1 00:00:01,960 --> 00:00:05,200 Speaker 1: Look at Our Radio is a radio phonic novela, which 2 00:00:05,280 --> 00:00:08,719 Speaker 1: is just a very extra way of saying a podcast. 3 00:00:09,160 --> 00:00:13,800 Speaker 1: I'm theos f M and I am malays. Local Radio 4 00:00:14,000 --> 00:00:17,560 Speaker 1: is your prete must favorite podcast hosted by us Mala 5 00:00:17,680 --> 00:00:22,160 Speaker 1: and Theosa where Too I friends turned podcast partners, breaking 6 00:00:22,200 --> 00:00:27,120 Speaker 1: down pop culture, feminism, sexual wellness, and offering fresh takes 7 00:00:27,160 --> 00:00:30,760 Speaker 1: on strending topics through nuanced interviews with up and coming 8 00:00:30,800 --> 00:00:35,240 Speaker 1: Latin X creatives known as Las Local, Las Mammy Submit 9 00:00:35,360 --> 00:00:42,159 Speaker 1: and Bullshits next Door and Lasses. We've been podcasting independently 10 00:00:42,200 --> 00:00:46,760 Speaker 1: since and we're bringing our radiophonic novela to the Miquel 11 00:00:46,800 --> 00:00:50,600 Speaker 1: Gouda Network to continue sharing stories from the LATINOX community. 12 00:00:51,200 --> 00:00:55,880 Speaker 1: Welcome to Local Radio Season seven, Take us to your network. 13 00:00:57,520 --> 00:01:01,000 Speaker 1: Oh my god, like welcome back to another coupit the 14 00:01:01,040 --> 00:01:05,000 Speaker 1: law of like look at a radio, Look at what 15 00:01:05,080 --> 00:01:08,280 Speaker 1: a radio is like a radiophonic novella, which is like 16 00:01:08,680 --> 00:01:12,920 Speaker 1: a really extra way of saying, like a podcast cast 17 00:01:14,400 --> 00:01:18,959 Speaker 1: like this is like the language episode. A lot of 18 00:01:18,959 --> 00:01:21,880 Speaker 1: people have like commented on like our use of the 19 00:01:21,920 --> 00:01:28,000 Speaker 1: word like when we talk so okay, y'all in all seriousness, 20 00:01:28,880 --> 00:01:34,560 Speaker 1: we like got a comment from someone that not a listener, 21 00:01:34,600 --> 00:01:37,240 Speaker 1: not a follower, but just engaged with a real of 22 00:01:37,240 --> 00:01:41,920 Speaker 1: ours sound bite and said, I'm sorry, I can't get 23 00:01:41,959 --> 00:01:47,560 Speaker 1: past the use of like every two words. And I responded, sorry, 24 00:01:47,600 --> 00:01:54,480 Speaker 1: I can't help it, to which she said and then 25 00:01:54,600 --> 00:01:58,280 Speaker 1: she said, oh, of course you can. You just don't 26 00:01:58,280 --> 00:02:02,400 Speaker 1: want to because it becomes socially acceptable. Same thing with 27 00:02:02,440 --> 00:02:08,040 Speaker 1: the word irregardless now being an acceptable to some word 28 00:02:08,120 --> 00:02:10,880 Speaker 1: because people kept using it. Speech professors teach how to 29 00:02:10,919 --> 00:02:13,640 Speaker 1: avoid fillers. I know, because I was terrified of public 30 00:02:13,639 --> 00:02:16,600 Speaker 1: speaking and used to um and uh my way through presentations. 31 00:02:17,080 --> 00:02:19,480 Speaker 1: I was taught to just stay silent until I found 32 00:02:19,480 --> 00:02:22,560 Speaker 1: my words. She's telling me to shut the funk up. Basically, 33 00:02:23,040 --> 00:02:30,840 Speaker 1: she said, gita, bitch. Yes, that is literally what she 34 00:02:30,960 --> 00:02:33,840 Speaker 1: said to me, y'all, And I just said, okay, because 35 00:02:33,840 --> 00:02:36,920 Speaker 1: you're not a listener, you're not a follower, and okay, 36 00:02:37,639 --> 00:02:39,680 Speaker 1: she does not follow. She does not listen, but at 37 00:02:39,720 --> 00:02:43,800 Speaker 1: least her reels are reaching new audience. Thank god, thank god. 38 00:02:45,800 --> 00:02:50,639 Speaker 1: And yeah, that that little exchange inspired this episode because 39 00:02:51,280 --> 00:02:55,400 Speaker 1: in all seriousness, right, there is a use of the 40 00:02:55,440 --> 00:03:00,000 Speaker 1: word like for people, specifically in Los Angeles. All races 41 00:03:00,120 --> 00:03:06,639 Speaker 1: is all nationalities, ethnicities. We use the word like like 42 00:03:06,680 --> 00:03:10,560 Speaker 1: so many ways. We like to say like, I will 43 00:03:10,600 --> 00:03:15,000 Speaker 1: say that same episode, even my mother, my mother was 44 00:03:15,960 --> 00:03:19,119 Speaker 1: my mother was was like, I'm sick, I'm in bad, 45 00:03:19,160 --> 00:03:22,399 Speaker 1: I can't move, So I guess I'll listen to your podcast. 