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Speaker 1: Who do who to all glamour girls? Or should I

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Speaker 1: be saying boody boo? Yep, that was my amazing riff

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Speaker 1: to announce that we are doing a live show on

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Speaker 1: October twenty seventh at the Bellhouse in New York City.

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Speaker 1: That is going to be Halloween. Addition, what does that mean? Well,

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Speaker 1: only time will tell. We're probably gonna wear costumes. I

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Speaker 1: have no idea what I'm gonna wear yet, but George

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Speaker 1: keeps saying he wants to wear costumes. So Georgie gets

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Speaker 1: what Georgie wants, and I'm going to be wearing one.

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Speaker 1: We have an incredible lineup of guests that are to

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Speaker 1: die for, but I won't say who they are just

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Speaker 1: at this moment. Just know that they're to die for.

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Speaker 1: But we would love to see you there. We cannot

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Speaker 1: wait to be back in our home, the Bellhouse. Tickets

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Speaker 1: are available in our bio October twenty seventh. See you there, xoxo.

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Speaker 1: Enjoy the episode. Sam By podcast starts now. Wow, what's

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Speaker 1: up everyone, and welcome to Stradia Lab, the official podcast

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Speaker 1: a fall. I can't believe we're back in studio. How

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Speaker 1: does it feel? You know? So?

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Speaker 2: I was late to studios today, I'll come out and

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Speaker 2: say that, and I'll say it openly, and I'll say

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Speaker 2: it not proudly with shame, filled with shame. I'm on

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Speaker 2: the verge of tears because of how I was. And

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Speaker 2: guess what you know I got. We got a textas said, oh,

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Speaker 2: your guest is running ten minutes that I said, thank god,

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Speaker 2: when you know what, he was running approximately six minutes late.

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Speaker 2: And I actually got here the latest of all three

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Speaker 2: of us.

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Speaker 1: Yeah, it's true.

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Speaker 2: And the fact I mean the way that I feel

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Speaker 2: like I have a red A stamped on me for

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Speaker 2: a little late, sure, much like the scarlet letter or

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Speaker 2: if anyone didn't get the reference, so.

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Speaker 1: We all got it.

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Speaker 2: Yeah, so you might. Some people might be more familiar

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Speaker 2: with easy A, which is sort of a modern day

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Speaker 2: adaptation with Ema Stone.

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Speaker 1: Yeah, so the A on your shirt was like easy

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Speaker 1: A easy A, which is based on space letter.

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Speaker 2: But for me, it stands for a little late. And

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Speaker 2: I feel like I'm gonna pretty much have to work

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Speaker 2: extra hard during this entire episode to overcome my reputation

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Speaker 2: of being a little late.

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Speaker 1: What do you think, I don't think. First of all,

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Speaker 1: you don't need to worry this is obviously your like self.

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Speaker 1: You know, branding, you're like beating yourself up. It's honestly

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Speaker 1: that that's actually worse than being late. To be completely honest,

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Speaker 1: and being.

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Speaker 2: Like self flagellating is worse and being late. You're one

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Speaker 2: hundred percent right. It's something I've had to learn my

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Speaker 2: whole life because you know, we're taught to shrink ourselves

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Speaker 2: as LGBTQ.

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Speaker 1: But I think your story might inspire others who are

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Speaker 1: running a little late, and I think you could become

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Speaker 1: a voice for that community.

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Speaker 2: Well, what's difficult is finding the right balance between sort

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Speaker 2: of like owning it and not being annoying and then

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Speaker 2: being fully in considerate where you literally like walk into

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Speaker 2: something forty minutes late and don't even address it and

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Speaker 2: you're like, can I have a glass Champagne Jesus? Where

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Speaker 2: it is the waiter?

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Speaker 1: Yeah, I mean it's you gotta find the middle ground

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Speaker 1: because if you're apologizing to my it's like you're doing

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Speaker 1: this for you. This is selfish.

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Speaker 2: Now, Well, I actually think this is an area where

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Speaker 2: there could stand to be a bit more nuanced, because

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Speaker 2: I think the two camps are either apologize or never apologize.

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Speaker 2: Diva You've never done anything wrong in your life, so

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Speaker 2: what's the middle grade? I think there needs to be

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Speaker 2: a full book about how and when to apologize, and

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Speaker 2: I think it needs to be it needs to take

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Speaker 2: into account basically all social science research that has ever

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Speaker 2: been done.

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Speaker 1: I have a question. When people do a favorite for you,

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Speaker 1: how do you take it? Okay, this is interesting?

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Speaker 2: What are the you're saying? I mean, obviously I say

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Speaker 2: things because.

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Speaker 1: You can either be like you can either be like

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Speaker 1: thank you and then be like, okay, I have to

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Speaker 1: do something for them. Oh, like this is so much

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Speaker 1: like how can I get this back? Or you can

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Speaker 1: just accept it and be like thank you and you

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Speaker 1: move on. Right. I think this. I'm a little thing

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Speaker 1: good at being like thank you and then moving on

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Speaker 1: and like fully accepting the gift. Yeah, I was a trap.

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Speaker 1: I was built to receive gifts and I'm good at it.

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Speaker 1: But some people really freak out and feel guilty and

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Speaker 1: can't enjoy the gift itself because they're sure so busy

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Speaker 1: apologizing for receiving.

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Speaker 2: I would say recently, we had an experience like this.

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Speaker 2: So I stayed with your parents in Michigan, and I

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Speaker 2: was horrified because I didn't because of our tribal schedule.

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Speaker 2: I didn't have time to get them, just something to bring,

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Speaker 2: which it might be the only time ever in my

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Speaker 2: life that I have shown up to a house empty handed.

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Speaker 1: Okay, listeners, if George has ever stayed at your house

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Speaker 1: and not brought a gift, make some noise.

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Speaker 3: Now, please.

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Speaker 2: Honestly, I would love to know, because I it's probably

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Speaker 2: I will send a.

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Speaker 1: Gift after the fact. Uh huh.

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Speaker 2: But but and then you were like, it's literally fine,

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Speaker 2: they're not going to care. They're not the types of

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Speaker 2: people to care. And I'm like, there's no type of people.

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Speaker 2: It's just simply what you do. And then of course

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Speaker 2: I was like, oh, I'll send them a thank you

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Speaker 2: note after in the mail. I guess who has not

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Speaker 2: done that and has no plans to do that anytime soon.

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Speaker 1: Me see. I think I think these formalities sometimes are

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Speaker 1: like an arms race, Like it's like it's stressing everybody out,

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Speaker 1: Like I'm sort of like my parents don't care. And

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Speaker 1: in fact, I almost think there's a world in which

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Speaker 1: and this isn't true, but there's a world in which

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Speaker 1: and there's a fake world in which it's rude to

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Speaker 1: provide a gift because it's like like it creates a

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Speaker 1: formality where it is like, you know, they want to

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Speaker 1: almost be like you're my son, like you stay with her?

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Speaker 1: Of course you can stay.

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Speaker 2: But I'm like you, I'm a stranger. I'm anger business gift.

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Speaker 2: I brought you a bottle of champagne.

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Speaker 1: You're essentially a hotel to me, and I need you

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Speaker 1: to remember that.

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Speaker 2: I'm like, where's check out? And can I move it

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Speaker 2: to noon?

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Speaker 1: Okay, No, that's it.

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Speaker 2: I mean, it is, of course a battlefield or not

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Speaker 2: a battlefield. What's the thing in finding Nemo where they

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Speaker 2: explode minefield?

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Speaker 1: Oh? I would have never ever referred to minefield any questions.

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Speaker 1: Oh my god.

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Speaker 2: My point is it's like it seems so simple. You're like, oh,

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Speaker 2: there's these social rules where you bring a gift, but

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Speaker 2: it's like what if I'm not saying this would ever happen,

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Speaker 2: But it's like, let's say I brought a It's like

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Speaker 2: let's say someone came to my house and brought a

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Speaker 2: five hundred dollars bottle of wine. I'd be like, Okay,

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Speaker 2: well that's actually rude. I mean you're almost like showing

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Speaker 2: off about being able to four to five hundred dollars

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Speaker 2: bottle of wine. I'm not gonna take that.

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Speaker 1: Well, yeah, I I think it's it's complicated. The way

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Speaker 1: I like to stay with someone is and I actually

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Speaker 1: am bad at this. I realized while we were on

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Speaker 1: our little tour is that I love to stay in

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Speaker 1: someone's house and just not need anything, Like if there's

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Speaker 1: not a towel out for me, I won't ask for one,

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Speaker 1: and in fact, I will not shower, Like if there's

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Speaker 1: not a cup, it's like okay, well, like I won't open.

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Speaker 2: I don't want to draw you out. I will with

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Speaker 2: the towel.

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Speaker 1: No, they did have towels or they did have towels.

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Speaker 2: Because I was like, I think at some point, and

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Speaker 2: again there's no judgment here, but I think at some

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Speaker 2: point you weren't if there were towels, And I remember

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Speaker 2: you talking to me and you were like, well, I'm

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Speaker 2: not so.

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Speaker 1: I'm not going to shower.

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Speaker 2: It just did not even You're like, well, if I

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Speaker 2: ask them for a towel, that would be akin to

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Speaker 2: saying your mother is a whole.

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Speaker 1: Yeah, I mean it would have been disrespectful because because

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Speaker 1: it's like, okay, if I'm asking for a towel. Then yes,

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Speaker 1: I should have brought a bottle of wine, but I

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Speaker 1: didn't bring a bottle of wine, so I don't get

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Speaker 1: a towel. I was like, this is how it works.

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Speaker 2: Okay, here's my question for you, and I'm sorry to

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Speaker 2: keep digging deeper. Did you end up getting gifts for

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Speaker 2: anyone you stayed with?

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Speaker 1: I don't believe in gifts. I did buy lunch, I

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Speaker 1: bought drinks, you know that type of thing. Yeah, that's

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Speaker 1: sort of how I give back to my community of

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Speaker 1: people that let me stay with them. And I think

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Speaker 1: that's valid. Absolutely, you're so judgmental.

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Speaker 2: I'm just sort of going through my rolodex of what

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Speaker 2: gifts I got each person that I stayed with during

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Speaker 2: our tour.

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Speaker 1: I'm gone, you know what? And also they're like, okay,

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Speaker 1: what am I gonna do with this? Sure? You know

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Speaker 1: it's like I can't have another mug in my house.

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Speaker 1: If someone gave me a mug, I would have to

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Speaker 1: throw away.

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Speaker 2: You were like, okay, So you were like, what should

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Speaker 2: I get people I'm staying with? And I, off the

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Speaker 2: top of my head, was like, you know, what could

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Speaker 2: be sort of fun? And we were at the time, like, go.

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Speaker 1: Get like you're doxing them. You're doxing them. We'll believe it.

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Speaker 2: I was like, go get like a like a ceramic mug,

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Speaker 2: like something that is too expensive for someone to get

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Speaker 2: on their own, but would be a nice object to have.

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Speaker 2: And the way you that that suggestion landed with a thud.

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Speaker 2: You made no facial expression.

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Speaker 1: We're like.

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Speaker 2: Anyway, so as I was saying, should we get coffee,

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Speaker 2: I'm not.

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Speaker 1: Gonna get a gift, okay. I also think like when

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Speaker 1: you're in a place for such a short we were

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Speaker 1: there for like maybe twenty four that's a good point.

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Speaker 1: And also it's a driving town and sort of like, okay,

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Speaker 1: I don't have a car, like, how am I gonna go?

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Speaker 1: Am I gonna uber to a store to like pick

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Speaker 1: them something up? And then like you know, you're absolutly

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Speaker 1: right for dinner. You're absolutely right. There's no way, there's

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Speaker 1: no way. So sorry to gifts her out, gives her

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Speaker 1: out this holiday season. Instead buy someone a drink, buy lunch,

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Speaker 1: and that can be helpful. That's a gift.

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Speaker 2: Yeah, venmo than ten dollars, that's really kind.

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Speaker 1: You know, actually, And sometimes that when someone's doing me

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Speaker 1: a favor and I actually end up like, Okay. One time,

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Speaker 1: a friend like was like, oh, I have an extra

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Speaker 1: ticket to this concert and I was like and they're like,

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Speaker 1: do you want it? And I was like sure, and

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Speaker 1: I was like, let me buy you dinner to like

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Speaker 1: and she was like okay, perfect, and like I bought

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Speaker 1: dinner and drinks and blah blah blah, and it was like, Okay.

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Speaker 1: That actually ended up being way more than a concert ticket.

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Speaker 1: This is sort of and you still get the credit

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Speaker 1: for being like, you know, the person that gave me something. Well.

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Speaker 2: This is sort of my resistance to the Biden dinner

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Speaker 2: buying drinks thing is there's something concrete and tangible about

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Speaker 2: being like, I bought you a candle, And even if

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Speaker 2: you actually end up spending more money on dinner, it

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Speaker 2: won't be remembered as a gift because that person. Think

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Speaker 2: of all the time someone has got you a drink

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Speaker 2: or atten your dinner. Do you actually think of it?

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Speaker 2: Do you actually think of that as something that you

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Speaker 2: remember later on?

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Speaker 1: George, Remember every time anyone has ever bought me, especially dinner,

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Speaker 1: I remember each and every bite of that, and they

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Speaker 1: were so infused with love and generosity that I couldn't

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Speaker 1: forget it if I try.

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Speaker 2: Wow, Well I don't. They're gonna have to get me

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Speaker 2: a gift next time you stay with me.

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Speaker 1: He's a gift Queen. Should we bring in our guests.

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Speaker 1: I think we should. And I think we, you know,

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Speaker 1: introduced our podcast to our guest in such a beautiful

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Speaker 1: way where we said we're going to do an intro

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Speaker 1: and it's going to be a little bit longer than

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Speaker 1: you're gonna want. And I think that is true. Yeah,

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Speaker 1: and I think we should bring him in to discuss. Yeah,

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Speaker 1: you need his input now. Welcome to the podcast, Joe Parah.

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Speaker 2: I share with me, guys, Joe, I noticed you didn't

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Speaker 2: bring us a gift. I'm sorry.

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Speaker 1: I did.

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Speaker 3: Crush my mind when I left. I should have picked

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Speaker 3: you guys, hump them up.

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Speaker 2: Where do you stand on our debate.

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Speaker 3: I'm pretty big on bringing bake goods. I feel like

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Speaker 3: more in the middle.

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Speaker 1: It's a gift, but still food. Yeah, everyone loves a

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Speaker 1: big good.

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Speaker 3: Yeah. I guess this is the mill ground. Maybe I'm

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Speaker 3: kind of surprised. Pay I thought you I don't know, sorry,

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Speaker 3: I thought you'd be showing up with a bouquet of

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Speaker 3: flowers when you go someplace.

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Speaker 1: Okay, but it was hard. We were traveling, you know,

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Speaker 1: Sam's defense.

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Speaker 2: The one city where that we're talking about I actually

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Speaker 2: also didn't have. That was the one city where I

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Speaker 2: left a note that was like very very profusely positive

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Speaker 2: and then made a note like that's a friend of

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Speaker 2: mine that's gonna visit York when she visits Europe. That's

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Speaker 2: when I'll get her a gift. And I felt very

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Speaker 2: ashamed to leave. And I didn't even buy herd drink

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Speaker 2: to be clear, So, yes.

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Speaker 3: Did you invite the people you're staying with to the show?

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Speaker 1: Yes? Yes, Hey, that's a gift.

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Speaker 2: I think that's something with these prices.

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Speaker 1: Well, the people, I say, but actually did buy tickets,

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Speaker 1: but that was before I was going to stay with.

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Speaker 2: Yeah, and guess what the same.

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Speaker 3: Damn, that's bad you are for just a little too

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Speaker 3: late so they get the ticket numbers.

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Speaker 2: And then not just that, but then at the end

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Speaker 2: when I was like, we were trying to sell some

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Speaker 2: tickets like day of and I told my friend, you know,

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Speaker 2: if you have any friends, we have a lot of

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Speaker 2: coms left, and she was.

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Speaker 1: Like, oh cool.

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Speaker 2: Would have been next to know when I was buying

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Speaker 2: my tickets.

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Speaker 3: I feel like on the touring is something almost different

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Speaker 3: because they know this like a work thing. If you

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Speaker 3: offer them tickets to the show, don't clog their toilet.

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Speaker 3: I think you're pretty good. I think you could leave

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Speaker 3: and feeling okay.

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Speaker 1: Yeah, yeah, that's true. Did you clog the No? I didn't.

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Speaker 3: Actually, do you usually stay with people or do you

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Speaker 3: guys ever do it?

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Speaker 2: We're doing mostly it was majority of hotels, but there

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Speaker 2: were three cities where we stayed with friends.

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Speaker 1: Yes.

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Speaker 3: Nice.

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Speaker 1: Yeah, we did this thing where we were not making

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Speaker 1: very much money, but we were pretending like we were.

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Speaker 2: I don't say that, leave that out. A lot of money.

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Speaker 3: Said to posting photos from the hotel nights and loving

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Speaker 3: that this.

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Speaker 2: If you told me three years ago you were making

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Speaker 2: as much money as we made, I would have said,

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Speaker 2: I can't believe that.

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Speaker 1: You said, I can't believe someone lives off that.

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Speaker 2: And and look as now our full time job is

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Speaker 2: touring our podcast and we're billionaires and you can be too.

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Speaker 1: Yeah, And here's how do you stay with people when

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Speaker 1: you're on the road.

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Speaker 3: Sometimes, but when the shows are too close together, it's

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Speaker 3: some it's I will end up maybe doing the hotel,

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Speaker 3: because then you have to play. If you're not given

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Speaker 3: a gift or something, you at least have to be

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Speaker 3: guessed and like entertain them to stay up, talk late

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Speaker 3: into the night, make them feel like you're, you know, connecting,

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Speaker 3: and then well, no, that sounds really superficial. But you

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Speaker 3: know you gotta gives.

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Speaker 1: Really friends. No, no, that's what you said. I think.

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Speaker 3: No, But you know, you gotta spend some quality time

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Speaker 3: and when you're really tired. It's nice to be able

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Speaker 3: to have a drink after the show and then be

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Speaker 3: able to go to bed and not oh, sure to

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Speaker 3: stay there. I'm pretty sleepy guy.

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Speaker 1: Yeah, I definitely would have described you as such.

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Speaker 3: Thanks, it's not a bad thing, but like, yeah, yeah,

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Speaker 3: do you have any late nights for you? We're kind

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Speaker 3: of like, I'm ready to go to bed after the show,

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Speaker 3: and you had to keep chatting.

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Speaker 1: Well, it wasn't other people's pressure that made us stay

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Speaker 1: up despite being tired. We were the pressure on ourselves. Yeah.

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Speaker 1: We were like, I'll never be in Seattle again, Let's

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Speaker 1: go buck wild, and which isn't true. But I do

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Speaker 1: have a scarcity mindset with being on tour because I

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Speaker 1: was like, Okay, there was part of me that was like,

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Speaker 1: this is only fun if I'm reckless, Like.

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Speaker 2: We were not being well, so we were doing this thing.

