1 00:00:00,360 --> 00:00:03,199 Speaker 1: On the Big Dog Cast, the questions asked if movies 2 00:00:03,240 --> 00:00:06,920 Speaker 1: have women inum, are all their discussions just boyfriends and 3 00:00:07,000 --> 00:00:11,280 Speaker 1: husbands or do they have individualism the patriarchy? Zef and 4 00:00:11,440 --> 00:00:16,680 Speaker 1: best start changing it with the Beck Doll Cast. Welcome 5 00:00:16,720 --> 00:00:26,520 Speaker 1: to the studies. You're hostening back fast and Jamie loved 6 00:00:21,200 --> 00:00:31,000 Speaker 1: it to our live show as a Boston from the 7 00:00:31,040 --> 00:00:35,520 Speaker 1: ours possible. Thanks for having us here and to improv Boston. Yeah. Yeah, 8 00:00:35,600 --> 00:00:38,120 Speaker 1: we're happy to be here. I'm doing a good job 9 00:00:38,120 --> 00:00:43,640 Speaker 1: so far. You're killing it. I'm killing it. We're very sleepy. 10 00:00:43,680 --> 00:00:46,720 Speaker 1: I'm hilarious. Less than twenty four hours ago we recorded 11 00:00:46,760 --> 00:00:50,199 Speaker 1: another live episode, well, actually like twelve hours. Yeah, we're 12 00:00:51,120 --> 00:00:55,120 Speaker 1: episode in New York City. I ever heard of it? 13 00:00:55,400 --> 00:00:59,560 Speaker 1: Bit there and then we slept next to each other 14 00:00:59,640 --> 00:01:02,640 Speaker 1: on a coach bus. This morning was very intimate. Yeah, 15 00:01:02,880 --> 00:01:04,880 Speaker 1: it's nice. At least we don't have to share a 16 00:01:04,920 --> 00:01:08,319 Speaker 1: mike this time. Last night we were scissoring each other 17 00:01:08,560 --> 00:01:13,080 Speaker 1: in order to share a mike. It was very cute. 18 00:01:13,120 --> 00:01:16,800 Speaker 1: People loved it. I suggested, what was the name change? 19 00:01:17,240 --> 00:01:22,000 Speaker 1: The Scissor Friends. That's the news. We're scrapping the bike podcast. 20 00:01:23,760 --> 00:01:29,680 Speaker 1: Who has listened to our podcast before last time, last 21 00:01:29,720 --> 00:01:31,679 Speaker 1: time we did our first live episode or in April, 22 00:01:31,680 --> 00:01:37,080 Speaker 1: and everyone was like, like everyone had wandered into the 23 00:01:37,120 --> 00:01:40,000 Speaker 1: wrong round. Has anyone not heard an episode of the 24 00:01:40,040 --> 00:01:44,119 Speaker 1: Bectel Cast before? Oh, I brought my hertphon, got good, 25 00:01:44,200 --> 00:01:49,400 Speaker 1: let's just okay, Uh, that's okay. We'll explain to you 26 00:01:49,440 --> 00:01:52,320 Speaker 1: what it did. We sure will. The Bectel Cast is 27 00:01:52,360 --> 00:01:55,320 Speaker 1: inspired by the Bechtel Test. It's a test that requires 28 00:01:55,320 --> 00:01:57,320 Speaker 1: that a movie or a TV show or anything with 29 00:01:57,400 --> 00:02:00,480 Speaker 1: characters in a story has two women. They have to 30 00:02:00,480 --> 00:02:02,720 Speaker 1: speak to each other. Those two women characters have to 31 00:02:02,760 --> 00:02:05,240 Speaker 1: have names, and their conversation has to be about something 32 00:02:05,240 --> 00:02:12,600 Speaker 1: other than a man. Don't pass. It sounds like a joke, 33 00:02:12,680 --> 00:02:17,200 Speaker 1: but it is just tragically nine of movies in existence. Yes, 34 00:02:17,680 --> 00:02:20,680 Speaker 1: So we're here to talk about the portrayal of women 35 00:02:20,720 --> 00:02:23,360 Speaker 1: and movies and how it's shitty and how it should 36 00:02:23,400 --> 00:02:30,800 Speaker 1: be better. Where the scissor friends, And then we're talking 37 00:02:30,800 --> 00:02:33,200 Speaker 1: about a specific movie today. Also, the last time we 38 00:02:33,240 --> 00:02:35,760 Speaker 1: recorded a live episode here, we're like, Hey, has anyone 39 00:02:35,800 --> 00:02:38,400 Speaker 1: seen Dirty Dancing? The movie we're talking about today, And 40 00:02:38,440 --> 00:02:45,639 Speaker 1: everyone's like, no, what is this? What's the movie? What's 41 00:02:45,639 --> 00:02:50,720 Speaker 1: the movie Real Feral Degenerates here last you're returning audience member. 42 00:02:53,440 --> 00:02:56,919 Speaker 1: It made a real weird last So today we're talking 43 00:02:56,919 --> 00:02:59,200 Speaker 1: about Men and Black by dam Plaus who has not 44 00:02:59,240 --> 00:03:06,600 Speaker 1: seen Men and a calling out a name. We're about 45 00:03:06,639 --> 00:03:10,200 Speaker 1: to spoil every second of it, so I'm sorry. One 46 00:03:10,280 --> 00:03:14,120 Speaker 1: of those movies that is again on television all one 47 00:03:14,639 --> 00:03:17,880 Speaker 1: percent of the time. It's well, really quick. I just 48 00:03:17,880 --> 00:03:20,480 Speaker 1: wanted to check in with our usual stuff at the top, 49 00:03:21,400 --> 00:03:25,680 Speaker 1: Alfred Billina, check for people who isn't well. We know 50 00:03:25,760 --> 00:03:27,920 Speaker 1: we do have an upda Alfred Billina. We didn't talk 51 00:03:27,960 --> 00:03:30,400 Speaker 1: about it at the Scissor Friends last night. Wait what 52 00:03:30,560 --> 00:03:33,720 Speaker 1: is it? So we normally work with our producer Aristotle, 53 00:03:34,120 --> 00:03:37,960 Speaker 1: and he was near Alfred Molina a couple of days ago. Yes, 54 00:03:38,920 --> 00:03:41,640 Speaker 1: and oh wait, no, it's tomorrow. It's tomorrow. I think 55 00:03:41,680 --> 00:03:45,960 Speaker 1: he's gonna be near Alfred Billina on nine eleven. Never 56 00:03:46,480 --> 00:03:52,800 Speaker 1: forget Alfre Billina probably doesn't forget nine eleven, one of 57 00:03:52,840 --> 00:03:57,640 Speaker 1: the many amazing qualities he has. I've sent a lot 58 00:03:57,640 --> 00:04:01,840 Speaker 1: of confusion from the audience. Why are they talking about 59 00:04:01,880 --> 00:04:04,680 Speaker 1: Alfred Blayna so much on the podcast about the portrayal 60 00:04:04,720 --> 00:04:09,320 Speaker 1: of women in movies because Alfred Molina, well he's an ally, 61 00:04:09,840 --> 00:04:16,560 Speaker 1: he's our greatest ally probably. He's also a master of 62 00:04:16,600 --> 00:04:18,800 Speaker 1: his craft, and we just respect what he does so much, 63 00:04:19,320 --> 00:04:23,120 Speaker 1: beginning with the Royal Shakespeare Company in the late nineties seventies. Hey, 64 00:04:23,160 --> 00:04:28,840 Speaker 1: what's the rules our guest, I'll check it a little later. Okay, 65 00:04:30,040 --> 00:04:33,880 Speaker 1: oh yeah, without much further ado. So we have every 66 00:04:34,040 --> 00:04:36,279 Speaker 1: episode we we talked about a specific movie, and we 67 00:04:36,320 --> 00:04:39,480 Speaker 1: have a guest to help us. Not that we need it, 68 00:04:39,920 --> 00:04:45,120 Speaker 1: but we're happy to have our guests here. Our guest today, 69 00:04:45,320 --> 00:04:50,680 Speaker 1: we don't need him. Thanks for voluntaring your time, you 70 00:04:50,920 --> 00:04:59,320 Speaker 1: dumb bit. He's a friend of our she's a friend 71 00:04:59,360 --> 00:05:01,440 Speaker 1: of the cast. He's so funny. He's a local comic 72 00:05:01,480 --> 00:05:13,320 Speaker 1: here in Boston. Give it up for Sam. Thank you, 73 00:05:14,040 --> 00:05:19,160 Speaker 1: thank you, thank you. I love how it just started 74 00:05:19,200 --> 00:05:22,760 Speaker 1: with we basically we just came on until this guy. 75 00:05:22,880 --> 00:05:26,440 Speaker 1: We didn't want him, we did not need him. We're 76 00:05:26,520 --> 00:05:31,120 Speaker 1: just saying we could, we could do it alone. We've 77 00:05:31,160 --> 00:05:35,680 Speaker 1: never had a live podcast with alive man before. Most 78 00:05:35,720 --> 00:05:41,440 Speaker 1: of our male guests are kidd evers, but we we 79 00:05:41,839 --> 00:05:47,000 Speaker 1: we recording studio in our studio. We are studio. We're millionaires. 80 00:05:47,560 --> 00:05:50,520 Speaker 1: We only recording in the studio that we usually restrain 81 00:05:50,800 --> 00:05:53,479 Speaker 1: the male guest depending on how threatening they seem with 82 00:05:53,600 --> 00:05:58,479 Speaker 1: any assortment of Bungee's chains. SAMs says a bungee guy. 83 00:05:58,520 --> 00:06:00,720 Speaker 1: He's like, yeah, he's not gonna hurt us. I'm easily 84 00:06:00,920 --> 00:06:07,200 Speaker 1: the weakest man in this block. I don't think Sam 85 00:06:07,200 --> 00:06:13,320 Speaker 1: could escape the bungees. Well, Sam, thank you so much 86 00:06:13,400 --> 00:06:15,760 Speaker 1: for being here and for bringing us the movie Men 87 00:06:15,800 --> 00:06:21,240 Speaker 1: in Black? Tell us why is there a special isn't 88 00:06:21,279 --> 00:06:23,440 Speaker 1: you chose this movie? What's your history with it? How 89 00:06:23,440 --> 00:06:26,960 Speaker 1: many times you've seen it? I believe in aliens because 90 00:06:27,000 --> 00:06:30,520 Speaker 1: of this movie. Okay, I bought into it. I saw 91 00:06:30,560 --> 00:06:38,320 Speaker 1: it and I was like, that seems accurate. And this 92 00:06:38,440 --> 00:06:43,320 Speaker 1: is more of like an indoctrination. Someone told me I 93 00:06:43,360 --> 00:06:45,320 Speaker 1: could talk about in a movie for an hour, and 94 00:06:45,360 --> 00:06:47,599 Speaker 1: I was like, oh, and I could convince people that 95 00:06:47,680 --> 00:07:04,480 Speaker 1: aliens exist. Great, I'm really excited to come so Okay, Well, honestly, 96 00:07:04,600 --> 00:07:08,240 Speaker 1: I think there probably is. I mean, the universe is infinite. 