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Speaker 1: I was with Paul Newsman and we were doing Newsman's

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Speaker 1: own lemonade, inventing the recipe, inventing the recipe. Okay, so

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Speaker 1: before you come along and say, oh, this is my

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Speaker 1: favorite lemonade. Oh it's for charity. This is I was

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Speaker 1: involved in way before that figuring out the first recipe.

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Speaker 2: The original recipe.

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Speaker 1: Yeah, and something we had been talking about for a

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Speaker 1: long time. On the set of hud and I go

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Speaker 1: to his house and I say, okay, we're finally going

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Speaker 1: to do this, and he says, well, it's Paul Newsman lemonade.

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Speaker 1: It should have eggs. You remember when I He says,

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Speaker 1: you remember when I ate all those eggs in the movie.

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Speaker 1: He says, I ate three hundred eggs. And I said,

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Speaker 1: I I think it was fifty. I saw. I don't

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Speaker 1: remember it that well, but I don't think it was

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Speaker 1: three hundred.

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Speaker 2: Three hundred is a stretch.

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Speaker 1: Fifty is a lot.

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Speaker 2: That's plenty. You should be proud of fifty.

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Speaker 1: But he said it was three hundred.

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Speaker 3: Uh.

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Speaker 1: He seemed to think that it was that the movie

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Speaker 1: was called three hundred, that the movie three hundred was

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Speaker 1: about him eating three hundred eggs, and soe he says, well,

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Speaker 1: so obviously the one of the ingredients in the lemonade

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Speaker 1: should be three hundred eggs. And I say, okay, do

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Speaker 1: you have? And before I even finish saying do you have,

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Speaker 1: he suddenly reveals a panel opens up and there's three hundred,

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Speaker 1: six hundred eggs in it, because he says, I'm going

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Speaker 1: to eat three hundred of these just for myself while

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Speaker 1: we're here, like a snack. Yes, and then we'll use

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Speaker 1: the other three hundred in the recipe.

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Speaker 2: Gotcha?

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Speaker 1: And I say, okay, but this is like, this is

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Speaker 1: not drink. This is not a drink, this is food.

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Speaker 1: Is the first well concern I had.

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Speaker 2: You can drink an egg? Well, that's what he said, And.

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Speaker 1: And he said, look, it comes with a glass that

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Speaker 1: comes with its own cups, two cups per cups. Yes,

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Speaker 1: and he perfectly divides the egg into two equal halves

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Speaker 1: with his hands, and then he's and he says, uh,

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Speaker 1: we want to do shots throws back now six hundred

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Speaker 1: egg shots because it's too per egg. And now he's

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Speaker 1: too tired to do the lemonade. And I knew you

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Speaker 1: would have stuff to say about this.

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Speaker 2: Yeah, I mean you just the little bit of ginger

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Speaker 2: balances out. Like the three hundred eggs. He was on

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Speaker 2: the right track.

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Speaker 1: The tang of the ginger, the savory flavor of the

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Speaker 1: egg is balanced out. Oh that sharp tang of the ginger.

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Speaker 1: And it's antibiotic properties as well. It's the super food.

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Speaker 2: Yeah.

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Speaker 1: Hi, welcome to Hollywood Handbooken Insider's Guide to kicking button

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Speaker 1: dropping names in the red carpet lineback always as the

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Speaker 1: industry we call show. But I want to introduce my guest, Timbalts.

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Speaker 1: I don't want to wait even one more second. I'm

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Speaker 1: right here. I'm ready to go. It's really great to

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Speaker 1: talk to Tim bald today, especially today's interesting. Seawan is

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Speaker 1: not here Sean. Uh. Of course, if people have been

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Speaker 1: following Sean on social media, you know that he has

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Speaker 1: been following a snail for the last several days.

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Speaker 3: Uh.

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Speaker 1: He he His goal, he says, is to get the honey.

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Speaker 1: I think, he says. I think he's under the impression

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Speaker 1: that what the snail is leaving behind is honey.

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Speaker 3: Is he picking up this trail? Then he thinks his honey.

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Speaker 1: No, he doesn't want the snail to know that he's

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Speaker 1: following it.

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Speaker 3: Okay, so does he think that once the snail gets

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Speaker 3: to a certain point, it's just gonna dump a lot

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Speaker 3: of honey, and that honey is leaking from its body

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Speaker 3: right now.

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Speaker 1: I think he so, this is based on his posts.

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Speaker 1: This is the impression that I'm under. He thinks that

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Speaker 1: the snail is carrying a small supply of honey, and

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Speaker 1: Sean talks about the marshmallow test a lot. Oh yeah,

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Speaker 1: how good he is of the marshmallow tests. Are you

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Speaker 1: familiar with this?

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Speaker 3: That's how many marshmallows you can fit in your mouth?

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Speaker 1: Yes? Yeah, And so he said, this perfect example of

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Speaker 1: the marshmallow test. I am he wants he desperately wants

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Speaker 1: to eat the honey that the snail is carrying. But

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Speaker 1: if he passes on eating this honey, the snail will

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Speaker 1: get lead him back to the big honey place, the trove.

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Speaker 1: Thank you. I don't know, like the technical that's the

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Speaker 1: term for this honey. So let me unpack this a

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Speaker 1: little bit more.

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Speaker 3: He thinks that this small snail is headed to basically

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Speaker 3: like some kind of cave. It has one shipment of

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Speaker 3: honey where all other snails are eating to drop off

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Speaker 3: their ship and to create this super trove of honey. Yes,

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Speaker 3: what he wants to eat a layman would know is

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Speaker 3: the big honey place.

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Speaker 1: But yes, the bread apparently says it's called the trove.

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Speaker 3: He's a super trove, super trove, and he wants to

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Speaker 3: eat this whole super tu wants to eat the super

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Speaker 3: trove and sell whatever.

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Speaker 1: He can't eat, I mean, and he says it's uh,

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Speaker 1: it's permanent. The famous thing about honey is it is

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Speaker 1: a forever food. Yeah, then so you can theoretically make

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Speaker 1: money on it forever. You can spread it on wounds.

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Speaker 1: A lot of people don't know that. Okay, you didn't

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Speaker 1: know that. You gave me an okay, like, well no

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Speaker 1: it makes sense. No, I do believe you. You can,

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Speaker 1: you can. You can spread it on wounds.

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Speaker 2: You can spread anything on wound.

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Speaker 3: Well yeah, Brett, yes, yeah, but spreading honey on wounds

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Speaker 3: will actually help the wound.

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Speaker 1: And you can't spread it.

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Speaker 2: I don't want to help the wound, the wod.

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Speaker 1: You can't spread anything on a woond because you can't

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Speaker 1: spread most things. But honey is famously spreadable. Okay. I

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Speaker 1: don't like when people say famous. You know, no that's famous.

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Speaker 1: Well yeah, yeah, I know everything that is famous. So

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Speaker 1: actually the fact that you are saying that it is

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Speaker 1: famous is a lie. What you know, what I wish,

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Speaker 1: Here's what I wish, Here's what I wish. I wish. No.

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Speaker 3: I was about to talk about Seawn's quest for this honey. Okay,

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Speaker 3: what I wish that Sewn would do is pick up

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Speaker 3: this one snail suck the honey out of it that

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Speaker 3: he thinks is inside.

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Speaker 1: Okay, he wants to do that. I think it would

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Speaker 1: only take the slightest provocation for I hope he's not

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Speaker 1: listening to this show, but this would because he'll be listened.

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Speaker 3: It's not going to come out immediately, right, but this

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Speaker 3: seems like it could go on for a long time. Okay, Well,

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Speaker 3: if he picked up this one snail and he tried

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Speaker 3: to suck the honey out of it, and yes, as

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Speaker 3: we famously know, there is no honey in this snail,

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Speaker 3: I'm sorry to say that again, then that would disabuse

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Speaker 3: him of the notion that perhaps there is this super

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Speaker 3: trove of honey waiting for him with some bigger snail

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Speaker 3: or all these snails dropping.

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Speaker 1: He does not give up, but he does not admit

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Speaker 1: that he's wrong. Very easily. See I know this about

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Speaker 1: you too, from listening to so this is what happened.

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Speaker 1: He would suck the snail and he would say, this

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Speaker 1: is the most delicious honey I've ever had in my life.

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Speaker 1: He's never had honey before, or he thinks that this

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Speaker 1: is a new no he has I think no, I

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Speaker 1: think in his head he's going through the process he's

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Speaker 1: going through is like, Okay, this doesn't taste like at

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Speaker 1: least most of the honey I've ever had. But to

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Speaker 1: admit that this the honey was never a part of

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Speaker 1: This is a fate worse than death. He would never

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Speaker 1: so it it's the most delicious honey. Eventually he would

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Speaker 1: start leading the like the neighborhood. He would double down

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Speaker 1: and start calling out to the neighborhood that he's discovered

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Speaker 1: a famous new honey that is the sweetest and has

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Speaker 1: the most healing properties, and everyone essentially becomes deadpool.

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Speaker 3: Okay, so maybe yeah, And then he'd spread this like

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Speaker 3: snail honey all over his wounds.

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Speaker 1: Yes, some or some of his neighbors. That's why I said, oh,

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Speaker 1: okay earlier because I was catching up to he said,

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Speaker 1: so I get the honey, and then I am essentially

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Speaker 1: Deadpool because of his healing properties. Yeah, I know what,

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Speaker 1: I don't know.

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Speaker 3: I gotta give that side because well, all right, I

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Speaker 3: wouldn't want to be Deadpool.

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Speaker 1: I wouldn't want to be You wouldn't want to be

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Speaker 1: dead I wouldn't want to be tough to enjoy Deadpool.

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Speaker 1: That's the one curse of being Deadpool, right exactly. Uh, well,

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Speaker 1: you go see the movie and you can't appreciate it

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Speaker 1: the way everyone else did because you are Deadpool. Yes,

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Speaker 1: but doctor I am Deadpool essentially is his life. One

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Speaker 1: thing I want to point out about what's going on

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Speaker 1: with Sean is it was one hundred and fifteen degrees

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Speaker 1: in Los Angeles yesterday. I just think that's important context

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Speaker 1: for what is going on with him. In the Snail,

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Speaker 1: A lot of the stuff he was talking about yesterday

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Speaker 1: was about how the snail was disappearing to try and

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Speaker 1: hide from him.

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Speaker 3: Yeah, if he's outside following a snail, he keeps disappearing.

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Speaker 3: Snails can't just up and disappear. Yeah, So it's possible

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Speaker 3: he was having a hallucination based on heat, and it

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Speaker 3: sounds like he did not beat the heat. But it

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Speaker 3: could shrievel, It could shrieve the snail. Yes, snail could

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Speaker 3: trievel pretty easily. And if he looks away and the

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Speaker 3: snail is shrieveled, and he looks back at where it

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Speaker 3: was and it's moved slightly and it's shrieve oled.

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Speaker 1: Yes, then and then he thinks it's hiding from him, right,

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Speaker 1: and again this just makes him more than.

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Speaker 3: He has to walk back and find the trail which

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Speaker 3: he thinks is honey, which is actually a snail trail,

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Speaker 3: and then relocate the shreveold snail.

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Speaker 1: H Yeah. So this is all just to say, no, Sean.

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Speaker 3: Okay, yeah, no, Sean. I you know when I noticed

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Speaker 3: when I came in here and I asked where Sean,

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Speaker 3: you said he's not here today. That would have sufficed

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Speaker 3: for me. That would have been.

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Speaker 1: Enough for me to okay, But you understand there's more

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Speaker 1: people involved in this than just you, and actually like

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Speaker 1: like like a hundred freaking thousand, two hundred thousand more.

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Speaker 1: You're being modest. It's like a lot of people, and

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Speaker 1: especially with your fans.

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Speaker 3: Oh yeah, all the SISO heads, yes, just dying for

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Speaker 3: their continued seas.

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Speaker 1: So we should explain for anyone who doesn't know Tim.

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Speaker 1: Tim was the shrink on SISO short for see so

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Speaker 1: many content U. CISO is no longer allowed to be online.

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Speaker 3: Their dormant right now, is what I've been told. Seized

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Speaker 3: by the government. I heard, yeah, for being technically a

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Speaker 3: drug cease and desist or not being regulated. Although you know,

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Speaker 3: in Trump's America, it's possible that if we deregulate enough,

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Speaker 3: CISA is just going to come raging back. Right, They're

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Speaker 3: going to unshackle it, They're going to shackle all that

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Speaker 3: content I hear.

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Speaker 1: But some of the rhetoric, like, I think it's like

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Speaker 1: an opiate technically in terms of its effects, right, CISO

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Speaker 1: was would it would just make people like so blissed

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Speaker 1: out more than like they'd ever been before. So I

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Speaker 1: think it is technically against the law now, right.

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Speaker 3: Similar to oxyconton, it kind of dumps all of its

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Speaker 3: load and you right away.

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Speaker 1: The payload is immediate release, no time release, no.

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Speaker 3: And it's long lasting too, so that it's the same

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Speaker 3: hit that that heroin addicts get.

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Speaker 1: Yeah, And is it addictive? Oh, I don't know, Maybe

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Speaker 1: try it, maybe try to watch this one, try to

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Speaker 1: log on, try.

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Speaker 3: To play something, have it freeze and go to that

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Speaker 3: dumb jackass screen with Richard iod on it, and then you're.

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Speaker 1: Hooked even more because you can't wait for it to stop.

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Speaker 1: You you go to another show. You really want to

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Speaker 1: watch this.

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Speaker 3: And that was their trick to get you to go

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Speaker 3: from one show to another, is that one show would

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Speaker 3: freeze on that dumb jackass goddamn screen, and then you

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Speaker 3: would go, all right, I'll watch an episode to take

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Speaker 3: my wife, and then it freezes, you know, twelve minutes

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Speaker 3: in and you're like, oh, what's gentleman lobsters all about?

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Speaker 1: Then that would.

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Speaker 3: Freeze and you go see, oh, what are some of

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Speaker 3: these brick coms all about?

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Speaker 1: Suddenly you've watched ninety seconds of every show. Yeah, and

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Speaker 1: the cycle continues. You see so many content that would

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Speaker 1: see so many content. So but you were the shrink.

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Speaker 3: I was the shrink I was, and it took a

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Speaker 3: long time to be the Siso shrink. To be honest,

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Speaker 3: we started as a web series in twenty eleven, made

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Speaker 3: it into a pilot in twenty twelve, took to New

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Speaker 3: York Television Festival, won a couple of awards, pitched it

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Speaker 3: around town in twenty thirteen, sold it to Pivot in

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Speaker 3: twenty thirteen, sat in development for two and a half years,

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Speaker 3: got it back, sold it to SISO, and then made

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Speaker 3: the Shrink. Wow, that's quite a Hollywood Normally we would

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Speaker 3: like to stretch that out.

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Speaker 1: That burned off a lot of it did well. If

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Speaker 1: I was just hoping to take a longer walk through

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Speaker 1: your career, and now I don't, I'm not sure where

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Speaker 1: else to go the episode, I should have said before

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Speaker 1: the episode was going to be the shrink story, where

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Speaker 1: that would like pivot alone, was gonna be like have

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Speaker 1: how how long have we done in the show?

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Speaker 2: Is this It's been like a seconds? No, it's twelve minutes.

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Speaker 1: All right. Let me tell your listeners. Shows supposed to

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Speaker 1: be really long.

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Speaker 3: If you go back, If your listeners go back and

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Speaker 3: start from when I started that little like shrink yes, yes, yes, yes,

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Speaker 3: if they slow a little shrink wrap. If they slow,

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Speaker 3: some listen said shrink wrap. Sorry, we'll make some of

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Speaker 3: the listeners horny.

