1
00:00:00,200 --> 00:00:03,120
Speaker 1: Hi, guys, what you're trying to get into?

2
00:00:03,160 --> 00:00:06,920
Speaker 2: What day is soon? What you're trying to do? That's

3
00:00:06,960 --> 00:00:08,280
Speaker 2: a ringtone right there, Buba.

4
00:00:08,400 --> 00:00:09,479
Speaker 1: That's a fire song.

5
00:00:09,560 --> 00:00:11,320
Speaker 2: By the way, it is a song.

6
00:00:11,440 --> 00:00:14,280
Speaker 1: I gotta tell you. Since I told our listeners about

7
00:00:14,280 --> 00:00:16,720
Speaker 1: it and you remind you about it, I've been singing

8
00:00:16,760 --> 00:00:19,120
Speaker 1: it NonStop. It's like, you know how you usually get

9
00:00:19,160 --> 00:00:21,280
Speaker 1: like a summer hooky song in your head. My summer

10
00:00:21,320 --> 00:00:23,279
Speaker 1: hooky song in my head is what you're trying to

11
00:00:23,320 --> 00:00:23,680
Speaker 1: get in.

12
00:00:24,360 --> 00:00:28,760
Speaker 2: I'm that's amazing because twenty years ago your summer song

13
00:00:29,000 --> 00:00:34,040
Speaker 2: was turn me inside out. So I can't speak because you're.

14
00:00:34,080 --> 00:00:35,120
Speaker 1: Every we.

15
00:00:37,520 --> 00:00:38,840
Speaker 2: When I when I got out.

16
00:00:39,360 --> 00:00:42,040
Speaker 1: Michelle Branch knows how many shout outs she gets on

17
00:00:42,080 --> 00:00:43,320
Speaker 1: this podcast.

18
00:00:43,640 --> 00:00:46,520
Speaker 2: Yeah, she should know because she's not alone.

19
00:00:46,640 --> 00:00:52,720
Speaker 1: Oh oh, I I think Michelle Branch must be aware

20
00:00:52,840 --> 00:00:55,240
Speaker 1: that how many times over the years I've spoken about her.

21
00:00:55,440 --> 00:00:57,760
Speaker 2: Do you think Michelle Branch gives two shits about us?

22
00:00:57,840 --> 00:01:00,640
Speaker 1: Do you think? Yes? I think Michelle Brand likes any

23
00:01:00,840 --> 00:01:03,280
Speaker 1: people that are talking about a song she wrote twenty

24
00:01:03,360 --> 00:01:03,800
Speaker 1: years ago.

25
00:01:04,319 --> 00:01:05,199
Speaker 2: I hear that, man.

26
00:01:05,720 --> 00:01:06,959
Speaker 1: I learned what happened to her.

27
00:01:07,120 --> 00:01:09,920
Speaker 2: She joined a so she she I think she got married,

28
00:01:09,959 --> 00:01:11,560
Speaker 2: had kids, joined a band.

29
00:01:11,680 --> 00:01:13,920
Speaker 1: Doesn't mean she gave up her musical she did.

30
00:01:14,160 --> 00:01:15,880
Speaker 2: She was. She's in a band right now. It's her

31
00:01:15,880 --> 00:01:17,800
Speaker 2: and another young lady and they do a they do

32
00:01:17,959 --> 00:01:18,640
Speaker 2: music together.

33
00:01:18,680 --> 00:01:20,080
Speaker 1: But the fuck would they do as long as they

34
00:01:20,120 --> 00:01:21,160
Speaker 1: cover Ebby?

35
00:01:22,360 --> 00:01:26,400
Speaker 2: To me, they do very they do, uh that very good.

36
00:01:26,640 --> 00:01:28,440
Speaker 2: Casey put me onto them because you know how Casey

37
00:01:28,480 --> 00:01:31,400
Speaker 2: works in music sometimes, And she put me onto them

38
00:01:31,440 --> 00:01:34,240
Speaker 2: and was like, Yo, she's dope. She joined a band.

39
00:01:34,520 --> 00:01:34,960
Speaker 2: I rocked.

40
00:01:35,000 --> 00:01:36,240
Speaker 1: I rock out to her in my trouble. You know,

41
00:01:36,240 --> 00:01:38,520
Speaker 1: I've been thinking about putting my my my sort of

42
00:01:38,560 --> 00:01:41,959
Speaker 1: girl pop workout list on the on on on the

43
00:01:41,959 --> 00:01:42,800
Speaker 1: web so people.

44
00:01:42,600 --> 00:01:43,360
Speaker 2: Can do that ship.

45
00:01:43,640 --> 00:01:47,400
Speaker 1: Yeah, do that ship, yeah, because iTunes needs that. Yeah,

46
00:01:47,520 --> 00:01:50,560
Speaker 1: people listen. I can never find a workout playlist that

47
00:01:50,680 --> 00:01:54,360
Speaker 1: suits my needs. Right. A lot of people clearly agree

48
00:01:54,360 --> 00:01:57,480
Speaker 1: with you on on rap and hip hop because if

49
00:01:57,520 --> 00:02:01,480
Speaker 1: you go on like the standard playlist on iTunes or wherever,

50
00:02:01,960 --> 00:02:06,080
Speaker 1: they're all like ninety five percent that and and like

51
00:02:06,200 --> 00:02:08,520
Speaker 1: hits one is all like stuff I don't listen.

52
00:02:08,400 --> 00:02:10,160
Speaker 2: To, like Wu Tang do you don't listen to the

53
00:02:10,160 --> 00:02:10,640
Speaker 2: Wu Tang?

54
00:02:11,320 --> 00:02:13,359
Speaker 1: I don't listen to no I don't listen to Wu Tang.

55
00:02:13,440 --> 00:02:15,400
Speaker 2: Do you know who? But you know who method man is.

56
00:02:15,600 --> 00:02:17,200
Speaker 1: Yeah, of course he was in Garden State.

57
00:02:17,320 --> 00:02:18,959
Speaker 2: That's right, that's right. But you know he's in it.

58
00:02:19,080 --> 00:02:21,600
Speaker 2: You do know that he is in a band with

59
00:02:21,720 --> 00:02:26,280
Speaker 2: about twelve people call other Wu Tang members.

60
00:02:26,480 --> 00:02:29,359
Speaker 1: There's Wu, There's Tang, there's clan.

61
00:02:34,840 --> 00:02:36,720
Speaker 2: I'm gonna say some names, and you're gonna be like, oh, yeah,

62
00:02:36,720 --> 00:02:39,160
Speaker 2: I've heard of them. Of course, A dirty bastard.

63
00:02:38,880 --> 00:02:40,560
Speaker 1: Of course I've heard of him. He was, he was,

64
00:02:40,880 --> 00:02:41,840
Speaker 1: he died.

65
00:02:41,680 --> 00:02:45,080
Speaker 2: Right, Yes, he did. The Rizza, Yeah, I've heard.

66
00:02:45,200 --> 00:02:46,920
Speaker 1: I can picture him, dude.

67
00:02:46,639 --> 00:02:47,080
Speaker 2: The Riza.

68
00:02:47,160 --> 00:02:48,760
Speaker 1: We hung out with him one night and you spell

69
00:02:48,800 --> 00:02:49,400
Speaker 1: it rza.

70
00:02:49,680 --> 00:02:51,680
Speaker 2: I know that. Yeah, we hung out at chateau. He

71
00:02:51,760 --> 00:02:53,760
Speaker 2: came through and kicked it with us that night. We

72
00:02:53,760 --> 00:02:55,840
Speaker 2: would hang You're not supposed to talk about chateau on

73
00:02:55,880 --> 00:02:58,120
Speaker 2: this actually, so let me take that back. Well, you

74
00:02:58,160 --> 00:02:59,840
Speaker 2: know what happens at the chateau is supposed to stay

75
00:02:59,840 --> 00:03:00,440
Speaker 2: at chateau.

76
00:03:00,480 --> 00:03:02,680
Speaker 1: Right now, you can't be dropping chateau things. I hung

77
00:03:02,720 --> 00:03:03,920
Speaker 1: out with Drake at the chateau.

78
00:03:04,000 --> 00:03:06,320
Speaker 2: Once you see, look at you spilling the beans.

79
00:03:06,400 --> 00:03:11,600
Speaker 1: Okay, get ahead. Who else Rizza ODV method Man, method Man,

80
00:03:12,000 --> 00:03:14,320
Speaker 1: ghost Face Killer. Yeah, I've heard of him. I can't

81
00:03:14,320 --> 00:03:17,680
Speaker 1: picture his face. I can't you God, you God, I

82
00:03:17,680 --> 00:03:21,239
Speaker 1: don't know you God. The jizzer, I don't know the jizza.

83
00:03:21,480 --> 00:03:25,919
Speaker 2: That's the genius, uh inspector deck. There you go.

84
00:03:25,960 --> 00:03:27,600
Speaker 1: Wow, there's a big band. A lot of people in

85
00:03:27,639 --> 00:03:27,959
Speaker 1: this band.

86
00:03:28,240 --> 00:03:29,680
Speaker 2: People. Oh yeah, it's a huge band.

87
00:03:30,120 --> 00:03:31,600
Speaker 1: You really like their music a lot?

88
00:03:31,800 --> 00:03:33,920
Speaker 2: Are you kidding me? I smoke on the mic, like

89
00:03:33,960 --> 00:03:37,680
Speaker 2: smoking Joe Frazier, the hell Raiser, raising hell with the flavor,

90
00:03:37,920 --> 00:03:41,520
Speaker 2: terrorizing jams, like troops in Pakistan, swinging through your town,

91
00:03:41,640 --> 00:03:45,440
Speaker 2: like your neighborhood spy. The man so armed, TikTok keep ticking.

92
00:03:45,600 --> 00:03:47,640
Speaker 2: Come on, now, you don't know nothing about the wu

93
00:03:47,720 --> 00:03:51,800
Speaker 2: tang okay I came yo e t h o d

94
00:03:52,280 --> 00:03:56,800
Speaker 2: man e t h o d man. Hey, you get

95
00:03:56,800 --> 00:03:59,480
Speaker 2: off my cloud. You don't know me and you don't

96
00:03:59,520 --> 00:04:01,560
Speaker 2: know my now you don't notice.

97
00:04:01,760 --> 00:04:01,840
Speaker 3: No.

98
00:04:02,000 --> 00:04:03,760
Speaker 1: I have a question though, when you when you have

99
00:04:03,800 --> 00:04:06,480
Speaker 1: a big like rap supergroup like that, are there they

100
00:04:06,600 --> 00:04:08,440
Speaker 1: all dirty?

101
00:04:09,080 --> 00:04:11,960
Speaker 2: Baby? I got your money, don't you worry?

102
00:04:12,360 --> 00:04:16,120
Speaker 1: I said, Hey, I know that song. Yeah, that's before

103
00:04:16,120 --> 00:04:18,440
Speaker 1: you go into another song. I have a question. Do

104
00:04:18,560 --> 00:04:21,560
Speaker 1: they all take turns like I'm gonna rap now, all right,

105
00:04:21,600 --> 00:04:23,320
Speaker 1: now you're up you rap now that kind of thing,

106
00:04:23,360 --> 00:04:24,799
Speaker 1: like like like they take turns.

107
00:04:25,000 --> 00:04:28,120
Speaker 2: Well, some of them have like a connection. So remember

108
00:04:28,200 --> 00:04:30,960
Speaker 2: run DMC growing up, Yeah, right, yes, yes, yes, the

109
00:04:31,040 --> 00:04:34,960
Speaker 2: Adidas my Adidas, right, those two had a connection. So

110
00:04:35,000 --> 00:04:38,040
Speaker 2: when they rapped, they could when they rhyme, they could

111
00:04:38,120 --> 00:04:40,560
Speaker 2: bounce off of each other. Some people it's like you

112
00:04:40,600 --> 00:04:42,479
Speaker 2: and I, how we have a good uh how we

113
00:04:42,520 --> 00:04:46,000
Speaker 2: have good chemistry? Same thing with rappers, right, and you

114
00:04:46,080 --> 00:04:48,080
Speaker 2: look for when you're a rapper, you look for that

115
00:04:48,160 --> 00:04:50,920
Speaker 2: person that you have chemistry. Drake and Future have really

116
00:04:50,920 --> 00:04:53,400
Speaker 2: good chemistry together. So they do a lot of records together.

117
00:04:54,560 --> 00:04:57,240
Speaker 2: And so it's the same thing you know, uh in

118
00:04:57,240 --> 00:04:59,560
Speaker 2: in the Wu Tang because it was so big, the

119
00:04:59,600 --> 00:05:03,039
Speaker 2: wo was so big, there are little tiny groups with

120
00:05:03,279 --> 00:05:07,159
Speaker 2: inside the sub groups within the Wu. Right, So ghost

121
00:05:07,240 --> 00:05:11,480
Speaker 2: Face and uh ghost Face and Ray Kwana Chef. That's

122
00:05:11,520 --> 00:05:13,400
Speaker 2: the one I forgot to mention. I should have put

123
00:05:13,480 --> 00:05:15,760
Speaker 2: Ray Kuana. He got the best. He got probably the

124
00:05:15,760 --> 00:05:18,240
Speaker 2: best bill for Cuban Linx is probably the best Wu

125
00:05:18,320 --> 00:05:23,640
Speaker 2: Tang record in my opinion. It's got so many good

126
00:05:23,680 --> 00:05:26,599
Speaker 2: songs on it. Anyway, ghost Face and Ray Kwan do

127
00:05:26,960 --> 00:05:30,160
Speaker 2: very well together and on record they bounce off of

128
00:05:30,240 --> 00:05:34,360
Speaker 2: each other very well. So they are Now who's your favorite?

129
00:05:34,360 --> 00:05:36,120
Speaker 1: If you had to pick one member of the Wu

130
00:05:36,160 --> 00:05:39,280
Speaker 1: Tang clan, that's like your favorite rapper in the group.

131
00:05:39,760 --> 00:05:44,520
Speaker 2: The Jizz, the Genius, I like him a lot. I

132
00:05:44,600 --> 00:05:48,160
Speaker 2: liked o dB a lot. I like I like Meth

133
00:05:49,000 --> 00:05:51,479
Speaker 2: Method man, I like I like all of you. To

134
00:05:51,480 --> 00:05:53,960
Speaker 2: be honest, are they still Are they still? Like ghost

135
00:05:53,960 --> 00:05:57,240
Speaker 2: Face got somebody when the world's normal?

136
00:05:57,279 --> 00:05:58,080
Speaker 1: Do they still tour?

137
00:05:58,560 --> 00:06:01,120
Speaker 2: I hope? So it's a lot of egos, man, it's

138
00:06:01,120 --> 00:06:02,640
Speaker 2: a lot of them, man, how do you do that?

139
00:06:02,920 --> 00:06:05,520
Speaker 2: How do you That's like? Look, the Jackson five couldn't

140
00:06:05,520 --> 00:06:07,680
Speaker 2: stay together and they were brothers. How do you do it?

141
00:06:08,800 --> 00:06:11,920
Speaker 1: When we go on the road eventually touring this show,

142
00:06:12,000 --> 00:06:14,719
Speaker 1: I feel like your ego is gonna soar like an

143
00:06:14,800 --> 00:06:16,440
Speaker 1: eagle out of control.

144
00:06:16,680 --> 00:06:17,840
Speaker 2: It depends on if they.

145
00:06:17,880 --> 00:06:20,880
Speaker 1: You're gonna want, You're gonna have demands, you're gonna have

146
00:06:21,160 --> 00:06:23,880
Speaker 1: in your rider. There's gonna be all sorts of rules,

147
00:06:23,960 --> 00:06:25,080
Speaker 1: no eye contact.

148
00:06:25,279 --> 00:06:27,800
Speaker 2: It all depends on how loud they applaud for me

149
00:06:27,839 --> 00:06:29,920
Speaker 2: if they applaud for you louder then they applaud for me,

150
00:06:30,000 --> 00:06:32,680
Speaker 2: I feel like I'll fall into a little you know,

151
00:06:33,360 --> 00:06:36,440
Speaker 2: back into a way. Well, we're gonna Dan when going

152
00:06:36,520 --> 00:06:38,359
Speaker 2: applaud for me more than they applaud for you. You

153
00:06:38,440 --> 00:06:40,640
Speaker 2: damn right, man, I want my bus to be bigger.

154
00:06:40,960 --> 00:06:43,040
Speaker 1: Yeah, we're gonna measure up. We're gonna have the same bus.

155
00:06:43,160 --> 00:06:45,960
Speaker 1: Listen when Dan, We're gonna bring Dan and Joel, and

156
00:06:46,040 --> 00:06:50,200
Speaker 1: Dan's gonna bring his thunderous applause button, so we'll be

157
00:06:50,240 --> 00:06:53,119
Speaker 1: able to augment whatever the crowd does. We'll be able

158
00:06:53,120 --> 00:06:55,480
Speaker 1: to augment the audience. You ever were looking at an award

159
00:06:55,560 --> 00:06:57,920
Speaker 1: show and you hear the applause on an award show

160
00:06:57,920 --> 00:06:59,960
Speaker 1: and then you look around and no one's clapping. Yeah,

161
00:07:00,080 --> 00:07:02,120
Speaker 1: like like like no one in an award show is

162
00:07:02,120 --> 00:07:04,880
Speaker 1: paying attention, so that they they'd be like a third

163
00:07:04,920 --> 00:07:08,279
Speaker 1: of them clapping, so they just augment all this thunderous applause. Well,

164
00:07:08,320 --> 00:07:10,360
Speaker 1: that's gonna be what Dan is doing for us.

165
00:07:10,320 --> 00:07:12,840
Speaker 2: When we're on tour with this show. So before we

166
00:07:13,120 --> 00:07:15,960
Speaker 2: before we start the show, Dan will be like, all right,

167
00:07:16,000 --> 00:07:18,680
Speaker 2: so I need some thunderous applause from you. Guys. Okay, everybody,

168
00:07:18,800 --> 00:07:21,080
Speaker 2: and now I need some laughter, need some laughter.

169
00:07:21,280 --> 00:07:25,720
Speaker 1: No, no, no, bro, he's just gonna bring it. It'll be,

170
00:07:25,800 --> 00:07:27,160
Speaker 1: it'll be, it'll be a button.

171
00:07:27,360 --> 00:07:29,320
Speaker 2: Well, hell yeah, he's gonna be. He's gonna bring it.

172
00:07:29,440 --> 00:07:30,520
Speaker 2: Dan always brings it.

173
00:07:30,640 --> 00:07:32,680
Speaker 1: Yeah, Dan's gonna bring it, dude.

174
00:07:32,440 --> 00:07:35,080
Speaker 2: He's gonna bring it. Of course he brings it. We're

175
00:07:35,080 --> 00:07:38,360
Speaker 2: gonna applause.

176
00:07:38,600 --> 00:07:41,840
Speaker 1: I think we're probably gonna play arenas and and we're

177
00:07:41,840 --> 00:07:44,520
Speaker 1: gonna and we're gonna need to do sound checks at

178
00:07:44,560 --> 00:07:45,240
Speaker 1: these arenas.

179
00:07:45,440 --> 00:07:50,320
Speaker 2: If we play arenas, imagine that. Imagine we go to London. Yeah,

180
00:07:50,360 --> 00:07:52,600
Speaker 2: and what's the big arena to the O two two

181
00:07:52,640 --> 00:07:56,320
Speaker 2: and we play the O two That would be the

182
00:07:56,360 --> 00:07:57,920
Speaker 2: best day of my life. I'm gonna tell you something

183
00:07:57,960 --> 00:08:01,600
Speaker 2: right now, London, make it, make it happen. Let's put

184
00:08:01,600 --> 00:08:03,120
Speaker 2: it out there like that shit.

185
00:08:03,160 --> 00:08:05,760
Speaker 1: Listen. I'm sure, I'm sure we're gonna be playing like

186
00:08:06,040 --> 00:08:09,040
Speaker 1: four hundred seed theaters. But in reality, let's secret it

187
00:08:09,160 --> 00:08:11,320
Speaker 1: that we sell out the O two arena for fake

188
00:08:11,400 --> 00:08:12,400
Speaker 1: doctor's real friends.

189
00:08:12,680 --> 00:08:14,640
Speaker 2: That would be the best. That would be the best

190
00:08:14,760 --> 00:08:16,600
Speaker 2: night of my life. Listen.

191
00:08:16,600 --> 00:08:18,560
Speaker 1: You got to put ship out there. You got to

192
00:08:18,600 --> 00:08:22,240
Speaker 1: put outrageous ship out there and make it come true.

193
00:08:22,240 --> 00:08:24,400
Speaker 1: Remember I told you about the whiteboard. You'd get a

194
00:08:24,400 --> 00:08:27,920
Speaker 1: whiteboard and you write the most outrageous ship you want

195
00:08:27,960 --> 00:08:30,680
Speaker 1: to have happened in your life and you look at

196
00:08:30,720 --> 00:08:31,760
Speaker 1: it every single day.

197
00:08:32,000 --> 00:08:34,640
Speaker 2: Who'd you say, did that? Well?

198
00:08:34,679 --> 00:08:35,800
Speaker 1: I have a lot of people in my life have

199
00:08:35,840 --> 00:08:38,480
Speaker 1: told me this, but the great the anecdote I referenced

200
00:08:38,520 --> 00:08:42,640
Speaker 1: on the show was I'm friends with John Legends manager

201
00:08:42,960 --> 00:08:44,719
Speaker 1: and they her name is Ti and they went to

202
00:08:44,760 --> 00:08:48,320
Speaker 1: a high school together. And she said, when he first started,

203
00:08:48,760 --> 00:08:50,880
Speaker 1: they got a big whiteboard and they were putting them out.

204
00:08:50,920 --> 00:08:52,760
Speaker 1: They were like, let's be outraged, like I don't know,

205
00:08:52,880 --> 00:08:55,640
Speaker 1: cover of Time magazine, like this, many Grammys. They were

206
00:08:55,640 --> 00:08:58,440
Speaker 1: like sitting there laughing about the outrageous ship they were

207
00:08:58,440 --> 00:09:00,839
Speaker 1: putting on this whiteboard. And she to me and she said,

208
00:09:01,000 --> 00:09:04,960
Speaker 1: every single thing on that whiteboard happened. And she said,

209
00:09:05,120 --> 00:09:07,280
Speaker 1: now I do whiteboards with all my clients and and

210
00:09:07,360 --> 00:09:09,760
Speaker 1: like you know, so anyway, it's about manifesting, it's about

211
00:09:09,800 --> 00:09:12,840
Speaker 1: making shit happen. I have a whiteboard in my bedroom

212
00:09:13,280 --> 00:09:15,800
Speaker 1: and I'll some some things on there are like goals

213
00:09:15,840 --> 00:09:18,760
Speaker 1: I have, and some things on there are like outrageous.

214
00:09:18,800 --> 00:09:20,800
Speaker 1: I mean, obviously we're not gonna sell its arena, but

215
00:09:20,800 --> 00:09:21,360
Speaker 1: I'm saying you can.

216
00:09:21,480 --> 00:09:23,760
Speaker 2: You can put that shit on the board. It could happen.

217
00:09:24,000 --> 00:09:26,880
Speaker 2: It happened for John Legend. Man, the dude's got egot.

218
00:09:27,160 --> 00:09:28,880
Speaker 2: He got the egot. Let's make it happen.

219
00:09:29,000 --> 00:09:29,280
Speaker 4: Dude.

220
00:09:29,280 --> 00:09:31,280
Speaker 1: Well, maybe we have to bring John Legend. If it

221
00:09:31,360 --> 00:09:35,760
Speaker 1: was like if we open for John Legend, let's do it.

222
00:09:35,840 --> 00:09:36,640
Speaker 2: Let's call on Legend.

223
00:09:36,720 --> 00:09:38,960
Speaker 1: Yeah, man, listen, the guy's got an egot. Okay, So

224
00:09:39,040 --> 00:09:41,560
Speaker 1: put your egot on your board. I believe in it

225
00:09:41,600 --> 00:09:43,560
Speaker 1: because you look at the board every day, and even

226
00:09:43,559 --> 00:09:47,959
Speaker 1: in your subconscious brain, your mind is going, I'm gonna

227
00:09:48,000 --> 00:09:50,200
Speaker 1: find a way to work on that today. I'm gonna

228
00:09:50,240 --> 00:09:53,440
Speaker 1: make that call I'm afraid to make. I'm gonna, you know,

229
00:09:53,720 --> 00:09:55,520
Speaker 1: for some people, it's fitness. They're like, you know what,

230
00:09:55,600 --> 00:09:57,400
Speaker 1: I just looked at that whiteboard, and I gotta get

231
00:09:57,400 --> 00:09:59,120
Speaker 1: on the treadmill today. I promise myself.

232
00:10:00,480 --> 00:10:02,320
Speaker 2: I like her. I'm gonna I'm gonna put the white

233
00:10:02,320 --> 00:10:04,719
Speaker 2: board in my in my bedroom, get white share it

234
00:10:04,920 --> 00:10:06,559
Speaker 2: with Casey, and I'm gonna be like, baby, let's put

235
00:10:06,559 --> 00:10:09,160
Speaker 2: the most outrageous Yes, on this board.

236
00:10:09,280 --> 00:10:11,959
Speaker 1: I'm telling you listeners, this is the you know, Brene Brown,

237
00:10:12,160 --> 00:10:14,960
Speaker 1: very popular. This is our Brene Brown moment. This is

238
00:10:14,960 --> 00:10:19,280
Speaker 1: our self help motivational moment on Fake Doctor's Real Friends.

239
00:10:19,320 --> 00:10:21,200
Speaker 1: You can make anything happen.

240
00:10:21,840 --> 00:10:25,280
Speaker 2: Okay, dude, I love this. I love this. I love you.

241
00:10:25,559 --> 00:10:28,200
Speaker 2: I love that we did this together, the four of

242
00:10:28,320 --> 00:10:30,840
Speaker 2: us and our and our listeners. Yeah, what's you make

243
00:10:30,880 --> 00:10:33,600
Speaker 2: that shit happen? Let's do I have a sweatshirt on

244
00:10:33,679 --> 00:10:36,600
Speaker 2: today because my wife of those Bieber things. No, it's

245
00:10:36,640 --> 00:10:38,079
Speaker 2: Mickey Mouse, you.

246
00:10:38,080 --> 00:10:43,000
Speaker 1: Know, my my my forty something crisis is being managed

247
00:10:43,000 --> 00:10:44,319
Speaker 1: by just getting lots of tattoos.

248
00:10:44,480 --> 00:10:45,680
Speaker 2: Nice. Good for you, man.

249
00:10:45,840 --> 00:10:47,760
Speaker 1: I was always afraid to get tattoos because my father

250
00:10:47,840 --> 00:10:51,560
Speaker 1: hated them. And when my sister died, I got her

251
00:10:51,640 --> 00:10:54,440
Speaker 1: name in Hebrew on my on my arm, and my

252
00:10:54,520 --> 00:10:56,960
Speaker 1: father kind of like was okay with that because it

253
00:10:57,040 --> 00:10:59,160
Speaker 1: was you know, meaningful and it was Hebrew. And then

254
00:10:59,440 --> 00:11:01,960
Speaker 1: when he pass way, like I realized that so much,

255
00:11:02,120 --> 00:11:04,160
Speaker 1: even though I was in my forties, I still was

256
00:11:04,200 --> 00:11:07,000
Speaker 1: so nervous about what my father would think. And then

257
00:11:07,000 --> 00:11:08,800
Speaker 1: I was like, all right, it's time to fucking tattoo

258
00:11:08,840 --> 00:11:10,160
Speaker 1: the ship out of myself right on.