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Speaker 2: Actually that I feel like I do a lot in

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Speaker 2: my life where I can't commit to being either safe

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Speaker 2: or reckless. So I sort of find like the compromise

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Speaker 2: that pleases no one, where I'm like, I won't stay

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Speaker 2: out too late or have too much fun, but then

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Speaker 2: say yes to like a shot and so then I'll

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Speaker 2: just still be hung over the next day, or like

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Speaker 2: I'll stay in but then decide to watch a movie,

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Speaker 2: which means then I'll stay up late. Like it's like

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Speaker 2: I sort of want to be like either be a

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Speaker 2: rock star or be like a mom.

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Speaker 1: Yeah, yeah, that's the new.

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Speaker 2: Yeah, it's sort of, it's actually it sort of it

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Speaker 2: points to the futility of centrism, Like I'm trying to

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Speaker 2: find the center place that I think will be like

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Speaker 2: the best of both worlds, and it's in fact the

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Speaker 2: worst of both worlds.

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Speaker 3: Fools like you either get your energy on tour from

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Speaker 3: keeping the party going. Yeah yeah two bird Chrysier's over there,

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Speaker 3: or by.

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Speaker 1: That one's ever called before.

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Speaker 3: Oh yeah, that's what. Yeah, I told people I was

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Speaker 3: doing the podcast today, is like, well, same as hanging

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Speaker 3: out with two bergss.

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Speaker 1: Much warm up, our shirts off really quick.

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Speaker 3: I wonder if you guys do. But that's what's up

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Speaker 3: to you.

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Speaker 1: I'll issue make yeah maybe at the end.

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Speaker 3: But it's either that or you kind of got it. Yeah,

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Speaker 3: it can serve the energy. You either get get it

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Speaker 3: from getting proper rest or from keeping the energy going.

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Speaker 2: See, we get our energy from being sort of constantly

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Speaker 2: in a state of mild frustration. I would say, I

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Speaker 2: think that's what I actually that's true. I think for

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Speaker 2: both of us that's true.

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Speaker 1: Yeah, we're not a little annoyed. We're dead. Yeah.

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Speaker 2: One of Sam's favorite things to say is that he's grumpy.

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Speaker 3: Yeah, that's nice. It's good to put it out there

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Speaker 3: so everybody else could be careful. Right.

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Speaker 2: It actually is really refreshing, I find because sometimes someone

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Speaker 2: will be in a bad mood and it's almost you

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Speaker 2: don't want to mention it because you're like, maybe they're

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Speaker 2: med at me or whatever. But I actually really like

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Speaker 2: it when I I'll see you and you'll be like

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Speaker 2: I've been really grumpy today, and I'm like, oh great.

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Speaker 2: So if he's in a bad mood. I know that

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Speaker 2: that's not on me and I and it's already setting

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Speaker 2: the stage for the kind of And by the way,

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Speaker 2: you never actually as grumpy. You never act as grumpy

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Speaker 2: as you say you are, so it's always like a

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Speaker 2: positive surprise because you're still sort of in a generally

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Speaker 2: good mood.

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Speaker 1: Oh yeah, nice. It's internal, you know, and smiling on

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Speaker 1: the outside, but I'm crying on the inside.

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Speaker 3: Midwestern guys do inside. And then it's true, I remember

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Speaker 3: have times. So I feel like I've apologized for like

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Speaker 3: being in a bad mood. Nobody had any idea at all.

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Speaker 1: Yeah.

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Speaker 2: Well, it goes back to our thing about apologies. Do

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Speaker 2: you feel like you're someone that apologizes a lot?

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Speaker 3: Yes, yeah, yeah, but it's okay. I feel like better

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Speaker 3: to feel, I don't know, not feel bad, but be

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Speaker 3: cautious about upsetting people. Yeah, I don't know. I probably

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Speaker 3: too far.

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Speaker 1: Well, I want to apologize because when I introduced you,

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Speaker 1: I didn't mention that you have a stand up special

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Speaker 1: out currently and that is so rude of me and

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Speaker 1: I'm a fucking idiot.

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Speaker 3: And no, no, no, no, I.

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Speaker 2: Know what I actually noticed that we didn't say that

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00:18:05,920 --> 00:18:07,879
Speaker 2: and it's like and of course I came late, so

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Speaker 2: I didn't even know you had a comedy special.

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Speaker 1: And in fact, do you want to like say it? Like,

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Speaker 1: do you want to say what it's called?

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Speaker 3: Yeah, it's called Joe Parris Slow and Steady. It's a

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Speaker 3: new stand up specially based on the best year and

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Speaker 3: a half of touring and basically all the comedy I've

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Speaker 3: ever done kind of got finally put together in a

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Speaker 3: stand up special, and uh, I talked about Yeah, I

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Speaker 3: guess that dressed the fact that everybody's been calling me

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Speaker 3: Dahmer the past year, the fact that the yeah.

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Speaker 2: Well, I you know, I am talking about Kelly Convoy,

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Speaker 2: who was one of our writers that got.

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Speaker 1: Interviewed Joe about it.

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Speaker 2: And I can't remember I if I wasn't, if I

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Speaker 2: had it in that piece or not, but that was

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Speaker 2: It's one of our most high performing pieces that month.

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Speaker 3: Wow, it was just unfortunate. It's like a show I

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Speaker 3: probably never would have watched or thought about it. And

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Speaker 3: then all of a sudden, like every the person I

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Speaker 3: haven't talked to in a while as call me up

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Speaker 3: and say, hey, guy on Doamer show looks saying it sounds.

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Speaker 1: Like you should you watch that? He talked like you too.

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Speaker 3: Yeah, I was, oh wow, so it's weird this. I

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Speaker 3: guess he had the Milwaukee accent and the Buffalo accent.

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00:19:23,680 --> 00:19:28,040
Speaker 3: So but so I addressed. But it's also it's one

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00:19:28,119 --> 00:19:32,320
Speaker 3: minute of addressing the dominant thing and then fifty five

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Speaker 3: minutes to say and how weird was pandemic?

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Speaker 1: Damn, I've never heard that perspective before. Yeah, it's so

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00:19:38,720 --> 00:19:41,120
Speaker 1: true and yet so now No, it's.

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Speaker 3: Just there's nice jokes. I talk about the squirrels a

433
00:19:44,119 --> 00:19:48,920
Speaker 3: bit and making cubes for boys, and you've heard that one.

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00:19:49,040 --> 00:19:54,080
Speaker 3: But of course I retired and then realized that I

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Speaker 3: liked it so much I wanted to do it. And

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00:19:56,080 --> 00:19:58,880
Speaker 3: then yeah, you've probably heard a bunch of it from

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Speaker 3: shows and Mike since.

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Speaker 1: Well, if that's true, then the whole world's in store

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Speaker 1: for a big treat.

440
00:20:05,760 --> 00:20:07,959
Speaker 3: Peek into the Brooklyn open mic scene.

441
00:20:08,480 --> 00:20:11,280
Speaker 1: Well, you got big references to people that no one knows.

442
00:20:11,480 --> 00:20:14,639
Speaker 3: I wish. Do you ever play that game with anybody?

443
00:20:14,800 --> 00:20:18,360
Speaker 3: Me and Dan play like name a comedian.

444
00:20:17,800 --> 00:20:20,879
Speaker 1: And it gets toxic? Quick? Wait? What game like? Just

445
00:20:20,960 --> 00:20:24,439
Speaker 1: naming like open my comedians from twenty fourteen and just

446
00:20:24,480 --> 00:20:27,360
Speaker 1: sort of like until you forget, like until you run

447
00:20:27,400 --> 00:20:29,840
Speaker 1: out of them, and even like trying to reconnect all

448
00:20:29,880 --> 00:20:32,479
Speaker 1: the certain I never heard that game. That is so funny.

449
00:20:32,560 --> 00:20:34,240
Speaker 1: It's very nick Nanny Codd.

450
00:20:35,400 --> 00:20:38,119
Speaker 3: That's a good way of putting in. But yeah, or

451
00:20:38,760 --> 00:20:40,760
Speaker 3: Dan and I went to high school, So name high

452
00:20:40,800 --> 00:20:43,240
Speaker 3: school and try and think of the most obscure person

453
00:20:43,320 --> 00:20:46,119
Speaker 3: who the other person hasn't thought of it in a while,

454
00:20:46,160 --> 00:20:50,040
Speaker 3: and then it's just that connection makes you laugh damn much.

455
00:20:50,200 --> 00:20:54,479
Speaker 1: That's inside when so you know, we are often compared

456
00:20:54,480 --> 00:20:57,399
Speaker 1: to Burt Kreischer because we keep the party going on tour,

457
00:20:58,200 --> 00:21:00,479
Speaker 1: because we're really wealthy, because we're really healthy and love

458
00:21:00,520 --> 00:21:02,920
Speaker 1: to pop our shirts off. Do you get referred to

459
00:21:03,000 --> 00:21:04,920
Speaker 1: as Bert Kreischer because you're a stand up who was

460
00:21:04,960 --> 00:21:06,520
Speaker 1: straight every day?

461
00:21:07,840 --> 00:21:11,520
Speaker 2: There's yeah, remember one is Dammer and number two is

462
00:21:11,560 --> 00:21:13,560
Speaker 2: Bert Kreischer more.

463
00:21:13,600 --> 00:21:17,679
Speaker 3: Essentially, Yeah, if you've blend the two people my stand up,

464
00:21:17,760 --> 00:21:21,320
Speaker 3: that's so true. Kind of yeah, No, it's nice. It

465
00:21:21,400 --> 00:21:25,960
Speaker 3: just kind of soft, and there's a the last fifteen minutes.

466
00:21:26,000 --> 00:21:29,879
Speaker 3: I do like the talks talking the audience to sleep

467
00:21:30,040 --> 00:21:32,600
Speaker 3: live with the musician Ryan Dan that I work with,

468
00:21:32,680 --> 00:21:34,600
Speaker 3: So it's like a nice easy way out if you

469
00:21:34,600 --> 00:21:36,359
Speaker 3: want to watch it late at night and kind of

470
00:21:37,359 --> 00:21:39,520
Speaker 3: have a wind down at the end of the special.

471
00:21:39,880 --> 00:21:41,280
Speaker 3: So that's that's the pitch.

472
00:21:41,520 --> 00:21:41,720
Speaker 1: You know.

473
00:21:42,000 --> 00:21:43,720
Speaker 2: I watch a lot of TV to fall asleep, and

474
00:21:43,720 --> 00:21:46,960
Speaker 2: it would actually be really inclusive if they made it

475
00:21:47,040 --> 00:21:49,159
Speaker 2: so that it would help me fall asleep, because what

476
00:21:49,240 --> 00:21:51,240
Speaker 2: ends up happening is actually the thirty Rock theme is.

477
00:21:51,240 --> 00:21:54,520
Speaker 1: Really loud, and actually a lot of theme songs are

478
00:21:54,600 --> 00:21:56,320
Speaker 1: really loud, and then you just cool it.

479
00:21:56,359 --> 00:22:00,280
Speaker 2: But I will say, especially the thirty Rock one, it's

480
00:22:00,320 --> 00:22:02,080
Speaker 2: so loud and it wakes me up every time, and

481
00:22:02,080 --> 00:22:04,160
Speaker 2: I'm like, I'm trying to sleep.

482
00:22:07,760 --> 00:22:10,000
Speaker 3: So every thirty minutes to do it.

483
00:22:10,080 --> 00:22:11,080
Speaker 1: Yeah, You're just really.

484
00:22:12,200 --> 00:22:14,440
Speaker 2: It doesn't wake me up enough for me to actually

485
00:22:14,640 --> 00:22:17,680
Speaker 2: turn it off, so I'm just waking up. I'm like terrified,

486
00:22:17,760 --> 00:22:20,400
Speaker 2: and it's like Alec Baldwin, and then I go back

487
00:22:20,400 --> 00:22:22,120
Speaker 2: to sleep, and then thirty minutes later it's the same

488
00:22:22,359 --> 00:22:23,120
Speaker 2: same damn thing.

489
00:22:23,680 --> 00:22:26,440
Speaker 1: Wow. You know, I've watched The Simpsons to fall asleep

490
00:22:26,480 --> 00:22:28,800
Speaker 1: and it actually puts me to sleep so fast it's

491
00:22:28,880 --> 00:22:33,160
Speaker 1: kind of scary, Like it's like there's something subconscious going

492
00:22:33,200 --> 00:22:35,680
Speaker 1: on there where like it actually took me a long

493
00:22:35,720 --> 00:22:37,959
Speaker 1: time to actually watch it because I kept falling asleep,

494
00:22:38,359 --> 00:22:39,240
Speaker 1: not even on purpose.

495
00:22:39,520 --> 00:22:42,480
Speaker 3: Yeah that's interesting because you've seen all of it all

496
00:22:42,480 --> 00:22:42,760
Speaker 3: the time.

497
00:22:42,960 --> 00:22:45,439
Speaker 1: No, it was my first time watching it. I just

498
00:22:45,480 --> 00:22:46,719
Speaker 1: couldn't stop falling asleep.

499
00:22:46,880 --> 00:22:48,600
Speaker 2: He's seen the first two minutes of every episode.

500
00:22:48,680 --> 00:22:50,080
Speaker 3: Yeah, interesting?

501
00:22:50,240 --> 00:22:52,320
Speaker 2: What do you watch fall asleep? If anything?

502
00:22:52,480 --> 00:22:55,280
Speaker 3: Or listen to I put on some All of You

503
00:22:55,440 --> 00:22:59,000
Speaker 3: books and was listening to God.

504
00:22:59,000 --> 00:23:00,760
Speaker 2: I would struggle with that, but because then you don't

505
00:23:00,760 --> 00:23:02,479
Speaker 2: know where you left off the morning.

506
00:23:02,720 --> 00:23:04,919
Speaker 3: The key is to kind of like listen to ones

507
00:23:04,960 --> 00:23:08,840
Speaker 3: where you can lose gas. Like I've had a full

508
00:23:08,960 --> 00:23:10,800
Speaker 3: history of China that I was listening to.

509
00:23:11,080 --> 00:23:12,560
Speaker 1: Wow, that's such a long history.

510
00:23:12,560 --> 00:23:14,159
Speaker 2: It's like if you miss a few hundred years are

511
00:23:14,200 --> 00:23:15,160
Speaker 2: in there? Who cares?

512
00:23:15,400 --> 00:23:18,320
Speaker 3: Right? Right? It all goes back to a few things

513
00:23:18,400 --> 00:23:22,240
Speaker 3: that Yeah, no, that's true. So a history book, yeah,

514
00:23:22,440 --> 00:23:25,520
Speaker 3: or biography where it's like, you know, some of them

515
00:23:25,560 --> 00:23:28,560
Speaker 3: are a little bit bloated and you could skip events

516
00:23:28,600 --> 00:23:30,960
Speaker 3: and you wake up, you know, you get the main

517
00:23:30,960 --> 00:23:31,480
Speaker 3: points in it.

518
00:23:31,560 --> 00:23:37,320
Speaker 1: Yeah, maybe the power broker broke you know what I think? Actually,

519
00:23:37,359 --> 00:23:39,560
Speaker 1: it would be the biggest scandal to hit your career

520
00:23:40,040 --> 00:23:41,800
Speaker 1: is finding out that you actually have a lot of

521
00:23:41,800 --> 00:23:42,480
Speaker 1: trouble sleeping.

522
00:23:44,040 --> 00:23:47,480
Speaker 3: I do sometimes when I'm work breaking on the sleep

523
00:23:47,560 --> 00:23:50,919
Speaker 3: material is that's when I have the hardest time because

524
00:23:50,960 --> 00:23:53,840
Speaker 3: I'm thinking about it. So it's like you're creative. I

525
00:23:53,840 --> 00:23:56,760
Speaker 3: don't know. When you guys are writing stuff, it feels

526
00:23:56,800 --> 00:24:00,880
Speaker 3: like when you get caundamental problem or writing a joke

527
00:24:01,000 --> 00:24:03,880
Speaker 3: or project. It's like that's when you can't turn your

528
00:24:03,880 --> 00:24:07,280
Speaker 3: mind off the most. And that's when I used to

529
00:24:08,200 --> 00:24:11,760
Speaker 3: kind of fight against it. But I've really had a

530
00:24:11,840 --> 00:24:16,320
Speaker 3: nice time waking up at two to four am sometimes

531
00:24:16,400 --> 00:24:20,000
Speaker 3: and just sitting in the kitchen and watch, you know,

532
00:24:20,080 --> 00:24:23,920
Speaker 3: reading something or eating peanut butter and hanging out and now.

533
00:24:23,800 --> 00:24:25,920
Speaker 1: We're talking, and I was like, reading.

534
00:24:25,840 --> 00:24:28,880
Speaker 3: Yeah, and not fighting against that is a nice thing.

535
00:24:28,920 --> 00:24:30,600
Speaker 1: I've been wondering. I wake up a lot at like

536
00:24:30,600 --> 00:24:33,840
Speaker 1: three am and like really stressed out. Yeah yeah, And

537
00:24:33,880 --> 00:24:35,439
Speaker 1: I am like, should I just embrace it and just

538
00:24:35,480 --> 00:24:37,320
Speaker 1: like sort of be awake from three to five am.

539
00:24:37,400 --> 00:24:39,840
Speaker 3: Sometimes your mind is real sharp from the stress and

540
00:24:39,880 --> 00:24:42,159
Speaker 3: you could do good reading or writing and then you

541
00:24:42,200 --> 00:24:44,119
Speaker 3: get it out and then there's no pressure on your

542
00:24:44,119 --> 00:24:45,440
Speaker 3: morning because you already did it.

543
00:24:46,160 --> 00:24:51,160
Speaker 1: Okay, just yeah, the Joe perrotechnique.

544
00:24:51,600 --> 00:24:54,280
Speaker 3: I'm trying. Yeah, No, I prefer to sleep through the night.

545
00:24:54,359 --> 00:24:58,080
Speaker 3: But that's why I've kind of figure figured it out

546
00:24:58,160 --> 00:25:00,840
Speaker 3: in the past few years. But it was like when

547
00:25:00,880 --> 00:25:05,040
Speaker 3: I was writing the TV show that they did, Joe

548
00:25:05,040 --> 00:25:09,000
Speaker 3: Pair Talks with you if it's I couldn't help wake

549
00:25:09,080 --> 00:25:11,080
Speaker 3: up from the stress to like five am, and I

550
00:25:11,119 --> 00:25:13,800
Speaker 3: would go to grocery store and walk around and that's

551
00:25:13,800 --> 00:25:18,560
Speaker 3: how the one episode came about. Or just yeah, getting up, bro,

552
00:25:18,880 --> 00:25:22,600
Speaker 3: I don't know, just sometimes you can be tired, like

553
00:25:22,680 --> 00:25:25,400
Speaker 3: tour and you gotta roll with it, and then that's

554
00:25:25,440 --> 00:25:27,040
Speaker 3: that's part of the fun. And you get a little

555
00:25:27,080 --> 00:25:30,600
Speaker 3: goofy with the sleepiness or angry and you get the

556
00:25:30,880 --> 00:25:35,560
Speaker 3: legendary radio lab flights on the road.

