WEBVTT - Angus, Thongs, and Perfect Snogging with Kate Cheka

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<v Speaker 1>On the Bechdelcast. The questions ask if movies have.

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<v Speaker 2>Women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 2>or do they have individualism? It's the patriarchy, Zephyn bast

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<v Speaker 2>start changing with the Bechdel Cast.

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<v Speaker 3>Hello, listeners, Just a reminder about our upcoming shows starting

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<v Speaker 3>in a couple weeks. First, a show in Los Angeles

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<v Speaker 3>on January nineteenth. This is a Bechdel Cast celebration. It's

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<v Speaker 3>a variety show with special guests and lots of hilarious bits,

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<v Speaker 3>just celebrating us doing the show for a whopping eight years.

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<v Speaker 3>This show is also being live streamed, and even if

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<v Speaker 3>you cannot watch it as it's happening live, if you

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<v Speaker 3>buy a live stream ticket, you'll have access to the

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<v Speaker 3>video for one week after, so no excuse not to

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<v Speaker 3>see it. The next show is in San Francisco as

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<v Speaker 3>a part of SF's Sketch Fest on January twenty third.

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<v Speaker 3>This is a part of our famed Shrek Tannic show,

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<v Speaker 3>and this one specifically on Titanic. If it sells out,

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<v Speaker 3>I will get naked on stage so that Jamie can

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<v Speaker 3>draw me like one of her French girls. So you know,

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<v Speaker 3>come see that, plus lots of other fun bits, you know,

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<v Speaker 3>Titanic related stuff that you've never seen before, that you've

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<v Speaker 3>never heard us talk about before. It's all brand new stuff.

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<v Speaker 3>And then finally our show in Portland at Curious Comedy

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<v Speaker 3>Theater on January twenty sixth, also Shrek Tannic and this

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<v Speaker 3>show is on Shrek. So in person tickets for this

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<v Speaker 3>are close to selling out. There's still a few left,

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<v Speaker 3>but you know, get them now while you still can.

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<v Speaker 3>But this show is also being live streamed, so you

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<v Speaker 3>can watch from anywhere in the world, and same deal

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<v Speaker 3>as the other live stream show, you can watch for

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<v Speaker 3>one week after if you buy a live stream ticket.

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<v Speaker 3>So those are the shows. They will all have meet

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<v Speaker 3>and greets with myself and Jamie afterward we sell exclusive merch.

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<v Speaker 3>All the tickets can be found at link Tree Bechdel Cast,

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<v Speaker 3>so we'll see you there and enjoy this episode. Dear

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<v Speaker 3>Diary slash, Dear Jamie.

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<v Speaker 1>Hi, Caitlyn, it's me your diary. Y.

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<v Speaker 3>Yeah, I love my cat angus and I love boys.

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<v Speaker 1>And that sounds probably like that's it pretty much. I

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<v Speaker 1>would not want to hear about you having any sort

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<v Speaker 1>of hobby or interests that would suck. Oh thank god. Okay, Well,

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<v Speaker 1>I mean Kat is Angus is a hobby. Angus seems

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<v Speaker 1>like a full time job.

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<v Speaker 3>He's a fully developed character as far as I'm concerned.

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<v Speaker 1>He's a piece of work. He's a real piece of work.

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<v Speaker 1>He's the protagonist. Yeah, I mean the titular tituler. Yeah.

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<v Speaker 1>I don't know what cat actor they had on this,

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<v Speaker 1>but what a star? Whoa he was taking direction? I

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<v Speaker 1>don't think that. I mean, I'm sure that there was

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<v Speaker 1>like a fake cat in there at some point, but

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<v Speaker 1>it seemed like he was really owning the space.

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<v Speaker 3>Yeah, every thing I saw on screen that resembled a

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<v Speaker 3>cat seemed like a real cat.

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<v Speaker 1>It was that cat. And it's I like, I, you know,

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<v Speaker 1>we've talked about animal acting on the show before, and like,

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<v Speaker 1>what are the ethics of it? And then occasionally there's

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<v Speaker 1>a born star and you're just like, I'm not going

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<v Speaker 1>to tell that guy to get off stage. He clearly

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<v Speaker 1>belongs there.

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<v Speaker 3>A star is born and it's not Lady Gaga. It

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<v Speaker 3>is Angus.

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<v Speaker 1>The cat cat rip to him maybe is kind of

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<v Speaker 1>an old movie.

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<v Speaker 3>Ooh, sad, but come to the cat. Sad but true, Yes,

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<v Speaker 3>welcome My name is Caitlin Deronte.

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<v Speaker 1>My name is Jamie Loftus, and this is our podcast

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<v Speaker 1>where we talk about your favorite movies using an intersectional

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<v Speaker 1>feminist lens, using the Bechdel test as a jumping off

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<v Speaker 1>point for discussion. But Caitlin, what the hell is that?

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<v Speaker 4>Oh?

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<v Speaker 1>We didn't. I think the whole beginning of it, for example,

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<v Speaker 1>didn't pass because we were talking about the Kale cat.

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<v Speaker 3>Well, cats don't have gen or so I think talking

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<v Speaker 3>about a cat is not talking about a man, a

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<v Speaker 3>human man. I think that would say.

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<v Speaker 1>I do think that Angus has a very masculine energy.

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<v Speaker 3>Well, he is intense, but he's also so freaking chill.

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<v Speaker 3>Did you see the scene where the little sister's putting

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<v Speaker 3>spaghetti on his head.

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<v Speaker 1>And that was the real cat? I was like, yeah,

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<v Speaker 1>how was this real cat like spaghetti trained? You're like,

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<v Speaker 1>what the hell? And yeah, he does like et also

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<v Speaker 1>very gender fluid with the dress. Yes, wears all sorts

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<v Speaker 1>of outfits. Okay, okay, point taking.

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<v Speaker 3>And Georgia, the main character is always like stop dressing

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<v Speaker 3>Angus and drag.

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<v Speaker 1>Well, Georgia has a lot of issues with gender that

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<v Speaker 1>we'll get to. Georgia has to answer for her crimes

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<v Speaker 1>and it's like leave angus out of it. Yeah, so

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<v Speaker 1>that did pass the Bechtel test. Yeah.

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<v Speaker 3>And when you say that, what do you mean? Oh,

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<v Speaker 3>it's just a media metric created by queer cartoonist Alison Bechdel.

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<v Speaker 3>There are many versions of the tests. The one that

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<v Speaker 3>we use is do two characters of a mo originalized

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<v Speaker 3>gender have names? Do they speak to each other? And

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<v Speaker 3>is it about something other than a man for two

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<v Speaker 3>lines of dialogue or a like substantial meatia conversation. So

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<v Speaker 3>that's the Bechdel test. We will I'm not really sure

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<v Speaker 3>about this one.

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<v Speaker 1>We'll get there, but yeah, I think it's a softy

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<v Speaker 1>as but not as much as you'd want. Yes, all

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<v Speaker 1>things considered.

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<v Speaker 3>Also, I want to point out listeners that we are

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<v Speaker 3>recording in person for the first time in ages.

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<v Speaker 1>It's weird because we have a guest visiting us all

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<v Speaker 1>the way from the UK. Ever heard of it?

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<v Speaker 3>And stare We're all like breathing the same air right now,

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<v Speaker 3>and so let's bring her in.

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<v Speaker 1>She's a comedian.

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<v Speaker 3>You may have seen her at our live Shrek Tannic

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<v Speaker 3>show in Manchester, UK. Ever heard of that?

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<v Speaker 5>It's Kate cheka, welcome, Thank you for having me.

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<v Speaker 1>Wow, you really had to like sit through us doing

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<v Speaker 1>that whole thing, didn't you.

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<v Speaker 5>I really enjoyed it there.

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<v Speaker 4>This is why I flew all the way for it

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<v Speaker 4>to be live, because you don't get that, you.

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<v Speaker 1>Don't get that same experience, right, Yeah, I.

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<v Speaker 5>Was like, I need to be in the room for that.

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<v Speaker 4>Life's just many experiences stats on top of each other,

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<v Speaker 4>and that was one of them.

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<v Speaker 1>Well, you're welcome, very judicious, Thank you so much for

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<v Speaker 1>being here. Caitlin's living room. Yeah, here we are. Yeah,

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<v Speaker 1>what a day. What a day. And we're also recording

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<v Speaker 1>this the day before the American election, so we're to be.

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<v Speaker 3>Because you'll probably be listening to this listeners in January.

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<v Speaker 5>Yeah, so the moth might have ended.

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<v Speaker 1>Yeah, you might never actually be in the revolution at

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<v Speaker 1>that point. Yeah. Yeah, so if you're listening from the

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<v Speaker 1>from the front lines of the revolution, Hello and thank you.

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<v Speaker 5>Feel sady.

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<v Speaker 1>Here are our thoughts about it, Angus perfect snaring.

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<v Speaker 5>About a movie work twenty years ago.

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<v Speaker 1>Maybe this movie is so interesting, Yes we are. This

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<v Speaker 1>is a very common request on the movie. I feel

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<v Speaker 1>like it is a like millennial, like late millennial. Maybe

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<v Speaker 1>earlier gen Z Staple movie, So I want to know

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<v Speaker 1>what everyone's history. Yeah, okay, kid.

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<v Speaker 4>So I got the books, but not the first one.

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<v Speaker 4>Someone gave me like the fourth book in the sequence

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<v Speaker 4>of books as a present when I was like twelve,

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<v Speaker 4>and I thought it was the funniest thing I'd.

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<v Speaker 5>Ever read in my hold.

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<v Speaker 4>Like it was just I remember like bringing it to school,

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<v Speaker 4>like reading it during reading time in class and like laughing,

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<v Speaker 4>and all my friends.

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<v Speaker 5>But why is she laughing so much?

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<v Speaker 4>And then they'd read it and be like, I don't

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<v Speaker 4>even think it's that funny, but I thought it was

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<v Speaker 4>so funny. Yeah, and then I think I read the books,

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<v Speaker 4>and then I anticipated the movie because I loved the books, Okay, and.

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<v Speaker 5>Then I don't remember the movie that well.

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<v Speaker 4>I definitely saw it, but I think I was like,

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<v Speaker 4>you know when you read the books and you're like,

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<v Speaker 4>it's not the books.

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<v Speaker 1>The book is better.

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<v Speaker 5>The book is better.

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<v Speaker 4>My imagination's wondrous fast and you could never do what

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<v Speaker 4>I can do in my mind, of course, of course,

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<v Speaker 4>you know, but yeah, so, but I just adored the books.

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<v Speaker 1>Okay.

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<v Speaker 3>Did you ever go back and like read the first one?

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<v Speaker 5>Yeah?

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<v Speaker 4>Yeah, I know, I re read them all again. But

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<v Speaker 4>then at some point I aged out of them before

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<v Speaker 4>they've been finished being written, because there's ten in total.

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<v Speaker 1>There's so many more.

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<v Speaker 4>I aged out and I got to the point where

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<v Speaker 4>I couldn't read them, but I wanted to, Okay, And

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<v Speaker 4>then some one time, a fourteen year old or like child,

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<v Speaker 4>not a child, a fourteen year old air teenage they

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<v Speaker 4>like offered me like, do you want to borrow my ones?

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<v Speaker 5>And I really wanted to, but I was too embarrassed

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<v Speaker 5>to see it.

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<v Speaker 1>Yeah, that always takes to me so sad, Like the

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<v Speaker 1>first time I remember like turning away a ya classic

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<v Speaker 1>because I'm like, I'm over it, I'm over it. Why Yeah, yeah,

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<v Speaker 1>you hate to see it. But a day comes for

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<v Speaker 1>us all.

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<v Speaker 5>And then you can get you just know a young adults.

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<v Speaker 5>Now let me just go to be like I'm at today.

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<v Speaker 1>I grew up.

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<v Speaker 3>I've just come of age too much and I'm over this.

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<v Speaker 4>Yeah, but now I would read them again, and now

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<v Speaker 4>I maybe will after this, I think I'm gonna Kaitlyn.

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<v Speaker 1>Did Kaitlyn Kaitlyn, who vows to never read a book

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<v Speaker 1>on the show regularly hate read a book.

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<v Speaker 3>Well, let's be honest, I had an e book be

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<v Speaker 3>read to me.

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<v Speaker 1>Oh, okay, this would be I mean, I feel like,

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<v Speaker 1>if I'm remembering the cadence of the books, that it

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<v Speaker 1>would be a fun listen.

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<v Speaker 3>Yeah, especially when you listen to it on like two

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<v Speaker 3>times speed. It really makes it go nicely. So yeah,

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<v Speaker 3>my history with this, so I did read the first book.

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<v Speaker 3>I don't think I read beyond that first one and

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<v Speaker 3>didn't even know there were more than two books, So

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<v Speaker 3>my bad.

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<v Speaker 1>Can is wild. Yeah, I think I got to three.

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<v Speaker 3>Okay, I yeah, I got to the first two, I believe,

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<v Speaker 3>and I read them when I was already too old,

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<v Speaker 3>so this would have been the mid two thousand. I

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<v Speaker 3>think I was still in high school. I did the

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<v Speaker 3>same thing with Sisterhood of the Traveling Pants, where I

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<v Speaker 3>read these books that were geared toward a demographic that

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<v Speaker 3>was like maybe two or three years younger than me.

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<v Speaker 3>They were more for like eleven, twelve, thirteen year olds,

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<v Speaker 3>and I was like fifteen, and I was like, I've

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<v Speaker 3>already kissed the boys and I've touched a penis at

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<v Speaker 3>this point. So these little a loser, these little babies

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<v Speaker 3>who were still having their first kiss. I can't relate

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<v Speaker 3>but for some reason I still read these books. I

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<v Speaker 3>think I thought that angus thongs and full frontal snogging

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<v Speaker 3>was funny. I liked her sense of humor, and so

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<v Speaker 3>I guess that's why I kept reading. Like I finished

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<v Speaker 3>that book and I read onto the second one. But

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<v Speaker 3>by the time the movie came out, which was two

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<v Speaker 3>thousand and eight, I had fully aged out of the

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<v Speaker 3>whole thing, and so I didn't see the movie until

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<v Speaker 3>we started prepping for the episode.

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<v Speaker 1>Oh wow, yeah, same same. I read the I read

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<v Speaker 1>I think the first three books. I loved diary style

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<v Speaker 1>books when I was a kid. I feel like this

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<v Speaker 1>was like probably a series I would have picked up

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<v Speaker 1>when I ran out of Princess Diaries books to read,

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<v Speaker 1>which were like other I just like love them and

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<v Speaker 1>you're like, oh, it's kind of like British Princess Diaries.

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<v Speaker 1>And I also knew I don't know. I was very like, wow,

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<v Speaker 1>she was using all these words I've never heard of.

0:11:33.559 --> 0:11:38.160
<v Speaker 1>I loved the slang and these books. I flagg, slaggy, lindsay.

0:11:38.679 --> 0:11:40.200
<v Speaker 1>I had to look up what slag was.

0:11:40.800 --> 0:11:44.240
<v Speaker 3>Whoa I know, we don't know over, you don't say slag.

0:11:44.360 --> 0:11:46.720
<v Speaker 3>We don't know what it means it's like slut.

0:11:46.840 --> 0:11:49.120
<v Speaker 1>Yeah, yeah, yeah, it's kind of but yeah, like I

0:11:49.160 --> 0:11:51.680
<v Speaker 1>had to, like, I think, if I'm remembering qurectly or

0:11:51.720 --> 0:11:54.760
<v Speaker 1>maybe like came at the Scholastic book fair or something,

0:11:55.000 --> 0:11:57.280
<v Speaker 1>you would get like a little glossary to be like,

0:11:57.320 --> 0:11:59.480
<v Speaker 1>if you're American, here's what they're talking about.

0:11:59.600 --> 0:12:02.000
<v Speaker 5>Yes, I did think that I did have gloceries in them.

0:12:02.320 --> 0:12:05.600
<v Speaker 1>Yeah, and it was very helpful and I tried to

0:12:05.600 --> 0:12:09.200
<v Speaker 1>integrate it into my like daily word usage and all

0:12:09.200 --> 0:12:14.319
<v Speaker 1>my friends were like, shut up, nerdy is not a thing.

0:12:16.960 --> 0:12:18.240
<v Speaker 5>Oh, you tried to make it happen.

0:12:18.320 --> 0:12:19.680
<v Speaker 1>I was really trying to make it hatt.

0:12:19.720 --> 0:12:19.920
<v Speaker 2>Yeah.

0:12:19.920 --> 0:12:22.920
<v Speaker 1>I was Gretchen Wiener's style, like trying to make thatch happen.

0:12:23.000 --> 0:12:26.440
<v Speaker 5>Yeah, trying to make British slang app was not.

0:12:26.520 --> 0:12:29.240
<v Speaker 1>I was always trying to like get the slang from

0:12:29.600 --> 0:12:32.680
<v Speaker 1>Angustong's in full frontal snogging and also just random Gilmore

0:12:32.679 --> 0:12:35.959
<v Speaker 1>Girls references I didn't fully understand and just eke them

0:12:36.000 --> 0:12:39.520
<v Speaker 1>into conversation and other twelve year olds were like, shut

0:12:39.559 --> 0:12:44.160
<v Speaker 1>the fuck up. Anyways, I enjoyed these books, but I

0:12:44.200 --> 0:12:46.120
<v Speaker 1>also did not see the movie because I think I

0:12:46.120 --> 0:12:47.480
<v Speaker 1>was in high school when it came out and I

0:12:47.520 --> 0:12:49.120
<v Speaker 1>was like, I'm not going to see it. And also

0:12:49.200 --> 0:12:52.679
<v Speaker 1>I didn't realize this is a Nickelodeon movie, which I

0:12:52.679 --> 0:12:55.559
<v Speaker 1>feel like as I was watching it felt it really

0:12:55.600 --> 0:12:59.040
<v Speaker 1>felt like a Nickelodeon movie. So I think I missed

0:12:59.040 --> 0:13:01.640
<v Speaker 1>this one because I was probably like, I'm you know,

0:13:01.760 --> 0:13:05.280
<v Speaker 1>I'm fifteen, I'm tootle when it's like I should have

0:13:05.400 --> 0:13:05.800
<v Speaker 1>just seen it.

0:13:05.960 --> 0:13:08.640
<v Speaker 5>Then Okay, I've got a question. What's the feel of

0:13:08.679 --> 0:13:10.280
<v Speaker 5>a Nickelodeon movie.

0:13:10.679 --> 0:13:13.959
<v Speaker 1>It's very I think I said this one yesterday. It's

0:13:14.080 --> 0:13:19.360
<v Speaker 1>very like boying like, it's very like it's like what

0:13:20.240 --> 0:13:22.000
<v Speaker 1>I feel like, it's weird. It's weird that this is

0:13:22.040 --> 0:13:25.600
<v Speaker 1>like a movie or like a story about like coming

0:13:25.640 --> 0:13:28.400
<v Speaker 1>of age and adolescence that I feel like normally would

0:13:28.440 --> 0:13:31.959
<v Speaker 1>be treated with like some sense sensitivity. But it's like

0:13:32.120 --> 0:13:34.520
<v Speaker 1>they sort of the parents are written in the movie

0:13:34.559 --> 0:13:37.480
<v Speaker 1>to feel more like sitcom parents than I remember them

0:13:37.600 --> 0:13:40.040
<v Speaker 1>in the book. They it just feels like a Nickelodeon

0:13:40.120 --> 0:13:43.160
<v Speaker 1>sitcom at certain places, it does, but I think that

0:13:43.720 --> 0:13:44.360
<v Speaker 1>the books.

0:13:44.760 --> 0:13:47.840
<v Speaker 3>I think that it actually pretty accurately reflects the tone

0:13:48.040 --> 0:13:48.760
<v Speaker 3>of the act.

0:13:49.040 --> 0:13:52.400
<v Speaker 1>Having just reread it, it's interesting, Well.

0:13:52.520 --> 0:13:55.640
<v Speaker 3>She spends a lot of the book talking about how

0:13:55.720 --> 0:13:58.880
<v Speaker 3>much she hates her parents and especially her dad. Yeah

0:13:59.040 --> 0:14:02.520
<v Speaker 3>so and she like, oh, they're so corny blah blah blah.

0:14:02.679 --> 0:14:05.440
<v Speaker 1>But it's also like, if you're adapting the book, you

0:14:05.440 --> 0:14:08.559
<v Speaker 1>should probably assume that Georgia's words are to be taken

0:14:08.600 --> 0:14:11.760
<v Speaker 1>with a grain of salt, because everyone like you shouldn't

0:14:11.840 --> 0:14:14.800
<v Speaker 1>just adapt a twelve year old characterization of their parents

0:14:14.880 --> 0:14:17.680
<v Speaker 1>and be like, here are these fucking weird losers.

0:14:18.000 --> 0:14:20.840
<v Speaker 5>You're just like, whoa, oh, maybe we should do that

0:14:20.920 --> 0:14:23.080
<v Speaker 5>whole Maybe that's what everything's lacking.

0:14:23.520 --> 0:14:25.520
<v Speaker 1>That's true, It's true. We have to get more twelve

0:14:25.560 --> 0:14:26.480
<v Speaker 1>year olds in the writers.

0:14:26.760 --> 0:14:30.200
<v Speaker 5>Yes, we're not digging the opinions of twelve year old seriously.

0:14:31.000 --> 0:14:34.160
<v Speaker 1>I mean that probably is true. But yeah, I guess

0:14:34.200 --> 0:14:35.760
<v Speaker 1>that's what I mean. When it felt it felt like

0:14:35.960 --> 0:14:38.640
<v Speaker 1>Nickelodeon movie like snow Day and like other ones that

0:14:38.680 --> 0:14:41.240
<v Speaker 1>were just like kind of edgier kids movies.

0:14:42.080 --> 0:14:43.520
<v Speaker 5>Yeah, yeah, yeah, I've got a question.

0:14:43.720 --> 0:14:47.520
<v Speaker 4>Was the book called Anger Songs and Perfect Snugging here? No,

0:14:47.720 --> 0:14:49.720
<v Speaker 4>it was called full frontal Snogging here.

0:14:49.840 --> 0:14:52.320
<v Speaker 1>Yeah. I'm just assuming they didn't want full frontal as

0:14:52.360 --> 0:14:54.880
<v Speaker 1>a name for a kid's movie, which I could understand.

0:14:55.440 --> 0:14:57.880
<v Speaker 4>I remember reading this is Gonna be I remember reading

0:14:57.880 --> 0:15:00.600
<v Speaker 4>an art school about how this music movie was developed.

0:15:00.840 --> 0:15:03.720
<v Speaker 4>Oh wow, yes, in like some kind of teenage magazine

0:15:03.800 --> 0:15:05.440
<v Speaker 4>work an article with the director, and they said it

0:15:05.480 --> 0:15:08.400
<v Speaker 4>was a nightmare to try and get filming permission in

0:15:08.520 --> 0:15:12.680
<v Speaker 4>locations with the title full frontal snogging because everyone thought

0:15:12.680 --> 0:15:13.920
<v Speaker 4>they were filming a porn movie.

0:15:14.320 --> 0:15:17.200
<v Speaker 1>I mean, it does sound.

0:15:16.320 --> 0:15:19.920
<v Speaker 4>To change the name to get permission to film in

0:15:19.960 --> 0:15:21.000
<v Speaker 4>these locations.

0:15:21.360 --> 0:15:24.920
<v Speaker 1>Yeah, that makes sense. I was reading that the book

0:15:25.560 --> 0:15:28.400
<v Speaker 1>is I wouldn't have guessed this, but it's like frequently

0:15:28.440 --> 0:15:34.440
<v Speaker 1>on banned books because of George's disrespect for authority.

0:15:34.680 --> 0:15:41.080
<v Speaker 5>And that's respect for other people, would reason.

0:15:41.440 --> 0:15:43.440
<v Speaker 1>Yeah, and then and then some of the and then

0:15:43.440 --> 0:15:44.720
<v Speaker 1>some of the homophobia, right.

0:15:44.800 --> 0:15:48.240
<v Speaker 3>Yeah, well it's more like just references to lgbt Q

0:15:48.440 --> 0:15:52.480
<v Speaker 3>plus people at all, rather than like the homophobia itself.

0:15:52.880 --> 0:15:56.359
<v Speaker 3>And then just like you know, references to like sexual

0:15:56.640 --> 0:15:59.800
<v Speaker 3>like Christian Yeah, yeah, because most of what book banning

0:15:59.880 --> 0:16:04.880
<v Speaker 3>is is like, yes, conservative agenda, like crystal fascists, weirdos.

0:16:05.960 --> 0:16:08.520
<v Speaker 3>You know, let's take a quick break and then we'll

0:16:08.520 --> 0:16:22.400
<v Speaker 3>come back for the recap, shall we, And we're back,

0:16:22.840 --> 0:16:28.800
<v Speaker 3>and here's the recap for angus songs and perfect snogging. Sorry,

0:16:28.880 --> 0:16:32.040
<v Speaker 3>I'm gonna do that and it's going to be offensive,

0:16:32.320 --> 0:16:33.080
<v Speaker 3>but I won't be.

