because they built 451 00:28:28,600 --> 00:28:32,719 Speaker 1: this really great set and you sort of needed us 452 00:28:32,760 --> 00:28:34,520 Speaker 1: all spread out because it would have been easier to 453 00:28:34,520 --> 00:28:36,520 Speaker 1: shoot if we were all just in one position, but 454 00:28:36,600 --> 00:28:39,760 Speaker 1: because we were all different places, we had to turn 455 00:28:39,760 --> 00:28:44,560 Speaker 1: the camera exactly exactly. I remember this being a very 456 00:28:44,560 --> 00:28:48,600 Speaker 1: watching the scene. I think the scene is great likeness, 457 00:28:48,680 --> 00:28:51,600 Speaker 1: big scene. It's also it's an important scene, so I 458 00:28:51,960 --> 00:28:53,960 Speaker 1: get it now. I don't think back then I was 459 00:28:54,160 --> 00:29:00,160 Speaker 1: really as um understanding. But we're like, get us out 460 00:29:00,200 --> 00:29:06,800 Speaker 1: of year um. So Rachel calls a meeting and and 461 00:29:06,840 --> 00:29:09,440 Speaker 1: then she's like, no, Mercedes, you're supposed to do the ballot, 462 00:29:09,440 --> 00:29:12,040 Speaker 1: and Mercedes is like, no, Rachel, I was supposed to 463 00:29:12,040 --> 00:29:13,880 Speaker 1: do the ballot, but now you need to do it. 464 00:29:14,040 --> 00:29:16,000 Speaker 1: Why did she say you need to do it. I 465 00:29:16,040 --> 00:29:19,680 Speaker 1: don't remember the intention behind it. She's just saying, if 466 00:29:19,720 --> 00:29:24,000 Speaker 1: anyone could do a ballot on the fly, Rachel. What 467 00:29:24,040 --> 00:29:26,400 Speaker 1: I don't like is Mercedes having to be like your 468 00:29:27,440 --> 00:29:31,719 Speaker 1: the best singer, because they're both incredible in different ways. 469 00:29:32,040 --> 00:29:38,480 Speaker 1: And well, there's everybody right and yeah, but we need 470 00:29:38,560 --> 00:29:44,600 Speaker 1: to say it like that. I know, alright, So then 471 00:29:44,800 --> 00:29:49,040 Speaker 1: Finn come before Finn comes in. It's also a really 472 00:29:49,080 --> 00:29:54,600 Speaker 1: nice moment where like, uh, Santana, It's like oh yeah, 473 00:29:54,720 --> 00:29:56,800 Speaker 1: because they're saying like who leaked the set list? And 474 00:29:56,800 --> 00:29:59,800 Speaker 1: sim was like, look, if you tell anybody I said 475 00:29:59,840 --> 00:30:03,600 Speaker 1: this like a lie, but like I really like Glee Club. 476 00:30:03,960 --> 00:30:08,880 Speaker 1: It makes me happy. That was a really nice time, 477 00:30:09,440 --> 00:30:13,800 Speaker 1: Rachel saying like, I believe you. Yeah, it was. There 478 00:30:13,840 --> 00:30:17,840 Speaker 1: was a lot of bonding, trauma bonding going on in 479 00:30:17,920 --> 00:30:20,760 Speaker 1: this scene. Yeah. So Finn comes in like the good 480 00:30:20,760 --> 00:30:26,440 Speaker 1: guy and with a stack of sheet paper and it's like, look, 481 00:30:27,480 --> 00:30:30,040 Speaker 1: we got this, I have the song. I know what 482 00:30:30,040 --> 00:30:33,200 Speaker 1: we're gonna do and rounds up the best dancers and 483 00:30:33,200 --> 00:30:36,320 Speaker 1: it's like, we'll follow whatever you did, because we're good 484 00:30:36,320 --> 00:30:39,720 Speaker 1: when we're loose. He's pulling the Mr. Shoe and I 485 00:30:39,760 --> 00:30:43,360 Speaker 1: have goose bumps. It was so sweet. It wasn't like 486 00:30:44,520 --> 00:30:46,560 Speaker 1: him come in and save the day