WEBVTT - Sausage Party

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<v Speaker 1>On the Bechdelcast, the questions asked if movies have women

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<v Speaker 1>and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? It's the patriarchy, EFFI bast

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<v Speaker 1>start changing it with the Bechdel Cast.

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<v Speaker 2>Oh gosh, welcome to the Bachdell Cast.

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<v Speaker 3>Okay, yeah, ready to party, Ready to sausage party?

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<v Speaker 2>Yes I am, because today is my shameless plugging day.

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<v Speaker 2>Today is the day where we are doing a movie

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<v Speaker 2>that is technically about hot dogs but is also I

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<v Speaker 2>don't know, I don't know, uh, but we're celebrating the

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<v Speaker 2>release of Raw Dog, my first book. When you're hearing this,

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<v Speaker 2>it will be out. You should definitely go buy it

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<v Speaker 2>at your local bookstore. Don't know, Amazon, fuckery. Please I'll

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<v Speaker 2>accept the Barnes and Noble, but only if you're in

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<v Speaker 2>a difficult like only if you're not near an independent books,

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<v Speaker 2>which you probably are, So go get It's my book

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<v Speaker 2>about the history of hot dogs and a road trip

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<v Speaker 2>I took in twenty twenty one trying hot dogs across

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<v Speaker 2>the country. It is about leftist politics, it is about workers' rights,

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<v Speaker 2>it is about the history of like how American jingoism

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<v Speaker 2>is connected to the hot dog It's about following people

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<v Speaker 2>around in the Wienermobile. It's about falling in love with

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<v Speaker 2>Joey Chestnut. But also it's complicated and I don't really

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<v Speaker 2>fuck with him, but I do have a crush on him,

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<v Speaker 2>gross problematic fave Joey Chestnut and my king to Karo Kobyashi,

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<v Speaker 2>as well as all of the kind of twisted bizarre. Well,

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<v Speaker 2>this is actually maybe where it overlaps with Sausage Party,

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<v Speaker 2>which we're talking about today, which mercifully does not come

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<v Speaker 2>up in the book. I did not there, there is

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<v Speaker 2>no space, and I didn't want to know. I just

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<v Speaker 2>didn't want to. But in Professional hot Dog Eating, there's

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<v Speaker 2>a lot of historical issues regarding racism and gender discrimination

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<v Speaker 2>within that sport. Yes, it's a sport. No, I will

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<v Speaker 2>not be taking questions or arguments about it. It is

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<v Speaker 2>a sport, and that is something that has in common

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<v Speaker 2>with the movie we're discussing today, So shameless plunge.

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<v Speaker 3>And racism and yes, all of those things, yes huh.

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<v Speaker 2>But one thing it doesn't have that Sausage Party does

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<v Speaker 2>is bad writing. It's a good book. I should buy it,

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<v Speaker 2>and I or if you're not in a position to

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<v Speaker 2>buy it. We'll link in this episode of different ways

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<v Speaker 2>to request that it be brought to your local library.

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<v Speaker 2>That's also a great way. There's also an audio book

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<v Speaker 2>that's narrated by me, but they're like, hey, podcaster getting

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<v Speaker 2>that booth and I did. And my audio engineer's name

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<v Speaker 2>was Tim, and he was a vegan, and he was like,

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<v Speaker 2>oh my god, oh gee whiz. We really learned from

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<v Speaker 2>each other that week. He's from New Zealand, kind of iconic,

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<v Speaker 2>and he's like, I can't do anyw Zealand accent. But

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<v Speaker 2>he was like, this country is so fucked and I

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<v Speaker 2>was like, that's right, Tim, that's right. And that's an

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<v Speaker 2>example of something that did not pass the Bechdel test.

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<v Speaker 2>Me and Tim shooting the shit. Yeah. Was it pleasant, yes,

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<v Speaker 2>of course, but did not pass.

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<v Speaker 3>And which what a wonderful transition to our show and

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<v Speaker 3>what it's about. So this is the Bechdel Cast.

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<v Speaker 2>Hello.

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<v Speaker 3>My name is Caitlin Derante.

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<v Speaker 2>My name is Jamie loftis author of Raw Dog Out Now.

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<v Speaker 3>And this is our show where we analyze movies through

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<v Speaker 3>an intersectional feminist lens using the Bechdel It was a

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<v Speaker 3>weird way to say that using the Bechtel test simply

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<v Speaker 3>as a jumping off point to initiate a far larger

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<v Speaker 3>conversation about representation and such in FLIM. The Bechdel test

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<v Speaker 3>being a media metric sometimes called the Bechdel Wallace test

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<v Speaker 3>that first appeared in Alison Bechdel Queer icon queer cartoonist

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<v Speaker 3>Alison Bechdel's comic Dykes to Watch out For. Originally intended

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<v Speaker 3>just as sort of like a one off joke, it

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<v Speaker 3>was a bit, but it has since been used as

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<v Speaker 3>this media metric. There are many versions of it. The

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<v Speaker 3>one that we use is this two characters of a

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<v Speaker 3>marginalized gender must have names. Those characters have to talk

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<v Speaker 3>to each other about something other than a man, and

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<v Speaker 3>we particularly enjoy it when it is a narratively meaningful

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<v Speaker 3>conversation and not just a hi, hot dog number one Hello.

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<v Speaker 4>Yeah.

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<v Speaker 2>Also, I resent the aggressive gendering of the hot dog

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<v Speaker 2>expanded universe. Hot dogs are Look, they're beautiful. They don't

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<v Speaker 2>know gender, and this is I mean it, Katelyn, no love.

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<v Speaker 2>I love these damn things.

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<v Speaker 3>I love to eat hot dogs.

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<v Speaker 2>When they're ethically produced. I'm smiling, and they don't know gender.

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<v Speaker 2>They transcend gender and class. That's the whole point of

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<v Speaker 2>a hot dog there for everybody. Why according to this

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<v Speaker 2>movie that's rogan God, we'll talk about it. Got well,

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<v Speaker 2>actually I have a lot of hot dog gendering thoughts,

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<v Speaker 2>which we'll get around to. But yes, this movie, I mean,

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<v Speaker 2>for it's many flaws. It does pass the Bexel test,

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<v Speaker 2>not the way as I particularly like. Oh it's heinous,

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<v Speaker 2>but yeah, but that's why we talk about all the time.

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<v Speaker 2>It's a flawed metric. It was created as a bit.

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<v Speaker 2>But there's plenty to talk about. And boy, oh boy,

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<v Speaker 2>this movie came out in twenty sixteen, but it really

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<v Speaker 2>feels like it came out in two thousand and four.

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<v Speaker 2>It has like huge two thousand and four vibes. But

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<v Speaker 2>it was a I kind of forgot we were talking

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<v Speaker 2>about this earlier. I forgot that Sausage Party was apparently

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<v Speaker 2>a huge hit.

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<v Speaker 3>Yes, it was like a box office smash hit. It

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<v Speaker 3>was for a while the highest grossing R rated movie

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<v Speaker 3>ever until it was really such a bummer. Oh sorry, okay,

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<v Speaker 3>I made some stuff up. It was the highest grossing

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<v Speaker 3>R rated animated film, not R rated film in general,

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<v Speaker 3>but which R rated animated film because it grossed one

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<v Speaker 3>hundred and forty one million dollars at the box office

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<v Speaker 3>against a budget of nineteen million dollars, which is a

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<v Speaker 3>low budget for an animated feature. And will go into

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<v Speaker 3>how that happened later. The budget on this movie is

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<v Speaker 3>low for.

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<v Speaker 2>A animated and then I have a lot of feelings

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<v Speaker 2>on animation labor. Yeah, well, sEH, we'll get to Animators

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<v Speaker 2>are treated so horribly and people across the spectrum in

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<v Speaker 2>terms of jobs in animation are just treated terribly. And

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<v Speaker 2>this also it also feels like it ties into conversations

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<v Speaker 2>that have gone on in the last couple of years

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<v Speaker 2>around effects workers in Marvel movies, where that's constantly been

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<v Speaker 2>like people working overtime and then not just being worked

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<v Speaker 2>to death. And you know, the whole ethos is like

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<v Speaker 2>you should be lucky to work on a Marvel movie,

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<v Speaker 2>and it's like, go fuck yourself. Yes, but yees, so

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<v Speaker 2>it was a pretty big hit and I'm realizing Kaitlyn. I,

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<v Speaker 2>first of all, I appreciate that you were willing to

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<v Speaker 2>do a hot dog themed movie to line up.

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<v Speaker 3>With Oh yeah, this was my idea.

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<v Speaker 2>Sorry hot Dog, which is which dog out?

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<v Speaker 1>Now?

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<v Speaker 2>I will say I thought this was the only movie

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<v Speaker 2>about hot dogs, but shows what I fucking know because

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<v Speaker 2>my friend Mitch last night gave me a DVD for

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<v Speaker 2>something called hot Dog the Movie. Why that came out

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<v Speaker 2>in nineteen eighty four. Well, I haven't read this anopsis yet, Okay,

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<v Speaker 2>I've had It's definitely share it. Well, of course I can.

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<v Speaker 2>Let me get the sticker off. Hold on, Okay, there's

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<v Speaker 2>a booklet inside. How we're gonna just read the beginning

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<v Speaker 2>good snowballs and powder bunnies, the sex tactic, slapstick slaloam

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<v Speaker 2>of hot Dog the movie? What hot Dogs the movie?

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<v Speaker 2>I'm not even following. I think it's a skiing movie

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<v Speaker 2>is Also what's gonna do? Is the whole thing appears

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<v Speaker 2>to take place at a Let's find out what Dog

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<v Speaker 2>the movie is. This is the supreme Bacchanalian Ski movie blowout,

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<v Speaker 2>toward which all previous Bacchanalian Ski movie blowouts has led,

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<v Speaker 2>and from which all subsequent Bachanalian Ski movie blowouts have

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<v Speaker 2>since proceeded. Backward, upside down and drunkenly spinning through the

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<v Speaker 2>air between snow capped jumping off points, hitting theaters in

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<v Speaker 2>early nineteen eighty four, at the ascending peak of post

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<v Speaker 2>Porky's teen sex comedy mania. Oh Boy, hot Dog's protagonists

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<v Speaker 2>may not have been in high school or college, but

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<v Speaker 2>the movie's ski lodge setting and r rated raunch landed

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<v Speaker 2>it squarely in the cannon of high eighties adolescent anarchy farces.

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<v Speaker 3>Let me just keep us So this is like a bias,

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<v Speaker 3>a biography of the movie more than a synopsis.

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<v Speaker 2>I'm under real this is a movie about skiing. Why

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<v Speaker 2>is it called hot Dog the movie? Wait? Hang on,

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<v Speaker 2>I'm getting pissed off. I'm getting pissed off. Let's google where? Yeah,

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<v Speaker 2>when is when the hot dogs coming?

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<v Speaker 3>Are the skiers?

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<v Speaker 2>Like?

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<v Speaker 3>Are the wait?

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<v Speaker 2>It's about? The film stars Patrick Hawser as Harken Banks,

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<v Speaker 2>a young and ambitious freestyle skier from Bonners Ferry, Idaho,

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<v Speaker 2>who's determined to prove himself in the freestyle skiing competition

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<v Speaker 2>at Squaw Valley. Along the way, he teams with a

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<v Speaker 2>there's no hot dogs in this movie.

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<v Speaker 3>Yeah, it's just about it's a teen sex comedy about

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<v Speaker 3>freestyle skiers.

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<v Speaker 2>Well, that has nothing to do with hot dogs, And

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<v Speaker 2>I'm pissed. Apparently this movie made it budget back eleven times.

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<v Speaker 2>Not that he has ever heard of it, and hopefully

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<v Speaker 2>that's what will happen to the movie we're discussing as

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<v Speaker 2>today as well, Sausage Party. Caitlin Doranday, what's her history

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<v Speaker 2>with this movie?

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<v Speaker 3>I did not see it in theaters, but I did

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<v Speaker 3>see it shortly after it came out, because there was

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<v Speaker 3>a lot of buzz about this movie. Not only was

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<v Speaker 3>it a box office hit, it was critically well received.

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<v Speaker 2>It has eighty two percent on Rotten Tomatoes, which is

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<v Speaker 2>unexplained that the male I remember being shocked by that

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<v Speaker 2>at the time too, because this was shortly before the

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<v Speaker 2>Bechdel Cast began. Yeah, this came out the summer before

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<v Speaker 2>mm hm.

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<v Speaker 3>So I saw it sometime later in twenty sixteen, and

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<v Speaker 3>remember thinking, and this was before I was like, like

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<v Speaker 3>you said, this was before we started the Bechdel Cast.

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<v Speaker 3>So even though like representation was on my mind when

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<v Speaker 3>I was watching movies, you know, we didn't have quite

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<v Speaker 3>the nuanced takes that we do now.

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<v Speaker 2>But you don't need a nuanced view of cinema to

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<v Speaker 2>realize that.

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<v Speaker 3>I would say that this is one of the worst

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<v Speaker 3>movies I've ever seen from a storytelling point of view

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<v Speaker 3>and from a representation point of view, It's just abysmal

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<v Speaker 3>in every imaginable way.

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<v Speaker 2>It's a really And it's interesting to read back the

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<v Speaker 2>good reviews of this movie because there is sort of

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<v Speaker 2>a lot of like and I do think it has

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<v Speaker 2>to do with how beloved seth Rogen is by pop

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<v Speaker 2>culture and by the general culture in general, and general

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<v Speaker 2>culture in general, Jae come on, and I'm like, we're

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<v Speaker 2>not knocking Seth Rogen fans, Like I've enjoyed a lot

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<v Speaker 2>of Seth Rogen over the years, although I did used

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<v Speaker 2>to say I would deport them to Canada, which was

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<v Speaker 2>not nice of me, but no, I mean it's like

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<v Speaker 2>I've I've enjoyed a lot of Seth Rogen's work. This

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<v Speaker 2>is just really not I don't know. I felt a

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<v Speaker 2>sort of like in reading a lot of reviews, a

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<v Speaker 2>lot of bending over backwards to make this movie okay

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<v Speaker 2>because Seth Rogan made it and like all these beloved

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<v Speaker 2>comedians of this era made it. And I do wonder

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<v Speaker 2>what how this movie would be received if it came

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<v Speaker 2>out now. And also like reading about the ostensible like

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<v Speaker 2>intentions that the writers had, like where they were like,

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<v Speaker 2>it's this is something that we'll get into it but

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<v Speaker 2>it just like never ever, ever, ever, ever works when

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<v Speaker 2>someone's like, this movie is equal opportunity offensive, no one

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<v Speaker 2>is safe from my pen and it's just like, well,

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<v Speaker 2>that completely ignores any dynamics of like privilege or who

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<v Speaker 2>gets to make most movies, So that does not work.

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<v Speaker 2>And it's just like I was reading in the reviews

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<v Speaker 2>of this that I don't know, like the closest I

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<v Speaker 2>could say to something positive about this movie is that

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<v Speaker 2>it's attempting to say something about faith. I don't think

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<v Speaker 2>it successfully does. I understand that it's attempting to. But

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<v Speaker 2>everything else is just like presenting very broad stereotypes in

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<v Speaker 2>a way that is not presenting the I was not seeing.

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<v Speaker 2>The commentary that was implied in some of these reviews

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<v Speaker 2>is I'm like commenting on what exactly exactly what does

0:13:03.800 --> 0:13:08.199
<v Speaker 2>Bill Hayter playing a native character in the most broadly

0:13:08.280 --> 0:13:14.960
<v Speaker 2>offensive way possible on multiple levels? What does that comment anything?

0:13:15.400 --> 0:13:18.920
<v Speaker 3>Yeah, the critical consensus on Rotten Tomatoes.

0:13:18.679 --> 0:13:22.680
<v Speaker 2>Is which, again, Rotten Tomatoes is like a shitty metric, but.

0:13:23.040 --> 0:13:26.840
<v Speaker 3>So people consult it like I go on Rotten Tomatoes

0:13:26.920 --> 0:13:28.880
<v Speaker 3>to be like should I see this movie?

0:13:28.960 --> 0:13:30.400
<v Speaker 2>I don't know sure?

0:13:30.559 --> 0:13:34.280
<v Speaker 3>But the critic consensus is Sausage Party is definitely offensive.

0:13:34.480 --> 0:13:38.520
<v Speaker 3>I agree with that, but backs up its enthusiastic profanity

0:13:38.920 --> 0:13:43.280
<v Speaker 3>with an impressively high laugh to gag Ratio. I do

0:13:43.440 --> 0:13:46.080
<v Speaker 3>not agree with that because I did not laugh fucking once.

0:13:46.240 --> 0:13:47.400
<v Speaker 2>No, it's all puns.

0:13:48.080 --> 0:13:50.320
<v Speaker 3>Yeah, like, it's all bad, and I love a pun,

0:13:50.440 --> 0:13:51.640
<v Speaker 3>but none of these puns are good.

0:13:52.000 --> 0:13:52.439
<v Speaker 2>I don't.

0:13:53.360 --> 0:13:56.199
<v Speaker 3>And then then the final part of this is so

0:13:56.360 --> 0:13:59.319
<v Speaker 3>it's you know, it backs up the enthusiastic profanity with

0:13:59.320 --> 0:14:02.800
<v Speaker 3>an impressively high laugh to gag Ratio and a surprisingly

0:14:03.040 --> 0:14:04.720
<v Speaker 3>thought provoking storyline.

0:14:05.080 --> 0:14:11.480
<v Speaker 2>Also, no, I like truly the no no like this

0:14:11.679 --> 0:14:15.520
<v Speaker 2>is I went to a letterboxed on this one as well,

0:14:15.720 --> 0:14:19.320
<v Speaker 2>just to get a fe I love letterbox reviews a lot.

0:14:19.560 --> 0:14:21.640
<v Speaker 2>Oh they're great. The top review is I'm only four

0:14:21.720 --> 0:14:23.480
<v Speaker 2>minutes into this, but I think this is the most

0:14:23.520 --> 0:14:28.120
<v Speaker 2>evil movie I've ever seen. And I hard agree with that.

0:14:28.520 --> 0:14:32.880
<v Speaker 2>And this is why we need better movies about hot dogs.

0:14:33.520 --> 0:14:36.240
<v Speaker 2>And I would I I'm you know, I'm not even

0:14:36.280 --> 0:14:38.520
<v Speaker 2>throwing my hat in the ring. I am the fucking ring.

0:14:38.880 --> 0:14:41.920
<v Speaker 2>I'm gonna make a hot dog movie that doesn't suck ass.

0:14:42.320 --> 0:14:45.880
<v Speaker 2>This is my history with this movie is that I

0:14:46.200 --> 0:14:49.560
<v Speaker 2>saw it similar shortly after it came out, because but

0:14:49.680 --> 0:14:54.000
<v Speaker 2>I remember like seeing it with a friend that we

0:14:54.120 --> 0:14:56.960
<v Speaker 2>were watching it again. We hadn't started the Betel cast.

0:14:57.040 --> 0:14:59.520
<v Speaker 2>But it doesn't mean we weren't feminists or like didn't

0:14:59.560 --> 0:15:03.360
<v Speaker 2>have a brain that like. I saw it because I

0:15:03.480 --> 0:15:06.560
<v Speaker 2>thought I would be a like really upset and annoyed

0:15:06.640 --> 0:15:09.640
<v Speaker 2>by it, and so we watched it kind of as

0:15:09.720 --> 0:15:13.480
<v Speaker 2>like a joke. Yeah, and you know, sure enough, I

0:15:13.760 --> 0:15:16.720
<v Speaker 2>fucking hated it. I may have written about it at

0:15:16.760 --> 0:15:18.240
<v Speaker 2>the time. This was back when I was doing a

0:15:18.320 --> 0:15:20.400
<v Speaker 2>lot of like writing. I mean, I was like a

0:15:20.440 --> 0:15:26.360
<v Speaker 2>full time writer on various websites. Wow brag, thank you.

