WEBVTT - Remembering Dolly Parton

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<v Speaker 1>Hey guys, Bobby here. And so we were going to

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<v Speaker 1>have a couple episodes up at this point of the

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<v Speaker 1>Bobby cast, and it just felt weird to not put

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<v Speaker 1>something out about Dolly. And we had talked on the

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<v Speaker 1>Bobby Bowen show a lot about her and our memories,

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<v Speaker 1>but I wanted to play something. And so what I

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<v Speaker 1>want to play for you guys is the final time

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<v Speaker 1>that Dolly and I were together. This is about a

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<v Speaker 1>half hour podcast. plus interview that we did that I loved.

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<v Speaker 1>And she dedicated so much time, went out to her place.

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<v Speaker 1>We did this. I don't know. It's just so cool.

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<v Speaker 1>She was so cool. Was able to spend, I was

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<v Speaker 1>counting last night, I think seven different occasions with her,

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<v Speaker 1>some for relatively long. Some were show appearances. Some, I

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<v Speaker 1>know one specifically was when the fires hit East Tennessee,

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<v Speaker 1>the Smoky Mountain area. And she did the telethon. I

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<v Speaker 1>went up and helped with that. And I was just

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<v Speaker 1>able to be around her a lot as far as

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<v Speaker 1>I was around her enough that she never wasn't that

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<v Speaker 1>same person, which is kind of crazy because I think

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<v Speaker 1>we all get in good moods and bad moods and,

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<v Speaker 1>you know, hasty moods. But Dolly was always the same.

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<v Speaker 1>She was so kind to everybody. And to me, she

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<v Speaker 1>was always so generous. So I wanted to play this.

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<v Speaker 1>This is the last time that Dolly and I hung out.

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<v Speaker 1>Rest in peace to Dolly Parton, the great Dolly Parton.

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<v Speaker 1>Country music's going to miss her. 80 years old. I

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<v Speaker 1>hope you enjoy the last interview that I did with Dolly. Dolly,

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<v Speaker 1>I love you. I want to leave with that.

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<v Speaker 2>Okay.

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<v Speaker 1>Thank you. I just want to set that there.

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<v Speaker 2>Well, I love you back. Would that be fair to say?

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<v Speaker 1>Yeah, especially now. I think we've been there.

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<v Speaker 2>We all love you.

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<v Speaker 1>So a question. I want to set it up first.

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<v Speaker 1>I have a story that I do on my act

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<v Speaker 1>where I talk about people that show up whenever you

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<v Speaker 1>really can't. They're there to offer you something. But nothing

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<v Speaker 1>in return. And I talk about Lionel Richie and how

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<v Speaker 1>I was freaking out one day because Ryan Seacrest, he

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<v Speaker 1>got sick and had to miss Idol. So I had

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<v Speaker 1>to go host it with like four minutes before the

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<v Speaker 1>show starts. He's never missed an episode. And here I am.

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<v Speaker 1>And it's not that I can't host a show, but

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<v Speaker 1>the stage direction is such a big part about it.

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<v Speaker 1>And I talk about how Lionel gets up, walks all

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<v Speaker 1>the way across the arena. He's got to get back

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<v Speaker 1>to his seat too and just gives me this real,

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<v Speaker 1>hey man, hands on the shoulders. You can do this.

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<v Speaker 1>The Commodores did this. He didn't have to do that.

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<v Speaker 1>Like Lionel Richie's as famous, as nice, as cool as

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<v Speaker 1>could be. Didn't have to do that. And so I

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<v Speaker 1>talk about how amazing it is when people will give

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<v Speaker 1>to you when they want nothing in return. And so

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<v Speaker 1>when I say a story like that to you, who

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<v Speaker 1>comes to mind that did not have to be there

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<v Speaker 1>for you, but was there?

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<v Speaker 2>Well, so many people actually have more than one. In

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<v Speaker 2>my early days, my Uncle Bill, who's the one that

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<v Speaker 2>took me around because he saw my great potential. And

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<v Speaker 2>he would take me around to shows and things. And

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<v Speaker 2>even when my daddy didn't even want me to go,

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<v Speaker 2>you know, getting out in the world, like my Uncle

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<v Speaker 2>Bill used to bring me down to Nashville in the

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<v Speaker 2>early days. So he was definitely one of the people

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<v Speaker 2>that didn't have to do it. He just saw that

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<v Speaker 2>that was my dream and my desire. But there are

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<v Speaker 2>many people, like in the business, many Pearl, when I

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<v Speaker 2>first came to Nashville, she called me over one day

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<v Speaker 2>and she said, Dolly, you're a right pretty girl. And

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<v Speaker 2>you seem like you've got you know, a lot of

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<v Speaker 2>talent because I've heard some of your songs. She said,

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<v Speaker 2>but don't let anybody ever tell you that you need

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<v Speaker 2>to be this way or you need to be that way.

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<v Speaker 2>You just be you. And she said, don't let none

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<v Speaker 2>of these old hairy-legged boys try to make you believe

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<v Speaker 2>that you're not as good as they are because you

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<v Speaker 2>can be whatever you want to be. And she didn't

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<v Speaker 2>have to do that, but she saw that I was

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<v Speaker 2>about to to do my number and she did not

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<v Speaker 2>want me to get caught up. And like some of

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<v Speaker 2>the girls would just kind of do whatever they needed

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<v Speaker 2>to do to get a break. But she saw something

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<v Speaker 2>else in me, but she just said, don't do it.

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<v Speaker 2>You just be you and believe in your talent and

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<v Speaker 2>believe in yourself.

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<v Speaker 1>Why do you think she did that?

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<v Speaker 2>Because she's a good person. Like you said, people that

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<v Speaker 2>are good tend to do good things. And I think

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<v Speaker 2>that was probably Lionel's good heart that saw that he'd

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<v Speaker 2>been in that spot before. And she probably had in

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<v Speaker 2>her own time and in her own way been in

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<v Speaker 2>that spot.

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<v Speaker 1>We went to Italy, my wife and I, and I'm

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<v Speaker 1>from a rural town in Arkansas. I never went out

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<v Speaker 1>of the country until I started to have some success.

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<v Speaker 1>So now that we're older, get to do some cool

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<v Speaker 1>stuff and we go and they would have Italian music

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<v Speaker 1>on in these places. But I ate so early because

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<v Speaker 1>my schedule is pretty early. And they would turn on

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<v Speaker 1>American music everywhere we went. In three of the four places,

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<v Speaker 1>they turned on your music when we walked in. They

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<v Speaker 1>assume every American, and it's probably right, loves Dolly Parton.

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<v Speaker 2>Well, I'm sure every American don't. Yeah, I'm sure there's

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<v Speaker 2>a lot of people that slap me upside the head,

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<v Speaker 2>but I don't want to hear about them. It's a

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<v Speaker 2>great compliment. But see, I've been at this a long time.

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<v Speaker 2>And I've been famous in Europe for years and years

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<v Speaker 2>and years because... of the songs that I used to

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<v Speaker 2>sing and write, like Code of Many Colors, and people

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<v Speaker 2>related to that. They knew that I was brought up

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<v Speaker 2>in a family of 12 children, kind of a mountain

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<v Speaker 2>Cinderella story, and people related to my music, and so

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<v Speaker 2>therefore they related to me. And then when I got

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<v Speaker 2>to being on TV and stuff, people felt like they

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<v Speaker 2>knew me. So it wasn't uncommon. A lot of my

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<v Speaker 2>music was playing more overseas than it did here for

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<v Speaker 2>a long time, from my early records. But it's nice

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<v Speaker 2>to be loved by anybody, anywhere.

