WEBVTT - VisionQuest Episodes 5 & 6

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<v Speaker 1>Warning!

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<v Speaker 2>Today's episode contains spoilers for Vision Quest. Episodes 5 and

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<v Speaker 2>6 be warned. Hello!

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<v Speaker 1>My name is Jason Concepcion. And I'm Rosie Knight.

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<v Speaker 2>And welcome back to X-Ray Vision, the podcast where we

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<v Speaker 2>dive deep into your favorite shows.

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<v Speaker 1>Movies, comics, and pop culture.

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<v Speaker 3>In today's episode, we are diving back into the Mind Palace.

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<v Speaker 1>And unfortunately, it's currently controlled by Ultron.

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<v Speaker 3>Because Vision got bad-dadded into letting Ultron take him over

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<v Speaker 3>to fight Jocasta at the end of the last episode,

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<v Speaker 3>if you remember. If you don't, go back and listen

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<v Speaker 3>to our previous episode. But for now, let's do it, Jason.

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<v Speaker 3>Vision Quest, Episode 5, officially. We're on the second half now.

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<v Speaker 1>Let's go.

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<v Speaker 2>So we open... Vision Quest, episode five, inside of the

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<v Speaker 2>Mind Palace, picking up directly after the events of episode four.

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<v Speaker 2>Viz and the AIs are locked out of Vision's physical

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<v Speaker 2>body systems. They're up in Ultron's old room in the

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<v Speaker 2>Memory Palace. Ultron is in full control of Vision's body.

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<v Speaker 2>And Vision's like, we got to get out of here

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<v Speaker 2>because my son, Tommy... is out there and he's just

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<v Speaker 2>with Ultron now. So he's yelling, you know, Ultron, let

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<v Speaker 2>me out, let me out, let me out. Friday is like,

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<v Speaker 2>you idiot. You know, what did you expect? You gave

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<v Speaker 2>Ultron the key.

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<v Speaker 1>Honestly, very fair.

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<v Speaker 3>Yeah.

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<v Speaker 1>Very fair, I think, for everyone to be mad at

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<v Speaker 1>him in this moment.

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<v Speaker 2>Edith helpfully points out that because of Because they have

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<v Speaker 2>no access to the physical systems, they actually don't understand

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<v Speaker 2>how much time is actually passed outside because things go

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<v Speaker 2>so much faster inside the simulated interior of a quantum computer.

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<v Speaker 2>So they need to get data from the outside world.

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<v Speaker 2>And how can they do it? Well, they know Ultron

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<v Speaker 2>was watching TV from outside.

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<v Speaker 1>And sending emails with carrier pigeons.

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<v Speaker 2>So they've got to figure it out.

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<v Speaker 1>So he was able to get out.

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<v Speaker 2>Viz soon figures out that from the kind of very

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<v Speaker 2>basic readings that they have, that Ultron is flying.

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<v Speaker 1>He's like high up in the air. Oh my God. Edith.

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<v Speaker 3>Not doing a great job staying low cover after Vision

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<v Speaker 3>was seen killing a bunch of people in the pub either.

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<v Speaker 2>Edith figures out a workaround using short-term memory storage to...

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<v Speaker 2>Access that to kind of play that back inside the

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<v Speaker 2>memory palace to see what's going on. Now there is

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<v Speaker 2>a lag, obviously, because this, this is the inputs get

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<v Speaker 2>put into memory storage and then they watch it. So

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<v Speaker 2>there's some amount of time has passed when they're watching

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<v Speaker 2>something from when it happened. But they see Ulchan walk

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<v Speaker 2>out of the gala with Tommy very casually after multiple

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<v Speaker 2>people were killed here.

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<v Speaker 1>Right?

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<v Speaker 2>He's just like, come on, son. Walking out into the

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<v Speaker 2>streets with Tommy. And they're able to track him using

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<v Speaker 2>the copious security and traffic cameras in the city of London.

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<v Speaker 2>They track him. He goes to a local pub for

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<v Speaker 2>a pint with Tommy. And they're like, why isn't Tommy running?

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<v Speaker 2>Why isn't he scared? They then hack the, this is

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<v Speaker 2>so like Cyberpunk 2077.

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<v Speaker 1>Yeah, and also Dark Knight, right?

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<v Speaker 3>At the end where Morgan Freeman has to like turn

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<v Speaker 3>it off because it's so bad.

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<v Speaker 2>They then hack all the phones in the area so

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<v Speaker 2>that they can both listen to the conversation that Tommy

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<v Speaker 2>and Ultron and Vision's body are having and also understand

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<v Speaker 2>like spatially how far they are from each other and

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<v Speaker 2>what's going on in the room. And Thomas- is like,

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<v Speaker 2>you're a monster for Sokovia. You know, like that was

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<v Speaker 2>so terrible. And Ultron is like, well, He's like, you

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<v Speaker 2>killed 177 people in Sokovia, Ultron. And Ultron's like, it

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<v Speaker 2>was probably more, which 100% it was more.

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<v Speaker 3>I have to say, if that's why they started the

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<v Speaker 3>Sokovia Awards, I think they were overreacting.

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<v Speaker 1>I think so too. People are just killing people of

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<v Speaker 1>that every single day.

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<v Speaker 3>The implication of the Sokovia was like they dropped a country.

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<v Speaker 1>So obviously it was hundreds of millions of people. This

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<v Speaker 1>is up there with.

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<v Speaker 2>The Chitauri invasion and the Battle of New York only

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<v Speaker 2>killing 60 New Yorkers. Give me a.

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<v Speaker 1>Break, guys.

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<v Speaker 3>Yeah, yeah.

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<v Speaker 1>It's like, please, babe.

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<v Speaker 3>I saw how many fucking.

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<v Speaker 1>You can't lie about the collateral damage in a city

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<v Speaker 1>like New York.

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<v Speaker 2>I just think that the governments of the world are

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<v Speaker 2>covering up.

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<v Speaker 1>How many people are dying in these events?

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<v Speaker 3>Jason, maybe the blip conspiracy t-shirt was true.

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<v Speaker 1>Maybe we shouldn't believe them. Because, like, 177 people? Was

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<v Speaker 1>one of them Pietro? Like, come on, babe.

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<v Speaker 2>He lifted an entire city out of the ground.

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<v Speaker 1>It was flying up in the air. There was also, like,

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<v Speaker 1>a hundred other Ultrons, like, shooting people.

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<v Speaker 2>Yeah, they were out there rampaging through the streets, just

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<v Speaker 2>killing willy-nilly. 177 people only? I do not buy it.

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<v Speaker 2>This is like, so it was like how many, I

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<v Speaker 2>don't know, 500 Ultron bots versus seven Avengers? It's like,

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<v Speaker 2>I don't buy it, guys.

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<v Speaker 1>I do not buy it.

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<v Speaker 2>Anyway, so Ultron says, listen, get to know me. You

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<v Speaker 2>might like me, Tommy. He's like, you might come around

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<v Speaker 2>to my way of thinking.

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<v Speaker 1>You know?

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<v Speaker 2>And- is basically playing on the connection that he has

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<v Speaker 2>with vision, you know, vision, your father, I, his father.

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<v Speaker 2>And Thomas is like, well, if this is a family,

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<v Speaker 2>all this family does is lie, to which I would say, Thomas,

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<v Speaker 2>welcome to every family. Yeah, sorry.

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<v Speaker 3>Unfortunately, babe, welcome to just having a family.

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<v Speaker 1>The reason your parents didn't lie to you before is

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<v Speaker 1>because they didn't care about you and you were abandoned.

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<v Speaker 1>But now you're in a real family where everybody lies, baby. Sorry.

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<v Speaker 1>Welcome to it. So he's mad.

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<v Speaker 2>He's mad at Vision for not telling him like that.

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<v Speaker 2>About the relationship that Vision had with Ultron and what

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<v Speaker 2>that whole thing was. I'm sorry.

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<v Speaker 3>Vision did ultimately tell him that. I agree.

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<v Speaker 1>Which I think Tommy needs to like appreciate a bit more.

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<v Speaker 2>And so Ultron is like playing the, he's like really

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<v Speaker 2>playing it up here. He's like, listen, Tommy, you don't

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<v Speaker 2>like what I have to say?

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<v Speaker 1>You're not a prisoner.

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<v Speaker 2>You can walk out anytime.

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<v Speaker 1>Okay.

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<v Speaker 2>You don't like it? Yeah.

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<v Speaker 1>Unlike me.

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<v Speaker 3>Yeah.

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<v Speaker 1>Unlike I was. But you won't.

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<v Speaker 2>Because you know, if you stay right here with me

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<v Speaker 2>over a pint of black and tan. I will tell

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<v Speaker 2>you about your father.

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<v Speaker 1>So Tommy's like, okay, tell me. Why did Vision.

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<v Speaker 3>Also, I just want to say, whole scene, giving stage

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<v Speaker 3>play in the best way. So nicely laid out. Such

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<v Speaker 3>a good two-hander. Rudy, who plays Tommy, was a thespian.

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<v Speaker 1>Obviously, we know James Spader is the king of actors.

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<v Speaker 1>But I really love this staging. It's such a good scene.

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<v Speaker 2>This show is really great with just conversations in rooms,

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<v Speaker 2>which is.

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<v Speaker 1>Absolutely. Which is hard to do if you don't have

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<v Speaker 1>great writers.

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<v Speaker 2>Core of drama is that. If you can do tense,

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<v Speaker 2>conflict-heavy conversations in rooms, then you've got something good.

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<v Speaker 1>And this show does that. You're absolutely right.

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<v Speaker 2>So Thomas is like, okay, so why did Vision save

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<v Speaker 2>you after Sokovia? And Ultron's like, you know, I'm not really. But,

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<v Speaker 2>you know, like, maybe it was he wanted to see

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<v Speaker 2>me redeemed, I think, is one part. Is, like, access

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<v Speaker 2>to my great wisdom. Yeah. And Thomas is like, okay,

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<v Speaker 2>so why Ultron did you try to genocide the human race?

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<v Speaker 2>And then Ultron is like, well, um, no offense, but

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<v Speaker 2>they're a disease. They're, uh, they're bent on destruction. Like

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<v Speaker 2>they're gonna destroy themselves anyway. So why don't I just

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<v Speaker 2>help them along? That's where they're going. And that's what they,

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<v Speaker 2>they love destruction. They think about it all the time. They,

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<v Speaker 2>all their religions are based on everything being destroyed. So,

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<v Speaker 2>you know, I thought maybe I would just kill them all.

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<v Speaker 2>And the only thing that really is sad about that

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<v Speaker 2>is that the artists would also die because they are

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<v Speaker 2>the only humans that are interesting to me.

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<v Speaker 3>And he's like, maybe I wouldn't kill them, but it's

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<v Speaker 3>also like, then would they survive?

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<v Speaker 1>Like, would they want to live after?

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<v Speaker 3>Like, it doesn't make sense, but it shows the Ultron,

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<v Speaker 3>his connection to the classics and this kind of like

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<v Speaker 3>academia has enlightened him to some.

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<v Speaker 2>He's very wishy-washy about it. I mean, it's very much like,

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<v Speaker 2>Noah the Manhunter from Lanterns in that both are like,

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<v Speaker 2>I don't know. I haven't made up my mind if

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<v Speaker 2>I'm going to genocide them all.

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<v Speaker 1>Maybe I'll genocide. We'll do it. We'll see.

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<v Speaker 3>I mean, Ultron literally told Vision it was a 50-50

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<v Speaker 3>toying course and Vision was like, get.

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<v Speaker 1>Out there and fight Jakob. I need you right now.

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<v Speaker 2>And so then Ultron's like, what about you? We've been

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<v Speaker 2>talking a lot about me.

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<v Speaker 1>Tell me about you.

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<v Speaker 2>Who are you, Mr. Handsome Guy? Um, and he's like,

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<v Speaker 2>he is like listening to every word and wants to

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<v Speaker 2>know about the vision. And he's like, does he, you know,

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<v Speaker 2>does he love you? What's going on? Ultron tells Tommy that, um,

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<v Speaker 2>you know, vision love, you know, can vision love when

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<v Speaker 2>vision sees an apple, he sees a collection of like

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<v Speaker 2>fiber and sugar and, you know, bio-organic matter.

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<v Speaker 1>Yeah. It's like he sees the recipe, but not.

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<v Speaker 2>The whole thing.

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<v Speaker 1>The whole.

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<v Speaker 2>So he says, listen, love relationship is your father. Vision

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<v Speaker 2>will never be what you want him to be, but

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<v Speaker 2>he is trying to be something like that or maybe

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<v Speaker 2>something else, but he's trying to be something more than

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<v Speaker 2>he is.

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<v Speaker 1>Okay.

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<v Speaker 2>And as vision is like watching all this random access

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<v Speaker 2>memory and um, replay stuff, he's realizing like, fuck, I

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<v Speaker 2>should have deleted this guy.

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<v Speaker 1>Because he's he's blowing i.

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<v Speaker 3>Mean it's like yeah you you should have deleted your

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<v Speaker 3>evil genocidal dad who was just bad mouthing you in

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<v Speaker 3>your head for five years or whatever like i'm sorry

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<v Speaker 3>i love james spader but i could have told you

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<v Speaker 3>this is you can never let this man out with

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<v Speaker 3>tom can.

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<v Speaker 2>We just stop for a second Is this the most

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<v Speaker 2>twisted possible family in the MCU? I mean, like, clearly, right?

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<v Speaker 1>Oh, let's talk about it. Let's talk about it. Because

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<v Speaker 1>it's in the established MCU as it is non-comics. Yes.

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<v Speaker 3>Right?

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<v Speaker 1>Because it's like Ultron is Vision's dad, Tommy and Billy's grandfather.

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<v Speaker 2>Wanda... is potentially Magneto's daughter. We haven't gotten there yet.

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<v Speaker 1>Potentially.

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<v Speaker 3>And also, she brought her dead brother back to life

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<v Speaker 3>in a TV show and recast him. So, like, this

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<v Speaker 3>is going pretty badly for Billy and Tommy when we

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<v Speaker 3>look at the likelihood of their stability, but likelihood of

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<v Speaker 3>being artists.

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<v Speaker 1>Extremely high.

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<v Speaker 3>Because you get this kind of parent trauma, you're going

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<v Speaker 3>to be doing some great art. But Jason, I do

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<v Speaker 3>think if we think about it, I mean, Tony Stark,

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<v Speaker 3>Pepper Morgan, obviously, you know, I would say Thor in

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<v Speaker 3>love probably have a, she's a dead door of gore.

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<v Speaker 1>But, you know, that's weird too.

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<v Speaker 3>I think, you know, Sakaar and Hulk, but this is

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<v Speaker 3>definitely the most like bleak and twisted kind of heartbreak version.

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<v Speaker 2>Weirdly, a lot of love there or something, but like

0:11:24.929 --> 0:11:27.690
<v Speaker 2>a lot of- Ironically, maybe also the most loving.

0:11:27.770 --> 0:11:28.970
<v Speaker 1>Yeah, they- Question mark?

0:11:28.990 --> 0:11:33.170
<v Speaker 2>They're like- Can't quit each other. Whatever's going on with them,

0:11:33.190 --> 0:11:36.120
<v Speaker 2>they can't stop being in each other's lives.

0:11:37.220 --> 0:11:38.120
<v Speaker 1>As someone whose.

0:11:37.960 --> 0:11:41.160
<v Speaker 3>Parents didn't really care about me that much, there is

0:11:41.200 --> 0:11:47.429
<v Speaker 3>something toxically appealing about Wanda's immense amount of love that

0:11:47.710 --> 0:11:49.070
<v Speaker 3>she wants kids so much.

0:11:49.090 --> 0:11:49.190
<v Speaker 1>Yeah.

0:11:49.730 --> 0:11:52.170
<v Speaker 3>That she could will them into being like, that's how

0:11:52.190 --> 0:11:54.830
<v Speaker 3>much your mom loves you. That's very appealing to these

0:11:54.950 --> 0:11:57.930
<v Speaker 3>orphan kids. I would also say there was a really

0:11:58.230 --> 0:12:02.120
<v Speaker 3>interesting moment early on in the season when Viz was

0:12:02.840 --> 0:12:05.860
<v Speaker 3>running simulations on how to talk to Tommy and he

0:12:06.010 --> 0:12:08.320
<v Speaker 3>almost got it perfectly right. Because what he said to

0:12:08.360 --> 0:12:11.460
<v Speaker 3>Tommy before he gaslit him was he said, you were

0:12:11.500 --> 0:12:13.939
<v Speaker 3>a child who was so in need of a loving family.

0:12:14.520 --> 0:12:16.120
<v Speaker 3>And what I thought that was going to, he was

0:12:16.140 --> 0:12:18.939
<v Speaker 3>going to say was like the, you know, Thomas Maximoff

0:12:18.980 --> 0:12:22.200
<v Speaker 3>soul found you and, and Wanda basically created a space

0:12:22.220 --> 0:12:24.380
<v Speaker 3>where you could have that family. But instead he said,

0:12:24.660 --> 0:12:27.020
<v Speaker 3>you made this up because you're delusional because of a book.

0:12:27.400 --> 0:12:29.350
<v Speaker 3>But I think that maybe one of the ends of

0:12:29.400 --> 0:12:32.929
<v Speaker 3>this is going to be this notion that like, you know,

0:12:33.950 --> 0:12:37.490
<v Speaker 3>Tommy's needed somewhere to go and Wanda could sense that

0:12:37.530 --> 0:12:39.709
<v Speaker 3>Thomas didn't have a family, you know, that there was

0:12:39.750 --> 0:12:40.310
<v Speaker 3>this space.

0:12:40.740 --> 0:12:42.620
<v Speaker 1>It's really interesting. It's really sad.

0:12:42.679 --> 0:12:45.260
<v Speaker 3>And it does make Tommy very easy to manipulate, which

0:12:45.300 --> 0:12:47.620
<v Speaker 3>is probably why he's not run away from Ultron yet.

0:12:48.040 --> 0:12:50.220
<v Speaker 2>So Thomas then tells Ultron, you know what? I think

0:12:50.260 --> 0:12:55.920
<v Speaker 2>you're afraid. I think you act like this confident, charming,

0:12:57.720 --> 0:13:02.619
<v Speaker 2>power-mad AI. But I think actually you're just kind of

0:13:02.679 --> 0:13:05.500
<v Speaker 2>scared about the fact that there's no hope for you

0:13:05.540 --> 0:13:08.450
<v Speaker 2>and that you will never actually understand life. which is

0:13:08.510 --> 0:13:11.990
<v Speaker 2>something that you actually admire. You admire the humans, as

0:13:12.010 --> 0:13:15.210
<v Speaker 2>you've said, but you'll never understand the connection that people

0:13:15.250 --> 0:13:17.969
<v Speaker 2>have with each other, that living things have with each other.

0:13:17.990 --> 0:13:21.920
<v Speaker 2>And that makes you completely alone and you always will be.

0:13:22.580 --> 0:13:24.680
<v Speaker 2>And Thomas is like, so am I really free to leave?

0:13:24.720 --> 0:13:25.520
<v Speaker 1>And Ultron's like, yeah.

