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Speaker 1: Good Morning in the USCA yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo Yo Sean

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Speaker 1: Lemaine the God pieced up playing in his Thursday Good Morning.

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Speaker 1: In this morning, we have our first guest host. Man, listen,

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Speaker 1: we told you that we was gonna be rotating the

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Speaker 1: guest host yest right you know, throughout the year, because

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Speaker 1: you know, Angelie has moved on to have our own

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Speaker 1: show Way Up with Angelie that debuts. Uh. I think

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Speaker 1: what black history of the Chinese New Year? Which one is?

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Speaker 1: I think it's around Chinese New Year. Okay, so we

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Speaker 1: got our first guest host. I'm sure you know him.

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Speaker 1: You've seen You've seen him on a million things. You've

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Speaker 1: seen him on you know, Wilding Out, you've seen him

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Speaker 1: on Uh. Well, he owns his own plan Unlocked. You've

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Speaker 1: seen him on you know, Loving Hip Hop. You've seen

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Speaker 1: him at every single party all across the world. He

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Speaker 1: has his own show right now. It's called nic Show.

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Speaker 1: What's it called The Jason Lesha I was gonna say that,

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Speaker 1: but Jason Lee is here. Jason lead when you should

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Speaker 1: do people who have their own show and the show

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Speaker 1: is named after them, right, you gotta stay from to

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Speaker 1: Jason Leah, Jason Lee clue bump for Jason League, man

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Speaker 1: and brother. How are you feeling? Man? First of all,

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Speaker 1: put some respect on the breakfast club. Now, yeah, this

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Speaker 1: is early as a hell, and I got a bunch

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Speaker 1: of rules in front of me. I'm gona try not

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Speaker 1: to break them, as they're like a mute button. They're

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Speaker 1: like a dump. I do have a dump. You see

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Speaker 1: that that they put that there? Well, usually for Charlemagne,

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Speaker 1: but it'll be for you too. I've never seen any

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Speaker 1: of those rules ever in my life, Jason never, Well,

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Speaker 1: I know you broke every single one, every single one. Absolutely,

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Speaker 1: He's broke every single one of those. Jason. It is

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Speaker 1: still dressed like he going to somebody red carpet right now.

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Speaker 1: Getting dressed this morning was a whole situation because I

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Speaker 1: had a different out for them. But I was like, yo,

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Speaker 1: I don't yeah, tomorrow will definitely be dressed differently. But

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Speaker 1: the cameras are on. Don't get it twisted. The cameras

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Speaker 1: on studio is let yeah, new studio. This is our

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Speaker 1: first week in the new studio. It's they got new cameras.

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Speaker 1: Everything is digital now. It's it's different. They gotta bring

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Speaker 1: you out like a gay flag of something, because I

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Speaker 1: know you usually have gay twist, but no, we had

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Speaker 1: the gate. We had the gay flag in the old studio.

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Speaker 1: But you know what I want to happen in this

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Speaker 1: studio is all of that stuff that we collected. It

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Speaker 1: just accumulated over time, so I don't even know what

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Speaker 1: that stuff is at now. Yeah, we tossed a lot

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Speaker 1: of that old stuff out. So yeah, like he said,

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Speaker 1: we'll accumulate some more stuff and make the studio new

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Speaker 1: and hours again. You know today we don't need the

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Speaker 1: gay flag. We got Jason Lake. Yeah yeah, I said, yo, yo,

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Speaker 1: I ran into envy at the White House. We missed you.

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Speaker 1: I chose not to go to that party. I told

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Speaker 1: you that, Yeah you did. Heart. He doesn't go anywhere

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Speaker 1: with large crowds. I mean not even just it's not

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Speaker 1: even just the large crowds. I just didn't want to be,

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Speaker 1: uh in that vicinity because when you then critiqued them,

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Speaker 1: you know, then they act like, you know you, why

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Speaker 1: are you critiquing up? We invited you to the White House.

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Speaker 1: So I got an email proof of that last night. Yeah,

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Speaker 1: they're not happy, you know, when you tell them the truth.

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Speaker 1: I mean, that's all we here to do. They don't

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Speaker 1: like it. So yeah, my response to them was probably not.

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Speaker 1: They didn't make it happy. That about well, they want

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Speaker 1: to have a lunch with the Vice president, which I

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Speaker 1: said I'm down with. But then it became ah, well

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Speaker 1: let's do it in February. I'm not only mean y'all

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Speaker 1: when it's black that guy. That was the other thing too,

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Speaker 1: because when they invited us, I had other partners that

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Speaker 1: told me, well, I'm going on to this one on Thursday.

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Speaker 1: And I'm like on Thursday, and somebody else like I

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Speaker 1: I'm going to this one on Sta Bamboos. I'm like, oh,

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Speaker 1: it's a bunch of different parties. I got bamboos. Yeah,

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Speaker 1: because when I got invited, I thought it was the

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Speaker 1: holiday party where I would see Mary J. Blige. Before

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Speaker 1: that was the Jingle Jingle party. Yeah that first of all.

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Speaker 1: And Envy was so late to get down to take

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Speaker 1: Did you get a photo with the President. Nope, he

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Speaker 1: was late to get his photo. Man, I wouldn't want

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Speaker 1: no pres I wouldn't want to picture with Joe Biden. Anyway, though, well,

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Speaker 1: they put me next to a bunch of white people.

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Speaker 1: I was trying to edit myself out, but I just

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Speaker 1: feel like the photo in the background would be warped.

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Speaker 1: So I just white people at the black On this side,

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Speaker 1: it was like Shade Room Revolt. On this side, it

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Speaker 1: was Hollywood unlock and a bunch of white people. So yeah,

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Speaker 1: it wasn't a Black media night. It was just media night.

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Speaker 1: And all the black people stayed. It was black men.

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Speaker 1: It's just all the black people stayed on one section

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Speaker 1: and the segregated the white like old times. Did anybody

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Speaker 1: I walked around the White House? I walked around the

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Speaker 1: White House asking all the white people, were you in

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Speaker 1: the Crown? I would never get another invite. But all right,

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Speaker 1: let's get the show cracking now. Malcolm jamal Wanna will

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Speaker 1: be joining us this morning. Legendary Malcolm jamal Wanna. I mean,

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Speaker 1: you know, he's in a new Fox show called Qusques.

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Speaker 1: But you know Malcolm jamal Wanna, THEO from the Cob Yes,

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Speaker 1: Malcolm and Eddie and found out a bunch of other

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Speaker 1: shows that I didn't even know what was on. Yes,

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Speaker 1: so we'll kick it with him in a little bit.

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Speaker 1: Let's get the show cracking. Of course, we got front

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Speaker 1: page news speaking of Joe Biden. They found some more

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Speaker 1: classified documents. The hypocrisy surrounding this story is nuts, but

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Speaker 1: we'll discuss. We'll tell you about all that, and now

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Speaker 1: let's get into some new music. This is money back, Yo, Glorrilla.

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Speaker 1: What you want money back? Yo? Man, Glorilla on what

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Speaker 1: you want? Who record? Is that? That's Glorilla money back? Yo,

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Speaker 1: money back? About to say dropping the clues barm from

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Speaker 1: Gloririlla because she's three for three yea in regards the

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Speaker 1: record she presented the radio, but either way she killing

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Speaker 1: it man dropping a clues bonm from Memphis Lord Verse.

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Speaker 1: Well morning, everybody is dj n V. Charlomagne. The guy

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Speaker 1: Jason Lee is our celebrity guest. Today, let's get in

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Speaker 1: some front page news. Now, Buffalo Bill's safety Damar Hamlin

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Speaker 1: has been discharged from the hospital nine days after he

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Speaker 1: collapsed during a game. Now, doctor say, we've completed a

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Speaker 1: series of test and evaluations, and we spoke with the

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Speaker 1: team physicians and we are confident that the well Damar

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Speaker 1: Hamlin can be safely discharged to continue his rehab at

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Speaker 1: his crib. So when they say rehab, rehab of what

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Speaker 1: rehab just to get back to his regular everyday life

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Speaker 1: or rehab, they haven't mentionedball. Now they haven't mentioned football.

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Speaker 1: I guess to get back to regular life. I'm sure

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Speaker 1: football is secondary in his life. Which is the most

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Speaker 1: important thing, right, Like you just want to be able

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Speaker 1: to live. Yeah, well this is why I never play sports.

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Speaker 1: Well that in the host game gave people to play sports. No,

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Speaker 1: they can't. I mean, I mean, I guess, I mean

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Speaker 1: they can. They just can't stay in the game professionally

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Speaker 1: because they don't want us in there. I'm sure you

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Speaker 1: know a lot of athletes that are gage. I believe

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Speaker 1: that they're not openly. Yeah, well, they don't slide back.

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Speaker 1: I tell you, I have a problem. They don't want

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Speaker 1: to be on Hollywood and line like I would ever

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Speaker 1: do that. But they're now, Oh they think if you

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Speaker 1: try to highlight them in the DM, then you're gonna

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Speaker 1: put them. Oh my god. Now, yesterday there was a

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Speaker 1: lot of planes that were ground it fa I was

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Speaker 1: trying to figure out what happened yesterday the system went

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Speaker 1: down and Pete Buddha judge spoke about it. What people

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Speaker 1: need to know is that FA will always act to

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Speaker 1: make sure that passengers are safe, and part of what

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Speaker 1: you saw this morning was an act of caution to

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Speaker 1: be sure until it was one hundred percent air type

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Speaker 1: that the system was working properly, even just for delivering messages,

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Speaker 1: that we had that groundstop. But I do think that

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Speaker 1: broader question is a real one. What are the redundancies,

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Speaker 1: what are the backups? What are the means to make

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Speaker 1: sure that a disruption like this does not happen? Because

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Speaker 1: you what you saw this morning was something we haven't

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Speaker 1: seen in a very long time, and we need to

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Speaker 1: design in a field that's changing a lot, and it's

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Speaker 1: going to be changing a lot more in the years

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Speaker 1: to come. We need to design a system that does

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Speaker 1: not have those kind of vulnerabilities. Okay, pets now backing

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Speaker 1: like you don't know what happened. Okay, that will decide

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Speaker 1: by attack. Okay, so somebody tapped the jaw the US

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Speaker 1: just to let us know to the point of where

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Speaker 1: they grounded the planes. I mean, I was on a

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Speaker 1: flight the other day. I'm already nervous, but now I'm

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Speaker 1: now really nervous. Gone, Yeah, that doesn't just happen the

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Speaker 1: FAA system doesn't just crash. If I read yesterday correctly,

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Speaker 1: they said that hasn't happened since nine eleven yet, So

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Speaker 1: I know they're not going to tell us the truth,

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Speaker 1: just like they won't tell us the truth about that

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Speaker 1: the terrestrials existing. But somebody tapped the US and the

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Speaker 1: jaw yesterday. I don't feel China, Russia. Somebody tapped the

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Speaker 1: jaw a little bit now. Last I don't know if

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Speaker 1: you remember, Joe Biden was on sixty minutes and he

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Speaker 1: was talking about Joe Biden. Remember being on sixty minutes.

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Speaker 1: He does it, But he was on sixty minutes and

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Speaker 1: he was talking about classified documents they found from Donald Trump.

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Speaker 1: When you saw the photograph of the top secret documents

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Speaker 1: laid out on the floor at Mara Lago, what did

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Speaker 1: you think to yourself looking at that image, how that

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Speaker 1: could possibly happen? Okay, how one anyone could be that irresponsible? Okay?

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Speaker 1: And I thought what data was in there that may

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Speaker 1: compromise sources and methods. By that I mean names of people, helpters, etc.

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Speaker 1: It just totally irresponsible. Yeah, I agree, that's why you

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Speaker 1: getting dunk get to day to day. The second batch

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Speaker 1: of classified documents have been found at Biden's office, a

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Speaker 1: second batch. A second batch. Now the original office, this

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Speaker 1: is another place they found a second batch. The hypocrisy

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Speaker 1: surrounding this story is nux. Now they're saying it's not

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Speaker 1: the documents that of the problem, it's the it's the

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Speaker 1: the obstruction that was the problem. Like they say, Trump

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Speaker 1: obstructed justice by not turning the documents over when they asked.

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Speaker 1: And I knew that was part of it with Trump,

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Speaker 1: but I also thought the documents were the actual issue

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Speaker 1: because folks said they didn't know what was in the documents.

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Speaker 1: Could be nuclear codes or you know, it could be

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Speaker 1: Trump selling classified information to foreign entity. But with Biden,

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Speaker 1: folks are like, oh, well, classified in full slips up

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Speaker 1: all the time. Instead obstruction. That's the difference. I mean,

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Speaker 1: I mean a lot of people take paperwork home from

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Speaker 1: I mean, I'm probably gonna take some of these papers

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Speaker 1: home me. They're not, you're not. I mean the president

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Speaker 1: Trump has done everything we eat, put Spider Man all

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Speaker 1: over the capital over there, all of white people climbing

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Speaker 1: up the building, and they nobody been to jail. Yet,

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Speaker 1: no people got they in prison. They're not in prison. Well,

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Speaker 1: I think two of them or they haven't been labeled terrorists.

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Speaker 1: We know there's different rules for the people over there,

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Speaker 1: and they're definitely domestic terrorists. But I just don't like

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Speaker 1: the double standard that exists, because they literally are saying

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Speaker 1: now it's the obstruction that's the difference, not the actual

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Speaker 1: classified documents, but all they told us over and over

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Speaker 1: what Trump was, No, we don't know what's in those documents.

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Speaker 1: You just heard the president and say that what could

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Speaker 1: be in that information? Now it's classified in full slips

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Speaker 1: up all the time. I hate the double standard that exists.

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Speaker 1: And I watched MSNBC and CNN last night and the

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Speaker 1: coverage of that story was very, very minimal. I didn't see,

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Speaker 1: didn't talk about Biden on CNN to like ten o'clock

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Speaker 1: at night. I was sleeping about it. It's unbelievable. All right, Well,

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Speaker 1: that is your front page news. Get it off your chest.

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Speaker 1: Eight hundred five eight five one oh five one. If

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Speaker 1: you need to vent, phone line to wide open again.

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Speaker 1: Eight hundred five eight five one oh five one. It's

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Speaker 1: the Breakfast Club. Good morning, the Breakfast Club. Wake up,

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Speaker 1: wake up. You're trying to get it off your chest.

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Speaker 1: Because you man of Blas. We want to hear from

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Speaker 1: you on the breakfast. But hello, who's this yo? I

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Speaker 1: want to what you want to say? Why you didn't

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Speaker 1: give um? Why didn't give it? The girl who give um?

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Speaker 1: Who hit the guy with the bowling ball? Um? Don't

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Speaker 1: give this day? That's a good question. I haven't seen

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Speaker 1: the video. I heard about it though, Yo, that one some.

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Speaker 1: But you gave Dana Howard? Um what the white guy

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Speaker 1: named Dana White? You know Howard saying a song called

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Speaker 1: Freak like Me back in the day love with Diana House? Yeah?

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Speaker 1: I know, I love that smung too. But why you

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Speaker 1: didn't give that? U? Jesus don't get the day. I

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Speaker 1: don't even know her name. I'm gonna look it up.

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Speaker 1: I think I think she might be deserving of a

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Speaker 1: donkey to day. I think you're right, sir, she gotta

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Speaker 1: get two donkeys of the jay. Okay, why are you

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Speaker 1: drinking that this time of morning? Bro? You're just leaving

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Speaker 1: the club. Why are ain't drinking? That's when you know somebody?

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Speaker 1: Why are you? Why are you drinking? Why are you drunk?

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Speaker 1: Why are you ain't drinking those hours when you leaving

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Speaker 1: the club down define. Hello. Who's this? This is Jordan

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Speaker 1: the weld Or good morning, breakfast, Good morning, Jordan, get

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Speaker 1: it off your chest. I just wanted towards your safe

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Speaker 1: and happy and healthy pregnancy to all the pregnant women

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Speaker 1: out there, including myself. Congratulate you got a little well

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Speaker 1: done away. Thank you? Yeah, can't you guys look at

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Speaker 1: my estagram page? Please? What's your Instagram page? What's your

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Speaker 1: Jordan the Weldon, Yeah, ravel banks for all with me. Yeah,

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Speaker 1: I didn't know you was Pregnan, I didn't realize it

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Speaker 1: was pregnant. Thought pregnancy po those loved it. Yeah, hello,

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Speaker 1: watch my story. I am six months because grats enjoy it.

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Speaker 1: Let me know where your registry at. Jordan, Thank you,

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Speaker 1: I appreciate it. You have a go on. Mama, you too? Bye? Hello?

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Speaker 1: Who's this all right? Hey? How you doing? How's it going?

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Speaker 1: What's your name? Bro? Oh boy? You the poet? Yeah?

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Speaker 1: All right, you got some poetry for us this morning?

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Speaker 1: De spacious for sure? Go ahead. Before I was on

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Speaker 1: this earth, I was gone, went from being the myth

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Speaker 1: to born the legend. A funny thing is Pops made

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Speaker 1: me a high level peasant. He wasn't even present my

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Speaker 1: dad beat fairly, even spoke to me until I was

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Speaker 1: dead me three days later, I was on my feet.

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Speaker 1: I got about her there and went to see my piece,

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Speaker 1: told him I was out of here time laughs. Over

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Speaker 1: two thousand years now, I'm doing poetry in front of

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Speaker 1: the descendants of those who murder me. But I'm not

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Speaker 1: my dad. I won't hold you accountable for some of

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Speaker 1: you didn't ask both. That's how you cause a domini?

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Speaker 1: What else do you do? Bro? Jason? We don't have

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Speaker 1: any thoughts that that Cadence just put me to sleep.

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Speaker 1: I can't And Jason's already kind of see because he's

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Speaker 1: not used to being up this morning. So are you

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Speaker 1: supposed to come up here and give give him something

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Speaker 1: to pep him up? Okay? I mean he could never

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Speaker 1: survive in while style for my Jamore Warner's coming later,

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Speaker 1: and he does poetry a little better than you, Bro. Okay,

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Speaker 1: you don't have any other goals for the new year?

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Speaker 1: What else you're doing? Well? I do podcast? Well? What else?

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Speaker 1: What else do you do? How do you make money?

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Speaker 1: I got a regular nine a five. There you go

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Speaker 1: with that. What is it? Merchandise? There you go Amazon FedEx?

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Speaker 1: I got bro huh with merchandising great benefits, it's hard. Okay,

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Speaker 1: we'll have a good one. Brother, Yeah, keep growing. You're

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Speaker 1: gonna growing that company. I believe in. You get it

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Speaker 1: off your chest. Eight hundred and five eight five, one

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Speaker 1: oh five one. If you need to vent, hit us

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Speaker 1: up now. And Jason Lee, he's our celebrity guest hostess oneing,

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Speaker 1: so you don't move. It's to breakfast club, Go morning,

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Speaker 1: the breakfast Club. It seemed like it's a fall. It's

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Speaker 1: a fall. And if we're gonna do yeah, yea, how

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Speaker 1: we're gonna get good. And it's gonna be hard getting

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Speaker 1: good in the services already it's already taken a long

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Speaker 1: time to you. Yeah, nobody, it's gonna be doing work

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Speaker 1: for free out here. But they're trying to box you

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Speaker 1: guys out allway because they're trying to create electric trucks,

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Speaker 1: that electric eighteen wheelers that they won't actually need drivers.

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Speaker 1: So I mean, that's that's gonna be real tough on

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Speaker 1: your industry. Let me ask you something that you trust

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Speaker 1: the Trump Trump going down a row eight thousand pounds.

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Speaker 1: But no, Robin, I don't, I don't. But but if

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Speaker 1: you see what they're doing on on the bridges and tolls.

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Speaker 1: You know what I mean. There's no more people anymore now,

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Speaker 1: it's all electrics. So all those people lost their jobs.

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Speaker 1: If you look at what they're doing in the trains

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Speaker 1: and the buses, a lot of those people have lost

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Speaker 1: their jobs. So it's gonna be real difficult out there.

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Speaker 1: Robots take that's true. Hey, hey, hey, Vy, I got

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Speaker 1: I got an idea for you, though I know you're

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Speaker 1: still doing the um the uh the car shoal stuff. Right, yes, sir,

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Speaker 1: all right, I know I got I got a crazy idea,

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Speaker 1: not crazy idea, but I say, why would you tell

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Speaker 1: the world? Man? They ain't even trademarking nothing. Hello, who's

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Speaker 1: this yo? Morning, Stevie, Steve Jell? Can we go with

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Speaker 1: Happy New Year? Happy year? Brother? I'm sitting my life,

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Speaker 1: I think lost what what he said? Then my work

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Speaker 1: parking a lot, thinking of a good logs bro. You

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Speaker 1: might as would just go in you already there. I know, man,

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Speaker 1: it's hard. It's a lot of diseases floating around. Pick

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Speaker 1: one COVID, you flew rs V. But if you're sitting

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Speaker 1: in the parking lot, you shouldn't be Let me go

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Speaker 1: host people, I come home co host with y'all. There

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Speaker 1: was actually a podcaster poet who just called it. I

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Speaker 1: think y'all should team up. Yeah, you can do something together.

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Speaker 1: Give up call it parking lot podcasting, a parking lot

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Speaker 1: poetry something something park poetry. I'm I'm trying to be

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Speaker 1: on anybody can me and the friends talking about these shows?

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Speaker 1: Hit move out? They hit you a brush? Christ God

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Speaker 1: bless those are people we deal with each and every morning.

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Speaker 1: Jason's Wow, I'm sure Jason gets those kind of people

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Speaker 1: to Yeah, No, not really really, Yeah, I'm just people

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Speaker 1: who think they people who want to be on or

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Speaker 1: who want to get in position but have done no

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Speaker 1: work to be there. Absolutely, Yeah, some of them are

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Speaker 1: on wilding out, but you know they may get to,

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Speaker 1: like the first episode in the next sense of them home. Well,

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Speaker 1: Jason Lee is our guest host this morning. He's gonna

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Speaker 1: be channeling all the rumors. And we got rumors on

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Speaker 1: the way. What we're talking about? Man, they say Gun

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Speaker 1: is out here, the new sixth nine in the strip.

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Speaker 1: Whoa he's defending himself? WHOA? What why y'all this disparage

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Speaker 1: at this disparage of cancel culture, where that comes to

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Speaker 1: snitch and gun is the new sixth nine and I

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Speaker 1: got that cone up? Whoa all right, Jason Lee, Ladies

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Speaker 1: and gentlemen, Rumors on the way. It's the Breakfast Club

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Speaker 1: the Morning, The Breakfast Club Morning. Everybody is dj n

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Speaker 1: V Charlemagne the guy. We all the Breakfast Club. Yeah,

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Speaker 1: in man, can't you do something for man? Why Drake

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Speaker 1: twenty one's having to do? What's so much for him?

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Speaker 1: Many one to get at his ops? You want twenty

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Speaker 1: one to get at his exes? Jesus Christ collaboration Drake

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Speaker 1: now trying to mess up that visa? Right? Did he ain't?

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Speaker 1: Still back? Well? Our guest host for today is Jason Lee,

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Speaker 1: and we got rumors on the way. But we're talking

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Speaker 1: about Jason. Listen, we're gonna talk about Gunna snitching in

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Speaker 1: a minute. But before that, what why is? Everybody gets

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Speaker 1: some uncomfortable when I say that coming, so listen, it's early.

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Speaker 1: I gotta wake myself up. But no, there's this non

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Speaker 1: funny comedian named Girard Carmichael. I have not watched the

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Speaker 1: car Michael show. I don't care about it was great, well,

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Speaker 1: I'm sure it was, but what wasn't great. Go or

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Speaker 1: you've got to believe report. I mean, I guess we

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Speaker 1: on the Breakfast Club. This were the tea spills right

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Speaker 1: right on the Breakfast Club. All right, go what was

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Speaker 1: the Roman report? But this is Jason Lee with the

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Speaker 1: tea gett into this. So Girard Carmichael, he hosted the

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Speaker 1: Golden Globes the other day and it was really black everybody,

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Speaker 1: all black excellence was in the house getting honored. But

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Speaker 1: he was not honoring an icon who actually died there.

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Speaker 1: So the wit in Houston, the state is now sounding

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Speaker 1: off because at the Golden Globes he gave a joke

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Speaker 1: that wasn't really that funny. And this is what he said.

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Speaker 1: We are pressed for time, but they wanted me to

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Speaker 1: shout out the venue that we're in. So we are

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Speaker 1: here live from the hotel that killed Whitney Houston, the

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Speaker 1: Beverly Holton. Uh you guys, souh that's very exciting, just ridiculous. Yeah, Gerard,

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Speaker 1: my guy. But that joke didn't big much sense because

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Speaker 1: the hotel didn't kill Whitney Houston, like what Whitney was

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Speaker 1: doing in the hotel unfortunately, you know, killed Whitney joke,

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Speaker 1: but this is a crazy part. In twenty and twelve,

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Speaker 1: we had that party with Whitney the day before she

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Speaker 1: passed away. This year, we held our award show, the

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Speaker 1: Hollywood On Like Impact Awards, at that same hotel. So

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Speaker 1: we actually did that in honor of, you know, just

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Speaker 1: the memory and relationship we have with me. So it

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Speaker 1: was so the Pat Houston, this is the family spokesperson,

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Speaker 1: she's she's speaking out and she called the joke disappointing

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Speaker 1: and she went on to say that this the Whitney

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Speaker 1: Houston state UH is disappointed in the joke and felt

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Speaker 1: it was in poor taste. Yeah. Maybe if he would

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Speaker 1: have said maybe, if he would have just said, this

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Speaker 1: is the hotel with Whitney Houston, you know, passed away,

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Speaker 1: and it would have made more sense. But I didn't

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Speaker 1: get the whole she's a legend. Yes, well he's right, yes, yeah,

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Speaker 1: the entire LGBTQ community is pissed. I'm here to speaking

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Speaker 1: on behalf of all of them stuff all gays everywhere,

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Speaker 1: because wouldn't use a gay icon. I mean, she's an

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Speaker 1: icon period, an icon period, but like we honor her.