557
00:25:37,119 --> 00:25:39,119
Speaker 1: Yeah yeah, all right, I'm all in.

558
00:25:39,760 --> 00:25:41,280
Speaker 3: Did you guys are sorry?

559
00:25:41,320 --> 00:25:42,840
Speaker 1: You have to no? Please?

560
00:25:43,000 --> 00:25:46,840
Speaker 3: Do there any tense moments on the road or.

561
00:25:47,080 --> 00:25:49,119
Speaker 2: I mean, knock on wood unless you can think of

562
00:25:49,160 --> 00:25:51,719
Speaker 2: when I was like, I don't want to say I

563
00:25:51,800 --> 00:25:54,119
Speaker 2: was I say I was shocked by how smoothly went.

564
00:25:54,200 --> 00:25:55,280
Speaker 1: I was not shocked.

565
00:25:55,280 --> 00:25:58,280
Speaker 2: I knew it would go well, but the fact that

566
00:25:58,320 --> 00:26:01,840
Speaker 2: there wasn't even one thing was sort of crazy. I'm like,

567
00:26:02,320 --> 00:26:05,800
Speaker 2: we were both on and off, like in bad moods

568
00:26:05,800 --> 00:26:08,440
Speaker 2: and good moods. Like, surely at some point I thought

569
00:26:08,920 --> 00:26:13,120
Speaker 2: it would be like a bad you know, there would

570
00:26:13,119 --> 00:26:16,359
Speaker 2: be some bad chemistry in some way, like you need

571
00:26:16,359 --> 00:26:18,199
Speaker 2: a break or something. But I don't actually think we

572
00:26:18,280 --> 00:26:18,640
Speaker 2: had that.

573
00:26:18,760 --> 00:26:21,080
Speaker 1: No, we were good at giving each other space. Yeah,

574
00:26:21,160 --> 00:26:25,680
Speaker 1: that's that's yeah. There was one thing where George kept

575
00:26:25,680 --> 00:26:31,280
Speaker 1: getting upgraded on every flight and and you know, gaslighting

576
00:26:31,280 --> 00:26:33,200
Speaker 1: me into believing it was an accident every time.

577
00:26:33,760 --> 00:26:36,119
Speaker 2: I mean, I maintained that it was not. I didn't

578
00:26:36,119 --> 00:26:38,480
Speaker 2: do anything. But there was a point where Sam was like,

579
00:26:38,560 --> 00:26:41,600
Speaker 2: you are doing something click, like you're clicking a butt

580
00:26:41,880 --> 00:26:42,679
Speaker 2: that I'm not that.

581
00:26:42,720 --> 00:26:43,280
Speaker 1: I don't see.

582
00:26:44,280 --> 00:26:46,760
Speaker 3: Why do you think they didn't make money on tour?

583
00:26:46,880 --> 00:26:48,600
Speaker 1: Because he was like clicking on.

584
00:26:50,400 --> 00:26:52,600
Speaker 2: Account to get first class. I was like, oh my god,

585
00:26:52,600 --> 00:26:57,919
Speaker 2: I got I can't believe that. So, yeah, you're sharing

586
00:26:57,920 --> 00:27:00,200
Speaker 2: a room with a college student and I actually got

587
00:27:00,200 --> 00:27:01,200
Speaker 2: the bridal suite.

588
00:27:01,280 --> 00:27:02,160
Speaker 1: It's so weird.

589
00:27:02,200 --> 00:27:03,840
Speaker 2: I'm not even I've never even been here before.

590
00:27:04,040 --> 00:27:07,080
Speaker 3: You should check the credit cards. What's going on?

591
00:27:07,640 --> 00:27:08,880
Speaker 1: Something was up.

592
00:27:08,960 --> 00:27:11,840
Speaker 2: Well in my So there was when you book the

593
00:27:11,840 --> 00:27:13,679
Speaker 2: flight there is a little thing you can check that's like,

594
00:27:14,520 --> 00:27:17,960
Speaker 2: do you want to be upgraded if an upgrade you

595
00:27:17,960 --> 00:27:19,840
Speaker 2: know is available? Did you see that when you were?

596
00:27:19,840 --> 00:27:21,479
Speaker 1: But don't they charge you for the upgrade? No? No, no,

597
00:27:21,480 --> 00:27:24,720
Speaker 1: no no, But who wouldn't want to be just freely upgraded?

598
00:27:25,640 --> 00:27:27,800
Speaker 2: I'm just saying I checked it, and it worked for

599
00:27:27,840 --> 00:27:28,640
Speaker 2: three different flights.

600
00:27:28,640 --> 00:27:34,880
Speaker 1: We gotta check the bank statements. You're getting charged every time,

601
00:27:34,960 --> 00:27:35,840
Speaker 1: I'm sure of it.

602
00:27:36,160 --> 00:27:38,040
Speaker 2: I am okay. It would actually be crazy if I

603
00:27:38,040 --> 00:27:39,200
Speaker 2: was getting charged every time.

604
00:27:40,160 --> 00:27:44,600
Speaker 1: I'm sure of it. No, I was not getting charged, Joe,

605
00:27:44,640 --> 00:27:46,919
Speaker 1: you see what you started? Sorry, now we're having our

606
00:27:46,960 --> 00:27:47,440
Speaker 1: first fight.

607
00:27:47,800 --> 00:27:48,680
Speaker 3: Sorry. Sorry.

608
00:27:48,760 --> 00:27:51,280
Speaker 2: And the thing is, honestly, I'm so bad at keeping

609
00:27:51,520 --> 00:27:53,480
Speaker 2: on top of things like that that if I did

610
00:27:53,520 --> 00:27:55,240
Speaker 2: get charged, I would probably not find out for like

611
00:27:55,280 --> 00:27:55,760
Speaker 2: three months.

612
00:27:56,040 --> 00:27:58,480
Speaker 1: Yeah, and by then it's sorry over and by that Yeah.

613
00:27:58,520 --> 00:28:00,879
Speaker 2: Well, the secret is spending money is just wait and

614
00:28:00,920 --> 00:28:03,760
Speaker 2: then you'll forget that you ever did it. That's sort

615
00:28:03,760 --> 00:28:07,119
Speaker 2: of thing. That's my big George's big secret is like

616
00:28:07,119 --> 00:28:08,879
Speaker 2: if I'm Susie or I'm and I'm like, well, let

617
00:28:08,920 --> 00:28:11,200
Speaker 2: me tell you if some and then my big secret

618
00:28:11,320 --> 00:28:14,399
Speaker 2: is that, like if you spend money. Just sort of

619
00:28:14,440 --> 00:28:16,760
Speaker 2: try not to think about it. My mom once told me,

620
00:28:16,920 --> 00:28:18,480
Speaker 2: and when something bad happens in my life, I just

621
00:28:18,520 --> 00:28:19,199
Speaker 2: don't think about it.

622
00:28:21,359 --> 00:28:22,639
Speaker 1: Damn mental health legend.

623
00:28:23,240 --> 00:28:25,239
Speaker 2: It was actually crazy. And she said it fully, in

624
00:28:25,280 --> 00:28:28,439
Speaker 2: earnest and fully, like with a straight face. And she

625
00:28:28,560 --> 00:28:31,080
Speaker 2: was like, anyway, we should we go to like that lunch.

626
00:28:33,240 --> 00:28:36,040
Speaker 2: I was like, damn, damn, I love that. Yeah, she's

627
00:28:36,040 --> 00:28:36,720
Speaker 2: sort of iconic.

628
00:28:36,920 --> 00:28:45,720
Speaker 1: Should we do our first segment? I think we should, Joe.

629
00:28:45,760 --> 00:28:48,160
Speaker 1: Our first segment is called straight Shooters, and in this segment,

630
00:28:48,200 --> 00:28:50,160
Speaker 1: we're gonna ask you a series of rapid fire questions

631
00:28:50,480 --> 00:28:53,440
Speaker 1: to gauge your familiarity with in complicity in straight culture.

632
00:28:54,040 --> 00:28:56,000
Speaker 1: It's basically just this thing or this other thing. And

633
00:28:56,040 --> 00:28:57,800
Speaker 1: the only rule is you can't ask any follow up

634
00:28:57,880 --> 00:29:01,719
Speaker 1: questions or we will scream so freaking it'll be louder

635
00:29:01,720 --> 00:29:03,200
Speaker 1: than the thirty rock theme song.

636
00:29:04,040 --> 00:29:07,760
Speaker 2: Wow, great job, thank you. You're gonna be confused and

637
00:29:07,800 --> 00:29:09,800
Speaker 2: you're gonna think you're doing it wrong, but you have

638
00:29:09,920 --> 00:29:13,560
Speaker 2: to just trust your instinct, all right, Sam, take it away.

639
00:29:13,760 --> 00:29:18,560
Speaker 1: Okay, Joe, shut up and drive by Rihanna or listen

640
00:29:18,600 --> 00:29:20,200
Speaker 1: and learn about my trauma.

641
00:29:21,040 --> 00:29:23,040
Speaker 3: Showed up and drive by Rihanna.

642
00:29:23,160 --> 00:29:26,680
Speaker 2: M Joe Parah talks with you or Joe Manchin shame

643
00:29:26,720 --> 00:29:30,840
Speaker 2: on you, Joe Parrot talks with you?

644
00:29:32,000 --> 00:29:35,840
Speaker 1: Okay, A no judgment zone or a repugnant hoe.

645
00:29:37,280 --> 00:29:38,400
Speaker 3: Repugnant.

646
00:29:39,480 --> 00:29:41,280
Speaker 2: Wow, I've always wanted to hear Joe Paris say the

647
00:29:41,280 --> 00:29:42,080
Speaker 2: words repugnant.

648
00:29:42,160 --> 00:29:45,520
Speaker 3: Ho like you, I'm gonna throw that around twenty more times.

649
00:29:45,320 --> 00:29:49,760
Speaker 1: Today, all right, Joe White fragility or Pink's agility.

650
00:29:50,040 --> 00:29:52,800
Speaker 3: Ooh, Pink's agility.

651
00:29:52,920 --> 00:29:54,920
Speaker 2: Yeah, real talent, it's really amazing.

652
00:29:55,880 --> 00:29:59,160
Speaker 1: A fail compilation or a kale salad.

653
00:29:58,880 --> 00:30:01,360
Speaker 3: Station Placian Sorry.

654
00:30:01,600 --> 00:30:04,400
Speaker 2: Love is a battlefield, Life is a highway, or God

655
00:30:04,480 --> 00:30:04,920
Speaker 2: is a DJ.

656
00:30:06,320 --> 00:30:06,920
Speaker 3: God is a.

657
00:30:09,440 --> 00:30:13,360
Speaker 2: Pink stays winning, Pink stays winning, Mama, Okay, Joe, A

658
00:30:13,400 --> 00:30:16,400
Speaker 2: cow goes move, a duck goes quack, or a guy

659
00:30:16,520 --> 00:30:17,240
Speaker 2: goes Oh.

660
00:30:17,320 --> 00:30:18,600
Speaker 1: Let's listen to Massive attack.

661
00:30:19,800 --> 00:30:20,640
Speaker 3: Doug goes quick.

662
00:30:22,480 --> 00:30:25,360
Speaker 1: That's the perfect choice of those tricks.

663
00:30:25,400 --> 00:30:29,640
Speaker 2: Okay, X marks the spot, Liza with a Z or

664
00:30:29,680 --> 00:30:31,080
Speaker 2: why are you yelling?

665
00:30:33,160 --> 00:30:35,520
Speaker 3: Why are you yelling? Yeah, I'm the noise.

666
00:30:36,000 --> 00:30:40,040
Speaker 1: Yeah yeah wow. So we rank our guests on scale

667
00:30:40,040 --> 00:30:43,000
Speaker 1: of one to one thousand dos. What do you think

668
00:30:43,000 --> 00:30:47,520
Speaker 1: he got I think I think Duck Co's.

669
00:30:47,400 --> 00:30:50,200
Speaker 2: Quack just that part is a thousand doves.

670
00:30:50,400 --> 00:30:53,800
Speaker 1: Well, there was a part that's a single. You were

671
00:30:53,840 --> 00:30:57,120
Speaker 1: really listening to yourself, and you know, I thought that

672
00:30:57,240 --> 00:31:00,920
Speaker 1: was so powerful. You weren't being swayed by our tones,

673
00:31:00,960 --> 00:31:03,840
Speaker 1: our giggles, are you know, our eyes? You were just

674
00:31:04,320 --> 00:31:07,120
Speaker 1: you were looking inward and saying, what does Joe Para want?

675
00:31:08,120 --> 00:31:10,040
Speaker 1: And that really is impressive.

676
00:31:10,440 --> 00:31:12,760
Speaker 2: I think there was some continuity and that he chose

677
00:31:12,800 --> 00:31:16,960
Speaker 2: pink twice. Yeah, I think there was the one unexpected answer,

678
00:31:17,040 --> 00:31:19,920
Speaker 2: the repugnant ho which that's sort of like your provocative

679
00:31:20,680 --> 00:31:25,280
Speaker 2: political single that like that not everyone you know, not

680
00:31:25,360 --> 00:31:30,200
Speaker 2: everyone in age won't age well, but it's splash and

681
00:31:30,240 --> 00:31:31,840
Speaker 2: you're gonna be on the cover of sort of one

682
00:31:31,880 --> 00:31:35,920
Speaker 2: of those cool fashion magazines doing something crazy like putting

683
00:31:35,920 --> 00:31:40,320
Speaker 2: two middle fingers up while being covered in caution tape,

684
00:31:40,840 --> 00:31:44,360
Speaker 2: and then what were the other ones? And then quack.

685
00:31:44,400 --> 00:31:46,600
Speaker 2: Of course that was like, okay, that is Joe Para.

686
00:31:47,000 --> 00:31:49,480
Speaker 1: Yeah, you know, I've I have a question. I've always

687
00:31:49,480 --> 00:31:52,120
Speaker 1: want to ask Joe Para, who's diva?

688
00:31:53,800 --> 00:31:57,640
Speaker 2: Yeah, Joe Para. I'm really enjoying saying her full name. Actually,

689
00:31:57,680 --> 00:32:01,480
Speaker 2: what is of all the women in pop stars, who

690
00:32:01,520 --> 00:32:03,000
Speaker 2: would you go see.

691
00:32:02,760 --> 00:32:05,280
Speaker 3: Lives no.

692
00:32:07,600 --> 00:32:08,080
Speaker 1: Issue?

693
00:32:08,360 --> 00:32:11,080
Speaker 3: This is who I was thinking about because I woke up,

694
00:32:11,160 --> 00:32:13,400
Speaker 3: I went to get coffee this morning. They were blasting

695
00:32:13,520 --> 00:32:16,200
Speaker 3: Robin and it was a little too early for Robin,

696
00:32:16,720 --> 00:32:19,959
Speaker 3: but I was just thinking this morning. You saw the

697
00:32:20,000 --> 00:32:22,320
Speaker 3: performance she did on SARAHT Live where she was like

698
00:32:22,480 --> 00:32:25,720
Speaker 3: rolling around on the stage, and it was like, that's

699
00:32:26,400 --> 00:32:29,120
Speaker 3: that's I think I want to see somebody rolling around

700
00:32:29,160 --> 00:32:30,160
Speaker 3: on stage.

701
00:32:30,160 --> 00:32:31,600
Speaker 1: The way that is the perfect answer.

702
00:32:33,320 --> 00:32:36,400
Speaker 3: That's yeah. I'm sure there are other ones, but that

703
00:32:36,680 --> 00:32:39,000
Speaker 3: was what struck me this morning. I thought, yeah, that

704
00:32:39,120 --> 00:32:42,880
Speaker 3: was that was cool. You never see Taylor Swifts going

705
00:32:42,880 --> 00:32:46,360
Speaker 3: in the digital swimming pool and stuff, but Robin, Robin

706
00:32:46,480 --> 00:32:48,800
Speaker 3: is rolling around on stage and having fun. And I

707
00:32:48,800 --> 00:32:52,040
Speaker 3: don't think that you could ever see the kind of.

708
00:32:52,000 --> 00:32:53,880
Speaker 1: Like just.

709
00:32:56,320 --> 00:33:00,640
Speaker 3: Unreserved joy or goofiness coming from her. Was just gonna

710
00:33:00,640 --> 00:33:03,440
Speaker 3: make me some enemies, but no, no, no, but I

711
00:33:03,520 --> 00:33:06,160
Speaker 3: just feel like this is goofiness and having fun on

712
00:33:06,240 --> 00:33:08,720
Speaker 3: stage that is so cool to watch.

713
00:33:09,800 --> 00:33:11,800
Speaker 2: Yeah, no one has ever accus Taylor Swift of having

714
00:33:12,360 --> 00:33:18,880
Speaker 2: unencumbered joy and goofiness so far, but there's still time.

715
00:33:19,200 --> 00:33:22,479
Speaker 2: Of course, next hour, next era, the next fiel Joy.

716
00:33:23,160 --> 00:33:28,520
Speaker 1: Yeah, well I like that because you know, you know this,

717
00:33:29,840 --> 00:33:33,200
Speaker 1: you have the the sort of upstate vibe going at

718
00:33:33,240 --> 00:33:36,520
Speaker 1: all times, and you know you forget that Joe Pere

719
00:33:36,640 --> 00:33:41,160
Speaker 1: is a Brooklyn chica who loves an alt queen like Robin. Yeah.

720
00:33:42,560 --> 00:33:44,280
Speaker 2: Well, you know, next time she's on to where we're

721
00:33:44,320 --> 00:33:49,320
Speaker 2: taking you, I would love to and we're all doing Molly.

722
00:33:49,400 --> 00:33:53,120
Speaker 3: Yeah, let's go to construe. Then maybe you I'll look

723
00:33:53,120 --> 00:34:00,440
Speaker 3: away from.

724
00:33:56,960 --> 00:33:58,560
Speaker 1: Sure, you just have to pretend like you don't know.

725
00:33:58,840 --> 00:34:01,520
Speaker 2: Yeah, so, Joe, I think it's time to get into

726
00:34:01,560 --> 00:34:05,840
Speaker 2: our topic, and I really want you to say what

727
00:34:05,880 --> 00:34:08,040
Speaker 2: your topic is, maybe describe it a little bit, and

728
00:34:08,080 --> 00:34:10,120
Speaker 2: then maybe give us a little bit about why it's straight.

