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Speaker 1: Round of applause for my mother supporters. I want to

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Speaker 1: welcome everybody this up their podcast. You know who you're

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Speaker 1: dealing with, Man the Biggest Home. I go by the

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Speaker 1: name with Big Loan. There's so much on my mind

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Speaker 1: right but first I want to thank everybody that's involved

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Speaker 1: with my lunching and how I'm moving through the game,

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Speaker 1: and how people is receiving and being receptive to my

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Speaker 1: message and the way that I crafted up. It's important

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Speaker 1: that I acknowledge those right that's riding with me. Oftentimes

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Speaker 1: I spend times on the nay sayers and the criticizers

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Speaker 1: because it's a point to be proven. There's something to

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Speaker 1: be said the time and the invention of the way

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Speaker 1: that I'm doing it. I just don't want to be robbed.

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Speaker 1: And I know I'm in the industry that like to

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Speaker 1: rob us and and so sometimes the business that we're

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Speaker 1: doing with being robbed because of the standards of the business.

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Speaker 1: But that's another conversation. I want to welcome everybody and

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Speaker 1: think whoever's tuned in, it's up that podcast right now.

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Speaker 1: If you wanted my deal supporters and you want to

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Speaker 1: tap in with me and message me and talk to me.

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Speaker 1: And all of that and get the video the same day.

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Speaker 1: Drop it's the audio. You head over to it's up

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Speaker 1: that podcast on Patreon. So this patreon dot com slashes

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Speaker 1: up that podcast, you get video same day. You get

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Speaker 1: access to things that other people haven't had access to.

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Speaker 1: And I may I'm just thinking because my deal says

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Speaker 1: I need to drop one episode a week, So if

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Speaker 1: I do two episodes, I may put that second episode

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Speaker 1: behind the paywall, whether that be an interview or just

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Speaker 1: an episode by myself. So if you're listening like share, subscribe,

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Speaker 1: you know all the things that they everybody needs you

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Speaker 1: to do and say shout out to revote. Let's keep

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Speaker 1: the game where it belongs. It belongs on this side.

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Speaker 1: We give a lot of love to everybody around of

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Speaker 1: applause for the whole game. Everybody's doing well. We send

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Speaker 1: a shout out to everybody. Because everybody's doing well, everybody's

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Speaker 1: putting game down. And you know, we come off as

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Speaker 1: aggressive because we understand we're in a competitive business. I

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Speaker 1: would hope that those that's in the business understand that

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Speaker 1: our viewpoint is only one of market share. So we're

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Speaker 1: only interested in the market share, and we don't want

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Speaker 1: to be disrespectful, but we definitely want to be diligent,

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Speaker 1: and so sometimes it may be viewed away or it

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Speaker 1: may be received away. I always tell people that the

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Speaker 1: war on rappers makes racist people look at a liberated

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Speaker 1: black male. It's detrimental. Right. So as I moved through podcasting, man,

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Speaker 1: I'm doing a lot, getting a lot of interviews done.

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Speaker 1: I was just in Atlanta for a couple of days

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Speaker 1: taking care a lot of business, a lot of ship

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Speaker 1: going on. So I just knocked out a very dope

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Speaker 1: interview with the Riz de Sean, Money Move, Polay, a

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Speaker 1: couple of other names down in a and when I

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Speaker 1: tell you them interviews, but I kind of got into

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Speaker 1: a few things. See, I tell people who know me

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Speaker 1: and people that's involved with my personal life who don't

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Speaker 1: understand my business is starting to overlap what you would

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Speaker 1: consider personal time. It's now turned into business time for me.

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Speaker 1: And there's no coincidence. I understand what's happening. I'm just

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Speaker 1: hyper focus, and now those in my life got to

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Speaker 1: prepare to either deal with a man that's hyper focus

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Speaker 1: or get out the way. Because I don't need permission

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Speaker 1: to elevate the universe. And God is giving me permission

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Speaker 1: to elevate when he gives me the senses to make

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Speaker 1: the moves that I make, the direction that going the

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Speaker 1: way in which I'm going, giving me understanding, placing me

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Speaker 1: in a position to have vision and continue to press forward,

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Speaker 1: whether that's whether it's going good or bad. Pressing forward,

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Speaker 1: it's the number one goal. I see dudes that I

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Speaker 1: grew up with, or dudes that I know from the street,

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Speaker 1: High Claire Street dudes, high level street dudes. You know,

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Speaker 1: may got old head for ticket, old seven hundred thousand

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Speaker 1: dollar kind of guy. You know, these guys are my homeboards,

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Speaker 1: you know. And so bump into some mom and I

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Speaker 1: still see the same thing I saw when we talked

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Speaker 1: long time ago. Right, you're doing the same one too. Now,

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Speaker 1: you just got a hard job. Now, Old Street got

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Speaker 1: one of the hardest jobs. Just el out there. It's

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Speaker 1: a mental job though it's a situation to see it

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Speaker 1: look easy. But boys, the stakes are high that ships

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Speaker 1: like you can win five hundred by putting five hundred

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Speaker 1: thousand down. You see what I'm saying. The stakes is

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Speaker 1: streaming high in the street. And sometimes we make it

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Speaker 1: look cool because we just cool individuals and we troum

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Speaker 1: a bond with the rappnick. They got us in a

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Speaker 1: mean trick bag that I'm gonna talk about. But first

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Speaker 1: before I go there, I just want to speak about

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Speaker 1: being focus. It takes a different kind of man, and

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Speaker 1: a lot of the entrepreneurs and creatives and street dudes

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Speaker 1: and regular individuals that listen to me. Some of y'all

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Speaker 1: are focused on something. Some of y'all looking at it saying,

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Speaker 1: ain't none getting me off this. I don't care what

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Speaker 1: the vibrations is. I'm staying hyper focused and that's what

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Speaker 1: I am. And sometimes I'm starting to see that I

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Speaker 1: may become harder to deal with in regards to like

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Speaker 1: with people that I used to deal with when I

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Speaker 1: had a lot of casual time, and even when I

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Speaker 1: talked to some of my street dudes, the connection ain't

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Speaker 1: the same, right. My conversations are different, my vibrations are different,

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Speaker 1: My vibrations are high. I'm no longer in that trick bag.

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Speaker 1: I knew, I knew the ceiling was glass, but I

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Speaker 1: just had to reach up and reach it. I just

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Speaker 1: had to touch on it just to be sure. But

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Speaker 1: I was for sure the whole time, and I should

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Speaker 1: have been took a leap on the other side. But

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Speaker 1: I was confused, just like my other home boys. And

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Speaker 1: that's the thing. But some of them no better, but

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Speaker 1: they don't won't better. See, it's a two step process.

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Speaker 1: The first step is knowing better. The second is won'ting better,

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Speaker 1: because won'ting better is where the transition comes, and that's

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Speaker 1: where you become uncomfortable. But when you focus on something

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Speaker 1: that means you anticipate to be uncomfortable, meaning no matter

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Speaker 1: the terrain, no matter the circumstances. I got a goal,

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Speaker 1: and the goal is to get to the other side

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Speaker 1: or the expectations that I put in place, And no

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Speaker 1: matter what, I gotta step and step and step and step,

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Speaker 1: and nothing gonna stop that. And that's how I feel

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Speaker 1: about what it is I'm doing. There's nothing that's gonna

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Speaker 1: stop the goal. And the people that listen to me,

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Speaker 1: they can feel that, and they know that they're probably

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Speaker 1: feeling like that. Yo, loon, ain't none gonna stop what

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Speaker 1: I got gone. Well, I'm on the nick with this

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Speaker 1: hat cutting bo I'm on the nick with this truck

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Speaker 1: and biding b I'm gonna need nick with the hag

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Speaker 1: due thing. Well, I'm gonna need nick with the rapper,

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Speaker 1: I ain't well. I'm right high level. Everybody is we

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Speaker 1: high class, first class. Everybody that runs into me and

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Speaker 1: be like, yo, you be by yourself? Boy, I'm telling boy,

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Speaker 1: you were by yourself. Boy, I knew you was a mom.

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Speaker 1: But that's what you do when you focus. Sometimes when

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Speaker 1: you focus, you gotta go along. Sometimes when you focus,

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Speaker 1: they can't send nobody, which y'all they can do for

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Speaker 1: you is distract you. Even with me the kind of

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Speaker 1: individual I am, even if the person with me and

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Speaker 1: saying a loan, don't worry about me, I got me

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Speaker 1: just because it's in me. I'm worried about them, and

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Speaker 1: it just had to go. I travel the world alone,

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Speaker 1: chasing a dream right, doing business with some of the

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Speaker 1: biggest names that our culture has the offense. I'm blessing

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Speaker 1: to be in this position. I'm humbled that my name

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Speaker 1: is mentioned in conversations with some of the people that's

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Speaker 1: been in this game a long time. Have a lot

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Speaker 1: of work to do, but one thing for showing them focused.

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Speaker 1: I know this talking in some of my home is

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Speaker 1: that they always want to tell me about how they've

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Speaker 1: been feeling lately, and I couldn't put my finger on

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Speaker 1: why this connect was there until I realized they want

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Speaker 1: to tell me how they feel it, and I want

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Speaker 1: to tell them what I've been doing. They mean somebody

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Speaker 1: working and somebody winding them. That's why the connection off.

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Speaker 1: I'm hyper focused. There's a reason they send a sniper

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Speaker 1: by himself. He don't need too many people around him

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Speaker 1: to get the job done. Just stand out the way

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Speaker 1: and get me a target, and everybody clear out. And

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Speaker 1: no matter how far I look like, no matter how

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Speaker 1: far it looked like I am from this target might

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Speaker 1: look impossible to the naked eye, but you're dealing with

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Speaker 1: a sniper, right, And that's what I feel like I

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Speaker 1: am in this game and in this business, and also

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Speaker 1: being innovative in the business side. There's things I see

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Speaker 1: that I haven't spoke all yet because I don't understand

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Speaker 1: a lot of things yet. There's a lot of value

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Speaker 1: in just having come casual conversation about some of these

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Speaker 1: high level ideas. Right. So you must be a well

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Speaker 1: that you in a game where ideas it's like real

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Speaker 1: estate and it needs to be protected as such. But

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Speaker 1: we on divine direction, we thank God in the universe

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Speaker 1: for being instrumental in what it is we're doing, and

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Speaker 1: thank all of you that's listening. Currently, of course we're

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Speaker 1: gonna get into the Young Thug. We'll start with the

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Speaker 1: young Thug situation with why I seal records for those

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Speaker 1: of you underwear. Young Thug has been indicted along with

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Speaker 1: twenty seven other people on fifty six counts of rico

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Speaker 1: in the state of Georgia. Those names do include people

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Speaker 1: like Gunna slime Life shouted why I See a Duke,

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Speaker 1: among other names. I spoke about this with Paula and Alana,

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Speaker 1: so you know, he's an a line of guy. I

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Speaker 1: was actually dying there when they grabbed Thug and the

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Speaker 1: energy and a liner was interesting, right, People were wondering

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Speaker 1: what we're going on. They grabbing all kind of people

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Speaker 1: to the situation don't seem to be calculated. Seems to

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Speaker 1: kind of be all over the place. So they're grabbing

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Speaker 1: people a little bit of this and a little bit

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Speaker 1: so people would kind of own alert as to what

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Speaker 1: the hell is going on and what they're talking about.

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Speaker 1: A lot of the charges have dots that could be connected, right,

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Speaker 1: but that's that's for the court to do their job. Loan,

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Speaker 1: don't do the job for other courts. Before we get

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Speaker 1: into what the DA spoke to on a press conference,

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Speaker 1: I want to kind of get in new mind understanding

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Speaker 1: of the DA, the circumstances surrounding the case. How I

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Speaker 1: kind of feel about rappers being under attack. I've always

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Speaker 1: spoke about the woon rappers. People take that to mean

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Speaker 1: loan you indorse and self snitching. I don't indorse self snitching.

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Speaker 1: I understand what that is that we're doing is trauma bonding.

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Speaker 1: It's the reason the music resonates in the neighborhood. Differently,

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Speaker 1: when certain people deliver it in a certain way and

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Speaker 1: say certain things, it's because people are going through those

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Speaker 1: things and they're able to relate from a standpoint that

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Speaker 1: lends people the ability to capitalize. I think it's no

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Speaker 1: different than when the white past that comes into a

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Speaker 1: black church and he caters his message to reach that audience.

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Speaker 1: It's unfortunate that we're ignoring the bigger problem, which is

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Speaker 1: that's a lot of pain in the ghetto. If these

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Speaker 1: dudes are able to wrap about murders and they resonnate.

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Speaker 1: I know some of the people are viewing it as entertainment,

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Speaker 1: but some of the people ain't wade down in the

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Speaker 1: jungle deep. They listen to the music because they're feeling

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Speaker 1: like that. They got oppositions. They ducking death in the

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Speaker 1: same hood they have hood they own. They ducking death

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Speaker 1: in the same hoo they have hood they in, and

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Speaker 1: they had a time and their life in So they're

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Speaker 1: in unfortunate circumstances. But I standing by rappers being under attack.

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Speaker 1: Number one, they're using lyrics and we'll get to that

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Speaker 1: by itself. But number two, liberation can be viewed as

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Speaker 1: a threat when you're dealing with racist people. The fact

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Speaker 1: that I'm having enough money to provide a runway for

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Speaker 1: other black people can be a threat when you're dealing

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Speaker 1: with racist people. Now, how does that translate to a

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Speaker 1: rico charged loan? What loon has? A savory man? I

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Speaker 1: deal with a high level of game, right, So my

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Speaker 1: understanding says to me that no matter the amount of

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Speaker 1: money we get, they got us in the trick bag

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Speaker 1: because as we elevate, right, when we elevate, we put

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Speaker 1: ourselves in a situation to put the government in our

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Speaker 1: bidding and the streets you can't put them people in

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Speaker 1: your it. And a lot of people stand on that

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Speaker 1: keep them people out your business. And that's the trick

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Speaker 1: bag because although we're keeping them out our business, as

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Speaker 1: we try to warn each other and kill each other

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Speaker 1: based on whatever problem we have in the ghetto, they

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Speaker 1: able to use us against each other. So we're fueling

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Speaker 1: the investigation on each other. I shot at him, he

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Speaker 1: shot back. We shot at them. They did. It's all

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Speaker 1: about what me and this dude, and we never called

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Speaker 1: y'all about nothing but the fact that we couldn't figure

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Speaker 1: out a way to squash whatever we had going on.

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Speaker 1: We're pressing the line allegedly, and that's in our hoods.

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Speaker 1: And I ain't talking about them, boyd, I'm talking about

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Speaker 1: in our neighborhoods. We're in a situation to keep the

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Speaker 1: police out our busing it. But as we get more

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Speaker 1: and more moneys, more and more eyeballs on us, because

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Speaker 1: when you look at it, number one, they don't step

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Speaker 1: into some murders involved. And then number two, everything that

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Speaker 1: they liked to mention be what me and this dude

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Speaker 1: had going on, right, So save me and a dude

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Speaker 1: get into it and we get we at each other.

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Speaker 1: I got my game tight on the thing. Else they

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Speaker 1: ain't saying nothingbody they called me with a thousand pounds

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Speaker 1: or they poured us over. They gotta dude, who be

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Speaker 1: women with all less zip tight. All they gotten on

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Speaker 1: me is that this open beef that we got going on.

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Speaker 1: That's why they say beef is bad forbidding it because

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Speaker 1: now they don't have to do no work. The street's

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Speaker 1: gonna do the work. They just stand back and letting

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Speaker 1: nick beef. And then they're figured out based on who's

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Speaker 1: saying what. Who ended up in the hospital. Oh so okay,

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Speaker 1: so they shot him and he from that side, so

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Speaker 1: he must have something to do. Like they just sit

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Speaker 1: back and push together. They pin us against each other

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Speaker 1: like cat. But let's do some background on the lady

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Speaker 1: that's involved in the case, the DA that's has indicted them.

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Speaker 1: Let's point out a few things that also pointed out

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Speaker 1: speaking to Parlay and the Red Deshan. This is a

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Speaker 1: state rico case. This is a very interesting approach. Number one,

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Speaker 1: because it's very expensive to run a rico. That's number one.

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Speaker 1: Number two, the level of investigation usually for a rico

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Speaker 1: with the Feds, they have laid a to z down

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Speaker 1: in a way that's paints a clip picture about the

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Speaker 1: people that they have involved this rico with young thug

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Speaker 1: and why I sell the label has him and has

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Speaker 1: me viewing this is hold on, we got some things here.

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Speaker 1: This very weak in my opinion. Right when I viewed

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Speaker 1: the Takashi six nine case and I hear all this

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Speaker 1: Jim Jones talk, my mind says to me, you don't

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Speaker 1: put Jim Jones on that rico. That makes that rico weak.

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Speaker 1: Now you pull somebody in, it gets hot, you know,

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Speaker 1: you pour somebody in now that you really don't have

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Speaker 1: any concrete on. So now we get to argue to

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Speaker 1: the federal government or the state that like, yo, they're reaching.

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Speaker 1: Look what they're doing. They poured this man in because

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Speaker 1: of words that don't even mean that, and we can

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Speaker 1: prove it didn't mean that and this didn't happen, and

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Speaker 1: that out out of that. So the strength of the

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Speaker 1: case is very important. You don't want to be viewed

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Speaker 1: as you're reaching. And when they put Garner on the

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Speaker 1: y Seal case for a chain, it said something to me, say,

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Speaker 1: you have a slat chain, so you're a part of

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Speaker 1: the indictment. And you said something in a song about

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Speaker 1: having a hundred rounds or letting a hundred rounds go

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Speaker 1: or something like that, and you in the indictment. I

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Speaker 1: find it very hard for that to be proof of

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Speaker 1: being a part of a criminal organization, right or to

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Speaker 1: further some kind of reputation for the gang or whatever

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Speaker 1: that case is. Then that's saying that they have people

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Speaker 1: in this indictment down its bloods that ain't even blood.

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Speaker 1: So there's some things in this paperwork that just says

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Speaker 1: that it's a show right now. The trick is that

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Speaker 1: when we ran in and got Thug, we got him

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Speaker 1: with seven new felonists. So for those unaware, when they

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Speaker 1: picked young Thug up, they ran in his house and

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Speaker 1: they got silences and weapons. See that's the trick anyway,

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Speaker 1: a case week. But when we go get him, we

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Speaker 1: know he gotta have a file on because it's pressure

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Speaker 1: situations going on. People are being right, so he ain't

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Speaker 1: gonna be in there but naked like that. He gonna

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Speaker 1: have something so look good, look tadded house up. The

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Speaker 1: fact it's something men that have protect him, right, and

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Speaker 1: they found some shit, and that's where they're gonna try

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Speaker 1: to railroad him, Matt, because in my opinion, then we're

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Speaker 1: gonna they didn't get a chance to get him like that.

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Speaker 1: I think he may. I don't know, man, the case

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Speaker 1: just seems a little off to me. Let's listen to

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Speaker 1: the da at her press conference after arresting the wide

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Speaker 1: cell Game. Today. I'm joined by the Atlanta Police Chief,

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Speaker 1: Chief Rodney Bryan, as well as my sheriff and our

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Speaker 1: sheriff Sheriff, Patrick Labat. We are here today about a

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Speaker 1: grandjury indictment that was returned that included not just Jeffrey Williams,

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Speaker 1: which is of some notoriety and media attention, but about

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Speaker 1: twenty eight defendants that operated within our community between the

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Speaker 1: time period of two thousand and twelve and two thousand

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Speaker 1: and twenty two. It is our allegation that they operated

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Speaker 1: as a criminal street gang and commenced to do havoc

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Speaker 1: in our community. That havoc includes crimes of violence, crimes

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Speaker 1: of thefts, crimes involving drugs. I've made no secret about it,

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Speaker 1: nor any apology that as the District Attorney of Fulton County,

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Speaker 1: my number one focus is targeting games and there's a

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Speaker 1: reason for that. They are committing conservatively seventy five to

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Speaker 1: eighty percent of all of the violent crime that we

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Speaker 1: are seeing within our community, and so they have to

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Speaker 1: be rooted out of our community. I said just a

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Speaker 1: week or two ago, it does not matter what your

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Speaker 1: notoriety is, what your faith is, if you come to

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Speaker 1: Fulton County, Georgia and you commit crimes, and certainly if

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Speaker 1: those crimes are in furtherance of a street gang, that

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Speaker 1: you are going to become a target and a focus

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Speaker 1: of this District Attorney's office, and we are going to

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Speaker 1: prosecute you to the fullest extent of the law. I

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Speaker 1: agree with Chief Ryant. What you see yesterday and what

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Speaker 1: you will see in the upcoming months and years is

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Speaker 1: the result of a lot of hard work by both

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Speaker 1: the Atlanta Police Department and this office. We are proud

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Speaker 1: to bring forth this indictment and hopefully to bring justice

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Speaker 1: to a lot of the community who was victimized through

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Speaker 1: the course you see in this indictment. But more importantly,

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Speaker 1: the most important thing that we are here to do

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Speaker 1: is to keep this community safe, and we believe we're

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Speaker 1: moving these twenty eight defendants will keep Fulton County safer.

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Speaker 1: So as you hear the DA responsible for the RICO

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Speaker 1: charges that came down on young the ysl label. She's

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Speaker 1: a very familiar face. It's the same lady that says

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Speaker 1: she was gonna go after Trump. We know that not

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Speaker 1: to be the case. Trump played with a different bag.

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Speaker 1: He played with Trump, He played with them people over

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Speaker 1: your head. So you ain't going after Trump. We ain't done.

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Speaker 1: You know, we ain't gonna play the game like we

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Speaker 1: gonna play the game. She's also the person that just

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Speaker 1: got cash out. And let me be clear on my

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Speaker 1: stands and where I stand right. We want to make

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Speaker 1: the streets safe for the kids, for our mothers. We

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Speaker 1: want to make the streets a place where people can

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Speaker 1: thrive in as opportunity. I hear people talk a lot

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Speaker 1: about targeting games. These are for the words that I'm

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Speaker 1: not sure we need to look past. Number one, when

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Speaker 1: you say targeting games, you mean targeting us, Because what

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00:21:07,160 --> 00:21:10,639
Speaker 1: is a game. They don't classify anyone outside of black

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Speaker 1: culture as a game. It can be anything but a game.

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Speaker 1: They're calling anything but a game. If you're not black,

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Speaker 1: it's not a game, it's something else. But when I

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Speaker 1: hear such a serious charging, I hear such a vague approach,

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00:21:25,359 --> 00:21:30,560
Speaker 1: are trying to convey the circumstances surrounding it and the

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Speaker 1: justification of the approach. I want people to understand it's

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Speaker 1: coming in our community and not understanding that some of

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Speaker 1: these circumstances were there before we arrived. Right, certain things

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Speaker 1: were activated, but certain things with the those conditions were

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Speaker 1: that those conditions to have to even fight over the

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Speaker 1: crumbs or fight over territory, because this territory is the

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00:21:54,560 --> 00:21:58,439
Speaker 1: only territory that provides some kind of structure for the

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00:21:58,480 --> 00:22:01,720
Speaker 1: family to do any kind of and for graduation and prone.

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00:22:01,960 --> 00:22:06,200
Speaker 1: It's the money is right there. It's only so we

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00:22:06,640 --> 00:22:09,200
Speaker 1: were fighting that that was already there. I want people

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00:22:09,240 --> 00:22:11,480
Speaker 1: to know that AYO coming to lock us up ain't

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Speaker 1: the only thing that need to happen when you talk

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Speaker 1: about rid in our community. Of these circumstances, it ain't

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Speaker 1: a one step process like throw them all in jail.

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00:22:20,480 --> 00:22:24,480
Speaker 1: We need to provide runways in those neighborhoods. Take some

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Speaker 1: of that money you use to fly them helicopters around

387
00:22:27,480 --> 00:22:30,680
Speaker 1: and chase dudes around that you really ain't got nothing known,

388
00:22:31,240 --> 00:22:34,520
Speaker 1: you know, but but to beefing with each other. Use

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00:22:34,600 --> 00:22:37,960
Speaker 1: some of that money to put into the neighborhoods, football camps,

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00:22:38,000 --> 00:22:40,840
Speaker 1: and certain situations to catch them kids on the way

391
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Speaker 1: up so them kids ain't in them situations. But they

392
00:22:44,240 --> 00:22:46,639
Speaker 1: don't believe in that. This all kind of red tape

393
00:22:46,640 --> 00:22:48,360
Speaker 1: for one of us to get some money to try

394
00:22:48,400 --> 00:22:51,080
Speaker 1: to provide a podcast set up in the middle of

395
00:22:51,080 --> 00:22:54,520
Speaker 1: the neighborhood. But they don't got no problem spending one

396
00:22:54,600 --> 00:22:57,720
Speaker 1: hundred thousand to poor five six swat vans down through

397
00:22:57,760 --> 00:23:04,240
Speaker 1: there to grab a for federal pro basing violation. Wasteful spending,

398
00:23:06,600 --> 00:23:10,439
Speaker 1: unrealistic approach. And let me spend some time talking to

399
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Speaker 1: the rappers. You know, all the street that turned rappers,

400
00:23:16,080 --> 00:23:18,760
Speaker 1: that's really bout there, because it is really standing on

401
00:23:18,840 --> 00:23:22,200
Speaker 1: that nowadays. It ain't that cap from back in the day,

402
00:23:22,560 --> 00:23:26,240
Speaker 1: costume whing that from back in the day. Dudes is

403
00:23:26,320 --> 00:23:30,000
Speaker 1: really from these environments that they're rapping about and everybody's

404
00:23:30,040 --> 00:23:32,879
Speaker 1: trauma bonding. But rappers, you gotta know which side the

405
00:23:32,920 --> 00:23:36,919
Speaker 1: bread is buttered on. You gotta pay attention to the

406
00:23:36,960 --> 00:23:39,000
Speaker 1: side of the bread and buttered on dog. If you've

407
00:23:39,000 --> 00:23:40,960
Speaker 1: been able to get to this side of the street,

408
00:23:41,240 --> 00:23:43,240
Speaker 1: you gotta kind of walk, and some of them trying

409
00:23:43,280 --> 00:23:47,200
Speaker 1: to but that other side. It is just you keep

410
00:23:47,240 --> 00:23:51,800
Speaker 1: pulling that you, But that street fame different than that.