97 00:07:08,520 --> 00:07:11,520 Speaker 1: Here's what happened, all right, let me start over. Well 98 00:07:11,560 --> 00:07:17,440 Speaker 1: you know what happened? I don't. I'm looking started at 99 00:07:17,440 --> 00:07:21,040 Speaker 1: the beginning. Well, when did you see the movie? I 100 00:07:21,080 --> 00:07:23,680 Speaker 1: saw ninety six when he came out. I think he 101 00:07:23,680 --> 00:07:27,800 Speaker 1: came out of ninety six ninety seven? Is that you 102 00:07:28,000 --> 00:07:36,120 Speaker 1: Jamie's mother? She cannot have placed herself in a more 103 00:07:36,160 --> 00:07:44,480 Speaker 1: prominent places. She basically has a spotlight? Did you know 104 00:07:44,680 --> 00:07:52,800 Speaker 1: that beforehand? Absolutely? I saw it saves around in It's 105 00:07:52,880 --> 00:07:59,040 Speaker 1: Just Your Life was ninety five skip ninety six, So 106 00:07:59,120 --> 00:08:02,720 Speaker 1: you saw it early when it came out, Yeah, multiple times. 107 00:08:02,760 --> 00:08:05,160 Speaker 1: I loved it. I used to when my friends, I 108 00:08:05,200 --> 00:08:10,400 Speaker 1: used to try to sapplemtory. Yeahs called what's it called? 109 00:08:10,480 --> 00:08:13,600 Speaker 1: What's that? They called the neuralize? Yeah, I shot and 110 00:08:13,680 --> 00:08:25,640 Speaker 1: neuralize my friends. Didn't they have nose neuralized movie? I 111 00:08:25,720 --> 00:08:31,280 Speaker 1: love how interactive of the show. This it's a live event, dynamic. 112 00:08:31,560 --> 00:08:35,160 Speaker 1: There's neuralizers. Didn't they have them at like Burger King 113 00:08:35,240 --> 00:08:37,200 Speaker 1: or something? There was like Burger King and kind of 114 00:08:37,200 --> 00:08:40,319 Speaker 1: black Boys, and I very specifically remember wanting Yeah it 115 00:08:40,440 --> 00:08:42,000 Speaker 1: came with that, and it came and then it was 116 00:08:42,040 --> 00:08:46,640 Speaker 1: a little alien from the video. Yeah. First of all, 117 00:08:47,200 --> 00:08:50,320 Speaker 1: I love that, Like there's just an era with movies 118 00:08:50,400 --> 00:08:55,679 Speaker 1: with family friendly rapped theme songs. This is one of 119 00:08:55,720 --> 00:08:58,040 Speaker 1: the best. It's not better than Wild Wild West. The 120 00:08:58,040 --> 00:09:00,800 Speaker 1: theme song Wall West his fants house singing I loved 121 00:09:01,000 --> 00:09:05,320 Speaker 1: l O cou j deep blue c Yeah, I'm a 122 00:09:05,400 --> 00:09:12,680 Speaker 1: shark Fin song was called shark Fit. Yeah. Have you 123 00:09:12,720 --> 00:09:20,680 Speaker 1: heard it? Ladies love Cold Chance, I'll check it out. 124 00:09:21,000 --> 00:09:25,640 Speaker 1: One of my favorite movies, Master of Disguise. They failed, 125 00:09:25,679 --> 00:09:29,720 Speaker 1: Dana Carr ended Dana Carvey's career. Davia Carby is amazing. 126 00:09:29,760 --> 00:09:32,280 Speaker 1: He's still alive today given the fact that this movie exists. 127 00:09:32,640 --> 00:09:36,840 Speaker 1: But he u there was a rap theme song for that, 128 00:09:37,200 --> 00:09:40,760 Speaker 1: but no one saw the movie and the song was garbage. 129 00:09:41,320 --> 00:09:45,280 Speaker 1: So I'm always disappointed when a movie has a bad 130 00:09:45,400 --> 00:09:48,760 Speaker 1: rap song like that was the reason why. Then like Carol, Yeah, 131 00:09:49,880 --> 00:09:52,800 Speaker 1: rap song and Carol was terrible. It just like didn't Yeah, 132 00:09:52,920 --> 00:10:04,240 Speaker 1: it didn't fit the movie. Check came rap imagine great 133 00:10:04,280 --> 00:10:13,480 Speaker 1: with that, I think, yeah, you gotta go. I mean, 134 00:10:13,520 --> 00:10:15,760 Speaker 1: I think that Carol is going to have a second 135 00:10:15,800 --> 00:10:27,160 Speaker 1: coming featuring Rooney Merrit and with this a little alien, 136 00:10:29,280 --> 00:10:41,920 Speaker 1: black alien story, I'm speaking at home man in black. Um, 137 00:10:42,800 --> 00:10:44,600 Speaker 1: when did you first see it, Jamie? Did you see 138 00:10:44,640 --> 00:10:49,440 Speaker 1: it with your mom in Well, I certainly didn't see 139 00:10:49,440 --> 00:10:53,800 Speaker 1: it in I know, I didn't I think I was 140 00:10:53,840 --> 00:10:55,120 Speaker 1: too young to see it when it came out, but 141 00:10:55,320 --> 00:10:59,080 Speaker 1: I remember watching it with my cousin on VHS probably 142 00:10:59,200 --> 00:11:02,120 Speaker 1: some time. I never like two thousands, and I remember 143 00:11:02,160 --> 00:11:04,840 Speaker 1: I remember seeing the burgs king toys and not knowing 144 00:11:04,840 --> 00:11:07,480 Speaker 1: what they were, but being like, well, aliens and ghost 145 00:11:07,559 --> 00:11:09,959 Speaker 1: or for sure real. So I'm gonna want to like, 146 00:11:10,040 --> 00:11:11,680 Speaker 1: I wish I could get in the ground floor of this. 147 00:11:11,840 --> 00:11:18,559 Speaker 1: Unfortunately I don't have all my teeth. So so you 148 00:11:18,679 --> 00:11:22,520 Speaker 1: also are on the pro aliens exist side of things. 149 00:11:22,520 --> 00:11:27,320 Speaker 1: I feel stronger about ghosts, but I do believe in aliens. Yes, 150 00:11:27,880 --> 00:11:31,560 Speaker 1: I mean we've already talked about the movie Ghost, so yeah, 151 00:11:31,720 --> 00:11:39,160 Speaker 1: we that's their ghosts exists. Yeah. What I was gonna 152 00:11:39,200 --> 00:11:42,000 Speaker 1: say is that I saw this movie in n when 153 00:11:42,040 --> 00:11:46,000 Speaker 1: it came out, Just to keep clarifying, that's the year 154 00:11:46,040 --> 00:11:54,520 Speaker 1: that it checking in changes. I was eleven and I 155 00:11:54,559 --> 00:11:58,760 Speaker 1: had a nextissential next you're having on them right now 156 00:12:01,120 --> 00:12:07,280 Speaker 1: out a body experience. Were about to say, I was 157 00:12:07,360 --> 00:12:19,079 Speaker 1: having an existential thank you, that's a girl crisis. Because 158 00:12:19,080 --> 00:12:21,480 Speaker 1: at the end of the movie, the galaxy and it 159 00:12:21,600 --> 00:12:24,520 Speaker 1: was on a Ryan's belt and then it's like zoom 160 00:12:24,559 --> 00:12:28,040 Speaker 1: out and its whole funt and it's big aliens playing 161 00:12:28,080 --> 00:12:32,040 Speaker 1: with a marble case full of little galaxies, and I 162 00:12:32,120 --> 00:12:37,840 Speaker 1: was like, my life is so insignificant. And I didn't 163 00:12:37,840 --> 00:12:41,760 Speaker 1: believe in God after that. So it didn't convince you 164 00:12:41,800 --> 00:12:45,160 Speaker 1: aliens existed, but it did rob you of faith. Correct. 165 00:12:48,800 --> 00:12:50,720 Speaker 1: I used to think that. Every time I saw marbles, 166 00:12:50,720 --> 00:12:56,400 Speaker 1: I was like, oh, I have earth. I'm thought big. 167 00:12:59,440 --> 00:13:02,920 Speaker 1: I think that is a very interesting male female profestive. Right, 168 00:13:04,720 --> 00:13:15,559 Speaker 1: Like I don't exist, and it says like I should 169 00:13:15,559 --> 00:13:21,200 Speaker 1: I do? In the recap, let's do the Men in Black. 170 00:13:21,640 --> 00:13:25,080 Speaker 1: We opened on Tommy Lee Jones and his older white 171 00:13:25,120 --> 00:13:32,440 Speaker 1: man partner, and then they're not and they're finding aliens 172 00:13:32,440 --> 00:13:36,120 Speaker 1: because guess what aliens live among us? But they work 173 00:13:36,200 --> 00:13:41,439 Speaker 1: for this entity called what is it? Sex? In section six? 174 00:13:41,600 --> 00:13:45,160 Speaker 1: Section six. In the beginning, the border Patrol keeps going, 175 00:13:45,280 --> 00:13:48,560 Speaker 1: there is no section six. You're struggling with talking to 176 00:13:53,480 --> 00:13:56,400 Speaker 1: I think I think that's what it was. Yeah, right, 177 00:13:56,440 --> 00:14:00,720 Speaker 1: they're the men in Black. The older one guy is like, 178 00:14:00,800 --> 00:14:03,560 Speaker 1: I'm getting too old for this ship. And then uh 179 00:14:03,760 --> 00:14:08,040 Speaker 1: so they need to recruit and train replacement. And meanwhile, 180 00:14:08,760 --> 00:14:12,040 Speaker 1: Will Smith is an n y p D police officer. 181 00:14:12,920 --> 00:14:19,520 Speaker 1: In plain clothes, like really stylish, like orange baggy windbreaker pants, 182 00:14:19,520 --> 00:14:23,680 Speaker 1: like stolen from the Fresh Prince said, people are like 183 00:14:23,800 --> 00:14:29,200 Speaker 1: the fifth bad Boy. It was like Diddy May's baby 184 00:14:29,560 --> 00:14:35,440 Speaker 1: Will so four. So like if one of them got sick, 185 00:14:35,560 --> 00:14:44,560 Speaker 1: you could just sub Yeah, he can understand, I'm to die. 186 00:14:46,360 --> 00:15:01,160 Speaker 1: I'm sorry, sorry, that's anyway. So, so Will Smith is 187 00:15:01,360 --> 00:15:06,040 Speaker 1: chasing a dude and he's also it's kind of hot. Yeah, 188 00:15:07,080 --> 00:15:10,120 Speaker 1: but he's also an alien and his eyes blinked that way. Um, 189 00:15:10,400 --> 00:15:13,240 Speaker 1: no guy running away not hot? Oh well, will smim 190 00:15:13,440 --> 00:15:16,600 Speaker 1: hot hot. I was gonna get into an argument. I 191 00:15:16,680 --> 00:15:18,680 Speaker 1: was like, are you serious? I thought you were talking 192 00:15:18,720 --> 00:15:23,320 Speaker 1: about the alien. So they like pinpoint Will Smith is 193 00:15:23,360 --> 00:15:25,360 Speaker 1: a potential, like oh maybe he could be a man 194 00:15:25,440 --> 00:15:32,320 Speaker 1: in black. And then so then Tommy Leader was like, yeah, 195 00:15:32,320 --> 00:15:34,160 Speaker 1: how about him, and they like recruit him in and 196 00:15:34,200 --> 00:15:35,920 Speaker 1: then they train him in and he's like, oh wow, 197 00:15:36,000 --> 00:15:39,520 Speaker 1: there's there's aliens. Okay, I'll just give up the life 198 00:15:39,600 --> 00:15:41,920 Speaker 1: that I had before, which really wasn't much of one. 199 00:15:44,640 --> 00:15:47,080 Speaker 1: He had nothing to lose, Yeah, you