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Speaker 1: And it's interesting because yesterday actually spoke to Monica, and

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Speaker 1: Monica when we were in the conversation about something else,

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Speaker 1: brought back that day that she was with her the

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Speaker 1: day before she died and she was just talking about

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Speaker 1: how importan when he was. This is before we even

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Speaker 1: I even heard about this story, so we wouldn't need

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Speaker 1: a day before she died to her partying with Yeah,

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Speaker 1: she's walking through the club. She was dragging RAYJ through

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Speaker 1: the club like a side check. Wow, damn it. Man, Well, yeah,

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Speaker 1: I want to keep going, Yeah, keep going. Okay, well listen,

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Speaker 1: we're gonna go back and talk about this snitch now.

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Speaker 1: I don't know why? Why? Why are black people everywhere

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Speaker 1: like upset or shocked when I say this, because when

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Speaker 1: six nine didn't, nobody said anything. Why does don't know

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Speaker 1: if Gunna was snitching? I don't know, I personally don't know. Okay, Well,

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Speaker 1: he's back on social media saying that he wasn't snitching

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Speaker 1: and apparently this is all coming down after he copped

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Speaker 1: this plea in the y cel Rico case. But fans

420
00:19:59,440 --> 00:20:01,960
Speaker 1: are not here for work. So recently, the rapper played

421
00:20:01,960 --> 00:20:04,879
Speaker 1: guilty to a racketeering conspiracy charge was he was released

422
00:20:04,920 --> 00:20:06,440
Speaker 1: from jail. Now all the people I know from the hood.

423
00:20:06,480 --> 00:20:08,439
Speaker 1: They go to jail, and I mean, yes, we got

424
00:20:08,560 --> 00:20:10,479
Speaker 1: to weigh on the paperwork, but we ain't seen the paperwork.

425
00:20:10,520 --> 00:20:12,520
Speaker 1: But what we have heard is the audio of him

426
00:20:12,680 --> 00:20:15,240
Speaker 1: in the courtroom, and this is what he said. I

427
00:20:15,400 --> 00:20:20,159
Speaker 1: became affiliate with yself around two thousand and sixteen. Is

428
00:20:20,200 --> 00:20:23,320
Speaker 1: that true? As in p changed to use your kiss, ye,

429
00:20:24,440 --> 00:20:28,280
Speaker 1: bia Self is a music label and a game, and

430
00:20:28,440 --> 00:20:32,000
Speaker 1: you have personal knowledge that members are associate with Yaseel

431
00:20:32,200 --> 00:20:36,639
Speaker 1: captimitting primes in partients of the game. You were president

432
00:20:36,720 --> 00:20:40,000
Speaker 1: when Laon worriment Off some stopped the vehicle in which

433
00:20:40,960 --> 00:20:44,760
Speaker 1: you were present along with Jeffrey Williams, where in Hydra Coto,

434
00:20:45,119 --> 00:20:49,119
Speaker 1: mathem fatis and a firearm were recovered. These items did

435
00:20:49,200 --> 00:20:53,119
Speaker 1: not belong to you, ye, And do you acknowledge the

436
00:20:53,280 --> 00:20:58,240
Speaker 1: following statement? I recognize except in j the record that

437
00:20:58,440 --> 00:21:10,879
Speaker 1: my tale and music and very polite. That's what I

438
00:21:10,960 --> 00:21:16,600
Speaker 1: took from it. Okay. At this point to Kashi six

439
00:21:16,720 --> 00:21:18,200
Speaker 1: nine could open up for Drake if that's what we're

440
00:21:18,200 --> 00:21:20,000
Speaker 1: gonna say. But because Gunna and to me Gunn and

441
00:21:20,080 --> 00:21:23,359
Speaker 1: six nine literally the same person, I'm gonna say this, Okay,

442
00:21:23,440 --> 00:21:26,520
Speaker 1: But I don't know what the conversations between Thug and

443
00:21:26,600 --> 00:21:29,800
Speaker 1: Gunna was. Now, if Thug knew this and it was

444
00:21:30,080 --> 00:21:32,720
Speaker 1: clear and this was okay, then I get it. But

445
00:21:32,760 --> 00:21:34,840
Speaker 1: if Thug had no idea and he was railroaded and

446
00:21:34,920 --> 00:21:36,600
Speaker 1: had no idea what was going on, and they're using

447
00:21:36,640 --> 00:21:39,159
Speaker 1: this against him, then absolutely positively, here's the thing. I

448
00:21:39,240 --> 00:21:41,360
Speaker 1: have no idea if he's snitching, and I honestly don't

449
00:21:41,359 --> 00:21:42,920
Speaker 1: care because I'm not in the street. Now, I don't

450
00:21:42,960 --> 00:21:44,919
Speaker 1: understand why anyone who's not in the street. I've never

451
00:21:44,960 --> 00:21:46,720
Speaker 1: been in the street cares. Even with six nine, I

452
00:21:46,800 --> 00:21:48,919
Speaker 1: never cared that six nine, and I expected six nine

453
00:21:48,960 --> 00:21:52,399
Speaker 1: to nitche coming. What I always told him was, if

454
00:21:52,400 --> 00:21:53,920
Speaker 1: you don't change your life, start, you end up in

455
00:21:53,960 --> 00:21:55,960
Speaker 1: jail a day, like you're gonna crash and burn. I

456
00:21:56,040 --> 00:21:58,960
Speaker 1: only care because everybody's business is my actual business. But

457
00:22:00,520 --> 00:22:02,440
Speaker 1: but but he you know, Gunna went on to say,

458
00:22:02,520 --> 00:22:05,240
Speaker 1: ninjas are acting like they switching to a side, but

459
00:22:05,320 --> 00:22:07,800
Speaker 1: it's only one side. Hashtag whyre sell the label? Why

460
00:22:07,800 --> 00:22:09,760
Speaker 1: are he to put hashtag why I sell the gang?

461
00:22:09,800 --> 00:22:11,280
Speaker 1: That's what he said. It was in the court room.

462
00:22:11,440 --> 00:22:13,080
Speaker 1: I mean this one, I'm saying, keep the same energy

463
00:22:13,359 --> 00:22:14,879
Speaker 1: when you win them court streets and you get on

464
00:22:14,960 --> 00:22:17,840
Speaker 1: these other streets, keep that same energy. But isn't acknowledging

465
00:22:17,880 --> 00:22:20,480
Speaker 1: Wire sellers a gang also acknowledging that he was indeed

466
00:22:20,520 --> 00:22:22,040
Speaker 1: in the gang. So my whole thing is, I guess

467
00:22:22,080 --> 00:22:24,840
Speaker 1: the difference between him and him and not even just

468
00:22:25,119 --> 00:22:26,680
Speaker 1: people say six nine, but just the other people in

469
00:22:26,840 --> 00:22:28,720
Speaker 1: y Cell, the other people in why sell actually pointed

470
00:22:28,760 --> 00:22:31,000
Speaker 1: at somebody, well whose other people in why I Tell

471
00:22:31,000 --> 00:22:33,600
Speaker 1: That pointed to say, yeah, such and such did this.

472
00:22:33,800 --> 00:22:35,960
Speaker 1: I didn't see who gonna pointed that. The whole gonna fight,

473
00:22:36,040 --> 00:22:38,600
Speaker 1: that the whole fight with Kevin Lyles and and everybody

474
00:22:38,600 --> 00:22:40,520
Speaker 1: in the industry was saying that wire Cell was a

475
00:22:40,560 --> 00:22:42,399
Speaker 1: record label and not a gang, and this was a

476
00:22:42,480 --> 00:22:46,119
Speaker 1: label that employed young brothers and sisters and helped the community.

477
00:22:46,160 --> 00:22:48,080
Speaker 1: That's what they were saying. So with him saying it's

478
00:22:48,119 --> 00:22:50,960
Speaker 1: a gang, it kind of proved the point of the prosecutor. Yeah,

479
00:22:51,160 --> 00:22:54,399
Speaker 1: that's called snitching. I don't care, but I think if

480
00:22:54,560 --> 00:22:57,960
Speaker 1: we should wait on thugs. When thug says, hey, these

481
00:22:58,000 --> 00:23:01,280
Speaker 1: people turned on me, didn't, we can people can officially

482
00:23:01,359 --> 00:23:03,560
Speaker 1: label him. Well, let me just be very swair the

483
00:23:03,640 --> 00:23:05,520
Speaker 1: only I know two ricos, the one thing he got

484
00:23:05,680 --> 00:23:07,919
Speaker 1: arrested for and my assistant. And I promise you, if

485
00:23:07,960 --> 00:23:09,440
Speaker 1: you play on my social media, I would call the

486
00:23:09,520 --> 00:23:12,200
Speaker 1: FBI because I'm not in the game. I will snitch

487
00:23:12,280 --> 00:23:14,800
Speaker 1: on yours. My whole point, Like I've been seeing people

488
00:23:14,800 --> 00:23:16,760
Speaker 1: on social media. I get that after running joke on

489
00:23:16,840 --> 00:23:19,160
Speaker 1: social media now the clown gunner. But I'm like, why

490
00:23:19,240 --> 00:23:21,399
Speaker 1: do you care? You're not in the street, You've never

491
00:23:21,480 --> 00:23:23,240
Speaker 1: been in the street. Like, I don't think we should

492
00:23:23,320 --> 00:23:25,520
Speaker 1: care care, but I definitely think we should keep that

493
00:23:25,560 --> 00:23:27,520
Speaker 1: same energy. I think it was easy for people to

494
00:23:27,560 --> 00:23:30,119
Speaker 1: say it about six nine everything I see, I just

495
00:23:30,240 --> 00:23:32,320
Speaker 1: heard that. I mean to me, I don't know. I

496
00:23:32,440 --> 00:23:34,000
Speaker 1: just always say, like, even when it comes down to

497
00:23:34,000 --> 00:23:36,040
Speaker 1: gate stuff, what would my brothers do? My brothers wouldn't

498
00:23:36,040 --> 00:23:38,320
Speaker 1: do the things I do. My brothers wouldn't snitch, So

499
00:23:38,520 --> 00:23:40,520
Speaker 1: that was snitch. I think we should encourage more crime.

500
00:23:40,560 --> 00:23:46,399
Speaker 1: Provinci shout out to t WHOA, my god, damn, he

501
00:23:46,640 --> 00:23:49,439
Speaker 1: just came over here with the chapel. Blah blah bah

502
00:23:49,440 --> 00:23:51,600
Speaker 1: blah bla bla. They told me to wake up. I'm away,

503
00:23:51,800 --> 00:23:53,320
Speaker 1: all right, you good now, let me just ask one

504
00:23:53,400 --> 00:23:57,200
Speaker 1: last question. They told me to wake up. It's stuck

505
00:23:57,280 --> 00:24:00,159
Speaker 1: still following gunna on I I mean here and ye,

506
00:24:00,240 --> 00:24:01,840
Speaker 1: he ain't got no phone. How are you gonna follow him?

507
00:24:01,840 --> 00:24:03,159
Speaker 1: Wait till you get out. Let's see when he get

508
00:24:03,200 --> 00:24:05,000
Speaker 1: out what happened? If you get out and this unfollowed,

509
00:24:05,040 --> 00:24:10,920
Speaker 1: we know what it is, all right, Jason snitching follow

510
00:24:12,560 --> 00:24:15,480
Speaker 1: That's that's the gage now. Jesus well, lad is Jason

511
00:24:15,560 --> 00:24:17,280
Speaker 1: Lee with the tea? When we come back. We got

512
00:24:17,359 --> 00:24:20,560
Speaker 1: to talk about cannabis. Well, it's more like dui and

513
00:24:20,680 --> 00:24:22,520
Speaker 1: how you can be pulled over for it. We'll explain.

514
00:24:22,600 --> 00:24:25,880
Speaker 1: Don't move. It's the breakfast club. Good morning, the breakfast Club.

515
00:24:26,000 --> 00:24:30,040
Speaker 1: Your morning's will never be the same. Draft King sports

516
00:24:30,080 --> 00:24:32,439
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517
00:24:32,800 --> 00:24:34,879
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518
00:24:35,040 --> 00:24:37,520
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519
00:24:37,560 --> 00:24:41,879
Speaker 1: That's cold Envy only a Draft King Sports Book. This weekend,

520
00:24:42,760 --> 00:24:45,480
Speaker 1: I've heard better weekend song. Well, Timmy just did this

521
00:24:45,600 --> 00:24:47,800
Speaker 1: like two months ago. I like this song. I feel

522
00:24:47,840 --> 00:24:49,840
Speaker 1: like like when you're driving in the car and the

523
00:24:49,880 --> 00:24:52,480
Speaker 1: wins your wifers are going, but it's not raining, you know,

524
00:24:52,480 --> 00:24:54,480
Speaker 1: what I mean, it's a little dreary. Yeah, let's a

525
00:24:54,520 --> 00:24:56,280
Speaker 1: little dri bro to me. Just did it over like

526
00:24:56,400 --> 00:25:02,240
Speaker 1: two songs? Was that originally that's Fooji the foogis who

527
00:25:02,840 --> 00:25:10,800
Speaker 1: I don't want Mario one is, Yeah, that's Mario win

528
00:25:12,440 --> 00:25:16,240
Speaker 1: though he said with the beat, but that's Mario said fogies.

529
00:25:16,240 --> 00:25:17,600
Speaker 1: All I heard was ready or not and could not

530
00:25:17,760 --> 00:25:20,840
Speaker 1: line that. But that's what it sounds like. Chopped screwed

531
00:25:21,000 --> 00:25:23,159
Speaker 1: version of Mario one is. That's what it sounded like.

532
00:25:23,400 --> 00:25:26,840
Speaker 1: It's not a lightly chopped and screwed version of Mario wins.

533
00:25:27,080 --> 00:25:30,840
Speaker 1: Why we didn't Playlilla money bag yo right there? All right, anyway,

534
00:25:30,920 --> 00:25:35,680
Speaker 1: let's get in some front page music because radio don't

535
00:25:35,720 --> 00:25:39,120
Speaker 1: care about music no more. I still do, sir, well,

536
00:25:39,200 --> 00:25:41,920
Speaker 1: our guests, So today's Jason Lee. All right, now let's

537
00:25:41,920 --> 00:25:44,560
Speaker 1: talk about Buffalo Shooter. Yeah, because he got to chop

538
00:25:44,600 --> 00:25:47,520
Speaker 1: out this morning. DeMar Hamlin. He has been discharged from

539
00:25:47,520 --> 00:25:50,160
Speaker 1: the hospital nine days after he collapsed during a game

540
00:25:50,240 --> 00:25:52,920
Speaker 1: from cardiac arrest. Doctor said, we completed a series of

541
00:25:52,960 --> 00:25:56,080
Speaker 1: test and evaluations and after speaking with the team, he

542
00:25:56,240 --> 00:25:58,280
Speaker 1: was okay to let go. It can be at the

543
00:25:58,320 --> 00:26:02,119
Speaker 1: crib to to rehab app and to relax at the

544
00:26:02,240 --> 00:26:05,440
Speaker 1: house now. Also, yesterday we know ten thousand flights have

545
00:26:05,520 --> 00:26:09,199
Speaker 1: been delayed yesterday because of a computer going down. Well,

546
00:26:09,280 --> 00:26:11,800
Speaker 1: they spoke about it. Pete booda judge had some something

547
00:26:11,840 --> 00:26:14,119
Speaker 1: to say about it. What people need to know is

548
00:26:14,240 --> 00:26:17,879
Speaker 1: that FA will always act to make sure that passengers

549
00:26:17,960 --> 00:26:20,000
Speaker 1: are safe, and part of what you saw this morning

550
00:26:20,200 --> 00:26:24,080
Speaker 1: was an act of caution to be sure until it

551
00:26:24,200 --> 00:26:26,720
Speaker 1: was one hundred percent air type that the system was

552
00:26:26,760 --> 00:26:30,520
Speaker 1: working properly, even just for delivering messages that we had

553
00:26:30,640 --> 00:26:33,480
Speaker 1: that groundstop. But I do think that broader question is

554
00:26:33,600 --> 00:26:36,840
Speaker 1: a real one. What are the redundancies, what are the backups?

555
00:26:36,920 --> 00:26:39,639
Speaker 1: What are the means to make sure that a disruption

556
00:26:39,760 --> 00:26:43,000
Speaker 1: like this does not happen? Because you what you saw

557
00:26:43,119 --> 00:26:46,040
Speaker 1: this morning was something we haven't seen in a very

558
00:26:46,080 --> 00:26:49,600
Speaker 1: long time, and we need to design in a field

559
00:26:49,640 --> 00:26:51,080
Speaker 1: that's changing a lot, and it is going to be

560
00:26:51,200 --> 00:26:53,000
Speaker 1: changing a lot more in the years to come. But

561
00:26:53,160 --> 00:26:54,760
Speaker 1: we need to design a system that does not have

562
00:26:54,840 --> 00:26:58,240
Speaker 1: those kind of vulnerabilities. What people need to know is

563
00:26:58,280 --> 00:27:00,760
Speaker 1: what actually happened that was the side or attack. Okay,

564
00:27:00,760 --> 00:27:02,480
Speaker 1: I don't care what nobody say, don't act like that

565
00:27:02,520 --> 00:27:06,119
Speaker 1: with something normal, normal ten thousand flights, That's what I'm saying.

566
00:27:06,440 --> 00:27:09,080
Speaker 1: FAA systems just don't go down. Somebody tapped the jaw

567
00:27:09,119 --> 00:27:10,680
Speaker 1: to us yesterday. I don't know if it was the

568
00:27:10,760 --> 00:27:13,440
Speaker 1: Chinese or the Russians, which somebody did. Okay, why do

569
00:27:13,480 --> 00:27:16,400
Speaker 1: you think that we can't handle the truth, Because we can't.

570
00:27:16,640 --> 00:27:19,719
Speaker 1: We ten thousand flights go down on the same day

571
00:27:19,720 --> 00:27:22,600
Speaker 1: after nine eleven, I'm taking Amtrak to New York. Everybody's

572
00:27:22,600 --> 00:27:27,000
Speaker 1: going to get toilet paper. Heybody saying we already indulge

573
00:27:27,040 --> 00:27:29,640
Speaker 1: in mad conspiracy theories anyway, if you go on social media,

574
00:27:29,640 --> 00:27:32,440
Speaker 1: everybody got these wild conspiracy theories just about all types

575
00:27:32,480 --> 00:27:33,879
Speaker 1: of stuff. So you might as well just tell us

576
00:27:33,920 --> 00:27:35,639
Speaker 1: the truth. And the truth can't be wider than these

577
00:27:35,680 --> 00:27:37,439
Speaker 1: conspiracy theories. But the scary thing, I don't know if

578
00:27:37,480 --> 00:27:40,120
Speaker 1: you've seen Pelosi in the House on HBO Max when

579
00:27:40,440 --> 00:27:42,280
Speaker 1: they were actually filming her for a documentary when the

580
00:27:42,320 --> 00:27:45,119
Speaker 1: insurgents happened, it's kind of scary. At health they weren't

581
00:27:45,160 --> 00:27:48,800
Speaker 1: even prepared to handle that show that not But how

582
00:27:48,800 --> 00:27:50,639
Speaker 1: would we handle it, you know, I mean, ten thousand

583
00:27:50,680 --> 00:27:52,200
Speaker 1: flights in there at the same time I mean, I

584
00:27:52,240 --> 00:27:54,600
Speaker 1: don't know, just tell us the truth. Everything can't be

585
00:27:54,680 --> 00:27:56,720
Speaker 1: a prepared statement, you know what I mean, Like, just

586
00:27:56,840 --> 00:27:58,760
Speaker 1: tell us the truth, like especially in this day and

587
00:27:58,760 --> 00:28:02,680
Speaker 1: age of social media, like the news happens all the time.

588
00:28:03,000 --> 00:28:06,200
Speaker 1: Like I'm pretty sure the American public couldn't handle I

589
00:28:06,240 --> 00:28:08,359
Speaker 1: don't think so in a crouple of country, because what

590
00:28:08,480 --> 00:28:10,320
Speaker 1: will people do. They're gonna run to the grocery stores

591
00:28:10,320 --> 00:28:12,160
Speaker 1: and buy out the groceries. They're gonna run to the bank.

592
00:28:12,200 --> 00:28:16,720
Speaker 1: They yeah, well, yeah, well that's what they're nervous about.

593
00:28:16,720 --> 00:28:18,119
Speaker 1: They're gonna run to the bank. You're gonna take out

594
00:28:18,119 --> 00:28:19,680
Speaker 1: all your money at the bank, which is gonna hurt

595
00:28:20,040 --> 00:28:22,280
Speaker 1: stock market in Wall Street. And that's what they don't

596
00:28:22,359 --> 00:28:25,320
Speaker 1: So you're saying it's gonna be chaos and outrage and

597
00:28:25,720 --> 00:28:30,440
Speaker 1: irrational of things happening. Correct, Their industry is barely getting

598
00:28:30,560 --> 00:28:32,439
Speaker 1: get barely getting back to normal after COVID. I mean,

599
00:28:32,520 --> 00:28:34,120
Speaker 1: you think if they would have said that the cyber

600
00:28:34,119 --> 00:28:36,440
Speaker 1: attack happened, and you know, yeah, nobody would want to

601
00:28:36,480 --> 00:28:38,360
Speaker 1: get on the planet. I wouldn't I know one thing.

602
00:28:38,520 --> 00:28:41,680
Speaker 1: Wouldn't nothing stop in Florida, wouldn't doesn't stop in Texas.

603
00:28:42,320 --> 00:28:45,080
Speaker 1: Wouldn't nothing stop in Georgia. I promise you whatever it

604
00:28:45,200 --> 00:28:47,480
Speaker 1: is that will get over it now. Lastly, you know

605
00:28:47,560 --> 00:28:49,600
Speaker 1: weed is being legalized in so many different states, So

606
00:28:49,760 --> 00:28:51,880
Speaker 1: now police are trying to come up with ways to

607
00:28:51,960 --> 00:28:55,200
Speaker 1: find out if drivers are driving high. That they're trying

608
00:28:55,200 --> 00:28:56,960
Speaker 1: to figure out to test. How they can test people,

609
00:28:57,040 --> 00:28:59,840
Speaker 1: how they can check if it's bringing a dog to

610
00:28:59,880 --> 00:29:02,120
Speaker 1: smell or if it's bringing somebody else to see if

611
00:29:02,160 --> 00:29:04,800
Speaker 1: they could actually do a p test, or pull up

612
00:29:04,840 --> 00:29:07,800
Speaker 1: with snacks. Cops pull up with snacks and if immediately

613
00:29:07,880 --> 00:29:09,600
Speaker 1: I take that snack out your hand, I just asked

614
00:29:09,640 --> 00:29:12,240
Speaker 1: for a bite. I might have the munchies as possible.

615
00:29:12,280 --> 00:29:15,640
Speaker 1: But it's driving high a bad thing. Yeah, high on weed? Yeah?

616
00:29:15,640 --> 00:29:20,520
Speaker 1: Well influence yes, yea, I haven't never. I've never known

617
00:29:20,560 --> 00:29:24,600
Speaker 1: anybody to crash from being high on marijuana. Well, let's

618
00:29:24,600 --> 00:29:28,200
Speaker 1: saying your your reflex is a lot slower. Usually you

619
00:29:28,360 --> 00:29:31,080
Speaker 1: drive slower. Yeah, I want to drive behind. Driving would

620
00:29:31,080 --> 00:29:33,000
Speaker 1: blow my high. I could even I don't know when

621
00:29:33,000 --> 00:29:34,480
Speaker 1: I get high. I'd like to just sit on the

622
00:29:34,520 --> 00:29:36,320
Speaker 1: couch and do nothing. Yeah, I can't smoke with you.