411
00:23:51,800 --> 00:23:54,720
Speaker 1: That street fame different than that that that that little

412
00:23:54,720 --> 00:23:59,000
Speaker 1: fame until you get mega famous, but that street fame

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00:23:59,080 --> 00:24:03,080
Speaker 1: it hit different. Respect. Come with that street fame, don't

414
00:24:03,080 --> 00:24:07,160
Speaker 1: no respect. Come with that industry fame. Don't no respect.

415
00:24:07,200 --> 00:24:09,800
Speaker 1: Come with that. The street fame got a certain thing

416
00:24:09,920 --> 00:24:13,399
Speaker 1: on it. Get addicted to that street fame. Then I

417
00:24:13,440 --> 00:24:15,680
Speaker 1: think to myself, Loan, why they don't get out, why

418
00:24:15,720 --> 00:24:19,280
Speaker 1: they don't escape, why they don't leave the street along.

419
00:24:19,359 --> 00:24:21,280
Speaker 1: Then I had the thing long. They don't know how.

420
00:24:23,680 --> 00:24:29,160
Speaker 1: They don't know how. They need some instructions. They need

421
00:24:29,160 --> 00:24:32,000
Speaker 1: the game to be put down, and the missages got

422
00:24:32,000 --> 00:24:35,600
Speaker 1: to have divine direction. So they gotta come from someone

423
00:24:35,640 --> 00:24:38,239
Speaker 1: that's annoying it, that's been put in position, not one

424
00:24:38,280 --> 00:24:42,760
Speaker 1: of un that done self proclaim. You gotta be a

425
00:24:42,840 --> 00:24:45,280
Speaker 1: man that's been put in position to deliver the messages

426
00:24:45,560 --> 00:24:47,800
Speaker 1: like I remember being a young boy. They come through

427
00:24:47,800 --> 00:24:51,159
Speaker 1: what they don't do drugs to cook it color, They

428
00:24:51,200 --> 00:24:57,439
Speaker 1: don't resonnate. It's a complex approach. My concerns is that

429
00:24:57,520 --> 00:25:00,439
Speaker 1: they don't even know how to reach us, and the

430
00:25:00,520 --> 00:25:03,479
Speaker 1: wars of us that can reach us, they'll let us

431
00:25:03,520 --> 00:25:05,520
Speaker 1: get to a certain spot and try to use our

432
00:25:05,600 --> 00:25:10,280
Speaker 1: paths to destroy our present. The rico allows them to

433
00:25:10,359 --> 00:25:12,840
Speaker 1: go back in the past. This later said ten years

434
00:25:12,880 --> 00:25:15,240
Speaker 1: on the state indictment. How do you got the funds

435
00:25:15,240 --> 00:25:18,520
Speaker 1: to even do that? How does the state got ten

436
00:25:18,640 --> 00:25:23,439
Speaker 1: years worth investigation money like that? That's a lot of

437
00:25:23,600 --> 00:25:26,600
Speaker 1: cash to investigate for ten years. Trust men, when I'm

438
00:25:26,640 --> 00:25:29,640
Speaker 1: telling you that the Fiz got unlimited funds, they can

439
00:25:29,640 --> 00:25:33,960
Speaker 1: sit back and play the long game. But the state, now,

440
00:25:34,200 --> 00:25:36,760
Speaker 1: the Fizz may jump in now because of the new

441
00:25:36,840 --> 00:25:40,200
Speaker 1: ship that they found in the house. But ever daily

442
00:25:40,280 --> 00:25:43,160
Speaker 1: they presented that to the Fizz, the Fizz say, we

443
00:25:43,200 --> 00:25:45,720
Speaker 1: really don't know what y'all doing. Y'all do what y'all do,

444
00:25:45,840 --> 00:25:49,480
Speaker 1: And she presented it to the state and they returned

445
00:25:49,520 --> 00:25:53,160
Speaker 1: the indictment. But the missage that we give out man

446
00:25:53,359 --> 00:25:57,919
Speaker 1: and how to navigate from street to entrepreneur and also

447
00:25:58,080 --> 00:26:01,720
Speaker 1: white drive off. See the problem ain't see we really

448
00:26:02,000 --> 00:26:04,800
Speaker 1: doesn't master getting out the water. The problem doesn't become

449
00:26:04,920 --> 00:26:09,520
Speaker 1: become drying off now because you know, when you get

450
00:26:09,560 --> 00:26:11,879
Speaker 1: out the water, you still dripping with all let that

451
00:26:11,920 --> 00:26:15,360
Speaker 1: you've been sitting in. And it's the same situation when

452
00:26:15,400 --> 00:26:18,800
Speaker 1: we become legit and entrepreneur. That's why people that know

453
00:26:18,920 --> 00:26:21,359
Speaker 1: us and love us and really believe in us gotta

454
00:26:21,400 --> 00:26:24,159
Speaker 1: pull us close and rid us and give us a

455
00:26:24,280 --> 00:26:28,440
Speaker 1: runway to for real escape this, because just getting out

456
00:26:28,480 --> 00:26:33,320
Speaker 1: the pool ain't enough. You gotta dry off. Sometimes we

457
00:26:33,359 --> 00:26:35,760
Speaker 1: don't get the chance to dry off. But I remember

458
00:26:35,800 --> 00:26:38,480
Speaker 1: them coming into school like, don't do drugs now. I

459
00:26:38,560 --> 00:26:41,080
Speaker 1: tell I, take my kids down the let them see

460
00:26:41,080 --> 00:26:43,560
Speaker 1: what a doing drug look like, what he lived like.

461
00:26:44,280 --> 00:26:46,600
Speaker 1: Take them back to our house and this was living.

462
00:26:47,040 --> 00:26:50,160
Speaker 1: This what working hard look like. But see him over

463
00:26:51,119 --> 00:26:54,600
Speaker 1: see that he don't know what's next for him, right,

464
00:26:54,680 --> 00:26:56,720
Speaker 1: So I need to show him. We gotta go under

465
00:26:56,720 --> 00:26:59,840
Speaker 1: the surface to deliver these messages in this and day.

466
00:27:00,000 --> 00:27:01,760
Speaker 1: I mean, it seems like they put together a lot

467
00:27:01,800 --> 00:27:05,480
Speaker 1: of things that's happening online. It's a reason you don't

468
00:27:05,520 --> 00:27:09,520
Speaker 1: hear me mention my counterparts. You don't hear me mention

469
00:27:09,680 --> 00:27:14,199
Speaker 1: names or affiliations at all. If they get loaned. They

470
00:27:14,240 --> 00:27:16,560
Speaker 1: got to go under water to get me. You got

471
00:27:16,560 --> 00:27:18,640
Speaker 1: to go under water to get me. It is never

472
00:27:18,720 --> 00:27:21,520
Speaker 1: gonna be me giving you me. And rap got to

473
00:27:21,600 --> 00:27:24,280
Speaker 1: stop giving the e folk them. But they make mention

474
00:27:24,359 --> 00:27:26,240
Speaker 1: to a lot of cases, and if you go back,

475
00:27:26,280 --> 00:27:28,399
Speaker 1: there's a lot of back and forth between him and

476
00:27:28,440 --> 00:27:33,119
Speaker 1: wild feeling Luca. Also free Luca. You know that ain't

477
00:27:33,160 --> 00:27:36,720
Speaker 1: my beef. My understanding of the game is just for

478
00:27:36,840 --> 00:27:40,159
Speaker 1: me to provide my children and other people that I

479
00:27:40,280 --> 00:27:42,600
Speaker 1: love in the culture or some kind of runway to

480
00:27:42,720 --> 00:27:46,000
Speaker 1: understand how to navigate, hopefully to doctor Rico. Hopefully if

481
00:27:46,040 --> 00:27:50,280
Speaker 1: we can examine this, we can save another youngster from

482
00:27:50,320 --> 00:27:52,440
Speaker 1: ducking and Rico. Hopefully, if I can put some game

483
00:27:52,520 --> 00:27:55,480
Speaker 1: down about the little bullshit happening with such and suff

484
00:27:55,560 --> 00:27:58,879
Speaker 1: hopefully that save another millionaire youngster they come up listening

485
00:27:58,880 --> 00:28:01,320
Speaker 1: to this from on that same route because they ain't

486
00:28:01,359 --> 00:28:03,320
Speaker 1: nobody to tell them about it. No, I'm gonna talk

487
00:28:03,359 --> 00:28:06,200
Speaker 1: about it. But my advice to any young or anybody,

488
00:28:06,280 --> 00:28:09,160
Speaker 1: any million anybody within the sound of my voice, if

489
00:28:09,160 --> 00:28:11,040
Speaker 1: you get a chance home and get out of the street.

490
00:28:11,680 --> 00:28:14,240
Speaker 1: Everybody really know that. It feel like I'm just seeing

491
00:28:14,240 --> 00:28:16,760
Speaker 1: into the quiet at this point, feel like I'm just

492
00:28:16,800 --> 00:28:19,639
Speaker 1: preaching to the quiet. This point seemed like everybody should

493
00:28:19,680 --> 00:28:21,920
Speaker 1: know the streets ain't what it is, except the one

494
00:28:21,960 --> 00:28:26,439
Speaker 1: that didn't come from the street. The wannabes like Takasha.

495
00:28:26,720 --> 00:28:29,919
Speaker 1: You understand dudes like that, we expect them kind of guys.

496
00:28:29,920 --> 00:28:32,560
Speaker 1: They still want to indulge in what they don't understand.

497
00:28:32,600 --> 00:28:35,439
Speaker 1: But those that understand the streets, I would figure all

498
00:28:35,600 --> 00:28:39,040
Speaker 1: lesson to know and to be well informed that everything

499
00:28:39,120 --> 00:28:41,440
Speaker 1: we lost come from dying. This streets ain't no sensing.

500
00:28:41,560 --> 00:28:45,600
Speaker 1: Now it's pleasant on the other side. Young, them little

501
00:28:45,600 --> 00:28:48,040
Speaker 1: stripes I got from overa calls me a lot boy.

502
00:28:48,080 --> 00:28:51,520
Speaker 1: Them motherfus expensive and they ain't got no value know

503
00:28:51,600 --> 00:28:56,240
Speaker 1: where but the penitential and the street. The penitential in

504
00:28:56,280 --> 00:28:58,760
Speaker 1: the street the only place that should work. And it's

505
00:28:58,800 --> 00:29:01,360
Speaker 1: finna stop working there because they make guns big enough

506
00:29:01,400 --> 00:29:06,320
Speaker 1: to exterminate, Nick. So you better be careful with where

507
00:29:06,360 --> 00:29:09,960
Speaker 1: you get your stripes from. Where you're shopping, that where

508
00:29:09,960 --> 00:29:12,440
Speaker 1: you got your mind, That where you're picking from. Nick,

509
00:29:13,720 --> 00:29:16,320
Speaker 1: you want a degree or you want a first degree. Nick,

510
00:29:18,080 --> 00:29:20,719
Speaker 1: I'm talking about putting game down. You keep telling me

511
00:29:20,800 --> 00:29:25,240
Speaker 1: what you think about it. I gotta understand what's next

512
00:29:25,240 --> 00:29:28,080
Speaker 1: for my children this world. I can't leave them without

513
00:29:28,080 --> 00:29:30,920
Speaker 1: an understanding of some of these bulls. Whatever I can

514
00:29:30,960 --> 00:29:34,200
Speaker 1: speak on, whatever limited understanding I have, because I'm not

515
00:29:34,280 --> 00:29:37,400
Speaker 1: smarter than the knicks man by no means. My experiences

516
00:29:37,680 --> 00:29:40,200
Speaker 1: had just has caused me to evolve in a certain

517
00:29:40,280 --> 00:29:43,120
Speaker 1: kind of way, the same way to shark only gets

518
00:29:43,120 --> 00:29:45,520
Speaker 1: a certain size if you put it in a tank.

519
00:29:46,040 --> 00:29:48,480
Speaker 1: It's the same way that they have curated the my

520
00:29:48,560 --> 00:29:51,280
Speaker 1: ability to understand some of the bulls that they place

521
00:29:51,360 --> 00:29:53,520
Speaker 1: in front of us and call it coach. I've been

522
00:29:53,560 --> 00:29:57,480
Speaker 1: speaking on it. It's part of my mother repertoires, part

523
00:29:57,480 --> 00:30:00,080
Speaker 1: of my ingredients. I stand on it. But you how

524
00:30:00,160 --> 00:30:02,320
Speaker 1: to hit me, homie. It's imperative to get out of

525
00:30:02,360 --> 00:30:08,200
Speaker 1: the street. Got everybody depending on you home. Just think

526
00:30:08,240 --> 00:30:10,480
Speaker 1: about it like this. I heard Willow say this, and

527
00:30:10,520 --> 00:30:12,200
Speaker 1: it was good game, and I didn't put it in

528
00:30:12,280 --> 00:30:16,040
Speaker 1: my back pocket ever since I heard him said the

529
00:30:16,240 --> 00:30:18,840
Speaker 1: nobody in a honey years in your family might can't

530
00:30:18,920 --> 00:30:25,560
Speaker 1: hustle like you. That ability you got, Antonio Browning and

531
00:30:25,720 --> 00:30:28,040
Speaker 1: catch it. May it may be a honey years for

532
00:30:28,120 --> 00:30:30,280
Speaker 1: your family. Get another one of them. You better figure

533
00:30:30,320 --> 00:30:33,320
Speaker 1: something out about that paper. Why you got a chance,

534
00:30:33,960 --> 00:30:36,520
Speaker 1: say loan. Your kids may don't got the hustle you got.

535
00:30:36,560 --> 00:30:40,800
Speaker 1: You better figure something out. They may ain't produce Nobody

536
00:30:40,800 --> 00:30:43,200
Speaker 1: else in your family. With that understanding, you may be

537
00:30:43,240 --> 00:30:46,360
Speaker 1: the last entrepreneur for foul the year. We hope not,

538
00:30:47,720 --> 00:30:50,200
Speaker 1: but hope it's not a strategist. So we gotta hustle

539
00:30:50,280 --> 00:30:53,479
Speaker 1: like nobody else gonna. I gotta sit ed boat up,

540
00:30:54,000 --> 00:30:56,320
Speaker 1: and so you gotta seize the moment. And the moment

541
00:30:56,400 --> 00:30:58,520
Speaker 1: that you're gonna seize in the street ain't gonna give

542
00:30:58,560 --> 00:31:02,320
Speaker 1: you no motherfucking money. The moments you're gonna see it

543
00:31:02,400 --> 00:31:04,080
Speaker 1: is in the streets. All of them little moments, all

544
00:31:04,080 --> 00:31:06,040
Speaker 1: of them little moments you can hang up on your wall.

545
00:31:07,440 --> 00:31:09,360
Speaker 1: I mean, I was in the club, dude, he got wrong?

546
00:31:09,440 --> 00:31:11,200
Speaker 1: What I do? What to tell her? What I done?

547
00:31:11,280 --> 00:31:13,360
Speaker 1: Ken fault down the heat man, he come through. He

548
00:31:13,440 --> 00:31:16,320
Speaker 1: knocked five of them that one night. And it ain't

549
00:31:16,320 --> 00:31:20,080
Speaker 1: worth nothing nowhere but their conversation right there. I expect

550
00:31:20,200 --> 00:31:23,560
Speaker 1: us to be smart enough to know the streets is

551
00:31:23,600 --> 00:31:26,200
Speaker 1: a place that taught us things that we can use

552
00:31:26,280 --> 00:31:30,880
Speaker 1: to execute in the industry, and not once particular industry.

553
00:31:30,920 --> 00:31:36,480
Speaker 1: We run circles around people because the mind said, because

554
00:31:36,560 --> 00:31:38,600
Speaker 1: what it took for us to had to climb out

555
00:31:38,600 --> 00:31:41,240
Speaker 1: of whatever hell hole they thought we was buried in.

556
00:31:42,760 --> 00:31:47,320
Speaker 1: Every scratch, every claud every inch, every move up. We

557
00:31:47,400 --> 00:31:51,880
Speaker 1: remember what it took. We remember right and the fact

558
00:31:51,920 --> 00:31:54,240
Speaker 1: that you didn't drive through that tunnel. You can't tell

559
00:31:54,280 --> 00:31:58,680
Speaker 1: nobody what the light said. And so for us, man,

560
00:31:58,760 --> 00:32:02,680
Speaker 1: we are able to provide other people who share the

561
00:32:02,760 --> 00:32:07,800
Speaker 1: same experience a place to dwell. But all the voices

562
00:32:07,840 --> 00:32:09,880
Speaker 1: in the culture got to be louder, and we gotta

563
00:32:09,920 --> 00:32:13,400
Speaker 1: amplify voices. That's saying, yo nah, y'all listen, yo yo yo,

564
00:32:16,240 --> 00:32:19,800
Speaker 1: cut it streets over with you pass that I'm talking

565
00:32:19,840 --> 00:32:23,560
Speaker 1: about completely. Let the homies know. If they can't respect it,

566
00:32:23,640 --> 00:32:27,000
Speaker 1: stay out the will until they can respect it. And

567
00:32:27,080 --> 00:32:29,360
Speaker 1: it don't mean when you come over here, I'm blessing it.

568
00:32:29,360 --> 00:32:32,400
Speaker 1: Everybody with an m off the rill. It may take,

569
00:32:32,440 --> 00:32:36,000
Speaker 1: it may take some, but now we can't mixing bleeding

570
00:32:36,080 --> 00:32:39,920
Speaker 1: these two right now, man, this opportunity that won't allow

571
00:32:40,040 --> 00:32:41,719
Speaker 1: for me to fuck it up. I may not have

572
00:32:41,760 --> 00:32:44,440
Speaker 1: another one of these in my family for a hunting year.

573
00:32:46,000 --> 00:32:50,080
Speaker 1: And in my opinion, street no, if you still if

574
00:32:50,120 --> 00:32:52,440
Speaker 1: you got any other way to get some legal money

575
00:32:52,440 --> 00:32:54,720
Speaker 1: that can sustain your lifestyle, and you're still in the

576
00:32:54,760 --> 00:32:57,320
Speaker 1: streets trying to mix them bleeding and bullish it around

577
00:32:57,400 --> 00:33:02,800
Speaker 1: all day. Are you fishing with your hands? Nick? You

578
00:33:02,920 --> 00:33:07,200
Speaker 1: look fishing with your hands. You understand you're fishing with

579
00:33:07,240 --> 00:33:09,320
Speaker 1: your hands. You don't know what's under that water, man

580
00:33:09,440 --> 00:33:12,200
Speaker 1: I'm talking about. I remember my last charge in two

581
00:33:12,240 --> 00:33:17,520
Speaker 1: thousand and sixteen. My lawyer, Richard McGee told me. He said, long,

582
00:33:18,680 --> 00:33:20,880
Speaker 1: what are you doing? At this time? I had some

583
00:33:20,960 --> 00:33:23,760
Speaker 1: industries going on, and he had helped me close a

584
00:33:23,760 --> 00:33:26,000
Speaker 1: few deals, so he knew what was going on with me.

585
00:33:26,040 --> 00:33:28,720
Speaker 1: I would run even entertainment things through his firm, and

586
00:33:29,360 --> 00:33:32,680
Speaker 1: so he's helped me clear a couple of chicks, so

587
00:33:32,720 --> 00:33:35,000
Speaker 1: he knew. Like, yo, you bugging out? He liked, bro,

588
00:33:35,640 --> 00:33:40,120
Speaker 1: this is my lawyer this twenty sixteen. He said, it's

589
00:33:40,120 --> 00:33:42,880
Speaker 1: more informants out here than it is just customers. The

590
00:33:43,040 --> 00:33:47,080
Speaker 1: ratio ain't even right. You're smarter than this. He didn't

591
00:33:47,080 --> 00:33:49,240
Speaker 1: say out that, but in my mind it's what I'm thinking.

592
00:33:49,240 --> 00:33:52,760
Speaker 1: When he said it's more informants out here than regular people.

593
00:33:52,840 --> 00:33:55,120
Speaker 1: This is how he put it, A white lawyer slicking.

594
00:33:55,400 --> 00:33:58,640
Speaker 1: Now for me what I translated and said, damn, So

595
00:33:58,680 --> 00:34:01,440
Speaker 1: it's more informist than custom mus that ratio off. I'm

596
00:34:01,440 --> 00:34:04,160
Speaker 1: a risk and I'm a risk assessment that don't make

597
00:34:04,240 --> 00:34:08,040
Speaker 1: heat kind of decision him in the game where everybody

598
00:34:08,160 --> 00:34:12,840
Speaker 1: I'm plucking from three out of ten is cool and

599
00:34:12,960 --> 00:34:15,839
Speaker 1: the other salm is either police ain't gonna pay money,

600
00:34:15,880 --> 00:34:18,720
Speaker 1: ain't no, it's something going on with them them odds

601
00:34:18,880 --> 00:34:22,480
Speaker 1: is off and then they got a way to play

602
00:34:22,480 --> 00:34:24,640
Speaker 1: with the taxis like, it's just game. We gotta be

603
00:34:24,680 --> 00:34:26,960
Speaker 1: put up on. That's why Champion Richard are in your

604
00:34:27,040 --> 00:34:29,600
Speaker 1: leaves and this game we need to be put up on.

605
00:34:30,920 --> 00:34:33,120
Speaker 1: You know what I'm saying. But if you're still in

606
00:34:33,120 --> 00:34:35,520
Speaker 1: the streets and you've been provided any kind of luxury,

607
00:34:35,520 --> 00:34:37,359
Speaker 1: and this is for me to letting us know who

608
00:34:37,520 --> 00:34:41,359
Speaker 1: listening home. If you got the ability to Homer transition,

609
00:34:41,400 --> 00:34:43,520
Speaker 1: if you got a head for me, and this is

610
00:34:43,560 --> 00:34:46,240
Speaker 1: to you, it's with five six, seven, eight hundred thousand

611
00:34:46,560 --> 00:34:50,799
Speaker 1: dirty money, go buy something, Go buy business. Don't be

612
00:34:50,880 --> 00:34:55,200
Speaker 1: the dumbest nick two feet. Stop fishing with your hands.

613
00:34:55,440 --> 00:34:57,560
Speaker 1: You keep going to see the plug we head for me?

614
00:34:58,560 --> 00:35:02,640
Speaker 1: Who taught you looking game? Nor an opportunity. When you

615
00:35:02,680 --> 00:35:06,160
Speaker 1: got an opportunity, you got capital. If you're street with

616
00:35:06,239 --> 00:35:08,080
Speaker 1: some money, you got capital. That's what a lot of

617
00:35:08,120 --> 00:35:12,879
Speaker 1: businesses is needing, especially without bank input. You got capital home,

618
00:35:12,920 --> 00:35:15,480
Speaker 1: and you gotta turn that into summer. And so I'm

619
00:35:15,520 --> 00:35:18,160
Speaker 1: trying to help me understand how to navigate from the

620
00:35:18,160 --> 00:35:20,560
Speaker 1: street to the other side, because it's pleasant on the

621
00:35:20,600 --> 00:35:23,239
Speaker 1: other side. But I also know I can't just tell it.

622
00:35:23,440 --> 00:35:25,680
Speaker 1: The first of all, you're gonna have to take a risk.

623
00:35:25,840 --> 00:35:27,520
Speaker 1: But then you're gonna have to turn the ball and

624
00:35:27,640 --> 00:35:30,479
Speaker 1: all for a second. Yeah, you got to turn the ball.

625
00:35:30,520 --> 00:35:33,600
Speaker 1: And I Janeil ain't gonna see you for just a second, Gooch,

626
00:35:33,640 --> 00:35:35,759
Speaker 1: You're gonna have to hold love. Louis gonna have to say,

627
00:35:35,800 --> 00:35:38,520
Speaker 1: give me just a moment. I'm stacking in paper right now.

628
00:35:38,520 --> 00:35:40,920
Speaker 1: I'm on a mission. I got my eyes on something,

629
00:35:40,920 --> 00:35:43,000
Speaker 1: and they say that I gotta leave y'all just for

630
00:35:43,080 --> 00:35:45,399
Speaker 1: a second. But boy, when I come back, I'm gonna

631
00:35:45,440 --> 00:35:49,600
Speaker 1: double and triple up if I want to. But we

632
00:35:49,680 --> 00:35:52,239
Speaker 1: gotta learn how to turn the balling off and turn

633
00:35:52,320 --> 00:35:55,399
Speaker 1: our hustle along and know how to transition. I tell

634
00:35:55,760 --> 00:35:58,239
Speaker 1: all the time, if you fail to plan, you're playing

635
00:35:58,280 --> 00:36:01,640
Speaker 1: the field. Look at it for what is worth. You

636
00:36:01,760 --> 00:36:05,080
Speaker 1: got capital. Your only thing is now is to move

637
00:36:05,120 --> 00:36:08,719
Speaker 1: it into some sort of business. But I forgive you this.