0:15:27.400 --> 0:15:29.120
<v Speaker 2>But yeah, I'm pretty sure I wrote an essay about

0:15:29.120 --> 0:15:31.760
<v Speaker 2>it for Paste at the time, not about Sausage Party

0:15:31.800 --> 0:15:36.000
<v Speaker 2>in particular, but like this like manchild comedy that I

0:15:36.080 --> 0:15:39.160
<v Speaker 2>think has since this is kind of like as far

0:15:39.200 --> 0:15:42.160
<v Speaker 2>as I can tell, at least in the hugely popular

0:15:42.280 --> 0:15:44.760
<v Speaker 2>sense kind of the tail end of it. Yeah, and

0:15:45.640 --> 0:15:47.560
<v Speaker 2>it had a fucking run. I would say that this

0:15:48.240 --> 0:15:53.320
<v Speaker 2>like style of broadly offensive humor that employs all of

0:15:53.360 --> 0:15:56.960
<v Speaker 2>these fucking tropes that says it saying something, but it's not.

0:15:57.240 --> 0:16:01.720
<v Speaker 2>And it's pretty fucking evil, is they. It had a good,

0:16:01.960 --> 0:16:07.400
<v Speaker 2>like decade long kind of choke hold on comedy in.

0:16:07.920 --> 0:16:10.520
<v Speaker 3>Movies, and it was like the Judd Apatow era.

0:16:10.800 --> 0:16:12.400
<v Speaker 2>Well, it's like yeah, and it's like that's the thing

0:16:12.480 --> 0:16:16.280
<v Speaker 2>that's fascinating, frustrating whatever about it is like even Judd

0:16:16.280 --> 0:16:20.280
<v Speaker 2>Apatow and Seth Rogan don't do shit like this anymore

0:16:20.520 --> 0:16:22.520
<v Speaker 2>because I don't think that they can get away with it.

0:16:22.960 --> 0:16:27.120
<v Speaker 3>Yeah, and I know Seth has Seth Rogan not been like, oops,

0:16:27.680 --> 0:16:29.880
<v Speaker 3>I made some stuff back in the day that I

0:16:30.000 --> 0:16:34.800
<v Speaker 3>can't really vouch for anymore. Did that happen, Yes, definitely, Yeah,

0:16:35.080 --> 0:16:35.760
<v Speaker 3>he did so.

0:16:35.880 --> 0:16:37.680
<v Speaker 2>Yeah. I think it is kind of interesting that in

0:16:37.800 --> 0:16:41.200
<v Speaker 2>the last two years, it appears this like started in

0:16:41.320 --> 0:16:45.520
<v Speaker 2>twenty twenty one, Seth Rogan has attempted to sort of

0:16:46.080 --> 0:16:53.560
<v Speaker 2>address past offensive both like content in movies and treatment

0:16:53.960 --> 0:16:58.600
<v Speaker 2>of people, if not from him specifically by a production

0:16:58.840 --> 0:17:01.880
<v Speaker 2>that he was involved whether or in charge of. So.

0:17:02.000 --> 0:17:05.520
<v Speaker 2>Examples would include i'ma Watson and this is the end

0:17:06.040 --> 0:17:10.439
<v Speaker 2>Catherine Heigel in Knocked Up, and I'm also seeing an

0:17:10.600 --> 0:17:15.840
<v Speaker 2>incident regarding a child actor in Good Boys, a movie

0:17:15.880 --> 0:17:20.680
<v Speaker 2>I did not see having their skin darkened. Oh yeah,

0:17:20.800 --> 0:17:24.879
<v Speaker 2>So there was this sort of I don't want to

0:17:25.040 --> 0:17:29.720
<v Speaker 2>be too reductive and say apology tour like, but a

0:17:29.880 --> 0:17:33.920
<v Speaker 2>series of like this is such a I don't know,

0:17:34.640 --> 0:17:40.840
<v Speaker 2>but they're okay in any case. My opinion is that

0:17:41.640 --> 0:17:47.600
<v Speaker 2>Sausage Party is too recent to be doing but it

0:17:47.680 --> 0:17:50.560
<v Speaker 2>does feel like this all that to say, Sausage Party

0:17:50.640 --> 0:17:54.560
<v Speaker 2>feels like arriving at the tail end of this style

0:17:54.640 --> 0:17:58.120
<v Speaker 2>of comedy being extremely mainstream popular.

0:17:58.680 --> 0:18:00.600
<v Speaker 3>Yeah, and it still has a long way to go,

0:18:00.800 --> 0:18:03.840
<v Speaker 3>but there was kind of like a cultural turning point,

0:18:05.280 --> 0:18:10.520
<v Speaker 3>like right around this time where media and especially comedy

0:18:10.680 --> 0:18:18.959
<v Speaker 3>wasn't so reliant on reductive stereotypes and tropes and punching

0:18:19.040 --> 0:18:22.000
<v Speaker 3>down humor, which we've talked about many times on the show.

0:18:22.680 --> 0:18:26.400
<v Speaker 3>That became way less popular right around this time.

0:18:27.520 --> 0:18:31.800
<v Speaker 2>Yes, and this it's because the Bechtel no kidding.

0:18:31.560 --> 0:18:34.840
<v Speaker 3>Yeah, no, we fixed the world. You're welcome, everybody, no

0:18:34.960 --> 0:18:35.119
<v Speaker 3>of it.

0:18:35.200 --> 0:18:38.120
<v Speaker 2>I do think it like has I mean whatever, We're

0:18:38.160 --> 0:18:41.520
<v Speaker 2>not historians or anthropologists, but this comes out, you know,

0:18:41.600 --> 0:18:44.560
<v Speaker 2>the summer before the twenty sixteen election, which I feel

0:18:44.600 --> 0:18:48.879
<v Speaker 2>like was a marked kind of a huge shift in

0:18:49.400 --> 0:18:55.080
<v Speaker 2>demanding better representation for sure in movies. Was that successful

0:18:56.640 --> 0:19:01.480
<v Speaker 2>still TBD, working on it, work in progress. But I

0:19:01.640 --> 0:19:04.480
<v Speaker 2>do take a little bit of comfort in watching this

0:19:04.640 --> 0:19:06.639
<v Speaker 2>movie that was a hit in twenty sixteen and feeling

0:19:06.680 --> 0:19:10.520
<v Speaker 2>pretty confident that it probably couldn't even get green lid

0:19:10.680 --> 0:19:14.760
<v Speaker 2>here right now. So that makes me feel a little better.

0:19:15.560 --> 0:19:17.320
<v Speaker 2>But yeah, I saw this movie as a joke. I

0:19:17.640 --> 0:19:20.280
<v Speaker 2>have not thought of it since really, I mean to

0:19:20.320 --> 0:19:21.919
<v Speaker 2>the point where I literally wrote a book about hot

0:19:21.960 --> 0:19:24.200
<v Speaker 2>dogs and didn't even think to include it. Right.

0:19:24.840 --> 0:19:27.800
<v Speaker 3>Yeah, it has no lasting legacy, which is comforting.

0:19:28.040 --> 0:19:31.440
<v Speaker 2>No, and I don't think I think, especially because of

0:19:32.080 --> 0:19:37.240
<v Speaker 2>the style of humor being so broad and I think evil,

0:19:37.800 --> 0:19:41.160
<v Speaker 2>as well as the labor issues that sort of stuck

0:19:41.240 --> 0:19:44.440
<v Speaker 2>to this movie for several years. I know that there's

0:19:44.480 --> 0:19:47.480
<v Speaker 2>been interest in a sequel from Seth Rogan, but I

0:19:47.920 --> 0:19:52.720
<v Speaker 2>just personally I don't see it happening. However, Caitlin. In

0:19:52.800 --> 0:19:57.320
<v Speaker 2>October twenty twenty two, Sausage Party Food Topia, a sequel

0:19:57.359 --> 0:19:59.920
<v Speaker 2>series based on the film, was greenlt from Amazon Studios.

0:20:00.640 --> 0:20:06.040
<v Speaker 2>So too, well, you know, uh, look at look at God,

0:20:07.320 --> 0:20:11.720
<v Speaker 2>which is what this movie says it's about, but it's not. Yeah,

0:20:12.160 --> 0:20:16.520
<v Speaker 2>should we get into. This movie really is viscerally upset. Yeah,

0:20:16.760 --> 0:20:19.639
<v Speaker 2>and it's there's so many like I mean, this is

0:20:19.680 --> 0:20:20.919
<v Speaker 2>true of a lot of the there's like a lot

0:20:20.960 --> 0:20:23.800
<v Speaker 2>of performers I genuinely enjoy in this movie.

0:20:23.960 --> 0:20:26.119
<v Speaker 3>And there's so many people that are too good for

0:20:26.200 --> 0:20:27.680
<v Speaker 3>the Why is Selma Hike in this?

0:20:28.600 --> 0:20:31.040
<v Speaker 2>Oh God? I mean we'll get into I mean, I

0:20:31.200 --> 0:20:34.639
<v Speaker 2>I at very least hope that people were well some

0:20:34.880 --> 0:20:37.159
<v Speaker 2>I don't. I don't even know. I don't know, I

0:20:37.280 --> 0:20:41.920
<v Speaker 2>don't know. I'm so like, oh, I don't know, Yeah,

0:20:41.960 --> 0:20:45.119
<v Speaker 2>why did they? I just feel deflated?

0:20:45.640 --> 0:20:48.960
<v Speaker 3>Same. Well, let's take a quick break and regroup. Yes,

0:20:49.080 --> 0:20:51.240
<v Speaker 3>and then we'll come back for a recap that will

0:20:51.359 --> 0:20:54.840
<v Speaker 3>just upset us again. Great, So we'll be right back.

0:21:01.080 --> 0:21:04.960
<v Speaker 2>And we're back, all right. Can I just quickly read

0:21:05.000 --> 0:21:10.600
<v Speaker 2>off the cast for this movie? Please? Okay? It really

0:21:10.840 --> 0:21:16.200
<v Speaker 2>is all okay, seth Rogen, Michael Sarah Kristen Wick, Edward Norton,

0:21:16.359 --> 0:21:22.040
<v Speaker 2>question Mark, David Crumb, Holds h betrayal, Salma Hayak, Bill Hayter.

0:21:23.080 --> 0:21:26.560
<v Speaker 2>I think comes out the worst, yeah, out of the

0:21:26.640 --> 0:21:30.679
<v Speaker 2>whole cast. And that's saying something. Craig Robinson, Nick Kroll,

0:21:31.440 --> 0:21:36.200
<v Speaker 2>James Franco, Jonah Haill, Andrews Home, Danny McBride, how dare he?

0:21:37.440 --> 0:21:42.920
<v Speaker 2>Paul Rudd, It's just come on, come on, yeah, all

0:21:43.000 --> 0:21:46.520
<v Speaker 2>of you, all of you, shame on you, except for

0:21:47.840 --> 0:21:51.920
<v Speaker 2>I would say Salama hyak, everyone else, shame on you. Yeah.

0:21:51.920 --> 0:21:55.680
<v Speaker 3>But also her character. We'll get there, Okay.

0:21:56.080 --> 0:21:57.919
<v Speaker 2>I don't know. So I don't know. I hope they

0:21:57.960 --> 0:21:59.720
<v Speaker 2>paid her a lot of money. But also, oh my god,

0:22:00.200 --> 0:22:05.920
<v Speaker 2>we didn't what they probably didn't. Why would you do this?

0:22:06.240 --> 0:22:11.480
<v Speaker 2>How I can't imagine outside of money, you know. I

0:22:12.000 --> 0:22:15.000
<v Speaker 2>just don't know. I just don't know. I was thinking

0:22:15.000 --> 0:22:16.800
<v Speaker 2>about this the other day when I was watching a

0:22:16.920 --> 0:22:21.920
<v Speaker 2>video of Bill nigh he O King, who describes walking

0:22:21.960 --> 0:22:23.960
<v Speaker 2>around the set of Pirates of the Caribbean when he

0:22:24.040 --> 0:22:26.920
<v Speaker 2>was playing Davy Jones, just saying the money, the money,

0:22:27.040 --> 0:22:33.040
<v Speaker 2>the money. I was like, I hope, oh wow, oh

0:22:33.160 --> 0:22:35.200
<v Speaker 2>he's the best of him.

0:22:35.280 --> 0:22:36.040
<v Speaker 3>Okay, okay.

0:22:36.240 --> 0:22:38.760
<v Speaker 2>Sausage party. So most of the movie.

0:22:38.600 --> 0:22:43.320
<v Speaker 3>Takes place at a grocery store called Shop Wells. We

0:22:44.000 --> 0:22:49.080
<v Speaker 3>meet a few hot dogs in a pack. Frank voiced

0:22:49.119 --> 0:22:50.360
<v Speaker 3>by Seth Rogen.

0:22:51.359 --> 0:22:56.640
<v Speaker 2>As a hot dog. He's Frank hilarious. I'm laughing already. Wait,

0:22:56.760 --> 0:22:59.960
<v Speaker 2>but do the buns have tits? This is so upset

0:23:01.280 --> 0:23:06.000
<v Speaker 2>gender essentialism with hot dogs, like oh oh oh, that's nasty.

0:23:06.200 --> 0:23:09.159
<v Speaker 2>There's a whole spiel I have that's fucking filthy.

0:23:09.359 --> 0:23:13.520
<v Speaker 3>Another hot dog is Carl voiced by Jonah Hill and

0:23:13.960 --> 0:23:18.040
<v Speaker 3>Barry voiced by Michael Sarah. These hot dogs, along with

0:23:18.200 --> 0:23:21.960
<v Speaker 3>all of the other food and condiments and household products

0:23:22.080 --> 0:23:26.840
<v Speaker 3>in this grocery store, are sentient, and their goal is

0:23:26.920 --> 0:23:31.840
<v Speaker 3>to be selected by people who the food thinks are gods.

0:23:32.400 --> 0:23:36.399
<v Speaker 2>Okay, so quick energ I'm gonna try to try my

0:23:36.480 --> 0:23:39.120
<v Speaker 2>best to enjoy this episode more by interjecting with hot

0:23:39.160 --> 0:23:45.320
<v Speaker 2>dog facts. I love please that dogs are now sentient. Yes, no,

0:23:46.880 --> 0:23:49.200
<v Speaker 2>I will say that there is not that. I think

0:23:49.320 --> 0:23:52.280
<v Speaker 2>that anyone who was writing this movie was thinking a

0:23:52.400 --> 0:23:55.800
<v Speaker 2>thought the entire time. Correct, But there is a weird

0:23:55.960 --> 0:23:59.720
<v Speaker 2>precedent for like picturing like hot dogs specifically, but also

0:23:59.720 --> 0:24:02.800
<v Speaker 2>a lot of food of just like anthropomortiizing food in

0:24:02.880 --> 0:24:05.359
<v Speaker 2>a way that is like begging you to eat it

0:24:05.560 --> 0:24:07.680
<v Speaker 2>in a way that's kind of nasty. And there's one

0:24:07.720 --> 0:24:11.399
<v Speaker 2>particular hot dog statue that is I've seen it across

0:24:11.480 --> 0:24:14.080
<v Speaker 2>the country. I want I don't know. I didn't. This

0:24:14.320 --> 0:24:17.000
<v Speaker 2>was not an international project, so I can only speak

0:24:17.000 --> 0:24:18.560
<v Speaker 2>to the US. If you're a listener outside of the

0:24:18.680 --> 0:24:21.159
<v Speaker 2>US that has seen this hot dog statue, please let

0:24:21.200 --> 0:24:24.240
<v Speaker 2>me know. It's so gross. It is a It's first

0:24:24.280 --> 0:24:26.520
<v Speaker 2>of all, it's huge, It's like six feet tall, and

0:24:26.680 --> 0:24:30.960
<v Speaker 2>it's it sort of is anthropomorphized in the Mickey Mouse

0:24:31.040 --> 0:24:33.720
<v Speaker 2>way that that these hot dogs are. They got the

0:24:33.720 --> 0:24:36.720
<v Speaker 2>white gloves, they got the little legs, whatever, you gotta

0:24:36.960 --> 0:24:38.359
<v Speaker 2>make them look like something. And I feel like the

0:24:38.440 --> 0:24:41.560
<v Speaker 2>Mickey Mouse method is most common. But this hot dog

0:24:41.680 --> 0:24:46.119
<v Speaker 2>is slouching over. He's holding I say he because it

0:24:46.240 --> 0:24:50.159
<v Speaker 2>seems like that's what again, the gender is antalism of

0:24:50.200 --> 0:24:50.680
<v Speaker 2>hot dogs.

0:24:50.760 --> 0:24:55.280
<v Speaker 3>People love to gender hot dogs as men and more specifically.

0:24:55.000 --> 0:24:59.720
<v Speaker 2>Horny man heenuses, okay, whatever, but the hot dog is

0:25:00.119 --> 0:25:03.520
<v Speaker 2>louched over. He's also got teeth hat that yeah, I mean,

0:25:03.600 --> 0:25:06.480
<v Speaker 2>so does Frank. And you're like, well, it like you

0:25:06.520 --> 0:25:09.960
<v Speaker 2>could have a whole thing that There's this amazing video

0:25:10.000 --> 0:25:12.160
<v Speaker 2>from this YouTuber named Mike's Mike where he breaks down

0:25:12.240 --> 0:25:15.399
<v Speaker 2>everything about the movie Cars that is like body horror,

0:25:16.960 --> 0:25:18.800
<v Speaker 2>and you could have a very similar video about this.

0:25:19.000 --> 0:25:22.080
<v Speaker 2>But the hot talk statues holding ketch him in one hand,

0:25:22.240 --> 0:25:25.520
<v Speaker 2>mustard and another squeezing it all over on himself and

0:25:25.640 --> 0:25:29.200
<v Speaker 2>licking his teeth like he's dressing himself to be eaten

0:25:29.280 --> 0:25:30.879
<v Speaker 2>by you. But he also looks like he's kind of

0:25:30.920 --> 0:25:34.360
<v Speaker 2>in pain. Oh No, it's disgusting and it's so big.

0:25:35.000 --> 0:25:36.399
<v Speaker 2>And then I looked it up online. It costs like

0:25:36.440 --> 0:25:38.600
<v Speaker 2>twelve hundred dollars. I'm like, why would you buy this?

0:25:39.680 --> 0:25:41.399
<v Speaker 2>Why would this be in your house? So this is

0:25:41.440 --> 0:25:43.119
<v Speaker 2>they wanted to put that on the cover of my

0:25:43.480 --> 0:25:46.600
<v Speaker 2>book and I was like, you can't. You can't do that.

0:25:47.119 --> 0:25:49.600
<v Speaker 2>You can't do that. I'm gonna send you a picture please.

0:25:49.680 --> 0:25:50.639
<v Speaker 2>It's so nasty.

0:25:50.680 --> 0:25:53.400
<v Speaker 3>So this is like just a piece of like decorative

0:25:54.160 --> 0:25:56.639
<v Speaker 3>art question mark that you can buy and have in

0:25:56.760 --> 0:25:57.520
<v Speaker 3>your house.

0:25:57.960 --> 0:26:00.360
<v Speaker 2>No, so it's used mostly. I mean I guess you could,

0:26:00.440 --> 0:26:04.119
<v Speaker 2>but it's used mostly in hot dog restaurants. Oh, I see,

0:26:04.359 --> 0:26:07.119
<v Speaker 2>but true. I mean, this thing is being sold for

0:26:07.520 --> 0:26:11.720
<v Speaker 2>two thousand dollars on eBay and it's disgusting. It's so gross.