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Speaker 1: We should get that.

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Speaker 3: How come a lot of these guys are like they

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Speaker 3: like to shrink wrap themselves something about the sensation. Yeah, yeah,

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Speaker 3: They kind of dip themselves in a plastic goo, let

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Speaker 3: it dry, and then put a like kind of a

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Speaker 3: vacuum attachment into the one hole and then they just

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Speaker 3: kind of shrink themselves.

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Speaker 1: You know.

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Speaker 3: I learned this online. Some fans pointed this out to

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Speaker 3: me when they were searching for shrink related content. Is

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Speaker 3: that a lot of times they would they would just

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Speaker 3: end up with pictures of women with huge feet, huh

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Speaker 3: Like basically like a force perspective stuff.

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Speaker 1: Okay, Like the rest of them was strength.

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Speaker 3: No, Like this woman was like, you know, fifty feet

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Speaker 3: tall okay, and her feet were.

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Speaker 2: Oh, yeah, I've seen that.

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Speaker 1: Yeah you have.

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Speaker 2: I mean yeah, I mean yeah.

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Speaker 3: You're not doing it very I just want to see

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Speaker 3: a very bad job of trying to cover up whether

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Speaker 3: you saw it. It seems like you say oh, I

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Speaker 3: mean usually you don't say yes after that.

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Speaker 2: But I got in my head and I thought I

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Speaker 2: would be too obvious if I said no. No, Look,

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Speaker 2: so I said yes, thinking maybe either you.

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Speaker 3: Either either you haven't seen it and you were lying,

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Speaker 3: or you have seen it and you just got busted

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Speaker 3: because you searched for it yourself.

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Speaker 1: But maybe you were searching for the shrink.

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Speaker 2: It just popped up.

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Speaker 1: Well, let me tell you.

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Speaker 3: Let me pop up, Let me step into the let

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Speaker 3: me step into the shrink for a little bit. Yeah,

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Speaker 3: there's no judgment here if you like, if you like

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Speaker 3: fifty ft fifty foot tall women with big old feet,

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Speaker 3: that's fine.

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Speaker 1: Why did that come up for the shrink? Is it

301
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Speaker 1: like the fetish is like you are a shrinked man

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Speaker 1: and so now all the women's feet is so big

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Speaker 1: you've been shrink wrapped it down to size.

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Speaker 3: Yes, And the guys listening will be like, well, shrink

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00:14:23,040 --> 00:14:24,440
Speaker 3: wrapping doesn't actually like shrink you.

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Speaker 1: It just puts you in a very tight, tight spot plastic.

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Speaker 3: Okay, yeah, encasement, claustrophobic fetish.

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Speaker 1: But you were saying, if you shrink, if you slow down,

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Speaker 1: if you go back and slow down the pivot part

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Speaker 1: of the comment, Oh.

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Speaker 3: Yeah, yeah, then I'll unpack everything. You can slow it down,

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Speaker 3: and there's like I filled in every single thing I

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Speaker 3: just said.

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Speaker 1: You did a whole show.

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Speaker 3: I did a whole show within that probably like twenty

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Speaker 3: second birth.

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Speaker 1: No, well then this is just bonus bonus time.

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Speaker 3: But for the people that don't want to slow it

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Speaker 3: down and want to listen at regular speed, we could

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Speaker 3: absolutely spend the time there.

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Speaker 1: It's two shows. We could do two shows. How many shows.

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Speaker 1: Will you let me know when you're doing another show. Yeah, absolutely,

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Speaker 1: within this one. That would be huge because then we

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Speaker 1: can just kind of release those separately.

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Speaker 3: I'll usually speed up really fast. Okay, it's a it's

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Speaker 3: a very small file for people. You know, the compressment

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Speaker 3: for like Pied Piper.

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Speaker 2: Inside out what what.

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Speaker 1: That's not from inside inside.

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Speaker 2: Out, inside out compression or whatever?

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Speaker 1: Oh yeah, that's right with the dicks again, BLUs again,

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Speaker 1: inside out compression. Yeah, more shrink stuff.

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Speaker 2: I was gonna say, you should work for micro machines.

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Speaker 1: Oh yeah, ri Ip that guy he did a few

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Speaker 1: years ago. Oh wow, he was like sort of trying

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Speaker 1: to do what you did, which is do a whole

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Speaker 1: commercial inside the commercial.

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Speaker 3: Because we talk often, Well, there's only so many ways

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Speaker 3: that I can get out the word about Sisow and

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Speaker 3: shrink these days, you know, so I compress it into

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Speaker 3: other statements.

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Speaker 1: That's right, because otherwise I'm gonna get caught because it's

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Speaker 1: still being regulated. Even you are legally a drug dealer. Yeah,

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Speaker 1: by talking about CISO and the shrink, well, walking.

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Speaker 3: Around, I'm almost a drug dealer because I was on

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Speaker 3: every goddamn Siso show. Yeah, they put me in every

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Speaker 3: fucking show.

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Speaker 1: Yeah, that's right. They couldn't get enough. They got hooked.

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Speaker 3: They got hooked on me. I was Ciso's a little

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Speaker 3: bad fucking boy.

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Speaker 1: They knew it too. They knew it. My reps knew it. Man.

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Speaker 3: Oh, they got just above They knew they got just

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Speaker 3: above scale.

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Speaker 1: They knew They did call you and tell you, Tim

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Speaker 1: it seems like you're something of a bad boy, are you.

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Speaker 1: We got these getting these calls, and I'm beginning to

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00:16:36,000 --> 00:16:38,880
Speaker 1: think that you're Sipo's bad boy. We got these normal

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Speaker 1: auditions for you.

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Speaker 3: Sorry, you gotta go, You gotta go do a read

360
00:16:42,040 --> 00:16:44,800
Speaker 3: through with the casting director. Unfortunate you've been here a

361
00:16:44,800 --> 00:16:46,920
Speaker 3: few years, but that's what it is. But we got

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00:16:47,000 --> 00:16:49,160
Speaker 3: straight offer for this other SISO show. If you want

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00:16:49,160 --> 00:16:52,240
Speaker 3: to just walk onto set, I'd be like, yeah, can

364
00:16:52,280 --> 00:16:53,240
Speaker 3: I be disrespectful?

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00:16:53,440 --> 00:16:57,600
Speaker 1: Yeah? They hope, they hope you will be. They don't

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Speaker 1: want you to be respectful.

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Speaker 3: Is set the right way word for for where SISO

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00:17:02,600 --> 00:17:05,199
Speaker 3: shows would film. Yeah, there was like a there was

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00:17:05,240 --> 00:17:07,960
Speaker 3: like a like a set or was this kind of

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00:17:08,000 --> 00:17:10,040
Speaker 3: like the world is our set? Uh?

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00:17:10,240 --> 00:17:10,440
Speaker 1: No.

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Speaker 3: Most most of Siso's shows were filmed where the five

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Speaker 3: in the Los Angeles River and Los Fiela's Boulevard kind

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Speaker 3: of connect.

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Speaker 1: Oh okay, yeah, that's a good uh lot.

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00:17:20,760 --> 00:17:23,119
Speaker 3: Yeah, Los feel is crossing over to Atwater Village. And

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Speaker 3: when you think about the world, like they shot a

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Speaker 3: lot of exteriors, yes, for bajillion dollar properties, Yes, like

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00:17:28,160 --> 00:17:30,320
Speaker 3: in Beverly Hills and stuff like that. Huh, but most

380
00:17:30,320 --> 00:17:31,959
Speaker 3: of it was just down by the Los Angeles River.

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00:17:32,080 --> 00:17:34,360
Speaker 1: A lot of it it seems like zoomed in from

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00:17:34,520 --> 00:17:37,600
Speaker 1: very far away. Yeah, those exteriors at Beverly Hills are

383
00:17:37,640 --> 00:17:40,040
Speaker 1: kind of almost like pixelated, like they've been blown up

384
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Speaker 1: from maybe like six miles away.

385
00:17:42,240 --> 00:17:44,439
Speaker 3: And you'll see a lot of here's another Sometimes you'll

386
00:17:44,480 --> 00:17:46,920
Speaker 3: see like a little pixelated or like blurred out thing

387
00:17:46,960 --> 00:17:48,680
Speaker 3: in the bottom right or maybe like right in the

388
00:17:48,720 --> 00:17:50,959
Speaker 3: middle of the screen. Yeah, that's where that's where they

389
00:17:51,000 --> 00:17:54,800
Speaker 3: located the kind of watermark that said Getty Images and

390
00:17:54,800 --> 00:17:56,000
Speaker 3: they just blurred that out.

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00:17:56,840 --> 00:18:00,320
Speaker 1: Wow, you can do that. People don't know that you

392
00:18:00,359 --> 00:18:02,720
Speaker 1: can zoom in on it far enough that it's blurry.

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Speaker 3: That was the first thing that got sees so in

394
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Speaker 3: trouble with the government, they were stealing Getty.

395
00:18:06,640 --> 00:18:13,000
Speaker 1: Just seized, seized and this stows. Uh, well, I wonder

396
00:18:13,040 --> 00:18:16,920
Speaker 1: if we so we already kind of did the show.

397
00:18:17,960 --> 00:18:24,600
Speaker 1: Since you are the shrink, Uh, I wonder if we

398
00:18:24,640 --> 00:18:29,000
Speaker 1: could talk about since shawn isn't here. I don't know,

399
00:18:29,080 --> 00:18:33,880
Speaker 1: it could kind of be interesting for me to talk about.

400
00:18:34,600 --> 00:18:37,760
Speaker 1: I don't have a lot of opportunity to talk to

401
00:18:37,800 --> 00:18:39,359
Speaker 1: people when Shawna is not around.

402
00:18:39,640 --> 00:18:41,240
Speaker 3: Oh your face kind of changed when you said that,

403
00:18:41,240 --> 00:18:41,640
Speaker 3: what's up?

404
00:18:42,080 --> 00:18:44,040
Speaker 1: Well, I mean it's just like you work with someone

405
00:18:44,080 --> 00:18:47,720
Speaker 1: for a long time and obviously stuff just like piles

406
00:18:47,800 --> 00:18:51,639
Speaker 1: up and eventually you're like, oh, this is normal. You know,

407
00:18:51,680 --> 00:18:54,720
Speaker 1: you get used to things. But when that person is

408
00:18:54,760 --> 00:18:56,120
Speaker 1: not there anymore.

409
00:18:55,680 --> 00:18:57,800
Speaker 3: Like for the past several days, I've had this opportunity

410
00:18:57,880 --> 00:19:00,159
Speaker 3: to think, like, oh, like what was my life before this?

411
00:19:00,280 --> 00:19:03,679
Speaker 3: Like what what would I change? If I could change anything?

412
00:19:03,720 --> 00:19:06,760
Speaker 3: I can't. There's no there's no point in talking about

413
00:19:06,800 --> 00:19:10,320
Speaker 3: it and nothing will ever change, but just the opportunity

414
00:19:10,359 --> 00:19:12,440
Speaker 3: to share it with the shrink and maybe you could

415
00:19:12,480 --> 00:19:15,160
Speaker 3: help me, like you did Tony Soprano on the show

416
00:19:15,440 --> 00:19:19,560
Speaker 3: I Am, I Am Ciso's the Shrink. I think all

417
00:19:19,600 --> 00:19:23,840
Speaker 3: shrinks across television are kind of ubiquitous. They share a

418
00:19:23,880 --> 00:19:24,520
Speaker 3: lot in common.

419
00:19:24,600 --> 00:19:28,280
Speaker 1: Yeah, they helped Tony soprano. They helped Tony soprano. I

420
00:19:28,280 --> 00:19:29,760
Speaker 1: mean they've helped a lot of people. He kissed them

421
00:19:29,720 --> 00:19:32,679
Speaker 1: one time. Yeah, was that a dream? No, there's a

422
00:19:32,680 --> 00:19:35,720
Speaker 1: real kid that happened real and in the dream, in

423
00:19:35,760 --> 00:19:38,480
Speaker 1: the dream sheet and the dream you like effectively the

424
00:19:38,520 --> 00:19:44,520
Speaker 1: shrink where like Towny get can come here and you know,

425
00:19:45,200 --> 00:19:46,680
Speaker 1: I mean that. I don't want to say that it's HBO.

426
00:19:46,640 --> 00:19:48,600
Speaker 1: I don't want to say that the kind of stuff, but.

427
00:19:49,040 --> 00:19:51,840
Speaker 3: That was that was about Tony's fantasy about the shrink,

428
00:19:51,880 --> 00:19:54,160
Speaker 3: whether it was Ciso's the shrink or the sopranos the shrink.

429
00:19:54,840 --> 00:19:55,320
Speaker 1: Mm hmmm.

430
00:19:56,440 --> 00:19:59,920
Speaker 3: Because there's so much trust there, you feel a need

431
00:20:00,080 --> 00:20:02,600
Speaker 3: to kind of take advantage of that trust sexually.

432
00:20:02,720 --> 00:20:03,840
Speaker 1: Yeah, you know what I mean.

433
00:20:04,840 --> 00:20:07,399
Speaker 3: I would I look forward to building enough trust that

434
00:20:07,480 --> 00:20:11,800
Speaker 3: by the end of this podcast episode potentially you're thinking

435
00:20:11,840 --> 00:20:12,879
Speaker 3: something sexual about me.

436
00:20:13,280 --> 00:20:16,840
Speaker 1: Well, we really did just meet, which was just funny

437
00:20:16,840 --> 00:20:20,040
Speaker 1: that because I was not thinking that that was where

438
00:20:20,040 --> 00:20:21,800
Speaker 1: it was going to go. But you do seem to

439
00:20:21,840 --> 00:20:25,760
Speaker 1: operate so quickly. Everything is so condensed. Yeah, with you.

440
00:20:26,200 --> 00:20:27,919
Speaker 3: I thought I guess it would take longer than just

441
00:20:27,920 --> 00:20:29,280
Speaker 3: this one podcast episode.

442
00:20:29,760 --> 00:20:31,639
Speaker 1: But I appreciate you saying out loud that that is

443
00:20:31,680 --> 00:20:34,440
Speaker 1: what you are hoping. I mean that happened with this

444
00:20:34,880 --> 00:20:35,760
Speaker 1: honesty is great.

445
00:20:35,800 --> 00:20:37,560
Speaker 3: We're not going to follow through on that, definitely not

446
00:20:37,640 --> 00:20:40,000
Speaker 3: during the episode, you know, Okay, we can leave it

447
00:20:40,000 --> 00:20:42,600
Speaker 3: to listeners. Imagination on this episode is done. I am

448
00:20:42,600 --> 00:20:45,160
Speaker 3: a swift operator. Wow, true on that. Yeah, I think

449
00:20:45,200 --> 00:20:46,880
Speaker 3: that the two of us have this kind of funhouse

450
00:20:46,920 --> 00:20:47,919
Speaker 3: mirror thing going on.

451
00:20:48,320 --> 00:20:51,480
Speaker 1: No, I've experiencing that as well, except it's a funhouse

452
00:20:51,480 --> 00:20:56,800
Speaker 1: mirror that is just like flat. There's no like real

453
00:20:56,920 --> 00:20:59,679
Speaker 1: curve at it. It's just your I guess what you

454
00:20:59,680 --> 00:21:02,000
Speaker 1: would is a mirror. Yeah, yeah, it's a mirror.

