1 00:00:02,560 --> 00:00:07,280 Speaker 1: Hello, everyone, back here on the Run Burgundy podcast, and yes, 2 00:00:07,520 --> 00:00:13,360 Speaker 1: it's Hollywood's biggest night, the two thousand twenty one Academy Awards. 3 00:00:13,920 --> 00:00:16,880 Speaker 1: Stars are starting to arrive on the Red Carpet, and 4 00:00:16,960 --> 00:00:19,960 Speaker 1: I'll be here along with Carolina to get you all 5 00:00:20,000 --> 00:00:23,160 Speaker 1: the pre shows scoop on who will be taking home 6 00:00:23,280 --> 00:00:28,720 Speaker 1: a little man tonight called Oscar? What what are you doing? 7 00:00:29,200 --> 00:00:31,880 Speaker 1: What do you mean everything you just said in your intro? 8 00:00:32,280 --> 00:00:35,600 Speaker 1: It sounds like, do you think you're hosting the Red 9 00:00:35,640 --> 00:00:39,319 Speaker 1: Carpet pre show to the Academy Awards. This doesn't make 10 00:00:39,320 --> 00:00:43,280 Speaker 1: any sense. We're just doing the podcast. Okay, way to 11 00:00:43,440 --> 00:00:47,800 Speaker 1: roll along with my banter, Carolina? Did I miss something? See? 12 00:00:47,800 --> 00:00:49,360 Speaker 1: This is why I asked if we could get Lisa 13 00:00:49,400 --> 00:00:52,559 Speaker 1: Gibbons for this episode? Did Did anyone ever try to 14 00:00:52,600 --> 00:00:55,560 Speaker 1: call Lisa Gibbons? I don't understand what you're doing. Who 15 00:00:55,680 --> 00:00:59,680 Speaker 1: is Lisa Gibbons? Jesus, what the hell is the matter 16 00:00:59,760 --> 00:01:04,920 Speaker 1: with you? I've heard you say some really dumb things 17 00:01:04,920 --> 00:01:09,759 Speaker 1: on this show, But who is LEAs Gibbons to two 18 00:01:09,840 --> 00:01:15,680 Speaker 1: thousand correspondent and eventual co host for Entertainment Tonight Boom, 19 00:01:15,720 --> 00:01:19,000 Speaker 1: she has a damn daytime Emmy Award, which is more 20 00:01:19,640 --> 00:01:22,839 Speaker 1: than I can say for you. And can anyone get 21 00:01:22,840 --> 00:01:25,000 Speaker 1: her on the phone please, I want to get this 22 00:01:25,080 --> 00:01:29,320 Speaker 1: tape right. OK, calm down, what what are you talking about? 23 00:01:29,319 --> 00:01:31,720 Speaker 1: This is just a regular episode of the show. No, No, 24 00:01:32,040 --> 00:01:35,880 Speaker 1: it's not, Carolina. Look, let's get real here. This is 25 00:01:35,920 --> 00:01:38,600 Speaker 1: a podcast. Have you seen the Nielsen ratings for our show. 26 00:01:38,959 --> 00:01:42,280 Speaker 1: We're not cutting it, not by a long shot, probably 27 00:01:42,280 --> 00:01:45,280 Speaker 1: because there are no Nielsen ratings for podcasts. That's just 28 00:01:45,319 --> 00:01:48,200 Speaker 1: a thing for TV. Look, I've seen some numbers, Carolina, 29 00:01:48,240 --> 00:01:50,920 Speaker 1: And let me tell you this, Joe Rogan is kicking 30 00:01:50,960 --> 00:01:54,360 Speaker 1: our God, He's at the top of the Nielsen ratings 31 00:01:54,400 --> 00:01:57,080 Speaker 1: and I don't think that's ending anytime soon. You have 32 00:01:57,120 --> 00:02:00,160 Speaker 1: a lot to learn about the biz. Show biz. This 33 00:02:00,320 --> 00:02:03,160 Speaker 1: is a cruel mistress. I'm a very aware of how 34 00:02:03,240 --> 00:02:07,360 Speaker 1: tough show business. It's such a cruel mistress that sometimes 35 00:02:07,960 --> 00:02:11,920 Speaker 1: certain gentlemen who are stressed out actually use the services 36 00:02:11,960 --> 00:02:15,919 Speaker 1: of a professional dominatrix and have an actual