WEBVTT - Jake Gold

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob left Sex Podcast,

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<v Speaker 1>the COVID nineteen version. Yes, we're doing this remotely from

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<v Speaker 1>my bed room to the world. My guest today is

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<v Speaker 1>manager Jake Gold, who happens to be in Toronto as

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<v Speaker 1>we're speaking. Jake, how you doing, Hey, Bob. It's the

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<v Speaker 1>first time I've done this with you remotely. But but

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<v Speaker 1>it's fun. You know, seeing your face is good. It's

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<v Speaker 1>been a while, absolutely, so, Jake. When is the live

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<v Speaker 1>business going to return? Well, it looks like in my mind, um,

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<v Speaker 1>I mean, there are some festivals that are saying this fall.

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<v Speaker 1>I doubt it. I think the earliest is second quarter.

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<v Speaker 1>I think it will be different country by country. I mean,

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<v Speaker 1>Canada's in a little better shape. But I don't see

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<v Speaker 1>the borders opening up that quickly. And if they do,

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<v Speaker 1>it will still be for for other types of services

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<v Speaker 1>I don't see. I think they already announced in l

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<v Speaker 1>A that no large gatherings till the end of from

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<v Speaker 1>what I heard. Yeah, well, you know, it's a very

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<v Speaker 1>interesting thing because Zekiel Emmanuel and it's kind of interesting

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<v Speaker 1>because he's the brother of both Rom and Ari, and

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<v Speaker 1>Ari of course is the Majordomo at w M e UH.

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<v Speaker 1>He has gone on record in the New York Times.

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<v Speaker 1>He of course is the ethics professor at University of Pennsylvania.

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<v Speaker 1>Do you see him on TV occasionally? And he has

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<v Speaker 1>been posting in the New York Times and he said

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<v Speaker 1>he didn't expect concerts to come back to the fall

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<v Speaker 1>of one. The Mayor of Los Angeles said the beginning

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<v Speaker 1>of one, which is what you said. But no one

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<v Speaker 1>really knows, no. I think I think the uh, the

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<v Speaker 1>jury is still out on that. There are some people talking.

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<v Speaker 1>I think some of the festivals that have announced that

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<v Speaker 1>in oh, we're gonna reschedule for October November, I think

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<v Speaker 1>that's wishful thinking. I also think part of it is

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<v Speaker 1>they don't want to have to give a whole bunch

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<v Speaker 1>of refunds back to people. If they say, oh, we're

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<v Speaker 1>just rescheduling until next year and saying, okay, you can

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<v Speaker 1>keep your tickets, but they're good for next year, well,

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<v Speaker 1>you know, let's slow down for a second there, because

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<v Speaker 1>that's become a big issue, big scuttle but online about

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<v Speaker 1>refunds and you know, so what's your viewpoint on that?

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<v Speaker 1>Because it first it seemed that Live Nation was going

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<v Speaker 1>to give refunds. Now it seems that they're not. Well

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<v Speaker 1>it's it's Ticketmaster, even though they're the same company, but

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<v Speaker 1>they're operating as separate in that way. Um I I

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<v Speaker 1>think that I think that in this stage, if people

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<v Speaker 1>want to refund, they should be able to get a refund. Um.

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<v Speaker 1>I think there are some people that are saying, Okay,

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<v Speaker 1>when's the date going to be, and if it keeps

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<v Speaker 1>getting pushed back at some point, people aren't going to

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<v Speaker 1>be available or they're not gonna want to go out.

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<v Speaker 1>I think, um, I think they should be getting refunds.

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<v Speaker 1>I also wonder, um if if if there are some

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<v Speaker 1>promoters that are saying, Okay, well we're going to reschedule

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<v Speaker 1>this for a year from now, hold your tickets for

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<v Speaker 1>a year from now. Well, I know the money sits

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<v Speaker 1>in trust, someone's holding on to that money. Well, you know,

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<v Speaker 1>this has been a big change over the last couple

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<v Speaker 1>of years in the music business, and the concert tickets

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<v Speaker 1>can be sold in excess of a year out, and

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<v Speaker 1>there's obviously an advantage to holding that money. But we're

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<v Speaker 1>in an interesting era. We're in an era of musical chairs.

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<v Speaker 1>Everybody is taking a hit. So do we make the

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<v Speaker 1>customer whole, because the customers not a whole. At work,

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<v Speaker 1>a lot of people are laid off or not laid off,

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<v Speaker 1>you know, or put on furlough. And these are public

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<v Speaker 1>companies in some cases. So if Ticketmaster, which as we say,

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<v Speaker 1>is part of Live Nation, if they give all the

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<v Speaker 1>money back, that's a huge financial hit for a Ticketmaster

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<v Speaker 1>stop Hub. Most people believe if stop Help gives all

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<v Speaker 1>the money back, they're going to go out of business.

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<v Speaker 1>Well that and and um, what did I read today

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<v Speaker 1>that watch for a big announcement on event right for

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<v Speaker 1>tomorrow that Friday at four o'clock there's going to be

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<v Speaker 1>a big amount announcement with event right. Well, by time

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<v Speaker 1>this finally airs, we will know the essence of that.

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<v Speaker 1>But do you think that event right, which is also

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<v Speaker 1>a ticketing company, will give money back. I don't know

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<v Speaker 1>if they're going to give money back or maybe it's

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<v Speaker 1>more about to do with the company. I'm curious. You know.

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<v Speaker 1>I was talking to someone today, we were making a

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<v Speaker 1>date for a month away from now for for another conversation,

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<v Speaker 1>and they said, oh, that's the day I was supposed

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<v Speaker 1>to go see Miss Saigon. But wonder, like, what about

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<v Speaker 1>the big Broadway shows that people buy tickets? All you know,

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<v Speaker 1>you're a manager. Let's stay with that. Okay, let's start

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<v Speaker 1>with the basic concept. If these acts, and I'm not

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<v Speaker 1>talking about acci or playing club you know who are

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<v Speaker 1>scraping by to begin with, but the big acts playing theaters,

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<v Speaker 1>playing arenas, can they survive not working in excess of

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<v Speaker 1>a year? So most acts work on a cycle at

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<v Speaker 1>some point where there they could be working a record

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<v Speaker 1>for a year and a half, then they're not on

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<v Speaker 1>for a year, than they're back on for a year

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<v Speaker 1>and a half. Those acts could probably survive because they

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<v Speaker 1>have other sources of revenue, which are what are those

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<v Speaker 1>other sources royalties? Um uh, mostly royalties, whether it's the airplay,

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<v Speaker 1>whether it's sound exchange, whether it's all the other sources

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<v Speaker 1>of revenues that artists can. But we do know that

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<v Speaker 1>a lot of those revenues are going to be much lower. Um.

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<v Speaker 1>I was sent a document today that from Europe about

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<v Speaker 1>what's going on on that side of things. Broadcast revenues

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<v Speaker 1>are down. If broadcast revenues are down, then performing rights

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<v Speaker 1>revenues are down. Okay, so in Europe it's a percentage

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<v Speaker 1>as opposed to same in Canada, it's percentage of gross revenue.

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<v Speaker 1>Yeah yeah. And like in Canada, recently the Canadian government

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<v Speaker 1>um uh gave gave the broadcasters a thirty million dollar

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<v Speaker 1>like okay, hold off, you don't have to pay right now, Okay,

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<v Speaker 1>just so I know, because in America we tend not

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<v Speaker 1>to know the rest of the world. To what degree

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<v Speaker 1>is radio in Canada the CBC controlled by the government,

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<v Speaker 1>and to what degree is it private? So the CBC

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<v Speaker 1>is all is all not government, but it's I guess

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<v Speaker 1>it's public. Let's just call it public broadcast but supported

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<v Speaker 1>by the government. But most of real radio outside of

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<v Speaker 1>the CBC is all private. The all big radio chains. Um,

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<v Speaker 1>you've got Chorus, You've got Bell Media, uh shaw, You've

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<v Speaker 1>got tons of big, big radio chains out there. So

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<v Speaker 1>those are the commercial radio stations. Okay, So let's go

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<v Speaker 1>back to acts. You know, there are some acts from

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<v Speaker 1>the eighties even the seventies who played sheds every year.

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<v Speaker 1>And I was discussing this actually with Irving days off,

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<v Speaker 1>and I said, why are they going out every year?

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<v Speaker 1>Said they need the money so we all can expand

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<v Speaker 1>to our lifestyle. You know, if you're planning on making

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<v Speaker 1>a million dollars and make nothing, you're not gonna be

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<v Speaker 1>able to pay for all your houses. Oh listen, it's

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<v Speaker 1>a problem. It's a problem for managers too. It's a

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<v Speaker 1>big problem on the management side. My business is not

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<v Speaker 1>just mine, but almost all managers it's decimated. There's nothing there. Um,

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<v Speaker 1>it's it's a real problem you're seeing. I was talking

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<v Speaker 1>to one manager the other day and they manage basically

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<v Speaker 1>theater size acts and they have about four or five

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<v Speaker 1>of them that are regularly touring. They figured that this

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<v Speaker 1>year alone, from now till the end of the year,

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<v Speaker 1>as the manager side, is gonna lose seven hundred thousand

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<v Speaker 1>dollars in commission. Now, if you're a mid size or

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<v Speaker 1>small to midsize management company with five employees, and that's

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<v Speaker 1>that's your nut for that's the money you're gonna make

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<v Speaker 1>for a couple of years. Because you're acts are on

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<v Speaker 1>cycle right now. That can put you out of business

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<v Speaker 1>in it if you don't have all that money. So

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<v Speaker 1>it's not just it's not just the acts, it's the

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<v Speaker 1>managers too. So it's a practical matter because what we

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<v Speaker 1>do know is live business is going to come back

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<v Speaker 1>last probably even after the movie theaters. And because everybody

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<v Speaker 1>is side by side, So the question becomes, how are

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<v Speaker 1>these people gonna make it through? Well, that's the big thing.

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<v Speaker 1>I mean right now, you know, we're looking everybody, like

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<v Speaker 1>in the States, just like here, are all looking for

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<v Speaker 1>government bailants. They're looking for a way for the government

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<v Speaker 1>to support the industry. It's a big problem. Um, it's

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<v Speaker 1>not going to go away that quickly. And and we're

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<v Speaker 1>looking we're looking for we're being asked by government to say, okay,

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<v Speaker 1>what's your short term needs and what are your long

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<v Speaker 1>term needs? And when we're looking at the long term needs,

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<v Speaker 1>we're looking at two year needs, not just six month

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<v Speaker 1>needs or nine month needs. And and it's a big problem.

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<v Speaker 1>And especially for the artists. I mean, we recently did

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<v Speaker 1>a survey up here amongst artists and managers and um,

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<v Speaker 1>you know, se or more of the artists and managers

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<v Speaker 1>income came from live That's a problem. Okay. Now, the

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<v Speaker 1>uh in the US, the music business has gotten together

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<v Speaker 1>to try to get money. In Canada, is the business

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<v Speaker 1>already getting money. So what they've done in terms of

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<v Speaker 1>they've done not sector business because they look at culture

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<v Speaker 1>as one sector, so that includes film TV because we've

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<v Speaker 1>always had a lot of grants and things like that

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<v Speaker 1>for I P. So if you're a record company making records,

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<v Speaker 1>you can get grants. If you're an independent artist, you

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<v Speaker 1>can get money to make records, touring, stuff like that.

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<v Speaker 1>But there's no money per se to cover lost revenue.

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<v Speaker 1>And if the lost revenue is how you're supposed to

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<v Speaker 1>pay all your bills, it's a problem. Um. There has

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<v Speaker 1>been some um, some money put out there, uh two

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<v Speaker 1>thousand dollars a month for self employed people, but right

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<v Speaker 1>now it's only for four months. There's obviously there's talk

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<v Speaker 1>about that being extended for longer. Um. There's grants. There's

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<v Speaker 1>labor grant subsidies, so you can get um subsidized for

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<v Speaker 1>up to of your your salaried employees. There's loans that

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<v Speaker 1>being offered, not as big as the ones that are

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<v Speaker 1>being offered in the States, but um, you know, we

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<v Speaker 1>have a different size economy. So there's some loans that

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<v Speaker 1>are partially repayable and and partially forgivable, those kinds of things.

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<v Speaker 1>But every day they keep announcing new versions of the

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<v Speaker 1>same thing, because every time they announced something, people come

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<v Speaker 1>back and say, well, that's not gonna work. That's not

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<v Speaker 1>gonna work. Today they announced a rent subsidy for for businesses,

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<v Speaker 1>you know, like restaurants that are going to be closed

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<v Speaker 1>let's say for three, four or five months, but their

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<v Speaker 1>landlords still need to get paid. So now there's a

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<v Speaker 1>rent subsidy. But the way they positioned it is they'll

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<v Speaker 1>give the money to the landlords so they won't have

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<v Speaker 1>to charge the tenants. But everyone's wondering, well, how you're

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<v Speaker 1>gonna know if your landlord actually got that subsidy or not.

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<v Speaker 1>So there's a question on one of the checks and

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<v Speaker 1>balances there, and it's a moving target because everyone's still

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<v Speaker 1>trying to figure out how this is all going to work. Okay,

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<v Speaker 1>let's start at the very beginning. I've have people actually

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<v Speaker 1>gotten money from the government as we talk. Yes, okay,

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<v Speaker 1>let's just assume you're a bar band, and let's say

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<v Speaker 1>you can play outside your own town. But you're playing,

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<v Speaker 1>let's make the number somewhat big, somewhere between seventy five

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<v Speaker 1>and three fifty seats at night. Can you get money

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<v Speaker 1>for that? Yes, you can't get money replacement for that,

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<v Speaker 1>but you right now you can get each person in

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<v Speaker 1>the band can get two thousand dollars a month, Okay,

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<v Speaker 1>But if someone is self employed and they're not in

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<v Speaker 1>the music business, they're going to get the same two thousand. Yeah. Like,

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<v Speaker 1>I have a friend who was a server, who's an

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<v Speaker 1>actor who makes her money serving when she's not acting, Um,

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<v Speaker 1>she's making She was on unemployment insurance or employment insurance,

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<v Speaker 1>let's call it. But when the two thousand came out,

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<v Speaker 1>it actually worked out to higher than her employment insurance,

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<v Speaker 1>so they actually put her on the two thousand a

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<v Speaker 1>month instead of the employment insurance. When that two thousand

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<v Speaker 1>a month runs out, she'll go back to the other insurance.

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<v Speaker 1>But for now they may be extending it. I mean

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<v Speaker 1>it's supposed to be for four months, going back to

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<v Speaker 1>the middle of March. So most people in the arts

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<v Speaker 1>are going on that program for now, and it's eight

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<v Speaker 1>thousand dollars minimum that they're gonna get, Okay. So in

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<v Speaker 1>America we had uh this, you know, it's funny everybody

0:12:57.200 --> 0:13:00.959
<v Speaker 1>keeps labeling. Paul Krugman said, it's not truly a stimulus.

0:13:01.000 --> 0:13:04.880
<v Speaker 1>But there were these uh this two trillion dollar amount,

0:13:05.760 --> 0:13:09.679
<v Speaker 1>and there's been a big argument over where this money

0:13:09.760 --> 0:13:12.760
<v Speaker 1>is coming from and whether there should be more money.

0:13:13.080 --> 0:13:16.080
<v Speaker 1>Is there a big argument about that in Canada. Yeah.