623
00:29:36,400 --> 00:29:37,760
Speaker 1: I don't even like to talk when I'm high, so

624
00:29:37,800 --> 00:29:39,760
Speaker 1: why would I want to drive high? All right, well

625
00:29:39,880 --> 00:29:42,880
Speaker 1: that is your front page news. Now when we come back,

626
00:29:43,000 --> 00:29:45,440
Speaker 1: Malcolm Jumore Warner will be joining us. I need y'all

627
00:29:45,480 --> 00:29:49,240
Speaker 1: to you know, remember this question for a Black Trivia

628
00:29:49,440 --> 00:29:51,600
Speaker 1: Black Trivia in the future, because this is gonna pop

629
00:29:51,720 --> 00:29:55,480
Speaker 1: up one day. Who was the first guest on in

630
00:29:55,560 --> 00:29:57,920
Speaker 1: the new Breakfast Club studio? At some point in life,

631
00:29:57,960 --> 00:29:59,760
Speaker 1: that's gonna be a question, who's the first guest in

632
00:29:59,760 --> 00:30:03,080
Speaker 1: the club studio? Who was the first guest on on

633
00:30:03,200 --> 00:30:06,160
Speaker 1: the original Breakfast Club. Who's our first guest ever? I know,

634
00:30:06,280 --> 00:30:08,480
Speaker 1: you know he's looking at me. I thought she was

635
00:30:08,480 --> 00:30:11,800
Speaker 1: asking me. But in the new Studio, new chapter, the

636
00:30:11,920 --> 00:30:14,680
Speaker 1: first guest ever Malcolm Jamal war That's right. Write that

637
00:30:14,760 --> 00:30:17,200
Speaker 1: down for a future Black Trivia question. Am I the

638
00:30:17,240 --> 00:30:19,280
Speaker 1: first guest host? You are the first guest? Put that

639
00:30:19,360 --> 00:30:21,160
Speaker 1: one down to there you go. That's right, of course,

640
00:30:21,160 --> 00:30:22,719
Speaker 1: you know I'm mis Steve Huxtable and we're gonna kick

641
00:30:22,720 --> 00:30:24,280
Speaker 1: it with him next. It don't move. It's the Breakfast Club.

642
00:30:24,320 --> 00:30:32,000
Speaker 1: Good morning, the Breakfast Club one oh five one, The

643
00:30:32,240 --> 00:30:39,840
Speaker 1: Breakfast Club. Your mornings will never be the same. Charlemagne,

644
00:30:39,880 --> 00:30:41,920
Speaker 1: the guy we got a special guest in the building.

645
00:30:41,960 --> 00:30:45,120
Speaker 1: You know, it's interesting. I was thinking about, you know, organically,

646
00:30:45,200 --> 00:30:47,320
Speaker 1: who was going to be the first guest in the

647
00:30:47,440 --> 00:30:50,320
Speaker 1: new Breakfast Club studio, because to me, that's important because

648
00:30:50,320 --> 00:30:52,520
Speaker 1: you're setting off a new generation, you're setting off for

649
00:30:52,840 --> 00:30:55,720
Speaker 1: a new chapter. So who would be the first guest?

650
00:30:56,200 --> 00:30:59,480
Speaker 1: I'm on it. We should be on it. Come on, man,

651
00:30:59,680 --> 00:31:02,360
Speaker 1: threw on, come on man. Ladies and gentlemen, Malcolm Jamal

652
00:31:02,520 --> 00:31:06,760
Speaker 1: one away. You said the first guest. I didn't really

653
00:31:06,800 --> 00:31:10,600
Speaker 1: register yeah before you started. Yeah, but now okay, I

654
00:31:10,640 --> 00:31:16,560
Speaker 1: got it. The first guest studio. Somebody don't know. It's

655
00:31:16,600 --> 00:31:19,760
Speaker 1: steal Huxtable. Ladies and gentlemen, welcome word, thank you, thank

656
00:31:19,800 --> 00:31:22,440
Speaker 1: you very much. I want to for people that that

657
00:31:22,600 --> 00:31:24,400
Speaker 1: don't know, I want to start about you know, we

658
00:31:24,480 --> 00:31:26,480
Speaker 1: don't ask the most important question, what have you played

659
00:31:26,520 --> 00:31:31,560
Speaker 1: the Mega millions? I thought you're gonna say how you feeling,

660
00:31:31,600 --> 00:31:34,720
Speaker 1: how you doing? How you Yeah? I guess I need

661
00:31:34,800 --> 00:31:39,480
Speaker 1: to you need to Billy one point three billion? Okay,

662
00:31:39,760 --> 00:31:41,520
Speaker 1: I did one? I did I don't know. The last

663
00:31:41,560 --> 00:31:43,720
Speaker 1: one was in the billions a couple of months ago.

664
00:31:44,200 --> 00:31:46,360
Speaker 1: How do you do well? I thought I was doing

665
00:31:46,480 --> 00:31:48,160
Speaker 1: good like I wasn't there. I was like, yo, give

666
00:31:48,240 --> 00:31:52,200
Speaker 1: me uh So, my wife has numbers that are like

667
00:31:52,280 --> 00:31:54,560
Speaker 1: her lucky numbers, so when the numbers get real big,

668
00:31:54,680 --> 00:31:56,920
Speaker 1: she wants to play those numbers. So and there's like

669
00:31:57,040 --> 00:31:58,480
Speaker 1: three so I was cartokurs and I was like, you

670
00:31:58,560 --> 00:32:01,160
Speaker 1: know what, play these and I was like, I'm gonna splurge.

671
00:32:01,640 --> 00:32:03,720
Speaker 1: Give me three more. And I think I'm doing good.

672
00:32:04,080 --> 00:32:05,840
Speaker 1: And this cat next to me and the next thing,

673
00:32:05,880 --> 00:32:09,440
Speaker 1: he was like, give me two hundred. Lu I'm like,

674
00:32:11,520 --> 00:32:14,840
Speaker 1: it's like that. So I'm not you know, I'm I

675
00:32:14,920 --> 00:32:21,600
Speaker 1: didn't win. I don't have my own breakfast club, so

676
00:32:21,680 --> 00:32:25,520
Speaker 1: clearly didn't went to Dallas, Dallas and nothing, nothing, So

677
00:32:25,640 --> 00:32:28,320
Speaker 1: you didn't do good that I might go back in though,

678
00:32:28,360 --> 00:32:30,960
Speaker 1: I mean, if it's billion right now now you're from

679
00:32:31,080 --> 00:32:34,600
Speaker 1: Jersey City. People that don't know how did you get

680
00:32:34,640 --> 00:32:37,320
Speaker 1: your start in show business? Because we heard that you

681
00:32:37,440 --> 00:32:39,200
Speaker 1: are a rapper at first you're in the rap group

682
00:32:39,840 --> 00:32:47,560
Speaker 1: almost signed by jam at the time. How did you

683
00:32:47,640 --> 00:32:51,480
Speaker 1: get your start with with show business? I was doing

684
00:32:51,800 --> 00:32:55,480
Speaker 1: basically community theater. My mother was always looking for me

685
00:32:55,720 --> 00:32:59,320
Speaker 1: to looking for things for me to do outside of

686
00:32:59,720 --> 00:33:01,600
Speaker 1: going to school and coming home and hanging out. So

687
00:33:01,760 --> 00:33:04,600
Speaker 1: like I played basketball and that was my thing. I

688
00:33:04,840 --> 00:33:07,160
Speaker 1: thought I was gonna be a basketball player. And then

689
00:33:07,400 --> 00:33:10,960
Speaker 1: one season, one year basketball season was over, my mother's

690
00:33:10,960 --> 00:33:14,640
Speaker 1: friend suggested this community theater and I asked me if

691
00:33:14,640 --> 00:33:16,920
Speaker 1: I wanted to go. So I went down auditions, got

692
00:33:17,000 --> 00:33:20,920
Speaker 1: in and found myself doing theater and just absolutely loved it.

693
00:33:21,080 --> 00:33:23,240
Speaker 1: So like at nine years old, I was like, oh,

694
00:33:23,400 --> 00:33:25,280
Speaker 1: this is this is what I want to do and

695
00:33:25,360 --> 00:33:27,280
Speaker 1: what it was. It was really it was the first

696
00:33:27,600 --> 00:33:29,960
Speaker 1: curtain call. Like the first player I did was called

697
00:33:30,000 --> 00:33:34,280
Speaker 1: Alice Is that You? And it was basically a takeoff

698
00:33:34,400 --> 00:33:38,200
Speaker 1: of the Whiz like Dorothy gets the Odds and everybody

699
00:33:38,240 --> 00:33:41,120
Speaker 1: thinks she's Alice from Alice in Wonderland, right, And I

700
00:33:41,200 --> 00:33:44,000
Speaker 1: played the ten man. And I just remember the first

701
00:33:44,200 --> 00:33:46,840
Speaker 1: opening night coming out for curtain call, coming out and

702
00:33:46,960 --> 00:33:50,040
Speaker 1: people clapping and standing up and I'm like nine years

703
00:33:50,080 --> 00:33:52,160
Speaker 1: old and I'm like, yo, I got that. I can

704
00:33:52,240 --> 00:33:54,800
Speaker 1: get into this. People stand up in clap for you. Yeah,

705
00:33:54,840 --> 00:33:56,520
Speaker 1: I like this. How did you books? We had? What

706
00:33:56,680 --> 00:34:00,360
Speaker 1: was that that process? Like that's funny. So when my

707
00:34:00,400 --> 00:34:03,440
Speaker 1: agent first submitted me, uh, they were looking for a

708
00:34:03,600 --> 00:34:09,400
Speaker 1: six two fifteen year old Jesus. Yeah, it was well

709
00:34:09,400 --> 00:34:12,000
Speaker 1: because because because Nis, you know, Innis was fifteen and

710
00:34:12,120 --> 00:34:18,400
Speaker 1: was six two. Mister Cosby Sun in the original like

711
00:34:18,480 --> 00:34:20,680
Speaker 1: in the original script, like there was this this running

712
00:34:20,760 --> 00:34:23,320
Speaker 1: joke like, you know, THEO would you know, get in

713
00:34:23,400 --> 00:34:26,200
Speaker 1: trouble with something and Cliffaby like THEO stand up, and

714
00:34:26,320 --> 00:34:29,080
Speaker 1: THEO stands up and he's towering over Cliff and Clifforby

715
00:34:29,120 --> 00:34:31,400
Speaker 1: like THEO sit down. So they were trying to get that.

716
00:34:31,480 --> 00:34:34,400
Speaker 1: They couldn't find that kid, and she submitted me. They

717
00:34:34,440 --> 00:34:37,720
Speaker 1: didn't want to see me, and at the last minute

718
00:34:38,120 --> 00:34:40,480
Speaker 1: she re submitted me because they couldn't find the guy

719
00:34:40,920 --> 00:34:43,360
Speaker 1: and they were doing network callbacks. This crazy because it

720
00:34:43,400 --> 00:34:48,800
Speaker 1: was good Friday eighty four. I auditioned at six thirty

721
00:34:49,239 --> 00:34:53,240
Speaker 1: on Friday afternoon and the network callbacks were that Monday,

722
00:34:53,680 --> 00:34:56,600
Speaker 1: so they were already flying in somebody from Chicago, flying

723
00:34:56,640 --> 00:34:59,440
Speaker 1: in somebody from New York. So I was literally the

724
00:34:59,640 --> 00:35:03,320
Speaker 1: last person they saw. And um, when I went in

725
00:35:03,400 --> 00:35:06,759
Speaker 1: for the network callbacks, I went in and I did

726
00:35:06,840 --> 00:35:08,880
Speaker 1: the audition like you know, you see, you know, I

727
00:35:09,280 --> 00:35:12,000
Speaker 1: was watching different strokes and whatnot, so you see kids

728
00:35:12,080 --> 00:35:14,320
Speaker 1: being smart. Alex and talking back to the parents and

729
00:35:14,480 --> 00:35:16,200
Speaker 1: rolling their eyes. So I was doing a scene like

730
00:35:16,239 --> 00:35:20,399
Speaker 1: that and in the room is you know network, um,

731
00:35:20,760 --> 00:35:23,839
Speaker 1: you know, producers, studio, and I'm killing. In the room.

732
00:35:23,920 --> 00:35:25,800
Speaker 1: Everybody's like, I'm hitting all the all the beats and

733
00:35:25,840 --> 00:35:28,800
Speaker 1: everybody's laughing and I'm killing. And I finished. Everybody's like

734
00:35:28,920 --> 00:35:31,880
Speaker 1: cool except mister Cosby, and he's looking at me and

735
00:35:31,960 --> 00:35:34,200
Speaker 1: he's like, would you really talk to your father like that?

736
00:35:35,040 --> 00:35:36,680
Speaker 1: And I said no. He said, I don't want to

737
00:35:36,680 --> 00:35:39,080
Speaker 1: see that on this show. So you go back out

738
00:35:39,280 --> 00:35:41,640
Speaker 1: and you give me something else and come back later.

739
00:35:42,320 --> 00:35:45,200
Speaker 1: And because it was the network callbacks, like everybody was there,

740
00:35:45,239 --> 00:35:47,279
Speaker 1: so they had, you know, audition everybody for the other parts,

741
00:35:47,320 --> 00:35:50,239
Speaker 1: and the finally I came back in and gave them

742
00:35:50,520 --> 00:35:55,000
Speaker 1: one hundred eighty degree turn. Clearly he saw something in you, though, yeah, yeah, yeah,

743
00:35:55,400 --> 00:35:57,520
Speaker 1: and uh, and you know, they gave me a shot

744
00:35:57,560 --> 00:35:59,919
Speaker 1: to come back and redo it. And that's our book.

745
00:36:00,160 --> 00:36:02,239
Speaker 1: You know. It's interesting about what you said earlier. You

746
00:36:02,320 --> 00:36:05,000
Speaker 1: said that you was in theater at nine years old.

747
00:36:05,520 --> 00:36:09,840
Speaker 1: So people see these gifted young actors on shows like

748
00:36:10,000 --> 00:36:12,400
Speaker 1: Cosby back in the day, and we don't realize the

749
00:36:12,480 --> 00:36:15,440
Speaker 1: background because nowadays, it feels like it's no point of

750
00:36:15,600 --> 00:36:18,960
Speaker 1: entry to you know, get on these tevs anything or

751
00:36:19,040 --> 00:36:22,200
Speaker 1: social media or social media, like you actually went and

752
00:36:22,520 --> 00:36:24,919
Speaker 1: were perfecting your craft before you got to that point. Yeah,

753
00:36:24,920 --> 00:36:26,880
Speaker 1: and I still do. Like I've always every couple of

754
00:36:26,960 --> 00:36:29,080
Speaker 1: years al due theater, even when I was on Cosby, Like,

755
00:36:29,160 --> 00:36:32,560
Speaker 1: I always go back to theater because that is the uh,

756
00:36:32,880 --> 00:36:34,800
Speaker 1: I mean, that's the that's the foundation, you know. So

757
00:36:34,880 --> 00:36:39,840
Speaker 1: I always say, like, theater is my favorite platform. Television

758
00:36:39,960 --> 00:36:43,239
Speaker 1: is my favorite paycheck, but theater is really like like

759
00:36:43,440 --> 00:36:46,840
Speaker 1: that's I mean, that's that's that's that's the Have you

760
00:36:46,920 --> 00:36:50,239
Speaker 1: ever just sat back and reflected on what you and

761
00:36:50,360 --> 00:36:54,200
Speaker 1: the Cosby Show meant to black people in really the

762
00:36:54,280 --> 00:36:58,719
Speaker 1: world from eighty four to two. Yeah, yeah, it's something

763
00:36:58,800 --> 00:37:02,160
Speaker 1: that we still talk about, right, So I mean you

764
00:37:02,200 --> 00:37:05,600
Speaker 1: know what I'm saying, we like the culture, you know

765
00:37:05,680 --> 00:37:11,840
Speaker 1: it because it's had a an indelible, um irreversible effect

766
00:37:12,520 --> 00:37:14,319
Speaker 1: you know on the culture. So I mean it's something

767
00:37:14,440 --> 00:37:16,720
Speaker 1: I'm very proud, like, no matter what, I'm very proud

768
00:37:16,840 --> 00:37:19,600
Speaker 1: to um, you know, have been a part of that

769
00:37:19,920 --> 00:37:23,000
Speaker 1: and part of that, um you know, just to have

770
00:37:23,320 --> 00:37:27,239
Speaker 1: that kind of I guess influence if you will. And

771
00:37:27,320 --> 00:37:29,680
Speaker 1: I think when I was younger, you know, it was

772
00:37:29,760 --> 00:37:32,840
Speaker 1: always I was always trying to escape this role model

773
00:37:33,560 --> 00:37:35,960
Speaker 1: you know title, because I was like, oh, Michael, he's

774
00:37:35,960 --> 00:37:38,960
Speaker 1: a role model. And my thing was always, um, we

775
00:37:39,080 --> 00:37:43,879
Speaker 1: always equate uh, perfection with role model. So I never

776
00:37:44,000 --> 00:37:48,839
Speaker 1: wanted the pressure of being, you know, being seen as

777
00:37:48,920 --> 00:37:51,360
Speaker 1: flawless because I just I didn't want that, like that

778
00:37:51,520 --> 00:37:55,919
Speaker 1: wasn't me. Um. So I used to kind of kind

779
00:37:55,960 --> 00:38:00,440
Speaker 1: of shy away from that, you know, that title. Um.

780
00:38:01,040 --> 00:38:03,120
Speaker 1: But and now that I'm older, not that I want

781
00:38:03,120 --> 00:38:06,839
Speaker 1: to be considered a role model, but I do understand

782
00:38:07,360 --> 00:38:12,200
Speaker 1: the uh, you know, having the platform. I understand, uh,

783
00:38:13,360 --> 00:38:16,760
Speaker 1: having the ear of young people like you know. Fortunately,

784
00:38:16,800 --> 00:38:19,200
Speaker 1: I'm still at a place where I'm still relevant enough

785
00:38:19,800 --> 00:38:22,360
Speaker 1: where you know, what I say can still have influence.

786
00:38:22,920 --> 00:38:26,080
Speaker 1: People always listen to you because of that time pure

787
00:38:26,280 --> 00:38:28,719
Speaker 1: yeah yeah, yeah yeah. And and and that's something I

788
00:38:28,800 --> 00:38:32,480
Speaker 1: take seriously. So I was I was really fortunate because

789
00:38:32,880 --> 00:38:35,440
Speaker 1: we shot coys to be here in New York. Um

790
00:38:35,640 --> 00:38:38,680
Speaker 1: and you know during during the eighties, man, you know

791
00:38:43,080 --> 00:38:45,759
Speaker 1: that was that was actually no we so we we

792
00:38:45,840 --> 00:38:49,080
Speaker 1: shot in Brooklyn, then we shot in queens, but that um,

793
00:38:49,800 --> 00:38:54,719
Speaker 1: that stoop, that front stoop was actually in the village. Yeah,

794
00:38:55,239 --> 00:38:57,080
Speaker 1: we got more with Malcolm j More Warner when we

795
00:38:57,160 --> 00:38:59,279
Speaker 1: come back, don't move. It's to Breakfast Club the morning

796
00:38:59,440 --> 00:39:03,759
Speaker 1: morning every audience Envy Charlemagne. The guy Jason Lee is

797
00:39:03,800 --> 00:39:05,600
Speaker 1: hanging out with us. Today. We got a special guest.

798
00:39:05,640 --> 00:39:08,080
Speaker 1: We're still kicking it with Malcolm Jumor Wanna. I was

799
00:39:08,120 --> 00:39:11,560
Speaker 1: gonna ask the deal you being you know, always looked

800
00:39:11,600 --> 00:39:13,360
Speaker 1: at it steal. Does that ever bother you? Because with

801
00:39:13,480 --> 00:39:17,080
Speaker 1: certain characters that we always look at, whether it's Steve Verkl,

802
00:39:17,120 --> 00:39:19,880
Speaker 1: he's always gonna be Steve Kele and you're always steal.

803
00:39:19,920 --> 00:39:22,759
Speaker 1: Does that ever bother you? No, it doesn't bother me.

804
00:39:23,120 --> 00:39:26,560
Speaker 1: But there's you know, there's been this um I guess this,

805
00:39:26,719 --> 00:39:29,479
Speaker 1: this this wave of interpretation that it bothers me because

806
00:39:29,560 --> 00:39:31,480
Speaker 1: somebody calls me THEO. I'm like, no one name is Malcolm.

807
00:39:32,000 --> 00:39:36,040
Speaker 1: But I've always done that, but some people they misinterpreted

808
00:39:36,120 --> 00:39:38,719
Speaker 1: as like I get mad when people are seal a thing.

809
00:39:38,760 --> 00:39:40,640
Speaker 1: It's like no. And even when I was on Cosby,

810
00:39:41,000 --> 00:39:43,080
Speaker 1: I wouldn't answer to THEO because as far as I

811
00:39:43,280 --> 00:39:47,040
Speaker 1: was concerned, THEO was not going to be the end

812
00:39:47,080 --> 00:39:49,000
Speaker 1: all be off for me, like at fifteen years old,

813
00:39:49,040 --> 00:39:50,320
Speaker 1: to think like, oh, if this is going to be

814
00:39:50,360 --> 00:39:53,279
Speaker 1: the height of my career, that's a depressing thought. When

815
00:39:53,400 --> 00:39:57,000
Speaker 1: the show first aired, you know, I'm fourteen. You know,

816
00:39:57,360 --> 00:40:00,239
Speaker 1: the ratings are out the box, and my mom sat

817
00:40:00,360 --> 00:40:03,359
Speaker 1: me down. She said, baby, it's great that this show

818
00:40:03,520 --> 00:40:06,040
Speaker 1: is the phenomenon that it is, but you know how

819
00:40:06,120 --> 00:40:08,680
Speaker 1: this business is, this show could be over next year.

820
00:40:09,680 --> 00:40:12,080
Speaker 1: What are you gonna do when the show's over? She said,

821
00:40:12,360 --> 00:40:14,840
Speaker 1: I can type, I can always get a job, but

822
00:40:14,920 --> 00:40:16,120
Speaker 1: what are you going to do in the show? So

823
00:40:16,680 --> 00:40:20,520
Speaker 1: so she impressed upon me the concept of longevity. So

824
00:40:20,760 --> 00:40:23,200
Speaker 1: I wasn't you know when I was on the show,

825
00:40:23,280 --> 00:40:27,120
Speaker 1: I never asked you the deal? And especially now you

826
00:40:27,160 --> 00:40:30,600
Speaker 1: should know right like now, if somebody calls me THEO,

827
00:40:30,640 --> 00:40:32,960
Speaker 1: they're being a yeah because they know my name. And

828
00:40:33,000 --> 00:40:35,120
Speaker 1: I also don't think people look at you as theal

829
00:40:35,560 --> 00:40:38,359
Speaker 1: like I got get what I'm saying at this point,

830
00:40:38,520 --> 00:40:40,600
Speaker 1: Like you've done You've done a lot other than the

831
00:40:40,840 --> 00:40:42,200
Speaker 1: I mean, you had a whole other show with your

832
00:40:42,280 --> 00:40:45,680
Speaker 1: name in it. Man, how long did it take you

833
00:40:45,760 --> 00:40:48,520
Speaker 1: to it? Just to life after coll of the show like,

834
00:40:48,640 --> 00:40:51,480
Speaker 1: how how did things look in ninety two? Well, I'd

835
00:40:51,520 --> 00:40:54,600
Speaker 1: always prepared for it. That was the thing, Like I was,

836
00:40:54,880 --> 00:40:57,120
Speaker 1: you know, from that conversation that my mom had with me,

837
00:40:58,239 --> 00:41:01,120
Speaker 1: we literally spend each year of that show as if

838
00:41:01,160 --> 00:41:04,759
Speaker 1: it were the last year because we didn't know. Um So,

839
00:41:05,000 --> 00:41:09,240
Speaker 1: I had always prepared for uh, for life after Kaji.

840
00:41:09,320 --> 00:41:11,080
Speaker 1: So when the show was over, I had my own

841
00:41:11,120 --> 00:41:14,880
Speaker 1: show for half a season on NBC, and then from

842
00:41:14,920 --> 00:41:18,440
Speaker 1: that I went straight to theater. Um So I was.

843
00:41:18,800 --> 00:41:22,480
Speaker 1: I've always I've always worked. No, there may there may

844
00:41:22,520 --> 00:41:27,120
Speaker 1: have been, you know, longer stretches of unemployment than I

845
00:41:27,160 --> 00:41:29,840
Speaker 1: would have liked, but we're talking like maybe you know,

846
00:41:30,120 --> 00:41:33,000
Speaker 1: two three years, you know. But I always knew that

847
00:41:33,080 --> 00:41:36,040
Speaker 1: the transition from being seen as child star to being

848
00:41:36,120 --> 00:41:39,320
Speaker 1: taken seriously as a delt actor wouldn't necessarily be a

849
00:41:39,360 --> 00:41:42,160
Speaker 1: smooth one. And that's why I started directing early. Like

850
00:41:42,239 --> 00:41:45,760
Speaker 1: I started directing like sixteen. By eighteen, I was directing

851
00:41:45,920 --> 00:41:49,160
Speaker 1: Cosby episodes, I was directing music videos, I was directing

852
00:41:49,200 --> 00:41:51,759
Speaker 1: Fresh Prince of bel Air. So when I came off

853
00:41:51,800 --> 00:41:55,160
Speaker 1: of Kasba episode I think it was episode with Ravens,

854
00:41:55,440 --> 00:41:58,440
Speaker 1: one of the Ravens and owns episodes. Okay, yeah, I was.