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<v Speaker 1>I was eating pasta to your music, though. Most places

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<v Speaker 1>we went, it was you playing over the top or

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<v Speaker 1>eating our pasta in Italy.

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<v Speaker 2>Oh, did that make you happy or was you trying

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<v Speaker 2>to get out of the country?

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<v Speaker 1>No, it made me feel like I was at home,

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<v Speaker 1>which is great. My set on my show, I have

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<v Speaker 1>a couch and a couple lamps. And really, that's it

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<v Speaker 1>because when I grew up in this, we grew up

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<v Speaker 1>in a 900-square-foot house in Arkansas. I never had a bedroom.

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<v Speaker 1>My whole life, I slept on the couch. And so

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<v Speaker 1>my closet was underneath my couch and It was literally...

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<v Speaker 1>Everything was on the couch. Never had a bedroom. And

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<v Speaker 1>so that was what it was like, though, for me

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<v Speaker 1>growing up in a small house with a lot of

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<v Speaker 1>people around. Your story... similar-ish. You're from a small town

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<v Speaker 1>in Tennessee. What was home like for you growing up?

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<v Speaker 2>Well, home was like full. There was a lot of kids.

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<v Speaker 2>Mama had one kid on her and one kid in her,

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<v Speaker 2>as long as I can remember. One on her hip

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<v Speaker 2>and one growing in. But we lived in the house,

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<v Speaker 2>and we didn't have running water unless we'd run and

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<v Speaker 2>get it. And you know, we just kind of washed

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<v Speaker 2>in a wash pan. And people say, how in the

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<v Speaker 2>world did you take a bath? That many people in

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<v Speaker 2>the house, because there were six boys and six girls

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<v Speaker 2>in my family, ultimately. I mean, after we were all

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<v Speaker 2>there and after mom had had them all. But people say,

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<v Speaker 2>how did you take a bath? How'd you have any privacy?

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<v Speaker 2>I said, well, we had a little screen, you know,

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<v Speaker 2>a little sheet. Mom would tie a little string over there.

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<v Speaker 2>And then We'd wash up as far as possible, and

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<v Speaker 2>then we'd wash down as far as possible. And when

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<v Speaker 2>the boys cleared the room, we washed possible.

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<v Speaker 1>Yes, yes, I did.

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<v Speaker 2>Well, it basically is like that because it was about

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<v Speaker 2>your privacy because you knew when you could, you know,

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<v Speaker 2>the girls had to do their thing, the boys had

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<v Speaker 2>to do their things, make sure, you know, that we

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<v Speaker 2>cared about such things as privacy and decency. and all that.

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<v Speaker 2>But when you're growing up, it's just natural. Growing up

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<v Speaker 2>like we did, you learn the rules and you go

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<v Speaker 2>by them.

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<v Speaker 1>When you have all those brothers and sisters, you have

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<v Speaker 1>to somehow get attention for yourself. I mean, you're born

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<v Speaker 1>into an environment of everybody. even indirectly seeking attention. You

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<v Speaker 1>got a couple of parents, 12 kids. I mean, is

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<v Speaker 1>that where this performance gene came from? Yeah.

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<v Speaker 2>Well, my mother's people were all very musical. So music

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<v Speaker 2>was always a part of our family. My grandpa was

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<v Speaker 2>a preacher. He also played piano and played guitar. So

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<v Speaker 2>my people were the ones that sang at funerals and

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<v Speaker 2>weddings and shindigs and anything around locally. Some of my relatives,

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<v Speaker 2>somebody was always playing. But when I was young, my

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<v Speaker 2>Uncle Bill and my Uncle Louis were both, you know,

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<v Speaker 2>they paid attention to me. My Uncle Louis gave me

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<v Speaker 2>my first little baby Martin guitar because he saw how

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<v Speaker 2>serious I was. When everybody would come bring their instruments,

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<v Speaker 2>we'd sit on the porch and sing. Well, I learned

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<v Speaker 2>to play that little guitar, and that's when my Uncle

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<v Speaker 2>Bill saw the great potential. But I learned to play

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<v Speaker 2>when I was like seven. So I started writing some

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<v Speaker 2>serious songs. And then mama was fascinated with how I

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<v Speaker 2>could rhyme and write songs about stuff I'd never lived.

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<v Speaker 2>But I'd hear them talk about people in the war,

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<v Speaker 2>somebody sick, somebody this, just those old world songs they

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<v Speaker 2>used to sing. So I would write all these songs.

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<v Speaker 2>And when people would come to the house, mama would say, Ronnie,

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<v Speaker 2>get your guitar. I want you to hear what this

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<v Speaker 2>little thing has wrote. And so I would get my

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<v Speaker 2>guitar and I would sing those songs. And so I

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<v Speaker 2>saw right away that I was getting more attention. Because

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<v Speaker 2>I have a sister and two brothers older, so I

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<v Speaker 2>was fourth one down, and then there's eight younger. So

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<v Speaker 2>I didn't get a lot of attention, but I saw

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<v Speaker 2>I could get it. And I was one of those

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<v Speaker 2>kids that needed a lot of attention. And I knew

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<v Speaker 2>Mom and Daddy loved us all the same, but we

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<v Speaker 2>didn't get picked up unless we was getting our butt

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<v Speaker 2>busted or sick or something. So that guitar and my

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<v Speaker 2>music was my first entrance into music. getting the attention

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<v Speaker 2>that I needed, and I'm still at it.

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<v Speaker 1>Yeah, I was going to ask, do you still crave it?

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<v Speaker 1>I do.

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<v Speaker 2>I think that's, but I crave it now because it

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<v Speaker 2>fulfills what I feel is my true gift. You know,

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<v Speaker 2>I love to write songs, and I've written tons and

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<v Speaker 2>tons of songs through the years. But I don't know

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<v Speaker 2>that it's—well, I guess it is about attention. I just

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<v Speaker 2>love doing it, and I want people to see that

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<v Speaker 2>I can do it. I want them to appreciate what

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<v Speaker 2>I am doing, that I have written these songs that

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<v Speaker 2>I hope are good, I think are good, but that's

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<v Speaker 2>for somebody else to judge. But then when they do

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<v Speaker 2>judge me, you know, and I get the accolades from

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<v Speaker 2>all that, then I feel like I've done something great.

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<v Speaker 2>And so, and I do crave that. So I guess

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<v Speaker 2>attention is the best word for it. Don't you guess?

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<v Speaker 1>Yeah, I think I just was seeking love. Like, I

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<v Speaker 1>think that was it for me where I would go, okay, well,

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<v Speaker 1>I didn't get a lot of love growing up because

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<v Speaker 1>I didn't have parents, really. And so I would go

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<v Speaker 1>and perform or be funny and people would go, I

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<v Speaker 1>like that. I would be like, wow, I'm liked. And

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<v Speaker 1>so it didn't start working with me forever. with girls

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<v Speaker 1>until probably my twenties. Oh yeah. And then I just

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<v Speaker 1>got married a couple of years ago. I've been married

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<v Speaker 1>two years, so thank you. Never been married two years in.

