1 00:00:00,200 --> 00:00:03,480 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,560 --> 00:00:06,720 Speaker 1: iHeart Radio and welcome back to Coast to Coast. George 3 00:00:06,760 --> 00:00:09,119 Speaker 1: Norri with you, I bore Davis with us. I've or 4 00:00:09,280 --> 00:00:11,680 Speaker 1: when you met Elvis? Did you like him? He? Did 5 00:00:11,720 --> 00:00:16,320 Speaker 1: he have that explosive chemistry? Um? Well, before I answer 6 00:00:16,360 --> 00:00:19,520 Speaker 1: that question, George, i'm I can tell you you've made 7 00:00:19,600 --> 00:00:23,239 Speaker 1: my year because I can't wait to see George Norri 8 00:00:23,440 --> 00:00:29,159 Speaker 1: sings Elvis Presley October the eighth. Anyway, you know, the 9 00:00:29,200 --> 00:00:32,920 Speaker 1: interesting thing is when I first met Elvis on the 10 00:00:32,960 --> 00:00:35,920 Speaker 1: film set, it was before well actually it was after 11 00:00:36,000 --> 00:00:39,440 Speaker 1: I went with him to meet the Beatles, and he 12 00:00:39,640 --> 00:00:46,000 Speaker 1: was charming. He was a gentleman. He kept calling me sir, 13 00:00:46,320 --> 00:00:49,160 Speaker 1: although I was two or three years younger than him, 14 00:00:49,680 --> 00:00:53,920 Speaker 1: and I felt he was He was an interesting guy. 15 00:00:54,000 --> 00:00:56,920 Speaker 1: He did not appear explosive. He was in the middle 16 00:00:56,920 --> 00:01:01,560 Speaker 1: of shooting. And the funny story that I happened was 17 00:01:01,600 --> 00:01:03,960 Speaker 1: that after we chatted for fifteen minutes and he was 18 00:01:04,000 --> 00:01:07,800 Speaker 1: talking about his leading lady called Donna Douglas, and how 19 00:01:07,840 --> 00:01:10,440 Speaker 1: they got along so well because they actually read the 20 00:01:10,440 --> 00:01:15,440 Speaker 1: Bible together during lunch breaks. He after fifteen minutes of 21 00:01:16,000 --> 00:01:20,000 Speaker 1: general chit chat, nothink of great importance. Somebody came in 22 00:01:20,040 --> 00:01:22,440 Speaker 1: and said, ell they need you on the film set. 23 00:01:22,800 --> 00:01:24,800 Speaker 1: So I said, well, maybe I could come and watch 24 00:01:24,840 --> 00:01:28,200 Speaker 1: Elvis shoot the film. And the guy said, who was 25 00:01:28,200 --> 00:01:31,800 Speaker 1: one of his Memphis Matthis, Oh, Elvis doesn't really like 26 00:01:32,560 --> 00:01:35,919 Speaker 1: people coming in. It's a close set. So I said, goodbye, Elvis, 27 00:01:36,000 --> 00:01:38,240 Speaker 1: A pleasure to meet you. I went, and as I 28 00:01:38,360 --> 00:01:42,560 Speaker 1: left the studio at Paramount, I heard a shouting, noisy 29 00:01:42,760 --> 00:01:46,120 Speaker 1: group of guys playing football in the parking lot and 30 00:01:46,200 --> 00:01:48,760 Speaker 1: there was Elvis throwing the football around among his his 31 00:01:48,840 --> 00:01:53,160 Speaker 1: Memphis Matthia baddies. So that was my second encounter with Elvis, 32 00:01:53,320 --> 00:01:55,720 Speaker 1: which much I'd be very happy to tell you about 33 00:01:55,760 --> 00:01:58,360 Speaker 1: my first encounter with Elvis, as I was the fly 34 00:01:58,480 --> 00:02:01,920 Speaker 1: on the wall when the Beatles went along to see 35 00:02:02,000 --> 00:02:05,520 Speaker 1: him in nineteen sixty five. It was August sixty five. 36 00:02:06,040 --> 00:02:09,040 Speaker 1: They really wanted to meet him, didn't they. They wanted 37 00:02:09,080 --> 00:02:13,160 Speaker 1: to meet him. But in retrospect, and when you know 38 00:02:13,280 --> 00:02:17,080 Speaker 1: the moment, you just absorb it when it happens. What 39 