638
00:36:09,040 --> 00:36:11,319
Speaker 1: I forgive you because I know it's rough. I know

639
00:36:11,400 --> 00:36:13,680
Speaker 1: it's hard. I know ain't nobody told no Nick, I

640
00:36:13,680 --> 00:36:16,080
Speaker 1: don't know how to turn the ball. And I'll shout out,

641
00:36:16,080 --> 00:36:18,759
Speaker 1: I'm fucking when she loving how ideas? Right now? We

642
00:36:18,920 --> 00:36:21,880
Speaker 1: live in like kings. But I gotta sacrifice what I

643
00:36:22,000 --> 00:36:26,000
Speaker 1: got for what I need. I gotta baby to sit

644
00:36:26,120 --> 00:36:29,560
Speaker 1: baby down. Hey, baby, we need to transition. What we

645
00:36:29,680 --> 00:36:32,200
Speaker 1: got right now it's cool, but what we need is

646
00:36:32,239 --> 00:36:36,879
Speaker 1: what we gotta get after. And so I'm just trying

647
00:36:36,880 --> 00:36:38,600
Speaker 1: to get in the game because I know. You don't

648
00:36:38,640 --> 00:36:41,359
Speaker 1: break a bird wing and tell him to fly. You don't.

649
00:36:41,440 --> 00:36:43,560
Speaker 1: You don't take the street from me and tell now

650
00:36:43,640 --> 00:36:47,680
Speaker 1: what I got four hundred thousand now what. Somebody gotta

651
00:36:47,719 --> 00:36:50,040
Speaker 1: lay some blueprints down. That's why we gotta lock in

652
00:36:50,080 --> 00:36:52,520
Speaker 1: with the real ones and get that information to the people.

653
00:36:52,840 --> 00:36:54,680
Speaker 1: But man, you gotta get out of the street. If

654
00:36:54,680 --> 00:36:57,040
Speaker 1: you're still in the street, you're fishing with your head.

655
00:36:58,040 --> 00:37:00,239
Speaker 1: The other thing. I was thinking about what the other

656
00:37:00,280 --> 00:37:03,120
Speaker 1: thing is like when you're listening to him and say

657
00:37:03,160 --> 00:37:09,480
Speaker 1: ten years, I've already pointed out that ten years is

658
00:37:09,560 --> 00:37:12,160
Speaker 1: a long time to be running an investigation number one,

659
00:37:12,280 --> 00:37:16,680
Speaker 1: because it's expensive. Number two, that would mean that, cording

660
00:37:16,719 --> 00:37:19,279
Speaker 1: to you, you've allowed a certain level of crime to

661
00:37:19,360 --> 00:37:22,200
Speaker 1: continue on those streets that you care about so much.

662
00:37:22,239 --> 00:37:25,080
Speaker 1: These are interesting facts and these are just surface level.

663
00:37:26,160 --> 00:37:29,680
Speaker 1: Pretty sure underneath that there's some things that can be questioned,

664
00:37:29,680 --> 00:37:32,320
Speaker 1: and we don't say whether or not people are innocent

665
00:37:32,440 --> 00:37:35,560
Speaker 1: or guilty on this side. We just want to point

666
00:37:35,560 --> 00:37:39,800
Speaker 1: out the very complex strategies that's being used to target

667
00:37:39,840 --> 00:37:43,480
Speaker 1: some of the names that's involved with our culture. At

668
00:37:43,480 --> 00:37:47,040
Speaker 1: a high level, I think without having that conversation, we

669
00:37:47,160 --> 00:37:51,200
Speaker 1: ignore very big piece of what targeting gains and things

670
00:37:51,280 --> 00:37:55,360
Speaker 1: like that indicating I think that we can't function without

671
00:37:55,400 --> 00:38:01,960
Speaker 1: identifying exactly what's happening, right, I think dealing with thug situation,

672
00:38:02,040 --> 00:38:04,640
Speaker 1: it's rough and it's complex. You know, my concerns are

673
00:38:04,680 --> 00:38:08,200
Speaker 1: complex as well. But I think about all the video guys.

674
00:38:08,239 --> 00:38:10,440
Speaker 1: You grabbed twenty eight people. A lot of those guys

675
00:38:10,440 --> 00:38:13,799
Speaker 1: being artists, they grabbed a lot of the label, but

676
00:38:13,920 --> 00:38:16,600
Speaker 1: you grabbed twenty eight people. All the video guys just

677
00:38:16,760 --> 00:38:20,080
Speaker 1: hit all the producers see the will to do label guys,

678
00:38:20,120 --> 00:38:23,080
Speaker 1: they're okay, they are afraid as well, not afraid but

679
00:38:23,440 --> 00:38:26,279
Speaker 1: they may see a spike right now. But depending on

680
00:38:26,280 --> 00:38:28,800
Speaker 1: how long these guys are gone, this is an asset

681
00:38:28,880 --> 00:38:31,200
Speaker 1: that you have behind balls, so they may look at

682
00:38:31,200 --> 00:38:36,839
Speaker 1: it from I would give them anxious I wouldn't even

683
00:38:36,840 --> 00:38:40,440
Speaker 1: give them emotionally attached to it. I would hope names

684
00:38:40,480 --> 00:38:43,120
Speaker 1: like Leo Corn and things like that would stand by

685
00:38:43,160 --> 00:38:47,600
Speaker 1: aside some of them people involved in three hundred Kevin

686
00:38:47,680 --> 00:38:51,239
Speaker 1: Lyles and some of the biggest names in music. You know.

687
00:38:51,320 --> 00:38:54,640
Speaker 1: But again, if you don't made it past the gunlin

688
00:38:54,800 --> 00:38:58,800
Speaker 1: and you steal in the street, you're fishing with your hands.

689
00:38:59,400 --> 00:39:01,480
Speaker 1: And I want kids to know, and the coach and

690
00:39:01,600 --> 00:39:03,600
Speaker 1: our own lookers and the people that really is not

691
00:39:03,719 --> 00:39:09,319
Speaker 1: familiar with high things work to understand something. Thugger went

692
00:39:09,360 --> 00:39:15,719
Speaker 1: to jail, but he had to take Jeffrey with him. See,

693
00:39:15,760 --> 00:39:20,320
Speaker 1: the thing is is that sometimes when rappers or podcasters

694
00:39:20,400 --> 00:39:23,640
Speaker 1: or athletes or some of these big star nick come out,

695
00:39:23,680 --> 00:39:26,759
Speaker 1: they can leave Jeffre at home. They can leave the Yeah,

696
00:39:26,800 --> 00:39:29,560
Speaker 1: they regular self at the house, and brain got the

697
00:39:30,080 --> 00:39:34,320
Speaker 1: the rapper, brain got the athlete, brain got the character

698
00:39:34,400 --> 00:39:36,560
Speaker 1: of what you know them to be, even though that's

699
00:39:36,640 --> 00:39:38,600
Speaker 1: part of me, but it's still the other side. Of

700
00:39:38,600 --> 00:39:40,840
Speaker 1: me that I tend to leave at the house. But

701
00:39:40,920 --> 00:39:43,200
Speaker 1: when they take you to the penitential, they take you

702
00:39:43,239 --> 00:39:46,560
Speaker 1: to jail, you gotta take both of them coming with you.

703
00:39:48,040 --> 00:39:51,600
Speaker 1: So the things that affect thugger may not affect Jeffrey,

704
00:39:52,080 --> 00:39:56,880
Speaker 1: but everything that affect Jeffrey affect thugger. And when they

705
00:39:56,960 --> 00:40:01,799
Speaker 1: lock you up, they go past that wall, that celebrity wall,

706
00:40:01,920 --> 00:40:05,439
Speaker 1: and now they're affecting everything personal. You go to jail

707
00:40:05,480 --> 00:40:07,439
Speaker 1: with your rep. You go to jail with the little

708
00:40:07,520 --> 00:40:10,040
Speaker 1: name you got on the street, the million dollars status,

709
00:40:10,080 --> 00:40:13,120
Speaker 1: and I'll let but your kid them kids, dad, they

710
00:40:13,160 --> 00:40:19,759
Speaker 1: go to jail. That woman's son go to jail. Then

711
00:40:19,840 --> 00:40:23,760
Speaker 1: people that you know, your untie, favorite nephew go to jail.

712
00:40:25,200 --> 00:40:28,360
Speaker 1: You understand, My bestie go to jail, My brother go

713
00:40:28,440 --> 00:40:32,040
Speaker 1: to jail. These is family. It's a hit a little different,

714
00:40:32,719 --> 00:40:36,200
Speaker 1: you understand. So you know, I need the kids to understand.

715
00:40:36,200 --> 00:40:40,080
Speaker 1: And when we outside and we're doing things right, and again,

716
00:40:41,080 --> 00:40:45,359
Speaker 1: trust me, I understand the maze. This isn't amaze. It

717
00:40:45,360 --> 00:40:49,640
Speaker 1: ain't just as simple as get out the car. You know,

718
00:40:49,719 --> 00:40:52,520
Speaker 1: I made the analogy about the dad thing. Hey don't

719
00:40:52,560 --> 00:40:55,200
Speaker 1: smoke drugs. It's bad for you. Now you got the

720
00:40:55,200 --> 00:40:57,400
Speaker 1: tailor that a little different. They got to feel what

721
00:40:57,520 --> 00:41:01,160
Speaker 1: you're saying. Where we come from, people's we're good at

722
00:41:01,200 --> 00:41:05,600
Speaker 1: saying things. We got we got to feel it. That's

723
00:41:05,640 --> 00:41:09,000
Speaker 1: why preachers go so far, because they deliver those messages

724
00:41:09,000 --> 00:41:11,759
Speaker 1: with passion. And when you can deliver it and people

725
00:41:11,840 --> 00:41:14,600
Speaker 1: can feel it, it just clicks a different things some

726
00:41:14,680 --> 00:41:17,520
Speaker 1: kind of way. Not only does the wrapper or the

727
00:41:17,640 --> 00:41:22,120
Speaker 1: athlete or whoever's regular self, your most vulnerable self, that

728
00:41:22,280 --> 00:41:24,319
Speaker 1: you can stay in the house a few days because

729
00:41:24,360 --> 00:41:27,520
Speaker 1: you ain't feeling good, you don't want to be bothered.

730
00:41:28,800 --> 00:41:31,520
Speaker 1: Ain't none of that in the jail. So you take him.

731
00:41:31,600 --> 00:41:34,480
Speaker 1: He has to go into the jail as well. Not

732
00:41:34,600 --> 00:41:39,080
Speaker 1: just this big bravado, big gangster stand on business, but

733
00:41:39,200 --> 00:41:41,839
Speaker 1: not only that. When I deal with how they look

734
00:41:41,880 --> 00:41:44,319
Speaker 1: at me and my homeboard. That's why I'm careful with

735
00:41:44,400 --> 00:41:48,080
Speaker 1: how move with this thing. That's why you don't hear

736
00:41:48,120 --> 00:41:50,640
Speaker 1: me do certain things or say certain things. I'm fully

737
00:41:50,719 --> 00:41:53,640
Speaker 1: aware of how if they come get me. I just

738
00:41:53,680 --> 00:41:55,840
Speaker 1: said it. They got to come under water to get me.

739
00:41:57,080 --> 00:42:01,239
Speaker 1: They got to go under water to get me. Na, Na,

740
00:42:01,280 --> 00:42:04,000
Speaker 1: it ain't none, ain't none. Hand it ain't none showing

741
00:42:04,120 --> 00:42:06,399
Speaker 1: on top of the wall. They ain't sell like, ain't

742
00:42:06,440 --> 00:42:09,000
Speaker 1: nothing going on in it. You got to come underwater

743
00:42:09,080 --> 00:42:13,360
Speaker 1: to see. Man, it's ten million fishing this mother, you know.

744
00:42:13,440 --> 00:42:17,200
Speaker 1: But we you know, ain't gonna be no situation. I

745
00:42:17,239 --> 00:42:21,440
Speaker 1: would hope that I'm aware or that I'm further in

746
00:42:21,560 --> 00:42:26,399
Speaker 1: any kind of understanding of what could be considered involvement

747
00:42:26,480 --> 00:42:28,480
Speaker 1: in any kind of thing that would be on the

748
00:42:28,560 --> 00:42:31,120
Speaker 1: other side of what it's viewed as the law. You

749
00:42:31,200 --> 00:42:33,200
Speaker 1: know what I'm saying. I would I just can't put

750
00:42:33,239 --> 00:42:36,080
Speaker 1: myself in those kind of situations, at least I try

751
00:42:36,160 --> 00:42:38,879
Speaker 1: not to. But there is a thing where they can

752
00:42:38,920 --> 00:42:42,480
Speaker 1: call you and your homeboard as a game, you know,

753
00:42:42,600 --> 00:42:44,279
Speaker 1: just me and my home is they can they can

754
00:42:44,360 --> 00:42:46,919
Speaker 1: classify that as a game, man, And they only kind

755
00:42:46,920 --> 00:42:49,839
Speaker 1: of do that to us. They're very specific on how

756
00:42:49,880 --> 00:42:55,600
Speaker 1: they use that. The gang word. They're very specific. You

757
00:42:55,600 --> 00:42:57,919
Speaker 1: can rush the capital. They won't call you a gag.

758
00:42:57,960 --> 00:43:00,399
Speaker 1: You can be the KKK. They won't call you a game.

759
00:43:00,840 --> 00:43:04,359
Speaker 1: But some black men, some finger signs and a little

760
00:43:04,400 --> 00:43:09,360
Speaker 1: sagging and some money going on gear them, they're a game.

761
00:43:09,800 --> 00:43:12,000
Speaker 1: And that's how they get us every time. Because I

762
00:43:12,040 --> 00:43:14,440
Speaker 1: want to talk to the people who who are gonna

763
00:43:14,440 --> 00:43:17,440
Speaker 1: say And my messages always get out the pool, right,

764
00:43:17,719 --> 00:43:20,440
Speaker 1: That's all. Always my message, Get out of the pool,

765
00:43:20,480 --> 00:43:23,000
Speaker 1: get out of the street. Ain't nothing can't do number

766
00:43:23,080 --> 00:43:25,680
Speaker 1: drowning there or your skin get wrinkly. It's just get

767
00:43:25,680 --> 00:43:28,839
Speaker 1: out the pool. Ain't nothing in the pool. Drive Let's

768
00:43:28,880 --> 00:43:32,360
Speaker 1: get something else gone, right. I'm always telling dudes to

769
00:43:32,480 --> 00:43:36,160
Speaker 1: exit the street. I'm always diligent in that. I'm always

770
00:43:36,239 --> 00:43:39,040
Speaker 1: trying to be instrumental in guys having an understanding on

771
00:43:39,480 --> 00:43:42,120
Speaker 1: connection with earn your leads or some of the people

772
00:43:42,160 --> 00:43:45,400
Speaker 1: on their platform to provide you a runway to become

773
00:43:45,440 --> 00:43:47,880
Speaker 1: an entrepreneur with the money you got, the risk, you

774
00:43:48,000 --> 00:43:52,120
Speaker 1: willing to take, the understanding of marketing strategy, you have

775
00:43:52,360 --> 00:43:56,080
Speaker 1: your ability to supplying the man and understand that and

776
00:43:56,200 --> 00:44:00,879
Speaker 1: even forecasts. Right, some of these three dudes a high

777
00:44:01,000 --> 00:44:04,359
Speaker 1: level entrepreneurs, and sometimes they just don't have a blueprint.

778
00:44:04,640 --> 00:44:06,959
Speaker 1: It need to be packaged, it need to be put

779
00:44:07,000 --> 00:44:10,359
Speaker 1: to them in a way that's not only tangible but digestible.

780
00:44:10,360 --> 00:44:13,040
Speaker 1: And sometimes we're able to bridge those gaps. But I

781
00:44:13,080 --> 00:44:14,959
Speaker 1: want to talk to the people who look at thug

782
00:44:15,080 --> 00:44:16,879
Speaker 1: and some of the rap dudes they get in their

783
00:44:16,920 --> 00:44:20,520
Speaker 1: career and they get going and they become multimillion dollar dudes,

784
00:44:20,600 --> 00:44:23,239
Speaker 1: and then they make some of these mistakes, and we

785
00:44:23,360 --> 00:44:25,840
Speaker 1: all look at these things and say that the fool

786
00:44:25,960 --> 00:44:29,520
Speaker 1: is only trick once. Right. So, if we're from the

787
00:44:29,560 --> 00:44:33,320
Speaker 1: streets and we've been involved with criminal activity or possibly

788
00:44:33,360 --> 00:44:35,960
Speaker 1: being arrested at a young age, we know that the

789
00:44:36,000 --> 00:44:39,399
Speaker 1: clock has stopped on our involvement and being in any

790
00:44:39,480 --> 00:44:42,120
Speaker 1: kind of game that takes all this away from us.

791
00:44:42,600 --> 00:44:45,319
Speaker 1: We now become a trampoline to the people we love

792
00:44:45,400 --> 00:44:48,680
Speaker 1: and to do anything outside of secure that will make

793
00:44:48,760 --> 00:44:51,080
Speaker 1: us a fool and a fool and a fool, and

794
00:44:51,120 --> 00:44:55,080
Speaker 1: this money will soon part ways. What we will never

795
00:44:55,160 --> 00:44:57,640
Speaker 1: do is going a trick bag. So what we always

796
00:44:57,680 --> 00:45:00,800
Speaker 1: identify say, damn, these get up and they get to it.

797
00:45:00,920 --> 00:45:03,960
Speaker 1: But I have sympathy for what's been happening to us.

798
00:45:04,000 --> 00:45:07,439
Speaker 1: I know the trauma associated to the development of how

799
00:45:07,480 --> 00:45:10,799
Speaker 1: we came up, and I also know that we all

800
00:45:10,800 --> 00:45:15,000
Speaker 1: are human beings and creatures of habit I know how

801
00:45:15,000 --> 00:45:17,400
Speaker 1: the mind worse and the mind can be convinced of

802
00:45:17,520 --> 00:45:21,399
Speaker 1: things that may or may not be reality. You can

803
00:45:22,160 --> 00:45:24,760
Speaker 1: feel like you above the law, because you've been getting

804
00:45:24,800 --> 00:45:27,640
Speaker 1: millions for a while and ain't nothing really happened. We

805
00:45:27,760 --> 00:45:30,960
Speaker 1: got a secures tied up. It's tight around here. We

806
00:45:31,120 --> 00:45:33,360
Speaker 1: think we got it to a place now where we

807
00:45:33,560 --> 00:45:36,839
Speaker 1: damn that it's right this shift here rolling. That why

808
00:45:36,880 --> 00:45:40,080
Speaker 1: they came in, because they can't get us. You know,

809
00:45:40,200 --> 00:45:42,920
Speaker 1: you can go to thinking that, but it ain't never that.

810
00:45:44,120 --> 00:45:48,120
Speaker 1: It ain't never that. You in deep water. You don't

811
00:45:48,120 --> 00:45:52,920
Speaker 1: never relax in the middle of the ocean unless you

812
00:45:53,000 --> 00:45:54,960
Speaker 1: on a yacht. But this, it's in the middle of

813
00:45:54,960 --> 00:45:59,759
Speaker 1: the ocean in there, just just ay body humans just

814
00:45:59,840 --> 00:46:02,279
Speaker 1: in the middle of the ocean reletting. Now it's you

815
00:46:02,280 --> 00:46:04,959
Speaker 1: need to keep swimming to either go all the way

816
00:46:05,600 --> 00:46:09,560
Speaker 1: and and and try to figure something out, or gold

817
00:46:09,600 --> 00:46:11,759
Speaker 1: head getting money you can get and head back to

818
00:46:12,480 --> 00:46:16,000
Speaker 1: safety and figure something out. And I always remember, boy,

819
00:46:16,040 --> 00:46:17,920
Speaker 1: I know how to swim to that other side if

820
00:46:18,000 --> 00:46:20,000
Speaker 1: ever need be. Boy, I got the trick in my

821
00:46:20,120 --> 00:46:24,920
Speaker 1: back pocket, and that's how I always look at the street. Right.

822
00:46:25,000 --> 00:46:27,200
Speaker 1: They can't take from me what I know in the streets.

823
00:46:27,239 --> 00:46:29,759
Speaker 1: So if everything go left, because I ain't doing nothing.

824
00:46:29,840 --> 00:46:35,040
Speaker 1: If everything go left, god forbid. You see what I'm saying.

825
00:46:35,120 --> 00:46:38,880
Speaker 1: God forbid they sent us back to that devilish hell hole.

826
00:46:39,680 --> 00:46:42,680
Speaker 1: But if all let us fails, God know that we

827
00:46:42,840 --> 00:46:44,719
Speaker 1: know how to provide some kind of way for the

828
00:46:44,800 --> 00:46:48,640
Speaker 1: people we love. But again, being on so long and

829
00:46:49,680 --> 00:46:53,279
Speaker 1: nothing happening, but happening, you know what I'm saying. You

830
00:46:53,400 --> 00:46:55,719
Speaker 1: may go to thinking, But if it was me when

831
00:46:55,760 --> 00:46:57,919
Speaker 1: they got lucha, I probably would have thought they probably

832
00:46:58,080 --> 00:47:01,160
Speaker 1: they probably gonna try to calm because that's the trick

833
00:47:01,239 --> 00:47:03,920
Speaker 1: to get the dude you beefing win. Once they get

834
00:47:03,960 --> 00:47:05,640
Speaker 1: the dude you beef and win and tie you to

835
00:47:05,800 --> 00:47:08,399
Speaker 1: him again, they just use us against us to get

836
00:47:08,520 --> 00:47:11,000
Speaker 1: both of you at the way. But from the outside

837
00:47:11,080 --> 00:47:15,240
Speaker 1: looking then you look at dudes like thug and passing

838
00:47:15,400 --> 00:47:18,840
Speaker 1: over somebody that feel you look at him like, bro,

839
00:47:19,000 --> 00:47:20,839
Speaker 1: you win in the fight? What is you doing? Still

840
00:47:20,960 --> 00:47:23,719
Speaker 1: involving with that number? One? A win ain't a win

841
00:47:23,920 --> 00:47:30,120
Speaker 1: is always relative? Me said, boy, if they give you

842
00:47:30,280 --> 00:47:32,239
Speaker 1: two melli, boy, you know how to make it look

843
00:47:32,320 --> 00:47:37,799
Speaker 1: like folk. You understand it's because we have an understanding.

844
00:47:37,920 --> 00:47:40,279
Speaker 1: Like yo, you think a two million dollars a win

845
00:47:40,360 --> 00:47:43,279
Speaker 1: because I may make it look like folk me, but

846
00:47:43,440 --> 00:47:46,040
Speaker 1: really I need eight million to feel like I want,

847
00:47:46,680 --> 00:47:48,520
Speaker 1: but you don't know that because a win and you

848
00:47:48,800 --> 00:47:51,120
Speaker 1: is just getting out of that hellhole we come from

849
00:47:51,200 --> 00:47:54,279
Speaker 1: and what we call home. So I get it right,

850
00:47:54,360 --> 00:47:58,120
Speaker 1: it's alway he's relative, but when it's in the fighting

851
00:47:58,600 --> 00:48:02,759
Speaker 1: and familiarity content. So say, I'm somebody in the game

852
00:48:02,920 --> 00:48:05,200
Speaker 1: up ten fifteen, twenty third in me and like this

853
00:48:05,320 --> 00:48:08,480
Speaker 1: ain't my first check. This my hundred and fifty good chick,

854
00:48:08,600 --> 00:48:13,160
Speaker 1: and not him put in position to give me. So now, however, operator,

855
00:48:13,200 --> 00:48:15,640
Speaker 1: I think I got this bottle nick, and I think

856
00:48:15,719 --> 00:48:19,879
Speaker 1: the game belong to me, And it ain't really been

857
00:48:19,960 --> 00:48:22,680
Speaker 1: no major slip bub. They miss some things happening right well,

858
00:48:22,719 --> 00:48:24,640
Speaker 1: I'm talking about with me. Long as the head don't

859
00:48:24,680 --> 00:48:27,000
Speaker 1: come off the top of any thing, girl, you can

860
00:48:27,080 --> 00:48:29,960
Speaker 1: get another arm, you the arm or heel, you know

861
00:48:30,000 --> 00:48:32,640
Speaker 1: what I'm saying. But if their brain get up, that's

862
00:48:32,680 --> 00:48:36,840
Speaker 1: when the body have a real issue with surviving. And

863
00:48:37,000 --> 00:48:38,920
Speaker 1: that's what they try to do. They try to come

864
00:48:38,960 --> 00:48:41,880
Speaker 1: and get the brain of the operation, which is the

865
00:48:42,000 --> 00:48:46,240
Speaker 1: most with the finances with the operation, with the ability

866
00:48:46,320 --> 00:48:49,000
Speaker 1: to bust a mole. He'd got it. If they're getting

867
00:48:49,080 --> 00:48:52,040
Speaker 1: him everything girl seems to fall by itself. Just give

868
00:48:52,080 --> 00:48:56,240
Speaker 1: it time. You know what I'm saying. So that's the idea.

869
00:48:56,360 --> 00:48:58,680
Speaker 1: But sometimes you say they went in the fight. But

870
00:48:59,040 --> 00:49:01,880
Speaker 1: I was telling Paula, like, you don't know sometime in

871
00:49:02,040 --> 00:49:04,880
Speaker 1: that fight you don't know, Like it's why it's outside

872
00:49:04,960 --> 00:49:08,479
Speaker 1: the ring. It's Holly, watch for the job. The jab

873
00:49:08,680 --> 00:49:11,399
Speaker 1: is tang y up. It's because something's happening in the ring.

