1 00:00:00,240 --> 00:00:03,880 Speaker 1: Good morning, showing you love this room anywhere else so 2 00:00:04,040 --> 00:00:08,520 Speaker 1: your friend frind House that day gets the world's most 3 00:00:08,600 --> 00:00:12,320 Speaker 1: dangerous want to shut the camera the mother? I agree? 4 00:00:13,560 --> 00:00:18,560 Speaker 1: Is this listen city? So if DJ Harry, the captain 5 00:00:18,600 --> 00:00:21,160 Speaker 1: of the asually eat the only one who can keep 6 00:00:21,200 --> 00:00:38,880 Speaker 1: these guys in Chlomagne, the guards a preference competition. Good 7 00:00:38,960 --> 00:00:41,559 Speaker 1: morning Usa yo yo yo yo yo yo yo yo 8 00:00:41,600 --> 00:00:43,360 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:43,440 --> 00:00:45,319 Speaker 1: yo yo yo yo yo yo yo yo yo yo 10 00:00:45,400 --> 00:00:49,240 Speaker 1: yo yo yo yo yo yo. Good morning Angela eat money. 11 00:00:49,320 --> 00:00:52,040 Speaker 1: Charlomagne the guy he should have planned. Guess what day 12 00:00:52,040 --> 00:01:00,080 Speaker 1: it is? Guess what day it is, hump, Yes it's Wednesday, Yes, tomorrow, 13 00:01:00,080 --> 00:01:01,760 Speaker 1: it's my born day. God damn it dropped one of 14 00:01:01,760 --> 00:01:05,520 Speaker 1: Clue's bomb for that. Yesterday was my daughter's born day. 15 00:01:05,760 --> 00:01:08,000 Speaker 1: Oh that's nice. And then you always have a holiday 16 00:01:08,000 --> 00:01:12,759 Speaker 1: weekend after that. Yes, absolutely, action starts yesterday. I guess. 17 00:01:12,800 --> 00:01:14,760 Speaker 1: I don't know what happened in the studio, but before 18 00:01:14,800 --> 00:01:17,480 Speaker 1: you guys got here, all the chairs were missing, boxes 19 00:01:17,520 --> 00:01:19,959 Speaker 1: and things were thrown everywhere, and they were actually taking 20 00:01:20,000 --> 00:01:22,320 Speaker 1: loving hip hop here last night. They couldn't put stuff back. 21 00:01:22,400 --> 00:01:24,280 Speaker 1: They should have put stuff back. I made them. They 22 00:01:24,280 --> 00:01:25,920 Speaker 1: took a picture of my wall. All that stuff from 23 00:01:25,920 --> 00:01:28,039 Speaker 1: the back wall was taken down. My stuff was on, 24 00:01:28,360 --> 00:01:29,720 Speaker 1: took a picture and then they put it back up. 25 00:01:29,760 --> 00:01:31,680 Speaker 1: They told me myself who who he is? On love 26 00:01:31,680 --> 00:01:38,120 Speaker 1: and Hip Hop DJ self and then hip Whenever our producers. 27 00:01:38,120 --> 00:01:40,240 Speaker 1: He said there was a stuff spilled all over in 28 00:01:40,240 --> 00:01:43,080 Speaker 1: his room. It was hennessy. There was food, there was drinks. 29 00:01:43,080 --> 00:01:45,640 Speaker 1: So I was like, Hip hopself finally gonna you know, 30 00:01:45,720 --> 00:01:48,080 Speaker 1: start really being DJ self or he's still gonna be 31 00:01:48,120 --> 00:01:51,120 Speaker 1: rolling with that white as creep squad, rolling with that 32 00:01:51,120 --> 00:01:54,080 Speaker 1: white ass creep squad and ruining his brain. Um last night, 33 00:01:54,120 --> 00:01:57,640 Speaker 1: he wasn't with the creep squad. He was. I've seen 34 00:01:57,720 --> 00:01:59,760 Speaker 1: him with Pap Poose was here last night. Okay, that's 35 00:01:59,800 --> 00:02:03,360 Speaker 1: good company. And a rapper Jack Quet, I don't know 36 00:02:03,440 --> 00:02:07,320 Speaker 1: jack Quay. Jack isn't he on cash money? The other one, 37 00:02:07,400 --> 00:02:14,320 Speaker 1: the other one from jack Quay is somebody different. Quick. 38 00:02:14,639 --> 00:02:16,880 Speaker 1: I was at dinner last night when my daughter, because 39 00:02:17,000 --> 00:02:19,880 Speaker 1: the party was on Sunday. That wasn't Sunday, not a 40 00:02:19,919 --> 00:02:21,680 Speaker 1: born day. Yesterday was her born day, so yesterday she 41 00:02:21,720 --> 00:02:24,040 Speaker 1: just wanted to go to dinner to this restaurant she liked, 42 00:02:24,320 --> 00:02:26,520 Speaker 1: but the restaurant was closed, so he had to make 43 00:02:26,600 --> 00:02:30,840 Speaker 1: arrangement somewhere else. And that's always interesting because she's nine 44 00:02:30,880 --> 00:02:32,959 Speaker 1: now and she wanted to get dressed up. Her on 45 00:02:33,040 --> 00:02:39,600 Speaker 1: my knees and just looking at her like, damn, absolutely, Lord, 46 00:02:39,680 --> 00:02:42,680 Speaker 1: have mercy, and nine more years you'll be eighteen, that's right. 47 00:02:42,760 --> 00:02:45,440 Speaker 1: What kind of food does she like? That's her favorite? 48 00:02:45,600 --> 00:02:48,240 Speaker 1: Actually picky. She just wanted to go to this restaurant 49 00:02:48,280 --> 00:02:50,520 Speaker 1: she like because they got real good French fry. But 50 00:02:51,360 --> 00:02:54,000 Speaker 1: that's that's all she wanted. I'm like, in nine more years, 51 00:02:54,040 --> 00:02:56,480 Speaker 1: you'll be eighteen. They get they get older fast. They 52 00:02:56,520 --> 00:02:59,000 Speaker 1: grow so fast, man. And in nine years, I really 53 00:02:59,080 --> 00:03:02,120 Speaker 1: enjoyed mid four these late forties, Yeah, I got to 54 00:03:02,240 --> 00:03:04,280 Speaker 1: really really enjoy it, man. I try to enjoy my 55 00:03:04,919 --> 00:03:07,200 Speaker 1: each and every day. You got to so big, so far. 56 00:03:07,240 --> 00:03:09,600 Speaker 1: I'm telling you, before you know what, they're gone, before 57 00:03:09,639 --> 00:03:12,040 Speaker 1: you know it, they twenty one years old, before you 58 00:03:12,080 --> 00:03:13,720 Speaker 1: know it, they got a grandkids in them. You right, 59 00:03:14,600 --> 00:03:20,160 Speaker 1: you are absolutely paying for college. Really enjoyed the moment. 60 00:03:20,680 --> 00:03:23,120 Speaker 1: I kept thinking after they enjoy the moment, because that's 61 00:03:23,160 --> 00:03:25,880 Speaker 1: exactly what the all moments that go by so fast. 62 00:03:25,919 --> 00:03:28,040 Speaker 1: Absolutely enjoy them that. Yesterday I was out in your 63 00:03:28,040 --> 00:03:30,480 Speaker 1: town and Brooklyn. Yeah, you were in Brooklyn. Yeah, and 64 00:03:30,520 --> 00:03:32,040 Speaker 1: that's how you said you were going to Woodland. Yeah. 65 00:03:32,040 --> 00:03:33,680 Speaker 1: I went to Woodlands, which is a restaurant it Brooke. 66 00:03:33,720 --> 00:03:37,800 Speaker 1: I had a great, amazing time. It's really fun, very trendy. 67 00:03:37,880 --> 00:03:41,640 Speaker 1: The music was popping. It was Is that why the 68 00:03:41,720 --> 00:03:44,240 Speaker 1: music was topic? Yeah, that was a reason why I 69 00:03:44,560 --> 00:03:46,800 Speaker 1: say that. I ate first and then I just enjoyed it. 70 00:03:46,800 --> 00:03:49,160 Speaker 1: It was it was just a dope restaurant upstairs. Downstairs, 71 00:03:49,160 --> 00:03:52,480 Speaker 1: it was dope. Somebody proposed last night to you, not 72 00:03:52,600 --> 00:03:55,080 Speaker 1: to me, to his girlfriend, so it was it was 73 00:03:55,120 --> 00:03:57,120 Speaker 1: a dope than I had a good time last night, man. 74 00:03:57,440 --> 00:03:58,920 Speaker 1: And if I see you got to come to Brooklyn, 75 00:03:59,320 --> 00:04:01,080 Speaker 1: you're right just to I forget this crazy drop on 76 00:04:01,120 --> 00:04:03,800 Speaker 1: a clothes bombs for IRV Gotty two tales on BT 77 00:04:04,080 --> 00:04:07,480 Speaker 1: had the internet last night, just like I knew it would. 78 00:04:07,760 --> 00:04:11,720 Speaker 1: Started a great conversation, a great discussion. Okay, I still 79 00:04:11,720 --> 00:04:13,560 Speaker 1: want I want to have a conversation about that this morning, 80 00:04:13,560 --> 00:04:15,480 Speaker 1: if we got time. Actually I didn't even see it 81 00:04:15,560 --> 00:04:18,360 Speaker 1: last night. I wasn't home, all right, Well, Front page news. 82 00:04:18,400 --> 00:04:20,240 Speaker 1: What we're talking about. We are going to talk about 83 00:04:20,240 --> 00:04:23,599 Speaker 1: the three cops in Chicago that are related to the 84 00:04:23,640 --> 00:04:27,080 Speaker 1: fatal shooting of Lacroam McDonald, what happened to them, And 85 00:04:27,160 --> 00:04:30,000 Speaker 1: we'll talk about Bell. Imagine being in jail and not 86 00:04:30,120 --> 00:04:31,880 Speaker 1: knowing that your bill was only one dollar you could 87 00:04:31,880 --> 00:04:34,240 Speaker 1: have been out. That's a damn shame. That's your dumbass. 88 00:04:34,360 --> 00:04:35,920 Speaker 1: All right, we'll get into that when we come back. 89 00:04:36,000 --> 00:04:38,159 Speaker 1: Here me goes Bad and Booge. Ben Staples will be 90 00:04:38,160 --> 00:04:40,320 Speaker 1: here this morning. All right, it's the Breakfast Lugal morning 91 00:04:40,880 --> 00:04:42,880 Speaker 1: to anybody. If you can't be Bad and Booge, you'll 92 00:04:42,880 --> 00:04:46,400 Speaker 1: be finding frugal. It's dj N v Angela ye Charlemagne, 93 00:04:46,400 --> 00:04:48,480 Speaker 1: that God we are. The Breakfast Club was getting some 94 00:04:48,520 --> 00:04:52,479 Speaker 1: front page news now and some great news. It looks 95 00:04:52,480 --> 00:04:55,880 Speaker 1: like Phil Jackson and the Knicks will part ways on Wednesday. 96 00:04:57,040 --> 00:05:00,400 Speaker 1: What does that mean? That means got the things to 97 00:05:00,480 --> 00:05:02,200 Speaker 1: get a lot better? And shut up y'all say that 98 00:05:02,279 --> 00:05:05,400 Speaker 1: every time y'all bringing a new GM or new something 99 00:05:05,520 --> 00:05:08,560 Speaker 1: like that is trash. Bro Phil Jackson was trash. The 100 00:05:08,600 --> 00:05:12,039 Speaker 1: Knicks the trash. And listen, all Phil Jackson did was 101 00:05:12,080 --> 00:05:14,159 Speaker 1: coming put more trash on top of the garbage piper 102 00:05:14,240 --> 00:05:16,000 Speaker 1: that's been sitting there and nobody came to pick up 103 00:05:16,000 --> 00:05:17,680 Speaker 1: for the longest. But now we gotta start taking the trash. 104 00:05:17,680 --> 00:05:18,840 Speaker 1: You can't take the trash for you just take a 105 00:05:18,880 --> 00:05:20,520 Speaker 1: little off the top and then we gotta fix that. 106 00:05:20,640 --> 00:05:23,159 Speaker 1: And y'all been trying to fix things for years. So 107 00:05:23,240 --> 00:05:26,559 Speaker 1: what literally like like literally years. The Knicks are trash, 108 00:05:26,720 --> 00:05:28,960 Speaker 1: bro trash. We're gonna get you know what, The Knicks 109 00:05:28,960 --> 00:05:30,799 Speaker 1: gonna continue to be trash as long as the Knicks 110 00:05:30,960 --> 00:05:33,279 Speaker 1: can make money when they are trash. That's the problem 111 00:05:33,279 --> 00:05:35,640 Speaker 1: with the Knicks, the fact that garden is packed even 112 00:05:35,640 --> 00:05:37,880 Speaker 1: when they're trash. If you still if you're making money 113 00:05:37,880 --> 00:05:40,040 Speaker 1: off a product, you don't really care if that product 114 00:05:40,040 --> 00:05:42,720 Speaker 1: pop of the night, that's the problem. But Cleveland always 115 00:05:42,760 --> 00:05:45,920 Speaker 1: wasn't great. The Warriors weren't always great. Oh yeah, so yeah, 116 00:05:46,080 --> 00:05:48,440 Speaker 1: draft for Lebron James. Get a Steph Curry, get it, 117 00:05:48,560 --> 00:05:51,120 Speaker 1: Kevin Durant, ghet it, Draymond Green, get a Clay Thompson 118 00:05:51,120 --> 00:05:53,560 Speaker 1: and you guys will be fine. And yeah, get you 119 00:05:53,640 --> 00:05:56,200 Speaker 1: a Kyrie. Y'all guys will be fine. Don't worry. Those 120 00:05:56,200 --> 00:05:58,560 Speaker 1: players come around every day. You never know what happens. 121 00:05:58,680 --> 00:06:00,560 Speaker 1: This This new kid from France might be the new 122 00:06:00,640 --> 00:06:03,240 Speaker 1: Kyrie Irvin. I read some report that Carmela wants to 123 00:06:03,279 --> 00:06:05,640 Speaker 1: go to Cleveland. Is that true? I don't know. I'm 124 00:06:05,680 --> 00:06:07,400 Speaker 1: sure Carmela want to go from Shore. He wants to 125 00:06:07,400 --> 00:06:10,640 Speaker 1: get Carmela wants to go anywhere with New York City. 126 00:06:11,360 --> 00:06:14,560 Speaker 1: Could you please take the brother on vacation this summers? 127 00:06:14,720 --> 00:06:17,800 Speaker 1: My goodness that let's talk about these three offices. Yes, 128 00:06:17,839 --> 00:06:22,440 Speaker 1: three Chicago Police Department officers have been indicted on conspiracy, obstruction, 129 00:06:22,480 --> 00:06:26,000 Speaker 1: and misconduct. That's all over the shooting of Lakwan McDonald 130 00:06:26,120 --> 00:06:29,440 Speaker 1: in twenty fourteen. Now, just to refresh you, guys, if 131 00:06:29,960 --> 00:06:32,839 Speaker 1: of this case, they gave all kinds of false reports 132 00:06:32,880 --> 00:06:36,080 Speaker 1: for false information, they didn't correct any false information, and 133 00:06:36,160 --> 00:06:39,359 Speaker 1: they didn't locate an interview three witnesses to the shooting. 134 00:06:39,360 --> 00:06:43,080 Speaker 1: Those accounts had contradicted their false reports. Now, dash cam 135 00:06:43,240 --> 00:06:46,440 Speaker 1: video footage did show that Lakwan McDonald was shot while 136 00:06:46,440 --> 00:06:49,760 Speaker 1: he was running away from officers, and he was only 137 00:06:49,800 --> 00:06:52,640 Speaker 1: seventeen years old. He was shot sixteen times by officer 138 00:06:52,720 --> 00:06:55,800 Speaker 1: Jason van Dyke. Van Dyke. Van Dyke is now awaiting trial. 139 00:06:56,320 --> 00:06:59,360 Speaker 1: But there's three officers who conspired immediately after the shooting 140 00:06:59,400 --> 00:07:01,360 Speaker 1: to conceal the true facts of what happened, so they 141 00:07:01,360 --> 00:07:03,400 Speaker 1: have been indicted. Well, here's the thing. It should have 142 00:07:03,520 --> 00:07:05,400 Speaker 1: never been a cover up to begin with, because we 143 00:07:05,440 --> 00:07:09,479 Speaker 1: saw it on video. We saw exactly what happened. Like, 144 00:07:09,560 --> 00:07:12,960 Speaker 1: you can't manipulate what we actually saw. You shot the 145 00:07:13,040 --> 00:07:15,520 Speaker 1: man sixteen times for nothing. But yeah, he was shot 146 00:07:15,520 --> 00:07:18,280 Speaker 1: in twenty fourteen, but the dashcam video wasn't released until 147 00:07:18,320 --> 00:07:22,600 Speaker 1: November twenty fifteen. H wow, now quickly tell us about 148 00:07:22,600 --> 00:07:23,960 Speaker 1: the dude that was in jail. He didn't know his 149 00:07:23,960 --> 00:07:27,360 Speaker 1: bill was over some queens and apparently he got arrested 150 00:07:27,400 --> 00:07:30,239 Speaker 1: for stealing from Zara. He's still a coote from a store, 151 00:07:30,680 --> 00:07:32,960 Speaker 1: and he injured a police officer and had some burglary 152 00:07:32,960 --> 00:07:35,200 Speaker 1: tools as well. That's what he was charged with. But 153 00:07:35,240 --> 00:07:37,360 Speaker 1: he was sitting in Rikers Island not knowing that his 154 00:07:37,440 --> 00:07:40,640 Speaker 1: fifty thousand dollar bill was reduced to one dollar and 155 00:07:40,840 --> 00:07:43,400 Speaker 1: actually his legal aid lawyers were making appearances in court 156 00:07:43,480 --> 00:07:46,000 Speaker 1: without him, and he just didn't know that his bill 157 00:07:46,080 --> 00:07:47,920 Speaker 1: was a dallars. Though he sat in there for six 158 00:07:48,000 --> 00:07:50,400 Speaker 1: months not knowing he could have been out and man 159 00:07:50,480 --> 00:07:51,960 Speaker 1: had a boyfriend. He knew what he was doing. He 160 00:07:54,000 --> 00:07:56,960 Speaker 1: suing the Legal Aid Society, lawyers, he's suing the commissioner. 