46 00:03:23,880 --> 00:03:27,840 Speaker 1: Does not listen because she's horrified by the idea of 47 00:03:27,880 --> 00:03:31,880 Speaker 1: me saying things. So she finally she goes, So I listened. 48 00:03:32,120 --> 00:03:35,800 Speaker 1: I finally listened, and you girls have got to stop 49 00:03:35,840 --> 00:03:40,920 Speaker 1: saying like so much. Yeah, you know, I think that 50 00:03:40,920 --> 00:03:46,360 Speaker 1: that clip that you used, I love I love the clip. 51 00:03:46,920 --> 00:03:50,480 Speaker 1: I like the clip. Afterwards, after I read that comment, 52 00:03:51,240 --> 00:03:54,040 Speaker 1: I said to myself, what is this been talking about? 53 00:03:54,280 --> 00:03:57,160 Speaker 1: So I listened, and yes, there was a lot of 54 00:03:57,320 --> 00:04:00,320 Speaker 1: use of the word like on my end, and I right, No, 55 00:04:02,200 --> 00:04:05,560 Speaker 1: I didn't, but it was a lot where I thought, Okay, yeah, 56 00:04:05,600 --> 00:04:08,920 Speaker 1: if you're listening to this for the first time in 57 00:04:09,000 --> 00:04:11,680 Speaker 1: all of the episode, it probably wasn't terrible in this 58 00:04:11,720 --> 00:04:17,120 Speaker 1: little clip. Yeah, it's pretty bad. I'll admit it. It's 59 00:04:17,240 --> 00:04:21,120 Speaker 1: it is pretty bad, okay, but I'm I'm okay with 60 00:04:21,160 --> 00:04:25,839 Speaker 1: it because I know that I can speak well. However, 61 00:04:26,200 --> 00:04:27,800 Speaker 1: my bone to pick is with you. Mala because you 62 00:04:27,800 --> 00:04:31,839 Speaker 1: made the clip, so thanks a lot. I chose the edit. 63 00:04:32,120 --> 00:04:35,080 Speaker 1: She did choose the edit. But no, yes, here's the thing. 64 00:04:35,560 --> 00:04:38,560 Speaker 1: I don't even hear the like that's hilarious. I don't 65 00:04:38,560 --> 00:04:43,960 Speaker 1: even hear the hilarious to me because it is just 66 00:04:44,120 --> 00:04:47,159 Speaker 1: so embedded in our vocabulary that we don't even notice 67 00:04:47,160 --> 00:04:51,000 Speaker 1: when we're using it, even notice it. Like like I'm listening, 68 00:04:51,040 --> 00:04:53,599 Speaker 1: I'm listening to the episode and I get to that 69 00:04:53,680 --> 00:04:58,200 Speaker 1: portion and I'm all, this is a great this is 70 00:04:58,200 --> 00:05:02,480 Speaker 1: a great little tidbit that she share here. It was 71 00:05:03,000 --> 00:05:06,960 Speaker 1: that really gives the listener context as to the conversation 72 00:05:07,040 --> 00:05:11,960 Speaker 1: we're having in the episode. Let me cut and pose. So, girl, 73 00:05:12,080 --> 00:05:15,280 Speaker 1: I listened to you for what you're saying. I'm listening 74 00:05:15,279 --> 00:05:17,640 Speaker 1: to you for your meaning and your deeper words. Mama 75 00:05:17,800 --> 00:05:25,000 Speaker 1: is not listening for linguistic aspects. Okay, professor, No, but really, um, 76 00:05:25,320 --> 00:05:28,800 Speaker 1: I think that there's something too. We'll get into the 77 00:05:28,839 --> 00:05:30,760 Speaker 1: actual word like in a little bit, but I think 78 00:05:30,800 --> 00:05:33,960 Speaker 1: that there's something too for us. You know, we're not scripted. 79 00:05:34,400 --> 00:05:38,120 Speaker 1: We have an outline, we have notes, but line, but 80 00:05:38,400 --> 00:05:40,039 Speaker 1: this episode is not a line by line. We're not 81 00:05:40,120 --> 00:05:44,880 Speaker 1: reading a script, you know, And so this is improv 82 00:05:44,960 --> 00:05:46,760 Speaker 1: a lot a lot of it, not all of it. 83 00:05:47,160 --> 00:05:49,400 Speaker 1: Like we have a we have a really solid structure. 