1 00:00:04,320 --> 00:00:09,280 Speaker 1: Ah, Tresh, will you do my back? My pale Canadian 2 00:00:09,400 --> 00:00:13,920 Speaker 1: skin is not used to this California sun. Sure, Cindy, 3 00:00:14,160 --> 00:00:17,919 Speaker 1: what's a fellow playmate for? If not for putting Lohan 4 00:00:18,079 --> 00:00:23,640 Speaker 1: all over your sexy back? Oh? Thanks, yeah, and really 5 00:00:24,000 --> 00:00:27,520 Speaker 1: rub it him. I wonder if Half is watching right 6 00:00:27,560 --> 00:00:31,120 Speaker 1: now with his little spyglass. He's so cute. Last night 7 00:00:31,240 --> 00:00:35,720 Speaker 1: he surprised me with a new little teddy. It was 8 00:00:35,800 --> 00:00:39,840 Speaker 1: so romantic. I'm so jealous because like, I just want 9 00:00:39,840 --> 00:00:42,920 Speaker 1: to get more food and more gifts and like make 10 00:00:43,080 --> 00:00:47,640 Speaker 1: more intimate porno videos, like inside the secret rooms that 11 00:00:47,680 --> 00:00:52,080 Speaker 1: are within rooms within Half's larger compound area within the mansion. 12 00:00:52,400 --> 00:00:54,440 Speaker 1: I feel like I've only been there once, and like 13 00:00:54,640 --> 00:00:56,960 Speaker 1: he just gave me this pair of heels that were 14 00:00:57,160 --> 00:00:59,600 Speaker 1: sea through plastic and had diamonds on them. But I 15 00:00:59,640 --> 00:01:02,720 Speaker 1: can't even get of the diamonds. That's really romantic, though. 16 00:01:03,120 --> 00:01:06,080 Speaker 1: And here's the thing, Trish, like you'll get there. I 17 00:01:06,120 --> 00:01:08,640 Speaker 1: think you actually just need to be forward and show 18 00:01:08,840 --> 00:01:12,440 Speaker 1: Half that you're actually really there for him. Maybe tonight, 19 00:01:12,480 --> 00:01:15,120 Speaker 1: if at Midsummer Night's Dream Party, you can surprise him 20 00:01:15,160 --> 00:01:18,200 Speaker 1: in a really sexy way. Huh. That's a really good idea, 21 00:01:18,360 --> 00:01:20,560 Speaker 1: but like, what would I do? Like, how am I 22 00:01:20,600 --> 00:01:23,000 Speaker 1: going to show him that, No, I have the brains 23 00:01:23,040 --> 00:01:26,400 Speaker 1: and the beauty and the spot. Please touch my tits. 24 00:01:26,480 --> 00:01:31,520 Speaker 1: They're way smaller than yours. But I'm so jealous of 25 00:01:31,560 --> 00:01:34,720 Speaker 1: how small these are, Like they're just they took perky 26 00:01:34,760 --> 00:01:41,479 Speaker 1: on their own. M The tastes really good. I put 27 00:01:41,880 --> 00:01:45,960 Speaker 1: this new strawberry cream on them that's been stalked in 28 00:01:45,959 --> 00:01:48,960 Speaker 1: the our central bathroom, and I rubbed it all over 29 00:01:49,000 --> 00:01:51,480 Speaker 1: my nipple. Oh wait, that's a really good idea. I 30 00:01:51,520 --> 00:01:55,160 Speaker 1: should wear like a balsamic glaze bikini tonight. It'll be 31 00:01:55,200 --> 00:01:58,080 Speaker 1: like really sugar and sweet and show off my Italian heritage, 32 00:01:58,360 --> 00:02:01,200 Speaker 1: MoMA Mia, I wish I was as cultured as you. 33 00:02:01,360 --> 00:02:03,920 Speaker 1: I know that's gonna work on half. And then I'll 34 00:02:03,920 --> 00:02:06,760 Speaker 1: pull like a bad guy out of my secret place 35 00:02:06,880 --> 00:02:09,120 Speaker 1: and he'll be like, wait a minute, you're so European. 36 00:02:09,680 --> 00:02:12,160 Speaker 1: That sounds like an amazing plan. And I'll make sure 37 00:02:12,240 --> 00:02:14,720 Speaker 1: to tell the other girls that you have this plan 38 00:02:14,880 --> 00:02:18,280 Speaker 1: and we'll give you guys some alone time. Shannon, that's 39 00:02:18,320 --> 00:02:21,200 Speaker 1: like just really really thoughtful. And if anyone else wears 40 00:02:21,200 --> 00:02:24,200 Speaker 1: the Balsoma bikini tonight, we'll throw them in the pool. 41 00:02:25,000 --> 00:02:30,920 Speaker 1: Chess kidding. You're so fun finger me boost that knocking 42 00:02:31,040 --> 00:02:33,600 Speaker 1: at the door. It's all your friends, you filthy horse. 43 00:02:33,800 --> 00:02:36,320 Speaker 1: Your husband's gone and you've got books and a bottle 44 00:02:36,320 --> 00:02:41,240 Speaker 1: of wind to kill. It's books. It's gossip. I'm shook. 45 00:02:41,600 --> 00:02:50,040 Speaker 1: It's memoirs, Martin, come read it while it's hot. Cley 46 00:02:50,040 --> 00:02:56,160 Speaker 1: book Club secrets. We won't talk cleventy books. No boys 47 00:02:56,200 --> 00:03:03,840 Speaker 1: are allowed books. Say it loud and bus me in. 48 00:03:03,960 --> 00:03:10,359 Speaker 1: I brought the queer foe. Hey, best friend friend, my 49 00:03:10,480 --> 00:03:20,600 Speaker 1: best male. Hey, my juiciest, juiciest little Benny Lily. You 50 00:03:20,600 --> 00:03:24,360 Speaker 1: know what I miss your huge tits. I bet you do, 51 00:03:25,080 --> 00:03:29,240 Speaker 1: curling up to them, just getting in the middle of them, 52 00:03:29,280 --> 00:03:36,160 Speaker 1: feeling like mama's pillow. Yeah. I would love to rest 53 00:03:36,240 --> 00:03:39,400 Speaker 1: my head on those big soft pillows. After a long 54 00:03:39,520 --> 00:03:46,279 Speaker 1: day at work as a freelance journal copywriters ad copywriter, 55 00:03:46,520 --> 00:03:49,320 Speaker 1: I was like, damn, I need a pillow. Tuft and 56 00:03:49,400 --> 00:03:52,880 Speaker 1: needle brings you now, d's um. Can I tell you something? 57 00:03:54,120 --> 00:03:56,560 Speaker 1: It's not nasties. Bodies are bodies, and we're going to 58 00:03:56,600 --> 00:03:59,160 Speaker 1: talk about bodies in this episode. So I was at 59 00:03:59,200 --> 00:04:01,320 Speaker 1: the gym yesterday and I do feel like it is 60 00:04:01,320 --> 00:04:04,240 Speaker 1: that thing where it's like, so the why it's very 61 00:04:04,360 --> 00:04:08,000 Speaker 1: like go whichever you know, dressing room or whatever locker 62 00:04:08,040 --> 00:04:11,160 Speaker 1: room you identify with. Oh wait, they're having such like 63 00:04:11,200 --> 00:04:14,160 Speaker 1: a gender paragraph next to the bathroom. It's not a 64 00:04:14,160 --> 00:04:17,520 Speaker 1: big paragraphicit's small, but it's like, yeah, so I am 65 00:04:17,600 --> 00:04:21,159 Speaker 1: going into the women's locker room because would be so 66 00:04:21,279 --> 00:04:26,640 Speaker 1: random to go into the room. But it's obviously I 67 00:04:26,680 --> 00:04:32,480 Speaker 1: am like observing, you're you're fully jacking off. And I 68 00:04:32,600 --> 00:04:37,800 Speaker 1: saw this like butcher lesbian with these like massive taws 69 00:04:38,560 --> 00:04:42,120 Speaker 1: there yesterday and I was like, damn, it is crazy 70 00:04:42,279 --> 00:04:45,080 Speaker 1: that I used to like be that just like full 71 00:04:45,240 --> 00:04:49,240 Speaker 1: ass pillows. Right. It's like it's it's become so natural 72 00:04:49,240 --> 00:04:51,719 Speaker 1: to have the flat chest you forgot, you totally forgot. 73 00:04:52,160 --> 00:04:54,760 Speaker 1: I mean I don't forget, but it's kind of seeing 74 00:04:54,760 --> 00:04:58,160 Speaker 1: those kind of more seeing that person's representation of theirselfs more, 75 00:04:58,279 --> 00:05:01,039 Speaker 1: you know, reminded me of myself. And you're like, that's 76 00:05:01,080 --> 00:05:03,839 Speaker 1: so random, just these big olds. Did you tell her that? 77 00:05:03,920 --> 00:05:05,800 Speaker 1: You're like, sorry, I have to say this, but your 78 00:05:05,800 --> 00:05:10,800 Speaker 1: tits are random as hell. Sorry to um can I 79 00:05:10,880 --> 00:05:20,960 Speaker 1: just think here speak speak. So we read an unexpectedly 80 00:05:21,120 --> 00:05:24,840 Speaker 1: iconic book. Yeah, you know, and this just came about, 81 00:05:24,920 --> 00:05:27,920 Speaker 1: you know, because some weeks, right, it's of course Harry, 82 00:05:28,200 --> 00:05:30,719 Speaker 1: you know, and some books it's like, oh, this iconic 83 00:05:30,800 --> 00:05:34,039 Speaker 1: celebrity in their ridiculous book. And then sometimes you just 84 00:05:34,160 --> 00:05:38,120 Speaker 1: come upon a book where you're like, who is this. 85 00:05:40,160 --> 00:05:43,880 Speaker 1: You're like, oh, oh, she's really fab and like has 86 00:05:43,920 --> 00:05:46,279 Speaker 1: this crazy life and she's kind of random as hell. 87 00:05:46,360 --> 00:05:53,680 Speaker 1: Go off. Uh So we read, of course, the iconic 88 00:05:53,720 --> 00:05:59,280 Speaker 1: book called Kiss and Tell, by none other than Shannon, 89 00:06:02,160 --> 00:06:05,600 Speaker 1: So you may just call her a Tweed or Shannon 90 00:06:05,839 --> 00:06:09,520 Speaker 1: Shannon Tweed. Yes, she is the wife of Kiss frontman 91 00:06:09,680 --> 00:06:15,359 Speaker 1: Jean Simmons. Oh, but well not wife because they famous married. No, 92 00:06:15,440 --> 00:06:18,560 Speaker 1: they did get married in like twenty fifteen. Wait, she 93 00:06:18,720 --> 00:06:21,240 Speaker 1: finally got him to get married. Yeah. The whole book 94 00:06:21,279 --> 00:06:23,320 Speaker 1: is about how he won't marry her. But she's like, 95 00:06:23,560 --> 00:06:26,360 Speaker 1: and that's okay, and that's what works for us. But honestly, 96 00:06:26,480 --> 00:06:29,359 Speaker 1: what's the problem with just getting married? We're basically he 97 00:06:29,480 --> 00:06:32,240 Speaker 1: needs to be so Yeah. Not only though, is she 98 00:06:32,360 --> 00:06:36,640 Speaker 1: the partner of Jean Simmons, Kiss frontman, known for his 99 00:06:36,760 --> 00:06:44,680 Speaker 1: famously a long time aka her second best friend. Quote 100 00:06:44,680 --> 00:06:50,599 Speaker 1: Shannon tweed Um. She also was a playmate in the 101 00:06:51,240 --> 00:06:58,080 Speaker 1: eighties Playboy era. Yeah, she also is da Heffner. She 102 00:06:58,160 --> 00:07:00,680 Speaker 1: was Playmate of the Year in Nick nineteen eighty two. Yeah, 103 00:07:00,680 --> 00:07:04,760 Speaker 1: she was like Hugh's main girlfriend in eighty two. Then 104 00:07:04,839 --> 00:07:08,520 Speaker 1: she was in a lot of softcore porn, which doesn't 105 00:07:08,520 --> 00:07:12,880 Speaker 1: really exist anymore. As she said, like this, she was 106 00:07:12,960 --> 00:07:17,400 Speaker 1: in the straight to video, the boom video stract video market. 107 00:07:17,440 --> 00:07:20,040 Speaker 1: She was like, the stracti video market was a really 108 00:07:20,080 --> 00:07:22,600 Speaker 1: good market. It was a really good She was like, 109 00:07:22,640 --> 00:07:26,960 Speaker 1: look now everything is a bigger DVDs. The quality is amazing. 