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Speaker 1: I said, this is history what you've done. What show

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Speaker 1: you guys should throw a platform that influence out of

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Speaker 1: this morning show, DJ injury every playing by recking I've

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Speaker 1: met you. That just hilarious.

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Speaker 2: She'll stand up out it, joelamin a God.

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Speaker 1: Made you think you're liking the controversial questions? Would take

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Speaker 1: this fuss? I like that show. Thanks Breakfast Club.

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Speaker 3: Morning Usa yo yo yo yo yo yo yo yo

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Speaker 3: yo yo yo yo yo yo yo yo yo yo

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Speaker 3: yo yo yo yo yo yo yo yo yo yo.

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Speaker 4: Yo yo Jess Hilario ass that morning And currently we

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Speaker 4: are on vacation.

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Speaker 5: Man, totally disconnected. Yes, we're not even really here. You

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Speaker 5: think you're listening to us, but were not.

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Speaker 1: Well, we are not. We're here in spirit.

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Speaker 5: Yeah, yeah, we're on vacation. So we're playing some of

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Speaker 5: our best guest hosts of the year thus far, the

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Speaker 5: best Donkey's, the best interviews you guys, which is the

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Speaker 5: best callers, and some of the best moments the Breakfast

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Speaker 5: Club has had in the last couple of months.

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Speaker 2: So sit back, relax, enjoy, and have fun.

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Speaker 1: Keep in life. Red, It's gonna be running the boards.

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Speaker 1: It's the Breakfast lu Come or for it. Is your

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Speaker 1: time to get it off your chest. Wait up, whether

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Speaker 1: you're mad or blessed, time to get up and get something.

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Speaker 6: Call up now eight hundred and five eighty five one

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Speaker 6: O five one. We want to hear from you on

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Speaker 6: the breakfast club.

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Speaker 1: Hello was this?

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Speaker 3: Hey?

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Speaker 7: This is fine?

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Speaker 1: Hey, Tod, good morning to get you off your chest.

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Speaker 8: Good morning Jess and Charlotteagne and morning baby. I just

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Speaker 8: want to get off my chest that I hate the

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Speaker 8: fact that people try to trip you into pretinuously helping

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Speaker 8: them out even after.

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Speaker 9: You said no.

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Speaker 8: It's like the ask you something and you'll say no,

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Speaker 8: and they'll be like, they'll give you a sop story

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Speaker 8: like oh whoa because I gotta go here and I

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Speaker 8: got to be here out of Lozond and I'm like,

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Speaker 8: I don't care. I said no, I don't want to

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Speaker 8: do it.

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Speaker 2: I understand, but they keep doing it.

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Speaker 4: Ty you know, you know what I do when somebody

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Speaker 4: calls and they be like, man, things going hard, and

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Speaker 4: you just say the same thing, but like, yeah, me too,

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Speaker 4: be like you know, bere like my mom my engine

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Speaker 4: just blue, the boiler my.

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Speaker 1: House went out and the roof lee kid.

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Speaker 4: So now they kid, they'll feel guilty asking you when

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Speaker 4: you just tell them all the things that.

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Speaker 1: You gotta do, I'll just simply say no, I know

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Speaker 1: the word you go to.

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Speaker 5: Tell everybody everything can just be like, look, I feel

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Speaker 5: you man, we're all going through it.

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Speaker 1: I got I got bills and the ain't.

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Speaker 2: Nobody can believe nothing that you said about what's going

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Speaker 2: on in your house.

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Speaker 9: They just keep.

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Speaker 8: Going and keep going and keep going, and you'll be like,

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Speaker 8: all right, I'm just they was like, yeah, because I

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Speaker 8: gotta get the kidney transplant tomorrow.

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Speaker 1: Life. So she's that soul kidney chance man. You might

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Speaker 1: want help. You might want to help him on that one.

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Speaker 2: Somebody else know that it is.

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Speaker 5: Medical bills are like, what makes you think I can

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Speaker 5: help you with a kidney transplant?

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Speaker 1: Somebody called you said, they get a kid You can

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Speaker 1: help me a little bit, Give.

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Speaker 4: Me a little I don't know, give him what big

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Speaker 4: decisions for, Give them the uber ride there to the hospital.

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Speaker 1: Do something.

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Speaker 5: Kidney transplant costs four hundred and forty two thousand. The

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Speaker 5: average kidney transplant cost is over is four hundred and

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Speaker 5: forty two thousand, five hundred dollars.

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Speaker 1: What's the deductible? What's the head medical.

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Speaker 10: I know, I don't know.

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Speaker 1: Hello, who's this?

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Speaker 10: Hello?

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Speaker 1: Hello? What's your name?

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Speaker 9: Quite?

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Speaker 1: Get off your chest?

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Speaker 3: Man?

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Speaker 9: So I'm finding the Columbia Mediine and I left my passport.

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Speaker 9: I didn't realize until I got to the gate to

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Speaker 9: turn back around.

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Speaker 1: I missed my flight.

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Speaker 9: So I ended up getting stuck in Miami last night.

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Speaker 1: And there's no fights.

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Speaker 9: Going out this morning out of here, So I'm stuck

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Speaker 9: here till five pm.

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Speaker 1: What you're going out there for?

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Speaker 9: I go get tattoos out there and then my crew

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Speaker 9: shout out to adversity killers. We do plumbo and stuff.

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Speaker 1: We got a.

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Speaker 9: Lifestyle brand that we promote down there, and then we

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Speaker 9: got a podcast called Wildcast podcast that we shoot wherever

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Speaker 9: we go travel to and it's Charlemagne there.

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Speaker 1: I'm right here, king.

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Speaker 9: Hey, Charlamagne. I met you last year at the Black

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Speaker 9: and Frank Podcast festival.

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Speaker 1: I was a veteran.

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Speaker 9: You had to come back to the back.

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Speaker 1: I don't know if you remember, but.

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Speaker 9: You're supposed to follow me. I'll followed you. I never

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Speaker 9: I ain't never get that followed.

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Speaker 1: Bro Oh for real? You coming this year?

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Speaker 9: Yeah?

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Speaker 1: You coming this year? April twenty seventh. Baby, you ain't

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Speaker 1: addressed what he said though.

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Speaker 5: Saturday, April twenty seventh, second annual Black Effect Podcast Festival

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Speaker 5: hosted Bob dot in Pretty View. We got Wallowing Gilly

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Speaker 5: the King, we got Horrible Decisions, we got carefully Reckless

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Speaker 5: with Jesson Larry's. We got Poor Minds Podcast, deeply well

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Speaker 5: with Debbie Brown, Black Tech, Green Money, we got the

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Speaker 5: Ball Alert Show.

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Speaker 1: Tickets are on sale right now.

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Speaker 5: Go to event bright or Black Effect dot Com Slash

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Speaker 5: Podcast Festival Get your tickets.

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Speaker 1: Man, what was your question, sir?

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Speaker 9: Yeah, I'm bringing the whole crew.

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Speaker 1: It was a good time.

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Speaker 9: I got to see you and Jeff, got to see

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Speaker 9: a horrible decision show, and we got to do some interviews. Ahill,

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Speaker 9: we're out there too, Yes, shut out to my crew,

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Speaker 9: Wildcast Podcast.

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Speaker 1: Give me Instagram again, Bro, just in case you forgot.

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Speaker 9: Bearded Society two point.

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Speaker 5: Oh all right, Luther, Bearded Society two point old baby,

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Speaker 5: and you have fun out in Columbia.

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Speaker 4: You know, Columbia is known for right. The number one

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Speaker 4: thing is known for right. Okaine, I was talking South

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Speaker 4: and Day, but yeah, okay too, this said number one

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Speaker 4: is South and Dad. That's what it's anyway, Half out

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Speaker 4: there be saying, bro, I appreciate it all right, man, the.

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Speaker 6: Breakfast Club, this is your time to get it off

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Speaker 6: your chest. Call eight hundred and five eighty five five one.

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Speaker 6: We want to hear from you on the Breakfast Club.

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Speaker 11: Hello.

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Speaker 1: Who's this?

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Speaker 12: This is when from Columbus, Ohio?

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Speaker 1: What's up?

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Speaker 7: I just listen.

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Speaker 12: I got a question all quick and being Jess.

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Speaker 7: Y'all love Charlomagne?

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Speaker 2: Absolutely, girl, what listen?

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Speaker 12: If y'all really love this man, why y'all keep lett

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Speaker 12: him look homeless? And these pictures with these celebrities y'all

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Speaker 12: be taking.

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Speaker 11: Home with the.

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Speaker 12: Colast just be trying to.

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Speaker 1: Hide his flip fly?

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Speaker 5: Why are you homeless shaming people, trying to hide his stuff?

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Speaker 7: Girl?

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Speaker 12: You you cal Hey, I'm tooking fire. At least take

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Speaker 12: your shoes off. Lets may take the picture verse right,

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Speaker 12: and then I know Taylor is editing real good, so

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Speaker 12: she can edit you in the picture invY and we'll

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Speaker 12: all be cool.

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Speaker 7: But I'm sick and tired of being ticket tired.

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Speaker 13: For real, girl, if you saw this homeless Sully that

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Speaker 13: he had on the he got he got a nights

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Speaker 13: outfit on girl, he took that she takes the shoes

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Speaker 13: off the same walk in there five fifty nine.

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Speaker 12: I like to be comforted, and you be seeing the

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Speaker 12: week whence he has sweaters be wearing. Okay, I see

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Speaker 12: the land you see.

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Speaker 2: I never post those pictures.

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Speaker 13: Andy always coming in here and looking like you know,

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Speaker 13: it's Sunday's bast and he and girl.

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Speaker 3: No.

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Speaker 1: I like to be comfortable, Okay, No, it's.

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Speaker 7: Not about comfort.

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Speaker 12: Charlam Man, You've been comfortable for fourteen years.

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Speaker 3: Yeah.

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Speaker 12: The taste, Bud, You're looking good out here. Arna, look

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Speaker 12: like Lawrence could not be wearing those slippers like that with.

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Speaker 2: This limited is like a size.

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Speaker 7: From the front of the fly.

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Speaker 14: Thank you.

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Speaker 1: I'm glad I could make your date this morning in

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Speaker 1: front of the fat.

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Speaker 2: Shave it up, shake, Good morning, y'all.

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Speaker 12: Get okay. So I'm wanted to say something about did

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Speaker 12: here to day the mom who step up with the

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Speaker 12: little boy Jude, Yes, ma'am, the little boy who was

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Speaker 12: feeling the jew should have got dunk the other day,

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Speaker 12: Cause why you're feeling the town stuff if you won't

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Speaker 12: feeling but.

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Speaker 1: It is drinking, That's what I kind of said. I'm like,

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Speaker 1: keep your keep your stuff, don't be stealing my stuff

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Speaker 1: and this happened. It seemed like a lot. He was

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Speaker 1: bullying the kid. Yeah, he was ten years old.

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Speaker 12: Didn't put Marnie said it. They're talking about.

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Speaker 1: Pepper and then the dude he was ten years old. Toilet,

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Speaker 1: he was ten years old.

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Speaker 12: Man, like Santa I, he's bullying at a young age.

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Speaker 1: I agree bullying. I agree with the adult should have

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Speaker 1: known better. There was another way for her to handle that.

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Speaker 4: Yeah, you probably know why. Charlamagne was probably that kid.

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Speaker 4: He probably was the kid that was taking somebody else

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Speaker 4: gatorade at ten years old.

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Speaker 2: He looked like he was still in game.

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Speaker 1: Get it off your chest.

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Speaker 4: Eight hundred and five eight five, one oh five one.

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Speaker 4: If you need to vent, hit us up now with

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Speaker 4: the Breakfast Club.

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Speaker 1: Good morning, the Breakfast Club.

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Speaker 4: Holding everybody as DJ Envy, Jess larias Charlamagne, the guy.

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Speaker 1: We are the Breakfast Club. We got a special guest

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Speaker 1: in the buildings, Claudia Jordan.

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Speaker 2: Welcome man. What's going on?

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Speaker 10: Everybody?

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Speaker 2: How you doing? I'm tired he should be diving over

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Speaker 2: things that show Well, I guess we're here to talk

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Speaker 2: about dealing o'deal Island.

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Speaker 13: So it was really crazy and I had to be

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Speaker 13: in a tent with four other people, and there were snakes,

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Speaker 13: there were centerpiece.

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Speaker 2: It was really rough and it was like Survivor meets

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Speaker 2: Dealing o'dial.

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Speaker 1: You're seeing you drive into a mud. Yeah, where was it?

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Speaker 13: It was in Panama, but not like where it was developed.

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Speaker 13: It was very much like in the middle of nowhere.

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Speaker 13: And so they threw all these people together and basically

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Speaker 13: two hundred million dollars was up for grabs in the woods.

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Speaker 13: How much time?

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Speaker 4: Yes, that's why I did it, so for somebody to

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Speaker 4: explain it, break it down. So they put checks or

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Speaker 4: money in briefcases, right, do them all over the forest.

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Speaker 13: So it's the banker's island. There's a helicopter they drop

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Speaker 13: off all these briefcases. They have different dollar amounts from

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Speaker 13: it could be five dollars all the way up to

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Speaker 13: millions of dollars.

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Speaker 2: So we have to build the bard up.

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Speaker 13: So we have to go and find in the beginning,

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Speaker 13: you're all working as a group to build the border

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Speaker 13: because the last person standing is the one that plays

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Speaker 13: for the big money. But you can eliminate people along

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Speaker 13: the way. So if you don't like someone, you could

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Speaker 13: just be like, I'm taking you out like I won

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Speaker 13: my game, I'm taking you out.

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Speaker 2: So it's conniving going on.

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Speaker 13: You have to be good at the challenges and socially

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Speaker 13: you have to be you know, on points great you

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Speaker 13: oh man, you know, I highly recommend you don't miss

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Speaker 13: next week's episode because I had to let this old

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Speaker 13: Karen have have it real real?

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Speaker 2: Like now?

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Speaker 4: Is that the old Karen that I don't know name,

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Speaker 4: but that's the old woman that I had to help

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Speaker 4: her in the mud because it was all capped. Really

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Speaker 4: that was smart. But see the lady was old, so

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Speaker 4: she made everybody else go get her stuff because people

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Speaker 4: felt bad for her.

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Speaker 2: She wasn't that old. She was only twelve years older

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Speaker 2: than me. But you know, we have melanis.

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Speaker 13: I kept saying, I'm like, we're only twelve years apart.

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Speaker 13: We're twelve years apart.

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Speaker 2: I kept letting it, you know, throwing it out.

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Speaker 5: I mean, you know, two hundred million dollars, so you

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Speaker 5: can't say if you want yet, huh, I can't. I

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Speaker 5: did see some lobsters with and noodles other lots. There

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Speaker 5: has been some changes.

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Speaker 1: She didn't fly private, some changes.

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Speaker 2: There's been a few changes.

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Speaker 13: But yeah, so definitely this this week. You definitely want

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Speaker 13: to catch this week's episode. There's a lot of fireworks

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Speaker 13: this week, Like I definitely see Writer was definitely there

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Speaker 13: this week and Dylan know.

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Speaker 1: You weren't you on that back in the day.

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Speaker 2: Yeah, it's a pilot.

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Speaker 1: Okay, okay.

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Speaker 13: I did four years on that and that was the

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Speaker 13: highest rates show on NBC since Friends. We would have

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Speaker 13: like thirteen fourteen million viewers a night, so it was

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Speaker 13: a classic. They wanted to bring it back, but then

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Speaker 13: they mixed it with Survivor, so it was really hard.

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Speaker 13: But they had civilians and they would know the celebrities

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Speaker 13: on there. Well, Boston Rob he won Survivor like five times,

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Speaker 13: so he was on there. But everybody else they was

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Speaker 13: googling before we got into jungle, like saying like you

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Speaker 13: shouldn't be here because you already have like a good life,

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Speaker 13: and that kind of caused a little bit of tension.

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Speaker 13: I'm like, so it's up to you to tell someone

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Speaker 13: else that they've had enough success for you. So that

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Speaker 13: kind of happened.

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Speaker 1: Yeah, two hundred million dollars success is different than so

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Speaker 1: what made you want to do this? Like what was

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Speaker 1: the call about? Like, what's million million?

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Speaker 2: I'm trying to retire.

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Speaker 13: How much I work, I'm like working a lot, you know,

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Speaker 13: I feel like we have to. Yeah, but she has

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Speaker 13: black women, like we got to do like twice as

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Speaker 13: much sometimes. Well, dealing odal has always been sentimental for me,

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Speaker 13: you know, I was honest, it's the pilot, and I

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Speaker 13: feel like, if they're going to do a show about

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Speaker 13: dealing o'deal, I'm damn shore going to be a part

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Speaker 13: of it because it means a lot to me, Like

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Speaker 13: it was a big part of Middle America.

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Speaker 2: Really like knowing who I was, you know what I mean.

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Speaker 2: Like that show and it seemed like it would be

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Speaker 2: fun stuff that you had to do. Did you train

305
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Speaker 2: for it? I did. We had to do a swim test.

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Speaker 2: You had to like really like be good at you know,

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Speaker 2: holding your breath on the water.

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Speaker 1: There's no way Caaren passed that destiny. There's no way

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Speaker 1: you'll leave white people not as one. Huh.

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Speaker 4: As Now, if you would have seen her trying to

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Speaker 4: get through the mudd, you would be like, I'm surprised

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Speaker 4: to pass the second episode.

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Speaker 13: You see in the first episode, you saw how the

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Speaker 13: poker player helped her out. It kind of messed himself up.

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Speaker 13: So I just feel like, like, why are you doing

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Speaker 13: yourself a disservice by doing that? Like you you changed

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Speaker 13: her trajectory of the game, because if you didn't do that,

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Speaker 13: she'd have been out of me of the first episode.

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Speaker 2: And she kind of does like a lot of backstabbing

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Speaker 2: stuff on the show. So it does get a little

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Speaker 2: testy by next episode.

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Speaker 1: I will say, Yeah, and how long did y'all take for?

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Speaker 2: We were there for three and a half weeks in

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Speaker 2: a jungle.

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Speaker 13: I had one hundred bites on my legs from one

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Speaker 13: day San Flee's Mosquitos, and we had to like take

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Speaker 13: medication before we went out there. We had to take

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Speaker 13: anti malaria medication because you can really you know Panama,

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Speaker 13: that's where it really went down. Yeah, and you had

330
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Speaker 13: to get all types of shots, and what was the

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Speaker 13: hardest thing you had to do with the hardest The

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Speaker 13: hardest thing, I think was day one because we're thinking,

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Speaker 13: like I thought it was gonna be a cute little

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Speaker 13: game of go find the cases in the woods. So

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Speaker 13: they just tell you, they don't really tell you what's

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Speaker 13: coming up. So let's say, go around the corner, you'll

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Speaker 13: see the cases.

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Speaker 2: I'm like, all right, cool. You don't know what you're

339
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Speaker 2: up you're in for.

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Speaker 1: Remember the movie The.

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Speaker 13: Coliseum Gladiat Yeah, when they just you don't know what's

342
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Speaker 13: on the other side of the wall. They just open

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Speaker 13: up the gate and you have to just fight with

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Speaker 13: whatever's and they let us go into this pit. And

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Speaker 13: the very first step you take, you're waist deep in

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Speaker 13: mud and you don't know And have you ever tried

347
00:13:29,240 --> 00:13:32,719
Speaker 13: to navigate through mud that's waiste deep that has centipedes

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Speaker 13: in it. So it's really physically challenging, and then you

349
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Speaker 13: have to backstabbing elements.

350
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Speaker 2: So it's like mentally you have to be sharp, physically

351
00:13:39,000 --> 00:13:40,840
Speaker 2: you have to be sharp, and then socially, Oh.

352
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Speaker 1: So those people trying to take you out.

353
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Speaker 13: Yeah, so say you're in the bottom two of that challenge.

354
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Speaker 13: Say you're in the bottom. Say we're the bottom two

355
00:13:46,640 --> 00:13:49,880
Speaker 13: of the challenge, right, and one of us have to

356
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Speaker 13: play the banker.

357
00:13:51,240 --> 00:13:51,719
Speaker 2: Say it's you.

358
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Speaker 13: If you make a good deal, you get to stay on,

359
00:13:54,400 --> 00:13:56,560
Speaker 13: but you get to take anyone else that doesn't have immunity.

360
00:13:56,800 --> 00:13:58,120
Speaker 13: So you could just be petty and just take us

361
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Speaker 13: on as you think is like a strong competitor. If

362
00:14:00,400 --> 00:14:02,120
Speaker 13: you make a bad deal, then you go home. So

363
00:14:02,200 --> 00:14:04,160
Speaker 13: with that much money on the line, you're going to

364
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Speaker 13: like do whatever you like. You're going to be grinding

365
00:14:05,920 --> 00:14:08,160
Speaker 13: about it. So there's that that's happened. Like last night,

366
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Speaker 13: the brother got taken out by the old like old

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Speaker 13: white lady and it was really mean how she she

368
00:14:13,320 --> 00:14:15,079
Speaker 13: was saying like everything that he was so sneaky, but

369
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Speaker 13: she was a sneaky one.

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Speaker 1: Wow, it doesn't seem safe. You're talking scorpions and snakes.

371
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Speaker 1: It doesn't seem.

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Speaker 10: We did.

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Speaker 2: And while was they go, I don't know.

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Speaker 1: I don't know about this.

375
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Speaker 2: I could probably die here.

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Speaker 4: But you know that anybody who hurt hurt, like hurt

377
00:14:30,200 --> 00:14:31,240
Speaker 4: to the point where you had to take him to

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Speaker 4: The people got bit by snakes.

379
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Speaker 13: They had someone ride a driver walking around our camp

380
00:14:35,440 --> 00:14:38,120
Speaker 13: every night. That was a bowl constrictor catcher. So his

381
00:14:38,400 --> 00:14:40,240
Speaker 13: job was to catch the bowl constricted so they don't

382
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Speaker 13: go into our tents. We're sleeping in a tent.

383
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Speaker 1: Jesus Christ.

384
00:14:42,680 --> 00:14:45,240
Speaker 13: So yeah, when somebody got bit by one, oh yeah,

385
00:14:45,640 --> 00:14:47,600
Speaker 13: multiple dude got bit. You have to put your hands

386
00:14:47,640 --> 00:14:49,080
Speaker 13: in some things and then snakes will bite you.

387
00:14:49,800 --> 00:14:52,680
Speaker 1: You have to sign liability and wave like that.

388
00:14:52,880 --> 00:14:54,200
Speaker 13: But you got to do that on the Housewives, you

389
00:14:54,240 --> 00:14:55,840
Speaker 13: know what I mean, Like most reality shows, you have

390
00:14:55,920 --> 00:14:56,640
Speaker 13: to like sign off a.

391
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Speaker 1: Different type of snake, a different type of snake.

392
00:15:00,240 --> 00:15:01,960
Speaker 2: Yeah, but you can get tar up.

393
00:15:02,160 --> 00:15:04,000
Speaker 5: I want to ask you about Dealing no Deal back

394
00:15:04,040 --> 00:15:06,240
Speaker 5: in the day, when what was the semblance of you

395
00:15:06,640 --> 00:15:09,200
Speaker 5: hold in case number nine the first week, but then

396
00:15:09,320 --> 00:15:10,880
Speaker 5: being number one the rest of us. I don't know.

397
00:15:11,000 --> 00:15:12,760
Speaker 13: They just like changed me and I kind of liked

398
00:15:12,760 --> 00:15:14,120
Speaker 13: it because I was I feel like I was there

399
00:15:14,200 --> 00:15:16,280
Speaker 13: since day one, so kind of like it was sentimental.

400
00:15:16,560 --> 00:15:17,960
Speaker 13: But we met a lot of people do that. That's

401
00:15:17,960 --> 00:15:20,040
Speaker 13: when Trump came through that show, and because of that,

402
00:15:20,120 --> 00:15:21,800
Speaker 13: he put me on Celebrity Apprentice. I don't rock with

403
00:15:21,880 --> 00:15:24,000
Speaker 13: him anymore, but you know that show was it was

404
00:15:24,040 --> 00:15:25,680
Speaker 13: a big deal, Like you got to see people's lives

405
00:15:25,760 --> 00:15:28,960
Speaker 13: be changed from you know, winning crazy amounts of money.

406
00:15:29,160 --> 00:15:31,040
Speaker 2: All right, we got more with Claudia Jordan when we

407
00:15:31,160 --> 00:15:33,720
Speaker 2: come back, don't move. It's to Breakfast Club. Good morning,

408
00:15:34,440 --> 00:15:35,560
Speaker 2: the Breakfast Club.

409
00:15:38,000 --> 00:15:41,520
Speaker 4: Everybody is DJ Envy, Jess Hilarious, Charlamagne the guy. We

410
00:15:41,600 --> 00:15:44,160
Speaker 4: are the Breakfast Club. We're still kicking him with Claudia Jordan,

411
00:15:44,520 --> 00:15:45,280
Speaker 4: Charlamagne what.