855
00:41:59,160 --> 00:42:01,680
Speaker 1: Did you look at Billy as a father figure because

856
00:42:01,719 --> 00:42:04,080
Speaker 1: you around him so much? He did so much acting

857
00:42:04,160 --> 00:42:06,919
Speaker 1: like right and and I mean you were a good actor,

858
00:42:06,960 --> 00:42:09,960
Speaker 1: but it was believable. It seems like he admired him

859
00:42:10,040 --> 00:42:11,520
Speaker 1: as a father when I when I would watch the

860
00:42:11,520 --> 00:42:13,239
Speaker 1: show or even see you behind the scenes of the show.

861
00:42:13,320 --> 00:42:16,120
Speaker 1: Whatever I was doing theater, I was was perfecting my

862
00:42:18,239 --> 00:42:22,319
Speaker 1: job right now, because you know, my father has always been,

863
00:42:22,560 --> 00:42:24,360
Speaker 1: you know, an integral part of my life. So I

864
00:42:24,480 --> 00:42:28,040
Speaker 1: have a father. Um, he was you know, miss Guy

865
00:42:28,280 --> 00:42:30,600
Speaker 1: was obviously someone I worked with, someone I respected, but

866
00:42:30,840 --> 00:42:33,640
Speaker 1: Innes was also you know, a close friend of mine,

867
00:42:33,680 --> 00:42:36,360
Speaker 1: so he was also like Inness's dad got So it

868
00:42:36,600 --> 00:42:39,200
Speaker 1: wasn't I mean, I would definitely he was a mentor

869
00:42:39,680 --> 00:42:41,279
Speaker 1: because he you know, he screwed me on a lot

870
00:42:41,320 --> 00:42:43,600
Speaker 1: of you know, on a lot of things. But the

871
00:42:45,760 --> 00:42:50,360
Speaker 1: I love the father's son relationship between Cliff and THEO,

872
00:42:51,160 --> 00:42:53,880
Speaker 1: but that wasn't. That wasn't our relationship. But we're you know,

873
00:42:53,920 --> 00:42:57,000
Speaker 1: we're matt cool. But it wasn't. It wasn't the father figure.

874
00:42:57,080 --> 00:42:58,960
Speaker 1: Now as a mentor, did he school you on to

875
00:42:59,120 --> 00:43:04,279
Speaker 1: contracts and the gootiations because that thing it's still on now,

876
00:43:04,320 --> 00:43:06,879
Speaker 1: and do you still get paid? And was everything taking

877
00:43:06,920 --> 00:43:08,360
Speaker 1: care of the right way? Or is it you're a

878
00:43:08,400 --> 00:43:10,600
Speaker 1: new actor? You got got? Yeah, yeah, we got And

879
00:43:10,640 --> 00:43:13,080
Speaker 1: I want say we got got. That's that's not that's

880
00:43:13,120 --> 00:43:15,719
Speaker 1: completely unfair to say we got God, but I will

881
00:43:15,760 --> 00:43:19,320
Speaker 1: say this, so, yeah, so we get residuals. Right. But

882
00:43:19,440 --> 00:43:22,280
Speaker 1: the thing that that people don't necessarily understand about residuals

883
00:43:22,440 --> 00:43:28,080
Speaker 1: is every time an episode repeats, you get a percentage

884
00:43:28,160 --> 00:43:32,040
Speaker 1: of what your original paycheck was, and that show has

885
00:43:32,120 --> 00:43:36,719
Speaker 1: repeated forever. Correct. So let's say, to put things in perspective,

886
00:43:37,360 --> 00:43:40,920
Speaker 1: about ten to twelve years ago, I remember getting an

887
00:43:41,040 --> 00:43:48,200
Speaker 1: episode check for sixty four dollars. I thought a check sometimes, yeah,

888
00:43:48,280 --> 00:43:51,280
Speaker 1: like I got at some point the sending the checkout

889
00:43:51,360 --> 00:43:54,000
Speaker 1: costs more than what the check is correct. So for

890
00:43:54,080 --> 00:44:00,200
Speaker 1: a period of time though, um, that lump sum was

891
00:44:00,280 --> 00:44:03,680
Speaker 1: a nice padding. But then after a while, you know,

892
00:44:03,960 --> 00:44:06,600
Speaker 1: once it just keeps airing, it's not a whole lot um.

893
00:44:06,920 --> 00:44:10,239
Speaker 1: But when you have points when you got back in,

894
00:44:11,080 --> 00:44:14,280
Speaker 1: that's when you're forever making money. Because when they syndicate

895
00:44:14,360 --> 00:44:17,360
Speaker 1: the show, however many times they syndicated you have a

896
00:44:17,480 --> 00:44:19,560
Speaker 1: piece of the show, so you're getting that kind of money.

897
00:44:19,719 --> 00:44:21,680
Speaker 1: We didn't get on the ship. We had no no

898
00:44:21,800 --> 00:44:24,200
Speaker 1: back end. We didn't know about back end, and even

899
00:44:24,239 --> 00:44:27,040
Speaker 1: if we did, we didn't have any leverage to negotiate

900
00:44:27,120 --> 00:44:29,560
Speaker 1: that time. You said something that made me feel like

901
00:44:29,560 --> 00:44:31,799
Speaker 1: I'm a fail of black history trivia question. What show

902
00:44:31,880 --> 00:44:34,200
Speaker 1: did you have on NBC for a half a season? Oh? Man,

903
00:44:34,360 --> 00:44:36,560
Speaker 1: it was trust Me and out of failure? They they

904
00:44:36,840 --> 00:44:39,839
Speaker 1: they they on that too. It was a show called

905
00:44:39,920 --> 00:44:43,279
Speaker 1: here and Now. Remember that show? Yeah, it came on

906
00:44:43,440 --> 00:44:47,320
Speaker 1: it So we came on Saturday nights. It was it

907
00:44:47,440 --> 00:44:50,600
Speaker 1: came on after or came on before there was a

908
00:44:50,640 --> 00:44:53,800
Speaker 1: show called out All Night with Paddle of bad or

909
00:44:53,920 --> 00:44:56,560
Speaker 1: so yeah, so we were on were you really yea

910
00:44:56,880 --> 00:45:11,480
Speaker 1: with est oh got its chest night? But she recently

911
00:45:11,560 --> 00:45:15,000
Speaker 1: happened if you're the only one, Well, it happened that though,

912
00:45:15,120 --> 00:45:18,200
Speaker 1: all right, oh talk about all Night? I never remember

913
00:45:18,239 --> 00:45:21,800
Speaker 1: that it was during that time, serio. So this is

914
00:45:22,000 --> 00:45:24,680
Speaker 1: something that's really interesting. So we had that show. Um,

915
00:45:25,160 --> 00:45:27,879
Speaker 1: the president of the programmer at NBC at the time

916
00:45:27,960 --> 00:45:30,879
Speaker 1: didn't like the show right and didn't think the show

917
00:45:30,960 --> 00:45:33,400
Speaker 1: was going to do well and it was basically you know,

918
00:45:33,760 --> 00:45:36,680
Speaker 1: um it wasn't THEO, but you know, my character worked

919
00:45:36,719 --> 00:45:42,520
Speaker 1: in the community center in Harlem, and uh, the program

920
00:45:42,560 --> 00:45:44,719
Speaker 1: of NBC didn't think it was gonna be a funny show,

921
00:45:44,760 --> 00:45:47,080
Speaker 1: didn't think it was gonna work. We shot the pilot

922
00:45:47,360 --> 00:45:50,600
Speaker 1: and they do what's called pilot Screening Week where they

923
00:45:50,680 --> 00:45:53,520
Speaker 1: get all their pilots, they screen them, then they get

924
00:45:53,640 --> 00:45:55,520
Speaker 1: raided and then nests how they decide what's gonna go

925
00:45:56,080 --> 00:46:01,880
Speaker 1: on their um My show came in number two. So

926
00:46:02,239 --> 00:46:07,080
Speaker 1: really the only question was, um, do we put this show,

927
00:46:07,560 --> 00:46:10,759
Speaker 1: you know, on Thursday night before a Different World or

928
00:46:10,840 --> 00:46:14,160
Speaker 1: after Different World? Right? Because for eight years, if my

929
00:46:14,360 --> 00:46:17,239
Speaker 1: face is you know, if if America's used to say

930
00:46:17,239 --> 00:46:19,759
Speaker 1: in my face at Thursdays at eight o'clock, it makes

931
00:46:19,800 --> 00:46:22,040
Speaker 1: sense that if my pilot does well, you're gonna put

932
00:46:22,160 --> 00:46:24,839
Speaker 1: me on Thursdays, either at eight o'clock or eight thirty.

933
00:46:25,239 --> 00:46:28,360
Speaker 1: They the programmer still didn't like the show, and he

934
00:46:28,520 --> 00:46:32,759
Speaker 1: put me on Saturday night, which is why nobody ever heard,

935
00:46:32,800 --> 00:46:35,399
Speaker 1: because you know, my audience is not gonna be watching

936
00:46:35,400 --> 00:46:41,399
Speaker 1: it on Saturday night. And then when the number one rated,

937
00:46:41,480 --> 00:46:43,839
Speaker 1: the number one pilot, they put in that eight o'clock slot.

938
00:46:44,080 --> 00:46:46,920
Speaker 1: They canceled after two weeks, so they're like, okay, cool,

939
00:46:46,960 --> 00:46:48,759
Speaker 1: they're putting the number two in that slot. Kept me

940
00:46:48,800 --> 00:46:50,920
Speaker 1: on Saturday night. Then they put out on Night in

941
00:46:51,040 --> 00:46:53,840
Speaker 1: that slot like NBC just they were not trying to

942
00:46:53,960 --> 00:46:56,320
Speaker 1: hear that show, no matter how well it did. So

943
00:46:56,440 --> 00:46:59,000
Speaker 1: we got we got canned half a season. And so

944
00:46:59,400 --> 00:47:01,960
Speaker 1: what you don't know about that show? Here and now? Uh,

945
00:47:02,280 --> 00:47:06,640
Speaker 1: this cat named Dante Bez was on the show, right,

946
00:47:06,680 --> 00:47:09,120
Speaker 1: everybody knows him as y'all seen Bay right now? Oh,

947
00:47:10,239 --> 00:47:14,080
Speaker 1: Lauren Hill was on the show. Wow, what Yeah, Omar

948
00:47:14,200 --> 00:47:17,680
Speaker 1: Epps was on the show. Yeah, yeah, but they they

949
00:47:17,840 --> 00:47:19,800
Speaker 1: the NBC did they didn't dig the show, and so

950
00:47:20,160 --> 00:47:21,640
Speaker 1: of course just before they blew up. But yeah, but

951
00:47:21,680 --> 00:47:23,600
Speaker 1: they were all on the show. If they have made

952
00:47:23,640 --> 00:47:26,000
Speaker 1: one little adjudgment, it made you THEO on that show.

953
00:47:26,400 --> 00:47:28,279
Speaker 1: And you older, now, I bet you would have worked

954
00:47:28,560 --> 00:47:31,960
Speaker 1: you know what as possible. I want I want to

955
00:47:32,000 --> 00:47:34,880
Speaker 1: ask you know, out of all your episodes, I asked Charlemagne,

956
00:47:34,920 --> 00:47:37,680
Speaker 1: So my most memorable Cosby show is, of course to

957
00:47:37,719 --> 00:47:40,040
Speaker 1: go to control season one episode, and of course that's

958
00:47:40,040 --> 00:47:42,400
Speaker 1: not the most memories. Of course, it put maybe a

959
00:47:42,440 --> 00:47:48,720
Speaker 1: course that was episode eight. I think, of course the Ernia.

960
00:47:48,800 --> 00:47:50,200
Speaker 1: I did the same thing when I got my Eric.

961
00:47:50,800 --> 00:47:54,040
Speaker 1: So what was your favorite all of those? But I

962
00:47:54,120 --> 00:47:56,520
Speaker 1: think that at the top of this would be the

963
00:47:56,680 --> 00:48:00,719
Speaker 1: pilot when Field was getting d's in school and they

964
00:48:00,800 --> 00:48:05,160
Speaker 1: did the whole monopoly money thing and um, and you know,

965
00:48:05,360 --> 00:48:08,400
Speaker 1: THEO gives the speech that's want to be regular people.

966
00:48:08,960 --> 00:48:11,719
Speaker 1: You're a doctor and mom's a lawyer and bought successful

967
00:48:11,719 --> 00:48:15,120
Speaker 1: and everything, and that's great. Maybe I was born to

968
00:48:15,160 --> 00:48:18,879
Speaker 1: be a regular person and have a regular life. If

969
00:48:18,920 --> 00:48:22,280
Speaker 1: you want a doctor, I wouldn't love you less because

970
00:48:22,320 --> 00:48:27,440
Speaker 1: you're my dad. Instead of acting disappointment because I'm not

971
00:48:27,560 --> 00:48:30,719
Speaker 1: like you, maybe you can just accept who I am

972
00:48:30,920 --> 00:48:38,120
Speaker 1: and love me anyway because I'm your son. Why can't

973
00:48:38,160 --> 00:48:40,279
Speaker 1: you love me for me? It was like this beautiful heart.

974
00:48:40,360 --> 00:48:44,759
Speaker 1: He remember the audience collapsed in the whole nine and

975
00:48:44,880 --> 00:48:49,839
Speaker 1: Cliff looks like yo, and still that's the drumbest thing.

976
00:48:49,960 --> 00:48:57,040
Speaker 1: I remember, No one you get ds and everything. And

977
00:48:57,160 --> 00:49:00,520
Speaker 1: so for me that was significant because it's set the

978
00:49:00,600 --> 00:49:02,879
Speaker 1: tone for the show. Like any other show. At that point,

979
00:49:02,960 --> 00:49:05,040
Speaker 1: the music would have started, correct, the father and son

980
00:49:05,080 --> 00:49:07,680
Speaker 1: would have hugged. Yeah, but he you know he went

981
00:49:07,880 --> 00:49:10,920
Speaker 1: left with that, and I just love that because that

982
00:49:11,120 --> 00:49:13,680
Speaker 1: said the tone that this was going to be a

983
00:49:13,840 --> 00:49:16,120
Speaker 1: different kind of show. Got We're gonna talk to you

984
00:49:16,120 --> 00:49:18,359
Speaker 1: about other stuff of the you know, have a fan

985
00:49:18,400 --> 00:49:21,919
Speaker 1: I gotta get the first time we got no doubt

986
00:49:21,960 --> 00:49:24,239
Speaker 1: the girl. Did you ever keep the Gordon Guard Trail show?

987
00:49:24,239 --> 00:49:25,920
Speaker 1: I did not. I think it's in the Smithsonian if

988
00:49:25,920 --> 00:49:30,200
Speaker 1: I'm not. Yeah, yeah, yeah, that was. That was one

989
00:49:30,239 --> 00:49:31,839
Speaker 1: of our That was that was definitely one of our

990
00:49:32,200 --> 00:49:36,239
Speaker 1: most fun and for me, most memorable episodes. All Right,

991
00:49:36,239 --> 00:49:38,319
Speaker 1: we got more with Malcolm jamal Wanna when we come back,

992
00:49:38,360 --> 00:49:40,960
Speaker 1: don't move. It's the Breakfast Club. Good morning, everybody is

993
00:49:41,400 --> 00:49:44,799
Speaker 1: j Envy, Charlomagne, the guy Jason Lee is hanging out

994
00:49:44,840 --> 00:49:46,560
Speaker 1: with us today. We got a special guest. We're still

995
00:49:46,600 --> 00:49:49,719
Speaker 1: kicking it with Malcolm Jamal Wanna Charlomagne. Now, are you

996
00:49:49,760 --> 00:49:54,520
Speaker 1: still cool with cockroach called Anthony Paine. We're cooler and

997
00:49:54,640 --> 00:49:57,080
Speaker 1: we're cooler as adults than we were during that time.

998
00:49:57,200 --> 00:49:59,279
Speaker 1: Really well, y'all didn't get along the Oh no, we

999
00:49:59,360 --> 00:50:03,440
Speaker 1: didn't not at the young ego and yeah, yeah that's

1000
00:50:03,480 --> 00:50:06,600
Speaker 1: what it was. Yeah, and it was and it was Yeah, yeah,

1001
00:50:06,640 --> 00:50:10,759
Speaker 1: it was. It was when I talked about earlier, the

1002
00:50:10,880 --> 00:50:15,920
Speaker 1: original callbacks for Cosby the Uh, they flew in an

1003
00:50:15,960 --> 00:50:19,160
Speaker 1: actor from Chicago and flew in an actor from New York.

1004
00:50:19,840 --> 00:50:22,359
Speaker 1: Carl was the actor they flew in from New York.

1005
00:50:23,280 --> 00:50:26,759
Speaker 1: So had I not auditioned for the show, Carl would

1006
00:50:26,760 --> 00:50:30,279
Speaker 1: have played Field. Damn. So did you every day? And

1007
00:50:30,360 --> 00:50:31,840
Speaker 1: see you took my part and then I got to

1008
00:50:31,840 --> 00:50:36,520
Speaker 1: come back and play your best friend. Damn. So you know,

1009
00:50:36,600 --> 00:50:39,520
Speaker 1: I think, on one hand, you know, that may have

1010
00:50:40,000 --> 00:50:43,360
Speaker 1: had something to do with it. That was part of it.

1011
00:50:43,760 --> 00:50:46,080
Speaker 1: Um And he just had a he had a huge ego,

1012
00:50:47,880 --> 00:50:49,920
Speaker 1: you know, Yeah, he had a huge ego. So and

1013
00:50:50,040 --> 00:50:52,880
Speaker 1: I didn't come from that kind of place. And you know,

1014
00:50:53,200 --> 00:50:55,680
Speaker 1: the way and the way I felt then and the

1015
00:50:55,760 --> 00:50:59,840
Speaker 1: way I feel now, you know, based on my career,

1016
00:51:00,120 --> 00:51:03,000
Speaker 1: if anybody, you know, should walk around with a huge ego,

1017
00:51:03,080 --> 00:51:05,680
Speaker 1: it should be me. And if I don't roll like that,

1018
00:51:06,040 --> 00:51:08,960
Speaker 1: I don't really. I have very little tolerance for people

1019
00:51:09,000 --> 00:51:12,319
Speaker 1: who roll like that. So we never really we really

1020
00:51:12,360 --> 00:51:15,120
Speaker 1: we just never really got along back then. But you know,

1021
00:51:15,200 --> 00:51:17,960
Speaker 1: we're grown now, and you know, and Carl has been

1022
00:51:18,000 --> 00:51:20,200
Speaker 1: through a lot, like his journey is you know, it's

1023
00:51:20,320 --> 00:51:24,040
Speaker 1: it's been you know, he's a journey um. And as

1024
00:51:24,080 --> 00:51:26,239
Speaker 1: adults we've been able to like sit down and have

1025
00:51:26,400 --> 00:51:30,959
Speaker 1: conversations and we're in uh, we're in a very cool

1026
00:51:31,440 --> 00:51:35,040
Speaker 1: grown man place. Now. Uh then we were you know,

1027
00:51:35,120 --> 00:51:37,360
Speaker 1: then we were teenagers, and you know, I feel like

1028
00:51:37,400 --> 00:51:38,799
Speaker 1: you had to be broken up with something the way

1029
00:51:38,800 --> 00:51:40,440
Speaker 1: you sign it. I hadn't been broken up before, Like

1030
00:51:40,920 --> 00:51:43,719
Speaker 1: it's a furniture movement. Like no, no, no, no, no.

1031
00:51:43,760 --> 00:51:45,960
Speaker 1: It wasn't that bad. Wasn't that bad? Why? Why? When

1032
00:51:46,000 --> 00:51:48,880
Speaker 1: it came to musical expression, it was jazz because you

1033
00:51:49,000 --> 00:51:50,760
Speaker 1: you know you you were you were hip hop baby,

1034
00:51:50,880 --> 00:51:54,560
Speaker 1: so the jazz. So it's when I started my band.

1035
00:51:55,120 --> 00:51:57,440
Speaker 1: You know, I was always doing already doing poetry. I

1036
00:51:57,520 --> 00:52:00,640
Speaker 1: was in the spoken word scene. I was doing spoken

1037
00:52:00,680 --> 00:52:02,680
Speaker 1: more with other bands and whatnot. But when I started

1038
00:52:02,800 --> 00:52:05,719
Speaker 1: my band, it was too I was playing bass. It

1039
00:52:05,800 --> 00:52:07,400
Speaker 1: was the kind I wanted to do, like this jazz

1040
00:52:07,520 --> 00:52:10,279
Speaker 1: funk kind of thing. And then ultimately I ended up

1041
00:52:10,560 --> 00:52:16,080
Speaker 1: infusing my poetry with my own band, and Neal Soul

1042
00:52:16,880 --> 00:52:19,840
Speaker 1: you know, was big at the time, and you know,

1043
00:52:20,040 --> 00:52:21,840
Speaker 1: people because of the spoken word and what I was

1044
00:52:21,840 --> 00:52:24,440
Speaker 1: when they want to call it neil soul, and at

1045
00:52:24,480 --> 00:52:27,040
Speaker 1: the time, I was like, nah, neil soul is a fad.

1046
00:52:27,280 --> 00:52:28,720
Speaker 1: When that, you know, I don't want to be associated

1047
00:52:28,719 --> 00:52:30,840
Speaker 1: with a fad because when that runs out, you know,

1048
00:52:31,719 --> 00:52:33,600
Speaker 1: people might not be as interest in what I'm doing.

1049
00:52:33,920 --> 00:52:37,799
Speaker 1: If I call it jazz funk, then I could It's

1050
00:52:37,800 --> 00:52:40,720
Speaker 1: something I could grow into. So when I'm fifty sixty

1051
00:52:40,800 --> 00:52:43,600
Speaker 1: years old, I could still be doing that. And at

1052
00:52:43,640 --> 00:52:46,880
Speaker 1: the time I'm twenty six, twenty, I'm like twenty eight. Now,

1053
00:52:47,400 --> 00:52:50,439
Speaker 1: at the time, I was like, besides, no one's gonna

1054
00:52:50,480 --> 00:52:55,000
Speaker 1: want to hear a dude rapping at fifty years old. Now,

1055
00:52:55,640 --> 00:52:59,319
Speaker 1: now fast forward, fast forward. You know, cast is still nice.

1056
00:52:59,360 --> 00:53:01,600
Speaker 1: But at twenty eight, we get at twenty eight, we

1057
00:53:01,640 --> 00:53:03,960
Speaker 1: didn't see it. We couldn't see that, correct. But so

1058
00:53:04,400 --> 00:53:06,840
Speaker 1: the jazz funk spoken word was just kind of my

1059
00:53:07,080 --> 00:53:12,520
Speaker 1: way of having this this lane. But it's really what

1060
00:53:12,680 --> 00:53:15,840
Speaker 1: I do is really it's you know, it's soul, R

1061
00:53:15,920 --> 00:53:19,160
Speaker 1: and B and hip hop at the end of the day. Um,

1062
00:53:19,600 --> 00:53:22,840
Speaker 1: because I'm not though I'm a jazz student, I'm not.

1063
00:53:22,960 --> 00:53:25,960
Speaker 1: I wouldn't consider myself a jazz musician. But I just

1064
00:53:26,200 --> 00:53:29,000
Speaker 1: wanted to use that title because I didn't want to

1065
00:53:29,000 --> 00:53:31,840
Speaker 1: get lumped in and neo soul. I didn't want to

1066
00:53:31,880 --> 00:53:33,600
Speaker 1: just call it because it's not just R and B.

1067
00:53:33,760 --> 00:53:36,120
Speaker 1: It's not just and it's not just spoken word. It's

1068
00:53:36,160 --> 00:53:38,879
Speaker 1: not just hip hop. It's really a combination of all

1069
00:53:38,960 --> 00:53:41,080
Speaker 1: of that. So when I describe it, I describe it

1070
00:53:41,120 --> 00:53:44,560
Speaker 1: as a jazz funk spoken word bandum, but it's probably

1071
00:53:44,640 --> 00:53:49,719
Speaker 1: more of a you know, RB soul spoken workman and

1072
00:53:49,800 --> 00:53:53,839
Speaker 1: Hiding Your play View grab me right, Yeah, yeah, yeah,

1073
00:53:53,960 --> 00:53:58,040
Speaker 1: it's dope, So I gotta grabb me. In twenty fifteen

1074
00:53:58,560 --> 00:54:04,640
Speaker 1: with Robert Glassbert Hathaway, I did not Yeah. On Robert's

1075
00:54:04,680 --> 00:54:09,719
Speaker 1: Black Radio two album. He does a cover of DV Wonders, Jesus,

1076
00:54:09,840 --> 00:54:13,440
Speaker 1: Children of America and Layla Sings, and then I do

1077
00:54:13,800 --> 00:54:17,160
Speaker 1: a poem in tribute to the kids from Sandy Hook

1078
00:54:17,840 --> 00:54:21,200
Speaker 1: and in twenty fifteen that won for Best Traditional R

1079
00:54:21,280 --> 00:54:25,399
Speaker 1: and B Performance. So for this album, Hiding Him Playing View,

1080
00:54:25,520 --> 00:54:29,200
Speaker 1: which is my fourth album, for that to get Grammy nominated,

1081
00:54:29,760 --> 00:54:32,919
Speaker 1: you know like that, I mean, you know, it takes

1082
00:54:33,000 --> 00:54:35,160
Speaker 1: to a whole nother level. Like of course, getting a

1083
00:54:35,239 --> 00:54:38,719
Speaker 1: Grammy that's amazing, it means everything. But to have my

1084
00:54:38,880 --> 00:54:41,640
Speaker 1: own work reckond and my own work that I did

1085
00:54:41,760 --> 00:54:44,960
Speaker 1: most of the production on myself. Uh. Even though I

1086
00:54:45,040 --> 00:54:50,120
Speaker 1: don't do this for validation, it's so validated, you know. Um,

1087
00:54:50,640 --> 00:54:54,400
Speaker 1: and it feels congratulations. So we got to talk about Accused.