0:26:11.880 --> 0:26:15.159
<v Speaker 2>And then in Chicago, what is more common practice is

0:26:15.240 --> 0:26:18.560
<v Speaker 2>they will break off the arm holding the ketchup bottle.

0:26:19.400 --> 0:26:22.119
<v Speaker 3>Oh, because Chicago hot dogs are all about mustard.

0:26:22.400 --> 0:26:25.359
<v Speaker 2>They're all no there, it's well, they're they they're all

0:26:25.359 --> 0:26:27.119
<v Speaker 2>about a lot of things, but they're more about like,

0:26:27.880 --> 0:26:31.640
<v Speaker 2>no ketchup. I see Okay, are you seeing this? Oh

0:26:31.720 --> 0:26:34.920
<v Speaker 2>my god, it's it's thank you.

0:26:35.160 --> 0:26:37.480
<v Speaker 3>It's even worse than I was picturing in my head.

0:26:37.800 --> 0:26:39.920
<v Speaker 3>The face is really troubling.

0:26:40.280 --> 0:26:44.520
<v Speaker 2>It's perverse. Also, he's like wearing sneakers and socks and

0:26:44.600 --> 0:26:47.200
<v Speaker 2>has teeth, and I'm just like, this is too far.

0:26:47.880 --> 0:26:50.119
<v Speaker 3>Wait, I'm just the one I'm seeing. He's like licking

0:26:50.240 --> 0:26:52.639
<v Speaker 3>his lips. Yes, so it has a tongue.

0:26:53.000 --> 0:26:56.640
<v Speaker 2>Yes, I've seen variants that have teeth. There's a few

0:26:56.760 --> 0:26:59.479
<v Speaker 2>different variants on this. But and then there's also one

0:26:59.520 --> 0:27:01.840
<v Speaker 2>that's wrapped in an American flag, because this is so

0:27:02.240 --> 0:27:06.280
<v Speaker 2>you know, the hot dog is so tied into American jingoism,

0:27:06.400 --> 0:27:10.720
<v Speaker 2>even though it's not an American dish. It's fucking Greek

0:27:10.920 --> 0:27:15.840
<v Speaker 2>and Polish. But whatever, al right, sorry, sausage party.

0:27:16.480 --> 0:27:19.840
<v Speaker 3>So yeah, we meet all these hot dogs. Also, these

0:27:19.880 --> 0:27:23.200
<v Speaker 3>hot dogs are not being refrigerated. They're just on a

0:27:23.320 --> 0:27:26.800
<v Speaker 3>regular ass shelf, nasty next to buns.

0:27:27.240 --> 0:27:29.119
<v Speaker 2>I would rather they refrigerate the buns.

0:27:29.840 --> 0:27:32.520
<v Speaker 3>That's fine, Yeah, right, you can do that, you can. Yeah,

0:27:32.840 --> 0:27:37.040
<v Speaker 3>they last longer probably, but yeah, no, there's just like

0:27:37.160 --> 0:27:40.760
<v Speaker 3>room temperature hot dogs and we're supposed to be rooting

0:27:40.880 --> 0:27:44.960
<v Speaker 3>for them. Yeah right, Okay, So the whole thing is

0:27:45.200 --> 0:27:50.280
<v Speaker 3>that all the food revers humans as gods and they

0:27:50.800 --> 0:27:53.560
<v Speaker 3>want to be taken out of the store to the

0:27:53.680 --> 0:27:57.440
<v Speaker 3>quote unquote Great Beyond. Because the food does not know

0:27:57.720 --> 0:28:00.879
<v Speaker 3>that its purpose is to be eaten. They think that

0:28:00.960 --> 0:28:03.119
<v Speaker 3>they're going to be taken out of the store and

0:28:03.240 --> 0:28:06.800
<v Speaker 3>it's going to be this wonderful paradise because the movie

0:28:07.320 --> 0:28:11.720
<v Speaker 3>is an allegory for religion, and the food believes this

0:28:12.600 --> 0:28:18.000
<v Speaker 3>dogma about the Great Beyond basically being heaven all this stuff.

0:28:18.200 --> 0:28:22.080
<v Speaker 2>Yes, this is like the beginning of this movie's attempt

0:28:22.280 --> 0:28:27.159
<v Speaker 2>to make comment on faith, right, I feel was not

0:28:27.640 --> 0:28:33.040
<v Speaker 2>very well done, but you can tell they're attempting it, yes, right, Yeah, So.

0:28:33.119 --> 0:28:35.760
<v Speaker 3>The main thing with the hot dogs, who again are

0:28:35.880 --> 0:28:39.800
<v Speaker 3>coded as men, and we'll talk all about the coding

0:28:39.960 --> 0:28:42.880
<v Speaker 3>and the gender essentralism of all of this, but the

0:28:42.920 --> 0:28:47.200
<v Speaker 3>hot dogs who are men are excited. The main thing

0:28:47.240 --> 0:28:50.440
<v Speaker 3>that they're excited about is that they will be put

0:28:50.680 --> 0:28:55.360
<v Speaker 3>inside the hot dog buns who are coded as women.

0:28:56.040 --> 0:29:01.600
<v Speaker 2>And also coded as sentient vaginas. Right, and well, here's

0:29:01.640 --> 0:29:04.960
<v Speaker 2>what happens is that the here's the thing for me,

0:29:05.080 --> 0:29:06.440
<v Speaker 2>this is complicated stuff.

0:29:06.560 --> 0:29:11.040
<v Speaker 3>The hot dogs being put inside hot dog buns is

0:29:11.160 --> 0:29:20.040
<v Speaker 3>this very nuanced, subtle metaphor for heterosex. You probably didn't

0:29:20.120 --> 0:29:22.560
<v Speaker 3>know that until I explained it, because it's just so

0:29:23.520 --> 0:29:24.160
<v Speaker 3>subtle or.

0:29:24.320 --> 0:29:28.600
<v Speaker 4>Really subtle, and it's like, let's yeah, let's it's it's

0:29:28.640 --> 0:29:33.120
<v Speaker 4>really a hetero. And it's also very uh, everything in

0:29:33.240 --> 0:29:37.719
<v Speaker 4>this on this shelf is uh sis hetero. I'm like, correct,

0:29:37.920 --> 0:29:39.080
<v Speaker 4>they're fucking hot dogs.

0:29:39.600 --> 0:29:43.840
<v Speaker 2>Stop it, stop it? What? Uh yeah? The SCENTI and

0:29:43.880 --> 0:29:47.880
<v Speaker 2>I will say that the design, I mean whatever, animation wise,

0:29:48.000 --> 0:29:51.720
<v Speaker 2>the character design of the hot dogs. I'm not super upset.

0:29:51.840 --> 0:29:53.840
<v Speaker 2>I don't love to see teeth inside of a hot dog,

0:29:53.920 --> 0:29:55.880
<v Speaker 2>but I guess it's scarier if there's no teeth, if

0:29:55.880 --> 0:30:02.160
<v Speaker 2>we're anthrop whatever. The buns, Oh no, inexcusable, bad, bad, bad,

0:30:02.440 --> 0:30:04.920
<v Speaker 2>They're all because I feel like there's all these jokes

0:30:04.960 --> 0:30:09.560
<v Speaker 2>that have ablest coding to them of like a smooshed bun,

0:30:09.960 --> 0:30:13.120
<v Speaker 2>or like a hot dog that isn't like the correct

0:30:13.200 --> 0:30:17.000
<v Speaker 2>quote unquote shape or size or whatever, which is not

0:30:17.440 --> 0:30:21.320
<v Speaker 2>just ablest coded, very very clearly. It's also like, but

0:30:21.520 --> 0:30:24.200
<v Speaker 2>the regular buns don't look like hot dog buns because

0:30:24.240 --> 0:30:27.840
<v Speaker 2>regular hot dog buns don't have todays and a big

0:30:27.920 --> 0:30:32.440
<v Speaker 2>old butt like we talk, and like hot dog bus

0:30:32.480 --> 0:30:36.320
<v Speaker 2>are not like famously curvy, like what are you talking about? More?

0:30:36.440 --> 0:30:44.120
<v Speaker 2>And I hate the sideways. Oh they don't have that's

0:30:44.440 --> 0:30:48.280
<v Speaker 2>so okay. Why does seth Rogen hot dog have teeth?

0:30:48.760 --> 0:30:51.960
<v Speaker 2>Christm wigbun no teeth, Sideway's mouth, no teeth.

0:30:52.520 --> 0:30:56.000
<v Speaker 3>The character design in this movie is just I hate it.

0:30:56.600 --> 0:31:01.120
<v Speaker 2>Yeah, but the vagina buns I have, really I have,

0:31:02.480 --> 0:31:04.840
<v Speaker 2>it's so hard to look at. Yeah, so, and you're

0:31:04.960 --> 0:31:09.560
<v Speaker 2>just like, but vaginas are literally beautiful, Wow, why would

0:31:09.600 --> 0:31:12.920
<v Speaker 2>you do that? And also it's like I don't like

0:31:13.200 --> 0:31:16.280
<v Speaker 2>it's just all like the fact that I mean, we've

0:31:16.280 --> 0:31:20.760
<v Speaker 2>talked about this in animation before, where anything remotely woman coded,

0:31:21.720 --> 0:31:24.200
<v Speaker 2>and like we've been talking about this since the Ghostbusters

0:31:24.240 --> 0:31:27.640
<v Speaker 2>episode where it's like male coded animated characters can look

0:31:27.680 --> 0:31:33.160
<v Speaker 2>like anything. Women have to have a fucking huge like iftimes,

0:31:33.200 --> 0:31:36.120
<v Speaker 2>like distinct boobs and butt, which is obviously like not

0:31:36.360 --> 0:31:40.280
<v Speaker 2>knocking anyone who has boobs and butt? Like, whatever, how

0:31:40.400 --> 0:31:43.600
<v Speaker 2>dare you so? I have boobs and butt? What do

0:31:43.680 --> 0:31:47.000
<v Speaker 2>you say? I have a butt? I technically have boobs.

0:31:47.400 --> 0:31:51.000
<v Speaker 2>It's fine, Like it's fine, it's body. But like, you know,

0:31:51.120 --> 0:31:52.640
<v Speaker 2>we can't look like anything.

0:31:52.520 --> 0:31:56.040
<v Speaker 3>Right, we It's it's a very specific like western beauty

0:31:56.160 --> 0:32:01.160
<v Speaker 3>standards body shape and size that is ascribed to female

0:32:01.240 --> 0:32:02.080
<v Speaker 3>characters in animation.

0:32:02.360 --> 0:32:04.640
<v Speaker 2>But Kaitlyn, why why for.

0:32:04.760 --> 0:32:05.880
<v Speaker 3>A hot dog bun?

0:32:06.480 --> 0:32:09.240
<v Speaker 2>The hot dog is, well, the hot dog, but even

0:32:09.320 --> 0:32:12.200
<v Speaker 2>by this movie's logic, the hot dog is clearly supposed

0:32:12.200 --> 0:32:15.920
<v Speaker 2>to be penis coated. Right, it's a sentient thick and

0:32:16.040 --> 0:32:20.080
<v Speaker 2>it's horny, because that's how we essentialize male sexuality. Right.

0:32:20.640 --> 0:32:27.680
<v Speaker 2>The bun is vagina, But vaginas don't have boobs. It's

0:32:27.800 --> 0:32:31.160
<v Speaker 2>kind of if that would mean you're so sick if

0:32:31.320 --> 0:32:37.120
<v Speaker 2>that was happening. I just don't know, Like I just don't, like, yeah,

0:32:37.240 --> 0:32:39.000
<v Speaker 2>vaginas don't have butt.

0:32:38.920 --> 0:32:41.600
<v Speaker 3>They don't have an ass, they don't they don't have titties.

0:32:41.800 --> 0:32:44.200
<v Speaker 2>Not to be a woman in stem but they don't.

0:32:44.600 --> 0:32:46.880
<v Speaker 2>But it's like it's so perverse to me that like

0:32:47.200 --> 0:32:51.920
<v Speaker 2>even just making the character a sentient vagina was not horny. Enough,

0:32:51.960 --> 0:32:54.360
<v Speaker 2>they also had to give the vagina. Yeah, boobs and

0:32:54.480 --> 0:32:58.560
<v Speaker 2>a butt. It doesn't make sense and it looks horrible.

0:32:58.640 --> 0:32:59.440
<v Speaker 3>It looks like shit.

0:33:00.200 --> 0:33:04.920
<v Speaker 2>It's so cross not knocking the animators. I'm sure that

0:33:05.560 --> 0:33:07.200
<v Speaker 2>the creatives insisted on this.

0:33:07.480 --> 0:33:11.640
<v Speaker 3>Yeah, the animators aren't designing the characters. No, So whoever

0:33:11.840 --> 0:33:15.000
<v Speaker 3>was responsible for character design really needs to.

0:33:15.760 --> 0:33:20.280
<v Speaker 2>Really, I this movie is like truly chaotic evil on

0:33:20.400 --> 0:33:23.000
<v Speaker 2>every level, and these things are sort of like occurring

0:33:23.040 --> 0:33:25.000
<v Speaker 2>to me as we go, like, Wow, they really put

0:33:25.360 --> 0:33:29.720
<v Speaker 2>boobs and a butt on a vagina. Yes, that is correct.

0:33:30.120 --> 0:33:33.800
<v Speaker 2>We're never gonna be any free. This is just like

0:33:34.520 --> 0:33:36.680
<v Speaker 2>a nightmare. Yeah, okay.

0:33:36.840 --> 0:33:40.160
<v Speaker 3>So the main bun character who we meet and follow

0:33:40.240 --> 0:33:44.040
<v Speaker 3>throughout the movie is Brenda voiced by Kristin Wig. She

0:33:44.320 --> 0:33:48.480
<v Speaker 3>is Frank's girlfriend love Kristin Wig same and the following

0:33:48.560 --> 0:33:51.280
<v Speaker 3>day is the fourth of July, which means that it's

0:33:51.520 --> 0:33:55.160
<v Speaker 3>pretty likely that the hot dogs and buns will be

0:33:55.320 --> 0:33:58.880
<v Speaker 3>taken out of the store to the Great Beyond and

0:33:59.520 --> 0:34:04.080
<v Speaker 3>Frank Brenda will finally get to have sex. Yeah, sure enough,

0:34:04.560 --> 0:34:08.000
<v Speaker 3>Frank's pack of hot dogs and Brenda's pack of buns

0:34:08.120 --> 0:34:10.680
<v Speaker 3>are selected from the shelf and put into a cart

0:34:11.000 --> 0:34:13.880
<v Speaker 3>by one of the quote unquote gods aka a woman.

0:34:14.200 --> 0:34:21.200
<v Speaker 2>But before this happens, they have some sort of sexual contact.

0:34:21.440 --> 0:34:25.279
<v Speaker 2>They have touched tips, yeah, which is later used. And

0:34:25.560 --> 0:34:27.920
<v Speaker 2>I saw reviews at this movie that were like, this

0:34:28.160 --> 0:34:33.799
<v Speaker 2>is the commentary on Christian values, and you're like, shut up,

0:34:34.160 --> 0:34:38.680
<v Speaker 2>they're like that they touch tips, They touch fingertips, right,

0:34:38.880 --> 0:34:42.399
<v Speaker 2>but it's like a sexually coated like yeah, whatever, touch

0:34:42.480 --> 0:34:45.600
<v Speaker 2>tips fine, which is then used for the rest when

0:34:45.680 --> 0:34:48.080
<v Speaker 2>things go wrong in the movie. As time goes on,

0:34:48.239 --> 0:34:50.799
<v Speaker 2>Brenda thinks that this is because she had any sort

0:34:50.840 --> 0:34:54.080
<v Speaker 2>of pre marital or like pre whatever.

0:34:54.360 --> 0:34:54.560
<v Speaker 4>Yeah.

0:34:54.600 --> 0:34:57.000
<v Speaker 3>She thinks she's being punished by the gods for having

0:34:57.239 --> 0:35:00.200
<v Speaker 3>pre marital sexual contact with Frank.

0:35:00.320 --> 0:35:02.840
<v Speaker 2>Which I guess you could argue comes around in the end,

0:35:02.920 --> 0:35:06.120
<v Speaker 2>but not in a very satisfying way. And it and

0:35:06.239 --> 0:35:09.120
<v Speaker 2>also just like the way that they're and again I

0:35:09.560 --> 0:35:11.800
<v Speaker 2>know that this was argued as commentary, but it just

0:35:11.960 --> 0:35:14.840
<v Speaker 2>it didn't argue with me. Were at the beginning, the

0:35:15.040 --> 0:35:19.120
<v Speaker 2>hot dogs are just like, we want to fucking fucking fuck,

0:35:19.440 --> 0:35:22.960
<v Speaker 2>and then the bun ladies are like, we want to

0:35:23.080 --> 0:35:24.040
<v Speaker 2>be loved.

0:35:23.840 --> 0:35:26.000
<v Speaker 3>Me and we went to I wrote it down, it's

0:35:26.239 --> 0:35:29.080
<v Speaker 3>we went to love and hug and feel and share

0:35:29.360 --> 0:35:33.960
<v Speaker 3>me via because women be having emotions and men only

0:35:34.040 --> 0:35:34.920
<v Speaker 3>want to have sex.

0:35:35.280 --> 0:35:38.200
<v Speaker 2>Ha ha ha. I mean I want to love and

0:35:38.280 --> 0:35:41.279
<v Speaker 2>feel and share too, but people of all genders want

0:35:41.280 --> 0:35:43.560
<v Speaker 2>to love and feel in chair and also people, what

0:35:43.640 --> 0:35:48.640
<v Speaker 2>the fuck? This movie is so essential as it's so boring.

0:35:48.920 --> 0:35:49.480
<v Speaker 2>I hate it.

0:35:49.760 --> 0:35:50.240
<v Speaker 3>It sucks.

0:35:50.640 --> 0:35:50.879
<v Speaker 2>Sorry.

0:35:51.400 --> 0:35:55.000
<v Speaker 3>Okay, So Frank and Brenda have been put in a cart. Yeah,

0:35:55.120 --> 0:35:58.799
<v Speaker 3>but there's this jar of honey mustard that had been

0:35:58.840 --> 0:36:02.600
<v Speaker 3>purchased by mistake and gets returned to the store. So

0:36:02.760 --> 0:36:06.279
<v Speaker 3>he went out into the quote unquote Great Beyond or

0:36:06.320 --> 0:36:10.400
<v Speaker 3>the like unknown area beyond the store, write how could you?

0:36:11.000 --> 0:36:13.600
<v Speaker 3>And then the honey mustard ends up in this woman's

0:36:13.680 --> 0:36:17.160
<v Speaker 3>cart with Frank and Brenda, and the honey mustard tells

0:36:17.239 --> 0:36:21.759
<v Speaker 3>everyone what he has discovered about what actually happens in

0:36:21.880 --> 0:36:26.120
<v Speaker 3>the Great Beyond. It is a hellscape where food is eaten.

0:36:26.920 --> 0:36:30.919
<v Speaker 3>So chaos ensues upon hearing this news, and a bunch

0:36:31.000 --> 0:36:34.640
<v Speaker 3>of food goes flying out of the cart, including Frank

0:36:34.680 --> 0:36:39.200
<v Speaker 3>and Brenda because they've gotten loose from their packaging. The

0:36:39.280 --> 0:36:44.319
<v Speaker 3>store closes shortly thereafter, and Frank and Brenda, who are

0:36:44.400 --> 0:36:47.239
<v Speaker 3>now just sort of like loose in the store. They

0:36:47.560 --> 0:36:51.120
<v Speaker 3>set off to find other packages that they can sneak

0:36:51.160 --> 0:36:54.040
<v Speaker 3>into in the hopes that they will still be chosen

0:36:54.440 --> 0:36:58.719
<v Speaker 3>and taken to the great beyond, although Frank is now

0:36:58.880 --> 0:37:03.280
<v Speaker 3>skeptical and once more information because what if the honey

0:37:03.400 --> 0:37:05.040
<v Speaker 3>mustard was right and.

