1 00:00:24,200 --> 00:00:28,560 Speaker 1: Podcast starts now, Wow, what's up everybody, and welcome to 2 00:00:28,960 --> 00:00:34,320 Speaker 1: Stradio Lab, the first podcast UM have You ever? Exist? 3 00:00:34,479 --> 00:00:39,600 Speaker 1: On iTunes. We broke ground when we emailed Steve Jobs 4 00:00:39,600 --> 00:00:43,960 Speaker 1: with our idea, UM, I'm Sam, and we never introduced ourselves. 5 00:00:43,960 --> 00:00:45,640 Speaker 1: But for some reason I felt like it was appropriate 6 00:00:46,159 --> 00:00:51,720 Speaker 1: George and I'm George. That was smooth. I felt I 7 00:00:51,760 --> 00:00:55,279 Speaker 1: felt really good about that. Let's get the elephant in 8 00:00:55,320 --> 00:00:59,440 Speaker 1: the room out of the room. Okay, and not even 9 00:00:59,480 --> 00:01:01,639 Speaker 1: out of the room, but let's actually put a spotlight 10 00:01:01,680 --> 00:01:06,200 Speaker 1: on that elephant. Yeah, let's let's ignite that elephant, and 11 00:01:06,280 --> 00:01:08,280 Speaker 1: let's let the world know that we see it and 12 00:01:08,319 --> 00:01:11,640 Speaker 1: you can see it as well. Let's say, let's say, 13 00:01:11,680 --> 00:01:14,880 Speaker 1: you know, this elephant isn't a flaw, it's a feature 14 00:01:14,920 --> 00:01:18,959 Speaker 1: of this room. Yeah, this elephant is here on purpose 15 00:01:19,400 --> 00:01:22,600 Speaker 1: and it was intentional and we love it. I like 16 00:01:22,720 --> 00:01:26,000 Speaker 1: the idea that the subtext of the metaphor about an 17 00:01:26,000 --> 00:01:29,640 Speaker 1: elephant being in the room is that like somehow people 18 00:01:29,680 --> 00:01:31,720 Speaker 1: don't want it there, or like if you were in 19 00:01:31,720 --> 00:01:33,199 Speaker 1: a room and an elephant was in it, I feel 20 00:01:33,200 --> 00:01:35,760 Speaker 1: like that would be really cool or like notable. I 21 00:01:35,800 --> 00:01:38,920 Speaker 1: definitely think the pictures would be popping off. I think 22 00:01:38,959 --> 00:01:41,160 Speaker 1: they would be getting a lot of likes. I think 23 00:01:41,920 --> 00:01:43,440 Speaker 1: some people would pay a lot of money to be 24 00:01:43,480 --> 00:01:45,160 Speaker 1: in that room with that elephant. You know what I 25 00:01:45,200 --> 00:01:48,640 Speaker 1: think it is is that phrase was coined before Instagram. 26 00:01:48,840 --> 00:01:51,120 Speaker 1: Like right now, if you had an elephant in the room, 27 00:01:51,200 --> 00:01:54,480 Speaker 1: that's like, that's an instagram Able opportunity. It wouldn't be 28 00:01:54,560 --> 00:01:57,040 Speaker 1: like it's not. No, one wouldn't see it as negative. 29 00:01:57,200 --> 00:01:59,280 Speaker 1: People would be like, did you go to the elephant room? No, 30 00:01:59,400 --> 00:02:02,560 Speaker 1: it's sold out, you know, like it would be It 31 00:02:02,600 --> 00:02:04,360 Speaker 1: would be kind of like it would be like that 32 00:02:04,600 --> 00:02:07,000 Speaker 1: did you see the thing at BAM where they build 33 00:02:07,040 --> 00:02:10,560 Speaker 1: a whole beach inside BAM? I did see that thing. 34 00:02:10,680 --> 00:02:13,600 Speaker 1: That's what the elephant would be. It would be like 35 00:02:13,600 --> 00:02:15,799 Speaker 1: did you go to the elephant at BAM? And then 36 00:02:15,840 --> 00:02:18,960 Speaker 1: people be like no, like someone I knew got a 37 00:02:18,960 --> 00:02:21,880 Speaker 1: press ticket, but like they didn't bring me, Um they 38 00:02:21,880 --> 00:02:24,840 Speaker 1: went with their girlfriend instead. Um, so I had to 39 00:02:24,880 --> 00:02:27,240 Speaker 1: go see the new James Bond or you know, and 40 00:02:27,280 --> 00:02:31,079 Speaker 1: then not that many Instagram opportunities there. I do love 41 00:02:31,080 --> 00:02:34,320 Speaker 1: when art is really instagram buble. I think that is 42 00:02:34,600 --> 00:02:37,760 Speaker 1: um a dark, dark feature of our present day and 43 00:02:38,200 --> 00:02:41,400 Speaker 1: I don't see it going away anytime soon. Know, if anything, 44 00:02:41,440 --> 00:02:46,600 Speaker 1: I think that, I think it'll I think we're still 45 00:02:46,639 --> 00:02:48,639 Speaker 1: on the up and up and turn. Like art will 46 00:02:48,639 --> 00:02:50,760 Speaker 1: continue to be Instagram buble, and then at some point 47 00:02:50,760 --> 00:02:54,120 Speaker 1: it will reach a point where there's something so so 48 00:02:54,160 --> 00:02:56,000 Speaker 1: bad that it will be like this cultural moment where 49 00:02:56,000 --> 00:02:58,760 Speaker 1: everyone suddenly is against Instagram. And then after that the 50 00:02:58,800 --> 00:03:02,080 Speaker 1: new thing will be that art is like in a 51 00:03:02,120 --> 00:03:07,280 Speaker 1: basement without cell service. Oh, I look forward to that day. Um. 52 00:03:07,360 --> 00:03:09,720 Speaker 1: But the elephant in the room that we actually forgot 53 00:03:09,760 --> 00:03:11,880 Speaker 1: to talk about, and actually we were talking about putting 54 00:03:11,880 --> 00:03:14,040 Speaker 1: a spotlight on it, and then in fact we turned 55 00:03:14,040 --> 00:03:15,720 Speaker 1: the spotlight away from it and turned it to the 56 00:03:15,840 --> 00:03:18,360 Speaker 1: art world right in a meadow way, we're actually avoiding 57 00:03:18,400 --> 00:03:20,640 Speaker 1: talking about the elephant in the room by focusing on 58 00:03:20,720 --> 00:03:23,600 Speaker 1: the actual metaphor or of an elephant being in a room. Yeah, 59 00:03:23,600 --> 00:03:25,480 Speaker 1: in many ways, we said we were going to be 60 00:03:25,520 --> 00:03:29,040 Speaker 1: truthful and reveal this elephant, and we're actually covering it 61 00:03:29,120 --> 00:03:31,480 Speaker 1: up with blankets, were turning off the lights. We're trying 62 00:03:31,480 --> 00:03:34,120 Speaker 1: to hide the elephant. Now I'm thinking, should we just 63 00:03:34,360 --> 00:03:37,160 Speaker 1: not talk about the elephant? As a meta commentary of 64 00:03:37,240 --> 00:03:41,080 Speaker 1: the idea of the elephant being in the room. I 65 00:03:41,120 --> 00:03:43,600 Speaker 1: don't know. I feel like if I were a listener 66 00:03:43,640 --> 00:03:45,960 Speaker 1: to someone talking to the elephant being in the room 67 00:03:46,120 --> 00:03:49,320 Speaker 1: for upwards of five minutes and they never talked about 68 00:03:49,360 --> 00:03:51,880 Speaker 1: what it was, I think I would be furious. I 69 00:03:51,920 --> 00:03:53,880 Speaker 1: think if I had that person's phone number, I would 70 00:03:53,880 --> 00:03:55,560 Speaker 1: be texting them, But like, can you just tell me 71 00:03:55,560 --> 00:03:57,960 Speaker 1: what was in the room? But to me and I 72 00:03:58,000 --> 00:04:00,120 Speaker 1: just want to take it a step further. Don't you 73 00:04:00,200 --> 00:04:02,920 Speaker 1: think talking about the elephant in the room makes it 74 00:04:03,000 --> 00:04:07,120 Speaker 1: kind of Instagram art because it's flashy, it's in your face, 75 00:04:07,320 --> 00:04:09,600 Speaker 1: We're showing you the elephant, whereas not talking about the 76 00:04:09,600 --> 00:04:13,640 Speaker 1: elephant in the room makes it niche, It makes it underground. Copenhagen, 77 00:04:13,960 --> 00:04:18,600 Speaker 1: Berlin are It's it's uh, you know, the artist is 78 00:04:18,720 --> 00:04:24,719 Speaker 1: so underground that they've never produced art before. Um. They 79 00:04:24,839 --> 00:04:30,279 Speaker 1: they're self taught. It's outsider art and the elephant will 80 00:04:30,279 --> 00:04:32,360 Speaker 1: never be found. But that's the point of the elephant. 81 00:04:32,800 --> 00:04:35,880 Speaker 1: I mean, I actually cannot believe that the world we 82 00:04:35,920 --> 00:04:37,599 Speaker 1: have set up where there is an elephant in the 83 00:04:37,640 --> 00:04:40,240 Speaker 1: room and we actually will not talk about what it is, 84 00:04:40,560 --> 00:04:43,919 Speaker 1: because I think that is maybe um Marina, a bravo 85 00:04:44,000 --> 00:04:46,719 Speaker 1: bitch found dead in a ditch. Oh yeah, she would 86 00:04:46,760 --> 00:04:50,240 Speaker 1: never Marina would never dare not address the elephant in 87 00:04:50,279 --> 00:04:53,039 Speaker 1: the room. And she has made a quick coward. She 88 00:04:53,080 --> 00:04:56,760 Speaker 1: has made a career out of like provocatively caressing the 89 00:04:56,800 --> 00:04:59,680 Speaker 1: elephant in the room. That's all she knows how to do, 90 00:05:00,360 --> 00:05:02,760 Speaker 1: how to do. And you know what is interesting, Okay, 91 00:05:02,800 --> 00:05:05,400 Speaker 1: I just thought of the most genius work of art. Okay, 92 00:05:05,400 --> 00:05:08,719 Speaker 1: I'm ready for it. It's a room and the door 93 00:05:08,839 --> 00:05:11,359 Speaker 1: says beware of the elephant, and you go in and 94 00:05:11,400 --> 00:05:15,960 Speaker 1: there's no elephant. It's setting setting the audience up to 95 00:05:16,040 --> 00:05:18,240 Speaker 1: think there's an elephant in the room, but then in 96 00:05:18,200 --> 00:05:22,039 Speaker 1: the fact it's an empty room. But then none of 97 00:05:22,040 --> 00:05:25,280 Speaker 1: the advertising materials have that. It's called elephant in the room. 98 00:05:25,360 --> 00:05:27,680 Speaker 1: That's what the work of art is called. So then 99 00:05:27,720 --> 00:05:30,200 Speaker 1: people write about it and they don't there's no spoilers, 100 00:05:30,200 --> 00:05:31,840 Speaker 1: so you don't know. You're like, oh my god, this 101 00:05:31,880 --> 00:05:34,159 Speaker 1: is like a radical piece of art because there's a 102 00:05:34,200 --> 00:05:37,000 Speaker 1: literal elephant in the room. What could be more iconic 103 00:05:37,040 --> 00:05:39,400 Speaker 1: and current than that. You go there and you're like 104 00:05:39,440 --> 00:05:42,839 Speaker 1: prepared to see the elephant. Then you don't You know 105 00:05:43,120 --> 00:05:49,720 Speaker 1: next thing, you know, we have communism. I love that idea. 106 00:05:49,880 --> 00:05:54,440 Speaker 1: I love art that can be spoiled. I think, um, 107 00:05:54,480 --> 00:05:57,520 Speaker 1: I think that's a great thing. Like if after you 108 00:05:57,600 --> 00:05:59,520 Speaker 1: leave there, like you know, be sure you know, don't 109 00:05:59,560 --> 00:06:01,960 Speaker 1: tweet these spoilers about this, like we really want to 110 00:06:02,040 --> 00:06:03,960 Speaker 1: keep this a surprise for all the big fans of 111 00:06:04,000 --> 00:06:07,200 Speaker 1: the art, the art out of the art world. Yeah, 112 00:06:07,760 --> 00:06:10,719 Speaker 1: spoiler coach from the art world is really really toxic. 113 00:06:11,320 --> 00:06:14,800 Speaker 1: It's it's actually horrific. I think sometimes when I go 114 00:06:14,880 --> 00:06:16,880 Speaker 1: to a museum and I've seen the painting before on 115 00:06:17,000 --> 00:06:19,800 Speaker 1: like in like a textbook or something, and like, well, great, 116 00:06:19,880 --> 00:06:22,200 Speaker 1: this does nothing for me. It's ruined. I remember one 117 00:06:22,240 --> 00:06:23,520 Speaker 1: time I was in Paris and I was going to 118 00:06:23,520 --> 00:06:25,200 Speaker 1: the Loop and someone was like, oh, did you see 119 00:06:25,240 --> 00:06:26,880 Speaker 1: the Mona Lisa, And I was like, no, spoilers, I 120 00:06:26,880 --> 00:06:30,919 Speaker 1: haven't gotten there yet. La la la la la la. 121 00:06:31,000 --> 00:06:34,440 Speaker 1: Don't tell me, don't tell me, don't tell me. Interesting. 122 00:06:34,640 --> 00:06:37,520 Speaker 1: So should we now actually say what the elephant in 123 00:06:37,560 --> 00:06:40,200 Speaker 1: the room is? In many ways I think we should, 124 00:06:40,920 --> 00:06:43,159 Speaker 1: But in many other ways we've gone so long that 125 00:06:43,200 --> 00:06:45,440 Speaker 1: I do think it's kind of funny to not But 126 00:06:46,000 --> 00:06:47,919 Speaker 1: I think it might help, and it might sort of 127 00:06:47,960 --> 00:06:51,040 Speaker 1: lower the bar for us in a practical way if 128 00:06:51,040 --> 00:06:53,240 Speaker 1: we do say what it is. Yeah, well we have 129 00:06:53,320 --> 00:06:56,320 Speaker 1: decide are we being practical or are we being avant garde? 130 00:06:58,440 --> 00:07:01,040 Speaker 1: You're right, we need to push ourselves, do you mean 131 00:07:01,920 --> 00:07:05,200 Speaker 1: it's kind of a question of this podcast really is 132 00:07:06,120 --> 00:07:08,240 Speaker 1: how practical and how avant gard we want to be 133 00:07:08,279 --> 00:07:11,920 Speaker 1: in each episode? How do you feel about annoying people? 134 00:07:13,480 --> 00:07:17,040 Speaker 1: That's a tough one. Yeah. So here I'll say this, 135 00:07:18,960 --> 00:07:21,560 Speaker 1: um and I hate I'm very sorry that I'm about 136 00:07:21,600 --> 00:07:24,600 Speaker 1: to talk about Twitter, but I just had this um 137 00:07:24,840 --> 00:07:30,320 Speaker 1: thought because I tweeted. I tweeted. People are saying Kim 138 00:07:30,400 --> 00:07:33,520 Speaker 1: Kardashian didn't write her own jokes? Would you be saying 139 00:07:33,560 --> 00:07:39,680 Speaker 1: that if she were a man? Now? Now of course, Now, 140 00:07:39,720 --> 00:07:42,800 Speaker 1: of course that is meant to the whole point is 141 00:07:42,840 --> 00:07:45,040 Speaker 1: that I'm engaging with it in bad faith, that I'm 142 00:07:45,080 --> 00:07:47,640 Speaker 1: trying and I'm like imitating someone who would say something 143 00:07:47,680 --> 00:07:51,720 Speaker 1: that's stupid. But it's it's written in a way where 144 00:07:52,240 --> 00:07:54,320 Speaker 1: it's so easy for someone to see it out of 145 00:07:54,360 --> 00:07:57,880 Speaker 1: context and be like, no, you fucking idiot. They always 146 00:07:58,000 --> 00:08:02,080 Speaker 1: write jokes for the host. Yeah, And my point is 147 00:08:02,200 --> 00:08:04,080 Speaker 1: like I do like the idea. I wish I could 148 00:08:04,080 --> 00:08:07,520 Speaker 1: be someone like a you know, what's an example of 149 00:08:07,520 --> 00:08:09,840 Speaker 1: a friend we have, maybe a river, you know, someone 150 00:08:09,920 --> 00:08:14,240 Speaker 1: someone who gets off on being misinterpreted. I feel like 151 00:08:14,280 --> 00:08:20,000 Speaker 1: cold does this, Patty? You know. I feel like I 152 00:08:20,080 --> 00:08:25,840 Speaker 1: don't have the the self assured nous or the or 153 00:08:25,880 --> 00:08:28,880 Speaker 1: the I don't have what it takes to really lean 154 00:08:28,960 --> 00:08:32,240 Speaker 1: into intention knowing that I'm going to intentionally annoy some 155 00:08:32,360 --> 00:08:34,960 Speaker 1: people for the sake of making a smaller group of 156 00:08:35,000 --> 00:08:39,640 Speaker 1: people actually like extremely entertained. Yeah. I you know, I've 157 00:08:39,640 --> 00:08:44,600 Speaker 1: always described my comedy as fearful, worriesome um. Yeah, And 158 00:08:44,679 --> 00:08:49,520 Speaker 1: so I think I have trouble because there's also a 159 00:08:49,559 --> 00:08:54,839 Speaker 1: question is comedy just lies? And sometimes sometimes it is, 160 00:08:55,040 --> 00:08:57,319 Speaker 1: and sometimes people are just making stuff up and being 161 00:08:57,360 --> 00:08:59,080 Speaker 1: like I can't believe people believe that. But it's like, well, 162 00:08:59,120 --> 00:09:01,319 Speaker 1: of course they believe that. It's like a normal thought 163 00:09:01,360 --> 00:09:05,360 Speaker 1: a dumb person would have, like like yeah, yeah, well yeah, 164 00:09:05,440 --> 00:09:08,480 Speaker 1: to what point, at what point are you no longer 165 00:09:08,600 --> 00:09:12,679 Speaker 1: imitating a dumb person? And are you just having dumb thoughts? 166 00:09:13,679 --> 00:09:19,080 Speaker 1: It's huh. So in that sense, I think we should 167 00:09:19,120 --> 00:09:21,480 Speaker 1: push ourselves and I think we should not say what 168 00:09:21,520 --> 00:09:23,880 Speaker 1: the elephant in the room is. And I think I 169 00:09:23,880 --> 00:09:25,920 Speaker 1: think if there's a real detective on the case, they 170 00:09:26,000 --> 00:09:28,840 Speaker 1: might be able to piece it together. But um, if 171 00:09:28,880 --> 00:09:30,440 Speaker 1: they sort of listened to the tone of our voice, 172 00:09:30,440 --> 00:09:33,720 Speaker 1: maybe listen to our energy levels today, get it. Yeah. 173 00:09:34,160 --> 00:09:36,120 Speaker 1: You know what I've realized is, you know, you started, 174 00:09:36,160 --> 00:09:39,080 Speaker 1: I think wanting to reveal the elephant, and I was 175 00:09:39,160 --> 00:09:43,640 Speaker 1: more into the avant garde idea. Now I feel like 176 00:09:43,679 --> 00:09:48,319 Speaker 1: we've switched and now you're you're literally being Marina. Yeah, 177 00:09:48,480 --> 00:09:52,120 Speaker 1: I promise it's not Marina and the Diamonds. I think 178 00:09:52,120 --> 00:09:54,400 Speaker 1: we should not reveal. It seems like our guests as 179 00:09:54,440 --> 00:09:58,719 Speaker 1: a question, Well, I don't know. I don't want to. 180 00:09:58,720 --> 00:10:00,920 Speaker 1: I don't want to, you know, I no, it's too late. 181 00:10:00,960 --> 00:10:08,040 Speaker 1: Now we stopped. We stopped our perfect rapport. It wasn't 182 00:10:08,400 --> 00:10:11,040 Speaker 1: It was impressive how long y'all, y'all kept that elephant 183 00:10:11,080 --> 00:10:13,160 Speaker 1: in the room going. That was really that was beautiful 184 00:10:13,200 --> 00:10:16,040 Speaker 1: and I love y'all's chemistry. Uh, thanks so much for 185 00:10:16,080 --> 00:10:22,120 Speaker 1: the feedback. What No, I didn't want to say. At 186 00:10:22,160 --> 00:10:24,840 Speaker 1: the beginning of this year, I lived in Carmen's I 187 00:10:24,880 --> 00:10:27,040 Speaker 1: lived in Carmen's apartment, while he was gone for a 188 00:10:27,080 --> 00:10:29,360 Speaker 1: little bit, and he had this one weird, really weird 189 00:10:29,400 --> 00:10:32,600 Speaker 1: roommate was in this like uh indie band and one 190 00:10:32,679 --> 00:10:34,680 Speaker 1: time he was like, hey, what are you guys doing 191 00:10:34,760 --> 00:10:36,760 Speaker 1: later or you're cool to clear out because I have 192 00:10:36,800 --> 00:10:38,360 Speaker 1: a couple of friends coming over and one of them 193 00:10:38,480 --> 00:10:40,400 Speaker 1: is like and then and my friends are elderly. One 194 00:10:40,440 --> 00:10:42,600 Speaker 1: of them is like a seventy something year old person. 