1 00:00:01,040 --> 00:00:04,120 Speaker 1: It's like, literally, one day I was in the studio 2 00:00:04,920 --> 00:00:08,600 Speaker 1: wearing baggy jeans, and then the next time they see me, 3 00:00:08,600 --> 00:00:10,720 Speaker 1: I'm wearing i have blue eyeshadow on my eyes and 4 00:00:10,760 --> 00:00:13,440 Speaker 1: I'm wearing heels and expect people to just turn it 5 00:00:13,480 --> 00:00:16,040 Speaker 1: off and accept that. And so that took me some 6 00:00:16,079 --> 00:00:19,840 Speaker 1: time to really heal from that, blaming people for not 7 00:00:20,360 --> 00:00:23,560 Speaker 1: just accepting who I am, especially in the black industry. 8 00:00:23,560 --> 00:00:26,360 Speaker 1: And it was a lesson that I often try to 9 00:00:26,520 --> 00:00:27,960 Speaker 1: advise other people people. 10 00:00:28,080 --> 00:00:31,920 Speaker 2: That is d Smith talking about her transition and how 11 00:00:31,960 --> 00:00:35,480 Speaker 2: difficult it was for her to realize that a community, 12 00:00:35,520 --> 00:00:39,000 Speaker 2: a music community that she loved no longer loved her. 13 00:00:39,560 --> 00:00:42,960 Speaker 2: That's all coming up on this edition of Naked. 14 00:00:52,200 --> 00:00:54,920 Speaker 3: It's the greatest disperse and entertainment and Naked Win and 15 00:00:54,960 --> 00:00:57,880 Speaker 3: Carry Champion and carry Champion is going to be a champion, 16 00:00:57,960 --> 00:01:01,639 Speaker 3: a champion, they carry Champion, they got Champion, and care 17 00:01:01,720 --> 00:01:03,120 Speaker 3: with Chapion and care with Chapy. 18 00:01:03,240 --> 00:01:07,520 Speaker 2: Great Fred Entertainment getting you where. Hey, everybody, welcome to 19 00:01:07,959 --> 00:01:13,400 Speaker 2: another edition of Naked. Today's podcast is one where I 20 00:01:13,520 --> 00:01:16,679 Speaker 2: would like you all to implore empathy, grace and mercy. 21 00:01:17,319 --> 00:01:20,240 Speaker 2: Grace learned from the church and from my mother. And 22 00:01:20,319 --> 00:01:23,280 Speaker 2: what I've been taught is when we receive a blessing 23 00:01:23,560 --> 00:01:26,240 Speaker 2: that we truly don't deserve, I e. When we've been 24 00:01:26,280 --> 00:01:28,440 Speaker 2: acting out and we know we don't deserve it, but 25 00:01:28,520 --> 00:01:32,920 Speaker 2: we get in it. Grace mercy is when we don't 26 00:01:33,120 --> 00:01:36,200 Speaker 2: get the punishment we deserve. I'm gonna give you a 27 00:01:36,240 --> 00:01:39,440 Speaker 2: little mercy. So all of those things are needed today. 28 00:01:41,120 --> 00:01:44,360 Speaker 2: I know, as a journalist, especially in the world we 29 00:01:44,480 --> 00:01:53,240 Speaker 2: live in, when we talk about transgender LGBTQ, I hesitate 30 00:01:53,440 --> 00:01:57,280 Speaker 2: to have conversations because I don't know what pronounce to use. 31 00:01:58,040 --> 00:02:02,680 Speaker 2: She heard them, they I get confused. I am of 32 00:02:02,800 --> 00:02:05,640 Speaker 2: the age where I am confused, and so I steer 33 00:02:05,840 --> 00:02:07,840 Speaker 2: clear of it, or I just refer to the person 34 00:02:07,880 --> 00:02:12,720 Speaker 2: as their name. And then on today's podcast, I have 35 00:02:13,000 --> 00:02:19,160 Speaker 2: d Smith. D Smith has transitioned and twenty fourteen D 36 00:02:19,280 --> 00:02:23,320 Speaker 2: Smith went from being a man to a woman. Prior 37 00:02:23,400 --> 00:02:29,200 Speaker 2: to that, D Smith was out as gay. Prior to that, 38 00:02:30,080 --> 00:02:36,079 Speaker 2: D Smith lived a life where he back in the day, 39 00:02:36,520 --> 00:02:41,520 Speaker 2: pretended to be heterosexual and date women, and that has 40 00:02:41,600 --> 00:02:46,400 Speaker 2: to be difficult to live. A lie. Often times we 41 00:02:46,520 --> 00:02:50,079 Speaker 2: do it. We lie about how successful we are, We 42 00:02:50,200 --> 00:02:52,640 Speaker 2: lie about who we like or love. We lie about 43 00:02:52,639 --> 00:02:57,160 Speaker 2: the life we live. But to feel which I wouldn't understand, 44 00:02:57,280 --> 00:03:00,440 Speaker 2: but to feel out of home, out of not in 45 00:03:00,560 --> 00:03:04,600 Speaker 2: comfort with your body, it has to be something that's 46 00:03:04,639 --> 00:03:09,000 Speaker 2: excruciatingly painful. It just has to be. And this is 47 00:03:09,040 --> 00:03:12,120 Speaker 2: the first time I've ever really thought about it because 48 00:03:12,200 --> 00:03:15,880 Speaker 2: she d Smith came on my podcast today to talk 49 00:03:15,919 --> 00:03:22,120 Speaker 2: about Cocomo City. It is a film that features the 50 00:03:22,240 --> 00:03:25,680 Speaker 2: lives of four trans women as they take us through 51 00:03:25,760 --> 00:03:30,040 Speaker 2: their introductions to sex work and how they try to 52 00:03:30,120 --> 00:03:34,160 Speaker 2: reconcile the demands of survival with the risk of their jobs, 53 00:03:34,720 --> 00:03:39,800 Speaker 2: but also being their most authentic selves, and of course 54 00:03:40,360 --> 00:03:44,520 Speaker 2: the complicated relationship that the black community has with gay 55 00:03:44,840 --> 00:03:49,320 Speaker 2: in trans It's a complicated relationship. D Smith said she 56 00:03:49,440 --> 00:03:51,680 Speaker 2: prayed to God when she was six years old and said, God, 57 00:03:51,720 --> 00:03:55,440 Speaker 2: I know you made a mistake. I forgive you, but 58 00:03:55,680 --> 00:03:59,120 Speaker 2: just make me a girl. Can you imagine carrying that 59 00:03:59,240 --> 00:04:02,760 Speaker 2: burden at six years old? So with that being said, 60 00:04:03,600 --> 00:04:08,520 Speaker 2: I just ask you again for empathy, compassion, mercy and 61 00:04:08,640 --> 00:04:12,640 Speaker 2: grace as you listened to d Smith tell her story, 62 00:04:14,000 --> 00:04:19,120 Speaker 2: but most importantly, she's very proud of this work. Cocomo City. 63 00:04:20,360 --> 00:04:24,520 Speaker 2: Everybody welcome d Smith to Naked and Care with Chatpian 64 00:04:24,600 --> 00:04:27,680 Speaker 2: and Care with Chat. First off, thank you so much 65 00:04:27,720 --> 00:04:30,640 Speaker 2: for doing this and more importantly, your courage. I love 66 00:04:30,720 --> 00:04:32,640 Speaker 2: the story, and I love what you're telling and what 67 00:04:32,720 --> 00:04:36,080 Speaker 2: you're sharing. I usually like to do an origin story, 68 00:04:36,240 --> 00:04:38,599 Speaker 2: and I have great researchers, at least I believe they are, 69 00:04:39,520 --> 00:04:41,840 Speaker 2: and I was able to get more of your background. 