1088
00:54:54,440 --> 00:54:58,600
Speaker 1: The reason you're hear you got your new show starts

1089
00:54:58,840 --> 00:55:01,920
Speaker 1: January twenty sec. Yeah, tell us about Accues because it's

1090
00:55:01,920 --> 00:55:03,640
Speaker 1: not much on it. I looked at the trailers. We

1091
00:55:03,719 --> 00:55:05,440
Speaker 1: all looked at the trailers. We see you in a

1092
00:55:05,560 --> 00:55:09,320
Speaker 1: in an orange jumpsuit. So breakdown acques. So Accused is

1093
00:55:09,400 --> 00:55:14,400
Speaker 1: a courtroom mythology series. So every episode is a standalone

1094
00:55:14,400 --> 00:55:18,560
Speaker 1: episode like Twilight Zone or Black Mirror. Um. My particular

1095
00:55:18,640 --> 00:55:25,640
Speaker 1: episode is I play a man whose daughter it's sexually

1096
00:55:25,680 --> 00:55:32,160
Speaker 1: accosting in a park, and I choose to meet out

1097
00:55:32,239 --> 00:55:35,520
Speaker 1: justice myself. Handle things on your own. Yeah, so you're

1098
00:55:35,520 --> 00:55:38,040
Speaker 1: only on one episode. It's only one episode, but it's

1099
00:55:38,080 --> 00:55:41,160
Speaker 1: a it's a it's it's a powerful episode. It's Um,

1100
00:55:41,440 --> 00:55:45,319
Speaker 1: it's hard to watch because of the subject matter. Um,

1101
00:55:45,520 --> 00:55:47,440
Speaker 1: and I think it's that's what it is with all

1102
00:55:47,480 --> 00:55:50,239
Speaker 1: the episodes. They're they're they're tough to watch because the

1103
00:55:50,360 --> 00:55:55,080
Speaker 1: subject matter is really tough. But the show. Um, it's

1104
00:55:55,120 --> 00:55:58,960
Speaker 1: really good and I'm I'm very proud of the work

1105
00:55:59,080 --> 00:56:01,080
Speaker 1: on the show. And again it's just another side like

1106
00:56:01,200 --> 00:56:05,480
Speaker 1: with the Resident as well, it's just another side of

1107
00:56:05,760 --> 00:56:08,560
Speaker 1: me that people don't normally get to see. I wasn't

1108
00:56:08,600 --> 00:56:11,719
Speaker 1: gonna ask before you get about here, would you mind

1109
00:56:11,800 --> 00:56:15,200
Speaker 1: doing a poem? Why don't we just play one from you?

1110
00:56:15,280 --> 00:56:23,240
Speaker 1: Could do one? I appreciate it. Okay, Um, this piece

1111
00:56:23,520 --> 00:56:29,360
Speaker 1: is a sante sana, a body gun and comrade. But

1112
00:56:29,560 --> 00:56:33,759
Speaker 1: you're still on that freedom word, like you know what

1113
00:56:33,760 --> 00:56:35,480
Speaker 1: I mean? This poetry will still be on that weedom

1114
00:56:36,520 --> 00:56:41,040
Speaker 1: that birthing inspirational couplets and breed them shit that I spit,

1115
00:56:41,200 --> 00:56:45,560
Speaker 1: cats should heat them. That words can't break my bones,

1116
00:56:45,640 --> 00:56:51,000
Speaker 1: but if you cut me homes, I bleed them. Atonement

1117
00:56:51,080 --> 00:56:53,719
Speaker 1: for the masters of hard asses and heads that tread

1118
00:56:53,800 --> 00:56:57,359
Speaker 1: on civil liberties in the most uncivilized fashion is said

1119
00:56:57,400 --> 00:57:01,160
Speaker 1: to be dead. Can we afford to be dumb for free? See?

1120
00:57:01,280 --> 00:57:03,880
Speaker 1: That's the question I'm asking as I beg for an

1121
00:57:03,960 --> 00:57:08,800
Speaker 1: ounce of truth amongst the aloof surrounding me. My vices

1122
00:57:09,200 --> 00:57:15,040
Speaker 1: are proof that these demons keep pounding me, Reality keeps

1123
00:57:15,120 --> 00:57:20,120
Speaker 1: pounding me almost astounding me into the strange hypocrisy. You see,

1124
00:57:20,200 --> 00:57:24,040
Speaker 1: I preach the same hope that I'm losing daily. Like

1125
00:57:24,240 --> 00:57:27,520
Speaker 1: my religion, people are deep, I bear my soul. I

1126
00:57:27,680 --> 00:57:30,120
Speaker 1: stand on the precipice of this crossroads. It's like I

1127
00:57:30,240 --> 00:57:32,600
Speaker 1: want to give my life to the cause, But which

1128
00:57:32,640 --> 00:57:37,280
Speaker 1: one ignorance is running so ridiculously rampant. I can't tell

1129
00:57:37,320 --> 00:57:41,360
Speaker 1: if I'm hating or merely debating just for fun. But

1130
00:57:41,480 --> 00:57:45,280
Speaker 1: I do know my heart heaves heavy upon hearing the

1131
00:57:45,440 --> 00:57:49,120
Speaker 1: fluttering hum of the feeble footsteps of fear, stamping out

1132
00:57:49,160 --> 00:57:52,720
Speaker 1: the ferocious flames of our dogged desire and determination to

1133
00:57:52,840 --> 00:57:56,480
Speaker 1: outpace the perilous prophecy our captors have programmed to be

1134
00:57:56,600 --> 00:58:00,800
Speaker 1: our faith and thus our fate. I know my soul

1135
00:58:00,920 --> 00:58:05,640
Speaker 1: soul rise with anxiety aches lies no longer need the

1136
00:58:05,760 --> 00:58:08,720
Speaker 1: skies when they start looking like the truth, Like how

1137
00:58:08,800 --> 00:58:12,840
Speaker 1: do we ignore cries of ill guided youth spitting dope

1138
00:58:13,000 --> 00:58:16,480
Speaker 1: bars of self hate overbeats that bang harder than strange

1139
00:58:16,480 --> 00:58:21,600
Speaker 1: fruit hangs. Meanwhile, her breast hang and her booty bangs

1140
00:58:21,680 --> 00:58:24,320
Speaker 1: harder than the gun claps of rival gangs fighting over

1141
00:58:24,480 --> 00:58:29,040
Speaker 1: territory they don't even own. And in magic cities everywhere.

1142
00:58:29,520 --> 00:58:32,280
Speaker 1: She feeds her babies based on her ability to shake

1143
00:58:32,360 --> 00:58:34,480
Speaker 1: what her mamma gave her because her pops was too

1144
00:58:34,560 --> 00:58:37,160
Speaker 1: busy breaking in his disappearing act to save her from

1145
00:58:37,200 --> 00:58:39,760
Speaker 1: these mean streets that eat the meek in one swallow.

1146
00:58:40,080 --> 00:58:43,120
Speaker 1: Lies no longer need disguise when the truth is viewed

1147
00:58:43,160 --> 00:58:46,720
Speaker 1: as hollow through the eyes that need it most. We

1148
00:58:48,720 --> 00:58:54,880
Speaker 1: descendence of stolen legacies. We are the guardians. We are

1149
00:58:54,960 --> 00:58:58,040
Speaker 1: the gardeners. We are the soil, we are the toil.

1150
00:58:58,240 --> 00:59:00,440
Speaker 1: We are the protectors of our siege who need to

1151
00:59:00,520 --> 00:59:03,160
Speaker 1: be protected, who need to see true love and black

1152
00:59:03,240 --> 00:59:09,400
Speaker 1: excellence redirected not through the fame and fortune, but redirected

1153
00:59:09,440 --> 00:59:15,400
Speaker 1: through character. Indeed, and indeed, it is those who stand

1154
00:59:15,520 --> 00:59:19,280
Speaker 1: on the front line fighting for the minds of our young,

1155
00:59:19,680 --> 00:59:22,560
Speaker 1: black and gifted. It is you who are in inspiration

1156
00:59:22,680 --> 00:59:26,440
Speaker 1: to me because you are the revolution. We do not

1157
00:59:26,640 --> 00:59:33,640
Speaker 1: see you on TV A Sante Sana, Malcolm Jo. You

1158
00:59:33,720 --> 00:59:36,360
Speaker 1: gotta thank you. Wow. All right, shout out to the brother.

1159
00:59:36,360 --> 00:59:37,680
Speaker 1: If you want to see the full interview, you get

1160
00:59:37,760 --> 00:59:41,400
Speaker 1: up the website which is Breakfast Club online dot com.

1161
00:59:41,640 --> 00:59:44,800
Speaker 1: Traveling a clue bump from milcol Jamal wanted legend. First

1162
00:59:44,880 --> 00:59:47,720
Speaker 1: guest in this new chapter of the Breakfast Club, first

1163
00:59:47,760 --> 00:59:50,280
Speaker 1: guest in our new studio. And the lighting was amazing.

1164
00:59:51,000 --> 00:59:53,560
Speaker 1: See y'all good askin look all at Melanin. Somebody say,

1165
00:59:53,640 --> 00:59:55,800
Speaker 1: y'all look at too, You and Jason. They said, we

1166
00:59:55,880 --> 00:59:58,600
Speaker 1: look just say what they said they did? They did,

1167
00:59:58,680 --> 01:00:00,880
Speaker 1: They said in the old studio, y'all looked at Ashy

1168
01:00:00,920 --> 01:00:04,200
Speaker 1: and light skin. Getting this said, y'all, light skin is popping. Well,

1169
01:00:04,200 --> 01:00:05,760
Speaker 1: somebody just told me, well, let's get to the room

1170
01:00:05,840 --> 01:00:08,280
Speaker 1: as Jason Lee is here. He's our guest host today.

1171
01:00:08,440 --> 01:00:10,880
Speaker 1: What we're talking about? Listen fifty cents, the master troll

1172
01:00:10,920 --> 01:00:12,920
Speaker 1: who I want no smoke with. But I gotta do

1173
01:00:13,000 --> 01:00:15,480
Speaker 1: my job. You can't played the intro though I was

1174
01:00:15,520 --> 01:00:17,360
Speaker 1: supposed to be the teapot fifty cent, and then we

1175
01:00:17,400 --> 01:00:20,760
Speaker 1: played I didn't tell Lan just ready to shoot. I'm looking.

1176
01:00:21,560 --> 01:00:26,080
Speaker 1: I played an intro from my hat st name or

1177
01:00:26,160 --> 01:00:30,000
Speaker 1: you gossip? And when you chatting is the ruler report?

1178
01:00:30,120 --> 01:00:31,440
Speaker 1: I mean, I guess we're on the breakfast though. This

1179
01:00:31,520 --> 01:00:33,880
Speaker 1: were the tea spills right right on the Breakfast Club.

1180
01:00:34,400 --> 01:00:36,120
Speaker 1: Now pull a gun out Jason here. I'm not used

1181
01:00:36,160 --> 01:00:37,680
Speaker 1: to for a play. When it comes to the tea,

1182
01:00:37,760 --> 01:00:40,120
Speaker 1: I like to get straight to it. Wow, if he

1183
01:00:40,160 --> 01:00:43,440
Speaker 1: told you to pull it out to turn the camera, Yeah,

1184
01:00:43,440 --> 01:00:47,280
Speaker 1: there's no there's no lubrication. There's no lubrication. Fifty cents

1185
01:00:47,320 --> 01:00:51,600
Speaker 1: takes fifty cent was a master trolls taking some accountability,

1186
01:00:51,600 --> 01:00:53,880
Speaker 1: which I really love. And he's apologizing for not believing

1187
01:00:53,920 --> 01:00:56,360
Speaker 1: Megan the stallion in the whole Tory Lane shooting case.

1188
01:00:56,400 --> 01:00:58,440
Speaker 1: Now fifty said that he was wrong for trolling Meg

1189
01:00:58,560 --> 01:01:01,240
Speaker 1: after her explosive interview with Gail King. Well, a lot

1190
01:01:01,280 --> 01:01:03,480
Speaker 1: of us did, but I didn't remember that. He posted

1191
01:01:03,560 --> 01:01:05,600
Speaker 1: the mean from the same Ricky and Boys in the

1192
01:01:05,600 --> 01:01:07,480
Speaker 1: Hood running away from the Game members in the alley,

1193
01:01:07,480 --> 01:01:10,080
Speaker 1: and the picture show Megan's face on Ricky and Tory's

1194
01:01:10,080 --> 01:01:13,200
Speaker 1: face on the shooter. Anyway, he was recently talking about

1195
01:01:13,240 --> 01:01:14,960
Speaker 1: it on the Morning show and this is what he said,

1196
01:01:15,440 --> 01:01:19,600
Speaker 1: making the Stallion versus Tory Lanes the guilty verdict everything.

1197
01:01:20,760 --> 01:01:24,760
Speaker 1: I'm gonna apologize to Megan's stallion. Well, she said she

1198
01:01:24,920 --> 01:01:27,560
Speaker 1: was with Gail. She said, will you intimate with Tory Lanes?

1199
01:01:27,640 --> 01:01:30,680
Speaker 1: And she said what and then it was like no,

1200
01:01:31,600 --> 01:01:34,360
Speaker 1: I like she lying at that point, I knew she

1201
01:01:34,440 --> 01:01:36,600
Speaker 1: was she's lying. It wouldn't be no reason for me

1202
01:01:36,640 --> 01:01:38,760
Speaker 1: to be around each other from that if it felt

1203
01:01:38,800 --> 01:01:41,720
Speaker 1: like she was lying to me, you know what I'm saying.

1204
01:01:41,760 --> 01:01:43,440
Speaker 1: So I was like, little things will pop up, and

1205
01:01:43,520 --> 01:01:46,760
Speaker 1: I wasn't being supportive of us. You were a little

1206
01:01:46,800 --> 01:01:49,240
Speaker 1: more vocal. Yeah, And the only reason why I feel like,

1207
01:01:49,480 --> 01:01:52,080
Speaker 1: you know, at some point you should apologize. I should

1208
01:01:52,120 --> 01:01:57,600
Speaker 1: apologize to us because when I heard the phone call conversation, yeah,

1209
01:01:58,480 --> 01:02:02,760
Speaker 1: that made me feel like, now I know what happened,

1210
01:02:03,080 --> 01:02:05,840
Speaker 1: and that was a big boy yea by show. Yeah,

1211
01:02:05,840 --> 01:02:07,240
Speaker 1: I mean a lot of people, I think right now.

1212
01:02:07,360 --> 01:02:09,160
Speaker 1: And I'm not saying that this is you, Fitty, because

1213
01:02:09,200 --> 01:02:11,520
Speaker 1: you know you you tend to stay ten toes down

1214
01:02:11,560 --> 01:02:12,640
Speaker 1: on what you say. But a lot of people are

1215
01:02:12,640 --> 01:02:14,560
Speaker 1: trying to kiss Meg's ass because now they want that

1216
01:02:14,640 --> 01:02:16,720
Speaker 1: exclusive interview or some type of relationship, maybe to get

1217
01:02:16,720 --> 01:02:18,600
Speaker 1: her in BMF. I don't know, but you know, I

1218
01:02:18,640 --> 01:02:20,400
Speaker 1: want to shout out this woman named Shar Her name

1219
01:02:20,440 --> 01:02:22,760
Speaker 1: is Shar Adams at NBC Universal. She wrote at an

1220
01:02:22,880 --> 01:02:26,800
Speaker 1: NBC know she wrote this story about was it shart? Yeah?

1221
01:02:27,200 --> 01:02:29,400
Speaker 1: From NBC. She wrote this story basically saying that all

1222
01:02:29,440 --> 01:02:31,880
Speaker 1: of us were gaslighting Meg and not believing the Megan.

1223
01:02:32,640 --> 01:02:34,400
Speaker 1: You know, she attacked all the bloggers and everybody that

1224
01:02:34,520 --> 01:02:35,920
Speaker 1: had a lot to say about what was happening in

1225
01:02:35,960 --> 01:02:38,160
Speaker 1: the case when she got it wrong. And after talking

1226
01:02:38,160 --> 01:02:39,160
Speaker 1: to her on the phone, I think it was the

1227
01:02:39,160 --> 01:02:41,080
Speaker 1: speech impediment that you know, messed up a brain and

1228
01:02:41,240 --> 01:02:42,640
Speaker 1: let it get all the way to the top floor.

1229
01:02:42,880 --> 01:02:45,240
Speaker 1: Damn it. Man. Yeah, yeah, I never understood how anyone

1230
01:02:45,240 --> 01:02:47,560
Speaker 1: who read those court documents could you know, think that

1231
01:02:47,680 --> 01:02:50,520
Speaker 1: Tory Lane was beating that case. Nby I told you

1232
01:02:50,600 --> 01:02:52,800
Speaker 1: that's too much evidence it gets And I always said,

1233
01:02:52,840 --> 01:02:54,840
Speaker 1: you just never know, Like I always said, there's always

1234
01:02:54,840 --> 01:02:57,600
Speaker 1: three sides. There's something. There's her side, his side, and

1235
01:02:57,680 --> 01:03:00,400
Speaker 1: then the truth in the middle and the yours got

1236
01:03:00,440 --> 01:03:03,200
Speaker 1: the truth and that it was her side, his side,

1237
01:03:03,360 --> 01:03:07,320
Speaker 1: Kelsey's side. But that's the thing. When these situations happened,

1238
01:03:07,360 --> 01:03:09,440
Speaker 1: you should listen to everyone, right like you have to

1239
01:03:09,480 --> 01:03:12,200
Speaker 1: listen to Megan. Yes, she did get shot, she's the victim, correct,

1240
01:03:12,280 --> 01:03:13,720
Speaker 1: But if Tory said he didn't do it, you got

1241
01:03:13,800 --> 01:03:15,000
Speaker 1: to listen to him too. But at the end of

1242
01:03:15,040 --> 01:03:18,120
Speaker 1: the day in court, all that matters is the evidence. Right, Okay,

1243
01:03:18,280 --> 01:03:20,960
Speaker 1: that's all that matter of the day in that courtroom,

1244
01:03:21,000 --> 01:03:24,600
Speaker 1: that all old documentation comes out, the doctors, the investigators,

1245
01:03:24,640 --> 01:03:26,000
Speaker 1: all that comes out. All that was in the court

1246
01:03:26,040 --> 01:03:28,520
Speaker 1: docs I read before him. Bro, I'm to testified, and

1247
01:03:28,720 --> 01:03:31,400
Speaker 1: I told you this. The phone call was in there.

1248
01:03:32,320 --> 01:03:33,760
Speaker 1: I didn't hear the phone call before him, but I

1249
01:03:33,840 --> 01:03:36,000
Speaker 1: told you, I told you that in the court documentary

1250
01:03:36,080 --> 01:03:39,200
Speaker 1: said that police had a phone call of Tori apologizing

1251
01:03:39,320 --> 01:03:42,840
Speaker 1: for the incident and the gun reather do on his hand,

1252
01:03:44,480 --> 01:03:47,880
Speaker 1: the neighbor that I can't believe the defense called because

1253
01:03:47,880 --> 01:03:49,400
Speaker 1: he was the one who really feeled the deal because

1254
01:03:49,440 --> 01:03:51,760
Speaker 1: he was saying that the little one was shooting everywhere. Right,

1255
01:03:51,800 --> 01:03:54,120
Speaker 1: But the crazy part. One, on one hand, you didn't

1256
01:03:54,160 --> 01:03:56,080
Speaker 1: want to say Tory was guilty because we don't want

1257
01:03:56,080 --> 01:03:57,560
Speaker 1: to say a black man was guilty before he had

1258
01:03:57,600 --> 01:03:59,520
Speaker 1: his day as the court. And then the other on

1259
01:03:59,560 --> 01:04:01,960
Speaker 1: the other hand, and protect hashtag protect black women was

1260
01:04:01,960 --> 01:04:03,960
Speaker 1: a real thing, you know, And some people were still

1261
01:04:04,040 --> 01:04:05,880
Speaker 1: not believing Meg. But I don't know. I text her

1262
01:04:05,880 --> 01:04:08,080
Speaker 1: an answer if she felt vindicated. She you know, she's

1263
01:04:08,080 --> 01:04:09,800
Speaker 1: just kind of taking a step back and watch it

1264
01:04:09,840 --> 01:04:12,320
Speaker 1: all involved. Yeah, none of the problem is this stuff

1265
01:04:12,360 --> 01:04:14,160
Speaker 1: plays out in the court of public opinion, and none

1266
01:04:14,160 --> 01:04:15,480
Speaker 1: of this should ever play out in the qute of

1267
01:04:15,480 --> 01:04:17,760
Speaker 1: public opinion. And I don't even understand why people be

1268
01:04:17,920 --> 01:04:20,680
Speaker 1: trying to convince the court of public opinion when there's

1269
01:04:20,680 --> 01:04:22,360
Speaker 1: an actual court of law. If you've got an actual

1270
01:04:22,520 --> 01:04:24,800
Speaker 1: court date, correct, and you you're gonna have your day

1271
01:04:24,840 --> 01:04:26,720
Speaker 1: in court, who cares about what the quart of public opinions?

1272
01:04:27,120 --> 01:04:28,640
Speaker 1: That was part of the problem too. I mean they

1273
01:04:28,720 --> 01:04:31,600
Speaker 1: wanted people to stop playing tories records before the court case.

1274
01:04:31,880 --> 01:04:33,520
Speaker 1: It was too much going on. Like you said, public

1275
01:04:33,600 --> 01:04:36,480
Speaker 1: opinion was too much before the actual case. You should

1276
01:04:36,520 --> 01:04:40,640
Speaker 1: listen to everyone involved, but you have to believe the evidence. Listen,

1277
01:04:40,720 --> 01:04:44,640
Speaker 1: there's some more evidence that there's another conversation, conversation happening,

1278
01:04:44,720 --> 01:04:46,520
Speaker 1: and it's really in your community, because in our community

1279
01:04:46,520 --> 01:04:49,560
Speaker 1: we've been known about this. It was our community, well,

1280
01:04:49,720 --> 01:04:54,919
Speaker 1: your community, dominic, no, never mind everybody straight community. Yellow,

1281
01:04:55,240 --> 01:04:59,360
Speaker 1: let me go to this topic, yellow us. I was confused. Listen,

1282
01:04:59,480 --> 01:05:01,400
Speaker 1: Yellow viasys in the news because he's reacting to being

1283
01:05:01,440 --> 01:05:03,960
Speaker 1: in an all gender, large scale bathroom in New York City,

1284
01:05:04,040 --> 01:05:05,840
Speaker 1: which is crazy because we've been doing that in our

1285
01:05:05,880 --> 01:05:07,840
Speaker 1: community from day one. But this is an audio that

1286
01:05:08,040 --> 01:05:13,120
Speaker 1: we heard here in New York. This is legal. So

1287
01:05:14,800 --> 01:05:17,320
Speaker 1: I just want let you out know New York, you

1288
01:05:17,480 --> 01:05:21,760
Speaker 1: go to the men and women, this is legal and

1289
01:05:28,240 --> 01:05:34,440
Speaker 1: pay now. Yeah, I'm just it just is really it

1290
01:05:34,560 --> 01:05:39,280
Speaker 1: just they just walk really just get I don't understand

1291
01:05:39,320 --> 01:05:44,000
Speaker 1: it you and this is completely legal. Right back in

1292
01:05:44,120 --> 01:05:48,000
Speaker 1: my day, all gender bathrooms used to be called unisex UNI. Yeah. Yeah,

1293
01:05:48,040 --> 01:05:49,840
Speaker 1: what I was trying to say. In our community, in

1294
01:05:49,880 --> 01:05:52,840
Speaker 1: the gay community, we've had unisex bathrooms for years. I'm

1295
01:05:52,920 --> 01:05:55,680
Speaker 1: surprised that this is even news. The legendary tunnel, it

1296
01:05:55,800 --> 01:05:59,920
Speaker 1: was unisex bathrooms. Like that's yea, the legendary tunnel was unisex.

1297
01:06:00,040 --> 01:06:02,720
Speaker 1: You walk in and be women men. Yeah, with the

1298
01:06:02,760 --> 01:06:06,840
Speaker 1: tunnel lead and that is Jason Lee with the team. Man,

1299
01:06:07,200 --> 01:06:11,160
Speaker 1: you walk into the tunnel. Do you walk in the tunnel? Okay,

1300
01:06:12,800 --> 01:06:15,080
Speaker 1: we'll speaking the tunnels. Who you're giving that donkey to? Four?