0:10:58.840 --> 0:11:00.959
<v Speaker 1>So what's, but it's difficult cause I already kind of

0:11:00.980 --> 0:11:03.760
<v Speaker 1>had my ways wired. I was 40 when I got married. Well, yeah.

0:11:03.780 --> 0:11:05.270
<v Speaker 2>Did she have her ways wired?

0:11:05.650 --> 0:11:07.729
<v Speaker 1>Yeah. I mean, I feel, I feel like I'm way

0:11:07.750 --> 0:11:10.470
<v Speaker 1>more wired though. Oh, are you? Yeah. I'm, I'm almost

0:11:10.470 --> 0:11:13.350
<v Speaker 1>12 years older than her. So it's not a crazy difference,

0:11:13.370 --> 0:11:16.170
<v Speaker 1>but it's enough of a difference to where like, she

0:11:16.190 --> 0:11:19.080
<v Speaker 1>still got some landing room to where I'm, I am

0:11:19.120 --> 0:11:22.030
<v Speaker 1>who I am. I'm trying to not be that way.

0:11:22.150 --> 0:11:24.770
<v Speaker 2>No, don't you not be. Let her change. Don't you change.

0:11:25.410 --> 0:11:29.429
<v Speaker 1>I've never heard anyone advise that. Okay.

0:11:29.450 --> 0:11:31.070
<v Speaker 2>Well, you can't change.

0:11:31.090 --> 0:11:33.150
<v Speaker 1>This is the greatest segment. Give me more advice like that.

0:11:33.170 --> 0:11:33.770
<v Speaker 1>You know what?

0:11:34.110 --> 0:11:36.750
<v Speaker 2>I've been with my husband for 59 years. He knew

0:11:36.770 --> 0:11:39.010
<v Speaker 2>who I was when he met me, and I knew

0:11:39.030 --> 0:11:40.240
<v Speaker 2>who he was. But I was only 18 when we met,

0:11:40.830 --> 0:11:42.410
<v Speaker 2>and he was 21. So we kind of grew up.

0:11:47.590 --> 0:11:50.690
<v Speaker 2>You know, we kind of learned each other as we went.

0:11:51.130 --> 0:11:53.740
<v Speaker 2>But I saw who he was early on. He saw

0:11:53.750 --> 0:11:56.679
<v Speaker 2>who I was. And he saw right away that I

0:11:56.700 --> 0:12:01.000
<v Speaker 2>wasn't going to change much. But I was able to adapt.

0:12:01.080 --> 0:12:04.439
<v Speaker 2>I think that word is better about adapting than it

0:12:04.559 --> 0:12:07.960
<v Speaker 2>is change. You got to adapt to certain things because

0:12:08.040 --> 0:12:10.540
<v Speaker 2>you can't just have it all your way.

0:12:10.559 --> 0:12:12.480
<v Speaker 1>I'm going to take her to that clip, though, of

0:12:12.500 --> 0:12:14.660
<v Speaker 1>you saying she needs to change and cut the rest

0:12:14.700 --> 0:12:16.120
<v Speaker 1>of it out except for that.

0:12:16.179 --> 0:12:17.980
<v Speaker 2>Well, I don't think you need to change. I don't

0:12:18.000 --> 0:12:20.610
<v Speaker 2>know what it's like at home. I ain't her, but

0:12:20.990 --> 0:12:26.290
<v Speaker 2>I'd like to be. But don't change.

0:12:26.610 --> 0:12:29.610
<v Speaker 1>A similarity that I think your husband, not known for

0:12:29.630 --> 0:12:31.990
<v Speaker 1>being a super public guy. My wife does not like

0:12:32.010 --> 0:12:32.829
<v Speaker 1>to be in the spotlight.

0:12:33.170 --> 0:12:34.150
<v Speaker 2>Oh, my husband hates it.

0:12:34.190 --> 0:12:34.670
<v Speaker 1>He don't.

0:12:34.710 --> 0:12:35.550
<v Speaker 2>He never was.

0:12:35.690 --> 0:12:38.590
<v Speaker 1>So how do you, what was that balance? Because we

0:12:38.610 --> 0:12:41.500
<v Speaker 1>struggle with that now because I, again, I need it

0:12:42.130 --> 0:12:44.860
<v Speaker 1>to be successful. She does not want it at all.

0:12:45.540 --> 0:12:46.400
<v Speaker 1>How did you guys do that?

0:12:46.600 --> 0:12:50.579
<v Speaker 2>Well, my husband was a homebody and he's very, he's

0:12:50.679 --> 0:12:53.179
<v Speaker 2>very quiet and he didn't want to do anything but

0:12:53.200 --> 0:12:55.640
<v Speaker 2>be at home. He's a homebody. He's a cancer. You know,

0:12:55.660 --> 0:12:58.400
<v Speaker 2>if you go by the signs, I'm Capricorn, he's cancer.

0:12:58.460 --> 0:13:02.730
<v Speaker 2>Those are compatible signs. If you put any faith in that.

0:13:02.809 --> 0:13:06.230
<v Speaker 2>But if you don't, and I don't to that degree,

0:13:06.309 --> 0:13:10.490
<v Speaker 2>but he loved being who he was and loved being

0:13:10.530 --> 0:13:13.589
<v Speaker 2>left alone to do it. And I loved being who

0:13:13.610 --> 0:13:15.210
<v Speaker 2>I was and being left alone to do it. And

0:13:15.230 --> 0:13:19.000
<v Speaker 2>so we just found ways, things that we did like

0:13:19.140 --> 0:13:23.540
<v Speaker 2>together and things that we enjoyed doing that was us.

0:13:24.040 --> 0:13:26.439
<v Speaker 2>So maybe you be you and let her be her

0:13:26.480 --> 0:13:28.699
<v Speaker 2>and then you, Got to find some new things so

0:13:28.760 --> 0:13:32.160
<v Speaker 2>you can be us. You can be, you know, who

0:13:32.200 --> 0:13:35.600
<v Speaker 2>you are. Because that's the key of just trying to

0:13:35.640 --> 0:13:39.209
<v Speaker 2>find that. You can't just make somebody be what you

0:13:39.230 --> 0:13:40.520
<v Speaker 2>want them to be. They are who they are.

0:13:40.530 --> 0:13:41.850
<v Speaker 1>I'm trying to make her be what I want to be.

0:13:42.190 --> 0:13:44.650
<v Speaker 1>But she's also very strong herself.

0:13:44.910 --> 0:13:47.670
<v Speaker 2>That's what I'm saying. You can't make anybody change. You've

0:13:47.710 --> 0:13:51.200
<v Speaker 2>just got to make them want to do some things different.

0:13:51.320 --> 0:13:53.160
<v Speaker 2>I'd be willing to. And if not, it won't last forever.

0:13:54.270 --> 0:13:56.790
<v Speaker 2>and you can come live with me and my husband.

0:13:59.870 --> 0:14:02.770
<v Speaker 1>Well, you wanna know. I will, I'll use this in

0:14:02.820 --> 0:14:04.150
<v Speaker 1>court when I show up at your house and you

0:14:04.200 --> 0:14:06.680
<v Speaker 1>guys try to kick me out. I said, yeah.