0:37:05.160 --> 0:37:09.080
<v Speaker 2>The honey mustard tells him to go see a bottle

0:37:09.400 --> 0:37:15.840
<v Speaker 2>of firewater? Yes? And also we haven't brought up because

0:37:15.880 --> 0:37:18.080
<v Speaker 2>I don't know why this is like truly writing wise,

0:37:18.560 --> 0:37:21.120
<v Speaker 2>even if we're just looking at this as writers, I

0:37:21.200 --> 0:37:24.719
<v Speaker 2>don't know why the character of Douche, that's right, Oh,

0:37:25.040 --> 0:37:27.520
<v Speaker 2>the big bat of this movie is called Douche. I

0:37:27.600 --> 0:37:30.359
<v Speaker 2>don't know why there's like randomly a villain, Like it's

0:37:30.440 --> 0:37:33.080
<v Speaker 2>not even necessary to the shitty story that's being told

0:37:33.239 --> 0:37:36.400
<v Speaker 2>for there to be this villain, right, Like the crisis

0:37:36.480 --> 0:37:41.839
<v Speaker 2>of faith in the Quest is enough. You don't need. Yeah,

0:37:42.000 --> 0:37:43.960
<v Speaker 2>the villain of the movie's named Douche.

0:37:44.840 --> 0:37:47.680
<v Speaker 3>Yes, yeah, and you're never gonna he's about to come.

0:37:47.640 --> 0:37:49.759
<v Speaker 2>Up, which I'm like, do they even sell those at

0:37:49.800 --> 0:37:51.840
<v Speaker 2>the grocery store? I don't know.

0:37:52.000 --> 0:37:56.000
<v Speaker 3>But also it's such a clear indication that this movie

0:37:56.200 --> 0:38:00.440
<v Speaker 3>was written by men, and all the major creative makers

0:38:00.440 --> 0:38:04.160
<v Speaker 3>of this movie were men. Because like, and not to

0:38:04.239 --> 0:38:08.520
<v Speaker 3>make sweeping generalizations here, but I have never known a

0:38:08.640 --> 0:38:12.160
<v Speaker 3>person who has a vagina to ever use a douche

0:38:12.440 --> 0:38:15.400
<v Speaker 3>in my entire life. And maybe that's just something that

0:38:15.440 --> 0:38:18.279
<v Speaker 3>people tend to keep private, but also like me and

0:38:18.400 --> 0:38:21.160
<v Speaker 3>my friends talk about this stuff all the time, and

0:38:21.960 --> 0:38:24.279
<v Speaker 3>like you learn at an early age if you have

0:38:24.360 --> 0:38:25.319
<v Speaker 3>a vagina that.

0:38:25.480 --> 0:38:28.080
<v Speaker 2>Douching is not good for you.

0:38:28.239 --> 0:38:32.919
<v Speaker 3>It's like it cause yeast infections, and like my mom, yeah,

0:38:33.000 --> 0:38:35.600
<v Speaker 3>like that's something you learn early on and it's like

0:38:36.000 --> 0:38:38.839
<v Speaker 3>advised that you don't do it. And so no one

0:38:38.960 --> 0:38:42.600
<v Speaker 3>I know with a vagina has ever used so a douche.

0:38:42.840 --> 0:38:44.560
<v Speaker 3>But the guys who wrote this movie were like, oh,

0:38:45.080 --> 0:38:47.319
<v Speaker 3>what's a product that a woman would buy?

0:38:48.239 --> 0:38:51.760
<v Speaker 2>A douche? I have. Unfortunately, I do have some information

0:38:51.840 --> 0:38:56.000
<v Speaker 2>on this from what is health dot Gov about dushing,

0:38:56.160 --> 0:38:59.279
<v Speaker 2>So douching is not necessarily uncommon. I will agree with you.

0:38:59.440 --> 0:39:01.960
<v Speaker 2>I have no I've ever known. I've never I mean

0:39:01.960 --> 0:39:04.680
<v Speaker 2>I've never used one, and I don't know anyone who

0:39:04.760 --> 0:39:06.839
<v Speaker 2>has because my mom told me when I was young

0:39:06.960 --> 0:39:10.000
<v Speaker 2>that it is like you're saying, like, Okay, here's some

0:39:10.080 --> 0:39:13.759
<v Speaker 2>information on douching. Yes, so everyone knows this is from

0:39:14.560 --> 0:39:17.680
<v Speaker 2>the government. Can we trust them? Duching is washing or

0:39:17.719 --> 0:39:20.880
<v Speaker 2>cleaning out the vagina with water or other mixtures of fluids.

0:39:21.760 --> 0:39:24.720
<v Speaker 2>In the United States, almost one in five women fifteen

0:39:24.760 --> 0:39:26.800
<v Speaker 2>to forty four years old. Again, the definition of a

0:39:26.840 --> 0:39:30.840
<v Speaker 2>woman being very narrow there because it's the fucking government,

0:39:31.600 --> 0:39:34.160
<v Speaker 2>but almost one in five fifteen to forty four years

0:39:34.160 --> 0:39:37.240
<v Speaker 2>old douche. Doctors recommend that you do not douche. Douching

0:39:37.320 --> 0:39:40.080
<v Speaker 2>can lead to many health problems, including problems getting pregnant.

0:39:40.480 --> 0:39:44.759
<v Speaker 2>Douching is also linked to vaginal infections and sexually transmitted infections.

0:39:45.320 --> 0:39:49.640
<v Speaker 2>So and maybe it's a generational thing where it's like

0:39:49.840 --> 0:39:52.840
<v Speaker 2>they just people in our generation sort of learned that

0:39:52.960 --> 0:39:56.520
<v Speaker 2>it was not healthy. But again it's like seth broken

0:39:56.640 --> 0:39:59.400
<v Speaker 2>is like ten years old, Like it's just it. It

0:39:59.560 --> 0:40:01.920
<v Speaker 2>is like a lazy and the way that the character

0:40:02.040 --> 0:40:05.600
<v Speaker 2>it's so clear why they name that, because douche is

0:40:05.640 --> 0:40:10.520
<v Speaker 2>also like shorthand for an asshole, which is you know,

0:40:10.640 --> 0:40:13.440
<v Speaker 2>it happens all the time where anything vaguely feminine, Like

0:40:14.200 --> 0:40:17.160
<v Speaker 2>why is it like Michael Sarah says this at one

0:40:17.200 --> 0:40:21.680
<v Speaker 2>point because he's in this movie where it's like, you know,

0:40:21.840 --> 0:40:24.800
<v Speaker 2>if you're you're anything like feminine coded, there's like a

0:40:24.880 --> 0:40:27.920
<v Speaker 2>strong meaning too. That's why I'm very pro asshole. It

0:40:28.080 --> 0:40:32.279
<v Speaker 2>always works as an insult. You mean, yes, yes, it's

0:40:32.320 --> 0:40:33.160
<v Speaker 2>a great equalizer.

0:40:33.239 --> 0:40:37.480
<v Speaker 3>I've replaced almost everything with like asshole or shithead or

0:40:37.560 --> 0:40:38.840
<v Speaker 3>something just like very.

0:40:39.160 --> 0:40:42.440
<v Speaker 2>Neutral because poo poo, and that's why we're so sophisticated.

0:40:43.600 --> 0:40:47.920
<v Speaker 2>But there's like Michael Sarah's Michael Sarah's character refers to

0:40:48.000 --> 0:40:49.600
<v Speaker 2>himself as a pussy at one point, which is a

0:40:49.640 --> 0:40:53.400
<v Speaker 2>classic example of like, you know, a vagina being weak.

0:40:54.160 --> 0:40:58.040
<v Speaker 2>You're like sure, but the same with like douche equals

0:40:58.560 --> 0:41:03.120
<v Speaker 2>bad because reasons. And the Nick Carl character is like

0:41:03.360 --> 0:41:06.439
<v Speaker 2>a Jim bro who I think, like you know, would

0:41:06.680 --> 0:41:10.879
<v Speaker 2>have this, would have douche attributed to him basically right.

0:41:11.080 --> 0:41:14.040
<v Speaker 2>But it's just like, I mean, not that the rest

0:41:14.080 --> 0:41:16.240
<v Speaker 2>of this movie. I thought that that was like especially

0:41:16.320 --> 0:41:21.680
<v Speaker 2>not just like more lazy like whatever, but also just

0:41:21.800 --> 0:41:24.719
<v Speaker 2>like weird writing because I don't think this movie even

0:41:24.840 --> 0:41:28.000
<v Speaker 2>needs a villain. I don't get it right.

0:41:28.239 --> 0:41:30.960
<v Speaker 3>Also, I did not even know what that was supposed

0:41:31.000 --> 0:41:34.400
<v Speaker 3>to be until the douche identifies himself as a douche

0:41:34.440 --> 0:41:36.920
<v Speaker 3>because I thought, like, douches aren't packaged that way. So

0:41:37.000 --> 0:41:40.120
<v Speaker 3>I was like, is that like a toilet brush and

0:41:40.239 --> 0:41:42.800
<v Speaker 3>it's like toilet brush container. That's what I thought it

0:41:42.920 --> 0:41:47.000
<v Speaker 3>was at first, because like, I like, I don't think

0:41:47.360 --> 0:41:50.640
<v Speaker 3>their package douches are packaged that way. Even it's in

0:41:50.800 --> 0:41:55.040
<v Speaker 3>like a Summer's Eve box and it's discreet anyway, So

0:41:55.200 --> 0:41:57.279
<v Speaker 3>I'm about, yeah, I'm about to introduce the douche character.

0:41:57.400 --> 0:42:00.680
<v Speaker 3>But before that, Brenda and Frank, who again are just

0:42:00.760 --> 0:42:03.600
<v Speaker 3>like loose and roaming through the store, team up with

0:42:04.160 --> 0:42:07.120
<v Speaker 3>a few other items that also flew out of the cart,

0:42:07.680 --> 0:42:13.200
<v Speaker 3>a levache named Kareem Abdullah Lavash voiced by David Crumholts

0:42:13.239 --> 0:42:16.080
<v Speaker 3>aka Bernard the Elf from the Santa Claus.

0:42:16.400 --> 0:42:19.400
<v Speaker 2>Another massive betrayal. Huge and this is again I'm like,

0:42:19.520 --> 0:42:25.399
<v Speaker 2>I didn't find any information on why this choice was made.

0:42:25.440 --> 0:42:27.880
<v Speaker 2>I don't know if you did. But the fact that

0:42:28.040 --> 0:42:31.000
<v Speaker 2>like David Crumholt is playing a character who is definitely

0:42:31.080 --> 0:42:35.680
<v Speaker 2>coded as being Middle Eastern and Muslim, which David Crumholts

0:42:35.760 --> 0:42:39.879
<v Speaker 2>is not. But David Crumholt is a Jewish Man.

0:42:40.760 --> 0:42:47.880
<v Speaker 3>But the Jewish character aka Sammy Bagel Junior, who is

0:42:48.120 --> 0:42:52.400
<v Speaker 3>a Bagel Jewish by Edward Norton, like doing a Woody

0:42:52.440 --> 0:42:56.520
<v Speaker 3>Allen impression the whole time. And if you're wondering if

0:42:56.920 --> 0:43:00.640
<v Speaker 3>heinous stereotypes are employed here, oh.

0:43:02.120 --> 0:43:05.160
<v Speaker 2>Yeah, yeah, it's I mean it's it's truly. From what

0:43:05.239 --> 0:43:09.560
<v Speaker 2>I can tell is that the hot dogs are kind

0:43:09.600 --> 0:43:14.960
<v Speaker 2>of coded as Protestant Christian Christian white guys. Yeah, and

0:43:15.680 --> 0:43:19.920
<v Speaker 2>the buns are presented as Christian white girls. And then

0:43:20.000 --> 0:43:23.320
<v Speaker 2>everyone everyone else in the movie is I guess, with

0:43:23.440 --> 0:43:30.120
<v Speaker 2>the exception of Douche, is like pretty heavily stereotyped, like

0:43:30.239 --> 0:43:32.680
<v Speaker 2>a heavily stereotyped culture.

0:43:32.680 --> 0:43:35.680
<v Speaker 3>Right, So yeah, basically, I mean, and we'll get to

0:43:35.760 --> 0:43:39.759
<v Speaker 3>this in more detail, but the movie codes most of

0:43:39.960 --> 0:43:45.799
<v Speaker 3>the food in particular ways, often ascribing a particular race, ethnicity,

0:43:45.920 --> 0:43:50.360
<v Speaker 3>and or religion to several different food items. And with

0:43:50.600 --> 0:43:54.560
<v Speaker 3>that comes this just a whole slew of reductive and

0:43:54.640 --> 0:44:00.160
<v Speaker 3>harmful portrayals of marginalized communities. So that's what we're working with.

0:44:00.320 --> 0:44:03.200
<v Speaker 2>Yes, I mean, that is most of what the movie

0:44:03.719 --> 0:44:06.160
<v Speaker 2>relies on. And we again, it's like Kaylin and I

0:44:06.400 --> 0:44:09.520
<v Speaker 2>discussed this before we started recording, where it's like we

0:44:09.640 --> 0:44:11.800
<v Speaker 2>will make note of like where these characters appear, but

0:44:11.880 --> 0:44:13.680
<v Speaker 2>I don't even like, we don't even really want to

0:44:13.719 --> 0:44:17.600
<v Speaker 2>harp on how deeply offense because it's like because.

0:44:17.360 --> 0:44:20.880
<v Speaker 3>To describe the ways in which the offensive things are

0:44:21.120 --> 0:44:23.759
<v Speaker 3>happening is just like upsetting to do, and I don't

0:44:23.760 --> 0:44:25.400
<v Speaker 3>even want to like repeat it.

0:44:26.320 --> 0:44:29.480
<v Speaker 2>So it's a yeah, it's a it's a waste of air,

0:44:29.640 --> 0:44:32.359
<v Speaker 2>but it is worth mentioning what is being done because

0:44:32.440 --> 0:44:36.960
<v Speaker 2>this was a successful movie fairly recently. It's such a bummer.

0:44:37.480 --> 0:44:42.200
<v Speaker 3>Yeah, okay, So they team up with these couple other characters,

0:44:42.600 --> 0:44:48.360
<v Speaker 3>and then meanwhile, a douche voiced by Nick Kroll becomes

0:44:48.400 --> 0:44:52.520
<v Speaker 3>a villain because he wants revenge against Frank and Brenda

0:44:52.840 --> 0:44:58.560
<v Speaker 3>for getting him thrown away and damaged after that chart disaster.

0:44:59.320 --> 0:45:04.360
<v Speaker 3>So there's this random villain. Frank, Brenda and the others

0:45:04.520 --> 0:45:08.440
<v Speaker 3>make their way through the store. They pass through the

0:45:08.840 --> 0:45:12.880
<v Speaker 3>liquor aisle because Frank wants to talk to this Bottle

0:45:13.040 --> 0:45:18.520
<v Speaker 3>of Firewater, who is an indigenous coded character voiced by

0:45:18.719 --> 0:45:24.160
<v Speaker 3>Bill Hayter Yikes, who seems to know things about the

0:45:24.239 --> 0:45:27.080
<v Speaker 3>Great Beyond and how it might not be all that

0:45:27.200 --> 0:45:30.480
<v Speaker 3>it's cracked up to. Be Yes and Firewater tells Frank

0:45:31.280 --> 0:45:34.360
<v Speaker 3>that he and a few other non perishable items in

0:45:34.480 --> 0:45:35.279
<v Speaker 3>the store.

0:45:35.200 --> 0:45:38.480
<v Speaker 2>Who don't worry, are also all wildly stereotyped.

0:45:38.880 --> 0:45:43.120
<v Speaker 3>For sure, they invented the idea of the Great Beyond

0:45:43.920 --> 0:45:47.400
<v Speaker 3>in order to keep the food happy and unaware of

0:45:47.520 --> 0:45:52.399
<v Speaker 3>their impending doom. However, they note that it's been distorted

0:45:52.680 --> 0:45:57.400
<v Speaker 3>along the way, but if Frank wants proof of this,

0:45:57.760 --> 0:46:03.360
<v Speaker 3>he should go to the arc Aisle be on the ice. Meanwhile,

0:46:03.840 --> 0:46:06.520
<v Speaker 3>Brenda and the others get tricked by a bottle of

0:46:06.640 --> 0:46:09.880
<v Speaker 3>tequila who is trying to lead them to the Douche,

0:46:10.440 --> 0:46:15.560
<v Speaker 3>but a hard taco shell Teresa del Taco voiced by

0:46:15.640 --> 0:46:19.680
<v Speaker 3>Salma Hayek saves them. The douche is trying to like

0:46:19.760 --> 0:46:25.640
<v Speaker 3>attack them, but Brenda and the others get away. Then

0:46:27.280 --> 0:46:28.000
<v Speaker 3>this is this.

0:46:28.080 --> 0:46:32.600
<v Speaker 2>Movie is so evil. This movie is horrid, so evil.

0:46:32.719 --> 0:46:36.600
<v Speaker 2>There was a really good I thought piece in Salon

0:46:36.719 --> 0:46:39.680
<v Speaker 2>by Nico Lang when this movie first came out that

0:46:40.160 --> 0:46:45.280
<v Speaker 2>unpacked in particular, how infuriating it is that Salama Hiak's

0:46:45.320 --> 0:46:47.800
<v Speaker 2>character is written the way she is, not only because

0:46:47.840 --> 0:46:51.279
<v Speaker 2>it's I mean, because it's like racism and cultural stereotypes

0:46:51.320 --> 0:46:54.239
<v Speaker 2>on top of sexism, like it's just like a two bunch,

0:46:54.440 --> 0:46:59.360
<v Speaker 2>And Salmahayak has been so historically outspoken about how frustrating

0:46:59.400 --> 0:47:02.760
<v Speaker 2>it is to be a Latin actor and be treated

0:47:02.880 --> 0:47:07.760
<v Speaker 2>like this repeatedly. I mean, Samahaiak, a Oscar nominated actor

0:47:08.280 --> 0:47:10.920
<v Speaker 2>for playing Freda that has to take parts like this,

0:47:11.080 --> 0:47:13.520
<v Speaker 2>And so I just wanted to share a quick quote

0:47:13.560 --> 0:47:17.000
<v Speaker 2>from Salamahayak. Yeah, because I love Samahaik and I just

0:47:17.320 --> 0:47:21.520
<v Speaker 2>really she says, I had things said to me that

0:47:21.560 --> 0:47:24.880
<v Speaker 2>you would not believe. A studio executive once informed Hayak

0:47:25.920 --> 0:47:27.520
<v Speaker 2>that she would be a much bigger star had she

0:47:27.640 --> 0:47:30.200
<v Speaker 2>been born in the United States. He allegedly told her

0:47:30.280 --> 0:47:32.400
<v Speaker 2>the moment you open your mouth, you remind everyone of

0:47:32.480 --> 0:47:36.560
<v Speaker 2>their maid. And there was another time. I mean, it's

0:47:36.640 --> 0:47:39.080
<v Speaker 2>and she's been again. She's been very outspoken about this

0:47:39.160 --> 0:47:41.239
<v Speaker 2>over the years and still has to take fucking parts

0:47:41.320 --> 0:47:44.759
<v Speaker 2>like this, which I think is a systemic failure for sure.