161 00:07:57,000 --> 00:08:00,840 Speaker 1: He's suing Rikers Island for unlawful incarceration and a restraint 162 00:08:00,840 --> 00:08:02,760 Speaker 1: of liberty. The only reason he got out was somebody 163 00:08:02,800 --> 00:08:05,160 Speaker 1: he didn't even know who worked in the jail paid 164 00:08:05,200 --> 00:08:07,760 Speaker 1: his one dollar bell. Why why you can't blame that 165 00:08:07,760 --> 00:08:10,520 Speaker 1: on nobody else though, shouldn't you be how to? Lawyers 166 00:08:10,560 --> 00:08:12,600 Speaker 1: never told him he gets his should get paperwork every 167 00:08:12,600 --> 00:08:14,480 Speaker 1: time it's lawyer. What was was called the check your mail? 168 00:08:14,520 --> 00:08:17,240 Speaker 1: He wasn't checking his. Man, I don't know. Could have 169 00:08:17,280 --> 00:08:20,320 Speaker 1: possibly happened, but he wasn't paying attention. You haven't too 170 00:08:20,400 --> 00:08:22,400 Speaker 1: much fun in there? Oh my goodness, putting cool laid 171 00:08:22,440 --> 00:08:26,000 Speaker 1: on his lips probably that's where, according to him, very 172 00:08:26,040 --> 00:08:30,200 Speaker 1: indifferent about what happened. Okay, all right, all right, well 173 00:08:30,240 --> 00:08:32,360 Speaker 1: that's front page news. Get it off your chest. Eight 174 00:08:32,400 --> 00:08:34,400 Speaker 1: on drink five eight five one oh five one. If 175 00:08:34,400 --> 00:08:36,400 Speaker 1: you're upset, you need to vent. Hit us up right now. 176 00:08:36,920 --> 00:08:39,600 Speaker 1: Maybe you want to vent, maybe you're pissed off, or 177 00:08:39,600 --> 00:08:41,720 Speaker 1: maybe you feel blessing. You want to spread some positivity 178 00:08:41,720 --> 00:08:44,360 Speaker 1: again the number eight D five eight five one O 179 00:08:44,480 --> 00:08:46,440 Speaker 1: five one to call us up right now. It's the 180 00:08:46,440 --> 00:08:52,360 Speaker 1: breakfast club. Come on in the breakfast club. Wake up, 181 00:08:52,400 --> 00:08:59,240 Speaker 1: wake up. You're trying to get it off your chest. 182 00:08:59,320 --> 00:09:02,200 Speaker 1: We want to hear from you. Want to breakfast. But Alex, 183 00:09:02,240 --> 00:09:06,160 Speaker 1: what Alex? No, my name is Kelly d jam Vy. 184 00:09:06,280 --> 00:09:08,760 Speaker 1: Good morning, Oh man, they have Alex on the sheet. 185 00:09:08,960 --> 00:09:12,920 Speaker 1: Kelly Alex. Both unisex names. You mad at you? You upset? 186 00:09:12,960 --> 00:09:16,440 Speaker 1: This morning? You made him said a blessed which one? Well, no, 187 00:09:16,559 --> 00:09:19,920 Speaker 1: I'm blessed. A little young girl was acting up in school, 188 00:09:19,920 --> 00:09:23,440 Speaker 1: But yesterday my nieces got the ass up of a lifetime. 189 00:09:23,720 --> 00:09:26,640 Speaker 1: I'm glad I was not acting up that bad. What happened? 190 00:09:26,640 --> 00:09:30,040 Speaker 1: Who'll be the ass? My brother beating his daughter's ass? 191 00:09:30,760 --> 00:09:34,320 Speaker 1: My goodness, his hand? Oh no about he gave him 192 00:09:34,320 --> 00:09:36,480 Speaker 1: that work? How old is she? How old is she? 193 00:09:36,600 --> 00:09:41,840 Speaker 1: I should say his oldest is? Now? How old are you? 194 00:09:42,920 --> 00:09:45,319 Speaker 1: I'm twenty five? And you ain't never got a good beating? 195 00:09:45,320 --> 00:09:48,720 Speaker 1: You never had to go pick your own switch? Not no, 196 00:09:48,880 --> 00:09:51,000 Speaker 1: not like that. Why did he beat I was acting 197 00:09:51,080 --> 00:09:53,880 Speaker 1: up when I because they were sneaking around? Ye, that's right. 198 00:09:53,920 --> 00:09:55,600 Speaker 1: You gotta that's right. You gotta beat him now before 199 00:09:55,600 --> 00:09:58,439 Speaker 1: they started sucking deep. Yeah, and the twelve year old 200 00:09:58,440 --> 00:10:01,360 Speaker 1: got a open because she lied her sister, So yeah, 201 00:10:01,480 --> 00:10:04,319 Speaker 1: you go the cover up. Yes right. I used to 202 00:10:04,320 --> 00:10:08,360 Speaker 1: get beatings like every day because I wasn't that bad though, 203 00:10:08,440 --> 00:10:10,320 Speaker 1: Like I got with them when I was. When I 204 00:10:10,360 --> 00:10:12,920 Speaker 1: was acting that my mom choking something, that's all it took. 205 00:10:13,520 --> 00:10:16,880 Speaker 1: I didn't keep trying her. You gotta kept trying her. Dad. 206 00:10:17,160 --> 00:10:18,760 Speaker 1: You gotta do that as the daddy, because you never 207 00:10:18,800 --> 00:10:20,880 Speaker 1: know what these little girls is doing. Sneaking around these 208 00:10:20,880 --> 00:10:22,920 Speaker 1: little boys at the assy penises. Next thing you know, 209 00:10:22,960 --> 00:10:25,000 Speaker 1: you're raising little ashy granma. The worst part is when 210 00:10:25,000 --> 00:10:26,920 Speaker 1: you get a beating because your brother and your sister 211 00:10:27,000 --> 00:10:28,680 Speaker 1: did something wrong. You didn't even do anything, but you 212 00:10:28,679 --> 00:10:30,160 Speaker 1: get a beating because they got a beating. I was 213 00:10:30,200 --> 00:10:31,760 Speaker 1: an only chests that used to happen to me all 214 00:10:31,760 --> 00:10:33,480 Speaker 1: the time. To worry about that. You don't know if 215 00:10:33,559 --> 00:10:36,000 Speaker 1: your chests eight hundred five eight five one oh five one. 216 00:10:36,040 --> 00:10:38,040 Speaker 1: If you're upset you need to vent, hit us up now, 217 00:10:38,200 --> 00:10:40,240 Speaker 1: or if you feel blessed, call us. It's the breakfast club, 218 00:10:40,240 --> 00:10:46,480 Speaker 1: God Morning, the breakfast Club. Pick up the mother mother 219 00:10:46,559 --> 00:10:48,920 Speaker 1: phone and died. This is your time to get it 220 00:10:48,920 --> 00:10:52,800 Speaker 1: off your chat mother, your man less. We want to 221 00:10:52,840 --> 00:10:54,480 Speaker 1: hear from you on the breakfast club, so you better 222 00:10:54,520 --> 00:11:00,800 Speaker 1: have the same energy tray. What up? Hey, what's from Carolina? Bro? 223 00:11:00,880 --> 00:11:03,040 Speaker 1: What's up? Man? You're mad or you blessed this morning? 224 00:11:03,559 --> 00:11:05,480 Speaker 1: I mean, of course I'm blessed, but I'm mad at 225 00:11:05,480 --> 00:11:07,200 Speaker 1: the same time. Yesterday I was at work, had a 226 00:11:07,200 --> 00:11:09,600 Speaker 1: conversation with this lady while she was older lady. She 227 00:11:09,640 --> 00:11:11,640 Speaker 1: was tearing the bags in, so you know, put my 228 00:11:11,679 --> 00:11:13,640 Speaker 1: lawn equipment down, went over there, helped the chair backs 229 00:11:13,640 --> 00:11:16,280 Speaker 1: to the door, and we had about a five minute conversation. 230 00:11:16,320 --> 00:11:18,240 Speaker 1: And how you know she had so many young people 231 00:11:18,280 --> 00:11:21,800 Speaker 1: around us, but nobody ever does before and we you know, 232 00:11:21,880 --> 00:11:24,000 Speaker 1: listening to the radio and whatnot. I get you know, 233 00:11:24,160 --> 00:11:27,120 Speaker 1: getting money is important, But we didn't lost all principle 234 00:11:27,160 --> 00:11:29,480 Speaker 1: as far as young jeeves and people that caught himself 235 00:11:29,559 --> 00:11:32,440 Speaker 1: does and gangsters like back in yard day, people coming up. 236 00:11:32,440 --> 00:11:34,280 Speaker 1: If you are gangsters, you know you still do for 237 00:11:34,360 --> 00:11:37,880 Speaker 1: your community. That's key, you know, having respect for older people, 238 00:11:38,000 --> 00:11:40,160 Speaker 1: trying muse it down, helping out old lads got that bad. 239 00:11:40,160 --> 00:11:42,959 Speaker 1: That's key and nowadays, man ain't nobody even in stilling 240 00:11:43,000 --> 00:11:45,520 Speaker 1: that like at all. No, that's real, man. My grandma 241 00:11:45,559 --> 00:11:47,600 Speaker 1: would always tell me manners will take you with money, 242 00:11:47,679 --> 00:11:49,719 Speaker 1: won't man. So you're right, Well, see I see it 243 00:11:49,880 --> 00:11:52,640 Speaker 1: more often, like like I've helped I hope, a lot 244 00:11:52,679 --> 00:11:54,319 Speaker 1: of old people at the airport where they're trying to 245 00:11:54,320 --> 00:11:56,439 Speaker 1: get their bags up in the upper to put the 246 00:11:56,520 --> 00:11:59,360 Speaker 1: bag up top. I helped them a lot. But I 247 00:11:59,400 --> 00:12:02,360 Speaker 1: see people have a lot you old, You old. That's 248 00:12:02,400 --> 00:12:04,960 Speaker 1: what I'm at the point. He ain't talking about us, 249 00:12:04,960 --> 00:12:07,840 Speaker 1: You're talking about the younger generation. Yeah, I'm just saying, 250 00:12:07,920 --> 00:12:10,080 Speaker 1: like it's so focused on money and I just wanted 251 00:12:10,200 --> 00:12:12,079 Speaker 1: nothing else. I just want to say that money to 252 00:12:12,160 --> 00:12:14,120 Speaker 1: take you a lot of places, but it won't keep 253 00:12:14,160 --> 00:12:17,000 Speaker 1: you there. That wisdom, the principles, Man, you gotta had 254 00:12:17,080 --> 00:12:18,640 Speaker 1: at the stay though. You gotta stand on the man 255 00:12:18,760 --> 00:12:20,839 Speaker 1: as will take you that money won't. Man. Hey, this 256 00:12:20,920 --> 00:12:23,679 Speaker 1: is brief, Yeah, this is briefe from South Carolina. Why 257 00:12:23,679 --> 00:12:26,080 Speaker 1: are you man? Mama? All right, So I got these kids. 258 00:12:26,160 --> 00:12:29,320 Speaker 1: I started um like an after school program with these kids. 259 00:12:29,360 --> 00:12:31,720 Speaker 1: It's free out of a community center in South Carolina 260 00:12:32,040 --> 00:12:34,600 Speaker 1: and basically all the kids are black. They all started 261 00:12:34,679 --> 00:12:37,400 Speaker 1: making your grades, start going to honors classes, trying to 262 00:12:37,440 --> 00:12:39,520 Speaker 1: make an honor all right, So we had some may 263 00:12:39,559 --> 00:12:41,600 Speaker 1: fund them a whole field trip and ever since then, 264 00:12:41,640 --> 00:12:43,360 Speaker 1: it's like the people who own the center don't want 265 00:12:43,440 --> 00:12:44,760 Speaker 1: us to have a bus. They don't want to help 266 00:12:44,800 --> 00:12:46,720 Speaker 1: us to snatch. They basically don't want to help us 267 00:12:46,760 --> 00:12:49,800 Speaker 1: with nothing. And they gave us this money. Since twenty sixteen, 268 00:12:50,200 --> 00:12:53,600 Speaker 1: I've graduated college since, been everything, and they still don't 269 00:12:53,600 --> 00:12:55,319 Speaker 1: want to give us a bus to go. So now 270 00:12:55,480 --> 00:12:57,600 Speaker 1: we just have money sending their waiting for no reason. 271 00:12:57,920 --> 00:12:59,600 Speaker 1: So who we need to put on blast? Baby? Who 272 00:12:59,600 --> 00:13:02,240 Speaker 1: we need to it on blasting? And the great South Carolina? 273 00:13:03,200 --> 00:13:05,360 Speaker 1: I talk to me places to put them on blast 274 00:13:05,440 --> 00:13:07,319 Speaker 1: that they are in rock Hill and they know this. 275 00:13:07,480 --> 00:13:09,160 Speaker 1: We're just trying to get the money like it has 276 00:13:09,240 --> 00:13:10,920 Speaker 1: nothing to do with them. We just want our kids 277 00:13:10,960 --> 00:13:14,640 Speaker 1: to go see great black people. We're trying to getting 278 00:13:14,640 --> 00:13:16,079 Speaker 1: the money. Man, you gotta tell me who it is. 279 00:13:16,120 --> 00:13:18,120 Speaker 1: Maybe see your uncle Charlock can put them on blast 280 00:13:18,200 --> 00:13:20,559 Speaker 1: and tell them come about that bread. Now I'm not 281 00:13:20,600 --> 00:13:22,679 Speaker 1: gonna washing because they don't help it out with some 282 00:13:22,880 --> 00:13:25,040 Speaker 1: stuff during the year. But they's nothing wrong. We're gonna 283 00:13:25,080 --> 00:13:27,680 Speaker 1: get the money regardless they don't know they're wrong because 284 00:13:27,679 --> 00:13:30,040 Speaker 1: you won't tell nobody who they are. So that means 285 00:13:30,080 --> 00:13:31,760 Speaker 1: we got buy our own busses. That's how we're gonna 286 00:13:31,800 --> 00:13:34,640 Speaker 1: do it. She said, she gonna make it happen no 287 00:13:34,760 --> 00:13:36,520 Speaker 1: matter what. Tell them why you mad get it off? 288 00:13:36,559 --> 00:13:39,240 Speaker 1: Your chance? Eight hundred five eight five one on five one. 289 00:13:39,320 --> 00:13:41,880 Speaker 1: You're mad. You need the vent callers, you feel blessed 290 00:13:41,920 --> 00:13:44,079 Speaker 1: callers that you've got rumors all the way. Yes, let's 291 00:13:44,120 --> 00:13:46,920 Speaker 1: talk about Joe Button. What happened with that interview with 292 00:13:47,040 --> 00:13:49,679 Speaker 1: the Mingos. He explains and we'll tell you all of 293 00:13:49,720 --> 00:13:53,000 Speaker 1: the details. Also, Lamar Oldham was on Wendy Williams. Find 294 00:13:53,040 --> 00:13:54,640 Speaker 1: out what he had to talk about when it comes 295 00:13:54,720 --> 00:13:58,160 Speaker 1: to Chloe Kardashian and the rest of the Kardashians. All right, 296 00:13:58,240 --> 00:14:00,240 Speaker 1: all that and Morena keep it locks. As to Breakfast Club, 297 00:14:00,280 --> 00:14:08,960 Speaker 1: good morning the Breakfast Club. Listen, Oh my gosh, got 298 00:14:09,240 --> 00:14:12,640 Speaker 1: the rum of reports God with Angel and Joe. It's 299 00:14:12,679 --> 00:14:17,400 Speaker 1: the rule of report the Breakfast Club. Well, this clip 300 00:14:17,480 --> 00:14:20,800 Speaker 1: from Everyday Struggle has gone viral of Joe Button and 301 00:14:20,880 --> 00:14:24,160 Speaker 1: DJ Academics interviewing or attempting to interview the Megos A 302 00:14:24,240 --> 00:14:27,000 Speaker 1: lot of memes from it. What actually happened behind the 303 00:14:27,080 --> 00:14:30,040 Speaker 1: scenes that made this interview so awkward. Here's what Joe 304 00:14:30,080 --> 00:14:33,440 Speaker 1: Button had to say about the initial handshake with Quavo. 305 00:14:34,080 --> 00:14:36,320 Speaker 1: My only question was, why do we want to talk 306 00:14:36,360 --> 00:14:39,480 Speaker 1: to Megos. I understand that they're huge stars at the moment, 307 00:14:39,760 --> 00:14:43,160 Speaker 1: but I've never seen a good mego's interview. Mego sits down. 308 00:14:43,200 --> 00:14:45,240 Speaker 1: I've never met these gentlemen. I go to shake there, 309 00:14:45,280 --> 00:14:48,320 Speaker 1: and how you guys doing go to shake Quavo's hand. 310 00:14:48,560 --> 00:14:50,600 Speaker 1: I leave my hand there. He's just he's just he's 311 00:14:50,640 --> 00:14:53,000 Speaker 1: ignoring the hand. It's lot going on. He might have 312 00:14:53,080 --> 00:14:54,560 Speaker 1: just not seen it. So I'm leaving a hand there, 313 00:14:54,720 --> 00:14:57,440 Speaker 1: leaving a hand, leaving a hand there, leaving a hand there. 