WEBVTT - VisionQuest Episodes 1 & 2 Reactions

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<v Speaker 1>Warhead, today's episode contains spoilers for the first two episodes

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<v Speaker 1>of Vision Quest on Disney +. It's a good show,

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<v Speaker 1>so you should watch it.

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<v Speaker 2>True. Hello, my name is Jason Concepcion. And I'm Rosie Knight.

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<v Speaker 2>And welcome back to X-Ray Vision.

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<v Speaker 1>The podcast where we dive deep into your favorite shows, movies, comics,

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<v Speaker 1>pop culture, and we're bringing you three episodes a week.

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<v Speaker 3>In today's episode, we are diving into the first two

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<v Speaker 3>episodes of Vision Quest.

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<v Speaker 2>It's here, and oh my god, it's really fucking good.

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<v Speaker 2>It's like, let's fucking go. Maybe the MCU is back.

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<v Speaker 2>There is some interesting stuff.

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<v Speaker 3>We're back again. You know, it's so over, and then

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<v Speaker 3>we're back. But it's feeling like we might be back, baby,

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<v Speaker 3>so we'll start off with a recap. We're going to

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<v Speaker 3>fill you in as we go through about all the

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<v Speaker 3>things you want to know. Is this comic accurate?

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<v Speaker 2>Is this new? Who are these MCUs?

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<v Speaker 3>Yes.

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<v Speaker 2>Androids. We'll tell you all of that.

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<v Speaker 3>And then at the end, once we finish the recap

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<v Speaker 3>and the info dump, we will give you our theories.

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<v Speaker 3>Because there are a lot of things that we were

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<v Speaker 3>right about, but they also offer up a lot of questions.

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<v Speaker 1>So here we go. First of all, if you need

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<v Speaker 1>to catch up on all the stuff, hopefully you listen

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<v Speaker 1>to our... Vision Quest catch up episode that brings you

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<v Speaker 1>through Avengers Age of Ultron all the way up through

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<v Speaker 1>WandaVision and Agatha and all the stuff you need to

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<v Speaker 1>know because it is quite deep and they immediately in

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<v Speaker 1>episode one begin referencing like a lot of the deep

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<v Speaker 1>history of these characters that you will kind of need

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<v Speaker 1>to know.

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<v Speaker 3>So you could pause right If you are at that

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<v Speaker 3>point and you were like, fuck, you could pause right here.

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<v Speaker 3>You watch the recap and you've got some questions.

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<v Speaker 2>Don't spoil it.

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<v Speaker 3>Go listen to our explanation. It's one of Jason's legendary recaps.

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<v Speaker 3>Everyone is a different act. It covers multiple movies. It

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<v Speaker 3>will get you up to date. But I have to

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<v Speaker 3>say the recap is so well done that it actually

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<v Speaker 3>got me emotional.

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<v Speaker 2>Like they set this up very well. They did.

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<v Speaker 1>So we open episode one. Vision Quest, titled No Strings,

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<v Speaker 1>with the White Vision narrating over a jumble of images

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<v Speaker 1>from the history of the Vision, and White Vision is asking,

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<v Speaker 1>who am I? I am Vision, or at least I was,

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<v Speaker 1>and he gives us now the download on who Vision was,

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<v Speaker 1>the body that he inhabits, created by Tony Stark, his

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<v Speaker 1>birth from Ultron, with the help of Stark and Banner,

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<v Speaker 1>and the.

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<v Speaker 2>Influence on him. Interesting he didn't say anything about Thor.

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<v Speaker 1>No magic, electricity, lightning. Maybe he didn't really know about that.

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<v Speaker 2>I was going to.

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<v Speaker 3>Say maybe mentally, it's not something that he can understand,

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<v Speaker 3>but there is a lot about magic in this first episode.

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<v Speaker 3>And maybe that's going to explain partially some of the

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<v Speaker 3>events of the show and maybe some of the mad,

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<v Speaker 3>how the magic happens.

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<v Speaker 1>I mean, we're jumping ahead, but I was thinking that it's,

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<v Speaker 1>You know, like, what's he running on? I think he's

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<v Speaker 1>running on Asgardian lightning magic currently.

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<v Speaker 3>Thank you.

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<v Speaker 1>The White Vision.

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<v Speaker 2>Anyway.

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<v Speaker 1>100%. So he takes us through, you know, his birth

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<v Speaker 1>from Ultron, the role that Stark and Banner played on

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<v Speaker 1>his development, the influence of the other Stark AIs on him, Friday, Dummy, you, Jarvis,

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<v Speaker 1>and Edith, how Vision protected humanity alongside the Avengers, fell

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<v Speaker 1>in love with Wanda. And that is obviously the big

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<v Speaker 1>thing in the Vision's life. She made me feel real,

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<v Speaker 1>he says. And then, of course, the events of Infinity

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<v Speaker 1>War and Vision's death. Then his body's reclamation by sword,

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<v Speaker 1>who took it apart to try and figure out how

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<v Speaker 1>it worked. And then the conjuring of the hex bubble

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<v Speaker 1>around Westview, New Jersey, and the creation of the hex

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<v Speaker 1>magic version of the Vision, which for all intents and

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<v Speaker 1>purposes was real, complete with a whole Unreal family and

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<v Speaker 1>their sons, Tommy and Billy. And now, of course, he

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<v Speaker 1>exists again in the original Vision body, now colored white.

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<v Speaker 1>And with the original memories, the OG Vision's memories and

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<v Speaker 1>the Magical Hex Vision's memories all kind of jumbled together.

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<v Speaker 1>But the whole thing with this version of the Vision

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<v Speaker 1>is he doesn't have the emotion. He doesn't understand what

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<v Speaker 1>it means to be a human. He doesn't understand how

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<v Speaker 1>the previous versions of the Vision felt about any of

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<v Speaker 1>the things that happened to him. And all of those

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<v Speaker 1>things are the things that make up the current Vision,

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<v Speaker 1>but he just lacks an ability to connect. It's very interesting,

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<v Speaker 1>and it's such a metatextual take on this character.

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<v Speaker 2>Really cool stuff.

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<v Speaker 3>And if you didn't think that this was going to

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<v Speaker 3>have the emotional depth of WandaVision, the introduction allows you

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<v Speaker 3>to know that, no, they're going to try and get you.

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<v Speaker 2>They're going to get there. They're going to get there.

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<v Speaker 3>There's something about this lost version of Vision, this man

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<v Speaker 3>that we know and don't know who's finding himself and

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<v Speaker 3>also looking for himself. It's instantly so evocative of Wanda

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<v Speaker 3>and WandaVision and the Hex. And I'm so excited that

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<v Speaker 3>this show exists. It's so tremendously sad, too. You know,

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<v Speaker 3>the whole thing is such a sad story.

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<v Speaker 2>Oh, my God.

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<v Speaker 1>So White Vision in human form is working at a

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<v Speaker 1>pub in Edinburgh. Where apparently, back in the day, OG

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<v Speaker 1>Vision and Wanda, when they were on the road after

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<v Speaker 1>the events of Civil War, used to come in. And

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<v Speaker 1>there's Sanford and Son, an old American sitcom, is on

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<v Speaker 1>the TV. People know him as Sherwood. The manager does.

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<v Speaker 1>And she's chatting him up about, you know, it's closing

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<v Speaker 1>time and she's kind of chatting to him. And he's

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<v Speaker 1>like awkwardly trying to make chit-chat, pretending not to have

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<v Speaker 1>super strength by lifting three kegs easily. And... That's a

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<v Speaker 1>great ad. She notes that he used to be so

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<v Speaker 1>much better when you used to come in here back

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<v Speaker 1>in the day and making small talk. And she notes

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<v Speaker 1>that he's more odd now, but she still is quite

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<v Speaker 1>warm to him. She asks about that lady, the redhead

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<v Speaker 1>that he used to come into the place with.

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<v Speaker 2>And he was like, oh.

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<v Speaker 1>I was a different time. I was a different person then.

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<v Speaker 1>And she asked what happened to her. And he says, well,

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<v Speaker 1>it's complicated. She was crushed under the weight of a mountain. Honest.

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<v Speaker 2>Honesty. We love him.

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<v Speaker 3>I also want to say if you're somebody like me

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<v Speaker 3>who post WandaVision owns multiple like what is love, if

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<v Speaker 3>not grief persevering, like flash sheets and shit, you will

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<v Speaker 3>instantly be upset because you will recognize where Sherwood comes from.

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<v Speaker 3>They explain it later, but you'll already be crying if

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<v Speaker 3>you are a WandaVision stan, as I am. And this

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<v Speaker 3>is so beautiful to see something brought to life that

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<v Speaker 3>so many of us have loved in the comics and

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<v Speaker 3>that has been such a great part of the MCU,

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<v Speaker 3>even in some of the lesser movies.

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<v Speaker 1>Yes, that's absolutely right.

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<v Speaker 3>So.

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<v Speaker 1>she kind of takes that under the weight of the

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<v Speaker 1>mountain as like a metaphor for like falling on hard

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<v Speaker 1>times or anyone or something like that. And so she's like, well,

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<v Speaker 1>are you with anybody now? And he's like, no, you know,

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<v Speaker 1>I'm just kind of by myself. And she invites him

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<v Speaker 1>to her Sunday roast. He's like, I do a Sunday

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<v Speaker 1>roast and you should come by. And it's really nice.

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<v Speaker 1>You know, we'd love to have you. He's like, yeah,

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<v Speaker 1>but I'm not, I'm not great with people. She calls

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<v Speaker 1>him her odd wee duck and puts a little sticker,

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<v Speaker 1>a little red smiley face sticker. on his jacket and

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<v Speaker 1>tells him, okay, lock up. And she goes to sleep.

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<v Speaker 1>So he's locking up and he finds W plus V

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<v Speaker 1>and a heart carved on a table. And it's so sad.

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<v Speaker 2>Oh my gosh.

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<v Speaker 1>And then he's, and I know it's so sad. And then,

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<v Speaker 1>you know, he closes up, he turns off all the

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<v Speaker 1>lights and then steps into the freezer where apparently he

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<v Speaker 1>stays overnight. So then he transforms into his true vision

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<v Speaker 1>form and then you know, goes into sleep mode and

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<v Speaker 1>goes into his beautiful, stately, kind of strangely shaped mind palace,

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<v Speaker 1>which is on many simulated acres with a color and

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<v Speaker 1>vibe that is like the Windows XP, like green grassy fields.

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<v Speaker 3>What if you put like a fucked up version of

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<v Speaker 3>the practical magic house on like a Windows XP background?

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<v Speaker 2>It's very much that.

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<v Speaker 1>And all the AIs, the Stark AIs from the past

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<v Speaker 1>are there. Yes. Even like the very, very early ones,

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<v Speaker 1>like Dummy, who was the mechanical arm, you might remember

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<v Speaker 1>from Iron Man 1 and 2. Also, Yu is there,

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<v Speaker 1>another one of those kind of robotic AIs. They don't

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<v Speaker 1>speak much and they deal with maintenance in here. All

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<v Speaker 1>of the AIs have a different role. Jarvis, who is

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<v Speaker 1>like the older brother of... And the mentor is there.

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<v Speaker 1>Friday is there, who does like a lot of kind

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<v Speaker 1>of like the upkeep and making sure things run efficiently.

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<v Speaker 3>Statistics on what he's learning about humanity, his kind of

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<v Speaker 3>growth over the years that he's been living in this setup,

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<v Speaker 3>which does seem to be years from what we're gaining.

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<v Speaker 1>Jarvis notices that there is a leak in the house dripping.

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<v Speaker 1>And as Vision is reading the paper with very interesting headlines,

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<v Speaker 1>one tech giant murdered by the butcher bird killer. And

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<v Speaker 1>hunt for stolen adamantium continues. And then something about Hammer,

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<v Speaker 1>who I guess Justin Hammer's still out there in the world.

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<v Speaker 1>Jarvis informs Vision that they have some sort of security leak,

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<v Speaker 1>some security breach. Vision is like, don't worry about it.

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<v Speaker 1>You're worried too much about it. But Jarvis, who again

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<v Speaker 1>thinks of himself as Vision's older brother, is kind of

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<v Speaker 1>freaking out. And Vision's like, listen, no one's looking for me.

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<v Speaker 2>S.W.O.R.D.

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<v Speaker 1>Is disbanded. The Avengers are gone. Nobody's interested in me.

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<v Speaker 1>Nobody's thinking about me anymore.

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<v Speaker 2>It's fine.

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<v Speaker 1>He then gets an idea and he calls for Friday.

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<v Speaker 1>Friday comes up and he's like, hey, today. And Friday

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<v Speaker 1>is like the person who is tasked with making him

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<v Speaker 1>the most human he can be.

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<v Speaker 2>Yes.

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<v Speaker 1>Like in his interactions with people. Embracing humanity is what

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<v Speaker 1>he keeps saying.

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<v Speaker 3>Yes.

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<v Speaker 1>And he's like, hey, I had a weird interaction with

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<v Speaker 1>this drunk customer today. What was that about? And she's like, oh,

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<v Speaker 1>he thought you were trying to fuck his wife. And

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<v Speaker 1>Vision is like, oh, okay, that's weird. Okay, what about

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<v Speaker 1>my manager? My manager says I'm odd and stuff like that. Fiona,

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<v Speaker 1>the manager's name. And Friday's like, no, no, no, she

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<v Speaker 1>likes you. She does think you're odd, but she has

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<v Speaker 1>no suspicions. But you should loosen up. And that's where

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<v Speaker 1>Edith comes in. Edith, the AI, the kind of most

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<v Speaker 1>recent of the Stark AIs.

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<v Speaker 2>So funny. Did not expect this.

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<v Speaker 3>But I kind of love how it plays on the

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<v Speaker 3>fact that Tony Stark gave the Edith tech to a teenager.

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<v Speaker 3>And now she is kind of has all these teenage

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<v Speaker 3>interests and these extreme sports interests played by the incredible

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<v Speaker 3>Emily Hampshire. And this really unexpected, like comedic kind of

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<v Speaker 3>chaotic performance.

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<v Speaker 1>I completely agree. So she parachutes straight through the skylight

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<v Speaker 1>of the house. And she is just chaotic. Jarvis kind

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<v Speaker 1>of hates it. Jarvis thinks that everybody else on staff

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<v Speaker 1>like has a particular job and role except for Edith,

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<v Speaker 1>who Edith just seems like she's just there for like

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<v Speaker 1>craziness and like fast paced chaos and fun. Meanwhile, there's

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<v Speaker 1>like loud yelling and music, strange music. emanations from coming

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<v Speaker 1>up from upstairs. Jarvis doesn't like that either and says

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<v Speaker 1>something to the effect of, I wish that guy didn't

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<v Speaker 1>live here. And we know this, the only person this

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<v Speaker 1>could be. Vision goes upstairs.

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<v Speaker 3>Who could it be?

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<v Speaker 1>Vision goes upstairs and watches his memories in his little

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<v Speaker 1>memory movie theater. And he watches, you know, his OG

0:12:12.200 --> 0:12:15.699
<v Speaker 1>Vision fighting Ultron during Age of Ultron. He sees a

0:12:16.040 --> 0:12:18.700
<v Speaker 1>conversation that I think is like maybe a cutting room

0:12:18.800 --> 0:12:20.080
<v Speaker 1>floor conversation.

0:12:20.320 --> 0:12:22.660
<v Speaker 2>More expanded version of a conversation.

0:12:22.710 --> 0:12:26.190
<v Speaker 1>From maybe Civil War or something. Yeah, between he and Wanda,

0:12:26.230 --> 0:12:29.690
<v Speaker 1>in which Wanda is just kind of talking about how

0:12:29.750 --> 0:12:32.370
<v Speaker 1>it feels to do her magic. And it's clear that

0:12:32.410 --> 0:12:35.780
<v Speaker 1>she's connecting with Vision. She's opening up to him. Vision

0:12:35.820 --> 0:12:40.520
<v Speaker 1>watches the old version of himself kiss Wanda. And he's really...

0:12:41.010 --> 0:12:43.719
<v Speaker 1>grappling with what did that feel like? What did that

0:12:43.880 --> 0:12:44.600
<v Speaker 1>mean to me?

0:12:44.660 --> 0:12:45.900
<v Speaker 2>What did it mean? Yeah.

0:12:46.520 --> 0:12:50.160
<v Speaker 1>Meanwhile, as he's watching this stuff, the house, the simulated

0:12:50.200 --> 0:12:52.500
<v Speaker 1>house they were all in kind of breaks. The light

0:12:52.520 --> 0:12:54.910
<v Speaker 1>bulbs are popping and Jarvis is like, every time he

0:12:54.950 --> 0:12:58.230
<v Speaker 1>watches these memories, something goes wrong. Why does he have

0:12:58.250 --> 0:13:01.350
<v Speaker 1>to do it? And Friday's like, well, he's trying to

0:13:01.450 --> 0:13:03.610
<v Speaker 1>understand his feelings. He's trying to understand the feelings that

0:13:03.630 --> 0:13:05.260
<v Speaker 1>he used to have. He's trying to feel more human.

0:13:05.880 --> 0:13:09.800
<v Speaker 1>And we understand that he's clearly struggling he's not doing

0:13:09.880 --> 0:13:14.240
<v Speaker 1>a great job not doing great unbeknownst to vision at

0:13:14.280 --> 0:13:18.330
<v Speaker 1>the request of the person who lives at the upper

0:13:18.370 --> 0:13:22.329
<v Speaker 1>floor of the house oh the the sword security files

0:13:22.390 --> 0:13:27.829
<v Speaker 1>are loaded into the projector uh and vish hates this

0:13:27.870 --> 0:13:30.480
<v Speaker 1>stuff you know it's the stuff from inside westview and

0:13:30.500 --> 0:13:33.600
<v Speaker 1>the Hex TV versions. He starts to see his kids

0:13:33.620 --> 0:13:35.320
<v Speaker 1>when they were born.