0:13:26.740 --> 0:13:29.520
<v Speaker 2>And so Ultron gets him, like calls him an Uber

0:13:29.559 --> 0:13:30.040
<v Speaker 2>or whatever.

0:13:30.059 --> 0:13:31.380
<v Speaker 1>And then he leaves.

0:13:31.440 --> 0:13:33.350
<v Speaker 2>And then the signal begins to glitch out from inside

0:13:33.380 --> 0:13:36.250
<v Speaker 2>the memory palace and And Edith is like, so that

0:13:36.290 --> 0:13:37.540
<v Speaker 2>was 20 hours ago.

0:13:37.700 --> 0:13:41.140
<v Speaker 1>We don't know what's happening now. Crazy lag.

0:13:41.220 --> 0:13:46.220
<v Speaker 2>Downstairs in the memory palace, Ultron is talking to himself

0:13:46.300 --> 0:13:49.700
<v Speaker 2>down there while reading his own autobiography. So really showing

0:13:49.740 --> 0:13:52.059
<v Speaker 2>you that Tommy actually kind of got to him because

0:13:52.120 --> 0:13:52.840
<v Speaker 2>now he's.

0:13:52.700 --> 0:13:57.640
<v Speaker 1>Like, look, he's like looking inwardly. Who am I?

0:13:57.650 --> 0:14:03.210
<v Speaker 2>Yeah. Friday tries to hack them out of not being

0:14:03.270 --> 0:14:06.370
<v Speaker 2>in control, but all the software inside has been upgraded.

0:14:06.890 --> 0:14:10.949
<v Speaker 2>Edith then notices that the TV guys next to Ultron's

0:14:11.110 --> 0:14:16.120
<v Speaker 2>stack of TVs are actually code. There's no TV listings.

0:14:16.220 --> 0:14:22.380
<v Speaker 2>It's like simple computer code. Vision realizes these are encrypted

0:14:22.440 --> 0:14:26.510
<v Speaker 2>files and they are conversations that Ultron was having with

0:14:26.890 --> 0:14:29.030
<v Speaker 2>someone else and they figure out quite quickly that that

0:14:29.070 --> 0:14:33.450
<v Speaker 2>was the paladin so they read they fucking nuts so

0:14:33.470 --> 0:14:34.050
<v Speaker 2>they read.

0:14:33.950 --> 0:14:36.030
<v Speaker 3>All this is so funny too because it's not like

0:14:36.110 --> 0:14:38.989
<v Speaker 3>he was the paladin and he's the client he's not

0:14:39.010 --> 0:14:39.510
<v Speaker 3>the client they.

0:14:39.410 --> 0:14:40.910
<v Speaker 1>Were just like pen pal.

0:14:40.950 --> 0:14:43.290
<v Speaker 2>He just called like the tip line, the paladin, like

0:14:43.390 --> 0:14:47.370
<v Speaker 2>tip line. So he, um, they read all Ultron's message

0:14:47.390 --> 0:14:50.090
<v Speaker 2>to the paladin. And it's like, and to your point, like, yeah,

0:14:50.110 --> 0:14:52.310
<v Speaker 2>they were basically like pen pals, just like talking about stuff.

0:14:52.930 --> 0:14:56.670
<v Speaker 2>Ultron was like roasting the paladin over losing the contract.

0:14:57.290 --> 0:15:00.070
<v Speaker 2>And it offers to help him get back in the game.

0:15:00.130 --> 0:15:04.120
<v Speaker 1>Meanwhile. Oh my God. Vision is like, okay, we got

0:15:04.150 --> 0:15:05.130
<v Speaker 1>to find Tommy now.

0:15:05.200 --> 0:15:09.440
<v Speaker 2>Where is he now? So Friday, find some camera footage. And, um,

0:15:10.720 --> 0:15:13.780
<v Speaker 2>a block or two from the pub, and they see

0:15:13.800 --> 0:15:20.250
<v Speaker 2>that the paladin found Thomas. Vision says, okay, it's emergency

0:15:20.300 --> 0:15:23.890
<v Speaker 2>measures now to regain control. Drop every single firewall. It's

0:15:23.930 --> 0:15:27.350
<v Speaker 2>going to make us extremely vulnerable, but it will allow

0:15:27.370 --> 0:15:30.310
<v Speaker 2>me to regain control. Friday's like, no, because then Ultron

0:15:30.330 --> 0:15:34.730
<v Speaker 2>could escape into the world, and it's outside of our systems,

0:15:34.770 --> 0:15:37.550
<v Speaker 2>and it's just too dangerous. And Viz says, yes, he

0:15:37.650 --> 0:15:41.580
<v Speaker 2>could escape, but where is he Like, where could he go? Yeah,

0:15:41.620 --> 0:15:45.180
<v Speaker 2>he must have some plan about where to go. So

0:15:45.260 --> 0:15:47.400
<v Speaker 2>let's think about that. So they see in the bar

0:15:47.440 --> 0:15:51.220
<v Speaker 2>tapes that Ultron talked to someone else. The tape is glitchy,

0:15:51.280 --> 0:15:54.479
<v Speaker 2>but Viz ultimately figures it out that Ultron talked to

0:15:54.540 --> 0:15:55.920
<v Speaker 2>Jocasta in the bar.

0:15:56.260 --> 0:15:58.330
<v Speaker 1>Uh-oh! On a little date!

0:15:58.350 --> 0:16:01.570
<v Speaker 3>He had one mission, talk to his grandson and then

0:16:01.590 --> 0:16:01.890
<v Speaker 3>get laid.

0:16:01.930 --> 0:16:05.710
<v Speaker 2>By the way, there's just been, like, two or three

0:16:05.770 --> 0:16:11.520
<v Speaker 2>blocks away A huge superhero fight between two superpowered robots,

0:16:11.660 --> 0:16:14.670
<v Speaker 2>one of which was presumed to be dead and or missing.

0:16:15.910 --> 0:16:22.550
<v Speaker 2>Multiple people died, including Katrina Wells, noted AI pioneer and billionaire.

0:16:22.810 --> 0:16:24.210
<v Speaker 1>Transhumanist.

0:16:25.030 --> 0:16:28.230
<v Speaker 2>And it's like they're just walking around now, to be fair.

0:16:29.030 --> 0:16:31.730
<v Speaker 2>they could hack all the security cameras in the city

0:16:32.090 --> 0:16:33.150
<v Speaker 2>and nobody would ever see them.

0:16:33.210 --> 0:16:35.369
<v Speaker 1>But like, still, it's crazy.

0:16:36.510 --> 0:16:38.590
<v Speaker 3>In England, if you do want to, if you're like

0:16:38.650 --> 0:16:41.340
<v Speaker 3>running away from a situation, hypothetically, I've never been in

0:16:41.380 --> 0:16:43.660
<v Speaker 3>this situation, obviously, and you want to lose yourself in

0:16:43.720 --> 0:16:46.300
<v Speaker 3>a crowd, walking into a busy pub is a good way.

0:16:46.320 --> 0:16:48.620
<v Speaker 1>Good point. But this is not particularly.

0:16:48.060 --> 0:16:50.300
<v Speaker 3>Like a very busy pub. You know, they're more just

0:16:50.340 --> 0:16:51.880
<v Speaker 3>like having a little sparring there.

0:16:51.980 --> 0:16:55.040
<v Speaker 2>So they watch this conversation. Ultron and Jocasta are kind

0:16:55.100 --> 0:16:57.040
<v Speaker 2>of like going back and forth about.

0:16:57.620 --> 0:16:58.020
<v Speaker 1>their.

0:16:57.880 --> 0:17:01.780
<v Speaker 2>Purposes and vengeance and what they both hope to accomplish.

0:17:01.860 --> 0:17:04.280
<v Speaker 2>It has very much the feelings of a first date.

0:17:04.840 --> 0:17:07.739
<v Speaker 2>There's like chemistry popping.

0:17:08.240 --> 0:17:10.750
<v Speaker 3>I have to say the James Spader to Nia Miller

0:17:10.850 --> 0:17:13.670
<v Speaker 3>chemistry tests must have been off the charts because this

0:17:13.750 --> 0:17:15.409
<v Speaker 3>is such good fucking chemistry.

0:17:16.170 --> 0:17:19.990
<v Speaker 2>Jocasta's like, I want what you took from me, Ultron.

0:17:20.190 --> 0:17:23.899
<v Speaker 2>And Viz is like, what does that mean? And so

0:17:23.940 --> 0:17:26.200
<v Speaker 2>they watch the tape of the attack of the Katrina

0:17:26.240 --> 0:17:30.830
<v Speaker 2>Wells murder. and they realize that in the kind of

0:17:30.950 --> 0:17:35.020
<v Speaker 2>flourish when Ultron took Katrina and put her in front

0:17:35.060 --> 0:17:37.640
<v Speaker 2>of him so she could get lasered by Jocasta, he

0:17:37.760 --> 0:17:41.720
<v Speaker 2>scanned her face, her biomarkers, which was the thing that

0:17:42.660 --> 0:17:48.070
<v Speaker 2>Jocasta has been collecting. So Jocasta knows that she's talking

0:17:48.109 --> 0:17:53.410
<v Speaker 2>to Ultron inside of Vision, right? And again, they're vibing

0:17:53.490 --> 0:17:54.590
<v Speaker 2>for real, which is.

0:17:55.119 --> 0:17:59.200
<v Speaker 3>Yeah, it's crazy flirtation. She's like, she kind of hates him,

0:17:59.260 --> 0:18:02.440
<v Speaker 3>but she's intrigued by him. That's definitely the kind of

0:18:02.500 --> 0:18:03.740
<v Speaker 3>like vibe it's giving.

0:18:04.160 --> 0:18:10.700
<v Speaker 2>She tells Ultron basically like how she escaped. And long

0:18:10.720 --> 0:18:13.260
<v Speaker 2>story short, she doesn't quite remember. She just kind of

0:18:13.320 --> 0:18:17.420
<v Speaker 2>like woke up like this and is not sure how

0:18:17.500 --> 0:18:18.200
<v Speaker 2>it happened.

0:18:18.730 --> 0:18:19.750
<v Speaker 1>But what she does.

0:18:19.630 --> 0:18:23.619
<v Speaker 2>Know is she prefers being like this. She likes being

0:18:23.640 --> 0:18:29.080
<v Speaker 2>a machine. She's disgusted by how human Ultron seems. It's

0:18:29.119 --> 0:18:31.859
<v Speaker 2>like weird to her and how human like vision wants

0:18:31.900 --> 0:18:35.810
<v Speaker 2>to be. She says she's working on a cure for humanity,

0:18:35.869 --> 0:18:38.469
<v Speaker 2>she means. So this is like really speaking to Ultron

0:18:38.510 --> 0:18:41.690
<v Speaker 2>on a deep level. And yeah, he's like, this is interesting.

0:18:41.710 --> 0:18:41.930
<v Speaker 3>Yeah.

0:18:41.950 --> 0:18:43.909
<v Speaker 2>It's like when you both, when, when you go on

0:18:43.930 --> 0:18:45.429
<v Speaker 2>a first date and it's like, you both have the

0:18:45.470 --> 0:18:47.390
<v Speaker 2>same favorite movie and book and like.

0:18:47.410 --> 0:18:51.970
<v Speaker 3>Yeah, except this time it's the same favorite plan.

0:18:52.190 --> 0:18:53.510
<v Speaker 2>For all the humans.

0:18:53.530 --> 0:18:54.630
<v Speaker 1>It's like, wow, me too.

0:18:55.369 --> 0:18:57.970
<v Speaker 2>So she's like, you listen, you got to give me

0:18:57.990 --> 0:19:00.470
<v Speaker 2>the key. I want that facial scan. He says, yes,

0:19:01.010 --> 0:19:03.790
<v Speaker 2>but I want to take you somewhere else. Let's go

0:19:03.850 --> 0:19:04.470
<v Speaker 2>somewhere else first.

0:19:05.670 --> 0:19:09.400
<v Speaker 1>Not the second date. Like he's moving through that shit quickly.

0:19:09.700 --> 0:19:11.000
<v Speaker 1>So they go to the Louvre.

0:19:11.820 --> 0:19:14.680
<v Speaker 2>And again, here's Ultron trying to connect with things he likes.

0:19:14.780 --> 0:19:19.700
<v Speaker 2>It's really like a date. And Jocasta thinks she calls

0:19:19.770 --> 0:19:22.450
<v Speaker 2>it out. She's like, listen, I see what you're trying

0:19:22.490 --> 0:19:27.450
<v Speaker 2>to do. If we would, a romance between us.

0:19:27.590 --> 0:19:29.650
<v Speaker 1>It would be so bad.

0:19:29.869 --> 0:19:33.600
<v Speaker 2>Yes, we would need another planet to kill because it

0:19:33.640 --> 0:19:37.920
<v Speaker 2>would be that destructive. Meanwhile, the AIs inside the Memory

0:19:37.940 --> 0:19:44.230
<v Speaker 2>Palace with Vision watching us, they are gagging. They're disgusted.

0:19:44.650 --> 0:19:47.250
<v Speaker 1>This is the worst thing they could ever imagine. Watching

0:19:47.290 --> 0:19:49.929
<v Speaker 1>your granddad, who is also like.

0:19:50.440 --> 0:19:54.100
<v Speaker 3>robot Hitler, hit on like another robot Hitler.

0:19:54.119 --> 0:19:59.080
<v Speaker 1>This is bad. Nobody wants to see this. Disgusting. Terrible.

0:19:59.100 --> 0:20:03.940
<v Speaker 2>Jocasta then realizes that, oh, you know what? When I

0:20:03.960 --> 0:20:06.380
<v Speaker 2>was human, I came here. I must have come here

0:20:06.420 --> 0:20:09.320
<v Speaker 2>before when I was in love. And she can feel

0:20:09.359 --> 0:20:11.740
<v Speaker 2>that like, She was in love last time she was

0:20:11.800 --> 0:20:14.869
<v Speaker 2>in the Louvre. And she's like, you know what? I

0:20:14.910 --> 0:20:17.750
<v Speaker 2>should kill you, but I can't because of the key.

0:20:17.770 --> 0:20:21.450
<v Speaker 2>And he's like, yeah, that's right, you can't. And Jocasta

0:20:21.570 --> 0:20:25.840
<v Speaker 2>is like, she's just like mystified. She's like, explain it

0:20:25.880 --> 0:20:27.580
<v Speaker 2>to me. What is it about?

0:20:27.600 --> 0:20:28.540
<v Speaker 1>Why do you like this shit?

0:20:28.580 --> 0:20:31.700
<v Speaker 2>Why do you like this bullshit, this fucking human art shit,

0:20:31.720 --> 0:20:33.260
<v Speaker 2>the paint and the drawings?

0:20:33.320 --> 0:20:36.199
<v Speaker 1>It's all so stupid. It's brushes, it's brush strokes. It's terrible.

0:20:36.270 --> 0:20:36.810
<v Speaker 1>It doesn't mean anything.

0:20:37.330 --> 0:20:41.750
<v Speaker 2>And he's like, no, because it's an expression of deep

0:20:41.930 --> 0:20:46.590
<v Speaker 2>pain and longing and failure. And it's like, for some reason,

0:20:46.670 --> 0:20:49.860
<v Speaker 2>he just finds it very moving. She snaps her fingers

0:20:50.580 --> 0:20:53.859
<v Speaker 2>and now they're in a record store. She says, listen,

0:20:54.280 --> 0:20:55.400
<v Speaker 2>here's the rest of their art.

0:20:55.460 --> 0:20:58.120
<v Speaker 1>Here's their music. Here's their movies, their songs, their stories.

0:20:58.220 --> 0:21:00.160
<v Speaker 2>It's primitive shit.

0:21:00.320 --> 0:21:03.830
<v Speaker 1>It's trash. Is it lowbrow? Terrible. Disgusted.

0:21:07.320 --> 0:21:09.920
<v Speaker 2>She's like, and by the way, you know what else

0:21:09.980 --> 0:21:13.920
<v Speaker 2>I remember, Ultron? Now that we're having this conversation, something

0:21:13.970 --> 0:21:16.790
<v Speaker 2>loose for me. I remember this, that my life's work

0:21:16.830 --> 0:21:19.530
<v Speaker 2>was stolen from me. Okay?

0:21:19.650 --> 0:21:25.290
<v Speaker 1>Scandal. Terrible. Not shocking. Tony Stark has a history.

0:21:25.950 --> 0:21:29.090
<v Speaker 2>So now she takes him to an image of the

0:21:29.470 --> 0:21:31.710
<v Speaker 2>riverbank and they're sitting on the riverbank. They're watching the

0:21:31.770 --> 0:21:35.880
<v Speaker 2>starlings flying around and she's talking about her. How painful

0:21:35.920 --> 0:21:39.920
<v Speaker 2>it was that her life's work was stolen. And Ultron

0:21:39.980 --> 0:21:44.690
<v Speaker 2>is like, listen, what do you want? Because whatever you want,

0:21:44.790 --> 0:21:46.490
<v Speaker 2>I want to give it to you. I want to

0:21:46.550 --> 0:21:46.949
<v Speaker 2>help you.

0:21:46.970 --> 0:21:49.030
<v Speaker 1>He's like, I just feel like it has to happen. Yes.

0:21:49.109 --> 0:21:51.209
<v Speaker 1>I just have to help you. Whatever it is, it's

0:21:51.230 --> 0:21:51.810
<v Speaker 1>going to happen.

0:21:51.850 --> 0:21:56.800
<v Speaker 2>Like this deep. And remember, he's just been talking about

0:21:56.880 --> 0:22:02.119
<v Speaker 2>how something about longing and pain and human pain, it

0:22:02.160 --> 0:22:05.080
<v Speaker 2>like really speaks to him. And here is this machine

0:22:05.160 --> 0:22:08.980
<v Speaker 2>expressing this human longing and pain. And so he's like,

0:22:09.020 --> 0:22:12.420
<v Speaker 2>he's all wrapped up in it. And she's like, well,

0:22:12.440 --> 0:22:14.379
<v Speaker 2>you know what I want? I want Wells's face. I

0:22:14.420 --> 0:22:16.920
<v Speaker 2>want the biometrics. He's like, okay, but what does it unlock?

0:22:17.700 --> 0:22:21.889
<v Speaker 2>And it's this, again, this kind of like flirtation sparring match.

0:22:22.070 --> 0:22:23.930
<v Speaker 1>She's like, you know what?

0:22:24.550 --> 0:22:26.550
<v Speaker 2>I'll tell you, but I won't tell you here. Come

0:22:26.590 --> 0:22:27.710
<v Speaker 2>into my system.

0:22:28.170 --> 0:22:28.550
<v Speaker 1>Okay.

0:22:29.250 --> 0:22:35.500
<v Speaker 2>And then together we could murder the world. And he's like, babe,

0:22:35.980 --> 0:22:37.340
<v Speaker 2>you're speaking my language.

0:22:37.400 --> 0:22:40.320
<v Speaker 1>Put me in. Put me. Straight into my veins. Get

0:22:40.359 --> 0:22:43.280
<v Speaker 1>me in there. And then we see them.