1301
01:06:15,120 --> 01:06:16,880
Speaker 1: After the hour, President Biden needs to come to the

1302
01:06:16,920 --> 01:06:18,439
Speaker 1: front of the congregation. We like to have a word

1303
01:06:18,480 --> 01:06:19,920
Speaker 1: with him. Okay, he'll like it. I We'll get to

1304
01:06:19,960 --> 01:06:23,520
Speaker 1: a nexus to breakfast club. Good morning, the Breakfast Club.

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01:06:23,640 --> 01:06:27,560
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Speaker 1: is a miracle, there is no question. And there are

1311
01:06:44,600 --> 01:06:49,320
Speaker 1: problems in this country between police and community. Yes, you

1312
01:06:49,920 --> 01:06:53,160
Speaker 1: are a donkey. The latest on that police killing of

1313
01:06:53,240 --> 01:06:55,120
Speaker 1: a black man, now a new developments in the deadly

1314
01:06:55,120 --> 01:06:57,400
Speaker 1: Spats shooting rampage. If it was a really bad day

1315
01:06:57,400 --> 01:06:58,920
Speaker 1: for him and this is what he did, and so

1316
01:06:59,160 --> 01:07:03,560
Speaker 1: we are in a state of emergency. Okay, White supremacist

1317
01:07:03,680 --> 01:07:06,600
Speaker 1: violence is it always have been the number one threat

1318
01:07:06,640 --> 01:07:09,080
Speaker 1: to our suicide. But I'm also very proud that my

1319
01:07:09,160 --> 01:07:14,800
Speaker 1: wife was the practice club. Bitches, Please tell me why

1320
01:07:15,080 --> 01:07:18,000
Speaker 1: was I your Donkey of the day. Well, Donkey today

1321
01:07:18,040 --> 01:07:20,440
Speaker 1: for Thursday, January twelfth goes to the President of the

1322
01:07:20,560 --> 01:07:23,920
Speaker 1: United States of America, Joseph Robinette Biden Junior. Now, this

1323
01:07:24,000 --> 01:07:26,240
Speaker 1: is why I don't pledge allegiance to any political party,

1324
01:07:26,240 --> 01:07:28,800
Speaker 1: because when you pledge allegiance to a political party, you

1325
01:07:28,880 --> 01:07:31,760
Speaker 1: automatically turn in your ability to speak truth to power.

1326
01:07:31,880 --> 01:07:35,200
Speaker 1: On said political party. Both sides do it, okay, Republicans

1327
01:07:35,280 --> 01:07:39,320
Speaker 1: and Democrats. Conservatives make excuses for things Republican politicians do.

1328
01:07:39,520 --> 01:07:43,560
Speaker 1: Liberals make excuses for things Democrat politicians do. It's disgusting,

1329
01:07:43,760 --> 01:07:45,160
Speaker 1: all right. There are not too many people out there

1330
01:07:45,160 --> 01:07:47,640
Speaker 1: who are actually speaking objective truth about both sides. And

1331
01:07:47,720 --> 01:07:50,320
Speaker 1: that's why we the people are confused. Okay, I don't

1332
01:07:50,360 --> 01:07:51,960
Speaker 1: be knowing what's right. I don't be knowing what's wrong

1333
01:07:52,000 --> 01:07:54,280
Speaker 1: because y'all moved the goal post dependent on who from

1334
01:07:54,320 --> 01:07:57,120
Speaker 1: what party does what Now, if you haven't heard, the

1335
01:07:57,240 --> 01:07:59,959
Speaker 1: forty six President of the United States of America, Joe Biden,

1336
01:08:00,160 --> 01:08:02,760
Speaker 1: is under fired because it's been discovered that President Biden

1337
01:08:02,880 --> 01:08:06,360
Speaker 1: has two dozen classified documents in a private office in

1338
01:08:06,560 --> 01:08:08,919
Speaker 1: Washington that Biden used as part of a think tank.

1339
01:08:09,080 --> 01:08:11,640
Speaker 1: That was the first batch of classified documents. Because the

1340
01:08:11,680 --> 01:08:14,480
Speaker 1: age the President Biden have discovered at least one more

1341
01:08:14,560 --> 01:08:18,160
Speaker 1: additional batch of classified documents in a location separate from

1342
01:08:18,720 --> 01:08:20,920
Speaker 1: his Washington office. I can't make any of this up.

1343
01:08:21,000 --> 01:08:23,920
Speaker 1: Let's go to ABC news theory port Police tonight sources

1344
01:08:23,920 --> 01:08:27,040
Speaker 1: of selling ABC News that after attorneys for President Biden

1345
01:08:27,400 --> 01:08:30,559
Speaker 1: discovered a batch of classified documents in a former office

1346
01:08:30,600 --> 01:08:34,160
Speaker 1: he used after being vice president. They immediately went digging

1347
01:08:34,200 --> 01:08:36,479
Speaker 1: to see if there were any more, and we're now

1348
01:08:36,600 --> 01:08:39,000
Speaker 1: told that they did end up finding a second set

1349
01:08:39,080 --> 01:08:43,080
Speaker 1: of classified documents at another location. People know I take

1350
01:08:43,240 --> 01:08:48,320
Speaker 1: classified documents and classify information seriously, sources selling ABC News.

1351
01:08:48,400 --> 01:08:51,920
Speaker 1: The initial batch of roughly ten classified documents discovered in

1352
01:08:52,040 --> 01:08:56,639
Speaker 1: November were vice presidential briefing papers, some marks top secret,

1353
01:08:56,960 --> 01:08:59,800
Speaker 1: with information about a number of other countries. I don't

1354
01:08:59,840 --> 01:09:03,679
Speaker 1: know what's in the documents. My lawyers have not suggested.

1355
01:09:03,800 --> 01:09:07,400
Speaker 1: I asked what documents they were. I've turned over the boxes.

1356
01:09:07,439 --> 01:09:10,160
Speaker 1: They've turned over the boxes to the archives, and we're

1357
01:09:10,200 --> 01:09:13,200
Speaker 1: cooperating fully. The White House emphasizers and as soon as

1358
01:09:13,280 --> 01:09:17,799
Speaker 1: Biden's attorneys discovered the documents, they quickly contacted the National Archives,

1359
01:09:18,000 --> 01:09:20,479
Speaker 1: which in turn reached out to the Justice Department, which

1360
01:09:20,520 --> 01:09:24,479
Speaker 1: has launched a preliminary investigation. Former President Donald Tump, on

1361
01:09:24,560 --> 01:09:27,320
Speaker 1: the other hand, who took more than three hundred classified

1362
01:09:27,439 --> 01:09:30,599
Speaker 1: documents with him tomorrow Lago, refused to turn over all

1363
01:09:30,640 --> 01:09:34,360
Speaker 1: the material for months, which ultimately lad the FBI just

1364
01:09:34,439 --> 01:09:39,360
Speaker 1: search his home. That sounds pretty light, right. When he

1365
01:09:39,479 --> 01:09:42,280
Speaker 1: reported that the story sounds familiar, though, right, you heard

1366
01:09:42,320 --> 01:09:43,920
Speaker 1: that before, Hunt, you heard that before. Why did this

1367
01:09:43,960 --> 01:09:46,240
Speaker 1: sound familiar? Sounds familiar? Because, as he said at the end,

1368
01:09:46,400 --> 01:09:49,000
Speaker 1: Trump is under criminal investigation by the dj for his

1369
01:09:49,120 --> 01:09:51,479
Speaker 1: removal of government records from the White House when he

1370
01:09:51,600 --> 01:09:53,439
Speaker 1: left office in twenty twenty one, as well as for

1371
01:09:53,520 --> 01:09:57,240
Speaker 1: possible obstruction of justice in connection with efforts by federal

1372
01:09:57,320 --> 01:10:00,680
Speaker 1: authority to recovery the documents. At FBI rate of Magalago

1373
01:10:00,800 --> 01:10:03,680
Speaker 1: discovered thousands of pages of government documents, more than one

1374
01:10:03,760 --> 01:10:06,559
Speaker 1: hundred of which were mark classified or highly classified. They

1375
01:10:06,640 --> 01:10:09,280
Speaker 1: even rated other properties of Trump's in The team hired

1376
01:10:09,320 --> 01:10:11,600
Speaker 1: by Trump found at least two items are classified in

1377
01:10:11,680 --> 01:10:15,040
Speaker 1: the West Palm Beach, Florida stories unit. Basically to me,

1378
01:10:15,760 --> 01:10:18,120
Speaker 1: all these politicians clearly do the same stuff. I know.

1379
01:10:18,320 --> 01:10:20,920
Speaker 1: I know. It's a no liberal soldier out there right

1380
01:10:21,000 --> 01:10:24,439
Speaker 1: now saying they're not the same Charlemagne. Trump obstructed justice

1381
01:10:24,439 --> 01:10:28,840
Speaker 1: by not turning the mobile Biden turned his over. Hey man, relax, Okay,

1382
01:10:28,920 --> 01:10:30,800
Speaker 1: you don't have to make excuses for that. Man, all right,

1383
01:10:30,800 --> 01:10:32,280
Speaker 1: I know you don't want to tell the truth because

1384
01:10:32,280 --> 01:10:33,800
Speaker 1: you don't want to lose your invite to the White

1385
01:10:33,840 --> 01:10:37,439
Speaker 1: House Christmas party. But stop right. The hypocrisy surrounding this

1386
01:10:37,520 --> 01:10:40,240
Speaker 1: story is nuts. Listen how Trump was reported on when

1387
01:10:40,280 --> 01:10:43,160
Speaker 1: his documents were found. This is MSNBC. Listen, this is

1388
01:10:43,200 --> 01:10:45,479
Speaker 1: a big deal. What the show's obviously is that the

1389
01:10:45,600 --> 01:10:48,439
Speaker 1: FBI was able to convince a judge that there was

1390
01:10:48,560 --> 01:10:51,120
Speaker 1: probable cause to believe that there was evidence of a crime,

1391
01:10:51,160 --> 01:10:54,640
Speaker 1: and that that evidence existed at this location, that they

1392
01:10:54,720 --> 01:10:57,800
Speaker 1: had to go and do this search, you know, big

1393
01:10:57,920 --> 01:11:01,400
Speaker 1: Fourth Amendment intrusion and to someone's property. There's been some

1394
01:11:01,600 --> 01:11:05,280
Speaker 1: speculation this relates to the case of the missing records

1395
01:11:05,320 --> 01:11:07,720
Speaker 1: from the National Archives. If you recall the reports that

1396
01:11:07,760 --> 01:11:10,000
Speaker 1: Trump took some records from the White House they shouldn't

1397
01:11:10,040 --> 01:11:13,880
Speaker 1: have taken. That's conceivably possible. But this is just a huge,

1398
01:11:14,080 --> 01:11:17,880
Speaker 1: huge step, unprecedented in American history, perhaps by the FBI.

1399
01:11:18,320 --> 01:11:20,519
Speaker 1: And so it's coming in the context of this other

1400
01:11:21,080 --> 01:11:24,679
Speaker 1: set of investigations involving Trump an election seating to overturn

1401
01:11:24,720 --> 01:11:27,320
Speaker 1: the election, people close to him being called before the

1402
01:11:27,400 --> 01:11:30,720
Speaker 1: grand jury, lawyers who advised him being targeted with their

1403
01:11:30,720 --> 01:11:33,559
Speaker 1: own warrants. So there's a lot going on in terms

1404
01:11:33,600 --> 01:11:36,840
Speaker 1: of law enforcement activity directed at the former president. Is

1405
01:11:36,920 --> 01:11:40,200
Speaker 1: Biden being investigated as a crime yet, shouldn't it be?

1406
01:11:41,080 --> 01:11:43,200
Speaker 1: I mean, it really must suck the pledge of leaders

1407
01:11:43,240 --> 01:11:45,559
Speaker 1: to a party. Look, all your Democratic d riders, please

1408
01:11:45,680 --> 01:11:49,400
Speaker 1: know d riding has never been a suitable form of transportation. Okay,

1409
01:11:49,439 --> 01:11:51,960
Speaker 1: Secretary Pete wouldn't even recommend it, all right, I know

1410
01:11:52,240 --> 01:11:54,879
Speaker 1: you know. Liberal soldiers are saying, it's not the documents

1411
01:11:54,920 --> 01:11:57,520
Speaker 1: that had a problem. Is the obstruction. Okay, Trump obstructed

1412
01:11:57,600 --> 01:12:00,639
Speaker 1: justice by not turning the documents over. When yeah, sure

1413
01:12:00,920 --> 01:12:02,680
Speaker 1: that was part of it. But don't sit here and

1414
01:12:02,760 --> 01:12:04,960
Speaker 1: play with our intelligence and act like y'all didn't make

1415
01:12:05,000 --> 01:12:07,720
Speaker 1: it seem like the actual documents what a problem. Y'all

1416
01:12:07,760 --> 01:12:10,639
Speaker 1: told us to classified documents, what the issue? Because folks

1417
01:12:10,680 --> 01:12:13,040
Speaker 1: said they didn't know what was in the documents. People

1418
01:12:13,080 --> 01:12:15,000
Speaker 1: were saying, oh, it could be nuclear code, the Trump

1419
01:12:15,040 --> 01:12:17,720
Speaker 1: could be selling classified information to foreign enterities. It was

1420
01:12:17,760 --> 01:12:21,040
Speaker 1: all about the classified documents. But with Biden, folks are

1421
01:12:21,120 --> 01:12:24,519
Speaker 1: like well, classified in folks slips out from time to time. Okay,

1422
01:12:24,560 --> 01:12:27,640
Speaker 1: it slips out often. It's the obstruction that's the difference here.

1423
01:12:27,720 --> 01:12:30,040
Speaker 1: Making it seem like this situation with Biden isn't a

1424
01:12:30,080 --> 01:12:33,080
Speaker 1: big deal. Nah man, keep that same energy. Okay, everyone

1425
01:12:33,120 --> 01:12:35,800
Speaker 1: has to keep that stam energy from from liberal media

1426
01:12:35,840 --> 01:12:38,759
Speaker 1: to the dj everybody. Okay. NBC News had a headline

1427
01:12:39,160 --> 01:12:43,040
Speaker 1: and it was like the headline was, the discovery of

1428
01:12:43,080 --> 01:12:46,920
Speaker 1: classified documents among Biden's papers is a bad look for

1429
01:12:47,040 --> 01:12:49,920
Speaker 1: the president and a bad look. Just a bad look too.

1430
01:12:49,960 --> 01:12:52,280
Speaker 1: Batches of classified documents found and it's just a bad

1431
01:12:52,360 --> 01:12:54,800
Speaker 1: look when this happened to Trump last year, NBC News

1432
01:12:54,880 --> 01:12:58,439
Speaker 1: headlines where Intel officers will assess risk the national security

1433
01:12:58,680 --> 01:13:01,920
Speaker 1: from documents found that trumps Magalago. This is what happens

1434
01:13:02,000 --> 01:13:04,840
Speaker 1: when political parties who are two wings of the same

1435
01:13:04,920 --> 01:13:08,559
Speaker 1: bird try to act morally better than the other. Listen

1436
01:13:08,760 --> 01:13:11,280
Speaker 1: to I think Trump Republicans are fascists who want to

1437
01:13:11,280 --> 01:13:14,240
Speaker 1: destroy democracy as we know it. Yes, okay, but what

1438
01:13:14,360 --> 01:13:16,800
Speaker 1: did our ancestor Malcolm X say. Our ancest to Malcolm

1439
01:13:16,960 --> 01:13:19,880
Speaker 1: X said, the white Conservatives aren't friends of the Negro either,

1440
01:13:20,000 --> 01:13:21,720
Speaker 1: but they at least they don't try to hide it.

1441
01:13:21,920 --> 01:13:23,760
Speaker 1: All right. They are like wolves. They show their teeth

1442
01:13:23,800 --> 01:13:26,560
Speaker 1: in a snarl that keeps the Negro always aware of

1443
01:13:26,640 --> 01:13:29,120
Speaker 1: where he stands with them. But the white liberals, they're

1444
01:13:29,200 --> 01:13:31,240
Speaker 1: like foxes. Who also show their teeth to the negro,

1445
01:13:31,320 --> 01:13:33,360
Speaker 1: will pretend that they are smiling. All right, the white

1446
01:13:33,400 --> 01:13:35,960
Speaker 1: liberals are more dangerous than the conservatives. They lord the negro,

1447
01:13:36,040 --> 01:13:37,960
Speaker 1: and as the negro runs from the growling wolf, he

1448
01:13:38,120 --> 01:13:40,720
Speaker 1: fleas into the open jaw to the smiling fox. That's

1449
01:13:40,800 --> 01:13:43,920
Speaker 1: what all these stories about Biden remind me of a

1450
01:13:44,040 --> 01:13:46,840
Speaker 1: bunch of foxes smiling trying to tell us that no, no, no,

1451
01:13:47,200 --> 01:13:49,000
Speaker 1: I know we got caught doing the same thing, but

1452
01:13:49,120 --> 01:13:51,840
Speaker 1: the differences I turned my docs over he didn't. Well,

1453
01:13:51,880 --> 01:13:54,080
Speaker 1: that's not what y'all was trying to make us believe

1454
01:13:54,120 --> 01:13:57,000
Speaker 1: about those wolves last year. All right, last year you

1455
01:13:57,120 --> 01:13:59,840
Speaker 1: told us the problem with those wolves with the class

1456
01:13:59,840 --> 01:14:02,120
Speaker 1: of by documents. In fact, we have receipts from the

1457
01:14:02,160 --> 01:14:07,120
Speaker 1: president themselves. Let's listen. When you saw the photograph of

1458
01:14:07,520 --> 01:14:10,680
Speaker 1: the top secret documents laid out on the floor at Marlago,

1459
01:14:11,160 --> 01:14:14,040
Speaker 1: what did you think to yourself looking at that image,

1460
01:14:14,640 --> 01:14:18,920
Speaker 1: how that could possibly happen? How don want anyone could

1461
01:14:18,920 --> 01:14:22,680
Speaker 1: be that irresponsible? And I thought, what data was in

1462
01:14:22,800 --> 01:14:26,320
Speaker 1: there that may compromise sources and methods? By that I

1463
01:14:26,439 --> 01:14:30,240
Speaker 1: mean names of people who helped theres, etc. And it

1464
01:14:30,439 --> 01:14:35,880
Speaker 1: just totally irresponsible. Joe Biden sounds like he's talking to

1465
01:14:35,920 --> 01:14:38,479
Speaker 1: the man in the mirror right now, doesn't he Those

1466
01:14:38,560 --> 01:14:41,560
Speaker 1: comments didn't age well, Look all, I wanted legislation. I

1467
01:14:41,600 --> 01:14:44,400
Speaker 1: don't care about party politics. I'm voting for whoever cares

1468
01:14:44,400 --> 01:14:46,680
Speaker 1: about my issues and takes action for my issues. All

1469
01:14:46,720 --> 01:14:50,880
Speaker 1: you fools who came for a particular party, you're all liars. Okay,

1470
01:14:50,960 --> 01:14:53,080
Speaker 1: you have to be by proximity. And the only reason

1471
01:14:53,160 --> 01:14:55,840
Speaker 1: we ask for consistency is because we just want y'all

1472
01:14:55,880 --> 01:14:59,240
Speaker 1: to admit how inconsistent you all really are, and that's

1473
01:14:59,280 --> 01:15:03,519
Speaker 1: why we to don't trust none none of y'all. Okay,

1474
01:15:03,640 --> 01:15:06,080
Speaker 1: please let Remy Mark get President Biden the biggest he

1475
01:15:06,200 --> 01:15:10,960
Speaker 1: had he ha he ha. You stupid motherfuck? Are you dumb?

1476
01:15:11,680 --> 01:15:14,559
Speaker 1: All right? I refused to be a no liberal soldier,

1477
01:15:15,400 --> 01:15:19,519
Speaker 1: No liberal soldier. I told you no liberal soldier when

1478
01:15:19,520 --> 01:15:21,519
Speaker 1: they dancing too that at the Christmas party, when y'all

1479
01:15:21,520 --> 01:15:24,840
Speaker 1: with I felt and watching a little bee boxing, watching

1480
01:15:24,920 --> 01:15:26,640
Speaker 1: Don Lemon try to do the keeper shuffle was the

1481
01:15:26,640 --> 01:15:27,960
Speaker 1: funniest part of the How the hell you keep a

1482
01:15:27,960 --> 01:15:32,160
Speaker 1: shuffle with dj? Oh? Okay, all right, but thank you

1483
01:15:32,200 --> 01:15:33,720
Speaker 1: for that. Donky to day. Now when we come back,

1484
01:15:33,840 --> 01:15:36,280
Speaker 1: let's talk all gender bathrooms. What's your opinion? How do

1485
01:15:36,320 --> 01:15:39,519
Speaker 1: you feel about that? H eight hundred five eight five

1486
01:15:39,640 --> 01:15:41,160
Speaker 1: one oh five one. We'll talk about it when we

1487
01:15:41,280 --> 01:15:43,920
Speaker 1: come back. Don't move. It's to Breakfast Lugal Morning, the

1488
01:15:44,160 --> 01:15:55,280
Speaker 1: Breakfast Club. It's topic time called eight hundred five eight

1489
01:15:55,360 --> 01:15:56,840
Speaker 1: five one oh five one to join it to the

1490
01:15:56,920 --> 01:16:00,240
Speaker 1: discussion with the breakfast club, talk about it. I want

1491
01:16:00,280 --> 01:16:04,240
Speaker 1: to everybody in CDJ and V Charlemagne the God. Jason

1492
01:16:04,320 --> 01:16:07,599
Speaker 1: Lee is our celebrity guest host today, so we're asking

1493
01:16:07,640 --> 01:16:10,559
Speaker 1: we're talking all gender bathrooms now. This conversation comes from

1494
01:16:10,640 --> 01:16:13,000
Speaker 1: Yellow Busy. Jason Lee brought this up earlier. I've never

1495
01:16:13,080 --> 01:16:15,439
Speaker 1: heard this. Yeah, so Yellow Beausy was actually in New

1496
01:16:15,560 --> 01:16:17,560
Speaker 1: York City and this was the first time he's seen it.

1497
01:16:17,760 --> 01:16:21,680
Speaker 1: So let's let's play the audio in New York. This

1498
01:16:21,880 --> 01:16:26,280
Speaker 1: is legal, so cool. I just want to let you

1499
01:16:26,320 --> 01:16:29,240
Speaker 1: out on New York. You go to the restaurant with

1500
01:16:30,280 --> 01:16:42,840
Speaker 1: men and women and this is legal, and um yeah,

1501
01:16:42,880 --> 01:16:45,960
Speaker 1: I'm just it is regular. It just they just won't

1502
01:16:46,240 --> 01:16:50,000
Speaker 1: really just getting up and I guess I don't understand it.

1503
01:16:51,720 --> 01:16:54,720
Speaker 1: And you and this is completely legal. Right, So we're

1504
01:16:54,800 --> 01:16:57,960
Speaker 1: asking what are your thoughts on all gender bathrooms? Now,

1505
01:16:57,960 --> 01:17:00,280
Speaker 1: I'm forty four years old, so I'm olt back in

1506
01:17:00,360 --> 01:17:03,320
Speaker 1: my day, Yeah, all the bathrooms would just call unisex bathrooms,

1507
01:17:03,520 --> 01:17:06,519
Speaker 1: right correct. I'm getting text from people in New York

1508
01:17:06,600 --> 01:17:08,280
Speaker 1: right now who are listening saying that this was at

1509
01:17:08,280 --> 01:17:09,840
Speaker 1: the tunnel, that yeah, it was at the tunnel. Yeah,

1510
01:17:09,840 --> 01:17:11,320
Speaker 1: that's the first time I seen it was at the tunnel.

1511
01:17:11,400 --> 01:17:17,120
Speaker 1: But I will say this, having kids, it's a funny feeling,

1512
01:17:17,240 --> 01:17:19,080
Speaker 1: right because it's sometimes I don't I don't know about you.

1513
01:17:19,160 --> 01:17:20,760
Speaker 1: So I have a nine year old. Sometimes I send

1514
01:17:20,800 --> 01:17:23,080
Speaker 1: my daughter into the bathroom, and if I send them

1515
01:17:23,080 --> 01:17:26,800
Speaker 1: into the bathroom, I would assume that there's only young

1516
01:17:27,160 --> 01:17:29,519
Speaker 1: girls her age or maybe moms in the bathroom. Yeah,

1517
01:17:29,560 --> 01:17:31,880
Speaker 1: I wouldn't assume that maybe there's males in the bathroom

1518
01:17:31,920 --> 01:17:34,320
Speaker 1: as well. So when it comes to kids, I see

1519
01:17:34,360 --> 01:17:36,599
Speaker 1: where people would have a problem. I get it, nigga.

1520
01:17:37,000 --> 01:17:39,440
Speaker 1: I mean I think right now, because the whole conversation

1521
01:17:39,520 --> 01:17:43,240
Speaker 1: about LGBTQ fairness and you know, its quality and diversity

1522
01:17:43,240 --> 01:17:45,400
Speaker 1: and all that is just raised people as awareness of

1523
01:17:45,680 --> 01:17:48,360
Speaker 1: things like this. I mean, I've always been in restrooms.

1524
01:17:48,360 --> 01:17:50,320
Speaker 1: Since I've been in LA, all the restaurants are unisex

1525
01:17:50,360 --> 01:17:51,640
Speaker 1: with the most price of the club. So I don't know.