70 00:04:41,920 --> 00:04:44,520 Speaker 2: I wanted to be fully prepared. I'd like for you 71 00:04:44,839 --> 00:04:48,719 Speaker 2: to tell me where you grew up, your gospel background, and. 72 00:04:49,160 --> 00:04:55,520 Speaker 1: And what made you you as a youth. Uh well, 73 00:04:55,680 --> 00:04:59,520 Speaker 1: I originally I'm originally from Miami. That's where I'm based. 74 00:04:59,600 --> 00:05:04,640 Speaker 1: Now that's full circle moment. It's crazy. I did grow 75 00:05:04,760 --> 00:05:09,479 Speaker 1: up in church and it was I mean, it honestly 76 00:05:09,960 --> 00:05:15,200 Speaker 1: was the joy of my life. I grew up, you know, 77 00:05:15,279 --> 00:05:18,960 Speaker 1: with my grandparents. My dad and my mom were divorced, 78 00:05:19,080 --> 00:05:21,680 Speaker 1: and my dad was a musician. He traveled the world, 79 00:05:21,760 --> 00:05:24,799 Speaker 1: So a lot of my influences really came for my grandmother. 80 00:05:25,000 --> 00:05:26,839 Speaker 1: Like she taught me how to drive. I still drive 81 00:05:26,920 --> 00:05:32,280 Speaker 1: with two feet, thanks but no. Church was a huge 82 00:05:32,320 --> 00:05:36,279 Speaker 1: part of my upbringing and the fabric of my musical education. 83 00:05:38,200 --> 00:05:42,320 Speaker 1: And I moved to New York I moved to New 84 00:05:42,400 --> 00:05:47,160 Speaker 1: York when I was seventeen, and I went there homeless 85 00:05:47,279 --> 00:05:49,799 Speaker 1: and slept in the streets of New York and became 86 00:05:49,839 --> 00:05:53,800 Speaker 1: a subway singer. Eventually got money to buy I meant 87 00:05:53,839 --> 00:05:56,919 Speaker 1: to get a room in Harlem, and I ended up 88 00:05:56,920 --> 00:06:01,279 Speaker 1: getting a publishing gale, my first wishing deal, and yeah, 89 00:06:01,320 --> 00:06:04,720 Speaker 1: and then I started to work with major artists like 90 00:06:04,880 --> 00:06:09,000 Speaker 1: you know, Lil Wayne, Carry Hilson, Sierra Monica and all 91 00:06:09,080 --> 00:06:11,320 Speaker 1: the you know, they were popping. 92 00:06:11,560 --> 00:06:12,960 Speaker 2: So yeah, it was, it was. It was. 93 00:06:14,560 --> 00:06:17,400 Speaker 1: I've always been really ambitious and crazy enough to just 94 00:06:17,520 --> 00:06:19,599 Speaker 1: kind of like always take a chance on things. 95 00:06:21,040 --> 00:06:23,560 Speaker 2: I do love the idea of taking a chance. And 96 00:06:23,839 --> 00:06:25,800 Speaker 2: you named some you name some artists you like they 97 00:06:25,800 --> 00:06:27,640 Speaker 2: were popping. I'm like, they still pop. In what you're saying, 98 00:06:27,839 --> 00:06:34,360 Speaker 2: like they still popping. So you eventually, I personally, let's 99 00:06:34,400 --> 00:06:39,320 Speaker 2: go personally as opposed to professionally personally. I read that 100 00:06:40,279 --> 00:06:43,880 Speaker 2: you came out when you were how old. Well I 101 00:06:44,240 --> 00:06:46,840 Speaker 2: never came out. I was actually forced out. I was 102 00:06:47,360 --> 00:06:50,719 Speaker 2: I was dating a girl. I was dating a girl 103 00:06:50,760 --> 00:06:51,000 Speaker 2: and she. 104 00:06:51,040 --> 00:06:55,480 Speaker 1: Started questioning because we we we weren't having sex as much. 105 00:06:55,760 --> 00:06:57,960 Speaker 1: And I blamed it on stress. I blamed it on 106 00:06:58,120 --> 00:07:02,840 Speaker 1: a lot of responsibilities and I just wasn't into it. 107 00:07:02,960 --> 00:07:06,880 Speaker 1: I was in love with her, but I was so 108 00:07:07,080 --> 00:07:11,000 Speaker 1: into men and I couldn't it just she was just 109 00:07:11,240 --> 00:07:15,680 Speaker 1: became very suspicious, and someone in the music industry I 110 00:07:15,720 --> 00:07:19,160 Speaker 1: still don't know to this day, basically kind of you know, 111 00:07:19,560 --> 00:07:22,520 Speaker 1: asked her, do you think maybe D could be gay 112 00:07:22,800 --> 00:07:24,680 Speaker 1: or by or something? And that opened up and I 113 00:07:24,800 --> 00:07:29,640 Speaker 1: just got tired of, you know, denying and hiding and 114 00:07:30,080 --> 00:07:34,320 Speaker 1: I literally just like, okay, okay, I'm gay, I'm sorry. 115 00:07:34,600 --> 00:07:36,600 Speaker 1: And then and from that I thought it would be over, 116 00:07:36,680 --> 00:07:38,600 Speaker 1: We'll be friends, and it just it just it was 117 00:07:38,800 --> 00:07:41,240 Speaker 1: very heartbreaking for her and really heartbreaking for me that, 118 00:07:41,760 --> 00:07:44,840 Speaker 1: you know, I did that to her. But that was 119 00:07:45,040 --> 00:07:51,440 Speaker 1: that was my coming out. But I transitioned in twenty fourteen. 120 00:07:51,480 --> 00:07:52,960 Speaker 1: I think that's probably what you're referring to. 121 00:07:53,360 --> 00:07:54,760 Speaker 2: No, no, no, I was refering to you saying that 122 00:07:54,840 --> 00:07:58,720 Speaker 2: you were telling I read that you told some family 123 00:07:58,800 --> 00:08:01,080 Speaker 2: members and they were not happy with it, mainly your father. 124 00:08:01,640 --> 00:08:04,840 Speaker 1: Oh no, yeah, about me being transgender. Yeah, that was 125 00:08:05,440 --> 00:08:10,680 Speaker 1: like later, that was like twenty fourteen, and in yeah, no, 126 00:08:10,960 --> 00:08:14,520 Speaker 1: still not good with him, but but you know, he 127 00:08:14,600 --> 00:08:16,880 Speaker 1: claims he loves me unconditionally. 128 00:08:16,320 --> 00:08:21,280 Speaker 2: Which is kind of like funny. Humans, we're just working. 129 00:08:21,440 --> 00:08:23,520 Speaker 2: We just all trying our best, whatever that looks like 130 00:08:23,640 --> 00:08:29,120 Speaker 2: for them. You come out and you tell this young 131 00:08:29,200 --> 00:08:31,600 Speaker 2: lady in the music industry that you're gay. Were there 132 00:08:31,680 --> 00:08:34,920 Speaker 2: any repercussions about saying that in terms of your professional career? 133 00:08:35,040 --> 00:08:37,240 Speaker 2: Was anyone feeling a way they didn't want to work 134 00:08:37,280 --> 00:08:40,800 Speaker 2: with you? Everything was fine, everything was Did anything change 135 00:08:40,840 --> 00:08:43,679 Speaker 2: in your life outside of it mentioning or coming out 136 00:08:43,760 --> 00:08:47,959 Speaker 2: as gay before you condition? Yeah? Both both times I 137 00:08:48,080 --> 00:08:52,480 Speaker 2: got embarrassed. But it's funny. 