0:47:44.800 --> 0:47:48.759
<v Speaker 2>Another example she gave over the years was when she

0:47:49.080 --> 0:47:52.759
<v Speaker 2>was almost in and it wasn't specific about what movie,

0:47:53.200 --> 0:47:55.680
<v Speaker 2>but she was almost the lead in a sci fi

0:47:55.760 --> 0:47:59.200
<v Speaker 2>film that was being directed by a white guy. But

0:47:59.280 --> 0:48:03.320
<v Speaker 2>then the executive overruled her casting and forced uh the

0:48:03.400 --> 0:48:07.640
<v Speaker 2>director to drop Samahayak because they said a Mexican in space.

0:48:09.120 --> 0:48:12.480
<v Speaker 2>Then another movie that like isn't even good that you

0:48:12.520 --> 0:48:15.239
<v Speaker 2>remember that movie grown ups, it's like an Adam Sandler movie.

0:48:15.320 --> 0:48:17.640
<v Speaker 3>Oh yeah, I didn't see it either, but yeah, I

0:48:17.760 --> 0:48:18.160
<v Speaker 3>know of it.

0:48:18.560 --> 0:48:22.040
<v Speaker 2>It's very an Adam Stanley movie. But Smahaiak, I guess

0:48:22.120 --> 0:48:25.440
<v Speaker 2>plays his wife in that movie, and he had to

0:48:25.560 --> 0:48:28.480
<v Speaker 2>fight for her to get that part. Like it's just

0:48:28.800 --> 0:48:33.160
<v Speaker 2>like she's Oscar nominated, Like it's she's unbelievably talented, Like

0:48:33.200 --> 0:48:36.080
<v Speaker 2>there's no need us to tell you how Hyak is

0:48:36.120 --> 0:48:39.680
<v Speaker 2>fucking awesome, but like, yeah, the way she's treated it

0:48:39.719 --> 0:48:44.880
<v Speaker 2>in particular, where I'm just like this is just fucking unacceptable.

0:48:44.880 --> 0:48:47.920
<v Speaker 2>And also Samahayak is a good like comedic actor too,

0:48:48.239 --> 0:48:52.360
<v Speaker 2>like if they but they're just like, ah, I hate it.

0:48:52.520 --> 0:48:55.520
<v Speaker 2>I hate it. And she's one of the few actors

0:48:55.560 --> 0:49:01.239
<v Speaker 2>who is cast as like her own race, where there's

0:49:01.840 --> 0:49:02.840
<v Speaker 2>many where.

0:49:02.880 --> 0:49:05.720
<v Speaker 3>That is not the case because it's mostly white actors

0:49:05.920 --> 0:49:09.360
<v Speaker 3>voicing non white coded characters.

0:49:09.760 --> 0:49:12.960
<v Speaker 2>I think, with the exception of Craig Robinson and Samahayak,

0:49:13.920 --> 0:49:19.600
<v Speaker 2>that is the case. Bill Hayter as Firewaters. It felt

0:49:19.640 --> 0:49:21.920
<v Speaker 2>like it was pulling from like the animated Peter Pan

0:49:22.000 --> 0:49:27.080
<v Speaker 2>from the nineteen fifties portrayal of Indigenous Americans for sure,

0:49:27.560 --> 0:49:28.879
<v Speaker 2>voiced by a white guy.

0:49:29.400 --> 0:49:34.560
<v Speaker 3>Bill Hayter also voices Tequila and Elguaco, which are Mexican

0:49:34.760 --> 0:49:35.680
<v Speaker 3>coded characters.

0:49:36.000 --> 0:49:40.560
<v Speaker 2>Yeah, and also coded as being predatory. Yeah. And in

0:49:40.680 --> 0:49:43.800
<v Speaker 2>addition to this, is also pointed out in Nico Leang's

0:49:43.880 --> 0:49:50.319
<v Speaker 2>article that we will link is casting the only Indigenous

0:49:50.440 --> 0:49:52.680
<v Speaker 2>coded character as Firewater.

0:49:52.360 --> 0:49:53.480
<v Speaker 3>As a bottle of liquor.

0:49:54.080 --> 0:49:59.239
<v Speaker 2>Yeah, it's like, I think, pretty clearly mocking alcoholism and

0:49:59.360 --> 0:50:02.279
<v Speaker 2>indigenous can munities, which is a topic we've discussed in

0:50:02.360 --> 0:50:06.960
<v Speaker 2>other episodes. And like it's just cruel, Like it's just

0:50:07.239 --> 0:50:10.239
<v Speaker 2>I it is. It truly blows my mind that any

0:50:10.320 --> 0:50:14.359
<v Speaker 2>of this was argued as commentary, like that is you're

0:50:14.440 --> 0:50:15.359
<v Speaker 2>just doing the thing.

0:50:15.640 --> 0:50:18.440
<v Speaker 3>It's such punching down humor dialed up.

0:50:18.400 --> 0:50:23.000
<v Speaker 2>In a way that is like worse than the nineteen fifties.

0:50:23.120 --> 0:50:26.040
<v Speaker 2>Like what there, it's it's a lot, I mean, yeah,

0:50:26.080 --> 0:50:32.240
<v Speaker 2>it just really yeah, all right, so back to the movie.

0:50:33.239 --> 0:50:37.240
<v Speaker 3>We then cut to the other hot dogs who remained

0:50:37.360 --> 0:50:40.760
<v Speaker 3>in the package and went home with that like Woman's Shopper,

0:50:41.400 --> 0:50:47.319
<v Speaker 3>and at the woman's house, Barry watches in horror as

0:50:47.600 --> 0:50:51.320
<v Speaker 3>food is peeled and chopped up and boiled and melted

0:50:51.400 --> 0:50:55.960
<v Speaker 3>and eaten. Carl is sliced in half, but Barry survives

0:50:56.120 --> 0:51:00.600
<v Speaker 3>and escapes. Back in the store, Brenda and the others

0:51:00.840 --> 0:51:03.799
<v Speaker 3>link back up with Frank, but none of them want

0:51:03.840 --> 0:51:06.080
<v Speaker 3>to go with him to the Dark Isle because they

0:51:06.239 --> 0:51:10.080
<v Speaker 3>still believe in the Great Beyond, so Frank has to

0:51:10.400 --> 0:51:15.120
<v Speaker 3>head to the Dark Isle alone. Back outside of the store,

0:51:15.560 --> 0:51:18.960
<v Speaker 3>Burry the hot Dog manages to stow away in some

0:51:19.239 --> 0:51:22.360
<v Speaker 3>dude's car. He thinks he's headed back to shop Wells,

0:51:22.920 --> 0:51:26.239
<v Speaker 3>but they end up at this guy's apartment where this

0:51:26.840 --> 0:51:29.040
<v Speaker 3>guy proceeds to do bath salts.

0:51:29.360 --> 0:51:33.239
<v Speaker 2>I think this is the James Franco character. Yes, and

0:51:33.360 --> 0:51:37.239
<v Speaker 2>also bad I mean no, not, But like this movie

0:51:37.320 --> 0:51:41.320
<v Speaker 2>is already so dated where it's like, god, I don't know,

0:51:41.560 --> 0:51:47.240
<v Speaker 2>like bath salts no longer really a subject of discussion, right.

0:51:47.640 --> 0:51:51.200
<v Speaker 3>It really puts this movie in a particular time in history.

0:51:51.520 --> 0:51:53.960
<v Speaker 2>The two outside of just being straight up offensive, the

0:51:54.040 --> 0:51:58.319
<v Speaker 2>two things that felt the most dated to me were

0:51:59.120 --> 0:52:02.960
<v Speaker 2>the references to bat and also like the Jim bro humor,

0:52:03.640 --> 0:52:05.880
<v Speaker 2>which is I think it was just like done to

0:52:06.080 --> 0:52:08.320
<v Speaker 2>death and people are fucking tired of it and know

0:52:08.400 --> 0:52:12.560
<v Speaker 2>it like because that's every everything that comes out of

0:52:12.680 --> 0:52:17.840
<v Speaker 2>Douche's mouth is like, don't fucking leave it, bro, And

0:52:17.920 --> 0:52:18.840
<v Speaker 2>you're like, right.

0:52:18.880 --> 0:52:24.000
<v Speaker 3>God know if that's just because I'm swiping left on

0:52:25.120 --> 0:52:29.440
<v Speaker 3>hundreds of men who seem to fit this description on

0:52:29.840 --> 0:52:32.040
<v Speaker 3>bumble and shit like that, but I feel like that

0:52:32.520 --> 0:52:36.480
<v Speaker 3>caricature of a of a man is still very much

0:52:36.680 --> 0:52:38.800
<v Speaker 3>a thing. It didn't that didn't even feel that dated

0:52:38.840 --> 0:52:44.120
<v Speaker 3>to me, so I decay, Yeah, yeah, it's worse than

0:52:44.160 --> 0:52:44.880
<v Speaker 3>we feared.

0:52:46.360 --> 0:52:46.800
<v Speaker 2>Anyway.

0:52:47.760 --> 0:52:53.240
<v Speaker 3>Because this dude is on bath salts, he and Barry

0:52:53.480 --> 0:52:57.680
<v Speaker 3>can understand each other because the drugs enable him to

0:52:57.840 --> 0:53:01.319
<v Speaker 3>like see if this fourth dimension where he can see

0:53:01.400 --> 0:53:05.080
<v Speaker 3>the sentient food, And so they talk and the guy

0:53:05.160 --> 0:53:08.160
<v Speaker 3>promises to return Barry to the grocery store. Back at

0:53:08.200 --> 0:53:13.279
<v Speaker 3>the store, Brenda, Sammy, and Ravash finally make it to

0:53:13.400 --> 0:53:18.239
<v Speaker 3>their respective ales and part ways. Meanwhile, Frank reaches the

0:53:18.360 --> 0:53:22.200
<v Speaker 3>dark isle, which is full of knives and cookwar and

0:53:22.320 --> 0:53:26.000
<v Speaker 3>a cookbook that shows all of these recipes for preparing food,

0:53:26.440 --> 0:53:30.640
<v Speaker 3>which is proof that people eat food and that the

0:53:30.760 --> 0:53:35.880
<v Speaker 3>Great Beyond is a myth. But when Frank shows this

0:53:36.040 --> 0:53:38.800
<v Speaker 3>to all the other food in the store over a

0:53:39.480 --> 0:53:43.840
<v Speaker 3>video monitor and loud speaker, he's like, here's the truth,

0:53:43.920 --> 0:53:47.120
<v Speaker 3>and if you don't believe it, you're a fool. And

0:53:47.239 --> 0:53:51.000
<v Speaker 3>the food feels insulted, and they're like, this sounds like

0:53:51.000 --> 0:53:54.359
<v Speaker 3>another theory, and I choose to believe the more pleasant thing.

0:53:54.800 --> 0:53:57.560
<v Speaker 3>So none of the other food gets on board with him.

0:53:58.200 --> 0:54:00.960
<v Speaker 2>Right, which is another sort of like I don't know,

0:54:01.160 --> 0:54:03.680
<v Speaker 2>I guess if you're listening, you feel however you wanted.

0:54:03.719 --> 0:54:05.280
<v Speaker 2>But I was like, this is like sort of another

0:54:05.600 --> 0:54:11.040
<v Speaker 2>like swipe that is at all religions so broadly as

0:54:11.280 --> 0:54:15.000
<v Speaker 2>to mean nothing, and also in kind of a way

0:54:15.040 --> 0:54:19.399
<v Speaker 2>that feels very I can't like it's still like twenty

0:54:19.480 --> 0:54:21.880
<v Speaker 2>sixteen was a little too late to still be attempting this,

0:54:21.960 --> 0:54:26.279
<v Speaker 2>but like suggesting like atheism is the only method, the

0:54:26.440 --> 0:54:30.640
<v Speaker 2>only way to like to freedom of your mind, which

0:54:30.800 --> 0:54:35.640
<v Speaker 2>just feels a little right. What's his name? Bill? Who's

0:54:35.680 --> 0:54:36.000
<v Speaker 2>the guy?

0:54:36.680 --> 0:54:37.000
<v Speaker 3>Hmmm?

0:54:37.520 --> 0:54:42.680
<v Speaker 2>Oh my god, Bill, Bill, Bill fucking the guy on TV.

0:54:43.400 --> 0:54:48.160
<v Speaker 2>I'll science guy. No, I don't. I think he's respectful

0:54:48.200 --> 0:54:51.680
<v Speaker 2>of other people's religions. I hope. No, I'm thinking of Bill,

0:54:52.360 --> 0:54:55.759
<v Speaker 2>not Bill NYI. And that's what comes from pole him

0:54:55.760 --> 0:55:00.120
<v Speaker 2>all the time. He's on HBO Bill Maher, Bill, Oh

0:55:00.200 --> 0:55:03.640
<v Speaker 2>my god, Bill Mahers, who's just like a kind of

0:55:03.760 --> 0:55:09.520
<v Speaker 2>like fucking asshole who has contempt for anyone that has

0:55:09.560 --> 0:55:11.279
<v Speaker 2>any sort of faith. That's not to say that faith,

0:55:11.640 --> 0:55:14.840
<v Speaker 2>that religion cannot be extremely repressive, obviously we know that,

0:55:15.080 --> 0:55:17.479
<v Speaker 2>but it's like it just feels like this and again

0:55:17.600 --> 0:55:20.759
<v Speaker 2>just a very overly simplistic like, well, if you didn't

0:55:20.800 --> 0:55:23.839
<v Speaker 2>believe in anything, maybe your life wouldn't suck so much.

0:55:24.400 --> 0:55:27.719
<v Speaker 2>You're like, well that feels a little a little broad

0:55:28.040 --> 0:55:28.239
<v Speaker 2>to me.

0:55:28.480 --> 0:55:34.240
<v Speaker 3>Definitely, Yes, this film. It's almost as if this film

0:55:34.800 --> 0:55:35.960
<v Speaker 3>lacks nuance.

0:55:36.239 --> 0:55:41.640
<v Speaker 2>I know, I know. I'm just like we're wasting our time, Like, yeah,

0:55:41.640 --> 0:55:44.920
<v Speaker 2>what are we even doing by Jamie's book? But ya,

0:55:45.080 --> 0:55:47.400
<v Speaker 2>he's by my book. Please buy my book. It's nothing

0:55:47.600 --> 0:55:48.680
<v Speaker 2>like this. Oh my god.

0:55:49.160 --> 0:55:51.719
<v Speaker 3>No, there's there's lots more to discuss and the movie

0:55:51.800 --> 0:55:55.840
<v Speaker 3>is almost over, so yes, Barry shows up after Frank

0:55:55.920 --> 0:55:59.960
<v Speaker 3>has tried to give this speech about what everyone should

0:56:00.200 --> 0:56:03.279
<v Speaker 3>believe or should not believe, and Barry's like, no, you

0:56:03.400 --> 0:56:05.960
<v Speaker 3>can't tell people that they're fools. If they don't believe you,

0:56:06.320 --> 0:56:08.520
<v Speaker 3>we have to do it a different way. So then

0:56:08.560 --> 0:56:11.960
<v Speaker 3>they shoot all of the people in the store with

0:56:12.440 --> 0:56:16.680
<v Speaker 3>toothpicks covered in bath salts. And because bath salts allow

0:56:16.800 --> 0:56:20.239
<v Speaker 3>the people and food to understand each other, the.

0:56:20.400 --> 0:56:23.680
<v Speaker 2>People like it's the bath salt like a metaphor for

0:56:23.960 --> 0:56:29.520
<v Speaker 2>like empathy. I don't think they thought about it that hard.

0:56:29.680 --> 0:56:31.960
<v Speaker 2>I don't know, you're right, you're right here.

0:56:32.680 --> 0:56:35.759
<v Speaker 3>But because the people are on bath salts, they start

0:56:35.800 --> 0:56:39.520
<v Speaker 3>freaking out and destroying the food, which allows the food

0:56:39.640 --> 0:56:43.880
<v Speaker 3>to see how evil and vicious the humans are that

0:56:44.040 --> 0:56:47.160
<v Speaker 3>they thought were gods, but they realize are actually monsters,

0:56:47.560 --> 0:56:50.680
<v Speaker 3>and they realized that Frank was right. So the food

0:56:51.000 --> 0:56:55.440
<v Speaker 3>fights back against the people. But this is when the

0:56:55.600 --> 0:57:01.320
<v Speaker 3>douche shows back up and puts himself up a store

0:57:01.480 --> 0:57:07.600
<v Speaker 3>employees butt and is like puppeting the store employee around

0:57:08.520 --> 0:57:11.800
<v Speaker 3>while he's holding a gun and trying to shoot the food.

0:57:12.560 --> 0:57:15.640
<v Speaker 3>But I've been so checked out by this point, as

0:57:15.760 --> 0:57:19.000
<v Speaker 3>like sure, I was watching it at like two times

0:57:19.160 --> 0:57:21.880
<v Speaker 3>speed by this point, and I feel like I missed

0:57:21.920 --> 0:57:23.720
<v Speaker 3>some stuff because I was like, I just need this

0:57:23.800 --> 0:57:25.160
<v Speaker 3>to end as quickly as possible.

0:57:25.760 --> 0:57:27.800
<v Speaker 2>I watched it twice to prepare, but yeah, the second

0:57:27.920 --> 0:57:30.000
<v Speaker 2>time I watched it on one point seventy five because

0:57:30.000 --> 0:57:33.640
<v Speaker 2>I'm just like this. It doesn't make a difference. It's

0:57:33.720 --> 0:57:36.240
<v Speaker 2>not like I'm ignoring something.

0:57:38.320 --> 0:57:43.320
<v Speaker 3>There's nothing to take no anyway. Okay, So the villains

0:57:43.320 --> 0:57:45.720
<v Speaker 3>are trying to kill the food, but Frank and Brenda

0:57:46.000 --> 0:57:48.920
<v Speaker 3>and Barry defeat the bad guys and they save the

0:57:49.000 --> 0:57:51.840
<v Speaker 3>food in the store, and then the movie ends with

0:57:52.200 --> 0:57:55.520
<v Speaker 3>an orgy where all the food is having sex with

0:57:55.640 --> 0:57:59.000
<v Speaker 3>each other, and then there's another final beat where the

0:57:59.080 --> 0:58:02.480
<v Speaker 3>bottle of five water is like, by the way, none

0:58:02.560 --> 0:58:06.480
<v Speaker 3>of us are real, We're a cartoon invented by Seth Rogan.

0:58:06.640 --> 0:58:09.200
<v Speaker 3>So it tries to have this like clever meta ending,

0:58:09.360 --> 0:58:13.400
<v Speaker 3>but it also falls completely flat and sucks the end.