314 00:14:57,720 --> 00:15:01,040 Speaker 1: Nothing happened, and they sit down there, all right. I'm yeah, 315 00:15:01,040 --> 00:15:02,640 Speaker 1: I heard none of them shook his hand, But that's good. 316 00:15:02,720 --> 00:15:04,800 Speaker 1: They had that same energy. You always gotta have that 317 00:15:04,920 --> 00:15:07,720 Speaker 1: same energy when you approach somebody that you don't deal with, right, 318 00:15:08,160 --> 00:15:11,720 Speaker 1: all right. Well, then after that he details what happened 319 00:15:11,880 --> 00:15:15,760 Speaker 1: prior to this quote unquote interview. He said he ran 320 00:15:15,920 --> 00:15:19,800 Speaker 1: into p from Quality Control that's from Quality Control. Talked 321 00:15:19,800 --> 00:15:21,960 Speaker 1: to him this week. He ran into P at the 322 00:15:22,000 --> 00:15:24,960 Speaker 1: mall and here's what Joe Button said happened. So that's fine. 323 00:15:25,040 --> 00:15:27,320 Speaker 1: So the dry interview was going on, and now P, 324 00:15:27,560 --> 00:15:29,400 Speaker 1: the gentleman and I just saw this morning and had 325 00:15:29,440 --> 00:15:34,080 Speaker 1: a conversation with decides to interrupt the interview and say, yo, 326 00:15:34,240 --> 00:15:36,920 Speaker 1: me and Joe talked this morning, all that little Yadi 327 00:15:37,120 --> 00:15:39,400 Speaker 1: is dead. Well, we did talk this morning. That wasn't 328 00:15:39,440 --> 00:15:41,760 Speaker 1: your energy. I don't want to talk about Y'adi. That's fine. 329 00:15:41,840 --> 00:15:44,880 Speaker 1: So now it seems like y'all have just positioned me gos. 330 00:15:45,160 --> 00:15:47,520 Speaker 1: So y'all could have this gentleman interrupt and say that 331 00:15:47,560 --> 00:15:49,600 Speaker 1: we won't talk about Yaddi anymore. Okay, that's fine, we'll 332 00:15:49,720 --> 00:15:52,200 Speaker 1: edit him right on out of there. But that in 333 00:15:52,360 --> 00:15:55,960 Speaker 1: combination with seeing him that morning, in combination with these 334 00:15:56,160 --> 00:15:58,720 Speaker 1: sitting here giving us they asked the kist, Nah, I'm 335 00:15:58,800 --> 00:16:01,880 Speaker 1: cool dog. Let's be clear, Joey's lame and Joe my guy. 336 00:16:02,000 --> 00:16:04,800 Speaker 1: But Joey's lame for editing P interrupting the interview out. 337 00:16:04,840 --> 00:16:07,680 Speaker 1: I don't agree with editing interviews simply because you didn't 338 00:16:07,680 --> 00:16:09,600 Speaker 1: come off from the best light. All those interviews you've 339 00:16:09,640 --> 00:16:11,880 Speaker 1: ever seen from the Breakfast Club when artists got tight 340 00:16:11,960 --> 00:16:14,360 Speaker 1: with me, from NC with the Federal Star. I could 341 00:16:14,400 --> 00:16:16,600 Speaker 1: have edited, but I would never do that because it's 342 00:16:16,640 --> 00:16:19,080 Speaker 1: whack bird man. You can't say what you want about people, 343 00:16:19,080 --> 00:16:20,880 Speaker 1: and then when people flex something, you edit it out. 344 00:16:21,040 --> 00:16:23,360 Speaker 1: Let me finish. So now let's get to the end 345 00:16:23,520 --> 00:16:25,640 Speaker 1: of the interview when Joe Button felt like things had 346 00:16:25,680 --> 00:16:30,560 Speaker 1: to be done, and let's get this an arrogant out 347 00:16:30,640 --> 00:16:32,680 Speaker 1: our seats so we can talk to some people who 348 00:16:32,720 --> 00:16:35,920 Speaker 1: actually want to be spoken to. All right, dog, wrap 349 00:16:36,000 --> 00:16:39,120 Speaker 1: it up, arrogant assens, let's get to it, speak about it. 350 00:16:39,320 --> 00:16:42,800 Speaker 1: I can give twos about megals see this is my thing, 351 00:16:43,000 --> 00:16:45,920 Speaker 1: but Joe Buddon, Joe's my guy. But why didn't you 352 00:16:46,080 --> 00:16:48,840 Speaker 1: have that energy when Megos was sitting right there? Why 353 00:16:48,920 --> 00:16:51,040 Speaker 1: you didn't tell them they were arrogant, and why you 354 00:16:51,080 --> 00:16:52,760 Speaker 1: didn't tell them get the f out when they were 355 00:16:52,800 --> 00:16:55,720 Speaker 1: sitting there. I want that same energy when the artist 356 00:16:55,840 --> 00:16:58,440 Speaker 1: is sitting in your face. And I think it's very 357 00:16:58,600 --> 00:17:02,320 Speaker 1: lame that you edited Pee from Quality Control out. Pee 358 00:17:02,400 --> 00:17:05,720 Speaker 1: interrupted the interview. But the whole interviews out already, haven't Yes, 359 00:17:05,880 --> 00:17:07,840 Speaker 1: it is out and Pe interrupted it, and he just 360 00:17:07,880 --> 00:17:10,119 Speaker 1: told you he edited it out. Pete interrupted the interview, 361 00:17:10,200 --> 00:17:13,159 Speaker 1: and Pete told him to stop talking about Little Yaddi, 362 00:17:13,240 --> 00:17:15,600 Speaker 1: and Joe agreed that he would stop talking about Little Yaddi. 363 00:17:15,680 --> 00:17:18,640 Speaker 1: I'm like, why I edit that out just now because 364 00:17:18,680 --> 00:17:20,640 Speaker 1: he did. He just said, he just said he edited 365 00:17:20,680 --> 00:17:23,000 Speaker 1: it out. Well, listen, I thought that what he was 366 00:17:23,000 --> 00:17:24,879 Speaker 1: saying was that he was figured that you're going to 367 00:17:24,920 --> 00:17:26,960 Speaker 1: interrupt the interview. I'm going to just edit that part 368 00:17:27,000 --> 00:17:29,240 Speaker 1: out so we can continue with the interview. Yeah, that's 369 00:17:29,240 --> 00:17:32,280 Speaker 1: what he said. Yeah, I didn't see the football. We 370 00:17:32,359 --> 00:17:34,360 Speaker 1: have other rumors to get to. Well, I just talk 371 00:17:34,400 --> 00:17:36,640 Speaker 1: about I just think I just think it's very wide. 372 00:17:36,680 --> 00:17:39,520 Speaker 1: You're very passive to edit somebody, you know, whether they 373 00:17:39,680 --> 00:17:42,120 Speaker 1: checking you, whether they're getting at you. You can't say 374 00:17:42,160 --> 00:17:44,560 Speaker 1: what you want about people and then edit them out 375 00:17:44,600 --> 00:17:46,880 Speaker 1: of the interview. That's lane Joe. I was wonder wis 376 00:17:46,960 --> 00:17:49,800 Speaker 1: complex and security Like, if they're doing an interview, nobody 377 00:17:49,840 --> 00:17:51,159 Speaker 1: should be able to jump in the middle of the 378 00:17:51,240 --> 00:17:53,240 Speaker 1: interview and say anything. They ain't making that kind of 379 00:17:53,280 --> 00:17:56,879 Speaker 1: money yet. All right, now, let's talk about let's be 380 00:17:56,920 --> 00:17:59,200 Speaker 1: clear Prodigy from myb deep they are going to be 381 00:17:59,320 --> 00:18:02,480 Speaker 1: having a funeral for him tomorrow in New York City 382 00:18:03,280 --> 00:18:05,119 Speaker 1: and that is going to be open to the public. 383 00:18:05,160 --> 00:18:06,920 Speaker 1: So if you want to pay your respects from two 384 00:18:07,040 --> 00:18:09,040 Speaker 1: to five that you are able to go ahead and 385 00:18:09,160 --> 00:18:10,479 Speaker 1: do that. So that's going to be in New York 386 00:18:10,520 --> 00:18:13,160 Speaker 1: City at Frank E. Campbell, which is popularly known as 387 00:18:13,520 --> 00:18:16,320 Speaker 1: the Funeral Chapel, if you want to say your final goodbyes, 388 00:18:17,240 --> 00:18:20,560 Speaker 1: all right, and Lamar L mamar Odom made it to 389 00:18:20,840 --> 00:18:23,560 Speaker 1: the Wendy Williams Show. It's actually going to be airing today, 390 00:18:23,600 --> 00:18:26,520 Speaker 1: and he talked about his past with addiction, and he 391 00:18:26,640 --> 00:18:29,160 Speaker 1: talked about Chloe Kardashian and how he had a great 392 00:18:29,160 --> 00:18:32,359 Speaker 1: relationship with Rob Kardashian but hasn't really spoken to him. 393 00:18:32,800 --> 00:18:35,760 Speaker 1: Here is what people got as an exclusive clip from 394 00:18:35,880 --> 00:18:38,520 Speaker 1: the Wendy Williams Show. Look if she came back into 395 00:18:38,560 --> 00:18:45,119 Speaker 1: your life right now, and I say that like with 396 00:18:45,280 --> 00:18:47,119 Speaker 1: no offense to hood, that would be the best for 397 00:18:47,240 --> 00:18:50,280 Speaker 1: both of us. You know what I'm saying, Yes, keep 398 00:18:50,320 --> 00:18:53,760 Speaker 1: our distance. You've lost Rob. You said you miss him, Yeah, 399 00:18:53,840 --> 00:18:55,840 Speaker 1: I mean we were close. When the last time you 400 00:18:55,920 --> 00:18:58,359 Speaker 1: talked to him on the telephone spent a minute. I 401 00:18:58,400 --> 00:19:00,280 Speaker 1: guess it is maybe because I heard his sister too much. 402 00:19:00,720 --> 00:19:03,840 Speaker 1: I have no no idea. Rob is like he got 403 00:19:03,880 --> 00:19:06,479 Speaker 1: to Rob don't want nothing to do with you now 404 00:19:06,560 --> 00:19:08,120 Speaker 1: that you're not part of the family no more. That's 405 00:19:08,119 --> 00:19:10,280 Speaker 1: how it goes, right. We was cool when you was 406 00:19:10,320 --> 00:19:12,199 Speaker 1: brother in law, but you ain't brother in law no more. 407 00:19:12,359 --> 00:19:14,440 Speaker 1: Let's still get cool, let's still speak. They seemed like 408 00:19:14,480 --> 00:19:17,160 Speaker 1: they were really tight with each other everything. My sister 409 00:19:17,240 --> 00:19:19,480 Speaker 1: don't like you. I can't like you, sorry, Lamar. Me 410 00:19:19,560 --> 00:19:22,239 Speaker 1: and her got the same last name, not you. All right. 411 00:19:22,680 --> 00:19:24,520 Speaker 1: He did a lot of things that hurt the family 412 00:19:24,640 --> 00:19:26,960 Speaker 1: and hurt her so plus when I was trying to himself, 413 00:19:27,080 --> 00:19:28,680 Speaker 1: Plus when I was trying to lose weight, Lamar, you 414 00:19:28,680 --> 00:19:30,560 Speaker 1: wouldn't share none of that crack with me, all right? 415 00:19:32,800 --> 00:19:37,320 Speaker 1: Report morning. Everybody is DJ Envy, Angela Yee, Charlomagne the guy. 416 00:19:37,359 --> 00:19:39,200 Speaker 1: We are the breakfast club. I'm in a great move, 417 00:19:40,080 --> 00:19:43,240 Speaker 1: a great week. My birthday tomorrow, my daughter's birthday was yesterday. 418 00:19:43,359 --> 00:19:48,040 Speaker 1: Vacation coming up. God is great, man, God is absolutely everything. 419 00:19:48,160 --> 00:19:49,560 Speaker 1: I was gonna tell you someone to sign up. I'm 420 00:19:49,560 --> 00:19:52,080 Speaker 1: getting old, man, duh. Yesterday I was looking for money 421 00:19:52,119 --> 00:19:54,360 Speaker 1: all over the house. I'm searching, why were you looking 422 00:19:54,400 --> 00:19:56,879 Speaker 1: for money? I put money, I hit money, and you 423 00:19:56,960 --> 00:19:59,840 Speaker 1: can't remember I put it. And and now I'm starting 424 00:19:59,880 --> 00:20:02,000 Speaker 1: to blame people. I'm like, maybe it was the guy 425 00:20:02,080 --> 00:20:04,680 Speaker 1: that just this, Maybe it was this person. Maybe it 426 00:20:04,760 --> 00:20:07,080 Speaker 1: was that person I'm start thinking about. And I'm depressing 427 00:20:07,119 --> 00:20:09,080 Speaker 1: now because I thought I lost the money. You were depressed, 428 00:20:09,240 --> 00:20:10,960 Speaker 1: Yeah it was, it was It was a lot of bread. 429 00:20:11,000 --> 00:20:13,400 Speaker 1: I'm lotting, pissed off. I get in the call, I'm 430 00:20:13,480 --> 00:20:15,840 Speaker 1: start driving to Brooklyn. I realized the moneys in my pocket. 431 00:20:16,080 --> 00:20:17,280 Speaker 1: Oh if I would have known how to tell him. 432 00:20:17,280 --> 00:20:19,920 Speaker 1: My people some Brooklyn, you know what, Let's get in 433 00:20:20,000 --> 00:20:24,320 Speaker 1: some front page news now, in some great news. It 434 00:20:24,400 --> 00:20:26,440 Speaker 1: looks like Phil Jackson is up out of here. It 435 00:20:26,480 --> 00:20:29,000 Speaker 1: looks like he will be leaving the New York Knicks. 436 00:20:29,040 --> 00:20:31,240 Speaker 1: And I'm so excited about that. I'm happy for Philip 437 00:20:31,320 --> 00:20:33,159 Speaker 1: Jackson man, because the Knicks was killing him, all right. 438 00:20:33,240 --> 00:20:35,400 Speaker 1: Phil Jackson is a little up in age and being 439 00:20:35,600 --> 00:20:37,640 Speaker 1: and being a GM with the Knicks is just taking 440 00:20:37,720 --> 00:20:39,719 Speaker 1: years off your life. He was killing the Knicks, all right? 441 00:20:39,800 --> 00:20:41,840 Speaker 1: About that? I want mellow to leave the Knicks. The 442 00:20:41,920 --> 00:20:43,760 Speaker 1: Knicks is killing mellow. You know what I'm saying. Chris 443 00:20:43,880 --> 00:20:45,879 Speaker 1: after the young so it ain't really affect him yet. 444 00:20:46,200 --> 00:20:48,119 Speaker 1: But if you know, God bless all those brothers who 445 00:20:48,200 --> 00:20:49,960 Speaker 1: are leaving New York right now. You had years to 446 00:20:50,040 --> 00:20:52,119 Speaker 1: your life when you leave the Knicks. Now, let's talk 447 00:20:52,119 --> 00:20:56,120 Speaker 1: about these three officers. Yes, three Chicago Police Department officers 448 00:20:56,200 --> 00:21:00,119 Speaker 1: have been indicted. That's on conspiracy, obstruction, at miscon like. 449 00:21:00,240 --> 00:21:03,480 Speaker 1: This is all for the shooting and killing of LaQuan McDonald, 450 00:21:03,520 --> 00:21:05,800 Speaker 1: who was only seventeen years old. He was shot sixteen 451 00:21:05,920 --> 00:21:09,160 Speaker 1: times by officer Jason van Dyke. By the way, Jason 452 00:21:09,240 --> 00:21:11,920 Speaker 1: Van Dyke is being charged with six counts of first 453 00:21:11,920 --> 00:21:15,119 Speaker 1: degree murder official misconduct in sixteen counts of aggravated battery. 454 00:21:15,160 --> 00:21:17,920 Speaker 1: He's awaiting trial right now. But these three other officers 455 00:21:18,040 --> 00:21:21,639 Speaker 1: conspired immediately after the shooting to conceal the true facts 456 00:21:21,720 --> 00:21:24,720 Speaker 1: of the events surrounding the killing of LaQuan McDonald. They 457 00:21:24,760 --> 00:21:28,760 Speaker 1: did not report the correct information, They failed to locate 458 00:21:28,800 --> 00:21:31,520 Speaker 1: an interview three witnesses to the shooting, and those accounts 459 00:21:31,600 --> 00:21:36,960 Speaker 1: of those three witnesses did contradict their false reports. Wow. Yeah, 460 00:21:37,640 --> 00:21:39,400 Speaker 1: now let's talk about some dumb news and I feel 461 00:21:39,440 --> 00:21:41,920 Speaker 1: bad because this guy's from Queen's right. Yes, he spent 462 00:21:42,040 --> 00:21:44,359 Speaker 1: six months in jail because he didn't know his bail 463 00:21:44,560 --> 00:21:48,320 Speaker 1: was one dollar. Yes, he actually got arrested for stealing 464 00:21:48,359 --> 00:21:51,280 Speaker 1: a coat from Zara and he was in jail. His 465 00:21:51,359 --> 00:21:54,480 Speaker 1: bill was fifty thousand dollars. He had a Legal Aid 466 00:21:54,560 --> 00:21:57,159 Speaker 1: Society lawyer, and apparently they never told him that. The 467 00:21:57,320 --> 00:22:00,119 Speaker 1: judge a few days after that lowered his bail to 468 00:22:00,280 --> 00:22:03,280 Speaker 1: one dollar. Nobody from Rikers told him. He had no idea. 469 00:22:03,680 --> 00:22:06,280 Speaker 1: They said his lawyers were going to court without him 470 00:22:06,320 --> 00:22:08,479 Speaker 1: and making appearances and just not reporting back to him 471 00:22:08,520 --> 00:22:10,960 Speaker 1: that his bill got reduced. So he was basically sitting 472 00:22:11,040 --> 00:22:13,440 Speaker 1: there for six months for no reason. I don't see 473 00:22:13,480 --> 00:22:16,399 Speaker 1: why he is blaming anybody but himself, Like, who else 474 00:22:16,520 --> 00:22:18,560 Speaker 1: is supposed to know about your bill other than you? 475 00:22:18,720 --> 00:22:21,720 Speaker 1: You get the paperwork, every check, your damn mail, check 476 00:22:21,800 --> 00:22:23,600 Speaker 1: your mail, young brother. I don't know if they didn't 477 00:22:23,600 --> 00:22:26,080 Speaker 1: give him his paperwork or what happd ask man. That 478 00:22:26,200 --> 00:22:27,920 Speaker 1: man had a boyfriend and there he didn't want to leave. 479 00:22:27,920 --> 00:22:30,320 Speaker 1: If your bill is a dollar and you just sitting there, 480 00:22:30,560 --> 00:22:32,760 Speaker 1: you want to be there. I mean, apparently the lawyers 481 00:22:32,840 --> 00:22:34,800 Speaker 1: were going to court on his behalf, and they just 482 00:22:34,960 --> 00:22:37,720 Speaker 1: never told him that his bill got locked. If he 483 00:22:37,800 --> 00:22:40,280 Speaker 1: had a boyfriend, he would want to. I guess I 484 00:22:40,760 --> 00:22:43,080 Speaker 1: need to know what kind of life he he's leading 485 00:22:43,440 --> 00:22:45,240 Speaker 1: outside of jail, because he might not have had no 486 00:22:45,320 --> 00:22:47,159 Speaker 1: place to go, all right, Jail might have been a 487 00:22:47,240 --> 00:22:49,720 Speaker 1: nice little recreational spot for him, three meals a day, 488 00:22:50,160 --> 00:22:53,719 Speaker 1: a place to sleep. Little boyfriend koolaid On showing now, 489 00:22:53,840 --> 00:22:55,200 Speaker 1: So I don't know if he had that great of 490 00:22:55,280 --> 00:22:57,080 Speaker 1: a time. Put a little kou laid on. You live 491 00:22:57,160 --> 00:22:58,480 Speaker 1: for the co cane in a shower. You know what 492 00:22:58,520 --> 00:23:05,000 Speaker 1: I'm saying. You know that Co Canada shower mean right right? Okay, geez, 493 00:23:05,600 --> 00:23:07,840 Speaker 1: all right, well that's front page news. Now. When we 494 00:23:07,960 --> 00:23:10,000 Speaker 1: come back, we're gonna kick it with Vince Staples, the 495 00:23:10,080 --> 00:23:12,440 Speaker 1: young guy, Vince Staples. He's got a new album out 496 00:23:12,480 --> 00:23:14,679 Speaker 1: called Big Fish Theory. I like Vince Staples a lot. 497 00:23:14,760 --> 00:23:17,440 Speaker 1: The reason I like Vince Staples Vince Staples he don't 498 00:23:17,480 --> 00:23:19,639 Speaker 1: bite his tongue, not at every time I'm around him. 499 00:23:19,640 --> 00:23:22,359 Speaker 1: He seemed to have that same energy about any and 500 00:23:22,480 --> 00:23:24,760 Speaker 1: everything all the time. He's a guy that stands by 501 00:23:24,840 --> 00:23:26,760 Speaker 1: his words, and I like people that standing body words 502 00:23:26,760 --> 00:23:28,640 Speaker 1: because a lot of people are not staying the body words. 