259
00:11:10,360 --> 00:11:11,560
Speaker 2: So you're gonna have a sleep soon.

260
00:11:11,920 --> 00:11:13,440
Speaker 1: Well, I don't know about a sleep. But where do

261
00:11:13,480 --> 00:11:15,000
Speaker 1: you want your face? When I get it, I was

262
00:11:15,040 --> 00:11:16,240
Speaker 1: thinking my left areola.

263
00:11:16,600 --> 00:11:18,520
Speaker 2: I was thinking your face for sure. I mean, what

264
00:11:18,559 --> 00:11:18,920
Speaker 2: if I.

265
00:11:18,880 --> 00:11:22,160
Speaker 1: Did you on my pictoralus major and then listen and

266
00:11:22,200 --> 00:11:24,800
Speaker 1: then your mouth was open, but then in your mouth

267
00:11:24,960 --> 00:11:25,920
Speaker 1: was my left ariola.

268
00:11:27,000 --> 00:11:30,880
Speaker 2: That's weird. That's weird. I prefer you just got my

269
00:11:31,000 --> 00:11:34,000
Speaker 2: face on your face, like you took my face and

270
00:11:34,080 --> 00:11:35,720
Speaker 2: tattooed it on your face.

271
00:11:36,520 --> 00:11:37,400
Speaker 3: Episode about this.

272
00:11:38,360 --> 00:11:40,120
Speaker 2: No, I didn't say on his whole face, like my

273
00:11:40,200 --> 00:11:43,520
Speaker 2: face on his cheeks. I don't know. Second, I don't

274
00:11:43,720 --> 00:11:45,040
Speaker 2: see I don't.

275
00:11:44,960 --> 00:11:52,400
Speaker 1: Jellify his black face. If I Joe, can you imagine?

276
00:11:52,600 --> 00:11:52,840
Speaker 3: You can?

277
00:11:53,080 --> 00:11:56,120
Speaker 2: All you can think of him painting my face on

278
00:11:56,160 --> 00:11:56,959
Speaker 2: his face.

279
00:11:57,360 --> 00:12:00,160
Speaker 1: Wouldn't face off text, but like a tattoo.

280
00:11:59,800 --> 00:12:02,040
Speaker 2: For right, No, it would be an outline.

281
00:12:02,480 --> 00:12:05,520
Speaker 1: Joelle, Joelle, it would be an outline. Joelle's like now

282
00:12:05,559 --> 00:12:08,720
Speaker 1: managing all of our black face issues. She's like, guys,

283
00:12:08,760 --> 00:12:12,360
Speaker 1: sounding like that might be black face. Hey, guys, I

284
00:12:12,400 --> 00:12:14,319
Speaker 1: got to chime in here. That sounds like it might

285
00:12:14,360 --> 00:12:16,480
Speaker 1: be black face. Joelle would be an outline. It wouldn't

286
00:12:16,480 --> 00:12:18,000
Speaker 1: be like colored in, it would be it would be

287
00:12:18,120 --> 00:12:19,560
Speaker 1: an outline of Donald's face.

288
00:12:19,760 --> 00:12:21,880
Speaker 2: Well, I would just want it on your cheek or

289
00:12:21,880 --> 00:12:23,000
Speaker 2: on your forehead, you know.

290
00:12:23,160 --> 00:12:26,920
Speaker 1: Any Way, the guy tattoos me told me that we

291
00:12:26,920 --> 00:12:28,720
Speaker 1: were talking about all these young kids that are getting

292
00:12:28,760 --> 00:12:31,080
Speaker 1: tattoos on their face and how ridiculous it is. And

293
00:12:31,120 --> 00:12:33,200
Speaker 1: he said that he's really surprised that any of these

294
00:12:33,280 --> 00:12:35,840
Speaker 1: artists are doing it because there's sort of this unwritten

295
00:12:35,920 --> 00:12:39,000
Speaker 1: code amongst tattoo artists that you would never put a

296
00:12:39,040 --> 00:12:44,360
Speaker 1: tattoo on a young person's face, right, and because for

297
00:12:44,440 --> 00:12:48,160
Speaker 1: obvious reasons, And he said, and now that there's this

298
00:12:48,920 --> 00:12:51,200
Speaker 1: fad of it happening, he thinks that they're all just

299
00:12:51,240 --> 00:12:54,120
Speaker 1: doing it for Instagram fame, because these kids are often,

300
00:12:54,559 --> 00:12:58,560
Speaker 1: you know, famous people, and they're doing it saying, fuck it,

301
00:12:58,600 --> 00:13:01,319
Speaker 1: I'm gonna get my fifteen minutes of fame. But you know, obviously,

302
00:13:01,520 --> 00:13:03,400
Speaker 1: get these young people that are all tattooing the share

303
00:13:03,440 --> 00:13:04,040
Speaker 1: of their faces.

304
00:13:04,120 --> 00:13:05,880
Speaker 2: Dude, you might not be able to get the money later,

305
00:13:06,000 --> 00:13:07,400
Speaker 2: you know what I mean, Get the money now if

306
00:13:07,440 --> 00:13:10,240
Speaker 2: you can. That's that's the that's the yolo man. You

307
00:13:10,280 --> 00:13:11,800
Speaker 2: only live once you know, are.

308
00:13:11,679 --> 00:13:13,280
Speaker 1: You would tattoo a child's face?

309
00:13:13,360 --> 00:13:17,000
Speaker 2: Donald, I'm not. First of all, I am not a

310
00:13:17,040 --> 00:13:19,320
Speaker 2: tattoo artist, so I'll never have to put myself in

311
00:13:19,320 --> 00:13:19,760
Speaker 2: this situation.

312
00:13:19,920 --> 00:13:23,160
Speaker 1: You just told these sex guys and tattoo someone's face.

313
00:13:23,400 --> 00:13:27,040
Speaker 2: I'm saying, the reasoning behind it is this, dude, do

314
00:13:27,080 --> 00:13:31,160
Speaker 2: you You don't listen. If scrubs didn't happen, you don't

315
00:13:31,200 --> 00:13:32,600
Speaker 2: know what you would have done to make them to

316
00:13:32,640 --> 00:13:35,000
Speaker 2: make ends meet. If you're acting, if you're acting and

317
00:13:35,040 --> 00:13:37,040
Speaker 2: directing stuff, you know what I mean? You could have

318
00:13:37,040 --> 00:13:39,760
Speaker 2: gone into a business that you might not be proud of.

319
00:13:40,200 --> 00:13:45,120
Speaker 2: You might be. You might Instagram model right now and

320
00:13:45,160 --> 00:13:48,319
Speaker 2: a dong talking about followers.

321
00:13:48,480 --> 00:13:51,800
Speaker 1: I love how these girls Instagram influenced people. They took

322
00:13:51,800 --> 00:13:55,000
Speaker 1: like a little time off for COVID and the Black

323
00:13:55,000 --> 00:13:58,079
Speaker 1: Lives Matter movement, and now they're all back fucking tushes

324
00:13:58,120 --> 00:14:06,560
Speaker 1: in the air, selling tea on some yacht and a visa.

325
00:14:07,000 --> 00:14:11,719
Speaker 2: Oh my god, yolo. Nobody says yolo anymore, they say

326
00:14:11,840 --> 00:14:15,400
Speaker 2: these days. I don't know TikTok dancing. I've been inside

327
00:14:15,440 --> 00:14:17,640
Speaker 2: so long, I have no idea what the kids are saying.

328
00:14:17,440 --> 00:14:19,720
Speaker 1: While they're all on some old guy's yacht doing a

329
00:14:19,760 --> 00:14:23,360
Speaker 1: TikTok dance. But you know what, they must have put

330
00:14:23,360 --> 00:14:24,640
Speaker 1: that shit on the white board.

331
00:14:27,440 --> 00:14:30,000
Speaker 2: Imagine that was on the white board. Imagine that's the

332
00:14:30,040 --> 00:14:32,520
Speaker 2: white board. I bet you want to be that's their

333
00:14:32,560 --> 00:14:33,440
Speaker 2: fucking whiteboard.

334
00:14:33,480 --> 00:14:35,760
Speaker 1: I want to be on a yacht having somebody pay

335
00:14:35,880 --> 00:14:39,000
Speaker 1: for it, making that Instagram money.

336
00:14:39,200 --> 00:14:43,600
Speaker 2: That's what's up. That's what hey there it is. Go

337
00:14:43,760 --> 00:14:46,480
Speaker 2: for yours, listen. That's what I say to everybody and

338
00:14:46,560 --> 00:14:50,200
Speaker 2: anybody out there who has dreams and they want fame.

339
00:14:50,760 --> 00:14:53,040
Speaker 2: As long as you don't disrespect nobody or hurt nobody,

340
00:14:53,080 --> 00:14:53,920
Speaker 2: go for yours. Man.

341
00:14:54,200 --> 00:14:56,640
Speaker 1: Yeah, but if you can try and go for something

342
00:14:56,680 --> 00:14:59,560
Speaker 1: that contributes to society in some meaningful.

343
00:14:59,200 --> 00:15:01,240
Speaker 2: Way, sure you can. Aren't yourself later on? You got

344
00:15:01,320 --> 00:15:04,080
Speaker 2: everybody has something to say. I miss you so much

345
00:15:04,120 --> 00:15:05,560
Speaker 2: at Her, I miss you so much more. Dude.

346
00:15:05,640 --> 00:15:07,720
Speaker 1: Should we get into the show? Tom Kavana's here.

347
00:15:07,880 --> 00:15:13,840
Speaker 2: I'm so excited about count seeing six seven stories about

348
00:15:13,960 --> 00:15:20,960
Speaker 2: show we made about a bunch of dogs, and nurses said,

349
00:15:21,040 --> 00:15:28,000
Speaker 2: he's the story is news. So get round you here,

350
00:15:28,520 --> 00:15:32,080
Speaker 2: yea here.

351
00:15:32,080 --> 00:15:32,160
Speaker 4: And.

352
00:15:35,560 --> 00:15:37,680
Speaker 1: What a show? What a show we have today? Donald,

353
00:15:37,680 --> 00:15:41,400
Speaker 1: It's a really good episode and the hilarious Tom Cavanaugh's here.

354
00:15:41,400 --> 00:15:43,720
Speaker 1: We have so much to say. Let's just get in, Dan,

355
00:15:43,880 --> 00:15:47,080
Speaker 1: allow him into the room. Here he comes. I haven't

356
00:15:47,080 --> 00:15:49,760
Speaker 1: seen him in years. I haven't seen him in years.

357
00:15:49,960 --> 00:15:53,160
Speaker 2: Tom call look at some.

358
00:15:53,120 --> 00:15:55,560
Speaker 1: Applause, Dan thunder a plause.

359
00:15:55,600 --> 00:15:58,600
Speaker 2: Look at how handsome you. It's like, look at you

360
00:15:59,200 --> 00:16:00,680
Speaker 2: and look at him, like.

361
00:16:00,840 --> 00:16:01,840
Speaker 1: Look at in the mirror.

362
00:16:02,000 --> 00:16:03,800
Speaker 4: It's that's that's pandemic.

363
00:16:04,160 --> 00:16:05,880
Speaker 2: You've got the pandemic face going on.

364
00:16:06,200 --> 00:16:08,800
Speaker 1: Now. You did get more handsome with age, Tom Cavanaugh,

365
00:16:08,920 --> 00:16:11,360
Speaker 1: And I can say that because people think we look alike.

366
00:16:12,080 --> 00:16:14,600
Speaker 4: This is true. I can say, likewise, my friend, look

367
00:16:14,640 --> 00:16:18,080
Speaker 4: at you guys, My goodness, gracious, I'm so good, so

368
00:16:18,160 --> 00:16:20,280
Speaker 4: good to see your faces. Holy man, see.

369
00:16:20,080 --> 00:16:23,080
Speaker 2: Your Are you living in Canada or do you live

370
00:16:23,120 --> 00:16:23,680
Speaker 2: in the US?

371
00:16:23,800 --> 00:16:26,680
Speaker 4: Still well, I live in New York, but I film

372
00:16:26,720 --> 00:16:30,160
Speaker 4: a show in Canada, and when the pandemic hit, I

373
00:16:30,400 --> 00:16:33,360
Speaker 4: stuck it up north. Hi, Joel, I'm Tom.

374
00:16:33,400 --> 00:16:34,640
Speaker 2: By the way.

375
00:16:35,000 --> 00:16:38,080
Speaker 4: I'm nice to meet you in person. I listened to

376
00:16:38,120 --> 00:16:40,000
Speaker 4: you guys, so I've sort of been familiar with that.

377
00:16:40,240 --> 00:16:41,960
Speaker 2: Do you know what? I watched your show? Right? You know?

378
00:16:42,040 --> 00:16:42,800
Speaker 2: I watch your show.

379
00:16:43,800 --> 00:16:45,240
Speaker 4: I don't know that, but I know you have like

380
00:16:45,280 --> 00:16:48,000
Speaker 4: twenty seven children, so I figure maybe in that demo

381
00:16:48,080 --> 00:16:48,680
Speaker 4: some well.

382
00:16:48,880 --> 00:16:51,000
Speaker 1: But not watching it for his kids. He's watching it

383
00:16:51,040 --> 00:16:51,400
Speaker 1: for him.

384
00:16:51,400 --> 00:16:54,000
Speaker 2: So for me, I love the Flash. Dude, are you

385
00:16:54,080 --> 00:16:58,200
Speaker 2: kidding me? That's trumandic gott a dynamite cast.

386
00:16:58,760 --> 00:17:02,120
Speaker 1: Donald is your target, tom he watches all of this stuff.

387
00:17:03,480 --> 00:17:06,160
Speaker 1: C W is a bunch of teams window.

388
00:17:06,400 --> 00:17:09,600
Speaker 2: How does how did listen? Man? Are you? Is this

389
00:17:09,640 --> 00:17:10,040
Speaker 2: the only?

390
00:17:10,440 --> 00:17:10,560
Speaker 3: Man?

391
00:17:10,960 --> 00:17:13,240
Speaker 2: Listen? Man? Is this the only Wells? Now? Are you

392
00:17:13,280 --> 00:17:13,680
Speaker 2: the only?

393
00:17:14,040 --> 00:17:14,320
Speaker 3: Is this?

394
00:17:14,800 --> 00:17:18,399
Speaker 2: Is this the final Wells? Because the Mousie Verse, the

395
00:17:18,480 --> 00:17:21,679
Speaker 2: crisis happened and everything happened. You know, there's only what

396
00:17:21,840 --> 00:17:24,720
Speaker 2: like four earths five earths now in the whole arrow Verse,

397
00:17:25,359 --> 00:17:29,360
Speaker 2: and now Supergirl lives on Earth one with you guys,

398
00:17:29,440 --> 00:17:33,439
Speaker 2: And I don't know. My point is. My point is,

399
00:17:33,520 --> 00:17:36,520
Speaker 2: let the man fucking speak, dude, No, no, no, keep going.

400
00:17:36,680 --> 00:17:37,800
Speaker 1: He's getting worked up, Tommy.

401
00:17:38,160 --> 00:17:40,400
Speaker 2: I'm really excited because I really do love the show.

402
00:17:40,600 --> 00:17:43,120
Speaker 2: I really do love the show. Now you and Cisco

403
00:17:43,240 --> 00:17:46,000
Speaker 2: Ramone together, I love Wells and Cisco Ramon. I love

404
00:17:46,040 --> 00:17:48,320
Speaker 2: the whole thing. So look, my question is, are you

405
00:17:48,440 --> 00:17:51,040
Speaker 2: the only Wells left now that you've gone off and

406
00:17:51,080 --> 00:17:53,600
Speaker 2: you've become pariah and everything like that is just the

407
00:17:53,640 --> 00:17:55,160
Speaker 2: only Wells there is.

408
00:17:55,680 --> 00:18:00,520
Speaker 4: Here's what's ridiculous about doing the show, a superhero show.

409
00:18:00,720 --> 00:18:03,199
Speaker 4: I run into people like like you, and I just

410
00:18:03,320 --> 00:18:07,080
Speaker 4: I am so inferior with my knowledge. I'm like, you

411
00:18:07,160 --> 00:18:09,960
Speaker 4: know more, you know more than me. And I'm not exaggerating.

412
00:18:10,000 --> 00:18:12,480
Speaker 4: I'm not trying to play Donald like. I understand by

413
00:18:12,520 --> 00:18:16,000
Speaker 4: listening to you that you have a better grasp of

414
00:18:16,200 --> 00:18:22,920
Speaker 4: the whole thing than I do. I feel like, as

415
00:18:22,920 --> 00:18:25,280
Speaker 4: you guys know, when you do a long running television show,

416
00:18:25,520 --> 00:18:28,439
Speaker 4: if there needs to be another Wells, there can be

417
00:18:28,520 --> 00:18:29,280
Speaker 4: another Wells.

418
00:18:29,400 --> 00:18:32,680
Speaker 2: That's what's up. I thought they were. Yeah. Absolutely, here's

419
00:18:32,720 --> 00:18:33,000
Speaker 2: the thing.

420
00:18:33,800 --> 00:18:36,000
Speaker 1: Can you explain, Donald? First of all, catch your breath,

421
00:18:36,240 --> 00:18:39,080
Speaker 1: calm down. Okay, you're embarrassing us in front of our guests.

422
00:18:39,160 --> 00:18:40,919
Speaker 2: Listen. This is this is exactly what I did to

423
00:18:40,920 --> 00:18:42,800
Speaker 2: George lucas Man. This is exactly what.

424
00:18:42,760 --> 00:18:44,600
Speaker 1: I can get too high. And by the way, when

425
00:18:44,640 --> 00:18:46,320
Speaker 1: this show's over, he's gonna take a nap because he's

426
00:18:46,320 --> 00:18:48,639
Speaker 1: gonna get woozy. He gets very amped up and then

427
00:18:48,680 --> 00:18:49,520
Speaker 1: he gets woozy.

428
00:18:49,760 --> 00:18:52,120
Speaker 2: This is what. This is all the fans out there

429
00:18:52,119 --> 00:18:55,040
Speaker 2: who were wondering how I geek out when I when

430
00:18:55,040 --> 00:18:57,359
Speaker 2: I meet or talk to people that do something that

431
00:18:57,400 --> 00:18:59,200
Speaker 2: I'm like, holy shit about this?

432
00:18:59,240 --> 00:18:59,439
Speaker 4: Is it?

433
00:18:59,520 --> 00:19:02,000
Speaker 2: Right here? I can't breathe right now. I sweating. I

434
00:19:02,000 --> 00:19:04,440
Speaker 2: know I have a sweatshirt on, but I'm sweating under here.

435
00:19:04,359 --> 00:19:06,119
Speaker 1: All right, But calm down now. For those of you

436
00:19:06,119 --> 00:19:08,159
Speaker 1: who don't know, Tom is on the Flash. And as

437
00:19:08,200 --> 00:19:11,320
Speaker 1: I understand it, with the c W Superhero shows, you

438
00:19:11,400 --> 00:19:14,000
Speaker 1: bounce around to the other shows in the same universe,

439
00:19:14,080 --> 00:19:17,360
Speaker 1: right and they all they're all under the Greg Burlany umbrella.

440
00:19:17,400 --> 00:19:17,879
Speaker 2: I'm guessing.

441
00:19:17,960 --> 00:19:20,119
Speaker 4: Yes, the golden Boy of Hollywood that used to be

442
00:19:20,240 --> 00:19:23,320
Speaker 4: Bill Lawrence is now Greg Burlanty and has he has

443
00:19:23,760 --> 00:19:25,120
Speaker 4: four hundred shows on the air.

444
00:19:25,320 --> 00:19:27,560
Speaker 1: Yeah. Part by the way, my very first job, Tom

445
00:19:27,640 --> 00:19:30,280
Speaker 1: cavin well first lead in the movie was Broken Hearts Club,

446
00:19:30,320 --> 00:19:34,840
Speaker 1: Greg Burlanni's first movie. That's tremendous, and and now and

447
00:19:34,840 --> 00:19:37,960
Speaker 1: and and he we went to Northwestern together and he

448
00:19:38,400 --> 00:19:41,240
Speaker 1: now he's like, has the most shows on television of anybody.

449
00:19:41,640 --> 00:19:47,640
Speaker 4: You and I when we were talking about doing your podcast, Uh,

450
00:19:47,840 --> 00:19:50,920
Speaker 4: the text that came up right next to that text

451
00:19:50,920 --> 00:19:53,760
Speaker 4: the last time we talked. Can I can I read

452
00:19:53,800 --> 00:19:55,040
Speaker 4: a text that you as long.

453
00:19:54,920 --> 00:20:00,480
Speaker 1: As it's not like you up, it's quite It's like

454
00:20:00,520 --> 00:20:02,199
Speaker 1: four in the morning and I'm hammered. You up.

455
00:20:02,480 --> 00:20:09,040
Speaker 4: It's solid comedy. It's you say, tell Berlany, I want

456
00:20:09,040 --> 00:20:13,120
Speaker 4: to do a cameos reverse Flash's brother. I say done.

457
00:20:13,280 --> 00:20:16,160
Speaker 4: You say, totally unbuild though a surprise. But I'll need

458
00:20:16,200 --> 00:20:19,960
Speaker 4: special powers. I say, make a list, power list, nothing

459
00:20:19,960 --> 00:20:22,639
Speaker 4: with heavy hammers. That shit is boring. You say, laser

460
00:20:22,680 --> 00:20:24,880
Speaker 4: eyes please. I say those are free.

461
00:20:26,119 --> 00:20:26,880
Speaker 1: That sounds great.

462
00:20:28,000 --> 00:20:29,320
Speaker 4: I feel like it's a miss.

463
00:20:29,400 --> 00:20:30,760
Speaker 1: Why did that never happen?

464
00:20:31,280 --> 00:20:33,040
Speaker 4: I know what I feel like now that I've done this,

465
00:20:33,119 --> 00:20:35,000
Speaker 4: and I know that Donald wants to be on board,

466
00:20:35,000 --> 00:20:37,479
Speaker 4: I feel like now it's just now. Now you're forcing

467
00:20:37,520 --> 00:20:39,359
Speaker 4: his hand because you're putting it out to the public,

468
00:20:39,520 --> 00:20:40,800
Speaker 4: and I was going to have to hire you.

469
00:20:41,080 --> 00:20:44,160
Speaker 2: We were talking about white boards and putting manifesting your

470
00:20:44,160 --> 00:20:47,280
Speaker 2: destination onto white boards. This is on my white board.

471
00:20:47,280 --> 00:20:48,679
Speaker 2: I'm putting it out there right now.

472
00:20:49,119 --> 00:20:51,240
Speaker 1: I want to call Brilanny and I had to call

473
00:20:51,320 --> 00:20:53,840
Speaker 1: him about something else, but I want to call Brilanny

474
00:20:53,840 --> 00:20:56,280
Speaker 1: and say listen, Tom said, I could be on the show.

475
00:20:56,640 --> 00:20:58,600
Speaker 4: Yeah, because I have that kind of yes.

476
00:20:59,560 --> 00:21:00,159
Speaker 2: I spoke to.

477
00:21:01,960 --> 00:21:04,920
Speaker 4: He said, like, hang on a second, Tom, Yeah.

478
00:21:05,640 --> 00:21:08,359
Speaker 1: He's got he's got so many he's got so many shows.

479
00:21:08,359 --> 00:21:11,119
Speaker 1: He's like Tom Tom Tom Tom he is, I know

480
00:21:11,280 --> 00:21:14,399
Speaker 1: he is. And then he called he calls to a secretary.

481
00:21:14,400 --> 00:21:22,600
Speaker 1: Do we still do Flash? Yeah? But by the way,

482
00:21:22,600 --> 00:21:24,560
Speaker 1: how funny would that be if Donald and I came on?

483
00:21:24,640 --> 00:21:26,600
Speaker 1: I mean, I don't, to be honest, I don't. I

484
00:21:26,600 --> 00:21:29,240
Speaker 1: don't get breathless about this superhero stuff like Donald, but

485
00:21:29,640 --> 00:21:31,520
Speaker 1: he really loves it. So sorry, I digress.

486
00:21:32,000 --> 00:21:34,399
Speaker 4: You should do the other thing you should do Donald.

487
00:21:34,440 --> 00:21:36,680
Speaker 4: You should figure out knowing it as you do. You

488
00:21:36,680 --> 00:21:39,400
Speaker 4: should figure out what the what the role is that you.

489
00:21:39,320 --> 00:21:41,359
Speaker 2: Want because I know what role I want. There's what

490
00:21:41,400 --> 00:21:42,800
Speaker 2: do you want? I want mine?

491
00:21:42,800 --> 00:21:43,360
Speaker 4: Don't say mine.

492
00:21:43,359 --> 00:21:46,000
Speaker 2: I kind of like, listen, I'm gonna put it out there.

493
00:21:46,760 --> 00:21:48,520
Speaker 2: What do you want to open? You guys kind of

494
00:21:48,560 --> 00:21:52,280
Speaker 2: opened it up when Arrow ended, And I know, I'm

495
00:21:52,280 --> 00:21:54,919
Speaker 2: not sure if you guys are allowed to touch it.

496
00:21:55,000 --> 00:21:57,800
Speaker 2: You kind of touch on it in Stargirl. But I

497
00:21:57,840 --> 00:22:01,080
Speaker 2: think Green Lantern needs to be in this, you know

498
00:22:01,119 --> 00:22:05,160
Speaker 2: what I mean. Joelle is a Joel's a big fan

499
00:22:05,200 --> 00:22:08,240
Speaker 2: of this world too, And there's so many There are

500
00:22:08,320 --> 00:22:11,080
Speaker 2: so many that are in the Lantern core and I

501
00:22:11,160 --> 00:22:13,840
Speaker 2: know that you know. And also size doesn't matter when

502
00:22:13,880 --> 00:22:17,160
Speaker 2: you're a Lantern. You could be tiny, you could be why,

503
00:22:17,359 --> 00:22:20,680
Speaker 2: you could be right, come on, man. Anyway, My point

504
00:22:20,760 --> 00:22:23,199
Speaker 2: is I think that's one character that would be a

505
00:22:23,200 --> 00:22:27,240
Speaker 2: lot of fun to play, you know. They there's so

506
00:22:27,320 --> 00:22:30,400
Speaker 2: many people in the DC universe. But if I had

507
00:22:30,400 --> 00:22:33,960
Speaker 2: a choice and they were willing to do it, I

508
00:22:33,960 --> 00:22:36,360
Speaker 2: would love to be Green Lantern.

509
00:22:36,200 --> 00:22:39,240
Speaker 4: All right, And I think I think that's really special.

510
00:22:39,240 --> 00:22:41,840
Speaker 4: And dear to Greg, so I think that's great You're

511
00:22:41,880 --> 00:22:42,639
Speaker 4: making this happen.

512
00:22:42,840 --> 00:22:46,119
Speaker 1: New Slash and the Green. Can the Green Lantern be

513
00:22:46,160 --> 00:22:46,720
Speaker 1: forty six?

514
00:22:48,040 --> 00:22:51,280
Speaker 4: He could be anything, he could be any Look, I'm

515
00:22:51,280 --> 00:22:53,600
Speaker 4: playing the reverse Slash. I'm not a yellow. I'm wearing

516
00:22:53,600 --> 00:22:54,600
Speaker 4: a yellow super suit.