412
00:15:45,400 --> 00:15:47,480
Speaker 1: Was more difficult this show or the two B movie

413
00:15:47,520 --> 00:15:53,560
Speaker 1: where you shot the whole family? Well, can I just

414
00:15:53,640 --> 00:15:54,320
Speaker 1: explain that.

415
00:15:57,160 --> 00:15:59,800
Speaker 2: I love, I love. I don't take y'all know, I

416
00:15:59,800 --> 00:16:02,560
Speaker 2: don't take myself seriously. So the rest of the movie

417
00:16:02,680 --> 00:16:03,200
Speaker 2: was decent.

418
00:16:03,280 --> 00:16:05,040
Speaker 13: It's just that it's like, you know, when they feel

419
00:16:05,040 --> 00:16:06,280
Speaker 13: like it feels like they run out of money at

420
00:16:06,280 --> 00:16:08,520
Speaker 13: the very end with the editing, because like the rest

421
00:16:08,520 --> 00:16:10,120
Speaker 13: of the movie has a good storyline.

422
00:16:10,280 --> 00:16:11,920
Speaker 2: When I thought, I was like, come on, dog, like

423
00:16:12,000 --> 00:16:18,760
Speaker 2: the gun didn't even move wat talking about she ain't

424
00:16:18,760 --> 00:16:20,600
Speaker 2: had no gun. It was a gun. It just didn't move,

425
00:16:22,360 --> 00:16:23,920
Speaker 2: do nothing. And the kid the way the kid got,

426
00:16:23,920 --> 00:16:29,080
Speaker 2: the kid just went And then I had to stop

427
00:16:29,160 --> 00:16:29,400
Speaker 2: the kid.

428
00:16:29,480 --> 00:16:31,480
Speaker 13: That was me Improbably I want to add the extra

429
00:16:31,560 --> 00:16:33,400
Speaker 13: stank of stopping on people after I shot them?

430
00:16:33,880 --> 00:16:36,920
Speaker 2: Was that too much mean for the character she was

431
00:16:36,960 --> 00:16:39,080
Speaker 2: playing though, the role she was playing the little girl, Well,

432
00:16:39,160 --> 00:16:39,600
Speaker 2: it's a boy.

433
00:16:39,840 --> 00:16:40,400
Speaker 1: The boy.

434
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Speaker 2: First of all, I'm in my man's in jail.

435
00:16:42,800 --> 00:16:43,480
Speaker 1: I wait for him.

436
00:16:43,720 --> 00:16:46,280
Speaker 13: Then when he gets out, he's screwing the parole officer

437
00:16:46,440 --> 00:16:48,120
Speaker 13: and and she and then when I go to jail

438
00:16:48,120 --> 00:16:49,440
Speaker 13: for shooting her on the leg, he don't wait for

439
00:16:49,520 --> 00:16:50,560
Speaker 13: me and then starts her family.

440
00:16:51,120 --> 00:16:56,680
Speaker 2: When you hear that, are not justified that I wanted

441
00:16:56,720 --> 00:16:57,320
Speaker 2: to have a kid.

442
00:16:57,680 --> 00:17:00,680
Speaker 13: Yeah, it's just like an episode of Snaps. Come home

443
00:17:00,720 --> 00:17:03,120
Speaker 13: to it, like that you wanted or whatever, and your

444
00:17:03,160 --> 00:17:04,840
Speaker 13: man ain't ne wait for you. You come home to

445
00:17:04,960 --> 00:17:07,240
Speaker 13: us when you wait for them, and now you can't

446
00:17:07,440 --> 00:17:11,040
Speaker 13: return the favor. Everyone gotta go, killing everybody. Even I

447
00:17:11,080 --> 00:17:12,600
Speaker 13: think I need to watch the rest of the movie

448
00:17:12,600 --> 00:17:16,080
Speaker 13: because I do want to know what happened, because everyone

449
00:17:16,280 --> 00:17:19,320
Speaker 13: everyone Snoop reposted it. Michael Blackson reposted just that scene.

450
00:17:19,320 --> 00:17:20,879
Speaker 2: So you just see that. You're like, what Claudie do

451
00:17:20,920 --> 00:17:25,920
Speaker 2: in this book? Fast forwards to that part? What's the

452
00:17:26,040 --> 00:17:26,399
Speaker 2: lead up?

453
00:17:26,480 --> 00:17:28,639
Speaker 13: Like, you gotta watch how I held him down, all

454
00:17:28,720 --> 00:17:29,920
Speaker 13: the things I had to deal with and with the

455
00:17:29,960 --> 00:17:30,520
Speaker 13: Pearl office.

456
00:17:30,560 --> 00:17:33,119
Speaker 2: She was so stank and then at the end she

457
00:17:33,200 --> 00:17:33,840
Speaker 2: gets my life.

458
00:17:34,240 --> 00:17:36,040
Speaker 1: Everyone gotta go. So that's the end of the movie.

459
00:17:36,040 --> 00:17:37,919
Speaker 1: That day before, Yeah, that's the very end.

460
00:17:40,840 --> 00:17:45,520
Speaker 4: Killing for a long time, but that's not Cloudia and

461
00:17:45,960 --> 00:17:48,359
Speaker 4: I did not know what I was like, I'm.

462
00:17:48,200 --> 00:17:50,560
Speaker 2: Glad Peop don't know. But now I proudly claim all

463
00:17:50,600 --> 00:17:52,320
Speaker 2: I want is you. Part one A, Part two please

464
00:17:52,359 --> 00:17:54,320
Speaker 2: go watch it on We run them numbers up and

465
00:17:54,359 --> 00:17:55,520
Speaker 2: I told you she about the shoot.

466
00:17:55,520 --> 00:17:57,720
Speaker 1: All I want is you three? Is it for real?

467
00:17:58,000 --> 00:18:01,000
Speaker 2: Part three? Put the money for it? I mean you

468
00:18:01,040 --> 00:18:01,560
Speaker 2: probably got it.

469
00:18:04,920 --> 00:18:06,639
Speaker 13: I don't pay more for that than I did when

470
00:18:07,160 --> 00:18:10,119
Speaker 13: some other stuff, I will say that, Yeah, they actually

471
00:18:10,160 --> 00:18:12,920
Speaker 13: broke brad people playing We sleep on two.

472
00:18:13,119 --> 00:18:15,000
Speaker 2: Some people getting like six figures to do those movie.

473
00:18:15,119 --> 00:18:17,000
Speaker 1: I want to do a to be movie. We want

474
00:18:17,040 --> 00:18:20,640
Speaker 1: to do it. It can be arranged, Yes, we want

475
00:18:20,680 --> 00:18:20,879
Speaker 1: to do it.

476
00:18:21,320 --> 00:18:22,359
Speaker 2: Can I shoot you the movie?

477
00:18:22,840 --> 00:18:23,080
Speaker 11: Yeah?

478
00:18:23,359 --> 00:18:27,359
Speaker 1: I got a whole screen shooting. But it's gonna be

479
00:18:27,400 --> 00:18:28,400
Speaker 1: bad on purpose though.

480
00:18:28,680 --> 00:18:28,720
Speaker 9: No.

481
00:18:28,960 --> 00:18:30,120
Speaker 2: But that's what makes listen.

482
00:18:30,280 --> 00:18:32,360
Speaker 13: That's what makes those two B movies good, Like when

483
00:18:32,400 --> 00:18:34,000
Speaker 13: you see like the mistakes and the editing, like I

484
00:18:34,080 --> 00:18:35,879
Speaker 13: have jeans on that I have black pants on, and

485
00:18:37,119 --> 00:18:38,360
Speaker 13: that's what makes the great.

486
00:18:38,480 --> 00:18:39,040
Speaker 10: That's funny.

487
00:18:39,359 --> 00:18:41,119
Speaker 1: I don't even want problem. I don't use my fingers.

488
00:18:42,720 --> 00:18:45,399
Speaker 13: I see one like that, like the guy and he

489
00:18:45,520 --> 00:18:46,840
Speaker 13: was this far away and he was like doing that

490
00:18:47,760 --> 00:18:49,680
Speaker 13: type of stuff. But that's what makes you go and

491
00:18:49,800 --> 00:18:52,000
Speaker 13: watch it. That's gonna make you go and watch TV.

492
00:18:52,400 --> 00:18:53,880
Speaker 13: I have an idea I want to do. I want

493
00:18:53,880 --> 00:18:56,479
Speaker 13: to and I'm gonna say this no, maybe because I'm

494
00:18:56,480 --> 00:18:57,879
Speaker 13: not gonna Still I'm gonna do it, though, But I

495
00:18:58,000 --> 00:18:59,440
Speaker 13: need I need the tow B movies to get the

496
00:18:59,520 --> 00:19:02,359
Speaker 13: recognition and that they should get for best worth Acting,

497
00:19:02,640 --> 00:19:03,480
Speaker 13: Best Worth Killing.

498
00:19:05,560 --> 00:19:06,360
Speaker 2: Yeah exactly.

499
00:19:06,600 --> 00:19:08,240
Speaker 1: Used to have something like that. What was it called.

500
00:19:11,760 --> 00:19:13,480
Speaker 2: But on top of that show, I also got College Hill.

501
00:19:13,480 --> 00:19:19,240
Speaker 2: I just wrapped College Hills. Yeah, I Miller, Damn.

502
00:19:21,600 --> 00:19:25,760
Speaker 13: Corlins, Miller, Saucy Santana Black China, and Nick Young.

503
00:19:26,000 --> 00:19:27,760
Speaker 2: It was only six of us this time, and it

504
00:19:27,920 --> 00:19:30,880
Speaker 2: was very it was interesting. It was a lot. It's very,

505
00:19:31,119 --> 00:19:31,600
Speaker 2: very hard.

506
00:19:31,840 --> 00:19:33,640
Speaker 1: Why did you go back? You graduated from?

507
00:19:33,720 --> 00:19:36,159
Speaker 2: I actually had one year left. That's what started my modeling.

508
00:19:36,880 --> 00:19:39,360
Speaker 13: I had one year left. I transferred to Long Island University.

509
00:19:39,440 --> 00:19:41,600
Speaker 13: I was behind on money, so I said, let me

510
00:19:41,840 --> 00:19:43,200
Speaker 13: just be a model, flick a year or two and

511
00:19:43,320 --> 00:19:45,040
Speaker 13: go back. And I never went back and just started

512
00:19:45,080 --> 00:19:45,880
Speaker 13: a thirty year career.

513
00:19:46,600 --> 00:19:47,840
Speaker 2: So I did complete it.

514
00:19:47,920 --> 00:19:48,560
Speaker 1: So it was hard.

515
00:19:48,640 --> 00:19:49,320
Speaker 2: It's real school.

516
00:19:49,320 --> 00:19:51,159
Speaker 13: Any celebrities I want to go in there, don't go

517
00:19:51,440 --> 00:19:53,720
Speaker 13: if you can't read, and don't go if you don't

518
00:19:53,840 --> 00:19:55,480
Speaker 13: really want to do the work, because you will get exposed.

519
00:19:55,600 --> 00:19:58,679
Speaker 13: What do you think about Real Housewives, though you never

520
00:19:58,760 --> 00:20:01,200
Speaker 13: thought about going back, Like what if they were to

521
00:20:01,400 --> 00:20:04,399
Speaker 13: you know, well, I would do it now, but I

522
00:20:04,680 --> 00:20:06,200
Speaker 13: you know, I would do it now. I get asked

523
00:20:06,240 --> 00:20:07,680
Speaker 13: that a lot. And then the people that don't like

524
00:20:07,880 --> 00:20:09,080
Speaker 13: ain't nobody asks you if you want.

525
00:20:09,000 --> 00:20:09,399
Speaker 1: To go back on?

526
00:20:09,520 --> 00:20:11,399
Speaker 2: But I get asked, like you would ask me that?

527
00:20:11,560 --> 00:20:11,800
Speaker 1: Please?

528
00:20:11,880 --> 00:20:15,480
Speaker 2: Literally no one asked me. I ask her I don't

529
00:20:15,480 --> 00:20:16,080
Speaker 2: want to ask me.

530
00:20:16,280 --> 00:20:19,920
Speaker 13: I wanted to, but I was like, I'm begging to

531
00:20:19,960 --> 00:20:21,520
Speaker 13: get on on Thursday, right, I'm gonna go do what

532
00:20:21,800 --> 00:20:24,879
Speaker 13: happens live later on tonight. Yeah, I'm in a different

533
00:20:24,920 --> 00:20:27,119
Speaker 13: place now, have like that show, like you have to

534
00:20:27,160 --> 00:20:28,760
Speaker 13: have more of a glamorous life. At the time, I

535
00:20:28,960 --> 00:20:31,800
Speaker 13: was like on a radio show like early on. Uh,

536
00:20:31,920 --> 00:20:34,160
Speaker 13: the pay wasn't crazy where I was like a baller.

537
00:20:34,320 --> 00:20:35,639
Speaker 13: I was doing all right, you know what I mean.

538
00:20:36,520 --> 00:20:38,520
Speaker 13: I have the things now and I have a reason.

539
00:20:38,520 --> 00:20:40,639
Speaker 13: I'm going to Atlanta. I'm working with this, uh the

540
00:20:40,720 --> 00:20:42,879
Speaker 13: streaming network. I'm help them build up some shows out

541
00:20:42,920 --> 00:20:44,760
Speaker 13: there as well, so I have a reason go out there.

542
00:20:44,800 --> 00:20:46,840
Speaker 13: I would I would like them to do a Dallas

543
00:20:46,920 --> 00:20:49,440
Speaker 13: reboot with black women. You know, they had a real

544
00:20:49,480 --> 00:20:51,840
Speaker 13: housewives of Dallas and it you know, it didn't have

545
00:20:51,920 --> 00:20:54,640
Speaker 13: anybody of color there, which if anyone who's been to Dallas,

546
00:20:54,680 --> 00:20:57,760
Speaker 13: there's a lot of wealthy black women. All my friends

547
00:20:57,880 --> 00:20:59,960
Speaker 13: like I'm like the least successful of my friends like that.

548
00:21:00,119 --> 00:21:03,120
Speaker 2: All balling. They all businesses, they have businesses.

549
00:21:03,280 --> 00:21:05,280
Speaker 5: Y'all read something the other day and it said, uh,

550
00:21:05,880 --> 00:21:07,639
Speaker 5: I want to say. It says the most millionaires in

551
00:21:07,680 --> 00:21:11,800
Speaker 5: America in dahliaship, like almost almost a million millionaires.

552
00:21:11,800 --> 00:21:12,320
Speaker 2: That's a lot.

553
00:21:12,640 --> 00:21:12,920
Speaker 8: I don't know.

554
00:21:13,200 --> 00:21:16,480
Speaker 1: It was a crazy Now.

555
00:21:15,320 --> 00:21:16,920
Speaker 13: There's a lot of money in Dallas, and the black

556
00:21:16,960 --> 00:21:19,760
Speaker 13: woman there got it going on, like they really really do.

557
00:21:20,040 --> 00:21:23,280
Speaker 13: Like they have house husbands out there. You know that's

558
00:21:23,400 --> 00:21:25,640
Speaker 13: put them in other ways. So you see a lot

559
00:21:25,720 --> 00:21:28,520
Speaker 13: of that and they have real money here.

560
00:21:28,600 --> 00:21:31,560
Speaker 1: Y'all. It's Claudia Jordan. Appreciate you for joining us.

561
00:21:31,560 --> 00:21:33,960
Speaker 2: Always a pleasure, y'all. I'm very happy for y'all, so

562
00:21:34,200 --> 00:21:34,840
Speaker 2: thanks having me.

563
00:21:35,680 --> 00:21:38,320
Speaker 1: It's the Breakfast Club, Claudia, Joe. You're checking out the

564
00:21:38,400 --> 00:21:40,400
Speaker 1: Breakfast Club. Everybody.

565
00:21:40,480 --> 00:21:43,919
Speaker 4: It's DJ Envy Jess, Hilarious, Charlamage, the gud We are

566
00:21:44,000 --> 00:21:46,639
Speaker 4: the Breakfast Club. If you're just joining us, we're asking

567
00:21:46,760 --> 00:21:47,359
Speaker 4: eight hundred and.

568
00:21:47,400 --> 00:21:48,879
Speaker 1: Five A five one five one.

569
00:21:49,200 --> 00:21:51,480
Speaker 4: We want all our ladies to call, and we're asking,

570
00:21:51,560 --> 00:21:53,840
Speaker 4: what's the biggest lie you told a man?

571
00:21:53,960 --> 00:21:57,119
Speaker 5: Let me tell you that man being a brother and

572
00:21:57,520 --> 00:21:59,800
Speaker 5: a niece. You know, to hear these women in the

573
00:22:00,119 --> 00:22:02,280
Speaker 5: did Davy telling Taylor came in here just now, just

574
00:22:02,359 --> 00:22:03,840
Speaker 5: told another lie for no reason? She said, what you

575
00:22:03,880 --> 00:22:05,720
Speaker 5: should told him is you're the only man. I'm talking

576
00:22:05,800 --> 00:22:05,920
Speaker 5: to you.

577
00:22:06,240 --> 00:22:08,280
Speaker 13: That's a good one, though, you know what I'm saying.

578
00:22:09,960 --> 00:22:13,000
Speaker 13: Just use that life and being a brother and a niece.

579
00:22:14,320 --> 00:22:15,920
Speaker 13: You said being a brother and a niece.

580
00:22:16,040 --> 00:22:17,760
Speaker 1: I meant to say being a brother and brother.

581
00:22:19,720 --> 00:22:22,119
Speaker 2: You know what you gotta tell us was going on?

582
00:22:24,119 --> 00:22:26,280
Speaker 1: Jesus, Taylor. Taylor, tell him the lie you told about

583
00:22:26,280 --> 00:22:28,720
Speaker 1: the Orgather. Don't act like you wasn't in there. You'll

584
00:22:28,720 --> 00:22:29,280
Speaker 1: thought I wasn't.

585
00:22:29,800 --> 00:22:32,439
Speaker 2: I ain't you just be like you need?

586
00:22:33,440 --> 00:22:34,560
Speaker 1: Why would you lie like that?

587
00:22:34,800 --> 00:22:35,000
Speaker 3: Yeah?

588
00:22:35,080 --> 00:22:35,360
Speaker 9: I ain't.

589
00:22:35,359 --> 00:22:38,359
Speaker 1: Never tell her lied to be like that too. Oh

590
00:22:38,480 --> 00:22:41,200
Speaker 1: my god, you never heard the story? Yes, no, I

591
00:22:41,320 --> 00:22:43,639
Speaker 1: never done. You like to repeat this on? Go ahead,

592
00:22:43,640 --> 00:22:47,240
Speaker 1: don't tell him this story again. Twenty five years she ain't.

593
00:22:48,760 --> 00:22:51,760
Speaker 4: Oh my god, twenty five years beginning our relationship, I

594
00:22:51,800 --> 00:22:54,960
Speaker 4: could not make my wife orgasm through penetration, just through

595
00:22:54,960 --> 00:22:55,280
Speaker 4: the mouth.

596
00:22:55,400 --> 00:22:57,280
Speaker 1: Oh my god. She would lie and say she was

597
00:22:57,600 --> 00:22:58,280
Speaker 1: having a no organs.

598
00:22:58,359 --> 00:22:58,720
Speaker 10: How long?

599
00:22:58,880 --> 00:23:00,600
Speaker 1: It wasn't that long? You said it was a decade,

600
00:23:00,800 --> 00:23:02,359
Speaker 1: and she was close to it was. It was a

601
00:23:02,400 --> 00:23:02,800
Speaker 1: long time.

602
00:23:02,880 --> 00:23:06,240
Speaker 4: But I was her first, so you reached each other's first.

603
00:23:06,240 --> 00:23:07,879
Speaker 4: So we didn't know what we were doing with explore

604
00:23:07,880 --> 00:23:08,520
Speaker 4: each other's body.

605
00:23:08,560 --> 00:23:10,800
Speaker 1: So I didn't know. And one day in the argument,

606
00:23:10,880 --> 00:23:12,880
Speaker 1: she told me, what is the point of women lying

607
00:23:12,920 --> 00:23:13,280
Speaker 1: about that?

608
00:23:13,400 --> 00:23:13,560
Speaker 10: Though?

609
00:23:13,720 --> 00:23:15,560
Speaker 1: Because how can I get better and give you what

610
00:23:15,680 --> 00:23:16,600
Speaker 1: you need if you don't tell me?

611
00:23:16,920 --> 00:23:17,639
Speaker 2: You know, a lot of.

612
00:23:17,680 --> 00:23:20,359
Speaker 13: Times the woman just likes to make the guy, you know,

613
00:23:20,640 --> 00:23:23,320
Speaker 13: please feel good, and we like to please the guy. Honestly,

614
00:23:23,680 --> 00:23:26,080
Speaker 13: we'd be so scared to hurt y'all feelings because y'all

615
00:23:26,160 --> 00:23:30,000
Speaker 13: like bitches. So a lot of times, you know, really

616
00:23:30,119 --> 00:23:33,440
Speaker 13: do not like a man's feelings is hurt way more,

617
00:23:33,560 --> 00:23:35,080
Speaker 13: I mean, way quicker than a woman's.

618
00:23:35,200 --> 00:23:38,240
Speaker 2: Yeah, you know, it's just that we we show it more.

619
00:23:38,680 --> 00:23:40,600
Speaker 13: But y'all that that can hurt y'all, like you know,

620
00:23:40,680 --> 00:23:42,400
Speaker 13: and I know that her envy when his wife said

621
00:23:42,400 --> 00:23:44,520
Speaker 13: that in an argument did It's like, damn, yo, So

622
00:23:44,560 --> 00:23:46,000
Speaker 13: you've been faking it all this time, you know what

623
00:23:46,000 --> 00:23:46,239
Speaker 13: I mean.

624
00:23:46,880 --> 00:23:49,679
Speaker 4: But it made the relationship strong because now you can

625
00:23:49,760 --> 00:23:53,160
Speaker 4: figure out what exactly what she likes, what she doesn't

626
00:23:53,280 --> 00:23:55,399
Speaker 4: like and whatever, because you know, like I said, I

627
00:23:55,520 --> 00:23:57,280
Speaker 4: learned sex watching poor and you just go and bang

628
00:23:57,920 --> 00:23:58,960
Speaker 4: bang you realize.

629
00:23:58,720 --> 00:24:00,720
Speaker 2: And that's what you think. That's how it is.

630
00:24:01,040 --> 00:24:04,000
Speaker 1: So, especially depending on what kind of point he was watching, are.

631
00:24:03,960 --> 00:24:07,600
Speaker 13: Her feelings he was feeling? She did she didn't want

632
00:24:07,600 --> 00:24:09,639
Speaker 13: to hurt his feelings, and that's mostly what it is.

633
00:24:09,680 --> 00:24:11,800
Speaker 13: But I've never lied about that because I need mine.

634
00:24:12,160 --> 00:24:15,359
Speaker 1: That's what I'm saying. Hello, who's this?

635
00:24:15,920 --> 00:24:16,640
Speaker 9: This is Sharita.

636
00:24:16,760 --> 00:24:19,480
Speaker 1: Good morning, Sharida. What's the biggest lie you told? Sharida

637
00:24:19,560 --> 00:24:23,600
Speaker 1: the morning liar, I'm gonna scorpi.

638
00:24:23,720 --> 00:24:30,280
Speaker 2: On course, I lie, absolutely, so I lied to my parents.

639
00:24:30,760 --> 00:24:32,399
Speaker 11: I met a guy who in the chat line with

640
00:24:32,520 --> 00:24:35,080
Speaker 11: my cousins and my friends, and then I lied to

641
00:24:35,160 --> 00:24:37,560
Speaker 11: my parents and told him I met him at like

642
00:24:37,680 --> 00:24:40,760
Speaker 11: an honors program and that I really liked him and

643
00:24:40,800 --> 00:24:41,680
Speaker 11: he was a nice guy.

644
00:24:41,840 --> 00:24:42,720
Speaker 15: I was fifteen.

645
00:24:42,840 --> 00:24:44,800
Speaker 11: I told him I was seventeen, and I told my

646
00:24:44,960 --> 00:24:48,639
Speaker 11: parents my cousins, my aunt, all my friends, everybody, like,

647
00:24:48,720 --> 00:24:50,520
Speaker 11: we gotta stick with the story because I love him.

648
00:24:50,800 --> 00:24:51,680
Speaker 1: How old was this man?

649
00:24:52,160 --> 00:24:52,720
Speaker 3: He was.

650
00:24:54,400 --> 00:24:55,119
Speaker 8: Turning nineteen?

651
00:24:55,400 --> 00:24:56,960
Speaker 1: You know, you could have got that man locked up.

652
00:24:57,600 --> 00:25:01,480
Speaker 1: That's a charge my parents, I told you, But my parents,

653
00:25:01,800 --> 00:25:03,040
Speaker 1: But did he know you was fifteen?

654
00:25:03,440 --> 00:25:05,480
Speaker 12: I mean he found out when my little niece that.