503 00:23:28,680 --> 00:23:30,360 Speaker 1: Now I did right. He's signed the Death cham We're 504 00:23:30,359 --> 00:23:32,480 Speaker 1: gonna kick it with him when we come back. It's Pharrell, 505 00:23:32,640 --> 00:23:34,280 Speaker 1: it's Front and it's the Breakfast Club. Come on in 506 00:23:34,400 --> 00:23:38,000 Speaker 1: the morning. Everybody is DJ Envy, Angela Yee, Charlomagne the guy. 507 00:23:38,040 --> 00:23:40,240 Speaker 1: We are the Breakfast Club. We have a special guest 508 00:23:40,320 --> 00:23:43,080 Speaker 1: in the building goes by the name of Vince Staples, 509 00:23:43,160 --> 00:23:47,239 Speaker 1: signed to Death Jim from Compton. Vince Staples were good. 510 00:23:47,280 --> 00:23:48,680 Speaker 1: We try to get him some water, but we don't 511 00:23:48,680 --> 00:23:54,840 Speaker 1: handle by the water right now with no breakfast and nothing, 512 00:23:54,960 --> 00:23:56,840 Speaker 1: no nothing. You got a jill stuff and you're doing 513 00:23:56,920 --> 00:23:58,840 Speaker 1: good right now on the morning. I know you're here 514 00:23:58,920 --> 00:24:00,520 Speaker 1: to promote the album big Fish there, but I've been 515 00:24:00,600 --> 00:24:02,199 Speaker 1: wanting to ask you what you did in Tupacs All 516 00:24:02,240 --> 00:24:03,960 Speaker 1: Eyes on Me movie. I've been thinking. I said I 517 00:24:04,000 --> 00:24:06,480 Speaker 1: wanted to Evince Staples thinks it was you can't. I 518 00:24:06,480 --> 00:24:09,080 Speaker 1: didn't really expect much, to be honest, autom Movies is trash. 519 00:24:09,119 --> 00:24:10,560 Speaker 1: I feel like it's kind of low key too, So 520 00:24:11,359 --> 00:24:13,480 Speaker 1: ain't he not alive? I thought that was trash. I 521 00:24:13,520 --> 00:24:16,080 Speaker 1: thought notorials just trash like it's so when you look 522 00:24:16,119 --> 00:24:18,440 Speaker 1: at like Ray and like Olive movies like that, I 523 00:24:18,520 --> 00:24:21,680 Speaker 1: think that's when people get done justice. You gotta be 524 00:24:21,840 --> 00:24:24,080 Speaker 1: there or like even like shout out of times, you 525 00:24:24,119 --> 00:24:25,679 Speaker 1: gotta be there. You gotta be dead for like at 526 00:24:25,760 --> 00:24:30,440 Speaker 1: least thirty photo years didn't need to trash. It's just 527 00:24:30,560 --> 00:24:33,000 Speaker 1: like that acting was was It was trash except for 528 00:24:33,040 --> 00:24:35,760 Speaker 1: oh boy that looked like Tupocs, but yeah he was. 529 00:24:35,880 --> 00:24:37,399 Speaker 1: He was hard, but like you got a main o 530 00:24:37,520 --> 00:24:40,879 Speaker 1: pop in tupoc it's just an extra rock with it. 531 00:24:41,040 --> 00:24:42,960 Speaker 1: And when they did the music video parts didn't even 532 00:24:43,000 --> 00:24:44,880 Speaker 1: sink the lyrics like y'all could have found a better 533 00:24:44,960 --> 00:24:46,800 Speaker 1: take to where he looked like he actually said, is 534 00:24:46,800 --> 00:24:49,440 Speaker 1: it is it true that they put Snoop dogs voice 535 00:24:49,480 --> 00:24:53,920 Speaker 1: in and voiced over Snoop like like couldn't have a voice. 536 00:24:53,960 --> 00:24:55,280 Speaker 1: It was sad. I feel bad for a boy, and 537 00:24:55,280 --> 00:24:57,040 Speaker 1: I played him like I can talk to you know 538 00:24:57,080 --> 00:25:00,400 Speaker 1: what I mean. It made it work, but my screen 539 00:25:00,440 --> 00:25:02,560 Speaker 1: out of idea. But that's what I'm saying. It was 540 00:25:02,560 --> 00:25:05,200 Speaker 1: like involved, but everybody was involved. But then they made easy. 541 00:25:05,240 --> 00:25:06,920 Speaker 1: He look like a weird though, and it's like you 542 00:25:06,960 --> 00:25:09,240 Speaker 1: know when you're not there. It's a little bit harder 543 00:25:09,240 --> 00:25:11,280 Speaker 1: to have creative control because they're gonna make it's best 544 00:25:11,359 --> 00:25:13,119 Speaker 1: for the movie and not really's best for Like the 545 00:25:13,200 --> 00:25:15,760 Speaker 1: Legacy I read when I was a kid that um 546 00:25:16,880 --> 00:25:19,120 Speaker 1: before Ray Charles had passed. He had a big part 547 00:25:19,160 --> 00:25:21,600 Speaker 1: in what they were doing with that movie. Jamie Foxx 548 00:25:21,680 --> 00:25:23,320 Speaker 1: had a lot of conversationhood and it's a lot more 549 00:25:23,359 --> 00:25:25,959 Speaker 1: respect for the person I feel like when they there 550 00:25:26,000 --> 00:25:28,679 Speaker 1: amongst just from the talent themselves. If it's not the director, 551 00:25:28,960 --> 00:25:30,560 Speaker 1: it's just such stuff you won't do if you'd un 552 00:25:30,640 --> 00:25:32,840 Speaker 1: satten like met and like spend time was right, or 553 00:25:32,840 --> 00:25:35,080 Speaker 1: if you have an autobiography that you've written and it's 554 00:25:35,160 --> 00:25:39,080 Speaker 1: based on But the Frankie Lyneman movie was Hard Food, 555 00:25:39,160 --> 00:25:41,920 Speaker 1: fall in Love. Yeah, that slat, but that also he 556 00:25:42,000 --> 00:25:44,240 Speaker 1: was more based on his relationship with different women. It 557 00:25:44,320 --> 00:25:47,080 Speaker 1: took like kind of that aspect of his three different marriages, 558 00:25:47,080 --> 00:25:49,200 Speaker 1: and that was kind of it was focused on something 559 00:25:49,440 --> 00:25:51,240 Speaker 1: that was that was hard, that it was hard, and 560 00:25:51,320 --> 00:25:53,960 Speaker 1: he was faded the whole time. I didn't know anything 561 00:25:53,960 --> 00:25:56,440 Speaker 1: about Frankie Lineman, but I can appreciate certain movies like 562 00:25:56,600 --> 00:25:59,000 Speaker 1: Walk the Line, or if you watch like the Doors movie. 563 00:25:59,160 --> 00:26:07,320 Speaker 1: Even if I don't know I'm racist. I really trying 564 00:26:07,320 --> 00:26:10,920 Speaker 1: to see the White Man Story Five Pies, even though 565 00:26:10,960 --> 00:26:14,840 Speaker 1: that's not a real, for real classic classic movie. Big 566 00:26:14,920 --> 00:26:17,040 Speaker 1: fish theory. You said you appearing into the fish Bowl 567 00:26:17,119 --> 00:26:20,560 Speaker 1: that wraps Eco System. Explain that I said that. I 568 00:26:23,040 --> 00:26:28,920 Speaker 1: maybe I may never said no Eco System because sounds hard. 569 00:26:29,080 --> 00:26:32,240 Speaker 1: Maybe I came to my old conclusion. I think that 570 00:26:32,359 --> 00:26:34,960 Speaker 1: was a review of the look that's hard. I we 571 00:26:35,000 --> 00:26:36,960 Speaker 1: gonna act like we say that, so we're gonna cut that. 572 00:26:37,040 --> 00:26:38,919 Speaker 1: We're gonna cut all this out and we're gonna pretend 573 00:26:39,520 --> 00:26:41,160 Speaker 1: that's That's what I take from it. Like you're looking 574 00:26:41,160 --> 00:26:43,600 Speaker 1: at rappers of fish Bowl. I mean not kind of 575 00:26:43,600 --> 00:26:48,680 Speaker 1: a little bit, but not really. It's like a magazine magazine. Yeah, 576 00:26:48,680 --> 00:26:51,520 Speaker 1: that's what they're covering. You know, No, I appreciate, but 577 00:26:52,760 --> 00:26:55,240 Speaker 1: this is what I will say. I mean, it's a 578 00:26:55,280 --> 00:26:56,760 Speaker 1: lot to do, that's a lot to a lot of things. 579 00:26:56,800 --> 00:26:58,400 Speaker 1: But you know, the way I make my music, it's 580 00:26:58,440 --> 00:27:01,000 Speaker 1: like it is whatever you want it to be if 581 00:27:01,040 --> 00:27:02,280 Speaker 1: you listen to it, you know what I mean. I 582 00:27:02,359 --> 00:27:05,160 Speaker 1: think that's kind of the point of listening to the music. 583 00:27:05,200 --> 00:27:07,520 Speaker 1: I know, if we passed that stage right now music, 584 00:27:07,640 --> 00:27:09,440 Speaker 1: but it just listened to it. You know. If you like, 585 00:27:09,600 --> 00:27:11,200 Speaker 1: you like it. If you don't, you don't. But it's 586 00:27:11,280 --> 00:27:12,920 Speaker 1: I put a lot of thought into it, and you know, 587 00:27:13,480 --> 00:27:15,639 Speaker 1: I try my best to just create something new, and 588 00:27:15,800 --> 00:27:18,359 Speaker 1: you know, I would say innovative for lack of better words. 589 00:27:18,400 --> 00:27:19,960 Speaker 1: Every time. I want to do something new every time. 590 00:27:20,040 --> 00:27:22,719 Speaker 1: So all right, we got Vince Staples in the building 591 00:27:22,800 --> 00:27:25,720 Speaker 1: of course from Compton, West Coast. All this now Charlemagne. 592 00:27:25,800 --> 00:27:27,639 Speaker 1: The sound is different though, like some of the production 593 00:27:27,720 --> 00:27:31,520 Speaker 1: on it sound like it's a house temper have got 594 00:27:31,560 --> 00:27:34,240 Speaker 1: conscious lyrics. I mean, I mean, but yeah, it's you know, 595 00:27:34,359 --> 00:27:36,600 Speaker 1: it's if you think about like our people, know, like 596 00:27:36,640 --> 00:27:39,480 Speaker 1: that's kind of where West Coast music, you know started, 597 00:27:39,600 --> 00:27:42,000 Speaker 1: like all that stuff came from. Like on some time 598 00:27:42,000 --> 00:27:44,840 Speaker 1: about these gangs. A real gag was pop locking and 599 00:27:45,040 --> 00:27:48,480 Speaker 1: ticking and and doing you know, doing sconte packs and 600 00:27:48,600 --> 00:27:50,720 Speaker 1: like wearing white gloves. So that's like some real like 601 00:27:51,400 --> 00:27:53,720 Speaker 1: West Coast Stama past. They still got Larry Levin, you know, 602 00:27:53,800 --> 00:27:56,639 Speaker 1: acting and all them dudes from Detroit and Chicago who 603 00:27:56,800 --> 00:27:59,920 Speaker 1: is kind of invented techno music in the house music 604 00:28:00,000 --> 00:28:01,760 Speaker 1: as we know today, but you don't get no credit 605 00:28:01,760 --> 00:28:03,840 Speaker 1: because you know, we gotta kick the black people out 606 00:28:03,880 --> 00:28:05,680 Speaker 1: every once in a while once they make something. So 607 00:28:06,200 --> 00:28:07,920 Speaker 1: it just kind of drew a lot of freshion from that, 608 00:28:08,160 --> 00:28:10,040 Speaker 1: and um, so you're coming back to your roots in 609 00:28:10,080 --> 00:28:13,160 Speaker 1: a sense though, I mean it's it's still a point, 610 00:28:13,240 --> 00:28:14,600 Speaker 1: like to be real, when I was a kid, I 611 00:28:14,680 --> 00:28:16,600 Speaker 1: told this last time, my mama won't letting listen to 612 00:28:16,680 --> 00:28:18,920 Speaker 1: rap music. I was, I was out, but had her up. 613 00:28:19,000 --> 00:28:21,640 Speaker 1: Ain't none of that coming on. So when it comes 614 00:28:21,640 --> 00:28:23,560 Speaker 1: down to it, like that's when I was just trying 615 00:28:23,560 --> 00:28:25,840 Speaker 1: to make something new and trying to kind of branch 616 00:28:25,880 --> 00:28:27,719 Speaker 1: off for what I know about, and I, oh key 617 00:28:27,800 --> 00:28:29,879 Speaker 1: know the most about that, and that's the kind of 618 00:28:29,960 --> 00:28:31,720 Speaker 1: music I like, Like that's what I listened to, So 619 00:28:31,760 --> 00:28:33,919 Speaker 1: I just wanted to make it, you know, my version 620 00:28:34,000 --> 00:28:36,080 Speaker 1: of it. Try to you know, see if I get fit, 621 00:28:36,560 --> 00:28:38,680 Speaker 1: I can't. I don't want to be listening like when 622 00:28:38,760 --> 00:28:40,800 Speaker 1: it's just talking about what are you hating here? And 623 00:28:41,000 --> 00:28:43,600 Speaker 1: talk about it's funny, like I'll be getting the most 624 00:28:43,880 --> 00:28:47,440 Speaker 1: random message from the most squared like, hey, bro, you 625 00:28:47,600 --> 00:28:49,320 Speaker 1: need to get back to that gangshit. You're like, if 626 00:28:49,360 --> 00:28:51,280 Speaker 1: you don't shut your bitch ass up, Like, what did 627 00:28:51,280 --> 00:28:53,040 Speaker 1: you What do that even mean? You know what I'm saying. 628 00:28:53,080 --> 00:28:55,320 Speaker 1: I want you to talk about busting them guns many 629 00:28:55,680 --> 00:28:57,720 Speaker 1: like you ain't killing on this album man, I'm my 630 00:28:57,800 --> 00:29:00,480 Speaker 1: fucking with it. It's like I'll be all broll just 631 00:29:00,560 --> 00:29:06,200 Speaker 1: because it's so draining. Man, absolutely day to day man, people, 632 00:29:06,240 --> 00:29:08,320 Speaker 1: that's not about that life hitting you out. Nobody's about 633 00:29:08,360 --> 00:29:10,360 Speaker 1: that life. For the most part. That's pushing that. But 634 00:29:10,400 --> 00:29:12,560 Speaker 1: it seems like the whole industry is pushing that because 635 00:29:12,680 --> 00:29:16,120 Speaker 1: that's what's selling that I lack not Yeah, exactly, and 636 00:29:16,200 --> 00:29:19,360 Speaker 1: it's black traumas drug selling. Yeah, Kendrick Lama selling, Jake 637 00:29:19,400 --> 00:29:23,120 Speaker 1: Coole selling, Chad selling, Sean selling water. The kids are 638 00:29:23,120 --> 00:29:28,960 Speaker 1: not listening to that. That's not true, chiding to rapper. 639 00:29:29,080 --> 00:29:31,200 Speaker 1: Besides that, you have a lot of these kids that 640 00:29:31,360 --> 00:29:34,320 Speaker 1: set talking about drugs all the time. And it's the 641 00:29:34,400 --> 00:29:35,960 Speaker 1: souls that when I go out and play, that's what 642 00:29:36,000 --> 00:29:37,520 Speaker 1: they want me to that's what they want me to play. 643 00:29:37,800 --> 00:29:39,560 Speaker 1: That's because you're in the club every night. So that's 644 00:29:39,600 --> 00:29:42,320 Speaker 1: what your that's your worldview, I mean, but that's different. 645 00:29:43,120 --> 00:29:46,800 Speaker 1: Dude is on tour every days on the radio. But no, 646 00:29:47,160 --> 00:29:49,960 Speaker 1: but no, but it's it's different. It's different. You're right, 647 00:29:50,080 --> 00:29:52,320 Speaker 1: and you were in everybody right at the same aspect 648 00:29:52,360 --> 00:29:54,040 Speaker 1: because at the end of the day, yeah, if you 649 00:29:54,240 --> 00:29:56,520 Speaker 1: talking about like just with the kids, all that's awesome, 650 00:29:56,560 --> 00:29:59,000 Speaker 1: like in their culture type stuff, that's really where it is. 651 00:29:59,120 --> 00:30:01,440 Speaker 1: But it's hard for them to get in real venues 652 00:30:01,480 --> 00:30:03,640 Speaker 1: and sell our real venues. Like to be honest, like 653 00:30:03,720 --> 00:30:06,240 Speaker 1: I don't sell no records, like none at all, but 654 00:30:06,280 --> 00:30:09,320 Speaker 1: I'm still show that eighteen hundred or three thousand seas 655 00:30:09,520 --> 00:30:11,800 Speaker 1: which is weird to me, but it's like it's real. 656 00:30:12,120 --> 00:30:14,600 Speaker 1: But some people can't do that, but they can do 657 00:30:14,720 --> 00:30:16,400 Speaker 1: something that I can't do. Also, you know what I mean, 658 00:30:16,880 --> 00:30:19,520 Speaker 1: be in the club every night. I mean you recompleating 659 00:30:19,560 --> 00:30:22,160 Speaker 1: the script club. Yeah, maybe, but I don't really know. 660 00:30:22,240 --> 00:30:24,360 Speaker 1: But it's like everybody, everybody got a different you know, 661 00:30:24,520 --> 00:30:27,200 Speaker 1: purpose in it. So I'm I think I'm just happy 662 00:30:27,200 --> 00:30:29,320 Speaker 1: to be able to do something with myself, you know 663 00:30:29,320 --> 00:30:31,480 Speaker 1: what I mean, and just make music because I'm in 664 00:30:31,520 --> 00:30:34,120 Speaker 1: a position to where I can low key do whatever 665 00:30:34,240 --> 00:30:35,680 Speaker 1: I won't I can in fact do whatever I want 666 00:30:35,680 --> 00:30:37,760 Speaker 1: if I if I do it right, because it's about 667 00:30:38,080 --> 00:30:39,880 Speaker 1: people listen, to my music. If you're if you if 668 00:30:39,880 --> 00:30:41,040 Speaker 1: you don't like, you don't like you know what I mean, 669 00:30:41,080 --> 00:30:43,280 Speaker 1: that's all fine, but you're listening to it because it's 670 00:30:43,320 --> 00:30:45,200 Speaker 1: a time or effort whatever I'm putting. So I don't know, 671 00:30:45,280 --> 00:30:46,959 Speaker 1: I know it to do it, but yeah, so why 672 00:30:47,000 --> 00:30:49,040 Speaker 1: it is, I'm gonna do what I can. That's right. 