517
00:22:54,640 --> 00:22:59,239
Speaker 1: And sorry Tom for those of us who don't know,

518
00:22:59,359 --> 00:23:01,359
Speaker 1: and I'm sure of our listeners don't know. Can you

519
00:23:01,400 --> 00:23:06,440
Speaker 1: just explain in in non superhero terms what reverse Flash means?

520
00:23:06,680 --> 00:23:09,480
Speaker 1: Is there a young guys flash.

521
00:23:09,600 --> 00:23:12,000
Speaker 4: Yes, there's a good looking It's kind of like when

522
00:23:12,040 --> 00:23:14,639
Speaker 4: we did Scrub, Like a good looking, handsome guy is

523
00:23:14,640 --> 00:23:16,359
Speaker 4: the lead, and then they cast this guy as his

524
00:23:16,440 --> 00:23:21,360
Speaker 4: brother Bill Lawrence had lost a bet somewhere. So basically

525
00:23:21,359 --> 00:23:22,320
Speaker 4: a young guy Tom.

526
00:23:22,320 --> 00:23:24,960
Speaker 1: When you insult your looks, you insult my looks. So

527
00:23:26,600 --> 00:23:29,760
Speaker 1: you're a handsome you look like to me when you

528
00:23:29,800 --> 00:23:31,760
Speaker 1: when you when you came on, I thought we got

529
00:23:31,840 --> 00:23:34,359
Speaker 1: I thought we got Tom Kavanaugh. Why is Brad Pitt

530
00:23:34,480 --> 00:23:35,359
Speaker 1: on the podcast?

531
00:23:35,960 --> 00:23:37,280
Speaker 4: That's what that's what you thought?

532
00:23:38,800 --> 00:23:40,919
Speaker 1: Okay? Sorry? What is the Reverse Flash? For those of us?

533
00:23:41,080 --> 00:23:43,840
Speaker 4: So he's the he's the Joker to the Batman, the

534
00:23:43,920 --> 00:23:47,600
Speaker 4: Lex Luthor to the he's the bad guys that we have.

535
00:23:47,640 --> 00:23:50,600
Speaker 4: A young fellow, Grant Gustin plays the Flash and the

536
00:23:50,760 --> 00:23:53,200
Speaker 4: arch Enemy is the Reverse Flash. He wears a red suit,

537
00:23:53,240 --> 00:23:55,119
Speaker 4: and I play the arch Enemy the reverse Slash e

538
00:23:55,320 --> 00:23:56,880
Speaker 4: art on. I wear a yellow suit. And that's kind

539
00:23:56,920 --> 00:23:57,160
Speaker 4: of it.

540
00:23:57,359 --> 00:23:59,639
Speaker 1: Are you doing lots of stunts and fighting? Yeah?

541
00:23:59,720 --> 00:24:02,280
Speaker 4: Yeah? Can you imagine it's crazy? You know that bucket

542
00:24:02,280 --> 00:24:04,600
Speaker 4: list that you have as an as an actor, and

543
00:24:05,160 --> 00:24:07,080
Speaker 4: you want to do this theater, You want to do

544
00:24:07,160 --> 00:24:09,119
Speaker 4: this show. You want to do something like shows, you

545
00:24:09,160 --> 00:24:10,080
Speaker 4: want the whiteboard.

546
00:24:10,640 --> 00:24:13,080
Speaker 1: Yeah, we started, we started the show time before we

547
00:24:13,119 --> 00:24:15,719
Speaker 1: came on talking about just manifesting things by putting on

548
00:24:15,720 --> 00:24:17,520
Speaker 1: a whiteboard and staring at it and me it.

549
00:24:17,440 --> 00:24:19,760
Speaker 4: Was weird to be in your green room and not

550
00:24:20,040 --> 00:24:22,000
Speaker 4: have the speakers going. I'm like, I wonder what they're

551
00:24:22,000 --> 00:24:22,520
Speaker 4: talking about.

552
00:24:23,200 --> 00:24:25,520
Speaker 1: We were talking about you, we were talking about manifesting,

553
00:24:25,560 --> 00:24:26,760
Speaker 1: and then you well.

554
00:24:26,600 --> 00:24:28,880
Speaker 4: That's exactly. That's a great that's such a great call.

555
00:24:28,960 --> 00:24:30,600
Speaker 4: This is one of those things I never would have

556
00:24:30,640 --> 00:24:33,600
Speaker 4: expected to do a superhero show, and it's a you know,

557
00:24:33,680 --> 00:24:36,000
Speaker 4: in terms of a bucket list, it's it's so fun.

558
00:24:36,520 --> 00:24:38,080
Speaker 2: Yeah, you guys look like you have a lot of

559
00:24:38,080 --> 00:24:38,720
Speaker 2: fun on it.

560
00:24:38,760 --> 00:24:40,480
Speaker 1: And it has no end in sight. On your show,

561
00:24:40,520 --> 00:24:42,199
Speaker 1: it has no end in sight. I mean, I just

562
00:24:42,240 --> 00:24:45,800
Speaker 1: feel like the Greg Briland keeps adding more and more

563
00:24:45,880 --> 00:24:48,640
Speaker 1: to this, to this world, right, I don't know if

564
00:24:48,640 --> 00:24:50,639
Speaker 1: they're all they all must be successful because they all

565
00:24:50,720 --> 00:24:51,200
Speaker 1: keep going.

566
00:24:51,480 --> 00:24:54,760
Speaker 4: I honestly, I honestly don't know. I never would have thought.

567
00:24:55,119 --> 00:24:57,000
Speaker 4: I think when they started a number of years ago,

568
00:24:57,080 --> 00:25:01,000
Speaker 4: they had uh and they've done super No, it was

569
00:25:01,359 --> 00:25:05,560
Speaker 4: the Superman show, small though, and then they did Arrow

570
00:25:05,560 --> 00:25:07,840
Speaker 4: and Arrow I think did well. And then but when

571
00:25:07,880 --> 00:25:11,120
Speaker 4: we started Flash, you guys, you guys all know how

572
00:25:11,119 --> 00:25:13,800
Speaker 4: it is. We started flashing. I said to my wife, well,

573
00:25:13,800 --> 00:25:16,320
Speaker 4: this'll be this will be canceled in seven so I'll

574
00:25:16,359 --> 00:25:18,280
Speaker 4: go up to Vancouver from New York and we'll shoot

575
00:25:18,280 --> 00:25:20,600
Speaker 4: and then it'll get canceled. Because even at that time,

576
00:25:20,640 --> 00:25:23,240
Speaker 4: I had done two shows for Greg and both of

577
00:25:23,240 --> 00:25:26,560
Speaker 4: them had, you know, been canceled relatively quickly, because that's

578
00:25:26,600 --> 00:25:28,680
Speaker 4: just how it goes. And so I didn't foresee it,

579
00:25:29,920 --> 00:25:31,720
Speaker 4: you know, I just I never expected to go, and

580
00:25:31,760 --> 00:25:34,040
Speaker 4: this thing seemed to go. And even when you say

581
00:25:34,040 --> 00:25:37,400
Speaker 4: there's no end in sight, I still expect that you'll

582
00:25:37,440 --> 00:25:39,840
Speaker 4: just get the call. Hey, so yeah, we're done.

583
00:25:40,119 --> 00:25:40,760
Speaker 2: You just never know.

584
00:25:40,960 --> 00:25:43,400
Speaker 1: For those for those of you not in the entertainmentustry,

585
00:25:43,560 --> 00:25:44,760
Speaker 1: we just we just never know.

586
00:25:44,920 --> 00:25:45,119
Speaker 2: You know.

587
00:25:45,160 --> 00:25:47,280
Speaker 1: You get you get a show like Scrubs and you're like, oh, yeah,

588
00:25:47,359 --> 00:25:50,320
Speaker 1: this could go six episodes and then it goes nine years,

589
00:25:50,600 --> 00:25:53,080
Speaker 1: or you know, or or you know, Donald's did this

590
00:25:53,200 --> 00:25:55,359
Speaker 1: show and it when a season, and I did a

591
00:25:55,400 --> 00:25:58,000
Speaker 1: show when a season. You just have every single time

592
00:25:58,040 --> 00:26:00,600
Speaker 1: it's a roll of the dice, no matter no matter

593
00:26:01,160 --> 00:26:03,400
Speaker 1: how many good ingredients there are, you just never know.

594
00:26:03,840 --> 00:26:06,120
Speaker 4: Yeah. Yeah, and most of the time the numbers are

595
00:26:06,200 --> 00:26:07,639
Speaker 4: it's gonna get canceled.

596
00:26:07,680 --> 00:26:10,160
Speaker 1: It's not going to go right, especially now more than ever,

597
00:26:10,240 --> 00:26:13,879
Speaker 1: because you know, it's there's so much content. How the

598
00:26:13,920 --> 00:26:16,680
Speaker 1: hell does the something fine eyeballs? You know, and you're

599
00:26:17,359 --> 00:26:20,440
Speaker 1: on the classic old school true network.

600
00:26:20,960 --> 00:26:25,240
Speaker 2: You know, you guys do twenty four episodes a season.

601
00:26:25,960 --> 00:26:27,679
Speaker 2: Do you know what it's like to be able to

602
00:26:27,680 --> 00:26:31,000
Speaker 2: do something like most I remember? I remember I did

603
00:26:31,560 --> 00:26:35,000
Speaker 2: a show called The Exes right after Scrubs.

604
00:26:34,560 --> 00:26:35,280
Speaker 4: Right of course.

605
00:26:35,400 --> 00:26:38,600
Speaker 2: Yeah, we did ten episodes a season. That was it

606
00:26:39,359 --> 00:26:43,400
Speaker 2: for an actor. It's like, wait, well, hold on, let's

607
00:26:43,880 --> 00:26:45,640
Speaker 2: I want to be I want to work all year

608
00:26:45,720 --> 00:26:48,399
Speaker 2: round if I possibly can. It was really weird to

609
00:26:48,560 --> 00:26:51,840
Speaker 2: work ten episodes and then have all of this time

610
00:26:51,880 --> 00:26:54,520
Speaker 2: off until you came back and did another ten. Or

611
00:26:54,560 --> 00:26:56,800
Speaker 2: you would do what we would do thirty and they

612
00:26:56,800 --> 00:26:58,959
Speaker 2: would just chop it up into episodes. It was like

613
00:27:00,160 --> 00:27:03,200
Speaker 2: you never really find you never really find a pace

614
00:27:03,320 --> 00:27:05,520
Speaker 2: or a footing. It's like, well, how long are we going?

615
00:27:05,520 --> 00:27:07,840
Speaker 2: We're only going to do ten twenty two? You guys

616
00:27:07,840 --> 00:27:10,320
Speaker 2: seem to you know, you live in Canada right now? Yes?

617
00:27:11,760 --> 00:27:16,639
Speaker 4: Yeah? Is it Vancouver, Vancouver, Canada, Conifers Jewel of the city.

618
00:27:16,680 --> 00:27:18,119
Speaker 4: Have you guys been I have.

619
00:27:18,240 --> 00:27:19,200
Speaker 2: I love that town too.

620
00:27:19,280 --> 00:27:21,480
Speaker 1: I think it's a beautiful city. I love it there.

621
00:27:21,760 --> 00:27:23,760
Speaker 1: I was there when the sun was out and it

622
00:27:23,840 --> 00:27:27,240
Speaker 1: was magnificence. Yes, And then I was told that it's

623
00:27:27,280 --> 00:27:28,720
Speaker 1: not always like that, and I don't know if I

624
00:27:28,720 --> 00:27:31,000
Speaker 1: would if I would like it rainy.

625
00:27:31,040 --> 00:27:33,399
Speaker 4: It's yeah, it's a it's a question of taste, like

626
00:27:33,400 --> 00:27:35,640
Speaker 4: when the sun shines. There's no finer place. I don't

627
00:27:35,640 --> 00:27:37,199
Speaker 4: mind the rain. But I think if you were somebody

628
00:27:37,240 --> 00:27:41,639
Speaker 4: that didn't like rain and preferred like seasons in snow,

629
00:27:41,720 --> 00:27:43,399
Speaker 4: then this city would not be for you. But it

630
00:27:43,440 --> 00:27:45,920
Speaker 4: really is. It really is a coniferous jewel of a city.

631
00:27:45,960 --> 00:27:48,560
Speaker 1: And are you mostly on stages and such or do

632
00:27:48,600 --> 00:27:50,359
Speaker 1: you go out and shoot on locations and stuff.

633
00:27:50,600 --> 00:27:55,000
Speaker 4: It's it's almost follows a pretty regular schedule where we

634
00:27:55,040 --> 00:27:56,520
Speaker 4: do a lot of stage work early in the week

635
00:27:56,560 --> 00:27:59,280
Speaker 4: and then we do all this the stunt stuff. You know,

636
00:27:59,440 --> 00:28:01,840
Speaker 4: it's always you know, so Thursday, Friday nights, we're gonna

637
00:28:01,840 --> 00:28:03,800
Speaker 4: be we're gonna start at you know, five pm, or

638
00:28:03,800 --> 00:28:05,560
Speaker 4: we're gonna go all night and we're gonna like, you know,

639
00:28:05,600 --> 00:28:06,960
Speaker 4: have the guy run up a building and fight a

640
00:28:06,960 --> 00:28:09,320
Speaker 4: monster and then like we're gonna come back and win, you.

641
00:28:09,280 --> 00:28:11,280
Speaker 2: Know, So you kind of you kind of you kind

642
00:28:11,280 --> 00:28:13,080
Speaker 2: of have to stay in shape for this thing, like

643
00:28:13,160 --> 00:28:16,199
Speaker 2: you're you're asked to do way more than you expected

644
00:28:16,240 --> 00:28:17,480
Speaker 2: to do when you started. Huh.

645
00:28:17,520 --> 00:28:20,040
Speaker 4: Hey, it's a blessing and a curse, you know, because

646
00:28:20,119 --> 00:28:22,080
Speaker 4: the other thing is too is as you guys know too,

647
00:28:22,160 --> 00:28:25,320
Speaker 4: Like I mean, I'm older than you guys, but there's

648
00:28:25,400 --> 00:28:28,360
Speaker 4: a there's a thing where you when you were a

649
00:28:28,400 --> 00:28:32,000
Speaker 4: young actor, you could be vain, but you wouldn't really

650
00:28:32,000 --> 00:28:34,479
Speaker 4: matter because you're probably gonna look fine, you know. And

651
00:28:34,520 --> 00:28:37,080
Speaker 4: then you get a little bit older, and then your coach,

652
00:28:37,359 --> 00:28:40,240
Speaker 4: the people you're acting with, your co actors are twenty

653
00:28:40,280 --> 00:28:43,880
Speaker 4: eight twenty nine, you know, and they are fantastic, and

654
00:28:43,920 --> 00:28:46,880
Speaker 4: then there's you, you know, and he's he looks great

655
00:28:46,920 --> 00:28:48,640
Speaker 4: in the suit. And then you can't really be on

656
00:28:48,680 --> 00:28:51,600
Speaker 4: the donut diet while you're on the suit, so you

657
00:28:51,720 --> 00:28:54,880
Speaker 4: kind of have to keep keeping in shape, you know.

658
00:28:55,000 --> 00:28:56,920
Speaker 2: And so it's do you hang out with Jesse l

659
00:28:56,960 --> 00:28:57,560
Speaker 2: Martin a lot?

660
00:28:57,720 --> 00:29:00,239
Speaker 4: Jesse is a legend, as you guys know, coming from her.

661
00:29:00,280 --> 00:29:04,040
Speaker 4: He's just he's amazing. He's got this thing sus because

662
00:29:04,040 --> 00:29:06,920
Speaker 4: he's the captain. You know, he can he work it

663
00:29:06,960 --> 00:29:09,120
Speaker 4: with a hat and an overcoat. He doesn't have to

664
00:29:09,160 --> 00:29:11,160
Speaker 4: worry too much of it. You know. He's just like

665
00:29:11,520 --> 00:29:14,040
Speaker 4: he's kind of like he runs. He basically is the

666
00:29:14,080 --> 00:29:17,040
Speaker 4: beating heart, you know, runs the show, the center of

667
00:29:17,280 --> 00:29:20,720
Speaker 4: you know, reason, and uh, you know he's he's got

668
00:29:20,760 --> 00:29:23,040
Speaker 4: a great job and appreciates it.

669
00:29:23,400 --> 00:29:25,960
Speaker 1: So Tom when ed, when the show ed, I want

670
00:29:26,000 --> 00:29:28,040
Speaker 1: to talk about that. When it came out, I was

671
00:29:28,280 --> 00:29:32,960
Speaker 1: an unemployed actor and my mom called me very very

672
00:29:33,040 --> 00:29:35,720
Speaker 1: concerned that I that I that I had gotten a

673
00:29:35,800 --> 00:29:38,719
Speaker 1: lead in the TV show and not told her because

674
00:29:38,760 --> 00:29:42,440
Speaker 1: she didn't understand why why I was on billboards all

675
00:29:42,480 --> 00:29:43,440
Speaker 1: over the country.

676
00:29:44,080 --> 00:29:46,160
Speaker 4: And is true, that's how it is.

677
00:29:46,360 --> 00:29:49,520
Speaker 1: I mean, no, it is, I mean she she she

678
00:29:49,520 --> 00:29:51,920
Speaker 1: obviously sused that it was not me, but she was like,

679
00:29:52,440 --> 00:29:56,400
Speaker 1: there is a young man who's on every billboard in

680
00:29:56,480 --> 00:29:59,600
Speaker 1: town and he looks a lot like you. And I

681
00:29:59,600 --> 00:30:03,920
Speaker 1: remember thinking, oh, yeah, mom, that's that's not me. Uh yeah,

682
00:30:04,000 --> 00:30:06,840
Speaker 1: I'm still still trying to get some auditions going and

683
00:30:07,040 --> 00:30:11,880
Speaker 1: uh and it was really humbling because I was like

684
00:30:11,960 --> 00:30:14,480
Speaker 1: that fucking guy who looks exactly like me as a

685
00:30:14,720 --> 00:30:18,520
Speaker 1: as a hit show leading role on NBC. Now, no

686
00:30:18,520 --> 00:30:20,600
Speaker 1: one's ever gonna hire me. By the way, Dak Sheppard,

687
00:30:20,640 --> 00:30:23,560
Speaker 1: who also looks like us, told me this. He was

688
00:30:23,560 --> 00:30:25,560
Speaker 1: like when I was, when I was, you know, became

689
00:30:25,600 --> 00:30:28,680
Speaker 1: famous and was all over the place. He was like, well,

690
00:30:28,720 --> 00:30:30,720
Speaker 1: how is this gonna fuck my career? Because I look

691
00:30:30,840 --> 00:30:36,120
Speaker 1: like that guy and that guy's already working and so anyway,

692
00:30:36,160 --> 00:30:37,840
Speaker 1: I wanted to talk to you about Ed and tell

693
00:30:37,920 --> 00:30:40,080
Speaker 1: us I imagine that was your big break, right, I mean,

694
00:30:40,200 --> 00:30:41,560
Speaker 1: I know you worked a bunch, but that was your

695
00:30:41,600 --> 00:30:44,440
Speaker 1: first your own show, right for sure?

696
00:30:44,480 --> 00:30:48,640
Speaker 4: I mean, first off Dax's and you have done quite

697
00:30:48,640 --> 00:30:49,400
Speaker 4: well for yourselves.

698
00:30:49,520 --> 00:30:52,800
Speaker 2: Yeah, I worked out guys so's Ray Romano.

699
00:30:52,960 --> 00:30:54,120
Speaker 1: Yes it worked out, it.

700
00:30:54,560 --> 00:30:57,800
Speaker 4: Didn't work out, but yeah, I had done I'm Canadian

701
00:30:57,960 --> 00:31:03,160
Speaker 4: and I had I moved to New York City and

702
00:31:03,200 --> 00:31:06,000
Speaker 4: I think eighty nine to do Broadway. I did like

703
00:31:06,040 --> 00:31:10,480
Speaker 4: a decade of theater and I absolutely loved it, absolutely,

704
00:31:10,480 --> 00:31:12,840
Speaker 4: one hundred percent loved it. And then I had done

705
00:31:13,200 --> 00:31:17,080
Speaker 4: a small guest spots for literally for ten years on ABCNBC.

706
00:31:17,200 --> 00:31:18,880
Speaker 4: Back then there was like just the four right, and

707
00:31:19,680 --> 00:31:24,080
Speaker 4: I'd done a show called Providence and then But I

708
00:31:24,120 --> 00:31:28,000
Speaker 4: had no idea of the profile that you guys enjoyed

709
00:31:28,120 --> 00:31:31,360
Speaker 4: on Scrubs because the shows a lot of the shows

710
00:31:31,360 --> 00:31:33,360
Speaker 4: that I had done when they were television shows or series.

711
00:31:33,360 --> 00:31:35,720
Speaker 4: I've done a couple of series in Canada, they were

712
00:31:35,800 --> 00:31:39,400
Speaker 4: Canadian shows, and there's no cross border pollination between the

713
00:31:39,400 --> 00:31:43,160
Speaker 4: two countries. In other words, you'll shoot a show in

714
00:31:43,160 --> 00:31:46,160
Speaker 4: Canada and you'll do ten episodes, but everybody in Canada

715
00:31:46,280 --> 00:31:48,560
Speaker 4: is watching Friends, you.

716
00:31:48,520 --> 00:31:51,960
Speaker 1: Know, So who's watching these Canadian shows?

717
00:31:52,000 --> 00:31:56,120
Speaker 4: Well, it's it's different. In Canada. There's a federal mandate

718
00:31:56,120 --> 00:32:00,280
Speaker 4: for these television shows, so they do them, and some

719
00:32:00,320 --> 00:32:04,400
Speaker 4: of them are quite quite good. And there's not a

720
00:32:04,720 --> 00:32:08,880
Speaker 4: there's not a mill the way there is behind the

721
00:32:09,000 --> 00:32:11,920
Speaker 4: entertainment industry and the States. Up in Canada, it doesn't,

722
00:32:12,240 --> 00:32:14,600
Speaker 4: you know. Part of the ethos of the country is like, well,

723
00:32:14,680 --> 00:32:17,080
Speaker 4: let's not get too big for ourselves then, you know,

724
00:32:17,200 --> 00:32:20,520
Speaker 4: and so and in the States it's very much the opposite,

725
00:32:20,640 --> 00:32:22,320
Speaker 4: like let's see how we can build up and how

726
00:32:22,320 --> 00:32:27,040
Speaker 4: big we can get. And why that why that ethos

727
00:32:27,120 --> 00:32:30,600
Speaker 4: is good is that you know, you you if you're

728
00:32:30,640 --> 00:32:33,600
Speaker 4: working as an actor, you're working largely because you love

729
00:32:33,600 --> 00:32:36,960
Speaker 4: it because a lot of the attention, at least back then.

730
00:32:37,040 --> 00:32:39,960
Speaker 4: Now it's different because everything can be found. But back then,

731
00:32:40,760 --> 00:32:42,440
Speaker 4: you know, you were you were doing the same stuff

732
00:32:42,440 --> 00:32:44,720
Speaker 4: we would do on Scrubs that you'd come to set

733
00:32:44,760 --> 00:32:46,680
Speaker 4: and there's all the you know, the crew, and there's

734
00:32:46,720 --> 00:32:48,840
Speaker 4: the people and it's and it's great and you love it.

735
00:32:48,880 --> 00:32:51,040
Speaker 4: And then you leave set and it's still the exact

736
00:32:51,080 --> 00:32:54,960
Speaker 4: same experience. It's just that you're not going to radio

737
00:32:55,000 --> 00:32:57,400
Speaker 4: City Music Hall and doing the upfronts, you know what

738
00:32:57,440 --> 00:33:00,400
Speaker 4: I mean. And so but it's nice in this way

739
00:33:00,480 --> 00:33:03,280
Speaker 4: because you understand that, oh, this is this is what

740
00:33:03,320 --> 00:33:05,640
Speaker 4: I love to do. And by the time I got ed,

741
00:33:05,800 --> 00:33:09,440
Speaker 4: like you know, fifteen years later, it was I was

742
00:33:09,800 --> 00:33:12,880
Speaker 4: aware enough that it was it's still the same experience.

743
00:33:12,960 --> 00:33:15,640
Speaker 4: And so even though suddenly, like you say, there was

744
00:33:15,720 --> 00:33:19,480
Speaker 4: like billboards plaster all over the place, I was readily

745
00:33:19,560 --> 00:33:22,960
Speaker 4: aware that you know that that was all that that

746
00:33:23,080 --> 00:33:26,160
Speaker 4: can get ripped away and it's semi superficial, and so

747
00:33:26,200 --> 00:33:28,160
Speaker 4: I think that was a nice little I don't know

748
00:33:28,200 --> 00:33:31,080
Speaker 4: what it would be like to have your face plastered

749
00:33:31,120 --> 00:33:34,240
Speaker 4: all over the place when you're in your mid twenties.

750
00:33:34,280 --> 00:33:35,560
Speaker 4: I think it would be a I think it would

751
00:33:35,560 --> 00:33:36,360
Speaker 4: be a tough fight.

752
00:33:36,520 --> 00:33:39,239
Speaker 1: We didn't. We didn't get a big billboard buy right,

753
00:33:39,480 --> 00:33:42,320
Speaker 1: Why the NBC didn't go They certainly went all in.

754
00:33:42,520 --> 00:33:45,120
Speaker 1: Whoever made the billboard decision for ED went all in,

755
00:33:45,240 --> 00:33:48,040
Speaker 1: And by the time Scrubs came on, they were like, dude,

756
00:33:48,040 --> 00:33:50,280
Speaker 1: remember a few years ago we shot our billboard budget

757
00:33:50,280 --> 00:33:53,000
Speaker 1: on ED. We have no billboard Scrubs.

758
00:33:53,360 --> 00:33:56,840
Speaker 4: Yeah, I'm so sorry about that, because why that's why

759
00:33:56,880 --> 00:33:59,480
Speaker 4: you guys didn't get that big bill But what was

760
00:33:59,480 --> 00:34:02,040
Speaker 4: funny is like I remember when the when Scrubs started,

761
00:34:02,080 --> 00:34:04,880
Speaker 4: how just how much of a splash it made. I'm

762
00:34:04,920 --> 00:34:07,320
Speaker 4: sure you can remember, and it's not lost on you,

763
00:34:07,400 --> 00:34:10,879
Speaker 4: how like big a deal that that was. Like that

764
00:34:11,080 --> 00:34:14,000
Speaker 4: show was so important, it seemed at the time.

765
00:34:14,000 --> 00:34:16,759
Speaker 1: It was bizarre for us because also, you know, we

766
00:34:16,800 --> 00:34:20,240
Speaker 1: compare it to now, you know, the amount of people

767
00:34:20,280 --> 00:34:24,160
Speaker 1: watching a single TV show just doesn't happen anymore, especially live,

768
00:34:25,360 --> 00:34:28,200
Speaker 1: we really even at all, but let alone live when

769
00:34:28,200 --> 00:34:31,560
Speaker 1: it's airing. So it was a completely different eras that

770
00:34:31,600 --> 00:34:32,200
Speaker 1: would watch.