0:13:16.160 --> 0:13:20.240
<v Speaker 1>In fact, we're going to the UH to the to

0:13:20.360 --> 0:13:23.240
<v Speaker 1>the government over the next couple of days and early

0:13:23.320 --> 0:13:26.559
<v Speaker 1>next week to present what the short term needs are

0:13:26.600 --> 0:13:30.120
<v Speaker 1>for our sector and and what the long term needs

0:13:30.120 --> 0:13:33.120
<v Speaker 1>are for our sector. UM. And I think they're probably

0:13:33.120 --> 0:13:38.439
<v Speaker 1>gonna come up with sectors specific UM relief programs UM

0:13:38.480 --> 0:13:41.360
<v Speaker 1>across the board. Because you're hearing it. Oil and gas

0:13:41.720 --> 0:13:46.800
<v Speaker 1>have their own problems, UM. Obviously, the restaurant business has

0:13:46.840 --> 0:13:50.280
<v Speaker 1>their own problems. We're approaching it. UM. There's there's been

0:13:50.320 --> 0:13:54.360
<v Speaker 1>a coalition that we've worked together on other issues like

0:13:54.480 --> 0:13:57.360
<v Speaker 1>copyright and things like that. So it's gonna be all

0:13:57.400 --> 0:14:01.400
<v Speaker 1>the industries together as a coalition trying to UH to

0:14:01.440 --> 0:14:04.240
<v Speaker 1>talk to the government about the needs of our sector. Okay,

0:14:04.240 --> 0:14:09.080
<v Speaker 1>I guess being more specific. Is there a backlash from

0:14:09.160 --> 0:14:13.000
<v Speaker 1>more conservative people saying this is too much money being spent.

0:14:13.520 --> 0:14:17.680
<v Speaker 1>We haven't heard none of that yet. I think that

0:14:18.360 --> 0:14:22.400
<v Speaker 1>interestingly enough, UM, I haven't seen it. You know, I'm

0:14:22.440 --> 0:14:28.720
<v Speaker 1>active on Twitter, Um, I'm I'm I'm paying attention to

0:14:28.760 --> 0:14:32.080
<v Speaker 1>the news. I'm even watching the Conservative you know, we

0:14:32.120 --> 0:14:35.840
<v Speaker 1>have a liberal government and power. But um, if you

0:14:35.840 --> 0:14:41.320
<v Speaker 1>don't understand the parliamentary system, the second party is the Conservatives. Um.

0:14:42.160 --> 0:14:44.880
<v Speaker 1>Whatever they've been talking about, the one thing they're not

0:14:45.000 --> 0:14:48.600
<v Speaker 1>talking about is not spending more money. They're talking about

0:14:48.600 --> 0:14:50.640
<v Speaker 1>how do we get more money into the hands of

0:14:50.680 --> 0:14:53.800
<v Speaker 1>people and things like that. So everyone's on the same

0:14:53.840 --> 0:14:57.960
<v Speaker 1>page that it's all about relief, relief, relief, relief. Okay,

0:14:58.120 --> 0:15:00.720
<v Speaker 1>not that you can answer this question, where's this money

0:15:00.720 --> 0:15:02.800
<v Speaker 1>going to come from? Well, you know they have this

0:15:02.920 --> 0:15:08.360
<v Speaker 1>big printing press and they just they just printed out

0:15:08.400 --> 0:15:10.520
<v Speaker 1>like in the like in Money Heist, you know how

0:15:10.560 --> 0:15:14.360
<v Speaker 1>they printed the money and then the money just appeared. Okay,

0:15:14.360 --> 0:15:15.760
<v Speaker 1>what do you want? What are you watching? What are

0:15:15.800 --> 0:15:19.120
<v Speaker 1>you screaming? Well, on a couple of year recommendations, I

0:15:19.160 --> 0:15:22.160
<v Speaker 1>went through Money Heist. I wasn't Ozark fan already. I

0:15:22.200 --> 0:15:26.880
<v Speaker 1>went through Babylon Berlin. Um, I haven't decided to start

0:15:26.920 --> 0:15:30.840
<v Speaker 1>anything yet. Uh. I saw an ad for something and

0:15:30.880 --> 0:15:33.280
<v Speaker 1>I was like, did I see that? And I went, oh, yeah,

0:15:33.280 --> 0:15:36.760
<v Speaker 1>I saw the whole thing. Because it's like it's all

0:15:36.960 --> 0:15:40.480
<v Speaker 1>where I will tell you. I just watched the Gordon

0:15:40.600 --> 0:15:44.240
<v Speaker 1>Lightfoot documentary, which was really really good, and I was

0:15:44.280 --> 0:15:46.120
<v Speaker 1>thinking of you when I watched it because I didn't

0:15:46.120 --> 0:15:49.920
<v Speaker 1>realize he went to UM college. He went to music

0:15:49.960 --> 0:15:53.920
<v Speaker 1>college in Los Angeles. That's where he went to school.

0:15:55.680 --> 0:15:58.520
<v Speaker 1>He went to like some special music school at eighteen

0:15:58.600 --> 0:16:00.840
<v Speaker 1>nineteen years old in Los ange to us and he

0:16:00.960 --> 0:16:03.560
<v Speaker 1>was in like this. He was the singer in this

0:16:03.680 --> 0:16:06.720
<v Speaker 1>big band that was from the school and it's all

0:16:06.760 --> 0:16:08.360
<v Speaker 1>in the dock and I was like, I had no

0:16:08.440 --> 0:16:12.360
<v Speaker 1>idea about all that. Uh, well, my question becomes, how

0:16:12.400 --> 0:16:16.560
<v Speaker 1>come all the conversation in the media and amongst friends

0:16:16.680 --> 0:16:20.200
<v Speaker 1>is about TV as opposed to music. Well, it's an

0:16:20.200 --> 0:16:23.560
<v Speaker 1>interesting thing that you say that because we know streaming

0:16:23.640 --> 0:16:26.480
<v Speaker 1>is down. Like streaming is down. No, it's gone back up.

0:16:26.560 --> 0:16:28.240
<v Speaker 1>It's gone back like. That was a guy. I got

0:16:28.280 --> 0:16:31.240
<v Speaker 1>a big bone to pick. Uh. He's a nice enough guy,

0:16:31.280 --> 0:16:34.640
<v Speaker 1>but that's tim ingam. He's also in Rolling Stone. He

0:16:34.960 --> 0:16:38.200
<v Speaker 1>fancies himself and analyst and he looks at dat and

0:16:38.800 --> 0:16:40.520
<v Speaker 1>it seems to me he comes up with a theory

0:16:40.560 --> 0:16:43.680
<v Speaker 1>and then has the data to establish that. Just after

0:16:43.800 --> 0:16:48.760
<v Speaker 1>he published that music streaming was down, Uh, Spotify put

0:16:48.760 --> 0:16:51.800
<v Speaker 1>out a press release saying that was not true. And

0:16:51.840 --> 0:16:55.360
<v Speaker 1>then this last week, there's a story that's streaming has

0:16:55.400 --> 0:16:59.880
<v Speaker 1>gone up. Yes, streaming syne ups have gone up. Talking

0:17:00.160 --> 0:17:02.960
<v Speaker 1>all the I'm telling you no, No, the actual number

0:17:03.040 --> 0:17:06.399
<v Speaker 1>of tracks has gone on. I'm talking to all the

0:17:06.440 --> 0:17:10.160
<v Speaker 1>independent labels that I'm on a regular like every other

0:17:10.240 --> 0:17:12.679
<v Speaker 1>day conference call an email with and in fact I

0:17:12.720 --> 0:17:15.119
<v Speaker 1>was just on a big email trail with all of

0:17:15.160 --> 0:17:18.399
<v Speaker 1>them before we even got on here. All of them

0:17:18.440 --> 0:17:21.760
<v Speaker 1>are saying their numbers it's down. Well, I can't speak

0:17:21.800 --> 0:17:24.320
<v Speaker 1>to those specific people, and I'd rather not argue while

0:17:24.320 --> 0:17:27.479
<v Speaker 1>we're doing this podcast. But one thing we do know

0:17:28.080 --> 0:17:32.200
<v Speaker 1>is it's irrelevant because as long as people are paying

0:17:32.240 --> 0:17:36.600
<v Speaker 1>their subscribing fees, whether volume goes up or down, there's

0:17:36.600 --> 0:17:40.800
<v Speaker 1>still the same pot of goal, right, But it does matter.

0:17:41.240 --> 0:17:43.720
<v Speaker 1>I guess maybe if you're dealing with a whole bunch

0:17:43.760 --> 0:17:46.719
<v Speaker 1>of independent labels that have more independent type acts that

0:17:46.840 --> 0:17:49.439
<v Speaker 1>don't live in the pop world, that maybe in the

0:17:49.440 --> 0:17:52.480
<v Speaker 1>pop world it's gone it's gone way up. But on

0:17:52.600 --> 0:17:56.359
<v Speaker 1>the well that that goes to another point, and this

0:17:56.440 --> 0:18:00.439
<v Speaker 1>has got little to do with COVID nineteen. But uh,

0:18:00.480 --> 0:18:03.600
<v Speaker 1>when you look at the streaming numbers, it's sort of

0:18:03.640 --> 0:18:06.600
<v Speaker 1>like the rest of the world certainly United States, and

0:18:06.680 --> 0:18:10.000
<v Speaker 1>there's winners or losers. If you're Drake who happens to

0:18:10.000 --> 0:18:13.359
<v Speaker 1>be from Toronto or someone of that caliber, you're making

0:18:13.400 --> 0:18:16.440
<v Speaker 1>more money on c on singles than you ever were.

0:18:16.840 --> 0:18:19.640
<v Speaker 1>But if you're not Drake and you're someone who's playing Americana,

0:18:20.040 --> 0:18:22.760
<v Speaker 1>you can't live off the royal No. No. And in fact,

0:18:22.800 --> 0:18:25.800
<v Speaker 1>the other thing that people aren't even realizing is that

0:18:26.080 --> 0:18:28.200
<v Speaker 1>there's a lot of money is being made on the

0:18:28.240 --> 0:18:31.639
<v Speaker 1>on the sinc side of things, from from putting your

0:18:31.720 --> 0:18:35.280
<v Speaker 1>music in film and television. Well, all the productions are down,

0:18:35.359 --> 0:18:38.720
<v Speaker 1>there's nothing going on, so that money goes to artists

0:18:38.760 --> 0:18:41.160
<v Speaker 1>on the writer's side, it goes to publishers, it goes

0:18:41.160 --> 0:18:44.560
<v Speaker 1>to labels on the master's side. So there's we're missing

0:18:44.560 --> 0:18:47.200
<v Speaker 1>out on a lot of that money too. So it's

0:18:47.240 --> 0:18:49.199
<v Speaker 1>not and as I say, in Canada, they're giving too

0:18:49.240 --> 0:18:52.520
<v Speaker 1>grand to everybody. Supposedly every bed in America is getting

0:18:53.480 --> 0:18:56.080
<v Speaker 1>or there's big There seems to be some bumps on

0:18:56.160 --> 0:18:58.320
<v Speaker 1>the road to them getting them. But don't you don't

0:18:58.320 --> 0:19:03.280
<v Speaker 1>you get an autograph with it? Yes, we do so,

0:19:03.920 --> 0:19:09.800
<v Speaker 1>uh without making it specifically about our president. Um, do

0:19:09.880 --> 0:19:12.240
<v Speaker 1>you think this is a good time or a bad

0:19:12.280 --> 0:19:17.160
<v Speaker 1>time for developing acts. UM. Well, I think there's there's

0:19:17.320 --> 0:19:20.400
<v Speaker 1>I think there's a lot of opportunities there. When I've

0:19:20.480 --> 0:19:26.160
<v Speaker 1>sat on a lot of m zoom UH gatherings amongst

0:19:26.240 --> 0:19:28.440
<v Speaker 1>I'm the vice president of the MMF, which is the

0:19:28.560 --> 0:19:32.199
<v Speaker 1>Music Managers Forum, which hasn't didn't really catch on as

0:19:32.280 --> 0:19:34.159
<v Speaker 1>much in the US as it has around the rest

0:19:34.200 --> 0:19:36.280
<v Speaker 1>of the world. It's very strong in Canada and very

0:19:36.320 --> 0:19:39.680
<v Speaker 1>strong in in the UK and a lot of other territories.

0:19:40.040 --> 0:19:43.000
<v Speaker 1>UM And so we've been hosting a lot of these

0:19:43.000 --> 0:19:46.600
<v Speaker 1>get togethers with other young managers and what we've been

0:19:46.640 --> 0:19:50.440
<v Speaker 1>saying is now is a great time to cultivate an audience.

0:19:50.600 --> 0:19:52.800
<v Speaker 1>If you can get music out there, if you can

0:19:52.800 --> 0:19:54.960
<v Speaker 1>get content out there, if you can do live stream

0:19:55.040 --> 0:19:58.119
<v Speaker 1>things like that, you could probably gain some fans and

0:19:58.160 --> 0:20:00.280
<v Speaker 1>build some fans. So when you actually do have an

0:20:00.320 --> 0:20:03.320
<v Speaker 1>opportunity to release the music and get out and play

0:20:03.320 --> 0:20:06.280
<v Speaker 1>in front of people, maybe your constituency will be that

0:20:06.400 --> 0:20:09.280
<v Speaker 1>much bigger because you have somewhat of a captive audience.

0:20:09.640 --> 0:20:14.560
<v Speaker 1>And just like watching you know, streaming uh UH TV

0:20:14.680 --> 0:20:18.240
<v Speaker 1>series or movies, people are constantly looking for something new

0:20:18.280 --> 0:20:21.800
<v Speaker 1>to uh to check out, so I think, however, you

0:20:21.840 --> 0:20:24.440
<v Speaker 1>know if you check out Live Nation. I was dealing

0:20:24.480 --> 0:20:26.919
<v Speaker 1>with Michael Rapino and I suggested he did an excellent

0:20:27.040 --> 0:20:31.439
<v Speaker 1>job of listing the streams, and what we do know

0:20:32.000 --> 0:20:35.840
<v Speaker 1>is just like streaming music, it's kind of overwhelming. So

0:20:35.960 --> 0:20:39.040
<v Speaker 1>many people are streaming shows, yeah, but there's just just

0:20:39.160 --> 0:20:42.440
<v Speaker 1>many people that don't want to watch the biggest artists

0:20:42.440 --> 0:20:45.080
<v Speaker 1>out there and want to want to discover something new.

0:20:45.160 --> 0:20:47.480
<v Speaker 1>Are the same people that go to the grimy clubs

0:20:47.800 --> 0:20:50.240
<v Speaker 1>because they want to find a new band that they're into.

0:20:50.560 --> 0:20:52.840
<v Speaker 1>And and that's where you're going to cultivate your audience

0:20:52.880 --> 0:20:56.000
<v Speaker 1>from anyways, And at some point it's gonna be word

0:20:56.040 --> 0:20:59.560
<v Speaker 1>of mouth. Anyway, someone watches it, another friend tells another friend,

0:20:59.640 --> 0:21:01.920
<v Speaker 1>and you know you're building your audience. But to sit

0:21:01.920 --> 0:21:04.800
<v Speaker 1>there and do nothing is not the answer. It's okay,

0:21:04.840 --> 0:21:09.200
<v Speaker 1>you're a manager. You famously built the tragically Hip. If

0:21:09.240 --> 0:21:13.120
<v Speaker 1>you had an act today, an act that could sustain

0:21:13.240 --> 0:21:18.080
<v Speaker 1>on its income, let's say it Soul Theaters hundred or

0:21:18.119 --> 0:21:20.320
<v Speaker 1>three thousand seats, what would you be telling that act

0:21:20.359 --> 0:21:22.760
<v Speaker 1>to do today? I'd be telling them to engage their

0:21:22.800 --> 0:21:27.040
<v Speaker 1>audience and keep them interested and keep them, keep them,

0:21:27.280 --> 0:21:30.600
<v Speaker 1>keep them engaged with, you know, doing some live streams.