110 00:07:27,360 --> 00:07:34,000 Speaker 1: That sec the sexist sexy or the sexiest horni or 111 00:07:34,000 --> 00:07:38,600 Speaker 1: the explosions are louder. The sound is crisper. And she's 112 00:07:38,680 --> 00:07:42,400 Speaker 1: not wrong. No, it's very like ultra like a DVD 113 00:07:42,520 --> 00:07:47,240 Speaker 1: with like ultra boom four x four K sound now 114 00:07:47,320 --> 00:07:50,840 Speaker 1: in your home theater. Um. So you know, she's also 115 00:07:51,000 --> 00:07:54,000 Speaker 1: very just like had been in one episode on like 116 00:07:54,160 --> 00:07:59,760 Speaker 1: every you know, from Wings to Frasier, the Parkers. They 117 00:07:59,840 --> 00:08:03,240 Speaker 1: now her elevated her to like even like a series 118 00:08:03,280 --> 00:08:05,360 Speaker 1: regular on any of those things. It's like she always 119 00:08:05,400 --> 00:08:08,440 Speaker 1: stayed at this kind of random level of fame. I 120 00:08:08,480 --> 00:08:10,960 Speaker 1: remember skinning like do you remember people called it Skinnamax 121 00:08:11,360 --> 00:08:13,840 Speaker 1: because it was like Cinemax after eleven pm, and it 122 00:08:13,880 --> 00:08:16,520 Speaker 1: would be these movies where it was like you were 123 00:08:16,760 --> 00:08:19,680 Speaker 1: seeing like as you're seeing, like the back of an ass, 124 00:08:20,280 --> 00:08:22,400 Speaker 1: and it would be like sex scenes and like you 125 00:08:22,440 --> 00:08:26,600 Speaker 1: were seeing kind of like motion but not like hardcore 126 00:08:26,680 --> 00:08:30,320 Speaker 1: penetration and definitely not seeing the penetration shop. Well, her 127 00:08:30,360 --> 00:08:32,640 Speaker 1: most series regular was On Days of Their Lives and 128 00:08:33,120 --> 00:08:35,720 Speaker 1: the show Falcon Crust. Okay, so I'm just gonna kind 129 00:08:35,720 --> 00:08:39,559 Speaker 1: of jump in the in the middle here, um cold Sweat. 130 00:08:40,040 --> 00:08:44,280 Speaker 1: This is a classic like skin Amax, Night Eyes, three, 131 00:08:44,400 --> 00:08:50,079 Speaker 1: Indecent Behavior, Scorned, Modeled by Day, Possessed by Night, hard Vice, 132 00:08:50,520 --> 00:08:55,880 Speaker 1: Night Fire, Illicit Dreams, Indecent Behavior, two Hotlines or she 133 00:08:55,960 --> 00:09:02,160 Speaker 1: wrote No Contest, Victim of Desire, Marker Chemistry, four, Full Exposure, 134 00:09:02,400 --> 00:09:06,880 Speaker 1: Mary Children The Dark, Dancer in Decent Behavior, three Pacific 135 00:09:06,960 --> 00:09:11,120 Speaker 1: Blue Electra, White Cargo, No Contest, two Stormy Nights, Homeboys 136 00:09:11,160 --> 00:09:14,840 Speaker 1: in Outer Space, Wings, Human Desire, Nash Bridges, Assault on 137 00:09:14,880 --> 00:09:18,000 Speaker 1: Deva's Island, Java Heads the movie, which I hope it's 138 00:09:18,040 --> 00:09:24,720 Speaker 1: like a coffee thriller. I'm dead. Wait. This is the 139 00:09:24,760 --> 00:09:28,320 Speaker 1: plot of Java Eds. The movie The Adventures of a 140 00:09:28,440 --> 00:09:32,000 Speaker 1: veteran detective on the FDA's Java Squad, immersed in the 141 00:09:32,240 --> 00:09:36,959 Speaker 1: espresso field coffeehouse culture of Hollywood. While trying to uncover 142 00:09:37,080 --> 00:09:40,440 Speaker 1: a rumored black market deal in Jamaican Blue Mountain Coffee, 143 00:09:40,600 --> 00:09:45,400 Speaker 1: our detective stakes out Javaheads cafe where the caffeine addicted 144 00:09:45,520 --> 00:09:54,840 Speaker 1: perkal eight. No, no, it's literally a coffee thriller. What'm dying? Sorry? 145 00:09:54,880 --> 00:10:06,559 Speaker 1: I love movies that are so bad there not healthy pleasures. 146 00:10:04,760 --> 00:10:09,280 Speaker 1: She could not be more Jenna Maroney like that little 147 00:10:11,000 --> 00:10:14,000 Speaker 1: I was really like, this is like a thirty rock 148 00:10:14,600 --> 00:10:20,720 Speaker 1: montage of like Jenna Moroney's like past movies. She's in 149 00:10:20,800 --> 00:10:24,040 Speaker 1: the coffee house. We need to find out who smuggling 150 00:10:24,120 --> 00:10:28,880 Speaker 1: needs beans. And it's like so many guys in berets 151 00:10:28,960 --> 00:10:32,360 Speaker 1: being like hey baby, do you want to pour over 152 00:10:32,640 --> 00:10:37,640 Speaker 1: or I'll pour you over? Um. Also, what's so Jenna 153 00:10:37,679 --> 00:10:40,760 Speaker 1: Maroney is? She she's not from but she grew up 154 00:10:40,880 --> 00:10:45,720 Speaker 1: next to a town um in Canada called Dildo in 155 00:10:45,840 --> 00:10:53,600 Speaker 1: Newfoundland and I mean everything. So she grew up um 156 00:10:53,840 --> 00:10:58,160 Speaker 1: on a mink branch. She grew up on a mink 157 00:10:58,280 --> 00:11:04,160 Speaker 1: farm outside of Dildo, Newfoundland. Then she moves to Saskatchewan, 158 00:11:04,760 --> 00:11:10,040 Speaker 1: she becomes an underage like cocktail waitress at some club, 159 00:11:10,400 --> 00:11:16,480 Speaker 1: starts dating a Dutch a Dutch gay guy. Wait, and 160 00:11:16,600 --> 00:11:21,360 Speaker 1: she's like, yeah, like our relationship was less about sex 161 00:11:21,400 --> 00:11:25,240 Speaker 1: and we're about fun trips. And he was a winnedo 162 00:11:25,400 --> 00:11:29,880 Speaker 1: dresser at a department store in downtown Saskatoon. And then 163 00:11:29,920 --> 00:11:32,440 Speaker 1: when she goes, he had a mustache, but I was 164 00:11:32,480 --> 00:11:37,080 Speaker 1: the beard. So what's also great about this book? It's 165 00:11:37,080 --> 00:11:40,760 Speaker 1: like she has a true like kind of this low voice. 166 00:11:41,559 --> 00:11:47,280 Speaker 1: The audio book was unlike any audio book, yes heard, 167 00:11:47,880 --> 00:11:52,400 Speaker 1: she's so conversational, like like the asides are like you 168 00:11:52,480 --> 00:11:55,160 Speaker 1: really feel like she's right there. I've never heard someone 169 00:11:55,200 --> 00:11:58,160 Speaker 1: just being like but we wouldn't that be funny if 170 00:11:58,160 --> 00:12:01,320 Speaker 1: he really did that? But you know how men are. 171 00:12:01,640 --> 00:12:05,440 Speaker 1: I mean they're bullets. They're twelve year old bullys. And 172 00:12:05,480 --> 00:12:08,280 Speaker 1: it's like it's like all in that cadence. You're just like, wow, 173 00:12:08,320 --> 00:12:10,560 Speaker 1: you're really just like sitting there with a glass of wine, 174 00:12:10,880 --> 00:12:13,640 Speaker 1: like although about because she's not a glass of wine 175 00:12:13,679 --> 00:12:16,640 Speaker 1: because she's sober because she did all of her partying. 176 00:12:18,760 --> 00:12:23,040 Speaker 1: And Simmons is like, so like Dudley do right, And 177 00:12:23,080 --> 00:12:26,719 Speaker 1: she's like gene, mister Dudley do right. He didn't want 178 00:12:26,760 --> 00:12:30,360 Speaker 1: me to drink. So that was that. So she's from 179 00:12:30,679 --> 00:12:33,800 Speaker 1: she grows up on a mink ranch. You really, you know, 180 00:12:33,840 --> 00:12:36,840 Speaker 1: and I you know, you know, oh, mink coat, mink coat. 181 00:12:36,920 --> 00:12:39,480 Speaker 1: But you're like, how does a mink ranch really work? 182 00:12:39,600 --> 00:12:44,280 Speaker 1: I mean one of the most violent like creatures. They're 183 00:12:44,360 --> 00:12:48,080 Speaker 1: so vicious and scary and small and creepy. Have you 184 00:12:48,120 --> 00:12:52,120 Speaker 1: been attacked No, personally, I've never been attacked by mink, 185 00:12:52,240 --> 00:12:56,240 Speaker 1: but it's one of my greatest fears. Yeah. Absolutely. And 186 00:12:56,320 --> 00:13:00,200 Speaker 1: they have this this full mink farm that hard Odd 187 00:13:00,280 --> 00:13:03,040 Speaker 1: runs the scene where he just goes down the stall 188 00:13:03,440 --> 00:13:05,960 Speaker 1: like the stalls that minks and snap their necks with 189 00:13:06,040 --> 00:13:08,400 Speaker 1: his hand one by one. She goes, my daddy could 190 00:13:08,400 --> 00:13:10,959 Speaker 1: snap a mink's neck with one hand. Yeah, he was 191 00:13:11,000 --> 00:13:15,320 Speaker 1: a real man. You're like, what it's happening here? And like, 192 00:13:15,520 --> 00:13:17,440 Speaker 1: I think I started listening to it and I like 193 00:13:17,640 --> 00:13:20,079 Speaker 1: kind of didn't hear the first time she said mink 194 00:13:21,280 --> 00:13:25,160 Speaker 1: and then and then she's like, yeah, Daddy's brother Rich 195 00:13:25,320 --> 00:13:28,520 Speaker 1: he rent. He was a fisherman up in like Saskatoon. 196 00:13:29,360 --> 00:13:33,360 Speaker 1: Well he would give Daddy all of the chum and 197 00:13:33,400 --> 00:13:36,120 Speaker 1: the guts, and then Daddy would grind up all of 198 00:13:36,160 --> 00:13:39,439 Speaker 1: the fish chum in a mink grinder and feed them 199 00:13:39,480 --> 00:13:45,360 Speaker 1: to our mink, and those came so strong. Those mink 200 00:13:45,760 --> 00:13:52,160 Speaker 1: thrived on that they thrived on that fish chum and 201 00:13:52,200 --> 00:13:56,280 Speaker 1: that cowbone, and then Daddy would break their necks. And 202 00:13:56,280 --> 00:13:58,800 Speaker 1: she's like, and of course the mink industry was hammered 203 00:13:58,800 --> 00:14:01,640 Speaker 1: by the invention of some athetic fur in the sixties. 204 00:14:02,240 --> 00:14:04,800 Speaker 1: That line was like, and as we all know, the 205 00:14:04,920 --> 00:14:09,920 Speaker 1: age of fur really did a number on Daddy's business. 206 00:14:11,320 --> 00:14:13,760 Speaker 1: But she's like, you know, and I thought, you know, 207 00:14:13,840 --> 00:14:16,640 Speaker 1: we were doing well, and everyone was like, oh, the 208 00:14:16,760 --> 00:14:20,080 Speaker 1: Tweed family is so rich because they have a mink ranch. 209 00:14:21,680 --> 00:14:24,840 Speaker 1: So the introduction of this book is also done by 210 00:14:24,920 --> 00:14:29,280 Speaker 1: Gene Simmons, and it's incredibly horny, and it's about how 211 00:14:29,320 --> 00:14:31,280 Speaker 1: he met her at the Playboy mansion and he was 212 00:14:31,320 --> 00:14:35,120 Speaker 1: not wearing underwear and he was like, my member was 213 00:14:35,680 --> 00:14:41,040 Speaker 1: erect in my silk pajamas, and I would do anything. 