WEBVTT - Sam Fragoso

0:00:00.200 --> 0:00:01.720
<v Speaker 1>I don't know what else we're supposed to do when

0:00:01.760 --> 0:00:04.000
<v Speaker 1>we're here, because it's over so fucking quickly. We should

0:00:04.000 --> 0:00:07.360
<v Speaker 1>just laugh more, just laugh more. I agree. I agree. Good,

0:00:07.400 --> 0:00:09.200
<v Speaker 1>and you've got much more time to do it, which

0:00:09.240 --> 0:00:10.920
<v Speaker 1>is good. You can start earlier. I wish someone had

0:00:10.960 --> 0:00:14.600
<v Speaker 1>told me at twenty seven, I cheer up, stop being

0:00:14.680 --> 0:00:17.080
<v Speaker 1>so sad. When I was twenty seven, I didn't win

0:00:17.120 --> 0:00:19.919
<v Speaker 1>an Oscar, and I was really upset about it. And

0:00:20.000 --> 0:00:22.640
<v Speaker 1>my death was like, oh for Fox, say like, go

0:00:22.880 --> 0:00:26.000
<v Speaker 1>over it. You're twenty seven, like loads more terrible ship's

0:00:26.040 --> 0:00:28.080
<v Speaker 1>going to happen to you. Be more worried about that.

0:00:28.280 --> 0:00:31.200
<v Speaker 1>This is literally nothing, you know. I felt the same

0:00:31.240 --> 0:00:33.000
<v Speaker 1>way going back on for Christmas. I said, you know,

0:00:33.040 --> 0:00:34.800
<v Speaker 1>I'm not winning an Oscar this year. I don't get

0:00:34.800 --> 0:00:37.280
<v Speaker 1>it now. I didn't make a film, but I still

0:00:37.320 --> 0:00:40.920
<v Speaker 1>think back in the nineties, my favorite David Letterman joke.

0:00:41.120 --> 0:00:43.560
<v Speaker 1>Every time they would have like Ebert and Cisco on

0:00:43.880 --> 0:00:45.800
<v Speaker 1>you know they do like their Oscar preview, and David

0:00:45.880 --> 0:00:48.960
<v Speaker 1>Letterman would say, God, you know what, it's so upsetting.

0:00:49.000 --> 0:00:52.239
<v Speaker 1>Barber Strives in once again snubbed, and Roger would say, well,

0:00:52.240 --> 0:00:54.240
<v Speaker 1>she didn't make a picture that year, like doesn't matter.

0:00:54.400 --> 0:00:58.640
<v Speaker 1>She got snubbed. She got snubbed once again, Barbara, And

0:00:58.680 --> 0:01:04.240
<v Speaker 1>that was you at seven, And it's me to be snubbed. Hello,

0:01:04.520 --> 0:01:09.200
<v Speaker 1>I'm Mini Driver. Welcome to Many Questions, Season two. I've

0:01:09.200 --> 0:01:13.880
<v Speaker 1>always loved Cruce's questionnaire. It was originally a nineteenth century

0:01:14.000 --> 0:01:17.160
<v Speaker 1>parlor game where players would ask each other thirty five

0:01:17.240 --> 0:01:21.679
<v Speaker 1>questions aimed at revealing the other player's true nature. It's

0:01:21.720 --> 0:01:25.520
<v Speaker 1>just the scientific method, really. In asking different people the

0:01:25.600 --> 0:01:28.959
<v Speaker 1>same set of questions, you can make observations about which

0:01:28.959 --> 0:01:32.959
<v Speaker 1>truths appeared to me universal. I love this discipline, and

0:01:33.000 --> 0:01:35.840
<v Speaker 1>it made me wonder, what if these questions were just

0:01:35.880 --> 0:01:38.920
<v Speaker 1>the jumping off point, what greater depths would be revealed

0:01:39.040 --> 0:01:42.759
<v Speaker 1>if I ask these questions as conversation starters with thought

0:01:42.880 --> 0:01:46.880
<v Speaker 1>leaders and trailblazers across all these different disciplines. So I

0:01:46.920 --> 0:01:50.000
<v Speaker 1>adapted prus questionnaire and I wrote my own seven questions

0:01:50.160 --> 0:01:52.840
<v Speaker 1>that I personally think a pertinent to a person's story.

0:01:53.160 --> 0:01:56.280
<v Speaker 1>They are when and where were you happiest? What is

0:01:56.320 --> 0:01:59.720
<v Speaker 1>the quality you like least about yourself? What relationship, real

0:01:59.880 --> 0:02:03.520
<v Speaker 1>or fictionalized, defines love for you? What question would you

0:02:03.560 --> 0:02:07.640
<v Speaker 1>most like answered what person, place, or experience has shaped

0:02:07.640 --> 0:02:10.400
<v Speaker 1>you the most? What would be your last meal? And

0:02:10.440 --> 0:02:13.040
<v Speaker 1>can you tell me something in your life that's grown

0:02:13.080 --> 0:02:16.480
<v Speaker 1>out of a personal disaster. And I've gathered a group

0:02:16.720 --> 0:02:21.040
<v Speaker 1>of really remarkable people, ones that I am honored and

0:02:21.160 --> 0:02:23.760
<v Speaker 1>humbled to have had the chance to engage with. You

0:02:23.840 --> 0:02:27.000
<v Speaker 1>may not hear their answers to all seven of these questions.

0:02:27.240 --> 0:02:30.640
<v Speaker 1>We've whittled it down to which questions felt closest to

0:02:30.680 --> 0:02:34.920
<v Speaker 1>their experience, or the most surprising, or created the most

0:02:34.960 --> 0:02:39.840
<v Speaker 1>fertile ground to connect. My guest today on many questions

0:02:39.960 --> 0:02:42.600
<v Speaker 1>is Sam frago So. Sam as the host of Talk

0:02:42.639 --> 0:02:46.600
<v Speaker 1>Easy podcast, which currently has over two hundred and fifty episodes,

0:02:46.840 --> 0:02:50.560
<v Speaker 1>meaning he knew it was cool to do a podcast

0:02:50.720 --> 0:02:53.520
<v Speaker 1>before all the rest of us. He's brilliant. His guests

0:02:53.520 --> 0:02:56.960
<v Speaker 1>include musicians like Lord and Janelle Monet, are writers like

0:02:57.080 --> 0:03:00.440
<v Speaker 1>Nikki Giovanni, screen legends like Matthew McConaughey and Law Done.

0:03:00.560 --> 0:03:04.680
<v Speaker 1>He's also a director of writer and I imagine an

0:03:04.840 --> 0:03:10.280
<v Speaker 1>ideal dinner guest. He's a really interesting cat. I'm very

0:03:10.320 --> 0:03:12.600
<v Speaker 1>happy that I met him, and I very much hope

0:03:12.639 --> 0:03:22.200
<v Speaker 1>you enjoy this wonderful conversation first question, when and where

0:03:22.200 --> 0:03:25.360
<v Speaker 1>were you happiest? All these questions are so hard. You

0:03:25.440 --> 0:03:28.440
<v Speaker 1>have to know that, and someone like me who prepares

0:03:28.480 --> 0:03:30.880
<v Speaker 1>a whole bunch. The first thing I thought of is

0:03:31.160 --> 0:03:34.720
<v Speaker 1>this Normanly philosophy. And I'll explain this. When I moved

0:03:34.800 --> 0:03:37.600
<v Speaker 1>to Los Angeles, I had started the show. I've been

0:03:37.800 --> 0:03:40.000
<v Speaker 1>a year in and he agreed to come on. And

0:03:40.240 --> 0:03:42.320
<v Speaker 1>back when I started it, you have to understand, like,

0:03:42.560 --> 0:03:45.200
<v Speaker 1>I don't come from money, my family is from Chicago.

0:03:45.320 --> 0:03:48.520
<v Speaker 1>I don't know anybody. So I'm bringing this microphone, the

0:03:48.560 --> 0:03:52.600
<v Speaker 1>one I'm talking to two people's homes or offices or whatever,

0:03:52.680 --> 0:03:55.120
<v Speaker 1>and it's all portable. So I go to his office

0:03:55.240 --> 0:03:58.000
<v Speaker 1>and when you walk in, it's like a president or

0:03:58.000 --> 0:03:59.800
<v Speaker 1>it's like someone who's met the president, and he has

0:03:59.840 --> 0:04:02.760
<v Speaker 1>my every president and we do this interview and it

0:04:02.760 --> 0:04:05.280
<v Speaker 1>goes great, and at the end of it, he says,

0:04:05.480 --> 0:04:08.040
<v Speaker 1>and it's something I thought he hadn't said before, but

0:04:08.080 --> 0:04:10.960
<v Speaker 1>it's something he often says, which is he says, Sam,

0:04:11.000 --> 0:04:14.400
<v Speaker 1>It's taken every split second of my life in this

0:04:14.440 --> 0:04:18.520
<v Speaker 1>case seven years to get here sitting across from you

0:04:18.520 --> 0:04:21.640
<v Speaker 1>in this moment, and it's taken every second of your

0:04:21.680 --> 0:04:25.039
<v Speaker 1>life to get to this conversation too, And I appreciate

0:04:25.080 --> 0:04:27.320
<v Speaker 1>every second of that journey. I hope you do too,

0:04:27.560 --> 0:04:30.880
<v Speaker 1>And so every day it has to be or I

0:04:30.920 --> 0:04:33.800
<v Speaker 1>try to make it the like effervescent moment, which is

0:04:33.839 --> 0:04:36.400
<v Speaker 1>the one we're in. So I'm gonna say you and

0:04:36.440 --> 0:04:40.359
<v Speaker 1>I it's Tuesday morning, I'm talking to many driver on

0:04:40.400 --> 0:04:44.000
<v Speaker 1>her show. The answer is you right now for right now.

0:04:44.400 --> 0:04:47.440
<v Speaker 1>Oh my goodness, that's a very good thing to have

0:04:47.520 --> 0:04:52.279
<v Speaker 1>co opted a Norman Lair quote. He's extraordinary. Oh god.