0:21:31.160 --> 0:21:34.119
<v Speaker 1>UM the hip hop world right now. I don't know

0:21:34.160 --> 0:21:36.320
<v Speaker 1>if you've seen this, Bob, but some of them are

0:21:36.440 --> 0:21:39.480
<v Speaker 1>doing these UM these live streams and they're attracting three

0:21:39.560 --> 0:21:42.280
<v Speaker 1>hundred and fifty thousand people to the live streams with

0:21:42.359 --> 0:21:45.600
<v Speaker 1>tip jars, and they're actually generating a lot of revenue

0:21:45.960 --> 0:21:48.360
<v Speaker 1>from people. Even if people put in a dollar, it's

0:21:48.359 --> 0:21:52.280
<v Speaker 1>three thousand dollars. So there is ways to do it

0:21:52.280 --> 0:21:56.280
<v Speaker 1>out there, especially if they can't get to it um. So,

0:21:56.280 --> 0:21:58.840
<v Speaker 1>so depending on the size of your act, if you

0:21:58.920 --> 0:22:01.960
<v Speaker 1>have an audience and your audience really wants to see you,

0:22:02.280 --> 0:22:05.120
<v Speaker 1>and you're offering something that they probably would never get

0:22:05.160 --> 0:22:07.640
<v Speaker 1>to see anyways. Because if you think about it, if

0:22:07.640 --> 0:22:10.080
<v Speaker 1>you're if you're an act playing theaters, but now you're

0:22:10.080 --> 0:22:14.080
<v Speaker 1>gonna do acoustic performances in a living room, a lot

0:22:14.080 --> 0:22:16.199
<v Speaker 1>of people would be yeah, I'll pay to see that.

0:22:16.359 --> 0:22:19.439
<v Speaker 1>People are charging through Patreon, they're charging you know, twenty

0:22:19.440 --> 0:22:22.440
<v Speaker 1>dollars or ten dollars or tip jars. I think there's

0:22:22.440 --> 0:22:26.159
<v Speaker 1>a lot of ways to generate income. I don't think

0:22:26.760 --> 0:22:28.800
<v Speaker 1>you're not gonna make You're not gonna make what you're

0:22:28.840 --> 0:22:32.879
<v Speaker 1>making selling out a theater that if you're managing an

0:22:32.920 --> 0:22:36.280
<v Speaker 1>act and you're trying to both sustain and grow an audience,

0:22:36.800 --> 0:22:38.800
<v Speaker 1>would you say to give it away for free or

0:22:38.840 --> 0:22:43.440
<v Speaker 1>to charge? I would say to charge. I would say

0:22:43.480 --> 0:22:46.760
<v Speaker 1>to charge for some things and other things to give away.

0:22:46.840 --> 0:22:49.479
<v Speaker 1>But i'd also you know, one of the ways you

0:22:49.520 --> 0:22:51.719
<v Speaker 1>can you can give it away by saying, you know,

0:22:51.800 --> 0:22:54.800
<v Speaker 1>provide us with your your phone numbers so you can

0:22:54.840 --> 0:22:57.040
<v Speaker 1>be part of our text team, or provide us with

0:22:57.080 --> 0:22:59.600
<v Speaker 1>your email address so we can help build the database

0:23:00.040 --> 0:23:01.840
<v Speaker 1>so we have a way to connect with you with

0:23:01.920 --> 0:23:07.000
<v Speaker 1>other things. Maybe you make special merch just for quarantine. Um,

0:23:07.040 --> 0:23:09.080
<v Speaker 1>you know, if you can find someone to print it,

0:23:09.440 --> 0:23:13.199
<v Speaker 1>or maybe um, I I know someone that's that's working

0:23:13.240 --> 0:23:17.040
<v Speaker 1>on a system. Um. You know, there's there's all kinds

0:23:17.040 --> 0:23:20.040
<v Speaker 1>of ways to do it where you can you know, uh,

0:23:20.080 --> 0:23:22.199
<v Speaker 1>you know, if you look at the way some of

0:23:22.240 --> 0:23:26.439
<v Speaker 1>the crowdfunding things worked, where people pay in advance to

0:23:26.480 --> 0:23:28.399
<v Speaker 1>buy merch and when the merchants made, they get it

0:23:28.440 --> 0:23:31.280
<v Speaker 1>sent to them. So there's other ways to generate that

0:23:31.359 --> 0:23:34.919
<v Speaker 1>kind of income. UM. I think it's easier for bands

0:23:34.960 --> 0:23:37.600
<v Speaker 1>that actually already have a following because they have an

0:23:37.680 --> 0:23:40.520
<v Speaker 1>army that they can enlist, especially if their fans are

0:23:40.600 --> 0:23:43.359
<v Speaker 1>used to seeing them all the time. Uh. With the

0:23:43.440 --> 0:23:46.360
<v Speaker 1>younger bands, you've gotta you've gotta work that much harder

0:23:46.840 --> 0:23:51.080
<v Speaker 1>because you're trying to build a constituency. Okay, now, what

0:23:51.119 --> 0:23:53.800
<v Speaker 1>do we know that when everybody uh in the middle

0:23:53.840 --> 0:23:57.040
<v Speaker 1>of March started to hunker down in their houses, people

0:23:57.160 --> 0:24:00.119
<v Speaker 1>started to do these livestream meaning acts started to do

0:24:00.200 --> 0:24:04.800
<v Speaker 1>the live streams. At first it was people with the

0:24:04.880 --> 0:24:08.520
<v Speaker 1>following people were known, then all the wannabes came in

0:24:08.960 --> 0:24:13.000
<v Speaker 1>hearing from them. They're trying to grow their audience. Since

0:24:13.240 --> 0:24:17.840
<v Speaker 1>we're talking about a lockdown that will certainly be nine months,

0:24:17.960 --> 0:24:21.080
<v Speaker 1>could be the better part of eighteen months. Do you

0:24:21.240 --> 0:24:24.920
<v Speaker 1>think that we'll see just like flattening the curve, we'll

0:24:24.960 --> 0:24:29.200
<v Speaker 1>see a reduction of these free live streams and an

0:24:29.240 --> 0:24:32.200
<v Speaker 1>increase in paid live streams. I think that's the only

0:24:32.200 --> 0:24:34.439
<v Speaker 1>way it's going to go. I think I think that

0:24:34.560 --> 0:24:37.600
<v Speaker 1>it's a re education in a lot of ways. Um,

0:24:37.640 --> 0:24:40.040
<v Speaker 1>I think we're I think one of the things that

0:24:40.119 --> 0:24:44.159
<v Speaker 1>may come out of this overall is people actually learning

0:24:44.160 --> 0:24:46.600
<v Speaker 1>how to do stuff online that for a lot of

0:24:46.600 --> 0:24:50.320
<v Speaker 1>people that never actually played online, whether it's ordering groceries

0:24:50.800 --> 0:24:54.280
<v Speaker 1>or anything like that. I think there's there's a re education.

0:24:54.480 --> 0:24:57.600
<v Speaker 1>And they say it takes twenty one days to change

0:24:57.600 --> 0:25:00.640
<v Speaker 1>someone's behavior on what they did before, what they're gonna

0:25:00.680 --> 0:25:04.240
<v Speaker 1>do now. Think about eighteen months of what that's gonna

0:25:04.320 --> 0:25:07.320
<v Speaker 1>be like. And I think, you know, I think you know,

0:25:07.359 --> 0:25:10.400
<v Speaker 1>we may get to a point where social distancing may

0:25:10.440 --> 0:25:12.359
<v Speaker 1>not be the same. So you actually could put a

0:25:12.359 --> 0:25:15.479
<v Speaker 1>band together in one room. Uh Like, if you think

0:25:15.520 --> 0:25:18.320
<v Speaker 1>about look at w w E. Their business model is

0:25:18.359 --> 0:25:21.720
<v Speaker 1>pay per view. Well, how different is this if it's

0:25:21.760 --> 0:25:24.440
<v Speaker 1>pay per view? And no one ever thought pay per

0:25:24.520 --> 0:25:27.000
<v Speaker 1>view would work in music. But if that's all you

0:25:27.080 --> 0:25:29.840
<v Speaker 1>can get, maybe you would pay for it. Well, it's

0:25:29.880 --> 0:25:32.760
<v Speaker 1>interesting because the w w E is considered an essential

0:25:32.800 --> 0:25:37.960
<v Speaker 1>business in Florida. So uh arguing whether their business is

0:25:38.080 --> 0:25:41.520
<v Speaker 1>essentially no comment? But but but okay, but what is

0:25:42.000 --> 0:25:44.239
<v Speaker 1>go on? But to their point, their business model has

0:25:44.240 --> 0:25:47.400
<v Speaker 1>always been a pay per view. Right, pay per view

0:25:47.440 --> 0:25:52.240
<v Speaker 1>concerts historically haven't worked. Um remember the Who Final show

0:25:52.359 --> 0:25:55.760
<v Speaker 1>in nineteen eight one which was pay per view or

0:25:55.840 --> 0:25:58.359
<v Speaker 1>eighty two whenever it was, I was at it and

0:25:58.400 --> 0:26:00.159
<v Speaker 1>I thought it was gonna be the last time him

0:26:00.160 --> 0:26:03.720
<v Speaker 1>I saw the Who, But um, I don't know how

0:26:03.760 --> 0:26:06.920
<v Speaker 1>successful that was. But you can still goes and see

0:26:06.960 --> 0:26:09.560
<v Speaker 1>shows if there's no other options. Well, well, you know

0:26:09.640 --> 0:26:13.080
<v Speaker 1>what we do know is House of Blues Concerts. That

0:26:13.119 --> 0:26:16.240
<v Speaker 1>was originally an internet play and that was a big

0:26:16.320 --> 0:26:20.280
<v Speaker 1>component in terms of filming live stuff. They outfitted all

0:26:20.280 --> 0:26:24.200
<v Speaker 1>the venues and it didn't work, and they sold it

0:26:24.320 --> 0:26:28.840
<v Speaker 1>to Live Nation ultimately. And we also have Fish using

0:26:28.960 --> 0:26:32.840
<v Speaker 1>nugs net. It appears that Fish fans and other fans

0:26:32.840 --> 0:26:37.120
<v Speaker 1>of the Almond Brothers there is a very small hardcore

0:26:37.560 --> 0:26:39.720
<v Speaker 1>who will watch online now of course for once in

0:26:39.800 --> 0:26:42.360
<v Speaker 1>a lifetime event, and it turns out like this one

0:26:42.440 --> 0:26:45.080
<v Speaker 1>may literally be a once in a lifetime event, which

0:26:45.160 --> 0:26:48.800
<v Speaker 1>was the final Dead Shows in Chicago. They also did

0:26:48.840 --> 0:26:52.560
<v Speaker 1>well with pay per view, staying staying with pay per view.

0:26:52.880 --> 0:26:56.399
<v Speaker 1>What's an appropriate price, Well, I guess it's going to

0:26:56.520 --> 0:26:58.720
<v Speaker 1>be depending on the act. I mean, if an act

0:26:58.720 --> 0:27:01.840
<v Speaker 1>says I'm gonna do a show, you know, twelve shows

0:27:01.880 --> 0:27:04.240
<v Speaker 1>a year, once a month, versus a one time show,

0:27:04.320 --> 0:27:07.640
<v Speaker 1>it's a different thing. You know. Obviously, you pay more

0:27:07.720 --> 0:27:13.480
<v Speaker 1>for exclusivity, and you pay more for um for availability. Um,

0:27:13.520 --> 0:27:15.399
<v Speaker 1>you know, I think you have to look at it

0:27:15.440 --> 0:27:18.520
<v Speaker 1>that way. Uh. You know, if if the Dead were

0:27:18.520 --> 0:27:21.640
<v Speaker 1>only doing one show, then people would pay a lot

0:27:21.680 --> 0:27:25.200
<v Speaker 1>more for the ticket than if they were touring that show. Yeah,

0:27:25.280 --> 0:27:28.719
<v Speaker 1>that's kind of like pay per view boxing switching gears

0:27:28.760 --> 0:27:32.720
<v Speaker 1>a little bit. What's the future for the movie business

0:27:32.880 --> 0:27:36.520
<v Speaker 1>in an era where the studios are the theaters are closed? Well?

0:27:36.520 --> 0:27:38.919
<v Speaker 1>What did I just read that AMC is filing for

0:27:39.040 --> 0:27:42.440
<v Speaker 1>chapter eleven? And yeah, well that you know that we're

0:27:42.440 --> 0:27:46.400
<v Speaker 1>talking about two levels of business. Many people are unsophisticated

0:27:46.400 --> 0:27:49.280
<v Speaker 1>when it comes to how these public corporations work. They

0:27:49.320 --> 0:27:52.120
<v Speaker 1>go to chapter eleven because they can't pay their debts

0:27:52.600 --> 0:27:56.679
<v Speaker 1>and they try to reorganize. It's chapter seven, I believe,

0:27:56.800 --> 0:28:00.280
<v Speaker 1>which is permanent go out of business. But what I'm

0:28:00.320 --> 0:28:03.879
<v Speaker 1>really asking is is there a future in pay per

0:28:04.040 --> 0:28:08.280
<v Speaker 1>view movies on demand on the flat screen? Well, it's

0:28:08.320 --> 0:28:11.800
<v Speaker 1>interesting you say that. Um, I think for certain kinds

0:28:11.800 --> 0:28:15.600
<v Speaker 1>of movies, I think, you know, um, the dark side

0:28:15.600 --> 0:28:18.600
<v Speaker 1>of thing I think will suffer. Um. You know, the

0:28:18.600 --> 0:28:21.080
<v Speaker 1>Hot Doc Festival in Toronto, which is one of the

0:28:21.080 --> 0:28:26.000
<v Speaker 1>best documentary festivals in the world, just announced, Um, they're

0:28:26.040 --> 0:28:30.919
<v Speaker 1>going with their regular slate of films and and what

0:28:31.040 --> 0:28:34.679
<v Speaker 1>they've done is they've made broadcast deals with all the

0:28:34.720 --> 0:28:38.800
<v Speaker 1>broadcasters in Canada to carry those films. So the revenues

0:28:38.880 --> 0:28:43.240
<v Speaker 1>coming in it actually gives these documentaries a bigger audience

0:28:43.720 --> 0:28:46.680
<v Speaker 1>than by having them play, you know, for a week

0:28:46.680 --> 0:28:49.920
<v Speaker 1>in a theater somewhere. Um. So it's not technically the

0:28:49.960 --> 0:28:52.280
<v Speaker 1>same kind of film festival because people aren't going to

0:28:52.360 --> 0:28:56.720
<v Speaker 1>movie theaters, but um, for the for the actual filmmakers,

0:28:56.720 --> 0:28:59.320
<v Speaker 1>they're getting a bigger audience out of it. So well,

0:28:59.360 --> 0:29:03.280
<v Speaker 1>my question would be, because I'm unfamiliar, that would ultimately

0:29:03.360 --> 0:29:06.800
<v Speaker 1>be free to the audience in Canada. With those documentaries.

0:29:06.800 --> 0:29:09.760
<v Speaker 1>You're not paying twenty dollars for a forty eight hour

0:29:09.960 --> 0:29:13.040
<v Speaker 1>or five day window to watch, but but you're paying

0:29:13.040 --> 0:29:17.240
<v Speaker 1>for your your cable bill or your streaming costs or whatever.