874
00:49:11,520 --> 00:49:15,800
Speaker 1: That's not translating something is you in there? You getting

875
00:49:15,880 --> 00:49:17,880
Speaker 1: hit with the jab and don't even know where is

876
00:49:17,880 --> 00:49:19,640
Speaker 1: it coming here? He I know he catched me, but

877
00:49:19,760 --> 00:49:22,040
Speaker 1: you throw on him too, So you know it's a

878
00:49:22,160 --> 00:49:27,200
Speaker 1: fight going on and war it's bigger than a fight

879
00:49:27,520 --> 00:49:30,520
Speaker 1: is so in the event that you win't war in

880
00:49:30,560 --> 00:49:32,839
Speaker 1: the street. That's why I'm saying, Bro, we gotta find

881
00:49:32,880 --> 00:49:37,040
Speaker 1: a way. We gotta find a way, man. But again,

882
00:49:37,200 --> 00:49:39,800
Speaker 1: a lot of that my bidness when death is involved,

883
00:49:39,800 --> 00:49:42,080
Speaker 1: because I try to get out of the way. You

884
00:49:42,160 --> 00:49:44,600
Speaker 1: know what I'm saying. But we'll move on, man. I

885
00:49:44,719 --> 00:49:47,640
Speaker 1: just want to say, free Ysel, free third, free that team.

886
00:49:48,000 --> 00:49:49,759
Speaker 1: To see what else we got to speak about this

887
00:49:50,440 --> 00:49:55,520
Speaker 1: this week, Let's talk about Fugiano and Renny Rucci. For

888
00:49:55,640 --> 00:49:59,560
Speaker 1: those of you other where Fugiano is artists from ten

889
00:49:59,560 --> 00:50:03,919
Speaker 1: to seven Team Gucer Maine's labeled it's currently incarcerated. He's

890
00:50:03,960 --> 00:50:07,800
Speaker 1: from George, has a couple of songs out, some platinum records,

891
00:50:08,600 --> 00:50:11,319
Speaker 1: some Baby Mam, a couple of records. He's doing super good.

892
00:50:11,360 --> 00:50:15,839
Speaker 1: Renny Rooch is also a female artist. Believe she's either

893
00:50:15,920 --> 00:50:18,080
Speaker 1: gold or platinum. She's been on love and hip hop

894
00:50:18,200 --> 00:50:21,520
Speaker 1: things like that, moving around. Right. So they was one

895
00:50:21,560 --> 00:50:23,600
Speaker 1: of the up and coming couples in hip hop that

896
00:50:23,719 --> 00:50:29,080
Speaker 1: people looked at, right food Giano Phail right in the street.

897
00:50:29,160 --> 00:50:31,000
Speaker 1: We call that following when you had to go and

898
00:50:31,120 --> 00:50:33,759
Speaker 1: do some of the time. So he went. He wanted

899
00:50:33,800 --> 00:50:37,560
Speaker 1: to have to turn itself into do some time in jail.

900
00:50:37,719 --> 00:50:43,240
Speaker 1: And this is what things get real, because the relationships

901
00:50:43,280 --> 00:50:47,680
Speaker 1: will be tried when jail is introduced. Right, anytime hardship

902
00:50:47,880 --> 00:50:53,160
Speaker 1: is introduced in any relationship, partnership involvement, this is what

903
00:50:53,320 --> 00:50:59,520
Speaker 1: the times will reveal. Who wouldn't winning well Now, in

904
00:50:59,719 --> 00:51:03,360
Speaker 1: me case, a lot of things tend to be revealed

905
00:51:03,840 --> 00:51:06,160
Speaker 1: that we didn't won't reveal once we go to the

906
00:51:06,320 --> 00:51:12,040
Speaker 1: jail because oftentimes a lot of those fifty two fake

907
00:51:12,120 --> 00:51:15,680
Speaker 1: guys we've been running has now came to fluition, whether

908
00:51:15,800 --> 00:51:18,320
Speaker 1: that be from phones we had to leave behind or

909
00:51:18,800 --> 00:51:23,439
Speaker 1: just clues we left behind that in the moment, it's

910
00:51:23,520 --> 00:51:25,600
Speaker 1: not in the wide open, but when you're gone for

911
00:51:25,719 --> 00:51:27,840
Speaker 1: a while, she got time to clean the house, or

912
00:51:27,920 --> 00:51:30,120
Speaker 1: she got time to do this or that. Some of

913
00:51:30,200 --> 00:51:32,319
Speaker 1: these things she's able to find, like oh, I found

914
00:51:32,360 --> 00:51:35,400
Speaker 1: the hotel kill or I found some condoms in the thing,

915
00:51:35,600 --> 00:51:38,680
Speaker 1: or I found this girl's number or there, whatever that

916
00:51:38,840 --> 00:51:41,080
Speaker 1: might be. That's happening a lot of times the jail

917
00:51:41,200 --> 00:51:47,520
Speaker 1: reveals true intentions from the man's side as well, not

918
00:51:47,719 --> 00:51:49,480
Speaker 1: saying none of this is the case here, but we

919
00:51:49,600 --> 00:51:52,600
Speaker 1: just want to examine that what happens when love is tested,

920
00:51:53,640 --> 00:51:57,440
Speaker 1: when love is in a situation have to be involved

921
00:51:57,560 --> 00:52:01,480
Speaker 1: in some turbulence. What happens when love isn't just calm,

922
00:52:01,719 --> 00:52:05,600
Speaker 1: It isn't just love it dovey, isn't just easy like

923
00:52:05,840 --> 00:52:11,439
Speaker 1: Sunday morning, when it's hard like Monday morning. Something saying,

924
00:52:11,520 --> 00:52:14,840
Speaker 1: when you put yourself in a situation where you love somebody,

925
00:52:14,920 --> 00:52:17,560
Speaker 1: but everything ain't gonna be peaches and cream spelling when

926
00:52:17,600 --> 00:52:22,080
Speaker 1: I fall on hard time, you know, my biggest feel

927
00:52:22,200 --> 00:52:24,320
Speaker 1: be like yo, I try to create moments that like

928
00:52:24,440 --> 00:52:27,160
Speaker 1: if something happened, you know that if I could, I would,

929
00:52:27,840 --> 00:52:30,759
Speaker 1: and when I did, I did. When I had it,

930
00:52:30,840 --> 00:52:34,880
Speaker 1: I did it right in case you know, something ever happened.

931
00:52:34,920 --> 00:52:37,759
Speaker 1: And sometimes dudes don't get their respect from what they

932
00:52:37,840 --> 00:52:40,920
Speaker 1: did when they was bawling and then they fall the

933
00:52:41,080 --> 00:52:43,480
Speaker 1: same girl you were bawling with won't even look at

934
00:52:43,520 --> 00:52:45,279
Speaker 1: you the same. And you know, if I had a

935
00:52:45,400 --> 00:52:48,200
Speaker 1: me and you know how you will be living. But

936
00:52:48,320 --> 00:52:52,520
Speaker 1: they don't got no respect for the future now, I mean,

937
00:52:52,600 --> 00:52:54,880
Speaker 1: they don't got no respect for your mind state. They

938
00:52:54,960 --> 00:52:58,400
Speaker 1: got respect for the present only right, So when you

939
00:52:58,520 --> 00:53:01,200
Speaker 1: deal with that and you go behind bars, and you

940
00:53:01,360 --> 00:53:04,279
Speaker 1: have to now try to have a balancing act in

941
00:53:04,440 --> 00:53:08,040
Speaker 1: regards to your relationship because you don't want hud to

942
00:53:08,160 --> 00:53:10,799
Speaker 1: have to do the time with you, but you also

943
00:53:10,920 --> 00:53:13,200
Speaker 1: don't want huw to do certain things that have put

944
00:53:13,239 --> 00:53:16,120
Speaker 1: you in a situation to feel played or feel like

945
00:53:17,320 --> 00:53:19,239
Speaker 1: you see what I'm saying, and it's like, damn, what

946
00:53:19,800 --> 00:53:21,960
Speaker 1: do you do? But one of the prayers you have

947
00:53:22,640 --> 00:53:25,120
Speaker 1: when you when you go to behind that prison wall

948
00:53:25,560 --> 00:53:28,680
Speaker 1: and you was a status of balling, you just prayed

949
00:53:28,719 --> 00:53:32,839
Speaker 1: that those memories that you created with old girl lasting years,

950
00:53:32,920 --> 00:53:36,319
Speaker 1: that you're facing. You know what I'm saying, if they

951
00:53:36,400 --> 00:53:38,920
Speaker 1: can just the trips to Paris, the trips over here,

952
00:53:38,960 --> 00:53:41,520
Speaker 1: the bags to this whatever it was, Just hope they

953
00:53:41,640 --> 00:53:45,239
Speaker 1: last these years that I'm facing behind this wall, man,

954
00:53:45,239 --> 00:53:48,040
Speaker 1: because I'm in a situation. But it don't lay a long.

955
00:53:48,160 --> 00:53:51,000
Speaker 1: It ain't gonna break me. You know, I'm a warrior,

956
00:53:51,600 --> 00:53:55,160
Speaker 1: you know what I'm made of this whole long Sometime

957
00:53:55,239 --> 00:53:57,600
Speaker 1: they just can't hold long. It get hard on them.

958
00:53:57,640 --> 00:54:00,640
Speaker 1: Though they get hard on them, it just ain't the

959
00:54:00,680 --> 00:54:02,880
Speaker 1: easy on them. So when we give them a pass right,

960
00:54:03,080 --> 00:54:05,520
Speaker 1: you know, the choosing thing, whatever you choose to do,

961
00:54:05,680 --> 00:54:08,000
Speaker 1: that show thing right, ain't wa ain't doing no gorilla.

962
00:54:08,400 --> 00:54:10,640
Speaker 1: Ain't none of that happened. And we're gonna keep it pee.

963
00:54:11,440 --> 00:54:13,600
Speaker 1: If it hurt, it's gonna hurt one, don't nobody know.

964
00:54:13,800 --> 00:54:17,280
Speaker 1: But we're gonna make sure that we're gonna bounce back major.

965
00:54:18,320 --> 00:54:21,120
Speaker 1: But I'd be hoping that the memories I created last

966
00:54:21,320 --> 00:54:24,759
Speaker 1: years i'm facing. Somebody tells somebody that I did something

967
00:54:24,760 --> 00:54:28,360
Speaker 1: about it. It's something I'm saying, don't that leave me

968
00:54:28,480 --> 00:54:30,480
Speaker 1: out to dry now? Because the folk got me in

969
00:54:30,520 --> 00:54:33,759
Speaker 1: a situation where I'm facing whatever y'all think is way

970
00:54:33,880 --> 00:54:36,520
Speaker 1: too much to handle them. But let's read the article.

971
00:54:36,680 --> 00:54:40,840
Speaker 1: What what we're said about Fujiano and renting. This is

972
00:54:40,920 --> 00:54:43,239
Speaker 1: from the Shade Room. All good things come to any

973
00:54:43,280 --> 00:54:46,799
Speaker 1: and Renny Roota had become a topic of discussion after

974
00:54:46,920 --> 00:54:51,440
Speaker 1: folks thought she was cheating on her fiance Fugiano. However,

975
00:54:51,560 --> 00:54:54,319
Speaker 1: this isn't the case, Rennie. Rennie has cleared the air

976
00:54:54,440 --> 00:54:57,520
Speaker 1: and announced she is no longer engaged. It can't be

977
00:54:57,760 --> 00:55:00,800
Speaker 1: Rapper tweeted, you can't cheat when you're single. If you

978
00:55:00,880 --> 00:55:04,320
Speaker 1: recall Rennie, show full tons of support while he serves

979
00:55:04,320 --> 00:55:07,440
Speaker 1: a five year jail sentence. Rennie roots you. Revealed she

980
00:55:07,560 --> 00:55:10,920
Speaker 1: is no longer engaged, right, and it was last year.

981
00:55:11,120 --> 00:55:13,560
Speaker 1: So on her thirtieth birthday, she shocked the world by

982
00:55:13,680 --> 00:55:17,400
Speaker 1: revealing that food pop the question behind boss and showed

983
00:55:17,440 --> 00:55:21,520
Speaker 1: a lavish engagement ring. So best birthday ever. So, speaking

984
00:55:21,560 --> 00:55:24,440
Speaker 1: of relationships and things, we'll talk about the baby and

985
00:55:24,560 --> 00:55:28,640
Speaker 1: down the lay. I always say, these relationships, these industry relationships,

986
00:55:28,719 --> 00:55:32,160
Speaker 1: get real tricky, right. It's like being in the woods

987
00:55:32,200 --> 00:55:35,600
Speaker 1: and finding somebody, if you can just find somebody, Because

988
00:55:35,640 --> 00:55:37,960
Speaker 1: I'm telling you black people that come from nothing that

989
00:55:38,200 --> 00:55:42,359
Speaker 1: change it. First generation millionails, it's a different experience right

990
00:55:42,719 --> 00:55:44,800
Speaker 1: when you get up to that level, man, it started

991
00:55:44,800 --> 00:55:47,840
Speaker 1: to get a little slim in regards to what's safe,

992
00:55:48,120 --> 00:55:51,560
Speaker 1: what I can really trust, what's the way is the love? Really?

993
00:55:51,880 --> 00:55:54,800
Speaker 1: Is it a transactional thing to get weird when you

994
00:55:54,920 --> 00:55:58,640
Speaker 1: get that paper? First generation now your daughter's and then

995
00:55:58,680 --> 00:56:01,440
Speaker 1: would be your songs and them becauld they come up

996
00:56:01,480 --> 00:56:04,400
Speaker 1: in this so they can spot a snake with a

997
00:56:04,560 --> 00:56:09,080
Speaker 1: rich daddy, you understand, they can spot a snake with

998
00:56:09,280 --> 00:56:13,160
Speaker 1: a rich mother that got her daddy right. They can

999
00:56:13,280 --> 00:56:15,480
Speaker 1: they can put them right, so they'll be able to

1000
00:56:15,520 --> 00:56:19,840
Speaker 1: have that information. But these first generation millionaires involving themselves

1001
00:56:19,920 --> 00:56:23,080
Speaker 1: with women that need a help up or men that

1002
00:56:23,280 --> 00:56:26,279
Speaker 1: need help up, because some of these women us first

1003
00:56:26,320 --> 00:56:29,680
Speaker 1: generation millionaires and dealing with men that's in situations they're

1004
00:56:29,680 --> 00:56:35,000
Speaker 1: trying to leach and live lavish based on your lifestyle. Yeah,

1005
00:56:35,080 --> 00:56:37,120
Speaker 1: what you do is lucrat or so they won't your

1006
00:56:37,280 --> 00:56:42,600
Speaker 1: left overs. But you gotta look alive. Ain't no sense

1007
00:56:42,640 --> 00:56:45,239
Speaker 1: of being going in the trick bag about none of this,

1008
00:56:45,360 --> 00:56:48,479
Speaker 1: So you gotta be diligent. It's like again I said,

1009
00:56:48,600 --> 00:56:52,800
Speaker 1: when I see somebody like Carter being offset or nicky

1010
00:56:52,800 --> 00:56:56,760
Speaker 1: and her dude, or just people who are Gooch and Keisha,

1011
00:56:56,880 --> 00:57:00,440
Speaker 1: just evenly yoke type things that seem like yo, we

1012
00:57:00,560 --> 00:57:04,919
Speaker 1: may come from kind of the same environments. That don't

1013
00:57:04,960 --> 00:57:07,719
Speaker 1: mean she gangst and she gonna shoot him up, bang bang.

1014
00:57:07,800 --> 00:57:11,520
Speaker 1: I'm just saying she understand the black experience to how

1015
00:57:11,719 --> 00:57:14,200
Speaker 1: you go up to less people that even understand the

1016
00:57:14,320 --> 00:57:18,000
Speaker 1: black experience. I remember hearing me can talk to them

1017
00:57:18,120 --> 00:57:20,640
Speaker 1: dudes about people going to jail that ain't nothing where

1018
00:57:20,640 --> 00:57:23,960
Speaker 1: we're from. That's the lowest level of the game. Man,

1019
00:57:24,080 --> 00:57:27,720
Speaker 1: it is trickery going on. They having real livenmental jiu

1020
00:57:27,840 --> 00:57:32,480
Speaker 1: jitsu where we're from about the crumbs of see. So

1021
00:57:32,640 --> 00:57:36,640
Speaker 1: you understanding my experience allows you to provide me a

1022
00:57:36,760 --> 00:57:41,000
Speaker 1: luxury lifestyle in regards to just us being around each other,

1023
00:57:41,120 --> 00:57:45,000
Speaker 1: the environment, the energy. I don't want to see a

1024
00:57:45,040 --> 00:57:47,280
Speaker 1: lot of people just say do what I say now

1025
00:57:47,360 --> 00:57:52,800
Speaker 1: at a certain point that turns into weird, right, like

1026
00:57:53,080 --> 00:57:57,480
Speaker 1: to do what it is for me that I need. Right.

1027
00:57:57,600 --> 00:58:00,440
Speaker 1: What I say is just part of you know, me

1028
00:58:00,600 --> 00:58:03,800
Speaker 1: trying to give you some sort of instructions or manual

1029
00:58:03,960 --> 00:58:06,120
Speaker 1: on what it to be like for us to live

1030
00:58:06,240 --> 00:58:09,520
Speaker 1: in a way. Well, I'm happy. I'm willing to receive

1031
00:58:09,800 --> 00:58:13,000
Speaker 1: your instructions on what it is and what that looks

1032
00:58:13,080 --> 00:58:15,120
Speaker 1: like for you to be happy, so that we both

1033
00:58:15,240 --> 00:58:18,400
Speaker 1: can live happy at the same time, and what a

1034
00:58:18,480 --> 00:58:22,680
Speaker 1: relationship is about in my opinion, But it gets tricky.

1035
00:58:23,360 --> 00:58:27,000
Speaker 1: So the baby and Danna Lay for those of you unaware,

1036
00:58:27,040 --> 00:58:31,280
Speaker 1: that's his baby mother. They went through a situation online

1037
00:58:31,320 --> 00:58:36,200
Speaker 1: in which he had to put out. I spoke about it,

1038
00:58:36,520 --> 00:58:38,920
Speaker 1: you know, I spoke about the baby going through a lot.

1039
00:58:39,000 --> 00:58:42,160
Speaker 1: At that time, he had lost it brother. You know, dude,

1040
00:58:42,240 --> 00:58:44,320
Speaker 1: that don't went through a lot. She went through a lot.

1041
00:58:44,360 --> 00:58:46,720
Speaker 1: Of their family, they're gonna be family. That's just how

1042
00:58:46,800 --> 00:58:49,480
Speaker 1: they go. But we won't examine the game because it's

1043
00:58:49,520 --> 00:58:52,840
Speaker 1: important to understand man, for all of us to learn

1044
00:58:52,920 --> 00:58:54,880
Speaker 1: how to even love and treat each other. And for

1045
00:58:55,040 --> 00:58:58,760
Speaker 1: me when we're just talking, we just pardon. We're trying

1046
00:58:58,760 --> 00:59:01,680
Speaker 1: to figure it out on over here. But she dropped

1047
00:59:01,720 --> 00:59:06,000
Speaker 1: the song. Song wasn't bad sound like a scissor type vibe.

1048
00:59:06,120 --> 00:59:08,120
Speaker 1: It wasn't really a bad record to me. It wasn't

1049
00:59:08,160 --> 00:59:10,440
Speaker 1: something that I was like, yo, cut this off. It

1050
00:59:10,600 --> 00:59:12,360
Speaker 1: was like I'm like, okay, I'll see where you going.

1051
00:59:12,480 --> 00:59:14,479
Speaker 1: I see what you got going. You're doing your little

1052
00:59:14,520 --> 00:59:17,040
Speaker 1: one too. I see you the time. My mother don't

1053
00:59:17,120 --> 00:59:19,360
Speaker 1: like you, brother, want to fight you all that right there?

1054
00:59:19,440 --> 00:59:22,760
Speaker 1: You toxic, you know. Just speaking about her experience in

1055
00:59:22,840 --> 00:59:25,840
Speaker 1: the relationship, we don't want to negate any woman's experience

1056
00:59:25,880 --> 00:59:28,680
Speaker 1: in that relationship with these men. I think what we

1057
00:59:28,840 --> 00:59:30,880
Speaker 1: also want to be aware of, though, is that we

1058
00:59:30,960 --> 00:59:35,840
Speaker 1: want examine both sides of relationships, right, because both people

1059
00:59:35,960 --> 00:59:39,200
Speaker 1: have a story, and then somewhere in the middleize the truth,

1060
00:59:39,960 --> 00:59:43,480
Speaker 1: perception and the way that you view and then your experience.

1061
00:59:43,840 --> 00:59:46,040
Speaker 1: It's just could be different. I know people to read

1062
00:59:46,160 --> 00:59:49,240
Speaker 1: books and get two different things from it, watch movies

1063
00:59:49,320 --> 00:59:51,400
Speaker 1: and get two different things from it. One thing is

1064
00:59:51,440 --> 00:59:54,000
Speaker 1: consistent to end, it's the same. But how I felt

1065
00:59:54,040 --> 00:59:57,520
Speaker 1: about the movie, what I felt about that character and

1066
00:59:57,640 --> 01:00:00,440
Speaker 1: his role, and no, I didn't see him that one, right,

1067
01:00:00,560 --> 01:00:03,400
Speaker 1: So it's just about all of that. But communicating what

1068
01:00:03,600 --> 01:00:06,560
Speaker 1: happened should be an option for both sides. I think

1069
01:00:06,640 --> 01:00:10,760
Speaker 1: that in our culture, though men don't communicate how we

1070
01:00:10,920 --> 01:00:13,640
Speaker 1: need to be treated. We don't communicate our standards. I'm

1071
01:00:13,680 --> 01:00:16,280
Speaker 1: not sure if it's being muzzled or it's or it's

1072
01:00:16,600 --> 01:00:20,720
Speaker 1: or it's view like not masculine. I'm not sure. I

1073
01:00:20,800 --> 01:00:24,280
Speaker 1: don't have an issue with it. I'm comfortable communicating about

1074
01:00:24,360 --> 01:00:27,680
Speaker 1: things that people may or may not views. Whatever I do,

1075
01:00:27,840 --> 01:00:30,400
Speaker 1: what it is I want to do. But she's now

1076
01:00:30,560 --> 01:00:33,640
Speaker 1: communicating what happened that night with the grading power for

1077
01:00:33,760 --> 01:00:37,160
Speaker 1: Angie Martin is been in a game of wow. For

1078
01:00:37,280 --> 01:00:40,480
Speaker 1: those of you on a well, we're gonna take a

1079
01:00:40,560 --> 01:00:42,280
Speaker 1: look at a little bit of this interview and then

1080
01:00:42,320 --> 01:00:45,600
Speaker 1: we'll come back with some game for sure, which I

1081
01:00:45,640 --> 01:00:47,160
Speaker 1: feel like, there's so many things I want to catch

1082
01:00:47,240 --> 01:00:48,920
Speaker 1: up with you on because it's been so long. But

1083
01:00:49,000 --> 01:00:51,360
Speaker 1: I feel like the elephant in the room, obviously is

1084
01:00:51,680 --> 01:00:55,400
Speaker 1: because you've been quiet. You have been like a purpose quiet, right,

1085
01:00:55,520 --> 01:00:58,160
Speaker 1: Like you've been kind of probably sorting through what you

1086
01:00:58,280 --> 01:01:03,959
Speaker 1: had to deal with. But it was November, this ig

1087
01:01:04,160 --> 01:01:08,000
Speaker 1: Live happens and it was just from the outside and

1088
01:01:08,120 --> 01:01:10,520
Speaker 1: not knowing what was going on in your personal life.

1089
01:01:10,560 --> 01:01:12,760
Speaker 1: It was hard to watch, you know what I mean?

1090
01:01:12,840 --> 01:01:17,320
Speaker 1: It was like shocking. What could you tell us about

1091
01:01:17,360 --> 01:01:22,560
Speaker 1: what was happening that day? For you? I would say

1092
01:01:22,720 --> 01:01:25,280
Speaker 1: me and him were in a very bad place in

1093
01:01:25,360 --> 01:01:29,280
Speaker 1: our relationship. I had left before that, Like there was

1094
01:01:29,280 --> 01:01:31,600
Speaker 1: a time where I left before that, and then we

1095
01:01:32,040 --> 01:01:34,120
Speaker 1: tried to work things out, so I came back again.

1096
01:01:34,720 --> 01:01:36,680
Speaker 1: So I was living there for the three months and

1097
01:01:37,400 --> 01:01:41,160
Speaker 1: my baby was born in Charlie. So oh, it was

1098
01:01:41,200 --> 01:01:44,440
Speaker 1: just a bad time, bad everything. Like we were just

1099
01:01:44,680 --> 01:01:48,000
Speaker 1: really going through it, and you know, a lot of

1100
01:01:48,080 --> 01:01:50,520
Speaker 1: things were said. A lot of things came out that

1101
01:01:50,680 --> 01:01:55,400
Speaker 1: night in front of everybody, right, we were like maybe

1102
01:01:55,440 --> 01:01:57,960
Speaker 1: we were pretty late. I was drinking a bottle of wine, like,

1103
01:01:58,520 --> 01:02:01,320
Speaker 1: and so it all came out on that life for sure,

1104
01:02:01,400 --> 01:02:06,120
Speaker 1: And yeah, it was very triggering and very sad. I

1105
01:02:06,200 --> 01:02:08,720
Speaker 1: wish it didn't happen because I don't want my baby

1106
01:02:08,760 --> 01:02:11,160
Speaker 1: to see that later on in life. But she'll grow

1107
01:02:11,240 --> 01:02:13,200
Speaker 1: to be her own person and be able to take

1108
01:02:13,280 --> 01:02:17,120
Speaker 1: things in. Yeah, what would you tell her about that day,

1109
01:02:17,200 --> 01:02:21,480
Speaker 1: about what was happening about that? I have thought about that.

