WEBVTT - Himbo

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<v Speaker 1>Okay, rincon and contracts me only Gamo.

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<v Speaker 2>That's seen.

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<v Speaker 3>Your rest love you don't.

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<v Speaker 4>Long stand three daytime, that's.

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<v Speaker 2>Previously on. Blah blah blah.

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<v Speaker 5>I'm not doing this today. I've been waiting all season

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<v Speaker 5>to find out what happened to Gabby and dag nab It.

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<v Speaker 5>I'm gonna get that story today, So, without further ado, the.

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<v Speaker 6>Year was nineteen ninety seven. I was working at a

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<v Speaker 6>blimpiece at the Aventu Ramon.

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<v Speaker 2>Oh, it's a blimpiece.

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<v Speaker 7>You know the sandwich chain. If you warn me while

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<v Speaker 7>you're on your feet, stop by at a blimpiece.

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<v Speaker 2>You know what is not important? The point is I

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<v Speaker 2>was young and broke, but damn was that good looking?

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<v Speaker 2>Where's this story going?

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<v Speaker 6>She could have walked into any blimpiece, but she walked

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<v Speaker 6>into mine and she changed my life.

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<v Speaker 4>You there with the shredded lettuce?

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<v Speaker 3>What's your name?

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<v Speaker 2>If DeLeon would you like mayo on this?

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<v Speaker 3>I'm not going to eat it. It doesn't matter, Victoria,

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<v Speaker 3>what are you up to?

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<v Speaker 1>Oh?

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<v Speaker 4>Come on, look at him, Joel under those ill fitting

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<v Speaker 4>khakis and that visor cap.

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<v Speaker 3>There's potential, I can hear you.

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<v Speaker 2>That's twelve fifty six. For the sandwich? Would you like

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<v Speaker 2>to add a soup for two ninety nine?

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<v Speaker 3>Forget the soup? Kid, How would you like to be rich?

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<v Speaker 8>What?

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<v Speaker 2>I don't see it.

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<v Speaker 4>I'm telling you it's there, So no soup your kid.

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<v Speaker 3>When you're tired of being poor, give me a call.

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<v Speaker 3>I'll change your life.

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<v Speaker 2>I'd never seen someone throw away a full sub like that.

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<v Speaker 9>It was.

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<v Speaker 2>Sexy, but also wasteful. I had to know more.

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<v Speaker 5>Wait, so you called her?

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<v Speaker 2>Yeah? I fucking called her. Do you know what it's

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<v Speaker 2>like working at a blimp piece? It's terrible. I'd rather

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<v Speaker 2>go back to jail.

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<v Speaker 6>She told me to meet her at church on Sunday morning.

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<v Speaker 6>She wanted me to see God's higher.

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<v Speaker 2>Purpose for me. Ah, so it was a Jesus Day,

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<v Speaker 2>not even a little bit.

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<v Speaker 4>Samon. I'm so glad you made it. Did you catch

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<v Speaker 4>my sermon?

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<v Speaker 2>Yeah? Very moving? Two thumbs up. I really felt the spirit.

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<v Speaker 3>You are not very religious, are you?

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<v Speaker 9>Not?

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<v Speaker 2>Really? I grew up Catholic, but religion never did very

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<v Speaker 2>much for me.

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<v Speaker 3>Me either.

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<v Speaker 4>You know, growing up, I was a lot like you.

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<v Speaker 4>I don't come from money. There was never enough food

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<v Speaker 4>on the table, and I prayed to God every night

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<v Speaker 4>to help me and my brother. But night after night

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<v Speaker 4>we went to bed with empty stomachs. So after a

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<v Speaker 4>while I realized I had to answer my own purpose.

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<v Speaker 2>So what swiss all of this? Then?

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<v Speaker 3>This, it's how I answered my prayers.

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<v Speaker 4>I brought you here because I really believe that if

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<v Speaker 4>you teach a man to fish, he'll be.

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<v Speaker 3>Fed for a lifetime. And this is where I go fishing.

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<v Speaker 3>Take a look around you, what do you see?

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<v Speaker 2>I don't know people.

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<v Speaker 3>Money, Estevan. Every person down there looks like a walking

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<v Speaker 3>sack of money to me, and you you're gonna help

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<v Speaker 3>me get it.