cruel mistress 37 00:02:16,160 --> 00:02:18,800 Speaker 1: hit them on the behind with a whip to take 38 00:02:18,840 --> 00:02:23,360 Speaker 1: their mind off of the cruel mistress that is show business. Um. 39 00:02:23,680 --> 00:02:25,960 Speaker 1: I don't want to I don't ever want to revisit 40 00:02:26,040 --> 00:02:28,720 Speaker 1: that subject, and it's a whole other subject for a 41 00:02:28,720 --> 00:02:31,360 Speaker 1: whole other show, which we're just not going to do. 42 00:02:31,680 --> 00:02:34,680 Speaker 1: But it still doesn't really explain why you started the 43 00:02:34,720 --> 00:02:37,919 Speaker 1: podcast today, like we were hosting the Red carpet coverage 44 00:02:37,960 --> 00:02:41,200 Speaker 1: for the Academy Awards. All right, I'll love it with you. 45 00:02:42,040 --> 00:02:44,000 Speaker 1: I'd like to have a bunch of wheels spinning at once. 46 00:02:44,040 --> 00:02:46,080 Speaker 1: And I've been through so many ups and downs in 47 00:02:46,120 --> 00:02:49,040 Speaker 1: my career and the one thing that I've learned is 48 00:02:49,440 --> 00:02:51,400 Speaker 1: you've got to be ready for anything. So I figured, 49 00:02:51,760 --> 00:02:55,000 Speaker 1: why not take an episode of the podcast and use 50 00:02:55,080 --> 00:02:57,400 Speaker 1: it as an audition tape for the people that the 51 00:02:57,440 --> 00:03:01,960 Speaker 1: American Motion Picture Arts and Signs to see if maybe 52 00:03:02,160 --> 00:03:07,440 Speaker 1: me and Lisa Gibbons can host next year's Oscars. Has 53 00:03:07,520 --> 00:03:11,720 Speaker 1: anyone called Lisa Gibbons? I do not want to do 54 00:03:11,760 --> 00:03:14,680 Speaker 1: this with Carolina. You can't just hijack the show and 55 00:03:14,800 --> 00:03:17,200 Speaker 1: use it as an audition tape for the Red carpet 56 00:03:17,280 --> 00:03:20,400 Speaker 1: pre show to an awards ceremony. Really, what is the 57 00:03:20,440 --> 00:03:25,880 Speaker 1: show called the Ron Burgundy Podcast? And what's my name? 58 00:03:26,160 --> 00:03:30,960 Speaker 1: Ron Burgundy? And what is your name? Carolina? Exactly? It's 59 00:03:31,040 --> 00:03:34,320 Speaker 1: not Lisa Gibbons. I don't know what this. Lisa Gibbons 60 00:03:34,680 --> 00:03:38,080 Speaker 1: don't have a leg to stand on here, Okay, simple now, 61 00:03:38,160 --> 00:03:41,040 Speaker 1: Lisa Gibbons, she has two legs to stand on, and 62 00:03:41,040 --> 00:03:43,640 Speaker 1: I don't think she would mind me saying they're terrific, 63 00:03:44,440 --> 00:03:48,440 Speaker 1: have been for a long time. She knows, I know it. 64 00:03:48,920 --> 00:03:51,000 Speaker 1: The only person who doesn't know it is you, and 65 00:03:51,040 --> 00:03:54,080 Speaker 1: that's your fault. You cannot use the podcast as an 66 00:03:54,120 --> 00:03:58,440 Speaker 1: audition tape for the Oscars pre show. It's just so terrific. 67 00:03:58,760 --> 00:04:02,040 Speaker 1: Let's throw to commercial and then me and Lisa Gibbons 68 00:04:02,080 --> 00:04:05,400 Speaker 1: will be back with a special appearance from Oscar No money, 69 00:04:06,120 --> 00:04:22,800 Speaker 1: Laura Dern. Welcome back everyone. So just to catch you 70 00:04:22,880 --> 00:04:26,520 Speaker 1: up to speed, we could not get Lisa Gibbons on 71 00:04:26,560 --> 00:04:29,479 Speaker 1: the phone, even though I gave our producers her personal 72 00:04:29,520 --> 00:04:32,560 Speaker 1: phone number, which she gave me just so you know, 73 00:04:32,720 --> 00:04:35,560 