195 00:10:42,760 --> 00:10:45,000 Speaker 1: And then I was like, oh, I'm I had plans 196 00:10:45,040 --> 00:10:48,840 Speaker 1: for dinner or whatever. Left, came back there was like 197 00:10:48,880 --> 00:10:51,200 Speaker 1: an old There was like an older couple in the 198 00:10:51,280 --> 00:10:53,120 Speaker 1: living room. And I went to bed well over the 199 00:10:53,200 --> 00:10:55,480 Speaker 1: next morning talked to our other roommate and he was like, yeah, 200 00:10:55,600 --> 00:10:57,880 Speaker 1: he was like, you know, that was Maria Marina Bramavic, 201 00:10:58,040 --> 00:11:03,079 Speaker 1: right what oh way? I was like, I was like, no, 202 00:11:03,240 --> 00:11:05,720 Speaker 1: it wasn't. He was like, yeah, Moses is friends with her, 203 00:11:06,280 --> 00:11:10,680 Speaker 1: and uh so she was just in my living room. 204 00:11:10,920 --> 00:11:13,480 Speaker 1: I don't know. I didn't know. That looks crazy because 205 00:11:13,880 --> 00:11:17,960 Speaker 1: she became the elephant in the room. It was literally 206 00:11:18,640 --> 00:11:21,840 Speaker 1: no one could address the fact that literal Marina Bramovich 207 00:11:21,960 --> 00:11:26,959 Speaker 1: was in the room. Wow, yeah, you know, she said, 208 00:11:27,240 --> 00:11:33,240 Speaker 1: Suddenly the coonst is me Yeah, definitely art pop vibes. 209 00:11:33,400 --> 00:11:37,240 Speaker 1: Whoa I mean she is she really did run a 210 00:11:37,280 --> 00:11:39,800 Speaker 1: walk so that art pop could run. One could say. 211 00:11:39,920 --> 00:11:42,440 Speaker 1: I've always called her the original Gaga. She's the original 212 00:11:42,480 --> 00:11:48,200 Speaker 1: guy um and she is an extended Joann Era. Yeah, 213 00:11:48,240 --> 00:11:50,040 Speaker 1: she held had a hit in a while. I love 214 00:11:50,080 --> 00:11:53,640 Speaker 1: the idea of Marina Abramovich going to um an apartment 215 00:11:53,679 --> 00:11:58,080 Speaker 1: where like comedians live with roommates, Like just the idea 216 00:11:58,120 --> 00:12:01,640 Speaker 1: of her going in there with like a long, you know, 217 00:12:01,840 --> 00:12:06,960 Speaker 1: red dress. It is both inspiring and sad, like it's 218 00:12:06,960 --> 00:12:08,960 Speaker 1: sort of like, no, you're supposed to be like among 219 00:12:09,040 --> 00:12:12,440 Speaker 1: the ultra. Well, I love it. I think I love it. 220 00:12:13,080 --> 00:12:16,320 Speaker 1: I will say this roommate specifically, Yeah, he like worked 221 00:12:16,559 --> 00:12:19,480 Speaker 1: in music, and he always was like he always had 222 00:12:19,520 --> 00:12:23,880 Speaker 1: like random pool friends, Like he was friends with, Oh, 223 00:12:23,920 --> 00:12:29,960 Speaker 1: what's the woman Chloe Chloe? Yeah, he was. He was like, yeah, 224 00:12:30,040 --> 00:12:31,880 Speaker 1: he was like, We're going to the Knicks game tonight 225 00:12:32,040 --> 00:12:34,840 Speaker 1: one day, and I was just like okay, and that 226 00:12:34,840 --> 00:12:40,280 Speaker 1: that's he just lived a life like that, so I do. 227 00:12:40,440 --> 00:12:43,800 Speaker 1: He's like, at some point, when you're in the periphery 228 00:12:43,840 --> 00:12:46,920 Speaker 1: of like those kinds of artistic communities, you just kind 229 00:12:46,960 --> 00:12:50,000 Speaker 1: of like naturally end up with Maria A. Bramovich at 230 00:12:50,000 --> 00:12:52,480 Speaker 1: your home. Like I think it's like you just the 231 00:12:52,600 --> 00:12:56,200 Speaker 1: amount of people you know, like all of us have 232 00:12:56,400 --> 00:12:59,920 Speaker 1: met that are way past our fame level just because 233 00:13:00,080 --> 00:13:03,640 Speaker 1: like we happened to be around. Um. I think if 234 00:13:03,640 --> 00:13:07,679 Speaker 1: you stick around long enough, it just won't happen. I mean, 235 00:13:07,679 --> 00:13:12,120 Speaker 1: I'm banking on it. Yeah, I haven't. I mean, I 236 00:13:12,120 --> 00:13:13,760 Speaker 1: guess I haven't been around a lot of people like that, 237 00:13:13,800 --> 00:13:15,920 Speaker 1: but I haven't car laid it into any sort of 238 00:13:15,960 --> 00:13:20,400 Speaker 1: like they hang out with me, you know, it's like, oh, 239 00:13:20,520 --> 00:13:22,840 Speaker 1: that's Zoe Kravitz over there. She's having a you know, 240 00:13:22,960 --> 00:13:25,640 Speaker 1: she's at the same thing, but we're not going to speak. Yeah, 241 00:13:25,720 --> 00:13:29,240 Speaker 1: I don't know how to make a friend out of 242 00:13:29,240 --> 00:13:32,679 Speaker 1: a famous person, don't seem feel I feel like Sam 243 00:13:32,679 --> 00:13:36,480 Speaker 1: and I there is a clear path to me of 244 00:13:36,559 --> 00:13:39,440 Speaker 1: Sam and I through this podcast becoming actual close friends 245 00:13:39,440 --> 00:13:43,800 Speaker 1: of the Zelia Banks. I don't know how, but I 246 00:13:43,840 --> 00:13:49,120 Speaker 1: do think it couldn't happen. I know, I hope it happens. 247 00:13:49,200 --> 00:13:52,960 Speaker 1: I think I think she would like it. She would 248 00:13:53,600 --> 00:13:56,120 Speaker 1: all we think someone needs introduced it to her. I 249 00:13:56,160 --> 00:13:58,600 Speaker 1: don't know anyone that I don't know anyone that I 250 00:13:58,600 --> 00:14:01,040 Speaker 1: would I think I know people that are two people 251 00:14:01,080 --> 00:14:04,000 Speaker 1: removed from her. I know people as Zelia Banks knows 252 00:14:04,200 --> 00:14:10,320 Speaker 1: that our friends know. Huh. I yeah. I also feel 253 00:14:10,320 --> 00:14:11,960 Speaker 1: like it would be a good dynamic because she could 254 00:14:12,000 --> 00:14:14,040 Speaker 1: be like really mean and we wouldn't really care. I 255 00:14:14,040 --> 00:14:15,520 Speaker 1: feel like we would like sort of let it roll 256 00:14:15,559 --> 00:14:17,959 Speaker 1: off our back exactly. It would be like her dream 257 00:14:18,160 --> 00:14:21,840 Speaker 1: to me. Yeah, go ahead, Well, I mean like, should 258 00:14:21,840 --> 00:14:24,640 Speaker 1: we like bringing our guests? Actually, yeah, yeah, let's bringing 259 00:14:24,680 --> 00:14:26,520 Speaker 1: our guests because like you know, I know, we like 260 00:14:26,560 --> 00:14:28,960 Speaker 1: to like get rid of structure or whatever. But it's 261 00:14:29,000 --> 00:14:30,680 Speaker 1: also like, you know, people are listening and they have 262 00:14:30,720 --> 00:14:33,680 Speaker 1: no idea what the help? Who is not avant garde anymore? 263 00:14:34,200 --> 00:14:36,600 Speaker 1: Suddenly you want to address the new elephant in the room, 264 00:14:36,640 --> 00:14:39,480 Speaker 1: in the form of our guest, Devin Walker. Yeah, so 265 00:14:39,560 --> 00:14:43,680 Speaker 1: give it up for our guest, Devon Walker. Um, Devin, 266 00:14:43,760 --> 00:14:46,520 Speaker 1: welcome to the pod um. As this tradition in this podcast, 267 00:14:46,560 --> 00:14:50,160 Speaker 1: we do not say anyone's credits. And if you care 268 00:14:50,160 --> 00:14:53,200 Speaker 1: about what Devin is working on, you can google him. Yeah, 269 00:14:53,560 --> 00:14:57,760 Speaker 1: just look it up, um you if you if you 270 00:14:57,760 --> 00:15:00,040 Speaker 1: look it up, you'll find a lot of you in 271 00:15:00,120 --> 00:15:02,280 Speaker 1: several works that Sam and I were involved with to 272 00:15:02,280 --> 00:15:04,920 Speaker 1: get involved in together. Oh my god. You know, I 273 00:15:04,960 --> 00:15:08,200 Speaker 1: loved we Devin and I worked at Comedy Central together 274 00:15:08,480 --> 00:15:10,880 Speaker 1: and some of the work that we are part of 275 00:15:10,920 --> 00:15:15,800 Speaker 1: it is it was amazing to sort of know in 276 00:15:15,840 --> 00:15:19,240 Speaker 1: the moment, like huh, like this is gonna be embarrassing, 277 00:15:19,360 --> 00:15:22,280 Speaker 1: not in like ten years, but in like one month, 278 00:15:22,720 --> 00:15:25,680 Speaker 1: like like truly, as we were doing it, I was like, man, 279 00:15:25,720 --> 00:15:29,200 Speaker 1: I hope nobody sees this. I hope this doesn't make 280 00:15:29,240 --> 00:15:31,400 Speaker 1: it to anyone, to anyone's radar, and I hope that 281 00:15:31,440 --> 00:15:34,840 Speaker 1: if you pop up and nothing but respect to everyone 282 00:15:34,880 --> 00:15:37,400 Speaker 1: that works there. They were all so kind and I 283 00:15:37,440 --> 00:15:39,320 Speaker 1: just want to say, as someone who's also worked on 284 00:15:39,640 --> 00:15:42,600 Speaker 1: Comedy Central Digital Project, I love the whole team, and 285 00:15:42,640 --> 00:15:47,600 Speaker 1: I've I am not part of this conversation that's happening 286 00:15:47,680 --> 00:15:50,960 Speaker 1: right now. I don't know what you guys experienced, but 287 00:15:51,000 --> 00:15:53,720 Speaker 1: like everyone at the team has been so nice to 288 00:15:53,760 --> 00:15:58,560 Speaker 1: be um. You know, I wouldn't have my illustrious career 289 00:15:58,600 --> 00:16:01,640 Speaker 1: if it wasn't for you and for the stepping stones 290 00:16:01,680 --> 00:16:04,280 Speaker 1: you put forth that I climbed to my current celebrity. 291 00:16:05,760 --> 00:16:08,840 Speaker 1: I think I think the cool thing about you know, 292 00:16:08,880 --> 00:16:11,480 Speaker 1: talking about comedy Centrals that nobody works there anymore. They 293 00:16:11,520 --> 00:16:16,120 Speaker 1: have like they have like two employees. Yeah, like in 294 00:16:16,160 --> 00:16:19,480 Speaker 1: my mind, it's all contractors and are like there for 295 00:16:19,560 --> 00:16:23,320 Speaker 1: like a week at a time. Comedy Centrals an idea 296 00:16:23,320 --> 00:16:26,440 Speaker 1: at this point, Ship talking Comedy Central is like what 297 00:16:26,560 --> 00:16:30,000 Speaker 1: ship talking UCB was four years ago, where it was like, yeah, 298 00:16:30,040 --> 00:16:33,040 Speaker 1: it's a touch edgy. They technically still exist, but like, 299 00:16:33,240 --> 00:16:38,160 Speaker 1: come on, it is really it's like it is. It's 300 00:16:38,200 --> 00:16:40,520 Speaker 1: like when I think of Comedy Central, I'm actually thinking 301 00:16:40,520 --> 00:16:47,640 Speaker 1: of literally watching like um Dame Cook specials when I 302 00:16:47,680 --> 00:16:51,160 Speaker 1: was trying. Yeah, you're yeah, you're thinking about when you 303 00:16:51,200 --> 00:16:53,560 Speaker 1: were like homesick, and they would there would be like 304 00:16:53,600 --> 00:16:58,040 Speaker 1: a I don't know, like a like Taryn Killham's half hour. 305 00:16:58,480 --> 00:17:00,920 Speaker 1: You're like, oh, that guy that from Wilding Out does 306 00:17:00,920 --> 00:17:10,119 Speaker 1: stand up to? Also? Does Wilding Out still exist? What 307 00:17:10,240 --> 00:17:13,680 Speaker 1: channel is that on? I know several people who work 308 00:17:13,720 --> 00:17:17,320 Speaker 1: on While who were on Wilding Out. Wait, I do too, 309 00:17:17,560 --> 00:17:19,360 Speaker 1: but I thought that was like a few years ago. 310 00:17:19,400 --> 00:17:22,959 Speaker 1: Are they currently doing it? It's yes, it's still on 311 00:17:23,000 --> 00:17:27,240 Speaker 1: it and it's like season Nick Cannon has really built 312 00:17:27,240 --> 00:17:30,359 Speaker 1: an empire and we're not talking about that enough I 313 00:17:30,560 --> 00:17:33,840 Speaker 1: love Nick Cannon is one of the most inspirational figures 314 00:17:33,840 --> 00:17:38,920 Speaker 1: in the entertainment industry. Why why, yeah, let's yeah, let's 315 00:17:39,119 --> 00:17:42,160 Speaker 1: let's into that. I I think he has incredible charisma, 316 00:17:42,920 --> 00:17:46,400 Speaker 1: and I think, as I said, I think he has managed. 317 00:17:46,440 --> 00:17:51,440 Speaker 1: He's done it all. He's done uh, film, television, comedy, 318 00:17:51,920 --> 00:17:55,120 Speaker 1: He's even I'm pretty sure had some dramatic rolls. Um. 319 00:17:55,520 --> 00:18:00,360 Speaker 1: He literally married Mariah Carey and that's and and he's 320 00:18:00,440 --> 00:18:04,359 Speaker 1: like he he also okay, So obviously he has a 321 00:18:04,359 --> 00:18:08,280 Speaker 1: lot of kids. Everyone knows that. That's that's like a 322 00:18:08,280 --> 00:18:10,119 Speaker 1: big part of his thing, and he talks about it openly. 323 00:18:10,200 --> 00:18:13,719 Speaker 1: But here's the thing. None of the women he has 324 00:18:13,800 --> 00:18:16,320 Speaker 1: kids with have ever said anything negative about him. And 325 00:18:16,359 --> 00:18:20,200 Speaker 1: that's how you know he's a good father, because if 326 00:18:20,200 --> 00:18:23,200 Speaker 1: he was an interesting point, if he wasn't people, I mean, 327 00:18:23,320 --> 00:18:25,600 Speaker 1: they have nothing to lose. But if he if he 328 00:18:25,640 --> 00:18:27,840 Speaker 1: did anything wrong, they would go to the tabloids and 329 00:18:27,840 --> 00:18:30,080 Speaker 1: it would be like there would be tabloid stories about 330 00:18:30,160 --> 00:18:32,240 Speaker 1: him or him like not supporting his kids or not 331 00:18:32,280 --> 00:18:35,639 Speaker 1: supporting the women. I think he's probably like an extremely 332 00:18:35,760 --> 00:18:39,639 Speaker 1: nice and like stand up guy, and that's why there 333 00:18:39,640 --> 00:18:42,800 Speaker 1: are no bad stories about him. You guys can't see, 334 00:18:42,800 --> 00:18:45,560 Speaker 1: but Sam, Sam's not Sam's Sam doesn't. Sam doesn't like 335 00:18:45,600 --> 00:18:50,800 Speaker 1: this line of logic. I wish, I like, if I 336 00:18:50,840 --> 00:18:52,240 Speaker 1: had known we were going to be doing a deep 337 00:18:52,280 --> 00:18:54,280 Speaker 1: dive into Nick Cannon, I would have done some research 338 00:18:54,359 --> 00:18:57,520 Speaker 1: because I just feel like, yes, I don't know what 339 00:18:57,680 --> 00:18:59,879 Speaker 1: he's done. That's bad, But like part of me is 340 00:18:59,920 --> 00:19:03,639 Speaker 1: like I have a bad taste. I'm out around like 341 00:19:04,520 --> 00:19:07,480 Speaker 1: and it's you know, I agree. I agree with that 342 00:19:07,520 --> 00:19:11,840 Speaker 1: he has charisma. I agree with that. Say I don't 343 00:19:11,880 --> 00:19:14,840 Speaker 1: have charisma. No, yeah, that is a fact. That is 344 00:19:14,880 --> 00:19:17,520 Speaker 1: the elephant in his room. Is that that charisma. You 345 00:19:17,520 --> 00:19:20,840 Speaker 1: can't avoid it. But something's up with him and it 346 00:19:21,080 --> 00:19:24,160 Speaker 1: feels bad and I can't. Let me tell you something. 347 00:19:24,480 --> 00:19:27,200 Speaker 1: Let me tell you something that six women in one year, 348 00:19:29,359 --> 00:19:32,560 Speaker 1: Nil Cannon. Nick Cannon could have done. There will be blood, 349 00:19:32,600 --> 00:19:35,320 Speaker 1: but Daniel de Lewis could not have done. Love don't 350 00:19:35,320 --> 00:19:38,840 Speaker 1: cost the thing. No, this dumb bitch. You are one 351 00:19:38,920 --> 00:19:43,439 Speaker 1: dumb bitch. I wish there will be bloodhead Nick Cannon, 352 00:19:43,440 --> 00:19:47,639 Speaker 1: and I'd circle, I'd come back to it way more often. 353 00:19:47,760 --> 00:19:50,000 Speaker 1: Do you think Sean could have been drum line? I 354 00:19:50,040 --> 00:19:53,880 Speaker 1: don't think so imagine Nick Cannon being like, I've abandoned 355 00:19:53,960 --> 00:20:01,359 Speaker 1: my boy, my son, I've abandoned my child. Wow, I 356 00:20:01,400 --> 00:20:06,199 Speaker 1: would love that. I was, you know, Drumline Um was 357 00:20:06,240 --> 00:20:09,800 Speaker 1: actually a movie I watched when I made out with 358 00:20:09,840 --> 00:20:12,120 Speaker 1: my high school girlfriend for an extended period of time 359 00:20:12,160 --> 00:20:16,240 Speaker 1: in my w Yeah. Okay, so Nick and kind of 360 00:20:16,280 --> 00:20:18,840 Speaker 1: holds a special place in your life, and that's why 361 00:20:18,880 --> 00:20:21,359 Speaker 1: mayn't even really mention that, right, And maybe that's why 362 00:20:21,440 --> 00:20:24,160 Speaker 1: you're distrustful of him because you were living a lie 363 00:20:24,280 --> 00:20:28,480 Speaker 1: at the time. Yeah. Yeah, And it became that thing, 364 00:20:28,560 --> 00:20:31,160 Speaker 1: like it became like the flirty like even like keyword. 365 00:20:31,160 --> 00:20:32,960 Speaker 1: It was like, maybe we should watch Drumline again, Like 366 00:20:33,000 --> 00:20:36,439 Speaker 1: she was text and I was like, yeah, maybe we 367 00:20:36,520 --> 00:20:44,080 Speaker 1: should watch Drumline again. He was that movie was he 368 00:20:44,119 --> 00:20:46,200 Speaker 1: was supposed to be like a movie star. I mean, 369 00:20:46,240 --> 00:20:48,199 Speaker 1: I guess he was, but like I felt like he 370 00:20:48,240 --> 00:20:51,359 Speaker 1: was supposed to be like like when he was supposed 371 00:20:51,359 --> 00:20:53,120 Speaker 1: to be like Will Smith. I feel like I feel 372 00:20:53,160 --> 00:20:54,760 Speaker 1: like that's what they were trying to position him into 373 00:20:54,840 --> 00:20:57,440 Speaker 1: being like the next generations Will Smith and man that 374 00:20:57,520 --> 00:21:00,680 Speaker 1: dream really flamed out, well, it was, and the field 375 00:21:00,760 --> 00:21:04,000 Speaker 1: was too crowded during that time. Like because I feel 376 00:21:04,000 --> 00:21:06,000 Speaker 1: like a similar thing you could say happened with like 377 00:21:06,000 --> 00:21:08,120 Speaker 1: Freddie Prince Jr. Like there were there are a lot 378 00:21:08,160 --> 00:21:11,960 Speaker 1: of guys that were around that age that that we're 379 00:21:12,000 --> 00:21:16,280 Speaker 1: trying to be the next it was like the Heartthrob era. Yeah, 380 00:21:17,160 --> 00:21:21,760 Speaker 1: there was like Josh Hartnett Jr. Was Yeah, sure, and 381 00:21:21,800 --> 00:21:23,760 Speaker 1: he got closed for I would say them the other two. 382 00:21:23,800 --> 00:21:27,480 Speaker 1: But then, uh, Josh Hard was in that was the 383 00:21:27,480 --> 00:21:32,160 Speaker 1: guy in training dude, right was that that? I mean, 384 00:21:32,640 --> 00:21:34,040 Speaker 1: not the main guy, the main guy I think is 385 00:21:34,080 --> 00:21:38,000 Speaker 1: he's not okay? Then yeah, okay, but Josh Hard it 386 00:21:38,080 --> 00:21:41,399 Speaker 1: was he was in another like top movie with maybe 387 00:21:41,400 --> 00:21:44,960 Speaker 1: a black guy. Wait, I'm gonna look this up. Just yeah, 388 00:21:45,040 --> 00:21:48,760 Speaker 1: just google Josh Hartnett cop movie black guy. Well he wasn't, okay. 389 00:21:48,760 --> 00:21:51,640 Speaker 1: So the big thing was Pearl Harbor. No black people 390 00:21:51,680 --> 00:21:54,480 Speaker 1: in that film. No Cuba getting Junior was in Pearl Harbor. 391 00:21:54,840 --> 00:22:00,240 Speaker 1: Oh well he's not in the cover they're trying there. 