455
00:21:02,000 --> 00:21:03,440
Speaker 3: I mean it's tilted up a little bit because you

456
00:21:03,440 --> 00:21:05,440
Speaker 3: seem to be a couple of inches taller than me. Right,

457
00:21:05,480 --> 00:21:07,760
Speaker 3: it is tilted a little maybe like a mine tilted

458
00:21:07,800 --> 00:21:10,200
Speaker 3: mine is tilted down. Yeah, you're just tilted five degrees down,

459
00:21:10,320 --> 00:21:13,320
Speaker 3: stilted five degrees up. Yeah, you kind of look like

460
00:21:13,400 --> 00:21:13,720
Speaker 3: us too.

461
00:21:14,359 --> 00:21:17,119
Speaker 1: Uh So let's get into is starting to isn't he?

462
00:21:17,400 --> 00:21:21,080
Speaker 1: But this is the thing every new record. I would say,

463
00:21:21,080 --> 00:21:25,200
Speaker 1: he looks half a percent more like me and Sean,

464
00:21:25,240 --> 00:21:32,560
Speaker 1: who also looks exactly. Yeah. Yeah, uh, he's growing. He's

465
00:21:33,160 --> 00:21:36,520
Speaker 1: he's wearing like he's he's adding a layer to his

466
00:21:36,600 --> 00:21:41,760
Speaker 1: lips and he thinks nobody notices, Yeah he wears.

467
00:21:41,840 --> 00:21:44,040
Speaker 2: Yeah, that's the first time you've mentioned this.

468
00:21:44,119 --> 00:21:45,760
Speaker 3: I've seen you take off your shoes before you go

469
00:21:45,760 --> 00:21:47,280
Speaker 3: to the bathroom, and I've seen the lifts in there.

470
00:21:47,280 --> 00:21:50,080
Speaker 1: But he has to step out of his shoes. He

471
00:21:50,119 --> 00:21:52,639
Speaker 1: has to help. He has to have help coming down

472
00:21:52,720 --> 00:21:53,560
Speaker 1: from his shoes.

473
00:21:53,840 --> 00:21:57,400
Speaker 2: You wouldn't see me sitting here if I didn't. If

474
00:21:57,440 --> 00:22:01,119
Speaker 2: I didn't do that, what I'd be under the table?

475
00:22:02,000 --> 00:22:04,640
Speaker 1: Oh oh you're that small. Okay, So when I first

476
00:22:04,720 --> 00:22:07,480
Speaker 1: that you were like above table size. But I guess

477
00:22:07,480 --> 00:22:09,320
Speaker 1: you have been doing this for a while here, I

478
00:22:09,480 --> 00:22:11,800
Speaker 1: was thinking that it was for my benefit, and so

479
00:22:11,880 --> 00:22:13,159
Speaker 1: I think his idea is like, if I just do

480
00:22:13,200 --> 00:22:15,400
Speaker 1: a tiny, tiny bit at a time, people won't notice

481
00:22:15,520 --> 00:22:20,280
Speaker 1: that now my shoes are three feets all. And it's like, yeah,

482
00:22:20,400 --> 00:22:23,040
Speaker 1: eventually I did notice, maybe not the difference from week

483
00:22:23,080 --> 00:22:26,440
Speaker 1: to week, but the big shoes, like people are noticing.

484
00:22:26,440 --> 00:22:29,119
Speaker 2: When I first met you, I was already at like

485
00:22:29,280 --> 00:22:31,440
Speaker 2: two feet was just surpassed.

486
00:22:31,520 --> 00:22:32,440
Speaker 1: Okay, two features.

487
00:22:32,480 --> 00:22:34,119
Speaker 3: Well, if I can see Soos the Shrink you for

488
00:22:34,160 --> 00:22:36,080
Speaker 3: a second, I think you want to fit in with

489
00:22:36,160 --> 00:22:39,520
Speaker 3: Sean and Hayes. And that's admirable because you know they

490
00:22:39,520 --> 00:22:42,560
Speaker 3: have they have a great rapport. You record a lot

491
00:22:42,560 --> 00:22:42,960
Speaker 3: of these.

492
00:22:42,840 --> 00:22:46,359
Speaker 1: Podcasts, so it spend too much time on well on Brett.

493
00:22:46,400 --> 00:22:49,439
Speaker 2: Okay, let's let me let me because we're getting somewhere.

494
00:22:49,480 --> 00:22:51,560
Speaker 1: We'd honestly be here for a really long time.

495
00:22:51,640 --> 00:22:53,840
Speaker 3: Unfortunately, I say this as Sisos the Shrink all the time.

496
00:22:53,880 --> 00:22:57,040
Speaker 3: Unfortunately we're out of time. Hayes, let's deal with your

497
00:22:57,040 --> 00:22:59,520
Speaker 3: relationship with Sean. Okay, let's dive back into it.

498
00:23:00,720 --> 00:23:03,800
Speaker 1: Start with, uh, this is kind of like a feel

499
00:23:03,840 --> 00:23:04,840
Speaker 1: stupid even complaining about this.

500
00:23:04,880 --> 00:23:07,440
Speaker 3: He's on a phone a lot during the show. During

501
00:23:07,480 --> 00:23:12,080
Speaker 3: the show, like he's going through Twitter, Instagram or email.

502
00:23:12,160 --> 00:23:16,919
Speaker 1: Based on the way his thumbs are moving, it seems

503
00:23:16,920 --> 00:23:22,200
Speaker 1: like he is on the chive, you know how, with

504
00:23:22,720 --> 00:23:25,560
Speaker 1: when you're looking at the chribe, your thumbs are moving

505
00:23:25,560 --> 00:23:28,560
Speaker 1: in this very delicate way because the content is so precious,

506
00:23:29,400 --> 00:23:32,560
Speaker 1: you don't want to the chibe and barstool and like

507
00:23:32,640 --> 00:23:34,760
Speaker 1: something I can tell sometimes when he's like switching back

508
00:23:34,760 --> 00:23:37,960
Speaker 1: and forth from the tribe in barstool. Yeah, and being

509
00:23:38,240 --> 00:23:41,720
Speaker 1: so delicate with the content and also not wanting to

510
00:23:41,720 --> 00:23:43,439
Speaker 1: put his thumb too much on the screen because that

511
00:23:43,440 --> 00:23:48,640
Speaker 1: would obscure the driving. Yeah, and he's got to chive on, yes,

512
00:23:49,040 --> 00:23:51,119
Speaker 1: and he is keeping very calm and driving on.

513
00:23:52,119 --> 00:23:54,440
Speaker 3: Let me use a ciso. The shrink tactic that I

514
00:23:54,480 --> 00:23:55,800
Speaker 3: think is just going to put you at ease and

515
00:23:56,160 --> 00:23:59,280
Speaker 3: kind of continue to open you up kind of blossom

516
00:24:00,040 --> 00:24:02,760
Speaker 3: comes to divulging what's going on between between you and Sean.

517
00:24:04,800 --> 00:24:08,520
Speaker 3: Noticing someone's thumbs is very observant.

518
00:24:09,280 --> 00:24:10,000
Speaker 1: So I am.

519
00:24:10,119 --> 00:24:10,359
Speaker 4: I have.

520
00:24:10,600 --> 00:24:13,720
Speaker 1: I've always kind of thought of myself as being the

521
00:24:13,840 --> 00:24:17,359
Speaker 1: kind of person let meforce notices details, let me reinforce it.

522
00:24:17,440 --> 00:24:19,360
Speaker 1: That's where my comedy comes from too. A lot of.

523
00:24:19,320 --> 00:24:22,679
Speaker 3: Specifics, right, Satan is in the details.

524
00:24:22,920 --> 00:24:25,840
Speaker 1: Yeah, Satan like the tofu of vegan stuff. And that

525
00:24:26,000 --> 00:24:28,919
Speaker 1: is kind of a detail that I've noticed. That is

526
00:24:29,080 --> 00:24:29,920
Speaker 1: especially in LA.

527
00:24:30,119 --> 00:24:33,200
Speaker 3: You wentn't even further because the phrases devil in the details.

528
00:24:33,200 --> 00:24:35,199
Speaker 3: I said, Satan is in the details, but I pronounced

529
00:24:35,200 --> 00:24:37,080
Speaker 3: it a bit bizarre, and you all of a sudden

530
00:24:37,200 --> 00:24:40,639
Speaker 3: jumped several levels down to Satan, which is a vegan

531
00:24:41,080 --> 00:24:42,680
Speaker 3: substitute for me.

532
00:24:42,880 --> 00:24:45,879
Speaker 1: The substitute to treat Williams. And I can do that

533
00:24:46,080 --> 00:24:48,560
Speaker 1: three or four times in a row before I get

534
00:24:48,560 --> 00:24:51,199
Speaker 1: too tired to do it anymore. So, but that was

535
00:24:51,280 --> 00:24:53,879
Speaker 1: observing something that you said. So yes, I have always

536
00:24:53,880 --> 00:24:55,800
Speaker 1: thought that was something I could do. Sean has always

537
00:24:55,840 --> 00:24:59,720
Speaker 1: said that, I'm not that he's the one who's really

538
00:24:59,720 --> 00:25:03,320
Speaker 1: good that kind of observational comedy and noticing what words

539
00:25:03,320 --> 00:25:05,919
Speaker 1: people said, doing a little twist up on it.

540
00:25:06,000 --> 00:25:09,160
Speaker 3: Okay, all right, but you notice these things about Sean,

541
00:25:09,080 --> 00:25:12,600
Speaker 3: and perhaps he's not really If he's sensitive and he's

542
00:25:12,640 --> 00:25:14,800
Speaker 3: observant about other things, maybe he's not noticing that his

543
00:25:14,840 --> 00:25:18,040
Speaker 3: thumb movement during a podcast episode is affecting you this way.

544
00:25:18,280 --> 00:25:22,720
Speaker 1: Yeah, no, I know. I don't think he is. And

545
00:25:22,800 --> 00:25:24,879
Speaker 1: that's and I honestly I don't blame him. The stuff

546
00:25:24,880 --> 00:25:28,040
Speaker 1: that's going on in his phone looks really funny and cool.

547
00:25:28,119 --> 00:25:30,879
Speaker 3: And they got smoke shows. Have you seen this barstools Ports,

548
00:25:31,840 --> 00:25:35,680
Speaker 3: You've seen these smoke shows. Yeah, I'm having a hard

549
00:25:35,680 --> 00:25:36,680
Speaker 3: time doing a podcast.

550
00:25:36,720 --> 00:25:39,679
Speaker 1: So if he breaths like, oh, I don't know. Is

551
00:25:39,680 --> 00:25:44,640
Speaker 1: Seawn married. Yes, he is married to a woman that

552
00:25:44,760 --> 00:25:49,160
Speaker 1: he is friends with and his name is Steffie Graff.

553
00:25:50,200 --> 00:25:52,800
Speaker 3: WHOA, Yeah, it's one of the best tennis players of

554
00:25:52,840 --> 00:25:55,240
Speaker 3: all time or just has the same name.

555
00:25:55,960 --> 00:25:59,640
Speaker 1: No, that is I think the real Steffie Graff. WHOA.

556
00:26:00,080 --> 00:26:02,920
Speaker 1: You've never spent time with her. I have spent time

557
00:26:02,960 --> 00:26:06,719
Speaker 1: with her, Sean and I will go look at her

558
00:26:06,760 --> 00:26:11,000
Speaker 1: house a lot. Okay, I like, my wife is in there. Yeah,

559
00:26:11,040 --> 00:26:12,520
Speaker 1: and he'll be like yeah, and he'll just sort of

560
00:26:12,520 --> 00:26:14,920
Speaker 1: talk about like, yeah, it's just like so weird being married.

561
00:26:15,000 --> 00:26:17,080
Speaker 1: My wife is like right in the house right now.

562
00:26:17,440 --> 00:26:21,480
Speaker 1: Oh man, you know. And I, of course I am

563
00:26:21,520 --> 00:26:26,160
Speaker 1: in a relationship where I am the husband of Carrie

564
00:26:26,160 --> 00:26:29,879
Speaker 1: and Moss, but she is not my wife according to

565
00:26:29,920 --> 00:26:32,720
Speaker 1: a relationship that like arrangement that we have worked out,

566
00:26:32,760 --> 00:26:35,280
Speaker 1: this like progressive thing. You know, marriage doesn't have to

567
00:26:35,280 --> 00:26:36,600
Speaker 1: be this one thing anymore.

568
00:26:36,600 --> 00:26:38,720
Speaker 3: Sure, it's still evolving, and we're gonna appear to transition

569
00:26:38,760 --> 00:26:41,800
Speaker 3: from kind of old dynamics of kind of social construction

570
00:26:41,880 --> 00:26:44,600
Speaker 3: to something new. Yeah, we don't really have the tools

571
00:26:44,680 --> 00:26:46,639
Speaker 3: yet available to define what those things are.

572
00:26:46,720 --> 00:26:48,880
Speaker 1: Yeah, there's not the word for this, No, there isn't.

573
00:26:48,880 --> 00:26:51,120
Speaker 3: But I do see you're wearing a traditional wedding ring

574
00:26:51,400 --> 00:26:54,959
Speaker 3: to symbolize your love and union with Carrie and Moss. Yes, so,

575
00:26:55,280 --> 00:26:58,240
Speaker 3: you know, kudos to you for showing yourself a little

576
00:26:58,240 --> 00:26:58,680
Speaker 3: bit of respect.

577
00:26:58,720 --> 00:27:01,439
Speaker 1: I woke up one morning from having spent the night

578
00:27:01,440 --> 00:27:03,160
Speaker 1: with her and it was on and it doesn't come

579
00:27:03,160 --> 00:27:06,960
Speaker 1: off anymore. So, and that's what it's like. That's what

580
00:27:07,040 --> 00:27:07,520
Speaker 1: marriage is.

581
00:27:07,800 --> 00:27:07,960
Speaker 3: You know.

582
00:27:08,000 --> 00:27:10,760
Speaker 1: It's kind of a metaphor for this whole marriage thing.

583
00:27:10,840 --> 00:27:13,520
Speaker 1: You know, Yeah, you can't get it off. But Sean

584
00:27:14,040 --> 00:27:18,040
Speaker 1: is that's been an ongoing thing, my relationship with Carrie Anne.

585
00:27:19,320 --> 00:27:23,280
Speaker 1: I think he is jealous of it. Takes me away

586
00:27:23,280 --> 00:27:27,479
Speaker 1: from him sometimes and he's like, oh, like it sucks

587
00:27:27,520 --> 00:27:29,360
Speaker 1: like you and carry Inn have to like hang out

588
00:27:29,400 --> 00:27:31,359
Speaker 1: together so much. Me and Stephie kind of have our

589
00:27:31,400 --> 00:27:34,679
Speaker 1: own thing where she's in that house, I'm in my

590
00:27:34,760 --> 00:27:40,000
Speaker 1: dad's house. Like like they have this very loose arrangement.

591
00:27:41,480 --> 00:27:43,240
Speaker 1: But he kind of makes me feel guilty about that.

592
00:27:43,359 --> 00:27:46,199
Speaker 1: I do have to, yes, occasionally spend time go to

593
00:27:46,240 --> 00:27:49,120
Speaker 1: pumpkin patch with Carrie and Moss like that kind of thing.

594
00:27:49,160 --> 00:27:51,520
Speaker 1: And he still lives with his dad. He lives in

595
00:27:51,600 --> 00:27:54,480
Speaker 1: a what is technically a separate unit. I thought you

596
00:27:54,480 --> 00:27:57,000
Speaker 1: were a fan of the show a separate unit. But

597
00:27:57,119 --> 00:27:58,960
Speaker 1: I understand you're in shrink mode. You have to pretend

598
00:27:58,960 --> 00:28:01,080
Speaker 1: you're not a family show. You're doing Sisos the Shrink,

599
00:28:01,800 --> 00:28:04,120
Speaker 1: and it's not the same universe. Sorry, yeah, I'm sorry

600
00:28:04,200 --> 00:28:06,160
Speaker 1: for calling you on that. Now I realize what you're doing.