0:16:33.080 --> 0:16:36.640
<v Speaker 1>Able to stop. Okay we are.

0:16:37.200 --> 0:16:41.440
<v Speaker 5>We're in Eastbourne, UK, Eastbourn, Eastbourne, which is funny enough,

0:16:41.440 --> 0:16:42.720
<v Speaker 5>where my mother was born and.

0:16:44.000 --> 0:16:46.240
<v Speaker 3>Where is it in relation to the only place I

0:16:46.280 --> 0:16:46.880
<v Speaker 3>know London?

0:16:48.000 --> 0:16:50.560
<v Speaker 4>So if you go straight down from London, it's Brighton,

0:16:50.600 --> 0:16:52.440
<v Speaker 4>and it's very close to Brighton, it's like just a

0:16:52.440 --> 0:16:53.600
<v Speaker 4>little bit further along the coast.

0:16:53.720 --> 0:16:57.600
<v Speaker 5>But it is just one of those old people places,

0:16:57.600 --> 0:16:59.640
<v Speaker 5>like just a place full of loads of old people.

0:16:59.640 --> 0:17:02.280
<v Speaker 1>All right. So when Georgia says it's boring, she's not lying.

0:17:02.400 --> 0:17:05.960
<v Speaker 5>Yeah, she's not lying about the vibe. Okay, Yeah, people

0:17:06.000 --> 0:17:07.880
<v Speaker 5>come here to die.

0:17:08.119 --> 0:17:09.240
<v Speaker 1>God, it's the Florida.

0:17:09.520 --> 0:17:11.879
<v Speaker 5>Oh yeah, it's the Florida of the UK.

0:17:12.440 --> 0:17:18.679
<v Speaker 1>But not that's crazy, okay, not, it's very cuckock cole. Okay.

0:17:18.720 --> 0:17:21.919
<v Speaker 3>So we meet a fourteen year old girl, Georgia played

0:17:21.920 --> 0:17:27.040
<v Speaker 3>by Georgia Groom, while she's heading to a costume party

0:17:27.160 --> 0:17:29.920
<v Speaker 3>dressed as a stuffed all of in this like big

0:17:29.960 --> 0:17:33.200
<v Speaker 3>bulky costume. And she gets to the party and realizes

0:17:33.280 --> 0:17:36.760
<v Speaker 3>she's very out of place and her friends and all

0:17:36.880 --> 0:17:40.880
<v Speaker 3>everyone else is like dressed in like not goofy costumes.

0:17:41.680 --> 0:17:46.280
<v Speaker 3>We meet her friends Ellen, Rosie, and Georgia's best friend Jazz,

0:17:47.000 --> 0:17:49.040
<v Speaker 3>who again they were supposed to all be dressed as

0:17:49.160 --> 0:17:54.000
<v Speaker 3>orders but they bailed and Jazz points out that boys

0:17:54.040 --> 0:17:59.400
<v Speaker 3>don't like girls for funniness, and we'll talk about that.

0:18:01.000 --> 0:18:03.520
<v Speaker 1>Except one one time.

0:18:04.640 --> 0:18:09.119
<v Speaker 3>Right, So then Georgia is humiliated and she runs home,

0:18:09.480 --> 0:18:13.200
<v Speaker 3>where we meet her family, her mom and dad, who

0:18:13.760 --> 0:18:15.240
<v Speaker 3>constantly embarrass her.

0:18:15.560 --> 0:18:19.160
<v Speaker 1>They're very boying and she's like stop.

0:18:20.840 --> 0:18:25.520
<v Speaker 3>Her little sister Libby, and her cat Angus, the most

0:18:25.560 --> 0:18:28.639
<v Speaker 3>important character of the film, played by one of the

0:18:28.640 --> 0:18:30.200
<v Speaker 3>great cat actors of our.

0:18:30.200 --> 0:18:31.680
<v Speaker 1>Time, acting his ass off.

0:18:34.080 --> 0:18:36.280
<v Speaker 3>Georgia gears up for the first day of a new

0:18:36.320 --> 0:18:39.560
<v Speaker 3>school year. She accidentally shaves off half of her eyebrow.

0:18:40.000 --> 0:18:43.600
<v Speaker 3>She's insecure because she thinks her nose is too big.

0:18:44.080 --> 0:18:49.080
<v Speaker 3>She's worried that she'll never get a boyfriend. Stuff like that. Then,

0:18:49.280 --> 0:18:51.960
<v Speaker 3>on the first day of school, Georgia is in the

0:18:52.080 --> 0:18:55.959
<v Speaker 3>school yard chatting with Jazz, Ellen, and Rosie. They call

0:18:56.040 --> 0:19:01.640
<v Speaker 3>themselves the Ace Gang, and they're talking about kissing, or.

0:19:01.800 --> 0:19:03.680
<v Speaker 1>Rather snogging boys.

0:19:04.720 --> 0:19:11.720
<v Speaker 3>Yeah, they're talking about having their boobs touched. They're grossed

0:19:11.760 --> 0:19:16.000
<v Speaker 3>out by anything that seems quote unquote lesbiany as they

0:19:16.040 --> 0:19:16.359
<v Speaker 3>put it.

0:19:16.880 --> 0:19:19.560
<v Speaker 1>Yep, they sure didn't edit any of that. Well, I

0:19:19.560 --> 0:19:22.119
<v Speaker 1>guess maybe they did edit some of that out, according.

0:19:21.960 --> 0:19:23.639
<v Speaker 3>It is more prevalent in the book.

0:19:24.320 --> 0:19:26.439
<v Speaker 1>It is so prevalent in the movie that's wild.

0:19:26.560 --> 0:19:30.119
<v Speaker 3>Well it's well like triple triple it and that's the

0:19:30.160 --> 0:19:34.280
<v Speaker 3>amount that it's in the book. Then these two boys

0:19:34.400 --> 0:19:39.440
<v Speaker 3>walk past, who the friends think are proper fit that

0:19:39.680 --> 0:19:41.520
<v Speaker 3>a sorry.

0:19:40.960 --> 0:19:46.080
<v Speaker 1>I can't sorry listeners. Kate is sinking into the floor.

0:19:46.920 --> 0:19:47.800
<v Speaker 1>She's like stop.

0:19:49.280 --> 0:19:54.160
<v Speaker 5>It's like being the Ace.

0:19:54.240 --> 0:19:59.679
<v Speaker 3>Gang follows these boys around, stalks them with binoculars and

0:19:59.720 --> 0:20:01.960
<v Speaker 3>every which is also.

0:20:01.880 --> 0:20:04.080
<v Speaker 1>Very Nickelodeon movie Harriet the Spy.

0:20:03.880 --> 0:20:09.480
<v Speaker 3>Coded true uh, And they discover that they're twin brothers

0:20:09.640 --> 0:20:11.720
<v Speaker 3>who just moved from London.

0:20:11.600 --> 0:20:13.160
<v Speaker 1>And one of them is Aaron Johnson.

0:20:13.280 --> 0:20:15.720
<v Speaker 3>Oh my gosh, I okay. I watched like an hour

0:20:15.760 --> 0:20:17.879
<v Speaker 3>of this movie before I realized.

0:20:17.320 --> 0:20:17.960
<v Speaker 5>Who that was.

0:20:18.080 --> 0:20:19.600
<v Speaker 1>I was like, because, yeah, he's kind of got like

0:20:19.640 --> 0:20:22.120
<v Speaker 1>the Bieber hair, So you have to like squint really

0:20:22.160 --> 0:20:25.600
<v Speaker 1>hard to be like, oh whoa is that guy.

0:20:25.920 --> 0:20:26.320
<v Speaker 5>Yeah.

0:20:26.480 --> 0:20:30.000
<v Speaker 3>So that's Robbie played by Aaron Taylor Johnson. And every

0:20:30.119 --> 0:20:32.240
<v Speaker 3>time I hear that night name, I'm like, don't you

0:20:32.320 --> 0:20:34.800
<v Speaker 3>mean Anya Taylor Joy And they're like, no, it's a

0:20:34.880 --> 0:20:36.120
<v Speaker 3>different person I got.

0:20:36.200 --> 0:20:38.280
<v Speaker 1>I mean it's too close. It's too close.

0:20:39.320 --> 0:20:41.480
<v Speaker 3>And he just has one of those like white man

0:20:41.560 --> 0:20:44.439
<v Speaker 3>faces that I cannot by, just like my eyes and

0:20:44.480 --> 0:20:46.760
<v Speaker 3>my brain do not register or recognize.

0:20:46.840 --> 0:20:49.119
<v Speaker 1>I am like, what do I even know him from?

0:20:51.200 --> 0:20:54.760
<v Speaker 1>He's in kick Ass. I haven't seen he's in.

0:20:55.880 --> 0:20:58.600
<v Speaker 3>He was in that Ryan Gosling movie that came out

0:20:58.640 --> 0:21:02.080
<v Speaker 3>where Ryan Gosling played his stunt double fall Guy.

0:21:02.440 --> 0:21:07.760
<v Speaker 1>He's in. He's in the New Noes Foratu, So I

0:21:07.760 --> 0:21:10.360
<v Speaker 1>won't he also Tenant Wild.

0:21:11.520 --> 0:21:14.520
<v Speaker 3>Yeah, don't remember him being in that. Anyway, He's a

0:21:14.560 --> 0:21:16.880
<v Speaker 3>guy and he plays Robbie.

0:21:17.520 --> 0:21:17.680
<v Speaker 2>Uh.

0:21:17.720 --> 0:21:22.200
<v Speaker 3>The other brother is Tom, played by I didn't bother

0:21:22.280 --> 0:21:23.080
<v Speaker 3>to look it up and.

0:21:24.560 --> 0:21:25.720
<v Speaker 1>Get his ass.

0:21:26.480 --> 0:21:26.760
<v Speaker 3>Uh.

0:21:26.840 --> 0:21:30.680
<v Speaker 1>He doesn't even have a Wikipedia page Sean Bork.

0:21:30.600 --> 0:21:36.280
<v Speaker 3>Wow, whoa Yeah. Anyway, their parents have opened up an

0:21:36.400 --> 0:21:41.400
<v Speaker 3>organic grocery store in town. So Georgia and Jazz go

0:21:41.600 --> 0:21:44.399
<v Speaker 3>to the store one day so that Jazz can flirt

0:21:44.440 --> 0:21:49.320
<v Speaker 3>with Tom. She she has like staked her claim on Tom. Meanwhile,

0:21:49.560 --> 0:21:54.919
<v Speaker 3>Georgia is crushing on Robbie the Anya Taylor joy Man

0:21:55.680 --> 0:21:58.439
<v Speaker 3>and she learns that he's in a band called the

0:21:58.480 --> 0:22:00.600
<v Speaker 3>Stiff Dylan's and that.

0:22:00.640 --> 0:22:04.520
<v Speaker 1>Band name and god have being fourteen having a crush

0:22:04.520 --> 0:22:06.119
<v Speaker 1>on a boy and a band. What a vibe?

0:22:06.240 --> 0:22:08.720
<v Speaker 5>Yeah that is a good name for a band. It's

0:22:08.800 --> 0:22:10.440
<v Speaker 5>pretty cool, correct, Yeah.

0:22:10.280 --> 0:22:12.639
<v Speaker 1>Yeah I was. I feel like that felt authentically like

0:22:12.800 --> 0:22:15.280
<v Speaker 1>a teenage boy band.

0:22:15.640 --> 0:22:18.840
<v Speaker 5>Yeah, yeah, exactly, which maybe shows how cool and the

0:22:19.080 --> 0:22:22.080
<v Speaker 5>musical lie music listening. I do.

0:22:24.440 --> 0:22:27.720
<v Speaker 3>You're down with the kids with the kids, Hello, fellow kids,

0:22:27.960 --> 0:22:30.840
<v Speaker 3>I'm here for the stuff Llans concert.

0:22:31.200 --> 0:22:34.200
<v Speaker 1>I used to have a huge crush on this kid, Stephen.

0:22:34.840 --> 0:22:38.399
<v Speaker 1>I'm the full name. I'm Stephen MASSARONI who like worked

0:22:38.400 --> 0:22:40.760
<v Speaker 1>part time at the Hot Topic and played like the

0:22:40.800 --> 0:22:43.119
<v Speaker 1>bass and like a scream oh band, And I was like,

0:22:43.720 --> 0:22:47.359
<v Speaker 1>he's a dreaming would not talk to me, but like, well,

0:22:47.480 --> 0:22:51.000
<v Speaker 1>I mean I lost Yeah, look at me now, still

0:22:51.040 --> 0:22:52.120
<v Speaker 1>thinking about him. There.

0:22:55.840 --> 0:22:59.280
<v Speaker 3>So she's trying to flirt with Robbie, Georgia is and

0:22:59.320 --> 0:23:01.960
<v Speaker 3>then her mom comes in and embarrasses her and talks

0:23:02.000 --> 0:23:04.400
<v Speaker 3>about her farting, and she's like.

0:23:04.760 --> 0:23:06.720
<v Speaker 1>Mom, stop, she's doing the boring thing.

0:23:08.280 --> 0:23:13.720
<v Speaker 3>But Georgia keeps daydreaming about kissing and snogging Robbie. But

0:23:14.000 --> 0:23:19.640
<v Speaker 3>then Georgia sees Robbie with her classmate Lindsay, who Georgia

0:23:19.720 --> 0:23:24.520
<v Speaker 3>thinks is a boring slag. Though Georgia thinks she can't

0:23:24.560 --> 0:23:27.480
<v Speaker 3>compete with Lindsay because she feels Lindsay is like more

0:23:27.520 --> 0:23:29.480
<v Speaker 3>conventionally attractive, so.

0:23:30.040 --> 0:23:33.800
<v Speaker 1>Quote unquote developed, just like a big deal when you're that.

0:23:33.840 --> 0:23:37.480
<v Speaker 3>Age, right, And so Georgia and her friends spy on

0:23:37.560 --> 0:23:40.679
<v Speaker 3>Lindsay to try to learn some tricks on how to

0:23:40.760 --> 0:23:45.520
<v Speaker 3>be more attractive to boys, and they learn that Lindsay

0:23:45.560 --> 0:23:49.800
<v Speaker 3>wears thongs and uses these like silicone bra inserts to

0:23:49.840 --> 0:23:51.480
<v Speaker 3>make her boobs look bigger.

0:23:51.200 --> 0:23:54.720
<v Speaker 1>Which is proof that she's a bad person. Is how

0:23:55.080 --> 0:23:58.119
<v Speaker 1>the movie, and it was the Lindsay thing is so

0:23:58.280 --> 0:24:01.680
<v Speaker 1>wild because it's like before we even really hear her

0:24:01.840 --> 0:24:04.320
<v Speaker 1>say or do anything, we learn that about her, and

0:24:04.359 --> 0:24:07.440
<v Speaker 1>then it just does translate to like, so obviously she's

0:24:07.480 --> 0:24:12.040
<v Speaker 1>a horrible she's a liar. You're like, I don't know,

0:24:12.280 --> 0:24:13.440
<v Speaker 1>check the math there.

0:24:14.640 --> 0:24:19.359
<v Speaker 3>Right, yes, So then Georgia decides to pay a visit

0:24:19.440 --> 0:24:24.680
<v Speaker 3>to a boy named Peter Dyer, who gives kissing lessons jail.

0:24:25.640 --> 0:24:29.320
<v Speaker 5>This movie runs a minute. It's crazy how much they

0:24:29.400 --> 0:24:31.000
<v Speaker 5>do in one day.

0:24:31.480 --> 0:24:36.400
<v Speaker 1>Truly, like, yeah, Peter Dyer, jail.

0:24:36.920 --> 0:24:39.119
<v Speaker 3>But shout out to the huge poster. He has a

0:24:39.200 --> 0:24:42.160
<v Speaker 3>few Grant in his bedroom.

0:24:42.400 --> 0:24:45.960
<v Speaker 1>Why do we think that's there? Is that for him

0:24:47.200 --> 0:24:51.280
<v Speaker 1>or oh oh maybe clients? I bet it's for his

0:24:51.359 --> 0:24:52.000
<v Speaker 1>That makes.

0:24:52.359 --> 0:24:55.400
<v Speaker 5>I assume the client because he wants to just stare

0:24:55.440 --> 0:24:55.919
<v Speaker 5>at this.

0:24:56.080 --> 0:24:58.960
<v Speaker 1>What it's because this is hetero world, except we hate

0:24:59.000 --> 0:25:03.760
<v Speaker 1>lesbians and so what's going to get a girl in

0:25:03.800 --> 0:25:05.800
<v Speaker 1>the mood more than a huge poster of Hugh Grant?

0:25:05.840 --> 0:25:06.960
<v Speaker 1>That makes more sense to me.

0:25:07.160 --> 0:25:11.000
<v Speaker 3>Yeah, okay, So my theory is that he just knows

0:25:11.080 --> 0:25:15.199
<v Speaker 3>that in I don't know, ten years from now, that

0:25:15.600 --> 0:25:18.800
<v Speaker 3>Hugh Grant will be cast as the villain in Paddington

0:25:18.880 --> 0:25:22.280
<v Speaker 3>I giving the performance of a lifetime, and he's just anticipating,

0:25:22.320 --> 0:25:26.560
<v Speaker 3>he's getting ready, he smuggling and yeah, yeah, yeah, he's

0:25:26.560 --> 0:25:28.760
<v Speaker 3>like he's going to play Phoenix Buchanan and it's going

0:25:28.800 --> 0:25:32.320
<v Speaker 3>to be the best performance of all time. I think

0:25:32.359 --> 0:25:38.760
<v Speaker 3>that's the more likely theory. Then, So Peter teaches Georgia

0:25:39.200 --> 0:25:44.160
<v Speaker 3>how to do different types of kissing, including tongue kissing,

0:25:45.280 --> 0:25:49.920
<v Speaker 3>we will have and he tells her that she's a natural.

0:25:50.960 --> 0:25:53.520
<v Speaker 1>When I was around that age, because I was like

0:25:53.560 --> 0:25:56.280
<v Speaker 1>a super late bloomer with like first kisses and stuff

0:25:56.280 --> 0:25:58.119
<v Speaker 1>like that, or I was probably younger. I was like

0:25:58.119 --> 0:26:00.840
<v Speaker 1>probably like eleven or twelve. But my mom was like,

0:26:01.320 --> 0:26:04.320
<v Speaker 1>I don't know why I bought it, but she was like,

0:26:04.800 --> 0:26:08.280
<v Speaker 1>kissing with tongue is I would never do that. I

0:26:08.320 --> 0:26:11.040
<v Speaker 1>would never do that. And I was like oh, and

0:26:11.040 --> 0:26:14.040
<v Speaker 1>she's like it's really unsanitary. I would never do it,

0:26:14.119 --> 0:26:16.520
<v Speaker 1>and like I asked her about it years later, she's like, yeah,

0:26:16.520 --> 0:26:17.800
<v Speaker 1>I guess I don't know why I said that.

0:26:20.520 --> 0:26:22.400
<v Speaker 5>What was she trying to do scam me out?

0:26:22.640 --> 0:26:24.360
<v Speaker 1>I think it's just I don't know. I guess it's

0:26:24.400 --> 0:26:25.920
<v Speaker 1>like I'll do that when i'm a parent too. I'm like,

0:26:25.960 --> 0:26:28.240
<v Speaker 1>I'm just gonna fuck with them today. Like, I don't know,

0:26:28.760 --> 0:26:30.080
<v Speaker 1>I don't know why she I think it was like

0:26:30.119 --> 0:26:32.200
<v Speaker 1>I was reading a teen magazine, but like a kissing

0:26:32.320 --> 0:26:34.520
<v Speaker 1>article or something. She's like, don't do that. I would

0:26:34.600 --> 0:26:37.600
<v Speaker 1>never do that, and I was like ooh, And then

0:26:37.800 --> 0:26:40.720
<v Speaker 1>you know, a year later, I was doing tongue kissing. Yeah,

0:26:41.000 --> 0:26:42.080
<v Speaker 1>let me just say wow.

0:26:42.119 --> 0:26:44.640
<v Speaker 5>Maybe Yeah, she knew she couldn't really hold the gates back.

0:26:44.920 --> 0:26:46.720
<v Speaker 1>Yeah, but she was just trying to buy time.

0:26:46.840 --> 0:26:49.320
<v Speaker 5>Yeah, I would never you will.

0:26:49.400 --> 0:26:51.000
<v Speaker 1>I would get the flu. That was I think part

0:26:51.000 --> 0:26:52.400
<v Speaker 1>of the argument she wasn't gonna get the flu.

0:26:52.680 --> 0:26:56.640
<v Speaker 3>I will say that as a full adult who has

0:26:56.840 --> 0:27:00.480
<v Speaker 3>snogged many times, I hate tongue kissing. Do not put

0:27:00.480 --> 0:27:02.160
<v Speaker 3>your tongue in my mouth. I don't want to put

0:27:02.200 --> 0:27:02.600
<v Speaker 3>my tongue.

0:27:03.320 --> 0:27:07.000
<v Speaker 5>Okay, So what this is huge is an American thing

0:27:07.000 --> 0:27:08.760
<v Speaker 5>because I'm from Europe and we just I know.

0:27:08.880 --> 0:27:10.239
<v Speaker 1>I know it's a thing.

0:27:11.880 --> 0:27:16.440
<v Speaker 3>I will do very light, very subtle tongue, but I

0:27:16.520 --> 0:27:18.520
<v Speaker 3>would I just want an open mouth kiss with I

0:27:18.520 --> 0:27:22.119
<v Speaker 3>don't want anyone's tongue really near me that much.

0:27:22.359 --> 0:27:24.560
<v Speaker 1>For me, it's like a skill thing, like if you

0:27:24.600 --> 0:27:26.520
<v Speaker 1>if you, if you're skilled with the tongue and you're

0:27:26.560 --> 0:27:28.840
<v Speaker 1>not slobbering around like well.

0:27:28.680 --> 0:27:31.359
<v Speaker 3>Most men aren't skilled.

0:27:32.000 --> 0:27:34.679
<v Speaker 1>I know, I know, I know, So I don't know.

0:27:34.760 --> 0:27:36.840
<v Speaker 3>Maybe I should be a Maybe I should be a

0:27:36.920 --> 0:27:40.879
<v Speaker 3>kissing teacher. You should be less creepy, Peter, just to

0:27:40.880 --> 0:27:41.760
<v Speaker 3>teach all these.

0:27:41.760 --> 0:27:44.760
<v Speaker 1>Men how to get you a giant I must have

0:27:44.800 --> 0:27:46.240
<v Speaker 1>one around here somewhere.

0:27:47.520 --> 0:27:49.200
<v Speaker 5>Because that's what you need. That's your qualification.

0:27:49.840 --> 0:27:51.520
<v Speaker 1>You have a you have a full Monty poster. It's

0:27:51.560 --> 0:27:52.120
<v Speaker 1>close enough.

0:27:52.240 --> 0:27:55.040
<v Speaker 4>Yeah, then we'll just do set up a time people

0:27:55.040 --> 0:27:58.680
<v Speaker 4>can come back to. That's the point of kissing.

0:27:59.600 --> 0:28:02.560
<v Speaker 3>Well, I would not mind it if people were better

0:28:02.600 --> 0:28:04.760
<v Speaker 3>at it, but it's just that it's I don't know,

0:28:04.800 --> 0:28:06.800
<v Speaker 3>they do it so grossly and it grosses me out.

0:28:07.080 --> 0:28:08.560
<v Speaker 1>I've been I mean, when I've been in like long

0:28:08.640 --> 0:28:12.280
<v Speaker 1>term relationships. If if the kissing is not solid right away,

0:28:12.320 --> 0:28:14.560
<v Speaker 1>I'm just like, look, if you're if you're hanging around,

0:28:15.520 --> 0:28:18.439
<v Speaker 1>we've I've got to show you how it works for me,

0:28:19.119 --> 0:28:22.000
<v Speaker 1>which does not proclude tongue. I'm like into that, but

0:28:22.040 --> 0:28:25.679
<v Speaker 1>it's like, but you know, try to develop some technique

0:28:25.680 --> 0:28:26.639
<v Speaker 1>for crying out loud.

0:28:26.760 --> 0:28:28.639
<v Speaker 5>It's why to me that people some people can't.

0:28:28.880 --> 0:28:31.040
<v Speaker 4>Yeah, like and also like, you know, I'm in my

0:28:31.080 --> 0:28:32.520
<v Speaker 4>mid thirties, I'm like, what's happening?

0:28:32.600 --> 0:28:33.480
<v Speaker 5>How did you get this fun?

0:28:33.520 --> 0:28:34.360
<v Speaker 1>How did you gussd?

0:28:34.400 --> 0:28:34.440
<v Speaker 3>Like?

0:28:34.880 --> 0:28:37.000
<v Speaker 1>And the hotter they are, the less good they're at it,

0:28:37.000 --> 0:28:38.600
<v Speaker 1>because I feel like people are just afraid to tell

0:28:38.600 --> 0:28:41.080
<v Speaker 1>them or something. I don't know not me, No, not you.

0:28:41.400 --> 0:28:43.040
<v Speaker 1>You've you've been doing that.