00:02:17,240 --> 00:02:19,959 Speaker 1: happened was John was a great fan of Elvis, and 40 00:02:20,040 --> 00:02:24,400 Speaker 1: I believe in retrospect that it was Colonel Tom Parker, 41 00:02:24,639 --> 00:02:27,360 Speaker 1: who decided that this would be a great idea to 42 00:02:27,360 --> 00:02:30,960 Speaker 1: put Elvis together with the Beatles in Elvis's house. So 43 00:02:31,040 --> 00:02:34,480 Speaker 1: in nineteen sixty four they never quite made it. The 44 00:02:34,480 --> 00:02:38,320 Speaker 1: Beatles were on tours criss crossing the country, Elvis was 45 00:02:38,400 --> 00:02:42,079 Speaker 1: making another movie, and then in nineteen sixty five, Elvis 46 00:02:42,080 --> 00:02:45,320 Speaker 1: and Brian Epstein, the Beatles manager, got together at the 47 00:02:45,320 --> 00:02:48,320 Speaker 1: Beverly Hills Hotel said let's make it happen now. The 48 00:02:48,480 --> 00:02:52,040 Speaker 1: problem was for Colonel Parker in a way that Brian 49 00:02:52,200 --> 00:02:55,400 Speaker 1: said later on, we don't want any press there. We 50 00:02:55,400 --> 00:02:58,880 Speaker 1: don't want to make this an extravaganza. So no press, 51 00:02:59,680 --> 00:03:03,440 Speaker 1: no tape recorders, no photographers, I mean, can you believe 52 00:03:03,520 --> 00:03:07,480 Speaker 1: no photographers for historic meeting. And when they finally met, 53 00:03:07,760 --> 00:03:09,919 Speaker 1: it took a long time for them to kind of 54 00:03:10,040 --> 00:03:14,240 Speaker 1: gel and and then again in retrospect. I didn't know 55 00:03:14,320 --> 00:03:17,639 Speaker 1: at the time, but Elvis was jealous of the Beatles. 56 00:03:18,080 --> 00:03:20,040 Speaker 1: First of all, they'd knocked him off the purchase a 57 00:03:20,160 --> 00:03:24,040 Speaker 1: number one hit Parade Guy, and then number two. Well, 58 00:03:24,520 --> 00:03:28,400 Speaker 1: Elvis had not appeared live anywhere, and then four days 59 00:03:28,480 --> 00:03:32,440 Speaker 1: before they met at Elvis's house, the Beatles appeared at 60 00:03:32,440 --> 00:03:36,400 Speaker 1: Shays Stadium in New York and played to an ecstatic 61 00:03:36,440 --> 00:03:41,480 Speaker 1: crowd of fifty five sold out crowd, sold out crowd, 62 00:03:41,760 --> 00:03:44,880 Speaker 1: and Elvis had seen this, and so you know, there 63 00:03:44,960 --> 00:03:48,480 Speaker 1: was a certain resentment. Elvis had been in the army, 64 00:03:48,480 --> 00:03:51,120 Speaker 1: he'd come out. He was struggling with making these movies, 65 00:03:51,160 --> 00:03:55,280 Speaker 1: which were kind of copycup movies with different songs, mainly 66 00:03:55,320 --> 00:03:58,640 Speaker 1: to sell to sell the songs. So he wasn't too 67 00:03:58,720 --> 00:04:02,640 Speaker 1: warm towards him. He was he wasn't bending over backwards 68 00:04:02,640 --> 00:04:05,360 Speaker 1: to meet them. And for the first ten minutes it 69 00:04:05,480 --> 00:04:09,440 Speaker 1: was a very awkward situation. I saw Elvis fiddling with 70 00:04:09,480 --> 00:04:13,520 Speaker 1: the remote control. The Beatles saddle around, and nobody introduced them. 71 00:04:13,560 --> 00:04:15,840 Speaker 1: I mean, it's saying it. I mean, it's amazing to 72 00:04:15,920 --> 00:04:20,640 Speaker 1: think of it. Nobody introduced the Beatles to Elvis. Finally, Elvis, 73 00:04:20,960 --> 00:04:24,240 Speaker 1: in the silence, listening what the sides of the jukebox 74 00:04:24,360 --> 00:04:28,680 Speaker 1: was going, the television was playing, he jumped up and said, hey, 75 00:04:28,760 --> 00:04:32,280 Speaker 1: you guys, I'm going to bed unless you came here 76 00:04:32,320 --> 00:04:34,359 Speaker 1: to jam. And of course that broke the ice, and 77 00:04:34,680 --> 00:04:37,480 Speaker 1: they got on a bit better after that, and then 78 00:04:37,520 --> 00:04:39,720 Speaker 1: they said they would meet each other again, but they 79 00:04:39,760 --> 00:04:42,920 Speaker 1: never did. And then if you want to flash forward, 80 00:04:42,960 --> 00:04:46,240 Speaker 1: and what aggravated the Beatles about Elvis was that several 81 00:04:46,320 --> 00:04:50,200 Speaker 1: years later, Elvis went to the White House to meet 82 00:04:50,279 --> 00:04:53,320 Speaker 1: Richard Nixon. And Elvis decided that he was going to 83 00:04:53,400 --> 00:04:58,279 Speaker 1: get Nixon young voters. So he persuaded the Nixon White 84 00:04:58,279 --> 00:05:01,839 Speaker 1: House to let him meet to Nixon. And I saw 85 00:05:01,880 --> 00:05:03,960 Speaker 1: the letter that Elvis wrote, and it was kind of 86 00:05:03,960 --> 00:05:07,400 Speaker 1: a rambling letter because Elvis was high when he flew 87 00:05:07,440 --> 00:05:11,880 Speaker 1: in from Palm Springs to Washington, DC. Anyway, the Nixon 88 00:05:11,920 --> 00:05:14,400 Speaker 1: White House had come along Elvis. Elvis showed up, and 89 00:05:15,200 --> 00:05:18,640 Speaker 1: I think people have seen that picture. Elvis presented Richard 90 00:05:18,760 --> 00:05:23,039 Speaker 1: Nixon with a sort of an antique gun, and Richard 91 00:05:23,160 --> 00:05:28,719 Speaker 1: Nixon gave Elvis his federal agent's drug enforcement badge. Kind 92 00:05:28,720 --> 00:05:32,840 Speaker 1: of ironic really, because Elvis wanted that, I suppose because 93 00:05:32,839 --> 00:05:36,400 Speaker 1: he ever got picked up riding along in the streets 94 00:05:36,440 --> 00:05:40,440 Speaker 1: of wherever, and he could flash his federal badge at 95 00:05:40,480 --> 00:05:43,000 Speaker 1: the police and they would wave him on his way. 96 00:05:43,320 --> 00:05:45,400 Speaker 1: So that was it. And one other thing, if I 97 00:05:45,480 --> 00:05:49,360 Speaker 1: might add George, at the time that Elvis met Nixon, 98 00:05:49,839 --> 00:05:55,599 Speaker 1: he said to Nixon, the Beatles are terrible guys. They 99 00:05:55,760 --> 00:05:58,560 Speaker 1: earn all this money in America, they go back to 100 00:05:58,560 --> 00:06:02,360 Speaker 1: England and they bad mouth America. Well, that honestly was 101 00:06:02,400 --> 00:06:05,640 Speaker 1: never the case. So by that time, the Beatles were 102 00:06:05,640 --> 00:06:09,719 Speaker 1: totally unhappy with Elvis, and you know, Elvis went on 103 00:06:09,800 --> 00:06:14,120 Speaker 1: to you know what, and to the tragic end. Absolutely. 104 00:06:14,120 --> 00:06:16,440 Speaker 1: Now he was thirty three years old, Ibar when he 105 00:06:16,520 --> 00:06:21,400 Speaker 1: came back from his comeback in nineteen sixty eight. Wow, yeah, yes, 106 00:06:21,600 --> 00:06:24,200 Speaker 1: are you talking about George when he came back from 107 00:06:24,240 --> 00:06:26,760 Speaker 1: the military or when he did his comeback concert in 108 00:06:26,839 --> 00:06:31,520 Speaker 1: nineteen sixty eight sixty eight? Okay, Well, that's another interesting story, 109 00:06:31,560 --> 00:06:34,600 Speaker 1: which I'm sure you know about because it's featured very 110 00:06:34,640 --> 00:06:38,719 Speaker 1: heavily in the in the movie by Baz Luhrman. But 111 00:06:39,120 --> 00:06:41,960 Speaker 1: the other day I had a long conversation with a 112 00:06:41,960 --> 00:06:45,440 Speaker 1: guy called Steve Binder, and Steve Binder was the director 113 00:06:45,880 --> 00:06:48,880 Speaker 1: of the