392 00:22:00,320 --> 00:22:05,760 Speaker 1: There's a there's Shadow Baning, my god, shadow Shadow Bannings 393 00:22:05,800 --> 00:22:09,560 Speaker 1: Cuba had back in Sale and Ben Affleck made it, 394 00:22:09,600 --> 00:22:12,639 Speaker 1: but not Cuba Gooding, who was the only one with 395 00:22:12,680 --> 00:22:15,640 Speaker 1: an oscar of the team at the time. Actually that's 396 00:22:15,640 --> 00:22:17,120 Speaker 1: not true, Ben Affleck. It already went for good will 397 00:22:17,200 --> 00:22:22,320 Speaker 1: hunting anyway, Is this interesting? It is for me. These 398 00:22:22,320 --> 00:22:24,680 Speaker 1: are Cuba Gooding Junior in the Canada Ceties that I 399 00:22:25,400 --> 00:22:28,320 Speaker 1: talk about. Cuba Gooding Junior talk about someone who really 400 00:22:28,359 --> 00:22:31,119 Speaker 1: was on top of the world and then did snow Dogs. 401 00:22:32,440 --> 00:22:34,560 Speaker 1: He did do Snowdogs. He also did that movie. Beyonce 402 00:22:35,160 --> 00:22:39,520 Speaker 1: um the Fighting Temptations, The Fighting Temptations where she was 403 00:22:39,560 --> 00:22:42,320 Speaker 1: like the leader of the I'm glad Beyonce. I feel 404 00:22:42,359 --> 00:22:43,680 Speaker 1: like Beyonce seen the light and she's like, oh, I 405 00:22:43,720 --> 00:22:46,600 Speaker 1: shouldn't be in any more movies. She's so like, I'm 406 00:22:46,600 --> 00:22:48,600 Speaker 1: making the wrong choices. Also, I'm mad at this. I'm 407 00:22:48,600 --> 00:22:52,680 Speaker 1: gonna kind of go go back to nothing. Was often 408 00:22:52,760 --> 00:22:58,280 Speaker 1: Powers movie and she wasn't obsessed. Did you ever see that? 409 00:22:58,560 --> 00:23:01,800 Speaker 1: I never saw I wanted to obsessed. This has an 410 00:23:01,800 --> 00:23:07,960 Speaker 1: incredible climactic scene where Beyonce throws Ali Larder down off 411 00:23:07,960 --> 00:23:10,320 Speaker 1: a ledge or off like a off a legend of 412 00:23:10,320 --> 00:23:12,919 Speaker 1: in a mansion, and then Ali Larder is still not 413 00:23:13,040 --> 00:23:15,159 Speaker 1: dead yet, so then the chandelier falls on her and 414 00:23:15,240 --> 00:23:19,520 Speaker 1: kills her. Spoiler I want to say about the Beyonce 415 00:23:19,760 --> 00:23:22,600 Speaker 1: thing that she knew she shouldn't be in movies anymore. 416 00:23:23,480 --> 00:23:24,720 Speaker 1: I don't know if I would be able to have 417 00:23:24,760 --> 00:23:27,760 Speaker 1: that self control. I kind of think I would be 418 00:23:28,080 --> 00:23:30,760 Speaker 1: a little more gaga ish, where if I were like 419 00:23:31,040 --> 00:23:33,840 Speaker 1: if I could be in movies just because, I would 420 00:23:33,920 --> 00:23:35,719 Speaker 1: just do it, even if it was bad, even if 421 00:23:35,720 --> 00:23:38,160 Speaker 1: everyone hated it, I would still be like, Yeah, I'll 422 00:23:38,200 --> 00:23:43,159 Speaker 1: do it. How about you, guys? Has Lady Gargo been 423 00:23:43,200 --> 00:23:45,119 Speaker 1: in any other movies other than The Stars Born? No, 424 00:23:45,240 --> 00:23:51,639 Speaker 1: She's gonna be in a a House of Gucci though Story America. 425 00:23:51,640 --> 00:23:53,640 Speaker 1: I did not see that season, but I do want 426 00:23:53,640 --> 00:23:54,960 Speaker 1: to see how to do how the Gucci. I mean, 427 00:23:55,000 --> 00:23:57,600 Speaker 1: we're all going to watch that. Yeah, it's gonna be fun. 428 00:23:57,880 --> 00:24:00,640 Speaker 1: It'll be a well straighter label rent a movie here. 429 00:24:03,960 --> 00:24:07,760 Speaker 1: But yeah, well okay. So, in terms of Beyonce's film career, 430 00:24:08,520 --> 00:24:11,200 Speaker 1: if you don't think, if you don't think she literally 431 00:24:11,240 --> 00:24:15,240 Speaker 1: has found the perfect movie that she is releasing and 432 00:24:15,320 --> 00:24:18,199 Speaker 1: already is planning the Oscar campaign, you are living in 433 00:24:18,200 --> 00:24:20,640 Speaker 1: a dream world, my friend. Oh really, you think she's 434 00:24:20,640 --> 00:24:23,280 Speaker 1: gonna try to come back in the Beyonce has said 435 00:24:23,600 --> 00:24:26,280 Speaker 1: record that she wants to win an Oscar like she's 436 00:24:26,320 --> 00:24:29,560 Speaker 1: she's going to have her Star is Born moment, and 437 00:24:29,600 --> 00:24:31,200 Speaker 1: in fact it would have been Star is Born, which 438 00:24:31,200 --> 00:24:34,679 Speaker 1: was originally gonna be with her. Oh yeah, it was 439 00:24:34,680 --> 00:24:37,440 Speaker 1: gonna be her and oh god, I can't remember the 440 00:24:37,440 --> 00:24:38,840 Speaker 1: guy was, but it was gonna be directed by Clint 441 00:24:38,840 --> 00:24:43,880 Speaker 1: Eastwood at one point with Beyonce. Oh, I think, well, 442 00:24:44,200 --> 00:24:46,320 Speaker 1: it was supposed to be her big moment, was supposed 443 00:24:46,359 --> 00:24:48,560 Speaker 1: to be dream Girls, I feel like, but then Jennifer 444 00:24:48,600 --> 00:24:55,399 Speaker 1: Hudson was way betterminated. Yeah that was. But I do 445 00:24:55,480 --> 00:24:58,000 Speaker 1: agree though, there's got to be a point where she 446 00:24:58,160 --> 00:25:01,320 Speaker 1: I feel like, it's got to be a biopic, but BIOPICQ. Yeah, 447 00:25:01,480 --> 00:25:03,560 Speaker 1: I think a biopic would be definitely like the Safe 448 00:25:03,880 --> 00:25:06,639 Speaker 1: that would be like the safe route, and then the 449 00:25:06,760 --> 00:25:09,520 Speaker 1: like slightly less safe rat would be going the like 450 00:25:10,080 --> 00:25:17,200 Speaker 1: ugly ugly ified. She's gonna be like, no, she can't 451 00:25:17,280 --> 00:25:19,240 Speaker 1: do that. I don't think she hasn't in her to 452 00:25:19,320 --> 00:25:21,040 Speaker 1: do that. She's got to do something where she can 453 00:25:21,080 --> 00:25:23,720 Speaker 1: be like glamorous and play like like a like a 454 00:25:23,800 --> 00:25:26,200 Speaker 1: jazz singer from the Flue. But you know, there will 455 00:25:26,200 --> 00:25:29,520 Speaker 1: be at least one scene where she has no makeup 456 00:25:29,560 --> 00:25:33,159 Speaker 1: and is doing like heroin. Yes, there's gonna be a 457 00:25:33,160 --> 00:25:35,040 Speaker 1: scene where they find her in the bathtub and she's like, 458 00:25:35,359 --> 00:25:39,040 Speaker 1: I can't keep living like this. Yeah, and like her 459 00:25:39,119 --> 00:25:41,320 Speaker 1: like her husband, who's like also doing drugs and who 460 00:25:41,359 --> 00:25:43,120 Speaker 1: was a bad guy, is like really trying to save her. 461 00:25:43,160 --> 00:25:46,040 Speaker 1: Like that's you're right. I think that's her path. I 462 00:25:46,040 --> 00:25:48,720 Speaker 1: think I get because she's she's not talented enough that 463 00:25:48,960 --> 00:25:55,600 Speaker 1: I had acted. Whoa, Oh my god, here's my wait? 464 00:25:56,480 --> 00:25:58,560 Speaker 1: Did not just is that? Are we not saying that? 465 00:25:58,800 --> 00:26:05,560 Speaker 1: Is that against? The point? Isn't whether you're good. No 466 00:26:05,720 --> 00:26:09,159 Speaker 1: such thing as good acting. Everyone that's good at acting 467 00:26:09,280 --> 00:26:12,000 Speaker 1: is bad at acting. It's just it's just about finding 468 00:26:12,000 --> 00:26:15,480 Speaker 1: the right role. And when it comes to oscars, especially, like, 469 00:26:16,160 --> 00:26:19,040 Speaker 1: that's not what it's about. Have you seen Meryl Street 470 00:26:19,040 --> 00:26:27,320 Speaker 1: playing Margaret Thatcher? It was fully drag raised. Um, wait, 471 00:26:27,359 --> 00:26:28,800 Speaker 1: should we do her for a second? Yeah, let's do 472 00:26:28,840 --> 00:26:31,320 Speaker 1: our for a segment. I thought there was no I 473 00:26:31,320 --> 00:26:32,840 Speaker 1: thought there was no structure. I thought you guys were 474 00:26:32,840 --> 00:26:34,800 Speaker 1: deconstructing the meeting. Well wait until you hear what this 475 00:26:34,840 --> 00:26:39,159 Speaker 1: segment is. It's a commentary on segments. It's literally a 476 00:26:39,160 --> 00:26:45,840 Speaker 1: commentary segment. Okay, George do you introduce it. Fine, okay, Devin. 477 00:26:45,920 --> 00:26:48,600 Speaker 1: Our first segment is called straight Shooters, and in this 478 00:26:48,640 --> 00:26:52,560 Speaker 1: segment we ask you a series of rapid fire questions. 479 00:26:52,880 --> 00:26:55,800 Speaker 1: You have to choose between one thing or another thing 480 00:26:57,400 --> 00:26:59,879 Speaker 1: inspired by straight culture. And the one rule is you 481 00:27:00,240 --> 00:27:03,720 Speaker 1: can't ask any follow up questions about how the game works, 482 00:27:03,760 --> 00:27:09,560 Speaker 1: and if you do, you will lose. I'm just I'm 483 00:27:09,560 --> 00:27:12,520 Speaker 1: just blindly picking stuff. Is that a question, that's not 484 00:27:12,560 --> 00:27:16,800 Speaker 1: a question, that's not a question? Me? Um? Okay, Devon 485 00:27:17,080 --> 00:27:23,399 Speaker 1: Dear Evan Hansen or deer in the headlights okay, Devon, 486 00:27:23,760 --> 00:27:28,760 Speaker 1: childhood trauma or no more drama. Uh, no more drama. 487 00:27:29,280 --> 00:27:32,879 Speaker 1: Mine's kind of similar to this, Actually, civil engineering or 488 00:27:33,040 --> 00:27:41,280 Speaker 1: emotional manipulation. Emotional manipulation okay, majoring in anthropology or shopping 489 00:27:41,359 --> 00:27:46,960 Speaker 1: at the clothing store anthropology, shopping in the clothing store, okay, 490 00:27:47,200 --> 00:27:54,280 Speaker 1: Fall foliage or summertime sadness, the Real Housewives or the 491 00:27:54,400 --> 00:28:08,080 Speaker 1: real Slim shady pronoun saying Mario Mario, or pronouncing sopranos sopranos, Uh, sopranos. 492 00:28:08,960 --> 00:28:17,199 Speaker 1: Restorative justice or restorative yoga, restorative justice. Wow, incredible. I 493 00:28:17,200 --> 00:28:19,360 Speaker 1: love it as a concept. I would say a hundred. 494 00:28:20,080 --> 00:28:22,720 Speaker 1: You're you know, you headed out of the park. I've 495 00:28:22,720 --> 00:28:27,520 Speaker 1: never seen no follow up questions, no pausing between answering 496 00:28:28,000 --> 00:28:29,600 Speaker 1: all the and I felt like it was a good 497 00:28:29,640 --> 00:28:32,040 Speaker 1: mix of answers. To me. That was an A plus. 498 00:28:32,320 --> 00:28:34,080 Speaker 1: That was an A plus. And you gave the proper 499 00:28:34,480 --> 00:28:38,000 Speaker 1: um amusement. You know, some some of these guests, and 500 00:28:38,040 --> 00:28:40,240 Speaker 1: we won't name names, but you know, we'll run through 501 00:28:40,240 --> 00:28:41,760 Speaker 1: it and they'll sort of be like, yeah, I get it. 502 00:28:41,800 --> 00:28:44,160 Speaker 1: You're doing a bit, and you know, you sort of smirk, 503 00:28:44,280 --> 00:28:46,719 Speaker 1: you giggle at the proper points, and you know you're 504 00:28:46,720 --> 00:28:49,280 Speaker 1: not handing it up. You're just giving us enough to going. 505 00:28:49,720 --> 00:28:54,080 Speaker 1: And I really appreciate that. Yeah, I was expecting more 506 00:28:54,120 --> 00:28:57,000 Speaker 1: of a laugh with restorative justice story storative yoga, but 507 00:28:57,160 --> 00:28:59,840 Speaker 1: I think you know, you laughed at the other one. 508 00:29:00,280 --> 00:29:04,480 Speaker 1: You know, maybe it be guys. I was trying to 509 00:29:04,640 --> 00:29:06,040 Speaker 1: I was, I was trying to go, I'll go along 510 00:29:06,080 --> 00:29:07,040 Speaker 1: with it. I was just like, you know what, I'm 511 00:29:07,040 --> 00:29:08,920 Speaker 1: not gonna hesitate too much. I'm just gonna I'm gonna 512 00:29:08,920 --> 00:29:11,120 Speaker 1: PLoP forward. Yeah, and you did. I don't want how 513 00:29:11,160 --> 00:29:16,120 Speaker 1: you did? Wait, Sam, do you not say the sopranos? No, 514 00:29:16,240 --> 00:29:21,440 Speaker 1: I say the sopranos. Fuck, what do you say sopranos? Levin, 515 00:29:21,480 --> 00:29:27,680 Speaker 1: what do you say sopranos? I guess I feel in 516 00:29:27,720 --> 00:29:31,920 Speaker 1: the show they say soprano. Oh, do they like they 517 00:29:32,240 --> 00:29:34,960 Speaker 1: feel like they call him Tony soprano Yeah, from the show, 518 00:29:35,080 --> 00:29:40,560 Speaker 1: but like culturally, you know, we say soprano. Wow. Is 519 00:29:40,760 --> 00:29:47,000 Speaker 1: his ethnic name too difficult for you to pronounce? No, 520 00:29:47,280 --> 00:29:50,200 Speaker 1: I don't want to wear his culture as a costume, 521 00:29:50,280 --> 00:29:52,720 Speaker 1: so I say it in my way. Sure, you don't 522 00:29:52,720 --> 00:29:53,960 Speaker 1: want to be one of those people that's like I 523 00:29:53,960 --> 00:29:56,200 Speaker 1: would have an empty dada when you're going to like 524 00:29:56,240 --> 00:29:59,760 Speaker 1: the Ta Korea. You know that is a tough little 525 00:29:59,760 --> 00:30:02,920 Speaker 1: bo lens. I guess that's way to be honest, be 526 00:30:02,960 --> 00:30:07,080 Speaker 1: honest with you guys. Are your parents those people parents 527 00:30:07,120 --> 00:30:15,520 Speaker 1: are foreign? So no lucky My parents are like they know, 528 00:30:15,600 --> 00:30:18,240 Speaker 1: like they can say like casadilla, of course, but they 529 00:30:18,280 --> 00:30:21,400 Speaker 1: don't put like like I do. Think if they say, 530 00:30:21,440 --> 00:30:24,240 Speaker 1: like if they saw an a rose compoo on the menu, 531 00:30:24,320 --> 00:30:26,360 Speaker 1: they would sort of be like they might say polo. 532 00:30:27,080 --> 00:30:30,400 Speaker 1: You know, okay, I will I will say my dad 533 00:30:30,440 --> 00:30:32,760 Speaker 1: is on the wrong side of history and with this 534 00:30:32,880 --> 00:30:35,880 Speaker 1: kind of thing I am. I'm from Texas, and so 535 00:30:35,920 --> 00:30:37,800 Speaker 1: we definitely were just like around a lot of Mexican 536 00:30:37,840 --> 00:30:39,680 Speaker 1: food and people. One time I had a Mexican girlfriend 537 00:30:39,720 --> 00:30:44,600 Speaker 1: and her dad's name was just Bob or Robert, and 538 00:30:44,800 --> 00:30:48,080 Speaker 1: my dad would always call him Roberto. That no one 539 00:30:48,680 --> 00:30:50,960 Speaker 1: and no one did that, no one told him to 540 00:30:51,000 --> 00:30:53,560 Speaker 1: do that. He just would like, Dad, you can just 541 00:30:53,600 --> 00:30:55,760 Speaker 1: call him Bob. And He's like, I'm trying to respect 542 00:30:55,760 --> 00:30:57,960 Speaker 1: the culture. And I'm like, you're you're getting it backwards, 543 00:30:58,320 --> 00:31:03,560 Speaker 1: don't Yeah. I guess my parents first. Yeah, I mean 544 00:31:03,600 --> 00:31:05,280 Speaker 1: my mom once asked me if am margharita is a 545 00:31:05,280 --> 00:31:07,800 Speaker 1: type of wine. So I don't think that she would 546 00:31:07,840 --> 00:31:11,080 Speaker 1: have an issue with pronouncing things too authentically when it 547 00:31:11,080 --> 00:31:14,520 Speaker 1: comes to Mexican restaurants. But because she's not American and 548 00:31:14,600 --> 00:31:19,800 Speaker 1: because she grew up in Greece, she is fascinated, but 549 00:31:19,960 --> 00:31:23,040 Speaker 1: in in not a in not like a problematic way, 550 00:31:23,160 --> 00:31:25,800 Speaker 1: just like she loved when we lived here being in 551 00:31:25,840 --> 00:31:28,040 Speaker 1: like a diverse society of any kind. So she's like 552 00:31:28,080 --> 00:31:30,560 Speaker 1: fascinated by like other culture. So she would meet someone 553 00:31:30,800 --> 00:31:33,560 Speaker 1: and they'd be like maybe from Mexico, and she would 554 00:31:33,560 --> 00:31:36,360 Speaker 1: ask like two personal questions because to her it was 555 00:31:36,400 --> 00:31:39,760 Speaker 1: like exciting to learn about another culture, which I think 556 00:31:40,080 --> 00:31:45,080 Speaker 1: unfortunately you have to you know, the you have to 557 00:31:45,120 --> 00:31:50,000 Speaker 1: go the wasp rout of being afraid of everything. Yeah, 558 00:31:50,320 --> 00:31:55,720 Speaker 1: in many ways that is the more respectful route. It's 559 00:31:55,760 --> 00:31:58,560 Speaker 1: more to live in a diverse society and not learn 560 00:31:58,600 --> 00:32:03,280 Speaker 1: anything from it. It's important. Sometimes ignorance is good because 561 00:32:03,800 --> 00:32:06,160 Speaker 1: it's better to be ignorant than to be like obsessed. 562 00:32:07,600 --> 00:32:09,640 Speaker 1: You know, when people when people are always trying to 563 00:32:09,640 --> 00:32:16,880 Speaker 1: talk about learning or educated, educating themselves, that's social justice 564 00:32:16,920 --> 00:32:19,800 Speaker 1: reading list. I'm always like, you don't need to know 565 00:32:19,880 --> 00:32:26,800 Speaker 1: any of that. Yeah, you're coming off as like fetishizing 566 00:32:26,880 --> 00:32:29,960 Speaker 1: this stuff. Don't learn that stuff. Yeah. Yeah. In fact, 567 00:32:30,000 --> 00:32:36,520 Speaker 1: I would say going to college is appropriation. Go true, 568 00:32:36,800 --> 00:32:38,560 Speaker 1: so true. You know who didn't you know, didn't go 569 00:32:38,600 --> 00:32:44,960 Speaker 1: to college Jesus Cannon, My guy didn't, Nick Cannon, Jesus Christ. 570 00:32:45,040 --> 00:32:48,000 Speaker 1: You know some of the top the top charismatic leaders 571 00:32:51,240 --> 00:32:54,600 Speaker 1: was Nick Cannon and all that. Yes, he was sort 572 00:32:54,640 --> 00:32:57,160 Speaker 1: of in like at like kind of like post Keenan, 573 00:32:57,720 --> 00:33:00,840 Speaker 1: like when they were trying to post Keenan, uh and 574 00:33:00,920 --> 00:33:05,400 Speaker 1: like Amanda binds them. Yes, I guess that's the first 575 00:33:05,400 --> 00:33:09,640 Speaker 1: time him. Yeah, it didn't last very long. Yeah, well 576 00:33:09,920 --> 00:33:13,680 Speaker 1: he outgrew it. One could say, how old were you 577 00:33:13,720 --> 00:33:16,959 Speaker 1: when you realize that? Like, it took me starting comedy 578 00:33:16,960 --> 00:33:20,280 Speaker 1: to realize that while now is just improv games, that's 579 00:33:20,400 --> 00:33:22,360 Speaker 1: it's like, it's like improv games that you play it 580 00:33:22,440 --> 00:33:26,160 Speaker 1: like summer camp and that's the whole show. Yeah. Yeah, 581 00:33:26,240 --> 00:33:27,880 Speaker 1: I mean another thing that took me a while to 582 00:33:28,400 --> 00:33:30,560 Speaker 1: this is different. But like the talking Head shows on 583 00:33:30,640 --> 00:33:34,360 Speaker 1: v H one and stuff like, there was a moment 584 00:33:34,400 --> 00:33:37,360 Speaker 1: where it I kind of started realizing, Oh, this is 585 00:33:37,400 --> 00:33:41,640 Speaker 1: people's jobs, like and not just that I want to 586 00:33:41,640 --> 00:33:43,920 Speaker 1: be one of those people. Me too. I wanted to 587 00:33:43,960 --> 00:33:46,760 Speaker 1: be on I love the nineties so bad. Oh my god, 588 00:33:47,160 --> 00:33:50,360 Speaker 1: that was a true fantasy. We actually have a story 589 00:33:50,720 --> 00:33:52,680 Speaker 1: we should tell the Can we talk about this? Yeah, 590 00:33:52,720 --> 00:33:54,760 Speaker 1: let's talk about it and then we'll get into the topic. 