0:28:43.040 --> 0:28:46.880
<v Speaker 3>I've already kind of a kissing teacher because I have

0:28:47.640 --> 0:28:51.640
<v Speaker 3>I know, I'll be like, sir, stop and do it

0:28:51.680 --> 0:28:53.680
<v Speaker 3>this way and not that way.

0:28:53.640 --> 0:28:54.880
<v Speaker 1>Yeah. I had to say once. I was like, you

0:28:54.920 --> 0:28:57.600
<v Speaker 1>can't like your tongue, can't hit me before your lips.

0:28:57.720 --> 0:28:59.200
<v Speaker 5>That's like that would be insane.

0:28:59.560 --> 0:29:02.280
<v Speaker 1>But there's but there's but there's people out there that

0:29:02.280 --> 0:29:04.840
<v Speaker 1>they're like, they're like they're leading with the tongue.

0:29:05.360 --> 0:29:06.400
<v Speaker 5>Yeah, so wild.

0:29:06.720 --> 0:29:09.760
<v Speaker 1>I've been there. I've been like, you're thirty five, How

0:29:09.880 --> 0:29:12.280
<v Speaker 1>is that awsible? Like, what's going on?

0:29:13.600 --> 0:29:14.640
<v Speaker 5>Yeah? Do you know what I mean?

0:29:14.680 --> 0:29:16.360
<v Speaker 4>Like in the olden days, you'd be dead by now

0:29:16.400 --> 0:29:18.160
<v Speaker 4>and you wouldn't have even failed the thing.

0:29:19.560 --> 0:29:22.280
<v Speaker 1>Well, your life is over. You never learned to kiss skill,

0:29:22.480 --> 0:29:23.400
<v Speaker 1>I mean tragic.

0:29:24.440 --> 0:29:30.680
<v Speaker 3>Okay, back to the flim. So Georgia is learning how

0:29:30.680 --> 0:29:33.800
<v Speaker 3>to kiss. It's also her birthday coming up, and she's

0:29:33.840 --> 0:29:37.200
<v Speaker 3>trying to convince her parents to let her throw a

0:29:37.240 --> 0:29:39.360
<v Speaker 3>big party at a nightclub.

0:29:39.680 --> 0:29:44.880
<v Speaker 1>And this is another upper middle class like formative story.

0:29:45.080 --> 0:29:47.840
<v Speaker 1>So it's not a money problem, it's just they don't

0:29:47.840 --> 0:29:49.680
<v Speaker 1>want her to be at a nightclub.

0:29:49.800 --> 0:29:53.320
<v Speaker 3>Right, And then her dad tells her that he's been

0:29:53.360 --> 0:29:56.800
<v Speaker 3>offered a job in New Zealand and that he's going

0:29:56.800 --> 0:30:00.920
<v Speaker 3>there for a few months, and she's like, oh fine,

0:30:01.280 --> 0:30:07.360
<v Speaker 3>My dad is so embarrassing. And so then Georgia comes

0:30:07.400 --> 0:30:10.440
<v Speaker 3>up with a plan to pretend that her cat Angus

0:30:10.440 --> 0:30:13.560
<v Speaker 3>has gone missing so that she can enlist Robbie's help

0:30:13.720 --> 0:30:17.920
<v Speaker 3>in finding Angus, because Robbie also loves cats, and she

0:30:18.000 --> 0:30:20.160
<v Speaker 3>sees this as a way to get closer to him,

0:30:20.360 --> 0:30:22.880
<v Speaker 3>and it kind of works because they're vibing while they're

0:30:22.920 --> 0:30:27.320
<v Speaker 3>looking for Angus and Robbie does eventually rescue him, but

0:30:27.680 --> 0:30:29.760
<v Speaker 3>then he like leaves to go hang out with his

0:30:29.840 --> 0:30:35.440
<v Speaker 3>girlfriend Lindsey. But the plan does help Jazz, Georgia's best friend,

0:30:35.520 --> 0:30:39.640
<v Speaker 3>because Robbie's brother Tom asks Jazz out and she's thrilled

0:30:39.640 --> 0:30:44.560
<v Speaker 3>about it. Then Georgie's dad leaves for New Zealand, and

0:30:44.600 --> 0:30:47.960
<v Speaker 3>then her mom starts having a man named Jem come

0:30:48.000 --> 0:30:49.840
<v Speaker 3>over to redo the kitchen.

0:30:50.200 --> 0:30:54.240
<v Speaker 1>This storyline that yeah, I can't which is Steve Jones.

0:30:54.880 --> 0:30:59.320
<v Speaker 5>I don't know who that is, Okay, real quick, Steve Jones, yeah,

0:30:59.600 --> 0:31:03.800
<v Speaker 5>British TV presenter, Okay, he's well, she's very, very hot

0:31:03.840 --> 0:31:04.880
<v Speaker 5>and very attracted.

0:31:04.920 --> 0:31:07.400
<v Speaker 4>But he's dated so many he for a while was

0:31:07.440 --> 0:31:10.360
<v Speaker 4>like he was a slack. I'm gonna I'm calling him.

0:31:10.440 --> 0:31:14.600
<v Speaker 4>I'm calling it now, but dated so many Hollywood women

0:31:15.000 --> 0:31:17.960
<v Speaker 4>because he'd interview them when they'd come to the UK,

0:31:18.120 --> 0:31:19.600
<v Speaker 4>and they were like, this guy is really hot with

0:31:19.640 --> 0:31:22.800
<v Speaker 4>a fun accent. So he's had like a thing with

0:31:22.920 --> 0:31:27.200
<v Speaker 4>Pamela Anderson. Oh yeah, and Angelina Jolie asked for his

0:31:27.400 --> 0:31:29.600
<v Speaker 4>number and hey didn't.

0:31:30.480 --> 0:31:36.000
<v Speaker 5>I can't Yeah that one and they had Yeah, they

0:31:36.040 --> 0:31:37.360
<v Speaker 5>were like seen together on a yacht.

0:31:37.200 --> 0:31:39.960
<v Speaker 3>And can Okay, Well, good for him, and he is

0:31:40.120 --> 0:31:46.280
<v Speaker 3>handsome and muscular, and George worried that her mom is

0:31:46.480 --> 0:31:48.160
<v Speaker 3>having sex with Jem.

0:31:48.360 --> 0:31:51.400
<v Speaker 5>Correctly worried because he's like a flag and.

0:31:51.480 --> 0:31:55.400
<v Speaker 1>He's sure, you know how your interior decorator is topless,

0:31:56.840 --> 0:32:00.640
<v Speaker 1>just like that's the boying I'm talking about. Does the

0:32:00.760 --> 0:32:04.520
<v Speaker 1>adults do not behave rationally? Yeah?

0:32:05.240 --> 0:32:11.320
<v Speaker 3>So Robbie's girlfriend Lindsay seems to know that Georgia likes Robbie,

0:32:11.560 --> 0:32:14.440
<v Speaker 3>so she tells Georgia to stay away from her man,

0:32:14.800 --> 0:32:17.280
<v Speaker 3>and then she pushes her down in gym class while

0:32:17.320 --> 0:32:19.480
<v Speaker 3>they're playing field hockey, which is very similar to a

0:32:19.560 --> 0:32:22.600
<v Speaker 3>scene from a movie we covered recently, Ginger Snaps, where

0:32:22.680 --> 0:32:25.960
<v Speaker 3>the popular mean girl pushes over the protagonist, but this

0:32:26.160 --> 0:32:29.440
<v Speaker 3>time it's into a dog carcass, so it's a little

0:32:29.480 --> 0:32:37.080
<v Speaker 3>different in Ginger Snaps, but similar vibes. And so then

0:32:37.480 --> 0:32:40.720
<v Speaker 3>Georgia and her friends go to a classmate's birthday party.

0:32:41.280 --> 0:32:44.320
<v Speaker 3>Georgia is hoping that Robbie will be there, but she

0:32:44.440 --> 0:32:48.560
<v Speaker 3>doesn't see him. But who is there is kissing instructor

0:32:48.720 --> 0:32:55.200
<v Speaker 3>boy Peter, and he, like surprise, kisses slash lunges at Georgia,

0:32:55.640 --> 0:32:58.240
<v Speaker 3>making her fall into the bushes and causing her dress

0:32:58.320 --> 0:33:01.320
<v Speaker 3>to fly up. And just then Robbie shows up with

0:33:01.440 --> 0:33:05.520
<v Speaker 3>Lindsay and Tom and Jazz, and everyone sees George's underwear.

0:33:05.800 --> 0:33:08.800
<v Speaker 1>And it's two thousand and eight, so no one is like, hey,

0:33:08.960 --> 0:33:11.760
<v Speaker 1>that's an assault we just saw. They're just like, oh

0:33:11.840 --> 0:33:15.880
<v Speaker 1>my god, Georgia, you're so embarrassing, which, unfortunately, I think

0:33:15.960 --> 0:33:17.600
<v Speaker 1>is probably how that would have went down at that

0:33:17.720 --> 0:33:18.280
<v Speaker 1>time for.

0:33:18.440 --> 0:33:23.280
<v Speaker 3>Sure, And of course Georgia is humiliated. And then I

0:33:23.320 --> 0:33:24.960
<v Speaker 3>don't know if it's like the next day or a

0:33:25.040 --> 0:33:28.600
<v Speaker 3>few days later, but Georgia goes to the pool with

0:33:28.720 --> 0:33:32.240
<v Speaker 3>her sister, knowing that Robbie will be there, and she

0:33:32.400 --> 0:33:36.320
<v Speaker 3>tells him like, don't worry, I'm not dating that Peter boy.

0:33:36.920 --> 0:33:41.320
<v Speaker 3>And he's like, oh, really, well in that case, and

0:33:41.400 --> 0:33:46.520
<v Speaker 3>he kisses her. Yeah, but then he runs off because

0:33:46.520 --> 0:33:48.400
<v Speaker 3>he's like, I have to sort some things out, but

0:33:48.520 --> 0:33:54.080
<v Speaker 3>he says he'll call her. Several days past, he hasn't called. Meanwhile, though,

0:33:54.240 --> 0:33:57.680
<v Speaker 3>Peter asks out Georgia and she lies and says she

0:33:57.800 --> 0:34:01.440
<v Speaker 3>can't go out with him because she's alone lesbian, and

0:34:02.280 --> 0:34:06.600
<v Speaker 3>he's like, oh no. Other things are falling apart as well.

0:34:07.320 --> 0:34:09.960
<v Speaker 3>Lindsay moves her birthday party to the same day as

0:34:10.160 --> 0:34:15.800
<v Speaker 3>Georgia's party. George's dad wants to take the job in

0:34:15.920 --> 0:34:19.800
<v Speaker 3>New Zealand permanently, so she's afraid she's gonna have to

0:34:19.880 --> 0:34:23.480
<v Speaker 3>move there, and she's still sad that Robbie hasn't called.

0:34:24.640 --> 0:34:28.279
<v Speaker 3>Then Georgia's mom gives her a copy of the book

0:34:28.400 --> 0:34:31.400
<v Speaker 3>Men Are from Mars, Women Are from Venus, in.

0:34:31.560 --> 0:34:34.160
<v Speaker 1>Which which is another what a two thousand's move.

0:34:36.400 --> 0:34:39.960
<v Speaker 3>So in the book, Georgia learns the trick of basically

0:34:40.040 --> 0:34:43.040
<v Speaker 3>playing hard to get, so she gets the idea to

0:34:44.120 --> 0:34:47.600
<v Speaker 3>go to Robbie's band's gig with a friend.

0:34:47.360 --> 0:34:52.400
<v Speaker 1>Of his, This boy Dave the Laugh What a brittal nickname.

0:34:52.680 --> 0:34:54.759
<v Speaker 1>They're just like they might as well just be like Dave,

0:34:54.840 --> 0:34:57.000
<v Speaker 1>who no one wants to have sex with? Like that

0:34:57.239 --> 0:35:00.680
<v Speaker 1>is what that is how the movie approaches You're funny,

0:35:01.280 --> 0:35:08.239
<v Speaker 1>no one wants you. Yeah, and let's compare our lived experiences.

0:35:11.680 --> 0:35:15.080
<v Speaker 3>And also at this gig, the band play the Stiff

0:35:15.160 --> 0:35:17.640
<v Speaker 3>Dylan's plays a cover of a song that I know

0:35:17.760 --> 0:35:20.600
<v Speaker 3>exclusively from the soundtrack of Say It with Me Now

0:35:20.960 --> 0:35:25.799
<v Speaker 3>Shrek Too. Really, yeah, it's the ever fallen in love

0:35:26.080 --> 0:35:30.680
<v Speaker 3>parentheses with someone you shouldn't have by buzz Coos is.

0:35:30.760 --> 0:35:33.279
<v Speaker 1>The name of the love I love Buzzcocks. I didn't

0:35:33.320 --> 0:35:36.160
<v Speaker 1>know that was Wow, it's in Shrek Too. I'm a

0:35:36.320 --> 0:35:40.239
<v Speaker 1>fake fan. Yeah, I'm a fake fan. I should have

0:35:40.320 --> 0:35:42.040
<v Speaker 1>known that. I was like, wait a minute, why do

0:35:42.160 --> 0:35:44.000
<v Speaker 1>I recognize this song? And I was like, and then

0:35:44.040 --> 0:35:47.040
<v Speaker 1>you're like with regrets Shrek too?

0:35:47.960 --> 0:35:49.760
<v Speaker 5>Yep. Okay.

0:35:49.800 --> 0:35:53.440
<v Speaker 3>So this plan of Georgia's to like make Robbie jealous

0:35:53.560 --> 0:35:58.120
<v Speaker 3>backfires because Dave, who seems to really like Georgia, finds

0:35:58.120 --> 0:36:02.440
<v Speaker 3>out from Jazz the Georgia just used Dave to make

0:36:02.640 --> 0:36:07.360
<v Speaker 3>Robbie jealous. So Georgia gets mad at Jazz for like blabbing,

0:36:07.520 --> 0:36:10.279
<v Speaker 3>and they get in a huge fight and they like

0:36:10.320 --> 0:36:11.919
<v Speaker 3>say they're never going to talk to each other again.

0:36:12.360 --> 0:36:15.439
<v Speaker 3>Plus Robbie is pissed at Georgia for hurting his friend

0:36:15.520 --> 0:36:20.320
<v Speaker 3>Dave's feelings. And then also Georgia had like very classiestly

0:36:20.760 --> 0:36:24.400
<v Speaker 3>told Jazz that Tom isn't good enough for her because

0:36:24.440 --> 0:36:29.320
<v Speaker 3>he's like a grosser, and so Robbie realizes how immature

0:36:29.560 --> 0:36:34.640
<v Speaker 3>and shallow Georgia is. Meanwhile, it really seems like her

0:36:34.719 --> 0:36:38.959
<v Speaker 3>mom is having sex with Jem and she's gonna leave her.

0:36:38.920 --> 0:36:43.720
<v Speaker 1>Dad for Also, just the signifier in the two thousands

0:36:43.760 --> 0:36:48.640
<v Speaker 1>of like wearing a thong being like something bad it's

0:36:48.719 --> 0:36:52.040
<v Speaker 1>gonna happen to this, something bad's about to happen. Did

0:36:52.120 --> 0:36:55.799
<v Speaker 1>you I did either of you watch Degrassy No, there's

0:36:55.880 --> 0:37:00.319
<v Speaker 1>such an iconic scene where it's like the character who

0:37:00.440 --> 0:37:02.280
<v Speaker 1>I think. It's like she's coming in for her sophomore

0:37:02.360 --> 0:37:05.840
<v Speaker 1>year of high school a Manny Santo's everyone's screaming on

0:37:05.920 --> 0:37:10.279
<v Speaker 1>the other end of the podcast, but she comes back

0:37:10.320 --> 0:37:14.200
<v Speaker 1>after a summer and in the way that sometimes teenagers do,

0:37:14.360 --> 0:37:18.080
<v Speaker 1>and she's wearing a thong and everyone's like, oh, you've changed.

0:37:18.960 --> 0:37:22.480
<v Speaker 1>You're hot now, Like it was just like the two thousands.

0:37:22.560 --> 0:37:24.040
<v Speaker 1>That's how you told people I'm hot.

0:37:24.160 --> 0:37:28.279
<v Speaker 5>Now, that's how you inlerted people. You were hot and

0:37:28.800 --> 0:37:31.160
<v Speaker 5>down exactly exactly.

0:37:31.320 --> 0:37:37.120
<v Speaker 3>The whale tail was what was like, yeast infections, be damned,

0:37:38.239 --> 0:37:40.479
<v Speaker 3>I'm hot to know I'm hot and at.

0:37:40.480 --> 0:37:40.960
<v Speaker 1>Risk for.

0:37:42.600 --> 0:37:45.439
<v Speaker 4>I do remember being a teenager and wanting the thong look,

0:37:46.320 --> 0:37:48.720
<v Speaker 4>but not being able to wear one for uncomfortable reasons.

0:37:48.760 --> 0:37:51.719
<v Speaker 1>Yeah, they're so uncomfortable. Yeah, I think I like sneakily

0:37:51.800 --> 0:37:53.840
<v Speaker 1>bought one in high school because my cousin worked at

0:37:53.920 --> 0:37:55.920
<v Speaker 1>Victoria's Secret. And then I got it and then I

0:37:56.000 --> 0:37:56.320
<v Speaker 1>put it on.

0:37:56.440 --> 0:37:58.600
<v Speaker 5>I was like, what the yeah, what the hell is this?

0:37:59.440 --> 0:38:02.800
<v Speaker 1>Never mind, sorry, this was a mistake.

0:38:03.040 --> 0:38:03.239
<v Speaker 5>Yeah.

0:38:04.080 --> 0:38:06.240
<v Speaker 3>The only time I've worn a thong is I dressed

0:38:06.320 --> 0:38:09.000
<v Speaker 3>up one year speaking of the Full Monty as like

0:38:09.280 --> 0:38:11.759
<v Speaker 3>their strip costume and they wear these like little red

0:38:11.840 --> 0:38:15.719
<v Speaker 3>thongs that they like expose at the end, and so

0:38:15.840 --> 0:38:19.279
<v Speaker 3>I did that for a Halloween costume. No, I had

0:38:19.320 --> 0:38:22.160
<v Speaker 3>the full like they're dressed is like security guards that

0:38:22.239 --> 0:38:24.799
<v Speaker 3>they like then remove them. But so I was wearing

0:38:24.880 --> 0:38:26.480
<v Speaker 3>that most of the time, but sometimes I would like

0:38:26.560 --> 0:38:29.160
<v Speaker 3>show my butt and I'd be like look and people

0:38:29.160 --> 0:38:36.000
<v Speaker 3>will be like, oh, scandalous, she's down, she's she's so cool,

0:38:36.200 --> 0:38:36.600
<v Speaker 3>she's hot.

0:38:36.719 --> 0:38:42.520
<v Speaker 1>Now I was like nineteen at the time. Yeah, this

0:38:42.680 --> 0:38:43.320
<v Speaker 1>was in college.

0:38:48.880 --> 0:38:50.879
<v Speaker 5>Cool, that is cool. It was so cool.

0:38:51.719 --> 0:38:55.520
<v Speaker 1>Thank you. It's however new you were hot now exactly.

0:38:56.600 --> 0:39:00.640
<v Speaker 3>Okay, So yeah, the whole thing with Georgie's mom maybe

0:39:00.719 --> 0:39:04.040
<v Speaker 3>having an affair with Jem. So then this makes Georgia

0:39:04.200 --> 0:39:07.040
<v Speaker 3>go to her dad's company to try to speak with

0:39:07.120 --> 0:39:10.640
<v Speaker 3>his boss to convince him to like have her dad

0:39:10.840 --> 0:39:13.520
<v Speaker 3>come back to the UK, but the boss isn't there,

0:39:13.680 --> 0:39:16.560
<v Speaker 3>so she's just like crying to a receptionist. And then

0:39:16.640 --> 0:39:20.440
<v Speaker 3>she goes home having decided that the whole family should

0:39:20.760 --> 0:39:24.120
<v Speaker 3>move to New Zealand, and her mom's like what, oh

0:39:24.239 --> 0:39:27.200
<v Speaker 3>my gosh. And then she like starts doing yoga and

0:39:27.360 --> 0:39:32.160
<v Speaker 3>like other forms of self care and spiritual cleansing. She's

0:39:32.239 --> 0:39:36.160
<v Speaker 3>growing up, this Georgia. And then she approaches Robbie to

0:39:36.280 --> 0:39:41.120
<v Speaker 3>apologize for her behavior and he's like, yeah, you were

0:39:41.160 --> 0:39:44.400
<v Speaker 3>a bitch, but I can't stop thinking about you. And

0:39:44.520 --> 0:39:46.319
<v Speaker 3>also I broke up with Lindsay.

0:39:46.120 --> 0:39:50.400
<v Speaker 1>Last night, and she's like, well, the teen drama, so drama.

0:39:51.239 --> 0:39:54.280
<v Speaker 3>And then she tells him she's moving to New Zealand

0:39:54.360 --> 0:39:58.640
<v Speaker 3>and he's like, damn, well, let's hold hands. So they

0:39:58.719 --> 0:40:01.240
<v Speaker 3>do that, and then we cut to the next morning.

0:40:01.560 --> 0:40:05.200
<v Speaker 3>It's her birthday and her mom tells her she's taking

0:40:05.400 --> 0:40:09.320
<v Speaker 3>her out dancing at a nightclub that night, which I

0:40:09.680 --> 0:40:15.240
<v Speaker 3>don't think any teenager would want, but she's.

0:40:15.120 --> 0:40:16.080
<v Speaker 1>Like really into it.

0:40:18.440 --> 0:40:20.600
<v Speaker 3>But it turns out to be this huge surprise party

0:40:21.360 --> 0:40:24.680
<v Speaker 3>that Jazz helped organize, which means that Georgia and Jazz

0:40:24.680 --> 0:40:29.480
<v Speaker 3>are best friends again. And surprise, also, George's dad is there,

0:40:30.200 --> 0:40:32.000
<v Speaker 3>and it turns out he's not going to stay in

0:40:32.080 --> 0:40:34.960
<v Speaker 3>New Zealand after all, he's been offered an even better

0:40:35.080 --> 0:40:39.240
<v Speaker 3>job right there at home. And then another huge twist,

0:40:39.800 --> 0:40:43.680
<v Speaker 3>her mom has not been having sex with Jem because he's.

0:40:43.800 --> 0:40:47.920
<v Speaker 1>Gay and his boyfriend owns the club.

0:40:51.640 --> 0:40:55.000
<v Speaker 3>And guess who else is there? Robbie playing with the

0:40:55.120 --> 0:40:56.120
<v Speaker 3>stiff Dylan's.

0:40:56.840 --> 0:41:00.240
<v Speaker 1>Wow, I can't believe this stiff Dylan's probably made money

0:41:00.360 --> 0:41:03.399
<v Speaker 1>off of her party. Oh yeah, unless they played for free.

0:41:03.960 --> 0:41:04.560
<v Speaker 1>Hard to say.

0:41:06.080 --> 0:41:08.800
<v Speaker 3>Then Lindsay crashes the party and she comes on stage

0:41:08.960 --> 0:41:11.839
<v Speaker 3>and she insults Georgia, and she tries to get back

0:41:11.880 --> 0:41:16.080
<v Speaker 3>together with Robbie, but he's like, no, I like Georgia.

0:41:16.800 --> 0:41:19.799
<v Speaker 3>She's goofy and I like that actually, And then they

0:41:19.880 --> 0:41:22.000
<v Speaker 3>kiss on the lips in front of everyone. What and

0:41:22.040 --> 0:41:26.800
<v Speaker 3>they're all cheering. And now Georgia's life is perfect because

0:41:26.840 --> 0:41:31.160
<v Speaker 3>she's got a cute boyfriend and great friends. Her parents

0:41:31.239 --> 0:41:35.040
<v Speaker 3>are horny for each other again, and she's more confident

0:41:35.160 --> 0:41:39.840
<v Speaker 3>and mature, and most importantly, her cat angus is awesome.

0:41:40.480 --> 0:41:44.360
<v Speaker 1>The end, the end. What a journey.

0:41:46.280 --> 0:41:48.640
<v Speaker 3>So let's take another quick break and we'll come back

0:41:48.920 --> 0:42:01.759
<v Speaker 3>to discuss, and we're back.