Speaker 1: in the future, RON numbers that have five five in 74 00:04:35,600 --> 00:04:38,960 Speaker 1: them are usually fictional. Well I'll keep that in mind. 75 00:04:39,040 --> 00:04:41,440 Speaker 1: But Lisa Gibbons or not, we are going to pretend 76 00:04:41,480 --> 00:04:44,200 Speaker 1: it's the Academy Awards and you're going to help me 77 00:04:44,680 --> 00:04:48,600 Speaker 1: get the job of hosting the red carpet cover. Fine, whatever, 78 00:04:48,760 --> 00:04:51,400 Speaker 1: I just feel like they usually get younger people to 79 00:04:51,520 --> 00:04:56,120 Speaker 1: do that. Now, like Ryan Seacrest or Mario Lopez. Heyy, 80 00:04:56,240 --> 00:04:58,880 Speaker 1: what did I tell you? You shut your mouth? You 81 00:04:58,880 --> 00:05:02,080 Speaker 1: you shut your mouth right now about Mario Lopez's a friend. 82 00:05:02,240 --> 00:05:04,719 Speaker 1: I didn't say anything bad about him. I don't, but 83 00:05:04,760 --> 00:05:07,159 Speaker 1: I don't want to be in competition with Mario Lopez. 84 00:05:07,839 --> 00:05:09,760 Speaker 1: I happen to know he's not going to be available 85 00:05:09,839 --> 00:05:12,000 Speaker 1: to host the OSCARS pre show next year. That's why 86 00:05:12,040 --> 00:05:15,520 Speaker 1: I'm even considering doing this in the first place. How 87 00:05:15,520 --> 00:05:21,600 Speaker 1: do you know Mario Lopez isn't doing it? Because friends talk? Carolina. Also, 88 00:05:21,839 --> 00:05:25,000 Speaker 1: we recently went on a whitewater rafting trip together, and 89 00:05:25,000 --> 00:05:26,719 Speaker 1: I I think he's going to be laid up for 90 00:05:26,720 --> 00:05:29,599 Speaker 1: a while. Oh my god, did something happen to Mario Lopez? 91 00:05:29,880 --> 00:05:32,479 Speaker 1: Was he injured? It's nothing, really, the trip, No, it's nothing. 92 00:05:32,640 --> 00:05:34,880 Speaker 1: I was supposed to be rowing, but I got hungry 93 00:05:34,880 --> 00:05:37,640 Speaker 1: and I reached into my lunch sack for some venison jerky. 94 00:05:37,960 --> 00:05:40,160 Speaker 1: I swear I only put the ore down for like 95 00:05:40,839 --> 00:05:45,800 Speaker 1: three minutes tops. Anyway, Mario Lopez is going to be fine. America. 96 00:05:46,480 --> 00:05:49,040 Speaker 1: Nothing a full body cast and six months of intense 97 00:05:49,240 --> 00:05:54,320 Speaker 1: rehabilitation won't fix, so get well soon. Mario, We love you, buddy. 98 00:05:54,640 --> 00:05:58,520 Speaker 1: Run Did you intentionally cause a whitewater rafting accident with 99 00:05:58,560 --> 00:06:01,680 Speaker 1: Mario Lopez so that you could get a chance to 100 00:06:01,839 --> 00:06:04,599 Speaker 1: possibly host the Red Carpet pre show of the Oscars 101 00:06:05,160 --> 00:06:11,039 Speaker 1: next year? No? And oh spells no, I can't believe 102 00:06:11,360 --> 00:06:15,320 Speaker 1: you'd even make that accusation. That is so sick, Carolina. 103 00:06:15,839 --> 00:06:19,160 Speaker 1: You have a sick mind. And with that, let's go 104 00:06:19,200 --> 00:06:21,680 Speaker 1: to our three sixty cams so we can get a 105 00:06:21,680 --> 00:06:24,840 Speaker 1: look at all the great fashion tonight. I Ron, if 106 00:06:24,839 --> 00:06:27,560 Speaker 1: you seriously want to do this, that was a terrible 107 00:06:27,680 --> 00:06:31,840 Speaker 1: say who are you wearing tonight? Carolina? It appears you've 108 00:06:31,880 --> 00:06:35,240 Speaker 1: just dressed in sweatpants a T shirt from what is that? 109 00:06:35,360 --> 00:06:38,440 Speaker 1: Crank Anchors? That's a funny show. Yeah, but this is 110 00:06:38,480 --> 00:06:43,640 Speaker 1: the Oscars. My god, you look like trash. Okay, now 111 00:06:43,680 --> 00:06:46,520 Speaker 1: I'm just being bitchy like the late great Joan Rivers. 