591 00:33:55,000 --> 00:33:59,640 Speaker 1: I feel like we are not letting Devon speaking up. Okay, sorry, sorry, 592 00:33:59,680 --> 00:34:01,160 Speaker 1: it's because of the elephant in the room. But we'll 593 00:34:01,160 --> 00:34:04,200 Speaker 1: tell this story is good and maybe you maybe they 594 00:34:04,280 --> 00:34:06,400 Speaker 1: hit you up to it was they were trying to 595 00:34:06,480 --> 00:34:09,840 Speaker 1: reboot like Lifestyles and the Oh it was the Fabulous 596 00:34:09,920 --> 00:34:12,960 Speaker 1: Life of Fabulous Life where it was like, you know, 597 00:34:13,120 --> 00:34:17,920 Speaker 1: being like oh I did. I think so, um, and 598 00:34:17,960 --> 00:34:21,200 Speaker 1: it was like they had us. They were like, will 599 00:34:21,239 --> 00:34:23,560 Speaker 1: you do it? We'll pay you five d dollars and 600 00:34:23,600 --> 00:34:26,400 Speaker 1: we were like that's really low, but sure, because we 601 00:34:26,480 --> 00:34:28,480 Speaker 1: do We've always wanted to be talking heads on like 602 00:34:28,480 --> 00:34:31,239 Speaker 1: I always wanting I think also it was going to 603 00:34:31,320 --> 00:34:32,719 Speaker 1: be the two of us together, which I think would 604 00:34:32,719 --> 00:34:35,120 Speaker 1: have been really fun. And also they were like, yeah, 605 00:34:35,200 --> 00:34:36,759 Speaker 1: it's gonna be just like a few a couple of 606 00:34:36,760 --> 00:34:38,879 Speaker 1: hours shoot like whatever. So we were like, oh, maybe 607 00:34:38,920 --> 00:34:41,280 Speaker 1: it's like a test pilot. Maybe it's like one episode. 608 00:34:41,520 --> 00:34:43,800 Speaker 1: It turns out we were gonna be shooting things that 609 00:34:43,840 --> 00:34:46,040 Speaker 1: would be used in four different episodes. So we'll be 610 00:34:46,040 --> 00:34:49,839 Speaker 1: paid five hundred dollars to be in four episodes of 611 00:34:49,840 --> 00:34:55,680 Speaker 1: television that they can air whenever they want. That's the thing. Yeah, 612 00:34:56,400 --> 00:34:59,400 Speaker 1: well that's the thing that I like that really trips 613 00:34:59,440 --> 00:35:01,839 Speaker 1: you out when like when stuff starts to happen in 614 00:35:01,840 --> 00:35:04,560 Speaker 1: this industry, because like you start your like you know, 615 00:35:04,640 --> 00:35:06,239 Speaker 1: like there's a certain time in your life you're like, 616 00:35:06,239 --> 00:35:08,239 Speaker 1: oh v h ones like contact, like that's awesome, Like 617 00:35:08,280 --> 00:35:11,760 Speaker 1: I'm gonna get to be and then I've been reached 618 00:35:11,760 --> 00:35:14,520 Speaker 1: out to about like certain TV stuff and they tell 619 00:35:14,520 --> 00:35:16,520 Speaker 1: me how much money it is and I'm just like you, 620 00:35:17,239 --> 00:35:20,120 Speaker 1: I'm this is you work at a giant company. What 621 00:35:20,160 --> 00:35:22,040 Speaker 1: are you talking about? You're gonna give me three hundred 622 00:35:22,040 --> 00:35:25,800 Speaker 1: dollars because this whole day work? Fuck you? Like literally 623 00:35:26,280 --> 00:35:28,200 Speaker 1: literally just happened. They were like, yeah, it's like a 624 00:35:28,239 --> 00:35:31,000 Speaker 1: ten to six shoot of the rates two hundred eleven. 625 00:35:31,760 --> 00:35:33,560 Speaker 1: They were like, they were like, are you free. I 626 00:35:33,600 --> 00:35:35,879 Speaker 1: was like yeah, but I'm not gonna fucking do that. 627 00:35:36,120 --> 00:35:39,239 Speaker 1: This is it's it's Viacom. You guys. You can give 628 00:35:39,239 --> 00:35:41,799 Speaker 1: me five thousand dollars and not even blake. You guys 629 00:35:41,800 --> 00:35:44,600 Speaker 1: spend more money than that on fucking sandwiches, So don't like, 630 00:35:45,200 --> 00:35:47,360 Speaker 1: you know, I'm worth more than a sandwich. It is 631 00:35:47,400 --> 00:35:49,560 Speaker 1: like it's nice to just The thing is, the money 632 00:35:49,600 --> 00:35:52,680 Speaker 1: is so little that it actually is cheap to have self, 633 00:35:53,239 --> 00:35:56,160 Speaker 1: to have like some integrity, like you know what I mean, 634 00:35:56,239 --> 00:35:58,480 Speaker 1: Like I feel like that it could be like uh 635 00:35:58,520 --> 00:36:00,600 Speaker 1: an amount that was almost an up and then it 636 00:36:00,680 --> 00:36:02,440 Speaker 1: made you think like, oh maybe I should do this, 637 00:36:02,520 --> 00:36:04,279 Speaker 1: But it is so little that it actually makes you 638 00:36:04,320 --> 00:36:06,279 Speaker 1: feel good to say no because you're like this literally 639 00:36:06,280 --> 00:36:08,840 Speaker 1: would not make a difference in my life exactly because 640 00:36:08,880 --> 00:36:12,160 Speaker 1: because honestly, because if it's like seven hundred dollars, you're like, well, 641 00:36:12,320 --> 00:36:14,520 Speaker 1: I know, I know. I was that. We literally talked 642 00:36:14,560 --> 00:36:17,359 Speaker 1: about that. We were like, if they give us seven hundred, like, yeah, 643 00:36:17,560 --> 00:36:20,560 Speaker 1: we wouldn't do it. Like you're like, it's still it's 644 00:36:20,600 --> 00:36:23,520 Speaker 1: still not enough money, but you're like, well that's you 645 00:36:23,560 --> 00:36:25,439 Speaker 1: know that that really is that's gonna knock a chunk 646 00:36:25,440 --> 00:36:28,040 Speaker 1: out of rich. Yeah, I would not say no. But 647 00:36:28,280 --> 00:36:30,560 Speaker 1: so we got so basically Sam and I kind of 648 00:36:30,600 --> 00:36:33,759 Speaker 1: like realized last minute what was happening. Also this, I 649 00:36:33,760 --> 00:36:36,560 Speaker 1: mean another thing people don't know. Sorry to be like 650 00:36:36,640 --> 00:36:41,200 Speaker 1: all industry talk talking about a major successes of turning 651 00:36:41,200 --> 00:36:47,160 Speaker 1: down five hundred dollars, but like another thing people don't 652 00:36:47,160 --> 00:36:48,960 Speaker 1: know is that all this stuff happened so last minute. 653 00:36:48,960 --> 00:36:50,799 Speaker 1: So they will tell you about it and they'll be like, well, 654 00:36:50,800 --> 00:36:55,480 Speaker 1: we're recording tomorrow, and so you're like, okay, we're recording 655 00:36:55,480 --> 00:36:57,920 Speaker 1: tomorrow and there's no leeway and you can't negotiate and 656 00:36:57,920 --> 00:37:00,239 Speaker 1: you won't know what's happening until. Oh. The other thing 657 00:37:00,320 --> 00:37:02,560 Speaker 1: is well, I don't know if we're allowed to talk 658 00:37:02,600 --> 00:37:07,160 Speaker 1: about the other thing is that like the premise of 659 00:37:07,239 --> 00:37:09,520 Speaker 1: the show was not really what we thought it would be, 660 00:37:10,680 --> 00:37:15,480 Speaker 1: Like it was gonna be like celebrating people's wealth. It 661 00:37:15,600 --> 00:37:17,200 Speaker 1: was gonna be like, well, we're gonna talk about how 662 00:37:17,239 --> 00:37:19,480 Speaker 1: they're all like really good philanthropists. I was like, no, 663 00:37:19,560 --> 00:37:22,520 Speaker 1: I don't that. So wait, you're gonna pay me five 664 00:37:22,960 --> 00:37:28,600 Speaker 1: dollars to be like to praise celebrities for being such 665 00:37:28,600 --> 00:37:33,719 Speaker 1: good philanthropists toxic? And so then we said no. And 666 00:37:33,760 --> 00:37:39,239 Speaker 1: then this crazy angry producer called us and just like 667 00:37:39,239 --> 00:37:41,880 Speaker 1: like hardballed us and it like was trying to like 668 00:37:42,440 --> 00:37:45,520 Speaker 1: pressure us to go in, and it was so crazy. 669 00:37:45,719 --> 00:37:49,359 Speaker 1: And think the Lord that George was there because I 670 00:37:49,400 --> 00:37:52,600 Speaker 1: was just like like truly shaking, like I was like scared, 671 00:37:53,080 --> 00:37:55,160 Speaker 1: and George was like, look, I don't know what to 672 00:37:55,239 --> 00:37:58,759 Speaker 1: tell you. We're not doing this like I really did. 673 00:37:59,400 --> 00:38:01,080 Speaker 1: It was actually I was very proud of. I was 674 00:38:01,120 --> 00:38:03,480 Speaker 1: really like amped up after we hung up on that 675 00:38:03,520 --> 00:38:05,360 Speaker 1: call because I was like, I felt like I was 676 00:38:05,400 --> 00:38:08,239 Speaker 1: in a movie. I was like Sandra Bullock in Our 677 00:38:08,280 --> 00:38:10,399 Speaker 1: Brands Crisis, a movie I've never seen, but I saw 678 00:38:10,400 --> 00:38:13,279 Speaker 1: the trailer up where she was like she's like on 679 00:38:13,320 --> 00:38:17,560 Speaker 1: the phone or like, you know, Carrie Washington or whatever. 680 00:38:17,960 --> 00:38:20,680 Speaker 1: I was like, what isn't she the one that says 681 00:38:20,680 --> 00:38:26,480 Speaker 1: it's handled. I've never seen that show but probably but um, 682 00:38:26,640 --> 00:38:29,160 Speaker 1: but I truly was like I got into the zone 683 00:38:29,200 --> 00:38:30,719 Speaker 1: and I was like, well, now there's no way out 684 00:38:30,719 --> 00:38:32,440 Speaker 1: of this. I'm literally going to talk to you like 685 00:38:32,520 --> 00:38:35,120 Speaker 1: I am Sandra Bull like in our brand's crisis. And 686 00:38:35,480 --> 00:38:38,480 Speaker 1: she was like, I was like, listen, it's obviously not 687 00:38:38,560 --> 00:38:41,319 Speaker 1: like this is a complete joke, like Sam and I 688 00:38:41,400 --> 00:38:45,239 Speaker 1: have been paid more money to literally like post things 689 00:38:45,280 --> 00:38:47,359 Speaker 1: on Instagram. Like I was like, also kind of talking 690 00:38:47,360 --> 00:38:48,920 Speaker 1: out of my ass. I've never paid been paid more 691 00:38:48,920 --> 00:38:51,279 Speaker 1: money to postings on Instagram. But I was like, but 692 00:38:51,320 --> 00:38:55,759 Speaker 1: I could, I know people who have and um, and 693 00:38:55,800 --> 00:38:58,080 Speaker 1: then but she also got on the call and immediately 694 00:38:58,160 --> 00:39:00,480 Speaker 1: without without try like at that point, you want to 695 00:39:00,520 --> 00:39:03,680 Speaker 1: like charm someone into changing their mind like that the 696 00:39:03,719 --> 00:39:05,399 Speaker 1: whole thing is to be like, you know, I know 697 00:39:05,520 --> 00:39:08,200 Speaker 1: this is an ideal, but like we really love your 698 00:39:08,239 --> 00:39:11,160 Speaker 1: guys voice, and we really want like we think you'd 699 00:39:11,160 --> 00:39:12,920 Speaker 1: be such a great fit for it, and maybe like 700 00:39:13,080 --> 00:39:14,840 Speaker 1: if you do this, then we'll work on other projects. 701 00:39:15,040 --> 00:39:16,839 Speaker 1: She got on the phone and was immediately like listen, 702 00:39:16,880 --> 00:39:18,600 Speaker 1: I'm not gonna lie to you. This is not ideal 703 00:39:18,600 --> 00:39:21,280 Speaker 1: for us, and I mean we have a whole crew 704 00:39:21,280 --> 00:39:24,160 Speaker 1: planned out like bla blah blah. And and then I 705 00:39:24,280 --> 00:39:25,680 Speaker 1: was and she was like what can I say to 706 00:39:25,719 --> 00:39:27,480 Speaker 1: make you guys do? And I was literally like, you 707 00:39:27,520 --> 00:39:29,880 Speaker 1: can offer more money. That would be the thing that 708 00:39:29,920 --> 00:39:31,759 Speaker 1: would change our minds. And she was like, well I 709 00:39:31,800 --> 00:39:34,040 Speaker 1: can't do that, but this was but this would be 710 00:39:34,080 --> 00:39:35,840 Speaker 1: great exposure. And I was like, you did not just 711 00:39:35,880 --> 00:39:39,799 Speaker 1: say the word exposure towards me. Like she also was like, well, 712 00:39:39,840 --> 00:39:41,520 Speaker 1: this is what everyone else is getting. This is what 713 00:39:41,520 --> 00:39:43,279 Speaker 1: we're offering everyone. So if you think you're better than 714 00:39:43,280 --> 00:39:49,960 Speaker 1: everyone then and it was like, okay, sure, that's just 715 00:39:50,000 --> 00:39:52,800 Speaker 1: like that's not a reason. Like if you're being shitty 716 00:39:52,800 --> 00:39:55,279 Speaker 1: to everyone, that doesn't mean that's a good thing. This 717 00:39:55,360 --> 00:39:58,080 Speaker 1: is insane. It's like I'm already I'm already paying to 718 00:39:58,160 --> 00:40:01,799 Speaker 1: produce my own podcast, So maybe maybe someone here needs 719 00:40:01,800 --> 00:40:04,040 Speaker 1: a reality check about what I will will not do 720 00:40:04,160 --> 00:40:11,759 Speaker 1: for faith. Wow, they love they love they love to be, 721 00:40:11,840 --> 00:40:13,879 Speaker 1: like they literally like we really love your voice. They 722 00:40:13,880 --> 00:40:16,200 Speaker 1: love like they love to be Like we were such 723 00:40:16,280 --> 00:40:18,799 Speaker 1: huge fans and I'm like that number does not say 724 00:40:18,840 --> 00:40:22,560 Speaker 1: that because that's not Yeah, yeah, that's not. It's like 725 00:40:22,680 --> 00:40:25,799 Speaker 1: I heard stories like this. I always like, this is 726 00:40:25,840 --> 00:40:28,680 Speaker 1: how people in entertainment are portrayed in movies, Like this 727 00:40:28,760 --> 00:40:31,960 Speaker 1: is how people I you who were very successful talked 728 00:40:32,000 --> 00:40:33,920 Speaker 1: about it. And yet you always think it's going to 729 00:40:33,960 --> 00:40:36,480 Speaker 1: be different for you. You're like like you hear these 730 00:40:36,480 --> 00:40:38,680 Speaker 1: stories and you're like, yeah, but like when I get 731 00:40:38,760 --> 00:40:41,319 Speaker 1: something on H one, it'll like I'll be able to 732 00:40:41,320 --> 00:40:47,800 Speaker 1: buy a home. No, nope, Okay, let's get into our topic. 733 00:40:47,840 --> 00:40:50,440 Speaker 1: I know, but I'm also like, wow, wait, I'm like, 734 00:40:50,600 --> 00:40:53,240 Speaker 1: maybe this is not a fun detour, but I'm like Devin. 735 00:40:53,280 --> 00:40:57,560 Speaker 1: We also had another experience with an evil producer in 736 00:40:59,239 --> 00:41:02,160 Speaker 1: No said Sam. Sam had a much bigger problem with 737 00:41:02,160 --> 00:41:04,080 Speaker 1: this person than I did. Sam like had like a 738 00:41:04,120 --> 00:41:07,520 Speaker 1: real vindetta against this woman. Sam like truly, I mean 739 00:41:07,680 --> 00:41:09,840 Speaker 1: this is the lady was like a little often I 740 00:41:09,840 --> 00:41:12,040 Speaker 1: didn't funk with her, Like I didn't. I didn't like her. 741 00:41:12,120 --> 00:41:14,799 Speaker 1: She was like weird, but like truly there be times 742 00:41:14,800 --> 00:41:17,640 Speaker 1: where she's like she'd like just like walk in a 743 00:41:17,719 --> 00:41:22,600 Speaker 1: room and Sam be like and we're just leave. She 744 00:41:22,719 --> 00:41:25,120 Speaker 1: was going she was doing stuff to me, She was 745 00:41:25,160 --> 00:41:28,360 Speaker 1: being guys had you guys had a different kind of report, 746 00:41:28,400 --> 00:41:30,839 Speaker 1: but go ahead, said talk about the lady. Well, so, 747 00:41:30,880 --> 00:41:33,640 Speaker 1: first just to prefaces, Sam, in our words, a comedy Central, 748 00:41:33,680 --> 00:41:35,680 Speaker 1: and they put us in a in a house to 749 00:41:35,719 --> 00:41:39,400 Speaker 1: make TikTok's with like a big guy who's who's like 750 00:41:39,400 --> 00:41:41,160 Speaker 1: famous on the internet. You probably talked about this in 751 00:41:41,200 --> 00:41:44,759 Speaker 1: my podcast already. No, I haven't. Actually, I didn't know you. 752 00:41:44,840 --> 00:41:48,160 Speaker 1: I didn't know you were willing to go there, Sam. Yeah, 753 00:41:48,160 --> 00:41:50,239 Speaker 1: this is a little more honest than we normally go. 754 00:41:52,040 --> 00:41:54,359 Speaker 1: I don't know. I don't hear any repercussions from those 755 00:41:54,360 --> 00:41:57,360 Speaker 1: people specifically, I don't know. Well, they've all been fired 756 00:41:57,400 --> 00:42:00,480 Speaker 1: since then, exactly. Yeah, none of them even work at 757 00:42:00,520 --> 00:42:03,640 Speaker 1: the company anymore. Also, even when we worked there, they 758 00:42:03,680 --> 00:42:05,480 Speaker 1: never let us do anything, you know what I mean. 759 00:42:05,560 --> 00:42:09,160 Speaker 1: Even people who actually have powers are like Rupert Murdoch 760 00:42:09,320 --> 00:42:12,800 Speaker 1: and he's not listening to Stradio Lab. Yeah, so I'm 761 00:42:12,840 --> 00:42:17,400 Speaker 1: not scared. Well, basically we were. We were in this 762 00:42:17,400 --> 00:42:19,600 Speaker 1: house to these tick talks, and like it was in 763 00:42:19,640 --> 00:42:23,480 Speaker 1: like peak COVID, it was truly November of and so 764 00:42:23,520 --> 00:42:28,440 Speaker 1: it was like like we're having all these like requirements 765 00:42:28,440 --> 00:42:31,399 Speaker 1: of how we travel and stuff, but then like we're 766 00:42:31,440 --> 00:42:33,759 Speaker 1: assured everything needs to be like quarantined and safe, and 767 00:42:33,800 --> 00:42:36,360 Speaker 1: then they want like literally put us in like coach 768 00:42:36,560 --> 00:42:38,959 Speaker 1: on like a fucking plane, and it's just like, okay, 769 00:42:39,000 --> 00:42:41,040 Speaker 1: we get with care with with a flight with a 770 00:42:41,120 --> 00:42:47,280 Speaker 1: layover in Dallas, lay in Dallas in peak COVID, Yeah, exactly, 771 00:42:47,280 --> 00:42:48,640 Speaker 1: So we had to get we had to get on 772 00:42:48,680 --> 00:42:50,720 Speaker 1: a plane. They get off the plane, hangout in Texas 773 00:42:50,760 --> 00:42:53,759 Speaker 1: for a couple hours, and then take another flight, and 774 00:42:53,800 --> 00:42:55,520 Speaker 1: then they put us and then they had us quarantine 775 00:42:55,520 --> 00:42:57,440 Speaker 1: and that part was tight. That was the best part 776 00:42:57,480 --> 00:42:59,880 Speaker 1: of the trip. Yeah, But it was not a quarantine 777 00:43:00,040 --> 00:43:02,520 Speaker 1: in any sense. It was we were just they were like, 778 00:43:02,520 --> 00:43:04,439 Speaker 1: you're quarantining in a hotel. It was like, no, we're 779 00:43:04,480 --> 00:43:07,160 Speaker 1: staying in a hotel. You can't just call things quarantine. 780 00:43:07,480 --> 00:43:10,880 Speaker 1: Like they literally did not care what we did. And 781 00:43:10,920 --> 00:43:12,960 Speaker 1: they were like, oh, like we were supposed to get 782 00:43:13,000 --> 00:43:16,080 Speaker 1: food in this room that was like private, and they 783 00:43:16,080 --> 00:43:18,760 Speaker 1: were like, there wasn't food there. And I called the producer, 784 00:43:18,800 --> 00:43:21,120 Speaker 1: this angry producer, and she was like, just go to 785 00:43:21,160 --> 00:43:25,400 Speaker 1: the restaurant. And I was like, are you quarantine? You 786 00:43:25,520 --> 00:43:27,120 Speaker 1: wanted to go to the restaurant in the middle of 787 00:43:27,160 --> 00:43:30,239 Speaker 1: COVID like when we're supposed to be quarantining. It was 788 00:43:30,560 --> 00:43:32,719 Speaker 1: crazy and I was like, I'm fine with it. I'm 789 00:43:32,760 --> 00:43:34,440 Speaker 1: down to party. This was it was like truly a 790 00:43:34,440 --> 00:43:38,719 Speaker 1: really fun night. But yeah, that was the stuff in 791 00:43:38,760 --> 00:43:42,920 Speaker 1: the in like like covid um precautions or whatever in 792 00:43:42,960 --> 00:43:46,000 Speaker 1: the entertainment industry. Like I'm surprised there hasn't been There 793 00:43:46,000 --> 00:43:47,720 Speaker 1: has been some stuff written about it, but I'm surprised 794 00:43:47,719 --> 00:43:50,560 Speaker 1: there hasn't been like a large damning like New York 795 00:43:50,600 --> 00:43:53,919 Speaker 1: Times investigation. Like from what I understand from people, like 796 00:43:54,719 --> 00:43:57,279 Speaker 1: it is all a complete trade, like no one is 797 00:43:57,320 --> 00:43:59,719 Speaker 1: following it. I mean, now people are vaccinated, it's slightly better. 