0:29:17.360 --> 0:29:19.640
<v Speaker 1>It is. Like I saw an ad for a movie

0:29:20.240 --> 0:29:24.120
<v Speaker 1>this morning, and and it looked like and then it

0:29:24.160 --> 0:29:27.720
<v Speaker 1>said opening this day, and then very quickly there was

0:29:27.760 --> 0:29:31.040
<v Speaker 1>a flash at the end of the commercial and it

0:29:31.120 --> 0:29:34.160
<v Speaker 1>said only on Netflix. But up until I saw that,

0:29:34.280 --> 0:29:37.960
<v Speaker 1>I thought, whoa, they're opening a movie somewhere and then

0:29:37.960 --> 0:29:40.920
<v Speaker 1>it was only on Netflix. But well, It's interesting because

0:29:40.960 --> 0:29:43.360
<v Speaker 1>the New York Times in the l A Times, the

0:29:43.440 --> 0:29:48.320
<v Speaker 1>two entertainment centers in the United States, they were reviewing

0:29:48.440 --> 0:29:51.920
<v Speaker 1>movies all the way through March, which made no sense

0:29:51.960 --> 0:29:54.480
<v Speaker 1>because no one could go to see them. But now

0:29:54.880 --> 0:29:57.640
<v Speaker 1>I was noticing because movies tend to open on Friday,

0:29:57.920 --> 0:30:02.240
<v Speaker 1>noticing last Friday the movie they reviewed all were available

0:30:02.400 --> 0:30:08.600
<v Speaker 1>on demand. Right personally, not that I watch movies or

0:30:08.720 --> 0:30:12.959
<v Speaker 1>television hours and hours every day, but I'm paying for

0:30:13.000 --> 0:30:16.200
<v Speaker 1>so many services. I've got my cable bill, i got

0:30:16.200 --> 0:30:20.479
<v Speaker 1>my Netflix bill, I've got my Amazon bill. Are people

0:30:20.760 --> 0:30:23.640
<v Speaker 1>really going to pay for video on demand on a

0:30:23.680 --> 0:30:26.160
<v Speaker 1>one shot basis? Or do they want it biked into

0:30:26.200 --> 0:30:28.960
<v Speaker 1>Netflix like you just said. Well, it's interesting because I

0:30:29.040 --> 0:30:31.640
<v Speaker 1>do both. If there's a movie I really want to

0:30:31.640 --> 0:30:34.360
<v Speaker 1>see that I want to see now that hasn't come

0:30:34.360 --> 0:30:38.000
<v Speaker 1>out on UH and I'm a sample of one, but

0:30:38.080 --> 0:30:39.960
<v Speaker 1>I know other people that do the same that hasn't

0:30:39.960 --> 0:30:41.920
<v Speaker 1>come out on Netflix or hasn't come out on any

0:30:41.960 --> 0:30:44.760
<v Speaker 1>streaming services yet, but I want to see it now.

0:30:45.240 --> 0:30:48.640
<v Speaker 1>I'll pay the five ninety nine or to watch the

0:30:48.680 --> 0:30:51.240
<v Speaker 1>movie at home, and if it's in four K, even better.

0:30:51.680 --> 0:30:55.560
<v Speaker 1>I've done that many times? How often in a quarter?

0:30:55.760 --> 0:30:59.000
<v Speaker 1>How often do you do that? I'm doing it nowadays

0:30:59.040 --> 0:31:02.520
<v Speaker 1>probably now days, which is more often, but I'm doing

0:31:02.520 --> 0:31:10.760
<v Speaker 1>it once a week. Okay, So my question will become,

0:31:10.760 --> 0:31:13.920
<v Speaker 1>because you're talking about windowing, there a movie that has

0:31:14.000 --> 0:31:17.440
<v Speaker 1>played theatrically and is ultimately going to cable and then

0:31:17.440 --> 0:31:20.440
<v Speaker 1>we'll see it forever for free on some free channel.

0:31:20.880 --> 0:31:25.640
<v Speaker 1>My question would become that movie has probably the beneficiary

0:31:25.880 --> 0:31:29.640
<v Speaker 1>of fifty to a hundred million dollars in marketing. Can

0:31:29.760 --> 0:31:34.480
<v Speaker 1>you open a movie only on video on demand? Can

0:31:34.520 --> 0:31:37.680
<v Speaker 1>you reach the customers? That's the first question. They have

0:31:37.760 --> 0:31:40.760
<v Speaker 1>to know about it before they pay for it. Well,

0:31:41.360 --> 0:31:43.560
<v Speaker 1>I think like if you're talking about the new Star

0:31:43.600 --> 0:31:47.120
<v Speaker 1>Wars and movies like that with hardcore fans, that if

0:31:47.120 --> 0:31:48.920
<v Speaker 1>they know that this is how they're gonna see it

0:31:48.920 --> 0:31:51.520
<v Speaker 1>and it's gonna cost them seven bucks, they'll put they'll

0:31:51.520 --> 0:31:54.160
<v Speaker 1>probably do it, and they'll probably have giant viewing parties,

0:31:54.240 --> 0:31:56.840
<v Speaker 1>you know, with a couple of their friends that are

0:31:57.360 --> 0:32:00.120
<v Speaker 1>that are in their family. You know, I think know

0:32:00.160 --> 0:32:04.080
<v Speaker 1>my brother he buys movies, he actually owns them, right,

0:32:04.120 --> 0:32:06.560
<v Speaker 1>he buys them through in what format he's buying them from?

0:32:06.560 --> 0:32:09.120
<v Speaker 1>My iTunes, he's buying him a disk, He's buying him

0:32:09.160 --> 0:32:13.760
<v Speaker 1>out on He's buying him on Google. Um, anybody, what's

0:32:13.800 --> 0:32:16.600
<v Speaker 1>the logic there? He wants to own them so he

0:32:16.680 --> 0:32:19.320
<v Speaker 1>can see them over and over again, like his He

0:32:19.440 --> 0:32:22.440
<v Speaker 1>loves his his sci fi movies, and he wants to

0:32:22.440 --> 0:32:24.200
<v Speaker 1>own them so he can see them over and over again.

0:32:24.200 --> 0:32:26.080
<v Speaker 1>He buys you know, as I say, I'm someone who

0:32:26.160 --> 0:32:29.760
<v Speaker 1>doesn't read a book twice, almost never watches a movie twice.

0:32:30.320 --> 0:32:34.280
<v Speaker 1>But I believe that's a fetishism or just a fetish

0:32:34.440 --> 0:32:37.960
<v Speaker 1>in this particular case, because everything is available on demand.

0:32:38.480 --> 0:32:40.360
<v Speaker 1>You know, I hear from people all the time, Oh,

0:32:40.400 --> 0:32:43.520
<v Speaker 1>I'm not signing up for Spotify a because what if

0:32:43.560 --> 0:32:47.000
<v Speaker 1>there were I'm out of range. Well, the sophisticated people,

0:32:47.040 --> 0:32:49.360
<v Speaker 1>you don't have to be that sophisticated. No, you can

0:32:49.400 --> 0:32:51.320
<v Speaker 1>seek it to the handset as long as you're hand

0:32:51.320 --> 0:32:54.880
<v Speaker 1>set as juice, doesn't matter whether there's a signal. But

0:32:55.760 --> 0:32:58.600
<v Speaker 1>I believe you know that we live in an on

0:32:58.720 --> 0:33:02.280
<v Speaker 1>demand culture, which brings me to another fashion of your

0:33:02.400 --> 0:33:07.280
<v Speaker 1>life where you gave up your car. Yeah yeah, and

0:33:07.480 --> 0:33:10.080
<v Speaker 1>my audience about that, Well, I got in a car

0:33:10.120 --> 0:33:13.600
<v Speaker 1>accident and my car was written off. And uh, this

0:33:13.680 --> 0:33:17.240
<v Speaker 1>was how long ago? Two years ago October? I think

0:33:17.280 --> 0:33:20.440
<v Speaker 1>it was maybe three years ago through maybe three years ago.

0:33:20.560 --> 0:33:25.160
<v Speaker 1>Now I think it's two years ago, yeah, um and uh.

0:33:25.240 --> 0:33:29.720
<v Speaker 1>And what happened was, Uh, I had been thinking about

0:33:29.760 --> 0:33:31.920
<v Speaker 1>getting rid of my car, and the accident kind of

0:33:31.960 --> 0:33:33.880
<v Speaker 1>made the decision for me, because when I looked at

0:33:33.920 --> 0:33:36.160
<v Speaker 1>getting a new car, and then looked at looked at

0:33:36.200 --> 0:33:39.880
<v Speaker 1>what it would cost me to take Uber's use public transit,

0:33:39.920 --> 0:33:42.920
<v Speaker 1>which I had been using anyways, because parking downtown Toronto

0:33:43.000 --> 0:33:45.200
<v Speaker 1>was a pain in the ass. And the fact I

0:33:45.200 --> 0:33:48.120
<v Speaker 1>could rent down my parking spot and saving on insurance

0:33:48.120 --> 0:33:51.960
<v Speaker 1>and gas and upkeeping everything else, I was ahead of

0:33:51.960 --> 0:33:54.360
<v Speaker 1>the game by about ten twelve thousand dollars a year,

0:33:54.880 --> 0:33:57.600
<v Speaker 1>and I didn't have to worry about a car. And

0:33:57.640 --> 0:34:01.600
<v Speaker 1>if I need a car for anything really important, I

0:34:01.640 --> 0:34:04.560
<v Speaker 1>just rented. So I live in I live in the city.

0:34:04.560 --> 0:34:07.280
<v Speaker 1>I live in the core. Um. One of the reasons

0:34:07.360 --> 0:34:09.080
<v Speaker 1>I chose to live in the course I had lived

0:34:09.080 --> 0:34:11.759
<v Speaker 1>in New York, and I liked that lifestyle of not

0:34:11.840 --> 0:34:16.360
<v Speaker 1>having a car and walking places. Um, So I chose

0:34:16.400 --> 0:34:18.319
<v Speaker 1>to live like that, and I wanted to live that

0:34:18.400 --> 0:34:20.640
<v Speaker 1>same lifestyle I had when I was living in New York.

0:34:21.120 --> 0:34:23.919
<v Speaker 1>And again, cars are easy to access if you need one.

0:34:24.440 --> 0:34:29.239
<v Speaker 1>Um and between between ubers and public transit. Nowadays, I'm

0:34:29.280 --> 0:34:31.440
<v Speaker 1>not spending any money. I'm not going out for dinner,

0:34:32.440 --> 0:34:37.000
<v Speaker 1>I'm not taking any ubers anywhere. Um So, actually costs

0:34:37.000 --> 0:34:39.400
<v Speaker 1>are way down for me. Now, let's drill down on

0:34:39.440 --> 0:34:42.560
<v Speaker 1>the cost. When you had your old BMW, was it

0:34:42.680 --> 0:34:45.239
<v Speaker 1>completely paid for? You were paying per month? No. By

0:34:45.239 --> 0:34:48.160
<v Speaker 1>the time I not, I smashed it up and had

0:34:48.160 --> 0:34:51.400
<v Speaker 1>been paid for for a little over a year. So okay,

0:34:51.400 --> 0:34:53.960
<v Speaker 1>So what did you estimate your cost of owning a

0:34:53.960 --> 0:34:57.480
<v Speaker 1>car for your and A relative to what it's if I,

0:34:57.480 --> 0:34:59.520
<v Speaker 1>if I had to make payments on it, you know,

0:35:00.000 --> 0:35:01.520
<v Speaker 1>it was cost to me, you know, four or five

0:35:01.880 --> 0:35:05.640
<v Speaker 1>a month, plus insurance which was another couple of hundred

0:35:05.640 --> 0:35:10.600
<v Speaker 1>dollars a month, plus gas plus parking, plus you know upkeep,

0:35:10.680 --> 0:35:12.879
<v Speaker 1>which is you know you're wear and tear on any car,

0:35:12.920 --> 0:35:15.720
<v Speaker 1>whether it's tires or oil, you know, whatever you're spending.

0:35:16.320 --> 0:35:19.600
<v Speaker 1>So if I priced out, if I was going to

0:35:19.719 --> 0:35:22.200
<v Speaker 1>get a new car and have to pay payments on

0:35:22.239 --> 0:35:24.239
<v Speaker 1>the car with all the costs in, it was going

0:35:24.280 --> 0:35:27.320
<v Speaker 1>to be close to twenty dollars a year to carry

0:35:27.320 --> 0:35:31.440
<v Speaker 1>a car. And I figured that if I spent even

0:35:31.480 --> 0:35:34.439
<v Speaker 1>thirty dollars a day on an uber, that's only ten

0:35:34.480 --> 0:35:37.440
<v Speaker 1>thousand dollars a year. Right, how much did you You

0:35:37.560 --> 0:35:39.960
<v Speaker 1>ended up spending about ten k a year? No, not

0:35:40.080 --> 0:35:43.600
<v Speaker 1>even close, not even close. Because I work. What's your

0:35:43.880 --> 0:35:46.680
<v Speaker 1>what's your reading? My office is in my house. What's

0:35:46.680 --> 0:35:51.040
<v Speaker 1>your rating on Uber? I think I'm a four seven five? Okay,

0:35:51.080 --> 0:35:55.279
<v Speaker 1>so you're a nice guy in the Uber. Not it's

0:35:55.320 --> 0:35:57.359
<v Speaker 1>definitely the guys that don't know which way they're going.

0:35:57.440 --> 0:35:59.560
<v Speaker 1>So I tend to be a bit of a backseat

0:35:59.640 --> 0:36:02.439
<v Speaker 1>driver on directions. So yeah, but if you've got four

0:36:02.440 --> 0:36:05.080
<v Speaker 1>point seven, you know they're not too angry about it.

0:36:05.280 --> 0:36:09.040
<v Speaker 1>I'm a friendly backseat driver. So to what degree are

0:36:09.120 --> 0:36:13.960
<v Speaker 1>you self quarantining? Um? I've been out twice in thirty

0:36:14.000 --> 0:36:15.920
<v Speaker 1>three days, and that was just to go to the

0:36:16.239 --> 0:36:18.879
<v Speaker 1>to the store to pick up last minute stuff. I've

0:36:18.920 --> 0:36:25.320
<v Speaker 1>been ordering my groceries in UM, I've been cooking. I UM.

0:36:25.480 --> 0:36:28.359
<v Speaker 1>I've my brother dropped off a mask to me, but

0:36:28.480 --> 0:36:32.200
<v Speaker 1>he just left it at my door. My assistants still working,

0:36:32.400 --> 0:36:35.920
<v Speaker 1>so he uh, he'll pick up stuff and leave it

0:36:35.960 --> 0:36:38.040
<v Speaker 1>at my door. If I have mailed for him, I'll

0:36:38.120 --> 0:36:41.600
<v Speaker 1>leave it at my door. We don't actually have any contact. Um.

0:36:42.680 --> 0:36:45.759
<v Speaker 1>I've been doing a lot of Zoom meetings. I had

0:36:45.800 --> 0:36:49.239
<v Speaker 1>a Zoom birthday party was which was fun um it

0:36:49.320 --> 0:36:52.080
<v Speaker 1>psych Over thirty people showed up, which probably be more

0:36:52.120 --> 0:36:56.799
<v Speaker 1>than if I had a regular party, and people came

0:36:56.880 --> 0:36:58.879
<v Speaker 1>from There were people on it from all over North

0:36:58.920 --> 0:37:02.040
<v Speaker 1>America and even a couple from Europe. It was pretty

0:37:02.120 --> 0:37:04.680
<v Speaker 1>late there, but they showed up, so it was interesting,

0:37:04.719 --> 0:37:07.239
<v Speaker 1>you know. It was Uh, that was kind of overwhelming

0:37:07.280 --> 0:37:09.840
<v Speaker 1>actually to have that much attention. I did a Zoom

0:37:09.880 --> 0:37:12.840
<v Speaker 1>sat with you and your friendly so I got to

0:37:12.840 --> 0:37:15.960
<v Speaker 1>meet all of your families, so that was fun um

0:37:16.040 --> 0:37:20.160
<v Speaker 1>and offer my Canadian perspective on things, which so how

0:37:20.239 --> 0:37:22.360
<v Speaker 1>is you know? You seem very upbeat now, how is

0:37:22.440 --> 0:37:25.360
<v Speaker 1>your state of mind in the sequestion I had I

0:37:25.400 --> 0:37:27.439
<v Speaker 1>had a session with my shrink today, so of course

0:37:27.440 --> 0:37:31.319
<v Speaker 1>I'm up beat today. Uh, overall, it was overall, you

0:37:31.320 --> 0:37:34.080
<v Speaker 1>know what, because I work from home, it's not that

0:37:34.239 --> 0:37:37.279
<v Speaker 1>much of a disruption for me in terms of being

0:37:37.320 --> 0:37:38.960
<v Speaker 1>in the house all the time. I'm used to it.