771
00:34:32,239 --> 00:34:35,680
Speaker 2: Our worst at our worst TV shows. Now, if they

772
00:34:35,719 --> 00:34:39,040
Speaker 2: got our worst numbers right, yes, they would be considered

773
00:34:39,120 --> 00:34:40,800
Speaker 2: hit shows. Yeah, I mean.

774
00:34:40,880 --> 00:34:45,239
Speaker 1: Yeah, Noie, Tom, was was ed written for you?

775
00:34:45,360 --> 00:34:46,040
Speaker 2: Or did you audition?

776
00:34:46,280 --> 00:34:49,200
Speaker 4: No? No, no, no, they didn't No, no, that was again,

777
00:34:49,239 --> 00:34:52,120
Speaker 4: that was NBC. They didn't want me at all, Like

778
00:34:52,280 --> 00:34:54,080
Speaker 4: we had to. They went through, I think a year

779
00:34:54,120 --> 00:35:00,719
Speaker 4: of casting known people and you know, better humans, you know.

780
00:35:00,800 --> 00:35:03,200
Speaker 1: And then well, you know, just just so people that

781
00:35:03,440 --> 00:35:06,239
Speaker 1: weren't in the entertainment industry know, they'll often try and

782
00:35:06,239 --> 00:35:10,600
Speaker 1: get a known star that's right, and if that doesn't

783
00:35:10,640 --> 00:35:12,799
Speaker 1: always work out for the reasons, and then they go, okay,

784
00:35:12,880 --> 00:35:15,080
Speaker 1: well let's start to read people that aren't famous yet,

785
00:35:15,120 --> 00:35:17,600
Speaker 1: and which is when this is how people like the

786
00:35:17,640 --> 00:35:21,279
Speaker 1: two of you. Well, yeah, I mean exactly exactly. It's

787
00:35:21,320 --> 00:35:24,560
Speaker 1: exactly how both Tom and I got our parts exactly.

788
00:35:24,640 --> 00:35:26,680
Speaker 4: I was like the third I think, the third round

789
00:35:26,800 --> 00:35:28,680
Speaker 4: or so of doing it. The only reason I had

790
00:35:28,680 --> 00:35:33,600
Speaker 4: that job. I remember how generous you were at Bill's

791
00:35:33,680 --> 00:35:38,360
Speaker 4: fortieth and we had the party, and he was you know,

792
00:35:38,400 --> 00:35:41,360
Speaker 4: you were like, you were just so gracious about because

793
00:35:41,360 --> 00:35:45,480
Speaker 4: you're clearly incredibly talented, and yet you had the wherewithal

794
00:35:45,520 --> 00:35:48,319
Speaker 4: to say, I owe so much to this guy. And

795
00:35:48,400 --> 00:35:52,200
Speaker 4: I had the same story. There's a Robernette and John

796
00:35:52,239 --> 00:35:55,399
Speaker 4: beckhaman who ran the Late Show with Letiman, were those

797
00:35:55,440 --> 00:35:57,080
Speaker 4: are the guys that the only reason I got the

798
00:35:57,120 --> 00:35:59,719
Speaker 4: job is those guys said this is the guy, and

799
00:36:00,200 --> 00:36:03,680
Speaker 4: you know, they managed to have enough stock that people

800
00:36:03,719 --> 00:36:07,040
Speaker 4: would listen to them. And without without somebody standing up

801
00:36:07,360 --> 00:36:09,840
Speaker 4: for you, sometimes you just it just doesn't you know,

802
00:36:09,880 --> 00:36:12,600
Speaker 4: it doesn't go your way. Those people are the only reason.

803
00:36:12,440 --> 00:36:14,200
Speaker 2: I got that job.

804
00:36:14,360 --> 00:36:16,000
Speaker 1: Do you know how many odd times you auditioned.

805
00:36:17,320 --> 00:36:23,239
Speaker 4: I know I auditioned once in Los Angeles, and you

806
00:36:23,280 --> 00:36:24,719
Speaker 4: know how it is when you're like, oh, that that

807
00:36:24,760 --> 00:36:26,480
Speaker 4: went well. You feel good about it, but I was

808
00:36:26,520 --> 00:36:28,799
Speaker 4: also like, okay, it was pilot season and it was

809
00:36:28,800 --> 00:36:30,640
Speaker 4: like one read during the day, but it felt good.

810
00:36:30,680 --> 00:36:35,200
Speaker 4: And then then they called me to have the the

811
00:36:35,239 --> 00:36:36,960
Speaker 4: sessions that they do. They have a studio session and

812
00:36:37,080 --> 00:36:40,160
Speaker 4: network session, and it was very It was like and

813
00:36:40,200 --> 00:36:43,440
Speaker 4: this is I hope this isn't boring.

814
00:36:43,560 --> 00:36:46,440
Speaker 2: I don't mean to talk about.

815
00:36:45,680 --> 00:36:48,279
Speaker 4: But they we went and we had to do it.

816
00:36:48,280 --> 00:36:49,799
Speaker 4: It was at CBS at the time. By the way,

817
00:36:49,800 --> 00:36:51,120
Speaker 4: I don't know if you guys know that show that

818
00:36:51,239 --> 00:36:57,400
Speaker 4: was CBS, not NBC, and CBS ultimately didn't think so

819
00:36:57,600 --> 00:37:00,160
Speaker 4: they got picked up at CBS, and then CBS ever

820
00:37:00,200 --> 00:37:02,520
Speaker 4: aired the show, and then a year later NBC picked

821
00:37:02,560 --> 00:37:03,319
Speaker 4: it up, which is weird.

822
00:37:03,320 --> 00:37:04,880
Speaker 1: So that never happens.

823
00:37:05,400 --> 00:37:06,080
Speaker 4: It never happened.

824
00:37:06,120 --> 00:37:07,719
Speaker 1: Every time you make a pilot, it's always such a

825
00:37:07,760 --> 00:37:09,879
Speaker 1: bizarre thing, both when I've been in them or when

826
00:37:09,880 --> 00:37:12,439
Speaker 1: I've directed them. You put so they put so much

827
00:37:12,440 --> 00:37:14,839
Speaker 1: money in, they put so much work in, and then

828
00:37:14,880 --> 00:37:17,560
Speaker 1: a network chooses what they choose, and then the disc

829
00:37:17,560 --> 00:37:20,080
Speaker 1: cards are like they have like the smell of shit

830
00:37:20,160 --> 00:37:22,080
Speaker 1: on them. No one will touch them, and it's like,

831
00:37:22,160 --> 00:37:25,240
Speaker 1: it's like, what someone just spent six million dollars making

832
00:37:25,239 --> 00:37:28,400
Speaker 1: this pilot. You could look at it and maybe RecA

833
00:37:28,719 --> 00:37:31,359
Speaker 1: maybe you could recast some things, you could you could

834
00:37:31,440 --> 00:37:33,480
Speaker 1: reshoot half of it, whatever, Well, why are you throwing

835
00:37:33,480 --> 00:37:36,080
Speaker 1: it all the way? It's so it's always a bizarre

836
00:37:36,120 --> 00:37:39,360
Speaker 1: waste of money to me, because there's there's diamonds in

837
00:37:39,400 --> 00:37:42,200
Speaker 1: the rough that no one is So this situation is

838
00:37:42,320 --> 00:37:44,960
Speaker 1: very rare that then another network weave man will take it.

839
00:37:45,120 --> 00:37:48,440
Speaker 4: I don't know that it ever happened before with CBS.

840
00:37:48,480 --> 00:37:50,640
Speaker 4: I think from what I the only reason that that

841
00:37:50,719 --> 00:37:56,760
Speaker 4: happened was again because Robert Nette and ran the Letterman show.

842
00:37:57,760 --> 00:38:01,480
Speaker 4: It was because Letterman had such a big he was

843
00:38:01,520 --> 00:38:03,640
Speaker 4: such a big paycheck, he was such a big entity

844
00:38:03,680 --> 00:38:05,879
Speaker 4: at the time. That was the only reason I think

845
00:38:05,920 --> 00:38:09,080
Speaker 4: that that that card. If a producer didn't have that

846
00:38:09,120 --> 00:38:13,280
Speaker 4: card to say that would probably have never never happened.

847
00:38:13,320 --> 00:38:16,320
Speaker 4: But when I went into to read, you know, ostensibly

848
00:38:16,400 --> 00:38:19,840
Speaker 4: the thing was a comedy with heart, and so you know,

849
00:38:20,280 --> 00:38:21,759
Speaker 4: you know, you know how these it's so funny how

850
00:38:21,760 --> 00:38:24,960
Speaker 4: these things change. So I went in to read. I

851
00:38:25,040 --> 00:38:27,399
Speaker 4: was solid and funny in the room and made them laugh.

852
00:38:27,480 --> 00:38:30,239
Speaker 4: And then normally, okay, the job is yours, this is

853
00:38:30,239 --> 00:38:33,080
Speaker 4: at the network read. But then somebody there's you know,

854
00:38:33,120 --> 00:38:35,080
Speaker 4: twenty five people in the room, and somebody starts going,

855
00:38:35,120 --> 00:38:37,400
Speaker 4: but but what about this this I don't like this

856
00:38:37,480 --> 00:38:39,960
Speaker 4: about him? And then that sort of you know, you

857
00:38:39,960 --> 00:38:42,319
Speaker 4: see that the next thing you know you had it

858
00:38:42,400 --> 00:38:44,440
Speaker 4: and then you don't have it right. And I remember

859
00:38:44,920 --> 00:38:47,279
Speaker 4: Rob and John came out and Rob was he had

860
00:38:47,280 --> 00:38:50,920
Speaker 4: this real serious face and he's like, look, so they

861
00:38:50,960 --> 00:38:52,560
Speaker 4: don't know if you can they don't know if you

862
00:38:52,560 --> 00:38:57,239
Speaker 4: can do straight drama. So even though it was a

863
00:38:57,280 --> 00:38:59,839
Speaker 4: comedic scene about a guy finding out that his wife

864
00:38:59,880 --> 00:39:03,080
Speaker 4: is eping, with a mailman and they're like, you just

865
00:39:03,120 --> 00:39:05,520
Speaker 4: need to do that scene again and throw out all

866
00:39:05,560 --> 00:39:07,440
Speaker 4: the comedy and play it like, you know, play it

867
00:39:07,480 --> 00:39:11,439
Speaker 4: like a Shakespeare tragedy. I was like, okay, oh my god.

868
00:39:11,840 --> 00:39:14,520
Speaker 4: And I went in and did that and you know,

869
00:39:15,200 --> 00:39:18,240
Speaker 4: just completely straight as possible, and they were like, okay,

870
00:39:18,400 --> 00:39:19,359
Speaker 4: he can he can do that too.

871
00:39:19,480 --> 00:39:22,400
Speaker 2: It's so amazing, the exact same speech I got pretty

872
00:39:22,440 --> 00:39:24,319
Speaker 2: much really fucked up. Yeah, pretty much.

873
00:39:24,200 --> 00:39:26,759
Speaker 1: When they weren't saying he fucked up. Donald legit fucked up.

874
00:39:26,800 --> 00:39:27,719
Speaker 1: He didn't say he fucked up.

875
00:39:27,880 --> 00:39:30,040
Speaker 2: No, I didn't. When I wore audition for Scrubs, I

876
00:39:30,080 --> 00:39:32,319
Speaker 2: got real big in the audition because it was a

877
00:39:32,360 --> 00:39:35,600
Speaker 2: comedic scene, and I got real big and animated, and

878
00:39:35,680 --> 00:39:38,640
Speaker 2: Bill had to come out and be like, dude, tone

879
00:39:38,719 --> 00:39:40,120
Speaker 2: that ship down.

880
00:39:41,600 --> 00:39:44,439
Speaker 4: Yeah, because it's funny, as you know, like I think,

881
00:39:44,560 --> 00:39:48,000
Speaker 4: sometimes an executive here's another executive speaking, goes, I better

882
00:39:48,000 --> 00:39:50,400
Speaker 4: weigh in as well, you know. So suddenly they're like

883
00:39:50,480 --> 00:39:52,000
Speaker 4: he's big, Yeah, he's too big, Yeah, he's too bid.

884
00:39:52,000 --> 00:39:53,759
Speaker 4: Suddenly it becomes this thing and you're like.

885
00:39:53,760 --> 00:39:56,080
Speaker 1: Oh, no, if actors, only if actors who have yet

886
00:39:56,080 --> 00:39:58,160
Speaker 1: to be in one of these rooms only knew.

887
00:39:58,200 --> 00:39:59,279
Speaker 2: Oh my gosh, the.

888
00:39:59,560 --> 00:40:02,680
Speaker 1: Tight you're walking to try and get a fucking roll. Yeah,

889
00:40:02,840 --> 00:40:05,040
Speaker 1: oh dude, and how it just it just falls on

890
00:40:05,280 --> 00:40:09,960
Speaker 1: one person being like, I don't know what if, and

891
00:40:09,960 --> 00:40:11,680
Speaker 1: then all of a sudden you didn't have the part anymore,

892
00:40:11,719 --> 00:40:13,000
Speaker 1: and you had the part for a second.

893
00:40:13,320 --> 00:40:15,760
Speaker 2: Yeah right. I've been in a room and watch somebody

894
00:40:16,920 --> 00:40:20,200
Speaker 2: destroy it, like kill it, come in and destroy it,

895
00:40:20,400 --> 00:40:22,520
Speaker 2: and then someone else come in and do a really

896
00:40:22,560 --> 00:40:27,040
Speaker 2: good job but not destroy it. And I saw, well

897
00:40:27,040 --> 00:40:29,839
Speaker 2: the first person obviously, and one person in the room

898
00:40:29,960 --> 00:40:33,359
Speaker 2: was like, well, you know what, I'm not sure they

899
00:40:33,400 --> 00:40:36,120
Speaker 2: actually look like the part. You know what, You're right,

900
00:40:36,200 --> 00:40:38,719
Speaker 2: they don't necessarily look like the part. And all of

901
00:40:38,760 --> 00:40:42,439
Speaker 2: this doubt happened, and the person that crushed it did

902
00:40:42,480 --> 00:40:44,520
Speaker 2: not get the role, and the person that just did

903
00:40:44,560 --> 00:40:45,719
Speaker 2: good got the role.

904
00:40:45,760 --> 00:40:47,960
Speaker 4: Because there was getting tense just listening to this.

905
00:40:48,080 --> 00:40:50,080
Speaker 2: It's crazy, dude.

906
00:40:49,400 --> 00:40:52,319
Speaker 1: I was on working on something and this girl came

907
00:40:52,360 --> 00:40:55,160
Speaker 1: in and she was young, you know, she was like

908
00:40:55,160 --> 00:40:57,600
Speaker 1: a young Jennifer Gardner type. She was really pretty, she

909
00:40:57,719 --> 00:41:01,279
Speaker 1: was early twenties and super excs expressive and funny, and

910
00:41:01,400 --> 00:41:03,959
Speaker 1: I thought that she should get the part. Another girl

911
00:41:04,000 --> 00:41:06,719
Speaker 1: came in very very funny. Well, you could have done

912
00:41:06,719 --> 00:41:09,040
Speaker 1: it too, but I preferred the first girl. I thought

913
00:41:09,040 --> 00:41:11,840
Speaker 1: she was better. One of the executives goes, regarding the

914
00:41:11,840 --> 00:41:15,400
Speaker 1: first girl, the young Jennifer Garner type, She goes, she's

915
00:41:15,760 --> 00:41:23,680
Speaker 1: very expressive. Should we worry about her wrinkling early? Oh?

916
00:41:23,760 --> 00:41:24,040
Speaker 2: Wow?

917
00:41:24,920 --> 00:41:28,080
Speaker 1: Now, mind you, this is like a twenty early twenty

918
00:41:28,120 --> 00:41:33,759
Speaker 1: something year old girl and she's very pretty. And the

919
00:41:34,200 --> 00:41:35,799
Speaker 1: not only is that the most ludicrous thing you can

920
00:41:35,800 --> 00:41:38,319
Speaker 1: ever imaginenother human being saying, but in your mind, the

921
00:41:38,320 --> 00:41:42,000
Speaker 1: show is going to go so many years that her

922
00:41:42,800 --> 00:41:45,360
Speaker 1: wrinkles that come from her being expressive were going to

923
00:41:45,400 --> 00:41:47,080
Speaker 1: be a problem. I mean, it was the most ludicrous

924
00:41:47,120 --> 00:41:48,120
Speaker 1: thing I've ever heard of them a whole lot.

925
00:41:48,200 --> 00:41:52,319
Speaker 4: It's appalling. It's appalling. The other part of it is

926
00:41:52,360 --> 00:41:54,960
Speaker 4: actors can act, you know, and so so I don't

927
00:41:54,960 --> 00:41:56,319
Speaker 4: how many times, so like you've done a thing and

928
00:41:56,320 --> 00:41:59,080
Speaker 4: then like, yeah, the feedback is, yeah, we wanted it

929
00:41:59,160 --> 00:41:59,720
Speaker 4: a little bigger.

930
00:41:59,719 --> 00:42:03,919
Speaker 2: It's like say that ship, you know, say that ship.

931
00:42:04,160 --> 00:42:06,319
Speaker 2: Why don't you let me do the whole audit? Listen, man,

932
00:42:06,360 --> 00:42:09,120
Speaker 2: why did you let me do the whole audition? That

933
00:42:09,239 --> 00:42:11,080
Speaker 2: big then if that's the case, somebody in the room

934
00:42:11,120 --> 00:42:14,000
Speaker 2: could have said, hey, you know what, I love your choice.

935
00:42:14,040 --> 00:42:16,800
Speaker 2: You could be diplomatic about it. I loved your choice. Listen,

936
00:42:16,960 --> 00:42:19,359
Speaker 2: can you tone it down a little bit this time? Right?

937
00:42:19,640 --> 00:42:22,640
Speaker 2: You know what I mean? That never happens anymore, dude.

938
00:42:22,640 --> 00:42:24,400
Speaker 2: I do remember though, back in the day when I

939
00:42:24,520 --> 00:42:26,799
Speaker 2: was going out for auditions, and it would be like

940
00:42:26,880 --> 00:42:29,680
Speaker 2: somebody who was from the urban or from the streets

941
00:42:29,680 --> 00:42:31,759
Speaker 2: and stuff like that, and you'd get the can you

942
00:42:31,760 --> 00:42:33,640
Speaker 2: can you spice it up a little.

943
00:42:35,680 --> 00:42:35,879
Speaker 1: Something?

944
00:42:35,960 --> 00:42:38,960
Speaker 2: Can you can you put a little sauce on that?

945
00:42:39,120 --> 00:42:41,719
Speaker 1: No? How would they say it? Like what's the worst base?

946
00:42:41,800 --> 00:42:43,960
Speaker 2: One would say that, can you spice it up a

947
00:42:44,000 --> 00:42:46,040
Speaker 2: little bit? Spice it up a little? And you'd be

948
00:42:46,040 --> 00:42:46,840
Speaker 2: like what.

949
00:42:49,719 --> 00:42:52,320
Speaker 1: I had a producer say to me once about a script.

950
00:42:52,400 --> 00:42:55,200
Speaker 1: She goes, you know, she was this old lady. She goes,

951
00:42:55,239 --> 00:42:59,319
Speaker 1: you know, you could go black with it, and I go, okay, yeah,

952
00:42:59,360 --> 00:43:00,680
Speaker 1: that's that's there's no reason.

953
00:43:00,760 --> 00:43:02,960
Speaker 2: She goes, you know, they're doing their thing.

954
00:43:06,760 --> 00:43:08,560
Speaker 1: She did that. Judge, you guys can't see the jests

955
00:43:08,600 --> 00:43:10,279
Speaker 1: durem me and she sort of rocked back and forth.

956
00:43:10,320 --> 00:43:17,520
Speaker 1: She goes, you know, they're they're doing their thing. It

957
00:43:17,600 --> 00:43:19,640
Speaker 1: was one of the most awkward things I've ever witnessed.

958
00:43:20,080 --> 00:43:22,359
Speaker 1: I go, okay, so you want them to do their thing?

959
00:43:22,360 --> 00:43:29,239
Speaker 1: I got it? Oh my god, should we get it?

960
00:43:29,280 --> 00:43:31,799
Speaker 1: We have to take a break probably, and then we're

961
00:43:31,800 --> 00:43:33,399
Speaker 1: gonna get into the episode. All right, We'll be right

962
00:43:33,440 --> 00:43:35,200
Speaker 1: back with the Tom Kavanaugh.

963
00:43:41,960 --> 00:43:46,200
Speaker 2: We're bad, bad Hey.

964
00:43:46,360 --> 00:43:47,000
Speaker 4: Tom.

965
00:43:47,080 --> 00:43:50,759
Speaker 2: So we always talk about how everybody met Bill and

966
00:43:50,800 --> 00:43:53,279
Speaker 2: how you came to this show. You wound up during

967
00:43:53,280 --> 00:43:54,400
Speaker 2: the show for several seasons.

968
00:43:54,960 --> 00:43:56,960
Speaker 1: Yeah, lots of episodes you mss have. You must have

969
00:43:57,080 --> 00:43:59,600
Speaker 1: been one of our most recurring guest stars.

970
00:44:00,800 --> 00:44:03,319
Speaker 4: I don't know that, but I can tell you I

971
00:44:03,440 --> 00:44:07,960
Speaker 4: was always hugely grateful to get the call. I sort

972
00:44:07,960 --> 00:44:10,359
Speaker 4: of feel like even being on this podcast is sort

973
00:44:10,400 --> 00:44:13,320
Speaker 4: of like I've sort of, like I was telling your producers,

974
00:44:13,360 --> 00:44:16,879
Speaker 4: I've sort of like glommed my way on by like,

975
00:44:17,120 --> 00:44:19,799
Speaker 4: you know, get that somehow this got put out there.

976
00:44:19,800 --> 00:44:21,520
Speaker 4: But I also felt that same way about Scrubs, Like

977
00:44:21,680 --> 00:44:24,840
Speaker 4: I don't really do scrubs, but I sort of like

978
00:44:25,200 --> 00:44:27,480
Speaker 4: piggybacked on the back of their success. And I've been

979
00:44:27,520 --> 00:44:30,120
Speaker 4: basically a parasite this whole time, and I'm so so

980
00:44:30,200 --> 00:44:30,960
Speaker 4: grateful for it.

981
00:44:30,920 --> 00:44:32,840
Speaker 1: Because people loved you on the show. Tom.

982
00:44:32,840 --> 00:44:33,959
Speaker 2: Sorry, it's funny, how.

983
00:44:33,920 --> 00:44:35,880
Speaker 4: Like, no, no, but it's funny. How like when you

984
00:44:35,960 --> 00:44:38,759
Speaker 4: like it isn't anywhere, you can't find it anywhere. Most

985
00:44:38,800 --> 00:44:41,920
Speaker 4: of this a lot of stuff that's harder, harder to find.

986
00:44:41,920 --> 00:44:45,040
Speaker 4: And I would say Scrubs is the thing even though

987
00:44:45,280 --> 00:44:47,920
Speaker 4: you know you guys were you get all. You guys

988
00:44:47,920 --> 00:44:50,520
Speaker 4: did such a great job, but I did nothing. I

989
00:44:50,600 --> 00:44:54,440
Speaker 4: still get recognized all the time from I hear people

990
00:44:54,440 --> 00:44:56,319
Speaker 4: all the time want to say, hey, little brother, or

991
00:44:56,360 --> 00:44:58,799
Speaker 4: they remember this, remember the bathtub episode. I remember this

992
00:44:58,840 --> 00:45:00,000
Speaker 4: kind of thing. And you know, it was like ninety

993
00:45:00,080 --> 00:45:02,040
Speaker 4: years ago and people are still like it's still resonant.

994
00:45:02,120 --> 00:45:04,720
Speaker 4: It's on Comedy Central. It's just like it's it's lovely

995
00:45:04,800 --> 00:45:07,040
Speaker 4: to be associated with your success.

996
00:45:07,239 --> 00:45:09,360
Speaker 1: Well, people really loved you on the show. They really,

997
00:45:09,960 --> 00:45:12,440
Speaker 1: you know, when when when Donald and I talked about

998
00:45:12,480 --> 00:45:16,400
Speaker 1: having guests on a lot of people asked for the

999
00:45:16,560 --> 00:45:19,400
Speaker 1: Tom Kavanaugh. But wait a second, sorry, go back to

1000
00:45:19,400 --> 00:45:21,040
Speaker 1: what Donald asked, How did you come about? How did

1001
00:45:21,040 --> 00:45:22,560
Speaker 1: it come about? Did you know Bill or was it

1002
00:45:22,600 --> 00:45:25,160
Speaker 1: the obvious that people thought he's on NBC? He looks

1003
00:45:25,200 --> 00:45:26,200
Speaker 1: like Zach that kind of thing.

1004
00:45:26,880 --> 00:45:33,879
Speaker 4: No, I I think I had been friendly with Bill

1005
00:45:34,440 --> 00:45:37,759
Speaker 4: and we weren't. We weren't friends before we sort of

1006
00:45:37,800 --> 00:45:41,320
Speaker 4: became friends throughout, but we had, you know, had spoken

1007
00:45:41,400 --> 00:45:46,319
Speaker 4: and gotten along and he he and his wife had

1008
00:45:46,320 --> 00:45:49,480
Speaker 4: always been like quite friendly and generous and stuff, and

1009
00:45:49,560 --> 00:45:52,760
Speaker 4: so I think it must have been him saying, oh, okay,

1010
00:45:52,800 --> 00:45:57,600
Speaker 4: I know Tom. I I have a friendly relationship with him,

1011
00:45:57,760 --> 00:46:00,440
Speaker 4: and so this seems like a natural fit because of

1012
00:46:00,600 --> 00:46:03,360
Speaker 4: how we look. I think you run into people and

1013
00:46:03,360 --> 00:46:05,840
Speaker 4: you're like, I would like to work with this person again,

1014
00:46:05,920 --> 00:46:07,440
Speaker 4: you know what I mean. That happens occasionally, and it

1015
00:46:07,480 --> 00:46:11,040
Speaker 4: almost never happens. I think all your intentions are always great,

1016
00:46:11,560 --> 00:46:14,720
Speaker 4: and yet you're still trying to have a job and survive,

1017
00:46:14,760 --> 00:46:18,239
Speaker 4: and so sometimes it's quite quite difficult, given you know,

1018
00:46:18,760 --> 00:46:22,680
Speaker 4: it's very difficult to repatriate again. So I think I

1019
00:46:22,680 --> 00:46:24,440
Speaker 4: think maybe we got along and then he was like,

1020
00:46:24,480 --> 00:46:26,640
Speaker 4: oh this is this could be a nice little one off,

1021
00:46:26,680 --> 00:46:29,240
Speaker 4: But then it ended up being more, which.