138 00:08:52,480 --> 00:08:55,160 Speaker 1: It's just like church, right, you could be gay, but 139 00:08:55,280 --> 00:08:57,960 Speaker 1: if you dress a certain way, we'll accept it, especially 140 00:08:57,960 --> 00:09:00,240 Speaker 1: if you're bringing something to the table, whether you're a 141 00:09:00,320 --> 00:09:04,400 Speaker 1: quid director, director, the organist, or the drummer. You know, 142 00:09:05,480 --> 00:09:08,240 Speaker 1: if you can if you're not, you know, hard to 143 00:09:08,320 --> 00:09:10,559 Speaker 1: deal with, we can accept it. And that's that's the 144 00:09:11,000 --> 00:09:16,640 Speaker 1: hip hop hypocrisy. Yeah, it's like there's so many gay, 145 00:09:17,160 --> 00:09:19,760 Speaker 1: homosexual people in the music industry, including women. 146 00:09:19,800 --> 00:09:20,600 Speaker 2: It's not just men. 147 00:09:20,760 --> 00:09:22,640 Speaker 1: You know, I've been in the music industry for over 148 00:09:22,720 --> 00:09:26,560 Speaker 1: fifteen years. There's a lot of homosexuality in the artists 149 00:09:26,600 --> 00:09:29,959 Speaker 1: and the managements and the you know, the regular labels themselves. 150 00:09:30,000 --> 00:09:32,839 Speaker 1: But you can't force people to just come out or 151 00:09:33,200 --> 00:09:34,400 Speaker 1: to be what you think they should be. 152 00:09:34,559 --> 00:09:39,400 Speaker 2: People. You have to respect people's process in progress. 153 00:09:39,520 --> 00:09:43,240 Speaker 1: But mine, I've always kind of been like ahead, and 154 00:09:44,240 --> 00:09:47,199 Speaker 1: most of my connections in the black community, in the 155 00:09:47,320 --> 00:09:50,319 Speaker 1: in the music industry with black people, right, most of 156 00:09:50,400 --> 00:09:52,400 Speaker 1: my contacts, most of the n ars, most of the 157 00:09:52,880 --> 00:09:54,679 Speaker 1: artists and the managers that I was dealing with. And 158 00:09:54,760 --> 00:09:58,800 Speaker 1: so when I started to dress way more feminine, it's like, 159 00:09:59,200 --> 00:10:04,160 Speaker 1: literally one day I was in the studio wearing baggy 160 00:10:04,240 --> 00:10:07,400 Speaker 1: jeans and goud it's so crazy about me even saying this, 161 00:10:07,600 --> 00:10:11,599 Speaker 1: you know, and fit its and and and then the 162 00:10:11,679 --> 00:10:13,360 Speaker 1: next time they see me, I'm wearing i have blue 163 00:10:13,400 --> 00:10:15,439 Speaker 1: eye shadow on my eyes and I'm wearing heels and 164 00:10:15,559 --> 00:10:18,160 Speaker 1: expect people to just turn it off and accept that. 165 00:10:18,320 --> 00:10:21,360 Speaker 1: And so that took me some time to really heal 166 00:10:21,480 --> 00:10:26,520 Speaker 1: from that, blaming people for not just accepting who I am, 167 00:10:26,920 --> 00:10:29,280 Speaker 1: especially in the black industry. And it was a lesson 168 00:10:29,360 --> 00:10:32,839 Speaker 1: that I often try to advise other people, like it's 169 00:10:34,920 --> 00:10:36,679 Speaker 1: you want people to accept you for who you are, 170 00:10:36,800 --> 00:10:39,839 Speaker 1: but it's very unrealistic that people know and fall in 171 00:10:39,920 --> 00:10:41,760 Speaker 1: love with one person and you want them to just 172 00:10:41,840 --> 00:10:44,439 Speaker 1: completely turn that off and look at you as the 173 00:10:44,480 --> 00:10:47,760 Speaker 1: same person. It's very, very hard to do. So my 174 00:10:48,240 --> 00:10:51,599 Speaker 1: transition to female as a direct I met as a 175 00:10:51,720 --> 00:10:54,240 Speaker 1: producer in the black community. 176 00:10:55,800 --> 00:11:00,160 Speaker 2: It's very difficult, wasn't it so layered? So layered you 177 00:11:00,320 --> 00:11:03,720 Speaker 2: specifically reference being in the black community. There's taboo associated 178 00:11:03,800 --> 00:11:06,640 Speaker 2: with it. What was your experience, because that's when I 179 00:11:06,720 --> 00:11:10,880 Speaker 2: say courage. That takes a lot of courage. I have 180 00:11:11,160 --> 00:11:15,400 Speaker 2: seen and hear and know how people react and how 181 00:11:15,480 --> 00:11:19,199 Speaker 2: were you able to push through that? That was very like, 182 00:11:19,760 --> 00:11:22,640 Speaker 2: I don't say groundbreaking, but no, it was groundbreaking. No, 183 00:11:22,920 --> 00:11:24,920 Speaker 2: no one in the black community had ever dealt with 184 00:11:25,080 --> 00:11:29,880 Speaker 2: the trans woman that was a stable, successful producer music producers, 185 00:11:30,120 --> 00:11:34,360 Speaker 2: especially working with multiple rappers, and they didn't know how 186 00:11:34,480 --> 00:11:36,400 Speaker 2: to deal with that. And the first thing to do, 187 00:11:36,840 --> 00:11:39,480 Speaker 2: as Black people, we like to run and hide rather 188 00:11:39,600 --> 00:11:43,599 Speaker 2: than having a face to face, mature, emotionally balanced discussion 189 00:11:43,679 --> 00:11:48,160 Speaker 2: about this, you know, and and it became a nothing 190 00:11:48,320 --> 00:11:50,360 Speaker 2: because we shut it off and we get rid of 191 00:11:50,400 --> 00:11:53,840 Speaker 2: it and you're just dismissed. So that was the experience 192 00:11:54,160 --> 00:11:57,000 Speaker 2: of you know, coming out as transgender. So all of 193 00:11:57,080 --> 00:12:01,320 Speaker 2: the awards, the money, the you know, the relationships, none 194 00:12:01,360 --> 00:12:04,679 Speaker 2: of that mattered. Everything went out of the window, just 195 00:12:04,800 --> 00:12:06,800 Speaker 2: like that, and so the money stopped coming in and 196 00:12:07,120 --> 00:12:10,880 Speaker 2: opportunity stopped coming in for me. It was described as 197 00:12:11,000 --> 00:12:14,520 Speaker 2: blacklisted to me in my research. Is that an appropriate 198 00:12:14,600 --> 00:12:17,280 Speaker 2: way to describe how you felt once you transitioned in 199 00:12:17,360 --> 00:12:22,280 Speaker 2: the music industry? I think that's a really harsh, extreme word. 200 00:12:22,600 --> 00:12:24,839 Speaker 2: But I was also in denial for years, and I 201 00:12:24,920 --> 00:12:28,480 Speaker 2: made excuses for all of those people that persecuted me 202 00:12:28,600 --> 00:12:31,880 Speaker 2: for being myself. I love black people, and I loved 203 00:12:31,960 --> 00:12:36,480 Speaker 2: all the people that dismissed me. I made excuses for them, 204 00:12:36,960 --> 00:12:43,080 Speaker 2: and I suffered. Now, you know, almost ten years later, 205 00:12:43,360 --> 00:12:49,240 Speaker 2: I understand that that wasn't you know, that was discrimination. 