0:13:35.400 --> 0:13:38.339
<v Speaker 3>It's obviously very upsetting to him.

0:13:38.360 --> 0:13:41.570
<v Speaker 1>Yeah, so it's clear that Vision does... He understands emotion

0:13:41.809 --> 0:13:44.429
<v Speaker 1>on some level, right? He feels it on some level,

0:13:44.490 --> 0:13:49.150
<v Speaker 1>even though he doesn't want to, you know, really grapple

0:13:49.190 --> 0:13:51.030
<v Speaker 1>with that. He goes upstairs, and guess who it is?

0:13:51.100 --> 0:13:51.720
<v Speaker 2>It's Ultron.

0:13:51.820 --> 0:13:52.340
<v Speaker 1>He's up there.

0:13:52.660 --> 0:13:53.040
<v Speaker 2>My king.

0:13:53.100 --> 0:14:00.360
<v Speaker 1>Ultron is ranting and raving because... of the incompetency of

0:14:00.420 --> 0:14:05.920
<v Speaker 1>the simulated DoorDash delivery services that happen inside this memory palace.

0:14:07.280 --> 0:14:12.300
<v Speaker 1>And Ultron is like, haranguing Vision about this, that, and

0:14:12.320 --> 0:14:14.580
<v Speaker 1>the other. And Vision's like, listen, I told you never

0:14:14.700 --> 0:14:17.210
<v Speaker 1>play the sword Westview tapes ever, ever, ever.

0:14:17.470 --> 0:14:18.370
<v Speaker 3>Never, ever, ever.

0:14:18.790 --> 0:14:19.590
<v Speaker 2>Never, ever, ever.

0:14:19.890 --> 0:14:23.590
<v Speaker 1>You're lucky I get to let you be autonomous within

0:14:23.650 --> 0:14:27.960
<v Speaker 1>my mind and basically confirms what we said in the

0:14:27.980 --> 0:14:34.820
<v Speaker 1>Vision Quest catch up, which is that Vision secretly saved Ultron.

0:14:35.200 --> 0:14:38.610
<v Speaker 1>Though he destroyed his body, he downloaded his entire consciousness

0:14:38.830 --> 0:14:41.470
<v Speaker 1>into the gem, into his mind, and held it there

0:14:41.710 --> 0:14:44.790
<v Speaker 1>after the fight in Sokovia. So this is a big

0:14:44.830 --> 0:14:47.330
<v Speaker 1>deal and a big reveal. And I got to say,

0:14:48.450 --> 0:14:50.570
<v Speaker 1>that movie is now, what, 13 years old?

0:14:50.590 --> 0:14:50.830
<v Speaker 3>Yep.

0:14:50.830 --> 0:14:54.340
<v Speaker 1>12, 13 years old, and they cut away from Vision.

0:14:54.580 --> 0:14:56.960
<v Speaker 1>They cut away from Vision and Ultron in the final moment.

0:14:57.000 --> 0:14:58.359
<v Speaker 2>We literally said that.

0:14:58.400 --> 0:14:59.340
<v Speaker 1>Vision is killing Ultron.

0:14:59.360 --> 0:15:04.270
<v Speaker 2>You don't see what happens. And man, they really planned.

0:15:04.570 --> 0:15:07.310
<v Speaker 1>It's clear, I think, to bring Ultron back at some point.

0:15:07.330 --> 0:15:07.990
<v Speaker 1>So this is great.

0:15:08.270 --> 0:15:10.770
<v Speaker 3>I also want to say it works really well for me,

0:15:10.870 --> 0:15:14.870
<v Speaker 3>the idea of these human avatars, right? Because we've always

0:15:14.930 --> 0:15:18.950
<v Speaker 3>seen Metal Ultron. That is obviously a more expensive... component

0:15:18.970 --> 0:15:20.490
<v Speaker 3>though they have a lot of fun with playing with

0:15:20.550 --> 0:15:22.990
<v Speaker 3>it here but we get to see James Spader play

0:15:23.030 --> 0:15:26.360
<v Speaker 3>Ultron and it's so good him and Paul Bettany's chemistry

0:15:26.390 --> 0:15:29.140
<v Speaker 3>in this they're wonderful unbelievable like it's a lot of

0:15:29.180 --> 0:15:31.620
<v Speaker 3>the first episode is really a two-hander of them just

0:15:31.640 --> 0:15:35.140
<v Speaker 3>kind of going at it and it works so freaking good.

0:15:35.560 --> 0:15:37.600
<v Speaker 1>The other thing I love about it Rosie is the

0:15:37.680 --> 0:15:42.580
<v Speaker 1>way that as Vision is struggling to understand emotions and

0:15:42.600 --> 0:15:44.660
<v Speaker 1>the emotions he used to have and what it was

0:15:44.700 --> 0:15:47.660
<v Speaker 1>like to be a synthetic man something like a person

0:15:48.700 --> 0:15:52.070
<v Speaker 1>The whole time Ultron is like a fully realized person.

0:15:52.210 --> 0:15:56.410
<v Speaker 3>Yes, a human being talking to him as his father,

0:15:56.510 --> 0:15:59.620
<v Speaker 3>as his therapist, as his enemy, as his animal.

0:16:00.180 --> 0:16:03.680
<v Speaker 2>It works so freaking well. It really does. And also

0:16:03.720 --> 0:16:06.410
<v Speaker 2>James Spader's delivery is so funny. He's wonderful.

0:16:23.760 --> 0:16:26.960
<v Speaker 1>So what's Ultron up to with the, you know, sneaking

0:16:26.980 --> 0:16:32.620
<v Speaker 1>the sword files into the projector? And Ultron is being coy.

0:16:32.660 --> 0:16:35.320
<v Speaker 1>He's being canny about it. He's putting on different hats

0:16:35.400 --> 0:16:38.440
<v Speaker 1>and playing with different hats. Vig makes him put on

0:16:38.480 --> 0:16:42.780
<v Speaker 1>his human form, as you say. And... Vision is like, listen,

0:16:43.100 --> 0:16:45.160
<v Speaker 1>I'm trying to understand what my old life was like.

0:16:45.280 --> 0:16:48.380
<v Speaker 1>I'm trying to understand what I was as a person.

0:16:48.880 --> 0:16:52.680
<v Speaker 1>Vision was a hero, okay? The real Vision. The Westview

0:16:53.120 --> 0:16:57.040
<v Speaker 1>hex version of Vision, that's fake. He was a fantasy.

0:16:57.340 --> 0:17:00.240
<v Speaker 1>He didn't exist. He was a creation of Wanda, a

0:17:00.260 --> 0:17:03.500
<v Speaker 1>creation of magic, something else. And it's clear also that

0:17:04.500 --> 0:17:07.800
<v Speaker 1>as a creature of science, although he is downplaying, to

0:17:07.820 --> 0:17:11.010
<v Speaker 1>your point, how much magic he comes from. I think

0:17:11.050 --> 0:17:14.250
<v Speaker 1>Vision really struggles with the magic part. Yes. He's struggling

0:17:14.290 --> 0:17:16.990
<v Speaker 1>with that. And Ultron is like, yeah.

0:17:17.250 --> 0:17:19.590
<v Speaker 3>No, say what Ultron says, because it's basically the great

0:17:19.690 --> 0:17:22.050
<v Speaker 3>explainer of why he's struggling so much.

0:17:22.540 --> 0:17:26.140
<v Speaker 1>He's like, no, you just can't handle the things that

0:17:26.240 --> 0:17:28.730
<v Speaker 1>happened inside the house. You can't handle it.

0:17:28.920 --> 0:17:30.899
<v Speaker 3>And he can use magic as a way to logic

0:17:30.940 --> 0:17:33.780
<v Speaker 3>his way out of not understanding rather than emotions.

0:17:34.500 --> 0:17:35.320
<v Speaker 2>That's right.

0:17:36.850 --> 0:17:40.210
<v Speaker 1>Ultron is then, you know, again, complaining about the DoorDash menu, this, that,

0:17:40.230 --> 0:17:44.320
<v Speaker 1>and the other. And he's asking basically, so what are

0:17:44.340 --> 0:17:47.280
<v Speaker 1>you trying to accomplish going and working at this pub

0:17:47.340 --> 0:17:50.160
<v Speaker 1>as a human being? And Vision is like, I'm trying

0:17:50.180 --> 0:17:54.760
<v Speaker 1>to embrace humanity. And this is so, this like broke

0:17:54.820 --> 0:17:58.260
<v Speaker 1>me a little bit. He then says, you know, old Vision,

0:17:58.880 --> 0:18:01.400
<v Speaker 1>the older version of myself had Wanda to help him.

0:18:01.420 --> 0:18:04.490
<v Speaker 2>She was his guide. She was his guide.

0:18:05.000 --> 0:18:07.080
<v Speaker 1>And I find humans strange and I'm all alone. I

0:18:07.119 --> 0:18:11.359
<v Speaker 1>don't have anyone. And Ultron is like, yeah, well, humans

0:18:11.420 --> 0:18:13.869
<v Speaker 1>are kind of hard to understand. And that's why I

0:18:13.900 --> 0:18:16.850
<v Speaker 1>tried to kill them all.

0:18:17.050 --> 0:18:21.290
<v Speaker 2>I got a massive laugh out of me. On the couch.

0:18:21.470 --> 0:18:21.930
<v Speaker 2>So fun.

0:18:21.970 --> 0:18:22.350
<v Speaker 3>Yeah.

0:18:22.990 --> 0:18:26.270
<v Speaker 1>So then... Ultron is like, okay, look at this to

0:18:26.310 --> 0:18:28.590
<v Speaker 1>try and understand humans. Let's look at this Goya painting.

0:18:28.609 --> 0:18:31.350
<v Speaker 1>He shows them the famous Goya painting of the seventh

0:18:31.510 --> 0:18:32.290
<v Speaker 1>level of Hell.

0:18:32.109 --> 0:18:32.530
<v Speaker 3>In a Limbo.

0:18:32.550 --> 0:18:36.270
<v Speaker 2>Dante's Inferno. Dante's Inferno. And he's like, look at this.

0:18:36.690 --> 0:18:42.340
<v Speaker 1>You see how humans have beauty, but they also have terror.

0:18:42.420 --> 0:18:43.540
<v Speaker 2>Pain, suffering.

0:18:43.740 --> 0:18:48.320
<v Speaker 1>Yeah, they're grotesque, but they're also lovely. And Vision's like,

0:18:48.840 --> 0:18:50.649
<v Speaker 1>why do you know so much about them? What's going on?

0:18:50.660 --> 0:18:51.899
<v Speaker 2>He's like, well, they beat me.

0:18:52.609 --> 0:18:55.530
<v Speaker 1>So I've been spending all my time since they beat

0:18:55.590 --> 0:18:59.060
<v Speaker 1>me trying to understand them. And it's clear that he

0:18:59.100 --> 0:19:01.399
<v Speaker 1>has come to an understanding of them. It's also fascinating

0:19:01.859 --> 0:19:07.300
<v Speaker 1>to think about Ultron, since his defeat, is just stewing

0:19:07.420 --> 0:19:09.830
<v Speaker 1>on his defeat to the Avengers.

0:19:10.390 --> 0:19:11.790
<v Speaker 2>So much has gone on.

0:19:11.850 --> 0:19:15.070
<v Speaker 3>And honestly, I will say, if you're somebody.

0:19:14.830 --> 0:19:16.750
<v Speaker 2>Who's really excited... to.

0:19:16.700 --> 0:19:19.369
<v Speaker 3>Get TV shows that deeply connect to the canon of

0:19:19.390 --> 0:19:21.970
<v Speaker 3>the MCU, you will be very happy with this show.

0:19:22.030 --> 0:19:25.190
<v Speaker 3>There's a lot of deep references. They talk about Thanos.

0:19:25.250 --> 0:19:28.030
<v Speaker 3>They make jokes like, yeah, this is a very lived

0:19:28.090 --> 0:19:29.050
<v Speaker 3>in world for sure.

0:19:29.890 --> 0:19:34.120
<v Speaker 1>So he, um, So Vision is like, okay, what would

0:19:34.160 --> 0:19:37.020
<v Speaker 1>you do if I released you from the Mind Palace,

0:19:37.060 --> 0:19:38.820
<v Speaker 1>if you could go out in the world again? He says, well,

0:19:38.840 --> 0:19:42.120
<v Speaker 1>I would visit all the world's great museums, or I'd

0:19:42.119 --> 0:19:46.210
<v Speaker 1>kill all humanity. Coin flip, really? You know, like, we

0:19:46.230 --> 0:19:50.780
<v Speaker 1>could go either way. Now, Ultron does have good advice

0:19:50.800 --> 0:19:53.040
<v Speaker 1>for Vision. He's like, listen, you can't be a bystander

0:19:53.060 --> 0:19:55.300
<v Speaker 1>in your life for very much longer. At some point,

0:19:56.000 --> 0:19:58.419
<v Speaker 1>as you go out into the world and just kind

0:19:58.460 --> 0:20:02.030
<v Speaker 1>of observe, it's going to observe you back. You're going

0:20:02.090 --> 0:20:05.629
<v Speaker 1>to be The truth. Watched and noticed by something. And

0:20:05.670 --> 0:20:08.570
<v Speaker 1>the thesis of this show, as we will see, this.

0:20:08.550 --> 0:20:09.810
<v Speaker 2>Comes very quickly.

0:20:10.170 --> 0:20:14.180
<v Speaker 1>Now, sadly, unbeknownst to Vision, Ultron has been playing a

0:20:14.260 --> 0:20:17.300
<v Speaker 1>role in that noticing. Because as soon as Vision leaves

0:20:18.820 --> 0:20:24.100
<v Speaker 1>Ultron's room, Ultron, who has apparently cracked the Vision's broadcast security,

0:20:24.480 --> 0:20:28.189
<v Speaker 1>sends an encrypted signal out of Vision himself. And we

0:20:28.210 --> 0:20:30.430
<v Speaker 1>will find out to where. We go back to the pub.

0:20:30.450 --> 0:20:34.810
<v Speaker 1>It's a new day. It's closing time again. Viz is

0:20:34.869 --> 0:20:38.460
<v Speaker 1>chatting with the manager and she invites him to the

0:20:38.600 --> 0:20:42.000
<v Speaker 1>roast again. And it seems like he's getting better at

0:20:42.060 --> 0:20:45.290
<v Speaker 1>talking to her when a sniper shoots her.

0:20:45.890 --> 0:20:48.280
<v Speaker 2>And she dies, basically, in his arms.

0:20:48.440 --> 0:20:48.600
<v Speaker 1>R.I.P.

0:20:48.619 --> 0:20:49.239
<v Speaker 4>Fiona.

0:20:49.300 --> 0:20:53.360
<v Speaker 2>Fridged. We barely knew you. Just immediately fridged. Immediately fridged.

0:20:53.440 --> 0:20:57.159
<v Speaker 2>But it's okay. It's okay, Fiona. We will remember you.

0:20:57.180 --> 0:20:59.449
<v Speaker 2>We will remember you.

0:20:59.590 --> 0:21:02.210
<v Speaker 1>I'm so sad about what happened to you, but it

0:21:02.250 --> 0:21:02.750
<v Speaker 1>did happen.

0:21:02.869 --> 0:21:03.209
<v Speaker 2>R.I.P.

0:21:04.030 --> 0:21:09.970
<v Speaker 1>So Vig is kneeling over Fiona. What is he feeling

0:21:09.990 --> 0:21:11.790
<v Speaker 1>in this moment? It's hard to say, but he keeps

0:21:11.869 --> 0:21:14.810
<v Speaker 1>staring at her while the AIs are inside of his

0:21:14.850 --> 0:21:17.810
<v Speaker 1>mind palace are going into defensive security mode. And they

0:21:17.850 --> 0:21:21.630
<v Speaker 1>tell him there's lots of attackers outside. And they also

0:21:21.710 --> 0:21:24.010
<v Speaker 1>kind of signal to us that like, you know, old

0:21:24.090 --> 0:21:28.550
<v Speaker 1>vision really cared about human life and would take great

0:21:28.630 --> 0:21:32.760
<v Speaker 1>pains to not take a life. And White Vision is like, well,

0:21:32.780 --> 0:21:34.940
<v Speaker 1>I'm not that guy anymore. And he just fucking goes.

0:21:35.060 --> 0:21:36.459
<v Speaker 2>Let's try something new.

0:21:36.500 --> 0:21:40.100
<v Speaker 3>And then he like did a bullseye level killing mission.

0:21:40.119 --> 0:21:41.880
<v Speaker 2>I mean, he kills all these guys.

0:21:41.920 --> 0:21:43.260
<v Speaker 1>Like 25 guys.

0:21:43.480 --> 0:21:47.020
<v Speaker 2>He just wipes these guys out. Getting them at the numbers.

0:21:47.040 --> 0:21:50.220
<v Speaker 2>Him and Wanda. Got to keep it up in the family.

0:21:50.880 --> 0:21:53.859
<v Speaker 1>Meanwhile, their mysterious leader is like listening to all of

0:21:53.920 --> 0:21:57.120
<v Speaker 1>this on a walkie talkie outside. We will eventually discover

0:21:57.180 --> 0:21:59.630
<v Speaker 1>that this is kind of a. What would you say

0:21:59.720 --> 0:22:01.560
<v Speaker 1>B or C? I would say C tier.

