WEBVTT - 6. Fuck the World

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<v Speaker 1>Pushkin Hey, Lost Hills listeners, It's Dana. I wanted to

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<v Speaker 1>let you know that you can hear the entire new

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<v Speaker 1>season of Lost Hill's ad free, along with other great

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<v Speaker 1>binge listens by becoming a Pushkin Plus subscriber. Find Pushkin

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<v Speaker 1>Plus on the Lost Hills show page in Apple Podcasts,

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<v Speaker 1>or at pushkin dot fm, slash Plus.

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<v Speaker 2>Hi Dana, Helloha from Maui.

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<v Speaker 1>Hi Diane. This is Diane Ustervine. She's lived in Hawaii

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<v Speaker 1>for decades and for years had a business selling vintage

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<v Speaker 1>Hawaiian shirts. Among her customers Jack Nicholson and Sharon Stone,

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<v Speaker 1>but once upon a time, Diane was one of Mickey

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<v Speaker 1>Dora's girlfriends.

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<v Speaker 2>I grew up in Los Angeles, in the Valley Insino

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<v Speaker 2>in West Hollywood.

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<v Speaker 1>Diane was a runaway. She'd left an abusive home and

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<v Speaker 1>found herself in foster care.

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<v Speaker 2>I was raised strict Catholic, so I had that all

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<v Speaker 2>that parochial schooling, and then went wild when I hit

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<v Speaker 2>high school.

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<v Speaker 1>Diane met Mickey in nineteen sixty two. She was seventeen,

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<v Speaker 1>a total babe. She describes herself then as a cross

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<v Speaker 1>between Sondra Die and Pamela Anderson.

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<v Speaker 2>I was runner up in the MISSPKINI contest. Fall in

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<v Speaker 2>the Springs, Blonde, blue eyed, big boobs, you know, the

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<v Speaker 2>typical blonde valley girl, and you know, naive somewhat.

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<v Speaker 1>Diane was at the beach for one reason and one

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<v Speaker 1>reason alone, the reason Mickey Dora hated. I had to

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<v Speaker 1>admit it threw some opportunities his way. Had you seen

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<v Speaker 1>the Gidget movie at that point?

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<v Speaker 2>Oh yeah, I know. I was impressed with it. I

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<v Speaker 2>was intrigued with it. And that's why we started going

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<v Speaker 2>to Malibu because we heard that's where the cute boys were.

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<v Speaker 1>Diane didn't surf or swim. She camped out on the

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<v Speaker 1>sand watching the guys in the water. There was one

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<v Speaker 1>surfer who stood out. He was a showman.

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<v Speaker 2>We were laying on the beach and everybody was attention

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<v Speaker 2>was to the water and there seemed to be somebody

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<v Speaker 2>performing out there, and of course that was Nky Dora.

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<v Speaker 2>He was pushing all the boys off their boards, jumping

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<v Speaker 2>on their board and riding it in and everybody was

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<v Speaker 2>ooing and eyeing, and all of a sudden, I saw

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<v Speaker 2>this amazing looking man walking out of the water. He

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<v Speaker 2>was gorgeous. What can I say, I mean tall, dark,

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<v Speaker 2>and handsome, every bit of the word. He was agile.

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<v Speaker 2>He was like a dancer on a surfboard. And I

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<v Speaker 2>fell in love the minute he walked out of the water.

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<v Speaker 2>And he walked out through his board next to my towel,

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<v Speaker 2>laid down, looked at me in the eye. While I

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<v Speaker 2>could barely talk. He said to me, do you want

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<v Speaker 2>to go to a party? I said yes, but you'll

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<v Speaker 2>have to pick me up. He says, where do you live?

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<v Speaker 2>I said in the valley. He says, oh, I don't

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<v Speaker 2>go to the valley.

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<v Speaker 1>Still, Mickey could work with this situation. He must have

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<v Speaker 1>sensed right away that Diane was a lot like him,

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<v Speaker 1>a beautiful, untethered orphan, someone who adored him at first sight,

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<v Speaker 1>someone game, someone he could manipulate, someone who would be

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<v Speaker 1>his partner in crime. I'm Dana Goodyear and this is

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<v Speaker 1>Lost Hills, episode six. Fuck the World. At Malibu, Mickey

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<v Speaker 1>was the king and all eyes were on him every

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<v Speaker 1>move he made. But his life away from the beach,

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<v Speaker 1>that was a mystery to everyone, and that's how he

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<v Speaker 1>liked it.

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<v Speaker 2>He didn't want anything to do with anybody.

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<v Speaker 1>With the explosion in Surfing's popularity, the Valley Cowboy, the

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<v Speaker 1>vals invaded Malibu. He thought they were kooks. They ruined

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<v Speaker 1>his wave, contaminated his scene. Here's Diane.

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<v Speaker 2>And that's what used to piss him off at Malibu

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<v Speaker 2>because all these valley kids and kids with no talent

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<v Speaker 2>would interfere in what he was doing. And he hated

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<v Speaker 2>it because he used to have his peace at Malibu,

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<v Speaker 2>you know, and that was taken away and it made

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<v Speaker 2>him angry.

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<v Speaker 1>Mickey didn't pick Diana up for that party he invited

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<v Speaker 1>her to when she first saw him on the beach. No,

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<v Speaker 1>he made her wait two weeks, refusing her and making

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<v Speaker 1>her crazy. Finally, she invited him to dinner at her

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<v Speaker 1>house in the valley, and he agreed.

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<v Speaker 2>We had dinner, which was hysterical because I didn't know

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<v Speaker 2>how to cook. And I took a piece of hamburger meat,

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<v Speaker 2>rolled it up in a ball and put it in

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<v Speaker 2>a pot and rolled it around. He was hysterical with laughter.

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<v Speaker 2>Took me out to dinner. I think, I don't know something,

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<v Speaker 2>some small place and we hung around and necked and

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<v Speaker 2>didn't make love.