206 00:12:49,600 --> 00:12:53,280 Speaker 2: It was very hurtful and I was absolutely blacklisted, black balled, 207 00:12:53,320 --> 00:12:55,719 Speaker 2: or whatever you call it. And it wasn't anything that 208 00:12:55,800 --> 00:12:59,640 Speaker 2: I did to anyone. It's something that I did for 209 00:12:59,720 --> 00:13:03,160 Speaker 2: my and people took that personal. I don't know how 210 00:13:03,280 --> 00:13:06,240 Speaker 2: so I would describe that. You know, I literally lost 211 00:13:06,280 --> 00:13:09,640 Speaker 2: everything due to that, and I don't regret it. I 212 00:13:09,720 --> 00:13:12,560 Speaker 2: don't regret it, you know, because it was I probably 213 00:13:14,120 --> 00:13:16,000 Speaker 2: I don't know how other way I would have continued 214 00:13:16,000 --> 00:13:19,920 Speaker 2: to live my life that way. When you decided to transition, 215 00:13:20,280 --> 00:13:23,480 Speaker 2: what was the process, And by process, I mean, was 216 00:13:23,559 --> 00:13:26,000 Speaker 2: it that you, like, I just can't live a lie anymore. 217 00:13:26,200 --> 00:13:28,920 Speaker 2: You had to come out of this image, this lie, 218 00:13:29,320 --> 00:13:31,240 Speaker 2: or you had to feel as if you wanted to 219 00:13:31,320 --> 00:13:33,800 Speaker 2: be at home in your body. What is this process 220 00:13:33,920 --> 00:13:35,960 Speaker 2: for you? It was very closer to the latter. 221 00:13:37,080 --> 00:13:39,959 Speaker 1: It's a little cliche to say, but when I was 222 00:13:40,840 --> 00:13:44,400 Speaker 1: maybe six, I want to say seven, but definitely six. 223 00:13:44,600 --> 00:13:49,240 Speaker 2: I remember saying a prayer to God that I know. 224 00:13:49,320 --> 00:13:51,640 Speaker 1: You made a mistake. I know God, I know we 225 00:13:51,720 --> 00:13:54,040 Speaker 1: all make mistakes. You clearly made a mistake by making 226 00:13:54,080 --> 00:13:56,880 Speaker 1: me a boy. But here's the good news. I will 227 00:13:56,920 --> 00:14:00,319 Speaker 1: forgive you if you just make me a girl. And 228 00:14:00,480 --> 00:14:04,000 Speaker 1: I prayed and cried, and I got beatings for being 229 00:14:04,120 --> 00:14:07,280 Speaker 1: caught wearing my grandmother's dresses and my mom's guest dresses 230 00:14:07,320 --> 00:14:10,480 Speaker 1: and shoes, and kissing my brother's friends and the closet. 231 00:14:10,679 --> 00:14:13,240 Speaker 1: I didn't you know it was it was beyond gay. 232 00:14:13,320 --> 00:14:17,000 Speaker 1: I was never molested, I wasn't exposed to anything homophobic. 233 00:14:17,800 --> 00:14:20,920 Speaker 1: Nothing was pushed on me. You know, it was natural 234 00:14:21,080 --> 00:14:23,760 Speaker 1: for me as a child to desire to be a 235 00:14:23,920 --> 00:14:26,880 Speaker 1: woman and and uh, it's always been something that I 236 00:14:26,960 --> 00:14:28,920 Speaker 1: wanted to do, but the older I got, it was 237 00:14:28,960 --> 00:14:33,800 Speaker 1: suppressed because of upbringing, church girls, the music industry. 238 00:14:34,080 --> 00:14:37,320 Speaker 2: Friends. It wasn't even considered. I didn't consider it. I 239 00:14:37,440 --> 00:14:39,640 Speaker 2: just always dreamt of it. And so when I started 240 00:14:39,680 --> 00:14:44,320 Speaker 2: seeing more things publicly and understanding, you listen, time is flying, 241 00:14:44,400 --> 00:14:47,120 Speaker 2: you know your life is This is something I always 242 00:14:47,120 --> 00:14:50,160 Speaker 2: wanted to do, and I decided to take hormone therapy. 243 00:14:50,880 --> 00:14:53,120 Speaker 2: But before that, I took therapy for a year with 244 00:14:53,320 --> 00:14:55,200 Speaker 2: doctors just to talk it through and make sure that 245 00:14:55,280 --> 00:14:59,800 Speaker 2: I wasn't tripping. And yeah, so uh, after a year 246 00:15:00,120 --> 00:15:04,280 Speaker 2: a therapy, I decided to transition. Don't go anywhere. We 247 00:15:04,400 --> 00:15:07,520 Speaker 2: have more with d Smith after we pay these bills. 248 00:15:07,600 --> 00:15:10,400 Speaker 2: You do not want to miss her very compelling and 249 00:15:10,480 --> 00:15:14,000 Speaker 2: compassionate story, you guys. This one is this one is special. 250 00:15:14,680 --> 00:15:17,480 Speaker 3: Back in the moment, every champion and Cary Champion is 251 00:15:17,520 --> 00:15:20,600 Speaker 3: to be a Championata Champion and Cary Chappion and Carrie 252 00:15:20,680 --> 00:15:22,200 Speaker 3: Chappy Yata Champion. 253 00:15:21,880 --> 00:15:26,520 Speaker 2: And carry Chappion and carry chap Entertainment and Naked Weird. 254 00:15:33,480 --> 00:15:36,920 Speaker 3: Very Champion and carry Chappion is to be a Championata champion, 255 00:15:37,000 --> 00:15:40,160 Speaker 3: and Carrie Chappie and Niggery got a champion and carry 256 00:15:40,280 --> 00:15:41,400 Speaker 3: Chapion and carried. 257 00:15:41,280 --> 00:15:46,480 Speaker 2: Shep Let's pick up where we left off. D Smith 258 00:15:47,040 --> 00:15:51,400 Speaker 2: joins us on naked And so when you now look 259 00:15:51,520 --> 00:15:58,600 Speaker 2: back on the therapy, the the transition physically and what 260 00:15:58,840 --> 00:16:04,240 Speaker 2: you perceived as lost, what are your biggest lessons your 261 00:16:04,280 --> 00:16:05,200 Speaker 2: biggest takeaways? 262 00:16:06,160 --> 00:16:12,800 Speaker 1: Well, this process has taught me how damaged our community 263 00:16:13,320 --> 00:16:16,680 Speaker 1: is as black people. I don't know whose fault it is. 264 00:16:17,080 --> 00:16:20,600 Speaker 1: You know, I wanted to blame my dad for things. 265 00:16:20,640 --> 00:16:24,040 Speaker 1: I want to blame my mom. I blame myself. You know, 266 00:16:24,360 --> 00:16:26,000 Speaker 1: it was so many things growing up that we could 267 00:16:26,040 --> 00:16:29,360 Speaker 1: all say that's why, that's why, that's why. But someone 268 00:16:29,520 --> 00:16:33,320 Speaker 1: raised my father, someone raised my grandfather, someone beat my 269 00:16:33,480 --> 00:16:37,280 Speaker 1: great grandfather, someone, you know, and it caused us not 270 00:16:37,480 --> 00:16:42,640 Speaker 1: to coddle our children, coddle each other emotionally as children. 