655
00:25:05,600 --> 00:25:06,520
Speaker 9: Was six told on me.

656
00:25:06,720 --> 00:25:09,440
Speaker 1: Now, come on, you could have got this man a lot.

657
00:25:10,400 --> 00:25:13,240
Speaker 1: You could have got this man locked up being nineteen.

658
00:25:12,960 --> 00:25:16,240
Speaker 12: Years right, But like I said, I understand that, but

659
00:25:16,359 --> 00:25:17,399
Speaker 12: I covered my faces.

660
00:25:17,440 --> 00:25:18,399
Speaker 7: I went to my parents.

661
00:25:18,480 --> 00:25:20,040
Speaker 8: I explained, the situation.

662
00:25:21,320 --> 00:25:23,680
Speaker 2: Is sneeven, she said. She told her aunts, anytbody, look,

663
00:25:23,880 --> 00:25:25,679
Speaker 2: I you know that I.

664
00:25:25,840 --> 00:25:29,280
Speaker 7: Hold him and like, I love him, and I got

665
00:25:29,440 --> 00:25:32,040
Speaker 7: to tell him myself, and my parents was like, all right,

666
00:25:32,119 --> 00:25:32,680
Speaker 7: we trust you.

667
00:25:32,760 --> 00:25:34,600
Speaker 12: And they met him and they met his parents, and

668
00:25:35,280 --> 00:25:37,199
Speaker 12: eventually he found out, and you know.

669
00:25:37,560 --> 00:25:39,360
Speaker 7: I mean, he was a little mad.

670
00:25:39,280 --> 00:25:40,680
Speaker 8: But it was kind of after the fact.

671
00:25:40,800 --> 00:25:42,840
Speaker 2: So because he was already in love with your little ass.

672
00:25:42,920 --> 00:25:46,720
Speaker 1: This is not normal. That's not normal the fact, and

673
00:25:46,840 --> 00:25:48,560
Speaker 1: I saying, what happened with the guy? Where's he at now?

674
00:25:50,119 --> 00:25:56,879
Speaker 2: In jail? Cassie was hey girl, Now what's the biggest

675
00:25:56,880 --> 00:25:57,520
Speaker 2: lie you told him?

676
00:25:59,080 --> 00:26:02,560
Speaker 7: Okay, the biggest live first, k y'all some morning again.

677
00:26:04,840 --> 00:26:07,639
Speaker 7: All right, my biggest lie back in the day. I

678
00:26:07,680 --> 00:26:10,520
Speaker 7: don't know if y'all remember, like the Loop the Raven.

679
00:26:10,600 --> 00:26:13,040
Speaker 7: It was like a phone called type thing you are calling.

680
00:26:13,680 --> 00:26:15,480
Speaker 7: It was like a baiting thing, but it was like

681
00:26:15,560 --> 00:26:19,400
Speaker 7: over the phone. I probably was like fifteen years old.

682
00:26:19,440 --> 00:26:22,040
Speaker 7: I'm lying. I told this boy that I was in

683
00:26:22,160 --> 00:26:24,040
Speaker 7: see era music video. I was one of her back

684
00:26:24,119 --> 00:26:27,080
Speaker 7: up there to sub clime it. MINDI I'm fifteen. I'm

685
00:26:27,080 --> 00:26:29,600
Speaker 7: a short, little fat little church girl. I'm telling him

686
00:26:30,200 --> 00:26:32,399
Speaker 7: I'm a little backup there to see every video. And

687
00:26:32,480 --> 00:26:34,640
Speaker 7: I know how to do the microphone pole trick after

688
00:26:34,760 --> 00:26:37,560
Speaker 7: dance on the pole and he went ready. He's telling

689
00:26:37,640 --> 00:26:39,520
Speaker 7: all his friends about it. He went with it.

690
00:26:39,760 --> 00:26:41,760
Speaker 1: So you told him he was a little big backup dancer.

691
00:26:43,480 --> 00:26:43,720
Speaker 3: I was.

692
00:26:46,560 --> 00:26:47,680
Speaker 1: Big back back up there.

693
00:26:50,400 --> 00:26:52,760
Speaker 7: I was a big I was a big, big back

694
00:26:52,840 --> 00:26:54,840
Speaker 7: back up there. And he went with it, and he

695
00:26:55,040 --> 00:26:56,639
Speaker 7: was and were like a.

696
00:26:56,680 --> 00:26:57,359
Speaker 5: D two games.

697
00:26:57,400 --> 00:26:59,920
Speaker 7: I'm telling I'm on the road, I'm doing different city.

698
00:27:00,040 --> 00:27:02,720
Speaker 7: Don't shoot. I'm like, you gotta zoom, man, I want

699
00:27:02,760 --> 00:27:03,120
Speaker 7: to last.

700
00:27:03,119 --> 00:27:06,880
Speaker 1: I'm want to last boy women, How old is the man?

701
00:27:08,280 --> 00:27:10,400
Speaker 7: It was about nineteen twenty at the time. We're still

702
00:27:10,520 --> 00:27:13,720
Speaker 7: friends for to say for him? You know what, y'all

703
00:27:13,760 --> 00:27:14,000
Speaker 7: I am?

704
00:27:14,680 --> 00:27:15,440
Speaker 1: But hell what?

705
00:27:15,800 --> 00:27:15,960
Speaker 3: Hell?

706
00:27:16,160 --> 00:27:16,560
Speaker 1: I don't know.

707
00:27:18,200 --> 00:27:19,560
Speaker 7: I don't know this sort. He don't know.

708
00:27:20,240 --> 00:27:21,200
Speaker 1: You know you're fifteen.

709
00:27:22,600 --> 00:27:24,480
Speaker 7: No, you didn't know none of that at the time.

710
00:27:25,040 --> 00:27:27,960
Speaker 1: Y'all get y'all gonna get these men like man, all right?

711
00:27:28,000 --> 00:27:28,480
Speaker 12: What size?

712
00:27:28,520 --> 00:27:30,600
Speaker 7: What size you is? Now?

713
00:27:30,760 --> 00:27:31,120
Speaker 1: Oh? Boy?

714
00:27:31,800 --> 00:27:34,680
Speaker 7: Ah, why I'm working on it?

715
00:27:34,920 --> 00:27:36,600
Speaker 1: Is the back? Is the back big or not?

716
00:27:37,200 --> 00:27:38,800
Speaker 7: The backs went down? The back flop?

717
00:27:38,840 --> 00:27:41,080
Speaker 1: Okay, so it's the medium's bigger.

718
00:27:43,359 --> 00:27:45,159
Speaker 7: You know, you know when you're y'all just go to

719
00:27:45,240 --> 00:27:45,920
Speaker 7: that opposite.

720
00:27:46,040 --> 00:27:48,000
Speaker 2: So I'm grown now, Okay, that's what's up?

721
00:27:48,040 --> 00:27:48,240
Speaker 6: Girl?

722
00:27:49,560 --> 00:27:50,280
Speaker 1: Hello? Who's this?

723
00:27:51,080 --> 00:27:51,920
Speaker 15: I don't want to say?

724
00:27:52,320 --> 00:27:54,360
Speaker 2: Oh boy, all right, what's the biggest lie?

725
00:27:54,600 --> 00:27:58,960
Speaker 15: So I lied last time I had said, say it again.

726
00:27:59,440 --> 00:28:00,760
Speaker 8: I lied about the last.

727
00:28:00,640 --> 00:28:03,440
Speaker 1: Time, about the last time she had sex?

728
00:28:03,640 --> 00:28:04,760
Speaker 2: Okay, what did you tell me?

729
00:28:04,840 --> 00:28:05,720
Speaker 1: What was the last time?

730
00:28:06,280 --> 00:28:09,200
Speaker 15: So I was pursuing the blue guy, but I was

731
00:28:09,240 --> 00:28:12,040
Speaker 15: still messing with my eggs, and so when it came

732
00:28:12,200 --> 00:28:14,399
Speaker 15: time to like move to the next step, you know,

733
00:28:14,520 --> 00:28:16,520
Speaker 15: I was like, oh, you know I can say to myself,

734
00:28:16,560 --> 00:28:19,600
Speaker 15: I haven't said for like a year, but in reality,

735
00:28:19,680 --> 00:28:22,879
Speaker 15: I was still messing with my eggs, so you know,

736
00:28:23,480 --> 00:28:26,120
Speaker 15: I felt bad. But yeah, that's what I lied about.

737
00:28:26,920 --> 00:28:29,200
Speaker 1: That's the biggest lie. That's the biggest lie.

738
00:28:29,800 --> 00:28:35,720
Speaker 2: Yeah, Actually, you're a great person. She puts me a

739
00:28:35,760 --> 00:28:36,480
Speaker 2: shame question.

740
00:28:36,600 --> 00:28:39,080
Speaker 1: Let me ask you a question. I'm hanging up on

741
00:28:39,200 --> 00:28:39,960
Speaker 1: people so fast.

742
00:28:42,280 --> 00:28:44,760
Speaker 9: Hello, is this from Jersey?

743
00:28:45,960 --> 00:28:50,120
Speaker 1: What's the biggest lie? You then told it's but when

744
00:28:50,160 --> 00:28:53,360
Speaker 1: I was younger, I was pregnant money.

745
00:28:54,040 --> 00:28:55,440
Speaker 5: First of all, I don't like how you just say that,

746
00:28:55,520 --> 00:28:57,760
Speaker 5: like that's just a nonchalant lie, like every woman says

747
00:28:57,800 --> 00:28:58,400
Speaker 5: once in a while.

748
00:28:58,960 --> 00:29:02,840
Speaker 1: Okay, well she was pregnant some abortion money? Well, yes,

749
00:29:03,000 --> 00:29:04,680
Speaker 1: that is eli. Who are you talking about?

750
00:29:04,960 --> 00:29:06,720
Speaker 2: Yeah, the oven with the other way around his words.

751
00:29:06,760 --> 00:29:08,600
Speaker 13: When you're really pregnant, you telling you got an abortion,

752
00:29:08,800 --> 00:29:10,720
Speaker 13: that's horrible because that's a new life. But when you're

753
00:29:10,760 --> 00:29:14,080
Speaker 13: not pregnant, I'm pregnant, just throw me five hundred thank

754
00:29:14,160 --> 00:29:14,560
Speaker 13: you up.

755
00:29:14,640 --> 00:29:16,600
Speaker 2: We lost that, Like you know what I'm saying. That

756
00:29:16,920 --> 00:29:19,240
Speaker 2: was a lot growing up in the urban community.

757
00:29:19,240 --> 00:29:21,960
Speaker 1: Why not just for the money you're already giving me.

758
00:29:22,560 --> 00:29:26,160
Speaker 1: You're giving me an abortion.

759
00:29:26,240 --> 00:29:27,560
Speaker 4: Most dudes can be like, they're gonna comeup with that

760
00:29:27,640 --> 00:29:30,040
Speaker 4: money regardless if you just got somebody for.

761
00:29:30,040 --> 00:29:34,360
Speaker 2: Five Nah, No, abortion is motivation money for it.

762
00:29:36,440 --> 00:29:37,600
Speaker 5: No, no, no, no.

763
00:29:39,840 --> 00:29:41,720
Speaker 12: I just said you want and let's tell people shooting,

764
00:29:41,920 --> 00:29:44,280
Speaker 12: So I's gonna look up anyway. So I just try

765
00:29:44,360 --> 00:29:45,280
Speaker 12: to get some money as a.

766
00:29:45,280 --> 00:29:45,640
Speaker 9: Part of this.

767
00:29:46,720 --> 00:29:48,560
Speaker 1: You said you knew he was doing what he was.

768
00:29:49,400 --> 00:29:50,800
Speaker 1: Oh got you got you? Got you?

769
00:29:51,200 --> 00:29:53,680
Speaker 2: Well, look I was with you before at one time,

770
00:29:54,040 --> 00:29:55,200
Speaker 2: but you're different now, right.

771
00:29:55,640 --> 00:29:57,200
Speaker 8: Oh definitely, I'm way older now.

772
00:29:57,680 --> 00:29:59,320
Speaker 2: Girl. Yes, it's the more power to you because I

773
00:29:59,400 --> 00:29:59,800
Speaker 2: was right on that.

774
00:30:00,000 --> 00:30:01,840
Speaker 1: Ain't rule with you when the hell of border started calling.

775
00:30:02,560 --> 00:30:05,680
Speaker 13: They've been finding out for the last one five six years.

776
00:30:05,760 --> 00:30:09,560
Speaker 13: They yeah, definitely, and then each one is different. You

777
00:30:09,600 --> 00:30:11,440
Speaker 13: get you know, you got the pill, one you got

778
00:30:11,480 --> 00:30:14,480
Speaker 13: the vacuum, and then it's like another. It's three different

779
00:30:14,520 --> 00:30:17,280
Speaker 13: types of them, really absolutely, not that I've had them all,

780
00:30:17,360 --> 00:30:19,240
Speaker 13: but I know because I dropped off a couple of

781
00:30:19,240 --> 00:30:19,600
Speaker 13: bitches and.

782
00:30:21,200 --> 00:30:23,640
Speaker 1: My friends, my friend, my friends and my friends. What's

783
00:30:23,680 --> 00:30:25,320
Speaker 1: the more less story? Women be lying?

784
00:30:25,840 --> 00:30:30,080
Speaker 2: Don't lie, don't don't lie. You know, I don't know.

785
00:30:30,240 --> 00:30:31,959
Speaker 13: I can't even say, don't lie, because everybody lie when

786
00:30:31,960 --> 00:30:33,760
Speaker 13: they're young. Just grow up and then look back and

787
00:30:33,840 --> 00:30:34,800
Speaker 13: be like sorry, that's it.

788
00:30:35,800 --> 00:30:36,040
Speaker 16: That's it.

789
00:30:36,440 --> 00:30:42,600
Speaker 1: Breakfast cloak a Boarding the Breakfast Club. Morning Everybody.

790
00:30:42,680 --> 00:30:46,040
Speaker 4: It's DJ NV, Jess Hilary, Charlamagne, the guy. We are

791
00:30:46,080 --> 00:30:46,920
Speaker 4: the Breakfast Club.

792
00:30:47,240 --> 00:30:49,240
Speaker 16: We got a special guess in the building, the brother.

793
00:30:49,160 --> 00:30:49,840
Speaker 1: Chip y.

794
00:30:52,120 --> 00:30:54,840
Speaker 16: Man because get downstairs called me Cisco Bean. I thought

795
00:30:54,880 --> 00:30:59,640
Speaker 16: that was guy, got Cisco Bean down here. It's Cisco

796
00:30:59,800 --> 00:31:01,240
Speaker 16: being y'all.

797
00:31:01,360 --> 00:31:03,240
Speaker 1: Was in time for the we Didn't Wares Comedy Tour.

798
00:31:03,240 --> 00:31:05,880
Speaker 1: How that's going, man, it's going smooth man, It's it's dope.

799
00:31:05,920 --> 00:31:06,080
Speaker 14: You know.

800
00:31:06,200 --> 00:31:09,280
Speaker 16: We uh just did the Barclays, We did Memphis and Biloxi.

801
00:31:09,640 --> 00:31:11,600
Speaker 16: So it's been dope. Man, it's been dope, especially in

802
00:31:11,680 --> 00:31:14,240
Speaker 16: this time when all of the comedians it's beefing.

803
00:31:14,320 --> 00:31:16,880
Speaker 1: It shows camaraderie that is still love and you know

804
00:31:17,320 --> 00:31:18,560
Speaker 1: it's dope. Man. Who's on the show.

805
00:31:18,600 --> 00:31:22,440
Speaker 16: Good time for people like myself, lows Fly, Little Duval,

806
00:31:22,800 --> 00:31:25,880
Speaker 16: d Ray, Mike Epps, Mojo Brooks and money Bag Mafia

807
00:31:26,400 --> 00:31:26,960
Speaker 16: dates as well.

808
00:31:28,040 --> 00:31:31,360
Speaker 1: You got the ogs, you got the now you know

809
00:31:31,400 --> 00:31:33,880
Speaker 1: what I mean. Yeah, they give you a lot of game. Yeah, yeah,

810
00:31:33,920 --> 00:31:34,240
Speaker 1: for sure.

811
00:31:34,320 --> 00:31:36,880
Speaker 16: You know, you we have relationships with these people already

812
00:31:36,880 --> 00:31:38,120
Speaker 16: being as that we work with them, but when you

813
00:31:38,240 --> 00:31:40,000
Speaker 16: go on a tour, it's a different level of access

814
00:31:40,080 --> 00:31:41,560
Speaker 16: that you get. You get to see how people move

815
00:31:41,880 --> 00:31:44,040
Speaker 16: in a different capacity. So we learned a lot from

816
00:31:44,120 --> 00:31:45,960
Speaker 16: you know, like d Ray and Mike and Duvald and

817
00:31:46,000 --> 00:31:48,920
Speaker 16: all that, and then they also learned certain aspects from us,

818
00:31:48,960 --> 00:31:50,400
Speaker 16: from the way that we move because you know, all

819
00:31:50,440 --> 00:31:53,200
Speaker 16: three of us come from doing this together all the time.

820
00:31:53,360 --> 00:31:55,959
Speaker 16: So it's just certain levels of camaraderie they see amongst

821
00:31:56,040 --> 00:31:57,000
Speaker 16: us that they get to learn too.

822
00:31:57,080 --> 00:31:58,520
Speaker 1: So it's a dope and dope experience.

823
00:31:58,720 --> 00:32:00,240
Speaker 2: I don't know what's next to eighty five out.

824
00:32:00,560 --> 00:32:02,280
Speaker 16: Man, Stop talking to me like you don't know me,

825
00:32:03,560 --> 00:32:07,320
Speaker 16: you don't get a job, Like, let me tell you

826
00:32:07,320 --> 00:32:09,200
Speaker 16: about Jess, Man, let me tell you about it.

827
00:32:09,240 --> 00:32:09,840
Speaker 1: I don't want to hear that.

828
00:32:10,200 --> 00:32:11,840
Speaker 16: Let me tell you about Jess. To day I buried

829
00:32:11,920 --> 00:32:14,040
Speaker 16: my mama. Right, I'm walking down the street. I'm walking

830
00:32:14,040 --> 00:32:15,959
Speaker 16: down the street. Somebody's like, she go bean, I'm like, hey,

831
00:32:15,960 --> 00:32:17,680
Speaker 16: how you doing. She looked like, you don't know who

832
00:32:17,720 --> 00:32:19,080
Speaker 16: I am? And I looked at seeing it was her

833
00:32:19,200 --> 00:32:21,000
Speaker 16: I'm like, oh my bad, it was a long day.

834
00:32:21,480 --> 00:32:24,120
Speaker 16: Fast forward, her and her friend get out the club drunk.

835
00:32:24,160 --> 00:32:27,320
Speaker 16: They upstairs in my room eating my mama repast food.

836
00:32:28,280 --> 00:32:30,200
Speaker 16: You didn't want it, you know it was up there

837
00:32:30,240 --> 00:32:31,280
Speaker 16: eating my mama replay.

838
00:32:31,280 --> 00:32:32,800
Speaker 1: I don't even know she knew that. She was like,

839
00:32:32,840 --> 00:32:34,520
Speaker 1: I'm so sad about your sister. Can I get somebody?

840
00:32:36,080 --> 00:32:37,040
Speaker 1: Get some more that rice?

841
00:32:37,120 --> 00:32:37,440
Speaker 3: Please?

842
00:32:38,240 --> 00:32:41,680
Speaker 1: You are talking about I don't know what's next. You

843
00:32:41,800 --> 00:32:43,120
Speaker 1: got plenty more to talk about.

844
00:32:43,160 --> 00:32:45,080
Speaker 2: You just letting people know you and all that, Like

845
00:32:45,200 --> 00:32:48,200
Speaker 2: what's going on because I'm pregnant. I know that's how

846
00:32:48,240 --> 00:32:51,440
Speaker 2: it happens. It ain't no people and this one listen

847
00:32:52,760 --> 00:32:53,520
Speaker 2: is that's.

848
00:32:53,400 --> 00:32:56,120
Speaker 16: Who I want to get on. You know, man, we

849
00:32:56,280 --> 00:32:58,880
Speaker 16: two free. You got your nails looked like colder tests

850
00:32:58,920 --> 00:33:02,200
Speaker 16: on your fingers. I love it how you like me, John,

851
00:33:02,760 --> 00:33:03,880
Speaker 16: I'm loving my job.

852
00:33:04,000 --> 00:33:05,960
Speaker 1: Let's see there you go. That's what I need, that

853
00:33:06,040 --> 00:33:08,080
Speaker 1: type of energy. Don't talk to me like the white woman.

854
00:33:08,920 --> 00:33:11,320
Speaker 1: You can't things we gotta keep away from because you

855
00:33:11,440 --> 00:33:11,800
Speaker 1: go too far.

856
00:33:12,200 --> 00:33:13,360
Speaker 2: Will they be talking over me?

857
00:33:13,520 --> 00:33:13,840
Speaker 5: Scared?

858
00:33:13,960 --> 00:33:14,360
Speaker 2: Sweating?

859
00:33:14,440 --> 00:33:16,520
Speaker 1: I ain't never seen charl make the same mistakes.

860
00:33:16,560 --> 00:33:18,920
Speaker 16: I mean, she go, yes, you can you don't mind

861
00:33:18,960 --> 00:33:21,280
Speaker 16: nobody else making them when you stop being a good person.

862
00:33:22,480 --> 00:33:24,360
Speaker 16: You and your bunk bed brother up here. That's why

863
00:33:24,400 --> 00:33:28,920
Speaker 16: they scared. They think you're gonna relationship that you get comfortable.

864
00:33:28,960 --> 00:33:31,320
Speaker 16: You found out that they go together up here, and.

865
00:33:31,360 --> 00:33:34,080
Speaker 1: That's gonna be the name did that last year?

866
00:33:34,200 --> 00:33:36,240
Speaker 16: She gave us the name with the name she gives

867
00:33:37,560 --> 00:33:42,080
Speaker 16: the gunman. Oh yeah, you did, you did them? You

868
00:33:42,120 --> 00:33:43,680
Speaker 16: know what I mean now, y'all.

869
00:33:43,800 --> 00:33:46,240
Speaker 1: You know what I'm saying. Designer women, Gavid, Alan Grill

870
00:33:46,440 --> 00:33:49,440
Speaker 1: and Gaming Wings. That's who y'all is. You know what

871
00:33:49,480 --> 00:33:50,400
Speaker 1: I'm saying, we up here.

872
00:33:50,840 --> 00:33:53,200
Speaker 4: But let me let me ask for both of y'all comedians,

873
00:33:53,200 --> 00:33:55,560
Speaker 4: because I just speak to just about this with time

874
00:33:55,680 --> 00:33:57,800
Speaker 4: so sensitive right like they were about to cancel Charlemagne

875
00:33:57,840 --> 00:33:58,680
Speaker 4: for saying big back.

876
00:33:58,640 --> 00:34:02,840
Speaker 1: I've been canceled forever I canceled. Can't cancel? Do you, bombie?

877
00:34:02,880 --> 00:34:04,360
Speaker 1: Do you have to be extra careful when both of

878
00:34:04,400 --> 00:34:05,720
Speaker 1: y'all doing comedy now when you're.

879
00:34:05,520 --> 00:34:07,800
Speaker 4: Doing because everybody got a phone nowt that's why that's

880
00:34:07,840 --> 00:34:09,960
Speaker 4: why Dave everybody got to take their phone, and Chris

881
00:34:10,000 --> 00:34:12,480
Speaker 4: everybody gotta take their phone. Y'all extra sensitive when it

882
00:34:12,520 --> 00:34:14,440
Speaker 4: comes to people, because you know, if you say the

883
00:34:14,480 --> 00:34:16,200
Speaker 4: wrong thing or you offend the wrong person.

884
00:34:16,280 --> 00:34:17,719
Speaker 1: Today you canceled them all.

885
00:34:17,880 --> 00:34:20,759
Speaker 16: Well, like I said, it's maliciousness in my mind. If

886
00:34:20,760 --> 00:34:23,480
Speaker 16: I'm not being malicious, then I can care less how

887
00:34:23,560 --> 00:34:25,879
Speaker 16: somebody feels about something that I say. Now, if I'm

888
00:34:25,920 --> 00:34:28,640
Speaker 16: being malicious, then of course I think that energy is

889
00:34:28,680 --> 00:34:30,320
Speaker 16: going to cause you to have to have some backlash

890
00:34:30,320 --> 00:34:30,799
Speaker 16: because you're.

891
00:34:30,719 --> 00:34:33,400
Speaker 1: Just being mean. But if you're back big, and I

892
00:34:33,480 --> 00:34:37,040
Speaker 1: say you're back big, you got a big back though.

893
00:34:37,120 --> 00:34:37,759
Speaker 1: What's mean now?

894
00:34:37,800 --> 00:34:40,200
Speaker 4: Because before you can say you know, it's jokes, But

895
00:34:40,320 --> 00:34:43,120
Speaker 4: now people take jokes as it's messing up my mental

896
00:34:43,960 --> 00:34:45,160
Speaker 4: I can't take it no more.