and also not 487 00:30:46,680 --> 00:30:50,479 Speaker 1: be fine with Puck and Quinn because Puck tries to like, hey, 488 00:30:50,480 --> 00:30:52,760 Speaker 1: are we cool and he's like, no, we're not, which 489 00:30:52,800 --> 00:30:55,280 Speaker 1: is also nice. Yeah, yeah, I know why would be? 490 00:30:56,840 --> 00:31:00,920 Speaker 1: So then we pop to New Directions performing form performing 491 00:31:01,480 --> 00:31:05,360 Speaker 1: Rachel's doing Don't Random My Parade from Funny Girl, which 492 00:31:05,400 --> 00:31:08,280 Speaker 1: is a full three six as well. How wild in 493 00:31:08,320 --> 00:31:11,400 Speaker 1: the same episode. I know that's right in Mercedes Amber 494 00:31:11,520 --> 00:31:16,880 Speaker 1: and Leah. That's really funny. Um, Leah kills this number 495 00:31:16,960 --> 00:31:21,040 Speaker 1: for the first time. We'll see this multiple times after UM, 496 00:31:21,720 --> 00:31:27,040 Speaker 1: you know in other seasons. But that's right. We did 497 00:31:27,120 --> 00:31:31,120 Speaker 1: do it on the tours. She did it at the Tony's. Um, 498 00:31:31,160 --> 00:31:36,360 Speaker 1: this was crazy. So this begins the rain don't random 499 00:31:36,640 --> 00:31:42,200 Speaker 1: parade but okay, so Rachel kills it. Leah kills this 500 00:31:42,320 --> 00:31:47,960 Speaker 1: number obviously, and then we get into the surprise number 501 00:31:47,960 --> 00:31:50,240 Speaker 1: that Finn has come up with that we so magically 502 00:31:50,280 --> 00:31:54,160 Speaker 1: figure out and look so synchronized and great doing It's 503 00:31:54,240 --> 00:31:57,040 Speaker 1: you can't always get what you want by the rolling Stones, 504 00:31:57,240 --> 00:32:03,720 Speaker 1: because Mr You says to Finn in the locker room, 505 00:32:03,840 --> 00:32:06,520 Speaker 1: sometimes you can't always get what you want planting the scenes. 506 00:32:07,160 --> 00:32:12,320 Speaker 1: I wonder if anybody caught that. I'm sure I mean 507 00:32:12,360 --> 00:32:15,640 Speaker 1: earlier though, like when he says that, when Will says it, that, 508 00:32:15,840 --> 00:32:18,480 Speaker 1: does anybody actually kept that? And I forgot what songs 509 00:32:18,520 --> 00:32:19,640 Speaker 1: we did in this and then We'll said it. I 510 00:32:19,680 --> 00:32:21,400 Speaker 1: was like, oh, yeah, that's what we did. I did too. 511 00:32:22,720 --> 00:32:26,880 Speaker 1: I thought this was the Journey. The Journey mash up 512 00:32:27,440 --> 00:32:29,720 Speaker 1: almost and then I was like, no, you're wrong, Ja. 513 00:32:30,640 --> 00:32:33,560 Speaker 1: And it's funny because I'm able to kind of distinguish 514 00:32:33,640 --> 00:32:36,120 Speaker 1: what numbers we did most of the time by the 515 00:32:36,200 --> 00:32:39,280 Speaker 1: dresses we were wearing, because that was I was able 516 00:32:39,320 --> 00:32:42,960 Speaker 1: to establish which competition show we were in, or where 517 00:32:43,000 --> 00:32:47,040 Speaker 1: we shot at, or what we were doing at the time. Um. 518 00:32:47,080 --> 00:32:51,800 Speaker 1: So I also thought it was interesting we don't show 519 00:32:51,960 --> 00:32:54,040 Speaker 1: what we do Somebody to Love as the last number. 520 00:32:54,840 --> 00:32:57,160 Speaker 1: I also think if you noticed, they don't ever show 521 00:32:57,160 --> 00:33:01,640 Speaker 1: the balcony in the theater, and we do that the 522 00:33:01,680 --> 00:33:03,400 Speaker 1: rest of the time. I think we might show the balcony. 