1526
01:17:51,680 --> 01:17:53,320
Speaker 1: I don't see it as a problem. What do they

1527
01:17:53,400 --> 01:17:56,280
Speaker 1: think people are doing in these bathrooms? Whenever I hear

1528
01:17:56,360 --> 01:17:59,240
Speaker 1: people say these things like, oh man, well what if

1529
01:17:59,280 --> 01:18:01,439
Speaker 1: you go into bathroom room and X Y Z is happening,

1530
01:18:01,479 --> 01:18:03,479
Speaker 1: I'm like, I don't think people are thinking like that.

1531
01:18:03,479 --> 01:18:04,880
Speaker 1: I think people are going in the bathroom, were thinking

1532
01:18:04,920 --> 01:18:06,600
Speaker 1: just like you. They want to pee, they want to

1533
01:18:06,600 --> 01:18:09,559
Speaker 1: do it number two right, that's it. I mean where

1534
01:18:09,600 --> 01:18:11,960
Speaker 1: stuff could go down in a straight bathroom. Let's be

1535
01:18:12,080 --> 01:18:14,560
Speaker 1: very clear. Absolutely, you know we were in all the

1536
01:18:14,800 --> 01:18:16,880
Speaker 1: We're in the straight bathroom. So I don't know. I

1537
01:18:16,920 --> 01:18:19,680
Speaker 1: don't see this issue technically, right, what's that If it's

1538
01:18:19,800 --> 01:18:23,800
Speaker 1: men bathrooms and women bathrooms, isn't it more likely that

1539
01:18:24,040 --> 01:18:26,960
Speaker 1: some gay stuff would happen in the bathroom with the

1540
01:18:27,040 --> 01:18:30,519
Speaker 1: same gender. I think So, I just don't see why

1541
01:18:30,520 --> 01:18:32,840
Speaker 1: it say issue. I think I think because again we've

1542
01:18:32,840 --> 01:18:36,880
Speaker 1: over politicized the LGBT issues. Not not that that's right

1543
01:18:37,000 --> 01:18:38,439
Speaker 1: or wrong. I mean, you can have your own opinion.

1544
01:18:38,520 --> 01:18:40,160
Speaker 1: I think it just makes people more sensitive to it.

1545
01:18:40,280 --> 01:18:41,960
Speaker 1: Why you why you drop all the letters? Though? How

1546
01:18:42,000 --> 01:18:43,800
Speaker 1: can when people that aren't from the community, people aren't

1547
01:18:43,800 --> 01:18:47,000
Speaker 1: from the community say all the letthers well LGBTQU something,

1548
01:18:47,000 --> 01:18:49,639
Speaker 1: Because I'll tell you, I can't say see the list

1549
01:18:49,680 --> 01:18:51,439
Speaker 1: of words. I can't say, oh yeah, I can't say

1550
01:18:52,040 --> 01:18:54,280
Speaker 1: where I want. I think we're messing it up. Honestly,

1551
01:18:54,320 --> 01:18:56,360
Speaker 1: we're making it more complicated for you all you all

1552
01:18:56,400 --> 01:18:58,080
Speaker 1: of that messing it up in the and media is

1553
01:18:58,080 --> 01:19:00,000
Speaker 1: picking up and then everybody's upset about everything. I don't

1554
01:19:00,120 --> 01:19:01,800
Speaker 1: I don't even know what AI is at this point.

1555
01:19:01,920 --> 01:19:04,880
Speaker 1: It's LGBTQ no dispect that everybody else, but just you know,

1556
01:19:06,439 --> 01:19:09,840
Speaker 1: rounded off got AI in now it's lgbt Q U

1557
01:19:10,000 --> 01:19:14,160
Speaker 1: a I plus. I don't know the aori or the

1558
01:19:14,200 --> 01:19:16,360
Speaker 1: plus those people who are sexually attracted the robots are

1559
01:19:16,400 --> 01:19:19,960
Speaker 1: official intelligence. Let's go to the phone, laws man, Hello,

1560
01:19:20,080 --> 01:19:25,439
Speaker 1: who's this? Hello? Hey? What's up? Who's this? Yeah? Hello? Hello?

1561
01:19:25,800 --> 01:19:30,200
Speaker 1: What's your name? Brou A Curity? All right? Whatever? What

1562
01:19:30,320 --> 01:19:32,439
Speaker 1: do you think about ald you in the bathrooms? Whatever?

1563
01:19:32,560 --> 01:19:34,360
Speaker 1: Whatever do you? Manna? I just wanted to say, like,

1564
01:19:35,320 --> 01:19:37,760
Speaker 1: it's weird. It's kind of weird because like I'm thirty

1565
01:19:37,880 --> 01:19:40,599
Speaker 1: years old, So to see it right now, like I'm

1566
01:19:40,640 --> 01:19:43,160
Speaker 1: so used to seeing like a female and a male

1567
01:19:43,200 --> 01:19:46,880
Speaker 1: down group, we're seeing like all together and I know

1568
01:19:47,000 --> 01:19:49,680
Speaker 1: the whole of unit sect to wage somebody, that's kind

1569
01:19:49,720 --> 01:19:52,800
Speaker 1: of rare. But to see it everywhere, it's just really

1570
01:19:52,840 --> 01:19:55,400
Speaker 1: different now. I guess people got in that you don't

1571
01:19:55,400 --> 01:19:57,760
Speaker 1: get used to it. Yeah, I would walk out about

1572
01:19:57,800 --> 01:19:59,519
Speaker 1: saw a woman in the bathroom only because I'm used

1573
01:19:59,520 --> 01:20:01,639
Speaker 1: to that, Like I'm walked in women's bathroom by mistake

1574
01:20:01,680 --> 01:20:03,200
Speaker 1: before you see the one first you think, oh, I'm

1575
01:20:03,200 --> 01:20:04,560
Speaker 1: in the wrong bathroom, you know what I mean. So

1576
01:20:04,600 --> 01:20:07,840
Speaker 1: I would probably just walk out the sex bathroom. It's

1577
01:20:07,840 --> 01:20:09,400
Speaker 1: you know, you could be in the stall and she

1578
01:20:09,439 --> 01:20:10,800
Speaker 1: could be in the stall next to you, or somebody

1579
01:20:10,840 --> 01:20:13,680
Speaker 1: could be in store next year, the whole standing in

1580
01:20:13,760 --> 01:20:16,479
Speaker 1: the stall next to you. That's boy. Yeah, and she's

1581
01:20:16,479 --> 01:20:17,840
Speaker 1: standing in the stall next to you. That's the Big

1582
01:20:17,880 --> 01:20:20,880
Speaker 1: Popa video. Y'all forgot about that Big Popa video? Remember

1583
01:20:20,880 --> 01:20:22,559
Speaker 1: the Big Popa video? Oh yeah, yeah, when the two

1584
01:20:22,600 --> 01:20:24,240
Speaker 1: guys appin and then the woman comes in and whips

1585
01:20:24,280 --> 01:20:28,760
Speaker 1: out and TP's right next to him, not the oh yeah, yeah,

1586
01:20:28,880 --> 01:20:34,160
Speaker 1: Well I don't know what anyway? Hello, who's ask him?

1587
01:20:36,520 --> 01:20:39,280
Speaker 1: I love the fact that, like when I said that,

1588
01:20:39,439 --> 01:20:42,080
Speaker 1: everybody start dancing around it. They pull up too and

1589
01:20:42,280 --> 01:20:44,720
Speaker 1: pull out you right there, you got a pee. I

1590
01:20:44,800 --> 01:20:47,000
Speaker 1: mean just because you're trying doesn't doesn't mean you have

1591
01:20:47,040 --> 01:20:48,840
Speaker 1: to go sit down. You could pull up in p

1592
01:20:49,960 --> 01:20:51,840
Speaker 1: I would look. And the reason I would love tell

1593
01:20:51,840 --> 01:20:53,559
Speaker 1: you why I would look. I would look. I would

1594
01:20:53,560 --> 01:20:55,519
Speaker 1: have to make I see what I'm seeing like because

1595
01:20:55,760 --> 01:20:58,280
Speaker 1: be like you were just doing by nature. You don't

1596
01:20:58,320 --> 01:21:00,120
Speaker 1: think so No, you stand next to him, man, do

1597
01:21:00,200 --> 01:21:02,920
Speaker 1: you look? But I know what if a woman walks

1598
01:21:03,000 --> 01:21:06,439
Speaker 1: up to me and said, I do, I mean, it's

1599
01:21:06,479 --> 01:21:08,639
Speaker 1: just natural, It's just I mean, I don't know. Look

1600
01:21:08,720 --> 01:21:10,840
Speaker 1: our bathroom. That's part of the problem. I think people

1601
01:21:11,080 --> 01:21:14,599
Speaker 1: don't want but our bath I mean our again. Going

1602
01:21:14,640 --> 01:21:16,559
Speaker 1: back to the all male restaurants, there's some all mass

1603
01:21:16,680 --> 01:21:19,040
Speaker 1: restauroms in LA that are in our community. It's a

1604
01:21:19,160 --> 01:21:22,360
Speaker 1: it's a whole different experience. It's a different experience. Hold

1605
01:21:22,360 --> 01:21:27,600
Speaker 1: on elain that okay, the doors off the stall you

1606
01:21:27,760 --> 01:21:34,040
Speaker 1: old hold on old okay, okay, interesting conversation. Doors on

1607
01:21:34,080 --> 01:21:36,000
Speaker 1: the store. There's some bathrooms where the you can't put

1608
01:21:36,320 --> 01:21:38,000
Speaker 1: you put a door on a song and a gay

1609
01:21:38,120 --> 01:21:42,240
Speaker 1: all gay bathroom. What. Yeah, that's problematic. Explain to me

1610
01:21:42,320 --> 01:21:43,800
Speaker 1: the guys that go in the bathroom and pull they

1611
01:21:43,840 --> 01:21:45,760
Speaker 1: pant down the peak. Okay, I'll be honest with you.

1612
01:21:45,920 --> 01:21:47,400
Speaker 1: There's sometimes I do that I want to get on

1613
01:21:47,479 --> 01:21:49,920
Speaker 1: my Instagram. I just you know, I just I don't.

1614
01:21:49,920 --> 01:21:52,160
Speaker 1: I don't know. That's to the floor just to stand

1615
01:21:52,240 --> 01:21:55,560
Speaker 1: up the pea ass out stand up. Oh yeah, No,

1616
01:21:55,720 --> 01:21:58,280
Speaker 1: that's some weird about to sit down to pea. Yeah,

1617
01:21:58,360 --> 01:22:00,479
Speaker 1: sometimes you just sit down just the Yeah, because I

1618
01:22:00,600 --> 01:22:03,000
Speaker 1: had to read my phone. Yeah, it's like going on Yeah,

1619
01:22:03,080 --> 01:22:06,400
Speaker 1: okay and go back to kake. Every kids begins with

1620
01:22:06,479 --> 01:22:12,000
Speaker 1: kk hey k I thank you for holding go ahead, mama.

1621
01:22:12,520 --> 01:22:16,160
Speaker 1: I think that they shouldn't have all texts for bathrooms

1622
01:22:16,320 --> 01:22:19,240
Speaker 1: after way, because when I take my four year little

1623
01:22:19,320 --> 01:22:21,840
Speaker 1: daughters to the bathroom, I don't want her book over

1624
01:22:21,920 --> 01:22:25,600
Speaker 1: and thrown man from the bathroom. Yeah, I mean I

1625
01:22:25,680 --> 01:22:27,320
Speaker 1: said the same thing. I don't think it should be

1626
01:22:27,360 --> 01:22:29,320
Speaker 1: everywhere because when I do take my kids out, and

1627
01:22:29,320 --> 01:22:30,519
Speaker 1: I take my kids and they got to go to

1628
01:22:30,560 --> 01:22:33,479
Speaker 1: the bathroom. I agree, I agree with you. I agree,

1629
01:22:33,479 --> 01:22:35,760
Speaker 1: And this is an interesting conversation because I remember some

1630
01:22:35,960 --> 01:22:40,160
Speaker 1: years ago when the conversations about transgenders using the bathroom

1631
01:22:40,280 --> 01:22:41,640
Speaker 1: was happening, and there was a lot of this, but

1632
01:22:42,040 --> 01:22:44,120
Speaker 1: nobody ever had the conversation, well, how do s great

1633
01:22:44,120 --> 01:22:46,120
Speaker 1: people feel about being in the bathroom with other great people?

1634
01:22:46,120 --> 01:22:47,640
Speaker 1: Because it's the same thing, right, Like I wouldn't want

1635
01:22:47,680 --> 01:22:50,040
Speaker 1: my daughters in the bathroom with grown in So no

1636
01:22:50,160 --> 01:22:52,920
Speaker 1: fathers are taking their babies into a bathroom and changing

1637
01:22:52,960 --> 01:22:55,479
Speaker 1: their diapers or anything. Or they have the family bathroom

1638
01:22:56,560 --> 01:22:58,080
Speaker 1: and they have the family bathrooms for that, like they

1639
01:22:58,160 --> 01:23:00,120
Speaker 1: have the bathrooms that tell you where to dipe, were

1640
01:23:00,200 --> 01:23:01,920
Speaker 1: changing tables are and everything. I don't even think that

1641
01:23:02,040 --> 01:23:04,840
Speaker 1: they're not really bathrooms, they're just actual changing station. Is

1642
01:23:04,840 --> 01:23:07,599
Speaker 1: the evolution of bathrooms? Now we have a bathroom for everybody.

1643
01:23:07,760 --> 01:23:09,320
Speaker 1: What's wrong with it? I mean, I don't know why

1644
01:23:09,360 --> 01:23:12,960
Speaker 1: we have to sexualize the ping and going number two experience.

1645
01:23:13,360 --> 01:23:14,880
Speaker 1: Jason just said what I was trying to say. I

1646
01:23:14,920 --> 01:23:17,040
Speaker 1: can't say the one. I couldn't. I couldn't, I couldn't

1647
01:23:17,439 --> 01:23:19,280
Speaker 1: put together the word. But that's what you just said.

1648
01:23:19,400 --> 01:23:22,800
Speaker 1: The sexualization of ping and duking. Yeah, that's all it is.

1649
01:23:23,040 --> 01:23:24,880
Speaker 1: So when I do. So what do you expect to

1650
01:23:24,920 --> 01:23:26,760
Speaker 1: happen in the bathroom. I'm going to the bathroom to pea.

1651
01:23:26,920 --> 01:23:29,519
Speaker 1: I mean, like this conversation is making me literally look

1652
01:23:29,560 --> 01:23:32,160
Speaker 1: at bathrooms with like red lights and smoke, and I mean,

1653
01:23:32,240 --> 01:23:35,640
Speaker 1: like it's a bathroom. Bathroom. Here's too far. I just

1654
01:23:35,720 --> 01:23:38,320
Speaker 1: gonna tell you that if anybody heart listening to the bathrooms.

1655
01:23:40,400 --> 01:23:41,880
Speaker 1: By the way, I've never walked to a bathroom and

1656
01:23:41,960 --> 01:23:46,000
Speaker 1: team any couple having text I have yeah, yeah, don't

1657
01:23:46,200 --> 01:23:47,720
Speaker 1: you don't go out though, you don't go to you

1658
01:23:47,760 --> 01:23:50,200
Speaker 1: got a little bit more. But eight hundred five A

1659
01:23:50,360 --> 01:23:52,719
Speaker 1: five one or five one. We're talking all gender bathrooms.

1660
01:23:52,720 --> 01:23:54,760
Speaker 1: What's your thoughts? Call us up as the breakfast club.

1661
01:23:54,800 --> 01:24:06,040
Speaker 1: Come on here, call me to the breakfast Club Top

1662
01:24:09,520 --> 01:24:13,720
Speaker 1: one morning. Everybody's dj n V Charlemagne the guy. We

1663
01:24:13,840 --> 01:24:16,200
Speaker 1: are the breakfast club. We have Jason Lee is our

1664
01:24:16,600 --> 01:24:20,160
Speaker 1: guest host this morning. We're talking all gender bathrooms. Now,

1665
01:24:20,200 --> 01:24:23,320
Speaker 1: this conversation came from Yellow Basy. Jason Lee reported this

1666
01:24:23,439 --> 01:24:25,439
Speaker 1: in the rumors and this is what he said. In

1667
01:24:25,640 --> 01:24:31,760
Speaker 1: New York. This is legal. So I just won't let

1668
01:24:31,800 --> 01:24:34,639
Speaker 1: you out know New York, you go to the restaurant

1669
01:24:34,760 --> 01:24:38,439
Speaker 1: with men and women and this is legal, and um,

1670
01:24:40,560 --> 01:24:50,680
Speaker 1: I'm Paul, Yeah, I'm just it just is regular. It

1671
01:24:50,800 --> 01:24:53,160
Speaker 1: just they just won't you really just get leave it up.

1672
01:24:53,240 --> 01:24:57,800
Speaker 1: And I guess I don't understand it and you and

1673
01:24:57,920 --> 01:25:00,920
Speaker 1: this is completely legal, right, So we're getting your opinions,

1674
01:25:00,920 --> 01:25:05,320
Speaker 1: taking your calls. Hello, who's this? Hey, it's fair Randy, Randy?

1675
01:25:05,360 --> 01:25:08,599
Speaker 1: What's up? Bro? What what's your opinion? I think they're fine, man,

1676
01:25:09,320 --> 01:25:11,920
Speaker 1: Like we've been. We've had them for a long time

1677
01:25:12,000 --> 01:25:15,439
Speaker 1: at the music venue that I work at. Well play music, man,

1678
01:25:15,680 --> 01:25:18,080
Speaker 1: play music that sorry, okay, So what do you think

1679
01:25:18,080 --> 01:25:21,880
Speaker 1: they're fine? Yeah? It worked pretty well, works pretty well.

1680
01:25:21,920 --> 01:25:25,200
Speaker 1: I like the girls. You know where the girls going

1681
01:25:25,280 --> 01:25:27,760
Speaker 1: Mark because it's a little cleaner. I got you. But

1682
01:25:27,880 --> 01:25:30,519
Speaker 1: now let me ask you this, But the women feel

1683
01:25:30,560 --> 01:25:32,519
Speaker 1: comfortable going to the bathroom. Because if a woman's trying

1684
01:25:32,520 --> 01:25:33,960
Speaker 1: to go to the bathroom, like you said, to pea

1685
01:25:34,000 --> 01:25:36,400
Speaker 1: poop and this guy's in there, guys are gonna hollow?

1686
01:25:37,320 --> 01:25:39,240
Speaker 1: Does it make it feel uncomfortable because women won't get

1687
01:25:39,240 --> 01:25:41,879
Speaker 1: their problems and guys are gonna hollow. Guy's hollow anywhere

1688
01:25:42,160 --> 01:25:44,840
Speaker 1: depends on that poop smell. I don't care how pretty

1689
01:25:44,920 --> 01:25:46,840
Speaker 1: you are you going in that bathroom and blow it up?

1690
01:25:46,840 --> 01:25:49,120
Speaker 1: Ain't nobody gonna try to holler at you? Pretty? V

1691
01:25:49,320 --> 01:25:51,960
Speaker 1: has the worst parts ever on Wilding Out. She would

1692
01:25:52,000 --> 01:25:54,360
Speaker 1: come into hair and makeup and just fart and and

1693
01:25:54,560 --> 01:25:57,120
Speaker 1: that runed our relationship for a couple of seasons. That's

1694
01:25:57,120 --> 01:26:00,960
Speaker 1: why she pooped on TV number one V poopy. No,

1695
01:26:01,560 --> 01:26:04,720
Speaker 1: she pooped somewhere. Remember it was on the reality shops. Yeah, yeah,

1696
01:26:04,720 --> 01:26:07,280
Speaker 1: she pooped on the reality show Here I love you. Yeah,

1697
01:26:08,840 --> 01:26:11,840
Speaker 1: don't love those parts though? Isn't that bad? Oh? My god?

1698
01:26:12,240 --> 01:26:14,679
Speaker 1: The word. She felt comfortable just doing it. She would

1699
01:26:14,800 --> 01:26:16,599
Speaker 1: walk up to you and do it while you're getting

1700
01:26:16,680 --> 01:26:18,720
Speaker 1: wi I'm gonna text it right. Nothing. Why are you

1701
01:26:18,760 --> 01:26:23,240
Speaker 1: foughting on people? Yell? Hello? Who's this? Yo? Under man?

1702
01:26:23,360 --> 01:26:25,519
Speaker 1: What's up? Bro? We're talking about all gender bathrooms? What's

1703
01:26:25,560 --> 01:26:27,639
Speaker 1: your opinion? But I think's not wrong with it really

1704
01:26:27,720 --> 01:26:30,680
Speaker 1: because they've been had all to the bad food. You

1705
01:26:30,760 --> 01:26:33,160
Speaker 1: talk about it because but we was coming up the head.

1706
01:26:33,160 --> 01:26:36,320
Speaker 1: You a text the foot right, so you just going

1707
01:26:36,320 --> 01:26:37,720
Speaker 1: to bad fool and a lot of them got a

1708
01:26:37,760 --> 01:26:39,600
Speaker 1: locked on it and locked the door. So he's a

1709
01:26:39,680 --> 01:26:43,320
Speaker 1: man or woman because always in a single. Are you

1710
01:26:43,360 --> 01:26:45,160
Speaker 1: talking about single? Youre talking about single store? Back from

1711
01:26:45,160 --> 01:26:46,439
Speaker 1: one bathroom where you gotta go in and that way,

1712
01:26:46,439 --> 01:26:49,080
Speaker 1: I think we're talking more about though bathrooms where it's

1713
01:26:49,080 --> 01:26:51,280
Speaker 1: like it's it's a bunch of stalls and it's either

1714
01:26:51,439 --> 01:26:53,960
Speaker 1: men or women whatever you identify. Do they have the

1715
01:26:54,000 --> 01:26:56,160
Speaker 1: stalls you can stand up and pin and the unity bathrooms?

1716
01:26:56,160 --> 01:27:01,160
Speaker 1: I really don't remember. Yeah, a stall in the stall.

1717
01:27:01,720 --> 01:27:03,160
Speaker 1: I walked in the bathroom one time and seeing the

1718
01:27:03,240 --> 01:27:05,120
Speaker 1: dude trying to do a dukeye and the stall on

1719
01:27:05,200 --> 01:27:07,160
Speaker 1: the wall, the stall, did you stand up the peak?

1720
01:27:07,400 --> 01:27:09,560
Speaker 1: He was sitting on the stall on the tray like

1721
01:27:09,640 --> 01:27:11,400
Speaker 1: a tray, the tray. No, yeah, you know, you know

1722
01:27:11,400 --> 01:27:14,559
Speaker 1: when the urinal he was trying to dukey in the urinal.

1723
01:27:14,960 --> 01:27:17,720
Speaker 1: But was this V twelve in Columbia, South Carolina? And

1724
01:27:17,800 --> 01:27:20,599
Speaker 1: what did you do? I walked back out. I walked

1725
01:27:20,680 --> 01:27:24,040
Speaker 1: in and I walked literally right back out. Literally. This

1726
01:27:24,160 --> 01:27:27,000
Speaker 1: conversation really started happening when they started trying to change

1727
01:27:27,000 --> 01:27:29,320
Speaker 1: the logos on the front of the bathrooms. Remember when

1728
01:27:29,320 --> 01:27:31,080
Speaker 1: they were first of his men, when men, and then

1729
01:27:31,120 --> 01:27:35,000
Speaker 1: it was the print symbol. It is the print symbol.

1730
01:27:36,160 --> 01:27:38,560
Speaker 1: Did to print something that look, damn Prince. What is it?

1731
01:27:38,680 --> 01:27:42,080
Speaker 1: Then it is it was the print symbol. Yeah, it's

1732
01:27:42,120 --> 01:27:44,200
Speaker 1: a symbol. Hey, what's the mall of the story? If

1733
01:27:44,200 --> 01:27:45,640
Speaker 1: there's a mortal man, I'm going into the bathroom and

1734
01:27:45,680 --> 01:27:47,720
Speaker 1: Prince is in there, God bless it that. If I

1735
01:27:47,800 --> 01:27:49,960
Speaker 1: gotta go number two, I would do it at your house.

1736
01:27:50,040 --> 01:27:53,280
Speaker 1: I would do that. You know, once you get to

1737
01:27:53,360 --> 01:27:55,280
Speaker 1: forty years. I don't know about y'all, but forty once

1738
01:27:55,320 --> 01:27:57,040
Speaker 1: I turned forty out stop. I didn't care out none

1739
01:27:57,040 --> 01:28:00,080
Speaker 1: of that. That's a go to. You would go with

1740
01:28:00,160 --> 01:28:02,679
Speaker 1: the White House. Did I go at the bathroom? Yeah? Absolutely.

1741
01:28:03,520 --> 01:28:05,680
Speaker 1: You gotta have certain guest bathrooms for people that want

1742
01:28:05,680 --> 01:28:08,160
Speaker 1: to poop. I think pooping that somebody house is so disrespectful.