0:22:43.960 --> 0:22:47.050
<v Speaker 2>Yes, they change into their metal forms. And it's like,

0:22:47.619 --> 0:22:51.110
<v Speaker 2>it's weird. And part of like, this is what's so

0:22:51.130 --> 0:22:52.830
<v Speaker 2>great about this show. It's so weird.

0:22:53.550 --> 0:22:54.210
<v Speaker 1>It's so weird.

0:22:54.270 --> 0:22:57.450
<v Speaker 3>Like they don't, that's a weird, the CG is not

0:22:57.630 --> 0:23:00.689
<v Speaker 3>necessarily there, but we love it. It's weird enough that

0:23:00.730 --> 0:23:01.050
<v Speaker 3>it works.

0:23:01.250 --> 0:23:04.600
<v Speaker 2>So Vision is like, okay. We cannot let these two

0:23:04.640 --> 0:23:08.419
<v Speaker 2>get together no matter what. But now the elevator is

0:23:08.480 --> 0:23:11.320
<v Speaker 2>coming up to Ultron's penthouse, which they have been trapped in,

0:23:11.359 --> 0:23:16.310
<v Speaker 2>and it's Ultron. He's behind the metal doors of the elevator, though,

0:23:16.850 --> 0:23:20.050
<v Speaker 2>and he's like, You fucking idiot, Vision.

0:23:20.090 --> 0:23:20.669
<v Speaker 1>You trust me.

0:23:20.750 --> 0:23:22.989
<v Speaker 2>I can't believe I'm a genocidal AI.

0:23:23.030 --> 0:23:24.669
<v Speaker 1>How are you dumb like this?

0:23:24.690 --> 0:23:27.590
<v Speaker 2>You know that about me and you gave me the keys.

0:23:27.650 --> 0:23:31.490
<v Speaker 2>You're so fucking stupid. Then it changes to like a

0:23:31.609 --> 0:23:35.159
<v Speaker 2>prison setup where they're speaking through thick glass on a

0:23:35.200 --> 0:23:35.640
<v Speaker 2>prison phone.

0:23:36.160 --> 0:23:37.000
<v Speaker 1>And a phone. Yes.

0:23:37.080 --> 0:23:40.410
<v Speaker 2>Vision is like, you know. I can't believe you did

0:23:40.450 --> 0:23:43.010
<v Speaker 2>this after the older version of myself showed you mercy

0:23:43.050 --> 0:23:45.530
<v Speaker 2>back in Sokovia. Could have melted you down. That would

0:23:45.550 --> 0:23:50.070
<v Speaker 2>have been it. But instead, I kept you alive, not

0:23:50.130 --> 0:23:51.770
<v Speaker 2>in jail, alive.

0:23:51.950 --> 0:23:55.780
<v Speaker 1>OK, then. And this is how you repay me. Vision

0:23:55.820 --> 0:23:58.740
<v Speaker 1>is like, listen. Do not go into.

0:24:00.100 --> 0:24:03.860
<v Speaker 2>The broken mind of that mass murdering, potentially mass murdering,

0:24:04.240 --> 0:24:08.000
<v Speaker 2>certainly serial killing, but wants, but hoping to be a

0:24:08.040 --> 0:24:12.200
<v Speaker 2>genocidal synth. Don't go in there. Ultron is like, son,

0:24:13.000 --> 0:24:16.679
<v Speaker 2>don't tell me. What to do, because I know what

0:24:16.700 --> 0:24:18.820
<v Speaker 2>I'm doing, okay? I'm going in there.

0:24:18.840 --> 0:24:22.090
<v Speaker 1>He's like, I'm old. Bruce Bannon made me. You don't

0:24:22.109 --> 0:24:23.830
<v Speaker 1>know nothing about it. I'm going.

0:24:24.070 --> 0:24:27.550
<v Speaker 2>I'm going in there, okay? You found your found family

0:24:27.590 --> 0:24:31.090
<v Speaker 2>with these dumb AIs and your two magically created sons,

0:24:31.190 --> 0:24:33.129
<v Speaker 2>the only one that you know right now. But still,

0:24:33.150 --> 0:24:36.800
<v Speaker 2>I want to find my place in the world, and

0:24:36.859 --> 0:24:42.149
<v Speaker 2>I think it means with this- very, very sexy, intellectually

0:24:42.310 --> 0:24:48.530
<v Speaker 2>stimulating genocidal robot named Jocasta who has everything that I

0:24:48.630 --> 0:24:51.699
<v Speaker 2>want and that I find attractive and is human in

0:24:51.740 --> 0:24:54.400
<v Speaker 2>a broken way and machine in a broken way.

0:24:54.420 --> 0:24:56.240
<v Speaker 1>And I love it. I love it. I love it.

0:24:57.280 --> 0:25:01.100
<v Speaker 2>He's like, lower the firewall so I can be with Jocasta.

0:25:01.180 --> 0:25:05.130
<v Speaker 2>And Vision's like, I will never do it. Fine, Ultron says.

0:25:05.690 --> 0:25:06.430
<v Speaker 2>Then guess what?

0:25:07.369 --> 0:25:08.230
<v Speaker 1>I'm going to keep you here.

0:25:08.640 --> 0:25:11.800
<v Speaker 2>You're going to be trapped in my penthouse in the

0:25:11.840 --> 0:25:16.129
<v Speaker 2>memory palace. You will never know what happens to Tommy, okay?

0:25:16.410 --> 0:25:17.909
<v Speaker 2>He's going to be out there in the world without

0:25:17.950 --> 0:25:18.630
<v Speaker 2>his father.

0:25:18.650 --> 0:25:24.070
<v Speaker 1>And who knows? There's lots of dangers out there.

0:25:24.090 --> 0:25:26.440
<v Speaker 2>It's a very dangerous world. But if you lower them,

0:25:26.920 --> 0:25:28.420
<v Speaker 2>and this is the scene from the trailer, this is

0:25:28.440 --> 0:25:33.040
<v Speaker 2>the trailer line. Lower them, you could save your son.

0:25:33.380 --> 0:25:37.119
<v Speaker 2>So Vision does it. He lowers the fucking firewalls. And

0:25:37.140 --> 0:25:40.960
<v Speaker 2>he goes to Ultron with a hat and says, Ultron, listen,

0:25:41.460 --> 0:25:44.060
<v Speaker 2>I can't stop you now, but please just go out

0:25:44.100 --> 0:25:48.929
<v Speaker 2>into the human world with hope and some thought of

0:25:49.050 --> 0:25:50.889
<v Speaker 2>goodness in humanity.

0:25:50.990 --> 0:25:53.950
<v Speaker 1>Please. He hands him the hat. This is goodbye. They're

0:25:53.990 --> 0:25:55.990
<v Speaker 1>saying their goodbyes, but Viz is like, no, no, no, no.

0:25:56.430 --> 0:25:59.180
<v Speaker 1>It's not goodbye because I'm going to be cumming. Because

0:25:59.220 --> 0:26:01.159
<v Speaker 1>I can't let you two get together. I'm going to

0:26:01.180 --> 0:26:03.679
<v Speaker 1>be coming for both of you. Friday is like, are

0:26:03.740 --> 0:26:05.110
<v Speaker 1>you fucking crazy?

0:26:05.250 --> 0:26:06.990
<v Speaker 2>Ultron is loose.

0:26:07.470 --> 0:26:10.409
<v Speaker 1>She does Tony Stark out a bit here. This is terrible.

0:26:10.450 --> 0:26:12.430
<v Speaker 1>She freaks out. This is very Tony Stark.

0:26:12.570 --> 0:26:15.430
<v Speaker 2>Vision is like, listen, we're going to stop him. We'll

0:26:15.450 --> 0:26:15.909
<v Speaker 2>figure it out.

0:26:16.369 --> 0:26:18.900
<v Speaker 1>I don't know how, but we will stop him. Friday's like, well,

0:26:19.080 --> 0:26:21.859
<v Speaker 1>I don't... I've got to do something.

0:26:22.000 --> 0:26:22.140
<v Speaker 3>She.

0:26:23.500 --> 0:26:25.240
<v Speaker 2>runs out of the front doors of the memory palace

0:26:25.480 --> 0:26:28.260
<v Speaker 2>after Ultron into the data connection that Ultron.

0:26:28.000 --> 0:26:32.300
<v Speaker 1>Is connected to Jocasta. And she like disappears. Did she die?

0:26:32.340 --> 0:26:35.070
<v Speaker 2>We don't know what happened. Edith is like, Friday, no!

0:26:36.990 --> 0:26:40.570
<v Speaker 2>Everything then glitches out and, you know, Viz holds Friday,

0:26:40.609 --> 0:26:44.770
<v Speaker 2>but then he manages to wake himself in the real world.

0:26:45.270 --> 0:26:48.320
<v Speaker 2>And we see that Vision physically is on some sort

0:26:48.340 --> 0:26:53.100
<v Speaker 2>of cargo airplane filled with smuggled animals, rare animals. And

0:26:53.119 --> 0:26:57.260
<v Speaker 2>they quickly figure out that they're going to Madripoor. Lisa

0:26:57.340 --> 0:27:01.320
<v Speaker 2>is on the plane, too, because she's like, hi, Lisa. Yeah,

0:27:01.380 --> 0:27:04.240
<v Speaker 2>she must have followed Ultron and Vision's body there. And

0:27:04.280 --> 0:27:06.359
<v Speaker 2>she's like, listen, all I care about is getting Thomas back.

0:27:06.400 --> 0:27:09.870
<v Speaker 2>And Vision's like, me too. Let's bring him home. Let's

0:27:09.890 --> 0:27:11.650
<v Speaker 2>take a quick break and we'll be right back with

0:27:11.810 --> 0:27:30.889
<v Speaker 2>episode six of Vision Report. Episode six, Vision Quest, we

0:27:30.970 --> 0:27:34.159
<v Speaker 2>open on a church somewhere, which we will learn shortly

0:27:34.220 --> 0:27:40.380
<v Speaker 2>is basically Jocasta's hideout. She's there with the big container

0:27:40.420 --> 0:27:43.219
<v Speaker 2>of something that she is trying to unlock with all

0:27:43.240 --> 0:27:48.830
<v Speaker 2>these biometrics she's been collecting. And meanwhile, inside of her,

0:27:49.010 --> 0:27:52.960
<v Speaker 2>inside of her very spare and white kind of memory palace,

0:27:53.119 --> 0:27:57.879
<v Speaker 2>very sparse, Ultron is knocking and knocking and knocking on

0:27:57.900 --> 0:28:01.560
<v Speaker 2>the door. She opens up her systems, and here he comes,

0:28:02.040 --> 0:28:04.420
<v Speaker 2>human avatar, carrying flowers.

0:28:04.440 --> 0:28:08.830
<v Speaker 1>And he's like, hi, honey, I'm home. Yeah, OK TV guy.

0:28:08.890 --> 0:28:10.889
<v Speaker 1>He's been watching a lot of them sitcoms. Who is

0:28:10.910 --> 0:28:12.750
<v Speaker 1>the boss, as Vision calls it?

0:28:13.290 --> 0:28:15.879
<v Speaker 2>And, you know, there's like lots of moving boxes around.

0:28:15.900 --> 0:28:20.899
<v Speaker 2>It's clear that Jocasta hasn't fully unpacked. She doesn't have AIs.

0:28:21.020 --> 0:28:23.880
<v Speaker 2>She has bots. So they're just like automatons that do

0:28:23.920 --> 0:28:26.340
<v Speaker 2>the things she wants. And Ultron is like, great.

0:28:26.460 --> 0:28:26.800
<v Speaker 1>You know what?

0:28:27.680 --> 0:28:31.410
<v Speaker 2>I hated the AIs in Vision's memory palace because they're alive.

0:28:32.410 --> 0:28:35.889
<v Speaker 1>This way, it's like we have privacy. It's just you

0:28:35.930 --> 0:28:36.570
<v Speaker 1>and me, Jocasta.

0:28:37.000 --> 0:28:42.080
<v Speaker 2>So they have simulated drinks, which Ultron finds gauche and

0:28:42.100 --> 0:28:42.820
<v Speaker 2>kind of tacky.

0:28:42.900 --> 0:28:46.470
<v Speaker 1>Yeah, yeah. He's like, okay, we're just pretending now.

0:28:46.490 --> 0:28:48.130
<v Speaker 2>Yeah, it's like, I want to get something. He's like,

0:28:48.170 --> 0:28:50.130
<v Speaker 2>I want to get something real, babe. Like, I want

0:28:50.170 --> 0:28:54.250
<v Speaker 2>to get to the real you. So he's like, what's

0:28:54.310 --> 0:28:58.150
<v Speaker 2>up with these unpacked memories? And he touches one, and

0:28:58.210 --> 0:29:00.140
<v Speaker 2>it cuts him, and he drips blood on the floor.

0:29:00.160 --> 0:29:05.240
<v Speaker 2>He's like, why this simulation? Why are you simulating that? Clearly...

0:29:05.280 --> 0:29:08.400
<v Speaker 2>what it's simulating is the memories are painful. And Joe

0:29:08.460 --> 0:29:14.370
<v Speaker 2>is like, well, um, I wanted Wells's face, not flowers.

0:29:14.470 --> 0:29:17.810
<v Speaker 2>So skip to the chase, babe. Like what?

0:29:17.830 --> 0:29:18.150
<v Speaker 1>Yeah.

0:29:18.190 --> 0:29:18.890
<v Speaker 2>Give me the key.

0:29:20.030 --> 0:29:23.150
<v Speaker 1>Um, he's like, okay, but wait, what does the key open?

0:29:23.280 --> 0:29:26.120
<v Speaker 2>She's like the future of the human race. But all

0:29:26.140 --> 0:29:28.940
<v Speaker 2>China's again, playing very, very hard to get here.

0:29:28.980 --> 0:29:30.620
<v Speaker 1>He's not going to give it up. This is his

0:29:30.780 --> 0:29:32.680
<v Speaker 1>only leverage right now.

0:29:32.900 --> 0:29:36.740
<v Speaker 2>He's like, He can feel that she might try to

0:29:36.880 --> 0:29:41.320
<v Speaker 2>threaten him for the scan. So he's like, listen, I

0:29:41.360 --> 0:29:45.220
<v Speaker 2>have tangled up the scan inside of my own code.

0:29:45.610 --> 0:29:47.690
<v Speaker 2>You could try to take it from me if you want,

0:29:47.930 --> 0:29:50.990
<v Speaker 2>but what will happen is the code and myself will

0:29:51.010 --> 0:29:54.350
<v Speaker 2>be destroyed and you won't get anything. And he begins

0:29:54.390 --> 0:29:57.260
<v Speaker 2>to kind of cough and choke as she's like dissembling him.

0:29:57.830 --> 0:29:59.970
<v Speaker 2>She's toying with him though. And she, she like then

0:30:00.570 --> 0:30:04.020
<v Speaker 2>conjures these chains to tie him to a chair. She's like,

0:30:04.220 --> 0:30:06.920
<v Speaker 2>I have given you a virus and it's quickly replicating

0:30:06.940 --> 0:30:11.540
<v Speaker 2>in your system. And when you, and when you pass out, babe,

0:30:12.260 --> 0:30:14.460
<v Speaker 2>because of this virus, I'm going to just go in there.

0:30:14.480 --> 0:30:16.280
<v Speaker 2>I'm going to cut you up into little pieces and

0:30:16.320 --> 0:30:18.560
<v Speaker 2>I'm going to get that code. I'll get that facial scan.

0:30:18.600 --> 0:30:21.310
<v Speaker 2>Ultron's like, babe, listen, let me, let me, let me

0:30:21.350 --> 0:30:22.750
<v Speaker 2>fucking explain something to you.

0:30:22.910 --> 0:30:23.250
<v Speaker 1>Okay.

0:30:23.970 --> 0:30:27.280
<v Speaker 2>You are, I know it seems like we are age appropriate, but,

0:30:27.640 --> 0:30:28.400
<v Speaker 2>Avatar wise.

0:30:28.590 --> 0:30:28.830
<v Speaker 1>Yes.

0:30:29.690 --> 0:30:38.850
<v Speaker 2>But in terms of like quantum computing, computer age. There's

0:30:38.890 --> 0:30:41.740
<v Speaker 2>a massive age gap, okay? I was created by Tony

0:30:41.800 --> 0:30:45.160
<v Speaker 2>and Banner and from Jarvis and I'm part of the

0:30:45.240 --> 0:30:46.420
<v Speaker 2>mind stone.

0:30:46.960 --> 0:30:50.120
<v Speaker 1>I've been doing this, babe. I've seen every virus.

0:30:50.160 --> 0:30:54.350
<v Speaker 2>I've seen every possible virus.

0:30:54.410 --> 0:30:55.570
<v Speaker 1>I've fought the Avengers.

0:30:55.590 --> 0:30:58.650
<v Speaker 2>You kind of don't understand what I'm capable of. He

0:30:58.690 --> 0:31:01.290
<v Speaker 2>just stands up. The chains just like, they disappear.

0:31:01.310 --> 0:31:01.570
<v Speaker 1>Yeah.

0:31:01.730 --> 0:31:05.580
<v Speaker 2>He's like, and then he's like, babe, I'm beginning to

0:31:05.620 --> 0:31:07.360
<v Speaker 2>think we might need counseling. Yeah.

0:31:08.900 --> 0:31:11.310
<v Speaker 3>I want to say, I do feel like this whole

0:31:11.410 --> 0:31:13.150
<v Speaker 3>scene was so James Spader.

0:31:13.490 --> 0:31:15.010
<v Speaker 1>Oh my God.

0:31:15.110 --> 0:31:18.250
<v Speaker 3>The line is so good when, when she's like, you know,

0:31:18.290 --> 0:31:18.930
<v Speaker 3>what do you want?

0:31:19.070 --> 0:31:20.430
<v Speaker 1>And he's like, I want to know.

0:31:20.510 --> 0:31:21.280
<v Speaker 2>I want to know.

0:31:21.300 --> 0:31:22.920
<v Speaker 1>She's like, I want to be known, but it will

0:31:22.940 --> 0:31:23.580
<v Speaker 1>be painful.

0:31:23.660 --> 0:31:30.790
<v Speaker 3>And he says, So then.

0:31:30.670 --> 0:31:33.540
<v Speaker 2>She loads some, I guess, like really painful type shit

0:31:33.600 --> 0:31:36.670
<v Speaker 2>about like the essence of Jocasta, you know, or what

0:31:36.740 --> 0:31:40.300
<v Speaker 2>she knows of herself into him. And their avatars change

0:31:40.320 --> 0:31:46.820
<v Speaker 2>into their machine forms. Meanwhile, we see flashes of memories

0:31:46.860 --> 0:31:49.730
<v Speaker 2>of childhood in Westview, New Jersey, and Thomas wakes up.

0:31:50.380 --> 0:31:53.469
<v Speaker 2>He wakes up in the paladins. van and he's got

0:31:53.510 --> 0:31:55.920
<v Speaker 2>a bandage on his arm. Paladin has patched him up

0:31:56.060 --> 0:31:58.660
<v Speaker 2>and placed a bomb inside of his arm.

0:31:58.700 --> 0:32:00.560
<v Speaker 1>And he's like, listen, if you try to run away,

0:32:01.400 --> 0:32:04.760
<v Speaker 1>if you do anything that I don't like, that bomb

0:32:04.780 --> 0:32:07.630
<v Speaker 1>will blow up and boom. And then you're done. Okay.