729
00:34:10,960 --> 00:34:13,799
Speaker 3: I'm sorry it's so lazy. It was just on my

730
00:34:13,840 --> 00:34:16,040
Speaker 3: way out the door today, I had my other hat

731
00:34:16,080 --> 00:34:19,560
Speaker 3: on that I usually wear, and then I thought, this

732
00:34:19,640 --> 00:34:22,440
Speaker 3: is the straightest had I own, and that would probably

733
00:34:22,440 --> 00:34:27,640
Speaker 3: be the funniest to wear. Something about these hats with

734
00:34:27,719 --> 00:34:32,359
Speaker 3: the mesh back. It's like every Taylor Sheridan show they

735
00:34:32,400 --> 00:34:36,319
Speaker 3: put the like the country guys or the guys who

736
00:34:36,520 --> 00:34:40,400
Speaker 3: are you know, the the guys who are out riding

737
00:34:40,400 --> 00:34:43,120
Speaker 3: the horse. They're wearing like these hats and I don't

738
00:34:43,239 --> 00:34:47,879
Speaker 3: understand it, but I've thought, well, you guys are doing

739
00:34:47,880 --> 00:34:53,360
Speaker 3: the intro. Maybe it's because like when for super straight

740
00:34:53,400 --> 00:34:57,000
Speaker 3: guys when they see a woman in a bikinis the

741
00:34:57,080 --> 00:35:01,080
Speaker 3: hornet and they don't have time to you know, it's

742
00:35:01,200 --> 00:35:03,279
Speaker 3: just they gotta let all the hornings go, right.

743
00:35:03,920 --> 00:35:05,360
Speaker 1: It's ventilation.

744
00:35:06,480 --> 00:35:08,520
Speaker 2: For anyone listening at home, this is sort of uh,

745
00:35:09,000 --> 00:35:11,000
Speaker 2: you know, it's like when hats have mesh in the back.

746
00:35:11,239 --> 00:35:13,520
Speaker 2: I guess traditionally associated that with a trucker. It's a

747
00:35:13,520 --> 00:35:14,120
Speaker 2: trumber bob.

748
00:35:14,400 --> 00:35:16,799
Speaker 1: This one is a little bit not more. It's like

749
00:35:16,840 --> 00:35:19,000
Speaker 1: a baseball hat truck or hat hybrid.

750
00:35:19,320 --> 00:35:21,279
Speaker 2: Yes, And I think that is part of what makes

751
00:35:21,280 --> 00:35:23,600
Speaker 2: it straight too. It's it's very like it's like when

752
00:35:23,640 --> 00:35:25,600
Speaker 2: pants are high tech and it's like bike to work

753
00:35:25,640 --> 00:35:28,160
Speaker 2: pants or something like there's something about it where like

754
00:35:28,360 --> 00:35:31,160
Speaker 2: is it optimized for perfect sweating?

755
00:35:31,960 --> 00:35:33,680
Speaker 3: Right? And I don't even know if it's real, but

756
00:35:33,760 --> 00:35:36,480
Speaker 3: it's like every guy in a movie who's you know,

757
00:35:36,600 --> 00:35:41,319
Speaker 3: doing like farm worker in the military doing something, or

758
00:35:41,440 --> 00:35:44,120
Speaker 3: you know, like off to the cop, they're just like, oh,

759
00:35:44,280 --> 00:35:46,359
Speaker 3: you know, they do this when somebody comes up to talk,

760
00:35:46,440 --> 00:35:49,480
Speaker 3: they take the head, take that mesh. All right, what

761
00:35:49,600 --> 00:35:53,920
Speaker 3: you got for me? Or why why you bother me today?

762
00:35:54,080 --> 00:35:55,360
Speaker 3: Who do I got murder?

763
00:35:55,480 --> 00:36:00,719
Speaker 1: Or this is groundbreaking actually the concept of hat.

764
00:36:00,960 --> 00:36:03,319
Speaker 2: So and again for anyone back home. I know I'm

765
00:36:03,680 --> 00:36:06,600
Speaker 2: ruining the sort of flow of the of the pot,

766
00:36:06,680 --> 00:36:08,879
Speaker 2: but I want to make sure everyone's following. Joe took

767
00:36:08,960 --> 00:36:11,640
Speaker 2: off his hat and then wiped his brow with his

768
00:36:12,040 --> 00:36:15,480
Speaker 2: with the back of his hand, and that's like something

769
00:36:15,480 --> 00:36:16,279
Speaker 2: a sheriff would do.

770
00:36:17,320 --> 00:36:19,879
Speaker 3: So yeah, I don't know. It just feels like, yeah,

771
00:36:19,960 --> 00:36:23,680
Speaker 3: you see this head on like a guy on Tulsa

772
00:36:23,760 --> 00:36:27,560
Speaker 3: King exactly. And it's maybe it's a show business I

773
00:36:27,600 --> 00:36:32,440
Speaker 3: don't know whether that's from show business perception of guys

774
00:36:32,440 --> 00:36:35,239
Speaker 3: who work on a farm or it came from that,

775
00:36:35,760 --> 00:36:36,080
Speaker 3: you know.

776
00:36:36,080 --> 00:36:39,400
Speaker 2: The whole chick totally chick. I mean, the hat is

777
00:36:39,440 --> 00:36:42,400
Speaker 2: a way in you know, popular media. It's a way

778
00:36:42,440 --> 00:36:44,680
Speaker 2: to denote blue collar.

779
00:36:44,719 --> 00:36:46,320
Speaker 1: It's a way to denote working class.

780
00:36:46,360 --> 00:36:48,960
Speaker 2: It's like this guy he has there, you know his

781
00:36:49,040 --> 00:36:49,840
Speaker 2: nails are dirty.

782
00:36:50,640 --> 00:36:52,000
Speaker 1: Yeah, right, so.

783
00:36:52,000 --> 00:36:55,360
Speaker 3: I got that was when I was douring mc carmen Christopher.

784
00:36:55,400 --> 00:36:58,120
Speaker 3: We had a day off for Montana wanted to do

785
00:36:58,160 --> 00:37:00,880
Speaker 3: it a short film, and I bought the head to

786
00:37:00,880 --> 00:37:04,920
Speaker 3: play a character because it felt just right for one.

787
00:37:04,920 --> 00:37:06,960
Speaker 2: Wait, so you bought this hat to play a character.

788
00:37:07,280 --> 00:37:10,640
Speaker 3: Yes, wow, then it is kind of comfortable. So I've

789
00:37:10,640 --> 00:37:13,080
Speaker 3: been wearing around. But I do know this. It's not

790
00:37:13,200 --> 00:37:15,600
Speaker 3: my I have fairbric all the way around.

791
00:37:15,719 --> 00:37:19,200
Speaker 1: Usually I see, so you keep your horniness in.

792
00:37:19,800 --> 00:37:21,560
Speaker 3: Yeah, that's in my head.

793
00:37:22,200 --> 00:37:23,719
Speaker 2: I mean the fact that you bought it to play

794
00:37:23,719 --> 00:37:26,160
Speaker 2: a character really adds another layer I think.

795
00:37:26,080 --> 00:37:29,920
Speaker 1: Well, as a layer that I think is interesting because like,

796
00:37:30,160 --> 00:37:32,360
Speaker 1: so there's like a trope of like gay guys on

797
00:37:32,400 --> 00:37:35,879
Speaker 1: Halloween sort of soft launching drag where they're like I'm

798
00:37:35,920 --> 00:37:38,239
Speaker 1: doing a character, like I'm playing like I'm going as

799
00:37:38,280 --> 00:37:41,719
Speaker 1: Ariana Grande. But also I like there's something about like,

800
00:37:41,800 --> 00:37:44,279
Speaker 1: well I am curious about like where that would be,

801
00:37:44,360 --> 00:37:46,719
Speaker 1: Like I didn't know this interesting. I think I think

802
00:37:46,719 --> 00:37:50,200
Speaker 1: there's a Halloween drag soft launch. Okay, I've never considered that,

803
00:37:50,280 --> 00:37:51,759
Speaker 1: but I'll accept it.

804
00:37:51,840 --> 00:37:53,880
Speaker 2: I Mean, what I will say is that because so

805
00:37:53,960 --> 00:37:56,799
Speaker 2: many people end up doing really good drag, I'm like,

806
00:37:57,520 --> 00:37:59,000
Speaker 2: if I want to do like a sort of half

807
00:37:59,000 --> 00:38:02,000
Speaker 2: hearted costume as a woman, I can't anymore, no, because

808
00:38:02,040 --> 00:38:05,600
Speaker 2: that would be dragged a hell you are allowed. I

809
00:38:05,640 --> 00:38:07,560
Speaker 2: can't just put on a wig and be like, oh,

810
00:38:07,640 --> 00:38:08,280
Speaker 2: isn't it funny?

811
00:38:08,400 --> 00:38:10,440
Speaker 1: I'm being like, lady, go go.

812
00:38:10,640 --> 00:38:13,759
Speaker 2: George would literally start hurrying early tomatoes at me.

813
00:38:14,040 --> 00:38:17,480
Speaker 1: They wouldn't They not in tomato season. That's true. Halloween

814
00:38:17,520 --> 00:38:20,720
Speaker 1: is not a tomato season. Well we're not, okay, yeah

815
00:38:20,960 --> 00:38:21,840
Speaker 1: they're I wasn't correct you.

816
00:38:21,920 --> 00:38:24,080
Speaker 2: I'm saying you're right. They wouldn't because they wouldn't be

817
00:38:24,120 --> 00:38:27,000
Speaker 2: able to find sure. That would be like insane if

818
00:38:27,040 --> 00:38:28,800
Speaker 2: I started correcting I'm that tomato season.

819
00:38:29,880 --> 00:38:32,320
Speaker 1: But I want to say like that. I almost be like,

820
00:38:32,400 --> 00:38:34,880
Speaker 1: do you feel this is a soft launch of a

821
00:38:34,960 --> 00:38:36,239
Speaker 1: more masculine Joe Para?

822
00:38:36,560 --> 00:38:40,440
Speaker 3: Oh, I don't know. I don't think so.

823
00:38:40,560 --> 00:38:40,919
Speaker 1: I don't.

824
00:38:41,200 --> 00:38:45,680
Speaker 3: I don't need to be But if you know I was.

825
00:38:45,160 --> 00:38:49,080
Speaker 1: Rough and rugged, Joe Para is dropping Winter twenty twenty four.

826
00:38:50,600 --> 00:38:54,000
Speaker 3: I just know you see this in the Rogan's Studio,

827
00:38:54,120 --> 00:38:57,120
Speaker 3: not the Yeah Stradio Lab studios much. It might be

828
00:38:57,160 --> 00:39:00,319
Speaker 3: an interesting artifact to kind of uh.

829
00:39:00,600 --> 00:39:02,799
Speaker 2: So, yeah, I want to know what it's it's said.

830
00:39:02,800 --> 00:39:05,719
Speaker 2: I see the word united, but it's not united airlines.

831
00:39:05,880 --> 00:39:08,279
Speaker 1: I don't know, but it's still is jet.

832
00:39:08,400 --> 00:39:12,600
Speaker 2: It says United Tell hell Repair, Tell Repair. That could

833
00:39:12,600 --> 00:39:15,200
Speaker 2: mean anything, that could mean anything, and it's this is

834
00:39:15,239 --> 00:39:18,720
Speaker 2: a vintage hat or a hat you got your designer, designer,

835
00:39:19,520 --> 00:39:24,359
Speaker 2: designers a designer, yes, United, Okay, we're gonna post it.

836
00:39:24,440 --> 00:39:26,839
Speaker 2: I sort of think this could be like a big

837
00:39:26,840 --> 00:39:29,839
Speaker 2: fashion brand could reference this and have that be like

838
00:39:29,960 --> 00:39:32,240
Speaker 2: in the way that you know, Baloniaga did the Bernie

839
00:39:32,320 --> 00:39:36,640
Speaker 2: fonta like I think maybe I don't know, some really

840
00:39:36,760 --> 00:39:40,319
Speaker 2: chic brand could be influenced by Joe Parra.

841
00:39:41,000 --> 00:39:44,560
Speaker 3: The cheakest thing because they put their brand like the Bernie.

842
00:39:44,600 --> 00:39:47,040
Speaker 3: One of them changed the to put their own name

843
00:39:47,120 --> 00:39:48,800
Speaker 3: in the already had logo. That's cool.

844
00:39:48,920 --> 00:39:49,160
Speaker 1: Yeah.

845
00:39:49,200 --> 00:39:52,360
Speaker 3: The coolest thing would be some like twelve year old

846
00:39:52,600 --> 00:39:56,120
Speaker 3: hip a Talian guy just started a new brand called United.

847
00:39:56,520 --> 00:40:00,000
Speaker 1: Repair, and that was the fashion brand UTR. I could

848
00:40:00,080 --> 00:40:00,440
Speaker 1: see that.

849
00:40:00,800 --> 00:40:04,200
Speaker 2: Sure are those UTR. I'm just practicing what I would

850
00:40:04,200 --> 00:40:06,640
Speaker 2: say when it's a huge when it's a huge brand.

851
00:40:06,640 --> 00:40:09,480
Speaker 1: Okay, Oh yeah, Like I actually didn't like UTRs spring

852
00:40:09,480 --> 00:40:10,400
Speaker 1: summer collection this.

853
00:40:10,600 --> 00:40:12,400
Speaker 2: Did you see the acex UTR collab?

854
00:40:12,560 --> 00:40:15,480
Speaker 1: I actually thought the color, the silver one was nice.

855
00:40:15,480 --> 00:40:17,319
Speaker 2: The silver one was nice. I didn't like the earth

856
00:40:17,360 --> 00:40:19,400
Speaker 2: tone one. I was like, what are you doing here?

857
00:40:20,440 --> 00:40:25,479
Speaker 1: Yeah? What is it? Twenty twelve? But then I thought

858
00:40:26,040 --> 00:40:27,280
Speaker 1: being a bitch about a fake brand?

859
00:40:27,520 --> 00:40:31,640
Speaker 3: I thought. I was thinking back, I think the only

860
00:40:33,040 --> 00:40:36,200
Speaker 3: maybe gay guy that I can remember wearing a hat

861
00:40:36,320 --> 00:40:39,000
Speaker 3: like the didn't they put like the guy in Rose.

862
00:40:41,280 --> 00:40:43,360
Speaker 2: Like this and stuff to denote that he's sort of

863
00:40:43,360 --> 00:40:44,120
Speaker 2: more masculine.

864
00:40:44,680 --> 00:40:48,600
Speaker 3: Yeah, so they were playing into the yeah but yeah that.

865
00:40:48,760 --> 00:40:50,319
Speaker 3: I was like, oh, yeah, maybe they did.

866
00:40:50,480 --> 00:40:52,520
Speaker 1: I actually can see a gig guy wearing this. Actually,

867
00:40:53,360 --> 00:40:55,400
Speaker 1: it gets so masculine.

868
00:40:55,000 --> 00:40:57,759
Speaker 2: That it becomes it becomes gay guys wearing car hard.

869
00:40:57,920 --> 00:41:03,680
Speaker 1: It's literally camo cameo shirt. I bet I'll look unfortunately

870
00:41:03,800 --> 00:41:08,120
Speaker 1: hot as hell. Whoa, it's up. This is crazy.

871
00:41:08,360 --> 00:41:09,360
Speaker 2: I'm fully erected.

872
00:41:11,120 --> 00:41:13,480
Speaker 1: So I've actually wanted to pull off. I have like

873
00:41:13,520 --> 00:41:16,240
Speaker 1: a hat like this, but it's brown and says Chevy

874
00:41:16,280 --> 00:41:18,960
Speaker 1: on the front, and the way that if I wore

875
00:41:19,000 --> 00:41:22,480
Speaker 1: it it would almost be too erotic, I think.

876
00:41:23,280 --> 00:41:25,759
Speaker 2: But I think Chevy is Like. What I like about

877
00:41:25,760 --> 00:41:27,960
Speaker 2: this is that it's an unknown brand, yeah, and it

878
00:41:27,960 --> 00:41:31,880
Speaker 2: seems like, oh yeah, it's my dad's company. Whereas Chevy,

879
00:41:31,920 --> 00:41:34,880
Speaker 2: you're trying so hard. It's like wearing a T shirt

880
00:41:34,960 --> 00:41:37,280
Speaker 2: that's like enjoy Coca Cola.

881
00:41:37,320 --> 00:41:39,400
Speaker 1: Of course, of course it would have to get like

882
00:41:39,440 --> 00:41:41,200
Speaker 1: faded and run over by a car a couple of

883
00:41:41,239 --> 00:41:42,879
Speaker 1: times or something before I could pull it off.

884
00:41:43,000 --> 00:41:45,759
Speaker 3: Yeah, you have. You could have a Larry David moment too,

885
00:41:45,800 --> 00:41:47,960
Speaker 3: where you're like wearing it for style and then you

886
00:41:48,000 --> 00:41:50,600
Speaker 3: walk by the picket all worker at my.

887
00:41:51,040 --> 00:41:54,880
Speaker 4: Totally and they're like, yeah, I mean the way that

888
00:41:55,000 --> 00:41:57,440
Speaker 4: this actually does become a problem a lot because I

889
00:41:57,440 --> 00:41:59,600
Speaker 4: will dress like this and then I'll like go upstate

890
00:41:59,680 --> 00:42:03,200
Speaker 4: to visit boyfriend's family and it's like, no, you just

891
00:42:03,360 --> 00:42:07,480
Speaker 4: look normal here, like no one knows you're like having

892
00:42:07,520 --> 00:42:12,680
Speaker 4: a conversation with masculinity.

893
00:42:13,280 --> 00:42:16,000
Speaker 2: You passing by someone attractor. Oh sorry, I'm having a

894
00:42:16,040 --> 00:42:20,840
Speaker 2: conversation with masculinity. I'm not, and it's really meaningful.

895
00:42:21,320 --> 00:42:24,600
Speaker 1: I'm well. This actually goes back to tour when we were

896
00:42:24,600 --> 00:42:27,680
Speaker 1: in the Midwest. I feel like we were seeing I

897
00:42:27,800 --> 00:42:31,120
Speaker 1: was seeing a lot of cargo shorts that were like

898
00:42:31,320 --> 00:42:33,680
Speaker 1: people in New York are now wearing cargo shorts again

899
00:42:33,760 --> 00:42:38,200
Speaker 1: in like this way, there's like third wave cargo shorts,

900
00:42:38,400 --> 00:42:41,360
Speaker 1: and people in the Midwest are just wearing cargo shorts

901
00:42:41,840 --> 00:42:44,160
Speaker 1: in the first way they never they never had. They're

902
00:42:44,200 --> 00:42:46,360
Speaker 1: not having a conversation about like, well, I'm commenting on

903
00:42:46,400 --> 00:42:48,239
Speaker 1: what it was like in two thousand and seven. There

904
00:42:48,680 --> 00:42:49,839
Speaker 1: they are in twenty seven.

905
00:42:49,880 --> 00:42:52,560
Speaker 3: In twenty twenty three, the fashion loops are going too

906
00:42:52,600 --> 00:42:56,160
Speaker 3: fast now that they're eating themselves.

907
00:42:54,600 --> 00:42:59,320
Speaker 1: And you literally just dress Midwestern to be cool now

908
00:42:59,440 --> 00:43:03,200
Speaker 1: but Midwest and people still dress Midwestern. So it's very complex.