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<v Speaker 1>Mickey wanted to see Diane again. He was living with

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<v Speaker 1>his grandmother, Madame de Sanctis, so that wasn't a good

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<v Speaker 1>place for them to hang out, and he wasn't going

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<v Speaker 1>to keep going to the valley. He suggested a parking

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<v Speaker 1>lot of a twenty four hour Burger spot in.

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<v Speaker 2>Hollywood, and we used to meet at Tiny Naylor's parking lot,

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<v Speaker 2>and we used to hang out in his car and

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<v Speaker 2>talk and neck and make plans.

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<v Speaker 1>You know, Mickey was twenty eight, Diane was still a

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<v Speaker 1>teenager and pretty inexperienced.

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<v Speaker 2>And he asked me why I wasn't in school and

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<v Speaker 2>I said, well, I graduated, but they kicked me out

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<v Speaker 2>and I couldn't go to the prom or any of

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<v Speaker 2>the ceremonies. And he said, said why, And I said, well,

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<v Speaker 2>I was bad. I had a friend steal a time

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<v Speaker 2>clock from the school and we hooked it up in

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<v Speaker 2>my locker, and then the kids would pay me a

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<v Speaker 2>couple of bucks to come in and stamp their time

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<v Speaker 2>card to go to class, slate or to cut class.

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<v Speaker 2>And then I got caught because it kept making a

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<v Speaker 2>ticking sound every time anybody would walk by.

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<v Speaker 1>What was Mickey's reaction when you told him that story?

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<v Speaker 2>Are you kidding? He loved it, you know, he saw

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<v Speaker 2>a great future for us.

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<v Speaker 1>Before long, Mickey made a proposal. But they take their

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<v Speaker 1>relationship to the next level.

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<v Speaker 2>One day, he said, you got to move out of

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<v Speaker 2>the valley. He said about everybody in the valley were idiots,

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<v Speaker 2>and he thought I wasn't. So I said, okay. He says, fine,

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<v Speaker 2>the place, but it can't be in the valley. I

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<v Speaker 2>said okay. So I found a place and we moved

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<v Speaker 2>in together.

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<v Speaker 1>With Mickey, everything was mysterious.

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<v Speaker 2>He was famous for changing names.

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<v Speaker 3>You know.

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<v Speaker 2>We'd always have a you know, pseudo names that we'd

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<v Speaker 2>make up for each other.

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<v Speaker 1>Were What were some of those names?

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<v Speaker 2>Oh, he was Chicky Mafe and Michelo's cyandor he was

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<v Speaker 2>Mickey Mouse. He was many names.

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<v Speaker 1>She decided to change her name too.

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<v Speaker 2>My name was Alice Diane at birth, so I would

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<v Speaker 2>always use the name Diane. But when I got with Mickey,

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<v Speaker 2>I was using Alice. I wanted to be mysterious too.

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<v Speaker 2>You see.

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<v Speaker 1>She found a place in Brentwood and they named it

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<v Speaker 1>after her, Alice's little house.

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<v Speaker 2>It was adorable. It's a little cottage, and I kept

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<v Speaker 2>it very neat. Micky didn't have a lot of stuff.

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<v Speaker 2>His great joy was the fact you could go out

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<v Speaker 2>the back door and there was a garage where he

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<v Speaker 2>could store all the boards, and you know the vintage cars.

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<v Speaker 1>Mickey collected antique cars, a nineteen forty eight Jaguar, a

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<v Speaker 1>nineteen fifty eight Porsche Spider, a nineteen thirty Rolls Royce

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<v Speaker 1>Phantom two. He had expensive taste and somewhere off stage,

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<v Speaker 1>a supposedly aristocratic family. Diane was impressed. He was a

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<v Speaker 1>lot more sophisticated than she was, and it kept her

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<v Speaker 1>from thinking too hard about where the money was coming from.

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<v Speaker 1>For Diane, living with Mickey meant living by his routines,

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<v Speaker 1>and they were very specific.

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<v Speaker 2>He'd wake up in the morning very early. He'd take vitamins,

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<v Speaker 2>jump in the car with me. He picked me up

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<v Speaker 2>a cup of coffee somewhere. We'd go down to either Malet,

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<v Speaker 2>we were at Tressels, some bell place, you know, two

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<v Speaker 2>or three beaches. He'd get out of the car and

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<v Speaker 2>stare at the ocean, and I'd sit in the car

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<v Speaker 2>and drink my coffee, thinking what the fuck is he

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<v Speaker 2>doing and why does he do this every morning? Is

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<v Speaker 2>he nuts? And then I'd go to work because I

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<v Speaker 2>was working in a boutique at the time, and he

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<v Speaker 2>would go in the garage, picked his board and surf

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<v Speaker 2>all that. I'd come home from work, he'd be there.

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<v Speaker 2>We'd lay in bed, listen to stock reports or the

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<v Speaker 2>news or something, make dinner, which was usually steak, potato

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<v Speaker 2>and wine. And I wasn't drinking at that time, but

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<v Speaker 2>he always had good wine, and that was it. It

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<v Speaker 2>was real simple, you know, And probably that's one of

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<v Speaker 2>the reasons why he didn't want me to tell anybody

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<v Speaker 2>how we lived, because it wasn't, you know, as exciting

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<v Speaker 2>as the life that was outside of the house.

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<v Speaker 1>Diane became the keeper of Mickey's secrets.

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<v Speaker 2>And of course I was always warned never ever to

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<v Speaker 2>let anybody know where he lived. So our whole relationship

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<v Speaker 2>was super, super secret, and I loved it because i'd

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<v Speaker 2>go lay on the beach with him and he'd be

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<v Speaker 2>in the water, and of course all his buddies, you

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<v Speaker 2>know it would all come up to me and start

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<v Speaker 2>drilling me about Mickey. You know, they want to know

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<v Speaker 2>where does he live, what does he do, what does

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<v Speaker 2>he eat? And of course I adored the attention and

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<v Speaker 2>wouldn't tell them a thing. And of course Mickey loved

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<v Speaker 2>the fact that I could keep my mouth shut.