897
00:34:45,400 --> 00:34:47,000
Speaker 1: I'm thinking about it. But it's jokes. I mean, we've

898
00:34:47,000 --> 00:34:49,680
Speaker 1: been all joke. You joked on me, we joked on you,

899
00:34:49,960 --> 00:34:51,120
Speaker 1: we joked on Charlomagne I.

900
00:34:51,600 --> 00:34:54,680
Speaker 16: Everybody's not prepared to be able to have whatever their

901
00:34:54,719 --> 00:34:56,880
Speaker 16: flaws are put out in front of the world. So

902
00:34:57,000 --> 00:34:59,600
Speaker 16: you got to understand, like when people hear certain things

903
00:34:59,640 --> 00:35:03,320
Speaker 16: about themselves, they already have insecurities about whatever said thing is.

904
00:35:03,400 --> 00:35:05,040
Speaker 16: And if you have the ability to point it out

905
00:35:05,080 --> 00:35:07,480
Speaker 16: in the way where people are laughing at it externally,

906
00:35:07,840 --> 00:35:10,160
Speaker 16: the internal pain that they have is just gonna come out.

907
00:35:10,200 --> 00:35:12,040
Speaker 16: And now we live in a time where everybody has

908
00:35:12,080 --> 00:35:13,960
Speaker 16: the access to be able to express themselves in the

909
00:35:14,000 --> 00:35:16,560
Speaker 16: way that didn't exist twenty years ago. So now, if

910
00:35:16,600 --> 00:35:19,680
Speaker 16: somebody was offended at a you know, Dave Chappelle show

911
00:35:19,719 --> 00:35:21,680
Speaker 16: in nineteen ninety seven, you had to write a letter,

912
00:35:21,760 --> 00:35:23,440
Speaker 16: you had to go get up out your bid and

913
00:35:23,520 --> 00:35:25,759
Speaker 16: go stand in front of somewhere and protests. Now you

914
00:35:25,840 --> 00:35:27,800
Speaker 16: got to do is have Wi Fi. So it's just

915
00:35:27,920 --> 00:35:30,000
Speaker 16: easier for people to be offended now. I think that's

916
00:35:30,040 --> 00:35:32,040
Speaker 16: the thing. If you had to still be offended the

917
00:35:32,120 --> 00:35:34,200
Speaker 16: old way, a lot of people wouldn't be as offended

918
00:35:34,239 --> 00:35:35,560
Speaker 16: as they are about simple Have.

919
00:35:35,600 --> 00:35:37,279
Speaker 5: You said anything you regret, you go go, I saw it.

920
00:35:37,520 --> 00:35:39,879
Speaker 5: Jess was on the pivots, she said she regretted the child.

921
00:35:39,920 --> 00:35:41,360
Speaker 5: Wick Boseman comments, I know.

922
00:35:41,360 --> 00:35:41,719
Speaker 2: What I said.

923
00:35:41,719 --> 00:35:45,680
Speaker 1: He yo, I'm just telling the audience. You see.

924
00:35:45,719 --> 00:35:47,520
Speaker 16: That's why that's why you gotta talk to these the

925
00:35:47,560 --> 00:35:48,320
Speaker 16: way you gotta.

926
00:35:48,160 --> 00:35:48,600
Speaker 3: Talk to them.

927
00:35:48,680 --> 00:35:50,440
Speaker 16: But they be sick because just say did she do?

928
00:35:50,680 --> 00:35:54,040
Speaker 16: Because yeah, just you gotta be slick. They be trying

929
00:35:54,040 --> 00:35:56,040
Speaker 16: to get away with you. Man, you gotta check them

930
00:35:56,080 --> 00:35:58,440
Speaker 16: every time. But no, you know what I mean, You

931
00:35:58,520 --> 00:35:59,960
Speaker 16: know what I'm lying. I regret some of the things

932
00:36:00,040 --> 00:36:03,880
Speaker 16: that said about your skin that was wrong, because I mean,

933
00:36:04,000 --> 00:36:05,840
Speaker 16: I regret some of those things, man, you know what

934
00:36:05,840 --> 00:36:08,160
Speaker 16: I mean, because I don't want him to get stressed

935
00:36:08,200 --> 00:36:10,279
Speaker 16: out and wake back up with the you know, the

936
00:36:10,560 --> 00:36:12,320
Speaker 16: hamburglar circles around.

937
00:36:12,120 --> 00:36:14,040
Speaker 1: His eyes again. You know what I mean. Yeah, I

938
00:36:14,040 --> 00:36:15,239
Speaker 1: don't want him to have to go through that.

939
00:36:15,360 --> 00:36:16,960
Speaker 16: And I know that was a rough period where you

940
00:36:17,080 --> 00:36:19,279
Speaker 16: having to send under that machine and get cooked every

941
00:36:19,320 --> 00:36:21,960
Speaker 16: day and I just just coming in here making fun

942
00:36:22,000 --> 00:36:22,719
Speaker 16: of you and all of that.

943
00:36:23,040 --> 00:36:26,200
Speaker 1: DJ. I regret some of the things I've said about

944
00:36:26,239 --> 00:36:28,440
Speaker 1: you too. Man. You you're a good person and most

945
00:36:28,480 --> 00:36:29,200
Speaker 1: people don't know that.

946
00:36:29,400 --> 00:36:32,600
Speaker 16: So I just want to apologize people for y'all, you

947
00:36:32,680 --> 00:36:35,320
Speaker 16: know what I mean, and out in y'all relationship like that,

948
00:36:35,560 --> 00:36:38,600
Speaker 16: like don't nobody know y'all sleep, nugget together and in

949
00:36:38,719 --> 00:36:41,960
Speaker 16: between breaks. So I mean, those things are things that

950
00:36:42,040 --> 00:36:44,480
Speaker 16: I regret. So yes, I apologize to both of y'all.

951
00:36:47,719 --> 00:36:50,360
Speaker 1: How has changed since y'all went number one on Netflix?

952
00:36:50,880 --> 00:36:53,400
Speaker 16: It hasn't really, No, not not in the way that

953
00:36:53,520 --> 00:36:56,600
Speaker 16: you would think that going number one on the billboard,

954
00:36:56,760 --> 00:36:57,640
Speaker 16: would you know what I'm.

955
00:36:57,480 --> 00:36:59,160
Speaker 1: Saying, you have an expectation once you saw that.

956
00:36:59,480 --> 00:37:01,760
Speaker 16: No, No, I don't think we had an expectation because

957
00:37:01,760 --> 00:37:04,440
Speaker 16: we are independent. So it's just certain things that come with,

958
00:37:04,640 --> 00:37:06,960
Speaker 16: you know, being independent. So it's you know, it gave

959
00:37:07,080 --> 00:37:09,160
Speaker 16: us a level of visibility that we didn't.

960
00:37:08,960 --> 00:37:09,800
Speaker 1: Have, Like I went to Ghana.

961
00:37:09,840 --> 00:37:11,320
Speaker 16: You know, I was in Ghana, and I'm sure like

962
00:37:11,440 --> 00:37:14,080
Speaker 16: the recognization that I got when I was over there,

963
00:37:14,160 --> 00:37:16,600
Speaker 16: A lot of that came from that being available. But

964
00:37:16,680 --> 00:37:18,640
Speaker 16: as far as us been in a position withere like

965
00:37:18,719 --> 00:37:20,840
Speaker 16: now we number one and you know, we got to

966
00:37:20,960 --> 00:37:23,359
Speaker 16: you know, start doing things differently or now we get

967
00:37:23,400 --> 00:37:26,319
Speaker 16: to work less because it's made things easier for us.

968
00:37:26,400 --> 00:37:27,240
Speaker 1: No, that hasn't happened.

969
00:37:27,239 --> 00:37:29,200
Speaker 16: We're appreciative of it, but we still got the same

970
00:37:29,320 --> 00:37:30,800
Speaker 16: drive that we had before it happened.

971
00:37:30,960 --> 00:37:33,120
Speaker 1: So, no Hollywood came knocking anything like that.

972
00:37:33,480 --> 00:37:35,120
Speaker 16: Nah, I don't even know what you mean the way

973
00:37:35,200 --> 00:37:36,960
Speaker 16: you asked that question. I know it's a follow up

974
00:37:37,040 --> 00:37:38,719
Speaker 16: question coming out. There's too much going on.

975
00:37:38,920 --> 00:37:42,680
Speaker 1: I know, Hollywood ain't come knocking. You already know you

976
00:37:42,719 --> 00:37:47,040
Speaker 1: ain't get invited to that one o'clock party. I told you,

977
00:37:47,760 --> 00:37:50,680
Speaker 1: I told you, I told you. I knew what was

978
00:37:50,760 --> 00:37:54,200
Speaker 1: coming man. I noticed three movies.

979
00:37:55,440 --> 00:37:57,120
Speaker 16: Yeah, I knew what was coming out here. Now, you

980
00:37:57,160 --> 00:37:59,600
Speaker 16: won't trick me up here, man, I'm too prepared for y'all.

981
00:37:59,719 --> 00:37:59,879
Speaker 1: Man.

982
00:38:00,080 --> 00:38:01,959
Speaker 5: And by the way, we was making jokes about Diddy

983
00:38:02,320 --> 00:38:05,040
Speaker 5: way before all this happened, partying jokes about Didy since

984
00:38:05,080 --> 00:38:06,719
Speaker 5: he did the interview on Drink Champs.

985
00:38:07,360 --> 00:38:10,480
Speaker 1: Yeah, and he's like, we ain't party party, party, party, party,

986
00:38:10,719 --> 00:38:12,960
Speaker 1: But yeah, we've been making those jokes.

987
00:38:13,000 --> 00:38:15,279
Speaker 16: And I think that y'all to a great people to

988
00:38:15,320 --> 00:38:17,919
Speaker 16: speak on that, because y'all haven't been famous way longer

989
00:38:17,960 --> 00:38:19,440
Speaker 16: than me and Jess has. You know what I mean,

990
00:38:19,600 --> 00:38:21,880
Speaker 16: dj Envy, you didn't been at the party for a

991
00:38:22,000 --> 00:38:22,480
Speaker 16: long time.

992
00:38:22,560 --> 00:38:24,920
Speaker 1: I never I never party partied though. What does that mean?

993
00:38:25,000 --> 00:38:27,320
Speaker 1: I don't know, But you die. You gotta know what.

994
00:38:28,200 --> 00:38:30,359
Speaker 1: You didn't party party with him? I didn't. I didn't party.

995
00:38:30,880 --> 00:38:31,719
Speaker 1: What's the second part?

996
00:38:31,760 --> 00:38:32,080
Speaker 10: I don't know.

997
00:38:33,640 --> 00:38:36,920
Speaker 1: But don't skip that. Don't skip that, like don't skip that,

998
00:38:37,160 --> 00:38:47,560
Speaker 1: like letting get away from the world.

999
00:38:48,640 --> 00:38:51,040
Speaker 2: We got more with comedian Chico b when we come back.

1000
00:38:51,080 --> 00:38:51,520
Speaker 9: Don't move.

1001
00:38:51,520 --> 00:38:53,080
Speaker 1: It's to Breakfast Club, Good morning morning.

1002
00:38:53,160 --> 00:38:57,600
Speaker 4: Everybody's DJ Nveselry Charlamage, the guy we are the Breakfast

1003
00:38:57,680 --> 00:39:00,000
Speaker 4: Club is still kicking with a comedian, Chico Bean Charlamonne.

1004
00:39:00,120 --> 00:39:03,080
Speaker 1: Are you gonna do special? Yeah, I mean eventually, you

1005
00:39:03,120 --> 00:39:03,480
Speaker 1: know what I mean.

1006
00:39:03,560 --> 00:39:05,480
Speaker 16: That's like I said, I've never been one to rush

1007
00:39:05,560 --> 00:39:08,600
Speaker 16: that type of you know, uh thing, because you know,

1008
00:39:08,719 --> 00:39:10,960
Speaker 16: your art is your art, and you know, I always

1009
00:39:11,080 --> 00:39:12,600
Speaker 16: move in my own pace, you know what I'm saying.

1010
00:39:12,800 --> 00:39:15,839
Speaker 16: And I think that now with the ability that people

1011
00:39:15,960 --> 00:39:17,879
Speaker 16: have to just put things out, you know, I think

1012
00:39:17,960 --> 00:39:20,880
Speaker 16: that we've lost a lot of substance in that regard,

1013
00:39:21,000 --> 00:39:22,920
Speaker 16: you know what I'm saying. And I feel like, whenever

1014
00:39:23,000 --> 00:39:25,640
Speaker 16: you put something out, these bodies of work will live forever.

1015
00:39:25,840 --> 00:39:28,160
Speaker 16: So I want to have one of them ones where

1016
00:39:28,200 --> 00:39:30,480
Speaker 16: when you look at it now, and whether you look

1017
00:39:30,520 --> 00:39:31,600
Speaker 16: at it now or you look at.

1018
00:39:31,480 --> 00:39:33,280
Speaker 1: It in ten years, it still resonates.

1019
00:39:33,320 --> 00:39:33,480
Speaker 3: You know.

1020
00:39:33,560 --> 00:39:36,839
Speaker 16: The Mic Apps underrated, never faded, you know what I mean.

1021
00:39:36,920 --> 00:39:39,080
Speaker 16: The Corey Hokum, the you know what I mean, you

1022
00:39:39,200 --> 00:39:42,719
Speaker 16: the problems, the you know, earthquake, about damn times, Dave

1023
00:39:42,800 --> 00:39:44,839
Speaker 16: Chapelle's killing them softly, you know what I mean? These

1024
00:39:44,880 --> 00:39:47,040
Speaker 16: are specials that are timeless to me. So when I

1025
00:39:47,160 --> 00:39:49,200
Speaker 16: watch those, those are the things that I base it on,

1026
00:39:49,320 --> 00:39:51,719
Speaker 16: and I never really had the the you know, the

1027
00:39:52,080 --> 00:39:54,520
Speaker 16: desire to just say I'm gonna do it just so

1028
00:39:54,600 --> 00:39:56,399
Speaker 16: I can say I got that notch under my belt.

1029
00:39:56,440 --> 00:39:58,160
Speaker 16: Because like I said, we live in a different time now.

1030
00:39:58,200 --> 00:40:00,480
Speaker 16: It's not even as necessary as it was in the day.

1031
00:40:00,760 --> 00:40:03,200
Speaker 16: You think twenty years ago everybody wanted to be on HBO.

1032
00:40:03,360 --> 00:40:05,920
Speaker 16: Now was Netflix. So it's just a matter of you

1033
00:40:06,080 --> 00:40:07,640
Speaker 16: find in the pocket that you need to be in

1034
00:40:07,719 --> 00:40:09,520
Speaker 16: before you put something out to the world, because I

1035
00:40:09,560 --> 00:40:11,480
Speaker 16: feel like you can damage yourself a whole lot more

1036
00:40:11,520 --> 00:40:14,000
Speaker 16: with the level of criticism that can come with not

1037
00:40:14,080 --> 00:40:15,680
Speaker 16: even I don't even want to say criticism because I

1038
00:40:15,680 --> 00:40:17,279
Speaker 16: don't want to make it seem like it's a negative thing,

1039
00:40:17,320 --> 00:40:19,960
Speaker 16: but just the level of access that people have to

1040
00:40:20,160 --> 00:40:22,000
Speaker 16: be able to look at something and move right on

1041
00:40:22,080 --> 00:40:24,560
Speaker 16: to the next thing. It's very difficult to get somebody

1042
00:40:24,600 --> 00:40:26,640
Speaker 16: to sit with a piece of work and just really

1043
00:40:26,800 --> 00:40:29,520
Speaker 16: understand and sit with it. So my mentality is always

1044
00:40:29,640 --> 00:40:31,399
Speaker 16: make sure that by the time I get it, it's

1045
00:40:31,440 --> 00:40:33,120
Speaker 16: a body of work that is going to live forever.

1046
00:40:33,320 --> 00:40:36,480
Speaker 13: So you know, but also what makes y'all different to

1047
00:40:36,600 --> 00:40:40,080
Speaker 13: me is y'all do like raw on a spot comedy.

1048
00:40:40,200 --> 00:40:43,360
Speaker 2: That's different. You don't get to see that neither, And like,

1049
00:40:43,560 --> 00:40:44,040
Speaker 2: I don't care.

1050
00:40:44,080 --> 00:40:49,840
Speaker 13: It's no other stand up special on Netflix, HBO that

1051
00:40:49,880 --> 00:40:52,560
Speaker 13: I've seen in a long ass time where it's like, like,

1052
00:40:52,760 --> 00:40:55,960
Speaker 13: y'all three like y'all just it could be like forty

1053
00:40:56,120 --> 00:40:58,000
Speaker 13: y'all go to a parade. Y'all don't even know what

1054
00:40:58,200 --> 00:41:00,480
Speaker 13: y'all going to talk about, not at all on the

1055
00:41:00,560 --> 00:41:03,879
Speaker 13: spot comedy is raw. It is like, that's what make

1056
00:41:04,080 --> 00:41:07,640
Speaker 13: honestly wilding out fun watching y'all just pick people and

1057
00:41:07,719 --> 00:41:10,080
Speaker 13: then the chemistry y'all bounce off of each other. It's like,

1058
00:41:10,239 --> 00:41:13,919
Speaker 13: I don't know, that's that's that's different, Especially in this time,

1059
00:41:14,000 --> 00:41:15,439
Speaker 13: y'all don't care what y'all saying.

1060
00:41:15,560 --> 00:41:18,120
Speaker 16: No, And that's that's the reason why, is because we

1061
00:41:18,280 --> 00:41:20,960
Speaker 16: understand that it's never been done before in the way

1062
00:41:21,000 --> 00:41:22,880
Speaker 16: that we're doing it. You see now with the climate

1063
00:41:22,920 --> 00:41:24,239
Speaker 16: of the comedy and the way that all of the

1064
00:41:24,320 --> 00:41:26,719
Speaker 16: OG's are beefing and going back and forth, like we

1065
00:41:26,840 --> 00:41:29,359
Speaker 16: need Batman out this now, the way he is going

1066
00:41:29,440 --> 00:41:29,960
Speaker 16: back and forth.

1067
00:41:30,040 --> 00:41:32,399
Speaker 1: But one of the things that I think is the case.

1068
00:41:32,440 --> 00:41:34,160
Speaker 16: And Low said this to me years, used to say

1069
00:41:34,200 --> 00:41:35,880
Speaker 16: this year is ago all the time because he's the

1070
00:41:36,040 --> 00:41:38,440
Speaker 16: you know, I elder in as far as the group, he's.

1071
00:41:38,320 --> 00:41:40,680
Speaker 1: The og amongst us. He was like, man, they don't

1072
00:41:40,760 --> 00:41:42,960
Speaker 1: like each other. They hate each other. They can't stand

1073
00:41:43,000 --> 00:41:43,279
Speaker 1: each other.

1074
00:41:43,760 --> 00:41:46,040
Speaker 16: Think is bubbling now though, I mean because you know,

1075
00:41:46,760 --> 00:41:49,040
Speaker 16: once Kat came out and did that interview, it just

1076
00:41:49,080 --> 00:41:49,880
Speaker 16: shook the game up.

1077
00:41:49,960 --> 00:41:51,480
Speaker 1: It was just one of those things that shook the

1078
00:41:51,520 --> 00:41:52,440
Speaker 1: game up. You know what I mean.

1079
00:41:52,719 --> 00:41:55,279
Speaker 16: I think that you know, truth is subjective. I say

1080
00:41:55,320 --> 00:41:57,040
Speaker 16: this all the time because it's true to you, is

1081
00:41:57,080 --> 00:41:59,760
Speaker 16: a lot of somebody else. But if somebody tells their truth,

1082
00:42:00,080 --> 00:42:01,880
Speaker 16: all of the people that he was, you know, speaking

1083
00:42:01,960 --> 00:42:04,719
Speaker 16: on they received that and they had you know, it's

1084
00:42:04,840 --> 00:42:08,439
Speaker 16: like this is backroom you know, green room comedy talk

1085
00:42:08,520 --> 00:42:11,080
Speaker 16: that was you know, gave to the world. So once

1086
00:42:11,160 --> 00:42:14,160
Speaker 16: that happened, now you got these backroom conversations that have

1087
00:42:14,280 --> 00:42:16,520
Speaker 16: been happening for years. Now you got them coming to

1088
00:42:16,600 --> 00:42:19,040
Speaker 16: the forefront. So all of these conversations that these people

1089
00:42:19,080 --> 00:42:22,360
Speaker 16: probably have been having in green room since the early nineties,

1090
00:42:22,719 --> 00:42:25,319
Speaker 16: now it's like, all right, you will and you know. Now,

1091
00:42:25,400 --> 00:42:27,560
Speaker 16: I think that's just what happened. But I mean, for

1092
00:42:27,680 --> 00:42:30,799
Speaker 16: as far as we go, our generation, we love each other,

1093
00:42:30,960 --> 00:42:33,239
Speaker 16: like we really got genuine love or.

1094
00:42:33,200 --> 00:42:33,640
Speaker 1: Does it hurt?

1095
00:42:33,680 --> 00:42:36,239
Speaker 4: Does it push you to be better? Or does it

1096
00:42:36,320 --> 00:42:38,840
Speaker 4: say if the comedy game because I can't work with

1097
00:42:38,920 --> 00:42:39,279
Speaker 4: this person.

1098
00:42:39,360 --> 00:42:41,399
Speaker 16: No, we don't have that element. You know, we don't

1099
00:42:41,440 --> 00:42:43,680
Speaker 16: have that elementum at least not that I've experienced. You know,

1100
00:42:43,719 --> 00:42:46,239
Speaker 16: I'm sure there's probably some people who don't get along

1101
00:42:46,360 --> 00:42:48,239
Speaker 16: or don't like each other. But like I said, it's

1102
00:42:48,280 --> 00:42:50,359
Speaker 16: too easy to get in contact with somebody. Now, if

1103
00:42:50,400 --> 00:42:52,319
Speaker 16: I had a problem with somebody in nineteen ninety five,

1104
00:42:52,440 --> 00:42:53,920
Speaker 16: it might be a little difficult for me to get

1105
00:42:53,960 --> 00:42:56,080
Speaker 16: a number on them or get in contact with them. Now,

1106
00:42:56,120 --> 00:42:58,680
Speaker 16: if you got a problem with somebody, it's very easy

1107
00:42:58,760 --> 00:43:00,399
Speaker 16: to get in contact with him. So I don't think

1108
00:43:00,440 --> 00:43:03,440
Speaker 16: we even had that elements. The level of disconnect between

1109
00:43:03,680 --> 00:43:07,239
Speaker 16: artists has shrunk so much that our generation we really,

1110
00:43:07,440 --> 00:43:08,920
Speaker 16: you know, we really with each other.

1111
00:43:09,000 --> 00:43:10,760
Speaker 1: You know what I'm saying, Like this is my uncle,

1112
00:43:10,960 --> 00:43:11,200
Speaker 1: Like I.

1113
00:43:11,280 --> 00:43:14,040
Speaker 16: Love her to death, you know what I'm saying without

1114
00:43:14,160 --> 00:43:16,640
Speaker 16: quest because the way she treats me, she treat me

1115
00:43:16,760 --> 00:43:18,480
Speaker 16: like an uncle. Like every time I see it, she

1116
00:43:18,600 --> 00:43:20,680
Speaker 16: cuts me out like an uncle and all that. Like

1117
00:43:20,760 --> 00:43:22,600
Speaker 16: it's genuine though, like you know what I mean, Like

1118
00:43:22,719 --> 00:43:24,960
Speaker 16: I love Jess like we all do, because we came

1119
00:43:25,080 --> 00:43:27,680
Speaker 16: up together. You know, we always broke together trying to

1120
00:43:27,719 --> 00:43:29,520
Speaker 16: figure this thing out. And I don't think a lot

1121
00:43:29,560 --> 00:43:32,080
Speaker 16: of them had that same element when they was all broke.

1122
00:43:32,120 --> 00:43:34,000
Speaker 16: They was all trying to get the same spot. We

1123
00:43:34,200 --> 00:43:37,040
Speaker 16: know now that there's more spots available than just one.

1124
00:43:37,440 --> 00:43:39,239
Speaker 16: You see that with the eighty five South Show. It's

1125
00:43:39,280 --> 00:43:41,279
Speaker 16: three people who are now on a tour with the

1126
00:43:41,360 --> 00:43:45,359
Speaker 16: We Dine Wants Tour, all individually doing sets, all coming

1127
00:43:45,400 --> 00:43:47,879
Speaker 16: out by itself, all you know, got our own face

1128
00:43:47,960 --> 00:43:50,160
Speaker 16: up on the screen like everybody was aspiring to do

1129
00:43:50,200 --> 00:43:52,640
Speaker 16: in the nineties. But now we're able to do that

1130
00:43:52,920 --> 00:43:55,040
Speaker 16: and then double right back and come on stage together,

1131
00:43:55,320 --> 00:43:57,200
Speaker 16: and then double right back and go do a wildn

1132
00:43:57,239 --> 00:43:59,080
Speaker 16: out and then double right back and you know, meet

1133
00:43:59,160 --> 00:44:01,279
Speaker 16: up with Jess and do so with her because we

1134
00:44:01,440 --> 00:44:03,759
Speaker 16: realize now the opportunity is there to do whatever it

1135
00:44:03,960 --> 00:44:05,520
Speaker 16: is you want to do. You don't have to all

1136
00:44:05,600 --> 00:44:07,520
Speaker 16: fight for that one spot. But I think that's what

1137
00:44:07,680 --> 00:44:09,680
Speaker 16: causes the O g's that had a problem. They still

1138
00:44:09,760 --> 00:44:11,880
Speaker 16: fighting for a spot that really don't even exist no more.