523 00:33:03,440 --> 00:33:06,440 Speaker 1: I'm not sure, but I'm wondering. Yeah, gets like the 524 00:33:06,480 --> 00:33:08,440 Speaker 1: first two rows of the balcony and then they fill 525 00:33:08,440 --> 00:33:11,600 Speaker 1: out with those crazy little bubble actions. The blow up. 526 00:33:12,000 --> 00:33:13,840 Speaker 1: People didn't do that at this time, like maybe to 527 00:33:13,840 --> 00:33:17,280 Speaker 1: save the budget, you know, yeah, yeah, yeah, And I 528 00:33:17,320 --> 00:33:19,800 Speaker 1: do think there were dummies in the last row of 529 00:33:19,920 --> 00:33:22,800 Speaker 1: the orchestra. Yeah, I think I do think there were 530 00:33:22,840 --> 00:33:25,240 Speaker 1: those blow up There were definitely dummies in this one, 531 00:33:25,280 --> 00:33:29,160 Speaker 1: because this is where um, isn't this for Dan? I 532 00:33:29,240 --> 00:33:32,000 Speaker 1: like bit it. Afterwards she ran up the aisle and 533 00:33:32,040 --> 00:33:36,800 Speaker 1: like fell, no, no, I think that was I think 534 00:33:36,840 --> 00:33:41,480 Speaker 1: that was regionals. Did you also notice that Leah had 535 00:33:41,520 --> 00:33:43,440 Speaker 1: a like a bandage on the side of her leg 536 00:33:44,160 --> 00:33:45,800 Speaker 1: or something in one of these and one of the 537 00:33:45,800 --> 00:33:48,400 Speaker 1: shots and the next shot it's gone, like she got 538 00:33:48,520 --> 00:33:52,120 Speaker 1: hurt or something. I don't know, she might have caught herself. 539 00:33:52,520 --> 00:33:56,120 Speaker 1: So then we're listening into the judges. We're trying to 540 00:33:56,120 --> 00:33:59,000 Speaker 1: figure out what the judges are saying. They're deliberating. Um. 541 00:33:59,120 --> 00:34:02,880 Speaker 1: Eve comes to apologize to us, which is also cool, 542 00:34:03,720 --> 00:34:08,680 Speaker 1: and like, I'm in the scene with Eve, I remember 543 00:34:08,719 --> 00:34:11,680 Speaker 1: that she was very nice, um. And it's like the 544 00:34:11,719 --> 00:34:14,560 Speaker 1: only time we had really met her. Um. And then 545 00:34:15,600 --> 00:34:22,000 Speaker 1: the judges Ana camp a camp was so good and 546 00:34:22,239 --> 00:34:27,680 Speaker 1: Rod Remington of course, and um uh it was I 547 00:34:27,719 --> 00:34:31,280 Speaker 1: mean the judge judges room is very funny, are very funny, 548 00:34:31,520 --> 00:34:34,040 Speaker 1: and it's always a funny bit also going on going 549 00:34:34,120 --> 00:34:37,920 Speaker 1: forward from these competition episodes about who are going to 550 00:34:37,960 --> 00:34:41,160 Speaker 1: be the judges and do they care? Most of them 551 00:34:41,160 --> 00:34:43,200 Speaker 1: they don't even really care. But it's a nice little 552 00:34:43,200 --> 00:34:47,120 Speaker 1: funny moment. But he tries to apologize to the judges. 553 00:34:47,200 --> 00:34:50,399 Speaker 1: Do you remember that, yes, And it's too late, It's 554 00:34:50,400 --> 00:34:53,719 Speaker 1: too late, right, Yes, I remember like being there and 555 00:34:53,880 --> 00:34:57,440 Speaker 1: filming that and trying not to laugh. Rod Remington wasn't 556 00:34:57,440 --> 00:35:01,279 Speaker 1: that the same day as the day we shot? It 557 00:35:01,320 --> 00:35:03,400 Speaker 1: was all that. That was all one set, so the 558 00:35:03,480 --> 00:35:07,359 Speaker 1: judges room, um, and