271 00:16:42,960 --> 00:16:47,320 Speaker 1: And you know, we're neglected emotionally and is extremely damaging, 272 00:16:47,560 --> 00:16:52,360 Speaker 1: really traumatizing for us as black people. We rarely, rarely, 273 00:16:52,560 --> 00:16:58,040 Speaker 1: rarely get the opportunity to afford a healthy mental child flick. 274 00:16:58,480 --> 00:16:59,680 Speaker 2: You know, we rarely do. 275 00:17:00,200 --> 00:17:02,480 Speaker 1: It's it's very harsh growing up as a as a 276 00:17:02,560 --> 00:17:05,200 Speaker 1: black child, and we're used to it. We're used to, 277 00:17:05,880 --> 00:17:08,520 Speaker 1: you know, the punishment, the words, the ass weapons, the 278 00:17:09,359 --> 00:17:11,240 Speaker 1: we we already know what it is. No matter where 279 00:17:11,240 --> 00:17:13,200 Speaker 1: we are in the world, it's a universal black thing. 280 00:17:13,359 --> 00:17:16,720 Speaker 1: We're all raised by the same parents. As they say, preach, go, go, 281 00:17:17,040 --> 00:17:22,000 Speaker 1: preach so and so I realized through my process of 282 00:17:22,040 --> 00:17:27,680 Speaker 1: transitioning it wasn't just the transitioning, it was just mental undoing. 283 00:17:27,880 --> 00:17:30,399 Speaker 2: And I had to be realistic, not extreme saying this 284 00:17:30,520 --> 00:17:32,640 Speaker 2: is wrong, this is wrong. I had to really step 285 00:17:32,720 --> 00:17:34,240 Speaker 2: out objectively and. 286 00:17:36,000 --> 00:17:38,320 Speaker 1: Realistically as a human, say what it is it that 287 00:17:38,520 --> 00:17:41,320 Speaker 1: I identify as a What what do I gravitate to, 288 00:17:41,440 --> 00:17:44,000 Speaker 1: What makes me feel comfortable, what makes me feel proud 289 00:17:44,080 --> 00:17:44,560 Speaker 1: and safe? 290 00:17:44,600 --> 00:17:47,399 Speaker 2: And what's natural for me? What is natural? 291 00:17:47,880 --> 00:17:50,000 Speaker 1: And I had to I had to commit to that, 292 00:17:50,240 --> 00:17:52,879 Speaker 1: and I wanted to find that and and learn and 293 00:17:53,359 --> 00:17:56,239 Speaker 1: heal with that. But then doing that, those are all 294 00:17:56,280 --> 00:17:57,879 Speaker 1: the things that I was taught was wrong. 295 00:17:58,920 --> 00:17:59,360 Speaker 2: Mm hmm. 296 00:18:00,359 --> 00:18:02,800 Speaker 1: You know, I know my father loves me, but it's 297 00:18:02,920 --> 00:18:06,000 Speaker 1: what's happening with him. I can't blame other black men 298 00:18:06,200 --> 00:18:09,239 Speaker 1: and ask them to accept me and respect me. If 299 00:18:09,280 --> 00:18:11,280 Speaker 1: my own father don't and I don't want to be 300 00:18:11,280 --> 00:18:14,560 Speaker 1: a hypocrite my my father. My father used to tell 301 00:18:14,600 --> 00:18:18,080 Speaker 1: me it's really personal, but I'm okay. And my father 302 00:18:18,200 --> 00:18:21,359 Speaker 1: used to tell me growing up that he and his 303 00:18:21,440 --> 00:18:25,199 Speaker 1: friends used to beat up gay people and really buoyant 304 00:18:25,920 --> 00:18:31,440 Speaker 1: guys and like in school, like fight them for no reason, 305 00:18:31,760 --> 00:18:35,879 Speaker 1: just fight them and beat them up, all the gay boys. 306 00:18:35,960 --> 00:18:37,520 Speaker 1: Like that was the end thing back in the day, 307 00:18:37,560 --> 00:18:40,920 Speaker 1: you know, and he was. We took proud of that, 308 00:18:41,080 --> 00:18:41,560 Speaker 1: pride of that. 309 00:18:41,960 --> 00:18:47,560 Speaker 2: And now he has not only one transgender daughter, he 310 00:18:47,600 --> 00:18:50,440 Speaker 2: has too. I have a sibling that's transgender. So it's like, 311 00:18:50,560 --> 00:18:52,840 Speaker 2: I don't We're not karma. But at the same time, 312 00:18:53,280 --> 00:18:57,800 Speaker 2: you have to parents like to fight what they know 313 00:18:58,119 --> 00:19:01,719 Speaker 2: is in them as well. You know what they're fighting. 314 00:19:01,920 --> 00:19:04,760 Speaker 1: And I don't know what my dad's going through, but 315 00:19:05,080 --> 00:19:07,680 Speaker 1: you know, let's just go to show, like blue Face 316 00:19:08,040 --> 00:19:10,840 Speaker 1: acting his baby his child is he gay? 317 00:19:11,440 --> 00:19:14,320 Speaker 2: At the five six years old? It's like, why do 318 00:19:14,400 --> 00:19:17,400 Speaker 2: we do that? As parents? It's like, as black. 319 00:19:17,240 --> 00:19:21,919 Speaker 1: People, it's traumatizing. It's scary to be accused of something 320 00:19:22,000 --> 00:19:24,120 Speaker 1: that you are or that you aren't in a way 321 00:19:24,359 --> 00:19:25,800 Speaker 1: that feels vicious and threatening. 322 00:19:27,359 --> 00:19:32,520 Speaker 2: Yeah, I will say this. I sense your carefulness with 323 00:19:32,680 --> 00:19:35,840 Speaker 2: your words and the way in which you're trying to 324 00:19:36,400 --> 00:19:39,920 Speaker 2: have grace and mercy when you talk about something that 325 00:19:40,119 --> 00:19:43,480 Speaker 2: is so very painful. I think a lot of what 326 00:19:43,640 --> 00:19:48,120 Speaker 2: you're describing is just a lack of education and understanding. 327 00:19:49,160 --> 00:19:52,359 Speaker 2: And so you take all of these experiences that I 328 00:19:52,680 --> 00:19:56,040 Speaker 2: feel and I could be wrong in real time you're 329 00:19:56,040 --> 00:20:00,400 Speaker 2: still dealing with and you have the opportunity to create 330 00:20:00,480 --> 00:20:06,240 Speaker 2: this wonderful film that has won awards at Sundance, that 331 00:20:06,359 --> 00:20:12,760 Speaker 2: has been celebrated for its authenticity because people don't know 332 00:20:12,800 --> 00:20:15,600 Speaker 2: how to be authentic whatever you're doing with in life, right, 333 00:20:16,320 --> 00:20:21,680 Speaker 2: and I think that there is definitely a connection there. 