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<v Speaker 1>What was behind all that secrecy.

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<v Speaker 2>Probably afraid that somebody was going to come and steal

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<v Speaker 2>stuff that he probably already stole. And other words, a

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<v Speaker 2>thief is always suspicious that someone's going to come and

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<v Speaker 2>steal from them.

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<v Speaker 1>Playing house at Alice's Little House got Diane dreaming of

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<v Speaker 1>a life with Mickey. To a seventeen year old runaway,

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<v Speaker 1>the twenty eight year old seemed so worldly. Maybe he

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<v Speaker 1>could offer her the stability that had eluded her so far.

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<v Speaker 2>I knew I wanted more than you know, living in

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<v Speaker 2>a Mormon foster home. I knew I wanted to be,

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<v Speaker 2>you know, self sufficient. And then I met Mickey and

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<v Speaker 2>fell madly, madly in love and thought, for sure, thought

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<v Speaker 2>for sure I could convince him to give up surfing

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<v Speaker 2>and marry me and have children and work for his

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<v Speaker 2>father and live happily.

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<v Speaker 1>Ever, but Mickey had other plans in mind. What do

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<v Speaker 1>you think Mickey saw on you.

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<v Speaker 2>Innocence? Possibly someone he could manipulate in a way. I

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<v Speaker 2>was a runaway at the time, coming from an abusive family,

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<v Speaker 2>and he kind of took me under his wing, you know,

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<v Speaker 2>somewhat influenced me. He was a big influencer actually, and

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<v Speaker 2>taught me how to protect myself and to fuck the world,

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<v Speaker 2>you know. You know. His big thing to put on

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<v Speaker 2>his board was FTW, which makes me laugh because now

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<v Speaker 2>it means for the win, and in those days FGW

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<v Speaker 2>meant fuck the world, you know, question authority. Those are

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<v Speaker 2>the lessons he kept trying to teach me. You know,

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<v Speaker 2>trust no one.

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<v Speaker 1>Fuck the world. That was Mickey's credo, the rule he

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<v Speaker 1>lived by.

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<v Speaker 2>Hi thought it was perfect life, you know, until I

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<v Speaker 2>realized he was a scoundrel at a road and was

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<v Speaker 2>training me in too, being accountlice.

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<v Speaker 1>By day, Mickey and Diane were living the good life

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<v Speaker 1>in Alice's little house, taking their vitamins and keeping up

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<v Speaker 1>with current events. She'd go to her shop girl job,

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<v Speaker 1>and he'd spend the day in pursuit of his bliss,

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<v Speaker 1>riding waves. It was clean, almost wholesome. Mickey thought the

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<v Speaker 1>best things in life were free empty waves vitamin D.

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<v Speaker 1>But he thought the finest things in life should be

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<v Speaker 1>free too, So at night Mickey and Diane turned into

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<v Speaker 1>Bonnie and Clyde and they hit the town.

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<v Speaker 2>He had a connection at La Scala Restaurant would be

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<v Speaker 2>like Spago today, and his friend would call him with

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<v Speaker 2>the list of all the parties that they were catering

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<v Speaker 2>that weekend in Beverly Hills. I mean parties that I

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<v Speaker 2>would never imagine myself going to. I mean people dripping

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<v Speaker 2>in diamonds, and you know, in those days, even in furs,

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<v Speaker 2>and it was always you know, high end.

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<v Speaker 1>Mickey kept a champagne flute and some Buddley in his car.

0:15:39.556 --> 0:15:42.876
<v Speaker 1>He'd walk into a party backwards, holding his full glass

0:15:43.036 --> 0:15:46.116
<v Speaker 1>as if he fully belonged. He'd also bring a plastic

0:15:46.196 --> 0:15:47.716
<v Speaker 1>bag to fill with extra food.

0:15:49.236 --> 0:15:53.756
<v Speaker 2>And we'd have a list of maybe five or six addresses,

0:15:53.996 --> 0:15:56.516
<v Speaker 2>and then we'd find out from our family what kind

0:15:56.556 --> 0:15:59.956
<v Speaker 2>of food did they say? Hamburgers and hotdogs, it was

0:15:59.956 --> 0:16:04.116
<v Speaker 2>a pool party. If it was you know, caviare and

0:16:04.316 --> 0:16:09.036
<v Speaker 2>salmon crow cats, we were going to wear the beaded dress.

0:16:10.196 --> 0:16:12.676
<v Speaker 1>They'd pull up in one of Mickey's cool cars and

0:16:12.756 --> 0:16:15.476
<v Speaker 1>waltz right in, no questions asked.

0:16:16.196 --> 0:16:18.756
<v Speaker 2>And then we'd go through the shred door like we

0:16:18.876 --> 0:16:22.716
<v Speaker 2>owned the place and schmooze people in the party that

0:16:22.796 --> 0:16:23.556
<v Speaker 2>we didn't know.

0:16:24.716 --> 0:16:28.036
<v Speaker 1>It was a game to them. The subterfuge was thrilling,

0:16:28.396 --> 0:16:32.836
<v Speaker 1>like being in a James Bond movie. Mickey loved James Bond.

0:16:33.436 --> 0:16:36.196
<v Speaker 2>Actually, at parties, it was amazing, where like people would

0:16:36.196 --> 0:16:39.356
<v Speaker 2>always come up to us and start talking. Micky could

0:16:39.396 --> 0:16:43.156
<v Speaker 2>talk to anybody about anything, and we'd get off on it.

0:16:43.356 --> 0:16:46.396
<v Speaker 2>You know, We'd eyeball each other across the room, laughing.

0:16:48.076 --> 0:16:51.796
<v Speaker 2>We were magnets. First I thought there were suspicious of us,

0:16:52.396 --> 0:16:54.996
<v Speaker 2>but then in the end they were just being friendly.