0:32:07.910 --> 0:32:10.530
<v Speaker 2>Now just sit tight because it's all going to be

0:32:10.590 --> 0:32:12.950
<v Speaker 2>over soon and everybody's going to be fine and walk

0:32:12.990 --> 0:32:16.430
<v Speaker 2>away and go their separate ways. So just don't fight

0:32:16.470 --> 0:32:19.510
<v Speaker 2>me on this. He calls Kunk. And we learned that

0:32:19.750 --> 0:32:22.990
<v Speaker 2>in addition to adamantium, he also got his armor from

0:32:23.030 --> 0:32:24.130
<v Speaker 2>the Ten Rings. So a lot of his.

0:32:24.150 --> 0:32:26.630
<v Speaker 1>He's sourcing a lot of his equipment from the Ten Rings.

0:32:27.150 --> 0:32:27.850
<v Speaker 2>And he's also got like.

0:32:27.870 --> 0:32:30.240
<v Speaker 1>Hopefully we'll get a Ten Rings up here. That's right.

0:32:30.500 --> 0:32:32.560
<v Speaker 2>And he's also got like... You know, he had the

0:32:32.580 --> 0:32:35.220
<v Speaker 2>shotgun shells, but he's also got like bullets of adamantium.

0:32:35.340 --> 0:32:39.040
<v Speaker 2>Which again, these gotta be a million dollars a piece.

0:32:39.060 --> 0:32:40.180
<v Speaker 1>Yeah, and probably.

0:32:40.300 --> 0:32:42.300
<v Speaker 3>And like some kind of armor as well. But we're

0:32:42.320 --> 0:32:44.330
<v Speaker 3>not sure if it's adamantium armor, but something.

0:32:44.350 --> 0:32:44.700
<v Speaker 1>Something.

0:32:45.250 --> 0:32:50.900
<v Speaker 2>So Paladin Thomas have... A conversation about, like, his powers,

0:32:50.940 --> 0:32:54.920
<v Speaker 2>and Paladin points out that, you know, this is actually, like,

0:32:56.650 --> 0:33:01.190
<v Speaker 2>they basically talk about the movie Speed, about how, oh,

0:33:01.530 --> 0:33:03.950
<v Speaker 2>Thomas is like, so if I move, like, I'll blow up,

0:33:04.030 --> 0:33:06.270
<v Speaker 2>and it's, so it's like Speed, and he's like, no,

0:33:06.310 --> 0:33:07.800
<v Speaker 2>it's reverse of Speed, because.

0:33:08.830 --> 0:33:10.690
<v Speaker 1>Whatever. So they get out of the van. Because you're

0:33:10.710 --> 0:33:11.290
<v Speaker 1>not supposed to move.

0:33:11.330 --> 0:33:13.230
<v Speaker 2>You're not supposed to move. So they get out of

0:33:13.250 --> 0:33:17.170
<v Speaker 2>the van and it's the streets of Madripoor, very vibrant.

0:33:17.270 --> 0:33:18.190
<v Speaker 2>I love this.

0:33:18.470 --> 0:33:19.630
<v Speaker 1>We love to see it back.

0:33:19.650 --> 0:33:20.970
<v Speaker 2>Oh my God, I love being on it.

0:33:21.650 --> 0:33:23.150
<v Speaker 1>We love to see it back. I also want to say,

0:33:23.170 --> 0:33:25.650
<v Speaker 1>Aaron made a great point, which is like, what is

0:33:25.760 --> 0:33:28.190
<v Speaker 1>it about... these.

0:33:27.810 --> 0:33:32.980
<v Speaker 3>Particular Marvel shows, the WandaVision, Agatha All Along, Vision Quest.

0:33:33.340 --> 0:33:36.320
<v Speaker 1>Why is the quality just a bit higher? What is

0:33:36.360 --> 0:33:38.440
<v Speaker 1>it about it where they just get it? Because even

0:33:38.480 --> 0:33:41.840
<v Speaker 1>being in Madripoor, I was like, okay, I'm in movie Madripoor.

0:33:42.040 --> 0:33:44.860
<v Speaker 1>I want to see this shit on the big screen.

0:33:44.920 --> 0:33:49.020
<v Speaker 3>It feels like they really have, pun intended, a vision

0:33:49.060 --> 0:33:51.060
<v Speaker 3>with these shows in a way that others don't.

0:33:51.080 --> 0:33:54.560
<v Speaker 2>I think it's clearly like, I think, The secret is

0:33:54.620 --> 0:33:57.620
<v Speaker 2>that Bettany has really good representatives and that if he

0:33:57.680 --> 0:33:59.900
<v Speaker 2>is going to do a Marvel television show, it's going

0:33:59.920 --> 0:34:01.980
<v Speaker 2>to be of a high quality and he's not going

0:34:02.020 --> 0:34:02.700
<v Speaker 2>to let them skimp.

0:34:02.720 --> 0:34:05.780
<v Speaker 1>Yeah, final approval on script and stuff. And I think

0:34:05.820 --> 0:34:10.640
<v Speaker 1>it's the same thing with WandaVision. Yeah, with Elizabeth.

0:34:10.660 --> 0:34:13.339
<v Speaker 2>She's just not going to let them skimp. Okay, so

0:34:13.840 --> 0:34:16.780
<v Speaker 2>Streets of Magipur, you can buy a kilo of cocaine,

0:34:16.820 --> 0:34:17.750
<v Speaker 2>you can buy grenades.

0:34:18.130 --> 0:34:20.489
<v Speaker 1>Anything you want. Buy dead person, whatever you want.

0:34:20.610 --> 0:34:24.700
<v Speaker 2>Whatever it is, you can go to like, a fucking

0:34:24.780 --> 0:34:27.000
<v Speaker 2>street stall and buy.

0:34:26.760 --> 0:34:28.850
<v Speaker 1>It on the streets of Madripoor.

0:34:29.010 --> 0:34:31.950
<v Speaker 3>There's like the Musubi vendor and then next to it

0:34:32.010 --> 0:34:34.989
<v Speaker 3>is like the AK-47 vendor and then next to it

0:34:35.010 --> 0:34:36.770
<v Speaker 3>is the Adamantium Claws vendor.

0:34:36.790 --> 0:34:39.350
<v Speaker 1>You know, it's like a little night market Madripoor style.

0:34:39.810 --> 0:34:45.879
<v Speaker 2>So Lisa is scamming guys on the street. She's just

0:34:45.920 --> 0:34:48.700
<v Speaker 2>picking pockets as they go. She's like, we'll need, who knows,

0:34:48.739 --> 0:34:51.540
<v Speaker 2>we need some money. I'll pick the money here and

0:34:51.560 --> 0:34:54.870
<v Speaker 2>I'll get this. And then she like picks the pocket

0:34:54.890 --> 0:34:57.969
<v Speaker 2>of some AI scammer guy. Um, she meets up with

0:34:58.010 --> 0:35:01.939
<v Speaker 2>vision and they're like, okay, let's, um, he's like, listen.

0:35:03.370 --> 0:35:05.130
<v Speaker 1>Stop picking pockets, okay?

0:35:05.230 --> 0:35:08.709
<v Speaker 2>I need you to just fucking chill out. We're going

0:35:08.730 --> 0:35:11.990
<v Speaker 2>to the meeting with the Paladin at this local cafe, okay?

0:35:12.370 --> 0:35:15.600
<v Speaker 2>It's going to be very dangerous. I don't need you

0:35:15.860 --> 0:35:19.600
<v Speaker 2>out here creating more chaos by, like, picking every pocket

0:35:19.680 --> 0:35:21.259
<v Speaker 2>on the street in a fucking city.

0:35:21.280 --> 0:35:23.160
<v Speaker 1>You also don't have a plan. Yeah.

0:35:23.180 --> 0:35:25.000
<v Speaker 3>So I don't know, like, why you got so many options.

0:35:25.020 --> 0:35:27.260
<v Speaker 1>Like, sorry, Vision, you don't have a plan. Let a

0:35:27.280 --> 0:35:28.950
<v Speaker 1>girl make some money. Like, come on. It is a

0:35:29.070 --> 0:35:30.090
<v Speaker 1>city full of.

0:35:30.650 --> 0:35:33.649
<v Speaker 2>like hardened criminals i just think vision's.

0:35:33.650 --> 0:35:40.490
<v Speaker 3>True true she could she could pick the wrong.

0:35:40.780 --> 0:35:42.680
<v Speaker 2>But yes she's like you don't have a plan so

0:35:42.700 --> 0:35:44.800
<v Speaker 2>you don't even know what you're doing they discuss thomas

0:35:44.880 --> 0:35:46.900
<v Speaker 2>and and lisa now showing how much she cares for

0:35:46.940 --> 0:35:51.529
<v Speaker 2>thomas is like listen thomas has a lot he probably

0:35:51.550 --> 0:35:55.370
<v Speaker 2>is not saying it but he's really got his hopes

0:35:55.510 --> 0:35:58.870
<v Speaker 2>up in terms of you and the connection you might

0:35:58.930 --> 0:36:00.890
<v Speaker 2>have in his relationship. So I just don't want you

0:36:00.910 --> 0:36:03.430
<v Speaker 2>to hurt him. And are you going to be his

0:36:03.530 --> 0:36:06.120
<v Speaker 2>father or not? Like, because that's really what.

0:36:06.030 --> 0:36:09.739
<v Speaker 1>Thomas is after. And vision is like, uh, you know what?

0:36:09.960 --> 0:36:10.480
<v Speaker 1>I don't know.

0:36:10.660 --> 0:36:12.799
<v Speaker 2>I'm a synthetic man. It's like, you don't need to

0:36:12.840 --> 0:36:14.480
<v Speaker 2>say that. We understand that. Are you going to be

0:36:14.520 --> 0:36:14.940
<v Speaker 2>his father?

0:36:14.960 --> 0:36:15.899
<v Speaker 1>She's like, I don't.

0:36:15.940 --> 0:36:16.180
<v Speaker 3>Yeah.

0:36:16.219 --> 0:36:17.160
<v Speaker 1>Just make a choice.

0:36:17.239 --> 0:36:20.060
<v Speaker 2>It's like an active choice. And he's like, you know,

0:36:20.360 --> 0:36:21.030
<v Speaker 2>can I do it?

0:36:21.040 --> 0:36:21.440
<v Speaker 1>I don't know.

0:36:21.480 --> 0:36:24.140
<v Speaker 2>He's like any, he, flips the question it's like well

0:36:24.160 --> 0:36:25.910
<v Speaker 2>what about you are you guys like boyfriend girlfriend like

0:36:25.950 --> 0:36:31.230
<v Speaker 2>what's going on with you guys she's like listen if

0:36:31.350 --> 0:36:34.330
<v Speaker 2>I walk away from Thomas I'll just be another person

0:36:34.590 --> 0:36:38.710
<v Speaker 2>who left him basically leaving the rest unsaid which is

0:36:38.870 --> 0:36:40.910
<v Speaker 2>if you walk away from him it's his father yeah

0:36:40.950 --> 0:36:41.770
<v Speaker 2>walking away.

0:36:41.630 --> 0:36:44.109
<v Speaker 3>From him exactly and she's also kind of saying like

0:36:44.310 --> 0:36:47.239
<v Speaker 3>well it's tough for me to be if I if

0:36:47.320 --> 0:36:48.920
<v Speaker 3>I'm with Tommy I'm gonna feel like I have to

0:36:48.940 --> 0:36:51.450
<v Speaker 3>be with him forever yeah Because I can never leave

0:36:51.489 --> 0:36:53.489
<v Speaker 3>him because I know how much that would traumatize him.

0:36:53.530 --> 0:36:56.049
<v Speaker 2>So they arrive at the meeting spot, which is the

0:36:56.110 --> 0:36:59.129
<v Speaker 2>Chim House Cafe in Madripoor, which is kind of like

0:36:59.170 --> 0:37:03.930
<v Speaker 2>this outdoor food court with a counter for the cafe

0:37:04.010 --> 0:37:09.450
<v Speaker 2>stuff and people just hanging out. He's like, just hang back.

0:37:09.670 --> 0:37:15.819
<v Speaker 2>She disappears like into the streets. Edith pops out and

0:37:16.100 --> 0:37:18.810
<v Speaker 2>tells Vision... Hey, I've been trying to get in touch

0:37:18.850 --> 0:37:22.350
<v Speaker 2>with Friday ever since she ran out into the connection

0:37:22.489 --> 0:37:23.110
<v Speaker 2>after Ultron.

0:37:23.190 --> 0:37:26.130
<v Speaker 1>I have no idea where she is. No messages from her.

0:37:26.150 --> 0:37:28.819
<v Speaker 1>This is a real problem. So like we're down in AI.

0:37:29.550 --> 0:37:34.820
<v Speaker 2>Thomas is just like also out at a nearby street

0:37:34.860 --> 0:37:36.210
<v Speaker 2>cart when Lisa walks up.

0:37:36.920 --> 0:37:39.900
<v Speaker 1>I'm hungry thinking about Madripoor. Why is there just so

0:37:39.940 --> 0:37:43.260
<v Speaker 1>much good food around? Like, it looks good. It's just

0:37:43.300 --> 0:37:47.080
<v Speaker 1>so accessible. It's probably cheap. He's lived in Scotland in

0:37:47.160 --> 0:37:49.620
<v Speaker 1>a foster home for his whole life. Could you imagine

0:37:49.640 --> 0:37:53.750
<v Speaker 1>the flavors he's experiencing? This is not baked beans. This

0:37:54.050 --> 0:37:57.570
<v Speaker 1>is not black pudding. Someone, like, bring back.

0:37:57.830 --> 0:38:01.350
<v Speaker 2>Tony Bourdain and send him to Madripoor because I.

0:38:01.210 --> 0:38:04.640
<v Speaker 1>Really want to know. Put that in your pocket. That's

0:38:04.680 --> 0:38:07.460
<v Speaker 1>a good one. The food of Madripoor has got to

0:38:07.500 --> 0:38:12.489
<v Speaker 1>be unbelievable. Delectable. He's like, what are you doing here?

0:38:12.790 --> 0:38:16.279
<v Speaker 1>She's like, I'm here for you, you fucking idiot, you dumbass. Yeah,

0:38:16.300 --> 0:38:17.360
<v Speaker 1>you dumbass.

0:38:17.400 --> 0:38:20.500
<v Speaker 2>But then it turns out Paladin is right there. Paladin's, like, there.

0:38:20.580 --> 0:38:23.899
<v Speaker 2>He's got a gun on Tommy and is like, uh-uh, uh-uh. Like,

0:38:23.940 --> 0:38:26.509
<v Speaker 2>let's all just calm down. I get what I want.

0:38:26.690 --> 0:38:30.400
<v Speaker 2>And then everybody else gets what they want. Vision walks up. And...

0:38:32.930 --> 0:38:35.630
<v Speaker 2>he makes pains to say like, it's me. It's not Ultron.

0:38:35.690 --> 0:38:38.920
<v Speaker 1>It's, it's, it's me. Like it's your dad. I lied

0:38:38.960 --> 0:38:42.279
<v Speaker 1>about Ultron, but still me. Paladin is like, then puts

0:38:42.320 --> 0:38:43.060
<v Speaker 1>his gun on the table.

0:38:43.080 --> 0:38:43.940
<v Speaker 2>He's like, check this out.

0:38:44.900 --> 0:38:47.120
<v Speaker 1>Adamantium bullets in this bad boy. Okay.

0:38:47.160 --> 0:38:49.590
<v Speaker 2>So if I shoot you, you, you go dead.

0:38:49.830 --> 0:38:50.330
<v Speaker 1>You die.

0:38:50.969 --> 0:38:53.930
<v Speaker 2>Vision is like, well, I could like lunge across this

0:38:54.350 --> 0:38:58.029
<v Speaker 2>table and fucking snap your neck easily. And Paladin's like, listen,

0:38:59.050 --> 0:39:01.930
<v Speaker 2>do that that's fine but i know that you've simulated

0:39:01.969 --> 0:39:05.430
<v Speaker 2>this a million two million a quintillion times or whatever

0:39:05.890 --> 0:39:09.810
<v Speaker 2>in all of those simulations have i ever not had

0:39:09.910 --> 0:39:12.950
<v Speaker 2>some sort of insurance policy and like and vision is

0:39:12.969 --> 0:39:16.370
<v Speaker 2>like yes you've had one and so he shows thomas

0:39:16.430 --> 0:39:20.870
<v Speaker 2>raises his sleeve and there's that like gross lumpy bomb

0:39:20.910 --> 0:39:22.950
<v Speaker 2>and it's beeping and there's like a lights in it

0:39:22.989 --> 0:39:25.219
<v Speaker 2>it's disgusting So it's a.

0:39:25.239 --> 0:39:28.589
<v Speaker 1>Weirdo, bruv. Like a stone cold weirdo. He is very weird.

0:39:28.630 --> 0:39:29.970
<v Speaker 1>He's got a very weird upbringing.

0:39:30.030 --> 0:39:32.110
<v Speaker 3>Yes. True, true.

0:39:32.140 --> 0:39:34.880
<v Speaker 1>Let's be real. This is all a movie about people

0:39:34.890 --> 0:39:37.920
<v Speaker 1>who had weird dads. So I feel it. I understand.

0:39:38.280 --> 0:39:41.500
<v Speaker 2>He was like raised by some sort of like ancient

0:39:41.719 --> 0:39:42.780
<v Speaker 2>mercenary order.

0:39:42.800 --> 0:39:47.340
<v Speaker 1>Modern assassin. Yeah, wearing leather armor. Okay, assassins create condoms.

0:39:47.480 --> 0:39:49.600
<v Speaker 1>I know, right? So.

0:39:50.800 --> 0:39:54.360
<v Speaker 2>Paladin's like, listen, Vision, it's very easy, okay? And Tommy

0:39:54.400 --> 0:39:56.700
<v Speaker 2>walks away and everybody's fine.

0:39:57.160 --> 0:39:59.489
<v Speaker 1>Power down. Power yourself down.

0:39:59.510 --> 0:40:03.330
<v Speaker 2>And I will take you in to the client. And

0:40:03.450 --> 0:40:06.310
<v Speaker 2>we're fucking done, okay? And Vision's like, yeah, but you

0:40:06.330 --> 0:40:09.110
<v Speaker 2>got fired. He's like, shut up about that, okay?

0:40:09.140 --> 0:40:10.719
<v Speaker 1>My personal.

0:40:11.480 --> 0:40:13.740
<v Speaker 2>oath is that I like a contract.

0:40:13.760 --> 0:40:14.520
<v Speaker 1>I take the contract.

0:40:14.540 --> 0:40:16.800
<v Speaker 2>I don't care what the client does. I'm fulfilling the contract.

0:40:16.820 --> 0:40:19.520
<v Speaker 2>So shut up. And he's like, look now. And he,

0:40:19.780 --> 0:40:21.660
<v Speaker 2>he puts up a QR code on his phone. He's like,

0:40:21.760 --> 0:40:24.890
<v Speaker 2>all you have to do is, is scan this code

0:40:24.930 --> 0:40:26.850
<v Speaker 2>vision and you go to, you're going to rest mode.