0:14:06.840 --> 0:14:10.500
<v Speaker 2>But it's not easy. We've been together all these years,

0:14:10.520 --> 0:14:14.140
<v Speaker 2>but like I say, somebody says, what do you attribute

0:14:14.840 --> 0:14:16.839
<v Speaker 2>your long marriage to? I say, well, I stay gone.

0:14:17.280 --> 0:14:18.400
<v Speaker 2>So maybe that's your answer.

0:14:18.780 --> 0:14:21.280
<v Speaker 1>Do you guys have– just an example about my wife

0:14:21.300 --> 0:14:23.330
<v Speaker 1>and I. I usually don't work three weekends in a row,

0:14:23.370 --> 0:14:25.350
<v Speaker 1>meaning I'll work all week doing the radio show or

0:14:25.370 --> 0:14:27.989
<v Speaker 1>shooting TV and I'll tour. But I really try hard

0:14:28.030 --> 0:14:30.170
<v Speaker 1>not to do three in a row to for sure

0:14:30.250 --> 0:14:33.250
<v Speaker 1>carve out that weekend. Like we try to set these

0:14:33.310 --> 0:14:36.140
<v Speaker 1>little benchmarks and pillars. Did you guys have any of

0:14:36.180 --> 0:14:38.040
<v Speaker 1>that in your relationship early on so you didn't get lost?

0:14:38.060 --> 0:14:40.600
<v Speaker 1>Because my time management skills are not great to do

0:14:40.660 --> 0:14:42.340
<v Speaker 1>personal and– Private.

0:14:42.460 --> 0:14:44.760
<v Speaker 2>Well, I hadn't become a star when I met my husband.

0:14:44.820 --> 0:14:47.140
<v Speaker 2>I just came here to be one. And he knew that.

0:14:47.260 --> 0:14:48.890
<v Speaker 2>And so he went with it. But did she not

0:14:48.950 --> 0:14:49.750
<v Speaker 2>know that about you?

0:14:49.770 --> 0:14:53.270
<v Speaker 1>She did. I think, though, when we we dated pre-COVID

0:14:53.370 --> 0:14:56.790
<v Speaker 1>for six, eight months or so long distance, then COVID

0:14:56.810 --> 0:14:57.930
<v Speaker 1>and COVID, I'm home all the time.

0:14:58.530 --> 0:14:59.770
<v Speaker 2>Well, that's when you get to know somebody.

0:14:59.790 --> 0:15:01.070
<v Speaker 1>You know that old saying? We got to know each other.

0:15:01.090 --> 0:15:01.160
<v Speaker 3>Yep.

0:15:01.330 --> 0:15:03.570
<v Speaker 2>You don't know somebody until you have to live with them.

0:15:03.590 --> 0:15:05.650
<v Speaker 1>Until you get to poop real close to them. You

0:15:05.670 --> 0:15:07.800
<v Speaker 1>know what I mean?

0:15:07.820 --> 0:15:10.660
<v Speaker 2>Well, that's when you know who you really are.

0:15:10.940 --> 0:15:12.740
<v Speaker 1>And that's how I knew I loved her. But then

0:15:12.820 --> 0:15:16.000
<v Speaker 1>once work opened up, I'm gone again. And so I

0:15:16.020 --> 0:15:17.040
<v Speaker 1>kind of tricked her. I kind of hit her with

0:15:17.060 --> 0:15:18.700
<v Speaker 1>the rope-a-dope. I tricked her. I was like, look how

0:15:18.760 --> 0:15:20.980
<v Speaker 1>home I am. And then I'm gone all the time.

0:15:21.440 --> 0:15:24.470
<v Speaker 2>Don't you blame her false on COVID. So both of

0:15:24.490 --> 0:15:25.470
<v Speaker 2>you have to take the blame.

0:15:25.550 --> 0:15:27.770
<v Speaker 1>Oh, it's all me. I've also learned that.

0:15:27.810 --> 0:15:29.290
<v Speaker 2>So she said, right?

0:15:29.330 --> 0:15:31.030
<v Speaker 1>Yes, I've learned it's all me.

0:15:31.570 --> 0:15:33.150
<v Speaker 2>It's not all you.

0:15:33.550 --> 0:15:36.280
<v Speaker 1>I have to apologize for what I do in her dreams.

0:15:37.040 --> 0:15:38.640
<v Speaker 1>That's a thing now. Like if she has a bad

0:15:38.680 --> 0:15:40.700
<v Speaker 1>dream and I do something bad in her dream, then

0:15:40.740 --> 0:15:41.060
<v Speaker 1>I have to.

0:15:41.080 --> 0:15:44.880
<v Speaker 2>I better tickle her or I will say too much.

0:15:45.800 --> 0:15:49.340
<v Speaker 1>Well, you talk about fame. Like what is it?

0:15:50.860 --> 0:15:51.320
<v Speaker 2>Fame.

0:15:52.300 --> 0:15:52.500
<v Speaker 1>Yeah.

0:15:53.090 --> 0:15:55.870
<v Speaker 2>Well, I guess the word fame is after you. I

0:15:55.930 --> 0:15:58.220
<v Speaker 2>think that word must have been invented after people were

0:15:58.250 --> 0:16:02.500
<v Speaker 2>already stars, had to be. Because I think fame and

0:16:02.560 --> 0:16:07.000
<v Speaker 2>success are not necessarily the same words. And successful and

0:16:07.040 --> 0:16:10.410
<v Speaker 2>success are not the same words. You can be a success,

0:16:11.090 --> 0:16:14.080
<v Speaker 2>but not successful enough. If you're not, if you don't

0:16:14.140 --> 0:16:16.320
<v Speaker 2>know how to enjoy it, if you can't enjoy it,

0:16:16.480 --> 0:16:19.280
<v Speaker 2>if you don't appreciate it, if it doesn't work for

0:16:19.300 --> 0:16:22.520
<v Speaker 2>you and make you happy, because that's, that is, you know,

0:16:22.660 --> 0:16:26.210
<v Speaker 2>money as that, whoever said it, money can make a man,

0:16:26.230 --> 0:16:28.690
<v Speaker 2>but you know, I mean, man can make money, but

0:16:28.750 --> 0:16:31.580
<v Speaker 2>money cannot make a man. It's the same, you know,

0:16:31.620 --> 0:16:34.520
<v Speaker 2>it's like you've got to. But fame, I guess that

0:16:34.560 --> 0:16:36.560
<v Speaker 2>just means you've made it, and there you are, just

0:16:36.580 --> 0:16:39.860
<v Speaker 2>like a star. But it's like that movie, Rhinestone, there

0:16:39.880 --> 0:16:41.400
<v Speaker 2>was a line in it that I always laughed at.

0:16:41.450 --> 0:16:45.670
<v Speaker 2>A star is just a big ball of gas, you know.

0:16:45.830 --> 0:16:47.810
<v Speaker 2>And that's kind of what it is if you look

0:16:47.850 --> 0:16:49.890
<v Speaker 2>at it like that. So it's what, I guess, what

0:16:49.930 --> 0:16:54.320
<v Speaker 2>you tag it to. I feel like I'm famous, meaning everybody.

0:16:54.380 --> 0:16:56.460
<v Speaker 2>I think fame means that everybody knows who you are.