just had that 200 00:15:47,120 --> 00:15:52,840 Speaker 1: orange jumpsuit. So then there's this bug who lands on 201 00:15:53,160 --> 00:15:56,360 Speaker 1: planet Earth and he's caused all kinds of mayhem around 202 00:15:56,360 --> 00:16:01,400 Speaker 1: New York City? Ever heard of it? And then we 203 00:16:01,440 --> 00:16:04,080 Speaker 1: gotta get this bug. And meanwhile there's a galaxy on 204 00:16:04,160 --> 00:16:06,560 Speaker 1: a little cat's collar and they're like, well, what what 205 00:16:06,680 --> 00:16:08,920 Speaker 1: does Oriyan's belt? That doesn't make any sense. I'm doing 206 00:16:08,920 --> 00:16:12,720 Speaker 1: an excellent job in this cat. You're welcome, And so 207 00:16:13,040 --> 00:16:16,200 Speaker 1: they have to catch the bugs bugs after this galaxy 208 00:16:16,480 --> 00:16:20,960 Speaker 1: isn't it is? Vincent dinafil the book? Yeah, the book 209 00:16:21,000 --> 00:16:24,920 Speaker 1: takes Vincent not feel skin and where's it? Okay, okay, okay, 210 00:16:25,080 --> 00:16:29,640 Speaker 1: so really quick, Vincent did not feel hot? Yeah, trying 211 00:16:29,640 --> 00:16:31,720 Speaker 1: to make sure I was keeping up right. I used 212 00:16:31,760 --> 00:16:44,080 Speaker 1: to love making that face, the face that I just 213 00:16:44,200 --> 00:16:52,000 Speaker 1: realized it's a podcasting. I was a face the face 214 00:16:52,240 --> 00:16:54,880 Speaker 1: I would not have guessed you could have done it. Amazing, 215 00:16:55,040 --> 00:16:59,280 Speaker 1: Vincent Dina, you put in the time, wait till we 216 00:16:59,360 --> 00:17:08,240 Speaker 1: do moment jacket? Who would you be in full metal jacket? 217 00:17:08,640 --> 00:17:16,359 Speaker 1: That character or that? Yeah? I never anyway, So they 218 00:17:16,480 --> 00:17:24,000 Speaker 1: get the bug in the end, Wait, there's a there's 219 00:17:24,040 --> 00:17:32,520 Speaker 1: a lady at one point, You're right, right, So all 220 00:17:32,560 --> 00:17:35,920 Speaker 1: these dead bodies are turning up that are actually alien 221 00:17:36,080 --> 00:17:39,399 Speaker 1: dead bodies, and this coroner she's like working at the 222 00:17:39,440 --> 00:17:42,480 Speaker 1: Morgen where are these alien dead bodies? And then a 223 00:17:42,600 --> 00:17:45,920 Speaker 1: flashy thinger all the time, which is low key gas lighting. 224 00:17:46,400 --> 00:17:53,840 Speaker 1: And she's cute, she's hot hot, uh and yeah, so 225 00:17:53,960 --> 00:17:59,840 Speaker 1: she's a character at the end, and she's she's also 226 00:18:00,240 --> 00:18:06,600 Speaker 1: horny at least pretends to be. It's confused. She points 227 00:18:06,640 --> 00:18:08,399 Speaker 1: at her vagina at one point in the movie, and 228 00:18:08,480 --> 00:18:12,920 Speaker 1: it's like just kidding. Yeah, we'll talk about that scene. 229 00:18:13,000 --> 00:18:16,879 Speaker 1: It's a poorly written joke. It's it's unclear like did 230 00:18:17,000 --> 00:18:19,640 Speaker 1: she mean it or did she just point her vagina 231 00:18:19,680 --> 00:18:23,280 Speaker 1: by mistake. I find myself doing that all the time 232 00:18:24,119 --> 00:18:29,520 Speaker 1: in professional situations, like, I'm so sorry that was in 233 00:18:29,680 --> 00:18:38,120 Speaker 1: volunteer being a woman in the work. Yeah, I confirmed, 234 00:18:38,400 --> 00:18:41,239 Speaker 1: I was very There's a scene in the beginning when 235 00:18:41,240 --> 00:18:43,880 Speaker 1: you first meet her where Tommy Lee Jones and Will 236 00:18:43,920 --> 00:18:47,880 Speaker 1: Smith they walk in and she's talking to just Will 237 00:18:47,920 --> 00:18:49,520 Speaker 1: Smith and Tommy ly Jones looking at what are the 238 00:18:49,600 --> 00:18:52,680 Speaker 1: bodies and she says to Will Smith, she says, you 239 00:18:52,760 --> 00:18:54,360 Speaker 1: know what I like to do when it gets really 240 00:18:54,440 --> 00:18:57,440 Speaker 1: late here, and then Tommy le Jones cuts in. But 241 00:18:57,680 --> 00:19:01,360 Speaker 1: when I was a kid, I hid because I didn't understand, 242 00:19:01,560 --> 00:19:05,160 Speaker 1: like Sacks. I thought she just like lit the body 243 00:19:05,280 --> 00:19:09,359 Speaker 1: is on fire. I had no idea it was like 244 00:19:09,440 --> 00:19:13,119 Speaker 1: a sexual man. I was so confused. I was like, 245 00:19:13,160 --> 00:19:16,840 Speaker 1: why aren't they dressing that the rest? Now as an adult, 246 00:19:16,880 --> 00:19:20,880 Speaker 1: I'm like, she's saying she fucks the that is she's 247 00:19:20,920 --> 00:19:26,399 Speaker 1: saying that. I thought she was saying she does something 248 00:19:26,600 --> 00:19:29,760 Speaker 1: unrelated to the bodies. But now since we've opened up that, 249 00:19:33,160 --> 00:19:36,600 Speaker 1: what is she doing with those bodies is robbing them? 250 00:19:37,000 --> 00:19:41,480 Speaker 1: Oh maybe she's maybe she's harvesting their organs. That's savvy. 251 00:19:41,600 --> 00:19:43,399 Speaker 1: That would be a more interesting character than she is 252 00:19:49,440 --> 00:19:54,440 Speaker 1: would have been in the market. I don't know. I 253 00:19:54,520 --> 00:19:57,720 Speaker 1: thought like, maybe she They can't be saying she sucks 254 00:19:57,760 --> 00:20:01,479 Speaker 1: the bodies so weird, there's no way. There's a lot 255 00:20:01,520 --> 00:20:04,320 Speaker 1: of sexual innuendos in this movie that don't quite land 256 00:20:04,560 --> 00:20:06,680 Speaker 1: like we're just like there's a little uncanny valley, like 257 00:20:07,440 --> 00:20:10,760 Speaker 1: what you aren't like, what are they saying? Do they 258 00:20:10,840 --> 00:20:14,680 Speaker 1: like each other? Like it's unclear? Is this a romantic plotline? 259 00:20:14,840 --> 00:20:18,480 Speaker 1: Is well? What was like? And then she's still under 260 00:20:18,880 --> 00:20:22,560 Speaker 1: value and she's not in the sequel either, right, Well, 261 00:20:22,560 --> 00:20:24,960 Speaker 1: because they set up at the end because like Tommy 262 00:20:25,040 --> 00:20:27,480 Speaker 1: Lee Jones is like, I wasn't training a partner, I 263 00:20:27,600 --> 00:20:31,000 Speaker 1: was training a replacement. And then he retires, which is 264 00:20:31,040 --> 00:20:41,520 Speaker 1: crazy because it's Will Smith's second day. Crazy. I think 265 00:20:41,560 --> 00:20:46,680 Speaker 1: you got it. Yeah, So he retires and then Will 266 00:20:46,760 --> 00:20:50,240 Speaker 1: Smith and Dr Weaver the coroner is like, I've been 267 00:20:50,280 --> 00:20:54,760 Speaker 1: around aliens enough. One day's worth, that's all. And she 268 00:20:54,960 --> 00:20:56,920 Speaker 1: ends up being his partner. But it's set up so 269 00:20:57,040 --> 00:20:59,040 Speaker 1: that like, oh, she's going to be in the sequel, 270 00:20:59,040 --> 00:21:02,360 Speaker 1: and it can't be called and Black anymore. Psych it's 271 00:21:02,440 --> 00:21:07,520 Speaker 1: still two men and she's never heard from again. Yeah, 272 00:21:08,080 --> 00:21:11,480 Speaker 1: he flashy. Think my theory is she turned forty and 273 00:21:11,560 --> 00:21:16,400 Speaker 1: they're just like wow, because we all know how much 274 00:21:16,520 --> 00:21:20,960 Speaker 1: people love casting women over forty. They don't. It does not, 275 00:21:21,520 --> 00:21:24,720 Speaker 1: we don't do it. Let's get Tommy Lee Jones body double. 276 00:21:24,800 --> 00:21:27,040 Speaker 1: Let's have him Tommy Lee Jones hot in this movie. 277 00:21:27,119 --> 00:21:31,400 Speaker 1: I'm sorry, it's true. Is he hotter than Tony Shaloub's 278 00:21:31,400 --> 00:21:45,239 Speaker 1: little head? Cannot get any hotter Tony little Yeah, shout out. Oh. 279 00:21:46,000 --> 00:21:49,320 Speaker 1: So if we're saying what part in this movie would 280 00:21:49,320 --> 00:21:52,159 Speaker 1: Alfred Molina have had, because I'm sure he was offered 281 00:21:52,280 --> 00:21:56,960 Speaker 1: a part. He's a town um could he have done 282 00:21:57,040 --> 00:21:59,760 Speaker 1: Schaloub's part, or could Chalou's part only have been done 283 00:21:59,800 --> 00:22:04,200 Speaker 1: by schlu I wouldn't have recast Tony Shalou. Who could we? 284 00:22:04,480 --> 00:22:06,440 Speaker 1: Who could be? You know? He could have been Tommy 285 00:22:06,520 --> 00:22:09,600 Speaker 1: Lee Jones. He could have been Tommy Jones. Could have 286 00:22:09,640 --> 00:22:12,720 Speaker 1: been Ripped Torn, could have been could have been It 287 00:22:12,720 --> 00:22:16,639 Speaker 1: would have been a good set get out. I always 288 00:22:16,680 --> 00:22:18,879 Speaker 1: confuse Ripped Horn who someone? I could go either way 289 00:22:18,920 --> 00:22:23,520 Speaker 1: on with meat love with someone. I feel very strongly. 290 00:22:25,640 --> 00:22:28,639 Speaker 1: Here's what Alfre William might have been doing instead. He 291 00:22:28,720 --> 00:22:32,719 Speaker 1: could have been filming Bookie Nights. He could have been 292 00:22:32,760 --> 00:22:37,280 Speaker 1: filming Anna Karenina. He's so he's so versatile. He could 293 00:22:37,280 --> 00:22:40,200 Speaker 1: have been preparing for his role in Dudley do Right. 294 00:22:43,240 --> 00:22:46,359 Speaker 1: The Brendan Fraser one that I think the Brendan Frasier. 