0:16:55.836 --> 0:16:59.876
<v Speaker 1>At every party. Diane worried that get caught, but Mickey

0:16:59.916 --> 0:17:03.596
<v Speaker 1>always felt right at home, rubbing elbows with a listers.

0:17:04.796 --> 0:17:09.956
<v Speaker 2>And we'd circulate. Then we'd talked to people all the time,

0:17:10.076 --> 0:17:14.356
<v Speaker 2>thinking I hope they don't ask who we are. Vicky

0:17:14.396 --> 0:17:17.076
<v Speaker 2>would go and get me a cocktail, you know, and

0:17:18.036 --> 0:17:23.836
<v Speaker 2>we'd walk around the party like we belong. And then

0:17:23.876 --> 0:17:26.716
<v Speaker 2>at a certain point, I'd go in the bedroom where

0:17:26.716 --> 0:17:30.036
<v Speaker 2>everybody put their purses and their codes and you know,

0:17:31.036 --> 0:17:33.036
<v Speaker 2>and lay on the bed and pretend I had a

0:17:33.076 --> 0:17:37.676
<v Speaker 2>headache and slip my finger into some purse. Never take

0:17:37.716 --> 0:17:43.756
<v Speaker 2>the money, only the American Express credit card. And then

0:17:43.796 --> 0:17:46.356
<v Speaker 2>as soon as I had the card, I'd walk out

0:17:46.396 --> 0:17:48.316
<v Speaker 2>the cars. I feel so much better, but I think

0:17:48.356 --> 0:17:51.676
<v Speaker 2>I better go home, And I'd say goodbye to all

0:17:51.756 --> 0:17:55.196
<v Speaker 2>of the people that I've been talking to, and we'd

0:17:55.276 --> 0:17:57.196
<v Speaker 2>leave the party.

0:17:58.396 --> 0:18:02.116
<v Speaker 1>Sometimes they'd go to multiple parties in one night, changing

0:18:02.156 --> 0:18:03.276
<v Speaker 1>outfits along the way.

0:18:04.076 --> 0:18:07.676
<v Speaker 2>We've hit a couple, if not three. Each one was

0:18:07.796 --> 0:18:13.756
<v Speaker 2>different and that's what made it fun. We maybe, you know,

0:18:13.996 --> 0:18:17.156
<v Speaker 2>be dressed a real fancy for one party, and then

0:18:17.156 --> 0:18:20.636
<v Speaker 2>maybe we'd run home and change for another party because

0:18:20.636 --> 0:18:24.956
<v Speaker 2>it was all in the neighborhood. And then on Sunday

0:18:25.036 --> 0:18:25.996
<v Speaker 2>we'd go shopping.

0:18:30.836 --> 0:18:33.596
<v Speaker 1>Here's how it worked back then. When a card was

0:18:33.676 --> 0:18:36.116
<v Speaker 1>lost or stolen, the card number went on a physical

0:18:36.156 --> 0:18:38.636
<v Speaker 1>list which went out to retailers.

0:18:38.756 --> 0:18:41.756
<v Speaker 2>This was, you know, early sixties. There were no computers,

0:18:42.716 --> 0:18:47.116
<v Speaker 2>and they would send out a list weekly of the

0:18:47.156 --> 0:18:48.476
<v Speaker 2>credit cards that were hot.

0:18:49.556 --> 0:18:51.836
<v Speaker 1>And because Diane worked at a shop, she had a

0:18:51.836 --> 0:18:54.556
<v Speaker 1>copy of the hot list. She knew when they could

0:18:54.556 --> 0:18:57.276
<v Speaker 1>freely spend on a stolen card and when they had

0:18:57.276 --> 0:18:58.116
<v Speaker 1>to stop.

0:18:58.876 --> 0:19:02.076
<v Speaker 2>And I'd check, and then I'd call Nicky and say,

0:19:02.116 --> 0:19:05.996
<v Speaker 2>don't use this, don't use that, or it's not on

0:19:06.036 --> 0:19:08.316
<v Speaker 2>the list yet, you know, go buy a TV.

0:19:10.236 --> 0:19:12.996
<v Speaker 1>If they were careful, there was almost no way for

0:19:13.076 --> 0:19:16.236
<v Speaker 1>them to get busted unless Diane got caught red handed

0:19:16.236 --> 0:19:20.156
<v Speaker 1>at a party, which she didn't. Mickey convinced her that

0:19:20.196 --> 0:19:23.676
<v Speaker 1>what they were doing wasn't all that bad in their minds.

0:19:23.796 --> 0:19:27.316
<v Speaker 1>It was basically a victimless crime, and I.

0:19:27.316 --> 0:19:31.916
<v Speaker 2>Never got busted because when we'd take the American Express

0:19:31.956 --> 0:19:34.356
<v Speaker 2>card or whatever card it was, we'd only use it

0:19:34.396 --> 0:19:37.596
<v Speaker 2>for a couple of days and then we cut it up,

0:19:37.756 --> 0:19:40.036
<v Speaker 2>and we knew that the only one that we were

0:19:40.156 --> 0:19:44.316
<v Speaker 2>fucking with is the establishment, and that particular person that

0:19:44.356 --> 0:19:48.556
<v Speaker 2>we had stolen it from, whoever that may be, wasn't

0:19:48.556 --> 0:19:49.716
<v Speaker 2>going to get charged.

0:19:50.796 --> 0:19:54.916
<v Speaker 1>So he didn't want to make victims out of these

0:19:55.556 --> 0:19:59.076
<v Speaker 1>fellow partygoers. He wanted to make a victim out of

0:19:59.116 --> 0:20:00.596
<v Speaker 1>the American Express company.

0:20:00.356 --> 0:20:03.356
<v Speaker 2>Or yes it was, you know, fuck the establishment, but

0:20:03.436 --> 0:20:09.356
<v Speaker 2>don't hurt the people unless somebody crossed him. And if

0:20:09.396 --> 0:20:12.196
<v Speaker 2>you crossed him, he'd put sugar in your gas, stank,

0:20:12.716 --> 0:20:16.236
<v Speaker 2>blow your car up, you know, or do something silly.