0:04:52.440 --> 0:04:56.080
<v Speaker 1>I sang at his birthday party once with a full

0:04:56.160 --> 0:04:59.040
<v Speaker 1>jazz band, and I came in on the wrong count

0:04:59.320 --> 0:05:01.720
<v Speaker 1>and I just had to I just had to do it.

0:05:02.400 --> 0:05:05.120
<v Speaker 1>And it was honestly the most excruciating performance of my

0:05:05.279 --> 0:05:08.080
<v Speaker 1>entire life. I just I never caught up with the band.

0:05:08.240 --> 0:05:11.000
<v Speaker 1>I never found my way through it. It was so bad.

0:05:11.240 --> 0:05:13.800
<v Speaker 1>And he just sat there with his hat on, smiling,

0:05:13.960 --> 0:05:15.880
<v Speaker 1>and I could see in his eyes he was like,

0:05:16.240 --> 0:05:20.440
<v Speaker 1>just don't stop, just keep going and you'll get to

0:05:20.520 --> 0:05:24.360
<v Speaker 1>the end. And I did. I can't believe you've say

0:05:25.120 --> 0:05:27.640
<v Speaker 1>in a jazz band for Norman there, Oh my gosh.

0:05:27.920 --> 0:05:31.279
<v Speaker 1>It was magnificent. He'd actually bought the record label I

0:05:31.320 --> 0:05:33.200
<v Speaker 1>was signed to, which is why. And it was kind

0:05:33.200 --> 0:05:35.560
<v Speaker 1>of this Hollywood affair. It was amazing. Even though I

0:05:35.600 --> 0:05:37.600
<v Speaker 1>was terrible, it was still the total privilege to be

0:05:37.680 --> 0:05:39.800
<v Speaker 1>terrible in front of him. I bet you were better

0:05:39.800 --> 0:05:42.960
<v Speaker 1>than you think. I don't think I was, But I

0:05:43.000 --> 0:05:46.080
<v Speaker 1>do like that idea in the unhappiness of this year,

0:05:46.279 --> 0:05:48.799
<v Speaker 1>which has been true for so many people. But honestly,

0:05:48.839 --> 0:05:51.800
<v Speaker 1>particularly having lost my mom and rend your post about that,

0:05:51.920 --> 0:05:53.800
<v Speaker 1>I was very moved by that. Well, you know, I

0:05:53.839 --> 0:05:57.480
<v Speaker 1>wish I could have a conversation about one's host death

0:05:57.720 --> 0:06:01.480
<v Speaker 1>ruminations about your parents. It's my parents, like the one

0:06:01.520 --> 0:06:03.719
<v Speaker 1>person I want to discuss, like, oh my god, Mom,

0:06:03.760 --> 0:06:06.440
<v Speaker 1>it's so weird how all of this stuff has receded,

0:06:06.480 --> 0:06:08.520
<v Speaker 1>all of the ship between us, and all of this

0:06:08.600 --> 0:06:10.880
<v Speaker 1>amazing stuff comes to the foreground. And the one person

0:06:10.960 --> 0:06:12.559
<v Speaker 1>I want to talk about it with is her, because

0:06:12.600 --> 0:06:17.239
<v Speaker 1>she would roar with laughter. She would say, isn't that amazing? Gosh?

0:06:17.440 --> 0:06:19.479
<v Speaker 1>I wish I'd known that when I was alive. But

0:06:19.560 --> 0:06:22.000
<v Speaker 1>it's it's less the sound of one hand clapping than

0:06:22.040 --> 0:06:25.440
<v Speaker 1>you'd think when a mother dies. She does involve herself

0:06:25.480 --> 0:06:28.680
<v Speaker 1>in conversations with me. It feels like, when does that happen? Well,

0:06:28.720 --> 0:06:30.560
<v Speaker 1>when I talk to her, I can't help but talk

0:06:30.600 --> 0:06:32.960
<v Speaker 1>to her because it's been a lifetime of doing that

0:06:33.080 --> 0:06:36.000
<v Speaker 1>and I don't I don't put any judgment on that whatsoever.

0:06:36.480 --> 0:06:38.680
<v Speaker 1>And I feel like because I did ask her, I

0:06:38.720 --> 0:06:41.040
<v Speaker 1>was like, is this just my brain generating your voice?

0:06:41.120 --> 0:06:42.520
<v Speaker 1>And she was like, well, you know, I don't have

0:06:42.520 --> 0:06:45.000
<v Speaker 1>a brain anymore, so I'm just going to coop yours.

0:06:45.360 --> 0:06:47.600
<v Speaker 1>So yeah, it is me, but it's your brain, which

0:06:47.640 --> 0:06:51.560
<v Speaker 1>is such a statement. It's weird. Though your grief is

0:06:51.600 --> 0:06:54.279
<v Speaker 1>a funny beast. I feel like my mom's coop in

0:06:54.320 --> 0:06:56.080
<v Speaker 1>my brain in real time. She doesn't need to be

0:06:56.120 --> 0:07:00.919
<v Speaker 1>gone for that to happen. That is a really good point,

0:07:01.040 --> 0:07:04.040
<v Speaker 1>and it's true, like moms just do that. They do

0:07:04.600 --> 0:07:06.240
<v Speaker 1>you do that to your son? Well? You know what

0:07:06.320 --> 0:07:08.680
<v Speaker 1>I think about that because as our relationship is changing

0:07:08.680 --> 0:07:11.440
<v Speaker 1>now that he's thirteen, and I can't bite him and

0:07:11.480 --> 0:07:13.840
<v Speaker 1>booby him like the way that I want to or

0:07:13.840 --> 0:07:16.640
<v Speaker 1>the way that I did. You know, he's this young

0:07:16.680 --> 0:07:20.600
<v Speaker 1>man now it's inappropriate and not cool, and he's very

0:07:20.680 --> 0:07:24.720
<v Speaker 1>tolerant of my love. But I realized that I've got

0:07:24.760 --> 0:07:27.880
<v Speaker 1>to temper it somewhat now and it's kind of heartbreaking,

0:07:27.920 --> 0:07:31.280
<v Speaker 1>but he's so tolerant of me, and I do try

0:07:31.400 --> 0:07:33.680
<v Speaker 1>not to Actually that's not sure. I hardly try it

0:07:33.760 --> 0:07:36.000
<v Speaker 1>all to not be in his brain. But we have

0:07:36.080 --> 0:07:38.480
<v Speaker 1>a weird shorthand maybe because it was all just him

0:07:38.480 --> 0:07:40.520
<v Speaker 1>and me, we still laugh a lot. So I think

0:07:40.560 --> 0:07:43.120
<v Speaker 1>it's okay. Look, if you think it's okay and he

0:07:43.120 --> 0:07:45.880
<v Speaker 1>says it's okay, then it's probably okay. I do think

0:07:45.880 --> 0:07:48.600
<v Speaker 1>about that, the idea that it is still a gift

0:07:48.800 --> 0:07:52.520
<v Speaker 1>every split second of life, because when you really see

0:07:52.560 --> 0:07:56.120
<v Speaker 1>it go, when you really see it gone, I know

0:07:56.240 --> 0:07:59.200
<v Speaker 1>how much we will want it back. So to say

0:07:59.240 --> 0:08:02.080
<v Speaker 1>that that this present moment and every split second this

0:08:02.160 --> 0:08:04.600
<v Speaker 1>is it. This is where I'm happiest is being alive

0:08:04.640 --> 0:08:07.360
<v Speaker 1>in this moment and actually having an awareness of that life.

0:08:07.520 --> 0:08:10.360
<v Speaker 1>And that's the ambition. I mean, I think that it's

0:08:10.400 --> 0:08:15.000
<v Speaker 1>impossible to feel that every day, every moment. Yeah, but

0:08:15.120 --> 0:08:17.560
<v Speaker 1>I did think this morning, when I was showering, I

0:08:17.600 --> 0:08:19.800
<v Speaker 1>was getting dressed, I was like, well, I'm doing a

0:08:19.840 --> 0:08:22.520
<v Speaker 1>podcast with you. We don't even know each other so well,

0:08:22.600 --> 0:08:24.920
<v Speaker 1>I mean almost at all. So I don't know. I

0:08:25.000 --> 0:08:28.480
<v Speaker 1>just love his way of saying, it's taken everything in

0:08:28.520 --> 0:08:31.280
<v Speaker 1>my life to get here, and that's true of all

0:08:31.320 --> 0:08:33.360
<v Speaker 1>of us. It doesn't just mean two people on a microphone.

0:08:33.400 --> 0:08:35.680
<v Speaker 1>It's true of any good thing that happens. It's taking

0:08:35.679 --> 0:08:37.959
<v Speaker 1>everything else to get there. He always says, the two

0:08:38.040 --> 0:08:41.520
<v Speaker 1>most underrated words in the English language are over and next,

0:08:41.920 --> 0:08:43.880
<v Speaker 1>and if there was a hammock in the middle of

0:08:43.960 --> 0:08:46.760
<v Speaker 1>those two words, that would be the best definition of

0:08:46.840 --> 0:08:50.040
<v Speaker 1>living at the moment. Oh well, that's brilliant, that's so good.

0:08:50.360 --> 0:08:53.000
<v Speaker 1>I like that hammock idea. I know, but my mama

0:08:53.000 --> 0:08:55.000
<v Speaker 1>was used to say that you should hate the words

0:08:55.040 --> 0:08:58.320
<v Speaker 1>why and should into the backyard and I take a

0:08:58.400 --> 0:09:00.680
<v Speaker 1>really big hall and bury them, and then you would

0:09:00.720 --> 0:09:04.320
<v Speaker 1>have the hammock over the pit where Wyan should was.