0:37:39.000 --> 0:37:41.200
<v Speaker 1>I've been doing it now for two and a half years,

0:37:41.600 --> 0:37:47.160
<v Speaker 1>I think, um uh, And I'm communicating with a lot

0:37:47.160 --> 0:37:49.600
<v Speaker 1>of people. You know, I'm face timing with different friends

0:37:49.680 --> 0:37:52.719
<v Speaker 1>every day, which I never did before. Now people are

0:37:52.960 --> 0:37:56.439
<v Speaker 1>instead of just making texting you or calling you, their

0:37:56.480 --> 0:37:59.520
<v Speaker 1>face timing you like it's and it's and it's like,

0:38:00.239 --> 0:38:02.400
<v Speaker 1>you know, you have to message them back and say, hey,

0:38:02.440 --> 0:38:06.439
<v Speaker 1>I'm not ready to face right or whatever. So I think,

0:38:06.520 --> 0:38:09.360
<v Speaker 1>I think we're actually communicating a lot more than we have.

0:38:09.400 --> 0:38:12.799
<v Speaker 1>But I mean, how are you finding it in that way? Well,

0:38:12.840 --> 0:38:15.040
<v Speaker 1>as I say, I go up and down in a

0:38:15.080 --> 0:38:18.000
<v Speaker 1>couple of things. I go up and down on fear. First,

0:38:18.040 --> 0:38:20.719
<v Speaker 1>I was very fearful, and then I wasn't fearful for

0:38:20.719 --> 0:38:23.480
<v Speaker 1>a while. And then I read that crazy case of

0:38:23.520 --> 0:38:27.040
<v Speaker 1>the doctor on the front lines Washington State. They had

0:38:27.040 --> 0:38:29.640
<v Speaker 1>to put him in the cardiac unit, and I said,

0:38:29.640 --> 0:38:31.480
<v Speaker 1>you know, this could be really bad. And of course

0:38:31.520 --> 0:38:36.239
<v Speaker 1>some people we know died. So there's I wax and

0:38:36.320 --> 0:38:38.359
<v Speaker 1>Wayne on the fear I am. So I haven't seen

0:38:38.400 --> 0:38:41.960
<v Speaker 1>anybody face to face in excess in real life, you know,

0:38:42.719 --> 0:38:48.560
<v Speaker 1>in excess of a month, but desidside your girlfriend, beside

0:38:48.600 --> 0:38:52.600
<v Speaker 1>your girlfriend, yes, who lives in the house we lived together. Um,

0:38:53.200 --> 0:38:58.080
<v Speaker 1>in terms of state of mind, you know, well, I'm

0:38:58.239 --> 0:39:01.880
<v Speaker 1>very busy. You know, I'm busier than I normally am.

0:39:01.920 --> 0:39:04.080
<v Speaker 1>And I live in Los Angeles. You know, those hours

0:39:04.120 --> 0:39:08.400
<v Speaker 1>in the car I'm missing out on. It's like Howard Stern.

0:39:08.560 --> 0:39:10.680
<v Speaker 1>You know, I'm not as addicted as I once was,

0:39:10.719 --> 0:39:15.040
<v Speaker 1>only because I don't have that window. However, I haven't astern.

0:39:15.600 --> 0:39:17.640
<v Speaker 1>I mean, I have the I have the app, and

0:39:17.680 --> 0:39:19.640
<v Speaker 1>I pay for it to listen to your show and

0:39:19.680 --> 0:39:22.400
<v Speaker 1>to listen to Stern. But I've been like I've been

0:39:22.440 --> 0:39:24.960
<v Speaker 1>busy too, i haven't listened to Stern normally in the

0:39:25.320 --> 0:39:27.920
<v Speaker 1>in the mornings, I'll have it on. I'll be listening

0:39:28.400 --> 0:39:30.920
<v Speaker 1>on my phone or on my computer, you know, before

0:39:31.000 --> 0:39:33.080
<v Speaker 1>I actually sit down at my desk. But now I'm

0:39:33.080 --> 0:39:37.080
<v Speaker 1>answering emails and I'm messaging with friends and how how

0:39:37.080 --> 0:39:39.000
<v Speaker 1>are you doing? How did you do last night? Everyone's

0:39:39.080 --> 0:39:42.360
<v Speaker 1>checking in on each other, and I'm playing I'm playing

0:39:42.400 --> 0:39:46.319
<v Speaker 1>Words with friends with random with random people. But it's

0:39:46.360 --> 0:39:49.640
<v Speaker 1>it's good brain exercise to play scrabble, So I'm staying

0:39:49.680 --> 0:39:52.480
<v Speaker 1>staying on Stern. He had Cuomo on, which was very good.

0:39:52.520 --> 0:39:55.160
<v Speaker 1>You could get onto me and then again, Chuma has

0:39:55.200 --> 0:39:59.440
<v Speaker 1>appeared in many places, especially with his brother. But I

0:39:59.480 --> 0:40:01.799
<v Speaker 1>got to the first I felt it was Groundhog Day,

0:40:01.840 --> 0:40:05.200
<v Speaker 1>the same day every day, and then I was so

0:40:05.320 --> 0:40:08.200
<v Speaker 1>then I didn't quite know what day it was. And

0:40:08.239 --> 0:40:10.160
<v Speaker 1>then the other day I worked really hard, and then

0:40:10.160 --> 0:40:13.880
<v Speaker 1>I was burned out. The problem is with modern communications,

0:40:14.239 --> 0:40:19.799
<v Speaker 1>you can never disconnect from Monday morning to Friday afternoon. Yeah,

0:40:19.840 --> 0:40:23.120
<v Speaker 1>I mean I'm hearing from people seven you You you

0:40:23.200 --> 0:40:25.319
<v Speaker 1>have a hard time saying, well, I'm not gonna have

0:40:25.440 --> 0:40:27.239
<v Speaker 1>my phone right by me if I don't have my

0:40:27.320 --> 0:40:31.120
<v Speaker 1>phone right by me, that I really can't concentrate me.

0:40:31.200 --> 0:40:32.719
<v Speaker 1>If I have my phone right by and I really

0:40:32.719 --> 0:40:35.160
<v Speaker 1>can't concentrate on something else. But if I leave my

0:40:35.200 --> 0:40:39.480
<v Speaker 1>phone in the other room, I'm afraid. It's not only fomo,

0:40:39.640 --> 0:40:42.360
<v Speaker 1>it's business. And as you say, it's our way to connect.

0:40:42.719 --> 0:40:44.359
<v Speaker 1>And then you say, well, I'm gonna lay low on

0:40:44.400 --> 0:40:46.400
<v Speaker 1>the weekends. But then everybody, I mean, this is the

0:40:46.440 --> 0:40:49.839
<v Speaker 1>way it normally is. But I'm trying to say every

0:40:49.840 --> 0:40:53.080
<v Speaker 1>wee traction on the weekend. Anyway, I'm trying to see

0:40:53.120 --> 0:40:57.400
<v Speaker 1>where the normalization is. But you, but you're more productive

0:40:57.440 --> 0:40:59.960
<v Speaker 1>because you're not spending all that time, so you're basically

0:41:00.000 --> 0:41:02.520
<v Speaker 1>liv in my lifestyle now where you're not in the

0:41:02.600 --> 0:41:06.640
<v Speaker 1>car right right, so so so you found all these

0:41:06.640 --> 0:41:10.560
<v Speaker 1>extra hours to write, to read, to do the things

0:41:10.640 --> 0:41:13.279
<v Speaker 1>that you didn't do before, because I say, an experiending.

0:41:13.360 --> 0:41:17.080
<v Speaker 1>You know. The interesting thing is the other day I

0:41:17.239 --> 0:41:20.520
<v Speaker 1>found I had more time to listen to new music.

0:41:20.719 --> 0:41:24.000
<v Speaker 1>Generally speaking, I listened to new music when I'm hiking.

0:41:24.640 --> 0:41:29.160
<v Speaker 1>And the story with new music is unless unless you're calm,

0:41:29.560 --> 0:41:32.560
<v Speaker 1>everything sounds like ship and you know, you pull up

0:41:32.600 --> 0:41:35.239
<v Speaker 1>the Spotify top fifty say you know they hit the

0:41:35.280 --> 0:41:38.000
<v Speaker 1>ship ratio is terrible. This is another thing I can't

0:41:38.120 --> 0:41:42.319
<v Speaker 1>rant enough about. You know, everyone thinks that playlists have

0:41:42.880 --> 0:41:45.919
<v Speaker 1>solved the problem. No, it used to be DJs were

0:41:46.000 --> 0:41:49.560
<v Speaker 1>experts and they read and they played certain songs. Now

0:41:49.640 --> 0:41:53.080
<v Speaker 1>these playlists, there's so many crappy songs. Who can listen

0:41:53.120 --> 0:41:56.319
<v Speaker 1>to that many crappy songs. However, I was listening to

0:41:56.360 --> 0:41:58.520
<v Speaker 1>some songs the other day, even that I'd heard before,

0:41:58.520 --> 0:42:03.400
<v Speaker 1>and they resonated more because I was calm. Now, of course,

0:42:03.440 --> 0:42:05.480
<v Speaker 1>if you're driving in the car and you're listening to

0:42:05.560 --> 0:42:08.160
<v Speaker 1>music opposed to Howard, you have a similar thing, but

0:42:08.200 --> 0:42:10.640
<v Speaker 1>it's not like the old days because there's so many stations,

0:42:10.640 --> 0:42:14.040
<v Speaker 1>certainly on satellite radio, and you can stream your phone.

0:42:14.320 --> 0:42:17.000
<v Speaker 1>You know, this is something that's overwhelming to me in

0:42:17.120 --> 0:42:20.680
<v Speaker 1>terms of new music. There is great new music out there,

0:42:20.719 --> 0:42:23.759
<v Speaker 1>but connecting with the people who actually like it is

0:42:23.800 --> 0:42:26.160
<v Speaker 1>so difficult, and as I say, you can waste so

0:42:26.280 --> 0:42:29.880
<v Speaker 1>much time looking for the great stuff. Same thing with television.

0:42:29.920 --> 0:42:33.480
<v Speaker 1>I read about television. People inundate me with shows. Some

0:42:33.640 --> 0:42:36.040
<v Speaker 1>of them are good, and then you end up watching

0:42:36.040 --> 0:42:38.760
<v Speaker 1>a show. I mean, I started watching the show which

0:42:38.840 --> 0:42:41.400
<v Speaker 1>was rated the number one foreign show in the New

0:42:41.440 --> 0:42:45.400
<v Speaker 1>York Times called Prisoners of War in his rarely show

0:42:46.000 --> 0:42:50.799
<v Speaker 1>about two guys who come back from being held prisoners

0:42:50.920 --> 0:42:55.600
<v Speaker 1>of war seventeen years in Syria. Very intense, but I

0:42:55.600 --> 0:42:57.240
<v Speaker 1>could I feel like I could be the only person

0:42:57.280 --> 0:43:00.719
<v Speaker 1>watching it. Well, I'm gonna watch it now, you said that.

0:43:01.000 --> 0:43:04.600
<v Speaker 1>But but Fouda is coming back this week, Well Found

0:43:04.680 --> 0:43:06.920
<v Speaker 1>is coming back on the twenties six in the US,

0:43:07.040 --> 0:43:10.239
<v Speaker 1>and also Bosch is coming back the day after we

0:43:10.360 --> 0:43:13.400
<v Speaker 1>have this conversation. Is let's go back to the music

0:43:13.440 --> 0:43:17.319
<v Speaker 1>business for a couple of seconds. Here. You were one

0:43:17.320 --> 0:43:19.759
<v Speaker 1>of the first people to embrace the Internet. If you

0:43:19.840 --> 0:43:23.399
<v Speaker 1>have a developing act, Now, what platforms should you use?

0:43:23.800 --> 0:43:29.040
<v Speaker 1>How important is social media? How often should you be posting? Well?

0:43:29.120 --> 0:43:31.840
<v Speaker 1>I think right now because the audience is there, I

0:43:31.880 --> 0:43:35.240
<v Speaker 1>think you could be posting more because they're they're chewing

0:43:35.280 --> 0:43:38.719
<v Speaker 1>it up so fast. Um. I still think Instagram and

0:43:38.760 --> 0:43:41.560
<v Speaker 1>Instagram Live seems to be the place where people are going.

0:43:41.920 --> 0:43:45.680
<v Speaker 1>You're seeing bands that are breaking stuff off TikTok TikTok

0:43:45.840 --> 0:43:49.360
<v Speaker 1>and and and stuff like that. I think Twitch is

0:43:49.400 --> 0:43:51.920
<v Speaker 1>becoming a big thing, but I think that tends to

0:43:52.000 --> 0:43:53.759
<v Speaker 1>lean more in the pop world. I'm not seeing a

0:43:53.760 --> 0:43:57.160
<v Speaker 1>lot of indie acts and rock bands doing stuff on TikTok,

0:43:57.400 --> 0:44:01.960
<v Speaker 1>you know. Um So, I still think Instagram of Facebook

0:44:02.000 --> 0:44:04.600
<v Speaker 1>to a certain degree just because there's an audience there,

0:44:05.480 --> 0:44:08.799
<v Speaker 1>regardless of the age and everything else. But I do

0:44:08.880 --> 0:44:12.040
<v Speaker 1>think that Instagram has got to be the number one

0:44:12.080 --> 0:44:15.319
<v Speaker 1>place to be right now. Um. Now, you maybe you

0:44:15.440 --> 0:44:19.440
<v Speaker 1>personally are very active on Twitter. Is that just a

0:44:19.520 --> 0:44:22.240
<v Speaker 1>personal thing or is there something that you can break

0:44:22.239 --> 0:44:26.120
<v Speaker 1>bands there or you believe other people should be on it? Um.

0:44:26.160 --> 0:44:28.960
<v Speaker 1>I think I think it's a great source for information.

0:44:29.280 --> 0:44:31.200
<v Speaker 1>I think you can build an audience there and you

0:44:31.239 --> 0:44:34.879
<v Speaker 1>can direct them to your other places. I don't see

0:44:34.920 --> 0:44:37.759
<v Speaker 1>a lot of I haven't seen one live stream on

0:44:37.800 --> 0:44:41.920
<v Speaker 1>Twitter yet. You know, uh it's not well they broadcast

0:44:42.040 --> 0:44:44.080
<v Speaker 1>football games. There's a way to do it. But I

0:44:44.120 --> 0:44:46.480
<v Speaker 1>agree with you haven't seen it. Yeah, so I haven't seen. Oh,

0:44:46.480 --> 0:44:50.680
<v Speaker 1>by the way, in Canada found it starts today. I

0:44:50.920 --> 0:44:55.520
<v Speaker 1>envy you, so I'll be going deep. So great show.

0:44:56.120 --> 0:45:00.200
<v Speaker 1>So back to I still think Instagram it's interest thing.

0:45:00.200 --> 0:45:02.239
<v Speaker 1>If you if you go on Instagram now and I

0:45:02.320 --> 0:45:05.960
<v Speaker 1>noticed that you recently got on Instagram. Um, if you

0:45:06.000 --> 0:45:08.520
<v Speaker 1>go on Instagram you know in the top of the

0:45:08.520 --> 0:45:11.080
<v Speaker 1>the app is all the stories, and the stories used

0:45:11.080 --> 0:45:14.120
<v Speaker 1>to be one person, used to be all one person

0:45:14.280 --> 0:45:17.160
<v Speaker 1>just doing their thing. Now that the top of the

0:45:17.360 --> 0:45:21.640
<v Speaker 1>app is where the stories are, it's all live. Everything

0:45:21.760 --> 0:45:24.719
<v Speaker 1>is live. Multiple people that you know are on that

0:45:24.800 --> 0:45:27.480
<v Speaker 1>live stream because obviously you know a lot of friends

0:45:27.480 --> 0:45:30.759
<v Speaker 1>who know other friends, and so now all you're seeing

0:45:30.880 --> 0:45:35.080
<v Speaker 1>is Instagram live, Instagram live NonStop. So everyone's going there.