84 00:05:49,600 --> 00:05:52,600 Speaker 1: We do our research, y'all. But what you hear is 85 00:05:52,640 --> 00:05:55,160 Speaker 1: a lot of just MoMA and I, you know, vibing 86 00:05:55,200 --> 00:05:58,320 Speaker 1: and reacting to each other's energy and our words. We're 87 00:05:58,360 --> 00:06:02,800 Speaker 1: having a conversation, like you know. And so I think 88 00:06:02,839 --> 00:06:04,680 Speaker 1: that when you go off script, at least for me, 89 00:06:04,839 --> 00:06:07,080 Speaker 1: right when I'm we go off the rails a little 90 00:06:07,080 --> 00:06:11,200 Speaker 1: bit as we do. Um, I'm gathering my thoughts and yeah, 91 00:06:11,320 --> 00:06:13,919 Speaker 1: maybe that that is me saying like that is me 92 00:06:14,000 --> 00:06:15,960 Speaker 1: saying like a bunch of times. And I think that 93 00:06:15,960 --> 00:06:21,400 Speaker 1: that's okay because I'm processing out loud with y'all. Am 94 00:06:21,400 --> 00:06:24,680 Speaker 1: I am I giving your presentation at a university. No, 95 00:06:25,120 --> 00:06:28,799 Speaker 1: I'm talking to y'all my listeners. And what I did 96 00:06:28,960 --> 00:06:33,080 Speaker 1: I did appreciate one of our O G listeners, kim 97 00:06:33,160 --> 00:06:37,279 Speaker 1: She commented l A girlies and their inability to speak 98 00:06:37,320 --> 00:06:41,960 Speaker 1: without using like as a comfort mechanism. Appreciate the representation 99 00:06:42,040 --> 00:06:46,400 Speaker 1: honestly and shoutout Kitty that Kimmy, She's been walking with 100 00:06:46,480 --> 00:06:48,880 Speaker 1: us for years and years and years, and so I 101 00:06:48,920 --> 00:06:50,640 Speaker 1: know that she saw that comment and was like, let 102 00:06:50,640 --> 00:06:53,080 Speaker 1: me go defend my girls right now, and she did. 103 00:06:53,320 --> 00:06:56,560 Speaker 1: And it's true because I think there's a lot of 104 00:06:56,640 --> 00:07:00,760 Speaker 1: us that use like and not just not just girls 105 00:07:00,800 --> 00:07:05,560 Speaker 1: like Mama, you're referencing a TikTok that you saw of this, 106 00:07:05,760 --> 00:07:11,000 Speaker 1: like Latino using the word like incessant, incessantly. Here's my 107 00:07:11,080 --> 00:07:14,040 Speaker 1: deal because people associate the way that we talked. We've 108 00:07:14,040 --> 00:07:18,280 Speaker 1: been told like some fucking some fucking Chicano commented. Of 109 00:07:18,360 --> 00:07:22,200 Speaker 1: course at its some fucking Chicano commented on our Instagram 110 00:07:22,200 --> 00:07:26,000 Speaker 1: A while ago, we were on an Instagram live. We 111 00:07:26,000 --> 00:07:28,960 Speaker 1: were on an Instagram live during the pandemic. We had 112 00:07:29,000 --> 00:07:34,360 Speaker 1: our weekly like Oya Looka's live segment, and this man 113 00:07:34,640 --> 00:07:39,440 Speaker 1: commented he thought, I know this man was old. He 114 00:07:39,640 --> 00:07:44,120 Speaker 1: thought that he was responding. I guess someone sent him 115 00:07:44,160 --> 00:07:46,200 Speaker 1: the live so that he could watch it because they 116 00:07:46,200 --> 00:07:48,760 Speaker 1: thought that he would enjoy it. Well surprised he didn't, 117 00:07:49,200 --> 00:07:54,560 Speaker 1: because he responded, thinking he was responding privately. He responded 118 00:07:54,600 --> 00:07:58,400 Speaker 1: in the live comments section saying, why do I want 119 00:07:58,440 --> 00:08:01,480 Speaker 1: to see this? These are just fake Chicanas that sounds 120 00:08:01,520 --> 00:08:07,160 Speaker 1: like white girls. Yeah, and let me just tell you. 121 00:08:07,240 --> 00:08:15,560 Speaker 1: Let me just tell you. After mama's cackle. Let me, 122 00:08:15,760 --> 00:08:19,280 Speaker 1: let me just tell you that the way that men 123 00:08:20,080 --> 00:08:23,280 Speaker 1: and in this case as women, right, I just want 124 00:08:23,320 --> 00:08:26,840 Speaker 1: to pick apart the way women speak, whether it be pitch, 125 00:08:27,520 --> 00:08:31,200 Speaker 1: whether it be the use of word like, and this 126 00:08:31,280 --> 00:08:35,200 Speaker 1: is not just us, Like there are women podcasters that 127 00:08:35,400 --> 00:08:39,160 Speaker 1: get negative comments on Apple podcasts simply for their tone, 128 00:08:39,559 --> 00:08:43,360 Speaker 1: simply for the way they speak, you know, And this 129 00:08:43,360 --> 00:08:48,520 Speaker 1: this just incessant standard, this