1022
00:46:29,080 --> 00:46:32,040
Speaker 2: Is tremendous because you're really good on the show Man Also,

1023
00:46:32,320 --> 00:46:36,799
Speaker 2: you know, I we talk about this all the time

1024
00:46:36,920 --> 00:46:39,040
Speaker 2: in remembering the shows. This is one of we talk

1025
00:46:39,080 --> 00:46:40,920
Speaker 2: about it so much that it's become a bingo. It's

1026
00:46:41,120 --> 00:46:44,600
Speaker 2: one of the bingo questions, Like somebody made a bingo sheet,

1027
00:46:44,960 --> 00:46:47,560
Speaker 2: and on the bingo sheet it says they'll talk about

1028
00:46:47,800 --> 00:46:50,719
Speaker 2: at some point, you know, if they talk about not

1029
00:46:50,840 --> 00:46:54,640
Speaker 2: remembering the show, you get a letter, right, And this

1030
00:46:54,719 --> 00:46:57,800
Speaker 2: is one of those moments because I really didn't remember

1031
00:46:58,400 --> 00:47:01,880
Speaker 2: this episode that much. I knew the first episode I

1032
00:47:01,960 --> 00:47:05,359
Speaker 2: remember you on is when John Ritter passed away and

1033
00:47:05,360 --> 00:47:07,719
Speaker 2: then you out of nowhere, was like, yo, you know what,

1034
00:47:07,800 --> 00:47:10,400
Speaker 2: I'll come in and now and wait, how is that

1035
00:47:10,480 --> 00:47:13,239
Speaker 2: this one? That's not this one? That's not this one

1036
00:47:13,239 --> 00:47:13,520
Speaker 2: at all?

1037
00:47:14,640 --> 00:47:17,160
Speaker 4: That was another significant one that was such a again,

1038
00:47:17,640 --> 00:47:18,960
Speaker 4: you know, I think I don't know if you had

1039
00:47:19,080 --> 00:47:21,000
Speaker 4: because you're there and you have no basis of comparison

1040
00:47:21,040 --> 00:47:24,399
Speaker 4: for you people. You guys were like all all all

1041
00:47:24,440 --> 00:47:27,680
Speaker 4: your group was such a welcoming you know. It's it's

1042
00:47:27,719 --> 00:47:30,040
Speaker 4: it's interesting because once you go through, you know, thirty

1043
00:47:30,120 --> 00:47:33,080
Speaker 4: years of this stuff, it's not always you know, it's

1044
00:47:33,080 --> 00:47:35,759
Speaker 4: not always a group like that, you know, And I

1045
00:47:35,960 --> 00:47:38,919
Speaker 4: obviously don't know all the inside stories and stuff because

1046
00:47:38,920 --> 00:47:41,600
Speaker 4: I would just come in and out. But but being

1047
00:47:41,640 --> 00:47:47,520
Speaker 4: in a place where you felt welcomed and encouraged. And

1048
00:47:47,600 --> 00:47:49,920
Speaker 4: the idea is that that you guys. I can remember

1049
00:47:50,000 --> 00:47:52,080
Speaker 4: laughing so hard at the stuff you guys would do

1050
00:47:52,280 --> 00:47:54,560
Speaker 4: that wasn't in the script, knowing that you would do

1051
00:47:54,600 --> 00:47:56,799
Speaker 4: the stuff verbatim as it was in the script, knowing

1052
00:47:56,800 --> 00:47:58,600
Speaker 4: that you would get your blows, your chances later. And

1053
00:47:58,640 --> 00:48:02,160
Speaker 4: I thought, this is incredible, this this environment. I remember you,

1054
00:48:02,360 --> 00:48:05,440
Speaker 4: Zach doing one of I've seen like the actor who

1055
00:48:05,440 --> 00:48:09,120
Speaker 4: played Ross Kueller, David Swimmer, running to he had an

1056
00:48:09,120 --> 00:48:12,440
Speaker 4: open laundry door and he like hits his head on

1057
00:48:12,480 --> 00:48:14,359
Speaker 4: it and falls over there. That's one of the most

1058
00:48:14,360 --> 00:48:16,719
Speaker 4: solid modern day praftfalls. And you did want to do

1059
00:48:16,760 --> 00:48:19,520
Speaker 4: a glass door that was like we're just we're just watching,

1060
00:48:19,840 --> 00:48:21,799
Speaker 4: you know. We were sitting by the monitors, and I

1061
00:48:21,840 --> 00:48:23,600
Speaker 4: was like, I remember thinking this and this is like

1062
00:48:23,719 --> 00:48:25,759
Speaker 4: years ago. I remember thinking, is I could watch him

1063
00:48:25,800 --> 00:48:29,279
Speaker 4: do this all day long. Every time you didn't get

1064
00:48:29,320 --> 00:48:30,840
Speaker 4: tired of it, You kept doing it. Every time you

1065
00:48:30,880 --> 00:48:32,560
Speaker 4: did it, it was like seemed like better than the last.

1066
00:48:32,680 --> 00:48:34,360
Speaker 1: I wanted to get it right, you know. I I

1067
00:48:34,480 --> 00:48:37,879
Speaker 1: so enjoyed doing the physical comedy and and I would

1068
00:48:37,920 --> 00:48:41,160
Speaker 1: get competitive just with myself wanting to be wanting to

1069
00:48:41,200 --> 00:48:43,759
Speaker 1: wanting to make a really good one and and uh,

1070
00:48:44,160 --> 00:48:45,719
Speaker 1: you know that was a bit of my that was

1071
00:48:45,719 --> 00:48:48,440
Speaker 1: my sport if you will try to be good at

1072
00:48:48,520 --> 00:48:50,080
Speaker 1: I remember one time in one of the episodes, you

1073
00:48:50,160 --> 00:48:58,719
Speaker 1: jumped out and I just improved monsters. Yeah, And you know,

1074
00:48:58,760 --> 00:49:00,960
Speaker 1: the fun thing about the show, as you were just saying,

1075
00:49:01,080 --> 00:49:06,600
Speaker 1: was there was such a vibe of just safety, that is,

1076
00:49:07,120 --> 00:49:11,319
Speaker 1: this is a safe environment. Go nuts, do be adventurous.

1077
00:49:11,360 --> 00:49:13,920
Speaker 1: You know, Bill will tell you obviously get to it

1078
00:49:13,920 --> 00:49:15,719
Speaker 1: as written, but he'll tell you if he wants you

1079
00:49:15,800 --> 00:49:18,160
Speaker 1: to bring it down. But I was just watching this

1080
00:49:18,280 --> 00:49:20,720
Speaker 1: your first episode, and you were making such.

1081
00:49:20,560 --> 00:49:23,640
Speaker 2: Bold choices and right, souch is tricky.

1082
00:49:23,320 --> 00:49:25,040
Speaker 1: Which is tricky because you know, we'd bound the show.

1083
00:49:25,040 --> 00:49:27,080
Speaker 1: We're regulars, we're there all the time. We had we

1084
00:49:27,080 --> 00:49:30,120
Speaker 1: had kind of built up that comfortableness for a guest

1085
00:49:30,160 --> 00:49:32,279
Speaker 1: star to come on and be like, all right, I'm

1086
00:49:32,280 --> 00:49:34,640
Speaker 1: gonna do a bold character. I'm gonna make bold choices.

1087
00:49:34,920 --> 00:49:36,960
Speaker 1: I was really I was really impressed with you just

1088
00:49:37,040 --> 00:49:38,880
Speaker 1: watching it back, because it's one thing if you do

1089
00:49:38,960 --> 00:49:41,360
Speaker 1: it like on your fifth episode, here you are is

1090
00:49:41,360 --> 00:49:43,279
Speaker 1: your first time on set your guest star of a

1091
00:49:43,560 --> 00:49:47,640
Speaker 1: show that that's really popular, and you came up with

1092
00:49:47,680 --> 00:49:50,719
Speaker 1: this character which was nothing like your character on ED

1093
00:49:50,880 --> 00:49:52,680
Speaker 1: and was just bold and funny.

1094
00:49:53,160 --> 00:49:55,799
Speaker 4: But it was probably a lot to do with, like

1095
00:49:55,880 --> 00:49:59,919
Speaker 4: I say, just being around a place where people were like, hey,

1096
00:50:00,200 --> 00:50:04,520
Speaker 4: have fun, enjoy I think I think it just bears

1097
00:50:04,560 --> 00:50:08,200
Speaker 4: repeating that your show was such a such a place

1098
00:50:08,200 --> 00:50:10,640
Speaker 4: where you know, you welcome people to do that very

1099
00:50:10,640 --> 00:50:13,719
Speaker 4: thing you were talking about. I remember also being so impressed.

1100
00:50:14,440 --> 00:50:17,120
Speaker 4: I'm sorry to talking about it, but it just it

1101
00:50:17,280 --> 00:50:19,640
Speaker 4: just seemed like I remember season six coming in and

1102
00:50:19,719 --> 00:50:22,279
Speaker 4: doing something and I remember thinking, I remember watching on

1103
00:50:22,440 --> 00:50:27,120
Speaker 4: different shows i'd done, how you know people buy into like, well,

1104
00:50:27,160 --> 00:50:30,160
Speaker 4: how what's our place in the universe of television? Like

1105
00:50:30,239 --> 00:50:31,239
Speaker 4: are we popular? Are we?

1106
00:50:31,560 --> 00:50:31,680
Speaker 3: You know?

1107
00:50:31,719 --> 00:50:35,560
Speaker 4: Are we getting enough attention? And I think you guys

1108
00:50:35,640 --> 00:50:38,400
Speaker 4: probably had you know, the NBA, Why don't they promote us?

1109
00:50:38,440 --> 00:50:40,520
Speaker 4: All that kind of stuff. But I remember coming in

1110
00:50:41,040 --> 00:50:44,320
Speaker 4: on season six and watching you had settled into this

1111
00:50:44,360 --> 00:50:46,440
Speaker 4: thing like this is us and this is for us,

1112
00:50:46,640 --> 00:50:49,960
Speaker 4: and it was such a smart and intelligent way to

1113
00:50:50,080 --> 00:50:53,080
Speaker 4: understand that life is fleeting, this is fleeting, and so

1114
00:50:53,520 --> 00:50:56,080
Speaker 4: let's just all be for this show and when you

1115
00:50:56,360 --> 00:50:58,960
Speaker 4: when you come from a different place and you come

1116
00:50:59,080 --> 00:51:03,040
Speaker 4: into that, it influenced me for the rest of my

1117
00:51:03,120 --> 00:51:05,160
Speaker 4: career to go, this is really what you want. People

1118
00:51:05,200 --> 00:51:07,399
Speaker 4: who are have each other's backs, who are for each other,

1119
00:51:07,680 --> 00:51:11,200
Speaker 4: who want to just do this scene right now as

1120
00:51:11,280 --> 00:51:13,560
Speaker 4: best as they can, and what more is that?

1121
00:51:14,800 --> 00:51:17,480
Speaker 1: Yeah? Speaking of doing a scene, really well, how fucking

1122
00:51:17,520 --> 00:51:20,320
Speaker 1: funny are you stealing the lab coat and going in

1123
00:51:20,520 --> 00:51:21,840
Speaker 1: to attend to a patient?

1124
00:51:22,239 --> 00:51:26,320
Speaker 2: That shit was hilarious, Yeah, mister laughed, before we do that.

1125
00:51:27,880 --> 00:51:31,320
Speaker 2: Before we do that, let's get into this, uh recap?

1126
00:51:32,120 --> 00:51:35,919
Speaker 1: Oh yeah, sorry, So Tom every episode, Donald will sum

1127
00:51:36,000 --> 00:51:38,239
Speaker 1: it up. He has thirty seconds. I time him.

1128
00:51:38,680 --> 00:51:39,959
Speaker 4: Yes, and this is great.

1129
00:51:40,160 --> 00:51:43,040
Speaker 1: Okay, So Donald, hold on getting my stopwatch up. He's

1130
00:51:43,040 --> 00:51:45,360
Speaker 1: been crushing it lately. He got in a little cocky

1131
00:51:46,400 --> 00:51:49,719
Speaker 1: l and and and ending early, which I don't like.

1132
00:51:49,760 --> 00:51:51,600
Speaker 1: I like you to fill your time now, this might

1133
00:51:51,719 --> 00:51:55,320
Speaker 1: go over. Okay, on your mark, get set go.

1134
00:51:56,160 --> 00:51:59,280
Speaker 2: J D's brother Dan comes to visit. He wrecks havoc

1135
00:51:59,360 --> 00:52:02,359
Speaker 2: on all of j these relationships. JD wishes his brother

1136
00:52:02,400 --> 00:52:05,000
Speaker 2: would just grow up. Turk and Cocks are beefing again,

1137
00:52:05,360 --> 00:52:07,759
Speaker 2: this time because both have good arguments on why their

1138
00:52:07,800 --> 00:52:10,520
Speaker 2: departments are better at saving lives. By the act break,

1139
00:52:10,760 --> 00:52:13,439
Speaker 2: j D and Turk are shame Turk of himself, JD

1140
00:52:13,560 --> 00:52:15,400
Speaker 2: of his brother. For Turk, it takes a lesson from

1141
00:52:15,440 --> 00:52:18,719
Speaker 2: an unexpected person for him to regain faith that he's

1142
00:52:18,800 --> 00:52:21,319
Speaker 2: doing his job the right way. For JD, it's him

1143
00:52:21,400 --> 00:52:24,919
Speaker 2: learning and understanding that not all people are built the same.

1144
00:52:25,239 --> 00:52:27,759
Speaker 2: Some people are content with who they are. How far

1145
00:52:27,880 --> 00:52:28,400
Speaker 2: did I go over?

1146
00:52:28,760 --> 00:52:30,840
Speaker 1: It's thirty six, But you had some fuck ups, and

1147
00:52:30,920 --> 00:52:32,000
Speaker 1: I think the audience.

1148
00:52:31,680 --> 00:52:33,040
Speaker 2: Is to give you geez.

1149
00:52:33,840 --> 00:52:34,920
Speaker 4: I thought it was amazing.

1150
00:52:35,080 --> 00:52:36,840
Speaker 1: It's well done. It's well done. I think when you

1151
00:52:36,920 --> 00:52:38,960
Speaker 1: were hurt, I don't think you we rehearsed this time. Sometimes.

1152
00:52:39,520 --> 00:52:42,319
Speaker 2: No, it's freaking We're an hour into the damn show.

1153
00:52:42,400 --> 00:52:43,400
Speaker 2: I expected to do it.

1154
00:52:45,640 --> 00:52:47,320
Speaker 1: He didn't know that Tom Cavanaugh was going to be

1155
00:52:47,360 --> 00:52:47,920
Speaker 1: so interesting.

1156
00:52:48,280 --> 00:52:50,040
Speaker 2: I said, listen, I knew Tom was going to be

1157
00:52:50,080 --> 00:52:51,799
Speaker 2: this interesting. So you're saying we were going to get

1158
00:52:51,840 --> 00:52:52,319
Speaker 2: into the show.

1159
00:52:52,760 --> 00:52:54,800
Speaker 1: You're saying is that you we rehearsed right before he

1160
00:52:54,840 --> 00:52:56,600
Speaker 1: went on the air. And now you're rusty, and.

1161
00:52:56,680 --> 00:52:58,400
Speaker 2: I was rusty. If you give me another chance, I

1162
00:52:58,440 --> 00:52:59,040
Speaker 2: bet it's better.

1163
00:52:59,480 --> 00:53:02,799
Speaker 1: No on here again, sick, good job. You know what, well,

1164
00:53:02,880 --> 00:53:04,840
Speaker 1: you know what, We'll have Dan speed it up a

1165
00:53:04,880 --> 00:53:07,560
Speaker 1: little bit. No, we can't do no thirty six seconds.

1166
00:53:07,880 --> 00:53:11,360
Speaker 1: Thirty six well done though. Well yes, well that's the

1167
00:53:11,440 --> 00:53:13,440
Speaker 1: episode to remind you, Tom. We did this as a

1168
00:53:13,520 --> 00:53:15,279
Speaker 1: service to people who want a brief reminder of what

1169
00:53:15,360 --> 00:53:19,399
Speaker 1: the episode was Tom. Tom comes to visit me. He's

1170
00:53:19,440 --> 00:53:22,800
Speaker 1: been driving a car across the country as a for

1171
00:53:23,040 --> 00:53:26,160
Speaker 1: for three hundred dollars, and uh, he has no fear

1172
00:53:26,280 --> 00:53:28,840
Speaker 1: of doctor Cox, which is just mind boggling me. And

1173
00:53:28,920 --> 00:53:32,239
Speaker 1: I'm squirming that he's I'm squirming as he meets Cox

1174
00:53:32,320 --> 00:53:34,680
Speaker 1: for the first time and is fucking with doctor Cox.

1175
00:53:34,960 --> 00:53:37,000
Speaker 2: Yeah, that would be the best day of my life.

1176
00:53:37,040 --> 00:53:40,480
Speaker 2: If I went to my brother's job and he had

1177
00:53:40,800 --> 00:53:44,280
Speaker 2: a boss that was bullying him, and I could freaking

1178
00:53:44,400 --> 00:53:46,719
Speaker 2: and I know that no matter what, he's gotta get

1179
00:53:46,760 --> 00:53:49,200
Speaker 2: bullied anyway, I'm gonna fuck some shit up. Then how

1180
00:53:49,200 --> 00:53:51,600
Speaker 2: about this, Oh Ert, you gotta mess with my little brother.

1181
00:53:51,800 --> 00:53:54,759
Speaker 2: Now I'm gonna mess with you. Yeah, I remember good day.

1182
00:53:55,239 --> 00:53:57,560
Speaker 1: I think I remember on the day Tom even being

1183
00:53:57,760 --> 00:54:01,759
Speaker 1: nervous in real life because I was so you know,

1184
00:54:02,160 --> 00:54:05,239
Speaker 1: Johnny was Johnny and I we wear versions of our

1185
00:54:05,360 --> 00:54:07,600
Speaker 1: characters and and we would just play that. Now you

1186
00:54:07,719 --> 00:54:09,640
Speaker 1: came in as an alpha fucking with him, and I

1187
00:54:09,680 --> 00:54:11,759
Speaker 1: think I think I recalled even on the day being

1188
00:54:11,760 --> 00:54:14,880
Speaker 1: a little uncomfortable, but I think didn't like it.

1189
00:54:15,080 --> 00:54:17,200
Speaker 2: And I'm sure he did.

1190
00:54:18,640 --> 00:54:21,520
Speaker 1: Because nobody in that hospital, in the real world or

1191
00:54:21,640 --> 00:54:24,040
Speaker 1: on or in the world of the show fucked with him,

1192
00:54:24,600 --> 00:54:26,600
Speaker 1: and he had gotten quite comfortable with that. And now

1193
00:54:26,640 --> 00:54:27,479
Speaker 1: here's someone who.

1194
00:54:27,400 --> 00:54:29,640
Speaker 2: Looks just like me walking with him.

1195
00:54:32,000 --> 00:54:34,200
Speaker 1: But that was great. And then so the let's talk

1196
00:54:34,200 --> 00:54:36,160
Speaker 1: about that Rickles moment. That was pretty fucking funny.

1197
00:54:36,239 --> 00:54:38,600
Speaker 2: That ship was hilarious. I love the fact that the

1198
00:54:38,680 --> 00:54:42,080
Speaker 2: reason why it's gonna happen is because he hears Bambi

1199
00:54:42,400 --> 00:54:43,680
Speaker 2: and you're like, all right, I don't want you to

1200
00:54:43,760 --> 00:54:45,160
Speaker 2: call me bamb before the rest of my life. I'll

1201
00:54:45,680 --> 00:54:48,320
Speaker 2: la wear a lab coat with a lap cooat. And

1202
00:54:48,400 --> 00:54:50,680
Speaker 2: he walks in, and he goes and you know, and

1203
00:54:50,960 --> 00:54:53,200
Speaker 2: and and we find out just before he walks in

1204
00:54:53,640 --> 00:54:55,880
Speaker 2: that the guy's gotta live and that the surgery was

1205
00:54:56,000 --> 00:54:59,359
Speaker 2: everything was a success. And the first thing Tom says,

1206
00:54:59,480 --> 00:55:01,160
Speaker 2: Dan says, it was touch and go.

1207
00:55:01,280 --> 00:55:05,759
Speaker 1: For and then he goes, you got out. We got

1208
00:55:05,880 --> 00:55:07,480
Speaker 1: to look out for those little rickles, and he goes,

1209
00:55:07,920 --> 00:55:08,719
Speaker 1: name is.

1210
00:55:09,080 --> 00:55:11,440
Speaker 4: He's like the little reckles the kids future.

1211
00:55:13,680 --> 00:55:15,560
Speaker 1: And then I go, okay, thank you, and you go,

1212
00:55:15,640 --> 00:55:20,160
Speaker 1: damn it, Babby, I'm busy to find a good nurse

1213
00:55:20,160 --> 00:55:26,520
Speaker 1: these days. And shot was really funny by Michael Spiller.

1214
00:55:26,560 --> 00:55:29,400
Speaker 1: When you when you turn around. Yeah, I'm always a

1215
00:55:29,440 --> 00:55:30,600
Speaker 1: sucker for the quick turnaround.

1216
00:55:30,719 --> 00:55:33,040
Speaker 4: Yes, of course, damn it, Bamby, give me a second.

1217
00:55:33,280 --> 00:55:35,160
Speaker 2: Yeah exactly, I'm busy.

1218
00:55:36,760 --> 00:55:41,520
Speaker 1: Hilarious, And now my nightmare would be my brother coming

1219
00:55:41,640 --> 00:55:45,200
Speaker 1: and flirting with someone that I had feelings for and

1220
00:55:45,640 --> 00:55:48,279
Speaker 1: let alone also your friend. I mean, this is like

1221
00:55:48,320 --> 00:55:51,719
Speaker 1: always awkward when you have a friend that's like, I

1222
00:55:51,760 --> 00:55:53,480
Speaker 1: don't know if this guy's ever happened to you, where

1223
00:55:53,560 --> 00:55:55,319
Speaker 1: like you broke up with someone and then you see

1224
00:55:55,360 --> 00:55:59,080
Speaker 1: your friends starting to like and you're like, what the fuck?

1225
00:55:59,480 --> 00:56:02,120
Speaker 1: And and and I just I felt for JD as

1226
00:56:02,160 --> 00:56:03,960
Speaker 1: you as you and Sarah are walking down the hall

1227
00:56:04,040 --> 00:56:05,080
Speaker 1: and flirting.

1228
00:56:04,719 --> 00:56:05,680
Speaker 2: And it's cruel.

1229
00:56:05,840 --> 00:56:06,400
Speaker 4: It's awful.

1230
00:56:06,480 --> 00:56:07,640
Speaker 1: It's so fucking mean.

1231
00:56:07,920 --> 00:56:08,480
Speaker 4: It's awful.

1232
00:56:08,960 --> 00:56:10,960
Speaker 1: Yeah, it's mean, by the way, It's mean on both parts.

1233
00:56:11,000 --> 00:56:13,439
Speaker 1: It's mean on, it's mean on. I mean, you guys

1234
00:56:13,480 --> 00:56:16,960
Speaker 1: have a brother. You guys those two characters had had

1235
00:56:16,960 --> 00:56:20,720
Speaker 1: a brother competition thing, obviously, but the fact that Elliott

1236
00:56:20,840 --> 00:56:22,880
Speaker 1: was so willing to just like dive in and be

1237
00:56:23,000 --> 00:56:24,640
Speaker 1: all like gigy, that was so cruel.

1238
00:56:25,000 --> 00:56:27,360
Speaker 4: Yeah, it was mean. It was like, ah, he's so funny,

1239
00:56:27,400 --> 00:56:29,200
Speaker 4: and he's not really that funny, but he was just

1240
00:56:29,280 --> 00:56:31,840
Speaker 4: being kid. You're like, ah, yeah, I know, that's okay.

1241
00:56:31,920 --> 00:56:34,800
Speaker 4: You just and then the idea that wait, this is

1242
00:56:34,880 --> 00:56:36,880
Speaker 4: actually happened, This is happening, is happening.

1243
00:56:37,160 --> 00:56:40,400
Speaker 2: You know. I love I love the how he realizes

1244
00:56:40,440 --> 00:56:44,839
Speaker 2: it's happening out of nowhere. You turned day tonight bym

1245
00:56:44,840 --> 00:56:45,600
Speaker 2: flicking a switch.

1246
00:56:47,040 --> 00:56:50,000
Speaker 1: That was great. And then they start totally making out

1247
00:56:50,480 --> 00:56:52,279
Speaker 1: and then and then they pop back to reality. And

1248
00:56:52,320 --> 00:56:56,720
Speaker 1: then in reality, I yell, stop your stop your stupid laughing.

1249
00:56:56,840 --> 00:56:58,400
Speaker 1: It makes you look like a whore.

1250
00:56:58,840 --> 00:57:02,320
Speaker 4: Right, and you're like kidding, just the worst thing you

1251
00:57:02,400 --> 00:57:02,799
Speaker 4: could say.

1252
00:57:03,080 --> 00:57:05,960
Speaker 1: And then the way I did it was like vomiting

1253
00:57:06,000 --> 00:57:08,879
Speaker 1: it up, like I couldn't, I couldn't hold in the rain.

1254
00:57:09,719 --> 00:57:11,000
Speaker 4: You skewed it out.

1255
00:57:11,520 --> 00:57:15,880
Speaker 2: Yeah, stupid laughing. It makes you look like goodness, gras

1256
00:57:16,600 --> 00:57:19,640
Speaker 2: jump cut. Yeah, I must have been tricky to shoot.

1257
00:57:19,760 --> 00:57:21,440
Speaker 1: We must have done the first part and then come back.

1258
00:57:21,480 --> 00:57:21,720
Speaker 2: We did.

1259
00:57:22,080 --> 00:57:24,120
Speaker 4: We did. Then we came back at night and Sarah

1260
00:57:24,200 --> 00:57:25,840
Speaker 4: had this idea we were both chewing gum to like

1261
00:57:25,880 --> 00:57:29,440
Speaker 4: spit the gum out, you know, and then like, you know,

1262
00:57:29,600 --> 00:57:32,240
Speaker 4: have the all the fun two three four.

1263
00:57:32,360 --> 00:57:34,200
Speaker 1: Were you called that chewing gum like throughout the whole

1264
00:57:34,240 --> 00:57:36,080
Speaker 1: scene or do you you both? You know, sometimes when

1265
00:57:36,080 --> 00:57:37,480
Speaker 1: you're an actor, you know you're going to make out

1266
00:57:37,520 --> 00:57:39,360
Speaker 1: with someone, you want to have fresh minty breath. Was it?

1267
00:57:39,960 --> 00:57:42,320
Speaker 4: I think she? I think she no. I think she

1268
00:57:42,520 --> 00:57:46,800
Speaker 4: added gum later on, because there was. It was one

1269
00:57:46,840 --> 00:57:48,760
Speaker 4: of two things. One is like you kiss the person,

1270
00:57:48,840 --> 00:57:50,040
Speaker 4: then they have the gum that you had in your

1271
00:57:50,080 --> 00:57:53,080
Speaker 4: mouth not great or you know, pew pew. And I

1272
00:57:53,160 --> 00:57:55,640
Speaker 4: think she we realized we could have a we could

1273
00:57:55,640 --> 00:57:57,760
Speaker 4: double down on the comedy moment by spitting our gum out.

1274
00:57:57,800 --> 00:58:01,520
Speaker 1: Before used to happen. We used to have Banaka on set,

1275
00:58:01,840 --> 00:58:02,480
Speaker 1: not not just for.

1276
00:58:02,960 --> 00:58:05,400
Speaker 4: I remember you guys had the You guys had the

1277
00:58:06,160 --> 00:58:08,480
Speaker 4: You also had the boom things that melt in your mouth.

1278
00:58:08,560 --> 00:58:10,400
Speaker 2: Oh yeah, yeah, it does give you heartburn.

1279
00:58:10,720 --> 00:58:12,880
Speaker 1: They give me heartburn. Yeah, we both both Donald and

1280
00:58:12,920 --> 00:58:14,680
Speaker 1: I would have too many and they would give us heartburn.