673 00:30:49,080 --> 00:30:51,000 Speaker 1: We have more with Vince Staples when we come back. 674 00:30:51,040 --> 00:30:53,200 Speaker 1: We got to talk about his sister being shot a 675 00:30:53,280 --> 00:30:55,960 Speaker 1: couple of times, and also him being suspended from school 676 00:30:56,000 --> 00:30:58,240 Speaker 1: for wearing a Young Jeezy T shirt. Right, but right now, 677 00:30:58,360 --> 00:31:00,640 Speaker 1: let's get into a joint office album. It's just called 678 00:31:00,720 --> 00:31:03,120 Speaker 1: big Fish and it's the Breakfast Focal Morning This Morning. 679 00:31:03,200 --> 00:31:06,400 Speaker 1: Everybody is DJ N v Angela, Yee, Charlomagne the guy. 680 00:31:06,480 --> 00:31:09,320 Speaker 1: We are the Breakfast Club. Now we have Vince Staples 681 00:31:09,440 --> 00:31:11,960 Speaker 1: in the building. He has a new album called big 682 00:31:12,000 --> 00:31:14,240 Speaker 1: Fish Theory. Charlomagne, you said on the album two, I 683 00:31:14,320 --> 00:31:16,240 Speaker 1: forgot what song on you said, You'll never let a 684 00:31:16,240 --> 00:31:18,320 Speaker 1: little bow while you that's a that's a jez I love, 685 00:31:18,640 --> 00:31:20,920 Speaker 1: I love you. So we got to ask conversation. I 686 00:31:21,000 --> 00:31:22,720 Speaker 1: had a Canvaan the snow Man T shirt. They were 687 00:31:22,760 --> 00:31:25,440 Speaker 1: suspending that in high school. Absolutely, I remember seeing into 688 00:31:25,480 --> 00:31:28,440 Speaker 1: the whole thing about it said my time, even if 689 00:31:28,520 --> 00:31:30,160 Speaker 1: when it came in the tone my mama made fair 690 00:31:30,200 --> 00:31:32,240 Speaker 1: high school. Miss Brown suspending me, not miss Brown, miss 691 00:31:32,320 --> 00:31:34,520 Speaker 1: uh I forgot that big name. But yeah, she's suspending me. 692 00:31:35,240 --> 00:31:38,200 Speaker 1: They we used to be on her head. She like, whoopie, 693 00:31:38,200 --> 00:31:39,880 Speaker 1: go work for us. I've been I hate that bit. 694 00:31:39,960 --> 00:31:41,760 Speaker 1: She got fired. She kicked all the homies out of school. 695 00:31:41,880 --> 00:31:44,120 Speaker 1: Everybody put us all on and we was all in 696 00:31:44,240 --> 00:31:46,640 Speaker 1: like like a juvenile probation. We had to go to 697 00:31:46,760 --> 00:31:50,160 Speaker 1: juvenile place. Man live with random people. She was trash full, 698 00:31:50,320 --> 00:31:52,600 Speaker 1: like I hope that lady life is trash right now. 699 00:31:52,600 --> 00:31:54,240 Speaker 1: I hope she living in like an RV or something. 700 00:31:54,320 --> 00:31:57,080 Speaker 1: She was a piece. She found my hard childhood. I 701 00:31:57,120 --> 00:31:58,920 Speaker 1: got two weeks suspension and they put me on camera. 702 00:31:59,120 --> 00:32:03,840 Speaker 1: We wait, say that's how you know was hid? That's 703 00:32:03,880 --> 00:32:06,239 Speaker 1: top five Atlantic right there. So why did you use 704 00:32:06,280 --> 00:32:08,560 Speaker 1: his line? Because I love you, j Z. I didn't 705 00:32:08,560 --> 00:32:10,000 Speaker 1: know if you because j Z a bot I know 706 00:32:10,040 --> 00:32:12,280 Speaker 1: you gotta love about the bow. I was hard. I'm 707 00:32:12,320 --> 00:32:14,360 Speaker 1: tiring back like a little bao. I wasn't hard like 708 00:32:14,920 --> 00:32:17,200 Speaker 1: you have for rel bees and Timberland, Bes and t 709 00:32:17,440 --> 00:32:19,840 Speaker 1: I and Snoop Dogg was helping JD and jay Z 710 00:32:20,000 --> 00:32:22,520 Speaker 1: was helped writing songs. How is that out hard? Because 711 00:32:22,520 --> 00:32:24,800 Speaker 1: like being aggressive for no reason. But but but bow 712 00:32:25,200 --> 00:32:26,840 Speaker 1: was hard. But there's no way in hell you can 713 00:32:26,880 --> 00:32:29,960 Speaker 1: possibly like Shad Moss, thirty ye old Shad Moss who 714 00:32:30,000 --> 00:32:32,400 Speaker 1: does things like post fake private jets. Now, that's what 715 00:32:32,440 --> 00:32:34,280 Speaker 1: I'm gonna say. I don't really know that like that, 716 00:32:39,200 --> 00:32:42,240 Speaker 1: but a little bow while with the Tim couch Jersey 717 00:32:42,280 --> 00:32:44,800 Speaker 1: on with the photoshop dog on, I'm cover. I know 718 00:32:44,880 --> 00:32:47,000 Speaker 1: that it's called, so you know how I can respect 719 00:32:47,040 --> 00:32:48,600 Speaker 1: that because that's how I feel about Fresh Prince and 720 00:32:48,640 --> 00:32:51,520 Speaker 1: Will Smith. Come on, Prince was a hard ass rapper. 721 00:32:52,360 --> 00:32:53,960 Speaker 1: But what was in Man and Black? You gotta calm 722 00:32:54,040 --> 00:32:56,840 Speaker 1: that downy, No acting Will Smith is dope, But rapping 723 00:32:56,880 --> 00:32:59,920 Speaker 1: Will Smith Miami and getting jiggy with it trash gets 724 00:33:00,240 --> 00:33:04,960 Speaker 1: it is hard. You wasn't six years old when you 725 00:33:05,080 --> 00:33:07,360 Speaker 1: hurt that song. That's fine. You don't expect it's hard. 726 00:33:07,400 --> 00:33:11,240 Speaker 1: I wouldn't follow you probably wanted to follow you when 727 00:33:11,280 --> 00:33:14,000 Speaker 1: you was six. Man, it wasn't following the Wada West 728 00:33:14,000 --> 00:33:17,600 Speaker 1: Staves song. Hard with the man. It was not Drew. 729 00:33:18,520 --> 00:33:21,360 Speaker 1: He was doing he was a grown ass man, bro 730 00:33:21,960 --> 00:33:24,000 Speaker 1: Will Smith, Charlotte Man, he was a girl ass. That's 731 00:33:24,000 --> 00:33:25,200 Speaker 1: what I'm saying with you know what I mean. I 732 00:33:25,360 --> 00:33:27,120 Speaker 1: like them. You know what I mean. If you know, 733 00:33:27,200 --> 00:33:28,880 Speaker 1: if your kids want to watch the Blue Clothes of 734 00:33:28,920 --> 00:33:30,760 Speaker 1: the Wiggles, you ain't gotta rock with it. It's not fun. 735 00:33:30,920 --> 00:33:33,680 Speaker 1: He's to pass it along, Bro, he gotta pass that 736 00:33:33,760 --> 00:33:38,320 Speaker 1: will along. Will Smith got slaps. Bron Prince was hard. 737 00:33:38,480 --> 00:33:41,120 Speaker 1: He ain't no like I don't know, man, get giggy 738 00:33:41,160 --> 00:33:43,240 Speaker 1: with it. Might love the flow is better than fresh Princeton. 739 00:33:43,240 --> 00:33:45,880 Speaker 1: If he wanted summer time nightmare a summer time. It 740 00:33:45,960 --> 00:33:49,840 Speaker 1: is hard, but that's that's why. Nah, get giggy with it. 741 00:33:49,880 --> 00:33:53,920 Speaker 1: The flat way harder. Who did it? It wasn't It 742 00:33:53,960 --> 00:33:56,440 Speaker 1: wasn't rocking my ass about my two chat said that. 743 00:33:56,560 --> 00:33:58,239 Speaker 1: So I was just listening to two chairs. We got 744 00:33:58,360 --> 00:34:01,320 Speaker 1: Vince Staples in the building, of course, from Compton West 745 00:34:01,400 --> 00:34:03,720 Speaker 1: Coast Artists. Now, ye, it looks like you're looking forward 746 00:34:03,800 --> 00:34:06,800 Speaker 1: also to having kids, because you reference that. I'm really 747 00:34:07,160 --> 00:34:10,600 Speaker 1: little kids. They're bad. What but you talking about kids? 748 00:34:10,800 --> 00:34:12,600 Speaker 1: But that's divin that's about hurry for me. I mean 749 00:34:12,640 --> 00:34:15,000 Speaker 1: the kid, that's her business. That's what I'm saying. I'm 750 00:34:15,080 --> 00:34:17,200 Speaker 1: gonna get somebody pregnant in this league. Now, I'm gonna 751 00:34:17,200 --> 00:34:18,719 Speaker 1: be at the house like, leave me alone. I'm not 752 00:34:18,800 --> 00:34:20,120 Speaker 1: trying to talk to you right now. I'm gonna talk 753 00:34:20,120 --> 00:34:22,200 Speaker 1: to your mom about the homework, God, chids and bills pay. 754 00:34:22,280 --> 00:34:24,279 Speaker 1: My grandaddy didn't talk to none of his kids. He 755 00:34:24,400 --> 00:34:26,800 Speaker 1: my mama said this, came home and was like, what 756 00:34:26,960 --> 00:34:29,200 Speaker 1: y'all need? All right, I'm in the back. Don't ask 757 00:34:29,239 --> 00:34:33,080 Speaker 1: me no questions. That the raising when they when they 758 00:34:33,160 --> 00:34:35,200 Speaker 1: need they asked beef. I'm not gonna be sitting there 759 00:34:35,280 --> 00:34:38,080 Speaker 1: playing Pokemond shot my nephew eight years old. Even be 760 00:34:38,320 --> 00:34:40,360 Speaker 1: bad as them, I'm not dealing with I'm gonna go 761 00:34:40,400 --> 00:34:43,880 Speaker 1: to jail. You got to do this, yeah I am, 762 00:34:44,000 --> 00:34:46,879 Speaker 1: But didn't be lying these be lying yeah, and I'll 763 00:34:46,880 --> 00:34:49,240 Speaker 1: be looking. They got cell phones also. I'm not prepared 764 00:34:49,280 --> 00:34:50,640 Speaker 1: for this type of stuff. When I was a kid, 765 00:34:50,880 --> 00:34:53,239 Speaker 1: you had a phone like a church, but next to church. 766 00:34:53,320 --> 00:34:56,399 Speaker 1: I seven thirty ninety five with snake on that's all 767 00:34:56,440 --> 00:34:59,239 Speaker 1: you had. These got instagrams on the hood. I'm cool 768 00:34:59,360 --> 00:35:01,360 Speaker 1: on that. He's bad. I'm gonna catch your cage. My 769 00:35:01,520 --> 00:35:04,040 Speaker 1: nephew came to my house. The hommy, the hommy beetle 770 00:35:04,120 --> 00:35:05,399 Speaker 1: was taking care of my mama was on a road away. 771 00:35:05,440 --> 00:35:07,800 Speaker 1: I dropped my mom around, so he asked a hommy. 772 00:35:07,800 --> 00:35:09,719 Speaker 1: He's like, what's up, Jay, See how you been? He's like, 773 00:35:09,840 --> 00:35:12,959 Speaker 1: better than you? You need to sock that mother in face. 774 00:35:13,040 --> 00:35:15,120 Speaker 1: He's like, nah, man, he had kid, bro, he don't 775 00:35:15,120 --> 00:35:16,719 Speaker 1: know no better. What she mean? He don't know no better? 776 00:35:16,719 --> 00:35:18,239 Speaker 1: Because I say he's doing better than you. You're a 777 00:35:18,280 --> 00:35:21,080 Speaker 1: grown ass man and he doing better than you. That's foul. 778 00:35:21,239 --> 00:35:22,960 Speaker 1: You just can't punch kids in the face now. I know. 779 00:35:23,040 --> 00:35:24,799 Speaker 1: That's why I'm saying it's not my time right now. Now. 780 00:35:24,800 --> 00:35:26,520 Speaker 1: You punch them in the chest though, when they're like 781 00:35:26,640 --> 00:35:29,240 Speaker 1: seventy eight, little light punching to the chest, man blows, 782 00:35:29,719 --> 00:35:31,680 Speaker 1: we go to jail. What's your older? What's your older? 783 00:35:31,719 --> 00:35:35,880 Speaker 1: Break your older? Your uncles and everybody old, all the 784 00:35:35,920 --> 00:35:37,200 Speaker 1: older men in your life probably us to do that 785 00:35:37,280 --> 00:35:39,919 Speaker 1: to you. Nah, My mom and my mom would have whoops. 786 00:35:40,000 --> 00:35:42,239 Speaker 1: You couldn't hit me. I was tripping school and all, 787 00:35:42,280 --> 00:35:43,759 Speaker 1: and I'm gonna tell them. I'm gonna tell my mom 788 00:35:43,760 --> 00:35:45,840 Speaker 1: wa say some stupid to me. My mama gonna come 789 00:35:45,880 --> 00:35:47,680 Speaker 1: up there tripping and if that don't work, she gonna 790 00:35:47,719 --> 00:35:49,680 Speaker 1: call my daddy, and it's somebody going to jail, you 791 00:35:49,760 --> 00:35:51,759 Speaker 1: know what I'm saying. So I was a badass kid 792 00:35:51,800 --> 00:35:54,640 Speaker 1: because I was like, my mama gonna believe me over everybody. 793 00:35:55,000 --> 00:35:57,239 Speaker 1: And I was using that you call my daddy. He like, 794 00:35:57,360 --> 00:35:59,320 Speaker 1: don't call me out the house unless I'm gonna go 795 00:35:59,360 --> 00:36:00,840 Speaker 1: to jail. That was a slog he said that. We 796 00:36:00,960 --> 00:36:03,320 Speaker 1: was kidding. I'm not leaving the house unless I'm gonna 797 00:36:03,320 --> 00:36:04,840 Speaker 1: go to jail. If it's not no problem like that, 798 00:36:05,160 --> 00:36:06,680 Speaker 1: they leave me alone and out. I've seen him do 799 00:36:06,760 --> 00:36:09,279 Speaker 1: some crazy because it was like my parents moved a 800 00:36:09,320 --> 00:36:12,439 Speaker 1: Long Beach from cob because after my sister got shot, 801 00:36:12,560 --> 00:36:14,160 Speaker 1: she was like, we're out of here. We're gonna go 802 00:36:14,160 --> 00:36:15,719 Speaker 1: to contam I mean, we fuldn't go to Long Beach 803 00:36:15,760 --> 00:36:17,600 Speaker 1: just right down the street. Yes, but it's right down 804 00:36:17,640 --> 00:36:19,960 Speaker 1: the street. Like game, we get smacked on. A lot 805 00:36:20,000 --> 00:36:22,359 Speaker 1: of people moved along beaches right there. It's like Long 806 00:36:22,400 --> 00:36:24,000 Speaker 1: Beach cards and guarding and blah blah blah. Ma I'm 807 00:36:24,000 --> 00:36:25,839 Speaker 1: a picking Long Beach. It's about the water is killed. 808 00:36:25,920 --> 00:36:27,960 Speaker 1: They got white people blah blah. Her whole even like 809 00:36:28,000 --> 00:36:30,080 Speaker 1: my kids are gonna grow up and on about everybody 810 00:36:30,239 --> 00:36:32,120 Speaker 1: be able to talk to everybody like that until you 811 00:36:32,200 --> 00:36:34,480 Speaker 1: meet them people. Then people over there is really out 812 00:36:34,520 --> 00:36:37,279 Speaker 1: there a while, and she just sister gets your shot. 813 00:36:37,480 --> 00:36:39,719 Speaker 1: Oh just you know me and you know tripping. She's 814 00:36:39,719 --> 00:36:42,000 Speaker 1: out her tripping and you know, says something to the 815 00:36:42,080 --> 00:36:47,400 Speaker 1: wrong dude or dude shot. A lot of times she did. 816 00:36:47,640 --> 00:36:51,400 Speaker 1: She I mean time she got hit, like morning. I 817 00:36:51,480 --> 00:36:54,520 Speaker 1: think like it was like between like three to like six. Damn, 818 00:36:55,239 --> 00:36:58,040 Speaker 1: you should put her on an album. She you know, 819 00:36:58,120 --> 00:36:59,759 Speaker 1: not wanted my sister gonna say some but he was 820 00:36:59,800 --> 00:37:01,239 Speaker 1: not trying to hear that. Gether. That's gonna sound like 821 00:37:01,480 --> 00:37:06,279 Speaker 1: Spice one. She's gonna be on there, sound like Spice one. 822 00:37:06,440 --> 00:37:12,120 Speaker 1: Dspls because you got a rich hip hop history. Man, 823 00:37:12,280 --> 00:37:13,960 Speaker 1: Like when I look back on it and I see 824 00:37:14,000 --> 00:37:15,799 Speaker 1: how the homies is raising their kids and not see 825 00:37:15,840 --> 00:37:17,680 Speaker 1: how hard it is from my homies. I got their 826 00:37:17,680 --> 00:37:19,400 Speaker 1: whole head and their whole faced hat tool with the 827 00:37:19,440 --> 00:37:21,719 Speaker 1: hood everywhere blah blah, and to see they struggle to 828 00:37:21,800 --> 00:37:23,600 Speaker 1: try to keep their kids from knowing about that and 829 00:37:23,719 --> 00:37:25,680 Speaker 1: I got big homies like Chris and big homies like you, 830 00:37:25,800 --> 00:37:29,360 Speaker 1: Webb and Outbow and like that. Literally was with the business, 831 00:37:29,400 --> 00:37:31,440 Speaker 1: like Little Boy and Niggas, that's with the business. But 832 00:37:31,560 --> 00:37:34,279 Speaker 1: they got the best kids in the world. What kind 833 00:37:34,320 --> 00:37:36,919 Speaker 1: of I be to make their job partner? That's real 834 00:37:37,080 --> 00:37:38,799 Speaker 1: when I don't got to. That's real because you don't 835 00:37:38,800 --> 00:37:40,759 Speaker 1: have to. And that's just how they perceive you. Look 836 00:37:40,760 --> 00:37:44,640 Speaker 1: at Ygg, one of the most successful, most important, most 837 00:37:44,719 --> 00:37:47,120 Speaker 1: authentic rappers from the West Coast. But no matter what 838 00:37:47,239 --> 00:37:50,120 Speaker 1: he rap about, no matter what he says, he's still 839 00:37:50,160 --> 00:37:53,160 Speaker 1: gonna be the game. Babe, music donna sound the same. 840 00:37:53,200 --> 00:37:56,000 Speaker 1: Instead of praising him literally making the same music for 841 00:37:56,080 --> 00:37:57,960 Speaker 1: over ten years before anybody knew who he was when 842 00:37:57,960 --> 00:38:00,399 Speaker 1: we was in high school. Him and Mustard and Jack 843 00:38:00,440 --> 00:38:02,960 Speaker 1: and and Tell You a Third and and and Um 844 00:38:03,200 --> 00:38:05,680 Speaker 1: and the pe Boys and Cold Flames. He's been making 845 00:38:05,719 --> 00:38:08,759 Speaker 1: the same kind of music forever. Instead of praising the 846 00:38:08,840 --> 00:38:10,600 Speaker 1: fact that they had a vision and stuck through it, 847 00:38:10,800 --> 00:38:12,880 Speaker 1: that the gang banging brow it up. You got to 848 00:38:12,920 --> 00:38:15,080 Speaker 1: counsel a blessing to be appreciable with your position and 849 00:38:15,200 --> 00:38:16,919 Speaker 1: try to do something better, like you want to spend 850 00:38:16,920 --> 00:38:19,200 Speaker 1: your whole life being a pat. I don't want to. 851 00:38:20,680 --> 00:38:22,839 Speaker 1: I'm with you. Now listen before you leave. We need 852 00:38:22,880 --> 00:38:27,640 Speaker 1: a sixteen you know what I mean. I got an 853 00:38:27,680 --> 00:38:29,880 Speaker 1: eight bar, I got an I gotta put on a 854 00:38:29,880 --> 00:38:39,839 Speaker 1: breakfast claub in trup all right, I'm not rapping, now 855 00:38:40,000 --> 00:38:44,080 Speaker 1: get it. It's the breakfast Club. Good morning, the breakfast Club. 856 00:38:46,680 --> 00:38:48,719 Speaker 1: Oh no morning. Everybody is the breakfast cloud. You know 857 00:38:48,760 --> 00:38:51,440 Speaker 1: what my son has grounded? Right? I grounded my son right, 858 00:38:52,160 --> 00:38:53,560 Speaker 1: and I just have a look at snapchat and he 859 00:38:53,600 --> 00:38:57,000 Speaker 1: posted up on Snapchat. But I hit his phone. Well, 860 00:38:57,080 --> 00:39:01,120 Speaker 1: clearly he got another phone. That's literally he found it. 861 00:39:01,520 --> 00:39:04,480 Speaker 1: He grounded. He might have used somebody else phone and 862 00:39:04,600 --> 00:39:06,760 Speaker 1: logged in his account, or maybe he has an iPad 863 00:39:06,960 --> 00:39:11,320 Speaker 1: or something. Okay, what's he grounded for? Uh? You know what? 864 00:39:12,000 --> 00:39:13,239 Speaker 1: You know when you get to that age, you talk 865 00:39:13,280 --> 00:39:15,759 Speaker 1: back to your mama, said your daddy gotta go aground him. 866 00:39:15,960 --> 00:39:17,799 Speaker 1: So he talked back to his mommy. So I grounded him. 867 00:39:17,800 --> 00:39:20,560 Speaker 1: So you no phone, no basketball, no football, Yeah, no, 868 00:39:20,719 --> 00:39:22,440 Speaker 1: none of that. That was a great seguey out of 869 00:39:22,440 --> 00:39:24,960 Speaker 1: bad and boogie then, because my family wasn't that boogie 870 00:39:25,000 --> 00:39:26,879 Speaker 1: When I used to talk back to my mama, my daddy, 871 00:39:26,920 --> 00:39:29,839 Speaker 1: go upside of my damn head. Grounding. I think it's 872 00:39:30,600 --> 00:39:34,640 Speaker 1: just looking at what pension cord make you take a 873 00:39:34,760 --> 00:39:38,040 Speaker 1: bath afterwards? Slap you upside the face, grounded, you ground 874 00:39:38,160 --> 00:39:40,600 Speaker 1: your sign because he talked to your wife. Crazy. You 875 00:39:40,719 --> 00:39:42,520 Speaker 1: better learn to put some hands on your boy. Um 876 00:39:42,600 --> 00:39:44,400 Speaker 1: That that is a beast, sir. I don't know if 877 00:39:44,400 --> 00:39:48,399 Speaker 1: you don't hate this generation, hate this generation so much 878 00:39:48,520 --> 00:39:52,399 Speaker 1: that Caesar, if your son responds to being grounded, yeah, 879 00:39:52,640 --> 00:39:54,560 Speaker 1: well he didn't respond, so that he can't get all 880 00:39:54,600 --> 00:39:57,200 Speaker 1: that stuff, can't. You can't beat your child, but the 881 00:39:57,239 --> 00:39:59,879 Speaker 1: white man can't. Though. Okay, we'll see how this play. 882 00:40:00,680 --> 00:40:04,000 Speaker 1: Let's get to the rum. It's a lala. This is 883 00:40:04,040 --> 00:40:13,040 Speaker 1: the rule of report with angela year Breakfast Club. Well, 884 00:40:13,160 --> 00:40:15,359 Speaker 1: La La. I was on Wendy Williams and she talked 885 00:40:15,400 --> 00:40:18,160 Speaker 1: about whether or not she is planning to get divorce. 886 00:40:18,239 --> 00:40:20,880 Speaker 1: Here's what she had to say, not right now, I'm not. 887 00:40:21,080 --> 00:40:24,080 Speaker 1: You know marriages are tough, and you know that we 888 00:40:24,200 --> 00:40:25,960 Speaker 1: all know that it's filled with ups and downs and 889 00:40:26,560 --> 00:40:28,360 Speaker 1: just going through a time right now. But him and 890 00:40:28,440 --> 00:40:30,759 Speaker 1: I are the best of friends and our number one 891 00:40:30,800 --> 00:40:32,759 Speaker 1: commitment is to our son, so I don't know what 892 00:40:32,880 --> 00:40:35,359 Speaker 1: the future holds. It was just her birthday three days 893 00:40:35,360 --> 00:40:37,160 Speaker 1: ago too, and he had posted her He said, I 894 00:40:37,239 --> 00:40:38,680 Speaker 1: look at you on this birthday and it's hard to 895 00:40:38,719 --> 00:40:41,239 Speaker 1: believe another year has passed. You are as beautiful now 896 00:40:41,320 --> 00:40:43,680 Speaker 1: as ever before, sending birthday which she's to my earth 897 00:40:44,080 --> 00:40:46,400 Speaker 1: at La La love you, Happy belated born day to 898 00:40:46,440 --> 00:40:48,440 Speaker 1: my Kansas sister, La La Love La La. And let 899 00:40:48,480 --> 00:40:50,320 Speaker 1: me tell you something, Lala is not playing fair. You 900 00:40:50,360 --> 00:40:52,080 Speaker 1: know why Lala is not playing for because she out 901 00:40:52,120 --> 00:40:54,759 Speaker 1: here working out. You know, she glowing up? You can 902 00:40:54,800 --> 00:40:57,640 Speaker 1: she just she just elevated to another level at just 903 00:40:57,760 --> 00:40:59,560 Speaker 1: the right time. You ever noticed that when like when 904 00:40:59,600 --> 00:41:02,560 Speaker 1: you do that girl's been done wrong and then they 905 00:41:02,640 --> 00:41:05,839 Speaker 1: just start looking extra good. That's what you're supposed don't 906 00:41:05,880 --> 00:41:08,359 Speaker 1: let yourself going. By the way, up on episode four 907 00:41:09,040 --> 00:41:12,520 Speaker 1: of this new season of Power, Lola will again have 908 00:41:12,719 --> 00:41:15,399 Speaker 1: a sex scene and you will get to see more 909 00:41:15,480 --> 00:41:18,879 Speaker 1: of Lola. You're about to see Lass again, yes, episode four. 910 00:41:19,120 --> 00:41:21,080 Speaker 1: By the way, smooth the Melow for liking every picture 911 00:41:21,120 --> 00:41:23,120 Speaker 1: Melow doing what he posted to do too, Mellow liking 912 00:41:23,200 --> 00:41:26,080 Speaker 1: every picture posting up pictures of her for the birthday 913 00:41:26,120 --> 00:41:29,640 Speaker 1: mellow doing drop on a clue bump for melow Man. 914 00:41:29,920 --> 00:41:33,080 Speaker 1: I'm hey, that's I want that Anthonys to be together, 915 00:41:33,160 --> 00:41:35,520 Speaker 1: damn it. And they really do mean that that saying, 916 00:41:35,560 --> 00:41:38,480 Speaker 1: you don't know what you got till it's gone. It's 917 00:41:38,520 --> 00:41:40,040 Speaker 1: not how it used to be. And that's when you 918 00:41:40,160 --> 00:41:47,800 Speaker 1: really realize, and sometimes we all need that scared. Sometimes 919 00:41:47,880 --> 00:41:49,799 Speaker 1: sometimes women just gotta put the fear of God in us, 920 00:41:49,840 --> 00:41:51,759 Speaker 1: and we realized that ain't nothing else out there. In 921 00:41:51,880 --> 00:41:55,840 Speaker 1: the meantime, Carmelo is pitching a political reality show. It 922 00:41:55,840 --> 00:41:58,120 Speaker 1: would be a weekly half hour show of Carmelo Anthony 923 00:41:58,200 --> 00:42:01,680 Speaker 1: discussing issues with others celebrities who are civic minded, and 924 00:42:01,719 --> 00:42:04,080 Speaker 1: they're gonna go to meetings and rallies and so on 925 00:42:04,200 --> 00:42:06,600 Speaker 1: and so forth. So that's part of his plan. They 926 00:42:06,640 --> 00:42:08,200 Speaker 1: said that he has pitched this show so far to 927 00:42:08,360 --> 00:42:10,800 Speaker 1: HBO and other cable networks. I feel like that's a 928 00:42:10,920 --> 00:42:13,640 Speaker 1: Colin Kaepernick type of vehicle, but I wouldn't look. Carmela 929 00:42:13,719 --> 00:42:16,400 Speaker 1: does a lot. Carmela definitely does Sluta Carmela who drop 930 00:42:16,480 --> 00:42:18,839 Speaker 1: on a clue bumps Carmelo kin. I love the fact 931 00:42:18,880 --> 00:42:21,040 Speaker 1: you're playing defense. That's what all I'm liking pictures is 932 00:42:21,200 --> 00:42:23,319 Speaker 1: of La La and posting pictures of Laala. You're playing 933 00:42:23,360 --> 00:42:27,160 Speaker 1: defense against other need girls. Absolutely, they talk about mellow. 934 00:42:27,160 --> 00:42:31,279 Speaker 1: Don't play no defense right here? Playing defense? Damn it? 935 00:42:31,680 --> 00:42:34,120 Speaker 1: All I know is all right or yours? What now? 936 00:42:34,160 --> 00:42:36,040 Speaker 1: I was gonna say. I kept seeing this headline about 937 00:42:36,200 --> 00:42:40,120 Speaker 1: La La exchanging phone numbers. You hey, I'm a woman 938 00:42:40,120 --> 00:42:43,600 Speaker 1: putting salt on them. Bain't name they ain't they ain't 939 00:42:43,640 --> 00:42:45,640 Speaker 1: here nothing. I ain't see that headline nowhere. I wa 940 00:42:45,880 --> 00:42:49,360 Speaker 1: see that nowhere. I'll show you all right now lessons 941 00:42:49,400 --> 00:42:51,840 Speaker 1: Just Rihanna. It looks like she has a new booth 942 00:42:51,920 --> 00:42:53,960 Speaker 1: for sure, because they were in the pool making out. 943 00:42:54,000 --> 00:42:55,759 Speaker 1: There's a whole bunch of pictures. By the way, she 944 00:42:55,880 --> 00:42:59,320 Speaker 1: looks so happy. It looks incredible. People are trying to 945 00:42:59,360 --> 00:43:01,759 Speaker 1: figure it out out from the research that I've been doing. 946 00:43:01,840 --> 00:43:04,680 Speaker 1: It seems like his name is Hassan Jamiel. He's a 947 00:43:04,800 --> 00:43:07,520 Speaker 1: Toyota and his family's worth one point five billion dollars. 948 00:43:07,719 --> 00:43:11,000 Speaker 1: I knew it. If you're kissing Rihanna, it's what are 949 00:43:11,040 --> 00:43:13,759 Speaker 1: you trying to say? What? Why can't she just kiss 950 00:43:13,800 --> 00:43:16,120 Speaker 1: somebody that's not worth Do you see Rihanna kissing a 951 00:43:16,200 --> 00:43:18,400 Speaker 1: regular person. If I was Rihanna, I ain't kissing nobody 952 00:43:18,480 --> 00:43:21,280 Speaker 1: unless they're worth more than a bill. You see nobody 953 00:43:21,440 --> 00:43:23,759 Speaker 1: because she feels like they ain't. Nobody got time for 954 00:43:23,800 --> 00:43:28,640 Speaker 1: that when I'm Rihanna. All right, Well, anyway, it looks 955 00:43:28,640 --> 00:43:30,680 Speaker 1: like they're having a great time together. He was spotted 956 00:43:31,040 --> 00:43:33,440 Speaker 1: previously with Naomi Campbell, but it looks like that's over 957 00:43:33,520 --> 00:43:36,520 Speaker 1: with and perhaps that's him. There were other people that 958 00:43:36,560 --> 00:43:38,040 Speaker 1: people are throwing in the mix because we don't know 959 00:43:38,160 --> 00:43:39,640 Speaker 1: for sure who it is. You can see pictures of 960 00:43:39,719 --> 00:43:42,560 Speaker 1: the two of um that was the guy with yeah there, 961 00:43:42,560 --> 00:43:45,280 Speaker 1: they are cool together. If you ever bought TV Rihanna 962 00:43:45,280 --> 00:43:47,200 Speaker 1: and I'm a kiss told what I'm kids told for? 963 00:43:47,320 --> 00:43:48,560 Speaker 1: When I can just go ahead and kiss the Prince, 964 00:43:48,560 --> 00:43:50,279 Speaker 1: I ain't got to kiss told and tournament. He has 965 00:43:50,400 --> 00:43:53,080 Speaker 1: enough money that I don't need to worry about somebody else. 966 00:43:53,160 --> 00:43:54,680 Speaker 1: And man, when you got that kind of money, you 967 00:43:54,719 --> 00:43:57,600 Speaker 1: start that princes in battle? All right? And Chris Brown, 968 00:43:58,360 --> 00:44:00,920 Speaker 1: what about that fight with the me goes. Here's what 969 00:44:01,080 --> 00:44:04,040 Speaker 1: offset had to say about Chris Brown. He little beef, 970 00:44:04,640 --> 00:44:06,719 Speaker 1: a little smoke. You don't want no smoke. We had 971 00:44:06,800 --> 00:44:08,680 Speaker 1: to talk. Man, I don't know what's going on with nobody. 972 00:44:08,719 --> 00:44:11,840 Speaker 1: I just know we're winning, all right. So he said, basically, 973 00:44:12,080 --> 00:44:14,960 Speaker 1: there's no beef. You don't want no smoke. All right. 974 00:44:15,040 --> 00:44:18,080 Speaker 1: Well I'm angela ye and that's your rumor reports. All right, 975 00:44:18,160 --> 00:44:20,720 Speaker 1: thank you, miss ye Shalama. Yes, we're giving that donkey. 976 00:44:21,000 --> 00:44:23,000 Speaker 1: Oh man, I need my young brother Kodak Black to 977 00:44:23,040 --> 00:44:24,600 Speaker 1: come to the front of the congregation. I'd like to 978 00:44:24,680 --> 00:44:27,719 Speaker 1: have a word with him. Man, oh boy, all right, 979 00:44:27,760 --> 00:44:28,960 Speaker 1: you sure you want to have a word with him, 980 00:44:29,000 --> 00:44:31,200 Speaker 1: not me, just a teachable moment. Okay, we'll get into 981 00:44:31,239 --> 00:44:32,920 Speaker 1: that next when we come back. Keep alocked it to breakfast, 982 00:44:32,960 --> 00:44:38,239 Speaker 1: lug of morning. It's time for Donkey of the Day. 983 00:44:40,600 --> 00:44:43,080 Speaker 1: I'm a Democrat, so being Donkey of the day a 984 00:44:43,160 --> 00:44:51,239 Speaker 1: little bit of a mixed so like a Donkey day. Now. 985 00:44:51,239 --> 00:44:53,239 Speaker 1: I've been called a lot of my twenty three years, 986 00:44:53,280 --> 00:44:55,839 Speaker 1: but Donkey of the Day is a new wife. Yes, 987 00:44:56,040 --> 00:44:58,600 Speaker 1: Donkey today for Wednesday, June twenty eighth, goes the Young 988 00:44:58,680 --> 00:45:01,719 Speaker 1: Kodak Black. Let the record show. I enjoyed Kodak Black music. 989 00:45:02,200 --> 00:45:04,480 Speaker 1: People like to say young Kodak as a mumble rapper. 990 00:45:04,520 --> 00:45:06,759 Speaker 1: I don't agree. I think he actually be snapping, but 991 00:45:06,840 --> 00:45:09,320 Speaker 1: that's just my opinion. But the reason Kodak Black is 992 00:45:09,320 --> 00:45:11,640 Speaker 1: getting dunk here to day is because earlier this week, 993 00:45:12,000 --> 00:45:15,719 Speaker 1: Kodak Black told social media what kind of woman he prefers. 994 00:45:15,800 --> 00:45:21,759 Speaker 1: Let's hit dallible. You know, sound really like really like 995 00:45:22,120 --> 00:45:28,520 Speaker 1: no girls. Now, when I heard that, I knew it 996 00:45:28,520 --> 00:45:30,719 Speaker 1: wouldn't go over well, but I did understand what he meant. 997 00:45:31,360 --> 00:45:33,120 Speaker 1: He was trying to say he don't like dark skin girls, 998 00:45:33,160 --> 00:45:35,799 Speaker 1: but instead he said black girls. See, when you say 999 00:45:35,880 --> 00:45:38,759 Speaker 1: dark skin girls, you're talking complexion. That's a preference. When 1000 00:45:38,800 --> 00:45:41,759 Speaker 1: you're talking black girls, you're talking a whole race. That's 1001 00:45:41,760 --> 00:45:44,279 Speaker 1: also a preference. But if it's one entity you don't 1002 00:45:44,320 --> 00:45:46,560 Speaker 1: want no drama with in this era, it's black women. 1003 00:45:46,800 --> 00:45:48,799 Speaker 1: You don't want those problems. You don't know what true 1004 00:45:48,840 --> 00:45:51,160 Speaker 1: slant is on social media until you piss off a 1005 00:45:51,160 --> 00:45:53,000 Speaker 1: group of black women and then they swarm like the 1006 00:45:53,040 --> 00:45:56,120 Speaker 1: Woo tank killer bees on your black ass. Now, when 1007 00:45:56,160 --> 00:45:58,759 Speaker 1: Kodak Black got attacked, he didn't apologize. In fact, he 1008 00:45:58,880 --> 00:46:01,480 Speaker 1: doubled down on the down on the comments, which I 1009 00:46:01,560 --> 00:46:03,239 Speaker 1: don't mind, by the way, because if you said that, 1010 00:46:03,280 --> 00:46:05,640 Speaker 1: you said it okay. If it needs some clarification, cool, 1011 00:46:05,880 --> 00:46:08,080 Speaker 1: If you feel like you need to explain it, more cool. 1012 00:46:08,400 --> 00:46:10,239 Speaker 1: But if that's what you said, didn't own it. And 1013 00:46:10,360 --> 00:46:12,719 Speaker 1: that's exactly what Kodak Black did when he went back 1014 00:46:12,800 --> 00:46:15,720 Speaker 1: on social media to address all the backlash year was receiving. 