0:09:05.360 --> 0:09:07.560
<v Speaker 1>I'm liking all of this. Are we thinking about this

0:09:07.640 --> 0:09:15.199
<v Speaker 1>a lot? And that things are connecting? There? What person,

0:09:15.480 --> 0:09:19.760
<v Speaker 1>real or fictionalized, defines love feeling? My joke answer right

0:09:19.760 --> 0:09:23.400
<v Speaker 1>away was I was just gonna say Phantom Threat, Oh

0:09:23.440 --> 0:09:29.520
<v Speaker 1>my god, I love that film. Oh I would so

0:09:29.679 --> 0:09:33.840
<v Speaker 1>get that. You literally want someone to poison you and

0:09:33.880 --> 0:09:38.800
<v Speaker 1>then make you better. That's dark. I love it. But

0:09:38.880 --> 0:09:42.720
<v Speaker 1>for the sake of not sounding um like a psychotic person.

0:09:43.000 --> 0:09:45.559
<v Speaker 1>So I'm going to say both of my parents offered

0:09:45.640 --> 0:09:49.520
<v Speaker 1>different things, and I grew up with many divorces over

0:09:49.559 --> 0:09:53.400
<v Speaker 1>and over, and both of them beyond remaining amicable amongst

0:09:53.440 --> 0:09:55.880
<v Speaker 1>each other, they both I don't know. I guess my

0:09:55.920 --> 0:09:58.320
<v Speaker 1>idea of love for my dad is because he didn't

0:09:58.480 --> 0:10:01.600
<v Speaker 1>raise me day today. He was there on the weekends.

0:10:01.800 --> 0:10:04.600
<v Speaker 1>The thing that I always think about is he did

0:10:04.600 --> 0:10:07.439
<v Speaker 1>some things that annoyed me. Yeah, yeah, yeah, yeaheah whatever,

0:10:08.000 --> 0:10:10.160
<v Speaker 1>But anytime he said he was going to be there,

0:10:10.880 --> 0:10:13.400
<v Speaker 1>he was there. I don't know if that's a tragically

0:10:13.440 --> 0:10:16.880
<v Speaker 1>low bar, but no, to be reliable, to have a

0:10:16.960 --> 0:10:19.600
<v Speaker 1>sense of safety in the world, oh my god. Yeah,

0:10:19.800 --> 0:10:23.240
<v Speaker 1>I think that's actually a great unsung tent pole in

0:10:23.240 --> 0:10:26.000
<v Speaker 1>one's life, is being able to depend on someone. Yeah

0:10:26.000 --> 0:10:28.680
<v Speaker 1>he showed up and give a ship. And quite honestly,

0:10:28.880 --> 0:10:31.640
<v Speaker 1>that's basically the philosophy I've tried to take in my

0:10:31.720 --> 0:10:35.120
<v Speaker 1>own life. Quincy Jones father has this quote, and it's

0:10:35.160 --> 0:10:37.200
<v Speaker 1>like I read it every week and everyone on our

0:10:37.200 --> 0:10:39.960
<v Speaker 1>team reads it. Which is um, be the labor great

0:10:40.040 --> 0:10:43.000
<v Speaker 1>or small, do it well or not at all? And

0:10:43.040 --> 0:10:47.120
<v Speaker 1>I think about this about everything it's exhausting. By the way.

0:10:47.240 --> 0:10:49.120
<v Speaker 1>It's like I'm taking out the trash. It's like just

0:10:49.400 --> 0:10:51.800
<v Speaker 1>to take it out and make sure the neighbors don't

0:10:51.920 --> 0:10:54.760
<v Speaker 1>ruin their basket, you know, just do it right, and

0:10:54.760 --> 0:10:57.640
<v Speaker 1>I should just like toss it sometimes because they're rude neighbors.

0:10:57.640 --> 0:10:59.520
<v Speaker 1>But I'm not gonna get into that. It's just everything

0:10:59.559 --> 0:11:01.559
<v Speaker 1>in my life. I think about that. And that's what

0:11:01.640 --> 0:11:03.480
<v Speaker 1>my dad and my mom both they both that they

0:11:03.520 --> 0:11:05.960
<v Speaker 1>showed up when they probably want to, and they gave

0:11:06.000 --> 0:11:08.920
<v Speaker 1>a ship. And that's that's love for me right now.

0:11:09.040 --> 0:11:12.040
<v Speaker 1>Or it's phanom thread by the way, I think it

0:11:12.120 --> 0:11:14.280
<v Speaker 1>can be both. I think it's fanom thread for you.

0:11:14.520 --> 0:11:17.360
<v Speaker 1>Oh no, I mean having people who like not so

0:11:17.440 --> 0:11:19.760
<v Speaker 1>much my parents really, but just the relationships that I

0:11:19.840 --> 0:11:21.600
<v Speaker 1>had with men, it was always it was like, ta,

0:11:22.240 --> 0:11:25.360
<v Speaker 1>they showed up. Oh my fucking god, where have they gone? Wait?

0:11:25.640 --> 0:11:28.120
<v Speaker 1>I was just getting settled in this and then something

0:11:28.120 --> 0:11:31.040
<v Speaker 1>would happen for it to disappear, which makes me then think, yeah,

0:11:31.080 --> 0:11:34.680
<v Speaker 1>the phantom thread version that relationships are about manipulation, the

0:11:34.760 --> 0:11:38.920
<v Speaker 1>idea of abandonment, then the opposite of that being somebody stays.

0:11:39.200 --> 0:11:41.360
<v Speaker 1>But oh god, this is getting really dark. I like

0:11:41.520 --> 0:11:43.800
<v Speaker 1>your parents version of the definition of love and the

0:11:43.840 --> 0:11:46.439
<v Speaker 1>phantom thread. Say what you're going to say, Well, it's

0:11:46.480 --> 0:11:49.440
<v Speaker 1>really just that idea that if enough people disappeared, like

0:11:49.480 --> 0:11:53.280
<v Speaker 1>a love relationships, from the relationship when you love them,

0:11:53.320 --> 0:11:55.800
<v Speaker 1>eventually you think, oh, I have to do something to

0:11:55.840 --> 0:11:57.920
<v Speaker 1>make them stay that I'm not doing. So then the

0:11:57.960 --> 0:12:00.560
<v Speaker 1>phantom thread idea of trying to kill some one and

0:12:00.600 --> 0:12:04.040
<v Speaker 1>then you healing them doesn't become quite such a strange idea.

0:12:05.000 --> 0:12:08.000
<v Speaker 1>Let me ask you, did you know that someone was

0:12:08.040 --> 0:12:10.640
<v Speaker 1>going to leave before they left or was it always

0:12:10.640 --> 0:12:14.800
<v Speaker 1>a surprise? Well, that's really what any best friend or

0:12:14.880 --> 0:12:17.640
<v Speaker 1>shrink would tell you is in the rubble of your

0:12:17.679 --> 0:12:20.280
<v Speaker 1>relationship to go back and look for the red flags,

0:12:20.520 --> 0:12:23.200
<v Speaker 1>and invariably I could see them afterwards. But at the

0:12:23.240 --> 0:12:29.120
<v Speaker 1>time now no real proper blindness in love, me just useless.

0:12:29.960 --> 0:12:33.559
<v Speaker 1>It's hard for me to imagine this because you seem

0:12:33.679 --> 0:12:36.800
<v Speaker 1>very observant, You're self aware, and love was the leveler.

0:12:37.160 --> 0:12:41.439
<v Speaker 1>I could never see it. Yeah, I could never see it.

0:12:41.760 --> 0:12:43.880
<v Speaker 1>In the thing, I could just never see it. And

0:12:43.920 --> 0:12:46.720
<v Speaker 1>then afterwards like, oh my god, how could I not

0:12:46.920 --> 0:12:49.600
<v Speaker 1>see Because one guy who was one of the great

0:12:49.640 --> 0:12:51.440
<v Speaker 1>loves of my life. Like we were on this huge

0:12:51.440 --> 0:12:54.440
<v Speaker 1>cliff walk, like a really dangerously close to a death

0:12:54.520 --> 0:12:57.880
<v Speaker 1>drop of a cliff in Cornwall and England. Oh literally,

0:12:57.920 --> 0:13:00.200
<v Speaker 1>there's not a metaphor you literally we were on with

0:13:00.240 --> 0:13:01.880
<v Speaker 1>a bunch of people. We were doing this walk. We

0:13:01.880 --> 0:13:03.960
<v Speaker 1>were walking for like five miles to a restaurant, and

0:13:04.040 --> 0:13:06.840
<v Speaker 1>he'd sort of been running and he'd been running the

0:13:06.880 --> 0:13:09.080
<v Speaker 1>path and then running backwards and then suddenly he just

0:13:09.120 --> 0:13:10.920
<v Speaker 1>didn't come back and he was gone, and he was

0:13:10.960 --> 0:13:13.400
<v Speaker 1>gone for like forty minutes, and I thought he was dead,

0:13:13.600 --> 0:13:15.720
<v Speaker 1>and my sister and my mother were like, he's definitely

0:13:15.720 --> 0:13:17.640
<v Speaker 1>not dead. And I was like, how do you know?

0:13:17.760 --> 0:13:20.840
<v Speaker 1>And I got into this hysteria, and both my mother

0:13:20.840 --> 0:13:23.280
<v Speaker 1>and my sister were like, something's up, because when he

0:13:23.320 --> 0:13:27.560
<v Speaker 1>did reappear, he had a really terrible excuse about having

0:13:27.600 --> 0:13:30.280
<v Speaker 1>to go off and peace somewhere private or something, and

0:13:30.400 --> 0:13:33.679
<v Speaker 1>everybody knew something was up, Like everybody secretly knew that

0:13:33.720 --> 0:13:35.680
<v Speaker 1>he'd gone off to call this woman he was having

0:13:35.679 --> 0:13:38.640
<v Speaker 1>a relationship with, which is exactly what he was doing,

0:13:39.520 --> 0:13:43.160
<v Speaker 1>except me, who was like, no, he's dead, He's dead

0:13:43.200 --> 0:13:46.280
<v Speaker 1>and gone, and I mean I just useless at reading

0:13:46.280 --> 0:13:49.800
<v Speaker 1>the tea leaves, Well, I think you're being hard on yourself. Well,

0:13:49.840 --> 0:13:51.520
<v Speaker 1>he was a total dick, So I mean, you know

0:13:51.720 --> 0:13:54.120
<v Speaker 1>I didn't like mother, to be honest, Yeah, exactly. You

0:13:54.200 --> 0:13:56.080
<v Speaker 1>never liked him. He would have You would have told

0:13:56.080 --> 0:13:58.640
<v Speaker 1>me that. I would have said, hey, Minnie, we just met.