1281
00:58:15,040 --> 00:58:19,640
Speaker 1: But the old school aerosol spray baknaka, which is my favorite.

1282
00:58:20,000 --> 00:58:21,959
Speaker 1: We started having it just from we had kissing scenes

1283
00:58:22,000 --> 00:58:24,040
Speaker 1: and we didn't want to have bad breath for our

1284
00:58:24,120 --> 00:58:26,280
Speaker 1: scene partner. But then it became like, you know, we

1285
00:58:26,320 --> 00:58:28,240
Speaker 1: were all friends, all up in each other's faces all

1286
00:58:28,320 --> 00:58:30,440
Speaker 1: day long. We were like, let's make a rule everybody,

1287
00:58:30,560 --> 00:58:32,800
Speaker 1: we don't have bad breath, and so we would like

1288
00:58:32,920 --> 00:58:34,040
Speaker 1: just be spraying a NonStop.

1289
00:58:34,120 --> 00:58:36,880
Speaker 2: Dude. I remember, it became how many can you spray

1290
00:58:37,160 --> 00:58:41,080
Speaker 2: in your mouth? And I burn his mouth like tin

1291
00:58:41,320 --> 00:58:44,000
Speaker 2: under the tongue, just for ships and giggles.

1292
00:58:44,400 --> 00:58:47,720
Speaker 1: And eventually our boom operator velcrode one to the boom

1293
00:58:48,360 --> 00:58:52,440
Speaker 1: and and we called it boom naka and we'd be

1294
00:58:52,520 --> 00:58:54,560
Speaker 1: like Kevin boom knaka and he would just dip the

1295
00:58:54,600 --> 00:58:57,959
Speaker 1: boom down. We'd pull the ASO off off the mic

1296
00:58:58,280 --> 00:59:00,880
Speaker 1: it was on beltrow and then it attach it back up.

1297
00:59:01,480 --> 00:59:03,720
Speaker 1: That's great a right there, that's some Yeah. That was

1298
00:59:03,800 --> 00:59:05,320
Speaker 1: so though we thought he was gonna do it for

1299
00:59:05,400 --> 00:59:06,720
Speaker 1: like a day as a joke, it was up there

1300
00:59:06,760 --> 00:59:10,080
Speaker 1: for years, same same.

1301
00:59:09,920 --> 00:59:12,880
Speaker 4: Canister, hopefully hopefully changed out.

1302
00:59:13,760 --> 00:59:17,040
Speaker 1: I like when at five twenty four when when Cox goes, well,

1303
00:59:17,040 --> 00:59:20,800
Speaker 1: people please stop calling me, Yeah, and then Kelsoe goes, hey,

1304
00:59:20,920 --> 00:59:22,120
Speaker 1: I'm nuts. Sorry, I'm nuts.

1305
00:59:23,000 --> 00:59:24,080
Speaker 2: Hey, how's it going. I'm nuts.

1306
00:59:27,800 --> 00:59:29,160
Speaker 4: He had another one in there where was like I

1307
00:59:29,200 --> 00:59:30,840
Speaker 4: don't have time for pity or something like that.

1308
00:59:31,400 --> 00:59:33,960
Speaker 2: Yeah, right, when he's talking to Johnny Castle.

1309
00:59:34,600 --> 00:59:37,440
Speaker 1: Oh yeah, I wrote that down too, And why does

1310
00:59:37,600 --> 00:59:39,760
Speaker 1: why does well? First of all, when you scare me

1311
00:59:39,800 --> 00:59:41,840
Speaker 1: in the shower? Hilarious. That was the first of many

1312
00:59:41,920 --> 00:59:42,320
Speaker 1: scared we.

1313
00:59:42,400 --> 00:59:44,240
Speaker 4: Did, like ten we did ten. Do you remember that.

1314
00:59:44,600 --> 00:59:49,000
Speaker 4: I remember I remember waiting, waiting in the thing behind

1315
00:59:49,040 --> 00:59:51,240
Speaker 4: the curtain and like thinking, oh this, maybe this one

1316
00:59:51,280 --> 00:59:53,200
Speaker 4: will do this. Like there was we had like five

1317
00:59:53,320 --> 00:59:55,320
Speaker 4: or six different ones, and I think the first one

1318
00:59:55,800 --> 00:59:56,960
Speaker 4: was really terrifying for you.

1319
00:59:57,400 --> 00:59:58,080
Speaker 1: I remember that.

1320
00:59:58,280 --> 00:59:59,760
Speaker 2: Uh, it's funny.

1321
00:59:59,760 --> 01:00:01,720
Speaker 1: I just put two and two together that I guess

1322
01:00:01,760 --> 01:00:04,240
Speaker 1: we bought the clear shower curtain that's in the opening

1323
01:00:04,440 --> 01:00:06,280
Speaker 1: of the show, right, because wasn't there a clear shower

1324
01:00:06,360 --> 01:00:07,280
Speaker 1: curtain when you scare me?

1325
01:00:07,520 --> 01:00:07,720
Speaker 2: Yeah?

1326
01:00:08,000 --> 01:00:10,760
Speaker 4: No, no, there isn't a shower curtain that it's opaque.

1327
01:00:10,760 --> 01:00:12,040
Speaker 4: When I come out because you don't see me.

1328
01:00:12,160 --> 01:00:15,520
Speaker 2: And then right and you thought it looks like it's clear.

1329
01:00:15,600 --> 01:00:17,960
Speaker 2: I thought, I have, I have because you have.

1330
01:00:18,120 --> 01:00:19,680
Speaker 4: You guys have that runner earlier on.

1331
01:00:20,000 --> 01:00:22,600
Speaker 1: Yeah, so we're we're shopping for a clear shower curtain

1332
01:00:22,720 --> 01:00:26,200
Speaker 1: and then whereas it it is five point thirty two.

1333
01:00:27,160 --> 01:00:28,920
Speaker 1: I'm just curious because it'd be funny if we, uh

1334
01:00:29,600 --> 01:00:31,800
Speaker 1: we happen to keep the shower.

1335
01:00:32,000 --> 01:00:32,600
Speaker 2: Yeah it's clear.

1336
01:00:33,120 --> 01:00:34,440
Speaker 4: Oh goodness, how could it?

1337
01:00:34,600 --> 01:00:35,840
Speaker 2: Then? How can you have bought it?

1338
01:00:36,040 --> 01:00:39,040
Speaker 1: We actually bought it? There you go, Okay, look at

1339
01:00:39,040 --> 01:00:43,000
Speaker 1: that continuity. Yeah, I mean I got air. Dude, you

1340
01:00:43,120 --> 01:00:45,800
Speaker 1: scared the ship out of me. And I mean in

1341
01:00:45,880 --> 01:00:49,040
Speaker 1: real life, and I think the character. But I obviously

1342
01:00:49,120 --> 01:00:50,720
Speaker 1: had a nice juicy map behind me because I like

1343
01:00:50,800 --> 01:00:51,720
Speaker 1: literally flew up.

1344
01:00:52,400 --> 01:00:55,320
Speaker 4: Yes, yes it's solid and once again, Zach.

1345
01:00:55,240 --> 01:00:58,040
Speaker 1: Braft Solid, Zach Braft Special.

1346
01:00:58,200 --> 01:00:59,000
Speaker 4: It's good stuff.

1347
01:00:59,200 --> 01:01:05,960
Speaker 1: I laughed. When he makes her own Halloween candy, she.

1348
01:01:06,120 --> 01:01:07,480
Speaker 2: Says she's dressed.

1349
01:01:07,560 --> 01:01:10,760
Speaker 1: First of all, she's dressed like raggedy ann and uh

1350
01:01:11,280 --> 01:01:14,640
Speaker 1: and there's like this bowl of popcorn and homemade lollipops,

1351
01:01:14,680 --> 01:01:16,720
Speaker 1: and she says something like, if you want name brand stuff,

1352
01:01:17,320 --> 01:01:19,439
Speaker 1: this fist is packed with nuts or something.

1353
01:01:21,720 --> 01:01:26,120
Speaker 2: This episode was actually written by Tim Hobert. Yes, I believe.

1354
01:01:26,600 --> 01:01:28,680
Speaker 2: Was he with us the first season, Well, he came

1355
01:01:28,720 --> 01:01:29,680
Speaker 2: in on second him was.

1356
01:01:29,760 --> 01:01:32,040
Speaker 1: Not their first season, no, but he's a very funny writer.

1357
01:01:32,200 --> 01:01:34,960
Speaker 2: So this is his first big episode. This is first

1358
01:01:35,000 --> 01:01:37,920
Speaker 2: episode of the season. Then. Yeah, and also Mike Spiller's

1359
01:01:37,960 --> 01:01:39,120
Speaker 2: back as our director.

1360
01:01:39,320 --> 01:01:41,560
Speaker 1: We like Spiller a lot. This is the first episode

1361
01:01:41,600 --> 01:01:43,760
Speaker 1: in which I read on Scrubs Wiki this is the

1362
01:01:43,800 --> 01:01:46,560
Speaker 1: first episode that you're ever called Gandhi by doctor Cox.

1363
01:01:46,840 --> 01:01:50,240
Speaker 2: That's interesting. Sarah's sister is actually one of the interns

1364
01:01:50,280 --> 01:01:53,160
Speaker 2: in this episode. Also, yeah, and Cox is I mean

1365
01:01:53,200 --> 01:01:55,600
Speaker 2: when Kelso's doing rounds in the beginning, Sarah.

1366
01:01:55,680 --> 01:01:59,440
Speaker 1: When Kelso pulls he hates the costumes, and he pulls

1367
01:01:59,520 --> 01:02:03,120
Speaker 1: some cat ears off, and that's Sarah's sister, not not

1368
01:02:03,240 --> 01:02:06,840
Speaker 1: her younger sister, obviously, that's it's her older sister. And

1369
01:02:06,960 --> 01:02:11,360
Speaker 1: then I noticed that Johnny Castle playing Doug. He takes

1370
01:02:11,400 --> 01:02:14,440
Speaker 1: off the clown, knows and kisses it. And I remember

1371
01:02:14,520 --> 01:02:16,480
Speaker 1: on the day thinking that was so random and funny,

1372
01:02:16,520 --> 01:02:18,040
Speaker 1: but I have no idea why he does it. It's

1373
01:02:18,160 --> 01:02:18,640
Speaker 1: very weird.

1374
01:02:21,000 --> 01:02:21,840
Speaker 2: Yeah, no, I know exactly.

1375
01:02:21,880 --> 01:02:23,959
Speaker 1: He takes the clown that Kelso says, take that fucking

1376
01:02:24,000 --> 01:02:25,720
Speaker 1: costume off, and he takes the nose off, and he

1377
01:02:25,800 --> 01:02:28,000
Speaker 1: looks at it and he gives a little kiss before

1378
01:02:28,040 --> 01:02:31,280
Speaker 1: he fucking which is just so weird and amazing.

1379
01:02:32,600 --> 01:02:34,760
Speaker 4: I don't know why he did it, but yeah, the

1380
01:02:34,880 --> 01:02:38,200
Speaker 4: scene between you and Johnny C when you win the

1381
01:02:38,280 --> 01:02:41,640
Speaker 4: bet is like, to me, that was just such classic

1382
01:02:41,840 --> 01:02:45,040
Speaker 4: Scrubs because it's it's good in the in and of

1383
01:02:45,080 --> 01:02:47,640
Speaker 4: itself with the comedy's just hilarious, especially when you're celebrating

1384
01:02:47,800 --> 01:02:49,280
Speaker 4: and it kind of goes on, then it goes on,

1385
01:02:49,520 --> 01:02:53,000
Speaker 4: then it keeps going on, which I personally it's funny.

1386
01:02:53,120 --> 01:02:54,800
Speaker 4: Then it's sort of maybe not funny. Then it's really

1387
01:02:54,840 --> 01:02:56,600
Speaker 4: funny because you just keep doing it. You do the

1388
01:02:56,680 --> 01:02:59,200
Speaker 4: backward why, and it's just all the different beats of

1389
01:02:59,240 --> 01:03:01,440
Speaker 4: your comedy there just like I had me laughing and

1390
01:03:01,520 --> 01:03:04,280
Speaker 4: I'd forgotten the scene and then and then there's then

1391
01:03:04,400 --> 01:03:08,960
Speaker 4: there's that other level where he's like, yes, which is

1392
01:03:09,040 --> 01:03:11,520
Speaker 4: what that's what your show did so well, where it's

1393
01:03:11,560 --> 01:03:13,240
Speaker 4: like you have the great comedy and that could just

1394
01:03:13,400 --> 01:03:15,240
Speaker 4: on another show that would just be enough. And then

1395
01:03:15,320 --> 01:03:18,040
Speaker 4: it's like there's a hammer a gravitas that still works.

1396
01:03:18,120 --> 01:03:20,760
Speaker 4: It's beautiful. It ends with ends with you like with

1397
01:03:20,880 --> 01:03:25,040
Speaker 4: a legit serious moment considering this information. It's great.

1398
01:03:25,280 --> 01:03:26,720
Speaker 1: It's a matter of Joelle and you just look like

1399
01:03:26,760 --> 01:03:27,800
Speaker 1: you freaked on him on something.

1400
01:03:28,080 --> 01:03:30,920
Speaker 3: Oh Gena Price Price when heard a thing I did

1401
01:03:30,960 --> 01:03:31,680
Speaker 3: and I love her?

1402
01:03:31,920 --> 01:03:35,280
Speaker 2: Sorry, okay, wait what happened? I'm sorry?

1403
01:03:35,560 --> 01:03:38,120
Speaker 1: Wait what happened? I figure since you distracted the show,

1404
01:03:38,160 --> 01:03:39,440
Speaker 1: you're gonna have to share what happened?

1405
01:03:39,680 --> 01:03:43,280
Speaker 3: Sorry, Gina Price bikeele It is a amazing director.

1406
01:03:43,320 --> 01:03:46,120
Speaker 1: She directed Love Basketball and she just has a new

1407
01:03:46,160 --> 01:03:47,120
Speaker 1: movie out on Netflix.

1408
01:03:47,320 --> 01:03:48,920
Speaker 3: Cold Oh my gosh.

1409
01:03:48,760 --> 01:03:49,920
Speaker 1: The Old Guard.

1410
01:03:50,440 --> 01:03:52,640
Speaker 4: Yes, black lady who's been working for a very long time,

1411
01:03:52,680 --> 01:03:53,280
Speaker 4: and I love her.

1412
01:03:53,680 --> 01:03:57,000
Speaker 2: She used to write on Felicity, like season one of Felicity,

1413
01:03:57,120 --> 01:03:59,440
Speaker 2: she wrote, and then she went on to all right,

1414
01:03:59,440 --> 01:03:59,960
Speaker 2: but what happen?

1415
01:04:00,080 --> 01:04:01,960
Speaker 1: And that made your face light up because I thought

1416
01:04:02,000 --> 01:04:04,200
Speaker 1: it was Tom's use of the word gravitas.

1417
01:04:06,720 --> 01:04:09,960
Speaker 2: Acknowledge my existence. I get so excited.

1418
01:04:10,200 --> 01:04:12,480
Speaker 1: Oh well, congratulations what did she say? What she like,

1419
01:04:12,560 --> 01:04:14,240
Speaker 1: you're one of the articles you've written or something.

1420
01:04:14,640 --> 01:04:17,439
Speaker 2: Yeah, I did a pod talking about the new movie

1421
01:04:17,520 --> 01:04:19,240
Speaker 2: and she was like this was so great. I was like,

1422
01:04:19,280 --> 01:04:25,200
Speaker 2: oh my god, that's okay. That's always good to be apologetic,

1423
01:04:25,320 --> 01:04:25,560
Speaker 2: don't know.

1424
01:04:27,200 --> 01:04:29,000
Speaker 1: I just want the listeners to know from my point

1425
01:04:29,000 --> 01:04:33,040
Speaker 1: of view. Tom said the word gravitas, and Joel's face

1426
01:04:33,160 --> 01:04:35,480
Speaker 1: lit up and she started like doing the hand thing

1427
01:04:35,520 --> 01:04:38,480
Speaker 1: where you might cry, and I'm like, wow, Joelle really

1428
01:04:38,560 --> 01:04:39,840
Speaker 1: loves the word gravias.

1429
01:04:41,880 --> 01:04:45,240
Speaker 4: She had better reasons to celebrate, better reasons to celebrate.

1430
01:04:45,520 --> 01:04:48,360
Speaker 4: I'm glad to hear it wasn't gravitas either, the old

1431
01:04:48,440 --> 01:04:49,280
Speaker 4: guarden plug. That's good.

1432
01:04:49,320 --> 01:04:51,520
Speaker 2: That would be that would be the funniest ship ever.

1433
01:04:52,040 --> 01:04:55,840
Speaker 1: But she just loves the word gravat whenever she whenever

1434
01:04:55,960 --> 01:05:01,440
Speaker 1: she hears it, she has to fan her eyes. I

1435
01:05:01,560 --> 01:05:05,080
Speaker 1: love Donald. You're bragging about having two singles in your wallet.

1436
01:05:05,120 --> 01:05:07,000
Speaker 1: You say hello mister when he gives you the funny

1437
01:05:07,040 --> 01:05:10,880
Speaker 1: Hello Jackson me introduced you to the Washington Brothers.

1438
01:05:11,360 --> 01:05:13,640
Speaker 2: Right now, you guys getting nice and acquainted and.

1439
01:05:18,800 --> 01:05:19,360
Speaker 1: You're dancing.

1440
01:05:19,440 --> 01:05:21,480
Speaker 2: There was so funny, man, Yes, I had a lot

1441
01:05:21,520 --> 01:05:23,720
Speaker 2: of I had a lot of fun doing that. I'm

1442
01:05:23,760 --> 01:05:25,840
Speaker 2: sure I did. It's it's really weird, you know how

1443
01:05:25,960 --> 01:05:30,440
Speaker 2: things change. Because everybody did a Michael Jackson impersonation. Back

1444
01:05:30,520 --> 01:05:33,200
Speaker 2: in the day, everybody did it. I can't recall the

1445
01:05:33,280 --> 01:05:36,960
Speaker 2: last time I've seen Michael Jackson impersonation. He's been a very,

1446
01:05:37,080 --> 01:05:37,680
Speaker 2: very long time.

1447
01:05:37,800 --> 01:05:39,400
Speaker 1: Now, you probably if we were doing the show now,

1448
01:05:39,480 --> 01:05:42,160
Speaker 1: you probably wouldn't be doing so many Michael Jackson's Now.

1449
01:05:42,200 --> 01:05:44,480
Speaker 1: I love a Growing Pain shout out for those of

1450
01:05:44,520 --> 01:05:46,240
Speaker 1: you who were too young to know. Growing Pains was

1451
01:05:46,280 --> 01:05:51,080
Speaker 1: a very popular sitcom and starring Kirk Cameron. And uh

1452
01:05:51,920 --> 01:05:53,840
Speaker 1: when when I when when we all go to lunch,

1453
01:05:54,880 --> 01:05:56,800
Speaker 1: I say, oh, no, I'm trying to defend Dan. Oh no,

1454
01:05:56,880 --> 01:05:59,919
Speaker 1: he lives with my mom, but he's got his own area.

1455
01:06:00,080 --> 01:06:02,280
Speaker 1: He's like Kirk Cameron when he's looking about the garage

1456
01:06:02,320 --> 01:06:05,600
Speaker 1: with Boner. And Kirk Cameron had a friend in the

1457
01:06:05,680 --> 01:06:08,600
Speaker 1: show name name Boner, which made no sense. Why was

1458
01:06:08,640 --> 01:06:10,880
Speaker 1: his friend named Boner? Everyone knows what his name.

1459
01:06:11,000 --> 01:06:14,720
Speaker 2: His last name was the Bone, and his dad's name

1460
01:06:14,840 --> 01:06:15,840
Speaker 2: was Sylvester.

1461
01:06:16,440 --> 01:06:18,880
Speaker 4: But then you right, you yell out to the room Boner.

1462
01:06:20,600 --> 01:06:24,439
Speaker 4: Come on, everyone, it's too too low hanging fruit.

1463
01:06:24,560 --> 01:06:28,040
Speaker 2: No Boner speaking of laging. You guys didn't hear what

1464
01:06:28,120 --> 01:06:31,600
Speaker 2: I said. His dad's name Will was Sylvester and his

1465
01:06:31,720 --> 01:06:35,720
Speaker 2: last name is Sta Bone Sylvester Stabone. Yeah, do you

1466
01:06:35,800 --> 01:06:39,080
Speaker 2: know the Growing Pains theme instead of Sylvester Stallone Sylvester Stabone.

1467
01:06:39,440 --> 01:06:39,720
Speaker 2: Do you know?

1468
01:06:40,560 --> 01:06:40,600
Speaker 1: No?

1469
01:06:40,760 --> 01:06:41,160
Speaker 4: I get it.

1470
01:06:41,600 --> 01:06:43,760
Speaker 2: Okay, it just wasn't that funny. I guess I'm sorry.

1471
01:06:45,880 --> 01:06:47,640
Speaker 1: I thought it was hilarious when I first heard it.

1472
01:06:48,440 --> 01:06:51,200
Speaker 2: Joe kids, wait a second, Boner, your dad's name is

1473
01:06:51,240 --> 01:06:53,880
Speaker 2: Sylvester Stabone. And then he turns back and looks that

1474
01:06:54,040 --> 01:06:55,640
Speaker 2: Mike and goes, who knew.

1475
01:06:59,120 --> 01:07:01,000
Speaker 4: What? Joe joke?

1476
01:07:03,120 --> 01:07:05,040
Speaker 1: Donald? Do you know the theme song? Tom?

1477
01:07:05,200 --> 01:07:05,320
Speaker 3: Tom?

1478
01:07:05,480 --> 01:07:08,520
Speaker 1: You might not know this, but Donald can sing song.

1479
01:07:08,560 --> 01:07:10,080
Speaker 2: If you tell me how it starts, I could sing it.

1480
01:07:10,160 --> 01:07:16,760
Speaker 2: Show me that smart Okay, Zech, I got it. Don't

1481
01:07:16,840 --> 01:07:21,320
Speaker 2: waste another man it on your crying. And we're nowhere

1482
01:07:21,440 --> 01:07:30,160
Speaker 2: near the end. Her best is edit to begain. Oh okay,

1483
01:07:30,400 --> 01:07:31,080
Speaker 2: started too high.

1484
01:07:31,320 --> 01:07:32,360
Speaker 1: As long as we go.

1485
01:07:33,320 --> 01:07:38,840
Speaker 2: Each other, we got the world hanging right and our

1486
01:07:39,120 --> 01:07:43,640
Speaker 2: hands baby rain or shine foot all the time. Okay,

1487
01:07:44,280 --> 01:07:50,880
Speaker 2: we've got each other sharing the left of love, sharing

1488
01:07:51,040 --> 01:07:51,600
Speaker 2: the left.

1489
01:07:56,320 --> 01:07:58,680
Speaker 1: So I'm gonna release an album Tom of Donald.

1490
01:07:58,720 --> 01:08:00,760
Speaker 2: We have to show that dignity. The show that did

1491
01:08:00,920 --> 01:08:03,760
Speaker 2: every season they did a different version of that song.

1492
01:08:04,120 --> 01:08:06,480
Speaker 1: Oh really, They also at some point they had a

1493
01:08:06,560 --> 01:08:08,840
Speaker 1: baby and then they were like, the baby's boring, and

1494
01:08:08,920 --> 01:08:10,200
Speaker 1: next season she's gonna be five.

1495
01:08:10,440 --> 01:08:12,040
Speaker 2: And also they.

1496
01:08:11,960 --> 01:08:14,400
Speaker 1: Also had nobody else to age, but the baby was

1497
01:08:14,440 --> 01:08:15,280
Speaker 1: all of a sudden five.

1498
01:08:15,600 --> 01:08:17,840
Speaker 2: They also like fostered a kid for a little bit.

1499
01:08:18,200 --> 01:08:20,639
Speaker 2: Who was young Leonardo DiCaprio.

1500
01:08:21,600 --> 01:08:26,040
Speaker 1: Oh, that's right, young Leo's first show, I believe.

1501
01:08:26,360 --> 01:08:27,759
Speaker 2: Well, I don't know if it was his first.

1502
01:08:27,600 --> 01:08:30,400
Speaker 1: But there's really cute. I've seen like you know when

1503
01:08:30,400 --> 01:08:33,400
Speaker 1: they do like, you know, you know, remember who this

1504
01:08:33,479 --> 01:08:36,439
Speaker 1: little boy was. I've seen like his first interviewers. I

1505
01:08:36,520 --> 01:08:38,200
Speaker 1: just love being an actor and I'm just happy to

1506
01:08:38,240 --> 01:08:38,960
Speaker 1: be with these guys.

1507
01:08:39,280 --> 01:08:42,080
Speaker 2: It was really cute, and now look at him.

1508
01:08:42,200 --> 01:08:44,679
Speaker 1: Donald has a little Leo crushed. Tommy comes up almost

1509
01:08:44,720 --> 01:08:45,439
Speaker 1: every episode.

1510
01:08:45,600 --> 01:08:50,000
Speaker 2: I love Leonardo DiCaprio. Yeah, so last one of my

1511
01:08:50,040 --> 01:08:51,200
Speaker 2: favorite actors of all time.

1512
01:08:51,360 --> 01:08:54,559
Speaker 1: One of our last episodes ended with Donald talking about

1513
01:08:54,760 --> 01:08:58,680
Speaker 1: trying to doc with no no no no no no no.

1514
01:08:59,040 --> 01:09:03,760
Speaker 2: Explained later, break we got, we gotta go to break.

1515
01:09:03,800 --> 01:09:07,960
Speaker 2: We gotta guess guys, we used to bring just we

1516
01:09:08,160 --> 01:09:10,559
Speaker 2: should go to break, guys. I'm just break.

1517
01:09:10,640 --> 01:09:12,599
Speaker 1: We'll be right back after Donald doc Leo.

1518
01:09:13,120 --> 01:09:15,439
Speaker 2: No, no, no, no, So what's on again?

1519
01:09:15,640 --> 01:09:16,400
Speaker 4: What did he say?

1520
01:09:16,479 --> 01:09:17,040
Speaker 2: What was that?

1521
01:09:17,240 --> 01:09:17,320
Speaker 1: Now?

1522
01:09:17,479 --> 01:09:19,479
Speaker 2: I did not say I wanted to dock with Leo.

1523
01:09:19,560 --> 01:09:21,120
Speaker 2: I just said I thought he was a great actor.

1524
01:09:21,240 --> 01:09:22,479
Speaker 1: We went to break, We went.

1525
01:09:23,200 --> 01:09:25,280
Speaker 2: We haven't gonkay yet. All right, now we're going to break.

1526
01:09:25,520 --> 01:09:27,639
Speaker 2: We gotta. I think we need to clarify this because

1527
01:09:27,640 --> 01:09:29,800
Speaker 2: I don't want it out there and the ethos that

1528
01:09:30,280 --> 01:09:32,680
Speaker 2: somebody that I'm walking around telling people I want to

1529
01:09:32,720 --> 01:09:34,559
Speaker 2: dock with Leo because that ain't what's happening here.