0:20:18.756 --> 0:20:23.196
<v Speaker 1>Why was he so anti establishment and fuck the world?

0:20:25.036 --> 0:20:28.556
<v Speaker 2>I think he was just angry and that was his

0:20:28.796 --> 0:20:33.716
<v Speaker 2>outlet because I really didn't pay much attention to it all.

0:20:34.076 --> 0:20:37.556
<v Speaker 2>I just knew the establishment, we're idiots and we were cool,

0:20:38.036 --> 0:20:43.076
<v Speaker 2>you know. Got to remember I was seventeen eighteen. Wasn't

0:20:43.116 --> 0:20:46.636
<v Speaker 2>thinking of those things. I was thinking about what bikini

0:20:46.916 --> 0:20:48.356
<v Speaker 2>was going to wear the next day.

0:20:49.916 --> 0:20:53.516
<v Speaker 1>It was easy money, which Mickey collected with a sneer.

0:20:54.476 --> 0:20:57.436
<v Speaker 1>He had nothing but disdain for his victims, though we'd

0:20:57.516 --> 0:21:01.556
<v Speaker 1>liked their caviar just fine. Hollywood types were an easy

0:21:01.596 --> 0:21:05.076
<v Speaker 1>mark for him. He had already figured that out on

0:21:05.156 --> 0:21:08.836
<v Speaker 1>the beach in Malibu when the Hollywood producers first showed

0:21:08.916 --> 0:21:25.756
<v Speaker 1>up to film the Gidget movie. Micky hated the whole

0:21:25.756 --> 0:21:28.956
<v Speaker 1>Gidget phenomenon, but that did not stop him from working

0:21:28.996 --> 0:21:31.836
<v Speaker 1>as a stunt double for Moondoggie in the original Gidget

0:21:31.876 --> 0:21:33.516
<v Speaker 1>movie in nineteen fifty nine.

0:21:33.996 --> 0:21:34.596
<v Speaker 2>Why don't you go.

0:21:34.556 --> 0:21:36.876
<v Speaker 1>Back to your playmates? Oh I haven't even said you

0:21:36.956 --> 0:21:39.596
<v Speaker 1>for saving my life. Okay, so now you have go

0:21:39.716 --> 0:21:42.436
<v Speaker 1>on back to Mama and run, don't walk.

0:21:43.916 --> 0:21:46.916
<v Speaker 2>He hated it, but he liked the money, you know.

0:21:47.156 --> 0:21:53.436
<v Speaker 2>He hated that they were ruining the beaches, but he

0:21:53.636 --> 0:21:56.356
<v Speaker 2>liked the excitement of being in the movies.

0:21:58.156 --> 0:22:01.196
<v Speaker 1>For the next decade, Mickey worked in the Gidget sequels

0:22:01.476 --> 0:22:04.036
<v Speaker 1>and any other teeny bopper beach movie he could get

0:22:04.076 --> 0:22:07.716
<v Speaker 1>himself hired on. He was a stuntman in Gidget Goes

0:22:07.756 --> 0:22:15.636
<v Speaker 1>Hawaiian in nineteen sixty one. Since for Gidget Jane Tachiki.

0:22:15.836 --> 0:22:18.756
<v Speaker 2>Was opportunity for him, and he always wanted to be

0:22:18.796 --> 0:22:20.636
<v Speaker 2>a movie star. I mean, that's why he was the

0:22:20.716 --> 0:22:21.676
<v Speaker 2>King Malibu.

0:22:22.356 --> 0:22:25.316
<v Speaker 1>He went to Hawaii and served twenty foot Waves with

0:22:25.396 --> 0:22:29.156
<v Speaker 1>Greg Knowle for Ride the Wild Surf In nineteen sixty four.

0:22:32.916 --> 0:22:36.556
<v Speaker 1>He was credited as a beach boy in Beach Blanket Bingo,

0:22:36.836 --> 0:22:47.316
<v Speaker 1>the nineteen sixty five Classics starring Frankie Avalon and Annette Funacello.

0:22:52.516 --> 0:22:55.996
<v Speaker 1>That same year, Mickey also appeared in How To Stuff

0:22:56.076 --> 0:23:02.836
<v Speaker 1>a Wild Bikini Wild? It ain't nothing without the stepping.

0:23:03.156 --> 0:23:04.916
<v Speaker 1>How do we stuffing? Easy?

0:23:04.996 --> 0:23:05.236
<v Speaker 2>Man?

0:23:05.596 --> 0:23:06.076
<v Speaker 3>You're just.

0:23:09.356 --> 0:23:12.076
<v Speaker 1>And when Gidget became a TV show, he taught Sally

0:23:12.116 --> 0:23:13.156
<v Speaker 1>Field to surf.

0:23:14.476 --> 0:23:17.516
<v Speaker 4>You see before you meet Gidget for fifteen and a

0:23:17.556 --> 0:23:18.156
<v Speaker 4>half years.

0:23:18.236 --> 0:23:21.556
<v Speaker 1>Mickey may have had strong feelings about the exploitation of

0:23:21.596 --> 0:23:25.036
<v Speaker 1>Malibu and surf culture, but he didn't mind doing a

0:23:25.036 --> 0:23:26.436
<v Speaker 1>little exploiting of his own.

0:23:27.516 --> 0:23:30.316
<v Speaker 2>He was making Boku bucks because he was doing a

0:23:30.316 --> 0:23:33.036
<v Speaker 2>lot of stunt work, and that's what messed us up,

0:23:33.076 --> 0:23:36.956
<v Speaker 2>because he started flirting with either the producer's daughter or

0:23:36.996 --> 0:23:40.836
<v Speaker 2>somebody's daughter that had the power to give him more work.