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<v Speaker 2>It was the most brilliant calm I had ever seen.

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<v Speaker 5>Let me guess she was using the church to funnel money?

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<v Speaker 2>Oh no, I mean yes, the church was This guy

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<v Speaker 2>body was way bigger than that. But then what was it?

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<v Speaker 3>Stab On.

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<v Speaker 4>There's a whole world of women out there, lonely women,

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<v Speaker 4>ugly women, rich women, women in need of love and affection.

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<v Speaker 2>What does this have to do with me?

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<v Speaker 4>Aren't you sick of slinging sandwiches for minimum wage?

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<v Speaker 2>Of course I am, But what am I supposed to do?

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<v Speaker 2>I don't have any excuse. I didn't go to college.

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<v Speaker 2>I am a nobody.

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<v Speaker 4>Stab on.

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<v Speaker 3>Uh huh, you don't need any of that. All you

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<v Speaker 3>need to do please trust me. I've been doing this

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<v Speaker 3>for a long time, and I think you've got what

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<v Speaker 3>it takes to go all the way.

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<v Speaker 4>I can make you richer and more powerful than you've

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<v Speaker 4>ever dreamed. But you have to do exactly what I say.

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<v Speaker 2>What do you want me to do? She cummed me,

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<v Speaker 2>She waxed me, She unwebbed my toes.

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<v Speaker 4>What are you saying?

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<v Speaker 5>What are you saying about toes?

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<v Speaker 4>Damn it?

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<v Speaker 2>She made me over.

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<v Speaker 7>She molded me like a lump of clay and turned

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<v Speaker 7>me into the man you see today. She taught me

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<v Speaker 7>everything I needed to know to charm rich women. She

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<v Speaker 7>turned me into a himbo.

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<v Speaker 2>What's a himbo?

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<v Speaker 7>We're pretty boys, face jockeys, meat monkeys. Oh look, snowbooks.

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<v Speaker 7>We're good for one thing, and one thing only, scamming

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<v Speaker 7>rich women out of their money. Victoria was using her

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<v Speaker 7>church to funnel money from the biggest hymbo scam in history.

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<v Speaker 2>Wait what? There were dozens of.

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<v Speaker 7>Us tall boys, short boys, fat boys, skinny boys, every

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<v Speaker 7>kind of himbo you could dream.

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<v Speaker 2>Victoria had one.

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<v Speaker 7>She had calmed the entire Dry State area looking for dumb,

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<v Speaker 7>broke pretty boys like me. By the time I met her,

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<v Speaker 7>Victoria was running an army of himbos, a whole hymbo network,

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<v Speaker 7>Himbos Pilasi.

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<v Speaker 2>There's no way this is real. It's way more common

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<v Speaker 2>than you think. Think about it.

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<v Speaker 7>How many smart, accomplished women do you know with absolutely

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<v Speaker 7>useless husbands. Do you think those guys got there by accident?

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<v Speaker 7>No way, those are himbos.

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<v Speaker 2>Okay, but what does this have to do with the

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<v Speaker 2>missing girl and getting there?

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<v Speaker 6>For years I worked retirement homes the bingos circuit, mostly

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<v Speaker 6>working with really old bitties on their last legs. I

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<v Speaker 6>gave them a little companionship in their last days, and

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<v Speaker 6>they left me with a chunk of change, which.

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<v Speaker 2>I shared with Victoria Issy. I thought.

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<v Speaker 6>Finally, Victoria thought I was ready to go after the

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<v Speaker 6>white whale of the himbo world.

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<v Speaker 2>Luisa, golittle your wife.

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<v Speaker 6>It's the biggest regret of my life. Louisa never saw

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<v Speaker 6>it coming, and she didn't deserve it. But I had

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<v Speaker 6>a job to do, and I did it masterfully.

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<v Speaker 4>I love Heyday.

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<v Speaker 6>You know, it's not so easy to hide this much money.

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<v Speaker 6>Moving out, I had to close another factory to get this.

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<v Speaker 6>Her father thinks I'm totally useless.

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<v Speaker 4>Oh, let them think what they want. All that matters

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<v Speaker 4>is that the money keeps rolling in. Oh what's the matter, theymon?