1110
01:02:21,800 --> 01:02:24,320
Speaker 1: But it also I feel like just depends on the

1111
01:02:24,400 --> 01:02:26,320
Speaker 1: type of person she goes up to be, Like the

1112
01:02:26,440 --> 01:02:30,840
Speaker 1: only responsibility I have is to, you know, just raise

1113
01:02:30,920 --> 01:02:34,160
Speaker 1: her to be a strong woman, and she'll feel all

1114
01:02:34,200 --> 01:02:36,400
Speaker 1: she feels. I feel like she's her own person. So

1115
01:02:37,560 --> 01:02:42,959
Speaker 1: m the thing about it is like we all get Listen,

1116
01:02:43,040 --> 01:02:46,920
Speaker 1: everybody been in relationships that were healthy not healthy. You're

1117
01:02:46,960 --> 01:02:50,160
Speaker 1: not the first girl to it's to be in a

1118
01:02:50,240 --> 01:02:53,120
Speaker 1: relationship that maybe could wind up where that was. But

1119
01:02:54,360 --> 01:02:56,560
Speaker 1: I think what shocked a lot of people is the

1120
01:02:56,640 --> 01:02:58,520
Speaker 1: way that he was talking to you and the things

1121
01:02:58,600 --> 01:03:03,080
Speaker 1: that he said. He called through the cybees, he told

1122
01:03:03,080 --> 01:03:05,440
Speaker 1: you to leave, to leave the house. It just seemed

1123
01:03:05,440 --> 01:03:09,520
Speaker 1: like it was a really toxic situation. That that wasn't

1124
01:03:09,640 --> 01:03:12,280
Speaker 1: the first time that that had happened for you, was it?

1125
01:03:12,360 --> 01:03:14,840
Speaker 1: Like what could you tell us about ship and the

1126
01:03:14,920 --> 01:03:18,080
Speaker 1: situation when you were in Well, me and baby we

1127
01:03:18,160 --> 01:03:21,000
Speaker 1: have been talking for about or been together for about

1128
01:03:21,120 --> 01:03:23,320
Speaker 1: like three years on and off. We started talking like

1129
01:03:23,360 --> 01:03:29,280
Speaker 1: September twenty nineteen, So I it was toxic. You know,

1130
01:03:29,400 --> 01:03:31,720
Speaker 1: we had our really good times and I was gonna say,

1131
01:03:31,720 --> 01:03:33,880
Speaker 1: it doesn't start ever. Start to know we were like

1132
01:03:34,200 --> 01:03:37,040
Speaker 1: this in the beginning, like we were in love, like

1133
01:03:37,160 --> 01:03:39,960
Speaker 1: that honeymoon phase, like you know, it was really good.

1134
01:03:40,080 --> 01:03:42,080
Speaker 1: We both were kind of had our peak of our

1135
01:03:42,120 --> 01:03:44,760
Speaker 1: careers too, Like I had Rolling Loud, he had Rolling

1136
01:03:44,840 --> 01:03:46,880
Speaker 1: Loud the next day, Like it was just always like

1137
01:03:47,160 --> 01:03:50,160
Speaker 1: we were always both so busy. I had Fashion Week,

1138
01:03:50,280 --> 01:03:52,720
Speaker 1: Like it wasn't trigguing for both of us to be like,

1139
01:03:53,080 --> 01:03:55,600
Speaker 1: you know, doing good and like we would be supporting

1140
01:03:55,680 --> 01:03:58,680
Speaker 1: each other. So it was good. And then of course

1141
01:03:58,760 --> 01:04:01,160
Speaker 1: he had his little mess up stuff, so we'd break

1142
01:04:01,280 --> 01:04:04,240
Speaker 1: up for a month and then getting back together, and

1143
01:04:04,320 --> 01:04:07,800
Speaker 1: then again we'd break up. We broke up a lot. Yeah,

1144
01:04:07,920 --> 01:04:09,480
Speaker 1: it was a lot of on and offs going on.

1145
01:04:09,720 --> 01:04:13,880
Speaker 1: But during that time I definitely wasn't his side piece

1146
01:04:14,840 --> 01:04:18,800
Speaker 1: and he knows that too. But I felt like when

1147
01:04:18,880 --> 01:04:21,720
Speaker 1: I spoke to him, he told me, like the night before,

1148
01:04:21,800 --> 01:04:24,560
Speaker 1: I was doing the most when it comes to like

1149
01:04:24,720 --> 01:04:27,840
Speaker 1: crying and all this stuff, how I felt. And I

1150
01:04:27,960 --> 01:04:30,560
Speaker 1: guess he said what he said out of anger and

1151
01:04:31,800 --> 01:04:34,280
Speaker 1: try to make me look bad. I guess. I don't know.

1152
01:04:35,440 --> 01:04:38,880
Speaker 1: It was wild. It was definitely wild. It was very

1153
01:04:38,960 --> 01:04:42,400
Speaker 1: selfish being that I just had our baby, like he

1154
01:04:42,600 --> 01:04:46,720
Speaker 1: was very selfish. And does he apologize to you know,

1155
01:04:47,720 --> 01:04:51,280
Speaker 1: really he's just like that though, as you can see

1156
01:04:51,320 --> 01:04:53,560
Speaker 1: he's seen in his interview he said, does he regret anything?

1157
01:04:53,560 --> 01:04:57,600
Speaker 1: He said, nope, I don't. I lived life without regrets

1158
01:04:57,640 --> 01:05:00,160
Speaker 1: as well. But if there's something I could take, I

1159
01:05:00,240 --> 01:05:02,520
Speaker 1: feel like or handled differently, like I could. I will

1160
01:05:02,600 --> 01:05:07,560
Speaker 1: say that, like that shows accountability, Like that's maturity, especially

1161
01:05:08,240 --> 01:05:10,640
Speaker 1: take away everything else. It's like we have a kid together,

1162
01:05:10,760 --> 01:05:13,920
Speaker 1: like anybody I've ever dated, like I've never been friends with,

1163
01:05:14,240 --> 01:05:17,640
Speaker 1: Like I'll really them, like I would never hear from

1164
01:05:17,640 --> 01:05:21,880
Speaker 1: the I'm just like that, like I'll cut you off

1165
01:05:21,920 --> 01:05:24,080
Speaker 1: and never see you. You're not part of my life anymore.

1166
01:05:24,360 --> 01:05:26,480
Speaker 1: So it's definitely been a challenge to like have to

1167
01:05:26,640 --> 01:05:30,600
Speaker 1: keep this relationship and friendship whenever it becomes that. Um,

1168
01:05:31,360 --> 01:05:34,400
Speaker 1: but I feel like it's a challenge on my maturity

1169
01:05:34,480 --> 01:05:37,520
Speaker 1: as well. So I like it because it's like, Okay,

1170
01:05:37,760 --> 01:05:40,520
Speaker 1: obviously the relationship is way different now, and it's like

1171
01:05:40,680 --> 01:05:44,040
Speaker 1: you can't get emotional, like you can't, you know, so

1172
01:05:45,160 --> 01:05:47,360
Speaker 1: just working through it. It's it's a little hard. But

1173
01:05:48,120 --> 01:05:50,520
Speaker 1: almost had to go there, like for me to let

1174
01:05:50,640 --> 01:05:53,360
Speaker 1: go why, I mean, maybe not had to go there,

1175
01:05:53,560 --> 01:05:57,120
Speaker 1: but you were. I was in it, like it. Who

1176
01:05:57,280 --> 01:05:59,920
Speaker 1: knows if I would have like stayed if we weren't online.

1177
01:06:00,040 --> 01:06:03,040
Speaker 1: It's like I don't know, Like, so you He'll speak

1178
01:06:03,080 --> 01:06:06,640
Speaker 1: about a few things again, explaining her experience with the

1179
01:06:06,760 --> 01:06:10,320
Speaker 1: baby and the relationship and how she felt on the exit.

1180
01:06:10,440 --> 01:06:16,440
Speaker 1: Certain things she would do um different how she viewed them,

1181
01:06:16,480 --> 01:06:20,760
Speaker 1: what she viewed that night that that live went up. Um.

1182
01:06:21,960 --> 01:06:25,560
Speaker 1: I found interesting that she called him the baby, like

1183
01:06:25,800 --> 01:06:29,280
Speaker 1: at the beginning of the interview, she called him by

1184
01:06:29,360 --> 01:06:32,200
Speaker 1: his rap name and even things like that, that's what

1185
01:06:32,320 --> 01:06:35,240
Speaker 1: I mean, and that don't necessarily mean you don't love me. Right,

1186
01:06:35,360 --> 01:06:40,240
Speaker 1: But the girls out date, right, they they'll feel funny.

1187
01:06:40,280 --> 01:06:43,480
Speaker 1: Unlet's it like some sexual shit. But like to you,

1188
01:06:43,760 --> 01:06:46,640
Speaker 1: to a stranger, I'm a ted, I'm an we talk

1189
01:06:46,720 --> 01:06:49,439
Speaker 1: about dude I sleep with, like we talk about dude,

1190
01:06:49,840 --> 01:06:52,960
Speaker 1: you know, so like you know, but they young though,

1191
01:06:53,200 --> 01:06:55,160
Speaker 1: so maybe they don't view it that way. I'm a

1192
01:06:55,240 --> 01:06:57,720
Speaker 1: little old or maybe that's maybe that's why I view

1193
01:06:57,800 --> 01:07:00,560
Speaker 1: it that way. But don't like if we become intimate

1194
01:07:00,640 --> 01:07:04,000
Speaker 1: on a different level, like we ain't just like we

1195
01:07:04,200 --> 01:07:07,400
Speaker 1: really intimate, Like now, don't be if you're talking in

1196
01:07:07,480 --> 01:07:09,800
Speaker 1: an elegant setting like that and we have a child,

1197
01:07:09,920 --> 01:07:14,360
Speaker 1: you should probably say my real government name, because our

1198
01:07:14,440 --> 01:07:19,560
Speaker 1: relationship ain't rapper to girl, That's how I will feel

1199
01:07:19,720 --> 01:07:21,400
Speaker 1: at their young age, you probably like, all right, So

1200
01:07:21,920 --> 01:07:24,120
Speaker 1: of course they're gonna ask about him, so let's put it.

1201
01:07:24,640 --> 01:07:27,400
Speaker 1: Let's frame his name that way. Maybe that's what it is.

1202
01:07:27,920 --> 01:07:30,920
Speaker 1: I can see that being the case. But again, this

1203
01:07:31,160 --> 01:07:33,640
Speaker 1: industry man, when you get that amount of money, man

1204
01:07:34,040 --> 01:07:36,880
Speaker 1: and get rough and rougher for a black dude to find. Lord,

1205
01:07:37,160 --> 01:07:39,760
Speaker 1: let's listen to what the baby said in response to

1206
01:07:39,920 --> 01:07:41,880
Speaker 1: this interview and then we'll come back with some game.

1207
01:07:43,760 --> 01:07:47,240
Speaker 1: First of all, respond a different way. But I gathered

1208
01:07:47,320 --> 01:07:51,400
Speaker 1: myself and I decided to respond this way. First of all,

1209
01:07:51,960 --> 01:07:54,440
Speaker 1: I feel like you waited too late. I told you

1210
01:07:54,480 --> 01:07:56,960
Speaker 1: back in December you should capitalize up the situation. So

1211
01:07:57,560 --> 01:08:00,720
Speaker 1: I feel like that's a bad move out, like it's

1212
01:08:00,760 --> 01:08:04,160
Speaker 1: a green move for and you know you're able to

1213
01:08:04,240 --> 01:08:08,440
Speaker 1: have you You do drop the interview the same the

1214
01:08:08,520 --> 01:08:11,800
Speaker 1: same time you're dropping a new song. I feel like

1215
01:08:11,960 --> 01:08:13,920
Speaker 1: y'all kind of showing your hand. I feel like y'all

1216
01:08:13,920 --> 01:08:17,200
Speaker 1: should have put that together better. I also feel like,

1217
01:08:18,880 --> 01:08:23,320
Speaker 1: you know, before we got on your brother, you were

1218
01:08:23,360 --> 01:08:27,080
Speaker 1: just at the London with me that whole week, getting busy.

1219
01:08:29,160 --> 01:08:32,439
Speaker 1: And I also I feel like you should tell them folks,

1220
01:08:32,479 --> 01:08:33,840
Speaker 1: the real reason why I put you out it is

1221
01:08:33,840 --> 01:08:35,920
Speaker 1: because you were stalking my other bigger moment and then

1222
01:08:36,000 --> 01:08:38,880
Speaker 1: she was a fecking you know, my relationship with mom

1223
01:08:39,560 --> 01:08:43,320
Speaker 1: and my princess, my big girl, and that's why I

1224
01:08:43,400 --> 01:08:46,360
Speaker 1: had to make that justice, you know, back in November.

1225
01:08:46,400 --> 01:08:48,040
Speaker 1: You know, I'm I'm grown, I'm an adult. You know

1226
01:08:48,040 --> 01:08:49,639
Speaker 1: what I'm saying, Like I ain't got a call exist,

1227
01:08:49,680 --> 01:08:52,439
Speaker 1: but nobody who you know who too toxic for me

1228
01:08:52,560 --> 01:08:55,519
Speaker 1: at home? You know who don't serve me? Well, you

1229
01:08:55,560 --> 01:08:58,640
Speaker 1: know what I'm saying. So I owe the world no

1230
01:08:58,720 --> 01:09:01,760
Speaker 1: explanation for that. But you know, when I could have

1231
01:09:01,800 --> 01:09:03,120
Speaker 1: cleared my name, I took the high road and I

1232
01:09:03,160 --> 01:09:05,519
Speaker 1: ain't tripped about that. I'm proud of that because I

1233
01:09:05,560 --> 01:09:07,280
Speaker 1: could have smashed on all that, but that would have

1234
01:09:07,720 --> 01:09:09,720
Speaker 1: you know, the love shout it, you know, and I

1235
01:09:09,760 --> 01:09:11,479
Speaker 1: ain't with it. I don't want shout it broken. I

1236
01:09:11,640 --> 01:09:14,360
Speaker 1: just didn't most you around me no more, you know

1237
01:09:14,400 --> 01:09:16,720
Speaker 1: what I'm saying. And just like to day, you know,

1238
01:09:17,080 --> 01:09:20,080
Speaker 1: I often have another birthday party for my princess. You

1239
01:09:20,120 --> 01:09:25,600
Speaker 1: didn't got on the line playing, just like before you

1240
01:09:25,720 --> 01:09:29,719
Speaker 1: affected my relationship, you know, with my other children. Because

1241
01:09:30,600 --> 01:09:33,680
Speaker 1: now you see you called your stuff over here. You

1242
01:09:34,439 --> 01:09:36,760
Speaker 1: need to stay over there where you're at. You see

1243
01:09:36,760 --> 01:09:40,439
Speaker 1: what I'm saying, But sell your ruggers due and it's

1244
01:09:40,479 --> 01:09:41,760
Speaker 1: a whole lot more I can say, but I'm not

1245
01:09:41,800 --> 01:09:43,360
Speaker 1: gonna say none of it at all. It's all good.

1246
01:09:43,360 --> 01:09:44,800
Speaker 1: I just want to get a hand to speak my piece,

1247
01:09:44,800 --> 01:09:47,240
Speaker 1: you know. So I'm speaking my piece all yo, speak

1248
01:09:47,320 --> 01:09:49,639
Speaker 1: my piece out twenty twenty two. See what I'm saying.

1249
01:09:49,760 --> 01:09:51,360
Speaker 1: So now I'm gonna go get back on set and

1250
01:09:51,479 --> 01:09:53,920
Speaker 1: get back to work. I called my baby in a minute,

1251
01:09:53,920 --> 01:10:00,600
Speaker 1: hopefully you let me talk to it. So there was

1252
01:10:00,680 --> 01:10:04,600
Speaker 1: the baby's response to what Dana Lay has did in

1253
01:10:04,760 --> 01:10:07,840
Speaker 1: regards to package the interview and the song together and

1254
01:10:07,960 --> 01:10:11,960
Speaker 1: released it. Now, let's just deal with what's happening. This

1255
01:10:12,200 --> 01:10:15,560
Speaker 1: is a rollout for a song release. And this is

1256
01:10:15,640 --> 01:10:18,640
Speaker 1: why I say there's a thin line, man, because in

1257
01:10:18,760 --> 01:10:21,000
Speaker 1: our cold you, we are dealing with things that need

1258
01:10:21,080 --> 01:10:25,560
Speaker 1: to be expressed and and explained certain things right, we

1259
01:10:25,720 --> 01:10:27,840
Speaker 1: need to get it out and had these sessions to

1260
01:10:27,920 --> 01:10:30,880
Speaker 1: be able to help other people. But packaging it with

1261
01:10:31,040 --> 01:10:34,920
Speaker 1: a song and framing it around dude name like, it's

1262
01:10:35,000 --> 01:10:37,680
Speaker 1: crazy that he is able to identify that. So he's

1263
01:10:37,720 --> 01:10:39,639
Speaker 1: saying like, hey, I told you you should have been

1264
01:10:39,720 --> 01:10:42,280
Speaker 1: done this. Number one, you laid on the roll out.

1265
01:10:43,120 --> 01:10:46,400
Speaker 1: Number two. He's saying that you dropped the interview in

1266
01:10:46,439 --> 01:10:48,800
Speaker 1: the song the same day, like you Dirk or something.

1267
01:10:49,240 --> 01:10:51,360
Speaker 1: You can't really do it like that, you probably should

1268
01:10:51,360 --> 01:10:54,680
Speaker 1: have dropped the song that it get some traction. Then

1269
01:10:54,760 --> 01:10:57,320
Speaker 1: two weeks later, dropped in or a week later, seven

1270
01:10:57,400 --> 01:10:59,840
Speaker 1: days later, five day later, dropped the interview and run

1271
01:11:00,120 --> 01:11:03,600
Speaker 1: that same cycle again. You know what I'm saying, But

1272
01:11:03,960 --> 01:11:07,960
Speaker 1: again this is him understanding that they packaged something based

1273
01:11:08,040 --> 01:11:11,360
Speaker 1: on our relationship and our thing and trying to sell

1274
01:11:11,400 --> 01:11:14,280
Speaker 1: it to the public. I found interesting that even in

1275
01:11:14,400 --> 01:11:16,800
Speaker 1: her part, she spoke about because I have this trade.

1276
01:11:16,920 --> 01:11:19,560
Speaker 1: I'm not sure if it's something that everybody has, but

1277
01:11:20,120 --> 01:11:22,639
Speaker 1: she said that, Yo, it's been rough on her because

1278
01:11:23,040 --> 01:11:25,400
Speaker 1: usually after she's done with you, she's done with you

1279
01:11:25,520 --> 01:11:28,120
Speaker 1: and my relationships, like I can love you right now,

1280
01:11:28,520 --> 01:11:30,840
Speaker 1: and then later you'll feel like he didn't ever love

1281
01:11:31,000 --> 01:11:34,840
Speaker 1: me when his own his own, when his off is off.

1282
01:11:35,040 --> 01:11:37,120
Speaker 1: And the crazy part about it is neither one of

1283
01:11:37,200 --> 01:11:40,519
Speaker 1: those are fake, right. The love is real, but the

1284
01:11:41,000 --> 01:11:45,680
Speaker 1: fu is real. The love is super real. I love

1285
01:11:45,720 --> 01:11:47,400
Speaker 1: you when I'm saying I love you, but when I

1286
01:11:47,479 --> 01:11:50,360
Speaker 1: say fuckys fuck you, and I can do both of

1287
01:11:50,400 --> 01:11:52,599
Speaker 1: them to the same person. It just kind of depends

1288
01:11:52,640 --> 01:11:56,040
Speaker 1: on the circumstances of the situation. But when his own

1289
01:11:56,160 --> 01:11:59,040
Speaker 1: his own, boy, when his office caput, it ain't nothing

1290
01:11:59,120 --> 01:12:03,200
Speaker 1: no more. When I love you, I love you. But boy,

1291
01:12:03,280 --> 01:12:05,519
Speaker 1: when I don't love you and I safe, you know,

1292
01:12:05,720 --> 01:12:09,000
Speaker 1: I put the house on fuck you. Let me talk

1293
01:12:09,040 --> 01:12:11,519
Speaker 1: about this and address the culture a little bit about

1294
01:12:11,600 --> 01:12:14,120
Speaker 1: misinformation and how the coach. It seems that this is

1295
01:12:14,160 --> 01:12:16,400
Speaker 1: why I say there has to be a shuffle of

1296
01:12:16,479 --> 01:12:19,800
Speaker 1: the deck. We have to have a concentrated effort about

1297
01:12:19,840 --> 01:12:23,559
Speaker 1: what we did with forty two Dogs, Takashi six nine,

1298
01:12:24,000 --> 01:12:28,360
Speaker 1: Mega Style and Tory laying situation. There's been a mass

1299
01:12:28,520 --> 01:12:34,360
Speaker 1: media dumper bullsh into the stream, right. I see everybody

1300
01:12:34,880 --> 01:12:37,960
Speaker 1: come speaking about forty two Doug about him supposed to

1301
01:12:38,040 --> 01:12:43,200
Speaker 1: be sovereignty. He filed sovereignty. That ain't true, and people

1302
01:12:43,320 --> 01:12:46,040
Speaker 1: was running with that. The lawyer came, that's not true.

1303
01:12:46,360 --> 01:12:50,080
Speaker 1: I see people say, yo, the person from Meg said

1304
01:12:50,120 --> 01:12:54,439
Speaker 1: that she lied. Yo. They reported what Meg said when

1305
01:12:54,520 --> 01:12:59,000
Speaker 1: she went to the doctor. Bro like this being out

1306
01:12:59,120 --> 01:13:01,240
Speaker 1: like you dig, but you see it make the runs.

1307
01:13:01,320 --> 01:13:03,439
Speaker 1: That's why I'd be mad man, because I got certain

1308
01:13:03,720 --> 01:13:07,000
Speaker 1: clips that I think they affected cold or certain conversations

1309
01:13:07,080 --> 01:13:09,519
Speaker 1: I see from other brothers in the coach and I'm like, oh,

1310
01:13:09,640 --> 01:13:12,920
Speaker 1: that's a that conversation needs to be amplified. And it

1311
01:13:13,080 --> 01:13:18,160
Speaker 1: don't get nothing. But I see misinformation go from left

1312
01:13:18,200 --> 01:13:22,240
Speaker 1: to you know, left or right. Let me explain both situations.

1313
01:13:22,280 --> 01:13:25,760
Speaker 1: I'll start with the forty two Dug situation. Forty two

1314
01:13:25,920 --> 01:13:29,759
Speaker 1: Doug was in a situation where, if I remember correctly,

1315
01:13:29,800 --> 01:13:32,599
Speaker 1: in twenty eleven, he caught a gun charge. He caught

1316
01:13:32,640 --> 01:13:35,080
Speaker 1: a gun charge because he was at a shooting range

1317
01:13:35,120 --> 01:13:37,040
Speaker 1: with a gun, and I think they went in, got

1318
01:13:37,120 --> 01:13:39,479
Speaker 1: the footage and identified he was at the range, and

1319
01:13:39,520 --> 01:13:42,240
Speaker 1: they charged this dude with that gun. He didn't get

1320
01:13:42,360 --> 01:13:45,000
Speaker 1: no jail time, but they gave him three years probation.

1321
01:13:45,360 --> 01:13:48,840
Speaker 1: He took the probation, from my understanding, filled a couple

1322
01:13:48,840 --> 01:13:51,360
Speaker 1: of drug tests and had to do some time for

1323
01:13:51,439 --> 01:13:53,640
Speaker 1: the drug tests. When it was time to do the

1324
01:13:53,760 --> 01:13:56,439
Speaker 1: time for the drug tests, he didn't show up. His

1325
01:13:56,680 --> 01:13:59,800
Speaker 1: lawyer says his understanding was that he had filed some

1326
01:14:00,439 --> 01:14:02,640
Speaker 1: and he was waiting on a new court date. A

1327
01:14:02,720 --> 01:14:06,479
Speaker 1: couple of your big platforms out here said that he

1328
01:14:06,680 --> 01:14:09,960
Speaker 1: filed sovereignty and said that he don't have to apply

1329
01:14:10,120 --> 01:14:14,160
Speaker 1: to no rules around here. Again, our culture has a

1330
01:14:14,320 --> 01:14:17,840
Speaker 1: high level interest in bullshit. But let's deal with the

1331
01:14:17,960 --> 01:14:21,200
Speaker 1: facts of it. Forty two Dog had a run in

1332
01:14:21,280 --> 01:14:25,439
Speaker 1: with Takashi six nine the little running online where they

1333
01:14:25,520 --> 01:14:27,760
Speaker 1: went back and forth time my fighting, and he was

1334
01:14:27,800 --> 01:14:30,760
Speaker 1: saying something set me up for the money, and you

1335
01:14:30,880 --> 01:14:33,320
Speaker 1: telling about you want to fight, tellingbout you smack something

1336
01:14:33,320 --> 01:14:36,240
Speaker 1: about it, this and that. Him and Takashi went back

1337
01:14:36,280 --> 01:14:39,839
Speaker 1: and forth. And after that, according to lawyers for workers,

1338
01:14:41,720 --> 01:14:45,880
Speaker 1: the FEDS activated to try to find what forty two

1339
01:14:46,000 --> 01:14:48,640
Speaker 1: Dog was att Then this is according to Legilative, the

1340
01:14:48,800 --> 01:14:51,519
Speaker 1: lawyer for workers, this is why people don't want to

1341
01:14:51,560 --> 01:14:55,400
Speaker 1: get into it with Takashi six nine, because he may

1342
01:14:55,479 --> 01:15:00,760
Speaker 1: be a resourceful option. He may be even more resourceful

1343
01:15:00,800 --> 01:15:04,360
Speaker 1: to the FIDS than they intended. They may have intended

1344
01:15:04,439 --> 01:15:08,080
Speaker 1: he was a one and done. For some reason, they've

1345
01:15:08,080 --> 01:15:10,840
Speaker 1: allowed him to get back out and plug back into

1346
01:15:10,920 --> 01:15:13,800
Speaker 1: the culture with the ability to do the same thing

1347
01:15:13,920 --> 01:15:16,960
Speaker 1: to some more families. I'm telling you, and they telling

1348
01:15:17,040 --> 01:15:20,240
Speaker 1: me they don't think long can get richness. You can't

1349
01:15:20,280 --> 01:15:22,759
Speaker 1: be serious. And I did all I did in the street.