1139
00:44:11,920 --> 00:44:13,480
Speaker 1: How did you feel with Cat Williams shouted you up?

1140
00:44:14,040 --> 00:44:14,880
Speaker 1: You know what's crazy?

1141
00:44:15,000 --> 00:44:15,160
Speaker 3: Man?

1142
00:44:16,040 --> 00:44:19,799
Speaker 16: My daughter, man salutor, my baby who has emotions, who

1143
00:44:19,840 --> 00:44:21,960
Speaker 16: has her YouTube channel that she just started. Man, so

1144
00:44:22,040 --> 00:44:24,200
Speaker 16: I gotta plug that man. My baby then started her

1145
00:44:24,239 --> 00:44:26,279
Speaker 16: YouTube channel. I'm so proud of her. Man, So make

1146
00:44:26,320 --> 00:44:29,880
Speaker 16: sure you subscribed pitchannel. But I was in Africa. I

1147
00:44:29,920 --> 00:44:32,000
Speaker 16: was in Ghana when an interview came out. That's how goofy.

1148
00:44:32,080 --> 00:44:34,440
Speaker 16: My daughter is like, I'm in Africa, and you know

1149
00:44:34,719 --> 00:44:36,839
Speaker 16: my first thought when I seen it, I was like, man,

1150
00:44:37,239 --> 00:44:39,400
Speaker 16: hope this is say nothing about me, because you know

1151
00:44:39,400 --> 00:44:41,040
Speaker 16: what I mean. Once I seen what he was saying,

1152
00:44:41,080 --> 00:44:43,480
Speaker 16: because you know over there that the internet access is different,

1153
00:44:43,520 --> 00:44:45,680
Speaker 16: so I couldn't really watch it. So my daughter face

1154
00:44:45,760 --> 00:44:48,400
Speaker 16: times me. She like, Daddy, you seen the Cat Williams interview.

1155
00:44:48,680 --> 00:44:50,360
Speaker 16: I was like, I seen clips of a baby. She

1156
00:44:50,480 --> 00:44:52,080
Speaker 16: was like, you know he said your name, your heart?

1157
00:44:52,280 --> 00:44:54,080
Speaker 16: I said what he say? She said, find out when

1158
00:44:54,120 --> 00:44:58,560
Speaker 16: you get back to America. And I'm a good tease.

1159
00:44:59,239 --> 00:45:05,440
Speaker 16: That was a good tea. I'm like, listen, man, I'm like, yo,

1160
00:45:05,800 --> 00:45:07,960
Speaker 16: what did he say? But then my manager, man, she

1161
00:45:08,040 --> 00:45:09,680
Speaker 16: sent me to clip and I seen it. You know,

1162
00:45:10,080 --> 00:45:12,320
Speaker 16: it was a positive thing, and I was thankful and

1163
00:45:12,400 --> 00:45:15,319
Speaker 16: grateful because, you know, the first time I met Cat

1164
00:45:15,920 --> 00:45:19,520
Speaker 16: was at a Wilding Out show in Las Vegas we

1165
00:45:19,560 --> 00:45:21,160
Speaker 16: had when we was on the one of the first

1166
00:45:21,200 --> 00:45:25,560
Speaker 16: Wilding Out tours, and prior to him coming to Wilding

1167
00:45:25,600 --> 00:45:28,479
Speaker 16: Out to actually do the show, which was just last

1168
00:45:28,560 --> 00:45:30,600
Speaker 16: year when we first got on, because you know, we

1169
00:45:30,800 --> 00:45:33,160
Speaker 16: was the you know, the reincarnation of the show when

1170
00:45:33,200 --> 00:45:35,800
Speaker 16: it came back in twenty thirteen. And when I tell you,

1171
00:45:35,920 --> 00:45:38,680
Speaker 16: from our first season, probably all the way up to

1172
00:45:38,840 --> 00:45:42,239
Speaker 16: like fifth or sixth season, they was talking about Cat

1173
00:45:42,400 --> 00:45:45,520
Speaker 16: like this was the Boogeyman. Like every time Cat might

1174
00:45:45,560 --> 00:45:48,040
Speaker 16: be coming, remember when mad Dog was coming on Martin,

1175
00:45:48,360 --> 00:45:50,839
Speaker 16: Like that's how they would talk about Cat, Like if

1176
00:45:50,840 --> 00:45:52,879
Speaker 16: you come in here, don't be afraid and don't beat

1177
00:45:52,960 --> 00:45:55,400
Speaker 16: So after a certain point, I was just like, man, whatever,

1178
00:45:55,840 --> 00:45:57,840
Speaker 16: you know, whatever it's gonna be, it's gonna be. So

1179
00:45:57,920 --> 00:46:00,200
Speaker 16: by the time we actually met he came to this

1180
00:46:00,320 --> 00:46:02,920
Speaker 16: is right after he won Emmy. So this you know,

1181
00:46:03,000 --> 00:46:05,440
Speaker 16: I'm hearing stories about him in the building because we

1182
00:46:05,600 --> 00:46:07,879
Speaker 16: doing an arena, so I'm hearing stories and Cat showed

1183
00:46:07,960 --> 00:46:09,920
Speaker 16: up with the Emmy and Louis Vuitton bag. Cat was

1184
00:46:09,960 --> 00:46:12,200
Speaker 16: smoking two cigarettes at the same time, and it was

1185
00:46:12,280 --> 00:46:14,680
Speaker 16: just like, man, where is this. I gotta find him

1186
00:46:14,719 --> 00:46:17,879
Speaker 16: and say hello. So I my creative process, I walk

1187
00:46:17,960 --> 00:46:19,799
Speaker 16: around and talk to myself and get my jokes together.

1188
00:46:19,800 --> 00:46:21,719
Speaker 16: I don't really write it down, so as I'm on

1189
00:46:21,840 --> 00:46:23,520
Speaker 16: one of my missions, it seemed like he was on

1190
00:46:23,640 --> 00:46:25,600
Speaker 16: the same one, and I ran into him and I

1191
00:46:25,719 --> 00:46:26,840
Speaker 16: was like, hey, man, Cat.

1192
00:46:26,760 --> 00:46:27,200
Speaker 1: How you doing.

1193
00:46:27,239 --> 00:46:29,000
Speaker 16: Man, my name Chico. Man, it's a pleasure to meet you.

1194
00:46:29,040 --> 00:46:32,320
Speaker 16: He said, don't disrespect me. Everybody knows you and walked away.

1195
00:46:32,520 --> 00:46:35,000
Speaker 16: I was, Oh, I don't know if that was a

1196
00:46:35,040 --> 00:46:37,960
Speaker 16: good positive or not, but you know, that's what it was.

1197
00:46:38,040 --> 00:46:40,720
Speaker 16: And then we ended up having a conversation sitting outside

1198
00:46:40,760 --> 00:46:42,520
Speaker 16: of the hotel. He just happened to be walking his

1199
00:46:42,640 --> 00:46:44,680
Speaker 16: dog and I talked to him and it's brilliant and

1200
00:46:44,800 --> 00:46:48,279
Speaker 16: he showed nothing but love. He was gracious in every

1201
00:46:48,400 --> 00:46:50,560
Speaker 16: aspect and letting us know that, you know, letting me

1202
00:46:50,680 --> 00:46:52,440
Speaker 16: know at that time how much of a fan he

1203
00:46:52,640 --> 00:46:54,759
Speaker 16: was and how much he appreciated what I had brought

1204
00:46:54,800 --> 00:46:56,360
Speaker 16: to the show and the elements of the show that

1205
00:46:56,800 --> 00:47:00,399
Speaker 16: you know, I reminded him of himself at the time.

1206
00:47:00,560 --> 00:47:03,200
Speaker 16: So just like I said, I've been blessing the game

1207
00:47:03,280 --> 00:47:05,480
Speaker 16: that when I've met the Ogs, they've embraced me, you

1208
00:47:05,520 --> 00:47:08,120
Speaker 16: know what I'm saying. So being as though he did

1209
00:47:08,200 --> 00:47:10,080
Speaker 16: that interview, I just look at it like he told

1210
00:47:10,160 --> 00:47:12,600
Speaker 16: his truth whatever you you know what I mean. You

1211
00:47:12,719 --> 00:47:15,600
Speaker 16: tell your truth, people are going to receive it whatever

1212
00:47:15,680 --> 00:47:18,040
Speaker 16: way they receive it. But he told his truth, man,

1213
00:47:18,160 --> 00:47:20,040
Speaker 16: So you know what I mean. I think that it

1214
00:47:20,200 --> 00:47:22,520
Speaker 16: was good for the game in that regard, but it

1215
00:47:22,680 --> 00:47:24,319
Speaker 16: was bad for the game in regards to the way

1216
00:47:24,360 --> 00:47:26,120
Speaker 16: it set fire up under the Ogs.

1217
00:47:26,520 --> 00:47:28,480
Speaker 1: All right, well on move. We got more with Chico Bean.

1218
00:47:28,520 --> 00:47:30,000
Speaker 1: When we come back. It's the Breakfast Club.

1219
00:47:30,040 --> 00:47:34,480
Speaker 4: Go Morning, Yep, we are the Breakfast Club. DJ n V, Jesse, Hilarrys, Charlamagne,

1220
00:47:34,480 --> 00:47:36,640
Speaker 4: the God. We're still kicking it with a comedian, chic Bean.

1221
00:47:37,040 --> 00:47:39,360
Speaker 1: Charlamagne. Is your daughter telling you what she wants to

1222
00:47:39,440 --> 00:47:41,399
Speaker 1: do her future? Yes, all the way.

1223
00:47:42,200 --> 00:47:45,640
Speaker 16: She's fifteen now, Dan, Yeah, she's getting up there, man,

1224
00:47:45,719 --> 00:47:48,480
Speaker 16: But she's very, very very clear about the thing she

1225
00:47:48,560 --> 00:47:51,239
Speaker 16: wants to get into and you know, for me, it's

1226
00:47:51,320 --> 00:47:53,560
Speaker 16: an honor to be able to provide her with the

1227
00:47:53,680 --> 00:47:56,359
Speaker 16: level of opportunity that I never got because I didn't

1228
00:47:56,400 --> 00:47:58,560
Speaker 16: have my father. My father was gone, So there's a

1229
00:47:58,800 --> 00:48:01,560
Speaker 16: fifty percent of a help make that I never got

1230
00:48:01,600 --> 00:48:04,520
Speaker 16: to receive. So my you know, it brings me joy

1231
00:48:04,640 --> 00:48:07,160
Speaker 16: to be able to help her skip a lot of

1232
00:48:07,200 --> 00:48:09,920
Speaker 16: the parts of the game that I knew that you know,

1233
00:48:10,160 --> 00:48:11,759
Speaker 16: I had to go through just because I didn't know

1234
00:48:11,840 --> 00:48:13,799
Speaker 16: no better, you know what I mean, Like she's I'm

1235
00:48:13,840 --> 00:48:16,560
Speaker 16: her springboard, Like stand on my shoulders, babies, you can

1236
00:48:16,640 --> 00:48:18,600
Speaker 16: see better, because that's what I'm doing this for. And

1237
00:48:18,680 --> 00:48:20,759
Speaker 16: the fact that she is, you know, wants to be

1238
00:48:20,880 --> 00:48:23,640
Speaker 16: in the entertainment and wants to be, you know, an

1239
00:48:23,760 --> 00:48:26,800
Speaker 16: actress and all of those things, like it helps me

1240
00:48:26,960 --> 00:48:28,600
Speaker 16: to know that I'm doing the thing out here that

1241
00:48:28,680 --> 00:48:31,200
Speaker 16: can help her get passed. Just on namesake, you know

1242
00:48:31,239 --> 00:48:33,000
Speaker 16: what I mean, when she show up, the fact that

1243
00:48:33,080 --> 00:48:35,000
Speaker 16: she is who she is is gonna mean something that

1244
00:48:35,080 --> 00:48:38,200
Speaker 16: brings me the greatest joy because I know that if

1245
00:48:38,239 --> 00:48:40,080
Speaker 16: I would have had that, then I probably would have

1246
00:48:40,120 --> 00:48:41,759
Speaker 16: been able to get to the greatness a whole lot

1247
00:48:41,840 --> 00:48:43,840
Speaker 16: quicker than I did. Having to figure it out and

1248
00:48:43,920 --> 00:48:45,560
Speaker 16: create my own blueprint without help.

1249
00:48:45,440 --> 00:48:46,040
Speaker 1: You know what I'm saying.

1250
00:48:46,120 --> 00:48:49,360
Speaker 16: So she's really really excited about her YouTube. You know,

1251
00:48:49,520 --> 00:48:51,239
Speaker 16: we had talked about it, and like I said, I

1252
00:48:51,280 --> 00:48:52,080
Speaker 16: don't lie to my daughter.

1253
00:48:52,160 --> 00:48:54,399
Speaker 1: We keep it. You know, we have conversations that are direct.

1254
00:48:54,480 --> 00:48:56,240
Speaker 16: I know people say you're not supposed to be friends

1255
00:48:56,320 --> 00:48:59,280
Speaker 16: with your child, but I think that's another old mentality,

1256
00:48:59,360 --> 00:49:01,640
Speaker 16: you know what I mean. I think that's an old

1257
00:49:01,760 --> 00:49:03,960
Speaker 16: narrative because if you're not, you got to think about

1258
00:49:03,960 --> 00:49:06,319
Speaker 16: the access that these kids have now and the things

1259
00:49:06,360 --> 00:49:08,719
Speaker 16: that they are up against. Like I wasn't when I

1260
00:49:08,840 --> 00:49:10,600
Speaker 16: was her age. I didn't have to compete with every

1261
00:49:10,640 --> 00:49:13,520
Speaker 16: other fifteen year olds highlight reel, you know what I mean.

1262
00:49:13,920 --> 00:49:15,759
Speaker 16: I didn't have to compete with the highlight reel. I

1263
00:49:15,800 --> 00:49:18,360
Speaker 16: didn't have to go on on a device and be

1264
00:49:18,440 --> 00:49:20,160
Speaker 16: able to see what all on the other side of

1265
00:49:20,239 --> 00:49:23,120
Speaker 16: the city was doing and all that went to every

1266
00:49:23,160 --> 00:49:25,239
Speaker 16: school was doing. So they under a different level of

1267
00:49:25,320 --> 00:49:29,279
Speaker 16: pressure because at fifteen years old, if Wanda god Rest

1268
00:49:29,360 --> 00:49:31,640
Speaker 16: her soul would have had cameras in her house, she

1269
00:49:31,680 --> 00:49:34,040
Speaker 16: would have went to jail. She would have went to

1270
00:49:34,239 --> 00:49:36,279
Speaker 16: jail for the that I was doing in her house

1271
00:49:36,320 --> 00:49:40,799
Speaker 16: at fifteen years old. You know, I think that ford thinking, like, now,

1272
00:49:41,080 --> 00:49:43,160
Speaker 16: it is what it is, But in ten years, what

1273
00:49:43,320 --> 00:49:44,320
Speaker 16: is it going to be? You know, I don't know

1274
00:49:44,320 --> 00:49:46,440
Speaker 16: if y'all seen that Apple vision that came out y'all

1275
00:49:46,560 --> 00:49:47,960
Speaker 16: used it. Yeah, I got one of those.

1276
00:49:48,960 --> 00:49:51,680
Speaker 2: You said, why you say that wasn't to think pad

1277
00:49:51,760 --> 00:49:52,840
Speaker 2: and not an Apple computer?

1278
00:49:53,160 --> 00:49:53,359
Speaker 1: Yeah?

1279
00:49:53,400 --> 00:49:57,800
Speaker 16: Oh yeah, yeah everybody, Yeah, that's all that. I've just

1280
00:49:57,920 --> 00:49:59,800
Speaker 16: realized that he got that old ass computer.

1281
00:50:00,640 --> 00:50:02,600
Speaker 5: Good job, a lot of good luck on this computer,

1282
00:50:02,600 --> 00:50:04,719
Speaker 5: a lot of good data for fourteen years.

1283
00:50:04,840 --> 00:50:08,279
Speaker 1: You had that computer for fourteen years. He started. Boy,

1284
00:50:08,400 --> 00:50:11,640
Speaker 1: I know, now, hell no, ain't something. Now, lets you

1285
00:50:11,719 --> 00:50:13,680
Speaker 1: go to a pawn shop. That's what it is.

1286
00:50:13,880 --> 00:50:17,839
Speaker 16: That Yeah, I know, boy, you're talking about secrets. Ain't

1287
00:50:17,840 --> 00:50:18,960
Speaker 16: no tell him what's in that computer?

1288
00:50:19,080 --> 00:50:20,640
Speaker 1: But with his history, see what he looks. I show

1289
00:50:20,640 --> 00:50:22,279
Speaker 1: you something. It was kind of crazy. I don't want

1290
00:50:22,280 --> 00:50:26,880
Speaker 1: to see it. They stopped looking. I never know what.

1291
00:50:27,719 --> 00:50:29,239
Speaker 1: It reminds me of that when I first moved to

1292
00:50:29,280 --> 00:50:30,960
Speaker 1: New York. What was what was I on? And I

1293
00:50:31,000 --> 00:50:33,160
Speaker 1: can see it just by looking. I'm sure sure you

1294
00:50:33,200 --> 00:50:34,560
Speaker 1: have no, don't show me after.

1295
00:50:36,280 --> 00:50:42,600
Speaker 5: DJ Apple yeah, yeah, yeah, but uh, you know a

1296
00:50:42,680 --> 00:50:44,560
Speaker 5: lot of Michael Cors bag Let's tell you that much.

1297
00:50:44,600 --> 00:50:48,879
Speaker 16: For that's how that's Michael give in trouble at whole course. Yeah,

1298
00:50:48,920 --> 00:50:52,560
Speaker 16: he was buying Michael Core's bag. Looking see what I'm saying.

1299
00:50:53,000 --> 00:50:56,600
Speaker 16: The town, the town bought a Michael Cors bag, like

1300
00:50:56,840 --> 00:50:58,200
Speaker 16: the night shift at the CBS.

1301
00:50:59,040 --> 00:50:59,400
Speaker 1: Crazy.

1302
00:50:59,640 --> 00:51:02,359
Speaker 16: Yeah, you is at the outlet for sure. They don't

1303
00:51:02,400 --> 00:51:04,279
Speaker 16: even to sell the bags in the real store. You

1304
00:51:04,440 --> 00:51:07,840
Speaker 16: had to go to the Tanger outlets to get the

1305
00:51:08,000 --> 00:51:09,240
Speaker 16: Michael COR's bangs.

1306
00:51:09,480 --> 00:51:11,960
Speaker 1: That's crazy. You can talk about the Apple Vision.

1307
00:51:11,760 --> 00:51:15,719
Speaker 16: Oh yeah, you didn't have it. You didn't have Apple Vision.

1308
00:51:15,760 --> 00:51:18,400
Speaker 16: You had Michael Cords Vision, that's what you had. But no,

1309
00:51:19,160 --> 00:51:21,719
Speaker 16: I say that to say it's a dope, like you know,

1310
00:51:22,320 --> 00:51:24,319
Speaker 16: look into the future because you put this on your

1311
00:51:24,360 --> 00:51:26,200
Speaker 16: face and it's your phone on your face, you know

1312
00:51:26,239 --> 00:51:28,319
Speaker 16: what I mean. Everything that you can do on your

1313
00:51:28,360 --> 00:51:30,040
Speaker 16: phone you can do on this machine and you can

1314
00:51:30,080 --> 00:51:32,160
Speaker 16: walk around with it on. The only thing is now

1315
00:51:32,320 --> 00:51:34,160
Speaker 16: you know it's so expensive that you're just gonna look

1316
00:51:34,200 --> 00:51:36,239
Speaker 16: like an ask around with it on. But what the

1317
00:51:36,320 --> 00:51:39,320
Speaker 16: reality is this is the future, Like this is the

1318
00:51:39,640 --> 00:51:43,600
Speaker 16: the beta version of this machine. So this is basically

1319
00:51:43,719 --> 00:51:46,840
Speaker 16: the Nintendo of the future. So you think about what

1320
00:51:46,920 --> 00:51:49,759
Speaker 16: the Nintendo was versus what the PS five is. So

1321
00:51:49,880 --> 00:51:52,560
Speaker 16: by the time you know, our kids get to be

1322
00:51:52,680 --> 00:51:54,799
Speaker 16: our age, this is gonna be irrelevant.

1323
00:51:54,920 --> 00:51:55,080
Speaker 1: You know.

1324
00:51:55,239 --> 00:51:57,359
Speaker 16: In my mind, I'm like, yeah, that sounds crazy now

1325
00:51:57,360 --> 00:51:59,400
Speaker 16: because they doing it. But imagine if we had the

1326
00:51:59,520 --> 00:52:01,920
Speaker 16: Internet in two thousands.

1327
00:52:02,000 --> 00:52:02,480
Speaker 1: You know what I mean?

1328
00:52:02,560 --> 00:52:04,680
Speaker 16: Ain't no telling jess if you had the Internet in

1329
00:52:04,719 --> 00:52:08,200
Speaker 16: the two thousands, I'm asked, See, that's what I mean

1330
00:52:08,280 --> 00:52:09,800
Speaker 16: that let me know what type of time he was on.

1331
00:52:09,920 --> 00:52:12,480
Speaker 16: You was in Baltimore eating crab cakes, and I already

1332
00:52:12,600 --> 00:52:14,960
Speaker 16: know what time it would have been because I might

1333
00:52:15,040 --> 00:52:17,160
Speaker 16: have came to see you in two thousand and seven

1334
00:52:17,480 --> 00:52:18,200
Speaker 16: if i'd have known.

1335
00:52:18,680 --> 00:52:19,839
Speaker 1: You know what I know now?

1336
00:52:20,120 --> 00:52:21,279
Speaker 2: But you've been bluffing for years.

1337
00:52:21,360 --> 00:52:25,880
Speaker 16: Ain't nobody been bluffing? Ain't nobody been bluffing. Ain't nobody

1338
00:52:26,000 --> 00:52:29,120
Speaker 16: been bluffing, Ain't nobody been bluffing?

1339
00:52:29,200 --> 00:52:31,640
Speaker 1: On't do that? How's yours?

1340
00:52:32,239 --> 00:52:34,480
Speaker 2: I'm good, I'm pregnant, and I'm happy now, So what's up?

1341
00:52:34,840 --> 00:52:37,160
Speaker 1: I mean, I don't understand why you're coming at me

1342
00:52:37,320 --> 00:52:38,839
Speaker 1: like that, Like, what is it that your base.

1343
00:52:39,239 --> 00:52:42,600
Speaker 2: No, no, no, no, he was scared.

1344
00:52:42,680 --> 00:52:45,040
Speaker 1: He was What was I scared of? What was I

1345
00:52:45,120 --> 00:52:46,560
Speaker 1: scared of? Telling me what I was scared of?

1346
00:52:46,680 --> 00:52:48,480
Speaker 2: I don't But it wasn't even even scared. He just

1347
00:52:48,760 --> 00:52:49,239
Speaker 2: wasn't with it.

1348
00:52:49,440 --> 00:52:51,880
Speaker 13: When I first got the wild out, I was like,

1349
00:52:52,000 --> 00:52:54,040
Speaker 13: oh my gosh, I like this. He quiet, like he

1350
00:52:54,120 --> 00:52:56,480
Speaker 13: ain't all all over the place, like you know, he

1351
00:52:56,480 --> 00:53:00,839
Speaker 13: ain't wil That wasn't even when I first got dead.

1352
00:53:01,360 --> 00:53:01,919
Speaker 1: That was the later.

1353
00:53:02,800 --> 00:53:05,279
Speaker 13: Yeah, so I you know, I tried to throw some

1354
00:53:05,400 --> 00:53:07,880
Speaker 13: game on him, but he was like, oh, don't you

1355
00:53:07,960 --> 00:53:08,520
Speaker 13: have a boyfriend.

1356
00:53:08,560 --> 00:53:11,000
Speaker 2: I'm like, be worried about that, you know what I mean?

1357
00:53:11,880 --> 00:53:15,200
Speaker 16: Yeah right, I come from out the ghetto. You about

1358
00:53:15,239 --> 00:53:16,400
Speaker 16: the Jesse Larry Is and my.