112 00:06:46,960 --> 00:06:49,520 Speaker 1: Rest in peace. If you're just going to be insulting, 113 00:06:49,640 --> 00:06:51,880 Speaker 1: I can leave, no stay. You can submit this to 114 00:06:51,960 --> 00:06:54,440 Speaker 1: the tape. The Red Carpet hosting gig is always a 115 00:06:54,480 --> 00:06:57,440 Speaker 1: two hander. And if you could just dial up Liza Gibbons, 116 00:06:57,480 --> 00:07:00,520 Speaker 1: I would be great. I'll do my best. But I 117 00:07:00,560 --> 00:07:03,400 Speaker 1: didn't come unprepared for this. Since there's no way for 118 00:07:03,520 --> 00:07:05,800 Speaker 1: us to know what boring films are gonna be the 119 00:07:05,800 --> 00:07:08,559 Speaker 1: big winners next year because they haven't come out yet. 120 00:07:08,920 --> 00:07:12,520 Speaker 1: I went and pulled some information from the sixtieth Academy Awards, 121 00:07:12,720 --> 00:07:17,840 Speaker 1: which happened in why don't we just do last year's 122 00:07:17,880 --> 00:07:20,080 Speaker 1: Oscars so they have a more fresh take on your 123 00:07:20,120 --> 00:07:22,960 Speaker 1: hosting ability? Well, if I'm being honest, I didn't see 124 00:07:22,960 --> 00:07:25,760 Speaker 1: any of the movies from last year. The one that 125 00:07:25,840 --> 00:07:29,000 Speaker 1: one Best Picture had subtitles, so you know, right, that's 126 00:07:29,080 --> 00:07:31,760 Speaker 1: an automatic note from you. They make them too small. 127 00:07:32,040 --> 00:07:34,480 Speaker 1: They make them too small. When I'm on a teleprompter, 128 00:07:34,840 --> 00:07:39,480 Speaker 1: they used three point type. Also, there was another matter 129 00:07:39,520 --> 00:07:42,200 Speaker 1: of me no longer being sent screeners because of a 130 00:07:42,240 --> 00:07:45,400 Speaker 1: misunderstanding with the union. What was the misunderstanding? It's really silly. 131 00:07:45,440 --> 00:07:48,920 Speaker 1: I had this neighbor who I swore was stealing packages 132 00:07:49,680 --> 00:07:52,480 Speaker 1: from in front of my house, so late one night 133 00:07:52,520 --> 00:07:56,080 Speaker 1: I whipped a DVD of something called Uncut Gems straight 134 00:07:56,080 --> 00:08:00,640 Speaker 1: through his bedroom window. It shattered the glass and scared 135 00:08:00,680 --> 00:08:03,560 Speaker 1: the Bejesus out of him. That is just awful. That's 136 00:08:03,600 --> 00:08:07,080 Speaker 1: destruction of property. Someone could have really gotten hurt, just 137 00:08:07,160 --> 00:08:10,080 Speaker 1: like Mario Lopez on that wrap. Well joke ended up 138 00:08:10,120 --> 00:08:12,920 Speaker 1: on me because my neighbor took it and made a 139 00:08:12,920 --> 00:08:14,960 Speaker 1: bunch of copies and started selling them out of the 140 00:08:15,000 --> 00:08:17,400 Speaker 1: trunk of his car. And that's that's why I don't 141 00:08:17,400 --> 00:08:20,880 Speaker 1: get screeners anymore. To be fair, Uncut Gems was a 142 00:08:21,240 --> 00:08:24,080 Speaker 1: really great movie. I haven't seen it because it landed 143 00:08:24,120 --> 00:08:26,920 Speaker 1: on the floor of my neighbor's bedroom. But from what 144 00:08:26,960 --> 00:08:31,080 Speaker 1: I'm hearing, the Sandman was robbed. Anyway, Can