0:23:43.396 --> 0:23:46.276
<v Speaker 1>But even off the film sets on the beach in Malibu,

0:23:46.756 --> 0:23:50.396
<v Speaker 1>Mickey always seemed to be in character. Here's Diane.

0:23:51.596 --> 0:23:56.316
<v Speaker 2>He was a much genter, quieter or simple person at home,

0:23:56.396 --> 0:23:58.276
<v Speaker 2>and we had a lot of fun and tried to

0:23:58.276 --> 0:24:02.236
<v Speaker 2>have a healthy, wonderful life. And then when he hit Malibu,

0:24:02.476 --> 0:24:05.196
<v Speaker 2>it was a different story. He was on.

0:24:08.156 --> 0:24:12.516
<v Speaker 1>Was his persona a kind of performance art?

0:24:13.316 --> 0:24:15.796
<v Speaker 2>Yeah, when you say it that way, I would think

0:24:15.796 --> 0:24:17.956
<v Speaker 2>that every time he got on a board in Malibu

0:24:18.036 --> 0:24:20.676
<v Speaker 2>it was performance art.

0:24:20.156 --> 0:24:22.196
<v Speaker 1>And maybe also every time he showed up at the

0:24:22.196 --> 0:24:23.556
<v Speaker 1>beach in a leather trench coat.

0:24:24.076 --> 0:24:29.436
<v Speaker 2>Of course, he was always doing something for effect, you know,

0:24:29.596 --> 0:24:31.916
<v Speaker 2>I mean for reaction.

0:24:32.676 --> 0:24:34.476
<v Speaker 1>And he was playing Mickey Dora.

0:24:35.036 --> 0:24:40.316
<v Speaker 2>Exactly, or Chicky Mafin or Big Close sondor you know,

0:24:40.676 --> 0:24:43.396
<v Speaker 2>whatever persona or name he wanted to come up with

0:24:43.516 --> 0:24:48.676
<v Speaker 2>at that time to fit his mood or his protest.

0:24:50.956 --> 0:24:53.756
<v Speaker 1>In the era of the beach blanket bingo type of movies,

0:24:54.196 --> 0:24:58.156
<v Speaker 1>Malibu was basically an open cast and call Mickey made

0:24:58.156 --> 0:24:59.916
<v Speaker 1>sure he was highly visible.

0:25:01.276 --> 0:25:05.476
<v Speaker 2>He got picked to do a surfing double. I guess

0:25:05.476 --> 0:25:08.316
<v Speaker 2>they were producers went on the beach in Malibu and

0:25:09.396 --> 0:25:13.676
<v Speaker 2>picked people to be extras and dancers and stuff like that.

0:25:13.756 --> 0:25:17.476
<v Speaker 2>In these films. He was, you know, a stand in

0:25:18.316 --> 0:25:21.676
<v Speaker 2>surfer for all the big guys in all those movies.

0:25:21.796 --> 0:25:26.116
<v Speaker 2>It was Mickey that was doing the survey. And he

0:25:26.196 --> 0:25:28.156
<v Speaker 2>wanted to be an actor. He would have loved to

0:25:28.196 --> 0:25:29.916
<v Speaker 2>have been an actor, and he probably would have been

0:25:29.996 --> 0:25:32.556
<v Speaker 2>a good one, except he'd always mess up.

0:25:33.436 --> 0:25:35.036
<v Speaker 1>What do you mean by he'd always mess up?

0:25:35.636 --> 0:25:39.796
<v Speaker 2>Oh, he'd pulled some chican again that would piss somebody off,

0:25:39.836 --> 0:25:43.036
<v Speaker 2>and then they'd throw him off the set. There'd be

0:25:43.116 --> 0:25:47.116
<v Speaker 2>a scene of a two spot of people talking and

0:25:47.236 --> 0:25:50.236
<v Speaker 2>Nicky p in the background dancing like a fool, and

0:25:50.836 --> 0:25:56.276
<v Speaker 2>you know, and all the energy went to him. He

0:25:56.316 --> 0:26:00.756
<v Speaker 2>would find a way to steal the spotlight. Should we say?

0:26:01.916 --> 0:26:04.836
<v Speaker 2>He's you know, he's like a child that needed attention

0:26:05.156 --> 0:26:08.196
<v Speaker 2>all the time. And I didn't mind it, you know,

0:26:08.316 --> 0:26:11.236
<v Speaker 2>I was madly in love. He was my mentor, you know,

0:26:12.036 --> 0:26:16.036
<v Speaker 2>my savior. You know. He took care of me, you know,

0:26:16.076 --> 0:26:19.596
<v Speaker 2>and I shaved his back so he could be faster

0:26:19.756 --> 0:26:20.356
<v Speaker 2>than the water.

0:26:24.756 --> 0:26:28.396
<v Speaker 1>Things were not perfect between Diane and Mickey. The power

0:26:28.436 --> 0:26:34.636
<v Speaker 1>differential was enormous. Did he act jealous over you?

0:26:35.236 --> 0:26:41.636
<v Speaker 2>Absolutely. I couldn't talk to other boys. If I went

0:26:41.796 --> 0:26:45.196
<v Speaker 2>somewhere that was party with like his friends, he'd tell

0:26:45.276 --> 0:26:48.636
<v Speaker 2>me to wear my glasses so I wouldn't look so good.

0:26:52.116 --> 0:26:58.036
<v Speaker 1>Uh. They lived together secretly in Alice's little house, but

0:26:58.156 --> 0:27:03.316
<v Speaker 1>Mickey had a whole life outside of Diane. Did he

0:27:03.436 --> 0:27:06.396
<v Speaker 1>have other girlfriends at the same time that you were together.

0:27:06.996 --> 0:27:13.396
<v Speaker 2>I think so. And he was seeing a woman, Cynthia.

0:27:13.556 --> 0:27:14.476
<v Speaker 2>Married women, of.