214 00:14:41,040 --> 00:14:44,160 Speaker 1: And she pays me no mind, and I'm always chasing 215 00:14:44,200 --> 00:14:46,720 Speaker 1: after her and I'll do anything for her. And we're 216 00:14:46,760 --> 00:14:51,960 Speaker 1: still slapping each other's ass like constantly. Well, and he 217 00:14:52,280 --> 00:14:56,640 Speaker 1: provided the father figure that she lost when her dad 218 00:14:56,640 --> 00:14:59,000 Speaker 1: got in the tragic accident. I mean, the story was 219 00:14:59,200 --> 00:15:01,800 Speaker 1: very s and twain. I was just like, so you're 220 00:15:01,960 --> 00:15:05,320 Speaker 1: from Canada, you like have a manual labor background, and 221 00:15:05,360 --> 00:15:08,560 Speaker 1: then you're one of your parents like I mean her parents, 222 00:15:08,600 --> 00:15:11,160 Speaker 1: both of Shanai's parents died in a car accident. This 223 00:15:11,360 --> 00:15:15,680 Speaker 1: her dad was like permanently disabled from this car accident. Yeah. 224 00:15:15,720 --> 00:15:18,480 Speaker 1: And then I mean the difference though it was before 225 00:15:18,760 --> 00:15:23,280 Speaker 1: like the big accident, and I was in a very abusive, 226 00:15:23,280 --> 00:15:28,240 Speaker 1: sad home, whereas she had the perfect ideal of family 227 00:15:28,280 --> 00:15:30,960 Speaker 1: life in Newfoundland. I mean, when you think Newfoundland, you 228 00:15:30,960 --> 00:15:34,080 Speaker 1: think this family, you think ideal family life. And she 229 00:15:34,200 --> 00:15:38,400 Speaker 1: saw her parents chasing each other around, you know, kissing 230 00:15:38,440 --> 00:15:43,720 Speaker 1: each other like teenagers. When she goes Daddy's smoked Rothman's. 231 00:15:44,200 --> 00:15:48,840 Speaker 1: Mama smoked Cameo menthols, which I preferred, but I'd steal 232 00:15:48,920 --> 00:15:52,320 Speaker 1: Daddy's Rothman's and go into the woods and smoke them. 233 00:15:52,360 --> 00:15:55,400 Speaker 1: I was a tomboy, Oh, of course, the requisite every 234 00:15:55,560 --> 00:15:57,880 Speaker 1: book about it by a girl. Yeah, I was a 235 00:15:57,960 --> 00:16:01,240 Speaker 1: total tomboy. I was a total comboy and legs. When 236 00:16:01,240 --> 00:16:03,120 Speaker 1: she at one point she said there was no one 237 00:16:03,240 --> 00:16:08,080 Speaker 1: skinnier than me, You're like, and again when we get 238 00:16:08,120 --> 00:16:10,560 Speaker 1: to her like Playboy days, she's like, yeah, I'm not 239 00:16:10,600 --> 00:16:13,880 Speaker 1: like other girls skinny, and it's just like you look 240 00:16:13,880 --> 00:16:16,040 Speaker 1: at her now and you're like, you're just the most 241 00:16:16,240 --> 00:16:19,080 Speaker 1: eighties blonde I went and they're all she was like, yeah, 242 00:16:19,080 --> 00:16:21,040 Speaker 1: like they were all doing a robus like on the 243 00:16:21,040 --> 00:16:23,440 Speaker 1: Playboy Lawn. It was the beginning of the Jane Fonda craze. 244 00:16:23,480 --> 00:16:25,280 Speaker 1: Of course I didn't need to lose weight. It was 245 00:16:25,400 --> 00:16:28,160 Speaker 1: naturally skinny. I could do whatever I want to. But yeah, 246 00:16:28,160 --> 00:16:30,560 Speaker 1: I was like, oh, I was trying to gain but 247 00:16:30,640 --> 00:16:32,560 Speaker 1: we just did it for a fun because of his trending, 248 00:16:32,600 --> 00:16:34,640 Speaker 1: and we didn't care. We were so hungover and we 249 00:16:34,640 --> 00:16:38,200 Speaker 1: were so thin, and so we were so hot and 250 00:16:38,280 --> 00:16:43,440 Speaker 1: sexy and on hornies. Okay, So yeah, her dad like 251 00:16:43,120 --> 00:16:45,360 Speaker 1: that like has a tragic accident where they think he's 252 00:16:45,360 --> 00:16:48,320 Speaker 1: going to die, but then like actually he lives, which 253 00:16:48,400 --> 00:16:50,720 Speaker 1: is like worse because then he's in like so much pain. 254 00:16:51,400 --> 00:16:54,520 Speaker 1: So they move. Her mom goes back to night lab 255 00:16:54,640 --> 00:16:58,280 Speaker 1: core school. She goes they moved to Saskatoon because she 256 00:16:58,320 --> 00:17:00,760 Speaker 1: has to sell the fun because the dad came really 257 00:17:00,760 --> 00:17:05,040 Speaker 1: be doing all the manual labor anymore. The local banks 258 00:17:05,040 --> 00:17:09,640 Speaker 1: in Newfoundland won't lend a woman the money because it's 259 00:17:09,640 --> 00:17:12,600 Speaker 1: like nineteen sixty nine. They're like a woman running a 260 00:17:12,680 --> 00:17:16,680 Speaker 1: mink farm all by herself. I don't think so you're 261 00:17:16,720 --> 00:17:19,840 Speaker 1: not getting a loan. I'd like to see you sinapa 262 00:17:20,000 --> 00:17:23,240 Speaker 1: mink with one arm. So that it made me think 263 00:17:23,240 --> 00:17:27,560 Speaker 1: of your Your mother had to go behind her father's 264 00:17:27,560 --> 00:17:31,160 Speaker 1: oh my god, to get the application fee for Stanford. Yeah, 265 00:17:31,240 --> 00:17:34,600 Speaker 1: and her and her mom, my grandmother had to go 266 00:17:34,680 --> 00:17:37,920 Speaker 1: to like her separate secret bank account at just like 267 00:17:38,000 --> 00:17:41,600 Speaker 1: the Wells Fargo in like whatever in Scena, like a 268 00:17:41,760 --> 00:17:44,399 Speaker 1: different Encino, like in West End Sino where I had 269 00:17:44,480 --> 00:17:46,840 Speaker 1: my secret account, and like had to get her the 270 00:17:46,920 --> 00:17:51,040 Speaker 1: like twelve dollars and fifty cents. It was probably like 271 00:17:51,200 --> 00:17:54,479 Speaker 1: three seventy five actually, Like I got out a check, 272 00:17:55,200 --> 00:17:57,520 Speaker 1: she got out a check in like rhoda check to Stanford. 273 00:17:58,800 --> 00:18:00,359 Speaker 1: But yeah, it was very you know, it was a 274 00:18:00,359 --> 00:18:02,119 Speaker 1: different time. It was a different time for woman. It 275 00:18:02,160 --> 00:18:04,440 Speaker 1: is very difficult. But that I thought that was so 276 00:18:04,880 --> 00:18:09,040 Speaker 1: you know, perceptive of her, just the way she talked about, 277 00:18:09,400 --> 00:18:11,960 Speaker 1: you know, she's this daddy's girl, and then the dad 278 00:18:12,040 --> 00:18:14,719 Speaker 1: because it's totally transform the accident. It becomes this like 279 00:18:15,240 --> 00:18:19,880 Speaker 1: you know, paranoid, angry, sad person who is just lashing 280 00:18:19,880 --> 00:18:22,240 Speaker 1: out all the time, and she knows. She's like, yeah, 281 00:18:22,320 --> 00:18:25,000 Speaker 1: like getting why he's angry. She's not just like and 282 00:18:25,080 --> 00:18:29,040 Speaker 1: then like daddy was angry, well, because she reunites with 283 00:18:29,119 --> 00:18:33,480 Speaker 1: him like later, which I think has given her perspective. Yeah, 284 00:18:33,520 --> 00:18:35,920 Speaker 1: it is very sad because it's just like he had 285 00:18:35,960 --> 00:18:38,040 Speaker 1: this tragic thing happened to him, and then they leave 286 00:18:38,160 --> 00:18:41,280 Speaker 1: him and then they're like all these teens in Saskatoon 287 00:18:42,560 --> 00:18:44,640 Speaker 1: and then yeah, so being like I don't know how 288 00:18:44,680 --> 00:18:48,119 Speaker 1: my mom did it, you know, so you know a 289 00:18:48,119 --> 00:18:50,280 Speaker 1: lot of sympathy for both of her parents and their 290 00:18:50,359 --> 00:18:53,520 Speaker 1: struggle and that I thought that was really beautiful. I mean, 291 00:18:53,640 --> 00:18:55,760 Speaker 1: and I was actually like, you know, once again, you 292 00:18:55,760 --> 00:18:57,639 Speaker 1: read his books and you start to learn stuff. I 293 00:18:57,760 --> 00:19:00,600 Speaker 1: thought about Actually this morning, I woke up, which I 294 00:19:00,600 --> 00:19:02,040 Speaker 1: don't know if you ever do in the mornings, you 295 00:19:02,119 --> 00:19:04,480 Speaker 1: set the alarm, my arm grows off, and I feel 296 00:19:04,520 --> 00:19:06,960 Speaker 1: like maybe it was partly this book and how sympathetic 297 00:19:06,960 --> 00:19:09,119 Speaker 1: she was her parents. But I was thinking about my 298 00:19:09,160 --> 00:19:16,000 Speaker 1: mother and the bows that Bows Radio that like every 299 00:19:16,119 --> 00:19:19,280 Speaker 1: rich parent had in the nineties five disk in the 300 00:19:19,359 --> 00:19:23,120 Speaker 1: kitchens of CDs on top. Oh there's that one. There 301 00:19:23,160 --> 00:19:24,879 Speaker 1: was one that was just like one disc, but she 302 00:19:24,920 --> 00:19:26,359 Speaker 1: had that. I was like their clock radio, and I 303 00:19:26,440 --> 00:19:29,520 Speaker 1: just remember like the NPR like going off at seven 304 00:19:29,560 --> 00:19:31,280 Speaker 1: in the morning. And of course, like I'm a kid 305 00:19:31,320 --> 00:19:33,399 Speaker 1: going to school, just mean, like whatever, kids are always 306 00:19:33,480 --> 00:19:37,199 Speaker 1: up at six. But like, you know how hard that 307 00:19:37,320 --> 00:19:42,440 Speaker 1: must have been to just be like forty and you've 308 00:19:42,480 --> 00:19:45,040 Speaker 1: got two kids and they're going to school and you've 309 00:19:45,080 --> 00:19:48,080 Speaker 1: got a job, and it's just all you know, and 310 00:19:48,119 --> 00:19:51,000 Speaker 1: they're asking for everything. And I mean you as a child, 311 00:19:51,280 --> 00:19:55,560 Speaker 1: I saw it uneasy. I know, I was very demanding vanilla. 312 00:19:55,600 --> 00:19:59,959 Speaker 1: I scream real cheese, vanilla coke, a lot of vanilla 313 00:20:00,119 --> 00:20:03,399 Speaker 1: screen for the vanilla bean, right, and was that you know, 314 00:20:03,480 --> 00:20:05,800 Speaker 1: you wanted this white picket fence, and you know, and 315 00:20:05,840 --> 00:20:09,080 Speaker 1: she has contracts on her mind. Yes, you know, she's 316 00:20:09,160 --> 00:20:11,800 Speaker 1: get this kid to this school, this kid to that school, 317 00:20:11,840 --> 00:20:13,879 Speaker 1: ice skating practice, and then she's got to go to 318 00:20:13,880 --> 00:20:15,520 Speaker 1: the office and she's got to deal with the man, 319 00:20:15,600 --> 00:20:17,960 Speaker 1: and she's in a man's world, and you know it 320 00:20:18,119 --> 00:20:20,960 Speaker 1: just it must have been exhausting because I know when 321 00:20:21,000 --> 00:20:23,080 Speaker 1: I have one thing on my schedule, I'm just like 322 00:20:23,200 --> 00:20:26,640 Speaker 1: I can't do and of course just to please her 323 00:20:26,720 --> 00:20:37,800 Speaker 1: husband and there's nothing more difficult unless they make it easy. Um, 324 00:20:38,119 --> 00:20:41,119 Speaker 1: you know what, that's actually beautiful And maybe you should 325 00:20:41,119 --> 00:20:44,760 Speaker 1: call her after this and just say, hey, hey, thanks 326 00:20:44,760 --> 00:20:48,080 Speaker 1: for getting up in the morning. It every day and 327 00:20:48,359 --> 00:20:52,320 Speaker 1: every goddamn day and not falling apart. Yeah, because then 328 00:20:52,320 --> 00:20:55,560 Speaker 1: she's like my mom ended up. Wait, that was so Canadian. 329 00:20:55,920 --> 00:20:58,480 Speaker 1: She was like my mom ended up running like the 330 00:20:58,680 --> 00:21:03,159 Speaker 1: data lab but like Newfoundland University. What was It was 331 00:21:03,200 --> 00:21:06,320 Speaker 1: just so Canadian to like work at a change. I 332 00:21:06,359 --> 00:21:09,920 Speaker 1: guess Canadian stuff, Okay, with a part of them, it's 333 00:21:10,240 --> 00:21:12,000 Speaker 1: very veginning to the intro where she was just like 334 00:21:12,240 --> 00:21:15,960 Speaker 1: you know, Canadians wild in the bedroom, conservative in public. 335 00:21:17,400 --> 00:21:20,440 Speaker 1: It's like do why? I was like, is that a thing? 336 00:21:23,560 --> 00:21:27,800 Speaker 1: I do feel like she broke some stereotypes for Canadians. Yeah, 337 00:21:27,880 --> 00:21:30,240 Speaker 1: by being like slutty and fun and like not weird. 338 00:21:30,400 --> 00:21:33,400 Speaker 1: I mean she is a little bit like saying she's 339 00:21:33,440 --> 00:21:36,720 Speaker 1: so polite or whatever, but she's obviously not. Yeah, she's 340 00:21:36,840 --> 00:21:38,520 Speaker 1: well in the end when she gets a parenting she's 341 00:21:38,600 --> 00:21:42,040 Speaker 1: very just like and you spank once and then kids 342 00:21:42,119 --> 00:21:45,879 Speaker 1: get it together. It's very yeah, very one spank. I 343 00:21:45,920 --> 00:21:48,640 Speaker 1: mean she because she was spanked once as a child. 