we just 145 00:08:31,280 --> 00:08:35,440 Speaker 1: go over this Academy Awards stuff I've prepared? Sure, whatever 146 00:08:35,480 --> 00:08:38,480 Speaker 1: you want to do? Think okay, now, act like Share 147 00:08:38,720 --> 00:08:41,840 Speaker 1: is walking down the red carpet. Okay, Hey, hey, Lisa Gibbons, 148 00:08:42,000 --> 00:08:45,760 Speaker 1: snap out of it. It's Share nominated tonight for Best 149 00:08:45,800 --> 00:08:50,200 Speaker 1: Actress of her performance in the film Moonstruck. Share so 150 00:08:50,320 --> 00:08:55,600 Speaker 1: lovely to see you. You pretend to be Shared. Pretend 151 00:08:55,600 --> 00:08:58,760 Speaker 1: to be Shared. Let's have some friendly banter. Okay? Is 152 00:08:58,760 --> 00:09:01,480 Speaker 1: that so hard to Okay? What I've hello, Ron, it's 153 00:09:01,520 --> 00:09:05,160 Speaker 1: me Share, It certainly is. And may I say you 154 00:09:05,200 --> 00:09:08,080 Speaker 1: look ravishing this evening? I think everyone is picking you 155 00:09:08,160 --> 00:09:12,480 Speaker 1: as the winner. Tonight, the scene where you slap Nicholas 156 00:09:12,520 --> 00:09:15,079 Speaker 1: Cage in the face and tell him to snap out 157 00:09:15,080 --> 00:09:16,960 Speaker 1: of it? Did you know that that was going to 158 00:09:17,000 --> 00:09:21,480 Speaker 1: be a classic momentum. I was just really in the 159 00:09:21,559 --> 00:09:25,160 Speaker 1: scene and now share I think you love this, Lisa Gibbons, 160 00:09:25,160 --> 00:09:27,880 Speaker 1: and I have put together a little something for you 161 00:09:27,920 --> 00:09:32,880 Speaker 1: as a good luck charm tonight. What the kron You 162 00:09:32,960 --> 00:09:35,560 Speaker 1: just hit me? Snap out of it, Lisa Gibbons. Roun, 163 00:09:35,679 --> 00:09:40,240 Speaker 1: you just slapped me in the face. Hey, yeah, he 164 00:09:40,360 --> 00:09:51,240 Speaker 1: don't strike me, Lisa Gibbons, I'll strike you. Oh, Carolina, 165 00:09:51,320 --> 00:09:54,920 Speaker 1: not really hurt me. You were slapping me. I was 166 00:09:55,000 --> 00:09:59,920 Speaker 1: just defending myself to stage slaps. No, you would do 167 00:10:00,120 --> 00:10:03,720 Speaker 1: to play. You were doing full up slaps. I did 168 00:10:03,720 --> 00:10:10,400 Speaker 1: it like twice. Carolina. Good you're gonna shoot me? They 169 00:10:10,400 --> 00:10:13,800 Speaker 1: were warning shots. You brought out your gun. They were 170 00:10:13,880 --> 00:10:18,280 Speaker 1: warning shots. Okay, they were nowhere near you, and you 171 00:10:18,400 --> 00:10:23,440 Speaker 1: know it. You're crying. You brought out the gun and 172 00:10:23,480 --> 00:10:29,120 Speaker 1: you're crying. Oh my god, you can't Okay, you can't 173 00:10:29,120 --> 00:10:31,360 Speaker 1: bring any I've told you this. You can't bring the 174 00:10:31,360 --> 00:10:35,040 Speaker 1: gun to the recording studio. Do you understand what was happening? 175 00:10:35,720 --> 00:10:40,119 Speaker 1: I was the scene from Moonstruck, and I was slapping 176 00:10:40,160 --> 00:10:46,920 Speaker 1: you as Share the way she slapped Nicholas Cade. Okay, 177 00:10:46,960 --> 00:10:50,160 Speaker 1: I just want to get this straight. You were going 178 00:10:50,240 --> 00:10:53,320 Speaker 1: to slap Share in the face, and I thought that 179 00:10:53,320 --> 00:10:56,120 Speaker 1: this would go over well. I think she'd really get 180 00:10:56,120 --> 00:10:58,960 Speaker 1: a kick out of it. I was recreating the scene. 