0:13:58.720 --> 0:14:00.520
<v Speaker 1>But it does not take four hi men, it's it

0:14:00.559 --> 0:14:02.679
<v Speaker 1>doesn't even take forty minutes to pooh. It doesn't even

0:14:02.760 --> 0:14:05.080
<v Speaker 1>take forty minutes to be like, why he said pie

0:14:05.120 --> 0:14:07.240
<v Speaker 1>and not poo. Also, if you're having an affair with

0:14:07.320 --> 0:14:10.280
<v Speaker 1>someone like why would you try and sanitize anything anymore?

0:14:10.720 --> 0:14:13.640
<v Speaker 1>Goes bananas? Not that good of a liar, a terrible lie.

0:14:13.640 --> 0:14:15.640
<v Speaker 1>And I think he must have on some level been

0:14:15.760 --> 0:14:17.640
<v Speaker 1>rolling his eyes that, like, when is she going to

0:14:17.800 --> 0:14:20.480
<v Speaker 1>get it? I never did get it. You know, I

0:14:20.480 --> 0:14:23.760
<v Speaker 1>want my romantic partners to be good liars and and

0:14:23.920 --> 0:14:26.440
<v Speaker 1>good at breaking up and try and kill you with soup.

0:14:26.920 --> 0:14:29.000
<v Speaker 1>You want to get phantom threaded. Look, if someone's going

0:14:29.000 --> 0:14:31.680
<v Speaker 1>to be a really good and dustarly lover, you want

0:14:31.680 --> 0:14:35.320
<v Speaker 1>them to phantom thread you. I want to be fantom threaded. Hey,

0:14:35.360 --> 0:14:37.800
<v Speaker 1>you know what, I don't know. It's honest, It's sucked up,

0:14:37.840 --> 0:14:41.000
<v Speaker 1>but it's honest. I love the Phantoms Thread. I love

0:14:41.080 --> 0:14:42.760
<v Speaker 1>that movie. I love how she pulls the coffee. It

0:14:42.800 --> 0:14:45.160
<v Speaker 1>makes me want to punch her. Oh absolutely, you know,

0:14:45.240 --> 0:15:00.280
<v Speaker 1>she pulls the water really high on the ground. So

0:15:00.400 --> 0:15:02.760
<v Speaker 1>in your life, can you tell me about something that

0:15:02.840 --> 0:15:07.080
<v Speaker 1>has grown out of the personal disaster. When I was twenty,

0:15:07.120 --> 0:15:09.320
<v Speaker 1>which is not that long ago, it feels long now,

0:15:09.360 --> 0:15:12.040
<v Speaker 1>it's been seven years. When I was twenty, I decided

0:15:12.040 --> 0:15:14.720
<v Speaker 1>I was going to leave school, and I got this

0:15:15.000 --> 0:15:18.960
<v Speaker 1>offer from a really tiny, tiny publishing company to write

0:15:18.960 --> 0:15:20.760
<v Speaker 1>a book. The book was going to be called Talk

0:15:20.800 --> 0:15:24.120
<v Speaker 1>Easy Conversations with the Filmmakers of the Future or something

0:15:24.160 --> 0:15:25.760
<v Speaker 1>like that. That's when I was doing that kind of

0:15:25.840 --> 0:15:28.880
<v Speaker 1>interview writing work. And so I left school and I

0:15:28.920 --> 0:15:31.520
<v Speaker 1>started writing this and then by chance, at a film

0:15:31.560 --> 0:15:35.600
<v Speaker 1>festival it was in Toronto, i met someone and they

0:15:35.600 --> 0:15:37.680
<v Speaker 1>were offered a job they didn't want, and it was

0:15:37.720 --> 0:15:40.080
<v Speaker 1>to be the creative director of this art house theater

0:15:40.320 --> 0:15:43.320
<v Speaker 1>in San Francisco where I went to school, incidentally called

0:15:43.320 --> 0:15:44.920
<v Speaker 1>the Roxy. I don't know if you've ever been, but

0:15:44.960 --> 0:15:47.200
<v Speaker 1>it's called the Roxy Theater in San Francisco. It's one

0:15:47.200 --> 0:15:49.040
<v Speaker 1>of the oldest art house theaters in the country. He's

0:15:49.080 --> 0:15:51.720
<v Speaker 1>been around since the late twenties. It's definitely the oldest

0:15:51.720 --> 0:15:55.160
<v Speaker 1>one in California, I'm pretty sure. And they needed a

0:15:55.200 --> 0:15:58.480
<v Speaker 1>creative director, and I had done enough film work I

0:15:58.520 --> 0:16:01.760
<v Speaker 1>guessed to be in the conversation to get this job. Anyway,

0:16:01.840 --> 0:16:05.440
<v Speaker 1>skip ahead. I get the job. Obviously, in hindsight, hiring

0:16:05.680 --> 0:16:09.600
<v Speaker 1>a twenty year old to save an eighty year old institution,

0:16:09.720 --> 0:16:13.840
<v Speaker 1>non for profit with no programmatic experience, not the best idea.

0:16:14.280 --> 0:16:18.600
<v Speaker 1>Not the best like junior creative director wearing like a

0:16:18.600 --> 0:16:20.640
<v Speaker 1>bow tie. I didn't wear a bow tie, but you can,

0:16:20.720 --> 0:16:24.440
<v Speaker 1>you get it. And so I do this job, and um,

0:16:24.480 --> 0:16:26.880
<v Speaker 1>I'm not good at it. I mean, honestly, I'm I'm

0:16:26.920 --> 0:16:29.920
<v Speaker 1>not I've never done it before. I'm programming movies and

0:16:30.040 --> 0:16:33.960
<v Speaker 1>I'm helping manage the staff of people, and I'm bringing

0:16:34.000 --> 0:16:36.560
<v Speaker 1>in people from around the country to come and do

0:16:36.800 --> 0:16:38.560
<v Speaker 1>you know Q and I and all these things, and

0:16:38.640 --> 0:16:40.800
<v Speaker 1>I'm doing the best I can. But I'm also twenty

0:16:40.880 --> 0:16:43.360
<v Speaker 1>and then twenty one, and I'm twenty one, like in

0:16:43.400 --> 0:16:46.240
<v Speaker 1>an apartment and trying to be like an adult, and

0:16:46.320 --> 0:16:49.520
<v Speaker 1>it's a joke. I'm just not qualified. And by the

0:16:49.680 --> 0:16:52.320
<v Speaker 1>end of this run of doing it for about eight months,

0:16:52.600 --> 0:16:56.240
<v Speaker 1>I'm let go now. We said I left, but really

0:16:56.280 --> 0:16:58.720
<v Speaker 1>it was I was pretty much asked to leave, and

0:16:58.760 --> 0:17:01.480
<v Speaker 1>I was trying to traumatize because I was a twenty

0:17:01.480 --> 0:17:04.280
<v Speaker 1>one year old in a nonprofit working with other adults

0:17:04.440 --> 0:17:07.040
<v Speaker 1>in the thirties, forties and fifties. The point is I

0:17:07.040 --> 0:17:09.400
<v Speaker 1>didn't do the job particularly well. But the one good

0:17:09.440 --> 0:17:12.080
<v Speaker 1>thing that came from it is that every night I

0:17:12.119 --> 0:17:15.119
<v Speaker 1>had to do these Q and a's on stage. And

0:17:15.200 --> 0:17:17.000
<v Speaker 1>you've done many Q and his Q and a s

0:17:17.000 --> 0:17:22.000
<v Speaker 1>are terrible. They're They're usually horrible experiences where the audience says,

0:17:22.040 --> 0:17:24.920
<v Speaker 1>like ninety seven things and then they asked, like, what

0:17:24.960 --> 0:17:27.879
<v Speaker 1>was it like to work with Matt Damon in your case?

0:17:28.160 --> 0:17:30.720
<v Speaker 1>Oh god, it's so true that that's the question. I

0:17:30.800 --> 0:17:33.760
<v Speaker 1>think I've been asked more than do I want worship

0:17:33.760 --> 0:17:35.840
<v Speaker 1>with my mail? Yeah, which I'm sure if you're not

0:17:35.880 --> 0:17:38.000
<v Speaker 1>going to give a real answer to that, and why

0:17:38.000 --> 0:17:39.960
<v Speaker 1>would you? These Q and a's are terrible, But the

0:17:40.000 --> 0:17:43.000
<v Speaker 1>good part of this is that for seven days a week,

0:17:43.280 --> 0:17:46.000
<v Speaker 1>I had to moderate these conversations, and I had to

0:17:46.040 --> 0:17:49.040
<v Speaker 1>do these interviews over and over and over again. Some

0:17:49.160 --> 0:17:51.919
<v Speaker 1>are great, Some are bad in front of people, in

0:17:51.960 --> 0:17:54.120
<v Speaker 1>front of like an audience that's like trying to be interested.

0:17:54.520 --> 0:17:57.600
<v Speaker 1>And that's where talk Easy was born, the show, because

0:17:57.800 --> 0:18:00.080
<v Speaker 1>it came from me doing these Q and a's on

0:18:00.160 --> 0:18:02.960
<v Speaker 1>stage and kind of failing over and over and then

0:18:03.240 --> 0:18:06.760
<v Speaker 1>slowly getting better. And so what was a traumatic experience

0:18:06.760 --> 0:18:09.879
<v Speaker 1>of doing this job and failing publicly in front of people,

0:18:10.040 --> 0:18:12.879
<v Speaker 1>not just the audience, but amongst the staff, amongst like

0:18:12.920 --> 0:18:15.600
<v Speaker 1>board members, Like imagine like a twenty one year old

0:18:15.640 --> 0:18:18.560
<v Speaker 1>trying to impress board members that have money, Like I

0:18:18.680 --> 0:18:21.080
<v Speaker 1>was so ont of my depths, And what came from

0:18:21.160 --> 0:18:24.080
<v Speaker 1>that is the show. And so I'm grateful for that.