impossible standard that women are 130 00:08:48,559 --> 00:08:51,600 Speaker 1: held too for the way we speak. Like literally, this 131 00:08:51,640 --> 00:08:56,199 Speaker 1: girl told me to shut up. It's true, and so 132 00:08:57,040 --> 00:08:59,400 Speaker 1: be quiet until you have something better to say. I'm 133 00:08:59,400 --> 00:09:02,320 Speaker 1: sick of it. I'm so sick of it. Go don't 134 00:09:02,360 --> 00:09:06,160 Speaker 1: listen to the podcast. Then, Although although the clip was annoying, 135 00:09:06,200 --> 00:09:10,199 Speaker 1: I will say the clip wasn't I but I stand 136 00:09:10,679 --> 00:09:14,920 Speaker 1: stand by that clip. But but but it doesn't actually 137 00:09:14,960 --> 00:09:16,679 Speaker 1: bother me. I know that we're talking about it. But 138 00:09:16,760 --> 00:09:19,840 Speaker 1: isn't this comment in particular that that dude, Yes, that 139 00:09:19,920 --> 00:09:22,160 Speaker 1: was annoying, But this comment pure doesn't actually bother me 140 00:09:22,200 --> 00:09:26,959 Speaker 1: because I know that we have lots of wonderful episodes, 141 00:09:27,000 --> 00:09:29,959 Speaker 1: we have lots of great intelligent things to say. This 142 00:09:30,040 --> 00:09:34,120 Speaker 1: one clip is fine, girl, But speaking of speaking about 143 00:09:34,160 --> 00:09:41,320 Speaker 1: this man, you know, the fake Chicanas. It's just hilarious, too, 144 00:09:41,440 --> 00:09:44,120 Speaker 1: just too much. I need to I need to like 145 00:09:44,320 --> 00:09:47,000 Speaker 1: course correct for people here. This is what people need 146 00:09:47,040 --> 00:09:49,439 Speaker 1: to understand. People are always like, oh, you sound like 147 00:09:49,480 --> 00:09:51,960 Speaker 1: a white girl. You talk like a white girl. We 148 00:09:52,080 --> 00:09:57,040 Speaker 1: talk like valley girls. Okay. There are white women across 149 00:09:57,120 --> 00:10:00,160 Speaker 1: this country who do not speak this way. This is 150 00:10:00,200 --> 00:10:03,520 Speaker 1: not specific to white women. We talk like girls who 151 00:10:03,520 --> 00:10:07,600 Speaker 1: were raised in the San Gabriel Valley. Okay. If you 152 00:10:07,679 --> 00:10:13,000 Speaker 1: watch Clueless, they were in the San Fernando Valley. Valley girls, okay, 153 00:10:13,120 --> 00:10:16,199 Speaker 1: and a lot of girls in the valley are Asian 154 00:10:17,440 --> 00:10:22,679 Speaker 1: are latinas are black. Valley girls talk like this and 155 00:10:22,800 --> 00:10:27,960 Speaker 1: come in many shapes and sizes and shades. But a 156 00:10:28,160 --> 00:10:31,280 Speaker 1: random white girl in the middle of Wisconsin is not 157 00:10:31,360 --> 00:10:34,160 Speaker 1: going to talk this way. So I need everybody, I 158 00:10:34,200 --> 00:10:36,480 Speaker 1: need you guys to get it right. This is the 159 00:10:36,520 --> 00:10:39,320 Speaker 1: distinction I need us to have. There are Shawlas who 160 00:10:39,440 --> 00:10:42,599 Speaker 1: use like every other word. Okay. You can be in 161 00:10:42,640 --> 00:10:46,320 Speaker 1: the middle of South Central at a bus stop and 162 00:10:46,400 --> 00:10:48,440 Speaker 1: here brown and black people speaking with the word like. 163 00:10:48,559 --> 00:10:51,400 Speaker 1: It depends on who you're talking to, but this is 164 00:10:51,440 --> 00:10:55,280 Speaker 1: how people talk in Los Angeles and in southern California, 165 00:10:55,400 --> 00:10:59,320 Speaker 1: and I need us to get over Yeah, I think 166 00:10:59,360 --> 00:11:03,080 Speaker 1: that it will be okay, y'all, It's gonna be okay. Also, 167 00:11:03,200 --> 00:11:06,400 Speaker 1: I think of it this way. Human beings have not 168 00:11:06,480 --> 00:11:09,040 Speaker 1: always spoken in this manner. People in Los Angeles have 169 00:11:09,120 --> 00:11:12,319 Speaker 1: not always spoken in this manner. Film and television has 170 00:11:12,360 --> 00:11:15,600 Speaker 1: also outsourced this sort of like Valley Girl accent out 171 00:11:15,600 --> 00:11:21,800 Speaker 1: to the world, you know what I mean, clueless Bev Hills, uh, 172 00:11:21,840 --> 00:11:26,800 Speaker 1: San Fernando