798 00:43:59,760 --> 00:44:02,400 Speaker 1: Although oh I've heard that basically if you're a celebrity 799 00:44:02,440 --> 00:44:06,480 Speaker 1: and you're unvaccinated, no one there are no repercussions. Like 800 00:44:06,680 --> 00:44:09,240 Speaker 1: even if there are vacs only events like fashion events 801 00:44:09,239 --> 00:44:11,880 Speaker 1: and stuff and you're unvaccinated, they basically just turn a 802 00:44:11,880 --> 00:44:13,520 Speaker 1: blind eye. But that's it's like its own thing. But 803 00:44:13,600 --> 00:44:18,960 Speaker 1: in the thing that basically people who basically I mean 804 00:44:18,960 --> 00:44:21,239 Speaker 1: there were people whose job was like COVID coordinator and 805 00:44:21,239 --> 00:44:23,719 Speaker 1: it was literally like some random guy it wasn't. It 806 00:44:23,840 --> 00:44:25,960 Speaker 1: wasn't like a professional of some sort. It was like 807 00:44:26,200 --> 00:44:29,560 Speaker 1: some guy who had that position. And then like everyone 808 00:44:29,680 --> 00:44:34,200 Speaker 1: like kind of tried to wear a mask. It was insane. 809 00:44:34,520 --> 00:44:38,200 Speaker 1: But eventually this lady kept she like was mad at 810 00:44:38,239 --> 00:44:40,320 Speaker 1: me because I kept calling her, And then she was 811 00:44:40,360 --> 00:44:41,759 Speaker 1: like mad at me because she was like, you guys 812 00:44:41,760 --> 00:44:43,440 Speaker 1: broke COVID precautions. I was like, you told me to 813 00:44:43,440 --> 00:44:46,200 Speaker 1: eat in a restaurant. What are you talking about? I mean, truly, 814 00:44:46,280 --> 00:44:48,200 Speaker 1: I didn't, like, I don't think any of us quarantine 815 00:44:48,280 --> 00:44:50,440 Speaker 1: even for a moment. I also missed my flight too. 816 00:44:50,640 --> 00:44:54,200 Speaker 1: I missed my flight. I missed my flight. The flight 817 00:44:54,280 --> 00:44:56,359 Speaker 1: was at like eight o'clock, and I like, I don't 818 00:44:56,400 --> 00:44:58,239 Speaker 1: know what. I set alarms and everything, and I truly 819 00:44:58,239 --> 00:45:00,239 Speaker 1: I woke up at like eight oh three and it 820 00:45:00,320 --> 00:45:01,520 Speaker 1: was just a rapp and so then they had to 821 00:45:01,560 --> 00:45:03,560 Speaker 1: like set up a whole different flight for me. And 822 00:45:03,560 --> 00:45:05,800 Speaker 1: when I got there, truly, I like put my bags 823 00:45:05,840 --> 00:45:08,240 Speaker 1: down and went and met everybody, and everybody was sucked 824 00:45:08,360 --> 00:45:13,799 Speaker 1: up at the restaurant and then yeah, we just kept 825 00:45:13,840 --> 00:45:16,760 Speaker 1: getting drunk for the rest of the night. On Comedy 826 00:45:16,760 --> 00:45:19,120 Speaker 1: Central Star That was my favorite part for them. The 827 00:45:19,200 --> 00:45:22,480 Speaker 1: trip that that was actually really fun. Um also and 828 00:45:22,520 --> 00:45:24,640 Speaker 1: then you know talking about how Viacom won't pay you 829 00:45:24,719 --> 00:45:28,080 Speaker 1: two hundred dollars to you know, do the shoot. Uh, Devin, 830 00:45:28,200 --> 00:45:31,160 Speaker 1: mind me how much that uber was that they paid 831 00:45:31,200 --> 00:45:33,600 Speaker 1: for you to take from Palm Springs to l A 832 00:45:33,719 --> 00:45:37,719 Speaker 1: to get tested for COVID and back. Hold on, I 833 00:45:37,760 --> 00:45:39,799 Speaker 1: think I have it. I think I think I took 834 00:45:39,920 --> 00:45:41,920 Speaker 1: I think I took a screen shot. Yeah, so we 835 00:45:41,920 --> 00:45:45,200 Speaker 1: we got we were connected to the Comedy Central uh 836 00:45:45,360 --> 00:45:48,120 Speaker 1: like uber accounts, so like we had we had we 837 00:45:48,120 --> 00:45:50,080 Speaker 1: had access to like charge it to their card. And 838 00:45:50,120 --> 00:45:52,319 Speaker 1: they because I missed my flight, they were like, we 839 00:45:52,360 --> 00:45:55,359 Speaker 1: can't get a COVID person out here in time. So 840 00:45:55,480 --> 00:45:57,560 Speaker 1: like it's like Sam had a COVID person. Say I 841 00:45:57,560 --> 00:45:59,799 Speaker 1: got there, Say Sam got there like noon. I got 842 00:45:59,800 --> 00:46:02,239 Speaker 1: there like eight pm. And they're like, well they can't 843 00:46:02,280 --> 00:46:04,359 Speaker 1: come back. Whoever that COVID person was, They were like, 844 00:46:04,400 --> 00:46:07,400 Speaker 1: we can't get them again. So like tomorrow you actually 845 00:46:07,400 --> 00:46:10,920 Speaker 1: have to take a two hour uber from Palm Springs 846 00:46:11,040 --> 00:46:14,440 Speaker 1: to like Glendale or something like that. And I had 847 00:46:14,480 --> 00:46:16,440 Speaker 1: to go, uh and and I had to put that 848 00:46:16,480 --> 00:46:20,120 Speaker 1: on Comedy Centrals down. Hold on one second also that 849 00:46:20,120 --> 00:46:22,320 Speaker 1: that trip to go get the COVID ride or to 850 00:46:22,400 --> 00:46:24,560 Speaker 1: go get the COVID test, I went to this place 851 00:46:24,560 --> 00:46:28,360 Speaker 1: and it was in the parking lot in Glendale, and 852 00:46:28,400 --> 00:46:30,239 Speaker 1: they would just they would do your test in the 853 00:46:30,280 --> 00:46:31,799 Speaker 1: parking lot. Then they would just walk up to you 854 00:46:31,800 --> 00:46:34,400 Speaker 1: and tell you your results. And so I was in 855 00:46:34,440 --> 00:46:37,200 Speaker 1: the parking lot standing and saw several people just learned 856 00:46:37,200 --> 00:46:39,759 Speaker 1: that they had COVID. They weren't being covert about it 857 00:46:39,800 --> 00:46:41,719 Speaker 1: in any sort of way. One of them was like, 858 00:46:41,760 --> 00:46:43,600 Speaker 1: it was like this. It was like a guy and 859 00:46:43,680 --> 00:46:47,680 Speaker 1: his girlfriend and like they apparently they like lived together, 860 00:46:47,760 --> 00:46:50,040 Speaker 1: and like he I saw them walk up and say 861 00:46:50,080 --> 00:46:51,759 Speaker 1: to the girl, like you don't have COVID, but the 862 00:46:51,840 --> 00:46:53,799 Speaker 1: to the guy, they're like you have it. And the 863 00:46:53,840 --> 00:46:57,440 Speaker 1: girl like dropped her knees. She was like no. And 864 00:46:57,480 --> 00:46:59,840 Speaker 1: I'm I'm just saying all of this unfold in the 865 00:47:00,000 --> 00:47:03,080 Speaker 1: parking lot. It was it was an experience total, but 866 00:47:03,160 --> 00:47:06,040 Speaker 1: I'm supposed to find out how much this trip was. Well, 867 00:47:06,040 --> 00:47:08,360 Speaker 1: while you're looking, I just want to say, like, another 868 00:47:08,400 --> 00:47:11,520 Speaker 1: reason all of this is so frustrating is because ultimately, 869 00:47:11,560 --> 00:47:14,960 Speaker 1: like the people were interacting with often are just as 870 00:47:15,000 --> 00:47:18,560 Speaker 1: exploited as the as the like the day rate people 871 00:47:18,560 --> 00:47:21,160 Speaker 1: on set, like it's just like totally basically it's all 872 00:47:21,200 --> 00:47:24,400 Speaker 1: I mean, especially with the I A t SC stuff 873 00:47:24,520 --> 00:47:27,680 Speaker 1: right now, like all these people that are like you know, 874 00:47:28,120 --> 00:47:31,360 Speaker 1: line producers and like wardrobe people and whatever. Like the 875 00:47:31,400 --> 00:47:33,640 Speaker 1: reason the whole experience is so frustrating is because they 876 00:47:33,760 --> 00:47:35,520 Speaker 1: also don't know what they're supposed to be doing. They're 877 00:47:35,560 --> 00:47:38,399 Speaker 1: also not getting the correct guidance. And everyone is being 878 00:47:38,480 --> 00:47:45,000 Speaker 1: underpaid literally except for like Rupert Murdoch like they should them. 879 00:47:45,120 --> 00:47:47,799 Speaker 1: They probably are as frustrated about us as we are 880 00:47:47,840 --> 00:47:51,919 Speaker 1: about them because no one has, like and the whole 881 00:47:51,920 --> 00:47:53,600 Speaker 1: reason you had to like take an uber to go 882 00:47:53,640 --> 00:47:55,440 Speaker 1: to Palm Springs or whatever to go to l A 883 00:47:55,840 --> 00:47:58,120 Speaker 1: is because like they didn't want to pay someone slightly 884 00:47:58,160 --> 00:48:01,120 Speaker 1: more to be like on the set to do this off. Yes, 885 00:48:01,520 --> 00:48:03,799 Speaker 1: well also the insane thing about that whole thing, and 886 00:48:03,800 --> 00:48:05,319 Speaker 1: I guess they couldn't have done, but like they had 887 00:48:05,360 --> 00:48:08,320 Speaker 1: a COVID lady who would come test us like every day. 888 00:48:08,640 --> 00:48:10,960 Speaker 1: Remember like when we were in the house, they had 889 00:48:11,000 --> 00:48:12,880 Speaker 1: a lady. So I was like, why couldn't that lady 890 00:48:12,920 --> 00:48:16,120 Speaker 1: just be the one I found the uber? It was 891 00:48:16,840 --> 00:48:22,279 Speaker 1: each it was nine dollars each way, so they did 892 00:48:22,320 --> 00:48:29,960 Speaker 1: have enough money to pay dollars. You see, Like, I 893 00:48:30,000 --> 00:48:31,600 Speaker 1: don't know, for the life of me, I can't figure 894 00:48:31,600 --> 00:48:33,680 Speaker 1: out how this ship works, because like, yeah, they spent 895 00:48:33,800 --> 00:48:36,560 Speaker 1: two thousand dollars for me to go to and from there, 896 00:48:36,600 --> 00:48:38,319 Speaker 1: they also put us up. They put us up in 897 00:48:38,320 --> 00:48:41,120 Speaker 1: a nice hotel. That hotel, it was like, it was 898 00:48:41,160 --> 00:48:43,319 Speaker 1: like a pretty nice hotel and they just let us 899 00:48:43,360 --> 00:48:46,440 Speaker 1: do room service. So we were just like we were 900 00:48:46,520 --> 00:48:49,000 Speaker 1: running it up and nobody ever brought it up to us. 901 00:48:49,040 --> 00:48:51,440 Speaker 1: We were spending so much funny, I thought somebody at 902 00:48:51,480 --> 00:48:54,560 Speaker 1: some point would say something that nobody ever did. I 903 00:48:54,600 --> 00:48:57,640 Speaker 1: was sure we're gonna get in trouble too, because we 904 00:48:57,640 --> 00:49:00,480 Speaker 1: were ordering so many drinks in Margarita's. I was getting 905 00:49:00,480 --> 00:49:03,719 Speaker 1: food delivered to the room before I left. Everybody everybody 906 00:49:03,800 --> 00:49:06,799 Speaker 1: was like, hey can you get They're like, hey, can 907 00:49:06,840 --> 00:49:08,759 Speaker 1: you get those Smores kids that they have in the 908 00:49:09,400 --> 00:49:11,560 Speaker 1: in the like gift in like the gift shop. And 909 00:49:11,600 --> 00:49:13,799 Speaker 1: I got like seven Smores kids and they all cost 910 00:49:13,840 --> 00:49:16,160 Speaker 1: like twenty bucks apiece. And I was just like, oh yeah, 911 00:49:16,200 --> 00:49:17,319 Speaker 1: go ahead and put that on the room. And then 912 00:49:17,360 --> 00:49:20,560 Speaker 1: I brought him for everybody that was that. That part 913 00:49:20,600 --> 00:49:22,880 Speaker 1: was awesome all right, And I'm like, this sounds kind 914 00:49:22,880 --> 00:49:26,240 Speaker 1: of fun. I wish I had a Comedy Central digital creator. 915 00:49:28,920 --> 00:49:34,680 Speaker 1: That's uh. Yeah. The thing we always kept coming back 916 00:49:34,680 --> 00:49:36,279 Speaker 1: to was at least we get paid for this. At 917 00:49:36,320 --> 00:49:38,960 Speaker 1: least we were getting paid. No, I was very grateful 918 00:49:39,080 --> 00:49:41,560 Speaker 1: to have a job. It was a job, So I 919 00:49:41,600 --> 00:49:43,600 Speaker 1: can never say they didn't give me a job. I'll 920 00:49:43,600 --> 00:49:47,719 Speaker 1: never say that about Comedy. Um. Wait, okay, this is 921 00:49:47,719 --> 00:49:54,080 Speaker 1: such a different episode than normal. This was true Hollywood tales. Wait. Yeah, 922 00:49:54,080 --> 00:49:55,880 Speaker 1: what we're supposed to talk? We didn't talk. Well, it's 923 00:49:55,920 --> 00:49:59,080 Speaker 1: so funny. We started out talking about being exploited, and 924 00:49:59,120 --> 00:50:01,680 Speaker 1: then it we ended up like, yeah, we're going to 925 00:50:01,760 --> 00:50:05,960 Speaker 1: restaurants every night and having s'mores and and paying two 926 00:50:05,960 --> 00:50:08,799 Speaker 1: thousand dollars for ubers and they had they flew us 927 00:50:08,840 --> 00:50:17,279 Speaker 1: coach and not business like, oh god, i'm here. I 928 00:50:17,680 --> 00:50:21,879 Speaker 1: can't tell. I can't tell if i'm I can't tell 929 00:50:21,960 --> 00:50:26,520 Speaker 1: how in touch or out of touch any of us are. Yeah, 930 00:50:26,560 --> 00:50:31,040 Speaker 1: it is complicated. We thought there was. We thought there 931 00:50:31,080 --> 00:50:33,719 Speaker 1: was a clear good side and a bad something. We 932 00:50:33,800 --> 00:50:37,160 Speaker 1: here ourselves speaking like okay, maybe we're but it also 933 00:50:37,280 --> 00:50:39,600 Speaker 1: encourages I don't know, I just I think it encourages 934 00:50:39,640 --> 00:50:42,799 Speaker 1: everyone to lose their minds because there's when there's no 935 00:50:42,920 --> 00:50:45,040 Speaker 1: job security, you never know if you're going to make 936 00:50:45,080 --> 00:50:49,520 Speaker 1: any money next month, and everyone is also like kind 937 00:50:49,520 --> 00:50:52,960 Speaker 1: of crazy to begin with. It's not a good cocktail 938 00:50:53,680 --> 00:50:55,880 Speaker 1: that they just had us living. They just had us 939 00:50:55,920 --> 00:50:58,200 Speaker 1: like living with the TikTok star. Basically, it was an 940 00:50:58,200 --> 00:51:01,520 Speaker 1: interesting time. It was he was fun though. I was 941 00:51:01,640 --> 00:51:04,080 Speaker 1: I like that guy. I told him. I was like, 942 00:51:04,120 --> 00:51:07,560 Speaker 1: I expected to really hate you, and you are pretty cool. Yeah. 943 00:51:07,600 --> 00:51:09,520 Speaker 1: I was surprised he was like nice and funny. It 944 00:51:09,600 --> 00:51:12,480 Speaker 1: was more like, yeah, it's like we have different goals 945 00:51:12,920 --> 00:51:17,320 Speaker 1: and that's kind of yeah. Um wait, should we do 946 00:51:17,360 --> 00:51:19,600 Speaker 1: our topic or is that let's topic? Let's start topic. 947 00:51:19,640 --> 00:51:24,240 Speaker 1: We're okay, We're literally gonna okay, the podcast starts now, Okay, okay, 948 00:51:24,400 --> 00:51:30,000 Speaker 1: so we do the club. Okay, here we go. Um, Devin. 949 00:51:30,080 --> 00:51:32,440 Speaker 1: Because this is not a visual medium, people can't see 950 00:51:33,560 --> 00:51:35,840 Speaker 1: the visual gag that you did in the middle of 951 00:51:35,840 --> 00:51:38,960 Speaker 1: our intro, which is that you left the screen and 952 00:51:39,000 --> 00:51:42,200 Speaker 1: came back wearing both a cameo shirt and a cameo 953 00:51:42,280 --> 00:51:48,560 Speaker 1: jacket and came Wow because your topic is would you 954 00:51:48,600 --> 00:51:53,160 Speaker 1: like to introduce My topic is camouflage. That's my that's 955 00:51:53,200 --> 00:51:56,040 Speaker 1: my straight topic of the day. So this is obviously 956 00:51:56,040 --> 00:51:58,440 Speaker 1: such a rich topic. I mean we could go literal. 957 00:51:58,680 --> 00:52:00,920 Speaker 1: I mean, it's a sign, it's a of the military 958 00:52:00,920 --> 00:52:06,400 Speaker 1: industrial complex. We could go uh, we could go more metaphorical, camouflaging, 959 00:52:06,480 --> 00:52:09,520 Speaker 1: fitting in, being in the closet. You know, there's really 960 00:52:09,560 --> 00:52:12,759 Speaker 1: so many different directions. But I want to know why 961 00:52:12,840 --> 00:52:14,960 Speaker 1: you chose this topic and what about it is it 962 00:52:15,040 --> 00:52:20,239 Speaker 1: makes it straight? Um? I chose this topic because it 963 00:52:20,280 --> 00:52:22,960 Speaker 1: feels so inherently straight because of the connotation that it 964 00:52:23,040 --> 00:52:26,080 Speaker 1: had like growing up, you know, like like growing up 965 00:52:26,440 --> 00:52:28,960 Speaker 1: as a text especially like this sort of like so 966 00:52:29,000 --> 00:52:31,640 Speaker 1: there's like the military camera, but then like the hunter 967 00:52:31,760 --> 00:52:34,960 Speaker 1: cameras specifically, right, you're in camera right now? Yeah, Yes, 968 00:52:35,200 --> 00:52:38,160 Speaker 1: I'm I'm wearing like real trade you know, like blend 969 00:52:38,200 --> 00:52:40,319 Speaker 1: in so that you can shoot a duck. Yes kind 970 00:52:40,320 --> 00:52:46,759 Speaker 1: of cameo, um, specifically a duck. Uh. And I don't know, Yeah, 971 00:52:46,800 --> 00:52:48,279 Speaker 1: I grew up with like a type of guy who 972 00:52:48,280 --> 00:52:52,320 Speaker 1: wore this like as fashion, and that's what this reminds 973 00:52:52,360 --> 00:52:55,919 Speaker 1: me of. That's that's just the kind of guy who 974 00:52:55,960 --> 00:52:59,759 Speaker 1: like wouldn't admit to have a feeling, but also is 975 00:52:59,800 --> 00:53:02,560 Speaker 1: like as like one of the most sensitive people you've 976 00:53:02,600 --> 00:53:05,640 Speaker 1: ever met, you know. I like it's like the only 977 00:53:05,680 --> 00:53:12,160 Speaker 1: acceptable form of fashion is wearing hunting or military gear. Yeah, exactly, 978 00:53:12,200 --> 00:53:14,960 Speaker 1: and something about it, you know, it just feels inherently 979 00:53:15,200 --> 00:53:19,319 Speaker 1: heterosexual to me. Yeah, I'm really you know, we talked 980 00:53:19,360 --> 00:53:21,600 Speaker 1: about this before that we started recording, but I'm really 981 00:53:21,600 --> 00:53:24,319 Speaker 1: into Camo right now. I I get quite a bit 982 00:53:24,360 --> 00:53:27,720 Speaker 1: of it um. And I do think there's there's something 983 00:53:27,719 --> 00:53:31,200 Speaker 1: about like, as a kid or even like teen or whatever, 984 00:53:31,400 --> 00:53:33,920 Speaker 1: like it was like kind of scary when someone wore 985 00:53:33,960 --> 00:53:35,480 Speaker 1: came out, Like it was like, Okay, you're a type 986 00:53:35,480 --> 00:53:37,759 Speaker 1: of person I will not be able to interact with. 987 00:53:38,320 --> 00:53:42,880 Speaker 1: And almost like and Georgias where this is going. But 988 00:53:42,960 --> 00:53:44,880 Speaker 1: like I do feel like in the same way that 989 00:53:44,920 --> 00:53:48,600 Speaker 1: like leather culture was inspired by like Nazis, you know, 990 00:53:48,640 --> 00:53:50,400 Speaker 1: and you're like, I'm afraid of them. So it's kind 991 00:53:50,400 --> 00:53:53,200 Speaker 1: of hot. Is like Campo is like I'm afraid of 992 00:53:53,239 --> 00:54:00,560 Speaker 1: this kind of hot Okay, yeah, okay. So to me, 993 00:54:00,920 --> 00:54:03,520 Speaker 1: I mean a kind of a recurring theme in this 994 00:54:03,560 --> 00:54:06,080 Speaker 1: podcast is like something we'll be we'll talk about how 995 00:54:06,120 --> 00:54:08,359 Speaker 1: something is like really really straight and then there will 996 00:54:08,360 --> 00:54:10,000 Speaker 1: be a positive stand will be like and it's kind 997 00:54:10,000 --> 00:54:14,719 Speaker 1: of hot. Right, Well, it's like there's something also the 998 00:54:14,760 --> 00:54:16,680 Speaker 1: way that the way the same you just described it, it 999 00:54:16,600 --> 00:54:18,520 Speaker 1: it does sound like you kind of have wanted to 1000 00:54:18,520 --> 00:54:20,759 Speaker 1: fuck a Nazi. I know, I did Nazi thing really 1001 00:54:22,800 --> 00:54:25,840 Speaker 1: the way you're like, yeah, it's just the swastikas in 1002 00:54:25,880 --> 00:54:28,000 Speaker 1: the leather. It's sort of something about itself. I don't know, 1003 00:54:28,000 --> 00:54:30,759 Speaker 1: I don't know, it's just about it No, that's not 1004 00:54:31,040 --> 00:54:34,000 Speaker 1: it's like that's sounds like to me, that is what 1005 00:54:34,080 --> 00:54:38,080 Speaker 1: inspired like Toma Finland stuff is like Okay, guys, who 1006 00:54:38,160 --> 00:54:39,960 Speaker 1: in the sound of music are you attracted to one 1007 00:54:40,000 --> 00:54:45,239 Speaker 1: to three roles? I am not attracted to Nazis. It's 1008 00:54:45,239 --> 00:54:49,719 Speaker 1: just it's a fact that leather culture was partially inspired 1009 00:54:49,719 --> 00:54:54,880 Speaker 1: by Nazi uniforms. Okay, fair, I mean Nazi uniforms were um, like, 1010 00:54:55,680 --> 00:54:59,680 Speaker 1: weren't they designed by like by Hugo Boss? Yeah, And 1011 00:54:59,760 --> 00:55:03,120 Speaker 1: my I'm like it was something like that they had, 1012 00:55:03,200 --> 00:55:05,279 Speaker 1: Like I mean, you can't tell me the fits didn't 1013 00:55:05,280 --> 00:55:07,040 Speaker 1: go off, you know what I'm saying. You can't tell 1014 00:55:07,040 --> 00:55:11,000 Speaker 1: me the like yeah, Hugo bas literally was in the 1015 00:55:11,080 --> 00:55:16,160 Speaker 1: Nazi party and then made the he made the uniform. 