0:42:03.239 --> 0:42:07.480
<v Speaker 1>Where to begin with this movie? I wanted to start

0:42:07.520 --> 0:42:11.000
<v Speaker 1>with something I did not previously know about this movie

0:42:11.080 --> 0:42:14.800
<v Speaker 1>that I found surprising, which is that this movie was

0:42:15.920 --> 0:42:20.120
<v Speaker 1>co written and directed by Grinder Chada, who also wrote

0:42:20.160 --> 0:42:23.480
<v Speaker 1>and directed Bend It, like Beckham and Brydon, Prejudice and

0:42:23.560 --> 0:42:26.680
<v Speaker 1>all of these kind of iconic millennial movies. I did

0:42:26.800 --> 0:42:31.520
<v Speaker 1>not know that she was the director behind this movie,

0:42:32.280 --> 0:42:35.440
<v Speaker 1>and I wouldn't have guessed it. I guess well, because

0:42:35.440 --> 0:42:36.920
<v Speaker 1>I feel like Bend It like Beckham, I mean, and

0:42:37.000 --> 0:42:39.720
<v Speaker 1>I have a quote from her that sort of contextualizes

0:42:39.760 --> 0:42:42.280
<v Speaker 1>this a little bit. But I feel like her style

0:42:42.360 --> 0:42:47.640
<v Speaker 1>of writing is not this right, and so I have

0:42:47.719 --> 0:42:49.279
<v Speaker 1>a quote from her here. There is like a whole

0:42:50.440 --> 0:42:54.200
<v Speaker 1>oral history done in the Independent about this movie last

0:42:54.320 --> 0:42:59.919
<v Speaker 1>year with the star Georgia Groome, who is also fun fact,

0:43:00.560 --> 0:43:03.279
<v Speaker 1>I think married to Rupert Grint. I know, I don't

0:43:03.320 --> 0:43:07.200
<v Speaker 1>think she performs very much anymore, but yeah, that's.

0:43:07.280 --> 0:43:09.000
<v Speaker 5>Ruper Grint's probably got so much money.

0:43:09.600 --> 0:43:12.000
<v Speaker 1>I mean that Harry Potter. Yeah, I was married to

0:43:12.200 --> 0:43:17.600
<v Speaker 1>Ruper Grint. I may retire also, no, but but yeah,

0:43:17.680 --> 0:43:22.200
<v Speaker 1>because like Angus songs and full frontals snot smogging snogging,

0:43:22.920 --> 0:43:27.800
<v Speaker 1>we're in la here. It's Smoggings has like such a

0:43:27.960 --> 0:43:31.120
<v Speaker 1>specific cadence and like authorial voice. But I feel like

0:43:31.160 --> 0:43:33.719
<v Speaker 1>so do her movies. But it's like clear that the

0:43:33.880 --> 0:43:35.880
<v Speaker 1>book got preference here. So I have a quote from her,

0:43:35.920 --> 0:43:38.400
<v Speaker 1>hear saying I'd already made it, bend it like Beckham,

0:43:38.440 --> 0:43:41.120
<v Speaker 1>which in a way was my teen movie. It captured

0:43:41.120 --> 0:43:42.880
<v Speaker 1>that sense of girls who were smart and real as

0:43:42.920 --> 0:43:45.160
<v Speaker 1>opposed to high school the not mean girls as it

0:43:45.200 --> 0:43:47.960
<v Speaker 1>were just authentic girls with a dream that really had

0:43:48.000 --> 0:43:51.080
<v Speaker 1>a big impact. But Angus was different. It was Louise's

0:43:51.160 --> 0:43:53.520
<v Speaker 1>version of Teenagers, which was great. When I read it,

0:43:53.600 --> 0:43:55.120
<v Speaker 1>I thought, yeah, I know how to do this, and

0:43:55.200 --> 0:43:57.320
<v Speaker 1>I can do it well. So she's also acknowledging. She's like,

0:43:57.400 --> 0:43:59.439
<v Speaker 1>this is not really this kind of movie I would

0:43:59.440 --> 0:44:01.919
<v Speaker 1>normally yeah, yeah, yeah.

0:44:02.080 --> 0:44:04.960
<v Speaker 3>So she also co wrote the screenplay along with three

0:44:05.080 --> 0:44:09.160
<v Speaker 3>other credited writers, and I have a quote about yes, yes,

0:44:09.880 --> 0:44:13.600
<v Speaker 3>where she says quote when the project came to me,

0:44:14.040 --> 0:44:17.120
<v Speaker 3>the studio Paramount had it for five years, and even

0:44:17.160 --> 0:44:21.000
<v Speaker 3>though they're British books, they had these two American guys

0:44:21.160 --> 0:44:23.439
<v Speaker 3>adapt the book and they couldn't get it to work.

0:44:23.760 --> 0:44:26.440
<v Speaker 3>I read the script and thought, how weird. This is

0:44:26.560 --> 0:44:31.640
<v Speaker 3>sort of La Male's version of an English girl's childhood God,

0:44:32.160 --> 0:44:34.359
<v Speaker 3>and then I read the books and I thought, there's

0:44:34.440 --> 0:44:36.400
<v Speaker 3>something here that relates to me growing up that I

0:44:36.480 --> 0:44:39.000
<v Speaker 3>hadn't seen in the script. I thought this could be

0:44:39.280 --> 0:44:42.120
<v Speaker 3>a British genre film, or be like Clueless or Mean

0:44:42.200 --> 0:44:45.040
<v Speaker 3>Girls in England, and I liked the idea of doing

0:44:45.160 --> 0:44:48.160
<v Speaker 3>a British version of those films. Then it clicked that

0:44:48.320 --> 0:44:53.560
<v Speaker 3>it should be like sixteen Candles unquote. So she had

0:44:53.600 --> 0:44:55.480
<v Speaker 3>to like kind of clean up the mess that these

0:44:55.560 --> 0:44:57.120
<v Speaker 3>like two American men.

0:44:57.320 --> 0:45:00.840
<v Speaker 1>Of course they would hire two American men about a

0:45:00.920 --> 0:45:01.839
<v Speaker 1>British teenage girl.

0:45:02.440 --> 0:45:03.960
<v Speaker 5>That would have been a worrying film.

0:45:04.000 --> 0:45:06.600
<v Speaker 1>I think, yeah, I'm very glad that she got a

0:45:06.680 --> 0:45:10.040
<v Speaker 1>hand in it. I wish she'd maybe gotten more of

0:45:10.120 --> 0:45:12.000
<v Speaker 1>a hand in it, but I did. Like, I mean,

0:45:12.560 --> 0:45:15.239
<v Speaker 1>starting with the positive stuff. I like, reading through this

0:45:15.880 --> 0:45:18.719
<v Speaker 1>oral history was really nice. It seemed like, you know,

0:45:18.760 --> 0:45:21.880
<v Speaker 1>everyone had a good experience. And also working with a

0:45:21.960 --> 0:45:24.520
<v Speaker 1>woman director seemed to be really impactful on the young

0:45:24.600 --> 0:45:26.600
<v Speaker 1>women in the cast. I've got a quote from Georgia

0:45:26.600 --> 0:45:29.680
<v Speaker 1>Groom here, watching Grinder lead as a woman was quite

0:45:29.680 --> 0:45:31.680
<v Speaker 1>a pivotal moment for all of us as young teenagers

0:45:31.680 --> 0:45:33.520
<v Speaker 1>to see that strength and tenacity that she had to

0:45:33.560 --> 0:45:36.160
<v Speaker 1>be able to lead that charge. It's not an easy job,

0:45:36.200 --> 0:45:39.040
<v Speaker 1>and she just did it so well and was so

0:45:39.160 --> 0:45:41.239
<v Speaker 1>much fun inside of her. It was a real girl

0:45:41.320 --> 0:45:45.360
<v Speaker 1>power thing. Also, she had just had twins when she

0:45:45.480 --> 0:45:47.719
<v Speaker 1>directed this movie, so there's all of these really like

0:45:47.920 --> 0:45:52.160
<v Speaker 1>cool pictures of Grinder Tata and her twins on set.

0:45:53.600 --> 0:45:57.120
<v Speaker 1>And also it seems like she prioritized like teaching the

0:45:57.400 --> 0:45:59.919
<v Speaker 1>child actors how the cameras worked, and like was really

0:46:00.200 --> 0:46:02.160
<v Speaker 1>like hands on with like kind of giving them an

0:46:02.280 --> 0:46:04.000
<v Speaker 1>education if they ever wanted to. I don't know. I

0:46:04.120 --> 0:46:06.759
<v Speaker 1>was like, yeah, that's it just seems like she's I'm

0:46:06.800 --> 0:46:08.719
<v Speaker 1>sure we talked about this on the Benditt like back

0:46:08.760 --> 0:46:10.520
<v Speaker 1>of my episode two, but she just seems like a

0:46:10.960 --> 0:46:15.040
<v Speaker 1>terrific person who's like really sweet and supportive of her cast,

0:46:16.400 --> 0:46:18.200
<v Speaker 1>and you know she she also has a couple quotes

0:46:18.239 --> 0:46:22.280
<v Speaker 1>and hear about how you know, infrequent girls are centered

0:46:22.400 --> 0:46:26.000
<v Speaker 1>in stories and how she felt like in wait, I

0:46:26.080 --> 0:46:29.520
<v Speaker 1>do want to get this quoted of how the release

0:46:29.600 --> 0:46:33.080
<v Speaker 1>in America. I also didn't remember this was kind of botched,

0:46:33.239 --> 0:46:36.120
<v Speaker 1>like it was never released theatrically and it was only

0:46:36.160 --> 0:46:39.359
<v Speaker 1>aired on Nickelodeon because they're like the parents go boing.

0:46:40.840 --> 0:46:46.040
<v Speaker 1>I'm not gonna stop saying it, but yeah, Grindotada says

0:46:46.400 --> 0:46:48.719
<v Speaker 1>in America, Nickelodeon didn't know what to do with the film.

0:46:48.840 --> 0:46:50.239
<v Speaker 1>They didn't think it would be a big hit, so

0:46:50.320 --> 0:46:52.880
<v Speaker 1>they never released it theatrically and aired it on a

0:46:52.920 --> 0:46:55.680
<v Speaker 1>big day on Nickelodeon and ratings went through the roof.

0:46:56.080 --> 0:46:58.719
<v Speaker 1>An executive did say to me after that they'd made

0:46:58.719 --> 0:47:00.400
<v Speaker 1>a huge mistake and they should have put it out

0:47:00.440 --> 0:47:02.640
<v Speaker 1>theatrically because the amount of times girls have watched that

0:47:02.719 --> 0:47:05.040
<v Speaker 1>film over and over again. So it's just like, I

0:47:05.120 --> 0:47:08.880
<v Speaker 1>feel like yet another example of people underestimating Do.

0:47:08.920 --> 0:47:12.719
<v Speaker 4>They just think that women don't do anything like that?

0:47:12.840 --> 0:47:14.719
<v Speaker 4>We just are in the house, like not doing it,

0:47:14.800 --> 0:47:15.960
<v Speaker 4>like absorbing any culture.

0:47:16.239 --> 0:47:18.000
<v Speaker 1>It's so I feel like we learned that time and

0:47:18.040 --> 0:47:22.239
<v Speaker 1>time again with any like non white male audience, where

0:47:22.760 --> 0:47:24.719
<v Speaker 1>I mean, like, I think we talked about it on

0:47:24.760 --> 0:47:26.920
<v Speaker 1>our first Wives Club episode where they're like, no one

0:47:26.960 --> 0:47:28.719
<v Speaker 1>wants to see women over forty and then that movie

0:47:28.800 --> 0:47:31.800
<v Speaker 1>made up aajillion dollars and like how difficult it was

0:47:31.840 --> 0:47:33.680
<v Speaker 1>to get Black Panther made, And then that movie made

0:47:33.760 --> 0:47:37.160
<v Speaker 1>an actual billion dollars And I was just like, it's.

0:47:37.040 --> 0:47:38.799
<v Speaker 5>Like they keep doing the conversation again with Bobby. They

0:47:38.840 --> 0:47:42.120
<v Speaker 5>were like, who knew that were women out here?

0:47:43.520 --> 0:47:48.120
<v Speaker 1>And where's another billion? And women watch things? Oh my god?

0:47:48.320 --> 0:47:50.480
<v Speaker 5>What they What do they think we're up to? Or

0:47:50.520 --> 0:47:51.960
<v Speaker 5>do they just not know that we're here?

0:47:53.680 --> 0:47:55.399
<v Speaker 1>They kind of just freak you out of sight, out

0:47:55.400 --> 0:47:57.799
<v Speaker 1>of mind because we won't hang out with them.

0:47:59.680 --> 0:48:04.640
<v Speaker 5>But I've never seen any around but both my mom.

0:48:05.280 --> 0:48:07.160
<v Speaker 1>But those are those are some of the positive things

0:48:07.200 --> 0:48:09.000
<v Speaker 1>I have to say about the movie. It seems like

0:48:09.040 --> 0:48:11.279
<v Speaker 1>it was a really good on set experience, and I

0:48:11.440 --> 0:48:13.759
<v Speaker 1>like the director's body of work, but this may be

0:48:13.880 --> 0:48:14.879
<v Speaker 1>one maybe not as much.

0:48:15.560 --> 0:48:18.759
<v Speaker 3>Right, So I want to touch on the book because

0:48:18.800 --> 0:48:20.240
<v Speaker 3>I did spend all that time.

0:48:20.760 --> 0:48:24.000
<v Speaker 1>Reading it, all those you know, all those late nights,

0:48:25.200 --> 0:48:25.800
<v Speaker 1>all those.

0:48:25.719 --> 0:48:29.319
<v Speaker 3>Five hours listening to the audio book on one point

0:48:29.440 --> 0:48:34.359
<v Speaker 3>nine speed. So this movie is based on the first

0:48:34.400 --> 0:48:37.800
<v Speaker 3>two books in the series. I didn't read this second book, which.

0:48:37.719 --> 0:48:40.359
<v Speaker 1>Has it now I'm the girlfriend of a sex God.

0:48:41.200 --> 0:48:43.040
<v Speaker 3>Yeah, on the bright side, I'm now the girlfriend of

0:48:43.080 --> 0:48:47.200
<v Speaker 3>a sex god. That's the American title. Oh no, it's okay,

0:48:48.280 --> 0:48:49.080
<v Speaker 3>big yeahs.

0:48:49.280 --> 0:48:52.200
<v Speaker 1>Yes, that's so. I feel like the American title is

0:48:52.320 --> 0:48:54.319
<v Speaker 1>like Saucier in that case.

0:48:54.440 --> 0:48:56.360
<v Speaker 5>Yeah yeah, just because you didn't know what Nick is,

0:48:56.440 --> 0:48:57.680
<v Speaker 5>well probably.

0:48:57.480 --> 0:49:01.600
<v Speaker 1>Okay, yeah, Fortunately that we already had so much confusion.

0:49:01.840 --> 0:49:05.160
<v Speaker 5>We know what nogging, so we didn't want to confuse

0:49:05.200 --> 0:49:05.719
<v Speaker 5>anyone again.

0:49:06.760 --> 0:49:07.359
<v Speaker 1>I still don't.

0:49:07.680 --> 0:49:11.160
<v Speaker 3>So in the movie they call each other mingers a lot.

0:49:11.320 --> 0:49:11.759
<v Speaker 3>What is that.

0:49:13.040 --> 0:49:15.600
<v Speaker 4>You've never come across mingus? Oh, it's just like an

0:49:15.680 --> 0:49:17.640
<v Speaker 4>ugly person like they're minging.

0:49:17.880 --> 0:49:20.239
<v Speaker 1>I would not they're like ugly.

0:49:21.320 --> 0:49:25.920
<v Speaker 4>Yes, I guess, I guess it's like an abject an adjective.

0:49:26.120 --> 0:49:26.920
<v Speaker 5>But they are minging.

0:49:27.040 --> 0:49:30.080
<v Speaker 1>Yeah, yeah, they are minging.

0:49:31.719 --> 0:49:35.359
<v Speaker 5>And the minging was like very much thing. I remember saying.

0:49:35.719 --> 0:49:38.400
<v Speaker 1>Okay, so is is minge something also?

0:49:38.520 --> 0:49:42.440
<v Speaker 4>And what inge is just the giant minge is separate

0:49:42.520 --> 0:49:44.480
<v Speaker 4>from ming I think. I hope so, I hope they

0:49:44.480 --> 0:49:45.680
<v Speaker 4>don't have the same etymology.

0:49:46.560 --> 0:49:51.680
<v Speaker 3>They might do, I don't They're spelled quite similarly. Okay,

0:49:51.840 --> 0:49:56.920
<v Speaker 3>just ye clearing mingus minging. You wouldn't say ming okay, okay,

0:49:57.040 --> 0:49:58.960
<v Speaker 3>you wouldn't have that, but you would say minge. But

0:49:59.000 --> 0:50:05.600
<v Speaker 3>you wouldn't say, oh she minging she's having extra vagina, but.

0:50:05.719 --> 0:50:06.680
<v Speaker 1>You can't be vagina.

0:50:07.320 --> 0:50:09.720
<v Speaker 5>No, okay, just minge okay, okay.

0:50:09.760 --> 0:50:12.759
<v Speaker 4>But I would say minge, but I would say that

0:50:12.840 --> 0:50:15.040
<v Speaker 4>to like my best friend now because it's funny.

0:50:15.160 --> 0:50:19.480
<v Speaker 5>Or I would say clunge because plunges. I did I

0:50:19.520 --> 0:50:21.319
<v Speaker 5>know about clumb Yeah, because I alway, I think they're

0:50:21.360 --> 0:50:22.240
<v Speaker 5>quite funny words.

0:50:22.719 --> 0:50:24.759
<v Speaker 1>They are really yeah wow.

0:50:24.840 --> 0:50:27.879
<v Speaker 3>Oh wait, I did know about minge because shout out

0:50:27.920 --> 0:50:33.160
<v Speaker 3>to my former roommate, British Martinage. She taught me about minge.

0:50:33.200 --> 0:50:34.680
<v Speaker 3>And then I was like, oh, so do you call

0:50:35.080 --> 0:50:37.200
<v Speaker 3>pubic hair minge fringe?

0:50:38.000 --> 0:50:40.520
<v Speaker 5>Oh we should call it that, but we don't. But

0:50:40.680 --> 0:50:42.120
<v Speaker 5>you can make that, but I will.

0:50:42.320 --> 0:50:47.520
<v Speaker 1>Okay, Yeah, I'm gonna make mine fringe happen. Yeah's watch

0:50:47.560 --> 0:50:48.800
<v Speaker 1>out world. Okay.

0:50:48.880 --> 0:50:51.600
<v Speaker 3>So the book is what I'm trying to talk about.

0:50:51.760 --> 0:50:55.759
<v Speaker 3>So written by Louise Renaissan, who I think wrote, who

0:50:55.880 --> 0:50:59.319
<v Speaker 3>wrote all ten r I p oh, I didn't really

0:50:59.480 --> 0:50:59.960
<v Speaker 3>had a passage.

0:51:00.280 --> 0:51:03.399
<v Speaker 1>She passed in her mid sixties, which is crazy. Yeah,

0:51:03.560 --> 0:51:04.359
<v Speaker 1>so really sad.

0:51:05.120 --> 0:51:07.680
<v Speaker 3>So the book was the first book was published in

0:51:08.080 --> 0:51:11.160
<v Speaker 3>ninety nine. The sequel, which I didn't read but the

0:51:11.440 --> 0:51:14.040
<v Speaker 3>movie is partially based on, published a year later in

0:51:14.120 --> 0:51:18.879
<v Speaker 3>two thousand. The format of the books is like Georgia's diary, right,

0:51:19.120 --> 0:51:24.399
<v Speaker 3>So you know, middle school aged teens in the late

0:51:24.560 --> 0:51:27.920
<v Speaker 3>nineties early two thousands, you know, not known for being

0:51:28.000 --> 0:51:31.279
<v Speaker 3>the most progressive people. So there's a lot of problematic

0:51:31.360 --> 0:51:34.640
<v Speaker 3>stuff in the book. A lot of it translates to

0:51:34.920 --> 0:51:38.120
<v Speaker 3>the movie, but there's even more in the book where

0:51:38.800 --> 0:51:43.560
<v Speaker 3>there's a lot, as we mentioned of like homophobia and

0:51:43.600 --> 0:51:48.880
<v Speaker 3>specific like anti lesbian rhetoric. There's like a phizzed teacher

0:51:48.960 --> 0:51:51.600
<v Speaker 3>that makes an appearance in the movie, but in the

0:51:51.640 --> 0:51:55.320
<v Speaker 3>book she's always talking about like, ooh, she was staring

0:51:55.360 --> 0:51:59.960
<v Speaker 3>at me again because she's a lesbian, and Georgia's like

0:52:00.160 --> 0:52:02.720
<v Speaker 3>praying to God that she's not a lesbian.

0:52:02.760 --> 0:52:06.920
<v Speaker 1>Things like that, such like casual homophobia that is like

0:52:07.360 --> 0:52:10.640
<v Speaker 1>it it really sucks because it's like, I feel like

0:52:11.080 --> 0:52:14.080
<v Speaker 1>books like that at the time would have like reinforced

0:52:14.120 --> 0:52:17.759
<v Speaker 1>the culture that already existed, which was so so so

0:52:18.080 --> 0:52:21.640
<v Speaker 1>hostile that it's like a reflection of what was already acceptable,

0:52:21.680 --> 0:52:23.720
<v Speaker 1>but then putting it in the mouth of like Georgia,

0:52:23.719 --> 0:52:26.719
<v Speaker 1>who's supposed to be like the coolest girl ever to

0:52:27.040 --> 0:52:30.640
<v Speaker 1>readers at least, like the self insert it's like it's yeah,

0:52:30.840 --> 0:52:33.440
<v Speaker 1>very tender age to be getting that kind of messaging.

0:52:34.160 --> 0:52:34.520
<v Speaker 1>Not good.

0:52:34.920 --> 0:52:38.440
<v Speaker 3>So there's not only that, there's casual transphobia. Where in

0:52:38.560 --> 0:52:42.279
<v Speaker 3>the book, Georgia finds a garment of her dad's that

0:52:42.400 --> 0:52:44.560
<v Speaker 3>she thinks as an apron I think it's implied that

0:52:44.640 --> 0:52:48.839
<v Speaker 3>it's like some like sexual outfit or something.

0:52:48.960 --> 0:52:51.799
<v Speaker 1>But okay, because her parents are really horny for each other.

0:52:51.920 --> 0:52:53.760
<v Speaker 1>Yeah Christ for them, I guess.

0:52:54.000 --> 0:52:56.920
<v Speaker 3>But she finds this garment that she thinks is like

0:52:57.160 --> 0:53:00.520
<v Speaker 3>a feminine garment, and so she now asson that her

0:53:00.640 --> 0:53:04.319
<v Speaker 3>dad is transitioning and it's like very disgusting to her.

0:53:04.480 --> 0:53:06.640
<v Speaker 5>Yeah, she keeps, I've forgotten about that.

0:53:07.080 --> 0:53:12.399
<v Speaker 1>Yeah, yeah, I honestly really just remember nervy. B that's

0:53:12.520 --> 0:53:13.520
<v Speaker 1>like really all that stuck.

0:53:13.680 --> 0:53:15.680
<v Speaker 3>The only thing I remember from the book from reading

0:53:15.719 --> 0:53:18.720
<v Speaker 3>it all those years ago was her being self conscious

0:53:18.760 --> 0:53:20.920
<v Speaker 3>of her nose. That was the main thing I remembered.

0:53:21.080 --> 0:53:26.480
<v Speaker 1>That's interesting, Cash, I'm glad I don't remember the transphobia storyline, Like.

0:53:26.480 --> 0:53:29.040
<v Speaker 5>What the fun It's good, it's important your brain blocks

0:53:29.080 --> 0:53:32.040
<v Speaker 5>out things. Yes, yeah, this isn't good, like this is.

0:53:32.080 --> 0:53:34.000
<v Speaker 3>Trash self preservation.

0:53:34.280 --> 0:53:34.480
<v Speaker 5>Yeah.

0:53:34.800 --> 0:53:37.800
<v Speaker 3>There's also it's not prominent in the book, but it

0:53:37.920 --> 0:53:41.600
<v Speaker 3>is there. There's racism, where there's at least one example

0:53:41.719 --> 0:53:46.880
<v Speaker 3>of Georgia making a comment that h anti Asian racism.

0:53:47.360 --> 0:53:50.280
<v Speaker 3>There's a fair amount of fat phobia and body shaming,

0:53:50.360 --> 0:53:55.200
<v Speaker 3>which does translate to the movie. Georgia makes remarks that

0:53:55.520 --> 0:54:00.400
<v Speaker 3>are ablests that are disparaging about sex workers. She's very

0:54:00.440 --> 0:54:04.640
<v Speaker 3>callous about suicide. So there's like all these very problematic

0:54:04.719 --> 0:54:05.640
<v Speaker 3>things in the books.

0:54:05.360 --> 0:54:07.640
<v Speaker 1>Some of which monsters rible.

0:54:07.760 --> 0:54:09.160
<v Speaker 5>She does not deserve Robby.

0:54:11.040 --> 0:54:11.880
<v Speaker 1>A lot of it does.

0:54:11.800 --> 0:54:17.640
<v Speaker 3>Carry over to the movie, namely the homophobia and the

0:54:17.719 --> 0:54:18.440
<v Speaker 3>fat phobia.

0:54:18.920 --> 0:54:21.879
<v Speaker 1>It's interesting because it's like the there are certain things

0:54:21.920 --> 0:54:24.399
<v Speaker 1>that are presented in a way that is like, at

0:54:24.520 --> 0:54:26.640
<v Speaker 1>least I think at the time would have been clear

0:54:26.680 --> 0:54:30.160
<v Speaker 1>to me, like Georgia's insecure and sensitive about her nose.