1743
01:28:08,360 --> 01:28:10,040
Speaker 1: I ain't gonna say what guests, but on my show,

1744
01:28:10,160 --> 01:28:12,560
Speaker 1: guests brought their security and there was three bathrooms in

1745
01:28:12,640 --> 01:28:14,800
Speaker 1: our studio and two bathrooms were being used, and there

1746
01:28:14,880 --> 01:28:16,320
Speaker 1: was one in my room and they go KYI said,

1747
01:28:16,320 --> 01:28:18,400
Speaker 1: bathtom My yead are you sure? But yeah, went in

1748
01:28:18,400 --> 01:28:20,559
Speaker 1: there and blew the paint off the wall. On show

1749
01:28:20,640 --> 01:28:22,680
Speaker 1: to Jason, we show, Yeah, in my studio, you've only

1750
01:28:22,720 --> 01:28:24,680
Speaker 1: had one guest so far. I have not I think

1751
01:28:24,720 --> 01:28:28,639
Speaker 1: five interviews last week. Oh they haven't been come out yet. Okay, okay, okay,

1752
01:28:28,680 --> 01:28:30,920
Speaker 1: got you got you? And now that was disrespectful. I

1753
01:28:31,000 --> 01:28:33,080
Speaker 1: thought you're talking about card the security, but you already

1754
01:28:33,080 --> 01:28:35,640
Speaker 1: promoted Cardies coming. Yeah, yeah, yeah, all right, well you

1755
01:28:35,720 --> 01:28:37,760
Speaker 1: got rooms at the way. What were talking about? Oh,

1756
01:28:37,840 --> 01:28:40,000
Speaker 1: Odell Beckham him getting kicked off the plane and now

1757
01:28:40,040 --> 01:28:41,960
Speaker 1: there's video they just dropped. And then also we got

1758
01:28:42,040 --> 01:28:43,720
Speaker 1: to talk about your show too. We didn't mention your

1759
01:28:43,720 --> 01:28:47,200
Speaker 1: show's okay, just you gotta talk about what other guests

1760
01:28:47,240 --> 01:28:48,800
Speaker 1: the interview when it comes over all that other guest

1761
01:28:49,040 --> 01:28:50,240
Speaker 1: do it. We'll do that, all right, we'll do that.

1762
01:28:50,360 --> 01:28:52,120
Speaker 1: Next to Don't Move, it's the Breakfast Club. Come Morning,

1763
01:28:52,640 --> 01:28:59,560
Speaker 1: The Breakfast Club Morning. Everybody is t and V. Charlomine

1764
01:28:59,600 --> 01:29:03,080
Speaker 1: the Guy celebrity guest holds today's Jason Lee, Jason, good morning,

1765
01:29:03,200 --> 01:29:04,960
Speaker 1: Good morning. What are we talking about in the room

1766
01:29:05,080 --> 01:29:07,720
Speaker 1: is yo, We're gonna talk about Odell Beckham getting kicked

1767
01:29:07,760 --> 01:29:09,559
Speaker 1: off the plane, but before that, I want to talk

1768
01:29:09,600 --> 01:29:11,559
Speaker 1: about the w g A Awards. All right, let's get

1769
01:29:11,560 --> 01:29:17,120
Speaker 1: to the next thro my or you gossip when you chatting?

1770
01:29:18,640 --> 01:29:20,320
Speaker 1: Is the Ruler Report I mean, I guess we're on

1771
01:29:20,360 --> 01:29:21,920
Speaker 1: the breakfast club. This is where the T spells right

1772
01:29:22,080 --> 01:29:25,519
Speaker 1: right on the breakfast club. All right. So, so if

1773
01:29:25,560 --> 01:29:27,519
Speaker 1: you don't know what w GA is, it's a really

1774
01:29:27,600 --> 01:29:29,120
Speaker 1: big thing with a bunch of white people and there's

1775
01:29:29,160 --> 01:29:32,439
Speaker 1: black people in their twom. The Writers Guild has revealed

1776
01:29:32,479 --> 01:29:35,599
Speaker 1: its nominees in the categories A TV, New Media, news, Radio,

1777
01:29:35,720 --> 01:29:38,320
Speaker 1: audio and Promotional Writing. And there's a lot of people nominated.

1778
01:29:38,320 --> 01:29:39,880
Speaker 1: I'm gonna go through the list, but there's only one

1779
01:29:40,400 --> 01:29:42,519
Speaker 1: one group that I'm voting for. But who's that? Let's

1780
01:29:42,520 --> 01:29:44,320
Speaker 1: go if I get to vote, all right. So Full

1781
01:29:44,400 --> 01:29:47,880
Speaker 1: Frontal with Samantha b M. TBS has nominated Jimmy Jimmy

1782
01:29:47,960 --> 01:29:51,680
Speaker 1: Kimmel Live Jimmy Kimmel, Jimmy Kimmels. He's nominated Late Night

1783
01:29:51,720 --> 01:29:55,120
Speaker 1: with Seth Myers, Last Week Tonight with John Oliver, Don't

1784
01:29:55,120 --> 01:29:56,960
Speaker 1: know what that is? Never watched it? The Problem with

1785
01:29:57,040 --> 01:30:00,560
Speaker 1: John Stewart, Stephen Colbert presents Tuning Out the News. But

1786
01:30:01,320 --> 01:30:04,439
Speaker 1: Hell of a Week with Charlotta Magne. The Guy is

1787
01:30:04,479 --> 01:30:07,920
Speaker 1: nominated Hey Drop a Bomb for arm Yeah Man is

1788
01:30:07,960 --> 01:30:12,000
Speaker 1: nominated at the WGA's for Best Comedy Variety Talk series,

1789
01:30:12,080 --> 01:30:15,759
Speaker 1: and you know what, I believe we should win because

1790
01:30:16,240 --> 01:30:18,679
Speaker 1: we are a great show and because we're black. Okay,

1791
01:30:19,960 --> 01:30:21,639
Speaker 1: it's a great show. And I was on that show,

1792
01:30:21,920 --> 01:30:23,240
Speaker 1: he was on there. You know what I mean? How

1793
01:30:23,280 --> 01:30:25,760
Speaker 1: do I vote? I don't know how this works. I

1794
01:30:25,840 --> 01:30:30,080
Speaker 1: think you're a writer. Oh yeah, right, yeah, yeah, because

1795
01:30:30,320 --> 01:30:32,479
Speaker 1: you know, salute to the writer, Salute the Cinya Barnwell,

1796
01:30:32,640 --> 01:30:36,960
Speaker 1: Josh Lee, Charles McBee, Dan McCoy, Andre Thompson, and myself

1797
01:30:37,080 --> 01:30:39,000
Speaker 1: my writer's room. We should win because everyone in that

1798
01:30:39,120 --> 01:30:41,200
Speaker 1: room is dope, and we diverse. You know, we are

1799
01:30:41,240 --> 01:30:43,880
Speaker 1: all black room. Josh's Jewish, Dan is white, and you

1800
01:30:43,960 --> 01:30:46,360
Speaker 1: know we should win for that reason and everything alone.

1801
01:30:47,080 --> 01:30:48,320
Speaker 1: You why don't want to give it a watch with

1802
01:30:48,360 --> 01:30:50,080
Speaker 1: another white man a white woman. Y'all do that all

1803
01:30:50,080 --> 01:30:52,000
Speaker 1: the time. It's a fun set too. And you've had

1804
01:30:52,000 --> 01:30:53,360
Speaker 1: a hell of a year and I love you know.

1805
01:30:53,520 --> 01:30:55,920
Speaker 1: Your evolution has allowed me to fill some level of

1806
01:30:56,000 --> 01:30:59,000
Speaker 1: freedom that I can evolve to. Of course, Jason, come on,

1807
01:30:59,160 --> 01:31:01,240
Speaker 1: but I ain't ready. Right now, let's talk about Odell Beckham.

1808
01:31:01,479 --> 01:31:03,439
Speaker 1: Let's got that conversation a few years ago, that Tiffany

1809
01:31:03,560 --> 01:31:08,519
Speaker 1: birthday party. Yeah, now we have the same therapist out

1810
01:31:08,520 --> 01:31:10,320
Speaker 1: to him. All right, yeah, well look Odell Beckham. Now

1811
01:31:10,360 --> 01:31:12,400
Speaker 1: look I have to be very careful because Odell Beckham

1812
01:31:12,479 --> 01:31:15,320
Speaker 1: is the only celebrity to ever rushed me. Rush. He's

1813
01:31:15,320 --> 01:31:18,320
Speaker 1: a football player rush, you know, yeah, he attacked me.

1814
01:31:18,360 --> 01:31:20,519
Speaker 1: But he's evolved since then. Let someone say, given what's

1815
01:31:20,560 --> 01:31:23,920
Speaker 1: happening now that maybe the evolutions does this speed. He'll

1816
01:31:23,920 --> 01:31:26,559
Speaker 1: say something and he's so good and then he's speech back.

1817
01:31:26,600 --> 01:31:28,080
Speaker 1: Do you want me to tell you what happened first?

1818
01:31:30,320 --> 01:31:33,800
Speaker 1: The story? We know that this is rumer reports should

1819
01:31:33,800 --> 01:31:35,479
Speaker 1: be music that a little bit. So I was a

1820
01:31:35,520 --> 01:31:37,640
Speaker 1: big fan of Odell Beckham. I'm a big fan now,

1821
01:31:37,720 --> 01:31:39,160
Speaker 1: but I was a big fan then before I knew

1822
01:31:39,160 --> 01:31:41,800
Speaker 1: who he was personally. And me and Floyd went out

1823
01:31:41,800 --> 01:31:43,439
Speaker 1: to a club one night and I saw him sitting there,

1824
01:31:43,439 --> 01:31:44,640
Speaker 1: so I told him me, I put us at the

1825
01:31:44,720 --> 01:31:46,680
Speaker 1: table next to Odell. So we're sitting next to him

1826
01:31:47,200 --> 01:31:48,840
Speaker 1: and we get to talk in you know, he's a

1827
01:31:48,880 --> 01:31:52,479
Speaker 1: little lit. We're lit. I get his number because okay,

1828
01:31:53,360 --> 01:31:57,680
Speaker 1: all right, yo, look at the list. He said he

1829
01:31:57,720 --> 01:32:00,800
Speaker 1: wasn't trying to sleep. I was not, but anyway, so

1830
01:32:00,920 --> 01:32:02,679
Speaker 1: we had to text o'delle and you know, he didn't

1831
01:32:02,680 --> 01:32:04,439
Speaker 1: show up, and then later on when I went to

1832
01:32:04,520 --> 01:32:06,320
Speaker 1: Wilding Out, they wanted to book him on the show.

1833
01:32:06,320 --> 01:32:08,200
Speaker 1: So I was texting, like, Yo, he's going sho. He said, yeah,

1834
01:32:08,200 --> 01:32:10,000
Speaker 1: I'm gonna come on, you know, but my man's got

1835
01:32:10,080 --> 01:32:11,680
Speaker 1: to come on too. So we're texting about him and

1836
01:32:11,760 --> 01:32:14,559
Speaker 1: his man's coming on, and then somebody walked up as

1837
01:32:14,560 --> 01:32:16,320
Speaker 1: I was talking to executive producers. I was trying to

1838
01:32:16,320 --> 01:32:18,200
Speaker 1: show off that I had his number. I would book him,

1839
01:32:18,200 --> 01:32:21,080
Speaker 1: but I said, yo, o'delle's coming, the person dancing Dan.

1840
01:32:21,160 --> 01:32:22,800
Speaker 1: He said, no, he's not, because he told me he's

1841
01:32:22,840 --> 01:32:24,719
Speaker 1: not coming. So when we looked at the phone numbers,

1842
01:32:24,720 --> 01:32:27,360
Speaker 1: I was texting a number two a friend of mine,

1843
01:32:27,439 --> 01:32:28,840
Speaker 1: a friend of his that he had given me. So

1844
01:32:28,920 --> 01:32:31,040
Speaker 1: the whole time I was texting O'Dell, I was really

1845
01:32:31,120 --> 01:32:33,240
Speaker 1: texting the Frank. So at that point I got to

1846
01:32:33,320 --> 01:32:35,040
Speaker 1: my feelings. I told my team, you know, go ahead,

1847
01:32:35,120 --> 01:32:37,360
Speaker 1: post whatever you want Overdale, and we posted some stuff

1848
01:32:37,400 --> 01:32:39,200
Speaker 1: about him when he was in bed with some woman,

1849
01:32:39,280 --> 01:32:41,360
Speaker 1: and then the woman at the time was in bed

1850
01:32:41,439 --> 01:32:44,000
Speaker 1: with some cocaine and it, I guess it messed up

1851
01:32:44,080 --> 01:32:47,800
Speaker 1: the money. So Dale caught me in public and I

1852
01:32:47,920 --> 01:32:49,880
Speaker 1: was talking to Amber Rose at a bar and he

1853
01:32:50,000 --> 01:32:52,800
Speaker 1: saw me and rushed me and knocked all the bottles

1854
01:32:52,880 --> 01:32:54,960
Speaker 1: or it was a mess, but we ended up. Yeah,

1855
01:32:55,000 --> 01:32:56,640
Speaker 1: it was. It was about his hands on you. We

1856
01:32:56,720 --> 01:32:58,320
Speaker 1: didn't put his hands on me, but he pushed me

1857
01:32:58,400 --> 01:33:00,400
Speaker 1: up against the bar and knocked all the bottles, which

1858
01:33:00,680 --> 01:33:02,439
Speaker 1: made everybody look at us. And I just thought, like

1859
01:33:02,600 --> 01:33:04,400
Speaker 1: any straight man that gets into an argument with me

1860
01:33:04,439 --> 01:33:07,320
Speaker 1: in public, there should be context because everybody's gonna think

1861
01:33:07,360 --> 01:33:11,160
Speaker 1: it's a break up. Yeah, and I'm gonna play into it.

1862
01:33:12,080 --> 01:33:18,559
Speaker 1: So you when you go, you go? Oh now, pushed

1863
01:33:18,560 --> 01:33:21,080
Speaker 1: you against too far? Well, it wasn't in a sexual way,

1864
01:33:21,160 --> 01:33:24,599
Speaker 1: Charlotte Mane. But then I seen Chris Brown to the right.

1865
01:33:24,720 --> 01:33:26,599
Speaker 1: So I'm trying to think that what is my escape plan?

1866
01:33:26,680 --> 01:33:28,680
Speaker 1: Because Chris. We had written a story about Chris at

1867
01:33:28,720 --> 01:33:31,800
Speaker 1: the time, congratulating him on missing his daughter's birthday party,

1868
01:33:31,920 --> 01:33:34,519
Speaker 1: oh man. And so I didn't want to I didn't

1869
01:33:34,560 --> 01:33:37,080
Speaker 1: want to look too soft, you know. So I took

1870
01:33:37,160 --> 01:33:39,280
Speaker 1: my time getting out, but I was definitely getting towards

1871
01:33:39,320 --> 01:33:42,040
Speaker 1: the exit. Got to the exit and I saw old Dan.

1872
01:33:42,160 --> 01:33:43,880
Speaker 1: He was looking at me again, and I just kind

1873
01:33:43,920 --> 01:33:46,679
Speaker 1: of said at the time I gassed him, I said,

1874
01:33:46,680 --> 01:33:49,000
Speaker 1: what's up, sist. You know, just see you played too much.

1875
01:33:49,240 --> 01:33:51,160
Speaker 1: You played too much, Jason, you played too much. He

1876
01:33:51,280 --> 01:33:53,880
Speaker 1: rushed me again, Nazi. Why it's successful though, I know

1877
01:33:53,880 --> 01:33:56,800
Speaker 1: I was successful in the fast he's fast. Yeah, he

1878
01:33:56,880 --> 01:33:58,720
Speaker 1: rushed me again, then knocked my phone out my hand.

1879
01:33:58,760 --> 01:34:00,599
Speaker 1: We were on the phone on the ground on fighting,

1880
01:34:00,840 --> 01:34:03,280
Speaker 1: like crawling to get the phone. And this was in public.

1881
01:34:03,360 --> 01:34:05,559
Speaker 1: By the way. I never will understand why you go out,

1882
01:34:06,000 --> 01:34:09,560
Speaker 1: Why why you don't have security? Security I couldn't afford it.

1883
01:34:09,600 --> 01:34:11,360
Speaker 1: Then I definitely got got a lot of security now.

1884
01:34:11,400 --> 01:34:13,360
Speaker 1: And I will say, you know, he's evolved a lot

1885
01:34:13,640 --> 01:34:15,519
Speaker 1: in I mean, since he's had a kid. In the

1886
01:34:15,600 --> 01:34:18,200
Speaker 1: meeting with Tom, he's evolved. And we wanted an offensive

1887
01:34:18,240 --> 01:34:21,840
Speaker 1: line man football play now it'd be the huddle that

1888
01:34:21,920 --> 01:34:25,920
Speaker 1: to get us all in trouble. Oh whoa. But but

1889
01:34:26,040 --> 01:34:28,000
Speaker 1: me and Odell grown past that, and he's actually, you know,

1890
01:34:28,200 --> 01:34:30,120
Speaker 1: we're in a good place now. But I actually respected

1891
01:34:30,160 --> 01:34:33,400
Speaker 1: the fact that he took matters into his own hands

1892
01:34:33,560 --> 01:34:36,599
Speaker 1: and my phone. Yeah yeah, but now he's people are

1893
01:34:36,800 --> 01:34:39,439
Speaker 1: talking about this video that's posted about him getting kicked

1894
01:34:39,439 --> 01:34:41,200
Speaker 1: off this plane. We saw him getting escorted off a

1895
01:34:41,280 --> 01:34:45,160
Speaker 1: plane in Miami. But now the video's footage is hit

1896
01:34:45,200 --> 01:34:57,600
Speaker 1: the internet, and this is what they're saying. No, I

1897
01:34:57,720 --> 01:35:00,040
Speaker 1: mean you don't want him to fly, that's just and

1898
01:35:00,160 --> 01:35:01,920
Speaker 1: that you guys, you're gonna have to make, you know,

1899
01:35:02,280 --> 01:35:05,120
Speaker 1: cover copping and then we'll get him out. But that,

1900
01:35:05,640 --> 01:35:08,160
Speaker 1: like you guys, and I already say a thing wrong,

1901
01:35:08,280 --> 01:35:12,080
Speaker 1: he's just responded to know where he's at. We're gonna

1902
01:35:12,080 --> 01:35:17,040
Speaker 1: put the board everybody right, you don't propose for you

1903
01:35:17,479 --> 01:35:21,320
Speaker 1: you go, And I don't bought a Harting home, the

1904
01:35:21,400 --> 01:35:27,000
Speaker 1: Chief Born home. That airplane story is a nothing burger

1905
01:35:27,080 --> 01:35:29,800
Speaker 1: in comparison to Odell Beckham Junior and Jason Lee playing

1906
01:35:29,840 --> 01:35:32,200
Speaker 1: flag football in the bar with Amber Rolls and Chris Brown.

1907
01:35:32,240 --> 01:35:34,439
Speaker 1: Could you imagine how No jay z was there too?

1908
01:35:34,479 --> 01:35:37,120
Speaker 1: By the by what this is that Belly's Burger doesn't

1909
01:35:37,160 --> 01:35:40,599
Speaker 1: associate he was. He was there. You know they're saying

1910
01:35:40,640 --> 01:35:42,160
Speaker 1: that he didn't want to put a seatbelt on him,

1911
01:35:42,160 --> 01:35:43,760
Speaker 1: that he didn't have any pants on. I don't believe that.

1912
01:35:44,640 --> 01:35:50,200
Speaker 1: In the No, I said he walked in with they

1913
01:35:50,200 --> 01:35:52,400
Speaker 1: said he walked in with shorts on, and when he

1914
01:35:52,439 --> 01:35:54,120
Speaker 1: sat down he had his pants on. But they said

1915
01:35:54,160 --> 01:35:56,320
Speaker 1: he was sleeping and she was trying to wake him

1916
01:35:56,400 --> 01:35:58,120
Speaker 1: up and he was knocked out and and he can't

1917
01:35:58,120 --> 01:36:00,720
Speaker 1: with shorts on the plane. They said shorts, and it

1918
01:36:01,000 --> 01:36:02,760
Speaker 1: didn't make sense. It didn't make sense. I think, I

1919
01:36:02,880 --> 01:36:04,599
Speaker 1: really think they're just over plane. And then to kick

1920
01:36:04,680 --> 01:36:06,760
Speaker 1: everybody off the plane for Odell back, I mean that

1921
01:36:06,920 --> 01:36:09,240
Speaker 1: that's just that's problematic. I would have been an upset

1922
01:36:09,280 --> 01:36:11,519
Speaker 1: passenger if they did that to me. Well, they told

1923
01:36:11,520 --> 01:36:13,479
Speaker 1: Odella get off the plane, and they said, Odell, if

1924
01:36:13,520 --> 01:36:15,080
Speaker 1: you don't get off, we have to take everybody off

1925
01:36:15,160 --> 01:36:16,920
Speaker 1: this plane. So Odell was like, all I find I'm

1926
01:36:16,960 --> 01:36:19,000
Speaker 1: not getting off. So they took everybody off the plane

1927
01:36:19,000 --> 01:36:21,040
Speaker 1: and as people were leaving, they were saying, oh, dude,

1928
01:36:21,040 --> 01:36:23,080
Speaker 1: you're an idiot. You're get off the plane, and you

1929
01:36:23,240 --> 01:36:24,720
Speaker 1: know went back. But I think they did that to

1930
01:36:24,760 --> 01:36:27,000
Speaker 1: make him look crazy. I think it was a setup.

1931
01:36:27,000 --> 01:36:30,479
Speaker 1: I don't have a lawsuit. I don't know. All right, Well,

1932
01:36:30,640 --> 01:36:33,160
Speaker 1: that is Jason with the tea, Jason Lee with the tea.

1933
01:36:33,200 --> 01:36:34,640
Speaker 1: Where did you get this Jason with the tea thing?

1934
01:36:34,720 --> 01:36:37,519
Speaker 1: From Its Crazy All My New show. That's one of

1935
01:36:37,560 --> 01:36:41,800
Speaker 1: our segments. Jason yea all right now when we come back,

1936
01:36:41,840 --> 01:36:43,800
Speaker 1: we got the People's Choice mixed. Don't move. It's the

1937
01:36:43,840 --> 01:36:47,280
Speaker 1: Breakfast Club. Good morning, the Breakfast Club. Your mornings will

1938
01:36:47,400 --> 01:36:50,880
Speaker 1: never be the same. Draft King Sports Book is an

1939
01:36:50,880 --> 01:36:53,720
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1940
01:36:53,760 --> 01:36:56,280
Speaker 1: Draft King Sports Book app today and use code Envy

1941
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Speaker 1: for a special offer when you sign up. That's code

1942
01:36:58,560 --> 01:37:01,800
Speaker 1: Envy only a Draft King Sports Book Morning. Everybody is

1943
01:37:01,880 --> 01:37:05,639
Speaker 1: DJ Envy. Charlomagne, the god Jason Lee is here. He's

1944
01:37:05,640 --> 01:37:08,799
Speaker 1: our celebrity guest host today and tomorrow. That's right now, Charlomagne,

1945
01:37:08,840 --> 01:37:10,360
Speaker 1: you got a positive noe bro, I do man. And

1946
01:37:10,439 --> 01:37:12,439
Speaker 1: you know, me and Jason was talking about, you know,

1947
01:37:12,520 --> 01:37:15,120
Speaker 1: evolution earlier. This is a conversation that you know I'll

1948
01:37:15,160 --> 01:37:17,720
Speaker 1: have often. But I do remember at Tiffany hadits is

1949
01:37:17,760 --> 01:37:19,400
Speaker 1: for your birthday, Me and Jason. I don't even know

1950
01:37:19,439 --> 01:37:21,639
Speaker 1: how he was having this deep conversation and the damn party,

1951
01:37:22,000 --> 01:37:24,240
Speaker 1: but you know, uh, you know Jason said that when

1952
01:37:24,240 --> 01:37:25,920
Speaker 1: you say I gave you the freedom to evolve or

1953
01:37:26,000 --> 01:37:28,439
Speaker 1: something like that. Yeah, but you at the part of

1954
01:37:28,520 --> 01:37:30,200
Speaker 1: the way we got a deep conversation. You looked at

1955
01:37:30,240 --> 01:37:32,120
Speaker 1: me and you said, why are you always frowning, well,

1956
01:37:32,160 --> 01:37:36,240
Speaker 1: you always look mad. Yeah, yeah, yeah. But the positive

1957
01:37:36,280 --> 01:37:39,599
Speaker 1: note is if you can't change it, change your attitude,

1958
01:37:39,640 --> 01:37:41,000
Speaker 1: you know, change the way you look at things and

1959
01:37:41,040 --> 01:37:43,439
Speaker 1: the things you look at change. Change is painful, but

1960
01:37:43,640 --> 01:37:47,120
Speaker 1: nothing is as painful as things stuck okay, somewhere you

1961
01:37:47,200 --> 01:37:49,839
Speaker 1: don't belong. So those who cannot change their minds cannot

1962
01:37:49,920 --> 01:37:52,640
Speaker 1: change anything. So I'm glad myself and Jason Lee have

1963
01:37:52,760 --> 01:37:55,720
Speaker 1: changed their minds about some things in our lives. Breakfast Club,

1964
01:37:56,439 --> 01:37:57,720
Speaker 1: you know, I'm finished, So y'all dumb,