1350
01:15:23,160 --> 01:15:25,679
Speaker 1: They gotta do that. They let him get out of prison,

1351
01:15:25,760 --> 01:15:27,800
Speaker 1: that he then showed you what it's like when the

1352
01:15:27,880 --> 01:15:30,880
Speaker 1: pressure is on, and then showed you what I don't

1353
01:15:30,880 --> 01:15:35,400
Speaker 1: even expect nothing else side of I on't I can't

1354
01:15:35,479 --> 01:15:38,479
Speaker 1: beef with him. Ain't no beef. It can't be no beef.

1355
01:15:39,040 --> 01:15:42,200
Speaker 1: I don't even view you like that. You see what

1356
01:15:42,240 --> 01:15:44,960
Speaker 1: I'm saying. But my thing is that for the two

1357
01:15:45,080 --> 01:15:47,040
Speaker 1: Doug got into it with him, and then that the

1358
01:15:47,120 --> 01:15:49,280
Speaker 1: FIDS activate, Let's find him. Let's go ahead and get

1359
01:15:49,360 --> 01:15:51,320
Speaker 1: him because it had been I think it'd been some

1360
01:15:51,439 --> 01:15:54,479
Speaker 1: time since he was supposed to had turned himself in,

1361
01:15:55,080 --> 01:16:01,519
Speaker 1: but that involvement, according to sources, fast track some sort

1362
01:16:01,560 --> 01:16:03,760
Speaker 1: of process to get him in custody, and now he's

1363
01:16:03,800 --> 01:16:06,760
Speaker 1: facing five years for not showing up. I think the

1364
01:16:06,880 --> 01:16:09,559
Speaker 1: lawyers will work that out, will see what happens. But again,

1365
01:16:09,640 --> 01:16:11,600
Speaker 1: in the last couple of months, I've been able to

1366
01:16:11,720 --> 01:16:14,880
Speaker 1: identify how to culture just to report anything. We can

1367
01:16:14,960 --> 01:16:19,120
Speaker 1: deal with the mag situation. Again, this is not new information.

1368
01:16:19,280 --> 01:16:22,280
Speaker 1: I'm not sure how it got repackaged and put out now.

1369
01:16:22,400 --> 01:16:25,160
Speaker 1: Maybe it's new introduced in court or something like that.

1370
01:16:25,320 --> 01:16:27,360
Speaker 1: It may be something happened. I hadn't had a chance

1371
01:16:27,400 --> 01:16:29,360
Speaker 1: to look at it. We just try to get a

1372
01:16:29,479 --> 01:16:32,479
Speaker 1: game a little bit today. In regards to this, I'm

1373
01:16:32,520 --> 01:16:37,880
Speaker 1: more interested in understanding what this does to the case. Now,

1374
01:16:38,160 --> 01:16:41,639
Speaker 1: this does do something to the case. To that these

1375
01:16:42,000 --> 01:16:47,200
Speaker 1: it shows inconsistency, and the benefit of the doubt lives

1376
01:16:47,240 --> 01:16:51,120
Speaker 1: inside of inconsistency, right, And so when you're in a

1377
01:16:51,200 --> 01:16:54,200
Speaker 1: situation like Tory, you're looking for the benefit of the doubt,

1378
01:16:54,280 --> 01:16:58,080
Speaker 1: which lives inside inconsistency. If I can prove that you

1379
01:16:58,280 --> 01:17:01,439
Speaker 1: said this, and this, did this and that and none

1380
01:17:01,479 --> 01:17:04,679
Speaker 1: of these things match up. You said we wasn't sexually involved,

1381
01:17:04,920 --> 01:17:08,360
Speaker 1: and I got you on camera saying it tad up

1382
01:17:08,439 --> 01:17:11,680
Speaker 1: tonight or some bullish like that, that's when things get

1383
01:17:11,760 --> 01:17:15,519
Speaker 1: to That's when we're able to create reasonable doubt, which

1384
01:17:15,600 --> 01:17:18,840
Speaker 1: then create a scenario where I can be exonerated of

1385
01:17:18,960 --> 01:17:21,720
Speaker 1: all charges. This is how we look at that, right.

1386
01:17:22,120 --> 01:17:26,760
Speaker 1: I'm starting to be a little bit exhausted dealing with

1387
01:17:26,880 --> 01:17:29,800
Speaker 1: the Tory thing. I've been saying it for months now.

1388
01:17:30,000 --> 01:17:34,840
Speaker 1: The Tory Max situation has me exhausted. I'm interested in

1389
01:17:35,000 --> 01:17:37,639
Speaker 1: how we're to play out, but I just I don't

1390
01:17:37,680 --> 01:17:40,519
Speaker 1: see any good ending out of it. I don't see

1391
01:17:40,560 --> 01:17:43,920
Speaker 1: anything positive coming out of it. Either way it goes,

1392
01:17:44,080 --> 01:17:47,320
Speaker 1: there's gonna be a problem in regards to the viewing

1393
01:17:47,479 --> 01:17:50,760
Speaker 1: from the viewing public. You know what I'm saying, It

1394
01:17:50,880 --> 01:17:52,840
Speaker 1: gonna be a problem. So for me, I'm just trying

1395
01:17:52,880 --> 01:17:56,200
Speaker 1: to figure out is there any information left in this

1396
01:17:56,360 --> 01:17:59,000
Speaker 1: situation for us to learn from. If not, I'll move

1397
01:17:59,080 --> 01:18:01,519
Speaker 1: on because it's too many good things out here to

1398
01:18:01,680 --> 01:18:05,000
Speaker 1: learn from. There's too much going on in this big

1399
01:18:05,160 --> 01:18:08,360
Speaker 1: world man for us to be right. So let let

1400
01:18:08,439 --> 01:18:12,120
Speaker 1: them folks work that out again. Misinformation in our coaching

1401
01:18:12,200 --> 01:18:16,160
Speaker 1: needs to be And for me, with my platform and podcast,

1402
01:18:16,280 --> 01:18:20,840
Speaker 1: I'm having conversation, right So I'm not acting as any

1403
01:18:21,000 --> 01:18:26,479
Speaker 1: kind of for sure anything. I'm not the smartest man

1404
01:18:26,640 --> 01:18:29,479
Speaker 1: on the blog or nothing like that. We're just having

1405
01:18:29,560 --> 01:18:32,880
Speaker 1: conversation about Toby's trying to comb through some things. I'm

1406
01:18:32,920 --> 01:18:35,920
Speaker 1: just a curious dude, Like I want to talk to

1407
01:18:36,080 --> 01:18:38,200
Speaker 1: different kind of people. I'm just one of them dudes

1408
01:18:38,240 --> 01:18:40,040
Speaker 1: thet want to know what's going on with a lot

1409
01:18:40,120 --> 01:18:42,680
Speaker 1: of different things. And so we try to provide that

1410
01:18:42,840 --> 01:18:46,240
Speaker 1: runway and let me walk this back to I gotta

1411
01:18:46,320 --> 01:18:49,800
Speaker 1: started off, you know, because this you guys are here

1412
01:18:49,920 --> 01:18:53,800
Speaker 1: who always come, You're following the journey. So let me

1413
01:18:53,880 --> 01:18:56,920
Speaker 1: speak about because a couple of weeks ago, I spoke

1414
01:18:56,960 --> 01:19:00,000
Speaker 1: about the Hollywood Walk of Fame and how some people

1415
01:19:00,000 --> 01:19:03,640
Speaker 1: people are starting to view the Hollywood Walker Fame a

1416
01:19:03,760 --> 01:19:06,840
Speaker 1: certain way because some of our black people from my

1417
01:19:07,040 --> 01:19:11,160
Speaker 1: culture had started to be included in that process. And

1418
01:19:11,320 --> 01:19:13,120
Speaker 1: I want to let my audience know that I have

1419
01:19:13,360 --> 01:19:17,920
Speaker 1: now been presented new information and I am fully aware

1420
01:19:18,120 --> 01:19:22,640
Speaker 1: that the Hollywood Walker Famous bullsh My apologies to my

1421
01:19:22,800 --> 01:19:27,559
Speaker 1: audience because I tried to figure out why people were

1422
01:19:27,640 --> 01:19:30,240
Speaker 1: saying what they were saying, so I dug a little deeper.

1423
01:19:31,280 --> 01:19:34,120
Speaker 1: You know, I like to have a little information about

1424
01:19:34,160 --> 01:19:36,479
Speaker 1: the things that I'm trying to speak about. So when

1425
01:19:36,520 --> 01:19:40,600
Speaker 1: I dug deeper, I said, oh lord, I was just

1426
01:19:40,840 --> 01:19:43,080
Speaker 1: in LA and to be honest with you, were walking

1427
01:19:43,120 --> 01:19:46,200
Speaker 1: down to Hollywood Walker Fame and I don't know nobody.

1428
01:19:48,320 --> 01:19:52,320
Speaker 1: I didn't know nobody, but I figured he's somebody to

1429
01:19:52,400 --> 01:19:55,480
Speaker 1: his people because I see fact, I see a Shantel,

1430
01:19:55,600 --> 01:19:59,160
Speaker 1: bear catlet up Bear Jay, certain people up there. I

1431
01:19:59,400 --> 01:20:03,479
Speaker 1: sh these names. Gotta be somebody, this one, I'm thinking

1432
01:20:05,600 --> 01:20:08,000
Speaker 1: until I figured out this is high level game they're

1433
01:20:08,000 --> 01:20:10,280
Speaker 1: putting down in the LA. Baby, this high level jiu

1434
01:20:10,360 --> 01:20:13,840
Speaker 1: jitsu mind tricks we got, boy. I'm telling you, boy,

1435
01:20:13,880 --> 01:20:16,800
Speaker 1: if you just pay attention, boy, some people don't put

1436
01:20:16,920 --> 01:20:21,280
Speaker 1: some game down. This lasting hunt hundreds of years. That

1437
01:20:21,439 --> 01:20:27,720
Speaker 1: Hollywood Walk of Fame is game. And I dug deep

1438
01:20:27,800 --> 01:20:29,960
Speaker 1: in and and figured out that they cost for their

1439
01:20:30,080 --> 01:20:32,800
Speaker 1: thousand dollars for the All you got to do is

1440
01:20:32,920 --> 01:20:38,200
Speaker 1: pay for the style, I said, Man, that's why Ed

1441
01:20:38,280 --> 01:20:41,040
Speaker 1: Battery was saying, Man, they just putting people on the

1442
01:20:41,120 --> 01:20:43,679
Speaker 1: Walk of Fame. I thought they were hating on black people,

1443
01:20:45,400 --> 01:20:47,559
Speaker 1: but it was somebody that got one. Now I sit

1444
01:20:47,640 --> 01:20:50,120
Speaker 1: in the whole up. Man, that dude said a white

1445
01:20:50,160 --> 01:20:52,560
Speaker 1: T shirt. You know what I'm saying. He got a

1446
01:20:52,640 --> 01:20:55,640
Speaker 1: Hollywood style on the Walk of right. But it was

1447
01:20:56,439 --> 01:20:59,000
Speaker 1: in all seriousness. I was just thinking to myself, like, yo,

1448
01:20:59,240 --> 01:21:02,479
Speaker 1: I need to figure out what is happening though, because

1449
01:21:02,520 --> 01:21:05,439
Speaker 1: that is a little too far. What's happening? And I

1450
01:21:05,560 --> 01:21:07,559
Speaker 1: looked into it, and if you pay for the start,

1451
01:21:07,640 --> 01:21:14,040
Speaker 1: you can get one. Crazy crazy knowing that as prestigious

1452
01:21:14,080 --> 01:21:16,560
Speaker 1: as that wold, we used to look at that like

1453
01:21:16,680 --> 01:21:19,439
Speaker 1: that was but it was high level game. See the

1454
01:21:19,520 --> 01:21:24,080
Speaker 1: Internet crushed all lad I can follow them people. That's

1455
01:21:24,120 --> 01:21:28,280
Speaker 1: old With. I'm saying, that's about as close as you

1456
01:21:28,360 --> 01:21:31,800
Speaker 1: could have got to Westleys Snipes back in the day.

1457
01:21:31,920 --> 01:21:35,000
Speaker 1: Go out to Hollywood, we might see Westley. Oh that's

1458
01:21:35,080 --> 01:21:37,599
Speaker 1: Westleys Snipe's name. You know what I'm saying. That body

1459
01:21:37,680 --> 01:21:40,080
Speaker 1: closest you can get back in the day. But now

1460
01:21:40,200 --> 01:21:42,439
Speaker 1: we can follow them people on the gram. It's old With,

1461
01:21:43,240 --> 01:21:48,240
Speaker 1: It's done, So now we'll seller Hollywood stamp. Just come

1462
01:21:48,320 --> 01:21:51,519
Speaker 1: holl let us. All right, let's speak about Kendrick Lamar.

1463
01:21:52,040 --> 01:21:55,240
Speaker 1: Shout out Kendrick. He just dropped this album. And again

1464
01:21:55,320 --> 01:21:57,680
Speaker 1: it's been so much going on in the culture. Man,

1465
01:21:57,720 --> 01:22:00,519
Speaker 1: I hadn't had a chance to speak about music, but

1466
01:22:00,640 --> 01:22:03,240
Speaker 1: shout out Kendrick. He just dropped this album. Mister Morale

1467
01:22:03,320 --> 01:22:06,280
Speaker 1: and the Big Steps. Kendrick is great. We know what

1468
01:22:06,439 --> 01:22:09,679
Speaker 1: Kendrick does. I think there is something to be said

1469
01:22:09,720 --> 01:22:12,240
Speaker 1: about him being able to move the needle and his

1470
01:22:12,439 --> 01:22:15,160
Speaker 1: presence in the market just at the flick of his wrist.

1471
01:22:15,479 --> 01:22:18,200
Speaker 1: I still don't put him and Drake in the same thing.

1472
01:22:18,960 --> 01:22:21,800
Speaker 1: I think Drake is doing a different thing culturally than

1473
01:22:22,000 --> 01:22:25,240
Speaker 1: Kendrick is doing. They're both effective, and I think if

1474
01:22:25,280 --> 01:22:27,920
Speaker 1: they could really they don't even have to marry it.

1475
01:22:27,960 --> 01:22:29,640
Speaker 1: They can kind of stay away from each other and

1476
01:22:29,760 --> 01:22:33,840
Speaker 1: just operate in both those ecosystems. They overlapped sometimes, but

1477
01:22:34,040 --> 01:22:36,960
Speaker 1: really they can both operate without overlapping. And that's that's

1478
01:22:37,040 --> 01:22:39,519
Speaker 1: just wrap hip hop talk for the hip hop heads.

1479
01:22:39,600 --> 01:22:43,560
Speaker 1: But Kendrick dropped his first video was Hard five. He

1480
01:22:43,760 --> 01:22:48,200
Speaker 1: was accused by some dude ak signing Universal makes me

1481
01:22:48,280 --> 01:22:51,439
Speaker 1: out almost think this was a Universal play to kind

1482
01:22:51,479 --> 01:22:53,720
Speaker 1: of bite off a little bit of the momentum that

1483
01:22:54,280 --> 01:22:58,240
Speaker 1: Kendrick had. But he came out and said that Kendrick

1484
01:22:58,280 --> 01:23:01,360
Speaker 1: stole his concept. And for those of you to listen

1485
01:23:01,439 --> 01:23:04,400
Speaker 1: to Loan because we'll get in the Kendrick's album, but

1486
01:23:04,479 --> 01:23:06,680
Speaker 1: we're gonna deal with this first. For those of you

1487
01:23:06,840 --> 01:23:08,840
Speaker 1: listen to me, I'm always fighting for the up and

1488
01:23:08,920 --> 01:23:11,559
Speaker 1: coming create or even to create a period doing biding

1489
01:23:11,600 --> 01:23:14,759
Speaker 1: it with the tycoon businesses that will take your idea,

1490
01:23:14,880 --> 01:23:17,920
Speaker 1: don't understand your ideal or how you try to you know,

1491
01:23:18,160 --> 01:23:21,240
Speaker 1: let me be true to me, empower me as a creator, right,

1492
01:23:21,320 --> 01:23:25,120
Speaker 1: and don't don't steal from me when you got unique

1493
01:23:25,160 --> 01:23:28,000
Speaker 1: talking points. Man, in this game, it's easy for them

1494
01:23:28,040 --> 01:23:30,000
Speaker 1: to steal a lot of these dudes getting paid to

1495
01:23:30,080 --> 01:23:32,360
Speaker 1: do a lot of talking, and they running out of

1496
01:23:32,439 --> 01:23:35,120
Speaker 1: things to talk about. So if you as a gold

1497
01:23:35,200 --> 01:23:37,720
Speaker 1: man for little talking points there, try to muzzle you

1498
01:23:37,840 --> 01:23:41,040
Speaker 1: and just pull from you, you know, because they feel

1499
01:23:41,080 --> 01:23:44,280
Speaker 1: like when they say it make it bigger. But we're

1500
01:23:44,320 --> 01:23:46,800
Speaker 1: gonna deal with who stole what. We're gonna take a

1501
01:23:46,840 --> 01:23:50,760
Speaker 1: look at both these videos in real time, and then

1502
01:23:50,840 --> 01:23:52,840
Speaker 1: we'll come back with what we think about it. I

1503
01:23:52,920 --> 01:23:55,280
Speaker 1: haven't even saw both the videos. I've heard the songs

1504
01:23:55,280 --> 01:23:57,880
Speaker 1: because I listened to Kendrick album. I haven't heard this

1505
01:23:58,000 --> 01:24:00,280
Speaker 1: other dude's song. We'll listen to both of them and

1506
01:24:00,360 --> 01:24:04,680
Speaker 1: then we'll come back with the actual we'll come back

1507
01:24:04,720 --> 01:24:06,519
Speaker 1: with some game. If you need to see the video

1508
01:24:06,600 --> 01:24:09,000
Speaker 1: and see us going back and forth, go to patreon

1509
01:24:09,160 --> 01:24:12,120
Speaker 1: dot com. It's up that podcast to day of the

1510
01:24:12,240 --> 01:24:15,280
Speaker 1: audio dropping. If not, you can wait. I think it'll

1511
01:24:15,320 --> 01:24:18,799
Speaker 1: be two weeks behind on YouTube at FOFO TV on YouTube.

1512
01:24:19,240 --> 01:24:23,479
Speaker 1: But let's take a look. We're gonna take a look

1513
01:24:23,520 --> 01:24:34,040
Speaker 1: at this dude. Ak's first. For those of you listening,

1514
01:24:34,160 --> 01:24:36,639
Speaker 1: this is the guy who said that Kendrick Lamar stow

1515
01:24:36,720 --> 01:24:40,640
Speaker 1: this concept. Let's look at what's happening. Okay, looks like

1516
01:24:40,800 --> 01:24:46,880
Speaker 1: he has a backdrop behind him. I don't, okay, let's

1517
01:24:46,920 --> 01:24:51,640
Speaker 1: just look. I'm trying to lord of music so we

1518
01:24:51,720 --> 01:24:54,960
Speaker 1: won't get a copyright. But let's look. So he has

1519
01:24:55,120 --> 01:24:58,519
Speaker 1: eyebrows pop up on his eyes and tattoos on his

1520
01:24:58,640 --> 01:25:02,280
Speaker 1: face and did not influence me because I was not

1521
01:25:02,400 --> 01:25:04,720
Speaker 1: allowed to listen to him. My parents said I was

1522
01:25:04,800 --> 01:25:06,960
Speaker 1: just a child. I wondered why and not look back,

1523
01:25:07,040 --> 01:25:09,519
Speaker 1: and I got it now. My young mind back then

1524
01:25:09,640 --> 01:25:12,240
Speaker 1: probably wasn't ready to hear the shit that he talked about.

1525
01:25:12,280 --> 01:25:14,320
Speaker 1: They said he was through edgy. I couldn't listen to

1526
01:25:14,439 --> 01:25:16,840
Speaker 1: anything younger me. He was begging. I couldn't wait to

1527
01:25:16,880 --> 01:25:19,600
Speaker 1: hear the song about his mama's magdetti. His influence on

1528
01:25:19,760 --> 01:25:22,560
Speaker 1: me was indirect because I was listening in the hopsitting.

1529
01:25:22,640 --> 01:25:25,439
Speaker 1: I was obsessed. So I guess his concept is he's

1530
01:25:25,479 --> 01:25:28,600
Speaker 1: wrapping the eminem and he had a mustache popping up

1531
01:25:28,680 --> 01:25:36,000
Speaker 1: on his face. I lashes tattoos. The industry was songs

1532
01:25:36,000 --> 01:25:37,920
Speaker 1: to bringing more rage because they just hate the fact

1533
01:25:38,000 --> 01:25:40,559
Speaker 1: the era of sounds evolving. But where would they figure

1534
01:25:40,560 --> 01:25:46,400
Speaker 1: It wasn't for him, everybody else before him and before

1535
01:25:46,720 --> 01:25:53,439
Speaker 1: and then before, because you never making if he wasn't

1536
01:25:53,560 --> 01:26:01,840
Speaker 1: fucking before him and before once k became my idol,

1537
01:26:01,880 --> 01:26:04,120
Speaker 1: I was looking for his found out NOAs was the

1538
01:26:04,200 --> 01:26:06,040
Speaker 1: reason that he did what he did. So I was

1539
01:26:06,120 --> 01:26:08,200
Speaker 1: looking up his classics, trying to find all his heads

1540
01:26:08,240 --> 01:26:09,840
Speaker 1: to see what's spoken to go so I can grow.

1541
01:26:09,880 --> 01:26:12,840
Speaker 1: He know I was a kid ill Maddie still classic.

1542
01:26:12,920 --> 01:26:15,080
Speaker 1: I feel that shit even though it dropped five years

1543
01:26:15,160 --> 01:26:17,640
Speaker 1: before the world had me blessing the next king of

1544
01:26:17,720 --> 01:26:24,240
Speaker 1: his real rip. All right, let's look at Kendricks. I

1545
01:26:24,280 --> 01:26:26,800
Speaker 1: always wonder how these dudes get deals. Man, there's so

1546
01:26:26,920 --> 01:26:29,720
Speaker 1: many dudes in the hood that need deals. And not

1547
01:26:30,120 --> 01:26:32,880
Speaker 1: no disrespect to Holmes, but like I know some dudes

1548
01:26:32,960 --> 01:26:35,000
Speaker 1: in the hood that need deals. I'd be wondering how

1549
01:26:35,120 --> 01:26:38,840
Speaker 1: dudes get deals. It's just in these kind of situations. Now,

1550
01:26:39,080 --> 01:26:42,080
Speaker 1: let's listen to Kendrick. Shout out a K I think

1551
01:26:42,120 --> 01:26:44,320
Speaker 1: that's his name. Let listen to Kendrick and see where

1552
01:26:44,320 --> 01:26:51,040
Speaker 1: we get from Kendrick. Yet, hello, older, I realized life

1553
01:26:51,120 --> 01:26:58,120
Speaker 1: is perspective, and my perspective made difference from yours. So

1554
01:26:58,280 --> 01:27:01,360
Speaker 1: we have Kendrick Hill would have with Dred's in his

1555
01:27:01,520 --> 01:27:05,400
Speaker 1: hell with a backdrop. I see the backdrop field, but

1556
01:27:05,439 --> 01:27:07,200
Speaker 1: I don't see how that's the same. A lot of

1557
01:27:07,240 --> 01:27:11,960
Speaker 1: people do backdrops. Any wos out and gave me unlesson,

1558
01:27:14,439 --> 01:27:18,000
Speaker 1: Oh my people, I come from a generation of pain,

1559
01:27:18,080 --> 01:27:20,880
Speaker 1: will murder his minor rebellious and mar jealous that chipping

1560
01:27:20,920 --> 01:27:23,519
Speaker 1: for designer belt buckles the cloud over zealous and thrown

1561
01:27:23,600 --> 01:27:25,640
Speaker 1: the finance. Make the wrong turn be your will of

1562
01:27:25,680 --> 01:27:28,200
Speaker 1: the wool and linement residue burns missed out of inner

1563
01:27:28,240 --> 01:27:31,920
Speaker 1: city miscommunication to keep Mamma detective busy. No protection is

1564
01:27:32,000 --> 01:27:34,760
Speaker 1: risky this since the Times defender lost pain covered up

1565
01:27:34,840 --> 01:27:37,200
Speaker 1: and camouflages get used to here and arsonal rain and

1566
01:27:37,320 --> 01:27:39,920
Speaker 1: the line rish old life. Take the charge, homies. Your

1567
01:27:39,960 --> 01:27:42,080
Speaker 1: baby mama wants you hit the yard. That's coach of

1568
01:27:42,200 --> 01:27:44,760
Speaker 1: twenty three yard lockdown to somebody cars that your no

1569
01:27:44,960 --> 01:27:47,760
Speaker 1: nephew was shot down. The coaches involved under sens do

1570
01:27:47,880 --> 01:27:49,920
Speaker 1: seventeen hit the half of the house, get out and

1571
01:27:50,000 --> 01:27:52,080
Speaker 1: get his brains brown out. Look at the bottle weed

1572
01:27:52,160 --> 01:27:54,160
Speaker 1: car washing is played out new go fund me a

1573
01:27:54,240 --> 01:27:56,599
Speaker 1: council proceed a brand new victim of shadow of those

1574
01:27:56,600 --> 01:28:00,519
Speaker 1: streams the culture and boy kicking high level ain't pay

1575
01:28:00,560 --> 01:28:12,200
Speaker 1: attention this is not for the weak. Hard the boy

1576
01:28:12,280 --> 01:28:14,280
Speaker 1: got the reins to have whatever kind of budget he

1577
01:28:14,400 --> 01:28:16,439
Speaker 1: wanted to do whatever, this is what he chose to do.