Valley, what Calabasas? What have you? Out to 173 00:11:26,880 --> 00:11:28,439 Speaker 1: the rest of the world, you know what I mean? 174 00:11:28,559 --> 00:11:30,960 Speaker 1: It gets exported and then other people start to talk 175 00:11:31,000 --> 00:11:34,800 Speaker 1: like this. I think like there's also something to be 176 00:11:34,840 --> 00:11:37,480 Speaker 1: said about, like this way of talking might not always 177 00:11:37,480 --> 00:11:39,920 Speaker 1: be here. We might move on to some other way 178 00:11:39,920 --> 00:11:43,679 Speaker 1: of talking. And I imagine like my great grandchildren like 179 00:11:43,840 --> 00:11:46,319 Speaker 1: listening to this podcast and being like, look how great 180 00:11:46,360 --> 00:11:50,200 Speaker 1: Grammy used to talk like she had this weird valley girl. 181 00:11:50,520 --> 00:11:53,520 Speaker 1: That's what your great grandchildren are going to sound like 182 00:11:53,520 --> 00:11:58,480 Speaker 1: like old people. That's that is that? That? That is 183 00:11:58,520 --> 00:12:01,600 Speaker 1: what they're gonna sound like. I mean, I don't know 184 00:12:01,679 --> 00:12:05,680 Speaker 1: what they're gonna sound like. I'm just taking a while 185 00:12:10,000 --> 00:12:14,000 Speaker 1: hopefully my great grandchildren will eventually get old. So I'm imagining, 186 00:12:14,280 --> 00:12:17,760 Speaker 1: imagining my great grandchild. But that's they're an old person, 187 00:12:18,120 --> 00:12:20,320 Speaker 1: you know what I mean? Yes, I do know what 188 00:12:20,360 --> 00:12:24,520 Speaker 1: you mean. I'm I'm dead. That's hilarious. Um, you want 189 00:12:24,520 --> 00:12:26,960 Speaker 1: to if you want to hear how your ancestors sounded, 190 00:12:27,400 --> 00:12:35,079 Speaker 1: and it's us. I don't know, like right, oh, that's funny. 191 00:12:35,200 --> 00:12:38,920 Speaker 1: Like it's not anything, you know, those those like cannon 192 00:12:39,200 --> 00:12:43,920 Speaker 1: like archives sounds of like public speakers orators like like 193 00:12:44,080 --> 00:12:51,360 Speaker 1: literally the sermons, beautiful words, shakesperience English not even Shakespeaire 194 00:12:51,480 --> 00:12:54,480 Speaker 1: language language. I'm thinking of, like the civil rights movement 195 00:12:54,600 --> 00:13:01,960 Speaker 1: and like all preachers orators you know in Spanish, English, 196 00:13:02,080 --> 00:13:07,199 Speaker 1: cross cultures, all of it. And then there does I 197 00:13:07,240 --> 00:13:10,080 Speaker 1: don't know, I don't know like so then I told 198 00:13:10,160 --> 00:13:12,920 Speaker 1: him and then I was like, and then he was like, 199 00:13:13,280 --> 00:13:18,120 Speaker 1: and then she was like, and then we were likely no. 200 00:13:18,360 --> 00:13:22,760 Speaker 1: But again rooting this conversation in journalism, y'all, there is 201 00:13:22,760 --> 00:13:27,480 Speaker 1: this Atlantic article about the evolution of like and like 202 00:13:27,679 --> 00:13:32,840 Speaker 1: at one point was used as an association with hesitation. However, 203 00:13:33,040 --> 00:13:36,800 Speaker 1: like has now according to this journalist. The journalists name 204 00:13:37,000 --> 00:13:41,840 Speaker 1: is John mcwarter and this article came out in UM 205 00:13:41,920 --> 00:13:46,640 Speaker 1: in the Atlantic and they say that like the use 206 00:13:46,679 --> 00:13:49,640 Speaker 1: of the word like has morphed into a modal marker 207 00:13:49,720 --> 00:13:53,120 Speaker 1: of the human mind at work and conversation. And I 208 00:13:53,160 --> 00:13:56,319 Speaker 1: love that because I feel that's when I'm using the 209 00:13:56,360 --> 00:13:59,240 Speaker 1: word like, especially on this podcast, when I'm in conversation 210 00:13:59,320 --> 00:14:01,560 Speaker 1: and I'm and I'm literally saying so, I was like, 211 00:14:01,679 --> 00:14:04,559 Speaker 1: and he was like, and she was like absolutely yes. 212 00:14:04,880 --> 00:14:07,440 Speaker 1: But I think specifically in this podcast, when I'm using 213 00:14:07,440 --> 00:14:09,480 Speaker 1: the word like, it's because I'm processing in real time 214 00:14:09,520 --> 00:14:12,920 Speaker 1: with y'all. And I think a lot of us do that, 215 00:14:13,440 --> 00:14:17,240 Speaker 1: And so you know, the journalists are saying that that 216 00:14:17,440 --> 00:14:22,200 Speaker 1: like has evolved and it's here to stay. Yeah. Can't 217 00:14:22,240 --> 00:14:25,720 Speaker 1: you see that I'm like evolving the English language. It's 218 00:14:25,720 --> 00:14:28,560 Speaker 1: not a signal of being a dumb bit, y'all. Okay, 219 00:14:28,760 --> 00:14:31,280 Speaker 1: my mind is at work. It means that. It means 220 00:14:31,280 --> 00:14:34,240 Speaker 1: that my brain is working. Okay, Like is a sign 221 00:14:34,280 --> 00:14:42,040 Speaker 1: of intelligence. All right, Yes, well we're gonna go in. 222 00:14:42,720 --> 00:14:46,120 Speaker 1: We're like this. We're linguists now. This is now a 223 00:14:46,200 --> 00:14:51,400 Speaker 1: linguistic podcast. This is linguistics and send this to the 224 00:14:51,440 --> 00:14:57,240 Speaker 1: Library of Congress. It's funny too, because when people, you know, 225 00:14:57,320 --> 00:15:01,120 Speaker 1: we'll have people approach us, we want to play your episode. 226 00:15:01,120 --> 00:15:06,800 Speaker 1: Oh God. For example, my lovely professor Willa Seidenberg, probably 227 00:15:06,920 --> 00:15:11,880 Speaker 1: radio Queen at USC, she wants to include look at 228 00:15:11,880 --> 00:15:14,960 Speaker 1: that our radio and her syllabus for next for spring 229 00:15:15,040 --> 00:15:19,040 Speaker 1: semester because she's teaching a podcasting class, and so she 230 00:15:19,160 --> 00:15:22,560 Speaker 1: asked me what two episodes can I include in the syllabus? 231 00:15:23,080 --> 00:15:26,800 Speaker 1: And I was like, Mala, like what do I send her? 232 00:15:26,840 --> 00:15:30,600 Speaker 1: Like the Nerves honestly, because there's episodes like this where 233 00:15:30,600 --> 00:15:32,520 Speaker 1: we're laughing and we're shooting the ship and you know, 234 00:15:32,600 --> 00:15:35,120 Speaker 1: and then we have the more serious episodes and I'm like, 235 00:15:35,280 --> 00:15:37,960 Speaker 1: it's range. That's what it's giving. It's giving range, And 236 00:15:37,960 --> 00:15:40,960 Speaker 1: I'm okay with that. I love that about Local. Um. 237 00:15:41,120 --> 00:15:44,040 Speaker 1: So then when we have these moments where people want 238 00:15:44,040 --> 00:15:45,640 Speaker 1: to listen and they want to listen to the best one, 239 00:15:45,680 --> 00:15:50,520 Speaker 1: I'm like, all of them, Yeah, exactly, they're all the best. 240 00:15:50,560 --> 00:15:54,040 Speaker 1: For all the best ones, remember that one time? It's yeah, 241 00:15:54,080 --> 00:15:58,000 Speaker 1: because it's like the show we wanted to be entertaining 242 00:15:58,520 --> 00:16:01,880 Speaker 1: and a fun listen. But then we also get these 243 00:16:01,920 --> 00:16:04,000 Speaker 1: types of requests and it's we want to be able 244 00:16:05,240 --> 00:16:09,720 Speaker 1: to have something of substance to turn over. I think 245 00:16:09,720 --> 00:16:12,000 Speaker 1: we do a balance of two. I mean, y'all don't 246 00:16:12,000 --> 00:16:15,880 Speaker 1: know the inner workings, but usually our process is if 247 00:16:15,920 --> 00:16:22,360 Speaker 1: we are divulging like really serious information and having an 248 00:16:22,360 --> 00:16:26,240 Speaker 1: intense conversation community conversation for a couple of episodes or 249 00:16:26,280 --> 00:16:29,720 Speaker 1: one episode, we intentionally choose the next episode to be 250 00:16:29,760 --> 00:16:32,600 Speaker 1: a light one because we want you to laugh and 251 00:16:32,640 --> 00:16:35,720 Speaker 1: we want you to have fun listening and share, you know, 252 00:16:36,120 --> 00:16:39,120 Speaker 1: both kinds of episodes, and that we can do do 253 00:16:39,280 --> 00:16:41,760 Speaker 1: both and we can do it all. Yeah, we want 254 00:16:41,760 --> 00:16:44,000 Speaker 1: to have We like to giggle too, so we like 255 00:16:44,080 --> 00:16:48,160 Speaker 1: doing the fun episodes too. Also, sometimes it's like things 256 00:16:48,160 --> 00:16:50,320 Speaker 