Elvis comeback concert, and he said to me. 114 00:06:49,200 --> 00:06:52,800 Speaker 1: Binder said to me that Nelvis, Elvis was very nervous 115 00:06:52,880 --> 00:06:56,440 Speaker 1: about doing a live comeback concert. He was he'd been 116 00:06:56,480 --> 00:06:59,680 Speaker 1: away for so long. Go ahead, George, wouldn't you know? 117 00:06:59,720 --> 00:07:02,040 Speaker 1: You're right, he was very nervous when he came back. 118 00:07:02,240 --> 00:07:04,760 Speaker 1: And he even told the crowd, and once again they 119 00:07:04,760 --> 00:07:08,039 Speaker 1: all cheered him. Yes he did, and that was being 120 00:07:08,040 --> 00:07:11,280 Speaker 1: so honest. But the interesting story I felt about the 121 00:07:11,320 --> 00:07:14,240 Speaker 1: background to the story was as Steve Binder told me 122 00:07:14,600 --> 00:07:17,640 Speaker 1: that Elvis had come to him and said, look, I've 123 00:07:17,680 --> 00:07:20,119 Speaker 1: been away, what do you think of my career, Steve, 124 00:07:20,200 --> 00:07:24,000 Speaker 1: And Steve was a young producer director who really didn't 125 00:07:24,040 --> 00:07:26,800 Speaker 1: care what he said. He said, Elvis, your career is 126 00:07:26,880 --> 00:07:30,080 Speaker 1: in the toilet, and Elvis smiled and said, well, nobody's 127 00:07:30,120 --> 00:07:33,320 Speaker 1: ever told me that. Thank you, And Binder said he 128 00:07:33,400 --> 00:07:38,120 Speaker 1: kind of nurse made him through the comeback spashal and 129 00:07:38,200 --> 00:07:41,560 Speaker 1: if anybody's seen the Comeback Special, and anybody's seen the 130 00:07:41,680 --> 00:07:46,480 Speaker 1: recreation of the Comeback Special on the Baslerman movie Elvis, 131 00:07:46,760 --> 00:07:50,760 Speaker 1: we'll see Elvis was magnificent in his black leather outfit 132 00:07:50,840 --> 00:07:54,200 Speaker 1: with a live audience. It was quite a sensational show 133 00:07:54,560 --> 00:07:59,080 Speaker 1: and Elvis. It saved Elvis's life until, of course, he 134 00:07:59,200 --> 00:08:02,440 Speaker 1: got back onto the drugs and then as you described him, 135 00:08:02,560 --> 00:08:08,640 Speaker 1: he was forgetting his lyrics and the slide downhill continued 136 00:08:08,800 --> 00:08:12,720 Speaker 1: until the end. During the eight months before he died 137 00:08:13,080 --> 00:08:17,679 Speaker 1: in nineteen seventy seven, his doctor had prescribed him ten 138 00:08:17,920 --> 00:08:23,679 Speaker 1: thousand dulces of sedatives, meth amphetamines and narcotics ten thousand ivore. 139 00:08:24,160 --> 00:08:27,520 Speaker 1: That is so I mean, when you put it that way, George, 140 00:08:27,640 --> 00:08:31,960 Speaker 1: it is stunning. It's criminal almost, isn't it. Because the 141 00:08:32,080 --> 00:08:36,960 Speaker 1: doctor was his awful enabler. And I mean, no human 142 00:08:37,040 --> 00:08:41,040 Speaker 1: being could survive that now, surely, absolutely not. And that's 143 00:08:41,080 --> 00:08:45,920 Speaker 1: so tragic. At forty two, he adored his mother, didn't he. 144 00:08:45,920 --> 00:08:49,720 Speaker 1: He adored his mother his father in the movie, and 145 00:08:49,760 --> 00:08:52,679 Speaker 1: I didn't know his father. Vernon in the movie comes 146 00:08:52,679 --> 00:08:55,200 Speaker 1: across as a bit of a hay seed. His mother 147 00:08:55,280 --> 00:08:58,840 Speaker 1: comes across as somebody who was crazy about a son, 148 00:08:58,920 --> 00:09:00,839 Speaker 1: of course, and he was crazy about her. And when 149 00:09:00,840 --> 00:09:05,119 Speaker 1: she died, of course, he was shattered, not surprisingly, and um, 150 00:09:05,240 --> 00:09:10,240 Speaker 1: you know, Vernon moved in with with Missus with his 151 00:09:10,320 --> 00:09:14,000 Speaker 1: wife and into into Gracelands after they'd lived a fairly 152 00:09:14,559 --> 00:09:16,920 Speaker 1: you know, a lot of poverty stricken life, if you like. 153 00:09:17,360 --> 00:09:20,560 Speaker 1: And Graceland, well, that was quite a it's quite a museum, 154 00:09:20,600 --> 00:09:24,520 Speaker 1: isn't it. What God Elvis on the charts, he watch 155 00:09:24,559 --> 00:09:29,800 Speaker 1: into Sam Phillips record shop called Sun Records with producer 156 00:09:29,880 --> 00:09:34,680 Speaker 1: Sam Phillips, and they wanted in African American music to 157 00:09:34,720 --> 00:09:38,800 Speaker 1: a wider audience, didn't they They did? And look, the 158 00:09:38,840 --> 00:09:43,160 Speaker 1: interesting background story is that Elvis was influenced by Black 159 00:09:43,200 --> 00:09:46,480 Speaker 1: American music, as were believing or not in the early 160 00:09:46,559 --> 00:09:50,040 Speaker 1: days of Beatles. Paul McCartney always talks about what Elvis 161 00:09:50,080 --> 00:09:55,360 Speaker 1: talks about, how he loved Long, Tall Sally and roll 162 00:09:55,440 --> 00:09:59,959 Speaker 1: Over Beethoven, which were which were done by black entertainer 163 00:10:00,280 --> 00:10:04,240 Speaker 1: of the period. And Elvis he loved Chuck Berry, didn't he. Oh, 164 00:10:04,240 --> 00:10:07,000 Speaker 1: he loved Chuck Berry, of course absolutely, And chuck Berry 165 00:10:07,120 --> 00:10:12,280 Speaker 1: is shown in the movie. Elvis loved that music. And 166 00:10:12,400 --> 00:10:16,320 Speaker 1: when Colonel Parker saw Elvis or heard her, was for 167 00:10:16,360 --> 00:10:18,480 Speaker 1: the first time he thought he was a black singer, 168 00:10:19,040 --> 00:10:22,560 Speaker 1: and then he discovered he wasn't. And the film actually 169 00:10:22,600 --> 00:10:26,679 Speaker 1: of Elvis shows how, you know, it was sort of 170 00:10:27,120 --> 00:10:32,560 Speaker 1: metamorphosis into Elvis the King, which is rather than an 171 00:10:32,600 --> 00:10:35,360 Speaker 1: intriguing element of the film. I felt, which I didn't 172 00:10:35,400 --> 00:10:38,480 Speaker 1: know that much about. I knew Chuck Berry because he 173 00:10:38,600 --> 00:10:41,400 Speaker 1: was from the Saint Louis area and I had a 174 00:10:41,400 --> 00:10:45,440 Speaker 1: little company that produced video programs and he came in 175 00:10:45,480 --> 00:10:49,120 Speaker 1: one day stumbling around. Nobody knew who he was, and 176 00:10:49,160 --> 00:10:51,920 Speaker 1: he was trying to get dubs of all these videotapes 177 00:10:51,920 --> 00:10:55,080 Speaker 1: he had in his hand, and he just walked right in. 178 00:10:55,160 --> 00:10:57,960 Speaker 1: He didn't even stop at the reception desk, and I 179 00:10:58,000 --> 00:11:00,400 Speaker 1: had to go and get him because you know who 180 00:11:00,480 --> 00:11:04,400 Speaker 1: who's this guy turned to run? It's Chuck Berry. I said, oh, 181 00:11:04,520 --> 00:11:06,480 Speaker 1: mister Barry, what do you need? And he said, I 182 00:11:06,480 --> 00:11:08,800 Speaker 1: want some dubs of these and I said, well we can't. 183 00:11:08,840 --> 00:11:11,040 Speaker 1: There's there are movies and you were not allowed to 184 00:11:11,200 --> 00:11:13,840 Speaker 1: and he went oh. He took him in left. Well, 185 00:11:13,840 --> 00:11:18,040 Speaker 1: George was Chuck Berry, the Chuck. Was he the star 186 00:11:18,720 --> 00:11:21,280 Speaker 1: at that time of Oh? Yeah, yeah he was. He 187 00:11:21,360 --> 00:11:24,720 Speaker 