1016 00:55:16,200 --> 00:55:19,080 Speaker 1: I mean, and that's just proved cancel culture is not real. Right, 1017 00:55:21,000 --> 00:55:23,719 Speaker 1: you can literally design the Nazi uniform and still have 1018 00:55:23,840 --> 00:55:29,799 Speaker 1: stores and malls as a Nazi. Yeah yeah, yeah, yeah, 1019 00:55:29,960 --> 00:55:33,960 Speaker 1: that's like no well documented thing. Yeah, so Marge Simpson 1020 00:55:34,000 --> 00:55:38,720 Speaker 1: is complicit when she wears that little pink suit. Damn, 1021 00:55:39,040 --> 00:55:42,000 Speaker 1: you know, are people ready for that conversation? But that's 1022 00:55:42,040 --> 00:55:46,759 Speaker 1: not Again, do people think I'm not am I coming 1023 00:55:46,760 --> 00:55:50,600 Speaker 1: off really horrifically in this episode? No? No, no, I 1024 00:55:50,640 --> 00:55:52,640 Speaker 1: think you you know, you were trying to think, like 1025 00:55:52,719 --> 00:55:54,719 Speaker 1: what's the worst thing? You know, It's like, um, you 1026 00:55:54,760 --> 00:55:58,040 Speaker 1: were talking about how there is you can have this. 1027 00:55:59,160 --> 00:56:02,120 Speaker 1: There's an a lord to have forbidden attraction. So then 1028 00:56:02,160 --> 00:56:03,520 Speaker 1: you were like, what's the worst thing I can think of? 1029 00:56:03,520 --> 00:56:05,520 Speaker 1: And you said Nazis. But we weren't ready for that, 1030 00:56:05,640 --> 00:56:09,120 Speaker 1: so we were caught up guard. That's true. Yeah, no, 1031 00:56:09,239 --> 00:56:11,440 Speaker 1: you look you look great. We just we we had 1032 00:56:11,480 --> 00:56:16,880 Speaker 1: to do some math in our heads. But I Kamo 1033 00:56:17,160 --> 00:56:21,719 Speaker 1: Camo is Nazis. Camo, Well, Camo is like military, So yeah, 1034 00:56:21,760 --> 00:56:23,680 Speaker 1: it's like, I mean, it's not you know, it might 1035 00:56:23,719 --> 00:56:25,719 Speaker 1: not be Nazis per se, But it is people that 1036 00:56:25,760 --> 00:56:31,160 Speaker 1: are murdering, right, and even and even the hunters are 1037 00:56:31,200 --> 00:56:36,520 Speaker 1: also murdering, and the hunters are murdering animals and animals. Wait, George, George, 1038 00:56:36,560 --> 00:56:38,120 Speaker 1: where are you Are you from a place with like 1039 00:56:38,200 --> 00:56:41,000 Speaker 1: hunting kind of kids. Well, so I we moved back 1040 00:56:41,000 --> 00:56:42,719 Speaker 1: and forth when I was young, and when we lived here, 1041 00:56:42,760 --> 00:56:44,799 Speaker 1: we lived in New Jersey, but then most of my 1042 00:56:44,840 --> 00:56:47,040 Speaker 1: life I was in Greece, and Greece in fact, Okay, 1043 00:56:47,040 --> 00:56:49,560 Speaker 1: so Sam knows this, But like I am supposed to 1044 00:56:49,600 --> 00:56:53,239 Speaker 1: do my mandatory military service as a Greek citizen, and 1045 00:56:53,480 --> 00:56:55,839 Speaker 1: I have been like a big part of my life 1046 00:56:56,000 --> 00:57:00,120 Speaker 1: is like proving every year that I'm a resident of 1047 00:57:00,200 --> 00:57:02,200 Speaker 1: the United States so that I don't have to do 1048 00:57:02,239 --> 00:57:04,560 Speaker 1: my Greek military service. But because it's part of the 1049 00:57:04,600 --> 00:57:07,759 Speaker 1: culture I grew up with, like military and navy imagery 1050 00:57:07,800 --> 00:57:12,680 Speaker 1: being very common and almost like not even attached to 1051 00:57:12,719 --> 00:57:15,040 Speaker 1: the idea of war, because Greece was never like hasn't 1052 00:57:15,239 --> 00:57:16,960 Speaker 1: you know, Greece hasn't been in a war in the 1053 00:57:17,000 --> 00:57:19,400 Speaker 1: last like a few decades. It's more just like it's 1054 00:57:19,400 --> 00:57:23,280 Speaker 1: a form of like national service, so like everyone has 1055 00:57:23,360 --> 00:57:26,960 Speaker 1: to do their mandatory military service for like, I think 1056 00:57:26,960 --> 00:57:29,400 Speaker 1: it's like a year. So like I remember when my 1057 00:57:29,520 --> 00:57:31,040 Speaker 1: dad did it and was in the Navy, and I 1058 00:57:31,080 --> 00:57:33,920 Speaker 1: like visited him there, or like my cousin did it 1059 00:57:34,000 --> 00:57:40,000 Speaker 1: and was like being in the Greek military seems chill exactly. 1060 00:57:40,200 --> 00:57:43,560 Speaker 1: I mean I have always thought like, if truly, if 1061 00:57:43,680 --> 00:57:46,000 Speaker 1: I don't want to deal with like being gay in 1062 00:57:46,040 --> 00:57:49,040 Speaker 1: the military, but like if I wasn't, I truly would 1063 00:57:49,040 --> 00:57:51,680 Speaker 1: do it. It's like a vacation. Like I mean, you 1064 00:57:51,760 --> 00:57:54,240 Speaker 1: also like if you even have the least bit of 1065 00:57:54,240 --> 00:58:00,080 Speaker 1: a um what's the word, if you are in the know, 1066 00:58:00,160 --> 00:58:01,840 Speaker 1: even the least, but then you know, like someone who 1067 00:58:01,920 --> 00:58:04,080 Speaker 1: works in the office of the whatever, you can kind 1068 00:58:04,120 --> 00:58:08,120 Speaker 1: of like weasel your way into like being stationed like 1069 00:58:08,240 --> 00:58:11,360 Speaker 1: on a Greek island, which is like the ideal thing. 1070 00:58:11,440 --> 00:58:13,880 Speaker 1: So you would basically just be like doing some jumping 1071 00:58:13,960 --> 00:58:20,640 Speaker 1: jacks every day on the Santorini and there's no dame, like, 1072 00:58:20,680 --> 00:58:22,920 Speaker 1: there's no daga of going to war. There's no ethical 1073 00:58:23,000 --> 00:58:25,520 Speaker 1: I mean, because the military is not actually killing people 1074 00:58:25,760 --> 00:58:28,120 Speaker 1: who are going to war. I don't feel any ethical 1075 00:58:28,120 --> 00:58:31,640 Speaker 1: way about me. You're truly just like doing it. Sure 1076 00:58:32,640 --> 00:58:35,440 Speaker 1: is that crazy? That's that's my association with the military 1077 00:58:35,560 --> 00:58:37,800 Speaker 1: is that, which was like just a very big part 1078 00:58:37,800 --> 00:58:39,600 Speaker 1: of Greek life. And then when I lived in the state, 1079 00:58:39,840 --> 00:58:43,560 Speaker 1: I lived in New Jersey, like during the late nineties 1080 00:58:43,720 --> 00:58:48,760 Speaker 1: early two thousands, so it was like post nine eleven jingoism, 1081 00:58:49,000 --> 00:58:54,520 Speaker 1: like people wearing NYPD T shirts or people wearing like 1082 00:58:54,680 --> 00:58:57,880 Speaker 1: camo to support the troops or like like, so my 1083 00:58:57,960 --> 00:59:00,640 Speaker 1: association with it in America is very post nine eleven 1084 00:59:00,680 --> 00:59:04,920 Speaker 1: Iraq war. And then otherwise it's like Greek. There's a 1085 00:59:04,920 --> 00:59:07,520 Speaker 1: lot of Greek comedies about people being in the military. 1086 00:59:08,440 --> 00:59:11,160 Speaker 1: There's like a famous one where it's like, you know, 1087 00:59:11,440 --> 00:59:14,040 Speaker 1: it's like a comedy musical and like a woman dresses 1088 00:59:14,120 --> 00:59:16,640 Speaker 1: up as a guy because she wants to follow her 1089 00:59:16,640 --> 00:59:18,880 Speaker 1: boyfriend to the Navy. It's like it's all very like 1090 00:59:19,000 --> 00:59:23,920 Speaker 1: fun and not dark. Mm hmm. Yeah, but but not 1091 00:59:23,920 --> 00:59:25,840 Speaker 1: not the hunting kids. Those kids were not. No, we 1092 00:59:25,840 --> 00:59:28,160 Speaker 1: would know because I'm trying. Yeah. So, like when I 1093 00:59:28,160 --> 00:59:29,600 Speaker 1: was in America, I was in New Jersey, so there 1094 00:59:29,640 --> 00:59:31,760 Speaker 1: was and it was like pretty it was like suburban. 1095 00:59:32,680 --> 00:59:37,240 Speaker 1: It was like I think, like suburban, you know, Northeast, 1096 00:59:37,320 --> 00:59:41,440 Speaker 1: Like yeah, I mean, there were a lot of Republicans, 1097 00:59:41,440 --> 00:59:44,960 Speaker 1: but they weren't like hunting Republicans. They were like suburban Republicans. 1098 00:59:46,520 --> 00:59:50,360 Speaker 1: But you grew up with hunting. I grew up in 1099 00:59:50,480 --> 00:59:53,640 Speaker 1: very close proximity to kids who did hunt. I grew 1100 00:59:53,720 --> 00:59:56,600 Speaker 1: up like I grew up right outside of Austin, Okay, 1101 00:59:56,760 --> 01:00:01,280 Speaker 1: and so like it is a place where there, you know, 1102 01:00:01,400 --> 01:00:04,040 Speaker 1: the like we were on the outskirts of like the 1103 01:00:04,560 --> 01:00:07,040 Speaker 1: weirdness that is Austin. Also, it's it's funny to like 1104 01:00:07,400 --> 01:00:09,880 Speaker 1: now like reflecting back on the weirdness that was Austin. 1105 01:00:09,960 --> 01:00:11,640 Speaker 1: It was just like every now and again you would 1106 01:00:11,640 --> 01:00:13,760 Speaker 1: like see a girl with blue hair. That was That 1107 01:00:13,840 --> 01:00:16,480 Speaker 1: was kind of the whole thing that was like like, oh, 1108 01:00:16,520 --> 01:00:19,320 Speaker 1: Austin's so weird. It was just because the state was 1109 01:00:19,360 --> 01:00:22,520 Speaker 1: so republican. You know, it was so republican and like 1110 01:00:22,600 --> 01:00:24,480 Speaker 1: read that you could go there and be like, oh 1111 01:00:24,560 --> 01:00:29,520 Speaker 1: that you know show, yeah exactly, that was it was 1112 01:00:29,560 --> 01:00:32,920 Speaker 1: like freaky whoa. But I grew up kind of on 1113 01:00:32,960 --> 01:00:36,040 Speaker 1: the outskirts of that. So there was like, did you 1114 01:00:36,040 --> 01:00:39,400 Speaker 1: guys have received the TV show Friday Night Lights? Yeah, 1115 01:00:39,440 --> 01:00:43,280 Speaker 1: I'm familiar with it. Correct me if I'm wrong. To me, 1116 01:00:43,440 --> 01:00:46,120 Speaker 1: that seems like a lot of people really love that show, 1117 01:00:46,160 --> 01:00:48,120 Speaker 1: and I'm like, do you secretly want to be a Republican? 1118 01:00:49,720 --> 01:00:53,120 Speaker 1: Well you know I well, okay, so fun facts about 1119 01:00:53,120 --> 01:00:55,760 Speaker 1: that uh TV show. They filmed a lot of the 1120 01:00:55,800 --> 01:01:00,440 Speaker 1: first season at my high school, and um, so like 1121 01:01:00,480 --> 01:01:01,960 Speaker 1: it was it was a huge deal in our town. 1122 01:01:01,960 --> 01:01:03,720 Speaker 1: Like especially in the pilot, there's like a bunch of 1123 01:01:03,800 --> 01:01:06,600 Speaker 1: kids and like teachers and coaches that I like know 1124 01:01:06,800 --> 01:01:10,400 Speaker 1: that I can spot out. Uh but if you if 1125 01:01:10,400 --> 01:01:12,800 Speaker 1: for for the listeners anyone who's watched that show, like 1126 01:01:12,880 --> 01:01:15,440 Speaker 1: my where I grew up was like not that different 1127 01:01:15,840 --> 01:01:18,520 Speaker 1: where it was like adjacent to Austin, but like you know, 1128 01:01:18,560 --> 01:01:21,000 Speaker 1: so there's ideals White weren't far off, but like I 1129 01:01:21,040 --> 01:01:24,600 Speaker 1: was very much like in a Texas town, you know, 1130 01:01:24,720 --> 01:01:27,080 Speaker 1: with like the for the so the hunting kids were 1131 01:01:27,160 --> 01:01:29,040 Speaker 1: very much like a part of it, and kids who 1132 01:01:29,080 --> 01:01:31,360 Speaker 1: like rode their trucks around in the mud for fun, 1133 01:01:31,760 --> 01:01:35,600 Speaker 1: those kids were Did you feel like alienating that was 1134 01:01:35,640 --> 01:01:39,600 Speaker 1: that alienating to you or were you like um intrigued 1135 01:01:39,640 --> 01:01:43,120 Speaker 1: by it as a young kid, it was just it 1136 01:01:43,200 --> 01:01:45,440 Speaker 1: was just separate from me. It was just like it 1137 01:01:45,520 --> 01:01:47,360 Speaker 1: was like, oh, those are those kids over there, that's 1138 01:01:47,400 --> 01:01:50,080 Speaker 1: the stuff that they do. There was also like you know, 1139 01:01:50,160 --> 01:01:52,920 Speaker 1: plenty of like black kids at the school that I 1140 01:01:52,960 --> 01:01:55,480 Speaker 1: went to, so like we you know, I like found 1141 01:01:55,520 --> 01:01:58,320 Speaker 1: I like found friends who are like into the same 1142 01:01:58,400 --> 01:02:00,720 Speaker 1: kind of stuff as me, which was mostly just I 1143 01:02:00,720 --> 01:02:03,600 Speaker 1: guess playing sports and listening to like obscure bands, and 1144 01:02:03,640 --> 01:02:05,320 Speaker 1: we found on my space that was a big part 1145 01:02:05,320 --> 01:02:08,240 Speaker 1: of mine, you know. And so like now, if like 1146 01:02:08,400 --> 01:02:10,680 Speaker 1: you're going through kind of a camo phase, is it 1147 01:02:10,840 --> 01:02:13,800 Speaker 1: like you have enough distance from it that you're like 1148 01:02:14,880 --> 01:02:18,760 Speaker 1: that now it's like a fun throwback. Absolutely, absolutely, And 1149 01:02:18,800 --> 01:02:21,840 Speaker 1: I think it's like I don't know, I think like 1150 01:02:21,920 --> 01:02:24,120 Speaker 1: me doing the cameo in this way and Sam doing it, 1151 01:02:24,160 --> 01:02:26,840 Speaker 1: we're both like subverting it in our own ways, you know, 1152 01:02:26,960 --> 01:02:29,080 Speaker 1: because it's like if if Sam's it's because it's like 1153 01:02:29,240 --> 01:02:32,440 Speaker 1: a straight white man wearing cameo, you're like, get get it, 1154 01:02:32,440 --> 01:02:36,440 Speaker 1: get him away from me, don't don't let him touch me. Well, 1155 01:02:37,120 --> 01:02:38,800 Speaker 1: in New York, you'll see a certain type of like 1156 01:02:38,880 --> 01:02:40,959 Speaker 1: fashion white guy who will do it in like a 1157 01:02:40,960 --> 01:02:43,680 Speaker 1: fashion way where you're like, okay, but a lot of 1158 01:02:43,840 --> 01:02:45,680 Speaker 1: you know, if you have the mullet and you're doing 1159 01:02:45,720 --> 01:02:48,040 Speaker 1: the camo and you you know and you and you 1160 01:02:48,080 --> 01:02:52,000 Speaker 1: eat pussy, people are like, uh, you can't. It's a lot. Yeah, 1161 01:02:52,080 --> 01:02:54,200 Speaker 1: that's just like too many things and so like, yeah, 1162 01:02:54,200 --> 01:02:59,840 Speaker 1: it's very although I guess exactly. Yeah, that's a big 1163 01:03:00,080 --> 01:03:05,120 Speaker 1: to this whole story. Yeah, but but yeah that it's 1164 01:03:05,160 --> 01:03:06,480 Speaker 1: like that kind of adden to me. Yeah, I do 1165 01:03:06,560 --> 01:03:10,400 Speaker 1: feel like something about it, something about being far enough 1166 01:03:10,440 --> 01:03:12,920 Speaker 1: away from like that kind of kid makes it like 1167 01:03:13,320 --> 01:03:15,520 Speaker 1: I don't know, no, it's cool to me. Yeah, well, 1168 01:03:15,560 --> 01:03:19,000 Speaker 1: I feel My uncle lives on a farm in North Carolina, 1169 01:03:19,200 --> 01:03:23,600 Speaker 1: and whenever I go visit, I'm like suddenly I'm like, 1170 01:03:23,640 --> 01:03:26,640 Speaker 1: oh no, I'm not subverting it here. People just think 1171 01:03:26,720 --> 01:03:32,120 Speaker 1: I'm like normal and like I'm supporting a toxic culture. 1172 01:03:32,240 --> 01:03:36,600 Speaker 1: When I'm wearing Camo in North Carolina, I feel like there, 1173 01:03:36,640 --> 01:03:38,440 Speaker 1: you gotta like you gotta switch, you gotta switch your 1174 01:03:38,440 --> 01:03:40,000 Speaker 1: whole vibe up there. You know what I mean. You 1175 01:03:40,040 --> 01:03:42,680 Speaker 1: gotta you gotta bring sort of a very top side 1176 01:03:42,720 --> 01:03:45,720 Speaker 1: or energy, right, Yeah, you have to now, yeah, you 1177 01:03:45,720 --> 01:03:49,080 Speaker 1: have to be like your right. It has to be original, 1178 01:03:49,160 --> 01:03:52,680 Speaker 1: queer eye for the strike. I cast like pink hands, 1179 01:03:53,040 --> 01:03:57,919 Speaker 1: sweater around your neck, cross the tips even whoa yeah 1180 01:03:58,280 --> 01:04:01,920 Speaker 1: and go and spike that hair on up my Uh yeah, 1181 01:04:02,000 --> 01:04:05,360 Speaker 1: I could. I could see that that's gotta come back 1182 01:04:05,520 --> 01:04:10,080 Speaker 1: right it will. It's like it's already like it's right 1183 01:04:10,160 --> 01:04:13,280 Speaker 1: on the verge because like whenever, like because it's like 1184 01:04:13,280 --> 01:04:15,240 Speaker 1: like I don't like eighteen year olds are always kind 1185 01:04:15,240 --> 01:04:18,080 Speaker 1: of driving, you know a lot of the like trends 1186 01:04:18,080 --> 01:04:20,240 Speaker 1: and what's happening, those are always wearing the clue ship 1187 01:04:20,280 --> 01:04:22,720 Speaker 1: And I feel like just like like we were little 1188 01:04:22,760 --> 01:04:24,720 Speaker 1: kids in the nineties and like we did the nineties 1189 01:04:24,760 --> 01:04:26,840 Speaker 1: so hard, and now I feel like it's like we're 1190 01:04:26,960 --> 01:04:29,400 Speaker 1: right there with the outs, you know, I mean something. 