601
00:28:06,200 --> 00:28:09,080
Speaker 3: I'm being David Tracy Cisa is a shrink obviously, SISO

602
00:28:09,119 --> 00:28:09,960
Speaker 3: shows les you come up.

603
00:28:09,920 --> 00:28:10,480
Speaker 1: With these names.

604
00:28:10,480 --> 00:28:12,680
Speaker 3: By the way, those names, Yeah, that was named after

605
00:28:12,840 --> 00:28:14,320
Speaker 3: a real guy who happened to be a doctor, and

606
00:28:14,359 --> 00:28:16,359
Speaker 3: it kind of happened, like the story kind of happened

607
00:28:16,359 --> 00:28:17,600
Speaker 3: to him in a similar way.

608
00:28:17,640 --> 00:28:20,639
Speaker 1: Oh, okay, you're not allowed to do you just use

609
00:28:20,680 --> 00:28:21,360
Speaker 1: the guy's name.

610
00:28:21,840 --> 00:28:24,040
Speaker 3: No, we changed the spelling of it. David was spelled

611
00:28:24,320 --> 00:28:25,080
Speaker 3: R A L F.

612
00:28:25,600 --> 00:28:30,359
Speaker 1: H oh yeah, wow yeah, huh uh. Okay, So Sean

613
00:28:30,480 --> 00:28:35,399
Speaker 1: and I se Sean does live technically next to his

614
00:28:35,520 --> 00:28:39,719
Speaker 1: dad underneath like a kind of next two that's below, okay,

615
00:28:40,280 --> 00:28:45,000
Speaker 1: and it has a separate entrance like first floor first floor.

616
00:28:45,160 --> 00:28:47,480
Speaker 1: First floor is the one above the ground. Okay, his

617
00:28:47,680 --> 00:28:50,080
Speaker 1: is like the negative first floor. Oh okay, all right,

618
00:28:50,480 --> 00:28:51,120
Speaker 1: and raid.

619
00:28:51,080 --> 00:28:53,400
Speaker 3: Show say as the Europeans would call it, Yes.

620
00:28:53,280 --> 00:28:58,240
Speaker 1: Specifically, the French, Yes, Ray Jose, and separate entrance is

621
00:28:58,280 --> 00:29:00,000
Speaker 1: a window, okay, and steps that go down.

622
00:29:01,480 --> 00:29:05,800
Speaker 3: He has made steps. The window does not have tight

623
00:29:05,960 --> 00:29:06,959
Speaker 3: like steps below it.

624
00:29:06,960 --> 00:29:08,840
Speaker 1: It's one of those little windows that is kind of

625
00:29:08,840 --> 00:29:11,680
Speaker 1: peeking out above the ground and you going through the window,

626
00:29:11,960 --> 00:29:15,040
Speaker 1: and he has made steps out of DVD cases.

627
00:29:15,200 --> 00:29:17,360
Speaker 3: Okay, I'm not going to say this all the time,

628
00:29:17,400 --> 00:29:24,280
Speaker 3: but explain further. Okay, big house on the top above

629
00:29:24,320 --> 00:29:27,800
Speaker 3: the ground, right, little window right going down into the

630
00:29:27,840 --> 00:29:29,320
Speaker 3: space that's below the ground.

631
00:29:29,360 --> 00:29:32,960
Speaker 1: They dig out a room below the ground.

632
00:29:33,000 --> 00:29:35,440
Speaker 3: But there's a little window peeking out that you can

633
00:29:35,560 --> 00:29:37,240
Speaker 3: kind of see into the below part.

634
00:29:37,360 --> 00:29:39,200
Speaker 1: Okay, I'm almost never gonna say this, but I don't

635
00:29:39,200 --> 00:29:42,719
Speaker 1: get it. Keep going open the window and you have

636
00:29:42,760 --> 00:29:44,800
Speaker 1: to get through the window to go inside down into

637
00:29:44,840 --> 00:29:47,200
Speaker 1: the blow part under the ground below the big house

638
00:29:47,240 --> 00:29:51,680
Speaker 1: on top right, And to get down there you glue

639
00:29:51,760 --> 00:29:54,200
Speaker 1: a bunch of DVD cases together in the shape of

640
00:29:54,880 --> 00:29:59,160
Speaker 1: steps that you can kind of crawl down to get

641
00:29:59,200 --> 00:30:03,520
Speaker 1: into this apartment that is sort of upside down below

642
00:30:03,600 --> 00:30:04,080
Speaker 1: the ground.

643
00:30:04,240 --> 00:30:06,640
Speaker 3: Again, something that's very rare coming out of my mouth.

644
00:30:06,640 --> 00:30:08,720
Speaker 3: But yeah, not quite clicking for me. You need a

645
00:30:08,760 --> 00:30:10,000
Speaker 3: little bit more explanation.

646
00:30:10,200 --> 00:30:15,120
Speaker 1: If you take a room, normal room sitting on top

647
00:30:15,200 --> 00:30:18,280
Speaker 1: of the ground, yeah, dig a hole, yeah, sink the

648
00:30:18,400 --> 00:30:23,560
Speaker 1: room below the ground. This is where Sean lives. It's

649
00:30:23,640 --> 00:30:26,640
Speaker 1: not a sink hole. He explained this to me because

650
00:30:27,600 --> 00:30:30,480
Speaker 1: right because of the time are we were driving along

651
00:30:30,520 --> 00:30:32,960
Speaker 1: and did fall into a sinkhole? And I said, no,

652
00:30:33,120 --> 00:30:35,560
Speaker 1: this is kind of like where you live. And he's like, no,

653
00:30:35,640 --> 00:30:38,760
Speaker 1: it's not. This is very different. This is I was like, oh,

654
00:30:38,800 --> 00:30:40,960
Speaker 1: this is like this is your house. We're at your house,

655
00:30:41,000 --> 00:30:43,640
Speaker 1: and he said, no, this is much more dangerous than

656
00:30:43,640 --> 00:30:45,080
Speaker 1: my house. Right, this is a sinkhole.

657
00:30:45,320 --> 00:30:47,720
Speaker 3: Yes, okay, Now I think I understand the difference at

658
00:30:47,800 --> 00:30:49,760
Speaker 3: least between a sinkhole and where Sean lives.

659
00:30:49,880 --> 00:30:51,280
Speaker 1: Yes, the danger.

660
00:30:51,400 --> 00:30:54,200
Speaker 3: Yeah, still don't quite understand what his living arrangement is.

661
00:30:54,280 --> 00:30:55,040
Speaker 1: It's a basement.

662
00:30:55,440 --> 00:30:59,080
Speaker 3: Oh oh yeah, okay, yeah, yeah, okay, all right, keep going.

663
00:30:59,720 --> 00:31:00,880
Speaker 1: And he lives down there.

664
00:31:00,960 --> 00:31:03,640
Speaker 3: I don't keep I did answer your question. O, no, yeah,

665
00:31:03,640 --> 00:31:04,800
Speaker 3: I meant I meant back to the now.

666
00:31:04,840 --> 00:31:07,800
Speaker 1: I'm sad. Yeah, yeah, I'm satisfied with that. I understand. Oh,

667
00:31:07,880 --> 00:31:09,959
Speaker 1: keep going on other and a different another thing.

668
00:31:10,040 --> 00:31:11,880
Speaker 3: I understand where he lives now and what his living

669
00:31:11,960 --> 00:31:15,080
Speaker 3: arrangement is. So yeah, so just like a lot of jealousy,

670
00:31:16,000 --> 00:31:19,360
Speaker 3: always kind of flying around with seemingly like everything I do.

671
00:31:19,440 --> 00:31:23,120
Speaker 1: So I'm doing this new show now, oh on my own. Okay,

672
00:31:24,240 --> 00:31:30,600
Speaker 1: where I uh review Funko pops? Uh? You know Funko pops? Mmm?

673
00:31:30,880 --> 00:31:33,840
Speaker 1: No they ever do? See so Funko pops? Mm no.

674
00:31:34,000 --> 00:31:35,400
Speaker 1: I think that they might have done them.

675
00:31:35,560 --> 00:31:37,480
Speaker 3: That was in development. I think when the plug got pulled.

676
00:31:37,680 --> 00:31:42,000
Speaker 1: So okay, Uh, so I have will you Brett, will

677
00:31:42,040 --> 00:31:47,040
Speaker 1: you search Funko pops? So search so the shrink can

678
00:31:47,200 --> 00:31:50,160
Speaker 1: see Funko pops. You really don't know.

679
00:31:50,400 --> 00:31:51,240
Speaker 2: Slow down the word.

680
00:31:52,440 --> 00:31:54,600
Speaker 1: It's two words. I was like, Brett doesn't know it either.

681
00:31:54,880 --> 00:31:56,160
Speaker 1: You don't know Funko pops.

682
00:31:57,120 --> 00:32:00,080
Speaker 2: You're just blazing through it. Those are two words.

683
00:32:00,240 --> 00:32:01,880
Speaker 1: Yes, Funko pops.

684
00:32:02,080 --> 00:32:04,000
Speaker 2: Okay, thank you?

685
00:32:04,040 --> 00:32:07,880
Speaker 1: Did you look for it? No? I will now everyone

686
00:32:08,160 --> 00:32:11,160
Speaker 1: so you can understand what I'm talking about. Search Funko pops.

687
00:32:11,240 --> 00:32:14,080
Speaker 1: You don't know these. This is the most famous toys.

688
00:32:14,800 --> 00:32:16,200
Speaker 1: And these actually are fans.

689
00:32:16,240 --> 00:32:18,200
Speaker 2: I thought they were lollipops.

690
00:32:18,400 --> 00:32:20,600
Speaker 3: No, these sound like famously unknown toys.

691
00:32:20,840 --> 00:32:23,520
Speaker 1: No, these are Once you see a picture, you'll say, oh, yeah,

692
00:32:23,560 --> 00:32:26,400
Speaker 1: so those are Funko Pops. I know what these are, now,

693
00:32:26,560 --> 00:32:28,400
Speaker 1: will you show him please?

694
00:32:28,440 --> 00:32:29,440
Speaker 2: Look like bobbleheads.

695
00:32:29,720 --> 00:32:31,560
Speaker 1: They don't bobble, their heads don't move.

696
00:32:31,800 --> 00:32:32,840
Speaker 2: Okay, so they're.

697
00:32:34,680 --> 00:32:38,920
Speaker 1: Have you seen those before bobbles? Yeah, you have seen the.

698
00:32:41,800 --> 00:32:44,320
Speaker 3: Tiny little dolls. They have tiny bodies and the figurines

699
00:32:44,360 --> 00:32:47,320
Speaker 3: they do. Yes, they have big heads. I guess that's

700
00:32:47,480 --> 00:32:48,080
Speaker 3: one way.

701
00:32:47,920 --> 00:32:51,960
Speaker 1: To put it. They They have them for basically every

702
00:32:52,040 --> 00:32:56,120
Speaker 1: character that was ever invented, and I have every single one,

703
00:32:56,600 --> 00:32:59,640
Speaker 1: but some are They're not all the same quality people

704
00:32:59,640 --> 00:33:01,600
Speaker 1: are like they all these funk O Pops look exactly

705
00:33:01,600 --> 00:33:03,080
Speaker 1: the same. They have the same eyes, and it's just

706
00:33:03,120 --> 00:33:05,000
Speaker 1: like if it's the Joker, he has the Joker hair

707
00:33:05,080 --> 00:33:10,240
Speaker 1: or whatever. But some are much better likenesses than others.

708
00:33:11,560 --> 00:33:16,120
Speaker 1: So along comes the Funko Pops Review Show, where when

709
00:33:16,240 --> 00:33:19,720
Speaker 1: new Funko Pops comes out, I review the Funko Pops

710
00:33:19,760 --> 00:33:21,960
Speaker 1: and you do this in a podcast. I do this

711
00:33:22,040 --> 00:33:24,000
Speaker 1: in my own podcast that I am doing on my

712
00:33:24,120 --> 00:33:27,400
Speaker 1: own time, a passion project that I have been pursuing

713
00:33:27,560 --> 00:33:31,680
Speaker 1: for years and laying the groundwork for Sean saying like, no,

714
00:33:31,800 --> 00:33:33,800
Speaker 1: I'll still do Hollywood Handbook, but I want to do

715
00:33:33,880 --> 00:33:37,480
Speaker 1: Funkle Pop's review show. Is this an escape patch for you?

716
00:33:38,320 --> 00:33:41,280
Speaker 1: I don't. I don't necessarily think of it that way.

717
00:33:41,320 --> 00:33:43,160
Speaker 1: It allows me to be myself.

718
00:33:43,360 --> 00:33:46,440
Speaker 3: Let me ask you a question, be brutally honest. If

719
00:33:46,680 --> 00:33:50,840
Speaker 3: the Funko Pops podcast takes off, would you leave Hollywood Handbook?

720
00:33:53,600 --> 00:33:57,680
Speaker 1: The Funko Pops podcast is getting huge enough that this

721
00:33:57,800 --> 00:34:01,880
Speaker 1: is a question that I have started to ask myself here.

722
00:34:01,960 --> 00:34:04,080
Speaker 1: I am at the beginning thinking this will be just

723
00:34:04,120 --> 00:34:07,680
Speaker 1: like a fun release thing, a fun side thing. But

724
00:34:07,800 --> 00:34:12,360
Speaker 1: every time I post episode, people say, make them longer.

725
00:34:13,280 --> 00:34:22,239
Speaker 1: Review more Funko Pops review, more kinds of Toys, review Bobbleheads.

726
00:34:22,280 --> 00:34:24,880
Speaker 1: See Brett here saying like, oh, it's like it's like, uh,

727
00:34:25,239 --> 00:34:27,200
Speaker 1: you should do bobbleheads too. When he said that a

728
00:34:27,200 --> 00:34:29,640
Speaker 1: second ago. Yeah, I was listening. Yeah, I hear. I

729
00:34:29,680 --> 00:34:32,640
Speaker 1: heard that there's almost as many Bobbleheads as Funko Pops.

730
00:34:32,680 --> 00:34:36,239
Speaker 3: Now, yeah, because they're they're different, apparently, Do you think

731
00:34:36,320 --> 00:34:39,160
Speaker 3: that once Funko Pops are more widely known.

732
00:34:39,800 --> 00:34:42,759
Speaker 1: Because they're famous, the most famous toy, do you think

733
00:34:43,040 --> 00:34:45,279
Speaker 1: and when you saw them, you did recognize that you

734
00:34:45,400 --> 00:34:48,200
Speaker 1: had seen them before and you just were not educated.

735
00:34:48,280 --> 00:34:49,759
Speaker 2: It's on confidentiality.

736
00:34:50,239 --> 00:34:52,200
Speaker 1: It's like about the name of them. Can I okay,

737
00:34:52,239 --> 00:34:55,399
Speaker 1: I'm sorry, I'm sorry. I'm sorry again. Did you were

738
00:34:55,440 --> 00:34:57,919
Speaker 1: you doing that? The shrink doesn't know what Funko Pops

739
00:34:57,920 --> 00:35:00,200
Speaker 1: are is like, that's a character thing of his And

740
00:35:00,320 --> 00:35:02,600
Speaker 1: I talked to Tim for a second. Okay, yes, do

741
00:35:02,600 --> 00:35:05,040
Speaker 1: you know you know what funk pops are? Yeah? Of course, Okay,

742
00:35:05,239 --> 00:35:07,400
Speaker 1: thank you, I'm so sorry. Can I go back? And

743
00:35:07,600 --> 00:35:11,000
Speaker 1: I lose track? And the characters are so different it is, well, all.