0:58:13.520 --> 0:58:17.000
<v Speaker 2>And it's also weird that the only they're like which yeah,

0:58:17.040 --> 0:58:19.320
<v Speaker 2>which is like a very easy way to be like, yeah,

0:58:19.320 --> 0:58:22.560
<v Speaker 2>it was about nothing, right, it was about nothing because

0:58:22.600 --> 0:58:26.320
<v Speaker 2>it was like even with the ending again just like

0:58:26.600 --> 0:58:31.480
<v Speaker 2>shitty writing, where like the ending being like, oh now

0:58:31.680 --> 0:58:34.560
<v Speaker 2>everyone's like having this big food or a gee and

0:58:34.760 --> 0:58:40.880
<v Speaker 2>it's like not the rigid hetero like but it's still

0:58:41.040 --> 0:58:44.480
<v Speaker 2>like anytime there's queer sex, it's heavily commented on. And

0:58:44.560 --> 0:58:50.440
<v Speaker 2>then they even make Brenda Bunson feminist icon, you know,

0:58:51.120 --> 0:58:55.600
<v Speaker 2>sit next to Frank the hot Dog after and say like, well,

0:58:55.680 --> 0:59:00.280
<v Speaker 2>some like basically say that the queer sexual experience is

0:59:00.480 --> 0:59:03.560
<v Speaker 2>We're okay, but the best sex was with Frank the

0:59:05.080 --> 0:59:08.160
<v Speaker 2>hot Dog. Like you're just playing a hot dog? Did

0:59:08.240 --> 0:59:10.760
<v Speaker 2>you pick that up on that though, where like we

0:59:10.960 --> 0:59:14.560
<v Speaker 2>do get it, Like again, this is a victory for

0:59:14.680 --> 0:59:21.120
<v Speaker 2>nobody because again with Samaha playing a taco, that is yeah,

0:59:21.160 --> 0:59:24.960
<v Speaker 2>both racist and sexist vaginas have certainly been referred to

0:59:25.080 --> 0:59:29.640
<v Speaker 2>as tacos. And it's all like you don't need me

0:59:29.720 --> 0:59:35.400
<v Speaker 2>to explain this to you in the world, but like,

0:59:36.200 --> 0:59:39.960
<v Speaker 2>but at the end they do have. Okay, let's start there,

0:59:40.480 --> 0:59:44.160
<v Speaker 2>let's start. Let's start there. Yes, let's take first and

0:59:44.320 --> 0:59:55.320
<v Speaker 2>then will be right back. Please buy Raw Dog. Okay,

0:59:55.360 --> 0:59:57.760
<v Speaker 2>and we're back, and we're back. Seth Rogen says Raw Dog.

0:59:57.840 --> 1:00:01.200
<v Speaker 2>And I was like, this is bad press, that's blasphemy.

1:00:01.960 --> 1:00:04.720
<v Speaker 2>I've we've reclaimed brad Dog, We've taken it away from him.

1:00:05.440 --> 1:00:07.400
<v Speaker 2>It's not it's not for the hot Dog anymore. But

1:00:07.480 --> 1:00:13.440
<v Speaker 2>let's start with the story between Brenda and what is

1:00:13.520 --> 1:00:14.840
<v Speaker 2>Sama Hayek's character's.

1:00:14.600 --> 1:00:18.440
<v Speaker 3>Name, Teresa, And just just to contextualize this a bit

1:00:18.720 --> 1:00:21.680
<v Speaker 3>more before we dive in, which we've already mostly done,

1:00:21.760 --> 1:00:25.160
<v Speaker 3>but just to make it clear that, like, the hot

1:00:25.200 --> 1:00:29.240
<v Speaker 3>dogs are all coded as men and more specifically penises,

1:00:29.360 --> 1:00:31.560
<v Speaker 3>because there's all these jokes and even like a whole

1:00:31.640 --> 1:00:35.560
<v Speaker 3>storyline about how Bury the hot dog like feels insecure

1:00:35.640 --> 1:00:37.760
<v Speaker 3>because he's not as long as the other hot dogs

1:00:37.800 --> 1:00:40.600
<v Speaker 3>but he is gurthy and like all this stuff. And

1:00:40.720 --> 1:00:46.240
<v Speaker 3>then the hot dog buns are coded as women slash vaginas,

1:00:46.320 --> 1:00:49.160
<v Speaker 3>but again, like the vagina buns also have boobs.

1:00:49.360 --> 1:00:51.560
<v Speaker 2>The point is it's very.

1:00:51.560 --> 1:00:56.920
<v Speaker 3>Gender essentialist and reductive, and it's basically just saying like, and.

1:00:57.000 --> 1:01:01.040
<v Speaker 2>Brenda Bunsen says, I'm so tight, and like it's just like.

1:01:01.280 --> 1:01:05.560
<v Speaker 3>Right, all these like attempts at jokes of how hahaha,

1:01:05.720 --> 1:01:10.360
<v Speaker 3>bond equals vagina, hot dog equals penis, which is like

1:01:10.640 --> 1:01:14.120
<v Speaker 3>the easiest and most unoriginal joke in the world, And

1:01:14.440 --> 1:01:19.800
<v Speaker 3>yet the whole movie hinges on this very lazy, obvious

1:01:19.960 --> 1:01:22.720
<v Speaker 3>joke as if it's some brilliant bit of comedy that

1:01:22.840 --> 1:01:24.600
<v Speaker 3>no one's ever thought of before and.

1:01:24.640 --> 1:01:27.920
<v Speaker 2>Then on top of that, penis equals ma always man, Ye,

1:01:28.080 --> 1:01:31.160
<v Speaker 2>vagina equals always went like, it's very sis normative as well,

1:01:31.280 --> 1:01:31.880
<v Speaker 2>and it's right.

1:01:31.960 --> 1:01:37.000
<v Speaker 3>So not only is it reducing people to their genitals

1:01:37.080 --> 1:01:41.160
<v Speaker 3>in a way that means, oh, like men have dicks

1:01:41.360 --> 1:01:44.160
<v Speaker 3>and because of that, they're so fucking horny and all

1:01:44.160 --> 1:01:46.120
<v Speaker 3>they want to do is fuck all the time, and

1:01:46.840 --> 1:01:52.280
<v Speaker 3>reduces women to vaginas, and also like they have feelings

1:01:52.400 --> 1:01:56.320
<v Speaker 3>because they have vaginas, and it's very transphobic. And yeah,

1:01:56.480 --> 1:01:59.240
<v Speaker 3>just like reducing people to genitals and saying that only

1:02:00.160 --> 1:02:03.200
<v Speaker 3>you know, to be a man means you have this genitalia.

1:02:03.400 --> 1:02:05.560
<v Speaker 3>To be a woman means you have this genitalia. There's

1:02:05.600 --> 1:02:11.440
<v Speaker 3>no room for anyone on the gender or like intersex spectrum.

1:02:11.680 --> 1:02:14.160
<v Speaker 3>Just like it's just so rigid and binary.

1:02:14.440 --> 1:02:17.880
<v Speaker 2>And unfortunately, it's really difficult to discuss this movie without

1:02:18.600 --> 1:02:21.720
<v Speaker 2>that constantly being the case. So we apologize if if

1:02:22.280 --> 1:02:26.200
<v Speaker 2>we sound like we it's just really it's really hard

1:02:26.240 --> 1:02:29.960
<v Speaker 2>to talk about this movie without feeling like you're aligning

1:02:30.040 --> 1:02:32.160
<v Speaker 2>with that. Obviously that is not how we align, but

1:02:32.720 --> 1:02:35.320
<v Speaker 2>this is just like the interior logic of the movie

1:02:35.440 --> 1:02:40.720
<v Speaker 2>is so fucked and assumes so much that it's it's

1:02:40.880 --> 1:02:44.600
<v Speaker 2>just like it's very difficult to have this right conversation. Yes,

1:02:44.720 --> 1:02:49.960
<v Speaker 2>please buy rod Dog, but okay, so we have Teresa

1:02:50.440 --> 1:02:55.160
<v Speaker 2>del Taco, Yes, okay, Del Taco is. You know, if

1:02:55.200 --> 1:02:57.480
<v Speaker 2>you live in the US, you probably know an American

1:02:58.320 --> 1:03:02.400
<v Speaker 2>fast food chain. American, but it's like americanized Mexican food,

1:03:02.440 --> 1:03:08.840
<v Speaker 2>so already yeah lazy. But Teresa is I mean, she's

1:03:09.000 --> 1:03:15.520
<v Speaker 2>a queer character who is immediately interested in Brenda, and

1:03:15.960 --> 1:03:19.480
<v Speaker 2>like it's like implied that that's why Teresa helps the

1:03:19.600 --> 1:03:22.600
<v Speaker 2>gang is because she has a thing for Brenda. We

1:03:22.720 --> 1:03:26.320
<v Speaker 2>see a lot of very like again, you're like, what

1:03:26.560 --> 1:03:29.960
<v Speaker 2>are we doing here? From Teresa's perspective, we see her

1:03:30.040 --> 1:03:34.560
<v Speaker 2>constantly looking at Brenda's but like objectifying her. I feel

1:03:34.560 --> 1:03:37.200
<v Speaker 2>like this movie. And then there is like a scene

1:03:37.520 --> 1:03:42.960
<v Speaker 2>where again it's just like not like Brenda is I

1:03:43.080 --> 1:03:48.080
<v Speaker 2>think like a queer character because she says when she

1:03:48.200 --> 1:03:50.880
<v Speaker 2>and Teresa go their separate ways, like basically says like

1:03:50.960 --> 1:03:54.160
<v Speaker 2>I'm interested, but but.

1:03:54.560 --> 1:03:55.920
<v Speaker 3>This religion we believe in.

1:03:55.880 --> 1:03:59.760
<v Speaker 2>It would be against god right to have, which I

1:03:59.800 --> 1:04:02.360
<v Speaker 2>think think is like again, the attempt that this movie

1:04:02.480 --> 1:04:05.760
<v Speaker 2>is making to be like religion is so oppressive. And

1:04:05.880 --> 1:04:08.560
<v Speaker 2>then at the end it comes around and everyone has

1:04:08.600 --> 1:04:12.520
<v Speaker 2>a big orgy and you know, Teresa and Brent dadu

1:04:13.360 --> 1:04:16.720
<v Speaker 2>have sex, or it's implied that everyone kind of has

1:04:16.720 --> 1:04:19.880
<v Speaker 2>sex with everyone. But I do think and like, the

1:04:20.000 --> 1:04:25.080
<v Speaker 2>way that queerness is treated in this movie is obviously bad,

1:04:25.440 --> 1:04:27.760
<v Speaker 2>oh for sure. Okay, well to the point where there's

1:04:28.080 --> 1:04:31.840
<v Speaker 2>a broad stereotype that isn't even like current. I'm like,

1:04:31.920 --> 1:04:35.000
<v Speaker 2>how old are you? People? Like, we're very but like

1:04:35.640 --> 1:04:39.600
<v Speaker 2>the entire fruit section of the grocery store is queer

1:04:39.720 --> 1:04:42.520
<v Speaker 2>coded and mostly queer coded as men, yeah, gay men

1:04:42.680 --> 1:04:45.120
<v Speaker 2>and yeah. So just again, because this movie is so

1:04:45.280 --> 1:04:48.560
<v Speaker 2>gender essentialist, there is no real in between in terms

1:04:48.600 --> 1:04:52.439
<v Speaker 2>of the gender spectrum, and we see queer men even

1:04:52.480 --> 1:04:54.120
<v Speaker 2>though it's I feel like this was a time where

1:04:54.120 --> 1:04:57.480
<v Speaker 2>it was like, well, any representation, you should be thrilled

1:04:57.760 --> 1:05:00.760
<v Speaker 2>that we included this. I'm acknowledging, can you exist?

1:05:01.160 --> 1:05:02.400
<v Speaker 3>And that's good enough.

1:05:02.520 --> 1:05:05.200
<v Speaker 2>Where there's already I mean, it's so unshocking that they

1:05:05.240 --> 1:05:06.920
<v Speaker 2>were working on this movie since two thousand and eight,

1:05:07.000 --> 1:05:10.040
<v Speaker 2>because this feels more twenty eight than twenty sixteen, for sure,

1:05:10.200 --> 1:05:12.120
<v Speaker 2>but that was when it was released, so you know,

1:05:12.240 --> 1:05:15.720
<v Speaker 2>fuck you, but the like there's a fair amount of

1:05:15.800 --> 1:05:19.120
<v Speaker 2>no homoing oh between hot dogs so much. But then

1:05:19.240 --> 1:05:23.000
<v Speaker 2>when there are queer men, they're treated differently from queer women,

1:05:23.920 --> 1:05:26.640
<v Speaker 2>which I know, again is essentialist, but it's something we've

1:05:26.640 --> 1:05:29.880
<v Speaker 2>talked about before, where when they're queer women, it's very

1:05:30.080 --> 1:05:32.880
<v Speaker 2>like ooh, this is sexy, this is leering, this is

1:05:32.920 --> 1:05:35.520
<v Speaker 2>blah blah blah, and then when it's queer men, it's

1:05:35.640 --> 1:05:40.200
<v Speaker 2>like funny and like it's I don't even I don't

1:05:40.200 --> 1:05:43.160
<v Speaker 2>even really know what word to describe how because at

1:05:43.200 --> 1:05:50.520
<v Speaker 2>the end, Sammy Bagel Junior and Kareem Abdul Levache hilarious

1:05:50.720 --> 1:05:53.520
<v Speaker 2>by the way, I have sex, the Bagel says he

1:05:53.640 --> 1:05:56.400
<v Speaker 2>has a boner. I'm like, well, I understand why you

1:05:56.440 --> 1:05:58.800
<v Speaker 2>haven't attempted to show it, because what does that even mean?

1:06:00.040 --> 1:06:03.320
<v Speaker 2>What does that mean? What that look like? Yeah, doesn't

1:06:03.360 --> 1:06:08.240
<v Speaker 2>make sense, but those characters are so offensive and like, okay,

1:06:08.720 --> 1:06:11.920
<v Speaker 2>so anyways, I thought it was interesting that Brenda and

1:06:12.040 --> 1:06:16.720
<v Speaker 2>Teresa are like acknowledged to be queer by the plot,

1:06:16.960 --> 1:06:21.960
<v Speaker 2>but like it's just so everything is so halfway because

1:06:22.040 --> 1:06:24.480
<v Speaker 2>even like their interest in each other is still treated

1:06:24.880 --> 1:06:30.480
<v Speaker 2>in a clearly written by straight men perspective.

1:06:30.280 --> 1:06:35.880
<v Speaker 3>Lazy, yeah, mostly played as a joke, nothing interesting or

1:06:35.960 --> 1:06:39.480
<v Speaker 3>meaningful being done with it. Yeah, so yeah, which is

1:06:39.560 --> 1:06:43.280
<v Speaker 3>also what happens with uh. And again we touched on this,

1:06:43.400 --> 1:06:46.920
<v Speaker 3>and it's not worth going into the details the specific

1:06:47.000 --> 1:06:53.680
<v Speaker 3>examples because they're so upsetting, but just the racism, xenophobia,

1:06:54.440 --> 1:06:58.360
<v Speaker 3>anti Islam, anti Semitic also like and it's so.

1:06:58.680 --> 1:07:00.760
<v Speaker 2>Well that and yeah, that's that's the one. We talked

1:07:00.760 --> 1:07:02.360
<v Speaker 2>about this a little bit as well, where that's I

1:07:02.440 --> 1:07:07.080
<v Speaker 2>think the one. I'm curious what are our Jewish listeners think,

1:07:07.840 --> 1:07:12.080
<v Speaker 2>but they're like, that feels like the only the only

1:07:12.200 --> 1:07:16.480
<v Speaker 2>subject on which this group of writers has any leeway

1:07:16.720 --> 1:07:20.840
<v Speaker 2>on because the story and the original like concept of

1:07:20.880 --> 1:07:23.320
<v Speaker 2>this movie is by Seth Rogen, Evan Goldberg, and Jonah Hill,

1:07:23.520 --> 1:07:27.560
<v Speaker 2>who are all Jewish writers. And you know, I still

1:07:27.560 --> 1:07:29.840
<v Speaker 2>think this movie sucks no matter what, but I do

1:07:29.960 --> 1:07:34.440
<v Speaker 2>want to acknowledge that there is a pretty well storied

1:07:34.600 --> 1:07:40.120
<v Speaker 2>history of Jewish writers poking at tropes surrounding Jewish characters

1:07:40.240 --> 1:07:45.080
<v Speaker 2>and also surrounding Nazism, which this movie also does. There

1:07:45.240 --> 1:07:48.880
<v Speaker 2>is president for that. It's obviously done way better by

1:07:49.520 --> 1:07:52.240
<v Speaker 2>artists like mel Brooks and like, I but I that's

1:07:52.440 --> 1:07:54.560
<v Speaker 2>the only where I I don't know where to land

1:07:54.600 --> 1:07:57.920
<v Speaker 2>on that because I'm not Jewish and I don't want to.

1:07:58.080 --> 1:08:02.440
<v Speaker 3>I mean, we talked about this on the Borat episode

1:08:02.880 --> 1:08:07.280
<v Speaker 3>as well. Yes, yes, on the is that a Matreon episode? Gosh,

1:08:07.320 --> 1:08:10.000
<v Speaker 3>I've lost all track of what is where?

1:08:10.520 --> 1:08:13.000
<v Speaker 2>Yes, I think that it was when we covered Borat

1:08:14.960 --> 1:08:18.200
<v Speaker 2>on the Matreon where it is like we did that.

1:08:19.000 --> 1:08:22.960
<v Speaker 2>I can't I mean feminist masterpiece, it was said. But

1:08:23.600 --> 1:08:26.519
<v Speaker 2>in any case, I, uh, yeah, I don't want to,

1:08:26.720 --> 1:08:29.280
<v Speaker 2>you know, come down on the side of like Jewish

1:08:29.479 --> 1:08:33.240
<v Speaker 2>writers cannot make any commentary on Jewish history in the

1:08:33.360 --> 1:08:36.439
<v Speaker 2>form of a comedy. There's plenty of it. I just

1:08:37.040 --> 1:08:40.920
<v Speaker 2>personally don't think anything is well done in this movie, right,

1:08:40.920 --> 1:08:43.040
<v Speaker 2>But that's the one thing that I'm like, well, I

1:08:43.479 --> 1:08:47.360
<v Speaker 2>don't really feel qualified to have a take on on that.

1:08:47.640 --> 1:08:49.840
<v Speaker 2>I feel the same, however, we would be curious to

1:08:49.920 --> 1:08:52.479
<v Speaker 2>know what our Jewish listeners think. I mean, it's just like,

1:08:52.840 --> 1:08:57.280
<v Speaker 2>I just can't believe anyone liked this movie. It's so

1:08:57.560 --> 1:09:02.439
<v Speaker 2>confusing to me. I wanted to quote a Lindy West

1:09:02.479 --> 1:09:06.439
<v Speaker 2>piece that's also mentioned in this Nico Lang piece. You

1:09:06.520 --> 1:09:09.599
<v Speaker 2>gotta love Lindy West. She said this back in twenty twelve,

1:09:10.439 --> 1:09:14.960
<v Speaker 2>where basically in the press tour for this movie, as

1:09:15.040 --> 1:09:19.320
<v Speaker 2>we've alluded to, the writers would say like, oh, this

1:09:19.439 --> 1:09:23.519
<v Speaker 2>is equal opportunity, like offensiveness, Like we know that it's

1:09:23.640 --> 1:09:27.519
<v Speaker 2>broad stereotypes, like, but it's with everyone. I think that

1:09:27.640 --> 1:09:30.719
<v Speaker 2>that and that's sort of where they're poking at Jewish

1:09:30.760 --> 1:09:33.280
<v Speaker 2>stereotypes come in, where they're like, we're doing it to ourselves.

1:09:33.320 --> 1:09:36.160
<v Speaker 2>Too cool if we do it to everybody. So that

1:09:36.560 --> 1:09:40.160
<v Speaker 2>is sort of the acknowledged ethos of how this movie

1:09:40.280 --> 1:09:43.040
<v Speaker 2>was put together. It's like we're not exempt, so you're

1:09:43.160 --> 1:09:47.840
<v Speaker 2>not exempt. So this is from a Lindy West essay

1:09:47.880 --> 1:09:51.400
<v Speaker 2>for Jezebel in twenty twelve. She says, quote, the problem

1:09:51.479 --> 1:09:54.200
<v Speaker 2>is that all people are not equal in positions of power,

1:09:54.840 --> 1:09:57.880
<v Speaker 2>which is true because it's like these guys are making

1:09:58.000 --> 1:10:03.519
<v Speaker 2>the movie like they're There is is one listed producer

1:10:03.640 --> 1:10:07.880
<v Speaker 2>who is a woman, Megan Allison, who is, if I

1:10:07.960 --> 1:10:10.240
<v Speaker 2>were to guess what, is probably involved mostly in the

1:10:11.240 --> 1:10:14.599
<v Speaker 2>in the animated portion because she works at Annapurna where

1:10:14.680 --> 1:10:16.960
<v Speaker 2>the animation took place, which we'll get to in a second.