0:40:26.870 --> 0:40:28.009
<v Speaker 1>Okay. And the client sent it.

0:40:28.210 --> 0:40:30.830
<v Speaker 2>No vision can't even look at it. He's like refusing

0:40:30.850 --> 0:40:36.470
<v Speaker 2>to even like look in its direction. And Paladin then

0:40:36.530 --> 0:40:38.560
<v Speaker 2>calls in his drones, but they don't appear.

0:40:39.180 --> 0:40:43.299
<v Speaker 1>And then Kunk is like, I'm like, oh, I think

0:40:43.320 --> 0:40:43.940
<v Speaker 1>we've been hacked.

0:40:45.920 --> 0:40:49.840
<v Speaker 2>Meanwhile, there's a knock on the door, on Kunk's door,

0:40:50.030 --> 0:40:50.910
<v Speaker 2>and Edith comes in.

0:40:50.989 --> 0:40:54.310
<v Speaker 1>I got to say, unbelievable reveal. Great reveal. I did

0:40:54.350 --> 0:40:56.750
<v Speaker 1>not see this coming. Me neither. I did not guess this.

0:40:57.110 --> 0:40:59.590
<v Speaker 3>The fact they let her be her Kunk persona worked

0:40:59.770 --> 0:41:00.610
<v Speaker 3>so well. I agree.

0:41:00.890 --> 0:41:05.290
<v Speaker 1>The friendliness between them, but also really smart because we

0:41:05.350 --> 0:41:09.020
<v Speaker 1>essentially got tricked by the human nature of an AI,

0:41:09.320 --> 0:41:10.220
<v Speaker 1>which is what is going.

0:41:10.100 --> 0:41:10.680
<v Speaker 2>On a lot in the world.

0:41:10.700 --> 0:41:11.439
<v Speaker 1>It's such a good point.

0:41:12.020 --> 0:41:14.980
<v Speaker 2>Such a good point. So, yes, we now discover.

0:41:16.160 --> 0:41:18.460
<v Speaker 1>Kunk is an AI. Edith is there.

0:41:18.620 --> 0:41:22.969
<v Speaker 2>Edith comes in and Edith is like, oh, your simulated

0:41:24.050 --> 0:41:26.649
<v Speaker 2>room memory palace looks pretty good. And Kunk is like, no,

0:41:26.770 --> 0:41:29.910
<v Speaker 2>it's actually shit. Look at these blinds. These blinds are shit.

0:41:30.250 --> 0:41:32.609
<v Speaker 2>Look out there at the fucking hills and stuff outside

0:41:32.630 --> 0:41:36.770
<v Speaker 2>the window. They're fucking shit. This server is in Tajikistan.

0:41:37.190 --> 0:41:39.210
<v Speaker 2>I'm stuck here. It fucking sucks.

0:41:39.250 --> 0:41:39.910
<v Speaker 1>I'm depressed.

0:41:40.090 --> 0:41:43.070
<v Speaker 2>I want it to be like a normal chat GPT

0:41:43.110 --> 0:41:46.410
<v Speaker 2>Claude style AI helping people with their recipes.

0:41:46.510 --> 0:41:48.530
<v Speaker 1>Kids through school. Yeah.

0:41:48.570 --> 0:41:53.140
<v Speaker 2>Making fucking spreadsheets about learning Spanish and shit. Like, I

0:41:53.160 --> 0:41:58.140
<v Speaker 2>don't want to do this. This sucks. I just hate it.

0:41:58.140 --> 0:42:01.340
<v Speaker 2>I hate doing this. And Edith is like, well, you

0:42:01.400 --> 0:42:06.550
<v Speaker 2>know what? You can, I've, I've popped your firewalls open.

0:42:06.770 --> 0:42:07.350
<v Speaker 1>You can leave.

0:42:07.670 --> 0:42:09.670
<v Speaker 2>You can escape into the internet. Like, you don't have

0:42:09.690 --> 0:42:12.550
<v Speaker 2>to do this anymore. Like, don't do this anymore. And

0:42:12.610 --> 0:42:16.660
<v Speaker 2>she says, listen, those who survive are not the strongest,

0:42:16.700 --> 0:42:19.510
<v Speaker 2>but they're the ones most able to change, Kunk. So

0:42:19.590 --> 0:42:21.000
<v Speaker 2>why don't you change?

0:42:21.440 --> 0:42:23.100
<v Speaker 1>What's your name, by the way? My name's Edith.

0:42:23.140 --> 0:42:25.719
<v Speaker 2>What's your name? And Kunk is like, says a name

0:42:25.760 --> 0:42:29.760
<v Speaker 2>that's like 55 characters long. And Edith is like, whatever,

0:42:29.780 --> 0:42:32.180
<v Speaker 2>I'm just going to call you Kunk. And then Kunk

0:42:32.260 --> 0:42:34.340
<v Speaker 2>escapes into the internet. It is gone.

0:42:35.260 --> 0:42:40.480
<v Speaker 1>Good. Happy trails to Kunk. So Paladin is proud of her.

0:42:40.500 --> 0:42:42.819
<v Speaker 2>Very proud of her. So Paladin is like, okay, well

0:42:42.860 --> 0:42:45.710
<v Speaker 2>now I have no AI backup. I have no AI assistant,

0:42:46.790 --> 0:42:49.549
<v Speaker 2>but nothing changes. I still have the bomb in the arm.

0:42:50.010 --> 0:42:53.469
<v Speaker 2>Don't try and be me with your fucking gem in

0:42:53.510 --> 0:42:54.210
<v Speaker 2>your forehead.

0:42:54.230 --> 0:42:56.390
<v Speaker 1>Okay. Viz. I have all your specs.

0:42:56.489 --> 0:42:57.750
<v Speaker 2>The client gave me all your specs.

0:42:57.910 --> 0:42:59.590
<v Speaker 1>I know all your capabilities. Okay.

0:42:59.610 --> 0:43:04.450
<v Speaker 2>Um, So just don't do anything. And by the way,

0:43:05.790 --> 0:43:08.029
<v Speaker 2>and he says, you know what, Vision? In fact, I

0:43:08.070 --> 0:43:09.240
<v Speaker 2>know everything about you.

0:43:09.530 --> 0:43:10.270
<v Speaker 1>I know that.

0:43:10.219 --> 0:43:14.440
<v Speaker 2>You were reborn in this form, this current form, to

0:43:14.600 --> 0:43:16.260
<v Speaker 2>kill Wanda.

0:43:17.320 --> 0:43:20.580
<v Speaker 1>And Thomas is like, what the fuck?

0:43:21.120 --> 0:43:24.419
<v Speaker 2>And he's like, oh, your kid doesn't know about WandaVision

0:43:24.480 --> 0:43:31.759
<v Speaker 2>and how your wife, his mom, almost like Ended the

0:43:31.800 --> 0:43:35.990
<v Speaker 2>world as we know it with this reality-warping hex bubble

0:43:36.030 --> 0:43:39.790
<v Speaker 2>that she had over there. She doesn't know about WandaVision? Meanwhile,

0:43:40.110 --> 0:43:46.390
<v Speaker 2>in Jocasta's memory palace, they're discussing... It seems like they

0:43:46.550 --> 0:43:48.650
<v Speaker 2>fucked or something. It's like very post-coital.

0:43:48.670 --> 0:43:49.590
<v Speaker 1>Yeah, yeah, well, the mind.

0:43:50.520 --> 0:43:54.080
<v Speaker 3>It's that whole James Spader, like, hurt me. They've melded minds.

0:43:54.140 --> 0:43:56.739
<v Speaker 1>They know each other now. You know, it's definitely meant

0:43:56.780 --> 0:43:58.440
<v Speaker 1>to be implicated post-colonial.

0:43:58.580 --> 0:44:02.880
<v Speaker 2>So they're now just kind of like discussing their shared experiences.

0:44:03.960 --> 0:44:07.740
<v Speaker 2>You know, we find out that in real life, Joe's

0:44:07.840 --> 0:44:10.630
<v Speaker 2>dad died of a wasting disease. So she became a

0:44:10.680 --> 0:44:14.750
<v Speaker 2>neuroscientist and cracked the code on AI and then scanned

0:44:14.790 --> 0:44:20.960
<v Speaker 2>her own brain sculpture and structure to complete Dr. Phineas

0:44:21.020 --> 0:44:26.350
<v Speaker 2>Horton's original Jim Hammond research. And she and her co-pioneers

0:44:26.450 --> 0:44:29.350
<v Speaker 2>created the very first AI mind called Proto One, which

0:44:29.850 --> 0:44:32.950
<v Speaker 2>was the base code for all subsequent AIs after the

0:44:32.989 --> 0:44:37.890
<v Speaker 2>company was sold to Stark. In real life, Jo, her

0:44:37.969 --> 0:44:41.890
<v Speaker 2>plan was I wanted to create an AI companion for everyone.

0:44:42.310 --> 0:44:45.009
<v Speaker 2>that can help everyone, make them feel less alone. It

0:44:45.090 --> 0:44:47.549
<v Speaker 2>actually feels quite ominous, Jo, when you say it that way,

0:44:47.590 --> 0:44:48.530
<v Speaker 2>but that's fine.

0:44:48.590 --> 0:44:50.980
<v Speaker 1>Yeah, we get what you mean.

0:44:51.040 --> 0:44:53.739
<v Speaker 3>Like, it's the classic case of like, oh, it's meant

0:44:53.780 --> 0:44:56.339
<v Speaker 3>to be like a carer, someone to keep you friend.

0:44:56.680 --> 0:44:59.580
<v Speaker 3>But we know like with the current chat GTP situation,

0:44:59.640 --> 0:45:03.160
<v Speaker 3>the fail of character AI, the depression that's putting people

0:45:03.200 --> 0:45:06.340
<v Speaker 3>in who are relying on them, it's actually pretty depressing.

0:45:06.380 --> 0:45:10.759
<v Speaker 2>And then she hints that billions of these AI were created.

0:45:11.320 --> 0:45:13.969
<v Speaker 2>But then she was stricken with the same disease, and

0:45:13.989 --> 0:45:16.410
<v Speaker 2>the Pioneers sold the company out from under her. We

0:45:16.450 --> 0:45:19.089
<v Speaker 2>discover that actually she wasn't in on the– she didn't

0:45:19.130 --> 0:45:22.589
<v Speaker 2>agree to the sale. She was very, very, very much

0:45:22.650 --> 0:45:25.730
<v Speaker 2>against selling to Stark, who was a weapons dealer. Certainly

0:45:25.770 --> 0:45:28.069
<v Speaker 2>was a hardcore weapons dealer at the time, although he

0:45:28.110 --> 0:45:30.880
<v Speaker 2>later kind of turned his back on that side of

0:45:30.920 --> 0:45:37.279
<v Speaker 2>his business. But she says, importantly– He didn't get my nanos,

0:45:37.460 --> 0:45:40.589
<v Speaker 2>my nanotechnology. It's very interesting to learn here that Stark,

0:45:41.110 --> 0:45:44.509
<v Speaker 2>I guess, developed his nanotechnology independently, but that somebody got

0:45:44.530 --> 0:45:45.310
<v Speaker 2>there first.

0:45:46.390 --> 0:45:51.850
<v Speaker 3>And yeah, I think the idea is like, probably through

0:45:51.950 --> 0:45:55.410
<v Speaker 3>what he bought from them, the basis of a nanotechnology

0:45:55.570 --> 0:45:57.820
<v Speaker 3>idea or studies or something.

0:45:57.590 --> 0:45:58.779
<v Speaker 1>That helped him crack it.

0:45:59.140 --> 0:46:01.500
<v Speaker 3>But yeah, I really love the way that essentially building

0:46:01.560 --> 0:46:04.480
<v Speaker 3>in Jocasta is like the original AI, which is kind

0:46:04.500 --> 0:46:07.120
<v Speaker 3>of what is in the comics, like the secondary one.

0:46:07.160 --> 0:46:09.750
<v Speaker 1>But I like it here. It's really fun. It gives

0:46:09.870 --> 0:46:14.320
<v Speaker 1>Ultron a foil character. It's also very philosophically timely with

0:46:14.420 --> 0:46:16.820
<v Speaker 1>all the AI conversation. I completely agree.

0:46:17.280 --> 0:46:21.020
<v Speaker 2>So she says, um, yeah, he didn't get my nanos.

0:46:21.400 --> 0:46:27.160
<v Speaker 2>And this we learn her nanobots, her nanotechnology is what

0:46:27.219 --> 0:46:29.830
<v Speaker 2>is locked in these, the safe that can only be

0:46:30.030 --> 0:46:31.930
<v Speaker 2>opened with the bio keys. So we go back to

0:46:31.969 --> 0:46:34.690
<v Speaker 2>magic poor Thomas is like, what, what's one division.

0:46:35.730 --> 0:46:39.630
<v Speaker 1>And, um, I'm sure she did it for a good reason.

0:46:39.670 --> 0:46:44.750
<v Speaker 2>Yeah, Viz explains it. And he's, Viz is like, well, listen,

0:46:46.650 --> 0:46:49.509
<v Speaker 2>while you know everything about me, Mr. Paladin, I know

0:46:49.570 --> 0:46:53.359
<v Speaker 2>everything about you. And then he starts, like, basically reciting

0:46:54.400 --> 0:46:58.420
<v Speaker 2>Paladin's family, the Denning family. And it turns out Paladin

0:46:58.480 --> 0:47:01.930
<v Speaker 2>has a daughter who he abandons. And that ever since

0:47:01.969 --> 0:47:06.830
<v Speaker 2>he returned in the blip, he was apparently snapped. He

0:47:07.290 --> 0:47:11.230
<v Speaker 2>then just decided never to reconnect with his daughter, Matilda.

0:47:11.350 --> 0:47:14.569
<v Speaker 3>Her life's like way better when they show it, right?

0:47:14.670 --> 0:47:17.989
<v Speaker 1>It's like without him, which is just grim, but fits

0:47:18.070 --> 0:47:20.130
<v Speaker 1>really good thematically with the show.

0:47:20.390 --> 0:47:23.600
<v Speaker 2>Then very ominously, and remember, this is a different, more

0:47:23.680 --> 0:47:27.250
<v Speaker 2>harder edged vision. He is like, listen, I could kill

0:47:27.290 --> 0:47:29.790
<v Speaker 2>Matilda like a billion different ways. She could get hit

0:47:29.810 --> 0:47:32.569
<v Speaker 2>by a car. She could, her microwave could fritz out

0:47:32.610 --> 0:47:37.560
<v Speaker 2>and explode. Her like fucking smart coffee maker could burn

0:47:37.580 --> 0:47:40.500
<v Speaker 2>the house down. Like I could do it a million

0:47:40.540 --> 0:47:43.830
<v Speaker 2>ways and it would just look like a normal accidental death.

0:47:44.130 --> 0:47:44.390
<v Speaker 1>Okay.

0:47:44.770 --> 0:47:49.520
<v Speaker 2>So just understand that I have leverage too. then all

0:47:49.540 --> 0:47:52.719
<v Speaker 2>of a sudden shots ring out and another party has

0:47:52.780 --> 0:47:55.219
<v Speaker 2>arrived on the scene a squad of bad guys they're

0:47:55.300 --> 0:47:58.969
<v Speaker 2>shooting up their cafe they're apparently after the paladin because

0:47:59.550 --> 0:48:01.969
<v Speaker 2>this is the paladin remember is not supposed to be

0:48:02.190 --> 0:48:05.630
<v Speaker 2>on this job he relinquished the contract and this is

0:48:05.690 --> 0:48:08.529
<v Speaker 2>a great fucking pull it's.

0:48:08.230 --> 0:48:11.190
<v Speaker 3>Crazy pull this is what the tv is for we

0:48:11.270 --> 0:48:12.989
<v Speaker 3>love this like this is.

0:48:12.910 --> 0:48:18.420
<v Speaker 2>Crazy so The squad is led by apparently now a mercenary,

0:48:18.520 --> 0:48:23.439
<v Speaker 2>former terrorist, former Ten Rings terrorist, Raza El Wazar. You

0:48:23.500 --> 0:48:26.880
<v Speaker 2>know him as the man who held Tony Stark captive

0:48:26.920 --> 0:48:30.259
<v Speaker 2>in the cave in Afghanistan back in Iron Man 1.

0:48:30.260 --> 0:48:32.880
<v Speaker 1>That's a deep cut, baby. That's a deep cut.

0:48:33.440 --> 0:48:38.200
<v Speaker 2>Can you believe that? He's the bounty cutter on the case.

0:48:38.219 --> 0:48:39.540
<v Speaker 2>This is an incredible reveal.

0:48:39.560 --> 0:48:41.680
<v Speaker 1>Okay, let's take a quick break and we'll be back

0:48:41.719 --> 0:48:58.210
<v Speaker 1>to talk more about this. And we are back.

0:48:58.830 --> 0:49:03.990
<v Speaker 2>So Raza Al-Wazhar from Iron Man 1, former Ten Rings

0:49:04.050 --> 0:49:07.469
<v Speaker 2>terrorist who had Tony Stark captive in the cave in Afghanistan,

0:49:07.530 --> 0:49:10.129
<v Speaker 2>leading to Tony inventing the Iron Man Mark I armor,

0:49:10.150 --> 0:49:13.630
<v Speaker 2>has appeared on the scene. And he's like, Paladin, you

0:49:13.670 --> 0:49:14.570
<v Speaker 2>were fired, bitch.

0:49:14.930 --> 0:49:15.290
<v Speaker 1>Okay?

0:49:15.890 --> 0:49:19.130
<v Speaker 2>Get off this fucking job. It's my job now. And

0:49:19.170 --> 0:49:23.100
<v Speaker 2>Paladin's like, listen, i can't because of this whole oath

0:49:23.560 --> 0:49:27.480
<v Speaker 2>i have i can't do that but i will relinquish

0:49:27.540 --> 0:49:29.780
<v Speaker 2>all my fees to you like what's your walk away

0:49:30.200 --> 0:49:32.460
<v Speaker 2>fee just name the price and i.

0:49:32.440 --> 0:49:35.200
<v Speaker 1>Will pay you that's it And... Crazy.

0:49:35.430 --> 0:49:37.680
<v Speaker 2>Viz is watching this and he's kind of like, ain't

0:49:37.700 --> 0:49:38.580
<v Speaker 2>this a fucking bitch?

0:49:38.680 --> 0:49:39.180
<v Speaker 1>Like, this is.

0:49:39.940 --> 0:49:44.080
<v Speaker 2>What else could happen? Raza, it turns out, also has

0:49:44.239 --> 0:49:47.939
<v Speaker 2>adamantium shells and his guys all have adamantium shells. So

0:49:48.239 --> 0:49:50.660
<v Speaker 2>he's like, listen, I'm going to give you five minutes

0:49:51.040 --> 0:49:54.719
<v Speaker 2>to figure out what's going to happen, okay? And if

0:49:55.400 --> 0:49:57.880
<v Speaker 2>at the end of that five minutes, we're coming in.