then the green room, the very 559 00:35:07,400 --> 00:35:11,319 Speaker 1: long day set that was the same day. It was 560 00:35:11,360 --> 00:35:14,720 Speaker 1: the same set, and I remember being very smoky and hot. 561 00:35:14,840 --> 00:35:17,360 Speaker 1: But we were in that um that little like hallway 562 00:35:17,680 --> 00:35:19,040 Speaker 1: and I was like, how are we all going to 563 00:35:19,160 --> 00:35:21,799 Speaker 1: fit in this little hall way here? But we did? 564 00:35:21,880 --> 00:35:27,719 Speaker 1: And um, yes, Rod Remington is very funny and um, 565 00:35:27,880 --> 00:35:30,719 Speaker 1: Eve was like I remember seeing the pop print tattoo 566 00:35:30,840 --> 00:35:34,960 Speaker 1: on her like jazz and it's like it's like very iconomy. 567 00:35:35,719 --> 00:35:39,120 Speaker 1: I don't stare at her, don't stare at her. Boom. Yeah, 568 00:35:39,200 --> 00:35:43,319 Speaker 1: I was so star struck. I was. I had a 569 00:35:43,400 --> 00:35:50,920 Speaker 1: really hard time, which is like not surprising. Um. And 570 00:35:50,960 --> 00:35:54,719 Speaker 1: now Ian, Brad and Ryan are starting to wrap up 571 00:35:54,760 --> 00:35:57,840 Speaker 1: most of the season storylines obviously because this could be 572 00:35:57,840 --> 00:36:00,600 Speaker 1: the yeah, because originally this was the season one finale 573 00:36:01,080 --> 00:36:05,279 Speaker 1: and then Fox ordered the back nine to make a 574 00:36:05,320 --> 00:36:10,640 Speaker 1: complete twenty two episode season. So Mr Shoe goes home, well, 575 00:36:10,640 --> 00:36:14,120 Speaker 1: he's getting ready for Emma's wedding, and he tells Terry 576 00:36:14,239 --> 00:36:17,080 Speaker 1: that he doesn't love her anymore because she's like, I'm 577 00:36:17,080 --> 00:36:18,759 Speaker 1: going to therapy, I'm working on myself. And he's like, 578 00:36:18,760 --> 00:36:20,960 Speaker 1: I hope that works out for you, but like it's 579 00:36:20,960 --> 00:36:24,400 Speaker 1: not gonna work out good for you. And then when 580 00:36:24,440 --> 00:36:28,279 Speaker 1: he shows up about the wedding, he finds out that 581 00:36:28,400 --> 00:36:32,600 Speaker 1: can dumped Emma because of him. And here we go, 582 00:36:34,719 --> 00:36:39,239 Speaker 1: and I mean, I am a question this, you know, 583 00:36:39,480 --> 00:36:42,240 Speaker 1: hall that they have their wedding, And wasn't it supposed 584 00:36:42,239 --> 00:36:46,279 Speaker 1: to be a small wedding right? And yeah, it is 585 00:36:46,280 --> 00:36:50,160 Speaker 1: a big room and I'm just for dramatic. How long 586 00:36:50,200 --> 00:36:54,680 Speaker 1: was she sitting there? Two? Because like there's nobody there 587 00:36:54,719 --> 00:37:00,040 Speaker 1: and she's fully glammed up in her dress. How it 588 00:37:00,239 --> 00:37:02,839 Speaker 1: was he? Did he not get the text saying it's 589 00:37:02,880 --> 00:37:06,000 Speaker 1: called off? Everybody else did? Yeah, it was interesting. Maybe 590 00:37:06,600 --> 00:37:08,799 Speaker 1: maybe he wasn't going to the church. He was just 591 00:37:08,880 --> 00:37:11,680 Speaker 1: going to the reception, and nobody had made it to 592 00:37:11,680 --> 00:37:14,359 Speaker 1: the reception because they were all at the church where 593 00:37:14,920 --> 00:37:19,960 Speaker 1: maybe I don't know, it doesn't matter, so m I says, 594 00:37:20,760 --> 00:37:23,200 Speaker 1: and Will's like, well, you know