344 00:21:48,800 --> 00:21:50,359 Speaker 1: But she was like, I think it was that time 345 00:21:50,400 --> 00:21:53,280 Speaker 1: that I like stole that, I like shoplifted something. They 346 00:21:53,280 --> 00:21:56,840 Speaker 1: have a Clydesdale along with minks and cats and dogs, 347 00:21:57,480 --> 00:22:02,320 Speaker 1: and the Clydesdale they realized is sinking into their family 348 00:22:02,480 --> 00:22:07,120 Speaker 1: pond slash bag. Yeah, and they spend all day trying 349 00:22:07,160 --> 00:22:11,000 Speaker 1: to get the Clydesdale like out of the bag, but 350 00:22:11,040 --> 00:22:14,720 Speaker 1: they literally can't. And so then the dad, this before 351 00:22:14,720 --> 00:22:16,960 Speaker 1: the accident, tells all the kids to go away. He 352 00:22:17,000 --> 00:22:19,879 Speaker 1: has to shoot the Clidesdale. That bar was crazy to me. 353 00:22:20,000 --> 00:22:22,760 Speaker 1: I'm just like, it's so stuck in the mud, you 354 00:22:22,840 --> 00:22:25,719 Speaker 1: have to shoot it. I know. I was like, really, 355 00:22:25,760 --> 00:22:28,240 Speaker 1: we can't call it a volunteer fire department or like 356 00:22:28,320 --> 00:22:32,359 Speaker 1: get a tow truck or like a shovel something like 357 00:22:32,640 --> 00:22:38,880 Speaker 1: I stuck. But I've ever how stuck our gall Not 358 00:22:38,960 --> 00:22:41,359 Speaker 1: that I've ever tried to get a Clydesdale out of 359 00:22:41,359 --> 00:22:47,880 Speaker 1: the mud, but like it seemed I don't know. I 360 00:22:47,960 --> 00:22:50,040 Speaker 1: was like, I don't know, you kind of maybe jumped 361 00:22:50,119 --> 00:22:52,400 Speaker 1: the gun on this, but you know what. I wasn't 362 00:22:52,440 --> 00:22:55,359 Speaker 1: there in the sixties. It's a really small town, yeah, 363 00:22:55,400 --> 00:22:57,119 Speaker 1: and it's very just like, oh, well, we'd have to 364 00:22:57,119 --> 00:22:59,480 Speaker 1: get a rope from Saint John's, which is like a 365 00:22:59,560 --> 00:23:04,840 Speaker 1: four our faery right away, right, so we're simply going 366 00:23:04,880 --> 00:23:07,840 Speaker 1: to have to shoot the clodes. It just yeah, I agree, 367 00:23:07,880 --> 00:23:11,040 Speaker 1: that seemed crazy to me. Okay. Second thing about her 368 00:23:11,080 --> 00:23:13,200 Speaker 1: childhood that before we move on to the Playboy mansion 369 00:23:13,280 --> 00:23:15,639 Speaker 1: is that she was always eating discarded gum and she 370 00:23:15,720 --> 00:23:17,720 Speaker 1: thinks that's why she has a great immune system to 371 00:23:17,800 --> 00:23:20,280 Speaker 1: this day. She would just be like finding gum around 372 00:23:20,560 --> 00:23:24,240 Speaker 1: and I was like, maybe that's tea, Maybe that's tea. It. 373 00:23:24,359 --> 00:23:27,439 Speaker 1: I agree, Like I'm, you know, not someone that's so 374 00:23:28,119 --> 00:23:31,639 Speaker 1: germs anti germs, and I feel like I don't get 375 00:23:31,640 --> 00:23:34,400 Speaker 1: sickle lot. Yeah. I mean, you know, we're obviously many 376 00:23:34,520 --> 00:23:37,000 Speaker 1: studies have been written about this, but like we're raising 377 00:23:37,080 --> 00:23:40,080 Speaker 1: kids to be way way over sanitized today and so 378 00:23:40,119 --> 00:23:43,399 Speaker 1: they're just not building up immune systems. Let your kids 379 00:23:43,480 --> 00:23:51,439 Speaker 1: eat gum off the ground, yes, dirty dirty gum. Okay, 380 00:23:51,560 --> 00:23:57,119 Speaker 1: So shout out to the gum community and and any 381 00:23:57,200 --> 00:23:59,440 Speaker 1: pond experts right in and whether you think that they 382 00:23:59,560 --> 00:24:03,800 Speaker 1: work being over dramatic. Yeah, okay, So she she goes 383 00:24:03,840 --> 00:24:07,440 Speaker 1: to La She like it's very like she gets discovered, 384 00:24:08,800 --> 00:24:12,560 Speaker 1: like she like starts modeling in like local magazines and 385 00:24:12,600 --> 00:24:16,560 Speaker 1: then like goes to a Playboy like casting call. Yeah, 386 00:24:16,600 --> 00:24:21,240 Speaker 1: she wins like Miss Ottawa, and then it's very eighties 387 00:24:21,240 --> 00:24:23,399 Speaker 1: where she's like already like co owning a bar. But 388 00:24:23,440 --> 00:24:25,040 Speaker 1: it's like, oh, I was just a waitress, but I 389 00:24:25,080 --> 00:24:28,800 Speaker 1: come owned a bar with my like Toronto linebacker boyfriend 390 00:24:28,840 --> 00:24:32,400 Speaker 1: named Shannon's. I mean it's very like you you were 391 00:24:32,480 --> 00:24:36,120 Speaker 1: hot and in Canada, that could get you pretty far 392 00:24:39,320 --> 00:24:43,960 Speaker 1: when you're a dialed Saskatchewan tan. Yeah, when you're a 393 00:24:43,960 --> 00:24:48,920 Speaker 1: Saskatoon ten, like you're a Toronto nine. Like that's pretty good, right, 394 00:24:48,960 --> 00:24:52,360 Speaker 1: So she wins Miss Toronto and then hence to Loss 395 00:24:52,600 --> 00:24:55,920 Speaker 1: Angelus and it seems like almost immediately she's at the 396 00:24:55,960 --> 00:24:58,960 Speaker 1: Playboy mansion because she's already like she's been picked to 397 00:24:59,000 --> 00:25:02,520 Speaker 1: like be in in us bread and yeah, I feel 398 00:25:02,520 --> 00:25:04,560 Speaker 1: like it's like there's a photograh, well, there was like 399 00:25:04,600 --> 00:25:07,680 Speaker 1: a photographer was a Playboy photographer who was like really 400 00:25:07,720 --> 00:25:09,960 Speaker 1: believed in her and was like we're gonna get in this. 401 00:25:10,520 --> 00:25:13,480 Speaker 1: We're getting you in Playboy, like it's happening, We're getting 402 00:25:13,520 --> 00:25:17,240 Speaker 1: the shot. And then she like goes to the mansion 403 00:25:17,320 --> 00:25:24,000 Speaker 1: to meet Half and pretty quickly like he's like the 404 00:25:24,000 --> 00:25:26,160 Speaker 1: main check. She becomes the main check. She has well, 405 00:25:26,160 --> 00:25:29,040 Speaker 1: first she has a threesome with him in Sandra because 406 00:25:29,359 --> 00:25:33,800 Speaker 1: because because like Half like invites her over. He's like, Sandra, 407 00:25:33,880 --> 00:25:36,439 Speaker 1: and I would like to know if you would like 408 00:25:37,000 --> 00:25:40,359 Speaker 1: to spend some time with us. And then she's like, 409 00:25:40,440 --> 00:25:44,440 Speaker 1: and I did spend time with them, and I enjoyed it. Yeah, 410 00:25:44,480 --> 00:25:48,359 Speaker 1: this book, I mean all over very sex positive. But 411 00:25:48,880 --> 00:25:51,920 Speaker 1: she's always just being like yeah, and like that's what 412 00:25:52,080 --> 00:25:56,840 Speaker 1: I learned oral sex with my Ukrainian neighbor and he 413 00:25:57,040 --> 00:25:59,320 Speaker 1: was amazing at it. And would I kill my daughter 414 00:25:59,440 --> 00:26:02,800 Speaker 1: if she was getting eaten now in the back of 415 00:26:03,440 --> 00:26:09,000 Speaker 1: w bug like thirteen absolutely, but like lo and Behald, 416 00:26:09,119 --> 00:26:14,400 Speaker 1: like the Max boyfriend loved oral sex. She's getting eaten 417 00:26:14,440 --> 00:26:17,959 Speaker 1: out all over the place. It's constantly all over Canada. 418 00:26:18,040 --> 00:26:20,040 Speaker 1: I do you think I feel like that's also like 419 00:26:20,160 --> 00:26:23,240 Speaker 1: how it's kind of a passing the torch, like with 420 00:26:23,359 --> 00:26:26,960 Speaker 1: Half to become the main girl is like once he's 421 00:26:27,000 --> 00:26:29,320 Speaker 1: had a main girl for a while, I mean, obviously 422 00:26:29,320 --> 00:26:33,080 Speaker 1: there's constant threesomes, but I feel like then it's like threesome. 423 00:26:33,160 --> 00:26:35,879 Speaker 1: And then well actually describes it like it's like this 424 00:26:36,000 --> 00:26:39,400 Speaker 1: competition and you actually like there's always girls nipping at 425 00:26:39,400 --> 00:26:43,600 Speaker 1: your heels. The language she uses insane when she said 426 00:26:43,680 --> 00:26:47,080 Speaker 1: he let Sandra go, like he literally fired her. Like 427 00:26:47,160 --> 00:26:50,760 Speaker 1: it's yeah, it's a job, and it is a job 428 00:26:50,800 --> 00:26:53,520 Speaker 1: because you live at the mansion, and you have all 429 00:26:53,560 --> 00:26:56,439 Speaker 1: of the perks of living at the mansion, and like 430 00:26:56,440 --> 00:26:59,240 Speaker 1: when you're the main girlfriend, like you have the most perks, 431 00:27:00,119 --> 00:27:02,200 Speaker 1: Like you have the most access to all the secret rooms, 432 00:27:02,200 --> 00:27:04,040 Speaker 1: and like you have all the breakfast and the clothing 433 00:27:04,080 --> 00:27:07,240 Speaker 1: allowance and like everything you want. Okay, you have the 434 00:27:07,280 --> 00:27:09,840 Speaker 1: most like work to do also, right because you have 435 00:27:09,880 --> 00:27:12,119 Speaker 1: to like be the girlfriend out all. The party is 436 00:27:12,119 --> 00:27:14,320 Speaker 1: the infamous Midsummer Night's Dream party, where it's just like 437 00:27:14,440 --> 00:27:17,040 Speaker 1: always the pivotal moment in her life, I know, in 438 00:27:17,200 --> 00:27:20,440 Speaker 1: like and she's like, well, then it was next year's 439 00:27:20,440 --> 00:27:23,600 Speaker 1: a Midsummer Night's Dream party. But then even like at 440 00:27:23,640 --> 00:27:26,080 Speaker 1: the end of the book, she's like, Gene and I 441 00:27:26,119 --> 00:27:29,960 Speaker 1: don't go out very much. Well, we did go back 442 00:27:30,000 --> 00:27:35,040 Speaker 1: to the Midsummer Night's Dream party last month. Sure it 443 00:27:35,080 --> 00:27:38,600 Speaker 1: was fun. Those times were crazy, But now I don't drink, 444 00:27:38,920 --> 00:27:41,480 Speaker 1: I go to boggaining and I go to spargo with. 445 00:27:49,240 --> 00:27:56,200 Speaker 1: This episode is sponsored by zok Doc. 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Then find and book a top 473 00:29:29,520 --> 00:29:34,959 Speaker 1: rated doctor today, sleigh Many are available within twenty four hours. 474 00:29:35,120 --> 00:29:41,320 Speaker 1: That's z O C d oc dot com slash book Club, 475 00:29:41,920 --> 00:29:46,040 Speaker 1: zok dot dot com slash book Club. Ditch the talk. 476 00:29:57,240 --> 00:30:00,480 Speaker 1: So she's always drinking this drink at the play Boy 477 00:30:00,720 --> 00:30:05,320 Speaker 1: Mansion called a B fifty two, and she says it constantly. 