0:45:35.120 --> 0:45:37.920
<v Speaker 1>There's um there's this app house Party. I don't know

0:45:37.960 --> 0:45:40.960
<v Speaker 1>if you've heard of it, were heard of it, so

0:45:41.000 --> 0:45:44.360
<v Speaker 1>you can only put it absolutely was started a while ago,

0:45:44.440 --> 0:45:47.359
<v Speaker 1>and it was bought in two thousand and nineteen by

0:45:47.400 --> 0:45:51.359
<v Speaker 1>the guys who own Fortnite because they were noticing that

0:45:51.840 --> 0:45:55.320
<v Speaker 1>gamers were communicating on house Party while they were gaming.

0:45:55.920 --> 0:45:57.759
<v Speaker 1>The only thing about it you can only put eight

0:45:57.800 --> 0:46:01.560
<v Speaker 1>people on it. But maybe that's another place where artists

0:46:01.560 --> 0:46:03.480
<v Speaker 1>can go and say, Hey, we're gonna do a concert

0:46:04.200 --> 0:46:08.000
<v Speaker 1>for only eight people. It's gonna be really exclusive, or

0:46:08.120 --> 0:46:10.319
<v Speaker 1>for seven people and I'm gonna be the eighth I'm

0:46:10.360 --> 0:46:14.120
<v Speaker 1>the artist, and I'm gonna do a house concert for you.

0:46:14.120 --> 0:46:16.640
<v Speaker 1>No different than when you know a lot of artists

0:46:16.680 --> 0:46:19.760
<v Speaker 1>are doing these house concert tours. So maybe that's another

0:46:20.080 --> 0:46:22.560
<v Speaker 1>thing that artists could do is they could certainly charge

0:46:22.600 --> 0:46:26.160
<v Speaker 1>a lot for that, right. And the thing about house

0:46:26.160 --> 0:46:29.600
<v Speaker 1>Party that's different than some of the other things Zoom.

0:46:29.600 --> 0:46:31.680
<v Speaker 1>If you send the link, anybody can just click the

0:46:31.719 --> 0:46:35.040
<v Speaker 1>link and get in on it house Party. If I'm

0:46:35.080 --> 0:46:37.279
<v Speaker 1>on a conversation with you on house Party, I can

0:46:37.360 --> 0:46:39.839
<v Speaker 1>hit the lock and it means no one else can

0:46:39.880 --> 0:46:42.279
<v Speaker 1>come in and we're in a locked room. And if

0:46:42.320 --> 0:46:44.160
<v Speaker 1>you go onto the app, it will say Jacob Bob

0:46:44.200 --> 0:46:46.799
<v Speaker 1>are in a locked room, you know, or if they

0:46:46.920 --> 0:46:49.439
<v Speaker 1>if they're only connected with me on the app, it'll

0:46:49.480 --> 0:46:51.120
<v Speaker 1>just say Jake's in the locker room, and it won't

0:46:51.120 --> 0:47:00.400
<v Speaker 1>tell them who I'm with, so they can't enter the room.

0:47:00.440 --> 0:47:03.239
<v Speaker 1>As I say, In terms of social media, and if

0:47:03.280 --> 0:47:06.440
<v Speaker 1>you even want to call social media, yes, I'm dedicated

0:47:06.520 --> 0:47:09.120
<v Speaker 1>follower of Twitter terms of the other formats. You know,

0:47:09.120 --> 0:47:11.760
<v Speaker 1>I've had an accounted Instagram. I didn't post for years,

0:47:11.760 --> 0:47:14.000
<v Speaker 1>and I did post a couple of times. It's an

0:47:14.000 --> 0:47:17.640
<v Speaker 1>interesting time because it's also because of all the messages,

0:47:17.800 --> 0:47:22.680
<v Speaker 1>it's harder than ever to uh build an audience. But

0:47:22.760 --> 0:47:26.920
<v Speaker 1>I found that these platforms are littered with self promotion,

0:47:27.040 --> 0:47:30.920
<v Speaker 1>which I find a turn off. Yeah, I mean I

0:47:30.960 --> 0:47:33.600
<v Speaker 1>think that's the other thing is that it's it's how

0:47:33.640 --> 0:47:37.719
<v Speaker 1>do you engage your audience now without coming off as

0:47:37.800 --> 0:47:42.239
<v Speaker 1>inauthentic or unauthentic, like you know, authenticity. People are are

0:47:42.320 --> 0:47:46.200
<v Speaker 1>really clamoring for authenticity. And it's it's one of the

0:47:46.280 --> 0:47:49.400
<v Speaker 1>things that drives me crazy. You know. It's um the

0:47:49.480 --> 0:47:56.200
<v Speaker 1>Instagram model who spouts off beautiful things about wellness and

0:47:56.320 --> 0:47:58.479
<v Speaker 1>here's a picture of me of my ass and the thong.

0:47:58.800 --> 0:48:02.080
<v Speaker 1>It's like it doesn't work for me. There's a it's

0:48:02.080 --> 0:48:05.520
<v Speaker 1>not there's no connection there, and I think I think

0:48:05.560 --> 0:48:08.920
<v Speaker 1>that um that you know, it's it's the line that

0:48:09.040 --> 0:48:11.480
<v Speaker 1>seems to be running around everywhere now is read the

0:48:11.560 --> 0:48:14.000
<v Speaker 1>room is you know, you've got to be able to

0:48:14.040 --> 0:48:17.640
<v Speaker 1>know how to uh how to market and how to

0:48:18.320 --> 0:48:22.040
<v Speaker 1>uh engage your fans in an authentic way right now,

0:48:22.080 --> 0:48:24.680
<v Speaker 1>and you've got to be smart about it. Um, you're

0:48:24.680 --> 0:48:26.680
<v Speaker 1>seeing a lot of ads. I saw someone on Twitter

0:48:26.719 --> 0:48:28.920
<v Speaker 1>the day talk about all these ads coming from the

0:48:28.960 --> 0:48:32.640
<v Speaker 1>big corporations about how and how fast they're turning these

0:48:32.680 --> 0:48:37.080
<v Speaker 1>ads around to buy my product in these trying times,

0:48:37.120 --> 0:48:40.160
<v Speaker 1>Like you know, who's writing the copy and how difficult

0:48:40.200 --> 0:48:43.200
<v Speaker 1>a job that is to write that kind of copy. Um,

0:48:43.239 --> 0:48:45.520
<v Speaker 1>I think everyone's still trying to figure it out. The

0:48:45.600 --> 0:48:47.680
<v Speaker 1>one thing I am doing more often than not is

0:48:47.719 --> 0:48:49.840
<v Speaker 1>I think I'm giving people the benefit of the doubt

0:48:49.920 --> 0:48:52.759
<v Speaker 1>because I know everyone's trying to figure it out, and

0:48:52.800 --> 0:48:56.279
<v Speaker 1>everyone's everyone's a little lost, and some people are doing

0:48:56.280 --> 0:48:59.759
<v Speaker 1>it really well and some people aren't doing it as

0:48:59.760 --> 0:49:02.000
<v Speaker 1>well all, and I think maybe we should be a

0:49:02.000 --> 0:49:04.319
<v Speaker 1>little bit more forgiving to those people because they haven't

0:49:04.360 --> 0:49:07.319
<v Speaker 1>figured it out yet. Well, however, there's been a huge

0:49:07.360 --> 0:49:11.480
<v Speaker 1>you talk about reading the room, huge celebrity backlash, you know,

0:49:11.520 --> 0:49:15.160
<v Speaker 1>to Gal Gadot and imagine with her other celebrities, David

0:49:15.239 --> 0:49:19.319
<v Speaker 1>Jeffen in his yacht. And that's an interesting situation because

0:49:19.320 --> 0:49:22.120
<v Speaker 1>in reality that's been going on for years, and that

0:49:22.200 --> 0:49:24.800
<v Speaker 1>the celebrities are not who don't have the status and

0:49:24.840 --> 0:49:27.640
<v Speaker 1>the adoration they used to have before. Well, I don't.

0:49:27.880 --> 0:49:31.279
<v Speaker 1>I think it's interesting you're saying that because um I

0:49:31.320 --> 0:49:34.040
<v Speaker 1>read an interesting article in Vanity Fair. I don't know

0:49:34.080 --> 0:49:36.000
<v Speaker 1>if I sent it to you or not, but it

0:49:36.080 --> 0:49:38.560
<v Speaker 1>was all about you know, that that that this could

0:49:38.600 --> 0:49:42.680
<v Speaker 1>be the death of the so called influencer right right,

0:49:42.760 --> 0:49:46.000
<v Speaker 1>and I did that and whether and whether whether, and

0:49:46.040 --> 0:49:48.319
<v Speaker 1>that goes with artists too, because there are plenty of

0:49:48.800 --> 0:49:51.799
<v Speaker 1>artists out there who are who have market themselves more

0:49:51.880 --> 0:49:55.960
<v Speaker 1>as sort of an influencer or someone who does this

0:49:56.040 --> 0:49:58.520
<v Speaker 1>one thing, but they also do these other things and

0:49:58.640 --> 0:50:00.880
<v Speaker 1>music may not be there no or one thing, but

0:50:00.960 --> 0:50:03.440
<v Speaker 1>they're trying to sell music off the back of what

0:50:03.480 --> 0:50:07.799
<v Speaker 1>they're known for, you know. Um uh. I think the

0:50:07.800 --> 0:50:10.720
<v Speaker 1>only one that's ever done it really successful and managed

0:50:10.760 --> 0:50:13.480
<v Speaker 1>to come out the other side was Jack Johnson, who

0:50:13.600 --> 0:50:17.160
<v Speaker 1>was not an artist when he first started, who right right.

0:50:17.280 --> 0:50:19.919
<v Speaker 1>But most of the rest we kind of have looked

0:50:19.960 --> 0:50:22.520
<v Speaker 1>at and went there's not a lot of credibility there.

0:50:22.880 --> 0:50:26.120
<v Speaker 1>I think that the influences who are as I like

0:50:26.200 --> 0:50:30.879
<v Speaker 1>to say, famous for being famous may not may not

0:50:31.520 --> 0:50:34.239
<v Speaker 1>last through. The ones that are really really big in

0:50:34.320 --> 0:50:39.040
<v Speaker 1>the Kardashian level, I think they're teflon at this point.

0:50:38.800 --> 0:50:41.160
<v Speaker 1>I don't know. It's interesting because in today's New York

0:50:41.200 --> 0:50:44.640
<v Speaker 1>Times Style section they have a whole story how the

0:50:44.760 --> 0:50:50.560
<v Speaker 1>fashion business is being hurt by the postponement of Coachella.

0:50:51.000 --> 0:50:53.480
<v Speaker 1>This really shows that it's not about the music. They

0:50:53.480 --> 0:50:56.200
<v Speaker 1>happen to have a picture of an influencer there wearing

0:50:56.200 --> 0:50:59.040
<v Speaker 1>her outfit that you go there to parade your look

0:50:59.080 --> 0:51:01.160
<v Speaker 1>and if the other thing, which is sort of amazing

0:51:01.640 --> 0:51:03.720
<v Speaker 1>with fast fashion, they say, a lot of these people

0:51:03.760 --> 0:51:07.319
<v Speaker 1>just by the clothes for the weekend and literally throw

0:51:07.400 --> 0:51:12.960
<v Speaker 1>them away. Yeah, However, Jake, why are Canada and Toronto's

0:51:13.000 --> 0:51:18.640
<v Speaker 1>such epicenter of musical innovation and stature? You mean, why

0:51:18.760 --> 0:51:21.920
<v Speaker 1>is the weekend and Drake number one in two the charts?

0:51:22.000 --> 0:51:24.800
<v Speaker 1>That's we well, not time before that you had uh

0:51:25.239 --> 0:51:29.359
<v Speaker 1>broken social scene from Montreal, etcetera. Arcade fire. You mean

0:51:29.440 --> 0:51:33.840
<v Speaker 1>from from Yeah. Yeah. I think one of the things

0:51:33.880 --> 0:51:37.520
<v Speaker 1>that we like a lot of European countries for what

0:51:37.600 --> 0:51:41.279
<v Speaker 1>it's worth is we invest in the arts as a

0:51:41.280 --> 0:51:45.640
<v Speaker 1>as a country. Uh. We have a great um, we

0:51:45.719 --> 0:51:49.600
<v Speaker 1>have a great uh system of supporting the arts from

0:51:49.760 --> 0:51:55.120
<v Speaker 1>grants UM, grants to companies, grants to artists. Um, there's

0:51:55.120 --> 0:51:59.759
<v Speaker 1>an infrastructure. There's infrastructure grants. UM. There's so you know,

0:51:59.800 --> 0:52:02.360
<v Speaker 1>if you think about it, if if if a record company,

0:52:02.400 --> 0:52:05.320
<v Speaker 1>independent record companies getting a grant to make a record,

0:52:05.800 --> 0:52:09.760
<v Speaker 1>they're they're able to give the artists, um uh an advance.

0:52:09.800 --> 0:52:12.280
<v Speaker 1>It's not a major label type advance, but it's also

0:52:13.040 --> 0:52:16.799
<v Speaker 1>I'm not gonna not gonna have as much debt to recoup. Um.

0:52:16.840 --> 0:52:22.120
<v Speaker 1>There we're supporting recording studios, were supporting video production. UM.

0:52:22.160 --> 0:52:26.799
<v Speaker 1>There's grants for film and television. So those people will

0:52:26.880 --> 0:52:30.640
<v Speaker 1>get more money for their grants, um if they use

0:52:30.760 --> 0:52:34.200
<v Speaker 1>Canadian music, because you get you know, based on how

0:52:34.280 --> 0:52:37.719
<v Speaker 1>much Canadian content you put in your films dictates how

0:52:37.800 --> 0:52:40.719
<v Speaker 1>much of the grant you can get. So there's all

0:52:40.800 --> 0:52:42.960
<v Speaker 1>kinds of stuff like that. So when you look at that,

0:52:43.040 --> 0:52:46.839
<v Speaker 1>how it supports an overall echosystem, ecosystem and then here

0:52:46.880 --> 0:52:50.200
<v Speaker 1>we are kind of a training ground because we can

0:52:50.200 --> 0:52:53.560
<v Speaker 1>get our feet wet. And you know, most Canadian bands

0:52:53.640 --> 0:52:57.319
<v Speaker 1>that tour are really good live bands, and a lot

0:52:57.320 --> 0:52:59.319
<v Speaker 1>of them by the time they get to America, they're

0:52:59.440 --> 0:53:03.200
<v Speaker 1>they're all formed entities that know how to go out

0:53:03.239 --> 0:53:05.600
<v Speaker 1>there on the road. And I remember in the days

0:53:05.640 --> 0:53:07.480
<v Speaker 1>of the Hip when we would go into places in

0:53:07.520 --> 0:53:10.359
<v Speaker 1>America to play, they would all say, wow, like, you

0:53:10.400 --> 0:53:13.360
<v Speaker 1>guys are like really together. You know, we'll be playing

0:53:13.400 --> 0:53:16.719
<v Speaker 1>three clubs and most of the band's playing three clubs.

0:53:17.200 --> 0:53:19.719
<v Speaker 1>We're not that together. Like, you know, we were like

0:53:19.760 --> 0:53:22.880
<v Speaker 1>a machine and and and we were also nice to

0:53:22.920 --> 0:53:25.120
<v Speaker 1>the people there, and they would be like and they'd

0:53:25.160 --> 0:53:27.440
<v Speaker 1>be like, you guys must be Canadian, you're nice. You know.

0:53:27.440 --> 0:53:29.319
<v Speaker 1>It was like that was I hate to say it,

0:53:29.360 --> 0:53:31.200
<v Speaker 1>but that's what we used to get all the time.