1:10:17.600 --> 1:10:20.679
<v Speaker 2>It doesn't seem like there were any women that had

1:10:20.800 --> 1:10:23.800
<v Speaker 2>any say in you know, how this was made. Nor

1:10:23.880 --> 1:10:28.920
<v Speaker 2>were there any Muslim writers, nor were there any Mexican writers,

1:10:29.000 --> 1:10:31.360
<v Speaker 2>nor were their indigenous writers, nor were their black writers,

1:10:31.479 --> 1:10:33.280
<v Speaker 2>and on and on and on and on and on.

1:10:34.000 --> 1:10:38.360
<v Speaker 2>It was just these guys. So that logic does not

1:10:38.800 --> 1:10:39.559
<v Speaker 2>it doesn't hold.

1:10:39.439 --> 1:10:41.960
<v Speaker 3>Up, does it doesn't work work? And and if they

1:10:42.000 --> 1:10:46.439
<v Speaker 3>were actually like poking fun at everyone, because these these

1:10:46.479 --> 1:10:51.680
<v Speaker 3>filmmakers are only poking fun at already marginalized people and

1:10:51.920 --> 1:10:57.640
<v Speaker 3>not like commenting on fucking billionaires and racists and like

1:10:57.800 --> 1:11:01.000
<v Speaker 3>people who should actually be which which is like criticized

1:11:01.080 --> 1:11:02.640
<v Speaker 3>for their behavior, and.

1:11:02.720 --> 1:11:06.400
<v Speaker 2>Not that that's the duty of any like of all movies.

1:11:06.880 --> 1:11:09.160
<v Speaker 2>You can have movies that are not like you know,

1:11:09.360 --> 1:11:12.240
<v Speaker 2>explicitly anti capitalist and all this stuff. And this movie

1:11:12.400 --> 1:11:15.000
<v Speaker 2>is trying to say something about religion, but it's just yeah,

1:11:15.080 --> 1:11:18.000
<v Speaker 2>like as far as the stereotypes are deployed, it seems

1:11:18.080 --> 1:11:21.920
<v Speaker 2>like just for shock value, Like definitely it has nothing

1:11:22.040 --> 1:11:25.519
<v Speaker 2>to really do with the larger plot, which is like

1:11:25.800 --> 1:11:29.880
<v Speaker 2>basically incoherent to me. It's just like it's mean, and

1:11:30.000 --> 1:11:33.519
<v Speaker 2>it's lazy, and it's and it's it's a bit evil, definitely,

1:11:33.600 --> 1:11:38.519
<v Speaker 2>and I read god, I read, I read an example again,

1:11:38.920 --> 1:11:43.840
<v Speaker 2>read an example that so Evan Goldberg and seth Rogen

1:11:44.040 --> 1:11:46.960
<v Speaker 2>also said that they consulted friends to make sure their

1:11:47.000 --> 1:11:52.040
<v Speaker 2>equal opportunity offensiveness wasn't just plain offensive. Carmichael, who is

1:11:52.080 --> 1:11:54.599
<v Speaker 2>not in this movie, but he's in neighbors another seth

1:11:54.640 --> 1:11:58.920
<v Speaker 2>Rogen joint of this area, Drod Carmichael, told BuzzFeed that

1:11:59.040 --> 1:12:01.120
<v Speaker 2>Goldberg would come to him to vet the movies more

1:12:01.160 --> 1:12:05.400
<v Speaker 2>problematic content. Is this racist? Goldberg inquired on more than

1:12:05.439 --> 1:12:08.479
<v Speaker 2>one occasion, and then Nico Lang says, in an industry

1:12:08.479 --> 1:12:10.800
<v Speaker 2>where people of color continued to be stereotyped and shut out,

1:12:10.840 --> 1:12:12.759
<v Speaker 2>it seems that if Goldberg had to ask, he already

1:12:12.800 --> 1:12:14.920
<v Speaker 2>knew the answer, which I think is an excellent point

1:12:15.000 --> 1:12:18.240
<v Speaker 2>and it probably very true. I don't even want to

1:12:18.240 --> 1:12:19.880
<v Speaker 2>say what it was going to be. But the Craig

1:12:20.040 --> 1:12:26.000
<v Speaker 2>Robinson character, who is called mister Grits, which Jesus Christ,

1:12:26.240 --> 1:12:29.960
<v Speaker 2>was originally going to be even more offensive. And the

1:12:31.240 --> 1:12:33.760
<v Speaker 2>original version of the Craig Robinson character, which was just

1:12:34.280 --> 1:12:38.200
<v Speaker 2>explicitly anti black like, tested very very poorly, and there

1:12:38.439 --> 1:12:42.559
<v Speaker 2>was at the movie's original premiere someone I guess confronted

1:12:42.680 --> 1:12:44.759
<v Speaker 2>Zeth Rogan about it and was like, you can't fucking

1:12:44.880 --> 1:12:48.080
<v Speaker 2>do this, dude, Like this is disgusting. But that's the

1:12:48.240 --> 1:12:54.080
<v Speaker 2>only change that I saw an example of being changed.

1:12:54.320 --> 1:12:58.360
<v Speaker 2>Everything else stayed as is, which again it's like what

1:12:58.479 --> 1:13:00.799
<v Speaker 2>if someone hadn't said something, and it's.

1:13:00.720 --> 1:13:02.840
<v Speaker 3>Like and and that would just be out in the world.

1:13:03.640 --> 1:13:06.160
<v Speaker 2>I mean, not that what is out, not that mystery,

1:13:06.200 --> 1:13:08.320
<v Speaker 2>but Ris is doing anything, Like.

1:13:08.640 --> 1:13:12.519
<v Speaker 3>It's just mean Levache, Like all of the every character

1:13:12.840 --> 1:13:15.479
<v Speaker 3>fucking fire every I mean, it's like, there's no there's

1:13:15.520 --> 1:13:17.479
<v Speaker 3>no like except for this character, which makes a ton

1:13:17.520 --> 1:13:21.600
<v Speaker 3>of sense, Like no, no, pinous because you brought up

1:13:21.680 --> 1:13:26.120
<v Speaker 3>Lyndy West, who is an activist against fat shaming and

1:13:26.240 --> 1:13:27.440
<v Speaker 3>fat phobia.

1:13:27.320 --> 1:13:29.639
<v Speaker 2>And so just famously one of my favorite writers.

1:13:29.760 --> 1:13:34.240
<v Speaker 3>Oh she's terrific. It just reminded me of how much

1:13:34.920 --> 1:13:39.519
<v Speaker 3>fat shaming there is in this movie, where like the

1:13:39.640 --> 1:13:43.519
<v Speaker 3>other food characters are fat shaming. Brenda the Bun another

1:13:43.600 --> 1:13:47.360
<v Speaker 3>character I forget who it is, but says that people

1:13:47.680 --> 1:13:51.400
<v Speaker 3>like humans are to blame for getting fat because of

1:13:51.479 --> 1:13:54.080
<v Speaker 3>all the all the food they consume. Just like all

1:13:54.160 --> 1:13:56.880
<v Speaker 3>this like horrible fat phobic rhetoric.

1:13:56.760 --> 1:14:00.280
<v Speaker 2>Yeah, it's just bullshit like everything, like basically every word

1:14:00.439 --> 1:14:04.600
<v Speaker 2>and this movie is bullshit and all and also like

1:14:05.040 --> 1:14:09.639
<v Speaker 2>it upholds obviously, it upholds all of like all of everything,

1:14:09.840 --> 1:14:12.400
<v Speaker 2>but even in a way that like I don't understand

1:14:12.439 --> 1:14:14.920
<v Speaker 2>because it's it's like, this is a movie written by

1:14:15.000 --> 1:14:18.720
<v Speaker 2>Jewish writers who are going with their ethos of what

1:14:18.760 --> 1:14:21.920
<v Speaker 2>they say they're doing. We're not exempt either, but the

1:14:22.040 --> 1:14:26.240
<v Speaker 2>main character seems like he's coded as like a white Christian,

1:14:26.680 --> 1:14:29.639
<v Speaker 2>so it's like, right, so it seems like, oh, well,

1:14:29.840 --> 1:14:34.280
<v Speaker 2>the white Christian hero fucking cis hot dog guy is

1:14:34.360 --> 1:14:38.080
<v Speaker 2>still the most curious of everyone and like finds the

1:14:38.280 --> 1:14:41.880
<v Speaker 2>truth and unites every culture. And it's like that's like,

1:14:42.520 --> 1:14:46.320
<v Speaker 2>what is what are you doing? That's all movies like,

1:14:46.439 --> 1:14:50.560
<v Speaker 2>that's like fucking I I I don't, I don't know,

1:14:50.760 --> 1:14:54.160
<v Speaker 2>I like it. Obviously this movie makes no sense.

1:14:54.520 --> 1:14:59.240
<v Speaker 3>Uh. Well, to piggyback on that, there's there's classic sexism

1:14:59.320 --> 1:15:02.559
<v Speaker 3>happening with that too, because again, Frank is this character

1:15:02.640 --> 1:15:05.680
<v Speaker 3>who's like, wait a minute, I'm a skeptic. Now I

1:15:05.840 --> 1:15:09.599
<v Speaker 3>have to seek the truth, you literally, Bill Maher. Yeah,

1:15:11.080 --> 1:15:14.800
<v Speaker 3>he sets out to make the documentary religulous, you know,

1:15:15.120 --> 1:15:20.200
<v Speaker 3>and he's like, what's going on? But Brenda, his girlfriend,

1:15:20.840 --> 1:15:24.320
<v Speaker 3>refuses to listen to Frank about the possibility that the

1:15:24.400 --> 1:15:27.840
<v Speaker 3>great Beyond might not be real. And yes, he is

1:15:27.920 --> 1:15:31.439
<v Speaker 3>being very condescending and patronizing while he talks about it.

1:15:31.880 --> 1:15:35.240
<v Speaker 3>But one of the few female characters in the movie

1:15:35.840 --> 1:15:41.720
<v Speaker 3>is presented as being irrational and overly driven by her emotions.

1:15:42.280 --> 1:15:46.439
<v Speaker 3>And again, he's interested in seeking the truth. She's just like,

1:15:46.520 --> 1:15:50.160
<v Speaker 3>I'm gonna, you know, blindly follow what I already believe.

1:15:50.280 --> 1:15:53.280
<v Speaker 3>I'm not going to interrogate anything. And then she tries

1:15:53.320 --> 1:15:56.080
<v Speaker 3>to like make him jealous. When he's like, well, I

1:15:56.160 --> 1:15:59.080
<v Speaker 3>can't even have a rational conversation with you, She's like, oh, yeah,

1:15:59.120 --> 1:16:00.559
<v Speaker 3>well I'm gonna go fuck a pickle.

1:16:00.720 --> 1:16:03.679
<v Speaker 2>And it's just like, well, it's like also that there.

1:16:03.840 --> 1:16:06.519
<v Speaker 2>This is like because they're like still in their package

1:16:06.600 --> 1:16:13.000
<v Speaker 2>that's supposed to be this really like sophisticated metaphor for

1:16:13.479 --> 1:16:17.320
<v Speaker 2>Virginia purity, but it's still more like so but you know,

1:16:17.439 --> 1:16:21.080
<v Speaker 2>by the hot dog, but blah blah blah, like it's

1:16:21.120 --> 1:16:24.920
<v Speaker 2>still more emphasized in the female coded uh, Like it's

1:16:25.000 --> 1:16:29.559
<v Speaker 2>more important that the buns are never been used than

1:16:30.080 --> 1:16:33.200
<v Speaker 2>the hot dogs. Which is ridiculous.

1:16:33.640 --> 1:16:38.800
<v Speaker 3>Yeah, yeah, it is gross. Also there's all this like

1:16:40.000 --> 1:16:45.879
<v Speaker 3>male gaze ye animation slash cinematography again, Oh my god.

1:16:45.720 --> 1:16:48.479
<v Speaker 2>The shot where dude's just talking about like I can't

1:16:48.520 --> 1:16:52.800
<v Speaker 2>wait to get inside this woman. Guarantee, these writers do

1:16:53.040 --> 1:16:57.040
<v Speaker 2>not know how any of this would actually go. But

1:16:57.120 --> 1:17:01.560
<v Speaker 2>there's this like leering shot of like a cartoon while vagina,

1:17:02.040 --> 1:17:06.040
<v Speaker 2>and you're like, why, yeah, why why why why we

1:17:06.160 --> 1:17:09.840
<v Speaker 2>already have like oh, in case the vagina buns that

1:17:09.960 --> 1:17:13.720
<v Speaker 2>also have boobs and butts weren't enough for you, like

1:17:14.320 --> 1:17:16.160
<v Speaker 2>got you, got you? Yeah?

1:17:16.520 --> 1:17:22.639
<v Speaker 3>Yeah, So that's gross. Uh. I want to talk about

1:17:23.280 --> 1:17:27.880
<v Speaker 3>the production and animation, Yes, specifically the way that animators

1:17:27.920 --> 1:17:32.240
<v Speaker 3>were treated on this movie. I'm pulling from a couple

1:17:32.240 --> 1:17:36.080
<v Speaker 3>of different sources. One is a Washington Post piece, one

1:17:36.360 --> 1:17:40.000
<v Speaker 3>is a screen Rent piece. So there was this Q

1:17:40.200 --> 1:17:45.400
<v Speaker 3>and a published on an animation news website called.

1:17:45.400 --> 1:17:47.559
<v Speaker 2>Cartoon Brew cartoon ber Rocks.

1:17:48.040 --> 1:17:50.519
<v Speaker 3>And so there's a Q and a with the two

1:17:50.640 --> 1:17:55.439
<v Speaker 3>directors of this movie, Greg Tiernan and Conrad Vernon, And

1:17:56.120 --> 1:17:59.679
<v Speaker 3>the comments section of this Q and a basically turned

1:17:59.760 --> 1:18:06.000
<v Speaker 3>in who the animators commenting anonymously complaining about the working

1:18:06.080 --> 1:18:10.040
<v Speaker 3>conditions on the movie, and so like that's kind of

1:18:10.080 --> 1:18:14.760
<v Speaker 3>how this information came to be a public information. So

1:18:14.920 --> 1:18:20.560
<v Speaker 3>the animators complained about director Greg Tiernan, who runs the

1:18:21.080 --> 1:18:26.800
<v Speaker 3>animation company Nitrogen, who handled the animation for Sausage Party.

1:18:27.040 --> 1:18:31.439
<v Speaker 3>He runs it with his wife Nicole Stin.

1:18:31.720 --> 1:18:36.639
<v Speaker 2>Also, unfortunately, we do have to claim that Sausage Party

1:18:36.880 --> 1:18:42.280
<v Speaker 2>is Shrekian in that Conrad Vernon, one of the co

1:18:42.479 --> 1:18:45.240
<v Speaker 2>directors on feminist masterpiece Shrek two.

1:18:45.840 --> 1:18:48.840
<v Speaker 3>Wow, Yeah, really quite Shrekian.

1:18:49.760 --> 1:18:53.080
<v Speaker 2>Sorry to interrupt your very important discussion of labor rights,

1:18:53.200 --> 1:18:56.120
<v Speaker 2>but no, it's it's It's.

1:18:56.000 --> 1:19:00.200
<v Speaker 3>Also true it's important to know when a show.

1:19:00.400 --> 1:19:06.519
<v Speaker 2>When Shrek's when Shreks go wrong. Okay, but this is

1:19:06.560 --> 1:19:09.800
<v Speaker 2>a very fascinating thing that has can I feel like

1:19:09.800 --> 1:19:11.640
<v Speaker 2>it's a more popular discussion now, this seems like a

1:19:11.680 --> 1:19:12.680
<v Speaker 2>more early example of it.

1:19:12.840 --> 1:19:18.800
<v Speaker 3>Yes, So the animators were complaining that mister Greg would

1:19:19.000 --> 1:19:24.600
<v Speaker 3>have enraged outbursts. There was a lot of micromanagement of

1:19:25.040 --> 1:19:30.600
<v Speaker 3>the animators and most despicably, a lot of labor that

1:19:30.760 --> 1:19:36.040
<v Speaker 3>went unpaid because animators were forced to work overtime and

1:19:36.840 --> 1:19:40.240
<v Speaker 3>would not be paid for it. Yes, I'll quote an

1:19:40.280 --> 1:19:44.760
<v Speaker 3>excerpt from the Washington post piece. The production costs were

1:19:44.840 --> 1:19:50.160
<v Speaker 3>kept low because Greg would demand people work overtime for free.

1:19:50.640 --> 1:19:53.120
<v Speaker 3>If you wouldn't work late for free, your work would

1:19:53.120 --> 1:19:56.200
<v Speaker 3>be assigned to someone who would stay late or come

1:19:56.280 --> 1:19:59.240
<v Speaker 3>in on the weekend. Some artists were even threatened with

1:19:59.439 --> 1:20:02.919
<v Speaker 3>termination and for not staying late to hit a deadline.

1:20:03.640 --> 1:20:07.120
<v Speaker 3>So basically, animators, if they wanted to keep their job,

1:20:07.600 --> 1:20:11.320
<v Speaker 3>were forced to work over time for free. If they refused,

1:20:11.840 --> 1:20:16.400
<v Speaker 3>they would potentially be fired. Many animators who worked on

1:20:16.479 --> 1:20:19.160
<v Speaker 3>the movie were not credited as having worked on the

1:20:19.240 --> 1:20:22.759
<v Speaker 3>movie because many of them quit because of the horrible

1:20:22.840 --> 1:20:27.519
<v Speaker 3>working conditions before the movie was finished, and anyone who

1:20:27.600 --> 1:20:30.800
<v Speaker 3>quit was not credited even though they worked on the

1:20:30.880 --> 1:20:35.639
<v Speaker 3>movie for like over a year. Also, when animators tried

1:20:35.680 --> 1:20:38.800
<v Speaker 3>to quit and like put in their notice, executives at

1:20:38.880 --> 1:20:43.640
<v Speaker 3>Nitrogen would threaten to damage their reputations, which like is

1:20:43.680 --> 1:20:47.000
<v Speaker 3>a pretty big deal because like getting blacklisted in this

1:20:47.160 --> 1:20:50.600
<v Speaker 3>industry is a real concern. Like if you get blacklisted,

1:20:50.720 --> 1:20:52.280
<v Speaker 3>like it is really hard to.

1:20:52.840 --> 1:20:55.600
<v Speaker 2>Fuck your career and they know that permanently.

1:20:55.240 --> 1:20:59.160
<v Speaker 3>Yes, Like yeah, So the animators were just like treated

1:20:59.360 --> 1:21:04.000
<v Speaker 3>horribly and because the animation was happening in Vancouver, and

1:21:04.200 --> 1:21:07.559
<v Speaker 3>Nitrogen is a Vancouver based company, which is like outside

1:21:07.560 --> 1:21:11.479
<v Speaker 3>of the jurisdiction and protections of the Animation Guild in

1:21:11.560 --> 1:21:16.920
<v Speaker 3>the US, they like weren't protected. I did read that. Eventually,

1:21:17.280 --> 1:21:21.160
<v Speaker 3>when Annapurna, which was like the production company that financed

1:21:21.240 --> 1:21:25.720
<v Speaker 3>the movie, learned about all of this like labor mistreatment,

1:21:26.280 --> 1:21:29.759
<v Speaker 3>they stepped in. They made sure the animators were paid

1:21:29.880 --> 1:21:32.840
<v Speaker 3>for their overtime, and they were like they made sure

1:21:32.920 --> 1:21:36.040
<v Speaker 3>that the animators were being fed because a lot of

1:21:36.120 --> 1:21:38.200
<v Speaker 3>them had to work these late hours in an area

1:21:38.240 --> 1:21:42.360
<v Speaker 3>that was like difficult to get food, and so they

1:21:42.520 --> 1:21:44.960
<v Speaker 3>like unless they brought their own food, they would have

1:21:45.080 --> 1:21:46.320
<v Speaker 3>to work with like.