0:18:24.240 --> 0:18:27.280
<v Speaker 1>But it was a personal disaster. And the thing about disaster,

0:18:27.720 --> 0:18:30.480
<v Speaker 1>you know, when a tornado happens, you're not ever thinking,

0:18:31.119 --> 0:18:33.280
<v Speaker 1>but you know in three days, like we're going to

0:18:33.400 --> 0:18:35.600
<v Speaker 1>have a great meal. You're not thinking about the meal.

0:18:35.840 --> 0:18:37.640
<v Speaker 1>You don't even know there is going to be a meal.

0:18:37.880 --> 0:18:40.920
<v Speaker 1>It's just a disaster. It's just a goddamn disaster. How

0:18:40.920 --> 0:18:44.119
<v Speaker 1>do I get out of it? And so that was

0:18:44.320 --> 0:18:47.760
<v Speaker 1>a very long winding story. I love that though, because

0:18:47.760 --> 0:18:51.359
<v Speaker 1>that's a proper It did not work out. It ended

0:18:51.400 --> 0:18:53.960
<v Speaker 1>up with me getting canned, like any which way, you

0:18:54.000 --> 0:18:57.119
<v Speaker 1>apparently splice that it's not good and yet that's couldn't

0:18:57.119 --> 0:18:59.680
<v Speaker 1>be further from the truth. Failia. It's such a weird

0:18:59.720 --> 0:19:04.640
<v Speaker 1>word to me because there's so much gifting in it invariably,

0:19:04.840 --> 0:19:07.440
<v Speaker 1>which doesn't mean it's not agony. But again, two things

0:19:07.520 --> 0:19:10.360
<v Speaker 1>can be true. How have you processed it? Because as

0:19:10.359 --> 0:19:13.119
<v Speaker 1>an actor, it's one of the most agonizing jobs in

0:19:13.160 --> 0:19:16.240
<v Speaker 1>this way of are you getting this ongoing? Yeah, it's ongoing,

0:19:16.280 --> 0:19:19.880
<v Speaker 1>and it's literally you. It's someone saying you're okay, You're

0:19:19.880 --> 0:19:24.200
<v Speaker 1>not okay. It's literally someone going not you. And then

0:19:24.359 --> 0:19:27.320
<v Speaker 1>you think that asking why will make it better, But

0:19:27.440 --> 0:19:30.240
<v Speaker 1>what happens is they actually tell you, and then it's

0:19:30.320 --> 0:19:34.000
<v Speaker 1>even more personal and dreadful because it really is you

0:19:34.160 --> 0:19:38.160
<v Speaker 1>that they are saying no to hard, no to you Mini.

0:19:39.080 --> 0:19:41.639
<v Speaker 1>So how do you? How do you deal? Know? You

0:19:41.720 --> 0:19:43.800
<v Speaker 1>go crazy and you end up doing a podcast like

0:19:43.840 --> 0:19:46.880
<v Speaker 1>this where you sound absolutely bat ship the whole time.

0:19:47.080 --> 0:19:49.719
<v Speaker 1>You know what, you start seeing it as being as

0:19:49.760 --> 0:19:52.200
<v Speaker 1>opposed to the the awful idea of a snake. You

0:19:52.240 --> 0:19:54.320
<v Speaker 1>think it's tale, it's the good version of that, which

0:19:54.440 --> 0:19:56.760
<v Speaker 1>is it is all the same. What you, cause failure

0:19:56.920 --> 0:19:59.760
<v Speaker 1>is also success and vice versa. There are a huge

0:20:00.000 --> 0:20:02.240
<v Speaker 1>senses that I've had that didn't help me at or

0:20:02.320 --> 0:20:06.240
<v Speaker 1>didn't teach me, so I think it doesn't ever stop

0:20:06.280 --> 0:20:09.600
<v Speaker 1>being hard, but now I really can laugh about it more.

0:20:10.119 --> 0:20:12.720
<v Speaker 1>And part of why I like social media it's before

0:20:12.760 --> 0:20:15.359
<v Speaker 1>when years celebrity or an acting, there was no recourse.

0:20:15.400 --> 0:20:18.840
<v Speaker 1>There was no way of rejoining ship that people would

0:20:18.840 --> 0:20:21.280
<v Speaker 1>say about you, And now I love that there is,

0:20:21.440 --> 0:20:23.960
<v Speaker 1>which makes it so much easier. If there has been

0:20:24.040 --> 0:20:27.000
<v Speaker 1>some kind of slight or something that is misunderstood, there's

0:20:27.000 --> 0:20:30.639
<v Speaker 1>a way of actually interrogating and usually humorously putting that

0:20:30.680 --> 0:20:33.119
<v Speaker 1>out there, which I like to make fun of the

0:20:33.160 --> 0:20:35.880
<v Speaker 1>stuff that is hard, to take the sting out of it,

0:20:35.920 --> 0:20:40.480
<v Speaker 1>but also to get over it, you know. And I

0:20:40.520 --> 0:20:43.480
<v Speaker 1>think in my case of this story, when I was

0:20:43.520 --> 0:20:46.679
<v Speaker 1>twenty getting the job, I didn't think, that's kind of

0:20:46.680 --> 0:20:51.840
<v Speaker 1>funny that they're giving job. Well, because we have Hubris

0:20:51.920 --> 0:20:53.959
<v Speaker 1>and you're twenty, of course they give it to me.

0:20:54.080 --> 0:20:56.960
<v Speaker 1>I thought, Yeah, the San Francisco Chronicle, they should write

0:20:56.960 --> 0:20:58.520
<v Speaker 1>the story about it. It's going to be great. And

0:20:58.560 --> 0:21:01.639
<v Speaker 1>then in hindsight, I'm my for one, that haircut is

0:21:01.680 --> 0:21:04.840
<v Speaker 1>not good on me, not for bad, bad, the outfit

0:21:04.920 --> 0:21:08.440
<v Speaker 1>even worse, the attitude somehow worse. I mean, there made

0:21:08.440 --> 0:21:11.800
<v Speaker 1>no sense, I mean no sense. I love that. I

0:21:11.880 --> 0:21:14.199
<v Speaker 1>love that for you. You love the failure for me.

0:21:14.520 --> 0:21:17.200
<v Speaker 1>I'd love that failure for you. And it's perfect because

0:21:17.200 --> 0:21:20.639
<v Speaker 1>it gave you something really foundational. You know, if you

0:21:20.680 --> 0:21:24.920
<v Speaker 1>can't remember how you got the good things, then you're

0:21:24.960 --> 0:21:27.879
<v Speaker 1>a real dummy, because how you got the good things

0:21:28.440 --> 0:21:31.439
<v Speaker 1>was what Norman said, that every moment and every second,

0:21:31.440 --> 0:21:33.760
<v Speaker 1>it took all of it to get to that, and

0:21:33.760 --> 0:21:37.399
<v Speaker 1>that required a lot of goofs and gaffs and failures,

0:21:37.400 --> 0:21:40.320
<v Speaker 1>and some have them more public than others, but we

0:21:40.400 --> 0:21:42.640
<v Speaker 1>all have them in our lives no matter what you do.

0:21:43.880 --> 0:21:46.240
<v Speaker 1>But I do wish this is the hope I have

0:21:46.760 --> 0:21:50.680
<v Speaker 1>getting older, that the gap between something good happening and

0:21:50.720 --> 0:21:53.639
<v Speaker 1>making that recognition that it took all these things to

0:21:53.680 --> 0:21:57.280
<v Speaker 1>get there, that that gap lessons and then I'm more

0:21:57.320 --> 0:22:00.399
<v Speaker 1>appreciative more quickly. That is the hope. That is a

0:22:00.480 --> 0:22:03.280
<v Speaker 1>hope I think that does happen. I hope that happens

0:22:03.320 --> 0:22:05.840
<v Speaker 1>for you, has happened for you totally, because it's like

0:22:05.920 --> 0:22:08.320
<v Speaker 1>you realize the crazy expectations you put on yourself when

0:22:08.359 --> 0:22:10.719
<v Speaker 1>you're young, or I know that I did that in

0:22:10.800 --> 0:22:12.800
<v Speaker 1>order to be happy, it has to look like this,

0:22:12.920 --> 0:22:15.320
<v Speaker 1>and it's like, wow, that may happen if you're lucky

0:22:15.480 --> 0:22:19.119
<v Speaker 1>once maybe twice. To stopping having that expectation, that's what

0:22:19.240 --> 0:22:21.639
<v Speaker 1>sets you free. And then things that you didn't realize

0:22:21.680 --> 0:22:24.240
<v Speaker 1>we're going to make you happy make you happy. So

0:22:24.400 --> 0:22:27.200
<v Speaker 1>actually it's in a huge expansiveness that happens with getting

0:22:27.200 --> 0:22:34.320
<v Speaker 1>older that nobody talks about what is the quality, like

0:22:34.440 --> 0:22:38.600
<v Speaker 1>least about yourself. I think because I try to maximize

0:22:39.000 --> 0:22:42.439
<v Speaker 1>every moment, every situation. And that's true not just on

0:22:42.680 --> 0:22:46.200
<v Speaker 1>microphone but in my life with friends, and it's exhausting.