1191 01:04:29,440 --> 01:04:31,480 Speaker 1: I mean, this is not you know, this is not 1192 01:04:31,520 --> 01:04:34,600 Speaker 1: an original stop. But like the way preppiness is coming 1193 01:04:34,640 --> 01:04:38,000 Speaker 1: back truly with a vengeance is like crazy to me, 1194 01:04:38,120 --> 01:04:40,680 Speaker 1: Like it is now, it'll people are gonna be wearing 1195 01:04:40,680 --> 01:04:45,640 Speaker 1: like salmon shorts and and polos tucked in very soon. 1196 01:04:46,600 --> 01:04:49,520 Speaker 1: Do you do you think we're on the precipice of 1197 01:04:49,560 --> 01:04:52,920 Speaker 1: getting back to like Abercrombie and like hollow Stude times 1198 01:04:53,280 --> 01:04:56,960 Speaker 1: they feel like it'll be more like Polo, like Ralph Lauren, 1199 01:04:57,160 --> 01:05:01,520 Speaker 1: like like sure and costs and and things like that, 1200 01:05:01,840 --> 01:05:03,600 Speaker 1: or even like Brooks Brothers like I feel like it 1201 01:05:03,600 --> 01:05:09,120 Speaker 1: will be like ironically waspy country club. You know what 1202 01:05:09,160 --> 01:05:11,280 Speaker 1: I will tell you is that was my vibe kind 1203 01:05:11,320 --> 01:05:14,240 Speaker 1: of like kind kind of been kind of been high 1204 01:05:14,240 --> 01:05:17,160 Speaker 1: school in college. I kind of like was because you know, 1205 01:05:17,480 --> 01:05:20,880 Speaker 1: it was like it was like kind of cool, even 1206 01:05:20,960 --> 01:05:24,080 Speaker 1: like the Vampire Weekend vibes. Yeah, or even like popping 1207 01:05:24,120 --> 01:05:26,400 Speaker 1: your collar up, like I remember watching like you know, 1208 01:05:26,480 --> 01:05:29,080 Speaker 1: t r L and like the VJs would be wearing 1209 01:05:29,080 --> 01:05:31,880 Speaker 1: like Abercrombie jeans and like Apollo with a pop collar, 1210 01:05:32,120 --> 01:05:35,120 Speaker 1: and that was like the fashion met thing, like the 1211 01:05:35,160 --> 01:05:41,240 Speaker 1: fashionable thing to do. I have a camo, Like I 1212 01:05:41,280 --> 01:05:44,320 Speaker 1: have a quote, um I believe from Max Twitter that 1213 01:05:44,360 --> 01:05:46,840 Speaker 1: I think is actually genius where he just said, like 1214 01:05:47,000 --> 01:05:51,280 Speaker 1: camo is leopard print for men, and um, that has 1215 01:05:51,320 --> 01:05:54,960 Speaker 1: always really stuck with me. It's it's also made leopard 1216 01:05:55,000 --> 01:05:57,640 Speaker 1: print and like cheetah print make more sense because I 1217 01:05:57,680 --> 01:06:00,480 Speaker 1: was always kind of like, what is that, Like it's 1218 01:06:00,520 --> 01:06:03,600 Speaker 1: such a weird choice in my mind, But now I'm like, Okay, 1219 01:06:03,640 --> 01:06:10,360 Speaker 1: they're just kind of being weird. Yeah, they've just been 1220 01:06:10,400 --> 01:06:14,760 Speaker 1: a little weird. I don't know. To me, You've got 1221 01:06:14,760 --> 01:06:17,560 Speaker 1: to be a very specific type of person to really 1222 01:06:17,600 --> 01:06:20,560 Speaker 1: make leopard print in like cheetah print work. I know 1223 01:06:20,720 --> 01:06:26,600 Speaker 1: I have tried to disastrous effects. I believe in you. 1224 01:06:26,760 --> 01:06:30,080 Speaker 1: I think you could think because because if you were 1225 01:06:30,080 --> 01:06:32,280 Speaker 1: doing it, you wouldn't be doing it like holy sincerely, 1226 01:06:33,280 --> 01:06:36,280 Speaker 1: you'd be doing it. You'd be doing it kind of ironically. Well, 1227 01:06:36,320 --> 01:06:38,240 Speaker 1: there's something about leopord print where it it can only 1228 01:06:38,280 --> 01:06:41,600 Speaker 1: be ironic like it. So it depends on who, I 1229 01:06:41,640 --> 01:06:43,320 Speaker 1: don't know tell that, to tell that to some people 1230 01:06:43,320 --> 01:06:45,160 Speaker 1: and stead and you know I'm talking about Yeah, I 1231 01:06:45,200 --> 01:06:47,680 Speaker 1: guess that's true. I guess that's true. Do you think, 1232 01:06:47,720 --> 01:06:50,760 Speaker 1: Georgia you could really pull it off with like like 1233 01:06:50,800 --> 01:06:53,360 Speaker 1: a tank or something like a cheetah print tank. And 1234 01:06:53,400 --> 01:06:56,320 Speaker 1: because you're Sam, you know me, I could not pull 1235 01:06:56,360 --> 01:07:00,280 Speaker 1: off a cheetah print tank. Georgia. You absolutely could. You 1236 01:07:00,360 --> 01:07:02,560 Speaker 1: absolutely could, because you'd be harry and you can wear 1237 01:07:02,600 --> 01:07:05,080 Speaker 1: a little gold chain. It's like it would work. Quite 1238 01:07:05,080 --> 01:07:08,640 Speaker 1: of the most insane things you've ever said. No, it 1239 01:07:08,680 --> 01:07:13,320 Speaker 1: would absolutely work. It would be so cool. Next time. Well, 1240 01:07:13,440 --> 01:07:16,280 Speaker 1: you know what, listeners, if you find a good cheetah 1241 01:07:16,320 --> 01:07:20,400 Speaker 1: print tank, ethically sourced and ethically made that that I 1242 01:07:20,440 --> 01:07:23,480 Speaker 1: can purchase, please let us know, we'll put it on 1243 01:07:23,520 --> 01:07:27,760 Speaker 1: the Patreon. Hold on, hold on, I'm about to I'm 1244 01:07:27,760 --> 01:07:30,360 Speaker 1: gonna drop something in the chat real quick. Oh wow, 1245 01:07:31,360 --> 01:07:36,200 Speaker 1: multi media alert. I didn't know. Oh my god, Devon 1246 01:07:36,240 --> 01:07:40,840 Speaker 1: already found me a tank. Oh my. I mean if 1247 01:07:40,840 --> 01:07:45,240 Speaker 1: you wore the spaghetti straps leaveless leopard print crop. This 1248 01:07:45,720 --> 01:07:48,600 Speaker 1: is just so everyone knows. The Amazon Amazon results for 1249 01:07:48,720 --> 01:07:54,960 Speaker 1: Cheetah tank top. Huh. I think I think I think 1250 01:07:54,960 --> 01:07:58,240 Speaker 1: it would crush all right, Um, I believe in you 1251 01:07:58,920 --> 01:08:02,919 Speaker 1: do we. I think we actually managed um to dive 1252 01:08:02,960 --> 01:08:08,600 Speaker 1: into it. And I have one last point, please, okay, 1253 01:08:10,160 --> 01:08:15,440 Speaker 1: Pink Camo. That was like, there was a very small 1254 01:08:15,520 --> 01:08:18,920 Speaker 1: moment and I am talking about simply the Disney Channel 1255 01:08:18,920 --> 01:08:23,080 Speaker 1: original movie Cadet Kelly where pink where pink camera was 1256 01:08:23,120 --> 01:08:27,360 Speaker 1: in the ether, and um, it was like girls can 1257 01:08:27,400 --> 01:08:33,800 Speaker 1: be in the military. Yeah, but I feel like, what 1258 01:08:33,920 --> 01:08:37,320 Speaker 1: if like that would be a fun gay outfit is 1259 01:08:37,479 --> 01:08:41,599 Speaker 1: pink is pink Camo, And honestly, I feel like Devon also, 1260 01:08:41,680 --> 01:08:43,880 Speaker 1: you would you could look great with the pink camera. 1261 01:08:44,160 --> 01:08:46,160 Speaker 1: I think the elephant in the room that we really 1262 01:08:46,160 --> 01:08:48,120 Speaker 1: haven't acknowledged it in this way is that I think 1263 01:08:48,160 --> 01:08:50,200 Speaker 1: the person who could pull off pink camera the most 1264 01:08:50,320 --> 01:08:54,479 Speaker 1: is Samuel Tagger. Yea. Of the three of us, I do, 1265 01:08:54,600 --> 01:08:57,080 Speaker 1: I like we have to Okay, I've never talked to 1266 01:08:57,080 --> 01:08:59,000 Speaker 1: Sam about this, but I've always appreciate saying you have 1267 01:08:59,160 --> 01:09:03,760 Speaker 1: range stylistically and that like you do like sort of 1268 01:09:03,800 --> 01:09:06,800 Speaker 1: a you you like sort of like a like a 1269 01:09:06,840 --> 01:09:10,439 Speaker 1: bass fisherman's dad, dad, Look you love that. But then 1270 01:09:10,560 --> 01:09:13,599 Speaker 1: also like I've seen you on stage sometimes with like 1271 01:09:13,640 --> 01:09:17,439 Speaker 1: some like Daisy Duke shorts and like and like you 1272 01:09:17,479 --> 01:09:20,200 Speaker 1: know and like and like a crop top like like 1273 01:09:20,280 --> 01:09:23,559 Speaker 1: muscle shirt with like you know, you've got You've got 1274 01:09:23,560 --> 01:09:26,880 Speaker 1: a wide variety of notes that you can hit. Sam 1275 01:09:26,920 --> 01:09:30,599 Speaker 1: doesn't have the rain as they say. Yeah, you know. Honestly, 1276 01:09:30,640 --> 01:09:32,479 Speaker 1: now that you're saying this, I'm like, you're right. I 1277 01:09:32,520 --> 01:09:35,840 Speaker 1: want a long sleep pink camo T shirt. I think 1278 01:09:35,920 --> 01:09:40,880 Speaker 1: somehow like can pull off anything. Yeah, And I think 1279 01:09:40,920 --> 01:09:44,439 Speaker 1: it is because I think it is because Sam has 1280 01:09:44,479 --> 01:09:49,760 Speaker 1: a great butt. I think that's a big reason. Yea, 1281 01:09:49,840 --> 01:09:54,080 Speaker 1: it is true. Yeah, that's um. I think we've really 1282 01:09:54,160 --> 01:09:57,360 Speaker 1: figured it out. Um. I feel I just think Sam, 1283 01:09:57,400 --> 01:10:00,519 Speaker 1: if you imagine if you had like a floppy lad ass, 1284 01:10:00,680 --> 01:10:02,160 Speaker 1: do you think you could pull off the things you 1285 01:10:02,280 --> 01:10:05,479 Speaker 1: pull off. I think no, No, I think you're right. 1286 01:10:05,520 --> 01:10:11,639 Speaker 1: I actually do think there's something to this, Like it's 1287 01:10:11,680 --> 01:10:14,479 Speaker 1: literally what it's all about. Just yeah, just being able 1288 01:10:14,520 --> 01:10:16,479 Speaker 1: to have the right kind of ass to man, something 1289 01:10:16,520 --> 01:10:22,880 Speaker 1: happens like Actually, that's kind of with the entertainment industry too. 1290 01:10:22,960 --> 01:10:25,679 Speaker 1: It's like, yeah, we could all discuss whether we're getting 1291 01:10:25,680 --> 01:10:27,760 Speaker 1: paid five or seven hundred dollars, but at the end 1292 01:10:27,760 --> 01:10:33,439 Speaker 1: of the day, you just have to have a nice ask. Yeah. 1293 01:10:33,520 --> 01:10:35,839 Speaker 1: I mean, honestly, I can't think of a single flat 1294 01:10:35,880 --> 01:10:40,960 Speaker 1: asked famous comedian. Well, there's no there's no there's no 1295 01:10:41,000 --> 01:10:44,360 Speaker 1: way Bill Burrows rocking that thing about. There's there's no 1296 01:10:44,439 --> 01:10:47,519 Speaker 1: way Bill Burr's packing heat in the back. There's that's 1297 01:10:47,600 --> 01:10:50,320 Speaker 1: it's just impossible. Yeah, I think there are plenty of 1298 01:10:50,400 --> 01:10:54,400 Speaker 1: male comedians who don't have great asses. Who are Jim 1299 01:10:54,479 --> 01:10:57,720 Speaker 1: Jim Gaffigan, Jim. I don't think Jim Gaffigan has a 1300 01:10:57,720 --> 01:11:02,160 Speaker 1: great pancake you got, but Mike, Mike Burbibilia, shut the 1301 01:11:02,200 --> 01:11:10,720 Speaker 1: fund up, Mike Burbibilia, there's no chance. He guys, right, 1302 01:11:10,760 --> 01:11:14,639 Speaker 1: you're right, what what what wait? What comedian? What famous comedian? 1303 01:11:14,680 --> 01:11:17,479 Speaker 1: Do you think No, I was reaching. It was really 1304 01:11:17,560 --> 01:11:20,160 Speaker 1: I mean, I know, I bet Seinfeld has a good ass. 1305 01:11:20,560 --> 01:11:26,360 Speaker 1: Oh my god, classes no, not like I'm not like objectively, 1306 01:11:26,479 --> 01:11:28,360 Speaker 1: I bet he has like a good ass. Like I 1307 01:11:28,360 --> 01:11:30,840 Speaker 1: feel like in Seinfeld he's like putting these jeans on 1308 01:11:30,960 --> 01:11:33,360 Speaker 1: his ass is kind of popping out. That's true. That's true. 1309 01:11:33,479 --> 01:11:36,200 Speaker 1: That's true. I get here. He was always wearing a 1310 01:11:36,240 --> 01:11:38,920 Speaker 1: snug geene and yeah, he always had a shirt tucked in, right, 1311 01:11:39,160 --> 01:11:42,519 Speaker 1: you wanted to show it off. I really, I'm like, 1312 01:11:42,560 --> 01:11:47,800 Speaker 1: I should be able to think of of someone who 1313 01:11:47,840 --> 01:11:52,479 Speaker 1: are the big comedians you know, you know, you know, 1314 01:11:52,640 --> 01:11:56,879 Speaker 1: you know probably got asked Kevin Hart. Kevin Yeah, definitely, 1315 01:11:57,040 --> 01:11:59,439 Speaker 1: because you know, because he's already he's squat, he's short, 1316 01:12:00,120 --> 01:12:02,080 Speaker 1: and he's also like he's also like a huge, like 1317 01:12:02,120 --> 01:12:05,560 Speaker 1: fitness workout guy. Yeah, you guys, I am sure have 1318 01:12:05,640 --> 01:12:08,559 Speaker 1: come across before. You'll come across sometimes an ask that 1319 01:12:08,640 --> 01:12:10,559 Speaker 1: like is really big and nice, but it's like a 1320 01:12:10,600 --> 01:12:14,000 Speaker 1: workout ass. So it's also like rock Okay. So I 1321 01:12:14,040 --> 01:12:18,280 Speaker 1: was having this argument. I was like, do you prefer Well, 1322 01:12:18,520 --> 01:12:25,920 Speaker 1: it's different obviously because of society's gender expectations. Say that absolutely, 1323 01:12:26,600 --> 01:12:30,519 Speaker 1: but I'm like I think a hard hard ass is 1324 01:12:30,600 --> 01:12:34,000 Speaker 1: very impressive to me, like a large hard ask. Yeah, 1325 01:12:34,080 --> 01:12:37,479 Speaker 1: I agree, I think, you know, I think it's like 1326 01:12:38,080 --> 01:12:40,120 Speaker 1: also is very like works out a lot and it's 1327 01:12:40,200 --> 01:12:45,559 Speaker 1: like very very uh toned. Yeah he did get I 1328 01:12:45,600 --> 01:12:48,519 Speaker 1: remember when he got Jacks. I don't one of them. 1329 01:12:48,520 --> 01:12:55,599 Speaker 1: Many ways. He's perfect in every way, yeah, honestly, no 1330 01:12:55,720 --> 01:13:02,960 Speaker 1: no notes and he's always doing the right thing. I've 1331 01:13:02,960 --> 01:13:05,080 Speaker 1: been there's been asses where I've been like that's I 1332 01:13:05,080 --> 01:13:08,320 Speaker 1: don't like how hard this is. Yeah, I want the 1333 01:13:08,320 --> 01:13:10,479 Speaker 1: ask to like move around a little bit. But again, society, 1334 01:13:10,560 --> 01:13:13,559 Speaker 1: you know, society. Society is so messed up. It's crazy. 1335 01:13:13,680 --> 01:13:15,559 Speaker 1: You know what I'm saying. We need to tell that 1336 01:13:15,760 --> 01:13:18,200 Speaker 1: impacts all the society is bad. Well, and not even 1337 01:13:18,240 --> 01:13:22,600 Speaker 1: to mention the media in social media, social media and 1338 01:13:22,640 --> 01:13:26,000 Speaker 1: social media and the internet. It's like these like our phones, 1339 01:13:26,120 --> 01:13:27,800 Speaker 1: what are they? It's like we don't talk about what 1340 01:13:27,840 --> 01:13:32,439 Speaker 1: these are doing to us like they're they're right, I 1341 01:13:32,560 --> 01:13:38,600 Speaker 1: have a lot of is your background? That's what I 1342 01:13:38,600 --> 01:13:40,519 Speaker 1: thought it was? Okay, I I didn't it was. I 1343 01:13:40,880 --> 01:13:42,760 Speaker 1: got a little peak of it, but I wasn't sure. 1344 01:13:43,360 --> 01:13:47,960 Speaker 1: Great great photo, Um, now what is someone whatever? I sorry. 1345 01:13:48,000 --> 01:13:50,920 Speaker 1: I just recently I recently rewatched Sister Acts and I'm like, 1346 01:13:51,000 --> 01:13:53,680 Speaker 1: it is such a shame that she is spending her 1347 01:13:54,040 --> 01:13:56,519 Speaker 1: this chapter for life doing the view like she is 1348 01:13:56,560 --> 01:14:00,559 Speaker 1: one of the most charismatic actors we've had ever. No, 1349 01:14:00,680 --> 01:14:02,639 Speaker 1: I didn't. I disagree. I don't think it's a shame 1350 01:14:02,640 --> 01:14:04,519 Speaker 1: where she's at her I think that's kind of where 1351 01:14:04,560 --> 01:14:06,920 Speaker 1: she needed to and you know, she's like sixty something. 1352 01:14:07,400 --> 01:14:09,559 Speaker 1: She likes it. I don't. I don't think it's sad 1353 01:14:09,600 --> 01:14:11,960 Speaker 1: for her. Like I think she loves her life. I 1354 01:14:12,080 --> 01:14:15,160 Speaker 1: just like, as like a viewer. I can you imagine 1355 01:14:15,200 --> 01:14:18,320 Speaker 1: if she was still doing like broad comedies. But I 1356 01:14:18,320 --> 01:14:21,280 Speaker 1: mean that's the thing, Like, so my background has been 1357 01:14:21,920 --> 01:14:23,599 Speaker 1: for four years now just like different pictures that will 1358 01:14:23,640 --> 01:14:25,680 Speaker 1: be goberg because one time I was like doing a 1359 01:14:25,720 --> 01:14:28,720 Speaker 1: festival in Montana, and uh, we just had whenever we did. 1360 01:14:29,560 --> 01:14:32,160 Speaker 1: We were I was doing Big Guy, and the weekend 1361 01:14:32,200 --> 01:14:34,920 Speaker 1: that we were there, they were running like a WHOOPI 1362 01:14:35,000 --> 01:14:38,519 Speaker 1: Goldberg Marathon on like Stars or HBO or like one 1363 01:14:38,560 --> 01:14:40,960 Speaker 1: of those, and I was just like, WHOA. She was 1364 01:14:41,040 --> 01:14:44,040 Speaker 1: like a black woman who was like one of like 1365 01:14:44,160 --> 01:14:47,760 Speaker 1: the biggest comedy stars who was like leading movies. She 1366 01:14:47,840 --> 01:14:49,640 Speaker 1: was like a she was an A list celebrity in 1367 01:14:49,640 --> 01:14:52,720 Speaker 1: a way that like we wouldn't really seed for a 1368 01:14:52,760 --> 01:14:55,520 Speaker 1: long time. I mean, now maybe you're like Tiffany Hattish 1369 01:14:55,720 --> 01:14:58,600 Speaker 1: would be like the equivalent to that, but like, I 1370 01:14:58,640 --> 01:15:01,400 Speaker 1: don't know, it's she's still no. She was the one 1371 01:15:01,400 --> 01:15:03,920 Speaker 1: of that kind. She's like a once in a generation 1372 01:15:05,360 --> 01:15:09,040 Speaker 1: kind of cultural figure. I think, like exactly, it's it's crazy. 1373 01:15:09,080 --> 01:15:11,679 Speaker 1: I mean, and people forget like just the sheer number 1374 01:15:11,720 --> 01:15:13,559 Speaker 1: of movies during that Like I would say she had 1375 01:15:13,600 --> 01:15:15,400 Speaker 1: like a you know, like a ten year period that 1376 01:15:15,439 --> 01:15:17,519 Speaker 1: was like her peak. She was just like hit after 1377 01:15:17,600 --> 01:15:20,559 Speaker 1: hit after hit and literally one an Oscar was doing 1378 01:15:20,600 --> 01:15:26,960 Speaker 1: like dramas and comedies. Yeah, she's he got respect. She 1379 01:15:27,040 --> 01:15:33,200 Speaker 1: dated Ted Dancing, another amer with a great ass. She 1380 01:15:33,280 --> 01:15:37,479 Speaker 1: did Ted Dancing, and she dated either either Ebert or Roper, 1381 01:15:37,640 --> 01:15:44,800 Speaker 1: one of those guys that's I think wait, I think no, 1382 01:15:45,560 --> 01:15:47,800 Speaker 1: was it Steven Spielberg. She's like kind of had a 1383 01:15:47,920 --> 01:15:50,599 Speaker 1: run of like, oh my god, do you know who 1384 01:15:50,640 --> 01:15:57,120 Speaker 1: she dated? Franklin Jella? Who's that? Who's up? Franklin Jella 1385 01:15:57,400 --> 01:16:02,840 Speaker 1: is um it's like character actor. He was in like 1386 01:16:03,920 --> 01:16:08,080 Speaker 1: Frost Nickson. Oh yeah, this is the guy from that 1387 01:16:08,120 --> 01:16:10,639 Speaker 1: movie uh where he's like he's like, if you press 1388 01:16:10,680 --> 01:16:12,759 Speaker 1: the button, you know that you know what I'm talking about? 