1359
00:53:18,920 --> 00:53:19,320
Speaker 1: Boyfriend.

1360
00:53:19,360 --> 00:53:20,160
Speaker 2: He wasn't that type.

1361
00:53:20,239 --> 00:53:24,520
Speaker 13: So that's the That's why, yeah I did. That's why

1362
00:53:24,520 --> 00:53:26,480
Speaker 13: I was going that chick. I'm okay, now you're cool,

1363
00:53:26,560 --> 00:53:30,240
Speaker 13: you know, quiet right right? But he really like funny,

1364
00:53:30,520 --> 00:53:31,319
Speaker 13: like he down to earth.

1365
00:53:31,600 --> 00:53:32,359
Speaker 1: I'm like, all right, cool.

1366
00:53:32,800 --> 00:53:34,759
Speaker 2: So I told him that I broke up with him.

1367
00:53:35,040 --> 00:53:35,920
Speaker 2: I told him that I broke.

1368
00:53:41,239 --> 00:53:42,279
Speaker 1: Yeah, I did.

1369
00:53:42,600 --> 00:53:43,960
Speaker 13: I let like a week go by and I was like,

1370
00:53:44,120 --> 00:53:46,279
Speaker 13: what's up? Now we broke up. I was acting said

1371
00:53:46,360 --> 00:53:48,759
Speaker 13: and everything. I was like, I'm like, say it, like,

1372
00:53:49,160 --> 00:53:51,520
Speaker 13: what's up now? He was like, you didn't break up

1373
00:53:51,560 --> 00:53:54,560
Speaker 13: with him? Like no, you didn't and I didn't.

1374
00:53:54,680 --> 00:53:55,120
Speaker 7: But I'm like.

1375
00:53:58,840 --> 00:54:00,160
Speaker 1: That I don't want none, and.

1376
00:54:00,200 --> 00:54:03,760
Speaker 16: That's crazy, that's crazy.

1377
00:54:04,120 --> 00:54:05,440
Speaker 2: I was like, I was like, all right, he just

1378
00:54:05,480 --> 00:54:06,040
Speaker 2: gonna be a brother.

1379
00:54:06,840 --> 00:54:09,239
Speaker 16: Yeah, because because you're trying to stand you know my

1380
00:54:09,480 --> 00:54:12,080
Speaker 16: I gotta be very selective with any woman I deal

1381
00:54:12,160 --> 00:54:14,600
Speaker 16: with because of the perspective that I have and how

1382
00:54:14,640 --> 00:54:17,120
Speaker 16: I live. I'm you're not about to come at me.

1383
00:54:17,239 --> 00:54:18,759
Speaker 16: Not saying that you would have did this, but I

1384
00:54:18,840 --> 00:54:20,600
Speaker 16: know you would have, just because I know you who

1385
00:54:20,680 --> 00:54:22,520
Speaker 16: you are. You're just that type of person that you're

1386
00:54:22,560 --> 00:54:25,080
Speaker 16: going to flash out. But you're not going to be

1387
00:54:25,200 --> 00:54:27,719
Speaker 16: the only woman that I'm dealing with. And that's so

1388
00:54:27,840 --> 00:54:30,360
Speaker 16: I have to be very very careful with who I

1389
00:54:30,480 --> 00:54:32,560
Speaker 16: let into the way that I operate.

1390
00:54:32,640 --> 00:54:36,800
Speaker 1: I want to just game. Just then, she offers you

1391
00:54:36,880 --> 00:54:40,560
Speaker 1: crab legs Baltimore. You want to get some crab legs.

1392
00:54:41,120 --> 00:54:42,800
Speaker 1: You want to get some crab legs and listen to

1393
00:54:42,840 --> 00:54:46,239
Speaker 1: some house music. I got this.

1394
00:54:46,280 --> 00:54:48,680
Speaker 16: Special Butter, I make I make this special Butter I

1395
00:54:48,760 --> 00:54:50,399
Speaker 16: put a little bit of cream cheese and and sort

1396
00:54:50,400 --> 00:54:51,400
Speaker 16: of butter last longer.

1397
00:54:51,800 --> 00:54:52,319
Speaker 5: You wanted some.

1398
00:54:52,800 --> 00:54:56,120
Speaker 2: Legs you want and he was cool. He was yo,

1399
00:54:56,280 --> 00:54:58,279
Speaker 2: and that's the thing. He be talking all smooth, you know,

1400
00:54:58,719 --> 00:55:02,239
Speaker 2: you know, and I'm like, I know, yeah, he don't.

1401
00:55:02,320 --> 00:55:03,879
Speaker 2: He ain't tried, He don't ever try.

1402
00:55:04,880 --> 00:55:07,399
Speaker 13: He just And then by the time I actually really

1403
00:55:07,480 --> 00:55:10,080
Speaker 13: did break up with Chris, this was my ex boyfriend,

1404
00:55:10,120 --> 00:55:10,719
Speaker 13: the first Chris.

1405
00:55:11,239 --> 00:55:12,440
Speaker 1: By the time I did break.

1406
00:55:12,360 --> 00:55:12,839
Speaker 10: Up with him.

1407
00:55:14,280 --> 00:55:16,200
Speaker 2: Christ, but this one Mexican relaxed and he gotta jump

1408
00:55:16,239 --> 00:55:16,800
Speaker 2: me take everything.

1409
00:55:16,840 --> 00:55:17,800
Speaker 1: So this is good, okay.

1410
00:55:17,960 --> 00:55:21,399
Speaker 13: So right by the time I got really Chris for real,

1411
00:55:22,080 --> 00:55:24,800
Speaker 13: I had already got to know him and we was

1412
00:55:26,400 --> 00:55:27,520
Speaker 13: man and got closed.

1413
00:55:27,560 --> 00:55:30,600
Speaker 5: And I was just like that last question because he

1414
00:55:30,680 --> 00:55:33,759
Speaker 5: is a comedian and you got away with words. Do

1415
00:55:33,840 --> 00:55:36,239
Speaker 5: you think there's anything wrong with referring to somebody as big.

1416
00:55:36,760 --> 00:55:38,640
Speaker 1: Uh in today's society?

1417
00:55:38,760 --> 00:55:39,920
Speaker 10: Of course it is.

1418
00:55:40,040 --> 00:55:42,160
Speaker 1: That's why you got in trouble. You heard that lady feeling,

1419
00:55:42,280 --> 00:55:43,719
Speaker 1: I wasn't even talking to her or I was talking

1420
00:55:43,719 --> 00:55:44,720
Speaker 1: about behavior.

1421
00:55:44,840 --> 00:55:48,200
Speaker 16: I mean, I don't care you heard that lady feelingsologize,

1422
00:55:48,239 --> 00:55:50,960
Speaker 16: I apologize back with shape like a pack of flushable wipes.

1423
00:55:51,000 --> 00:55:55,160
Speaker 16: That's messed up. That's what you said. I heard you saying,

1424
00:55:55,600 --> 00:55:58,920
Speaker 16: yes you didn't radio. Now that's what you're said about

1425
00:55:58,960 --> 00:56:04,280
Speaker 16: that lady to the lovely voluptuous women of the world.

1426
00:56:04,080 --> 00:56:06,319
Speaker 1: And makes sure a better word.

1427
00:56:06,400 --> 00:56:08,960
Speaker 16: I belove you women with the voluptionist women of the

1428
00:56:09,000 --> 00:56:11,239
Speaker 16: world and all the way. Yeah, have all the voluptuous women.

1429
00:56:11,280 --> 00:56:12,759
Speaker 16: Make sure you get your tickets to the weed and

1430
00:56:12,840 --> 00:56:13,399
Speaker 16: One's tour.

1431
00:56:13,560 --> 00:56:17,120
Speaker 1: All right, it's the breakfast club. You're checking out the

1432
00:56:17,200 --> 00:56:17,959
Speaker 1: breakfast club.

1433
00:56:21,800 --> 00:56:22,840
Speaker 7: Damn heg.

1434
00:56:24,520 --> 00:56:27,759
Speaker 1: It's the time for donkey, I mean trying to be

1435
00:56:27,880 --> 00:56:30,200
Speaker 1: donkey today. No more. They should be embarrassed by what

1436
00:56:30,280 --> 00:56:32,640
Speaker 1: they already did. I'm not making new people do these.

1437
00:56:32,560 --> 00:56:35,719
Speaker 2: Days called donkey of the day, and it really caught

1438
00:56:35,800 --> 00:56:36,480
Speaker 2: me off guard.

1439
00:56:36,640 --> 00:56:36,879
Speaker 1: Damn.

1440
00:56:37,080 --> 00:56:39,359
Speaker 5: History Month goes to a twenty four year old man

1441
00:56:39,440 --> 00:56:40,640
Speaker 5: named Isaiah bar two.

1442
00:56:41,120 --> 00:56:43,600
Speaker 1: Isaiah is from Nebraska. Ladies and gentlemen.

1443
00:56:46,280 --> 00:56:51,960
Speaker 5: In Nebraska, you might be just depends on your definition

1444
00:56:52,120 --> 00:56:54,920
Speaker 5: of ill. Okay, by ill you mean mentally, Yeah, that's

1445
00:56:55,000 --> 00:56:58,240
Speaker 5: probably true. See, Isaiah was looking for a sweet lacky.

1446
00:56:58,280 --> 00:57:01,480
Speaker 5: Y'all know what a sweet lake is, right, huh? All

1447
00:57:01,520 --> 00:57:03,800
Speaker 5: you toxic studs calm down. I'm not talking about that

1448
00:57:03,920 --> 00:57:07,359
Speaker 5: kind of sweet lick, all right, Okay, I'm talking about

1449
00:57:07,400 --> 00:57:10,240
Speaker 5: the kind of sweet lick that the Urban Dictionary defines

1450
00:57:10,320 --> 00:57:12,759
Speaker 5: his easy money. Basically, if I wanted to rob you

1451
00:57:13,160 --> 00:57:15,520
Speaker 5: take something from you, it would be easy to do so.

1452
00:57:15,640 --> 00:57:18,640
Speaker 5: I guess Isaiah, knowing he had a sweet lick, decided

1453
00:57:18,680 --> 00:57:21,400
Speaker 5: to use something sweet to get the lick off. All

1454
00:57:21,480 --> 00:57:23,880
Speaker 5: the toxic stugs out there are like, uncle, shlah, what

1455
00:57:24,040 --> 00:57:26,720
Speaker 5: are you talking about? Why do you keep talking about

1456
00:57:26,800 --> 00:57:30,800
Speaker 5: sweets and licks? You're making us hungry and horny. Coming Well,

1457
00:57:30,880 --> 00:57:32,640
Speaker 5: let's go to ten eleven Now News for the report.

1458
00:57:32,680 --> 00:57:33,000
Speaker 1: Police.

1459
00:57:33,240 --> 00:57:37,240
Speaker 14: A Lincoln man is in jail or accused of holding

1460
00:57:37,360 --> 00:57:41,120
Speaker 14: up a quick shop and taking money from the register.

1461
00:57:41,400 --> 00:57:44,720
Speaker 14: Police say Isaiah bar Two walked into the store earlier

1462
00:57:44,800 --> 00:57:48,880
Speaker 14: this week and demanded money, and employee tells officers bar

1463
00:57:49,000 --> 00:57:52,760
Speaker 14: Two had a hostess cinnamon roll box over his hand,

1464
00:57:53,360 --> 00:57:56,240
Speaker 14: making them believe he was armed with a gun. Now,

1465
00:57:56,320 --> 00:57:59,280
Speaker 14: they gave him money and he took off. Investigators say

1466
00:57:59,320 --> 00:58:02,760
Speaker 14: bar Two later found nearby with a handgun.

1467
00:58:02,920 --> 00:58:04,480
Speaker 17: I don't get money and math.

1468
00:58:04,920 --> 00:58:07,840
Speaker 14: He's facing a number of charges, including for robbery and

1469
00:58:07,960 --> 00:58:09,080
Speaker 14: weapons violations.

1470
00:58:09,560 --> 00:58:11,600
Speaker 1: I don't get it. This is what I don't understand.

1471
00:58:11,600 --> 00:58:15,080
Speaker 5: If you actually had a handgun that police caught you

1472
00:58:15,240 --> 00:58:19,200
Speaker 5: with later after the robbery, why would you rob quick

1473
00:58:19,200 --> 00:58:21,400
Speaker 5: shop with a box of host of cinnamon ross What

1474
00:58:21,600 --> 00:58:23,920
Speaker 5: is the reason you had a pistol but you decided

1475
00:58:23,960 --> 00:58:24,840
Speaker 5: to use pastries.

1476
00:58:25,040 --> 00:58:28,280
Speaker 1: This man has a gun tatted on his right forearm.

1477
00:58:28,400 --> 00:58:31,080
Speaker 5: Why I don't know, because clearly it's just for show,

1478
00:58:31,280 --> 00:58:33,320
Speaker 5: because he chose cinnabuns over guns.

1479
00:58:33,400 --> 00:58:33,600
Speaker 1: Yeah.

1480
00:58:33,840 --> 00:58:36,400
Speaker 5: I like cinna buns over guns too, especially when I'm

1481
00:58:36,440 --> 00:58:38,520
Speaker 5: high off marijuana with the munchies and when I'm at

1482
00:58:38,600 --> 00:58:41,240
Speaker 5: Charlston International Airport, but not when robbing.

1483
00:58:41,000 --> 00:58:44,040
Speaker 1: A quick shop. Okay, we all play too much, all right.

1484
00:58:44,080 --> 00:58:47,160
Speaker 5: I don't understand why humans play with their own lives

1485
00:58:47,400 --> 00:58:49,600
Speaker 5: and the lives of others. You go in quick shop

1486
00:58:49,640 --> 00:58:52,200
Speaker 5: with a box of cinnamon rolls, not a person behind

1487
00:58:52,240 --> 00:58:53,960
Speaker 5: the counter is fan for their life because they think

1488
00:58:54,000 --> 00:58:55,760
Speaker 5: you got a gun. They might have a gun, and

1489
00:58:55,880 --> 00:58:58,080
Speaker 5: they might be fast on the draw. Next thing, you know,

1490
00:58:58,200 --> 00:59:00,960
Speaker 5: you dad over a Danish You gonna explain that in

1491
00:59:01,000 --> 00:59:04,360
Speaker 5: the afterlife. Okay, Sitting in the hell over Hostess cinnamon

1492
00:59:04,480 --> 00:59:08,120
Speaker 5: Rolls eternal hell fire for cinnamon swirls. The news report

1493
00:59:08,200 --> 00:59:11,560
Speaker 5: says the female clerk feared the container of hostess cinnamon

1494
00:59:11,680 --> 00:59:14,120
Speaker 5: rolls contained a handgun, That's why she gave up the money.

1495
00:59:14,280 --> 00:59:17,560
Speaker 5: But no, it was just individually wrapped frosted pastries. Young lady,

1496
00:59:17,600 --> 00:59:19,120
Speaker 5: you did the right things. Drop on a clues box

1497
00:59:19,200 --> 00:59:22,520
Speaker 5: of that, young lady. This isn't social media where you

1498
00:59:22,600 --> 00:59:24,560
Speaker 5: have time to figure out if something is real or not.

1499
00:59:24,880 --> 00:59:27,320
Speaker 5: Quick shopping dying for you. Give that man a couple

1500
00:59:27,320 --> 00:59:29,640
Speaker 5: of dollars for his latest meth habit and move on.

1501
00:59:29,880 --> 00:59:30,000
Speaker 14: Now.

1502
00:59:30,120 --> 00:59:32,800
Speaker 5: I don't know whether the blameness on the meth or

1503
00:59:32,840 --> 00:59:35,960
Speaker 5: the current society we live in. See I understand drugs

1504
00:59:36,040 --> 00:59:38,400
Speaker 5: make you do something strange for a little bit of change,

1505
00:59:38,720 --> 00:59:40,920
Speaker 5: but we also just live in a strange society. It's

1506
00:59:40,960 --> 00:59:44,480
Speaker 5: a bizarre world where a man would absolutely leave his

1507
00:59:44,600 --> 00:59:47,400
Speaker 5: pistol at home, but put his hostess in a gun

1508
00:59:47,480 --> 00:59:50,280
Speaker 5: hoster to go rob the quick shops, only to get

1509
00:59:50,400 --> 00:59:56,800
Speaker 5: caught and charged for his pistol later. Some donkey today

1510
00:59:56,840 --> 00:59:59,440
Speaker 5: is just sell themselves. Please give Isaiah bartwo to Sweet

1511
00:59:59,440 --> 01:00:00,000
Speaker 5: Sounds of a Hammer.

1512
01:00:05,560 --> 01:00:21,000
Speaker 10: Oh it's the breakfast Club, Good.

1513
01:00:20,840 --> 01:00:23,000
Speaker 1: Morning, the Breakfast Club.

1514
01:00:25,360 --> 01:00:25,520
Speaker 17: One.

1515
01:00:25,720 --> 01:00:29,280
Speaker 4: Everybody is the dj n V, Jess Hilarious, Charlamagne the God.

1516
01:00:29,320 --> 01:00:31,560
Speaker 4: We are the Breakfast Club. We got a special guests.

1517
01:00:31,320 --> 01:00:31,800
Speaker 10: In the building.

1518
01:00:31,960 --> 01:00:37,920
Speaker 2: We have money long welcome, Gray Award winning say that welcome.

1519
01:00:38,080 --> 01:00:39,760
Speaker 1: How you feeling. I'm really good.

1520
01:00:39,800 --> 01:00:43,040
Speaker 3: I'm super just grateful. Like you know, the first time

1521
01:00:43,120 --> 01:00:45,760
Speaker 3: I came, I was still trying to figure it out.

1522
01:00:45,840 --> 01:00:48,960
Speaker 1: It was early and the money got longer.

1523
01:00:49,320 --> 01:00:51,360
Speaker 17: Amen, never see that.

1524
01:00:52,400 --> 01:00:54,720
Speaker 3: It's just it's just amazing to just like watch how

1525
01:00:55,120 --> 01:00:56,720
Speaker 3: God weaves the fabric, you know what I mean.

1526
01:00:57,240 --> 01:00:59,120
Speaker 17: I'm just you know, I'm grateful. I'm very happy.

1527
01:00:59,280 --> 01:01:00,360
Speaker 2: So your song made.

1528
01:01:01,320 --> 01:01:03,560
Speaker 13: That's like one of the biggest biggest tracks right now.

1529
01:01:03,600 --> 01:01:04,680
Speaker 13: Did you think that you ever top?

1530
01:01:04,720 --> 01:01:07,840
Speaker 3: I was, and I was, no, No, really no, I

1531
01:01:07,920 --> 01:01:10,360
Speaker 3: mean you know, at that moment, that was the biggest

1532
01:01:10,360 --> 01:01:11,800
Speaker 3: thing that had ever happened to me.

1533
01:01:12,000 --> 01:01:15,600
Speaker 17: Yeah, and so and it was just a moment culturally.

1534
01:01:15,840 --> 01:01:17,400
Speaker 3: I mean, I want to be careful how I talk

1535
01:01:17,400 --> 01:01:20,160
Speaker 3: about myself because you know, I don't want to sound

1536
01:01:20,440 --> 01:01:23,720
Speaker 3: the Lulu. But at the time, it was just like, Yo,

1537
01:01:24,000 --> 01:01:27,200
Speaker 3: this girl just came out of nowhere during the fourth quarter,

1538
01:01:27,280 --> 01:01:29,160
Speaker 3: which is like a no, no, it's like Christmas music.

1539
01:01:29,720 --> 01:01:30,480
Speaker 2: You just don't do that.

1540
01:01:30,680 --> 01:01:35,240
Speaker 3: I was independent thirty four at the time, and black

1541
01:01:35,920 --> 01:01:38,760
Speaker 3: a woman, R and B music, all things that people

1542
01:01:38,800 --> 01:01:42,360
Speaker 3: are just like no, no, no, we don't want it.

1543
01:01:43,080 --> 01:01:49,240
Speaker 3: And then the way that people just received the song men, women, children,

1544
01:01:49,760 --> 01:01:52,080
Speaker 3: the church. They were singing in the church house. It

1545
01:01:52,240 --> 01:01:56,120
Speaker 3: was just like everywhere, and so no, of course you

1546
01:01:56,200 --> 01:01:59,640
Speaker 3: don't think that you're gonna do that again. You know,

1547
01:02:00,200 --> 01:02:01,600
Speaker 3: same effect even bigger.

1548
01:02:01,960 --> 01:02:03,680
Speaker 1: How was it the church version of Hours and Out?

1549
01:02:03,960 --> 01:02:08,480
Speaker 17: I could praise you for out, talk with you for Out.

1550
01:02:14,600 --> 01:02:20,560
Speaker 1: I give you a couple of minutes. The secret all

1551
01:02:20,600 --> 01:02:23,360
Speaker 1: of these hits you you be writing, God, there you go.

1552
01:02:24,040 --> 01:02:25,919
Speaker 3: Even it's not a secret, it's just like I really

1553
01:02:26,240 --> 01:02:28,160
Speaker 3: I was scrolling through my posts the other day and

1554
01:02:28,240 --> 01:02:30,680
Speaker 3: reading my captions and I'm like, wow, Like, if you

1555
01:02:30,800 --> 01:02:32,720
Speaker 3: didn't know me, you would really be like this girl

1556
01:02:33,240 --> 01:02:35,560
Speaker 3: is tapped in and I am, but I you know,

1557
01:02:35,640 --> 01:02:37,760
Speaker 3: I'm not. That's I'm not trying to put that on.

1558
01:02:37,920 --> 01:02:39,440
Speaker 3: That's just really what's in me.

1559
01:02:40,000 --> 01:02:42,320
Speaker 4: You know, how long did it take you to break

1560
01:02:42,360 --> 01:02:44,280
Speaker 4: into the game? For most for artists out there that's

1561
01:02:44,320 --> 01:02:46,280
Speaker 4: just trying to get in and it's taking a long time.

1562
01:02:46,640 --> 01:02:48,040
Speaker 4: How long did it take for you to get to

1563
01:02:48,120 --> 01:02:49,919
Speaker 4: where you was like, wow, I really have a shot.

1564
01:02:50,600 --> 01:02:53,280
Speaker 17: I mean, you know, to use your words. In my opinion,

1565
01:02:53,360 --> 01:02:54,880
Speaker 17: I'm still breaking you know.

1566
01:02:56,840 --> 01:02:58,760
Speaker 3: I mean lots of people have grammies that you never

1567
01:02:58,840 --> 01:03:01,400
Speaker 3: heard of, you know, So like for where I want

1568
01:03:01,440 --> 01:03:04,480
Speaker 3: to go, I still have a little bit a piece

1569
01:03:04,520 --> 01:03:05,440
Speaker 3: of my own and to climb.

1570
01:03:05,760 --> 01:03:07,080
Speaker 17: But I've been doing this.

1571
01:03:07,880 --> 01:03:11,280
Speaker 3: I've been wanting to do this since I was fourteen

1572
01:03:11,400 --> 01:03:14,520
Speaker 3: or fifteen years old, half my life, and then I

1573
01:03:14,800 --> 01:03:18,600
Speaker 3: started professionally when I was about nineteen. I was uploading

1574
01:03:18,680 --> 01:03:22,360
Speaker 3: videos on YouTube before that was like normal when I

1575
01:03:22,480 --> 01:03:24,760
Speaker 3: was like sixteen, doing it for my bedroom and stuff

1576
01:03:24,760 --> 01:03:28,080
Speaker 3: like that. Once I got into the business in the game,

1577
01:03:28,720 --> 01:03:31,520
Speaker 3: it took me until about twenty one, twenty three to

1578
01:03:31,600 --> 01:03:34,680
Speaker 3: really start seeing some money. And then from there twenty

1579
01:03:34,800 --> 01:03:38,520
Speaker 3: three to about twenty eight, twenty nine, I'm just in

1580
01:03:38,600 --> 01:03:41,280
Speaker 3: a studio cooking, like writing for all these people. And

1581
01:03:41,440 --> 01:03:45,320
Speaker 3: then it took me another three or four years to

1582
01:03:45,520 --> 01:03:47,800
Speaker 3: just be like, Okay, I've been doing this for ten

1583
01:03:47,880 --> 01:03:50,040
Speaker 3: years now, it ain't really I feel like I'm at

1584
01:03:50,160 --> 01:03:52,720
Speaker 3: the ceiling. What's next for me? And so these last

1585
01:03:52,760 --> 01:03:55,440
Speaker 3: three years I've been just focusing on myself. So all

1586
01:03:55,480 --> 01:03:57,200
Speaker 3: in all, you know, I'm not really too great with math,

1587
01:03:57,240 --> 01:03:59,640
Speaker 3: but I want to say about fifteen seventeen years it

1588
01:03:59,720 --> 01:04:00,400
Speaker 3: took me to.

1589
01:04:01,120 --> 01:04:02,000
Speaker 17: Get to this place.

1590
01:04:02,240 --> 01:04:03,680
Speaker 1: Did you ever want to quit? All the fact that.