0:54:30.320 --> 0:54:33.520
<v Speaker 1>That's not presented as like and she should be. But

0:54:33.760 --> 0:54:37.000
<v Speaker 1>all of the homophobia is presented very like matter of

0:54:37.120 --> 0:54:39.440
<v Speaker 1>factly is never challenged in any.

0:54:39.360 --> 0:54:44.040
<v Speaker 5>Way, and all the slat shaming. But the thing is

0:54:44.360 --> 0:54:48.200
<v Speaker 5>that was like having been a British teenage girl, that

0:54:48.560 --> 0:54:50.680
<v Speaker 5>is what the culture was. It was a real like,

0:54:50.800 --> 0:54:53.400
<v Speaker 5>oh god, we grew up in not good.

0:54:53.320 --> 0:54:56.640
<v Speaker 1>Times, yeah, but like the worst West time.

0:54:57.520 --> 0:54:58.640
<v Speaker 5>Yet this is the worst of time.

0:54:58.680 --> 0:55:04.000
<v Speaker 1>So I don't know how they managed it keeps getting worse, yeah, because.

0:55:03.800 --> 0:55:06.440
<v Speaker 5>They look back nostalgically, but then weirdly and then you

0:55:06.520 --> 0:55:08.560
<v Speaker 5>want it and you're like, oh wait, this is the

0:55:08.600 --> 0:55:09.080
<v Speaker 5>West of times?

0:55:09.320 --> 0:55:10.719
<v Speaker 1>Have we ever had it good?

0:55:11.480 --> 0:55:12.319
<v Speaker 5>When was the good of.

0:55:14.880 --> 0:55:17.239
<v Speaker 1>In Charles Dickens's Tale of Two Cities, it was the

0:55:17.280 --> 0:55:23.160
<v Speaker 1>best of times, But then really quickly she really cooked

0:55:23.160 --> 0:55:23.360
<v Speaker 1>with that.

0:55:26.880 --> 0:55:29.240
<v Speaker 3>And there is racism in the movie in the sense

0:55:29.920 --> 0:55:31.360
<v Speaker 3>of how the Ellen character.

0:55:31.760 --> 0:55:33.719
<v Speaker 4>Yeah, it's like watching that, I was like, what did

0:55:33.719 --> 0:55:36.359
<v Speaker 4>they just bring on this South Asian character to bully

0:55:36.520 --> 0:55:37.200
<v Speaker 4>to bully her?

0:55:37.760 --> 0:55:41.560
<v Speaker 1>Which is like wild to me because Grindotata is she's

0:55:41.800 --> 0:55:46.160
<v Speaker 1>I think Kenyan born British of Indian descent, but like

0:55:46.880 --> 0:55:49.520
<v Speaker 1>more to the point the writer director of Bend it

0:55:49.680 --> 0:55:50.240
<v Speaker 1>like Beckham.

0:55:50.360 --> 0:55:52.320
<v Speaker 5>That was where I was really like, yeah, it was

0:55:52.480 --> 0:55:53.040
<v Speaker 5>very jarring.

0:55:53.280 --> 0:55:56.720
<v Speaker 1>Yeah, I have to I mean, based on what Caitlin

0:55:56.800 --> 0:56:00.120
<v Speaker 1>you found about, like her having to clean this grip,

0:56:00.440 --> 0:56:04.040
<v Speaker 1>I'm wondering like how much she was able to ultimately

0:56:04.239 --> 0:56:07.640
<v Speaker 1>have influence over because that was just like really jarring

0:56:07.880 --> 0:56:12.120
<v Speaker 1>from someone who has like made such thoughtful inclusive movies

0:56:12.120 --> 0:56:12.520
<v Speaker 1>in the past.

0:56:12.600 --> 0:56:13.319
<v Speaker 5>What happened there?

0:56:13.960 --> 0:56:15.839
<v Speaker 4>If I speculate on how I feel like the UK

0:56:15.960 --> 0:56:18.000
<v Speaker 4>is is that it was going to be four white girls,

0:56:18.680 --> 0:56:21.080
<v Speaker 4>and then she would have pushed to be like can we.

0:56:21.200 --> 0:56:26.000
<v Speaker 5>Have one for some representation? Yeah, the one that gets buddied.

0:56:26.080 --> 0:56:26.680
<v Speaker 1>Do you know like that?

0:56:26.960 --> 0:56:28.600
<v Speaker 5>I think how it would have gone down. It's like, yeah,

0:56:28.719 --> 0:56:30.400
<v Speaker 5>but she can't be cool.

0:56:30.360 --> 0:56:33.560
<v Speaker 1>We can't like her. Yeah, I have honestly believed that

0:56:33.760 --> 0:56:38.480
<v Speaker 1>in the two thousands movie environment, Yeah, like yeah, poor Ellen,

0:56:38.680 --> 0:56:42.720
<v Speaker 1>like I just and she disappeared for like such large

0:56:42.840 --> 0:56:46.120
<v Speaker 1>swaths of the movies. She felt like very disconnected from

0:56:46.120 --> 0:56:49.000
<v Speaker 1>the rest of the friend group because it's like Georgia

0:56:49.080 --> 0:56:51.880
<v Speaker 1>and Jazz are the you know, core friends, and then

0:56:51.920 --> 0:56:54.759
<v Speaker 1>there's two other friends. But there's there's times where what's

0:56:54.840 --> 0:56:58.440
<v Speaker 1>the other is Ellen? Ellen? Ellen is the one we're

0:56:58.440 --> 0:57:01.720
<v Speaker 1>talking about, but who's the who's the fourth Rosie Rosie?

0:57:01.920 --> 0:57:03.800
<v Speaker 1>So it's like you'll see scenes where like Rosie and

0:57:03.920 --> 0:57:07.280
<v Speaker 1>Jazz are walking together and they're like we're mad at Georgia,

0:57:07.360 --> 0:57:10.960
<v Speaker 1>and I'm like, Okay, where's Ellen. Like there, She's just

0:57:11.040 --> 0:57:14.520
<v Speaker 1>like disappeared from the movie for just whole chunks. It's

0:57:14.600 --> 0:57:15.200
<v Speaker 1>really bizarre.

0:57:15.440 --> 0:57:18.760
<v Speaker 3>Yeah, And like anytime she like tries to make a

0:57:18.840 --> 0:57:22.440
<v Speaker 3>suggestion or like give advice or say like what about me?

0:57:22.680 --> 0:57:24.600
<v Speaker 3>Do I get a boy to have a crush on?

0:57:24.760 --> 0:57:25.440
<v Speaker 1>And they're always just.

0:57:25.520 --> 0:57:28.360
<v Speaker 5>Like Eude, shut up, shut up. Ellen.

0:57:30.600 --> 0:57:33.200
<v Speaker 3>We treat her like Jerry on Parks and Reck like

0:57:33.480 --> 0:57:37.040
<v Speaker 3>it's brutal, which is a dynamic that is reflective of

0:57:37.160 --> 0:57:39.280
<v Speaker 3>real life when there's a close friend group who is

0:57:39.400 --> 0:57:42.360
<v Speaker 3>predominantly white, but there's like maybe one person of colar

0:57:42.560 --> 0:57:42.960
<v Speaker 3>so I.

0:57:43.080 --> 0:57:44.919
<v Speaker 5>Was in there, but I don't think I was an Alan.

0:57:44.920 --> 0:57:48.480
<v Speaker 5>I would like to put it. I was cool, I

0:57:48.560 --> 0:57:51.959
<v Speaker 5>was saying there's no problems, but I'm like, I'm not Alan, right.

0:57:51.920 --> 0:57:54.960
<v Speaker 1>So it's not as though growing Ellen under the busy.

0:57:56.360 --> 0:57:59.480
<v Speaker 3>Why So it's not as though this doesn't happen. It's

0:57:59.560 --> 0:58:02.520
<v Speaker 3>just that the movie doesn't like interrogate this at all.

0:58:02.720 --> 0:58:05.680
<v Speaker 4>Also, they left her at Peter's house, so when Geordia

0:58:05.800 --> 0:58:08.160
<v Speaker 4>goes in, oh yeah, then Ellen's.

0:58:07.800 --> 0:58:09.640
<v Speaker 5>Queuing up to go in as well, like all right,

0:58:09.760 --> 0:58:12.040
<v Speaker 5>we're all going to Peter now, right, and then they

0:58:12.120 --> 0:58:14.960
<v Speaker 5>all leave her like the other two. Like everyone's waited

0:58:14.960 --> 0:58:15.600
<v Speaker 5>for Georgia to come.

0:58:17.840 --> 0:58:20.800
<v Speaker 1>Yeah, they do not wait for Ellen. But I also

0:58:20.920 --> 0:58:24.240
<v Speaker 1>was wondering, I mean, because the interests of these characters

0:58:24.360 --> 0:58:28.680
<v Speaker 1>is very limited, but that Ellen seems to be obviously

0:58:28.720 --> 0:58:32.280
<v Speaker 1>like really interested in boys and wants to kiss and whatever.

0:58:32.400 --> 0:58:36.200
<v Speaker 1>She seems to have booked a session with Peter or whatever.

0:58:36.840 --> 0:58:39.160
<v Speaker 1>She's looking at the Hugh Grant poster. You know, she's

0:58:39.200 --> 0:58:43.680
<v Speaker 1>locked in, but that like doesn't really go anywhere. Like

0:58:43.760 --> 0:58:45.760
<v Speaker 1>I feel like that is more presented as a joke

0:58:45.840 --> 0:58:48.360
<v Speaker 1>of like, and even Ellen's doing it because that doesn't

0:58:48.400 --> 0:58:51.160
<v Speaker 1>really come back around in any meaningful way. I was

0:58:51.200 --> 0:58:53.200
<v Speaker 1>sort of wondering, I'm like, I wonder if Ellen will

0:58:53.240 --> 0:58:55.800
<v Speaker 1>head it off with Peter, but they just sort of

0:58:56.360 --> 0:58:59.040
<v Speaker 1>toss her a Dave the laugh towards the end. That's right?

0:58:59.360 --> 0:58:59.520
<v Speaker 3>Is that?

0:58:59.600 --> 0:58:59.800
<v Speaker 1>Who she?

0:59:00.080 --> 0:59:00.120
<v Speaker 3>So?

0:59:00.240 --> 0:59:00.680
<v Speaker 5>What's the end?

0:59:00.800 --> 0:59:01.000
<v Speaker 3>Yeah?

0:59:01.080 --> 0:59:02.040
<v Speaker 1>At the at the party.

0:59:02.600 --> 0:59:05.439
<v Speaker 4>Yeah, that's a weird moment as well. You know, any

0:59:05.560 --> 0:59:07.560
<v Speaker 4>powerful your friends with other men.

0:59:07.920 --> 0:59:10.240
<v Speaker 1>I feel like that happens at the end of this

0:59:10.440 --> 0:59:13.040
<v Speaker 1>type of movie so often, where they're like, which characters

0:59:13.080 --> 0:59:13.960
<v Speaker 1>are still single?

0:59:14.560 --> 0:59:14.760
<v Speaker 4>Yeah?

0:59:14.920 --> 0:59:16.680
<v Speaker 1>There they go there, Yeah that.

0:59:19.280 --> 0:59:20.840
<v Speaker 5>In the movie. That'd be great.

0:59:20.920 --> 0:59:23.800
<v Speaker 1>We can have a single fourteen year old at this party, like.

0:59:24.480 --> 0:59:28.800
<v Speaker 5>What an embarrassing body? Single and fourteen. Uh.

0:59:28.880 --> 0:59:32.960
<v Speaker 3>There's also a scene where Ellen and Georgia are getting

0:59:33.080 --> 0:59:36.800
<v Speaker 3>ready for the party they go to, and Ellen expresses

0:59:36.880 --> 0:59:41.080
<v Speaker 3>insecurities about her dark body hair and she's like, oh,

0:59:41.160 --> 0:59:44.120
<v Speaker 3>I have a mustache. I'm worried I have sideburns. And

0:59:44.400 --> 0:59:46.840
<v Speaker 3>she says this to Georgia and she's like, you're lucky

0:59:47.080 --> 0:59:49.640
<v Speaker 3>you don't have dark hair like me. And Georgia's just like,

0:59:50.080 --> 0:59:52.600
<v Speaker 3>I know, first of all, Georgia is white, but she

0:59:52.720 --> 0:59:55.919
<v Speaker 3>does have dark hair and like speaking as a white

0:59:55.920 --> 0:59:59.760
<v Speaker 3>person with dark hair, like it is visible in my body.

1:00:00.120 --> 1:00:02.360
<v Speaker 3>My body here, it's visible unless I remove it. So

1:00:03.200 --> 1:00:05.720
<v Speaker 3>for Georgia to just be like, yeah, sucks for you.

1:00:06.560 --> 1:00:09.280
<v Speaker 4>Also, we saw Georgia shave off one of her eyebrows

1:00:09.360 --> 1:00:11.840
<v Speaker 4>basically to deal with a monobrows situation.

1:00:11.920 --> 1:00:13.320
<v Speaker 5>So I don't know why she's out here talking like

1:00:13.440 --> 1:00:14.320
<v Speaker 5>she doesn't have a propes.

1:00:14.520 --> 1:00:16.840
<v Speaker 1>It was just like an opportunity to have these two

1:00:16.960 --> 1:00:20.080
<v Speaker 1>characters connect over something that would have made sense, and

1:00:20.480 --> 1:00:23.640
<v Speaker 1>it's like yet another be like yeah, Ellen, you suck.

1:00:23.920 --> 1:00:27.280
<v Speaker 1>You're like, come on, come on, and we never I mean,

1:00:27.360 --> 1:00:30.280
<v Speaker 1>I don't think we meet any of the girl's families.

1:00:30.800 --> 1:00:32.120
<v Speaker 1>But again, it's just I feel like we just have

1:00:32.200 --> 1:00:35.919
<v Speaker 1>the least insight into Ellen, and she's like, I feel

1:00:35.960 --> 1:00:39.320
<v Speaker 1>like it's worse than tokenized because they just are dumping

1:00:39.400 --> 1:00:41.320
<v Speaker 1>just mean yeah right.

1:00:41.680 --> 1:00:46.240
<v Speaker 3>I was feeling like Rosy gets even slightly less characterization

1:00:46.360 --> 1:00:49.200
<v Speaker 3>than Ellen, but at least she's not like bullied by

1:00:49.280 --> 1:00:53.120
<v Speaker 3>her friends. And she she has like a Swedish friend, yeah,

1:00:53.120 --> 1:00:55.760
<v Speaker 3>I assume, because he's yeah, yeah yeah. In the book,

1:00:55.960 --> 1:00:58.280
<v Speaker 3>she talks about her very tall and yeah, I think

1:00:58.440 --> 1:00:59.640
<v Speaker 3>Swedish boyfriend.

1:01:00.200 --> 1:01:04.280
<v Speaker 5>Wow, but well here's this before it breaks it, so obviously.

1:01:04.640 --> 1:01:07.920
<v Speaker 1>They could have seen each other. Yeah, Like I always,

1:01:08.000 --> 1:01:09.760
<v Speaker 1>I don't know. Anytime I think about your I'm like, whoa.

1:01:09.920 --> 1:01:13.720
<v Speaker 1>So if you're in the UK and then you're dating

1:01:13.760 --> 1:01:15.560
<v Speaker 1>someone in Sweden, that would be like what if we

1:01:15.680 --> 1:01:20.080
<v Speaker 1>were dating someone from Chicago? Like distance wise, it's so

1:01:20.200 --> 1:01:21.200
<v Speaker 1>boring when we do it.

1:01:21.600 --> 1:01:24.840
<v Speaker 4>I don't know, I think unless because how long is

1:01:24.880 --> 1:01:28.080
<v Speaker 4>the flight to Chicago? Like three right, so like a

1:01:28.120 --> 1:01:29.720
<v Speaker 4>flight to Sweden, it's not going to be more than two,

1:01:31.800 --> 1:01:32.520
<v Speaker 4>So maybe Denver.

1:01:33.160 --> 1:01:33.720
<v Speaker 1>I think.

1:01:35.080 --> 1:01:37.680
<v Speaker 3>The book makes it seem like Spinn is there as

1:01:37.720 --> 1:01:40.840
<v Speaker 3>like an exchange student, so I don't think it's like

1:01:40.880 --> 1:01:43.880
<v Speaker 3>long distance. But speaking of the book, I don't even

1:01:44.080 --> 1:01:46.520
<v Speaker 3>remember the Ellen character from the book.

1:01:46.360 --> 1:01:47.919
<v Speaker 1>At all, so I don't she is in the book.

1:01:48.000 --> 1:01:51.400
<v Speaker 3>She is, okay, at least if she is, she's mentioned,

1:01:51.600 --> 1:01:55.000
<v Speaker 3>but not necessarily as like someone who is like hanging out.

1:01:54.880 --> 1:01:59.160
<v Speaker 4>With later books, she's in the books, oh sure, she's

1:02:00.080 --> 1:02:02.280
<v Speaker 4>No one's given like any race that's not white.

1:02:02.360 --> 1:02:04.160
<v Speaker 5>I just assume everyone's white in the books.

1:02:04.640 --> 1:02:07.000
<v Speaker 4>But the Ellen character and Georgia are definitely like in

1:02:07.120 --> 1:02:11.720
<v Speaker 4>the same friend group but have a rivalry. Oh so

1:02:11.880 --> 1:02:15.880
<v Speaker 4>down the line there's some issue. Maybe Ellen dates Tom's

1:02:16.360 --> 1:02:19.640
<v Speaker 4>m okay, I don't know. Maybe Dave, the last Dave.

1:02:19.840 --> 1:02:22.160
<v Speaker 1>Oh well, that's where she ends up with. At the

1:02:22.240 --> 1:02:22.800
<v Speaker 1>end of the movie.

1:02:23.320 --> 1:02:26.000
<v Speaker 5>Something happens with the kind of friends but not friends.

1:02:26.280 --> 1:02:28.200
<v Speaker 5>In the books later I can remember.

1:02:28.200 --> 1:02:31.439
<v Speaker 3>At least again, I only reread the first one. I'm

1:02:31.440 --> 1:02:33.880
<v Speaker 3>sure Ellen is there, but she's so little of a

1:02:33.960 --> 1:02:37.800
<v Speaker 3>presence that you wouldn't necessarily like remember her. A huge

1:02:37.840 --> 1:02:41.840
<v Speaker 3>focus on the friendship with Jazz in the like enemy

1:02:42.080 --> 1:02:45.640
<v Speaker 3>ship with Lindsey, and then there's all the there's other

1:02:45.800 --> 1:02:49.080
<v Speaker 3>girls that don't make it to the movie that like

1:02:49.320 --> 1:02:52.520
<v Speaker 3>are like kind of the girls who are like, come on,

1:02:52.720 --> 1:02:56.480
<v Speaker 3>let's do this thing that is scandalous and that will

1:02:56.520 --> 1:02:59.240
<v Speaker 3>get us into trouble. And so there's like things like

1:02:59.320 --> 1:03:01.360
<v Speaker 3>that that are kind of memorable. But as far as

1:03:01.480 --> 1:03:04.360
<v Speaker 3>like Ellen's presence, if she is there at all in

1:03:04.760 --> 1:03:09.000
<v Speaker 3>the first book, it's like not very noticeable, which means

1:03:09.080 --> 1:03:12.680
<v Speaker 3>that the writing like beefed up her character for.

1:03:12.760 --> 1:03:14.760
<v Speaker 1>The movie, but for people to be horrible.

1:03:14.880 --> 1:03:17.520
<v Speaker 5>Yeah, So it's just.

1:03:18.440 --> 1:03:22.680
<v Speaker 1>Upsetting, a huge, huge, huge bummer. I want to blame

1:03:22.840 --> 1:03:24.640
<v Speaker 1>the three American eyes.

1:03:24.960 --> 1:03:28.560
<v Speaker 5>But let's do that. Let's do it. That's okay, sometimes

1:03:28.600 --> 1:03:28.880
<v Speaker 5>you can.

1:03:29.160 --> 1:03:33.120
<v Speaker 1>But yeah, it was a real bummer and really stuck out.

1:03:33.160 --> 1:03:35.240
<v Speaker 1>And also that I think it's Ellen's character who like

1:03:35.360 --> 1:03:39.640
<v Speaker 1>says the first homophobic comment too of the movie, who

1:03:39.760 --> 1:03:42.200
<v Speaker 1>is like, we can't grab our own boobs. That would

1:03:42.240 --> 1:03:42.800
<v Speaker 1>make that.

1:03:42.840 --> 1:03:46.000
<v Speaker 5>Makes us Yeah, and that's that's sitting on their hands.

1:03:49.560 --> 1:03:50.040
<v Speaker 5>Just tried.

1:03:50.760 --> 1:03:51.000
<v Speaker 2>I know.

1:03:51.320 --> 1:03:53.880
<v Speaker 5>I was like, does it feel good?

1:03:53.960 --> 1:03:55.520
<v Speaker 1>I'm not gonna lie. I did it as I was

1:03:55.600 --> 1:03:56.280
<v Speaker 1>watching the movie.

1:03:57.280 --> 1:03:59.800
<v Speaker 5>You tried it? Yeah, Like.

1:04:01.520 --> 1:04:03.320
<v Speaker 1>It did feel like I was just grabbing my own

1:04:03.360 --> 1:04:05.040
<v Speaker 1>boob and then my hands really hurt.

1:04:06.080 --> 1:04:07.200
<v Speaker 5>But then I had and needles.

1:04:07.240 --> 1:04:09.320
<v Speaker 1>It was really sad. It was hard for me. But

1:04:09.480 --> 1:04:12.360
<v Speaker 1>I'm a grown up, so I can just have someone

1:04:12.400 --> 1:04:17.640
<v Speaker 1>grab my boobs. These losers, yeah, grabbing their own boobs. Yeah,

1:04:17.880 --> 1:04:20.680
<v Speaker 1>what do we think about? Okay, Georgia I had such

1:04:20.680 --> 1:04:23.840
<v Speaker 1>a hard time with because like, I feel like the

1:04:24.040 --> 1:04:28.720
<v Speaker 1>whole internal logic of the movie is like and also

1:04:28.840 --> 1:04:32.439
<v Speaker 1>she's like a kid, but still still she's like, boys

1:04:32.480 --> 1:04:35.840
<v Speaker 1>don't like me because I'm funny, and I'm like, I

1:04:35.960 --> 1:04:39.320
<v Speaker 1>would not say that that's not and that's why boys

1:04:39.360 --> 1:04:42.680
<v Speaker 1>don't like you, which I guess does go into like

1:04:42.800 --> 1:04:47.080
<v Speaker 1>she's immature, which Robbie does call out, and that she

1:04:47.240 --> 1:04:49.160
<v Speaker 1>has to I guess grow up a little bit.

1:04:49.240 --> 1:04:51.680
<v Speaker 4>Well, what is this storyline that's like men are so

1:04:51.840 --> 1:04:59.320
<v Speaker 4>much more mature right where he is older, he's seventeen

1:04:59.560 --> 1:05:00.920
<v Speaker 4>and she he's fourteen.

1:05:01.280 --> 1:05:03.880
<v Speaker 3>Yeah, so this is more clear in the book where

1:05:04.520 --> 1:05:05.200
<v Speaker 3>he says.

1:05:05.000 --> 1:05:07.120
<v Speaker 5>To her, Yeah, but it was a stop dating fourteen

1:05:07.160 --> 1:05:09.400
<v Speaker 5>year olds to seventeen year old maybe. Also, if you

1:05:09.640 --> 1:05:12.560
<v Speaker 5>are worried that they're so immature, that feels like a really.

1:05:12.400 --> 1:05:16.680
<v Speaker 1>Easy fix on your data. Fourteen year old, easily done.

1:05:16.920 --> 1:05:19.200
<v Speaker 4>Yes, And I do remember the article being like it

1:05:19.320 --> 1:05:22.280
<v Speaker 4>was very hard to cast a seventeen year old that

1:05:22.360 --> 1:05:24.000
<v Speaker 4>we could get to snog a fourteen year old that

1:05:24.040 --> 1:05:29.400
<v Speaker 4>wouldn't feel weird and it turns out yeah, yeah, I

1:05:29.480 --> 1:05:31.600
<v Speaker 4>do remember that from the article. Wow, it was like

1:05:32.040 --> 1:05:35.120
<v Speaker 4>we had trouble casting and it turned out it was

1:05:36.400 --> 1:05:39.720
<v Speaker 4>Aaron Johnson who's now married to Sam Taylor Wood.

1:05:40.400 --> 1:05:43.280
<v Speaker 5>Yes, so he has no trouble snogging anyone of multiple

1:05:43.360 --> 1:05:45.440
<v Speaker 5>ag He doesn't mind an age gap, he doesn' mind

1:05:45.480 --> 1:05:49.000
<v Speaker 5>age up in either direction. He's good to snug anyone that.

1:05:49.160 --> 1:05:52.720
<v Speaker 1>Is such a weird thing to put in an article. Yeah,

1:05:53.000 --> 1:05:56.880
<v Speaker 1>and also just I uh wow, yeah, And I think

1:05:56.960 --> 1:05:59.920
<v Speaker 1>that's a good point, is that like the boys are

1:06:00.160 --> 1:06:03.720
<v Speaker 1>more mature. It doesn't doesn't really track.