334 00:20:22,320 --> 00:20:24,679 Speaker 2: How would you describe and make sure I'm saying this right, 335 00:20:25,119 --> 00:20:29,720 Speaker 2: Cocomo Cocobo, Cocomo City, Cocamo City. I'm making sure I'm 336 00:20:29,720 --> 00:20:32,760 Speaker 2: saying that correct. How would you subscribe Cocomo City for 337 00:20:32,880 --> 00:20:36,439 Speaker 2: those who are going to watch Cocomo City is like. 338 00:20:37,960 --> 00:20:42,000 Speaker 1: It's a black film that to me, it's a it's 339 00:20:42,040 --> 00:20:46,240 Speaker 1: a black film, it's black more before its LGBT. I 340 00:20:46,960 --> 00:20:52,159 Speaker 1: I do accept you know how people label it because 341 00:20:52,200 --> 00:20:54,639 Speaker 1: you know this is this is new and I'm just 342 00:20:54,840 --> 00:20:59,359 Speaker 1: I'm grateful for platform, but I I do like to 343 00:20:59,400 --> 00:21:02,879 Speaker 1: point out that there are men in the film that 344 00:21:03,119 --> 00:21:03,600 Speaker 1: love women. 345 00:21:04,200 --> 00:21:05,240 Speaker 2: Some of them are fathers. 346 00:21:05,480 --> 00:21:08,119 Speaker 1: Most of them are fathers, and it's not fair to 347 00:21:08,280 --> 00:21:11,480 Speaker 1: throw them into the LGBT bus because we're too lazy 348 00:21:11,560 --> 00:21:13,200 Speaker 1: to name it something else. 349 00:21:13,280 --> 00:21:13,440 Speaker 2: You know. 350 00:21:13,560 --> 00:21:15,879 Speaker 1: It's like, just because I'm transgender and I've made a 351 00:21:15,920 --> 00:21:20,680 Speaker 1: film doesn't mean it's LGBT. It's like, but Cocomo City 352 00:21:20,920 --> 00:21:24,159 Speaker 1: is like a I said, I wanted to create a 353 00:21:24,240 --> 00:21:28,720 Speaker 1: film that if if Tarantino and Spike Lee was to 354 00:21:28,800 --> 00:21:32,560 Speaker 1: make a documentary, what would that look like? So it's 355 00:21:32,680 --> 00:21:38,200 Speaker 1: it's a it's a fresh take on the transgender narrative creatively, 356 00:21:38,520 --> 00:21:42,560 Speaker 1: you know, visually. So yeah, it's basically, you know, for 357 00:21:42,800 --> 00:21:46,560 Speaker 1: trans women telling their stories about being uh, sex workers 358 00:21:46,680 --> 00:21:51,800 Speaker 1: and that dichotomy between them and the Black community as 359 00:21:51,800 --> 00:21:54,399 Speaker 1: a whole, and what that looks like to them and 360 00:21:54,440 --> 00:21:59,399 Speaker 1: their experiences. Yeah, that's that's pretty the sum up of 361 00:21:59,640 --> 00:22:03,760 Speaker 1: Coco City. But it's also the current and fresh. It's 362 00:22:03,800 --> 00:22:06,080 Speaker 1: a new take on on us as black people. 363 00:22:08,160 --> 00:22:11,640 Speaker 2: What is your what's your inspiration? What is your inspiration 364 00:22:11,720 --> 00:22:15,720 Speaker 2: for Cocamo City? Black people? I want, I want I 365 00:22:16,080 --> 00:22:20,800 Speaker 2: am a creative person and I want to express myself 366 00:22:20,880 --> 00:22:30,600 Speaker 2: creatively and it is it's it's a black It's. 367 00:22:30,520 --> 00:22:33,320 Speaker 1: Almost like you ever seen like I wanted to feel 368 00:22:33,480 --> 00:22:36,159 Speaker 1: like you've ever seen that, You've ever seen good times 369 00:22:36,280 --> 00:22:38,159 Speaker 1: like that show Good Times and they have that painting 370 00:22:38,480 --> 00:22:39,240 Speaker 1: with the bodies. 371 00:22:39,280 --> 00:22:41,520 Speaker 2: They're all long and they're doing like this and they're. 372 00:22:41,400 --> 00:22:47,600 Speaker 1: Dancing and you're liketionistic, surrealistic, so realistic, but it's black. 373 00:22:47,920 --> 00:22:50,719 Speaker 1: It's like creative, but it's so black. You can almost 374 00:22:50,800 --> 00:22:53,080 Speaker 1: smell the funk. You could feel the high. You know, 375 00:22:53,200 --> 00:22:56,000 Speaker 1: it's like I want Coole City like that. You just 376 00:22:56,200 --> 00:22:58,080 Speaker 1: know what it is universally. You can put it on 377 00:22:58,240 --> 00:23:02,080 Speaker 1: mute and you still feel you feel that that universal 378 00:23:02,160 --> 00:23:06,160 Speaker 1: body language of black people and how we talk. It's 379 00:23:06,400 --> 00:23:11,560 Speaker 1: just a it's a new calling card for us as 380 00:23:11,720 --> 00:23:16,639 Speaker 1: black people and queer people to push the uh the 381 00:23:16,800 --> 00:23:21,520 Speaker 1: needle further with our storytelling and also tap back into 382 00:23:21,640 --> 00:23:23,440 Speaker 1: our blackness and our stories. 383 00:23:23,480 --> 00:23:25,480 Speaker 2: And you know, I want to do that. I want 384 00:23:25,520 --> 00:23:30,879 Speaker 2: to be a part of that. The acknowledgment and the 385 00:23:30,960 --> 00:23:34,280 Speaker 2: awards that you've received so far, does that validate you 386 00:23:34,560 --> 00:23:36,080 Speaker 2: in any way? Yeah? 387 00:23:36,800 --> 00:23:42,520 Speaker 1: Yeah, I mean hell yeah, you know, it's like I 388 00:23:43,000 --> 00:23:48,560 Speaker 1: made Cocomo City with the bare minimum materials. 389 00:23:49,160 --> 00:23:50,000 Speaker 2: I had to. 390 00:23:52,320 --> 00:23:57,680 Speaker 1: Edit, I did the cinematography, and I directed it and 391 00:23:59,160 --> 00:24:01,719 Speaker 1: mainly because I had no money, only because I had 392 00:24:01,760 --> 00:24:05,200 Speaker 1: no money, but also it's something I would want to 393 00:24:05,320 --> 00:24:08,480 Speaker 1: have done anyway. You know, as a creator is fulfilling 394 00:24:08,600 --> 00:24:11,399 Speaker 1: to me. You feel really validated. You do like, okay, 395 00:24:11,440 --> 00:24:13,400 Speaker 1: you see me. Do you feel seen? Do you feel seen? 396 00:24:13,480 --> 00:24:14,120 Speaker 1: Truly seen? 397 00:24:14,400 --> 00:24:14,600 Speaker 2: I do. 398 00:24:14,920 --> 00:24:20,320 Speaker 1: I do, but I feel seen as I also feel seen. 399 00:24:20,800 --> 00:24:24,359 Speaker 1: I feel seen as a creator. It's not I'm recognized 400 00:24:24,359 --> 00:24:27,399 Speaker 1: as a trans woman that that's a creator that happens 401 00:24:27,400 --> 00:24:28,199 Speaker 1: to be transgender. 402 00:24:28,480 --> 00:24:31,040 Speaker 2: I do feel that. I don't feel like there's too 403 00:24:31,320 --> 00:24:34,720 Speaker 2: less or too much more of ratio. But I have to. 404 00:24:35,800 --> 00:24:36,680 Speaker 2: I have to keep going. 405 00:24:37,040 --> 00:24:39,800 Speaker 1: I've tapped into something that I'm really good at, and 406 00:24:40,680 --> 00:24:43,760 Speaker 1: I have resource and access to do more and to 407 00:24:43,880 --> 00:24:47,680 Speaker 1: tell more stories and to help more people. How much 408 00:24:47,760 --> 00:24:50,440 Speaker 1: more dignifying can you be? Dignified? 409 00:24:50,560 --> 00:24:52,040 Speaker 2: Could you be? As a director? 