you were doing it 595 00:37:23,239 --> 00:37:26,880 Speaker 1: for the kids, obviously, and she's like, yeah, I if 596 00:37:26,920 --> 00:37:29,000 Speaker 1: I was doing it for the kids, but I was 597 00:37:29,040 --> 00:37:33,959 Speaker 1: doing it for you and uh. And then Emma says 598 00:37:34,000 --> 00:37:37,160 Speaker 1: that she's leaving because of both Kennan one and she's like, 599 00:37:37,200 --> 00:37:40,560 Speaker 1: I can't look at him and I can't look at you, 600 00:37:40,800 --> 00:37:44,520 Speaker 1: and it's just it's all too much. It's all too much, 601 00:37:45,000 --> 00:37:46,480 Speaker 1: was like. And then she gets up and leaves, and 602 00:37:46,480 --> 00:37:49,640 Speaker 1: he looks sort of like he's like I just left 603 00:37:49,640 --> 00:37:52,719 Speaker 1: my wife and like stops her, and she's like, exactly, 604 00:37:52,880 --> 00:37:55,160 Speaker 1: that's why this can't work out. And there's like this 605 00:37:55,360 --> 00:38:00,759 Speaker 1: beautiful longing moment where she leaves and see him sit 606 00:38:00,840 --> 00:38:03,880 Speaker 1: with that and like, what am I gonna do? I 607 00:38:03,960 --> 00:38:07,719 Speaker 1: just want them to be together. I just want them together. 608 00:38:08,920 --> 00:38:11,879 Speaker 1: Um okay. And then and then we we shoot two 609 00:38:11,920 --> 00:38:16,640 Speaker 1: principal Figians telling Sue that she is no longer the 610 00:38:16,680 --> 00:38:19,160 Speaker 1: coach of the Cheerios for the set list and I've 611 00:38:19,800 --> 00:38:25,080 Speaker 1: genuinely felt scared face. I beg your pardon, I beg 612 00:38:25,560 --> 00:38:32,000 Speaker 1: your pardon. That was her. That was her response, Like completely, 613 00:38:32,040 --> 00:38:34,280 Speaker 1: how good is she because you've never seen her stunned 614 00:38:34,360 --> 00:38:39,000 Speaker 1: really and she's in full shock. She's just in It's dynamic, 615 00:38:39,080 --> 00:38:42,480 Speaker 1: it's dynamic. And then she says, which is I think 616 00:38:42,520 --> 00:38:46,040 Speaker 1: one of the most famous lines of the season. I think, 617 00:38:46,640 --> 00:38:48,920 Speaker 1: I don't. Do you think this was something that we 618 00:38:48,920 --> 00:38:51,239 Speaker 1: were most compelled by, or do you think this was 619 00:38:51,320 --> 00:38:54,640 Speaker 1: a very popular I don't know. There's no way enough, 620 00:38:56,520 --> 00:38:58,719 Speaker 1: but we love it. Says you're about to bore the 621 00:38:58,800 --> 00:39:08,080 Speaker 1: Sue Sylvester Spress destination hard hard Um. I thought was 622 00:39:08,120 --> 00:39:12,600 Speaker 1: incredible in the scene managing the big you know, wilds 623 00:39:12,640 --> 00:39:16,080 Speaker 1: sitting there and Shock and Sue was going crazy and 624 00:39:16,120 --> 00:39:19,359 Speaker 1: he for once, it's sort of stepping up and being like, 625 00:39:19,520 --> 00:39:23,640 Speaker 1: no this, I didn't believe it, and now I do, 626 00:39:23,800 --> 00:39:26,720 Speaker 1: and now I've seen it, and you're suspended from the school. 