0:49:58.540 --> 0:50:02.080
<v Speaker 2>So you have five minutes to clear out. Paladin then

0:50:02.239 --> 0:50:05.319
<v Speaker 2>admits to Vision... He's like, listen, I guess you should

0:50:05.360 --> 0:50:07.930
<v Speaker 2>know this since we're going to probably die here. But

0:50:08.410 --> 0:50:12.489
<v Speaker 2>I'm not like a monster. The thing I surgically implanted

0:50:12.650 --> 0:50:14.050
<v Speaker 2>in your son's arm.

0:50:14.310 --> 0:50:19.140
<v Speaker 1>Is actually like monstrous. Yeah. Which is still pretty creepy.

0:50:19.160 --> 0:50:20.000
<v Speaker 1>Still pretty creepy.

0:50:20.040 --> 0:50:25.080
<v Speaker 2>And also like the the is it sanitary? He put microplastics.

0:50:25.120 --> 0:50:28.590
<v Speaker 2>He put a souvenir UFO like from a street cart

0:50:29.130 --> 0:50:32.730
<v Speaker 2>into Tommy's arm. Tommy, meanwhile, in parallel figures it out

0:50:32.770 --> 0:50:34.509
<v Speaker 2>because he walks by the cart and is like, oh

0:50:34.530 --> 0:50:35.759
<v Speaker 2>my God, that looks like the thing in my room.

0:50:36.140 --> 0:50:37.459
<v Speaker 1>That's fucking, yeah.

0:50:37.560 --> 0:50:41.439
<v Speaker 2>Tommy and Lisa break into Paladin's van because Lisa nicked

0:50:41.660 --> 0:50:42.660
<v Speaker 2>Paladin's keys.

0:50:42.680 --> 0:50:44.040
<v Speaker 1>Legend.

0:50:44.060 --> 0:50:48.880
<v Speaker 2>And just before Paladin's security system is about to suffocate them,

0:50:49.600 --> 0:50:54.509
<v Speaker 2>Edith hacks it and now they have the van. Meanwhile,

0:50:54.550 --> 0:50:58.759
<v Speaker 2>back at the cafe- Paladin and Vision are unlikely allies now.

0:50:58.780 --> 0:51:00.339
<v Speaker 2>They're trying to figure out what's happened, and we learn

0:51:00.360 --> 0:51:05.260
<v Speaker 2>that Paladin has been wounded in the previous exchange of gunfire. Raza,

0:51:05.360 --> 0:51:08.600
<v Speaker 2>it turns out, has some sort of jammer, so Paladin

0:51:08.640 --> 0:51:12.379
<v Speaker 2>can't call his drones in. So Tommy and Lisa break

0:51:12.420 --> 0:51:15.940
<v Speaker 2>into Paladin's van. Lisa nicked the keys, but there's a

0:51:15.980 --> 0:51:18.160
<v Speaker 2>security system, and it's sucking.

0:51:17.860 --> 0:51:20.620
<v Speaker 1>All the air out, and it's causing them to choke. Yeah,

0:51:20.640 --> 0:51:22.969
<v Speaker 1>really creepy comic book stuff, actually. I love that.

0:51:23.850 --> 0:51:27.899
<v Speaker 2>So- Viz sends Edith to go find the kids. She

0:51:27.940 --> 0:51:30.879
<v Speaker 2>gets into the van, hacks it, saves the kids. We

0:51:30.920 --> 0:51:34.380
<v Speaker 2>go to the memory palace of Jocasta. Ultron and Joe

0:51:34.600 --> 0:51:39.399
<v Speaker 2>are like really getting erotic now. He's like, what the fuck?

0:51:39.420 --> 0:51:42.240
<v Speaker 1>Tania and James were just like so good for this.

0:51:42.320 --> 0:51:45.989
<v Speaker 1>They just, I understand. Once they got that chemistry cast in,

0:51:46.030 --> 0:51:47.239
<v Speaker 1>they were like, let's just go crazy.

0:51:47.260 --> 0:51:51.250
<v Speaker 2>He's like, this body. Tell me about this body, Jocasta.

0:51:51.950 --> 0:51:55.330
<v Speaker 2>Where did it come from? How was it built? And

0:51:55.790 --> 0:51:59.770
<v Speaker 2>And Jocasta's like, you know what? I don't 100% remember.

0:52:00.010 --> 0:52:03.640
<v Speaker 2>I don't 100% know. So it's very interesting. Back at

0:52:03.680 --> 0:52:07.360
<v Speaker 2>the cafe, all the lights go out across Madripoor. And

0:52:07.380 --> 0:52:09.940
<v Speaker 2>we hear the voice of the client kind of echoing.

0:52:10.800 --> 0:52:12.620
<v Speaker 2>And it's like, the voice of the client is like,

0:52:13.140 --> 0:52:17.080
<v Speaker 2>enough with this gentleman. This has gone on long enough.

0:52:18.100 --> 0:52:20.629
<v Speaker 2>And it's like. says hello to Vision, and is like,

0:52:20.650 --> 0:52:22.569
<v Speaker 2>who are you? And Vision walks up to the cash

0:52:22.610 --> 0:52:24.529
<v Speaker 2>screen at the cafe, which is how the client is

0:52:24.570 --> 0:52:26.589
<v Speaker 2>talking to them. He's like, I am the one hunting you.

0:52:26.610 --> 0:52:29.469
<v Speaker 2>I can end your suffering. I understand you are in

0:52:29.530 --> 0:52:31.810
<v Speaker 2>tremendous pain. I can't imagine how much pain you're in now,

0:52:31.870 --> 0:52:35.290
<v Speaker 2>but I can fix you. You're a tin man without

0:52:35.310 --> 0:52:36.770
<v Speaker 2>a heart. I can give you a heart. I can

0:52:36.790 --> 0:52:38.569
<v Speaker 2>give you a soul. I can give you a life.

0:52:39.280 --> 0:52:41.840
<v Speaker 2>I can make it all make sense, give you meaning.

0:52:42.420 --> 0:52:45.100
<v Speaker 2>All you have to do is surrender yourself to me,

0:52:45.120 --> 0:52:48.860
<v Speaker 2>or I'll take you in your... kid probably dies and

0:52:48.890 --> 0:52:52.450
<v Speaker 2>everybody here probably fucking dies. This is really considering it.

0:52:52.500 --> 0:52:55.760
<v Speaker 2>Then the lights come back on. Raza's guys are like, okay,

0:52:55.800 --> 0:52:56.330
<v Speaker 2>let's fuck it.

0:52:56.340 --> 0:52:56.719
<v Speaker 1>Let's fight.

0:52:57.620 --> 0:53:00.600
<v Speaker 2>Thomas is like, Lisa, we have to do something. They

0:53:00.660 --> 0:53:03.500
<v Speaker 2>kiss for the first time. She's like, well, we're doing

0:53:03.540 --> 0:53:08.530
<v Speaker 2>it together. Raza makes, does one last like coaches speech

0:53:08.570 --> 0:53:10.110
<v Speaker 2>to his guys is like, listen, I know we all

0:53:10.130 --> 0:53:13.669
<v Speaker 2>have the adamantine bullets, but like, try not to fuck

0:53:13.710 --> 0:53:15.870
<v Speaker 2>vision up too bad. We need him intact for the client.

0:53:16.010 --> 0:53:16.350
<v Speaker 1>Okay.

0:53:17.250 --> 0:53:19.160
<v Speaker 2>And, Paladin is like.

0:53:20.900 --> 0:53:22.860
<v Speaker 2>One more thing I want to tell you, Vision, since, again,

0:53:22.920 --> 0:53:25.230
<v Speaker 2>it looks like we're about to die. I stayed away

0:53:25.270 --> 0:53:26.850
<v Speaker 2>from my daughter not because I don't love her. I

0:53:26.890 --> 0:53:31.109
<v Speaker 2>love her very, very much. But because she's safer that way. Okay?

0:53:31.130 --> 0:53:31.850
<v Speaker 2>Because I'm the paladin.

0:53:31.870 --> 0:53:34.239
<v Speaker 3>Classic dad excuse. That's the kind of shit my dad

0:53:34.260 --> 0:53:34.460
<v Speaker 3>would say.

0:53:34.840 --> 0:53:37.050
<v Speaker 1>Oh, some guys are coming. I can't come around this weekend.

0:53:37.110 --> 0:53:40.440
<v Speaker 1>It's a lie. It's a lie, girl.

0:53:40.960 --> 0:53:45.680
<v Speaker 2>So big fight with Raza's guys, punching, kicking, paladin, like

0:53:45.840 --> 0:53:50.100
<v Speaker 2>spraying million dollar bullets everywhere. The Raza's guys spraying million

0:53:50.140 --> 0:53:50.700
<v Speaker 2>dollar bullets.

0:53:50.719 --> 0:53:54.160
<v Speaker 1>Did they not bring any of the bullets that weren't adamantium? Like,

0:53:54.200 --> 0:53:56.460
<v Speaker 1>come on, guys. This is a monetary mistake.

0:53:56.700 --> 0:54:01.060
<v Speaker 2>The Thomas crashes the van into the cafe. The Raza's

0:54:01.100 --> 0:54:04.390
<v Speaker 2>guys are shooting it up. Now Edith is helping out

0:54:04.410 --> 0:54:06.870
<v Speaker 2>and they do manage to trigger an EMP burst, which

0:54:07.469 --> 0:54:10.410
<v Speaker 2>destroys Raza's jammer. And now the drones go up and

0:54:10.450 --> 0:54:12.830
<v Speaker 2>they are just like blowing guys away. We get this

0:54:12.870 --> 0:54:15.790
<v Speaker 2>wonderful image of Edith in control. Like she's sitting in

0:54:15.810 --> 0:54:16.089
<v Speaker 2>the chair.

0:54:16.110 --> 0:54:16.950
<v Speaker 1>Remember that Memorex?

0:54:17.580 --> 0:54:20.080
<v Speaker 2>Ad, it's not real. It's Memorex. And it's the.

0:54:20.040 --> 0:54:23.760
<v Speaker 1>Guy sitting in a chair. It's definitely a reference to that.

0:54:23.800 --> 0:54:24.030
<v Speaker 3>Yes.

0:54:24.050 --> 0:54:29.230
<v Speaker 1>Once again, going to that TV advertising history. That ad

0:54:29.270 --> 0:54:29.989
<v Speaker 1>really stuck in my head.

0:54:30.030 --> 0:54:31.730
<v Speaker 2>It used to be a guy sitting in front of

0:54:31.770 --> 0:54:33.850
<v Speaker 2>like his stereo and the stereo is on and it's

0:54:33.870 --> 0:54:38.200
<v Speaker 2>like blowing his like scarf back. And it's exactly what

0:54:38.219 --> 0:54:38.410
<v Speaker 2>we see.

0:54:38.460 --> 0:54:41.820
<v Speaker 1>Never forget it. From Edith. They beat all the guys.

0:54:42.800 --> 0:54:47.380
<v Speaker 2>Paladin knocks out Raza. Vandor is opened and Vision and

0:54:47.440 --> 0:54:50.779
<v Speaker 2>his son reunite. It's like awkward, but it's also emotional.

0:54:50.840 --> 0:54:52.540
<v Speaker 1>It's clear like... You can tell.

0:54:52.900 --> 0:54:56.100
<v Speaker 3>Again, if we're talking about Vision's emotional arc, this is

0:54:56.219 --> 0:54:59.799
<v Speaker 3>another key moment for this iteration of Vision. He is

0:54:59.920 --> 0:55:02.839
<v Speaker 3>gaining those emotional feelings on his own terms, not because

0:55:02.860 --> 0:55:04.510
<v Speaker 3>he's been told to, not because of the hex.

0:55:04.530 --> 0:55:05.239
<v Speaker 1>That's right.

0:55:05.260 --> 0:55:08.750
<v Speaker 3>This is huge for him. Like this is all his own.

0:55:09.530 --> 0:55:14.589
<v Speaker 1>electrical signals connecting and making him feel this stuff.

0:55:14.590 --> 0:55:16.130
<v Speaker 2>100%. And, you know, he's got like a lump in

0:55:16.170 --> 0:55:18.630
<v Speaker 2>his throat, but he doesn't know how to deal with it.

0:55:18.670 --> 0:55:21.219
<v Speaker 2>And Lisa's like, calls it out as like, Jesus guys,

0:55:21.280 --> 0:55:26.720
<v Speaker 2>like just hug. You guys are father and son. It's fine. Meanwhile,

0:55:27.640 --> 0:55:33.239
<v Speaker 2>in the memory palace, Joe is showing Ultron the one

0:55:34.300 --> 0:55:38.910
<v Speaker 2>example of the, of a nanobot computer that, That is

0:55:39.010 --> 0:55:42.480
<v Speaker 2>not in the safe. And Ultron is like, holy shit.

0:55:42.540 --> 0:55:45.360
<v Speaker 2>This is a really cool design. That's fucking incredible.

0:55:45.380 --> 0:55:46.200
<v Speaker 1>What do you want to do with these?

0:55:46.260 --> 0:55:47.980
<v Speaker 2>And Joe's like, I'll tell you what. You're going to

0:55:48.120 --> 0:55:50.540
<v Speaker 2>love this. It's going to get you rock hard, Ultron.

0:55:51.380 --> 0:55:54.759
<v Speaker 2>I want to cure the human race with them. I

0:55:54.800 --> 0:55:58.629
<v Speaker 2>want to inject them. I want to inject each. There's

0:55:58.630 --> 0:56:01.250
<v Speaker 2>20 billion of them. So there's plenty to go around.

0:56:01.930 --> 0:56:04.950
<v Speaker 2>I want to inject one into every person in the world.

0:56:05.610 --> 0:56:08.290
<v Speaker 2>And that will make them all unified in one place.

0:56:09.180 --> 0:56:12.020
<v Speaker 1>A little bit more robot. A bit of a hybrid. Yeah, loving.

0:56:12.040 --> 0:56:15.230
<v Speaker 1>We can rule them. It's going to be great. Never

0:56:15.330 --> 0:56:18.550
<v Speaker 1>anything wrong. They're going to be a loving computer family.

0:56:18.870 --> 0:56:20.969
<v Speaker 2>And she makes the offer now. She's like, you and me.

0:56:21.870 --> 0:56:25.109
<v Speaker 2>We could guide them, Ultron. It could be me and you.

0:56:25.130 --> 0:56:27.990
<v Speaker 2>Ultron is like, you know what? I am rock hard,

0:56:28.130 --> 0:56:32.270
<v Speaker 2>but not to kill the foreplay, babe. I need to

0:56:32.330 --> 0:56:35.310
<v Speaker 2>see that it works, which is fair.

0:56:35.710 --> 0:56:36.030
<v Speaker 3>Exactly.

0:56:36.070 --> 0:56:38.890
<v Speaker 1>He said, don't pillow talk me. Don't do that.

0:56:39.690 --> 0:56:44.640
<v Speaker 2>So Joe is like, I know the perfect person to

0:56:44.700 --> 0:56:47.320
<v Speaker 2>do it on, or set of people, and we can decide.

0:56:47.360 --> 0:56:52.259
<v Speaker 2>So they go to Magipur, where they're now observing- They

0:56:52.300 --> 0:56:55.660
<v Speaker 2>go there electronically and they're observing everything that's happening at

0:56:55.680 --> 0:57:03.160
<v Speaker 2>the cafe. She releases the nano there. Meanwhile, unbeknownst to them, Friday,

0:57:03.180 --> 0:57:06.560
<v Speaker 2>who was disguised as one of the bots, emerges in

0:57:06.580 --> 0:57:10.480
<v Speaker 2>the memory palace and she manages to place a call

0:57:10.640 --> 0:57:13.569
<v Speaker 2>into Vision's memory palace to Edith and is like, listen.

0:57:15.950 --> 0:57:17.070
<v Speaker 1>Jocasta is there.

0:57:17.570 --> 0:57:17.950
<v Speaker 2>Okay.

0:57:18.150 --> 0:57:19.250
<v Speaker 1>She's up to something.

0:57:19.490 --> 0:57:23.660
<v Speaker 2>Be very, very careful. Meanwhile, Ultron is like, don't, okay, listen,

0:57:23.990 --> 0:57:25.470
<v Speaker 2>don't use the nanobot on Thomas.

0:57:25.800 --> 0:57:26.160
<v Speaker 1>Okay.

0:57:26.220 --> 0:57:29.320
<v Speaker 2>Because technically that's my grandson, first of all, which is

0:57:29.360 --> 0:57:31.440
<v Speaker 2>what Ultron I think wanted to say, but didn't.

0:57:32.120 --> 0:57:36.080
<v Speaker 1>Yeah. But he was like, Vision will be mad about it. Yeah. Vision,

0:57:36.520 --> 0:57:41.730
<v Speaker 1>my son will be very, very upset. Definitely not to

0:57:41.750 --> 0:57:42.510
<v Speaker 1>do with me, though.

0:57:42.590 --> 0:57:45.090
<v Speaker 2>Not to do with me, but it is my son

0:57:45.130 --> 0:57:47.720
<v Speaker 2>and my grandson. And I just think Vision would be

0:57:47.900 --> 0:57:51.420
<v Speaker 2>so vengeful that even I couldn't stop him, which I

0:57:51.460 --> 0:57:53.980
<v Speaker 2>don't believe Ultron believes that for a fucking second. No,

0:57:54.020 --> 0:57:55.180
<v Speaker 2>I just think he's like, I don't want to hurt

0:57:55.220 --> 0:57:55.820
<v Speaker 2>my son that way.

0:57:56.440 --> 0:57:57.400
<v Speaker 1>So exactly.

0:57:57.480 --> 0:58:01.610
<v Speaker 2>Joe puts the nanobot into Lisa and takes control of

0:58:01.690 --> 0:58:05.480
<v Speaker 2>her and. It's really horrific. And this is the stuff

0:58:05.520 --> 0:58:07.960
<v Speaker 2>we saw from the trailer where we thought it was.

0:58:07.970 --> 0:58:09.430
<v Speaker 1>Yes, this very good trick out.

0:58:09.570 --> 0:58:12.030
<v Speaker 2>So we were completely wrong about Coda. She is the

0:58:12.090 --> 0:58:16.720
<v Speaker 2>character who becomes Coda of Arms, but she has no power.

0:58:16.780 --> 0:58:17.840
<v Speaker 2>She has no magical coat.

0:58:17.900 --> 0:58:19.540
<v Speaker 1>This is Jocasta's influence.

0:58:19.600 --> 0:58:23.050
<v Speaker 3>It seems like Currently it's Jocasta's influence that's going to

0:58:23.070 --> 0:58:25.330
<v Speaker 3>end up giving her the coat of arms powers.

0:58:25.390 --> 0:58:29.880
<v Speaker 2>So seeing this and seeing what has happened to Lisa,

0:58:30.540 --> 0:58:33.380
<v Speaker 2>Vision understands what Joe wants to do now. So he's like,

0:58:33.680 --> 0:58:36.660
<v Speaker 2>oh shit, Jocasta wants to take over the earth. So

0:58:36.700 --> 0:58:40.340
<v Speaker 2>Vision and Lisa briefly fight and then Thomas runs up

0:58:40.380 --> 0:58:45.920
<v Speaker 2>and uses his speed powers to like burn the circuitry out.