909
00:43:05,840 --> 00:43:10,400
Speaker 3: Thoughts interesting, But I mean, you grew up in Michigan

910
00:43:10,440 --> 00:43:12,600
Speaker 3: and people you grew up with. For that, it feels

911
00:43:12,719 --> 00:43:15,880
Speaker 3: like it's a little different for you and like people

912
00:43:15,960 --> 00:43:17,680
Speaker 3: you know, Yeah, I do.

913
00:43:17,640 --> 00:43:20,080
Speaker 2: Think you're more sensitive to it or something because I

914
00:43:20,120 --> 00:43:20,920
Speaker 2: wasn't noticing it.

915
00:43:21,280 --> 00:43:25,520
Speaker 1: I'm not that sensitive to it. I'm really not sensitive.

916
00:43:28,520 --> 00:43:30,840
Speaker 1: I don't know why. For some reason, I feel combative today,

917
00:43:30,840 --> 00:43:32,960
Speaker 1: but worry that's like fun. But also.

918
00:43:35,360 --> 00:43:38,520
Speaker 2: I've never been this challenge before my own podcast.

919
00:43:38,520 --> 00:43:39,760
Speaker 1: I'm not sensitive.

920
00:43:41,120 --> 00:43:43,200
Speaker 2: Well being I mean, I of course being sensitive about

921
00:43:43,200 --> 00:43:47,759
Speaker 2: being sensitive is incredible. You crying and yelling I'm not

922
00:43:48,680 --> 00:43:51,680
Speaker 2: I'm not sensitive. Get that through your head. I am

923
00:43:51,719 --> 00:43:53,560
Speaker 2: a lot of things, but I'm not sensitive.

924
00:43:53,760 --> 00:43:57,360
Speaker 1: I'm a business person, I'm an artist. I'm not sensitive.

925
00:43:58,520 --> 00:44:00,400
Speaker 2: I know I know I want the the way I

926
00:44:00,440 --> 00:44:02,759
Speaker 2: want them and if they're not like that, then I'm

927
00:44:02,760 --> 00:44:06,480
Speaker 2: gonna fucking explode if it's.

928
00:44:06,320 --> 00:44:08,160
Speaker 1: A crying for knowing what I want, and lock me up.

929
00:44:10,480 --> 00:44:13,279
Speaker 1: But not on charges of sensitivity, thank you.

930
00:44:15,400 --> 00:44:18,680
Speaker 3: It's weird style around this building because it feels like

931
00:44:19,000 --> 00:44:21,439
Speaker 3: they're still going real hard with the tech, with the

932
00:44:21,480 --> 00:44:24,160
Speaker 3: tech fest around Tier and the business guy Outfice. It's

933
00:44:24,200 --> 00:44:28,120
Speaker 3: gonna be interesting for Walking to come to do the

934
00:44:28,160 --> 00:44:31,400
Speaker 3: podcast and analyze Midtown style because.

935
00:44:31,840 --> 00:44:34,560
Speaker 2: The Midtown style is, well, this is the thing. You

936
00:44:34,600 --> 00:44:36,759
Speaker 2: have all these conversations where you're like, oh, people in

937
00:44:36,800 --> 00:44:38,400
Speaker 2: the Midwest are like this, and then we're having a

938
00:44:38,440 --> 00:44:41,480
Speaker 2: conversation with masculinity, and then you go to Midtown you're like, oh,

939
00:44:41,760 --> 00:44:44,360
Speaker 2: so it is just twenty twelve. It is just like

940
00:44:44,560 --> 00:44:47,160
Speaker 2: Skinny Khaki and Patagonia vest Well.

941
00:44:47,280 --> 00:44:50,080
Speaker 1: It's so confusing to me when something is like called

942
00:44:50,120 --> 00:44:52,800
Speaker 1: out and it's like this has become such a trope

943
00:44:52,960 --> 00:44:57,080
Speaker 1: and it's like it's fun, yeah, and then people just

944
00:44:57,160 --> 00:44:59,919
Speaker 1: do it anyway. It's like, but you even the meme

945
00:45:00,200 --> 00:45:02,520
Speaker 1: have like reached you, I'm sure of it, Like you

946
00:45:02,560 --> 00:45:05,239
Speaker 1: have gotten them in your big Mask company email as

947
00:45:05,280 --> 00:45:07,400
Speaker 1: like a joke and everyone's like, so true, that is me.

948
00:45:07,640 --> 00:45:09,640
Speaker 1: And then the next day you showed up wearing the

949
00:45:09,640 --> 00:45:14,359
Speaker 1: same outfit, shocking to me. Honestly, it's bold.

950
00:45:14,400 --> 00:45:16,960
Speaker 2: It's bold, and it's also actually like so liberated to

951
00:45:17,000 --> 00:45:19,360
Speaker 2: be like, yeah, I'm dressed like this meme.

952
00:45:19,880 --> 00:45:23,360
Speaker 1: Yeah, I think it's as brave as being gay in

953
00:45:23,400 --> 00:45:23,839
Speaker 1: high school.

954
00:45:23,840 --> 00:45:25,600
Speaker 2: I mean, you're basically reclaiming it exactly.

955
00:45:27,480 --> 00:45:30,880
Speaker 3: Lot brave millionaires walking around.

956
00:45:31,440 --> 00:45:37,600
Speaker 2: Yeah, and by the way, all these things, it's like, oh,

957
00:45:37,640 --> 00:45:39,680
Speaker 2: we are months away from them coming back and you

958
00:45:39,719 --> 00:45:42,720
Speaker 2: and I walking around wearing skinny kakis in the Patagonia vest.

959
00:45:42,680 --> 00:45:46,240
Speaker 1: Of course, Like I mean the moment it will happen

960
00:45:46,560 --> 00:45:47,320
Speaker 1: like soonish.

961
00:45:47,800 --> 00:45:51,400
Speaker 3: Do you think there could be like actual trends again?

962
00:45:53,239 --> 00:45:55,040
Speaker 2: If I were to tell you three years ago that

963
00:45:55,120 --> 00:45:58,040
Speaker 2: preppy would be back and it would be literally essentially

964
00:45:58,080 --> 00:46:01,040
Speaker 2: cool to be wearing a polo ill fitting khakis and

965
00:46:01,360 --> 00:46:03,320
Speaker 2: a baseball hat, what would you say to me? You

966
00:46:03,320 --> 00:46:06,560
Speaker 2: would probably laugh in my face and make me cry.

967
00:46:07,880 --> 00:46:09,000
Speaker 3: It is crazy pulls.

968
00:46:09,120 --> 00:46:13,120
Speaker 1: Yeah, this, I mean it's back. Joe. Describe your personal

969
00:46:13,120 --> 00:46:16,680
Speaker 1: style yeah, I'm addicted to prompting, you know, I can't

970
00:46:16,680 --> 00:46:17,040
Speaker 1: help it.

971
00:46:17,320 --> 00:46:19,480
Speaker 3: No, I had a joke on on the shot at

972
00:46:19,719 --> 00:46:23,120
Speaker 3: the like pret too snuck out of the seminary to

973
00:46:24,080 --> 00:46:27,360
Speaker 3: trying to blend in at the local bar and krill nearby.

974
00:46:27,880 --> 00:46:32,200
Speaker 3: But yeah, I so somebody asked me about the shirt

975
00:46:32,239 --> 00:46:37,800
Speaker 3: I wear in Special. I literally just get like the same.

976
00:46:38,160 --> 00:46:41,120
Speaker 3: Lands End's got these shirts of these, like they they're

977
00:46:41,160 --> 00:46:43,719
Speaker 3: like seventy percent off sales, so you get all the

978
00:46:43,800 --> 00:46:44,839
Speaker 3: bun downs for like.

979
00:46:46,000 --> 00:46:50,960
Speaker 2: Is this the one you're wearing lands End YEP, it is,

980
00:46:51,000 --> 00:46:53,040
Speaker 2: it is confirmed confirmed.

981
00:46:52,880 --> 00:46:56,600
Speaker 3: So yeah I want. Yeah, I'm not getting paid. But

982
00:46:56,640 --> 00:47:00,279
Speaker 3: they're like, it's like twenty four ninety nine US don't

983
00:47:00,600 --> 00:47:05,280
Speaker 3: get size stunning silhouette. I'm not trying to like a glove.

984
00:47:06,920 --> 00:47:10,280
Speaker 3: They got traditional fit for the more casual.

985
00:47:10,480 --> 00:47:14,719
Speaker 1: We're talking traditional fit. I forget what you traditional.

986
00:47:14,800 --> 00:47:18,719
Speaker 3: They're not that bad, they're pretty, they're well, no, I

987
00:47:18,760 --> 00:47:21,680
Speaker 3: don't yeah, they're all kind of the same. But it's

988
00:47:21,760 --> 00:47:25,200
Speaker 3: just like, well, the sure is good enough if I

989
00:47:25,239 --> 00:47:28,560
Speaker 3: give new one every now and then for twenty five bucks,

990
00:47:28,640 --> 00:47:31,440
Speaker 3: why am I going to bo They're changing it up?

991
00:47:31,560 --> 00:47:31,799
Speaker 1: Sure?

992
00:47:32,080 --> 00:47:34,840
Speaker 3: Yeah, sure, I don't know your fans are.

993
00:47:34,680 --> 00:47:39,560
Speaker 2: Probably you know trap, which is sam. You always talk

994
00:47:39,560 --> 00:47:42,440
Speaker 2: about people who think they're opting out of fashion, but

995
00:47:42,480 --> 00:47:44,040
Speaker 2: they are actually making conscious choices.

996
00:47:44,120 --> 00:47:46,240
Speaker 1: This is true. It's impossible to not make a choice.

997
00:47:46,520 --> 00:47:50,719
Speaker 3: It's true. It's comfortable, reasonably priced, looks good enough, and

998
00:47:50,880 --> 00:47:53,799
Speaker 3: I like it's comfortable performing. I could wear this on

999
00:47:53,920 --> 00:47:57,319
Speaker 3: stage layer, which is kind of important for clothes I

1000
00:47:57,360 --> 00:48:00,680
Speaker 3: pick out, you know, just a regular paras likes sure

1001
00:48:01,560 --> 00:48:03,719
Speaker 3: hopefullly not distracting to.

1002
00:48:03,680 --> 00:48:05,320
Speaker 1: A regular paraslax.

1003
00:48:05,400 --> 00:48:07,840
Speaker 2: So what would be like a non normal para slacks?

1004
00:48:08,160 --> 00:48:09,839
Speaker 2: It's normal, maybe like a gay pair.

1005
00:48:12,280 --> 00:48:15,160
Speaker 3: I think if I was speaking to the new trends,

1006
00:48:15,160 --> 00:48:17,000
Speaker 3: if I was gonna wear a pair of like the

1007
00:48:17,040 --> 00:48:20,200
Speaker 3: big baggy ones that are coming back with the pockets

1008
00:48:20,280 --> 00:48:26,239
Speaker 3: on the side, people might uh want to know, I

1009
00:48:26,440 --> 00:48:30,000
Speaker 3: want me to dress it. I don't know why, or

1010
00:48:30,120 --> 00:48:35,000
Speaker 3: like mel bottoms. It's just two they're they're coming back to, right.

1011
00:48:35,719 --> 00:48:36,960
Speaker 1: They're always on the version. You know.

1012
00:48:37,000 --> 00:48:39,120
Speaker 2: It's funny, they're actually always on the version of coming

1013
00:48:39,120 --> 00:48:41,360
Speaker 2: back and have never successfully come back in the in

1014
00:48:41,440 --> 00:48:43,480
Speaker 2: the truly fifty years since the seventies.

1015
00:48:43,520 --> 00:48:44,560
Speaker 1: That's an amazing point.

1016
00:48:44,640 --> 00:48:47,000
Speaker 2: It's really crazy. They're the only thing that refuses to

1017
00:48:47,040 --> 00:48:48,759
Speaker 2: actually make a full fledged comeback, and.

1018
00:48:48,760 --> 00:48:52,600
Speaker 1: It's always so close. It's kind of scary. Yes, it's

1019
00:48:52,640 --> 00:48:54,520
Speaker 1: it's almost like when you hear new stories about like

1020
00:48:54,680 --> 00:48:58,600
Speaker 1: there's actually a comment that could hit earth the bell bottoms,

1021
00:48:58,640 --> 00:49:01,680
Speaker 1: could bell bottom comment, and it's like, but it's never

1022
00:49:01,960 --> 00:49:03,400
Speaker 1: but so far, we're fine.

1023
00:49:03,680 --> 00:49:05,439
Speaker 3: Okay, that's that's good.

1024
00:49:05,760 --> 00:49:07,799
Speaker 2: You know what, though, I think if you started wearing

1025
00:49:07,840 --> 00:49:09,719
Speaker 2: bell bottoms like it would be such a sort of

1026
00:49:09,760 --> 00:49:12,839
Speaker 2: out of character choice, then it could really rush them

1027
00:49:12,880 --> 00:49:15,480
Speaker 2: back into the zeitgeist if you filmed your I mean,

1028
00:49:15,520 --> 00:49:18,960
Speaker 2: I know this special has already been filmed. Yeah, but

1029
00:49:19,040 --> 00:49:20,640
Speaker 2: for the next one, if you were to just wear

1030
00:49:20,719 --> 00:49:23,600
Speaker 2: actually from the waist up and normal Joe Parral look,

1031
00:49:23,600 --> 00:49:27,600
Speaker 2: and from the waist down, like really fashionable and tight

1032
00:49:27,680 --> 00:49:30,440
Speaker 2: bell bottoms, I could get style.

1033
00:49:30,480 --> 00:49:34,200
Speaker 3: Effects artists to kind of flare them out for the special.

1034
00:49:36,640 --> 00:49:41,080
Speaker 3: I don't know, I just yeah, I don't know. No,

1035
00:49:41,280 --> 00:49:45,120
Speaker 3: it's bad that I have a version of normal, but

1036
00:49:45,520 --> 00:49:53,400
Speaker 3: you know, I've been warning the khakis sure since high school.

1037
00:49:53,400 --> 00:49:55,920
Speaker 3: And maybe the cut goes in andor out, But as

1038
00:49:55,960 --> 00:49:59,719
Speaker 3: long as my priorities are comfort price, can I wear

1039
00:49:59,719 --> 00:50:02,960
Speaker 3: it on stage without it taken away from it.

1040
00:50:03,000 --> 00:50:04,439
Speaker 1: I can transition from day to night.

1041
00:50:05,040 --> 00:50:06,759
Speaker 3: Yeah, and like and of.

1042
00:50:06,680 --> 00:50:12,359
Speaker 1: Course is it Balenciaga, Let's comfort price and can wear

1043
00:50:13,160 --> 00:50:14,719
Speaker 1: isa I got.

1044
00:50:15,960 --> 00:50:19,040
Speaker 3: I thought for a while I could, Like when I

1045
00:50:19,080 --> 00:50:22,560
Speaker 3: was doing stand up, I wore running sneakers for a

1046
00:50:22,560 --> 00:50:26,080
Speaker 3: while because they were comfortable, and then someone said, like,

1047
00:50:26,120 --> 00:50:30,040
Speaker 3: you can't wear these on dates and maybe twenty fifty,

1048
00:50:30,520 --> 00:50:33,359
Speaker 3: twenty fourteen, twenty fifteen, And I resisted for a while,

1049
00:50:33,400 --> 00:50:35,080
Speaker 3: but then I realized, maybe I should put on a

1050
00:50:35,080 --> 00:50:39,520
Speaker 3: different purachues and now we'll hold the new balance. Uh,

1051
00:50:39,920 --> 00:50:43,760
Speaker 3: the wather, the the ones with the solid people were Solomon,

1052
00:50:43,840 --> 00:50:47,480
Speaker 3: All the most comfortable are acceptable to We're on day.

1053
00:50:47,560 --> 00:50:51,279
Speaker 3: So I finally gave in to advice, and now they're

1054
00:50:51,320 --> 00:50:53,640
Speaker 3: back in. That's my fault. I should have stuck to

1055
00:50:53,760 --> 00:50:54,839
Speaker 3: my guns out of that one.

1056
00:50:54,960 --> 00:50:57,080
Speaker 2: I mean, I'm telling you that's how I feel about Polos.

1057
00:50:57,200 --> 00:51:00,000
Speaker 2: You basically can't throw anything out anymore because it's gonna

1058
00:51:00,200 --> 00:51:02,040
Speaker 2: the cycles are so fast that it's just gonna come

1059
00:51:02,080 --> 00:51:04,040
Speaker 2: back in style in one calendar year.

1060
00:51:05,200 --> 00:51:05,439
Speaker 1: Yeah.

1061
00:51:05,640 --> 00:51:08,719
Speaker 2: Yeah, I bet you that shirt, that Tzara shirt that

1062
00:51:08,800 --> 00:51:11,520
Speaker 2: all the gay guys wore in twenty seventeen. That's like

1063
00:51:11,640 --> 00:51:14,879
Speaker 2: yellow and black stripes is gonna come back, ironically within

1064
00:51:14,920 --> 00:51:15,920
Speaker 2: the next two years.

1065
00:51:16,120 --> 00:51:18,920
Speaker 1: This is one of the smarter things you've ever said.

1066
00:51:19,320 --> 00:51:21,680
Speaker 1: I keep saying this, but it's true. You are. That

1067
00:51:21,760 --> 00:51:24,280
Speaker 1: is genius in the same way that like, like American

1068
00:51:24,320 --> 00:51:26,800
Speaker 1: apparel now is kind of fun. Yeah, it's like vintage

1069
00:51:26,800 --> 00:51:29,879
Speaker 1: e and like interesting. No, it's gonna come back. That

1070
00:51:29,960 --> 00:51:32,279
Speaker 1: stripe shirt will come back in a huge way.

1071
00:51:32,360 --> 00:51:34,359
Speaker 2: It will be on the and I'm not saying that

1072
00:51:34,680 --> 00:51:37,040
Speaker 2: it will be on the runway as like an ironic thing,

1073
00:51:37,200 --> 00:51:40,200
Speaker 2: Like it'll be like Vetmont or like some like or

1074
00:51:40,880 --> 00:51:44,279
Speaker 2: I don't know, you know, some really cool brand will

1075
00:51:44,280 --> 00:51:45,839
Speaker 2: put it on the runway and it'll be like so

1076
00:51:46,120 --> 00:51:48,719
Speaker 2: uncool that it's cool, and then everyone will start wearing it.

1077
00:51:48,920 --> 00:51:52,680
Speaker 3: Shit I wear on stage where people that will be big.

1078
00:51:53,320 --> 00:51:55,520
Speaker 3: Because I don't know what you're talking about, but it

1079
00:51:55,560 --> 00:51:57,840
Speaker 3: sounds like the perfect for me to start.

1080
00:51:58,360 --> 00:51:59,839
Speaker 1: I mean, the fact that you don't know what we're

1081
00:51:59,840 --> 00:52:02,520
Speaker 1: t talking about is like, I fully understand how, but

1082
00:52:02,600 --> 00:52:05,480
Speaker 1: it also scares me where I'm like, we consume such

1083
00:52:05,560 --> 00:52:07,960
Speaker 1: different information.

1084
00:52:07,239 --> 00:52:10,040
Speaker 3: And we're at the same places a lot of time too.