1015 00:46:15,800 --> 00:46:17,920 Speaker 1: Let's hear it. You ain't gonna be dissing me under 1016 00:46:18,000 --> 00:46:26,640 Speaker 1: my comment. I ain't ain't comment whatever, my black one. 1017 00:46:29,680 --> 00:46:32,239 Speaker 1: You know what, I sound like red bones. I love 1018 00:46:32,880 --> 00:46:36,759 Speaker 1: black African Americans, but I don't like black bitches. I 1019 00:46:36,920 --> 00:46:41,239 Speaker 1: like yellow holes, So that's my preference. So motherfuck you. 1020 00:46:42,320 --> 00:46:45,400 Speaker 1: It's crazy, man. Why could that black sun like lawn equipment? 1021 00:46:45,680 --> 00:46:47,480 Speaker 1: You ever been in the you know you being in 1022 00:46:47,480 --> 00:46:49,239 Speaker 1: the house, you can tell people working on the lawn. 1023 00:46:49,280 --> 00:46:55,479 Speaker 1: I ain't now. First and foremost, all the black women 1024 00:46:55,520 --> 00:46:57,359 Speaker 1: I know and talk to on a daily basis don't 1025 00:46:57,400 --> 00:46:59,359 Speaker 1: give a damn if Kodak Black is checking for them 1026 00:46:59,480 --> 00:47:01,759 Speaker 1: or not. Black women will be okay without code that 1027 00:47:01,840 --> 00:47:04,600 Speaker 1: black desiring their love. But just because black women don't 1028 00:47:04,640 --> 00:47:07,359 Speaker 1: want you doesn't mean they won't get on social media 1029 00:47:07,440 --> 00:47:09,960 Speaker 1: and slander the hell out of you, Okay, And you 1030 00:47:10,040 --> 00:47:11,880 Speaker 1: don't want that? The only way to escape the slander 1031 00:47:11,880 --> 00:47:15,200 Speaker 1: of black women is the mute the words ashy, problematic, 1032 00:47:15,600 --> 00:47:17,839 Speaker 1: and trash. If that don't work, then the only other 1033 00:47:17,840 --> 00:47:20,480 Speaker 1: options to delete it's delete all your social media accounts. 1034 00:47:20,480 --> 00:47:22,480 Speaker 1: But that would be lame. Right Well, that's exactly what 1035 00:47:22,600 --> 00:47:24,520 Speaker 1: Code that Black did yesterday, and that's why he's getting 1036 00:47:24,560 --> 00:47:26,920 Speaker 1: dunky today because, like I've been saying all morning in 1037 00:47:27,040 --> 00:47:30,000 Speaker 1: reference to various topics, stand on your words. I'm so 1038 00:47:30,200 --> 00:47:32,759 Speaker 1: sick of people not having the same energy at all times. 1039 00:47:32,800 --> 00:47:34,400 Speaker 1: How are you gonna, for one, you would have to 1040 00:47:34,440 --> 00:47:35,759 Speaker 1: see me when you come to the window, so you 1041 00:47:35,840 --> 00:47:38,160 Speaker 1: better have the same You better have that same energy. 1042 00:47:38,200 --> 00:47:40,520 Speaker 1: How you go from sounding like this right politically? Again? 1043 00:47:40,960 --> 00:47:51,160 Speaker 1: You ain't gonna be dissing me under my comment black one? 1044 00:47:54,600 --> 00:48:00,480 Speaker 1: All right, I love, but I don't want like black 1045 00:48:01,440 --> 00:48:10,160 Speaker 1: like yellow. So that's you're not a law laws the 1046 00:48:10,239 --> 00:48:14,120 Speaker 1: head just Kodak black now Kodak black guy on Twitter 1047 00:48:14,160 --> 00:48:16,520 Speaker 1: and said, I'm just on some whole other right now. 1048 00:48:16,520 --> 00:48:18,400 Speaker 1: I ain't got nothing to do with y'all. Then he 1049 00:48:18,520 --> 00:48:21,160 Speaker 1: tweeted I could take criticism. I honestly don't give an 1050 00:48:21,200 --> 00:48:24,439 Speaker 1: f about the whole black, red Chinese thing and word 1051 00:48:24,560 --> 00:48:27,160 Speaker 1: just in the situation hashtag SG. I don't know what 1052 00:48:27,320 --> 00:48:29,640 Speaker 1: that means, so I'm deactivating. Look, I don't have a 1053 00:48:29,680 --> 00:48:32,319 Speaker 1: problem with a person apologizing if they offend, as long 1054 00:48:32,360 --> 00:48:34,720 Speaker 1: as it's sincere, which most of the times they aren't. 1055 00:48:34,719 --> 00:48:36,360 Speaker 1: They just trying to stop the backlash. I don't have 1056 00:48:36,440 --> 00:48:38,799 Speaker 1: a problem with a person doubling down on their rhetoric either, 1057 00:48:39,000 --> 00:48:41,160 Speaker 1: because I love when people have the same energy. You 1058 00:48:41,239 --> 00:48:43,840 Speaker 1: can be honest and wrong. But what I don't respect 1059 00:48:44,160 --> 00:48:47,000 Speaker 1: is when people run Kodak I ran, Okay, get on 1060 00:48:47,160 --> 00:48:49,880 Speaker 1: social media and take this l from black women. All right. 1061 00:48:49,960 --> 00:48:52,680 Speaker 1: I didn't delete my account when I pissed black women off. 1062 00:48:52,800 --> 00:48:55,239 Speaker 1: French Montana didn't delete his account when he pissed black 1063 00:48:55,280 --> 00:48:57,880 Speaker 1: women off, so you can't delete y'alls either, all right, 1064 00:48:58,160 --> 00:49:04,200 Speaker 1: Please give young Kodak Black the biggest he huh good disgrace. 1065 00:49:05,239 --> 00:49:06,880 Speaker 1: All right, Well, thank you for that dog day to 1066 00:49:06,960 --> 00:49:10,160 Speaker 1: day up. Next ask ye eight hundred five eight five 1067 00:49:10,239 --> 00:49:13,120 Speaker 1: one oh five one. If you need relationship advice, call 1068 00:49:13,239 --> 00:49:15,080 Speaker 1: ye right now. She put your live on the air 1069 00:49:15,120 --> 00:49:17,440 Speaker 1: and help you with your problems again. Eight hundred five 1070 00:49:17,520 --> 00:49:20,279 Speaker 1: A five one five one. Call E right now. Is 1071 00:49:20,320 --> 00:49:26,279 Speaker 1: the breakfast club? Good morning, the Breakfast Club. Good morning, 1072 00:49:26,320 --> 00:49:29,840 Speaker 1: everybody is DJ Envy Angela Yee Charlomagne that God we 1073 00:49:29,880 --> 00:49:32,760 Speaker 1: are the breakfast Club is ask ye time eight hundred 1074 00:49:33,480 --> 00:49:36,120 Speaker 1: five A five one O five one? Hello? Who's this? Hey? 1075 00:49:36,200 --> 00:49:38,359 Speaker 1: Are you doing? My name is Morgan? Hey, Morgan? What's 1076 00:49:38,400 --> 00:49:41,120 Speaker 1: your question for you? Bro? So I've been married for 1077 00:49:41,200 --> 00:49:44,600 Speaker 1: a long time, almost twenty three years, and like in 1078 00:49:44,640 --> 00:49:46,440 Speaker 1: two thousand and ten, my wife had an affair with 1079 00:49:46,800 --> 00:49:49,200 Speaker 1: her friend of mine and destroyed me. And then a 1080 00:49:49,280 --> 00:49:52,160 Speaker 1: couple of years later after that, I went out and 1081 00:49:52,200 --> 00:49:54,800 Speaker 1: I had an affair with somebody, and I, you know, 1082 00:49:54,960 --> 00:49:57,440 Speaker 1: I never intended for what to happen to happen, but 1083 00:49:57,520 --> 00:49:59,040 Speaker 1: I kind of fell in love with the other woman. 1084 00:50:00,000 --> 00:50:02,400 Speaker 1: And she was kind of crazy. She did what she 1085 00:50:02,560 --> 00:50:04,480 Speaker 1: did to make money, however it is, and that's kind 1086 00:50:04,480 --> 00:50:08,359 Speaker 1: of how I met her. Money. Well, I don't want 1087 00:50:08,360 --> 00:50:10,840 Speaker 1: to blow up her spot, you know, but she she 1088 00:50:11,200 --> 00:50:14,480 Speaker 1: you know, she was working. So it was a car 1089 00:50:14,560 --> 00:50:20,800 Speaker 1: girl or something something like that. So we, uh, we 1090 00:50:20,920 --> 00:50:22,560 Speaker 1: met it. We kind of clicked from the first time 1091 00:50:22,600 --> 00:50:25,560 Speaker 1: we met, and then we started hanging out and the 1092 00:50:25,680 --> 00:50:27,560 Speaker 1: next thing, you know, we were spending a lot of 1093 00:50:27,600 --> 00:50:29,479 Speaker 1: time together. She was hanging out with me at work 1094 00:50:29,600 --> 00:50:33,520 Speaker 1: and and whatever, and turned into almost daily things. And 1095 00:50:33,640 --> 00:50:35,640 Speaker 1: then for almost the next four years we were going 1096 00:50:35,680 --> 00:50:39,040 Speaker 1: out and seeing each other on the side, and I 1097 00:50:39,200 --> 00:50:41,760 Speaker 1: kind of fell in love with her, and she wanted 1098 00:50:41,800 --> 00:50:43,480 Speaker 1: me to leave my wife. She stopped doing what she 1099 00:50:43,600 --> 00:50:47,600 Speaker 1: was doing for a long time, and I couldn't leave 1100 00:50:47,640 --> 00:50:49,960 Speaker 1: my wife. I have kids, and I loved my wife. 1101 00:50:50,200 --> 00:50:53,200 Speaker 1: But there was something wrong, you know, for a while. 1102 00:50:54,040 --> 00:50:55,799 Speaker 1: But I tried to stay and do the right thing. 1103 00:50:56,440 --> 00:50:59,759 Speaker 1: And uh, and cheating on your wife is not doing 1104 00:50:59,800 --> 00:51:02,040 Speaker 1: the right thing, just so you know, No, I know that. 1105 00:51:02,200 --> 00:51:04,719 Speaker 1: That's why I stopped seeing her. I tried to stay 1106 00:51:04,760 --> 00:51:06,839 Speaker 1: with my family and starting to do the right thing. 1107 00:51:07,000 --> 00:51:09,680 Speaker 1: I know I did the wrong thing all along, believe me, 1108 00:51:10,239 --> 00:51:12,640 Speaker 1: you know, but I got to a point where I 1109 00:51:12,800 --> 00:51:14,879 Speaker 1: realized that I really fall in love with this girl, 1110 00:51:15,400 --> 00:51:18,400 Speaker 1: and you know, she made me happy. We clicked like 1111 00:51:18,480 --> 00:51:22,520 Speaker 1: nobody ever I ever did before. And she stopped seeing 1112 00:51:22,560 --> 00:51:24,320 Speaker 1: maybe because I wouldn't leave my wife her, you know, 1113 00:51:24,840 --> 00:51:27,520 Speaker 1: and we stopped seeing each other. Now it's been over 1114 00:51:27,640 --> 00:51:31,839 Speaker 1: a year and see her and we can't stop thinking 1115 00:51:31,880 --> 00:51:34,479 Speaker 1: about her. But you love your wife. I love my wife. 1116 00:51:34,520 --> 00:51:35,879 Speaker 1: I don't want to hurt her. She's been my best 1117 00:51:35,920 --> 00:51:39,360 Speaker 1: friend and my partner. But there are some issues that 1118 00:51:39,480 --> 00:51:42,120 Speaker 1: have gone on in my relationship with my wife that 1119 00:51:42,280 --> 00:51:44,840 Speaker 1: I wish more than anything that we could fix that, 1120 00:51:45,320 --> 00:51:48,920 Speaker 1: and you know, but there's some things that just aren't fixable. 1121 00:51:49,080 --> 00:51:52,040 Speaker 1: You know, well, I think, all right, let's let's start 1122 00:51:52,080 --> 00:51:54,480 Speaker 1: with the fact that she cheated on you had an affair. 1123 00:51:54,600 --> 00:51:57,320 Speaker 1: You clearly have still not forgiven her for that, and 1124 00:51:57,600 --> 00:51:59,919 Speaker 1: you felt like going and having an affair yourself would 1125 00:52:00,040 --> 00:52:03,839 Speaker 1: help give you more a guess, peace of mind for staying. Yeah, 1126 00:52:03,880 --> 00:52:06,439 Speaker 1: that's how it started, okay, but then you actually ended 1127 00:52:06,520 --> 00:52:08,200 Speaker 1: up really liking somebody else and you didn't have the 1128 00:52:08,239 --> 00:52:10,160 Speaker 1: same issues with this woman that you had with your wife. 1129 00:52:10,400 --> 00:52:12,719 Speaker 1: You're cheating with this woman. She's a side check. Y'all 1130 00:52:12,760 --> 00:52:15,120 Speaker 1: just have fun together, and you guys don't have a 1131 00:52:15,200 --> 00:52:18,440 Speaker 1: history of things that you have to deal with. That's true, Okay, 1132 00:52:18,840 --> 00:52:21,759 Speaker 1: So the real issue is that you never actually fix 1133 00:52:21,880 --> 00:52:23,880 Speaker 1: things with your wife. You say that you love her, 1134 00:52:23,920 --> 00:52:25,320 Speaker 1: you don't want to leave her, you don't want to 1135 00:52:25,360 --> 00:52:27,320 Speaker 1: leave your family, but there's a lot of things that 1136 00:52:27,400 --> 00:52:29,960 Speaker 1: y'all still have never ever resolved. Does she know that 1137 00:52:30,000 --> 00:52:33,160 Speaker 1: you had an interfair and so I'm sure that she 1138 00:52:33,239 --> 00:52:34,680 Speaker 1: feels a way about that. And it seems like you 1139 00:52:34,760 --> 00:52:37,279 Speaker 1: guys probably don't trust each other. Well, that's sure, so 1140 00:52:37,480 --> 00:52:40,080 Speaker 1: that I mean, listen, probably part of the reason why 1141 00:52:40,160 --> 00:52:42,640 Speaker 1: you love this other woman is because she's an escape 1142 00:52:42,680 --> 00:52:45,960 Speaker 1: from the reality of your life with your wife. Definitely 1143 00:52:46,040 --> 00:52:48,600 Speaker 1: how it started, right, and it probably still is that 1144 00:52:48,800 --> 00:52:50,719 Speaker 1: because I'm sure with you and your wife, you guys 1145 00:52:51,000 --> 00:52:53,680 Speaker 1: don't get along like you used to. You argue all 1146 00:52:53,719 --> 00:52:57,040 Speaker 1: the time, You don't trust each other. Your relationship is broken, 1147 00:52:57,080 --> 00:52:59,919 Speaker 1: and you guys haven't worked on fixing that. You can't 1148 00:53:00,120 --> 00:53:03,160 Speaker 1: just move on day after day after day and just 1149 00:53:03,440 --> 00:53:05,960 Speaker 1: try to mask something that never ever got fixed. You 1150 00:53:06,040 --> 00:53:08,399 Speaker 1: just put a band aid on it. But it's never healed, right, 1151 00:53:08,560 --> 00:53:10,719 Speaker 1: And we tried, We've tried to you, we've been working 1152 00:53:10,760 --> 00:53:13,479 Speaker 1: on it, but there are some things that like she's 1153 00:53:13,600 --> 00:53:16,080 Speaker 1: unwilling to do, and she's now set up what she says, 1154 00:53:16,200 --> 00:53:19,719 Speaker 1: you know, I set up boundaries, and you know her 1155 00:53:19,760 --> 00:53:22,400 Speaker 1: boundaries interfere with all closeness. All right, Well, have you 1156 00:53:22,440 --> 00:53:25,720 Speaker 1: guys gone to seek professional help? We're both seem terrafists 1157 00:53:25,719 --> 00:53:28,920 Speaker 1: separately and tried to do some marriage counseling, but that 1158 00:53:29,000 --> 00:53:32,000 Speaker 1: didn't work out. Now she refuses to go to a 1159 00:53:32,120 --> 00:53:36,120 Speaker 1: marriage counseling with me. And how okay, I will say 1160 00:53:36,200 --> 00:53:37,560 Speaker 1: this because I know a lot of people who have 1161 00:53:37,600 --> 00:53:40,280 Speaker 1: been in a situation where they've had affairs, they've stayed together, 1162 00:53:40,920 --> 00:53:43,480 Speaker 1: and it does take a long time for that forgiveness 1163 00:53:43,560 --> 00:53:45,920 Speaker 1: process to start. But if you guys don't forgive each other, 1164 00:53:46,000 --> 00:53:47,920 Speaker 1: you'll never be able to move on. And if you 1165 00:53:47,960 --> 00:53:50,319 Speaker 1: don't start to establish Trusha takes a really long time 1166 00:53:50,360 --> 00:53:52,160 Speaker 1: and a lot of patients, you won't be able to 1167 00:53:52,239 --> 00:53:56,080 Speaker 1: move on either. So I totally understand that. And I 1168 00:53:56,280 --> 00:53:59,239 Speaker 1: did forgive her for her affair, not until you know, 1169 00:53:59,360 --> 00:54:02,279 Speaker 1: about two year years ago. But I did forgive her 1170 00:54:02,320 --> 00:54:04,279 Speaker 1: because I was trying around a lot of anger and 1171 00:54:04,400 --> 00:54:07,200 Speaker 1: that prevented me from from from you know, but this 1172 00:54:07,360 --> 00:54:09,600 Speaker 1: is unfortunately, this is going to be like a much 1173 00:54:09,719 --> 00:54:11,840 Speaker 1: longer conversation for us to have. But why don't I 1174 00:54:11,920 --> 00:54:13,719 Speaker 1: just give you my email address so we can talk 1175 00:54:13,760 --> 00:54:15,840 Speaker 1: more about it online? But it does seem like this 1176 00:54:16,000 --> 00:54:18,320 Speaker 1: is something that could take potentially years to fix, and 1177 00:54:18,360 --> 00:54:21,320 Speaker 1: if you have the patience for that, um, then you 1178 00:54:21,400 --> 00:54:23,279 Speaker 1: guys have to try to really stick it out. But 1179 00:54:23,800 --> 00:54:25,719 Speaker 1: you can't keep blaming each other for things. You can't 1180 00:54:25,800 --> 00:54:27,680 Speaker 1: keep bringing up the past in order to move on 1181 00:54:27,760 --> 00:54:31,120 Speaker 1: to the future. Yeah, all right, ask ye eight drew 1182 00:54:31,200 --> 00:54:32,799 Speaker 1: five eight five one oh five one if you got 1183 00:54:32,840 --> 00:54:35,040 Speaker 1: a question for Ye. Calling now. It's the Breakfast Club. 1184 00:54:35,080 --> 00:54:38,399 Speaker 1: Good Morning, the Morning. Everybody is DJ Envy, Angela, Yee, 1185 00:54:38,480 --> 00:54:40,960 Speaker 1: Charlomagne the guy. We all the Breakfast Club is time 1186 00:54:41,040 --> 00:54:45,520 Speaker 1: to ask yee? Hello? Who's this? My name is Jessica, Jessica. 