478 00:30:05,320 --> 00:30:08,040 Speaker 1: She's like, we were drinking so many B fifty twos. 479 00:30:08,120 --> 00:30:11,240 Speaker 1: I don't know what we were doing the schedule at 480 00:30:11,240 --> 00:30:13,880 Speaker 1: the Mansion's insane. She's like so we stay up till 481 00:30:13,880 --> 00:30:16,760 Speaker 1: five am, like doing drugs and drinking B fifty twos. 482 00:30:16,800 --> 00:30:19,200 Speaker 1: Everyone is having an orgy. Then I wake up at 483 00:30:19,200 --> 00:30:21,520 Speaker 1: one pm. The next day, we go to an aerrobus 484 00:30:21,520 --> 00:30:24,000 Speaker 1: class on the lawn. Then we like talk about what 485 00:30:24,040 --> 00:30:26,400 Speaker 1: we're gonna wear, get up to high jinks, like steal 486 00:30:26,440 --> 00:30:29,560 Speaker 1: each other's clothes, like braid each other's hair like fingers, 487 00:30:29,560 --> 00:30:32,360 Speaker 1: like it sucks a joke. Like they're literally having like 488 00:30:32,520 --> 00:30:36,480 Speaker 1: pillow fights and underwear, then doing tybou then like all 489 00:30:36,560 --> 00:30:41,440 Speaker 1: just like eating strawberries and like champagne and being like hmm, 490 00:30:41,680 --> 00:30:45,440 Speaker 1: strawberry is so sweet. And then like they all hop 491 00:30:45,520 --> 00:30:51,040 Speaker 1: onto like Hugh's bed and like five some and then 492 00:30:51,040 --> 00:30:55,240 Speaker 1: are like wear these like silk pjs and everything is 493 00:30:55,280 --> 00:31:00,440 Speaker 1: like I could see his member, yeah, showing it. He 494 00:31:00,560 --> 00:31:02,239 Speaker 1: was wearing no one to wear. If you know what 495 00:31:02,280 --> 00:31:04,520 Speaker 1: I'm saying, I'm like, I absolutely do you know what 496 00:31:04,520 --> 00:31:07,840 Speaker 1: you're saying. Um the part where Heff was lounging in 497 00:31:07,880 --> 00:31:11,520 Speaker 1: bed eating a Delmonico steak and melon balls, and she goes, 498 00:31:11,800 --> 00:31:18,240 Speaker 1: he loved melon, but only in balls. I feel there's 499 00:31:18,360 --> 00:31:22,840 Speaker 1: so the entire Playboy mansion feels so edible arrangements, like 500 00:31:23,160 --> 00:31:27,760 Speaker 1: I feel like there's edible arrangements everywhere you look. No, 501 00:31:27,840 --> 00:31:32,040 Speaker 1: I mean fruit needs to be presented with whimsy. Yes, 502 00:31:32,560 --> 00:31:35,640 Speaker 1: like it needs to be carved, it needs to be honest. 503 00:31:35,840 --> 00:31:39,080 Speaker 1: I mean that's so grotesque. I can't imagine Hugh just 504 00:31:39,200 --> 00:31:43,000 Speaker 1: owe a huge slice and kind of making his way down. No, 505 00:31:43,200 --> 00:31:47,280 Speaker 1: of course that there's there's nothing dignified about corn cobbing 506 00:31:47,400 --> 00:31:50,440 Speaker 1: a green melon. It absolutely needs to be in ball 507 00:31:50,480 --> 00:31:52,880 Speaker 1: for him, especially if you're eating it in bed. I mean, 508 00:31:52,960 --> 00:31:56,520 Speaker 1: steak in bed is also frankly insane. Steak it, but 509 00:31:56,560 --> 00:32:01,480 Speaker 1: I think it's like the eighties and are huge tray. 510 00:32:01,640 --> 00:32:03,600 Speaker 1: I mean, do you breakfast in bed? I've you ever 511 00:32:03,720 --> 00:32:08,480 Speaker 1: had breakfast in bed? Well? We would be yes, like well, 512 00:32:08,520 --> 00:32:10,480 Speaker 1: I feel like we were always bringing it to my 513 00:32:10,520 --> 00:32:13,800 Speaker 1: mom as like reward for her being mom. Was like, 514 00:32:13,920 --> 00:32:16,200 Speaker 1: that is very much I've done. I did that before 515 00:32:16,200 --> 00:32:18,320 Speaker 1: his kid. It's like Mother's Day, and I feel like 516 00:32:18,400 --> 00:32:21,600 Speaker 1: so many times my mom got gifts of like different 517 00:32:21,760 --> 00:32:24,920 Speaker 1: trays for different areas, Like we gave her like a 518 00:32:24,960 --> 00:32:29,600 Speaker 1: tray for the bathtub once, and I feel like maybe 519 00:32:29,760 --> 00:32:33,200 Speaker 1: I like on a day when I maybe was home alone, 520 00:32:33,240 --> 00:32:35,240 Speaker 1: I would have like gotten into her bed and like 521 00:32:35,560 --> 00:32:39,200 Speaker 1: used the tray and been like naughty mom. It stopped. 522 00:32:40,320 --> 00:32:42,440 Speaker 1: The tray was there, like he did. The trade didn't 523 00:32:42,440 --> 00:32:45,080 Speaker 1: get brought back down. It's like the trays there, you know, 524 00:32:45,200 --> 00:32:47,200 Speaker 1: I know I would I would have like I made 525 00:32:47,280 --> 00:32:50,400 Speaker 1: myself the whole like Mother's Day experience. So I like 526 00:32:50,480 --> 00:32:53,520 Speaker 1: made my own waffle and then and then went I 527 00:32:53,560 --> 00:32:56,160 Speaker 1: like brought the tray up to my mom's bedroom because 528 00:32:56,160 --> 00:32:58,240 Speaker 1: there was like a TV in there, and then lay 529 00:32:58,320 --> 00:33:01,560 Speaker 1: in her bed with the tray. It was just on 530 00:33:01,560 --> 00:33:03,800 Speaker 1: one of the like many days I was faking sick. 531 00:33:05,480 --> 00:33:10,680 Speaker 1: I'm dying recreating the Mother's Day experience, and like it's 532 00:33:10,720 --> 00:33:14,120 Speaker 1: definitely you at like nine and like talk it being like, 533 00:33:14,520 --> 00:33:18,640 Speaker 1: oh what a caseload I had today? Finally, but it's 534 00:33:18,680 --> 00:33:20,880 Speaker 1: like coke and you're having like a pop chart or 535 00:33:20,880 --> 00:33:27,360 Speaker 1: something and you're like mommy's medicine. Finally. I don't think 536 00:33:27,360 --> 00:33:31,960 Speaker 1: it was fully costplayed. Mom. You were getting on the 537 00:33:32,000 --> 00:33:38,880 Speaker 1: phone just being like you're fired. So by m okay, 538 00:33:38,880 --> 00:33:41,000 Speaker 1: So he eats melon balls in bed. She has a 539 00:33:41,080 --> 00:33:46,120 Speaker 1: private porn video library, and it sounds like Heff is 540 00:33:46,160 --> 00:33:49,360 Speaker 1: also shooting a lot of his sex like regularly. Yeah, 541 00:33:49,400 --> 00:33:52,920 Speaker 1: she was like, we would film a ton of it. 542 00:33:53,040 --> 00:33:55,520 Speaker 1: Just kind of crazy. It's just like a crazy to 543 00:33:55,560 --> 00:33:57,840 Speaker 1: be like, I'm a twenty something with fake teds and 544 00:33:57,920 --> 00:34:02,520 Speaker 1: I'm having so many dairy shots. I'm having ten ten 545 00:34:02,640 --> 00:34:05,720 Speaker 1: p fifty twos and then I'm getting railed on camera. 546 00:34:06,440 --> 00:34:10,279 Speaker 1: I'm doing tons of coke. I'm full of cream. When 547 00:34:10,360 --> 00:34:12,000 Speaker 1: she's the part where she's like, yeah, that was Jim 548 00:34:12,040 --> 00:34:14,880 Speaker 1: Belushi with a cocaine bullet up each nostril and a 549 00:34:14,920 --> 00:34:18,280 Speaker 1: girl on each arm, then she'd just be like yeah. 550 00:34:18,320 --> 00:34:22,400 Speaker 1: And then Bill Cosby gave hash to my teenage sister 551 00:34:22,600 --> 00:34:29,040 Speaker 1: who was visiting m Pail Cosby Cosby. She's like everyone 552 00:34:29,239 --> 00:34:33,560 Speaker 1: was there, and you're just like, huh huh. Her teen 553 00:34:33,640 --> 00:34:38,320 Speaker 1: sister who did end up who married Diana Ross's brother 554 00:34:38,719 --> 00:34:42,200 Speaker 1: but is now married to the head of Interscope Records. Yeah, 555 00:34:42,200 --> 00:34:45,960 Speaker 1: go off, girl. I mean, oh, she's fine, she is 556 00:34:46,160 --> 00:34:50,440 Speaker 1: totally good. But so basically, after a year of you know, 557 00:34:50,600 --> 00:34:53,719 Speaker 1: fun in the sun and melon balls, she gets an 558 00:34:53,719 --> 00:34:57,640 Speaker 1: audition for Falcon Crest. Yeah, okay, and you best believe 559 00:34:57,800 --> 00:34:59,520 Speaker 1: that she had to go to her first day. She 560 00:34:59,560 --> 00:35:02,560 Speaker 1: didn't fall conquest. The day after the next minute Summer 561 00:35:02,640 --> 00:35:06,120 Speaker 1: Night's Dream Party and so and then Hugh flew her 562 00:35:06,160 --> 00:35:08,359 Speaker 1: on a private plane to go shoot. And then all 563 00:35:08,440 --> 00:35:10,759 Speaker 1: other cast members were just like, you're so random. You 564 00:35:10,880 --> 00:35:13,800 Speaker 1: just like flew here, you flew to the Warner Brothers 565 00:35:13,880 --> 00:35:16,080 Speaker 1: lot from the player who was it because it was 566 00:35:16,080 --> 00:35:21,359 Speaker 1: a NAPA it was a NAPA based series. I mean, 567 00:35:21,400 --> 00:35:24,759 Speaker 1: it's also feels very classic Hue and a lot when 568 00:35:24,800 --> 00:35:28,040 Speaker 1: I was wondering and maybe we'll learn some soon. You know, 569 00:35:28,160 --> 00:35:33,520 Speaker 1: in the eighties, to me, Hugh seemed I feel like 570 00:35:33,920 --> 00:35:38,279 Speaker 1: less creepy than he was in because it's like one 571 00:35:38,400 --> 00:35:41,360 Speaker 1: he's been like seventy forever. But like Hugh to me 572 00:35:41,400 --> 00:35:45,120 Speaker 1: in the eighties seems more fun than like Hugh in 573 00:35:45,200 --> 00:35:48,120 Speaker 1: two thousand and five. And like the Kentra. Yeah, you 574 00:35:48,160 --> 00:35:50,400 Speaker 1: know what I'm hearing, Lily is a lot of ages 575 00:35:50,440 --> 00:35:53,440 Speaker 1: um coming from you. And you're thinking, oh, just because 576 00:35:53,480 --> 00:35:56,880 Speaker 1: he's perpetually eighty, like now it's creepy. Oh, but he 577 00:35:57,000 --> 00:35:59,279 Speaker 1: was when he was forty eight, in the prime of 578 00:35:59,320 --> 00:36:02,560 Speaker 1: his life, Like that was fun. You know, he had 579 00:36:02,600 --> 00:36:06,400 Speaker 1: a big heart and that's what matters well, And you 580 00:36:06,440 --> 00:36:10,799 Speaker 1: know she loved you, Pam loved you. Everyone loved you. 581 00:36:11,320 --> 00:36:13,839 Speaker 1: They didn't really have you know, and she said yes. 582 00:36:13,960 --> 00:36:17,319 Speaker 1: He was like there's a moment where she's kind of like, yes, 583 00:36:17,400 --> 00:36:20,200 Speaker 1: he was controlling and was like, you're not allowed to leave, 584 00:36:20,400 --> 00:36:23,560 Speaker 1: like you if you it's more about like her having 585 00:36:23,600 --> 00:36:28,239 Speaker 1: to like keep up the appearances of being his girlfriend. Yeah, 586 00:36:29,680 --> 00:36:31,839 Speaker 1: it's very just like you know the deal. It's like 587 00:36:31,920 --> 00:36:35,239 Speaker 1: you obviously are like paid to be his girlfriend and 588 00:36:35,280 --> 00:36:37,759 Speaker 1: you get to live at the mansion. And it's less 589 00:36:37,800 --> 00:36:39,640 Speaker 1: that he's not letting you leave. It's just like once 590 00:36:39,680 --> 00:36:44,600 Speaker 1: you start leaving, he's gonna start replacing you with someone else. 591 00:36:45,040 --> 00:36:47,040 Speaker 1: And it's like that's kind of more the viber. It's 592 00:36:47,040 --> 00:36:49,040 Speaker 1: like he's not stopping you from leaving, but he's not 593 00:36:49,080 --> 00:36:51,160 Speaker 1: going to stay with you if you like try to 594 00:36:51,160 --> 00:36:53,960 Speaker 1: be independent. No. And there's like one time where she's 595 00:36:54,000 --> 00:36:56,440 Speaker 1: like I was being followed, but she's also kind of 596 00:36:56,480 --> 00:36:59,959 Speaker 1: like yeah, that's part with it. Yeah, she's so who cares. 