627 00:39:27,719 --> 00:39:29,000 Speaker 1: And then she's like, well, I'm going to go down 628 00:39:29,040 --> 00:39:32,839 Speaker 1: to Boka and get a tan uh huh. And Mr 629 00:39:32,880 --> 00:39:36,400 Speaker 1: Shoe was reinstated because he calls the board, the Ohio 630 00:39:36,480 --> 00:39:40,120 Speaker 1: State Board, and Sue's back A Shoe's back in. Sue 631 00:39:40,160 --> 00:39:44,320 Speaker 1: and Schue, Sue and Chou Um. So we find out 632 00:39:44,840 --> 00:39:48,319 Speaker 1: now and I had to actually remember. I was like, 633 00:39:48,360 --> 00:39:50,960 Speaker 1: did we win this one? I didn't remember either. Did 634 00:39:51,000 --> 00:39:54,680 Speaker 1: we win this um? And I was like, oh my gosh, 635 00:39:54,760 --> 00:39:57,080 Speaker 1: we won because I remember this scene when we hide 636 00:39:57,120 --> 00:39:59,960 Speaker 1: the drove. It also took so long, we don't find 637 00:40:00,560 --> 00:40:03,640 Speaker 1: what happened? I know, I know that was a weird one. 638 00:40:03,880 --> 00:40:06,560 Speaker 1: You're like, did they win? Um? And then we do 639 00:40:06,680 --> 00:40:09,319 Speaker 1: want life with stuck without you? Which I love this number. 640 00:40:09,680 --> 00:40:12,040 Speaker 1: And I don't know if everybody gets this number, but 641 00:40:12,120 --> 00:40:16,240 Speaker 1: this was ezact Wly, our choreographer and Brooke. Their idea 642 00:40:16,480 --> 00:40:20,360 Speaker 1: was to incorporate all of the like most iconic numbers 643 00:40:20,440 --> 00:40:22,640 Speaker 1: or dance moves or things that we did from other 644 00:40:22,719 --> 00:40:25,040 Speaker 1: numbers throughout the season. This was like a nod to 645 00:40:25,120 --> 00:40:28,799 Speaker 1: all of those for Mr Shoe and it was It 646 00:40:28,880 --> 00:40:31,760 Speaker 1: was really nostalgic because I was like, we remember looking 647 00:40:31,760 --> 00:40:34,680 Speaker 1: at everybody and being like, this could be it. This 648 00:40:34,680 --> 00:40:36,480 Speaker 1: could be the last number we ever do together. Did 649 00:40:36,520 --> 00:40:41,440 Speaker 1: you catch all the references? There was pushes, what single, 650 00:40:41,520 --> 00:40:47,600 Speaker 1: ladies hate on me? Say a little prayer? Uh not 651 00:40:47,640 --> 00:40:50,680 Speaker 1: my last name? Last name? Yes, last name. There were 652 00:40:50,680 --> 00:40:55,120 Speaker 1: the boys and girls mash up yep, that's right, yeah, 653 00:40:55,239 --> 00:40:57,680 Speaker 1: most of my hair I think most of the hair 654 00:40:58,000 --> 00:41:00,520 Speaker 1: one was in there as well. It was les sweet. 655 00:41:00,560 --> 00:41:02,120 Speaker 1: I really really liked that. It was a great way 656 00:41:02,160 --> 00:41:04,640 Speaker 1: to do that, and that was all Zack with And 657 00:41:04,680 --> 00:41:09,480 Speaker 1: then we get to the last and best scene that 658 00:41:09,640 --> 00:41:16,200 Speaker 1: was not originally scripted like this, Um, what they weren't 659 00:41:16,200 --> 00:41:22,520 Speaker 1: supposed to kiss originally? Oh, that's right. So that during 660 00:41:22,760 --> 00:41:25,439 Speaker 1: my life Let's Stuck Without You, it's cut up into 661 00:41:25,440 --> 00:41:29,120 Speaker 1: a montage between the kids dancing and Will running after 662 00:41:29,239 --> 00:41:34,879 Speaker 1: Emma actually's leaving the school. And then I think they're 663 00:41:34,880 --> 00:41:38,359 Speaker 1: originally just supposed to, like chase after look at each other. 