0:53:31.640 --> 0:53:35.640
<v Speaker 1>And so we're kind of we have this great, um,

0:53:35.960 --> 0:53:39.120
<v Speaker 1>great training ground per se to get it going. Now

0:53:39.160 --> 0:53:42.799
<v Speaker 1>that that wasn't always the case, but but and it's

0:53:42.840 --> 0:53:45.640
<v Speaker 1>almost like a proof of concept in a lot of ways,

0:53:46.200 --> 0:53:50.040
<v Speaker 1>um and everyone's looking for proof of concept today, so

0:53:50.080 --> 0:53:53.000
<v Speaker 1>that has a big part to do with it too. Okay,

0:53:53.160 --> 0:53:57.480
<v Speaker 1>is we're doing this remotely in our COVID nineteen initiation.

0:53:58.320 --> 0:54:02.040
<v Speaker 1>Anything we haven't covered, Um, I don't know if if

0:54:02.080 --> 0:54:04.279
<v Speaker 1>there's anything we haven't covered, but but I want to

0:54:04.280 --> 0:54:07.040
<v Speaker 1>ask you a couple of questions since we're since we're

0:54:07.080 --> 0:54:11.040
<v Speaker 1>back and forth. UM, one of the things I noticed

0:54:11.160 --> 0:54:13.800
<v Speaker 1>is is obviously and for a lot of reasons, and

0:54:13.880 --> 0:54:18.200
<v Speaker 1>you and I have discussed this, you know ourselves internally,

0:54:18.280 --> 0:54:21.560
<v Speaker 1>let's just call it. UM. You know you're really getting

0:54:21.600 --> 0:54:25.440
<v Speaker 1>political these days. You're spending a lot of time on politics.

0:54:25.520 --> 0:54:27.680
<v Speaker 1>I noticed you backed off the last few days and

0:54:27.719 --> 0:54:30.839
<v Speaker 1>you've been um, you've been writing, there's you know, back

0:54:30.840 --> 0:54:33.520
<v Speaker 1>to more music stuff and everything else. How are you

0:54:33.560 --> 0:54:37.120
<v Speaker 1>dealing with the crap that you're getting? I saw that

0:54:38.520 --> 0:54:41.040
<v Speaker 1>hold on. I saw one post and I it gave

0:54:41.040 --> 0:54:43.839
<v Speaker 1>me shivers. The guy with the guns that said he's

0:54:43.880 --> 0:54:47.680
<v Speaker 1>coming for Sean Marmelo was let's continue to hear from him,

0:54:47.719 --> 0:54:51.360
<v Speaker 1>and you continue to print his name too, as anybody

0:54:51.400 --> 0:54:54.200
<v Speaker 1>written back and said, I know that guy like you

0:54:54.360 --> 0:54:58.400
<v Speaker 1>know everyone's written about because you know today everybody's searchable online,

0:54:58.680 --> 0:55:01.120
<v Speaker 1>right so they can see it. He is a country

0:55:01.200 --> 0:55:05.799
<v Speaker 1>singer from I forget the state, but I have not

0:55:06.040 --> 0:55:10.440
<v Speaker 1>heard from anybody who knows him. In terms of writing

0:55:10.440 --> 0:55:14.319
<v Speaker 1>about politics, there's a lot of things going on. Let

0:55:14.360 --> 0:55:19.000
<v Speaker 1>me try to break it down a little bit. Um one.

0:55:19.239 --> 0:55:22.600
<v Speaker 1>That is the story of our time, just like music

0:55:22.719 --> 0:55:26.080
<v Speaker 1>was the Canarian the coal mine for digital disruption, and

0:55:26.120 --> 0:55:28.920
<v Speaker 1>it's amazing. If you look at television. New York Times

0:55:28.960 --> 0:55:31.680
<v Speaker 1>did a number of streaming services. There's like thirty pace

0:55:31.800 --> 0:55:35.080
<v Speaker 1>streaming services. It's just crazy where we can get everything

0:55:35.120 --> 0:55:40.640
<v Speaker 1>on one service, although there are a few services, and uh,

0:55:40.760 --> 0:55:43.960
<v Speaker 1>we have it figured out now. The fascinating thing is

0:55:44.040 --> 0:55:46.839
<v Speaker 1>all of the people who said the Internet is going

0:55:46.880 --> 0:55:50.000
<v Speaker 1>to kill the music business, that was untrue. C D

0:55:50.160 --> 0:55:53.439
<v Speaker 1>did not survive. They were left in the past. So

0:55:54.080 --> 0:55:58.440
<v Speaker 1>is that equivalent in this political thing? You know, are

0:55:58.480 --> 0:56:01.640
<v Speaker 1>we going to see breakthrough? We're going to see a

0:56:01.760 --> 0:56:04.640
<v Speaker 1>change in government in the United States and it's literally

0:56:04.719 --> 0:56:07.160
<v Speaker 1>life and death. So what do I know? If I

0:56:07.200 --> 0:56:13.360
<v Speaker 1>write about we'll call it politics. And the coronavirus responses voluminous,

0:56:13.400 --> 0:56:16.200
<v Speaker 1>just like in the days of Napster. If I write

0:56:16.200 --> 0:56:20.560
<v Speaker 1>about music, it's much much smaller. I get all these

0:56:20.680 --> 0:56:26.799
<v Speaker 1>daily newsletters, a record of the day from England. And

0:56:27.040 --> 0:56:31.200
<v Speaker 1>the funny thing is they're not shorter whatsoever. It's just

0:56:31.280 --> 0:56:35.719
<v Speaker 1>the news is more irrelevant. So ultimately comes down to

0:56:35.760 --> 0:56:39.680
<v Speaker 1>the music, and we're focusing on music at this time. Yes,

0:56:39.800 --> 0:56:44.080
<v Speaker 1>by writing about politics, I lose some subscribe it. There's

0:56:44.080 --> 0:56:46.400
<v Speaker 1>a lot of thoughts. I could do twenty minutes on this,

0:56:46.520 --> 0:56:50.680
<v Speaker 1>but I won't. First, if you listen to the audience,

0:56:50.760 --> 0:56:55.000
<v Speaker 1>you're screwed. If you're an artist, you have to do

0:56:55.080 --> 0:56:59.680
<v Speaker 1>what residates the plastic person here being Neil Young. If

0:56:59.719 --> 0:57:01.640
<v Speaker 1>you look back at Neil Young's history, he had a

0:57:01.719 --> 0:57:06.799
<v Speaker 1>gigantic album with Harvest, which was his fourth album after

0:57:06.800 --> 0:57:09.319
<v Speaker 1>the gold Rush. Before that was pretty big. He went

0:57:09.360 --> 0:57:13.840
<v Speaker 1>on an arena tour and he played all new music

0:57:14.560 --> 0:57:16.760
<v Speaker 1>and would say and then he said, okay, I'm gonna

0:57:16.760 --> 0:57:19.400
<v Speaker 1>play something you know and you've heard already. Then he

0:57:19.400 --> 0:57:22.479
<v Speaker 1>played a song from the same gig. Needless to say,

0:57:22.560 --> 0:57:26.440
<v Speaker 1>he could not play arenas thereafter. But people are still

0:57:26.480 --> 0:57:29.200
<v Speaker 1>interested in the new music of Neil Young. They're not

0:57:29.280 --> 0:57:32.520
<v Speaker 1>interested in the new music of Crosby Stills or Nash,

0:57:32.560 --> 0:57:37.880
<v Speaker 1>certainly not in that volume. So the other thing was

0:57:37.920 --> 0:57:40.400
<v Speaker 1>I did a podcast with Pete Tongue and this is

0:57:40.480 --> 0:57:44.480
<v Speaker 1>really resonated with me. We're talking about his live career, Pete.

0:57:44.520 --> 0:57:48.560
<v Speaker 1>You know, it's got many enterprises doing very well. It

0:57:48.760 --> 0:57:53.160
<v Speaker 1>was fabulous. But one thing he said that really is

0:57:53.200 --> 0:57:57.680
<v Speaker 1>stuck with me is that, Okay, his live business is

0:57:57.720 --> 0:58:00.840
<v Speaker 1>not as big as it used to be. And I said, well,

0:58:00.920 --> 0:58:04.400
<v Speaker 1>could it be that big again? And he said he

0:58:04.400 --> 0:58:08.800
<v Speaker 1>would have to reinvent himself. Now, this is an interesting

0:58:08.880 --> 0:58:12.640
<v Speaker 1>thing in the music business. The classic acts. Uh, they're

0:58:12.640 --> 0:58:16.880
<v Speaker 1>going out and they're playing the old tunes lucratively, if

0:58:16.920 --> 0:58:18.400
<v Speaker 1>that's a word, it's you know, they're making a lot

0:58:18.480 --> 0:58:21.160
<v Speaker 1>of money. No one wants to hear the new music.

0:58:21.680 --> 0:58:25.280
<v Speaker 1>How fulfilling is it for those people? If you look

0:58:25.320 --> 0:58:28.680
<v Speaker 1>at the legends David Bowie, I was there early, huge fan,

0:58:28.800 --> 0:58:33.800
<v Speaker 1>saw Ziggy Stardust. He constantly changed. Some things you'd like,

0:58:34.000 --> 0:58:37.720
<v Speaker 1>some things you didn't, but he is the name that remains.

0:58:38.960 --> 0:58:41.320
<v Speaker 1>The other thing I remember Brian Adam telling about Canadian

0:58:41.360 --> 0:58:44.320
<v Speaker 1>Everyone said, oh, your music is not current enough, you're

0:58:44.360 --> 0:58:47.000
<v Speaker 1>not taking topics on and then he made an album

0:58:47.040 --> 0:58:49.520
<v Speaker 1>doing that and it was nowhere nearer successful. Then he

0:58:49.560 --> 0:58:52.840
<v Speaker 1>went back to the old formula. So I believe I

0:58:52.960 --> 0:58:57.560
<v Speaker 1>have to do what resonates and what I have found

0:58:57.800 --> 0:59:01.560
<v Speaker 1>is because I save all my email. The people who

0:59:01.560 --> 0:59:04.800
<v Speaker 1>are bitching are always the same people bitching. Ironically, the

0:59:04.880 --> 0:59:08.040
<v Speaker 1>people who email you who disagree with you on politics,

0:59:08.200 --> 0:59:12.760
<v Speaker 1>they don't sign off. They're just working the refs. So people,

0:59:13.160 --> 0:59:15.760
<v Speaker 1>those are the same people that hate Trump but follow Trump,

0:59:15.840 --> 0:59:19.560
<v Speaker 1>and the same people that hate Pelosi but follow Pelosi. Right,

0:59:19.720 --> 0:59:22.160
<v Speaker 1>the same people right well, as I say, if in

0:59:22.240 --> 0:59:25.680
<v Speaker 1>terms of the right wing, uh, there's certainly they're trying

0:59:25.720 --> 0:59:27.840
<v Speaker 1>to work the refs. I hear from these people some

0:59:28.160 --> 0:59:31.800
<v Speaker 1>every day. Okay, you would think if they didn't like

0:59:31.840 --> 0:59:34.040
<v Speaker 1>what I write, they would sign off, but they don't.

0:59:34.560 --> 0:59:37.400
<v Speaker 1>But yesterday I sent a number of things, and I'm

0:59:37.400 --> 0:59:40.200
<v Speaker 1>always weary. I used to send up to five things

0:59:40.200 --> 0:59:42.320
<v Speaker 1>a day, but I sent three things in a day,

0:59:42.360 --> 0:59:45.880
<v Speaker 1>and usually inherently you get sign offs. The third thing

0:59:45.960 --> 0:59:51.919
<v Speaker 1>was political. I didn't lose the single subscriber net net.

0:59:52.200 --> 0:59:56.760
<v Speaker 1>But what I've also, you know, you start to learn, interestingly,

0:59:57.400 --> 1:00:02.360
<v Speaker 1>I lose most subscribers when I print a mail bag,

1:00:02.520 --> 1:00:07.200
<v Speaker 1>the all the viewpoints. I can't exactly explain why, whether

1:00:07.240 --> 1:00:11.160
<v Speaker 1>people just overwhelmed. If they hear it from me, they're okay.

1:00:11.240 --> 1:00:13.520
<v Speaker 1>If they hear from all these other people on both sides.

1:00:13.800 --> 1:00:17.320
<v Speaker 1>Somehow it overwhelms. You know, I don't know why they

1:00:17.320 --> 1:00:20.720
<v Speaker 1>have done subscribed. They can just delete, you know, like Okay,

1:00:20.800 --> 1:00:23.480
<v Speaker 1>I don't like mail bag, I'm not gonna read mail bag.

1:00:24.040 --> 1:00:26.120
<v Speaker 1>Or maybe they're in the mail bag and they didn't

1:00:26.160 --> 1:00:29.480
<v Speaker 1>and they realized that afterwards and they decided I'm gonna subscribe.

1:00:29.480 --> 1:00:32.320
<v Speaker 1>Be interesting to see how many of your unsubscribers were

1:00:32.360 --> 1:00:34.920
<v Speaker 1>people you mentioned in the mail bag, to see if

1:00:34.920 --> 1:00:37.640
<v Speaker 1>there's a correlation. There never never, but I have had

1:00:37.680 --> 1:00:41.000
<v Speaker 1>people send me hainous me mail and sign off and

1:00:41.040 --> 1:00:43.280
<v Speaker 1>I printed their heinous email. You always wonder if they

1:00:43.320 --> 1:00:45.600
<v Speaker 1>read it. Yeah, yeah, I know that. I know that.

1:00:45.640 --> 1:00:47.920
<v Speaker 1>I have another question for you before I go there.

1:00:47.960 --> 1:00:51.360
<v Speaker 1>I want to say one thing is that, um, the

1:00:51.560 --> 1:00:57.360
<v Speaker 1>people who are mad about politics always tell you they're unsubscribing.

1:00:57.880 --> 1:00:59.720
<v Speaker 1>There's a link at the bottom of the you know,

1:00:59.760 --> 1:01:01.720
<v Speaker 1>they to do it themselves, but they have to tell

1:01:01.760 --> 1:01:04.440
<v Speaker 1>you take me off the list, right, Yeah, and then

1:01:04.480 --> 1:01:07.560
<v Speaker 1>you can print that, and that's great. I love reading those.

1:01:08.080 --> 1:01:11.600
<v Speaker 1>I love reading those because those people, if if they

1:01:11.640 --> 1:01:13.680
<v Speaker 1>did it right after they sent it to you, then

1:01:13.720 --> 1:01:15.960
<v Speaker 1>they never got to read their own email. In your

1:01:16.000 --> 1:01:19.800
<v Speaker 1>mail bag. Let me let me ask you the next question.

1:01:19.840 --> 1:01:21.400
<v Speaker 1>I don't know when this thing is going to go

1:01:21.480 --> 1:01:23.400
<v Speaker 1>to air. Is it gonna go to air within the

1:01:23.480 --> 1:01:27.760
<v Speaker 1>next seven days? Probably? Okay, So it's gonna go to

1:01:27.840 --> 1:01:31.720
<v Speaker 1>air around the time of your birthday. Your birthday is

1:01:31.720 --> 1:01:35.320
<v Speaker 1>coming up, And how do you feel about that? Like,

1:01:35.360 --> 1:01:38.800
<v Speaker 1>this will be your, like me, your first quarantined birthday,

1:01:38.840 --> 1:01:41.680
<v Speaker 1>and usually, well, I know you're not a giant birthday.

1:01:41.720 --> 1:01:43.720
<v Speaker 1>We've had a couple of big birthday parties for you

1:01:43.800 --> 1:01:47.000
<v Speaker 1>had a big fifty, we had a big sixty. Um,

1:01:47.120 --> 1:01:50.440
<v Speaker 1>it's gonna be your first quarantine birthday. Uh, how is

1:01:50.480 --> 1:01:52.880
<v Speaker 1>that going to feel? Well? I've had a couple of

1:01:52.920 --> 1:02:00.560
<v Speaker 1>birthdays that haven't been uh, you know, as meaningful. Add One,

1:02:01.800 --> 1:02:03.840
<v Speaker 1>I like to go to the closing week of AIL

1:02:03.920 --> 1:02:08.120
<v Speaker 1>and go skiing, and especially the closing week was my birthday.