1578
01:28:18,200 --> 01:28:22,639
Speaker 1: Now what I said, I do this for my culture

1579
01:28:22,920 --> 01:28:25,840
Speaker 1: to let you know what looked like in the bulletproof

1580
01:28:25,880 --> 01:28:29,080
Speaker 1: fro and my mama sofa. What's the dou paperhead just

1581
01:28:29,240 --> 01:28:32,080
Speaker 1: changed the old Jay. Now that's totally different names Kanye.

1582
01:28:32,640 --> 01:28:35,240
Speaker 1: Now come on, a K or whatever dude name. Look

1583
01:28:35,280 --> 01:28:41,200
Speaker 1: at this man, same stroke, same everything. He's now Kanye West,

1584
01:28:42,479 --> 01:28:48,800
Speaker 1: be serious, a k justice smilett. Now he changed into

1585
01:28:48,960 --> 01:28:52,920
Speaker 1: let's be serious. Now this is high levels CGI. This

1586
01:28:53,040 --> 01:28:55,760
Speaker 1: ain't that little ship with the I bad. This ain't

1587
01:28:55,800 --> 01:29:00,519
Speaker 1: that little with the last year nis they she's getting

1588
01:29:00,520 --> 01:29:03,880
Speaker 1: to do it. But that's the coach, fucking bottom hard

1589
01:29:03,920 --> 01:29:07,120
Speaker 1: to deal with the pain, which we get the remains

1590
01:29:07,200 --> 01:29:09,800
Speaker 1: we started over. That's the problem fdation with strained to

1591
01:29:09,880 --> 01:29:14,160
Speaker 1: accept whatever follows. Do you humanize it's a chill scrutinized

1592
01:29:14,200 --> 01:29:23,920
Speaker 1: the now come on, man, ain't told you now turned

1593
01:29:23,960 --> 01:29:27,200
Speaker 1: into Will Smith. Let's be honest, man, we ain't telling

1594
01:29:27,200 --> 01:29:31,600
Speaker 1: about know our lashes and no tattoo till man. This

1595
01:29:31,800 --> 01:29:34,800
Speaker 1: is CGI. He's still bumping and moving. Man, let's keep

1596
01:29:34,840 --> 01:29:37,840
Speaker 1: it gangster with each other. Is that universal back there

1597
01:29:37,920 --> 01:29:45,200
Speaker 1: behind this? Let's listen. Listen. If it this mouth moving,

1598
01:29:45,280 --> 01:29:49,080
Speaker 1: head moving, everything still moving, that's clearly Will Smith look

1599
01:29:49,120 --> 01:30:12,800
Speaker 1: alike son. That's high level celebrating background. The purpose is

1600
01:30:12,880 --> 01:30:15,679
Speaker 1: in the lessons we learned the now sacrifice personal gain

1601
01:30:15,760 --> 01:30:19,120
Speaker 1: over everything just to see the next generation better than ours.

1602
01:30:19,280 --> 01:30:21,240
Speaker 1: I wasn't perfect. The skin I was in that truly

1603
01:30:21,240 --> 01:30:24,200
Speaker 1: suffered temptation and patience everything that the body nurtures. I

1604
01:30:24,280 --> 01:30:26,040
Speaker 1: felt the good, I felt the bad, and I felt

1605
01:30:26,080 --> 01:30:29,400
Speaker 1: the worry. But dain my productivity has stayed urging fash

1606
01:30:29,439 --> 01:30:31,320
Speaker 1: your fears. Always knew that I will make you him

1607
01:30:31,680 --> 01:30:34,960
Speaker 1: where the energy is magnified and personal feeling consciousness is

1608
01:30:35,040 --> 01:30:38,519
Speaker 1: synchronizing crystal clear. You furry us glorified and made his

1609
01:30:39,160 --> 01:30:41,800
Speaker 1: reflecting on my life and what I've done. Pay dues.

1610
01:30:41,840 --> 01:30:44,400
Speaker 1: May rules change you to love the same views, make

1611
01:30:44,479 --> 01:30:48,080
Speaker 1: schools change Corrickie Lums, but not change that Kobe Bryan Man,

1612
01:30:48,280 --> 01:30:50,400
Speaker 1: Let's be honest with each other. Man, this ain't the

1613
01:30:50,479 --> 01:30:54,719
Speaker 1: same thing. Ain't nobody gonna speak on it? Long gotta

1614
01:30:54,760 --> 01:30:56,479
Speaker 1: be the only one speak on it. This ain't the

1615
01:30:56,560 --> 01:30:59,200
Speaker 1: same thing. Give you. As I bleed through the speakers,

1616
01:30:59,240 --> 01:31:02,000
Speaker 1: feel my presence, tell my brother to my kids. Somebody,

1617
01:31:02,200 --> 01:31:04,960
Speaker 1: come on, man, that's nipsy. Man. Come on now, that's nipsy.

1618
01:31:05,080 --> 01:31:08,920
Speaker 1: Now look at that sun. This dude tell me about

1619
01:31:08,960 --> 01:31:12,559
Speaker 1: some eyelashes and tattoo tiars. Man, Come on, man, let's

1620
01:31:12,600 --> 01:31:15,600
Speaker 1: be honest. The universal had to have a hand in

1621
01:31:15,680 --> 01:31:18,960
Speaker 1: that question. I seen the pinion in your pupil when

1622
01:31:19,000 --> 01:31:21,160
Speaker 1: that trigger had squeezed, And though you did me crue,

1623
01:31:21,200 --> 01:31:24,280
Speaker 1: somebody was surely relieved. I defleted my mission, wasn't ready

1624
01:31:24,320 --> 01:31:27,240
Speaker 1: to leave, but fulfilled my days. My creator was pleased.

1625
01:31:27,360 --> 01:31:29,680
Speaker 1: I can't stress how I love y'all. I don't need

1626
01:31:29,760 --> 01:31:32,200
Speaker 1: to be in flesh just to hug y'all. The memories

1627
01:31:32,320 --> 01:31:35,280
Speaker 1: rich you lect, just because y'all celebrate me with respect,

1628
01:31:35,360 --> 01:31:40,080
Speaker 1: the unity we protect this above all. And look at

1629
01:31:40,120 --> 01:31:45,280
Speaker 1: that man at legar like nipsy rapping man. Come on, man,

1630
01:31:45,400 --> 01:31:51,400
Speaker 1: this little dude, yo, I think I think again. Man.

1631
01:31:51,479 --> 01:31:53,920
Speaker 1: If I had to use my mind and I had

1632
01:31:53,960 --> 01:31:56,599
Speaker 1: to guess allegedly, I would say that there's probably someone

1633
01:31:56,640 --> 01:31:58,840
Speaker 1: in the boardrooms idea to say, yo, let's let you

1634
01:31:58,960 --> 01:32:05,480
Speaker 1: oner that the concept is enough for the casual consumer

1635
01:32:05,520 --> 01:32:07,840
Speaker 1: to kind of get confused. He's big enough to let's

1636
01:32:07,920 --> 01:32:09,640
Speaker 1: if we can get three percent to look at that.

1637
01:32:10,240 --> 01:32:12,920
Speaker 1: That still looks like four or five hundred thousand people.

1638
01:32:12,960 --> 01:32:15,360
Speaker 1: So let's let's take a bite at that. I think

1639
01:32:15,400 --> 01:32:18,040
Speaker 1: from a bidding perspective, someone came up with that because

1640
01:32:18,400 --> 01:32:20,960
Speaker 1: we're dealing with Kendrick doing something that high level. That's

1641
01:32:21,040 --> 01:32:24,599
Speaker 1: not the same thing. But Lorne stands with the creator.

1642
01:32:24,680 --> 01:32:27,400
Speaker 1: You all. Oftentimes hear me speak about how I believe

1643
01:32:27,479 --> 01:32:30,679
Speaker 1: innovation will come from the middle or from the bottom

1644
01:32:31,400 --> 01:32:34,880
Speaker 1: because the current structure, the current rules already work for

1645
01:32:34,920 --> 01:32:37,720
Speaker 1: the people that's in position. What they have to do

1646
01:32:37,960 --> 01:32:40,000
Speaker 1: now is that game has switched to be able to

1647
01:32:40,360 --> 01:32:44,320
Speaker 1: let you owner someone that's on the way up, because

1648
01:32:44,360 --> 01:32:46,560
Speaker 1: if you don't do that, then you'll be dealing with

1649
01:32:46,640 --> 01:32:49,160
Speaker 1: a young thug in little Wayne situation. Just hold your

1650
01:32:49,680 --> 01:32:51,720
Speaker 1: Some of these people you're gonna try to quiet gonna

1651
01:32:51,760 --> 01:32:53,519
Speaker 1: get bigger than you, and they're gonna say you tried

1652
01:32:53,560 --> 01:32:56,679
Speaker 1: to quiet me, right, and that's just gonna be enough

1653
01:32:56,760 --> 01:32:59,000
Speaker 1: to kill the little bit that you have left. Right.

1654
01:32:59,160 --> 01:33:03,479
Speaker 1: But nonetheless, I usually do stand on the side of

1655
01:33:03,600 --> 01:33:06,880
Speaker 1: the young creator. But I don't believe that Kendrick stole

1656
01:33:07,000 --> 01:33:09,920
Speaker 1: that idea. Now do want to say? There is a

1657
01:33:10,080 --> 01:33:14,479
Speaker 1: business in video guys stealing concepts from younger video guys,

1658
01:33:15,280 --> 01:33:20,879
Speaker 1: Bigger rappers stealing ideas, songs, ad lives, cadenses from younger rappers,

1659
01:33:21,320 --> 01:33:25,760
Speaker 1: bigger podcasting still in talking points and things from smaller podcasting.

1660
01:33:26,000 --> 01:33:28,400
Speaker 1: It's kind of comes with the money, right because once

1661
01:33:28,439 --> 01:33:30,719
Speaker 1: you get money out for whatever craft you in, whether

1662
01:33:30,800 --> 01:33:33,720
Speaker 1: that be rapping, whether it be an athlete podcast or

1663
01:33:33,760 --> 01:33:36,960
Speaker 1: whatever you do, now it becomes your influence. It's no

1664
01:33:37,080 --> 01:33:40,439
Speaker 1: longer stealing. It's now your influence because you get paid

1665
01:33:40,520 --> 01:33:43,479
Speaker 1: to be on a high level dooring this right, So

1666
01:33:43,640 --> 01:33:46,720
Speaker 1: it's like it's a different thing. It's only stealing when

1667
01:33:46,760 --> 01:33:48,920
Speaker 1: you're doing it from someone that's trying to make a

1668
01:33:49,040 --> 01:33:51,360
Speaker 1: living from it or making a lesser living than you

1669
01:33:51,600 --> 01:33:53,760
Speaker 1: from it, and you take it and use it and

1670
01:33:53,880 --> 01:33:57,519
Speaker 1: they don't have any leverage to even identify that that

1671
01:33:57,760 --> 01:34:00,360
Speaker 1: was part of their arsenal that you have now put

1672
01:34:00,479 --> 01:34:04,040
Speaker 1: in your repertoire. That's when the blurry lions come. But

1673
01:34:04,160 --> 01:34:06,560
Speaker 1: when you become the biggest man on the block and

1674
01:34:06,680 --> 01:34:09,639
Speaker 1: people start to incorporate things you do that's no longer

1675
01:34:09,720 --> 01:34:13,000
Speaker 1: still and that's now you being influential in the market

1676
01:34:13,360 --> 01:34:17,120
Speaker 1: that you the you got the biggest hat, You got

1677
01:34:17,200 --> 01:34:20,120
Speaker 1: the biggest hat. So I like I was seeing even

1678
01:34:20,200 --> 01:34:22,640
Speaker 1: what our coaches like I was seeing with the KKK

1679
01:34:22,880 --> 01:34:26,000
Speaker 1: posts when people were saying, yo, when the KKK gonna

1680
01:34:26,000 --> 01:34:28,400
Speaker 1: get indicted for rico because they picked ug and why

1681
01:34:28,479 --> 01:34:31,200
Speaker 1: I sailing? They always picking black people up? Gags and

1682
01:34:31,720 --> 01:34:34,320
Speaker 1: this that and the third there's things happening again as

1683
01:34:34,360 --> 01:34:37,040
Speaker 1: a target on the backs and people who they can't

1684
01:34:37,080 --> 01:34:42,559
Speaker 1: identify with. Liberation is viewed as war, as a threat

1685
01:34:42,800 --> 01:34:45,600
Speaker 1: when you're dealing with racist individual These people don't have

1686
01:34:45,800 --> 01:34:52,720
Speaker 1: any desire to understand the people understand the circumstances. They

1687
01:34:52,800 --> 01:34:55,480
Speaker 1: care more about their food than they do the circumstances

1688
01:34:55,560 --> 01:34:57,639
Speaker 1: of the people that may or may not be committing

1689
01:34:57,720 --> 01:35:02,280
Speaker 1: these crimes that they're charged with, and say, don't leave

1690
01:35:02,320 --> 01:35:04,360
Speaker 1: a chicken in the oven too long to make the

1691
01:35:04,439 --> 01:35:08,360
Speaker 1: cruss hard. They never say, yo, look at the conditions

1692
01:35:09,040 --> 01:35:11,240
Speaker 1: of what the baby's going through. What you think they're

1693
01:35:11,280 --> 01:35:15,519
Speaker 1: making them? Don't nobody worry about what's happening down that

1694
01:35:15,600 --> 01:35:18,479
Speaker 1: they care about these other things. So again, just because

1695
01:35:18,520 --> 01:35:21,040
Speaker 1: you got our color. I keep telling you that ain't enough.

1696
01:35:21,439 --> 01:35:23,760
Speaker 1: Y'all want to vote in people because they're black, vote

1697
01:35:23,840 --> 01:35:26,160
Speaker 1: in this base, our first black such and such. Yeah,

1698
01:35:26,160 --> 01:35:27,840
Speaker 1: and she gonna get in there, or he may get

1699
01:35:27,920 --> 01:35:29,439
Speaker 1: in there and try to prove a point to the

1700
01:35:29,520 --> 01:35:32,519
Speaker 1: white man. So he going extra hard. Then he got

1701
01:35:32,600 --> 01:35:35,439
Speaker 1: a little bit more understanding. So now I can reach

1702
01:35:35,560 --> 01:35:37,760
Speaker 1: for things that may or may not be clear to

1703
01:35:37,840 --> 01:35:41,960
Speaker 1: the white folks and shouldn't be used as evidence. But

1704
01:35:42,120 --> 01:35:44,920
Speaker 1: because I understand them, because I'm part of the culture,

1705
01:35:45,120 --> 01:35:49,840
Speaker 1: it allows me to blur those lines. It's high level

1706
01:35:49,960 --> 01:35:53,640
Speaker 1: games being put down. Tip posted that right, and I

1707
01:35:53,800 --> 01:35:56,200
Speaker 1: just again, I just identify and watch the coach. A

1708
01:35:56,280 --> 01:35:59,360
Speaker 1: tip posted ego everywhere. But I've seen young school to

1709
01:35:59,439 --> 01:36:02,920
Speaker 1: post that. I've seen a dude from my neighborhood posts.

1710
01:36:02,920 --> 01:36:05,200
Speaker 1: I've seen a lot of dudes post that they mayn't

1711
01:36:05,240 --> 01:36:07,280
Speaker 1: have that reaches tip. So we need a tip to

1712
01:36:07,400 --> 01:36:10,560
Speaker 1: post that right, amongst other things. We need people in

1713
01:36:10,680 --> 01:36:13,640
Speaker 1: our culture to be posting to amplify. But it's just

1714
01:36:13,840 --> 01:36:16,519
Speaker 1: fun to have. Once he posted, now it's worthy to

1715
01:36:16,640 --> 01:36:22,320
Speaker 1: be posted everywhere. It's crazy. You know what I'm saying,

1716
01:36:22,360 --> 01:36:24,840
Speaker 1: And you can't say you didn't see it, because once

1717
01:36:24,920 --> 01:36:27,559
Speaker 1: it's moving in our coach is moving in our culture,

1718
01:36:28,560 --> 01:36:30,880
Speaker 1: you see what you want to see when you aren't

1719
01:36:31,200 --> 01:36:35,160
Speaker 1: charge these blogs and things, So again just watching. But again,

1720
01:36:35,240 --> 01:36:39,240
Speaker 1: I don't think Kendrick stole the concept he dropped this album.

1721
01:36:39,320 --> 01:36:42,080
Speaker 1: I listening to it while I was riding. I didn't

1722
01:36:42,120 --> 01:36:45,600
Speaker 1: get a chance to really get what I thought I

1723
01:36:45,720 --> 01:36:47,360
Speaker 1: was gonna get from it. So I'm gonna give it

1724
01:36:47,439 --> 01:36:50,679
Speaker 1: a listen when I have some real time. I think

1725
01:36:50,760 --> 01:36:52,720
Speaker 1: he I think he deserves for you to put the

1726
01:36:52,800 --> 01:36:56,920
Speaker 1: headphones on it, really indulge in it. What I find interesting, though,

1727
01:36:57,080 --> 01:36:59,200
Speaker 1: is that and what I would like to talk to

1728
01:36:59,320 --> 01:37:02,679
Speaker 1: Kendrick about how do you get that luxury from the audience,

1729
01:37:03,560 --> 01:37:06,080
Speaker 1: Because let's just say, if a Meek or even a

1730
01:37:06,200 --> 01:37:09,120
Speaker 1: Drake when you drop, they don't give you what. I

1731
01:37:09,200 --> 01:37:11,719
Speaker 1: won't say Drake because Drake may get that luxury because

1732
01:37:11,720 --> 01:37:13,960
Speaker 1: he's so big. But let's let's say like a Meek,

1733
01:37:15,240 --> 01:37:18,559
Speaker 1: when Meek drops, the audience doesn't want to give him

1734
01:37:18,680 --> 01:37:23,160
Speaker 1: that second listen, that third listen, or that luxury to say, Yo, man,

1735
01:37:24,240 --> 01:37:27,519
Speaker 1: maybe I can no. Let me try to digest that,

1736
01:37:28,360 --> 01:37:30,600
Speaker 1: you know, and I want to ask Kendriy, what what

1737
01:37:31,040 --> 01:37:33,880
Speaker 1: is that? You know? What is that? I'm not sure

1738
01:37:34,000 --> 01:37:37,080
Speaker 1: cold gets that. Cold may get that, but there's a

1739
01:37:37,200 --> 01:37:39,760
Speaker 1: lot of artists that yo, that first swing means so

1740
01:37:40,000 --> 01:37:42,519
Speaker 1: much like when you drop that first day. They're gonna

1741
01:37:42,560 --> 01:37:45,719
Speaker 1: try to run with man, this ain't it. They ain't

1742
01:37:45,720 --> 01:37:47,840
Speaker 1: gonna say this should be viewed as art and this

1743
01:37:48,040 --> 01:37:50,240
Speaker 1: is a different thing, even though what Kendrick is doing

1744
01:37:50,400 --> 01:37:54,840
Speaker 1: is a totally different thing than anyone else, right, a

1745
01:37:55,200 --> 01:37:58,840
Speaker 1: totally different type of approach to even music. Right, So

1746
01:37:59,000 --> 01:38:02,200
Speaker 1: it should be I just did different. I'm just wondering

1747
01:38:02,240 --> 01:38:06,320
Speaker 1: how that same audience doesn't lending that luxury to other rappers.

1748
01:38:06,960 --> 01:38:09,519
Speaker 1: It's an interesting thing that Kendrick's being able to do

1749
01:38:09,640 --> 01:38:13,200
Speaker 1: with the audience to make them give him to note

1750
01:38:13,280 --> 01:38:18,639
Speaker 1: that he's changing something like I'm rapping, I'm what you're

1751
01:38:18,680 --> 01:38:21,679
Speaker 1: listening to right here? Is the next thing or something,

1752
01:38:21,800 --> 01:38:24,799
Speaker 1: and they give him that grace. I think that's interesting,

1753
01:38:25,000 --> 01:38:27,760
Speaker 1: very interesting to me, And I want to speak to

1754
01:38:27,920 --> 01:38:31,880
Speaker 1: him or whoever created the environment with his audience and

1755
01:38:32,040 --> 01:38:36,280
Speaker 1: his consumers, because these people are consuming his music no

1756
01:38:36,400 --> 01:38:39,479
Speaker 1: matter what it is. You know what I'm saying meaning

1757
01:38:39,600 --> 01:38:41,479
Speaker 1: and when I say no matter what it is. I mean,

1758
01:38:41,840 --> 01:38:44,960
Speaker 1: this approach totally different than the last approach and totally

1759
01:38:45,080 --> 01:38:47,720
Speaker 1: different than the current market, and they're accepting it for

1760
01:38:47,840 --> 01:38:50,599
Speaker 1: exactly what it is. So he's done something to activate

1761
01:38:50,680 --> 01:38:54,320
Speaker 1: his audience in a way. That's just it's a different relationship.

1762
01:38:55,720 --> 01:38:58,320
Speaker 1: Something's happening there, and I think it should be noted

1763
01:38:58,400 --> 01:39:04,400
Speaker 1: and spoke about, because that is a masterclass on being

1764
01:39:04,479 --> 01:39:08,559
Speaker 1: able to on having an easy transition, you'll be able

1765
01:39:08,760 --> 01:39:12,839
Speaker 1: to transition into things easy like that. I heard somebody

1766
01:39:12,840 --> 01:39:15,640
Speaker 1: to say, Yo, they just now learned he had a

1767
01:39:15,800 --> 01:39:19,479
Speaker 1: new baby. I don't think the coach is interested in

1768
01:39:19,640 --> 01:39:21,840
Speaker 1: all left from him. Again, him and Drake is doing

1769
01:39:21,880 --> 01:39:25,040
Speaker 1: a different thing. You know what I'm saying. It's almost

1770
01:39:25,080 --> 01:39:29,200
Speaker 1: like in the NBA, two high profile players, but this

1771
01:39:29,439 --> 01:39:34,000
Speaker 1: dude over here doing this, Mike Jordan over here. Yeah,

1772
01:39:34,080 --> 01:39:36,559
Speaker 1: Mike Jordan got a different thing. Yeah, we balled at

1773
01:39:36,600 --> 01:39:39,040
Speaker 1: the same time. We both top fifty. And if I

1774
01:39:39,080 --> 01:39:42,559
Speaker 1: ain't in the gym, you the man. But boy, when

1775
01:39:42,560 --> 01:39:44,519
Speaker 1: I show up in the gym, you looking at what

1776
01:39:44,640 --> 01:39:46,960
Speaker 1: you post to be dealing with when you talk about

1777
01:39:47,040 --> 01:39:50,040
Speaker 1: high level you see what I'm saying, And it's like

1778
01:39:50,600 --> 01:39:53,280
Speaker 1: them dudes is doing two different things in the league,

1779
01:39:53,320 --> 01:39:57,800
Speaker 1: but they both is averaging forty teen and fifteen. So

1780
01:39:57,880 --> 01:40:02,160
Speaker 1: I'm saying, and as a matchup thing, if they want

1781
01:40:02,200 --> 01:40:04,880
Speaker 1: to get deeper into it and see who's who's who,

1782
01:40:05,320 --> 01:40:08,200
Speaker 1: it's like, all right, na's matchup? Can you do when

1783
01:40:08,280 --> 01:40:10,880
Speaker 1: he does this? Can you do it? Okay? No, Drake

1784
01:40:10,960 --> 01:40:13,080
Speaker 1: can do this. Kendrick can do this? All right, both

1785
01:40:13,120 --> 01:40:14,880
Speaker 1: of them can do this. Can you do this when

1786
01:40:14,920 --> 01:40:18,639
Speaker 1: he do? Uh? Now he can't do this, so boom,

1787
01:40:18,680 --> 01:40:21,000
Speaker 1: he gotta check. You gotta x, he gotta check. You

1788
01:40:21,080 --> 01:40:24,120
Speaker 1: gotta start chicken off the box. But again, I think

1789
01:40:24,240 --> 01:40:28,599
Speaker 1: that just those conversations are cool. But to me, man,

1790
01:40:28,720 --> 01:40:33,200
Speaker 1: Drake is to me being able to serve all them

1791
01:40:33,280 --> 01:40:36,080
Speaker 1: people that wants Drake, like Drake got the trap open.

1792
01:40:37,240 --> 01:40:39,439
Speaker 1: Drake hard to deal with. He got the trap open.