1: was big time star. It was probably toward the last 188 00:11:24,840 --> 00:11:27,160 Speaker 1: three fourths of his career when I were an end 189 00:11:27,160 --> 00:11:30,280 Speaker 1: to him. Yes, well, that's an interesting story. I've never 190 00:11:30,320 --> 00:11:34,120 Speaker 1: heard you know before, But certainly it goes to the 191 00:11:34,200 --> 00:11:36,760 Speaker 1: roots of rock and roll, isn't it? In a way 192 00:11:36,760 --> 00:11:40,440 Speaker 1: the history of rock and rolls? Absolutely. This kid who 193 00:11:40,480 --> 00:11:44,760 Speaker 1: played the Elvis in this movie did a pretty good job. Oh, 194 00:11:45,280 --> 00:11:48,439 Speaker 1: I mean Austin Butler is his name, and he's a 195 00:11:49,000 --> 00:11:53,480 Speaker 1: kid from Orange County, California. And he apparently as soon 196 00:11:53,480 --> 00:11:56,280 Speaker 1: as he knew he was in line for Elvis. He 197 00:11:56,600 --> 00:12:01,040 Speaker 1: buried himself for months and months in Elvis Mania or 198 00:12:01,040 --> 00:12:05,160 Speaker 1: Elvis everything, and it showed because I think, you know, 199 00:12:05,400 --> 00:12:08,360 Speaker 1: maybe you and I can talk next year when the 200 00:12:08,360 --> 00:12:11,719 Speaker 1: Oscars come out, because I think Austin will get a nomination. Now, 201 00:12:11,720 --> 00:12:14,719 Speaker 1: whether he wins or not, I don't know. Great and 202 00:12:14,760 --> 00:12:20,320 Speaker 1: I think even Tom Hanks as the Best Supporting Actor nomination. Again, 203 00:12:20,360 --> 00:12:23,400 Speaker 1: I don't know whether he will win, but Hollywood and 204 00:12:23,440 --> 00:12:27,239 Speaker 1: the Academy do like actors who dress up in outfits 205 00:12:27,760 --> 00:12:31,280 Speaker 1: that makes them look totally different, and Tom Hanks certainly 206 00:12:31,640 --> 00:12:35,199 Speaker 1: certainly did that. Let me ask you something if I may, 207 00:12:35,240 --> 00:12:37,760 Speaker 1: I'm sorry, I know it's your show. But did you 208 00:12:37,800 --> 00:12:41,239 Speaker 1: ever run into Colonel Tom Parker? No? I never did, 209 00:12:41,040 --> 00:12:44,520 Speaker 1: did not know him, did not run into him at all. 210 00:12:44,559 --> 00:12:47,400 Speaker 1: But did he was he the one that truly made 211 00:12:47,480 --> 00:12:52,000 Speaker 1: Elvis the superstar that he became? Well, I know, I 212 00:12:52,000 --> 00:12:56,400 Speaker 1: mean Elvis had the talent obviously, but absolutely. I think 213 00:12:56,600 --> 00:13:00,200 Speaker 1: it's an interesting question. And you can you can cut 214 00:13:00,200 --> 00:13:03,200 Speaker 1: the nation in half or in quarters on this one. 215 00:13:03,559 --> 00:13:07,679 Speaker 1: I think Tom Hanks I saw called Tom Parker a 216 00:13:07,720 --> 00:13:13,280 Speaker 1: diabolical genius or but he was he a con man? Yes? 217 00:13:13,320 --> 00:13:15,679 Speaker 1: He was? Was he a carnival man, yes he was, 218 00:13:16,240 --> 00:13:19,160 Speaker 1: but he did nurse Elvis through the early periods and 219 00:13:19,280 --> 00:13:22,640 Speaker 1: he loved making money off of Elvis. Right, Oh, absolutely, 220 00:13:22,679 --> 00:13:25,920 Speaker 1: I think there's no doubt whatsoever, because Parker was a 221 00:13:26,120 --> 00:13:29,199 Speaker 1: very much a money man. I mean, the story that 222 00:13:29,320 --> 00:13:32,480 Speaker 1: Barbara Steizen told me when I when I went on 223 00:13:33,120 --> 00:13:36,040 Speaker 1: The Star Is Born was that they wanted Elvis to 224 00:13:36,080 --> 00:13:39,760 Speaker 1: play the rock star. And Elvis was dying to play 225 00:13:39,800 --> 00:13:41,520 