1085
00:52:10,200 --> 00:52:13,480
Speaker 1: Yeah, it would come from very different places, which is

1086
00:52:13,520 --> 00:52:14,239
Speaker 1: shocking to me.

1087
00:52:14,520 --> 00:52:18,400
Speaker 3: Yeah. Interesting, Okay, I probably have seen it, I just don't.

1088
00:52:19,000 --> 00:52:23,280
Speaker 1: I mean also seen people wear it like a people

1089
00:52:23,320 --> 00:52:23,719
Speaker 1: that we know.

1090
00:52:23,800 --> 00:52:27,359
Speaker 2: I Getzara strip and I don't want to right now

1091
00:52:27,360 --> 00:52:32,680
Speaker 2: because then seventeen, but they do comedy.

1092
00:52:32,320 --> 00:52:35,560
Speaker 3: You can put on put on blast.

1093
00:52:35,800 --> 00:52:38,560
Speaker 2: I would say this is this is a version of it, A.

1094
00:52:38,600 --> 00:52:41,080
Speaker 1: Version of it is a version of it, a famous one,

1095
00:52:41,160 --> 00:52:43,439
Speaker 1: but that's a version of it. Just like imagine there's

1096
00:52:43,440 --> 00:52:46,239
Speaker 1: also like this. It's like this weird cheap material. You

1097
00:52:46,280 --> 00:52:50,759
Speaker 1: can't ever wash it. Yeah yeah, yeah, nice, Okay, so yeah,

1098
00:52:50,800 --> 00:52:52,200
Speaker 1: I think you should really pull that off.

1099
00:52:52,600 --> 00:52:54,879
Speaker 3: I'll give it a shot. I found it and I

1100
00:52:54,920 --> 00:52:55,920
Speaker 3: saw what I searches.

1101
00:52:56,080 --> 00:52:56,360
Speaker 1: That's it.

1102
00:52:56,600 --> 00:53:01,120
Speaker 3: I search Gazar, Sure, that's.

1103
00:53:00,960 --> 00:53:04,200
Speaker 1: What because it was everyone was where it was very

1104
00:53:04,239 --> 00:53:04,520
Speaker 1: very well.

1105
00:53:04,600 --> 00:53:06,640
Speaker 2: There's an article in the strategis why are so many

1106
00:53:06,640 --> 00:53:09,800
Speaker 2: guys wearing this striped shirt? August twenty eighteen.

1107
00:53:10,719 --> 00:53:13,320
Speaker 1: I love that this is an unpacking fashion episode.

1108
00:53:13,719 --> 00:53:19,080
Speaker 3: I that would kill if I were for for the

1109
00:53:19,200 --> 00:53:22,400
Speaker 3: right place. It would probably make a portion of the

1110
00:53:22,440 --> 00:53:25,920
Speaker 3: audience laugh so hard and I go, wow, do you

1111
00:53:26,000 --> 00:53:27,000
Speaker 3: like my gaze?

1112
00:53:27,080 --> 00:53:30,880
Speaker 1: Are sure? Okay?

1113
00:53:31,400 --> 00:53:33,239
Speaker 2: You should actually go on tour and that should be

1114
00:53:33,280 --> 00:53:35,680
Speaker 2: your opener. It's like, so, what about my gazear my shirt?

1115
00:53:36,120 --> 00:53:38,879
Speaker 1: It was like huh, I was like what I thought

1116
00:53:38,880 --> 00:53:45,280
Speaker 1: He's gonna talk about like ducks, sirt, you know, sucks.

1117
00:53:45,040 --> 00:53:47,279
Speaker 3: That would be worthy. The funniest jokes are when you

1118
00:53:47,320 --> 00:53:50,120
Speaker 3: make like three people in the audience laugh so hard

1119
00:53:50,160 --> 00:53:52,680
Speaker 3: they can't and it doesn't.

1120
00:53:52,360 --> 00:53:54,439
Speaker 2: I know that in my heart and as an audience member,

1121
00:53:54,440 --> 00:53:56,080
Speaker 2: I know that. But then when you're on stage and

1122
00:53:56,120 --> 00:54:00,640
Speaker 2: that happens, it doesn't feel good, no, it because that

1123
00:54:00,760 --> 00:54:03,239
Speaker 2: really is as an audience, remember that is how you

1124
00:54:03,280 --> 00:54:05,440
Speaker 2: feel like if I'm watching I don't know, Maria Bamford,

1125
00:54:06,840 --> 00:54:09,920
Speaker 2: It'll be like four people laughing at something. It'll be

1126
00:54:09,960 --> 00:54:11,560
Speaker 2: like the funniest thing ever. But if that happened to me,

1127
00:54:11,600 --> 00:54:12,759
Speaker 2: I'd be like, well, I guess I have to become

1128
00:54:12,760 --> 00:54:13,160
Speaker 2: a teacher.

1129
00:54:13,360 --> 00:54:18,160
Speaker 1: Yeah, I'm giving it. There is something so a tasteful

1130
00:54:18,200 --> 00:54:22,120
Speaker 1: bomb where you're like only sort of bombing but also

1131
00:54:22,160 --> 00:54:25,960
Speaker 1: sort of succeeding. Is something so delicate and beautiful.

1132
00:54:26,400 --> 00:54:29,280
Speaker 3: How would you when the person does it almost gets

1133
00:54:29,320 --> 00:54:32,240
Speaker 3: through it effortlessly and it doesn't get to them on stage?

1134
00:54:32,440 --> 00:54:34,040
Speaker 3: Or is it how.

1135
00:54:34,719 --> 00:54:37,560
Speaker 1: More like where it's like, oh god, this is embarrassing,

1136
00:54:37,640 --> 00:54:39,839
Speaker 1: when it's dangerous, when you're like when someone's on stage

1137
00:54:39,880 --> 00:54:43,359
Speaker 1: and you're like, this is funny, but it's not. Oh sure, yeah,

1138
00:54:43,440 --> 00:54:46,919
Speaker 1: it's like not mass appeal funny. Yeah that one.

1139
00:54:46,960 --> 00:54:53,000
Speaker 3: I like, yeah, is it making the comics in the room? Yeah, yeah, yeah,

1140
00:54:53,000 --> 00:54:54,320
Speaker 3: oh yeah.

1141
00:54:53,880 --> 00:54:55,719
Speaker 1: Yeah, it's gonna go ahead and do that. It's gonna

1142
00:54:55,719 --> 00:54:58,960
Speaker 1: go ahead and be alienating to the real audience and

1143
00:54:59,400 --> 00:55:00,680
Speaker 1: invite the medians in.

1144
00:55:01,120 --> 00:55:04,160
Speaker 3: No, that's great. And when somebody doubles down on it

1145
00:55:04,480 --> 00:55:09,000
Speaker 3: and they yeah, it's fun. Yeah.

1146
00:55:09,040 --> 00:55:11,480
Speaker 2: Okay, back to fashion, and I also want to I

1147
00:55:11,840 --> 00:55:14,520
Speaker 2: do want to circle back to the hatting question. Oh

1148
00:55:14,520 --> 00:55:15,359
Speaker 2: of course at some point.

1149
00:55:15,440 --> 00:55:18,920
Speaker 1: I have one fashioning thing. Yes, of course. The thing

1150
00:55:18,960 --> 00:55:21,480
Speaker 1: I wanted to say is in regards to the ZAR

1151
00:55:21,560 --> 00:55:23,840
Speaker 1: shirt is sometimes I'll be in like a normal store

1152
00:55:24,400 --> 00:55:27,799
Speaker 1: and I'll be like, Okay, I like that shirt, but

1153
00:55:27,880 --> 00:55:30,040
Speaker 1: I can't I know, I can't buy it because if

1154
00:55:30,080 --> 00:55:32,920
Speaker 1: I like it this much, I bet four hundred other

1155
00:55:32,960 --> 00:55:34,959
Speaker 1: gay guys are gonna buy it, and then it'll become

1156
00:55:35,000 --> 00:55:36,680
Speaker 1: the new gay guy shirt. So I have to find

1157
00:55:36,719 --> 00:55:40,960
Speaker 1: something that I actually don't like that much. Interesting, incredible

1158
00:55:41,080 --> 00:55:44,600
Speaker 1: mental gymnastics, because you're like, well, I can't if like

1159
00:55:44,960 --> 00:55:47,799
Speaker 1: this just came out, this shirt, everyone's gonna have it

1160
00:55:47,880 --> 00:55:50,239
Speaker 1: in one month, and I can't be a part of

1161
00:55:50,239 --> 00:55:50,760
Speaker 1: the masses.

1162
00:55:51,520 --> 00:55:54,200
Speaker 3: That's all that's heavy to go shopping with that in

1163
00:55:54,239 --> 00:55:54,760
Speaker 3: your mind.

1164
00:55:55,680 --> 00:55:57,080
Speaker 2: Oh yeah, it's war.

1165
00:55:58,600 --> 00:56:00,560
Speaker 1: Fucking lives suck, Joe.

1166
00:56:01,400 --> 00:56:04,000
Speaker 2: Do you think we could go to lands end dot

1167
00:56:04,000 --> 00:56:06,920
Speaker 2: com and get twenty five dollars shirts? We'd be shot

1168
00:56:06,960 --> 00:56:09,560
Speaker 2: in the street and they'd be right to do. So

1169
00:56:12,040 --> 00:56:14,359
Speaker 2: we have to add LGBTQ plus you. And also, by

1170
00:56:14,400 --> 00:56:16,319
Speaker 2: the way, your shirt fits you better than either of

1171
00:56:16,320 --> 00:56:19,080
Speaker 2: our shirts fit. Do do you think we like that?

1172
00:56:19,280 --> 00:56:22,960
Speaker 2: We are essentially going out by just in case a

1173
00:56:23,000 --> 00:56:24,640
Speaker 2: twenty four year old could make fun of us.

1174
00:56:25,280 --> 00:56:27,799
Speaker 3: No, no, no, you guys, You guys are looking sharp.

1175
00:56:31,719 --> 00:56:34,359
Speaker 3: I'm telling you, I'm gonna, I'm gonna. I'm gonna sign

1176
00:56:34,440 --> 00:56:36,560
Speaker 3: you up. I'll put your name to the lands and

1177
00:56:36,719 --> 00:56:39,359
Speaker 3: Catalog mailing list. You guys get it?

1178
00:56:39,440 --> 00:56:40,480
Speaker 2: Are you lands and over?

1179
00:56:40,520 --> 00:56:41,040
Speaker 1: Elbean?

1180
00:56:42,200 --> 00:56:42,480
Speaker 3: Yeah?

1181
00:56:42,840 --> 00:56:43,280
Speaker 1: Wow?

1182
00:56:43,719 --> 00:56:47,360
Speaker 3: I tried to go to Elbean, But the clothes they're

1183
00:56:47,400 --> 00:56:49,839
Speaker 3: made for they're even two old men. For me, they

1184
00:56:49,920 --> 00:56:51,960
Speaker 3: kind of yeah, yeah, their box.

1185
00:56:53,040 --> 00:56:56,399
Speaker 2: Because I've always been almost like instinctively l Bean.

1186
00:56:56,440 --> 00:56:58,680
Speaker 1: I'm an l Bean stand Yeah yeah, and.

1187
00:56:58,640 --> 00:57:01,400
Speaker 2: I actually Elbean has done a good job of courting,

1188
00:57:02,320 --> 00:57:05,880
Speaker 2: you know, the Brooklyn minded. But they'll do like they'll

1189
00:57:05,880 --> 00:57:08,840
Speaker 2: have stuff that has like their old vintage logo, or

1190
00:57:08,840 --> 00:57:10,879
Speaker 2: they'll have like colors that are a little more sort

1191
00:57:10,920 --> 00:57:13,799
Speaker 2: of contemporary, whereas lands But actually that's probably a reason

1192
00:57:13,840 --> 00:57:16,760
Speaker 2: to go to lands End because that is that is

1193
00:57:16,800 --> 00:57:21,600
Speaker 2: the car heart painter pants of the online magazine.

1194
00:57:21,160 --> 00:57:25,439
Speaker 1: Stores and in Yeah, but if too many gig guys

1195
00:57:25,480 --> 00:57:27,800
Speaker 1: go to it, then soon they'll have like a Todd

1196
00:57:27,840 --> 00:57:33,360
Speaker 1: Snyder collapse. Oh my god, yes, Okay, lands En vintage collection.

1197
00:57:33,200 --> 00:57:35,600
Speaker 2: We pretty much have until this episode comes out for

1198
00:57:35,960 --> 00:57:39,000
Speaker 2: you and I to pioneer lands End in the LGBTQ

1199
00:57:39,080 --> 00:57:39,840
Speaker 2: plus community.

1200
00:57:40,040 --> 00:57:42,000
Speaker 3: What are those red boots called, you know, like the

1201
00:57:42,000 --> 00:57:43,120
Speaker 3: bubble boosts of people.

1202
00:57:43,240 --> 00:57:45,080
Speaker 2: Oh yeah, yeah, totally if you.

1203
00:57:45,040 --> 00:57:48,360
Speaker 3: Guys got lands En or dal Albean boots, except for

1204
00:57:48,440 --> 00:57:51,840
Speaker 3: their like that and they're they're like that large.

1205
00:57:52,280 --> 00:57:54,200
Speaker 2: There should be I actually wish there should be a

1206
00:57:54,200 --> 00:57:57,240
Speaker 2: trend where you just buy shoes that are five sizes

1207
00:57:57,280 --> 00:58:01,080
Speaker 2: too big for you. They're just uncomfortable in the same

1208
00:58:01,080 --> 00:58:02,680
Speaker 2: way that actually that's the last front here, and the

1209
00:58:02,680 --> 00:58:05,760
Speaker 2: same people do oversized pants, oversized shirts. People should start

1210
00:58:05,800 --> 00:58:08,440
Speaker 2: doing oversized shit. You ever just looking like a clown?

1211
00:58:08,640 --> 00:58:10,640
Speaker 3: Do you ever do that? Growing up, I had a

1212
00:58:10,760 --> 00:58:13,520
Speaker 3: cousins that were kind of I think my lot my

1213
00:58:13,600 --> 00:58:17,520
Speaker 3: taste came from them. They were like five seven years older,

1214
00:58:17,560 --> 00:58:19,720
Speaker 3: and we get their handmaid downs. They were kind of

1215
00:58:19,720 --> 00:58:22,000
Speaker 3: the kind of dressed a little preppy, but like I

1216
00:58:22,080 --> 00:58:25,000
Speaker 3: remember getting a pair of Doc Martins in the sixth

1217
00:58:25,040 --> 00:58:27,200
Speaker 3: crate and was like I got a warzy but they were,

1218
00:58:28,200 --> 00:58:31,160
Speaker 3: you know, three sizes too big. So for the school dance,

1219
00:58:31,240 --> 00:58:34,480
Speaker 3: I stuffed them with tishoe and kind of like stomped around. Yeah,

1220
00:58:34,520 --> 00:58:36,160
Speaker 3: I still thought it was cool.

1221
00:58:36,480 --> 00:58:38,760
Speaker 1: Yeah I did that, but only I was like way

1222
00:58:38,800 --> 00:58:41,600
Speaker 1: too old. Like I did it when I was like seventeen,

1223
00:58:41,720 --> 00:58:43,440
Speaker 1: and I would buy like thrift store shoes that I

1224
00:58:43,440 --> 00:58:45,960
Speaker 1: thought were cool and they would obviously not fit, and

1225
00:58:46,000 --> 00:58:47,800
Speaker 1: I would like stuff them with tissue.

1226
00:58:48,960 --> 00:58:52,280
Speaker 3: Yeah, that's maybe that is all they're trying stuff and

1227
00:58:52,440 --> 00:58:53,360
Speaker 3: oversized shoes.

1228
00:58:53,520 --> 00:58:55,400
Speaker 1: Tissue stepping her shoes.

1229
00:58:55,440 --> 00:58:59,680
Speaker 2: The tissue is so like building a fire in the

1230
00:58:59,720 --> 00:59:04,440
Speaker 2: bat Yeah, being so cast of rent.

1231
00:59:06,240 --> 00:59:09,959
Speaker 3: It's gotta be the weirdest newspaper you choose. Yeah, yeah,

1232
00:59:10,080 --> 00:59:11,840
Speaker 3: the most local newspaper.

1233
00:59:12,080 --> 00:59:14,480
Speaker 1: I really prided myself on, Like, yeah, look how crafty

1234
00:59:14,520 --> 00:59:16,360
Speaker 1: I am, like, look I can yeah, any shoe I

1235
00:59:16,360 --> 00:59:17,120
Speaker 1: can make work.

1236
00:59:17,480 --> 00:59:21,960
Speaker 4: People are probably looking at stopping around fully like seventeen,

1237
00:59:22,000 --> 00:59:25,000
Speaker 4: you're tripping every four steps, you're bleeding.

1238
00:59:25,240 --> 00:59:27,360
Speaker 1: You're like, yeah, whatever, my mom being like, can I

1239
00:59:27,400 --> 00:59:29,840
Speaker 1: please get you normal shoes? I'm like, no, I look

1240
00:59:29,920 --> 00:59:33,560
Speaker 1: fucking good. Yeah. And cut to now we're trying to

1241
00:59:33,560 --> 00:59:34,920
Speaker 1: find vintage armyware.

1242
00:59:35,200 --> 00:59:36,840
Speaker 2: God forbid. We shop at Land's End.

1243
00:59:37,320 --> 00:59:39,520
Speaker 1: Oh my god, the way that I see an Army

1244
00:59:39,600 --> 00:59:42,440
Speaker 1: Navy store and I'm like, hmmm, I wonder what they have.

1245
00:59:43,120 --> 00:59:44,680
Speaker 1: But you're good at finding things there.

1246
00:59:44,720 --> 00:59:47,840
Speaker 3: Well, of course, where'd you get that one?

1247
00:59:48,160 --> 00:59:51,880
Speaker 1: This? I got from a like hunting store upstate nice

1248
00:59:52,080 --> 00:59:53,720
Speaker 1: by Misha's parents house.

1249
00:59:54,440 --> 00:59:57,919
Speaker 3: And there's Wolf Mountain. Oh yeah, that's that's good.

1250
00:59:58,000 --> 00:59:59,440
Speaker 1: Eyes, thank you?

1251
00:59:59,480 --> 01:00:02,720
Speaker 3: I got this is a good this good look.

1252
01:00:04,320 --> 01:00:04,560
Speaker 1: Yeah.

1253
01:00:04,680 --> 01:00:06,960
Speaker 2: And I'm wearing Adam Adam connover a strike shirt that

1254
01:00:07,040 --> 01:00:08,000
Speaker 2: came the day after the strike.

1255
01:00:10,160 --> 01:00:12,000
Speaker 1: Yeah, it's amazing to show solidarity.

1256
01:00:12,200 --> 01:00:12,360
Speaker 3: Now.

1257
01:00:13,600 --> 01:00:16,280
Speaker 2: I'm like, I'm like, you guys, stay in line, you

1258
01:00:16,280 --> 01:00:20,000
Speaker 2: guys seriously now more than ever, everyone's literally working.