1:06:04.000 --> 1:06:04.560
<v Speaker 5>Doesn't track.

1:06:04.800 --> 1:06:08.520
<v Speaker 1>Yeah, but they're older, I guess, which is still.

1:06:08.560 --> 1:06:11.680
<v Speaker 5>Also the whole point is that they're not. That's why

1:06:11.760 --> 1:06:14.640
<v Speaker 5>seventeen year olds maybe date fourteen year olds, right, I

1:06:14.800 --> 1:06:15.080
<v Speaker 5>just I.

1:06:15.120 --> 1:06:17.240
<v Speaker 1>Feel like when I was fourteen, I was more mature

1:06:17.320 --> 1:06:21.720
<v Speaker 1>than most seventeen year old place. Sure, yeah, like yeah, anyways,

1:06:21.760 --> 1:06:26.880
<v Speaker 1>but I'll suspend my disbelief. I like, like, I like Georgia.

1:06:27.200 --> 1:06:29.960
<v Speaker 1>I think it's like the attachment to the books as

1:06:30.000 --> 1:06:32.400
<v Speaker 1>a kid, where you like you're rooting for her. I

1:06:32.440 --> 1:06:34.240
<v Speaker 1>feel like it was cathartic to be like, yeah, my

1:06:34.440 --> 1:06:37.440
<v Speaker 1>parents are really annoying too, but if they ever got divorced,

1:06:37.480 --> 1:06:41.320
<v Speaker 1>I'd be so sad. Like I thought, like those beats

1:06:41.400 --> 1:06:43.480
<v Speaker 1>worked better for me in the movie where it's like

1:06:43.960 --> 1:06:49.440
<v Speaker 1>her balancing like that, very like tween ish age, Like

1:06:49.920 --> 1:06:53.560
<v Speaker 1>I hate my family, but if anything changes, I'll I'll die.

1:06:54.000 --> 1:06:57.640
<v Speaker 1>Like that stuff felt good. But I don't know, I

1:06:57.720 --> 1:06:59.880
<v Speaker 1>don't know what do we think of Georgia, Folks?

1:07:00.720 --> 1:07:03.640
<v Speaker 3>The thing that I connected with I think the most

1:07:04.960 --> 1:07:08.200
<v Speaker 3>as a thirty eight year old person consuming this was that,

1:07:08.600 --> 1:07:12.400
<v Speaker 3>you know, she values humor and being a funny person. Yes,

1:07:12.720 --> 1:07:17.600
<v Speaker 3>and she learns that boys don't like girls for funniness,

1:07:17.960 --> 1:07:21.720
<v Speaker 3>and so part of the movie is her like trying

1:07:21.880 --> 1:07:25.960
<v Speaker 3>to like figure out what boys do like and like

1:07:26.200 --> 1:07:29.360
<v Speaker 3>catering to that while also trying to like figure out

1:07:29.640 --> 1:07:32.240
<v Speaker 3>who she is and wants to be like a unique

1:07:32.320 --> 1:07:35.440
<v Speaker 3>person who has a personality, but like feels like she

1:07:35.560 --> 1:07:38.320
<v Speaker 3>has to suppress her like silliness.

1:07:38.880 --> 1:07:42.240
<v Speaker 4>All yeah, I like a commitment to the bit. I

1:07:42.400 --> 1:07:43.840
<v Speaker 4>like that she was like I'm going as a stuff,

1:07:43.840 --> 1:07:45.080
<v Speaker 4>don't it this party?

1:07:45.400 --> 1:07:47.120
<v Speaker 1>And that that does I mean, I feel like that's

1:07:47.160 --> 1:07:49.400
<v Speaker 1>such a great like establishing scene too, where it's like

1:07:49.440 --> 1:07:52.320
<v Speaker 1>she's the only one who was confident enough to follow

1:07:52.440 --> 1:07:54.280
<v Speaker 1>through on the olive and the girls are.

1:07:54.200 --> 1:07:56.400
<v Speaker 5>Like and it's a great idea for I think that

1:07:56.440 --> 1:07:57.440
<v Speaker 5>would be hilarious.

1:07:57.480 --> 1:07:59.840
<v Speaker 1>It looks like so much work, like she was destroying

1:07:59.840 --> 1:08:01.280
<v Speaker 1>it and I was like, oh my god.

1:08:01.440 --> 1:08:02.400
<v Speaker 5>Days days.

1:08:03.640 --> 1:08:06.320
<v Speaker 3>I love that it's become a trope for usually a

1:08:06.400 --> 1:08:09.160
<v Speaker 3>character who's a woman to show up to a to

1:08:09.280 --> 1:08:11.320
<v Speaker 3>a party in a mood because it happens in Bridget

1:08:11.400 --> 1:08:16.439
<v Speaker 3>Jones diary, it happens in Girls, it happens in Legally Blonde,

1:08:17.120 --> 1:08:18.920
<v Speaker 3>where like the person in.

1:08:19.000 --> 1:08:21.679
<v Speaker 1>Question forgot it happened in Legally Blonde, shows up.

1:08:21.960 --> 1:08:25.160
<v Speaker 4>As like a bunny, like a the same I don't

1:08:25.160 --> 1:08:27.200
<v Speaker 4>know which one came first. This sends a woman in

1:08:27.240 --> 1:08:29.400
<v Speaker 4>a buddy outfit to somewhere where no one's stressed.

1:08:31.600 --> 1:08:32.000
<v Speaker 5>She feels.

1:08:32.080 --> 1:08:32.240
<v Speaker 2>Then.

1:08:32.640 --> 1:08:35.280
<v Speaker 1>It reminds me of my favorite tweet ever, the Katie

1:08:35.320 --> 1:08:37.840
<v Speaker 1>Dippled tweet. Yes Baba do come first? She stresses the

1:08:37.880 --> 1:08:42.840
<v Speaker 1>Baba duck and everyone else is just wearing clothes. There

1:08:43.000 --> 1:08:46.160
<v Speaker 1>is an example, so it does happen in real life.

1:08:46.479 --> 1:08:49.000
<v Speaker 1>How did it happen? I don't know. I need to

1:08:49.080 --> 1:08:51.160
<v Speaker 1>find it. It's the funniest thing.

1:08:51.200 --> 1:08:51.360
<v Speaker 5>Ever.

1:08:51.680 --> 1:08:55.439
<v Speaker 3>While you're looking for that, I can think of one

1:08:55.520 --> 1:08:59.479
<v Speaker 3>example of a man, or like a male character showing

1:08:59.560 --> 1:09:01.559
<v Speaker 3>up to a party in a costume that's like very

1:09:01.600 --> 1:09:04.240
<v Speaker 3>inappropriate for the party he's at, which is zac Efron

1:09:04.400 --> 1:09:06.479
<v Speaker 3>in a movie that I don't remember what it's called,

1:09:07.479 --> 1:09:10.400
<v Speaker 3>but Michael B. Jordan is also in the movie. I

1:09:10.479 --> 1:09:12.920
<v Speaker 3>think anyway, He shows up to a costume with like

1:09:13.120 --> 1:09:17.640
<v Speaker 3>a prosthetic penis like hanging out of his pants. And

1:09:17.760 --> 1:09:20.280
<v Speaker 3>it's like because it was pitched to him as a

1:09:20.400 --> 1:09:22.880
<v Speaker 3>dress up party, so he thought that meant costume party.

1:09:22.920 --> 1:09:25.519
<v Speaker 3>But it meant like dress in an elegant dress outfit.

1:09:26.160 --> 1:09:30.360
<v Speaker 4>Okay that no, if you say it's a dress up party,

1:09:30.439 --> 1:09:31.680
<v Speaker 4>that means costumes.

1:09:31.880 --> 1:09:35.160
<v Speaker 1>Well, so he was correct. So Zach Cafron innocent.

1:09:36.560 --> 1:09:40.000
<v Speaker 5>I mean the choice of costume questionable, right for sure? Yeah?

1:09:40.120 --> 1:09:41.200
<v Speaker 5>But what was he supposed to be?

1:09:41.479 --> 1:09:44.280
<v Speaker 3>Just a man with his Yeah, just like he's gonna

1:09:44.360 --> 1:09:46.360
<v Speaker 3>he's like, I'm rocking out with my cock out or

1:09:46.400 --> 1:09:46.920
<v Speaker 3>something like that.

1:09:47.120 --> 1:09:48.200
<v Speaker 5>Because that's a choice.

1:09:48.600 --> 1:09:53.320
<v Speaker 4>I think if I went to a Halloween Putts, I'd question,

1:09:53.720 --> 1:09:56.840
<v Speaker 4>oh for sure if a man came in that outfit.

1:09:57.000 --> 1:09:58.559
<v Speaker 1>Yeah, it was a bad costume.

1:09:59.360 --> 1:10:01.800
<v Speaker 4>I don't know if I I want to chat even

1:10:02.160 --> 1:10:05.200
<v Speaker 4>my bunny outfit, which I will be wearing because I'm

1:10:05.240 --> 1:10:06.880
<v Speaker 4>a girl that I'm just stats.

1:10:08.280 --> 1:10:09.719
<v Speaker 5>So I won't be stuffed.

1:10:09.920 --> 1:10:12.040
<v Speaker 1>I have the tweet here. I also realized when I

1:10:12.080 --> 1:10:14.160
<v Speaker 1>looked it up, because it was Halloween last week, that

1:10:14.720 --> 1:10:17.720
<v Speaker 1>friend of the show Ben Rogers is sitting next to her.

1:10:18.000 --> 1:10:24.439
<v Speaker 1>I noticed that here it is. It'll still so funny.

1:10:26.880 --> 1:10:27.920
<v Speaker 5>This is so good.

1:10:28.320 --> 1:10:30.280
<v Speaker 1>You can see it really sinking it. It's sinking in

1:10:30.400 --> 1:10:34.760
<v Speaker 1>for her as the victures. We'll post it, We'll post

1:10:34.800 --> 1:10:38.320
<v Speaker 1>it on our Instagram. I'm so glad it's so good.

1:10:38.479 --> 1:10:39.680
<v Speaker 1>I love that you got to see it for the

1:10:39.760 --> 1:10:43.080
<v Speaker 1>first time. It's one of the greatest tweets of all time. Yeah.

1:10:43.360 --> 1:10:47.679
<v Speaker 3>Yeah, anyway, So the point is that, you know, Georgia

1:10:47.960 --> 1:10:51.920
<v Speaker 3>is like, she doesn't want to suppress this funny, like

1:10:52.120 --> 1:10:55.560
<v Speaker 3>humorous aspect of herself, but she's learned, like many of

1:10:55.680 --> 1:10:57.480
<v Speaker 3>us have as comedians.

1:10:58.200 --> 1:10:59.759
<v Speaker 1>We learned that like men.

1:10:59.720 --> 1:11:01.960
<v Speaker 3>Tend not to val if they value a sense of

1:11:02.080 --> 1:11:05.599
<v Speaker 3>humor in a woman, what they mean is that they

1:11:05.760 --> 1:11:07.720
<v Speaker 3>want a woman to laugh at all their jokes, but

1:11:07.800 --> 1:11:10.680
<v Speaker 3>they don't want a woman who generates her own humor.

1:11:10.600 --> 1:11:14.000
<v Speaker 1>Especially not funnier than they are, certainly not yead forbid,

1:11:14.880 --> 1:11:16.599
<v Speaker 1>which is hard because men aren't very funny.

1:11:18.240 --> 1:11:19.400
<v Speaker 5>Express a lot of your funny.

1:11:21.400 --> 1:11:24.800
<v Speaker 3>But it turns out that Robbie does like that about her.

1:11:24.880 --> 1:11:27.560
<v Speaker 1>He does, like, you know, like other voice.

1:11:27.400 --> 1:11:29.560
<v Speaker 3>But he does it in a condescending way where he's like,

1:11:30.200 --> 1:11:33.360
<v Speaker 3>you're mad, you're such a nutter, But I love it.

1:11:34.160 --> 1:11:36.840
<v Speaker 4>Yes, he does call her that a lot. I don't

1:11:36.840 --> 1:11:39.280
<v Speaker 4>know how much I'd love that actually if someone was

1:11:39.360 --> 1:11:41.160
<v Speaker 4>like she just just nuts, but I love it.

1:11:41.479 --> 1:11:44.240
<v Speaker 1>I think I feel like that's how a lot of

1:11:44.360 --> 1:11:48.080
<v Speaker 1>boomer husbands talk about their wives. They're like this broad

1:11:48.560 --> 1:11:50.920
<v Speaker 1>like they're just like Jesus.

1:11:51.160 --> 1:11:53.320
<v Speaker 5>If I hadn't murder should be in the greasy Yeah

1:11:55.120 --> 1:11:55.680
<v Speaker 5>I really did.

1:11:55.840 --> 1:11:58.120
<v Speaker 1>Like that's that is like a very boomer dad kind

1:11:58.200 --> 1:12:02.120
<v Speaker 1>of post where you're like, easy, say something nice, like

1:12:02.560 --> 1:12:06.160
<v Speaker 1>you've been married for forty fucking years, like something nice.

1:12:06.800 --> 1:12:09.439
<v Speaker 1>But yeah, I I uh, he does do that. He

1:12:09.479 --> 1:12:11.240
<v Speaker 1>also what is the name of the song song he

1:12:11.280 --> 1:12:15.639
<v Speaker 1>writes about her bitch in a Uniform? You're like, yeah,

1:12:15.880 --> 1:12:16.960
<v Speaker 1>I was like, do you like her?

1:12:17.280 --> 1:12:18.000
<v Speaker 5>Do you like her?

1:12:18.080 --> 1:12:21.400
<v Speaker 1>Well, this was after she was classist, so that's true,

1:12:21.560 --> 1:12:26.679
<v Speaker 1>Like not that excuse. That's that's the tricky thing with George.

1:12:26.680 --> 1:12:27.840
<v Speaker 1>I guess that was what I was trying to get

1:12:27.840 --> 1:12:31.080
<v Speaker 1>at earlier, where it's like I like her, and it's

1:12:31.240 --> 1:12:33.120
<v Speaker 1>hard to be too mad at her because she is

1:12:33.280 --> 1:12:37.400
<v Speaker 1>canonically fourteen years old, right, and it feels weird at

1:12:37.600 --> 1:12:40.960
<v Speaker 1>my large age to be like, I don't respect this

1:12:41.160 --> 1:12:42.440
<v Speaker 1>fictional teenage.

1:12:43.600 --> 1:12:44.439
<v Speaker 5>Got her shit together.

1:12:46.000 --> 1:12:49.640
<v Speaker 1>But but I do think, like, yeah, she's uh, she

1:12:49.840 --> 1:12:54.679
<v Speaker 1>does catch it sometimes, I think deservedly. Yeah, Like yeah,

1:12:55.120 --> 1:12:57.919
<v Speaker 1>but it seems like the movie does sort of address

1:12:58.280 --> 1:12:59.760
<v Speaker 1>that just not and I don't know. I feel like

1:12:59.760 --> 1:13:03.040
<v Speaker 1>it's because the goal, the endgame goal for all of

1:13:03.120 --> 1:13:04.720
<v Speaker 1>the young girls in the movie is to have a

1:13:04.840 --> 1:13:08.760
<v Speaker 1>cute boyfriend. That the only way that like growing up

1:13:09.000 --> 1:13:11.120
<v Speaker 1>is like addressed or the way that like, oh, she

1:13:11.520 --> 1:13:16.360
<v Speaker 1>like addressed this like internalized classism where she like had

1:13:16.400 --> 1:13:18.519
<v Speaker 1>to figure out like how to develop a better relationship

1:13:18.560 --> 1:13:20.439
<v Speaker 1>with her parents or like whatever. The sort of broad

1:13:20.520 --> 1:13:24.519
<v Speaker 1>lesson is she's like rewarded quote unquote with boyfriend at

1:13:24.560 --> 1:13:28.439
<v Speaker 1>the end, Yeah, which just feels a little I don't know.

1:13:28.600 --> 1:13:31.360
<v Speaker 4>Of the time, I guess yeah, and it's not a

1:13:31.439 --> 1:13:35.640
<v Speaker 4>good reward, no, but but maybe is when actually is

1:13:35.680 --> 1:13:37.200
<v Speaker 4>when you're horny and your teenager.

1:13:37.600 --> 1:13:40.320
<v Speaker 1>I'm sure at the time it is, but yeah, I

1:13:40.360 --> 1:13:42.000
<v Speaker 1>don't know. And then they're like, oh, wait, we forgot

1:13:42.040 --> 1:13:46.360
<v Speaker 1>about Ellen. She's dating Dave, like movie over.

1:13:47.920 --> 1:13:53.320
<v Speaker 4>Yeah, Okay, Actually, maybe Ellen wins in the end because

1:13:53.320 --> 1:13:54.920
<v Speaker 4>she gets the funny guy, and.

1:13:55.040 --> 1:13:58.080
<v Speaker 1>Dave did seem like a nice, nice young man and

1:13:58.280 --> 1:14:01.800
<v Speaker 1>he's I think like right to be hurt with how

1:14:01.920 --> 1:14:05.360
<v Speaker 1>Georgia treats him. Yeah, she uses him and he finds

1:14:05.360 --> 1:14:08.000
<v Speaker 1>out about it. Yeah. Yeah, it's like this is the

1:14:08.120 --> 1:14:08.760
<v Speaker 1>life of a lab.

1:14:08.800 --> 1:14:11.080
<v Speaker 4>But that was a bit where I was like, I

1:14:11.160 --> 1:14:14.200
<v Speaker 4>don't know, I just feel like he'll know soon that

1:14:14.320 --> 1:14:18.200
<v Speaker 4>men will use women, so he'll be fine, He'll be fine.

1:14:18.280 --> 1:14:20.960
<v Speaker 3>Yeah, well, especially the way he's like he talks about

1:14:21.400 --> 1:14:25.639
<v Speaker 3>what does he call He's like, yeah.

1:14:25.520 --> 1:14:26.920
<v Speaker 1>That's one of the names of the books.

1:14:27.040 --> 1:14:30.120
<v Speaker 5>It's like, yeah, that was the one I got as

1:14:30.160 --> 1:14:31.519
<v Speaker 5>a present. Was knocked out by.

1:14:32.520 --> 1:14:35.680
<v Speaker 1>I, Like you started there. I will say that I

1:14:35.800 --> 1:14:36.559
<v Speaker 1>was looking and I was like.

1:14:36.600 --> 1:14:39.280
<v Speaker 5>This is fab because they say fabl.

1:14:39.960 --> 1:14:42.280
<v Speaker 1>I was looking at the list of book titles and

1:14:42.520 --> 1:14:47.479
<v Speaker 1>Louise Renaissan really committed to having the most British titles possible.

1:14:47.720 --> 1:14:49.880
<v Speaker 1>Knocked out by my nonga nungers. We don't say that

1:14:50.200 --> 1:14:51.200
<v Speaker 1>dancing Oh really.

1:14:51.280 --> 1:14:55.160
<v Speaker 5>Yeah, that's what Dave Cools breasts. Do you want to explain?

1:14:56.040 --> 1:14:58.120
<v Speaker 3>Oh, because he's like yeah, when you grab them and

1:14:58.200 --> 1:15:07.640
<v Speaker 3>then let go, they go looks like the bound they.

1:15:05.000 --> 1:15:09.080
<v Speaker 1>Kind of got boing. Okay, then he ate my boy

1:15:09.160 --> 1:15:13.960
<v Speaker 1>and trancers startled by his furry shorts. Lorve is a

1:15:14.080 --> 1:15:20.280
<v Speaker 1>many trousered thing. Are these my bazoomas I see before me? Yeah,

1:15:20.439 --> 1:15:21.360
<v Speaker 1>the title's gone.

1:15:21.560 --> 1:15:23.560
<v Speaker 4>I stopped at some point because they because it was

1:15:23.920 --> 1:15:26.280
<v Speaker 4>the general vibers. He goes between rob in the books,

1:15:26.320 --> 1:15:27.200
<v Speaker 4>she goes between Robbie and.

1:15:27.280 --> 1:15:28.160
<v Speaker 5>Dave the Laugh.

1:15:29.520 --> 1:15:31.880
<v Speaker 4>Because David Laugh is her age and they do have

1:15:31.960 --> 1:15:33.400
<v Speaker 4>a lot, and George is funny, so they have a

1:15:33.479 --> 1:15:33.880
<v Speaker 4>laugh together.

1:15:33.960 --> 1:15:36.120
<v Speaker 5>And then Robbie's kind of not that funny, but he's

1:15:36.200 --> 1:15:38.080
<v Speaker 5>very hot and in a band. That's the kind of.

1:15:38.080 --> 1:15:42.000
<v Speaker 4>General viber But then they brought in a third love interest, Massimo,

1:15:42.160 --> 1:15:42.959
<v Speaker 4>who's Italian.

1:15:43.280 --> 1:15:46.000
<v Speaker 1>Wait I remember him, Okay, so you remember.

1:15:46.720 --> 1:15:49.880
<v Speaker 4>And he had a little purse that he carried around.

1:15:50.520 --> 1:15:52.439
<v Speaker 4>And I was like, I can't deal with a third

1:15:52.479 --> 1:15:54.040
<v Speaker 4>love interest. I think that's what I checked out.

1:15:54.120 --> 1:15:56.439
<v Speaker 5>I was like, you, it's either going to be Robbie

1:15:57.240 --> 1:15:59.720
<v Speaker 5>or Dave, but I can't. You can't bring in a thing.

1:16:00.080 --> 1:16:01.720
<v Speaker 1>I do feel like it is in a way like

1:16:01.920 --> 1:16:04.840
<v Speaker 1>having what's a feeling about Georgia, especially when I was

1:16:04.840 --> 1:16:06.880
<v Speaker 1>a kid, was like, it's very much like she is

1:16:06.960 --> 1:16:12.320
<v Speaker 1>like a funny, like normal looking quote unquote girl who

1:16:13.200 --> 1:16:15.000
<v Speaker 1>so many boys want to take her and you're like, oh,

1:16:15.080 --> 1:16:17.200
<v Speaker 1>of course I'm going to love that book. That's that

1:16:17.400 --> 1:16:19.639
<v Speaker 1>was my dream at the time. It's like, what if

1:16:19.680 --> 1:16:22.920
<v Speaker 1>nothing about me changed and every hot boy I knew

1:16:23.040 --> 1:16:23.280
<v Speaker 1>was like.

1:16:23.400 --> 1:16:26.759
<v Speaker 5>I love you, like, but you did have to change.

1:16:26.800 --> 1:16:29.840
<v Speaker 5>You had to do yoga. Remember it's true, it's true.

1:16:30.600 --> 1:16:35.120
<v Speaker 1>True. It's not that no, no, I had to get

1:16:35.160 --> 1:16:38.479
<v Speaker 1>on the mat. I wish that this.

1:16:39.080 --> 1:16:42.000
<v Speaker 3>I mean, there is obviously a component of this movie

1:16:42.439 --> 1:16:46.760
<v Speaker 3>that focuses on like the female friendship, but it's all

1:16:46.840 --> 1:16:49.600
<v Speaker 3>in the context of like they're talking about boys, and

1:16:49.640 --> 1:16:52.800
<v Speaker 3>they're talking about how to be more attractive to boys, and.

1:16:53.760 --> 1:16:56.320
<v Speaker 1>It's all like in service of the goal of getting

1:16:56.320 --> 1:16:56.960
<v Speaker 1>a boyfriend.

1:16:57.479 --> 1:17:01.320
<v Speaker 5>Yeah, they are close friends, except yeah.

1:17:01.840 --> 1:17:02.799
<v Speaker 1>But tragically.

1:17:03.520 --> 1:17:06.240
<v Speaker 3>And then I think even the way the like parental

1:17:06.960 --> 1:17:09.960
<v Speaker 3>dynamic and like relationship between Georgia and her parents is

1:17:10.000 --> 1:17:13.720
<v Speaker 3>framed is like, Oh, my dad's so corny, but now

1:17:13.760 --> 1:17:15.639
<v Speaker 3>that he's gone, I really miss him and I don't

1:17:15.680 --> 1:17:19.040
<v Speaker 3>want to have I don't want my parents to split up. Meanwhile,

1:17:19.240 --> 1:17:24.040
<v Speaker 3>my slag of a mom is over here right having sex, Yeah,

1:17:24.479 --> 1:17:26.000
<v Speaker 3>I with someone else.

1:17:26.520 --> 1:17:29.519
<v Speaker 1>Well, and also even like if Georgia was right, I

1:17:29.600 --> 1:17:32.519
<v Speaker 1>mean again and just like she's fourteen. I get it,

1:17:32.640 --> 1:17:35.599
<v Speaker 1>like you're fourteen. Probably a lot of fourteen year olds

1:17:35.600 --> 1:17:37.200
<v Speaker 1>don't want their parents to split up. I know my

1:17:37.320 --> 1:17:39.439
<v Speaker 1>I didn't want my parents to but then they did,

1:17:39.560 --> 1:17:41.920
<v Speaker 1>and I was like, oh, that was so the right call. Wow,

1:17:42.880 --> 1:17:43.519
<v Speaker 1>oh good god.