410 00:24:52,119 --> 00:24:56,760 Speaker 1: To get a standing ovation and Sundance and Berlin at 411 00:24:56,800 --> 00:25:00,520 Speaker 1: the International premieres and there when we went to to Berlin, 412 00:25:00,760 --> 00:25:04,640 Speaker 1: the girls they came as well, the cast, those people 413 00:25:04,680 --> 00:25:06,040 Speaker 1: stood up I'm not kidding. 414 00:25:06,040 --> 00:25:07,919 Speaker 2: I have the video to prove it. They stood up 415 00:25:07,920 --> 00:25:11,040 Speaker 2: for almost ten minutes clapping and would not stop. Wow 416 00:25:11,160 --> 00:25:14,359 Speaker 2: did they make you crying? Oh? What? I was a disaster. 417 00:25:15,119 --> 00:25:17,600 Speaker 2: I was a disaster. I was a mess. I was 418 00:25:17,640 --> 00:25:18,040 Speaker 2: in shop. 419 00:25:18,200 --> 00:25:22,280 Speaker 1: And actually when we went to screen the film, before 420 00:25:22,320 --> 00:25:25,119 Speaker 1: we even played it, we came in after everyone had 421 00:25:25,160 --> 00:25:26,840 Speaker 1: sat down. We were going to sit in the back, 422 00:25:27,600 --> 00:25:29,920 Speaker 1: and as we walked in, people just started clapping and 423 00:25:29,960 --> 00:25:31,920 Speaker 1: stood up when we even walked in. So when the 424 00:25:32,000 --> 00:25:34,760 Speaker 1: movie was over, forget about it. And and the fact 425 00:25:34,800 --> 00:25:37,800 Speaker 1: that I was able to see the girls respond and 426 00:25:37,920 --> 00:25:40,920 Speaker 1: look at themselves on that screen because I had seen 427 00:25:41,000 --> 00:25:44,200 Speaker 1: this movie a thousand times before they seen it, and 428 00:25:44,920 --> 00:25:47,240 Speaker 1: I just couldn't wait to see them. Could you imagine 429 00:25:47,280 --> 00:25:50,119 Speaker 1: filming something in your the raw state, saying whatever you 430 00:25:50,200 --> 00:25:52,959 Speaker 1: want to say. Half the time, you were smoking and drinking, 431 00:25:53,000 --> 00:25:55,959 Speaker 1: and you did a documentary with no makeup, half dressed, 432 00:25:56,359 --> 00:25:59,679 Speaker 1: and you put all of that trust into one person 433 00:26:00,640 --> 00:26:03,320 Speaker 1: that you don't even know, and then you hear that 434 00:26:03,520 --> 00:26:06,280 Speaker 1: it's going to sundance and it's gonna be on a 435 00:26:06,400 --> 00:26:09,280 Speaker 1: huge screen in front of people, and you've not seen anything, 436 00:26:09,359 --> 00:26:11,320 Speaker 1: you don't can't remember what you said, what you were 437 00:26:11,400 --> 00:26:15,160 Speaker 1: wearing with the life. That took a lot for those women. 438 00:26:15,240 --> 00:26:16,879 Speaker 1: It took a lot from me because I was just 439 00:26:17,000 --> 00:26:19,600 Speaker 1: like nervous about the audience, nervous about how does it 440 00:26:19,680 --> 00:26:22,160 Speaker 1: how is it gonna look on the screen, and more 441 00:26:22,200 --> 00:26:25,200 Speaker 1: importantly are the girls gonna be okay with what I did? 442 00:26:26,040 --> 00:26:28,359 Speaker 1: So there was a lot of anxiety there. But to 443 00:26:28,440 --> 00:26:33,120 Speaker 1: see those girls being so proud just it was worth 444 00:26:33,160 --> 00:26:34,840 Speaker 1: every frame frame. 445 00:26:35,160 --> 00:26:37,879 Speaker 3: Every champion and Cary Champion is to be a champion, 446 00:26:37,920 --> 00:26:40,560 Speaker 3: out a champion and carry Chappion and Cary chat be 447 00:26:40,640 --> 00:26:43,080 Speaker 3: out a champion and carry Chappion and Carrie she. 448 00:26:44,680 --> 00:26:45,920 Speaker 2: Entertainment and make it work. 449 00:26:51,080 --> 00:26:53,879 Speaker 3: Kerry Champion and Carrie Champion is to be a champion 450 00:26:54,040 --> 00:26:57,320 Speaker 3: of Champion and Carrie Chappie and the girls a champion 451 00:26:57,400 --> 00:26:59,080 Speaker 3: and carry Chappion and Carrie shep. 452 00:27:02,320 --> 00:27:04,679 Speaker 2: You talk about now that you've done this, you have resources, 453 00:27:04,800 --> 00:27:09,040 Speaker 2: you have access, you have attention, You feel validated, all 454 00:27:09,080 --> 00:27:10,920 Speaker 2: of the things that so many of us think we want. 455 00:27:11,560 --> 00:27:14,920 Speaker 2: Is there anything else that's missing for you? I don't. 456 00:27:15,080 --> 00:27:18,080 Speaker 1: I yeah, there there there are. There's a lot of 457 00:27:18,520 --> 00:27:20,840 Speaker 1: there's a lot more healing that I need that I 458 00:27:20,960 --> 00:27:23,400 Speaker 1: want to do in my life. A lot of things 459 00:27:23,480 --> 00:27:27,880 Speaker 1: I walked away from, you know. I I have two 460 00:27:28,840 --> 00:27:32,840 Speaker 1: projects that I'm about to start developing now with some 461 00:27:32,960 --> 00:27:38,960 Speaker 1: great production companies, really big situations, and thank you. I 462 00:27:39,320 --> 00:27:41,840 Speaker 1: can't tell you how grateful I am. It's this has 463 00:27:41,880 --> 00:27:43,800 Speaker 1: been the most frustrating part of the whole journey, is 464 00:27:43,880 --> 00:27:44,840 Speaker 1: not finding the words. 465 00:27:44,920 --> 00:27:45,280 Speaker 2: It's just. 466 00:27:47,040 --> 00:27:50,240 Speaker 1: Share with people that that really shows what I feel 467 00:27:50,320 --> 00:27:54,200 Speaker 1: right now, you know. But yeah, there's there's things I 468 00:27:54,480 --> 00:27:56,600 Speaker 1: there's a lot of closure that I want as a 469 00:27:56,680 --> 00:27:59,560 Speaker 1: person to to you know, to move on with my 470 00:27:59,720 --> 00:28:02,600 Speaker 1: life and and to be able to help more people. 471 00:28:02,960 --> 00:28:05,199 Speaker 1: And I want, I want, I don't know. 472 00:28:05,200 --> 00:28:06,480 Speaker 2: I kind of want to go back to church. I 473 00:28:06,520 --> 00:28:09,000 Speaker 2: know this sounds weird. I really missed. 