0:22:01.640 --> 0:22:06.800
<v Speaker 2>A C tier Marvel antagonist. Captain America Avengers villain. Basically

0:22:06.880 --> 0:22:08.580
<v Speaker 2>a bounty hunter for hire. Yeah, Paladin.

0:22:08.600 --> 0:22:11.250
<v Speaker 3>Exactly kind of like what they portray him as here,

0:22:11.270 --> 0:22:14.409
<v Speaker 3>though this is a reimagining and unusual casting, as we

0:22:14.430 --> 0:22:14.869
<v Speaker 3>will see.

0:22:14.890 --> 0:22:17.129
<v Speaker 1>Yeah, like I would put this, I would put the

0:22:17.190 --> 0:22:20.330
<v Speaker 1>Paladin in the same level as like Batroc, the Leaper.

0:22:20.369 --> 0:22:23.340
<v Speaker 3>Yeah, he's lower than Bullseye, but you could still see

0:22:23.380 --> 0:22:24.500
<v Speaker 3>him fight Bullseye.

0:22:24.900 --> 0:22:26.000
<v Speaker 2>Yes. It wouldn't be crazy.

0:22:26.950 --> 0:22:31.939
<v Speaker 1>So Paladin is listening to all of this and he

0:22:31.980 --> 0:22:35.600
<v Speaker 1>sends reinforcements to attack the pub with chain guns, shooting,

0:22:35.800 --> 0:22:38.740
<v Speaker 1>just blasting the shit out of it from outside. None

0:22:38.780 --> 0:22:40.879
<v Speaker 1>of it really does any of the vision. He's got that,

0:22:40.900 --> 0:22:43.590
<v Speaker 1>he's made of that vibranium mesh, you know, and so

0:22:43.630 --> 0:22:48.070
<v Speaker 1>it's just bouncing off of him. He thinks about the

0:22:49.270 --> 0:22:52.330
<v Speaker 1>W plus V heart and he's looking at the fallen

0:22:52.810 --> 0:22:57.490
<v Speaker 1>Fiona and he's feeling something. You know, when Edith suggests, hey,

0:22:57.540 --> 0:22:59.840
<v Speaker 1>there's a skylight in the pub. Remember, like, you could

0:22:59.900 --> 0:23:01.480
<v Speaker 1>use it as an exit. So he flies up in

0:23:01.520 --> 0:23:01.840
<v Speaker 1>a way.

0:23:01.720 --> 0:23:02.140
<v Speaker 2>And he's gone.

0:23:02.900 --> 0:23:06.480
<v Speaker 1>But before he goes, he locks eyes with the mysterious guy,

0:23:06.520 --> 0:23:10.620
<v Speaker 1>the paladin, and then flies off. The paladin goes into

0:23:10.660 --> 0:23:14.250
<v Speaker 1>the pub and basically says to all the dead guys, hey,

0:23:14.350 --> 0:23:15.570
<v Speaker 1>great job, guys.

0:23:15.710 --> 0:23:17.510
<v Speaker 2>Thanks, guys. Thanks, guys.

0:23:17.570 --> 0:23:21.409
<v Speaker 1>Thank you for your sacrifice. That was really helpful. Then

0:23:21.430 --> 0:23:23.250
<v Speaker 1>he calls the sniper over and he says, what did

0:23:23.270 --> 0:23:25.720
<v Speaker 1>I tell you about? collateral damage and he shoots the

0:23:25.740 --> 0:23:29.300
<v Speaker 1>sniper in the head kills him and then his assistant

0:23:29.400 --> 0:23:31.360
<v Speaker 1>Philomena Kunk calls a.

0:23:31.310 --> 0:23:35.250
<v Speaker 4>Blessing of a casting that I did not know that

0:23:35.290 --> 0:23:39.010
<v Speaker 4>made me so happy every time and the delivery is

0:23:39.070 --> 0:23:42.510
<v Speaker 4>perfect she's so funny she's basically his like hacker behind

0:23:42.570 --> 0:23:45.530
<v Speaker 4>the screen but with that deadpan delivery always.

0:23:45.390 --> 0:23:51.219
<v Speaker 1>Perfection and she is Appearing in her kunk on history.

0:23:51.260 --> 0:23:57.070
<v Speaker 1>Basically her kunk persona. So she is like... She patches

0:23:57.090 --> 0:24:00.270
<v Speaker 1>in the client. The person who hired the Paladin. And

0:24:00.290 --> 0:24:04.250
<v Speaker 1>then we hear this distorted voice. This distorted voice is like,

0:24:04.310 --> 0:24:05.990
<v Speaker 1>I thought you were the best. You fucked up. What

0:24:06.010 --> 0:24:10.910
<v Speaker 1>the fuck? And Paladin's like, listen. This is just part

0:24:10.970 --> 0:24:13.659
<v Speaker 1>one of the plan. And the guy's made of Vibranium mesh.

0:24:13.740 --> 0:24:17.170
<v Speaker 1>I can't... We're working on it. And the client's like, listen,

0:24:17.359 --> 0:24:22.520
<v Speaker 1>I need vision intact. And then hangs up. Kunk tells

0:24:22.600 --> 0:24:28.480
<v Speaker 1>Paladin that whoever hacked into their systems was watching the

0:24:28.520 --> 0:24:33.000
<v Speaker 1>whole incident and must have really great sword encryption because

0:24:33.680 --> 0:24:39.360
<v Speaker 1>they can't figure out who it is. The leader, Paladin,

0:24:39.580 --> 0:24:42.139
<v Speaker 1>doesn't know much about his client, but is of the

0:24:42.200 --> 0:24:47.130
<v Speaker 1>opinion that It's S.W.O.R.D. trying to get their property back,

0:24:47.150 --> 0:24:50.150
<v Speaker 1>which is like the body of the Vision that once

0:24:51.170 --> 0:24:52.609
<v Speaker 1>was housed in the S.W.O.R.D.

0:24:52.630 --> 0:24:53.070
<v Speaker 2>Headquarters.

0:24:53.650 --> 0:24:57.430
<v Speaker 1>Vig goes to hide out in an old electronic shop.

0:24:57.850 --> 0:24:58.629
<v Speaker 2>Yeah.

0:24:59.130 --> 0:25:02.490
<v Speaker 1>And goes to his mind palace. And he and the A.I.

0:25:02.550 --> 0:25:04.570
<v Speaker 1>are just kind of like going over the intel. Vision's like,

0:25:04.670 --> 0:25:07.170
<v Speaker 1>I want answers. Like, what just happened? Who is this guy?

0:25:07.210 --> 0:25:12.620
<v Speaker 1>Jarvis is like, listen, hey, your boss just got fridged.

0:25:14.850 --> 0:25:18.560
<v Speaker 1>Take time to grieve. And Viz can't do it or

0:25:18.619 --> 0:25:20.800
<v Speaker 1>can't accept that he has those feelings.

0:25:21.560 --> 0:25:24.620
<v Speaker 3>He tries to pretend he wasn't close to Fiona. But

0:25:24.640 --> 0:25:26.560
<v Speaker 3>we know because we were in the moment that he's

0:25:26.640 --> 0:25:29.100
<v Speaker 3>horrified and he's so upset because they had just had

0:25:29.140 --> 0:25:32.220
<v Speaker 3>that true human connection where he called somebody like a

0:25:32.720 --> 0:25:36.000
<v Speaker 3>talkative little shite or something and she got really excited.

0:25:36.020 --> 0:25:38.879
<v Speaker 1>Yeah, and he was just kind of kneeling over her

0:25:38.920 --> 0:25:41.100
<v Speaker 1>body for a long time. Like it's clear that he

0:25:41.140 --> 0:25:44.910
<v Speaker 1>feels something. And then Viz is like, listen, we gotta

0:25:44.930 --> 0:25:49.189
<v Speaker 1>figure out who's hunting us. Okay? I don't think with

0:25:49.230 --> 0:25:52.290
<v Speaker 1>all due respect, he looks at his AIs and he's like,

0:25:52.330 --> 0:25:54.800
<v Speaker 1>I don't think we're trained. You guys are trained to

0:25:54.859 --> 0:25:56.359
<v Speaker 1>help me with that. I need to talk to a

0:25:56.440 --> 0:25:59.439
<v Speaker 1>predator and so you know what that means. Dummy and

0:25:59.480 --> 0:26:04.399
<v Speaker 1>you bring Ultron down from his room. And basically it's

0:26:04.440 --> 0:26:07.340
<v Speaker 1>time to be like, hey, you're like a supervillain.

0:26:07.740 --> 0:26:08.139
<v Speaker 2>We love you.

0:26:08.160 --> 0:26:10.560
<v Speaker 1>What would you do in this situation? Ultron kind of

0:26:10.600 --> 0:26:13.700
<v Speaker 1>gives some cryptic advice and makes some take some veiled

0:26:13.780 --> 0:26:19.139
<v Speaker 1>shots at the other AIs. And meanwhile, Vision, who is conflicted,

0:26:19.220 --> 0:26:22.620
<v Speaker 1>is like, maybe it's best to just go shut down. Like,

0:26:22.660 --> 0:26:25.810
<v Speaker 1>go into a cave somewhere and just shut down for

0:26:26.790 --> 0:26:31.109
<v Speaker 1>an indeterminate period to avoid further casualties. You know, who knows?

0:26:31.590 --> 0:26:36.800
<v Speaker 1>And the AIs are actually split on this. Friday, who, recall,

0:26:36.859 --> 0:26:38.939
<v Speaker 1>was with Tony during Civil War.

0:26:38.960 --> 0:26:39.660
<v Speaker 2>Mm-hmm.

0:26:40.470 --> 0:26:44.390
<v Speaker 1>Is for it. And Jarvis is against it. Jarvis is like,

0:26:44.450 --> 0:26:46.530
<v Speaker 1>why don't we find help? Reach out to Banner. Reach

0:26:46.570 --> 0:26:49.490
<v Speaker 1>out to one of the ex-Avengers and you could figure out.

0:26:49.260 --> 0:26:49.600
<v Speaker 2>What to do.

0:26:49.980 --> 0:26:53.580
<v Speaker 1>Edith is like, no, go on the run and just

0:26:54.080 --> 0:26:57.280
<v Speaker 1>become different people all the time and just run. Ultron

0:26:57.640 --> 0:27:00.760
<v Speaker 1>is like, That's actually a good idea. You should go

0:27:00.859 --> 0:27:03.960
<v Speaker 1>out into the world, see this as an opportunity to

0:27:04.250 --> 0:27:07.689
<v Speaker 1>do your mission that you've been on, which is to

0:27:07.730 --> 0:27:11.170
<v Speaker 1>learn more about humanity. And what better way to learn

0:27:11.210 --> 0:27:14.590
<v Speaker 1>about being alive than running for your life? Which is

0:27:14.650 --> 0:27:16.610
<v Speaker 1>weird advice, but it makes sense, I think.

0:27:17.050 --> 0:27:20.399
<v Speaker 3>I think also the point is like Vision doesn't feel anything.

0:27:20.520 --> 0:27:23.240
<v Speaker 2>So can you do something really extreme to make him

0:27:23.320 --> 0:27:25.200
<v Speaker 2>feel this? That's right.

0:27:25.880 --> 0:27:29.560
<v Speaker 1>And then Vision is like, well... What can you tell me, Ultron,

0:27:29.760 --> 0:27:34.040
<v Speaker 1>about being hunted or hunting someone? Ultron's like, oh, look

0:27:34.080 --> 0:27:34.860
<v Speaker 1>at that. I got to go.

0:27:34.900 --> 0:27:36.859
<v Speaker 2>Oh, time to go upstairs. Time to go upstairs.

0:27:36.920 --> 0:27:40.300
<v Speaker 1>And it's then that Vision realizes that Ultron has played

0:27:40.340 --> 0:27:42.409
<v Speaker 1>some sort of role in this. And Ultron admits it.

0:27:42.440 --> 0:27:45.379
<v Speaker 1>He's like, listen, I was on the dark web. I've

0:27:45.400 --> 0:27:48.040
<v Speaker 1>been sneaking out of your body and searching the web.

0:27:48.060 --> 0:27:48.500
<v Speaker 2>Chilling.

0:27:49.200 --> 0:27:52.119
<v Speaker 1>Chilling out in the web. And I learned that somebody

0:27:52.680 --> 0:27:56.960
<v Speaker 1>hired the paladin to find you. Because you contain all

0:27:57.000 --> 0:28:00.810
<v Speaker 1>these priceless, stark AIs and all the stark tech, and

0:28:01.200 --> 0:28:06.470
<v Speaker 1>your whole mind is very, very valuable. And while I'm

0:28:06.510 --> 0:28:09.640
<v Speaker 1>not the person that hired the Paladin, I did leak information.

0:28:09.880 --> 0:28:12.420
<v Speaker 1>your location to the power.

0:28:12.520 --> 0:28:13.240
<v Speaker 2>Bad dad.

0:28:13.940 --> 0:28:17.000
<v Speaker 1>Yeah, and it was my way of pushing you out

0:28:17.040 --> 0:28:19.600
<v Speaker 1>of the nest, basically, he says. Vision is, of course,

0:28:19.640 --> 0:28:22.560
<v Speaker 1>very pissed. And he's like, listen, maybe I was wrong

0:28:22.580 --> 0:28:26.010
<v Speaker 1>about you. Maybe you're just trash data, like a barnacle

0:28:26.109 --> 0:28:29.010
<v Speaker 1>on my hull, and I should just scrape you off

0:28:29.050 --> 0:28:32.290
<v Speaker 1>and delete you. And he's like, gonna do it, but

0:28:32.310 --> 0:28:35.929
<v Speaker 1>he also can't do it. It's clear, and if it

0:28:35.970 --> 0:28:40.110
<v Speaker 1>wasn't clear from him saving Vision, Ultron's life after Sokovia,

0:28:40.130 --> 0:28:45.140
<v Speaker 1>that Vision, whatever their relationship appears.

0:28:44.840 --> 0:28:46.200
<v Speaker 2>To be- Complicated.

0:28:47.000 --> 0:28:50.420
<v Speaker 1>He feels a deep connection with Ultron, who is his father,

0:28:51.360 --> 0:28:55.390
<v Speaker 1>and can't bring himself to delete Ultron. He just can't.

0:28:56.250 --> 0:28:58.750
<v Speaker 1>And so instead, he's like, I'm going to give you

0:28:58.810 --> 0:29:02.070
<v Speaker 1>a punishment worse than deletion. Basically, I'm grounding you.

0:29:04.050 --> 0:29:04.650
<v Speaker 2>It's boredom.

0:29:04.690 --> 0:29:07.490
<v Speaker 1>Like I'm cutting off TV. I'm cutting off like all

0:29:07.650 --> 0:29:10.180
<v Speaker 1>inputs to your little room and that's it. You're trapped

0:29:10.200 --> 0:29:15.780
<v Speaker 1>in your room. Meanwhile, Paladin and Kunk are going through

0:29:15.800 --> 0:29:18.880
<v Speaker 1>the pub and they see that Vision was going under

0:29:18.900 --> 0:29:23.760
<v Speaker 1>the name Sherwood Ellis. So Paladin is like, Kunk, Philomena, Kunk,

0:29:23.800 --> 0:29:26.200
<v Speaker 1>look up everything on Sherwood Ellis and they come up

0:29:26.300 --> 0:29:28.020
<v Speaker 1>with the street in Westview.

0:29:28.140 --> 0:29:29.260
<v Speaker 2>Yes, it is a.

0:29:29.300 --> 0:29:33.650
<v Speaker 3>Crossroads that we see a lot in WandaVision. It's really emotional.

0:29:33.770 --> 0:29:36.710
<v Speaker 3>I love that they use this. Again, if you love WandaVision,

0:29:36.750 --> 0:29:37.150
<v Speaker 3>you will.

0:29:37.050 --> 0:29:38.830
<v Speaker 2>Love this show. Absolutely.

0:29:38.970 --> 0:29:42.360
<v Speaker 1>So Kunk immediately. is like, oh, it seems like there

0:29:42.420 --> 0:29:46.680
<v Speaker 1>is an Avengers training mishap in Westview, New Jersey, and

0:29:46.720 --> 0:29:51.770
<v Speaker 1>Paladin's like, immediately, that's fake. That's a cover-up. That's bullshit.

0:29:52.330 --> 0:29:56.990
<v Speaker 1>And so, you know, they keep digging, and Kunk quickly...

0:29:57.250 --> 0:30:01.070
<v Speaker 1>uncovers somewhere on the internet, like the archive of the

0:30:01.170 --> 0:30:03.150
<v Speaker 1>fake TV broadcasts from inside the hats.

0:30:03.170 --> 0:30:06.160
<v Speaker 2>I think she hacks into the sword files. She's just like, yeah,

0:30:06.200 --> 0:30:08.540
<v Speaker 2>she does. She's like, there's a firewall, but I already

0:30:08.560 --> 0:30:09.680
<v Speaker 2>got through it or something.

0:30:09.740 --> 0:30:12.200
<v Speaker 3>And then there's kind of, and she manages to get these, yeah,

0:30:12.220 --> 0:30:14.600
<v Speaker 3>these TV broadcasts, the ones that Darcy watched and that

0:30:14.620 --> 0:30:15.640
<v Speaker 3>we watched, you know, to a point.

0:30:15.660 --> 0:30:16.570
<v Speaker 1>And then we watched it.

0:30:16.580 --> 0:30:16.760
<v Speaker 2>Yeah.