0:16:57.290 --> 0:17:01.340
<v Speaker 2>You know, you're famous because everybody knows your name. And you,

0:17:01.580 --> 0:17:04.800
<v Speaker 2>you know, they'll see you on TV. But that still doesn't,

0:17:05.280 --> 0:17:07.380
<v Speaker 2>should not make you a different person.

0:17:07.920 --> 0:17:22.430
<v Speaker 3>Hang tight. The Bobbycast will be right back. And we're

0:17:22.470 --> 0:17:24.150
<v Speaker 3>back on The Bobbycast.

0:17:25.090 --> 0:17:26.760
<v Speaker 1>Or does it make you more of who you kind

0:17:26.820 --> 0:17:32.160
<v Speaker 1>of are? really are? Since you have access and since

0:17:32.200 --> 0:17:36.240
<v Speaker 1>you have resources, does fame, success make you more of

0:17:36.300 --> 0:17:38.380
<v Speaker 1>who you originally are and what do you think?

0:17:38.400 --> 0:17:40.800
<v Speaker 2>I think so. I'd like to think so. In my case,

0:17:40.859 --> 0:17:45.980
<v Speaker 2>it does because I've never been a diva. I'm thankful

0:17:46.359 --> 0:17:48.720
<v Speaker 2>that I'm successful. I always wanted to have money. I

0:17:48.740 --> 0:17:51.080
<v Speaker 2>wrote a song called Sacrificing and it says, I was

0:17:51.100 --> 0:17:53.240
<v Speaker 2>going to be rich no matter how much it took.

0:17:54.000 --> 0:17:57.550
<v Speaker 2>I was going to be rich no matter... how much

0:17:58.030 --> 0:18:00.910
<v Speaker 2>it costs, and I was going to win no matter

0:18:00.950 --> 0:18:03.790
<v Speaker 2>how much I lost, you know, and that to me,

0:18:04.130 --> 0:18:06.660
<v Speaker 2>those two lines, you know, it's like if you're willing

0:18:06.920 --> 0:18:09.260
<v Speaker 2>to sacrifice all through the years, I kept my eye

0:18:09.300 --> 0:18:12.340
<v Speaker 2>on the prize, you know, and you ask if it's

0:18:12.359 --> 0:18:15.060
<v Speaker 2>worth the sacrifice, but you don't, you know, it's like

0:18:15.320 --> 0:18:18.699
<v Speaker 2>empty or full, you know, I've carried my pail, but

0:18:18.740 --> 0:18:21.310
<v Speaker 2>you don't drink the water if you don't dig the well,

0:18:21.920 --> 0:18:24.650
<v Speaker 2>you know, it's like all those things you, I think

0:18:24.690 --> 0:18:28.010
<v Speaker 2>that I'm the same person I always was. I'm just

0:18:28.070 --> 0:18:30.350
<v Speaker 2>more relaxed now. I'm more comfortable because I can afford

0:18:30.430 --> 0:18:32.630
<v Speaker 2>to be. That's what you were saying. I can afford

0:18:32.670 --> 0:18:35.260
<v Speaker 2>to be myself. Just like when I started cutting, I

0:18:35.300 --> 0:18:38.480
<v Speaker 2>had to wait. I never could make money, big money,

0:18:38.500 --> 0:18:39.220
<v Speaker 2>singing bluegrass.

0:18:39.280 --> 0:18:40.240
<v Speaker 1>And I love bluegrass.

0:18:41.040 --> 0:18:43.320
<v Speaker 2>And so when I did my bluegrass album, I said

0:18:43.359 --> 0:18:44.840
<v Speaker 2>I had to get rich in order to sing like

0:18:44.880 --> 0:18:49.320
<v Speaker 2>I could. You know? It's like you kind of, you know,

0:18:49.440 --> 0:18:51.420
<v Speaker 2>you can look at things like that. But I guess

0:18:51.480 --> 0:18:54.960
<v Speaker 2>everybody has their own. a version of what they think

0:18:55.040 --> 0:19:00.260
<v Speaker 2>fame and stardom is. I'm a celebrity, but all those

0:19:00.320 --> 0:19:04.210
<v Speaker 2>words like celebrity star, you know, and fame, they're just

0:19:04.330 --> 0:19:06.710
<v Speaker 2>words to tag the people that hopefully that have become

0:19:06.730 --> 0:19:10.750
<v Speaker 2>successful at what they're best at. And if you're, like

0:19:10.810 --> 0:19:13.869
<v Speaker 2>I said, if you're a true success, that means you

0:19:13.890 --> 0:19:15.129
<v Speaker 2>should be able to enjoy it.

0:19:15.130 --> 0:19:16.050
<v Speaker 1>Do you enjoy it?

0:19:16.850 --> 0:19:17.149
<v Speaker 2>Yeah.

0:19:17.190 --> 0:19:18.389
<v Speaker 1>When did you start being able to enjoy it?

0:19:18.670 --> 0:19:20.900
<v Speaker 2>Well, when I quit being able to enjoy it, I'm

0:19:20.940 --> 0:19:23.620
<v Speaker 2>going to quit altogether. Now, there are times I get

0:19:23.640 --> 0:19:26.379
<v Speaker 2>stressed out because there's so much you have to do

0:19:27.140 --> 0:19:29.680
<v Speaker 2>that you just get, you know, you just burn out.

0:19:30.080 --> 0:19:33.080
<v Speaker 2>You just beat. Then you think all kinds of things. Well,

0:19:33.140 --> 0:19:35.860
<v Speaker 2>you know, maybe it's time. You know, maybe I should

0:19:35.900 --> 0:19:38.409
<v Speaker 2>do this and do that. But, I mean, you're up

0:19:38.430 --> 0:19:41.030
<v Speaker 2>the next morning thinking about something you want to go do.

0:19:41.690 --> 0:19:44.369
<v Speaker 2>You can't help it if that's who you are. You know,

0:19:44.850 --> 0:19:46.909
<v Speaker 2>it's like my song. I wrote a song called Whatever

0:19:46.950 --> 0:19:49.210
<v Speaker 2>You Are, Be That. Whatever you do, do that because

0:19:49.250 --> 0:19:52.820
<v Speaker 2>anything else, is just an act. So whoever you are,

0:19:53.100 --> 0:19:56.139
<v Speaker 2>be that. So if you're a comedian, be that. If

0:19:56.180 --> 0:20:00.440
<v Speaker 2>you're a DJ, be that. Whatever you are, that's true

0:20:00.560 --> 0:20:03.870
<v Speaker 2>to you and that's how you express yourself. We don't

0:20:03.920 --> 0:20:08.449
<v Speaker 2>have to make ourselves over or allow somebody else to

0:20:08.510 --> 0:20:10.699
<v Speaker 2>make us over. We need to be who we are

0:20:11.040 --> 0:20:12.919
<v Speaker 2>and find ways to make that work for us.

0:20:13.359 --> 0:20:16.440
<v Speaker 1>I've found that if I lie or fabricate a story,

0:20:16.460 --> 0:20:17.429
<v Speaker 1>it's not that I'm too good for it. I just

0:20:17.450 --> 0:20:19.330
<v Speaker 1>can't remember it all the time. So I try not to.