1187 00:54:45,560 --> 00:54:49,960 Speaker 1: What's your question for Ye? So? My question is I'm married. 1188 00:54:51,120 --> 00:54:53,600 Speaker 1: We haven't even been married a year yet. We have 1189 00:54:53,800 --> 00:54:57,560 Speaker 1: two kids to build, beautiful children. Um, but I just 1190 00:54:57,719 --> 00:55:01,720 Speaker 1: found myself not being happy at all on this marriage 1191 00:55:02,280 --> 00:55:04,960 Speaker 1: right now. You know, we're currently living with his mom 1192 00:55:05,760 --> 00:55:10,440 Speaker 1: because we can't afford New York current current right now, 1193 00:55:11,000 --> 00:55:13,960 Speaker 1: just for right now. And you know, I've tried to 1194 00:55:14,080 --> 00:55:16,680 Speaker 1: talk to him about it, tell him things that I've needed, 1195 00:55:17,120 --> 00:55:20,440 Speaker 1: you know, and I just I don't get nowhere. We 1196 00:55:20,600 --> 00:55:24,719 Speaker 1: kind of just retract and I just I don't know 1197 00:55:24,800 --> 00:55:28,600 Speaker 1: what to do anymore. I want to leave, but like 1198 00:55:28,880 --> 00:55:31,960 Speaker 1: right now, my only current other option as a shelter 1199 00:55:32,200 --> 00:55:36,240 Speaker 1: with my two children. I've told him that he told 1200 00:55:36,280 --> 00:55:39,160 Speaker 1: me numerous times of leave, I'm taking the kids away 1201 00:55:39,200 --> 00:55:41,680 Speaker 1: from you. You're not going to put them in that situation. 1202 00:55:42,640 --> 00:55:45,120 Speaker 1: And I don't want it to be like I'm saying 1203 00:55:45,280 --> 00:55:49,160 Speaker 1: this marriage because of my kids. I feel like that's 1204 00:55:49,200 --> 00:55:51,319 Speaker 1: the wrong reason, but I just don't know what else 1205 00:55:51,400 --> 00:55:53,680 Speaker 1: to do. Why did, Jessica, why did you guys get 1206 00:55:53,719 --> 00:55:55,319 Speaker 1: married in the first place, Because it hasn't even been 1207 00:55:55,320 --> 00:56:00,240 Speaker 1: a year yet, I've asked him about it. We wanted 1208 00:56:00,239 --> 00:56:05,040 Speaker 1: to get married, Um, was it the right thing to do? Yes, 1209 00:56:05,600 --> 00:56:09,040 Speaker 1: insurance wise and things like that. It wasn't. So it 1210 00:56:09,160 --> 00:56:12,160 Speaker 1: wasn't because you were in love. I don't That's the thing. 1211 00:56:12,200 --> 00:56:14,520 Speaker 1: I couldn't even tell you that. For me, I wanted. 1212 00:56:14,840 --> 00:56:18,840 Speaker 1: I wanted to be because you were in love. On 1213 00:56:19,080 --> 00:56:21,960 Speaker 1: his part, I'm not so sure, okay, but you were 1214 00:56:22,040 --> 00:56:24,759 Speaker 1: in love. You love him, that's why you got married. Now, 1215 00:56:24,840 --> 00:56:26,400 Speaker 1: this whole time that you guys have been married, were 1216 00:56:26,440 --> 00:56:28,960 Speaker 1: you living with his mom the whole time? No, we 1217 00:56:29,200 --> 00:56:34,080 Speaker 1: were saying somewhere else, um, with my family, and then 1218 00:56:34,160 --> 00:56:38,200 Speaker 1: once um, like towards the end of my pregnancy my 1219 00:56:38,400 --> 00:56:44,120 Speaker 1: second child, we moved in to with his mom's house. Ye, Jessica, 1220 00:56:44,120 --> 00:56:45,920 Speaker 1: I'm gonna keep it rere with you with this situation 1221 00:56:46,040 --> 00:56:48,880 Speaker 1: that you guys have been in sounds extremely stressful, and 1222 00:56:49,000 --> 00:56:51,279 Speaker 1: not even with your relationship with each other, but the 1223 00:56:51,360 --> 00:56:53,560 Speaker 1: fact that you guys haven't even had your own space 1224 00:56:53,920 --> 00:56:56,200 Speaker 1: to be your own family without having to deal with 1225 00:56:56,400 --> 00:56:59,840 Speaker 1: his mom with your family, and that's stressful for any relationship. 1226 00:57:00,840 --> 00:57:03,080 Speaker 1: And I think that I have a couple of friends. 1227 00:57:03,200 --> 00:57:05,160 Speaker 1: One of my best friends, when she first got married, 1228 00:57:05,719 --> 00:57:08,160 Speaker 1: her husband's mother was living with them, and that puts 1229 00:57:08,200 --> 00:57:10,200 Speaker 1: such a strain on the relationship and it wasn't until 1230 00:57:10,280 --> 00:57:12,640 Speaker 1: she moved out that they were able to actually have 1231 00:57:12,800 --> 00:57:15,920 Speaker 1: a happier time together. And even most recently, one of 1232 00:57:16,000 --> 00:57:17,920 Speaker 1: my friends hearing her husband were having a tough time 1233 00:57:17,920 --> 00:57:19,960 Speaker 1: because they were living in a really small apartment with 1234 00:57:20,080 --> 00:57:22,800 Speaker 1: their children, they had dogs and everything. But they ended 1235 00:57:22,840 --> 00:57:25,480 Speaker 1: up getting a place with more space and it actually 1236 00:57:25,560 --> 00:57:28,000 Speaker 1: helped save their relationship, because sometimes when you're on top 1237 00:57:28,040 --> 00:57:30,200 Speaker 1: of each other and you have other people involved in 1238 00:57:30,280 --> 00:57:32,680 Speaker 1: interfering with your relationship, that's what really kind of harms it. 1239 00:57:32,720 --> 00:57:35,720 Speaker 1: All of that stress. So you guys haven't even had 1240 00:57:35,760 --> 00:57:38,120 Speaker 1: a chance to develop their right relationship with each other 1241 00:57:38,240 --> 00:57:41,760 Speaker 1: because it's just too much, involved too many outside factors, 1242 00:57:42,280 --> 00:57:44,640 Speaker 1: and I think the main thing that you guys need 1243 00:57:44,680 --> 00:57:46,400 Speaker 1: to do. Would you agree that it's a lot living 1244 00:57:46,440 --> 00:57:49,520 Speaker 1: with his mom and having lived with your family? Yeah? Yeah, 1245 00:57:50,160 --> 00:57:52,160 Speaker 1: I think the main thing you guys need to decide 1246 00:57:52,320 --> 00:57:54,680 Speaker 1: is how can we figure out as a family for 1247 00:57:54,840 --> 00:57:57,120 Speaker 1: us to get I'm sure financially is stressful for you 1248 00:57:57,200 --> 00:57:58,720 Speaker 1: guys as well, which is the number one reason the 1249 00:57:58,760 --> 00:58:02,479 Speaker 1: couple's breakup is finance. So you guys need to figure 1250 00:58:02,520 --> 00:58:04,480 Speaker 1: out what can we do to get ourselves in a 1251 00:58:04,560 --> 00:58:07,480 Speaker 1: better position so that we can buy whatever data is 1252 00:58:07,520 --> 00:58:09,520 Speaker 1: because I love to give myself something to look forward to. 1253 00:58:10,000 --> 00:58:12,440 Speaker 1: We have to have our own plays in four months, 1254 00:58:12,920 --> 00:58:14,960 Speaker 1: and you guys have to work towards that goal because 1255 00:58:15,000 --> 00:58:17,520 Speaker 1: the only way that this can possibly work is if 1256 00:58:17,600 --> 00:58:19,760 Speaker 1: you guys figure out how you can move out from 1257 00:58:19,840 --> 00:58:22,960 Speaker 1: under somebody else's roof and operate as a functional family 1258 00:58:23,280 --> 00:58:25,120 Speaker 1: and love each other. Hasn't even been a year yet 1259 00:58:25,120 --> 00:58:28,240 Speaker 1: and y'all haven't even had any alone time. Yeah, of course, 1260 00:58:29,320 --> 00:58:31,480 Speaker 1: So the main thing now is figure out how can 1261 00:58:31,560 --> 00:58:33,960 Speaker 1: we get out of his mom's house and work on 1262 00:58:34,080 --> 00:58:38,960 Speaker 1: our relationship without it being up underneath other people? Okay, 1263 00:58:40,280 --> 00:58:42,439 Speaker 1: all right, all right, thank you so much, good luck, 1264 00:58:42,800 --> 00:58:45,560 Speaker 1: thank you, all right, ask ye eight hundred five eight 1265 00:58:45,600 --> 00:58:48,120 Speaker 1: five one five one Now we got rooms all the way. Yes, 1266 00:58:48,200 --> 00:58:51,720 Speaker 1: let's tuck all, Bill Cosby. Yet another trial is coming up. 1267 00:58:51,760 --> 00:58:53,880 Speaker 1: We'll tell you about that, and we'll talk about the 1268 00:58:54,040 --> 00:58:56,680 Speaker 1: Fast and the Furious franchise. Find out who might be 1269 00:58:56,880 --> 00:58:59,800 Speaker 1: leaving for the next installments. All right, we'll get into that. 1270 00:58:59,840 --> 00:59:03,080 Speaker 1: We come back as the Breakfast Club. Grn it's about 1271 00:59:09,920 --> 00:59:15,320 Speaker 1: Angela Yee Breakfast Club. Well. Hallieberry recently did an interview 1272 00:59:15,360 --> 00:59:17,800 Speaker 1: with Teen Vogue and she was looking back unwinning the 1273 00:59:17,960 --> 00:59:20,440 Speaker 1: Best Actress Oscar back in two thousand and two. She 1274 00:59:20,600 --> 00:59:23,200 Speaker 1: was the first woman of color to win that award, 1275 00:59:23,320 --> 00:59:25,800 Speaker 1: and she had dedicated that award to every nameless, faceless 1276 00:59:25,840 --> 00:59:28,040 Speaker 1: woman of color that now has a chance, because this 1277 00:59:28,200 --> 00:59:31,919 Speaker 1: door tonight has been open. But it's been what fifteen years, 1278 00:59:32,040 --> 00:59:34,560 Speaker 1: and still no other woman of color has taken home 1279 00:59:34,640 --> 00:59:37,520 Speaker 1: that statue. Now, she said that despite all of that, 1280 00:59:37,720 --> 00:59:40,520 Speaker 1: she said, she now thinks, Wow, that moment really meant nothing. 1281 00:59:40,600 --> 00:59:42,280 Speaker 1: It meant nothing. I thought it meant something, but I 1282 00:59:42,320 --> 00:59:45,400 Speaker 1: think it meant nothing. She said she felt profoundly hurt 1283 00:59:45,480 --> 00:59:48,120 Speaker 1: and saddened that no other woman has won that, no 1284 00:59:48,240 --> 00:59:50,919 Speaker 1: other black woman since then in two thousand and two. 1285 00:59:51,560 --> 00:59:54,520 Speaker 1: All right, so that is Halle Berry in teen Vogue. 1286 00:59:54,560 --> 00:59:57,640 Speaker 1: Now let's talk about the BET Awards. The ratings were 1287 00:59:57,680 --> 01:00:02,120 Speaker 1: actually down this year, down nineteen sent. Apparently they're saying 1288 01:00:02,280 --> 01:00:06,840 Speaker 1: during that time, the BT Awards had what is it 1289 01:00:06,960 --> 01:00:09,880 Speaker 1: three point four seven rating, So that means it was 1290 01:00:09,920 --> 01:00:12,800 Speaker 1: five point eight million viewers across the nine different networks 1291 01:00:12,880 --> 01:00:16,320 Speaker 1: that it was on. Oh okay, so BT ad at 1292 01:00:16,320 --> 01:00:18,080 Speaker 1: three point four and then the other couple of million 1293 01:00:18,120 --> 01:00:20,320 Speaker 1: came from you the BT Awards. Oh you mean, how 1294 01:00:20,360 --> 01:00:22,919 Speaker 1: many did BT have? BT had three points on million 1295 01:00:22,960 --> 01:00:24,760 Speaker 1: and then all okay, it was on everything. It was 1296 01:00:24,800 --> 01:00:28,400 Speaker 1: on MTV two, MTV, all of Viacom network. Yeah, so 1297 01:00:29,280 --> 01:00:32,840 Speaker 1: not so great, down nineteen percent. But Power also had 1298 01:00:32,920 --> 01:00:36,560 Speaker 1: premiere that same night, season four premiere, so actually Power 1299 01:00:36,760 --> 01:00:39,480 Speaker 1: did pretty well. Also during that time, it was the 1300 01:00:39,520 --> 01:00:42,640 Speaker 1: second most watch show on premiere cable plus. People watch 1301 01:00:43,200 --> 01:00:45,600 Speaker 1: TV in so many different ways now, like they're probably 1302 01:00:45,640 --> 01:00:47,960 Speaker 1: was watching BT Awards on their laptops and all kinds 1303 01:00:47,960 --> 01:00:49,960 Speaker 1: of other kind of but also it was dumb achnology 1304 01:00:50,040 --> 01:00:53,160 Speaker 1: that it was number one on Twitter. Though it was long. 1305 01:00:54,920 --> 01:00:58,840 Speaker 1: It's the same length every year, isn't it right? All right? 1306 01:00:58,920 --> 01:01:01,600 Speaker 1: Michelle Rodriguez from The Fast and the Furious said that 1307 01:01:01,880 --> 01:01:04,800 Speaker 1: she may not be back for the next part of 1308 01:01:04,840 --> 01:01:07,320 Speaker 1: the franchise. She said, F eight is out digitally today. 1309 01:01:07,560 --> 01:01:09,400 Speaker 1: I hope they decided to show some love to the 1310 01:01:09,440 --> 01:01:11,880 Speaker 1: women of the franchise on the next one, or I 1311 01:01:12,000 --> 01:01:14,320 Speaker 1: just might have to say goodbye to a loved franchise. 1312 01:01:14,440 --> 01:01:17,080 Speaker 1: That's what she's Leddy in the movie right on her Instagram. 1313 01:01:17,480 --> 01:01:20,760 Speaker 1: She played Leddy in the movie, right. Yeah, I've never 1314 01:01:20,840 --> 01:01:22,960 Speaker 1: seen a Fast and Furious in model life men even 1315 01:01:23,000 --> 01:01:25,000 Speaker 1: but people love it and it makes a lot of us. 1316 01:01:26,080 --> 01:01:27,840 Speaker 1: She said, It's been a good ride, and I'm grateful 1317 01:01:27,880 --> 01:01:30,520 Speaker 1: for the opportunity the fans and studio have provided over 1318 01:01:30,640 --> 01:01:33,280 Speaker 1: the years. So we don't know exactly what she is 1319 01:01:33,320 --> 01:01:36,600 Speaker 1: saying is lacking As far as the women in the franchise, 1320 01:01:37,840 --> 01:01:40,120 Speaker 1: one person on who never walk She said that they did, 1321 01:01:40,640 --> 01:01:43,760 Speaker 1: but they did have significantly smaller parts compared to their 1322 01:01:43,840 --> 01:01:46,520 Speaker 1: male co stars, like, you know, the Rock Jason Statham 1323 01:01:46,640 --> 01:01:50,160 Speaker 1: and Tyrese Gibson. So you know, maybe she's like, yo, 1324 01:01:50,440 --> 01:01:52,320 Speaker 1: let's give the women a little something. I mean, she 1325 01:01:52,360 --> 01:01:56,440 Speaker 1: ain't know Tyrese though. All right, watch you've never seen 1326 01:01:56,480 --> 01:01:59,720 Speaker 1: any of them. Probably want to close for Tyrese David Murder. 1327 01:02:00,000 --> 01:02:03,680 Speaker 1: We're not even where talking about Michelle Rogers. You know, 1328 01:02:03,840 --> 01:02:05,760 Speaker 1: she was just talking about the women getting love and 1329 01:02:05,800 --> 01:02:09,240 Speaker 1: what do you do? Man? That doesn't make any sense? 1330 01:02:09,640 --> 01:02:12,200 Speaker 1: All right? And you know it's an ongoing theme with 1331 01:02:12,280 --> 01:02:14,960 Speaker 1: Halle Berry talking about black women and the Oscars and 1332 01:02:15,040 --> 01:02:17,320 Speaker 1: she's the only black woman to ever win Best Actress. 1333 01:02:17,840 --> 01:02:22,480 Speaker 1: All right. Bill Cosby in the meantime, all right, Bill 1334 01:02:22,560 --> 01:02:25,760 Speaker 1: Cosby in the meantime is due back in court now. 1335 01:02:25,840 --> 01:02:28,680 Speaker 1: This time it's in California for allegedly molesting a fifteen 1336 01:02:28,800 --> 01:02:32,360 Speaker 1: year old at the Playboy Mansion more than forty years ago. 1337 01:02:32,600 --> 01:02:36,120 Speaker 1: So after that mistrial that happened June seventeenth, which according 1338 01:02:36,200 --> 01:02:38,200 Speaker 1: to prosecutors, they're going to be seeking a retrial for 1339 01:02:38,280 --> 01:02:40,440 Speaker 1: that case, he now has has this case that he 1340 01:02:40,480 --> 01:02:43,320 Speaker 1: has to appear in court for as well. All Right, 1341 01:02:43,360 --> 01:02:46,400 Speaker 1: I'm Angela Yee and that is your rumor report. Thank you, 1342 01:02:46,520 --> 01:02:50,920 Speaker 1: miss ye. Now revolt, we'll see you guys tomorrow. Everybody else, 1343 01:02:50,960 --> 01:02:52,720 Speaker 1: so people's choice mixes up? Next, let me know what 1344 01:02:52,800 --> 01:02:55,360 Speaker 1: you want to hear at dj Envy on that Graham