0:27:14.396 --> 0:27:18.756
<v Speaker 4>Course when you said that he liked to date married

0:27:18.756 --> 0:27:23.636
<v Speaker 4>women because it was a way of kind of you know,

0:27:24.076 --> 0:27:24.676
<v Speaker 4>having a sit.

0:27:24.596 --> 0:27:28.676
<v Speaker 2>It was safe. Yeah, And it was also safe, you know,

0:27:30.316 --> 0:27:33.276
<v Speaker 2>he didn't have much commitment, you know, he didn't have

0:27:33.356 --> 0:27:36.436
<v Speaker 2>to worry about it. And the only I think the

0:27:36.476 --> 0:27:41.836
<v Speaker 2>only married woman that I remember was probably Cynthia, and

0:27:41.876 --> 0:27:43.916
<v Speaker 2>he used to just tell me they used to be

0:27:44.036 --> 0:27:44.996
<v Speaker 2>surfers together.

0:27:48.596 --> 0:27:50.876
<v Speaker 4>You didn't believe that was the extent of it.

0:27:51.356 --> 0:27:57.436
<v Speaker 2>Well, actually I did. For a while. I thought I

0:27:57.476 --> 0:28:00.476
<v Speaker 2>had the perfect romance and that you know, he's going

0:28:00.516 --> 0:28:05.236
<v Speaker 2>to eventually give up surfing and get a job that

0:28:05.356 --> 0:28:07.676
<v Speaker 2>his dad would give him. And he didn't hear it.

0:28:08.276 --> 0:28:12.716
<v Speaker 2>The family business and we'd marry and everything was honky Dory.

0:28:13.196 --> 0:28:15.996
<v Speaker 2>And then when I realized everything was just a scam

0:28:16.076 --> 0:28:20.036
<v Speaker 2>and he had all these girlfriends, I said, pass I

0:28:20.156 --> 0:28:26.356
<v Speaker 2>left him. I was too jealous. I mean, I was

0:28:26.396 --> 0:28:34.836
<v Speaker 2>insanely jealous of him. You remember, he's the first one.

0:28:35.196 --> 0:28:36.796
<v Speaker 1>The breakup was vicious.

0:28:38.076 --> 0:28:40.556
<v Speaker 2>I had my car packed with everything that I owned

0:28:41.436 --> 0:28:43.676
<v Speaker 2>and he came home and he said, what are you doing?

0:28:43.756 --> 0:28:46.996
<v Speaker 2>And I'm leaving and he says, you can't leave. What

0:28:47.036 --> 0:28:49.196
<v Speaker 2>are you talking about? You know? And I said I

0:28:49.196 --> 0:28:51.676
<v Speaker 2>don't want to do this, and I'm out of here.

0:28:51.676 --> 0:28:58.876
<v Speaker 2>And I remember driving away, bawling my eyes out, and

0:28:58.916 --> 0:29:01.556
<v Speaker 2>then him checking with me, I don't know about a

0:29:01.556 --> 0:29:04.196
<v Speaker 2>week later, to make sure I was all right, and

0:29:04.276 --> 0:29:06.396
<v Speaker 2>what are you doing? Where are you living? And I

0:29:06.396 --> 0:29:11.316
<v Speaker 2>wouldn't tell him, you know. And then he was worried

0:29:11.316 --> 0:29:17.156
<v Speaker 2>that I would tell people where he lives. And I

0:29:17.196 --> 0:29:19.716
<v Speaker 2>could care less because I was working on a new

0:29:19.796 --> 0:29:22.196
<v Speaker 2>movie and I thought I was going to be a

0:29:22.236 --> 0:29:27.316
<v Speaker 2>big movie star and went to Rome, and oh, you know,

0:29:27.396 --> 0:29:34.516
<v Speaker 2>my whole life changed after that, needless to say, And yeah,

0:29:34.556 --> 0:29:35.596
<v Speaker 2>thank god.

0:29:40.636 --> 0:29:43.756
<v Speaker 1>Diane left Los Angeles and went to Rome to act

0:29:43.796 --> 0:29:47.996
<v Speaker 1>in Felini's Satiricon and a Bunch of spaghetti Westerns. She

0:29:48.116 --> 0:29:51.196
<v Speaker 1>got married happily, and it was a few years before

0:29:51.196 --> 0:29:55.196
<v Speaker 1>she crossed paths with Mickey Dora again. It seemed like

0:29:55.916 --> 0:29:57.516
<v Speaker 1>he was up to his same old tricks.

0:29:59.556 --> 0:30:04.316
<v Speaker 2>When I came back to America, Mickey had contacted me

0:30:04.476 --> 0:30:09.036
<v Speaker 2>for something. I don't know what he wanted. He wanted

0:30:09.236 --> 0:30:12.956
<v Speaker 2>us to go live with him in New Zealand, you know,

0:30:13.116 --> 0:30:16.236
<v Speaker 2>if you wanted to start a commune or some sort

0:30:16.236 --> 0:30:22.116
<v Speaker 2>of life style there, and we'd all, you know, plant vegetables.

0:30:22.236 --> 0:30:25.796
<v Speaker 1>And did you think he was trying to scam you guys?

0:30:26.676 --> 0:30:32.436
<v Speaker 2>Oh, immediately, you know, immediately when he started in talking

0:30:32.516 --> 0:30:36.116
<v Speaker 2>about New Zealand, I thought, uh huh uh huh, No,

0:30:36.196 --> 0:30:36.996
<v Speaker 2>I didn't buy it.

0:30:39.436 --> 0:30:42.356
<v Speaker 1>Toward the end of their relationship, Mickey started to talk

0:30:42.396 --> 0:30:46.196
<v Speaker 1>about leaving Malibu. He was looking for a new wave,

0:30:46.956 --> 0:30:50.916
<v Speaker 1>a perfect, clean wave with nobody else on it, far

0:30:50.956 --> 0:30:55.636
<v Speaker 1>away from Malibu. But to travel he'd need money.