1: are happening in the world and it's like, wow, we 257 00:16:50,360 --> 00:16:53,800 Speaker 1: really want to talk about this thing. And then that 258 00:16:54,000 --> 00:16:57,720 Speaker 1: I feel like, as we're doing these weekly episodes, it's like, Okay, 259 00:16:57,720 --> 00:17:00,680 Speaker 1: like we talked about this person, should we now talk 260 00:17:00,720 --> 00:17:04,440 Speaker 1: about this person, we discussed this, Should we now balance 261 00:17:04,480 --> 00:17:07,159 Speaker 1: it with this because we don't want the feed and 262 00:17:07,200 --> 00:17:13,560 Speaker 1: the topics to be lopsided. Yeah, yeah, definitely, definitely. We 263 00:17:14,080 --> 00:17:17,520 Speaker 1: try to do it all as best as we can, 264 00:17:17,800 --> 00:17:19,600 Speaker 1: as best as we can, and we will continue to 265 00:17:19,680 --> 00:17:22,639 Speaker 1: use the word like, oh yeah, we can't. We literally can't. 266 00:17:22,680 --> 00:17:26,040 Speaker 1: We literally Mama can't even hear me saying like in 267 00:17:26,119 --> 00:17:28,960 Speaker 1: that clip that she can't even hear me saying it, 268 00:17:32,880 --> 00:17:37,520 Speaker 1: Oh my gosh. But we are preserving this is our dialect. 269 00:17:37,600 --> 00:17:39,760 Speaker 1: What do you want from me? Yes, when you're great 270 00:17:39,800 --> 00:17:43,800 Speaker 1: great grandchildren, listen to the audio archive, they will hear 271 00:17:44,680 --> 00:17:48,439 Speaker 1: they'll be like the old language. This is how the 272 00:17:48,520 --> 00:17:54,720 Speaker 1: elders spoke in olden times, using like every other word country. 273 00:17:54,720 --> 00:18:00,960 Speaker 1: Oh man, scary. What's what's happening in your future world? Girl? 274 00:18:01,000 --> 00:18:03,320 Speaker 1: With the way things are going, I know it's giving 275 00:18:03,400 --> 00:18:07,040 Speaker 1: end of times for real. Yeah, I get it, I 276 00:18:07,119 --> 00:18:09,840 Speaker 1: totally get it. But at least you can warm your 277 00:18:09,840 --> 00:18:13,400 Speaker 1: ears by our listening fire. Every week, can tune into 278 00:18:13,400 --> 00:18:15,600 Speaker 1: a new episode of Look at the Radio. We really 279 00:18:15,640 --> 00:18:17,840 Speaker 1: just we want to be like the meme of the 280 00:18:17,880 --> 00:18:22,199 Speaker 1: little dog and he's surrounded by flames. We want to 281 00:18:22,200 --> 00:18:24,440 Speaker 1: be We want to be the cup of cocoa you're 282 00:18:24,480 --> 00:18:27,679 Speaker 1: holding onto. That's us in the recording studio every week 283 00:18:28,040 --> 00:18:31,280 Speaker 1: like this is this is fine, This is fine putting 284 00:18:31,280 --> 00:18:35,159 Speaker 1: out the content anyway for our listeners, for y'all, because 285 00:18:35,160 --> 00:18:38,800 Speaker 1: we love you, Because we love you, and with that, um, 286 00:18:38,840 --> 00:18:41,480 Speaker 1: you know, it's a new year still season seven. We 287 00:18:41,600 --> 00:18:45,040 Speaker 1: have some exciting new episodes that we're going to be 288 00:18:45,080 --> 00:18:48,480 Speaker 1: producing this year. We have a mini series coming out 289 00:18:49,040 --> 00:18:52,800 Speaker 1: that is going to be all Things mental Health. That's 290 00:18:52,840 --> 00:18:54,639 Speaker 1: going to be just living here on the look at 291 00:18:54,640 --> 00:18:56,439 Speaker 1: the Feed, So we're really excited to bring you that 292 00:18:56,440 --> 00:19:01,600 Speaker 1: in the next coming weeks and our usual interviews with artists. 293 00:19:01,880 --> 00:19:04,200 Speaker 1: We have some really great ones slated for this year 294 00:19:05,040 --> 00:19:08,399 Speaker 1: and it's just rounding out to be a really incredible season. 