295 00:22:47,160 --> 00:22:54,240 Speaker 1: Is there another It is bred Fer Brendon Frasier. I 296 00:22:54,359 --> 00:23:04,000 Speaker 1: think's gonna murder. I feel great. I do want to 297 00:23:04,040 --> 00:23:06,840 Speaker 1: talk more about So there are two female characters and 298 00:23:06,920 --> 00:23:09,960 Speaker 1: men in black, and just those two and no other 299 00:23:10,040 --> 00:23:14,399 Speaker 1: in New York City. Yeah. In one of them is 300 00:23:14,680 --> 00:23:22,840 Speaker 1: Vincent Dinafrio's wife. Her name is Beatrice. Beatrice. I'm just 301 00:23:22,960 --> 00:23:34,640 Speaker 1: repeating yeah, Beatrice, and she has very minimal screen time, 302 00:23:34,720 --> 00:23:38,520 Speaker 1: as does the other female character, doctor Laurel Weaver. I'd 303 00:23:38,560 --> 00:23:40,520 Speaker 1: say between the two of them, they might have an 304 00:23:40,560 --> 00:23:44,000 Speaker 1: added total of like twenty minutes of screen time. That 305 00:23:44,119 --> 00:23:49,359 Speaker 1: feels generous. Yeah, there's really when they say men in black, 306 00:23:55,359 --> 00:23:57,960 Speaker 1: something I wanted to point out about that movies with 307 00:23:58,119 --> 00:24:02,760 Speaker 1: like men or boys are like yeah in the title 308 00:24:02,840 --> 00:24:07,480 Speaker 1: are always action movies, superhero movies, exciting movies about people 309 00:24:07,600 --> 00:24:12,240 Speaker 1: kicking ass. Examples, Men and Black, X Men, Spider Man, 310 00:24:13,720 --> 00:24:20,240 Speaker 1: That Boys, No Country for Old Men, all the President's Men, 311 00:24:21,000 --> 00:24:26,480 Speaker 1: a few good men, the nice guys. Nice. Yeah, they're 312 00:24:26,520 --> 00:24:29,600 Speaker 1: like whoa what fun movies? And then movies with like 313 00:24:29,800 --> 00:24:33,840 Speaker 1: women or girl and the title are like dramas and 314 00:24:34,000 --> 00:24:42,560 Speaker 1: like Women, Little Women, twenty and Century Women, The Girl, 315 00:24:46,840 --> 00:24:50,960 Speaker 1: Mean Girls. Oh yeah, just a really good point that 316 00:24:51,040 --> 00:25:01,560 Speaker 1: I'm making, Girl Spice Girls, someone participates. Check out our 317 00:25:01,680 --> 00:25:09,040 Speaker 1: Spice World episode of The Girls Girls. Yeah, reason movie. Yeah, 318 00:25:09,400 --> 00:25:12,320 Speaker 1: generally they're more about like interpersonal relationships. I'm not saying 319 00:25:12,320 --> 00:25:14,320 Speaker 1: that's a bad thing, but I'm just saying like there's 320 00:25:14,320 --> 00:25:18,240 Speaker 1: a disparity between the two types of action versus like 321 00:25:18,400 --> 00:25:28,000 Speaker 1: a fluffy or it's about women connecting hate it enalien already, right, women. 322 00:25:28,800 --> 00:25:32,280 Speaker 1: So that's just something I wanted to share with you all, 323 00:25:33,000 --> 00:25:40,960 Speaker 1: and you're welcome. I mean it's tricky because this is okay. 324 00:25:41,040 --> 00:25:45,040 Speaker 1: So this is maybe the millionth time on this podcast 325 00:25:45,119 --> 00:25:48,280 Speaker 1: that we have come up against a summer blockbuster movie 326 00:25:48,840 --> 00:25:52,600 Speaker 1: that is pretty well loved. I still enjoy this movie. 327 00:25:52,640 --> 00:25:58,440 Speaker 1: I think it's a fun block hole written wrong. Yeah, Galaxy, 328 00:25:58,880 --> 00:26:02,960 Speaker 1: it's fun. A theme song is dope. But they all 329 00:26:03,000 --> 00:26:07,440 Speaker 1: these movies have the one female character whose main thing 330 00:26:07,640 --> 00:26:09,680 Speaker 1: is you know, even if she is like to the 331 00:26:09,920 --> 00:26:13,000 Speaker 1: I guess this movie's credit, which I hesitates, but like, 332 00:26:13,720 --> 00:26:17,880 Speaker 1: you know, she's at least has a job and she's 333 00:26:18,240 --> 00:26:22,200 Speaker 1: a woman instead, she's a woman insteps. She appears to 334 00:26:22,320 --> 00:26:25,160 Speaker 1: know how to do her job until Tommy Lee Jones 335 00:26:25,240 --> 00:26:29,840 Speaker 1: keeps gaslighting her. That's upsetting, you mean by erasing her memory, Yeah, 336 00:26:30,440 --> 00:26:37,720 Speaker 1: realizing with her thinking out for burger king. But but 337 00:26:38,600 --> 00:26:41,160 Speaker 1: she's a character. She's not given a lot of screen time. 338 00:26:41,400 --> 00:26:44,000 Speaker 1: But it's the problem we always come up against, which 339 00:26:44,040 --> 00:26:45,920 Speaker 1: is like, there's no one for her to talk to you, 340 00:26:46,320 --> 00:26:48,560 Speaker 1: There's no other female character, no one for her to 341 00:26:48,600 --> 00:26:51,400 Speaker 1: talk to even being a scene with like it's just yeah, 342 00:26:51,840 --> 00:26:55,520 Speaker 1: she's surrounded by dead people. She's yeah, they alive people 343 00:26:55,640 --> 00:27:07,760 Speaker 1: that's not even alive alive. Well, she apparently works with 344 00:27:08,600 --> 00:27:15,000 Speaker 1: David Cross, who was like the receptionist of the YEA, 345 00:27:15,520 --> 00:27:23,359 Speaker 1: what are they talking about? I don't know. Yeah, someone's 346 00:27:24,920 --> 00:27:29,120 Speaker 1: rule number one of the board. It's gotta be sucking 347 00:27:29,160 --> 00:27:35,200 Speaker 1: these bodies, right, it's your first aid. Kid. When we 348 00:27:35,280 --> 00:27:38,359 Speaker 1: see like all the recruits, whenever the recruits, because they're like, oh, 349 00:27:38,440 --> 00:27:41,520 Speaker 1: these navy guys, these are like these military men. All 350 00:27:41,600 --> 00:27:44,000 Speaker 1: the people that they're considering for the new men in 351 00:27:44,080 --> 00:27:48,000 Speaker 1: Black job, all men. Not a woman even considered. You 352 00:27:48,160 --> 00:27:51,320 Speaker 1: see the scene when we are first introduced to like 353 00:27:51,560 --> 00:27:55,840 Speaker 1: the m IB headquarters, which basically still kind of looks 354 00:27:55,880 --> 00:28:01,720 Speaker 1: like the goog and I'm we see the Google Him 355 00:28:01,800 --> 00:28:03,600 Speaker 1: museum at the beginning, you're like, oh, that's cool, and 356 00:28:03,600 --> 00:28:04,920 Speaker 1: then you see m I V or like is it 357 00:28:05,080 --> 00:28:10,000 Speaker 1: the same? Is it back room? Anyways? It could be. 358 00:28:10,520 --> 00:28:13,560 Speaker 1: There are a few women in that scene, but it's 359 00:28:13,640 --> 00:28:18,160 Speaker 1: largely men. They're all the aliens. We see all men, 360 00:28:19,080 --> 00:28:22,160 Speaker 1: no lady, except for like you see like a screen 361 00:28:22,280 --> 00:28:26,159 Speaker 1: and Will Smith's teacher apart from that are apart from 362 00:28:26,200 --> 00:28:28,680 Speaker 1: like people who don't have any lines or just like 363 00:28:28,760 --> 00:28:31,440 Speaker 1: only sort of seen in the background. All the aliens 364 00:28:31,520 --> 00:28:35,440 Speaker 1: with speaking roles go to men. Big problem in Hollywood. 365 00:28:35,600 --> 00:28:42,240 Speaker 1: You know we're our female alien protagonists, right pretty five 366 00:28:43,920 --> 00:28:51,080 Speaker 1: queer sexuality, aliens of color? Where are That's like avatar? 367 00:28:52,360 --> 00:29:02,720 Speaker 1: Oh yeah, this is why we let the guest pass. 368 00:29:05,200 --> 00:29:09,600 Speaker 1: There's I have I have something I'd like to address. Please, okay. 369 00:29:09,800 --> 00:29:14,320 Speaker 1: There's another trope in mostly nineties Arrow movies. Something that 370 00:29:14,640 --> 00:29:17,560 Speaker 1: terrified me as a child and I still find horrible 371 00:29:18,080 --> 00:29:20,960 Speaker 1: is there's a little pug in this movie, a little 372 00:29:21,000 --> 00:29:25,480 Speaker 1: pug informant. They make his mouth move like a person, 373 00:29:26,680 --> 00:29:33,360 Speaker 1: so that it's like he's a little person. I don't okay, 374 00:29:33,520 --> 00:29:36,480 Speaker 1: I find it scary. There's movies words because you know, 375 00:29:36,640 --> 00:29:39,800 Speaker 1: like fast forward five years it's c G I this 376 00:29:40,040 --> 00:29:46,480 Speaker 1: is some sort of scary practical effect. It looks real. 377 00:29:51,320 --> 00:29:53,640 Speaker 1: You think they're like hooked up like wires to the 378 00:29:53,720 --> 00:30:06,320 Speaker 1: dog dog Peanut Butter likes why it's all about she 379 00:30:06,920 --> 00:30:14,960 Speaker 1: hated freak. I don't like an animals time like they're people. 380 00:30:15,000 --> 00:30:20,600 Speaker 1: They're not people. There there's that movie Cats and Dogs. 381 00:30:20,800 --> 00:30:23,080 Speaker 1: That one is the worst because it's all just like 382 00:30:23,640 --> 00:30:26,200 Speaker 1: Nathan Lamb's voice coming out of a cat and you're 383 00:30:26,240 --> 00:30:28,440 Speaker 1: just like, no, like it's just scary. It's not. It 384 00:30:28,480 --> 00:30:37,960 Speaker 1: should be a cartoon. Okay. Also, male dog, there we go. 385 00:30:38,040 --> 00:30:41,920 Speaker 1: It's yeah again, where are all the female dogs with 386 00:30:41,960 --> 00:30:48,400 Speaker 1: speaking roles in Hollywood? That dog is so like it. 387 00:30:48,600 --> 00:30:55,480 Speaker 1: It's what about like babe sweary? No scary, that's nice? Scary? Yeah. 388 00:30:55,560 --> 00:30:59,000 Speaker 1: The mouth, well, because they're not like really blinking and 389 00:30:59,080 --> 00:31:02,080 Speaker 1: you're just like there and their eyes are glazed over 390 00:31:02,080 --> 00:31:04,680 Speaker 1: because they're kind of like edited in post production. I 391 00:31:04,720 --> 00:31:07,000 Speaker 1: would imagine. I think about it a lot, but there 392 00:31:08,200 --> 00:31:10,360 Speaker 1: they're not blinking in their eyes or they kind of 393 00:31:10,440 --> 00:31:12,240 Speaker 1: have like do you ever? Okay, here's something I find 394 00:31:12,280 --> 00:31:14,920 Speaker 1: scary in real life is when you meet someone they're like, 395 00:31:14,960 --> 00:31:17,520 Speaker 1: meet my dog, and you're like that dog has people eyes? Yeah? 396 00:31:18,640 --> 00:31:20,320 Speaker 1: Why the dog got the person's eyes and ready to 397 00:31:20,360 --> 00:31:23,200 Speaker 1: get them? Yeah, exactly. I think it's like one of 398 00:31:23,440 --> 00:31:25,240 Speaker 1: That's why I believe in aliens. I think it's like 399 00:31:25,320 --> 00:31:28,840 Speaker 1: an Edgar situation when they take a dog's body and 400 00:31:28,960 --> 00:31:31,360 Speaker 1: it's like it's like a vinc and doff Field. There's dog, 401 00:31:31,800 --> 00:31:40,360 Speaker 1: there's a little little dog dog dog listening. He's doing 402 00:31:40,760 --> 00:31:45,480 Speaker 1: very A few more points I want to make about 403 00:31:45,560 --> 00:31:50,560 Speaker 1: Dr Weaver's character. Her dress is insanely short, which is 404 00:31:50,560 --> 00:31:53,440 Speaker 1: an okay thing if you're a woman and you want 405 00:31:53,480 --> 00:31:57,080 Speaker 1: to wear a short dress, that's cool. But today pretty 406 00:31:57,160 --> 00:32:03,240 Speaker 1: much does a little appropriate no out a word place, 407 00:32:03,600 --> 00:32:07,840 Speaker 1: so she's like overly sexualized for no reason. They developed 408 00:32:07,840 --> 00:32:10,280 Speaker 1: her character so poorly that she doesn't even get to 409 00:32:10,360 --> 00:32:13,520 Speaker 1: have a reaction whenever the dude's face opens up and 410 00:32:13,560 --> 00:32:16,520 Speaker 1: there's like a little tiny alien it is, and she's 411 00:32:16,560 --> 00:32:21,960 Speaker 1: just like like how is she not? Like what the 412 00:32:22,160 --> 00:32:26,640 Speaker 1: actual fun? She has no reaction to it, and then 413 00:32:27,000 --> 00:32:29,800 Speaker 1: like until like maybe thirty seconds later, and she's like 414 00:32:30,200 --> 00:32:33,400 Speaker 1: I knew it. That is an alien, isn't it. And 415 00:32:33,480 --> 00:32:39,400 Speaker 1: it's like yeah, no, where can she like what's happening? 416 00:32:39,680 --> 00:32:42,880 Speaker 1: She's yeah, I mean And And that's another like female 417 00:32:42,920 --> 00:32:46,280 Speaker 1: blockbuster character thing is like her character changes from moment 418 00:32:46,360 --> 00:32:51,200 Speaker 1: to moment depending on what the scene required, like that shitty, 419 00:32:51,320 --> 00:32:53,840 Speaker 1: weird confusing there's a scene I forget what the executive 420 00:32:53,880 --> 00:32:56,240 Speaker 1: shechine is, but she's talking to Will Smith and she's 421 00:32:56,720 --> 00:32:58,880 Speaker 1: points to her vagina and he's like well, what do 422 00:32:59,000 --> 00:33:01,120 Speaker 1: you mean? And she's like no, I was pointing at 423 00:33:01,240 --> 00:33:05,160 Speaker 1: the floor, like and that serves no purpose in the 424 00:33:05,240 --> 00:33:07,800 Speaker 1: context of her character. It doesn't make any fucking sense. 425 00:33:07,880 --> 00:33:10,520 Speaker 1: It's just a bad joke that like the who wrote this, 426 00:33:10,640 --> 00:33:15,360 Speaker 1: Oh I bet it's uh so Ed Solomon's jerking off 427 00:33:15,400 --> 00:33:22,200 Speaker 1: at his house, Like I make a pretty late point. 428 00:33:25,280 --> 00:33:28,280 Speaker 1: It's just like a gross throwaway thing that it's like, oh, 429 00:33:28,440 --> 00:33:30,440 Speaker 1: here's something I could do with the female character. I 430 00:33:30,520 --> 00:33:34,480 Speaker 1: forgot to write right well, that scene before that one, 431 00:33:35,120 --> 00:33:37,920 Speaker 1: the bug comes in and like throws her all around 432 00:33:38,120 --> 00:33:40,600 Speaker 1: like pretty violently. It's like a pretty alarming to see, 433 00:33:40,680 --> 00:33:43,960 Speaker 1: like she's a bunch of violences inflected upon her. And 434 00:33:44,040 --> 00:33:47,000 Speaker 1: then he capt or. He's like still kind of fighting 435 00:33:47,200 --> 00:33:50,120 Speaker 1: fighting her. And then will Smith comes in and he's like, well, 436 00:33:50,160 --> 00:33:53,560 Speaker 1: I better hide under this cart and like holds her 437 00:33:53,600 --> 00:33:56,280 Speaker 1: ankle and she's like you need to help me with this, 438 00:33:56,640 --> 00:34:00,320 Speaker 1: and Will Smith's like, damn, girl, I kind of drive 439 00:34:00,360 --> 00:34:02,280 Speaker 1: though it's not a male female. I just gotta drive. 440 00:34:02,360 --> 00:34:14,279 Speaker 1: That's happen like dead on. I was like, is he here? Yeah? 441 00:34:14,320 --> 00:34:18,759 Speaker 1: Oh my god. After that we see whenever, like Will 442 00:34:18,800 --> 00:34:21,239 Speaker 1: Smith is like, oh, I get what's happening, And he's 443 00:34:21,239 --> 00:34:22,960 Speaker 1: like if you had been coming on to me like 444 00:34:23,000 --> 00:34:27,000 Speaker 1: a drunken trom day And she's like whenever a woman 445 00:34:27,160 --> 00:34:30,000 Speaker 1: shows any sign of sexual independence or something like that, 446 00:34:30,040 --> 00:34:31,439 Speaker 1: which is like one of those lines that we talked 447 00:34:31,440 --> 00:34:34,200 Speaker 1: about where it's like the writer just be like, oh, 448 00:34:34,400 --> 00:34:39,520 Speaker 1: here's one example, yeah, like of a like women empowerment, 449 00:34:39,760 --> 00:34:42,719 Speaker 1: which is not actually what is happening. No, because in 450 00:34:42,800 --> 00:34:45,279 Speaker 1: the next scene they're like, oh, she's in trouble. Someone 451 00:34:45,400 --> 00:34:47,880 Speaker 1: saved her. Like there, it's just yeah, she just captured 452 00:34:48,280 --> 00:34:54,000 Speaker 1: and thrown in a tree. That's a wish. There's a 453 00:34:54,080 --> 00:34:59,400 Speaker 1: big battle and she's up in the tree. Yeah, nothing 454 00:34:59,600 --> 00:35:02,720 Speaker 1: like like again it seems like, oh no, we forgot 455 00:35:02,840 --> 00:35:08,040 Speaker 1: she's in the scene. Um So then they give her 456 00:35:08,120 --> 00:35:10,880 Speaker 1: the last shot as like a thing, but it's like, 457 00:35:12,120 --> 00:35:15,279 Speaker 1: I don't know, it just feels so forced totally. Yeah, 458 00:35:15,440 --> 00:35:18,440 Speaker 1: so that because her character has been developed not at 459 00:35:18,480 --> 00:35:21,239 Speaker 1: all prior to that, she know how to do with 460 00:35:21,320 --> 00:35:28,960 Speaker 1: the like shoot the gun. I don't know. I thought 461 00:35:29,000 --> 00:35:39,600 Speaker 1: the Space it had a nail the Space Space gun, right, 462 00:35:39,640 --> 00:35:42,680 Speaker 1: Because so that climactic scene plays out where the bug 463 00:35:43,280 --> 00:35:47,000 Speaker 1: he's ripped out of his vincent Dinofrio skin and now 464 00:35:47,080 --> 00:35:50,120 Speaker 1: he's a big cockroach dude and he's trying to get 465 00:35:50,320 --> 00:35:53,239 Speaker 1: up to the spaceship Tommy ly Jones, He's like, eat me, 466 00:35:53,520 --> 00:35:58,120 Speaker 1: and then he eats him. Funny, So the cody in 467 00:35:58,239 --> 00:36:03,279 Speaker 1: this movie, you guys giggled, So Tommily Jones was like 468 00:36:03,360 --> 00:36:08,960 Speaker 1: swimming around in the cockroach monster alien for like five minutes, 469 00:36:11,280 --> 00:36:15,160 Speaker 1: not drowning somehow. Will Smith is all like, I'm gonna 470 00:36:15,160 --> 00:36:19,840 Speaker 1: stomp on your relatives. Finally Tommily Jones burst out with 471 00:36:19,960 --> 00:36:26,919 Speaker 1: his space gun. There's a moment where passing notes answer 472 00:36:27,560 --> 00:36:30,040 Speaker 1: the cricket the noisy crick is a little one that 473 00:36:30,400 --> 00:36:34,280 Speaker 1: Will Smith has, and then the big one was called 474 00:36:36,000 --> 00:36:45,560 Speaker 1: I'll get back to you anyway. So the movie, because 475 00:36:45,600 --> 00:36:47,480 Speaker 1: like that one last moment was like, oh no, the 476 00:36:47,680 --> 00:36:50,279 Speaker 1: aliens not dead and he goes to pounce on him, 477 00:36:50,560 --> 00:36:54,880 Speaker 1: and then dr weavers like no, not today, and uh 478 00:36:59,520 --> 00:37:02,799 Speaker 1: and she the alien dead again and then she said 479 00:37:02,880 --> 00:37:07,560 Speaker 1: something like interesting job you guys have. And then we're 480 00:37:07,560 --> 00:37:09,600 Speaker 1: all supposed to be like you go girl, except no, 481 00:37:09,920 --> 00:37:13,440 Speaker 1: because her character fucking sexs. Like nineties movies are riddled 482 00:37:13,480 --> 00:37:17,480 Speaker 1: with you go girl moments like this, and I feel 483 00:37:17,520 --> 00:37:19,120 Speaker 1: like the only reason they're in there is that like 484 00:37:19,239 --> 00:37:22,640 Speaker 1: there's some studio meeting where they're like, wait, but how 485 00:37:22,719 --> 00:37:25,120 Speaker 1: are we going to sell shipped to girls about this movie? 486 00:37:25,320 --> 00:37:28,000 Speaker 1: And they're like, let the let the lady kick one time. 487 00:37:28,440 --> 00:37:31,560 Speaker 1: And I first said, look, I can kick too, and 488 00:37:31,640 --> 00:37:33,800 Speaker 1: then and then we'll put a flower on a T shirt, 489 00:37:34,040 --> 00:37:36,880 Speaker 1: will throw a lady's face on it five million dollars. 