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<v Speaker 4>Are you feeling bad for the poor little witch girl?

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<v Speaker 2>Yeah? Maybe I am?

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<v Speaker 3>Oh boohoo, let her cry in her.

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<v Speaker 2>Trust, Victoria, I don't know if I can keep doing this.

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<v Speaker 4>Oh, police, don't go getting soft on me now. If

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<v Speaker 4>it makes you feel any better. You're not really stealing

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<v Speaker 4>from Louisa. You're stealing from her father, I know.

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<v Speaker 7>But I think she really loves me. And now we're

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<v Speaker 7>talking about having kids and this has all gone too far.

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<v Speaker 3>Haven't I taken care of you Estevan? Yes, didn't I

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<v Speaker 3>hold up my end of the bargain.

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<v Speaker 4>Yeah?

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<v Speaker 7>But I don't want to just keep mooching off her

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<v Speaker 7>for the rest of my life. I want to be

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<v Speaker 7>my own man, build something I can be proud of,

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<v Speaker 7>and you will.

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<v Speaker 3>Hey, you could be president someday. Look at Bill. You

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<v Speaker 3>know he's one of my guys, right Bill.

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<v Speaker 4>Yeah?

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<v Speaker 3>I picked him up in a Kennygye cover band, and

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<v Speaker 3>look where he ended up.

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<v Speaker 2>I don't know, Victoria.

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<v Speaker 3>Well, there's one simple way for you to end it.

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<v Speaker 3>Just poison her?

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<v Speaker 4>What sure? Just slip a little something into her wine

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<v Speaker 4>each night. Within a few weeks, you'll be free and

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<v Speaker 4>you'll be the sole heir to her fortune.

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<v Speaker 2>You must be joking.

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<v Speaker 4>Mmm, I thought you want it out. Let's stay. But

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<v Speaker 4>come on. I know you're a pretty boy, but I

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<v Speaker 4>thought you were smarter than this. I need to get paid.

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<v Speaker 4>If you want to walk away from this, then there's

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<v Speaker 4>a price to pay. If it really bothers you, I

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<v Speaker 4>can have Joel do it. He's a real man.

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<v Speaker 2>How old berry? Why I am a real man.

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<v Speaker 3>I don't have time for this. Either kill her or

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<v Speaker 3>keep the payments going. The choice is yours.

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<v Speaker 2>I quietly funneled the money from Luisa for years.

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<v Speaker 3>Well that's awful.

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<v Speaker 4>I know.

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<v Speaker 6>I didn't feel good about it then, and I still

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<v Speaker 6>don't know. But I made a deal with the devil

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<v Speaker 6>and I couldn't see it way out.

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<v Speaker 5>Oh come on, What does this have to do with

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<v Speaker 5>the girl? All right, the girl? But wasn't this supposed

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<v Speaker 5>to be Gabby's episode? I mean, this whole network of

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<v Speaker 5>himbos is fascinating, But what does it have to.

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<v Speaker 2>Do with Gabby?

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<v Speaker 3>Okay?

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<v Speaker 4>Okay?

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<v Speaker 9>All right, great, So now, now, now, now, and now

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<v Speaker 9>that you've calmed down, I need you to tell me

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<v Speaker 9>what she saw Gabby.

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<v Speaker 10>Yeah, well, so in my letter I told you about

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<v Speaker 10>life in the conversion camp, right, how awful it was,

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<v Speaker 10>how they treated us. After a few weeks in that place,

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<v Speaker 10>I'd had enough. I packed up my stuff and waited

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<v Speaker 10>until late at night. I figured I could sneak through

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<v Speaker 10>the offices and Hitshake my way home. But I heard

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<v Speaker 10>yelling coming from Victoria's office.

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<v Speaker 2>How long has this been going on? What do you care?

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<v Speaker 4>This has nothing to do with you like Hellett does.

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<v Speaker 2>And I'm not going to be a part of this.

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<v Speaker 2>I'm serious, Victoria. Shut this down.

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<v Speaker 4>Shut it down. Do you have any idea how much

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<v Speaker 4>money this thing makes?