0:20:19.369 --> 0:20:20.850
<v Speaker 1>So I don't. I just try to tell the truth

0:20:20.910 --> 0:20:22.850
<v Speaker 1>and be as honest as I can. Not because I'm

0:20:22.890 --> 0:20:24.489
<v Speaker 1>too good to lie, because I would love to lie

0:20:24.510 --> 0:20:26.570
<v Speaker 1>and remember it, because this is more entertaining, but I

0:20:26.630 --> 0:20:31.710
<v Speaker 1>can't remember it. So stay honest with you. I feel

0:20:31.730 --> 0:20:32.970
<v Speaker 1>like that's been a big part of who you are,

0:20:32.990 --> 0:20:36.980
<v Speaker 1>is just honesty at all costs. Was that always the

0:20:37.060 --> 0:20:37.619
<v Speaker 1>idea with you?

0:20:38.440 --> 0:20:40.760
<v Speaker 2>Well, I don't think, no, I don't think about it

0:20:40.780 --> 0:20:45.530
<v Speaker 2>like that. I always say, oh, my lies are true. No,

0:20:45.590 --> 0:20:48.830
<v Speaker 2>it's like, I think sometimes you have to make excuses

0:20:49.230 --> 0:20:51.650
<v Speaker 2>that might turn out, like a lot of people might

0:20:51.670 --> 0:20:55.300
<v Speaker 2>say that that's a lie. But usually it's an excuse

0:20:55.340 --> 0:20:57.480
<v Speaker 2>you have to make. You have to be in the

0:20:57.500 --> 0:21:01.040
<v Speaker 2>truth mostly to spare someone else's feelings.

0:21:01.780 --> 0:21:02.419
<v Speaker 1>So white lies are okay.

0:21:02.440 --> 0:21:06.980
<v Speaker 2>But for myself. Well, I'm not saying a lie is okay.

0:21:07.060 --> 0:21:08.690
<v Speaker 2>I'm just saying sometimes..

0:21:08.400 --> 0:21:10.920
<v Speaker 1>When you say I come to your house, that's a lie.

0:21:11.570 --> 0:21:11.869
<v Speaker 2>When I what?

0:21:11.910 --> 0:21:13.490
<v Speaker 1>When you say I can come to your house and

0:21:13.530 --> 0:21:15.220
<v Speaker 1>live with you and your husband, that's a little..

0:21:15.330 --> 0:21:15.889
<v Speaker 2>That's a lie.

0:21:15.930 --> 0:21:18.429
<v Speaker 1>Right, that's my point, yeah. That's what I'm saying here.

0:21:18.450 --> 0:21:20.840
<v Speaker 2>But my good heart would allow you to if you

0:21:20.880 --> 0:21:21.600
<v Speaker 2>needed to.

0:21:21.880 --> 0:21:22.320
<v Speaker 1>Okay.

0:21:22.420 --> 0:21:24.780
<v Speaker 2>If you needed to come. Of course, I was saying

0:21:24.800 --> 0:21:31.179
<v Speaker 2>it to be funny. But my good heart would welcome

0:21:31.220 --> 0:21:34.280
<v Speaker 2>you into my house. So I guess that's when you're successful.

0:21:34.359 --> 0:21:37.040
<v Speaker 2>If you appreciate what you've got and be able to

0:21:37.080 --> 0:21:38.600
<v Speaker 2>help somebody else with it.

0:21:39.220 --> 0:21:45.300
<v Speaker 1>The album, Rockstar... And the book, behind the scenes, they

0:21:45.340 --> 0:21:49.109
<v Speaker 1>are both so new. Meaning, you put new songs on

0:21:49.140 --> 0:21:51.050
<v Speaker 1>an album, you didn't have to do that. You could

0:21:51.070 --> 0:21:53.410
<v Speaker 1>have just done these amazing songs with these amazing artists

0:21:54.250 --> 0:21:56.690
<v Speaker 1>and do your version of it. Same thing with a book.

0:21:56.730 --> 0:21:58.430
<v Speaker 1>It is a book of something you've never released before.

0:21:59.590 --> 0:22:05.090
<v Speaker 1>Your fashion. Fashion. You have created fashion for so many people.

0:22:05.990 --> 0:22:09.310
<v Speaker 1>So why keep on pushing as hard as you do?

0:22:09.750 --> 0:22:12.190
<v Speaker 2>Oh, well, I'm not pushing. That's just, I want to

0:22:12.210 --> 0:22:14.909
<v Speaker 2>leave things, like we were talking earlier before we even

0:22:14.950 --> 0:22:17.939
<v Speaker 2>went on the air about working so hard, but I

0:22:17.960 --> 0:22:19.879
<v Speaker 2>feel like I've got to make hay while the sun shines.

0:22:20.420 --> 0:22:22.840
<v Speaker 2>I'm 77 years old, and I've done a lot in

0:22:22.859 --> 0:22:25.250
<v Speaker 2>my time, and I'm thankful for every bit of it.

0:22:25.760 --> 0:22:27.590
<v Speaker 2>But there's stuff out there that I want to have

0:22:27.680 --> 0:22:30.810
<v Speaker 2>my hands on to be part of my legacy. I

0:22:30.869 --> 0:22:32.709
<v Speaker 2>want to be part of all these things that I

0:22:32.750 --> 0:22:35.320
<v Speaker 2>know somebody's going to cash in on when I'm dead.

0:22:35.859 --> 0:22:39.199
<v Speaker 2>So why not make it right? Why not do it?

0:22:39.320 --> 0:22:41.760
<v Speaker 2>And why not do it great? Well, certainly with the book,

0:22:41.780 --> 0:22:44.119
<v Speaker 2>you know, I had a book called Songteller and it

0:22:44.140 --> 0:22:46.660
<v Speaker 2>was all about my songwriting. Why I wrote songs, how

0:22:46.680 --> 0:22:48.640
<v Speaker 2>I was feeling when I wrote songs, what inspired them,

0:22:49.160 --> 0:22:51.199
<v Speaker 2>what period of, you know, in my life I was in.

0:22:51.869 --> 0:22:54.990
<v Speaker 2>And so this one is the behind the scenes and

0:22:55.050 --> 0:22:57.270
<v Speaker 2>it's about who can tell my story better than me?

0:22:58.310 --> 0:23:00.510
<v Speaker 2>I know those feelings. I know those thoughts. I know

0:23:00.550 --> 0:23:03.030
<v Speaker 2>the pain and the sorrow and the joy and fun

0:23:03.050 --> 0:23:05.550
<v Speaker 2>of all of it and the people and the jerks

0:23:05.609 --> 0:23:08.810
<v Speaker 2>and everything that has to do with my life. Nobody

0:23:08.830 --> 0:23:12.890
<v Speaker 2>can guess that. You might guess at it, but you're

0:23:12.930 --> 0:23:16.040
<v Speaker 2>not going to know. So I'm doing that because I

0:23:16.080 --> 0:23:18.000
<v Speaker 2>want to get as much stuff out as I can

0:23:18.320 --> 0:23:21.300
<v Speaker 2>with as much quality as I can. So it don't

0:23:21.340 --> 0:23:25.080
<v Speaker 2>just get counterfeited when I'm dead and gone. And I've

0:23:25.119 --> 0:23:26.400
<v Speaker 2>got my next.

0:23:26.280 --> 0:23:28.760
<v Speaker 1>Book is going to be called Star of the Show.