295 00:19:09,800 --> 00:19:12,800 Speaker 1: Was an incredible year for us, and we're just excited 296 00:19:12,880 --> 00:19:17,040 Speaker 1: to see where this radio phonic novella goes in. So 297 00:19:17,119 --> 00:19:19,440 Speaker 1: thank you for rocking with us year after year. If 298 00:19:19,440 --> 00:19:21,720 Speaker 1: you're an o G listener, and if you're a new listener, 299 00:19:21,840 --> 00:19:26,040 Speaker 1: welcome and visit our website look at our radio dot 300 00:19:26,040 --> 00:19:28,239 Speaker 1: com and leave us a message. You can leave us 301 00:19:28,240 --> 00:19:32,040 Speaker 1: a voice message on speak pipe on our website. Tell 302 00:19:32,119 --> 00:19:35,600 Speaker 1: us about uh. Do you use the word like a 303 00:19:35,600 --> 00:19:38,439 Speaker 1: lot when you talk? Send us a voice message and 304 00:19:38,520 --> 00:19:40,800 Speaker 1: let us here. Are you a bacha? Are you a 305 00:19:40,880 --> 00:19:43,840 Speaker 1: valley girl? Do people always pick up part the way 306 00:19:43,880 --> 00:19:46,560 Speaker 1: that you speak? Tell us all about it. I have 307 00:19:46,720 --> 00:19:51,440 Speaker 1: a feeling there are more out there. I know our 308 00:19:51,480 --> 00:19:53,880 Speaker 1: listeners use the word like, and I know our listeners 309 00:19:53,880 --> 00:19:56,600 Speaker 1: are being told that they talk like white girls. I 310 00:19:56,680 --> 00:20:00,280 Speaker 1: just know it. Okay, wait, plug um, look up locas. 311 00:20:00,960 --> 00:20:03,760 Speaker 1: Last year we read Julisa says memoir you Sound like 312 00:20:03,800 --> 00:20:07,440 Speaker 1: a White Girl. She does unpack this in depth and 313 00:20:07,520 --> 00:20:10,960 Speaker 1: so definitely recommend checking out that book. This topic did 314 00:20:11,040 --> 00:20:14,200 Speaker 1: make me think right now, like, is there a Spanish 315 00:20:14,240 --> 00:20:18,040 Speaker 1: equivalent to the word like, Okay, people make fun of 316 00:20:18,040 --> 00:20:22,400 Speaker 1: the way that like Mexico City like talk right right. 317 00:20:22,480 --> 00:20:24,639 Speaker 1: I'm curious, so let us know, because I'm thinking of 318 00:20:24,720 --> 00:20:28,000 Speaker 1: my own youths in Spanish, and I can't think of one, 319 00:20:28,359 --> 00:20:30,919 Speaker 1: Like I can't think of an equivalent of me incessantly 320 00:20:31,000 --> 00:20:34,960 Speaker 1: using the same word over and over again, like pointing 321 00:20:35,000 --> 00:20:38,440 Speaker 1: it out. Yeah, I do have Spanish language trauma, y'all, 322 00:20:38,480 --> 00:20:41,639 Speaker 1: which we can dive into another episode. But yeah, I 323 00:20:41,680 --> 00:20:45,360 Speaker 1: think language, you know, evolves, and we evolve with it, 324 00:20:45,480 --> 00:20:47,080 Speaker 1: and we gotta let it evolve, and we gotta let 325 00:20:47,080 --> 00:20:48,600 Speaker 1: it flow, and we gotta let it be and let 326 00:20:48,680 --> 00:20:51,960 Speaker 1: let people talk how they talk, let people speak, leave 327 00:20:52,000 --> 00:20:58,440 Speaker 1: people alone. God, nothing, We've learned nothing, nothing from it. 328 00:20:58,520 --> 00:21:03,520 Speaker 1: We've learned nothing from anything, it's sad, h cry. This 329 00:21:03,560 --> 00:21:06,239 Speaker 1: has been another episode. Thank you for tuning in. I 330 00:21:06,280 --> 00:21:09,360 Speaker 1: hope that um the way we speak hasn't been too 331 00:21:09,359 --> 00:21:11,480 Speaker 1: grating for all of you out there. Thank you for 332 00:21:11,560 --> 00:21:14,119 Speaker 1: making it through. Thank you for tuning in, Thank you 333 00:21:14,160 --> 00:21:16,879 Speaker 1: for listening, Thank you for rocking with us. In spite 334 00:21:16,920 --> 00:21:19,640 Speaker 1: of our incessant use of the world alike, we appreciate 335 00:21:19,680 --> 00:21:23,399 Speaker 1: you like so much, like so much, We love you 336 00:21:23,600 --> 00:21:31,399 Speaker 1: like until next time. Look at That Our Radio is 337 00:21:31,440 --> 00:21:34,840 Speaker 1: a production of Look At That our Productions in partnership 338 00:21:34,920 --> 00:21:39,160 Speaker 1: with I Hearts Michael podcast Network. For more podcast listen 339 00:21:39,200 --> 00:21:42,640 Speaker 1: to the I Heart Radio app, Apple Podcasts, or wherever 340 00:21:42,720 --> 00:21:58,080 Speaker 1: you listen to your favorite shows. Look at Radio Radio 341 00:21:58,160 --> 00:22:46,640 Speaker 1: phonic novella posted by Mala Muyas and Biosa. Then take 342 00:22:46,760 --> 00:22:47,720 Speaker 1: us to your network