490 00:37:39,520 --> 00:37:43,160 Speaker 1: And obviously it would have been fine for her to 491 00:37:43,239 --> 00:37:45,120 Speaker 1: like kick get In fact, I would have preferred her 492 00:37:45,200 --> 00:37:47,879 Speaker 1: to do more gass kicking throughout the movie. So yeah, 493 00:37:47,920 --> 00:37:50,799 Speaker 1: she's just only given that one moment. It's all utilitary, 494 00:37:50,960 --> 00:37:53,479 Speaker 1: like it's just I mean, no, the time was spent 495 00:37:53,560 --> 00:37:57,080 Speaker 1: developing her character whatsoever, which is crazy because they set 496 00:37:57,120 --> 00:38:00,040 Speaker 1: it up that she's gonna be the next man. And 497 00:38:00,160 --> 00:38:04,879 Speaker 1: in Black you Wuldsmith dressed up like Morpheus. Oh yeah, 498 00:38:05,280 --> 00:38:09,080 Speaker 1: he's got new sunglasses and they're I guess cooler than 499 00:38:11,400 --> 00:38:13,880 Speaker 1: he's got the Morpheus look. And so the last thing 500 00:38:14,000 --> 00:38:16,720 Speaker 1: of this movie is really funny because he's like, Okay, 501 00:38:17,000 --> 00:38:21,239 Speaker 1: it's Will Smith's second day. He's in charge now, and 502 00:38:21,320 --> 00:38:24,680 Speaker 1: then there's he walks toris dr we were and it's 503 00:38:24,719 --> 00:38:27,319 Speaker 1: her first day as a man in black and she's 504 00:38:27,320 --> 00:38:31,200 Speaker 1: wearing the suit and she looks dope, and as Willspenth's 505 00:38:31,200 --> 00:38:35,680 Speaker 1: walking over to her, she like says loudly a government secret. 506 00:38:35,800 --> 00:38:44,040 Speaker 1: And it's like it's like an alien and it's like, oh, 507 00:38:44,200 --> 00:38:50,440 Speaker 1: they're both bad at this. I don't know do they 508 00:38:50,560 --> 00:38:53,440 Speaker 1: say in the second one why they got rid of her. 509 00:38:53,600 --> 00:38:57,640 Speaker 1: I'm trying trying to figure because the second one, if 510 00:38:57,680 --> 00:39:01,120 Speaker 1: you don't know, two thousand two and Tommy Lee Jones 511 00:39:01,239 --> 00:39:03,560 Speaker 1: is just in it again. What was what was it 512 00:39:03,680 --> 00:39:10,800 Speaker 1: called Men and Black to That was my first guest, 513 00:39:10,880 --> 00:39:13,600 Speaker 1: but I don't want to sell him an idiot. But 514 00:39:13,680 --> 00:39:23,400 Speaker 1: the polster the poster is and then two Roman numeral 515 00:39:23,520 --> 00:39:30,799 Speaker 1: eyes black, so it looks like men Too Black. We're 516 00:39:30,840 --> 00:39:36,239 Speaker 1: just the name of my boys to men cover back. Oh. 517 00:39:36,640 --> 00:39:39,759 Speaker 1: Nick Cannon is in Men and Black Too. Oh yeah, yeah, 518 00:39:40,000 --> 00:39:42,719 Speaker 1: he's like one of the young guns. I don't even know. 519 00:39:43,080 --> 00:39:45,919 Speaker 1: This is like a drum line era Nick Can. Yeah, 520 00:39:46,360 --> 00:39:55,239 Speaker 1: not like scary wizard Nick Kid Nick Cannon today, it's 521 00:39:55,360 --> 00:39:59,320 Speaker 1: very scary. Black Too also has Michael Jackson. Really, I 522 00:40:00,000 --> 00:40:04,719 Speaker 1: don't know if I've ever seen Men Too Blacks. He 523 00:40:06,760 --> 00:40:09,680 Speaker 1: wants to be an agent, and he just keeps Michael 524 00:40:09,760 --> 00:40:16,600 Speaker 1: Jackson as a Martha Stewart as herself an alien. I 525 00:40:16,680 --> 00:40:21,960 Speaker 1: know she's as herself as an alien. I think, yeah, 526 00:40:22,200 --> 00:40:30,000 Speaker 1: she is an alien. She it. I love this movie. 527 00:40:32,320 --> 00:40:34,960 Speaker 1: It was like my favorite movie for like two years. 528 00:40:35,360 --> 00:40:41,600 Speaker 1: It's between a discourse moment. Okay, this is the sort 529 00:40:41,600 --> 00:40:44,680 Speaker 1: of movie where people like it. It's a good movie. 530 00:40:45,520 --> 00:40:49,040 Speaker 1: People don't necessarily think about oh, you know, it takes 531 00:40:49,080 --> 00:40:51,360 Speaker 1: a second before you're like, oh, there are no women 532 00:40:51,400 --> 00:40:55,080 Speaker 1: in this movie. That is strange. We're in a major 533 00:40:55,239 --> 00:41:00,239 Speaker 1: metropolitan area and there's no women. Right. There's like we 534 00:41:00,280 --> 00:41:02,759 Speaker 1: could like, like I said, we could have seen any 535 00:41:02,840 --> 00:41:05,000 Speaker 1: of the recruits could have been like I don't know 536 00:41:05,160 --> 00:41:07,440 Speaker 1: half of them could have been women. There are women 537 00:41:07,520 --> 00:41:22,239 Speaker 1: in the military. Uh fucking hate massagey. Thanks. Yeah, in 538 00:41:22,400 --> 00:41:26,399 Speaker 1: Alien women there have been. They only have the pregnant one. 539 00:41:27,320 --> 00:41:35,320 Speaker 1: Oh okay, any visual gag. That's that's the only alien 540 00:41:35,880 --> 00:41:39,319 Speaker 1: woman you've seen it, right, That's another the same moment 541 00:41:39,400 --> 00:41:42,200 Speaker 1: where Tommy Lee Jones goes up to the car and 542 00:41:42,280 --> 00:41:44,040 Speaker 1: then he's like, what's going on here? He's like, my 543 00:41:44,120 --> 00:41:46,359 Speaker 1: wife's having a baby. And then and then Tommy Lee 544 00:41:46,440 --> 00:41:48,520 Speaker 1: Jones looks in the bag. It's like, oh, yeah, there's 545 00:41:48,560 --> 00:41:54,080 Speaker 1: a woman giving birth, Like there's yeah, what interesting? I 546 00:41:54,200 --> 00:41:59,359 Speaker 1: think you know that's a bold that's a bold visual gag. Yeah, 547 00:41:59,760 --> 00:42:07,760 Speaker 1: she screaming. Yeah, I did not see that she's giving 548 00:42:07,800 --> 00:42:11,640 Speaker 1: birth to a fucking squid, Like squid things are coming out, 549 00:42:12,000 --> 00:42:15,480 Speaker 1: But how do you not notice? It's essentially tentacal porn. 550 00:42:18,960 --> 00:42:21,439 Speaker 1: I mean, I have conflicting feelings about that scene because 551 00:42:21,480 --> 00:42:23,719 Speaker 1: on one hand, it's like a women's issue is made 552 00:42:23,760 --> 00:42:28,560 Speaker 1: out to be a joke, okay, but also childbirth is terrifying, 553 00:42:28,680 --> 00:42:36,640 Speaker 1: So I'm like, yeah, I get it. I'd love to 554 00:42:36,680 --> 00:42:41,160 Speaker 1: get birth through a squirre someday. Let's just move on 555 00:42:41,440 --> 00:42:43,960 Speaker 1: right from that, and I'm not talking about any further. 556 00:42:44,120 --> 00:42:47,439 Speaker 1: It's so weird how like all the men in black 557 00:42:47,840 --> 00:42:51,359 Speaker 1: are because they have the suit, they automatically know how 558 00:42:51,440 --> 00:42:55,600 Speaker 1: to do everything. Like it's always like always like okay, hey, 559 00:42:56,000 --> 00:42:58,080 Speaker 1: just walk in there and tell him you're a doctor 560 00:42:58,120 --> 00:42:59,800 Speaker 1: because they're gonna believe you because you're a man in 561 00:42:59,880 --> 00:43:02,560 Speaker 1: a suit. And then yeah, they don't show any badgers. 562 00:43:02,920 --> 00:43:05,000 Speaker 1: They just walk right in and it's just like, yeah, 563 00:43:05,080 --> 00:43:11,359 Speaker 1: I fucking hate man. Yeah, they just walk in there like, hey, 564 00:43:11,400 --> 00:43:14,479 Speaker 1: I'm good at something. They're just going to tell people 565 00:43:17,520 --> 00:43:20,240 Speaker 1: I'm like what I was like pointing my vagina on accident, 566 00:43:24,239 --> 00:43:26,879 Speaker 1: and then if you dare question them or don't believe them, 567 00:43:27,000 --> 00:43:30,920 Speaker 1: they have a gas lighting stick to be like, I'm 568 00:43:31,000 --> 00:43:38,600 Speaker 1: kind of things I gi Oh. Yeah, this is a 569 00:43:38,640 --> 00:43:41,480 Speaker 1: triumph for for for young boys trying to learn how 570 00:43:41,560 --> 00:43:45,319 Speaker 1: to Kivin's Women of Less. Yeah. Don't want to talk 571 00:43:45,360 --> 00:43:50,359 Speaker 1: at all about the other female character, Beatrice. Yeah, I mean, 572 00:43:51,080 --> 00:43:56,480 Speaker 1: what's there to say. In the first scene, you don't 573 00:43:56,520 --> 00:44:00,400 Speaker 1: even see her. You just hear her getting yelled at. Ye. 574 00:44:00,560 --> 00:44:04,000 Speaker 1: He's like verbally abusing her, and then he comes in 575 00:44:04,080 --> 00:44:09,319 Speaker 1: he's like sugar, sugar, and she's just like, okay, I'm 576 00:44:09,400 --> 00:44:11,680 Speaker 1: a domestic person. That's all I could do. Then she 577 00:44:11,800 --> 00:44:15,600 Speaker 1: gives us chapel and sugar water okay, and she just 578 00:44:15,880 --> 00:44:26,120 Speaker 1: like when he's like, Sugar, you're not the only one 579 00:44:26,120 --> 00:44:30,320 Speaker 1: who can do them. I wasn't. I didn't get this 580 00:44:30,480 --> 00:44:39,239 Speaker 1: email and we were supposed to arrive with it. Yeah, 581 00:44:39,440 --> 00:44:45,040 Speaker 1: I mean she's like done as rocks and major idiot alert. Yeah. 582 00:44:45,640 --> 00:44:48,080 Speaker 1: Written by Ed Solomon. To be clear, every time we 583 00:44:48,200 --> 00:44:52,760 Speaker 1: criticize if female character were actually thinking about throwing Ed Solomon? Whoever? 