597 00:37:00,000 --> 00:37:01,600 Speaker 1: She was like, oh, yeah, I think a security was 598 00:37:01,640 --> 00:37:04,279 Speaker 1: like telling me. But she was like then I looked up. 599 00:37:04,480 --> 00:37:10,360 Speaker 1: It was actually Hugh's security. Hey, Hugh. Yeah, And she 600 00:37:10,520 --> 00:37:13,120 Speaker 1: was like, look, I couldn't just you know, wake up 601 00:37:13,120 --> 00:37:15,319 Speaker 1: at one and eat melon balls all day long. Well, 602 00:37:15,360 --> 00:37:18,120 Speaker 1: she gets the gig on Falcon Crust and so Hugh 603 00:37:18,520 --> 00:37:21,720 Speaker 1: gets her an apartment, gives her, you know, he buys 604 00:37:21,719 --> 00:37:25,839 Speaker 1: her Louis fourteenth furniture, like a whole set of like 605 00:37:25,960 --> 00:37:29,719 Speaker 1: big heavy dressers and chairs for her new apartment, and 606 00:37:29,760 --> 00:37:32,480 Speaker 1: it's like, that's a nice you know, that's nice of him. Yeah, 607 00:37:32,520 --> 00:37:34,359 Speaker 1: and then gives her kind of a check, and then 608 00:37:34,440 --> 00:37:38,480 Speaker 1: she does Falcon Crest a year later. It's the Midnight 609 00:37:39,320 --> 00:37:43,239 Speaker 1: Garden of Good in Evil Party or whatever, and one 610 00:37:43,280 --> 00:37:45,360 Speaker 1: of her girlfriends class. It's like one of her girlfriends, 611 00:37:45,400 --> 00:37:50,040 Speaker 1: and she meets Geen and she's just kind of like 612 00:37:50,200 --> 00:37:52,360 Speaker 1: who's kiss and they're like you know that song, and 613 00:37:52,400 --> 00:37:56,080 Speaker 1: she's like kind of whatever. She doesn't give a fucking 614 00:37:56,360 --> 00:38:00,440 Speaker 1: She loves how cool she is and how she's not 615 00:38:00,480 --> 00:38:02,920 Speaker 1: giving him the time of day. And then she brings 616 00:38:03,000 --> 00:38:05,200 Speaker 1: him into this like basement at the Playboy mansion because 617 00:38:05,200 --> 00:38:08,879 Speaker 1: she knows all the secret passageways and she's figuring like, yeah, 618 00:38:08,920 --> 00:38:11,319 Speaker 1: I guess we're just gonna like fucking this basement. And 619 00:38:11,360 --> 00:38:13,839 Speaker 1: then he's just like, but I didn't want to, like 620 00:38:13,880 --> 00:38:17,480 Speaker 1: I wanted to see her again, So he doesn't she's 621 00:38:17,560 --> 00:38:20,239 Speaker 1: kind of sketched the fact that like, well, first he's like, 622 00:38:20,239 --> 00:38:22,279 Speaker 1: am I not getting like a kiss good night er? 623 00:38:22,320 --> 00:38:24,400 Speaker 1: And she was like, no, you're getting late tonight, Like 624 00:38:24,440 --> 00:38:28,560 Speaker 1: she was ready to fuck yeah. She was just kind 625 00:38:28,600 --> 00:38:32,560 Speaker 1: of like whatever, you're a random rock star and he 626 00:38:32,640 --> 00:38:34,799 Speaker 1: needed to prove himself to her that he actually was 627 00:38:34,800 --> 00:38:36,239 Speaker 1: in it for long haul, which he did, and then 628 00:38:36,239 --> 00:38:40,600 Speaker 1: he like tries to come like show up at her. Well, 629 00:38:40,640 --> 00:38:44,920 Speaker 1: there's a whole thing last thing where she's like, also, 630 00:38:45,280 --> 00:38:47,719 Speaker 1: it's very the era when you can just walk onto 631 00:38:47,800 --> 00:38:50,879 Speaker 1: a flight and like there's no security. She's like, my 632 00:38:50,960 --> 00:38:53,319 Speaker 1: flight is at eleven, so you have to show up 633 00:38:53,480 --> 00:38:56,640 Speaker 1: like at ten if we're gonna have breakfast. And he's like, 634 00:38:56,680 --> 00:39:01,520 Speaker 1: I'm gonna bring you an amazing breakfast of caviar and champagne. 635 00:39:01,840 --> 00:39:04,840 Speaker 1: And then it's a whole confusion. She gives him like 636 00:39:04,920 --> 00:39:09,120 Speaker 1: her joke number for like ugly guys, blah blah blah. 637 00:39:09,160 --> 00:39:13,239 Speaker 1: They like they figure it out and they do end 638 00:39:13,320 --> 00:39:16,640 Speaker 1: up together and they just have this storybook romance, but 639 00:39:16,719 --> 00:39:19,759 Speaker 1: it is a little bit just like she realizes like 640 00:39:19,880 --> 00:39:22,200 Speaker 1: yes he's the Kiss front man, but it's now what 641 00:39:22,280 --> 00:39:24,440 Speaker 1: you think he actually is. Like kind of goody two 642 00:39:24,480 --> 00:39:27,600 Speaker 1: shoes and is like you can't drink or like go 643 00:39:27,680 --> 00:39:29,520 Speaker 1: to parties anymore, even though I met you at the 644 00:39:29,560 --> 00:39:42,319 Speaker 1: playbook party Cholassic Man. Okay, club kids, we have a 645 00:39:42,480 --> 00:39:47,680 Speaker 1: very special treat for you, something very exciting, as a 646 00:39:47,719 --> 00:39:50,319 Speaker 1: little different, because this episode is a little different and 647 00:39:50,480 --> 00:39:53,520 Speaker 1: for the very first time in CBC history, we are 648 00:39:53,640 --> 00:39:58,200 Speaker 1: having a call in. That's right, especial on the phone, 649 00:39:58,320 --> 00:40:03,000 Speaker 1: on the phone coming to us remotely. Who knows something 650 00:40:03,160 --> 00:40:05,799 Speaker 1: or two about this topic, Who knows a little thing 651 00:40:05,880 --> 00:40:11,680 Speaker 1: or two about the Playboy Mansion, about the nineties, about 652 00:40:11,680 --> 00:40:16,200 Speaker 1: the two thousands, about Hollywood, about glamor, about celebrities. Of course, 653 00:40:16,280 --> 00:40:19,320 Speaker 1: I'm talking about none other than friend of the pod, 654 00:40:19,800 --> 00:40:25,680 Speaker 1: my cousin Monica. Hey, guys, we are so good You're 655 00:40:25,719 --> 00:40:29,640 Speaker 1: coming to us live from Los Angeles, California. I'm thrilled 656 00:40:29,640 --> 00:40:31,560 Speaker 1: to chat with you as we just only met for 657 00:40:31,600 --> 00:40:35,600 Speaker 1: the first time ever last spring. Your celebrity in my eyes, 658 00:40:37,600 --> 00:40:39,719 Speaker 1: I know, I couldn't believe it took us so long 659 00:40:39,800 --> 00:40:43,600 Speaker 1: to me. I mean, you've been in the fam for 660 00:40:43,719 --> 00:40:48,560 Speaker 1: decades and yet not until then, literary decades, and you 661 00:40:48,560 --> 00:40:49,840 Speaker 1: two men in our show in La and that was 662 00:40:49,880 --> 00:40:51,839 Speaker 1: so beautiful, and that was like kind of about Los 663 00:40:51,880 --> 00:40:54,320 Speaker 1: Angeles and how it brings people together and how it's 664 00:40:54,440 --> 00:40:56,480 Speaker 1: a place of community. And it did. It brought all 665 00:40:56,480 --> 00:41:02,719 Speaker 1: the cousins together as it has for many years. Um. Now, Monica, 666 00:41:02,760 --> 00:41:04,719 Speaker 1: of course we brought you on because not only are 667 00:41:04,719 --> 00:41:09,480 Speaker 1: you my cousin, but you're sort of a famous Hollywood 668 00:41:09,520 --> 00:41:15,799 Speaker 1: bad girl. Um, and you had you had your fair 669 00:41:15,840 --> 00:41:19,080 Speaker 1: share of times at the Playboy Mansion. As as I recall, 670 00:41:19,200 --> 00:41:21,560 Speaker 1: I would say that's more accurate than the Hollywood bad girl. 671 00:41:21,680 --> 00:41:24,080 Speaker 1: My friends would laugh at that, but yes, yes, I 672 00:41:24,080 --> 00:41:26,360 Speaker 1: have had fun to many an evening at the Playboy Mansion. 673 00:41:26,400 --> 00:41:28,520 Speaker 1: So do you remember the first time you went? The 674 00:41:28,680 --> 00:41:31,600 Speaker 1: very first time I went, I would not actually on 675 00:41:31,840 --> 00:41:35,160 Speaker 1: the list. You have to be on the list. I 676 00:41:35,200 --> 00:41:38,799 Speaker 1: had to sneak in with my girlfriend, Rosa, who you 677 00:41:38,840 --> 00:41:47,799 Speaker 1: have reviewed her book. Yes, Rosa and I another one 678 00:41:47,800 --> 00:41:52,000 Speaker 1: of our friends, was dating Michael Bay, the director, and 679 00:41:53,560 --> 00:41:56,680 Speaker 1: they she was watching his dog that she had purchased 680 00:41:56,719 --> 00:42:00,400 Speaker 1: for him while they were together, which was a English 681 00:42:00,440 --> 00:42:04,120 Speaker 1: mastiff and required a Denali to drive the dog around it. 682 00:42:06,200 --> 00:42:08,200 Speaker 1: They were on the list. Rosa and I decided we 683 00:42:08,280 --> 00:42:10,319 Speaker 1: would just jump in the back of the Denali and 684 00:42:10,360 --> 00:42:13,640 Speaker 1: throw Mason's dog blanket over us and try to get 685 00:42:13,640 --> 00:42:17,239 Speaker 1: in that way. So you were basically you were the Mastiff. 686 00:42:17,480 --> 00:42:20,040 Speaker 1: You were like in the little Mastiff den in the 687 00:42:20,040 --> 00:42:23,279 Speaker 1: back of the Denali. Yes, I was spooning Rosa, me 688 00:42:23,400 --> 00:42:25,759 Speaker 1: being the bigger spoon because she's a tiny, tiny woman. 689 00:42:27,000 --> 00:42:29,080 Speaker 1: I was spooning Rosa in the back of the Denali 690 00:42:29,239 --> 00:42:32,799 Speaker 1: under the dog blanket, waiting for the code word of now, 691 00:42:32,880 --> 00:42:35,200 Speaker 1: now as soon as we got past the guard gates 692 00:42:35,200 --> 00:42:37,440 Speaker 1: so that we could jump up, knock the dog hair 693 00:42:37,480 --> 00:42:40,359 Speaker 1: off of us, fix our lip gloss, and get out 694 00:42:40,400 --> 00:42:43,080 Speaker 1: of the cars. If we were invited. Oh my god, wait, 695 00:42:43,080 --> 00:42:45,920 Speaker 1: this is full Cia. So they So you're in your 696 00:42:46,000 --> 00:42:49,560 Speaker 1: sexy outfit and then you're covered in mastiff hair. Shake 697 00:42:49,560 --> 00:42:55,160 Speaker 1: it off. Yeah, what are you wearing? Probably dressed and heels, 698 00:42:55,160 --> 00:42:58,799 Speaker 1: something skimpy. No, not really. I tried to not be 699 00:42:59,040 --> 00:43:03,080 Speaker 1: that girl there because they were everywhere. And in fact, 700 00:43:03,440 --> 00:43:07,200 Speaker 1: one time Jamie Fox pulled me aside at one of 701 00:43:07,239 --> 00:43:11,399 Speaker 1: the parties and said he thought that I looked really nice, 702 00:43:11,600 --> 00:43:15,160 Speaker 1: something like glad to see somebody that was there that 703 00:43:15,760 --> 00:43:17,879 Speaker 1: had their own sense of style and didn't feel any 704 00:43:18,000 --> 00:43:24,080 Speaker 1: to get it all out there. Wow, little sense of mystery. 705 00:43:25,080 --> 00:43:27,920 Speaker 1: That was the evening. There's a picture I think online 706 00:43:28,000 --> 00:43:31,480 Speaker 1: somewhere of us with hef at the Playboy party and 707 00:43:31,520 --> 00:43:33,319 Speaker 1: it was the midsummer night stream party and all the 708 00:43:33,320 --> 00:43:36,400 Speaker 1: other girls are wearing next to nothing and I'm wearing 709 00:43:36,680 --> 00:43:43,520 Speaker 1: a baby blue juicy sweatsuit. Oh my god. Wow, that 710 00:43:43,640 --> 00:43:47,719 Speaker 1: really dates it. That puts it at a really specific time. Yeah. 711 00:43:47,840 --> 00:43:50,080 Speaker 1: It was the one piece with the big zipper, not 712 00:43:50,400 --> 00:43:55,279 Speaker 1: like a two piece. Oh okay, that was a one piece. Yeah, 713 00:43:55,320 --> 00:43:58,400 Speaker 1: and then you can jump pull down the zipper a 714 00:43:58,400 --> 00:44:01,279 Speaker 1: little bit low to show that we had to show 715 00:44:01,320 --> 00:44:06,040 Speaker 1: off the negative cleavage, right. Wow. So it's really actually 716 00:44:06,080 --> 00:44:07,760 Speaker 1: about like that's how you stand out in the crowd. 