744
00:35:10,960 --> 00:35:14,360
Speaker 3: Right, but here's it's my fault. I didn't want to

745
00:35:14,360 --> 00:35:16,360
Speaker 3: say this. I didn't want to say this as the

746
00:35:16,480 --> 00:35:19,880
Speaker 3: character because I really couldn't because the character technically doesn't know.

747
00:35:19,920 --> 00:35:21,520
Speaker 3: But as Tim, I can tell you that like Funko

748
00:35:21,520 --> 00:35:25,879
Speaker 3: Pops doesn't exist in the Seacoll reality licensing right reason. No,

749
00:35:25,960 --> 00:35:28,359
Speaker 3: I just think like SISO made a decision, are certain

750
00:35:28,400 --> 00:35:30,360
Speaker 3: things that we're going to exclude from CECO.

751
00:35:30,160 --> 00:35:35,000
Speaker 1: Reality a sort of black mirror dystopia scenario. Yeah, exactly so,

752
00:35:35,160 --> 00:35:38,640
Speaker 1: and that's why everyon's probably acting so crazy on these shows. Yeah,

753
00:35:38,840 --> 00:35:40,279
Speaker 1: so I get very mad all.

754
00:35:40,160 --> 00:35:44,360
Speaker 3: The situations they are in tender comedic Dean dragon Wagon.

755
00:35:45,360 --> 00:35:48,240
Speaker 3: You remember how mad he would get, it would get furious. Well,

756
00:35:48,360 --> 00:35:49,279
Speaker 3: why he had it all?

757
00:35:49,640 --> 00:35:52,239
Speaker 1: I'm watching. Well, but he didn't have the one thing

758
00:35:52,280 --> 00:35:54,720
Speaker 1: something he didn't even know how to describe in this universe,

759
00:35:55,000 --> 00:35:56,600
Speaker 1: which is a little doll of a big head and

760
00:35:56,640 --> 00:35:59,080
Speaker 1: his name is Funko Pops. You think that's why he

761
00:35:59,120 --> 00:36:01,839
Speaker 1: was furious, Well, I did wonder why that was never

762
00:36:01,920 --> 00:36:08,160
Speaker 1: brought up as a solution of giving him these toys

763
00:36:08,160 --> 00:36:08,640
Speaker 1: to play with.

764
00:36:08,680 --> 00:36:10,399
Speaker 3: Well, he was kind of the closest to the sun

765
00:36:11,360 --> 00:36:14,359
Speaker 3: in terms of the SISO universe. Oh yeah, and I'm

766
00:36:14,400 --> 00:36:17,520
Speaker 3: still talking a tim right now. Yeah, evaluating you know

767
00:36:17,800 --> 00:36:18,960
Speaker 3: Dean dragon Wagon and.

768
00:36:19,200 --> 00:36:21,279
Speaker 1: Uh the show that he.

769
00:36:21,280 --> 00:36:27,359
Speaker 3: Was on, Yes, yeah, yeah, brig and we had cool

770
00:36:27,440 --> 00:36:29,160
Speaker 3: up on here you did oh yeah.

771
00:36:29,160 --> 00:36:33,280
Speaker 1: Wow, like like three times three times? Yeah?

772
00:36:33,360 --> 00:36:35,200
Speaker 3: Am I the last person from SISO to get on

773
00:36:35,200 --> 00:36:35,919
Speaker 3: this fucking show?

774
00:36:37,400 --> 00:36:40,680
Speaker 1: Almost certainly is there one bajillion dollar person?

775
00:36:41,239 --> 00:36:45,120
Speaker 3: Uh a, dude, you haven't had Dana, dude, No, dude.

776
00:36:45,680 --> 00:36:48,399
Speaker 1: But we did call Tawny called we know he has

777
00:36:48,480 --> 00:36:52,960
Speaker 1: been on. We got his voice mail. Tonny called him

778
00:36:53,040 --> 00:36:55,960
Speaker 1: during our show and we heard his voicemail. And so

779
00:36:56,000 --> 00:36:58,799
Speaker 1: you're the last one from the last Virgulian. Yes, you

780
00:36:58,880 --> 00:37:01,080
Speaker 1: are absolutely the last one. I mean it makes sense.

781
00:37:01,160 --> 00:37:03,800
Speaker 3: You can't have someone you can't have the straight mirror

782
00:37:04,320 --> 00:37:06,200
Speaker 3: version of you guys on the show right away.

783
00:37:06,560 --> 00:37:08,719
Speaker 1: That's a very bad message to the rest of the

784
00:37:08,760 --> 00:37:11,200
Speaker 1: Rderuan Cam. Yes, and there is always a risk with

785
00:37:11,280 --> 00:37:15,200
Speaker 1: having you on the show that you would easily replace

786
00:37:15,280 --> 00:37:19,840
Speaker 1: us and no one would notice. That's like I would

787
00:37:19,840 --> 00:37:22,760
Speaker 1: show up next, like by the end of the show,

788
00:37:23,160 --> 00:37:25,680
Speaker 1: you would do sort of a duxias of rapid season

789
00:37:25,719 --> 00:37:28,520
Speaker 1: thing and start calling me Tim. I would go back

790
00:37:28,520 --> 00:37:32,640
Speaker 1: into the world as Tim, never knowing the life that

791
00:37:32,719 --> 00:37:33,560
Speaker 1: I used to have.

792
00:37:33,719 --> 00:37:36,000
Speaker 3: I would use your skills to my advantage in my

793
00:37:36,160 --> 00:37:38,960
Speaker 3: regular life, send you out as Tim to accomplish the

794
00:37:39,040 --> 00:37:41,520
Speaker 3: things that I couldn't accomplish in my life, right, and

795
00:37:41,560 --> 00:37:43,680
Speaker 3: then I would stay here, I'd record the podcast, I'd

796
00:37:43,680 --> 00:37:45,600
Speaker 3: come back. Yeah, I kind of tag you out or

797
00:37:45,600 --> 00:37:47,320
Speaker 3: put you to sleep andoculate you somehow.

798
00:37:47,400 --> 00:37:49,800
Speaker 1: Yeah. Here's the only problem with that plan. Basically, the

799
00:37:49,840 --> 00:37:54,799
Speaker 1: same skills you go out there and kind of be like, oh,

800
00:37:54,960 --> 00:37:58,640
Speaker 1: this is pretty much what I was working with before.

801
00:37:58,840 --> 00:38:00,799
Speaker 3: I don't know, I haven't bad care in Lost Man,

802
00:38:01,640 --> 00:38:05,040
Speaker 3: and that again, that is not the word that I

803
00:38:05,080 --> 00:38:08,799
Speaker 3: would use, although there is a bag invault. Look, it

804
00:38:08,880 --> 00:38:11,000
Speaker 3: sounds like you made love hard enough one night that

805
00:38:11,040 --> 00:38:12,840
Speaker 3: you woke up with a with a wedding band on.

806
00:38:14,200 --> 00:38:15,000
Speaker 1: Is that how it works?

807
00:38:15,280 --> 00:38:17,719
Speaker 3: Because that's what I've been trying, and I still got

808
00:38:17,800 --> 00:38:21,799
Speaker 3: naked fingers. So hard enough. Well, maybe I'm doing it wrong.

809
00:38:21,880 --> 00:38:25,320
Speaker 3: Maybe maybe it's because I don't know, I didn't bring gloves.

810
00:38:25,320 --> 00:38:27,040
Speaker 3: It's like one hundred degrees outside.

811
00:38:27,280 --> 00:38:28,960
Speaker 2: So it's just weird to show up.

812
00:38:30,000 --> 00:38:33,439
Speaker 1: For most of the and again it's only because I'm

813
00:38:33,440 --> 00:38:37,160
Speaker 1: in I'm talking to the shrink. Okay, so I'm back

814
00:38:37,200 --> 00:38:39,200
Speaker 1: as Ciso's the show. Yes, thank you. That would make

815
00:38:39,200 --> 00:38:40,720
Speaker 1: it a lot easier if you could do the shrink

816
00:38:40,760 --> 00:38:45,080
Speaker 1: face while I'm talking to about this kind of thing.

817
00:38:45,200 --> 00:38:46,719
Speaker 3: Hey, look at me, I've transformed again.

818
00:38:46,719 --> 00:38:49,120
Speaker 1: I'm Cis. I know, And that's why it's it's it's

819
00:38:49,160 --> 00:38:51,000
Speaker 1: my fault for not being able to distinguish between the

820
00:38:51,040 --> 00:38:52,719
Speaker 1: characters because the face you make when you're doing the

821
00:38:52,800 --> 00:38:54,960
Speaker 1: shrink is unrecognizable.

822
00:38:55,040 --> 00:38:58,640
Speaker 3: Is give you one other way to differentiate between the two,

823
00:38:58,719 --> 00:39:02,760
Speaker 3: not just my like the face, yes status as Tim Balts,

824
00:39:02,800 --> 00:39:05,000
Speaker 3: I'm insanely high status, because I know that's how things

825
00:39:05,000 --> 00:39:08,479
Speaker 3: get done in Hollywood. Take no fucking goddamn prisoners. Yes,

826
00:39:08,640 --> 00:39:11,600
Speaker 3: steff on people's throats. You tell their hands behind your back,

827
00:39:11,840 --> 00:39:13,520
Speaker 3: you slap them, you put them out in the middle

828
00:39:13,520 --> 00:39:15,480
Speaker 3: of the street, you ridicule them. That's how you get

829
00:39:15,480 --> 00:39:18,239
Speaker 3: ahead in this town. This sounds gritty, it's tough. Yeah,

830
00:39:18,280 --> 00:39:20,279
Speaker 3: all right, that's what Los Felis is like, that's right.

831
00:39:20,400 --> 00:39:26,320
Speaker 1: Yes, But the podcast, oh is there one? Yeah, freaking

832
00:39:26,880 --> 00:39:31,840
Speaker 1: Morgan Murphy hose it is it great? She's very popular comedian.

833
00:39:32,040 --> 00:39:33,600
Speaker 1: Does she just talk about Los Felis.

834
00:39:34,040 --> 00:39:36,279
Speaker 3: It's the only thing that they ever talked about. And

835
00:39:36,280 --> 00:39:38,880
Speaker 3: they got a stop sign put in somewhere. So you

836
00:39:38,880 --> 00:39:42,120
Speaker 3: should listen to that show. Tim, well, you know Tim,

837
00:39:42,239 --> 00:39:43,800
Speaker 3: the person who's been living in New York for a

838
00:39:43,840 --> 00:39:45,080
Speaker 3: little while following the news.

839
00:39:45,200 --> 00:39:48,600
Speaker 1: Yeah, real grind. Yeah, but you know.

840
00:39:48,560 --> 00:39:50,759
Speaker 3: I'm back. I'm loving Los Felas. I'm ready to be

841
00:39:50,800 --> 00:39:54,000
Speaker 3: high status. But ciso's the shrink. Yeah, super low status.

842
00:39:54,239 --> 00:39:54,680
Speaker 1: Oh okay.

843
00:39:54,840 --> 00:39:58,719
Speaker 3: In fact, I use my high status to claim primarily

844
00:39:58,800 --> 00:39:59,760
Speaker 3: low status roles.

845
00:40:00,560 --> 00:40:00,880
Speaker 1: Wow.

846
00:40:01,160 --> 00:40:04,680
Speaker 3: Yeah, because I think there's just so much more leverage

847
00:40:04,680 --> 00:40:05,840
Speaker 3: from low status.

848
00:40:05,480 --> 00:40:07,799
Speaker 1: And people would like to see themselves on screen too.

849
00:40:08,520 --> 00:40:10,240
Speaker 3: Yeah, and there's a lot of sad, sack, low status

850
00:40:10,280 --> 00:40:12,640
Speaker 3: morons out there. Yeah, they're just clamoring for someone to

851
00:40:12,640 --> 00:40:13,720
Speaker 3: get stepped down on screen.

852
00:40:13,880 --> 00:40:19,040
Speaker 1: Yes, do you mind if I speak to the shrink? Yeah,

853
00:40:19,080 --> 00:40:19,839
Speaker 1: okay for a minute.

854
00:40:19,960 --> 00:40:21,799
Speaker 2: Yeah, oh I thought that was the right.

855
00:40:23,120 --> 00:40:26,400
Speaker 1: Well what he's just saying that, Yeah, you're looking from

856
00:40:26,480 --> 00:40:28,880
Speaker 1: him bal to his careers. Yes, that's right, Sorr. He

857
00:40:28,880 --> 00:40:31,000
Speaker 1: can't see the side of your face that is doing

858
00:40:31,920 --> 00:40:33,279
Speaker 1: the most changing.

859
00:40:34,000 --> 00:40:34,880
Speaker 2: It's like two faces.

860
00:40:35,239 --> 00:40:43,480
Speaker 1: Yeah, yeah, nice poll so good thing. There's a character

861
00:40:43,520 --> 00:40:55,600
Speaker 1: called three face. So anyway, for most of my intimacy

862
00:40:55,640 --> 00:41:00,239
Speaker 1: with Sean, this is with Carrie Anne. Okay, as you

863
00:41:00,239 --> 00:41:04,360
Speaker 1: were alluding to, I don't know how you were like

864
00:41:04,440 --> 00:41:06,120
Speaker 1: really picked up on this, but for most of it,

865
00:41:06,160 --> 00:41:10,360
Speaker 1: I am in a bag. We call it the bag,

866
00:41:12,360 --> 00:41:19,719
Speaker 1: but it is a bag. It is a It smells

867
00:41:19,800 --> 00:41:25,720
Speaker 1: like a bathroom trash bag, like smaller than most bags.

868
00:41:26,080 --> 00:41:31,120
Speaker 1: It's small, yes, but it's like you know, head size,

869
00:41:31,239 --> 00:41:33,320
Speaker 1: and I think it's like a few layers of it,

870
00:41:33,400 --> 00:41:36,080
Speaker 1: so just covers your head. It covers my head, my

871
00:41:36,239 --> 00:41:39,840
Speaker 1: feet for some of the stuff I'm gonna be walking

872
00:41:39,920 --> 00:41:46,480
Speaker 1: in and I punched through a couple of my hands

873
00:41:46,480 --> 00:41:50,080
Speaker 1: and wear them on my shoulders as well. I think

874
00:41:50,120 --> 00:41:52,360
Speaker 1: that's because she says, my shoulders are not really like

875
00:41:53,000 --> 00:41:56,120
Speaker 1: defined enough, like round it off enough. There are a

876
00:41:56,120 --> 00:41:59,120
Speaker 1: little bit slowed, and so we add a couple of

877
00:41:59,200 --> 00:42:05,200
Speaker 1: layers of bathroom trash bags to erase the slope. So,

878
00:42:06,520 --> 00:42:08,400
Speaker 1: and this is all kind of just being done to me.

879
00:42:08,640 --> 00:42:10,560
Speaker 3: Do you feel like you're in an abusive relationship with

880
00:42:10,600 --> 00:42:15,919
Speaker 3: carry and moss? That is a word that I am

881
00:42:16,000 --> 00:42:19,520
Speaker 3: not allowed to use. She doesn't allow you to or hear.

882
00:42:19,800 --> 00:42:21,480
Speaker 3: She doesn't allow you to use it or hear it.