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<v Speaker 7>I don't care how much money it makes. It's a

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<v Speaker 7>conversion camp. This isn't just some scam, Victoria. You're hurting

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<v Speaker 7>these kids.

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<v Speaker 4>Oh please, So some rich kids have to spend a

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<v Speaker 4>few weeks listening to Bible versus they'll get over it.

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<v Speaker 7>No, they won't, Victoria. I have done a lot of

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<v Speaker 7>things I am not proud of. I've lied, I've stolen,

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<v Speaker 7>I've been your puppet and it's made me rich.

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<v Speaker 2>But this is too far?

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<v Speaker 4>What's gotten into you? I let you keep Louisa alive?

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<v Speaker 4>What more do you want?

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<v Speaker 2>When will it be enough for you? You have your hymbos,

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<v Speaker 2>You and your.

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<v Speaker 7>Brother have poisoned every rich heiress in Miami Dade County.

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<v Speaker 7>Isn't that enough to say? Sheiate your greed?

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<v Speaker 4>Ah? Is that what this is about? You want a

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<v Speaker 4>bigger cut of the money.

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<v Speaker 2>No, I want my soul back. The money it's not

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<v Speaker 2>worth it.

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<v Speaker 4>Well, what if I could give you something that money

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<v Speaker 4>can't buy?

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<v Speaker 2>What are you talking about?

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<v Speaker 4>Steman? I told you you have so much potential. I

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<v Speaker 4>knew it from the moment I saw you. You you

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<v Speaker 4>are destined for greatness, and.

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<v Speaker 3>I can help you get there. I just need for

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<v Speaker 3>you to trust me.

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<v Speaker 2>Whatever you're planning, I don't want it. I want out, Stevan.

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<v Speaker 3>I can make you Mayor.

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<v Speaker 4>You could finally be in charge of your own life,

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<v Speaker 4>be your own man, build something of your own.

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<v Speaker 3>Think about it. Mayor Calderon has a nice ring to it,

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<v Speaker 3>don't you think?

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<v Speaker 2>But what about the comps?

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<v Speaker 3>Don't you see? They're the key. We can make you

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<v Speaker 3>into the perfect right wing candidate.

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<v Speaker 4>Voters will love, your connection to the church, your.

0:14:30.920 --> 0:14:32.920
<v Speaker 3>Devotion to God, all of it.

0:14:33.960 --> 0:14:35.800
<v Speaker 2>But it's all a lie.

0:14:36.400 --> 0:14:39.760
<v Speaker 4>Who cares. Being in power isn't about what you believe.

0:14:40.000 --> 0:14:42.920
<v Speaker 4>It's about lying so well that they don't know what

0:14:43.160 --> 0:14:43.680
<v Speaker 4>you believe.

0:14:44.040 --> 0:14:44.920
<v Speaker 3>Come on to Stevan.

0:14:45.600 --> 0:14:48.400
<v Speaker 4>I can get you the votes. All you need to

0:14:48.520 --> 0:14:50.360
<v Speaker 4>do is trust me.

0:14:51.320 --> 0:14:53.120
<v Speaker 1>I I.

0:14:54.640 --> 0:15:00.200
<v Speaker 4>I'll do it fantastic. Now, I'll need some time time

0:15:00.280 --> 0:15:03.680
<v Speaker 4>to move around some pieces, but I promise you I

0:15:03.840 --> 0:15:05.479
<v Speaker 4>see the whole roadmap.

0:15:06.280 --> 0:15:08.680
<v Speaker 3>First mayor, then governor.

0:15:10.880 --> 0:15:18.640
<v Speaker 4>What what the hell is that? Follow me?

0:15:21.400 --> 0:15:22.040
<v Speaker 2>What did you hear?

0:15:43.680 --> 0:15:44.960
<v Speaker 3>I mean, I don't know why.

0:15:45.000 --> 0:15:46.600
<v Speaker 10>There was a stack of metal cans in the corner

0:15:46.640 --> 0:15:48.880
<v Speaker 10>of the room, but I sure as hell knock them over.

0:15:49.560 --> 0:15:51.520
<v Speaker 3>Yes, this this you all right, Gabby.

0:15:51.600 --> 0:15:53.800
<v Speaker 9>He's always kind a clos you know.