1530
01:09:34,640 --> 01:09:38,080
Speaker 1: Okay, that does not want to dock Leo. Everybody, Yes,

1531
01:09:38,080 --> 01:09:48,720
Speaker 1: he does. We're going to break, all right, now we're

1532
01:09:48,760 --> 01:09:50,800
Speaker 1: back tom. We take a caller here on this show

1533
01:09:51,320 --> 01:09:54,680
Speaker 1: and Joel curates them. There are zillions of people that

1534
01:09:54,840 --> 01:09:57,640
Speaker 1: email her and try and send her payola. Uh and

1535
01:09:57,840 --> 01:10:01,040
Speaker 1: she it's all steps, all the money, she accepts, all

1536
01:10:01,080 --> 01:10:02,479
Speaker 1: the money, all the money sends.

1537
01:10:02,479 --> 01:10:06,200
Speaker 2: You sending money to Joel, do it the right way,

1538
01:10:06,560 --> 01:10:09,160
Speaker 2: don't send like sending the real deal. How we feel

1539
01:10:09,960 --> 01:10:12,519
Speaker 2: thought if you don't get picked, but money does help.

1540
01:10:12,760 --> 01:10:14,680
Speaker 1: But you know, cash is a little crass. What you

1541
01:10:14,720 --> 01:10:18,600
Speaker 1: could sell send baskets. Cash is crash. I don't know

1542
01:10:18,600 --> 01:10:20,160
Speaker 1: if it has ever said that before, but I was

1543
01:10:20,200 --> 01:10:22,920
Speaker 1: a good line. Cash is crass, Cash is crash. Send

1544
01:10:22,960 --> 01:10:26,800
Speaker 1: the woman a wine basket or some of God's let us. Uh,

1545
01:10:27,120 --> 01:10:28,960
Speaker 1: she'll take either one. O. G.

1546
01:10:29,160 --> 01:10:30,200
Speaker 2: Cush is preferred.

1547
01:10:30,920 --> 01:10:35,160
Speaker 1: Who do we have today? Preferred for the Tom Cavanaugh? Who?

1548
01:10:35,880 --> 01:10:38,040
Speaker 1: Who's America's favorite older brother?

1549
01:10:38,479 --> 01:10:41,120
Speaker 3: We had nurse Christina.

1550
01:10:41,320 --> 01:10:50,760
Speaker 2: Christina, Hello, where are you calling from? Christina Kuston and the.

1551
01:10:51,040 --> 01:10:55,200
Speaker 1: Uh, Christina, you're an e ournurse we heard, so that

1552
01:10:55,280 --> 01:10:58,240
Speaker 1: means you're gonna get even more respect than the average caller.

1553
01:10:58,280 --> 01:11:00,280
Speaker 1: We give our callers a lot of respect, but er

1554
01:11:00,400 --> 01:11:02,040
Speaker 1: nurse gets top respect.

1555
01:11:02,200 --> 01:11:04,600
Speaker 4: From Well, thank you. What's it like?

1556
01:11:04,760 --> 01:11:06,799
Speaker 2: What's it like right now? You guys are in Houston?

1557
01:11:06,880 --> 01:11:08,280
Speaker 2: It's it sucks?

1558
01:11:09,000 --> 01:11:09,200
Speaker 1: Yeah?

1559
01:11:09,760 --> 01:11:11,160
Speaker 2: Yeah, what's the status?

1560
01:11:11,240 --> 01:11:14,599
Speaker 1: I think I had heard that Texas was legitimately running

1561
01:11:14,680 --> 01:11:15,960
Speaker 1: out of ICU beds.

1562
01:11:16,320 --> 01:11:18,960
Speaker 3: Yeah, I mean, we tried to ship out a critical

1563
01:11:19,000 --> 01:11:21,200
Speaker 3: patient the other night and couldn't get a hospital that

1564
01:11:21,240 --> 01:11:23,240
Speaker 3: could take him in Houston. We tried to life fight

1565
01:11:23,280 --> 01:11:25,040
Speaker 3: himut because we didn't have a specialist for it and

1566
01:11:25,120 --> 01:11:26,240
Speaker 3: could not find a hospital.

1567
01:11:27,439 --> 01:11:28,080
Speaker 4: It's tragic.

1568
01:11:28,240 --> 01:11:30,960
Speaker 1: Oh, it's tragic, my God. And people need to hear

1569
01:11:31,000 --> 01:11:32,800
Speaker 1: from people like you on the front lines, because I

1570
01:11:32,880 --> 01:11:35,160
Speaker 1: think a lot of people, you know, as we've talked

1571
01:11:35,200 --> 01:11:37,320
Speaker 1: about on the show, Donald and I lost a friend

1572
01:11:37,560 --> 01:11:40,840
Speaker 1: and uh, and I think people like you who run

1573
01:11:40,880 --> 01:11:43,400
Speaker 1: the front lines, people like us who've lost a loved one,

1574
01:11:43,840 --> 01:11:47,800
Speaker 1: we're seeing him. And Dan was explaining something on the show.

1575
01:11:47,840 --> 01:11:50,479
Speaker 1: I thought that was really really landing with me that

1576
01:11:51,040 --> 01:11:52,880
Speaker 1: unless you're on the front lines and the seeing it,

1577
01:11:53,160 --> 01:11:55,040
Speaker 1: you can kind of live in this sort of dream

1578
01:11:55,120 --> 01:11:57,880
Speaker 1: world where you, you know, you're just you know, obviously,

1579
01:11:57,920 --> 01:11:59,479
Speaker 1: I know people are suffering, they're not working, and the

1580
01:11:59,560 --> 01:12:02,000
Speaker 1: kids aren't in school, but it cannot it's a little

1581
01:12:02,000 --> 01:12:04,200
Speaker 1: bit out of sight, out of mind. Whereas someone like you,

1582
01:12:04,600 --> 01:12:08,120
Speaker 1: who's seeing this every single day, it must be just

1583
01:12:08,320 --> 01:12:09,439
Speaker 1: very very traumatic for you.

1584
01:12:09,520 --> 01:12:12,000
Speaker 2: That we also see what COVID does to people too,

1585
01:12:12,640 --> 01:12:15,080
Speaker 2: what and and and and a lot of people that's

1586
01:12:15,120 --> 01:12:20,439
Speaker 2: something that Americans don't see. We don't see the uh,

1587
01:12:21,040 --> 01:12:25,320
Speaker 2: what's what's left up people after COVID has ravaged their

1588
01:12:25,360 --> 01:12:30,080
Speaker 2: bodies and uh and and you know, rectabit or rectabic

1589
01:12:30,280 --> 01:12:34,800
Speaker 2: on their organs and stuff. So uh, it's just a.

1590
01:12:35,080 --> 01:12:37,360
Speaker 3: It's a slab in the face when we're risking our

1591
01:12:37,400 --> 01:12:39,000
Speaker 3: lives and then people are on here saying it's a

1592
01:12:39,080 --> 01:12:43,560
Speaker 3: hoax or that it's a It's just frustrating because we

1593
01:12:43,560 --> 01:12:44,439
Speaker 3: don't have any reason to lie.

1594
01:12:44,360 --> 01:12:46,840
Speaker 2: About it, right, I know, I know, but we see that.

1595
01:12:46,920 --> 01:12:49,200
Speaker 1: But we see that. I see even in our comments

1596
01:12:49,240 --> 01:12:50,040
Speaker 1: on on Instagram.

1597
01:12:50,080 --> 01:12:50,960
Speaker 2: Won't not even saw this. Donald.

1598
01:12:51,000 --> 01:12:54,320
Speaker 1: People were like, enough of the mask talk. You're becoming

1599
01:12:54,439 --> 01:12:57,360
Speaker 1: like every other show. And I want to like throw

1600
01:12:57,479 --> 01:13:00,360
Speaker 1: my fucking phone at the wall because I was like,

1601
01:13:00,479 --> 01:13:02,920
Speaker 1: our friend just died, so there's gonna be some COVID

1602
01:13:03,000 --> 01:13:08,880
Speaker 1: talk wear a fucking mask, right, But anyway, we thank

1603
01:13:08,960 --> 01:13:12,200
Speaker 1: you for for I just think there's nothing more noble

1604
01:13:13,000 --> 01:13:16,000
Speaker 1: than being a nurse. And there's extra cherry on top

1605
01:13:16,120 --> 01:13:19,000
Speaker 1: for doing it in the er because the things you

1606
01:13:19,080 --> 01:13:19,479
Speaker 1: must see.

1607
01:13:20,240 --> 01:13:21,680
Speaker 3: And I want to thank y'all real quick for the

1608
01:13:21,760 --> 01:13:24,840
Speaker 3: video that y'all did with Neil Patrick Harris thanking all

1609
01:13:24,880 --> 01:13:27,000
Speaker 3: the healthcare workers. It did not get enough props, but

1610
01:13:27,439 --> 01:13:28,320
Speaker 3: it really meant something.

1611
01:13:28,800 --> 01:13:33,160
Speaker 1: Oh thank you. So let's switch to something more like

1612
01:13:34,200 --> 01:13:36,439
Speaker 1: our main mission is to make people gig a little bit.

1613
01:13:36,479 --> 01:13:38,879
Speaker 1: Do you have any questions for for us about scrubs

1614
01:13:38,960 --> 01:13:40,920
Speaker 1: or anything? It could be about the flash. I don't know.

1615
01:13:42,360 --> 01:13:43,880
Speaker 3: My first question is, what's the craziest thing.

1616
01:13:43,920 --> 01:13:46,880
Speaker 2: A fan has asked, y'all, Oh my gosh, have you

1617
01:13:46,920 --> 01:13:49,120
Speaker 2: ever signed anyone? And then they you saw them again

1618
01:13:49,160 --> 01:13:51,599
Speaker 2: and they were like, I turned your signature into a tattoo. Yes,

1619
01:13:51,680 --> 01:13:55,320
Speaker 2: I've had that, And people get tattoos of you?

1620
01:13:55,400 --> 01:13:58,519
Speaker 1: Is that weird? Yeah? I was talking about this yesterday.

1621
01:13:59,120 --> 01:14:02,160
Speaker 1: There's some really weird tattoos of me out there. And

1622
01:14:02,439 --> 01:14:04,879
Speaker 1: also I actually like the ones some people have tattooed

1623
01:14:05,920 --> 01:14:08,760
Speaker 1: lines from Garden State that were meaningful to them a

1624
01:14:08,840 --> 01:14:11,360
Speaker 1: film I wrote so I that I think is really

1625
01:14:11,439 --> 01:14:14,880
Speaker 1: cool because my something I came up with was meant

1626
01:14:15,040 --> 01:14:16,960
Speaker 1: enough to them to put on their body as a

1627
01:14:17,080 --> 01:14:20,840
Speaker 1: as a as whatever a mantra if you will. But

1628
01:14:21,120 --> 01:14:24,400
Speaker 1: but I've seen like like the weirdest faces I've made

1629
01:14:24,439 --> 01:14:27,400
Speaker 1: on Scrubs where I'm like, you know, like screaming out

1630
01:14:27,439 --> 01:14:29,680
Speaker 1: of fear, like actually in this episode with Tom where

1631
01:14:29,680 --> 01:14:31,800
Speaker 1: I'm like screaming out of fear, And I've seen that

1632
01:14:31,960 --> 01:14:36,000
Speaker 1: on like someone's thigh. Donald, I saw a tattoo of

1633
01:14:36,040 --> 01:14:38,600
Speaker 1: you that as Churk that looked so nothing like you.

1634
01:14:38,800 --> 01:14:41,599
Speaker 2: It looked nothing like me. It looked like Charles Barkley.

1635
01:14:44,360 --> 01:14:47,400
Speaker 2: You're on my back and it looked like Charles literally.

1636
01:14:47,680 --> 01:14:50,320
Speaker 2: Now you know, as a kid, I was a big

1637
01:14:50,400 --> 01:14:52,840
Speaker 2: fan of Charles Barklay. But it didn't look anything like me.

1638
01:14:53,000 --> 01:14:56,479
Speaker 2: It looked literally like Charles Barkley. Right, the weirdest thing

1639
01:14:56,520 --> 01:14:58,040
Speaker 2: that's ever happened to me. I get a lot of

1640
01:14:58,080 --> 01:14:59,880
Speaker 2: people asking for it to eat.

1641
01:15:00,880 --> 01:15:02,760
Speaker 1: Yes, that happens to you a lot because they think

1642
01:15:02,800 --> 01:15:04,040
Speaker 1: you're very strong and they don't know.

1643
01:15:04,600 --> 01:15:06,880
Speaker 2: I can hold a lot of people up there. Yeah,

1644
01:15:07,160 --> 01:15:09,320
Speaker 2: but it's it's donald.

1645
01:15:09,479 --> 01:15:11,680
Speaker 1: You do let a lot more people mount you than

1646
01:15:11,920 --> 01:15:12,679
Speaker 1: I would ever.

1647
01:15:14,520 --> 01:15:19,320
Speaker 2: Listen, if you are brave enough to ask me, I

1648
01:15:19,479 --> 01:15:23,600
Speaker 2: will most likely oblige now that you should.

1649
01:15:25,200 --> 01:15:25,880
Speaker 1: Let me mount you.

1650
01:15:25,960 --> 01:15:27,800
Speaker 4: Now said most likely? He said most likely.

1651
01:15:27,880 --> 01:15:29,360
Speaker 2: Fine print That being said.

1652
01:15:29,400 --> 01:15:31,680
Speaker 1: That, the fine print, Tom is like you must have

1653
01:15:31,680 --> 01:15:33,240
Speaker 1: been under a certain amount of weight before trying to

1654
01:15:33,760 --> 01:15:35,200
Speaker 1: please inst all permission. Don't do it in front of

1655
01:15:35,200 --> 01:15:36,519
Speaker 1: his children or his wife will Bitchlapy.

1656
01:15:41,840 --> 01:15:44,519
Speaker 2: Well, the fine print is the fine print truly is

1657
01:15:44,720 --> 01:15:46,599
Speaker 2: like it has to be a special occasion. It can't

1658
01:15:46,640 --> 01:15:48,200
Speaker 2: just be out of nowhere, like you walk down the

1659
01:15:48,240 --> 01:15:51,439
Speaker 2: street and like let's eagle and that's not gonna happen.

1660
01:15:51,880 --> 01:15:53,920
Speaker 2: It has to be you know, it has to be

1661
01:15:54,040 --> 01:15:58,360
Speaker 2: something like if I'm at a conference and it's you

1662
01:15:58,479 --> 01:15:59,920
Speaker 2: know what I mean, and they got to catch you,

1663
01:16:00,080 --> 01:16:04,439
Speaker 2: you're not woozy. So that's the one thing that that's

1664
01:16:04,479 --> 01:16:07,120
Speaker 2: the one thing that that's pretty weird is that being

1665
01:16:07,240 --> 01:16:09,240
Speaker 2: asked to eagle. It's like, really, you want to jump

1666
01:16:09,320 --> 01:16:11,360
Speaker 2: on my back? You feel that comfortable right now to

1667
01:16:11,400 --> 01:16:13,720
Speaker 2: walk up to me ask me to give you an

1668
01:16:13,800 --> 01:16:16,200
Speaker 2: ask and ask me to give you a piggyback ride?

1669
01:16:17,360 --> 01:16:19,640
Speaker 1: Tom, have you ever had a weird fan moments? I

1670
01:16:19,680 --> 01:16:21,800
Speaker 1: bet some of your young flash fans have asked for

1671
01:16:21,880 --> 01:16:22,479
Speaker 1: something odd.

1672
01:16:23,040 --> 01:16:25,160
Speaker 4: I think, just what you were saying earlier, I think

1673
01:16:25,200 --> 01:16:29,479
Speaker 4: it really tests your metal as an actor when somebody

1674
01:16:30,160 --> 01:16:35,439
Speaker 4: suddenly unveils a tattoo of you on them, because you know,

1675
01:16:35,680 --> 01:16:37,320
Speaker 4: I think the reaction they're looking for is like, oh,

1676
01:16:37,360 --> 01:16:41,760
Speaker 4: that's great, wow, you know, but really your reaction is ah, right, yeah,

1677
01:16:44,280 --> 01:16:45,800
Speaker 4: you know, and you really got it. You got to

1678
01:16:45,840 --> 01:16:48,320
Speaker 4: try and cover that as best you can because they've got,

1679
01:16:48,720 --> 01:16:51,080
Speaker 4: you know, a permanent ink on their body.

1680
01:16:51,960 --> 01:16:52,200
Speaker 1: Read it.

1681
01:16:52,240 --> 01:16:57,840
Speaker 2: I'm just wor of course, you you're naturally.

1682
01:16:57,479 --> 01:16:59,880
Speaker 4: Assumed they're going to regret it. You think the next day.

1683
01:17:00,000 --> 01:17:01,639
Speaker 4: You don't think you're going to end up seeing it ever,

1684
01:17:01,760 --> 01:17:04,479
Speaker 4: But yeah, of course it's going to be a massive regret.

1685
01:17:04,640 --> 01:17:06,559
Speaker 1: Well, we talked before you came on to about how

1686
01:17:06,640 --> 01:17:11,960
Speaker 1: I'm gonna get Donald on my face, just like Joel Joel.

1687
01:17:12,479 --> 01:17:16,559
Speaker 1: Joel reminded us that I should not attempt to shade

1688
01:17:16,600 --> 01:17:17,960
Speaker 1: it in at all because.

1689
01:17:18,200 --> 01:17:20,320
Speaker 4: Uh huh, I listened. I listened to your episode.

1690
01:17:20,400 --> 01:17:23,960
Speaker 1: Yeah listen, of course, Yeah, Joel, you guys were very well.

1691
01:17:24,439 --> 01:17:28,759
Speaker 1: Joelle just came on in a moment of nervousness being like, guys, guys.

1692
01:17:30,320 --> 01:17:32,439
Speaker 4: Here's the voice, here's the voice of reason.

1693
01:17:32,920 --> 01:17:35,479
Speaker 1: Please listen to the voice of I assure Joel that

1694
01:17:35,520 --> 01:17:38,000
Speaker 1: would be solely an outline of his beautiful face.

1695
01:17:38,800 --> 01:17:41,200
Speaker 3: How many people have sent you in Apple Teini in

1696
01:17:41,240 --> 01:17:41,479
Speaker 3: the bar?

1697
01:17:42,640 --> 01:17:45,519
Speaker 1: Oh, that's a very good question. That's happened a bunch.

1698
01:17:45,880 --> 01:17:48,040
Speaker 1: I got and sent a lot of Apple teini's, and

1699
01:17:48,160 --> 01:17:48,719
Speaker 1: they don't.

1700
01:17:49,320 --> 01:17:52,120
Speaker 2: I don't don't like apple. Just be honest, it's very sweet.

1701
01:17:52,200 --> 01:17:53,559
Speaker 2: It's sugar, I don't.

1702
01:17:53,880 --> 01:17:55,679
Speaker 1: I mean, I understand it. If you're if you're young,

1703
01:17:56,000 --> 01:17:58,160
Speaker 1: or if you're if you're out for a night and

1704
01:17:58,200 --> 01:17:59,880
Speaker 1: you want to have a funny cocktail, but I just

1705
01:18:00,040 --> 01:18:02,000
Speaker 1: think that if you you shouldn't get drunk on them

1706
01:18:02,040 --> 01:18:03,280
Speaker 1: because they are so filled.

1707
01:18:03,120 --> 01:18:05,439
Speaker 2: With sugar headache. The next day.

1708
01:18:06,080 --> 01:18:08,160
Speaker 1: I'm one of the owners of a restaurant in New

1709
01:18:08,240 --> 01:18:10,680
Speaker 1: York that I'll give a plug to now called the

1710
01:18:10,760 --> 01:18:16,200
Speaker 1: Mermaid Oyster Bar and seventy seventy nine McDougall if you'd

1711
01:18:16,280 --> 01:18:17,919
Speaker 1: like to check it out when the world reopens.

1712
01:18:18,439 --> 01:18:21,160
Speaker 2: But do they serve oysters at this oyster Yes?

1713
01:18:21,240 --> 01:18:24,479
Speaker 1: They have the sixteen different types of oysters. Wow, I

1714
01:18:24,560 --> 01:18:26,160
Speaker 1: love that you just said do they serve oysters at

1715
01:18:26,160 --> 01:18:26,800
Speaker 1: this oyster bar?

1716
01:18:28,520 --> 01:18:31,880
Speaker 4: He was trying to trying to see if it was no.

1717
01:18:33,400 --> 01:18:35,000
Speaker 1: Good, he'd be a good friend and trying to be like,

1718
01:18:35,080 --> 01:18:37,560
Speaker 1: tell us more about this. So you probably want to

1719
01:18:37,560 --> 01:18:38,760
Speaker 1: know about our lobster roll.

1720
01:18:38,840 --> 01:18:40,559
Speaker 2: Donald, Do you have a lobster roll?

1721
01:18:40,640 --> 01:18:43,080
Speaker 1: Oh, we have lobster roll in Manhattan. I'll tell you

1722
01:18:43,160 --> 01:18:43,640
Speaker 1: that right now.

1723
01:18:44,000 --> 01:18:44,360
Speaker 2: Really.

1724
01:18:44,800 --> 01:18:45,000
Speaker 4: Yeah.

1725
01:18:46,520 --> 01:18:48,680
Speaker 1: And my point was is that the owner told me

1726
01:18:48,760 --> 01:18:50,320
Speaker 1: that He's like, do you have the idea why people

1727
01:18:50,400 --> 01:18:54,040
Speaker 1: keep coming in and ordering Apple teenies? And he's like,

1728
01:18:54,120 --> 01:18:55,240
Speaker 1: I was like, I don't know, but can you make

1729
01:18:55,280 --> 01:18:57,040
Speaker 1: them He's like, no, we're not making apple teinis, but

1730
01:18:57,120 --> 01:18:59,719
Speaker 1: just people, just tell your fans to stop ordering.

1731
01:18:59,520 --> 01:19:05,920
Speaker 2: Out when we were young and they were tasty, though,

1732
01:19:06,800 --> 01:19:07,160
Speaker 2: I don't know.

1733
01:19:07,320 --> 01:19:08,280
Speaker 1: Do you like them, Christina?

1734
01:19:08,960 --> 01:19:09,760
Speaker 3: A little sweet for me?

1735
01:19:10,960 --> 01:19:12,599
Speaker 1: Do you have another question for us? Christina?

1736
01:19:13,520 --> 01:19:15,840
Speaker 3: So Scrubs one, What is your most memorable scene that

1737
01:19:15,880 --> 01:19:17,080
Speaker 3: you filmed? O?

1738
01:19:17,760 --> 01:19:19,080
Speaker 4: Heavy question? Good question.

1739
01:19:19,560 --> 01:19:23,280
Speaker 1: Wow, Well Tom can go first because he's the test.

1740
01:19:24,240 --> 01:19:26,040
Speaker 1: He's got less to think about it because he's only

1741
01:19:26,120 --> 01:19:27,400
Speaker 1: did six or so episodes.

1742
01:19:27,960 --> 01:19:31,639
Speaker 4: It's easy. It was just, you know, I loved almost

1743
01:19:31,840 --> 01:19:34,360
Speaker 4: every scene we did for comedy. There was one where

1744
01:19:34,360 --> 01:19:35,280
Speaker 4: the three of us were.

1745
01:19:36,040 --> 01:19:37,639
Speaker 2: Part buddies where we did the farts.

1746
01:19:38,160 --> 01:19:39,720
Speaker 4: Yeah, we were goofing around the thing and that we

1747
01:19:39,800 --> 01:19:41,880
Speaker 4: had to we were eating breakfast and then we had

1748
01:19:41,920 --> 01:19:43,680
Speaker 4: to go. I had to go to the bathroom and

1749
01:19:43,800 --> 01:19:46,400
Speaker 4: it just became this long running I'll be in there

1750
01:19:46,439 --> 01:19:49,000
Speaker 4: for one minute, two minutes, five minutes, ten minutes, one minute.

1751
01:19:50,120 --> 01:19:53,679
Speaker 4: And then the other one was just the John Ritter stuff.

1752
01:19:53,720 --> 01:19:55,680
Speaker 4: To have been like a part of that with with

1753
01:19:55,840 --> 01:19:58,400
Speaker 4: you guys, was you know, it was, it was meaningful.

1754
01:19:58,439 --> 01:20:02,200
Speaker 4: Certainly the bath to the bathtub scene was a little

1755
01:20:03,040 --> 01:20:06,920
Speaker 4: less fun than you might expect. At one point, John

1756
01:20:07,080 --> 01:20:09,880
Speaker 4: c Riley is like, by now you're sitting in a

1757
01:20:09,960 --> 01:20:13,120
Speaker 4: bounts to probably eighty percent of your own urine. And

1758
01:20:13,240 --> 01:20:15,200
Speaker 4: I think that was probably closer to the truth. So

1759
01:20:15,400 --> 01:20:18,479
Speaker 4: less fun. But at the same time, you know, it's

1760
01:20:18,560 --> 01:20:21,360
Speaker 4: one thing that I hear a lot, you know about

1761
01:20:21,439 --> 01:20:25,040
Speaker 4: the Captain bubble Beeerd or whatever the heck it was called. Anyway,

1762
01:20:25,400 --> 01:20:27,479
Speaker 4: you guys, that's enough. Now you've had enough time. I've stalled,

1763
01:20:27,520 --> 01:20:29,760
Speaker 4: well enough, I feel, and now you guys have the

1764
01:20:29,800 --> 01:20:31,719
Speaker 4: tarmac ready talk about your best shows.

1765
01:20:32,000 --> 01:20:35,679
Speaker 1: We answered something similar to this recently, but I wonder

1766
01:20:35,720 --> 01:20:36,840
Speaker 1: if it's the same answer for you.

1767
01:20:36,920 --> 01:20:40,040
Speaker 2: Donald, go ahead, well the Star Wars, Oh yeah, you're right.

1768
01:20:41,960 --> 01:20:46,799
Speaker 2: Also getting the opportunity to do an Indiana Jones situation

1769
01:20:46,960 --> 01:20:49,840
Speaker 2: in someone's colon, it was a lot of fun, right,

1770
01:20:50,000 --> 01:20:52,320
Speaker 2: doing the whole opening to Raters of the Lost Dark

1771
01:20:52,400 --> 01:20:58,040
Speaker 2: in side of someone's colony. Fun. And then, to be

1772
01:20:58,120 --> 01:21:03,080
Speaker 2: honest with you, one of my favorite scenes, it's a

1773
01:21:03,200 --> 01:21:07,040
Speaker 2: song but Zach and I singing everything comes down to Pooh.

1774
01:21:07,560 --> 01:21:10,080
Speaker 2: Still to this day is one of my like I

1775
01:21:10,240 --> 01:21:13,080
Speaker 2: watched that with the smile, and I can't watch a

1776
01:21:13,120 --> 01:21:15,479
Speaker 2: lot of the things that I do, but that's one

1777
01:21:15,560 --> 01:21:18,200
Speaker 2: thing that I've done where I'm like that was. That

1778
01:21:18,360 --> 01:21:20,640
Speaker 2: was fucking a great time shooting that.

1779
01:21:21,080 --> 01:21:24,040
Speaker 1: Yeah, one of my favorite times was repelling across the

1780
01:21:24,640 --> 01:21:27,479
Speaker 1: fake city street on the Universal back lot on the

1781
01:21:27,560 --> 01:21:29,600
Speaker 1: episode where Donald and I go on a quest to

1782
01:21:29,720 --> 01:21:34,840
Speaker 1: find Molly, Heather Graham's character, and we repel across the

1783
01:21:34,880 --> 01:21:37,599
Speaker 1: street and then nail the wall and I fall into

1784
01:21:37,600 --> 01:21:40,080
Speaker 1: a bunch of garbage and then I get up and

1785
01:21:40,200 --> 01:21:42,320
Speaker 1: she looks at me, and I act like I'm surprised

1786
01:21:42,360 --> 01:21:42,839
Speaker 1: to see.