584 00:44:52,880 --> 00:44:57,080 Speaker 1: That that is off the building right. He co wrote 585 00:44:57,480 --> 00:45:00,520 Speaker 1: the first Charlie's Angels I Think, and he might really good. 586 00:45:02,480 --> 00:45:08,440 Speaker 1: He wrote Bill and Ted's Excellent Adventure, Bill and Ted's 587 00:45:08,440 --> 00:45:12,600 Speaker 1: Focus Journey, The Men of Black Movies, The Charlie's Angels movies, 588 00:45:12,840 --> 00:45:23,160 Speaker 1: and some X Men movies, Super Mario Good. He started 589 00:45:23,200 --> 00:45:25,800 Speaker 1: as a staff writer for loa Vernon Surely, which honestly, like, 590 00:45:25,920 --> 00:45:30,160 Speaker 1: there's no excuse, like you you have written for female 591 00:45:30,280 --> 00:45:35,480 Speaker 1: characters before. You just are actively like does the world 592 00:45:35,600 --> 00:45:40,400 Speaker 1: really need welcome? I would expect better from the person 593 00:45:40,480 --> 00:45:44,680 Speaker 1: who wrote the best Lucy lou movie ever. Why is 594 00:45:44,719 --> 00:45:47,320 Speaker 1: it Carlos Charlie's Angels. Why can't I just be like 595 00:45:47,760 --> 00:45:54,520 Speaker 1: three kick ass ladies who don't belong to anyone, like 596 00:45:54,600 --> 00:46:03,240 Speaker 1: a pretty lunchbox. Yeah, I think that's a fine. I don't. Unsurprisingly, 597 00:46:03,480 --> 00:46:05,320 Speaker 1: most of the people involved in the production of this 598 00:46:05,440 --> 00:46:09,319 Speaker 1: movie are men. There is a female producer on the movie, 599 00:46:09,400 --> 00:46:15,080 Speaker 1: but it's directed by Barry son Enfeld, who directed Get Shorty, 600 00:46:16,000 --> 00:46:21,680 Speaker 1: various Adams Family movies, Big Trouble, Big Big Trouble with 601 00:46:21,840 --> 00:46:24,279 Speaker 1: Tim Allen. It was it was a movie about a 602 00:46:24,400 --> 00:46:27,080 Speaker 1: bomb on an airplane. It was supposed to come out 603 00:46:27,120 --> 00:46:30,200 Speaker 1: and so at least they was supposed to be September twelve, 604 00:46:30,560 --> 00:46:38,080 Speaker 1: two thousand eleven back and he got looked back two yes, 605 00:46:38,440 --> 00:46:50,239 Speaker 1: the year you know you know it was that yes, yeah, 606 00:46:51,000 --> 00:46:54,080 Speaker 1: not good. Yeah. He directed that one and the Rob 607 00:46:54,200 --> 00:46:59,360 Speaker 1: Williams Vehicle RV SO another another movie that is feminist. 608 00:46:59,560 --> 00:47:05,480 Speaker 1: Icon are signed. Can I say know that Danny Elfman 609 00:47:05,520 --> 00:47:09,080 Speaker 1: score to this movie is like my favorite score of 610 00:47:09,440 --> 00:47:17,320 Speaker 1: not all time, but of a movie about do so 611 00:47:17,600 --> 00:47:22,640 Speaker 1: good Daniel Dannie Elfman will be spared. Yeah, yeah, well 612 00:47:22,800 --> 00:47:25,200 Speaker 1: he'll be spared because we need to get new things 613 00:47:25,239 --> 00:47:31,239 Speaker 1: time we This movie made a million billion dollars. Yeah, 614 00:47:31,360 --> 00:47:34,120 Speaker 1: the summer blockbuster that did really well was made by men. 615 00:47:34,280 --> 00:47:37,080 Speaker 1: There's only men in it. One ladies in it. But 616 00:47:37,160 --> 00:47:39,320 Speaker 1: she has to pointed her vagina and has to skirt 617 00:47:39,800 --> 00:47:42,279 Speaker 1: and also was bad at being a man in black. 618 00:47:42,840 --> 00:47:46,359 Speaker 1: Yeah you can tell at the end or you're like, oh, yeah, 619 00:47:46,440 --> 00:47:52,920 Speaker 1: she's unqualified like she as is Will Smith. He had 620 00:47:53,160 --> 00:47:57,279 Speaker 1: one day on the job. Does anyone have any other 621 00:47:57,480 --> 00:48:10,720 Speaker 1: final points about the movie. It's great film, some issues, 622 00:48:11,080 --> 00:48:14,000 Speaker 1: got some issues. I'm sure the best out of the three. 623 00:48:15,640 --> 00:48:23,359 Speaker 1: The Men in we were talking about the seg one side. 624 00:48:23,360 --> 00:48:25,759 Speaker 1: I forgot we didn't mention that that there was a 625 00:48:25,840 --> 00:48:30,040 Speaker 1: third right when that's the one I think time travel happens. Yeah, 626 00:48:30,239 --> 00:48:33,560 Speaker 1: that's still rolling. Yeah, they go like I think they 627 00:48:33,640 --> 00:48:35,279 Speaker 1: go to like the six season. They go back and 628 00:48:35,320 --> 00:48:37,800 Speaker 1: then it's like back for something like that. It's like 629 00:48:37,880 --> 00:48:41,719 Speaker 1: a it's a time jump. Was that one straight to 630 00:48:41,840 --> 00:48:47,080 Speaker 1: video or did know that? At a theatrical twelve? Yeah, 631 00:48:47,120 --> 00:48:49,759 Speaker 1: it was like if you put the Terminator plotline with 632 00:48:49,920 --> 00:48:52,879 Speaker 1: Men in Black, because which should be a winner? That's 633 00:48:54,640 --> 00:48:57,600 Speaker 1: it was sad. Did you see it? No? Oh god, 634 00:48:57,920 --> 00:49:00,600 Speaker 1: it's so sad. Did you see it? Did you cry? 635 00:49:00,760 --> 00:49:08,080 Speaker 1: It's so sad at he it's fucking sad. Man I cried. Sorry. 636 00:49:11,040 --> 00:49:14,440 Speaker 1: It's like as sad as the first twenty minutes of Up, Like, 637 00:49:14,560 --> 00:49:21,239 Speaker 1: it's that sad. Like it's that sad. That's that's sad. 638 00:49:22,080 --> 00:49:25,880 Speaker 1: You have to The ending is just like Jones, you 639 00:49:25,920 --> 00:49:29,840 Speaker 1: don't care does Tommy ly Jones die? Know what happens 640 00:49:29,920 --> 00:49:34,600 Speaker 1: is you find out that Will Smith's father sacrifice his 641 00:49:34,800 --> 00:49:38,400 Speaker 1: life to save Tommy Lee Jones, and Tommy Lee Jones 642 00:49:38,680 --> 00:49:41,960 Speaker 1: has been like secretly watching Will Smith this whole time, 643 00:49:42,080 --> 00:49:43,759 Speaker 1: and then you see at the end you see Will 644 00:49:43,840 --> 00:49:48,000 Speaker 1: Smith as a child hunched over his dead father's body. 645 00:49:48,120 --> 00:49:52,520 Speaker 1: And then yeah, because this is in the sixties and 646 00:49:52,680 --> 00:49:56,839 Speaker 1: so and so, he he fucking neuralizes Will Smith as 647 00:49:56,880 --> 00:50:02,279 Speaker 1: a kid. And it's just like Duke it's and it 648 00:50:02,480 --> 00:50:08,480 Speaker 1: is an absolute boner killer. It is the saddest fucking 649 00:50:08,560 --> 00:50:16,560 Speaker 1: thing I know, right, Mrs sad Jack But what the jackhammer? 650 00:50:16,600 --> 00:50:21,239 Speaker 1: Has that done? The jackman? Oh good, I get it. 651 00:50:21,640 --> 00:50:24,319 Speaker 1: It had like a sciency name because because the joke 652 00:50:24,440 --> 00:50:26,560 Speaker 1: was John Lee, Joe says a sciency name and then 653 00:50:26,600 --> 00:50:28,760 Speaker 1: he goes, no, he's a cricket, and that's like the joke. 654 00:50:40,200 --> 00:50:55,680 Speaker 1: Hand I think Sam's my new daddy was in the cast. Yeah, 655 00:50:57,800 --> 00:51:03,440 Speaker 1: we've never got a new daddy's. No, because we have 656 00:51:03,520 --> 00:51:05,480 Speaker 1: a lot of audience. Should we open it up to 657 00:51:05,520 --> 00:51:09,920 Speaker 1: any questions or yeah, what do you want? Oh okay, 658 00:51:09,960 --> 00:51:14,959 Speaker 1: I'll start here, Oh yeah kind of, I'm sure. Hi, friends, Hilma, 659 00:51:15,640 --> 00:51:17,920 Speaker 1: I was wondering if you were to recast the lead 660 00:51:18,080 --> 00:51:22,719 Speaker 1: roles with women, how would you recast? Are we going 661 00:51:22,920 --> 00:51:32,000 Speaker 1: today or were doing in nineties steven nineties? Um? I 662 00:51:32,080 --> 00:51:34,640 Speaker 1: don't know what do you guys, I'm gonna go with 663 00:51:34,840 --> 00:51:39,440 Speaker 1: today's people. I would do like Zendia as Will Smith's character. 664 00:51:40,560 --> 00:51:48,000 Speaker 1: Um anything, Harry Jones, I want our return, that's good. Yeah, 665 00:51:48,960 --> 00:51:52,360 Speaker 1: I want Laura turned to uh neuralize the tiny Zendia 666 00:51:54,120 --> 00:52:03,200 Speaker 1: when her mommy. I would love Julianne Moore and Ali Wong. 667 00:52:03,880 --> 00:52:12,200 Speaker 1: I think that would be a fun. It was like 668 00:52:12,800 --> 00:52:15,839 Speaker 1: Ripped Horns character. I feel like we need, we need. 669 00:52:23,480 --> 00:52:28,000 Speaker 1: I'll really qualifies for an all female read. He transsgender. 670 00:52:28,080 --> 00:52:35,040 Speaker 1: He's so talented. Swinton would be great as Vincent Dinofrios characters. Yeah, 671 00:52:35,560 --> 00:52:41,880 Speaker 1: I would love that. Let's just do that. Start to 672 00:52:41,920 --> 00:52:47,200 Speaker 1: go find me. The work was Super Troopers to did it? 673 00:52:47,360 --> 00:52:51,279 Speaker 1: Did any other have some more questions? Yeah? Alright, I'm 674 00:52:51,360 --> 00:52:54,560 Speaker 1: Kyle off of the tilta Swinton point. Apparently they almost 675 00:52:54,640 --> 00:52:56,759 Speaker 1: cast her as Penny Wise and the most recent it 676 00:52:57,200 --> 00:53:00,440 Speaker 1: would have been way better casting anyway. Point I was 677 00:53:00,520 --> 00:53:02,799 Speaker 1: going to make was have any of you seen under 678 00:53:02,840 --> 00:53:06,080 Speaker 1: the Skin because Scar Joe is a great female alien protagonist. 679 00:53:07,600 --> 00:53:14,480 Speaker 1: I haven't seen it. I want to declare as a 680 00:53:14,600 --> 00:53:20,120 Speaker 1: woman I have it. Yeah, so sorry, but we will 681 00:53:23,560 --> 00:53:28,840 Speaker 1: anyry question, um so Lara from Boyle was jackr. Rab's character, 682 00:53:28,960 --> 00:53:36,279 Speaker 1: and I was just wondering if she's still alive. I 683 00:53:36,680 --> 00:53:44,480 Speaker 1: wasn't trying to be stupid. Wait, I got her. I mean, yeah, 684 00:53:44,640 --> 00:53:47,320 Speaker 1: that was a while ago. She because it was she 685 00:53:47,520 --> 00:53:49,640 Speaker 1: was Sarlena in the second when she was the bad 686 00:53:49,800 --> 00:53:51,960 Speaker 1: she was the battie. It was her, and she had 687 00:53:52,040 --> 00:53:59,480 Speaker 1: Knoxville Johnny knoxfilld was her like number two. You know. 688 00:54:00,280 --> 00:54:05,760 Speaker 1: I was reading Chris o'donald, who's Robin and the Schumacher Batman. 689 00:54:12,160 --> 00:54:15,279 Speaker 1: I love Tigerland, I love the Albert thousand before I 690 00:54:15,560 --> 00:54:17,080 Speaker 1: didn't see that one. That one I didn't see is 691 00:54:17,640 --> 00:54:28,320 Speaker 1: Spiler sold I read on IMDb that Chris o'donald was 692 00:54:28,400 --> 00:54:31,560 Speaker 1: almost Will Smith's character. It was. It was Crystal Donald, 693 00:54:31,640 --> 00:54:35,000 Speaker 1: David Schwimmer, and Will Smith. And I think if one 694 00:54:35,040 --> 00:54:38,000 Speaker 1: of those two guys had got it, him and Linda 695 00:54:38,080 --> 00:54:40,359 Speaker 1: Florentino would have kissed at the end of the movie. 