0:30:16.820 --> 0:30:18.840
<v Speaker 1>And it's all the stuff, you know, it's all the

0:30:18.880 --> 0:30:24.660
<v Speaker 1>different eras. And he learns, Paladin learns that, um, Inside

0:30:24.700 --> 0:30:28.090
<v Speaker 1>the Hex, Hex version of Vision had a whole family

0:30:28.130 --> 0:30:30.670
<v Speaker 1>with two kids, two boys, Billy and Tommy. And so

0:30:30.730 --> 0:30:36.250
<v Speaker 1>Paladin is like, you know what? I know something about

0:30:36.430 --> 0:30:41.140
<v Speaker 1>Hex magic. Because we will discover later that Paladin, despite

0:30:41.180 --> 0:30:46.130
<v Speaker 1>being a C-level villain... has kind of mixed it up

0:30:46.790 --> 0:30:51.150
<v Speaker 1>with a lot of different superhero types and people from

0:30:51.210 --> 0:30:54.810
<v Speaker 1>around the Marvel Universe, and also as a legacy character,

0:30:54.970 --> 0:30:58.590
<v Speaker 1>as the inheritor, like a Dread Pirate Roberts kind of way,

0:30:59.010 --> 0:31:02.500
<v Speaker 1>of all the knowledge of the previous Paladins, kind of

0:31:02.540 --> 0:31:04.560
<v Speaker 1>knows a little bit about magic. And he's like, you know,

0:31:04.680 --> 0:31:07.720
<v Speaker 1>one thing I know about hex magic is when a

0:31:08.760 --> 0:31:11.950
<v Speaker 1>person created... by hex magic disappears.

0:31:11.990 --> 0:31:16.090
<v Speaker 2>They don't fully go away. So he begins looking for.

0:31:15.770 --> 0:31:20.700
<v Speaker 1>Something's left behind. So he begins looking for, you know, like, um, uh,

0:31:21.880 --> 0:31:26.380
<v Speaker 1>a young person who much like Billy in Agatha is

0:31:26.480 --> 0:31:30.560
<v Speaker 1>claiming to be somebody else or believes they themselves to

0:31:30.600 --> 0:31:32.820
<v Speaker 1>be somebody else. And we go to London and we

0:31:32.880 --> 0:31:35.980
<v Speaker 1>meet this young man who has found a stolen watch.

0:31:36.060 --> 0:31:38.160
<v Speaker 1>He goes into a pub. He's like, anybody find this watch?

0:31:38.640 --> 0:31:40.600
<v Speaker 1>And this woman there is like, oh my God, that's,

0:31:41.200 --> 0:31:42.380
<v Speaker 1>talks to the guy.

0:31:42.420 --> 0:31:45.979
<v Speaker 2>It's like a 10K watch. It's like a 10,000 pound watch.

0:31:46.840 --> 0:31:49.340
<v Speaker 1>And so they, these two cook up a scheme to

0:31:49.360 --> 0:31:51.320
<v Speaker 1>like get the watch off the guy and they start

0:31:51.360 --> 0:31:53.720
<v Speaker 1>a bidding war. And she's like, you know, I'll buy

0:31:53.770 --> 0:31:56.830
<v Speaker 1>it from you for 75 quid. And then the guy's like, no,

0:31:57.090 --> 0:31:59.360
<v Speaker 1>I'll take it for 250. And so Thomas sells it.

0:31:59.410 --> 0:32:04.090
<v Speaker 1>And it turns out that the young man, Thomas, and

0:32:04.110 --> 0:32:07.130
<v Speaker 1>this girl, Lisa, are in it together. They just scam

0:32:07.150 --> 0:32:09.000
<v Speaker 1>that guy. Yeah.

0:32:09.060 --> 0:32:09.600
<v Speaker 2>We love him.

0:32:09.680 --> 0:32:12.620
<v Speaker 3>Rep Scallion, Oliver Twist-ass type vibes.

0:32:13.520 --> 0:32:16.760
<v Speaker 1>So he's doing, he does like some Oliver Twist-type sleight

0:32:16.780 --> 0:32:20.430
<v Speaker 1>of hand to give her her cut. And she is like, wow,

0:32:20.450 --> 0:32:23.970
<v Speaker 1>you're really good at close-up magic. He makes some kind

0:32:24.450 --> 0:32:29.740
<v Speaker 1>of cryptic statements about not being the real him. And

0:32:29.840 --> 0:32:32.420
<v Speaker 1>they go through this like little rigmarole that's clear that

0:32:32.440 --> 0:32:34.890
<v Speaker 1>they've been working out about pretending to be other people

0:32:35.330 --> 0:32:38.710
<v Speaker 1>when they are interrupted by news on TV about what

0:32:38.770 --> 0:32:42.910
<v Speaker 1>happened in Edinburgh and the white vision has reappeared. And

0:32:43.030 --> 0:32:46.210
<v Speaker 1>Tommy begins having these memory flashes of the white vision,

0:32:46.270 --> 0:32:48.820
<v Speaker 1>also the red vision and stuff that happened inside Westview.

0:32:49.540 --> 0:32:52.000
<v Speaker 1>And all of a sudden they realize the guy they

0:32:52.020 --> 0:32:55.100
<v Speaker 1>scammed and his friends are chasing them. So they run

0:32:55.140 --> 0:32:58.180
<v Speaker 1>for it. They do escape, but Tommy is kind of

0:32:58.300 --> 0:33:00.979
<v Speaker 1>cracking up a little bit because of this vision news.

0:33:01.600 --> 0:33:04.480
<v Speaker 1>And Lisa calms him down by, again, doing this kind

0:33:04.520 --> 0:33:07.370
<v Speaker 1>of role play. It's like, okay, who are you? You're

0:33:07.410 --> 0:33:09.209
<v Speaker 1>coming from rugby practice.

0:33:09.390 --> 0:33:12.270
<v Speaker 2>Yeah, you could be anyone. You could be anyone.

0:33:12.290 --> 0:33:14.350
<v Speaker 3>This is obviously a theme, this idea of choosing your

0:33:14.390 --> 0:33:17.490
<v Speaker 3>own identity, being the person you need to be, etc.

0:33:18.350 --> 0:33:20.840
<v Speaker 1>But before she can calm him all the way down,

0:33:20.880 --> 0:33:24.660
<v Speaker 1>the paladin shows up and kidnaps Tommy and they disappear.

0:33:25.370 --> 0:33:32.320
<v Speaker 1>Paladin has Kunk use secret sword frequencies to broadcast directly

0:33:32.420 --> 0:33:37.280
<v Speaker 1>to Vision, which appears inside Vision's memory palaces like blinking

0:33:37.340 --> 0:33:40.040
<v Speaker 1>lights that they then decode. So they open up the

0:33:40.080 --> 0:33:43.219
<v Speaker 1>firewall and Vision goes to the top floor of his

0:33:43.260 --> 0:33:47.500
<v Speaker 1>memory palace. And he and Ultron together watch Paladin's message,

0:33:47.540 --> 0:33:49.620
<v Speaker 1>which appears in the sky above the house. And it

0:33:49.660 --> 0:33:54.330
<v Speaker 1>basically says, hey, your son from inside the Hex his

0:33:54.510 --> 0:33:57.380
<v Speaker 1>soul switched bodies with this guy. So now this guy

0:33:57.420 --> 0:33:58.920
<v Speaker 1>is your son and I have your son. So what

0:33:58.980 --> 0:34:00.740
<v Speaker 1>are you going to do about it? And that is

0:34:00.780 --> 0:34:02.110
<v Speaker 1>the end of episode one.

0:34:02.370 --> 0:34:07.550
<v Speaker 2>And immediately I'm thinking this show is good. What the heck?

0:34:07.710 --> 0:34:10.170
<v Speaker 3>The kid they played, I believe his name's Rory, the

0:34:10.190 --> 0:34:13.710
<v Speaker 3>kid who plays the recast version of older.

0:34:13.430 --> 0:34:17.190
<v Speaker 2>Tommy here, the emotion that they get out of him

0:34:17.250 --> 0:34:21.879
<v Speaker 2>in the scene that they flash here, the psychiatric evaluation

0:34:22.340 --> 0:34:24.920
<v Speaker 2>where he's trying to explain his family and how his

0:34:24.960 --> 0:34:27.040
<v Speaker 2>dad is a machine and he looked like a devil.

0:34:27.480 --> 0:34:31.120
<v Speaker 2>This is heart-rending good acting. This shit is not camp.

0:34:31.260 --> 0:34:34.160
<v Speaker 2>This is fucking legit when it needs to be. But

0:34:34.180 --> 0:34:37.380
<v Speaker 2>the stuff in the Vision Mind Palace with James Spader

0:34:37.420 --> 0:34:38.700
<v Speaker 2>is so good. Oh, I love it.

0:34:39.040 --> 0:34:42.260
<v Speaker 3>And also, Jason, obviously, you know, we will have more

0:34:42.340 --> 0:34:45.090
<v Speaker 3>on this as we head into the recap of Episode

0:34:45.090 --> 0:34:46.549
<v Speaker 3>2 and our full theories at the end.

0:34:46.860 --> 0:34:48.529
<v Speaker 2>But I think they're having a lot of fun, too,

0:34:48.570 --> 0:34:51.850
<v Speaker 2>with this who hired Paladin. Like, is it Ultron? There's

0:34:51.890 --> 0:34:54.589
<v Speaker 2>a voice modulator. Could it be him?

0:34:54.650 --> 0:34:57.910
<v Speaker 3>Could it be a different AI like Jocasta? Like, we'll

0:34:57.950 --> 0:34:58.750
<v Speaker 3>get into more theories.

0:34:58.770 --> 0:34:59.210
<v Speaker 2>Who could it be?

0:34:59.969 --> 0:35:02.109
<v Speaker 3>But yeah, I just think that they're having so much

0:35:02.150 --> 0:35:06.549
<v Speaker 3>fun playing with it. And it's really enjoyable to kind

0:35:06.590 --> 0:35:09.110
<v Speaker 3>of start working out where this could go.

0:35:09.870 --> 0:35:11.609
<v Speaker 1>Let's take a break and then we will go to

0:35:11.750 --> 0:35:32.110
<v Speaker 1>episode two. So And we're back with episode two of

0:35:32.570 --> 0:35:37.100
<v Speaker 1>Vision Quest Theseus. We opened one year ago. We see

0:35:37.200 --> 0:35:44.460
<v Speaker 1>Thomas Shepard's police interrogation file in which he basically describes

0:35:44.560 --> 0:35:51.910
<v Speaker 1>what we understand to be the cosmic hex-powered switching of souls.

0:35:51.670 --> 0:35:54.230
<v Speaker 2>Into the body that he now inhabits. So if.

0:35:56.200 --> 0:35:59.390
<v Speaker 1>What happened to Billy also happened to Thomas. His body,

0:35:59.830 --> 0:36:03.750
<v Speaker 1>whoever inhabited his body before him, died. And in that moment,

0:36:04.830 --> 0:36:05.750
<v Speaker 1>the hex soul of.

0:36:05.790 --> 0:36:06.330
<v Speaker 2>No, no, no.

0:36:06.430 --> 0:36:10.230
<v Speaker 3>So I think specifically here, they are playing with the

0:36:10.270 --> 0:36:13.230
<v Speaker 3>fact that it seems like he didn't die.

0:36:13.250 --> 0:36:17.180
<v Speaker 2>I think in this case, Tommy kept both his.

0:36:17.950 --> 0:36:20.850
<v Speaker 1>memories so he has both memories yeah he does william

0:36:20.930 --> 0:36:23.950
<v Speaker 1>caplan i think is more like he knows he died

0:36:24.550 --> 0:36:27.520
<v Speaker 1>and he had amnesia it feels like thomas is like

0:36:27.580 --> 0:36:30.600
<v Speaker 1>my parents abandoned me my foster family it's almost like

0:36:30.640 --> 0:36:33.799
<v Speaker 1>the soul ended up in his body maybe because she

0:36:33.840 --> 0:36:36.860
<v Speaker 1>could sense his parents just were like abandoned him or

0:36:36.960 --> 0:36:39.739
<v Speaker 1>whatever but i don't think that i think it's the

0:36:39.780 --> 0:36:41.870
<v Speaker 1>same law but i don't think he died that's the

0:36:41.910 --> 0:36:44.750
<v Speaker 1>difference which is why he's great you know inverted commas

0:36:44.770 --> 0:36:48.279
<v Speaker 1>being seen as crazy Right, because he keeps going on

0:36:48.300 --> 0:36:50.779
<v Speaker 1>and on about having two lives.

0:36:50.820 --> 0:36:52.700
<v Speaker 2>I was me and I wasn't me.

0:36:52.820 --> 0:36:54.400
<v Speaker 1>I was me and I wasn't me, and how can

0:36:54.440 --> 0:36:58.060
<v Speaker 1>I be feeling like this? They end up putting him

0:36:58.140 --> 0:37:01.040
<v Speaker 1>on a bus, basically, the police put him on a

0:37:01.060 --> 0:37:04.259
<v Speaker 1>bus to take him to what we will discover is

0:37:04.300 --> 0:37:06.879
<v Speaker 1>like a sanitarium, like a mental health facility, but like

0:37:06.920 --> 0:37:08.180
<v Speaker 1>a secure mental health facility.

0:37:08.200 --> 0:37:11.430
<v Speaker 3>Where you never leave, and it clearly has bad reputation

0:37:11.930 --> 0:37:13.129
<v Speaker 3>in the community.

0:37:13.910 --> 0:37:17.360
<v Speaker 1>So he ends up sitting next to, This girl who

0:37:17.380 --> 0:37:19.980
<v Speaker 1>we understand will later is Lisa, who will be his

0:37:20.020 --> 0:37:23.420
<v Speaker 1>partner in crime. He's having these memory flashes that he

0:37:23.460 --> 0:37:28.170
<v Speaker 1>doesn't understand again about the, from inside Westview vision, the

0:37:28.210 --> 0:37:32.430
<v Speaker 1>white vision also. And, you know, he's, he's kind of

0:37:32.489 --> 0:37:35.669
<v Speaker 1>freaking out, but Lisa really calms him down, calms him down.

0:37:35.710 --> 0:37:38.710
<v Speaker 1>And we see here the beginning of their relationship and

0:37:38.750 --> 0:37:41.469
<v Speaker 1>their chemistry, which is like these invented, you can be

0:37:41.530 --> 0:37:43.609
<v Speaker 1>anybody who you want to be. Tell me who you are.

0:37:43.690 --> 0:37:46.270
<v Speaker 1>And she's not interested in the truth, but like, She's

0:37:46.310 --> 0:37:49.890
<v Speaker 1>interested in him just calming himself down by just inventing

0:37:49.950 --> 0:37:50.610
<v Speaker 1>a backstory.

0:37:50.810 --> 0:37:51.090
<v Speaker 2>Yeah.

0:37:51.510 --> 0:37:54.509
<v Speaker 1>And she tells him that, you know, she was a pickpocket.

0:37:55.320 --> 0:37:59.060
<v Speaker 1>And clearly they're getting along. Later, he wakes up on

0:37:59.080 --> 0:38:02.460
<v Speaker 1>the bus. There is this very brutal guard on the

0:38:02.500 --> 0:38:07.920
<v Speaker 1>bus who you might remember as Dollars Ed. Ed from

0:38:07.940 --> 0:38:10.440
<v Speaker 1>the Night's Watch from Game of Thrones. This is the

0:38:10.580 --> 0:38:11.580
<v Speaker 1>actor Ben Crompton.

0:38:12.080 --> 0:38:12.360
<v Speaker 3>Mm-hmm.

0:38:13.739 --> 0:38:16.730
<v Speaker 1>Scariest ever, yeah. He's just fucking... He's terrible as shit.

0:38:16.830 --> 0:38:19.370
<v Speaker 1>He's telling them, you're all going to St. Maven Sanitarium.

0:38:19.390 --> 0:38:21.970
<v Speaker 1>You're never coming out. Like, it's going to be terrible

0:38:22.010 --> 0:38:25.780
<v Speaker 1>for you. Nobody's going to remember you. Don't fucking talk

0:38:25.840 --> 0:38:27.980
<v Speaker 1>shit or I'm going to tase you. And so then

0:38:28.020 --> 0:38:30.440
<v Speaker 1>he begins tasing this one guy who's kind of can't

0:38:30.460 --> 0:38:34.190
<v Speaker 1>keep it together. And then he tases Tommy. And then Tommy's,

0:38:34.610 --> 0:38:37.410
<v Speaker 1>whatever Tommy's powers are, which we're not sure of what

0:38:37.450 --> 0:38:38.350
<v Speaker 1>they are currently.

0:38:38.370 --> 0:38:40.980
<v Speaker 2>No, but it looks more like, my assumption is they're

0:38:41.000 --> 0:38:41.860
<v Speaker 2>going with the more.

0:38:41.719 --> 0:38:45.700
<v Speaker 3>Modern kind of like time control powers. And my idea

0:38:45.739 --> 0:38:48.779
<v Speaker 3>would be that he basically reversed the power back into him,

0:38:48.820 --> 0:38:49.760
<v Speaker 3>but he doesn't know.

0:38:49.860 --> 0:38:50.560
<v Speaker 2>It's not in control.

0:38:50.580 --> 0:38:51.219
<v Speaker 1>We don't know.

0:38:51.680 --> 0:38:53.250
<v Speaker 3>We just see it go back and it kind of

0:38:53.350 --> 0:38:56.149
<v Speaker 3>shocks him with this almost Scarlet Witch-like.