1:21:46.439 --> 1:21:47.920
<v Speaker 2>No access to food.

1:21:48.120 --> 1:21:51.040
<v Speaker 3>And like it's pretty standard for like especially on like

1:21:51.160 --> 1:21:55.639
<v Speaker 3>film sets, for the production of the movie, to feed

1:21:55.760 --> 1:21:59.240
<v Speaker 3>the cast and crew. Like it's not people's responsibility who

1:21:59.280 --> 1:22:02.400
<v Speaker 3>work on a on a production to feed themselves.

1:22:02.800 --> 1:22:09.120
<v Speaker 2>So this is so, like, this is I've I'm very i'mried.

1:22:09.240 --> 1:22:11.560
<v Speaker 2>I don't because you said you remember hearing about this

1:22:11.720 --> 1:22:13.240
<v Speaker 2>time at the time. I didn't know about this at

1:22:13.280 --> 1:22:15.840
<v Speaker 2>the time, just because I love I mean, I work

1:22:15.880 --> 1:22:19.320
<v Speaker 2>in animation. I love animation, and this is so this

1:22:19.520 --> 1:22:23.400
<v Speaker 2>is like so I mean labor disputes are typical across entertainment,

1:22:23.479 --> 1:22:26.400
<v Speaker 2>across everywhere, but like in animation specifically, it is like

1:22:26.560 --> 1:22:30.479
<v Speaker 2>improved so little over the years that I'm glad that

1:22:30.560 --> 1:22:33.519
<v Speaker 2>there was a settlement, but I'm also like, there's no

1:22:34.320 --> 1:22:39.960
<v Speaker 2>excuse for someone as powerful as this group of filmmakers

1:22:40.320 --> 1:22:43.760
<v Speaker 2>to accept making this a non union project like that

1:22:44.000 --> 1:22:47.080
<v Speaker 2>is absolutely unacceptable. You can't treat your workers that way,

1:22:47.160 --> 1:22:48.960
<v Speaker 2>and the reason you do is to save money and

1:22:49.080 --> 1:22:53.360
<v Speaker 2>to mistreat them because like you're saying, like this, this happens, this,

1:22:53.640 --> 1:22:56.280
<v Speaker 2>this has happened on animation shows that I've worked on,

1:22:56.439 --> 1:22:59.360
<v Speaker 2>and I've only ever worked as a writer. But even so,

1:22:59.520 --> 1:23:02.519
<v Speaker 2>it's like there's just still such an issue with how

1:23:02.640 --> 1:23:07.080
<v Speaker 2>animation is treated within entertainment. Not that there aren't major

1:23:07.200 --> 1:23:10.080
<v Speaker 2>labor issues in live action as well, but the unions

1:23:10.200 --> 1:23:13.080
<v Speaker 2>in live action tend to be a little stronger where

1:23:13.120 --> 1:23:18.679
<v Speaker 2>you have SAG that represents uh animation performers as well,

1:23:18.760 --> 1:23:24.200
<v Speaker 2>but not as often the WGA, who are it seems

1:23:24.240 --> 1:23:28.080
<v Speaker 2>about to strike and I'm very thrilled, but the WGA

1:23:28.200 --> 1:23:32.000
<v Speaker 2>still doesn't recognize most animation writers as writers that deserve

1:23:32.200 --> 1:23:36.760
<v Speaker 2>union protections, like ridiculous it blows. Like I love to

1:23:37.120 --> 1:23:39.160
<v Speaker 2>fucking run my mouth about this, but I've worked on

1:23:39.360 --> 1:23:42.679
<v Speaker 2>six television shows, but I'm not in the WGA because

1:23:42.720 --> 1:23:45.760
<v Speaker 2>I write in animation. It's ridiculous and like some are

1:23:45.960 --> 1:23:49.880
<v Speaker 2>fucking high budget, Like why does writing on Star Trek

1:23:49.960 --> 1:23:52.640
<v Speaker 2>not qualify you for the WGA. It's fucking ridiculous, and

1:23:52.680 --> 1:23:58.360
<v Speaker 2>it's there is very in animators, especially, I mean this

1:23:58.479 --> 1:24:02.720
<v Speaker 2>goes back to like Walt Disney union busting animators, like

1:24:03.160 --> 1:24:06.240
<v Speaker 2>during the production of like Pinocchio, Like this has been

1:24:06.280 --> 1:24:06.720
<v Speaker 2>going back.

1:24:06.800 --> 1:24:09.160
<v Speaker 3>This has been going on in animation forever, getting back

1:24:09.160 --> 1:24:10.559
<v Speaker 3>to the Pinocchio Wars.

1:24:10.760 --> 1:24:13.560
<v Speaker 2>Sorry, oh my god, I still have PTSD from the

1:24:13.560 --> 1:24:18.840
<v Speaker 2>Pinocchio Wars. But like there there's you know, animators have

1:24:19.240 --> 1:24:22.880
<v Speaker 2>had to repeatedly strike and still have I would say,

1:24:23.000 --> 1:24:28.559
<v Speaker 2>generally less protections than their live action counterparts, which is ridiculous,

1:24:28.640 --> 1:24:33.000
<v Speaker 2>especially because animation has grown only more popular and more

1:24:33.160 --> 1:24:37.479
<v Speaker 2>widely like every audience. It's it's like it was like, oh,

1:24:37.600 --> 1:24:40.160
<v Speaker 2>you make Kitty TV, like you don't do it, which

1:24:40.160 --> 1:24:43.280
<v Speaker 2>is also ridiculous. But now it's like there's animation across

1:24:43.400 --> 1:24:45.840
<v Speaker 2>the board. There's no reason that they shouldn't be treated equally.

1:24:45.960 --> 1:24:49.200
<v Speaker 2>It pisses me off, and I'm glad that they got

1:24:49.240 --> 1:24:53.639
<v Speaker 2>a settlement, but it's just like it's so transparent where

1:24:53.720 --> 1:24:56.519
<v Speaker 2>and this we like sort of talked about this a

1:24:56.560 --> 1:24:59.719
<v Speaker 2>little earlier, but how I think that like a similar

1:25:00.000 --> 1:25:02.320
<v Speaker 2>dispute that you see right now is going on with

1:25:03.800 --> 1:25:08.840
<v Speaker 2>the effects workers who work on Marvel movies, where there's

1:25:08.920 --> 1:25:12.559
<v Speaker 2>only so many production houses that do this. They're desperate

1:25:12.640 --> 1:25:15.799
<v Speaker 2>to stay in the good favor of Disney and Marvel.

1:25:16.040 --> 1:25:18.960
<v Speaker 2>It's always fucking Disney with this stuff. They want to

1:25:18.960 --> 1:25:22.040
<v Speaker 2>stay in the good graces of these huge contracts, and

1:25:22.160 --> 1:25:26.200
<v Speaker 2>so they'll work people to death and then like there

1:25:26.320 --> 1:25:29.200
<v Speaker 2>this was an issue with a director I generally like,

1:25:29.320 --> 1:25:33.320
<v Speaker 2>but Taiko yit when the last I didn't see it.

1:25:33.520 --> 1:25:36.479
<v Speaker 2>When his last Marvel movie came out, he was like

1:25:36.720 --> 1:25:40.800
<v Speaker 2>making fun of how the effects looked in interviews, which

1:25:40.920 --> 1:25:44.680
<v Speaker 2>prompted employees to be like, you didn't like, Marvel did

1:25:44.760 --> 1:25:47.679
<v Speaker 2>not give us the money or the time to finish

1:25:47.760 --> 1:25:51.439
<v Speaker 2>this fucking movie. How dare you like? It's ridiculous? He

1:25:51.640 --> 1:25:55.400
<v Speaker 2>sucked thor Love and Thunder was like, I didn't see it.

1:25:55.560 --> 1:25:58.439
<v Speaker 2>I mean, I guess it's like I was like Oh, well,

1:25:58.520 --> 1:26:00.479
<v Speaker 2>you can't always trust rotten tomatoes. But I did trust

1:26:00.520 --> 1:26:02.599
<v Speaker 2>Rotten Tomatoes on that one. Then I didn't see it. Yeah,

1:26:02.760 --> 1:26:07.599
<v Speaker 2>but yeah, it's just animation and effects. Workers are historically

1:26:07.680 --> 1:26:12.120
<v Speaker 2>treated like shit, and it's so like there's no there's

1:26:12.160 --> 1:26:15.040
<v Speaker 2>no excuse for anyone to do it, but particularly people

1:26:15.120 --> 1:26:19.120
<v Speaker 2>who are this powerful and have have access to the resources.

1:26:19.200 --> 1:26:21.800
<v Speaker 2>It's not like we're an indie company and like we

1:26:21.960 --> 1:26:25.960
<v Speaker 2>can only give you this much, which isn't acceptable either,

1:26:26.040 --> 1:26:28.439
<v Speaker 2>but at least there's some context for it. There's no

1:26:28.560 --> 1:26:32.360
<v Speaker 2>reason that this that a production of this level needed

1:26:32.600 --> 1:26:38.040
<v Speaker 2>to mistreat their workers so much, and that sucks because

1:26:38.080 --> 1:26:44.320
<v Speaker 2>then everyone had to work on sausage party like Okay, Well,

1:26:44.640 --> 1:26:46.560
<v Speaker 2>if you want to read more about labor rights in

1:26:46.600 --> 1:26:51.400
<v Speaker 2>the meat packing industry and also then you should pick

1:26:51.479 --> 1:26:54.120
<v Speaker 2>up a new book. It's out now. It's called Raw Dog.

1:26:54.680 --> 1:26:57.960
<v Speaker 2>I learned a lot about how meat packing employees as

1:26:58.000 --> 1:27:03.160
<v Speaker 2>well as animals are soverely mistreated in the process. Where

1:27:03.439 --> 1:27:08.360
<v Speaker 2>most grocery store hot dogs like frank are made. Also

1:27:08.720 --> 1:27:11.800
<v Speaker 2>do some discussion of vegan hot dogs of kosher hot dogs.

1:27:11.840 --> 1:27:17.320
<v Speaker 2>They're so the world of hot dogs is expansive. It's fast, fast,

1:27:17.720 --> 1:27:21.200
<v Speaker 2>and vast and much, you might even say, and much

1:27:21.400 --> 1:27:25.200
<v Speaker 2>like the animation workers' rights have not improved by very

1:27:25.320 --> 1:27:30.360
<v Speaker 2>much over the last one hundred years. So that's fucking sick.

1:27:31.080 --> 1:27:32.600
<v Speaker 2>We love that. We love that.

1:27:32.960 --> 1:27:34.960
<v Speaker 3>Do you have anything else you want to say about

1:27:35.160 --> 1:27:36.040
<v Speaker 3>sausage Party?

1:27:36.880 --> 1:27:40.960
<v Speaker 2>No, me either, it passes, it passes the vectl as

1:27:41.040 --> 1:27:42.240
<v Speaker 2>but it doesn't matter.

1:27:42.240 --> 1:27:46.680
<v Speaker 3>It doesn't matter. And the way women interact with each other,

1:27:46.800 --> 1:27:49.479
<v Speaker 3>which is not often because again there's only really two

1:27:50.080 --> 1:27:53.200
<v Speaker 3>there's one major female character in Brenda, and then there's

1:27:53.240 --> 1:27:57.840
<v Speaker 3>a more minor character in Teresa. Other than that, any

1:27:58.000 --> 1:28:01.479
<v Speaker 3>female coded characters have like maybe a line or two,

1:28:02.320 --> 1:28:05.200
<v Speaker 3>and even that's rare, So most of the characters we

1:28:05.400 --> 1:28:09.439
<v Speaker 3>meet are male coded, so there's really very little interaction

1:28:09.600 --> 1:28:13.120
<v Speaker 3>between women. Although Brenda and Theresa do pass the Bechdel

1:28:13.160 --> 1:28:17.439
<v Speaker 3>test because they talk about their sexual urges for each other.

1:28:18.160 --> 1:28:21.599
<v Speaker 2>So right, and sure it counts, I count.

1:28:21.680 --> 1:28:25.360
<v Speaker 3>But but but the way that women or like female

1:28:25.439 --> 1:28:28.720
<v Speaker 3>coded characters interact with each other outside of that is

1:28:28.800 --> 1:28:31.280
<v Speaker 3>like a lot of like the buns will be calling

1:28:31.360 --> 1:28:36.160
<v Speaker 3>each other disparaging like sexist words like oh you bitch,

1:28:36.320 --> 1:28:39.080
<v Speaker 3>oh you skank, stuff like that.

1:28:39.600 --> 1:28:42.600
<v Speaker 2>Yeah, and then we referenced this. But I guess the

1:28:42.680 --> 1:28:45.840
<v Speaker 2>only other thing I have to say is the ableism

1:28:45.920 --> 1:28:48.400
<v Speaker 2>that's present in the Michael Sarah character, and also that

1:28:48.600 --> 1:28:52.800
<v Speaker 2>they suggest that he is disabled in some way and

1:28:52.960 --> 1:28:55.080
<v Speaker 2>that the only way that he could find a partner

1:28:55.200 --> 1:28:58.320
<v Speaker 2>is to find another disabled partner, which how that plays

1:28:58.320 --> 1:29:01.160
<v Speaker 2>out in the end, which is just I mean, like

1:29:02.280 --> 1:29:03.960
<v Speaker 2>it feels worth me. I don't even want to get

1:29:04.040 --> 1:29:07.920
<v Speaker 2>into it really because it's just so fucked and ugly.

1:29:08.240 --> 1:29:12.800
<v Speaker 2>And this this movie is I agree with letterboxed. This

1:29:12.960 --> 1:29:15.880
<v Speaker 2>movie is is evil. Yeah, I don't I don't want

1:29:15.920 --> 1:29:18.759
<v Speaker 2>to say another word about this movie. No nipples, don't

1:29:18.760 --> 1:29:18.880
<v Speaker 2>you know.

1:29:19.040 --> 1:29:22.840
<v Speaker 3>I would say negative five nipples and it's like a

1:29:22.960 --> 1:29:25.080
<v Speaker 3>special lea their negative five.

1:29:25.720 --> 1:29:26.519
<v Speaker 2>This movie is evil.

1:29:27.160 --> 1:29:29.959
<v Speaker 3>The last thing I'll say about it is it's especially

1:29:30.080 --> 1:29:33.360
<v Speaker 3>frustrating to me when there there's a movie that's attempting

1:29:33.960 --> 1:29:37.840
<v Speaker 3>to make commentary on some kind of like societal or

1:29:37.960 --> 1:29:41.080
<v Speaker 3>cultural thing, because it is attempting to say things like

1:29:42.360 --> 1:29:46.280
<v Speaker 3>having blind faith in a deity can be dangerous, or

1:29:46.600 --> 1:29:52.439
<v Speaker 3>which sure, attaching shame to sexuality and making people feel

1:29:52.760 --> 1:29:56.759
<v Speaker 3>shame if they have sex, like quote unquote out of wedlock,

1:29:57.040 --> 1:30:01.200
<v Speaker 3>or if they have sexual feelings toward someone of their

1:30:01.280 --> 1:30:04.720
<v Speaker 3>same gender, the way that a lot of religions do

1:30:05.720 --> 1:30:09.840
<v Speaker 3>you know, saying that that's wrong, or taking a religious

1:30:10.000 --> 1:30:13.960
<v Speaker 3>text and distorting it to push your own agenda of

1:30:14.160 --> 1:30:20.280
<v Speaker 3>prejudice and oppression, that's bad. Yeah, I agree with those things,

1:30:20.680 --> 1:30:22.759
<v Speaker 3>but for the movie to try to make those claims

1:30:22.840 --> 1:30:27.120
<v Speaker 3>and then turn around and put every reductive trope in

1:30:27.280 --> 1:30:32.400
<v Speaker 3>existence into the movie and punch down to so many

1:30:32.479 --> 1:30:38.120
<v Speaker 3>groups of marginalized people. Do you even hear yourself sausage party?

1:30:38.360 --> 1:30:39.360
<v Speaker 2>Anyway? This movie sucks.

1:30:39.400 --> 1:30:43.280
<v Speaker 3>I hate it. Negative five nipples and buy Jamie's book.

1:30:43.520 --> 1:30:47.639
<v Speaker 2>Please buy my book Raw Dog. By changing lattist we're

1:30:47.680 --> 1:30:50.880
<v Speaker 2>gonna put we'll put the link for where you can

1:30:50.960 --> 1:30:54.760
<v Speaker 2>buy it. I prefer to use bookshop dot org. That

1:30:54.840 --> 1:30:59.080
<v Speaker 2>will automatically link you to the closest independent bookstore that

1:30:59.160 --> 1:31:02.280
<v Speaker 2>you can order it from and habit shipped from that

1:31:02.439 --> 1:31:05.080
<v Speaker 2>is carrying the book. And please tell your friends. It's

1:31:05.160 --> 1:31:09.080
<v Speaker 2>really helpful and I'm very proud of it. And also

1:31:09.840 --> 1:31:11.800
<v Speaker 2>if you live in the cities, let's see if I

1:31:11.840 --> 1:31:23.280
<v Speaker 2>remember of Los Angeles, San Francisco, Austin, Portland, Oregon, Boston, Brooklyn, Chicago, Chicago,

1:31:23.680 --> 1:31:27.559
<v Speaker 2>and somewhere in Connecticut called the Mark Twain House. Those

1:31:27.600 --> 1:31:30.040
<v Speaker 2>are the eighth places I will be going to promote

1:31:30.080 --> 1:31:32.880
<v Speaker 2>the book. There will be events and we will link

1:31:32.960 --> 1:31:35.800
<v Speaker 2>tickets as well because I will be leaving this week,

1:31:36.040 --> 1:31:37.920
<v Speaker 2>so please please come.

1:31:37.800 --> 1:31:41.639
<v Speaker 3>Out indeed and all the regular stuff. You can follow

1:31:42.160 --> 1:31:47.200
<v Speaker 3>us on Twitter and Instagram. You can go to our

1:31:47.320 --> 1:31:52.960
<v Speaker 3>Patreon aka Patreon and get access to two bonus episodes

1:31:52.960 --> 1:31:56.760
<v Speaker 3>every month, plus the entire back catalog of bonus episodes.

1:31:56.880 --> 1:32:02.160
<v Speaker 3>This month of May is my birthday and we are

1:32:02.360 --> 1:32:07.040
<v Speaker 3>doing Office Space and redoing Back to the Future because

1:32:07.080 --> 1:32:10.479
<v Speaker 3>our first Back to the Future episode has audio quality

1:32:10.600 --> 1:32:13.080
<v Speaker 3>that is not great and we have one of my

1:32:13.120 --> 1:32:16.799
<v Speaker 3>favorite movies, so I want to just do an updated

1:32:16.880 --> 1:32:18.080
<v Speaker 3>version of the episode.

1:32:19.320 --> 1:32:22.000
<v Speaker 2>You can check out our merch at teapublic dot com

1:32:22.080 --> 1:32:26.080
<v Speaker 2>slash the Bechdel Cast if you are interested, grab a

1:32:26.120 --> 1:32:29.479
<v Speaker 2>little merch and hope to see you. Hope to see

1:32:29.479 --> 1:32:32.160
<v Speaker 2>you on the road soon. Love you, bye bye.