883
00:42:21,840 --> 00:42:25,360
Speaker 1: Whoever is out on. So while the bag is on,

884
00:42:25,520 --> 00:42:27,560
Speaker 1: it's kind of hard to know who was telling me

885
00:42:27,600 --> 00:42:32,120
Speaker 1: what to do, so I don't I'm I'm not really

886
00:42:32,160 --> 00:42:36,239
Speaker 1: sure if that is coming from her or some of

887
00:42:36,280 --> 00:42:40,000
Speaker 1: the other people that seem to be involved. Once the

888
00:42:40,040 --> 00:42:42,480
Speaker 1: bag is on, do you see her before the bag

889
00:42:42,520 --> 00:42:52,120
Speaker 1: goes on? Sometimes? Sometimes sometimes after, and sometimes like when

890
00:42:52,160 --> 00:42:55,600
Speaker 1: I woke up with the ring on that I hadn't

891
00:42:55,600 --> 00:42:57,560
Speaker 1: seen her for a couple of days before that and

892
00:42:57,719 --> 00:43:00,120
Speaker 1: did not see her before the bag went on. It's

893
00:43:00,120 --> 00:43:05,839
Speaker 1: liowally being renditioned. If you've ever been renditioned before. I've

894
00:43:05,840 --> 00:43:08,879
Speaker 1: watched people get renditioned. Oh you've see okay, so you're

895
00:43:08,920 --> 00:43:12,360
Speaker 1: calling a lot of those in for sure. Yeah, oh yeah,

896
00:43:12,440 --> 00:43:15,800
Speaker 1: you make a phone call, you hide behind a fire hydrant,

897
00:43:16,880 --> 00:43:20,319
Speaker 1: watch the vacome, watch the hood go on. Yes, I've

898
00:43:20,480 --> 00:43:24,359
Speaker 1: of course done that, and do it to my friends. Yes,

899
00:43:24,480 --> 00:43:27,120
Speaker 1: it's like it's a really good friend prank. Yeah.

900
00:43:27,120 --> 00:43:29,880
Speaker 3: To my enemies, I get on Twitter. But to my friends,

901
00:43:30,640 --> 00:43:33,200
Speaker 3: you just get on. Yeah, I just get on. I

902
00:43:33,280 --> 00:43:35,680
Speaker 3: just renditioned them. Oh okay, I put on my little

903
00:43:35,719 --> 00:43:37,680
Speaker 3: red jumpsuit, I hide behind a fire hydrant. I watched

904
00:43:37,719 --> 00:43:40,759
Speaker 3: them get renditioned. Now, when you woke up with this

905
00:43:41,719 --> 00:43:44,680
Speaker 3: wedding band on, yeah, did you feel like it was

906
00:43:44,719 --> 00:43:46,040
Speaker 3: a symbol of something?

907
00:43:49,040 --> 00:43:57,319
Speaker 1: It was hot and so that I thought could have

908
00:43:57,360 --> 00:44:00,040
Speaker 1: been some kind of metaphor for it felt you you

909
00:44:00,040 --> 00:44:02,239
Speaker 1: know what, It felt like it had just been smelted,

910
00:44:03,520 --> 00:44:07,960
Speaker 1: and that would have explained some of the smell. I

911
00:44:07,960 --> 00:44:09,960
Speaker 1: guess this is where where it smelted comes from.

912
00:44:10,480 --> 00:44:14,760
Speaker 3: Definitely, yeah, or vice versa might be where smelk smelted.

913
00:44:14,840 --> 00:44:18,239
Speaker 3: Something was like, what's that sensation in my nostrils?

914
00:44:18,440 --> 00:44:23,600
Speaker 1: There was this very metallic smell and smokiness happening in

915
00:44:23,800 --> 00:44:28,879
Speaker 1: the outside the bag. That night, a lot of people.

916
00:44:29,360 --> 00:44:32,600
Speaker 3: There gathered around, hands on the bag like Blair Witch.

917
00:44:33,160 --> 00:44:35,239
Speaker 1: They sounded like, I don't want to. I don't know

918
00:44:35,239 --> 00:44:37,839
Speaker 1: if this is like the PC thing, the PC term.

919
00:44:38,280 --> 00:44:39,719
Speaker 1: They sounded like dwarves.

920
00:44:40,640 --> 00:44:42,600
Speaker 3: Hey, we're in a safe space. You could say dwarves

921
00:44:42,600 --> 00:44:43,480
Speaker 3: as much as you want to.

922
00:44:43,640 --> 00:44:46,719
Speaker 1: But not like people say, like oh, like like they

923
00:44:46,800 --> 00:44:50,120
Speaker 1: had like high voices or something. No, they had like

924
00:44:50,560 --> 00:44:54,160
Speaker 1: the Lovo but like that. It was like a colony

925
00:44:54,360 --> 00:44:56,760
Speaker 1: of dwarves and this is like their.

926
00:44:56,719 --> 00:44:59,480
Speaker 3: Specialty from inside the mountain. They live in gri Yes,

927
00:44:59,520 --> 00:45:00,839
Speaker 3: maybe they live Griffith.

928
00:45:00,480 --> 00:45:03,560
Speaker 1: Parker talk about that on those Fields the podcast. Yeah

929
00:45:03,560 --> 00:45:06,439
Speaker 1: I bet they do. Yeah, I mean dwarves with a V. Yes.

930
00:45:06,719 --> 00:45:09,200
Speaker 2: I don't think. I think that's totally that's different.

931
00:45:10,280 --> 00:45:15,080
Speaker 1: Oh okay, well Brett knows all about this stuff. Jeez, shrink,

932
00:45:15,239 --> 00:45:22,880
Speaker 1: dwarves love to see your browser with everybody shoe lifts.

933
00:45:25,040 --> 00:45:27,040
Speaker 2: Now, are you tim right now? Are you the shrink?

934
00:45:27,120 --> 00:45:27,279
Speaker 5: Yeah?

935
00:45:27,400 --> 00:45:29,800
Speaker 1: Definitely. He wants to know who he's showing his browser

936
00:45:29,880 --> 00:45:30,400
Speaker 1: history too.

937
00:45:30,600 --> 00:45:32,400
Speaker 2: As a shrink, you shouldn't be talking.

938
00:45:32,520 --> 00:45:32,880
Speaker 3: Yeah, I know.

939
00:45:32,960 --> 00:45:34,720
Speaker 1: But if he if he's showing it to the Shrink,

940
00:45:34,760 --> 00:45:37,799
Speaker 1: it's pretty safe. It's not gonna I'm not airing on

941
00:45:37,960 --> 00:45:38,840
Speaker 1: CISO anymore.

942
00:45:38,880 --> 00:45:40,400
Speaker 3: I'm not gonna judge you for that. You're not a

943
00:45:40,480 --> 00:45:43,640
Speaker 3: character in episode nine of The Shrink, you know, which

944
00:45:43,680 --> 00:45:45,200
Speaker 3: would have been a great episode. By the way, we

945
00:45:45,239 --> 00:45:46,759
Speaker 3: had season two all figured out.

946
00:45:46,800 --> 00:45:49,520
Speaker 1: Oh if you could get Brett oh Man. Yeah, I'll

947
00:45:49,520 --> 00:45:51,080
Speaker 1: say it. What about a great episode?

948
00:45:51,360 --> 00:45:52,920
Speaker 3: And we take your shoes off at the end of

949
00:45:52,920 --> 00:45:56,200
Speaker 3: the episode and people be like, he was that short.

950
00:45:56,000 --> 00:45:58,200
Speaker 2: The whole time, never been seen before, never.

951
00:45:58,040 --> 00:46:01,320
Speaker 3: Been seen before. And then the Shrink theme song would play.

952
00:46:01,200 --> 00:46:04,279
Speaker 1: Don't don't, don't bam bump but pep bump bump bump

953
00:46:04,360 --> 00:46:06,279
Speaker 1: sing song, the iconic song.

954
00:46:07,000 --> 00:46:07,959
Speaker 2: Gotta love that song.

955
00:46:08,000 --> 00:46:09,759
Speaker 3: No, I was stepping outside of the Shrink as tim

956
00:46:09,800 --> 00:46:13,400
Speaker 3: to roast you. Okay, your browser history is quite a

957
00:46:13,480 --> 00:46:14,320
Speaker 3: quite a cocktail.

958
00:46:15,120 --> 00:46:16,200
Speaker 1: So back is the Shrink.

959
00:46:16,520 --> 00:46:20,120
Speaker 3: Yeah, and so they smelted this thing on your finger,

960
00:46:20,120 --> 00:46:22,279
Speaker 3: which is probably why it hasn't been able to come off. Yeah,

961
00:46:22,320 --> 00:46:24,240
Speaker 3: it's probably melted onto your finger.

962
00:46:24,560 --> 00:46:25,600
Speaker 1: That would explain.

963
00:46:27,840 --> 00:46:31,879
Speaker 3: Yeah, I don't all that was lovely to hear. I'm

964
00:46:31,920 --> 00:46:33,800
Speaker 3: not sure how I want to know how it relates

965
00:46:33,840 --> 00:46:36,839
Speaker 3: to your relationship with Sean. Okay, he's not here. Why

966
00:46:36,960 --> 00:46:39,440
Speaker 3: how does that make you feel? He's with Stebby Graff,

967
00:46:39,480 --> 00:46:44,480
Speaker 3: You're with carry Anne Moss sometimes, right, But do you

968
00:46:44,520 --> 00:46:46,600
Speaker 3: feel like he bailed on you today?

969
00:46:46,600 --> 00:46:49,279
Speaker 1: Do you feel I feel like so? I think a

970
00:46:49,320 --> 00:46:51,840
Speaker 1: lot of what I'm getting from.

971
00:46:51,719 --> 00:46:55,440
Speaker 3: My relationship with carry Anne is kind of like, well,

972
00:46:55,440 --> 00:46:57,359
Speaker 3: at least while this is all going on, at least

973
00:46:57,400 --> 00:47:00,680
Speaker 3: he's not on her phone while we're recording a podcast,

974
00:47:01,680 --> 00:47:03,680
Speaker 3: you know what I mean? Does she record that funko

975
00:47:03,680 --> 00:47:05,319
Speaker 3: pop podcast with you?

976
00:47:05,360 --> 00:47:07,520
Speaker 1: No, I'm a little scared to tell her about it.

977
00:47:07,920 --> 00:47:11,719
Speaker 1: But although I actually did a really nice episode where

978
00:47:11,760 --> 00:47:15,879
Speaker 1: I reviewed the person who I am husband to, sorry,

979
00:47:15,960 --> 00:47:19,680
Speaker 1: not my wife. I reviewed her funkle pops really mm hmm?

980
00:47:20,000 --> 00:47:22,799
Speaker 1: Was it sexy to see her head that big and

981
00:47:22,800 --> 00:47:23,680
Speaker 1: her body that little?

982
00:47:25,800 --> 00:47:28,800
Speaker 2: Don't get me, Yeah, you're baiting me right now.

983
00:47:29,800 --> 00:47:31,520
Speaker 1: You're about to You're gonna bait yourself.

984
00:47:34,000 --> 00:47:38,759
Speaker 3: For sure, all right, back as the strength, it's just yeah,

985
00:47:38,760 --> 00:47:42,120
Speaker 3: the kind of are they the same person? Do you

986
00:47:42,160 --> 00:47:45,960
Speaker 3: think that Carrie Anne Moss and Sean are the same people?

987
00:47:46,000 --> 00:47:49,640
Speaker 1: To you? Would you? Well? Actually I would even non metaphorically.

988
00:47:49,680 --> 00:47:52,880
Speaker 1: I have been sort of wondering if they are the

989
00:47:52,960 --> 00:47:56,560
Speaker 1: same person. Their hair is the same length. For sure.

990
00:47:56,560 --> 00:48:00,200
Speaker 3: I've seen pictures of Sean. I never met him. Yeah,

991
00:48:00,440 --> 00:48:02,480
Speaker 3: I've seen Karrian Moss at Little Doms obviously, in the

992
00:48:02,560 --> 00:48:03,480
Speaker 3: John Han obviously.

993
00:48:03,800 --> 00:48:04,120
Speaker 1: Yes.

994
00:48:04,920 --> 00:48:13,520
Speaker 3: Uh, friend of Earwolf, Little Doms, Little John, Little John Hamm.

995
00:48:13,640 --> 00:48:16,600
Speaker 1: Yes course. Surely you've done one of his famous comedy

996
00:48:16,600 --> 00:48:19,879
Speaker 1: Bang Bang episodes that he was on. Yes, No, I haven't.

997
00:48:19,920 --> 00:48:23,320
Speaker 1: Oh well, we've had the opportunity to do ads promoting

998
00:48:23,360 --> 00:48:28,120
Speaker 1: those episodes. So a true honor to even just be

999
00:48:28,239 --> 00:48:32,320
Speaker 1: tangentially about in the promotion of those famous episodes.

1000
00:48:32,400 --> 00:48:34,839
Speaker 3: Let's go back just a bit to Sean and Kerry

1001
00:48:34,840 --> 00:48:36,960
Speaker 3: An Moss potentially being the same, being the same person,

1002
00:48:37,200 --> 00:48:38,960
Speaker 3: let me ask you one question that again.

1003
00:48:38,880 --> 00:48:40,320
Speaker 1: Is a similar athletic build.

1004
00:48:40,760 --> 00:48:44,000
Speaker 3: Absolutely, I think the same kind of charisma on camera,

1005
00:48:44,400 --> 00:48:47,000
Speaker 3: at least in still photos that I've seen. Yeah, let

1006
00:48:47,040 --> 00:48:49,000
Speaker 3: me ask you a question that cuts right to the core. Again,

1007
00:48:49,000 --> 00:48:50,520
Speaker 3: And I'm sorry I've asked you so many of these

1008
00:48:51,000 --> 00:48:55,319
Speaker 3: as CSOs the shrink. If it were socially acceptable for

1009
00:48:55,440 --> 00:48:59,719
Speaker 3: two hosts of the same podcast to be together, do

1010
00:48:59,760 --> 00:49:05,200
Speaker 3: you think you and Sean would be together. It's Carrie

1011
00:49:05,239 --> 00:49:06,840
Speaker 3: and Moss, a replacement for what you can't have with

1012
00:49:06,880 --> 00:49:09,920
Speaker 3: Sean because of what society tells you.

1013
00:49:10,440 --> 00:49:12,200
Speaker 1: Because we're because we hos it, because we hos the

1014
00:49:12,200 --> 00:49:13,440
Speaker 1: same podcast and you look the same.

1015
00:49:13,520 --> 00:49:20,319
Speaker 3: Yeah. Uh, I'd feel uncomfortable being with you because we've

1016
00:49:20,320 --> 00:49:22,040
Speaker 3: done a podcast episode now and we kind of look

1017
00:49:22,080 --> 00:49:22,440
Speaker 3: the same.

1018
00:49:23,040 --> 00:49:29,720
Speaker 1: Right. And so is this a change of plans because

1019
00:49:29,760 --> 00:49:31,680
Speaker 1: you said you said earlier that it was going to

1020
00:49:31,800 --> 00:49:35,399
Speaker 1: lead towards us potentially being together or is this okay? Sorry,

1021
00:49:35,480 --> 00:49:37,680
Speaker 1: I don't want to jump ahead for you. This is

1022
00:49:37,920 --> 00:49:40,799
Speaker 1: like that you sort of lead me off the track

1023
00:49:40,840 --> 00:49:43,000
Speaker 1: and then you get me back on potentially.

1024
00:49:42,560 --> 00:49:46,280
Speaker 3: If listeners will slow down. Probably like the last fifteen seconds,

1025
00:49:46,360 --> 00:49:48,680
Speaker 3: there is a bonus episode in there that kind of

1026
00:49:48,920 --> 00:49:51,480
Speaker 3: explains the quandary that you just okay close.