1591
01:04:05,880 --> 01:04:06,880
Speaker 17: I wanted to quit so.

1592
01:04:07,000 --> 01:04:09,880
Speaker 3: Many times, and I would be in my closet screaming

1593
01:04:09,960 --> 01:04:14,000
Speaker 3: into a pillow, crying like why a bad.

1594
01:04:16,520 --> 01:04:16,760
Speaker 1: People?

1595
01:04:19,800 --> 01:04:22,480
Speaker 17: The misconception with that is this a two year pipeline.

1596
01:04:22,600 --> 01:04:24,320
Speaker 3: So imagine going to work and you don't get a

1597
01:04:24,400 --> 01:04:27,480
Speaker 3: check for two years and your co workers is nasty

1598
01:04:27,880 --> 01:04:29,720
Speaker 3: and they don't want to feed you, and you got

1599
01:04:29,840 --> 01:04:32,840
Speaker 3: to figure out, you know, like the actual reality of

1600
01:04:32,960 --> 01:04:36,080
Speaker 3: it is not glamorous at all. You know, I don't

1601
01:04:36,080 --> 01:04:38,600
Speaker 3: know if you guys saw a fellow songwriter, Tiffany Fresh,

1602
01:04:38,640 --> 01:04:40,920
Speaker 3: She was kind of talking about it online, just about

1603
01:04:41,320 --> 01:04:44,400
Speaker 3: writers artists who take publishing and like there's all these

1604
01:04:44,480 --> 01:04:47,200
Speaker 3: things that happened to you as a writer that you know,

1605
01:04:47,320 --> 01:04:51,600
Speaker 3: that's what is paying your dues. And so eventually, you know,

1606
01:04:52,040 --> 01:04:54,280
Speaker 3: you either fatigue out and you'd be like, I can't

1607
01:04:54,320 --> 01:04:57,280
Speaker 3: do this, ain't for me, or you just keep going

1608
01:04:57,320 --> 01:04:59,200
Speaker 3: and you keep taking it on the chin, like I

1609
01:04:59,440 --> 01:05:02,040
Speaker 3: got kicked so many times and I just kept getting

1610
01:05:02,080 --> 01:05:04,640
Speaker 3: back up, like to to day. You know, people used

1611
01:05:04,640 --> 01:05:06,520
Speaker 3: to be like she a little crazy, she she owned something?

1612
01:05:06,960 --> 01:05:09,200
Speaker 3: Why did she keep coming back? Why is she so nice?

1613
01:05:10,080 --> 01:05:11,720
Speaker 3: And it was really just because I would hear this

1614
01:05:11,800 --> 01:05:13,880
Speaker 3: little voice in the back of my mind like, but

1615
01:05:14,040 --> 01:05:17,400
Speaker 3: if you quit, tomorrow could be today, next week, it

1616
01:05:17,440 --> 01:05:19,680
Speaker 3: could be I don't know. I just felt this tugging,

1617
01:05:19,840 --> 01:05:22,600
Speaker 3: just this little tiny tug in my stomach, like girl.

1618
01:05:23,000 --> 01:05:25,120
Speaker 2: And then going quit, then all of it would have

1619
01:05:25,200 --> 01:05:27,000
Speaker 2: been for nothing. You get what I'm saying.

1620
01:05:27,200 --> 01:05:29,440
Speaker 13: You would be looking back on a different story today,

1621
01:05:29,880 --> 01:05:31,920
Speaker 13: you know, it wouldn't be made for you, and hours

1622
01:05:31,960 --> 01:05:32,400
Speaker 13: for hours.

1623
01:05:32,480 --> 01:05:33,200
Speaker 2: I love the visual.

1624
01:05:33,200 --> 01:05:35,120
Speaker 13: By the way, you had my best friend Joe Line

1625
01:05:35,160 --> 01:05:40,640
Speaker 13: and Lewis in there. Yeah, yeah, yeah, I love that video.

1626
01:05:40,720 --> 01:05:41,440
Speaker 2: She had sent me a video.

1627
01:05:41,480 --> 01:05:42,160
Speaker 17: It was very sweet.

1628
01:05:42,400 --> 01:05:43,880
Speaker 13: She was She's very sweet. But I loved that you

1629
01:05:43,960 --> 01:05:46,080
Speaker 13: was outside the window. I was like, you was looking

1630
01:05:46,200 --> 01:05:48,000
Speaker 13: starchrish and he was looking like a live he was.

1631
01:05:48,080 --> 01:05:49,960
Speaker 13: I said, What's what's going on? But I love I

1632
01:05:50,040 --> 01:05:53,040
Speaker 13: loved the whole concept. So did you do You did

1633
01:05:53,120 --> 01:05:55,360
Speaker 13: your own treatment for that? But did the original treatment

1634
01:05:55,440 --> 01:05:56,080
Speaker 13: was very creepy.

1635
01:05:56,160 --> 01:05:59,520
Speaker 3: It was very much creepy, and everybody was like, yeah,

1636
01:06:00,040 --> 01:06:02,240
Speaker 3: we love that, you're so creative, but we can't do

1637
01:06:02,320 --> 01:06:06,280
Speaker 3: that because I had just seen like this headline about

1638
01:06:06,280 --> 01:06:08,800
Speaker 3: this chop shop in Arizona where they was taking bodies

1639
01:06:09,120 --> 01:06:11,000
Speaker 3: and it was cutting them up and like putting the

1640
01:06:11,120 --> 01:06:13,480
Speaker 3: arm from one body in the head from selling body

1641
01:06:13,520 --> 01:06:14,120
Speaker 3: parts and stuff.

1642
01:06:14,880 --> 01:06:16,240
Speaker 17: You know, we don't know if we can talk about

1643
01:06:16,280 --> 01:06:18,360
Speaker 17: that on there, but that's real, that's real stuff that

1644
01:06:18,480 --> 01:06:18,800
Speaker 17: be out here.

1645
01:06:19,000 --> 01:06:19,160
Speaker 14: Yeah.

1646
01:06:19,280 --> 01:06:23,840
Speaker 17: Crazy yeah. So so it was that, and I was like, oh,

1647
01:06:24,200 --> 01:06:27,800
Speaker 17: we could do like some Sweeney Todd like you know you.

1648
01:06:28,400 --> 01:06:31,240
Speaker 3: Yeah, Like I wanted it to be like around Holly Halloween,

1649
01:06:32,400 --> 01:06:36,920
Speaker 3: like Tim Burton kind of stuff exactly. The original idea

1650
01:06:37,040 --> 01:06:39,720
Speaker 3: was like, my, my man, you know, he had a

1651
01:06:39,760 --> 01:06:41,640
Speaker 3: little accident. He gone, he's not with us some more.

1652
01:06:42,040 --> 01:06:43,280
Speaker 3: And I'm like, well, you know what, I'm about to

1653
01:06:43,280 --> 01:06:44,800
Speaker 3: go dig him up, and then I'm about to go

1654
01:06:44,920 --> 01:06:46,360
Speaker 3: take some other body parts, and I'm gonna make me

1655
01:06:46,400 --> 01:06:48,880
Speaker 3: a Frankens time, and then we're gonna dance together. And

1656
01:06:48,920 --> 01:06:51,640
Speaker 3: then at the end he gonna squeeze me so hard

1657
01:06:51,680 --> 01:06:52,680
Speaker 3: he don't know his own string.

1658
01:06:52,520 --> 01:06:53,200
Speaker 17: And he's gonna kill me.

1659
01:06:53,720 --> 01:06:59,240
Speaker 2: Yeah, and then but you know am it a little bit? Yeah,

1660
01:06:59,320 --> 01:07:01,400
Speaker 2: let's way to give you told you not to do that.

1661
01:07:01,520 --> 01:07:06,320
Speaker 3: Everybody they're trying to get sponsors, you know, they don't

1662
01:07:06,360 --> 01:07:09,240
Speaker 3: really want to endorse this kind of thing. He can't

1663
01:07:09,280 --> 01:07:12,240
Speaker 3: be committing any crimes and so, you know, grave digging

1664
01:07:12,360 --> 01:07:14,920
Speaker 3: is a crime. And so then I reached out to

1665
01:07:15,000 --> 01:07:21,240
Speaker 3: my homeboy. But did you know, uh, reached out to

1666
01:07:21,320 --> 01:07:23,840
Speaker 3: the homie Trinidad James, and I was like, I really

1667
01:07:23,880 --> 01:07:25,360
Speaker 3: want to work with you on something. You know, he

1668
01:07:25,480 --> 01:07:27,160
Speaker 3: was doing a lot of stuff with Sexy Red, your

1669
01:07:27,400 --> 01:07:34,440
Speaker 3: your best friend, Yeah, uh, Sexy Red and who else Sukihanna, Cali,

1670
01:07:34,560 --> 01:07:35,720
Speaker 3: you know, a lot of the rapper girls. And I

1671
01:07:35,840 --> 01:07:37,720
Speaker 3: was like, well, what's up you're trying to you know,

1672
01:07:37,880 --> 01:07:40,160
Speaker 3: can you flip this treatment? And so him and his

1673
01:07:40,560 --> 01:07:44,600
Speaker 3: teammate Desk Gray turned it into this stem Black Women

1674
01:07:44,720 --> 01:07:48,520
Speaker 3: in Tech, you know, future of romance. Will we be

1675
01:07:48,640 --> 01:07:52,040
Speaker 3: dating robots in the future the way that the dating

1676
01:07:52,080 --> 01:07:53,720
Speaker 3: pool is set up right now, maybe you might have

1677
01:07:53,800 --> 01:07:56,520
Speaker 3: to make you a man, you know, And so that's

1678
01:07:56,600 --> 01:07:59,960
Speaker 3: the concept behind the video. And I think people were

1679
01:08:00,240 --> 01:08:02,360
Speaker 3: like a little creeped out there, like, well, did she

1680
01:08:02,560 --> 01:08:05,120
Speaker 3: kill him and like make him into a robot, Like,

1681
01:08:05,160 --> 01:08:06,760
Speaker 3: that's your interpretation up to you.

1682
01:08:07,320 --> 01:08:09,120
Speaker 2: I love it what it ended up being.

1683
01:08:09,400 --> 01:08:11,000
Speaker 1: I loved it. Thank you all.

1684
01:08:11,160 --> 01:08:12,960
Speaker 2: We got more with money Long when we come back,

1685
01:08:13,040 --> 01:08:13,400
Speaker 2: don't move.

1686
01:08:13,440 --> 01:08:14,200
Speaker 1: It's the Breakfast Club.

1687
01:08:14,240 --> 01:08:18,200
Speaker 4: Good morning morning everybody. It's DJ Envy, Jess, Hilarrys Charlamagne.

1688
01:08:18,200 --> 01:08:20,160
Speaker 4: The guy we are the Breakfast Club is still kicking

1689
01:08:20,200 --> 01:08:22,000
Speaker 4: it with money Long Charlamagne.

1690
01:08:22,160 --> 01:08:23,960
Speaker 1: I feel like it should be so much easier for

1691
01:08:24,040 --> 01:08:24,479
Speaker 1: ut to nowday.

1692
01:08:24,560 --> 01:08:25,840
Speaker 5: We were just having a conversation for you walked in

1693
01:08:25,880 --> 01:08:28,879
Speaker 5: the room about how nowadays people only go off their feelings.

1694
01:08:29,120 --> 01:08:31,080
Speaker 5: They can listen to every word that can come out

1695
01:08:31,120 --> 01:08:32,519
Speaker 5: of your mouth, but all they're thinking about is how

1696
01:08:32,560 --> 01:08:33,759
Speaker 5: those things make you feel.

1697
01:08:33,840 --> 01:08:35,559
Speaker 1: And music gives you a feeling.

1698
01:08:35,960 --> 01:08:38,000
Speaker 5: So as long as music feels good, it feels like

1699
01:08:38,080 --> 01:08:40,519
Speaker 5: they should already have an instant connection with you anyway, Like, oh,

1700
01:08:40,560 --> 01:08:42,080
Speaker 5: that's the person that wrote that song, so she makes

1701
01:08:42,120 --> 01:08:42,559
Speaker 5: me feel good.

1702
01:08:42,680 --> 01:08:44,920
Speaker 3: I can agree with that to on a deeper level,

1703
01:08:44,960 --> 01:08:48,040
Speaker 3: I would say it's like frequency, yep. It's like when

1704
01:08:48,040 --> 01:08:50,879
Speaker 3: you put that intention into the song when you are recording,

1705
01:08:51,160 --> 01:08:53,920
Speaker 3: it resonates, like you know when somebody tells you you

1706
01:08:54,000 --> 01:08:56,160
Speaker 3: look so beautiful, like that hits you, yeah, and it

1707
01:08:56,240 --> 01:08:58,840
Speaker 3: makes you smile, makes you feel good, or and as

1708
01:08:58,880 --> 01:08:59,639
Speaker 3: soon as somebody.

1709
01:08:59,439 --> 01:09:01,920
Speaker 17: Be like, what's this outfit doing? I don't like that?

1710
01:09:02,000 --> 01:09:05,240
Speaker 3: It's ugly, that hurts you, know, Or when somebody says

1711
01:09:05,280 --> 01:09:07,479
Speaker 3: I love you versus I mean I can't stand you.

1712
01:09:07,680 --> 01:09:10,280
Speaker 3: Like it hits you differently, And that same thing is

1713
01:09:10,320 --> 01:09:14,320
Speaker 3: happening when you're recording and you can actually see the wavefile.

1714
01:09:15,080 --> 01:09:17,840
Speaker 3: It's the same thing, but it's just you know, music

1715
01:09:17,880 --> 01:09:19,479
Speaker 3: and whatever you're saying. So you have to put that

1716
01:09:19,640 --> 01:09:22,120
Speaker 3: intention into it of like what do I want this

1717
01:09:22,320 --> 01:09:25,519
Speaker 3: music to accomplish, how do I want it to leave people?

1718
01:09:26,200 --> 01:09:27,479
Speaker 17: How do I want it to resonate?

1719
01:09:28,240 --> 01:09:30,559
Speaker 3: After years of doing it, you start thinking about stuff

1720
01:09:30,640 --> 01:09:33,640
Speaker 3: like that, and I think with these, you know, the

1721
01:09:33,720 --> 01:09:36,080
Speaker 3: two songs you mentioned made for me in hours and hours,

1722
01:09:36,800 --> 01:09:39,759
Speaker 3: that is what people are feeling. They're feeling my intention

1723
01:09:39,960 --> 01:09:44,680
Speaker 3: of just love and harmony and kindness and connection. And

1724
01:09:45,040 --> 01:09:46,680
Speaker 3: I'm glad to be able to offer that because it's

1725
01:09:46,680 --> 01:09:48,240
Speaker 3: a whole lot of other stuff out here that's not

1726
01:09:48,600 --> 01:09:48,920
Speaker 3: doing that.

1727
01:09:49,360 --> 01:09:52,400
Speaker 13: Yeah, I'm talking about everybody. My son sings that song

1728
01:09:54,000 --> 01:09:58,040
Speaker 13: every eleven. Oh that's eleven, right, And it was like

1729
01:09:58,320 --> 01:10:00,760
Speaker 13: it was really big and trendy on on TikTok. How

1730
01:10:00,840 --> 01:10:04,839
Speaker 13: to affect you when Universe or removed it from TikTok

1731
01:10:04,960 --> 01:10:05,559
Speaker 13: or did it even if?

1732
01:10:05,720 --> 01:10:08,080
Speaker 3: I just want to be clear, you know, music is

1733
01:10:08,240 --> 01:10:12,000
Speaker 3: obviously the soundtrack to everybody's life. A lot of people

1734
01:10:12,040 --> 01:10:15,880
Speaker 3: are becoming you know, content creators themselves based off of

1735
01:10:16,000 --> 01:10:19,040
Speaker 3: the music that we have created and offered them. And

1736
01:10:19,280 --> 01:10:21,960
Speaker 3: it does hurt to not be able to do that

1737
01:10:22,080 --> 01:10:25,479
Speaker 3: for yourself and you know, promote yourself using yourself and

1738
01:10:25,600 --> 01:10:29,040
Speaker 3: promote your own products, you know, promote yourself, promote your products,

1739
01:10:29,040 --> 01:10:29,679
Speaker 3: promote your music.

1740
01:10:29,880 --> 01:10:30,800
Speaker 17: It definitely hurts.

1741
01:10:30,880 --> 01:10:33,519
Speaker 3: But I think that, you know, I just heard recently

1742
01:10:33,560 --> 01:10:35,960
Speaker 3: something that really changed my perspective on it is you

1743
01:10:36,000 --> 01:10:39,680
Speaker 3: don't ever want to be beholden to anyone, So I

1744
01:10:39,760 --> 01:10:43,000
Speaker 3: don't ever want, you know, to feel like without TikTok,

1745
01:10:43,080 --> 01:10:47,599
Speaker 3: I cannot move forward, you know. But it's a wonderful platform.

1746
01:10:47,720 --> 01:10:50,439
Speaker 3: I've met a whole lot of great, cool people on there.

1747
01:10:51,040 --> 01:10:54,880
Speaker 3: Had two three actually viral songs. Though like sometimes I

1748
01:10:55,040 --> 01:10:59,200
Speaker 3: be questioning like is this just my algorithm or is

1749
01:10:59,280 --> 01:11:02,400
Speaker 3: it really air everywhere like that? Because literally, like it

1750
01:11:02,560 --> 01:11:06,120
Speaker 3: still shocks me I'm scrolling through Instagram, or I click

1751
01:11:06,200 --> 01:11:08,800
Speaker 3: on something on the explorer page on Instagram, or I'm

1752
01:11:08,800 --> 01:11:12,000
Speaker 3: scrolling through TikTok and my song is playing, or like

1753
01:11:12,080 --> 01:11:14,360
Speaker 3: I'll watch a video and even have the volume on

1754
01:11:14,800 --> 01:11:16,759
Speaker 3: and I'll tap it and then it'll be my music.

1755
01:11:17,360 --> 01:11:19,240
Speaker 17: That still is just like whoa you.

1756
01:11:20,240 --> 01:11:21,640
Speaker 2: Get tired of listening to you?

1757
01:11:25,400 --> 01:11:27,320
Speaker 1: You did a country album years ago?

1758
01:11:27,400 --> 01:11:29,160
Speaker 4: Yea years ago, so you were early in now so

1759
01:11:29,240 --> 01:11:31,240
Speaker 4: you know what Beyonce is dealing with with trying to

1760
01:11:31,280 --> 01:11:33,240
Speaker 4: get songs played on the country stations or was it

1761
01:11:33,320 --> 01:11:33,760
Speaker 4: easier for you?

1762
01:11:34,000 --> 01:11:39,479
Speaker 2: Is she really dealing with it? And this is no shade.

1763
01:11:39,520 --> 01:11:42,639
Speaker 3: I love Beyonce, love her down, but I will say,

1764
01:11:43,080 --> 01:11:47,800
Speaker 3: when you are in Nashville attempting to showcase yourself as

1765
01:11:47,840 --> 01:11:48,519
Speaker 3: a country artist.

1766
01:11:48,520 --> 01:11:50,679
Speaker 17: I mean there's this one guy, Tony Evans Junior.

1767
01:11:50,920 --> 01:11:53,160
Speaker 3: If you don't see him, you think that is an

1768
01:11:53,240 --> 01:11:55,760
Speaker 3: old white man, like I mean, he is incredible, But

1769
01:11:55,800 --> 01:11:57,720
Speaker 3: then when you look at him, he's just like this

1770
01:11:57,880 --> 01:12:01,479
Speaker 3: really handsome, buff football player looking dude that plays guitar.

1771
01:12:01,800 --> 01:12:02,320
Speaker 17: Black Eye.

1772
01:12:03,560 --> 01:12:06,880
Speaker 3: It doesn't match what the traditional image is. And one

1773
01:12:06,920 --> 01:12:08,599
Speaker 3: thing that you realize is as soon as you walk

1774
01:12:08,640 --> 01:12:11,800
Speaker 3: in the door. Their opinion of your music changes based

1775
01:12:11,840 --> 01:12:14,400
Speaker 3: on what they see, and so that's only something that

1776
01:12:14,479 --> 01:12:17,519
Speaker 3: you can experience physically and in person. And I think

1777
01:12:17,600 --> 01:12:21,360
Speaker 3: Beyonce has transcended that to where she has so much

1778
01:12:21,439 --> 01:12:25,559
Speaker 3: notoriety and power and talent clear talent, that it's hard

1779
01:12:25,680 --> 01:12:29,240
Speaker 3: to hide behind the excuse that this is in country.

1780
01:12:29,320 --> 01:12:32,960
Speaker 3: Bless your heart, the lady is Beyonce, like, you're gonna

1781
01:12:32,960 --> 01:12:34,960
Speaker 3: play it or you're not, and if you're not, there

1782
01:12:35,040 --> 01:12:36,160
Speaker 3: is a reason why you aren't.

1783
01:12:36,280 --> 01:12:37,760
Speaker 17: And it's very clear what that is.

1784
01:12:38,000 --> 01:12:40,639
Speaker 5: You number one on the country charts, and she's number

1785
01:12:40,680 --> 01:12:42,200
Speaker 5: one in the country now overall.

1786
01:12:42,320 --> 01:12:44,840
Speaker 3: I think that's incredible because there's never been a black

1787
01:12:44,880 --> 01:12:47,479
Speaker 3: woman to do that ever, yea, though there have been

1788
01:12:47,560 --> 01:12:48,679
Speaker 3: many that have tried.

1789
01:12:49,240 --> 01:12:51,479
Speaker 17: And that's my point. There have been artists.

1790
01:12:51,560 --> 01:12:54,519
Speaker 3: I've started in twenty eighteen with country, and when I

1791
01:12:54,640 --> 01:12:58,040
Speaker 3: tell you, I was fatigued very quickly by the you know,

1792
01:12:58,160 --> 01:13:00,439
Speaker 3: you walk in the room and the forks clink and

1793
01:13:00,520 --> 01:13:03,560
Speaker 3: everybody's like, this is this brownie up here trying to

1794
01:13:04,160 --> 01:13:06,360
Speaker 3: you know? And I used to make jokes like anytime

1795
01:13:06,439 --> 01:13:09,080
Speaker 3: I would go to a new co writer is what

1796
01:13:09,160 --> 01:13:11,280
Speaker 3: they call it, or go to somebody's house, I would

1797
01:13:11,280 --> 01:13:14,120
Speaker 3: bring about a whiskey, and if you know in Tennessee,

1798
01:13:14,240 --> 01:13:16,880
Speaker 3: that's the thing Tennessee whiskey, and I would make the joke.

1799
01:13:17,240 --> 01:13:18,160
Speaker 17: Just go ahead and get it out.

1800
01:13:18,160 --> 01:13:19,479
Speaker 3: I'll be like, Yeah, I didn't want to be the

1801
01:13:19,560 --> 01:13:25,280
Speaker 3: only brown thing in your house, brown something in here, So.

1802
01:13:25,320 --> 01:13:26,400
Speaker 17: I just brought you a little gift.

1803
01:13:26,640 --> 01:13:29,160
Speaker 3: But it is a well known fact if you go

1804
01:13:29,280 --> 01:13:31,720
Speaker 3: down there, they don't want you in there, and you

1805
01:13:31,800 --> 01:13:33,479
Speaker 3: know they can't hide that anymore.

1806
01:13:33,600 --> 01:13:36,080
Speaker 17: So I think what she's doing is incredible. Y'all move

1807
01:13:36,160 --> 01:13:36,880
Speaker 17: out the way I.

1808
01:13:36,920 --> 01:13:39,320
Speaker 5: Saw you tweet recently. I don't know if he was joking,

1809
01:13:39,400 --> 01:13:40,879
Speaker 5: but you found that you were autistic.

1810
01:13:41,240 --> 01:13:46,200
Speaker 3: Okay, So that's a little bit for context. I have

1811
01:13:46,439 --> 01:13:50,960
Speaker 3: dealt with like processing issues my entire life, and you know,

1812
01:13:51,640 --> 01:13:54,000
Speaker 3: as black and brown people, we don't always have the

1813
01:13:54,080 --> 01:14:00,080
Speaker 3: best access or even ability to understand that some of

1814
01:14:00,120 --> 01:14:04,200
Speaker 3: our limitations cannot be helped, Like you need to go

1815
01:14:04,400 --> 01:14:06,920
Speaker 3: and talk to somebody and see somebody about that. So

1816
01:14:07,160 --> 01:14:10,559
Speaker 3: just you know, coming across literature and connecting with people

1817
01:14:10,600 --> 01:14:13,280
Speaker 3: who also deal with a lot of the same issues

1818
01:14:13,320 --> 01:14:17,040
Speaker 3: that I've been having and understanding what they have put

1819
01:14:17,439 --> 01:14:19,040
Speaker 3: or the name that they have put on it or

1820
01:14:19,040 --> 01:14:21,160
Speaker 3: attached to it. It made me start doing my own

1821
01:14:21,200 --> 01:14:23,560
Speaker 3: research and being like, well, wait a minute, when this

1822
01:14:23,760 --> 01:14:27,000
Speaker 3: happens to me, this also happens and so there's a

1823
01:14:27,040 --> 01:14:31,240
Speaker 3: little bit of like ADHD autism on this like and

1824
01:14:31,280 --> 01:14:35,160
Speaker 3: then I have loopus as well. So just understanding that

1825
01:14:35,280 --> 01:14:38,800
Speaker 3: that is like a stress induced inflammation of the body.