181 00:10:59,080 --> 00:11:01,120 Speaker 1: She really doesn't see. I don't know what anyone who 182 00:11:01,160 --> 00:11:04,600 Speaker 1: seems like they would like that, But she'd be very least, 183 00:11:04,640 --> 00:11:08,640 Speaker 1: she'd be very surprised. But yeah, I very surprised. Maybe 184 00:11:08,640 --> 00:11:11,400 Speaker 1: you got to create moments on the red carpet. You 185 00:11:11,400 --> 00:11:14,320 Speaker 1: would not get hired with this audition. Let's just keep going. 186 00:11:14,880 --> 00:11:18,920 Speaker 1: Nominated for Best Original Screenplay tonight for Radio Days is 187 00:11:19,040 --> 00:11:22,920 Speaker 1: Mr Woody You know what, let's just skip that one. Yeah, 188 00:11:23,320 --> 00:11:25,560 Speaker 1: calling that run exactly. He never shows up to the 189 00:11:25,559 --> 00:11:29,920 Speaker 1: award shows anyway. Oh wait, who's that? Why? It's Glenn Close, 190 00:11:30,120 --> 00:11:34,120 Speaker 1: nominated tonight for her terrifying role in Fatal Attraction. Glenn, 191 00:11:34,160 --> 00:11:37,360 Speaker 1: welcome to Hollywood's Biggest night. Okay, I'm supposed to be 192 00:11:37,400 --> 00:11:41,800 Speaker 1: going close now, Yes, yes, be Glynn close. Hear God? 193 00:11:42,400 --> 00:11:44,000 Speaker 1: If you could just put a little bit of effort 194 00:11:44,040 --> 00:11:46,560 Speaker 1: in at this would be so helpful. Sap I was 195 00:11:46,600 --> 00:11:50,040 Speaker 1: in the moment. Whatever, Hi, Ron Burgundy, I'm gun close. 196 00:11:50,200 --> 00:11:52,360 Speaker 1: I am surprised to see you here tonight at the 197 00:11:52,400 --> 00:11:55,679 Speaker 1: oscar Not as surprised as I was when I saw 198 00:11:55,800 --> 00:11:59,400 Speaker 1: what a psycho tour and fatal attraction. Stay away from 199 00:11:59,400 --> 00:12:02,439 Speaker 1: my bunny. It's glen clothes. Okay, run stop. You can't 200 00:12:02,440 --> 00:12:05,920 Speaker 1: call going close a psycho on the red carpet. Well, look, 201 00:12:06,000 --> 00:12:08,240 Speaker 1: I was referring to the care I mean, have you 202 00:12:08,280 --> 00:12:12,040 Speaker 1: seen fatal attraction? Yeah, I've seen it. It's just I 203 00:12:12,080 --> 00:12:15,400 Speaker 1: don't think you're cut out for this, Carolina. Just we're 204 00:12:15,440 --> 00:12:18,960 Speaker 1: supposed to be a team here. I'll tell you what 205 00:12:19,040 --> 00:12:21,720 Speaker 1: if I get this gig you're in and Liza Gibbons 206 00:12:21,760 --> 00:12:24,360 Speaker 1: is out, how does that sound. There's no way you're 207 00:12:24,360 --> 00:12:27,240 Speaker 1: getting this. But whatever, just do not slop me again. 208 00:12:27,920 --> 00:12:31,480 Speaker 1: Oh wow. Now this is a treat Nominated for his 209 00:12:31,640 --> 00:12:35,720 Speaker 1: song in my second favorite movie of the year besides RoboCop, 210 00:12:35,840 --> 00:12:40,120 Speaker 1: It's Bob Seeger nominated tonight for Shakedown. This song from 211 00:12:40,120 --> 00:12:44,040 Speaker 1: the film Beverly Hills Cup to Hi, Ron, It's me 212 00:12:44,240 --> 00:12:47,360 Speaker 1: Bob Seger. I guess you left the Silver Bullet Band 213 00:12:47,440 --> 00:12:51,680 Speaker 1: back home tonight. Huh can you can you laugh like 214 00:12:52,640 --> 00:12:56,880 Speaker 1: ha ha ha ha. Now, Bob, you've got some tough 215 00:12:56,920 --> 00:13:00,880 Speaker 1: competition tonight from the film Dirty Dancing. Are you guys? 216 00:13:01,240 --> 00:13:03,640 Speaker 1: Are you nervous or are you too much of a 217 00:13:03,720 --> 00:13:06,000 Speaker 1: rock and roll coop guy to care about these things? 