0:23:28.820 --> 0:23:31.460
<v Speaker 2>It's like a three, you know, there's a song teller

0:23:32.420 --> 0:23:35.980
<v Speaker 2>behind the scenes and the one I'm calling Star of

0:23:36.020 --> 0:23:38.080
<v Speaker 2>the Show, which is the name of one of my songs.

0:23:38.520 --> 0:23:41.400
<v Speaker 2>And it's about my life on the road. The musicians,

0:23:41.480 --> 0:23:44.830
<v Speaker 2>the travel, the hotels, the craziness and all the stuff.

0:23:45.369 --> 0:23:47.490
<v Speaker 2>So I want to tell those stories. I don't want

0:23:47.530 --> 0:23:50.449
<v Speaker 2>somebody else to tell them. But anyway, getting back to

0:23:50.490 --> 0:23:53.969
<v Speaker 2>what you're saying, I'm the kind of person, I have

0:23:53.990 --> 0:23:55.530
<v Speaker 2>to be busy, and I can tell, and you're the

0:23:55.550 --> 0:23:58.109
<v Speaker 2>same way. I've got a lot of energy, and if

0:23:58.230 --> 0:24:00.650
<v Speaker 2>I didn't use that to be creative, I'd just turn

0:24:00.670 --> 0:24:03.489
<v Speaker 2>that in on myself, and that'd be dangerous. Or I'd

0:24:03.530 --> 0:24:06.530
<v Speaker 2>turn it in on somebody else. That would be worse.

0:24:07.090 --> 0:24:09.980
<v Speaker 2>So I think that if you're creative and you have

0:24:10.040 --> 0:24:13.459
<v Speaker 2>these thoughts, you have to just keep on doing it. And,

0:24:13.760 --> 0:24:16.139
<v Speaker 2>you know, it's like I can't even imagine just quitting.

0:24:16.540 --> 0:24:18.800
<v Speaker 2>That's why I say I'll never retire. I might have

0:24:18.820 --> 0:24:20.780
<v Speaker 2>to quit if my husband got sick and I need

0:24:20.800 --> 0:24:25.320
<v Speaker 2>to be with him. And if I was ill, you know,

0:24:25.380 --> 0:24:27.770
<v Speaker 2>it would have to be a serious illness. You know,

0:24:27.810 --> 0:24:31.990
<v Speaker 2>I'd still be writing if my right arm worked. You know,

0:24:32.050 --> 0:24:35.290
<v Speaker 2>if my arms worked, I could still write. But I

0:24:35.330 --> 0:24:37.770
<v Speaker 2>just want to do everything I can because it won't

0:24:37.810 --> 0:24:41.000
<v Speaker 2>always be this way. I won't always have this opportunity.

0:24:41.560 --> 0:24:43.680
<v Speaker 2>And God's been good to me and people have been

0:24:43.700 --> 0:24:46.270
<v Speaker 2>good to me. And I get scared sometimes when everybody

0:24:46.310 --> 0:24:48.510
<v Speaker 2>tries to put me on some sort of a pedestal.

0:24:48.550 --> 0:24:50.669
<v Speaker 2>I think, God, don't put me up there. All you

0:24:50.690 --> 0:24:52.730
<v Speaker 2>can do is just knock me off. You know, I'm

0:24:52.800 --> 0:24:56.340
<v Speaker 2>not all that. You know, I talk about things like

0:24:56.420 --> 0:24:58.580
<v Speaker 2>I'm not an angel. I just play one on TV

0:24:58.619 --> 0:25:01.820
<v Speaker 2>and that's the truth. So I'm a lot of things.

0:25:02.160 --> 0:25:05.020
<v Speaker 2>But when I try to be mostly is a good

0:25:05.080 --> 0:25:07.840
<v Speaker 2>person and try to be creative and try to be

0:25:07.880 --> 0:25:08.580
<v Speaker 2>good to others.

0:25:09.440 --> 0:25:12.000
<v Speaker 1>Final three questions. I have a lot of people that

0:25:12.140 --> 0:25:15.040
<v Speaker 1>will be watching this. And they're watching because they want

0:25:15.080 --> 0:25:17.420
<v Speaker 1>to laugh and have a good time, but hopefully to

0:25:17.840 --> 0:25:21.219
<v Speaker 1>be inspired to just commit to being better. If it's

0:25:21.240 --> 0:25:23.700
<v Speaker 1>a mom, if it's a dad, or a better fireman,

0:25:23.720 --> 0:25:27.699
<v Speaker 1>or working at a bank. And it's just committing to it.

0:25:27.780 --> 0:25:29.959
<v Speaker 1>And a lot of people have trouble just committing to

0:25:29.980 --> 0:25:32.090
<v Speaker 1>it because of the fear of failure. And I have

0:25:32.109 --> 0:25:35.270
<v Speaker 1>to imagine that someone that has all these successes, as yourself,

0:25:35.690 --> 0:25:38.830
<v Speaker 1>has had a fair share of pretty big failures too.

0:25:40.119 --> 0:25:42.659
<v Speaker 2>Well, we all have failures, but you don't look at

0:25:42.700 --> 0:25:46.570
<v Speaker 2>it like that if you're a smart person. Because even

0:25:46.609 --> 0:25:48.870
<v Speaker 2>just like when I had my variety show years ago,

0:25:50.369 --> 0:25:53.440
<v Speaker 2>it was entitled to be going to be this or that,

0:25:53.500 --> 0:25:55.600
<v Speaker 2>and I got a ton of money for it, which

0:25:55.640 --> 0:25:57.600
<v Speaker 2>they had to pay me for anyway. even though it

0:25:57.640 --> 0:26:02.110
<v Speaker 2>didn't last. But I was disappointed that it didn't work,

0:26:02.150 --> 0:26:04.369
<v Speaker 2>but it didn't work for all the reasons I knew

0:26:04.410 --> 0:26:06.449
<v Speaker 2>it wasn't going to work when we started it. I

0:26:06.490 --> 0:26:09.250
<v Speaker 2>wasn't me. I couldn't be me. They were trying to

0:26:09.310 --> 0:26:13.760
<v Speaker 2>revamp the old variety shows. And I'm just a one

0:26:14.300 --> 0:26:17.139
<v Speaker 2>kind of person. I'm just me. And if we can

0:26:17.180 --> 0:26:20.780
<v Speaker 2>work off of me, I can make it successful. But

0:26:20.820 --> 0:26:23.270
<v Speaker 2>if I try to go outside of my comfort zone,

0:26:23.810 --> 0:26:26.850
<v Speaker 2>I never can make it work. But I learned so

0:26:26.930 --> 0:26:31.570
<v Speaker 2>much about that show. You learn what you should not

0:26:31.609 --> 0:26:34.359
<v Speaker 2>look at it like a failure, but as a stepping stone.

0:26:34.710 --> 0:26:37.520
<v Speaker 2>I learned so much from that of what not to do,

0:26:37.760 --> 0:26:40.820
<v Speaker 2>what not to allow to happen next time, that even

0:26:40.840 --> 0:26:43.400
<v Speaker 2>in other shows I've done since then that I've produced

0:26:43.480 --> 0:26:47.919
<v Speaker 2>or worked in, I've learned from that. So everything is

0:26:48.000 --> 0:26:50.899
<v Speaker 2>something you can learn from. It's just a stepping stone.