1389 01:16:12,760 --> 01:16:14,439 Speaker 1: What was that what we called? He's like, if you 1390 01:16:14,479 --> 01:16:19,320 Speaker 1: press the button, someone someone you know will die. Person 1391 01:16:19,520 --> 01:16:23,320 Speaker 1: someone you don't know will die. Yeah. Do you remember this? 1392 01:16:23,439 --> 01:16:26,479 Speaker 1: It came out in like two thousand nine. I simply 1393 01:16:26,560 --> 01:16:28,360 Speaker 1: do not know. Wait, no, I know exactly what you're 1394 01:16:28,400 --> 01:16:33,040 Speaker 1: talking about. The box, the Box. Yes with Cameron Diaz. Yes, 1395 01:16:33,200 --> 01:16:37,519 Speaker 1: with Cameron Diaz and James Marsden. Wow, well you heard 1396 01:16:37,560 --> 01:16:41,240 Speaker 1: it here first, folks. This has been inside Hollywood with 1397 01:16:41,439 --> 01:16:45,720 Speaker 1: Treaty Lab. I had no idea this would be our 1398 01:16:45,760 --> 01:16:48,920 Speaker 1: most industry heavy episode yet. I was surprised, but I 1399 01:16:49,000 --> 01:16:50,479 Speaker 1: kind of liked it. But I guess that's what you 1400 01:16:50,560 --> 01:16:53,400 Speaker 1: get when when you have a leader in the field 1401 01:16:53,479 --> 01:17:00,960 Speaker 1: as a as a heavy hitter. Shut the hell. It's 1402 01:17:01,240 --> 01:17:07,479 Speaker 1: the same job. So I feel like, I feel like 1403 01:17:07,520 --> 01:17:09,160 Speaker 1: it's time for the last segment. We got to do 1404 01:17:09,200 --> 01:17:12,320 Speaker 1: our final segment, and I think it's your turn to 1405 01:17:12,400 --> 01:17:15,719 Speaker 1: introduce a segment, and right and Devin, you know, before 1406 01:17:15,760 --> 01:17:19,520 Speaker 1: your hopes up. It's actually not a commentary on segments 1407 01:17:19,560 --> 01:17:24,200 Speaker 1: This is actually a segment which is horrifying, and you know, 1408 01:17:24,439 --> 01:17:27,840 Speaker 1: we'll talk about it after Off Mike. But and the 1409 01:17:27,880 --> 01:17:29,880 Speaker 1: context for this segment is that I don't like it, 1410 01:17:29,960 --> 01:17:31,680 Speaker 1: but Sam, well, I'm bad at it and Sam is 1411 01:17:31,720 --> 01:17:34,439 Speaker 1: good at it. It's so you can sense that tension. 1412 01:17:34,760 --> 01:17:37,160 Speaker 1: But I also think Georgia has just like it's sort 1413 01:17:37,160 --> 01:17:38,880 Speaker 1: of that thing where like a little kid decides they 1414 01:17:38,920 --> 01:17:41,519 Speaker 1: don't like a certain food even though they're like, just 1415 01:17:41,560 --> 01:17:43,519 Speaker 1: don't try it. Like I think George is actually good 1416 01:17:43,520 --> 01:17:46,120 Speaker 1: at it, but it's convinced himself he's bad at it. 1417 01:17:46,160 --> 01:17:49,759 Speaker 1: One things I know, I'm like jolaying us. I tried 1418 01:17:49,800 --> 01:17:52,880 Speaker 1: passion for for the first time last night. Have you 1419 01:17:52,920 --> 01:17:56,920 Speaker 1: ever had this? I have not. I don't think I've 1420 01:17:56,920 --> 01:18:00,240 Speaker 1: had an actual passion for right. It is I sort 1421 01:18:00,320 --> 01:18:02,719 Speaker 1: of God, you cut it in half and then what's 1422 01:18:02,760 --> 01:18:07,720 Speaker 1: in it is like a jelly cummy liquid full of 1423 01:18:07,880 --> 01:18:11,519 Speaker 1: little crunchy seeds that like look like sunflower seeds, and 1424 01:18:11,520 --> 01:18:15,959 Speaker 1: then you eat that with a spoon. Did like that? 1425 01:18:16,160 --> 01:18:22,080 Speaker 1: I actually it tasted incredible, But that's like one of 1426 01:18:22,120 --> 01:18:26,679 Speaker 1: those things, like it's it's rare to try a new food. Okay, 1427 01:18:26,680 --> 01:18:31,000 Speaker 1: go on, Wow, Okay, everyone loves this. Everyone at home 1428 01:18:31,080 --> 01:18:35,160 Speaker 1: is like, thank god. George said that, I don't know. 1429 01:18:36,360 --> 01:18:38,680 Speaker 1: I love when you are sort of free. I love 1430 01:18:38,680 --> 01:18:41,040 Speaker 1: when you were free to say whatever you feel and 1431 01:18:41,200 --> 01:18:44,280 Speaker 1: literally just let out any passing thought. I think that's 1432 01:18:44,360 --> 01:18:49,840 Speaker 1: the point of a podcast. Yeah, thank you, Sam. Okay, 1433 01:18:50,080 --> 01:18:54,280 Speaker 1: So this is called UM shout Outs, and in it 1434 01:18:54,360 --> 01:18:57,600 Speaker 1: we pay homage to the classic UM straight tradition of 1435 01:18:57,600 --> 01:18:59,839 Speaker 1: a radio shout out, and so we shout out anything 1436 01:18:59,840 --> 01:19:02,679 Speaker 1: that we enjoy UM, sort of in the style think 1437 01:19:02,720 --> 01:19:05,360 Speaker 1: of you know, it's two thousand one t r L. 1438 01:19:05,400 --> 01:19:07,360 Speaker 1: You're in Times Square shouting out to your squad back home, 1439 01:19:07,479 --> 01:19:11,280 Speaker 1: but about anything that you enjoy. And I actually have 1440 01:19:11,479 --> 01:19:14,200 Speaker 1: one that I we talked about before we started recording, 1441 01:19:14,200 --> 01:19:18,000 Speaker 1: and I'm gonna go, Georgia, really, what's up all your 1442 01:19:18,000 --> 01:19:19,880 Speaker 1: freaks and losers out there? UM? I would have to 1443 01:19:19,880 --> 01:19:23,360 Speaker 1: give a huge shout out to espresso martinis. I had 1444 01:19:23,360 --> 01:19:25,800 Speaker 1: one last night, and I know they're trendy. I know 1445 01:19:25,880 --> 01:19:27,840 Speaker 1: they're in and I almost didn't order one because I 1446 01:19:27,880 --> 01:19:29,920 Speaker 1: didn't want to see him two on trend but I said, Sam, 1447 01:19:30,120 --> 01:19:33,120 Speaker 1: swallow your damn pride in order an espresso martini and 1448 01:19:33,360 --> 01:19:36,280 Speaker 1: I was a little sleepy, and damn it lifted me up. 1449 01:19:36,600 --> 01:19:39,280 Speaker 1: I had a great night. I was fully blasted off 1450 01:19:39,320 --> 01:19:42,960 Speaker 1: into space. My stomach hurt later, but it was worth it. 1451 01:19:43,280 --> 01:19:45,680 Speaker 1: And I love espresso Martinez. I wish I got in 1452 01:19:45,680 --> 01:19:51,479 Speaker 1: a second one. Whoo whoo uh wait, fuck, I should 1453 01:19:51,479 --> 01:19:56,160 Speaker 1: have shouted out passion fruit. I know, I literally know. Wait, 1454 01:19:56,479 --> 01:20:01,040 Speaker 1: it's like I'm gonna do it. Um what boys and 1455 01:20:01,320 --> 01:20:05,360 Speaker 1: girls and everybody else in there. I want to give 1456 01:20:05,360 --> 01:20:07,840 Speaker 1: a quick shout out to that's right, passion fruit, the 1457 01:20:07,880 --> 01:20:10,280 Speaker 1: fruit I tried for the first time last night at 1458 01:20:10,400 --> 01:20:13,840 Speaker 1: a dinner party when I was taking to someone who 1459 01:20:13,960 --> 01:20:16,839 Speaker 1: that's right owns a beverage company as a side business 1460 01:20:16,840 --> 01:20:19,759 Speaker 1: and made a passion fruit flavored beverage. And I said, 1461 01:20:20,000 --> 01:20:21,800 Speaker 1: you know, I've never actually had a passion food. And 1462 01:20:21,840 --> 01:20:24,920 Speaker 1: she said, well, you're in like you stupid bitch, because 1463 01:20:25,000 --> 01:20:27,800 Speaker 1: I have some in my home, and so she gave 1464 01:20:27,800 --> 01:20:30,160 Speaker 1: me one. We cut it in half. Guess once in there, 1465 01:20:30,800 --> 01:20:35,680 Speaker 1: it looks like a chia seed plant had an orgy 1466 01:20:35,800 --> 01:20:40,240 Speaker 1: and then came all over a little fruit that is 1467 01:20:40,280 --> 01:20:43,880 Speaker 1: harry on the outside. And I took a spoon. I 1468 01:20:43,960 --> 01:20:48,080 Speaker 1: took I took a spoonful and it was it was 1469 01:20:48,200 --> 01:20:52,759 Speaker 1: crunchy seeds in the middle of commy liquid. As I said, alright, 1470 01:20:53,560 --> 01:20:55,600 Speaker 1: I said, this is not gonna be good. This is 1471 01:20:55,600 --> 01:20:58,280 Speaker 1: gonna be bad. Put it in my mouth. Guess what 1472 01:20:58,720 --> 01:21:02,240 Speaker 1: The textures are there, the flavor is there, the novelty 1473 01:21:02,360 --> 01:21:07,040 Speaker 1: is there. I'm getting tropical vibes. I'm in Hawaii. I 1474 01:21:07,040 --> 01:21:09,679 Speaker 1: am not in prosperou life for gardens. I'm on vacation 1475 01:21:09,720 --> 01:21:12,240 Speaker 1: of the Lotus and I'm not the one being killed. 1476 01:21:12,920 --> 01:21:17,400 Speaker 1: So in conclusion, huge shout out to that's right, passion fruit. 1477 01:21:17,520 --> 01:21:21,120 Speaker 1: Whoo whoo George. I just want to say very quickly, Um, 1478 01:21:21,160 --> 01:21:23,760 Speaker 1: normally I'm the horny one on this podcast, but I 1479 01:21:23,800 --> 01:21:26,280 Speaker 1: really wish you would maybe jerked off before we recorded. 1480 01:21:26,479 --> 01:21:29,080 Speaker 1: You know, the amount that you described, the comminess of 1481 01:21:29,120 --> 01:21:32,720 Speaker 1: this fruit and the hair nous and the like, it's 1482 01:21:32,720 --> 01:21:35,880 Speaker 1: really just like, Okay, I get it, Like I just 1483 01:21:35,960 --> 01:21:38,599 Speaker 1: want I mean, the thing is someone else last night 1484 01:21:38,600 --> 01:21:40,880 Speaker 1: described that as comming and then I was like, that's 1485 01:21:40,920 --> 01:21:43,439 Speaker 1: so disgusting. But then when I saw it, I was like, yeah, 1486 01:21:43,520 --> 01:21:45,720 Speaker 1: I mean I get it, so that I was like, 1487 01:21:45,760 --> 01:21:49,280 Speaker 1: I guess that's the only way to describe it okay, 1488 01:21:49,479 --> 01:21:52,360 Speaker 1: So you know, shout out to the entertainment industry and 1489 01:21:52,560 --> 01:21:55,679 Speaker 1: everything I said. Uh, you know it was a joke 1490 01:21:55,880 --> 01:22:00,280 Speaker 1: and you can't sue me because it all falls under statire. Yeah. Yeah, 1491 01:22:00,320 --> 01:22:03,120 Speaker 1: we were playing characters that have had have had bad 1492 01:22:03,120 --> 01:22:06,080 Speaker 1: times in the entertainment Industruss. We love everything we've ever 1493 01:22:06,120 --> 01:22:11,280 Speaker 1: done and I've been only paid fairly. Um, Devin, whenever 1494 01:22:11,360 --> 01:22:14,840 Speaker 1: you are ready, damn George. Kind of I was gonna 1495 01:22:15,000 --> 01:22:16,920 Speaker 1: I was gonna do the entertainment industry or like something 1496 01:22:17,439 --> 01:22:20,720 Speaker 1: you don't you still can, all right, I'm gonna know, 1497 01:22:20,720 --> 01:22:25,760 Speaker 1: I'm gonna do a couple. I'm gonna do it. Uh hey, 1498 01:22:25,840 --> 01:22:30,440 Speaker 1: yoh yah yah YOA what's up? What's up? What's up? 1499 01:22:33,400 --> 01:22:37,240 Speaker 1: What's up? It's your motherfucking boy, dannn Walker. Uh, just 1500 01:22:37,240 --> 01:22:38,800 Speaker 1: just really trying to give a shout out first and 1501 01:22:38,800 --> 01:22:41,519 Speaker 1: foremost to the network Comedy Central. Really appreciate everything that 1502 01:22:41,560 --> 01:22:45,280 Speaker 1: they've done. Uh really just just as an institute, you know, 1503 01:22:45,280 --> 01:22:47,479 Speaker 1: shout out via com CBS, you know, shout out the merger. 1504 01:22:48,000 --> 01:22:50,960 Speaker 1: Uh that's that's something that that not enough people talking about. 1505 01:22:51,040 --> 01:22:53,040 Speaker 1: You know, kind of when when when to become one 1506 01:22:53,080 --> 01:22:55,880 Speaker 1: big big marriage energy you know, shout out, shout up, 1507 01:22:56,520 --> 01:22:58,160 Speaker 1: you know, shout out, shout up the unity in the 1508 01:22:58,160 --> 01:23:02,960 Speaker 1: sanctity that is marriage. Um, shout out, yeah, shout out. 1509 01:23:02,960 --> 01:23:05,080 Speaker 1: The amount of money that they offered to pay me. 1510 01:23:05,160 --> 01:23:06,880 Speaker 1: I actually I love that, And I thought it was 1511 01:23:07,040 --> 01:23:09,559 Speaker 1: respectful for them to ask me that, after working there 1512 01:23:09,600 --> 01:23:12,559 Speaker 1: for almost an entire year, that they offered me two 1513 01:23:12,680 --> 01:23:15,439 Speaker 1: hundred and eleven dollars for an entire day's worth of 1514 01:23:15,439 --> 01:23:18,120 Speaker 1: work for a company that has literal billions of dollars. 1515 01:23:18,160 --> 01:23:20,280 Speaker 1: I thought that was okay and good and right, even 1516 01:23:20,280 --> 01:23:22,160 Speaker 1: though they could have given me way more. I thought 1517 01:23:22,200 --> 01:23:24,960 Speaker 1: that was I was I respect the people who asked 1518 01:23:25,000 --> 01:23:26,920 Speaker 1: me to do that, who again have known me and 1519 01:23:26,960 --> 01:23:31,160 Speaker 1: have a personal relationship with me. Also uh uh and 1520 01:23:31,360 --> 01:23:33,919 Speaker 1: uh you know, shout out, shout out, shout out Dave Chappelle. 1521 01:23:34,240 --> 01:23:37,760 Speaker 1: You know, shout out, shot out, shout out, shout out 1522 01:23:37,800 --> 01:23:41,960 Speaker 1: Dave Schappelle for just being you know everything like I said, right, uh, 1523 01:23:42,400 --> 01:23:45,360 Speaker 1: you know, right right, saying the right kind of stuff. Um, 1524 01:23:45,400 --> 01:23:48,840 Speaker 1: you know, having just absolute cakes in the back. Uh 1525 01:23:49,240 --> 01:23:52,080 Speaker 1: shout you know, shout shout out to the flat booty community. 1526 01:23:52,080 --> 01:23:57,880 Speaker 1: Shout out micro Biblia, shot shout shout out, shout out 1527 01:23:57,960 --> 01:23:59,960 Speaker 1: Jim gaff Again. I'm sorry man, if it's shout out 1528 01:24:00,000 --> 01:24:03,559 Speaker 1: Patton Oswald. I don't think you've got nothing on the backroom. Uh, 1529 01:24:03,880 --> 01:24:05,760 Speaker 1: you know, hopefully, hopefully if you guys hear this, I 1530 01:24:05,840 --> 01:24:07,679 Speaker 1: hope you know that. You know, I'd love to open 1531 01:24:07,720 --> 01:24:10,879 Speaker 1: for you at any at an even time. Shout out, um, 1532 01:24:10,920 --> 01:24:15,719 Speaker 1: you know, shout out the Digital Creatives Program. Uh that 1533 01:24:15,720 --> 01:24:18,160 Speaker 1: that that no longer exists, that Sam and I maybe 1534 01:24:18,200 --> 01:24:23,200 Speaker 1: helped kill. Uh. Oh, I didn't know it no longer existed. No. 1535 01:24:24,920 --> 01:24:28,439 Speaker 1: Shout out to TikTok as an app. Yo, shout out 1536 01:24:28,439 --> 01:24:31,000 Speaker 1: to TikTok as a platform as a platform for people 1537 01:24:31,000 --> 01:24:34,400 Speaker 1: to kind of come and express themselves. So that that's 1538 01:24:34,439 --> 01:24:36,400 Speaker 1: your boy, Devin Walker aka do you walk you know 1539 01:24:36,479 --> 01:24:41,680 Speaker 1: ak Oval Team Jenkins signing off. Who um, well, that 1540 01:24:41,800 --> 01:24:44,400 Speaker 1: was incredible. That was really that was really the most 1541 01:24:44,439 --> 01:24:49,240 Speaker 1: shoutouts we've had from one person. That's like when I 1542 01:24:49,280 --> 01:24:51,439 Speaker 1: was when I was growing up, they would do like 1543 01:24:51,479 --> 01:24:54,000 Speaker 1: on our like local wrap radio station, like on you know, 1544 01:24:54,040 --> 01:24:56,080 Speaker 1: whenever days of the week like that was, and people 1545 01:24:56,120 --> 01:24:59,760 Speaker 1: would shout out like seventeen of their home. Yeah, shout out. 1546 01:24:59,800 --> 01:25:01,880 Speaker 1: That is like that is kind of in the spirit 1547 01:25:01,920 --> 01:25:07,200 Speaker 1: of it. I feel like we should do that more. Um, 1548 01:25:07,320 --> 01:25:09,519 Speaker 1: damn it always be it, always be free, one guy, 1549 01:25:09,800 --> 01:25:14,040 Speaker 1: it'd always be free. Did you ever listen to like well, 1550 01:25:14,080 --> 01:25:15,679 Speaker 1: I guess this was in like the New York area, 1551 01:25:15,720 --> 01:25:18,800 Speaker 1: but like the Doghouse or no, okay, so it was 1552 01:25:18,840 --> 01:25:20,880 Speaker 1: like some other program and people would call in to 1553 01:25:20,960 --> 01:25:24,080 Speaker 1: put someone in the doghouse. It was, oh, I do 1554 01:25:24,200 --> 01:25:27,719 Speaker 1: know what you're talking about. Yes, but I remember one time. 1555 01:25:28,479 --> 01:25:30,800 Speaker 1: Do you remember Tattoo who had that song all the 1556 01:25:30,840 --> 01:25:33,000 Speaker 1: things she said where they were like lesbian school girls, 1557 01:25:33,680 --> 01:25:36,680 Speaker 1: So one time you don't remember this way, but it 1558 01:25:36,720 --> 01:25:38,479 Speaker 1: seems like a huge moment where it was like all 1559 01:25:38,520 --> 01:25:40,439 Speaker 1: the things she said, all the things you said running 1560 01:25:40,479 --> 01:25:43,080 Speaker 1: through my head, my head, and then the video they're 1561 01:25:43,120 --> 01:25:45,160 Speaker 1: like literally like seventeen year old school girls and they 1562 01:25:45,200 --> 01:25:49,639 Speaker 1: were making out. Okay. It was a huge moment um 1563 01:25:49,640 --> 01:25:52,920 Speaker 1: and like two thousand one probably a tu So they 1564 01:25:52,920 --> 01:25:54,559 Speaker 1: had like people they will call the be like who 1565 01:25:54,560 --> 01:25:55,720 Speaker 1: you want to put on the dog house and be 1566 01:25:55,720 --> 01:25:57,840 Speaker 1: like my ex boyfriend he cheated on me. And this 1567 01:25:57,920 --> 01:25:59,360 Speaker 1: one girl called and the guy was like, who do 1568 01:25:59,360 --> 01:26:00,559 Speaker 1: you want to put in the podcast? And she was 1569 01:26:00,560 --> 01:26:05,479 Speaker 1: like Tattoo for being a lesbian, and then truly everyone 1570 01:26:05,560 --> 01:26:09,280 Speaker 1: was like, all right, Tattoo was in the dog. It 1571 01:26:09,360 --> 01:26:17,920 Speaker 1: was just I love that. All right, Wow, I'm gonna 1572 01:26:17,960 --> 01:26:20,439 Speaker 1: have to make me stop. I'm really like a talkative 1573 01:26:20,520 --> 01:26:23,360 Speaker 1: mood today. No, I love that. I wish. I mean, 1574 01:26:23,479 --> 01:26:25,040 Speaker 1: if only we talked about the elephant in the room, 1575 01:26:25,080 --> 01:26:27,760 Speaker 1: maybe we could explain sort of our different moods. But 1576 01:26:28,200 --> 01:26:29,679 Speaker 1: are you excited for us to go to the movie 1577 01:26:29,720 --> 01:26:33,719 Speaker 1: later tonight? I am. We all want to see Titan. 1578 01:26:34,960 --> 01:26:37,120 Speaker 1: Oh yeah, that's really the talk of the town. I know, 1579 01:26:37,200 --> 01:26:46,439 Speaker 1: it's the talk of the god damn it. All right, yeah, okay, 1580 01:26:46,600 --> 01:26:54,040 Speaker 1: let's Devine Incredible on the podcast. All right, okay, bye bye. 1581 01:26:54,040 --> 01:26:56,960 Speaker 1: Shout out to everyone at home by