0:38:57.170 --> 0:39:01.390
<v Speaker 1>Harry Potter on his neck kind of scar.

0:39:01.910 --> 0:39:03.509
<v Speaker 3>Also, guys, I do want to say, if you're a

0:39:03.530 --> 0:39:06.110
<v Speaker 3>fan of an Easter egg, Saint Mabin's is from the

0:39:06.150 --> 0:39:09.830
<v Speaker 3>comics and hilariously is from the Iron Fist comics. It

0:39:09.870 --> 0:39:13.050
<v Speaker 3>appeared in Iron Fist number three from November 75. But

0:39:13.140 --> 0:39:17.560
<v Speaker 3>it's Chris Claremont and John Byrne, obviously X-Men legends. And interestingly,

0:39:18.020 --> 0:39:20.020
<v Speaker 3>it was most famously....

0:39:20.480 --> 0:39:21.760
<v Speaker 2>There for treating Misty Knight.

0:39:21.880 --> 0:39:23.759
<v Speaker 3>So I feel like they kind of nodded to the

0:39:23.860 --> 0:39:26.509
<v Speaker 3>other Marvel TV history here with that connection.

0:39:27.070 --> 0:39:29.630
<v Speaker 2>But yeah, I mean, this is such a brutal scene.

0:39:29.650 --> 0:39:32.860
<v Speaker 3>I really like when Marvel and superhero stories kind of

0:39:32.880 --> 0:39:36.180
<v Speaker 3>try and talk about this, like the brutalized underdog. Also,

0:39:36.500 --> 0:39:39.430
<v Speaker 3>from the response everyone on the bus is having, you

0:39:39.489 --> 0:39:40.710
<v Speaker 3>can't help but think X-Men.

0:39:40.750 --> 0:39:43.310
<v Speaker 2>You can't help but think Weapon X. We are in

0:39:43.370 --> 0:39:44.670
<v Speaker 2>a militarized.

0:39:44.790 --> 0:39:48.410
<v Speaker 3>Weaponized time here. where for whatever reason, it's just becoming

0:39:48.450 --> 0:39:51.969
<v Speaker 3>more acceptable to institutionalize people, whether it's for the DODC

0:39:52.030 --> 0:39:53.720
<v Speaker 3>or whether it is in this case, because they are,

0:39:53.780 --> 0:39:56.160
<v Speaker 3>you know, crazy or whatever they call it. It's a

0:39:56.219 --> 0:39:59.640
<v Speaker 3>really interesting new paradigm and very different to see it

0:39:59.700 --> 0:40:01.719
<v Speaker 3>in London, too. We haven't really gotten to see a

0:40:01.760 --> 0:40:05.680
<v Speaker 3>lot of how superhero life affects Londoners, you know, and

0:40:05.719 --> 0:40:08.090
<v Speaker 3>this is a very much like depressing kind of bleak

0:40:08.430 --> 0:40:09.970
<v Speaker 3>Ken Burns realism London.

0:40:10.010 --> 0:40:11.830
<v Speaker 2>And I like it. I like it, honestly.

0:40:11.850 --> 0:40:15.820
<v Speaker 1>Yeah. So they make, Lisa and Tommy make their escape.

0:40:16.040 --> 0:40:22.630
<v Speaker 1>Tommy uses his power set to either vibrate or reverse

0:40:22.690 --> 0:40:26.050
<v Speaker 1>time bolts, reverse the bolts out of the door.

0:40:26.270 --> 0:40:26.910
<v Speaker 2>I'll be real.

0:40:27.110 --> 0:40:29.649
<v Speaker 3>I think what they're doing here, I think that this

0:40:29.710 --> 0:40:32.270
<v Speaker 3>is a vision power. I think he got this from

0:40:32.310 --> 0:40:35.450
<v Speaker 3>his dad and what he's actually doing is changing. He's

0:40:35.550 --> 0:40:38.890
<v Speaker 3>shaking the, like vibrating the molecules, right? And they go

0:40:38.950 --> 0:40:41.610
<v Speaker 3>red because the power is like his mom's power. But

0:40:41.630 --> 0:40:44.049
<v Speaker 3>when I saw it, I was like, wait, how would

0:40:44.070 --> 0:40:46.030
<v Speaker 3>he be doing that? And it was a different color

0:40:46.070 --> 0:40:48.770
<v Speaker 3>than when he used his other power. I was like, wow,

0:40:48.810 --> 0:40:50.950
<v Speaker 3>maybe they're going to give the kids powers from both

0:40:51.010 --> 0:40:53.980
<v Speaker 3>of them. Because in this version, they've manifested into these

0:40:54.700 --> 0:40:57.580
<v Speaker 3>real humans. uh yeah and then you get this I

0:40:57.620 --> 0:40:59.440
<v Speaker 3>love that idea I loved it so much and I

0:40:59.460 --> 0:41:01.940
<v Speaker 3>was getting so excited because this moment really reminded me

0:41:01.980 --> 0:41:04.480
<v Speaker 3>of the end of Logan when the kids the new

0:41:04.500 --> 0:41:07.029
<v Speaker 3>mutant kids like make it and they kind of have

0:41:07.070 --> 0:41:08.890
<v Speaker 3>this great moment where the two of them hold hands

0:41:08.950 --> 0:41:11.790
<v Speaker 3>and just like run away and you just really love

0:41:11.989 --> 0:41:16.450
<v Speaker 3>the story of Lisa and uh I mean Tommy they

0:41:16.469 --> 0:41:18.890
<v Speaker 3>make you really feel care about these characters with like

0:41:18.930 --> 0:41:21.410
<v Speaker 3>a five minute sequence which I think is very well done.

0:41:22.450 --> 0:41:26.799
<v Speaker 1>So we go to the electronic shop, which we see

0:41:27.260 --> 0:41:32.420
<v Speaker 1>called Roy's Ultimate Electronic Shop. And it's, in my mind,

0:41:32.460 --> 0:41:35.340
<v Speaker 1>a clear reference to Roy Thomas, who is one of

0:41:35.360 --> 0:41:38.319
<v Speaker 1>the key creators behind the Vision. And Vision is in

0:41:38.360 --> 0:41:39.520
<v Speaker 1>his mind palace.

0:41:40.400 --> 0:41:40.839
<v Speaker 2>They are.

0:41:42.160 --> 0:41:45.180
<v Speaker 1>watching the Paladins broadcast still and talking about it, Vig

0:41:45.219 --> 0:41:49.040
<v Speaker 1>is now blaming Ultron. It's like, you know, you got

0:41:49.080 --> 0:41:52.020
<v Speaker 1>this kid wrapped up in this. Like, this is your

0:41:52.140 --> 0:41:58.200
<v Speaker 1>fucking fault. If you hadn't broadcast my location to the Paladin,

0:41:58.820 --> 0:42:01.890
<v Speaker 1>this poor young kid would never have been, like.

0:42:01.969 --> 0:42:03.149
<v Speaker 2>Wrapped up in this whole thing.

0:42:03.870 --> 0:42:07.880
<v Speaker 1>And... And Ultron is like, listen, what did you expect?

0:42:07.900 --> 0:42:09.840
<v Speaker 1>Did you really think the world was just going to

0:42:09.880 --> 0:42:14.420
<v Speaker 1>forget about you? Like somebody, someone did pay the Paladin

0:42:14.480 --> 0:42:16.680
<v Speaker 1>to find you. Yes, I leaked your location, but that

0:42:16.719 --> 0:42:19.540
<v Speaker 1>was ongoing. So you need to like get with reality

0:42:19.560 --> 0:42:23.340
<v Speaker 1>and realize that you can't just like skate unseen through

0:42:23.380 --> 0:42:27.489
<v Speaker 1>the world anymore. We go to, you know, Vig and

0:42:27.530 --> 0:42:30.430
<v Speaker 1>the AIs basically research the Paladin and we get this

0:42:30.489 --> 0:42:34.450
<v Speaker 1>wonderful download about the Paladin and He is just the

0:42:34.510 --> 0:42:38.930
<v Speaker 1>most recent in a long line of mercenaries for hire

0:42:38.989 --> 0:42:42.600
<v Speaker 1>who have been called the paladin. And, you know, he's

0:42:42.640 --> 0:42:45.239
<v Speaker 1>very good at his job. And he's got this kind

0:42:45.280 --> 0:42:48.660
<v Speaker 1>of like almost like John Wick kind of quality to

0:42:48.680 --> 0:42:52.080
<v Speaker 1>his contracts where it's like once you contract him to

0:42:52.200 --> 0:42:52.880
<v Speaker 1>do something.

0:42:53.280 --> 0:42:54.350
<v Speaker 2>He's gonna do it.

0:42:54.680 --> 0:42:57.940
<v Speaker 1>He's gonna do it. The contract is like fucking unbreakable.

0:42:57.960 --> 0:43:02.180
<v Speaker 1>Like he has to do it. And he usually does.

0:43:02.730 --> 0:43:06.350
<v Speaker 1>So we see the paladin now deliver Tommy to St. Maven's,

0:43:06.489 --> 0:43:09.089
<v Speaker 1>where he was originally supposed to go like a year ago.

0:43:09.170 --> 0:43:12.610
<v Speaker 1>And the guard, the brutal guard is in the lobby there.

0:43:12.690 --> 0:43:14.470
<v Speaker 1>And he's like, oh my God, that kid who escaped

0:43:14.510 --> 0:43:19.330
<v Speaker 1>in the paladin kills him. And meanwhile, Jarvis is showing

0:43:19.550 --> 0:43:23.350
<v Speaker 1>Vision Tommy's interrogation tape from a year ago, in which

0:43:23.410 --> 0:43:27.920
<v Speaker 1>he talks about Westview, in which he talks about this man,

0:43:27.960 --> 0:43:31.880
<v Speaker 1>this red faced man with kind eyes, who's also somehow demonic,

0:43:31.900 --> 0:43:33.259
<v Speaker 1>who is clearly he's talking.

0:43:32.980 --> 0:43:34.890
<v Speaker 2>About red face demon.

0:43:34.950 --> 0:43:37.710
<v Speaker 1>And it's clear he's talking about the hex version of

0:43:37.750 --> 0:43:38.290
<v Speaker 1>the vision.

0:43:38.310 --> 0:43:40.109
<v Speaker 2>My son. And yeah.

0:43:40.150 --> 0:43:41.830
<v Speaker 1>And he's like, he wasn't human, but he called me

0:43:41.870 --> 0:43:45.700
<v Speaker 1>his son. And, you know, it's like ranting and raving.

0:43:46.500 --> 0:43:50.919
<v Speaker 1>And Vision realizes that okay, this guy is... Whoever this

0:43:51.219 --> 0:43:54.160
<v Speaker 1>person Thomas is, he's telling the truth. Like, those are

0:43:54.200 --> 0:43:58.160
<v Speaker 1>the real memories that he has about Westview somehow. And

0:43:58.219 --> 0:44:01.009
<v Speaker 1>Ultron is like, listen, here's how it works. There is

0:44:01.030 --> 0:44:07.430
<v Speaker 1>this thing called hex magic. And... When people are created

0:44:07.810 --> 0:44:11.509
<v Speaker 1>inside the hex verse, inside the hex magic, they are

0:44:11.690 --> 0:44:14.109
<v Speaker 1>completely real and they also have a soul. And when

0:44:14.200 --> 0:44:16.660
<v Speaker 1>the body is destroyed, the soul looks for some place

0:44:16.700 --> 0:44:18.919
<v Speaker 1>to go and it transfers and it must have transferred.

0:44:18.580 --> 0:44:18.960
<v Speaker 2>To this guy.

0:44:18.980 --> 0:44:20.319
<v Speaker 1>And Vision's like, get the fuck out of here.

0:44:20.340 --> 0:44:21.739
<v Speaker 2>Vision's like, shut the fuck up.

0:44:21.739 --> 0:44:22.980
<v Speaker 1>What are you talking about?

0:44:23.219 --> 0:44:26.069
<v Speaker 2>This is a scam. You probably planned this. You hired

0:44:26.090 --> 0:44:29.830
<v Speaker 2>this kid. Yeah. This is all you.

0:44:29.910 --> 0:44:33.040
<v Speaker 1>And he's like, no. it's a hundred percent is real.

0:44:33.080 --> 0:44:35.480
<v Speaker 1>This is really what happened. And then Friday breaks in

0:44:35.500 --> 0:44:37.739
<v Speaker 1>and it's like, well, we have to figure out like

0:44:37.780 --> 0:44:40.880
<v Speaker 1>who hired this guy. Is it sword? You know, is

0:44:40.940 --> 0:44:43.880
<v Speaker 1>it someone else? She plays a snippet in which Tommy

0:44:44.390 --> 0:44:48.009
<v Speaker 1>talks about Wanda and the songs she used to sing

0:44:48.050 --> 0:44:51.750
<v Speaker 1>to him and how she had, you know, she was beautiful,

0:44:51.790 --> 0:44:55.530
<v Speaker 1>but she had these really sad eyes and so much pain.

0:44:56.030 --> 0:44:59.660
<v Speaker 1>And that she once said to him, grief is just

0:44:59.760 --> 0:45:04.810
<v Speaker 1>love persevering. And Vision realizes, holy shit, Ultron is right.

0:45:08.190 --> 0:45:11.890
<v Speaker 1>It has to be my son or my hex version

0:45:11.930 --> 0:45:15.049
<v Speaker 1>of myself's son from inside the hex. It must be.

0:45:15.640 --> 0:45:19.439
<v Speaker 1>So Jarvis figures out that there are coordinates hidden inside

0:45:19.480 --> 0:45:23.500
<v Speaker 1>Paladin's broadcast. And clearly it's an invitation to a trap

0:45:23.760 --> 0:45:27.969
<v Speaker 1>of some kind. So White Vision comes back online. He

0:45:28.010 --> 0:45:31.400
<v Speaker 1>goes back to the pub. which is where the coordinates

0:45:31.440 --> 0:45:35.410
<v Speaker 1>led him to, and Paladin is there. And Vision is like, listen, buddy,

0:45:35.630 --> 0:45:37.270
<v Speaker 1>I don't know who the fuck you think you are,

0:45:37.989 --> 0:45:41.009
<v Speaker 1>but you're just a man, and I have simulated, like,

0:45:42.840 --> 0:45:48.040
<v Speaker 1>billions of simulations of this or something so many he.

0:45:47.880 --> 0:45:51.560
<v Speaker 3>Just quotes what the guy's saying just back at him verbatim.

0:45:51.060 --> 0:45:54.029
<v Speaker 1>Before he can say it right yeah and he's like

0:45:54.070 --> 0:45:57.690
<v Speaker 1>listen i know exactly what you're gonna say okay because

0:45:57.770 --> 0:46:01.390
<v Speaker 1>i've worked it all out so you're not gonna throw

0:46:01.430 --> 0:46:05.020
<v Speaker 1>me off balance with this kind of emotional manipulation you

0:46:05.040 --> 0:46:07.259
<v Speaker 1>have my son yada yada i don't care about that

0:46:07.820 --> 0:46:08.980
<v Speaker 1>I don't have a son.

0:46:09.000 --> 0:46:14.259
<v Speaker 2>That was some other guy. Fake guy. I don't feel.

0:46:14.700 --> 0:46:18.739
<v Speaker 2>I don't feel, he says. And I know all about

0:46:18.780 --> 0:46:20.890
<v Speaker 2>the kid. I don't care.

0:46:21.550 --> 0:46:26.190
<v Speaker 1>And Paladin's like, well, we'll see about that, okay? Because

0:46:26.770 --> 0:46:31.270
<v Speaker 1>whatever you think, Mr. Science, there's a whole lot more

0:46:31.330 --> 0:46:34.580
<v Speaker 1>to the universe than than science, there's magic and all

0:46:34.620 --> 0:46:37.800
<v Speaker 1>types of shit. My favorite line delivery from him, he says,

0:46:38.140 --> 0:46:38.870
<v Speaker 1>there's wizards.

0:46:38.950 --> 0:46:44.450
<v Speaker 2>And then he goes, and witches. Witches. Wizards and witches

0:46:44.550 --> 0:46:49.630
<v Speaker 2>and monsters. He's like, yes, eat it up, soap opera daddy. Witches.

0:46:50.010 --> 0:46:50.730
<v Speaker 2>So let's talk.

0:46:50.610 --> 0:46:52.830
<v Speaker 1>About Todd Stashwick, who plays the paladin.

0:46:53.130 --> 0:46:57.230
<v Speaker 2>His name is perfect. He looks like Stashwick. That looks

0:46:57.270 --> 0:46:57.930
<v Speaker 2>like his name.

0:46:58.830 --> 0:47:07.250
<v Speaker 1>Ever since Frank Grillo... Marvel has loved to find villains

0:47:07.469 --> 0:47:10.969
<v Speaker 1>that seeming... I don't know Mr. Stashwick's bio, but he

0:47:11.050 --> 0:47:13.370
<v Speaker 1>feels like a soap opera guy. No disrespect. That's a

0:47:13.370 --> 0:47:14.350
<v Speaker 1>great way to make a living.

0:47:14.370 --> 0:47:15.009
<v Speaker 2>That's a good job, baby.

0:47:16.010 --> 0:47:18.200
<v Speaker 1>But it feels like they're reaching down. They're like, let's

0:47:18.260 --> 0:47:22.299
<v Speaker 1>find these other guys. And it's like the same thing

0:47:22.320 --> 0:47:25.980
<v Speaker 1>they did with the Swordsman in Born Again. Yes, we

0:47:26.020 --> 0:47:26.339
<v Speaker 1>love him.