0:15:54.480 --> 0:15:58.120
<v Speaker 10>So anyway, they so they debated kill me, don't kill me.

0:15:58.600 --> 0:16:03.080
<v Speaker 10>Victoria was obviously you very pro kill me, Isteban surprisingly

0:16:03.440 --> 0:16:06.200
<v Speaker 10>not so much. In the end, they decided that this

0:16:06.440 --> 0:16:09.640
<v Speaker 10>place was the answer. After all, who would believe some

0:16:09.800 --> 0:16:12.280
<v Speaker 10>crazy girls story about an army of himbos?

0:16:12.520 --> 0:16:16.320
<v Speaker 9>WHOA So you're telling me that Esteban is a professional

0:16:16.440 --> 0:16:20.840
<v Speaker 9>hymboy and that Victoria orchestrated his entire political rise.

0:16:22.520 --> 0:16:26.640
<v Speaker 4>No sounds crazy, right, It's a little.

0:16:26.480 --> 0:16:30.280
<v Speaker 9>Far fetched, but given everything else that's happened recently, it

0:16:30.360 --> 0:16:33.680
<v Speaker 9>almost makes sense. Well, none of that matters. Now we're

0:16:33.680 --> 0:16:35.360
<v Speaker 9>gonna get you out of here and blow this thing

0:16:35.400 --> 0:16:40.640
<v Speaker 9>wide open. Cracking me, I mean, how I gotta car

0:16:40.760 --> 0:16:41.840
<v Speaker 9>waiting downstairs? What?

0:16:43.040 --> 0:16:46.320
<v Speaker 4>Oh? No, no, no, no, no, this case. I think

0:16:46.400 --> 0:16:48.520
<v Speaker 4>they are going to notice if a patient just walks

0:16:48.600 --> 0:16:49.360
<v Speaker 4>down the hall.

0:16:49.440 --> 0:16:52.200
<v Speaker 9>Not if you get in my trash can. Now, let's

0:16:52.200 --> 0:16:54.120
<v Speaker 9>get out of here before anyone notices I'm here.

0:16:54.400 --> 0:16:58.080
<v Speaker 4>Oh I okay, yeah, I get it in, I get

0:16:58.160 --> 0:17:00.640
<v Speaker 4>the made outfit and all of me. Okay, yeah, I

0:17:00.680 --> 0:17:00.920
<v Speaker 4>got it.

0:17:00.960 --> 0:17:06.760
<v Speaker 9>I got my god one after the other in there. Sorry, sorry,

0:17:06.760 --> 0:17:11.800
<v Speaker 9>I just okay okay, one, two, okay, Now you have

0:17:11.920 --> 0:17:13.640
<v Speaker 9>to get down. Your head can't be out.

0:17:13.760 --> 0:17:16.520
<v Speaker 4>Oh okay, okay, okay, here we go.

0:17:16.600 --> 0:17:19.520
<v Speaker 9>I'm about to do it on account three one two three?

0:17:21.480 --> 0:17:21.920
<v Speaker 3>There you go?

0:17:23.600 --> 0:17:24.120
<v Speaker 9>Are you good?

0:17:25.920 --> 0:17:27.920
<v Speaker 4>Yep? Mm hmm.

0:17:35.440 --> 0:17:36.600
<v Speaker 3>Okay, okay, you're doing good.

0:17:36.680 --> 0:17:38.160
<v Speaker 4>Yeah, and then we almost to the elevators.

0:17:38.240 --> 0:17:48.200
<v Speaker 3>Just hang on, and where do you think you're going?

0:17:48.800 --> 0:17:49.960
<v Speaker 4>Who me?

0:17:51.080 --> 0:17:53.000
<v Speaker 9>I'm just taking up the trash.

0:17:53.960 --> 0:17:58.000
<v Speaker 3>Cut the crap Australa or should I say Doris?

0:17:59.359 --> 0:18:05.120
<v Speaker 4>Who are you? That's her? She's the woman I saw keaven.

0:18:05.520 --> 0:18:07.679
<v Speaker 4>She's the leader of the church. Like told you, they

0:18:07.720 --> 0:18:08.640
<v Speaker 4>would never let me leave.