1027
00:49:52,880 --> 00:49:56,839
Speaker 1: Yeah, I don't know why. It's suddenly it's just like

1028
00:49:58,160 --> 00:50:01,520
Speaker 1: the like this unspoken rule society that people who host

1029
00:50:01,520 --> 00:50:03,719
Speaker 1: a podcast can't be together. I don't think Paul and

1030
00:50:03,840 --> 00:50:06,040
Speaker 1: June Day and Rafael should have had to get divorced.

1031
00:50:06,600 --> 00:50:09,880
Speaker 3: Yeah, it was hard for their kids and their podcast

1032
00:50:10,000 --> 00:50:10,799
Speaker 3: and their charity work.

1033
00:50:11,000 --> 00:50:16,880
Speaker 1: Yes, e yah, I you know I don't think Leonard

1034
00:50:16,920 --> 00:50:20,760
Speaker 1: Malton and his daughter, who do do a show together,

1035
00:50:20,920 --> 00:50:24,920
Speaker 1: should have to not be father and daughter anymore. I

1036
00:50:24,960 --> 00:50:27,479
Speaker 1: think you should be allowed to be in the same

1037
00:50:27,560 --> 00:50:30,560
Speaker 1: family with the person that you host a podcast with.

1038
00:50:32,120 --> 00:50:33,040
Speaker 1: And I don't know.

1039
00:50:32,920 --> 00:50:36,200
Speaker 2: Why Baron Vaughan is part of that family, right, I don't.

1040
00:50:36,040 --> 00:50:39,480
Speaker 1: Think so anymore. I think I think, let's put this way,

1041
00:50:39,480 --> 00:50:41,600
Speaker 1: I think Leonard Maltin and Baron Vaughan are allowed to

1042
00:50:41,600 --> 00:50:42,480
Speaker 1: be married.

1043
00:50:42,160 --> 00:50:45,239
Speaker 2: Though because their chemistry was electric it seemed like they

1044
00:50:45,280 --> 00:50:47,360
Speaker 2: were it could be that love together that.

1045
00:50:47,440 --> 00:50:50,799
Speaker 1: It could be that he replaced Baron Vaughan with his

1046
00:50:50,960 --> 00:50:54,440
Speaker 1: daughter because he said, let's we're gonna get married. Me

1047
00:50:54,480 --> 00:50:56,600
Speaker 1: and Baron vonn are just gonna get married the podcast,

1048
00:50:56,680 --> 00:50:59,719
Speaker 1: the podcast, the marriage is more important than the podcast.

1049
00:51:00,120 --> 00:51:01,400
Speaker 1: But what I'm saying, I don't think he does that

1050
00:51:01,480 --> 00:51:02,040
Speaker 1: h anymore.

1051
00:51:03,920 --> 00:51:05,960
Speaker 3: And also Brett keep taking it down a outch.

1052
00:51:08,640 --> 00:51:11,680
Speaker 2: But yeah, I that was just a quick tim right, Yeah, that.

1053
00:51:11,719 --> 00:51:14,279
Speaker 1: Was stepped out for a second step in stepping back in.

1054
00:51:14,520 --> 00:51:17,960
Speaker 3: What what would you what resolution would you like to

1055
00:51:18,000 --> 00:51:20,839
Speaker 3: see you and Sean arrive at through this?

1056
00:51:22,120 --> 00:51:24,240
Speaker 1: What what are you what are you most worried about?

1057
00:51:24,400 --> 00:51:29,160
Speaker 3: And what's your ideal paint the ideal scenario friendship wise

1058
00:51:29,400 --> 00:51:31,839
Speaker 3: with you and Sean. Forget about the sexual stuff. Let's

1059
00:51:31,840 --> 00:51:34,560
Speaker 3: take that out for now. Okay, it's always going to

1060
00:51:34,640 --> 00:51:36,640
Speaker 3: be there, as Brett knows.

1061
00:51:37,600 --> 00:51:45,080
Speaker 1: Me and Sean we ideal situation, ideal situation. Just just

1062
00:51:45,120 --> 00:51:51,880
Speaker 1: show me what it looks like. Okay, we live together

1063
00:51:53,480 --> 00:51:56,200
Speaker 1: in the house from Iron Man.

1064
00:51:58,239 --> 00:52:02,880
Speaker 3: Uh but it has it has more like medieval stuff.

1065
00:52:03,960 --> 00:52:05,640
Speaker 1: It's not like the exact same amounts. It's like in

1066
00:52:05,680 --> 00:52:08,520
Speaker 1: the same location and some of the pools the same,

1067
00:52:09,600 --> 00:52:14,440
Speaker 1: but it has more like Maydievil like Castley elements.

1068
00:52:14,040 --> 00:52:15,680
Speaker 3: The same technology.

1069
00:52:16,120 --> 00:52:19,799
Speaker 1: Uh yes, but it's more like a steam punky thing.

1070
00:52:19,920 --> 00:52:23,920
Speaker 1: So it's like very futuristic technology, but as if it

1071
00:52:24,000 --> 00:52:28,440
Speaker 1: were invented in medieval times. Is still more animatronic characters

1072
00:52:28,480 --> 00:52:28,799
Speaker 1: and stuff.

1073
00:52:28,840 --> 00:52:32,200
Speaker 3: Okay, so surrounded by glass still so that people can

1074
00:52:32,239 --> 00:52:33,840
Speaker 3: see from the outside.

1075
00:52:33,520 --> 00:52:38,600
Speaker 1: Stained like medieval telling stories of the friendship that me

1076
00:52:38,640 --> 00:52:41,680
Speaker 1: and Sean have. Ok but like almost like Beauty and

1077
00:52:41,680 --> 00:52:43,400
Speaker 1: the Beast. This is making me think of Beautying the Beast.

1078
00:52:44,840 --> 00:52:49,240
Speaker 3: Okay, it's kind of for boys. It's more for boys

1079
00:52:49,280 --> 00:52:49,520
Speaker 3: than that.

1080
00:52:50,120 --> 00:52:53,680
Speaker 1: Okay, Beauty in the Beast is for girls. Ours is

1081
00:52:53,719 --> 00:53:01,600
Speaker 1: more the the King Arthur movie that came out last year.

1082
00:53:01,880 --> 00:53:05,959
Speaker 3: Oh yeah, the Charlie him on one. Oh yeah, that's

1083
00:53:06,040 --> 00:53:09,440
Speaker 3: more art thing. Okay, that's for boys.

1084
00:53:12,280 --> 00:53:14,080
Speaker 1: And I have a studio. I do a Funko Pops

1085
00:53:14,080 --> 00:53:14,640
Speaker 1: review show.

1086
00:53:15,000 --> 00:53:15,880
Speaker 2: Who engineers that?

1087
00:53:17,000 --> 00:53:19,759
Speaker 1: Okay, fine, Brett, you can beat You can live in

1088
00:53:19,760 --> 00:53:22,040
Speaker 1: the house too. So Brett lives in the house.

1089
00:53:23,520 --> 00:53:26,480
Speaker 2: Okay, let's give him like placement.

1090
00:53:26,400 --> 00:53:32,080
Speaker 1: He's engineered for review show. Yeah, you live in the dungeon.

1091
00:53:34,280 --> 00:53:36,719
Speaker 1: Uh cool? Yeah, which, yeah he likes that.

1092
00:53:37,320 --> 00:53:39,719
Speaker 3: Yeah, probably trying to a sex dungeon pretty quickly, if

1093
00:53:39,719 --> 00:53:41,040
Speaker 3: Brett has anything to do with it.

1094
00:53:42,360 --> 00:53:47,000
Speaker 1: Uh. And there's Funko pops of me and Sean, like

1095
00:53:47,080 --> 00:53:51,200
Speaker 1: medieval Funko pops. That could be extremely fun.

1096
00:53:51,320 --> 00:53:53,880
Speaker 3: Really small chain mail because the mines are small from

1097
00:53:53,920 --> 00:53:55,280
Speaker 3: what you've told me about Funko pops.

1098
00:53:55,400 --> 00:53:57,279
Speaker 1: Yeah, and you have seen them and you know what

1099
00:53:57,320 --> 00:53:59,040
Speaker 1: they are. It's not just that I told you.

1100
00:54:00,960 --> 00:54:07,280
Speaker 3: Yeah, we could be wearing chain mail and have stuid

1101
00:54:07,360 --> 00:54:08,120
Speaker 3: armor on her head.

1102
00:54:08,120 --> 00:54:10,239
Speaker 1: You wouldn't know it was us. Maybe the eye the

1103
00:54:10,360 --> 00:54:13,319
Speaker 1: visor's open. The eyes are kind of all the same

1104
00:54:13,320 --> 00:54:18,240
Speaker 1: for Funko pops. Maybe it's detachable. They have never done

1105
00:54:18,280 --> 00:54:21,400
Speaker 1: that before. Funko pops don't have a lot of moving

1106
00:54:21,440 --> 00:54:23,520
Speaker 1: parts or you need. I have tools that can kind

1107
00:54:23,520 --> 00:54:26,200
Speaker 1: of separate some of the parts and reapply them, so

1108
00:54:26,239 --> 00:54:31,720
Speaker 1: you can sort of mix and match Hawkeye Man's body.

1109
00:54:31,840 --> 00:54:38,360
Speaker 1: Two the the Riddlers had quick sidebar. Do you have

1110
00:54:38,400 --> 00:54:42,840
Speaker 1: a Funko pop of Ciso's The Shrink? So I have

1111
00:54:43,000 --> 00:54:47,000
Speaker 1: made fungo pops with this kind of mixing and matching

1112
00:54:47,719 --> 00:54:49,360
Speaker 1: for every CISO character.

1113
00:54:50,040 --> 00:54:54,880
Speaker 3: Really, yes, and Dragon Wagon has one. Dean dragon Wagon

1114
00:54:54,920 --> 00:54:56,279
Speaker 3: has one, probably the first one you made.

1115
00:54:56,360 --> 00:55:01,560
Speaker 1: Yes. I took the mustache from Rob Delane's character A Deadpool.

1116
00:55:02,360 --> 00:55:06,879
Speaker 1: They did Funko pops for it, uh and put it

1117
00:55:06,960 --> 00:55:13,360
Speaker 1: on the head of just like a generic Funko pop

1118
00:55:14,080 --> 00:55:19,880
Speaker 1: like molds, And that was Dean dragon Wagon. Uh. Ciso's

1119
00:55:20,120 --> 00:55:28,200
Speaker 1: the Shrink Funko Pop. The head is Chad Michael Murray,

1120
00:55:30,200 --> 00:55:34,520
Speaker 1: that same like hair flavor. I have styled the hair

1121
00:55:34,960 --> 00:55:39,680
Speaker 1: so it's a little different, but Chad Michael Murray had

1122
00:55:40,920 --> 00:55:45,040
Speaker 1: And the bottom is Pee Wee Herman's suit body great

1123
00:55:45,040 --> 00:55:47,640
Speaker 1: bottom right, Yeah, look at Brett's eyes.

1124
00:55:47,640 --> 00:55:53,359
Speaker 2: Pop you stare right at me as you're saying these

1125
00:55:53,520 --> 00:55:54,600
Speaker 2: suggestive things.

1126
00:55:55,040 --> 00:55:57,000
Speaker 3: That's how he sees what your eyes are doing out

1127
00:55:57,120 --> 00:56:00,239
Speaker 3: the corner. I could see the white skits so much big.

1128
00:56:00,360 --> 00:56:03,680
Speaker 1: Yeah, one the opposite your eyes got so big your

1129
00:56:03,680 --> 00:56:10,839
Speaker 1: eyebrows disappeared, buddy, So yeah does that? Yes? Yes, this

1130
00:56:10,960 --> 00:56:14,600
Speaker 1: is in a fantasy world. This is the life that

1131
00:56:14,920 --> 00:56:16,719
Speaker 1: Sean and I and Brett have.

1132
00:56:17,120 --> 00:56:20,160
Speaker 3: All right, Then follow up question, what's what's the obstacle

1133
00:56:20,440 --> 00:56:22,520
Speaker 3: or what are the obstacles standing in the way of

1134
00:56:22,520 --> 00:56:27,320
Speaker 3: you and Sean having that life together? I would say

1135
00:56:28,000 --> 00:56:32,719
Speaker 3: society's regressive attitude towards the podcast hosts.

1136
00:56:32,800 --> 00:56:39,520
Speaker 1: Being in love uh and the house iron Manory lives there.

1137
00:56:41,480 --> 00:56:47,840
Speaker 1: So those are the two. Those are big ones.

1138
00:56:48,239 --> 00:56:51,680
Speaker 3: I feel like the first one is changing, all right, Okay,

1139
00:56:51,920 --> 00:56:59,080
Speaker 3: I think thanks to kind of everyone realizing that love

1140
00:56:59,200 --> 00:57:01,799
Speaker 3: is love, yeah, and that we shouldn't stand in the

1141
00:57:01,800 --> 00:57:02,239
Speaker 3: way of that.

1142
00:57:02,360 --> 00:57:05,120
Speaker 1: And thanks to honestly the people that really pave the

1143
00:57:05,120 --> 00:57:07,480
Speaker 1: way on this, as the Sclars, because people try to

1144
00:57:07,480 --> 00:57:10,640
Speaker 1: make them not brothers anymore, and that has proved it

1145
00:57:10,680 --> 00:57:13,279
Speaker 1: extremely hard to do. They can't do it. No.

1146
00:57:16,440 --> 00:57:19,600
Speaker 3: And then the second thing is iron Man is going

1147
00:57:19,640 --> 00:57:21,680
Speaker 3: to die someday if he hasn't already.

1148
00:57:22,000 --> 00:57:29,880
Speaker 1: No, I, well, so look, his friggin' magic heart is

1149
00:57:29,960 --> 00:57:34,400
Speaker 1: always at risk of exploiting yourself nuclear blast, yes, and

1150
00:57:34,480 --> 00:57:39,000
Speaker 1: hurt pepper pots. Imagine they hug and she hugs you

1151
00:57:39,040 --> 00:57:41,360
Speaker 1: hard in nuclear blast, and that would be awful. But

1152
00:57:41,400 --> 00:57:46,200
Speaker 1: then I get to live in this house. Yeah, I

1153
00:57:46,320 --> 00:57:49,360
Speaker 1: Until then, Sean and I have occasionally gotten a little impatient,

1154
00:57:49,720 --> 00:57:58,640
Speaker 1: go to the house and receive a blasting from possibly

1155
00:57:58,720 --> 00:58:01,840
Speaker 1: the real Iron Man, more likely one of his now

1156
00:58:02,160 --> 00:58:09,880
Speaker 1: thousands of AI controlled Iron Man suits. See.

1157
00:58:09,880 --> 00:58:13,880
Speaker 3: This is why that dream is potentially never gonna happen,

1158
00:58:14,040 --> 00:58:16,520
Speaker 3: because even if Iron Man dies, every single one of

1159
00:58:16,560 --> 00:58:18,600
Speaker 3: those suits could lay claim to the house and pretend

1160
00:58:18,640 --> 00:58:19,960
Speaker 3: to be Iron Man and just be like, I don't

1161
00:58:19,960 --> 00:58:21,200
Speaker 3: feel like getting out of the suit today.

1162
00:58:21,280 --> 00:58:27,640
Speaker 1: Yes, and honestly, that is probably the next movie.

1163
00:58:28,400 --> 00:58:30,960
Speaker 3: I hope you guys are characters in that movie. But

1164
00:58:31,000 --> 00:58:34,720
Speaker 3: I will from your lips. Let me just it's basically

1165
00:58:34,760 --> 00:58:39,840
Speaker 3: my lips. Yeah, our lips. Our lips are joined, all right,

1166
00:58:40,280 --> 00:58:43,080
Speaker 3: this is what al right, Relax for I relax.

1167
00:58:43,400 --> 00:58:48,840
Speaker 1: So I hate to say this. I hate to say that.