1259
01:00:22,080 --> 01:00:25,400
Speaker 3: You know that con Over pocketed over five hundred thousand

1260
01:00:25,440 --> 01:00:28,200
Speaker 3: dollars from the tie Dice strike shirts.

1261
01:00:28,560 --> 01:00:32,720
Speaker 1: I had heard of that. Actually, I was wondering how

1262
01:00:32,720 --> 01:00:36,480
Speaker 1: he got a second he is an executive at Netflix.

1263
01:00:36,840 --> 01:00:39,080
Speaker 1: Well it was he was actually playing both sides, which

1264
01:00:39,080 --> 01:00:41,120
Speaker 1: I thought was really smart. Actually, and you have to

1265
01:00:41,120 --> 01:00:41,880
Speaker 1: do this if your business.

1266
01:00:42,680 --> 01:00:43,720
Speaker 2: He was down fire back.

1267
01:00:43,920 --> 01:00:46,040
Speaker 1: He was putting on a different shirt when he would

1268
01:00:46,040 --> 01:00:46,400
Speaker 1: go work in.

1269
01:00:46,440 --> 01:00:49,400
Speaker 2: That pot, putting on this shirt when he was striking striking,

1270
01:00:49,440 --> 01:00:51,080
Speaker 2: and then would go to Netflix. And a student be like,

1271
01:00:51,080 --> 01:00:51,600
Speaker 2: can you believe?

1272
01:00:53,120 --> 01:00:55,040
Speaker 1: So it was genius because either way he would get

1273
01:00:55,040 --> 01:00:56,600
Speaker 1: five hundred thousand dollars in cash.

1274
01:00:57,680 --> 01:01:03,400
Speaker 3: I'm sorry he was a straight because jokes just but

1275
01:01:03,520 --> 01:01:04,040
Speaker 3: it's funny.

1276
01:01:04,160 --> 01:01:06,680
Speaker 2: It's to think that he yeah, you know, he would

1277
01:01:06,720 --> 01:01:07,280
Speaker 2: appreciate it.

1278
01:01:07,440 --> 01:01:09,680
Speaker 1: Yeah, because it's true. Yeah, maybe he can come on

1279
01:01:09,800 --> 01:01:11,840
Speaker 1: and lie about you and that then it's even.

1280
01:01:11,840 --> 01:01:15,800
Speaker 2: That's yeah, yeah, yeah, what why would Adam Connover make

1281
01:01:15,880 --> 01:01:19,040
Speaker 2: up about you? I wonder that you're not actually from

1282
01:01:19,040 --> 01:01:23,040
Speaker 2: the Midwest. You are from uh you're from the Upper

1283
01:01:23,040 --> 01:01:23,520
Speaker 2: East Side.

1284
01:01:25,320 --> 01:01:27,560
Speaker 1: Yeah wait, you are from Buffalo right.

1285
01:01:28,160 --> 01:01:33,000
Speaker 2: Wait you said Okay, Buffalo is the Midwest New York Midwestern.

1286
01:01:33,240 --> 01:01:33,439
Speaker 3: Yeah.

1287
01:01:33,520 --> 01:01:35,400
Speaker 2: I still think if it came out that you're from

1288
01:01:35,400 --> 01:01:38,160
Speaker 2: the Upper East Side and went to the Gossip Girls school,

1289
01:01:38,160 --> 01:01:39,440
Speaker 2: that would be an incredible scandal.

1290
01:01:39,640 --> 01:01:42,640
Speaker 3: Yeah. I'm in Jerry Seinfeld's building. I sneak down and

1291
01:01:42,720 --> 01:01:43,160
Speaker 3: look at all.

1292
01:01:43,400 --> 01:01:45,840
Speaker 2: You're in the building from only murders in the building. Yeah,

1293
01:01:46,320 --> 01:01:47,120
Speaker 2: you are guilty.

1294
01:01:47,440 --> 01:01:49,120
Speaker 1: Your dad is a viacoming sick.

1295
01:01:49,440 --> 01:01:54,320
Speaker 2: Yeah, yeah, I playing both Sides's Adam Connver's boss at viacom.

1296
01:01:55,200 --> 01:01:57,000
Speaker 1: You did like a study abroad in Buffalo, and you're like,

1297
01:01:57,000 --> 01:01:58,320
Speaker 1: I'm gonna make this my whole personality.

1298
01:01:59,240 --> 01:02:03,280
Speaker 3: No, no, no, grow no all grew up in Buffalo.

1299
01:02:03,840 --> 01:02:04,600
Speaker 1: You're being defensive.

1300
01:02:05,320 --> 01:02:08,280
Speaker 3: I don't know. Yeah, no, it would be funny. Can

1301
01:02:08,360 --> 01:02:13,640
Speaker 3: I ask what is the coolest streaming service in lgb.

1302
01:02:15,160 --> 01:02:18,000
Speaker 2: Oh, that's a good question. Amazing is the coolest streaming

1303
01:02:18,040 --> 01:02:24,560
Speaker 2: service in the LGBTQ plus community. I mean, I would

1304
01:02:24,600 --> 01:02:27,520
Speaker 2: say it used to be HBO Max before it became Max.

1305
01:02:27,880 --> 01:02:30,280
Speaker 1: Yeah, but I honestly still think it's Max. You think

1306
01:02:30,360 --> 01:02:33,120
Speaker 1: so because even though it dropped the HBO, I think

1307
01:02:33,160 --> 01:02:36,760
Speaker 1: it's still like I think that dropping makes it messy.

1308
01:02:37,160 --> 01:02:39,080
Speaker 1: In a weird way. And I also think people are

1309
01:02:39,160 --> 01:02:41,480
Speaker 1: like wanting to be like, well it used to be HBO,

1310
01:02:41,560 --> 01:02:42,240
Speaker 1: Like there's almost like.

1311
01:02:42,280 --> 01:02:46,280
Speaker 2: A I know better totally like calling still calling Diddy

1312
01:02:46,400 --> 01:02:47,000
Speaker 2: pop Daddy.

1313
01:02:48,280 --> 01:02:52,080
Speaker 1: There's something which people love to do. I almost said Hulu,

1314
01:02:52,200 --> 01:02:53,959
Speaker 1: but I was like, I actually don't think that's true.

1315
01:02:54,000 --> 01:02:56,760
Speaker 1: I don't think it is Hulu. I think Hulu is.

1316
01:02:59,200 --> 01:03:05,600
Speaker 1: I think Hulu is for the like like liberal straight person. Yeah, no,

1317
01:03:05,800 --> 01:03:06,720
Speaker 1: it's It's very true.

1318
01:03:07,080 --> 01:03:10,680
Speaker 2: Hulu is for ironically, Hulu's for people who love queer Eye,

1319
01:03:10,680 --> 01:03:12,600
Speaker 2: even though that's on Netflix and Netflix and now was

1320
01:03:12,640 --> 01:03:18,400
Speaker 2: for full on republicans. Netflix, you are red state Republican. Yeah, Hulu,

1321
01:03:18,600 --> 01:03:22,240
Speaker 2: you are like neoliberal sort of. Even now that Biden's president,

1322
01:03:22,280 --> 01:03:22,920
Speaker 2: you're still with her.

1323
01:03:23,600 --> 01:03:29,160
Speaker 1: Yeah, Max, Max, you're you're a gay guy guy on Twitter. Still, Yeah,

1324
01:03:29,880 --> 01:03:30,560
Speaker 1: big guy on Twitter.

1325
01:03:30,600 --> 01:03:33,160
Speaker 2: Still, You're absolutely right. And then what about the rest

1326
01:03:33,200 --> 01:03:34,440
Speaker 2: of the community.

1327
01:03:35,720 --> 01:03:36,640
Speaker 1: The streaming community.

1328
01:03:37,240 --> 01:03:40,760
Speaker 2: Yeah, the streaming community. I'm like, well, you know, the

1329
01:03:40,880 --> 01:03:44,120
Speaker 2: cool I think the cool the cool queers are all

1330
01:03:44,200 --> 01:03:47,960
Speaker 2: doing like we're talking Movie, we're talking Criterion Channel, we're

1331
01:03:48,000 --> 01:03:51,800
Speaker 2: talking Shutter, they're all doing the indie streaming services.

1332
01:03:51,960 --> 01:03:54,959
Speaker 1: Yeah. So answer your question.

1333
01:03:56,320 --> 01:04:01,400
Speaker 2: Yeah, I'm pretty good, right, yeah, right, Joe, We're pretty

1334
01:04:01,400 --> 01:04:03,000
Speaker 2: good at adam streaming.

1335
01:04:06,720 --> 01:04:08,080
Speaker 3: No, that's good, scoop, thank you.

1336
01:04:08,480 --> 01:04:12,000
Speaker 2: What would you say is the favorite streaming service of

1337
01:04:12,040 --> 01:04:14,320
Speaker 2: the strict? I guess Netflix answered the wrong question. Well,

1338
01:04:14,360 --> 01:04:15,480
Speaker 2: but let's see if he agrees.

1339
01:04:15,640 --> 01:04:17,000
Speaker 1: Yeah mm hmm.

1340
01:04:20,760 --> 01:04:24,400
Speaker 3: That I would share is the Paramount is now like

1341
01:04:24,520 --> 01:04:26,400
Speaker 3: a yellow of Yellowstone.

1342
01:04:26,440 --> 01:04:27,920
Speaker 1: That's really good answer.

1343
01:04:28,040 --> 01:04:29,440
Speaker 3: But aren't they don't they?

1344
01:04:30,200 --> 01:04:32,240
Speaker 1: Where is ru Paul Paramount?

1345
01:04:32,280 --> 01:04:35,160
Speaker 3: Also that it's weird.

1346
01:04:36,960 --> 01:04:37,640
Speaker 1: A Republican?

1347
01:04:38,400 --> 01:04:39,640
Speaker 3: Oh really.

1348
01:04:40,960 --> 01:04:43,240
Speaker 2: Yeah, I don't know if we can he voted for

1349
01:04:43,360 --> 01:04:44,400
Speaker 2: he voted for Joe Biden.

1350
01:04:46,320 --> 01:04:52,480
Speaker 3: Okay, so yeah, interesting? Yeah, So I think I would Paramount.

1351
01:04:53,280 --> 01:04:53,760
Speaker 1: A good answer.

1352
01:04:54,080 --> 01:04:56,800
Speaker 2: I didn't think the fact that Paramount plus has drag

1353
01:04:56,920 --> 01:04:58,880
Speaker 2: race and all these things makes it even more straight

1354
01:04:58,920 --> 01:04:59,720
Speaker 2: because it's so business.

1355
01:04:59,760 --> 01:04:59,920
Speaker 1: Mind.

1356
01:05:00,000 --> 01:05:03,800
Speaker 2: It's like it's like being so sort of like capitalists

1357
01:05:03,840 --> 01:05:05,840
Speaker 2: that you're like, yeah, sure, get something for the Quakers

1358
01:05:05,880 --> 01:05:07,960
Speaker 2: on there, Yeah, like more money for us.

1359
01:05:08,520 --> 01:05:12,120
Speaker 1: They got cash, yeah yeah, yeah, they can dish out yere.

1360
01:05:12,560 --> 01:05:15,840
Speaker 3: How watch does Yellowstone queer community?

1361
01:05:16,040 --> 01:05:19,640
Speaker 1: I mean, I honestly have never met a single LGBTQ

1362
01:05:19,720 --> 01:05:22,000
Speaker 1: plus person that watches it. I'm sure they exist. And

1363
01:05:22,120 --> 01:05:24,680
Speaker 1: in fact, if you do exist and you at this

1364
01:05:24,880 --> 01:05:27,400
Speaker 1: point are up to date on Yellowstone.

1365
01:05:27,520 --> 01:05:29,320
Speaker 2: I would love to know. I also, you know, I

1366
01:05:29,480 --> 01:05:32,720
Speaker 2: bet you just statistically there's probably some woman giving an

1367
01:05:32,720 --> 01:05:35,360
Speaker 2: amazing performance as wife on Yellowstone, and we have no

1368
01:05:35,480 --> 01:05:37,960
Speaker 2: idea like i've I would know because I haven't looked

1369
01:05:38,000 --> 01:05:40,320
Speaker 2: into it. I bet you there's some like amazing character

1370
01:05:40,360 --> 01:05:42,600
Speaker 2: actress that's doing a really great work and there are

1371
01:05:42,720 --> 01:05:45,760
Speaker 2: no gay people there to appreciate it. All the people

1372
01:05:45,960 --> 01:05:47,200
Speaker 2: get off the screen.

1373
01:05:47,040 --> 01:05:50,160
Speaker 1: Yea, Sylvia? Yeah? When will woman move? When will woman move?

1374
01:05:54,160 --> 01:05:54,360
Speaker 2: Yeah?

1375
01:05:54,480 --> 01:05:56,920
Speaker 1: Have you seen Yellowstone just a little bit? What do

1376
01:05:57,000 --> 01:05:57,320
Speaker 1: you think?

1377
01:05:58,000 --> 01:05:59,920
Speaker 3: It was too much? The first episode?

1378
01:06:00,960 --> 01:06:01,320
Speaker 2: Violent?

1379
01:06:02,960 --> 01:06:05,960
Speaker 3: It was. The dialogue was so I expected it to

1380
01:06:06,040 --> 01:06:08,640
Speaker 3: be a little bit hammy, but it was too far.

1381
01:06:09,000 --> 01:06:11,560
Speaker 3: I gotta kick I watched some Tulsa King. I gotta

1382
01:06:11,920 --> 01:06:14,080
Speaker 3: kick out of it because it's so over the top

1383
01:06:14,320 --> 01:06:17,520
Speaker 3: hammy and just watching his face is so fascinating.

1384
01:06:18,520 --> 01:06:19,360
Speaker 1: So I don't know at all.

1385
01:06:19,840 --> 01:06:23,320
Speaker 3: The new Sylvester Saloon plays in the universe.

1386
01:06:23,400 --> 01:06:25,200
Speaker 1: Is Yellowstone? Right, is it not?

1387
01:06:26,120 --> 01:06:27,240
Speaker 3: That's a good theory they have.

1388
01:06:27,520 --> 01:06:29,080
Speaker 1: Okay, I know I might be.

1389
01:06:29,080 --> 01:06:31,000
Speaker 2: Wrong, but I know that the Yellowstone guy has created

1390
01:06:31,000 --> 01:06:34,720
Speaker 2: all these other shows that are like like there's Helen Mirren, Yeah,

1391
01:06:35,000 --> 01:06:36,080
Speaker 2: Helen Maren and Harrison four.

1392
01:06:36,200 --> 01:06:39,680
Speaker 3: They're in the Yellowstone. They're in the Yellowstone seventeen.

1393
01:06:39,800 --> 01:06:42,480
Speaker 1: There's a there are like at least two Yellowstone spinoffs.

1394
01:06:42,520 --> 01:06:44,000
Speaker 3: Yeah, there's a bunch of Yellowstones.

1395
01:06:44,200 --> 01:06:46,280
Speaker 1: But that The Tulsa King is not a Yellowstone spin off.

1396
01:06:46,400 --> 01:06:49,920
Speaker 3: It could happen, it could it could exist, potentially. They

1397
01:06:49,960 --> 01:06:55,240
Speaker 3: haven't gone across the universes yet, but is He basically

1398
01:06:55,320 --> 01:06:57,880
Speaker 3: plays the guy who gets out of jail who's Italian,

1399
01:06:57,920 --> 01:07:00,600
Speaker 3: who then is sent to Tulsa, Okla home for some

1400
01:07:00,840 --> 01:07:05,080
Speaker 3: reason and uh, kind of like bullies everybody and then

1401
01:07:05,320 --> 01:07:09,560
Speaker 3: uh they're and then yes they for some reason they

1402
01:07:10,080 --> 01:07:12,760
Speaker 3: felt the need he gets high. In the second episode,

1403
01:07:12,800 --> 01:07:16,040
Speaker 3: they're celebrating and like everybody's hanging out and he talks

1404
01:07:16,080 --> 01:07:19,560
Speaker 3: about how he doesn't understand the world today. Of course

1405
01:07:19,640 --> 01:07:22,960
Speaker 3: he goes on the pronoun rant and he goes and

1406
01:07:23,520 --> 01:07:28,080
Speaker 3: we know who we were. I'm just like, damn, yeah

1407
01:07:28,160 --> 01:07:30,280
Speaker 3: that was a bit, yeah, that was a bit really

1408
01:07:30,360 --> 01:07:33,000
Speaker 3: bad moment. But if you want to watch his face.

1409
01:07:32,920 --> 01:07:35,280
Speaker 2: Be kind of and who interesting places Tulsa King.

1410
01:07:36,760 --> 01:07:41,640
Speaker 3: With all the new face. It's very fair. You should

1411
01:07:41,760 --> 01:07:45,560
Speaker 3: at least look up some seeds. Is fascinating.

1412
01:07:45,640 --> 01:07:47,360
Speaker 2: God, I mean talking about living in a different world.

1413
01:07:47,560 --> 01:07:50,080
Speaker 2: It's like the fact that while we're doing this podcast,

1414
01:07:50,080 --> 01:07:53,240
Speaker 2: there are people watching Sylvester Stallone rant about pronouns on

1415
01:07:53,280 --> 01:07:56,200
Speaker 2: Paramount plus and a lot of people and a lot

1416
01:07:56,280 --> 01:07:57,680
Speaker 2: of people like.

1417
01:07:57,760 --> 01:08:02,760
Speaker 1: Why would way more than like significantly more.

1418
01:08:03,280 --> 01:08:05,920
Speaker 2: I'm telling you this is not sustainable. People can't keep

1419
01:08:05,960 --> 01:08:10,600
Speaker 2: living in these like in these small worlds where they

1420
01:08:10,680 --> 01:08:13,680
Speaker 2: have no idea what anyone other than them is watching

1421
01:08:13,800 --> 01:08:16,479
Speaker 2: or seeing or doing. So it's not going to turn

1422
01:08:16,520 --> 01:08:16,800
Speaker 2: out well.

1423
01:08:16,880 --> 01:08:17,400
Speaker 1: I'm telling you.

1424
01:08:17,720 --> 01:08:22,639
Speaker 3: More political parties and presidential Canada options but one streaming

1425
01:08:22,720 --> 01:08:23,639
Speaker 3: services every.

1426
01:08:23,600 --> 01:08:27,599
Speaker 2: Yeah, watch well, because everyone needs the same to live

1427
01:08:27,640 --> 01:08:30,479
Speaker 2: in the same world and to have the same same set,

1428
01:08:32,640 --> 01:08:34,840
Speaker 2: we need the same reality back to us. I can't

1429
01:08:34,880 --> 01:08:38,320
Speaker 2: be watching you know what are we watching?

1430
01:08:38,400 --> 01:08:41,160
Speaker 1: We can't be having a conversation about third wave cargo

1431
01:08:41,240 --> 01:08:43,520
Speaker 1: shorts when some people are still on first wave cargots.