1787
01:21:42,680 --> 01:21:45,760
Speaker 2: Her, and I go, Molly, what are you doing here?

1788
01:21:46,479 --> 01:21:48,160
Speaker 1: That was just the most fun because you know, do.

1789
01:21:48,200 --> 01:21:51,439
Speaker 2: You remember how you got the to repel across the

1790
01:21:51,520 --> 01:21:54,360
Speaker 2: rope which I pulled off of you? No, you pulled

1791
01:21:54,400 --> 01:21:56,160
Speaker 2: my gown off of me. I did I have a

1792
01:21:56,240 --> 01:21:59,720
Speaker 2: gown on it or it wasn't a shirt? Yeah?

1793
01:21:59,800 --> 01:22:03,160
Speaker 1: Yeah? And I go and I go, yeah, I pull

1794
01:22:03,200 --> 01:22:05,600
Speaker 1: it off and you gasp and then you're shirtless.

1795
01:22:06,000 --> 01:22:06,840
Speaker 2: And then I turn it.

1796
01:22:07,400 --> 01:22:10,479
Speaker 1: I turn I turned into a thing to repel across

1797
01:22:10,560 --> 01:22:13,479
Speaker 1: the street and then and then I go Molly, and

1798
01:22:13,560 --> 01:22:15,280
Speaker 1: she goes, what are you doing here? And then all

1799
01:22:15,280 --> 01:22:17,360
Speaker 1: of a sudden, you just see Donald in the background

1800
01:22:17,600 --> 01:22:24,080
Speaker 1: drop down into frame naked. So that was just so

1801
01:22:24,240 --> 01:22:27,240
Speaker 1: fun because you know, we didn't always Yeah, as I've

1802
01:22:27,240 --> 01:22:29,599
Speaker 1: said before on the podcast, that episode was like so epic.

1803
01:22:29,680 --> 01:22:32,160
Speaker 1: We didn't always do episodes that were that big. And

1804
01:22:32,240 --> 01:22:35,439
Speaker 1: there we were like taking over the universal backlat to

1805
01:22:35,520 --> 01:22:38,439
Speaker 1: do that scene, and I was directing and and it

1806
01:22:38,560 --> 01:22:40,479
Speaker 1: was just funny. I remember just laughing my ass off

1807
01:22:40,520 --> 01:22:44,599
Speaker 1: that night. All right, well, we got to go because

1808
01:22:44,600 --> 01:22:47,680
Speaker 1: our show's going so incredibly long. But Christina, thank you,

1809
01:22:47,800 --> 01:22:50,840
Speaker 1: and in all sincerity, thank you so much for what

1810
01:22:50,960 --> 01:22:53,720
Speaker 1: you do and for being on the front lines for us.

1811
01:22:53,960 --> 01:22:55,639
Speaker 3: Can I just see y'all to give a quick shout

1812
01:22:55,680 --> 01:22:57,519
Speaker 3: out to my best friends that are super jealous right.

1813
01:22:57,439 --> 01:23:00,800
Speaker 1: Now, of course, Preston and Nikki y'o.

1814
01:23:00,960 --> 01:23:04,720
Speaker 2: Preston, Nikki, it's down a faison and.

1815
01:23:06,120 --> 01:23:07,000
Speaker 1: I'm Zach Roff.

1816
01:23:10,320 --> 01:23:16,840
Speaker 2: And Zach sorry, what's happening, y'all?

1817
01:23:18,720 --> 01:23:23,120
Speaker 1: What's happening y'all? What's happening? By present and Nikki and bye, Christina,

1818
01:23:23,200 --> 01:23:23,800
Speaker 1: Thank you so much.

1819
01:23:24,760 --> 01:23:25,599
Speaker 4: Thank you, Christina.

1820
01:23:26,080 --> 01:23:28,280
Speaker 1: Now listen, it's not beneath us. It scrubs to do

1821
01:23:28,360 --> 01:23:29,920
Speaker 1: a fart joke every now and then.

1822
01:23:29,960 --> 01:23:33,400
Speaker 2: And uh, and this your family loves to fart. Dorians

1823
01:23:33,479 --> 01:23:35,080
Speaker 2: love to fart, dude, It's true.

1824
01:23:35,160 --> 01:23:36,680
Speaker 1: Oh, by the way, we were, we were, we were.

1825
01:23:36,880 --> 01:23:39,280
Speaker 1: We were lucky enough to have the late John Ritter

1826
01:23:39,400 --> 01:23:42,000
Speaker 1: do a fart joke on on the show before he

1827
01:23:42,080 --> 01:23:44,599
Speaker 1: passed away. And now we have the great Tom Cavanaugh

1828
01:23:44,960 --> 01:23:48,080
Speaker 1: honoring us with a fart joke. We we sprinkle him around.

1829
01:23:48,800 --> 01:23:54,919
Speaker 4: That sprinkle him around, good analogy. Your reaction is tremendous.

1830
01:23:55,120 --> 01:23:59,200
Speaker 4: It's like it's everywhere. It's a man who can't escape,

1831
01:23:59,240 --> 01:23:59,639
Speaker 4: it's all.

1832
01:24:00,040 --> 01:24:03,600
Speaker 1: It is so horrible though, when when someone is flatulent

1833
01:24:03,680 --> 01:24:05,799
Speaker 1: in a car and you don't have control of the window,

1834
01:24:05,880 --> 01:24:08,040
Speaker 1: isn't it just a horrible, horrible moment of life.

1835
01:24:08,640 --> 01:24:17,719
Speaker 4: I think an airplane is worse, But yes, airplane, everybody's

1836
01:24:17,720 --> 01:24:19,200
Speaker 4: staring straight ahead, and there's that.

1837
01:24:19,600 --> 01:24:21,479
Speaker 1: Moment on a plane where you're like, you don't want

1838
01:24:21,520 --> 01:24:24,360
Speaker 1: anyone to think it's you have to react, you have to.

1839
01:24:24,400 --> 01:24:25,200
Speaker 4: Go, oh geez.

1840
01:24:25,240 --> 01:24:27,360
Speaker 1: I always put my t shirt over my nose so

1841
01:24:27,560 --> 01:24:31,240
Speaker 1: people know, like, oh, he's reacting. It's clearly not him, right.

1842
01:24:32,000 --> 01:24:34,439
Speaker 2: It's just like when you go into the bathroom after

1843
01:24:34,560 --> 01:24:37,880
Speaker 2: somebody took a ship and on the airplane and then

1844
01:24:37,920 --> 01:24:39,800
Speaker 2: you've got to come out and face all the people.

1845
01:24:39,840 --> 01:24:41,080
Speaker 2: I'm sure we've talked about it. We have.

1846
01:24:41,200 --> 01:24:43,320
Speaker 1: We talked about that horrible thing. And especially when you're

1847
01:24:43,320 --> 01:24:45,479
Speaker 1: in the public eye, you don't want someone to be like, dude,

1848
01:24:45,920 --> 01:24:48,640
Speaker 1: I was on a plane and Tom Kavanaugh crossing the

1849
01:24:48,720 --> 01:24:52,920
Speaker 1: bathroom and meanwhile you're thinking, like, no, mother effort. That

1850
01:24:53,080 --> 01:24:54,000
Speaker 1: was the guy before me.

1851
01:24:55,600 --> 01:24:55,960
Speaker 2: I don't know.

1852
01:24:56,000 --> 01:24:58,519
Speaker 4: I don't know if I'd be that upset, but okay, yeah.

1853
01:24:58,960 --> 01:25:01,120
Speaker 1: I have an anxiety out when I go into a

1854
01:25:01,240 --> 01:25:04,080
Speaker 1: bathroom and it's been just rocked and then I come

1855
01:25:04,160 --> 01:25:06,920
Speaker 1: out and I'm like, I didn't do that. That was

1856
01:25:06,960 --> 01:25:09,360
Speaker 1: someone before me. I should.

1857
01:25:09,560 --> 01:25:11,840
Speaker 2: I had an anxiety about public restrooms period.

1858
01:25:11,920 --> 01:25:14,320
Speaker 1: Dude, you put toilet paper down on the seat.

1859
01:25:14,400 --> 01:25:17,360
Speaker 2: Listen, man, we could go to the movies the whole family.

1860
01:25:17,680 --> 01:25:19,679
Speaker 2: Back when going to the movies was a thing. We'd

1861
01:25:19,720 --> 01:25:22,040
Speaker 2: be at the movie theater if I and the movie

1862
01:25:22,080 --> 01:25:24,639
Speaker 2: could be five minutes away from starting. If I feel

1863
01:25:24,720 --> 01:25:27,280
Speaker 2: even the slightest bit of a bubble in my guts,

1864
01:25:28,560 --> 01:25:32,040
Speaker 2: we're going home. Oh really, I'm not shitting at a

1865
01:25:32,080 --> 01:25:32,439
Speaker 2: movie theater.

1866
01:25:32,439 --> 01:25:33,800
Speaker 1: Your poor kids, what do they do?

1867
01:25:34,320 --> 01:25:36,400
Speaker 2: They can cry on the way home.

1868
01:25:37,520 --> 01:25:39,639
Speaker 1: You've that sharing kids home because you had to poop.

1869
01:25:39,720 --> 01:25:42,880
Speaker 2: Listen. I remember I remember one time going to a

1870
01:25:42,960 --> 01:25:45,880
Speaker 2: club and getting to the club and being at the

1871
01:25:45,960 --> 01:25:49,760
Speaker 2: club and uh, you know, about to dance and it

1872
01:25:49,920 --> 01:25:52,519
Speaker 2: was lit that night, and feeling a bubble in my

1873
01:25:52,560 --> 01:25:54,160
Speaker 2: guts and being like, you know what, I'm going home.

1874
01:25:54,720 --> 01:25:54,920
Speaker 1: Oh.

1875
01:25:55,479 --> 01:25:59,360
Speaker 2: At restaurants, so you never pull, you never pull in public.

1876
01:25:59,600 --> 01:26:01,720
Speaker 2: I try my hardest not to poo in public. I

1877
01:26:01,840 --> 01:26:05,960
Speaker 2: have a phobia of it. It's uh, I don't know, man.

1878
01:26:06,439 --> 01:26:08,679
Speaker 4: Do you keep your outings to a concentric circle where

1879
01:26:08,680 --> 01:26:10,080
Speaker 4: you can make the getaway if you have to.

1880
01:26:10,720 --> 01:26:13,000
Speaker 2: No, There's been times where I was like, yo, I

1881
01:26:13,040 --> 01:26:15,280
Speaker 2: gotta do something. We gotta do something. Do you have friends?

1882
01:26:15,640 --> 01:26:19,720
Speaker 2: It's just something about a public A public restroom is I.

1883
01:26:19,800 --> 01:26:22,000
Speaker 1: Used to have that. For some reason, I can't do it.

1884
01:26:22,280 --> 01:26:23,240
Speaker 2: When I was a kid, I had it.

1885
01:26:23,280 --> 01:26:25,280
Speaker 1: I got over it. But one thing I can't do

1886
01:26:25,520 --> 01:26:27,400
Speaker 1: is if it were in the men's room and there's

1887
01:26:27,680 --> 01:26:30,479
Speaker 1: and there's a line of stalls, I cannot pooh if

1888
01:26:30,560 --> 01:26:33,920
Speaker 1: someone else is in the stall. I have to wait

1889
01:26:34,000 --> 01:26:37,680
Speaker 1: until the stalls are empty. I can't hear it next me.

1890
01:26:38,360 --> 01:26:40,760
Speaker 1: I just can't want next hear that. But also I

1891
01:26:40,840 --> 01:26:43,120
Speaker 1: can't sit next to the person and they're like farting

1892
01:26:43,800 --> 01:26:44,760
Speaker 1: and you hear them like.

1893
01:26:47,240 --> 01:26:47,599
Speaker 2: I can't.

1894
01:26:47,640 --> 01:26:48,680
Speaker 1: It's too uncomfortable for me.

1895
01:27:00,160 --> 01:27:01,679
Speaker 4: You got a handed to them for their effort.

1896
01:27:01,800 --> 01:27:04,200
Speaker 2: You know, you really have to go, you know, I

1897
01:27:04,240 --> 01:27:06,040
Speaker 2: don't want to be that guy. Man, I've been. I've

1898
01:27:06,080 --> 01:27:09,280
Speaker 2: been in the bathroom where another man did that. And

1899
01:27:09,520 --> 01:27:11,160
Speaker 2: I was a kid. I was very young and it

1900
01:27:11,280 --> 01:27:13,600
Speaker 2: was me and we were doing a commercial. It was

1901
01:27:13,640 --> 01:27:17,479
Speaker 2: a basketball commercial. What yeah, it was a basketball commercial.

1902
01:27:17,520 --> 01:27:20,200
Speaker 2: Already jealous, I know we should talk about basketball. You

1903
01:27:20,320 --> 01:27:21,680
Speaker 2: have to come back on because we need to talk

1904
01:27:21,720 --> 01:27:24,439
Speaker 2: about our NBA Entertainment League days and all that stuff.

1905
01:27:24,479 --> 01:27:27,880
Speaker 1: Tom, Tom, well you already since we since you're.

1906
01:27:30,760 --> 01:27:30,920
Speaker 2: Joe.

1907
01:27:31,120 --> 01:27:33,080
Speaker 4: You heard this, Dan, you heard this right. So I

1908
01:27:33,240 --> 01:27:36,400
Speaker 4: was invited. So that's what that's what those are going to.

1909
01:27:36,400 --> 01:27:38,880
Speaker 2: Be now one and pound now you'll be back, now,

1910
01:27:39,080 --> 01:27:42,040
Speaker 2: be back. But we were filming a basketball commercial and

1911
01:27:42,360 --> 01:27:44,880
Speaker 2: I was very young and one, but I wasn't young

1912
01:27:44,960 --> 01:27:46,559
Speaker 2: enough where my parents had to be there. But there

1913
01:27:46,600 --> 01:27:49,000
Speaker 2: was one kid who was very young and his dad

1914
01:27:49,080 --> 01:27:51,599
Speaker 2: had to be there and his dad would play basket.

1915
01:27:51,640 --> 01:27:53,680
Speaker 2: We were playing like we were all doing this, you know,

1916
01:27:54,080 --> 01:27:56,439
Speaker 2: uh uh the commercial. So we were all playing like

1917
01:27:56,760 --> 01:28:01,200
Speaker 2: full courts on other basketball courts. And we would play

1918
01:28:01,280 --> 01:28:04,160
Speaker 2: with his dad too. And I remember going to the bathroom,

1919
01:28:04,200 --> 01:28:05,519
Speaker 2: me and a bunch of other dudes. We were going

1920
01:28:05,560 --> 01:28:07,800
Speaker 2: to take a leak and the dad was in the

1921
01:28:07,880 --> 01:28:14,720
Speaker 2: bathroom and was having a real hard time pooping, like

1922
01:28:14,800 --> 01:28:16,600
Speaker 2: the type of ship like the like the type of

1923
01:28:16,600 --> 01:28:21,920
Speaker 2: stuff was like, oh god, damn ship.

1924
01:28:22,280 --> 01:28:25,839
Speaker 1: Why why why it's always when someone yells.

1925
01:28:25,640 --> 01:28:25,960
Speaker 4: Why.

1926
01:28:33,400 --> 01:28:35,679
Speaker 2: The corn? That's the corn. That's the corn.

1927
01:28:35,760 --> 01:28:37,560
Speaker 1: Okay, you don't see the corn people are might be

1928
01:28:37,640 --> 01:28:38,519
Speaker 1: eating when they listen to this.

1929
01:28:38,640 --> 01:28:40,320
Speaker 2: Okay, we'll cut that out. We'll cut out the corn. No,

1930
01:28:40,400 --> 01:28:42,400
Speaker 2: I want to leave it. I like, okay, all right. Anyway,

1931
01:28:42,520 --> 01:28:45,600
Speaker 2: My point is, I remember when he came out of

1932
01:28:45,680 --> 01:28:49,439
Speaker 2: the bathroom, the shame on his poor son's face because

1933
01:28:49,439 --> 01:28:51,400
Speaker 2: we were like, yo, you're dad, and they're blowing it up.

1934
01:28:53,360 --> 01:28:55,840
Speaker 2: And I think that's where my phobia comes from. I

1935
01:28:55,920 --> 01:28:56,880
Speaker 2: don't want to be that guy.

1936
01:28:57,120 --> 01:28:58,720
Speaker 1: From when I was a kid, my mom took me

1937
01:28:58,920 --> 01:29:00,960
Speaker 1: into the stall with her. You know, I was of

1938
01:29:01,040 --> 01:29:03,599
Speaker 1: an age where she was obviously not leaving me alone

1939
01:29:04,040 --> 01:29:07,040
Speaker 1: and a woman was really farting a lot as she

1940
01:29:07,240 --> 01:29:10,240
Speaker 1: was going pooh, And then we came out to the

1941
01:29:10,320 --> 01:29:14,479
Speaker 1: sinks and I apparently turned to the woman and pointed, Mom,

1942
01:29:14,720 --> 01:29:25,680
Speaker 1: that's the lady who was farting. My mom says, like,

1943
01:29:25,840 --> 01:29:28,360
Speaker 1: to this day, that's the most embarrassing moment of her life.

1944
01:29:29,040 --> 01:29:31,000
Speaker 2: Goodness, all right?

1945
01:29:32,960 --> 01:29:36,960
Speaker 1: The gorilla by the way, Donald, I literally looked. I

1946
01:29:37,040 --> 01:29:38,840
Speaker 1: looked down at my notes and saw I thought that

1947
01:29:38,960 --> 01:29:39,960
Speaker 1: was a really funny reveal.

1948
01:29:40,560 --> 01:29:42,160
Speaker 2: Yeah, I thought that was very You think Ken was

1949
01:29:42,200 --> 01:29:44,320
Speaker 2: Ever in the suit? Oh, I don't know. That's a

1950
01:29:44,360 --> 01:29:44,840
Speaker 2: great question.

1951
01:29:45,040 --> 01:29:45,960
Speaker 4: That is a great question.

1952
01:29:46,880 --> 01:29:47,760
Speaker 2: Let's ask Bill that one.

1953
01:29:49,160 --> 01:29:51,200
Speaker 1: Let's ask Bill, because Bill, I'm sure you want to

1954
01:29:51,200 --> 01:29:54,360
Speaker 1: say hi to the Tom Cavanaugh and you know, I

1955
01:29:54,439 --> 01:29:57,880
Speaker 1: did notice some of the fans were missing you and

1956
01:29:58,040 --> 01:30:02,880
Speaker 1: you're sabotaging our show by the secret numbers? So Bill,

1957
01:30:03,880 --> 01:30:07,080
Speaker 1: was Ken Jenkins ever in the gorilla suit? And also

1958
01:30:07,200 --> 01:30:08,360
Speaker 1: say hi to Tom Kavanaugh?

1959
01:30:08,680 --> 01:30:11,840
Speaker 2: Bill, Hey, guys, how you doing.

1960
01:30:13,479 --> 01:30:17,679
Speaker 5: Question number Ken Jenkins in that gorilla suit? I seem

1961
01:30:17,760 --> 01:30:20,320
Speaker 5: to recall is what I love about Ken, you know,

1962
01:30:20,720 --> 01:30:23,200
Speaker 5: trying to be respectful of actors. I was like, of course, Ken,

1963
01:30:24,000 --> 01:30:25,679
Speaker 5: if you want to be the guy in the suit,

1964
01:30:25,920 --> 01:30:30,360
Speaker 5: you know. And I think he cut me off and said, Bill,

1965
01:30:30,439 --> 01:30:32,960
Speaker 5: if it's not gonna you're not gonna see me. I

1966
01:30:33,040 --> 01:30:36,479
Speaker 5: don't care if I'm ever in that grocer. So I

1967
01:30:36,560 --> 01:30:38,599
Speaker 5: do not think Ken Jenkins was ever in that thing,

1968
01:30:39,960 --> 01:30:40,479
Speaker 5: pretty sure.

1969
01:30:41,320 --> 01:30:43,760
Speaker 4: Uh, and uh I respect him more for it.

1970
01:30:43,920 --> 01:30:47,160
Speaker 5: Also got to say, man, uh, not only one of

1971
01:30:47,240 --> 01:30:49,240
Speaker 5: my favorite guest stars on the show, but an all

1972
01:30:49,400 --> 01:30:52,960
Speaker 5: time good buddy Tom Kavanaugh. Hello, sir, oh hi Tommy.

1973
01:30:53,320 --> 01:30:53,840
Speaker 2: How you doing?

1974
01:30:53,960 --> 01:30:54,120
Speaker 4: Man?

1975
01:30:54,880 --> 01:30:57,920
Speaker 5: I don't mean to steal this podcast, but it has

1976
01:30:58,000 --> 01:31:00,200
Speaker 5: been way too long since we've seen each other. Has

1977
01:31:00,400 --> 01:31:02,519
Speaker 5: been a has got to be at least like for

1978
01:31:02,760 --> 01:31:03,920
Speaker 5: like five or six or.

1979
01:31:03,920 --> 01:31:04,639
Speaker 1: Seven or eight months?

1980
01:31:05,320 --> 01:31:05,479
Speaker 2: Eight?

1981
01:31:05,960 --> 01:31:10,160
Speaker 1: No, thank you, jas. Guy is turn.

1982
01:31:11,760 --> 01:31:15,479
Speaker 2: Season two? Damn get a new.

1983
01:31:15,800 --> 01:31:18,439
Speaker 1: You need a new trick. Trying to hijack our show,

1984
01:31:20,880 --> 01:31:23,439
Speaker 1: you know. Speaking of tricks, the janitor never does his trick.

1985
01:31:23,800 --> 01:31:25,639
Speaker 2: I was I was asking, I was about to ask

1986
01:31:25,720 --> 01:31:28,320
Speaker 2: that it's a writing it's a writing flow of Bill. Sorry,

1987
01:31:29,360 --> 01:31:30,240
Speaker 2: what was that about?

1988
01:31:30,360 --> 01:31:32,840
Speaker 1: Since you just tried to hijack our show by saying

1989
01:31:32,840 --> 01:31:34,920
Speaker 1: the numbers, I will tell you even though now you

1990
01:31:35,000 --> 01:31:39,240
Speaker 1: can't reply that, Uh, you're fucking up or Tim Oberd,

1991
01:31:39,800 --> 01:31:42,400
Speaker 1: Tim Over, Tim Hover fucked up, somebody who fucked up?

1992
01:31:42,520 --> 01:31:44,080
Speaker 1: Why do you lay in that the janitor is going

1993
01:31:44,160 --> 01:31:47,360
Speaker 1: to do a trick and he never does. I think

1994
01:31:47,360 --> 01:31:49,559
Speaker 1: it's a mislead for him being in the gorilla suit.

1995
01:31:50,680 --> 01:31:52,880
Speaker 1: But but he's he's like twice Ken's height, so that

1996
01:31:52,960 --> 01:31:56,640
Speaker 1: doesn't really work. I'm just saying, do you want to

1997
01:31:56,680 --> 01:31:58,280
Speaker 1: talk about how great it was to have Tom Cavanaugh

1998
01:31:58,280 --> 01:31:58,839
Speaker 1: on the podcast?

1999
01:31:59,040 --> 01:32:01,200
Speaker 2: Dude, you have to come back. You'd already said you will.

2000
01:32:01,720 --> 01:32:05,120
Speaker 4: I'm going to force your hand. That was a classic

2001
01:32:05,160 --> 01:32:07,120
Speaker 4: misplay on your two guys parts here. You guys, you

2002
01:32:07,120 --> 01:32:09,559
Speaker 4: guys like, hey, Tom, come back. He's like, he's obsessive.

2003
01:32:09,640 --> 01:32:11,200
Speaker 4: Joelle is gonna be like he All he does is

2004
01:32:12,200 --> 01:32:15,000
Speaker 4: he's like, uh, this episode, he's just come back, come back?

2005
01:32:15,479 --> 01:32:16,040
Speaker 4: Can I come back?

2006
01:32:17,439 --> 01:32:20,439
Speaker 2: Dude? Love you. We have some stories. You and I

2007
01:32:21,160 --> 01:32:23,120
Speaker 2: we've played a lot of basketball together. And so the

2008
01:32:23,160 --> 01:32:24,840
Speaker 2: next time you're on the next episode about that, you.

2009
01:32:24,840 --> 01:32:26,080
Speaker 1: Guys will talk sports ball.

2010
01:32:26,200 --> 01:32:27,880
Speaker 4: Yeah, you can go grab a tea and we'll like,

2011
01:32:28,200 --> 01:32:29,720
Speaker 4: we'll talk hoops and then you can come back ten

2012
01:32:29,760 --> 01:32:30,360
Speaker 4: minutes later.

2013
01:32:30,240 --> 01:32:30,559
Speaker 2: Come back.

2014
01:32:30,680 --> 01:32:33,760
Speaker 1: I will just put on Dear Evan Hanson, and listen

2015
01:32:35,040 --> 01:32:36,880
Speaker 1: whole time, and you guys will wave on the zoom

2016
01:32:36,960 --> 01:32:37,680
Speaker 1: call when it's over.

2017
01:32:38,720 --> 01:32:39,080
Speaker 4: Perfect.

2018
01:32:39,360 --> 01:32:40,920
Speaker 1: No, seriously, man, we love you. You're great.

2019
01:32:41,200 --> 01:32:43,519
Speaker 4: I'm so happy to be a part of this. Thank

2020
01:32:43,560 --> 01:32:44,479
Speaker 4: you guys for having me on.

2021
01:32:44,560 --> 01:32:46,840
Speaker 1: I no, thank you, thank you, and thank you to

2022
01:32:46,960 --> 01:32:50,360
Speaker 1: Daniel and Joel and uh and Donald do you want

2023
01:32:50,360 --> 01:32:52,479
Speaker 1: to lead us in that song? I love you, Donald Faison,

2024
01:32:52,960 --> 01:32:55,320
Speaker 1: I love you Zach Braff and we love you listeners.

2025
01:32:55,360 --> 01:32:59,240
Speaker 1: Thank you for listening and for being amazing, and subscribe

2026
01:32:59,280 --> 01:33:03,559
Speaker 1: to this and and what else? Email Joel A. Scrubs,

2027
01:33:03,600 --> 01:33:07,160
Speaker 1: iHeart at gmail dot com. And that's it, Victim.

2028
01:33:07,640 --> 01:33:11,000
Speaker 2: That is absolutely to the five, six, seven, eight stories.

2029
01:33:11,760 --> 01:33:12,479
Speaker 2: I'm not show.

2030
01:33:12,720 --> 01:33:16,920
Speaker 1: We made about a bunch of talks and nurses and

2031
01:33:17,439 --> 01:33:18,400
Speaker 1: janitor who love me.

2032
01:33:18,840 --> 01:33:24,839
Speaker 2: I said, here's the stories networ sh no, So gander

2033
01:33:25,080 --> 01:33:28,439
Speaker 2: round you here, our gander round you here, our

2034
01:33:28,680 --> 01:33:30,400
Speaker 1: Spect we show is and