664 00:41:38,520 --> 00:41:42,360 Speaker 1: And then Brad Falchuck said he pulled Matt aside and 665 00:41:42,480 --> 00:41:46,000 Speaker 1: was said, kiss Jama and to give her like an 666 00:41:46,040 --> 00:41:48,200 Speaker 1: authentic reaction. And so that was it. That was real. 667 00:41:49,960 --> 00:41:55,000 Speaker 1: I have challenge and that beautifully lit hallway and I'm 668 00:41:55,040 --> 00:41:58,600 Speaker 1: glad they used that one because that was And then 669 00:41:58,840 --> 00:42:00,360 Speaker 1: and we had to come back with is you have 670 00:42:00,400 --> 00:42:02,840 Speaker 1: to know if they exactly and then we have to 671 00:42:02,840 --> 00:42:05,879 Speaker 1: see regionals I mean, and that's it, and then we're 672 00:42:05,920 --> 00:42:08,560 Speaker 1: off the air for four months to come back. Oh 673 00:42:08,600 --> 00:42:13,400 Speaker 1: my gosh, fingers crossed. Okay, so let's do some Tardy takes. 674 00:42:13,520 --> 00:42:18,000 Speaker 1: Um we did do it. That is sectionals. Um Okay, 675 00:42:18,080 --> 00:42:23,759 Speaker 1: Kevin Tardy takes cringe moments A K A cheese? Oh wow? 676 00:42:23,800 --> 00:42:26,800 Speaker 1: What did I say? A k a auchiese? What is 677 00:42:26,840 --> 00:42:30,080 Speaker 1: your pick? I mean, I think j b I saying 678 00:42:30,120 --> 00:42:33,120 Speaker 1: I'm just trying to get into Rachel's pants is pretty suspect. 679 00:42:33,160 --> 00:42:39,600 Speaker 1: And also, um, the judges comments were pretty wild, like 680 00:42:39,600 --> 00:42:41,319 Speaker 1: I don't know how those deaf kids got in. They 681 00:42:41,320 --> 00:42:47,200 Speaker 1: weren't singing, they were like honking, and that's terrible. That's 682 00:42:47,200 --> 00:42:51,960 Speaker 1: Anna Camp's character. She's like, get off the stage. You're terrible, 683 00:42:52,040 --> 00:42:57,360 Speaker 1: and you're making peas comfortable. Her performance again was excellent. 684 00:42:58,200 --> 00:43:04,640 Speaker 1: Um I think Also, yeah, Rod Remingtons saying no hold 685 00:43:04,680 --> 00:43:06,880 Speaker 1: on a second candy, those havor Brook kids twice had 686 00:43:06,920 --> 00:43:09,440 Speaker 1: me reaching for my handkerchief, and those Jane Adam girls, 687 00:43:09,440 --> 00:43:11,920 Speaker 1: how'd it going on? In all the right Yeah, it 688 00:43:12,040 --> 00:43:16,680 Speaker 1: was not um worst worst dance move or best dance move. 689 00:43:17,440 --> 00:43:22,439 Speaker 1: I gotta say the call back to some of those 690 00:43:22,520 --> 00:43:26,280 Speaker 1: number those weird numbers in my life with Stuck without You, 691 00:43:26,320 --> 00:43:29,799 Speaker 1: like the push it humping that we did again we 692 00:43:29,840 --> 00:43:33,040 Speaker 1: had to see again, which was weird. I think on 693 00:43:33,080 --> 00:43:35,879 Speaker 1: the flip mode on the flip side or another note, 694 00:43:35,920 --> 00:43:37,319 Speaker 1: I don't know the saying. I think that was my 695 00:43:37,360 --> 00:43:40,839 Speaker 1: favorite because it was nice. It was nice to see 696 00:43:41,400 --> 00:43:43,960 Speaker 1: was wrapped into that last song and they did not 697 00:43:44,000 --> 00:43:46,879 Speaker 1: fit with the song, and it was great, fair enough. 