1:02:08.160 --> 1:02:11.960
<v Speaker 1>The subsequent year, my birthday was the day after closing

1:02:11.960 --> 1:02:16.080
<v Speaker 1>and I flew home on an airplane, And so my

1:02:16.240 --> 1:02:19.080
<v Speaker 1>expectations not that high. But as I get older, what

1:02:19.240 --> 1:02:22.080
<v Speaker 1>bothers me about my birthday is it comes and goes

1:02:22.160 --> 1:02:25.600
<v Speaker 1>so fast. You think about it coming for like three months,

1:02:26.000 --> 1:02:29.040
<v Speaker 1>that it's one day and it already happens, so I

1:02:29.120 --> 1:02:36.960
<v Speaker 1>have rituals on my birthday. Um in nine seven, I

1:02:37.040 --> 1:02:40.840
<v Speaker 1>went for pastrami sandwich at Langer's, then went to see

1:02:40.880 --> 1:02:43.680
<v Speaker 1>the movie Annie Hall, and then went for a Sunday

1:02:43.680 --> 1:02:46.240
<v Speaker 1>at a legendary place on Hollywood Boulevard that no longer

1:02:46.280 --> 1:02:50.280
<v Speaker 1>exists called C. C. Browns. So that's what I do

1:02:51.000 --> 1:02:54.240
<v Speaker 1>every birthday the last couple of years. Some there has

1:02:54.360 --> 1:02:56.920
<v Speaker 1>occasionally there hasn't been a good movie, and I've watched Netflix.

1:02:57.320 --> 1:03:00.800
<v Speaker 1>Always go for the pastrami sandwich, Always have the ice cream.

1:03:01.120 --> 1:03:04.800
<v Speaker 1>What I'm thinking about is getting a z Bars send

1:03:05.200 --> 1:03:09.080
<v Speaker 1>and sort of have my own celebration here. I'm also

1:03:09.720 --> 1:03:12.200
<v Speaker 1>the question would be my sister said, do I want

1:03:12.200 --> 1:03:16.000
<v Speaker 1>a Zoom birthday party? Now, you had a Zoom birthday

1:03:16.000 --> 1:03:18.120
<v Speaker 1>party with thirty people. But the only thing about Zoom

1:03:18.160 --> 1:03:22.160
<v Speaker 1>is it's cacophony. You can't know, everyone's talking, it's fun,

1:03:22.200 --> 1:03:25.120
<v Speaker 1>everybody's here, but you can't make any pro No, Actually,

1:03:25.320 --> 1:03:28.320
<v Speaker 1>you've got him. All you have to do is you

1:03:28.360 --> 1:03:30.920
<v Speaker 1>have to have someone that sort of takes control of

1:03:30.960 --> 1:03:33.280
<v Speaker 1>the party, right, and in that case it could be you.

1:03:33.840 --> 1:03:36.520
<v Speaker 1>Where I like, I went around the room and asked

1:03:36.560 --> 1:03:39.760
<v Speaker 1>everyone to give recommendations on what they've been streaming and

1:03:39.800 --> 1:03:42.640
<v Speaker 1>watching so they could hear from other people. So a

1:03:42.720 --> 1:03:44.680
<v Speaker 1>lot of people are thinking, what else are you doing?

1:03:44.800 --> 1:03:48.120
<v Speaker 1>How are you coping? Everyone got to tell their story. Um.

1:03:48.200 --> 1:03:50.840
<v Speaker 1>And then at the end somebody said to me, you know,

1:03:51.040 --> 1:03:53.160
<v Speaker 1>what did you what did you learn in the past year?

1:03:53.200 --> 1:03:55.080
<v Speaker 1>And I gave my piece on what I learned in

1:03:55.080 --> 1:03:57.520
<v Speaker 1>the past year. So I think if you can monitor

1:03:57.600 --> 1:04:00.400
<v Speaker 1>it and make it seem like it's almost because if

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<v Speaker 1>you're a panel but there's thirty forty people there, and

1:04:02.960 --> 1:04:06.400
<v Speaker 1>give everyone a chance to talk and introduce everyone as everyone.

1:04:06.400 --> 1:04:09.280
<v Speaker 1>Because I was on first, as everyone joined, I would

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<v Speaker 1>introduce everybody. They would come on, I'd say, hey, everybody,

1:04:12.240 --> 1:04:14.360
<v Speaker 1>this is so and so, and it was like I

1:04:14.480 --> 1:04:17.120
<v Speaker 1>was the conductor of it. So I think, if you're

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<v Speaker 1>gonna have a Zoom birthday party, someone's got to take

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<v Speaker 1>the reins and do it that way. Otherwise you're right,

1:04:22.240 --> 1:04:25.520
<v Speaker 1>it can go crazy. Um. But you also have, you know,

1:04:25.600 --> 1:04:27.680
<v Speaker 1>the the chat bar on the side. If people want

1:04:27.720 --> 1:04:30.520
<v Speaker 1>to talk amongst themselves, you can tell them. My only

1:04:30.600 --> 1:04:33.040
<v Speaker 1>problem is people are not that Zoom savvy and you

1:04:33.280 --> 1:04:35.400
<v Speaker 1>and you send him a message and they don't they're

1:04:35.400 --> 1:04:37.920
<v Speaker 1>not savvy enough to read it. Yeah, but if you

1:04:37.960 --> 1:04:39.960
<v Speaker 1>tell them what it is, you know, like I did

1:04:39.960 --> 1:04:42.320
<v Speaker 1>a b y o C. Bring your own cake, and

1:04:42.360 --> 1:04:44.880
<v Speaker 1>a whole bunch of people all had a piece of cake.

1:04:44.960 --> 1:04:47.040
<v Speaker 1>So when I ate the cake that I had everyone

1:04:47.240 --> 1:04:50.400
<v Speaker 1>ate cake with me. So we knows a good idea, right,

1:04:50.440 --> 1:04:52.520
<v Speaker 1>I said, b y O C. Now the amount of

1:04:52.560 --> 1:04:55.600
<v Speaker 1>people that came back with what they saw C stood

1:04:55.640 --> 1:04:58.720
<v Speaker 1>for and it wasn't cake that I had to explain

1:04:58.720 --> 1:05:01.240
<v Speaker 1>to them what the sea was for. But people, a

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<v Speaker 1>bunch of people had cake and even had a candle

1:05:03.360 --> 1:05:05.200
<v Speaker 1>in it and they blew out the candle when I

1:05:05.240 --> 1:05:07.840
<v Speaker 1>blew out the candle. So you can make it a theme.

1:05:07.920 --> 1:05:10.280
<v Speaker 1>You can say dressed like Bob, you know where your

1:05:10.320 --> 1:05:13.080
<v Speaker 1>best ski outfit, you can wear ski goggles, can do

1:05:13.120 --> 1:05:15.400
<v Speaker 1>whatever you want. But if you want to have fun

1:05:15.440 --> 1:05:17.120
<v Speaker 1>with it, have fun with it. But you gotta you

1:05:17.200 --> 1:05:20.520
<v Speaker 1>gotta control the flow. If you don't control the flow,

1:05:21.000 --> 1:05:23.280
<v Speaker 1>It's like I did the podcast the other day with

1:05:23.400 --> 1:05:26.480
<v Speaker 1>UM with Steiny, and there was six people on the cast,

1:05:26.800 --> 1:05:29.280
<v Speaker 1>and because he was hosting it, he controlled the flow,

1:05:29.400 --> 1:05:32.560
<v Speaker 1>so it was much easier to make it work. So

1:05:32.640 --> 1:05:34.720
<v Speaker 1>it's up to you if you want to control the flow.

1:05:35.320 --> 1:05:37.480
<v Speaker 1>Like okay, so Jake, before we come to the end

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<v Speaker 1>of the field, we've known any more questions for me? No,

1:05:40.440 --> 1:05:43.840
<v Speaker 1>I think I think I was saving that question for

1:05:43.880 --> 1:05:47.040
<v Speaker 1>the end. That was I was actually saving that question

1:05:47.080 --> 1:05:49.200
<v Speaker 1>knowing that we're almost at an hour here and we're

1:05:49.200 --> 1:05:52.160
<v Speaker 1>almost wrapped up. Okay, Well, you know it's interesting because

1:05:52.760 --> 1:05:56.240
<v Speaker 1>you know, they always talk about roadmaps with software, and

1:05:56.280 --> 1:05:59.240
<v Speaker 1>they always talk about how much runway they have. I

1:05:59.280 --> 1:06:01.960
<v Speaker 1>will be sick seven. Most people lie about the rage,

1:06:02.000 --> 1:06:04.440
<v Speaker 1>but you can look it up on Wikipedia by the

1:06:04.520 --> 1:06:08.440
<v Speaker 1>same token. There's a lot of fake stuff there, Leo

1:06:08.600 --> 1:06:12.400
<v Speaker 1>or Cone, Tommy Mottola. They're taking years off. What what

1:06:12.480 --> 1:06:17.080
<v Speaker 1>difference does it make? But today I got the news

1:06:17.120 --> 1:06:22.480
<v Speaker 1>Brian Denna he died, and and last week it was

1:06:24.080 --> 1:06:28.120
<v Speaker 1>um Alan Garfield. It was in a million movies and

1:06:28.160 --> 1:06:30.240
<v Speaker 1>so anyway, Brian Denna he died. You know, he was

1:06:30.240 --> 1:06:32.880
<v Speaker 1>a great actor and he see he's eighty one, so

1:06:33.000 --> 1:06:35.720
<v Speaker 1>well ship my father died at seventy. But it's like,

1:06:35.720 --> 1:06:42.480
<v Speaker 1>ok so we're already in bonus dimond. It's like it's

1:06:42.520 --> 1:06:44.680
<v Speaker 1>like like people say they want to die in their sleep.

1:06:44.680 --> 1:06:45.880
<v Speaker 1>But I don't want to die in my sleep. I

1:06:45.920 --> 1:06:48.560
<v Speaker 1>don't want to see it coming. Okay, I want to

1:06:48.600 --> 1:06:51.200
<v Speaker 1>know it's the end. But if somebody and if you're killed.

1:06:51.360 --> 1:06:53.240
<v Speaker 1>I'm not gonna get killed in a car accident without

1:06:53.320 --> 1:06:57.000
<v Speaker 1>driving at this time. But you know, if there's an accident,

1:06:57.200 --> 1:07:00.920
<v Speaker 1>so be it. But to think there's a limited time left.

1:07:01.000 --> 1:07:05.320
<v Speaker 1>I feel good about the path I've taken, but it's scary. Yeah,

1:07:05.440 --> 1:07:07.200
<v Speaker 1>I guess you can look at it that way, or

1:07:07.240 --> 1:07:09.360
<v Speaker 1>you can just look at it is. You know, live

1:07:09.400 --> 1:07:12.280
<v Speaker 1>in the moment, enjoy the time you've got. You live,

1:07:12.520 --> 1:07:16.000
<v Speaker 1>you know overall, if you if you had perspective, and

1:07:16.040 --> 1:07:19.520
<v Speaker 1>I know you have perspective, Um, you look around and

1:07:19.680 --> 1:07:22.200
<v Speaker 1>see the life you live. You ski, you have good

1:07:22.240 --> 1:07:25.880
<v Speaker 1>friends that that that communicate with you, regularly check in

1:07:25.960 --> 1:07:28.640
<v Speaker 1>on you. You have, you have a great girlfriend. You

1:07:28.680 --> 1:07:32.000
<v Speaker 1>live a comfortable life. Could be worse. I look around,

1:07:32.160 --> 1:07:36.440
<v Speaker 1>especially today and see uh and and and literally think

1:07:36.600 --> 1:07:39.200
<v Speaker 1>think how lucky I am. You know that I'm actually

1:07:39.240 --> 1:07:43.880
<v Speaker 1>being able to Let's reach to the classic. What is

1:07:43.960 --> 1:07:47.120
<v Speaker 1>on the bucket list, Jake, I don't have a bucket list, Bob,

1:07:47.240 --> 1:07:53.600
<v Speaker 1>I have a bucket list okay, and and the fucket

1:07:53.640 --> 1:07:55.240
<v Speaker 1>list is if I feel like I want to go

1:07:55.360 --> 1:07:58.920
<v Speaker 1>do something, I just go do it. And I say,

1:07:58.960 --> 1:08:00.920
<v Speaker 1>and I don't look at my bank account and I

1:08:00.960 --> 1:08:03.280
<v Speaker 1>don't look at my credit card and I'm fortunate enough

1:08:03.320 --> 1:08:05.120
<v Speaker 1>that I can do it. Can I do stupid? It's

1:08:05.360 --> 1:08:11.080
<v Speaker 1>really extravagant things? Bye bye bye extravagant people standards? Probably not.

1:08:11.480 --> 1:08:13.800
<v Speaker 1>Can I do things like I really like that piece

1:08:13.840 --> 1:08:17.040
<v Speaker 1>of art and it costs, you know, money, I'm gonna

1:08:17.040 --> 1:08:19.160
<v Speaker 1>buy it. Yeah, I'll go buy it because I want

1:08:19.160 --> 1:08:21.000
<v Speaker 1>to own it and I love art. You know. So

1:08:21.160 --> 1:08:22.880
<v Speaker 1>I know you're a big tennis player if you've been

1:08:22.880 --> 1:08:25.479
<v Speaker 1>to all four majors. I've been to all four majors.

1:08:25.560 --> 1:08:27.840
<v Speaker 1>I've been to a lot of the smaller tournaments as well.

1:08:28.280 --> 1:08:31.320
<v Speaker 1>I still want to go back to some of them.

1:08:31.479 --> 1:08:34.920
<v Speaker 1>Um so so. So that's why I don't really have

1:08:34.960 --> 1:08:37.400
<v Speaker 1>a bucket list. I have this idea that if I

1:08:37.439 --> 1:08:39.280
<v Speaker 1>want to go do something, I'm gonna go do it.

1:08:39.479 --> 1:08:41.439
<v Speaker 1>You know, it's funny. Someone says, what are you gonna

1:08:41.479 --> 1:08:43.840
<v Speaker 1>do when all this is over? And I said, I'm

1:08:43.880 --> 1:08:46.200
<v Speaker 1>gonna go to an island And they said what and

1:08:46.280 --> 1:08:49.040
<v Speaker 1>be alone? I said, well maybe with somebody else, but

1:08:49.360 --> 1:08:52.439
<v Speaker 1>you know, literally shut down from social media, lie in

1:08:52.439 --> 1:08:54.960
<v Speaker 1>the sun, be on an ocean, and and just chill

1:08:55.520 --> 1:08:59.559
<v Speaker 1>right because even though we're isolated, I wouldn't call it chilling.

1:09:00.080 --> 1:09:02.360
<v Speaker 1>Not a lot of chilling going on, especially if you

1:09:02.439 --> 1:09:04.960
<v Speaker 1>turn on the news. I mean I got the TV

1:09:05.120 --> 1:09:07.840
<v Speaker 1>on now. They're saying there's a big announcement coming soon,

1:09:07.960 --> 1:09:10.080
<v Speaker 1>So it's like, who the funk knows what's going on?

1:09:10.280 --> 1:09:14.160
<v Speaker 1>Like every every day it changes, right, so it certainly

1:09:14.200 --> 1:09:17.280
<v Speaker 1>does in any of them. I think that's a good

1:09:17.280 --> 1:09:20.800
<v Speaker 1>note to end on. Jake, thanks so much for doing

1:09:20.840 --> 1:09:23.240
<v Speaker 1>this to be safe, Bob, and I'm sure I'll talk

1:09:23.280 --> 1:09:26.920
<v Speaker 1>to you, but publicly, happy birthday. Thank you so much.

1:09:27.120 --> 1:09:29.559
<v Speaker 1>Until next time. This is Bob Left Things