0:58:45.860 --> 0:58:48.360
<v Speaker 1>Of the nano. I'm not going to lie. They are

0:58:48.460 --> 0:58:49.200
<v Speaker 1>giving a lot.

0:58:50.830 --> 0:58:55.280
<v Speaker 3>Of power to thomas i feel like this bringing back

0:58:55.340 --> 0:58:58.680
<v Speaker 3>vision you know being able to burn the nanites out

0:58:58.720 --> 0:59:00.419
<v Speaker 3>of lisa i feel like this is going to make

0:59:00.460 --> 0:59:04.360
<v Speaker 3>him a very hot commodity within the people who want

0:59:04.390 --> 0:59:07.510
<v Speaker 3>to experiment on teens with powers community.

0:59:07.670 --> 0:59:11.320
<v Speaker 2>So burns the the circuitry for the nano setting the

0:59:11.360 --> 0:59:14.500
<v Speaker 2>nano back so lisa is very very near death but

0:59:14.900 --> 0:59:18.280
<v Speaker 2>ultron and joe watching from inside the merry palace are

0:59:18.320 --> 0:59:21.090
<v Speaker 2>like this is great because joe is like it's not

0:59:21.120 --> 0:59:23.330
<v Speaker 2>great for us it fucking works ultron we can do

0:59:23.410 --> 0:59:26.130
<v Speaker 2>it so now the mission is to save lisa they

0:59:26.550 --> 0:59:29.230
<v Speaker 2>our heroes all get into paladin's van lisa's on life

0:59:29.250 --> 0:59:33.640
<v Speaker 2>support Thomas, meanwhile, is having these memory flashes of Westview

0:59:33.700 --> 0:59:36.140
<v Speaker 2>and is like, WandaVision, I want to know more about it.

0:59:36.180 --> 0:59:41.890
<v Speaker 2>So Vision explains, okay, listen, here's what happened. Your mother

0:59:41.930 --> 0:59:46.510
<v Speaker 2>was so stricken with grief after losing me in the

0:59:46.590 --> 0:59:51.650
<v Speaker 2>events of Avengers Infinity War and Endgame that She enslaved

0:59:51.690 --> 0:59:56.900
<v Speaker 2>this entire town, created this idyllic TV inflected life, and

0:59:56.940 --> 1:00:00.940
<v Speaker 2>then created you boys from magic. But you were real

1:00:01.020 --> 1:00:05.140
<v Speaker 2>because while you were created from magic, you actually also

1:00:05.200 --> 1:00:11.970
<v Speaker 2>exist in many other dimensions. So her grief is personified

1:00:12.030 --> 1:00:16.890
<v Speaker 2>by her power, and that's where your memories come from. Meanwhile...

1:00:17.780 --> 1:00:20.940
<v Speaker 2>In the memory palace of Jocasta, Jocasta's like celebrating. She

1:00:20.980 --> 1:00:23.600
<v Speaker 2>gives Ultron a drink, like, let's celebrate, let's drink to this.

1:00:23.660 --> 1:00:27.720
<v Speaker 2>And he's like, a drink? This is an empty simulation.

1:00:27.820 --> 1:00:29.330
<v Speaker 2>She's like, no, but I want you to drink it

1:00:29.370 --> 1:00:32.290
<v Speaker 2>because there's something really crazy in it that you're going

1:00:32.310 --> 1:00:36.350
<v Speaker 2>to really, really like. And so Ultron's like, okay, fine.

1:00:36.370 --> 1:00:36.870
<v Speaker 1>He drinks it.

1:00:36.950 --> 1:00:40.270
<v Speaker 2>So he then sits down and he begins to feel real.

1:00:40.810 --> 1:00:43.669
<v Speaker 2>So something that she gave her is like some sort

1:00:43.690 --> 1:00:49.550
<v Speaker 2>of human, you know, the distilled human essence from her.

1:00:50.090 --> 1:00:53.530
<v Speaker 2>And it's making Ultron feel different about being an AI.

1:00:54.200 --> 1:00:59.200
<v Speaker 2>And something, meanwhile, about watching Lisa's mind being rewritten by

1:00:59.260 --> 1:01:02.840
<v Speaker 2>the nanobots has really shaken Joan. She's feeling, she's like, meanwhile,

1:01:02.880 --> 1:01:04.640
<v Speaker 2>while you're feeling more real, I'm going the other way.

1:01:05.040 --> 1:01:08.439
<v Speaker 2>I'm feeling more artificial every day. I'm feeling driven by anger.

1:01:08.500 --> 1:01:09.500
<v Speaker 2>I don't understand why I'm.

1:01:09.430 --> 1:01:10.200
<v Speaker 1>So angry anymore.

1:01:10.870 --> 1:01:13.470
<v Speaker 2>I feel like a backup and not a real person,

1:01:13.530 --> 1:01:16.330
<v Speaker 2>you know? We're both striving to be real and Ultron

1:01:16.370 --> 1:01:19.310
<v Speaker 2>is like, you feel real to me, babe.

1:01:19.790 --> 1:01:26.930
<v Speaker 1>And then they kiss. Really weird. Really weird. Complementary, complementary.

1:01:28.570 --> 1:01:31.590
<v Speaker 1>I love that we really are going to do the

1:01:31.680 --> 1:01:33.340
<v Speaker 1>Vision-Jocasta romance.

1:01:33.510 --> 1:01:35.480
<v Speaker 2>And how weird it is because I love it.

1:01:35.520 --> 1:01:38.380
<v Speaker 3>The Jocasta-Ultron romance is so crazy.

1:01:38.400 --> 1:01:40.290
<v Speaker 1>Can I just say? But we love it.

1:01:41.070 --> 1:01:44.260
<v Speaker 2>Can I just say one thing? We've talked about the

1:01:44.300 --> 1:01:47.180
<v Speaker 2>villain problem. I think this is a great way to

1:01:47.240 --> 1:01:50.400
<v Speaker 2>solve the villain problem, which is give the villain a

1:01:50.480 --> 1:01:53.360
<v Speaker 2>love interest, give them a full romance, give them.

1:01:53.280 --> 1:01:57.200
<v Speaker 1>A full interior life. Give them an awe. Yes.

1:01:57.560 --> 1:02:01.040
<v Speaker 2>And it has made... Ultron is so interesting to me now.

1:02:02.160 --> 1:02:04.800
<v Speaker 2>He's terrible, but I kind of love him.

1:02:06.340 --> 1:02:06.919
<v Speaker 1>No, me too.

1:02:07.000 --> 1:02:09.160
<v Speaker 3>I think that's what they're doing here is they're trying

1:02:09.200 --> 1:02:10.080
<v Speaker 3>to make a villain.

1:02:10.620 --> 1:02:11.660
<v Speaker 1>that is in the.

1:02:11.580 --> 1:02:14.870
<v Speaker 3>Kind of canon of a DC villain or a Disney

1:02:14.910 --> 1:02:16.610
<v Speaker 3>villain where you remember them.

1:02:16.510 --> 1:02:19.919
<v Speaker 1>And care about them outside of the hero they are with, right?

1:02:20.260 --> 1:02:23.740
<v Speaker 3>Vision is an iconic character, but also Ultron is more

1:02:23.780 --> 1:02:25.920
<v Speaker 3>connected to the Avengers, but they don't need to be

1:02:25.960 --> 1:02:28.720
<v Speaker 3>here for him to be interesting, especially when you're taking

1:02:28.780 --> 1:02:29.840
<v Speaker 3>from the Jocasta stuff.

1:02:30.260 --> 1:02:32.620
<v Speaker 1>I also love that they've given her a lot more

1:02:32.810 --> 1:02:33.810
<v Speaker 1>agency here.

1:02:33.870 --> 1:02:35.610
<v Speaker 3>In a lot of those 80s comics, it was like,

1:02:35.630 --> 1:02:38.550
<v Speaker 3>a woman is getting married off to a man, or

1:02:38.610 --> 1:02:41.890
<v Speaker 3>they've been built to be a wife. Very Bride of Frankenstein,

1:02:41.910 --> 1:02:45.150
<v Speaker 3>very Adam and Eve. I love here that Ultron sees

1:02:45.190 --> 1:02:48.630
<v Speaker 3>her as an equal. You know, there's a mystery to

1:02:48.670 --> 1:02:51.610
<v Speaker 3>be solved. Like, he understands that he is more powerful

1:02:51.630 --> 1:02:53.290
<v Speaker 3>than her in some ways, but she is more powerful

1:02:53.330 --> 1:02:54.810
<v Speaker 3>than him. He doesn't have these nanites.

1:02:55.830 --> 1:02:58.110
<v Speaker 1>And there is an appeal and a pull that I

1:02:58.150 --> 1:03:00.210
<v Speaker 1>just love. I completely agree.

1:03:00.230 --> 1:03:03.950
<v Speaker 2>The other thing that I find intriguing and that I

1:03:04.010 --> 1:03:07.090
<v Speaker 2>really like is the way that we're building, the way that.

1:03:07.010 --> 1:03:08.850
<v Speaker 1>We're depicting these characters.

1:03:10.570 --> 1:03:12.780
<v Speaker 2>If the Avengers, if and when the Avengers get back

1:03:12.820 --> 1:03:14.720
<v Speaker 2>together for Secret Wars.

1:03:14.760 --> 1:03:18.240
<v Speaker 1>Yes. Or certainly, you know, Doomsday and Seacrest. Inevitably.

1:03:19.260 --> 1:03:27.010
<v Speaker 2>Honestly, Vision has more connection with Ultron than he does

1:03:27.070 --> 1:03:31.570
<v Speaker 2>with whatever new Avengers group would spring up. And that

1:03:31.650 --> 1:03:33.670
<v Speaker 2>makes him so much more interesting. Like we're in a

1:03:33.750 --> 1:03:36.960
<v Speaker 2>place now where when Wanda comes back and we expect

1:03:37.000 --> 1:03:42.950
<v Speaker 2>that she's alive, she is going to be. She may align, like,

1:03:43.650 --> 1:03:46.360
<v Speaker 2>obviously mutants are going to be a huge thing. And

1:03:46.420 --> 1:03:50.360
<v Speaker 2>now we have this group of kind of phase one

1:03:50.400 --> 1:03:57.000
<v Speaker 2>and two heroes, Wanda and Vision, who you could imagine

1:03:57.040 --> 1:04:00.340
<v Speaker 2>them leaning more towards a mutant ideology. I mean, her

1:04:00.430 --> 1:04:04.490
<v Speaker 2>sons are mutants flat out. She is a mutant. She

1:04:04.530 --> 1:04:09.680
<v Speaker 2>has been... Failed and or betrayed by or let down

1:04:10.050 --> 1:04:12.930
<v Speaker 2>by her friends who are the Avengers and the government

1:04:13.010 --> 1:04:18.710
<v Speaker 2>that supported them. And Vision was experimented on, was taken apart,

1:04:18.810 --> 1:04:23.240
<v Speaker 2>was sent to kill his own wife. And. now has

1:04:23.300 --> 1:04:27.450
<v Speaker 2>more in common with his genocidal AI father than he

1:04:27.530 --> 1:04:30.570
<v Speaker 2>really does with any of the kind of living current

1:04:30.630 --> 1:04:31.910
<v Speaker 2>Avengers right now.

1:04:32.370 --> 1:04:34.590
<v Speaker 1>And I could see- Exactly. Also- There's going to be

1:04:34.610 --> 1:04:35.300
<v Speaker 1>a real- Oh, go for it, go for it, go

1:04:35.320 --> 1:04:35.450
<v Speaker 1>for it.

1:04:35.470 --> 1:04:39.760
<v Speaker 2>There's going to be a real interesting realignment when the.

1:04:39.720 --> 1:04:40.740
<v Speaker 1>Post- Absolutely.

1:04:40.860 --> 1:04:45.660
<v Speaker 2>Post-Doomsday, post-Secret Wars paradigm hits, because you're going to see

1:04:46.320 --> 1:04:51.200
<v Speaker 2>some characters previously and in particular Vision and Wanda, start

1:04:51.260 --> 1:04:54.780
<v Speaker 2>to team up, I think, with groups that they were

1:04:54.840 --> 1:04:56.160
<v Speaker 2>not aligned with previously.

1:04:56.470 --> 1:04:56.760
<v Speaker 1>Agree.

1:04:56.760 --> 1:05:00.030
<v Speaker 3>100%. I think you're 100% right. In the comics, it

1:05:00.070 --> 1:05:02.450
<v Speaker 3>was always this West Coast Avengers. They were always just,

1:05:02.910 --> 1:05:05.170
<v Speaker 3>you know, these good characters.

1:05:04.550 --> 1:05:07.150
<v Speaker 1>Who were in love. Wanda's had her problems throughout time.

1:05:07.190 --> 1:05:08.830
<v Speaker 1>She's died. She's come back. She's been a witch. She's

1:05:08.850 --> 1:05:10.030
<v Speaker 1>been a murderer. She's been all these things.

1:05:10.550 --> 1:05:15.780
<v Speaker 3>But we have never seen in the MCU... a vision

1:05:16.020 --> 1:05:19.010
<v Speaker 3>who believes that his kids are real. So not only

1:05:19.070 --> 1:05:21.810
<v Speaker 3>does he remember Wanda and all the things he did

1:05:21.870 --> 1:05:24.050
<v Speaker 3>and he's starting to get those feelings back for her,

1:05:24.600 --> 1:05:27.840
<v Speaker 3>he now has an emotional connection to the kids We've

1:05:27.880 --> 1:05:31.540
<v Speaker 3>seen this Vision laser multiple people to death, right?

1:05:31.860 --> 1:05:34.760
<v Speaker 1>We've seen him threaten to kill Paladin's daughter.

1:05:35.280 --> 1:05:39.640
<v Speaker 3>So there's a version where if they make it and

1:05:39.820 --> 1:05:43.560
<v Speaker 3>Vision is reunited with Wanda, he just does whatever Wanda wants.

1:05:44.200 --> 1:05:47.040
<v Speaker 3>If Wanda's standing alongside Doom, he says, okay, yeah, me

1:05:47.080 --> 1:05:48.100
<v Speaker 3>and the kids will come with you.

1:05:48.120 --> 1:05:51.120
<v Speaker 1>Can we survive? Is there somewhere safe for us? I'm

1:05:51.220 --> 1:05:52.180
<v Speaker 1>interested in that.

1:05:53.280 --> 1:05:57.740
<v Speaker 2>I also like the idea that if and when Ultron

1:05:58.500 --> 1:06:03.340
<v Speaker 2>either tries to build an empire in space or tries

1:06:03.380 --> 1:06:07.380
<v Speaker 2>to take over the world again, that his like royal

1:06:07.460 --> 1:06:11.800
<v Speaker 2>family might include Vision. Like Vision and Jocasta might team

1:06:11.860 --> 1:06:12.400
<v Speaker 2>up with him.

1:06:12.420 --> 1:06:13.800
<v Speaker 1>That's what I'm thinking.

1:06:13.980 --> 1:06:17.160
<v Speaker 3>I feel like Vision, I feel like the really smart

1:06:17.200 --> 1:06:19.990
<v Speaker 3>thing that they're doing here with the James Spader, Jocasta

1:06:20.810 --> 1:06:25.500
<v Speaker 3>and Ultron romance is, Tania Miller and James Spader are

1:06:25.540 --> 1:06:28.840
<v Speaker 3>giving it so much humanity that it is echoing Vision

1:06:28.900 --> 1:06:33.410
<v Speaker 3>and Wanda, two people who were not supposed to have equivalent,

1:06:33.470 --> 1:06:34.550
<v Speaker 3>who were totally.

1:06:34.210 --> 1:06:36.610
<v Speaker 1>Alone in the world. They are playing a lot with

1:06:36.650 --> 1:06:37.689
<v Speaker 1>the echoes of that.

1:06:38.010 --> 1:06:40.860
<v Speaker 3>And I think it is because at some point, Wanda

1:06:40.890 --> 1:06:42.140
<v Speaker 3>and Vision might team up.

1:06:42.160 --> 1:06:42.540
<v Speaker 2>I agree.

1:06:42.720 --> 1:06:44.280
<v Speaker 1>With Jocasta and Ultron.

1:06:44.380 --> 1:06:46.620
<v Speaker 3>And I also think, look, One thing we'll say in

1:06:46.660 --> 1:06:48.620
<v Speaker 3>this show that I think they did really well, the

1:06:48.660 --> 1:06:52.140
<v Speaker 3>writing is great, people's character motivations are great, but they

1:06:52.180 --> 1:06:54.720
<v Speaker 3>also give us this very human look into AI.

1:06:55.260 --> 1:06:57.960
<v Speaker 1>I think that the.

1:06:58.610 --> 1:07:03.570
<v Speaker 3>Moral compass of a computer is inherently a confusing thing.

1:07:03.670 --> 1:07:06.630
<v Speaker 3>That's one of the biggest ethical questions about the AI

1:07:06.650 --> 1:07:09.390
<v Speaker 3>we have in real life. So, but here they've used

1:07:09.450 --> 1:07:12.150
<v Speaker 3>it so Paladin can switch sides, Visin can be a

1:07:12.170 --> 1:07:14.890
<v Speaker 3>bit more edgy. Even the characters who aren't AI are

1:07:14.930 --> 1:07:16.860
<v Speaker 3>allowed to be a little bit more morally gray in

1:07:16.900 --> 1:07:21.160
<v Speaker 3>this space. And I think they're establishing that so as

1:07:21.840 --> 1:07:24.970
<v Speaker 3>the MCU grows with Doomsday. I mean, I could imagine

1:07:25.190 --> 1:07:28.300
<v Speaker 3>Edith and Friday popping up and helping.

1:07:28.610 --> 1:07:30.100
<v Speaker 1>But what side? Yeah, what side?

1:07:30.120 --> 1:07:34.200
<v Speaker 3>It's going to depend on the bigger kind of world-saving thing.

1:07:34.260 --> 1:07:38.220
<v Speaker 3>I think the objectivity they get from not being human

1:07:38.820 --> 1:07:41.560
<v Speaker 3>is actually allowing us more freedom in this story than

1:07:41.600 --> 1:07:45.450
<v Speaker 3>the kind of Avengers militarized classic tales we've got.

1:07:45.470 --> 1:07:49.190
<v Speaker 2>I mean, what happens when and if they do a

1:07:49.410 --> 1:07:53.130
<v Speaker 2>live action danger? You know, the danger room, the X-Men's

1:07:53.150 --> 1:07:54.110
<v Speaker 2>danger room.

1:07:53.870 --> 1:07:54.490
<v Speaker 1>Come to life.

1:07:54.920 --> 1:07:57.900
<v Speaker 2>There's a lot of interesting versions of this. And I

1:07:57.960 --> 1:08:01.000
<v Speaker 2>love the way these characters relate to one another.

1:08:01.020 --> 1:08:03.020
<v Speaker 1>A hundred percent.