0:47:26.820 --> 0:47:27.980
<v Speaker 2>And Hawkeye.

0:47:28.780 --> 0:47:30.640
<v Speaker 1>The same thing they did with Grillo and now the

0:47:30.680 --> 0:47:34.800
<v Speaker 1>same thing they did with the Paladin. I'm waiting for

0:47:34.960 --> 0:47:37.980
<v Speaker 1>the Paladin to develop a little more juice. He's very

0:47:38.140 --> 0:47:39.760
<v Speaker 1>kind of like straight up and down.

0:47:39.940 --> 0:47:40.680
<v Speaker 2>He is right now.

0:47:40.800 --> 0:47:43.460
<v Speaker 1>Maybe he will develop a little bit more juice at

0:47:43.480 --> 0:47:45.220
<v Speaker 1>a certain point. I'm not saying he's bad. I'm just

0:47:45.239 --> 0:47:48.390
<v Speaker 1>saying I, Look at those other guys, whether it's Grillo

0:47:49.070 --> 0:47:51.150
<v Speaker 1>or the Swordsman, and they all have jukes.

0:47:51.550 --> 0:47:54.529
<v Speaker 2>He is a TV stalwart, baby. This man has been

0:47:54.570 --> 0:47:56.940
<v Speaker 2>in more shows than you could believe. And Jason, guess what?

0:47:57.239 --> 0:48:00.819
<v Speaker 3>He was in Children's Hospital. Correct. He has been in

0:48:00.860 --> 0:48:03.640
<v Speaker 3>Crime Scene Investigation. He has been in Law and Order

0:48:03.660 --> 0:48:06.160
<v Speaker 3>Criminal Intent. He's been in Malcolm in the Middle. He's

0:48:06.180 --> 0:48:08.700
<v Speaker 3>been in Along Came Polly. He's been in CSI New York.

0:48:08.760 --> 0:48:11.270
<v Speaker 3>This is a working actor, guys. He has been in

0:48:11.290 --> 0:48:11.810
<v Speaker 3>Curb Your Enthusiasm.

0:48:11.850 --> 0:48:12.469
<v Speaker 2>I love this guy.

0:48:12.950 --> 0:48:17.370
<v Speaker 3>Justified, Hawaii Five-0, Grey's Anatomy, Warehouse 13. This is just

0:48:17.390 --> 0:48:20.029
<v Speaker 3>a few of his many credits you can read on IMDb.

0:48:20.290 --> 0:48:23.640
<v Speaker 3>Tom and Jerry, back to Oz. He voiced the Cowardly Lion.

0:48:23.969 --> 0:48:26.880
<v Speaker 3>He's doing some, he did SWAT. He also did American

0:48:26.940 --> 0:48:29.920
<v Speaker 3>Horror Story. He has been in, yeah, this was like

0:48:29.980 --> 0:48:33.310
<v Speaker 3>a working man, bro. He was in The Accountant 2.

0:48:33.300 --> 0:48:36.480
<v Speaker 3>He also played Phineas and Ferb. Multiple voices in Phineas

0:48:36.520 --> 0:48:36.890
<v Speaker 3>and Ferb.

0:48:36.969 --> 0:48:37.950
<v Speaker 1>Phineas and Ferb?

0:48:38.030 --> 0:48:40.690
<v Speaker 2>Yeah, this man is a Disney Star Wars voice actor.

0:48:40.710 --> 0:48:41.250
<v Speaker 2>Shouts to Mr.

0:48:41.270 --> 0:48:42.130
<v Speaker 1>Skashwick.

0:48:42.150 --> 0:48:46.670
<v Speaker 3>He's been doing some podcasts, some narrative podcasts. But yeah, Jason, definitely,

0:48:46.810 --> 0:48:49.980
<v Speaker 3>they said, hey, come working actor, be in this show.

0:48:50.000 --> 0:48:50.460
<v Speaker 1>Come get it.

0:48:50.480 --> 0:48:54.620
<v Speaker 2>And we are happy because then he said, witches. Witches. Witches.

0:49:10.390 --> 0:49:14.009
<v Speaker 1>So Paladin then lays out, he's like, listen, okay, you

0:49:14.050 --> 0:49:16.950
<v Speaker 1>don't care about Tommy, but listen, here's my theory of Tommy.

0:49:16.989 --> 0:49:18.989
<v Speaker 1>And he basically lays out the same thing as Ultron did.

0:49:19.010 --> 0:49:19.790
<v Speaker 2>Which is right.

0:49:20.600 --> 0:49:25.280
<v Speaker 1>The Hex was destroyed and the soul of the Hex, Tommy,

0:49:25.380 --> 0:49:29.060
<v Speaker 1>went into this guy and that's your son. And Paladin

0:49:29.080 --> 0:49:32.180
<v Speaker 1>then says, listen, you say you don't care about him, fine.

0:49:32.760 --> 0:49:36.779
<v Speaker 1>But if you don't come with me, I'm going to

0:49:36.820 --> 0:49:41.350
<v Speaker 1>leave Tommy in that sanatorium and They're going to do

0:49:41.410 --> 0:49:44.910
<v Speaker 1>crazy electroshock treatments on him. They're going to pump him

0:49:44.989 --> 0:49:48.000
<v Speaker 1>full of all kinds of drugs. And by the end

0:49:48.040 --> 0:49:51.640
<v Speaker 1>of it, whatever he is now will be gone because

0:49:51.680 --> 0:49:54.880
<v Speaker 1>his mind will be totally erased by the brutality of St. Maven's.

0:49:55.540 --> 0:49:59.879
<v Speaker 1>And Viz is like, listen, I don't care about that.

0:49:59.920 --> 0:50:02.839
<v Speaker 1>You don't understand. You're talking the old me's language. The

0:50:02.900 --> 0:50:10.190
<v Speaker 1>new me... Doesn't care and has a very poor opinion

0:50:10.330 --> 0:50:16.470
<v Speaker 1>of humankind. And you're proving to me how awful they are. Yeah,

0:50:16.510 --> 0:50:19.489
<v Speaker 1>mankind is just awful and only wants to destroy. And

0:50:19.530 --> 0:50:22.239
<v Speaker 1>he sounds very much like Ultron, it should say. And

0:50:22.280 --> 0:50:27.620
<v Speaker 1>then he grabs Paladin by the neck and holds him

0:50:27.700 --> 0:50:32.710
<v Speaker 1>up and is choking him and says, I am not visioned.

0:50:33.520 --> 0:50:36.870
<v Speaker 1>And Paladin says, poor Tommy. And then Vision throws him

0:50:36.930 --> 0:50:41.210
<v Speaker 1>across the room. Meanwhile, Kunk's computers are getting hacked again.

0:50:41.230 --> 0:50:45.049
<v Speaker 3>Yeah, whoever this is, again, hinting towards an Ultron or

0:50:45.090 --> 0:50:48.049
<v Speaker 3>an AI, because they are hacking at all times. And

0:50:48.200 --> 0:50:51.500
<v Speaker 3>Paladin seems surprised. Like, this is not something that happens

0:50:51.580 --> 0:50:51.900
<v Speaker 3>a lot.

0:50:52.820 --> 0:50:55.700
<v Speaker 1>So the client, whoever the client is, it's clear the

0:50:55.739 --> 0:50:59.160
<v Speaker 1>client is watching all the stuff that Paladin is doing

0:50:59.200 --> 0:51:05.510
<v Speaker 1>all the time. Because they call in immediately, hack in, whatever,

0:51:05.630 --> 0:51:09.990
<v Speaker 1>immediately after Paladin gets thrown across the bar and is like, listen,

0:51:10.250 --> 0:51:13.210
<v Speaker 1>I'm losing confidence in this fucking guy. Like, can you

0:51:13.250 --> 0:51:14.770
<v Speaker 1>do it? I don't believe you can do it. And

0:51:14.790 --> 0:51:17.410
<v Speaker 1>Paladin's like, listen, I'm going to get it done. I

0:51:18.030 --> 0:51:22.939
<v Speaker 1>have an unbreakable contract. Just shut up and sit tight.

0:51:23.219 --> 0:51:23.379
<v Speaker 2>Yeah.

0:51:23.420 --> 0:51:25.960
<v Speaker 1>We go to the Mind Palace. Ultron's up in his

0:51:26.040 --> 0:51:27.260
<v Speaker 1>room watching true crime.

0:51:27.280 --> 0:51:27.340
<v Speaker 3>Ha!

0:51:28.380 --> 0:51:30.339
<v Speaker 1>He's apparently a true crime junkie now.

0:51:30.460 --> 0:51:30.720
<v Speaker 2>Yes.

0:51:31.180 --> 0:51:35.260
<v Speaker 1>And Vision comes up and again is like, I'm not Vision.

0:51:35.320 --> 0:51:39.030
<v Speaker 1>Why is this happening? Like, this is your fault. Ultron

0:51:39.070 --> 0:51:43.330
<v Speaker 1>is like, well, who are you? And this is the

0:51:43.370 --> 0:51:45.850
<v Speaker 1>whole thing with Vision is he's so confused about who

0:51:45.910 --> 0:51:48.230
<v Speaker 1>he really is. He feels the weight of all these

0:51:48.350 --> 0:51:52.480
<v Speaker 1>memories that aren't his. And he lacks the ability or

0:51:52.560 --> 0:51:55.660
<v Speaker 1>thinks he does to understand how to feel about them.

0:51:56.260 --> 0:51:59.280
<v Speaker 1>And then Ultra and then Monologues, listen, much like Lisa

0:52:00.400 --> 0:52:02.740
<v Speaker 1>says to Thomas. Yes, exactly.

0:52:02.840 --> 0:52:04.819
<v Speaker 2>I love this writing. I love this echo.

0:52:04.840 --> 0:52:08.900
<v Speaker 1>I know, it's so good. It's like, listen, identity is plastic.

0:52:08.920 --> 0:52:11.240
<v Speaker 1>You can be anybody you want. Who do you want

0:52:11.260 --> 0:52:13.120
<v Speaker 1>to be? Who do you want to be right now

0:52:13.180 --> 0:52:17.220
<v Speaker 1>based on everything that's come before? And Vision is like, listen,

0:52:18.520 --> 0:52:22.180
<v Speaker 1>I just want to feel like I understand what it

0:52:22.239 --> 0:52:26.049
<v Speaker 1>was like to be the other versions of me, but

0:52:26.110 --> 0:52:28.239
<v Speaker 1>I can't. And then they talk about, you know, the

0:52:28.280 --> 0:52:32.200
<v Speaker 1>last time I talked to the hex version of myself,

0:52:32.340 --> 0:52:35.150
<v Speaker 1>the one time we talked about the ship of Theseus

0:52:35.530 --> 0:52:39.310
<v Speaker 1>and Ultron is like, the ship of Theseus thing is bullshit.

0:52:39.870 --> 0:52:44.790
<v Speaker 1>The whole thought experiment is like, fucking Philosophy 101 student

0:52:44.870 --> 0:52:47.310
<v Speaker 1>essay bullshit. 101, like, not real.

0:52:47.170 --> 0:52:49.710
<v Speaker 2>Shit that you need to actually think about in this moment.

0:52:49.810 --> 0:52:52.020
<v Speaker 3>I love how they played with that here, taking a

0:52:52.060 --> 0:52:54.620
<v Speaker 3>line that really spoke to everyone and then saying, we're

0:52:54.640 --> 0:52:55.400
<v Speaker 3>going to fucking.

0:52:55.140 --> 0:52:57.560
<v Speaker 2>Kill our darlings. We're just going to cut the legs

0:52:57.660 --> 0:52:57.920
<v Speaker 2>out of it.

0:52:58.100 --> 0:53:00.759
<v Speaker 3>So true to who Ultron is, but it's also a

0:53:00.800 --> 0:53:02.880
<v Speaker 3>great message in the moment and it gets Viz to

0:53:02.900 --> 0:53:04.760
<v Speaker 3>do what he needs to do. So we're already getting

0:53:04.800 --> 0:53:08.630
<v Speaker 3>that complexity here because, like, obviously Ultron has his own agenda,

0:53:08.650 --> 0:53:10.490
<v Speaker 3>but he does get Viz to save Tommy.

0:53:10.510 --> 0:53:15.630
<v Speaker 1>Yeah. So he does it by saying, listen, everybody focuses

0:53:15.710 --> 0:53:18.170
<v Speaker 1>on the ship and whether it was, as it was

0:53:18.230 --> 0:53:19.950
<v Speaker 1>replaced bit by bit, whether it was a real ship.

0:53:20.290 --> 0:53:23.140
<v Speaker 1>And they ignore the actual wider story. The wider story

0:53:23.380 --> 0:53:28.279
<v Speaker 1>is the king, Theseus, the children of his kingdom had

0:53:28.300 --> 0:53:31.080
<v Speaker 1>been kidnapped. And so he went off and he rescued

0:53:31.100 --> 0:53:35.160
<v Speaker 1>them and brought them back. And because of this, the

0:53:35.260 --> 0:53:38.680
<v Speaker 1>people of his kingdom to celebrate him on the anniversary

0:53:38.739 --> 0:53:42.160
<v Speaker 1>of this adventure, every year would like fix up the ship.

0:53:42.200 --> 0:53:44.739
<v Speaker 1>And over time it became a new ship. Don't be

0:53:44.780 --> 0:53:48.580
<v Speaker 1>the ship. He says, be the king. And so Vision's like, okay,

0:53:48.900 --> 0:53:51.600
<v Speaker 1>he goes straight to the trap. He decides I'm going

0:53:51.620 --> 0:53:54.000
<v Speaker 1>to go straight where they want me to go. Basically

0:53:54.080 --> 0:53:57.020
<v Speaker 1>Jarvis is like, don't do it. Like, let's be smarter

0:53:57.060 --> 0:54:00.759
<v Speaker 1>about this. Don't go with emotion. You know, you go

0:54:00.800 --> 0:54:05.719
<v Speaker 1>with reason. Don't be mad. Vision is like, I'm not emotional,

0:54:05.800 --> 0:54:08.739
<v Speaker 1>but he clearly is because Jarvis can see it. And

0:54:09.900 --> 0:54:12.840
<v Speaker 1>Jarvis and he are standing in front of a picture

0:54:12.880 --> 0:54:17.700
<v Speaker 1>of Jim Hammond, the original Human Torch. And Jarvis, who

0:54:17.760 --> 0:54:22.860
<v Speaker 1>knew Jim Hammond when Jarvis was a person, you know, Jarvis,

0:54:22.920 --> 0:54:28.830
<v Speaker 1>the assistant of Howard Stark at the time, says, as

0:54:28.870 --> 0:54:31.990
<v Speaker 1>he looks upon this painting of the original Human Torch,

0:54:32.030 --> 0:54:34.710
<v Speaker 1>Jim Hammond says, he knew better than any of us.

0:54:35.940 --> 0:54:39.430
<v Speaker 1>When going into a dangerous situation to go with reason,

0:54:39.489 --> 0:54:40.950
<v Speaker 1>to go without emotion.

0:54:41.210 --> 0:54:44.870
<v Speaker 2>Because otherwise you can be consumed. And the painting of

0:54:44.910 --> 0:54:46.200
<v Speaker 2>him is inflamed.

0:54:46.760 --> 0:54:47.160
<v Speaker 1>Inflamed.

0:54:47.280 --> 0:54:51.859
<v Speaker 2>And actually, it made me wonder. So just to pause. Yes.

0:54:52.020 --> 0:54:56.120
<v Speaker 1>We have numerous suspects of who the client could be.

0:54:56.430 --> 0:54:59.049
<v Speaker 1>But could it be Jim Hammond who wants his body back?

0:55:00.000 --> 0:55:02.560
<v Speaker 2>Oh my God. I mean, I would fucking love that.

0:55:02.660 --> 0:55:05.060
<v Speaker 3>And also that would be someone who could easily be

0:55:05.120 --> 0:55:07.850
<v Speaker 3>in cahoots with Ultron and Ultron could easily give him

0:55:07.890 --> 0:55:10.830
<v Speaker 3>the access under the promise that they share the body

0:55:10.930 --> 0:55:12.930
<v Speaker 3>or maybe get it for part of the time.

0:55:13.430 --> 0:55:16.859
<v Speaker 2>I mean, Jim Hammond, human tortures, the villain would be incredible.

0:55:16.920 --> 0:55:17.640
<v Speaker 2>Paul Jason.

0:55:18.160 --> 0:55:21.660
<v Speaker 1>It would be an unbelievable full... Considering we've only ever

0:55:21.820 --> 0:55:23.200
<v Speaker 1>seen him in a tube in.

0:55:23.820 --> 0:55:27.090
<v Speaker 2>In Iron Man. Captain America. No, Captain America First Avenger.

0:55:28.230 --> 0:55:32.470
<v Speaker 2>At the Stark fucking show, yeah. Yeah, the Stark Expo.

0:55:32.830 --> 0:55:38.410
<v Speaker 1>So, Viz goes, you know, right to St. Maven's and

0:55:38.450 --> 0:55:42.049
<v Speaker 1>it's the scenes from the trailer, right? He, like, goes

0:55:42.110 --> 0:55:46.410
<v Speaker 1>in there And pauses it, you know, live as the

0:55:46.550 --> 0:55:48.989
<v Speaker 1>AIs are guiding him around the room. They're like, look

0:55:49.010 --> 0:55:50.670
<v Speaker 1>at this guy who appears to be in a wheelchair.

0:55:51.030 --> 0:55:53.010
<v Speaker 1>Look at this person who's pretending to be an orderly.