218 00:13:06,080 --> 00:13:12,719 Speaker 1: I just you know, whatever happens happens. Seriously, Carolina, that's 219 00:13:12,720 --> 00:13:16,000 Speaker 1: your Bob Seegert impression? Can you put on a gruff 220 00:13:16,120 --> 00:13:21,280 Speaker 1: manly voice. Just I'm Bob Seger, and I hope I 221 00:13:21,360 --> 00:13:25,600 Speaker 1: win an oscar in night. No, no, no, he would 222 00:13:25,640 --> 00:13:28,560 Speaker 1: never say that, Not Bob Seeger. He's too cool to 223 00:13:28,559 --> 00:13:32,679 Speaker 1: say something like that, Carolina, that sucked. It was awful. 224 00:13:33,600 --> 00:13:37,319 Speaker 1: Bob Seeger. If you're listening, and I'm pretty sure you are, 225 00:13:37,440 --> 00:13:43,600 Speaker 1: I apologize. I apologize for Carolina is awful impression of you, 226 00:13:44,400 --> 00:13:47,280 Speaker 1: and I'm sorry you lost to I've had the time 227 00:13:47,320 --> 00:13:51,000 Speaker 1: of my life from Dirty Dancing. I cannot believe what 228 00:13:51,040 --> 00:13:53,520 Speaker 1: a waste of time this has been. I think we 229 00:13:53,559 --> 00:13:56,240 Speaker 1: can salvage someone. Maybe I can get Lisa Givens to 230 00:13:56,280 --> 00:13:59,480 Speaker 1: overdub your parts. Are we done with this nonsense? We'll 231 00:13:59,559 --> 00:14:03,680 Speaker 1: take a We are minutes away from Hollywood's biggest night. 232 00:14:04,080 --> 00:14:21,560 Speaker 1: Back here after this we are boy, we are back 233 00:14:21,600 --> 00:14:26,200 Speaker 1: here the Ron Burgundy Podcast. I've just been told this 234 00:14:26,280 --> 00:14:29,880 Speaker 1: is actually the season finale of The Ron Burgundy Podcast. 235 00:14:31,440 --> 00:14:34,160 Speaker 1: Wait you didn't know that, Yes, this is it. This 236 00:14:34,200 --> 00:14:37,400 Speaker 1: is the season finale. So this is the episode, of 237 00:14:37,440 --> 00:14:40,160 Speaker 1: course where you shot at the ceiling. So this might 238 00:14:40,200 --> 00:14:42,320 Speaker 1: be the last show we ever do. Well, that's up 239 00:14:42,320 --> 00:14:45,200 Speaker 1: to my heart radio. I just used it to make 240 00:14:45,200 --> 00:14:47,720 Speaker 1: an audition tape for the Red Carpet pre show to 241 00:14:47,760 --> 00:14:51,000 Speaker 1: the Academy Awards. Yes, we could have had an interesting 242 00:14:51,040 --> 00:14:53,880 Speaker 1: topic or chatted with a guest, but we went down 243 00:14:53,920 --> 00:14:57,960 Speaker 1: this road of yours. You know what. I call me crazy, 244 00:14:58,000 --> 00:15:00,440 Speaker 1: but I feel absolutely confident we did the right thing. 245 00:15:00,560 --> 00:15:03,280 Speaker 1: That's insane, that's crazy, and I have a feeling we'll 246 00:15:03,320 --> 00:15:05,720 Speaker 1: be back for a season four and you just might 247 00:15:05,800 --> 00:15:09,240 Speaker 1: see me and Carolina hosting the Red Carpet pre show 248 00:15:09,280 --> 00:15:13,440 Speaker 1: of the Oscars next time around, unless Lisa Gibbons is available. 