0:30:56.596 --> 0:30:59.196
<v Speaker 2>He wanted to start taking it a step further and

0:30:59.316 --> 0:31:02.356
<v Speaker 2>try and steal airline tickets so you could travel the

0:31:02.356 --> 0:31:04.516
<v Speaker 2>world search of the perfect wave.

0:31:06.356 --> 0:31:09.196
<v Speaker 1>He had tried to enroll Diane.

0:31:09.316 --> 0:31:12.476
<v Speaker 2>I remember going to the airport. I forget like it

0:31:12.516 --> 0:31:16.476
<v Speaker 2>was Burbank or some little airport, and Micky would say,

0:31:16.516 --> 0:31:18.596
<v Speaker 2>now you talk to the guy for a minute and

0:31:18.636 --> 0:31:21.196
<v Speaker 2>see if you can get him to turn away. And

0:31:21.236 --> 0:31:24.596
<v Speaker 2>I'd say, okay, and I talk to the guy about

0:31:24.636 --> 0:31:27.396
<v Speaker 2>you know, there's this flight going blah blah here blah blah.

0:31:27.436 --> 0:31:30.556
<v Speaker 2>And then Nicky had the sleight of hand when it

0:31:30.636 --> 0:31:34.316
<v Speaker 2>came to stealing, and he would reach over the desk

0:31:34.436 --> 0:31:37.676
<v Speaker 2>and take a stack of airline tickets and this is

0:31:38.036 --> 0:31:43.676
<v Speaker 2>again pre computer. Then he would fill them out and

0:31:43.876 --> 0:31:46.836
<v Speaker 2>sell them to Frint, saying, you want to go to

0:31:46.876 --> 0:31:49.716
<v Speaker 2>New Zealand, I can get you a ticket free. You

0:31:49.756 --> 0:31:52.396
<v Speaker 2>want to go to Paris, let me get you a ticket,

0:31:52.476 --> 0:31:55.516
<v Speaker 2>and he would just fill out the tickets, give them

0:31:55.516 --> 0:31:57.596
<v Speaker 2>to the person. The person would give them honey, a

0:31:57.676 --> 0:32:01.436
<v Speaker 2>few hundred dollars and they would go to Paris. It

0:32:01.476 --> 0:32:07.636
<v Speaker 2>would work. And I thought, this doesn't look good. This

0:32:07.716 --> 0:32:10.036
<v Speaker 2>looks like a lot of trouble if we get god.

0:32:11.116 --> 0:32:15.716
<v Speaker 2>You know, this isn't a beaded dress. It was escalating

0:32:15.956 --> 0:32:18.876
<v Speaker 2>and I didn't want to go there. That's when I

0:32:19.036 --> 0:32:23.956
<v Speaker 2>decided I'm not interested in this game anymore. Looked pretty heavy.

0:32:26.116 --> 0:32:30.036
<v Speaker 1>Mickey was expanding his horizons looking to the world beyond

0:32:31.076 --> 0:32:36.156
<v Speaker 1>Malibu was over, he proclaimed. He wrote, quote the thousands

0:32:36.196 --> 0:32:40.316
<v Speaker 1>of other plebeian fruitflies that composed the alleged surfing sub

0:32:40.396 --> 0:32:46.516
<v Speaker 1>subculture are forcing me to seek greener pastures unquote. Soon

0:32:46.636 --> 0:32:50.076
<v Speaker 1>he promised he'd be going into exile. He made a

0:32:50.196 --> 0:32:54.196
<v Speaker 1>huge show of complaining about the rape of Malibu. But

0:32:54.316 --> 0:33:00.476
<v Speaker 1>this was Mickey's upclose magic, a big distraction because even

0:33:00.516 --> 0:33:03.956
<v Speaker 1>as he burnished his reputation as the loan holdout, the

0:33:04.076 --> 0:33:09.076
<v Speaker 1>last purest, he was busily picking the pocket of whoever

0:33:09.676 --> 0:33:22.676
<v Speaker 1>might be listening next time. On Lost Hills, everyone's rustling.

0:33:24.076 --> 0:33:27.596
<v Speaker 3>Everyone wanted everyone else to be successful. Some people were

0:33:27.596 --> 0:33:30.196
<v Speaker 3>showing movies. Some people were selling Hawaiian shirts, some people

0:33:30.196 --> 0:33:33.436
<v Speaker 3>were selling surfboards, some people were selling dope. Nobody wanted

0:33:33.476 --> 0:33:34.996
<v Speaker 3>to work nine to five. Nobody wanted to wear a

0:33:34.996 --> 0:33:39.316
<v Speaker 3>suit and tie. Everybody wanted to live their own life

0:33:39.316 --> 0:33:43.236
<v Speaker 3>and be cool. And at the same time, nobody wanted

0:33:43.236 --> 0:33:46.316
<v Speaker 3>to be poor. And so you know, the trick was

0:33:46.356 --> 0:33:48.836
<v Speaker 3>how do you do that? And the answer was you

0:33:48.876 --> 0:33:52.276
<v Speaker 3>figure out how to make the surfing industry work for you.

0:33:53.836 --> 0:33:59.676
<v Speaker 1>That's next. In episode seven, Misdirection, Lost Hills is written

0:33:59.716 --> 0:34:02.956
<v Speaker 1>and reported by me Dana Goodyear. It's created by me

0:34:03.316 --> 0:34:07.116
<v Speaker 1>and then Adare and produced by Western Sound and Pushkin Industries.

0:34:07.916 --> 0:34:10.356
<v Speaker 1>Subscribe to Pushkin plus US and you can binge the

0:34:10.516 --> 0:34:14.476
<v Speaker 1>entire season right now. Ad great find Pushkin Plus on

0:34:14.516 --> 0:34:17.196
<v Speaker 1>the Lost Hill Show page in Apple Podcasts, or at

0:34:17.236 --> 0:34:19.916
<v Speaker 1>pushkins dot fm slash plus