696 00:54:40,600 --> 00:54:43,000 Speaker 1: And I think because it was I think that big 697 00:54:43,080 --> 00:54:44,880 Speaker 1: of a budget of a movie, they weren't going to 698 00:54:44,920 --> 00:54:49,200 Speaker 1: have an interracial kiss. Oh interesting for ninety I mean 699 00:54:50,080 --> 00:54:57,520 Speaker 1: that that checks out on that my mom, right, it 700 00:54:57,640 --> 00:54:59,759 Speaker 1: should have been okay and they didn't think it would 701 00:54:59,800 --> 00:55:18,320 Speaker 1: go I love intertional relationships to literally just keep telling 702 00:55:18,480 --> 00:55:24,800 Speaker 1: Sam she's singles. I know, we don't need to go 703 00:55:24,920 --> 00:55:37,640 Speaker 1: over your relationships as literally in the fetal my fine 704 00:55:37,840 --> 00:55:39,760 Speaker 1: end of a movie, like in Going with the Wind, 705 00:55:40,000 --> 00:55:41,640 Speaker 1: they didn't know if they were going to go. Frankly, 706 00:55:41,719 --> 00:55:51,640 Speaker 1: what are I talkingational? I didn't know will work? Who 707 00:55:51,760 --> 00:55:59,480 Speaker 1: knows any other questions? Yeah, it's going on. I just 708 00:55:59,560 --> 00:56:03,120 Speaker 1: wanted to come up. Get that. Caitlin has a master's 709 00:56:03,200 --> 00:56:11,080 Speaker 1: degree for Thank you the help countries. Do you know 710 00:56:11,280 --> 00:56:16,160 Speaker 1: that I hate to bring it up? Want to bring 711 00:56:16,239 --> 00:56:19,040 Speaker 1: it up? I do? And we are at Boston. Yeah, 712 00:56:19,239 --> 00:56:23,319 Speaker 1: so uh any be you o kids down here? Oh yeah, yeah, 713 00:56:24,080 --> 00:56:30,520 Speaker 1: so shout out to my bu heads you yeah, be 714 00:56:30,640 --> 00:56:38,000 Speaker 1: you calmuck? Yeah our sponsored Hey, let's talk about whether 715 00:56:38,080 --> 00:56:52,560 Speaker 1: or not this movie passes the BACKTI test. No, well, 716 00:56:52,760 --> 00:56:57,560 Speaker 1: nothing to ask. There aren't even like two women in 717 00:56:57,640 --> 00:57:00,320 Speaker 1: the same room at any point. Sometimes we have like 718 00:57:00,440 --> 00:57:03,279 Speaker 1: near like we're oh, kire and I y talked to 719 00:57:03,360 --> 00:57:05,200 Speaker 1: a lady. We think she had a name. Did she 720 00:57:05,320 --> 00:57:08,800 Speaker 1: say something? Oh? I guess. Priates of the Caribbean is 721 00:57:08,880 --> 00:57:13,600 Speaker 1: a bad movie, this one. There's not even the potential, 722 00:57:13,960 --> 00:57:17,360 Speaker 1: there's no discussion to be had. It doesn't pass. But 723 00:57:17,520 --> 00:57:23,920 Speaker 1: let's rate the movie on our nipples scale. We rate 724 00:57:24,440 --> 00:57:28,320 Speaker 1: every movie on our nipple scale five nipples total. You 725 00:57:28,360 --> 00:57:30,960 Speaker 1: can attribute the nipples to whoever you want, but the 726 00:57:31,280 --> 00:57:34,720 Speaker 1: nipples are on the merit of how well the movie 727 00:57:34,840 --> 00:57:36,800 Speaker 1: treats women, on how much you like the movie. Right, 728 00:57:36,880 --> 00:57:41,320 Speaker 1: So I'm gonna give the movie like a half nipple 729 00:57:42,520 --> 00:57:46,360 Speaker 1: because the portrayal of women is laughable. They get almost 730 00:57:46,440 --> 00:57:49,240 Speaker 1: no screen time. There's two female characters as opposed to 731 00:57:49,680 --> 00:57:53,880 Speaker 1: dozens of men speaking roles in the movie, and they're 732 00:57:53,960 --> 00:57:57,960 Speaker 1: so human alien all different types of men. Yeah, and 733 00:57:58,200 --> 00:58:01,800 Speaker 1: the spectrum of men is represented the very few women, 734 00:58:02,000 --> 00:58:04,360 Speaker 1: and the ones that we do see are so poorly 735 00:58:04,560 --> 00:58:09,520 Speaker 1: developed that it's frankly embarrassing. So it rates very poorly 736 00:58:09,600 --> 00:58:12,160 Speaker 1: on our nipple scale. And the half nipple that I'm 737 00:58:12,200 --> 00:58:16,360 Speaker 1: giving it does belong to Oriyan the cat. Don't forget 738 00:58:16,440 --> 00:58:20,480 Speaker 1: that cats do have eight nipples. This has been cat 739 00:58:20,640 --> 00:58:29,120 Speaker 1: facts with Caitlin. I have nipples, Greg, can you malke me? Parents? Yeah? 740 00:58:29,360 --> 00:58:40,320 Speaker 1: I know, speaking of amazing segment. I also give this 741 00:58:40,480 --> 00:58:42,600 Speaker 1: movie half a nipple just because I want to give 742 00:58:42,640 --> 00:58:44,560 Speaker 1: the nipple to something. It seems like a fun thing 743 00:58:44,640 --> 00:58:46,840 Speaker 1: to do in a web show. Otherwise I would give 744 00:58:46,840 --> 00:58:50,000 Speaker 1: it no nipples. It's stupid. They take the ore one 745 00:58:50,080 --> 00:58:53,360 Speaker 1: female character, then they have her say girl power, and 746 00:58:53,440 --> 00:58:57,040 Speaker 1: then they throw her in a tree. They just are 747 00:58:57,760 --> 00:58:59,760 Speaker 1: battering her around like a ping punk ball. They're like, 748 00:58:59,840 --> 00:59:01,560 Speaker 1: she has a job, but she has to look like 749 00:59:01,680 --> 00:59:05,160 Speaker 1: a like it just if it's stupid, bad, not for 750 00:59:05,440 --> 00:59:08,040 Speaker 1: for women, but a fun movie and worth your time. 751 00:59:11,280 --> 00:59:19,680 Speaker 1: I'll give half my half nipple to pregnant backsy Tentacles too, 752 00:59:19,840 --> 00:59:25,520 Speaker 1: but I don't have to Sam. I owe the movie 753 00:59:25,720 --> 00:59:30,120 Speaker 1: I half Noble despite it being a wonderful, league done 754 00:59:30,920 --> 00:59:36,320 Speaker 1: sci fi comedy action buddy movie, and it's an enjoyable 755 00:59:36,640 --> 00:59:42,320 Speaker 1: for kids and an old people alike. I would say 756 00:59:42,440 --> 00:59:46,440 Speaker 1: ultimately it's portrayal woman was a paper thin and that's 757 00:59:46,520 --> 00:59:50,960 Speaker 1: being generous. And I just expect more fun movies that 758 00:59:52,360 --> 00:59:55,160 Speaker 1: I think that should be acceptable to everybody, should also 759 00:59:55,240 --> 01:00:03,880 Speaker 1: represent the world that we live in. Sounds you're joking, 760 01:00:07,680 --> 01:00:12,320 Speaker 1: I genuinely, I genuinely mean that. So I give you 761 01:00:12,440 --> 01:00:14,760 Speaker 1: have a half apple, and I give it to Linda 762 01:00:14,840 --> 01:00:17,160 Speaker 1: Florentino for you know, just doing the best that she could, 763 01:00:17,360 --> 01:00:22,000 Speaker 1: you know, with with being given because I actual yeah, 764 01:00:23,040 --> 01:00:25,360 Speaker 1: because I have to actually had to do Dogma that's 765 01:00:25,360 --> 01:00:29,760 Speaker 1: seems like a long shoe directed by feminist icon Kevin's face. 766 01:00:32,680 --> 01:00:39,600 Speaker 1: Oh yeah you and then she turned forty and was, 767 01:00:40,080 --> 01:00:43,600 Speaker 1: you know, sent away. But I want to point out 768 01:00:43,720 --> 01:00:46,760 Speaker 1: that in Dogma, Alan Rickman doesn't have a dick, and 769 01:00:46,840 --> 01:00:49,200 Speaker 1: any time that you see a man with no dick, 770 01:00:49,320 --> 01:00:56,680 Speaker 1: it's a good day for me. Have you do you? 771 01:00:57,280 --> 01:00:58,720 Speaker 1: This is not gonna be a fun way for us 772 01:00:58,720 --> 01:01:01,600 Speaker 1: to in the podcast. We should send it there. Have 773 01:01:01,760 --> 01:01:04,320 Speaker 1: you seen the movie with Patrick Wilson and Ellen Page 774 01:01:04,320 --> 01:01:08,040 Speaker 1: where she says to stay oh yeah hard Candy and 775 01:01:08,360 --> 01:01:14,120 Speaker 1: Patrick Wilson shines. It's like she's really and she's like 776 01:01:14,640 --> 01:01:17,040 Speaker 1: Ellen Page is like four years old and she's just like, 777 01:01:17,560 --> 01:01:20,960 Speaker 1: that's not your dig. It's the greatest movie of all time. 778 01:01:21,120 --> 01:01:23,920 Speaker 1: Highly recommend watching Patrick Wilson get castrated over and over. 779 01:01:25,600 --> 01:01:29,800 Speaker 1: I watched it with my dad. Underrated performance by Sandra 780 01:01:29,920 --> 01:01:34,080 Speaker 1: Oh in that film as well, she's she's great sideways, 781 01:01:34,920 --> 01:01:44,800 Speaker 1: Yeah she's I realized said that same about her and 782 01:01:44,880 --> 01:01:46,440 Speaker 1: Hard Kid. I was like, oh, I don't have enough. 783 01:01:46,440 --> 01:01:57,080 Speaker 1: The statement conclusion Sam, thank you. Yeah it wasn't Lara 784 01:01:57,200 --> 01:02:10,000 Speaker 1: flym boyl I'm sorry that is quite already that though. 785 01:02:11,600 --> 01:02:19,560 Speaker 1: Thank you so much for being here every where. Can 786 01:02:19,640 --> 01:02:22,240 Speaker 1: people find you online and follow you? Oh? You follow 787 01:02:22,240 --> 01:02:27,439 Speaker 1: you on Twitter at h at the Sam like th Sam, 788 01:02:27,560 --> 01:02:37,160 Speaker 1: like Twitter handle great. You can follow us at Bactel 789 01:02:37,200 --> 01:02:39,400 Speaker 1: Cast on Twitter and Instagram, and you can go to 790 01:02:39,440 --> 01:02:42,520 Speaker 1: our website backtel cast dot com. It's soon gonna say 791 01:02:43,520 --> 01:02:54,960 Speaker 1: I don't like man, come on. Yes. Oh, thank you 792 01:02:55,040 --> 01:02:59,720 Speaker 1: so much into improv Boston and Boston Post being on 793 01:03:01,640 --> 01:03:05,360 Speaker 1: UM and thanks for coming out and uh see you 794 01:03:05,600 --> 01:03:08,000 Speaker 1: some other time. Yeah, see you later