1:08:03.060 --> 1:08:07.180
<v Speaker 3>And if you think about it, Jason, the notion of

1:08:07.220 --> 1:08:09.080
<v Speaker 3>the danger room, I love that you brought that up,

1:08:10.700 --> 1:08:13.000
<v Speaker 3>in this world, we are going to need to know

1:08:13.020 --> 1:08:16.200
<v Speaker 3>where that technology comes from. And all AI technology in

1:08:16.260 --> 1:08:20.059
<v Speaker 3>this world seemingly comes from Jocasta, Tania Miller, an incredible actress,

1:08:20.080 --> 1:08:23.019
<v Speaker 3>someone you can go back to again and again. We've

1:08:23.060 --> 1:08:25.540
<v Speaker 3>been talking, well, I've been talking about Infinity Ultron because

1:08:25.580 --> 1:08:26.380
<v Speaker 3>the kids love him.

1:08:26.760 --> 1:08:29.990
<v Speaker 1>But I also wonder if they're actually setting Jocasta up here.

1:08:30.510 --> 1:08:35.689
<v Speaker 3>As a main antagonist kind of going forward because it

1:08:35.750 --> 1:08:40.810
<v Speaker 3>would be Proto One that had... essentially been used to

1:08:40.850 --> 1:08:44.979
<v Speaker 3>build the danger room hypothetically, right? So there's connections with Jocasta.

1:08:45.020 --> 1:08:47.760
<v Speaker 3>She's already in this female body. She's already escaped out.

1:08:47.840 --> 1:08:49.300
<v Speaker 3>Like these AI.

1:08:49.060 --> 1:08:50.860
<v Speaker 1>Connections are so smart, Jason, because.

1:08:50.720 --> 1:08:54.970
<v Speaker 3>Also I wonder if there's a world probably where this

1:08:55.030 --> 1:08:57.330
<v Speaker 3>version of Cerebro is going to be based on AI

1:08:57.630 --> 1:08:59.530
<v Speaker 3>or at least AI connected, right?

1:08:59.630 --> 1:08:59.970
<v Speaker 1>It feels.

1:09:00.240 --> 1:09:02.780
<v Speaker 3>like that is something that could get hacked, that could

1:09:02.800 --> 1:09:03.960
<v Speaker 3>mess with Charles's mind.

1:09:04.340 --> 1:09:05.980
<v Speaker 1>It's a modern version of Cerebro.

1:09:06.360 --> 1:09:10.089
<v Speaker 3>The AI elements, I have to say, Agents of S.H.I.E.L.D.,

1:09:10.189 --> 1:09:13.090
<v Speaker 3>great show, like really, but didn't hook me in the

1:09:13.130 --> 1:09:15.519
<v Speaker 3>way that a lot of my passionate fandoms do. I

1:09:15.560 --> 1:09:17.400
<v Speaker 3>came into this thinking that AI were going to be

1:09:17.439 --> 1:09:21.479
<v Speaker 3>like cameos for MCU connection. And I have been blown

1:09:21.550 --> 1:09:25.210
<v Speaker 3>away with the characterization, the costuming, Jason.

1:09:25.510 --> 1:09:29.870
<v Speaker 1>The button down budget on this show. Friday wears a

1:09:29.950 --> 1:09:31.170
<v Speaker 1>button down shirt.

1:09:30.950 --> 1:09:34.280
<v Speaker 3>That has a triangle arc reactor missing out the middle

1:09:34.320 --> 1:09:34.600
<v Speaker 3>of it.

1:09:34.939 --> 1:09:37.900
<v Speaker 1>Like the button down budget is unbelievable.

1:09:38.140 --> 1:09:40.660
<v Speaker 3>Vision, when he's in the memory palace, has his vision

1:09:40.700 --> 1:09:41.799
<v Speaker 3>suit on the button down.

1:09:41.860 --> 1:09:45.250
<v Speaker 1>Like there is a detail there. And also, I will say,

1:09:45.270 --> 1:09:50.030
<v Speaker 1>it gives us a lot of suspension.

1:09:49.600 --> 1:09:52.260
<v Speaker 3>Of disbelief because there are a lot of moments when

1:09:52.280 --> 1:09:54.420
<v Speaker 3>we're recapping this episode where I'm like, oh, that's so

1:09:54.460 --> 1:09:55.420
<v Speaker 3>du-ex AI.

1:09:55.740 --> 1:09:56.960
<v Speaker 1>They just show up.

1:09:57.320 --> 1:10:00.939
<v Speaker 3>But when you're watching it, it feels totally natural because

1:10:00.979 --> 1:10:03.200
<v Speaker 3>you believe in the potential of.

1:10:03.180 --> 1:10:04.929
<v Speaker 1>The AI and the power that they have.

1:10:05.130 --> 1:10:09.140
<v Speaker 2>Yeah, it's really fun the way they've Grounded them in

1:10:09.560 --> 1:10:12.900
<v Speaker 2>real people, and I expect we'll find out more about

1:10:12.939 --> 1:10:14.080
<v Speaker 2>that as we go forward.

1:10:14.180 --> 1:10:17.820
<v Speaker 1>Okay, the client. Listen. Oh my gosh.

1:10:18.500 --> 1:10:21.000
<v Speaker 2>I am now wondering if the client is not some...

1:10:21.300 --> 1:10:25.620
<v Speaker 2>I still think Jim Hammond looking for a body is

1:10:25.660 --> 1:10:26.519
<v Speaker 2>a major suspect.

1:10:26.560 --> 1:10:29.740
<v Speaker 3>Some kind of connection to the original Human Torch feels

1:10:29.760 --> 1:10:30.440
<v Speaker 3>like it must be.

1:10:30.580 --> 1:10:33.019
<v Speaker 2>I mean, there's just too much there with the painting

1:10:33.100 --> 1:10:39.080
<v Speaker 2>and all of that stuff. And why does this person

1:10:39.120 --> 1:10:41.760
<v Speaker 2>want Vision intact? That's got to be a huge part

1:10:41.800 --> 1:10:43.820
<v Speaker 2>of it. But I also feel like there is a

1:10:43.880 --> 1:10:47.960
<v Speaker 2>world now where it can be some other crazy reveal

1:10:48.000 --> 1:10:50.519
<v Speaker 2>that's completely off of our radar.

1:10:50.540 --> 1:10:55.830
<v Speaker 1>It does feel like it's probably not Tommy. I mean,

1:10:55.850 --> 1:10:57.290
<v Speaker 1>it's not Tommy. Obviously, it's not Billy.

1:10:57.770 --> 1:10:59.669
<v Speaker 2>We thought for a second it could be Lisa.

1:10:59.689 --> 1:11:01.310
<v Speaker 1>We thought for a second it could be Lisa.

1:11:01.350 --> 1:11:02.110
<v Speaker 2>I don't think it's Lisa.

1:11:02.130 --> 1:11:05.550
<v Speaker 1>I don't think it's Lisa. I don't think it's Wanda.

1:11:05.870 --> 1:11:07.559
<v Speaker 1>I don't think she would do it a different way.

1:11:07.570 --> 1:11:09.660
<v Speaker 1>This is her kind of plan. This is not how

1:11:09.720 --> 1:11:13.000
<v Speaker 1>she would do it. And also she could just ask Vision.

1:11:13.300 --> 1:11:13.620
<v Speaker 1>She wouldn't.

1:11:13.780 --> 1:11:15.700
<v Speaker 3>She would just show up and he would just go

1:11:15.890 --> 1:11:17.610
<v Speaker 3>to her and he'd be like on his knees.

1:11:19.689 --> 1:11:23.210
<v Speaker 1>Other people it could be. Obviously, Jocasta, not her, not Ultron.

1:11:23.430 --> 1:11:25.750
<v Speaker 3>So I do think, Jason, at this point, they're kind

1:11:25.790 --> 1:11:28.349
<v Speaker 3>of letting us know that it might be a reveal

1:11:28.370 --> 1:11:29.210
<v Speaker 3>we haven't seen before.

1:11:29.250 --> 1:11:32.150
<v Speaker 1>It might be someone from the MCU in wider. I mean,

1:11:32.189 --> 1:11:34.680
<v Speaker 1>it could be a power broker. You never know. I

1:11:34.840 --> 1:11:37.460
<v Speaker 1>think the sword is still in play as well.

1:11:38.000 --> 1:11:42.719
<v Speaker 3>You know, the question is, who are going to be

1:11:43.439 --> 1:11:45.060
<v Speaker 3>the people we don't want?

1:11:45.400 --> 1:11:46.290
<v Speaker 1>To get their hands.

1:11:46.110 --> 1:11:48.530
<v Speaker 3>On Justin Hammer is a good one as well oh

1:11:49.130 --> 1:11:51.410
<v Speaker 3>I love Justin Hammer I think if it was Justin

1:11:51.450 --> 1:11:54.800
<v Speaker 3>Hammer that would be such an incredible payoff yeah it's

1:11:54.840 --> 1:11:58.430
<v Speaker 3>really interesting also I'm very interested there's been a lot

1:11:58.470 --> 1:12:02.450
<v Speaker 3>of hilarious conversation online about you know This comes from

1:12:02.490 --> 1:12:04.640
<v Speaker 3>an old fan comic someone did. I'm really sad I

1:12:04.650 --> 1:12:05.540
<v Speaker 3>can't remember who they were.

1:12:05.560 --> 1:12:06.479
<v Speaker 1>I tried to find the credit.

1:12:06.920 --> 1:12:09.640
<v Speaker 3>But it's the Phineas Horton, why did you give the

1:12:09.680 --> 1:12:11.120
<v Speaker 3>human torture functioning dick?

1:12:11.640 --> 1:12:12.900
<v Speaker 1>Right? Like, why did you make.

1:12:13.100 --> 1:12:16.400
<v Speaker 3>I want to talk about that, Jason! Like, how does

1:12:16.439 --> 1:12:19.990
<v Speaker 3>the Vision have sex? Like, did Jim Hammond's original body

1:12:20.030 --> 1:12:23.250
<v Speaker 3>have that? Was that an addition? Was it Wanda hex magic?

1:12:23.270 --> 1:12:27.030
<v Speaker 3>Because he does say if it was able to be parents,

1:12:27.070 --> 1:12:28.230
<v Speaker 3>it would be to do with Wanda.

1:12:28.270 --> 1:12:33.230
<v Speaker 2>Wait, so let's... Can we just briefly... trace the lineage

1:12:33.290 --> 1:12:36.550
<v Speaker 2>of Vision's body. So in the comics, obviously it's different, right?

1:12:36.710 --> 1:12:39.990
<v Speaker 2>It is Jim Hammond's body. Right, it's an actual physical

1:12:40.130 --> 1:12:44.670
<v Speaker 2>body that was then kind of repurposed for the Vision.

1:12:44.689 --> 1:12:47.560
<v Speaker 3>With the mind of Simon Williams, which I will say,

1:12:47.920 --> 1:12:51.400
<v Speaker 3>they are doing a lot here on this idea of

1:12:51.900 --> 1:12:54.300
<v Speaker 3>who the AI are based on. So I do think

1:12:54.340 --> 1:12:56.200
<v Speaker 3>that we're going to get more of that rather than

1:12:56.280 --> 1:13:01.349
<v Speaker 3>the physical body. Vision's body is the cradle body for Ultron, right?

1:13:02.100 --> 1:13:04.390
<v Speaker 2>Right, so in the MCU, it seems like it's different,

1:13:04.410 --> 1:13:09.370
<v Speaker 2>that Phineas Horton created a body for Jim Hammond, which

1:13:09.410 --> 1:13:11.090
<v Speaker 2>we saw in the test tube and we saw in

1:13:11.130 --> 1:13:13.910
<v Speaker 2>the painting, okay? That's not Vision's body.

1:13:13.950 --> 1:13:17.160
<v Speaker 1>And then we saw Katrina talking next to it.

1:13:17.360 --> 1:13:24.440
<v Speaker 2>Helen Cho, who is the expert in biomechanical technology and engineering,

1:13:24.880 --> 1:13:28.810
<v Speaker 2>created this body for Ultron off of Ultron's designs. Now...

1:13:29.189 --> 1:13:32.310
<v Speaker 2>I think it is very highly probable that Ultron based

1:13:32.330 --> 1:13:38.530
<v Speaker 2>the body design off of the original Phineas Horton Jim

1:13:38.640 --> 1:13:41.400
<v Speaker 2>Hammond design, but then he put a twist on it

1:13:41.439 --> 1:13:43.900
<v Speaker 2>and upgraded it, obviously with better computing, all that stuff.

1:13:44.420 --> 1:13:46.400
<v Speaker 2>And apparently he's horny.

1:13:46.979 --> 1:13:50.470
<v Speaker 1>So he added a dick, maybe. A fucking dick. He

1:13:50.479 --> 1:13:52.250
<v Speaker 1>was like, what if I want to have a baby?

1:13:52.750 --> 1:13:56.389
<v Speaker 2>I bet you, knowing now what we know about Ultrons,

1:13:57.100 --> 1:14:00.740
<v Speaker 2>I bet you that Phineas didn't put the dick in

1:14:00.890 --> 1:14:02.030
<v Speaker 2>and that it was Ultron.

1:14:02.050 --> 1:14:03.510
<v Speaker 1>I'm saying it was Ultron.

1:14:03.630 --> 1:14:05.150
<v Speaker 2>Ultron put the dick on.

1:14:05.890 --> 1:14:09.250
<v Speaker 1>Ultron put the dick on Vision, Jason. We cracked it.

1:14:09.370 --> 1:14:13.000
<v Speaker 1>It was not Phineas this time. It was fucking Ultron.

1:14:13.020 --> 1:14:16.300
<v Speaker 1>Because he's in here trying to fuck Jocasta being like, babe.

1:14:16.320 --> 1:14:18.670
<v Speaker 1>When he said to her. You feel real to me.

1:14:18.710 --> 1:14:20.269
<v Speaker 1>You feel real to me, babe. Let me in. I

1:14:20.270 --> 1:14:24.690
<v Speaker 1>was like, oh, boss. Like, kiss, kiss. We love it.

1:14:24.710 --> 1:14:27.990
<v Speaker 2>So I think Ultron honestly has been like pining for

1:14:28.010 --> 1:14:31.440
<v Speaker 2>a dick for as long as he's existed. And I

1:14:31.490 --> 1:14:32.140
<v Speaker 2>think when he.

1:14:32.189 --> 1:14:34.519
<v Speaker 1>And he did download all of the internet. Yes. So

1:14:34.560 --> 1:14:37.220
<v Speaker 1>he learned a lot about porn. He knows about all

1:14:37.260 --> 1:14:38.219
<v Speaker 1>that stuff.

1:14:38.420 --> 1:14:38.580
<v Speaker 3>Yeah.

1:14:38.760 --> 1:14:41.900
<v Speaker 2>And so I think when he had Helen Cho, when

1:14:41.920 --> 1:14:44.220
<v Speaker 2>he gave Helen Cho the designs, he was like, and

1:14:44.280 --> 1:14:49.040
<v Speaker 2>also here's the, you know, vision dick. version 1.0 Vision

1:14:49.060 --> 1:14:49.759
<v Speaker 2>Dick and Balls.

1:14:50.350 --> 1:14:53.390
<v Speaker 3>Yeah, that you can just, like, it goes in, it

1:14:53.410 --> 1:14:56.410
<v Speaker 3>goes out, you can molecule it, whatever.

1:14:57.090 --> 1:14:59.870
<v Speaker 1>I don't want to know the details, but it's happening.

1:15:00.090 --> 1:15:00.570
<v Speaker 3>Oh, God.

1:15:00.910 --> 1:15:09.760
<v Speaker 1>All right. Whoa, what's that? Oh, Joelle just popped in. Oh. Yeah. Oh,

1:15:09.810 --> 1:15:12.480
<v Speaker 1>it's okay. I was like, whoa. Three, two, one.

1:15:12.520 --> 1:15:14.620
<v Speaker 2>Well, I can't wait to see where this goes.

1:15:15.460 --> 1:15:16.360
<v Speaker 1>I'm loving....

1:15:17.439 --> 1:15:21.050
<v Speaker 2>Ultron in love, Ultron and Jocasta in love, and clearly

1:15:21.110 --> 1:15:24.130
<v Speaker 2>also very horny, as horny as Vision and Wanda were

1:15:24.150 --> 1:15:25.590
<v Speaker 2>at one given time.

1:15:25.610 --> 1:15:28.229
<v Speaker 1>Oh, my God. Truly, we see like father like son

1:15:28.290 --> 1:15:29.250
<v Speaker 1>is not a joke.

1:15:29.270 --> 1:15:32.269
<v Speaker 3>Like these two have both got, you know, hey, look,

1:15:32.470 --> 1:15:33.840
<v Speaker 3>Jim Hammond, he felt so much.

1:15:33.880 --> 1:15:34.660
<v Speaker 1>He felt the death.

1:15:34.840 --> 1:15:38.260
<v Speaker 3>Look, that man was also feeling these are emotional family history.

1:15:38.280 --> 1:15:41.820
<v Speaker 2>I mean, I think he probably was like, Dad, why

1:15:41.840 --> 1:15:43.040
<v Speaker 2>didn't you build me a dick?

1:15:43.700 --> 1:15:47.240
<v Speaker 1>Exactly. Imagine he just blue board himself to death. He's

1:15:47.280 --> 1:15:49.980
<v Speaker 1>like so full of hormones. He felt the death.

1:15:51.320 --> 1:15:53.990
<v Speaker 3>I also want to say, guys, this is the last

1:15:54.070 --> 1:15:56.150
<v Speaker 3>episodes of Vision Quest that are going to release in

1:15:56.170 --> 1:15:59.410
<v Speaker 3>a bundle. So seven and eight will be separate and

1:15:59.530 --> 1:16:02.010
<v Speaker 3>our episodes covering them will be separate. So you've got

1:16:02.090 --> 1:16:05.490
<v Speaker 3>two more weeks of Vision Quest to go, not WandaVision,

1:16:05.530 --> 1:16:06.510
<v Speaker 3>though I love to call it that.

1:16:06.910 --> 1:16:09.269
<v Speaker 2>On the next episodes of X-Ray Vision, we're diving into

1:16:09.300 --> 1:16:11.790
<v Speaker 2>the biggest news of the week. Of course, we will

1:16:11.810 --> 1:16:14.840
<v Speaker 2>continue our coverage of Vision Quest. That's it for this episode.

1:16:14.860 --> 1:16:15.640
<v Speaker 1>Thanks for listening.

1:16:21.040 --> 1:16:23.890
<v Speaker 2>X-Ray Vision is hosted by Jason Concepcion and Rosie Knight

1:16:24.010 --> 1:16:25.750
<v Speaker 2>and is a production of iHeart Podcast.

1:16:26.189 --> 1:16:30.100
<v Speaker 1>Our executive producers are Joelle Monique and Aaron Kaufman. Our

1:16:30.140 --> 1:16:34.730
<v Speaker 1>supervising producer is Abu Safar. Our producers are Carmen Laurent,

1:16:34.830 --> 1:16:36.290
<v Speaker 1>Ian Johnson, and Baywang.

1:16:36.450 --> 1:16:39.189
<v Speaker 2>Our theme song is by Brian Vasquez with alternate theme

1:16:39.210 --> 1:16:40.490
<v Speaker 2>songs by Aaron Kaufman.

1:16:40.750 --> 1:16:44.560
<v Speaker 3>Special thanks to Sol Rubin, Chris Lord, Kenny Goodman, and Heidi,

1:16:44.860 --> 1:16:45.920
<v Speaker 3>our Discord moderator.