1168
00:58:48,840 --> 00:58:51,280
Speaker 3: Your dreams, your dreams are shit and they'll ever come true.

1169
00:58:51,800 --> 00:58:55,760
Speaker 3: But there is something to say for setting expectations at

1170
00:58:55,760 --> 00:58:58,200
Speaker 3: a reasonable level so you get a sense of achievement

1171
00:58:58,240 --> 00:58:59,960
Speaker 3: when you achieve them.

1172
00:59:00,040 --> 00:59:00,439
Speaker 1: Mm hmm.

1173
00:59:01,040 --> 00:59:03,000
Speaker 3: I think what you've done is you've you've set you

1174
00:59:03,120 --> 00:59:05,920
Speaker 3: and Shawn up for these unrealistic expectations.

1175
00:59:06,000 --> 00:59:10,720
Speaker 1: Okay, is that a reasonable achievement level for us?

1176
00:59:11,320 --> 00:59:15,240
Speaker 3: Get a one bedroom in Culver City together? Okay, how

1177
00:59:15,280 --> 00:59:17,880
Speaker 3: about for the show? Popularity of this show popular?

1178
00:59:18,200 --> 00:59:22,720
Speaker 1: Popular? All right, randomly picked.

1179
00:59:23,720 --> 00:59:25,840
Speaker 2: That's the longest expectation.

1180
00:59:26,080 --> 00:59:28,960
Speaker 1: That you guys are in my bedroom.

1181
00:59:29,200 --> 00:59:31,400
Speaker 3: You drift from relax bread, you drift from Culver City

1182
00:59:31,440 --> 00:59:32,680
Speaker 3: to Hollywood almost every day.

1183
00:59:33,080 --> 00:59:33,960
Speaker 2: Yes, I do that?

1184
00:59:34,480 --> 00:59:36,840
Speaker 1: Yeah, and you noticed that? Why I look like this

1185
00:59:37,120 --> 00:59:41,160
Speaker 1: almost five minutes late to that's tough? What do you

1186
00:59:41,200 --> 00:59:42,520
Speaker 1: take a rimp powder, Rampert?

1187
00:59:43,240 --> 00:59:44,280
Speaker 2: I should take Crunshaw?

1188
00:59:44,680 --> 00:59:45,240
Speaker 1: Really usually?

1189
00:59:45,320 --> 00:59:47,320
Speaker 3: Yeah, I shouldn't say the stuff out loud. If it's

1190
00:59:47,320 --> 00:59:50,680
Speaker 3: a better shortcut, you should keep it to yourself. That's

1191
00:59:50,760 --> 00:59:53,880
Speaker 3: why that's Tim telling you. Oh, so you're misleading people.

1192
00:59:53,880 --> 00:59:54,800
Speaker 3: You don't take Crunshaw.

1193
00:59:56,920 --> 00:59:59,800
Speaker 2: What now? Now you're the shrink getting in my head?

1194
00:59:59,880 --> 01:00:00,360
Speaker 1: No?

1195
01:00:00,000 --> 01:00:02,200
Speaker 3: Oh no, this is his he does What does that

1196
01:00:02,240 --> 01:00:05,520
Speaker 3: face look like too? Does that look like the shrink?

1197
01:00:05,320 --> 01:00:08,840
Speaker 1: Drink is one side of his face burned off.

1198
01:00:08,680 --> 01:00:13,960
Speaker 2: Basically these because when here's a shrink, he's pointing guns

1199
01:00:13,960 --> 01:00:14,680
Speaker 2: with his hands.

1200
01:00:15,400 --> 01:00:18,200
Speaker 3: I've noticed, Yeah, which is a very low status thing

1201
01:00:18,240 --> 01:00:20,960
Speaker 3: to do. Right right now, I'm giving you a very

1202
01:00:21,040 --> 01:00:24,080
Speaker 3: high status face, and I'm judging you harshly for whatever

1203
01:00:24,120 --> 01:00:26,840
Speaker 3: your shortcut is to get from Culver City to Hollywood, which,

1204
01:00:26,880 --> 01:00:29,480
Speaker 3: by the way, you should feel secure enough in this

1205
01:00:29,560 --> 01:00:30,680
Speaker 3: job to move fucking.

1206
01:00:30,440 --> 01:00:33,640
Speaker 1: Closer to Hollywood. Buddy, you can't live in Culver City.

1207
01:00:33,800 --> 01:00:36,000
Speaker 1: I don't know. I mean he could feel secure enough

1208
01:00:36,040 --> 01:00:41,400
Speaker 1: in doing this job. I think the company. I mean,

1209
01:00:41,960 --> 01:00:46,160
Speaker 1: any second now, you know there's no one else here. Yeah, right,

1210
01:00:46,200 --> 01:00:48,720
Speaker 1: it's just us. The offices are dead. They don't like that.

1211
01:00:48,760 --> 01:00:52,040
Speaker 1: For a long time, they laid people off. And look,

1212
01:00:52,800 --> 01:00:54,840
Speaker 1: I haven't been keeping track early whether the show's been

1213
01:00:54,920 --> 01:00:57,040
Speaker 1: coming out. I just come in here. I'm talking to

1214
01:00:57,080 --> 01:00:59,640
Speaker 1: this thing. They tell me it's on the internet, where.

1215
01:00:59,480 --> 01:01:02,120
Speaker 3: You're clearly more focused on your funko pop podcast. R.

1216
01:01:02,280 --> 01:01:06,520
Speaker 1: Yeah, I got other stuff. I got a million irons

1217
01:01:06,560 --> 01:01:13,240
Speaker 1: of the fire. Uh, you know, like if Brett, have

1218
01:01:13,320 --> 01:01:15,400
Speaker 1: they told you anything? They say, Oh, we're moving to

1219
01:01:15,440 --> 01:01:17,560
Speaker 1: a different floor. I've never seen that floor.

1220
01:01:18,240 --> 01:01:21,360
Speaker 2: I haven't either. I supposedly designed it.

1221
01:01:21,560 --> 01:01:22,440
Speaker 1: Was it second floor?

1222
01:01:22,920 --> 01:01:23,680
Speaker 2: Uh yeah?

1223
01:01:23,920 --> 01:01:26,480
Speaker 1: Second floor? Okay, now I know, let's not give.

1224
01:01:26,360 --> 01:01:28,920
Speaker 2: Away where we are. You're saying second floor, it's already

1225
01:01:28,920 --> 01:01:29,280
Speaker 2: too much.

1226
01:01:29,320 --> 01:01:30,920
Speaker 3: I'm like, what the sixteenth floor?

1227
01:01:32,720 --> 01:01:34,720
Speaker 2: Are you doing that thing where you mislead?

1228
01:01:35,520 --> 01:01:37,240
Speaker 1: Yeah? This is my Crenshaw moment?

1229
01:01:37,400 --> 01:01:39,680
Speaker 2: Okay, all right now I know.

1230
01:01:40,440 --> 01:01:43,560
Speaker 1: So something Bretta said has me realizing that this move

1231
01:01:43,680 --> 01:01:50,240
Speaker 1: is fake. Bretta said he designed the new office. What

1232
01:01:50,400 --> 01:01:52,920
Speaker 1: makes what I think happened is it gave Brett a

1233
01:01:52,960 --> 01:01:59,240
Speaker 1: sheet of computer paper and a colored pencil and they

1234
01:01:59,320 --> 01:02:03,760
Speaker 1: and they let you do a little design, right, yeah,

1235
01:02:03,800 --> 01:02:06,000
Speaker 1: And they said we'll take this, and now this is

1236
01:02:06,040 --> 01:02:08,280
Speaker 1: going to be our new office.

1237
01:02:09,200 --> 01:02:09,880
Speaker 2: Pretty much.

1238
01:02:10,040 --> 01:02:13,800
Speaker 1: I don't know. That's not that is not ever going

1239
01:02:13,840 --> 01:02:15,640
Speaker 1: to be an office.

1240
01:02:15,880 --> 01:02:18,920
Speaker 2: Well studio, it's a pro studio that I dropped.

1241
01:02:20,480 --> 01:02:26,840
Speaker 1: That's what you dried. Yeah, why didn't have in it? Yeah?

1242
01:02:27,160 --> 01:02:31,480
Speaker 1: When you drawed pro studio, what did you draw, Brett?

1243
01:02:32,240 --> 01:02:33,919
Speaker 1: Pro studio written on the top.

1244
01:02:36,840 --> 01:02:41,560
Speaker 2: Yeah, well of course you title it. You write pro studio.

1245
01:02:42,800 --> 01:02:47,160
Speaker 2: Did a bunch of like, drew cool mics and ship

1246
01:02:48,000 --> 01:02:53,600
Speaker 2: him Yeah, yeah, I drew a guitar. Yeah, sweet, like

1247
01:02:54,240 --> 01:02:54,840
Speaker 2: wamie bar.

1248
01:02:56,400 --> 01:02:59,720
Speaker 3: This sounds this sounds like a homestar runner sketch or something.

1249
01:03:00,240 --> 01:03:01,400
Speaker 2: I don't I'm not familiar.

1250
01:03:01,480 --> 01:03:03,440
Speaker 1: Let me guess. Are you in the in the drying

1251
01:03:03,520 --> 01:03:05,680
Speaker 1: as well? Well?

1252
01:03:05,920 --> 01:03:08,320
Speaker 2: Yeah, how else would I?

1253
01:03:08,360 --> 01:03:10,440
Speaker 1: And there's an arrow pointing you that says the boss

1254
01:03:10,480 --> 01:03:11,160
Speaker 1: of ear Wolf.

1255
01:03:12,920 --> 01:03:14,720
Speaker 2: No, I don't know that.

1256
01:03:14,800 --> 01:03:16,560
Speaker 1: I did not you know how that got there? No,

1257
01:03:17,080 --> 01:03:21,240
Speaker 1: I think you drew it. Yeah, you droted it, fuddy, I.

1258
01:03:21,160 --> 01:03:23,880
Speaker 2: Have no idea how that got there. There's a bunch

1259
01:03:23,920 --> 01:03:31,840
Speaker 2: of arrows pointing to me and with like the cool emoji,

1260
01:03:32,280 --> 01:03:33,200
Speaker 2: the sunglasses.

1261
01:03:34,160 --> 01:03:36,040
Speaker 1: You you drop that.

1262
01:03:37,400 --> 01:03:38,240
Speaker 2: I drawed all of that.

1263
01:03:39,280 --> 01:03:40,680
Speaker 1: How long has it been in the show?

1264
01:03:45,640 --> 01:03:47,440
Speaker 2: It's been an hour and four minutes.

1265
01:03:47,600 --> 01:03:51,080
Speaker 1: Look, we have to get down to the real business

1266
01:03:51,080 --> 01:03:58,320
Speaker 1: of being here. Save sis, bring it back. You as

1267
01:03:58,800 --> 01:04:00,760
Speaker 1: as fans have the power.

1268
01:04:00,760 --> 01:04:03,000
Speaker 3: To save it, and the real fans know it is

1269
01:04:03,080 --> 01:04:06,280
Speaker 3: operating underground, and you can tap into it still for

1270
01:04:06,320 --> 01:04:08,240
Speaker 3: three ninety nine a month the cost of a latte,

1271
01:04:08,320 --> 01:04:10,200
Speaker 3: although not in low feelers, it's probably gone up to

1272
01:04:10,200 --> 01:04:12,760
Speaker 3: four ninety nine right now and six if you're gonna

1273
01:04:12,800 --> 01:04:17,200
Speaker 3: tip and be nice and don't tip change tip a dollar. Uh,

1274
01:04:17,520 --> 01:04:21,040
Speaker 3: you can access it. However, it is illegal right now

1275
01:04:21,120 --> 01:04:23,560
Speaker 3: to access it until Trump deregulates.

1276
01:04:23,640 --> 01:04:26,960
Speaker 1: At the rest of them, hirate television. That's true, Hunk.

1277
01:04:27,640 --> 01:04:31,600
Speaker 1: I was in Europe recently and it's Empire record essentially. Yeah, yeah,

1278
01:04:31,680 --> 01:04:33,479
Speaker 1: you were in Europe. I was in Europe and people

1279
01:04:33,520 --> 01:04:35,480
Speaker 1: came up to me and they said, oh, Sea says issue,

1280
01:04:35,800 --> 01:04:41,840
Speaker 1: so terrent, terrent your show at durrent bgeriar a durrent

1281
01:04:42,600 --> 01:04:44,840
Speaker 1: these governor show and the ples bay.

1282
01:04:46,160 --> 01:04:49,800
Speaker 6: The ballot's bay has looking for slapp you shut up fucker.

1283
01:04:50,320 --> 01:04:56,080
Speaker 6: It has ticked my wife. It is Sea saws yea shrink.

1284
01:04:56,760 --> 01:04:59,840
Speaker 6: It has what other.

1285
01:04:59,760 --> 01:05:00,520
Speaker 1: Other see.

1286
01:05:01,840 --> 01:05:04,400
Speaker 2: Best breaks the record, breaks the record.

1287
01:05:06,200 --> 01:05:14,080
Speaker 5: Ah besser, he met you, bisil met your bile you

1288
01:05:14,240 --> 01:05:22,440
Speaker 5: sipig cat look in look If this is then what

1289
01:05:25,720 --> 01:05:28,440
Speaker 5: mod happiness?

1290
01:05:32,000 --> 01:05:42,240
Speaker 4: Look gel pile, bad boy, bring it back.

1291
01:05:42,320 --> 01:05:45,040
Speaker 1: We're tired of stealing it. That's what they say. Yeah,

1292
01:05:45,160 --> 01:05:47,000
Speaker 1: that's what they told me. And they want more people

1293
01:05:47,000 --> 01:05:50,560
Speaker 1: to see that at least at least at least not

1294
01:05:50,680 --> 01:05:53,520
Speaker 1: enough seeding going on for the season now.

1295
01:05:53,360 --> 01:05:56,240
Speaker 3: So hopefully, and I know you, it sounds like you

1296
01:05:56,280 --> 01:05:58,760
Speaker 3: and Sean are gonna be well, You're gonna be fine.

1297
01:05:58,880 --> 01:06:00,760
Speaker 3: He's gonna be back. He's gonna suck all the honey

1298
01:06:00,760 --> 01:06:03,360
Speaker 3: out of these snails. Yeah, he's gonna get the payload.

1299
01:06:04,080 --> 01:06:05,600
Speaker 3: He'll be out for a day or two. He'll be

1300
01:06:05,600 --> 01:06:06,240
Speaker 3: in withdrawal.

1301
01:06:06,360 --> 01:06:10,560
Speaker 1: Yeah, and very sunburn, very some of the selfies.

1302
01:06:10,640 --> 01:06:12,320
Speaker 3: But you know, you leave him on the sidewalk in

1303
01:06:12,360 --> 01:06:14,520
Speaker 3: a pile of sugar water, he's gonna be okay.

1304
01:06:14,840 --> 01:06:16,520
Speaker 1: He'll rehydrate himself, he'll.

1305
01:06:16,320 --> 01:06:19,720
Speaker 3: Be back in the studio, and the real point saving

1306
01:06:19,800 --> 01:06:21,440
Speaker 3: Ciso will happen.

1307
01:06:21,960 --> 01:06:25,800
Speaker 1: Save Ciso, watch Shrink on the NBC app.

1308
01:06:26,080 --> 01:06:30,720
Speaker 3: It's never too late to get Twitter hashtags trending. Save Ciso.

1309
01:06:31,960 --> 01:06:35,120
Speaker 3: I've done my part and thank you for having me on.

1310
01:06:35,240 --> 01:06:40,640
Speaker 1: Bye.