1432
01:08:43,600 --> 01:08:43,920
Speaker 2: Exactly.

1433
01:08:44,000 --> 01:08:47,200
Speaker 1: That's literally it, That's really it. It doesn't work.

1434
01:08:47,680 --> 01:08:50,840
Speaker 2: I think we and I think actually when United what

1435
01:08:51,000 --> 01:08:54,920
Speaker 2: is it tele repair? Where when UTR becomes a big brand.

1436
01:08:55,520 --> 01:08:57,640
Speaker 2: It'll unite everyone in the same way that like a

1437
01:08:57,760 --> 01:09:01,200
Speaker 2: gap where a land Zen once did we need UTR?

1438
01:09:02,680 --> 01:09:04,360
Speaker 1: We need it? Should we do our final segment?

1439
01:09:04,400 --> 01:09:07,240
Speaker 2: I think, well, Joe, any final thoughts on your.

1440
01:09:07,160 --> 01:09:08,719
Speaker 1: Hat, the hat that you're currently wearing.

1441
01:09:10,160 --> 01:09:15,000
Speaker 3: No hope, yeah, uh no. None of your fans go

1442
01:09:15,160 --> 01:09:17,800
Speaker 3: at me in the comments about the lands and stuff.

1443
01:09:18,120 --> 01:09:19,160
Speaker 1: They are vicious. You know.

1444
01:09:19,200 --> 01:09:22,559
Speaker 2: It's I find you're very worried about about our fans

1445
01:09:22,640 --> 01:09:23,080
Speaker 2: bullying you.

1446
01:09:24,439 --> 01:09:25,519
Speaker 1: It's not come up a few times.

1447
01:09:25,560 --> 01:09:30,360
Speaker 3: I'm doing my best with the style, but uh yeah.

1448
01:09:31,000 --> 01:09:33,320
Speaker 1: Have you been bullied by podcast listeners before?

1449
01:09:35,280 --> 01:09:36,080
Speaker 3: Let's not go though.

1450
01:09:36,960 --> 01:09:38,439
Speaker 2: We've all been bullied by podcast.

1451
01:09:38,600 --> 01:09:41,280
Speaker 3: It was the weirdest moment. I will just you know,

1452
01:09:41,439 --> 01:09:45,000
Speaker 3: the birth Chrysler clips come up sometimes on YouTube, and

1453
01:09:45,680 --> 01:09:48,320
Speaker 3: for some reason, him and Tom Segura, they were talking

1454
01:09:48,360 --> 01:09:50,479
Speaker 3: about how they were working out and you know what

1455
01:09:50,600 --> 01:09:53,240
Speaker 3: it's like to drink fourteen beers on tour, and all

1456
01:09:53,240 --> 01:09:55,360
Speaker 3: of a sudden birth Christ goes, oh my god, you

1457
01:09:55,439 --> 01:09:58,280
Speaker 3: see Joe Paris outfit the other day and I.

1458
01:09:58,439 --> 01:10:05,840
Speaker 1: Was like, gosh, I yeah, yeah, for you, yeah yeah.

1459
01:10:06,000 --> 01:10:09,120
Speaker 3: Brogan smoke of the doobies to analyze of what shoes.

1460
01:10:08,840 --> 01:10:10,760
Speaker 2: There were I think, you know, people talk about his

1461
01:10:10,880 --> 01:10:13,840
Speaker 2: political views. I think Fashion Corner is the most toxic

1462
01:10:13,920 --> 01:10:16,479
Speaker 2: part of that podcast where they talk about the outfits

1463
01:10:16,520 --> 01:10:17,760
Speaker 2: that other old comedians wear.

1464
01:10:17,960 --> 01:10:21,519
Speaker 1: Yeah, I find that really problematic. Yeah, well, I'm sorry

1465
01:10:21,560 --> 01:10:24,160
Speaker 1: you went through that. There's tough, but I think, you know,

1466
01:10:24,240 --> 01:10:25,760
Speaker 1: I think it's nice that you addressed that. And you're

1467
01:10:25,800 --> 01:10:27,840
Speaker 1: special and I think you're gonna come out on top.

1468
01:10:28,120 --> 01:10:30,280
Speaker 2: And I think Brit Kraischer should host Tahion Police on

1469
01:10:30,360 --> 01:10:31,000
Speaker 2: the Entertainment.

1470
01:10:32,280 --> 01:10:34,200
Speaker 3: That would be good. That would be pretty good.

1471
01:10:39,600 --> 01:10:42,360
Speaker 2: So Joe. Our final segment is called shout Outs, and

1472
01:10:42,439 --> 01:10:45,320
Speaker 2: in this segment we pay homage to the straight tradition

1473
01:10:45,439 --> 01:10:47,800
Speaker 2: of the radio shout out. Thanks the one hundred. Think

1474
01:10:48,080 --> 01:10:50,280
Speaker 2: you're a TRL shouting out to your squad bat home,

1475
01:10:50,360 --> 01:10:52,760
Speaker 2: So you're gonna shout out. We're all gonna shout out

1476
01:10:52,840 --> 01:10:54,760
Speaker 2: something that we like and that's been on our mind.

1477
01:10:54,800 --> 01:10:55,679
Speaker 2: Do you have anything, Sam?

1478
01:10:57,000 --> 01:10:57,439
Speaker 3: I do?

1479
01:10:58,800 --> 01:11:00,160
Speaker 1: And I think I may have done this befo or

1480
01:11:00,240 --> 01:11:03,320
Speaker 1: but it bears repeating if I have, And actually, yeah,

1481
01:11:03,320 --> 01:11:05,200
Speaker 1: I've got to go gee guy mode for a second.

1482
01:11:06,560 --> 01:11:10,360
Speaker 1: What's up, freaks, losers and perverts. I would like to

1483
01:11:10,400 --> 01:11:14,240
Speaker 1: give a huge shout out too. That's right, Lana del Rey.

1484
01:11:14,640 --> 01:11:17,800
Speaker 1: It is autumn, it is fall. The leaves will be

1485
01:11:17,920 --> 01:11:19,920
Speaker 1: changing soon, probably by the time you are hearing this.

1486
01:11:20,360 --> 01:11:23,559
Speaker 1: And when it is autumn, I need some woman who's

1487
01:11:23,640 --> 01:11:26,000
Speaker 1: a little bit sad and a little bit wistful to

1488
01:11:26,120 --> 01:11:28,479
Speaker 1: be singing into my ears. And that woman is Lonna

1489
01:11:28,479 --> 01:11:31,559
Speaker 1: del Rey. I woke up I had a dream about

1490
01:11:31,600 --> 01:11:34,080
Speaker 1: her just two days ago. Well it wasn't about her,

1491
01:11:34,120 --> 01:11:35,519
Speaker 1: but it was about her. You know. I was trying

1492
01:11:35,560 --> 01:11:38,320
Speaker 1: to get tickets to her concert in the dream, and

1493
01:11:38,360 --> 01:11:41,439
Speaker 1: it was actually extremely stressful, trying to coordinate with seventeen

1494
01:11:41,520 --> 01:11:44,200
Speaker 1: other people. And I woke up with her music in

1495
01:11:44,320 --> 01:11:46,679
Speaker 1: my head and I said, wow, it really is autumn,

1496
01:11:46,760 --> 01:11:49,320
Speaker 1: and I am losing my mind. And since then, I

1497
01:11:49,400 --> 01:11:51,559
Speaker 1: have been listening to nothing but Lonna del Ray. There's

1498
01:11:51,600 --> 01:11:53,600
Speaker 1: so much new music that I'm enjoying, but I'm not

1499
01:11:53,680 --> 01:11:56,479
Speaker 1: hearing it now because all I'm listening to is my girl,

1500
01:11:56,520 --> 01:11:58,000
Speaker 1: who I once hated but now love.

1501
01:11:58,680 --> 01:12:02,639
Speaker 2: Xixo Sam who Wow, damn, we keep doing this where

1502
01:12:02,720 --> 01:12:03,519
Speaker 2: ours are related.

1503
01:12:03,560 --> 01:12:04,400
Speaker 1: Mine's also music.

1504
01:12:04,560 --> 01:12:08,920
Speaker 2: Uh okay, what's up, boys and girls? That's right, I'm

1505
01:12:08,960 --> 01:12:12,200
Speaker 2: infantalizing you because I'm now you're teacher, bitch. I want

1506
01:12:12,240 --> 01:12:14,280
Speaker 2: to give a shout out to the song if it

1507
01:12:14,360 --> 01:12:17,280
Speaker 2: makes you happy, by Cheryl Crowe. This song, I have

1508
01:12:17,400 --> 01:12:20,200
Speaker 2: to say, you know, I have a lot of blind spots, because,

1509
01:12:20,240 --> 01:12:22,200
Speaker 2: as we've discussed, I spent part of my childhood not

1510
01:12:22,320 --> 01:12:25,559
Speaker 2: in the United States. And when our friend Eadimotica sanging

1511
01:12:25,560 --> 01:12:28,479
Speaker 2: it at karaoke the other night, I actually didn't recognize

1512
01:12:28,520 --> 01:12:30,400
Speaker 2: it and looked up the lyrics, see what song it was.

1513
01:12:30,439 --> 01:12:32,200
Speaker 2: If you can even believe such a thing, this is

1514
01:12:32,240 --> 01:12:33,920
Speaker 2: shocked when I tell you that since then, it's been

1515
01:12:33,960 --> 01:12:36,240
Speaker 2: on rebid in my household. I am a Cheryl Crowe

1516
01:12:36,320 --> 01:12:38,800
Speaker 2: stan obviously I you who Cheryl Crowe was, But that song,

1517
01:12:38,880 --> 01:12:40,680
Speaker 2: which I believe is one of her most successful and

1518
01:12:40,720 --> 01:12:43,080
Speaker 2: famous oh yeah, was not a part of my childhood.

1519
01:12:43,360 --> 01:12:46,240
Speaker 2: I'm singing every day. I highly recommend the Admotica version

1520
01:12:46,280 --> 01:12:47,760
Speaker 2: that's now lost in the sands of time when she

1521
01:12:47,840 --> 01:12:50,080
Speaker 2: did at karaoke. But if you can't get that, a

1522
01:12:50,200 --> 01:12:53,240
Speaker 2: good second option would be just Cheryl Crowe on Spotify.

1523
01:12:54,560 --> 01:12:57,559
Speaker 2: Love Cheryl Crowe. Love that she randomly dated Lance Armstrong.

1524
01:12:57,880 --> 01:12:59,000
Speaker 1: I think that was so cool.

1525
01:13:00,040 --> 01:13:02,639
Speaker 2: I think it's great that she sort of like doesn't

1526
01:13:02,680 --> 01:13:04,800
Speaker 2: talk too much publicly anymore. But I bet you at

1527
01:13:04,840 --> 01:13:06,840
Speaker 2: some point she'll do a Vegas residency out of nowhere

1528
01:13:06,960 --> 01:13:09,720
Speaker 2: or release maybe like a dance track, and I think

1529
01:13:09,800 --> 01:13:12,320
Speaker 2: that'd be really cool. I think she's great. I feel

1530
01:13:12,360 --> 01:13:16,120
Speaker 2: like she's sort of someone who brings together the bourgeoisie

1531
01:13:16,120 --> 01:13:17,240
Speaker 2: and the rebel like Madonna.

1532
01:13:17,240 --> 01:13:18,040
Speaker 1: One said. Yeah.

1533
01:13:18,040 --> 01:13:20,120
Speaker 2: And I also think she's someone who brings together Republicans

1534
01:13:20,120 --> 01:13:23,200
Speaker 2: and Democrats and we need unity going towards twenty twenty four.

1535
01:13:23,600 --> 01:13:25,800
Speaker 2: And I actually think she needs to maybe stop being

1536
01:13:25,840 --> 01:13:28,519
Speaker 2: so silent on politics and come out and endorse Joebien.

1537
01:13:28,560 --> 01:13:30,320
Speaker 2: It's time to make some noiouse, so shout out to

1538
01:13:30,360 --> 01:13:31,720
Speaker 2: Cheryl Crow and shout out to If It Makes You

1539
01:13:31,760 --> 01:13:32,599
Speaker 2: Happy by Cheryl Crow.

1540
01:13:32,720 --> 01:13:32,920
Speaker 3: Whoo.

1541
01:13:33,360 --> 01:13:36,759
Speaker 1: I do want to add there is a screaming females

1542
01:13:36,800 --> 01:13:38,680
Speaker 1: to a cover of If It Makes You Happy That

1543
01:13:38,880 --> 01:13:43,519
Speaker 1: is to die for, you know, And I will stop talking.

1544
01:13:44,560 --> 01:13:47,800
Speaker 2: I've decided I was tired of covers for a while.

1545
01:13:47,920 --> 01:13:48,720
Speaker 1: Now I'm back on them.

1546
01:13:48,880 --> 01:13:51,000
Speaker 2: I want some good covers when they're good. They're good

1547
01:13:51,040 --> 01:13:53,720
Speaker 2: when they're good. I want some good covers. I want

1548
01:13:53,800 --> 01:13:55,599
Speaker 2: more people to cover if It Makes You Happy by

1549
01:13:55,800 --> 01:13:56,720
Speaker 2: by Cheryl Crow.

1550
01:13:57,040 --> 01:13:59,120
Speaker 1: Everyone should have to cover it once in their life. Yeah,

1551
01:13:59,240 --> 01:14:02,840
Speaker 1: that's how I feel, Joe, whenever you're ready.

1552
01:14:04,960 --> 01:14:09,040
Speaker 3: I've been reading Joe Firestone's book Murder on Sex Island,

1553
01:14:09,640 --> 01:14:12,719
Speaker 3: and yeah, the very fun book.

1554
01:14:12,800 --> 01:14:14,240
Speaker 1: It is very No, it was great.

1555
01:14:14,320 --> 01:14:17,800
Speaker 3: It was a detective story about a murder on like

1556
01:14:17,880 --> 01:14:20,240
Speaker 3: a Low Island type show. And it's so fun that

1557
01:14:20,280 --> 01:14:24,280
Speaker 3: it's a lot of Joe Firestone in it, in the

1558
01:14:24,360 --> 01:14:26,400
Speaker 3: skies of the character. But it's so it's fun to

1559
01:14:26,640 --> 01:14:30,559
Speaker 3: see your friend their reflection of what they would want

1560
01:14:30,640 --> 01:14:35,120
Speaker 3: to do if they had, you know, a little bit. No, No,

1561
01:14:35,200 --> 01:14:37,599
Speaker 3: it's fun to see. It's just a very funny book.

1562
01:14:37,640 --> 01:14:40,000
Speaker 3: It's full of jokes and just a goofy book.

1563
01:14:40,120 --> 01:14:44,280
Speaker 1: I can't wait that I had him read that. Yeah,

1564
01:14:44,400 --> 01:14:44,960
Speaker 1: I had them. So.

1565
01:14:45,040 --> 01:14:48,120
Speaker 2: I had lunch with Joe Firestone when she had just

1566
01:14:48,240 --> 01:14:50,600
Speaker 2: finished writing that book, and I remember her being like,

1567
01:14:50,680 --> 01:14:53,160
Speaker 2: you know, I was thinking of sending it to editors,

1568
01:14:53,160 --> 01:14:54,559
Speaker 2: and I talked to a couple of people, but honestly,

1569
01:14:54,560 --> 01:14:56,679
Speaker 2: I'm just going to self publish it, like it seems easier.

1570
01:14:56,880 --> 01:14:58,519
Speaker 2: I don't care that, you know, It's not like I

1571
01:14:58,560 --> 01:15:00,640
Speaker 2: wanted to be some big best alarm just self publish it.

1572
01:15:00,920 --> 01:15:04,960
Speaker 2: And I had such an instinctive, like toxic business minded

1573
01:15:04,960 --> 01:15:06,880
Speaker 2: thing where I was like, no, no, I'll connect you

1574
01:15:08,200 --> 01:15:10,840
Speaker 2: Like I was just like no. The fact that you

1575
01:15:11,160 --> 01:15:13,320
Speaker 2: wrote a book called Murder on Sex Island and you're

1576
01:15:13,360 --> 01:15:14,760
Speaker 2: not going to try to make it best out of it,

1577
01:15:14,840 --> 01:15:17,720
Speaker 2: I was like shocked. And even recently when she's been

1578
01:15:17,760 --> 01:15:21,080
Speaker 2: wasted on my show, there's still time. There's still time.

1579
01:15:21,120 --> 01:15:23,160
Speaker 2: I know people at random house, and we can make

1580
01:15:23,200 --> 01:15:23,639
Speaker 2: this work.

1581
01:15:24,640 --> 01:15:27,599
Speaker 3: This is exciting thing. I think doing it herself is good.

1582
01:15:27,800 --> 01:15:28,519
Speaker 1: It's very cool.

1583
01:15:28,640 --> 01:15:33,240
Speaker 3: I have for rumors that she's gotten people reached out

1584
01:15:33,280 --> 01:15:36,800
Speaker 3: about maybe doing a show or something or a movie

1585
01:15:36,880 --> 01:15:38,880
Speaker 3: based on them, which I would love to see her

1586
01:15:39,280 --> 01:15:42,640
Speaker 3: actually in the role of the main character who's a

1587
01:15:42,720 --> 01:15:46,280
Speaker 3: detective who's unhappy in their marriage and decides to become

1588
01:15:46,360 --> 01:15:49,600
Speaker 3: a detective on the side, and there is more confident

1589
01:15:49,920 --> 01:15:53,840
Speaker 3: and savvy. Yeah you know, but yeah, so I think

1590
01:15:54,000 --> 01:15:57,040
Speaker 3: things are I don't know. Sometimes you just gotta do it.

1591
01:15:57,200 --> 01:16:01,080
Speaker 3: Then she did, of course, and that is the your approach.

1592
01:16:02,120 --> 01:16:05,240
Speaker 2: You know, we live in a capitalist society. I'm a

1593
01:16:05,280 --> 01:16:06,080
Speaker 2: capitalist girl.

1594
01:16:07,280 --> 01:16:10,080
Speaker 1: Of course. Of course, I think we should in there.

1595
01:16:10,320 --> 01:16:12,360
Speaker 2: Yeah, shout out to Joe fires Now.

1596
01:16:13,520 --> 01:16:14,639
Speaker 1: Joe, thanks so much for doing.

1597
01:16:14,520 --> 01:16:16,960
Speaker 3: The podcast, Thanks so much for having me and teaching

1598
01:16:17,040 --> 01:16:18,320
Speaker 3: me about the streaming.

1599
01:16:18,040 --> 01:16:22,880
Speaker 2: Service new stand up special, and thank you for your hat,

1600
01:16:23,200 --> 01:16:24,639
Speaker 2: and thank you for your old post a photo.

1601
01:16:24,680 --> 01:16:26,679
Speaker 1: For everyone back home, we're going to be posting photos

1602
01:16:26,680 --> 01:16:28,320
Speaker 1: of the hot. We have to remember to get photos

1603
01:16:28,320 --> 01:16:30,400
Speaker 1: of the hot. Okay, all right, Bye,