1826
01:14:39,200 --> 01:14:42,200
Speaker 3: And maybe I am stressed out because I'm frustrated because

1827
01:14:42,240 --> 01:14:45,519
Speaker 3: I can't process certain things or like. And I also

1828
01:14:45,640 --> 01:14:48,280
Speaker 3: think there's the other added layer of because I'm so

1829
01:14:49,000 --> 01:14:51,920
Speaker 3: intelligent to other people and I write these songs that

1830
01:14:52,040 --> 01:14:52,400
Speaker 3: there and.

1831
01:14:52,520 --> 01:14:53,439
Speaker 17: I look a certain way.

1832
01:14:53,439 --> 01:14:55,920
Speaker 3: They're like, ain't a way that you are, because when

1833
01:14:55,960 --> 01:14:58,840
Speaker 3: you think about autism, you have a certain visual that

1834
01:14:58,960 --> 01:15:03,080
Speaker 3: you think about. There are highly functioning autistic people, And

1835
01:15:03,479 --> 01:15:05,599
Speaker 3: I want to be very careful about how I talk

1836
01:15:05,600 --> 01:15:07,919
Speaker 3: about it because it could be this is a sensitive

1837
01:15:08,000 --> 01:15:11,719
Speaker 3: topic to a lot of people who may not relate

1838
01:15:11,800 --> 01:15:13,400
Speaker 3: to me or resonate with what I'm saying.

1839
01:15:13,479 --> 01:15:14,720
Speaker 17: I'm still figuring it out.

1840
01:15:14,960 --> 01:15:19,320
Speaker 3: Also, late diagnosis is a lot more difficult to find

1841
01:15:19,400 --> 01:15:23,720
Speaker 3: practitioners who can sit with you and figure that out.

1842
01:15:24,600 --> 01:15:26,720
Speaker 3: Diagnosed now I have to find someone who can do

1843
01:15:26,840 --> 01:15:30,800
Speaker 3: that for me and test me because right now, because

1844
01:15:30,840 --> 01:15:33,320
Speaker 3: I have lupus and I've been dealing with that since

1845
01:15:33,400 --> 01:15:36,600
Speaker 3: twenty fourteen, anytime anything goes wrong with me, they just

1846
01:15:36,640 --> 01:15:37,320
Speaker 3: be like, it's lupus.

1847
01:15:37,800 --> 01:15:39,400
Speaker 17: They just give me steroids, you know.

1848
01:15:40,000 --> 01:15:42,519
Speaker 3: So I have to really like find holistic doctors and

1849
01:15:43,080 --> 01:15:45,720
Speaker 3: get to the root of the issue, because maybe it

1850
01:15:45,800 --> 01:15:48,240
Speaker 3: might not be autism, maybe it might be something else.

1851
01:15:48,320 --> 01:15:54,000
Speaker 3: But in that moment, tweeted my frustration and processing. You know,

1852
01:15:54,120 --> 01:15:57,120
Speaker 3: that's a great example of it. And I actually deleted

1853
01:15:57,240 --> 01:16:00,639
Speaker 3: Twitter off my phone after that because I'm just like, yeah,

1854
01:16:00,760 --> 01:16:02,920
Speaker 3: you know what, let me just figure out what this

1855
01:16:03,160 --> 01:16:05,040
Speaker 3: is before you start.

1856
01:16:04,840 --> 01:16:06,360
Speaker 17: Talking Like I know what I'm talking not good for

1857
01:16:06,439 --> 01:16:07,120
Speaker 17: your mental health.

1858
01:16:07,360 --> 01:16:10,040
Speaker 5: And I don't think people realize how much unhealed trauma

1859
01:16:10,200 --> 01:16:13,439
Speaker 5: is projected on Twitter and social media every day.

1860
01:16:14,160 --> 01:16:16,320
Speaker 17: Toxic opinions, undeveloped thoughts.

1861
01:16:16,560 --> 01:16:19,120
Speaker 2: Yeah, we still got money, Long in the buildings, don't move.

1862
01:16:19,120 --> 01:16:24,800
Speaker 1: It's the breakfast club. Good morning, the breakfast club. We

1863
01:16:24,880 --> 01:16:25,960
Speaker 1: are on a breakfast club.

1864
01:16:26,080 --> 01:16:29,639
Speaker 4: DJ NVJ Hilarious, Charlamagne to God, and we're still kicking

1865
01:16:29,680 --> 01:16:30,120
Speaker 4: them with money.

1866
01:16:30,160 --> 01:16:31,519
Speaker 1: Long Jess, how would.

1867
01:16:31,280 --> 01:16:33,240
Speaker 13: You describe your love like now, like you don't have

1868
01:16:33,320 --> 01:16:36,840
Speaker 13: to be married or early on twenty six you know,

1869
01:16:37,400 --> 01:16:39,080
Speaker 13: how would you describe it right now?

1870
01:16:39,960 --> 01:16:45,679
Speaker 3: I would say I'm more into real like deep love

1871
01:16:45,840 --> 01:16:49,160
Speaker 3: on a three sixty Global energetic. Like I heard a

1872
01:16:49,240 --> 01:16:52,040
Speaker 3: quote was that on the way here, I was listening

1873
01:16:52,080 --> 01:16:56,400
Speaker 3: to Tony Robbins said you can't love Tony if when

1874
01:16:56,400 --> 01:16:58,880
Speaker 3: you really love yourself, you can't hate on nobody else. Yeah,

1875
01:16:59,160 --> 01:17:02,400
Speaker 3: Like That's where I'm at, is like I can see

1876
01:17:02,640 --> 01:17:06,240
Speaker 3: the joy and beauty and love in everything, not just

1877
01:17:06,439 --> 01:17:09,479
Speaker 3: a romantic relationship. You know, I have a great relationship

1878
01:17:09,520 --> 01:17:11,720
Speaker 3: with my mother and father. These days, it's like, you know,

1879
01:17:11,920 --> 01:17:14,599
Speaker 3: I'm just I just just love, Like I just want

1880
01:17:14,640 --> 01:17:17,000
Speaker 3: to push that. I feel we need it. We need

1881
01:17:17,040 --> 01:17:20,360
Speaker 3: it so badly. There's so much nasty stuff happening in

1882
01:17:20,439 --> 01:17:23,439
Speaker 3: the world right now. People have zero compassion. They just

1883
01:17:24,080 --> 01:17:27,599
Speaker 3: you know, devoid of empathy, and you know they'll step

1884
01:17:27,680 --> 01:17:30,400
Speaker 3: on a dead body. It's like like, I mean, honestly,

1885
01:17:30,479 --> 01:17:33,280
Speaker 3: it's just like, why are you recording these man man

1886
01:17:33,360 --> 01:17:34,200
Speaker 3: taking his last breath?

1887
01:17:34,479 --> 01:17:35,760
Speaker 2: You will record somebody dying?

1888
01:17:35,840 --> 01:17:38,280
Speaker 13: Is I remember, you'd be scared of a dead body,

1889
01:17:38,400 --> 01:17:40,000
Speaker 13: be scared to walk down the street and see why

1890
01:17:40,160 --> 01:17:42,799
Speaker 13: more or the thought of death makes you cringe.

1891
01:17:42,840 --> 01:17:43,000
Speaker 10: You know.

1892
01:17:43,160 --> 01:17:44,960
Speaker 2: Now people are filming, people walk right.

1893
01:17:44,960 --> 01:17:49,679
Speaker 17: Up to it, you know, and it's it's actually scary.

1894
01:17:49,760 --> 01:17:53,439
Speaker 17: It's really scary. It's just like, yeah, man, what is

1895
01:17:53,560 --> 01:17:54,400
Speaker 17: happening in the world?

1896
01:17:54,479 --> 01:17:57,120
Speaker 3: So if I can offer some love, and you know,

1897
01:17:57,200 --> 01:17:59,160
Speaker 3: I call everybody baby, Hey, how you doing baby?

1898
01:18:00,120 --> 01:18:00,920
Speaker 17: So beautiful money?

1899
01:18:01,120 --> 01:18:01,320
Speaker 9: You know.

1900
01:18:02,400 --> 01:18:04,439
Speaker 3: Maybe that's just the Southern in me. I don't know,

1901
01:18:04,600 --> 01:18:07,080
Speaker 3: but I just want to give love, you know. That's

1902
01:18:07,120 --> 01:18:08,080
Speaker 3: what my love life is like.

1903
01:18:08,120 --> 01:18:08,840
Speaker 17: It's for the world.

1904
01:18:10,200 --> 01:18:13,839
Speaker 13: You basically ain't telling me nothing about you being single

1905
01:18:14,080 --> 01:18:15,080
Speaker 13: with somebody or nothing.

1906
01:18:15,200 --> 01:18:20,479
Speaker 2: I'm heard she married also still to the same dude

1907
01:18:20,520 --> 01:18:24,040
Speaker 2: that you got. That's right, because I'm sitting here trying to.

1908
01:18:24,040 --> 01:18:26,080
Speaker 13: Look and I was about talking about this, but I

1909
01:18:26,160 --> 01:18:30,280
Speaker 13: didn't realized that you're still lying. Well that's nice because

1910
01:18:30,280 --> 01:18:32,000
Speaker 13: I also had another question, right, I need to write

1911
01:18:32,040 --> 01:18:33,960
Speaker 13: it down because you know, I'll be stumbling over my

1912
01:18:34,000 --> 01:18:35,560
Speaker 13: words when stuff gets too long. But you have a

1913
01:18:35,640 --> 01:18:38,360
Speaker 13: line on your song where you mentioned smell of your perfume, right,

1914
01:18:38,640 --> 01:18:41,400
Speaker 13: which has people thinking that the love interest is women.

1915
01:18:41,840 --> 01:18:42,439
Speaker 2: That's what they say.

1916
01:18:42,439 --> 01:18:43,840
Speaker 13: I ain't saying. That's what I thought, but you know,

1917
01:18:43,880 --> 01:18:45,200
Speaker 13: that's what people think. So I have to ask you,

1918
01:18:45,680 --> 01:18:48,120
Speaker 13: especially with how you spelled the song I was, and

1919
01:18:48,200 --> 01:18:51,479
Speaker 13: I was a lot of people. Yeah, you know, but

1920
01:18:51,640 --> 01:18:54,639
Speaker 13: this is somebody else. Is that you're leaving a little

1921
01:18:54,640 --> 01:18:58,479
Speaker 13: easter egg that you could be into women romantically, but I.

1922
01:18:58,640 --> 01:19:00,400
Speaker 17: Prefer hot dogs. I don't Blooney.

1923
01:19:00,520 --> 01:19:01,960
Speaker 2: Well, thank you so much because now I can go

1924
01:19:02,040 --> 01:19:02,800
Speaker 2: back and tell him that.

1925
01:19:04,520 --> 01:19:07,000
Speaker 17: But you know, I yeah, I.

1926
01:19:06,960 --> 01:19:09,120
Speaker 1: Don't like the first name.

1927
01:19:12,520 --> 01:19:12,920
Speaker 2: Blooney.

1928
01:19:13,200 --> 01:19:17,080
Speaker 17: See that you go back what he said, try to tell.

1929
01:19:16,920 --> 01:19:28,320
Speaker 1: You something like so dance.

1930
01:19:28,560 --> 01:19:29,559
Speaker 2: I can go back tell everybody.

1931
01:19:29,600 --> 01:19:32,720
Speaker 3: But also you know, al the perfume, that just means

1932
01:19:32,800 --> 01:19:36,479
Speaker 3: fragrance scent, right, And I think people, if you understand,

1933
01:19:36,560 --> 01:19:39,799
Speaker 3: like me and my friends, we all are scent freaks.

1934
01:19:39,880 --> 01:19:43,080
Speaker 3: Like we go to the perfume shop. I mean it's

1935
01:19:43,120 --> 01:19:45,360
Speaker 3: a little spot you go in there. It's like incense.

1936
01:19:45,400 --> 01:19:48,200
Speaker 3: They got, like the perfumed oil. You know, you take

1937
01:19:48,280 --> 01:19:49,800
Speaker 3: it out the wand and you put it in. It

1938
01:19:49,960 --> 01:19:52,240
Speaker 3: lasts all day, like it'd be on your clothes three

1939
01:19:52,320 --> 01:19:56,760
Speaker 3: days later. So we love fragrance. Love And so if

1940
01:19:56,840 --> 01:20:01,639
Speaker 3: you shop perfume like we do, it's every unisex these days.

1941
01:20:02,040 --> 01:20:04,800
Speaker 3: But also if you are into the world of God,

1942
01:20:05,240 --> 01:20:07,680
Speaker 3: you understand that the Holy Spirit has a perfume, a

1943
01:20:07,720 --> 01:20:08,360
Speaker 3: sweet perfume.

1944
01:20:08,439 --> 01:20:09,640
Speaker 17: It talks about you know.

1945
01:20:09,800 --> 01:20:12,320
Speaker 3: And I just think people like are really one track

1946
01:20:12,400 --> 01:20:15,760
Speaker 3: minded these days. They want me to be a part

1947
01:20:15,880 --> 01:20:18,200
Speaker 3: of the road brigades.

1948
01:20:19,240 --> 01:20:20,680
Speaker 10: Bad like I.

1949
01:20:20,880 --> 01:20:23,639
Speaker 17: Love my girls. I love my girls, I love my people.

1950
01:20:23,880 --> 01:20:25,719
Speaker 17: But at the same time, it's like, baby, I don't

1951
01:20:26,000 --> 01:20:26,680
Speaker 17: I know what you got.

1952
01:20:26,760 --> 01:20:29,080
Speaker 2: I don't want none of that. Yeah, I don't.

1953
01:20:29,280 --> 01:20:29,679
Speaker 17: I don't.

1954
01:20:29,720 --> 01:20:33,360
Speaker 3: I'm just making his music and there's let it be.

1955
01:20:33,640 --> 01:20:36,000
Speaker 3: I will say one thing I don't do is use

1956
01:20:36,120 --> 01:20:38,880
Speaker 3: genders in my songs. For the most part, I try

1957
01:20:38,920 --> 01:20:42,280
Speaker 3: to keep it ginger neutral like you. I it us

1958
01:20:42,439 --> 01:20:47,440
Speaker 3: we because it's more messy, that's digest.

1959
01:20:48,920 --> 01:20:50,360
Speaker 1: When you're writing. It's not hard hard.

1960
01:20:50,800 --> 01:20:51,240
Speaker 2: She's a writer.

1961
01:20:52,360 --> 01:20:52,560
Speaker 9: Do this.

1962
01:20:53,640 --> 01:20:55,360
Speaker 17: I do this, Charlotte, because you're.

1963
01:20:55,240 --> 01:20:58,479
Speaker 1: Talking about your husband and you say they no, no, no.

1964
01:20:58,560 --> 01:20:59,599
Speaker 17: You have to make it make sense.

1965
01:21:00,040 --> 01:21:00,439
Speaker 1: Got your guys.

1966
01:21:00,880 --> 01:21:03,639
Speaker 17: That suggests that I'm talking about non binary folks.

1967
01:21:03,720 --> 01:21:07,320
Speaker 5: Got but I definitely when you wanted to put him

1968
01:21:07,400 --> 01:21:09,000
Speaker 5: or her first person.

1969
01:21:09,120 --> 01:21:15,400
Speaker 3: You okay, you give me a superpower together. World could

1970
01:21:15,439 --> 01:21:19,000
Speaker 3: be hours. Sit me on the counter. You know, Jesus,

1971
01:21:19,240 --> 01:21:19,840
Speaker 3: you know what I'm saying.

1972
01:21:20,400 --> 01:21:23,360
Speaker 17: But no, y'all, I'm not at this point here today.

1973
01:21:23,600 --> 01:21:26,120
Speaker 17: I am not don't part of the l G B

1974
01:21:26,280 --> 01:21:29,360
Speaker 17: t Q I A plus community. I love y'all down

1975
01:21:30,040 --> 01:21:32,000
Speaker 17: use my music for however you see fit.

1976
01:21:32,800 --> 01:21:33,439
Speaker 12: But not.

1977
01:21:33,560 --> 01:21:35,840
Speaker 13: I think that people just think because you're so creative

1978
01:21:36,000 --> 01:21:38,360
Speaker 13: and writers can be very strategic and leave a little

1979
01:21:38,360 --> 01:21:39,160
Speaker 13: east age.

1980
01:21:38,880 --> 01:21:39,400
Speaker 2: You know what I mean.

1981
01:21:39,520 --> 01:21:43,439
Speaker 13: So like, you know, your fans could probably just like

1982
01:21:43,640 --> 01:21:45,479
Speaker 13: some of your fans could probably be looking a little bit.

1983
01:21:46,160 --> 01:21:48,639
Speaker 17: Oh no, it was this one girl on TikTok breaking

1984
01:21:48,720 --> 01:21:50,400
Speaker 17: it down. She talking about a woman.

1985
01:21:51,840 --> 01:21:55,360
Speaker 3: I'm very entertained, Like, okay, since you got your degree,

1986
01:21:55,439 --> 01:21:57,120
Speaker 3: you know everything, what's a lot of rice?

1987
01:21:57,360 --> 01:21:58,280
Speaker 2: You got your degree?

1988
01:21:58,600 --> 01:21:58,800
Speaker 5: You know.

1989
01:21:59,320 --> 01:22:01,559
Speaker 17: It's just like people would just be making up stuff

1990
01:22:01,560 --> 01:22:02,320
Speaker 17: and say anything.

1991
01:22:02,800 --> 01:22:03,400
Speaker 2: I love it though.

1992
01:22:03,439 --> 01:22:05,920
Speaker 3: That's the purpose of music is like it's a conversation starter,

1993
01:22:06,800 --> 01:22:08,680
Speaker 3: you know, if if people want it to be a

1994
01:22:08,720 --> 01:22:11,120
Speaker 3: sapphic love song on that own that take it.

1995
01:22:11,280 --> 01:22:12,000
Speaker 17: I love that for me.

1996
01:22:12,400 --> 01:22:14,479
Speaker 1: I just never heard heard it referred to as boloney,

1997
01:22:14,720 --> 01:22:25,280
Speaker 1: usually roast beef, maybe fish. All right, I've done money appreciate.

1998
01:22:25,479 --> 01:22:27,439
Speaker 1: Let's get into your single want you want to made

1999
01:22:27,479 --> 01:22:27,640
Speaker 1: for you?

2000
01:22:28,160 --> 01:22:31,439
Speaker 17: This is made for me. Buy money Long coming up

2001
01:22:31,479 --> 01:22:33,200
Speaker 17: next money Log.

2002
01:22:33,240 --> 01:22:34,320
Speaker 1: We appreciate you for joining us.

2003
01:22:34,320 --> 01:22:36,519
Speaker 5: Absolutely keep doing your thing, money Locks raps on the

2004
01:22:36,600 --> 01:22:38,280
Speaker 5: Grammy everything you are.

2005
01:22:38,479 --> 01:22:40,120
Speaker 1: You are doing what you're supposed.

2006
01:22:39,760 --> 01:22:40,040
Speaker 5: To be doing.

2007
01:22:40,520 --> 01:22:43,559
Speaker 17: You on the way, I gotta come back when album damn.

2008
01:22:43,400 --> 01:22:45,680
Speaker 1: Out no money. But because she said something earlier, where

2009
01:22:45,680 --> 01:22:47,080
Speaker 1: do you think you are in the game? Like what

2010
01:22:47,439 --> 01:22:47,960
Speaker 1: like the level?

2011
01:22:48,400 --> 01:22:50,439
Speaker 5: Because I was having a conversation this weekend just about

2012
01:22:50,479 --> 01:22:52,640
Speaker 5: like stars superstars, like.

2013
01:22:52,640 --> 01:22:54,720
Speaker 1: Where do you think you I'm on the way.

2014
01:22:55,080 --> 01:22:58,040
Speaker 3: I think I'm on the way to definitely carving my

2015
01:22:58,200 --> 01:23:02,680
Speaker 3: own seats on lane because I'm doing something that a

2016
01:23:02,760 --> 01:23:05,479
Speaker 3: lot of people are not right now, and I think

2017
01:23:05,560 --> 01:23:07,439
Speaker 3: it'll be very easy for me to own a space.

2018
01:23:07,840 --> 01:23:09,920
Speaker 5: I definitely think you're on the forefront of this new

2019
01:23:10,560 --> 01:23:13,080
Speaker 5: renaissance of R and B that's happening like you and

2020
01:23:13,680 --> 01:23:17,040
Speaker 5: says her Somema Walker Ari Lennox, like it's definitely a

2021
01:23:17,760 --> 01:23:19,640
Speaker 5: R and B renaissance that I feel is being led

2022
01:23:19,720 --> 01:23:21,280
Speaker 5: by black women right now.

2023
01:23:21,640 --> 01:23:24,720
Speaker 3: Yeah, No, we need some more guys. We gotta give

2024
01:23:24,800 --> 01:23:29,040
Speaker 3: me on vision. Yeah, we need we need that next usher.

2025
01:23:29,080 --> 01:23:30,280
Speaker 2: Like ocean just came back to.

2026
01:23:31,920 --> 01:23:34,840
Speaker 13: Yeah, he has music on YouTube, like hell music on YouTube,

2027
01:23:34,880 --> 01:23:36,000
Speaker 13: so yeah, check that out.

2028
01:23:39,520 --> 01:23:40,200
Speaker 2: I'm sorry, I.

2029
01:23:40,200 --> 01:23:43,479
Speaker 3: Feel like Khalid is more like the pop Yeah I do.

2030
01:23:43,720 --> 01:23:46,520
Speaker 3: That's just my all right, Maybe I need to reevaluate,

2031
01:23:47,040 --> 01:23:47,920
Speaker 3: but like that real.

2032
01:23:48,000 --> 01:23:53,320
Speaker 17: Like you know, like Joe to see case that you know, people.

2033
01:23:55,800 --> 01:23:57,800
Speaker 2: Trying to feel it no more then you remember you

2034
01:23:57,840 --> 01:24:04,600
Speaker 2: remember Jenia Wine was like, we can't know there to

2035
01:24:04,840 --> 01:24:05,920
Speaker 2: be ugly singing.

2036
01:24:06,120 --> 01:24:06,639
Speaker 3: We need.

2037
01:24:08,280 --> 01:24:11,320
Speaker 1: Like we need the value of Bologney gotta be increased.

2038
01:24:11,520 --> 01:24:15,120
Speaker 5: Okay, I'm serious because people don't value but they don't

2039
01:24:15,200 --> 01:24:17,800
Speaker 5: value Bolooney in love like they do. Remember, everybody, there

2040
01:24:17,880 --> 01:24:19,320
Speaker 5: was a moment where it's like all of these dudes

2041
01:24:19,360 --> 01:24:22,120
Speaker 5: were singing like rappers, the way rappers talk about women.

2042
01:24:22,160 --> 01:24:23,280
Speaker 1: That's how a lot of the dudes.

2043
01:24:23,080 --> 01:24:25,840
Speaker 17: Were also Blooney is women. You said that you put

2044
01:24:25,920 --> 01:24:29,040
Speaker 17: us onto that I was talking about behind.

2045
01:24:29,479 --> 01:24:35,679
Speaker 2: Yeah, behind them, see all right for Maloney, it sound

2046
01:24:35,720 --> 01:24:36,160
Speaker 2: like bussy.

2047
01:24:40,920 --> 01:24:45,280
Speaker 1: It's the breakfast club. You're checking out the breakfast club.

2048
01:24:46,000 --> 01:24:49,880
Speaker 4: Everybody is dj NV just hilarious. Charlamagne the guy. We

2049
01:24:50,040 --> 01:24:51,360
Speaker 4: are the breakfast Club.

2050
01:24:51,640 --> 01:24:53,040
Speaker 1: It's time for positive note what we.

2051
01:24:53,080 --> 01:24:55,439
Speaker 5: Got I do man, and I simply want to say,

2052
01:24:55,479 --> 01:24:57,879
Speaker 5: and I've said this before, but it's just a reminder

2053
01:24:57,920 --> 01:24:59,960
Speaker 5: I need to remind you all of twenty twenty four.

2054
01:25:00,120 --> 01:25:04,800
Speaker 1: Or Hope you Heal is my new response to negativity.

2055
01:25:04,840 --> 01:25:07,720
Speaker 5: Whenever somebody's being negative towards you and they projecting, just

2056
01:25:07,800 --> 01:25:09,680
Speaker 5: simply say to them, I hope you heal.

2057
01:25:10,080 --> 01:25:13,080
Speaker 1: Have a blessed day, breakfast club, bitchess, you don't finished,

2058
01:25:13,120 --> 01:25:13,679
Speaker 1: or y'all done.