Speaker 1: the rock star. And he went along and spoke to 226 00:13:41,600 --> 00:13:45,719 Speaker 1: John Peters who was the producer, and Barbara streisand and 227 00:13:46,400 --> 00:13:49,839 Speaker 1: was and they wanted him, but Colonel Parker said no. 228 00:13:50,320 --> 00:13:52,520 Speaker 1: And I think the reason Colonel Parker said no to 229 00:13:52,600 --> 00:13:56,520 Speaker 1: that was number one, Barbara Streisand would have got star billing, 230 00:13:57,280 --> 00:14:01,480 Speaker 1: and number two, Elvis would have been playing a washed out, 231 00:14:01,880 --> 00:14:06,079 Speaker 1: drunken rock star. And Parker didn't want to take any chances. 232 00:14:06,120 --> 00:14:08,440 Speaker 1: He didn't want to let him do it because some 233 00:14:08,480 --> 00:14:12,319 Speaker 1: people might think that Elvis was like that. Now, when 234 00:14:12,320 --> 00:14:14,360 Speaker 1: Elvis was on the Ed Sullivan Show, is it a 235 00:14:14,360 --> 00:14:18,160 Speaker 1: true story that they were? They were the technicians the 236 00:14:18,280 --> 00:14:22,120 Speaker 1: camera people were told, do not shoot below the belt. 237 00:14:22,160 --> 00:14:25,240 Speaker 1: We don't want to see him wiggling. I think I 238 00:14:25,280 --> 00:14:27,760 Speaker 1: think to some extent that was true. I mean Ed 239 00:14:27,800 --> 00:14:32,720 Speaker 1: Sullivan was pretty in a strange way, was very straight laced, 240 00:14:33,200 --> 00:14:36,160 Speaker 1: and so I think maybe I mean he told the 241 00:14:36,200 --> 00:14:39,680 Speaker 1: girls when the beetles showed up not to scream. But 242 00:14:39,960 --> 00:14:42,800 Speaker 1: so I think there's a certain element of truth to that. 243 00:14:43,320 --> 00:14:45,800 Speaker 1: And don't forget at the time, and I remember I 244 00:14:45,840 --> 00:14:49,560 Speaker 1: was in England. People said Elvis to Pelvis, I mean 245 00:14:49,960 --> 00:14:53,320 Speaker 1: his lewd and ascivious, which is kind of ridiculous when 246 00:14:53,360 --> 00:14:56,120 Speaker 1: you think of it, But so would I would concur 247 00:14:56,280 --> 00:14:59,280 Speaker 1: with what you just said that Ed Sullivan said to 248 00:14:59,360 --> 00:15:01,760 Speaker 1: the camera crew, you know, play careful. We have a 249 00:15:02,240 --> 00:15:05,960 Speaker 1: Middle American audience and we don't want to offend them. Well, 250 00:15:06,000 --> 00:15:08,520 Speaker 1: I think when Sullivan had the doors on and they 251 00:15:08,520 --> 00:15:12,120 Speaker 1: were singing Light by Fire, there was that version that says, girl, 252 00:15:12,200 --> 00:15:14,800 Speaker 1: we you know, couldn't get much higher or something we 253 00:15:15,360 --> 00:15:18,160 Speaker 1: whatever that was he didn't want. He didn't want that 254 00:15:18,200 --> 00:15:21,960 Speaker 1: phrase in there. No, No, I think so. And you know, 255 00:15:22,000 --> 00:15:25,120 Speaker 1: I don't know where you were, you know how young 256 00:15:25,200 --> 00:15:27,280 Speaker 1: you were at the time of the Ed Sullivan Show, 257 00:15:27,480 --> 00:15:30,280 Speaker 1: but it was must watching every Sunday night. I think 258 00:15:30,320 --> 00:15:33,920 Speaker 1: it was Sunday night and millions I mean seventy four 259 00:15:33,960 --> 00:15:36,880 Speaker 1: million people tuned into the Beatles, and maybe the same 260 00:15:36,920 --> 00:15:40,200 Speaker 1: amount or less for Elvis. Listen to more Coast to 261 00:15:40,200 --> 00:15:44,040 Speaker 1: Coast AM every weeknight at one am Eastern and go 262 00:15:44,160 --> 00:15:46,360 Speaker 1: to Coast to Coast am dot com for more