249 00:15:14,400 --> 00:15:17,760 Speaker 1: I've run um, never slapped me in the face again, 250 00:15:18,200 --> 00:15:21,120 Speaker 1: and never shoot a gun in the studio again. I mean, 251 00:15:21,160 --> 00:15:24,800 Speaker 1: I feel like that's a reasonable request. I've asked you. 252 00:15:24,880 --> 00:15:27,520 Speaker 1: Thanks to all of our listeners and all that stuff 253 00:15:27,560 --> 00:15:30,160 Speaker 1: I was saying about the Nielsen's ratings earlier. I was 254 00:15:30,200 --> 00:15:33,000 Speaker 1: just joking around. Joe Rogan is a cool guy and 255 00:15:33,040 --> 00:15:35,880 Speaker 1: I and I very much do not want him to 256 00:15:35,960 --> 00:15:39,280 Speaker 1: beat me up. That's the great thing about podcast. There's 257 00:15:39,360 --> 00:15:45,560 Speaker 1: room for everyone, including me, Ron Burgundy. Any any final thoughts, Carolina, 258 00:15:46,600 --> 00:15:49,040 Speaker 1: I just want to say it's been an interesting season. 259 00:15:49,360 --> 00:15:55,760 Speaker 1: I feel like we've grown as broadcasters, and as crazy 260 00:15:55,760 --> 00:15:59,200 Speaker 1: as it sounds, I'd like to continue doing this with you. Well, 261 00:15:59,800 --> 00:16:02,600 Speaker 1: I feel the same, whether it's well it's me developing 262 00:16:02,640 --> 00:16:05,960 Speaker 1: a genuine affection for you or a simple case of 263 00:16:06,000 --> 00:16:09,600 Speaker 1: Stockholm syndrome. I'm sure we'll be speaking to you again 264 00:16:09,720 --> 00:16:12,920 Speaker 1: soon for the Ron Burgundy Podcast. This is Ron Burgundy 265 00:16:13,000 --> 00:16:15,720 Speaker 1: saying Steak Glassie, and thank you to I Heart Radio 266 00:16:16,280 --> 00:16:19,600 Speaker 1: for the money. We really enjoy it, as well as 267 00:16:19,680 --> 00:16:24,320 Speaker 1: doing the show. Until next time. I'm got a special 268 00:16:24,320 --> 00:16:26,840 Speaker 1: treatment only for our listeners, but for you, Carolina, I'm 269 00:16:26,880 --> 00:16:29,280 Speaker 1: just gonna light this is that a spark flight? No, 270 00:16:29,400 --> 00:16:32,160 Speaker 1: it's a Roman candle. Let's get out, We'll get out, 271 00:16:32,280 --> 00:16:38,760 Speaker 1: get out. Oh it's really look at a flame? Whoa, whoa, Yeah, 272 00:16:38,920 --> 00:16:42,000 Speaker 1: everybody get out. We're a box of my thousand. I 273 00:16:42,080 --> 00:16:50,440 Speaker 1: bought a box of my thousand down in New Mexico 274 00:16:52,520 --> 00:16:56,640 Speaker 1: prom day for Nickna. Forget the key, unwalk the studio. 275 00:16:57,600 --> 00:17:01,400 Speaker 1: We're in here, Carolina. We gotta ride it out. WHOA, 276 00:17:03,760 --> 00:17:08,080 Speaker 1: I'm gonna have to ride out. Cover Cover yourself with 277 00:17:08,200 --> 00:17:12,880 Speaker 1: my jacket. Pull that bottle of water over your head. 278 00:17:15,960 --> 00:17:21,200 Speaker 1: Oh it's we're not even in the worst part yet. 279 00:17:21,240 --> 00:17:26,359 Speaker 1: My hair. That's your hair. Jump down the door if 280 00:17:26,359 --> 00:17:36,080 Speaker 1: you can. Oh. I shouldn't have bought the jumbo back. 281 00:17:36,240 --> 00:17:51,360 Speaker 1: So many fireworks, there's so many fireworks. The Ron Burgundy 282 00:17:51,400 --> 00:17:55,360 Speaker 1: Podcast is a production of I Heart Radio. I'm Ron Burgundy. 283 00:17:55,400 --> 00:17:59,720 Speaker 1: The host, writer and executive producer. Carolina Barlow is my 284 00:17:59,800 --> 00:18:04,000 Speaker 1: co host, writer and producer. Our producer is Nick Stump. 285 00:18:04,480 --> 00:18:08,960 Speaker 1: Our talent coordinator is Anna Hosnia. Writers are Andrew Steele 286 00:18:09,040 --> 00:18:13,159 Speaker 1: and Jake Vogelness. This episode was engineered, mixed and editing 287 00:18:13,400 --> 00:18:18,000 Speaker 1: by Nick Stump. Until next time, This is Ron Burgundy. 288 00:18:19,440 --> 00:18:19,480 Speaker 1: M