0:22:46.359 --> 0:22:49.520
<v Speaker 1>I'm controlling and it works well as a podcast host,

0:22:49.560 --> 0:22:52.520
<v Speaker 1>it works well as a filmmaker, but there's a part

0:22:52.560 --> 0:22:54.919
<v Speaker 1>of me that has a really hard time being the

0:22:55.040 --> 0:22:58.679
<v Speaker 1>passenger in any situation. To be fair, I have terrible

0:22:58.720 --> 0:23:02.359
<v Speaker 1>motion sickness, So that is true. I just don't I

0:23:02.400 --> 0:23:05.200
<v Speaker 1>don't let go easily. I'd like to figure that out.

0:23:05.560 --> 0:23:07.720
<v Speaker 1>I'm also a big I don't know where this comes from.

0:23:07.720 --> 0:23:11.640
<v Speaker 1>I think childhood, but a big post game review kind

0:23:11.680 --> 0:23:13.720
<v Speaker 1>of person. So I grew up playing sports, and you

0:23:13.760 --> 0:23:16.560
<v Speaker 1>know how, after a basketball game happens, or any sporting event,

0:23:16.640 --> 0:23:19.560
<v Speaker 1>the commentators come on and they say, God, like Lebron James,

0:23:19.560 --> 0:23:21.720
<v Speaker 1>like you really didn't do that? Well tonight will? That's

0:23:21.760 --> 0:23:24.879
<v Speaker 1>like basically what I look forward to sometimes after a

0:23:25.000 --> 0:23:27.800
<v Speaker 1>party is with my friends being like, can you believe

0:23:28.119 --> 0:23:31.000
<v Speaker 1>that fucking idiot? Can I swear in here? Yes you can.

0:23:31.560 --> 0:23:34.879
<v Speaker 1>Sometimes I get too negative. I'm reviewing every interaction and

0:23:34.920 --> 0:23:37.520
<v Speaker 1>saying like, yeah, that person was kind of a schmucker. God,

0:23:37.520 --> 0:23:39.840
<v Speaker 1>I can't believe that person married that person. So I'm

0:23:39.880 --> 0:23:43.480
<v Speaker 1>overly critical and I'm controlling. Those are my answers. What

0:23:43.640 --> 0:23:46.280
<v Speaker 1>do you think would would happen if you did let go?

0:23:46.720 --> 0:23:48.879
<v Speaker 1>Do you have a sort of image of yourself in

0:23:48.960 --> 0:23:53.119
<v Speaker 1>a kind of gauzy state being led by someone else

0:23:53.240 --> 0:23:56.920
<v Speaker 1>and like, finally just feeling sort of like I don't

0:23:57.040 --> 0:23:58.959
<v Speaker 1>agree with Guss And in one of those movies from

0:23:59.000 --> 0:24:02.600
<v Speaker 1>the forties, she's just floating through a garden. Is that

0:24:02.640 --> 0:24:05.200
<v Speaker 1>what letting Go feels like you? Or is it terrible? Yes?

0:24:05.240 --> 0:24:08.639
<v Speaker 1>It feels like every forties film. For me, it feels

0:24:08.680 --> 0:24:11.200
<v Speaker 1>like every single moment of his Girl Friday when it's

0:24:11.200 --> 0:24:16.199
<v Speaker 1>working that film so much. No, I don't know what

0:24:16.320 --> 0:24:18.239
<v Speaker 1>that looks like. And I think if I had an

0:24:18.280 --> 0:24:20.960
<v Speaker 1>image of who that looks like or what that looks like,

0:24:21.320 --> 0:24:24.679
<v Speaker 1>I may be quicker to embrace letting go. But I

0:24:24.720 --> 0:24:27.480
<v Speaker 1>don't know. What I know is what it's not, which

0:24:27.560 --> 0:24:30.720
<v Speaker 1>is not being as anxious or not feeling like I

0:24:30.760 --> 0:24:32.800
<v Speaker 1>have to control the lighting or the music at a

0:24:32.880 --> 0:24:35.000
<v Speaker 1>thing in that part, I would love to let go.

0:24:35.359 --> 0:24:37.240
<v Speaker 1>I would love to let go. Do you have to

0:24:37.480 --> 0:24:39.760
<v Speaker 1>be on the demis switch. I don't have to be,

0:24:39.960 --> 0:24:42.200
<v Speaker 1>but it's better if you are. You know. I'm just

0:24:42.320 --> 0:24:45.040
<v Speaker 1>making some adjustments that I think we'll all agree on.

0:24:46.200 --> 0:24:49.199
<v Speaker 1>Oh my god, ye so funny. I've made sounds with big,

0:24:49.280 --> 0:24:52.840
<v Speaker 1>big personalities, both male and female, and someone was like,

0:24:52.920 --> 0:24:55.320
<v Speaker 1>you're being really I think they said beta. I would

0:24:55.359 --> 0:24:58.439
<v Speaker 1>say beta, you'd be really beta, like on the set

0:24:58.480 --> 0:25:01.320
<v Speaker 1>with this person like, how is that? Because you're really alpha?

0:25:01.600 --> 0:25:04.600
<v Speaker 1>And I was like, well, here's the thing. What I'm

0:25:04.640 --> 0:25:07.840
<v Speaker 1>good at is actually realizing that it's more important for

0:25:07.880 --> 0:25:10.080
<v Speaker 1>someone to be alpha than it is for me to

0:25:10.119 --> 0:25:12.480
<v Speaker 1>be alpha. And actually the most alpha thing you can

0:25:12.520 --> 0:25:14.760
<v Speaker 1>do in a situation where someone wants to be alpha

0:25:14.960 --> 0:25:18.520
<v Speaker 1>is be beta. So basically what I'm saying is, if

0:25:18.560 --> 0:25:20.440
<v Speaker 1>you really needed to be on the dimmer switch, I

0:25:20.480 --> 0:25:22.919
<v Speaker 1>would fucking let you. And I have let people be

0:25:22.960 --> 0:25:25.119
<v Speaker 1>on the dimmer switch in movies where it might have

0:25:25.160 --> 0:25:28.840
<v Speaker 1>been better if I didn't. Well, this sounds great for you,

0:25:29.560 --> 0:25:32.400
<v Speaker 1>and I'm wondering how it's going to translate for me.

0:25:32.800 --> 0:25:35.120
<v Speaker 1>It's really interesting, particularly people have the expectation that you're

0:25:35.119 --> 0:25:37.600
<v Speaker 1>going to stand up and go funck. Now, you can't

0:25:37.640 --> 0:25:39.280
<v Speaker 1>do this, you can't do that, stop it. I want

0:25:39.280 --> 0:25:41.359
<v Speaker 1>to do that. I think it's just good to think about.

0:25:41.440 --> 0:25:44.679
<v Speaker 1>It's like, in the next moment where you're really wanting

0:25:44.720 --> 0:25:46.920
<v Speaker 1>to be on the dimmer switch, if you go, well,

0:25:46.920 --> 0:25:49.040
<v Speaker 1>maybe if I let them be on it and see

0:25:49.040 --> 0:25:54.119
<v Speaker 1>what happens. I love it. I'm convinced. The next question, no, no, no,

0:25:54.160 --> 0:25:56.000
<v Speaker 1>what I was thinking about it. You said something that

0:25:56.119 --> 0:25:58.359
<v Speaker 1>triggered a whole bunch of memories, which is I have

0:25:58.960 --> 0:26:02.480
<v Speaker 1>let other people. We've really taken this metaphor very far,

0:26:02.600 --> 0:26:04.840
<v Speaker 1>but move the dimmer switch up and down. And what

0:26:05.000 --> 0:26:08.679
<v Speaker 1>happens is if they're used to you controlling the lighting,

0:26:08.720 --> 0:26:12.399
<v Speaker 1>whatever the plans, when you're not, there's almost like a

0:26:12.480 --> 0:26:16.520
<v Speaker 1>paralysis that happens, at least amongst my pals. So I

0:26:16.600 --> 0:26:18.560
<v Speaker 1>have to let go, though, I have to just let

0:26:18.600 --> 0:26:21.399
<v Speaker 1>it be. I think it's kind of interesting just doing

0:26:21.440 --> 0:26:23.960
<v Speaker 1>something differently. Maybe it is this past two years of

0:26:24.080 --> 0:26:26.560
<v Speaker 1>just going, well, what's the fucking worst that can happen?

0:26:26.720 --> 0:26:29.480
<v Speaker 1>It's all happening, so just to see what that looks

0:26:29.520 --> 0:26:33.360
<v Speaker 1>like and if it doesn't work out, that's actually also fine.

0:26:33.800 --> 0:26:36.240
<v Speaker 1>When did you figure that out that you needed to

0:26:36.320 --> 0:26:39.119
<v Speaker 1>sometimes take a step back for the other person to

0:26:39.480 --> 0:26:42.880
<v Speaker 1>step into their element. Honestly, on a set with my

0:26:43.040 --> 0:26:47.000
<v Speaker 1>son was very small with an actor who was really

0:26:47.359 --> 0:26:50.119
<v Speaker 1>there were a lot like it was hardcore, like that

0:26:50.240 --> 0:26:52.159
<v Speaker 1>process was a lot the way that they were on

0:26:52.240 --> 0:26:54.480
<v Speaker 1>set with a lot and this whole idea of going,

0:26:54.600 --> 0:26:56.439
<v Speaker 1>if I've sort of fight for what it is I

0:26:56.480 --> 0:26:58.920
<v Speaker 1>want to do here and how I want to do it,

0:26:58.920 --> 0:27:01.440
<v Speaker 1>it's going to cause so much trouble. And I had

0:27:01.440 --> 0:27:02.840
<v Speaker 1>a panic, going, well, how am I going to do

0:27:02.920 --> 0:27:04.240
<v Speaker 1>my job if I don't get to do it like

0:27:04.280 --> 0:27:05.520
<v Speaker 1>I need to? But if I do it like I

0:27:05.560 --> 0:27:07.800
<v Speaker 1>need to, it's going to piss this woman off. And

0:27:07.920 --> 0:27:10.680
<v Speaker 1>I then realized that it would actually be really interesting

0:27:10.840 --> 0:27:13.320
<v Speaker 1>to go they clearly need it, they need it more.