698 00:43:47,200 --> 00:43:52,120 Speaker 1: What was your favorite songs song? Oh, my gosh, I 699 00:43:52,160 --> 00:43:57,240 Speaker 1: gotta say obviously, like I think. Um, the Rolling Stones 700 00:43:57,320 --> 00:44:00,200 Speaker 1: number is a great number. It didn't quite have the 701 00:44:00,200 --> 00:44:03,400 Speaker 1: effect on me that other numbers do have on me. 702 00:44:03,480 --> 00:44:06,239 Speaker 1: I will be honest. Maybe I would say right on 703 00:44:06,320 --> 00:44:08,759 Speaker 1: my parade, Yeah, I think, and I'm telling you and 704 00:44:08,880 --> 00:44:13,920 Speaker 1: right my Parade tie. Oh duh, that's right. Amber's number two. Okay, 705 00:44:14,000 --> 00:44:17,560 Speaker 1: so the two balladeers they win today Best performance by 706 00:44:17,640 --> 00:44:20,960 Speaker 1: prop m. Did you notice that Hitchcock had a pretzel 707 00:44:20,960 --> 00:44:23,839 Speaker 1: and it dropped in the middle of the scene. Did 708 00:44:23,840 --> 00:44:26,239 Speaker 1: it drop? I remember the pretzel. I just didn't see 709 00:44:26,239 --> 00:44:29,040 Speaker 1: it drop. That's funny. What about the trophy? Oh? Yeah, 710 00:44:29,080 --> 00:44:34,360 Speaker 1: the trophy? You're right, You're right? Um. Um. Should we 711 00:44:34,520 --> 00:44:38,080 Speaker 1: do some best lines real quick? Yeah, let's do it. 712 00:44:38,400 --> 00:44:43,719 Speaker 1: Let's do what's your favorite line? Sue? Uh running a 713 00:44:43,760 --> 00:44:45,920 Speaker 1: high school coolie club and finding a hairstyle that doesn't 714 00:44:45,920 --> 00:44:48,000 Speaker 1: make you look like a lesbian. I mean I think 715 00:44:48,040 --> 00:44:50,920 Speaker 1: that's that. And you're about to board the Susi Vester 716 00:44:51,000 --> 00:44:56,480 Speaker 1: Express Destination horror. I think those are again for Just 717 00:44:56,880 --> 00:44:59,680 Speaker 1: do it, Jenna. Let's talk about some should we found 718 00:44:59,680 --> 00:45:08,240 Speaker 1: on TikTok real quick talk to Connor. Hess Um posted 719 00:45:08,280 --> 00:45:11,040 Speaker 1: a TikTok of him saying, I watched GLEEZ so much 720 00:45:11,080 --> 00:45:14,200 Speaker 1: it burned into my TV screen. And so when the 721 00:45:14,239 --> 00:45:20,440 Speaker 1: TV it has like a blank screen, you see Glee 722 00:45:20,880 --> 00:45:26,520 Speaker 1: into the background. Stop. That's really good. I wish you'd 723 00:45:26,520 --> 00:45:28,560 Speaker 1: be like and we're gifting you a new TV, but no, 724 00:45:28,719 --> 00:45:32,880 Speaker 1: it we're not. Um. That's amazing and the fact that 725 00:45:32,920 --> 00:45:35,719 Speaker 1: you watch it that much is hilarious and that he's 726 00:45:35,920 --> 00:45:43,040 Speaker 1: that shot. Thanks for sending it in. Yeah, that's it, 727 00:45:43,239 --> 00:45:45,919 Speaker 1: that's our show. That's it. We're done after this, see 728 00:45:45,920 --> 00:45:49,440 Speaker 1: you guys never. I'm just kidding. That was awesome. I 729 00:45:49,480 --> 00:45:51,239 Speaker 1: can't wait to recap Hello, and you don't have to 730 00:45:51,360 --> 00:45:57,120 Speaker 1: wait four months to see us again next week come 731 00:45:57,160 --> 00:46:01,000 Speaker 1: back whoa Okay sectional us Now we are on the 732 00:46:01,040 --> 00:46:06,600 Speaker 1: way to read your knows and that's right, get ready. 733 00:46:06,600 --> 00:46:10,160 Speaker 1: Thanks for joining us, you guys, and that's what you 734 00:46:10,360 --> 00:46:14,759 Speaker 1: really missed. Bye bye bye bye, see you next time. 735 00:46:15,480 --> 00:46:18,600 Speaker 1: Thanks for listening and follow us on Instagram at and 736 00:46:18,719 --> 00:46:20,920 Speaker 1: that's what you really miss pod. Make sure to write 737 00:46:20,960 --> 00:46:23,279 Speaker 1: us a review and leave us five stars. See you 738 00:46:23,280 --> 00:46:23,680 Speaker 1: next time.