1:17:43.680 --> 1:17:45.479
<v Speaker 5>You know you guys knew cool.

1:17:45.520 --> 1:17:47.360
<v Speaker 1>You're like, oh, we should have done this years ago.

1:17:47.880 --> 1:17:49.800
<v Speaker 1>But I get that it's like scary for kids when

1:17:49.840 --> 1:17:52.439
<v Speaker 1>it happens. But yeah, it's like she's totally taking it

1:17:52.560 --> 1:17:56.439
<v Speaker 1>out on her mom. And also her mom seems happier,

1:17:57.120 --> 1:18:00.080
<v Speaker 1>Like her mom's going out, she has hobbies, she's with

1:18:00.200 --> 1:18:03.040
<v Speaker 1>your friends, things that I don't. It's not implied she

1:18:03.240 --> 1:18:05.920
<v Speaker 1>was really doing when her dad was around. I was like, Georgia,

1:18:05.960 --> 1:18:09.280
<v Speaker 1>I think your mom like might be happier without your dad.

1:18:09.479 --> 1:18:11.519
<v Speaker 1>You would have to accept that. She's like, I hate

1:18:11.520 --> 1:18:15.519
<v Speaker 1>how my mom is wearing clothes she likes and having fun.

1:18:16.880 --> 1:18:19.240
<v Speaker 1>I missed when my dad was here and she was miserable.

1:18:19.439 --> 1:18:23.000
<v Speaker 5>But she wasn't miserable. She was really horny for her.

1:18:23.120 --> 1:18:27.479
<v Speaker 5>It seems like he's just really horny, basically horny for life.

1:18:28.000 --> 1:18:30.720
<v Speaker 1>She's hardy for life. Yeah, I don't know, but I

1:18:30.880 --> 1:18:33.639
<v Speaker 1>just yeah, that was like a weird. There is sort

1:18:33.640 --> 1:18:36.800
<v Speaker 1>of like a paternalistic frame to how the parents are shown.

1:18:36.920 --> 1:18:39.200
<v Speaker 5>But her dad also played by Alan Davies.

1:18:39.800 --> 1:18:41.120
<v Speaker 1>Yeah, where do I know him from?

1:18:41.200 --> 1:18:43.640
<v Speaker 5>Who is easing? Do you watch QI here?

1:18:44.360 --> 1:18:44.760
<v Speaker 2>No? No?

1:18:45.400 --> 1:18:45.719
<v Speaker 1>Sorry?

1:18:45.800 --> 1:18:49.799
<v Speaker 5>Did you watch Oh my God Jonathan Creek?

1:18:50.320 --> 1:18:50.479
<v Speaker 3>Is that?

1:18:50.560 --> 1:18:51.160
<v Speaker 5>What's cooled?

1:18:51.320 --> 1:18:51.360
<v Speaker 4>No?

1:18:52.240 --> 1:18:52.880
<v Speaker 5>I never watched.

1:18:53.160 --> 1:18:57.719
<v Speaker 4>Okay, he's just like a really classic British comedian actor.

1:18:58.080 --> 1:18:59.720
<v Speaker 1>Okay, I recognize him from something, and.

1:18:59.800 --> 1:19:04.560
<v Speaker 5>He in these murder mysteries. But he's just yeah, he's like,

1:19:04.840 --> 1:19:06.519
<v Speaker 5>he's like my dad, if you know what I mean.

1:19:06.760 --> 1:19:08.120
<v Speaker 5>You know these people that you grow up with, and

1:19:08.200 --> 1:19:10.760
<v Speaker 5>it's like, yeah, I feel like I know him. I've

1:19:10.800 --> 1:19:12.400
<v Speaker 5>never met him. I don't think i've met him.

1:19:12.520 --> 1:19:15.080
<v Speaker 1>He's very charming, like yeah, yeah.

1:19:14.960 --> 1:19:16.679
<v Speaker 5>He's got that kind of energy and everything.

1:19:16.880 --> 1:19:19.559
<v Speaker 1>Yeah, yeah I did. I mean it's like her parents

1:19:19.640 --> 1:19:22.080
<v Speaker 1>do love each other. I don't know, I don't know.

1:19:22.760 --> 1:19:24.160
<v Speaker 1>It just feels the movie is weird.

1:19:25.000 --> 1:19:27.479
<v Speaker 4>I mean, it's rare that you're allowed to break into

1:19:27.560 --> 1:19:30.320
<v Speaker 4>your dad's work office to be like, I need my

1:19:30.400 --> 1:19:32.479
<v Speaker 4>parents not to boss, so please send him home from

1:19:32.600 --> 1:19:33.000
<v Speaker 4>his job.

1:19:33.120 --> 1:19:35.000
<v Speaker 5>I mean it's hard to do that.

1:19:35.479 --> 1:19:38.760
<v Speaker 1>We can't accuse Georgia of not having narrative agency. She

1:19:39.400 --> 1:19:41.599
<v Speaker 1>literally said bring him home.

1:19:44.080 --> 1:19:46.400
<v Speaker 5>And it worked and they were like, yes, we should

1:19:46.400 --> 1:19:47.720
<v Speaker 5>bring him home and give him a raise.

1:19:47.960 --> 1:19:49.880
<v Speaker 1>Yeah, yeah, yes, yeah.

1:19:49.880 --> 1:19:50.200
<v Speaker 5>I don't know.

1:19:50.280 --> 1:19:54.040
<v Speaker 3>It's just the movie and the book feel very just

1:19:54.120 --> 1:19:57.080
<v Speaker 3>reflective of the times and not challenging any of the

1:19:57.280 --> 1:20:02.919
<v Speaker 3>like internalized misogyny and the like focused on like heteral

1:20:03.960 --> 1:20:04.600
<v Speaker 3>romance and.

1:20:04.600 --> 1:20:07.200
<v Speaker 1>Stuff like that, right, which a book of this time,

1:20:07.240 --> 1:20:09.320
<v Speaker 1>I feel like it's like, if it was part of

1:20:09.479 --> 1:20:13.360
<v Speaker 1>the filmmaker or writer's intent to present that and then

1:20:13.560 --> 1:20:17.599
<v Speaker 1>challenge it, that could be really useful for young girls,

1:20:17.720 --> 1:20:19.600
<v Speaker 1>but that's obviously like this is more of just like

1:20:19.680 --> 1:20:22.920
<v Speaker 1>a reflecting the prejudices of the time persons saying anything

1:20:22.960 --> 1:20:23.240
<v Speaker 1>about it.

1:20:23.720 --> 1:20:26.400
<v Speaker 4>It's I think that the success I guess of like

1:20:26.520 --> 1:20:28.840
<v Speaker 4>something like Mean Girls, which is like the comparison, right

1:20:28.920 --> 1:20:31.000
<v Speaker 4>of like fourteen fifteen year old girls.

1:20:31.320 --> 1:20:33.640
<v Speaker 5>Trying to get a boyfriend, and then there's one like

1:20:33.840 --> 1:20:35.360
<v Speaker 5>weird one, but.

1:20:35.479 --> 1:20:39.439
<v Speaker 4>Like, because they're supposed to all suck, it doesn't matter

1:20:39.520 --> 1:20:41.519
<v Speaker 4>what they say because you know they're bad characters.

1:20:42.160 --> 1:20:44.800
<v Speaker 5>But then the problem is we're trying to like Georgia, right,

1:20:44.920 --> 1:20:47.160
<v Speaker 5>She's yeah, It's like.

1:20:47.200 --> 1:20:50.679
<v Speaker 1>The Nickelodeon movie style is not built for the kind

1:20:50.720 --> 1:20:55.000
<v Speaker 1>of character that that Georgia is. I don't know. Yeah,

1:20:55.040 --> 1:20:57.920
<v Speaker 1>I had a hard time when this look. Yeah, it's

1:20:58.040 --> 1:20:59.320
<v Speaker 1>a it's a tricky one.

1:20:59.720 --> 1:21:01.519
<v Speaker 4>Yeah, it was just it's just had to deal with.

1:21:01.640 --> 1:21:03.599
<v Speaker 4>Like she gets pushed into a bush by this man.

1:21:03.840 --> 1:21:07.320
<v Speaker 4>I mean, missy, she's paid this man to go around

1:21:07.400 --> 1:21:08.439
<v Speaker 4>his house to snog him.

1:21:09.640 --> 1:21:11.800
<v Speaker 1>And then he's, well, that was consensual.

1:21:12.360 --> 1:21:15.519
<v Speaker 5>That was consensual, and that's fine. That's a kind of

1:21:15.560 --> 1:21:16.080
<v Speaker 5>sex work.

1:21:17.439 --> 1:21:19.240
<v Speaker 1>I was wondering if she does pay him. We don't

1:21:19.240 --> 1:21:21.120
<v Speaker 1>see money exchanged on the screen.

1:21:21.600 --> 1:21:23.120
<v Speaker 5>Maybe maybe it's a voluntary service.

1:21:23.160 --> 1:21:26.360
<v Speaker 1>Maybe he just doesn't because he wants to snog or

1:21:28.320 --> 1:21:31.240
<v Speaker 1>he's fourteen years old. I think probably best not to

1:21:31.320 --> 1:21:34.400
<v Speaker 1>overthink kiss it's a consensual encounter.

1:21:34.840 --> 1:21:36.840
<v Speaker 5>But maybe he just offers it voluntarily.

1:21:36.840 --> 1:21:37.880
<v Speaker 1>I don't know for.

1:21:38.000 --> 1:21:42.080
<v Speaker 3>Sure either way. Yeah, like that that is you know,

1:21:42.240 --> 1:21:45.840
<v Speaker 3>two consenting parties. It's not snogging. But then he does

1:21:45.920 --> 1:21:47.639
<v Speaker 3>surprise kiss her and put.

1:21:47.560 --> 1:21:50.439
<v Speaker 5>Her into a bush. Here shelter, you shelter, and people

1:21:50.520 --> 1:21:51.960
<v Speaker 5>are not sympathetic about it.

1:21:52.160 --> 1:21:54.080
<v Speaker 1>No, And then that's like her best friend calls her

1:21:54.240 --> 1:21:56.920
<v Speaker 1>basically like the next thing was jazz. Jazz is so

1:21:57.200 --> 1:21:57.720
<v Speaker 1>mean to her.

1:21:57.840 --> 1:21:59.880
<v Speaker 5>Yeah, like, well, your nickers were just stop.

1:22:00.280 --> 1:22:02.799
<v Speaker 1>They were too big, Mike, they were too big. Grandma

1:22:03.000 --> 1:22:04.120
<v Speaker 1>whears nickers like that.

1:22:04.520 --> 1:22:07.280
<v Speaker 4>I was like we And I was like, that's upsetting

1:22:07.320 --> 1:22:09.840
<v Speaker 4>because I feel like, also I remembering a teenager and

1:22:09.920 --> 1:22:12.920
<v Speaker 4>that sort of thing may be kind of happening and

1:22:13.040 --> 1:22:15.280
<v Speaker 4>people not being sympathetic because it is your fault.

1:22:15.880 --> 1:22:19.080
<v Speaker 3>I mean again, very reflective of the time. Yeah, there's

1:22:19.080 --> 1:22:21.840
<v Speaker 3>also something that I'm glad the movie leaves out, but

1:22:22.040 --> 1:22:24.160
<v Speaker 3>that is present in the book where she has this

1:22:24.439 --> 1:22:26.840
<v Speaker 3>cousin who comes to visit every now and then, and

1:22:26.920 --> 1:22:27.320
<v Speaker 3>then like.

1:22:27.600 --> 1:22:30.759
<v Speaker 4>Yeah, I'd forgotten about the cousin. Whoa, and you already

1:22:30.800 --> 1:22:32.080
<v Speaker 4>do broadcast stuff, don't you.

1:22:32.840 --> 1:22:35.360
<v Speaker 3>So like the cousin is like a boy her age,

1:22:35.600 --> 1:22:39.640
<v Speaker 3>but he's like ancestually like groping her leg and I

1:22:39.720 --> 1:22:42.800
<v Speaker 3>think tries to kiss her and like, yes, like really

1:22:43.080 --> 1:22:47.840
<v Speaker 3>upsetting troubling things. Again, the movie leaves this out, but again,

1:22:47.920 --> 1:22:50.200
<v Speaker 3>but also the book doesn't. Like She's just like, well

1:22:50.280 --> 1:22:51.880
<v Speaker 3>that was weird. I don't want to hang out with

1:22:51.960 --> 1:22:55.439
<v Speaker 3>that cousin anymore. A very like you know, fourteen year

1:22:55.439 --> 1:22:56.000
<v Speaker 3>old way.

1:22:55.920 --> 1:22:59.559
<v Speaker 5>To process that, honest, see how I process it? No, right,

1:23:00.080 --> 1:23:02.200
<v Speaker 5>you Honestly, if that happened, I'd be like, I'm going

1:23:02.240 --> 1:23:04.800
<v Speaker 5>to hang out less than my cousin. Yea, for sure.

1:23:05.680 --> 1:23:08.240
<v Speaker 1>It's just I don't know this. The book in the

1:23:08.320 --> 1:23:11.040
<v Speaker 1>movie touch on things that like aren't.

1:23:10.960 --> 1:23:15.360
<v Speaker 5>Equipped to like really handle it handle right. Yeah.

1:23:15.439 --> 1:23:20.400
<v Speaker 1>Well, and I also read that Louise rennaiscing Yeah, started

1:23:20.479 --> 1:23:22.920
<v Speaker 1>as like an edgy stand up and it feels like

1:23:23.040 --> 1:23:25.320
<v Speaker 1>she just sort of adapted that style to her fourteen

1:23:25.360 --> 1:23:29.320
<v Speaker 1>year old's voice, which like didn't work is a standard yeah,

1:23:29.360 --> 1:23:31.240
<v Speaker 1>And then I guess she wrote these books in her forties,

1:23:31.360 --> 1:23:33.439
<v Speaker 1>Like she didn't start as a youth writer. So it's like,

1:23:33.520 --> 1:23:36.559
<v Speaker 1>I see what she's going for and it definitely worked

1:23:36.560 --> 1:23:37.360
<v Speaker 1>for us at the time.

1:23:39.760 --> 1:23:43.200
<v Speaker 4>This comedy doesn't work out, I'm gonna write inappropriate books.

1:23:45.120 --> 1:23:50.120
<v Speaker 5>Famously, like don't Read Now. Publishing is very famously not

1:23:50.240 --> 1:23:55.200
<v Speaker 5>a well paid, no, not a livable gig.

1:23:56.080 --> 1:23:59.040
<v Speaker 3>Something that the movie does and I think the book

1:23:59.080 --> 1:24:02.160
<v Speaker 3>does to a slightly more extent, is like commentary from

1:24:02.240 --> 1:24:08.200
<v Speaker 3>Georgia talking about how like unoriginal, uncreative, how dim boys are,

1:24:09.080 --> 1:24:13.519
<v Speaker 3>how they're like losers who she generally doesn't want. And

1:24:13.960 --> 1:24:16.920
<v Speaker 3>there's like I think one extra boy that she like

1:24:17.200 --> 1:24:18.920
<v Speaker 3>dates for a little while in the book that's not

1:24:19.040 --> 1:24:21.160
<v Speaker 3>in the movie, but she's like always trying to avoid

1:24:21.240 --> 1:24:22.680
<v Speaker 3>him because she's like, I don't even know if I

1:24:23.040 --> 1:24:25.960
<v Speaker 3>like him, but it's nice to have a boyfriend because

1:24:26.000 --> 1:24:29.160
<v Speaker 3>that's that's what society tells me I should have. So

1:24:29.320 --> 1:24:31.040
<v Speaker 3>you know, there's things like that. But I do like

1:24:31.120 --> 1:24:34.120
<v Speaker 3>that she's often like ragging on boys.

1:24:34.920 --> 1:24:38.960
<v Speaker 5>Yeah, and also the boys aren't very fully formed, they're

1:24:39.200 --> 1:24:41.120
<v Speaker 5>very they're undeveloped.

1:24:41.439 --> 1:24:45.639
<v Speaker 1>Yeah, does anyone have anything else they'd like to discuss.

1:24:45.800 --> 1:24:47.640
<v Speaker 1>I wanted to just touch really quick on how they

1:24:47.880 --> 1:24:53.759
<v Speaker 1>had the Lindsay character. Yeah, because they are. I felt

1:24:53.800 --> 1:24:56.720
<v Speaker 1>like like there should is there a phrase for this

1:24:57.120 --> 1:24:59.880
<v Speaker 1>where it was like the movie was extremely focused on

1:25:00.040 --> 1:25:02.000
<v Speaker 1>her body. There was literally like a close up of

1:25:02.120 --> 1:25:07.000
<v Speaker 1>her boobs because because you're seeing I think her body

1:25:07.080 --> 1:25:10.040
<v Speaker 1>from like George's perspective of like she's hyper focused on

1:25:10.240 --> 1:25:13.280
<v Speaker 1>So it is the female gaze, but it's still not great.

1:25:13.520 --> 1:25:16.640
<v Speaker 5>But the female game is very judgmentally yes, yes, and

1:25:16.800 --> 1:25:17.559
<v Speaker 5>like which it can.

1:25:17.560 --> 1:25:21.360
<v Speaker 1>Be that absolutely and like that's sort of how I like,

1:25:21.439 --> 1:25:24.160
<v Speaker 1>I don't love how they treat Lindsay at the beginning

1:25:24.160 --> 1:25:26.080
<v Speaker 1>where they just sort of say she's mean, but then

1:25:26.080 --> 1:25:29.519
<v Speaker 1>they hyper fixate on her body. But then it turns

1:25:29.560 --> 1:25:32.200
<v Speaker 1>out like the judgment they're projecting on her turns out

1:25:32.240 --> 1:25:35.000
<v Speaker 1>to be true and she is mean, and I feel

1:25:35.000 --> 1:25:38.200
<v Speaker 1>like it's, yeah, like they just have no these girls

1:25:38.240 --> 1:25:41.960
<v Speaker 1>have no empathy for each other whatsoever, which can be true,

1:25:42.120 --> 1:25:44.959
<v Speaker 1>it seems, but I'm like, it just made me really uncomfortable,

1:25:45.040 --> 1:25:47.240
<v Speaker 1>especially at the end when Lindsay comes back and you know,

1:25:47.439 --> 1:25:51.559
<v Speaker 1>does the whole like you're a bitch and he's my boyfriend,

1:25:52.360 --> 1:25:55.040
<v Speaker 1>like just not even acting like a person. I don't know.

1:25:55.240 --> 1:25:57.599
<v Speaker 3>Oh, and then they humiliate her by like ripping out

1:25:57.640 --> 1:25:58.840
<v Speaker 3>the silicone.

1:25:58.400 --> 1:26:01.800
<v Speaker 1>Like bra and she's is having a carry moment and

1:26:01.880 --> 1:26:05.479
<v Speaker 1>then but the music is like, yeah, like.

1:26:05.640 --> 1:26:07.960
<v Speaker 5>She wears faked. You shouldn't reach into people's bros.

1:26:08.040 --> 1:26:11.280
<v Speaker 1>No, that's assault. That is assault. And it's also like

1:26:11.800 --> 1:26:12.200
<v Speaker 1>I don't know.

1:26:12.360 --> 1:26:14.280
<v Speaker 5>And then it's having a bad time anyway because she's

1:26:14.280 --> 1:26:16.559
<v Speaker 5>already a bathday when no one's uh at the club.

1:26:16.840 --> 1:26:22.000
<v Speaker 5>I also has two clubs, they're both free Friday night,

1:26:22.200 --> 1:26:25.640
<v Speaker 5>and that two teenagers hire them out instead. I was

1:26:25.760 --> 1:26:27.040
<v Speaker 5>like this is not realistic.

1:26:27.160 --> 1:26:29.640
<v Speaker 1>It's really I just like thought that character was so

1:26:30.040 --> 1:26:33.080
<v Speaker 1>uneven in the way she was treated, especially because I

1:26:33.120 --> 1:26:37.960
<v Speaker 1>don't know, like being a teen without Teddies in two

1:26:38.000 --> 1:26:40.439
<v Speaker 1>thousand and eight, there would be pressure to like I

1:26:40.600 --> 1:26:44.360
<v Speaker 1>remember like wearing padded bras in the two thousands because

1:26:44.400 --> 1:26:45.920
<v Speaker 1>I didn't want to get made fun of for having

1:26:45.960 --> 1:26:48.760
<v Speaker 1>small boobs. There's no way to win. Yeah, there's no

1:26:48.920 --> 1:26:50.880
<v Speaker 1>way to win. And the fact that they are like

1:26:51.000 --> 1:26:54.479
<v Speaker 1>extremely judgmental for her, which for what I'm they make

1:26:54.560 --> 1:26:56.000
<v Speaker 1>it seem like, I feel like it's a very common

1:26:56.080 --> 1:27:01.920
<v Speaker 1>internalized misogyny thing. They project that she is like vain

1:27:02.680 --> 1:27:07.479
<v Speaker 1>and not that they're that like the oppressive ways that

1:27:07.560 --> 1:27:09.960
<v Speaker 1>women's bodies are viewed applies to them, but not to

1:27:10.040 --> 1:27:12.840
<v Speaker 1>Lindsay because they don't like her, and it's just like, well,

1:27:13.200 --> 1:27:16.000
<v Speaker 1>no like. But then Lindsay turns out to be awful

1:27:16.040 --> 1:27:16.559
<v Speaker 1>and she does.

1:27:17.040 --> 1:27:23.879
<v Speaker 5>Hoky stics, right, Well, maybe we know she's bad.

1:27:24.840 --> 1:27:26.439
<v Speaker 3>Well because of the thing is like, if she is

1:27:26.560 --> 1:27:28.960
<v Speaker 3>mean and mean to them, that is a great reason

1:27:29.080 --> 1:27:29.760
<v Speaker 3>not to like her.

1:27:30.479 --> 1:27:33.280
<v Speaker 4>But if someone spy don't meet through my house, maybe

1:27:33.280 --> 1:27:36.639
<v Speaker 4>I would hit them home with hoy stacks and it's.

1:27:36.640 --> 1:27:40.000
<v Speaker 3>Like her being mean is separate from her like, you know,

1:27:40.160 --> 1:27:43.320
<v Speaker 3>succumbing to societal pressure to try to be attractive. But

1:27:43.479 --> 1:27:45.800
<v Speaker 3>that's I think a larger reason why they don't like her,

1:27:45.960 --> 1:27:47.479
<v Speaker 3>versus like that she's mean.

1:27:48.280 --> 1:27:51.000
<v Speaker 5>It seems that way they don't like her, Yeah, because

1:27:51.080 --> 1:27:52.800
<v Speaker 5>she's the hall right.

1:27:53.560 --> 1:27:55.960
<v Speaker 1>It's and it's also like, yeah, it's fine to imply

1:27:56.160 --> 1:27:58.600
<v Speaker 1>that they don't like her because she's mean, but it

1:27:58.760 --> 1:28:01.320
<v Speaker 1>just doesn't I don't know, it just doesn't really feel

1:28:01.360 --> 1:28:04.240
<v Speaker 1>like the whole story. And also it's like, I don't know,

1:28:04.360 --> 1:28:09.400
<v Speaker 1>there's grown ups made this movie, like like you can, like.

1:28:09.479 --> 1:28:12.679
<v Speaker 5>You've got to remember all the time the two men

1:28:13.000 --> 1:28:15.439
<v Speaker 5>and two American men, people.

1:28:15.280 --> 1:28:17.880
<v Speaker 1>In their forties made this whole thing, and so it

1:28:18.080 --> 1:28:20.599
<v Speaker 1>was like so it's like, yeah, it is. I feel

1:28:20.600 --> 1:28:22.240
<v Speaker 1>like there is like a level of authenticity of like

1:28:22.280 --> 1:28:25.240
<v Speaker 1>I'm sure we all have examples of like whether it

1:28:25.360 --> 1:28:28.799
<v Speaker 1>was happening to you or coming from you, like resenting

1:28:29.160 --> 1:28:32.479
<v Speaker 1>other girls for their body, especially at this age, Like

1:28:32.520 --> 1:28:35.880
<v Speaker 1>I remember being really jealous of, like and like resentful

1:28:36.040 --> 1:28:38.280
<v Speaker 1>in some ways of girls who were more developed than

1:28:38.280 --> 1:28:40.519
<v Speaker 1>I was. It's a fine thing to reflect, but again

1:28:40.560 --> 1:28:42.720
<v Speaker 1>it's like they just show it and they're like, and

1:28:42.840 --> 1:28:45.880
<v Speaker 1>that's how the world is. And there's no like, I

1:28:45.960 --> 1:28:47.960
<v Speaker 1>don't know, not that it needed to be like a

1:28:48.200 --> 1:28:51.400
<v Speaker 1>you know, total Disney movie of like I'm sorry I

1:28:51.600 --> 1:28:54.760
<v Speaker 1>was mean to you about your boobs or whatever the fuck,

1:28:54.880 --> 1:28:58.519
<v Speaker 1>but like it just is presented very like, yeah, Lindsay's horrible,

1:28:58.760 --> 1:29:02.960
<v Speaker 1>and show is her slaggy body. Like it just feels

1:29:03.000 --> 1:29:04.439
<v Speaker 1>like it's all included.