0:55:53.070 --> 0:55:56.739
<v Speaker 1>They are all mercenaries. So you can fight them. Don't

0:55:56.780 --> 0:55:57.239
<v Speaker 1>worry about it.

0:55:57.840 --> 0:55:58.000
<v Speaker 2>So.

0:55:59.200 --> 0:56:03.620
<v Speaker 1>Vision then proceeds to fucking kill everybody in the lobby.

0:56:03.680 --> 0:56:07.460
<v Speaker 2>He's miling people. He's turning people to dust like Thanos.

0:56:07.520 --> 0:56:11.669
<v Speaker 2>He's exploding people's molecules. He's like, they're mercenaries. They wore

0:56:11.710 --> 0:56:16.650
<v Speaker 2>tack boots. Okay, fuck it. I mean, he kills, I

0:56:16.690 --> 0:56:19.540
<v Speaker 2>don't know, 20, 30 guys. In each episode. On the way.

0:56:21.180 --> 0:56:24.380
<v Speaker 1>On the way to down the hall and to the

0:56:24.440 --> 0:56:27.500
<v Speaker 1>room where they believe Tommy is being held in the

0:56:27.560 --> 0:56:29.120
<v Speaker 1>secure wing of St.

0:56:29.180 --> 0:56:29.620
<v Speaker 2>Nathan's.

0:56:30.780 --> 0:56:32.799
<v Speaker 1>He gets to the room. Tommy is terrified at the

0:56:32.880 --> 0:56:35.620
<v Speaker 1>sight of Vision in his mechanical form. He's been having nightmares,

0:56:35.640 --> 0:56:36.779
<v Speaker 1>you know, flashback nightmares.

0:56:36.860 --> 0:56:38.910
<v Speaker 3>Also, he doesn't know if it's real. We don't know

0:56:38.930 --> 0:56:42.290
<v Speaker 3>if he's drunk. He feels like he's having a delusion.

0:56:42.630 --> 0:56:43.790
<v Speaker 3>It's not a great moment.

0:56:44.530 --> 0:56:48.410
<v Speaker 1>So Vision puts on his Paul Bettany human form again. And.

0:56:50.060 --> 0:56:51.140
<v Speaker 2>you know, goes to him.

0:56:51.600 --> 0:56:54.380
<v Speaker 1>But when he's inside the room, the door shuts. And

0:56:54.440 --> 0:56:57.140
<v Speaker 1>now Vision tries to blast his way out.

0:56:57.239 --> 0:56:57.800
<v Speaker 2>He can't.

0:56:57.860 --> 0:57:01.069
<v Speaker 1>This room is built to hold him. And clearly some

0:57:01.120 --> 0:57:04.280
<v Speaker 1>sort of magnetic force is taking over.

0:57:04.340 --> 0:57:06.089
<v Speaker 2>And the AIs realize.

0:57:06.030 --> 0:57:09.130
<v Speaker 1>It's an EMP cage. It's negating all of his powers

0:57:09.170 --> 0:57:11.270
<v Speaker 1>and it's basically shutting him down.

0:57:11.350 --> 0:57:11.990
<v Speaker 2>He's dying.

0:57:14.150 --> 0:57:17.770
<v Speaker 1>The Memory Palace, meanwhile, is breaking apart and collapsing. Ultron

0:57:17.790 --> 0:57:21.180
<v Speaker 1>kind of takes the opportunity to escape his room. Tommy

0:57:22.060 --> 0:57:24.700
<v Speaker 1>uses his time.

0:57:24.460 --> 0:57:27.410
<v Speaker 2>Powers, question mark? Time powers, whichever you want.

0:57:27.430 --> 0:57:31.670
<v Speaker 1>Question mark to pick the lock, but he needs Vision

0:57:31.690 --> 0:57:33.330
<v Speaker 1>to help bust the door open. So they bust the

0:57:33.350 --> 0:57:35.310
<v Speaker 1>door open, and as they get out into the hallway,

0:57:35.350 --> 0:57:38.540
<v Speaker 1>and now Vision is kind of like recovering from the EMP,

0:57:38.560 --> 0:57:42.070
<v Speaker 1>but has something of his previous strength. The paladin shows

0:57:42.150 --> 0:57:48.310
<v Speaker 1>up in his full paladin, very stiff paladin suit. And

0:57:48.330 --> 0:57:51.050
<v Speaker 1>he's got a shotgun and the shotgun is loaded with

0:57:51.310 --> 0:57:54.490
<v Speaker 1>adamantium shotgun shells.

0:57:54.790 --> 0:57:58.270
<v Speaker 3>Jason, I got to say, I think, aside from mentions

0:57:58.470 --> 0:58:01.150
<v Speaker 3>in newspapers and on TV, I think this is our

0:58:01.170 --> 0:58:05.130
<v Speaker 3>first time when someone's like, he has adamantium shotgun shells.

0:58:05.210 --> 0:58:08.690
<v Speaker 2>Like, I think this is post Fox being introduced. We

0:58:08.730 --> 0:58:09.880
<v Speaker 2>can say it now. Yes.

0:58:10.490 --> 0:58:16.810
<v Speaker 1>This is the first time that the substance has been.

0:58:17.010 --> 0:58:19.480
<v Speaker 2>Used actively in the MCU.

0:58:19.540 --> 0:58:21.590
<v Speaker 3>That's how I feel, at least that we can say.

0:58:21.920 --> 0:58:23.880
<v Speaker 3>And obviously catch us up if we miss something, guys.

0:58:23.920 --> 0:58:24.920
<v Speaker 3>But I thought this was very cool.

0:58:24.940 --> 0:58:26.720
<v Speaker 2>I literally immediately went in the group and was like,

0:58:27.060 --> 0:58:28.360
<v Speaker 2>adamantium mentioned.

0:58:28.480 --> 0:58:32.840
<v Speaker 3>Also important for us because we've been obsessing over power

0:58:32.880 --> 0:58:35.320
<v Speaker 3>scaling different substances and.

0:58:35.260 --> 0:58:39.470
<v Speaker 2>They immediately introduce adamantium here and say, This shit can

0:58:39.510 --> 0:58:42.660
<v Speaker 2>fuck up vibranium. So here we have our answer. Introduction

0:58:42.680 --> 0:58:43.220
<v Speaker 2>is huge.

0:58:44.360 --> 0:58:46.540
<v Speaker 1>So we have something of our answer here, right? So,

0:58:46.600 --> 0:58:49.800
<v Speaker 1>you know, Paladin is just unloading, and it's got to

0:58:49.820 --> 0:58:55.760
<v Speaker 1>be like a million point five dollars per shot of shotgun. Like,

0:58:55.800 --> 0:58:58.600
<v Speaker 1>I don't know how much, but it's a lot. And

0:58:59.380 --> 0:59:03.540
<v Speaker 1>it's really fucking big. Vision's Vibranium mesh body up. Like,

0:59:03.600 --> 0:59:06.470
<v Speaker 1>it's damaging him. He is very banged up. He does

0:59:06.530 --> 0:59:10.280
<v Speaker 1>manage to, punch the paladin across the room, down the hall,

0:59:10.320 --> 0:59:13.820
<v Speaker 1>and through a door, and really stuns the paladin and

0:59:13.920 --> 0:59:14.480
<v Speaker 1>injures him.

0:59:15.020 --> 0:59:16.890
<v Speaker 2>But Vision is dying.

0:59:17.140 --> 0:59:22.150
<v Speaker 1>He's got a very deep wound to his stomach, and

0:59:22.330 --> 0:59:24.950
<v Speaker 1>other places are really banged up. And to your point, Rosie,

0:59:24.990 --> 0:59:30.580
<v Speaker 1>this does suggest to us that in the adamantium versus

0:59:30.820 --> 0:59:34.470
<v Speaker 1>vibranium fight that adamantium may have the edge.

0:59:35.780 --> 0:59:41.510
<v Speaker 3>Currently, I believe that adamantium refined into bullets is currently

0:59:41.550 --> 0:59:46.450
<v Speaker 3>better than Viz's vibranium shell that he got, you know,

0:59:46.550 --> 0:59:50.530
<v Speaker 3>five years ago. I think that the Wakandans can probably, exactly,

0:59:50.590 --> 0:59:55.210
<v Speaker 3>it's a weave. The Wakandans probably have something, a version

0:59:55.310 --> 0:59:58.330
<v Speaker 3>of vibranium that can fight against it. But definitely in

0:59:58.370 --> 1:00:00.680
<v Speaker 3>this case, I mean, he gets fucking got and you

1:00:00.740 --> 1:00:05.200
<v Speaker 3>see like this kind of almost alien style white goop

1:00:05.640 --> 1:00:09.620
<v Speaker 3>almost coming from inside his fingers. Like it's, it looks

1:00:09.700 --> 1:00:11.340
<v Speaker 3>bad for him. And I did think it would be

1:00:11.380 --> 1:00:13.740
<v Speaker 3>pretty brave for them to kill him off, but you know,

1:00:13.910 --> 1:00:14.610
<v Speaker 3>not going to happen.

1:00:15.330 --> 1:00:19.250
<v Speaker 1>Now to your point, Rosie, we all recall the many

1:00:19.310 --> 1:00:22.910
<v Speaker 1>times that Wolverine has taken a swing at Cap in

1:00:22.950 --> 1:00:28.010
<v Speaker 1>the comics. And to your point, Cap's vibranium shield always

1:00:28.090 --> 1:00:33.430
<v Speaker 1>turns back Wolverine's pure itemantium claws. So I guess you're right.

1:00:33.870 --> 1:00:38.310
<v Speaker 1>In a purified state, metal for metal, it's probably... Right,

1:00:38.430 --> 1:00:42.010
<v Speaker 1>it's probably even. But because of the fact that Vision

1:00:42.070 --> 1:00:46.630
<v Speaker 1>has a synthetic mesh vibranium body, probably meshed with other stuff,

1:00:46.730 --> 1:00:47.990
<v Speaker 1>that it's not as strong.

1:00:49.330 --> 1:00:49.530
<v Speaker 3>So.

1:00:51.690 --> 1:00:56.390
<v Speaker 1>Vision staggers out of the building with Tommy. And, you know,

1:00:56.430 --> 1:00:59.160
<v Speaker 1>the AIs are like, fuck, Vision is dying. They're inside

1:00:59.220 --> 1:01:02.580
<v Speaker 1>the Million Palace, like trying, doing everything they can, rerouting power,

1:01:02.640 --> 1:01:04.340
<v Speaker 1>doing everything they can to keep Vision on his feet.

1:01:04.880 --> 1:01:05.419
<v Speaker 2>But he's dying.

1:01:05.800 --> 1:01:07.380
<v Speaker 1>He's like, Tommy, you got to get out of here.

1:01:07.660 --> 1:01:08.480
<v Speaker 1>You're going to die.

1:01:08.500 --> 1:01:10.720
<v Speaker 2>I don't want you to die. I don't want you

1:01:10.740 --> 1:01:10.950
<v Speaker 2>to die.

1:01:10.960 --> 1:01:14.200
<v Speaker 1>I actually do kind of care about you, so please leave. Yeah,

1:01:14.220 --> 1:01:16.320
<v Speaker 1>like I did all of this to get you out,

1:01:16.460 --> 1:01:19.640
<v Speaker 1>so you need to go. And Tommy's like, no, I

1:01:19.660 --> 1:01:21.600
<v Speaker 1>have so many questions about who you are and what

1:01:21.640 --> 1:01:23.500
<v Speaker 1>our relationship is. Like, I don't want to leave you.

1:01:23.520 --> 1:01:26.890
<v Speaker 1>I don't want to leave you. And Paladin is like,

1:01:27.450 --> 1:01:31.710
<v Speaker 1>on the radio, is like, hey, guys, wherever my fully

1:01:31.770 --> 1:01:34.550
<v Speaker 1>expendable guys are, find Vision.

1:01:34.610 --> 1:01:35.890
<v Speaker 2>Like, go. Get expended.

1:01:35.950 --> 1:01:36.410
<v Speaker 1>Tommy runs away.

1:01:36.430 --> 1:01:37.150
<v Speaker 2>Get murdered.

1:01:37.710 --> 1:01:42.190
<v Speaker 1>Yeah, Tommy runs away. And inside of the Mind Palace,

1:01:44.170 --> 1:01:49.640
<v Speaker 1>Ultron suggests, hey... Maybe it's time for a noble sacrifice. Basically,

1:01:49.700 --> 1:01:52.490
<v Speaker 1>if one of us, the AIs are using so much

1:01:52.650 --> 1:01:58.360
<v Speaker 1>energy and computing power. that if one of you should

1:01:58.760 --> 1:02:03.900
<v Speaker 1>delete themselves, that power could go to Vision and stabilize

1:02:03.940 --> 1:02:06.520
<v Speaker 1>him and put off the inevitable for a little while.

1:02:06.960 --> 1:02:10.160
<v Speaker 1>And of course, it's Jarvis. Of course, Mr. Nobility Jarvis

1:02:10.240 --> 1:02:12.040
<v Speaker 1>is like, I will do it.

1:02:12.240 --> 1:02:16.530
<v Speaker 3>Not even what Ultron wanted, hilariously. Like, he's just the

1:02:16.570 --> 1:02:17.110
<v Speaker 3>most noble guy.

1:02:17.410 --> 1:02:17.970
<v Speaker 1>Or is it?

1:02:18.030 --> 1:02:21.450
<v Speaker 2>Question mark. But he claims it's not what he wanted. Listen,

1:02:21.470 --> 1:02:22.490
<v Speaker 2>I love Dummy.

1:02:23.150 --> 1:02:28.380
<v Speaker 1>I love you. I would have sent one of them first.

1:02:29.320 --> 1:02:32.500
<v Speaker 2>No disrespect. I love her energy, but she's chaos, bro.

1:02:32.760 --> 1:02:33.480
<v Speaker 2>She's chaos.

1:02:33.720 --> 1:02:36.590
<v Speaker 1>Anyway, Jarvis does it. He deletes and we see his

1:02:36.680 --> 1:02:40.710
<v Speaker 1>code as it appeared in Avengers Age of Ultron, actually.

1:02:40.750 --> 1:02:44.510
<v Speaker 1>That kind of like golden sphere. Which also, very.

1:02:44.270 --> 1:02:47.470
<v Speaker 3>Evocative of the Eternals and the powers we saw in

1:02:47.510 --> 1:02:50.370
<v Speaker 3>the Eternals and this idea of kind of energy always

1:02:50.450 --> 1:02:51.890
<v Speaker 3>permeating the universe.

1:02:51.930 --> 1:02:52.169
<v Speaker 4>Yes.

1:02:53.810 --> 1:02:56.690
<v Speaker 1>We see his code. Some of it disappears, but a

1:02:56.790 --> 1:02:59.570
<v Speaker 1>lot of it breaks into pieces and goes into the

1:03:00.010 --> 1:03:03.840
<v Speaker 1>surviving AI. So I guess we are to assume from

1:03:03.880 --> 1:03:07.240
<v Speaker 1>this that Jarvis isn't gone, that he just appears like

1:03:07.560 --> 1:03:11.840
<v Speaker 1>he lives on in shards, which exists in the other AIs.

1:03:12.880 --> 1:03:15.560
<v Speaker 1>Ultron then makes a quip that, well, Jarvis wasn't my

1:03:15.660 --> 1:03:17.500
<v Speaker 1>first or even second choice, but he was a good guy.

1:03:17.580 --> 1:03:21.120
<v Speaker 1>I liked it. And then just as it seems like

1:03:21.180 --> 1:03:23.900
<v Speaker 1>all is lost, Tommy pulls back up in a stolen Volvo,

1:03:24.420 --> 1:03:29.760
<v Speaker 1>loads dad into the wagon. They drive off. Vision says, oh,

1:03:29.800 --> 1:03:33.530
<v Speaker 1>he didn't listen. The boy didn't listen. And Ultron says, like, father, like, son.

1:03:33.930 --> 1:03:36.530
<v Speaker 1>And it's very interesting because it's not clear who Ultron

1:03:36.590 --> 1:03:38.880
<v Speaker 1>is talking about. Is he talking about him?

1:03:38.890 --> 1:03:41.280
<v Speaker 2>Is it him? Is it Ultron?

1:03:41.590 --> 1:03:45.120
<v Speaker 3>I also love that this really cements, like, it's this

1:03:45.240 --> 1:03:46.840
<v Speaker 3>weird found family.

1:03:46.860 --> 1:03:48.820
<v Speaker 2>They're going to rebuild the family.

1:03:49.080 --> 1:03:52.120
<v Speaker 3>There's this great line where he says to him before

1:03:52.160 --> 1:03:53.990
<v Speaker 3>he leaves him to go and steal the car, he says,

1:03:54.750 --> 1:03:55.710
<v Speaker 3>I'm not going to leave you.

1:03:55.770 --> 1:03:57.970
<v Speaker 2>You're my... You're my something.

1:03:58.410 --> 1:04:00.320
<v Speaker 3>And I think that's going to definitely be one of

1:04:00.340 --> 1:04:04.100
<v Speaker 3>those standout lines for people with these two episodes.

1:04:05.080 --> 1:04:06.900
<v Speaker 1>Let's take a quick break and then just talk briefly

1:04:06.960 --> 1:04:09.160
<v Speaker 1>about where we think the show is going and.

1:04:09.080 --> 1:04:09.540
<v Speaker 2>What we thought.

1:04:26.920 --> 1:04:30.120
<v Speaker 1>Okay, and we're back discussing the first two episodes of

1:04:30.140 --> 1:04:34.900
<v Speaker 1>Vision Quest. And first of all, knocked out by how

1:04:34.940 --> 1:04:35.540
<v Speaker 1>good it is.