0:27:13.600 --> 0:27:15.679
<v Speaker 1>And what if it's a high degree of difficulty and

0:27:15.720 --> 0:27:17.879
<v Speaker 1>it's actually more interesting if I try and figure out

0:27:17.920 --> 0:27:19.879
<v Speaker 1>how to do my ship without doing what I normally

0:27:19.920 --> 0:27:21.760
<v Speaker 1>do and asking for the things that I normally need.

0:27:21.760 --> 0:27:24.640
<v Speaker 1>What if I just tried that, Because I could really

0:27:24.680 --> 0:27:27.040
<v Speaker 1>see that she was looking for something to hang her

0:27:27.080 --> 0:27:29.320
<v Speaker 1>stuff on, and it could very easily have been me.

0:27:29.560 --> 0:27:32.640
<v Speaker 1>It did feel like being a superhero or some form

0:27:32.720 --> 0:27:35.680
<v Speaker 1>of like Judah, like you've cracked the code or something,

0:27:35.920 --> 0:27:38.320
<v Speaker 1>kind of like it took all that energy, all that

0:27:38.440 --> 0:27:40.440
<v Speaker 1>expectation that she was going to have a big fight

0:27:40.520 --> 0:27:43.400
<v Speaker 1>with me, and just didn't do anything except allow her

0:27:43.480 --> 0:27:46.159
<v Speaker 1>to get everything that she needed. And I didn't feel smart.

0:27:46.320 --> 0:27:49.320
<v Speaker 1>It was pretty cool. Actually, I feel like having a kid.

0:27:49.480 --> 0:27:52.399
<v Speaker 1>I think it was probably Henry. It probably was. That

0:27:52.560 --> 0:27:55.679
<v Speaker 1>was like I'm making milk and like feeding my baby.

0:27:56.119 --> 0:27:58.679
<v Speaker 1>If you need to do what you need to do,

0:27:58.880 --> 0:28:01.879
<v Speaker 1>go ahead, I'll just be over here making milk. That

0:28:02.080 --> 0:28:04.879
<v Speaker 1>is the part of parents today. I'm looking forward to,

0:28:05.320 --> 0:28:07.960
<v Speaker 1>not the milk part, but just I don't know something

0:28:08.000 --> 0:28:12.000
<v Speaker 1>about it feels deeply humbling and probably in a good way. Yeah,

0:28:12.560 --> 0:28:14.440
<v Speaker 1>I see those kids with their parents. They don't really

0:28:14.480 --> 0:28:17.439
<v Speaker 1>care about their parents. And they don't care that you

0:28:17.480 --> 0:28:20.639
<v Speaker 1>didn't win an oscar at seven. No, they really don't.

0:28:20.920 --> 0:28:23.080
<v Speaker 1>They don't care about any of the stuff that we

0:28:23.400 --> 0:28:26.280
<v Speaker 1>think we care about, Like, they just don't. There's such

0:28:26.320 --> 0:28:29.520
<v Speaker 1>a relief in that because you actually get to be

0:28:29.800 --> 0:28:33.199
<v Speaker 1>the most unadulterated version of yourself because they don't know

0:28:33.240 --> 0:28:36.479
<v Speaker 1>what your best qualities are. They just want food and

0:28:36.600 --> 0:28:40.720
<v Speaker 1>love and pepper Pig. What's that? Oh, you'll find out

0:28:41.000 --> 0:28:45.280
<v Speaker 1>pepper Pig will rule your life one day. Sam, It's

0:28:45.280 --> 0:28:47.400
<v Speaker 1>a cartoon. You sounds like you just joined a cold

0:28:48.920 --> 0:28:52.000
<v Speaker 1>When you've watched every every episode of pepper Pig, it's

0:28:52.040 --> 0:28:54.880
<v Speaker 1>sort of like you have joined a cult, poor signed cult.

0:28:55.240 --> 0:28:57.240
<v Speaker 1>Check it out. Just google pepper Pig and watch it a

0:28:57.200 --> 0:29:00.280
<v Speaker 1>a little episode. It's an English cartoon. Absolutely will not

0:29:12.800 --> 0:29:16.720
<v Speaker 1>what person, place, or experience has most aughted to your life.

0:29:17.680 --> 0:29:20.760
<v Speaker 1>When I was fifteen, I moved to California from Chicago.

0:29:21.120 --> 0:29:23.240
<v Speaker 1>It sounds like I made the move. I was moved.

0:29:23.480 --> 0:29:26.680
<v Speaker 1>People broke up. I moved really strange to go to

0:29:26.720 --> 0:29:29.560
<v Speaker 1>a high school and have to meet three thousand new kids,

0:29:29.800 --> 0:29:31.880
<v Speaker 1>And I did the best I could, but honestly, for

0:29:31.920 --> 0:29:34.000
<v Speaker 1>the majority of my sophomore year of high school, I

0:29:34.040 --> 0:29:39.360
<v Speaker 1>would spend lunch in the library watching old Ebert and

0:29:39.400 --> 0:29:43.800
<v Speaker 1>Cisco videos as they reviewed movies from and nineties. Then

0:29:43.800 --> 0:29:45.680
<v Speaker 1>I would watch them on the late night shows, and

0:29:45.720 --> 0:29:48.120
<v Speaker 1>I would obsess over these tapes. Because at the time

0:29:48.160 --> 0:29:50.360
<v Speaker 1>I was a film critic. I was writing all these

0:29:50.360 --> 0:29:53.000
<v Speaker 1>reviews on the weekends, and in that lunchtime, I would

0:29:53.040 --> 0:29:56.720
<v Speaker 1>immerse myself in these two middle aged guys, in part

0:29:56.800 --> 0:29:59.200
<v Speaker 1>because I didn't have friends. At the end of high school.

0:29:59.240 --> 0:30:02.640
<v Speaker 1>As I continued, I went to a festival called Ebert Fest.

0:30:02.960 --> 0:30:06.080
<v Speaker 1>Roger created it. It's down in Champagne, and again I'm

0:30:06.120 --> 0:30:09.520
<v Speaker 1>from Chicago, so there's added significance, and my father and

0:30:09.560 --> 0:30:12.280
<v Speaker 1>I went. At this point, Roger had a cancer where

0:30:12.280 --> 0:30:14.240
<v Speaker 1>he couldn't speak anymore. But at the end of the

0:30:14.240 --> 0:30:16.920
<v Speaker 1>weekend he was signing everyone's book and I was like,

0:30:16.960 --> 0:30:18.760
<v Speaker 1>I don't really want to do this. I really want

0:30:18.760 --> 0:30:20.840
<v Speaker 1>to go home, but my dad said, look, we're not

0:30:21.200 --> 0:30:24.800
<v Speaker 1>going until you go up to him. So I went

0:30:24.880 --> 0:30:28.240
<v Speaker 1>up to him. I gave him my little business card

0:30:28.320 --> 0:30:31.280
<v Speaker 1>that had a sad blog domain where I wrote all

0:30:31.320 --> 0:30:34.080
<v Speaker 1>these reviews, and an email and I wrote a little

0:30:34.080 --> 0:30:36.120
<v Speaker 1>note on the back and he signed the book. We

0:30:36.200 --> 0:30:38.280
<v Speaker 1>went on and at the end of my junior year,

0:30:38.720 --> 0:30:41.080
<v Speaker 1>on lunch break, I remember sitting in my car and

0:30:41.080 --> 0:30:45.080
<v Speaker 1>I get an email from him and it says, dear Sam,

0:30:45.120 --> 0:30:48.040
<v Speaker 1>I read your stuff. It sounds good. You can be

0:30:48.080 --> 0:30:51.160
<v Speaker 1>a writer, film critic or otherwise. But by the way,

0:30:51.600 --> 0:30:55.200
<v Speaker 1>I wouldn't include your age on the website in these times.

0:30:55.280 --> 0:30:58.880
<v Speaker 1>Who knows. And that was it. And that note, you know,

0:30:59.040 --> 0:31:03.320
<v Speaker 1>at seventy eighteen, when you come from where I've come from,

0:31:03.360 --> 0:31:06.040
<v Speaker 1>that changed everything. It basically said, give it a go.

0:31:06.400 --> 0:31:08.360
<v Speaker 1>And if you don't, you know, you're a real idiot.

0:31:08.400 --> 0:31:11.080
<v Speaker 1>So I gave it a go. I think it's so

0:31:11.160 --> 0:31:16.760
<v Speaker 1>amazing that idea of incidental mentorship. I think about the

0:31:16.760 --> 0:31:19.080
<v Speaker 1>things that people have said to me, things that were

0:31:19.120 --> 0:31:22.280
<v Speaker 1>said in passing that had exactly what you just said.

0:31:22.320 --> 0:31:24.200
<v Speaker 1>He was seventeen, sitting in your car, you received this

0:31:24.240 --> 0:31:26.880
<v Speaker 1>email and it actually changed your life. And I guarantee

0:31:26.920 --> 0:31:29.040
<v Speaker 1>he was not thinking about that when he wrote it.

0:31:29.120 --> 0:31:31.240
<v Speaker 1>He was just, Oh, that kid. Oh. I listened to

0:31:31.320 --> 0:31:33.520
<v Speaker 1>a couple of his things that was just him being

0:31:33.560 --> 0:31:36.440
<v Speaker 1>a good just being a good person. It's amazing, like

0:31:36.520 --> 0:31:38.920
<v Speaker 1>that kind of relay. He didn't know that he was

0:31:38.960 --> 0:31:42.960
<v Speaker 1>handing you up baton, but he was. And I love that.