0:26:51.600 --> 0:26:55.560
<v Speaker 2>And so I I'm even, you know, I really am

0:26:55.619 --> 0:26:58.739
<v Speaker 2>almost glad that it didn't work because I didn't want

0:26:58.760 --> 0:27:01.379
<v Speaker 2>to continue. I was under stress with it because I

0:27:01.440 --> 0:27:06.739
<v Speaker 2>wasn't happy doing that. So as it was, I could

0:27:06.770 --> 0:27:08.490
<v Speaker 2>have still been on there if they'd have let me,

0:27:08.510 --> 0:27:12.510
<v Speaker 2>you know, do more of who I am. But we

0:27:12.550 --> 0:27:15.730
<v Speaker 2>all have those things in our lives, and we're all,

0:27:16.150 --> 0:27:19.210
<v Speaker 2>you know, it takes a while to overcome it. You know,

0:27:19.230 --> 0:27:22.490
<v Speaker 2>you're embarrassed by certain things and all that. But if

0:27:22.540 --> 0:27:24.560
<v Speaker 2>you're the right kind of talent and the right kind

0:27:24.600 --> 0:27:27.840
<v Speaker 2>of person, you'll just take that as a good lesson. Which,

0:27:27.900 --> 0:27:30.120
<v Speaker 2>by the way, I'm going to do a comedy album

0:27:30.140 --> 0:27:32.260
<v Speaker 2>one of these days since you're having a comedy show.

0:27:32.740 --> 0:27:34.540
<v Speaker 2>That's going to be one of my next things. People

0:27:34.560 --> 0:27:35.460
<v Speaker 2>have always said..

0:27:35.520 --> 0:27:37.179
<v Speaker 1>Your songs are super funny and witty, like even the

0:27:37.220 --> 0:27:40.270
<v Speaker 1>ones you don't mean to be funny. Yeah. What do

0:27:40.290 --> 0:27:42.150
<v Speaker 1>you think is the most clever line, the most clever

0:27:42.210 --> 0:27:45.390
<v Speaker 1>couplet rhyming line that you have in your song? Off

0:27:45.410 --> 0:27:46.050
<v Speaker 1>the top of your head.

0:27:46.310 --> 0:27:48.270
<v Speaker 2>I just think that one I just said, you know,

0:27:49.290 --> 0:27:52.760
<v Speaker 2>I was going to be rich... no matter how much

0:27:52.840 --> 0:27:57.480
<v Speaker 2>it cost. And I was going to win no matter

0:27:57.520 --> 0:28:00.119
<v Speaker 2>how much I lost. Or one of my favorite lines

0:28:00.200 --> 0:28:02.840
<v Speaker 2>in the songs I've written is a cup of ambition.

0:28:03.700 --> 0:28:06.280
<v Speaker 2>You know, I get excited about those kind of things.

0:28:06.300 --> 0:28:06.840
<v Speaker 1>But I don't know.

0:28:07.140 --> 0:28:08.520
<v Speaker 2>I can't think right off the top of my head,

0:28:08.540 --> 0:28:11.060
<v Speaker 2>but a lot of my songs have a lot of comedy.

0:28:11.080 --> 0:28:14.800
<v Speaker 2>But I want to do a stand-up comedy album someday

0:28:14.820 --> 0:28:17.010
<v Speaker 2>because I like being funny.

0:28:18.270 --> 0:28:19.430
<v Speaker 1>Me too. I just wish I was..

0:28:19.650 --> 0:28:21.969
<v Speaker 2>Well, you are funny. I want to say you are

0:28:22.090 --> 0:28:25.869
<v Speaker 2>funny and you are good and you are capable of

0:28:25.970 --> 0:28:28.570
<v Speaker 2>so many things and you are so liked.

0:28:28.730 --> 0:28:31.290
<v Speaker 1>I start crying. This is not even about me. I know.

0:28:31.510 --> 0:28:33.310
<v Speaker 2>Let me just say this.

0:28:33.350 --> 0:28:35.130
<v Speaker 1>Go ahead. I don't like compliments are tough for me.

0:28:35.150 --> 0:28:35.649
<v Speaker 1>But you're a DJ.

0:28:35.670 --> 0:28:36.969
<v Speaker 2>Let me just say, a lot of these people that

0:28:36.990 --> 0:28:41.000
<v Speaker 2>watch this, they'll be all over the world, all over

0:28:41.020 --> 0:28:43.540
<v Speaker 2>the country. But you, we think of you as like

0:28:43.580 --> 0:28:46.900
<v Speaker 2>a local boy. And here in Nashville, I mean, you

0:28:46.960 --> 0:28:50.480
<v Speaker 2>are just fantastic on the radio. Everybody loves the Bobby

0:28:50.520 --> 0:28:53.120
<v Speaker 2>Bowles show. I mean, it's like we get up to

0:28:53.160 --> 0:28:56.060
<v Speaker 2>do it, you know, Amy and all the people you

0:28:56.080 --> 0:28:58.980
<v Speaker 2>have on the show. And then when you go out

0:28:59.050 --> 0:29:02.750
<v Speaker 2>and do some of these shows, like American Idol, and

0:29:02.910 --> 0:29:07.770
<v Speaker 2>you just have a spirit and an energy and a little,

0:29:08.050 --> 0:29:11.730
<v Speaker 2>I don't know, you've just got magic somehow. And I

0:29:11.750 --> 0:29:14.540
<v Speaker 2>think you're good. Thank you in order to just be

0:29:14.580 --> 0:29:15.520
<v Speaker 2>allowed to be good.

0:29:16.300 --> 0:29:17.480
<v Speaker 1>I don't need any more questions after that. I think

0:29:17.500 --> 0:29:18.620
<v Speaker 1>we're going to end on that. And I'm not even

0:29:18.640 --> 0:29:20.760
<v Speaker 1>going to air any other interview, just that last segment

0:29:21.060 --> 0:29:21.640
<v Speaker 1>over and over.

0:29:22.180 --> 0:29:24.880
<v Speaker 2>Well, we like you here. You're a local boy to us.

0:29:24.940 --> 0:29:27.330
<v Speaker 1>Thank you very much. You are the best. Thank you

0:29:27.460 --> 0:29:30.969
<v Speaker 1>for the time and the inspiration to so many and

0:29:31.050 --> 0:29:33.030
<v Speaker 1>for letting me fondle your jewelry here.

0:29:32.930 --> 0:29:33.390
<v Speaker 2>On the side.

0:29:33.410 --> 0:29:34.430
<v Speaker 1>Get off of me.

0:29:34.550 --> 0:29:36.070
<v Speaker 2>You've got to come to my and Carl's house, and

0:29:36.110 --> 0:29:37.310
<v Speaker 2>he's got to give you permission.

0:29:37.850 --> 0:29:40.440
<v Speaker 1>You told me at the beginning I had permission. All right.

0:29:40.900 --> 0:29:43.320
<v Speaker 1>Thank you, guys. Back to you guys. There's nobody there.

0:29:43.370 --> 0:29:45.130
<v Speaker 1>I'm just pointing. Okay. All right.

0:29:46.790 --> 0:29:49.830
<v Speaker 3>Thanks for listening to The Bobbycast. Share this episode with

0:29:49.890 --> 0:29:52.310
<v Speaker 3>a friend, because they don't pay to advertise us.