1:29:04.040 --> 1:29:06.600
<v Speaker 3>And she deserves to be humiliated at the end, and

1:29:06.720 --> 1:29:10.400
<v Speaker 3>Georgia deserves to have the reward of a cute boyfriend.

1:29:10.479 --> 1:29:14.400
<v Speaker 5>And the end a really huge party, like it doesn't

1:29:14.400 --> 1:29:18.120
<v Speaker 5>imply that Georgia is particularly popular, and there's a hundreds

1:29:18.200 --> 1:29:21.360
<v Speaker 5>of and no one goes to Lindsay's party. And I

1:29:21.439 --> 1:29:23.240
<v Speaker 5>was like, I don't see it, Like what, No, she

1:29:23.280 --> 1:29:25.200
<v Speaker 5>did all this internal work and everyone's watched from a

1:29:25.240 --> 1:29:27.320
<v Speaker 5>distance and was like, you've got really good with yogas,

1:29:27.360 --> 1:29:29.240
<v Speaker 5>so now we're will come to your past.

1:29:29.479 --> 1:29:32.479
<v Speaker 1>If I was Ellen, I wouldn't even show up, Like,

1:29:32.600 --> 1:29:33.800
<v Speaker 1>you've never said a nice thing to me.

1:29:33.960 --> 1:29:36.760
<v Speaker 3>Yeah, you've been bullying me the whole movie. Well, you

1:29:36.880 --> 1:29:38.960
<v Speaker 3>have to remember that there are so many adults at

1:29:38.960 --> 1:29:40.760
<v Speaker 3>this party, including both of her parents and.

1:29:40.840 --> 1:29:41.920
<v Speaker 5>Her grandparents and her.

1:29:43.600 --> 1:29:48.559
<v Speaker 3>And the interior decorator, which, by the way, Jem, who

1:29:48.800 --> 1:29:51.600
<v Speaker 3>is like the interior decorator, is like, hello, I'm an

1:29:51.680 --> 1:29:54.800
<v Speaker 3>interior decorator. Obviously I'm gay, and it's like, okay, that.

1:29:56.040 --> 1:29:59.160
<v Speaker 4>Was wild where it was like suddenly she was like no,

1:29:59.520 --> 1:30:02.519
<v Speaker 4>don't an affair with Jem and everyone he was like hello,

1:30:03.720 --> 1:30:05.880
<v Speaker 4>and it was like okay, but he's not actually said

1:30:05.880 --> 1:30:09.360
<v Speaker 4>to hello like that the whole time, so we didn't.

1:30:09.120 --> 1:30:12.560
<v Speaker 1>Know that literally, Like it was just I was like,

1:30:12.760 --> 1:30:15.320
<v Speaker 1>was this Did people see this in two thousand and

1:30:15.320 --> 1:30:17.760
<v Speaker 1>eight and be like wow, representation is so important, Like.

1:30:21.040 --> 1:30:22.640
<v Speaker 5>I didn't even know that. I knew he was an

1:30:22.720 --> 1:30:30.280
<v Speaker 5>interior decorator. Yeah, right, Like no, that means anything I need.

1:30:30.400 --> 1:30:33.960
<v Speaker 5>We can't, of course, but she can come in all sexuality.

1:30:34.200 --> 1:30:36.720
<v Speaker 1>She calls him a builder the whole time, and then

1:30:36.800 --> 1:30:38.200
<v Speaker 1>he's like why would you lie about that?

1:30:38.320 --> 1:30:40.640
<v Speaker 5>And also build, he is.

1:30:40.760 --> 1:30:43.679
<v Speaker 1>An interior decorator. Nothing about the house changes.

1:30:43.960 --> 1:30:44.800
<v Speaker 5>What did he do?

1:30:45.400 --> 1:30:49.400
<v Speaker 1>He's a bad He takes off his shirt and just

1:30:49.479 --> 1:30:50.479
<v Speaker 1>sort of looks at the wall.

1:30:50.800 --> 1:30:55.559
<v Speaker 5>Yeah, what is he like when he's existing a light bulb?

1:30:56.040 --> 1:30:58.040
<v Speaker 1>And then yeah, they just go out dancing all the time.

1:30:59.080 --> 1:31:00.920
<v Speaker 5>That's what I mean when I which you don't do

1:31:01.320 --> 1:31:02.000
<v Speaker 5>with your.

1:31:03.439 --> 1:31:07.320
<v Speaker 1>Question to bring them back to boying parents. That's exactly

1:31:07.360 --> 1:31:09.120
<v Speaker 1>what it is like there. If you like think about

1:31:09.120 --> 1:31:11.200
<v Speaker 1>what they just always do the goofiest thing possible in

1:31:11.280 --> 1:31:13.519
<v Speaker 1>this scene, that's the most embarrassing. But if you think about, like, well,

1:31:13.560 --> 1:31:15.320
<v Speaker 1>what are they actually doing, like, the answer is like,

1:31:15.479 --> 1:31:15.680
<v Speaker 1>I have.

1:31:15.800 --> 1:31:17.360
<v Speaker 5>No fucking idea what they're doing.

1:31:17.560 --> 1:31:21.800
<v Speaker 1>They're just they were born to embarrass Georgia. That's all

1:31:21.880 --> 1:31:24.479
<v Speaker 1>they do. Yeah, yeah, my last thing.

1:31:24.760 --> 1:31:26.439
<v Speaker 3>And we've already touched on this, but it's just like

1:31:26.680 --> 1:31:29.920
<v Speaker 3>yet another example of a coming of age movie about

1:31:30.360 --> 1:31:34.000
<v Speaker 3>teen girls that center white middle class to upper middle

1:31:34.040 --> 1:31:39.519
<v Speaker 3>class characters. And that's so many of movies of this ILK. Yeah,

1:31:39.520 --> 1:31:41.519
<v Speaker 3>and this is yet another entry into.

1:31:42.800 --> 1:31:43.919
<v Speaker 1>That cannon.

1:31:44.920 --> 1:31:47.800
<v Speaker 5>So Christian not Bend and I Beckham. So that's weird

1:31:47.960 --> 1:31:48.840
<v Speaker 5>that I know.

1:31:49.360 --> 1:31:53.360
<v Speaker 3>Yeah, So I guess, yeah, the takeaway skip this movie

1:31:53.600 --> 1:31:55.639
<v Speaker 3>and watch Bend it like Beckham instead.

1:31:56.200 --> 1:32:00.320
<v Speaker 1>Honestly, Yeah, And I don't think that the director agree

1:32:00.320 --> 1:32:02.439
<v Speaker 1>with them. I think she would probably be like, no,

1:32:02.600 --> 1:32:03.160
<v Speaker 1>definitely that one.

1:32:04.280 --> 1:32:06.439
<v Speaker 4>Well, I mean I found it funny but in a

1:32:06.560 --> 1:32:09.920
<v Speaker 4>painful way. Yes, there were parts I had to I will.

1:32:10.040 --> 1:32:12.160
<v Speaker 1>It's like one of the movies that I understand why

1:32:12.240 --> 1:32:15.080
<v Speaker 1>people liked it at the time, but like it's such

1:32:15.120 --> 1:32:16.960
<v Speaker 1>a product of its time and there's so many better

1:32:17.000 --> 1:32:20.920
<v Speaker 1>alternatives that I wouldn't be Like even for nostalgia. I

1:32:21.000 --> 1:32:23.120
<v Speaker 1>feel like it wasn't it wasn't great.

1:32:23.400 --> 1:32:26.760
<v Speaker 5>Yeah, it was bad nostalgia. It was it was triggering.

1:32:28.080 --> 1:32:30.080
<v Speaker 4>Because it was like, oh, I did live this, but

1:32:30.160 --> 1:32:32.000
<v Speaker 4>I wouldn't want. I have no desire to read of

1:32:32.080 --> 1:32:32.479
<v Speaker 4>my teenage.

1:32:32.560 --> 1:32:35.679
<v Speaker 1>Yeah, nostalgia culture is wild in that way where you're like, oh, yeah,

1:32:35.680 --> 1:32:40.080
<v Speaker 1>I really miss when people would bully you for fucking anything. Yeah,

1:32:40.439 --> 1:32:42.000
<v Speaker 1>I mean not that that's not true now, but it's

1:32:42.080 --> 1:32:45.880
<v Speaker 1>different now. Different anyways. Yeah, this movie does pass the

1:32:45.920 --> 1:32:49.360
<v Speaker 1>Bechdel test, but not very much. They're mostly talking about boys,

1:32:49.439 --> 1:32:51.880
<v Speaker 1>if I think it mainly passes when they're talking about

1:32:52.240 --> 1:32:54.439
<v Speaker 1>angus or what they think.

1:32:54.280 --> 1:32:57.760
<v Speaker 5>About, but not frontal of the women.

1:32:58.479 --> 1:33:00.439
<v Speaker 1>Right, I was saying when they're judging each other's bodies,

1:33:00.439 --> 1:33:03.439
<v Speaker 1>I think that whole like scene where they're passing around

1:33:03.600 --> 1:33:05.599
<v Speaker 1>the notes of like judging each other's spot.

1:33:05.479 --> 1:33:09.519
<v Speaker 5>For each other's bodies. Out of ten Okay, that.

1:33:09.600 --> 1:33:11.240
<v Speaker 1>With my friend. I hope I didn't do that, but

1:33:11.320 --> 1:33:16.160
<v Speaker 1>that's I remember boys doing that to girls. Yeah, god, yeah,

1:33:16.479 --> 1:33:19.200
<v Speaker 1>I'll never forget seventh grade, there was like a list

1:33:19.280 --> 1:33:21.519
<v Speaker 1>going around and it accidentally came to my desk of

1:33:21.680 --> 1:33:24.600
<v Speaker 1>like the boys were ranking girls by butt and I

1:33:24.760 --> 1:33:28.160
<v Speaker 1>remembered being like, I'm in I'm in the middle, just coast,

1:33:28.439 --> 1:33:30.439
<v Speaker 1>just coast. Yeah, but it was like, I mean horrible,

1:33:30.520 --> 1:33:33.960
<v Speaker 1>but I and I know that like young women especially

1:33:34.000 --> 1:33:36.519
<v Speaker 1>that time, were you know, conditioned to judge each other too,

1:33:36.840 --> 1:33:39.160
<v Speaker 1>But that seem was so weird. It passes the Bechel test,

1:33:39.200 --> 1:33:41.479
<v Speaker 1>but it's just being like, here's what's ugly about you. Yeah,

1:33:41.600 --> 1:33:44.559
<v Speaker 1>you're like, yeah, your nose gets a four out of ten. Yeah,

1:33:44.560 --> 1:33:46.840
<v Speaker 1>and that's what she's So it'scure about I know, I

1:33:47.000 --> 1:33:48.800
<v Speaker 1>kind of didn't forgive Jazz for that. I was like,

1:33:49.120 --> 1:33:51.519
<v Speaker 1>that was that was dark. You shouldn't have done that.

1:33:52.479 --> 1:33:54.320
<v Speaker 3>So, yeah, it does pass the Bechtel test, but most

1:33:54.360 --> 1:33:57.479
<v Speaker 3>of the conversations, either the context or the subtext is

1:33:57.560 --> 1:34:00.800
<v Speaker 3>still about boys and being attractive to boys and stuff

1:34:00.800 --> 1:34:04.440
<v Speaker 3>like that, so it's like almost not pass Honestly.

1:34:05.160 --> 1:34:06.799
<v Speaker 1>Spiritually, I don't feel like it passes.

1:34:07.000 --> 1:34:10.240
<v Speaker 3>Yeah, yeah, as far as our nipple scale, though, where

1:34:10.280 --> 1:34:13.519
<v Speaker 3>we rate the movie based on a scale of zero

1:34:13.680 --> 1:34:18.080
<v Speaker 3>to five nipples, examining it through an intersectional feminist lens.

1:34:19.080 --> 1:34:19.960
<v Speaker 1>I'm gonna give it, like.

1:34:21.479 --> 1:34:24.040
<v Speaker 3>I'll say, like a one, somewhere between like a one

1:34:24.080 --> 1:34:26.439
<v Speaker 3>point five and a two maybe, like I guess one

1:34:26.479 --> 1:34:31.479
<v Speaker 3>point seventy five, just because it is about young girls

1:34:31.960 --> 1:34:37.439
<v Speaker 3>and they are friends that are like mostly on good

1:34:37.520 --> 1:34:40.320
<v Speaker 3>terms with each other, except for when they're bullying Ellen.

1:34:40.360 --> 1:34:47.360
<v Speaker 1>Or they're you know, fighting or horrible to each other. Yeah,

1:34:47.640 --> 1:34:50.320
<v Speaker 1>it is definitely about younger.

1:34:50.080 --> 1:34:52.320
<v Speaker 5>Girls, but it's it is very much one.

1:34:53.040 --> 1:34:54.920
<v Speaker 1>Yeah, I'll go one.

1:34:56.160 --> 1:35:00.559
<v Speaker 3>Okay, I'll give all my nipples to Angus the cat obviously, Okay.

1:35:00.600 --> 1:35:03.080
<v Speaker 1>I love to hear it. I'll meet you at one

1:35:03.160 --> 1:35:07.000
<v Speaker 1>point five. I And it's partially out of like my

1:35:07.280 --> 1:35:12.080
<v Speaker 1>love for Garundo Chada's other work. And it was really

1:35:12.200 --> 1:35:15.880
<v Speaker 1>nice reading about how, like how the young actors on

1:35:16.000 --> 1:35:18.280
<v Speaker 1>set learned a lot from her and felt empowered by

1:35:18.439 --> 1:35:23.200
<v Speaker 1>like watching a woman direct a movie which happened even

1:35:23.280 --> 1:35:25.599
<v Speaker 1>less then than it did now, and particularly a woman

1:35:25.640 --> 1:35:28.040
<v Speaker 1>of color, and like there's there are things to love about,

1:35:28.160 --> 1:35:31.599
<v Speaker 1>but like, but I like the behind the scenes story

1:35:31.920 --> 1:35:34.240
<v Speaker 1>way more than I like the actual product. It's just

1:35:34.320 --> 1:35:37.920
<v Speaker 1>like so of its time. It feels really studio workshopped

1:35:38.080 --> 1:35:43.160
<v Speaker 1>to death and yeah, justice for Ellen. So I'll go

1:35:43.520 --> 1:35:45.960
<v Speaker 1>one point five and I'll also give them to Angus

1:35:46.040 --> 1:35:49.200
<v Speaker 1>and now Gus three three, Well, he's half cats have

1:35:49.439 --> 1:35:53.639
<v Speaker 1>eight nipples? Oh way, how did how did you? Jamie cat?

1:35:54.120 --> 1:35:54.240
<v Speaker 2>Well?

1:35:54.280 --> 1:35:55.960
<v Speaker 3>I haven't, to be fair, I have not talked about

1:35:56.000 --> 1:35:57.599
<v Speaker 3>cat facts with Caitlin in a very long time.

1:35:57.720 --> 1:36:00.599
<v Speaker 1>I count my own cat's nipples and I only see, well,

1:36:00.640 --> 1:36:03.000
<v Speaker 1>some of them do only have six, okay, but some

1:36:03.120 --> 1:36:07.280
<v Speaker 1>of them have eight. Casper has six. Wow, I know special,

1:36:07.400 --> 1:36:09.200
<v Speaker 1>unless he's got some fair tires.

1:36:09.560 --> 1:36:11.640
<v Speaker 3>Maybe maybe they'rehidden. Some of them I think are kind

1:36:11.640 --> 1:36:12.519
<v Speaker 3>of smaller than the others.

1:36:12.640 --> 1:36:17.040
<v Speaker 1>His are like very out. It's weird. Yeah, yeah, like

1:36:17.080 --> 1:36:18.240
<v Speaker 1>you're not even using these things?

1:36:18.320 --> 1:36:18.680
<v Speaker 5>What do you do?

1:36:19.080 --> 1:36:21.400
<v Speaker 3>I also quickly want to say, to be clear, the

1:36:22.280 --> 1:36:26.320
<v Speaker 3>hetero girls liking boys is not inherently bad, Like I

1:36:26.439 --> 1:36:28.960
<v Speaker 3>don't know, it's just that like the way it's framed

1:36:28.960 --> 1:36:32.160
<v Speaker 3>in this movie, and also all the extra stuff of

1:36:32.240 --> 1:36:34.720
<v Speaker 3>them being homophobic and fat phobic and all that kind

1:36:34.760 --> 1:36:36.559
<v Speaker 3>of stuff. It's just it could have been framed very

1:36:36.600 --> 1:36:38.360
<v Speaker 3>differently or thought more thoughtfully.

1:36:39.040 --> 1:36:40.800
<v Speaker 1>And I think it's like just the thing that we

1:36:40.920 --> 1:36:42.960
<v Speaker 1>talk about a lot in movies like this, where it's

1:36:43.080 --> 1:36:45.960
<v Speaker 1>it's not even like of course, like you know, most

1:36:46.160 --> 1:36:49.479
<v Speaker 1>kids that age are becoming interested in someone. I mean,

1:36:49.560 --> 1:36:53.800
<v Speaker 1>this is very heteronormative. But also they usually have a

1:36:53.880 --> 1:36:57.360
<v Speaker 1>hobby or like another interest or like something that they

1:36:57.520 --> 1:36:59.920
<v Speaker 1>bond over that isn't just talking about each other. It's

1:37:00.200 --> 1:37:03.080
<v Speaker 1>like their whole friendship is predicated on judging each other

1:37:03.320 --> 1:37:06.360
<v Speaker 1>and trying to get boys. Where it's like I'm sure,

1:37:06.560 --> 1:37:09.080
<v Speaker 1>like like I did that with my friends, but we

1:37:09.160 --> 1:37:11.120
<v Speaker 1>also like loved watching TV.

1:37:13.680 --> 1:37:18.639
<v Speaker 3>I'd play soccer with my friends all these things. So yeah, yeah, anyway, okay,

1:37:18.920 --> 1:37:19.639
<v Speaker 3>what's your nipple?

1:37:19.720 --> 1:37:19.840
<v Speaker 1>Rab?

1:37:19.960 --> 1:37:21.080
<v Speaker 5>I think one point five is fair?

1:37:21.360 --> 1:37:25.479
<v Speaker 4>Yeah, yeah, one one and a half nipples And maybe

1:37:25.520 --> 1:37:27.160
<v Speaker 4>I'm going to give them to Gem's boyfriend.

1:37:28.200 --> 1:37:31.240
<v Speaker 1>Oh wait, oh yeah. We don't learn his name, but

1:37:31.360 --> 1:37:32.200
<v Speaker 1>he only no but.

1:37:32.360 --> 1:37:35.080
<v Speaker 4>He's a gay guy who owns a nightclub in Eastbourne,

1:37:35.160 --> 1:37:38.280
<v Speaker 4>which is actually incredibly aggressive for two thousand and eight.

1:37:39.400 --> 1:37:42.040
<v Speaker 5>I'm surprised that there was. And he seems like he's

1:37:42.080 --> 1:37:42.800
<v Speaker 5>a man of color.

1:37:42.920 --> 1:37:43.439
<v Speaker 1>Yeah, I think so.

1:37:43.720 --> 1:37:43.920
<v Speaker 5>Yeah.

1:37:44.040 --> 1:37:45.720
<v Speaker 4>So I'm surprised that there's a man of color, a

1:37:45.800 --> 1:37:49.879
<v Speaker 4>queer man of color who owns a nightclub in Eastpown

1:37:49.960 --> 1:37:51.880
<v Speaker 4>in two thousand and eight because I was willing to

1:37:51.960 --> 1:37:53.880
<v Speaker 4>rent it out to a fifteen year old.

1:37:54.240 --> 1:37:56.080
<v Speaker 1>I was like, maybe the business is struggling and you

1:37:56.160 --> 1:37:57.880
<v Speaker 1>had to rent it out to a fifteen year olds.

1:37:58.000 --> 1:38:00.840
<v Speaker 5>But I'm like, yeah, you, yeah, you're There's a lot

1:38:00.880 --> 1:38:03.080
<v Speaker 5>of representation because he's one character.

1:38:03.200 --> 1:38:04.960
<v Speaker 1>This is a very like conservative area.

1:38:05.680 --> 1:38:08.600
<v Speaker 4>Yeah, it's just like full of old people. I don't know,

1:38:08.800 --> 1:38:11.519
<v Speaker 4>so I'm just I love that for him. He lives

1:38:11.560 --> 1:38:16.720
<v Speaker 4>by the sea with his boyfriend. He's aner. They're doing

1:38:16.760 --> 1:38:17.519
<v Speaker 4>really well for themselves.

1:38:17.680 --> 1:38:21.200
<v Speaker 1>Inspirational. Yeah, Kate, thank you so much for joining Thank

1:38:21.200 --> 1:38:24.120
<v Speaker 1>you today. Where can we find you online? Where can

1:38:24.160 --> 1:38:24.559
<v Speaker 1>we follow?

1:38:24.640 --> 1:38:29.960
<v Speaker 5>Yeah, Kate Checker c htka Instagram. That's basically beautiful.

1:38:30.160 --> 1:38:32.360
<v Speaker 3>Thanks for coming on and come back anytime. Thank you

1:38:32.439 --> 1:38:35.040
<v Speaker 3>for having me Caitlyn from the Future popping in here.

1:38:35.200 --> 1:38:38.640
<v Speaker 3>Because our memory card ran out of storage before we

1:38:38.680 --> 1:38:42.640
<v Speaker 3>could do plugs, so I'm doing everyone's plugs, starting with

1:38:42.840 --> 1:38:46.000
<v Speaker 3>our guest Kate Cheka. Big thanks to her once again

1:38:46.040 --> 1:38:48.800
<v Speaker 3>for joining us on this episode. She has a great

1:38:49.040 --> 1:38:53.160
<v Speaker 3>solo show called A Messiah Comes, which she is doing

1:38:53.360 --> 1:38:57.960
<v Speaker 3>at Soho Theater in London on January sixteenth, seventeenth, and eighteenth.

1:38:58.600 --> 1:39:02.080
<v Speaker 3>Tickets are available at the Soho Theater website will include

1:39:02.320 --> 1:39:05.519
<v Speaker 3>the link in the description of this episode. She's also

1:39:05.600 --> 1:39:09.000
<v Speaker 3>doing a UK tour of this show in addition to

1:39:09.040 --> 1:39:12.000
<v Speaker 3>the ones in London, and you can find details about

1:39:12.040 --> 1:39:16.880
<v Speaker 3>that at her website Katechecka dot co dot UK. You

1:39:16.960 --> 1:39:21.880
<v Speaker 3>can follow Kate on Instagram at Katecheka, and you can

1:39:22.040 --> 1:39:27.040
<v Speaker 3>follow us The Bechdel Cast on Instagram. You can subscribe

1:39:27.080 --> 1:39:31.559
<v Speaker 3>to our Patreon aka Matreon, where you get two bonus

1:39:31.640 --> 1:39:34.639
<v Speaker 3>episodes every month, plus access to the back catalog, which

1:39:34.720 --> 1:39:38.920
<v Speaker 3>is full of many iconic themes and episodes, all for

1:39:39.040 --> 1:39:43.479
<v Speaker 3>five dollars a month at patreon dot com slash Bechdel Cast.

1:39:44.240 --> 1:39:47.000
<v Speaker 3>That's the best way to support the show, as well

1:39:47.080 --> 1:39:50.600
<v Speaker 3>as coming to the live shows and buying tickets to

1:39:50.680 --> 1:39:52.840
<v Speaker 3>the live streams. So once again, if you go to

1:39:53.200 --> 1:39:56.360
<v Speaker 3>linktree slash Bechtel Cast, you can find information about our

1:39:56.520 --> 1:40:01.639
<v Speaker 3>upcoming shows in January in Los Angeles, San Francisco and Portland.

1:40:02.200 --> 1:40:05.160
<v Speaker 3>All of the details are on our link Tree, so

1:40:06.040 --> 1:40:08.640
<v Speaker 3>hope to see you there. Check out Kate's shows in

1:40:08.720 --> 1:40:12.120
<v Speaker 3>the UK, and we'll be back next week for another episode.

1:40:12.320 --> 1:40:12.720
<v Speaker 1>Bye bye.

1:40:16.600 --> 1:40:19.840
<v Speaker 3>The Bechdel Cast is a production of iHeartMedia, hosted by

1:40:19.920 --> 1:40:23.799
<v Speaker 3>Caitlin Derante and Jamie Loftis, produced by Sophie Lichterman, edited

1:40:23.920 --> 1:40:27.080
<v Speaker 3>by Mola Boord. Our theme song was composed by Mike

1:40:27.200 --> 1:40:31.519
<v Speaker 3>Kaplan with vocals by Katherine Vosskrosenski. Our logo and merch

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<v Speaker 3>is designed by Jamie Loftis and a special thanks to

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<v Speaker 3>Linktree slash Bechdel Cast