717 00:44:09,239 --> 00:44:12,080 Speaker 1: Everyone's in eskimbies can be What were the so like, 718 00:44:12,200 --> 00:44:14,120 Speaker 1: what were the grounds? Like? I mean, she'd so in 719 00:44:14,160 --> 00:44:16,919 Speaker 1: this book that we just read by the incredible Shan 720 00:44:16,960 --> 00:44:19,400 Speaker 1: and Tweed, She's like, there's so many secret passageways and 721 00:44:19,520 --> 00:44:24,120 Speaker 1: like weird tunnels and like crypts and wine cellars and 722 00:44:24,239 --> 00:44:28,120 Speaker 1: pool bars and like grottos. It was a big property, 723 00:44:28,160 --> 00:44:30,880 Speaker 1: and or is a big property is a little confusing 724 00:44:31,040 --> 00:44:33,719 Speaker 1: to get around especially because most of the time when 725 00:44:33,719 --> 00:44:38,919 Speaker 1: you're there, you're having cocktails and whatevers. But there's there 726 00:44:38,920 --> 00:44:41,319 Speaker 1: were paths to go here and there there was We 727 00:44:41,440 --> 00:44:43,280 Speaker 1: spent a lot of time down by the monkey cages. 728 00:44:43,320 --> 00:44:45,560 Speaker 1: That's where everybody smoked pot. We would go down by 729 00:44:45,560 --> 00:44:49,759 Speaker 1: the monkey cages. WHOA, when you say monkey cages, there 730 00:44:49,800 --> 00:44:51,840 Speaker 1: are monkeys in there? Is that just kind of a 731 00:44:51,960 --> 00:44:55,680 Speaker 1: term for an area. Oh No, there's monkeys in there, 732 00:44:56,320 --> 00:44:58,960 Speaker 1: and the monkeys liked to be They liked it when 733 00:44:59,000 --> 00:45:02,600 Speaker 1: everybody would come her monthreated the monkey changes. Wow. I 734 00:45:02,640 --> 00:45:05,440 Speaker 1: mean this really does sound like as debautrious as everyone 735 00:45:05,480 --> 00:45:08,759 Speaker 1: says it was. There's just girls in bikinis and monkeys. Yeah, 736 00:45:08,760 --> 00:45:10,840 Speaker 1: I would have been happier if they were in bikini 737 00:45:10,840 --> 00:45:13,879 Speaker 1: There's a lot of completely nigid women in body paint. 738 00:45:13,920 --> 00:45:16,360 Speaker 1: Towards the end oh wow too, at the end of 739 00:45:16,360 --> 00:45:20,920 Speaker 1: when I stopped going, what year was around this two thousands? 740 00:45:21,440 --> 00:45:24,319 Speaker 1: The last time was probably early early two thousands, like 741 00:45:24,640 --> 00:45:27,120 Speaker 1: somewhere between two thousand and two thousand and two, And 742 00:45:27,200 --> 00:45:29,400 Speaker 1: that was the body pain era. Were you seeing people 743 00:45:29,440 --> 00:45:33,480 Speaker 1: like fucking on the grounds? You could, but usually that 744 00:45:34,200 --> 00:45:38,120 Speaker 1: it wasn't just like out and about all over the place. 745 00:45:38,880 --> 00:45:41,600 Speaker 1: That definitely went on in the grotto. My eyes burned 746 00:45:41,680 --> 00:45:44,040 Speaker 1: many times when I would step in there and then go, 747 00:45:44,120 --> 00:45:49,080 Speaker 1: why the heck did I come in here? Wow, Well, 748 00:45:49,120 --> 00:45:51,719 Speaker 1: I feel like I have a much better understanding of 749 00:45:51,800 --> 00:45:55,560 Speaker 1: the man. I've heard those stories before, but just to 750 00:45:55,600 --> 00:45:58,080 Speaker 1: hear them all together at once, it's like, Wow, it 751 00:45:58,160 --> 00:46:01,680 Speaker 1: really was a time a time in his It really was, 752 00:46:01,960 --> 00:46:05,799 Speaker 1: And I have to say I look back on some 753 00:46:05,920 --> 00:46:08,520 Speaker 1: of those days as some of the most fun evenings 754 00:46:08,560 --> 00:46:11,320 Speaker 1: I've had. I mean, it does sound like an obstacle course, 755 00:46:11,320 --> 00:46:15,680 Speaker 1: the one I mean you're little sitting like, having you know, drinks, 756 00:46:15,719 --> 00:46:19,840 Speaker 1: watching girls fall, absolutely an obstacle course. And for your foodies, 757 00:46:20,120 --> 00:46:23,160 Speaker 1: the best stuff mushrooms I've ever had. I was going 758 00:46:23,239 --> 00:46:25,560 Speaker 1: to ask what the food was served at these parties. 759 00:46:26,440 --> 00:46:29,600 Speaker 1: It was always the same kind of things. The caterers 760 00:46:29,800 --> 00:46:33,080 Speaker 1: would just do, you know, for the big parties that 761 00:46:33,160 --> 00:46:35,040 Speaker 1: seemed like there was always the same kind of menus. 762 00:46:35,200 --> 00:46:37,759 Speaker 1: But I was always a big fan of the white 763 00:46:37,840 --> 00:46:42,759 Speaker 1: chocolate truffles and the stuffed mushrooms because it was just 764 00:46:42,800 --> 00:46:47,319 Speaker 1: like finger foods, right, little past apps I'm imaginely crab charts, 765 00:46:47,520 --> 00:46:50,279 Speaker 1: and there was crab charts. Perhaps there was. It was 766 00:46:50,360 --> 00:46:52,920 Speaker 1: like a you know, a station. They didn't really have people. 767 00:46:53,560 --> 00:46:55,920 Speaker 1: There wasn't a lot of eating going on there. I 768 00:46:55,960 --> 00:46:58,040 Speaker 1: think it was mostly my girlfriends and I that were 769 00:46:58,080 --> 00:47:00,880 Speaker 1: like trying to get more, trying to get some food 770 00:47:01,200 --> 00:47:06,040 Speaker 1: that would be up shrimp cocktail, I imagine right there. 771 00:47:06,120 --> 00:47:10,040 Speaker 1: Must we always drink champagne when we were there, because 772 00:47:10,320 --> 00:47:14,839 Speaker 1: why not drink the Playboy mentions champagne and anything else. 773 00:47:14,920 --> 00:47:16,920 Speaker 1: But you could have there was a full of book bar. 774 00:47:17,000 --> 00:47:20,240 Speaker 1: You could have whatever you want it. So anyway, enjoy. 775 00:47:20,360 --> 00:47:21,600 Speaker 1: I don't want to keep you. I know you guys 776 00:47:21,600 --> 00:47:24,719 Speaker 1: are doing your thing. Okay. I love you, Monica, love 777 00:47:24,719 --> 00:47:34,040 Speaker 1: you too. By guards talk to you by a Midsummer 778 00:47:34,120 --> 00:47:36,680 Speaker 1: night Segments party. How does she live? What does she wear? 779 00:47:36,880 --> 00:47:39,879 Speaker 1: What does she what does she eat? Uh? She can 780 00:47:39,920 --> 00:47:42,239 Speaker 1: eat whatever she wants because she's so thin. And she 781 00:47:42,320 --> 00:47:44,680 Speaker 1: goes to Barri's boot camp and she goes to Billy 782 00:47:44,760 --> 00:47:49,359 Speaker 1: Blanks Tibo and she's like she's very on, she's very 783 00:47:49,400 --> 00:47:51,960 Speaker 1: like on trend exercise, like I'm sure now she does 784 00:47:52,000 --> 00:47:55,040 Speaker 1: so cycle. She's doing like pilates and sole cycle. Well, 785 00:47:55,080 --> 00:47:58,360 Speaker 1: I went to her Instagram, as you call Um off 786 00:47:58,360 --> 00:48:01,799 Speaker 1: book research yea, and she like posted some just like 787 00:48:01,920 --> 00:48:07,040 Speaker 1: healthy choices, frozen pesto, chicken, totelini or whatever, and her 788 00:48:07,120 --> 00:48:10,239 Speaker 1: caption was just like while the mouse like while the 789 00:48:10,840 --> 00:48:13,879 Speaker 1: cat is away, the mouse will eat for one how 790 00:48:13,920 --> 00:48:15,759 Speaker 1: she wants. And I feel like that's she'll say Jean 791 00:48:15,800 --> 00:48:18,080 Speaker 1: Simms on tour and her being like, I'm not cooking tonight, 792 00:48:18,480 --> 00:48:24,200 Speaker 1: I'm making nineties. But I'm sure she's also like doing 793 00:48:24,280 --> 00:48:26,400 Speaker 1: Daily Harvest or whatever because she got a coupon and 794 00:48:26,400 --> 00:48:29,320 Speaker 1: like her daughter is such an insane influencer the kids. 795 00:48:29,320 --> 00:48:31,720 Speaker 1: Did you look up the kids? Yeah? So the daughter 796 00:48:31,800 --> 00:48:34,400 Speaker 1: like has a song and was on that the Canadian Billboard. 797 00:48:34,800 --> 00:48:37,080 Speaker 1: She has like the fakest music career. She came up 798 00:48:37,120 --> 00:48:39,960 Speaker 1: with a song called black Mirror, inspired by the TV 799 00:48:40,080 --> 00:48:43,440 Speaker 1: show in twenty sixteen that has like a dance remix 800 00:48:44,120 --> 00:48:46,240 Speaker 1: and then it's like and then she was like posting 801 00:48:46,280 --> 00:48:49,600 Speaker 1: something she was on like Toronto Amazon Charts just being 802 00:48:49,680 --> 00:48:54,759 Speaker 1: like my new like random Spotify single that's so just 803 00:48:54,800 --> 00:48:59,800 Speaker 1: like trop house, like fake song is out and I 804 00:49:00,120 --> 00:49:02,279 Speaker 1: like she's doing one song a year that's like a 805 00:49:02,360 --> 00:49:05,880 Speaker 1: color and she's put and Shannon is so proud of her. 806 00:49:05,920 --> 00:49:08,680 Speaker 1: I also think like Shannon is because like definitely when 807 00:49:08,719 --> 00:49:11,799 Speaker 1: this book was written, like she's not acting and is 808 00:49:11,800 --> 00:49:13,480 Speaker 1: just kind of mom, and it does sound like she 809 00:49:13,640 --> 00:49:15,760 Speaker 1: is actually just like cooking a lot and is making 810 00:49:15,840 --> 00:49:19,760 Speaker 1: like chicken ola fresca and like in a rugul of salad. 811 00:49:20,120 --> 00:49:22,080 Speaker 1: And then when she goes out, I mean she's very 812 00:49:22,160 --> 00:49:24,080 Speaker 1: just like a couple of my girlfriends and I were 813 00:49:24,080 --> 00:49:27,880 Speaker 1: at Spago for sure, and she's indulging in pasta and 814 00:49:28,640 --> 00:49:31,960 Speaker 1: yeah she's eating a healthy portion of like a portion pasta. 815 00:49:32,239 --> 00:49:35,200 Speaker 1: Yeah she's not coming in portions. Um, but of course 816 00:49:35,200 --> 00:49:38,080 Speaker 1: she doesn't drink anymore because Jean told her not to. Okay, 817 00:49:38,120 --> 00:49:44,839 Speaker 1: what is she where? Um, she's just like scampy fun yeah, 818 00:49:45,480 --> 00:49:48,520 Speaker 1: fun tops Like I feel like it's like a white 819 00:49:48,640 --> 00:49:53,799 Speaker 1: ribbed sweater that's like plunging low lots of beaded jewelry, 820 00:49:53,920 --> 00:49:57,879 Speaker 1: like beaded belts. Well, and she talks about how like Gean, 821 00:49:58,280 --> 00:50:01,080 Speaker 1: I mean, this is so like him being so classic 822 00:50:01,280 --> 00:50:05,080 Speaker 1: rich guy, Like he doesn't like spending money and he 823 00:50:05,320 --> 00:50:07,560 Speaker 1: doesn't buy her Christmas presents and then one time she 824 00:50:07,719 --> 00:50:10,319 Speaker 1: like forces him to buy her Christmas present. She's like 825 00:50:10,920 --> 00:50:15,600 Speaker 1: and I really wanted this, like Edwardian Cross, she's kind 826 00:50:15,600 --> 00:50:19,160 Speaker 1: of doing like gothic gets into Holly Live because I 827 00:50:19,160 --> 00:50:21,640 Speaker 1: actually think that they probably used to be a lot more. 828 00:50:22,080 --> 00:50:25,200 Speaker 1: I think her natural state is more like the Osbourne family, 829 00:50:25,400 --> 00:50:27,800 Speaker 1: Like they are more like crosses and goth and heavy 830 00:50:27,800 --> 00:50:31,319 Speaker 1: furniture and she had the Louis fifteenth like big chests. 