0:31:43.280 --> 0:31:46.360
<v Speaker 1>It's a remarkable thing. And it's something I think about

0:31:46.360 --> 0:31:49.400
<v Speaker 1>all the time because you and I are talking on

0:31:49.840 --> 0:31:54.160
<v Speaker 1>microphones in a fairly charmed existence. And if you don't

0:31:54.240 --> 0:31:56.480
<v Speaker 1>have gratitude and if you don't try to pay that

0:31:56.560 --> 0:31:59.280
<v Speaker 1>forward in some way, even if it's just an email,

0:31:59.320 --> 0:32:03.400
<v Speaker 1>an incident, mentorship. It took a moment for him. It

0:32:03.480 --> 0:32:06.160
<v Speaker 1>took him less than three minutes. Imagine that you changed

0:32:06.200 --> 0:32:09.680
<v Speaker 1>someone's life in three minutes. The doors wing open. I

0:32:09.720 --> 0:32:11.960
<v Speaker 1>like that there's magic in the things that one says

0:32:12.040 --> 0:32:14.920
<v Speaker 1>that you don't know that you were meaningful. It's like

0:32:15.000 --> 0:32:18.720
<v Speaker 1>Norman Lear, Norman Lear laughing and looking so kindly at me.

0:32:18.880 --> 0:32:20.600
<v Speaker 1>Just go and just get to the end of the song.

0:32:20.760 --> 0:32:22.520
<v Speaker 1>It totally blows, but just get to the end and

0:32:22.520 --> 0:32:25.520
<v Speaker 1>it's going to be done. Like that's really good advice.

0:32:25.760 --> 0:32:28.600
<v Speaker 1>And that was just going a look, I've no I've

0:32:28.600 --> 0:32:30.239
<v Speaker 1>been changed by a lot of people who don't know

0:32:30.280 --> 0:32:32.640
<v Speaker 1>that they helped me. That's for sure, So we must

0:32:32.640 --> 0:32:35.920
<v Speaker 1>do it ourselves. Incidentally, if you're interested in people, at

0:32:35.960 --> 0:32:38.920
<v Speaker 1>least For me, Talk Easy is literally a show about

0:32:39.040 --> 0:32:42.600
<v Speaker 1>other people. I think being preoccupied with other people is

0:32:42.800 --> 0:32:46.760
<v Speaker 1>it's a worthwhile venture. I've never really learned anything from

0:32:46.760 --> 0:32:50.680
<v Speaker 1>talking myself. Maybe we share that. Listening to other people's

0:32:50.760 --> 0:32:54.080
<v Speaker 1>thoughts about the world and what they think is such

0:32:54.120 --> 0:32:56.920
<v Speaker 1>a great respite from being in the echo chamber of

0:32:56.920 --> 0:32:59.880
<v Speaker 1>my own brain not being able to answer questions. I'd

0:33:00.080 --> 0:33:02.240
<v Speaker 1>much rather ask people questions and get them to answer,

0:33:02.360 --> 0:33:05.520
<v Speaker 1>and then I can go, oh, God, yeah, God, and

0:33:05.560 --> 0:33:08.520
<v Speaker 1>then add that into whatever my four o'clock in the

0:33:08.560 --> 0:33:11.760
<v Speaker 1>morning echo e head is saying, I think you're right.

0:33:11.800 --> 0:33:16.720
<v Speaker 1>I've done almost three episodes of the Showdow, it's so impressive, Like,

0:33:16.840 --> 0:33:19.320
<v Speaker 1>that's a lot of talking. Well. I started when I

0:33:19.400 --> 0:33:22.840
<v Speaker 1>was I like specific questions, like all of the kind

0:33:22.840 --> 0:33:25.880
<v Speaker 1>of like speculative looks that goes on and on being

0:33:25.920 --> 0:33:28.520
<v Speaker 1>interviewed for years and years. When you're a hundred, you

0:33:28.600 --> 0:33:31.840
<v Speaker 1>really appreciate the brevity of what did you have for breakfast?

0:33:32.520 --> 0:33:36.200
<v Speaker 1>That I can answer. Well, when you come on Talk Easy, yes,

0:33:36.360 --> 0:33:40.200
<v Speaker 1>I'll ask my specific questions, yes, and I'll try not

0:33:40.320 --> 0:33:43.640
<v Speaker 1>to get to well, we'll get existential. It's impossible not to. Well,

0:33:43.680 --> 0:33:46.320
<v Speaker 1>that's the thing. I mean, I've realized it is good

0:33:46.440 --> 0:33:48.600
<v Speaker 1>to talk about these specific things because I do think

0:33:48.640 --> 0:33:51.840
<v Speaker 1>they lean into other stuff. I think they're big enough

0:33:51.960 --> 0:33:55.960
<v Speaker 1>questions that they balloon into other things so that we

0:33:56.040 --> 0:33:58.440
<v Speaker 1>see the thing is what's revealing about it. The level

0:33:58.480 --> 0:34:03.400
<v Speaker 1>of interrogation is maybe interesting to one person, is scary

0:34:03.560 --> 0:34:06.880
<v Speaker 1>and toxic to another, and will actually reveal stuff that

0:34:06.920 --> 0:34:09.840
<v Speaker 1>they don't want to be revealed. Largely, people want to

0:34:09.880 --> 0:34:11.680
<v Speaker 1>keep their heads in the sand. And I know that

0:34:11.719 --> 0:34:14.680
<v Speaker 1>because I am a fucking Ostrich. You know about a

0:34:14.719 --> 0:34:16.880
<v Speaker 1>lot of things. Part of this show was like, No,

0:34:17.040 --> 0:34:19.040
<v Speaker 1>you have to face it. You have to face these

0:34:19.080 --> 0:34:22.560
<v Speaker 1>hard questions. You have to. I have to. It's funny

0:34:22.560 --> 0:34:27.239
<v Speaker 1>I always say them about you. You're really like an Ostrich. Really, um.

0:34:27.360 --> 0:34:31.880
<v Speaker 1>I think the emotional interrogation is utterly terrifying for most

0:34:31.880 --> 0:34:36.280
<v Speaker 1>people because it's a house of cards, Like literally and figurative,

0:34:36.400 --> 0:34:38.600
<v Speaker 1>it is a house of cards, just keeping everything together,

0:34:38.680 --> 0:34:43.120
<v Speaker 1>with the debt, the payments, the social constructs, the parenting,

0:34:43.440 --> 0:34:48.040
<v Speaker 1>the professional success, the love and the sex. We barely

0:34:48.040 --> 0:34:50.160
<v Speaker 1>hold it together most of the time. And it doesn't

0:34:50.160 --> 0:34:52.160
<v Speaker 1>take an enormous man, which is why I think people

0:34:52.200 --> 0:34:54.520
<v Speaker 1>just can't fathom it. I kind of admire that you

0:34:54.600 --> 0:34:58.320
<v Speaker 1>have seven that you hit as opposed to every week.

0:34:58.360 --> 0:35:00.880
<v Speaker 1>I feel like I have to reinvent the does the

0:35:00.920 --> 0:35:03.640
<v Speaker 1>person though? When you're doing your podcast, doesn't the person

0:35:03.719 --> 0:35:06.879
<v Speaker 1>help you reinvent the wheel a bit themselves because they're

0:35:06.920 --> 0:35:11.160
<v Speaker 1>either super vibos or they're really not a ricalcitrint. You

0:35:11.160 --> 0:35:12.799
<v Speaker 1>have to pull it out of them. I never say

0:35:12.880 --> 0:35:16.920
<v Speaker 1>ricalc I love that word. It's my favorite word. Everything

0:35:16.960 --> 0:35:19.760
<v Speaker 1>about me feels ricalcitrant right now, except doing this podcast.

0:35:19.760 --> 0:35:21.840
<v Speaker 1>I know I can feel some of it through you

0:35:21.960 --> 0:35:25.360
<v Speaker 1>in the zoom. I have this quality. It's I unfortunately

0:35:25.400 --> 0:35:30.080
<v Speaker 1>absorbed whatever the other person feels. Oh my goodness, you're

0:35:30.120 --> 0:35:33.600
<v Speaker 1>a zoom em path. What a nightmare for you. I'm

0:35:33.640 --> 0:35:41.400
<v Speaker 1>a normal EmPATH even zoom. It's not broken it. You

0:35:41.480 --> 0:35:46.600
<v Speaker 1>are so amazing, you really are. It is an absolute

0:35:46.800 --> 0:35:49.120
<v Speaker 1>pleasure to have talked to you, and I can't wait

0:35:49.160 --> 0:35:51.520
<v Speaker 1>to come on your podcast many driver, Thank you very much.

0:35:55.719 --> 0:35:58.759
<v Speaker 1>You can hear Sam's podcast Talk Easy with Sam Fragoso

0:35:58.920 --> 0:36:01.880
<v Speaker 1>every Sunday, were ever you listen to your podcasts to

0:36:01.960 --> 0:36:04.240
<v Speaker 1>learn more about his work and view the show's library

0:36:04.239 --> 0:36:08.200
<v Speaker 1>of over two hundred and fifty episodes. Visit talkisipod dot com.

0:36:08.200 --> 0:36:11.160
<v Speaker 1>Coming up soon, you can hear episodes with Stacy Abrams,

0:36:11.200 --> 0:36:17.360
<v Speaker 1>Margaret Atwood and many more. Mini Questions is hosted and

0:36:17.400 --> 0:36:23.279
<v Speaker 1>written by Me Mini Driver, supervising producer Aaron Kaufman, Producer

0:36:23.760 --> 0:36:29.760
<v Speaker 1>Morgan Lavoy, Research assistant Marissa Brown. Original music Sorry Baby

0:36:30.080 --> 0:36:35.400
<v Speaker 1>by Mini Driver, Additional music by Aaron Kaufman, Executive produced

0:36:35.400 --> 0:36:40.800
<v Speaker 1>by Me Mini Driver. Special thanks to Jim Nikolay, Will Pearson,

0:36:41.400 --> 0:36:45.719
<v Speaker 1>Addison No Day, Lisa Castella and a Unique Oppenheim at

0:36:45.840 --> 0:36:51.000
<v Speaker 1>w kPr, de La Pescador, Kate Driver and Jason Weinberg,

0:36:51.680 --> 0:36:55.240
<v Speaker 1>And for constantly solicited tech support, Henry Driver.