474 00:28:09,680 --> 00:28:12,720 Speaker 1: I hated church for years because it's so hard, even 475 00:28:13,200 --> 00:28:15,399 Speaker 1: not as a trans person, just hard. You know, people 476 00:28:15,720 --> 00:28:18,080 Speaker 1: are tough in church as well, you know. But I 477 00:28:18,240 --> 00:28:20,440 Speaker 1: miss the smell of church. I missed the drums in 478 00:28:20,520 --> 00:28:24,360 Speaker 1: the choir. I miss I missed going giving offering. I'm 479 00:28:24,440 --> 00:28:26,920 Speaker 1: not I missed that experience as a child, you know, 480 00:28:27,560 --> 00:28:31,080 Speaker 1: But I don't know what that process looked like with 481 00:28:31,240 --> 00:28:33,840 Speaker 1: me going back to church. I don't know how dedicated 482 00:28:33,840 --> 00:28:35,399 Speaker 1: I want to be. I just I kind of miss it. 483 00:28:36,040 --> 00:28:38,560 Speaker 1: Uh And I don't know, know that's random. I know 484 00:28:38,680 --> 00:28:43,280 Speaker 1: it's random and just crazy. But I miss church, you know, 485 00:28:43,400 --> 00:28:45,160 Speaker 1: I missed that was a huge part of my life, 486 00:28:45,360 --> 00:28:49,240 Speaker 1: you know. But hopefully, you know, if I could find 487 00:28:49,480 --> 00:28:53,360 Speaker 1: somewhere safe that that's pretty close to my upbringing, that'll 488 00:28:53,400 --> 00:28:54,640 Speaker 1: be that'll make me pretty happy. 489 00:28:55,720 --> 00:28:57,960 Speaker 2: Safe is the key word. We all like to feel safe. 490 00:28:58,000 --> 00:29:01,080 Speaker 2: Everything you're asking for is regard lists of gender. It 491 00:29:01,240 --> 00:29:03,600 Speaker 2: is just a human nature. It's a part of the humanity. 492 00:29:03,720 --> 00:29:05,360 Speaker 2: We need to feel safe, we need to feel seen, 493 00:29:05,440 --> 00:29:07,880 Speaker 2: we need to feel validated. These are all A lot 494 00:29:07,920 --> 00:29:10,440 Speaker 2: of people don't like to admit that they need validation. 495 00:29:10,680 --> 00:29:14,680 Speaker 2: We are human. What do you mean, of course validation, girl, 496 00:29:15,160 --> 00:29:20,760 Speaker 2: I need validation. It doesn't mean that it comes from 497 00:29:20,880 --> 00:29:22,840 Speaker 2: It doesn't mean you're insecure. It's who it comes from, 498 00:29:23,320 --> 00:29:26,720 Speaker 2: that's right. Validation means it helps you. It fuels you 499 00:29:26,800 --> 00:29:30,200 Speaker 2: as a person, like it it fuels you even having 500 00:29:30,280 --> 00:29:34,840 Speaker 2: a boyfriend or having like being tipped at a restaurant 501 00:29:34,880 --> 00:29:38,920 Speaker 2: as a waiter, like being validated is it's a reward 502 00:29:39,000 --> 00:29:41,920 Speaker 2: and it's the enforcement of what you already know the 503 00:29:42,040 --> 00:29:44,120 Speaker 2: dream is and who you are, and it's okay to 504 00:29:44,320 --> 00:29:46,880 Speaker 2: have some reinforcement. You got to build these walls every 505 00:29:46,960 --> 00:29:49,640 Speaker 2: so often. You got to make sure they're stood and sturdy. 506 00:29:50,080 --> 00:29:56,120 Speaker 2: That's it's absolutely completely fine. As you tell this story, 507 00:29:56,280 --> 00:29:59,080 Speaker 2: I have so much empathy and compassion for you. And 508 00:29:59,200 --> 00:30:00,800 Speaker 2: I said it from the begin. It takes a lot 509 00:30:00,840 --> 00:30:03,920 Speaker 2: of courage to live your true, true, true self, to 510 00:30:04,000 --> 00:30:06,720 Speaker 2: live in your authenticity, especially in the world that tries 511 00:30:06,760 --> 00:30:10,000 Speaker 2: to tell you that you're not validated. So I am. 512 00:30:10,240 --> 00:30:12,560 Speaker 2: I'm grateful that whatever the vision was was placed on 513 00:30:12,640 --> 00:30:14,440 Speaker 2: your heart and you're sharing a story that needs to 514 00:30:14,520 --> 00:30:17,840 Speaker 2: be told. And I'm impressed, truly impressed with Samith that 515 00:30:17,880 --> 00:30:19,840 Speaker 2: I'm sending you just so much love. I really am. 516 00:30:20,000 --> 00:30:22,640 Speaker 2: Thank you for joining it to get all in. I'm 517 00:30:22,680 --> 00:30:26,120 Speaker 2: not gonna let it go. Thank you, thank you, thank you. Wonderful. 518 00:30:26,320 --> 00:30:28,440 Speaker 2: I appreciate it. Thank you. You guys. Go check out 519 00:30:28,480 --> 00:30:31,280 Speaker 2: Cocoono City July. Give me the date because I'm going 520 00:30:31,320 --> 00:30:35,560 Speaker 2: to say it again. I'm twenty eight, got it. Thank you, 521 00:30:35,720 --> 00:30:38,240 Speaker 2: thank you, thank you. I don't know about y'all. Again, 522 00:30:38,480 --> 00:30:42,800 Speaker 2: I don't know about y'all, but I I essentially want 523 00:30:42,840 --> 00:30:47,720 Speaker 2: to see this, no matter how uncomfortable I am as 524 00:30:47,760 --> 00:30:50,840 Speaker 2: a journalist having these conversations, because they're just not normal. 525 00:30:50,880 --> 00:30:53,959 Speaker 2: They're not in our everyday lexicon, They're not in our 526 00:30:54,040 --> 00:30:58,640 Speaker 2: everyday subject matter. I do need to be educated, We 527 00:30:58,760 --> 00:31:01,160 Speaker 2: do need to know. We just do. We can't turn 528 00:31:01,880 --> 00:31:05,320 Speaker 2: our back on an entire community and not acknowledge that 529 00:31:05,440 --> 00:31:09,040 Speaker 2: they exist, or understand their existence, or at least try 530 00:31:09,160 --> 00:31:12,560 Speaker 2: to understand their existence and why they move and feel 531 00:31:12,600 --> 00:31:16,000 Speaker 2: and think the way that they do. Use whatever pronoun 532 00:31:16,040 --> 00:31:20,840 Speaker 2: you'd like, but it is imperative because it is not 533 00:31:21,040 --> 00:31:24,480 Speaker 2: unlike our struggle as black folks who feel the racism, 534 00:31:24,680 --> 00:31:30,440 Speaker 2: the ism is there. Executive producers Lena Waith, a longtime 535 00:31:30,520 --> 00:31:35,080 Speaker 2: friend of D Smith, along with songwriter Stacey Barth, helped 536 00:31:35,800 --> 00:31:39,520 Speaker 2: get this project together. It might be bart, but y'all 537 00:31:39,600 --> 00:31:43,680 Speaker 2: get it. The film comes out July twenty eighth, so 538 00:31:43,760 --> 00:31:45,840 Speaker 2: by the time that you listen to this podcast, you 539 00:31:45,880 --> 00:31:49,760 Speaker 2: should be nice, ready and primed again. I want to 540 00:31:49,760 --> 00:31:51,680 Speaker 2: thank d Smith for joining us, and more importantly, I 541 00:31:51,680 --> 00:31:55,360 Speaker 2: want to thank you guys for understanding that these are 542 00:31:55,400 --> 00:31:58,000 Speaker 2: these tough conversations that we need to have, These naked 543 00:31:58,080 --> 00:32:01,560 Speaker 2: conversations that we need to have, which is the reason 544 00:32:02,560 --> 00:32:06,280 Speaker 2: I created this podcast. Have a great day and I'll 545 00:32:06,280 --> 00:32:06,880 Speaker 2: talk to you soon