1:04:36.020 --> 1:04:39.020
<v Speaker 2>Just pure quality, in my opinion. Pure quality.

1:04:39.080 --> 1:04:42.340
<v Speaker 3>But I see why they were happy and proud enough

1:04:42.480 --> 1:04:44.600
<v Speaker 3>of it to send out the screeners early. I see

1:04:44.620 --> 1:04:48.320
<v Speaker 3>why they were proud enough to say it is distinctly

1:04:48.340 --> 1:04:52.600
<v Speaker 3>a trilogy. And it does feel like that. It feels

1:04:52.740 --> 1:04:55.160
<v Speaker 3>so real to that. And I will say, go back,

1:04:55.200 --> 1:04:58.280
<v Speaker 3>listen to our Vision Quest. Agatha all along Age of

1:04:58.300 --> 1:05:02.640
<v Speaker 3>Ultron catch up but really like watching WandaVision and then

1:05:02.680 --> 1:05:06.960
<v Speaker 3>watching this is like so emotional I love this family to.

1:05:06.940 --> 1:05:11.710
<v Speaker 1>Your point it's like this is a the roots of

1:05:11.770 --> 1:05:15.310
<v Speaker 1>this story go back to the second Avengers movie are

1:05:15.390 --> 1:05:20.710
<v Speaker 1>threaded through a bunch of the MCU storytelling including Infinity

1:05:20.750 --> 1:05:26.280
<v Speaker 1>War including Endgame including you know Multifunction Madness and Continuing

1:05:26.340 --> 1:05:30.280
<v Speaker 1>to Wanda and Agatha. And yeah, it just is really,

1:05:30.560 --> 1:05:37.610
<v Speaker 1>it really hits. It's also such a, you know, to

1:05:38.270 --> 1:05:40.350
<v Speaker 1>kind of rewind to like, what was it? Three, four

1:05:40.370 --> 1:05:42.250
<v Speaker 1>years ago when Disney Plus was launching.

1:05:42.450 --> 1:05:43.150
<v Speaker 3>I was, no, no, no.

1:05:43.230 --> 1:05:44.150
<v Speaker 2>It's crazier.

1:05:44.390 --> 1:05:50.100
<v Speaker 3>Jason, I wrote about White Vision in WandaVision five.

1:05:49.740 --> 1:05:50.900
<v Speaker 2>Years ago in March.

1:05:51.360 --> 1:05:55.320
<v Speaker 3>It was 2021, five years ago, that this was established

1:05:55.400 --> 1:05:56.140
<v Speaker 3>on the TV.

1:05:56.880 --> 1:05:59.040
<v Speaker 1>There was so much. We were talking so much at

1:05:59.080 --> 1:06:01.740
<v Speaker 1>that time about, oh, the Young Avengers. How are they

1:06:01.760 --> 1:06:03.600
<v Speaker 1>going to launch the Young Avengers and bring them in?

1:06:03.620 --> 1:06:10.390
<v Speaker 1>And this is such a earned way to bring... Wow.

1:06:10.910 --> 1:06:14.010
<v Speaker 1>Of course, this is Tommy's story, but Billy before him.

1:06:14.070 --> 1:06:16.530
<v Speaker 1>To bring Billy and Tommy to life in a way that,

1:06:17.230 --> 1:06:19.170
<v Speaker 1>first of all, is fully.

1:06:20.890 --> 1:06:25.160
<v Speaker 1>Embracing of Marvel lore, like the crazy way it does

1:06:25.240 --> 1:06:26.260
<v Speaker 1>happen in the comics.

1:06:26.320 --> 1:06:28.780
<v Speaker 2>Like this is how it happened. No, exactly.

1:06:29.160 --> 1:06:32.300
<v Speaker 1>Well, the thing I think souls and Agatha, and this

1:06:32.390 --> 1:06:35.450
<v Speaker 1>is really like how they would do it in the comics.

1:06:35.490 --> 1:06:37.970
<v Speaker 1>And it's crazy that they're bringing this to the screen

1:06:38.030 --> 1:06:42.770
<v Speaker 1>and this, sincere, authentic way that feels so emotionally heavy

1:06:43.210 --> 1:06:48.490
<v Speaker 1>because its characters, specifically the Vision, but also Ultron, shockingly,

1:06:49.260 --> 1:06:53.300
<v Speaker 1>and the AIs, who we have known for years now.

1:06:53.640 --> 1:06:55.940
<v Speaker 3>Yeah, I mean, I think they've been establishing this stuff

1:06:55.960 --> 1:07:00.380
<v Speaker 3>for so long because they were so clearly influenced by

1:07:00.420 --> 1:07:03.870
<v Speaker 3>the incredible West Coast Avengers stuff, you know, the Vision

1:07:03.910 --> 1:07:04.710
<v Speaker 3>Quest arc.

1:07:05.170 --> 1:07:07.030
<v Speaker 2>But I think what's kind of blown me away is

1:07:07.610 --> 1:07:08.290
<v Speaker 2>What we know.

1:07:08.150 --> 1:07:10.690
<v Speaker 3>From that arc, right, which is like the Vision Quest,

1:07:10.770 --> 1:07:14.250
<v Speaker 3>the West Coast Avengers stuff from like 42 to 44,

1:07:14.250 --> 1:07:16.880
<v Speaker 3>and then eventually West Coast Avengers 45 where we meet

1:07:17.160 --> 1:07:19.820
<v Speaker 3>the beautiful white Vision, a lot of what was covered

1:07:19.840 --> 1:07:22.860
<v Speaker 3>there was actually covered in WandaVision. So it's always been

1:07:22.900 --> 1:07:24.800
<v Speaker 3>a big question, right? Like, what will they do in

1:07:24.840 --> 1:07:28.880
<v Speaker 3>Vision Quest? So instead, taking it a little bit into

1:07:28.900 --> 1:07:33.169
<v Speaker 3>the future, into the mid-2000s, into that young Avengers era...

1:07:33.510 --> 1:07:36.050
<v Speaker 3>And doing this is so smart. And also, look, we've

1:07:36.070 --> 1:07:38.680
<v Speaker 3>been waiting a long time for Young Avengers. But to

1:07:38.740 --> 1:07:42.000
<v Speaker 3>give Billy and Tommy true, incredible origins. And look at

1:07:42.040 --> 1:07:45.820
<v Speaker 3>who else we have. Kate Bishop, also an incredible series.

1:07:46.000 --> 1:07:49.020
<v Speaker 3>No misses there. Miss Marvel, same thing. So this is

1:07:49.100 --> 1:07:51.900
<v Speaker 3>a team where it's worth investing in them. And yeah,

1:07:51.920 --> 1:07:55.620
<v Speaker 3>to then basically get to see this expanded. And it

1:07:55.640 --> 1:07:57.370
<v Speaker 3>makes sense they're having to change it because a lot

1:07:57.390 --> 1:08:00.910
<v Speaker 3>of the Vision Quest stuff connected directly to Simon Williams.

1:08:00.930 --> 1:08:01.010
<v Speaker 4>Yeah.

1:08:01.490 --> 1:08:04.520
<v Speaker 3>And the notion of him, Wonder Man, being the kind

1:08:04.560 --> 1:08:10.030
<v Speaker 3>of basis mentally for the Vision. So that obviously needs

1:08:10.090 --> 1:08:12.150
<v Speaker 3>to shift. So I really like it's more about this

1:08:12.250 --> 1:08:15.130
<v Speaker 3>idea about the Vision's connection to his family. That's something

1:08:15.170 --> 1:08:18.280
<v Speaker 3>we saw in the Tom King Gabriel Walter comic which

1:08:18.340 --> 1:08:21.189
<v Speaker 3>obviously was a huge influence here too so it really

1:08:21.240 --> 1:08:26.150
<v Speaker 3>does feel like so plucked from the comics so right

1:08:26.310 --> 1:08:28.110
<v Speaker 3>but I gotta say something that I think it did

1:08:28.130 --> 1:08:30.390
<v Speaker 3>for me that I haven't seen a lot of and

1:08:30.410 --> 1:08:32.630
<v Speaker 3>maybe it's just because I'm from London and stuff but

1:08:32.710 --> 1:08:34.570
<v Speaker 3>I felt like the kids stuff I felt like the

1:08:34.610 --> 1:08:37.799
<v Speaker 3>London stuff felt very real like it just felt really

1:08:37.939 --> 1:08:41.260
<v Speaker 3>true and just like fucking real and scary and it

1:08:41.300 --> 1:08:42.799
<v Speaker 3>made me really care about him.

1:08:43.400 --> 1:08:47.500
<v Speaker 1>Yeah it's like to your point about Transitioning into a

1:08:47.880 --> 1:08:53.600
<v Speaker 1>into Doomsday and a post Secret Wars X-Men paradigm. It

1:08:53.700 --> 1:08:56.950
<v Speaker 1>is this show has a dark and scary and much

1:08:57.010 --> 1:09:01.240
<v Speaker 1>more violent edge than we've seen. I think, for certainly

1:09:01.280 --> 1:09:02.479
<v Speaker 1>other Marvel TV stuff.

1:09:02.979 --> 1:09:05.300
<v Speaker 3>It feels more like that brand new day where you

1:09:05.340 --> 1:09:08.400
<v Speaker 3>could imagine Gene in this world.

1:09:08.439 --> 1:09:10.980
<v Speaker 2>You could imagine Gene and Tommy coming.

1:09:10.900 --> 1:09:14.120
<v Speaker 3>Across each other. Also, I got to be honest, I

1:09:14.160 --> 1:09:16.410
<v Speaker 3>think it's interesting for them to have a show like

1:09:16.490 --> 1:09:20.410
<v Speaker 3>this and show that the reality of a character like

1:09:20.450 --> 1:09:23.170
<v Speaker 3>vision who doesn't value human life. There are going to

1:09:23.189 --> 1:09:25.309
<v Speaker 3>be times like in the comics where he does kill

1:09:25.410 --> 1:09:28.670
<v Speaker 3>tons of people because he doesn't see them as human beings.

1:09:28.729 --> 1:09:31.050
<v Speaker 3>And that is a complexity that he shares with Ultron.

1:09:31.470 --> 1:09:35.020
<v Speaker 3>So I just, I'm very interested to see them actually

1:09:35.300 --> 1:09:38.760
<v Speaker 3>touching on that darkness and setting up that more grim

1:09:38.939 --> 1:09:43.220
<v Speaker 3>reality to kind of then put these overpowered heroes in

1:09:43.260 --> 1:09:45.580
<v Speaker 3>that we're going to see once the mutants start to join.

1:09:45.600 --> 1:09:50.420
<v Speaker 1>Um, I also just think that, you know, we've been

1:09:50.800 --> 1:09:54.120
<v Speaker 1>saying for, it feels like years now, that bringing back

1:09:54.280 --> 1:09:55.960
<v Speaker 1>Ultron somehow would be incredible.

1:09:55.979 --> 1:09:59.210
<v Speaker 3>We have been the number one Ultron apologists and we're

1:09:59.250 --> 1:10:00.090
<v Speaker 3>glad he's back.

1:10:01.189 --> 1:10:02.870
<v Speaker 2>I mean, this is like secretly.

1:10:04.500 --> 1:10:09.559
<v Speaker 1>An actually huge reveal that unbeknownst to all the Avengers.

1:10:09.640 --> 1:10:09.880
<v Speaker 4>Yep.

1:10:10.040 --> 1:10:13.300
<v Speaker 1>Tony Stark, Banner, everybody. Wanda didn't know this.

1:10:13.320 --> 1:10:15.060
<v Speaker 2>Stephen Strange. Did Wanda.

1:10:15.100 --> 1:10:17.150
<v Speaker 1>I mean, that's actually a great question. How much did

1:10:17.189 --> 1:10:21.350
<v Speaker 1>Wanda know about Vision's Mind Palace and that he was

1:10:21.410 --> 1:10:23.870
<v Speaker 1>housing Ultron the whole time? But the fact that he

1:10:23.950 --> 1:10:27.650
<v Speaker 1>has been secretly harboring Ultron for years?

1:10:28.250 --> 1:10:28.890
<v Speaker 2>Crazy.

1:10:29.790 --> 1:10:33.490
<v Speaker 1>Is... Really an amazing reveal that they could build a

1:10:33.610 --> 1:10:36.090
<v Speaker 1>lot of stuff out of going forward. I mean, to

1:10:36.150 --> 1:10:40.510
<v Speaker 1>think about it, like Ultron has witnessed all the events

1:10:40.570 --> 1:10:43.830
<v Speaker 1>of Infinity War, got a up close and personal look

1:10:43.870 --> 1:10:45.110
<v Speaker 1>at Wakanda and technology.

1:10:45.130 --> 1:10:48.390
<v Speaker 2>Yeah, he's like fucking C-3PO. He knows everything.

1:10:48.650 --> 1:10:53.500
<v Speaker 1>There's so many things he's been involved in. without anybody

1:10:53.560 --> 1:10:56.140
<v Speaker 1>knowing because he's been living inside the vision and there's

1:10:56.180 --> 1:10:59.120
<v Speaker 1>just endless possibilities. It's not even clear to me that

1:10:59.240 --> 1:11:03.240
<v Speaker 1>Ultron isn't the client. He very well may be the person,

1:11:03.340 --> 1:11:06.900
<v Speaker 1>he might be lying about that, that I don't have

1:11:06.939 --> 1:11:10.560
<v Speaker 1>him as my most suspected, but I think it's very

1:11:10.620 --> 1:11:14.370
<v Speaker 1>possible that he hired the Paladin. And certainly, I think

1:11:14.590 --> 1:11:20.479
<v Speaker 1>whatever his own goals are, One of them is.

1:11:20.500 --> 1:11:23.180
<v Speaker 2>He wants a body. He wants physical form again. Yes, 100%.

1:11:23.180 --> 1:11:25.400
<v Speaker 2>He must. 100%.

1:11:25.400 --> 1:11:28.689
<v Speaker 3>Which, by the way, great connection to a potential Mr.

1:11:28.750 --> 1:11:33.570
<v Speaker 3>Sinister connection with the X-Men. Also, guess what Ultron lived through,

1:11:33.590 --> 1:11:37.799
<v Speaker 3>we now know. Ultron lived through seeing Thanos collect the gems,

1:11:37.900 --> 1:11:41.720
<v Speaker 3>the Mind Stone being crushed, all of that. Again, tying into, guys,

1:11:42.100 --> 1:11:45.400
<v Speaker 3>my biggest Gen Alpha-fueled theory, which is if they are

1:11:45.439 --> 1:11:48.360
<v Speaker 3>smart and they know what the kids want, Infinity Ultron.

1:11:48.400 --> 1:11:50.270
<v Speaker 3>I think we could see that in the future.

1:11:50.670 --> 1:11:50.910
<v Speaker 2>Yeah.

1:11:51.330 --> 1:11:53.530
<v Speaker 3>I thought these first two episodes were so great. Like,

1:11:53.650 --> 1:11:55.870
<v Speaker 3>I love these characters, but it lived up to it

1:11:55.910 --> 1:11:57.849
<v Speaker 3>for me. And I got to say, I think the

1:11:57.870 --> 1:12:01.229
<v Speaker 3>addition of James Spader and the human avatars of the

1:12:01.250 --> 1:12:05.809
<v Speaker 3>AI is such a smart way to build give us

1:12:05.860 --> 1:12:07.870
<v Speaker 3>some emotional.

1:12:07.090 --> 1:12:10.350
<v Speaker 2>Connection, even though Vision is struggling to find it. I mean,

1:12:10.370 --> 1:12:16.769
<v Speaker 2>I was legitimately crushed when Jarvis died. I was sad

1:12:16.810 --> 1:12:19.620
<v Speaker 2>when Fiona died. She was nice. Like, they made me

1:12:19.640 --> 1:12:20.879
<v Speaker 2>care about these people.

1:12:21.200 --> 1:12:25.180
<v Speaker 3>And obviously Jarvis, again, if we're talking about huge MCU moments,

1:12:25.660 --> 1:12:29.089
<v Speaker 3>the death of Jarvis and the reveal that Ultron is

1:12:29.150 --> 1:12:31.870
<v Speaker 3>back is like fucking seismic shit.

1:12:31.930 --> 1:12:35.310
<v Speaker 1>Like, this show is not playing around. Well, we're going

1:12:35.330 --> 1:12:38.900
<v Speaker 1>to continue covering it on the next episode of X-Ray Vision.

1:12:39.000 --> 1:12:42.480
<v Speaker 1>This Saturday, it's news. And then Monday, we're putting Michael

1:12:42.500 --> 1:12:45.760
<v Speaker 1>Myers on trial. That's it for this episode. Thanks for listening.

1:12:45.840 --> 1:12:46.420
<v Speaker 2>Bye.

1:12:53.939 --> 1:12:56.790
<v Speaker 1>X-Ray Vision is hosted by Jason Concepcion and Rosie Knight

1:12:56.910 --> 1:12:58.670
<v Speaker 1>and is a production of iHeart Podcast.

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<v Speaker 3>Our executive producers are Joelle Monique and Aaron Kaufman.

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<v Speaker 2>Our supervising producer is Abu Safar.

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<v Speaker 3>Our producers are Carmen Laurent, Ian Johnson, and Baywax.

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<v Speaker 1>Our theme song is by Brian Vasquez with alternate theme

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<v Speaker 1>songs by Aaron Kaufman.

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<v Speaker 3>Special thanks to Sol Rubin, Chris Lord, Kenny Goodman, and Heidi,

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<v Speaker 3>our Discord moderator.