1793
01:40:39,960 --> 01:40:43,800
Speaker 1: He in every single lane. And when you're able to

1794
01:40:43,880 --> 01:40:46,960
Speaker 1: do that, man, and you make the kind of music, see,

1795
01:40:47,000 --> 01:40:50,479
Speaker 1: it's hard to people tend to say, See the lane

1796
01:40:50,520 --> 01:40:52,680
Speaker 1: that Kendrick operating in is that lane I was just

1797
01:40:52,800 --> 01:40:55,639
Speaker 1: talking about where it's like they give you that luxury

1798
01:40:55,760 --> 01:40:57,760
Speaker 1: to hold on, give him a second, listen, make sure

1799
01:40:57,800 --> 01:41:00,880
Speaker 1: you got the right headphones, the right sitting the camera zone.

1800
01:41:00,960 --> 01:41:03,519
Speaker 1: Make sure he ain't your vibe. He giving high level

1801
01:41:03,640 --> 01:41:09,920
Speaker 1: game pay attention right that type of I think it's

1802
01:41:10,080 --> 01:41:12,120
Speaker 1: I think he's been able to build an audience in

1803
01:41:12,320 --> 01:41:15,160
Speaker 1: that type of arena when that's been hard for people

1804
01:41:15,280 --> 01:41:19,519
Speaker 1: before him. Right, Nas built it in that kind of

1805
01:41:19,600 --> 01:41:21,720
Speaker 1: way too, where it was he would do a song

1806
01:41:21,960 --> 01:41:24,640
Speaker 1: backwards in certain things that would rexus nate in a

1807
01:41:24,720 --> 01:41:28,400
Speaker 1: way where maybe only Nas could. But when you look

1808
01:41:28,439 --> 01:41:31,559
Speaker 1: at Drake being able to operate in that little lane

1809
01:41:31,640 --> 01:41:35,280
Speaker 1: where you need a song that's hot on ticktalking, you

1810
01:41:35,400 --> 01:41:38,880
Speaker 1: need a motherfuck that the streets and with it's rough,

1811
01:41:39,360 --> 01:41:43,000
Speaker 1: that's a rough little lane. Future been right there for

1812
01:41:43,160 --> 01:41:46,040
Speaker 1: while that's a rough little lane, and Drake operates there

1813
01:41:46,200 --> 01:41:49,200
Speaker 1: and pop and this and but I'm talking about to

1814
01:41:49,439 --> 01:41:52,800
Speaker 1: stay relevant in that little hip hop trap type lane

1815
01:41:52,920 --> 01:41:56,840
Speaker 1: right there for that loan, that's a very hard thing.

1816
01:41:56,960 --> 01:41:59,400
Speaker 1: A lot of people can't do that. A lot of

1817
01:41:59,439 --> 01:42:02,960
Speaker 1: people can't keep finding that sound, keep going number one

1818
01:42:03,000 --> 01:42:06,400
Speaker 1: with one of these type vibes that go cross in

1819
01:42:06,520 --> 01:42:08,840
Speaker 1: the trap and out the trap. Right, it kind of

1820
01:42:08,880 --> 01:42:11,960
Speaker 1: serve all the people. That's a hard lane to just

1821
01:42:12,200 --> 01:42:16,040
Speaker 1: keep hitting in just keep hitting in that lane right there,

1822
01:42:16,360 --> 01:42:18,560
Speaker 1: Kendrick there hitting that lane a couple of time. But

1823
01:42:18,640 --> 01:42:22,800
Speaker 1: we're talking about dude, keep hidding in that lane, you know,

1824
01:42:22,960 --> 01:42:26,360
Speaker 1: and that's hard in future stage there, and that's a

1825
01:42:26,600 --> 01:42:30,000
Speaker 1: that's an unpredictable little space. At least it has men

1826
01:42:30,680 --> 01:42:33,240
Speaker 1: that little space where you the hottest trap type thing,

1827
01:42:33,439 --> 01:42:35,400
Speaker 1: or you can send a song through the clubs and

1828
01:42:35,520 --> 01:42:37,760
Speaker 1: get it popping, or you can send a song through

1829
01:42:37,800 --> 01:42:40,040
Speaker 1: the girl's phone and get it popping for a while.

1830
01:42:40,479 --> 01:42:43,720
Speaker 1: That's usually fluctuates and them dudes being able to live

1831
01:42:43,800 --> 01:42:46,280
Speaker 1: there for a while. And again, I don't think it's

1832
01:42:46,320 --> 01:42:51,880
Speaker 1: celebrated enough the ability to activate the audience in this

1833
01:42:52,120 --> 01:42:55,080
Speaker 1: new age for these guys on both sides and a

1834
01:42:55,160 --> 01:42:57,320
Speaker 1: lot of the rap dudes in a new age era,

1835
01:42:57,760 --> 01:43:00,880
Speaker 1: that's powerful. It's just not spoke about enough. And we

1836
01:43:01,000 --> 01:43:03,479
Speaker 1: try to amplify it over here. It's up their podcast,

1837
01:43:03,600 --> 01:43:06,320
Speaker 1: That's what it's about. A couple more things I'll get

1838
01:43:06,400 --> 01:43:08,519
Speaker 1: to and then we'll get out of here today. Let

1839
01:43:08,600 --> 01:43:10,640
Speaker 1: me say this for the culture and the people who

1840
01:43:10,760 --> 01:43:13,080
Speaker 1: are unaware of how things happen. A lot of you

1841
01:43:13,200 --> 01:43:17,599
Speaker 1: picture taking those are useless. Some of the most famous

1842
01:43:17,760 --> 01:43:22,880
Speaker 1: as you know, can't push your button to get nothing done.

1843
01:43:24,439 --> 01:43:26,600
Speaker 1: There's a thing that happens in this game where a

1844
01:43:26,640 --> 01:43:30,000
Speaker 1: lot of the people who are impactful behind the scenes

1845
01:43:30,080 --> 01:43:32,240
Speaker 1: don't even have a lot of followers. The people with

1846
01:43:32,439 --> 01:43:36,960
Speaker 1: the followers are marketing themselves as an opportunity into the game,

1847
01:43:37,040 --> 01:43:40,800
Speaker 1: as an opportunity into your dreams coming true and things

1848
01:43:40,920 --> 01:43:43,559
Speaker 1: like that, so they don't have a lot of followers.

1849
01:43:43,640 --> 01:43:45,640
Speaker 1: The dudes, they have a lot of followers that you

1850
01:43:45,800 --> 01:43:48,280
Speaker 1: think maybe popping in. Man, Damn, I thought you and

1851
01:43:48,439 --> 01:43:50,880
Speaker 1: dude was cool. Then your ass dude about dude to

1852
01:43:50,960 --> 01:43:53,200
Speaker 1: be like, oh yeah, that's the homie, but now we

1853
01:43:53,240 --> 01:43:57,000
Speaker 1: ain't really cool like that then, especially you need to

1854
01:43:57,120 --> 01:44:00,600
Speaker 1: take the pictures in the apports and a star with

1855
01:44:00,760 --> 01:44:04,320
Speaker 1: his daughter on the way to get ice cream, interrupted

1856
01:44:04,800 --> 01:44:07,880
Speaker 1: dinner to take a picture and then you posting it homage.

1857
01:44:07,920 --> 01:44:10,160
Speaker 1: You're told him out with the knit thing with the gel.

1858
01:44:11,200 --> 01:44:13,599
Speaker 1: He said, I'm next up. They're gonna mil me down

1859
01:44:13,680 --> 01:44:16,439
Speaker 1: and pulled me on the industry. I'm popping and he

1860
01:44:16,560 --> 01:44:18,600
Speaker 1: ain't even like, he don't even know you like, and

1861
01:44:18,720 --> 01:44:21,120
Speaker 1: you just stopped that man something. He got his bags

1862
01:44:21,160 --> 01:44:24,120
Speaker 1: in his hand. Yo. We see the man suitcase in

1863
01:44:24,200 --> 01:44:27,320
Speaker 1: his hand. Bro, you don't stop that man in the

1864
01:44:27,400 --> 01:44:31,400
Speaker 1: backstage of his concert. Man, we see yo, man, stop it.

1865
01:44:32,560 --> 01:44:35,240
Speaker 1: But if you're bad at they're selling it to you.

1866
01:44:36,320 --> 01:44:39,439
Speaker 1: They're selling saying like it's brown sugar, and you better

1867
01:44:39,560 --> 01:44:42,519
Speaker 1: know the difference. But um, I want to talk about

1868
01:44:42,560 --> 01:44:46,439
Speaker 1: this Cardi B situation. So a situation happened with card

1869
01:44:46,560 --> 01:44:48,600
Speaker 1: B at a club I'm not sure the club with

1870
01:44:48,760 --> 01:44:53,320
Speaker 1: a DJ named DJ will The situation was very unique

1871
01:44:53,360 --> 01:44:56,240
Speaker 1: because Cardi B is dead with all said, having a

1872
01:44:56,320 --> 01:45:00,599
Speaker 1: good time and he and for some reason, he starts

1873
01:45:00,640 --> 01:45:03,439
Speaker 1: to announce that Nicki Minaj is in the building and

1874
01:45:03,600 --> 01:45:08,400
Speaker 1: starts to play Nicki Minaj records. The very checkered past

1875
01:45:08,520 --> 01:45:11,799
Speaker 1: that card being Nicki Minaj has has been on display

1876
01:45:12,439 --> 01:45:15,320
Speaker 1: and I hate to see it. But we must talk

1877
01:45:15,360 --> 01:45:18,680
Speaker 1: about it simply because we do a podcast and we

1878
01:45:18,800 --> 01:45:22,640
Speaker 1: got people that's watching that may learn something from the situation.

1879
01:45:23,000 --> 01:45:25,040
Speaker 1: Let's take a look at what happened with card B

1880
01:45:25,600 --> 01:45:28,400
Speaker 1: and DJ Willard this club with all sets standing there

1881
01:45:46,680 --> 01:45:49,040
Speaker 1: for those of you listening, she's now playing a Nicki

1882
01:45:49,120 --> 01:45:54,519
Speaker 1: Minad song. Offsets identifying the DJ. Trying to figure out

1883
01:45:54,560 --> 01:46:23,320
Speaker 1: what's going on. The like DJ. Now card has the monkey.

1884
01:46:40,360 --> 01:47:21,160
Speaker 1: We were she threw the mud. So as you've seen that,

1885
01:47:23,200 --> 01:47:25,920
Speaker 1: clear of offended and she, you know, got in a

1886
01:47:26,040 --> 01:47:28,360
Speaker 1: Bravado bag. You know what I'm saying. They're trying to

1887
01:47:28,439 --> 01:47:30,479
Speaker 1: like yo, what you're trying to start? What we're doing

1888
01:47:30,680 --> 01:47:34,679
Speaker 1: like um. And so shortly after that, the DJ comes

1889
01:47:34,720 --> 01:47:38,719
Speaker 1: out and he says this, so everybody. UM. I didn't

1890
01:47:38,760 --> 01:47:40,840
Speaker 1: want the day to go by without giving my side

1891
01:47:40,880 --> 01:47:43,600
Speaker 1: of the story about what happened last night in the

1892
01:47:43,680 --> 01:47:49,880
Speaker 1: club with Cardi Bum. I'm reading so many stories and

1893
01:47:50,120 --> 01:47:54,280
Speaker 1: narratives about things that happened and didn't happen, and I

1894
01:47:54,400 --> 01:47:56,719
Speaker 1: just want to clear the air. I prepared a little

1895
01:47:56,760 --> 01:47:59,320
Speaker 1: statement that I'm gonna read and hopefully it does just that.

1896
01:48:00,560 --> 01:48:04,760
Speaker 1: Last night in the club, a promoter manager passed me

1897
01:48:04,880 --> 01:48:09,519
Speaker 1: along information to shout out, and unknowingly I ran with it.

1898
01:48:10,640 --> 01:48:15,479
Speaker 1: I never meant any disrespect to Cardi b Offset, their family, friends,

1899
01:48:15,680 --> 01:48:18,720
Speaker 1: or fans in any way, shape or form. It was

1900
01:48:18,760 --> 01:48:22,559
Speaker 1: an honest mistake, and I feel horrible about it. Normally

1901
01:48:22,680 --> 01:48:25,599
Speaker 1: that's something that I would never do. I always check

1902
01:48:25,800 --> 01:48:28,920
Speaker 1: and double check information, but I was caught up in

1903
01:48:29,000 --> 01:48:33,759
Speaker 1: what I thought was a hip hop moment. I accept

1904
01:48:33,880 --> 01:48:37,200
Speaker 1: my responsibility for what happened and set my heartfelt apologies

1905
01:48:37,240 --> 01:48:41,200
Speaker 1: to Cardi being offset. I meant no malice. It was

1906
01:48:41,280 --> 01:48:44,600
Speaker 1: definitely no setup. It was I was simply there to

1907
01:48:44,760 --> 01:48:47,599
Speaker 1: rock the party, which is what I do for a living.

1908
01:48:48,880 --> 01:48:51,000
Speaker 1: In that club, from the DJ booth, the view is

1909
01:48:51,160 --> 01:48:54,960
Speaker 1: very obstructed, and I was trusting on what other people

1910
01:48:55,040 --> 01:48:57,600
Speaker 1: were telling me all night long about who was in

1911
01:48:57,720 --> 01:49:01,479
Speaker 1: the club and what was going on, and that was

1912
01:49:01,520 --> 01:49:06,080
Speaker 1: a big mistake. Clearly, it is definitely not the way

1913
01:49:06,160 --> 01:49:09,680
Speaker 1: that I want to go viral again. My sincere apologies

1914
01:49:09,720 --> 01:49:12,640
Speaker 1: to Cardi being all set. What happened was whack on

1915
01:49:12,840 --> 01:49:15,640
Speaker 1: all levels, and I'm pissed off that my name is

1916
01:49:15,680 --> 01:49:17,920
Speaker 1: a part of that. I wish I could take it back.

1917
01:49:19,000 --> 01:49:22,040
Speaker 1: Hopefully my track record and relationship throughout the years in

1918
01:49:22,120 --> 01:49:26,439
Speaker 1: this industry can attest to that. I don't have problems

1919
01:49:26,520 --> 01:49:30,120
Speaker 1: with anybody. I don't get involved in anyone's issues, and

1920
01:49:30,320 --> 01:49:34,559
Speaker 1: hopefully I can be forgiven once again, Cardi, I am

1921
01:49:34,640 --> 01:49:38,479
Speaker 1: truly sorry about what happened. You didn't deserve that, and

1922
01:49:38,880 --> 01:49:46,439
Speaker 1: I'm mortified. So my apologies. So again you hear his side.

1923
01:49:46,479 --> 01:49:49,200
Speaker 1: He says that he will pass the note they were

1924
01:49:49,320 --> 01:49:53,679
Speaker 1: there and then that's what happened. Could have got whooped

1925
01:49:53,720 --> 01:49:56,000
Speaker 1: for that, could have got itself in some things just

1926
01:49:56,200 --> 01:49:59,600
Speaker 1: because I don't know. It does something Colin like, it

1927
01:49:59,720 --> 01:50:03,280
Speaker 1: does something like us in the same building, we drunk,

1928
01:50:03,360 --> 01:50:07,800
Speaker 1: we all live, We both in that bravado bad like sometimes.

1929
01:50:07,920 --> 01:50:11,400
Speaker 1: But I've seen living the club together. I've seen that

1930
01:50:11,560 --> 01:50:14,400
Speaker 1: time when it was on fine Alanna and it was

1931
01:50:14,520 --> 01:50:17,800
Speaker 1: Gucci and Ti and Gez in the same club at

1932
01:50:17,840 --> 01:50:21,040
Speaker 1: the same time. I'd've been in there before, like, so

1933
01:50:21,320 --> 01:50:23,600
Speaker 1: I know that it can happen, but sometimes it'd be

1934
01:50:24,800 --> 01:50:27,920
Speaker 1: it'd be thicking them. It'd be tense in there. Man,

1935
01:50:28,080 --> 01:50:31,000
Speaker 1: Any little thing boom it's own, you know what I mean.

1936
01:50:31,200 --> 01:50:35,360
Speaker 1: So yeah, that was just an unfortunate situation that she

1937
01:50:35,479 --> 01:50:39,760
Speaker 1: got caught in. So um, we'll report about the death.

1938
01:50:39,800 --> 01:50:44,559
Speaker 1: A little key for those of you unwell, look key

1939
01:50:44,760 --> 01:50:50,000
Speaker 1: from Alanna. Hark goes out the baby j They whole team,

1940
01:50:50,080 --> 01:50:55,280
Speaker 1: the whole family. That situation is heavy, specially on top

1941
01:50:55,320 --> 01:50:59,920
Speaker 1: of it, you know, thugging them just now being indicted, guy,

1942
01:51:00,640 --> 01:51:02,680
Speaker 1: you know, hold your head out. The people over there,

1943
01:51:02,720 --> 01:51:04,799
Speaker 1: I know how they get. And so he was twenty

1944
01:51:04,880 --> 01:51:08,880
Speaker 1: four years old a part of the y sell label,

1945
01:51:09,280 --> 01:51:12,439
Speaker 1: part of their whole infrastructure over there, him and got

1946
01:51:12,520 --> 01:51:15,680
Speaker 1: that couple of dudes was only the last voices, you know,

1947
01:51:15,840 --> 01:51:20,160
Speaker 1: from a labeled perspective of trying to carry what's left

1948
01:51:20,240 --> 01:51:22,600
Speaker 1: of you know, just kind of keep the buttons on

1949
01:51:22,720 --> 01:51:25,479
Speaker 1: the shirt. Why the guys kind of trying to figure

1950
01:51:25,479 --> 01:51:29,960
Speaker 1: out how they can playing what's next for their future? Right?

1951
01:51:30,280 --> 01:51:36,760
Speaker 1: So let's read from page six look Key rapper on

1952
01:51:37,000 --> 01:51:41,040
Speaker 1: Young Thugs label there at twenty four that okay, so

1953
01:51:41,280 --> 01:51:44,040
Speaker 1: look hey, the rapper sign the Young Thugs Stoner Life

1954
01:51:44,160 --> 01:51:48,000
Speaker 1: label died Friday in Los Angeles. He was twenty four.

1955
01:51:48,680 --> 01:51:51,439
Speaker 1: A rep confirmed the musician's death to The New York

1956
01:51:51,520 --> 01:51:56,120
Speaker 1: Times on Saturday, hours before Kid was scheduled to perform

1957
01:51:56,240 --> 01:51:59,360
Speaker 1: at a music festival as Charlotte, North Carolina. Cause of

1958
01:51:59,479 --> 01:52:03,880
Speaker 1: death is yet to be revealed. Keith's brother, fellow rapper

1959
01:52:04,240 --> 01:52:08,600
Speaker 1: look At It, also confirmed the tragic news via Instagram.

1960
01:52:08,880 --> 01:52:11,320
Speaker 1: Can't believe I've seeing you down to day. Bro. I

1961
01:52:11,479 --> 01:52:13,360
Speaker 1: did all my cries. I know what you want me

1962
01:52:13,439 --> 01:52:15,360
Speaker 1: to do, and let's go hard for Mama, Dad and

1963
01:52:15,520 --> 01:52:21,200
Speaker 1: my brothers, Nature and White Boy. Shortly after news, Bro

1964
01:52:21,400 --> 01:52:24,400
Speaker 1: fans of the Atlanta based rapper took the social media

1965
01:52:24,479 --> 01:52:27,680
Speaker 1: to react and share that condolences three to six month

1966
01:52:27,720 --> 01:52:34,759
Speaker 1: field Trippy Red. Meanwhile, his girlfriend shared a heartbreaking post

1967
01:52:35,200 --> 01:52:39,320
Speaker 1: via Instagram. Love you so much. I love you so much? Baby?

1968
01:52:39,800 --> 01:52:42,160
Speaker 1: What I'm supposed to do without you? I can't breathe right,

1969
01:52:42,320 --> 01:52:44,599
Speaker 1: sleep right? Nothing? I don't want to talk to nobody,

1970
01:52:44,720 --> 01:52:47,160
Speaker 1: key that I can't take this. What am I supposed

1971
01:52:47,160 --> 01:52:49,400
Speaker 1: to tell nature? What am I going to tell our

1972
01:52:49,640 --> 01:52:52,280
Speaker 1: new baby kid? I just told you the other day

1973
01:52:52,479 --> 01:52:54,240
Speaker 1: if you left me with these two kids, I was

1974
01:52:54,240 --> 01:52:57,919
Speaker 1: gonna lose my mind. My man is lost, baby, she continued.

1975
01:52:57,960 --> 01:52:59,960
Speaker 1: I'm so sorry I didn't fly to LA. I knew

1976
01:53:00,040 --> 01:53:03,160
Speaker 1: I could have saved you. Baby, really showed me. All

1977
01:53:03,200 --> 01:53:06,200
Speaker 1: you needed was my love. You gave me that. I

1978
01:53:06,320 --> 01:53:08,519
Speaker 1: gave you that. I'm sorry. Please just tell me it's

1979
01:53:08,560 --> 01:53:11,439
Speaker 1: a dream come home. You protected us? Why, Daddy? So?

1980
01:53:11,600 --> 01:53:15,040
Speaker 1: I mean? People are hurt man. The two were named

1981
01:53:15,120 --> 01:53:18,160
Speaker 1: in the Sweeping gang indictment with numerous other rappers from

1982
01:53:18,240 --> 01:53:21,719
Speaker 1: the label for The New York Times. The indictment alleged

1983
01:53:21,880 --> 01:53:25,240
Speaker 1: that Wire Sail was a criminal street game responsible for murders,

1984
01:53:25,360 --> 01:53:29,080
Speaker 1: robbery's drug dealing it more. Why sells a family? Wire Seals,

1985
01:53:29,080 --> 01:53:31,800
Speaker 1: a labeled key who was not arrested or named in

1986
01:53:31,880 --> 01:53:35,760
Speaker 1: the indictment, reportedly wrote on social media. While seller is

1987
01:53:35,760 --> 01:53:38,599
Speaker 1: aware of life, Wire sellers a lifestyle, not a game,

1988
01:53:39,160 --> 01:53:43,639
Speaker 1: Young Thugs. Attorney brand still in a statement two page

1989
01:53:43,720 --> 01:53:47,719
Speaker 1: six at the time, mister Williams has committed no violation

1990
01:53:47,760 --> 01:53:53,040
Speaker 1: in law whatsoever, and we will fight this case legally

1991
01:53:53,160 --> 01:53:59,680
Speaker 1: and zealously. Mister Williams will be clear. So anytime they

1992
01:53:59,760 --> 01:54:04,040
Speaker 1: meant in that case, so anytime they mentioned that case,

1993
01:54:04,760 --> 01:54:06,800
Speaker 1: if they're reputable, they want to kind of put the

1994
01:54:06,920 --> 01:54:10,639
Speaker 1: lawyer's statement there too, to presume his innocence. That's why

1995
01:54:10,680 --> 01:54:12,599
Speaker 1: they put that there. But yeah, man, So we had

1996
01:54:12,640 --> 01:54:15,320
Speaker 1: a nice, long, good part to day for my people

1997
01:54:15,720 --> 01:54:18,040
Speaker 1: shout out there about of this tune. Then also, man,

1998
01:54:18,600 --> 01:54:21,200
Speaker 1: with Kendrick and Drake that talk I just had in

1999
01:54:21,280 --> 01:54:24,800
Speaker 1: the podcast on a Luxurious out of your Adventure We've

2000
01:54:24,840 --> 01:54:27,679
Speaker 1: been on on this up that podcast, I forgot to mention,

2001
01:54:28,160 --> 01:54:30,760
Speaker 1: you know, I respect Kendrick and I respect Drake in

2002
01:54:30,840 --> 01:54:33,640
Speaker 1: the space. Everybody knows that I'm high level game. So

2003
01:54:33,800 --> 01:54:36,919
Speaker 1: I'm dealing with information that calls for me to respect

2004
01:54:37,000 --> 01:54:41,440
Speaker 1: both individuals, but I think it's being reported that Kendrick

2005
01:54:41,560 --> 01:54:47,760
Speaker 1: doing three twenty five, Drake last time at bat did sixteen.

2006
01:54:47,880 --> 01:54:51,680
Speaker 1: That's double the numbers. Does that mean anything? Out there?

2007
01:54:51,800 --> 01:54:55,440
Speaker 1: Is this thing on? It's up that podcast? Is this

2008
01:54:55,600 --> 01:54:59,120
Speaker 1: thing on? I said, Drake, so six ten his last

2009
01:54:59,200 --> 01:55:02,960
Speaker 1: time at bad Kendrick looks like she's doing three twenty five.

2010
01:55:03,040 --> 01:55:05,680
Speaker 1: I'm not sure. And I love both those guys. This

2011
01:55:05,920 --> 01:55:09,000
Speaker 1: is just fun for the culture to speak about, right,

2012
01:55:09,160 --> 01:55:12,280
Speaker 1: We just involved in the game. Is it staying on though?

2013
01:55:12,400 --> 01:55:19,040
Speaker 1: Six ten, six ten, six ten, at bat, three twenty five.

2014
01:55:19,120 --> 01:55:21,320
Speaker 1: Shout out to both numbers, big numbers. Shout out to

2015
01:55:21,440 --> 01:55:24,880
Speaker 1: Kendrick putting major, high level game down. But Drake is

2016
01:55:25,000 --> 01:55:27,680
Speaker 1: Drake in this space. We'll talk about it more next week.

2017
01:55:27,760 --> 01:55:31,280
Speaker 1: It's up there podcast The Biggest Homer Appreciate everybody. Tune

2018
01:55:31,280 --> 01:55:33,080
Speaker 1: then tap ten. Yes Lord,