0:18:08.880 --> 0:18:11.639
<v Speaker 9>So you don low down, nasty bitch responsible for all

0:18:11.680 --> 0:18:11.840
<v Speaker 9>of this?

0:18:12.720 --> 0:18:14.080
<v Speaker 3>How do you sleep at night?

0:18:14.440 --> 0:18:19.840
<v Speaker 4>Quite well? Actually, we have these wonderful linen cheeks. You'd

0:18:19.960 --> 0:18:22.680
<v Speaker 4>know if you weren't so poor.

0:18:23.560 --> 0:18:24.920
<v Speaker 9>You never get away with all of this.

0:18:25.640 --> 0:18:27.800
<v Speaker 4>And how are you going to stop me?

0:18:28.680 --> 0:18:31.920
<v Speaker 3>You have no evidence. No one's gonna believe you.

0:18:33.040 --> 0:18:36.359
<v Speaker 9>That's what you think, But you are wrong. I've been

0:18:36.400 --> 0:18:38.960
<v Speaker 9>working with a reporter and we're gonna make sure everyone

0:18:39.080 --> 0:18:44.639
<v Speaker 9>knows that I've read a perfect timing.

0:18:45.400 --> 0:18:50.000
<v Speaker 4>Hi, my sweet baby, did you have a good day? Hi?

0:18:51.520 --> 0:18:51.720
<v Speaker 2>Mom?

0:18:55.960 --> 0:19:02.399
<v Speaker 5>Did he say mom? Victoria's Undress's mother? What can this

0:19:02.440 --> 0:19:07.359
<v Speaker 5>story get any more complicated or confusing or confounding?

0:19:08.920 --> 0:19:10.119
<v Speaker 2>I think I need to sit down.

0:19:25.160 --> 0:19:28.080
<v Speaker 8>The Princess of South Each Season two was produced by

0:19:28.160 --> 0:19:33.280
<v Speaker 8>Sonoro in partnership with Iheart'smichael Tura Network. Created and directed

0:19:33.359 --> 0:19:37.720
<v Speaker 8>by Jasmine Romero, Written by Jasmine Romero with help from

0:19:37.840 --> 0:19:42.879
<v Speaker 8>Nissa Hendris, Produced by Luisa Duardo Castillo, Executive produced by

0:19:42.960 --> 0:19:47.520
<v Speaker 8>Jasmine Romero. Executive produced by conaal Bayne and Jessell Banss

0:19:47.600 --> 0:19:52.200
<v Speaker 8>for iHeart and Camilla Victoriano and Josha Weinstein for Sonoro.

0:19:53.000 --> 0:19:59.280
<v Speaker 8>Performances in this episode by Danny Pino, Raule Sparsa, Kelly Conka,

0:20:00.160 --> 0:20:06.320
<v Speaker 8>Brent Harvey, x Mayo, Peerl Schen, and Alan Eisenberg. Our

0:20:06.400 --> 0:20:11.720
<v Speaker 8>production manager is Keninsa Chinese recording engineering and sound design

0:20:11.840 --> 0:20:15.240
<v Speaker 8>by Luin Nirigoyan and Juan Diaz, with help from Cassandra

0:20:15.359 --> 0:20:19.920
<v Speaker 8>Tinajiro and Andres Baena. Casting a coordination by kennsa Childis,

0:20:20.160 --> 0:20:24.960
<v Speaker 8>Angel Martinez, Alex Gonzalez and Andres Childis. Theme song and

0:20:25.080 --> 0:20:29.679
<v Speaker 8>original music by Rodrigo Garcia. Rodis theme song performed by

0:20:29.840 --> 0:20:35.240
<v Speaker 8>Jaffetzamayoa and Carol Belasco. Voices recorded at the Invisible Studios

0:20:35.280 --> 0:20:37.920
<v Speaker 8>in Los Angeles, the Relic Room in New York, and

0:20:38.040 --> 0:20:41.919
<v Speaker 8>the Hollowood Halls in Portland, with engineering by Charles Carroll,

0:20:42.320 --> 0:20:48.200
<v Speaker 8>David Wilson, Neil Wagenson, Sam Bear, Brett Tubin, and Justin Phelps.

0:20:48.840 --> 0:20:51.119
<v Speaker 8>With special thanks to Heronimo Avila