831 00:50:31,360 --> 00:50:34,680 Speaker 1: But because I think that she's so like on trend, 832 00:50:35,480 --> 00:50:38,520 Speaker 1: I feel like now she's way more selling Sunset mansion 833 00:50:38,560 --> 00:50:42,759 Speaker 1: and is just being like modern like light floors and 834 00:50:42,920 --> 00:50:45,400 Speaker 1: dark gray furniture and the glass walls and it is 835 00:50:45,480 --> 00:50:47,400 Speaker 1: just being more like yeah, and I think she has 836 00:50:47,400 --> 00:50:50,319 Speaker 1: a lot of different like pools and grottos, and like 837 00:50:50,400 --> 00:50:54,359 Speaker 1: she talks about how like Jean, it's also him being like, 838 00:50:54,480 --> 00:50:56,759 Speaker 1: oh I just like she's like he doesn't know like 839 00:50:56,800 --> 00:51:00,560 Speaker 1: a Motel six from a like a you know, a hilt, right, 840 00:51:00,640 --> 00:51:02,560 Speaker 1: And he's like I want a dome and she's like 841 00:51:02,640 --> 00:51:05,839 Speaker 1: I need a grotto and he doesn't get like understand 842 00:51:05,880 --> 00:51:07,520 Speaker 1: when we had to run out our house and like 843 00:51:07,840 --> 00:51:11,440 Speaker 1: pick different doors. So I think it's you know, it's California. 844 00:51:11,560 --> 00:51:14,880 Speaker 1: I think it is like this low, massive sectional. Yeah. 845 00:51:14,920 --> 00:51:16,840 Speaker 1: I do feel like it's a lot of like inner 846 00:51:16,960 --> 00:51:20,040 Speaker 1: water works happening. Yeah, I think there's water features. It's 847 00:51:20,040 --> 00:51:22,400 Speaker 1: interactor space, but I don't think I think they've gotten 848 00:51:22,480 --> 00:51:24,440 Speaker 1: rid of all of the like I bet they huge 849 00:51:24,719 --> 00:51:28,800 Speaker 1: gothic heavy stuff and that's kind of all gone. Yeah, 850 00:51:28,840 --> 00:51:30,879 Speaker 1: and she's just like, now I go to a soul 851 00:51:30,920 --> 00:51:34,560 Speaker 1: cycle and the kiss Meerbili is in his own kiss office. Yeah. 852 00:51:34,560 --> 00:51:36,319 Speaker 1: And she was like, you don't see me putting up 853 00:51:36,360 --> 00:51:39,600 Speaker 1: like all of my like playboy like cutouts all over 854 00:51:39,640 --> 00:51:41,719 Speaker 1: the house. And it's like, that's a good point. And 855 00:51:41,760 --> 00:51:44,920 Speaker 1: they definitely have really high security because they've both had 856 00:51:44,960 --> 00:51:48,280 Speaker 1: stalkers in the past, as she mentioned, and that stole 857 00:51:48,400 --> 00:51:51,759 Speaker 1: from them out of their wall safe. Yeah. So they 858 00:51:51,920 --> 00:51:54,960 Speaker 1: one of their nanny's who was named like Lisa, like 859 00:51:55,080 --> 00:51:57,799 Speaker 1: stole from them or had like a boyfriend steal from 860 00:51:57,840 --> 00:52:00,279 Speaker 1: them out of the wall safe that she referenced. And 861 00:52:00,320 --> 00:52:03,080 Speaker 1: I was like, damn, I need a wall save. I mean, 862 00:52:03,239 --> 00:52:08,160 Speaker 1: I love anything that's hidden behind a picture frame. Woh, 863 00:52:08,200 --> 00:52:13,120 Speaker 1: I mean the faux library library. Yeah. No, I'm actually 864 00:52:13,239 --> 00:52:15,759 Speaker 1: I can't wait to I can install a speak easy 865 00:52:15,840 --> 00:52:19,960 Speaker 1: in my own home. I have a cabinet of curiosities. 866 00:52:20,800 --> 00:52:25,880 Speaker 1: They also get sued by like one of their housekeepers 867 00:52:25,920 --> 00:52:29,080 Speaker 1: that they fire after like two years because they can't 868 00:52:29,080 --> 00:52:32,560 Speaker 1: afford her anymore, even though obviously like they're so rich, 869 00:52:32,600 --> 00:52:35,040 Speaker 1: but I do feel like Geane is like, we don't 870 00:52:35,040 --> 00:52:38,320 Speaker 1: need these two housekeepers, and then this housekeey. She spends 871 00:52:38,360 --> 00:52:40,759 Speaker 1: a full chapter like, honestly, the last chapter of the 872 00:52:40,760 --> 00:52:44,640 Speaker 1: book is her being like, she accused us of both 873 00:52:44,719 --> 00:52:51,360 Speaker 1: sexually assaulting her and that is not true. And you're like, Okay, yeah, 874 00:52:51,040 --> 00:52:55,200 Speaker 1: I don't think you sexually assaulted this housekeeper. But this 875 00:52:55,280 --> 00:53:00,439 Speaker 1: is also random that you're spending like a full chapter defending. Yeah, 876 00:53:00,520 --> 00:53:02,480 Speaker 1: it's a little bit like me thinks that doctor tests 877 00:53:02,480 --> 00:53:07,480 Speaker 1: too much and really what went on with the housekeeper? Um? Okay, 878 00:53:06,840 --> 00:53:12,920 Speaker 1: I honestly give this book four and a half Midsummer 879 00:53:13,000 --> 00:53:15,399 Speaker 1: Night's Dream Parties out of five. I'm like, this book 880 00:53:15,520 --> 00:53:20,440 Speaker 1: was really fun and it was it was perceptive. The 881 00:53:20,600 --> 00:53:24,359 Speaker 1: audio book was just so like dry and it's so 882 00:53:24,360 --> 00:53:26,400 Speaker 1: true she was such a humor and it's not what 883 00:53:26,600 --> 00:53:29,440 Speaker 1: makes it. I agree. I give it um four point 884 00:53:29,440 --> 00:53:35,400 Speaker 1: five um dead Snapped minx out of five. Is you 885 00:53:35,440 --> 00:53:38,520 Speaker 1: know it has yes kind of this rough childhood, but 886 00:53:38,560 --> 00:53:41,239 Speaker 1: it's not it's it's really not that rough, and like 887 00:53:41,600 --> 00:53:44,879 Speaker 1: it gives you a glimpse into this you know eighties 888 00:53:45,239 --> 00:53:50,279 Speaker 1: b actress just that life. And she's funny too. You know, 889 00:53:50,600 --> 00:53:54,279 Speaker 1: she's a SaaS. I love her attitude about work and 890 00:53:54,560 --> 00:53:59,160 Speaker 1: life and fame and family and like doing what you 891 00:53:59,200 --> 00:54:01,680 Speaker 1: want when you want her whole, you know the philosophy 892 00:54:01,680 --> 00:54:05,319 Speaker 1: bround looks like she doesn't ask him where he's been 893 00:54:05,480 --> 00:54:08,720 Speaker 1: or what he's been up to. And then trust trust 894 00:54:08,760 --> 00:54:12,240 Speaker 1: in a marriage, in a non marriage, in a non marriage, 895 00:54:12,239 --> 00:54:15,279 Speaker 1: in any relationship, and just like and and you know 896 00:54:15,360 --> 00:54:18,680 Speaker 1: sometimes that causes friction and there's jealousy, but you know 897 00:54:18,800 --> 00:54:22,080 Speaker 1: you work through that and you have fun with that too, well, right, 898 00:54:22,160 --> 00:54:24,080 Speaker 1: And I think she's saying there is She's like, oh, 899 00:54:24,120 --> 00:54:27,040 Speaker 1: and I know, like there are groupies though. I did 900 00:54:27,040 --> 00:54:29,600 Speaker 1: watch this clip where they're on The Joey Behar Show 901 00:54:29,600 --> 00:54:31,719 Speaker 1: and she walks off because she's like done with his 902 00:54:31,920 --> 00:54:35,600 Speaker 1: lifestyle and like photography part of their kink. They're part 903 00:54:35,600 --> 00:54:38,439 Speaker 1: of their kink is going on the Joy Behar Show. Yeah, 904 00:54:38,520 --> 00:54:41,040 Speaker 1: and like how you keep it going? Yeah? Having this 905 00:54:41,160 --> 00:54:44,239 Speaker 1: like tiff No the last sentence of the book that 906 00:54:44,320 --> 00:54:45,799 Speaker 1: I was like, oh are we done. Here is the 907 00:54:45,880 --> 00:54:51,759 Speaker 1: man still turns my rank? Yeah? Oh wait, who are 908 00:54:51,760 --> 00:54:54,879 Speaker 1: you in the book? Oh? Who are you're in the book? Um, 909 00:54:57,360 --> 00:55:02,879 Speaker 1: I'm her mustachioed, windowed dressed her husband. Yeah you're, she says, 910 00:55:02,920 --> 00:55:05,799 Speaker 1: so that she's like, look, I forgot if this was 911 00:55:05,840 --> 00:55:08,560 Speaker 1: a different boyfriend who crossed dressed. She was like, look, 912 00:55:08,600 --> 00:55:11,040 Speaker 1: the sex was the same. She's she's being kind of 913 00:55:11,040 --> 00:55:13,239 Speaker 1: pretty queer. She's like, the sex is the same, only 914 00:55:13,239 --> 00:55:15,200 Speaker 1: he was probably better for him because like he was 915 00:55:15,239 --> 00:55:17,800 Speaker 1: getting his rocks off because he was like dressed a 916 00:55:17,960 --> 00:55:20,480 Speaker 1: share while we were fucking. Oh right, Like I didn't care. 917 00:55:20,520 --> 00:55:24,960 Speaker 1: It's fun. Yeah, she's super queer. Yeah, so you're the 918 00:55:25,120 --> 00:55:31,360 Speaker 1: window dressing Canadian and Saskatoon. You're my cousin. Yeah, I 919 00:55:31,400 --> 00:55:35,680 Speaker 1: am Monica like under this dog blanket. That's also both 920 00:55:35,719 --> 00:55:41,399 Speaker 1: about sneakin. Yeah, um okay, well you guys, uh yeah. 921 00:55:41,520 --> 00:55:44,600 Speaker 1: Read And it's a fun, really good fun for a drive. 922 00:55:44,640 --> 00:55:49,359 Speaker 1: It's a really fun on audio. So yeah, Tweed, it's 923 00:55:49,400 --> 00:55:52,720 Speaker 1: a really nice audio length. Um, if you're maybe driving 924 00:55:52,760 --> 00:55:58,120 Speaker 1: to Albany this week, ant or Ottawa, Yeah, Toronto, Maunch. 925 00:55:58,239 --> 00:56:01,759 Speaker 1: It's actually half the trip to mant All from New York. Yeah, 926 00:56:01,840 --> 00:56:05,520 Speaker 1: you could listen to it twice, committed to Memory Okay, 927 00:56:05,600 --> 00:56:14,840 Speaker 1: well Over and Out Bunnies Fast Celebrity book Club is 928 00:56:14,880 --> 00:56:18,000 Speaker 1: presented by Prolonged Projects. The show was produced by Benjamin 929 00:56:18,080 --> 00:56:21,719 Speaker 1: French without aitorial support from Leone Falk, Andrew Parsons Are 930 00:56:21,719 --> 00:56:25,120 Speaker 1: Really in a Rebelo and Madeline Captain Our production managers 931 00:56:25,160 --> 00:56:30,160 Speaker 1: perceive verlinn original theme song by Stephen Phillips Horst artwork 932 00:56:30,200 --> 00:56:32,840 Speaker 1: by Teddy Blanks at chips N Why Follow us on 933 00:56:32,920 --> 00:56:37,840 Speaker 1: Twitter and Instagram at CBC the Pod, Subscribe on your 934 00:56:37,880 --> 00:56:41,200 Speaker 1: favorite podcast app, leave us a review, and don't forget 935 00:56:41,239 --> 00:56:45,240 Speaker 1: to tell your friends well about us. And don't forget 936 00:56:45,239 --> 00:56:47,680 Speaker 1: to go to patreon dot com for access to the 937 00:56:47,760 --> 00:57:00,240 Speaker 1: vip lout Our Exclusive bonus podcast